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Speaker 1: So I was with.

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Speaker 2: The Jays. Uh it was me. It was Jason Big

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Speaker 2: j okres out Jason, well, yes, big it was Jason

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Speaker 2: Lee and Big j Okreson okay, and we were having

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Speaker 2: a cold drinks contest to see who could get their

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Speaker 2: drinks the coldest drinks no freezing uh huh.

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Speaker 1: So the drinks must be so cold, so called that

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Speaker 1: they're almost freezing. And if they were any colder, they

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Speaker 1: would be freezed. Yes, no permanent.

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Speaker 2: If they're freezed, disqualified and you're out on your ass

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Speaker 2: and you get your ass kicked up and down Main Street,

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Speaker 2: your happy meal ass gets booted up and down. And

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Speaker 2: Jason Momoa does that and he's strong as hell.

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Speaker 1: And does it have to go in the direction of

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Speaker 1: being more free You can't freeze it and then wait

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Speaker 1: until it is unfrozen. Be like there it is, I

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Speaker 1: did it. The coldest drink it has that's our strong

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Speaker 1: direction of has to start being a very hot drink.

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Speaker 2: And the drink starts out hot as hell. It's spiced

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Speaker 2: hot cider. You gotta get that thing so cold. And

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Speaker 2: the way we judge it is everybody gives one sip

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Speaker 2: to Anna Kendrick and whoever whoever makes her go the

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Speaker 2: loudest is wins the cold drinks contest. Wow, yeah, wow,

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Speaker 2: is right, Hayes. And you know what that ass kicked

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Speaker 2: up down Main Street by Jason Myma very much?

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Speaker 1: Do you want that? No?

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Speaker 2: I should think not.

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Speaker 1: But she she does that. I don't know if she's

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Speaker 1: the right person because she does that just like instinctively.

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Speaker 1: She does it when she she can't stop doing it. Yeah,

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Speaker 1: she does it when in the Chips commercial she'll eat

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Speaker 1: the chips and be it, which is like, that's not

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Speaker 1: the right reaction. She does in the hotel's commercials too.

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Speaker 1: She does in the hotel's commercial.

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Speaker 2: Yeah, just when she's she puts her feet in the

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Speaker 2: pool and she goes ah, And that is odd. She

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Speaker 2: can't stop doing it, and it is possibly a disease

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Speaker 2: and she maybe needs to go get medical attention for it.

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Speaker 1: But she does it with the seemingly endless parade of

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Speaker 1: boyfriends in love Life on HBO Max.

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Speaker 2: No, it's true on HBO Max for your consideration, Love

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Speaker 2: Life is available now.

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Speaker 1: In all categories.

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Speaker 2: And when you're watching it and she's dating just left,

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Speaker 2: right and center, every damn happy meal ass that's been

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Speaker 2: kicked up and down Main Street by Jason Momoa and

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Speaker 2: his uncle, brother and nephew. You see her going, Oh

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Speaker 2: the good thank you for the kiss, and it doesn't

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Speaker 2: make sense.

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Speaker 1: Thank you to my roommate for this good advice.

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Speaker 2: Oh and I don't think that's right either, But we

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Speaker 2: had to give her something to do because she was

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Speaker 2: going to be making that noise and at least a

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Speaker 2: cold drinks contest made us feel like we were somehow

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Speaker 2: in control and a part of it, and it wasn't

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Speaker 2: just happening to us because she will not leave me

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Speaker 2: in the Jay's kitchen table.

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Speaker 1: Hello, it's Hollywood hand but hello, I do have to

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Speaker 1: remind myself that because it's Carl on the show and

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Speaker 1: they did not want this to happen. Nope, let me

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Speaker 1: just say they did not want The people in charge

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Speaker 1: of all this.

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Speaker 2: Whose names were not going to say, but.

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Speaker 1: Did not want this to happen. But a certain lad,

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Speaker 1: a certain mad lad who is also a bloke as well.

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Speaker 2: A certain fine chap. But you can find it at

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Speaker 2: the public pool. That's what they call it. A pub

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Speaker 2: mm hmm, it's a public pool where he's from.

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Speaker 1: Uh huh. I heard he was a bloody fine, Jam

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Speaker 1: and that's one of them is like very offensive for

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Speaker 1: some reason.

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Speaker 3: Speaking of offensive, Hayes, I kind of know why you

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Speaker 3: have me here.

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Speaker 1: Why.

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Speaker 3: I know it's a little damaged control. I know that's

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Speaker 3: why you're going above that, going above the higher ups,

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Speaker 3: cause I know, I know I'm unwanted. I know. You

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Speaker 3: know we're not allowed to talk about the big B.

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Speaker 2: They've been trying to kiss you off. I obviously have

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Speaker 2: been saying, hey, Carl, I want to try to get

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Speaker 2: you on. Hayes at the last minute has been getting

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Speaker 2: cold feet for a couple of months now, going like, uh,

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Speaker 2: maybe we pushed this one. You know, there' only plenty

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Speaker 2: of time to do an episode with Carl. Then all

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Speaker 2: of a sudden this week he insisted, like, I think

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Speaker 2: the timing's right, and you had a theory about why

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Speaker 2: that might be, Carl, you.

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Speaker 3: Know, just a little damaged control. I know. I'm on

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Speaker 3: here to say one thing, everybody, I'm Hayes's friend.

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Speaker 1: Carl. We have another show together, so it's doing.

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Speaker 3: I haven't seen you guys in forever, and I I

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Speaker 3: just want everybody to know I'm Hayes's friend. Everybody can

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Speaker 3: calm down. I'm this is what happens. This is what happened.

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Speaker 3: We were having a I thought, very nice conversation with

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Speaker 3: Harvey Gian, our guest actor star, and I was looking

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Speaker 3: at his Wikipedia page, which says that his nationality is American.

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Speaker 3: And it's actually.

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Speaker 1: Look at someone's Wikipedia page while you're talking to them

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Speaker 1: is actually called showing interest, if you've ever even heard

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Speaker 1: of this. And I'm looking at his Wikipedia page and

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Speaker 1: it says nationality American. And he just said that like

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Speaker 1: something we had talking about maybe was like cultural differences.

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Speaker 1: And I said, what culture role? And he said, never mind.

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Speaker 1: And I said, your Wikipedia page says nationally American, and

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Speaker 1: talk about this and is this cultural? Is that what

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Speaker 1: you mean? And that's what I said. And I don't

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Speaker 1: want to talk about this anymore.

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Speaker 2: And honestly, you know, I know that I'm not in

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Speaker 2: any hot water right now. I don't have the same

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Speaker 2: damage control to do right now that Hayes does. But

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Speaker 2: I wouldn't mind hearing that. I'm your friend as well, Carl.

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Speaker 1: You are.

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Speaker 3: But I'm not gonna just say that. I'm not gonna

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Speaker 3: throw it around willy nilly because you don't need it

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Speaker 3: right now. We haven't we weren't discussing savings. We weren't

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Speaker 3: discussing you at the meetings at I am a Mexican American.

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Speaker 3: We weren't discussing you at the Mexican American meetings, Carl.

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Speaker 1: Yes, they don't want this to happen because we have

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Speaker 1: another show, Flagrant Ones, and they like they they can

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Speaker 1: watch they have like in the Earwolf office, their stock

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Speaker 1: ticker with the paper coming out all the time, and

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Speaker 1: Colin's looking at it, and he'll like open the window

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Speaker 1: and he'll start to step out, and then they'll.

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Speaker 2: Be like, oh, what up a little bit, who's looking

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Speaker 2: at it? We don't know who's looking at someone's looking

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Speaker 2: at it, sorry, and telling us to sod off. When

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Speaker 2: we peek in and say what are you looking at exactly?

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Speaker 3: And I hear he's a bloody bloke too, uh, and

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Speaker 3: he's wearing a green visor and he's got a cigaret

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Speaker 3: in his mouth, and he's looking at that ticker.

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Speaker 1: And they can see that Flagrant it's in inverse relationship.

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Speaker 1: Flavorant Ones gets a patron subscriber. Irwell stock falls three

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Speaker 1: hundred dollars.

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Speaker 3: Like pork bellies. Yeah, every every time we're orange juice

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Speaker 3: over at TFO hashtag TFO. And they're pork bellies, you

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Speaker 3: know when when orange juice rises, when the frost is

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Speaker 3: not on. Shout out to you, Annie Kendrick. It it

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Speaker 3: makes them kind of you know, the pork bellies. You know,

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Speaker 3: they fry a little bit more if if that makes

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Speaker 3: any sense, which I think it does.

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Speaker 2: You think Anna Kendrick played the Frost character, the famous

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Speaker 2: Frost character, Emma Frost.

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Speaker 3: Heap miser Oh, Emma Frost. Oh from from Frosted.

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Speaker 1: The Frost Frosted.

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Speaker 3: Oh yeah, yeah, Anna Kendrick play Emma Frost and Frosted.

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Speaker 3: Here it comes here, it comes keep yeah, keep going, Okay,

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Speaker 3: here it comes here, It comes here, It comes here,

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Speaker 3: It comes.

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Speaker 2: Emma Frost is January Jones And isn't it interesting that

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Speaker 2: January has a lot of frost?

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Speaker 3: M there you go?

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Speaker 2: Is that how they got the idea that is the

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Speaker 2: frostiest month of all? Do you agree or disagree?

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Speaker 3: I agree? I was born in January, in January.

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Speaker 1: And what's the what's the date? At Carl fifth January

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Speaker 1: fifth January.

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Speaker 3: January fifth, nineteen slemmer jam And I think it was frosty.

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Speaker 3: My mom told me it was Frosty. There was a

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Speaker 3: Frosty that tell you when I came out, they had

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Speaker 3: to take a hammer and a chisel and crack me out.

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Speaker 2: That's like the opening of the movie frost And Yeah.

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Speaker 1: Just like one of those ice ship for the windshield.

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Speaker 3: Yeah mm hmm.

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Speaker 2: Pour some kiddy litter under your under you.

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Speaker 1: And it's difficult at times to even know what show

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Speaker 1: I'm doing right now now, especially because we are recording separately,

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Speaker 1: as we will be doing in the entire podcasting industry

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Speaker 1: for eternity now. Uh, And my constant, I have no

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Speaker 1: constant to know whether I am in the flager Ones

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Speaker 1: world or in the Hollywood Handbook world. Normally I would

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Speaker 1: reach out and sort of like if I just reach

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Speaker 1: out my hand in when we're recording flavor Ones, Andy

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Speaker 1: will just fill my hand with his teet. It's not

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Speaker 1: I don't invite it. But if I just like reach

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Speaker 1: it out Andy, suddenly my hand will be filled with

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Speaker 1: Andy's teat. And if it's nothing, then Kevin usually you know,

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Speaker 1: he's like, does nothing at all. So if it's air,

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Speaker 1: then I know I'm on Hollywood Handbook. But if my

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Speaker 1: hand is filled with Andy's tea, then I'm on flagor one.

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Speaker 2: But what happens now when you're recording remotely when you

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Speaker 2: reach your hand out, what's in there?

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Speaker 4: Now?

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Speaker 1: I I you know, I'm the toilet flushes.

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Speaker 2: Yeah, no, it's interesting. Yeah, so when I reach my

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Speaker 2: hand out into the air, the toilet flushes. But no

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Speaker 2: matter what I'm recording, and when I'm not recording anything,

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Speaker 2: and when I.

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Speaker 1: Just keep splashing, yes, okay, does it stop and start

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Speaker 1: or it just is constantly? Does it like finish a

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Speaker 1: flush cycle and then start again? The tone changes.

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Speaker 2: I mean there's tonal shifts where it'll sound like something's happening,

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Speaker 2: where it's maybe gonna end, but then it'll pick up

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Speaker 2: speed again. It goes faster, faster and faster, worrying, whirling,

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Speaker 2: swirling away.

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Speaker 3: I'm thankful on this show I don't have to so

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Speaker 3: for those of you who don't listen to the fligerant ones,

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Speaker 3: which for shame, but I know you hear.

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Speaker 1: But there's no overlap. Actually they've kind of picked sides

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Speaker 1: at this point.

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Speaker 3: Yeah, but on that show, I'm not allowed to actually talk.

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Speaker 3: I just have to make basketball sounds. So I'm just

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Speaker 3: like poum poum pound sneaker, squeak the whole time. Yeah, pound, poum, poum,

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Speaker 3: Who the whole time?

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Speaker 2: Are you passing?

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Speaker 3: Here? Is? And so here I get to I get to.

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Speaker 1: Talk, feed me the rock.

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Speaker 2: I'm open.

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Speaker 1: And so we do have some things, Kevin, we have

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Speaker 1: some stuff that we have to do today, right.

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Speaker 4: Hi, freaks Chef Kevin here, we have a very important

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Speaker 4: thing to do today. We have a very special VR

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Speaker 4: Family Guy episode starring Carl Thanks.

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Speaker 2: A lot of set up here to do, and now

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Speaker 2: the table has been set for us to actually explain

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Speaker 2: what's happening.

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Speaker 4: Take it away.

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Speaker 2: So we want you guys to hear the Family Guy

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Speaker 2: specscript that we have started working on. We have sort

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Speaker 2: of a rough outline. We haven't totally finished it, but

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Speaker 2: I'm pretty confident that with between the three of us,

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Speaker 2: I guess four three and a half. Yeah, we can

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Speaker 2: rough our way through the scenes themselves. And of course,

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Speaker 2: how do you stand out in the industry today? What

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Speaker 2: are you going to do? So that Family Guy really

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Speaker 2: notices you, So Peter griff And actually takes his little

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Speaker 2: famous pointer stick laser pointer and shines it on you

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Speaker 2: and says, you're the one who come up here and

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Speaker 2: helped me make my show.

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Speaker 1: When he calls you over to the desk.

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Speaker 2: When Peter waves you over, he gives you the nod

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Speaker 2: and he goes, hey, come have a seat, and starts

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Speaker 2: sort of rubbing the seat in a circular motion and

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Speaker 2: and sort of pretends that you sat down too fast

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Speaker 2: for him to pull his hand away. But he gets

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Speaker 2: his hand kind of wedged halfway underneath my hand, one

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Speaker 2: of your cheeks. My hand hand it stuck. When that happens,

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Speaker 2: you know you've done something special. You've changed the way

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Speaker 2: we look at Family Guy. And of course our attempt

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Speaker 2: to do that will be the first virtual reality episode.

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Speaker 1: Now, Carl, you have seen every episode. You know who

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Speaker 1: everyone in the family is, Yes for the main family,

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Speaker 1: you know who the friends are. You know who the

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Speaker 1: dog is. I do, and so we thought Carl could

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Speaker 1: really help us write a good Family Guy.

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Speaker 2: And I believe we have a bit of an announcement

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Speaker 2: to make. I'm really excited. This is huge for me.

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Speaker 2: I am the new voice of Cleveland. You may have

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Speaker 2: read in the Trades the Voice of Cleveland has stepped

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Speaker 2: down after a long, long run. I didn't see the

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Speaker 2: whole article. I don't know exactly why or what the

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Speaker 2: surrounding idea. But he's done, he's tired of it. And

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Speaker 2: I throw my hat in the ring and I do

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Speaker 2: a pretty good Cleveland and I will be now the

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Speaker 2: new voice of Cleveland.

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Speaker 3: That is amazing. It's an honor to know you. I'm

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Speaker 3: not gonna say that I'm your friend, because you don't

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Speaker 3: really need that right now, but it is an honor

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Speaker 3: to know you.

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Speaker 1: Dog could maybe us like being taken down a little bit,

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Speaker 1: So maybe there's something not just say like maybe not

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Speaker 1: to say that you're like not his friend, but like,

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Speaker 1: I think it could be good for Sean.

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Speaker 2: How about me? Are you my friend?

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Speaker 5: Carl?

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Speaker 3: Oh? Hell?

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Speaker 2: Yeah, hey, thanks for being friends with me, kyl me.

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Speaker 3: Always the new Cleveland. Oh man, it is an honor.

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Speaker 3: Underprivileged King Loretta. Okay, Oh Peter.

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Speaker 1: Well, we have to figure out, we have to figure

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Speaker 1: out what the idea is. No, I know, I know, okay,

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Speaker 1: And usually it's something like Peter, like some freak chance event,

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Speaker 1: like Peter wins the lottery. Peter Inherrit's like a bubble

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Speaker 1: gum factory pet Like there's like something happens in the

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Speaker 1: very beginning that leads into the main story, and that's

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Speaker 1: like your act one story. Basically, Peter runs a tickle

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Speaker 1: pornography ring. Peter runs a tickle pornography ring and Lois

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Speaker 1: they haven't done that, and Lois walks out. Okay, here's

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Speaker 1: let's just break that story down really fast. Peter runs

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Speaker 1: a tackle pornography ring. He has been doing this for

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Speaker 1: a long time, kind of in secret, and Lois walks

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Speaker 1: in on him and discovers it and is repulsed at first,

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Speaker 1: but then gets into it to like help their marriage

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Speaker 1: and ends up becoming more popular in this world than

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Speaker 1: Peter is and actually becoming like a huge star.

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Speaker 2: She becomes a tickle tickleleberty.

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Speaker 1: Yes, and Peter becomes her manager in the tickle pornography world. Uh,

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Speaker 1: and then he gets jealous and fame goes to her head.

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Speaker 1: Peter gets jealous. She ends up apologizing to him because

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Speaker 1: she wasn't herself.

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Speaker 2: And they turn the site over. They shut it down

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Speaker 2: for good, and they sell it to.

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Speaker 3: Of course, Cleveland Cleveland.

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Speaker 2: He thanks for the tickle pornography Empire.

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Speaker 1: Quagmire makes more sense. We also probably need a Stuie

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Speaker 1: Bryant b story. Maybe Inn on the Road episode for them,

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Speaker 1: get them out of the house. Yeah, those always do

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Speaker 1: pretty well.

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Speaker 2: Maybe they're touring, like all the micro breweries in Portland.

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Speaker 1: That could be good.

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Speaker 3: The road to Portland. That the road to Seattle. What

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Speaker 3: if they're going to chas in Seattle.

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Speaker 1: They're going to the Capitol Hill Autonomous Zone. Yeah, they

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Speaker 1: could do both. It mean it's road to the Pacific Northwest.

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Speaker 3: Yes, so they do. They start in Vancouver and they

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Speaker 3: realize that the borders are closed due to COVID. Yeah,

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Speaker 3: and so they have to sneak across the border.

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Speaker 1: They have to illegally immigrate into the United States. Yes, great, okay,

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Speaker 1: we have it. So we do open and we see

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Speaker 1: the house open on family guy's house tonight on the news. Hi,

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Speaker 1: I'm the news.

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Speaker 3: I'm Tom Tucker.

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Speaker 1: Yes, that's right, thank you. Hi, I'm the News Tom Tucker.

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Speaker 3: Uh.

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Speaker 1: And then they say, like something happened. They say, he

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Speaker 1: usually says something disrespectful about the the other woman that

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Speaker 1: he's doing the news with, Kenny, Yes, Joyce Kenny. And

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Speaker 1: they talk about that. It's it's called a TV joke.

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Speaker 1: So we need a TV we need a quick TV joke.

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Speaker 2: Well, and so they'll show a preview for like a

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Speaker 2: new episode of something or whatever tonight, right too?

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Speaker 3: Yes, yeah, we now return to yeah do that.

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Speaker 2: We now returned to Black Mirror, but for cats. Yeah,

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Speaker 2: bandersnatch mm hmm, legend of vander Snatch. Yes, why is

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Speaker 2: my name so weird?

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Speaker 1: Yeah?

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Speaker 2: Yeah? Great, So that's that's good.

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Speaker 1: Now, what's the VR, Like, what's the VR aspect of this?

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Speaker 1: Because this does have to be VR obviously. Yeah.

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Speaker 2: Well, you should feel like you're actually getting tickled by

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Speaker 2: Peter Griffin.

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Speaker 1: Okay, that's not VR, really, I mean like you could

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Speaker 1: see his hand is like, but but you wouldn't feel

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Speaker 1: the tickles happening.

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Speaker 2: Really, Okay, never mind.

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Speaker 1: And I really I don't need you to like shut

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Speaker 1: down for the rest of the thing, because.

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Speaker 2: No, you, I uh thought I had an idea. You

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Speaker 2: obviously corrected me.

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Speaker 1: I don't. I'm not I'm not really correct with you.

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Speaker 2: I under the illusion that I had an idea for

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Speaker 2: something that could be fun for the episode, and I

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Speaker 2: will no longer get in your way.

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Speaker 1: Okay, So Cleveland, I get like, well, Peter's probably watching

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Speaker 1: or no, maybe Lois was watching by herself, and so

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Speaker 1: she hears a noise in the basement and they never no,

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Speaker 1: they did have a basement. They have a basement, right yeah. Yeah.

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Speaker 1: She hears a noise down there, and it's giggling. What's

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Speaker 1: all that laughter? What that somebody's laughing? Peter, Peter Peter.

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Speaker 1: Lois opens the door to the basement and she hears

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Speaker 1: noises and and she hears like.

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Speaker 2: Oh.

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Speaker 5: Yeah, stop stopping, don't stop.

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Speaker 2: That's oh that's too. That's where I'm ticklish right there.

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Speaker 3: Oh no, Peter, what's going on down here?

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Speaker 4: Oh?

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Speaker 1: Oh hi, Loish? Uh me and uh who's a guy?

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Speaker 3: Who are these boys?

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Speaker 1: But it's it would be people that we know from

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Speaker 1: the town. More Goldman is there?

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Speaker 3: Okay, yes, Mark Goldman is there?

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Speaker 1: Herman Herman. Isn't that the next door neighbors name? Mister

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Speaker 1: Herbert Herbert. Mister Herbert Herbert's there? Maybe talking? I was there?

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Speaker 1: Would Joe be there, Lois?

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Speaker 3: That was some of the late amazing strogan Off last night.

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Speaker 3: I didn't offer you any strogan off, Joe, I know

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Speaker 3: I took some out of the train.

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Speaker 1: Okay. She turns on the way and all the men

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Speaker 1: in town are there, and Peter is tickling them in.

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Speaker 1: A camera is set up. Oh, Loish Me and the

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Speaker 1: boys was just playing poker. Yeah, that's righted at a

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Speaker 1: new game of poker where there are no cards or

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Speaker 1: and there's no money involved.

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Speaker 2: I didn't think this was poker. I thought I was

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Speaker 2: getting tickled.

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Speaker 5: I thought there was money involved.

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Speaker 1: Okay, he's there that we are coming up against an

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Speaker 1: issue with the show, which is a lot There is

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Speaker 1: a lot of stuff in it. That is, we have

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Speaker 1: to just decide on our own like if if like

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Speaker 1: we already have we have Sean Doick Cleveland, right, we

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Speaker 1: have characters like more Goldman, who one could argue as

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Speaker 1: a racial caricature in his owne right, so maybe we

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Speaker 1: save it with the VR element. We have to decide

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Speaker 1: which character you you are like, like if you're wearing

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Speaker 1: the goggles, this is an immersive experience, and so who

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Speaker 1: are you in this world? Are you Lois? Are you

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Speaker 1: Peter like or are you one of the side characters

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Speaker 1: who then has to be there for the rest of

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Speaker 1: the episode. What would you like, Kevin? What are you like?

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Speaker 3: Like?

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Speaker 1: Like? What are the ground rules for this that, like

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Speaker 1: the network has laid out?

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Speaker 4: I assumed Lois, but you could also be the camera

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Speaker 4: ra Okay, that's filming, that's filming the tickles, okay, but

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Speaker 4: then you can see with other parts of the camera,

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Speaker 4: like what else is happening in the but lois is

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Speaker 4: a good.

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Speaker 1: Idea, But in that in that sense that every show

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Speaker 1: is VR.

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Speaker 4: No, because you're the camera that's in that's specifically in

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Speaker 4: the scene in the basement.

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Speaker 1: And then they just carry it around with them for

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Speaker 1: the rest of the episode. Yeah, whoa, but then it's

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Speaker 1: not VR.

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Speaker 2: It's like, should we just put on the headsets? Should

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Speaker 2: we just put on the VR headsets now and kind

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Speaker 2: of see how these things work so we can get

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Speaker 2: a sense of like what might be good for a

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Speaker 2: Family Guy episode with it?

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Speaker 1: Yeah, yeah, okay, because that might.

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Speaker 2: Change our whole opinion if we just put these things on.

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Speaker 2: I know, Kevin worked up a pretty like cool simulation

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Speaker 2: for like a demo, like a demo simulator, just to

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Speaker 2: kind of understand like what the technology does. Yeah, I

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Speaker 2: know that that might have saved me from my god

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Speaker 2: awful picture earlier where he had to bot me on

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Speaker 2: the nose of the fucking newspaper.

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Speaker 1: It really was just a clarification and I wasn't and

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Speaker 1: I actually was very polite about it when I said it.

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Speaker 1: It was just a clarification that when you are wearing

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Speaker 1: the goggles, the sensation of tickling, there is no way

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Speaker 1: to rise the type.

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Speaker 2: Of kindness you can only get from a true friend

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Speaker 2: who's willing to just assassinate you in front of the

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Speaker 2: entire world. But yeah, no, I thought it could be

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Speaker 2: fun if people kind of felt like they were getting

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Speaker 2: tickled during the tickle episode.

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Speaker 1: That's I agree it would.

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Speaker 2: I agree with it, don't well know, now you're making

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Speaker 2: it worse in what way? Look, let's just put the

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Speaker 2: headsets on and we'll just see.

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Speaker 1: I think. I just want to say, I think it

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Speaker 1: would be a lot of fun. Just because we can't

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Speaker 1: do that and we don't have that technology and it's

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Speaker 1: not part of the r does not mean that it

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Speaker 1: is not a great idea.

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Speaker 2: Let's not talk about it anymore. So I'm putting my

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Speaker 2: headset on.

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Speaker 3: Now, Ow, this looks cool, I'll put my head set on.

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Speaker 3: So juck, I'm the I'm the viewer at home, I'm

441
00:24:07,320 --> 00:24:08,639
Speaker 3: myself watching the show.

442
00:24:09,400 --> 00:24:11,760
Speaker 1: Okay, I put my head sign on as that on

443
00:24:11,840 --> 00:24:17,800
Speaker 1: as well. Yeah, yeah for me too. It is just

444
00:24:17,880 --> 00:24:20,200
Speaker 1: playing a family guy episode. And so this.

445
00:24:21,640 --> 00:24:22,000
Speaker 3: To me.

446
00:24:23,800 --> 00:24:30,360
Speaker 2: Whoa trippy. I feel like I'm in the room watching

447
00:24:30,480 --> 00:24:33,480
Speaker 2: Family Guy. It really looks like it.

448
00:24:33,480 --> 00:24:35,600
Speaker 1: It feels like I am in but the room is

449
00:24:35,640 --> 00:24:38,440
Speaker 1: like my TV room.

450
00:24:39,680 --> 00:24:41,880
Speaker 3: I'm in my bed because I watch Family Guy before

451
00:24:41,920 --> 00:24:44,080
Speaker 3: I go to sleep, and I'm nude from the waist down,

452
00:24:44,119 --> 00:24:46,680
Speaker 3: but I'm wearing Los Angeles Cliffer.

453
00:24:46,480 --> 00:24:48,960
Speaker 1: Socks and sitting on top of the covers.

454
00:24:49,160 --> 00:24:50,879
Speaker 3: Yeah, that's how I sleep.

455
00:24:51,640 --> 00:24:53,720
Speaker 2: And you're wearing the socks on your hands.

456
00:24:54,080 --> 00:24:55,879
Speaker 3: So when the socks on my hands, I don't scratch

457
00:24:55,920 --> 00:24:58,600
Speaker 3: myself because I scratched. I sleep scratch mm hmmm.

458
00:24:58,800 --> 00:24:59,280
Speaker 2: We all do.

459
00:25:00,040 --> 00:25:00,119
Speaker 3: So.

460
00:25:00,240 --> 00:25:03,560
Speaker 2: And I am at Kevin's poolhouse. I guess that was

461
00:25:03,680 --> 00:25:07,520
Speaker 2: just the location he was familiar keying in. Uh. So,

462
00:25:07,600 --> 00:25:10,119
Speaker 2: I'm at his little back patio where he has a

463
00:25:10,160 --> 00:25:12,600
Speaker 2: really nice flat screen and I am enjoying an episode

464
00:25:12,640 --> 00:25:13,520
Speaker 2: of Family Guy here.

465
00:25:14,160 --> 00:25:17,040
Speaker 1: Okay, And so I guess every once in a while, as

466
00:25:17,080 --> 00:25:19,200
Speaker 1: I'm watching, every once in a while, I look over

467
00:25:20,040 --> 00:25:24,879
Speaker 1: and Kevin is there, and he is watching me watch

468
00:25:25,160 --> 00:25:29,480
Speaker 1: the show to see if I am liking the jokes.

469
00:25:29,520 --> 00:25:33,919
Speaker 1: I guess, oh, yeah, oh there he is, Hi Kevin. Okay.

470
00:25:33,960 --> 00:25:36,200
Speaker 2: He looked away really fast when I looked at him.

471
00:25:36,600 --> 00:25:39,560
Speaker 3: Kevin is laying next to me in bait, you might

472
00:25:39,560 --> 00:25:42,800
Speaker 3: as well crawl on, crawl on in here, bam, get

473
00:25:42,880 --> 00:25:45,880
Speaker 3: up in here, let's snuggle it up. It's clearly bedtimes done.

474
00:25:45,920 --> 00:25:46,320
Speaker 1: Ha ha ha.

475
00:25:46,480 --> 00:25:50,520
Speaker 2: Oh sorry, I it felt like I was getting tickled

476
00:25:50,600 --> 00:25:54,680
Speaker 2: just now in my I know what I know. Of course,

477
00:25:54,720 --> 00:25:58,119
Speaker 2: that's not possible. I honestly hesitate to even bring it up,

478
00:25:58,119 --> 00:26:00,120
Speaker 2: but I have to explain the outburst. I did just

479
00:26:00,200 --> 00:26:03,760
Speaker 2: let loose with a bit of a chuckle, and it

480
00:26:03,840 --> 00:26:05,919
Speaker 2: is because I felt like I was being tickled. I

481
00:26:06,000 --> 00:26:09,080
Speaker 2: know it's not the VR because Hayes has been very and.

482
00:26:09,040 --> 00:26:12,399
Speaker 1: I'm actually very curious how that happened because you're wearing

483
00:26:12,400 --> 00:26:16,680
Speaker 1: something on your head only, and so I'm just curious

484
00:26:16,960 --> 00:26:20,359
Speaker 1: how the feeling of being tickled was was simulated.

485
00:26:20,400 --> 00:26:24,000
Speaker 2: I don't know, I don't know. You looked so realistic

486
00:26:25,320 --> 00:26:29,240
Speaker 2: that my brain actually tricked, my eyes tricked my skin.

487
00:26:30,560 --> 00:26:34,640
Speaker 2: Perhaps my eyes tricked the sensors on my skin by

488
00:26:34,800 --> 00:26:37,320
Speaker 2: seeing the hand. They told me, uh, oh, this is

489
00:26:37,320 --> 00:26:41,119
Speaker 2: what we're feeling. But I don't know. I mean, also,

490
00:26:41,320 --> 00:26:43,920
Speaker 2: I'm torn because I know that that couldn't be possible,

491
00:26:43,920 --> 00:26:46,120
Speaker 2: and it wouldn't even be fun. My friend Hayes taught

492
00:26:46,119 --> 00:26:46,320
Speaker 2: me that.

493
00:26:46,840 --> 00:26:50,240
Speaker 1: I actually said it would be fun. We're only we're

494
00:26:50,280 --> 00:26:55,199
Speaker 1: barely through the what's basically the cold Open, which is lowest.

495
00:26:55,320 --> 00:27:01,480
Speaker 1: Found Peter doing a tickle pornography ring with all the

496
00:27:01,680 --> 00:27:08,240
Speaker 1: guys in town. And she's upset, and maybe she goes

497
00:27:08,280 --> 00:27:11,840
Speaker 1: and she talks to Bonnie. Could be good, and maybe

498
00:27:11,920 --> 00:27:14,080
Speaker 1: Joe's there is as well.

499
00:27:14,560 --> 00:27:16,160
Speaker 3: I'll do Bonnie and Joe.

500
00:27:16,760 --> 00:27:19,320
Speaker 1: Okay, you were doing Lois before, but I'll do Lois now.

501
00:27:19,480 --> 00:27:19,840
Speaker 3: Okay.

502
00:27:20,840 --> 00:27:24,600
Speaker 1: I just can't believe I trusted Peter and he's been

503
00:27:24,640 --> 00:27:30,359
Speaker 1: running a tickle pornography ring in our basement for years.

504
00:27:30,880 --> 00:27:32,600
Speaker 3: You should try it out, Thois.

505
00:27:33,040 --> 00:27:34,000
Speaker 1: It's not that bad.

506
00:27:34,840 --> 00:27:40,160
Speaker 3: She's right, Lois, you should try it. I unfortunately can't

507
00:27:40,160 --> 00:27:43,399
Speaker 3: feel any of the tickles, so people take advantage of me.

508
00:27:44,240 --> 00:27:47,680
Speaker 1: You all do this, so I guess this is normal.

509
00:27:48,800 --> 00:27:53,400
Speaker 3: Yeah, Lois, come on here, I'll un snap your bro.

510
00:27:54,200 --> 00:27:56,320
Speaker 1: So I'm just realizing that on the show they would

511
00:27:56,359 --> 00:28:00,000
Speaker 1: never really do just a Leis and Bonnie seen unless

512
00:28:00,000 --> 00:28:02,280
Speaker 1: this that we're going in the.

513
00:28:02,240 --> 00:28:05,320
Speaker 3: Direction of the Carl Listen, man, I know the shell.

514
00:28:06,720 --> 00:28:07,880
Speaker 3: I know the shell.

515
00:28:10,119 --> 00:28:12,480
Speaker 1: That was interesting because I did when Carl said that,

516
00:28:12,560 --> 00:28:15,600
Speaker 1: I did kind of feel my bra being unsnapped a

517
00:28:15,640 --> 00:28:22,000
Speaker 1: little bit. And so, and it is possible that my

518
00:28:22,680 --> 00:28:26,159
Speaker 1: pretty vie, my skin sensors were tricked by just the

519
00:28:26,240 --> 00:28:32,960
Speaker 1: realism of hearing Carl say it. It's possible. Yeah, it's interesting.

520
00:28:33,160 --> 00:28:35,040
Speaker 1: The brain is really fascinating.

521
00:28:35,280 --> 00:28:39,200
Speaker 2: Oh it's fucked up to forget it. I mean, we

522
00:28:39,240 --> 00:28:42,080
Speaker 2: talk about the lizard brain, but there's all these other parts.

523
00:28:42,720 --> 00:28:46,480
Speaker 2: Oh yeah, and they're all crazy mm hmm. Okay, So

524
00:28:46,680 --> 00:28:50,000
Speaker 2: I didn't really, I wasn't in that scene.

525
00:28:50,640 --> 00:28:51,680
Speaker 1: It was very short.

526
00:28:52,040 --> 00:28:55,040
Speaker 2: Maybe I'll have Brian do something now.

527
00:28:55,040 --> 00:28:58,920
Speaker 1: Okay, Yeah, they have to go Usually there's a reason

528
00:28:58,960 --> 00:29:01,640
Speaker 1: they have to go on one of these tours either.

529
00:29:01,760 --> 00:29:09,000
Speaker 1: Maybe Brian got a letter from his ex girlfriend in Vancouver. Yeah,

530
00:29:09,040 --> 00:29:11,640
Speaker 1: he has a girl that he met who like on

531
00:29:12,280 --> 00:29:13,640
Speaker 1: He was like, I'm through an app.

532
00:29:13,760 --> 00:29:14,880
Speaker 2: He's been catfishinger.

533
00:29:15,440 --> 00:29:21,080
Speaker 1: He has been catfishing someone and she is about to

534
00:29:21,320 --> 00:29:25,840
Speaker 1: move to to co Hog.

535
00:29:26,320 --> 00:29:29,480
Speaker 2: Huh based on the message he's been sending. Based on

536
00:29:29,520 --> 00:29:35,040
Speaker 2: the message, and he's been using Quagmire's profile photo.

537
00:29:35,640 --> 00:29:38,160
Speaker 1: Yeah, and she's like I'm on my way and I'm

538
00:29:38,200 --> 00:29:42,240
Speaker 1: gonna leave in three days, and so like I can't

539
00:29:42,280 --> 00:29:46,360
Speaker 1: wait to see you don't contact me like I I,

540
00:29:46,520 --> 00:29:50,000
Speaker 1: and you won't be able to contact me until then.

541
00:29:49,520 --> 00:29:53,240
Speaker 2: So they have to go already disconnected my phone and

542
00:29:53,280 --> 00:29:55,080
Speaker 2: internet in the preparation for the move.

543
00:29:55,640 --> 00:30:00,320
Speaker 1: Yes, perfect, And so they have to go stop her

544
00:30:00,760 --> 00:30:02,080
Speaker 1: and tell her the truth.

545
00:30:02,520 --> 00:30:05,440
Speaker 2: So I guess Stewie would probably just like catch Brian

546
00:30:05,560 --> 00:30:07,240
Speaker 2: packing up a Duffel bag or something.

547
00:30:07,360 --> 00:30:09,960
Speaker 1: Right, Yeah, my shirt and my.

548
00:30:10,680 --> 00:30:17,160
Speaker 2: Shoes, Brian, Where are you going nowhere? Stewie? I am

549
00:30:17,200 --> 00:30:19,920
Speaker 2: not going, but you're packing that suitcase?

550
00:30:19,960 --> 00:30:20,600
Speaker 1: You all right?

551
00:30:20,640 --> 00:30:25,000
Speaker 2: Fine? You wore me down, You got me, Jesus, you're good. Look,

552
00:30:26,440 --> 00:30:35,400
Speaker 2: I've been online dating a false way. The feelings were real.

553
00:30:35,880 --> 00:30:39,760
Speaker 2: Everything I told her about myself was real. But anyway,

554
00:30:39,760 --> 00:30:41,600
Speaker 2: I have to go to Vancouver to stop her from

555
00:30:41,600 --> 00:30:45,480
Speaker 2: moving here and getting into a relationship with Quagmire, who

556
00:30:45,520 --> 00:30:48,160
Speaker 2: she thinks is me because I used his photo even

557
00:30:48,200 --> 00:30:52,440
Speaker 2: though I did write her real poems. And also I

558
00:30:52,480 --> 00:30:55,040
Speaker 2: need some money for gas because I blew my money

559
00:30:55,040 --> 00:30:56,600
Speaker 2: playing dice in an alley last night.

560
00:30:56,960 --> 00:31:00,520
Speaker 5: Wait a second, you've been catfishing someone.

561
00:31:01,040 --> 00:31:02,000
Speaker 1: I would call it that.

562
00:31:02,280 --> 00:31:05,320
Speaker 3: I'm coming with you. I can't stay here Herbanke's trying

563
00:31:05,320 --> 00:31:07,720
Speaker 3: to tickle me. And that's how that's how you merge

564
00:31:07,760 --> 00:31:08,600
Speaker 3: the A story in the best.

565
00:31:08,920 --> 00:31:14,360
Speaker 2: Yes, get in the sidecar. We're all on the road

566
00:31:14,680 --> 00:31:21,160
Speaker 2: to Vancouver, gonna see some of those Vancouver mountains.

567
00:31:21,960 --> 00:31:26,840
Speaker 5: There's islands, and there's water, and there's soda fountains, the

568
00:31:26,880 --> 00:31:31,000
Speaker 5: BC Lions, Brian. When we get there, can we eat

569
00:31:31,280 --> 00:31:32,520
Speaker 5: salt and pepper chips?

570
00:31:33,480 --> 00:31:40,200
Speaker 2: Stewie, you read my mind?

571
00:31:37,840 --> 00:31:43,560
Speaker 1: Ham So that one thing I'd noticed is we don't

572
00:31:43,560 --> 00:31:46,640
Speaker 1: have any cutaways yet, right, those.

573
00:31:46,440 --> 00:31:47,280
Speaker 3: Are very important.

574
00:31:47,720 --> 00:31:53,440
Speaker 1: Yeah here, I mean like whoever is in like the

575
00:31:53,600 --> 00:32:01,600
Speaker 1: very Yeah, everyone does it. It is usually Peter uh So. Well,

576
00:32:01,680 --> 00:32:04,440
Speaker 1: usually just bank a couple of those. Okay, Kevin, will

577
00:32:04,480 --> 00:32:07,320
Speaker 1: you just give us a setup and we'll and we'll

578
00:32:07,360 --> 00:32:08,680
Speaker 1: do the cutaway based on that.

579
00:32:09,360 --> 00:32:15,280
Speaker 4: Yeah, that's like the time Francis Ford Coppola missed the

580
00:32:15,640 --> 00:32:17,600
Speaker 4: diving like was on the diving board.

581
00:32:17,760 --> 00:32:20,560
Speaker 1: And they don't say that's like that, that's they don't say,

582
00:32:20,600 --> 00:32:24,959
Speaker 1: that's like the time they said, I haven't been this

583
00:32:25,320 --> 00:32:27,840
Speaker 1: emotion since.

584
00:32:28,120 --> 00:32:31,440
Speaker 4: I haven't been this scared since Francis Ford Coppola was

585
00:32:31,480 --> 00:32:32,840
Speaker 4: on the diving board.

586
00:32:33,320 --> 00:32:40,240
Speaker 1: Okay, that's a Google thanks. So Francis Ford Coppola standing

587
00:32:40,280 --> 00:32:42,480
Speaker 1: on the top of a diving board.

588
00:32:44,920 --> 00:32:50,120
Speaker 3: Nicholas Cage is there, nice saying uncle, Uncle Frank, don't

589
00:32:50,160 --> 00:32:50,520
Speaker 3: do it.

590
00:32:50,760 --> 00:32:52,400
Speaker 2: Maybe Jason Schwartzman's there too.

591
00:32:53,240 --> 00:32:54,400
Speaker 3: I don't have a Nicholas Cage.

592
00:32:55,440 --> 00:33:00,240
Speaker 2: Nicholas Cage, don't do it, Uncle Frank. Don't you with

593
00:33:00,360 --> 00:33:00,920
Speaker 2: Uncle Frank?

594
00:33:01,400 --> 00:33:04,600
Speaker 1: Okay, And Jason Schwartzman is there, and Sofia cople is

595
00:33:04,600 --> 00:33:06,040
Speaker 1: there and they're all trying to get him not to

596
00:33:06,120 --> 00:33:10,560
Speaker 1: jump off the diving board. Yeah, okay, why you've got

597
00:33:10,600 --> 00:33:15,440
Speaker 1: our only camera? Okay? So, and now I'm seeing it,

598
00:33:15,600 --> 00:33:19,840
Speaker 1: my VR is showing a camera. I just don't think

599
00:33:19,880 --> 00:33:22,320
Speaker 1: it makes that like every instant, why don't we just

600
00:33:22,360 --> 00:33:25,640
Speaker 1: like see through someone's eyes instead of everyone in every

601
00:33:25,680 --> 00:33:28,080
Speaker 1: scene holding a camera.

602
00:33:27,920 --> 00:33:30,479
Speaker 2: And Kevin, I'm noticing that Hayes is very good at

603
00:33:30,520 --> 00:33:34,120
Speaker 2: shooting down ideas he doesn't necessarily actually did.

604
00:33:34,280 --> 00:33:38,880
Speaker 1: I actually did suggest an idea, which is we just

605
00:33:38,920 --> 00:33:41,560
Speaker 1: see from the perspective of the people in the scene

606
00:33:41,800 --> 00:33:43,280
Speaker 1: instead of like.

607
00:33:43,520 --> 00:33:46,280
Speaker 4: For what if you're saying from the perspective of a

608
00:33:46,320 --> 00:33:50,040
Speaker 4: lifeguard who's filming it, that's sick.

609
00:33:50,640 --> 00:33:53,080
Speaker 3: I'm still staying from my perspective, and at this moment,

610
00:33:53,120 --> 00:33:55,840
Speaker 3: I'm not saying anything because me and Kevin are sound asleep.

611
00:33:56,320 --> 00:33:57,400
Speaker 2: Yeah that'll happen.

612
00:33:57,840 --> 00:34:01,240
Speaker 1: Okay, So Francis for a Coppola has her only camera

613
00:34:02,400 --> 00:34:05,640
Speaker 1: and then how does it? What's the how does it end?

614
00:34:06,680 --> 00:34:10,719
Speaker 4: He drops the camera in the water, and from your perspective,

615
00:34:10,760 --> 00:34:13,960
Speaker 4: it's like whoaoa whoa and then you and then it's underwater,

616
00:34:14,120 --> 00:34:19,719
Speaker 4: the first VR underwater Splash. Okay, okay, that's one.

617
00:34:20,080 --> 00:34:23,160
Speaker 1: It's a long way to get to the first VR underwater.

618
00:34:23,600 --> 00:34:27,080
Speaker 2: But mm hmm the Mermaid from Splash saves the camera.

619
00:34:27,960 --> 00:34:31,600
Speaker 1: Yeah, that's that's a reference that they would do.

620
00:34:31,640 --> 00:34:36,239
Speaker 3: Is that Daryl Hannah's and then he goes Francis Wilkovia goes,

621
00:34:36,280 --> 00:34:38,719
Speaker 3: thanks Daryl Hannah, and she goes everybody gets one.

622
00:34:39,280 --> 00:34:39,759
Speaker 2: That's good.

623
00:34:39,800 --> 00:34:42,720
Speaker 1: Yeah, that's good. That's good. That's really good.

624
00:34:43,120 --> 00:34:46,400
Speaker 2: That word now that's a cutaway. Uh.

625
00:34:46,840 --> 00:34:49,080
Speaker 1: Peter's head would fill the entire screen and say like

626
00:34:49,280 --> 00:34:54,160
Speaker 1: we got to see her butt. Yeah, okay, that's a

627
00:34:54,320 --> 00:34:57,799
Speaker 1: that's a cutaway. That's a family guy got away. And

628
00:34:57,880 --> 00:35:00,960
Speaker 1: now we have to bank two more. Okay, so Kevin,

629
00:35:02,239 --> 00:35:03,360
Speaker 1: another set up? Please?

630
00:35:04,800 --> 00:35:09,000
Speaker 4: This has me more pissed off than the time Jesus

631
00:35:09,040 --> 00:35:10,400
Speaker 4: came back from the dead.

632
00:35:10,960 --> 00:35:14,839
Speaker 3: Okay, they do a lot of Jesus stuff though, that's

633
00:35:14,840 --> 00:35:16,160
Speaker 3: what I was is too much.

634
00:35:16,560 --> 00:35:20,120
Speaker 2: He's no, no, that's it. Yeah, No, that's a setup.

635
00:35:20,280 --> 00:35:23,600
Speaker 2: That's good because it has not been wondering why why

636
00:35:23,719 --> 00:35:26,360
Speaker 2: was he pissed off about that? And then it's like

637
00:35:27,000 --> 00:35:29,720
Speaker 2: and so then and then it would be Peter getting

638
00:35:29,719 --> 00:35:32,760
Speaker 2: home at the end of a hard day's work, closes

639
00:35:32,800 --> 00:35:36,120
Speaker 2: the door, takes off his tie, turns on his let,

640
00:35:36,280 --> 00:35:38,840
Speaker 2: turns on his light, and he's scared to ship because

641
00:35:38,920 --> 00:35:40,839
Speaker 2: Jesus is sitting in the corner already waiting for him,

642
00:35:40,840 --> 00:35:43,080
Speaker 2: and he goes, where's my fucking money, Peter.

643
00:35:43,680 --> 00:35:44,719
Speaker 1: Jesus.

644
00:35:47,040 --> 00:35:47,680
Speaker 2: Jesus.

645
00:35:48,040 --> 00:35:50,640
Speaker 1: So that so that's just why he's pissed. It's not

646
00:35:50,719 --> 00:35:52,520
Speaker 1: about I'm not shooting on the idea at all. But

647
00:35:52,600 --> 00:35:54,839
Speaker 1: that's that doesn't account for like why he was brought

648
00:35:54,880 --> 00:35:56,520
Speaker 1: back from the dead and stuff. But that's just the

649
00:35:56,600 --> 00:35:57,600
Speaker 1: reason he was pissed.

650
00:35:57,800 --> 00:36:01,000
Speaker 4: Yeah, And like Jesus is holding the camera too, like

651
00:36:01,040 --> 00:36:04,120
Speaker 4: he was filming him, like as Peter came in. So

652
00:36:04,400 --> 00:36:09,839
Speaker 4: that's how you watch it, Yeah, from from Jesus' iPhone X.

653
00:36:10,080 --> 00:36:12,040
Speaker 3: Yes, Jesus behind.

654
00:36:12,480 --> 00:36:16,279
Speaker 1: Okay, that's good. That's I guess that's the second one.

655
00:36:16,960 --> 00:36:21,080
Speaker 1: And so what's one more? Set up? It's hard, like

656
00:36:21,160 --> 00:36:22,040
Speaker 1: it's really hard.

657
00:36:22,160 --> 00:36:25,960
Speaker 2: They wouldn't do this, right, They wouldn't go like, man,

658
00:36:26,000 --> 00:36:28,480
Speaker 2: this feels even crazier than the time that I nut,

659
00:36:28,480 --> 00:36:30,120
Speaker 2: but the noid just kept on sucking.

660
00:36:31,320 --> 00:36:33,919
Speaker 1: No, they would. They would probably do something like that,

661
00:36:34,360 --> 00:36:35,000
Speaker 1: will you nut?

662
00:36:35,040 --> 00:36:36,360
Speaker 3: But the noid keep sucking?

663
00:36:36,800 --> 00:36:40,320
Speaker 2: Because the noid is something they would reference, you know, yeah,

664
00:36:40,360 --> 00:36:42,400
Speaker 2: and it's a meme, that's a famous meme.

665
00:36:42,800 --> 00:36:45,600
Speaker 1: They wouldn't be able to show it well.

666
00:36:45,480 --> 00:36:47,520
Speaker 2: Would they would? They show it with like a play

667
00:36:47,560 --> 00:36:50,239
Speaker 2: on words where it was like it's not what you expected,

668
00:36:50,280 --> 00:36:52,000
Speaker 2: like it's not the dirty version of it.

669
00:36:53,000 --> 00:36:58,200
Speaker 1: Right, it would be yeah, how would you How would

670
00:36:58,200 --> 00:36:59,799
Speaker 1: you get away with that? Or you could just see

671
00:37:00,160 --> 00:37:02,759
Speaker 1: the top of his ears or something, Yeah.

672
00:37:02,520 --> 00:37:04,320
Speaker 2: It could be the top of his ears and you

673
00:37:04,480 --> 00:37:06,279
Speaker 2: see them moving back and forth than you go like,

674
00:37:06,320 --> 00:37:08,840
Speaker 2: and he's going like whoa, whoa, whoa noid noid nooyd

675
00:37:09,200 --> 00:37:11,279
Speaker 2: And you go like, oh geez, this is gonna be

676
00:37:11,320 --> 00:37:15,480
Speaker 2: really dirty. And then when you look down, thenoid like uh,

677
00:37:16,280 --> 00:37:18,759
Speaker 2: you know, spits a bunch of cashews into his hand

678
00:37:18,760 --> 00:37:21,120
Speaker 2: and he goes, you sucked all the salt off my cashewes,

679
00:37:21,160 --> 00:37:22,320
Speaker 2: I was gonna eat those later.

680
00:37:22,640 --> 00:37:24,520
Speaker 1: Yeah that's good. Then you could get away with it

681
00:37:24,640 --> 00:37:26,560
Speaker 1: with standards even, you could get away with.

682
00:37:26,480 --> 00:37:29,319
Speaker 2: That, yeah, because the nut is an actual nut that

683
00:37:29,360 --> 00:37:29,840
Speaker 2: we see.

684
00:37:30,360 --> 00:37:33,200
Speaker 1: Okay, so we have three cutaways and we can just

685
00:37:33,239 --> 00:37:35,439
Speaker 1: like insert those as we go.

686
00:37:35,920 --> 00:37:37,759
Speaker 3: But could we do like one of those circumvent the

687
00:37:38,200 --> 00:37:40,240
Speaker 3: what that they'll do? When Peter comes back and says,

688
00:37:40,760 --> 00:37:42,960
Speaker 3: we weren't really talking about those nuts?

689
00:37:43,200 --> 00:37:47,080
Speaker 2: Yeah, oh yeah, or he's like we saw thenoid's whole.

690
00:37:46,920 --> 00:37:50,520
Speaker 3: Ash you know what nuts we were talking about.

691
00:37:51,040 --> 00:37:54,279
Speaker 2: Yeah that's good too. That's enough cutaways for now.

692
00:37:54,840 --> 00:37:57,279
Speaker 1: Yeah, that's yeah, that's enough for now. I will say

693
00:37:57,320 --> 00:38:03,520
Speaker 1: my VR perspective, it looks it looks like someone like

694
00:38:03,680 --> 00:38:07,520
Speaker 1: dropped the like the cam or the goggles or something,

695
00:38:07,520 --> 00:38:09,520
Speaker 1: and it is just like facing up at the ceiling.

696
00:38:09,920 --> 00:38:12,480
Speaker 2: Mine are tangled up in like the fringe of sort

697
00:38:12,480 --> 00:38:15,640
Speaker 2: of like a I think, like a curtain that I

698
00:38:15,719 --> 00:38:16,759
Speaker 2: was walking through.

699
00:38:16,680 --> 00:38:20,359
Speaker 1: Okay, and I'm stuck. I feel like maybe by like

700
00:38:20,680 --> 00:38:24,399
Speaker 1: I don't my my guy is like asleep as well

701
00:38:24,560 --> 00:38:26,319
Speaker 1: or something. I don't know, like it's just not it's

702
00:38:26,360 --> 00:38:29,080
Speaker 1: not doing anything. And Sean is stuck and Carl you said,

703
00:38:29,120 --> 00:38:31,440
Speaker 1: you're you and Kevin are both asleep.

704
00:38:31,520 --> 00:38:34,200
Speaker 3: I've been I've been half woken up by by Kevin

705
00:38:34,200 --> 00:38:36,239
Speaker 3: getting up and going to the bathroom. I did. At first,

706
00:38:36,280 --> 00:38:37,839
Speaker 3: I didn't know where he went, but I looked over

707
00:38:38,400 --> 00:38:40,080
Speaker 3: at the bathroom and I could see the light from

708
00:38:40,160 --> 00:38:41,920
Speaker 3: under the door, So who knows what he's doing there.

709
00:38:41,960 --> 00:38:43,359
Speaker 3: But at this point, I turn off the TV.

710
00:38:44,080 --> 00:38:46,880
Speaker 4: I'm doing trick shots this summer. That's like kind of

711
00:38:46,920 --> 00:38:50,480
Speaker 4: my summer goal is toilet trick shots.

712
00:38:50,880 --> 00:38:55,399
Speaker 1: Eh what but what is that?

713
00:38:55,719 --> 00:38:55,839
Speaker 3: Like?

714
00:38:55,880 --> 00:38:56,040
Speaker 1: What?

715
00:38:56,120 --> 00:38:56,239
Speaker 3: Like?

716
00:38:56,280 --> 00:38:57,080
Speaker 1: What is that like?

717
00:38:57,200 --> 00:38:57,279
Speaker 3: What?

718
00:38:57,640 --> 00:39:00,399
Speaker 2: And you notice Kevin that Hayes is like very quick

719
00:39:00,440 --> 00:39:02,520
Speaker 2: to be grossed out by your idea, but he doesn't

720
00:39:02,520 --> 00:39:04,560
Speaker 2: have any trick shot ideas for the time.

721
00:39:04,600 --> 00:39:08,600
Speaker 1: I am showing interest. I just I asked what it was.

722
00:39:09,440 --> 00:39:13,000
Speaker 4: I'm standing on top of the tub and I throw

723
00:39:13,040 --> 00:39:15,600
Speaker 4: up ping pong ball and I have to whiz in

724
00:39:15,680 --> 00:39:18,720
Speaker 4: the toilet before the ping pong ball gets into the toilet.

725
00:39:19,480 --> 00:39:23,080
Speaker 4: Do you ever see those videos from the cameras? Remember

726
00:39:23,680 --> 00:39:26,319
Speaker 4: where the ping pong ball goes? Dung dung dung dung

727
00:39:26,400 --> 00:39:28,040
Speaker 4: dung and then it goes in a little cup.

728
00:39:28,640 --> 00:39:31,240
Speaker 1: Oh so it's like kind of a it bounces around

729
00:39:31,719 --> 00:39:34,320
Speaker 1: almost like Rube Goldberg style, and you have to finish

730
00:39:34,440 --> 00:39:35,560
Speaker 1: peeing before.

731
00:39:36,239 --> 00:39:40,440
Speaker 2: This sounds like dude perfect. Yeah, this sounds dude perfect.

732
00:39:40,640 --> 00:39:43,240
Speaker 1: Yeah, it does sound kind of like dude perfect, dude pfect,

733
00:39:43,719 --> 00:39:46,520
Speaker 1: dude perfect. Yeah, honestly, it is a little bit like

734
00:39:46,600 --> 00:39:49,880
Speaker 1: dude prefect, and that's basically what it is.

735
00:39:50,440 --> 00:39:53,560
Speaker 4: So that's why Carl's confused because I keep going to

736
00:39:53,600 --> 00:39:55,160
Speaker 4: the bathroom to do my trick shots.

737
00:39:55,280 --> 00:39:57,680
Speaker 2: Okay, yeah, and it takes a couple tries.

738
00:39:57,440 --> 00:39:59,320
Speaker 3: But I'm I'm not really driving because I'm kind of

739
00:39:59,360 --> 00:40:03,719
Speaker 3: half sleeve and just Kevin come back to bed. But

740
00:40:03,800 --> 00:40:05,200
Speaker 3: he didn't really hit me. I said that low.

741
00:40:06,120 --> 00:40:07,920
Speaker 1: Where do you put your laptop? Carl?

742
00:40:08,120 --> 00:40:09,200
Speaker 3: What are you talking about.

743
00:40:09,040 --> 00:40:11,400
Speaker 1: When you're watching Family Guy? But are you watching Family

744
00:40:11,400 --> 00:40:13,759
Speaker 1: Guy better on your laptop? Or you're you have a TV?

745
00:40:14,400 --> 00:40:15,279
Speaker 3: I have a bedroom TV.

746
00:40:15,600 --> 00:40:16,919
Speaker 1: You have a TV in your room?

747
00:40:17,480 --> 00:40:17,680
Speaker 3: Yes?

748
00:40:17,719 --> 00:40:19,000
Speaker 1: Why I used to have that.

749
00:40:19,080 --> 00:40:22,560
Speaker 2: I used to have that. I had that back when

750
00:40:22,600 --> 00:40:23,279
Speaker 2: I had a TV.

751
00:40:24,480 --> 00:40:26,640
Speaker 1: The whole TV. Is it a big TV?

752
00:40:27,239 --> 00:40:29,680
Speaker 3: Yeah? Man, and I watch it every night to go

753
00:40:29,719 --> 00:40:30,400
Speaker 3: to sleep.

754
00:40:30,760 --> 00:40:32,520
Speaker 1: Does it have apps a smart TV?

755
00:40:33,480 --> 00:40:35,880
Speaker 3: That's where uh, that's where I keep my Apple TV.

756
00:40:36,239 --> 00:40:37,640
Speaker 1: In your room?

757
00:40:38,040 --> 00:40:42,680
Speaker 3: Yes, as does Apple TV have games. I don't play

758
00:40:42,719 --> 00:40:44,200
Speaker 3: the games yet on it, but.

759
00:40:44,239 --> 00:40:45,240
Speaker 1: It has games?

760
00:40:45,680 --> 00:40:46,160
Speaker 3: Yeah?

761
00:40:46,480 --> 00:40:47,400
Speaker 1: What games?

762
00:40:47,960 --> 00:40:50,799
Speaker 3: League of Legends and Civilizations?

763
00:40:51,560 --> 00:40:53,040
Speaker 1: It has that on Apple TV.

764
00:40:53,560 --> 00:40:54,840
Speaker 2: Yeah.

765
00:40:55,239 --> 00:40:57,000
Speaker 3: I don't play them. I just watch other people playing.

766
00:40:58,120 --> 00:41:01,800
Speaker 3: I go to YouTube and I watch League of Legends gameplay.

767
00:41:02,280 --> 00:41:03,560
Speaker 1: Does it have YouTube?

768
00:41:04,080 --> 00:41:06,680
Speaker 3: Yes, it does have YouTube on Apple TV. Does the

769
00:41:06,760 --> 00:41:09,480
Speaker 3: video work on Apple TV on the what?

770
00:41:10,080 --> 00:41:10,920
Speaker 1: And it works?

771
00:41:11,120 --> 00:41:13,759
Speaker 4: The video doesn't work on my dear watching it?

772
00:41:15,000 --> 00:41:19,320
Speaker 3: Yes, dang, Carl, whoa.

773
00:41:20,880 --> 00:41:22,800
Speaker 1: And you can watch it whenever you want?

774
00:41:23,840 --> 00:41:26,040
Speaker 3: Anytime I want. I could just say, you know what,

775
00:41:26,280 --> 00:41:27,480
Speaker 3: I'm gonna turn my TV on.

776
00:41:28,040 --> 00:41:30,360
Speaker 4: You have remote too? You have remote?

777
00:41:30,600 --> 00:41:35,080
Speaker 3: I got two remotes. No, yeah, I got an Apple

778
00:41:35,120 --> 00:41:37,759
Speaker 3: TV remote and I got the remote for the actual TV.

779
00:41:38,280 --> 00:41:38,800
Speaker 1: Carl.

780
00:41:40,200 --> 00:41:42,160
Speaker 2: Can I get one of those remotes?

781
00:41:44,120 --> 00:41:48,360
Speaker 1: Get an I almost wonder It's like it's so like

782
00:41:48,520 --> 00:41:51,799
Speaker 1: Carl Carl's character of like guy who has a TV

783
00:41:51,920 --> 00:41:56,440
Speaker 1: in his room. If this is like two outrageous, well yeah,

784
00:41:56,680 --> 00:41:58,520
Speaker 1: but then they often do this where they just have

785
00:41:58,600 --> 00:42:00,799
Speaker 1: like new characters on the show or at least for

786
00:42:00,840 --> 00:42:01,759
Speaker 1: that one episode.

787
00:42:01,920 --> 00:42:04,400
Speaker 2: Yeah, that that's becomes what the episode's about.

788
00:42:04,920 --> 00:42:11,000
Speaker 4: Could Carl be watching the Tickle channel, maybe the Tickle

789
00:42:11,080 --> 00:42:14,480
Speaker 4: ring from his TV, and we're cutting and seeing his

790
00:42:14,600 --> 00:42:15,640
Speaker 4: reactions to it.

791
00:42:15,800 --> 00:42:19,640
Speaker 1: Oh like the Ostrich yes, last Yeah, he sits on

792
00:42:19,680 --> 00:42:22,840
Speaker 1: the couch and he laughs and he's watching Family Guy right, yeah,

793
00:42:22,920 --> 00:42:23,440
Speaker 1: and he's.

794
00:42:23,239 --> 00:42:29,360
Speaker 2: Got glasses and he goes aha, yeah.

795
00:42:29,080 --> 00:42:31,439
Speaker 1: I love it. And Carl's friends with him.

796
00:42:31,960 --> 00:42:34,920
Speaker 2: That's cool. He's in the bed, He's in a bit.

797
00:42:34,960 --> 00:42:38,319
Speaker 3: He's replaced Kevin. Kevin never came back from Kevin never

798
00:42:38,360 --> 00:42:39,240
Speaker 3: came back from the bathroom.

799
00:42:39,280 --> 00:42:42,720
Speaker 2: Now Kevin fell in the toilet. He's upside down sticking

800
00:42:42,760 --> 00:42:46,360
Speaker 2: out of the toilet head first gave himself the ultimate

801
00:42:46,440 --> 00:42:49,440
Speaker 2: swirly grounded do do perfect?

802
00:42:52,200 --> 00:42:53,239
Speaker 3: I like it? Yes?

803
00:42:53,840 --> 00:42:56,359
Speaker 2: Yeah, kidding me? I love it.

804
00:42:57,200 --> 00:42:58,680
Speaker 4: So how does the episode end?

805
00:42:59,560 --> 00:42:59,880
Speaker 1: Well?

806
00:43:00,840 --> 00:43:02,960
Speaker 2: Would Family Guy do this? Or does this feel like

807
00:43:03,040 --> 00:43:06,560
Speaker 2: more of a South Park thing that they get out

808
00:43:06,560 --> 00:43:10,000
Speaker 2: of it because Peter accidentally stars in the latest Karen video.

809
00:43:10,760 --> 00:43:12,600
Speaker 1: Oh yeah, like.

810
00:43:12,640 --> 00:43:14,840
Speaker 2: His like mask gets caught on the door of the

811
00:43:14,840 --> 00:43:18,160
Speaker 2: grocery store and rips off and then he like falls

812
00:43:18,200 --> 00:43:20,960
Speaker 2: and then like lands in a pile of pepper and

813
00:43:21,000 --> 00:43:24,839
Speaker 2: that makes him sneeze on some produce or something, and

814
00:43:24,880 --> 00:43:27,440
Speaker 2: then everyone thinks it's like a political statement, and then

815
00:43:27,480 --> 00:43:29,560
Speaker 2: the Tickle channel gets canceled.

816
00:43:29,400 --> 00:43:33,000
Speaker 1: Cause he's the new Karen. Yeah, that would be good

817
00:43:33,080 --> 00:43:36,400
Speaker 1: to happen. Where's the camera in that though? Oh, Kevin,

818
00:43:37,560 --> 00:43:40,359
Speaker 1: is it like the grocery store security camera? It is gone?

819
00:43:40,719 --> 00:43:44,760
Speaker 4: Like maybe a new employee is doing a TikTok video

820
00:43:45,160 --> 00:43:48,719
Speaker 4: where they're doing the tomato juggle challenge and then in

821
00:43:48,800 --> 00:43:52,600
Speaker 4: the background you see Peter fall and sneeze all over

822
00:43:52,640 --> 00:43:55,480
Speaker 4: the place. So it's from the POV of the TikTok

823
00:43:55,600 --> 00:43:56,760
Speaker 4: Tomato Challenge.

824
00:43:57,239 --> 00:43:59,400
Speaker 1: Sorry, can you just say, is it possible for you

825
00:43:59,480 --> 00:44:01,480
Speaker 1: to deliver that concept without.

826
00:44:01,440 --> 00:44:03,560
Speaker 2: Being so tickled by I got tickled?

827
00:44:03,640 --> 00:44:09,280
Speaker 4: Yeah? Someone something tickled? My VR is wonky? Uh Yeah,

828
00:44:09,560 --> 00:44:16,200
Speaker 4: the POV is from the TikTok Tomato Juckle Challenge.

829
00:44:16,000 --> 00:44:17,040
Speaker 1: And that just happened.

830
00:44:17,239 --> 00:44:21,160
Speaker 2: Okay, And that just happens, and then the Tickle channel

831
00:44:21,239 --> 00:44:24,840
Speaker 2: is canceled. No one support this Tickle channel.

832
00:44:25,160 --> 00:44:31,040
Speaker 1: They'll say, this feels like we're not exploiting the VR concept. Okay,

833
00:44:31,120 --> 00:44:33,719
Speaker 1: well let's scrap that. Then let's do so let's do

834
00:44:33,760 --> 00:44:35,640
Speaker 1: it I'm not saying that. I'm not saying we like,

835
00:44:35,880 --> 00:44:37,640
Speaker 1: we can put something else in the middle.

836
00:44:38,719 --> 00:44:43,320
Speaker 4: Maybe the episode starts blank, blink, you look at the mirror,

837
00:44:43,640 --> 00:44:44,480
Speaker 4: your Peter.

838
00:44:45,560 --> 00:44:46,960
Speaker 1: Yes, that's what it is.

839
00:44:47,800 --> 00:44:48,000
Speaker 4: Oh.

840
00:44:48,080 --> 00:44:50,319
Speaker 3: You you walk by the mirror and you're Peter.

841
00:44:50,760 --> 00:44:53,919
Speaker 1: Hey, wait a second, we're starting this episode over over

842
00:44:53,960 --> 00:44:56,520
Speaker 1: from the beginning. I'm really good looking. You're in a

843
00:44:56,640 --> 00:45:01,319
Speaker 1: dark room. The room's totally dark, and you hear like

844
00:45:01,680 --> 00:45:03,719
Speaker 1: someone like kind of snoring next to you, and she's

845
00:45:03,719 --> 00:45:09,080
Speaker 1: going like, hey, wee. And then you walk into the

846
00:45:09,120 --> 00:45:13,720
Speaker 1: bathroom and you flip the lights on and the uh

847
00:45:14,360 --> 00:45:18,040
Speaker 1: and then Peter is there and you scream.

848
00:45:18,239 --> 00:45:24,759
Speaker 2: Ah, i'm him, he's me.

849
00:45:25,760 --> 00:45:28,800
Speaker 4: I love that idea. And here's another one. You're doing

850
00:45:28,840 --> 00:45:31,120
Speaker 4: the video where you do the wipe on the mirror,

851
00:45:31,680 --> 00:45:34,680
Speaker 4: but then when you do the wipe, you become Peter.

852
00:45:35,120 --> 00:45:38,080
Speaker 4: So you go from camera to Peter himself.

853
00:45:38,520 --> 00:45:43,360
Speaker 1: Why yeah, what do you mean from camera?

854
00:45:43,920 --> 00:45:49,759
Speaker 4: You're just seeing it like from the camera's perspective, front facing.

855
00:45:49,920 --> 00:45:52,800
Speaker 1: Video, front facing video, Okay, And then you do the

856
00:45:52,840 --> 00:45:54,839
Speaker 1: wh And that's a better idea for a family guy

857
00:45:54,880 --> 00:45:57,600
Speaker 1: episode that Peter becomes famous as a front facing video

858
00:45:57,640 --> 00:45:58,319
Speaker 1: comedy star.

859
00:45:58,840 --> 00:46:03,360
Speaker 2: Yes, he goes like, uh, he's he's doing impressions that

860
00:46:03,400 --> 00:46:10,360
Speaker 2: are like avocado when it's on your sandwich. I'm sliming around.

861
00:46:12,640 --> 00:46:15,480
Speaker 2: I cost seventeen dollars and I'm under the bun.

862
00:46:16,239 --> 00:46:20,279
Speaker 1: That's good. But then now I'm and I really, I

863
00:46:20,440 --> 00:46:25,560
Speaker 1: really don't like doing this. I don't being like we

864
00:46:25,600 --> 00:46:28,719
Speaker 1: need new cutaways. No, I like we do need some

865
00:46:28,760 --> 00:46:32,399
Speaker 1: new cutaways at this point. Yes, but also if it's

866
00:46:32,440 --> 00:46:36,239
Speaker 1: all about Peter doing front facing camera, then how is

867
00:46:36,360 --> 00:46:38,239
Speaker 1: VR incorporated at all?

868
00:46:38,680 --> 00:46:42,640
Speaker 3: Here? It comes here, it comes.

869
00:46:41,760 --> 00:46:45,560
Speaker 1: And like Frosted is in it. Well, you're Peter, So

870
00:46:45,760 --> 00:46:50,319
Speaker 1: you're just looking at a phone. Yeah, yeah, that is

871
00:46:50,440 --> 00:46:51,800
Speaker 1: showing your face.

872
00:46:52,120 --> 00:46:56,000
Speaker 2: Yeah, and you're doing like, oh, you're doing funny camera

873
00:46:56,080 --> 00:47:00,800
Speaker 2: videos where you're going like, uh, when you know when

874
00:47:00,920 --> 00:47:02,399
Speaker 2: the barista get your drink wrong?

875
00:47:03,080 --> 00:47:07,120
Speaker 1: Okay, so it's just you like getting thousands of takes

876
00:47:07,120 --> 00:47:10,840
Speaker 1: of it, uh huh, and then you post it and

877
00:47:10,880 --> 00:47:15,359
Speaker 1: then you just watch the modifications come in and you

878
00:47:16,680 --> 00:47:19,839
Speaker 1: retweet every compliment.

879
00:47:20,360 --> 00:47:23,120
Speaker 2: When you're trying to pretend to Helapanio. Pepper is not

880
00:47:23,160 --> 00:47:27,439
Speaker 2: that spicy, that's good. Oh yeah, it's not that bad.

881
00:47:27,640 --> 00:47:31,000
Speaker 3: It's not that bad. It's that when you and the

882
00:47:31,160 --> 00:47:32,120
Speaker 3: noid keep sucking.

883
00:47:32,520 --> 00:47:34,759
Speaker 2: H when you're not in the noid keeps sucking, You're like.

884
00:47:34,760 --> 00:47:37,000
Speaker 3: It's not that bad. It's not that bad. It's not

885
00:47:37,040 --> 00:47:37,359
Speaker 3: that bad.

886
00:47:38,600 --> 00:47:39,160
Speaker 1: It's not that bad.

887
00:47:39,680 --> 00:47:42,960
Speaker 3: I'm more of a pizza hook guy. Can Peter's doing

888
00:47:43,000 --> 00:47:46,000
Speaker 3: all these Yeah, hey's what You're not liking this?

889
00:47:46,440 --> 00:47:48,359
Speaker 1: I do? I like it. I like it.

890
00:47:48,400 --> 00:47:51,400
Speaker 2: I like aspects or not actually like acting like you

891
00:47:51,520 --> 00:47:51,799
Speaker 2: like it?

892
00:47:53,239 --> 00:47:56,200
Speaker 3: What other topics did you mention? We did get a

893
00:47:56,239 --> 00:47:58,040
Speaker 3: little bit. I wanted to talk about the movie Frosted.

894
00:47:58,239 --> 00:48:00,440
Speaker 1: Okay, we did talk about frost a little a little bit,

895
00:48:00,719 --> 00:48:03,320
Speaker 1: and do we talk about the sequel Frosted as well?

896
00:48:03,600 --> 00:48:09,640
Speaker 3: Frosted as well? The the third installment of it still frosted.

897
00:48:10,400 --> 00:48:12,719
Speaker 1: Mm hmmm, Jack Frosted.

898
00:48:12,400 --> 00:48:15,560
Speaker 3: Jack Frosted the fourth the third is still frosted after

899
00:48:15,600 --> 00:48:21,800
Speaker 3: all these years and Jack Frosted Where Jack Jack from

900
00:48:22,040 --> 00:48:24,000
Speaker 3: what's the band the White Stripes?

901
00:48:24,239 --> 00:48:25,320
Speaker 2: Oh? Jack White?

902
00:48:25,800 --> 00:48:26,840
Speaker 3: Yeah? Jack White.

903
00:48:27,360 --> 00:48:33,680
Speaker 1: Frosted I think is one of the most compassionate and

904
00:48:33,760 --> 00:48:37,640
Speaker 1: like moving portrayals of the relationship between an ant and

905
00:48:37,680 --> 00:48:41,120
Speaker 1: a niece that I've ever seen on film, Like you

906
00:48:41,239 --> 00:48:44,440
Speaker 1: rarely see like that kind of love story. You know

907
00:48:44,480 --> 00:48:48,080
Speaker 1: what I mean that like, oh, like she's like in

908
00:48:48,520 --> 00:48:51,160
Speaker 1: like there's this guy or whatever. But no, it's actually

909
00:48:51,200 --> 00:48:53,960
Speaker 1: the like ant a nice relationship that ends up being

910
00:48:54,440 --> 00:48:54,839
Speaker 1: the core.

911
00:48:55,080 --> 00:48:58,160
Speaker 2: That was the most powerful thing to me. And to

912
00:48:58,280 --> 00:49:01,560
Speaker 2: see that on screen after it had been ignored by

913
00:49:01,600 --> 00:49:04,879
Speaker 2: Hollywood for too many years, when I know in my life,

914
00:49:04,960 --> 00:49:07,319
Speaker 2: obviously I haven't had the good fortune of being an

915
00:49:07,360 --> 00:49:10,319
Speaker 2: aunt or a niece, but I've had a front row

916
00:49:10,360 --> 00:49:18,439
Speaker 2: seat to some pretty moving exchanges between nieces aunts, and

917
00:49:19,560 --> 00:49:24,440
Speaker 2: I wondered why it hadn't been something in Hollywood that

918
00:49:25,880 --> 00:49:29,960
Speaker 2: was considered marketable. What was so taboo about that? And

919
00:49:30,040 --> 00:49:32,800
Speaker 2: when they finally did it, guess what chi Ching all

920
00:49:33,040 --> 00:49:35,600
Speaker 2: of the world said, Yes, thank you, happy, thank you

921
00:49:35,680 --> 00:49:40,200
Speaker 2: more please of course the title of the Josh Radner

922
00:49:40,800 --> 00:49:43,920
Speaker 2: independent film that we all enjoy.

923
00:49:44,840 --> 00:49:49,800
Speaker 1: And then to show to have your main character, the aunt,

924
00:49:49,920 --> 00:49:55,319
Speaker 1: of course, develops these powers of being able to eat

925
00:49:55,320 --> 00:49:59,680
Speaker 1: as much snow as you want, yes, without ever becoming

926
00:49:59,719 --> 00:50:04,080
Speaker 1: a and never being full and always wanting to eat more,

927
00:50:04,680 --> 00:50:06,959
Speaker 1: and while everyone else in town just has a little

928
00:50:06,960 --> 00:50:08,799
Speaker 1: bit of snow, and it's like, Okay, that's good for

929
00:50:08,840 --> 00:50:11,400
Speaker 1: me today. The ant is like eating.

930
00:50:12,040 --> 00:50:15,640
Speaker 2: Shovel so much, shoveling it in and really pigging out

931
00:50:15,640 --> 00:50:19,200
Speaker 2: on the snow. And so then they actually have to

932
00:50:19,360 --> 00:50:25,080
Speaker 2: banish her uh huh, which I cried my eyes out

933
00:50:25,160 --> 00:50:28,280
Speaker 2: when the ant first gets banished and watching the niece

934
00:50:28,760 --> 00:50:31,200
Speaker 2: watch her get shipped away in.

935
00:50:31,200 --> 00:50:34,080
Speaker 1: The wagon, the wagon.

936
00:50:34,239 --> 00:50:37,640
Speaker 2: The wagon that was her childhood wagon, and they as

937
00:50:37,680 --> 00:50:40,040
Speaker 2: an extra twist of the knife, they chose to put

938
00:50:40,120 --> 00:50:43,400
Speaker 2: her ant in that wagon and have the mule drag

939
00:50:43,440 --> 00:50:46,040
Speaker 2: it into the Evil.

940
00:50:47,480 --> 00:50:52,560
Speaker 1: Room, the Evil Room. Carl, you wanted to talk You

941
00:50:52,640 --> 00:50:53,560
Speaker 1: mentioned Frosted.

942
00:50:53,719 --> 00:50:56,120
Speaker 2: He was looking to talk about Frosted.

943
00:50:56,080 --> 00:50:58,880
Speaker 1: Like, what are your favorite like, what are your favorite parts?

944
00:50:59,320 --> 00:51:02,640
Speaker 3: Okay, favorite part is when so right when she gets

945
00:51:02,680 --> 00:51:08,319
Speaker 3: into the Evil Room, there's another ghoul there. Yeah, and

946
00:51:08,360 --> 00:51:12,719
Speaker 3: that goool is like, yes, hey, yeah, you want some

947
00:51:12,760 --> 00:51:17,759
Speaker 3: of these I want some of these chips And she's like,

948
00:51:17,880 --> 00:51:21,880
Speaker 3: I don't. I'm not doing carbs right now. And he's like, well, sister,

949
00:51:22,680 --> 00:51:25,960
Speaker 3: you better get to it because Evil Room sentences are

950
00:51:26,000 --> 00:51:27,840
Speaker 3: not short. M M.

951
00:51:28,400 --> 00:51:33,000
Speaker 2: And Big Bruce the ghoul, yes break out character.

952
00:51:33,080 --> 00:51:37,960
Speaker 3: And then he introduces himself through song and the name

953
00:51:38,040 --> 00:51:42,480
Speaker 3: is Big Bruce. I grow tall like a Spruce, I'll

954
00:51:42,520 --> 00:51:46,920
Speaker 3: drink your blood like juice. And then he starts to

955
00:51:46,920 --> 00:51:49,160
Speaker 3: sing the song. That's the first part of the song.

956
00:51:49,400 --> 00:51:51,440
Speaker 1: He says, pass me the goose.

957
00:51:51,800 --> 00:51:55,440
Speaker 3: Pass me the goose, and then she hands him the

958
00:51:55,440 --> 00:51:57,080
Speaker 3: goose that just showed up next to her. He's like,

959
00:51:58,920 --> 00:52:00,000
Speaker 3: she passes him the goose.

960
00:52:00,160 --> 00:52:02,680
Speaker 1: That's for the adults. I think the adults are supposed

961
00:52:02,680 --> 00:52:05,920
Speaker 1: to are supposed to think like, oh, like goose like

962
00:52:05,920 --> 00:52:08,960
Speaker 1: in the club. But then the for the kids, it

963
00:52:09,040 --> 00:52:10,359
Speaker 1: can be a real goose.

964
00:52:10,160 --> 00:52:10,600
Speaker 3: Great goose.

965
00:52:10,680 --> 00:52:10,839
Speaker 1: Yeah.

966
00:52:10,880 --> 00:52:12,319
Speaker 3: Yeah, it's like one of those when you go to

967
00:52:12,360 --> 00:52:13,080
Speaker 3: a kids movie.

968
00:52:13,360 --> 00:52:15,640
Speaker 1: Yeah, but the adults get to have a little fun too,

969
00:52:15,719 --> 00:52:18,800
Speaker 1: and they're like, Okay, maybe later tonight I'll be having

970
00:52:18,840 --> 00:52:19,080
Speaker 1: some of.

971
00:52:19,040 --> 00:52:21,560
Speaker 2: The pass me the goose, pass me the goose. I

972
00:52:21,560 --> 00:52:24,640
Speaker 2: think he's just passed me the goose. Now I'm feeling loose. Yeah,

973
00:52:24,680 --> 00:52:26,879
Speaker 2: and he sort of pretends to drink the goose even

974
00:52:26,880 --> 00:52:27,960
Speaker 2: though it is a real goose.

975
00:52:29,239 --> 00:52:29,439
Speaker 1: No.

976
00:52:29,600 --> 00:52:32,360
Speaker 2: I love Yeah. Bruce to me was the biggest breakout

977
00:52:32,440 --> 00:52:35,919
Speaker 2: character that was so awesome, And.

978
00:52:35,920 --> 00:52:38,080
Speaker 3: I do like when she ends up finally eating the chips.

979
00:52:37,800 --> 00:52:40,560
Speaker 2: Too, when she takes the bite of the chip and

980
00:52:40,600 --> 00:52:42,880
Speaker 2: it gives her the strength because she hasn't had like

981
00:52:43,000 --> 00:52:47,320
Speaker 2: carbs in so long, and she farts them to freedom,

982
00:52:47,440 --> 00:52:50,520
Speaker 2: like through they bust through the ceiling and out the

983
00:52:50,600 --> 00:52:53,440
Speaker 2: roof of the castle, and that's how they get out.

984
00:52:53,280 --> 00:52:54,440
Speaker 1: Of the evil room.

985
00:52:54,680 --> 00:52:57,000
Speaker 2: Is the chip makes her do a very an extremely

986
00:52:57,040 --> 00:53:00,040
Speaker 2: powerful toot. It is the name of the song and

987
00:53:00,080 --> 00:53:03,120
Speaker 2: it's yes, she does a magnificent to such that they

988
00:53:03,160 --> 00:53:07,000
Speaker 2: are red and they can eat the snow again, and

989
00:53:07,040 --> 00:53:11,680
Speaker 2: they actually need to because the town had too much snow.

990
00:53:12,480 --> 00:53:15,040
Speaker 1: So you could do a VR as you just let

991
00:53:15,080 --> 00:53:17,960
Speaker 1: me finish. I'm actually talking about the movie Frosted right now.

992
00:53:20,520 --> 00:53:22,600
Speaker 1: I like, you know, they make like funny like the

993
00:53:22,680 --> 00:53:24,560
Speaker 1: niece is looking for the aunt, of course, and she

994
00:53:24,640 --> 00:53:28,240
Speaker 1: makes like funny friends as she yeah goes along and stuff.

995
00:53:29,040 --> 00:53:32,640
Speaker 1: And I like that she I was a little confused

996
00:53:32,640 --> 00:53:37,799
Speaker 1: by they call it like a like a like a

997
00:53:37,960 --> 00:53:41,719
Speaker 1: jack o' lantern, Yeah, that she's friends with. It's like

998
00:53:41,719 --> 00:53:47,200
Speaker 1: a pumpkin. He's like an old Halloween decoration and like

999
00:53:47,280 --> 00:53:49,319
Speaker 1: he's kind of rotting a little bit. But I think

1000
00:53:49,360 --> 00:53:54,319
Speaker 1: it looked to me more like an orange that had

1001
00:53:54,360 --> 00:53:56,960
Speaker 1: like a jack o lantern face like carved into it.

1002
00:53:57,040 --> 00:53:57,600
Speaker 1: That's true.

1003
00:53:57,600 --> 00:54:00,600
Speaker 2: There wasn't any of the lines that you associate with

1004
00:54:00,640 --> 00:54:02,640
Speaker 2: a pumpkin, the like vertical lines.

1005
00:54:03,120 --> 00:54:05,200
Speaker 1: It was. It's perfectly spherical.

1006
00:54:05,560 --> 00:54:09,480
Speaker 2: It had a navel and it had uh sort of

1007
00:54:09,520 --> 00:54:12,160
Speaker 2: dimpling on the skin like an orange. Yeah, and there

1008
00:54:12,200 --> 00:54:14,799
Speaker 2: was a sticker that says that's yes, it.

1009
00:54:14,800 --> 00:54:19,240
Speaker 1: Says orange on it. Yeah, it's too it's way smaller.

1010
00:54:20,640 --> 00:54:23,840
Speaker 1: It looked like someone in like in production design or something.

1011
00:54:23,880 --> 00:54:27,960
Speaker 1: And I guess, you know, it's like computer animation stuff.

1012
00:54:27,960 --> 00:54:30,920
Speaker 1: These things take a really long time to render, but

1013
00:54:30,960 --> 00:54:33,759
Speaker 1: it looked like what they were the reference that they

1014
00:54:33,760 --> 00:54:37,080
Speaker 1: were working off of I think was wrong.

1015
00:54:37,160 --> 00:54:40,960
Speaker 2: And it's there's something because then they it has actually

1016
00:54:41,120 --> 00:54:44,680
Speaker 2: is featured next to a pumpkin for scale at one point,

1017
00:54:44,719 --> 00:54:46,839
Speaker 2: which I thought was so unusual.

1018
00:54:47,520 --> 00:54:51,000
Speaker 1: Yeah, I guess it was like different departments or like

1019
00:54:51,160 --> 00:54:52,359
Speaker 1: one had.

1020
00:54:52,320 --> 00:54:54,759
Speaker 2: There's so there's such a big team working on these

1021
00:54:54,760 --> 00:54:56,960
Speaker 2: things and it's such a long process that I think

1022
00:54:57,000 --> 00:54:59,080
Speaker 2: stuff like that. It didn't take me out of it

1023
00:54:59,120 --> 00:55:01,280
Speaker 2: at all. I they thought it was kind of cool.

1024
00:55:01,440 --> 00:55:03,960
Speaker 2: And also that's just one of her three sort of

1025
00:55:04,000 --> 00:55:07,080
Speaker 2: funny magical friends she makes, so it doesn't right matter

1026
00:55:07,120 --> 00:55:07,399
Speaker 2: that much.

1027
00:55:07,600 --> 00:55:10,239
Speaker 3: Yeah, sure, Hey, I just want to say thank you

1028
00:55:10,239 --> 00:55:11,920
Speaker 3: for being open to talking about this.

1029
00:55:12,719 --> 00:55:14,560
Speaker 1: No, I mean, now that we're talking about it, I

1030
00:55:14,600 --> 00:55:18,279
Speaker 1: think the movie does have a lot of really great

1031
00:55:18,680 --> 00:55:19,640
Speaker 1: lessons to share.

1032
00:55:21,400 --> 00:55:24,960
Speaker 2: Well, just the fact that her other friend is an

1033
00:55:25,040 --> 00:55:29,480
Speaker 2: energy saving LED light bulb. Yeah, like that to me

1034
00:55:29,760 --> 00:55:33,279
Speaker 2: was like, oh, holy shit, we're finally tackling this. That like,

1035
00:55:33,360 --> 00:55:36,200
Speaker 2: these things last a really long time. And yeah, the

1036
00:55:36,280 --> 00:55:38,840
Speaker 2: light quality is not as pleasant.

1037
00:55:38,880 --> 00:55:40,200
Speaker 3: It's a little bit greater, a little bit more.

1038
00:55:40,320 --> 00:55:42,600
Speaker 2: They do a couple songs about yeah.

1039
00:55:42,320 --> 00:55:46,120
Speaker 1: More hospitally and they acknowledge that they do.

1040
00:55:46,200 --> 00:55:52,720
Speaker 3: The name's Led, hand me that goose, Let's get loose.

1041
00:55:54,320 --> 00:55:55,440
Speaker 3: Did you meet Big Bruce?

1042
00:55:55,800 --> 00:55:59,200
Speaker 1: It's Led And they say that like the name of

1043
00:55:59,239 --> 00:56:05,120
Speaker 1: the car. It's like Ellie duel Ding and which like me,

1044
00:56:05,440 --> 00:56:08,560
Speaker 1: like you doude, like like me like you do.

1045
00:56:09,600 --> 00:56:10,080
Speaker 3: Yeah.

1046
00:56:10,320 --> 00:56:13,000
Speaker 1: I thought maybe it could have been love me light

1047
00:56:13,080 --> 00:56:16,719
Speaker 1: you do or something, because it's like it's always like

1048
00:56:16,880 --> 00:56:21,160
Speaker 1: was already in there. I'm not saying like me like

1049
00:56:21,239 --> 00:56:21,520
Speaker 1: you do.

1050
00:56:23,120 --> 00:56:23,520
Speaker 2: Hm hmm.

1051
00:56:26,400 --> 00:56:28,239
Speaker 3: I said, like me like you do.

1052
00:56:28,880 --> 00:56:30,480
Speaker 1: Yeah, I know, I know. I mean that's what the

1053
00:56:30,520 --> 00:56:34,239
Speaker 1: song is, like, you know, it's not like that's the song. No,

1054
00:56:34,280 --> 00:56:36,400
Speaker 1: it's not you that's just like the song that was

1055
00:56:36,480 --> 00:56:39,560
Speaker 1: in the movie. Yeah, and Kevin is that everything we

1056
00:56:39,600 --> 00:56:41,319
Speaker 1: had to do. We had to do VR, we had

1057
00:56:41,320 --> 00:56:43,040
Speaker 1: to do the two Family Guy episodes, and we had

1058
00:56:43,040 --> 00:56:43,960
Speaker 1: to talk about Frosted.

1059
00:56:44,080 --> 00:56:44,239
Speaker 3: Yeah.

1060
00:56:44,320 --> 00:56:46,799
Speaker 4: Colin just messaged me that the ear Wolf stocks went

1061
00:56:46,960 --> 00:56:48,719
Speaker 4: back up, so I think we're all good.

1062
00:56:48,960 --> 00:56:50,600
Speaker 1: Okay, that's great.

1063
00:56:50,880 --> 00:56:54,360
Speaker 4: Maybe the VR ends with the news shot and the

1064
00:56:54,400 --> 00:57:01,320
Speaker 4: news anchor goes and that was the news by the way,

1065
00:57:01,360 --> 00:57:01,680
Speaker 4: about