WEBVTT - Invisible to the Eye

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<v Speaker 1>a dot org. Hi. I'm Abnemone and I'm Ricked Schwartz

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<v Speaker 1>and we're here from the San Diego Zoo Wildlife Alliance,

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<v Speaker 1>the global conservation organization behind the world Chame of San

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<v Speaker 1>Diego Zoo and so far a park and together. We're

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<v Speaker 1>excited to announce the podcast Amazing Wildlife. Here incredible stories

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<v Speaker 1>about wildlife and the global efforts to save it as

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<v Speaker 1>we explore the connection between humans, wildlife, and the environment.

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<v Speaker 1>Listen to Amazing Wildlife on the I Heart Radio app,

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<v Speaker 1>Apple Podcast, or wherever you get your podcasts. I Yeah,

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<v Speaker 1>we're excited. What I want to do is a long

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<v Speaker 1>distance grandparent podcast, because I grew up with grandparents in

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<v Speaker 1>the home. Head A Shapan was a producer on Mr.

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<v Speaker 1>Rogers Neighborhood. She has a story she likes to tell

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<v Speaker 1>about her grandkids. When I babysit for my grandchildren in Chicago,

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<v Speaker 1>when the phone rings, they both scream out, don't answer it,

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<v Speaker 1>don't answer it. It might be a telemarketer. Don't answer,

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<v Speaker 1>don't answer it might be a telemarketer. With this fervor

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<v Speaker 1>and terror almost so, one day, the four and a

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<v Speaker 1>half year old came to me and she said, Grandma,

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<v Speaker 1>I never asked this question before, but I really want

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<v Speaker 1>to know what happens if you do answer it and

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<v Speaker 1>it's a telemarketer. She said, do the police come. This

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<v Speaker 1>is a phenomenal world we live in, and it's very complicated.

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<v Speaker 1>To a young child. There's so many things that kids

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<v Speaker 1>just don't understand, and that's why they ask why all

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<v Speaker 1>the time, why the street lights turn red, why water

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<v Speaker 1>goes down the drain, where someone goes when they leave

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<v Speaker 1>the room, or whether they will even come back. Kids

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<v Speaker 1>fill that void with wonder, sometimes with magical ideas, and

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<v Speaker 1>sometimes they fill that void with monsters and with fear.

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<v Speaker 1>There's a quote from Mr rogers favorite book, The Little Prince.

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<v Speaker 1>What is essential is invisible to the eye. Fred spent

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<v Speaker 1>his whole life learning how to see the invisible insides

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<v Speaker 1>of children in his audience, learning about that essential thing,

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<v Speaker 1>how kids make sense of the world, how we all

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<v Speaker 1>make sense of the world. Fred understood that childhood is

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<v Speaker 1>the essence of who we become, and these things that

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<v Speaker 1>we work on in our childhood and the way we

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<v Speaker 1>resolve them stay with us through our lives. I'm Carvel

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<v Speaker 1>Wallace and this is Finding Fred, a podcast about Fred

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<v Speaker 1>Rogers from I Heart Media and Fatherly in partnership with

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<v Speaker 1>Transmitter Media. For years, for centuries, maybe we didn't know

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<v Speaker 1>much about children. They were assumed to be like tiny

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<v Speaker 1>adults who just did some discipline, some training to grow

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<v Speaker 1>up and be well mannered people. But after World War Two,

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<v Speaker 1>a new field of research emerged, child development, and with

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<v Speaker 1>it the revolutionary idea that kids aren't simply blank slates

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<v Speaker 1>waiting to be stamped with ideas and personalities. People started

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<v Speaker 1>to understand that kids are constantly sampling the world around

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<v Speaker 1>them and assembling an identity a way of being in

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<v Speaker 1>the world. Because the important question is not so much

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<v Speaker 1>what can we give children onto them, what can we

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<v Speaker 1>produce for them? The really important question is what are

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<v Speaker 1>they bringing to us. For more than fifty years, Head

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<v Speaker 1>to Sharepan has worked with the production company founded by

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<v Speaker 1>Fred Rogers in Pittsburgh. What's fascinating is that Pittsburgh was

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<v Speaker 1>such a hub for understanding early childhood as the beginning

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<v Speaker 1>of the journey to adulthood. In the nineteen fifties, the

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<v Speaker 1>University of Pittsburgh was home to pioneering work in field

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<v Speaker 1>of child development. Eric Erickson, who coined the term identity crisis,

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<v Speaker 1>was a professor there. He was among the first psychologists

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<v Speaker 1>to take seriously the inner lives of children. Benjamin Spock

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<v Speaker 1>was also there for much of the twentieth century. His

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<v Speaker 1>book on Children was the second best selling work after

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<v Speaker 1>the Bible. But then there was doctor Margaret McFarland, not

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<v Speaker 1>as well known as the other two, but perhaps the

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<v Speaker 1>most gifted of them all. Ericson himself once said that

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<v Speaker 1>quote she knew more than anyone in this world about

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<v Speaker 1>families with young children. It was Margaret McFarland that Fred

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<v Speaker 1>Rogers chose as his mentor. I was a student of

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<v Speaker 1>Margaret McFarlane's in grad school, and one thing she would

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<v Speaker 1>do was tell stories. She would give us the context

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<v Speaker 1>for things. She would talk about a child who was

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<v Speaker 1>sad because his mother had to go out and he

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<v Speaker 1>was left with the babysitter, and he sulked for a

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<v Speaker 1>while and cried. But then what he did was he

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<v Speaker 1>got up into her rocking chair and he took a

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<v Speaker 1>magazine and sat there with it in his hands. It

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<v Speaker 1>was even upside down, but that's what she would do.

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<v Speaker 1>It was as if he needed to recreate her and

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<v Speaker 1>have her with him so that he wouldn't miss her

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<v Speaker 1>so much. One of the beauties of Fred's work with

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<v Speaker 1>Margaret is that, and with all of us, is that

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<v Speaker 1>she would help us see the things that were beyond

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<v Speaker 1>our eyes. Fred met Dr McFarland in the nineteen fifties,

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<v Speaker 1>he took her graduate level child development classes at the

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<v Speaker 1>University of Pittsburgh. Later, when he was making television, he

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<v Speaker 1>encouraged had to Sherepin to do the same. They were

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<v Speaker 1>taping at night, so it worked out with my schedule.

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<v Speaker 1>In the daytime, I was learning this complex our development theory,

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<v Speaker 1>and at night I would come into the control room

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<v Speaker 1>and I would see Fred live out all the things

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<v Speaker 1>I was learning about. How do you help children with aggression?

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<v Speaker 1>What do you do with the mad that you feel?

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<v Speaker 1>Ritual transitions? He says, we are going to go now

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<v Speaker 1>into it's time for the neighbor to make but he

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<v Speaker 1>led us to the next step, separation. Separation anxiety was

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<v Speaker 1>a kind of recurring theme on Mr. Rogers Neighborhood. Fred

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<v Speaker 1>found all sorts of ways to talk with kids about

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<v Speaker 1>that scariest thing, being abandoned. Oh really, sorry, Daniel, are

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<v Speaker 1>you I can see by your face that you really sad. Yeah,

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<v Speaker 1>it feels so awful to get forgotten. I know, why

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<v Speaker 1>did you forget me? Yeah? I was hurrying around so much.

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<v Speaker 1>I just wasn't thinking straight. Has that ever happened to you?

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<v Speaker 1>What somebody forgetting you? Yes? It has. Oh, could you

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<v Speaker 1>tell me about it. Well, it was my birthday party

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<v Speaker 1>and my very best friend forgot to come to my party.

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<v Speaker 1>She did. I waited and waited for her to come

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<v Speaker 1>to the door with a present, and what happened. She

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<v Speaker 1>was gone to her grandmother's house. I couldn't even get

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<v Speaker 1>her on the telephone. Was she mad at you? No,

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<v Speaker 1>she just forgot. Could you tell me again why you

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<v Speaker 1>didn't come for me one more time? I forgot? I know.

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<v Speaker 1>There are over nine hundred episodes of Mr. Rogers Neighborhood,

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<v Speaker 1>and each week Fred would walk down the street script

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<v Speaker 1>in hand to Dr McFarland's office. I can remember one

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<v Speaker 1>time when I wrote something about bees and she said, well,

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<v Speaker 1>do you know what bees mean to young children? Betsy

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<v Speaker 1>Siemens worked on Fred's show in the nineteen seventies. She

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<v Speaker 1>told me that Margaret McFarland helped them make a show

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<v Speaker 1>that spoke right to kids experience. She's, well, you know,

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<v Speaker 1>they if they sting you, you know, it has to

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<v Speaker 1>do with body integrity, and they you know, it's a violation.

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<v Speaker 1>And she wouldn't say don't use bees. She's just saying,

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<v Speaker 1>if we're going to have bees, we have to deal

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<v Speaker 1>with bees. You have to understand the implications. You have

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<v Speaker 1>to understand what that's about from this magical world that

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<v Speaker 1>we have hard time accessing, you know. But she had

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<v Speaker 1>full access, She had a passport right into that world,

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<v Speaker 1>and she could go there all the time. Margaret could

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<v Speaker 1>go there all the time, and she opened the door

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<v Speaker 1>for Fred, and Fred he held the door open for

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<v Speaker 1>the rest of the neighborhood. And one of the things

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<v Speaker 1>I always understood from Fred that um, until basically children

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<v Speaker 1>lose their milk teeth as you you know, like surround six,

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<v Speaker 1>they live in a magical world. And so I think

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<v Speaker 1>his thing was to to listen so hard and to

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<v Speaker 1>think so hard about how someone who lives in another world,

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<v Speaker 1>literally in a magical world where where there's little men

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<v Speaker 1>up in the street lights that are making them turn

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<v Speaker 1>different colors, it's hard to access that child and hard

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<v Speaker 1>to communicate with that child. What a special assignment that

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<v Speaker 1>is to try to get access to that magical world.

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<v Speaker 1>And Mr Rogers neighborhood. Fred brought kids magical worlds to life.

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<v Speaker 1>The neighborhood of make Believe was a place where puppets

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<v Speaker 1>were in charge, wars could be solved with balloons, where

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<v Speaker 1>a striped tiger named Daniel lived in a clock. Are

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<v Speaker 1>you ready for the Neighborhood of Make Belief? Okay, here's

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<v Speaker 1>the trolley. Make the trolley come right around the castle.

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<v Speaker 1>And think of the Neighborhood of Make Belie. I mean,

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<v Speaker 1>and you tell you yea, yeah, really worried Mima Daniel?

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<v Speaker 1>You know, I think Daniel has been coughing ever since yesterday.

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<v Speaker 1>The trip to Make Believe could be playful and full

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<v Speaker 1>of wonder, but it could also be a safe place

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<v Speaker 1>where kids could encounter their fears and figure out how

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<v Speaker 1>to deal with them. Betsy told me that the Land

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<v Speaker 1>of Make Belief segments were the most carefully made parts

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<v Speaker 1>of the show. I would go to Margaret before I

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<v Speaker 1>ever wrote out dialogue for the neighbor to Make Believe,

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<v Speaker 1>and then she would talk to me about the implications.

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<v Speaker 1>There would be a through line in the Neighborhood of

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<v Speaker 1>Make Believe, like a little soap opera. And on Monday

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<v Speaker 1>something happens and then trouble. I mean, I'm thinking of

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<v Speaker 1>a week where Daniel got left behind. Lady Everland forgot

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<v Speaker 1>to take him somewhere, and and and he was left alone.

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<v Speaker 1>Could you tell me again why you didn't come for

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<v Speaker 1>me one more time? I forgot? I know. Does it

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<v Speaker 1>make you feel like we aren't really friends? Kind of

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<v Speaker 1>but I don't know why, but not really. No, we're friends, Daniel, Yes,

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<v Speaker 1>it seems like we just are. I'm still so sorry.

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<v Speaker 1>I'm not as sad as I was before before you

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<v Speaker 1>came and talked to me. M oh good. The stories

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<v Speaker 1>in the Land of Make Believe, we're reinforced by things

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<v Speaker 1>that happened in the rest of the show. In Mr

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<v Speaker 1>Rogers House, in the real life neighborhood, the opening reality

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<v Speaker 1>of the program, we deal with the stuff that dreams

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<v Speaker 1>are made of, and then in the Neighborhood of make Believe,

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<v Speaker 1>we deal with it as if it were a dream.

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<v Speaker 1>And then when it comes back to me, we deal

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<v Speaker 1>with the simple interpretation of the dream. Anything can happen

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<v Speaker 1>and make believe and we can talk about anything in reality.

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<v Speaker 1>One of Fred's favorite sayings was if it is mentionable,

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<v Speaker 1>it is manageable. The quote is from Margaret McFarland. She,

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<v Speaker 1>like Fred, believed that this is the real value of

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<v Speaker 1>TV for kids. Communication. It is less a show for

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<v Speaker 1>children and more real communication with him and That's the

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<v Speaker 1>only way I understand that is that to the child,

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<v Speaker 1>the television program between you and the child is a

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<v Speaker 1>real relationship, and that you were speaking to the child.

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<v Speaker 1>As soon as the television artist becomes a child before

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<v Speaker 1>the screen, then the adult child relationship is lost. Mr

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<v Speaker 1>Rogers Neighborhood did more than entertained kids. Margaret and Fred

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<v Speaker 1>listened carefully to children and then made a show that

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<v Speaker 1>spoke to them, that helped them make sense of the world,

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<v Speaker 1>that lovingly showed them how to be in the world.

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<v Speaker 1>But needless to say, that is not how most of

0:14:47.320 --> 0:15:09.000
<v Speaker 1>children's television turned out. More after the break. Teething can

0:15:09.000 --> 0:15:10.800
<v Speaker 1>be a real nightmare for your little ones. So are

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<v Speaker 1>you looking for the best relief to soothe teething pain?

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<v Speaker 1>Or Highlands Naturals Baby oral pain relief can help use

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<v Speaker 1>They'll soothe your baby's mouth and gums. No chemicals, no

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<v Speaker 1>funny business. Highlands is a kinder way to care for teething.

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<v Speaker 1>Get yours at Highlands dot com, slash kind that's h

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<v Speaker 1>y l A and ds dot com. Slash kind claims

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<v Speaker 1>based on traditional homeopath a practice not accept the medical

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<v Speaker 1>evidence not ft evaluated. It's impossible to escape the news

0:15:40.880 --> 0:15:43.920
<v Speaker 1>about the climate crisis these days, but all those headlines

0:15:43.960 --> 0:15:46.840
<v Speaker 1>can be frustrating. What are we as individuals able to

0:15:46.840 --> 0:15:49.280
<v Speaker 1>deal about it? Luckily, you can take the first step

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<v Speaker 1>When I was a parenting advice columnist for Slate, one

0:17:32.160 --> 0:17:35.199
<v Speaker 1>question we always got from parents was about how to

0:17:35.320 --> 0:17:38.600
<v Speaker 1>protect kids. From media and from all the bad things

0:17:38.640 --> 0:17:41.879
<v Speaker 1>they might find on YouTube in the Internet. For a

0:17:41.880 --> 0:17:45.080
<v Speaker 1>lot of us, this fear leads to a suspicion of

0:17:45.160 --> 0:17:49.560
<v Speaker 1>maybe even an outright panic about media and technology, because

0:17:49.600 --> 0:17:52.840
<v Speaker 1>it does feel next to impossible to figure out how

0:17:52.880 --> 0:17:57.080
<v Speaker 1>to shield your kids when so much stuff is flying

0:17:57.119 --> 0:18:02.240
<v Speaker 1>at them. But that feeling of threat is not new. Television,

0:18:02.240 --> 0:18:08.639
<v Speaker 1>in terms of children's TV started nationally in with Howdy

0:18:08.720 --> 0:18:11.879
<v Speaker 1>Dooty and it couldn't be more manic. David B. And

0:18:11.920 --> 0:18:14.560
<v Speaker 1>Cooley is a long time TV critic. Some of the

0:18:14.640 --> 0:18:19.320
<v Speaker 1>characters were more violent, were more rowdy. We can't play

0:18:19.359 --> 0:18:21.280
<v Speaker 1>you any of the footage from those early days of

0:18:21.320 --> 0:18:25.600
<v Speaker 1>TV because it is all astronomically expensive, even seventy plus

0:18:25.720 --> 0:18:44.040
<v Speaker 1>years later. But the show's basically sounded like this, kids,

0:18:44.119 --> 0:18:49.160
<v Speaker 1>tell your parents you want Oval Team, Tutsie Rolls, Twinkies, Coldgate, toothpaste,

0:18:49.160 --> 0:18:52.880
<v Speaker 1>Wonder Brad, shoes and hats and toys and Whirlpool dryers.

0:18:53.359 --> 0:18:56.560
<v Speaker 1>The children who were in the TV studio were called

0:18:56.600 --> 0:18:59.159
<v Speaker 1>the Peanut Gallery, and they were all amped up on

0:18:59.280 --> 0:19:03.240
<v Speaker 1>sugar products and it was a crazy place, and it

0:19:03.480 --> 0:19:09.439
<v Speaker 1>was hugely promotional in terms of pushing products for the

0:19:09.520 --> 0:19:16.200
<v Speaker 1>Kids to Buy a catalog had twenty four pages filled

0:19:16.240 --> 0:19:20.000
<v Speaker 1>with products licensed by how to Duty alone. It included

0:19:20.040 --> 0:19:25.720
<v Speaker 1>puppets and toys, clothing, cereals, and candies. There are those

0:19:25.760 --> 0:19:34.359
<v Speaker 1>people who sometimes say the television doesn't affect us all

0:19:34.400 --> 0:19:39.600
<v Speaker 1>that much, while all I can say is, then why

0:19:39.680 --> 0:19:46.040
<v Speaker 1>would advertisers pay so much money to put their messages

0:19:47.040 --> 0:19:50.920
<v Speaker 1>on a medium that doesn't affect us all that much?

0:19:52.400 --> 0:19:56.280
<v Speaker 1>In Fred Rogers came home to the trope from his

0:19:56.359 --> 0:19:59.520
<v Speaker 1>college in Florida. He discovered that his parents owned one

0:19:59.560 --> 0:20:04.959
<v Speaker 1>of the roost TVs in town. His first reaction was curiosity.

0:20:05.560 --> 0:20:09.600
<v Speaker 1>His next, as best we can tell, was discussed. It

0:20:09.680 --> 0:20:13.520
<v Speaker 1>was a program where people were dressed up in some

0:20:13.640 --> 0:20:17.160
<v Speaker 1>kinds of costumes or something and they were they literally

0:20:17.440 --> 0:20:20.960
<v Speaker 1>were putting pious in each other's faces on it. I

0:20:21.080 --> 0:20:27.720
<v Speaker 1>was astounded at that, and I thought this could be

0:20:27.920 --> 0:20:33.560
<v Speaker 1>a wonderful tool for education. Why is it being used

0:20:33.600 --> 0:20:37.919
<v Speaker 1>this way? And so I said to my parents, you know,

0:20:37.960 --> 0:20:41.080
<v Speaker 1>I don't think i'll go to seminary right away. I

0:20:41.119 --> 0:20:44.240
<v Speaker 1>think maybe i'll go into television. And I said, but

0:20:44.359 --> 0:20:46.760
<v Speaker 1>you've never even seen it, And I said, well, I've

0:20:46.800 --> 0:20:51.280
<v Speaker 1>seen enough of it here I just thought, Hey, let's

0:20:51.280 --> 0:20:54.359
<v Speaker 1>see what we can do with this. He was a

0:20:54.440 --> 0:20:58.200
<v Speaker 1>music major who was getting up to go to theological seminary,

0:20:58.359 --> 0:21:01.240
<v Speaker 1>and suddenly he was shipping off to NBC in New

0:21:01.320 --> 0:21:05.960
<v Speaker 1>York to make TV. He starts making connections, climbing the ladder.

0:21:06.000 --> 0:21:10.479
<v Speaker 1>He's making it in New York City, and then Pittsburgh calls.

0:21:20.960 --> 0:21:24.200
<v Speaker 1>Not only was Pittsburgh a hub for studying child development

0:21:24.520 --> 0:21:26.919
<v Speaker 1>in the nineteen fifties, it was also one of the

0:21:26.960 --> 0:21:30.439
<v Speaker 1>most innovative places in the country for technology, R and D.

0:21:31.080 --> 0:21:34.320
<v Speaker 1>It was the home to Alcoa Westinghouse, the forerunner of

0:21:34.320 --> 0:21:37.880
<v Speaker 1>what became Carnegie Mellon University, and early in the decade,

0:21:38.200 --> 0:21:42.399
<v Speaker 1>the city's mayor had his own technological eureka moment. He

0:21:42.560 --> 0:21:46.920
<v Speaker 1>dreamed up the idea of a community funded, non commercial,

0:21:47.520 --> 0:21:54.600
<v Speaker 1>educational public television station. In that dream became a reality,

0:21:54.840 --> 0:21:58.119
<v Speaker 1>w q e D, the first such public TV station

0:21:58.240 --> 0:22:02.359
<v Speaker 1>in the country. I told some of my friends at

0:22:02.520 --> 0:22:04.960
<v Speaker 1>NBC that I thought that I'd put my name in

0:22:05.040 --> 0:22:08.960
<v Speaker 1>and apply for the station. They said, you are nuts.

0:22:10.240 --> 0:22:13.840
<v Speaker 1>That place isn't even on the air yet, and you're

0:22:13.840 --> 0:22:17.320
<v Speaker 1>in line to be a producer or a director or anything.

0:22:17.359 --> 0:22:20.399
<v Speaker 1>You want to be here, and I said, now I

0:22:20.480 --> 0:22:25.040
<v Speaker 1>have I have the feeling that educational television might might be,

0:22:25.640 --> 0:22:31.199
<v Speaker 1>at least for me, the way of the future. And

0:22:31.720 --> 0:22:34.320
<v Speaker 1>I applied and was one of the first I think

0:22:34.359 --> 0:22:39.439
<v Speaker 1>one of the first six to be hired at w

0:22:39.600 --> 0:22:44.040
<v Speaker 1>q e D, which true, it wasn't on the air yet.

0:22:45.720 --> 0:22:48.399
<v Speaker 1>We didn't go on the air until April first of

0:22:48.520 --> 0:22:53.359
<v Speaker 1>nineteen fifty four. Fred was part of a new show

0:22:53.720 --> 0:22:58.119
<v Speaker 1>called The Children's Corner. Fred wasn't the host, that was

0:22:58.160 --> 0:23:01.600
<v Speaker 1>a local actor named Josie Ry, but it was present

0:23:01.640 --> 0:23:05.440
<v Speaker 1>in every scene, composing and playing the music and performing

0:23:05.480 --> 0:23:09.840
<v Speaker 1>with some very familiar puppets. I'd like everybody to meet

0:23:10.200 --> 0:23:13.199
<v Speaker 1>a very very good friend of mine, a tame tiger

0:23:13.520 --> 0:23:18.200
<v Speaker 1>is not wild? Was ready? Yes, stand up say, I'd

0:23:18.240 --> 0:23:23.320
<v Speaker 1>like you to meet my friend, Daniel F Tiger. Do

0:23:24.800 --> 0:23:31.000
<v Speaker 1>you do. One of my very earliest TV memories is

0:23:31.080 --> 0:23:34.040
<v Speaker 1>I remember Children's Corner. It was just a local TV

0:23:34.160 --> 0:23:40.800
<v Speaker 1>show in Pittsburgh, but it was captivating then because of

0:23:40.840 --> 0:23:45.960
<v Speaker 1>how sweet it was and how different from everything else

0:23:46.000 --> 0:23:50.439
<v Speaker 1>on TV. It was quiet, it was it was laid back,

0:23:50.760 --> 0:23:55.000
<v Speaker 1>and it took its time. A few years and a

0:23:55.000 --> 0:23:59.080
<v Speaker 1>few more puppets. Later, Fred was center stage on camera.

0:24:00.000 --> 0:24:02.920
<v Speaker 1>From the very beginning, Fred stood apart from his on

0:24:03.160 --> 0:24:07.119
<v Speaker 1>air peers, he wasn't pandering to kids. He wasn't selling

0:24:07.160 --> 0:24:11.800
<v Speaker 1>them toys or candy. He was using his complex understanding

0:24:12.080 --> 0:24:17.080
<v Speaker 1>of child psychology to create a real relationship with his audience.

0:24:17.840 --> 0:24:23.719
<v Speaker 1>He understood the value of repetition for young viewers. He

0:24:23.840 --> 0:24:29.840
<v Speaker 1>understood the value of structure to offer the same sort

0:24:29.840 --> 0:24:35.360
<v Speaker 1>of elements over and over again. He understood slow pacing

0:24:36.760 --> 0:24:39.440
<v Speaker 1>and which is not the same thing as being boring,

0:24:39.600 --> 0:24:45.040
<v Speaker 1>but it's just taking your time. Television is an exceedingly

0:24:45.359 --> 0:24:58.400
<v Speaker 1>personal medium. It reflects the story back to us whatever

0:24:58.640 --> 0:25:04.160
<v Speaker 1>we happened to be watching. We bring our own story

0:25:04.200 --> 0:25:09.960
<v Speaker 1>to the screen, and so consequently it's it's like a dialogue.

0:25:12.119 --> 0:25:18.359
<v Speaker 1>I do feel that what we see and hear on

0:25:18.400 --> 0:25:25.119
<v Speaker 1>the screen is part of who we become. After World

0:25:25.119 --> 0:25:29.639
<v Speaker 1>War Two, a television boom hit the US. In a

0:25:29.640 --> 0:25:32.840
<v Speaker 1>couple of years before Fred Rogers started making programs, fewer

0:25:32.880 --> 0:25:35.480
<v Speaker 1>than a million households in the US had a TV.

0:25:36.320 --> 0:25:39.440
<v Speaker 1>But two decades later, in nineteen sixty nine, when Fred

0:25:39.520 --> 0:25:42.880
<v Speaker 1>rogers neighborhood was a year old, there were forty four

0:25:42.920 --> 0:25:48.960
<v Speaker 1>millions such households. Advertisers got more aggressive. This flashy new

0:25:49.000 --> 0:25:53.000
<v Speaker 1>medium could make people feel sweeping emotions and then sell

0:25:53.040 --> 0:25:57.800
<v Speaker 1>them on toys and gadgets, maybe even on ideas. Meanwhile,

0:25:57.920 --> 0:26:01.440
<v Speaker 1>to attract new audiences to sell more stuff, shows got

0:26:01.440 --> 0:26:06.119
<v Speaker 1>louder and faster and more violent. During the sixties, you

0:26:06.160 --> 0:26:09.200
<v Speaker 1>see a wave of growing violence and unrest in the world,

0:26:09.680 --> 0:26:14.080
<v Speaker 1>assassinations and uprisings, and people wanted to know whether TV

0:26:14.440 --> 0:26:20.000
<v Speaker 1>was playing a role in this escalating mess. One such

0:26:20.080 --> 0:26:26.760
<v Speaker 1>person was John pass Story. By nineteen sixty nine, he

0:26:26.800 --> 0:26:29.000
<v Speaker 1>had served as the governor of Rhode Island and was

0:26:29.040 --> 0:26:32.760
<v Speaker 1>now a sitting senator. President Nixon was leaning on Congress

0:26:32.800 --> 0:26:35.879
<v Speaker 1>to shrink its funding to public broadcasting, and past Story

0:26:36.080 --> 0:26:39.920
<v Speaker 1>was skeptical about whether there was anything worth salvaging in TV.

0:26:40.960 --> 0:26:44.160
<v Speaker 1>A small delegation of public broadcasters was called to Washington

0:26:44.520 --> 0:26:47.399
<v Speaker 1>to advocate for and defend the medium in front of

0:26:47.440 --> 0:26:55.960
<v Speaker 1>Senator pas Story. Fred Rogers was among them. Head A

0:26:56.000 --> 0:26:59.080
<v Speaker 1>Sheapan was working with Fred by this time and recalls

0:26:59.119 --> 0:27:02.159
<v Speaker 1>how invested he was in reaching past Story with his

0:27:02.320 --> 0:27:07.480
<v Speaker 1>finely crafted message. Fred worked long and hard on his speeches,

0:27:08.480 --> 0:27:14.440
<v Speaker 1>revision and revision revision. So when I heard the Senator

0:27:14.520 --> 0:27:17.520
<v Speaker 1>past Story, who was the head of the Communications Committee,

0:27:18.200 --> 0:27:21.400
<v Speaker 1>said I don't want anyone to read their speeches any

0:27:21.680 --> 0:27:24.880
<v Speaker 1>I'm tired of hearing people read. Just tell me what

0:27:24.960 --> 0:27:32.840
<v Speaker 1>you want, I thought, Oh, good luck. Fred past Story

0:27:32.920 --> 0:27:36.560
<v Speaker 1>had sat through two days worth of testimony, mostly people

0:27:36.640 --> 0:27:40.119
<v Speaker 1>reading prepared statements focused on the dollars and cents involved

0:27:40.119 --> 0:27:43.359
<v Speaker 1>in cutting public TV's budget. He barks that he's not

0:27:43.520 --> 0:27:49.399
<v Speaker 1>interested in anymore reading Senator past Story, this is a

0:27:49.440 --> 0:27:53.919
<v Speaker 1>philosophical statement and would take about ten minutes to read,

0:27:54.080 --> 0:27:58.000
<v Speaker 1>so I'll not do that. My first children. Make you

0:27:58.119 --> 0:28:01.680
<v Speaker 1>happy if you read it, I'd just like to talk

0:28:01.720 --> 0:28:05.919
<v Speaker 1>about it if I'm very much concerned, as I know

0:28:06.080 --> 0:28:10.560
<v Speaker 1>you are, about what's being delivered to our children in

0:28:10.600 --> 0:28:18.200
<v Speaker 1>this country. I read an article about Senator past Story

0:28:18.240 --> 0:28:22.840
<v Speaker 1>that he was really troubled by the violence on television,

0:28:24.359 --> 0:28:27.360
<v Speaker 1>and I have a sense that Fred did his homework

0:28:28.600 --> 0:28:31.919
<v Speaker 1>and understood that that was something important to him. Because

0:28:31.960 --> 0:28:35.119
<v Speaker 1>Fred was like that, he wanted to know who his

0:28:35.200 --> 0:28:40.040
<v Speaker 1>audience was. He wanted to know who you are so

0:28:40.120 --> 0:28:45.200
<v Speaker 1>that he could relate in most meaningful, relevant kind of way.

0:28:45.560 --> 0:28:48.960
<v Speaker 1>I give an expression of care every day to each

0:28:49.040 --> 0:28:54.160
<v Speaker 1>child to help him realize that he is unique. I

0:28:54.200 --> 0:28:57.560
<v Speaker 1>am the program by saying, you've made this day a

0:28:57.680 --> 0:29:02.600
<v Speaker 1>special day by just your being you. There's no person

0:29:02.680 --> 0:29:05.880
<v Speaker 1>in the whole world like you, and I like you

0:29:06.120 --> 0:29:08.960
<v Speaker 1>just the way you are. Well, I'm supposed to be

0:29:09.000 --> 0:29:11.000
<v Speaker 1>a pretty tough guy, and this is the first time

0:29:11.040 --> 0:29:15.760
<v Speaker 1>I've had goose bumps for the last two days. Well,

0:29:15.800 --> 0:29:18.840
<v Speaker 1>I'm grateful not only for your goose bumps, but for

0:29:18.880 --> 0:29:24.920
<v Speaker 1>your interest in in our kind of communication. Fred spoke

0:29:25.120 --> 0:29:30.000
<v Speaker 1>from the heart, with passion, with clarity. It's not just

0:29:30.480 --> 0:29:36.640
<v Speaker 1>to influence someone, it's to help them feel something. That's

0:29:36.680 --> 0:29:39.640
<v Speaker 1>what will help you take it in. I think it's

0:29:39.640 --> 0:29:43.120
<v Speaker 1>wonderful that if it evokes something in you, I think

0:29:43.200 --> 0:29:47.640
<v Speaker 1>it's wonderful. It looks like you're just doing the twenty

0:29:47.640 --> 0:30:04.920
<v Speaker 1>million dollars. Fred always quoted the Little Prince, what is

0:30:05.040 --> 0:30:10.280
<v Speaker 1>essential is invisible to the eye. The full quote from

0:30:10.280 --> 0:30:13.760
<v Speaker 1>the book, however, is it is only with the heart

0:30:14.000 --> 0:30:17.920
<v Speaker 1>that one can see rightly what is essential is invisible

0:30:18.040 --> 0:30:23.240
<v Speaker 1>to the eye. Sometimes the most important feelings we have,

0:30:23.600 --> 0:30:28.600
<v Speaker 1>the most essential ones, are the quiet, nearly invisible ones,

0:30:29.520 --> 0:30:32.680
<v Speaker 1>the tiny feeling of regret that nags at us when

0:30:32.720 --> 0:30:35.959
<v Speaker 1>we think we might be hurting someone, the small tingle

0:30:36.080 --> 0:30:40.120
<v Speaker 1>we feel when we see something that we love, and

0:30:40.200 --> 0:30:44.800
<v Speaker 1>maybe when we are children, these feelings are louder in us,

0:30:44.880 --> 0:30:48.360
<v Speaker 1>more intense. But the thing is, as children, we don't

0:30:48.480 --> 0:30:52.120
<v Speaker 1>yet know which feelings are to be ignored, like the

0:30:52.160 --> 0:30:54.880
<v Speaker 1>fear that the police will come if the telemarketers call,

0:30:55.400 --> 0:30:59.760
<v Speaker 1>and which ones are important, like the feeling that someone

0:31:00.160 --> 0:31:05.240
<v Speaker 1>trust maybe trying to hurt you. We count on the

0:31:05.280 --> 0:31:07.840
<v Speaker 1>adults in our lives to help us sort that out

0:31:07.920 --> 0:31:12.920
<v Speaker 1>as we grow. So what happens when the adults who

0:31:12.960 --> 0:31:18.000
<v Speaker 1>are teaching us are themselves unable to listen with the heart,

0:31:18.680 --> 0:31:21.800
<v Speaker 1>when they don't pay attention to how we're feeling or

0:31:21.880 --> 0:31:25.520
<v Speaker 1>what we need. What happens when adults can't help us

0:31:25.920 --> 0:31:29.600
<v Speaker 1>because their lives are too busy or too loud, or

0:31:29.680 --> 0:31:34.040
<v Speaker 1>too full of fear. When we're left alone with feelings

0:31:34.080 --> 0:31:37.760
<v Speaker 1>we don't understand or know what to do with. What

0:31:37.880 --> 0:31:40.600
<v Speaker 1>kind of world does that make for all of us?

0:31:42.440 --> 0:31:45.440
<v Speaker 1>And what kind of world could we have if we

0:31:45.440 --> 0:31:49.880
<v Speaker 1>were better at listening to those quiet cues from children,

0:31:50.560 --> 0:32:06.200
<v Speaker 1>especially the kids that still live somewhere inside us. Next time,

0:32:07.320 --> 0:32:09.920
<v Speaker 1>if you're vulnerable on camera, and if you let people

0:32:09.920 --> 0:32:11.720
<v Speaker 1>know when you don't know, or if you let people

0:32:11.760 --> 0:32:13.800
<v Speaker 1>see you break, or if you let people see you

0:32:13.920 --> 0:32:16.960
<v Speaker 1>like sweat like, then they connect with you on a

0:32:17.040 --> 0:32:23.840
<v Speaker 1>human level. Finding Fred is produced by Transmitter Media. The

0:32:23.880 --> 0:32:26.880
<v Speaker 1>team is Dan O'donnald, Jordan Bailey, and Maddie Foley. Our

0:32:27.040 --> 0:32:30.640
<v Speaker 1>editor is Sarah Nicks. The executive producer for Transmitter Media

0:32:30.760 --> 0:32:34.600
<v Speaker 1>is Greta Cohn. Executive producers at Fatherly are Simon Isaacs

0:32:34.600 --> 0:32:37.680
<v Speaker 1>and Andrew Berman. Thanks to the team at I Heart Media.

0:32:38.200 --> 0:32:41.840
<v Speaker 1>Fred watchers interviewed tape courtesy of the Television Academy Foundation Interviews.

0:32:42.120 --> 0:32:45.200
<v Speaker 1>The full interview is available at Television Academy dot com

0:32:45.320 --> 0:32:49.240
<v Speaker 1>slash Interviews. Our show is mixed by Rick Kwan, music

0:32:49.280 --> 0:32:52.040
<v Speaker 1>by Blue Dots, Sessions and Alison Layton Brown. If you

0:32:52.120 --> 0:32:54.920
<v Speaker 1>like what you're hearing, rate the show, review the show,

0:32:55.080 --> 0:32:58.840
<v Speaker 1>and tell a friend I'm Carvelo Wallace and thanks for listening.

0:33:13.680 --> 0:33:16.040
<v Speaker 1>Teething can be a real nightmare for your little ones.

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<v Speaker 1>Highlands Naturals Baby oral pain relief tablets can help ease

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<v Speaker 1>the pain. It's gentle, natural active ingredients like Camemeo and

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<v Speaker 1>Arnica suite your baby's mouth and gums made with ingredients

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<v Speaker 1>derived from plant minerals and other sources free of harsh chemicals.

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<v Speaker 1>You can count on Highlands for serious pain relief for

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<v Speaker 1>your teething baby. Highlands is a kinder way to care

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<v Speaker 1>for teething Visit Highlands dot com. Slash kind. That's h

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<v Speaker 1>y l a n ds dot com. Slash kind claims

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<v Speaker 1>based on traditional homeopathropractice, not accept the medical evidence, not

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<v Speaker 1>ft evaluated. Hi. I'm Ebony Money and I'm Ricked Schwartz

0:33:50.640 --> 0:33:53.160
<v Speaker 1>and we're here from the San Diego Zoo Wildlife Alliance,

0:33:53.320 --> 0:33:56.240
<v Speaker 1>the global conservation organization behind the world cham of San

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<v Speaker 1>Diego Zoo and Safari Park, and together we're excited to

0:34:00.120 --> 0:34:06.000
<v Speaker 1>announced the podcast Amazing Wildlife. Here incredible stories about wildlife

0:34:06.040 --> 0:34:08.320
<v Speaker 1>and the global efforts to save it as we explore

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<v Speaker 1>the connection between humans, wildlife and the environment. Listen to

0:34:12.360 --> 0:34:15.680
<v Speaker 1>Amazing Wildlife on the I Heart Radio app, Apple Podcast,

0:34:15.880 --> 0:34:23.000
<v Speaker 1>or wherever you get your podcasts. Here at Freddy's we

0:34:23.200 --> 0:34:25.520
<v Speaker 1>could tell you how our original double is. This steak

0:34:25.560 --> 0:34:29.120
<v Speaker 1>burger made with lean ground beef, cooked to order with

0:34:29.200 --> 0:34:33.360
<v Speaker 1>deliciously crispy edges and finished off with our Freddie's famous seasoning,

0:34:33.680 --> 0:34:36.600
<v Speaker 1>but we'd rather let her original double speak for itself.

0:34:38.520 --> 0:34:41.919
<v Speaker 1>I couldn't have said it better ourselves. Enjoy food made

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<v Speaker 1>fresh the Freddy's Way. Tap now or learn more at

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<v Speaker 1>Freddy's USA dot com