WEBVTT - DCU Deep Dive: Bat vs Bat, Supergirl, Paramount Skydance Takeover

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<v Speaker 1>Worrying. This episode contains no spoilers. Really, there's no spoilers

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<v Speaker 1>in this.

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<v Speaker 2>Hello.

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<v Speaker 1>My name is Jason Concepcion and I'm Rosie Knight and

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<v Speaker 1>welcome back to Extra edition.

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<v Speaker 2>In the podcast Where We Dive Deep, it's your.

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<v Speaker 1>Favorite shows, movies, comics of pop, Closer Company, Your My

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<v Speaker 1>Heart or you Three of Us is week.

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<v Speaker 2>Listeners. In today's episode, we're gonna zoom out like we're

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<v Speaker 2>Superman flying above Earth, looking down, taking stock of James

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<v Speaker 2>Gunn's DCU so far and what we can look ahead

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<v Speaker 2>to as Matt Reeves Batman Universe, how does that factor

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<v Speaker 2>into all of it? Are we gonna see the Andy

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<v Speaker 2>Mauschetti Batman ever? Like where do we stand? We're gonna

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<v Speaker 2>be talking about it, So we'll be talking about that

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<v Speaker 2>Tale of two Batman, super Girl? Where do you stand?

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<v Speaker 2>Are you read? Are you excited? Is it enough to

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<v Speaker 2>keep it going? Then we'll look at some upcoming projects

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<v Speaker 2>like Lanton's Clay Face Man of Tomorrow and just give

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<v Speaker 2>you on laya the land of where we think DC's

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<v Speaker 2>headed halfway into twenty twenty six bomb.

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<v Speaker 1>Yes, since the DC Deep Dive, there's things to be

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<v Speaker 1>excited about. There's things to be worried about. Let's start

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<v Speaker 1>something that we are unabashedly excited about that I think

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<v Speaker 1>is a stategic hedge on the part of DC should correct.

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<v Speaker 1>Should the gun Averse falter, we have a parallel path

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<v Speaker 1>that perhaps that we can we can build upon, and

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<v Speaker 1>that is Matt Reeves and the Batman Part two, his

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<v Speaker 1>parallel universe Batman not involved in the gun Averse versions

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<v Speaker 1>of the characters, or so we think, right it certainly

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<v Speaker 1>seems that way right now.

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<v Speaker 2>It's connected kind of an elseworld situation to the main

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<v Speaker 2>gun of us. But there has been rumors that that

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<v Speaker 2>could change, I think.

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<v Speaker 1>Especial I'm sure they've been talking about.

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<v Speaker 2>It exactly so, probably having that conversation as we speak.

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<v Speaker 1>So the Baman Part two h slated for in October first,

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<v Speaker 1>twenty twenty seven release, which feels like it's that's maybe

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<v Speaker 1>you know, it's not that far away eating along.

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<v Speaker 2>This is the thing that I think has changed since

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<v Speaker 2>the last time we talked about this. Most where we

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<v Speaker 2>expected James Gunn's universe to be and the motion we

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<v Speaker 2>expected it to have by this point that many people

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<v Speaker 2>worried would leave the Batman two in the dust has

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<v Speaker 2>not necessarily materialized in the way we expected. Instead, the

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<v Speaker 2>Batman Part two, you know, Matt Reeves was releasing one image,

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<v Speaker 2>one gift, and it was kind of running all over

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<v Speaker 2>the gun of us like a batmobile, like it took

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<v Speaker 2>over the Internet. And I think that switch in motion

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<v Speaker 2>is one of the things why we like. Okay, I

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<v Speaker 2>think we got to talk about where we're at.

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<v Speaker 1>So let's let's talk about the casting first, because there's

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<v Speaker 1>a lot of exciting news there. I will note that

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<v Speaker 1>that the casting has not officially been confirmed by DC,

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<v Speaker 1>but it's very interesting, which is very interesting. I'm not

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<v Speaker 1>sure what the strategy is there. But here's who we

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<v Speaker 1>have thus far. Of course, Robert Pattinson returning as the

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<v Speaker 1>young and Emo Bruce Wayne. We have Jeffrey Wright returning

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<v Speaker 1>as Jim Gordon, Andy serkuses Alfred the kind of buff Zaddie,

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<v Speaker 1>Alfred Pennyworth. Colin Farrell, of course is very important in

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<v Speaker 1>this universe as Oskob the Penguin, Jamie Lawson as Mayor Bella,

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<v Speaker 1>Real gilpras Abraham's Offers and Martinez. And here are your

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<v Speaker 1>new editions. We have Sebastian stan as Harvey Dent.

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<v Speaker 2>Love it. Yeah, still allegedly not officially confirmed, but we

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<v Speaker 2>it kind of seems officially confirmed, but.

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<v Speaker 1>He's talking about it at Cannes.

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<v Speaker 2>Yeah, he's talking about it, so it's like it's confirmed.

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<v Speaker 1>He said it can that. He plays quote many roles

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<v Speaker 1>in this one, so obviously that seems like a Harvey

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<v Speaker 1>Dent little two faced above situation right, also double dipping

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<v Speaker 1>in the MC universe. Scarlett Johansson as rumored rumored to

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<v Speaker 1>be Gilded Dent crazy.

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<v Speaker 2>But also makes sense if you know who she is

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<v Speaker 2>and what Matt has adapted before we can get into that. Marris,

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<v Speaker 2>we talk about it. Brian Yvee Henry no rumors and

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<v Speaker 2>that night to know who's that is?

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<v Speaker 1>We will I. I don't know. We have Charles Dance

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<v Speaker 1>The Great Dance, Oh, that would be awesome, Taiwan Lanister

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<v Speaker 1>himself as Christopher Dent, the father Christopher Dent and which

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<v Speaker 1>I love that casting, and then Sebastian Koke. We have

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<v Speaker 1>also no rumors about this. So the setting certainly seems

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<v Speaker 1>like it takes place in winter based on Reeves's kind

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<v Speaker 1>of first look material that he released on.

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<v Speaker 2>This it's seen some snowy Gotham.

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<v Speaker 1>Yes, This has kind of sparked some mister Freeze speculations.

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<v Speaker 2>A little bit of mister I would love to see

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<v Speaker 2>Brian Tyree Henry as mister Freeze. I think that would incredible.

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<v Speaker 2>I also think Sebastian Coach could be mister Freeze. I

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<v Speaker 2>also think it could not be mister Freeze. When I

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<v Speaker 2>interviewed Matt Reeves years ago before The Batman came out

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<v Speaker 2>about an Amazon TV show he adapted from a photo book,

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<v Speaker 2>which was actually really interesting. We just kind of were vibing,

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<v Speaker 2>started talking about Batman, and he gave me a bunch

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<v Speaker 2>of scoops, and one of the things he shared was

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<v Speaker 2>his favorite Batman movie is Batman Returns, which I think

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<v Speaker 2>actually comes through a lot in the first Batman. But

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<v Speaker 2>I think here that kind of potential of it being

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<v Speaker 2>a Christmas movie, the wintery iciness of it all, that

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<v Speaker 2>a modernized version of that really does feel like it

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<v Speaker 2>would be adapting Heart of Ice or something like that.

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<v Speaker 2>So I'm excited. Interesting also in the comics, So put

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<v Speaker 2>your ears spoiler ears on now, guys, if you do

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<v Speaker 2>not want to be spoiled for what could potentially happen

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<v Speaker 2>in the comics. Gilda Dent is Harvey Dent's wife, so

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<v Speaker 2>very interesting to do a little MCU pairing there. But

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<v Speaker 2>she's also a serial killer, and depending on the canon,

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<v Speaker 2>she is the serial killer that we know that Falcone was,

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<v Speaker 2>Sophia was maybe potentially blamed for being. So there is

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<v Speaker 2>some really interesting connections to the Penguin and.

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<v Speaker 1>That's where they're going.

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<v Speaker 2>I think that's where they're going to. And it makes

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<v Speaker 2>me so excited, because guys, the Penguin is so good.

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<v Speaker 2>You might forget it, but it's so good and it's

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<v Speaker 2>so scary and it's so sad, and the Batman is

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<v Speaker 2>so good too, and I know people are having this

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<v Speaker 2>kind of revisionist feeling that it's not that good now,

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<v Speaker 2>and if that's how you feel, I totally respect it.

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<v Speaker 2>But I think this is such a dark, interesting space

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<v Speaker 2>in the DC universe. It reminds me of Batman, the

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<v Speaker 2>animated series. And if they're really going to continue the

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<v Speaker 2>Holiday killer stuff, the long Halloween stuff with this two

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<v Speaker 2>female serial killer potential, I just think that's so interesting.

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<v Speaker 2>I'm just I want to know more.

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<v Speaker 1>So principal photography is go underway in Glasgow, with some

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<v Speaker 1>second unit stuff going on in Liverpool. It does, so

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<v Speaker 1>Reeves used a really interesting gift of Scarlett Johansson gilded

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<v Speaker 1>dent in that storyline that there's some Long Halloween mm

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<v Speaker 1>hmmm kind of reflections as well. I wonder, I do

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<v Speaker 1>wonder which way they're gonna go. But that does make

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<v Speaker 1>a lot of sense that you would use Gilda as

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<v Speaker 1>the serial killer go pull from Long Halloween. Now here's

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<v Speaker 1>the question. The end of the first Batman, we saw

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<v Speaker 1>Barry Kiyogan as the Joker. We have no information about him,

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<v Speaker 1>which leads me to believe that either he is a

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<v Speaker 1>big part of the movie or not in the movie.

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<v Speaker 1>There's tween.

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<v Speaker 2>I I agree completely one hundred. I do think his

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<v Speaker 2>star was more on the rise. It was pre fumbling

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<v Speaker 2>Sabrina Koppana, which to kind of change his cultural cachet

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<v Speaker 2>with young people.

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<v Speaker 1>But I think I think there's I will let me

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<v Speaker 1>say one thing about that. I get, Yes, he fumbled

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<v Speaker 1>Sabrina Carpenter, and he should and and that's star culture,

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<v Speaker 1>and that's pop culture, and that's absolutely fine. Be making

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<v Speaker 1>fun of myself for fumbling Sabrina. It's fantastic. And it's

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<v Speaker 1>of course like the juice, the juiciness of the fact

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<v Speaker 1>that she's written songs about like that.

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<v Speaker 2>Too, and how it was when they went together and stuff.

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<v Speaker 2>You can't help me make it's front of.

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<v Speaker 1>The guy because you think he's ugly. I just think

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<v Speaker 1>it's no. I think that's fucked up. We've gone to

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<v Speaker 1>it's it's gone too far. And when he said when

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<v Speaker 1>he said, like I forget where on the red carpet

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<v Speaker 1>somewhere or some interview where it's like he actually had

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<v Speaker 1>to go offline and he feels like he can't go

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<v Speaker 1>outside because people are just like taking pictures of him

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<v Speaker 1>in order to post how ugly he is. I think

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<v Speaker 1>that's just crazy.

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<v Speaker 2>No, that shit's great.

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<v Speaker 1>That's how you crash somebody's psyche to the point that

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<v Speaker 1>they end up like on meds like don't do that.

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<v Speaker 2>Actually, glad that you brought that up, because totally agree

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<v Speaker 2>and also very fucked up because the same people will

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<v Speaker 2>be online talking about everyone looks the same as them

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<v Speaker 2>pick blah blah blah blah blah. But they're also like

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<v Speaker 2>not embracing somebody who's actually a great character actor who

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<v Speaker 2>looks a certain way because they don't like the way

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<v Speaker 2>he looks or they don't think he's conventionally attractive.

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<v Speaker 1>That shit's corny. It's it's corny. It's very bad. I

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<v Speaker 1>will also add one more thing that all those photos

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<v Speaker 1>like he is Ringo star in the upcoming videos movie,

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<v Speaker 1>and so all the videos and photos are him with

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<v Speaker 1>like I don't love the haircut either, and it does

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<v Speaker 1>not maybe doesn't frame his face in the most like

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<v Speaker 1>a flattering way, but like he's playing star, he's playing

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<v Speaker 1>a beetle, and it used it. I just found it,

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<v Speaker 1>like I just found it over the social media's turn.

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<v Speaker 1>But I felt really at that point, I'm like, guys

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<v Speaker 1>lit up.

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<v Speaker 2>But also as well, if you want to criticize somebody

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<v Speaker 2>because they treated somebody else badly, the best way to

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<v Speaker 2>do it is not by treating them badly, you know

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<v Speaker 2>what I mean, Like, come on, guys, and especially not

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<v Speaker 2>on a global platform. But I will say all of

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<v Speaker 2>that to say leading into my point, which I actually

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<v Speaker 2>think is you're right. He's either not in it because

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<v Speaker 2>he said I don't want to high profile thing like

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<v Speaker 2>that I'm pulling out, or or he absolutely is the

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<v Speaker 2>main villain and we're gonna get this really scary kind

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<v Speaker 2>of comeback performance for him from him that's gonna make

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<v Speaker 2>everyone go, oh shit. That's why we were excited because also,

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<v Speaker 2>if you're smart and you're Matt Reeves, you were able

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<v Speaker 2>to do something really terrifying with the Riddler, really different,

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<v Speaker 2>and you were able to kind of lay that out

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<v Speaker 2>and not act like there were many surprises, and it

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<v Speaker 2>was more about the characters. If they do the same

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<v Speaker 2>where they're like, look at this Sebastian Stan kind of

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<v Speaker 2>Noari take Gilda Dad, but in the background is this

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<v Speaker 2>kind of monstrous joke. I think that is could be

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<v Speaker 2>a really cool take and again, something we haven't seen

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<v Speaker 2>for a while, something the Gun of Us has not

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<v Speaker 2>done yet, so it would be a pretty big deal.

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<v Speaker 1>Well, speaking of the Gun of Verse, let's now transition

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<v Speaker 1>to a property. So we're very excited obviously about The

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<v Speaker 1>Batman per two. We are I think it to carry

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<v Speaker 1>you know, to speak for extra Vision as a whole.

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<v Speaker 1>I think we are hopefully excited about The Brave and

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<v Speaker 1>the Bold, slated for release in late twenty twenty eight,

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<v Speaker 1>directed by Any Musquetti, script by Christina Hodson, who did

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<v Speaker 1>The Flash and bubble Bee.

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<v Speaker 2>Well, I want to say, let's not I don't want

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<v Speaker 2>to blame her for The Flash because I had like

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<v Speaker 2>fifty right as by the end, the Flash.

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<v Speaker 1>Was a very very particular.

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<v Speaker 3>Yes wit that I want to read the book on

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<v Speaker 3>the Flash when we get the book about what that

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<v Speaker 3>was about, the push, the media swing.

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<v Speaker 1>The star of the film was like an active fugure.

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<v Speaker 3>It was Tom Cruise is like being shown the movie

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<v Speaker 3>in his house. It was crazy, like I need to

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<v Speaker 3>see the Argo style movie about that rollout, Like what

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<v Speaker 3>the fuck? But Christina Hodson did write Bumblebee fucking incredible

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<v Speaker 3>for that.

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<v Speaker 1>A wonderful Transformers movie.

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<v Speaker 2>Uh. She wrote Harlequin and the Birds of Prey, which

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<v Speaker 2>we know is also a fantastic movie, really enjoyable, great writing.

0:12:25.320 --> 0:12:27.440
<v Speaker 2>So I think there's a lot to be excited about here,

0:12:27.880 --> 0:12:31.679
<v Speaker 2>especially because it kind of seemed like from what they

0:12:31.720 --> 0:12:34.439
<v Speaker 2>were saying, James Gunn was saying, this would be introduced,

0:12:34.559 --> 0:12:36.880
<v Speaker 2>this would be based on Grant Morrison's stuff, and it

0:12:36.880 --> 0:12:40.000
<v Speaker 2>would be very much about Damian Wayne and Batman's relationship

0:12:40.040 --> 0:12:42.760
<v Speaker 2>with him, which seemed very exciting right when it was

0:12:42.800 --> 0:12:47.559
<v Speaker 2>announced two or three years ago. Does it feel realistic

0:12:47.800 --> 0:12:49.840
<v Speaker 2>now that that movie will come out?

0:12:49.960 --> 0:12:53.680
<v Speaker 1>Question Mark, Here's what I have to say. So Gunn

0:12:53.720 --> 0:12:58.480
<v Speaker 1>has stated that there'll be no casting and certainly no

0:12:58.559 --> 0:13:02.680
<v Speaker 1>casting news until there's an actionable script. So there's probably

0:13:02.800 --> 0:13:08.600
<v Speaker 1>no actionable script here is what I think. I think

0:13:08.880 --> 0:13:12.120
<v Speaker 1>that this is where I believe the gun of her

0:13:12.240 --> 0:13:16.680
<v Speaker 1>side of DC is hoping that they can co opt

0:13:16.960 --> 0:13:20.600
<v Speaker 1>the Batman, and Matt Reeves is the Batman in some way.

0:13:20.679 --> 0:13:24.000
<v Speaker 1>I think the late twenty twenty eight right allows this

0:13:24.120 --> 0:13:27.400
<v Speaker 1>kind of leap frog thing. It has been reported that

0:13:27.440 --> 0:13:30.880
<v Speaker 1>the script is complete. Obviously, the Damian Wayne part of

0:13:30.880 --> 0:13:32.640
<v Speaker 1>it is in flux. There's a lot of casting here

0:13:32.679 --> 0:13:36.400
<v Speaker 1>to do. But I do think that the hope is

0:13:37.000 --> 0:13:42.640
<v Speaker 1>to link the Reeves elseworld verse and the standard DC

0:13:43.320 --> 0:13:47.800
<v Speaker 1>universe worlds with this Brave in the Bold in particular,

0:13:47.880 --> 0:13:51.920
<v Speaker 1>because you know the Brave in the Bold it's not

0:13:52.200 --> 0:13:55.080
<v Speaker 1>a it's like it's a it's a team up.

0:13:55.240 --> 0:13:58.360
<v Speaker 3>It's that so you're on this side. As soon as

0:13:58.360 --> 0:13:59.840
<v Speaker 3>it's talking about this, I.

0:13:59.760 --> 0:14:01.760
<v Speaker 1>Was like, yes, Like it.

0:14:01.679 --> 0:14:03.880
<v Speaker 2>Can mean a lot to make a break from the

0:14:03.880 --> 0:14:06.840
<v Speaker 2>Bold movie. You can have different universes. You can have

0:14:07.240 --> 0:14:09.880
<v Speaker 2>music Master as a villain, right, you can have you know,

0:14:10.000 --> 0:14:14.040
<v Speaker 2>it can be weird and silly, and also I think

0:14:14.080 --> 0:14:17.520
<v Speaker 2>what's very interesting about this choice is. I saw Robert

0:14:17.559 --> 0:14:21.720
<v Speaker 2>Pattinson at the Batman screening at on the Warner Brothers

0:14:21.760 --> 0:14:24.280
<v Speaker 2>lot just before the movie came out, like a press screening.

0:14:24.280 --> 0:14:26.240
<v Speaker 2>He was doing a Q and A. Somebody asked him

0:14:26.280 --> 0:14:28.200
<v Speaker 2>what his dream would be, and he said it would

0:14:28.240 --> 0:14:30.160
<v Speaker 2>be to do Batman and Robin. And obviously, this is

0:14:30.240 --> 0:14:32.320
<v Speaker 2>Robert Pattinson, so he says a lot of silly things,

0:14:32.480 --> 0:14:34.720
<v Speaker 2>and he said, but I'd only do it if it

0:14:34.800 --> 0:14:37.000
<v Speaker 2>was a kid. He's like, I want to do Batman,

0:14:37.040 --> 0:14:40.840
<v Speaker 2>but the kid is twelve, and I think I love it.

0:14:40.280 --> 0:14:43.560
<v Speaker 2>I love it, fucking love it. And he's right. And

0:14:43.600 --> 0:14:46.440
<v Speaker 2>at the scuse he's beginning, people kind of laughed, but

0:14:46.560 --> 0:14:48.800
<v Speaker 2>he actually expounded on it and was like, how do

0:14:48.840 --> 0:14:50.440
<v Speaker 2>you take care of a kid? Who's the kind of

0:14:50.440 --> 0:14:52.440
<v Speaker 2>person who would put a kid in this situation? So

0:14:52.560 --> 0:14:56.280
<v Speaker 2>interesting and so when and obviously you cast older and

0:14:56.320 --> 0:14:59.000
<v Speaker 2>the kid is, you know, seventeen eighteen, but they're playing

0:14:59.000 --> 0:15:01.760
<v Speaker 2>thirteen or whatever, but they've never done it. Chris O'Donnell

0:15:01.920 --> 0:15:03.960
<v Speaker 2>is like, thirty Batman and.

0:15:04.040 --> 0:15:06.720
<v Speaker 1>Six I think is the closest attempt. But then again,

0:15:06.800 --> 0:15:09.560
<v Speaker 1>you know, we were casting older and pretending to be younger,

0:15:09.800 --> 0:15:13.960
<v Speaker 1>but I think really casting it kid would be very much.

0:15:14.000 --> 0:15:16.160
<v Speaker 2>As soon as James Gunn said, oh, we want to

0:15:16.200 --> 0:15:18.800
<v Speaker 2>do Batman and Robin like the Morrison version, I sort

0:15:18.840 --> 0:15:22.240
<v Speaker 2>of went, well, that's really what Robert pitched. So I

0:15:22.280 --> 0:15:25.080
<v Speaker 2>always thought it was interesting. I don't know if they're

0:15:25.120 --> 0:15:29.040
<v Speaker 2>going to go as crazy as to actually have Rob

0:15:29.120 --> 0:15:31.680
<v Speaker 2>be the Batman, but I will say once you get

0:15:31.680 --> 0:15:34.160
<v Speaker 2>into the later part of that arc, there is some

0:15:34.200 --> 0:15:36.720
<v Speaker 2>really and we've talked about this right there is a

0:15:36.840 --> 0:15:40.800
<v Speaker 2>version where the Brave and the Bold is Dick Grayson

0:15:40.960 --> 0:15:45.240
<v Speaker 2>as Batman and Damian Wayne as Robin, and the reason

0:15:45.240 --> 0:15:47.440
<v Speaker 2>that they have to do it is because Robert Pattinson's

0:15:47.480 --> 0:15:51.280
<v Speaker 2>Batman is not there or has disappeared or blah blah blah.

0:15:51.320 --> 0:15:53.120
<v Speaker 2>You know. So there is a version where you can

0:15:53.160 --> 0:15:57.080
<v Speaker 2>do a comics accurate version where Dick essentially is Batman

0:15:57.440 --> 0:16:01.080
<v Speaker 2>and it's about his relationship with Damien while still having

0:16:01.440 --> 0:16:04.520
<v Speaker 2>a Bruce Wayne in Robert Pattinson, but without ever having

0:16:04.600 --> 0:16:05.920
<v Speaker 2>to have him be Batman.

0:16:07.080 --> 0:16:10.080
<v Speaker 1>I believe, and I think we both believe that the

0:16:10.120 --> 0:16:15.200
<v Speaker 1>hope of the Gunner verse is to get Pattinson's being

0:16:15.240 --> 0:16:19.520
<v Speaker 1>a Batman in this world. Here's why I think that. Obviously,

0:16:19.560 --> 0:16:22.880
<v Speaker 1>there's there's no casting on the Batman for the Brave

0:16:22.920 --> 0:16:24.800
<v Speaker 1>and the Bold yet, right, And there's been a lot

0:16:24.800 --> 0:16:27.760
<v Speaker 1>of names that have been thrown around Jensen Acles which

0:16:27.800 --> 0:16:29.640
<v Speaker 1>I think would be interesting but probably won't have.

0:16:29.720 --> 0:16:31.080
<v Speaker 2>And he's done voice acting.

0:16:31.240 --> 0:16:34.280
<v Speaker 1>He's done voice acting before, right, Obviously this is a

0:16:34.400 --> 0:16:40.560
<v Speaker 1>huge casting call. Now, Superman came out July eleventh, twenty

0:16:40.600 --> 0:16:44.960
<v Speaker 1>twenty five, we knew that it was corn Sweat, and

0:16:45.040 --> 0:16:48.240
<v Speaker 1>oh my god, we knew two years or earlier June

0:16:48.280 --> 0:16:54.000
<v Speaker 1>twenty conversations, and we knew in LA we were actually

0:16:54.040 --> 0:16:56.400
<v Speaker 1>hearing about that for like six months before we knew

0:16:56.400 --> 0:16:58.760
<v Speaker 1>who the Yes, I knew who the three were, right,

0:16:58.920 --> 0:17:00.000
<v Speaker 1>we knew who the top three were.

0:17:00.200 --> 0:17:00.360
<v Speaker 2>Right.

0:17:00.760 --> 0:17:04.320
<v Speaker 1>The fact that there is nothing and this is slated

0:17:04.359 --> 0:17:06.240
<v Speaker 1>for twenty twenty eight release.

0:17:06.280 --> 0:17:07.560
<v Speaker 2>When twenty that's what I'm saying.

0:17:08.240 --> 0:17:11.040
<v Speaker 1>I think they're hoping it's Pattinson because there would be

0:17:11.320 --> 0:17:15.359
<v Speaker 1>something by now, there'd be something. That's my That's what

0:17:15.400 --> 0:17:15.640
<v Speaker 1>I ask.

0:17:15.800 --> 0:17:19.359
<v Speaker 2>I agree. I think that there is sixty percent of

0:17:19.600 --> 0:17:22.800
<v Speaker 2>whatever side at Warner Brothers is going for that and

0:17:22.880 --> 0:17:26.000
<v Speaker 2>is doing every negotiation, and I think Matt and Rob

0:17:26.040 --> 0:17:28.520
<v Speaker 2>are probably pushing back or wanting some kind of creat

0:17:28.640 --> 0:17:32.080
<v Speaker 2>grief say so over it, like they would want to

0:17:32.080 --> 0:17:32.400
<v Speaker 2>have at.

0:17:32.400 --> 0:17:34.880
<v Speaker 1>Least epa exactly.

0:17:34.960 --> 0:17:39.000
<v Speaker 2>Yes, absolutely, and also like Matt Reeves having some kind

0:17:39.080 --> 0:17:44.600
<v Speaker 2>of like you know, Kevin Feige esque like roll on

0:17:44.720 --> 0:17:47.160
<v Speaker 2>the back, almost as if how the comics are where

0:17:47.200 --> 0:17:50.320
<v Speaker 2>there's about there's a Metropolis office, there's a Gotham office,

0:17:50.440 --> 0:17:52.400
<v Speaker 2>you know, sort of like that. I think that would

0:17:52.400 --> 0:17:56.320
<v Speaker 2>be a really interesting approach. I also think that there's

0:17:56.359 --> 0:17:59.960
<v Speaker 2>probably forty percent or a little team at least who

0:18:00.240 --> 0:18:03.480
<v Speaker 2>job is to be fucking looking at every single self

0:18:03.520 --> 0:18:06.400
<v Speaker 2>tape in the world trying to find a Batman who

0:18:06.480 --> 0:18:10.160
<v Speaker 2>says interesting and weird and talkative casting, because the problem

0:18:10.200 --> 0:18:13.240
<v Speaker 2>with casting a different Batman to Robert Pattinson is that

0:18:13.400 --> 0:18:16.600
<v Speaker 2>his casting that shouldn't have worked. It had the Michael Keaton,

0:18:16.720 --> 0:18:19.160
<v Speaker 2>oh no, don't do this, but it also had its

0:18:19.200 --> 0:18:22.520
<v Speaker 2>immediate cult following. Like, guys, let me tell you about

0:18:22.640 --> 0:18:26.240
<v Speaker 2>the day that they announced Robert Pattinson got cast as Batman.

0:18:26.480 --> 0:18:28.760
<v Speaker 2>If you were in this space, and this was back

0:18:28.760 --> 0:18:30.880
<v Speaker 2>when we were getting paid to write a lot of articles.

0:18:31.119 --> 0:18:33.760
<v Speaker 3>They're paying me articles to write about like why they

0:18:33.760 --> 0:18:36.080
<v Speaker 3>didn't show the top of the ears on the mask,

0:18:36.160 --> 0:18:38.399
<v Speaker 3>and I'm writing an article about how it could because

0:18:38.400 --> 0:18:39.440
<v Speaker 3>they're six inches long.

0:18:39.520 --> 0:18:42.800
<v Speaker 2>Because that's like the crazy Gothic version. You know. People

0:18:42.840 --> 0:18:47.280
<v Speaker 2>were so excited and talking and angry and everything you

0:18:47.440 --> 0:18:50.359
<v Speaker 2>want from a casting, and then Rob delivered on it.

0:18:50.400 --> 0:18:53.080
<v Speaker 2>And not only just that, but the movie made eight

0:18:53.160 --> 0:18:57.720
<v Speaker 2>hundred million dollars. So they need something that can do that, right,

0:18:57.800 --> 0:18:59.960
<v Speaker 2>That's the thing, and I think Rosie was.

0:19:00.320 --> 0:19:05.800
<v Speaker 1>If you are in Warner Brothers marketing, mm hmm, I'm sorry,

0:19:05.880 --> 0:19:08.359
<v Speaker 1>but it's a disaster to have two different actors playing

0:19:08.400 --> 0:19:10.840
<v Speaker 1>Batman and you're trying to sell that. You're trying to

0:19:10.920 --> 0:19:16.240
<v Speaker 1>tell audiences why that. Okay, well one is in elsewhere.

0:19:16.560 --> 0:19:20.160
<v Speaker 1>Obviously people like us and people who listen to Extra

0:19:20.280 --> 0:19:25.119
<v Speaker 1>Vision get it, but the why your audience will be confused.

0:19:25.600 --> 0:19:29.119
<v Speaker 1>And so I have to imagine that there's a significant push,

0:19:30.200 --> 0:19:34.120
<v Speaker 1>just institutionally, non creatively, to be like, why would we

0:19:34.119 --> 0:19:36.520
<v Speaker 1>we have Robert Pattinson? Why would we do this? So

0:19:36.800 --> 0:19:40.600
<v Speaker 1>the question is at good point, it happens or it

0:19:40.640 --> 0:19:41.280
<v Speaker 1>doesn't happen.

0:19:41.400 --> 0:19:43.159
<v Speaker 2>This is a really great thing that I think is

0:19:43.200 --> 0:19:46.560
<v Speaker 2>going to lead into our next topic. Well, well yes, before,

0:19:46.640 --> 0:19:49.040
<v Speaker 2>but like, but the one thing is as well, Rob

0:19:49.119 --> 0:19:52.040
<v Speaker 2>is kind of like a loose cannon on a press

0:19:52.119 --> 0:19:54.280
<v Speaker 2>tour and they know that and they like it, but

0:19:54.400 --> 0:19:57.720
<v Speaker 2>he will be saying crazy stuff, right, So imagine if

0:19:57.760 --> 0:20:02.200
<v Speaker 2>you're like young, sweet upcoming actor who gets picked as

0:20:02.240 --> 0:20:06.040
<v Speaker 2>the Batman at Warner Brothers and one day Robert Pattinson's

0:20:06.040 --> 0:20:08.840
<v Speaker 2>talking about like, oh, Batman's a top, Batman's like a

0:20:08.960 --> 0:20:12.440
<v Speaker 2>selfish cop or something. And the next day this poor kid,

0:20:12.440 --> 0:20:14.480
<v Speaker 2>they're like, do you think Batman's a top or a bottom?

0:20:14.600 --> 0:20:16.840
<v Speaker 2>Like them is asking them, and this kid is just like,

0:20:17.000 --> 0:20:20.399
<v Speaker 2>what is going on? That is what could happen? So

0:20:20.480 --> 0:20:22.960
<v Speaker 2>I think just like, you've either got to have someone

0:20:22.960 --> 0:20:26.879
<v Speaker 2>who can compete like cars Zendeya as Batman. That's the

0:20:26.920 --> 0:20:29.119
<v Speaker 2>one person I've ever seen Rob go toe to Toto

0:20:29.119 --> 0:20:32.440
<v Speaker 2>on a press tour. Otherwise it's gonna be a problem.

0:20:32.880 --> 0:20:37.160
<v Speaker 1>Let's take a break and return to talk about film

0:20:37.200 --> 0:20:40.200
<v Speaker 1>property that we are a little worried about.

0:20:40.880 --> 0:20:41.840
<v Speaker 2>Probably know what it is.

0:20:41.760 --> 0:20:56.040
<v Speaker 1>If you listening to the show, Yeah, and we're at okay.

0:20:56.080 --> 0:21:00.920
<v Speaker 1>Supergirl coming out June twenty sixth, twenty twenty six mm hmmm,

0:21:01.480 --> 0:21:05.680
<v Speaker 1>directed by Craig Gillespie, Screenwrider, and an Aguera. Are we worried?

0:21:05.800 --> 0:21:08.600
<v Speaker 1>Here are some numbers. Here is some context. First of all,

0:21:08.680 --> 0:21:14.399
<v Speaker 1>tracking early obviously early tracking right now, but box office

0:21:14.440 --> 0:21:18.639
<v Speaker 1>theory projects a domestico but of between forty seven and

0:21:18.720 --> 0:21:22.399
<v Speaker 1>sixty five. Yeah, which is the Marvels and Black Adam.

0:21:22.640 --> 0:21:25.920
<v Speaker 1>That's the low and the high. That's bad. The budget.

0:21:26.119 --> 0:21:29.160
<v Speaker 1>We don't know the budget of this movie us. That's

0:21:29.160 --> 0:21:30.119
<v Speaker 1>another red flag.

0:21:30.400 --> 0:21:30.680
<v Speaker 2>Bad.

0:21:30.760 --> 0:21:34.000
<v Speaker 1>That's a big red flag. But Puck estimates that it's

0:21:34.000 --> 0:21:35.960
<v Speaker 1>about one seventy, which is honest.

0:21:36.119 --> 0:21:36.439
<v Speaker 2>Okay.

0:21:36.480 --> 0:21:39.479
<v Speaker 3>If I was one of brothers, I'd be boasting about that.

0:21:39.720 --> 0:21:40.800
<v Speaker 1>I would be boasting about that.

0:21:40.800 --> 0:21:42.679
<v Speaker 2>It was one of the funny things Disney did that

0:21:42.760 --> 0:21:45.080
<v Speaker 2>was really small. In the lead up to Mandalorian. They went,

0:21:45.119 --> 0:21:48.040
<v Speaker 2>this is cheap. You might say it looks like three

0:21:48.040 --> 0:21:51.359
<v Speaker 2>episodes put together because it's cheap, and everyone went for cheap.

0:21:51.400 --> 0:21:52.359
<v Speaker 2>It looks kind of good.

0:21:52.800 --> 0:21:56.800
<v Speaker 1>More numbers rumor is and I believe this rumor to

0:21:56.840 --> 0:21:59.560
<v Speaker 1>be true based on everything I hear as a person

0:21:59.600 --> 0:22:01.720
<v Speaker 1>living in the Angela's the dude's work that we do

0:22:02.600 --> 0:22:05.520
<v Speaker 1>that there have been more than ten test screening.

0:22:05.680 --> 0:22:09.000
<v Speaker 2>Oh god, I'd heard eight, but this ten, I believe

0:22:09.000 --> 0:22:09.639
<v Speaker 2>it because eight was.

0:22:09.640 --> 0:22:12.359
<v Speaker 1>A fun I believe it. I believe it. I believe

0:22:12.400 --> 0:22:14.000
<v Speaker 1>it as well. Sadly, I believe it.

0:22:14.200 --> 0:22:17.720
<v Speaker 2>And unfortunately it's struggling to fight. It's not like they

0:22:17.760 --> 0:22:20.679
<v Speaker 2>did ten and now they found the banger gem version.

0:22:20.920 --> 0:22:23.280
<v Speaker 2>It's like they did ten, and every single time you

0:22:23.400 --> 0:22:26.400
<v Speaker 2>know that the cool edge is getting fucking sounded off,

0:22:26.520 --> 0:22:27.840
<v Speaker 2>like That's how it feels to me.

0:22:28.200 --> 0:22:31.760
<v Speaker 1>Ten is a tremendous amount. I will also say that

0:22:31.840 --> 0:22:35.679
<v Speaker 1>there is a new TV trailer that's been airing, like

0:22:35.800 --> 0:22:40.359
<v Speaker 1>during the NBA playoffs and stuff, and the newest, the

0:22:40.440 --> 0:22:44.719
<v Speaker 1>latest one, is noticeably of a different tone than the

0:22:44.760 --> 0:22:48.920
<v Speaker 1>previous marketing, more action based, less story based. The dog

0:22:49.040 --> 0:22:51.400
<v Speaker 1>is not in it and at all. Lobo is much

0:22:51.440 --> 0:22:53.760
<v Speaker 1>more front and center, and he was kind of front

0:22:53.800 --> 0:22:57.080
<v Speaker 1>and center in the previous versions, which says to me

0:22:57.359 --> 0:23:00.359
<v Speaker 1>that they are at the eleventh hour look for a

0:23:00.359 --> 0:23:03.080
<v Speaker 1>different way to position this movie for an audience. All

0:23:03.119 --> 0:23:06.119
<v Speaker 1>of which is to say and the fact that even

0:23:06.160 --> 0:23:10.240
<v Speaker 1>at this late date, there has been very very little

0:23:11.240 --> 0:23:15.800
<v Speaker 1>Milli Alcock selling this movie or Milli Alcock friendly interviews.

0:23:16.119 --> 0:23:20.640
<v Speaker 1>There was a uh recent podcast appearance what's the name of.

0:23:20.600 --> 0:23:24.639
<v Speaker 2>Them, VC Studios Showcase. It's the official DC podcast. They

0:23:24.720 --> 0:23:28.239
<v Speaker 2>just relaunched for season two, and it looks like it

0:23:28.359 --> 0:23:30.960
<v Speaker 2>was very much to bring Milly out to the public

0:23:31.040 --> 0:23:34.040
<v Speaker 2>and stuff. Yes, but it's really the first thing, Like,

0:23:34.119 --> 0:23:36.639
<v Speaker 2>we haven't seen Milly on hot ones. I thought that

0:23:36.800 --> 0:23:39.760
<v Speaker 2>was like an absolute shoe in. We haven't seen that

0:23:40.119 --> 0:23:46.520
<v Speaker 2>Brosnahan corn sweat out on the town doing every press tour,

0:23:46.680 --> 0:23:49.840
<v Speaker 2>doing puppy interviews. She has not been given that treatment,

0:23:49.920 --> 0:23:52.479
<v Speaker 2>or she's not wanted it, whichever way round. But it

0:23:52.560 --> 0:23:54.119
<v Speaker 2>does feel odd.

0:23:54.200 --> 0:23:57.800
<v Speaker 1>No, no chicken date. No, Oh my gosh, Yes, I

0:23:57.800 --> 0:24:03.160
<v Speaker 1>would have known. Sharing shop day. You're right, I'm officially concerned.

0:24:03.280 --> 0:24:06.919
<v Speaker 1>I'm worried. And it's not just like the it's everything.

0:24:07.480 --> 0:24:11.840
<v Speaker 1>It's the screenings. It's the fact that Alcock, who is

0:24:11.880 --> 0:24:17.639
<v Speaker 1>a very talented actor. It seems like Warner Brothers is struggling.

0:24:17.200 --> 0:24:21.160
<v Speaker 2>To help her find her like vibe and voice. Yeah,

0:24:21.280 --> 0:24:26.639
<v Speaker 2>find an angle, I know, yeah, please. Common made a

0:24:26.680 --> 0:24:29.080
<v Speaker 2>great point, right, this I think was This is a

0:24:29.119 --> 0:24:31.000
<v Speaker 2>great Common By the way, if you didn't know this,

0:24:31.040 --> 0:24:33.800
<v Speaker 2>our superduced comment is like a fashion maven. Right, she's

0:24:33.880 --> 0:24:37.160
<v Speaker 2>got the eye so she will catch like a jompul

0:24:37.160 --> 0:24:39.000
<v Speaker 2>got a piece you didn't even see in a film,

0:24:39.000 --> 0:24:41.080
<v Speaker 2>and she'll tell you and she'll be right. So she

0:24:41.160 --> 0:24:45.119
<v Speaker 2>made a great point where even the styling for Millie,

0:24:45.119 --> 0:24:46.800
<v Speaker 2>this is meant to be punk, this is meant to

0:24:46.840 --> 0:24:48.520
<v Speaker 2>be bad ass, Like why don't they have her in

0:24:48.640 --> 0:24:52.000
<v Speaker 2>vintage Vivian Westward at every interview, like what or even

0:24:52.080 --> 0:24:55.000
<v Speaker 2>just like a little ripped shirt, Like it doesn't feel

0:24:55.520 --> 0:24:58.280
<v Speaker 2>like the tone of the movie or the character is

0:24:58.280 --> 0:25:01.840
<v Speaker 2>getting even in this all details. Whereas I feel like

0:25:01.960 --> 0:25:04.600
<v Speaker 2>every time you saw David Korn sweat, he looked like

0:25:04.640 --> 0:25:06.680
<v Speaker 2>he could rip off his shirt and Superman would be

0:25:06.760 --> 0:25:09.840
<v Speaker 2>underneath it, right, same with Lois Lane. Every single outfit

0:25:09.960 --> 0:25:14.200
<v Speaker 2>was a beautifully put together, kind of seventies inspired workspace.

0:25:14.800 --> 0:25:17.879
<v Speaker 2>I don't know anything about Millie or the character, and

0:25:17.920 --> 0:25:20.080
<v Speaker 2>it's actually okay to not know anything about Millie, but

0:25:20.080 --> 0:25:22.439
<v Speaker 2>then you have to make it about Kara, And I

0:25:22.480 --> 0:25:25.159
<v Speaker 2>think what I've been always worried about. I actually was

0:25:25.160 --> 0:25:27.960
<v Speaker 2>worried about this when they announced the movie, and if

0:25:27.960 --> 0:25:30.240
<v Speaker 2>you remember, guys, I think this is the biggest thing

0:25:30.480 --> 0:25:32.280
<v Speaker 2>that was always going to be a problem. When they

0:25:32.320 --> 0:25:34.520
<v Speaker 2>announced this movie. There was a lot of conversation about

0:25:34.520 --> 0:25:37.040
<v Speaker 2>whether it would be R rated because of the nature

0:25:37.080 --> 0:25:40.160
<v Speaker 2>of the book. Right, So you take something that's that edgy,

0:25:41.520 --> 0:25:45.639
<v Speaker 2>that dark, that fantastical, and suddenly it's gone from is

0:25:45.680 --> 0:25:48.879
<v Speaker 2>this going to be an R rated DC female led

0:25:49.000 --> 0:25:53.560
<v Speaker 2>badass revenge movie to this is a PG thirteen female

0:25:53.640 --> 0:25:56.280
<v Speaker 2>led movie where just before it starts to come out,

0:25:56.400 --> 0:26:00.800
<v Speaker 2>nobody's promoting it's it's giving the original super movie. And

0:26:00.840 --> 0:26:03.159
<v Speaker 2>that's not to say it's not gonna be a good movie.

0:26:03.280 --> 0:26:06.000
<v Speaker 2>It's to say that once again, I think a studio

0:26:06.040 --> 0:26:08.160
<v Speaker 2>has found themselves where they don't know how to position

0:26:08.200 --> 0:26:11.439
<v Speaker 2>a female lead movie. And I also do think I

0:26:11.440 --> 0:26:13.280
<v Speaker 2>think that's part of it, right, And I think that

0:26:13.359 --> 0:26:15.399
<v Speaker 2>part of that if you if we go back to

0:26:16.240 --> 0:26:18.480
<v Speaker 2>looking at what DC's done recently, you know, I just

0:26:18.520 --> 0:26:21.840
<v Speaker 2>spoke about Harlequin and the fantabulous emancipation of the birds

0:26:21.840 --> 0:26:23.560
<v Speaker 2>prey and all that kind of stuff. I love that movie.

0:26:23.640 --> 0:26:25.200
<v Speaker 2>I got to go on the set. They did kill

0:26:25.200 --> 0:26:27.639
<v Speaker 2>a promo for that movie. They had us fly out

0:26:27.720 --> 0:26:31.240
<v Speaker 2>for the premiere to London to do the junkit. That's

0:26:31.240 --> 0:26:33.280
<v Speaker 2>where I got to do my question about Arlene and

0:26:33.520 --> 0:26:36.240
<v Speaker 2>the inspiration of Harlequin and that kind of easter egg.

0:26:36.280 --> 0:26:39.879
<v Speaker 2>They had to that and it's really was such a

0:26:39.960 --> 0:26:44.160
<v Speaker 2>cool energy And it was February twenty twenty and COVID

0:26:44.240 --> 0:26:46.600
<v Speaker 2>shut down the world. The movie didn't make very much money,

0:26:46.840 --> 0:26:49.440
<v Speaker 2>and the next movie they released that was female led

0:26:49.440 --> 0:26:53.040
<v Speaker 2>at DC was Wonder Woman Too, which was an immense flop,

0:26:53.080 --> 0:26:55.120
<v Speaker 2>Wonder Woman nineteen eighty seven. It was part of the

0:26:55.160 --> 0:26:58.399
<v Speaker 2>platform same day, same date release. The movie did not

0:26:58.440 --> 0:27:00.359
<v Speaker 2>get good reviews, it did not hit, not get the

0:27:00.440 --> 0:27:03.520
<v Speaker 2>numbers they wanted, and I think they are still struggling

0:27:03.760 --> 0:27:06.360
<v Speaker 2>post Birds of Prey, which I think was a good

0:27:06.359 --> 0:27:10.239
<v Speaker 2>step in the right direction, unfortunately hindered by you know,

0:27:10.480 --> 0:27:14.320
<v Speaker 2>the world and also bias media coverage because if you

0:27:14.320 --> 0:27:16.520
<v Speaker 2>look at how other movies with men are covered that

0:27:16.560 --> 0:27:18.439
<v Speaker 2>made similar routs money and if you look at what

0:27:18.600 --> 0:27:21.240
<v Speaker 2>super movies are making now, they'd probably have been happy

0:27:21.240 --> 0:27:24.679
<v Speaker 2>with it. But I do think they still don't know

0:27:24.720 --> 0:27:27.119
<v Speaker 2>what to do. Like the saddest thing for me, and

0:27:27.200 --> 0:27:29.720
<v Speaker 2>this is normal, Like I am in my room which

0:27:29.760 --> 0:27:32.600
<v Speaker 2>is full of branded stuff. I have Star Wars tattos,

0:27:32.640 --> 0:27:36.280
<v Speaker 2>like I'm not averse to IP and the marketing aspect

0:27:36.320 --> 0:27:39.760
<v Speaker 2>of it all. But I get more promoted ads for Supergirl,

0:27:39.840 --> 0:27:43.240
<v Speaker 2>like makeup and socks, then I see of videos of

0:27:43.320 --> 0:27:46.320
<v Speaker 2>merely talking about the movie. And that's a problem. You've

0:27:46.320 --> 0:27:47.880
<v Speaker 2>got to have it the other way around. You've got

0:27:47.920 --> 0:27:50.679
<v Speaker 2>to make people so excited that when they see a

0:27:50.680 --> 0:27:54.320
<v Speaker 2>little Supergirl sock or a crypto popcorn bucket, they go, actually,

0:27:54.400 --> 0:27:56.879
<v Speaker 2>I want a little bit more of what I've been getting.

0:27:56.920 --> 0:27:59.320
<v Speaker 2>I love how much I want to purchase that, not

0:28:00.240 --> 0:28:03.400
<v Speaker 2>this thing, and maybe you'll like the movie. And unfortunately,

0:28:03.920 --> 0:28:08.560
<v Speaker 2>I just feel like every press is negative. I feel

0:28:08.560 --> 0:28:11.119
<v Speaker 2>like all of Millie's comments are getting picked up in

0:28:11.160 --> 0:28:14.239
<v Speaker 2>this way that feels so twenty sixteen, this kind of

0:28:14.280 --> 0:28:18.720
<v Speaker 2>like she's, oh she doesn't like men or ever. It's

0:28:18.800 --> 0:28:20.400
<v Speaker 2>just like what I.

0:28:20.400 --> 0:28:23.199
<v Speaker 1>Want to say, because okay, so you know, there was

0:28:23.240 --> 0:28:28.399
<v Speaker 1>a there's a piece in Variety from May twentieth that leans,

0:28:29.400 --> 0:28:33.840
<v Speaker 1>you know, very heavily on or the aggregation leans very

0:28:33.880 --> 0:28:37.560
<v Speaker 1>heavily on like Alcock calling out burner accounts that are

0:28:37.560 --> 0:28:43.120
<v Speaker 1>criticizing her and the kind of typical right wing screeds

0:28:43.240 --> 0:28:44.280
<v Speaker 1>that you yeah.

0:28:44.080 --> 0:28:46.600
<v Speaker 2>And she's getting picked up on the daily wire and

0:28:46.640 --> 0:28:48.600
<v Speaker 2>it's just like very and.

0:28:48.440 --> 0:28:50.560
<v Speaker 1>Which by the way like that was always gonna happen.

0:28:50.640 --> 0:28:52.400
<v Speaker 1>It didn't matter it was Millie Alcock.

0:28:52.160 --> 0:28:54.560
<v Speaker 2>Who No, it could have been whoever like this is.

0:28:54.680 --> 0:28:56.840
<v Speaker 2>It doesn't matter. It's just the fact it's a female

0:28:56.920 --> 0:28:58.880
<v Speaker 2>led supera movie. They don't care what it's about. They

0:28:58.880 --> 0:29:00.560
<v Speaker 2>don't care that it's based on true grit. They don't

0:29:00.560 --> 0:29:02.400
<v Speaker 2>care it's actually very messy. They don't care.

0:29:02.680 --> 0:29:07.600
<v Speaker 1>But the fact that we don't have a strategy to

0:29:07.760 --> 0:29:13.000
<v Speaker 1>make to counterbalance that aggregation that's gonna happen from the

0:29:13.080 --> 0:29:13.960
<v Speaker 1>right leaning.

0:29:13.720 --> 0:29:16.960
<v Speaker 2>That you know it's gonna happen. It's gonna have brothers

0:29:17.120 --> 0:29:19.040
<v Speaker 2>know this because of the Snyder cart they know, yes,

0:29:19.280 --> 0:29:20.440
<v Speaker 2>more than.

0:29:20.840 --> 0:29:24.680
<v Speaker 1>So, why don't we have other things ready to pop

0:29:24.840 --> 0:29:28.720
<v Speaker 1>to counterbalance that. The fact that we don't have, you know.

0:29:29.000 --> 0:29:33.040
<v Speaker 2>Even just like her unboxing a video, unboxing a toy

0:29:33.240 --> 0:29:34.680
<v Speaker 2>or something like that South.

0:29:36.320 --> 0:29:40.240
<v Speaker 1>The Hot Ones type of thing, or the Chicken Chop

0:29:40.320 --> 0:29:44.120
<v Speaker 1>date sort of approach. It doesn't even need to be

0:29:44.200 --> 0:29:46.720
<v Speaker 1>talking about the movie. It's just like, here is this,

0:29:47.120 --> 0:29:49.720
<v Speaker 1>here's million Alcock, who's a fun person exactly.

0:29:50.120 --> 0:29:53.280
<v Speaker 2>And I will say, like, so, this is obviously comparing

0:29:53.280 --> 0:29:55.400
<v Speaker 2>to a movie that also might not do financially well.

0:29:55.440 --> 0:29:57.000
<v Speaker 2>So I can't say if this is a better marketing

0:29:57.000 --> 0:29:59.280
<v Speaker 2>campaign or not. But look at the difference between like

0:29:59.680 --> 0:30:04.320
<v Speaker 2>Cami Mendes for he Man Masters of the Universe. She

0:30:04.480 --> 0:30:06.960
<v Speaker 2>is everywhere for that movie, and it's just silly little

0:30:07.000 --> 0:30:09.120
<v Speaker 2>bits like she will be walking down the street and

0:30:09.120 --> 0:30:12.160
<v Speaker 2>there'll be a Teler poster and she'll do like a

0:30:12.160 --> 0:30:14.240
<v Speaker 2>funny dance in front of the Teler poster and then

0:30:14.280 --> 0:30:16.800
<v Speaker 2>like strike a blue teal. But that goes people share them.

0:30:16.840 --> 0:30:18.680
<v Speaker 2>They're like, oh, this is a person who's excited to

0:30:18.720 --> 0:30:22.240
<v Speaker 2>be in the movie. I feel like Warner Brothers and

0:30:22.360 --> 0:30:26.120
<v Speaker 2>DC should have enough of a press mechanism that they

0:30:26.200 --> 0:30:29.840
<v Speaker 2>could be pumping out like cool stories about Millie at

0:30:29.840 --> 0:30:32.200
<v Speaker 2>the same time as these stories are coming out that

0:30:32.400 --> 0:30:35.480
<v Speaker 2>basically just paint her as exactly what these men think

0:30:35.560 --> 0:30:38.280
<v Speaker 2>she is. And I like that, like be unlikable, don't

0:30:38.280 --> 0:30:41.200
<v Speaker 2>play the game. But as Warner Brothers, you should be

0:30:41.200 --> 0:30:44.640
<v Speaker 2>protecting her. That's my opinion, Like why isn't you. I

0:30:44.760 --> 0:30:47.160
<v Speaker 2>know that they have somebody whose job, like they've got

0:30:47.200 --> 0:30:49.280
<v Speaker 2>to have someone whose job is to just tell James

0:30:49.280 --> 0:30:52.720
<v Speaker 2>Gunnwott comics to read right, And I love that that's great.

0:30:52.760 --> 0:30:57.080
<v Speaker 2>I love the amount of hope and kind of inspiration

0:30:57.160 --> 0:30:59.440
<v Speaker 2>that gives to young artists that your stories can shape

0:30:59.480 --> 0:31:02.720
<v Speaker 2>these billion dollar movies they should have. Why don't they?

0:31:02.760 --> 0:31:05.160
<v Speaker 2>Why isn't there just the video of her reading Supergirl

0:31:05.320 --> 0:31:08.120
<v Speaker 2>Women of Tomorrow, Like there's just I could pitch so

0:31:08.200 --> 0:31:11.280
<v Speaker 2>many little ideas that I feel like they are just

0:31:11.400 --> 0:31:14.480
<v Speaker 2>not putting the juice behind. Why is Jason Momoa doing

0:31:14.520 --> 0:31:17.400
<v Speaker 2>more press stops? Actually I sadly know the answer because

0:31:17.440 --> 0:31:19.240
<v Speaker 2>if you read the reports, and I think there was

0:31:19.280 --> 0:31:23.840
<v Speaker 2>a Hollywood Reporter article about after about eight screenings where

0:31:23.880 --> 0:31:26.440
<v Speaker 2>a lot of the feedback that was positive was should

0:31:26.440 --> 0:31:29.520
<v Speaker 2>have been more Lobo, which I said from the beginning,

0:31:29.600 --> 0:31:32.080
<v Speaker 2>don't put him in the movie because you're immediately doing

0:31:32.080 --> 0:31:35.080
<v Speaker 2>a disservice to the story and to the characters who

0:31:35.120 --> 0:31:37.840
<v Speaker 2>are the main characters, which are her and Ruthie. If

0:31:37.880 --> 0:31:40.480
<v Speaker 2>you put Lobo in, people are gonna want to more

0:31:40.520 --> 0:31:43.200
<v Speaker 2>Lobo unless you make her and Ruthie equally engaging.

0:31:43.360 --> 0:31:47.480
<v Speaker 1>I'll just say this that I think that I think

0:31:47.480 --> 0:31:49.480
<v Speaker 1>there's several things going on. If I had to guess,

0:31:49.720 --> 0:31:54.560
<v Speaker 1>I think one that Millie is not She's not ready

0:31:54.640 --> 0:31:57.959
<v Speaker 1>for this level of media attention and the media training

0:31:58.680 --> 0:32:01.680
<v Speaker 1>if it's working, is not caught caught up with her

0:32:01.760 --> 0:32:04.080
<v Speaker 1>and maybe she doesn't like doing it. I get it.

0:32:04.120 --> 0:32:06.600
<v Speaker 1>This is you know, to cast someone in a movie

0:32:06.640 --> 0:32:10.760
<v Speaker 1>like this is about It's not just about the on

0:32:10.920 --> 0:32:14.600
<v Speaker 1>camera performance, it's the full package. Can you go out

0:32:14.640 --> 0:32:17.400
<v Speaker 1>and sell this movie? Can you go out and appear

0:32:17.400 --> 0:32:19.800
<v Speaker 1>in all the outlets, do the red carpet walk, do

0:32:19.920 --> 0:32:25.560
<v Speaker 1>the appearance on the view and make this make the

0:32:25.600 --> 0:32:28.240
<v Speaker 1>audience excited to see this movie. And I think, like

0:32:28.360 --> 0:32:32.479
<v Speaker 1>reading this Variety article, there's so many parts, like a

0:32:32.600 --> 0:32:38.640
<v Speaker 1>huge part of this article hinges on how much Milly

0:32:38.800 --> 0:32:40.680
<v Speaker 1>was unsure if she really wanted to do the role,

0:32:40.840 --> 0:32:43.560
<v Speaker 1>like it was right, And I get the framing of like,

0:32:43.640 --> 0:32:46.440
<v Speaker 1>oh this is a challenge, but a lot of it

0:32:46.440 --> 0:32:49.360
<v Speaker 1>it reads as like I wasn't sure I wanted to

0:32:49.400 --> 0:32:53.520
<v Speaker 1>do it and sure I'll do it. And that's the

0:32:53.640 --> 0:32:57.080
<v Speaker 1>kind of thing where we just need to reframe, guys,

0:32:57.120 --> 0:32:59.120
<v Speaker 1>like we need to we need to reframe this in

0:32:59.120 --> 0:33:03.400
<v Speaker 1>a different way. And I feel that if anything, if

0:33:03.440 --> 0:33:08.080
<v Speaker 1>there is a failure here, it is DC failing to

0:33:08.200 --> 0:33:13.880
<v Speaker 1>position million Alcock for success. One agree after investing in

0:33:13.920 --> 0:33:19.520
<v Speaker 1>her to cast her and maybe first of all, casting

0:33:19.560 --> 0:33:23.240
<v Speaker 1>someone who is maybe not ready for this, like if

0:33:23.680 --> 0:33:28.280
<v Speaker 1>if there's a failure, it's in the gun Saffron like

0:33:28.520 --> 0:33:32.160
<v Speaker 1>side of the fuel. I agree, and that is unfortunate.

0:33:32.600 --> 0:33:36.320
<v Speaker 1>That's unfortunate. Now we will see, but the but the

0:33:36.760 --> 0:33:38.920
<v Speaker 1>signs right now are bad.

0:33:39.360 --> 0:33:42.400
<v Speaker 2>I want it. I want it to come out and

0:33:42.560 --> 0:33:47.000
<v Speaker 2>have the absolute insane impact that her performance had in

0:33:47.080 --> 0:33:49.360
<v Speaker 2>House of the Dragon, where we were just begging for

0:33:49.480 --> 0:33:51.480
<v Speaker 2>more even though we knew they were only going to

0:33:51.520 --> 0:33:54.719
<v Speaker 2>be in a certain amount of episodes. I'm hoping that's it.

0:33:54.800 --> 0:33:57.560
<v Speaker 2>But also from the very beginning, I do feel like

0:33:57.560 --> 0:33:59.800
<v Speaker 2>they set her up for failure by it doesn't seem

0:33:59.880 --> 0:34:02.640
<v Speaker 2>like they really gave her the tools to prepare for

0:34:02.840 --> 0:34:06.160
<v Speaker 2>how a role like this is gonna be received. It

0:34:06.200 --> 0:34:10.400
<v Speaker 2>also raises an interesting question about fandom. Just before we finished,

0:34:10.400 --> 0:34:13.000
<v Speaker 2>because I was talking to another friend, an incredible colleague

0:34:13.000 --> 0:34:16.560
<v Speaker 2>called Noela Williams, who's a great journalist and activist, and

0:34:16.680 --> 0:34:20.160
<v Speaker 2>we were talking about how there is a worrying trend

0:34:20.760 --> 0:34:23.719
<v Speaker 2>where studios are basically casting people. This was like the

0:34:24.480 --> 0:34:26.560
<v Speaker 2>new Game from the Last of Us Guys. It came

0:34:26.640 --> 0:34:29.560
<v Speaker 2>up around that with Tati Gabrielle being the main character,

0:34:29.920 --> 0:34:32.920
<v Speaker 2>and they basically had to boot camp her through what

0:34:33.000 --> 0:34:35.600
<v Speaker 2>it would be like to be trolled. And it's just

0:34:35.680 --> 0:34:38.840
<v Speaker 2>like that's where we're at, and it fucking sucked. But

0:34:39.120 --> 0:34:41.040
<v Speaker 2>at least they had to go in. They went about

0:34:41.040 --> 0:34:43.040
<v Speaker 2>it in a fucked up but proactive way. I feel

0:34:43.080 --> 0:34:45.400
<v Speaker 2>like Warner Brothers didn't do anything, and it just seems

0:34:45.440 --> 0:34:48.080
<v Speaker 2>like from the moment Millie started to get insulted, she

0:34:48.160 --> 0:34:50.040
<v Speaker 2>was like, fuck this, like it's not worth my time,

0:34:50.040 --> 0:34:52.759
<v Speaker 2>which I received, which is a human Yeah, but they

0:34:52.800 --> 0:34:55.080
<v Speaker 2>should have prepared her, like I've seen the I saw

0:34:55.120 --> 0:34:58.840
<v Speaker 2>the Riverdale kids on set from season one to season like,

0:34:59.200 --> 0:35:02.000
<v Speaker 2>I think it was like three for change through the

0:35:02.080 --> 0:35:05.640
<v Speaker 2>incredible like media training, learn to protect themselves, learn to

0:35:05.640 --> 0:35:07.960
<v Speaker 2>share what they wanted to share, learn to be vibrant

0:35:07.960 --> 0:35:09.960
<v Speaker 2>when they did and hold back when they needed to.

0:35:10.400 --> 0:35:12.239
<v Speaker 2>I want Milly to have that level of care. I

0:35:12.280 --> 0:35:14.680
<v Speaker 2>don't think they gave it to and I worry that

0:35:14.719 --> 0:35:17.279
<v Speaker 2>she will be blamed for this when it's actually like

0:35:17.320 --> 0:35:17.760
<v Speaker 2>a lot.

0:35:17.640 --> 0:35:20.480
<v Speaker 1>Of people, well, she will be blamed and that's not fair.

0:35:21.000 --> 0:35:23.920
<v Speaker 1>I also think that, you know, with regards to the

0:35:25.680 --> 0:35:29.040
<v Speaker 1>misogynistic criticism that is frankly part of the landscape and

0:35:29.080 --> 0:35:34.440
<v Speaker 1>will come her way and the way of other women

0:35:34.520 --> 0:35:37.719
<v Speaker 1>who are cast in roles that are this prominent. I

0:35:37.760 --> 0:35:38.279
<v Speaker 1>think the.

0:35:38.280 --> 0:35:38.839
<v Speaker 2>Move is.

0:35:40.440 --> 0:35:44.880
<v Speaker 1>If you give that side any fuel, they're just gonna

0:35:44.920 --> 0:35:47.920
<v Speaker 1>run with it, Like even making the comments which I

0:35:47.960 --> 0:35:51.960
<v Speaker 1>think are right where she's like, you know, just existing

0:35:52.000 --> 0:35:56.319
<v Speaker 1>as a woman, blah blah blah, the unhealthy relationship with

0:35:56.440 --> 0:35:59.960
<v Speaker 1>fans and people like that. I'm being controlled by someone

0:36:00.200 --> 0:36:04.279
<v Speaker 1>who's like profile, says dad of foreign Christian. Oh, it's

0:36:04.320 --> 0:36:07.000
<v Speaker 1>so that's like, just say fuck them?

0:36:07.000 --> 0:36:07.520
<v Speaker 2>Who cares?

0:36:07.719 --> 0:36:08.120
<v Speaker 1>Exactly?

0:36:08.680 --> 0:36:12.319
<v Speaker 2>The problem is that's what she hasn't been taught and

0:36:12.360 --> 0:36:14.960
<v Speaker 2>that is so relatable as a young person and an

0:36:14.960 --> 0:36:17.279
<v Speaker 2>online person. Right when I was a kid and game

0:36:17.360 --> 0:36:19.520
<v Speaker 2>and Gate was going on Comicsgate, we used to get

0:36:19.520 --> 0:36:22.720
<v Speaker 2>the emotional hit of coming back saying something. But now

0:36:22.880 --> 0:36:26.239
<v Speaker 2>the barrage of it is so impersonal. And it's also

0:36:26.320 --> 0:36:30.000
<v Speaker 2>a lot of bots. It's a lot of mechanized bullshit,

0:36:30.160 --> 0:36:34.760
<v Speaker 2>like you have to essentially learn how to go okay, loser,

0:36:34.840 --> 0:36:37.800
<v Speaker 2>I got the job. I'm fucking supergirl. Like sadly, you

0:36:37.920 --> 0:36:40.520
<v Speaker 2>have to do it. You have to have be able

0:36:40.560 --> 0:36:42.480
<v Speaker 2>to let it water off. A docs back, as we

0:36:42.560 --> 0:36:45.040
<v Speaker 2>used to say, you got to have your block finger strong,

0:36:45.200 --> 0:36:47.120
<v Speaker 2>you got to just block them and move on. And

0:36:47.160 --> 0:36:50.000
<v Speaker 2>I think sadly they have allowed that to become the

0:36:50.040 --> 0:36:54.360
<v Speaker 2>conversation and it is making and it is like, really

0:36:54.400 --> 0:36:56.920
<v Speaker 2>sad because also that is a conversation we were having

0:36:56.960 --> 0:36:59.960
<v Speaker 2>ten years ago that didn't get resolved and it hasn't changed,

0:37:00.680 --> 0:37:03.080
<v Speaker 2>and I feel like she's still saying the same stuff

0:37:03.080 --> 0:37:05.279
<v Speaker 2>from ten years ago, and no one around her was like, hey,

0:37:05.320 --> 0:37:07.799
<v Speaker 2>here's how you approach it in a way that's going

0:37:07.840 --> 0:37:09.880
<v Speaker 2>to get you who you are as a person.

0:37:10.040 --> 0:37:12.360
<v Speaker 1>It just means not feeding the fire. Here's the comment.

0:37:12.480 --> 0:37:17.359
<v Speaker 1>Like she's talks about her inability to not engage and

0:37:17.400 --> 0:37:19.799
<v Speaker 1>in the Variety piece she quoted as saying, quote, it's

0:37:19.800 --> 0:37:21.560
<v Speaker 1>something I'm trying to get better at. I'm gen z,

0:37:21.760 --> 0:37:24.160
<v Speaker 1>I grew up online. I'm actively trying not to engage.

0:37:24.160 --> 0:37:26.160
<v Speaker 1>Although how could you not? You just kind of have

0:37:26.280 --> 0:37:26.520
<v Speaker 1>to not.

0:37:27.200 --> 0:37:29.200
<v Speaker 2>I know that's the kind of stuff and it's hard,

0:37:29.600 --> 0:37:32.000
<v Speaker 2>Like you need to have somebody whose job it is

0:37:32.040 --> 0:37:33.879
<v Speaker 2>to tell her to not engage. You need a.

0:37:34.000 --> 0:37:37.160
<v Speaker 1>Mental health someone needs to run your socials. You don't

0:37:37.280 --> 0:37:39.040
<v Speaker 1>need to be doing at that level.

0:37:39.200 --> 0:37:43.480
<v Speaker 2>Absolutely, Okay, I just wish, I wish that we were

0:37:43.480 --> 0:37:45.560
<v Speaker 2>in a better time and space for this movie. I

0:37:45.600 --> 0:37:47.840
<v Speaker 2>hope it comes out. I hope some cool shit is

0:37:47.920 --> 0:37:49.799
<v Speaker 2>left in it, and I hope it does well or

0:37:49.800 --> 0:37:52.600
<v Speaker 2>becomes a cult hit. But sadly, I don't think this

0:37:52.640 --> 0:37:54.640
<v Speaker 2>is going to be a Captain Marvel for them, though

0:37:54.640 --> 0:37:56.160
<v Speaker 2>that was not a movie I was particularly fond of,

0:37:56.280 --> 0:37:58.560
<v Speaker 2>and ironically had a lot of similar issues early on

0:37:58.600 --> 0:38:01.000
<v Speaker 2>in the press tour until they kind of reframed it.

0:38:01.640 --> 0:38:05.200
<v Speaker 2>But yeah, like I just I'm really bummed about this one.

0:38:05.320 --> 0:38:07.719
<v Speaker 2>But I also did try and tell people that the

0:38:07.760 --> 0:38:10.320
<v Speaker 2>original book had many issues they would have to adapt

0:38:10.320 --> 0:38:12.440
<v Speaker 2>away from, and I think that is also part of

0:38:12.480 --> 0:38:13.160
<v Speaker 2>the problem.

0:38:13.440 --> 0:38:15.200
<v Speaker 1>Let's take a quick break and we will do a

0:38:15.239 --> 0:38:17.640
<v Speaker 1>speed run through the rest of the future of the DCU,

0:38:29.680 --> 0:38:32.719
<v Speaker 1>and we are back. All right. Let's just quick quick

0:38:32.800 --> 0:38:37.280
<v Speaker 1>hit some of the upcoming Slate Lanterns coming out August sixteenth.

0:38:37.280 --> 0:38:39.680
<v Speaker 1>We've talked a lot about it. This looks great. Damon

0:38:39.760 --> 0:38:43.760
<v Speaker 1>linlf adapting, Tom King, Aaron Pires, John Stewart, Kyle Chandler,

0:38:44.200 --> 0:38:48.879
<v Speaker 1>is Hal Jordan, murder investigation in the American Heartland. Very

0:38:48.880 --> 0:38:54.400
<v Speaker 1>excited the pitch is a buddy cop superhero show. Great

0:38:54.640 --> 0:38:56.919
<v Speaker 1>love it. I think we're both very excited. Any other

0:38:56.960 --> 0:38:58.400
<v Speaker 1>thoughts since the last time we talked about.

0:38:58.200 --> 0:39:00.440
<v Speaker 2>It, Ben, it looks great. I'm really excited see how

0:39:00.440 --> 0:39:03.840
<v Speaker 2>they bring in John Stewart's history as a lantern. I

0:39:03.880 --> 0:39:05.320
<v Speaker 2>want to see it. Is it gonna be good? Is

0:39:05.360 --> 0:39:07.240
<v Speaker 2>it gonna be bad? I don't know, but I'm excited

0:39:07.320 --> 0:39:10.560
<v Speaker 2>to see where it goes. Also interesting because it was

0:39:10.600 --> 0:39:12.360
<v Speaker 2>not one of the shows I thought would get made.

0:39:12.400 --> 0:39:13.960
<v Speaker 2>They've been trying to make a green Land and show

0:39:14.000 --> 0:39:16.920
<v Speaker 2>at Warner Brothers since the CW. I did not think

0:39:16.960 --> 0:39:18.960
<v Speaker 2>this would be one that got made. The stuff that

0:39:19.000 --> 0:39:21.880
<v Speaker 2>actually has got made and hasn't got made is very interesting.

0:39:22.160 --> 0:39:26.200
<v Speaker 1>Let me ask you this, HM quickly. If Gun Saffron

0:39:26.440 --> 0:39:29.520
<v Speaker 1>are more successful on TV than they are in the movies,

0:39:29.920 --> 0:39:34.760
<v Speaker 1>consistently successful, well, will Warner Brothers view that as a positive,

0:39:34.800 --> 0:39:35.719
<v Speaker 1>as a success or not.

0:39:36.200 --> 0:39:39.480
<v Speaker 2>I think Warner Brothers will view it as leverage to

0:39:39.640 --> 0:39:42.080
<v Speaker 2>offer them a different kind of deal. Hey, do you

0:39:42.080 --> 0:39:45.400
<v Speaker 2>guys want to be in charge of our HBO superhero slate?

0:39:45.640 --> 0:39:48.719
<v Speaker 2>You'll get an equivalent amount of money. It won't look

0:39:48.760 --> 0:39:51.400
<v Speaker 2>like we're firing you, but also you are not in

0:39:51.480 --> 0:39:53.600
<v Speaker 2>charge of movies, and I wonder if they're gonna let

0:39:53.680 --> 0:39:55.759
<v Speaker 2>I don't know if this whole shared universe thing is

0:39:55.800 --> 0:39:58.480
<v Speaker 2>going to keep continuing, because I do think every studio

0:39:58.520 --> 0:40:01.880
<v Speaker 2>has struggled with it since Marvel. But I think that

0:40:02.080 --> 0:40:06.600
<v Speaker 2>if they can bring ad revenue and subscribers, which I

0:40:06.680 --> 0:40:09.000
<v Speaker 2>know has happened with previous James Gun stuff on TV,

0:40:09.239 --> 0:40:12.040
<v Speaker 2>I do think an Emmy's like with the Penguin and stuff,

0:40:12.360 --> 0:40:14.279
<v Speaker 2>I do think there's a potential for them there where

0:40:14.400 --> 0:40:16.799
<v Speaker 2>it will be seen overall as a net positive. Even

0:40:16.840 --> 0:40:20.080
<v Speaker 2>if the movies don't continue past what we already have,

0:40:20.400 --> 0:40:22.640
<v Speaker 2>I think past Man of Tomorrow, everything's a question.

0:40:23.680 --> 0:40:25.719
<v Speaker 1>I agree, Clayface.

0:40:26.680 --> 0:40:27.680
<v Speaker 2>I want to see it.

0:40:27.920 --> 0:40:30.799
<v Speaker 1>Very excited by the trailer forty million budget, forty million

0:40:30.840 --> 0:40:33.359
<v Speaker 1>dollar budget, which is cheap for DC. Directed by James

0:40:33.440 --> 0:40:36.160
<v Speaker 1>Watkins of Speak No Evil. It really feels like they're

0:40:36.160 --> 0:40:41.520
<v Speaker 1>going for that kind of gritty horror type of the training,

0:40:41.800 --> 0:40:46.200
<v Speaker 1>low budget type of movie that is, you know, very

0:40:46.920 --> 0:40:51.759
<v Speaker 1>honestly one of the mainstays of the current box office reality.

0:40:52.040 --> 0:40:55.800
<v Speaker 1>I'm I think I have nothing but excitement for this.

0:40:56.520 --> 0:40:59.120
<v Speaker 2>Me too. The first poster they released, I thought I

0:40:59.120 --> 0:41:01.400
<v Speaker 2>looked a bit CW, a little bit chintzy, but then

0:41:01.560 --> 0:41:05.000
<v Speaker 2>that terrifying image that they chose to make the cover

0:41:05.120 --> 0:41:07.840
<v Speaker 2>image and would pop up over social when the trailer

0:41:07.880 --> 0:41:10.480
<v Speaker 2>came out and it was the bandaged face of Clayface

0:41:11.400 --> 0:41:13.880
<v Speaker 2>was so haunting that I clicked on the trailer and

0:41:14.000 --> 0:41:17.000
<v Speaker 2>was actually really surprised and personally, me and you have

0:41:17.040 --> 0:41:19.040
<v Speaker 2>been asking for more movies like this where they just

0:41:19.080 --> 0:41:21.120
<v Speaker 2>give them a more moderate budget and let them do

0:41:21.200 --> 0:41:23.919
<v Speaker 2>something that they just try and throw at the wall

0:41:23.920 --> 0:41:26.120
<v Speaker 2>and see if it sticks. And that's what DC used

0:41:26.120 --> 0:41:29.279
<v Speaker 2>to do well. Moderate budget not so much, but I

0:41:29.400 --> 0:41:32.399
<v Speaker 2>love that Sony just did this with Spider No Wirle,

0:41:32.440 --> 0:41:34.279
<v Speaker 2>we saw something a little different. This looks like a

0:41:34.280 --> 0:41:36.880
<v Speaker 2>total tone shift. I think this is where James Gun's

0:41:37.239 --> 0:41:41.680
<v Speaker 2>Gun of Us has always been the best creature, Commando's Peacemaker,

0:41:41.800 --> 0:41:43.719
<v Speaker 2>the weird shit. So I think Clayface is going to

0:41:43.760 --> 0:41:44.399
<v Speaker 2>fit into that.

0:41:45.239 --> 0:41:49.400
<v Speaker 1>Man of Tomorrow. July ninth, twenty twenty seven, James Gunn

0:41:49.400 --> 0:41:50.880
<v Speaker 1>returns Rainy production.

0:41:51.040 --> 0:41:52.560
<v Speaker 2>It looks like we've seen some.

0:41:52.560 --> 0:41:57.040
<v Speaker 1>Pictures he's quoted as saying as much a lex movie

0:41:57.080 --> 0:42:01.160
<v Speaker 1>as a Superman movie confirmed that a Rainiac played by

0:42:01.239 --> 0:42:04.800
<v Speaker 1>Lars Eldinger is going to be in this, Rick Flagg Senior,

0:42:04.840 --> 0:42:09.839
<v Speaker 1>Frank Grillo because graduating to the big time, and of

0:42:09.840 --> 0:42:15.360
<v Speaker 1>course Corn Sweat, Nicholas Holt, Rachel Brosnahan returning, Millie Alcock

0:42:15.440 --> 0:42:19.040
<v Speaker 1>as Supergirl will be in this. It appears filming is

0:42:19.239 --> 0:42:24.120
<v Speaker 1>underway as of April twenty twenty six in Atlanta. So

0:42:25.560 --> 0:42:26.160
<v Speaker 1>thoughts about this.

0:42:26.719 --> 0:42:28.719
<v Speaker 2>Aaron Pier also going to be in it. I would

0:42:28.760 --> 0:42:31.279
<v Speaker 2>love to see it. Thoughts about this? I thought so

0:42:31.360 --> 0:42:33.160
<v Speaker 2>that was a good movie, but it is not. It

0:42:33.160 --> 0:42:35.760
<v Speaker 2>does not inspire with me the same fuel and fire

0:42:35.840 --> 0:42:39.240
<v Speaker 2>and passion of talking about say The Batman. I worry

0:42:39.239 --> 0:42:41.120
<v Speaker 2>this will have a similar issue for me, where I'll

0:42:41.200 --> 0:42:43.480
<v Speaker 2>enjoy it and be happy it exists, but doesn't hit

0:42:43.520 --> 0:42:45.880
<v Speaker 2>in a masterpiece way. Though I will say we were

0:42:45.960 --> 0:42:49.279
<v Speaker 2>right we called this that it was going to be

0:42:49.280 --> 0:42:51.759
<v Speaker 2>a Lex and Superman having to team up kind of movie.

0:42:51.800 --> 0:42:53.880
<v Speaker 2>I think we'll see Lex in the Power Suit. I

0:42:53.960 --> 0:42:56.879
<v Speaker 2>loved Holt as Lex. I also think they have fun

0:42:56.960 --> 0:42:59.359
<v Speaker 2>chemistry as a trio. If they want to also bring

0:42:59.440 --> 0:43:03.280
<v Speaker 2>some Lowis into this, like is she interested in Lex's

0:43:03.360 --> 0:43:07.640
<v Speaker 2>insane intelligence? Even though he's, you know, a dangerous man.

0:43:07.719 --> 0:43:10.040
<v Speaker 2>Can they really trust lex? I do think one of

0:43:10.160 --> 0:43:12.520
<v Speaker 2>James Gunn's issues with the first Superman movie a little

0:43:12.560 --> 0:43:15.120
<v Speaker 2>bit too ambitious, too many characters. I worry it's gonna

0:43:15.120 --> 0:43:17.960
<v Speaker 2>have the same issue. But I do think it's gonna

0:43:17.960 --> 0:43:19.719
<v Speaker 2>be interesting, and who knows, maybe it will be a

0:43:19.719 --> 0:43:22.160
<v Speaker 2>great sendoff for the gun of verse by that point,

0:43:22.200 --> 0:43:25.880
<v Speaker 2>and if not, maybe it will be. If Supergirl pops

0:43:25.880 --> 0:43:28.480
<v Speaker 2>and Lantern's pops. Maybe it's actually gonna be kind of

0:43:28.480 --> 0:43:30.759
<v Speaker 2>the Phase two where it really pops off and could

0:43:30.840 --> 0:43:33.719
<v Speaker 2>be the I think if if it goes badly, that

0:43:33.760 --> 0:43:36.120
<v Speaker 2>will be the end. If it goes well, that's gonna

0:43:36.160 --> 0:43:38.680
<v Speaker 2>be the launch pad for the next phase basically. But

0:43:38.760 --> 0:43:39.840
<v Speaker 2>it feels fifty to fifty.

0:43:40.320 --> 0:43:43.319
<v Speaker 1>Finally, I think we need to just I think we

0:43:43.400 --> 0:43:46.799
<v Speaker 1>need to talk about the Paramount Skydance side of this

0:43:48.080 --> 0:43:51.760
<v Speaker 1>Paramount skuyd Dance. I went by the Ellisons. David Ellison

0:43:51.840 --> 0:43:55.240
<v Speaker 1>and his very rich father won the Warner Brothers bidding

0:43:55.280 --> 0:43:59.520
<v Speaker 1>war Right eleven billion plus a bid deal close late

0:43:59.520 --> 0:44:04.520
<v Speaker 1>twenty twenty six. Ellison says that he wants to keep

0:44:04.600 --> 0:44:08.720
<v Speaker 1>creative teams. He didn't mention Gun and Saffaran a DC specifically,

0:44:08.800 --> 0:44:12.520
<v Speaker 1>but we assume that that means them that you would

0:44:12.520 --> 0:44:16.120
<v Speaker 1>include them in that. Puck has reported that Paramount may

0:44:16.160 --> 0:44:20.880
<v Speaker 1>already be eyeing its own projects on top of what

0:44:21.160 --> 0:44:25.880
<v Speaker 1>were slated by Warner Brothers in DC, which suggests that

0:44:25.960 --> 0:44:32.520
<v Speaker 1>they may rest some control from the DCEU. And to

0:44:32.600 --> 0:44:35.800
<v Speaker 1>our point, to our the point of our previous conversation

0:44:35.880 --> 0:44:39.840
<v Speaker 1>about whether success on TV would equal success, I think

0:44:39.920 --> 0:44:44.360
<v Speaker 1>that for Ellison, no, I think Ellison wants more movies.

0:44:45.239 --> 0:44:49.640
<v Speaker 1>And what does that mean for James Gun. I think

0:44:49.880 --> 0:44:54.160
<v Speaker 1>reading the tea leaves here mm hmm. Gun and Saffaran

0:44:54.320 --> 0:44:54.880
<v Speaker 1>need hits.

0:44:55.400 --> 0:44:57.680
<v Speaker 2>I'm saying they need big hits because also, I mean

0:44:57.719 --> 0:45:00.560
<v Speaker 2>they need they need big hits. The Allison's aren't a

0:45:00.600 --> 0:45:05.719
<v Speaker 2>medium thriller, like mid budget kind of hit family. They're

0:45:05.800 --> 0:45:08.799
<v Speaker 2>a make us a billion dollars or will fire you family. Also,

0:45:08.840 --> 0:45:13.320
<v Speaker 2>if we look at the history of Paramount, CBS, CBS

0:45:13.320 --> 0:45:16.120
<v Speaker 2>all Access, you know, all the different stuff that they've

0:45:16.160 --> 0:45:21.120
<v Speaker 2>done in that space. They have been desperate to expand

0:45:21.160 --> 0:45:24.799
<v Speaker 2>out any popular ip they've had for their streaming services.

0:45:25.160 --> 0:45:27.760
<v Speaker 2>So I do think the ability to have DC is huge.

0:45:27.840 --> 0:45:30.279
<v Speaker 2>I also, I mean there was reports that came out

0:45:30.360 --> 0:45:33.520
<v Speaker 2>a couple of months ago that David Ellison went and

0:45:33.600 --> 0:45:35.840
<v Speaker 2>had a meeting at Warner Brothers, but it went so

0:45:36.000 --> 0:45:38.680
<v Speaker 2>badly that all the execs like freaked out and it

0:45:38.840 --> 0:45:41.919
<v Speaker 2>just was not a good fit. And I think that

0:45:42.160 --> 0:45:47.000
<v Speaker 2>is the big question going forwards is can a corporate

0:45:47.080 --> 0:45:53.840
<v Speaker 2>exec like David Ellison insinuate himself into a Hollywood studio

0:45:54.120 --> 0:45:57.040
<v Speaker 2>like Warner Brothers that also encompasses things like comic book

0:45:57.040 --> 0:46:00.960
<v Speaker 2>publishing and book publishing and you know, video games and

0:46:01.000 --> 0:46:05.439
<v Speaker 2>all the shit. Or are they just gonna basically get

0:46:05.480 --> 0:46:09.520
<v Speaker 2>swallowed up by the paramount machine and that legacy doesn't matter.

0:46:09.600 --> 0:46:11.879
<v Speaker 2>That's what I think the issue is is like at

0:46:11.880 --> 0:46:14.600
<v Speaker 2>some point now Allison's if the deal goes through, they're

0:46:14.640 --> 0:46:16.560
<v Speaker 2>just gonna say do it our way. Right now, they

0:46:16.600 --> 0:46:18.799
<v Speaker 2>have to play nice because the deal hasn't gone through.

0:46:19.160 --> 0:46:21.239
<v Speaker 2>But I think we'll really see when the deal goes

0:46:21.280 --> 0:46:22.799
<v Speaker 2>through what they want to do.

0:46:23.440 --> 0:46:27.399
<v Speaker 1>I agree, And I think that to add on, there's

0:46:27.440 --> 0:46:30.240
<v Speaker 1>been some reporting then in that first big Ellison meeting

0:46:30.280 --> 0:46:33.719
<v Speaker 1>with the DC heads that that gun was not there.

0:46:34.440 --> 0:46:38.279
<v Speaker 1>It's only Saffron. So you know, if that's the key,

0:46:38.320 --> 0:46:40.280
<v Speaker 1>you know, there may be scheduling things.

0:46:40.280 --> 0:46:42.279
<v Speaker 2>There may be and obviously Saffron is meant to be

0:46:42.320 --> 0:46:43.200
<v Speaker 2>the business side.

0:46:43.239 --> 0:46:47.200
<v Speaker 1>But still, yes, that said, I don't know that that's

0:46:47.239 --> 0:46:51.920
<v Speaker 1>like a one hundred great harbinger for the future. And

0:46:52.000 --> 0:46:54.880
<v Speaker 1>I think when you add to the fact that Ellison

0:46:54.920 --> 0:46:58.880
<v Speaker 1>has said that he wants to put out like thirty

0:46:59.239 --> 0:47:03.080
<v Speaker 1>films a year with obviously that's not all DC, but

0:47:03.280 --> 0:47:06.440
<v Speaker 1>DC would be a huge cog of that. I think

0:47:06.520 --> 0:47:11.080
<v Speaker 1>when you add that all with Superman that we loved.

0:47:11.600 --> 0:47:13.680
<v Speaker 1>We loved it so much and the reviews were so

0:47:13.800 --> 0:47:15.880
<v Speaker 1>good that I think we paper over that it didn't

0:47:15.880 --> 0:47:17.359
<v Speaker 1>make that much money.

0:47:17.239 --> 0:47:19.200
<v Speaker 2>And also it was just like we were so happy

0:47:19.200 --> 0:47:21.879
<v Speaker 2>to have a little hopeful movie. Yeah, but it's not

0:47:21.960 --> 0:47:25.600
<v Speaker 2>necessarily standing. I think even the cult like, even though

0:47:25.600 --> 0:47:27.520
<v Speaker 2>I think it had a lot of interesting political things

0:47:27.560 --> 0:47:30.080
<v Speaker 2>to say, James Gunn does not like to make concrete

0:47:30.080 --> 0:47:32.880
<v Speaker 2>statements outside of the movie. He lets them speak for himself.

0:47:32.920 --> 0:47:36.080
<v Speaker 2>I think that can sometimes dull a conversation or the impact.

0:47:36.520 --> 0:47:39.840
<v Speaker 2>I would also say another we were right, guys, and

0:47:39.920 --> 0:47:41.880
<v Speaker 2>this is why you know. I think you listened to

0:47:41.920 --> 0:47:44.680
<v Speaker 2>Extra Vision, but when they announced this slate, please go

0:47:44.760 --> 0:47:46.520
<v Speaker 2>back and listen to me and Jason tell you that

0:47:46.680 --> 0:47:49.080
<v Speaker 2>like ninety percent of this shit was not gonna fucking

0:47:49.160 --> 0:47:51.680
<v Speaker 2>get made. Like they announced this ten year slate and

0:47:51.719 --> 0:47:54.680
<v Speaker 2>we knew Booster Gold was probably not gonna get made,

0:47:55.000 --> 0:47:57.319
<v Speaker 2>though I've heard some very interesting rumors about who they

0:47:57.320 --> 0:47:59.279
<v Speaker 2>were trying to cast for Booster Gold. Fingers crossed that

0:47:59.320 --> 0:48:02.479
<v Speaker 2>still happens, Waller, that was supposed to be a TV show,

0:48:02.480 --> 0:48:05.600
<v Speaker 2>We still haven't seen that. Paradise Lost still haven't seen

0:48:05.600 --> 0:48:07.480
<v Speaker 2>that we had. There was gonna be a Blue Beetle

0:48:07.600 --> 0:48:11.480
<v Speaker 2>animated series, a Teen Titans film, a Bane and Death

0:48:11.560 --> 0:48:14.840
<v Speaker 2>Stroke film. There was gonna be the Jimmy Olsen spinoff series.

0:48:14.880 --> 0:48:17.440
<v Speaker 2>We also had swamp thing that obviously I wanted to see,

0:48:17.480 --> 0:48:21.560
<v Speaker 2>which was the James Mangold kind of dark southern one.

0:48:21.640 --> 0:48:24.200
<v Speaker 2>We know that Tom King has allegedly been working on

0:48:24.200 --> 0:48:26.719
<v Speaker 2>a Mister Miracle animated series, but I did see him

0:48:26.760 --> 0:48:28.879
<v Speaker 2>give a very vague comment about that recently that made

0:48:28.880 --> 0:48:31.800
<v Speaker 2>it sound like maybe that wasn't happening anymore. There was

0:48:31.840 --> 0:48:34.520
<v Speaker 2>going to be a Wonder Woman movie like all of

0:48:34.560 --> 0:48:37.680
<v Speaker 2>this stuff. Paradise Lost I heard, is still in production,

0:48:37.760 --> 0:48:40.000
<v Speaker 2>which was meant to be their game of Thrones esque

0:48:40.000 --> 0:48:43.279
<v Speaker 2>Thermoscaren thing. But so much of this stuff, guys, has

0:48:43.320 --> 0:48:46.640
<v Speaker 2>not even kind of emerged. I think that's a problem

0:48:46.680 --> 0:48:49.000
<v Speaker 2>because I think if they'd have been able to get

0:48:49.040 --> 0:48:52.480
<v Speaker 2>more stuff into pre production, into production, names attached, get

0:48:52.520 --> 0:48:55.960
<v Speaker 2>the excitement, that might have been able to keep the

0:48:56.000 --> 0:48:58.800
<v Speaker 2>motion going to get some more of this stuff made.

0:48:59.239 --> 0:49:01.919
<v Speaker 2>I wouldn't be surprise if the Ellisons are like, well,

0:49:01.920 --> 0:49:03.520
<v Speaker 2>we could just bring in a bunch of people to

0:49:03.560 --> 0:49:07.279
<v Speaker 2>make a bunch of cheap TV shows. You know. They,

0:49:07.320 --> 0:49:09.880
<v Speaker 2>as Ian pointed out, they fumbled the streaming rights to

0:49:09.960 --> 0:49:13.160
<v Speaker 2>Yellowstone when they gave them to Peacock, and they've kind

0:49:13.160 --> 0:49:14.960
<v Speaker 2>of always been trying to make up for it. I

0:49:14.960 --> 0:49:19.000
<v Speaker 2>feel like dc is just too much of an ip

0:49:19.400 --> 0:49:22.400
<v Speaker 2>mind for them to not try and explode out of

0:49:22.440 --> 0:49:26.600
<v Speaker 2>this really controlled vision of the DCU.

0:49:27.320 --> 0:49:30.319
<v Speaker 1>One more thought experiment. So I think that h with

0:49:30.520 --> 0:49:33.799
<v Speaker 1>all that we've laid out, I think Supergirl is a

0:49:33.800 --> 0:49:37.600
<v Speaker 1>pivotal movie for Gun and Sea agree. I think if

0:49:37.600 --> 0:49:43.600
<v Speaker 1>it's if it comes out soft, that's a disaster, not

0:49:44.960 --> 0:49:51.200
<v Speaker 1>just from a wasted opportunity standpoint, but for the administration

0:49:51.280 --> 0:49:54.520
<v Speaker 1>of Gun and Saffron. I think that could be not

0:49:54.680 --> 0:49:58.480
<v Speaker 1>the end of them, but a significant hobbling of their vision.

0:50:00.080 --> 0:50:05.319
<v Speaker 1>If you combine a soft opening of Super Supergirl with

0:50:06.000 --> 0:50:07.000
<v Speaker 1>Batman two.

0:50:07.880 --> 0:50:09.800
<v Speaker 2>Being huge, That's what I'm saying.

0:50:11.320 --> 0:50:15.759
<v Speaker 1>I then wonder what happens to gun Saffarn going for.

0:50:15.960 --> 0:50:18.360
<v Speaker 2>Yeah, because also as Ian, I just want to shout

0:50:18.360 --> 0:50:21.000
<v Speaker 2>out as well did like absolutely stunning job on getting

0:50:21.080 --> 0:50:23.200
<v Speaker 2>us just like a ton of facts and dates and stuff.

0:50:23.200 --> 0:50:25.239
<v Speaker 2>He pointed out something that I didn't even find out,

0:50:25.280 --> 0:50:27.560
<v Speaker 2>which is they And I think this is if I

0:50:27.680 --> 0:50:29.759
<v Speaker 2>was James Gunn and Peter Saffred, I would never have

0:50:29.840 --> 0:50:32.040
<v Speaker 2>signed this extension. I think get bodes that you are

0:50:32.040 --> 0:50:35.200
<v Speaker 2>getting fired. I think it's very stressed. They extended them

0:50:35.440 --> 0:50:37.640
<v Speaker 2>from November twenty twenty six, which is when it was

0:50:37.640 --> 0:50:40.240
<v Speaker 2>meant to end the two year deal, to Spring twenty

0:50:40.280 --> 0:50:40.960
<v Speaker 2>twenty seven.

0:50:41.480 --> 0:50:45.360
<v Speaker 3>That's like a six month extension that basically is saying

0:50:45.480 --> 0:50:47.920
<v Speaker 3>like that's like, does Supergirl make money?

0:50:48.120 --> 0:50:51.279
<v Speaker 2>That's basically what's that's asking. And maybe the extension is

0:50:51.320 --> 0:50:53.360
<v Speaker 2>does Supergirl make money for us when it goes on

0:50:53.480 --> 0:50:56.600
<v Speaker 2>HBO Max at the end of the year, Because to me,

0:50:57.320 --> 0:51:01.080
<v Speaker 2>that says, well, our extension is before or Batman comes out.

0:51:01.120 --> 0:51:04.080
<v Speaker 2>So if the Batman too is ride and high. If

0:51:04.120 --> 0:51:06.240
<v Speaker 2>I was Matt Reeves, I'm pushing to get a Batman

0:51:06.280 --> 0:51:08.759
<v Speaker 2>two trailer played at San Diego Comic Con this year,

0:51:09.000 --> 0:51:11.160
<v Speaker 2>like no question, even just a teaser.

0:51:11.719 --> 0:51:11.919
<v Speaker 1>Right.

0:51:13.640 --> 0:51:19.040
<v Speaker 2>If that motion overtakes Superman all this other stuff, then

0:51:19.040 --> 0:51:22.360
<v Speaker 2>I think in spring you're having a tough conversation. Now. Obviously,

0:51:22.560 --> 0:51:25.160
<v Speaker 2>James Gun's fine that. I'm sure Marvel would be happy

0:51:25.200 --> 0:51:27.240
<v Speaker 2>to invite him back, like they were happy to invite

0:51:27.239 --> 0:51:31.160
<v Speaker 2>back the Russo's also Peter Saffran, a legendary producer. I'm

0:51:31.160 --> 0:51:34.480
<v Speaker 2>sure he's still gonna be on there. These guys are rich,

0:51:34.560 --> 0:51:37.680
<v Speaker 2>beyond the wildest dreams. They're gonna be fine. I think

0:51:37.800 --> 0:51:41.160
<v Speaker 2>that it was an interesting thing to try, but so

0:51:41.239 --> 0:51:45.480
<v Speaker 2>far I do not think the experiment is is proven

0:51:45.560 --> 0:51:46.520
<v Speaker 2>to be successful.

0:51:46.600 --> 0:51:48.800
<v Speaker 1>I agree, and I have one more. I have a prediction.

0:51:49.200 --> 0:51:49.960
<v Speaker 2>Okay, I love it.

0:51:50.160 --> 0:51:53.640
<v Speaker 1>I think this is what David Ellison will do and

0:51:53.680 --> 0:51:56.960
<v Speaker 1>what he wants to do. I think he looks at

0:51:57.520 --> 0:52:02.440
<v Speaker 1>this is a guy who loves big at movies, big director,

0:52:02.520 --> 0:52:05.640
<v Speaker 1>big star, big box office. I think he looks at

0:52:05.640 --> 0:52:11.680
<v Speaker 1>the Nolan Batman's and he says, there, I want Quentin Tarantino,

0:52:12.200 --> 0:52:16.080
<v Speaker 1>you're doing a Green Lantern movie. I want Christopher Nolan

0:52:16.200 --> 0:52:18.160
<v Speaker 1>back in the fold. You know who?

0:52:18.320 --> 0:52:20.919
<v Speaker 2>How much do I want st Yes?

0:52:21.080 --> 0:52:24.319
<v Speaker 1>I want Steven Spielberg doing a Justice League movie. This

0:52:24.520 --> 0:52:28.479
<v Speaker 1>is how this guy will think, yes, and I think

0:52:28.560 --> 0:52:31.080
<v Speaker 1>that is the way he's gonna go. I think that's

0:52:31.120 --> 0:52:37.080
<v Speaker 1>what he's gonna do. Scott, you know, doing Hawkman exactly,

0:52:37.120 --> 0:52:40.320
<v Speaker 1>and it's gonna be really racist because he hates hates

0:52:40.320 --> 0:52:42.239
<v Speaker 1>people called Mohammad no I.

0:52:42.400 --> 0:52:44.720
<v Speaker 2>I think you're one hundred percent right. I think post

0:52:44.800 --> 0:52:46.680
<v Speaker 2>Disclosure Day, which you are going to be talking about

0:52:46.719 --> 0:52:49.640
<v Speaker 2>a lot, the screenings have just started to come out.

0:52:49.680 --> 0:52:53.080
<v Speaker 2>People saw the premiere Social Embargo is allowed. It's getting

0:52:53.080 --> 0:52:56.440
<v Speaker 2>pure five stars. I think that's your most legit and

0:52:56.560 --> 0:52:59.319
<v Speaker 2>out there but could come true prediction. I think if

0:52:59.360 --> 0:53:03.600
<v Speaker 2>Disclosure makes five hundred mill or more, Ellison is going

0:53:03.640 --> 0:53:07.279
<v Speaker 2>for Spielbug to do uh Spielbug's Superman. I mean it's

0:53:07.320 --> 0:53:10.000
<v Speaker 2>meant to be like it's it's it's simple, it's ambling,

0:53:10.080 --> 0:53:12.520
<v Speaker 2>it's everything. I think you're right, he's gonna go for

0:53:12.560 --> 0:53:15.080
<v Speaker 2>those big bucks guys. How much money do you have

0:53:15.120 --> 0:53:16.799
<v Speaker 2>to get Christopher Nolan to come back and do.

0:53:16.800 --> 0:53:19.680
<v Speaker 3>A full faint. I don't fucking want it. I don't

0:53:19.719 --> 0:53:20.439
<v Speaker 3>think it's that much.

0:53:20.520 --> 0:53:22.440
<v Speaker 1>I don't think there's a number. Actually, I think that

0:53:22.520 --> 0:53:27.320
<v Speaker 1>Christopher Nolan would not come I think that I would

0:53:27.760 --> 0:53:31.680
<v Speaker 1>unless the Ellison's buy all the other studios. Like I

0:53:31.880 --> 0:53:34.920
<v Speaker 1>was gonna say, I don't know that Nolan would willingly

0:53:35.280 --> 0:53:41.200
<v Speaker 1>come back. Okay, well, DC, we are are, We're hopefully things.

0:53:41.719 --> 0:53:45.400
<v Speaker 1>We're rooting for you. This is I think we both agree,

0:53:46.480 --> 0:53:49.080
<v Speaker 1>as you put it, an ip mind that has not

0:53:49.200 --> 0:53:53.160
<v Speaker 1>been successfully or efficiently mined in the past, and we

0:53:53.280 --> 0:53:55.960
<v Speaker 1>hope that can change because there's so many great stories

0:53:56.000 --> 0:53:59.759
<v Speaker 1>and great characters and great things here. Mm hmm, and

0:53:59.760 --> 0:54:01.919
<v Speaker 1>we're rooting for you. On the next episode of Extra Vision,

0:54:01.920 --> 0:54:04.600
<v Speaker 1>we're diving into Disclosure Day and news. That's it for

0:54:04.640 --> 0:54:12.400
<v Speaker 1>this episode. Next for listening. X ray Vision is hosted

0:54:12.440 --> 0:54:14.680
<v Speaker 1>by Jason steps Young and Rosie Night and is a

0:54:14.680 --> 0:54:16.319
<v Speaker 1>production of iHeart Podcasts.

0:54:16.520 --> 0:54:20.120
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

0:54:20.320 --> 0:54:22.360
<v Speaker 1>Our supervising producer is Abu Zafar.

0:54:22.760 --> 0:54:26.719
<v Speaker 2>Our producers are Common Laurent Dean Jonathan, and Bay wag.

0:54:26.800 --> 0:54:29.600
<v Speaker 1>Our theme song is by Brian Vasquez with alternate theme

0:54:29.680 --> 0:54:30.920
<v Speaker 1>songs by Aaron Kaufman.

0:54:31.120 --> 0:54:34.480
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:54:34.560 --> 0:54:36.320
<v Speaker 2>Heidi our discord moderator,