1 00:00:01,520 --> 00:00:04,960 Speaker 1: All right, welcome to episode eighty nine of the Bobby Cast, 2 00:00:05,000 --> 00:00:08,240 Speaker 1: brought to you my Blue Apron tab. How good that is? 3 00:00:08,280 --> 00:00:09,760 Speaker 1: In a second? Oh, by the way, let me say 4 00:00:09,760 --> 00:00:12,320 Speaker 1: that's the first episode of Good Company with Jake Owen. 5 00:00:12,920 --> 00:00:16,479 Speaker 1: It's a new podcast, Jake talking to his buddies about 6 00:00:16,520 --> 00:00:19,439 Speaker 1: his early life and it's It's podcasts will continue to 7 00:00:19,480 --> 00:00:23,279 Speaker 1: be UM updated. Just search for Good Company with Jake 8 00:00:23,320 --> 00:00:25,560 Speaker 1: Owen and iTunes or wherever we listen to your podcast. 9 00:00:25,560 --> 00:00:30,680 Speaker 1: So Good Company with Jaco on listen last. That's pretty Jake, 10 00:00:30,760 --> 00:00:35,280 Speaker 1: pretty interesting, dude. Man. That's our most listen to podcasts 11 00:00:35,280 --> 00:00:38,120 Speaker 1: on this thing too. It's like he's got so many 12 00:00:38,120 --> 00:00:39,720 Speaker 1: downloads because we get into a fight in the middle 13 00:00:39,760 --> 00:00:42,640 Speaker 1: of it. But yeah, yeah, yeah, yeah yeah, But uh, 14 00:00:42,840 --> 00:00:46,280 Speaker 1: I like, oh Jake, So there you go. Good Company 15 00:00:46,320 --> 00:00:50,040 Speaker 1: with Jaco and is available now. Some things talk about 16 00:00:50,560 --> 00:00:52,680 Speaker 1: before I talk about Blue Apron Ronny, get back to 17 00:00:52,720 --> 00:00:56,320 Speaker 1: Blue Apron a second. But I was reading this article 18 00:00:56,320 --> 00:00:58,080 Speaker 1: about Judy Garland. I touched on it on the air 19 00:00:58,160 --> 00:01:01,360 Speaker 1: this morning a bit. And Judy garl Land is Wizard 20 00:01:01,440 --> 00:01:07,520 Speaker 1: of Oz. Wizard of Oz was um before we were born. 21 00:01:07,640 --> 00:01:10,640 Speaker 1: But I think at least I was born in the eighties. 22 00:01:11,840 --> 00:01:16,880 Speaker 1: Everybody in my lane had seen the Wizard of Oz. 23 00:01:17,280 --> 00:01:19,520 Speaker 1: Now you were born what year? Okay, so you're born 24 00:01:19,520 --> 00:01:22,800 Speaker 1: in the nineties. Is that a thing for? Not in 25 00:01:22,880 --> 00:01:29,160 Speaker 1: these kids? Is he Wizard of Oz? Okay? True? So 26 00:01:29,400 --> 00:01:31,080 Speaker 1: I was reading this story about Judy Garland and I 27 00:01:31,080 --> 00:01:33,360 Speaker 1: pulled it up just I wouldn't mess it up. But 28 00:01:34,319 --> 00:01:36,880 Speaker 1: by the way, she died in her forties, and really 29 00:01:36,920 --> 00:01:38,679 Speaker 1: what we would know her for is just a Wizard 30 00:01:38,720 --> 00:01:41,679 Speaker 1: of Oz. And she was a kid actor, and she 31 00:01:41,720 --> 00:01:44,399 Speaker 1: did a whole bunch of movies that weren't as big 32 00:01:44,400 --> 00:01:46,920 Speaker 1: as a Wizard of Oz as a kid. And they 33 00:01:47,240 --> 00:01:49,600 Speaker 1: were reading the story and I saw the story on Reddit. 34 00:01:49,640 --> 00:01:52,600 Speaker 1: I'm a big redditor, like I felt, Reddit is kind 35 00:01:52,640 --> 00:01:54,720 Speaker 1: of the paper for me, Like I read a lot 36 00:01:54,720 --> 00:01:56,480 Speaker 1: of news sites, but I have to check Reddit about 37 00:01:56,480 --> 00:01:58,240 Speaker 1: three times a day because it moves. It only stays 38 00:01:58,320 --> 00:02:01,080 Speaker 1: up twenty four hours and everything goes away. I was 39 00:02:01,080 --> 00:02:04,320 Speaker 1: reading this story about Judy Garland because they're making a 40 00:02:04,440 --> 00:02:07,400 Speaker 1: new Wizard of Oz, like a live version of it, 41 00:02:07,440 --> 00:02:09,200 Speaker 1: I think for television or maybe for a movie, you know, 42 00:02:09,200 --> 00:02:10,679 Speaker 1: I mean they're doing like have they done this? Yeah? 43 00:02:10,680 --> 00:02:14,880 Speaker 1: They did one with James Franco the Wizard of Oz. Yeah, 44 00:02:14,960 --> 00:02:17,919 Speaker 1: but that was like the all that was like Oz. 45 00:02:18,040 --> 00:02:21,040 Speaker 1: That wasn't there wasn't like a real the Wizard of 46 00:02:21,040 --> 00:02:22,799 Speaker 1: Oz exact because they'll do like sound of music, and 47 00:02:22,800 --> 00:02:24,960 Speaker 1: it was exactly the sound of music with Carry Underwood. 48 00:02:25,360 --> 00:02:26,960 Speaker 1: So anyway, I think they're doing that like a new 49 00:02:27,080 --> 00:02:29,720 Speaker 1: version of the exact Wizard of Oz. And so because 50 00:02:29,720 --> 00:02:31,239 Speaker 1: of that, they're talking about Judy Garland when she was 51 00:02:31,240 --> 00:02:32,840 Speaker 1: a kid actor. She got The Wizard of Oz it 52 00:02:32,960 --> 00:02:37,280 Speaker 1: sixteen years old, and she's been doing movies for a 53 00:02:37,280 --> 00:02:39,799 Speaker 1: long time inside of I believe at the time MGM. 54 00:02:39,960 --> 00:02:41,600 Speaker 1: And what stuck out to me in the article was 55 00:02:42,280 --> 00:02:45,880 Speaker 1: that they had spies that watched her and made sure 56 00:02:45,919 --> 00:02:49,360 Speaker 1: that she kept a steady diet from this article coffee, 57 00:02:49,720 --> 00:02:55,080 Speaker 1: cigarettes and chicken soup, And for seventeen years, that's what 58 00:02:55,120 --> 00:02:59,000 Speaker 1: she did, so she could keep her body looking a 59 00:02:59,040 --> 00:03:01,760 Speaker 1: certain way, and people would watch and make sure they 60 00:03:01,760 --> 00:03:04,359 Speaker 1: were hired by the studio to make sure that that's 61 00:03:04,360 --> 00:03:06,400 Speaker 1: what she did, Like smoke up to eighty cigarettes a 62 00:03:06,480 --> 00:03:09,600 Speaker 1: day because that curbs your appetite. So that's what she 63 00:03:09,680 --> 00:03:14,240 Speaker 1: had coffee, smoked cigarettes, and a chicken soup. That was her. 64 00:03:14,280 --> 00:03:17,799 Speaker 1: Those were her meals. And and the article gets really 65 00:03:17,880 --> 00:03:21,000 Speaker 1: dark too, even darker than that's already dark, like you 66 00:03:21,000 --> 00:03:23,800 Speaker 1: have a kid. And then they would talk about how 67 00:03:24,400 --> 00:03:30,399 Speaker 1: Judy Garland would to wake up. They hit her with adrenaline. 68 00:03:30,600 --> 00:03:33,360 Speaker 1: They shoot her with adrenaline, and it put her asleep. 69 00:03:33,760 --> 00:03:37,520 Speaker 1: It was sleeping pills. And can you like years and 70 00:03:37,600 --> 00:03:41,000 Speaker 1: years of this, It's horrible. And at times she would 71 00:03:41,000 --> 00:03:44,840 Speaker 1: work for sixty hours at a time, sometimes doing multiple 72 00:03:44,840 --> 00:03:48,200 Speaker 1: movies at once, like do a movie within hours or 73 00:03:48,240 --> 00:03:50,920 Speaker 1: the next day, just go to another movie. And that's 74 00:03:50,920 --> 00:03:53,360 Speaker 1: what happened. They would give her pills to go sleep 75 00:03:53,440 --> 00:03:55,960 Speaker 1: and shoot with adrenaline and get her going. And you 76 00:03:56,040 --> 00:03:58,400 Speaker 1: read this and you're like, oh my god. And it 77 00:03:58,480 --> 00:04:04,440 Speaker 1: even gets into some of the harassment and molestation from 78 00:04:04,560 --> 00:04:09,480 Speaker 1: everyone from executives to the munchkins of the filming of it, 79 00:04:09,640 --> 00:04:14,480 Speaker 1: and how that while they were making the movie, the 80 00:04:14,520 --> 00:04:18,440 Speaker 1: adults on the movie were so jealous and resentful of her, 81 00:04:18,560 --> 00:04:22,599 Speaker 1: like the main cast of The Lion, the Scarecrow, the 82 00:04:22,640 --> 00:04:26,400 Speaker 1: tin Man. They hated her, so they ignored her and 83 00:04:26,400 --> 00:04:28,440 Speaker 1: the only person was nice to her of that whole 84 00:04:28,440 --> 00:04:30,159 Speaker 1: crew because she was the kid she I mean, she 85 00:04:30,200 --> 00:04:31,679 Speaker 1: was the main but she was the only kid. Really 86 00:04:32,520 --> 00:04:34,320 Speaker 1: was the wick a wing to the West, which in 87 00:04:34,360 --> 00:04:37,080 Speaker 1: the movie was her enemy, and I read that later. 88 00:04:37,360 --> 00:04:40,479 Speaker 1: I believe it was the Lion ended up it could 89 00:04:40,480 --> 00:04:42,480 Speaker 1: have been the tin Man. It feels ridiculous talking to 90 00:04:42,520 --> 00:04:45,679 Speaker 1: them in this form, ended up feeling like a total 91 00:04:45,760 --> 00:04:48,520 Speaker 1: dick and befriending her and like he was the only 92 00:04:48,560 --> 00:04:51,920 Speaker 1: one in her funeral from the wizard. It was a story, 93 00:04:52,040 --> 00:04:53,520 Speaker 1: and I'm gonna try to remember the postic that talked 94 00:04:53,560 --> 00:04:56,400 Speaker 1: about it this morning. I never posted it. And the 95 00:04:56,640 --> 00:04:58,520 Speaker 1: reason I bring it up again is because I went, 96 00:04:58,560 --> 00:05:00,640 Speaker 1: I was talking to my therapist today and I go. 97 00:05:00,680 --> 00:05:02,160 Speaker 1: I try to go once a week. Now I've gone 98 00:05:02,200 --> 00:05:04,080 Speaker 1: like six weeks in a row, seven weeks in a 99 00:05:04,120 --> 00:05:07,680 Speaker 1: row avenue therapists, and going to a therapist is like dating. 100 00:05:07,680 --> 00:05:08,960 Speaker 1: And I come from a place where I didn't know 101 00:05:09,040 --> 00:05:12,320 Speaker 1: what therapy was. Like. We're worried about trying to afford 102 00:05:12,360 --> 00:05:15,359 Speaker 1: Hamburger helper. We weren't worried about how did you how 103 00:05:15,400 --> 00:05:19,560 Speaker 1: do you feel today? Now? For me, especially in this job, 104 00:05:19,600 --> 00:05:22,480 Speaker 1: like I have to manage and I've learned more about 105 00:05:23,080 --> 00:05:25,760 Speaker 1: mental health and it is a thing. It's a real thing, 106 00:05:25,880 --> 00:05:28,040 Speaker 1: like mental health, mental health, And then I don't want 107 00:05:28,040 --> 00:05:30,039 Speaker 1: there to be a stigma attached to it. So I 108 00:05:30,120 --> 00:05:32,160 Speaker 1: try to talk about it, and there's a fine line 109 00:05:32,160 --> 00:05:33,440 Speaker 1: that I have to walk and talking about it and 110 00:05:33,560 --> 00:05:38,120 Speaker 1: where I don't want to sound like I'm not regular. Well, 111 00:05:38,120 --> 00:05:39,919 Speaker 1: first of all, I'm not regular in many ways, like 112 00:05:39,960 --> 00:05:43,960 Speaker 1: I'm nuts. I don't get in a bad way. There's 113 00:05:44,000 --> 00:05:45,960 Speaker 1: not even a bad way unless you're killing people are like. 114 00:05:47,279 --> 00:05:49,680 Speaker 1: So it's a it's a weird thing for me to 115 00:05:49,720 --> 00:05:51,960 Speaker 1: talk about, to go, yeah, I'm going to a therapist, 116 00:05:52,000 --> 00:05:54,200 Speaker 1: because a lot of people will go, oh, therapy, and 117 00:05:54,200 --> 00:05:56,640 Speaker 1: we'll look at fans pants over there, are you going 118 00:05:56,680 --> 00:06:00,560 Speaker 1: to a therapy? Or who a therapist? Something abuse. I 119 00:06:00,600 --> 00:06:02,360 Speaker 1: don't want there to be a stigma, and I don't 120 00:06:02,400 --> 00:06:04,000 Speaker 1: want people to go look at all fancy because it's 121 00:06:04,040 --> 00:06:06,200 Speaker 1: not for me. It's not a fancy pants thing. I 122 00:06:06,279 --> 00:06:08,159 Speaker 1: wasn't I was told to go back to I wasn't 123 00:06:08,160 --> 00:06:10,000 Speaker 1: going back to a therapist. I went for years. I 124 00:06:10,040 --> 00:06:12,960 Speaker 1: loved it, but then just got lazy because it's it 125 00:06:13,080 --> 00:06:16,039 Speaker 1: is a commitment psychologically, it's commitup with your time. It 126 00:06:16,040 --> 00:06:18,640 Speaker 1: tooks me thirty minutes to get there. It's miserable. But 127 00:06:18,680 --> 00:06:19,919 Speaker 1: then I get there today and I went and I 128 00:06:19,960 --> 00:06:23,039 Speaker 1: was the story that moved me so much I could 129 00:06:23,120 --> 00:06:24,480 Speaker 1: stop thinking about it. I thought about all night. I 130 00:06:24,480 --> 00:06:26,440 Speaker 1: wasn't gonna talk about it on the show today, and 131 00:06:26,640 --> 00:06:28,039 Speaker 1: I was like, I have talked about it, talk about 132 00:06:28,080 --> 00:06:30,200 Speaker 1: on the show. And then I got into my therapist 133 00:06:30,320 --> 00:06:33,560 Speaker 1: office and part of this article was she, I believe 134 00:06:33,680 --> 00:06:37,400 Speaker 1: only saying Somewhere over the Rainbow twice publicly after the 135 00:06:37,400 --> 00:06:40,080 Speaker 1: Wizard of Oz. She was saying it to her kids. 136 00:06:40,160 --> 00:06:42,719 Speaker 1: I believe that she had like I lizaim and La 137 00:06:42,720 --> 00:06:48,240 Speaker 1: I live her daughter Um, but she because it was 138 00:06:48,560 --> 00:06:52,839 Speaker 1: brought back terrible memories for her because it's it's the 139 00:06:53,080 --> 00:06:54,800 Speaker 1: song from Wizard of Oz, which by the way, they 140 00:06:54,800 --> 00:06:56,520 Speaker 1: almost cut from the movie because they were like this 141 00:06:56,600 --> 00:06:58,839 Speaker 1: is too sentimental, and like that's the song from Wizard 142 00:06:58,880 --> 00:07:01,760 Speaker 1: of Oz. So I go to my therapist's office today 143 00:07:02,839 --> 00:07:04,960 Speaker 1: and I was talking about this article and how she 144 00:07:05,080 --> 00:07:10,720 Speaker 1: felt like the only place that she felt love was 145 00:07:10,760 --> 00:07:13,800 Speaker 1: when she was on stage, and that's why she continued 146 00:07:13,840 --> 00:07:16,440 Speaker 1: to perform because she had these issues where she couldn't 147 00:07:16,800 --> 00:07:21,080 Speaker 1: open herself up to others because of all of the 148 00:07:21,080 --> 00:07:23,760 Speaker 1: trauma that she had been through psychologically and even physically, 149 00:07:24,640 --> 00:07:28,120 Speaker 1: and so that that's why she would perform, and that 150 00:07:28,200 --> 00:07:31,800 Speaker 1: she would feel this love and then she'd go off stage. 151 00:07:31,800 --> 00:07:34,080 Speaker 1: And that's what a lot of comedians will talk about, 152 00:07:34,480 --> 00:07:38,240 Speaker 1: how it's like that they crave that love. And people 153 00:07:38,280 --> 00:07:40,600 Speaker 1: that are funnier, people that have Hugue personalities not all 154 00:07:40,600 --> 00:07:43,080 Speaker 1: the time, but a lot of times, are people that 155 00:07:44,320 --> 00:07:47,280 Speaker 1: are very broken. In a similar way, I think we 156 00:07:47,360 --> 00:07:49,520 Speaker 1: all have parts of us that are broken. And I've 157 00:07:49,600 --> 00:07:52,520 Speaker 1: learned that i've gotten older that just because I grew 158 00:07:52,600 --> 00:07:55,760 Speaker 1: up really poor doesn't make it any worse than someone 159 00:07:55,800 --> 00:07:59,120 Speaker 1: who grew up super rich that had some other weird issues, 160 00:08:00,040 --> 00:08:02,120 Speaker 1: like issues or issues. And I used to just be 161 00:08:02,400 --> 00:08:05,400 Speaker 1: totally resentful of people with money. Now I'm not resentful. 162 00:08:05,400 --> 00:08:07,720 Speaker 1: I'm just like, we don't understand the same things, Like 163 00:08:08,520 --> 00:08:10,160 Speaker 1: I don't know what it's like to have any sort 164 00:08:10,160 --> 00:08:12,360 Speaker 1: of safeting net. And I used to just be like, 165 00:08:12,640 --> 00:08:14,560 Speaker 1: I just hate everybody who has money and is rich. 166 00:08:15,040 --> 00:08:17,440 Speaker 1: I don't do that anymore, partially a little bit because 167 00:08:17,440 --> 00:08:19,120 Speaker 1: I'm successful to the point where right right now I 168 00:08:19,160 --> 00:08:21,240 Speaker 1: have a little bit of money, but also because I've 169 00:08:21,280 --> 00:08:25,680 Speaker 1: also seen that it's not it's as different as it is, 170 00:08:25,720 --> 00:08:30,840 Speaker 1: it's the same. And so my therapist office, I was like, hey, 171 00:08:30,920 --> 00:08:33,280 Speaker 1: so I kind of feel after I read this article, 172 00:08:34,120 --> 00:08:36,000 Speaker 1: and I've watched a lot of performers and read a 173 00:08:36,000 --> 00:08:38,040 Speaker 1: lot of books from performers, like I'm kind of in 174 00:08:38,080 --> 00:08:42,760 Speaker 1: that place where I said to break up, my dog's dying. 175 00:08:43,600 --> 00:08:46,480 Speaker 1: There's all this stuff happening. That's not even the end 176 00:08:46,520 --> 00:08:48,600 Speaker 1: of the world. People, I have lots more problems than me, 177 00:08:49,440 --> 00:08:51,080 Speaker 1: but I paid for that time then in their danging 178 00:08:51,080 --> 00:08:53,640 Speaker 1: it summer, I've been talking about me, right, And so 179 00:08:53,679 --> 00:08:55,600 Speaker 1: we talked about that for a while, and I just 180 00:08:55,600 --> 00:08:57,440 Speaker 1: wanted to bring up that article and I was gonna 181 00:08:57,760 --> 00:09:00,760 Speaker 1: I'll tweet it out. It was over but it and 182 00:09:00,800 --> 00:09:02,839 Speaker 1: it's like it also was I said on the air 183 00:09:02,920 --> 00:09:08,920 Speaker 1: this morning, you just don't know what anybody is going through. Ever, 184 00:09:09,679 --> 00:09:14,080 Speaker 1: if you don't know, and we don't know, like i'd say, 185 00:09:14,120 --> 00:09:15,920 Speaker 1: you and I are close, so I know what happened. 186 00:09:15,960 --> 00:09:17,560 Speaker 1: I know where you're really going through. When you go 187 00:09:17,679 --> 00:09:21,320 Speaker 1: home and you're in your room for three hours, I know, 188 00:09:22,000 --> 00:09:24,640 Speaker 1: like I don't. I try to be nice and I'm 189 00:09:24,640 --> 00:09:26,120 Speaker 1: trying to be kind. I try to think. I have 190 00:09:26,120 --> 00:09:29,280 Speaker 1: no idea even when people are real jerks to me, 191 00:09:30,280 --> 00:09:32,480 Speaker 1: even artists that I don't get along with. And I 192 00:09:32,520 --> 00:09:34,360 Speaker 1: don't have to get along with everybody, and they're artists 193 00:09:34,360 --> 00:09:35,480 Speaker 1: that I have been and I don't get along with. 194 00:09:35,800 --> 00:09:37,000 Speaker 1: But I'm like, hey, it's good for the show, and 195 00:09:37,000 --> 00:09:39,600 Speaker 1: what do I care? I always go, man, I wonder 196 00:09:39,640 --> 00:09:42,840 Speaker 1: what's going on? Like and I tried to. I try 197 00:09:42,880 --> 00:09:45,200 Speaker 1: as hard as I can to always have that perspective, 198 00:09:45,240 --> 00:09:50,400 Speaker 1: and I don't always, and nobody's perfect, but I tried to. 199 00:09:50,520 --> 00:09:53,000 Speaker 1: And reading this story just reminded me like you would 200 00:09:53,040 --> 00:09:54,439 Speaker 1: think she was a kid on top of the world. 201 00:09:55,320 --> 00:09:58,240 Speaker 1: She was in the freaking Wizard of Oz, the biggest 202 00:09:58,280 --> 00:10:02,600 Speaker 1: movie of all time, you know that, and Freddie got fingered, 203 00:10:03,840 --> 00:10:07,840 Speaker 1: Tom Green spectacular there, but it was all. It was 204 00:10:07,920 --> 00:10:11,000 Speaker 1: just and she died in her forties, and somewhere over 205 00:10:11,000 --> 00:10:13,520 Speaker 1: the rainbow was watching a video and she was performing 206 00:10:13,559 --> 00:10:15,559 Speaker 1: it and it was she was doing a show. It 207 00:10:15,600 --> 00:10:18,160 Speaker 1: was that Judy Garland show and it was black and white. 208 00:10:18,280 --> 00:10:22,480 Speaker 1: Gett a bunch of email. Sorry, um, she was performing 209 00:10:22,480 --> 00:10:24,080 Speaker 1: the show and it's in black and whites on YouTube, 210 00:10:24,720 --> 00:10:26,200 Speaker 1: and she's singing it as one of the one of 211 00:10:26,200 --> 00:10:28,360 Speaker 1: the two times, and you can see her crying as 212 00:10:28,400 --> 00:10:33,000 Speaker 1: she's singing it. And listen. The thing the actresses do 213 00:10:33,240 --> 00:10:38,000 Speaker 1: is they act, but after reading the story, you're just like, 214 00:10:39,679 --> 00:10:42,440 Speaker 1: either she's the greatest actress of all time or you're 215 00:10:42,440 --> 00:10:45,320 Speaker 1: witnessing real pain right there. And there's a reason why 216 00:10:45,400 --> 00:10:47,920 Speaker 1: she didn't sing that song because all I did remind 217 00:10:47,920 --> 00:10:50,319 Speaker 1: her of this whole story that I did. You when 218 00:10:50,320 --> 00:10:52,959 Speaker 1: I talked about you go find a story, did it 219 00:10:53,000 --> 00:10:56,200 Speaker 1: shake you a bit? It really more than I thought. 220 00:10:56,320 --> 00:10:57,640 Speaker 1: And I was like, oh, just look at a guy, 221 00:10:57,720 --> 00:10:59,480 Speaker 1: just just a goods Oh my god. And I couldn't 222 00:10:59,480 --> 00:11:04,920 Speaker 1: stop reading it. Yeah, so um, I would suggest not 223 00:11:05,040 --> 00:11:06,960 Speaker 1: don't care to read it or not, But for me, 224 00:11:07,000 --> 00:11:10,839 Speaker 1: that was that was the thing. I was like. A 225 00:11:11,000 --> 00:11:15,440 Speaker 1: thing too was I watched The Punisher and it's a 226 00:11:15,440 --> 00:11:18,920 Speaker 1: series on Netflix. I'm drinking tea, so I'm a set. 227 00:11:21,760 --> 00:11:27,679 Speaker 1: That's so The Punishers series on Netflix, And uh, if 228 00:11:27,720 --> 00:11:30,720 Speaker 1: you don't like superhero movies, maybe it's not for you. 229 00:11:30,760 --> 00:11:33,000 Speaker 1: But he's not really a superhero because it doesn't fly. 230 00:11:33,480 --> 00:11:35,240 Speaker 1: He really doesn't have any powers except you can get 231 00:11:35,240 --> 00:11:38,760 Speaker 1: pushed in the faces and bounce back pretty quick, like 232 00:11:38,880 --> 00:11:41,800 Speaker 1: the superhero thing about him is like people scrap out 233 00:11:41,800 --> 00:11:43,280 Speaker 1: of him and like two hours later was like, all right, 234 00:11:43,280 --> 00:11:44,960 Speaker 1: I'm ready to go. I'm gonna go kill some more people. 235 00:11:45,080 --> 00:11:47,360 Speaker 1: No more bruises or anything. Do you ever do the 236 00:11:47,400 --> 00:11:50,400 Speaker 1: thing with movies where it's movies they are completely ridiculous, right, 237 00:11:50,400 --> 00:11:53,000 Speaker 1: and every part of it ridiculous, But if one little 238 00:11:53,040 --> 00:11:56,120 Speaker 1: thing happens, I'm like, they hurt their elbow, but all 239 00:11:56,160 --> 00:11:57,480 Speaker 1: of a sudden they're throwing in the next thing like 240 00:11:57,520 --> 00:11:59,679 Speaker 1: that could never happen. He hurt his elbow, yet he's 241 00:11:59,720 --> 00:12:03,239 Speaker 1: flying for building the building and it's like you disbelief 242 00:12:03,760 --> 00:12:07,319 Speaker 1: is all, like you suspend all that until someone twists 243 00:12:07,320 --> 00:12:10,280 Speaker 1: their ankle and they're running in the next scene. So 244 00:12:10,720 --> 00:12:15,680 Speaker 1: Punisher I thought was really good. Um, I watched uh, 245 00:12:15,800 --> 00:12:20,480 Speaker 1: Who's the Blind Guy? Daredevil? Watched Daredevil and enjoyed Daredevil, 246 00:12:20,480 --> 00:12:23,280 Speaker 1: and the Punisher shows up in Daredevil season two. And 247 00:12:23,360 --> 00:12:25,120 Speaker 1: I don't even if I don't read comic books as 248 00:12:25,200 --> 00:12:26,920 Speaker 1: much as I love these comic books shows on Netflix, 249 00:12:26,920 --> 00:12:28,800 Speaker 1: I don't read comic books, and I'm not a comic 250 00:12:28,800 --> 00:12:32,000 Speaker 1: book hater. Like, first of all, I think they're totally nerdy, 251 00:12:32,040 --> 00:12:34,120 Speaker 1: but I also think that I do totally nerdy things, 252 00:12:34,160 --> 00:12:36,040 Speaker 1: so that's kind of a respect thing for me, Like 253 00:12:36,440 --> 00:12:39,240 Speaker 1: you love comic books, You're such a nerd. But that's 254 00:12:39,240 --> 00:12:41,120 Speaker 1: okay because I'm such a nerd too in other ways. 255 00:12:41,760 --> 00:12:45,200 Speaker 1: So I watched The Punisher and I spent Thanksgiving bene 256 00:12:45,240 --> 00:12:49,080 Speaker 1: watching it, and that was fantastic. And how it relates 257 00:12:49,080 --> 00:12:50,839 Speaker 1: to the story this Judy Garland story is that I 258 00:12:50,880 --> 00:12:52,839 Speaker 1: didn't expect to be moved by this Judy Garland story. 259 00:12:52,880 --> 00:12:55,560 Speaker 1: I didn't know anything about it. I'm watching The Punisher 260 00:12:55,840 --> 00:13:03,800 Speaker 1: and a lot of it intermittently talks about how people 261 00:13:03,840 --> 00:13:08,439 Speaker 1: that serve during wartime go and they serve, and they 262 00:13:08,520 --> 00:13:11,120 Speaker 1: come back and they can't really find their place back 263 00:13:11,160 --> 00:13:14,319 Speaker 1: because they've lived a life doing a which is so 264 00:13:14,440 --> 00:13:17,400 Speaker 1: abnormal to what you and I do. And they come 265 00:13:17,400 --> 00:13:18,880 Speaker 1: back and then they're putt in the place where you 266 00:13:18,880 --> 00:13:20,280 Speaker 1: and I are again, and they're like, well, we have 267 00:13:20,320 --> 00:13:22,640 Speaker 1: this whole skill set, have developed, my mind has been 268 00:13:22,679 --> 00:13:25,360 Speaker 1: doing trained to do this for years, and I don't 269 00:13:25,360 --> 00:13:29,360 Speaker 1: feel like I fit in or again, there's PTSD. There 270 00:13:29,360 --> 00:13:32,840 Speaker 1: are all these things, and then we're not there for them. 271 00:13:33,000 --> 00:13:38,800 Speaker 1: And I'm watching this and I've I've probably talked to me. 272 00:13:38,960 --> 00:13:41,600 Speaker 1: I don't know a number, but hundreds of vets because 273 00:13:41,960 --> 00:13:44,880 Speaker 1: I do a lot of I and we as the show, 274 00:13:44,960 --> 00:13:48,360 Speaker 1: do a lot of things for for veterans because I 275 00:13:48,360 --> 00:13:50,480 Speaker 1: don't have the courage to that, like what they do, 276 00:13:50,640 --> 00:13:54,480 Speaker 1: and police officers what they do, what they got paramedics do, 277 00:13:54,800 --> 00:13:56,680 Speaker 1: like all these all those things like that, even what 278 00:13:56,760 --> 00:13:58,760 Speaker 1: teachers do. And I'm not comparing all of them, but 279 00:13:58,800 --> 00:14:01,280 Speaker 1: they have hearts and encourage that I don't have, Like 280 00:14:01,320 --> 00:14:03,960 Speaker 1: I don't. I don't. I can't do that whatever that 281 00:14:04,000 --> 00:14:06,800 Speaker 1: thing is. I don't have that goodness in me. I 282 00:14:06,800 --> 00:14:08,400 Speaker 1: don't have the goodness in me to go serve my 283 00:14:08,440 --> 00:14:12,320 Speaker 1: country and be a hero like that because I am 284 00:14:12,400 --> 00:14:15,960 Speaker 1: a puss, like I just am. And because people do 285 00:14:16,040 --> 00:14:18,720 Speaker 1: all those things, I get to do this, and so 286 00:14:18,760 --> 00:14:20,440 Speaker 1: I respect that and I feel like it's my right 287 00:14:20,480 --> 00:14:23,880 Speaker 1: to go, hey, let's help the distance. But this is 288 00:14:23,880 --> 00:14:27,320 Speaker 1: not applied to anything for helping. My point is I've 289 00:14:27,320 --> 00:14:29,960 Speaker 1: been able to talk and have relationships a lot of 290 00:14:30,000 --> 00:14:35,920 Speaker 1: veterans and that show. That show put me in a 291 00:14:35,960 --> 00:14:41,359 Speaker 1: new place with how hard it is. That fictional superhero 292 00:14:41,480 --> 00:14:44,440 Speaker 1: show put me in a new spot with how hard 293 00:14:44,480 --> 00:14:48,080 Speaker 1: it is for people to serve and come back, and 294 00:14:48,080 --> 00:14:51,560 Speaker 1: again I was moved by it. It's a superhero show, 295 00:14:52,320 --> 00:14:54,560 Speaker 1: but there are people because his character is someone who 296 00:14:54,600 --> 00:14:57,800 Speaker 1: wouldn't serve it in war, things happen, so that's what 297 00:14:57,880 --> 00:15:00,960 Speaker 1: makes him his talent special, like you shoot really well 298 00:15:01,560 --> 00:15:03,320 Speaker 1: and he decides to do things with his talents. And 299 00:15:03,520 --> 00:15:05,280 Speaker 1: it's a whole part of the show, but in part 300 00:15:05,280 --> 00:15:06,760 Speaker 1: of it, there are other people that served over the 301 00:15:06,760 --> 00:15:11,240 Speaker 1: war too, and you're just like, Oh, it took that 302 00:15:13,320 --> 00:15:16,000 Speaker 1: to communicate it to drop down levels to me, That's 303 00:15:16,040 --> 00:15:17,560 Speaker 1: what because that's how I had to happen to me, 304 00:15:17,800 --> 00:15:19,600 Speaker 1: and they had to take it down levels to a 305 00:15:19,600 --> 00:15:22,840 Speaker 1: superhero show for me to go, oh my god, Like 306 00:15:24,480 --> 00:15:27,240 Speaker 1: I already kind of got it, but I didn't really 307 00:15:27,280 --> 00:15:29,160 Speaker 1: get it, and I still don't get it because I 308 00:15:29,160 --> 00:15:31,120 Speaker 1: haven't experienced it. But I got it more and it 309 00:15:31,160 --> 00:15:33,080 Speaker 1: took them drop it. I needed it to come down 310 00:15:33,120 --> 00:15:37,400 Speaker 1: to that level for me because I'll talk to old 311 00:15:37,440 --> 00:15:41,040 Speaker 1: vets that have served in World War two, even some 312 00:15:41,160 --> 00:15:45,440 Speaker 1: of Vietnam. These are different generations, Iraq, Afghanistan, a lot 313 00:15:45,440 --> 00:15:48,160 Speaker 1: of Middle East now that are my age or seven 314 00:15:48,240 --> 00:15:52,480 Speaker 1: eight years older and something something younger, and they're all, um, 315 00:15:52,640 --> 00:15:56,520 Speaker 1: now I have stories and they're but they talk in 316 00:15:56,560 --> 00:15:59,840 Speaker 1: a language of them and I don't understand that sometimes 317 00:16:00,280 --> 00:16:03,760 Speaker 1: and I tried to. But when I watch Daredevil, I 318 00:16:03,880 --> 00:16:07,120 Speaker 1: was like, oh my god, I'm I'm moved by this 319 00:16:07,840 --> 00:16:11,280 Speaker 1: by how hard it is for someone to go and 320 00:16:12,560 --> 00:16:17,320 Speaker 1: Sir had developed a skill set take it, serve, use it, mentally, 321 00:16:17,360 --> 00:16:19,640 Speaker 1: go through all that and then come back and their 322 00:16:19,640 --> 00:16:22,360 Speaker 1: skill set isn't needed in day to day life, which 323 00:16:22,360 --> 00:16:25,760 Speaker 1: they've spent all these years just getting better at cultivating. 324 00:16:26,480 --> 00:16:28,880 Speaker 1: And they come back also with things going on in 325 00:16:28,920 --> 00:16:30,920 Speaker 1: my mind that I have no idea I'm seeing that 326 00:16:31,040 --> 00:16:32,720 Speaker 1: I don't know what it's like to all the time 327 00:16:32,800 --> 00:16:34,640 Speaker 1: be like I wonder if someone's gonna blow up around me. 328 00:16:36,000 --> 00:16:41,520 Speaker 1: But Daredevil did it, and I was like, oh, there 329 00:16:41,600 --> 00:16:45,120 Speaker 1: was an empathy that came from watching Daredevil that I'm 330 00:16:45,120 --> 00:16:48,680 Speaker 1: because I've always had sympathy where I was like, like, 331 00:16:48,720 --> 00:16:50,720 Speaker 1: I felt terrible that you had to go through that, 332 00:16:50,920 --> 00:16:52,800 Speaker 1: and that's you doing something that I wouldn't have the 333 00:16:52,880 --> 00:16:55,040 Speaker 1: courage to do. I would love to help, But there 334 00:16:55,080 --> 00:16:57,120 Speaker 1: was an empathy that came from watching Daredevil where it 335 00:16:57,200 --> 00:17:02,040 Speaker 1: was like, not so much where you go. I just 336 00:17:02,080 --> 00:17:04,280 Speaker 1: feel bad, but it's like, oh, I kind of understand more. 337 00:17:04,880 --> 00:17:08,919 Speaker 1: Don't fully understand, but I kind of understand more, and 338 00:17:08,960 --> 00:17:13,240 Speaker 1: it makes me want to do more. And again, it 339 00:17:13,280 --> 00:17:15,440 Speaker 1: took a Superhero show taking it down three notes to 340 00:17:15,520 --> 00:17:17,400 Speaker 1: my level down to the down to me being done. 341 00:17:17,400 --> 00:17:20,920 Speaker 1: Need to watch the Superhero show. I'm seven, but it did. 342 00:17:21,520 --> 00:17:24,439 Speaker 1: If it hit me in that way, I don't know 343 00:17:24,440 --> 00:17:26,880 Speaker 1: about you, but to me it was I just never 344 00:17:26,880 --> 00:17:28,439 Speaker 1: looked at it like that until that. I think it 345 00:17:28,440 --> 00:17:30,320 Speaker 1: was more than it was unexpected. Like I think after 346 00:17:30,359 --> 00:17:32,040 Speaker 1: like the third episode, I just had back that they 347 00:17:32,040 --> 00:17:34,720 Speaker 1: wait a minute, this is this is crazy, Like this 348 00:17:34,800 --> 00:17:37,200 Speaker 1: is something that I've never thought about in this way before. 349 00:17:38,400 --> 00:17:41,240 Speaker 1: And that's what it took. Basically writing a children's book 350 00:17:41,280 --> 00:17:44,920 Speaker 1: for us people that haven't served and and writing it 351 00:17:44,960 --> 00:17:47,159 Speaker 1: in a children's book and making it But by the way, jar, 352 00:17:47,200 --> 00:17:48,560 Speaker 1: that was not a children's book. And what no no 353 00:17:49,359 --> 00:17:52,360 Speaker 1: Punisher anything, and god nay those shows. It is a 354 00:17:52,520 --> 00:17:56,000 Speaker 1: violent it's the most violent of all of them. It 355 00:17:56,119 --> 00:17:57,720 Speaker 1: was good and there are times when I just turned 356 00:17:57,760 --> 00:17:59,480 Speaker 1: my head. You know what I else have a problem 357 00:17:59,520 --> 00:18:01,600 Speaker 1: with and this is out there with the Punisher. I 358 00:18:01,640 --> 00:18:04,480 Speaker 1: don't like when shows show needles going into arms and legs. 359 00:18:05,960 --> 00:18:07,520 Speaker 1: You can show the needle and you can show the 360 00:18:07,520 --> 00:18:09,919 Speaker 1: person going oh roll. You don't have to show it 361 00:18:10,000 --> 00:18:13,879 Speaker 1: going into the skin. So many shows do that. I 362 00:18:13,880 --> 00:18:15,600 Speaker 1: don't need to see it. I don't think there's anything 363 00:18:15,600 --> 00:18:19,840 Speaker 1: gained by it. Can I turn my head anyway? And 364 00:18:19,960 --> 00:18:22,119 Speaker 1: if you take the needle and you go okay, and 365 00:18:22,160 --> 00:18:23,639 Speaker 1: you put it out to the skin and then you 366 00:18:23,640 --> 00:18:26,040 Speaker 1: show the reaction, I know the needles going in the skin. 367 00:18:26,640 --> 00:18:28,720 Speaker 1: I have nothing gained by showing. Boy, they do that 368 00:18:28,760 --> 00:18:30,880 Speaker 1: in all the shows now. They'll do that thing where 369 00:18:30,880 --> 00:18:32,000 Speaker 1: they come up by me want to stick them in 370 00:18:32,000 --> 00:18:33,320 Speaker 1: the neck with the needle and put them down, and 371 00:18:33,440 --> 00:18:35,840 Speaker 1: so many and I'm like, oh canny, And then then 372 00:18:35,880 --> 00:18:37,760 Speaker 1: it makes me uncomfortable for a while. I can hear 373 00:18:37,800 --> 00:18:39,879 Speaker 1: the needles. It's the bones breaking. I don't know what. 374 00:18:40,119 --> 00:18:44,720 Speaker 1: I don't know. Watch the NFL, like there was a 375 00:18:44,720 --> 00:18:49,160 Speaker 1: player that broke it, like basically this this weekend, and um, 376 00:18:49,680 --> 00:18:52,280 Speaker 1: you couldn't watch it, and every highlight show it. I 377 00:18:52,280 --> 00:18:54,680 Speaker 1: would just change it or I would do that when 378 00:18:54,720 --> 00:18:58,840 Speaker 1: you're seven, you cover years. I cover my ears and 379 00:18:58,880 --> 00:19:03,000 Speaker 1: close my eyes because that was that that's I can't 380 00:19:03,000 --> 00:19:06,240 Speaker 1: watch the Napoleon Coffin knee injury. I don't know if 381 00:19:06,240 --> 00:19:09,040 Speaker 1: you've ever seen that from It's it's old now from 382 00:19:09,040 --> 00:19:10,399 Speaker 1: the ry I believe you's went for the Raiders at 383 00:19:10,400 --> 00:19:12,320 Speaker 1: the time, right back foot readers, and it it went 384 00:19:12,359 --> 00:19:13,520 Speaker 1: the wrong way. It's like went the wrong why you 385 00:19:13,560 --> 00:19:15,680 Speaker 1: know I need Ben's one way, it went the other way. 386 00:19:16,520 --> 00:19:21,160 Speaker 1: There was Ohio statement, I can't either, So uh there's 387 00:19:21,240 --> 00:19:26,320 Speaker 1: oh because Blue Apron is awesome. And I have pictures 388 00:19:26,760 --> 00:19:28,800 Speaker 1: this time too for those that are watching on Facebook. 389 00:19:28,800 --> 00:19:31,280 Speaker 1: I have pictures. I can remember which what's the stuff 390 00:19:31,280 --> 00:19:35,440 Speaker 1: that I have, which I've had four of them lately. Um, 391 00:19:35,480 --> 00:19:38,919 Speaker 1: I've had the butternut squashed pasta with kale and brown 392 00:19:39,119 --> 00:19:41,000 Speaker 1: butter walnuts, which I would never be able to make 393 00:19:41,000 --> 00:19:44,159 Speaker 1: myself unless it was for from Blue Apron. So what 394 00:19:44,200 --> 00:19:45,760 Speaker 1: I'm gonna say is that you can go to blue 395 00:19:45,800 --> 00:19:48,600 Speaker 1: Apron dot com slash Bobby Cast, and what they're doing 396 00:19:48,680 --> 00:19:51,120 Speaker 1: right now is there's a thirty dollar value. It's basically 397 00:19:51,160 --> 00:19:53,800 Speaker 1: a free dinner if you visit blue Apron dot com 398 00:19:53,840 --> 00:19:57,199 Speaker 1: slash Bobby Cast one word Bobby Cast with Blue Apron. 399 00:19:57,600 --> 00:19:59,879 Speaker 1: It's it comes right to your door, and you have 400 00:19:59,880 --> 00:20:01,119 Speaker 1: to eat it right then because some of those things 401 00:20:01,160 --> 00:20:03,200 Speaker 1: are on The thing was you go in the store, 402 00:20:03,359 --> 00:20:05,639 Speaker 1: you go to these meal places. They have already package, 403 00:20:05,760 --> 00:20:08,840 Speaker 1: they're already made the healthy meals, and you just put 404 00:20:08,880 --> 00:20:11,159 Speaker 1: in the microwave. Blapirl is awesome because don't have to 405 00:20:11,240 --> 00:20:13,800 Speaker 1: do that. If it's like a Tuesday, you can eat 406 00:20:13,800 --> 00:20:16,520 Speaker 1: it on Thursday and Friday, and it's all prepackaged. There's 407 00:20:16,520 --> 00:20:18,600 Speaker 1: a card that tells you how to make it, and 408 00:20:18,640 --> 00:20:20,000 Speaker 1: all of a sudden you're making Like I said, I 409 00:20:20,000 --> 00:20:22,919 Speaker 1: made the butternuts. Fuck. There was another one too, seared 410 00:20:22,960 --> 00:20:25,720 Speaker 1: steaks and garlic butter with oven fries and roommate salad 411 00:20:25,760 --> 00:20:26,760 Speaker 1: like I had this I don't have. I had like 412 00:20:26,800 --> 00:20:28,800 Speaker 1: one fry. I have all the fries because I'm trying 413 00:20:28,800 --> 00:20:31,640 Speaker 1: to stay away from that. But there's also vegetarian options. 414 00:20:31,840 --> 00:20:36,200 Speaker 1: So Blue Apron is awesome, reflexible. They have differentipes every week. 415 00:20:36,680 --> 00:20:39,320 Speaker 1: Blue Apron dot com slash Bobby cast If you want to, 416 00:20:39,320 --> 00:20:42,160 Speaker 1: just try to bla apron dot com slash Bobby Cast. Um. 417 00:20:42,240 --> 00:20:47,480 Speaker 1: So there's that. Um. That Judy Garland thing was crazy. 418 00:20:47,800 --> 00:20:50,200 Speaker 1: The Netflix thing was crazy. I wanna talk about the 419 00:20:50,200 --> 00:20:53,040 Speaker 1: Grammys in just a second. Uh. I do want to 420 00:20:53,080 --> 00:20:56,920 Speaker 1: say that Christ able to come and by was pretty cool. 421 00:20:57,400 --> 00:20:59,600 Speaker 1: There was a there was a pressure I felt that 422 00:20:59,720 --> 00:21:01,800 Speaker 1: put on myself. And if you haven't heard the Chris 423 00:21:01,800 --> 00:21:03,679 Speaker 1: Stapleton Bobby cast, I'd like free to go listen to 424 00:21:03,720 --> 00:21:07,919 Speaker 1: it because Chris doesn't talk a lot, and I've been 425 00:21:08,000 --> 00:21:11,359 Speaker 1: lucky to know Chris more than just the guy in 426 00:21:11,400 --> 00:21:13,959 Speaker 1: the radio, and I think that's why he came. Honestly, 427 00:21:13,960 --> 00:21:16,119 Speaker 1: I think that's why he came here too, was because 428 00:21:16,119 --> 00:21:18,040 Speaker 1: he felt comfortable coming and sitting here for an hour 429 00:21:19,200 --> 00:21:22,200 Speaker 1: and he just drove up in his cheat, came by himself, 430 00:21:23,240 --> 00:21:27,680 Speaker 1: hum talked, laughed to all kinds of stuff. There was 431 00:21:27,680 --> 00:21:30,440 Speaker 1: a pressure on me. It was like, man, people, I 432 00:21:30,440 --> 00:21:32,240 Speaker 1: don't know the stable has ever done an hour straight, 433 00:21:32,280 --> 00:21:34,560 Speaker 1: and he may have somewhere else. I don't know, but 434 00:21:34,640 --> 00:21:37,560 Speaker 1: I was like, man, if I don't do an adequate job, 435 00:21:37,600 --> 00:21:41,040 Speaker 1: people are going to crush me. Because how often does 436 00:21:41,280 --> 00:21:45,560 Speaker 1: Kris Ableton talk? No, I'm hardly ever unless he's promoting 437 00:21:45,560 --> 00:21:47,439 Speaker 1: an album, and then it's like he's gonna come on 438 00:21:47,480 --> 00:21:49,959 Speaker 1: the show. You'renna listening to this. I'm recording this on 439 00:21:49,960 --> 00:21:52,640 Speaker 1: What to Day Wednesday, He's gonna come on my radio show. 440 00:21:52,640 --> 00:21:54,440 Speaker 1: You can hear this two weeks from now or a 441 00:21:54,440 --> 00:21:57,440 Speaker 1: month from now. He's gonna I don't know what. I 442 00:21:57,480 --> 00:22:01,919 Speaker 1: don't even anymore. I'm so long on my days. I 443 00:22:01,960 --> 00:22:05,000 Speaker 1: hate my calendar. Right now, my phone goes off. Let 444 00:22:05,000 --> 00:22:07,440 Speaker 1: me get to my point real quick. Stapleton is gonna 445 00:22:07,480 --> 00:22:08,879 Speaker 1: come by and promote the album a bit on the 446 00:22:08,960 --> 00:22:11,040 Speaker 1: radio show because it's a different audience. This thing is 447 00:22:11,119 --> 00:22:13,640 Speaker 1: over time and it's millions a month, but people don't 448 00:22:13,680 --> 00:22:15,760 Speaker 1: listen to it the next day always. But it's gonna 449 00:22:15,760 --> 00:22:17,800 Speaker 1: come up and we'll talk for eight minutes, and then 450 00:22:17,800 --> 00:22:22,520 Speaker 1: it'll be better than surface because I'm a better interviewer 451 00:22:23,160 --> 00:22:25,040 Speaker 1: in the eight minute spot that I think other people are. 452 00:22:25,520 --> 00:22:29,360 Speaker 1: But that hour, I mean, it's pretty it's pretty cool. 453 00:22:29,359 --> 00:22:31,359 Speaker 1: He left, and I wasn't ashamed of myself. I won't 454 00:22:31,359 --> 00:22:33,159 Speaker 1: go back and listen to it. And now there are 455 00:22:33,200 --> 00:22:34,440 Speaker 1: things I wish I would hit on, like some of 456 00:22:34,480 --> 00:22:38,040 Speaker 1: his early songwriting, but I wasn't ashamed of myself, and 457 00:22:38,040 --> 00:22:40,919 Speaker 1: a lot of times I'm shaming myself. I'm like, oh suck. 458 00:22:41,840 --> 00:22:43,560 Speaker 1: So I encourage you to go back and listen to 459 00:22:43,560 --> 00:22:46,040 Speaker 1: that Bobby cast. Um, I do want talk about the 460 00:22:46,040 --> 00:22:50,280 Speaker 1: Grammy because I came out to day and which is cool. 461 00:22:50,440 --> 00:22:53,199 Speaker 1: I mean lots all like music. Um, I went on 462 00:22:53,200 --> 00:22:56,200 Speaker 1: a whole ring. I mean I just got lightly wrisk 463 00:22:56,200 --> 00:23:00,960 Speaker 1: slapped today, lightly yeah, because I even said on the air, well, 464 00:23:01,040 --> 00:23:03,200 Speaker 1: I'm gonna get in trouble for these comments, and kind 465 00:23:03,200 --> 00:23:05,800 Speaker 1: of what it's It's almost like when in c double 466 00:23:05,840 --> 00:23:07,800 Speaker 1: a T football team and they know they're gonna get 467 00:23:07,760 --> 00:23:10,160 Speaker 1: in trouble, so they go ahead and they give themselves, 468 00:23:10,280 --> 00:23:16,080 Speaker 1: you know, a scholarship production like scholarships by me doing that, 469 00:23:16,080 --> 00:23:18,159 Speaker 1: That's kind of what happened. And so I got in 470 00:23:18,160 --> 00:23:19,800 Speaker 1: a little trouble today because I was talking about how 471 00:23:19,800 --> 00:23:24,440 Speaker 1: our format, the country music format is it's going to 472 00:23:24,160 --> 00:23:27,920 Speaker 1: to hurt itself so badly because of the radio culture 473 00:23:27,960 --> 00:23:32,479 Speaker 1: that exists. And as much as I on my phone 474 00:23:32,480 --> 00:23:37,200 Speaker 1: and I stream and radio isn't what it was in 475 00:23:38,280 --> 00:23:41,720 Speaker 1: it's still by far the most massive medium there is 476 00:23:41,760 --> 00:23:43,840 Speaker 1: for music. It's not gonna be the same anten years. 477 00:23:43,920 --> 00:23:45,760 Speaker 1: It's absolutely not going to be. It's gonna be lesser. 478 00:23:45,960 --> 00:23:47,800 Speaker 1: But radio, to me, isn't just the thing that comes 479 00:23:47,800 --> 00:23:49,919 Speaker 1: to the car this is radio right now that I'm 480 00:23:49,960 --> 00:23:53,240 Speaker 1: doing this, this is radio. My show digitally is radio 481 00:23:53,600 --> 00:23:55,600 Speaker 1: when people stream it or podcast, that's radio to me. 482 00:23:55,680 --> 00:23:57,320 Speaker 1: Radio is not just what I do. But I'm talking 483 00:23:57,320 --> 00:24:01,520 Speaker 1: about radio transmitter to car. In five years you're looking 484 00:24:01,560 --> 00:24:07,200 Speaker 1: at probably twelve to fift gone to the other part 485 00:24:07,200 --> 00:24:11,480 Speaker 1: of radio, still radio, but not as much car to transmitter, 486 00:24:11,560 --> 00:24:14,560 Speaker 1: but more of Hey, you have a four G or 487 00:24:14,560 --> 00:24:16,480 Speaker 1: five five G in my car, I can listen to 488 00:24:16,520 --> 00:24:20,199 Speaker 1: whatever I want. Or there's satellite, or there's Spotify if 489 00:24:20,200 --> 00:24:22,640 Speaker 1: you want to pick songs or That's why I'm glad 490 00:24:22,640 --> 00:24:24,760 Speaker 1: I'm in the content business, because if you're just a 491 00:24:24,840 --> 00:24:28,080 Speaker 1: DJ and you're introducing songs, mean goodbye, punch ticket, You're out. 492 00:24:28,960 --> 00:24:35,120 Speaker 1: Nobody cares like bye bye because nobody wants here. People 493 00:24:35,160 --> 00:24:37,879 Speaker 1: are just picking their own radio stage, making their radio stations. 494 00:24:38,680 --> 00:24:41,400 Speaker 1: And like, my company has a hard all access which 495 00:24:41,440 --> 00:24:43,240 Speaker 1: is that, and they're developing that and it's still becoming 496 00:24:43,240 --> 00:24:46,240 Speaker 1: this thing of Spotify album music. I have all these 497 00:24:46,240 --> 00:24:50,040 Speaker 1: things because because I'm such a music nerd and I 498 00:24:50,040 --> 00:24:53,080 Speaker 1: don't want to miss anything. Same thing, like I have 499 00:24:53,119 --> 00:24:55,200 Speaker 1: to get a Hulu account. I heard there's a show 500 00:24:55,240 --> 00:24:58,000 Speaker 1: called too funny, too too funny to fail, and I 501 00:24:58,080 --> 00:24:59,879 Speaker 1: haven't seen it, but one of my friends takes me 502 00:24:59,920 --> 00:25:01,520 Speaker 1: to it was like, this is right up your alley. 503 00:25:01,760 --> 00:25:03,560 Speaker 1: It's like the story of the Dana Carvey Show. Have 504 00:25:03,600 --> 00:25:05,399 Speaker 1: you seen it? No, I've heard about it, and so 505 00:25:05,480 --> 00:25:08,000 Speaker 1: I'm like, oh no, I gotta get account. You get it, 506 00:25:08,359 --> 00:25:10,240 Speaker 1: and then eventually I'm gonna cancel my k I can 507 00:25:10,240 --> 00:25:14,679 Speaker 1: see it now, I'm not gonna okable. So the point 508 00:25:14,840 --> 00:25:19,280 Speaker 1: is that radio is still by far the biggest, and 509 00:25:19,560 --> 00:25:21,000 Speaker 1: I love it that it is, and I love it. 510 00:25:21,000 --> 00:25:22,719 Speaker 1: Then in five years it's still going to be the biggest, 511 00:25:22,960 --> 00:25:25,840 Speaker 1: slightly less, but radio is where it goes less. It's 512 00:25:25,840 --> 00:25:27,760 Speaker 1: it's going to be more digital, like those who find 513 00:25:27,760 --> 00:25:31,159 Speaker 1: their way digitally are going to punch their own tickets. Um. 514 00:25:31,280 --> 00:25:34,160 Speaker 1: So that's why I get so mad at country radio 515 00:25:35,200 --> 00:25:38,440 Speaker 1: is that, you know, it's the system, in my opinion, 516 00:25:38,520 --> 00:25:40,959 Speaker 1: of just a bunch of record levels trading out number one. 517 00:25:41,920 --> 00:25:43,840 Speaker 1: You know, and people think radio that stations like pick 518 00:25:43,920 --> 00:25:46,040 Speaker 1: singles of otn't pick singles for hard It's not. That's 519 00:25:46,040 --> 00:25:49,320 Speaker 1: how it works at any pop HIV hop country we 520 00:25:49,320 --> 00:25:52,439 Speaker 1: don't pick the singles. The label picked the singles, and 521 00:25:52,440 --> 00:25:55,359 Speaker 1: then radio goes, huh do I like this single? Let 522 00:25:55,359 --> 00:25:57,320 Speaker 1: me play a little bit, we'll see how well it does. 523 00:25:57,520 --> 00:25:59,760 Speaker 1: How it tests. They tested into a lot of testing, 524 00:26:00,280 --> 00:26:03,240 Speaker 1: like focus groups. That's how a lot of songs move up. 525 00:26:03,280 --> 00:26:05,359 Speaker 1: They get tested. People like, why is this song moving up? 526 00:26:05,480 --> 00:26:08,080 Speaker 1: It's been tested, like they've let ten thousand people hear it, 527 00:26:08,119 --> 00:26:13,159 Speaker 1: and it's got fantastic scores. And so most of the 528 00:26:13,240 --> 00:26:16,480 Speaker 1: time they don't just go, let's just make this song big. 529 00:26:17,760 --> 00:26:21,760 Speaker 1: Let's let's let's you make this song a top twenties song. Um, 530 00:26:21,800 --> 00:26:25,000 Speaker 1: and it kind of circles around and I get to 531 00:26:25,040 --> 00:26:27,960 Speaker 1: that in a second. So somebody people be like, you 532 00:26:27,960 --> 00:26:30,600 Speaker 1: know what, radio sucks, Well, that's the benefit of you 533 00:26:30,800 --> 00:26:34,199 Speaker 1: having I Heart Radio or Spotify or Apple Music. You 534 00:26:34,200 --> 00:26:37,000 Speaker 1: can listen to whatever you want. Like, get off my 535 00:26:37,160 --> 00:26:39,639 Speaker 1: nuts because you can listen to whatever you want. I 536 00:26:39,720 --> 00:26:42,119 Speaker 1: got no problem with you listen to your favorite music. 537 00:26:42,359 --> 00:26:46,160 Speaker 1: It's everywhere music. YouTube. That's how I found so many artists. 538 00:26:46,320 --> 00:26:50,159 Speaker 1: That's that's how I've broken so many artists. It's freaking YouTube. 539 00:26:50,680 --> 00:26:52,320 Speaker 1: He's like, let me just let me just starch around 540 00:26:52,320 --> 00:26:53,520 Speaker 1: and now I click that and it'll be like you 541 00:26:53,520 --> 00:26:56,960 Speaker 1: may also like click that. You may also like like 542 00:26:57,000 --> 00:26:59,000 Speaker 1: Tucker bet third. As an example, if someone I found 543 00:26:59,000 --> 00:27:03,160 Speaker 1: on YouTube or like oh well it's cool, okay, cup, 544 00:27:03,200 --> 00:27:05,600 Speaker 1: I'll played it, they weren't even ready for radio with 545 00:27:05,640 --> 00:27:07,639 Speaker 1: that and rock on I went to number two? Did 546 00:27:07,680 --> 00:27:09,200 Speaker 1: you got number one? But it was the number two song. 547 00:27:09,240 --> 00:27:11,480 Speaker 1: It's found on YouTube. But you know, but there's like 548 00:27:11,520 --> 00:27:15,879 Speaker 1: the cams that um marins, the stuff people like that 549 00:27:15,880 --> 00:27:17,760 Speaker 1: that I just found online and was like, oh, I'll 550 00:27:17,760 --> 00:27:23,399 Speaker 1: play this. And so with radio it's still the by far, 551 00:27:23,640 --> 00:27:28,160 Speaker 1: the only thing that makes an artist. It sells tickets, 552 00:27:28,840 --> 00:27:32,480 Speaker 1: like Spotify is more peer to peer. Does anything on 553 00:27:32,480 --> 00:27:34,920 Speaker 1: to me? And Spotify, Apple Music, I heard all likes 554 00:27:34,920 --> 00:27:38,359 Speaker 1: this um title. All those are the same. We'll call 555 00:27:38,359 --> 00:27:42,119 Speaker 1: them streaming music. They're mostly peer to peer, meaning you 556 00:27:42,160 --> 00:27:43,880 Speaker 1: got a friend, they'll recommend it to you. But it's 557 00:27:43,880 --> 00:27:45,880 Speaker 1: not really gonna even on a playlist. It's not really 558 00:27:45,880 --> 00:27:47,879 Speaker 1: going to create anything I have. There are people I know, 559 00:27:47,920 --> 00:27:49,879 Speaker 1: buddies in mine that have twenty million listons on a 560 00:27:49,880 --> 00:27:53,600 Speaker 1: playlist and they can't sell out a bar. So when 561 00:27:53,640 --> 00:27:55,520 Speaker 1: people are like, oh guess what, I got ten million 562 00:27:55,560 --> 00:27:58,720 Speaker 1: players on Spotify, I'm like okay, Yankee yank. You know, 563 00:27:59,119 --> 00:28:01,680 Speaker 1: it doesn't mean anything. It's just somebody putting out a 564 00:28:01,680 --> 00:28:03,480 Speaker 1: playlist and someone listening to. And I don't think those 565 00:28:03,520 --> 00:28:05,359 Speaker 1: numbers are real anyway. I don't even know if the 566 00:28:05,400 --> 00:28:07,640 Speaker 1: numbers are really listening to my show. You know, they'll 567 00:28:07,640 --> 00:28:11,159 Speaker 1: be like, you have million listeners. I'm like, did you 568 00:28:11,200 --> 00:28:12,840 Speaker 1: talk to the mall? Because I don't think that means 569 00:28:12,840 --> 00:28:18,119 Speaker 1: people like me? So again, data is just data, and 570 00:28:18,119 --> 00:28:19,720 Speaker 1: we use what we use, and maybe it's more, maybe 571 00:28:19,720 --> 00:28:21,560 Speaker 1: more people listen to than I thing. They always go 572 00:28:21,600 --> 00:28:26,200 Speaker 1: like five million, you have five million listeners, and I'm well, 573 00:28:26,240 --> 00:28:30,000 Speaker 1: I was like, man, that's a lot. Now I can 574 00:28:30,080 --> 00:28:33,120 Speaker 1: see the digital numbers and I know that's in the millions. 575 00:28:33,240 --> 00:28:36,000 Speaker 1: So that's what makes me believe maybe it is five million, 576 00:28:36,240 --> 00:28:38,440 Speaker 1: because I know right now, so radio is bigger than digital. 577 00:28:38,960 --> 00:28:40,760 Speaker 1: So and what do I know. I don't know anything. 578 00:28:40,760 --> 00:28:42,880 Speaker 1: I just say stuff. Sometimes sometimes there's just a hold 579 00:28:42,880 --> 00:28:45,640 Speaker 1: of film, I just say words to fill it. I 580 00:28:45,680 --> 00:28:48,280 Speaker 1: was like, well, look at eighteen seconds of Phil let 581 00:28:48,280 --> 00:28:52,040 Speaker 1: me just say some words here. And so with radio, 582 00:28:52,760 --> 00:28:55,239 Speaker 1: in my opinion, labels calling they trade out number one 583 00:28:55,360 --> 00:28:57,400 Speaker 1: and it's like, hey, you know, well, That's why a 584 00:28:57,480 --> 00:29:00,520 Speaker 1: song will go this is to me, ear takes the 585 00:29:00,680 --> 00:29:03,680 Speaker 1: crap out of me. A song will be number one, 586 00:29:04,120 --> 00:29:07,000 Speaker 1: and then next week they'll just yank it and take away. 587 00:29:07,520 --> 00:29:11,120 Speaker 1: You'll get three thousand spins less than the week before. 588 00:29:11,280 --> 00:29:14,240 Speaker 1: And I'm like, wait a minute. Logically, if a song 589 00:29:14,360 --> 00:29:16,680 Speaker 1: is number one, you don't wake up the next day 590 00:29:16,680 --> 00:29:20,240 Speaker 1: and go, well, if nobody likes this song anymore, That's 591 00:29:20,280 --> 00:29:24,040 Speaker 1: not how it works. When you're a pro golfer and 592 00:29:24,080 --> 00:29:26,800 Speaker 1: you've worked your way to number one, you don't have 593 00:29:26,880 --> 00:29:30,440 Speaker 1: one bad tournament and follow number seventy three. That's not 594 00:29:30,480 --> 00:29:34,720 Speaker 1: how it works. You don't go nine and three in 595 00:29:34,720 --> 00:29:36,800 Speaker 1: the NFL and lose a game and it's like, oh, 596 00:29:36,840 --> 00:29:38,760 Speaker 1: they got a playoff contention there. Now they now suck 597 00:29:38,800 --> 00:29:41,280 Speaker 1: because they lost to the Dolphins. And how life works? 598 00:29:42,240 --> 00:29:44,240 Speaker 1: And so REP radio does that cut your radio? Does that? 599 00:29:44,800 --> 00:29:47,239 Speaker 1: Pop radio as stupid as it is, and I'd work over. 600 00:29:47,360 --> 00:29:49,520 Speaker 1: I worked at pop radio wherever, and I hated some 601 00:29:49,560 --> 00:29:51,320 Speaker 1: of those songs. That's like, I can't stay some of 602 00:29:51,320 --> 00:29:52,920 Speaker 1: the songs. Now. There will never be a format I'm 603 00:29:52,920 --> 00:29:55,280 Speaker 1: in where I love all the songs. I would say 604 00:29:55,320 --> 00:29:57,720 Speaker 1: I actually love like one out of ten songs, I 605 00:29:57,920 --> 00:30:01,400 Speaker 1: like about four out of ten and the other six 606 00:30:01,440 --> 00:30:03,320 Speaker 1: I'll be like, yeah, I don't care, it's not that good, 607 00:30:03,720 --> 00:30:07,240 Speaker 1: but I think that's normal human that's just how we are. 608 00:30:07,720 --> 00:30:10,920 Speaker 1: We're and radio still the biggest thing for exposing new 609 00:30:10,960 --> 00:30:13,640 Speaker 1: music and listen, I'm a guy that's totally on the 610 00:30:13,720 --> 00:30:15,000 Speaker 1: I was having a conversation with some one of my 611 00:30:15,000 --> 00:30:16,680 Speaker 1: boss is like, hey, yo, yoyo, we gotta be building 612 00:30:16,720 --> 00:30:20,080 Speaker 1: our bomb shelter here because you realize And now I'm 613 00:30:20,080 --> 00:30:24,880 Speaker 1: the guy that's super progressive digitally, like everything's digital. I 614 00:30:24,920 --> 00:30:27,440 Speaker 1: don't do a radio show for people listen. It's almost 615 00:30:27,480 --> 00:30:29,880 Speaker 1: I don't even care about ratings anymore. And it's the 616 00:30:29,920 --> 00:30:31,720 Speaker 1: best year ratings we've ever had in the history of 617 00:30:31,720 --> 00:30:36,440 Speaker 1: our show, and we're the biggest show ever and Lottie 618 00:30:36,440 --> 00:30:39,800 Speaker 1: Dotty freaking Dah who cares. But I'm like, ready, they 619 00:30:39,760 --> 00:30:43,040 Speaker 1: don't even gonna matter. It's all gonna be downloads and 620 00:30:43,200 --> 00:30:46,240 Speaker 1: how many people are actually consuming it? Like, did you 621 00:30:46,280 --> 00:30:49,760 Speaker 1: can prove I say that we have extremely happer ratings? 622 00:30:50,120 --> 00:30:52,680 Speaker 1: This was a weird thing to say, but it's it's 623 00:30:52,680 --> 00:30:54,680 Speaker 1: easier to say that when you have good ratings, because 624 00:30:54,680 --> 00:30:56,400 Speaker 1: if I were saying that had bad ratings, they'd be like, 625 00:30:56,400 --> 00:30:58,840 Speaker 1: you're just saying that gives you have bad ratings. So 626 00:30:58,880 --> 00:31:00,920 Speaker 1: I say it now, so want to have bad ratings 627 00:31:01,440 --> 00:31:04,600 Speaker 1: because it's in radies go up and down, down, and 628 00:31:04,680 --> 00:31:06,560 Speaker 1: it's in edible. I get bad ratings and'll be like, 629 00:31:07,120 --> 00:31:10,960 Speaker 1: it doesn't matter, and so it always matters, but um, 630 00:31:11,000 --> 00:31:14,800 Speaker 1: it's going to become a prove it to me data landscape. 631 00:31:15,000 --> 00:31:17,680 Speaker 1: And so what happens is radio labels like, hey, okay, 632 00:31:17,720 --> 00:31:19,720 Speaker 1: you can have number one this week and we're gonna 633 00:31:19,720 --> 00:31:21,400 Speaker 1: do our syndication and get all the spins, and did 634 00:31:21,400 --> 00:31:24,360 Speaker 1: you take number one this next week? But no songs live, 635 00:31:24,480 --> 00:31:27,479 Speaker 1: They have no no life, and so there's no passion 636 00:31:27,520 --> 00:31:30,760 Speaker 1: behind them because they're here and gone and then ye goodbye, 637 00:31:31,400 --> 00:31:35,360 Speaker 1: and then songs get screwed. If I'm correct, and I 638 00:31:35,400 --> 00:31:38,760 Speaker 1: am a lot of times, I believe Sam Hunt's Body 639 00:31:38,840 --> 00:31:40,720 Speaker 1: Like a Back Road on the radio chart was only 640 00:31:40,800 --> 00:31:44,520 Speaker 1: number one for two weeks and maybe three, But I 641 00:31:44,600 --> 00:31:50,080 Speaker 1: believe only two weeks. And that's a travesty because it's 642 00:31:50,120 --> 00:31:55,320 Speaker 1: the biggest song of but because that's not how radio works, 643 00:31:55,360 --> 00:31:57,520 Speaker 1: and you want to trade out on I'm labeled and 644 00:31:57,600 --> 00:32:00,120 Speaker 1: trade it out. Okay, I gotta I will trade do 645 00:32:00,160 --> 00:32:04,240 Speaker 1: you Bobby Benniga Tops Night seven card and you give 646 00:32:04,280 --> 00:32:07,120 Speaker 1: me a kid Griffree Jr. Rated Rookie don Rists. That's 647 00:32:07,160 --> 00:32:09,400 Speaker 1: basically what happens. And so when the Grammys come out 648 00:32:09,400 --> 00:32:13,080 Speaker 1: today and there are no major categories of the country artists, 649 00:32:13,080 --> 00:32:14,920 Speaker 1: I'm like, it's because we've got the passion level go 650 00:32:15,200 --> 00:32:17,720 Speaker 1: because we're just like service number one, surface number one, 651 00:32:17,760 --> 00:32:21,040 Speaker 1: surface number one. They have been number one songs in 652 00:32:21,040 --> 00:32:22,760 Speaker 1: the past or four week I'm like, that's the number 653 00:32:22,800 --> 00:32:24,680 Speaker 1: one song. That's just it's just a label trained out 654 00:32:25,880 --> 00:32:28,360 Speaker 1: like Lanco should have been at least in the fight 655 00:32:28,400 --> 00:32:30,640 Speaker 1: for multi week Thomas Right's unforgettable in the fight for 656 00:32:30,760 --> 00:32:32,320 Speaker 1: multi any I think I'm forgetable may have been a 657 00:32:32,880 --> 00:32:35,600 Speaker 1: may have been a two week number one. That's song 658 00:32:35,600 --> 00:32:37,080 Speaker 1: that should just up there for four weeks like you 659 00:32:37,160 --> 00:32:40,920 Speaker 1: hear Chesney came in and I'm trying to touch it 660 00:32:41,000 --> 00:32:42,800 Speaker 1: and he was like, you know what, man, I'm back 661 00:32:42,800 --> 00:32:47,280 Speaker 1: when I forget which maybe it was, um, it's five 662 00:32:47,320 --> 00:32:56,880 Speaker 1: o'clock somewhere Alan Jackson. Chesney couldn't get past I think 663 00:32:56,880 --> 00:32:59,360 Speaker 1: you couldn't get to number one. Because Alan because for 664 00:32:59,480 --> 00:33:01,840 Speaker 1: eight we because he was at number two, and that's 665 00:33:01,880 --> 00:33:06,240 Speaker 1: how it should be. We don't all get promoted to 666 00:33:06,280 --> 00:33:09,840 Speaker 1: boss for a week and you go back down. That 667 00:33:10,080 --> 00:33:14,280 Speaker 1: how this works. I'm done talking about that part of 668 00:33:14,280 --> 00:33:15,840 Speaker 1: it because I will sit here for an hour and 669 00:33:15,840 --> 00:33:20,360 Speaker 1: just be disgusted with how the record labels to do 670 00:33:21,600 --> 00:33:26,480 Speaker 1: and record labels and radio and listen I mean, and 671 00:33:26,520 --> 00:33:28,800 Speaker 1: people like, go, don't you. I don't pick all the music. 672 00:33:28,880 --> 00:33:31,480 Speaker 1: I pick all I don't have to. If I can't 673 00:33:31,520 --> 00:33:35,240 Speaker 1: have time pick music, I'll pick things like single songs 674 00:33:35,320 --> 00:33:37,920 Speaker 1: and be like this is the jam and what I 675 00:33:38,000 --> 00:33:39,560 Speaker 1: can do. And everybody does it differently, because I think 676 00:33:39,560 --> 00:33:41,520 Speaker 1: everybody has their own place. Like what Spotify I canna 677 00:33:41,520 --> 00:33:44,440 Speaker 1: do is put this out there and you can it saturated, 678 00:33:44,600 --> 00:33:46,640 Speaker 1: people can check it out. It's that it's there for everybody. 679 00:33:46,680 --> 00:33:49,480 Speaker 1: Everybody can take a look at it and and you 680 00:33:49,640 --> 00:33:51,840 Speaker 1: can share it. What Satellite can do is they can 681 00:33:51,880 --> 00:33:54,280 Speaker 1: take something place as much as they want a hundred times. 682 00:33:54,480 --> 00:33:56,400 Speaker 1: And all these are positive things and not even I 683 00:33:56,440 --> 00:33:59,200 Speaker 1: think there are places. This is where basic places. What 684 00:33:59,320 --> 00:34:01,840 Speaker 1: Satellite does I like is that they can take a song, 685 00:34:01,920 --> 00:34:04,320 Speaker 1: and they can take a song h a Maggie Roads 686 00:34:04,360 --> 00:34:07,920 Speaker 1: for example. It doesn't have a label, fantastic singer, um, 687 00:34:08,040 --> 00:34:09,359 Speaker 1: it doesn't have a record deal, but they can take 688 00:34:09,360 --> 00:34:11,160 Speaker 1: one of her songs and make here what they call 689 00:34:11,160 --> 00:34:13,040 Speaker 1: a highway fine. They played all they want. They don't 690 00:34:13,080 --> 00:34:15,440 Speaker 1: have ratings to live up to. They literally have no 691 00:34:15,480 --> 00:34:17,839 Speaker 1: idea what people listening to their station, but they don't care. 692 00:34:18,800 --> 00:34:21,080 Speaker 1: And that's cool. That's because that's what they're they're doing. 693 00:34:21,160 --> 00:34:24,399 Speaker 1: Like they can play it fifty times and they can 694 00:34:24,440 --> 00:34:28,280 Speaker 1: see where it goes. And usually satellites power is about 695 00:34:28,440 --> 00:34:31,239 Speaker 1: they get a song up to about forty like on 696 00:34:31,320 --> 00:34:34,040 Speaker 1: the on a download chart or any kind of digital chart. 697 00:34:34,880 --> 00:34:36,359 Speaker 1: Where I come in is I can't play a song 698 00:34:36,400 --> 00:34:37,960 Speaker 1: all the time, but I can play it and go, 699 00:34:38,280 --> 00:34:40,359 Speaker 1: cherk this out, and I can make it pop and 700 00:34:40,400 --> 00:34:43,440 Speaker 1: react and it's a real react, like a gauge. Like 701 00:34:43,480 --> 00:34:45,719 Speaker 1: do people like it? I can tell you because if 702 00:34:45,719 --> 00:34:46,960 Speaker 1: you come in and I play it three times and 703 00:34:46,960 --> 00:34:49,960 Speaker 1: it doesn't go top five, then let's just see where 704 00:34:50,000 --> 00:34:51,680 Speaker 1: it sits. I got christ Able to not Chris step 705 00:34:51,719 --> 00:34:54,560 Speaker 1: and a Christiansen drunk girl. They came in, No, you 706 00:34:54,600 --> 00:34:55,879 Speaker 1: didn't come in. I just played that was a song. 707 00:34:55,920 --> 00:35:00,239 Speaker 1: Is fantastic like two months ago, shoo shot up. I 708 00:35:00,239 --> 00:35:01,640 Speaker 1: mean sending bought me a boat. That's how I got 709 00:35:01,640 --> 00:35:03,680 Speaker 1: a record deal. It was buy me a Boat went 710 00:35:03,719 --> 00:35:07,280 Speaker 1: to number one on iTunes in a day. But um, 711 00:35:07,280 --> 00:35:09,919 Speaker 1: and I don't say that like a little bit, dude. 712 00:35:10,000 --> 00:35:12,399 Speaker 1: But mostly it's like the listen listeners have to love 713 00:35:12,400 --> 00:35:14,520 Speaker 1: it. It It doesn't matter if the listeners don't like it. 714 00:35:14,760 --> 00:35:18,279 Speaker 1: Nothing matters attending on the show, Like I can sit 715 00:35:18,320 --> 00:35:20,600 Speaker 1: here and say whatever I want about me but without 716 00:35:21,960 --> 00:35:26,920 Speaker 1: people going, oh, like I'm entertained by Bobby either he's funny, 717 00:35:27,360 --> 00:35:31,640 Speaker 1: compelling to being a real dick right now all that 718 00:35:31,680 --> 00:35:34,520 Speaker 1: has to happen or nobody cares like they have to 719 00:35:34,560 --> 00:35:37,719 Speaker 1: do that. And I understand that I'm only here because 720 00:35:37,760 --> 00:35:39,719 Speaker 1: of the listeners. Off she listen to me right now, 721 00:35:39,719 --> 00:35:42,040 Speaker 1: I listen to the show like I that's part of 722 00:35:42,040 --> 00:35:43,520 Speaker 1: the game. I get like, I don't get to do 723 00:35:43,560 --> 00:35:46,120 Speaker 1: this without them, So I try to serve them, and 724 00:35:46,160 --> 00:35:50,440 Speaker 1: I try to serve you. That's listening with honesty, even 725 00:35:50,520 --> 00:35:52,680 Speaker 1: if it's uncomfortable at times, because I feel like you'll 726 00:35:52,680 --> 00:35:56,520 Speaker 1: at least respect that. So that being said on the 727 00:35:56,520 --> 00:35:58,799 Speaker 1: air today, I know that segment hurt ratings. I know 728 00:35:58,880 --> 00:36:01,440 Speaker 1: some people were like, okay, Bobby's graph about the format 729 00:36:01,480 --> 00:36:05,720 Speaker 1: again change. I know that it's gonna hurt short term ratings, 730 00:36:06,280 --> 00:36:09,840 Speaker 1: but I think for me, I'm okay with that for 731 00:36:10,040 --> 00:36:12,960 Speaker 1: long term change. And I don't think that one segment 732 00:36:13,080 --> 00:36:15,200 Speaker 1: long term change. But I'm the only guy with the 733 00:36:15,280 --> 00:36:17,680 Speaker 1: national voice that's screaming about how this whole system sucks 734 00:36:17,680 --> 00:36:20,160 Speaker 1: AND's gonna kill the format. And it's so weird because 735 00:36:20,160 --> 00:36:25,040 Speaker 1: of the super progressives. I'm the guy that like loves 736 00:36:25,120 --> 00:36:29,920 Speaker 1: eighties and nineties country and it's like, oh, and is 737 00:36:29,920 --> 00:36:33,000 Speaker 1: it sometimes progressive enough? But to the people that are 738 00:36:33,239 --> 00:36:37,520 Speaker 1: super traditional, I'm so progressive and it's like, oh, well 739 00:36:37,520 --> 00:36:42,319 Speaker 1: this guy he get in a bath with Sam Hunt. Yeah. 740 00:36:42,640 --> 00:36:46,400 Speaker 1: But much like being in a format, and I've been 741 00:36:46,440 --> 00:36:49,000 Speaker 1: in the moment, I've never fit in anywhere. It's so 742 00:36:49,120 --> 00:36:53,719 Speaker 1: weird to never fit in. I don't fit in, and 743 00:36:55,160 --> 00:36:59,120 Speaker 1: I ended up picking the country format because that's where 744 00:36:59,120 --> 00:37:02,879 Speaker 1: I fit in the mode. Do you understand our most 745 00:37:03,120 --> 00:37:06,160 Speaker 1: second most popular segment behind tell Me Something Good, our 746 00:37:06,200 --> 00:37:08,960 Speaker 1: second most popular segment, It's a segment on country radio 747 00:37:09,000 --> 00:37:11,200 Speaker 1: where I play hip hop songs, which is the dance 748 00:37:11,239 --> 00:37:15,440 Speaker 1: party because I would sit and I would scream at people. 749 00:37:16,400 --> 00:37:23,799 Speaker 1: Scream uh not literally over and over again, figuratively. I 750 00:37:23,800 --> 00:37:27,360 Speaker 1: know it's scaring at people and be like the listeners 751 00:37:27,360 --> 00:37:30,400 Speaker 1: of the radio, they don't just listen to one format. 752 00:37:30,520 --> 00:37:32,360 Speaker 1: Let me just entertain them, Like, let's serve them the 753 00:37:32,400 --> 00:37:35,360 Speaker 1: format they came to hear country music. But in this segment, 754 00:37:35,719 --> 00:37:37,600 Speaker 1: it's my time. I would like to serve them with 755 00:37:37,960 --> 00:37:40,239 Speaker 1: some biggie. I would like to serve them with some 756 00:37:40,400 --> 00:37:45,840 Speaker 1: Ed Shearing, mixing a little George Straight and Garth, and 757 00:37:45,840 --> 00:37:47,879 Speaker 1: then made we go and play and they were like, oh, 758 00:37:47,920 --> 00:37:50,120 Speaker 1: I don't never work. Okay, well cool, let's test it. 759 00:37:50,239 --> 00:37:51,640 Speaker 1: Let's send it to a thousands of people and say 760 00:37:51,680 --> 00:37:54,120 Speaker 1: they're like, well, oh, it was a bad day for 761 00:37:54,120 --> 00:37:55,759 Speaker 1: a p d S. Whenever I got the results back 762 00:37:55,760 --> 00:37:58,680 Speaker 1: from research to the dance party was our second biggest segment. 763 00:37:59,520 --> 00:38:04,760 Speaker 1: Like they all took their man or woman this is female, 764 00:38:04,800 --> 00:38:06,759 Speaker 1: male whatever. They all took their ding dong put it 765 00:38:06,760 --> 00:38:09,120 Speaker 1: between their legs and they were like, Okay, we'll give 766 00:38:09,200 --> 00:38:11,799 Speaker 1: up on fighting this fight. Because I just know, like 767 00:38:11,920 --> 00:38:17,359 Speaker 1: I know my people, not all the time at the time. 768 00:38:17,920 --> 00:38:19,960 Speaker 1: Sometimes I'll talk about something times and people are like, Okay, 769 00:38:20,000 --> 00:38:21,640 Speaker 1: you're just too crazy. I have no idea. I don't 770 00:38:21,640 --> 00:38:25,480 Speaker 1: relate to that one bit. You're just nuts time Like, 771 00:38:25,480 --> 00:38:27,640 Speaker 1: I know my people, and I fight for the format 772 00:38:27,680 --> 00:38:31,880 Speaker 1: even though it doesn't seem like it whenever I'm playing 773 00:38:31,920 --> 00:38:37,040 Speaker 1: a little oozy song and I'm doing a bit going like, 774 00:38:37,120 --> 00:38:39,760 Speaker 1: but I fight for the format, and I'm the person 775 00:38:39,800 --> 00:38:44,360 Speaker 1: to fight for the format because I'm today's normal listener 776 00:38:44,520 --> 00:38:48,880 Speaker 1: of country music, meaning I love it, also love other things, 777 00:38:49,680 --> 00:38:52,440 Speaker 1: and so I but it's the most important format to 778 00:38:52,480 --> 00:38:54,640 Speaker 1: me and only my formats. I think formats are stupid. 779 00:38:55,560 --> 00:38:58,040 Speaker 1: I think formats are stupid. I think formats back in 780 00:38:58,040 --> 00:39:00,560 Speaker 1: the day are cool, Like how it was so different 781 00:39:00,560 --> 00:39:03,200 Speaker 1: and splitting. Everybody had their own place. Everything. Now with 782 00:39:03,280 --> 00:39:06,600 Speaker 1: the digital age, being able to just kind of intertwine 783 00:39:07,280 --> 00:39:10,359 Speaker 1: has changed the culture. So because of the culture change, 784 00:39:10,400 --> 00:39:12,880 Speaker 1: I don't get angry when things start to sound somewhat 785 00:39:12,880 --> 00:39:16,879 Speaker 1: sonically similar. You can't get angry at that. And so 786 00:39:17,520 --> 00:39:20,239 Speaker 1: I love formats from the sixties and the seventies, the 787 00:39:20,280 --> 00:39:23,800 Speaker 1: eighties and the nineties, even then it started once Napster 788 00:39:23,960 --> 00:39:26,359 Speaker 1: came out, influences just were happening. And sometimes you don't 789 00:39:26,360 --> 00:39:29,440 Speaker 1: even know your influenced by things, yet you are so 790 00:39:29,520 --> 00:39:32,840 Speaker 1: much so that you can try to make a traditional 791 00:39:32,880 --> 00:39:35,120 Speaker 1: country record, but then you end up making a John 792 00:39:35,160 --> 00:39:38,120 Speaker 1: Party record, which is you don't get more country the 793 00:39:38,200 --> 00:39:40,400 Speaker 1: John Party. I had a had a thirty minute conversation 794 00:39:40,400 --> 00:39:44,400 Speaker 1: with John Party and okay, uh disclosure. John Party and 795 00:39:44,400 --> 00:39:47,040 Speaker 1: our friends not buddies. Only have like three friends in 796 00:39:47,040 --> 00:39:49,440 Speaker 1: my life, John Party, I are good buddies as far 797 00:39:49,480 --> 00:39:52,279 Speaker 1: as artists go. One of them that I would call 798 00:39:52,320 --> 00:39:56,480 Speaker 1: and go, Hey, I know it's ten o'clock on a Saturday. 799 00:39:56,560 --> 00:39:58,759 Speaker 1: Would you mind like driving over the house from minute 800 00:39:58,760 --> 00:40:00,120 Speaker 1: and help me out with this? Like I would all 801 00:40:00,160 --> 00:40:01,840 Speaker 1: John Party to do that, and he'd be like, yeah, man, 802 00:40:01,880 --> 00:40:03,680 Speaker 1: i've been down. I come to it, or he wouldn't 803 00:40:03,680 --> 00:40:06,080 Speaker 1: be able to. But we're talking about stink bugs and 804 00:40:06,920 --> 00:40:10,040 Speaker 1: renovating all these things. But John Party made an album 805 00:40:10,080 --> 00:40:14,320 Speaker 1: that's traditional country, but really sonically is so progressive sounds 806 00:40:14,360 --> 00:40:19,400 Speaker 1: and tracks and people because of the cowboy hat and 807 00:40:19,480 --> 00:40:22,040 Speaker 1: because he really is that's John Party the country dude. 808 00:40:22,320 --> 00:40:26,880 Speaker 1: But John Party was completely influenced by R and B 809 00:40:28,560 --> 00:40:33,120 Speaker 1: hy bop, A lot of sounds that you don't even 810 00:40:33,160 --> 00:40:36,880 Speaker 1: mean to know that you just are and that you 811 00:40:36,920 --> 00:40:43,040 Speaker 1: know his California Sunrise it's name of right, um, it's 812 00:40:43,040 --> 00:40:46,279 Speaker 1: Wise Records so good, he's mixed. He found the way 813 00:40:46,280 --> 00:40:49,000 Speaker 1: to make it both and make everybody happy. Like there 814 00:40:49,000 --> 00:40:52,080 Speaker 1: are people don't like country. They're like beings cracked down, 815 00:40:52,680 --> 00:40:55,800 Speaker 1: still trying to get paid. That's a gem. Like I 816 00:40:55,840 --> 00:40:57,080 Speaker 1: don't even know why I like that one because it's 817 00:40:57,080 --> 00:40:59,880 Speaker 1: a good song about what format it is? This whole 818 00:41:00,000 --> 00:41:02,719 Speaker 1: I guess about the Grammys. Haven't even got there. Have 819 00:41:02,800 --> 00:41:06,640 Speaker 1: a drinking tea? Oh my god, are we that far? 820 00:41:06,719 --> 00:41:10,560 Speaker 1: Oh man? I have a meeting too him? Like, okay, okay, 821 00:41:12,680 --> 00:41:15,960 Speaker 1: what I've everybody watching on Facebook right now listening to me? 822 00:41:16,080 --> 00:41:17,799 Speaker 1: Continue to go on and I'll go back and read 823 00:41:17,800 --> 00:41:20,600 Speaker 1: the comments later, not all of them, because people will 824 00:41:20,600 --> 00:41:25,359 Speaker 1: start fighting. I'll be like, Bobby's a douche, and that's 825 00:41:25,800 --> 00:41:28,359 Speaker 1: by the time I check out. I'll be like, why 826 00:41:28,400 --> 00:41:29,880 Speaker 1: do you think he's a douche? Because now he has 827 00:41:29,920 --> 00:41:31,799 Speaker 1: a beard, And I'm like, well, there's no there's no 828 00:41:31,880 --> 00:41:34,000 Speaker 1: logic behind that. If you're like, he's a douche because 829 00:41:34,000 --> 00:41:35,839 Speaker 1: he feels this way and I don't agree, I'd be like, 830 00:41:36,480 --> 00:41:39,600 Speaker 1: I don't agree, but you can see where you're coming from. 831 00:41:39,719 --> 00:41:41,320 Speaker 1: I feel like I'm a douche, Like I know that 832 00:41:41,320 --> 00:41:42,960 Speaker 1: I'm a douche because I don't think a douche is 833 00:41:42,960 --> 00:41:45,920 Speaker 1: a bad person. I have friends in the douchebags. I 834 00:41:45,960 --> 00:41:49,080 Speaker 1: think a douchebag is someone that at times feels they're 835 00:41:49,160 --> 00:41:52,359 Speaker 1: the much cooler than they really are. And the only 836 00:41:52,400 --> 00:41:55,880 Speaker 1: thing I'm good at is this, and I'm good at it. 837 00:41:56,160 --> 00:41:57,800 Speaker 1: I'm in the Hall of Fame. Good God, I'm in 838 00:41:57,800 --> 00:42:00,360 Speaker 1: the Hall of Fame. Is that crazy play? And that 839 00:42:00,400 --> 00:42:02,319 Speaker 1: felt the whole thing felt ridiculous. It's the whole different vigu. 840 00:42:03,280 --> 00:42:05,440 Speaker 1: I felt ridiculous, and the whole thing was ridiculous. And 841 00:42:05,440 --> 00:42:08,560 Speaker 1: I shouldn't be in the Hall of Fame, But too bad, 842 00:42:09,160 --> 00:42:11,919 Speaker 1: I'm in it. I'm in the Radio Hall of Fame, 843 00:42:12,360 --> 00:42:17,759 Speaker 1: sucking everybody? How about that? Should? I mean, I shouldn't be, 844 00:42:18,719 --> 00:42:21,360 Speaker 1: but I'm in it. Like my listeners put me in 845 00:42:21,400 --> 00:42:24,719 Speaker 1: the Hall of Fame. And if you were like, okay, 846 00:42:24,760 --> 00:42:26,040 Speaker 1: all things that even should you be in the radio 847 00:42:26,040 --> 00:42:29,879 Speaker 1: Hall of Fame? Of course? Not? No, the absolutely not. 848 00:42:30,640 --> 00:42:33,160 Speaker 1: But you know what, I'm in the Hall of Fame. 849 00:42:33,680 --> 00:42:37,040 Speaker 1: Go to Chicago to having museum pictures pictures there, I 850 00:42:37,080 --> 00:42:40,799 Speaker 1: signed that thing I'm in the Hall of Fame. Yeah, 851 00:42:40,840 --> 00:42:42,360 Speaker 1: that was pretty crazy. It's like it was like me 852 00:42:42,360 --> 00:42:44,000 Speaker 1: and a bunch of seven year olds in the picture. 853 00:42:44,320 --> 00:42:48,080 Speaker 1: I felt stupid the whole night. I felt stupid the 854 00:42:48,080 --> 00:42:51,279 Speaker 1: whole night. I felt like, this is so ridiculous. I 855 00:42:51,320 --> 00:42:52,840 Speaker 1: don't deserve to be in the Hall of Fame, but 856 00:42:52,920 --> 00:42:55,319 Speaker 1: I deserve to be here to represent the listeners, which 857 00:42:55,320 --> 00:42:57,920 Speaker 1: is why when I got on stage, I was like 858 00:42:58,120 --> 00:43:02,160 Speaker 1: I and everyone else is you know, these guys have 859 00:43:02,239 --> 00:43:03,839 Speaker 1: a whole career to think people that have been there 860 00:43:03,880 --> 00:43:06,759 Speaker 1: with them for fifty years as while I was like, listen, 861 00:43:06,800 --> 00:43:08,560 Speaker 1: I would be listeners. Some of them are listening online 862 00:43:08,640 --> 00:43:10,840 Speaker 1: right now. Let me just say I just wouldn't be 863 00:43:10,840 --> 00:43:12,480 Speaker 1: on this podium. I probably shouldn't be on the podium, 864 00:43:12,520 --> 00:43:14,320 Speaker 1: but without the people listening to the shows, I wouldn't 865 00:43:14,360 --> 00:43:17,520 Speaker 1: be here. And then I think some people obviously were 866 00:43:17,560 --> 00:43:19,560 Speaker 1: influential to Mike. It was like I wrote a memoir 867 00:43:19,600 --> 00:43:21,279 Speaker 1: in my book. I was like, I should remember, this 868 00:43:21,320 --> 00:43:23,799 Speaker 1: is stupid. I was thirty four, thirty five years old, 869 00:43:24,320 --> 00:43:27,320 Speaker 1: Like what have I done in my life to deserve 870 00:43:27,360 --> 00:43:29,920 Speaker 1: to write a memoir? And so I was embarrassed to 871 00:43:29,920 --> 00:43:31,440 Speaker 1: turn it in. And I've said this. I don't even 872 00:43:31,440 --> 00:43:32,839 Speaker 1: know if I said it on the air, but I've 873 00:43:32,840 --> 00:43:37,120 Speaker 1: said this to enough friends where it's I mean this 874 00:43:37,800 --> 00:43:39,920 Speaker 1: in a sincere way of When I wrote that book, 875 00:43:40,400 --> 00:43:42,799 Speaker 1: I was embarrassed, not at the things that I said 876 00:43:42,800 --> 00:43:44,360 Speaker 1: inside of it, but because I felt like I was 877 00:43:44,400 --> 00:43:48,040 Speaker 1: gonna have to go promote something that wasn't a good product, 878 00:43:48,480 --> 00:43:49,719 Speaker 1: because I'm like, this is not a good I'm not 879 00:43:49,719 --> 00:43:52,719 Speaker 1: a good writer. The book is not good. Why would 880 00:43:52,719 --> 00:43:55,279 Speaker 1: someone read about me? There was the best seller for 881 00:43:55,280 --> 00:43:57,759 Speaker 1: four weeks, so I'd like to say this, I'm gonna 882 00:43:57,880 --> 00:44:00,200 Speaker 1: New York Times number one best selling authors suck get. 883 00:44:02,280 --> 00:44:04,239 Speaker 1: But again, I would never have thought that, because it 884 00:44:04,320 --> 00:44:06,680 Speaker 1: was like, I just did not think it was good. 885 00:44:06,719 --> 00:44:08,360 Speaker 1: And when I sent the first two people send it to, 886 00:44:08,400 --> 00:44:10,839 Speaker 1: I was like, oh, and I know people are gonna 887 00:44:10,840 --> 00:44:12,560 Speaker 1: say sometimes because you send work to them and you're like, 888 00:44:12,560 --> 00:44:17,680 Speaker 1: they're gonna be like, oh, it's good. That book was. 889 00:44:17,800 --> 00:44:24,000 Speaker 1: I was embarrassed. I was so embarrassed until the week 890 00:44:24,640 --> 00:44:27,840 Speaker 1: after it came out and people were like, dude, some 891 00:44:27,880 --> 00:44:32,279 Speaker 1: of your stories I so relate to and thank you 892 00:44:32,320 --> 00:44:34,160 Speaker 1: for telling those stories. About yourself because I felt like 893 00:44:34,200 --> 00:44:36,200 Speaker 1: nobody related to them. That book was the thing for 894 00:44:36,239 --> 00:44:39,200 Speaker 1: me where it was like, nobody understands what I'm about 895 00:44:39,200 --> 00:44:43,040 Speaker 1: to say, nobody has been through the situation A, B, C, D, 896 00:44:43,120 --> 00:44:45,480 Speaker 1: E F G. I go to comedy shows I could do. 897 00:44:45,520 --> 00:44:47,799 Speaker 1: You know, people like you know what story and I 898 00:44:47,800 --> 00:44:51,960 Speaker 1: was like, like, really, you you know what that feels like. 899 00:44:52,000 --> 00:44:54,960 Speaker 1: They're like, oh my god. Yeah. I was like wow. 900 00:44:55,920 --> 00:44:57,440 Speaker 1: And so for me, that's been the big time. And 901 00:44:57,440 --> 00:44:59,719 Speaker 1: I'm writing the second book now and I hate. It's 902 00:44:59,800 --> 00:45:03,480 Speaker 1: terr It's terrible. It's a terrible book. And I feel 903 00:45:03,480 --> 00:45:04,920 Speaker 1: the same way I did my first book, and it's 904 00:45:04,920 --> 00:45:06,920 Speaker 1: the only tool that I have to keep me from 905 00:45:06,920 --> 00:45:09,160 Speaker 1: going insane because the first book I was runing the 906 00:45:09,160 --> 00:45:11,480 Speaker 1: all time. But like, it's terrible. The second book, it's 907 00:45:11,480 --> 00:45:15,520 Speaker 1: a terrible book, and I'm like, I'm gonna have to 908 00:45:15,560 --> 00:45:17,320 Speaker 1: put it out and it's probably gonna suck. I'm not 909 00:45:17,360 --> 00:45:19,439 Speaker 1: gonna live up to what the first one is, which 910 00:45:19,440 --> 00:45:21,480 Speaker 1: I thought sucked anyway, and people convinced me it wasn't. 911 00:45:22,600 --> 00:45:25,160 Speaker 1: But because I went through that first round feeling that way, 912 00:45:25,560 --> 00:45:27,560 Speaker 1: I can at least have this voice on my head 913 00:45:27,640 --> 00:45:31,360 Speaker 1: of a little bit of real life, going, hey, you 914 00:45:31,480 --> 00:45:33,719 Speaker 1: felt this way once and it didn't turn out like 915 00:45:33,719 --> 00:45:35,799 Speaker 1: you thought it was going to. So it's like I 916 00:45:35,840 --> 00:45:38,080 Speaker 1: have two voices, the one going this sucks and the 917 00:45:38,160 --> 00:45:40,959 Speaker 1: one going, yeah, you told yourself that before and turned 918 00:45:40,960 --> 00:45:43,960 Speaker 1: out pretty good, so let's not beat yourself up completely. 919 00:45:44,640 --> 00:45:46,000 Speaker 1: So that's the process of them going through right now. 920 00:45:46,239 --> 00:45:49,160 Speaker 1: I just had an email with my publisher, Like the 921 00:45:49,200 --> 00:45:52,040 Speaker 1: book sucks, I say it it's I don't the whole 922 00:45:52,280 --> 00:45:53,839 Speaker 1: and waits to the title of the book yet, but 923 00:45:54,760 --> 00:45:59,799 Speaker 1: the whole thing is about how failing is just essential 924 00:46:00,400 --> 00:46:03,439 Speaker 1: to succeeding. Then I told this started his head talk 925 00:46:03,480 --> 00:46:05,440 Speaker 1: on with that thing. That tip talk was called um 926 00:46:06,719 --> 00:46:11,560 Speaker 1: losing to win or winning by losing. Yeah, Like the 927 00:46:11,640 --> 00:46:13,560 Speaker 1: people that are the most successful, and we see them 928 00:46:13,560 --> 00:46:15,960 Speaker 1: as people we want to because so successful. They're the 929 00:46:15,960 --> 00:46:17,960 Speaker 1: people that we didn't want to be for a long 930 00:46:18,000 --> 00:46:20,040 Speaker 1: time because they felt so much like we had no 931 00:46:20,080 --> 00:46:22,520 Speaker 1: idea that we have no idea people's failures. We only 932 00:46:22,560 --> 00:46:25,799 Speaker 1: see the big successes. We have no idea that ten 933 00:46:25,840 --> 00:46:28,400 Speaker 1: thousand things they were rejected for. But the biggest winners 934 00:46:28,400 --> 00:46:30,879 Speaker 1: are the ones that can learn from rejection. They get 935 00:46:30,920 --> 00:46:33,680 Speaker 1: up and just take another punch, and then they learn 936 00:46:33,719 --> 00:46:35,319 Speaker 1: from that point and they get up, they take another punch, 937 00:46:35,440 --> 00:46:37,560 Speaker 1: like the freaking punisher I dud took so many punches 938 00:46:37,600 --> 00:46:39,040 Speaker 1: the needs and got out and he was all healed 939 00:46:39,120 --> 00:46:42,279 Speaker 1: up immediately. That's what the second books about, and every 940 00:46:42,400 --> 00:46:44,680 Speaker 1: and people are also telling their stories, like I've reached 941 00:46:44,680 --> 00:46:49,400 Speaker 1: out to friends I think like Charlemagne, the governor of Arkansas, 942 00:46:51,239 --> 00:46:54,560 Speaker 1: people like they don't know we're spoil it, but are 943 00:46:54,600 --> 00:46:56,920 Speaker 1: like the question I asked him was like, Hey, what's 944 00:46:56,960 --> 00:46:59,680 Speaker 1: your low what's your low point? Like I don't care 945 00:46:59,680 --> 00:47:02,240 Speaker 1: about the success. I know how successiful you are. People 946 00:47:02,239 --> 00:47:04,040 Speaker 1: know notw successiful you are. That's why you're being talked 947 00:47:04,040 --> 00:47:07,719 Speaker 1: to you what's your low point? And there's in all 948 00:47:07,719 --> 00:47:10,200 Speaker 1: these super successful who have so many low points, and 949 00:47:10,200 --> 00:47:13,000 Speaker 1: it's like that's that's the common thing. That's the common 950 00:47:13,000 --> 00:47:16,399 Speaker 1: thing of successful people that they went through a ton 951 00:47:16,440 --> 00:47:21,040 Speaker 1: of failure. So that's what the book is about. And 952 00:47:21,080 --> 00:47:25,080 Speaker 1: then I'm probably like two thirds away through it and 953 00:47:25,120 --> 00:47:27,400 Speaker 1: it is not good. I'm let's say that right on 954 00:47:27,440 --> 00:47:32,520 Speaker 1: the record, is not good to the Grammys. I say 955 00:47:32,560 --> 00:47:34,320 Speaker 1: the Grammys, which was the whole reason we're gonna do 956 00:47:34,400 --> 00:47:42,000 Speaker 1: this um country song better man from a Little Big Town. 957 00:47:42,320 --> 00:47:49,680 Speaker 1: These are the nominees. Taylor Swift songwriter, There You Go, 958 00:47:50,280 --> 00:47:55,839 Speaker 1: Body Like a back Road, Sam Hunt, Zach Kroll, Sam Hunt, 959 00:47:55,880 --> 00:48:04,960 Speaker 1: Shane mcinally, Josh Osborne, songwriters, Broken Halof, Chris Stapleton, and 960 00:48:05,360 --> 00:48:15,000 Speaker 1: Mike Henderson Drinking Problem Midland Drink. A lot of people 961 00:48:15,040 --> 00:48:18,040 Speaker 1: wrote that song, Holy crap, like a Beyonce song, Like 962 00:48:18,040 --> 00:48:20,120 Speaker 1: no of people on the thing. But I think the 963 00:48:20,120 --> 00:48:21,960 Speaker 1: band was part of it. It's like when Lady A 964 00:48:22,040 --> 00:48:24,920 Speaker 1: writes a song, there's like five people because three three 965 00:48:24,960 --> 00:48:27,400 Speaker 1: the band or like a little big town you know 966 00:48:27,480 --> 00:48:28,799 Speaker 1: you hear that, it's like where it was a little 967 00:48:28,840 --> 00:48:32,120 Speaker 1: big town. Well that's four writers, holy crap. So yeah, 968 00:48:32,200 --> 00:48:34,520 Speaker 1: I like people wrote that. And then ten Men written 969 00:48:34,520 --> 00:48:39,920 Speaker 1: by Jack Ingraham Randall, Lambert John Randall, so mr that 970 00:48:40,080 --> 00:48:46,200 Speaker 1: the Jack l you don't know hell Lucky? How about that? 971 00:48:46,440 --> 00:48:49,520 Speaker 1: I know that happened. So those are the five songs. 972 00:48:50,120 --> 00:48:52,600 Speaker 1: Um all all deserving people are like being a hater 973 00:48:52,640 --> 00:48:55,160 Speaker 1: on Midland because they have one song, and never be 974 00:48:55,200 --> 00:48:57,120 Speaker 1: a hater on somebody that gets something. You can always 975 00:48:57,120 --> 00:48:59,680 Speaker 1: be disappointed for someone who didn't get put in, but 976 00:48:59,800 --> 00:49:02,080 Speaker 1: never ever be the hater that goes they don't deserve it, 977 00:49:02,800 --> 00:49:05,080 Speaker 1: because there probably times you didn't deserve something and you 978 00:49:05,160 --> 00:49:08,239 Speaker 1: got it. I know, God knows I have. I don't 979 00:49:08,239 --> 00:49:10,000 Speaker 1: think that's fair. And there are people like Sam hump 980 00:49:10,000 --> 00:49:12,200 Speaker 1: Body like a background. It's the biggest song of the 981 00:49:12,239 --> 00:49:15,680 Speaker 1: freaking year. Let's just take this away from this. Never 982 00:49:15,760 --> 00:49:17,640 Speaker 1: be a hater for someone that has something. You can 983 00:49:17,680 --> 00:49:20,719 Speaker 1: always wish someone that didn't get it would have got it. 984 00:49:20,760 --> 00:49:24,120 Speaker 1: But don't be like, no, they don't deserve it, says 985 00:49:24,160 --> 00:49:27,560 Speaker 1: who says you? Who are you? And I'm even me 986 00:49:27,600 --> 00:49:29,560 Speaker 1: and I'm nothing like. Don't be a hater towards somebody 987 00:49:29,560 --> 00:49:34,040 Speaker 1: who has something. Be someone who lifts somebody else up. 988 00:49:34,719 --> 00:49:38,439 Speaker 1: You're like, you know what I really felt like? I don't. 989 00:49:38,520 --> 00:49:40,160 Speaker 1: I mean, I don't feel this way. But let's go 990 00:49:40,280 --> 00:49:42,760 Speaker 1: blueing your color. I really feel I feel like bluanch 991 00:49:42,800 --> 00:49:45,880 Speaker 1: your color should have been in that, and I just 992 00:49:45,920 --> 00:49:48,359 Speaker 1: don't think better man should Well no, no, that's leave 993 00:49:48,360 --> 00:49:50,640 Speaker 1: the second part out screwed, the better man not being 994 00:49:50,680 --> 00:49:52,680 Speaker 1: in there. That there there's nothing to do with it. Okay, 995 00:49:52,680 --> 00:49:54,800 Speaker 1: it's okay that you feel like bluanch your color got snubbed. 996 00:49:55,000 --> 00:49:56,520 Speaker 1: Don't be like I don't think better Men should be 997 00:49:56,560 --> 00:49:58,600 Speaker 1: in there. I don't know, and I saw some people 998 00:49:58,600 --> 00:50:00,719 Speaker 1: doing that towards Midland, much like Mad and Take at 999 00:50:00,719 --> 00:50:02,319 Speaker 1: the CMA is people like, well, they shouldn't have been 1000 00:50:02,320 --> 00:50:05,960 Speaker 1: in Duo of the Year. How about instead of people 1001 00:50:05,960 --> 00:50:08,439 Speaker 1: that shouldn't you go? You know who I thought really 1002 00:50:08,480 --> 00:50:10,799 Speaker 1: kind of got robbed was big and Rich. I think 1003 00:50:10,800 --> 00:50:12,279 Speaker 1: they could have been in uh in that Due over 1004 00:50:12,320 --> 00:50:14,399 Speaker 1: the Year award. Not Let's take Maddie and Tau because 1005 00:50:14,400 --> 00:50:16,040 Speaker 1: I haven't put a single out in a year. Don't 1006 00:50:16,040 --> 00:50:19,120 Speaker 1: be hating people that have stuff. Be supportive of people 1007 00:50:20,239 --> 00:50:24,000 Speaker 1: period that you enjoy and like. So I have no 1008 00:50:24,080 --> 00:50:26,680 Speaker 1: problem with any of those songs. A matter of fact, 1009 00:50:26,719 --> 00:50:29,520 Speaker 1: let's see better Man was the number one. I believe 1010 00:50:29,520 --> 00:50:31,279 Speaker 1: Body Like a Bacco was number one. Broken Halo still 1011 00:50:31,280 --> 00:50:34,279 Speaker 1: isn't still in top twenty. Um Sampleton may never have 1012 00:50:34,320 --> 00:50:36,200 Speaker 1: a number one because all the stuff is so good 1013 00:50:36,239 --> 00:50:38,240 Speaker 1: people which want to play it all and and everybody 1014 00:50:38,239 --> 00:50:40,080 Speaker 1: playing it all helps his albums, which is why it 1015 00:50:40,080 --> 00:50:42,040 Speaker 1: sells so many albums, but it hurts the singles and 1016 00:50:42,080 --> 00:50:44,279 Speaker 1: then people go, well, radio sucks are gonna play a thing? 1017 00:50:44,320 --> 00:50:47,279 Speaker 1: And no, no radio plays everything of his. It's like 1018 00:50:47,280 --> 00:50:50,600 Speaker 1: the as soon as Chris comes out with a song, 1019 00:50:51,160 --> 00:50:53,040 Speaker 1: I play it. I was like, oh, I love this one, 1020 00:50:53,480 --> 00:50:56,359 Speaker 1: Scarecrow play it, and then I can't play another one 1021 00:50:57,040 --> 00:50:59,160 Speaker 1: for another forty five minutes. So maybe it takes a 1022 00:50:59,200 --> 00:51:02,680 Speaker 1: broken halo spin out and then so yeah, the whole 1023 00:51:02,719 --> 00:51:05,439 Speaker 1: Stapleton Devin radio single argument. People say that's always stupid 1024 00:51:05,480 --> 00:51:09,120 Speaker 1: to me because people love Stapleton so much. That's why 1025 00:51:09,120 --> 00:51:10,919 Speaker 1: he doesn't have a radio because they want to play 1026 00:51:10,960 --> 00:51:13,759 Speaker 1: all his songs and you can't play three Stapleton songs 1027 00:51:13,760 --> 00:51:19,440 Speaker 1: a hour. Um, I'm fine, So I'm just gonna do. 1028 00:51:19,480 --> 00:51:24,319 Speaker 1: Who do I think will win? Um, I wish. I'm 1029 00:51:24,360 --> 00:51:26,080 Speaker 1: not gonna wish all these I wish body like a 1030 00:51:26,120 --> 00:51:28,279 Speaker 1: back road to win because Sam gets overlooked because he's 1031 00:51:28,320 --> 00:51:34,120 Speaker 1: so progressive and he ain't country. You know, I wish 1032 00:51:34,719 --> 00:51:38,240 Speaker 1: body it. But it'll be probably it'll be Stapleton or Miranda. 1033 00:51:39,080 --> 00:51:42,440 Speaker 1: Yeah and rightfully, so there's not a bad pick in 1034 00:51:42,480 --> 00:51:48,560 Speaker 1: this any of them when Hey, kudos to you, but 1035 00:51:48,680 --> 00:51:53,200 Speaker 1: it'll be Staying and probably probably Stapleton because he crosses 1036 00:51:53,280 --> 00:51:56,120 Speaker 1: genres a little better than mirandidized people that don't like 1037 00:51:56,160 --> 00:52:01,400 Speaker 1: country music like Stapleton, So probably I'm gonna telling myself 1038 00:52:01,400 --> 00:52:03,799 Speaker 1: in to go with Krista Ableton winning that award. I 1039 00:52:03,840 --> 00:52:08,880 Speaker 1: think that's who will win. Um country album Kenny Cosmic Calleluja, 1040 00:52:08,920 --> 00:52:12,480 Speaker 1: which had all the pretty girls girls, Lady a Heartbreak, 1041 00:52:14,840 --> 00:52:19,399 Speaker 1: A Little Big Town the Breaker. I love that Little 1042 00:52:19,400 --> 00:52:20,800 Speaker 1: Big towns Long is so good and I don't know 1043 00:52:20,840 --> 00:52:24,080 Speaker 1: if it's even gonna do anything in radio ah, but 1044 00:52:24,120 --> 00:52:29,320 Speaker 1: I love it. Thomas Rhett Life Changes and then um, 1045 00:52:29,520 --> 00:52:34,719 Speaker 1: Chris Stapleton from a Room, Volume one, and that song 1046 00:52:34,800 --> 00:52:36,719 Speaker 1: is awesome. Okay, I'm gonna do it right now. You 1047 00:52:36,719 --> 00:52:38,480 Speaker 1: know what song did not what album did not get 1048 00:52:38,480 --> 00:52:41,439 Speaker 1: in this that should have is the Miranda record. Oh yeah, 1049 00:52:41,440 --> 00:52:43,520 Speaker 1: it was that. The Maranda Record absolutely should have been 1050 00:52:43,520 --> 00:52:46,840 Speaker 1: this category. Will it win? I don't know. Am I 1051 00:52:46,920 --> 00:52:48,799 Speaker 1: the biggest Like do I listen to Rainda Labor at 1052 00:52:48,840 --> 00:52:53,440 Speaker 1: Home by myself? No? Not really? This album more than 1053 00:52:53,480 --> 00:52:55,080 Speaker 1: any of your others because it's more of an R 1054 00:52:55,160 --> 00:52:57,760 Speaker 1: I like the art slow and I like this album 1055 00:52:57,760 --> 00:53:01,040 Speaker 1: more than I have like when you know piste Off 1056 00:53:01,239 --> 00:53:05,279 Speaker 1: Rando's shooting dudes and the nads, you know gun you 1057 00:53:05,320 --> 00:53:07,319 Speaker 1: know that's really not my kind of jam. I do 1058 00:53:07,440 --> 00:53:09,560 Speaker 1: like this record, um that she did like from my 1059 00:53:09,680 --> 00:53:11,319 Speaker 1: personal taste, but I think she should have been in this. 1060 00:53:11,760 --> 00:53:14,120 Speaker 1: I don't think there's anybody that shouldn't be. Uh. Stapleton 1061 00:53:14,360 --> 00:53:16,799 Speaker 1: wins with from a Room Volume one, and then he 1062 00:53:16,840 --> 00:53:19,040 Speaker 1: wins again from a Room Volume two next year. I 1063 00:53:19,040 --> 00:53:26,040 Speaker 1: mean that, dude, And like, if he didn't win his 1064 00:53:26,120 --> 00:53:30,160 Speaker 1: lives exactly the same to him, he wins his lives 1065 00:53:30,160 --> 00:53:35,280 Speaker 1: exactly the same to him he did. He nothing changes, 1066 00:53:35,400 --> 00:53:37,719 Speaker 1: That's what's awesome about him. There were times when I 1067 00:53:37,760 --> 00:53:40,719 Speaker 1: would talk and and again I'm lucky to get to 1068 00:53:40,800 --> 00:53:43,200 Speaker 1: know Chris a little more, and you would see you're 1069 00:53:43,239 --> 00:53:46,640 Speaker 1: in here. I'd make him completely uncofortable, completely and he 1070 00:53:47,880 --> 00:53:49,480 Speaker 1: looking down and I would just hammer him and I 1071 00:53:49,480 --> 00:53:51,960 Speaker 1: would not let out. But like, dude, look at me, 1072 00:53:52,280 --> 00:53:56,680 Speaker 1: like I take the friends. I think Chris Stapleton wins 1073 00:53:56,680 --> 00:53:59,319 Speaker 1: that Album of the Year. Uh do you have any more? 1074 00:53:59,400 --> 00:54:01,960 Speaker 1: Are there any more? There's the two country with that up. Yeah, okay, 1075 00:54:02,880 --> 00:54:05,040 Speaker 1: let me do um. Song of the Year is that 1076 00:54:05,080 --> 00:54:22,600 Speaker 1: to start with Desposito? Alright? This cetoot it's kind of jam. 1077 00:54:22,960 --> 00:54:25,879 Speaker 1: Jay Z four four four four phone four that whole 1078 00:54:25,880 --> 00:54:30,040 Speaker 1: album sucked. I love jay Z. I was so underwhelmed. 1079 00:54:30,080 --> 00:54:32,640 Speaker 1: I haven't stole the album illegally because it wasn't gonna 1080 00:54:32,640 --> 00:54:34,280 Speaker 1: come out like you had to be was the title 1081 00:54:34,360 --> 00:54:35,799 Speaker 1: was that it was the title thing, and I was like, 1082 00:54:35,800 --> 00:54:37,480 Speaker 1: I'm not I'm not subscribing the title for a jay 1083 00:54:37,520 --> 00:54:39,239 Speaker 1: Z album. So one of my friends like, I'll send 1084 00:54:39,239 --> 00:54:41,759 Speaker 1: you the record. I normally don't do that, Like I said, 1085 00:54:41,760 --> 00:54:45,000 Speaker 1: I'm not a perfect person, but I didn't. I was like, Oh, 1086 00:54:45,040 --> 00:54:47,160 Speaker 1: I'm glad I didn't subscribe for this. It was not 1087 00:54:47,280 --> 00:54:48,799 Speaker 1: that was not my chamb. I just felt like old 1088 00:54:48,880 --> 00:54:52,399 Speaker 1: jay Z. That wasn't like lyrically when I read it, 1089 00:54:52,400 --> 00:54:57,919 Speaker 1: it was it seemed like wonderful poetry. But I just it, Yeah, 1090 00:54:58,080 --> 00:54:59,799 Speaker 1: listen to it once. They never went back to, yeah, 1091 00:55:00,120 --> 00:55:03,320 Speaker 1: are you apologizing? That's the song of the year. Julia 1092 00:55:03,400 --> 00:55:07,640 Speaker 1: Michael's issues so different, so awesome. Love it. I sit 1093 00:55:07,680 --> 00:55:09,359 Speaker 1: on the show this morning like that's one of those 1094 00:55:09,360 --> 00:55:10,520 Speaker 1: where you gott look at the radio and go, what 1095 00:55:10,600 --> 00:55:16,840 Speaker 1: is this because nothing sounds like it. That's good logic 1096 00:55:16,920 --> 00:55:22,520 Speaker 1: featuring all those people. One hundred two seven three to 1097 00:55:22,680 --> 00:55:25,000 Speaker 1: five five, which is the actual number to call it's 1098 00:55:25,000 --> 00:55:30,160 Speaker 1: a suicide hotline. Uh, great message and the song is 1099 00:55:30,239 --> 00:55:32,719 Speaker 1: really good too, which is which is crazy because then 1100 00:55:32,800 --> 00:55:35,760 Speaker 1: I said the number of the song, which is crazy. 1101 00:55:36,440 --> 00:55:38,719 Speaker 1: But what a brilli good idea. That's the name of 1102 00:55:38,719 --> 00:55:40,799 Speaker 1: the song. But they don't stay in the song because 1103 00:55:40,800 --> 00:55:43,080 Speaker 1: they don't need to, like, here's the message, but here's 1104 00:55:43,080 --> 00:55:44,920 Speaker 1: the title and if you need to know, here's the 1105 00:55:44,960 --> 00:55:48,040 Speaker 1: number here for you to call love that well, it's set. 1106 00:55:48,080 --> 00:56:00,520 Speaker 1: That's different level, that's second level thinking a day that's good. 1107 00:56:00,640 --> 00:56:03,320 Speaker 1: And then Bruno Mars is what I like. That's what 1108 00:56:03,560 --> 00:56:07,520 Speaker 1: I like, lucky. So here's what happens. Jay z song 1109 00:56:07,840 --> 00:56:10,960 Speaker 1: that's garbage. Um, it's not really garbage because I can't 1110 00:56:11,000 --> 00:56:13,799 Speaker 1: do it, but it just this a category. Jay Z 1111 00:56:13,840 --> 00:56:18,680 Speaker 1: o the garbage, UM, garbage. The desk Withsito And that's 1112 00:56:18,680 --> 00:56:20,919 Speaker 1: what I like are the populist votes because they're both 1113 00:56:20,920 --> 00:56:24,040 Speaker 1: so big. That is so big, so big, it's just 1114 00:56:24,360 --> 00:56:29,080 Speaker 1: when it when Biebers on something, critics go and they shouldn't, 1115 00:56:29,160 --> 00:56:31,840 Speaker 1: but they go, no, we're not gonna get this an award. 1116 00:56:32,280 --> 00:56:36,759 Speaker 1: They shouldn't. Jess Bieber was good. Uh, and that song 1117 00:56:36,840 --> 00:56:39,160 Speaker 1: is good and I love that a non English song 1118 00:56:39,280 --> 00:56:41,320 Speaker 1: dominates for a while to mean that even though I 1119 00:56:41,360 --> 00:56:44,040 Speaker 1: don't know, there's saying it's gotta be so good. It's 1120 00:56:44,080 --> 00:56:48,000 Speaker 1: like this group BTS the K Pop crem I don't 1121 00:56:48,000 --> 00:56:51,359 Speaker 1: get it, but I'm like, that's cool name. There's something 1122 00:56:51,400 --> 00:56:53,279 Speaker 1: to it. I don't know what they're saying, but it's like, 1123 00:56:53,320 --> 00:56:56,759 Speaker 1: don't it's yeah, they're not in any awards, but I wanna, 1124 00:56:57,200 --> 00:56:59,520 Speaker 1: you know, I think that, um, we're gonna pick one 1125 00:56:59,560 --> 00:57:04,799 Speaker 1: of these. It's I'm gonna go with because I'm torn 1126 00:57:04,840 --> 00:57:06,640 Speaker 1: between the two. I'm gonna go because of the message. 1127 00:57:06,640 --> 00:57:08,799 Speaker 1: I'm gonna go with logic. I think that one song 1128 00:57:08,840 --> 00:57:11,480 Speaker 1: in the year and isn't the biggest song. No, but 1129 00:57:11,600 --> 00:57:17,200 Speaker 1: you have to start weeding things out. I'm gonna go that. 1130 00:57:15,920 --> 00:57:26,800 Speaker 1: I want you Yeah, what would you pick? I'd probably 1131 00:57:27,040 --> 00:57:30,439 Speaker 1: just see them such a big it was the biggest song. 1132 00:57:31,400 --> 00:57:33,920 Speaker 1: I just feel like people see justin Bieber. Maybe the 1133 00:57:34,040 --> 00:57:37,840 Speaker 1: data can replace the Biber hate because the data is 1134 00:57:38,040 --> 00:57:40,920 Speaker 1: that's the biggest song. And I hope and if it doesn't, 1135 00:57:41,640 --> 00:57:44,200 Speaker 1: I mean probably it's like Samlan it probably should be. 1136 00:57:45,160 --> 00:57:46,760 Speaker 1: But I just feel like people see Bieber and goat 1137 00:57:46,880 --> 00:57:54,040 Speaker 1: n he's a brat. It shouldn't not all time there's 1138 00:57:54,080 --> 00:57:56,200 Speaker 1: some other country get like a country group do a 1139 00:57:56,240 --> 00:57:58,040 Speaker 1: performance which or there's something the worlds just gets so 1140 00:57:58,080 --> 00:58:04,600 Speaker 1: weird and so like odd. But um, everybody who cares 1141 00:58:05,560 --> 00:58:07,840 Speaker 1: country selo performance I don't even know what that means. 1142 00:58:08,040 --> 00:58:13,240 Speaker 1: Performance like but you have to submit a YouTube video 1143 00:58:13,240 --> 00:58:14,680 Speaker 1: of you perform a song in your living room or 1144 00:58:14,720 --> 00:58:18,560 Speaker 1: what like. I really don't know what that means. Um, 1145 00:58:18,600 --> 00:58:21,360 Speaker 1: but like Sam and Alison Krause is nominated, Miranda Lambert, 1146 00:58:21,400 --> 00:58:24,280 Speaker 1: Mary Morris, Chris Apleton, listen, I Christ Appleton's in an award, 1147 00:58:24,320 --> 00:58:26,280 Speaker 1: Just go ahead and give him the award. If our 1148 00:58:26,280 --> 00:58:28,840 Speaker 1: country do a group, you just give it to Brothers Osborne. 1149 00:58:29,160 --> 00:58:32,120 Speaker 1: They're awesome and the people love them and the critics 1150 00:58:32,160 --> 00:58:36,120 Speaker 1: love them. It's a rare thing. It's a rare they 1151 00:58:36,120 --> 00:58:38,720 Speaker 1: don't have a number one song, but it's a rare 1152 00:58:38,760 --> 00:58:41,920 Speaker 1: thing that critics and people both love them. Also, I 1153 00:58:41,960 --> 00:58:47,720 Speaker 1: love them in many ways. Best New Artists, which the 1154 00:58:47,720 --> 00:58:49,640 Speaker 1: interesting category how long we've been on the air. By 1155 00:58:49,640 --> 00:58:54,960 Speaker 1: the way, on the air we are live on Facebook. 1156 00:58:59,320 --> 00:59:01,200 Speaker 1: Best new orders. That'll like this category, except there's no 1157 00:59:01,360 --> 00:59:06,200 Speaker 1: last ye way two country. We had two country females yeah, 1158 00:59:07,680 --> 00:59:10,160 Speaker 1: this year ain't crap. None of the big fourteen categories 1159 00:59:10,200 --> 00:59:11,960 Speaker 1: that they have country artists and it already went touch Biel. 1160 00:59:12,520 --> 00:59:15,120 Speaker 1: It's irritating because like for somebody to root for on 1161 00:59:15,160 --> 00:59:18,840 Speaker 1: the TV show, because the TV show is I mean, 1162 00:59:18,840 --> 00:59:21,680 Speaker 1: that's whenever it watches. Otherwise you have to remind people. Yeah, 1163 00:59:21,680 --> 00:59:25,960 Speaker 1: I want to Grammy, cool cool cool. I see it 1164 00:59:26,080 --> 00:59:29,440 Speaker 1: was a commercial. It's on YouTube. No no, no no no, 1165 00:59:29,520 --> 00:59:31,480 Speaker 1: they gave it to me at three pm at a 1166 00:59:31,920 --> 00:59:33,600 Speaker 1: and it's still a Grammy and that's awesome. But want 1167 00:59:33,600 --> 00:59:35,400 Speaker 1: me on t V show And none of our people 1168 00:59:35,440 --> 00:59:39,000 Speaker 1: are gonna be on TV. So let's see. Unless they 1169 00:59:39,000 --> 00:59:40,440 Speaker 1: put one of the country category, I don't know if 1170 00:59:40,440 --> 00:59:41,920 Speaker 1: they put they may do Country out of the Year 1171 00:59:42,000 --> 00:59:43,360 Speaker 1: or something like that, like they may do one of 1172 00:59:43,360 --> 00:59:50,240 Speaker 1: those uh new artist this Alicia Alicia Carra Lessia Carra. Yeah, 1173 00:59:50,440 --> 00:59:57,400 Speaker 1: I know the song. I know she is a fantastic singer. Yeah. 1174 00:59:57,400 --> 01:00:00,560 Speaker 1: I listened to when I leave that the Scott Beautiful, 1175 01:00:00,960 --> 01:00:05,000 Speaker 1: This got to your Beautiful, I listened to. Um. I'll 1176 01:00:05,040 --> 01:00:07,640 Speaker 1: listen to Elvis Dan sometimes on after the show, but 1177 01:00:07,640 --> 01:00:10,000 Speaker 1: they don't play music on Elvis podcast. I don't get 1178 01:00:10,000 --> 01:00:12,880 Speaker 1: to hear the music, but I do listen to Ryan's 1179 01:00:13,040 --> 01:00:15,520 Speaker 1: show because they're two hours behind. So if I do, 1180 01:00:15,680 --> 01:00:19,240 Speaker 1: if it's ten thirty or eleven, all right, I'm in 1181 01:00:19,240 --> 01:00:21,800 Speaker 1: the car after the show, I'll flip it over and 1182 01:00:21,960 --> 01:00:25,000 Speaker 1: put it on Kiss in Los Angeles and listen. That's 1183 01:00:25,000 --> 01:00:28,080 Speaker 1: how you hear a lot of the music. Also, UM 1184 01:00:28,240 --> 01:00:30,840 Speaker 1: have satellite too, and so they have Kissing Z one 1185 01:00:30,920 --> 01:00:34,440 Speaker 1: hundred or on satellite, and so I'll listen to them 1186 01:00:34,520 --> 01:00:37,720 Speaker 1: from that music that Hits one channel. Kind of douche 1187 01:00:37,960 --> 01:00:42,000 Speaker 1: because they totally stole tell Me something Good. They they 1188 01:00:42,200 --> 01:00:44,960 Speaker 1: literally do a segment so like Secret Says too. But 1189 01:00:45,240 --> 01:00:46,840 Speaker 1: Ryan called me and was like, hey, dude, and now 1190 01:00:46,840 --> 01:00:49,320 Speaker 1: even don tell me some good in fourteen years. Do 1191 01:00:49,360 --> 01:00:50,720 Speaker 1: you mind if I do it? And I mayna do 1192 01:00:50,760 --> 01:00:51,880 Speaker 1: it the same way you do it, but I'm gonna 1193 01:00:51,920 --> 01:00:53,440 Speaker 1: do it like you do where I play the jingle 1194 01:00:53,880 --> 01:00:56,280 Speaker 1: And I was like, sure, I hope everybody's tell me 1195 01:00:56,320 --> 01:01:00,160 Speaker 1: something good, but only with written permission from me. I 1196 01:01:00,160 --> 01:01:01,960 Speaker 1: don't know to say that. But they do that on 1197 01:01:02,080 --> 01:01:03,320 Speaker 1: Hits one and they do tell me some other good 1198 01:01:03,400 --> 01:01:06,160 Speaker 1: and I'm just like, man, I'm just only being a hater, 1199 01:01:06,680 --> 01:01:10,040 Speaker 1: but picking different things like other shows. Dude, like, here's 1200 01:01:10,120 --> 01:01:13,120 Speaker 1: the happening happy news in the day. Do tell me 1201 01:01:13,120 --> 01:01:15,600 Speaker 1: something good the same exactly way we do it Google's 1202 01:01:16,360 --> 01:01:18,800 Speaker 1: I'm sure they're nice people. But I listened to that 1203 01:01:18,840 --> 01:01:22,200 Speaker 1: hits one and I'm like, yeah, and what else you 1204 01:01:22,240 --> 01:01:30,040 Speaker 1: got here? Um? Location from Kalid Texas Kid. I remember 1205 01:01:30,240 --> 01:01:33,040 Speaker 1: going over and looking at his Twitter and he had 1206 01:01:33,040 --> 01:01:35,240 Speaker 1: like a thousand followers like when he first came. I 1207 01:01:35,280 --> 01:01:37,720 Speaker 1: mean yeah, and now I watched him at the BT 1208 01:01:37,760 --> 01:01:40,120 Speaker 1: Awards this year too. I got like a tweet posted 1209 01:01:40,280 --> 01:01:41,600 Speaker 1: like three years ago. He's like, I'd like to go 1210 01:01:41,640 --> 01:01:43,680 Speaker 1: to the Grammy someday and you re tweeted it today. 1211 01:01:43,680 --> 01:01:46,160 Speaker 1: He's like, Hey, I did it and that great. Yeah, 1212 01:01:46,520 --> 01:01:50,720 Speaker 1: that's cool. It's pretty cool. This is a good song. 1213 01:01:50,800 --> 01:01:57,040 Speaker 1: I like this. He's not with DJ Khali, you know 1214 01:01:57,080 --> 01:02:03,520 Speaker 1: what I mean. It's Kalid, right, is it? There? You go? 1215 01:02:03,760 --> 01:02:07,320 Speaker 1: I've mispronounced two names so far. I don't hear him said, 1216 01:02:07,320 --> 01:02:11,400 Speaker 1: I's listening to songs. I do love that. Say you're Lokis. 1217 01:02:12,160 --> 01:02:19,600 Speaker 1: That's good. He's Beaumont right, got no shame of my pronouncements, Lozi, 1218 01:02:19,960 --> 01:02:24,840 Speaker 1: Louzy Bert. He's really I mean, he's obviously really good. 1219 01:02:24,840 --> 01:02:26,720 Speaker 1: But when he came out with that chair and I 1220 01:02:26,720 --> 01:02:29,520 Speaker 1: was like, this garbage, why are you running that chairing performance? 1221 01:02:29,720 --> 01:02:32,120 Speaker 1: But again, I'm threaty seven now, so I probably not 1222 01:02:32,160 --> 01:02:34,720 Speaker 1: getting it. Like it's also me. It's like I'm a 1223 01:02:34,800 --> 01:02:38,680 Speaker 1: mispronounced kids and I'm not like some of the new stuff. 1224 01:02:38,800 --> 01:02:43,320 Speaker 1: But I recognize that here we go. I just I 1225 01:02:43,320 --> 01:02:45,000 Speaker 1: have no idea what you just said, just in case 1226 01:02:45,000 --> 01:02:47,600 Speaker 1: you're wondering you're listening at home, no idea the words 1227 01:02:47,640 --> 01:02:54,360 Speaker 1: he just said. I just red Rock, Devin Stock, red Rock. 1228 01:02:55,520 --> 01:02:58,040 Speaker 1: That's not right. But that's why I'm thinking. I just 1229 01:03:00,080 --> 01:03:10,120 Speaker 1: masso Fascar, NASCAR and then got no one that we moved. Listen, 1230 01:03:10,200 --> 01:03:13,640 Speaker 1: I got a fast car and NASCAR. Yeah. I also 1231 01:03:13,720 --> 01:03:16,800 Speaker 1: understand that's not meant for me, meant for a younger generation. 1232 01:03:17,200 --> 01:03:20,600 Speaker 1: For I meant for twenty two year olds. So I 1233 01:03:20,680 --> 01:03:23,560 Speaker 1: respect that. But to me, I just hear, get off 1234 01:03:23,600 --> 01:03:26,480 Speaker 1: my lawn. You know that's me. I'm the old man. 1235 01:03:26,760 --> 01:03:30,320 Speaker 1: Kids get so a little goosie vert that I'm ready 1236 01:03:30,320 --> 01:03:33,640 Speaker 1: thing today where this is the first year that um 1237 01:03:33,680 --> 01:03:39,680 Speaker 1: like best artist maybe new artists, Julie Mikos, like there 1238 01:03:39,680 --> 01:03:41,720 Speaker 1: were no white males. They were like, hey, look at that. 1239 01:03:41,720 --> 01:03:43,640 Speaker 1: Look at that. White males aren't dominating. Yeah, And I 1240 01:03:43,720 --> 01:03:45,600 Speaker 1: was like, yeah, that's cool. Wait I'm a white male. 1241 01:03:45,800 --> 01:03:50,480 Speaker 1: I still like that's cool. Yeah, Like listen. In the 1242 01:03:50,520 --> 01:03:54,560 Speaker 1: same way, I'm like, I'm enough with white males. Like 1243 01:03:55,240 --> 01:03:57,480 Speaker 1: let's say some female. Let's get some diversity in there. 1244 01:03:57,560 --> 01:04:01,280 Speaker 1: We've seen what white males do. Just in general, enough 1245 01:04:01,520 --> 01:04:06,240 Speaker 1: enough with old white males. Um Julian Michaels for Best 1246 01:04:06,240 --> 01:04:09,959 Speaker 1: New Artists. She's awesome. I mean she's like two foot 1247 01:04:10,000 --> 01:04:12,200 Speaker 1: all and she wrote all these songs for all these 1248 01:04:12,280 --> 01:04:15,720 Speaker 1: artists too. She's a songwriter. First I watched her do 1249 01:04:15,880 --> 01:04:18,280 Speaker 1: like a medley of all our songs playing them, and 1250 01:04:18,320 --> 01:04:20,120 Speaker 1: then I went up and I was just geeking out there. 1251 01:04:20,160 --> 01:04:21,440 Speaker 1: I was like, I gotta get a picture with you. 1252 01:04:21,760 --> 01:04:23,240 Speaker 1: It was one of the few artists that I would 1253 01:04:23,280 --> 01:04:26,800 Speaker 1: do like, I didn't care, stepped through people. Was like, Julia, 1254 01:04:26,840 --> 01:04:28,240 Speaker 1: get a picture with here, but it's a big fan. 1255 01:04:29,040 --> 01:04:34,080 Speaker 1: I turned into a little loozy but speaking in and 1256 01:04:34,160 --> 01:04:37,120 Speaker 1: she's okay, I take a picture of that. Ran away 1257 01:04:37,200 --> 01:04:50,680 Speaker 1: like Michaels NASCAR Fast Car Julie Michaels. And then another 1258 01:04:50,680 --> 01:04:52,520 Speaker 1: one that I guess I don't want not to pronounce 1259 01:04:52,600 --> 01:04:55,919 Speaker 1: because Scissa. Yeah, yeah, but I didn't pronounce that before. 1260 01:04:55,960 --> 01:04:58,920 Speaker 1: But it's as z a Weekend. I know the song 1261 01:05:01,040 --> 01:05:11,480 Speaker 1: just keep you on the It's like all the cycles 1262 01:05:11,480 --> 01:05:13,760 Speaker 1: come back, like that's nineties R and B right there? Man? 1263 01:05:14,760 --> 01:05:17,360 Speaker 1: Or is it seventeen R B? Or is it both? 1264 01:05:17,680 --> 01:05:31,120 Speaker 1: You know? Who wins that? Probably Collied probably he. I 1265 01:05:31,120 --> 01:05:35,439 Speaker 1: think he's I think people probably at a tough point 1266 01:05:35,440 --> 01:05:39,720 Speaker 1: because it's just that that's a that's a wide wide 1267 01:05:39,720 --> 01:05:41,120 Speaker 1: open when last year I don't feel like it was 1268 01:05:41,160 --> 01:05:42,800 Speaker 1: so what chancel one last year? Right, I feel like 1269 01:05:42,840 --> 01:05:44,920 Speaker 1: that was wide open at all, And I was like, 1270 01:05:44,960 --> 01:05:48,880 Speaker 1: that's you know, that's who's gonna win this year? Probably? 1271 01:05:49,120 --> 01:05:51,000 Speaker 1: I mean I like Julian Michaels a lot because she's 1272 01:05:51,000 --> 01:05:54,080 Speaker 1: a great songwriter, but probably Klid As I called him 1273 01:05:54,080 --> 01:05:57,680 Speaker 1: five minutes to Gilbert Kelly. Are you think when that 1274 01:05:57,800 --> 01:05:59,480 Speaker 1: I was also going to colle I mean, I think 1275 01:05:59,520 --> 01:06:02,320 Speaker 1: it's between them and Julia Michaels. Yeah, but I think 1276 01:06:02,360 --> 01:06:04,280 Speaker 1: you got it. Yeah. I think it's all I want 1277 01:06:04,320 --> 01:06:08,560 Speaker 1: to do. How I've been talking one oh six longer 1278 01:06:08,600 --> 01:06:10,080 Speaker 1: than we get an artist in here is just me 1279 01:06:10,280 --> 01:06:17,440 Speaker 1: rambling on about stupid stuff. UM, thank you for being here. 1280 01:06:18,960 --> 01:06:20,600 Speaker 1: If you listening this far, you can always tweet me. 1281 01:06:20,600 --> 01:06:23,200 Speaker 1: It's say hey, Bobby, you pick your notes on Facebook. 1282 01:06:24,320 --> 01:06:27,720 Speaker 1: Or you can say I appreciate your thoughts on stuff, 1283 01:06:27,840 --> 01:06:29,640 Speaker 1: or I I agree with you, thank you're for sharing, 1284 01:06:29,720 --> 01:06:32,120 Speaker 1: or I don't agree with you, but if you used to, 1285 01:06:32,240 --> 01:06:33,840 Speaker 1: if you're just a dick, I'm gonna block you. I 1286 01:06:33,920 --> 01:06:37,919 Speaker 1: got no problem blocking somebody like Twitter. My Twitter feed 1287 01:06:37,920 --> 01:06:40,200 Speaker 1: you when I hit a reply that's not property. How 1288 01:06:40,200 --> 01:06:41,920 Speaker 1: many people won't stand on my property. I don't want 1289 01:06:41,960 --> 01:06:44,080 Speaker 1: my property. No one's gonna stand in my front yard 1290 01:06:44,080 --> 01:06:45,520 Speaker 1: and tell me how it's stupid I am. If I 1291 01:06:45,560 --> 01:06:47,600 Speaker 1: don't want them telling me how stupid I am, so 1292 01:06:48,040 --> 01:06:50,240 Speaker 1: I will block them from being in my front yard. 1293 01:06:50,320 --> 01:06:52,000 Speaker 1: That's the way I will block someone on Twitter if 1294 01:06:52,000 --> 01:06:58,920 Speaker 1: they're just being ridiculous and hateful for no reason. If 1295 01:06:58,920 --> 01:07:02,200 Speaker 1: I deserve it, I was like, oh, we're gonna black hole. 1296 01:07:03,560 --> 01:07:06,440 Speaker 1: If I don't deserve it, get in my yard. I 1297 01:07:06,440 --> 01:07:10,080 Speaker 1: got in my yard. Kids, all right, we're gonna go. 1298 01:07:11,040 --> 01:07:13,600 Speaker 1: Thank you very much. This has been an episode eighty nine. 1299 01:07:13,680 --> 01:07:16,960 Speaker 1: Thank you to Blue Apron and can be sure to 1300 01:07:17,000 --> 01:07:19,720 Speaker 1: check out a good Company with Jake Owen. It's available 1301 01:07:19,800 --> 01:07:22,400 Speaker 1: now where if you listen to podcast is searched it up. 1302 01:07:22,440 --> 01:07:24,760 Speaker 1: I think you like it and Jack's first every podcast too, 1303 01:07:24,800 --> 01:07:28,840 Speaker 1: so um. Even that being the case, that's pretty good. 1304 01:07:29,080 --> 01:07:32,000 Speaker 1: He didn't ramble on for eight hours like I did. Alright, 1305 01:07:32,000 --> 01:07:38,160 Speaker 1: you good thing, good du goodbye. Everybody listening watching on Facebook. 1306 01:07:39,040 --> 01:07:42,440 Speaker 1: Appreciate you, Appreciate you for listening to this, and we'll 1307 01:07:42,440 --> 01:07:45,080 Speaker 1: see you next time. We got happen. Who's coming up 1308 01:07:46,200 --> 01:07:50,320 Speaker 1: later in the week. Oh, Barry Dean, who writer of 1309 01:07:50,400 --> 01:07:54,120 Speaker 1: many country songs like Diamond Rings and Old bar Stools. 1310 01:07:54,640 --> 01:07:59,840 Speaker 1: Michael Ray think a little Less pontoon, uh day drinking. 1311 01:08:01,120 --> 01:08:03,840 Speaker 1: Didn't even start writing songs until he was like thirty five, 1312 01:08:03,920 --> 01:08:07,200 Speaker 1: like like country writer like, he didn't even belberry theme 1313 01:08:07,360 --> 01:08:08,480 Speaker 1: that would be the next one. All right, thank you 1314 01:08:08,560 --> 01:08:10,120 Speaker 1: very much, I'll see nex time. We give by everybody. 1315 01:08:10,160 --> 01:08:10,280 Speaker 1: Ye