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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the history of Curby Your Enthusiasm

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Speaker 1: podcast on Max and YouTube, as well. Links available in

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Speaker 1: the episode description. Okay, here we are at the end

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Speaker 1: of the season.

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Speaker 2: Jeff.

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Speaker 1: It's season five episode ten. Yeah, and it is called

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Speaker 1: the end. And I'm Susie Esman.

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Speaker 2: I'm Jeff Garland enjoying Susie s Man.

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Speaker 1: She has to offer And we start out that you

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Speaker 1: get young people love what young people love you. Yes, Well,

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Speaker 1: I'll tell you something anecdotally interesting. You know, I live

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Speaker 1: in New York, as we know, and on the streets

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Speaker 1: of New York City, I would say I get stopped

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Speaker 1: more by boys in their twenties than any other group

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Speaker 1: who love kurb Young guys in their twenties.

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Speaker 2: Most of them discovered the show from watching it with

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Speaker 2: their father or parents or family, like it's a rite

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Speaker 2: of passage almost from a father to a son. Because

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Speaker 2: I didn't let my kids watch it until they were

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Speaker 2: like in their early teens, like thirteen, fourteen, fifteen.

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Speaker 1: There's inappropriate content. It's not the language, really, it's the content.

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Speaker 2: When I did Daddy Daycare, a lot of those kids

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Speaker 2: would say to me, I enjoyed last season of Curb

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Speaker 2: Your Enthusiasm. And I would say to their mothers and going,

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Speaker 2: you know, they're eight, what's going on.

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Speaker 1: It's like, yeah, he's getting a pupa care stuck in

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Speaker 1: his throat.

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Speaker 3: I mean all sorts of things.

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Speaker 2: You know, who stops me on the street and it's weird. Nurses, nurses,

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Speaker 2: I get it every direction. Arry. Sometimes I found myself

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Speaker 2: surrounded by nurses and we're not even near a hospital.

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Speaker 1: But seriously, it's always surprising to me how these young guys,

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Speaker 1: you know, because we're an old cast pretty much right.

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Speaker 1: Oh no, we are very old, kiss.

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Speaker 2: But what overcomes that is we're funny. So you can

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Speaker 2: be young or old. If it's funny, it doesn't matter.

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Speaker 2: We could be in our nineties and doing this, and

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Speaker 2: if it's really funny and appropriately written for people in

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Speaker 2: their nineties, I think.

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Speaker 3: Young people would. By the way, I plan on working

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Speaker 3: into my nineties.

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Speaker 2: I'll work as long as I'm having fun.

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Speaker 3: How old was Shelley when he was doing this? He

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Speaker 3: was in his late eighties.

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Speaker 2: No, No, not late eighties.

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Speaker 3: You don't think so.

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Speaker 2: No, because I work with George Siegel, who was in

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Speaker 2: his early to mid eighties and he was sharp as

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Speaker 2: a tax.

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Speaker 3: I think Shelley was in his mid to late eighties.

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Speaker 2: He might have. But also, we live in a different

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Speaker 2: world where it's not weird working with someone in their

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Speaker 2: eighties nineties, I would say it's weird, you know. I

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Speaker 2: almost I met Norman Lear years ago. He was doing

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Speaker 2: a show and he wanted me to me to He

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Speaker 2: took me to lunch to be a recurring character on

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Speaker 2: a show he was doing. And I remember when he

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Speaker 2: said that because I had no idea why he asked

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Speaker 2: me to lunch. And I'm just like, it's Norman Lear,

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Speaker 2: you know. And when he said that to me, I

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Speaker 2: really had to pinch myself. Norman Lear wants me to

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Speaker 2: be a character in one of his shows. I just

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Speaker 2: couldn't believe it. And the show took place in a

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Speaker 2: retirement home. Hu And then I also did who is

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Speaker 2: one hundred? He might be one on one now he might.

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Speaker 3: Be, but he's at least one hundred. And didn't George

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Speaker 3: Burn's work until he was like ninety nine. He was

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Speaker 3: on ninety nine.

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Speaker 2: Yes, my grandfather lived in ninety nine. Just gonna tell

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Speaker 2: you this little anecdote. So I'm on the Sony lot

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Speaker 2: and I see Norman and a friend of mine, Billy

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Speaker 2: Merivitz from Chicago. They're friends, the two of them. They're

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Speaker 2: in a golf cart and I'm walking on the lot

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Speaker 2: and they stop and we say hello, and Norman says,

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Speaker 2: how you doing. I go because I was doing Curb

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Speaker 2: and the Goldbergs at the same time, and I said,

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Speaker 2: I'm exhausted. I can barely move. He goes, No, moving

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Speaker 2: is everything, and it's better to be exhausted than not exhausted.

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Speaker 2: And by the way, at the time he was probably

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Speaker 2: ninety seven ninety eight, And no kidding around. That's profoundly

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Speaker 2: affected me in terms of I have complete energy when

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Speaker 2: I'm not lazy at all anymore, I should say at all,

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Speaker 2: but in moments of laziness, but in general Boom, Sarah

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Speaker 2: yesterday must have asked me for a half dozen things

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Speaker 2: which I had to get up and go across the house.

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Speaker 2: I got all of them with energy, not a second thought.

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Speaker 2: So thank you summarization, Johnsyes. But it profoundly affected me,

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Speaker 2: that's all I'm saying.

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Speaker 1: Yeah, well he's a great role model, by the way, Yeah, yeah,

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Speaker 1: so And for I mean, I hope this isn't the case,

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Speaker 1: but for our listeners who do not know who normally

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Speaker 1: is go look it up.

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Speaker 3: But normally a created all in the family among other things.

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Speaker 2: And by the way, ironically were bringing him up Maud,

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Speaker 2: and that has everything to do with this episode. Here

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Speaker 2: we go, okay, yeah, and I have a great b

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Speaker 2: Arthur story, Sondra b Arthur's story, which I I don't

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Speaker 2: think you know, I don't.

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Speaker 1: All right, we get to it. So we start out

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Speaker 1: you were getting out of a prius which is clearly

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Speaker 1: Larry's prius, and you say it's kind of small, but

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Speaker 1: we establish that you're buying it for your nanny, so

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Speaker 1: it's fine. And then you ask Larry how much. He says,

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Speaker 1: oh whatever, and you say you'll give him the blue

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Speaker 1: Book value price, which, by the way, shake on the

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Speaker 1: deal if I may.

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Speaker 2: That's not getting a deal from your friend.

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Speaker 1: Fine, that's the Bluebook value price.

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Speaker 2: No, but I would not sell to a close friend

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Speaker 2: of mine the blue Book value. I would go under

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Speaker 2: Bluebook value. But that's the kind of friend I am.

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Speaker 1: And that's the kind of friend Larry is not because

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Speaker 1: he accepts the blue Book value. And even more we

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Speaker 1: find out and you shake on the deal. And then

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Speaker 1: Cheryl comes out. She's on the phone and she announces

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Speaker 1: Lewis Lewis is out of the coma. Oh dear Louis Lewis,

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Speaker 1: who is played by Bill Saluga. And Bill salugas I

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Speaker 1: told you was Ace Trucking Company.

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Speaker 2: A trucking company, Thank you. I couldn't think of it before. Yes,

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Speaker 2: with Fred Willard out of San Francisco, If I'm not mistaken.

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Speaker 2: Reason I watched them. They were hosting If I'm not mistaken,

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Speaker 2: the midnight special, that music show on Friday nights when

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Speaker 2: they have comedians too. But then he went from that,

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Speaker 2: and he was very good in that to this character

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Speaker 2: with a hat dressed like a yeah, you can call

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Speaker 2: me Ray, you can call me Jay. And he was

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Speaker 2: in a lot of the Miller Light commercials, so you

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Speaker 2: saw him all over.

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Speaker 1: The place, right And we get to got to the hospital.

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Speaker 1: There is Bill Saluga yacking it up on the phone.

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Speaker 1: There's going to be a party. He invites the nurse

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Speaker 1: to the party. She says she'll come and then Larry

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Speaker 1: comes in and ask him, what do.

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Speaker 4: You know about your cousin who needs a kidney?

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Speaker 1: Well, Richie, yeah, well so we'll find him a kidney.

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Speaker 5: What about yours?

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Speaker 1: What are you crazy?

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Speaker 3: I'm not giving anybody my kid you I just woke up.

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Speaker 3: I'm gonna give things out now.

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Speaker 4: That's very selfish, selfish, and let me ask you a question.

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Speaker 4: You know, I heard that you come in and out

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Speaker 4: of here all the time, and I don't understand that.

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Speaker 3: I hardly know you.

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Speaker 1: I met you briefly once at Richie's house, and they

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Speaker 1: tell me you're here all the time.

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Speaker 4: I visit people in the hospital and I cheer them up.

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Speaker 4: I go around, I do volunteer work, and I knew

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Speaker 4: you were here, so I stopped in to see you.

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Speaker 1: Yeah. Well, I'll tell you something.

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Speaker 3: You don't have to cheer me up, because I'm cheered up.

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Speaker 2: It takes to be in a comb.

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Speaker 1: I'm telling you, I've never felt so refreshed in my life.

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Speaker 1: Oh really, you know those bears, they had it right.

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Speaker 1: They go on the hibernation, they come out like new bears.

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Speaker 2: Another exchange a thing of beauty. He gets nailed, and

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Speaker 2: then he has an answer that you go, Wow, that

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Speaker 2: is so funny Lewis.

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Speaker 1: Lewis starts talking about how Grady feels bears have it right,

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Speaker 1: the hibernation, et cetera, et cetera, which I think must

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Speaker 1: feel pretty damn good to sleep that long. Larry leaves

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Speaker 1: and as he's leaving, he sees Richard Lewis coming in

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Speaker 1: looking horrible. He's walking with a cane.

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Speaker 2: Well, by the way, I have to say, it's beautifully lit. Yeah,

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Speaker 2: and he comes down as a shadow and they almost

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Speaker 2: are like gunfighters, but not in terms of a gunfight.

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Speaker 2: It's a turning gunfight of like you know, Larry and

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Speaker 2: him were walking towards well, you're walking past each other.

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Speaker 2: It's really it's really cool. I think that's seeing Michelle and.

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Speaker 1: Lewis looks like death warmed over.

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Speaker 2: Well, I told you that. People would ask.

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Speaker 1: Me, Yeah, I rich I know. And Lewis just stares

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Speaker 1: at him, just stares at him, gives him like a

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Speaker 1: death stare. And then Larry is back in the house

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Speaker 1: with Cheryl and he starts talking about, you know, he

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Speaker 1: was the specter of death and he's haunted.

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Speaker 3: By that look that Lewis gave him.

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Speaker 1: And Cheryl's not really listening to him, and she's just like,

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Speaker 1: have you seen the Sopranos DVD case? And Larry's like,

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Speaker 1: you're barking up the wrong tree. I have a system.

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Speaker 1: I put the case on top of the player, and

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Speaker 1: then when it's done, I reflect. He's got a whole system.

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Speaker 1: And then Larry starts going off on this whole tangent

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Speaker 1: about he's not even that friendly with Louis. Yeah, he's

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Speaker 1: known him for forty four years, but they're really more

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Speaker 1: like acquaintances. They're not really close friends, which we know

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Speaker 1: is bullshit because they're best fucking friends.

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Speaker 2: No. But by the way, when he does it, it's

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Speaker 2: so clary. He's trying to massage Larry. He really wants

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Speaker 2: to Cheryl to go, you know what, he's not your friend.

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Speaker 1: He's not your friend. But Cheryl goes right back to

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Speaker 1: the DVD. Cheryff's fixated on the DVD and then the

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Speaker 1: phone rings and it's Omar Jones. He wants Larry to

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Speaker 1: come to his office the next day. He's got some

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Speaker 1: news for him. So next day Larry is in Omar's

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Speaker 1: office and he was in fact adopted. Omar tells him

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Speaker 1: mister and missus Cone from Bisbee, Arizona. They're awaiting his call,

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Speaker 1: and then Larry is in the elevator. The elevator opens

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Speaker 1: and there's Steve Rash right up front. You're editor acting,

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Speaker 1: is it extra? And you see Larry's just dazed and confused,

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Speaker 1: and he walks into a store and finds Cheryl in

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Speaker 1: the dressing room, half naked, and silently he's telling her.

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Speaker 2: Oh no. But but by the way, as I was

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Speaker 2: watching that, I thought, yeah, there's a lot of clever

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Speaker 2: word playing. Larry could fill in those black and white

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Speaker 2: boxes which tells you you're hearing. But I thought that

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Speaker 2: was really cool. I don't know, I'm thinking that we

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Speaker 2: shot it to just be part of a montage. I

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Speaker 2: think so too, Yeah, because it doesn't seem like they're

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Speaker 2: having a real conversation. They're acting. But I it reminded

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Speaker 2: me of a silent movie, like legitimately, not like that.

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Speaker 3: Felt like, no, well, you knew exactly what was going on.

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Speaker 3: I know, we didn't need to dialog it was.

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Speaker 2: It was really interesting.

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Speaker 1: And then we see Larry on the plane, sitting in

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Speaker 1: the exit row and he's freaked out and he tells

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Speaker 1: the flight attendant he can't sit here. All we need

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Speaker 1: to know is that you're willing to assist passengers in

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Speaker 1: the event of a non traditional landing.

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Speaker 4: I cannot be of any help whatsoever in any kind

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Speaker 4: of non traditional landing or any traditional landing.

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Speaker 1: Did you read the brochure.

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Speaker 2: I can't read that brochure.

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Speaker 4: It's Chinese.

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Speaker 2: I'm sorry, Chinese. You look a little Alsian. I'm sorry.

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Speaker 2: It's just an expression, but I don't know you.

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Speaker 4: You look maybe tie.

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Speaker 2: I'm not sure.

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Speaker 1: Is it the state? Are you just scared to find I.

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Speaker 4: Choke under pressure in any kind of game with basketball.

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Speaker 4: If I was on the foul line and towards like

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Speaker 4: the last five into the game, I would miss the

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Speaker 4: entire rim. He couldn't even hit the rim because I

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Speaker 4: was choking, choking.

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Speaker 1: He could not be of any help whatsoever. He chokes

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Speaker 1: under pressure. He doesn't know how to do the thing,

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Speaker 1: the pull down. And he's the woman sitting next to

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Speaker 1: him who he thinks is tie and not Chinese, and

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Speaker 1: he's kind a.

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Speaker 2: Thing no properly tie.

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Speaker 3: Yes, yes, Chinese.

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Speaker 1: She she's an extra.

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Speaker 2: She does she does not until yeah, yes, and then

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Speaker 2: that's really funny.

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Speaker 1: And then we're in Bixby Arizona in a beautiful little

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Speaker 1: yellow house with a porch with a nice little white

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Speaker 1: picket fence in the front. And he rings the bell

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Speaker 1: and his father answers, who doesn't look all that much

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Speaker 1: older than him, and they hug and they start to

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Speaker 1: tell the whole story. He just came out of the

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Speaker 1: next He did have him read very young.

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Speaker 2: The actress playing Larry's mother is June.

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Speaker 1: Squib, who is June's Squib.

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Speaker 2: June Squib was shortly thereafter an immensely popular character actors.

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Speaker 2: She worked constantly in big movies and she worked a ton.

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Speaker 2: She really broke through in a move with Bob Odenkirk

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Speaker 2: called Nebraska, And yeah, she was great in that movie,

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Speaker 2: and she had I don't know what's going on with

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Speaker 2: her now, but I can tell you the run that

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Speaker 2: she had for a while. It was like a Betty Well,

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Speaker 2: it was like a Betty White run.

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Speaker 1: Uh huh.

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Speaker 2: You know, everybody wanted June Squib, and so I thought, wow,

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Speaker 2: we got.

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Speaker 1: Her before she was June Squib.

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Speaker 2: Yeah, but no, I thought, Susie's not going to know this,

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Speaker 2: and I did.

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Speaker 1: No, I didn't know that. So the father tells him

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Speaker 1: he just got out of the navy. They had no money,

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Speaker 1: that's why they gave him up for adoption. They were

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Speaker 1: so young, that's why he doesn't look that much older.

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Speaker 1: They're probably, you know, nineteen something like that. And then

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Speaker 1: Larry says, do you know anything about the people who

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Speaker 1: adopted me? And they met and the husband was fidgety,

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Speaker 1: and the mother was very loud, and she ruled the roost,

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Speaker 1: and you know, it all sounds like Larry's family. And

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Speaker 1: the mother is from Illinois and the dad is from

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Speaker 1: Virginia with a scott the English Scotland background and been

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Speaker 1: in this country for hundreds of years. And then Larry's

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Speaker 1: getting a little suspicious. He's like, how do you spell con?

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Speaker 1: How do you spell your last name? How do you

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Speaker 1: spell your last name cn e? It's not Cohn Cohen

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Speaker 1: the Jewish way, it's Coo n e. And then the

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Speaker 1: religious music comes up and Larry sees a picture of

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Speaker 1: Jesus on the wall and he says, oh my god,

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Speaker 1: I'm gentile, which.

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Speaker 3: Would be quite a shock to any of us, I think.

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Speaker 2: And this is one of the great cuts ever on

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Speaker 2: our show, when we go from this to what we

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Speaker 2: see next.

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Speaker 1: He's in the car, he gets out wearing a tgif

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Speaker 1: T shirt and some kind of straw cowboy hat.

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Speaker 2: But also it's tucked into shorts with a belt, yes,

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Speaker 2: tucked into with his shoes, but it is so on

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Speaker 2: the money.

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Speaker 1: Just well, this whole run of him in Bixby, Arizona,

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Speaker 1: is it Bigsby?

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Speaker 3: Whatever?

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Speaker 1: I found delightful? I just like the.

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Speaker 2: Whole small town. No, Jesus, by the way, he's really

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Speaker 2: walking around Mayberry. Correct, by the way, if I may

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Speaker 2: everybody is friendly and welcoming, just like Mayberry.

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Speaker 3: Yeah, we'll be right back.

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Speaker 6: Stay tuned, and we're back.

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Speaker 1: And he meets Dave the Chevrolet dealer and Jenny and

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Speaker 1: where no, no, no, no.

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Speaker 2: Take a step back he does, like, you know, there's

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Speaker 2: that stupid humor because he pulls up with his father

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Speaker 2: in a Kia. Yeah, and so this is our friend Dave.

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Speaker 2: He's a Chevrolet dealer. Why didn't my dad didn't come

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Speaker 2: to you for a car? Why is he driving this thing?

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Speaker 2: But he says it in a chuckling way.

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Speaker 1: Yeah, you know, and it was yeah yeah. And then

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Speaker 1: he sees a guy selling a Prius and it says

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Speaker 1: a two thousand and four Prius twenty one thousand, six

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Speaker 1: hundred and eighty dollars and he asked. Larry asked the guy,

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Speaker 1: and the guy says, well, that's the blue book value.

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Speaker 1: And Larry says, I sold a prius to my friend

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Speaker 1: and he paid me five thousand dollars less, and we

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Speaker 1: know that was you. And the mom says, oh, Larry, Larry,

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Speaker 1: what's wrong? And Larry says, my friend took advantage of me,

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Speaker 1: and the mother says, give him the benefit of the doubt,

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Speaker 1: experience love and forgiveness. That's what Jesus would.

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Speaker 2: Do, and then he goes okay, okay, yeah. And the

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Speaker 2: guy at the car is played by Pat Finn, who

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Speaker 2: is one of the funniest people I've ever known from

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Speaker 2: Chicago and Theft, and he plays it perfect because his

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Speaker 2: reaction to Larry when Larry says he got ripped off

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Speaker 2: is like, oh, pal, you just you know, yeah, well yeah,

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Speaker 2: So I want to also add, this is just a

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Speaker 2: tidbit when we unless I'm on camera when we go

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Speaker 2: film anywhere, and this was two and a half hours away,

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Speaker 2: staying overnight there when we were shooting all these weak

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Speaker 2: Where was it up the one O one, you know,

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Speaker 2: way past Valenci and stuff. Yeah, literally, you know, two

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Speaker 2: three hours away, you know, when we do these things,

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Speaker 2: and also all driving scenes that I'm not in, I don't.

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Speaker 2: I just don't feel unnecessary, like you know, to go

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Speaker 2: up there. And like the biggest one for me was

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Speaker 2: Larry with Scorsese on the on the roof in New York.

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Speaker 1: No, that was in New York.

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Speaker 2: Yes, but yeah, when we're talking about the planning of it,

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Speaker 2: certain people who didn't need to be there made sure

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Speaker 2: they they wanted to be there to put on a

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Speaker 2: floor show for Scorsese has spent time. I who loves Scorsese.

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Speaker 2: I just said, I'm out, I'm good, I'm ana stay home.

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Speaker 1: And I could have gone to set because I live

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Speaker 1: in New York, but I.

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Speaker 2: Just by the way. If I lived in New York,

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Speaker 2: certainly i'd stop, I'd go by the set, and i'd work.

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Speaker 2: I'd work if I lived in New York.

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Speaker 1: So next we see Larry. Next we see him fishing,

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Speaker 1: and then they start beating the fish. He and his

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Speaker 1: father take clubs to start beating the fish. And then

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Speaker 1: we see him duck hunting or bird hunting, and he's

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Speaker 1: horseback riding. He looked good on that horse well, by.

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Speaker 2: The way, I don't know if that was actually him,

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Speaker 2: because it went from someone riding towards I have to

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Speaker 2: watch it again, someone who looks just like Larry riding. See.

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Speaker 2: I'm telling you, I would bet everything that that wasn't

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Speaker 2: him on that long ride to ask because well, no

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Speaker 2: reason being is that we don't see the horse stop.

365
00:17:28,640 --> 00:17:31,479
Speaker 2: There's the ride and then cut to Larry where the

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Speaker 2: horse is taking two or three steps and stops. So, yeah,

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Speaker 2: that was the part that was Larry. The other you know,

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Speaker 2: with body doubles depending on what's going on, and Larry's

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00:17:41,600 --> 00:17:44,399
Speaker 2: had some raid on the money body doubles. You don't

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Speaker 2: know when you're watching unless it's a Tom Cruise movie.

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Speaker 2: You know, everything is Tom Cruise, which I've never understood.

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Speaker 2: Who likes Tom Cruise more or enjoys his movies more

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Speaker 2: based on him doing the stunt. If anything, when you're watching,

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Speaker 2: it takes you out of the movie because you're going

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Speaker 2: Tom Cruise really did that.

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Speaker 1: Yeah, but you know a lot of what Bert Lanscaster

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Speaker 1: used to do his own stunts, Gene Kelly used to

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Speaker 1: do his own stunt.

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Speaker 2: Let's take a step back think of the Mission Impossible

380
00:18:10,240 --> 00:18:14,720
Speaker 2: movies and anything that Bert Lancaster or especially Gene Kelly

381
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Speaker 2: ever did in their career. The Mummy, like all these movies,

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Speaker 2: these are big fucking stunts. I mean, he's literally in

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Speaker 2: the air doing stuff on a plane. You know what.

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Speaker 1: I think he's taking a job away from a stunt man,

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Speaker 1: is what he's doing.

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Speaker 2: Well, by the way, there's that too, but I think

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Speaker 2: that he befriends stuntman and they help him. He by

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Speaker 2: the way, I bet John set he hangs with the

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Speaker 2: stunt people, condition people. Tom likes being in the middle

390
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Speaker 2: of the action and may also say about Tom Cruise

391
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Speaker 2: same age as me, which people might not think as possible.

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Speaker 2: And from the moment I first saw him, which is

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Speaker 2: this movie about young cadets, Oh oh shit, but it

394
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Speaker 2: was like this movie about young cadets Sean Pennett like

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Speaker 2: a lot of young actors in it. But just like

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Speaker 2: Julia robertson Mystic Pizza, because I remember that experience. You

397
00:19:03,320 --> 00:19:06,359
Speaker 2: look at these people and you go, wow, they're movie stars.

398
00:19:06,520 --> 00:19:10,040
Speaker 2: I'm curious what happens because they're fucking movie stars. And

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00:19:10,520 --> 00:19:13,280
Speaker 2: Julia Roberts had a bigger role. But nonetheless, Tom Cruise

400
00:19:13,320 --> 00:19:16,359
Speaker 2: in a medium at best size role. You watch it

401
00:19:16,400 --> 00:19:18,760
Speaker 2: and you go, dude's a movie star. And by the way,

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Speaker 2: I'm sure other people thought that, and he truly is

403
00:19:22,920 --> 00:19:25,760
Speaker 2: like a lot of people, you know, he's a movie star. No,

404
00:19:26,080 --> 00:19:29,560
Speaker 2: this dude is an out and out movie star. It's

405
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Speaker 2: a level above other people where it's like fucking Tom Cruise.

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Speaker 2: And I like his movies. I never thought I liked

407
00:19:35,800 --> 00:19:38,399
Speaker 2: the sequel to Top Gun. I loved every minute of it.

408
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Speaker 1: I'm glad you enjoyed it.

409
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Speaker 2: But I was wearing cotton, which was very comfortable.

410
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Speaker 1: All right. So he's horseback riding and he's helping his

411
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Speaker 1: mom with the wool.

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Speaker 2: That was more than a tidbit, that was a tangent.

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Speaker 1: That was a tangent. Then he's fixing the roof. Then

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Speaker 1: he's chugging beer with the chaser. Then they're having dinner

415
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Speaker 1: and they have to say grace first, and he learns

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Speaker 1: how to do the.

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Speaker 3: Cross, but hold on his toes watch wallet.

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00:20:01,800 --> 00:20:04,119
Speaker 2: Yeah, but the cross he makes a joke to his

419
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Speaker 2: dead I keep the keys in the wallet on the

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Speaker 2: other side.

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Speaker 1: Yeah.

422
00:20:07,680 --> 00:20:12,000
Speaker 2: But also he's so into learning the cross.

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Speaker 1: Totally into it.

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Speaker 2: Yeah.

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Speaker 1: And then they're at church and they're singing go tell

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Speaker 1: it on the mountain. And he's joyous. He's having the

427
00:20:18,720 --> 00:20:22,680
Speaker 1: time of he loves being gentile. And the minister's sermon

428
00:20:23,080 --> 00:20:26,560
Speaker 1: is about an important relationship with your friends. Don't take

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Speaker 1: your friends for granted.

430
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Speaker 2: No, no, he talks about family, but he goes, let's talk

431
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Speaker 2: about this one today. Friends.

432
00:20:32,320 --> 00:20:36,400
Speaker 1: That's right, friends, and the bond of friendship and generosity

433
00:20:36,440 --> 00:20:39,000
Speaker 1: and spirited Am I a good friend? How have I

434
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Speaker 1: sacrificed for my friend? And you see Larry thinking, and

435
00:20:42,240 --> 00:20:45,040
Speaker 1: you know what he's thinking. He's thinking about Louis's kidney,

436
00:20:45,600 --> 00:20:48,240
Speaker 1: and Denny says, Mom and dad, I have to go.

437
00:20:48,600 --> 00:20:51,880
Speaker 1: And that's a real sacrifice because he's really enjoying himself

438
00:20:51,920 --> 00:20:53,679
Speaker 1: there in Bigsby, Arizona.

439
00:20:53,960 --> 00:20:55,600
Speaker 3: He's having the time of his life.

440
00:20:55,640 --> 00:20:57,399
Speaker 2: But one of the great things comes next.

441
00:20:57,640 --> 00:20:59,960
Speaker 1: Well, he's wearing a blue blazer with a red sweater

442
00:21:00,119 --> 00:21:03,040
Speaker 1: vest in a tie, and he's on the plane. Yes,

443
00:21:03,200 --> 00:21:06,359
Speaker 1: he's on the plane in the exit seat, and Bob White,

444
00:21:06,400 --> 00:21:08,320
Speaker 1: he is sitting on the plane with him, who.

445
00:21:08,240 --> 00:21:09,720
Speaker 3: Was one of our directors.

446
00:21:10,040 --> 00:21:12,159
Speaker 1: And the flight attendant comes over to tell him, oh,

447
00:21:12,240 --> 00:21:14,560
Speaker 1: I'll move you because she remembers him. Oddly enough, it's

448
00:21:14,600 --> 00:21:16,639
Speaker 1: the same flight attendant. You could depend on me.

449
00:21:16,720 --> 00:21:18,679
Speaker 3: I won't let you down and be a deer and

450
00:21:18,680 --> 00:21:19,840
Speaker 3: get me a gin and tonic.

451
00:21:19,920 --> 00:21:23,639
Speaker 2: He says to by the way, no, no anxiety because

452
00:21:23,640 --> 00:21:24,520
Speaker 2: he's not Jewish.

453
00:21:24,760 --> 00:21:25,800
Speaker 1: No, not anymore.

454
00:21:25,840 --> 00:21:27,359
Speaker 2: He completely leaves change.

455
00:21:27,600 --> 00:21:30,720
Speaker 1: He changes so quick once he finds out that it's

456
00:21:30,760 --> 00:21:34,320
Speaker 1: COO n e yes. John Hayman used to have a

457
00:21:34,400 --> 00:21:36,840
Speaker 1: joke about that in his act about David Cohne, the

458
00:21:36,880 --> 00:21:40,439
Speaker 1: picture co O n e Anyway, he comes back, He

459
00:21:40,520 --> 00:21:42,640
Speaker 1: goes to Lewis, he hugs him and he says to him,

460
00:21:42,640 --> 00:21:44,760
Speaker 1: you could have my kidney. And then he sees Lewis

461
00:21:44,800 --> 00:21:47,440
Speaker 1: he says, what what is that putter in Louis's doorway?

462
00:21:47,920 --> 00:21:49,520
Speaker 1: And he pulls the putter out of the back. He's like,

463
00:21:49,520 --> 00:21:51,280
Speaker 1: where'd you get this? I used this putter a few

464
00:21:51,320 --> 00:21:53,879
Speaker 1: weeks ago and it changed my life. And you can't

465
00:21:53,880 --> 00:21:55,639
Speaker 1: find them anymore. I love this putter.

466
00:21:55,840 --> 00:21:59,000
Speaker 3: Can I borrow it? And Lewis says, I don't think so.

467
00:22:00,680 --> 00:22:02,800
Speaker 1: I've lost a lot of clubs. I've lent them out

468
00:22:02,840 --> 00:22:03,320
Speaker 1: through the years.

469
00:22:03,320 --> 00:22:04,080
Speaker 2: It's not gonna do anything.

470
00:22:04,080 --> 00:22:05,159
Speaker 4: It's take really good care of it.

471
00:22:05,240 --> 00:22:05,719
Speaker 6: Believe me.

472
00:22:06,000 --> 00:22:06,960
Speaker 1: I can't lend them out.

473
00:22:07,600 --> 00:22:09,880
Speaker 4: I don't get that. Come on, I'll take good care

474
00:22:09,920 --> 00:22:10,720
Speaker 4: of it, I promise.

475
00:22:10,960 --> 00:22:13,320
Speaker 2: No, I am sure you will, but I prefer you didn't.

476
00:22:14,080 --> 00:22:16,000
Speaker 1: I'm about what.

477
00:22:18,320 --> 00:22:20,040
Speaker 4: I completely understand.

478
00:22:19,400 --> 00:22:24,639
Speaker 2: I respect your decisions. Really, I still love you.

479
00:22:26,080 --> 00:22:29,720
Speaker 1: He's giving him his kidney and Lewis won't let him

480
00:22:29,760 --> 00:22:30,720
Speaker 1: borrow the putt.

481
00:22:30,760 --> 00:22:34,480
Speaker 2: But also a very tough acting thing, because I think

482
00:22:35,240 --> 00:22:38,159
Speaker 2: ninety nine percent of people would say, take it, it's yours.

483
00:22:38,320 --> 00:22:42,360
Speaker 2: Of course, Richard. The way he's objecting, so believable and

484
00:22:42,440 --> 00:22:45,119
Speaker 2: so rate on the money. I just I love it.

485
00:22:45,160 --> 00:22:48,720
Speaker 2: I love when actors rise to the occasion of the

486
00:22:48,800 --> 00:22:51,280
Speaker 2: nu once right, you know, because it's a difficult thing

487
00:22:51,320 --> 00:22:52,160
Speaker 2: to play well.

488
00:22:52,160 --> 00:22:54,199
Speaker 1: We also see Larry, Larry says I'll take good care

489
00:22:54,200 --> 00:22:56,399
Speaker 1: of it. He's about to say to him, I'm giving

490
00:22:56,400 --> 00:23:00,000
Speaker 1: you a fucking kidney, and and he catches himself because

491
00:23:00,080 --> 00:23:00,639
Speaker 1: he's Christian.

492
00:23:00,720 --> 00:23:02,280
Speaker 2: Now what would Jesus do?

493
00:23:02,520 --> 00:23:05,399
Speaker 1: What would Jesus do? And then he goes home and

494
00:23:05,400 --> 00:23:07,879
Speaker 1: he's like, I love you, Cheryl, and Cheryl's like, what

495
00:23:07,880 --> 00:23:10,800
Speaker 1: are you wearing? And then Larry says I want to have.

496
00:23:10,800 --> 00:23:14,640
Speaker 2: Children, so good lots of them. But also he keeps

497
00:23:14,720 --> 00:23:18,280
Speaker 2: kissing her in the most uncomfort. She's like, completely confused,

498
00:23:18,359 --> 00:23:22,560
Speaker 2: she doesn't know what those are my favorite kisses they've

499
00:23:22,640 --> 00:23:25,439
Speaker 2: ever had, ye because it's just insane.

500
00:23:25,800 --> 00:23:29,200
Speaker 1: And she's like, well, that deserves a bigger conversation if

501
00:23:29,200 --> 00:23:31,399
Speaker 1: you want to have to, you know, take your tie off,

502
00:23:31,680 --> 00:23:34,479
Speaker 1: and Larry says to her, I know why God saved

503
00:23:34,480 --> 00:23:35,400
Speaker 1: me from drowning.

504
00:23:35,760 --> 00:23:37,880
Speaker 3: He wanted me to give Lewis my kidney.

505
00:23:38,320 --> 00:23:41,320
Speaker 1: And then we were in the hospital and the orderly

506
00:23:41,800 --> 00:23:44,960
Speaker 1: comes in and it's Craig Robinson, who everybody will recognize,

507
00:23:45,119 --> 00:23:47,440
Speaker 1: so much fun to see in.

508
00:23:47,400 --> 00:23:50,160
Speaker 2: The early No no, no, but but but buddy, he's

509
00:23:50,200 --> 00:23:52,800
Speaker 2: on the show because of me. He's great, So don't

510
00:23:52,840 --> 00:23:55,760
Speaker 2: get me wrong. But to see friends like Bobby Lee

511
00:23:55,840 --> 00:23:59,200
Speaker 2: and Craig Robinson and I mentioned Pat Finn, like these

512
00:23:59,280 --> 00:24:01,639
Speaker 2: are you know, it's like if I just got my

513
00:24:01,760 --> 00:24:04,840
Speaker 2: cronies on and who the fuck are they? That ruins

514
00:24:04,880 --> 00:24:07,560
Speaker 2: the show. So I cared passionately about the show first,

515
00:24:07,880 --> 00:24:10,680
Speaker 2: but to be able to have someone I really believed

516
00:24:10,720 --> 00:24:14,360
Speaker 2: in and loved the best guy, Craig Robinson, I love him,

517
00:24:14,400 --> 00:24:17,240
Speaker 2: love him, love him, and anytime I see him on screen,

518
00:24:17,560 --> 00:24:20,800
Speaker 2: I'm so damn happy. Best dude, and so to see

519
00:24:20,880 --> 00:24:23,120
Speaker 2: him in this and by the way, the way he

520
00:24:23,200 --> 00:24:28,040
Speaker 2: plays this is really the way Craig Robinson playshit. That's

521
00:24:28,080 --> 00:24:30,639
Speaker 2: why Rake from the get go. If you're watching this,

522
00:24:30,760 --> 00:24:32,520
Speaker 2: you go, oh that guy's got something.

523
00:24:33,119 --> 00:24:36,879
Speaker 1: Oh yeah, yeah, absolutely. So Craig comes in and Larry says,

524
00:24:36,920 --> 00:24:37,919
Speaker 1: God will watch over me.

525
00:24:39,400 --> 00:24:43,440
Speaker 2: He wants a little less guy. But you are lucky, man.

526
00:24:44,520 --> 00:24:45,720
Speaker 1: You're giving away a kidney.

527
00:24:46,600 --> 00:24:48,520
Speaker 2: The recipient is going to love you.

528
00:24:48,680 --> 00:24:48,920
Speaker 4: Man.

529
00:24:49,560 --> 00:24:52,439
Speaker 2: Really, you're gonna have your own personal slave, is what

530
00:24:52,480 --> 00:24:52,800
Speaker 2: it is.

531
00:24:52,800 --> 00:24:54,840
Speaker 3: You could be in China and sneeze and he'll bring

532
00:24:54,880 --> 00:24:55,560
Speaker 3: you a tissue.

533
00:24:56,320 --> 00:24:59,080
Speaker 4: Well, that may be true of others. I don't think

534
00:24:59,119 --> 00:24:59,640
Speaker 4: with him though.

535
00:25:00,440 --> 00:25:01,680
Speaker 3: He wouldn't even loan me a putter.

536
00:25:01,800 --> 00:25:05,560
Speaker 5: Actually, you give him a kidney, he wouldn't loan.

537
00:25:05,400 --> 00:25:05,880
Speaker 2: You as putter.

538
00:25:06,760 --> 00:25:08,960
Speaker 4: Well, you know, people get very attached to a golf club.

539
00:25:09,040 --> 00:25:09,920
Speaker 2: It's understandable.

540
00:25:10,280 --> 00:25:13,400
Speaker 1: You're not attached to your kidney.

541
00:25:14,760 --> 00:25:15,439
Speaker 6: That's fucked up.

542
00:25:16,040 --> 00:25:18,639
Speaker 1: And Craig says, well, your recipient is gonna love you.

543
00:25:18,760 --> 00:25:20,640
Speaker 1: It's gonna be your own personal slave for the rest

544
00:25:20,680 --> 00:25:22,840
Speaker 1: of your life. And Larry says, he wouldn't give me

545
00:25:22,880 --> 00:25:26,160
Speaker 1: his putter, so he's still petty Larry deep underneath and

546
00:25:26,320 --> 00:25:28,720
Speaker 1: Craig well, the Orderly is his name's not. Craig says,

547
00:25:28,840 --> 00:25:31,000
Speaker 1: that's fucked up, and then they wheel them both out.

548
00:25:31,119 --> 00:25:33,919
Speaker 1: Lewis and Larry are both wheeled out with their with

549
00:25:34,000 --> 00:25:35,960
Speaker 1: their you know things on their heads.

550
00:25:36,000 --> 00:25:39,960
Speaker 2: Oh, by the way again shot beautifully the way they

551
00:25:40,040 --> 00:25:42,680
Speaker 2: come down the first off where they meet and they're

552
00:25:42,720 --> 00:25:47,119
Speaker 2: coming down and Larry, despite the fore iron, the Orderly

553
00:25:47,240 --> 00:25:51,160
Speaker 2: mentions the putter, Yeah, right, not Larry because he's not Jewish.

554
00:25:51,560 --> 00:25:55,040
Speaker 1: Right. Oh, but Larry told the order Yeah.

555
00:25:54,920 --> 00:25:58,480
Speaker 2: But he mentioned it because it's the real Larry underneath,

556
00:25:58,480 --> 00:26:01,160
Speaker 2: and we find out he's not adopted in the moment, yes.

557
00:26:01,080 --> 00:26:03,560
Speaker 1: Well yes, and Richard says it's this is the greatest thing.

558
00:26:03,600 --> 00:26:05,560
Speaker 1: I'll do anything for you for the rest of your life,

559
00:26:05,600 --> 00:26:08,320
Speaker 1: and the Orderly Craig Robinson says, anything except blowing you

560
00:26:08,359 --> 00:26:11,280
Speaker 1: a putter, and then we see Omar Jones comes running in,

561
00:26:11,720 --> 00:26:14,720
Speaker 1: mister David, Miss David was a big mistake. You're not adopted,

562
00:26:15,000 --> 00:26:17,439
Speaker 1: and Larry's like he's not adopted. All of a sudden,

563
00:26:17,440 --> 00:26:20,040
Speaker 1: he's Jewish again. He tries to get off the table

564
00:26:20,440 --> 00:26:23,320
Speaker 1: and like nix the whole thing and then we cut

565
00:26:23,400 --> 00:26:26,399
Speaker 1: to two months later and you see Richard on the

566
00:26:26,400 --> 00:26:29,199
Speaker 1: beach with a very hot girl in a bikini and

567
00:26:29,320 --> 00:26:31,840
Speaker 1: living it up. And then we cut to Larry's in

568
00:26:31,880 --> 00:26:36,200
Speaker 1: the hospital on life support and standing around or Matt

569
00:26:36,240 --> 00:26:40,120
Speaker 1: and Cheryl and you and me and Larry's.

570
00:26:39,960 --> 00:26:43,359
Speaker 2: Doctor, doctor Jack Gollo, doctor Jack Gallan manager and I

571
00:26:43,440 --> 00:26:46,760
Speaker 2: forget that actor's name, and there might be is there

572
00:26:46,800 --> 00:26:47,440
Speaker 2: one other person?

573
00:26:47,560 --> 00:26:50,920
Speaker 3: Well, the rabbi comes in later, but he's not there yet.

574
00:26:51,280 --> 00:26:52,640
Speaker 3: And then Larry.

575
00:26:52,320 --> 00:26:54,960
Speaker 1: Says to you, you low balled me on the car.

576
00:26:55,000 --> 00:26:57,399
Speaker 1: I need you to give five thousand dollars to Cheryl.

577
00:26:57,680 --> 00:27:01,160
Speaker 2: And by the way, if I may talked about this before,

578
00:27:01,720 --> 00:27:06,440
Speaker 2: that was the moment that Larry and I filmed our staredown, which,

579
00:27:06,680 --> 00:27:08,960
Speaker 2: as I've told you, because of he and I.

580
00:27:08,680 --> 00:27:11,360
Speaker 3: It did the yeah.

581
00:27:11,080 --> 00:27:13,960
Speaker 2: By the way, one take and we looked at each

582
00:27:13,960 --> 00:27:17,640
Speaker 2: other and laughed and no way does not work because

583
00:27:17,640 --> 00:27:20,040
Speaker 2: it was it was so forced and weirdness.

584
00:27:20,040 --> 00:27:21,840
Speaker 3: The staredown is for the guests.

585
00:27:21,880 --> 00:27:22,560
Speaker 1: It's not for us.

586
00:27:22,640 --> 00:27:26,439
Speaker 2: No, I know, it makes no sense for intimate people

587
00:27:26,560 --> 00:27:27,919
Speaker 2: to have staredowns.

588
00:27:28,040 --> 00:27:31,800
Speaker 1: And we had one. It was uncomfortable for me, and

589
00:27:31,800 --> 00:27:33,320
Speaker 1: and then Larry says, I.

590
00:27:33,280 --> 00:27:34,920
Speaker 2: Avoided good tease my whole life.

591
00:27:35,400 --> 00:27:39,879
Speaker 4: Turns out I was right, Larry.

592
00:27:39,960 --> 00:27:40,840
Speaker 1: The Rabbi is here.

593
00:27:44,440 --> 00:27:51,440
Speaker 5: Rabbi say, I'm still younger.

594
00:27:51,480 --> 00:27:51,840
Speaker 2: Abbi.

595
00:27:53,160 --> 00:27:56,119
Speaker 4: I thought, when God takes someone young, they're usually a

596
00:27:56,160 --> 00:27:56,760
Speaker 4: good person.

597
00:27:57,800 --> 00:28:00,800
Speaker 2: That's the one thing I had going for me. Well,

598
00:28:00,920 --> 00:28:04,560
Speaker 2: God is apparently making an exception in your case.

599
00:28:05,240 --> 00:28:07,560
Speaker 1: Larry's like, I could have traveled more, but I can't

600
00:28:07,560 --> 00:28:12,000
Speaker 1: stand packing. And the Rabbi says, anyone you'd like to

601
00:28:12,040 --> 00:28:14,840
Speaker 1: ask for forgiveness. Then we go into this montage which

602
00:28:14,960 --> 00:28:16,080
Speaker 1: I did not love.

603
00:28:16,440 --> 00:28:21,800
Speaker 2: Oh no, hold none. What I didn't love is here's

604
00:28:21,800 --> 00:28:24,760
Speaker 2: what I'm thinking from Richard Lewis on the beach, which

605
00:28:24,800 --> 00:28:27,680
Speaker 2: seems like it's a weird thing, but I get it comedically,

606
00:28:27,720 --> 00:28:30,640
Speaker 2: but it's still strange. From that moment through the rest

607
00:28:30,640 --> 00:28:33,800
Speaker 2: of the episode, it all feels like a dream. None

608
00:28:33,800 --> 00:28:36,440
Speaker 2: of it feels real. So when we're standing, for example,

609
00:28:36,600 --> 00:28:42,320
Speaker 2: Cheryl the way it's done, she's not terribly upset, and

610
00:28:42,760 --> 00:28:45,520
Speaker 2: she seems like a gold digger, like right after he died,

611
00:28:46,320 --> 00:28:47,280
Speaker 2: which is so weird.

612
00:28:47,520 --> 00:28:50,760
Speaker 1: After this montage. That's what happens when she asks.

613
00:28:50,520 --> 00:28:53,440
Speaker 2: By the way, I enjoyed the montage and I'll explain

614
00:28:53,520 --> 00:28:54,440
Speaker 2: later why it was.

615
00:28:54,400 --> 00:28:56,840
Speaker 1: There well, and what it was was. It was a

616
00:28:56,880 --> 00:29:00,520
Speaker 1: litany porno' Gill's wife, the beloved cunt Paul.

617
00:29:00,440 --> 00:29:02,920
Speaker 2: Saying, yeah, the last five seasons.

618
00:29:03,000 --> 00:29:04,040
Speaker 3: You wait, the baby.

619
00:29:06,080 --> 00:29:09,400
Speaker 1: Calling him a cocksucker, But it's all the conflicts that

620
00:29:09,480 --> 00:29:11,720
Speaker 1: he had over the past five seasons.

621
00:29:11,760 --> 00:29:13,200
Speaker 2: And I'm gonna explain why that was.

622
00:29:13,200 --> 00:29:19,480
Speaker 1: Askar Muggsy Bows, the Russian guy with the Yamica cousin

623
00:29:19,560 --> 00:29:20,800
Speaker 1: Andy fighting with him.

624
00:29:20,680 --> 00:29:25,080
Speaker 2: Over the jack jack. Yeah, a lot winnaker.

625
00:29:26,280 --> 00:29:27,240
Speaker 1: For the chiropractor.

626
00:29:27,560 --> 00:29:31,720
Speaker 2: His fights with her were the longest and most wrestling

627
00:29:31,760 --> 00:29:36,080
Speaker 2: life hilarious, hilarious, hilarious, what's crazy killer?

628
00:29:36,160 --> 00:29:36,400
Speaker 1: Yeah.

629
00:29:36,760 --> 00:29:40,760
Speaker 3: So when all that happens, then he says to you,

630
00:29:41,120 --> 00:29:42,800
Speaker 3: he can the.

631
00:29:42,840 --> 00:29:45,560
Speaker 2: Rabbi says anyone. He goes, no, I'm good.

632
00:29:45,680 --> 00:29:46,240
Speaker 1: Nah.

633
00:29:46,320 --> 00:29:46,520
Speaker 6: Yeah.

634
00:29:46,560 --> 00:29:48,720
Speaker 3: The Rabbi says, you have to get your life in order.

635
00:29:48,760 --> 00:29:51,080
Speaker 1: Is there anybody that you'd like to, you know, make

636
00:29:51,120 --> 00:29:53,239
Speaker 1: amends to or something like that, And then we go

637
00:29:53,280 --> 00:29:56,280
Speaker 1: through this whole montage in his head and then he says, nah,

638
00:29:56,400 --> 00:29:59,080
Speaker 1: I'm good, good, And then he says to you, because

639
00:29:59,080 --> 00:30:00,160
Speaker 1: it's his parting where.

640
00:30:00,040 --> 00:30:02,240
Speaker 3: It's to you that you eat way too much, Mayo.

641
00:30:03,600 --> 00:30:08,000
Speaker 2: I know, I know, what a fucking home run. He goes,

642
00:30:08,160 --> 00:30:10,560
Speaker 2: if you're eating tuna salad, you don't don't need it

643
00:30:10,600 --> 00:30:13,280
Speaker 2: on the bread read and I look at him and

644
00:30:13,320 --> 00:30:15,120
Speaker 2: I go, I will eat less, Mayo.

645
00:30:15,320 --> 00:30:16,120
Speaker 3: We'll be right back.

646
00:30:16,280 --> 00:30:16,920
Speaker 6: Stay tuned.

647
00:30:17,200 --> 00:30:28,760
Speaker 5: Okay, we're back.

648
00:30:29,200 --> 00:30:31,080
Speaker 1: And then he says, you shouldn't have let him do that,

649
00:30:31,120 --> 00:30:32,720
Speaker 1: Seinfeld TV Guide cover.

650
00:30:33,000 --> 00:30:35,360
Speaker 2: Yeah he looked like and he looked like a dick

651
00:30:35,480 --> 00:30:36,560
Speaker 2: or something like something.

652
00:30:36,680 --> 00:30:37,080
Speaker 1: Yeah.

653
00:30:37,120 --> 00:30:39,800
Speaker 2: And then I say, yes, it was my mistake.

654
00:30:39,880 --> 00:30:42,440
Speaker 1: Yeah, you're a mistake. And then he says to Nat,

655
00:30:42,480 --> 00:30:44,960
Speaker 1: I'm sorry about the adoption, but that doesn't know what

656
00:30:45,000 --> 00:30:46,880
Speaker 1: he's saying, what you need a doctor, you need a doc.

657
00:30:47,000 --> 00:30:50,000
Speaker 1: Matt doesn't hear him. And then he the camera turns

658
00:30:50,040 --> 00:30:53,760
Speaker 1: to me and I'm like lat and he's like, I don't.

659
00:30:53,520 --> 00:30:56,160
Speaker 2: Even know that you say, lair. I mean, you know

660
00:30:56,200 --> 00:31:00,600
Speaker 2: about it, okay, but that is played also perfect. I

661
00:31:00,600 --> 00:31:03,600
Speaker 2: mean the timing of it is just like you make

662
00:31:03,680 --> 00:31:06,920
Speaker 2: a move, but you don't even get a half step in.

663
00:31:07,400 --> 00:31:11,880
Speaker 1: And then he says, eh, by the way, I recall,

664
00:31:12,040 --> 00:31:15,440
Speaker 1: I think I'm almost sure about this that that's not

665
00:31:15,520 --> 00:31:17,719
Speaker 1: what was written in the outline. We changed it that

666
00:31:17,840 --> 00:31:21,000
Speaker 1: day in the outline there was some confrontation between us.

667
00:31:21,080 --> 00:31:23,120
Speaker 2: A normal yelling fast, yeah, normal, And.

668
00:31:23,680 --> 00:31:27,320
Speaker 1: That day it was just changed to the last you know,

669
00:31:27,800 --> 00:31:29,600
Speaker 1: which is always better, simpler, it's.

670
00:31:29,560 --> 00:31:33,320
Speaker 2: Always better, although you fighting with Larry is always.

671
00:31:32,960 --> 00:31:35,200
Speaker 1: Going well, that's a different thing, but that the fight

672
00:31:35,360 --> 00:31:37,760
Speaker 1: was not appropriate in this moment. Then he said, ask

673
00:31:37,880 --> 00:31:40,000
Speaker 1: Cheryl if he could fool around a little till she

674
00:31:40,160 --> 00:31:42,840
Speaker 1: got there, and and he says, I know it was

675
00:31:42,920 --> 00:31:46,080
Speaker 1: you about the soprano DVD cover because I have a system.

676
00:31:46,280 --> 00:31:51,240
Speaker 1: And then he flatlines, and Gallagher feels a pulse. He nods,

677
00:31:51,680 --> 00:31:55,000
Speaker 1: and we see his body leave and hover above, and

678
00:31:55,120 --> 00:31:58,400
Speaker 1: Cheryl goes and asks the business manager, anything you could

679
00:31:58,400 --> 00:31:59,320
Speaker 1: tell me about the will?

680
00:31:59,680 --> 00:32:03,320
Speaker 2: That is what I'm saying. It's just that's not her.

681
00:32:03,880 --> 00:32:05,840
Speaker 2: She cares, she loves.

682
00:32:05,680 --> 00:32:09,160
Speaker 1: Larry, loves Larry, but she did not seem that way

683
00:32:09,200 --> 00:32:12,640
Speaker 1: in this absolutely and it was character. And then you

684
00:32:12,680 --> 00:32:15,040
Speaker 1: say to her, show you don't really want the five thousand, right,

685
00:32:15,160 --> 00:32:17,160
Speaker 1: and she's like, yes, I do want the five thousand

686
00:32:17,240 --> 00:32:20,520
Speaker 1: dollars and and I say, you know, just be reasonable

687
00:32:20,600 --> 00:32:20,840
Speaker 1: in me.

688
00:32:20,880 --> 00:32:25,440
Speaker 2: Story held, but by the way, has he's floating above us,

689
00:32:25,600 --> 00:32:28,440
Speaker 2: watching and then he goes away. I'm telling you that

690
00:32:28,760 --> 00:32:31,800
Speaker 2: stuff that we did in the hospital room after he

691
00:32:31,880 --> 00:32:35,120
Speaker 2: flatlines just seems like what would happen in a dream.

692
00:32:35,520 --> 00:32:37,360
Speaker 2: Like it may have been a dream for all I know,

693
00:32:37,520 --> 00:32:40,240
Speaker 2: the way he wrote it, it just didn't seem it's

694
00:32:40,280 --> 00:32:41,200
Speaker 2: felt dreamless.

695
00:32:41,240 --> 00:32:41,920
Speaker 1: It was surreal.

696
00:32:42,160 --> 00:32:43,680
Speaker 2: It was very surreal.

697
00:32:43,800 --> 00:32:48,240
Speaker 1: That's what I'm you know, fighting, fighting, fighting, and he's

698
00:32:48,360 --> 00:32:51,120
Speaker 1: just above us watching, you know. And I say he's

699
00:32:51,160 --> 00:32:53,040
Speaker 1: petty in life, and he was petty and death and

700
00:32:53,480 --> 00:32:55,920
Speaker 1: and he just rises, rises, rises, and all of a

701
00:32:55,960 --> 00:32:59,080
Speaker 1: sudden he's up in the clouds and he has hair.

702
00:32:59,480 --> 00:33:01,800
Speaker 1: But the hair that he has is not what his

703
00:33:01,960 --> 00:33:04,480
Speaker 1: hair looked like when he really had hair. It's like

704
00:33:04,600 --> 00:33:07,520
Speaker 1: a straight gray Is that what Larry looked like?

705
00:33:09,400 --> 00:33:12,200
Speaker 2: Larry having a full jewfro, not nearly.

706
00:33:12,240 --> 00:33:15,560
Speaker 1: Anytime he's wearing a wig.

707
00:33:15,840 --> 00:33:18,520
Speaker 3: Anytime he's wearing a wig is hilarious to me, and

708
00:33:18,600 --> 00:33:19,120
Speaker 3: he hates it.

709
00:33:19,320 --> 00:33:21,880
Speaker 2: He hates one of my favorite photographs that I took

710
00:33:21,960 --> 00:33:23,640
Speaker 2: as the fought was season, which we have.

711
00:33:24,360 --> 00:33:25,240
Speaker 1: In the Beard. No.

712
00:33:25,400 --> 00:33:27,760
Speaker 2: But I have a shot it's actually gonna be in

713
00:33:27,880 --> 00:33:29,760
Speaker 2: my book. There's a shot. I've already put it in

714
00:33:29,920 --> 00:33:33,720
Speaker 2: my shows of Larry getting put into all that by

715
00:33:33,880 --> 00:33:38,120
Speaker 2: Thomas and I have Thomas and it's a it's a

716
00:33:38,320 --> 00:33:41,280
Speaker 2: really cool picture, really cool. I'm very proud of that picture.

717
00:33:41,600 --> 00:33:43,760
Speaker 1: I'd love to see it sometime. And then he's in

718
00:33:43,880 --> 00:33:47,160
Speaker 1: the clouds and everybody's wearing white, and his guides come over,

719
00:33:47,640 --> 00:33:50,920
Speaker 1: who are played by Dustin Hoffman and Sasha Baron Kohane,

720
00:33:51,160 --> 00:33:53,680
Speaker 1: and they tell him they've been watching him his whole life.

721
00:33:54,040 --> 00:33:56,600
Speaker 1: And there's a lot of fans up there. Ponsta Leone

722
00:33:56,920 --> 00:33:59,160
Speaker 1: is actually a huge fan and can't wait to meet him,

723
00:33:59,360 --> 00:34:03,360
Speaker 1: and Marilyn Row huge Seinfeldt fan. And all of a sudden,

724
00:34:03,520 --> 00:34:06,520
Speaker 1: his mother shows up, who was played by the brilliant

725
00:34:06,640 --> 00:34:10,600
Speaker 1: Bee Arthur, and she's just like, what kind of schmuck

726
00:34:10,719 --> 00:34:11,000
Speaker 1: are you?

727
00:34:11,800 --> 00:34:14,320
Speaker 3: I mean, who goes around giving their kidney to people?

728
00:34:15,000 --> 00:34:17,840
Speaker 1: Idiot? And I'm surprised that your father will let you

729
00:34:17,920 --> 00:34:18,600
Speaker 1: do such a thing.

730
00:34:18,800 --> 00:34:20,000
Speaker 2: Wait till I see him again.

731
00:34:20,320 --> 00:34:21,960
Speaker 4: Why didn't you tell ded not to bother me when

732
00:34:22,000 --> 00:34:25,040
Speaker 4: you died? I missed your funeral, so what why's so important?

733
00:34:25,440 --> 00:34:27,800
Speaker 4: Why were you so happy when you thought you were adopted?

734
00:34:28,120 --> 00:34:29,400
Speaker 2: That's what I want to know.

735
00:34:29,560 --> 00:34:31,520
Speaker 1: I wasn't happy, Oh, don't give me that you were

736
00:34:31,680 --> 00:34:33,960
Speaker 1: very happy. I was not absolutely giddy.

737
00:34:34,040 --> 00:34:37,000
Speaker 2: Hitting you were giddy, Kitty. I was not giddy. You

738
00:34:37,120 --> 00:34:40,960
Speaker 2: were giddy. Okay, Now, if you go beneath the skin

739
00:34:41,400 --> 00:34:44,840
Speaker 2: in this moment, this relationship with his mother, which I

740
00:34:45,000 --> 00:34:48,440
Speaker 2: love in this moment because we've never seen it, is me.

741
00:34:49,000 --> 00:34:50,800
Speaker 2: If I it was raised by a woman like that,

742
00:34:51,080 --> 00:34:53,800
Speaker 2: and I knew you, you would be instant trauma for

743
00:34:53,920 --> 00:34:55,480
Speaker 2: me twenty four hours a day.

744
00:34:55,600 --> 00:34:58,240
Speaker 3: Well, when I watched her, she reminded me of my character.

745
00:34:58,440 --> 00:35:00,440
Speaker 1: Right, yes, I'm saying exactly.

746
00:35:00,600 --> 00:35:02,920
Speaker 3: She just says, I'm not done with you yet, Buster,

747
00:35:03,239 --> 00:35:04,280
Speaker 3: and then she disappears.

748
00:35:05,400 --> 00:35:08,160
Speaker 2: I love that wosh that we did. It's pretty cool. Yeah,

749
00:35:09,040 --> 00:35:11,160
Speaker 2: they probably had a lot of choices. But I want

750
00:35:11,239 --> 00:35:13,640
Speaker 2: to tell you the b Arthur story, which is great.

751
00:35:13,920 --> 00:35:17,440
Speaker 2: All right. So b Arthur's works one day and we

752
00:35:17,520 --> 00:35:19,800
Speaker 2: only shot that one day. I think, yeah, it was

753
00:35:19,880 --> 00:35:23,439
Speaker 2: only one day. So b Arthur is I'm not gonna

754
00:35:23,440 --> 00:35:27,040
Speaker 2: say friends, but strong acquaintances with Sondra. Sondra did her

755
00:35:27,120 --> 00:35:29,320
Speaker 2: makeup and Sondra helped her through it.

756
00:35:29,680 --> 00:35:34,200
Speaker 1: Sondra was our makeup artist at the time. Okay, Sondra Jordan's.

757
00:35:33,920 --> 00:35:37,040
Speaker 2: And Sondra fell for anything. I said. She was my

758
00:35:37,200 --> 00:35:39,960
Speaker 2: favorite target, and she was one of the few targets

759
00:35:40,000 --> 00:35:42,680
Speaker 2: in my life that I never told her I was kidding.

760
00:35:42,920 --> 00:35:45,759
Speaker 2: I let it sit there and it just worked. You

761
00:35:45,920 --> 00:35:49,680
Speaker 2: understand what I'm saying. So I don't remember the gentleman's name,

762
00:35:49,840 --> 00:35:52,320
Speaker 2: and he was a gentleman, great guy. Do you remember

763
00:35:52,440 --> 00:35:58,440
Speaker 2: the really tall, handsome black transport driver, really muscular. Yeah, okay,

764
00:35:58,960 --> 00:36:03,080
Speaker 2: so I can remember his name, but excellent dude. So

765
00:36:03,719 --> 00:36:06,400
Speaker 2: she leaves. He's driving her home in a pass van

766
00:36:06,960 --> 00:36:09,560
Speaker 2: and after he leaves, I go, that is just great.

767
00:36:10,400 --> 00:36:14,120
Speaker 2: And Sondra goes, what's great? I go that he gets

768
00:36:14,200 --> 00:36:16,600
Speaker 2: to drive her Home's he is the biggest crush on her,

769
00:36:16,640 --> 00:36:21,000
Speaker 2: he loves her, he's yes, he's confident he can seduce her.

770
00:36:21,800 --> 00:36:22,560
Speaker 2: She's like, what are you told me?

771
00:36:22,840 --> 00:36:23,000
Speaker 1: Yeah?

772
00:36:23,080 --> 00:36:26,240
Speaker 2: Yeah, he wants to have sex with her, badly, badly,

773
00:36:26,600 --> 00:36:29,920
Speaker 2: and he says he can pull it off. Sondra loses

774
00:36:29,960 --> 00:36:33,040
Speaker 2: her ship and she runs to Aaron O'Malley, one of

775
00:36:33,120 --> 00:36:36,400
Speaker 2: our producers, who I've already let in on it. So

776
00:36:36,760 --> 00:36:43,560
Speaker 2: Sondra screaming, we gotta stop him, we gotta come, and

777
00:36:43,800 --> 00:36:47,360
Speaker 2: b Arthur died shortly after that, So she was, I know,

778
00:36:48,200 --> 00:36:50,680
Speaker 2: a great one. But this was a moment that I,

779
00:36:51,080 --> 00:36:52,160
Speaker 2: you know, this is me being.

780
00:36:52,120 --> 00:36:54,319
Speaker 1: A This was probably the last thing she did. If

781
00:36:54,360 --> 00:36:57,279
Speaker 1: she died shortly after that, it might be and she was.

782
00:36:57,360 --> 00:37:00,320
Speaker 1: She was perfect casting, I think, perfect casting and a

783
00:37:00,480 --> 00:37:01,000
Speaker 1: nice lady.

784
00:37:01,040 --> 00:37:04,040
Speaker 2: I'd met her once before. I knew her son, and

785
00:37:04,120 --> 00:37:05,719
Speaker 2: I remember going to one of his parties and she

786
00:37:05,920 --> 00:37:07,840
Speaker 2: was there and I just sat in the kitchen and

787
00:37:08,000 --> 00:37:10,040
Speaker 2: talked with her. I had no interest in the party.

788
00:37:10,320 --> 00:37:12,319
Speaker 2: I'm going to spend time in the kitchen with b Arthur,

789
00:37:12,800 --> 00:37:13,200
Speaker 2: look at me.

790
00:37:13,440 --> 00:37:16,920
Speaker 1: So then Larry sees Ben Hogan and Ben Hogan, you know,

791
00:37:17,160 --> 00:37:19,560
Speaker 1: the golf grade tells him you're moving your feet. The

792
00:37:19,680 --> 00:37:21,480
Speaker 1: sex offender had a good tip for you and you

793
00:37:21,560 --> 00:37:23,960
Speaker 1: didn't take a tip. And he's like, come out with me.

794
00:37:24,000 --> 00:37:25,759
Speaker 1: I'll show you how it's done. And Larry's like, there's

795
00:37:25,840 --> 00:37:27,800
Speaker 1: golf here. He's loving heaven.

796
00:37:28,560 --> 00:37:31,360
Speaker 2: Also, he says, there's a lot of courses to choose from.

797
00:37:31,600 --> 00:37:34,160
Speaker 1: Right, a lot of courses. And then he says to

798
00:37:34,239 --> 00:37:36,480
Speaker 1: the guides, you know, he says, you've been around me

799
00:37:36,560 --> 00:37:39,360
Speaker 1: my whole life. What happened with that spin the bottle

800
00:37:39,480 --> 00:37:41,560
Speaker 1: game when I was, you know, in fourth grade whatever

801
00:37:41,640 --> 00:37:42,040
Speaker 1: that was.

802
00:37:42,480 --> 00:37:44,279
Speaker 3: You heard my wife say I could fool around.

803
00:37:44,320 --> 00:37:46,520
Speaker 1: Where do you go? He had to date, is there restaurants?

804
00:37:47,160 --> 00:37:48,719
Speaker 1: And if you're the guys, how come you let me

805
00:37:48,800 --> 00:37:51,399
Speaker 1: eat those seven pieces of pizza in camp that time?

806
00:37:51,880 --> 00:37:54,319
Speaker 1: And Sasha is like, we can't control everything. And then

807
00:37:54,360 --> 00:37:56,040
Speaker 1: he's like, then what do I need you? And he's like,

808
00:37:56,080 --> 00:37:58,560
Speaker 1: what about going to the bathroom if there's no bathroom here?

809
00:37:58,640 --> 00:37:59,920
Speaker 1: Pretty pretty good, and.

810
00:38:00,040 --> 00:38:03,040
Speaker 2: Then they're making him crazy, by the way at this point.

811
00:38:03,120 --> 00:38:06,000
Speaker 1: Yeah, And then he asked about the Soprano DVD cover

812
00:38:06,160 --> 00:38:07,719
Speaker 1: and Dustin Hoffins's.

813
00:38:07,360 --> 00:38:08,240
Speaker 2: That's not a system.

814
00:38:09,120 --> 00:38:11,680
Speaker 7: So the system is is that you know you're going

815
00:38:11,719 --> 00:38:15,560
Speaker 7: to misplace the DVD, so you get some DVD jackets,

816
00:38:15,800 --> 00:38:17,879
Speaker 7: just plain ones, and you have them there in case

817
00:38:17,960 --> 00:38:18,399
Speaker 7: you lose.

818
00:38:19,320 --> 00:38:21,000
Speaker 2: That's a system. That's not jackets.

819
00:38:21,080 --> 00:38:24,080
Speaker 4: People most DVDs because they take the cover and they

820
00:38:24,160 --> 00:38:25,280
Speaker 4: put it someplace.

821
00:38:24,920 --> 00:38:28,840
Speaker 7: Else, and the people that misplaced the DVDs have extra

822
00:38:29,040 --> 00:38:30,400
Speaker 7: DVD jackets.

823
00:38:30,920 --> 00:38:32,360
Speaker 2: That's a system. That's not a system.

824
00:38:34,000 --> 00:38:37,000
Speaker 4: Take the DVD, mister, great guy who let me do

825
00:38:37,120 --> 00:38:38,040
Speaker 4: that TV guide cover.

826
00:38:42,600 --> 00:38:47,600
Speaker 1: The guides confer and they determine that he's not ready.

827
00:38:48,000 --> 00:38:50,720
Speaker 1: He's just not evolved enough to be in this space.

828
00:38:51,400 --> 00:38:54,120
Speaker 1: And it's a bad system. And they say goodbye to Larry,

829
00:38:54,200 --> 00:38:56,480
Speaker 1: and Maryland's like, where are you going? She was a

830
00:38:56,640 --> 00:38:58,000
Speaker 1: very good Maryland look alike.

831
00:38:58,040 --> 00:38:59,719
Speaker 2: By the way, Oh yeah, she's by the way, very

832
00:38:59,800 --> 00:39:02,920
Speaker 2: nice lady. Again, everyone's very nice. Who's cool? Who comes work?

833
00:39:03,120 --> 00:39:06,839
Speaker 2: By the way, by the way, who? But there's been

834
00:39:07,080 --> 00:39:10,120
Speaker 2: a very no one famous, but some of the guest actors.

835
00:39:10,200 --> 00:39:12,520
Speaker 2: I'm like, what are you thinking? I want to tell

836
00:39:13,200 --> 00:39:15,160
Speaker 2: I've been thinking about whether or not I tell this

837
00:39:15,239 --> 00:39:19,000
Speaker 2: story knowing about this episode, and I decided I'm going

838
00:39:19,080 --> 00:39:24,080
Speaker 2: to and dussn Hoffman one of my acting heroes. I

839
00:39:24,239 --> 00:39:27,960
Speaker 2: love being around him. His kids came that day, I

840
00:39:28,040 --> 00:39:31,800
Speaker 2: think two or three kids, so nice, huge fans of

841
00:39:31,920 --> 00:39:36,040
Speaker 2: Curb Your Enthusiasm. They asked me in depth questions all that. Now,

842
00:39:36,200 --> 00:39:40,200
Speaker 2: when we're filming this scene, Dustin is putting a spin

843
00:39:40,320 --> 00:39:44,040
Speaker 2: on everything, like a comedy spin. He's skipping at certain points.

844
00:39:44,400 --> 00:39:52,120
Speaker 2: It's just way out of tone. And I remember Larry Charles, Larry, Yeah, Larry,

845
00:39:52,200 --> 00:39:54,480
Speaker 2: David and I we conferred as like, what the fuck's

846
00:39:54,560 --> 00:39:57,560
Speaker 2: going on? And then I went wait, I've got it,

847
00:39:58,280 --> 00:40:01,440
Speaker 2: and I said, his kids are here, they're super fans.

848
00:40:01,800 --> 00:40:04,200
Speaker 2: He's never seen the show. Now he's doing it for

849
00:40:04,440 --> 00:40:07,400
Speaker 2: his kids, which I used to do. I like Wizards

850
00:40:07,440 --> 00:40:09,440
Speaker 2: of Waverley Places show is on. I did it for

851
00:40:09,560 --> 00:40:12,279
Speaker 2: my kids and they were a prime age. So he's

852
00:40:12,360 --> 00:40:15,720
Speaker 2: doing this for the kids. He thinks it's a TV comedy,

853
00:40:15,760 --> 00:40:19,440
Speaker 2: which he doesn't get himself involved in bouncing around, skipping around,

854
00:40:19,840 --> 00:40:23,680
Speaker 2: So Larry Charles had to tell him, please don't do

855
00:40:23,800 --> 00:40:26,200
Speaker 2: any of that, please play it as straight as again,

856
00:40:26,680 --> 00:40:29,480
Speaker 2: and frustration with Larry, which the performance we see on

857
00:40:29,640 --> 00:40:33,440
Speaker 2: screen raid on the money fucking beautiful. So I'm at

858
00:40:33,480 --> 00:40:36,520
Speaker 2: a party. This was I was fascinated by this, and

859
00:40:36,640 --> 00:40:39,719
Speaker 2: I wasn't disappointed in Dustin Hoffmann when we did this.

860
00:40:39,920 --> 00:40:42,680
Speaker 2: It just explained why he did it and then he

861
00:40:43,280 --> 00:40:46,160
Speaker 2: was great. So I'm at a party and there's a

862
00:40:46,760 --> 00:40:50,120
Speaker 2: semi circle around dust and he's talking. I join in

863
00:40:50,640 --> 00:40:52,680
Speaker 2: and he gives me a look. I go, you may

864
00:40:52,719 --> 00:40:55,440
Speaker 2: not remember me. I'm on Curby Your Enthusiasm, one of

865
00:40:55,480 --> 00:40:59,160
Speaker 2: the producers, and he says this to me, which knocked

866
00:40:59,239 --> 00:41:02,560
Speaker 2: me off my feet. He says, you're a partner, your

867
00:41:02,600 --> 00:41:04,920
Speaker 2: buddy he isn't like when other people are funny.

868
00:41:05,160 --> 00:41:06,120
Speaker 1: Oh really, And he.

869
00:41:06,160 --> 00:41:09,720
Speaker 2: Went off and he interpreted that note to him happens

870
00:41:10,680 --> 00:41:13,880
Speaker 2: by the way, Well, by the way, Larry. Larry wants

871
00:41:14,000 --> 00:41:17,440
Speaker 2: everybody exactly and he's not insecure about any of it,

872
00:41:17,800 --> 00:41:20,400
Speaker 2: so he keeps going. And I thought, am I going

873
00:41:20,480 --> 00:41:22,960
Speaker 2: to get into a fight with Dustin Hoffman right now?

874
00:41:23,680 --> 00:41:23,880
Speaker 2: Am I?

875
00:41:24,040 --> 00:41:24,160
Speaker 4: Well?

876
00:41:24,239 --> 00:41:27,120
Speaker 2: No, like you're giving me instructions is if it's happening

877
00:41:27,239 --> 00:41:29,680
Speaker 2: right now, or I'm thinking you're going to his house? No,

878
00:41:30,000 --> 00:41:32,520
Speaker 2: of course I pulled away, and then I had a

879
00:41:32,560 --> 00:41:34,560
Speaker 2: great story for Marlowe You're not going to believe this,

880
00:41:34,800 --> 00:41:37,360
Speaker 2: and then a great story for Larry. But it was

881
00:41:37,680 --> 00:41:43,960
Speaker 2: interesting that that's how Dustin Hoffman graduate, you know.

882
00:41:44,600 --> 00:41:46,440
Speaker 1: I mean, well, he did play Lenny, but he's not

883
00:41:46,680 --> 00:41:50,480
Speaker 1: known for comedies necessarily, but he did play Lenny and Tutsi.

884
00:41:50,600 --> 00:41:51,960
Speaker 1: He was hilarious and Tutsy.

885
00:41:52,160 --> 00:41:54,719
Speaker 2: But the reason being is, and I can say this,

886
00:41:55,200 --> 00:41:58,479
Speaker 2: his performance in Tutsy is dead serious. He's not trying

887
00:41:58,520 --> 00:42:02,879
Speaker 2: to be funny at any time, as we've discussed. I know. Yeah,

888
00:42:03,120 --> 00:42:07,279
Speaker 2: but we play drama and comedy the same. It's up

889
00:42:07,360 --> 00:42:11,080
Speaker 2: to the writer and the director to guide us. I

890
00:42:11,239 --> 00:42:13,080
Speaker 2: just need to know what's going on in the scene,

891
00:42:13,280 --> 00:42:16,640
Speaker 2: and then I just use my talk there's no spin,

892
00:42:17,040 --> 00:42:19,239
Speaker 2: and the director will say, can you play this one

893
00:42:19,320 --> 00:42:21,120
Speaker 2: a little bit angrier? You know what I mean. It's

894
00:42:21,239 --> 00:42:24,359
Speaker 2: like they have to help carve it. I can't spin

895
00:42:24,480 --> 00:42:26,359
Speaker 2: it and try and make it funny. And the word

896
00:42:27,520 --> 00:42:30,560
Speaker 2: Sean Penn. Sean Penn is such a good actor. The

897
00:42:30,680 --> 00:42:32,920
Speaker 2: joke is he could read the phone book and be

898
00:42:33,080 --> 00:42:37,480
Speaker 2: interesting okay, and be a great actor. I am limited

899
00:42:37,920 --> 00:42:41,640
Speaker 2: by what material I'm given. You give me great material.

900
00:42:41,800 --> 00:42:45,120
Speaker 2: I can rise to the occasion. You give me bad material,

901
00:42:45,239 --> 00:42:48,919
Speaker 2: especially comedy. There's nothing I can do. And they've asked

902
00:42:48,920 --> 00:42:51,120
Speaker 2: me to put spins all the time.

903
00:42:51,200 --> 00:42:53,319
Speaker 3: They say, well, you'll make it funny. I can't make

904
00:42:53,360 --> 00:42:54,440
Speaker 3: it funny if it's not on the.

905
00:42:54,480 --> 00:42:57,800
Speaker 2: Page right or the idea is not there the album.

906
00:42:57,880 --> 00:42:59,279
Speaker 1: Yeah, I can't make it. Just make it.

907
00:42:59,320 --> 00:43:01,360
Speaker 2: No, you can't. And what did I say to you

908
00:43:01,480 --> 00:43:03,759
Speaker 2: before in terms of even us doing the show and

909
00:43:03,840 --> 00:43:07,200
Speaker 2: even in my relationship with my girlfriend, when I try

910
00:43:07,239 --> 00:43:10,600
Speaker 2: and be funny, it fails. Every time. You look at

911
00:43:10,680 --> 00:43:13,000
Speaker 2: me like I'm from another planet and get the fuck

912
00:43:13,040 --> 00:43:15,200
Speaker 2: out of here like it, which is true, and I'm

913
00:43:15,280 --> 00:43:18,600
Speaker 2: not blaming you. But my point is any time in

914
00:43:18,680 --> 00:43:21,920
Speaker 2: my life that I've not trusted the material whatever, and

915
00:43:21,960 --> 00:43:25,399
Speaker 2: I've tried to be funny, big failure, including what people say,

916
00:43:25,520 --> 00:43:28,840
Speaker 2: can you say birthday wishes to my cousin and I

917
00:43:29,040 --> 00:43:31,600
Speaker 2: do it? And in the past I've tried being funny

918
00:43:31,640 --> 00:43:35,080
Speaker 2: on that, which I don't anymore. I was not funny

919
00:43:35,200 --> 00:43:35,520
Speaker 2: at all.

920
00:43:36,520 --> 00:43:51,719
Speaker 3: We'll be right back. Stay tuned, and we're back. So

921
00:43:51,920 --> 00:43:54,360
Speaker 3: I'll tell you my Dustin Hoffmann story after this.

922
00:43:54,600 --> 00:43:57,440
Speaker 2: It does include gentle love making or I'm not interested.

923
00:43:57,600 --> 00:43:57,879
Speaker 1: It does.

924
00:43:58,600 --> 00:43:59,439
Speaker 3: I was not there.

925
00:43:59,880 --> 00:44:01,839
Speaker 1: I didn't meet him, and then I ran into him

926
00:44:01,880 --> 00:44:04,320
Speaker 1: on Madison Avenue and he was in a store and

927
00:44:04,400 --> 00:44:06,759
Speaker 1: I went over and I introduced myself and he had

928
00:44:06,840 --> 00:44:08,239
Speaker 1: no idea who I was because he.

929
00:44:08,280 --> 00:44:11,279
Speaker 3: Never watched the show, right so, and he told me

930
00:44:11,360 --> 00:44:12,160
Speaker 3: that it goes I'm sorry.

931
00:44:12,200 --> 00:44:14,719
Speaker 1: I thought he would know because he'd been on the show,

932
00:44:14,800 --> 00:44:16,520
Speaker 1: but he's like, no, I've never watched the show.

933
00:44:16,840 --> 00:44:18,880
Speaker 3: And he said to me, you know, I'll tell you something.

934
00:44:19,239 --> 00:44:22,240
Speaker 3: I did the show and Larry never sent me a gift.

935
00:44:22,960 --> 00:44:24,959
Speaker 2: Oh dear god, dear god.

936
00:44:25,320 --> 00:44:28,359
Speaker 1: And I was like, I've done fifty shows and he's

937
00:44:28,440 --> 00:44:29,439
Speaker 1: never sent me a gift.

938
00:44:29,520 --> 00:44:29,880
Speaker 4: What is that?

939
00:44:29,920 --> 00:44:33,279
Speaker 2: By the way, by the way, he's one of our

940
00:44:33,360 --> 00:44:37,160
Speaker 2: best friends. We were both are really really close with Larry,

941
00:44:38,360 --> 00:44:43,280
Speaker 2: and I know I've given him gifts that were completely unappreciated.

942
00:44:43,600 --> 00:44:46,080
Speaker 2: I even gave him the first issue of Sport magazine

943
00:44:46,400 --> 00:44:50,080
Speaker 2: with what the Yogi bearra on the cover in the

944
00:44:50,200 --> 00:44:53,880
Speaker 2: catcher's position. This is from the fifties, signed by Yogi

945
00:44:54,000 --> 00:44:57,080
Speaker 2: bearra framed. I gave it to him and we still

946
00:44:57,200 --> 00:44:58,560
Speaker 2: joke about, I go, do you know where it is?

947
00:45:00,000 --> 00:45:01,040
Speaker 1: You know what Larry says?

948
00:45:02,440 --> 00:45:05,160
Speaker 3: You know what I always say. The gift he gives

949
00:45:05,280 --> 00:45:07,400
Speaker 3: me is what he gives me to do on screen.

950
00:45:07,560 --> 00:45:09,399
Speaker 1: Well, by the way, the great gift.

951
00:45:09,560 --> 00:45:12,080
Speaker 2: You say that, but that is one hundred percent true.

952
00:45:12,239 --> 00:45:14,759
Speaker 2: I don't think either one of us would go. You know,

953
00:45:15,080 --> 00:45:17,520
Speaker 2: he came to He's come to birthday parties of mine

954
00:45:17,880 --> 00:45:20,480
Speaker 2: and not brought anything but the fact he shows up,

955
00:45:20,719 --> 00:45:22,719
Speaker 2: which is a big deal. They left the house to

956
00:45:22,800 --> 00:45:24,879
Speaker 2: come to my house. That's all I need.

957
00:45:25,120 --> 00:45:27,560
Speaker 1: But I found that quite amusing that that that's what

958
00:45:27,719 --> 00:45:31,000
Speaker 1: Dustin Hoffin says, he didn't send me a gift. All right,

959
00:45:31,080 --> 00:45:33,279
Speaker 1: let's finish this off because we're on a tangent now,

960
00:45:33,560 --> 00:45:37,359
Speaker 1: So Larry falls back into reality. They kick him out,

961
00:45:37,440 --> 00:45:40,359
Speaker 1: they say, you're not ready for here, and we're all

962
00:45:40,480 --> 00:45:43,120
Speaker 1: still arguing. We're in the same Nope, not a lot

963
00:45:43,160 --> 00:45:46,080
Speaker 1: of time has passed in our lives. We're still arguing

964
00:45:46,120 --> 00:45:48,680
Speaker 1: about the money for the car. And all of a sudden,

965
00:45:48,920 --> 00:45:52,680
Speaker 1: beat beat, beat, beat back. He feels the Gallagher sees

966
00:45:52,719 --> 00:45:53,759
Speaker 1: the beeps. He's back.

967
00:45:54,080 --> 00:45:55,000
Speaker 3: He feels his head.

968
00:45:55,200 --> 00:45:57,640
Speaker 1: He's still bald, so he's really back.

969
00:45:58,400 --> 00:46:01,000
Speaker 2: And then, which, by the way, that I think that

970
00:46:01,080 --> 00:46:03,560
Speaker 2: would have been a good out, correct.

971
00:46:03,239 --> 00:46:06,080
Speaker 1: I agree with you. And then there's balloons and flowers.

972
00:46:06,920 --> 00:46:09,680
Speaker 1: Don't anybody ever sem me balloons? I hate the fucking balloons.

973
00:46:09,840 --> 00:46:13,400
Speaker 2: Well, balloons and flowers. It's flowers, it's the thought balloons

974
00:46:13,520 --> 00:46:15,879
Speaker 2: kiss my ass. Yeah, So as to hire a guy

975
00:46:16,000 --> 00:46:17,720
Speaker 2: to come to balloon animals.

976
00:46:18,680 --> 00:46:19,399
Speaker 1: Might be more fun.

977
00:46:19,719 --> 00:46:22,240
Speaker 2: But by the way, that and a closed up magician.

978
00:46:22,520 --> 00:46:24,959
Speaker 2: I'd love being in the hospital. And there's a close

979
00:46:25,080 --> 00:46:25,959
Speaker 2: up magician, there.

980
00:46:25,920 --> 00:46:28,960
Speaker 1: Might be somebody who goes around doing that as a volunteer,

981
00:46:29,160 --> 00:46:30,680
Speaker 1: like Larry claimed that he did.

982
00:46:31,120 --> 00:46:34,120
Speaker 3: So Larry's packing. Do you even notice of people in movies?

983
00:46:34,160 --> 00:46:36,960
Speaker 1: They never fold. They close when they pack, and Cheryl's

984
00:46:36,960 --> 00:46:39,640
Speaker 1: smiling at him and you know she's in love with

985
00:46:39,800 --> 00:46:42,760
Speaker 1: him again. And he wants to get the sex clearance

986
00:46:42,800 --> 00:46:46,080
Speaker 1: from the doctor and she says, do you feel different?

987
00:46:46,640 --> 00:46:49,480
Speaker 1: And he says, I'm a changed man. I'm a completely

988
00:46:49,560 --> 00:46:52,320
Speaker 1: different person. And the nurse comes with a wheelchair, the

989
00:46:52,480 --> 00:46:55,960
Speaker 1: orderly Craig Robinson, and he wants to use the bathroom

990
00:46:56,040 --> 00:46:58,520
Speaker 1: and he realizes he's in the wheelchair. He could use

991
00:46:58,560 --> 00:47:00,680
Speaker 1: the handicapped bathroom. It's locked.

992
00:47:01,040 --> 00:47:03,440
Speaker 3: Guy comes out of the bathroom who's able bodied.

993
00:47:03,680 --> 00:47:05,400
Speaker 2: Well, by the way, that's Wally Langham.

994
00:47:05,640 --> 00:47:08,480
Speaker 3: Wally Langham, can I explain to Yeah.

995
00:47:08,400 --> 00:47:10,880
Speaker 2: Wally Langham is best, by the way, a lot of

996
00:47:11,000 --> 00:47:13,279
Speaker 2: work and a lot of different things. I've worked with

997
00:47:13,360 --> 00:47:16,520
Speaker 2: them many times. Were pals, but best known for being

998
00:47:16,600 --> 00:47:19,920
Speaker 2: one of the writers on the Larry Sanders show. Okay

999
00:47:19,960 --> 00:47:22,360
Speaker 2: he played Yeah, I'm just saying, you know, why not go?

1000
00:47:22,840 --> 00:47:27,160
Speaker 1: And Wally Langham comes out and he's clearly not handicapped

1001
00:47:27,160 --> 00:47:28,400
Speaker 1: and he's like, well, I have to go to the

1002
00:47:28,440 --> 00:47:32,759
Speaker 1: bathroom and Larry says, then you wait, then you wait.

1003
00:47:33,360 --> 00:47:35,160
Speaker 2: I didn't get that by what's in a call? Back.

1004
00:47:35,280 --> 00:47:39,759
Speaker 1: That was call back to the handicapped bathroom thing, which

1005
00:47:39,880 --> 00:47:41,400
Speaker 1: was not even in this season.

1006
00:47:41,560 --> 00:47:44,040
Speaker 3: I don't think. I think that was in the season before.

1007
00:47:45,040 --> 00:47:47,160
Speaker 2: I mean he goes in, I mean I would have

1008
00:47:47,360 --> 00:47:49,479
Speaker 2: liked to a little joke that he goes in wearing

1009
00:47:49,520 --> 00:47:51,160
Speaker 2: some sort of jacket and before he goes to the

1010
00:47:51,160 --> 00:47:53,160
Speaker 2: bathroom he takes it off and hands it to Sheryl.

1011
00:47:53,480 --> 00:47:54,919
Speaker 2: But I didn't get the ending.

1012
00:47:55,320 --> 00:47:57,240
Speaker 3: Yes, this was like not this season.

1013
00:47:57,280 --> 00:47:59,520
Speaker 1: It was the season before or the season before that,

1014
00:48:00,080 --> 00:48:02,400
Speaker 1: with the handicap bathroom and the guy system. Then you

1015
00:48:02,560 --> 00:48:04,759
Speaker 1: wait with the stutter. Remember then he tries to use

1016
00:48:04,760 --> 00:48:06,560
Speaker 1: the handicap bathroom, he says he is a stutter.

1017
00:48:06,880 --> 00:48:08,440
Speaker 2: No, that's a guy in the parking lot.

1018
00:48:08,760 --> 00:48:09,439
Speaker 1: Yeah yeah, yeah.

1019
00:48:09,719 --> 00:48:13,400
Speaker 2: Then you wait because the stutter when the people.

1020
00:48:13,239 --> 00:48:17,640
Speaker 1: Say, right the Funkhouser testimonial, because the other guy said,

1021
00:48:17,680 --> 00:48:19,239
Speaker 1: then you wait. I thought it was a reach.

1022
00:48:19,480 --> 00:48:21,960
Speaker 3: You didn't even get it, and it's your show the way.

1023
00:48:22,520 --> 00:48:25,200
Speaker 2: I did not remotely get it. And I'm like, this

1024
00:48:25,600 --> 00:48:28,279
Speaker 2: is a callback to one of the handicap things. It

1025
00:48:28,480 --> 00:48:30,920
Speaker 2: was done, It was done it two or three times

1026
00:48:31,280 --> 00:48:32,600
Speaker 2: with people in wheelchairs.

1027
00:48:32,680 --> 00:48:34,759
Speaker 3: Yeah, but it was a callback and it was a

1028
00:48:34,880 --> 00:48:35,800
Speaker 3: reach of a callback.

1029
00:48:36,440 --> 00:48:38,279
Speaker 2: We're not supposed to say handicapped, and I want to

1030
00:48:38,320 --> 00:48:40,480
Speaker 2: respect it. What is it? Yes, it's a what is

1031
00:48:40,520 --> 00:48:41,160
Speaker 2: the term again?

1032
00:48:41,719 --> 00:48:43,520
Speaker 1: Well, just no, I'll say the wrong term.

1033
00:48:43,800 --> 00:48:45,279
Speaker 3: I'll say the wrong term whatever I say.

1034
00:48:45,400 --> 00:48:48,600
Speaker 2: No, no, but I'm saying publicly, I apologize. And this

1035
00:48:48,760 --> 00:48:52,120
Speaker 2: is not political correctness, you know, with political correctness. To me,

1036
00:48:52,200 --> 00:48:55,000
Speaker 2: it's about respect. What do people want to be called?

1037
00:48:55,239 --> 00:48:58,040
Speaker 2: You know, if you identify as a sailor, I'll give

1038
00:48:58,040 --> 00:49:01,160
Speaker 2: you a salute. I'll do the whole thing. I'm respectful

1039
00:49:01,200 --> 00:49:03,640
Speaker 2: to people. So I just want to say that I

1040
00:49:03,680 --> 00:49:04,600
Speaker 2: don't regularly use that.

1041
00:49:04,640 --> 00:49:08,520
Speaker 1: The funniest use of that was with Fred. That's like

1042
00:49:08,640 --> 00:49:12,120
Speaker 1: season nine or ten or something with Fred with the parking.

1043
00:49:12,400 --> 00:49:13,719
Speaker 1: That was fucking hilarious.

1044
00:49:13,880 --> 00:49:16,000
Speaker 2: But here's what I want to say. This is we're

1045
00:49:16,040 --> 00:49:17,880
Speaker 2: done with the episode, but I want to point something

1046
00:49:17,920 --> 00:49:21,680
Speaker 2: out and maybe you forgot this. Episodes called the end,

1047
00:49:22,280 --> 00:49:25,840
Speaker 2: Larry dies, he comes back and back to usual business.

1048
00:49:26,360 --> 00:49:28,400
Speaker 2: This was supposed to be the last episode of the

1049
00:49:28,480 --> 00:49:32,879
Speaker 2: series of the series of the series, and so when

1050
00:49:32,960 --> 00:49:35,960
Speaker 2: we went out of this, two thoughts about this. By

1051
00:49:36,000 --> 00:49:39,080
Speaker 2: the way, when we went out of this, I thought

1052
00:49:39,760 --> 00:49:41,960
Speaker 2: I mean, I knew the intent. We discussed it. It

1053
00:49:42,120 --> 00:49:45,880
Speaker 2: wasn't like and called the end and all the stuff

1054
00:49:45,960 --> 00:49:49,040
Speaker 2: that happened, the show was supposed to end there. Well,

1055
00:49:49,200 --> 00:49:52,200
Speaker 2: then at some point shortly thereafter, he gets a great idea.

1056
00:49:52,560 --> 00:49:55,399
Speaker 2: You know, he's inspired. I'm not never doing the show

1057
00:49:55,480 --> 00:49:58,160
Speaker 2: for the money we get paid, but it's not like

1058
00:49:58,680 --> 00:50:01,279
Speaker 2: that's why we're doing it. We're doing it because this

1059
00:50:01,440 --> 00:50:03,879
Speaker 2: is what we do, you know. And so he gets

1060
00:50:03,920 --> 00:50:06,560
Speaker 2: this great idea and boom, we're off to the races again.

1061
00:50:06,880 --> 00:50:11,000
Speaker 2: But this was designed and supposed to be the last

1062
00:50:11,160 --> 00:50:14,040
Speaker 2: episode of the series, and it's ironic we did seven

1063
00:50:14,120 --> 00:50:17,600
Speaker 2: more season, seven more after this. But I also want

1064
00:50:17,760 --> 00:50:21,920
Speaker 2: because later on when he falls in the pool, everybody thought, well,

1065
00:50:22,000 --> 00:50:24,400
Speaker 2: that was supposed to be it, like you know, and

1066
00:50:24,520 --> 00:50:27,160
Speaker 2: I'm like, no, that was never the intense like it's

1067
00:50:27,200 --> 00:50:28,839
Speaker 2: just sort of mixed things. Here's the thing.

1068
00:50:28,840 --> 00:50:31,840
Speaker 1: I also the other interesting thing also is that montage

1069
00:50:31,920 --> 00:50:35,040
Speaker 1: wrap up. We've now done that several times.

1070
00:50:35,480 --> 00:50:38,640
Speaker 2: No, we have, But it made sense when you knew,

1071
00:50:38,760 --> 00:50:40,000
Speaker 2: is what I'm saying. When it come back to it

1072
00:50:40,320 --> 00:50:43,880
Speaker 2: that it's the last episode ever supposedly, And the other

1073
00:50:43,960 --> 00:50:46,680
Speaker 2: thing I want to say is the hospital scenes. Was

1074
00:50:46,719 --> 00:50:49,759
Speaker 2: the longest day I have ever worked. And if I'm

1075
00:50:49,800 --> 00:50:53,120
Speaker 2: not mistaken, I'm not part of the crew. I wasn't

1076
00:50:53,160 --> 00:50:56,160
Speaker 2: in every scene, but you know, I'm behind the scenes.

1077
00:50:56,640 --> 00:50:59,920
Speaker 2: My day, my day, and it's the last day of shooting,

1078
00:51:00,000 --> 00:51:02,240
Speaker 2: so we could do this seventeen hours.

1079
00:51:02,600 --> 00:51:05,680
Speaker 1: That was my You know what I recall eighteen hours, Jeff,

1080
00:51:05,960 --> 00:51:08,520
Speaker 1: is what I mean. Maybe I'm wrong, I recall eighteen hours.

1081
00:51:08,560 --> 00:51:11,720
Speaker 1: And really, but you know, we shot like, for example,

1082
00:51:12,080 --> 00:51:15,080
Speaker 1: that scene where you guys run into George Lopez, which

1083
00:51:15,160 --> 00:51:18,480
Speaker 1: is two episodes before this, we shot that that day.

1084
00:51:18,800 --> 00:51:20,600
Speaker 3: The scene of Shelley in the in the hospital.

1085
00:51:20,880 --> 00:51:23,880
Speaker 1: We shot so much that day in the hospital that

1086
00:51:23,960 --> 00:51:26,200
Speaker 1: were from different different episodes.

1087
00:51:26,000 --> 00:51:26,880
Speaker 2: Like Lewis Lewis.

1088
00:51:26,960 --> 00:51:29,480
Speaker 1: I mean, yeah, all that stuff was shot that day

1089
00:51:29,480 --> 00:51:31,239
Speaker 1: in the hospital. Yeah, it was eighteen hours.

1090
00:51:31,400 --> 00:51:35,640
Speaker 2: Eighteen hour days. Now, for our listeners, you're lucky if

1091
00:51:35,680 --> 00:51:38,200
Speaker 2: you get an eight hour day. A ten hour day

1092
00:51:38,760 --> 00:51:39,959
Speaker 2: is the usual.

1093
00:51:39,920 --> 00:51:42,080
Speaker 1: And I think it's twelve hour day is the usual.

1094
00:51:42,400 --> 00:51:45,520
Speaker 2: Well, no, I think ten hours is if you're working

1095
00:51:45,640 --> 00:51:48,880
Speaker 2: with people who know what they're doing. Twelve hours it

1096
00:51:48,960 --> 00:51:52,720
Speaker 2: can happen sometimes, and then everything after that is crazy

1097
00:51:52,800 --> 00:51:53,200
Speaker 2: long later.

1098
00:51:53,440 --> 00:51:57,320
Speaker 1: However, when you do our episodic, that's the kind of

1099
00:51:57,440 --> 00:51:59,960
Speaker 1: days you do. You do sixteen seventeen eighteen hour day.

1100
00:52:00,320 --> 00:52:02,520
Speaker 2: And by the way, there's no off weeks.

1101
00:52:02,760 --> 00:52:03,359
Speaker 1: Yeah, when you're.

1102
00:52:03,239 --> 00:52:05,879
Speaker 3: Shooting law and Orders and things like that, you're doing

1103
00:52:06,040 --> 00:52:06,480
Speaker 3: really well.

1104
00:52:06,600 --> 00:52:08,600
Speaker 2: When people have days off because they don't work, they

1105
00:52:08,640 --> 00:52:11,480
Speaker 2: don't work. But I don't think it's that long eighteen

1106
00:52:11,520 --> 00:52:14,200
Speaker 2: hour days. I think it might be twelve to fourteen.

1107
00:52:14,880 --> 00:52:16,920
Speaker 2: Oh hear this. I'm gonna tell you a little story

1108
00:52:16,960 --> 00:52:19,920
Speaker 2: that goes like this. The show Friends, I don't think

1109
00:52:20,120 --> 00:52:24,440
Speaker 2: later on they didn't. And I know I'm friendly with

1110
00:52:24,600 --> 00:52:28,799
Speaker 2: a lot of the friends, Okay, And I did Mad

1111
00:52:28,880 --> 00:52:32,360
Speaker 2: About You with what's her name name the friend.

1112
00:52:32,200 --> 00:52:35,359
Speaker 3: Ladies, Jennifer Aniston, Lisa Kudro.

1113
00:52:35,440 --> 00:52:39,840
Speaker 2: Lisa Kudro. So, Lisa Krudrou, like myself, was a recurring character.

1114
00:52:39,920 --> 00:52:42,040
Speaker 2: I'm mad about You, So we'd.

1115
00:52:42,040 --> 00:52:42,960
Speaker 1: Can I just ask a question?

1116
00:52:43,160 --> 00:52:44,840
Speaker 3: Was Mad about You multi or single?

1117
00:52:45,200 --> 00:52:45,239
Speaker 1: No?

1118
00:52:45,400 --> 00:52:45,720
Speaker 2: Multi?

1119
00:52:45,920 --> 00:52:47,120
Speaker 3: It was multi LT.

1120
00:52:47,760 --> 00:52:50,160
Speaker 2: So I'm in the kitchen, we're filming to see in

1121
00:52:50,200 --> 00:52:52,200
Speaker 2: the kitchen and I'm in at Lisa. I'm in the

1122
00:52:52,320 --> 00:52:55,680
Speaker 2: kitchen talking to her and she said when they film

1123
00:52:55,840 --> 00:52:59,080
Speaker 2: Friends that they would work till one two in the morning,

1124
00:52:59,600 --> 00:53:02,200
Speaker 2: and she isn't every show like you know, I'm like, no,

1125
00:53:02,440 --> 00:53:07,759
Speaker 2: that's horrible, that's uncalled for, that's insane. If you start

1126
00:53:07,840 --> 00:53:11,160
Speaker 2: shooting at eight eleven is a long shoot. I mean

1127
00:53:11,239 --> 00:53:14,880
Speaker 2: that's nuts, two to three hours more because that's exhausting

1128
00:53:14,960 --> 00:53:18,320
Speaker 2: and pickups question one day. But I remember them, she

1129
00:53:18,480 --> 00:53:21,480
Speaker 2: told me later on, they said they got together, the

1130
00:53:21,640 --> 00:53:24,400
Speaker 2: negotiated no more of that. Here's the level.

1131
00:53:24,520 --> 00:53:26,840
Speaker 1: But the difference with a multi and a single is

1132
00:53:26,880 --> 00:53:30,200
Speaker 1: a multi you just have one long day in a single.

1133
00:53:30,040 --> 00:53:31,480
Speaker 2: Camera you could have rehearsal.

1134
00:53:31,760 --> 00:53:34,520
Speaker 1: It's a single camera. You could have many long days

1135
00:53:34,560 --> 00:53:37,560
Speaker 1: where it's a multi camera in front the audience.

1136
00:53:37,719 --> 00:53:40,719
Speaker 2: But you're shooting probably about seven and if you're not

1137
00:53:40,920 --> 00:53:44,200
Speaker 2: done by ten, that's just and ten's a long night

1138
00:53:44,600 --> 00:53:45,920
Speaker 2: and you're out there doing it.

1139
00:53:46,280 --> 00:53:49,400
Speaker 1: It's very It's the writers on a multi who have

1140
00:53:49,560 --> 00:53:52,279
Speaker 1: the long nights the night before no, right, Well, of.

1141
00:53:52,280 --> 00:53:54,640
Speaker 2: Course writers always have the longest nights. I'm not talking

1142
00:53:54,680 --> 00:53:57,520
Speaker 2: about I'm talking about his actors. Yeah, because you know,

1143
00:53:57,760 --> 00:54:00,919
Speaker 2: if even filming one scene on our ship, you really

1144
00:54:01,000 --> 00:54:03,040
Speaker 2: have to take a minute to get your energy because

1145
00:54:03,040 --> 00:54:06,560
Speaker 2: it's exhausting Okay, how about this one, and we can

1146
00:54:06,719 --> 00:54:09,840
Speaker 2: end on this whenever you want to. When I did Wally,

1147
00:54:10,000 --> 00:54:12,799
Speaker 2: for example, the Pixtar movie, and I worked three years

1148
00:54:12,880 --> 00:54:14,600
Speaker 2: on it, but I have these sessions that were like

1149
00:54:14,719 --> 00:54:18,600
Speaker 2: three hours and I'm just reading words from a page.

1150
00:54:19,040 --> 00:54:21,920
Speaker 2: I'm alone. The director will give me notes and it

1151
00:54:22,000 --> 00:54:24,880
Speaker 2: said me and a microphone, none of the other actors. Okay.

1152
00:54:25,560 --> 00:54:28,840
Speaker 2: And when I was done, I felt like I just

1153
00:54:28,960 --> 00:54:30,720
Speaker 2: played a football game in pads.

1154
00:54:31,239 --> 00:54:31,520
Speaker 4: I was.

1155
00:54:33,400 --> 00:54:36,120
Speaker 1: Like that, like, I, you know, whatever, I've done Disney

1156
00:54:36,160 --> 00:54:39,360
Speaker 1: movie two hours? Two hours? Is it for me?

1157
00:54:39,520 --> 00:54:41,800
Speaker 3: I after two hours, I have no energy.

1158
00:54:42,560 --> 00:54:45,400
Speaker 2: People would think, And by the way, if you're really

1159
00:54:45,560 --> 00:54:48,800
Speaker 2: working it and you're really acting on the situation, do

1160
00:54:49,480 --> 00:54:51,400
Speaker 2: in voice over work in a good movie like a

1161
00:54:51,440 --> 00:54:55,400
Speaker 2: Pixtar movie or a Disney movie, fucking exhausting. I mean,

1162
00:54:55,480 --> 00:54:57,560
Speaker 2: I was shocked ause I thought this will be fun.

1163
00:54:57,600 --> 00:54:58,920
Speaker 2: I'll read it. Don't learn any long.

1164
00:54:59,040 --> 00:55:01,280
Speaker 1: It fun though, I love Oh no no, But I'm.

1165
00:55:01,160 --> 00:55:04,200
Speaker 2: Not saying it wasn't fun. But it was tiring.

1166
00:55:04,480 --> 00:55:08,520
Speaker 1: Well, what's also tiring is you're not acting with anybody.

1167
00:55:08,600 --> 00:55:12,120
Speaker 1: You're not getting energy off of another actor and interacting.

1168
00:55:12,239 --> 00:55:15,200
Speaker 1: It's just you in the booth doing your lines, and

1169
00:55:15,280 --> 00:55:18,040
Speaker 1: I find that more exhausting than when you're working with

1170
00:55:18,160 --> 00:55:18,680
Speaker 1: other people.

1171
00:55:18,960 --> 00:55:22,360
Speaker 2: And here's a last piece of trivia about that. The

1172
00:55:22,480 --> 00:55:25,400
Speaker 2: most distinct thing about me, and I know this in

1173
00:55:25,520 --> 00:55:29,400
Speaker 2: terms of people, is hearing my voice. Now. My voice

1174
00:55:30,080 --> 00:55:33,879
Speaker 2: the last twenty minutes of recording Wally, and I didn't

1175
00:55:33,920 --> 00:55:37,760
Speaker 2: know I I Since then, I've had voice lessons because

1176
00:55:37,800 --> 00:55:41,400
Speaker 2: I lost my voice. To learn how to do I

1177
00:55:41,400 --> 00:55:44,120
Speaker 2: had to scream. My character had to scream and scream

1178
00:55:44,160 --> 00:55:47,160
Speaker 2: and yell and react and blah blah blah blah. So

1179
00:55:47,400 --> 00:55:51,800
Speaker 2: I burnt out my throat so bad that after from beginning,

1180
00:55:51,880 --> 00:55:55,320
Speaker 2: before Wally and after Wally, my voice completely changed.

1181
00:55:55,640 --> 00:55:56,560
Speaker 1: You know, it's complete.

1182
00:55:58,560 --> 00:56:00,440
Speaker 2: Early on you watched the earlier up, so it's my

1183
00:56:00,520 --> 00:56:04,280
Speaker 2: voice is much smoother, and now I have this hoarseness

1184
00:56:04,360 --> 00:56:07,520
Speaker 2: to it that does not go away, it doesn't hurt.

1185
00:56:08,000 --> 00:56:11,880
Speaker 2: But from Wally my voice has become very distinct.

1186
00:56:12,239 --> 00:56:14,440
Speaker 1: You know what I remember doing Bolt, I had a

1187
00:56:14,520 --> 00:56:17,040
Speaker 1: lot of running scenes, So there was a lot of

1188
00:56:17,080 --> 00:56:18,920
Speaker 1: scenes where I just had to do. It sounded like

1189
00:56:19,040 --> 00:56:21,920
Speaker 1: porn because I just had to do like ah, like

1190
00:56:22,080 --> 00:56:24,040
Speaker 1: be out of breath and just like all these like

1191
00:56:24,239 --> 00:56:25,120
Speaker 1: over and over and over.

1192
00:56:25,200 --> 00:56:27,800
Speaker 2: It was just like porn who played opposite you and Bolt?

1193
00:56:28,160 --> 00:56:32,360
Speaker 1: It was somebody called John Travolta and John Miley Cyrus

1194
00:56:32,800 --> 00:56:33,600
Speaker 1: Miley Cyrus.

1195
00:56:33,760 --> 00:56:34,359
Speaker 3: Yeah, yeah.

1196
00:56:34,840 --> 00:56:36,400
Speaker 2: Did you spend any time with Travolta.

1197
00:56:36,840 --> 00:56:38,960
Speaker 1: No, that's what I'm saying. You don't meet, You do

1198
00:56:39,080 --> 00:56:41,520
Speaker 1: it all by yourself. I met him at the premiere, but.

1199
00:56:41,640 --> 00:56:43,560
Speaker 2: Yeah, I was at the premiere.

1200
00:56:43,640 --> 00:56:46,200
Speaker 1: I was at You don't act with other people when

1201
00:56:46,239 --> 00:56:49,680
Speaker 1: you're generally some some do, but you generally don't act

1202
00:56:49,760 --> 00:56:51,040
Speaker 1: with other people. You just record.

1203
00:56:51,480 --> 00:56:54,640
Speaker 2: And did you have a conversation with him or just agree?

1204
00:56:54,760 --> 00:56:54,920
Speaker 5: Yeah?

1205
00:56:54,960 --> 00:56:57,000
Speaker 1: Yeah, Yeah, we had a little conversation. You know, we

1206
00:56:57,080 --> 00:56:58,960
Speaker 1: were we were a dog and a cat together. Of

1207
00:56:59,000 --> 00:56:59,400
Speaker 1: course we had.

1208
00:56:59,760 --> 00:57:04,239
Speaker 2: But it's John Travolta, who you know, he had. He

1209
00:57:04,400 --> 00:57:07,759
Speaker 2: was the hottest actor in Hollywood, big gigantic star. He

1210
00:57:07,920 --> 00:57:11,400
Speaker 2: kind of faded and then he came back, resurrected by

1211
00:57:11,480 --> 00:57:14,160
Speaker 2: pulp fiction. Yeah, and he hasn't not that they're all

1212
00:57:14,239 --> 00:57:16,880
Speaker 2: great movies, but he has not stopped working. He's not

1213
00:57:17,040 --> 00:57:20,919
Speaker 2: a great after pulp Yeah, I mean Harrison movie. Yeah,

1214
00:57:20,960 --> 00:57:23,320
Speaker 2: he's John fucking Travolta, That's all I'm saying.

1215
00:57:23,400 --> 00:57:25,760
Speaker 3: And he could dance just as good as he wants.

1216
00:57:25,920 --> 00:57:26,480
Speaker 2: Oh my god.

1217
00:57:26,480 --> 00:57:28,360
Speaker 1: And with that, we're gone.

1218
00:57:28,880 --> 00:57:30,960
Speaker 2: Oh yeah for season five. We're done, so.

1219
00:57:31,080 --> 00:57:41,880
Speaker 1: We'll see you next season. Yeah bye, everybody bye. The

1220
00:57:42,000 --> 00:57:45,120
Speaker 1: History of Curb Your Enthusiasm is a production of iHeart Radio.

1221
00:57:45,280 --> 00:57:49,000
Speaker 1: For more podcasts from iHeart Radio, visit the iHeart Radio

1222
00:57:49,160 --> 00:57:52,320
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.