WEBVTT - Warren G

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<v Speaker 1>R and B money, Honey, we are than take the child.

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<v Speaker 1>We are the authority on R and B. Ladies and gentlemen.

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<v Speaker 1>My name is Tank, I'm Jay Allentown, and this is

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<v Speaker 1>the r Andy.

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<v Speaker 2>Bundy Podcast, the authority, yeah, on all things R and B.

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<v Speaker 1>Yeah.

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<v Speaker 2>Man, you know I've been on this West coast about

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<v Speaker 2>twenty four years.

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<v Speaker 1>Yeah. Yeah, I feel like I'm from here. Yeah. Huh

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<v Speaker 1>have you ever saved an entire label? Now? Many have?

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<v Speaker 3>Huh?

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<v Speaker 1>Have you ever mixed R and B with the funk

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<v Speaker 1>and called it?

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<v Speaker 2>How you?

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<v Speaker 3>Yeah?

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<v Speaker 1>Yeah, you've never done it, but the man here has.

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<v Speaker 1>It's a nice mister Warren, the lady himself. Yeah, ship.

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<v Speaker 1>Oh yeah. How you feeling, man, I'm good, I'm good.

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<v Speaker 1>Let me ask you a question.

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<v Speaker 2>Do you do you like because this is this is

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<v Speaker 2>a flowers pod. This is where you get an opportunity

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<v Speaker 2>to really say it how you feel it. You know

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<v Speaker 2>what I'm saying, Beaches, you understand I'm saying, like like

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<v Speaker 2>own it?

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<v Speaker 1>Oh yeah. Have have you like ever.

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<v Speaker 2>Just looked around and and.

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<v Speaker 1>And thought about the things that you've actually done?

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<v Speaker 3>Nah? I just uh, I feel like if I if

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<v Speaker 3>I think about all the stuff back in the past,

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<v Speaker 3>I started feeling like I'm super old night.

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<v Speaker 4>I'm still young.

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<v Speaker 3>I still I mean, I ain't super young, but I'm

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<v Speaker 3>I'm you know, I'm writing them in the mix with

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<v Speaker 3>everything musical, uh everything, you know.

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<v Speaker 4>My kids was even trying to clown me talking about dad.

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<v Speaker 3>You can't do a card wo, I said, ship.

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<v Speaker 1>I can't.

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<v Speaker 3>I'm good, but you know it just you know, just

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<v Speaker 3>if I think about that stuff, uh, like I said,

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<v Speaker 3>it may make me feel like I'm just super old.

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<v Speaker 1>But then.

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<v Speaker 3>I just try to keep moving. I don't. I just

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<v Speaker 3>like to do stuff and just keep moving. Like if Okay,

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<v Speaker 3>that's a hit record, boom, I'm trying to get another

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<v Speaker 3>one of those. So I just keep driving and driving

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<v Speaker 3>and driving, trying to create you know, uh, just straight

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<v Speaker 3>hit records, you know what I mean. I try to do.

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<v Speaker 4>I know it's not possible, but.

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<v Speaker 3>I try to do every record that I produce, I

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<v Speaker 3>try to make it a single, you know.

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<v Speaker 4>So, and that's how people get good good albums.

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<v Speaker 3>When when you're doing a full album, you try to

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<v Speaker 3>make every record a good a single. And that's when

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<v Speaker 3>people be like, damn, the whole record just as a

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<v Speaker 3>whole sound good from top to bottom, you know.

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<v Speaker 1>So I mean.

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<v Speaker 3>That's that's uh, that's just how I am. And I mean,

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<v Speaker 3>like I said, I just I love everything I did.

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<v Speaker 3>But I'm you know, I'm I'm I'm just moving just

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<v Speaker 3>I don't I don't want to stop.

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<v Speaker 1>You know.

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<v Speaker 2>I asked that because in this age of everything moving

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<v Speaker 2>so fast and everybody's scrolling so fast, and and we're

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<v Speaker 2>in an age where people people love to have amnesia. Yeah, yeah,

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<v Speaker 2>they love too.

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<v Speaker 1>Yeah.

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<v Speaker 2>They can't wait to y'all.

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<v Speaker 1>I must have forgotten.

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<v Speaker 2>They can't wait to discredit without actually knowing the credits

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<v Speaker 2>and the importance in terms of the things that you've

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<v Speaker 2>done which have contributed to the foundation and the fabric

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<v Speaker 2>of certain things. It's important to be part of a

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<v Speaker 2>constant conversation, not that you have to say because I mean,

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<v Speaker 2>that's if you don't, somebody has to say it. And

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<v Speaker 2>and I'm thankful that you're here so that so that

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<v Speaker 2>we can fucking say it.

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<v Speaker 1>This is this is you know, you.

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<v Speaker 2>Can however you want to do your other interviews, you

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<v Speaker 2>can be light and easy on them, but today I

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<v Speaker 2>want to hear a whole lot of yeah, you fucking right,

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<v Speaker 2>I did that.

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<v Speaker 1>I want to.

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<v Speaker 3>I want to straight up, I ain't gonna I ain't

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<v Speaker 3>gonna sugar coat nothing.

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<v Speaker 2>I'm straight up. Yeah, I'm so so so treat me.

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<v Speaker 2>Treat me like I'm new to the West Coast. Where

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<v Speaker 2>does this start? Brother Warrens, Like, where does this journey begin?

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<v Speaker 3>It was we uh well, musically for my For myself,

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<v Speaker 3>it started with my dad going to his house. He

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<v Speaker 3>would scoop me up on the weekends and we would

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<v Speaker 3>listening to jazz just all day. You know, he'd be blazing,

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<v Speaker 3>you know, have his friends, his lady friends and stuff

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<v Speaker 3>come through. Sometimes some of his homies come through. But

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<v Speaker 3>I always had to just chill right there or play

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<v Speaker 3>with the guy that lived next door named Tommy.

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<v Speaker 4>We used to play Star Wars and ship.

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<v Speaker 3>But other than that, I'd be laying on the ground

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<v Speaker 3>listening to jazz with him. And then from there, you know,

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<v Speaker 3>my my father and Werner got married and that brought

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<v Speaker 3>me around Drake. That's when I was but from my

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<v Speaker 3>pup I probably was like seven years old maybe, so

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<v Speaker 3>we lived together because my mom made me move with

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<v Speaker 3>my father, you know, and my father and Vernon was

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<v Speaker 3>married and they lived in compics, so they made me move,

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<v Speaker 3>moved the coptain and no, I wasn't I wasn't bad.

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<v Speaker 3>She didn't want to she didn't want me to get

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<v Speaker 3>caught up in what was going on around where we

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<v Speaker 3>lived at in Loan Beach. But Ship, I was already

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<v Speaker 3>in the mix anywhere, because I was still going. I

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<v Speaker 3>catched the bus right back down down to the East Side.

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<v Speaker 3>And uh, just you know, living with my dad and

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<v Speaker 3>being with with Andre and Tyree, Uh they groomed me,

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<v Speaker 3>you know, so being around them and just all all

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<v Speaker 3>my life, you know, I wanted to be like Dre.

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<v Speaker 3>You know, he was doing DJing and stuff like that,

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<v Speaker 3>and you know, me and Tyree, we just we both

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<v Speaker 3>was in the sports a lot. And but I kind

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<v Speaker 3>of like Dre used to do mixtapes all the time

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<v Speaker 3>that it was just bumping, Like Ship just was bumping.

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<v Speaker 3>So I was like, man, can you show me how

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<v Speaker 3>to do that? So he showed me one day in

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<v Speaker 3>the room because we slept in the same room. We

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<v Speaker 3>slept in the same beds together all that. You know,

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<v Speaker 3>how you got two beds and his three boys and

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<v Speaker 3>was sleeping this bed and that bed, and and he

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<v Speaker 3>had some turntables set up by the clause that he

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<v Speaker 3>had it all set up right there, and he showed

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<v Speaker 3>me and I can remember the first record it was.

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<v Speaker 4>It was uh uh it's time.

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<v Speaker 3>He showed me how to mix that and uh so

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<v Speaker 3>I just started practicing practicing from there, and uh that

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<v Speaker 3>was another thing that made me fall in love with

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<v Speaker 3>music as well. And just you know, looking up to him,

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<v Speaker 3>him and Tyree, they both was was both you know.

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<v Speaker 3>It was great for me to have big brothers. I

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<v Speaker 3>was like dangn but and and they used to make

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<v Speaker 3>me fight the little dudes in the hood. They called

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<v Speaker 3>me kibbles and bits then and uh but uh, I

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<v Speaker 3>graduated from kibbles and business to uh circul pull up.

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<v Speaker 1>A problem with your little niggas. Yeah, we used to.

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<v Speaker 4>We used to have battle of the blocks, uh boxing

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<v Speaker 4>and the gloves.

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<v Speaker 1>Yeah.

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<v Speaker 3>Uh.

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<v Speaker 1>One of my homeboys stink.

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<v Speaker 4>He was vicious. I ain't gonna live, but me and

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<v Speaker 4>him used to lock up. Yeah, we were locking up.

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<v Speaker 2>You know.

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<v Speaker 4>That was my only competition other than that.

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<v Speaker 3>I was putting hands on everybody except for bb BB

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<v Speaker 3>was He was younger than me, but he was one

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<v Speaker 3>of those who was just vicious. He was one of

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<v Speaker 3>the fi I'm talking about like thirteen years old, knocking out,

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<v Speaker 3>knocking out, twenty five year old or thirty years like that. Yeah,

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<v Speaker 3>like that, so that all this is in Compton though,

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<v Speaker 3>that was in Compton, but I was I was still

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<v Speaker 3>tracking back and forth. But you living in Compton, but

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<v Speaker 3>you're from Long Beach, so yeah, it's also that. Yeah,

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<v Speaker 3>when you moved to that neighborhood, they're like, oh, well,

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<v Speaker 3>was a bitch from Long Beach.

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<v Speaker 1>Yeah, right, so you had to go through that whole thing.

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<v Speaker 4>Yeah, And I mean all of that stuff just groomed me,

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<v Speaker 4>uh into the music.

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<v Speaker 3>And then later on as I.

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<v Speaker 1>Grew up.

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<v Speaker 3>I'm not ain't gonna say as I grew up before that,

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<v Speaker 3>I was around you know that ain't even before that.

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<v Speaker 3>That was all around the same time.

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<v Speaker 4>We used to.

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<v Speaker 3>I would go back and I'd be at my house

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<v Speaker 3>with my mother and we had we had had this

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<v Speaker 3>crew called the Voultron Crew. That's what I talk about

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<v Speaker 3>on this DJ. I said, the Vaultron Crew, which we

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<v Speaker 3>worked for this dude named Steve who we used to

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<v Speaker 3>sell candy for. And so we used to go to

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<v Speaker 3>all the neighborhoods all from Long Beach to Santa Ana

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<v Speaker 3>to up by U c l A selling candy and

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<v Speaker 3>and uh when we were finished selling candy, what we

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<v Speaker 3>would do was we rap.

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<v Speaker 4>So it was me Snoop, the twins.

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<v Speaker 1>Uh.

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<v Speaker 4>It was a gang of us, Steve uh t Needy,

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<v Speaker 4>it was Priscilla uh Uh, it was a bunch of us.

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<v Speaker 4>Uh fave uh tig.

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<v Speaker 1>We was deep.

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<v Speaker 4>All of us was in this one van.

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<v Speaker 3>We was like the uh fat album now and after

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<v Speaker 3>after we finished selling candy, we would we would flip

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<v Speaker 3>quarters and we would just freestyle. So that's where I

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<v Speaker 3>really learned how to how to you know, just like

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<v Speaker 3>really just learn how to freestyle because you had to.

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<v Speaker 3>But I started cheating, uh because I was I was

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<v Speaker 3>you know, like I said. At that time, Dre was

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<v Speaker 3>in uh the world class wrecking crew. So I used

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<v Speaker 3>to get all the music before anybody anything. So I

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<v Speaker 3>had the tapes everything.

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<v Speaker 4>So we in there one day and I'm just I

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<v Speaker 4>just started rapping.

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<v Speaker 1>Uh they hate.

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<v Speaker 3>He had a song called Cabbage Patch and I started

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<v Speaker 3>rapping that motherfucking there uh in the in the van

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<v Speaker 3>with everybody after word will. I was rolling down the

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<v Speaker 3>street with my mind at ease. I had my top

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<v Speaker 3>pulled back to Canfield. They looking like damn this nigga

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<v Speaker 3>and gun hor.

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<v Speaker 1>Where you get that?

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<v Speaker 3>What happened? I never said ship and uh until later

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<v Speaker 3>and you know, just doing that the Vaultron crew. But

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<v Speaker 3>you're going back and forth, yeah, going back. You're going

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<v Speaker 3>back and forth Compton.

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<v Speaker 1>So do they not I'm not even just Long Beach

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<v Speaker 1>and Compton from.

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<v Speaker 5>Your Voultron crew to your household with your big brothers,

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<v Speaker 5>poor world class wrecking crew.

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<v Speaker 1>Does the home? Do the homies in Long Beach know this?

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<v Speaker 2>Or no?

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<v Speaker 3>Yeah they knew it?

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<v Speaker 4>Well snooping, Yeah they knew it.

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<v Speaker 1>They knew it. They knew it because by this time

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<v Speaker 1>they got turned off the lights and all that out.

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<v Speaker 3>Yeah, yeah they knew it. They knew it.

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<v Speaker 4>Ship.

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<v Speaker 3>Everybody knew it.

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<v Speaker 1>You know.

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<v Speaker 3>Dre used to be in Long Wish too, you know

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<v Speaker 3>on the east side. Well he went to staying out

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<v Speaker 3>on the east side here and there, and he went

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<v Speaker 3>to Jordan for I think for maybe a few semesters

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<v Speaker 3>or something, and then he he got kicked out, I think,

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<v Speaker 3>uh for not going I think, but let me see.

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<v Speaker 3>But I mean all of that, so every everybody, you know,

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<v Speaker 3>everybody from Loanbies knew that Dre was related to us.

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<v Speaker 3>Every you know, everybody knew it. And then later on, uh,

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<v Speaker 3>like I said, we was with the Vultron crew. We

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<v Speaker 3>used to go to Cayle State. I talk about that

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<v Speaker 3>in this DJ that King Park was the the epicenter

0:12:40.960 --> 0:12:44.120
<v Speaker 3>for for all our relationships for the twins. Who was

0:12:44.440 --> 0:12:48.280
<v Speaker 3>who was the artist with us? Me and Snoop Dirty Left,

0:12:48.360 --> 0:12:50.640
<v Speaker 3>which is Snoopers oldest brother. That was that was my

0:12:50.760 --> 0:12:53.599
<v Speaker 3>best friend before Snoop was my best friend because we

0:12:53.679 --> 0:12:55.559
<v Speaker 3>all went to C I S. That was across the

0:12:55.600 --> 0:12:59.640
<v Speaker 3>street from King Park. And I'm kind of speeding a

0:12:59.679 --> 0:13:02.079
<v Speaker 3>little it, uh through the whole through the whole thing.

0:13:02.200 --> 0:13:08.120
<v Speaker 3>But uh, but that that's where our introduction, our introduction

0:13:08.720 --> 0:13:11.440
<v Speaker 3>to each other as kids started right there at King's Park,

0:13:11.520 --> 0:13:14.719
<v Speaker 3>getting the free lunches. Uh, working for the s Y E.

0:13:14.920 --> 0:13:18.280
<v Speaker 3>T P, Working for Steve with the United teams, just

0:13:18.360 --> 0:13:21.520
<v Speaker 3>trying to trying to survive and trying to try to eat.

0:13:22.120 --> 0:13:27.079
<v Speaker 3>And you know Snoop was always uh uh he was

0:13:27.160 --> 0:13:29.559
<v Speaker 3>like a comedian. He used to always bag and he

0:13:29.600 --> 0:13:34.360
<v Speaker 3>would always freestyle. So we played football together, uh and

0:13:34.600 --> 0:13:37.160
<v Speaker 3>he used to always be rapping. I was I was

0:13:38.000 --> 0:13:45.360
<v Speaker 3>focused on football more heavy, but we always we always

0:13:45.520 --> 0:13:48.800
<v Speaker 3>was doing music. So as we got older and older

0:13:48.800 --> 0:13:52.760
<v Speaker 3>and older, we kept working with me, you know, Snoop

0:13:52.760 --> 0:13:55.360
<v Speaker 3>became my best friend, so we would dip here and there.

0:13:55.440 --> 0:13:57.800
<v Speaker 3>So we kind of got separated at at a certain

0:13:57.840 --> 0:14:00.840
<v Speaker 3>point where I was in Norfolk Beach because I had

0:14:00.880 --> 0:14:03.560
<v Speaker 3>got in trouble coming down alone, which I got in trouble.

0:14:04.280 --> 0:14:04.360
<v Speaker 5>Uh.

0:14:04.640 --> 0:14:07.520
<v Speaker 4>I went to middle school actually in Loan Beach at Hughes.

0:14:08.240 --> 0:14:08.360
<v Speaker 1>Uh.

0:14:08.440 --> 0:14:10.240
<v Speaker 3>So they kicked me out of Hughes and sent me

0:14:10.360 --> 0:14:14.120
<v Speaker 3>to the north side, a long beach, Hamilton.

0:14:14.200 --> 0:14:15.400
<v Speaker 4>Got kicked out of Hamilton.

0:14:16.400 --> 0:14:19.920
<v Speaker 3>They sent me to Lindburg and Lindbergh is where it

0:14:20.080 --> 0:14:22.520
<v Speaker 3>all started. Sub where I got on track and that

0:14:22.680 --> 0:14:24.880
<v Speaker 3>was that was That was like some of the most

0:14:24.960 --> 0:14:27.840
<v Speaker 3>fun I had in my life from that point through

0:14:27.960 --> 0:14:28.480
<v Speaker 3>high school.

0:14:28.560 --> 0:14:31.160
<v Speaker 4>But we still kept in touch with each other.

0:14:31.240 --> 0:14:34.520
<v Speaker 3>I would come down there still hanging with all my

0:14:34.640 --> 0:14:37.040
<v Speaker 3>friends and we would do music and messing around.

0:14:38.080 --> 0:14:41.880
<v Speaker 4>So we got older. Uh been high school.

0:14:42.480 --> 0:14:46.640
<v Speaker 3>One day, I was at lunch, you know, I'm I'm

0:14:46.680 --> 0:14:49.800
<v Speaker 3>out at lunch and I hear somebody howling warm, you know,

0:14:50.000 --> 0:14:52.800
<v Speaker 3>like warm. So I'm looking, I'm looking like Warren. I

0:14:52.960 --> 0:14:56.440
<v Speaker 3>look and it's snoop and I'm like, think, what the

0:14:56.520 --> 0:14:58.160
<v Speaker 3>fuck are you doing up here? You're supposed to be

0:14:58.240 --> 0:14:58.720
<v Speaker 3>a polly.

0:14:59.480 --> 0:15:01.160
<v Speaker 4>He was like they they wouldn't let me go to

0:15:01.240 --> 0:15:04.360
<v Speaker 4>poly no more because we moved up to sixty first Street, so.

0:15:06.040 --> 0:15:08.680
<v Speaker 3>He was he was. He was like, you still doing music,

0:15:08.720 --> 0:15:11.200
<v Speaker 3>ain't you? I was like, yeah, still doing music. So

0:15:12.040 --> 0:15:15.000
<v Speaker 3>we linked up, did a little mixtape. I still had

0:15:15.080 --> 0:15:18.680
<v Speaker 3>my turntables and my mixer and I would hit record

0:15:18.840 --> 0:15:20.640
<v Speaker 3>on the tape deck and we give them a little

0:15:20.680 --> 0:15:24.040
<v Speaker 3>raggedy microphone and he'd start busting. We just we did

0:15:24.120 --> 0:15:26.840
<v Speaker 3>a demo for Eric being rock Camp, well for Karl Lewis,

0:15:27.600 --> 0:15:30.520
<v Speaker 3>but it was we sent it to her to give

0:15:30.640 --> 0:15:33.160
<v Speaker 3>to Eric Being rock Camp and all of them back

0:15:33.200 --> 0:15:33.640
<v Speaker 3>in the day.

0:15:34.320 --> 0:15:35.840
<v Speaker 4>On our mixtape I think I made.

0:15:35.920 --> 0:15:39.440
<v Speaker 3>I probably did like about I mailed off about maybe

0:15:39.800 --> 0:15:42.960
<v Speaker 3>eight to ten of them, motherfuckers, just mailing them to

0:15:43.080 --> 0:15:46.280
<v Speaker 3>different record companies and everything, just off our little demo.

0:15:47.040 --> 0:15:51.280
<v Speaker 3>But we kept doing We started doing mixtapes and stuff

0:15:51.360 --> 0:15:53.840
<v Speaker 3>like that. So once we got out of school is

0:15:53.920 --> 0:15:56.080
<v Speaker 3>when the reality kind of hit us a little bit.

0:15:56.200 --> 0:15:58.800
<v Speaker 1>So we was like all over.

0:15:58.920 --> 0:16:01.040
<v Speaker 3>I stayed on sixty first us an Orange. He stayed

0:16:01.080 --> 0:16:05.040
<v Speaker 3>on sixty first in London. So we ended up getting

0:16:05.120 --> 0:16:09.080
<v Speaker 3>caught up in the hustle game around the neighborhood. But

0:16:09.320 --> 0:16:13.200
<v Speaker 3>we were still doing our music too. But it was

0:16:13.240 --> 0:16:15.760
<v Speaker 3>starting to get hectic as far as like that's I

0:16:15.880 --> 0:16:19.280
<v Speaker 3>talk about that on do U see. It was getting

0:16:19.320 --> 0:16:23.080
<v Speaker 3>hectic for us then, but we still was we we

0:16:23.240 --> 0:16:25.000
<v Speaker 3>had We was just trying to make money so we

0:16:25.080 --> 0:16:29.240
<v Speaker 3>can get new clothes, go to the football games and

0:16:29.320 --> 0:16:31.640
<v Speaker 3>look good, and you know, just try to get cars

0:16:31.680 --> 0:16:34.360
<v Speaker 3>and shit like that. Just looking at the guys that

0:16:34.560 --> 0:16:37.520
<v Speaker 3>was before us. We kept going and going and going

0:16:37.640 --> 0:16:39.640
<v Speaker 3>with you know, we was going in and out of jail.

0:16:39.680 --> 0:16:41.680
<v Speaker 3>We go to the county. One I may be in

0:16:41.760 --> 0:16:45.320
<v Speaker 3>the county. He main't be in the county. Or Nate

0:16:45.640 --> 0:16:47.320
<v Speaker 3>then went to the county. You know, just back and

0:16:47.480 --> 0:16:49.680
<v Speaker 3>forth from getting caught up and where were you know,

0:16:49.800 --> 0:16:54.680
<v Speaker 3>around where we was at, And we finally just said,

0:16:54.800 --> 0:16:57.080
<v Speaker 3>you know what, let's slow down a little bit, get

0:16:57.120 --> 0:17:00.160
<v Speaker 3>it together, because we've seen a lot happen, uh as

0:17:00.200 --> 0:17:04.920
<v Speaker 3>far as on the on the gang tip, the killing tip,

0:17:05.000 --> 0:17:07.120
<v Speaker 3>the shooting tip, all that ship, we've seen a lot

0:17:07.200 --> 0:17:10.960
<v Speaker 3>of shit. So it was like we're gonna We're gonna

0:17:11.080 --> 0:17:13.879
<v Speaker 3>end up being in the in this position, just like

0:17:14.320 --> 0:17:18.880
<v Speaker 3>all the other Homeboys was gone twenty something years, fifteen years,

0:17:19.200 --> 0:17:22.720
<v Speaker 3>thirty years, they was all getting stretched, and uh so

0:17:22.880 --> 0:17:25.960
<v Speaker 3>we was like fuck that shit. Uh So we just

0:17:26.000 --> 0:17:29.040
<v Speaker 3>started working full time. We would go to the VIP

0:17:30.119 --> 0:17:32.280
<v Speaker 3>Calvin would let us in in the do demos. So

0:17:32.359 --> 0:17:35.920
<v Speaker 3>we're going there doing demos. Yeah, and the record store

0:17:36.000 --> 0:17:39.720
<v Speaker 3>right yeah, yeah, so we was doing demos from with Calvin.

0:17:40.440 --> 0:17:43.960
<v Speaker 3>Uh with Snoop was going to other I would get mad.

0:17:44.080 --> 0:17:45.680
<v Speaker 3>I ain't gonna lie when he would go deal with

0:17:45.760 --> 0:17:48.840
<v Speaker 3>other producers and other people pissed off.

0:17:48.960 --> 0:17:50.600
<v Speaker 4>Like while you going over there with them?

0:17:50.720 --> 0:17:52.680
<v Speaker 3>We were you and Nate.

0:17:53.400 --> 0:17:55.720
<v Speaker 1>So, uh we did a.

0:17:55.760 --> 0:17:58.440
<v Speaker 3>Demo with one of my guys, his name money B.

0:17:58.800 --> 0:18:02.280
<v Speaker 3>Not money Be from Digital Underground, but long Beach money Bee.

0:18:02.760 --> 0:18:07.160
<v Speaker 3>He's a white dude, but he was. He was our niggah.

0:18:07.359 --> 0:18:12.520
<v Speaker 3>But uh so we did a demo with him. We

0:18:12.640 --> 0:18:18.159
<v Speaker 3>did a song called long Beach is a motherfucker. I

0:18:18.280 --> 0:18:20.639
<v Speaker 3>can't remember all our songs right off top, but I

0:18:20.720 --> 0:18:22.399
<v Speaker 3>got him actually in my phone.

0:18:22.520 --> 0:18:25.040
<v Speaker 1>You still got all your original I got the demos

0:18:25.080 --> 0:18:35.280
<v Speaker 1>in my phone. M Do you feel like.

0:18:36.880 --> 0:18:40.600
<v Speaker 5>For y'all, it was more of a reality because you

0:18:40.720 --> 0:18:42.240
<v Speaker 5>had a brother who was already doing it.

0:18:43.119 --> 0:18:45.000
<v Speaker 1>Was that always kind of the back with us.

0:18:46.960 --> 0:18:53.440
<v Speaker 3>At all. Yeah, little family functions that Dre, Snoop and

0:18:53.560 --> 0:18:55.440
<v Speaker 3>rap Man you need to listen. And we got a

0:18:55.480 --> 0:18:59.119
<v Speaker 3>group called two one three check us out. Oh yeah, okay,

0:18:59.320 --> 0:19:03.399
<v Speaker 3>yeah yeah, Like damn, he ain't fucking with us. So

0:19:03.520 --> 0:19:04.919
<v Speaker 3>he never was fucking with us.

0:19:05.480 --> 0:19:06.720
<v Speaker 1>He was cool with us.

0:19:07.359 --> 0:19:11.440
<v Speaker 4>Fucking with us like no, y'all, y'all niggas ain't you

0:19:11.480 --> 0:19:12.879
<v Speaker 4>know because some wild niggas.

0:19:13.840 --> 0:19:16.119
<v Speaker 1>No, probably because we was pretty young. We was.

0:19:16.240 --> 0:19:19.320
<v Speaker 4>We was pretty young. Uh when we was trying to

0:19:19.320 --> 0:19:23.919
<v Speaker 4>get at him, we was. We was young like ship uh.

0:19:24.119 --> 0:19:26.520
<v Speaker 1>We we was young. Because this is the n w

0:19:26.720 --> 0:19:27.640
<v Speaker 1>A days for him though.

0:19:27.800 --> 0:19:30.280
<v Speaker 3>Yeah, yeah, well it was n w A and then

0:19:30.359 --> 0:19:33.400
<v Speaker 3>he went into n w A end I mean ended

0:19:33.440 --> 0:19:35.920
<v Speaker 3>up well wrecking Crew and then he went into n

0:19:36.119 --> 0:19:39.880
<v Speaker 3>w A at the time at that time around that time,

0:19:40.240 --> 0:19:43.560
<v Speaker 3>but before that, he was with the uh I think

0:19:43.640 --> 0:19:46.120
<v Speaker 3>it was called the Stereo Crew. They was deep there.

0:19:46.240 --> 0:19:48.840
<v Speaker 3>DJ Crew. That's why I fell in love with with

0:19:48.960 --> 0:19:57.080
<v Speaker 3>DJ because him and Easy Randy, cat Sheen Donald, they

0:19:57.200 --> 0:20:00.840
<v Speaker 3>was all a crew a speed did the speed Uh,

0:20:01.560 --> 0:20:03.520
<v Speaker 3>they had their crew called I think it was called

0:20:03.560 --> 0:20:06.960
<v Speaker 3>the Stereo Crew, if I'm not mistaken. So that's inspired

0:20:07.000 --> 0:20:13.040
<v Speaker 3>me as well. But god damn, I forgot sometimes.

0:20:12.760 --> 0:20:16.720
<v Speaker 2>With his family when it's family, wasn't when it's family,

0:20:16.760 --> 0:20:18.840
<v Speaker 2>it's like, yeah, it's.

0:20:18.760 --> 0:20:22.159
<v Speaker 1>Too it's too close for you to really see if.

0:20:22.040 --> 0:20:26.920
<v Speaker 3>It's real or not if yeah, yeah, yeah, yeah, yeah.

0:20:27.000 --> 0:20:30.120
<v Speaker 3>I mean, but we kept we kept working.

0:20:30.480 --> 0:20:32.720
<v Speaker 1>We went for some years. Yeah, we wasn't.

0:20:32.760 --> 0:20:38.360
<v Speaker 3>Yeah, well we was older, like seventeen eighteen, seventeen eighteen.

0:20:38.840 --> 0:20:42.760
<v Speaker 3>Around that time, we was uh, we wasn't even chiming

0:20:42.840 --> 0:20:45.760
<v Speaker 3>in with him no more. So we were just doing

0:20:45.840 --> 0:20:49.280
<v Speaker 3>our thing in the streets. And like I said, we

0:20:49.400 --> 0:20:52.359
<v Speaker 3>formed a group called two one three, which was our

0:20:52.480 --> 0:20:56.600
<v Speaker 3>area code for all of California, like the southern California

0:20:56.600 --> 0:20:59.760
<v Speaker 3>and then but we was inspired by four one five

0:21:00.400 --> 0:21:02.920
<v Speaker 3>from the Bay Richie Rich, Yeah, Richie Rich, which.

0:21:02.760 --> 0:21:05.080
<v Speaker 5>Is crazy because the same thing happened with them, where

0:21:05.480 --> 0:21:07.720
<v Speaker 5>four and five the area coast our area codes split

0:21:07.800 --> 0:21:09.679
<v Speaker 5>up in the Bay. Yeah, four and five only end

0:21:09.760 --> 0:21:12.760
<v Speaker 5>up in San Francisco. And obviously then five one oh

0:21:12.840 --> 0:21:16.600
<v Speaker 5>became Oakland, our yards became Long Beach.

0:21:16.560 --> 0:21:18.959
<v Speaker 3>Yeah, three one three one oh was a round let

0:21:18.960 --> 0:21:21.640
<v Speaker 3>me three one oh. It was before two one three

0:21:22.160 --> 0:21:23.639
<v Speaker 3>was it? It was three to one oh, but it

0:21:23.720 --> 0:21:26.520
<v Speaker 3>was l A was always known, it was all, but

0:21:26.640 --> 0:21:30.800
<v Speaker 3>then it switched to two one three, and uh so

0:21:30.960 --> 0:21:34.119
<v Speaker 3>we we we took on that that whole, like we

0:21:34.640 --> 0:21:39.520
<v Speaker 3>represent for everybody, Comped and Washed Long Beach, La Courson,

0:21:39.920 --> 0:21:43.280
<v Speaker 3>sand Burns wherever the mass circle and uh we just

0:21:43.359 --> 0:21:48.719
<v Speaker 3>started doing demos and just recording them and passing them

0:21:48.760 --> 0:21:50.600
<v Speaker 3>out to everybody, like we would let people.

0:21:51.080 --> 0:21:53.320
<v Speaker 4>They hear like that ship dope, So we dub it.

0:21:53.520 --> 0:21:55.960
<v Speaker 3>You know, you had the double, except we double them boom,

0:21:56.000 --> 0:21:58.440
<v Speaker 3>give them a tape, duble, give them a tape. And

0:21:58.560 --> 0:22:03.800
<v Speaker 3>then Roger Clayton from Uncle Jam's army gave us a

0:22:04.040 --> 0:22:06.240
<v Speaker 3>uh start, giving us a shot to get down in

0:22:06.560 --> 0:22:10.800
<v Speaker 3>his club called the toe Jam. So we kept we

0:22:11.840 --> 0:22:13.480
<v Speaker 3>used to go to the toe Jam and just have

0:22:13.600 --> 0:22:15.840
<v Speaker 3>a have a ball. Just he'd let us get on

0:22:15.920 --> 0:22:17.920
<v Speaker 3>the mic. I'd get up there and start d jamm.

0:22:18.560 --> 0:22:19.480
<v Speaker 3>I'll be up there like.

0:22:19.600 --> 0:22:21.600
<v Speaker 4>You drink whiskey, I drink wine.

0:22:21.920 --> 0:22:26.040
<v Speaker 3>Come on everybody's gangs to the time. Boom boo, boom,

0:22:26.320 --> 0:22:31.840
<v Speaker 3>boom boom, Snoop Star busting. Wama did start busting, and Uh,

0:22:32.400 --> 0:22:34.119
<v Speaker 3>it was it was, it was live. We had so

0:22:34.280 --> 0:22:34.800
<v Speaker 3>much fun.

0:22:35.160 --> 0:22:37.720
<v Speaker 1>Uh, y'all only eighteen years old at this point.

0:22:37.840 --> 0:22:42.760
<v Speaker 3>Yeah, seventeen eighteen, right in right around there, and we

0:22:42.960 --> 0:22:46.120
<v Speaker 3>just kept just pushing all of them. And Quick inspired

0:22:46.200 --> 0:22:49.480
<v Speaker 3>us as well, DJ Quick, So we was trying to

0:22:49.520 --> 0:22:52.160
<v Speaker 3>get mixtapes out to push like he was doing. That's

0:22:52.400 --> 0:22:56.000
<v Speaker 3>that's why we had a mixtape or a demo called

0:22:56.080 --> 0:22:58.480
<v Speaker 3>Long Was a Motherfucker. It's pretty much a mixtape. So

0:22:58.560 --> 0:23:03.879
<v Speaker 3>we just gave that everybody. So it started bubbling like everywhere,

0:23:04.400 --> 0:23:09.680
<v Speaker 3>like bubbling, and we just we just wasn't getting a

0:23:09.840 --> 0:23:14.760
<v Speaker 3>chance from nobody, so just on a humbug. I hadn't

0:23:14.800 --> 0:23:17.119
<v Speaker 3>seen dre in it like in a while, like it

0:23:17.240 --> 0:23:22.320
<v Speaker 3>was a long time, so I hit him up.

0:23:22.840 --> 0:23:22.960
<v Speaker 1>You know.

0:23:23.040 --> 0:23:24.959
<v Speaker 3>I was like, cause I used to hang I used

0:23:24.960 --> 0:23:26.600
<v Speaker 3>to kick it with him, you know when in the

0:23:26.760 --> 0:23:29.320
<v Speaker 3>n w A days, I'd go hang out at the

0:23:29.359 --> 0:23:33.560
<v Speaker 3>studio with him and everything and watched them work and

0:23:34.280 --> 0:23:37.280
<v Speaker 3>I'd be right back to doing what I do back

0:23:37.640 --> 0:23:38.080
<v Speaker 3>over here.

0:23:39.080 --> 0:23:39.199
<v Speaker 1>Uh.

0:23:40.240 --> 0:23:42.080
<v Speaker 4>Or was that after let Me See No?

0:23:42.240 --> 0:23:42.280
<v Speaker 3>No?

0:23:42.440 --> 0:23:43.040
<v Speaker 1>That was that was?

0:23:43.200 --> 0:23:48.199
<v Speaker 4>That was around that time and so I asked him.

0:23:48.200 --> 0:23:50.960
<v Speaker 3>One day. You know, I became tight with with uh

0:23:51.800 --> 0:23:53.879
<v Speaker 3>with uh l A d Well. Actually I called Dre

0:23:54.040 --> 0:23:57.360
<v Speaker 3>and he he was like, hit l A Dre. I'm

0:23:57.440 --> 0:23:59.919
<v Speaker 3>having a bachelor party. So I hit l A Dre

0:24:00.040 --> 0:24:02.360
<v Speaker 3>and he told me how to get there. I think

0:24:02.440 --> 0:24:06.119
<v Speaker 3>it was at the Bonadventure, if I'm not mistaken. So

0:24:06.240 --> 0:24:09.359
<v Speaker 3>I went, me and my homeboy Gangster Ride and uh

0:24:10.520 --> 0:24:13.040
<v Speaker 3>Kenny Mack. We had all we jumped into r X

0:24:13.160 --> 0:24:15.879
<v Speaker 3>seven and I had one person had the ride in

0:24:15.960 --> 0:24:19.840
<v Speaker 3>the hatchback. So we mashed up to the uh to

0:24:20.000 --> 0:24:24.280
<v Speaker 3>the uh the bachelor party. UH in the bachelor party

0:24:24.680 --> 0:24:28.080
<v Speaker 3>every day playing some dope music and it kind of

0:24:28.240 --> 0:24:31.840
<v Speaker 3>like started getting like like they was running out of music.

0:24:31.920 --> 0:24:32.919
<v Speaker 4>So I told Dre.

0:24:33.119 --> 0:24:34.960
<v Speaker 3>I told l A Dre. I said, can I pop

0:24:35.040 --> 0:24:37.520
<v Speaker 3>this stapen? He was like, go ahead, some music, go ahead.

0:24:37.560 --> 0:24:40.240
<v Speaker 3>So I popped it in and he played it when

0:24:40.280 --> 0:24:43.879
<v Speaker 3>he and when he played it, everybody started dancing and

0:24:44.000 --> 0:24:44.920
<v Speaker 3>was bobbing and ship.

0:24:45.280 --> 0:24:46.760
<v Speaker 4>He was like, damn, this ship is dope.

0:24:46.800 --> 0:24:50.280
<v Speaker 3>Who was this? And I was like that's me Snoop

0:24:50.400 --> 0:24:53.399
<v Speaker 3>and my homeboy Knake Dog. He was like, damn this

0:24:53.480 --> 0:24:55.399
<v Speaker 3>ship bang. He said, have you let Dre hear this?

0:24:55.960 --> 0:24:58.639
<v Speaker 3>I was like no, So he called Drey over. It

0:24:58.800 --> 0:25:00.600
<v Speaker 3>was like, Dre, you need to listen and this shit.

0:25:01.200 --> 0:25:05.200
<v Speaker 3>So when he came over and he uh Drake came

0:25:05.240 --> 0:25:07.359
<v Speaker 3>on with listened, He's like, damn that shit hard.

0:25:07.880 --> 0:25:08.760
<v Speaker 4>He was like, that's y'all.

0:25:08.800 --> 0:25:09.520
<v Speaker 1>I was like yeah.

0:25:09.800 --> 0:25:12.479
<v Speaker 3>I was like I was saying to myself, nigga, I've

0:25:12.520 --> 0:25:15.720
<v Speaker 3>been trying to tell you that that were hard with Vicious,

0:25:16.640 --> 0:25:21.639
<v Speaker 3>but you don't want to listen. So so he was like,

0:25:21.760 --> 0:25:22.920
<v Speaker 3>y'all come to the studio.

0:25:24.359 --> 0:25:24.880
<v Speaker 1>Was immediate.

0:25:25.119 --> 0:25:27.679
<v Speaker 3>Yeah, he said, y'all come to the studio on Monday. Actually,

0:25:27.680 --> 0:25:30.560
<v Speaker 3>he said come to the studio on Monday. So at

0:25:30.640 --> 0:25:33.040
<v Speaker 3>that time, I was pissed off of Snoop because he

0:25:33.080 --> 0:25:35.960
<v Speaker 3>would go work with all these off brands instead of

0:25:36.240 --> 0:25:38.640
<v Speaker 3>meet him and Nate work and he'd be doing shit

0:25:38.720 --> 0:25:41.600
<v Speaker 3>on his owner. It was pissing me off. So we

0:25:41.800 --> 0:25:43.920
<v Speaker 3>was kind of at it at that time. So I

0:25:44.080 --> 0:25:47.240
<v Speaker 3>called him anywhere. I was like, Snoop, I just talked

0:25:47.280 --> 0:25:49.720
<v Speaker 3>to Dre and he wants to come to the studio

0:25:49.920 --> 0:25:52.480
<v Speaker 3>on Monday. He was like, nigga, fuck that shit.

0:25:52.600 --> 0:25:53.480
<v Speaker 1>Nigga. Boom.

0:25:53.520 --> 0:25:55.439
<v Speaker 3>He hanged the funnel because he had a Snoop had

0:25:55.480 --> 0:25:58.239
<v Speaker 3>a nasty ass attitude back then. He'll make you want

0:25:58.280 --> 0:26:02.560
<v Speaker 3>to socking and he'll hang up on you like this motherfucker.

0:26:03.320 --> 0:26:06.000
<v Speaker 3>So I called him again and uh he.

0:26:06.160 --> 0:26:12.280
<v Speaker 4>Answered and and uh he was like uh nigga, I said,

0:26:12.560 --> 0:26:15.560
<v Speaker 4>I said, Snoop, just please just chill. Just let me

0:26:15.640 --> 0:26:16.760
<v Speaker 4>call him on the three way.

0:26:17.400 --> 0:26:20.000
<v Speaker 3>So I called him. I called Dray on the three

0:26:20.080 --> 0:26:23.119
<v Speaker 3>way and Dre was like, what's up? I said, Dre,

0:26:23.640 --> 0:26:25.760
<v Speaker 3>would you tell Snoop that you want to succumb to

0:26:25.840 --> 0:26:28.480
<v Speaker 3>the studio on Monday. He was like, yeah, I want

0:26:28.560 --> 0:26:30.199
<v Speaker 3>you to come to the studio on Monday.

0:26:30.600 --> 0:26:31.399
<v Speaker 1>He was like, who was this?

0:26:31.640 --> 0:26:33.439
<v Speaker 3>He he's like this doctor Dre.

0:26:33.800 --> 0:26:35.639
<v Speaker 4>When he said that, this doctor Drake, because you know

0:26:35.800 --> 0:26:38.800
<v Speaker 4>that's it, that's the he was like, oh ship.

0:26:39.160 --> 0:26:39.840
<v Speaker 1>He was like Dre.

0:26:41.000 --> 0:26:43.480
<v Speaker 3>He was like, oh ship. He was like it's like yeah,

0:26:43.800 --> 0:26:49.639
<v Speaker 3>like we'll be there. So that Monday, we uh with

0:26:49.840 --> 0:26:53.360
<v Speaker 3>my homeboy Rump and we jumped in his his bucket.

0:26:53.600 --> 0:26:55.080
<v Speaker 3>You know one of the kid where you get to

0:26:55.160 --> 0:26:56.720
<v Speaker 3>the light and you got to put it in apartment.

0:27:00.520 --> 0:27:03.399
<v Speaker 3>We all there, Yeah, we got to the light. We

0:27:03.560 --> 0:27:06.000
<v Speaker 3>got to the light. So We did that all the

0:27:06.040 --> 0:27:08.280
<v Speaker 3>way to Hollywood. We didn't even get on the freeway

0:27:09.040 --> 0:27:15.639
<v Speaker 3>and uh hell long beach. Yeah, the streets, the streets,

0:27:16.160 --> 0:27:18.800
<v Speaker 3>it was cool, easy, It was easy routes all the

0:27:18.840 --> 0:27:26.240
<v Speaker 3>way up and we actually uh we was also we

0:27:26.280 --> 0:27:29.480
<v Speaker 3>would go to above a Law studio too with and

0:27:31.160 --> 0:27:33.840
<v Speaker 3>we was over there doing we actually did some demo

0:27:33.960 --> 0:27:36.680
<v Speaker 3>ship with them too, with with the whatever the law now.

0:27:37.560 --> 0:27:42.480
<v Speaker 3>And but Dre was like, come up to the studio

0:27:42.840 --> 0:27:44.639
<v Speaker 3>even then Blay Law and then was doing saying the

0:27:44.720 --> 0:27:46.480
<v Speaker 3>same thing, but y'all come get down with us. But

0:27:47.240 --> 0:27:49.879
<v Speaker 3>when the Drake thing came, it was like that was

0:27:50.080 --> 0:27:55.760
<v Speaker 3>like our dream. So we went over there and immediately

0:27:56.359 --> 0:27:58.280
<v Speaker 3>Drake as soon as we got in there, he threw

0:27:58.320 --> 0:27:58.760
<v Speaker 3>a beat on.

0:28:00.480 --> 0:28:02.760
<v Speaker 4>It was more it was snoop more for more for

0:28:03.040 --> 0:28:04.320
<v Speaker 4>it was just straight for snoop.

0:28:04.400 --> 0:28:06.119
<v Speaker 3>So he threw a beat on that had it was

0:28:06.880 --> 0:28:11.680
<v Speaker 3>the big payback mixed uh with a hold on and

0:28:11.840 --> 0:28:14.359
<v Speaker 3>had the big payback in there like in there with

0:28:14.560 --> 0:28:16.879
<v Speaker 3>that ship was hard. It was called this is a

0:28:16.920 --> 0:28:20.760
<v Speaker 3>Gangster's Life. And from that point it's where that's where

0:28:20.800 --> 0:28:23.159
<v Speaker 3>it started for us. Like Dre was like, y'all need

0:28:23.240 --> 0:28:25.399
<v Speaker 3>to come move with me to get up out the hoods.

0:28:25.440 --> 0:28:28.040
<v Speaker 3>So y'all don't get in no trouble, y'all just come

0:28:28.200 --> 0:28:31.200
<v Speaker 3>come up to my house and and come stay with me,

0:28:31.680 --> 0:28:36.359
<v Speaker 3>you know. And that's that's where everything started. We just

0:28:36.800 --> 0:28:43.320
<v Speaker 3>immediately just started doing music. And is he still inn

0:28:44.600 --> 0:28:47.280
<v Speaker 3>He was gone, he was out at that point. They

0:28:47.360 --> 0:28:49.640
<v Speaker 3>haven't decided where they're gonna take the new He didn't like,

0:28:49.760 --> 0:28:52.440
<v Speaker 3>he said yet. I just I've just seen a quote

0:28:52.480 --> 0:28:54.680
<v Speaker 3>that he said, let me, I'm gonna read this ship.

0:28:54.720 --> 0:28:57.440
<v Speaker 4>If I could read it. I locked this in because

0:28:57.440 --> 0:28:59.640
<v Speaker 4>I was like, wow, he said.

0:28:59.720 --> 0:29:02.160
<v Speaker 3>Snow came to me at a very low point in

0:29:02.240 --> 0:29:07.200
<v Speaker 3>my life and I just had separated myself from Ruthless Records.

0:29:07.600 --> 0:29:10.720
<v Speaker 3>I had no money for food. I didn't even have

0:29:11.200 --> 0:29:14.000
<v Speaker 3>furniture in my house at that time. At that at

0:29:14.040 --> 0:29:18.880
<v Speaker 3>that time, then boom, here comes Snoop, a true diamond

0:29:18.880 --> 0:29:21.920
<v Speaker 3>in the rough. I mean, Snoop is just pure raw talent.

0:29:22.080 --> 0:29:27.920
<v Speaker 3>Nobody sounds like Snoop. Then it was a time. Then

0:29:27.960 --> 0:29:30.360
<v Speaker 3>it was time to do my first solo album. The

0:29:30.440 --> 0:29:33.600
<v Speaker 3>chronic Snoop was always there for me, ready to work

0:29:34.040 --> 0:29:38.080
<v Speaker 3>and constantly motivate me, motivating me and pushing me and

0:29:38.200 --> 0:29:41.560
<v Speaker 3>making me believe I can do it. I could always

0:29:41.600 --> 0:29:44.280
<v Speaker 3>hear his voice in my head, come on, Drake, cuz,

0:29:44.440 --> 0:29:47.040
<v Speaker 3>come on, you can do it.

0:29:47.200 --> 0:29:49.000
<v Speaker 4>You got this, keep it, keep it going.

0:29:49.720 --> 0:29:50.120
<v Speaker 1>You know I don't.

0:29:50.240 --> 0:29:51.960
<v Speaker 3>It's still a lot going on there. And I was

0:29:52.040 --> 0:29:55.920
<v Speaker 3>reading that shit like damn because it God, damn, Drake.

0:29:56.080 --> 0:29:56.320
<v Speaker 1>Let that.

0:29:56.680 --> 0:30:01.960
<v Speaker 4>Thank you for that. Hey, hey, your boy, Uh, thank

0:30:02.120 --> 0:30:04.200
<v Speaker 4>thank me for bringing the dog to you.

0:30:04.360 --> 0:30:04.560
<v Speaker 1>Man.

0:30:06.480 --> 0:30:09.160
<v Speaker 3>No, it's all good, but that that was a trip,

0:30:09.480 --> 0:30:13.400
<v Speaker 3>you know, And my whole thing was at that point.

0:30:13.720 --> 0:30:18.040
<v Speaker 3>That's how I felt that I wanted to come and

0:30:18.360 --> 0:30:21.120
<v Speaker 3>and and and be be with with him because I

0:30:21.160 --> 0:30:24.880
<v Speaker 3>always looked up to him, be with him and help

0:30:25.000 --> 0:30:27.840
<v Speaker 3>him if if that's what he needed or whatever he needed.

0:30:28.520 --> 0:30:31.360
<v Speaker 3>That's what our job was to him, to help him

0:30:31.440 --> 0:30:34.720
<v Speaker 3>get back on his feet. My job was to go

0:30:34.880 --> 0:30:36.680
<v Speaker 3>get all of the records. I went and got all

0:30:36.760 --> 0:30:40.920
<v Speaker 3>the samples for the chronic And what I would do

0:30:41.080 --> 0:30:43.480
<v Speaker 3>is after I got the samples, I would take the motherfuckers.

0:30:43.520 --> 0:30:46.000
<v Speaker 3>Because Dre and one eighty seven, they both showed me

0:30:46.040 --> 0:30:48.680
<v Speaker 3>how to work there n PC sixty. So I started producing,

0:30:49.320 --> 0:30:52.360
<v Speaker 3>like wanting to produce. So that's you know, Drey showed

0:30:52.400 --> 0:30:54.560
<v Speaker 3>me some ship one eighty seven showed me some shit.

0:30:54.680 --> 0:30:58.240
<v Speaker 3>So from there I just started sampling, no drums, nothing,

0:30:58.360 --> 0:31:00.800
<v Speaker 3>just doing the raw sample. Or I would play a

0:31:00.880 --> 0:31:03.720
<v Speaker 3>record for Drake, like, Dray, listen to this, you know,

0:31:03.880 --> 0:31:08.040
<v Speaker 3>like let Me Ride. That was what a record from

0:31:08.120 --> 0:31:10.840
<v Speaker 3>a They used to have these records called dub records,

0:31:11.480 --> 0:31:16.280
<v Speaker 3>and they would have little spout spurts of uh like

0:31:16.480 --> 0:31:20.280
<v Speaker 3>old songs and stuff like that, like that dune boom

0:31:20.440 --> 0:31:25.360
<v Speaker 3>boom boom, Let Me Ride that was on a dub

0:31:25.480 --> 0:31:30.280
<v Speaker 3>record and then uh uh swim I don't want to ride.

0:31:32.160 --> 0:31:34.160
<v Speaker 3>I don't want to you know that part? Oh that

0:31:34.320 --> 0:31:37.640
<v Speaker 3>was just on this one record. And he heard that.

0:31:37.720 --> 0:31:40.000
<v Speaker 3>Shell said listen to Drake, he heard that ship. He

0:31:40.120 --> 0:31:45.080
<v Speaker 3>was like, that ship is hard and he flipped that motherfucker.

0:31:45.160 --> 0:31:49.080
<v Speaker 3>That's when he did. That's when he did the uh

0:31:50.200 --> 0:31:53.000
<v Speaker 3>let Me Ride that was. That was that record and

0:31:53.880 --> 0:31:55.920
<v Speaker 3>just a bunch of stuff, you know. I went to

0:31:56.680 --> 0:31:58.840
<v Speaker 3>As the World Turned. It was on mail Roads. That's

0:31:58.880 --> 0:32:01.640
<v Speaker 3>where I bought every record for the chronic that we

0:32:01.880 --> 0:32:04.800
<v Speaker 3>was using. If the records that Drake didn't get, I

0:32:04.920 --> 0:32:09.840
<v Speaker 3>had brought like all. I brought every black exploitation soundtrack

0:32:09.920 --> 0:32:12.560
<v Speaker 3>that you could find. I bought all of that stuff.

0:32:12.640 --> 0:32:14.520
<v Speaker 3>That's where the skit came from. I was telling you

0:32:14.600 --> 0:32:17.880
<v Speaker 3>about them from the MAC. You really don't understand, do you.

0:32:18.200 --> 0:32:20.200
<v Speaker 3>In order for us to make this thing work, you

0:32:20.320 --> 0:32:22.640
<v Speaker 3>got to get rid of the pimps and the and

0:32:22.760 --> 0:32:24.440
<v Speaker 3>start all of it. Because that's how I felt.

0:32:24.720 --> 0:32:26.800
<v Speaker 1>I felt like like.

0:32:28.520 --> 0:32:30.520
<v Speaker 4>The little brother talking to the big brother.

0:32:30.840 --> 0:32:33.880
<v Speaker 3>That's what that was my whole mentality with that when

0:32:33.920 --> 0:32:37.960
<v Speaker 3>I brought it to him, and then Drake added with niggas,

0:32:38.000 --> 0:32:42.800
<v Speaker 3>you're crazy bubble boom won't boon't and then that he came.

0:32:42.920 --> 0:32:44.920
<v Speaker 3>He did that beat coming in there, and then uh,

0:32:45.880 --> 0:32:51.360
<v Speaker 3>even the boom boom boom boom boom boom boom boom,

0:32:51.400 --> 0:32:54.320
<v Speaker 3>break them off something break that came off a little

0:32:54.360 --> 0:32:55.920
<v Speaker 3>bitty strip of a.

0:32:58.720 --> 0:32:59.120
<v Speaker 1>Make the.

0:33:03.800 --> 0:33:06.600
<v Speaker 3>Doom they had that app that album they got. It's

0:33:06.640 --> 0:33:09.000
<v Speaker 3>a little bitty strip all the way down and just

0:33:09.120 --> 0:33:11.080
<v Speaker 3>do that one sound duo.

0:33:12.280 --> 0:33:12.560
<v Speaker 1>Dude.

0:33:13.160 --> 0:33:16.120
<v Speaker 3>I was like, listen to this, and he was. He

0:33:16.240 --> 0:33:19.960
<v Speaker 3>took that motherfucker and flipped it and then uh, just

0:33:20.080 --> 0:33:23.640
<v Speaker 3>all like even to these nuts skit. I told Drake

0:33:23.720 --> 0:33:26.840
<v Speaker 3>turned the mic on because we was looking for skits,

0:33:26.960 --> 0:33:28.480
<v Speaker 3>like to do some skits. So I said, let me

0:33:28.560 --> 0:33:31.160
<v Speaker 3>get my homegrow. I'm a caller, and that's when I

0:33:31.280 --> 0:33:37.560
<v Speaker 3>called my homegirl and just and just started chopping it

0:33:37.640 --> 0:33:39.400
<v Speaker 3>up with it and hear it with it. Because that

0:33:39.520 --> 0:33:41.720
<v Speaker 3>was the big thing around that time, getting somebody and

0:33:41.800 --> 0:33:46.680
<v Speaker 3>telling them these nuts, like, hey, nigga, guess what these nuts?

0:33:47.040 --> 0:33:48.640
<v Speaker 1>That was our thing around that time.

0:33:48.760 --> 0:33:54.160
<v Speaker 4>So global, yeah, yeah, So I got her and she

0:33:54.360 --> 0:33:57.720
<v Speaker 4>was all shut up, nigga. But that was that was

0:33:57.840 --> 0:33:58.400
<v Speaker 4>that was cool.

0:33:58.480 --> 0:34:02.360
<v Speaker 3>That was fun doing that type of stuff. Like just

0:34:02.720 --> 0:34:04.800
<v Speaker 3>a lot of the records on there. You know, I

0:34:04.840 --> 0:34:07.400
<v Speaker 3>ain't I'm not taking no credit away from Dre. I

0:34:07.560 --> 0:34:09.800
<v Speaker 3>never do that because he's a dope producer. He showed

0:34:09.840 --> 0:34:12.360
<v Speaker 3>me a lot, you know. But I did bring I

0:34:12.440 --> 0:34:14.880
<v Speaker 3>had a lot of input in that album, a lot

0:34:14.960 --> 0:34:18.600
<v Speaker 3>of input. And that was our job to make Dra

0:34:18.920 --> 0:34:21.320
<v Speaker 3>a superstar. That's what we wanted to do. That that

0:34:21.480 --> 0:34:22.040
<v Speaker 3>was our thing.

0:34:22.239 --> 0:34:25.640
<v Speaker 4>So me and Snoop started out. Then we brought in

0:34:25.880 --> 0:34:28.719
<v Speaker 4>Nate and right.

0:34:28.680 --> 0:34:33.319
<v Speaker 3>After Nate, actually Dads came him and Nate came at

0:34:33.360 --> 0:34:36.120
<v Speaker 3>the same time. RBX came just a little bit later,

0:34:36.760 --> 0:34:41.480
<v Speaker 3>but Corrupt had came right after Dazz and Nate came

0:34:41.560 --> 0:34:45.359
<v Speaker 3>there and came Corrupt, and that that started. I brought

0:34:45.440 --> 0:34:49.200
<v Speaker 3>him to death fro because I met actually, me and

0:34:49.280 --> 0:34:52.400
<v Speaker 3>Snoop we met Corrupt at a battle at the Roxy

0:34:53.239 --> 0:34:56.160
<v Speaker 3>where they was like this nigga Corrupt, like right here,

0:34:56.200 --> 0:34:58.960
<v Speaker 3>he the hardest nigga in California, like da da da.

0:34:59.360 --> 0:35:01.640
<v Speaker 4>So we're like, no, he the hardest nigga in California.

0:35:01.760 --> 0:35:03.520
<v Speaker 3>So it was like, what's up?

0:35:03.640 --> 0:35:04.120
<v Speaker 1>Like, what's up?

0:35:04.239 --> 0:35:06.600
<v Speaker 3>So we formed a little circle. Niggas got down on

0:35:06.719 --> 0:35:12.880
<v Speaker 3>one knee and start busting, and that motherfucking that nigga

0:35:12.960 --> 0:35:16.080
<v Speaker 3>Corrupt said you gotta bring on your pinky finger, and

0:35:16.160 --> 0:35:18.319
<v Speaker 3>that's true, but if you look at mine, I got

0:35:18.400 --> 0:35:22.600
<v Speaker 3>one too. I said, whoah shit, and then Snooper hit

0:35:22.719 --> 0:35:24.960
<v Speaker 3>him back with something. He hit it. It was nobody

0:35:25.080 --> 0:35:27.600
<v Speaker 3>could win. So we was just like, you know what

0:35:28.400 --> 0:35:31.640
<v Speaker 3>we got, we gotta call this one. It's just it's

0:35:31.680 --> 0:35:35.799
<v Speaker 3>pretty much a tie. And uh so I crept over

0:35:35.880 --> 0:35:37.880
<v Speaker 3>to the side. I said, Corrupt, let me get your

0:35:37.920 --> 0:35:41.000
<v Speaker 3>phone number. So I got his number, and we was

0:35:41.040 --> 0:35:42.920
<v Speaker 3>living with Dre at that time, but we was just

0:35:43.040 --> 0:35:45.680
<v Speaker 3>out on the street, just anything hip hop, and we

0:35:45.840 --> 0:35:47.279
<v Speaker 3>was trying to be a part of it. So we

0:35:47.440 --> 0:35:49.160
<v Speaker 3>was out in the street still even though we was

0:35:49.360 --> 0:35:53.680
<v Speaker 3>with with Dre. So I told corrupt, I said, look,

0:35:54.480 --> 0:35:56.640
<v Speaker 3>I called him, I said, man, come up to the studio.

0:35:56.680 --> 0:35:58.600
<v Speaker 3>I want to do a demo for you, you know,

0:35:58.760 --> 0:36:02.000
<v Speaker 3>do some songs on you. So I did like four,

0:36:02.280 --> 0:36:06.640
<v Speaker 3>four or five songs on him, did him. And then

0:36:06.920 --> 0:36:09.080
<v Speaker 3>as soon as I got through from doing it. The

0:36:09.120 --> 0:36:11.479
<v Speaker 3>way I used to record was crazy because I would

0:36:11.520 --> 0:36:15.440
<v Speaker 3>just push the record on the on the tape deck

0:36:15.440 --> 0:36:18.920
<v Speaker 3>because it was routed into the board and everything. So

0:36:19.040 --> 0:36:22.200
<v Speaker 3>every record straight to cassette tape because I didn't know

0:36:22.239 --> 0:36:24.839
<v Speaker 3>how to work everything, and but I did learn how

0:36:24.880 --> 0:36:25.920
<v Speaker 3>to splice and everything.

0:36:26.080 --> 0:36:27.600
<v Speaker 4>Drake taught me that ship later on.

0:36:28.600 --> 0:36:31.440
<v Speaker 1>But we recorded it.

0:36:32.360 --> 0:36:35.840
<v Speaker 4>Yeah, yeah, yeah, yeah, no, no, no, no, the cassette,

0:36:36.120 --> 0:36:38.000
<v Speaker 4>the cassette. Yeh, cassette tape.

0:36:38.080 --> 0:36:40.680
<v Speaker 1>You were going straight in from the board. It was

0:36:40.800 --> 0:36:41.560
<v Speaker 1>routed into the.

0:36:43.320 --> 0:36:45.120
<v Speaker 4>It was routed into the cassette deck.

0:36:45.400 --> 0:36:48.480
<v Speaker 2>It was you will be playing your music and record

0:36:49.239 --> 0:36:52.080
<v Speaker 2>all at the same time from the drum machine right

0:36:52.160 --> 0:36:55.600
<v Speaker 2>into the It was routed to the board into the

0:36:55.920 --> 0:36:56.520
<v Speaker 2>the cassette.

0:36:56.640 --> 0:36:59.360
<v Speaker 1>Yeah. So you couldn't make no mistake wasn't no overdose.

0:37:00.120 --> 0:37:02.719
<v Speaker 1>Know you got you ain't no stopping the start, just

0:37:02.800 --> 0:37:06.160
<v Speaker 1>keep going, just keep going. We we did a few.

0:37:06.040 --> 0:37:07.360
<v Speaker 4>Ship songs like that.

0:37:07.520 --> 0:37:09.279
<v Speaker 3>Me and Snoop did a gang and ship like that

0:37:09.440 --> 0:37:13.800
<v Speaker 3>too up there at the studio, and so uh I

0:37:13.920 --> 0:37:16.560
<v Speaker 3>did the records for Corrupt. It was like five of them.

0:37:16.920 --> 0:37:19.160
<v Speaker 4>And then I let Dre and Sugar hear that ship

0:37:19.600 --> 0:37:22.759
<v Speaker 4>and they immediately wanted to sign him, like we want

0:37:22.800 --> 0:37:26.320
<v Speaker 4>to sign this nigga. So boom there go Corrupt. He

0:37:26.560 --> 0:37:30.320
<v Speaker 4>came so and then after that then Snoop brought rbx

0:37:30.640 --> 0:37:36.719
<v Speaker 4>rbx up and that was like like all like came

0:37:36.840 --> 0:37:38.640
<v Speaker 4>through me, like all of that stuff.

0:37:38.400 --> 0:37:38.840
<v Speaker 1>Came to me.

0:37:38.960 --> 0:37:42.759
<v Speaker 4>And then and then actually even the Bushwick skit, he.

0:37:42.880 --> 0:37:45.759
<v Speaker 3>His eyes is me and all are more than three.

0:37:45.840 --> 0:37:50.080
<v Speaker 3>Cause that week I started fucking with bush Wick. I

0:37:50.200 --> 0:37:52.239
<v Speaker 3>forgot we was on. It was on a humbug, and

0:37:52.280 --> 0:37:54.120
<v Speaker 3>I told him I think he might have been over

0:37:54.160 --> 0:37:56.840
<v Speaker 3>at the Idol Joe's story. He was somewhere where we

0:37:56.920 --> 0:37:59.200
<v Speaker 3>bumped Tess with him, but we was dealing with rap

0:37:59.280 --> 0:38:04.760
<v Speaker 3>a Lot already. He with the convicts and uh Jay Prince.

0:38:04.840 --> 0:38:08.360
<v Speaker 3>Then from uh rap a Lot, they was the convicts

0:38:08.440 --> 0:38:11.040
<v Speaker 3>was supposed to. I guess Sugar and Jay Prince had

0:38:11.080 --> 0:38:14.239
<v Speaker 3>a deal or harry O had to deal Sug Jay

0:38:14.480 --> 0:38:17.160
<v Speaker 3>Harryo had a deal with the con wanted to get

0:38:17.200 --> 0:38:20.480
<v Speaker 3>the convicts signed. So they was coming down and we

0:38:20.719 --> 0:38:23.360
<v Speaker 3>took him in like brothers and worked with them, and

0:38:23.480 --> 0:38:27.680
<v Speaker 3>they became tight with us. And that's how we bumped

0:38:27.680 --> 0:38:31.279
<v Speaker 3>hes with Bushwick and we brought his ass Bushwick up

0:38:31.320 --> 0:38:33.040
<v Speaker 3>into the the studios.

0:38:33.960 --> 0:38:36.680
<v Speaker 1>It was random that he was. He had an intro

0:38:36.840 --> 0:38:37.439
<v Speaker 1>on the crime.

0:38:37.640 --> 0:38:39.279
<v Speaker 3>We brought him. We brought him up in there.

0:38:39.320 --> 0:38:41.319
<v Speaker 4>We brought him up in there and he we had

0:38:41.400 --> 0:38:43.759
<v Speaker 4>him do a skip for us right there. Drake put

0:38:43.800 --> 0:38:46.120
<v Speaker 4>the mic on, gave him the chair.

0:38:46.600 --> 0:38:47.400
<v Speaker 1>So get.

0:38:49.360 --> 0:38:50.759
<v Speaker 3>That was our That was my dog.

0:38:51.239 --> 0:38:51.919
<v Speaker 1>That was our dog.

0:38:52.239 --> 0:38:54.799
<v Speaker 3>Because we became tight, you know, we became real tight.

0:38:54.880 --> 0:38:57.120
<v Speaker 3>Bush Wick was my that was my dog. I took

0:38:57.200 --> 0:39:01.920
<v Speaker 3>him everywhere. You know, warn I'm too short forlong conversations.

0:39:05.520 --> 0:39:08.799
<v Speaker 3>And he got drunk one time. I was like bush Whig,

0:39:09.360 --> 0:39:14.040
<v Speaker 3>come on, man, I'm talking about I was like, you

0:39:14.200 --> 0:39:14.919
<v Speaker 3>drunk too much.

0:39:15.360 --> 0:39:20.439
<v Speaker 5>But so your story honestly feels like Eddie and Charlie

0:39:20.520 --> 0:39:25.680
<v Speaker 5>Murphy because obviously your brother he got there so quick

0:39:26.440 --> 0:39:29.560
<v Speaker 5>he got into a space and most people don't understand

0:39:29.600 --> 0:39:34.760
<v Speaker 5>that with success and with stardom, no matter how close

0:39:34.840 --> 0:39:38.000
<v Speaker 5>you want to be to shit, you just can't. At

0:39:38.040 --> 0:39:40.000
<v Speaker 5>some point you're going to get to a space where

0:39:40.320 --> 0:39:44.080
<v Speaker 5>that's not your everyday living. So somebody connected to you,

0:39:45.040 --> 0:39:47.840
<v Speaker 5>it's kind of living through you, and it's part of

0:39:47.920 --> 0:39:51.000
<v Speaker 5>the lifestyle, you know what I'm saying. So when you

0:39:51.120 --> 0:39:55.400
<v Speaker 5>tell your stories, you having your big brother that's super cracking.

0:39:55.440 --> 0:39:58.120
<v Speaker 5>Everybody know him, and it goes into oh, you know

0:39:58.160 --> 0:40:01.800
<v Speaker 5>that straight little brother. Yeah, and now you everywhere and

0:40:01.920 --> 0:40:05.840
<v Speaker 5>you literally are gathering the people to bring them.

0:40:06.200 --> 0:40:10.600
<v Speaker 3>Yeah, to build Yeah. That only people that didn't come

0:40:10.680 --> 0:40:14.960
<v Speaker 3>through me was Rage and Juel and they actually I

0:40:15.040 --> 0:40:17.839
<v Speaker 3>knew Rage already and I mean Jewel, but I didn't

0:40:17.840 --> 0:40:18.879
<v Speaker 3>mean Raged till later.

0:40:19.640 --> 0:40:22.160
<v Speaker 4>And they became tight with us. You know, we became

0:40:22.480 --> 0:40:24.280
<v Speaker 4>a family. We was a tight family.

0:40:24.360 --> 0:40:26.720
<v Speaker 3>And our job was just to get in that studio

0:40:27.000 --> 0:40:29.880
<v Speaker 3>about ten, nine, ten in the morning. We stay in

0:40:29.920 --> 0:40:32.759
<v Speaker 3>there till about five or six the next morning. At

0:40:32.800 --> 0:40:39.160
<v Speaker 3>that time, are you thinking any from a business standpoint,

0:40:39.480 --> 0:40:45.239
<v Speaker 3>like I'm bringing these people in and of course, the

0:40:46.320 --> 0:40:51.360
<v Speaker 3>the goal is the goal is dre whatever, all things

0:40:51.480 --> 0:40:54.840
<v Speaker 3>dre right. But at any point in your mind are

0:40:54.880 --> 0:40:59.440
<v Speaker 3>you thinking, as I'm bringing all this shit in, I

0:40:59.520 --> 0:41:02.400
<v Speaker 3>got to make sure I'm tied into some of this

0:41:02.520 --> 0:41:04.520
<v Speaker 3>ship too, or if for you it was just like,

0:41:06.160 --> 0:41:08.480
<v Speaker 3>I don't care however it gets cracking. I just need

0:41:08.560 --> 0:41:09.399
<v Speaker 3>to get this ship cracked.

0:41:09.560 --> 0:41:09.759
<v Speaker 1>Yeah.

0:41:09.760 --> 0:41:13.279
<v Speaker 3>I wasn't thinking like that. My My mindset was like,

0:41:13.520 --> 0:41:16.600
<v Speaker 3>if I put in all this work and just put

0:41:16.640 --> 0:41:18.840
<v Speaker 3>in a bunch of work, they gonna make sure that

0:41:18.920 --> 0:41:20.880
<v Speaker 3>I'm gonna be all right. You know, they gonna make

0:41:20.920 --> 0:41:22.560
<v Speaker 3>sure I'm gonna be cool. I ain't got to worry

0:41:22.560 --> 0:41:25.080
<v Speaker 3>about it because you know, I'm living with him.

0:41:25.239 --> 0:41:26.400
<v Speaker 4>I used to be.

0:41:26.640 --> 0:41:28.839
<v Speaker 3>We was like best friends, me and Drake pretty much

0:41:28.840 --> 0:41:32.520
<v Speaker 3>around that time because I used to drive him, drive

0:41:32.600 --> 0:41:35.680
<v Speaker 3>him around. I don't want to say, uh, well he

0:41:35.760 --> 0:41:38.040
<v Speaker 3>usould you know, we drive I drive him just to

0:41:38.320 --> 0:41:40.160
<v Speaker 3>you know, when he was he was single, so I

0:41:40.160 --> 0:41:42.800
<v Speaker 3>would drive him to some of his women's places and

0:41:42.840 --> 0:41:46.439
<v Speaker 3>ship and while we're there, I would ask her like, look,

0:41:46.560 --> 0:41:51.520
<v Speaker 3>you got a friend, so but uh.

0:41:53.320 --> 0:41:55.440
<v Speaker 1>We was we was we was tight. You know, we

0:41:55.600 --> 0:41:55.960
<v Speaker 1>was tight.

0:41:57.280 --> 0:41:59.960
<v Speaker 4>But like I said, that was our goal to build

0:42:00.120 --> 0:42:00.480
<v Speaker 4>him up.

0:42:01.520 --> 0:42:05.680
<v Speaker 3>And I wish I did have have a business mind

0:42:06.440 --> 0:42:10.480
<v Speaker 3>set back then and knew about publishing and like everything

0:42:10.600 --> 0:42:14.200
<v Speaker 3>that went on, so I could have got some type

0:42:14.200 --> 0:42:17.239
<v Speaker 3>of conversation for the work that I did put in.

0:42:17.400 --> 0:42:18.400
<v Speaker 4>But I didn't get nothing.

0:42:18.760 --> 0:42:19.000
<v Speaker 1>Did you?

0:42:21.640 --> 0:42:23.439
<v Speaker 2>Did you know that he was having a tough time

0:42:23.600 --> 0:42:25.520
<v Speaker 2>when you guys got up there and we were trying

0:42:25.560 --> 0:42:28.400
<v Speaker 2>to you know, never never.

0:42:28.360 --> 0:42:30.160
<v Speaker 3>Looked at it like that. I never looked at it

0:42:30.160 --> 0:42:34.840
<v Speaker 3>and had it because yeah, that ship was it was

0:42:34.920 --> 0:42:37.719
<v Speaker 3>big flop. It wasn't a lot of furniture number. We

0:42:37.760 --> 0:42:40.160
<v Speaker 3>didn't give a fuck. We was having a ball.

0:42:41.640 --> 0:42:45.640
<v Speaker 1>Pool. Yeah, nineteen years old. You go to your big

0:42:45.680 --> 0:42:47.520
<v Speaker 1>brother's mansion. You don't care what's in there.

0:42:47.719 --> 0:42:54.040
<v Speaker 3>Yeah, we ain't asked nothing. We was just we were

0:42:54.160 --> 0:42:58.400
<v Speaker 3>just we didn't care. It is what it is, whatever, whatever,

0:42:59.520 --> 0:43:02.600
<v Speaker 3>you know, you know, that's that's just how he was.

0:43:02.719 --> 0:43:06.320
<v Speaker 3>But you know, like I said, though, I wish I

0:43:06.360 --> 0:43:10.080
<v Speaker 3>would have knew about that stuff, you know, because you know,

0:43:10.239 --> 0:43:13.919
<v Speaker 3>he wasn't really the guy behind the business part that part.

0:43:13.960 --> 0:43:16.600
<v Speaker 3>It was sug that was behind that part. And I

0:43:16.719 --> 0:43:19.680
<v Speaker 3>wish I would have knew uh and and had my

0:43:19.840 --> 0:43:24.600
<v Speaker 3>name attached to it, you know, So just sh had

0:43:24.640 --> 0:43:26.879
<v Speaker 3>two hundred and fifty million that they sold a little

0:43:26.880 --> 0:43:28.759
<v Speaker 3>piece of it for it. I was like, God, damn,

0:43:28.840 --> 0:43:30.360
<v Speaker 3>I could have got a little piece out of that.

0:43:30.480 --> 0:43:33.920
<v Speaker 3>I ain't asking for a lot, just a taste that

0:43:34.080 --> 0:43:37.000
<v Speaker 3>over there. That's that's a nice piece of change. It's

0:43:37.040 --> 0:43:37.560
<v Speaker 3>a nice one.

0:43:38.800 --> 0:43:40.919
<v Speaker 4>Twenty yeah, take that twenty meal.

0:43:41.040 --> 0:43:43.840
<v Speaker 3>Warn you helped out a lot, and we bet my

0:43:44.080 --> 0:43:46.000
<v Speaker 3>are bad. We didn't. We didn't give you no credit.

0:43:46.080 --> 0:43:48.759
<v Speaker 3>But here you go, thanks because you brought a lot

0:43:48.840 --> 0:43:51.560
<v Speaker 3>to us and you saved this motherfucking Look.

0:43:51.680 --> 0:43:55.200
<v Speaker 1>Now you've got a family tree. That's incredible.

0:43:55.640 --> 0:44:02.200
<v Speaker 3>Your branches, snoop, dass corrupt our x eminem fifty cent.

0:44:02.360 --> 0:44:04.840
<v Speaker 3>All that come off my branch when you had another

0:44:04.960 --> 0:44:08.880
<v Speaker 3>branch before it was above the law. His branch had

0:44:08.880 --> 0:44:11.000
<v Speaker 3>above the law in w A and this that and

0:44:11.120 --> 0:44:13.759
<v Speaker 3>this and and I added my my branch came up,

0:44:13.920 --> 0:44:17.719
<v Speaker 3>came and got on Dre's tree. So that opened up

0:44:17.840 --> 0:44:22.080
<v Speaker 3>for like I said, Eminem fifty snoop, all the artists

0:44:22.120 --> 0:44:25.360
<v Speaker 3>that came after that, that he was part of that

0:44:25.800 --> 0:44:29.080
<v Speaker 3>that that we opened it back up for him to

0:44:29.239 --> 0:44:31.200
<v Speaker 3>be able to bring all that that back to the

0:44:31.480 --> 0:44:32.560
<v Speaker 3>back into the music.

0:44:41.200 --> 0:44:44.160
<v Speaker 1>So how long did it take for the Chronics to

0:44:44.239 --> 0:44:44.560
<v Speaker 1>come out?

0:44:45.400 --> 0:44:47.440
<v Speaker 4>Uh shit, I don't know.

0:44:47.560 --> 0:44:47.719
<v Speaker 2>It was.

0:44:47.920 --> 0:44:48.319
<v Speaker 1>It wasn't.

0:44:48.400 --> 0:44:53.120
<v Speaker 4>It wasn't a long time. It wasn't long at all.

0:44:53.239 --> 0:44:57.560
<v Speaker 4>Because the whole chronic was inspired off of the riots.

0:44:58.600 --> 0:45:00.520
<v Speaker 1>I promise you listen the skits.

0:45:00.640 --> 0:45:02.200
<v Speaker 3>That whole the whole.

0:45:02.080 --> 0:45:04.920
<v Speaker 4>Thing was was and that was dope with Drake did

0:45:05.040 --> 0:45:05.440
<v Speaker 4>that skid?

0:45:05.600 --> 0:45:10.600
<v Speaker 3>Uh uh North, Look this little African I'm gonna be

0:45:10.680 --> 0:45:11.719
<v Speaker 3>a dead motherfucker.

0:45:11.960 --> 0:45:16.400
<v Speaker 4>That ship was dope as fuck. Little ghetto boy brought

0:45:16.480 --> 0:45:19.120
<v Speaker 4>that so deeply listening to.

0:45:19.160 --> 0:45:25.160
<v Speaker 1>This deep cover before the cover, before all of that, Yeah,

0:45:25.200 --> 0:45:26.520
<v Speaker 1>that's so that's the first.

0:45:26.800 --> 0:45:29.680
<v Speaker 3>Yeah, that was the first because we was we was

0:45:30.440 --> 0:45:33.400
<v Speaker 3>just doing music, just messing around, thinking about what we

0:45:33.560 --> 0:45:38.520
<v Speaker 3>was gonna do. And then shuld came like a soundtrack. Uh,

0:45:39.640 --> 0:45:41.120
<v Speaker 3>we want you to do a something. I want Drey

0:45:41.160 --> 0:45:44.879
<v Speaker 3>to do a song for a soundtrack. So Snoop was like, ship,

0:45:45.080 --> 0:45:47.759
<v Speaker 3>I'll write it, you know, and he wrote it. He

0:45:47.880 --> 0:45:52.520
<v Speaker 3>wrote deep cover, well, he wrote Dre's parts on there.

0:45:52.880 --> 0:45:55.640
<v Speaker 3>They put him and Snoop did a collaboration on there

0:45:56.160 --> 0:46:00.080
<v Speaker 3>and he wrote he wrote Drake parts and that ship blew.

0:46:01.520 --> 0:46:01.719
<v Speaker 1>Yep.

0:46:01.840 --> 0:46:03.800
<v Speaker 4>And then after that is when the riots.

0:46:06.080 --> 0:46:10.000
<v Speaker 3>The riots kicked in, and that ship was so fun

0:46:10.680 --> 0:46:14.200
<v Speaker 3>show because it was like how they're trying to do

0:46:14.360 --> 0:46:16.440
<v Speaker 3>right now. I guess the peace treaties they're trying to

0:46:16.480 --> 0:46:19.360
<v Speaker 3>do right now on the streets. It was like that,

0:46:19.880 --> 0:46:23.080
<v Speaker 3>but it was like we it was a party every

0:46:23.320 --> 0:46:26.600
<v Speaker 3>motherfucking day. A party in the nickoson is a party

0:46:27.200 --> 0:46:29.120
<v Speaker 3>on the east side along with your party here. So

0:46:29.239 --> 0:46:33.880
<v Speaker 3>we was partying everywhere like bloods, crips, yeah, everything. It

0:46:34.000 --> 0:46:38.840
<v Speaker 3>was just it was fun, women everywhere and uh like

0:46:39.040 --> 0:46:41.680
<v Speaker 3>a lot of that that's ain't no fun came from that.

0:46:41.960 --> 0:46:43.800
<v Speaker 4>All that ship came came from that.

0:46:44.360 --> 0:46:47.120
<v Speaker 3>Some crazy shit going on too, like as far as

0:46:48.120 --> 0:46:51.640
<v Speaker 3>you know, people getting ribbed and you know, all kinds

0:46:51.640 --> 0:46:54.719
<v Speaker 3>of stuff. So we was seeing and all kinds of ship.

0:46:54.800 --> 0:46:57.960
<v Speaker 3>But it it uh that and all of that inspired

0:46:58.320 --> 0:46:59.120
<v Speaker 3>everything on the.

0:46:59.160 --> 0:47:00.440
<v Speaker 4>Crime on the mm hmm.

0:47:01.480 --> 0:47:05.080
<v Speaker 5>So as you guys are now now, y'all gotta you're

0:47:05.160 --> 0:47:08.080
<v Speaker 5>part of a bona fide hit, bona fide hit, which is,

0:47:08.960 --> 0:47:11.120
<v Speaker 5>in my opinion, the greatest rap album of all time

0:47:11.160 --> 0:47:12.920
<v Speaker 5>to me, that is that's my opinion.

0:47:13.160 --> 0:47:15.399
<v Speaker 1>I think The Chronic is the greatest of all time.

0:47:15.600 --> 0:47:18.520
<v Speaker 5>Thank you, you know, what I mean for your contribution

0:47:18.680 --> 0:47:21.520
<v Speaker 5>to that. And you know, I definitely have yelled these

0:47:21.640 --> 0:47:25.000
<v Speaker 5>nuts to a million girls that at that age, I'm

0:47:25.000 --> 0:47:27.320
<v Speaker 5>probably like eleven, I'm just saying it to them, just

0:47:27.360 --> 0:47:28.800
<v Speaker 5>thinking it's the randomst ship Ever.

0:47:29.000 --> 0:47:34.000
<v Speaker 2>Yeah, relaxed, you gotta random. You don't even know what

0:47:34.120 --> 0:47:36.640
<v Speaker 2>this comes from. You got you ain't never heard the chronic.

0:47:38.920 --> 0:47:43.840
<v Speaker 1>So so now it's Snoops turned. So does it is?

0:47:44.200 --> 0:47:49.319
<v Speaker 5>Is it the same attention? Make dreda superstar? Now make

0:47:49.400 --> 0:47:51.839
<v Speaker 5>Snoop the superstar? Is that's kind of the same thing

0:47:51.880 --> 0:47:54.440
<v Speaker 5>that happens within the label and everybody that's the crew

0:47:54.520 --> 0:47:54.919
<v Speaker 5>that's there.

0:47:55.239 --> 0:47:59.239
<v Speaker 3>Yeah, definitely all hands on that. Yeah, everybody go from here,

0:47:59.560 --> 0:48:02.600
<v Speaker 3>like from working with him to go on here. But

0:48:02.800 --> 0:48:04.640
<v Speaker 3>in between that is when.

0:48:06.480 --> 0:48:10.000
<v Speaker 1>My separation came between before Doggy Style.

0:48:09.960 --> 0:48:14.920
<v Speaker 3>Before dogs like right before a Doggy Style, because everybody

0:48:15.040 --> 0:48:18.279
<v Speaker 3>was still surviving off the success of the Chronic. So

0:48:19.800 --> 0:48:21.719
<v Speaker 3>it just it just got to a point where it

0:48:21.840 --> 0:48:25.480
<v Speaker 3>was like people, everybody start getting signed and I you know,

0:48:25.680 --> 0:48:29.360
<v Speaker 3>this might be one of the reasons why things wasn't,

0:48:29.480 --> 0:48:31.800
<v Speaker 3>you know, like it was supposed to be, because I

0:48:31.960 --> 0:48:36.839
<v Speaker 3>was I wasn't smart, uh business minded as in royalties

0:48:36.960 --> 0:48:39.800
<v Speaker 3>and this, that and this. But when it came to

0:48:40.040 --> 0:48:42.759
<v Speaker 3>everybody signing that contract, I told him, I said, look,

0:48:44.600 --> 0:48:47.480
<v Speaker 3>you guys have a lawyer. Look at this shit like

0:48:48.239 --> 0:48:50.440
<v Speaker 3>I know this is my brother and this is Shug

0:48:50.520 --> 0:48:53.680
<v Speaker 3>and all these people. We love these dudes, but still

0:48:53.760 --> 0:48:56.799
<v Speaker 3>have a lawyer. Look at it. It came from Dick

0:48:56.840 --> 0:49:02.680
<v Speaker 3>Griffy to contract. So we was like, you know, we

0:49:02.800 --> 0:49:05.719
<v Speaker 3>need to get a lawyer. And then you know a

0:49:05.880 --> 0:49:08.800
<v Speaker 3>person had when told them that, I told everybody to

0:49:08.840 --> 0:49:13.480
<v Speaker 3>get a lawyer. Contract, so immediately that put you on out.

0:49:15.040 --> 0:49:18.319
<v Speaker 3>He came up, sure came running out that motherfuckering we're

0:49:18.440 --> 0:49:26.000
<v Speaker 3>warning that blood. I took off, but I couldn't get

0:49:26.080 --> 0:49:27.680
<v Speaker 3>down because it was the elevator or something.

0:49:27.760 --> 0:49:31.520
<v Speaker 1>I'm hitting building. Yeah, so on the third floor, so

0:49:32.760 --> 0:49:35.080
<v Speaker 1>you can't get that, you gotta I'm hitting that.

0:49:35.160 --> 0:49:38.360
<v Speaker 3>Motherfucker trying to get down and uh and uh he

0:49:38.520 --> 0:49:40.479
<v Speaker 3>called me, grabbed me, put me up against the wall.

0:49:40.760 --> 0:49:42.960
<v Speaker 4>Like blood, you told him not to sign that contract,

0:49:43.040 --> 0:49:43.480
<v Speaker 4>said she.

0:49:43.800 --> 0:49:48.080
<v Speaker 3>I said, look, better get your hands off me, because

0:49:48.280 --> 0:49:50.920
<v Speaker 3>when you let me go, I'm calling all my homeboys.

0:49:51.600 --> 0:49:53.800
<v Speaker 3>So we used to bump heads. We bompd heirs a

0:49:53.840 --> 0:49:59.360
<v Speaker 3>couple of times just bumping head, so that that probably

0:49:59.520 --> 0:50:03.480
<v Speaker 3>was like but we was cool. But I guess when

0:50:03.520 --> 0:50:06.640
<v Speaker 3>it came down to everybody really being a part of

0:50:06.719 --> 0:50:09.600
<v Speaker 3>this thing, it was like, we ain't got no spot

0:50:09.680 --> 0:50:12.680
<v Speaker 3>for you. So I was I was crushed.

0:50:12.719 --> 0:50:14.680
<v Speaker 4>I went got at Drake like what's up, man, Like

0:50:14.760 --> 0:50:15.280
<v Speaker 4>what's happening?

0:50:15.400 --> 0:50:16.520
<v Speaker 1>Like what's going on?

0:50:16.640 --> 0:50:18.880
<v Speaker 3>It's like, just go be your own man. It just

0:50:19.040 --> 0:50:20.960
<v Speaker 3>don't even get involved in this shit. Just be your

0:50:21.000 --> 0:50:23.960
<v Speaker 3>own man and do your thing. So I'm like you

0:50:24.200 --> 0:50:28.080
<v Speaker 3>just imagine I look up to you, you my dog,

0:50:29.400 --> 0:50:32.799
<v Speaker 3>like my best friend. You are my best friend. Uh,

0:50:33.600 --> 0:50:36.880
<v Speaker 3>everybody else there and Nate and Dads corrupt everybody. I

0:50:37.000 --> 0:50:39.640
<v Speaker 3>can't do nothing. I can't be with these niggas building

0:50:39.719 --> 0:50:42.880
<v Speaker 3>and trying to do this and do that. So I

0:50:43.080 --> 0:50:45.600
<v Speaker 3>was like fuck it, you know, I left, but then

0:50:45.680 --> 0:50:50.600
<v Speaker 3>I was still coming around. And actually me coming around

0:50:50.760 --> 0:50:56.720
<v Speaker 3>is what introduced me to getting my first placement because

0:50:56.760 --> 0:51:00.680
<v Speaker 3>I came to the studio with Snoop and Drake and

0:51:02.320 --> 0:51:06.880
<v Speaker 3>John Singleton and uh, Paul Stewart came in looking.

0:51:06.640 --> 0:51:08.560
<v Speaker 1>For songs for the Poet of Justice sale.

0:51:09.440 --> 0:51:12.000
<v Speaker 3>So I was I got at him like, look, let

0:51:12.040 --> 0:51:14.600
<v Speaker 3>me play this record for you can you know, So

0:51:15.040 --> 0:51:17.920
<v Speaker 3>me and Paul went to the car, popped the cassette

0:51:17.960 --> 0:51:18.239
<v Speaker 3>in there.

0:51:18.360 --> 0:51:20.279
<v Speaker 1>He was like hold up, you know.

0:51:20.320 --> 0:51:23.880
<v Speaker 3>As soon as he that's probably maybe like fifteen twenty seconds,

0:51:23.920 --> 0:51:25.520
<v Speaker 3>he was like, hold up, can I take this with me?

0:51:25.600 --> 0:51:28.120
<v Speaker 3>I said hell yeah, And I said, just give me

0:51:28.239 --> 0:51:30.759
<v Speaker 3>my ship back, you know, I want it back, and.

0:51:32.680 --> 0:51:33.000
<v Speaker 1>Took it.

0:51:33.440 --> 0:51:35.880
<v Speaker 3>Called me a few days after that, I said, we

0:51:35.960 --> 0:51:38.080
<v Speaker 3>want this to be the first single to h the

0:51:38.160 --> 0:51:42.359
<v Speaker 3>Poet of Justice soundtrack, and that was indo smoke and shit.

0:51:42.480 --> 0:51:46.600
<v Speaker 3>I thought I was rich. So they said we're gonna

0:51:46.640 --> 0:51:51.279
<v Speaker 3>get you a d rich. I think I got maybe

0:51:51.400 --> 0:51:56.480
<v Speaker 3>like twenty some thousand dollars for doing that that song

0:51:56.600 --> 0:51:59.200
<v Speaker 3>it was with mister Griham. I think he got maybe

0:51:59.320 --> 0:52:03.000
<v Speaker 3>like twenty five. I got twenty five. But hey, yeah

0:52:03.000 --> 0:52:03.840
<v Speaker 3>that was perfect.

0:52:03.920 --> 0:52:07.360
<v Speaker 1>Then on the hook and that's and I brought Nate in.

0:52:07.560 --> 0:52:11.600
<v Speaker 3>Yeah, I brought Nate in and uh ship that opened

0:52:11.640 --> 0:52:15.440
<v Speaker 3>up the doors and and uh you know that opened

0:52:15.520 --> 0:52:19.080
<v Speaker 3>up the doors. And right after that, John and and

0:52:19.800 --> 0:52:22.920
<v Speaker 3>John and Paul got a call from a bunch of

0:52:23.000 --> 0:52:27.319
<v Speaker 3>companies was calling them. But Paul was was really tight

0:52:27.960 --> 0:52:31.040
<v Speaker 3>with with Death Jam. So Death Jam was chiming in,

0:52:31.239 --> 0:52:34.000
<v Speaker 3>like we want to talk to the guy who did

0:52:34.160 --> 0:52:37.480
<v Speaker 3>end or Smoke. So they was like, because it was

0:52:37.520 --> 0:52:39.879
<v Speaker 3>mister grim already signed, you know, mister Griham wasn't.

0:52:39.920 --> 0:52:43.200
<v Speaker 4>He wasn't signed. So neither one of your we wasn't

0:52:43.280 --> 0:52:43.840
<v Speaker 4>signed with.

0:52:43.920 --> 0:52:45.399
<v Speaker 1>A soundtrack placement. Yeah.

0:52:45.440 --> 0:52:49.319
<v Speaker 5>See people don't, especially back then. Yeah, what that meant

0:52:49.400 --> 0:52:52.200
<v Speaker 5>the first single to a major movie. Yeah, because they

0:52:52.280 --> 0:52:53.799
<v Speaker 5>really was working those yes.

0:52:54.239 --> 0:52:54.439
<v Speaker 3>Yeah.

0:52:54.600 --> 0:52:54.799
<v Speaker 1>Yeah.

0:52:54.880 --> 0:52:56.600
<v Speaker 5>And both of the artists that are on the song

0:52:56.719 --> 0:52:58.840
<v Speaker 5>are actually two of the artists on the song. I

0:52:58.920 --> 0:53:00.360
<v Speaker 5>signed because Nate was death Bro.

0:53:00.880 --> 0:53:02.799
<v Speaker 1>No, Nate was not with everybody then.

0:53:03.280 --> 0:53:08.120
<v Speaker 3>Oh Ship, so we uh death Jam called and they

0:53:08.280 --> 0:53:10.800
<v Speaker 3>was like, we want we liked, we liked the guys.

0:53:11.239 --> 0:53:14.120
<v Speaker 3>The guy on the h on Endo in those smoke,

0:53:14.200 --> 0:53:16.399
<v Speaker 3>I'm on the call with him. We like the guy

0:53:16.480 --> 0:53:19.000
<v Speaker 3>on the Endose smoke. We want to sign him and this,

0:53:19.200 --> 0:53:21.640
<v Speaker 3>that and this. So I was like, damn, I'm still

0:53:21.719 --> 0:53:23.560
<v Speaker 3>was charged up because I'm like, yeah, I'm gonna get

0:53:23.560 --> 0:53:26.960
<v Speaker 3>the I'm producing this whole album here. They can't tell

0:53:27.080 --> 0:53:29.719
<v Speaker 3>me Ship. They was like the guy that that that

0:53:29.960 --> 0:53:33.279
<v Speaker 3>uh had like the singing melody to his voice while

0:53:33.320 --> 0:53:34.000
<v Speaker 3>he was rapping.

0:53:34.640 --> 0:53:36.600
<v Speaker 4>He that's that's the guy right there.

0:53:36.680 --> 0:53:39.279
<v Speaker 3>We want him at death Jam And I said, you mean,

0:53:39.880 --> 0:53:44.040
<v Speaker 3>you know, hey in hell excel with my flow that guy.

0:53:44.160 --> 0:53:45.520
<v Speaker 4>They was like yeah, I said that's me.

0:53:48.560 --> 0:53:51.080
<v Speaker 1>I said, hey, that's me. He was like, well, we

0:53:51.200 --> 0:53:51.920
<v Speaker 1>want to sign you.

0:53:52.040 --> 0:53:54.160
<v Speaker 4>And I was like, you see, he's like yeah.

0:53:54.320 --> 0:53:55.799
<v Speaker 3>I said, all right, Ship.

0:53:56.120 --> 0:53:59.040
<v Speaker 1>Let's go and yeah to act like it wasn't him

0:53:59.040 --> 0:54:03.680
<v Speaker 1>at first, which one you're talking about? Because I was

0:54:04.200 --> 0:54:05.759
<v Speaker 1>the guy, so he was the guy.

0:54:06.000 --> 0:54:09.600
<v Speaker 3>So I was like, shit, you know, I done graduated.

0:54:09.640 --> 0:54:12.520
<v Speaker 3>I got an artist that's gonna get signed. And when

0:54:12.560 --> 0:54:15.080
<v Speaker 3>he said it was me, I was like, oh, Ship.

0:54:16.360 --> 0:54:16.719
<v Speaker 1>And uh.

0:54:17.440 --> 0:54:21.520
<v Speaker 3>After that they came flew to La Chris Lighty, Tracy

0:54:21.600 --> 0:54:25.719
<v Speaker 3>Wapples and Leo or Cohen flew to La. We went

0:54:26.080 --> 0:54:29.040
<v Speaker 3>went to steakhouse, had some good food.

0:54:29.120 --> 0:54:31.520
<v Speaker 1>Because are you living with dre Still no at this point,

0:54:31.560 --> 0:54:32.799
<v Speaker 1>you know, at this point, at.

0:54:32.719 --> 0:54:35.360
<v Speaker 3>That point, I was back in the hood. I was

0:54:35.440 --> 0:54:38.799
<v Speaker 3>living with my sister on a Cedar street called Cedar

0:54:38.880 --> 0:54:41.880
<v Speaker 3>and Long Beach. I was sleeping on the floor. Now,

0:54:41.920 --> 0:54:44.560
<v Speaker 3>all I had was my crate, which was a bunch

0:54:44.600 --> 0:54:46.480
<v Speaker 3>of the records from the chronic I had used to

0:54:46.560 --> 0:54:47.720
<v Speaker 3>carry that crate everywhere.

0:54:48.040 --> 0:54:48.560
<v Speaker 1>That crate.

0:54:49.120 --> 0:54:52.160
<v Speaker 3>I still got that crate too, that crate, my my

0:54:52.800 --> 0:54:56.600
<v Speaker 3>technique twelve hundred and my NPC sixty. That's all I

0:54:56.719 --> 0:54:58.759
<v Speaker 3>had because I back then was just I was just

0:54:58.840 --> 0:55:01.520
<v Speaker 3>a sampler as far as production wise.

0:55:02.200 --> 0:55:06.520
<v Speaker 4>And that's that set it off. That set it off,

0:55:06.600 --> 0:55:09.960
<v Speaker 4>and uh I did to deal with deaf Jam.

0:55:11.800 --> 0:55:14.279
<v Speaker 3>They get I think my my budget was like three

0:55:14.360 --> 0:55:17.560
<v Speaker 3>hundred and fifty thousand or something like that, and that

0:55:17.760 --> 0:55:22.840
<v Speaker 3>it was like, that was amazing album, a whole album.

0:55:22.880 --> 0:55:24.839
<v Speaker 3>But look what I did that. They was like, well,

0:55:24.880 --> 0:55:26.759
<v Speaker 3>we want to set up the studio time and it's

0:55:26.880 --> 0:55:29.600
<v Speaker 3>I said, no, no, no, I said, I'm gonna get

0:55:29.640 --> 0:55:30.520
<v Speaker 3>my own studio.

0:55:30.920 --> 0:55:33.719
<v Speaker 4>I'm gonna get my own equipment. I'm going right. I

0:55:33.800 --> 0:55:36.440
<v Speaker 4>went right to nay Dean's and guess who sold me

0:55:36.520 --> 0:55:37.120
<v Speaker 4>my equipment.

0:55:37.239 --> 0:55:37.880
<v Speaker 3>Todd Dollars.

0:55:37.920 --> 0:55:38.760
<v Speaker 4>Sign's daddy.

0:55:39.360 --> 0:55:46.880
<v Speaker 3>No Tyrone his name, that's that's Ti Dollars Tyrone, his

0:55:47.160 --> 0:55:49.160
<v Speaker 3>dad sold me my first equipment.

0:55:50.000 --> 0:55:52.759
<v Speaker 1>So the whole regulated album is done in your apartment.

0:55:52.560 --> 0:55:55.360
<v Speaker 3>Done in my apartment, right in the right into my

0:55:55.520 --> 0:56:00.879
<v Speaker 3>bedroom and the bathroom was the vocal book. Vocal Yeah,

0:56:02.840 --> 0:56:08.239
<v Speaker 3>it was crazy. But the song Regulate. Actually that came

0:56:08.360 --> 0:56:12.479
<v Speaker 3>from uh I was. I was, I'm a super record digger,

0:56:12.600 --> 0:56:15.279
<v Speaker 3>so I'll go to any record store no matter where

0:56:15.320 --> 0:56:17.800
<v Speaker 3>I see it. I'm oh shit, I'll pull over and

0:56:17.920 --> 0:56:21.960
<v Speaker 3>going that motherfucker just start digging and buy records. So

0:56:22.560 --> 0:56:25.560
<v Speaker 3>I was on my way home one night, getting ready

0:56:25.560 --> 0:56:28.000
<v Speaker 3>to go back to my apartment, and I was in

0:56:28.080 --> 0:56:33.680
<v Speaker 3>Hollywood and I stopped at h Roscos and it was

0:56:34.000 --> 0:56:36.839
<v Speaker 3>a dude out in front of Roscos with incensus shit

0:56:36.920 --> 0:56:38.160
<v Speaker 3>burning and.

0:56:38.320 --> 0:56:39.879
<v Speaker 1>He was just trying to make some money.

0:56:39.960 --> 0:56:42.440
<v Speaker 4>So he was selling shit and he had a credit record,

0:56:42.680 --> 0:56:43.680
<v Speaker 4>credit create record.

0:56:43.760 --> 0:56:47.040
<v Speaker 3>So I said, I said, you selling those? He was like, yeah,

0:56:47.080 --> 0:56:49.840
<v Speaker 3>I sell them for two dollars for a record, and this,

0:56:49.960 --> 0:56:51.320
<v Speaker 3>that and this. So I said, nigga, I want to

0:56:51.360 --> 0:56:53.759
<v Speaker 3>buy the whole CRK. So I was laced him poop

0:56:53.760 --> 0:56:55.800
<v Speaker 3>poop poop. I think I gave him like five hundred

0:56:55.840 --> 0:56:58.759
<v Speaker 3>dollars and I took the whole credit records and I

0:56:58.840 --> 0:57:01.680
<v Speaker 3>took that shit home and was digging through the records.

0:57:01.760 --> 0:57:05.520
<v Speaker 3>I knew, uh uh keep forgetting from my parents' point,

0:57:06.360 --> 0:57:09.400
<v Speaker 3>but I was refreshed again when I dug through my

0:57:09.480 --> 0:57:11.560
<v Speaker 3>records and playing them and I was like.

0:57:11.840 --> 0:57:14.000
<v Speaker 4>Damn boom boom boom.

0:57:16.360 --> 0:57:21.360
<v Speaker 3>I said, oh my god, if I flipped this, I

0:57:21.520 --> 0:57:26.120
<v Speaker 3>flipped that motherfucker immediately. I've sampled it in parts, and

0:57:27.200 --> 0:57:30.240
<v Speaker 3>I had it all in parts, and I put it together,

0:57:30.600 --> 0:57:32.760
<v Speaker 3>put the samples together, put the drums together.

0:57:32.920 --> 0:57:36.120
<v Speaker 4>So I pieced it all together, but I didn't have.

0:57:36.560 --> 0:57:38.000
<v Speaker 4>All I had was the beat.

0:57:38.360 --> 0:57:38.800
<v Speaker 1>That was it.

0:57:39.560 --> 0:57:42.959
<v Speaker 3>So around that time, we used to have a saying

0:57:43.640 --> 0:57:45.960
<v Speaker 3>where we were like, we gotta regulate this, but we

0:57:46.000 --> 0:57:48.840
<v Speaker 3>got to regulate the situation. Hey, y'all got to regulate.

0:57:48.960 --> 0:57:49.520
<v Speaker 3>That was our.

0:57:51.760 --> 0:57:55.600
<v Speaker 4>Gotta regulation ship. So I was like, I'm gonna call

0:57:55.680 --> 0:57:56.880
<v Speaker 4>this ship regulate.

0:57:57.320 --> 0:57:59.520
<v Speaker 3>I had the title before Nate even got on the

0:57:59.600 --> 0:58:02.880
<v Speaker 3>record on the record, so I had to think of

0:58:04.280 --> 0:58:09.000
<v Speaker 3>like something that I could put on there as an introduction,

0:58:09.960 --> 0:58:11.800
<v Speaker 3>like how we was doing on the chronic, like we

0:58:11.840 --> 0:58:14.120
<v Speaker 3>would do introductions with the skits or whatever.

0:58:14.280 --> 0:58:15.600
<v Speaker 1>So I had.

0:58:16.760 --> 0:58:21.960
<v Speaker 3>I was watching Young Guns, uh, with Emilio Estevez and

0:58:22.040 --> 0:58:24.800
<v Speaker 3>those guys. I was watching Young Guns and I came

0:58:24.880 --> 0:58:27.800
<v Speaker 3>across the park where the guy said we worked for

0:58:27.880 --> 0:58:32.160
<v Speaker 3>mister Tinsdale's regulators. When he said that ship, I kept listen,

0:58:32.200 --> 0:58:34.919
<v Speaker 3>my shit opened up, like my eyes was like, he said,

0:58:34.960 --> 0:58:36.960
<v Speaker 3>we regulated, and he's still in this he said, we

0:58:37.240 --> 0:58:40.280
<v Speaker 3>worked for mister Tendale's Tensdale's regulators.

0:58:41.080 --> 0:58:45.240
<v Speaker 4>Uh we regulate, uh we regulated it something.

0:58:45.320 --> 0:58:48.040
<v Speaker 3>I can't remember everything, but I took though I chopped

0:58:48.120 --> 0:58:51.640
<v Speaker 3>up each part though it didn't say that. And if

0:58:51.680 --> 0:58:53.560
<v Speaker 3>you listen to the original when he say something, he

0:58:53.680 --> 0:58:57.920
<v Speaker 3>says some other ship before he say, uh, we regulate

0:58:58.000 --> 0:59:01.960
<v Speaker 3>anything that is probably we're damn good. All those were pieces.

0:59:02.200 --> 0:59:09.040
<v Speaker 3>I put that together just yeah, yeah, earn you keep boop.

0:59:09.120 --> 0:59:12.840
<v Speaker 3>I hit this one, took that part boom, sampled that part,

0:59:12.960 --> 0:59:15.560
<v Speaker 3>sampled that part, and I put them together. And what

0:59:15.720 --> 0:59:20.160
<v Speaker 3>I did was I remember the numbers on the VCR,

0:59:21.400 --> 0:59:23.960
<v Speaker 3>and I took the quarter. I went from quarter inch

0:59:24.520 --> 0:59:27.600
<v Speaker 3>out of the VCR into my NPC sixty. I mean

0:59:27.720 --> 0:59:30.600
<v Speaker 3>I went from r C A to quarterings into to

0:59:31.200 --> 0:59:34.439
<v Speaker 3>my NPC sixty. And that's how I sampled everything from

0:59:34.560 --> 0:59:39.120
<v Speaker 3>up off the v OFF and that ship that when

0:59:39.160 --> 0:59:41.320
<v Speaker 3>I played that ship for death Jam, they was like

0:59:41.760 --> 0:59:45.840
<v Speaker 3>damn they they couldn't believe it. But I still think

0:59:45.920 --> 0:59:52.160
<v Speaker 3>they wasn't like they wasn't like into yeah. So I

0:59:52.320 --> 0:59:54.080
<v Speaker 3>made all of that ship up and I'm telling you.

0:59:54.200 --> 0:59:56.480
<v Speaker 3>So I was like, I kept doing music. I had

0:59:56.560 --> 0:59:59.439
<v Speaker 3>into smoke. It was bubbling everywhere. We had the whole

0:59:59.720 --> 1:00:00.720
<v Speaker 3>are you shows?

1:00:00.880 --> 1:00:03.440
<v Speaker 1>Are you? And mister yeah, we was doing shows.

1:00:05.320 --> 1:00:08.240
<v Speaker 4>Actually that was that that uh that that got kind

1:00:08.280 --> 1:00:08.640
<v Speaker 4>of ugly.

1:00:08.720 --> 1:00:13.560
<v Speaker 3>We was doing shows and uh Graham started doing shows

1:00:13.640 --> 1:00:17.400
<v Speaker 3>without us and and doing indoor smoke, you know, doing

1:00:17.480 --> 1:00:21.520
<v Speaker 3>all kinds of shit. So we like, damn, what's up?

1:00:21.720 --> 1:00:24.800
<v Speaker 3>Like that's why west us together? Let you know, let

1:00:24.880 --> 1:00:28.760
<v Speaker 3>us eat too. So me and him started doing gigs

1:00:28.840 --> 1:00:31.440
<v Speaker 3>and then Nate wasn't involved. So Nate got pissed off

1:00:31.480 --> 1:00:35.120
<v Speaker 3>about it, and uh so we Griham was with me.

1:00:35.880 --> 1:00:37.680
<v Speaker 3>I swear to God out of and set him up

1:00:37.760 --> 1:00:39.240
<v Speaker 3>or nothing like that. But he was with me, and

1:00:39.600 --> 1:00:42.360
<v Speaker 3>we pulled up at Snoop. So I'm not thinking that

1:00:42.680 --> 1:00:46.120
<v Speaker 3>that Nate gonna be tripping. So Nate got off the car,

1:00:46.960 --> 1:00:48.640
<v Speaker 3>I mean he got out. He came down from the

1:00:48.680 --> 1:00:52.320
<v Speaker 3>Snoop's apartment, came down to the car and just started

1:00:52.440 --> 1:00:55.400
<v Speaker 3>tripping on mister Griham, like nigga, what's up? So and

1:00:55.480 --> 1:00:59.320
<v Speaker 3>then Joe Cool and they they roughed him up. Oh,

1:00:59.440 --> 1:01:02.720
<v Speaker 3>ship roughed him up, And I felt bad because I'm like,

1:01:02.840 --> 1:01:05.280
<v Speaker 3>but I was like, no, no, you know Trump, you know,

1:01:05.360 --> 1:01:07.160
<v Speaker 3>in the mix of it, like get back man, yo.

1:01:08.040 --> 1:01:11.400
<v Speaker 3>But he was doing some he was doing some things

1:01:11.480 --> 1:01:15.480
<v Speaker 3>that wasn't cool, and I I was crushed about that

1:01:15.560 --> 1:01:18.360
<v Speaker 3>because Graham was Graham was my guy. But I'm like,

1:01:18.520 --> 1:01:20.840
<v Speaker 3>you can't. You can't do that, man, you gotta. We're

1:01:21.040 --> 1:01:23.760
<v Speaker 3>we're a team. We when all these niggas that's around,

1:01:23.840 --> 1:01:25.160
<v Speaker 3>we family, We tight.

1:01:25.280 --> 1:01:25.880
<v Speaker 1>We don't do that.

1:01:25.960 --> 1:01:28.600
<v Speaker 4>We don't cut nobody throat. We just we work together.

1:01:29.520 --> 1:01:30.440
<v Speaker 1>So you can't do that.

1:01:30.840 --> 1:01:34.840
<v Speaker 3>And you know, that's what I talked about on this

1:01:35.120 --> 1:01:37.560
<v Speaker 3>do you see on my on the on the Regulate

1:01:37.640 --> 1:01:38.600
<v Speaker 3>the Gfunk Care album.

1:01:40.040 --> 1:01:42.520
<v Speaker 4>But that was that was a whole nother uh.

1:01:43.960 --> 1:01:44.760
<v Speaker 1>Thing that happened.

1:01:44.800 --> 1:01:50.919
<v Speaker 3>But after that, uh, like I said, you know, death Jam,

1:01:51.280 --> 1:01:53.080
<v Speaker 3>I still kind of felt like because I was from

1:01:53.120 --> 1:01:56.560
<v Speaker 3>the West Coast, it was like, yeah, you know, but

1:01:56.680 --> 1:01:59.040
<v Speaker 3>they knew they wanted to work with me because of

1:01:59.080 --> 1:02:02.800
<v Speaker 3>the style I had, and so I was the type

1:02:03.200 --> 1:02:05.400
<v Speaker 3>and I'm still like that that. I was like, I'm pushed.

1:02:05.400 --> 1:02:08.640
<v Speaker 3>I'm gonna push regardless whether they pushing for me or not.

1:02:08.760 --> 1:02:13.160
<v Speaker 3>I'm gonna push. So I ended up going to the

1:02:13.240 --> 1:02:16.760
<v Speaker 3>studio or with dra You know, I had into smoke cracking.

1:02:16.840 --> 1:02:19.280
<v Speaker 3>I was cool. I wasn't tripping or nothing. So I

1:02:19.560 --> 1:02:21.680
<v Speaker 3>will still go hang out with Drake, hang out with

1:02:21.720 --> 1:02:24.360
<v Speaker 3>snooping them here and there, pop up at the studio.

1:02:25.120 --> 1:02:30.080
<v Speaker 3>When hung out with Dre and uh, Mike Linn was

1:02:30.200 --> 1:02:34.080
<v Speaker 3>one of his guys. Uh, I said, Mike, I just

1:02:34.160 --> 1:02:37.880
<v Speaker 3>did the bomb ass song with Nate. I want you

1:02:37.960 --> 1:02:38.240
<v Speaker 3>to hear.

1:02:38.440 --> 1:02:44.000
<v Speaker 4>So I went to the car, same ship, went to

1:02:44.120 --> 1:02:45.760
<v Speaker 4>the car, put the tape.

1:02:45.800 --> 1:02:46.520
<v Speaker 3>You know it was a CD.

1:02:46.720 --> 1:02:48.840
<v Speaker 4>This time, my step my game up.

1:02:48.920 --> 1:02:52.800
<v Speaker 3>Then that guy was able to get a car from

1:02:52.840 --> 1:02:55.200
<v Speaker 3>the from the budget and uh, so I had a

1:02:55.280 --> 1:02:59.880
<v Speaker 3>CD player and played it and Mike Linn was like, man,

1:03:00.040 --> 1:03:01.960
<v Speaker 3>and that shit is banged. He said, let me play

1:03:02.040 --> 1:03:04.560
<v Speaker 3>this song for Jimmy kennots. I said, hell yeah, play

1:03:04.600 --> 1:03:07.919
<v Speaker 3>it for him. So he played it for Jimmy because

1:03:07.960 --> 1:03:11.000
<v Speaker 3>he was in charge of getting the talent for the soundtrack.

1:03:11.120 --> 1:03:12.520
<v Speaker 4>So he took the ship to Jimmy.

1:03:13.160 --> 1:03:16.480
<v Speaker 3>Jimmy heard it and was like called and and was like,

1:03:16.560 --> 1:03:19.080
<v Speaker 3>we want this to be the first single on the

1:03:19.120 --> 1:03:23.000
<v Speaker 3>Blood of Rim soundtrack. I was like, and it was regulate.

1:03:23.200 --> 1:03:28.000
<v Speaker 3>So that's when sug and rustling all them, that's when

1:03:28.040 --> 1:03:30.800
<v Speaker 3>they had to had had to talk, you know, and

1:03:30.960 --> 1:03:35.320
<v Speaker 3>it kind of became like a pissing contest, I guess

1:03:35.360 --> 1:03:39.400
<v Speaker 3>you could say. But they had to roll with the

1:03:39.480 --> 1:03:43.800
<v Speaker 3>punches wrestling because this is these guys are these are

1:03:43.840 --> 1:03:45.480
<v Speaker 3>my guys, and I want to do this with her,

1:03:45.800 --> 1:03:47.800
<v Speaker 3>you know, So they had to roll with it and

1:03:47.920 --> 1:03:50.880
<v Speaker 3>it became the first single, which it blew. It was

1:03:50.960 --> 1:03:54.000
<v Speaker 3>good for us, It was good for us at death Jam.

1:03:54.640 --> 1:04:00.320
<v Speaker 3>So we did the butter rim came out regular set

1:04:00.400 --> 1:04:03.600
<v Speaker 3>it off the whole thing, so like four million. I

1:04:03.680 --> 1:04:06.160
<v Speaker 3>ain't never got a royalty check from that from above

1:04:06.240 --> 1:04:10.200
<v Speaker 3>and Ram either never got a royalty check, never got

1:04:10.240 --> 1:04:13.160
<v Speaker 3>a royalty check check from above to Ram. I've never

1:04:13.280 --> 1:04:15.560
<v Speaker 3>seen that shit on my ship from above A Ram.

1:04:16.040 --> 1:04:18.000
<v Speaker 3>I get him now, but I don't get him from

1:04:18.080 --> 1:04:20.680
<v Speaker 3>that from that never. So when I get a check

1:04:20.720 --> 1:04:23.919
<v Speaker 3>from death Row, it'll be twenty of some crazy shit.

1:04:24.680 --> 1:04:26.800
<v Speaker 5>So because that's what I was gonna ask too. With

1:04:26.960 --> 1:04:30.400
<v Speaker 5>the sample at that point, I don't think it was

1:04:30.440 --> 1:04:32.000
<v Speaker 5>the thing. At that point, are you guys having to

1:04:32.040 --> 1:04:32.880
<v Speaker 5>clear samples or No?

1:04:33.840 --> 1:04:37.120
<v Speaker 3>Well, with the with the keep forgetting, we had we

1:04:37.200 --> 1:04:39.720
<v Speaker 3>had to clear that with the Doobie Brothers and Michael McDonald.

1:04:39.840 --> 1:04:43.240
<v Speaker 3>So what it What how I got split was I

1:04:43.400 --> 1:04:48.360
<v Speaker 3>had twenty five percent, Nate had Nate and death Row

1:04:48.400 --> 1:04:51.120
<v Speaker 3>Will sure had twenty five percent, of Doobie Brothers twenty

1:04:51.160 --> 1:04:54.400
<v Speaker 3>five percent, and Michael McDonald twenty five percent. But Michael

1:04:54.480 --> 1:04:59.080
<v Speaker 3>McDonald was getting the Doobies in him. So that's how

1:04:59.200 --> 1:05:00.960
<v Speaker 3>that that's how we was all split up.

1:05:04.160 --> 1:05:04.560
<v Speaker 1>So but.

1:05:06.160 --> 1:05:08.760
<v Speaker 4>For some reason, I don't know what what happened, but

1:05:09.200 --> 1:05:12.000
<v Speaker 4>you never I've never gotten over.

1:05:12.160 --> 1:05:15.920
<v Speaker 1>You did have album rights yea, and was able to

1:05:15.960 --> 1:05:20.840
<v Speaker 1>put watch this twist. This is why Star Money podcast

1:05:21.560 --> 1:05:22.040
<v Speaker 1>this business.

1:05:22.120 --> 1:05:26.240
<v Speaker 3>Yeah, this is why I started getting brutal because death

1:05:26.360 --> 1:05:32.160
<v Speaker 3>Jam had and Sugar and Russell they outslicked uh uh Sugar.

1:05:32.280 --> 1:05:36.000
<v Speaker 3>Now they was like, Okay, this is what we're gonna do.

1:05:36.280 --> 1:05:39.760
<v Speaker 3>They said, Okay, the soundtrack boom set it off boomers.

1:05:40.120 --> 1:05:46.240
<v Speaker 3>That's cracking. We took to regulate single, repackaged everything, and

1:05:46.360 --> 1:05:50.960
<v Speaker 3>then we re released it again as my single, and

1:05:51.920 --> 1:05:53.760
<v Speaker 3>and it was the first single off my single and

1:05:53.760 --> 1:05:57.600
<v Speaker 3>then my ship sold for a million records, so regularly

1:05:57.920 --> 1:06:01.120
<v Speaker 3>helped sell eight million records. Probably move I'm sure I'm

1:06:01.120 --> 1:06:04.480
<v Speaker 3>just saying between two different albums. Yeah, and in the

1:06:04.600 --> 1:06:06.560
<v Speaker 3>process of that is when I on top of that,

1:06:06.680 --> 1:06:10.520
<v Speaker 3>I dropped this DJ Like right right when that was cracking,

1:06:10.560 --> 1:06:14.160
<v Speaker 3>I dropped this on top of it. Boom boom boom

1:06:14.880 --> 1:06:19.479
<v Speaker 3>boom boom boom. They was like wow and New York

1:06:20.320 --> 1:06:23.960
<v Speaker 3>Arms was like they was loving the love to New York. Yeah,

1:06:24.640 --> 1:06:25.840
<v Speaker 3>give me give me the year that.

1:06:29.920 --> 1:06:32.680
<v Speaker 1>So def jam UMG is not sending any royalties from

1:06:32.680 --> 1:06:33.520
<v Speaker 1>the UMG.

1:06:34.200 --> 1:06:37.920
<v Speaker 3>Those These are other companies I wanted all as BMG. Okay,

1:06:38.400 --> 1:06:41.480
<v Speaker 3>in the in the midnight hour was a company called Hajana,

1:06:41.600 --> 1:06:46.840
<v Speaker 3>which was through Red. But the head guy, I guess

1:06:47.000 --> 1:06:48.720
<v Speaker 3>now I don't know if I guess was Sony Red.

1:06:48.760 --> 1:06:50.760
<v Speaker 3>I think it was Sony Red or Red Records or

1:06:50.800 --> 1:06:52.640
<v Speaker 3>something like. It was something like Big Red or Red

1:06:52.720 --> 1:06:59.840
<v Speaker 3>something like that. Now the head guy, uh, his name was.

1:07:00.320 --> 1:07:04.240
<v Speaker 3>He went to the FEDS. So that album got lost

1:07:04.280 --> 1:07:07.120
<v Speaker 3>in the shuffle to. When I looked recently, I'm like,

1:07:07.600 --> 1:07:09.840
<v Speaker 3>who in the fuck is Peppermint? Because I'm owner in

1:07:09.920 --> 1:07:13.280
<v Speaker 3>those masters, that's my masters, So where the fuck is

1:07:13.360 --> 1:07:17.200
<v Speaker 3>my money at with this ship? You know, I've been

1:07:18.560 --> 1:07:19.280
<v Speaker 3>uh not.

1:07:21.000 --> 1:07:21.320
<v Speaker 4>Own it.

1:07:21.560 --> 1:07:24.680
<v Speaker 3>You know what I mean like saying like because I'm

1:07:24.760 --> 1:07:26.480
<v Speaker 3>like this ship ain't nothing but the headache. So I'll

1:07:26.560 --> 1:07:30.920
<v Speaker 3>be like, fuck it, I ain't tripping, but that I

1:07:31.000 --> 1:07:33.000
<v Speaker 3>ain't tripping is I should be?

1:07:33.160 --> 1:07:37.919
<v Speaker 5>Trust Honestly, where most of these major corporations bank on, Yeah,

1:07:38.360 --> 1:07:40.760
<v Speaker 5>they don't want to go through the whole process.

1:07:40.880 --> 1:07:44.720
<v Speaker 2>So that I got caught up in that and the

1:07:45.480 --> 1:07:49.480
<v Speaker 2>costs litigation costs. Yeah, that's how the big bank take

1:07:49.480 --> 1:07:49.880
<v Speaker 2>a little bit.

1:07:51.680 --> 1:07:56.080
<v Speaker 3>Yeah, and I'm my master publishing. All that ship is mine.

1:07:56.160 --> 1:07:59.920
<v Speaker 3>I never that's all. That's my ship. And I got

1:08:00.160 --> 1:08:04.040
<v Speaker 3>offered like back in the day, I got offered publishing

1:08:04.120 --> 1:08:06.720
<v Speaker 3>deals for like a three hundred and fifty thousand, five

1:08:06.840 --> 1:08:08.919
<v Speaker 3>hundred thousand. That was a lot in the back then.

1:08:09.760 --> 1:08:12.000
<v Speaker 4>And I was like, damn, if this motherfucker want to

1:08:12.040 --> 1:08:13.640
<v Speaker 4>give me that ship, what can I make?

1:08:14.720 --> 1:08:19.160
<v Speaker 3>So went on tour. It was me r Kelly uh

1:08:20.280 --> 1:08:24.400
<v Speaker 3>heavy d uh Me R Kelly heavy d Coolio the

1:08:24.520 --> 1:08:29.479
<v Speaker 3>brat Ali was on tour with us. Uh damn.

1:08:29.560 --> 1:08:32.280
<v Speaker 4>Who else was on tour was heavy boys.

1:08:33.000 --> 1:08:35.200
<v Speaker 3>Yeah, we was all on. It was an out haming

1:08:35.320 --> 1:08:41.880
<v Speaker 3>tour for great great dude, Like, I mean incredible when

1:08:41.920 --> 1:08:43.640
<v Speaker 3>they when they asked me to be a part of

1:08:43.680 --> 1:08:47.959
<v Speaker 3>the tour. He sent me like ten bottles of chrystal,

1:08:48.479 --> 1:08:51.360
<v Speaker 3>a big ass thing of flowers just in the house

1:08:51.600 --> 1:08:55.439
<v Speaker 3>fruit trays. I mean like it was shipped everywhere, and uh,

1:08:56.960 --> 1:09:00.760
<v Speaker 3>just a cool dude, period. He made it everything laid

1:09:00.800 --> 1:09:06.559
<v Speaker 3>out for me. I was on tour and I had

1:09:06.600 --> 1:09:09.320
<v Speaker 3>an accountant. I had account before that that robbed me.

1:09:10.000 --> 1:09:12.679
<v Speaker 3>I turned with one of my guys, turned me onto

1:09:12.720 --> 1:09:15.600
<v Speaker 3>an accountant to where I gave him a you know,

1:09:16.000 --> 1:09:18.840
<v Speaker 3>authority to sign for me for checks and shit like that.

1:09:19.040 --> 1:09:21.240
<v Speaker 3>So I'm like, Dann, where the fuck is all my

1:09:21.360 --> 1:09:24.360
<v Speaker 3>money going? You know, I was getting a little money

1:09:24.400 --> 1:09:26.559
<v Speaker 3>here and there, but I'm like, damn, where's my shit going?

1:09:27.200 --> 1:09:31.080
<v Speaker 3>And so I left him, got with an accountant. I

1:09:31.200 --> 1:09:34.240
<v Speaker 3>made sure with that account I said, no sign and

1:09:34.360 --> 1:09:38.160
<v Speaker 3>no checks mailed me my shit, And so they mailed

1:09:38.240 --> 1:09:41.120
<v Speaker 3>me checks and stuff to sign because I had a

1:09:41.160 --> 1:09:44.960
<v Speaker 3>little bit of bread from the death jam shit my

1:09:45.080 --> 1:09:47.519
<v Speaker 3>budget and all that stuff. But I had Finally I

1:09:47.600 --> 1:09:51.120
<v Speaker 3>got a royalty check and I was like, what the

1:09:51.320 --> 1:09:53.800
<v Speaker 3>fuck is this? Like, you know, there was a lot

1:09:53.840 --> 1:09:56.800
<v Speaker 3>of money, so I'm like, you mean to tell me

1:09:56.920 --> 1:09:59.120
<v Speaker 3>this is what the fuck I made from doing my

1:09:59.320 --> 1:10:01.960
<v Speaker 3>music and this, that and there. So I was like,

1:10:02.479 --> 1:10:05.680
<v Speaker 3>damn that I really started going with Ham or Ham

1:10:05.840 --> 1:10:08.760
<v Speaker 3>after that that said, oh, I'm in the studio every

1:10:08.800 --> 1:10:11.760
<v Speaker 3>motherfucking day now, ship, So did you.

1:10:11.880 --> 1:10:14.519
<v Speaker 1>Produce every song on that first album?

1:10:14.920 --> 1:10:18.880
<v Speaker 3>Every song? Yeah, every every album you heard from me

1:10:19.120 --> 1:10:23.479
<v Speaker 3>for every song, every song. Yeah, I did a lot.

1:10:23.439 --> 1:10:24.880
<v Speaker 1>For for me.

1:10:26.439 --> 1:10:26.799
<v Speaker 3>Record.

1:10:27.479 --> 1:10:34.920
<v Speaker 1>That's why when he looked at that royal, he said, I.

1:10:35.040 --> 1:10:38.400
<v Speaker 3>Wish I could have seen one of them chrownic royalty checks. Though, God,

1:10:40.040 --> 1:10:43.040
<v Speaker 3>I need you know what I need to produce, man,

1:10:43.200 --> 1:10:46.200
<v Speaker 3>my whole album do it? I need to just do

1:10:47.120 --> 1:10:55.559
<v Speaker 3>I think it's time that. Yeah, but he just never

1:10:55.640 --> 1:10:59.360
<v Speaker 3>does the whole album. He never does the album. Well,

1:10:59.400 --> 1:11:02.000
<v Speaker 3>I mean you get like help as far as like

1:11:02.120 --> 1:11:04.560
<v Speaker 3>if you need guys, like with the drunk, if you

1:11:04.640 --> 1:11:06.200
<v Speaker 3>want some drums, like different.

1:11:06.360 --> 1:11:07.040
<v Speaker 6>No, you know what it is.

1:11:07.360 --> 1:11:13.080
<v Speaker 2>I get inspired differently by other people's you know, other

1:11:13.160 --> 1:11:17.800
<v Speaker 2>people's artistic expression. It sends me into different places. But

1:11:17.920 --> 1:11:22.880
<v Speaker 2>I'm really good at making sure that the collection of

1:11:23.160 --> 1:11:27.599
<v Speaker 2>music all Mary's. You know what I'm saying, Like, I'm

1:11:27.680 --> 1:11:31.160
<v Speaker 2>really good at that. And then it's like, you know,

1:11:31.640 --> 1:11:35.240
<v Speaker 2>when you just started taking on the workload, and then

1:11:35.360 --> 1:11:36.640
<v Speaker 2>you add kids to it.

1:11:37.120 --> 1:11:40.439
<v Speaker 1>You know what I'm saying. It's like it's like do

1:11:40.640 --> 1:11:41.559
<v Speaker 1>I have time?

1:11:42.080 --> 1:11:44.000
<v Speaker 3>Yeah, believe me, I know it.

1:11:45.080 --> 1:11:47.200
<v Speaker 2>I know when I was a kid, when you know,

1:11:48.439 --> 1:11:51.639
<v Speaker 2>when I first got my NPC or first got my keyboard,

1:11:51.880 --> 1:11:55.840
<v Speaker 2>first synthesized the Yeah, you know, I felt like in

1:11:56.000 --> 1:12:02.280
<v Speaker 2>the moment I had a ride, I didn't know there

1:12:02.479 --> 1:12:06.479
<v Speaker 2>was all of this stuff. Yeah, after the fact, you

1:12:06.560 --> 1:12:08.519
<v Speaker 2>know what I mean. I never imagine, like as we

1:12:08.600 --> 1:12:11.559
<v Speaker 2>sit here right now, I never imagine being here because

1:12:11.560 --> 1:12:14.960
<v Speaker 2>I didn't even know what here was. Like when you

1:12:15.080 --> 1:12:18.920
<v Speaker 2>look back on that and say, hey, man, I I

1:12:19.040 --> 1:12:21.880
<v Speaker 2>just want to learn that, Yeah, did you ever imagine

1:12:21.920 --> 1:12:26.080
<v Speaker 2>that you would be here and as influential as you are?

1:12:26.760 --> 1:12:26.960
<v Speaker 1>Never?

1:12:27.240 --> 1:12:32.720
<v Speaker 3>Never, never, never cross my mind like being you know,

1:12:33.040 --> 1:12:35.760
<v Speaker 3>like because like people be like you a legend and this,

1:12:35.920 --> 1:12:41.160
<v Speaker 3>that and this, and I'm like, damn, I didn't.

1:12:41.280 --> 1:12:42.559
<v Speaker 1>I didn't. I didn't.

1:12:42.600 --> 1:12:46.120
<v Speaker 3>I didn't think I was gonna uh, I didn't know

1:12:46.200 --> 1:12:48.240
<v Speaker 3>it was gonna turn out like this. But but my

1:12:48.680 --> 1:12:51.080
<v Speaker 3>my whole thing was and I'm still like that is

1:12:51.120 --> 1:12:53.960
<v Speaker 3>I just want people to hear hear my music and

1:12:54.320 --> 1:12:57.880
<v Speaker 3>be inspired by it and the high I get out

1:12:57.880 --> 1:12:59.640
<v Speaker 3>of it is when we can all be in that

1:12:59.760 --> 1:13:02.920
<v Speaker 3>mother party and having a good time. You know, because

1:13:02.960 --> 1:13:06.160
<v Speaker 3>when I do my shows, I tell them I'm like, shit,

1:13:06.200 --> 1:13:08.120
<v Speaker 3>I ain't just here doing my show. I'm here. We

1:13:08.320 --> 1:13:12.120
<v Speaker 3>were in here having a week. This is everything I'm

1:13:12.200 --> 1:13:13.920
<v Speaker 3>up here because I talk to him at the same

1:13:14.000 --> 1:13:17.800
<v Speaker 3>time while I'm on the stage, and I'm saying, we

1:13:17.920 --> 1:13:20.439
<v Speaker 3>having a conversation with us here even though I'm doing

1:13:20.520 --> 1:13:22.760
<v Speaker 3>this music, and I really just be talking to him

1:13:23.720 --> 1:13:25.680
<v Speaker 3>like about a lot of ship, and then it'll end

1:13:25.760 --> 1:13:28.000
<v Speaker 3>up turning in right to where it's slam right into

1:13:28.040 --> 1:13:28.880
<v Speaker 3>it and may be like.

1:13:30.640 --> 1:13:32.600
<v Speaker 4>Going crazy and I'm like ship.

1:13:34.000 --> 1:13:37.920
<v Speaker 2>Like that that on getting on stage and having people,

1:13:38.600 --> 1:13:45.360
<v Speaker 2>having people share the intent, you know what I'm saying. Yeah, yeah,

1:13:46.160 --> 1:13:48.760
<v Speaker 2>like at the same time where it's like this is

1:13:48.840 --> 1:13:51.720
<v Speaker 2>what I this is what I designed this for. Yeah,

1:13:51.960 --> 1:13:56.080
<v Speaker 2>and you're watching people actually look do it. It's like

1:13:56.320 --> 1:14:02.080
<v Speaker 2>it's the coldest magic trick. Like I'm gonna I plan

1:14:02.280 --> 1:14:05.439
<v Speaker 2>for your body to roll, yeah right right a minute

1:14:05.439 --> 1:14:08.719
<v Speaker 2>in fifteen seconds, yeah and your body's rolling.

1:14:09.040 --> 1:14:09.240
<v Speaker 1>Yeah.

1:14:09.800 --> 1:14:18.240
<v Speaker 3>What y'all know about my homeboy nd O double G Yeah, yeah, nobody.

1:14:22.520 --> 1:14:25.519
<v Speaker 1>As a singer from the church as a as a

1:14:25.600 --> 1:14:26.559
<v Speaker 1>singer from the church.

1:14:28.600 --> 1:14:29.600
<v Speaker 3>Nate Dog.

1:14:30.920 --> 1:14:34.960
<v Speaker 1>Is a full deacon. Yeah, he's straight out the.

1:14:35.520 --> 1:14:39.600
<v Speaker 2>But but there's a certain there's a certain church. The

1:14:40.000 --> 1:14:43.800
<v Speaker 2>voices are the voices are broken up in the sections, right.

1:14:44.840 --> 1:14:49.880
<v Speaker 2>Nate Dog is definitely the least singer in the men's choir.

1:14:50.040 --> 1:14:52.800
<v Speaker 2>The men was always men's was always the older man

1:14:53.240 --> 1:14:55.599
<v Speaker 2>and it was always one of two guys and sing

1:14:55.680 --> 1:14:57.920
<v Speaker 2>all the solos. There was the only two niggas they

1:14:57.920 --> 1:15:01.719
<v Speaker 2>could sing. That's Nate Dog. Yes, how do you turn

1:15:01.920 --> 1:15:03.679
<v Speaker 2>that voice into?

1:15:04.320 --> 1:15:08.639
<v Speaker 1>When I met how? How does that happen? That's that's

1:15:08.680 --> 1:15:09.760
<v Speaker 1>what you believe that.

1:15:10.040 --> 1:15:14.000
<v Speaker 3>That's because we he came from the church. But then

1:15:15.000 --> 1:15:19.880
<v Speaker 3>the street element, it was all ship though. Yeah, yeah, yeah.

1:15:21.120 --> 1:15:26.679
<v Speaker 5>I remember when I first came out, when I first

1:15:26.760 --> 1:15:30.200
<v Speaker 5>came to l A. We used to hoop when they dog, no, no, no,

1:15:30.960 --> 1:15:33.799
<v Speaker 5>they dog would pull up in a limo.

1:15:34.880 --> 1:15:37.320
<v Speaker 1>He had like a stretch. He had like a stretch.

1:15:37.880 --> 1:15:39.839
<v Speaker 1>I don't know, I don't nobody else was limb.

1:15:39.920 --> 1:15:42.200
<v Speaker 4>At the sublimo, so you know what I'm talking about.

1:15:42.800 --> 1:15:45.080
<v Speaker 1>It was like a stretch, like escalator.

1:15:45.320 --> 1:15:48.880
<v Speaker 4>It was a suburban We all that the sublimo bro,

1:15:49.560 --> 1:15:50.599
<v Speaker 4>you thought I was lying?

1:15:51.320 --> 1:15:54.720
<v Speaker 1>Yeah's bob. He would pull up to the l a

1:15:54.920 --> 1:16:01.160
<v Speaker 1>fitness bro in a stretched suburban. Come hold half Yeah

1:16:01.160 --> 1:16:02.960
<v Speaker 1>I mean you feel me with him?

1:16:03.120 --> 1:16:03.320
<v Speaker 3>Yeah?

1:16:03.520 --> 1:16:08.280
<v Speaker 1>Yeah, yeah, that's a blimo. Yeah yeah, it might have

1:16:08.439 --> 1:16:11.040
<v Speaker 1>any with it. Yeah. He doing some work and that's

1:16:11.080 --> 1:16:11.519
<v Speaker 1>a blimo.

1:16:11.640 --> 1:16:12.400
<v Speaker 3>I get it, I know.

1:16:12.960 --> 1:16:20.880
<v Speaker 1>Yeah, what is really Nate Dog for y'all to see

1:16:21.000 --> 1:16:28.960
<v Speaker 1>that put that voice in those spaces? Yeah, yeah, yeah, genius. Yes, yes,

1:16:29.800 --> 1:16:31.400
<v Speaker 1>I took him and out the king of the hood.

1:16:31.400 --> 1:16:35.120
<v Speaker 3>I will take him and and you know, I'll tell him, Nate,

1:16:35.200 --> 1:16:36.960
<v Speaker 3>let's be different from everybody else.

1:16:37.640 --> 1:16:41.200
<v Speaker 4>And he would just even he even sung.

1:16:41.320 --> 1:16:44.320
<v Speaker 3>He I forgot how the song went, but he he

1:16:44.720 --> 1:16:48.080
<v Speaker 3>While he was singing, then singing his verse, he added.

1:16:47.880 --> 1:16:54.680
<v Speaker 4>That I have had the time of my life and girl, and.

1:16:57.400 --> 1:17:03.240
<v Speaker 3>Then he said something true, it's the true. Oh that

1:17:03.439 --> 1:17:06.120
<v Speaker 3>ship was cold. I got all of that stuff. I

1:17:06.200 --> 1:17:09.160
<v Speaker 3>got records with me and him on on a that

1:17:09.720 --> 1:17:14.240
<v Speaker 3>that I gotta. Yeah, I got crates. I got like

1:17:14.320 --> 1:17:17.800
<v Speaker 3>three giant crates of just all the albums I did,

1:17:17.960 --> 1:17:19.599
<v Speaker 3>all of this, all that ship.

1:17:19.520 --> 1:17:22.360
<v Speaker 1>I did just and I just couldn't believe it. I

1:17:22.400 --> 1:17:25.240
<v Speaker 1>think Deacon Nate Dog straight up.

1:17:25.400 --> 1:17:31.000
<v Speaker 3>His mother. She don't mess with no wrap, no nothing,

1:17:31.240 --> 1:17:35.200
<v Speaker 3>nothing but church directly, and she talked them to Tall.

1:17:35.280 --> 1:17:39.559
<v Speaker 3>His whole family, her, his sisters, all his brothers, all

1:17:39.640 --> 1:17:41.280
<v Speaker 3>of them came right out the church.

1:17:42.520 --> 1:17:49.080
<v Speaker 1>Mm hmmm that yeah, man, bless brother man. Yeah, an

1:17:49.160 --> 1:17:49.880
<v Speaker 1>original one.

1:17:50.040 --> 1:17:51.680
<v Speaker 3>Yeah, I got some.

1:17:51.880 --> 1:17:52.839
<v Speaker 1>I got some songs.

1:17:53.000 --> 1:17:54.800
<v Speaker 4>Uh, I got some records that that.

1:17:55.040 --> 1:18:01.400
<v Speaker 3>Uh yeah, he got a I got a song with

1:18:01.520 --> 1:18:02.559
<v Speaker 3>him called old Girl.

1:18:03.320 --> 1:18:06.559
<v Speaker 4>Oh, oh my god, if.

1:18:06.479 --> 1:18:11.000
<v Speaker 3>I why not, it's dope. I mean, I'm gonna drop

1:18:11.040 --> 1:18:14.200
<v Speaker 3>I'm gonna drop it. Why God, I'd be liking to

1:18:14.320 --> 1:18:15.400
<v Speaker 3>just listen to the ship.

1:18:15.560 --> 1:18:19.240
<v Speaker 1>You selfish man, to listen to it.

1:18:22.800 --> 1:18:27.320
<v Speaker 3>I'm gonna put it together. We got another one. We

1:18:27.439 --> 1:18:32.000
<v Speaker 3>got one called Baby Daddy. I know it gave me love,

1:18:32.200 --> 1:18:35.519
<v Speaker 3>gave me sex. You let my friends see your breast.

1:18:37.560 --> 1:18:41.599
<v Speaker 3>I let my friends. I'm stuck with you nonetheless, because I'm.

1:18:41.560 --> 1:18:42.479
<v Speaker 1>Your baby dad.

1:18:43.200 --> 1:18:47.920
<v Speaker 4>It's whole, it's all. I just have to put my

1:18:48.080 --> 1:18:48.720
<v Speaker 4>vocals on it.

1:18:48.800 --> 1:18:49.479
<v Speaker 6>But we did it.

1:18:50.320 --> 1:18:52.680
<v Speaker 4>I actually I did, but I didn't like it. I

1:18:52.760 --> 1:18:53.719
<v Speaker 4>didn't like my vocals.

1:18:53.880 --> 1:18:56.920
<v Speaker 3>But if I redid it, I would change the music.

1:18:57.760 --> 1:19:00.000
<v Speaker 3>I still keep you know, I'm you know, he gonna

1:19:00.120 --> 1:19:02.840
<v Speaker 3>still I'll just figure out what note what what? What?

1:19:03.479 --> 1:19:03.519
<v Speaker 1>What?

1:19:03.760 --> 1:19:03.800
<v Speaker 5>What?

1:19:04.040 --> 1:19:04.160
<v Speaker 6>Uh?

1:19:04.800 --> 1:19:07.960
<v Speaker 3>What notes he's in and then build around Yeah we're

1:19:08.040 --> 1:19:09.840
<v Speaker 3>key in my bad and then build around it.

1:19:11.800 --> 1:19:14.240
<v Speaker 4>But but but Nate, they was a monster.

1:19:14.800 --> 1:19:15.599
<v Speaker 1>You owe what's that? Bro?

1:19:16.320 --> 1:19:17.320
<v Speaker 4>I'm I'm gonna do it.

1:19:18.880 --> 1:19:19.040
<v Speaker 6>Like that.

1:19:19.240 --> 1:19:20.880
<v Speaker 4>Independent. I'm an independent guy.

1:19:20.880 --> 1:19:21.439
<v Speaker 3>I'm gonna do it.

1:19:21.560 --> 1:19:29.400
<v Speaker 1>But just even what you're just saying, Yeah, I'm around nigga.

1:19:29.439 --> 1:19:33.000
<v Speaker 1>You heard this new nigga sex it? Yeah?

1:19:33.320 --> 1:19:36.559
<v Speaker 4>Oh yeah, Yeah, I'm gonna put it together. Man, I'm

1:19:36.560 --> 1:19:37.360
<v Speaker 4>gonna put it together.

1:19:37.400 --> 1:19:39.120
<v Speaker 3>I got it. I got a lot of dope records

1:19:41.240 --> 1:19:44.320
<v Speaker 3>ship that people ain't heard. That's really dope.

1:19:45.320 --> 1:19:45.439
<v Speaker 1>Uh.

1:19:46.200 --> 1:19:52.320
<v Speaker 3>I just love doing it, man, love just just you know,

1:19:52.600 --> 1:19:54.240
<v Speaker 3>that's all just what I love to do. Just get

1:19:54.320 --> 1:19:57.160
<v Speaker 3>in the studio, like the chemistry when I get in

1:19:57.240 --> 1:19:59.719
<v Speaker 3>the studio with me and Snoop and the dog Pound,

1:20:00.200 --> 1:20:02.479
<v Speaker 3>all of us, Rage and Joel, when we all in

1:20:02.600 --> 1:20:07.400
<v Speaker 3>the studio RBX. Our ship is just the idea just

1:20:07.520 --> 1:20:11.479
<v Speaker 3>comes out of like it could be anything, you know,

1:20:11.760 --> 1:20:16.719
<v Speaker 3>somebody could could drop something on the floor or something.

1:20:16.760 --> 1:20:21.439
<v Speaker 3>The idea come out of that, like we got a

1:20:21.600 --> 1:20:24.800
<v Speaker 3>we got a song. Called joystick. We playing the motherfucking

1:20:25.600 --> 1:20:30.840
<v Speaker 3>Xbox Nate till the engineer hold up, turn the mic on,

1:20:30.960 --> 1:20:32.840
<v Speaker 3>because it was the beat was playing and we were

1:20:32.880 --> 1:20:34.599
<v Speaker 3>just listening because we were me and he was working

1:20:34.680 --> 1:20:37.479
<v Speaker 3>on the album at that time and the music playing,

1:20:37.520 --> 1:20:41.000
<v Speaker 3>so he like, he said stop, turn on the microphone.

1:20:41.600 --> 1:20:44.200
<v Speaker 3>So he turned the microphone on. He went right in there,

1:20:45.560 --> 1:20:48.639
<v Speaker 3>put the joystick down, and when it when as soon

1:20:48.720 --> 1:20:49.800
<v Speaker 3>as it started.

1:20:50.160 --> 1:20:56.760
<v Speaker 6>She said, she wants to ride my joystick. She wants

1:20:56.840 --> 1:21:00.800
<v Speaker 6>to ride she wants to ride it. Act like she

1:21:01.120 --> 1:21:05.080
<v Speaker 6>won't and ride my joy stick.

1:21:06.120 --> 1:21:06.680
<v Speaker 1>We was like.

1:21:10.800 --> 1:21:13.760
<v Speaker 3>While we after we stopped the game, he stopped and

1:21:13.840 --> 1:21:17.439
<v Speaker 3>told the engineer turn the mic on and went right

1:21:17.520 --> 1:21:19.439
<v Speaker 3>in there and recorded that ship.

1:21:20.080 --> 1:21:23.640
<v Speaker 2>I was like, oh my god, that's the that's the

1:21:23.760 --> 1:21:27.400
<v Speaker 2>magic of making music. That that I pray that we

1:21:27.520 --> 1:21:31.439
<v Speaker 2>get back to everybody. Just don't forget about men getting

1:21:31.479 --> 1:21:33.040
<v Speaker 2>in those rooms together.

1:21:33.320 --> 1:21:36.040
<v Speaker 1>Yeah yeah, and that's just making that music.

1:21:36.200 --> 1:21:36.400
<v Speaker 2>Man.

1:21:36.920 --> 1:21:40.000
<v Speaker 3>I'll be telling all the artists out there, like they'd

1:21:40.040 --> 1:21:42.559
<v Speaker 3>be like Warring, send me, send me a pack, send

1:21:42.600 --> 1:21:45.880
<v Speaker 3>me this, like nigga, you gotta you gotta come to

1:21:46.040 --> 1:21:48.840
<v Speaker 3>the come to the lab. Let's sit in here and

1:21:49.040 --> 1:21:52.800
<v Speaker 3>vibe about nigga. I'm a barbecue the whole nun. We're

1:21:52.840 --> 1:21:55.600
<v Speaker 3>gonna be in that motherfuckers having a good time and

1:21:55.800 --> 1:21:58.680
<v Speaker 3>vibing and creat some dope ship because it's gonna happen.

1:22:00.040 --> 1:22:05.599
<v Speaker 1>Of the Orange. Your top five R and B singers,

1:22:06.800 --> 1:22:10.920
<v Speaker 1>h M, I don't say notes to the note.

1:22:11.880 --> 1:22:20.400
<v Speaker 3>I got h Prince, Yeah, I got Michael Jackson, Anita Baker,

1:22:22.080 --> 1:22:30.120
<v Speaker 3>Luther Vanros and Ronald Isley. Yeah yeah, by way a tank.

1:22:32.240 --> 1:22:32.720
<v Speaker 1>By way.

1:22:33.120 --> 1:22:39.960
<v Speaker 2>The Ronald close out is yeah. Yes, people don't remember.

1:22:40.840 --> 1:22:46.400
<v Speaker 2>People don't remember the eras of ron Eisley sixty years.

1:22:46.520 --> 1:22:50.760
<v Speaker 2>People get of People get so caught up in a

1:22:50.840 --> 1:22:51.200
<v Speaker 2>lot of.

1:22:52.960 --> 1:23:01.559
<v Speaker 5>That's not all up temples oh super temposht.

1:23:00.960 --> 1:23:04.040
<v Speaker 1>Yeah. And I think I had to go to Rediscovered

1:23:04.080 --> 1:23:08.040
<v Speaker 1>for myself. I was like, that's run honestly. Yeah yeah,

1:23:08.960 --> 1:23:14.320
<v Speaker 1>yeah yeah. Top five R and B songs Uh.

1:23:16.040 --> 1:23:21.599
<v Speaker 3>Oh wait, I mean it's it's hard. Uh, it's kind

1:23:21.640 --> 1:23:23.760
<v Speaker 3>of hard because I love a lot of songs, Like

1:23:23.880 --> 1:23:27.519
<v Speaker 3>I really love a lot of songs, but I these

1:23:27.600 --> 1:23:29.799
<v Speaker 3>were some of my These are some of my top songs.

1:23:30.000 --> 1:23:32.560
<v Speaker 3>Top this is gonna be my top five. Here is

1:23:32.600 --> 1:23:39.120
<v Speaker 3>a golden time of day Frankie Beverly caught up in

1:23:39.200 --> 1:23:43.200
<v Speaker 3>the Rapture of Love by Anita Baker, closed the door,

1:23:43.360 --> 1:23:50.840
<v Speaker 3>Teddy Pendergrash, Uh playing your game, Baby very White, and

1:23:51.080 --> 1:23:58.200
<v Speaker 3>uh Lady by the Whispers. Yeah, Yeah, I was gonna

1:23:58.840 --> 1:24:02.320
<v Speaker 3>I had lady. I was gonna put lady uh from

1:24:02.520 --> 1:24:10.080
<v Speaker 3>uh uh Michael Jackson's uh Lady, Lady Lady in my life.

1:24:10.160 --> 1:24:12.439
<v Speaker 3>I was getting ready to swap, but I said, no,

1:24:12.560 --> 1:24:15.479
<v Speaker 3>I gotta. I gotta keep the whispers in there. I

1:24:15.640 --> 1:24:20.840
<v Speaker 3>can hear you rapping over golden time of day I

1:24:22.960 --> 1:24:24.840
<v Speaker 3>have before, I just haven't put it out.

1:24:28.960 --> 1:24:29.479
<v Speaker 1>I got it.

1:24:29.680 --> 1:24:37.720
<v Speaker 4>I was hearing that boom boom. I hear you that

1:24:38.920 --> 1:24:39.320
<v Speaker 4>I did.

1:24:40.840 --> 1:24:44.800
<v Speaker 3>I gotta get us the music. Yeah, music and barbecue

1:24:44.840 --> 1:24:49.080
<v Speaker 3>we need. That's That's why I got into barbecue. Because

1:24:49.080 --> 1:24:54.000
<v Speaker 3>it's mute, because it all it's married, the barbecue.

1:24:53.760 --> 1:24:57.920
<v Speaker 2>The family reunion, the picnic at the park, like all

1:24:58.080 --> 1:25:01.240
<v Speaker 2>that is. There's a soundtrack to that. Yes, you know

1:25:01.280 --> 1:25:05.559
<v Speaker 2>what I'm saying. Let's make a vultron. Let's make your

1:25:05.640 --> 1:25:09.880
<v Speaker 2>super r and B artists where you get different characteristics

1:25:09.960 --> 1:25:12.080
<v Speaker 2>for that artist. We're gonna add some wrinkles for you.

1:25:13.560 --> 1:25:15.320
<v Speaker 2>First of all, where you gonna get the vocal from

1:25:15.439 --> 1:25:19.160
<v Speaker 2>for that artist, the performance style, the styling of the artists,

1:25:19.600 --> 1:25:22.560
<v Speaker 2>the passion of the artists, and who's gonna produce for

1:25:22.640 --> 1:25:26.000
<v Speaker 2>that motherfucker. Let's start with the vocal. What one vocal

1:25:26.080 --> 1:25:28.240
<v Speaker 2>you're gonna get for your super R and B artists?

1:25:29.600 --> 1:25:33.160
<v Speaker 3>Oh way that I'd have to I would have to

1:25:33.320 --> 1:25:38.040
<v Speaker 3>roll with on that one. I'd have to say Michael

1:25:38.120 --> 1:25:44.760
<v Speaker 3>Jackson hm hm hmm first of all times, yeah, why not?

1:25:45.640 --> 1:25:45.840
<v Speaker 1>Yeah.

1:25:48.240 --> 1:25:52.479
<v Speaker 3>As far as the performance style, performance style style, Yeah,

1:25:52.600 --> 1:25:57.240
<v Speaker 3>on stage, i'd have to usher m m yeah, yeah, yeah,

1:25:57.360 --> 1:26:03.400
<v Speaker 3>why not usher mm hmmm. Styling, the drip of the artist,

1:26:04.280 --> 1:26:09.519
<v Speaker 3>the drip. Uh let me see, uh uh let me

1:26:09.680 --> 1:26:16.479
<v Speaker 3>see uh drip. Uh Oh my goodness. I I'm gonna

1:26:16.479 --> 1:26:18.720
<v Speaker 3>have to row oh ship if I.

1:26:20.080 --> 1:26:24.439
<v Speaker 4>Uh they might now the drip, I would have to.

1:26:26.720 --> 1:26:35.200
<v Speaker 3>Oh my god, uh ship, let me see who was

1:26:35.280 --> 1:26:45.120
<v Speaker 3>Who's uh damn mm hmmm Michael Michael style the drip?

1:26:45.360 --> 1:26:48.120
<v Speaker 3>Uh god, damn it?

1:26:48.360 --> 1:26:54.000
<v Speaker 4>Uh mm hmmm, Oh my god, let me see.

1:26:54.880 --> 1:26:57.439
<v Speaker 3>Uh uh.

1:27:00.160 --> 1:27:02.000
<v Speaker 4>Oh my god, that's gonna come to me.

1:27:02.120 --> 1:27:09.360
<v Speaker 3>Guys, give me gimme uh oh man, uh.

1:27:11.640 --> 1:27:15.439
<v Speaker 4>Uh well, passion, I'm gonna say the passion.

1:27:15.439 --> 1:27:21.200
<v Speaker 3>I'm gonna say, uh Prince, Yeah, yeah, I mean yeah

1:27:21.360 --> 1:27:23.960
<v Speaker 3>passion Prince and the Drep.

1:27:24.520 --> 1:27:33.240
<v Speaker 4>I would have to say, uh ship uh ship tank.

1:27:35.040 --> 1:27:42.200
<v Speaker 3>You're trying to tell your pretty Oh yeah, nigga ain't

1:27:42.240 --> 1:27:43.280
<v Speaker 3>nothing but Mary gave with jewel.

1:27:43.520 --> 1:27:46.920
<v Speaker 1>Nigga, shut up, you shut up?

1:27:50.400 --> 1:27:54.880
<v Speaker 3>Oh yeah, no, you know you know how to dress.

1:27:56.160 --> 1:28:03.479
<v Speaker 1>Insane? This the ladies telling you I was I was chilling.

1:28:04.040 --> 1:28:08.559
<v Speaker 2>I had a certain easy, you know, decent, regular style

1:28:09.080 --> 1:28:12.120
<v Speaker 2>until he walks into my closet and says, were burning

1:28:12.160 --> 1:28:19.599
<v Speaker 2>all this ship right, burn anything, burn it. So after

1:28:19.640 --> 1:28:25.680
<v Speaker 2>I burned it, it sent me on a mission to

1:28:25.800 --> 1:28:29.640
<v Speaker 2>get to get runways you get fly.

1:28:29.920 --> 1:28:33.400
<v Speaker 1>I want to be early on him. I'll take chances

1:28:33.479 --> 1:28:35.519
<v Speaker 1>on him. Man, Yeah, I want.

1:28:35.680 --> 1:28:38.880
<v Speaker 2>You're gonna be You're gonna be decided on my fit.

1:28:39.240 --> 1:28:43.120
<v Speaker 2>You either would never wear it or you you would,

1:28:43.160 --> 1:28:45.479
<v Speaker 2>you would, you would wear it right now. You ain't

1:28:45.479 --> 1:28:48.640
<v Speaker 2>gonna be in the middle. No gonna make you make

1:28:48.680 --> 1:28:51.439
<v Speaker 2>a decision. That's what fashion is. It's self expression.

1:28:52.880 --> 1:28:53.120
<v Speaker 5>Huh.

1:28:57.120 --> 1:28:59.920
<v Speaker 1>You should have never said that we're gonna produce. Man

1:29:01.560 --> 1:29:03.040
<v Speaker 1>who's producing for this artist?

1:29:03.439 --> 1:29:15.479
<v Speaker 3>Uh? Let me see any producer? Uh yeah, Uh, I

1:29:15.560 --> 1:29:17.479
<v Speaker 3>will say myself, but I wouldn't.

1:29:22.920 --> 1:29:23.240
<v Speaker 2>Why not?

1:29:24.080 --> 1:29:29.519
<v Speaker 1>Yeah, he should I produce it album?

1:29:29.840 --> 1:29:39.240
<v Speaker 2>Yeah, it ain't many very small company. Yeah, I mean

1:29:39.320 --> 1:29:42.479
<v Speaker 2>listen and really produce it. Yeah, really do the word,

1:29:42.880 --> 1:29:46.960
<v Speaker 2>really push those buttons, really look that up into the Yeah,

1:29:47.080 --> 1:29:47.639
<v Speaker 2>you know what I'm saying.

1:29:47.680 --> 1:29:51.880
<v Speaker 1>Go from r c A yeah to quarter rich and yeah.

1:29:52.640 --> 1:29:55.679
<v Speaker 3>Now, I mean I get down a little bit throughout

1:29:55.720 --> 1:29:59.560
<v Speaker 3>the years of uh, just being around a lot of

1:29:59.640 --> 1:30:06.240
<v Speaker 3>music and people that sing, kind of like I didn't

1:30:06.280 --> 1:30:08.360
<v Speaker 3>have to go to school for music there, you know

1:30:08.400 --> 1:30:11.479
<v Speaker 3>what I mean. It just it just automatically just starts

1:30:11.479 --> 1:30:16.439
<v Speaker 3>sinking in. In the beginning, I knew what I wanted,

1:30:16.520 --> 1:30:18.599
<v Speaker 3>but I couldn't do a lot of it. But it's

1:30:18.600 --> 1:30:21.600
<v Speaker 3>slowly built on me to where I started messing with

1:30:21.680 --> 1:30:24.720
<v Speaker 3>the keyboards and just start damn, okay, this is this

1:30:25.320 --> 1:30:27.640
<v Speaker 3>boom boom, Okay, it's starting to come together to me

1:30:29.040 --> 1:30:32.599
<v Speaker 3>to where now I know, you know songs, I say,

1:30:32.760 --> 1:30:34.640
<v Speaker 3>I want to do this song and see minor and

1:30:34.760 --> 1:30:37.680
<v Speaker 3>I know what the scale to see minor scale, so

1:30:37.720 --> 1:30:42.040
<v Speaker 3>I know where to go with it, and and and

1:30:42.200 --> 1:30:46.200
<v Speaker 3>add like a bunch of stuff add in like the

1:30:46.439 --> 1:30:49.640
<v Speaker 3>horns or the strings or or even the choir. I

1:30:49.760 --> 1:30:51.439
<v Speaker 3>just did it. I just did a record for me

1:30:51.520 --> 1:30:55.439
<v Speaker 3>and Wiz called mad at All to where I I

1:30:55.720 --> 1:30:57.680
<v Speaker 3>brought in the choir towards the end of the song.

1:30:57.760 --> 1:31:00.760
<v Speaker 3>I didn't bring them in during the song. At the

1:31:00.880 --> 1:31:04.559
<v Speaker 3>end of the song, they come in like like damn there,

1:31:04.680 --> 1:31:10.640
<v Speaker 3>like we're in church, and just just I mean, I

1:31:10.800 --> 1:31:13.120
<v Speaker 3>just learned the whole lot, just through my journey.

1:31:13.360 --> 1:31:16.240
<v Speaker 1>You know, you would learn that that that reducing is orchestrated.

1:31:16.520 --> 1:31:18.160
<v Speaker 3>Yeah, yeah, you know what I'm saying.

1:31:18.560 --> 1:31:21.360
<v Speaker 2>The vision of the record. I'm gonna pull Quincy Jones's

1:31:21.400 --> 1:31:23.560
<v Speaker 2>thing sometimes if I have to, and I was. I

1:31:23.680 --> 1:31:28.040
<v Speaker 2>was a huge fan of Quincy. What blew me away

1:31:29.120 --> 1:31:33.200
<v Speaker 2>is Curtis Mayfield reached out to me. This was before

1:31:33.280 --> 1:31:35.600
<v Speaker 2>he had passed, well before he had that No, this

1:31:35.760 --> 1:31:37.799
<v Speaker 2>is why he had after he had that accident.

1:31:38.360 --> 1:31:39.000
<v Speaker 4>He reached out.

1:31:39.040 --> 1:31:41.519
<v Speaker 3>He wrote me a letter. I gotta find that letter.

1:31:41.840 --> 1:31:45.519
<v Speaker 3>I have it somewhere in my all my ship. I

1:31:45.720 --> 1:31:48.240
<v Speaker 3>just don't know where to look. I got so much ship.

1:31:50.160 --> 1:31:53.439
<v Speaker 3>But he wrote me a letter just how he loved

1:31:53.520 --> 1:31:56.040
<v Speaker 3>what I was doing, you know, and that that like

1:31:56.200 --> 1:32:00.320
<v Speaker 3>really you know, made me say, damn, I'm really ordered

1:32:00.360 --> 1:32:01.720
<v Speaker 3>this ship and.

1:32:01.760 --> 1:32:04.240
<v Speaker 1>You are absolutely a part of this question.

1:32:04.280 --> 1:32:06.280
<v Speaker 3>And I was just because I'm like I said, I

1:32:06.360 --> 1:32:10.360
<v Speaker 3>got all of the black exploitation soundtracks and he was

1:32:10.439 --> 1:32:12.920
<v Speaker 3>a part of a lot of them. Yeah yeah, I

1:32:13.000 --> 1:32:18.519
<v Speaker 3>even I even I would go by Leilo shifting uh sound,

1:32:18.880 --> 1:32:20.800
<v Speaker 3>you know, all the movies he was involved in. I

1:32:20.840 --> 1:32:23.840
<v Speaker 3>would dig, even Quincy Jones. I would just dig and

1:32:24.000 --> 1:32:29.360
<v Speaker 3>just study them. And even like the younger producers today

1:32:30.880 --> 1:32:33.120
<v Speaker 3>like Metro Boom, and I study him, but I'll be

1:32:33.200 --> 1:32:36.040
<v Speaker 3>listening like, damn, this nigga sounds he got. He got

1:32:36.439 --> 1:32:41.080
<v Speaker 3>really musical. You know, he ain't just like a beat maker.

1:32:41.120 --> 1:32:43.360
<v Speaker 3>He's really musical. Mm hmm.

1:32:44.080 --> 1:32:47.400
<v Speaker 2>That's the West Coast producers that has always it has

1:32:47.520 --> 1:32:51.920
<v Speaker 2>always fascinated me, like the music reality, like like it's

1:32:52.280 --> 1:32:58.559
<v Speaker 2>it's always a guitar, always horn, yes, but then it's

1:32:58.640 --> 1:33:04.240
<v Speaker 2>got this thing under it. It's like how dog and

1:33:04.360 --> 1:33:05.599
<v Speaker 2>that ship jumping?

1:33:05.920 --> 1:33:07.080
<v Speaker 3>Oh yeah, I love that.

1:33:07.280 --> 1:33:10.200
<v Speaker 1>Oh yeah. So we had a very very important part

1:33:10.200 --> 1:33:10.599
<v Speaker 1>of the show.

1:33:10.800 --> 1:33:15.240
<v Speaker 5>Yeah you tell us a story funnyer, fucked up, funny

1:33:15.320 --> 1:33:16.080
<v Speaker 5>and fucked up.

1:33:16.320 --> 1:33:18.040
<v Speaker 4>Well, it's it's funny and fuck.

1:33:20.600 --> 1:33:23.439
<v Speaker 1>The only rule to the game you can't say no name.

1:33:23.560 --> 1:33:26.639
<v Speaker 3>I ain't gonna say it. I won't say it now.

1:33:28.360 --> 1:33:30.240
<v Speaker 3>It was a guy, you know, it was the person

1:33:30.320 --> 1:33:36.960
<v Speaker 3>I was on tour with, and this person had I mean,

1:33:37.320 --> 1:33:40.400
<v Speaker 3>if this dude was like, you know, we became cool

1:33:40.479 --> 1:33:43.200
<v Speaker 3>later on after all, you know, after we had the

1:33:43.280 --> 1:33:45.960
<v Speaker 3>boss up on him to let him know, like, hold up, motherfucker,

1:33:46.000 --> 1:33:48.040
<v Speaker 3>you got you got it, you got it. Fucked up.

1:33:48.600 --> 1:33:50.000
<v Speaker 4>I don't know who you think we are.

1:33:51.040 --> 1:33:53.840
<v Speaker 3>Was was telling us that when we was all on

1:33:53.920 --> 1:33:56.880
<v Speaker 3>the same tour together, but when he come through the hall,

1:33:57.000 --> 1:34:01.559
<v Speaker 3>everybody got to turn towards the wall, like niggas you crazy,

1:34:02.680 --> 1:34:05.760
<v Speaker 3>and we nigga turned against the like y'all gotta turn

1:34:06.000 --> 1:34:06.639
<v Speaker 3>face into.

1:34:09.280 --> 1:34:10.360
<v Speaker 1>So we made it out.

1:34:10.479 --> 1:34:13.320
<v Speaker 3>We made it our point to stand right in the middle,

1:34:13.560 --> 1:34:16.000
<v Speaker 3>like we gonna stand right here, nigga, what you're gonna do?

1:34:17.560 --> 1:34:17.720
<v Speaker 1>You know.

1:34:17.960 --> 1:34:19.760
<v Speaker 3>So it became, you know, it got to where it

1:34:19.840 --> 1:34:23.240
<v Speaker 3>almost came the blows. But all the security on the tour,

1:34:24.720 --> 1:34:28.639
<v Speaker 3>uh put us together, put us said, Okay, we gotta

1:34:28.680 --> 1:34:30.600
<v Speaker 3>settle this. So what we did is we had a

1:34:30.680 --> 1:34:35.639
<v Speaker 3>basketball game to settle the differences. The nigga was good.

1:34:38.520 --> 1:34:44.240
<v Speaker 3>He was good, yeah, but look he was good on

1:34:44.479 --> 1:34:47.960
<v Speaker 3>that and that that with that y. What I used

1:34:48.000 --> 1:34:50.720
<v Speaker 3>to do was like, Okay, I ain't gonna I ain't

1:34:50.760 --> 1:34:53.519
<v Speaker 3>gonna bother this motherfucker no more. We ain't gonna get

1:34:53.520 --> 1:34:56.200
<v Speaker 3>into it, get into it no more. So I would

1:34:56.240 --> 1:34:59.439
<v Speaker 3>do my show and then when he come on stage,

1:34:59.520 --> 1:35:02.760
<v Speaker 3>what I would do, I was cracking. I was like

1:35:02.880 --> 1:35:07.320
<v Speaker 3>the young like Drake or you know the ladies love like.

1:35:07.479 --> 1:35:10.720
<v Speaker 3>I was like the young all the ladies. I was

1:35:10.960 --> 1:35:18.080
<v Speaker 3>tank the lady. So I he this nigga perform on stage.

1:35:18.120 --> 1:35:20.040
<v Speaker 3>So I come out on the on the side. And

1:35:20.160 --> 1:35:22.719
<v Speaker 3>when I come out on the side, all the girls

1:35:22.800 --> 1:35:28.320
<v Speaker 3>everybody like they scream, and he would bring his ass.

1:35:28.520 --> 1:35:32.160
<v Speaker 3>He bring his motherfucking ass right over there, right by.

1:35:32.120 --> 1:35:35.400
<v Speaker 1>The speaker, dump.

1:35:36.840 --> 1:35:41.720
<v Speaker 3>Like trying to blow everybody. Yeah, and they still all

1:35:41.800 --> 1:35:45.920
<v Speaker 3>the lady calling my name. I'm like, yeah, nigga, yeah,

1:35:46.560 --> 1:35:52.559
<v Speaker 3>hey yeah yeah. They they won't me. So I had

1:35:52.640 --> 1:35:54.639
<v Speaker 3>to get him back. So I would do that ship

1:35:54.680 --> 1:35:55.800
<v Speaker 3>a lot to funk with him.

1:35:56.680 --> 1:35:56.800
<v Speaker 5>Uh.

1:35:58.600 --> 1:36:02.000
<v Speaker 4>And he was just like this mother fucker, and I

1:36:02.080 --> 1:36:03.360
<v Speaker 4>mean it was it was crazy.

1:36:03.400 --> 1:36:06.760
<v Speaker 3>And then he it's some other stuff. I ain't gonna

1:36:06.800 --> 1:36:11.400
<v Speaker 3>get into that, but this dude was a trip like uh,

1:36:12.200 --> 1:36:16.800
<v Speaker 3>with his with his uh his background singers. All of

1:36:16.880 --> 1:36:19.240
<v Speaker 3>that he told he was telling all themfuckers, y'all bet

1:36:19.400 --> 1:36:23.240
<v Speaker 3>not go around them niggas, none of that ship. I

1:36:23.439 --> 1:36:24.320
<v Speaker 3>was like, damn.

1:36:26.640 --> 1:36:30.800
<v Speaker 4>Yeah, yeah, yeah it was crazy. Uh but that that

1:36:31.000 --> 1:36:32.320
<v Speaker 4>was a crazy story.

1:36:32.800 --> 1:36:38.080
<v Speaker 3>Uh yeah, that uh to different Other than panties and

1:36:38.280 --> 1:36:40.839
<v Speaker 3>balls and ship flying on the stage, that was normal.

1:36:43.479 --> 1:36:48.160
<v Speaker 1>It was, it was, it was only right, only what.

1:36:49.880 --> 1:36:50.519
<v Speaker 3>I got.

1:36:50.720 --> 1:36:52.599
<v Speaker 1>I got to do my little last bit of tour

1:36:52.720 --> 1:36:53.400
<v Speaker 1>in the nineties.

1:36:54.040 --> 1:36:55.240
<v Speaker 3>You know I wouldn't.

1:36:55.720 --> 1:36:57.320
<v Speaker 2>I wasn't the lead artist. You know what I'm saying.

1:36:57.439 --> 1:37:04.679
<v Speaker 2>Genuine was the But I was like, is this they say,

1:37:05.560 --> 1:37:09.560
<v Speaker 2>you'd have been the main artist. Yeah, yeah in the

1:37:09.800 --> 1:37:17.200
<v Speaker 2>nineties me in the nineties. Way, Lord, the Lord, save you,

1:37:17.360 --> 1:37:21.200
<v Speaker 2>preserve time. He said, we gotta get him out the nineties.

1:37:22.479 --> 1:37:23.840
<v Speaker 1>You don't come out. You don't come out to you

1:37:23.920 --> 1:37:24.519
<v Speaker 1>don't come out.

1:37:24.439 --> 1:37:26.200
<v Speaker 2>To the two thousand, because if you if you have

1:37:26.360 --> 1:37:31.519
<v Speaker 2>behaving like this as Genuine's valet, ain't no way, ain't

1:37:31.520 --> 1:37:33.400
<v Speaker 2>no way that you sing lead.

1:37:33.720 --> 1:37:34.400
<v Speaker 1>In the nineties.

1:37:34.439 --> 1:37:36.640
<v Speaker 2>He would let me man or wouldn't let me do it,

1:37:36.640 --> 1:37:41.160
<v Speaker 2>because it was it was, It wasn't right as we

1:37:41.360 --> 1:37:45.720
<v Speaker 2>look at it now. And look back on about I'm

1:37:45.800 --> 1:37:54.840
<v Speaker 2>telling you, wow, free for all man. Man the buffet, Yeah,

1:37:55.120 --> 1:37:56.840
<v Speaker 2>all you can eat. What's the what's the rib?

1:37:56.960 --> 1:38:07.599
<v Speaker 3>Call the flanking a flanking, flanking everywhere, everywhere, everywhere, Brother

1:38:07.720 --> 1:38:11.719
<v Speaker 3>Warren g listen, man, I'm I'm I'm I'm very happy.

1:38:12.880 --> 1:38:15.479
<v Speaker 3>First of all, we're very appreciative. But we're coming up

1:38:15.520 --> 1:38:16.760
<v Speaker 3>here man, rocking with us.

1:38:16.840 --> 1:38:21.080
<v Speaker 1>Man. We love what you do. I mean my brother,

1:38:21.360 --> 1:38:25.840
<v Speaker 1>my brother knows lyrics, lyrics, lyrics, all the words like all.

1:38:26.080 --> 1:38:29.880
<v Speaker 2>You know what I'm saying, like your your your your culture, man,

1:38:30.000 --> 1:38:33.120
<v Speaker 2>your your your soundtrack to our lives, bro, and that

1:38:33.320 --> 1:38:36.880
<v Speaker 2>and to us, that is important, even even the little things,

1:38:36.920 --> 1:38:39.920
<v Speaker 2>even the things that we don't know that that maybe

1:38:40.080 --> 1:38:41.960
<v Speaker 2>you would have been like, you know, that's cool and

1:38:42.360 --> 1:38:46.280
<v Speaker 2>I'm not tripping on that. Those those are still gems man,

1:38:46.439 --> 1:38:51.479
<v Speaker 2>Those are still uh important pieces and contributions that again

1:38:51.760 --> 1:38:54.880
<v Speaker 2>are the soundtracks to all of this ship and the

1:38:54.920 --> 1:38:57.280
<v Speaker 2>reason why we're able to do what then we do. Yeah,

1:38:57.400 --> 1:39:01.720
<v Speaker 2>for sure, those doors Listen. I'm one of those samplers.

1:39:02.520 --> 1:39:05.240
<v Speaker 2>You know what I'm saying. It was going from R

1:39:06.560 --> 1:39:08.439
<v Speaker 2>you know what I'm saying, and going from x L

1:39:08.600 --> 1:39:11.560
<v Speaker 2>R going from I'm one of those kids, you know

1:39:11.600 --> 1:39:13.639
<v Speaker 2>what I'm saying. So all that I'm listening to y'all,

1:39:14.000 --> 1:39:16.040
<v Speaker 2>how do they where did they grab? I go and

1:39:16.479 --> 1:39:18.120
<v Speaker 2>I buy a record store that is going out of

1:39:18.160 --> 1:39:21.560
<v Speaker 2>business off by four boxes from them. Yeah yeah, so

1:39:21.720 --> 1:39:24.560
<v Speaker 2>that I can do that? Yeah, yeah, you know what

1:39:24.600 --> 1:39:27.720
<v Speaker 2>I'm saying. So you know, you you're you're, you're you're

1:39:27.760 --> 1:39:34.200
<v Speaker 2>important to us. Brother, your story, your music, your barbecue.

1:39:34.439 --> 1:39:34.600
<v Speaker 5>You know.

1:39:34.800 --> 1:39:37.760
<v Speaker 3>And as a and as and as a father of

1:39:37.840 --> 1:39:40.200
<v Speaker 3>an athlete who made the NFL, yes and day, yes,

1:39:40.520 --> 1:39:40.800
<v Speaker 3>there's that.

1:39:40.920 --> 1:39:42.040
<v Speaker 1>Shout you out for that. Man.

1:39:42.320 --> 1:39:44.120
<v Speaker 5>You know, we all got we all fathers, we all

1:39:44.200 --> 1:39:47.680
<v Speaker 5>got kids play sports. Man to have that moment too,

1:39:48.520 --> 1:39:53.040
<v Speaker 5>because everybody knows and music. We all love sports vice versa,

1:39:53.120 --> 1:39:55.680
<v Speaker 5>they all love music. So to be able to have

1:39:55.920 --> 1:39:58.679
<v Speaker 5>a son who played in the NFL and a man.

1:39:58.600 --> 1:40:01.760
<v Speaker 1>That's yeah, you can gratulation that. Thank you man, shout

1:40:01.760 --> 1:40:06.200
<v Speaker 1>out to your son. Thank you. My name is Valentine

1:40:06.320 --> 1:40:09.720
<v Speaker 1>and this is the R and B Money Podcast, the authority.

1:40:09.280 --> 1:40:11.840
<v Speaker 3>On all things R and B.

1:40:12.920 --> 1:40:17.120
<v Speaker 1>Yeah, gangst the R and B gangs stuff. Nobody.

1:40:17.760 --> 1:40:21.920
<v Speaker 2>I don't know who you, I don't know what you

1:40:22.000 --> 1:40:24.960
<v Speaker 2>want to put it on, but we got the man,

1:40:25.080 --> 1:40:31.160
<v Speaker 2>the myth, the legend man. And and still yes warned, yes,