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Speaker 1: Hey, everybody, Welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho.

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Speaker 2: I'm Danielle Henderson, and we're here to.

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Speaker 1: Talk about film with you once again. We have an

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Speaker 1: amazing guest today.

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Speaker 2: I mean, let's not bump them up too much.

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Speaker 1: Oh okay, on your order, this is not my idea,

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Speaker 1: guess I.

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Speaker 2: Will intro our lovely guests. I've been friends with our

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Speaker 2: guests for over twenty years, and we met on an

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Speaker 2: internet comic book forum run by his wife, who I'm

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Speaker 2: also dear friends with, and the official bio he sent

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Speaker 2: to us says that he's a New York Times bestselling

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Speaker 2: author of comics and television, which is true, and that

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Speaker 2: he fucks Mary's and kills in Portland, Oregon. But in

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Speaker 2: addition to this, I know him to be highly intelligent,

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Speaker 2: deeply funny, generous and kind, and just a delightful pain

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Speaker 2: in my ass. Our guest today is Matt Fraction. Hey, Hey, hi, Matt.

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Speaker 3: Hi.

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Speaker 4: I'm feeling both flattered and pressured.

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Speaker 2: So that's how we like to do it.

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Speaker 4: No, like a billionaire submarine.

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Speaker 2: I need to get more of those submersibles. Made I

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Speaker 2: feel like between the Orcas and the submersibles. We could

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Speaker 2: really affect some world change.

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Speaker 4: I think I think there should be a six person

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Speaker 4: Supreme Court submersible to give those justices. You know, a

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Speaker 4: little little summer hangtime, guys, go check out the Titanic

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Speaker 4: to Okay, it's only six we'll.

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Speaker 3: Can.

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Speaker 1: I ask no question right off the bat for you guys,

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Speaker 1: because since you.

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Speaker 4: Guys are such longtime friends twenty years I felt that

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Speaker 4: in my bones.

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Speaker 2: Yeah, you and me both. How do you think I

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Speaker 2: feel when you post pictures of like your teen children?

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Speaker 2: Which what?

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Speaker 1: Well, I was curious what was an internet comic book

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Speaker 1: form like twenty years ago?

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Speaker 4: I just had to ask, yeah, because I remember. But

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Speaker 4: I was also kind of like, it's interesting to meet

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Speaker 4: people from there that took it way more seriously. I

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Speaker 4: remember them all being very funny. Yes, you know, I

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Speaker 4: remember them being very smart and sort of everybody that

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Speaker 4: my kind of class or whatever of comic writers all

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Speaker 4: kind of started in those places. We all got to

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Speaker 4: kind of know each other. It was very fun. It

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Speaker 4: was sort of like, you know, not everybody was on

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Speaker 4: the Internet yet, but most people in comics were and

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Speaker 4: were dicking around at work, so it was a chance

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Speaker 4: to It was. It was cool. It was a lot

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Speaker 4: of it was. It was sort of like when Twitter

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Speaker 4: was good, only it was a forum, so it was

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Speaker 4: a little more slower than Twitter.

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Speaker 2: And it was really just like jokes all day and

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Speaker 2: kind of it wasn't difficult to figure out people's personalities

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Speaker 2: right away, so you kind of just found your people,

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Speaker 2: and some people you were just you know, weren't close

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Speaker 2: with or but you still appreciated what they had to

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Speaker 2: bring to the table. And it was it was a

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Speaker 2: conversation above all, which I thought was always the best.

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Speaker 2: Like somebody could pose a question, a wide ranging question,

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Speaker 2: and you just get to kind of see what everyone

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Speaker 2: was about in a very easy way. So it was

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Speaker 2: it was easy. It was like very easy to make

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Speaker 2: actual friends there.

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Speaker 4: Yeah, it's awesome. Yeah, and so many of us were

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Speaker 4: trying to figure out how to write for a living. Yes,

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Speaker 4: there was a great commonality. It was, you know, kind

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Speaker 4: of it was as close to having a scene as

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Speaker 4: maybe writers ever, can you know what I mean?

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Speaker 2: Completely?

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Speaker 4: So I just had that feeling of, oh, right, there

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Speaker 4: was crazy that all of us were together trying to

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Speaker 4: figure our shit out.

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Speaker 2: Yeah, it was pretty miraculous in that way, because I

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Speaker 2: think that there was like like Jamie McKelvey and Kieran Gillen,

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Speaker 2: did they meet on those forums?

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Speaker 4: I think I think so, yeah, and now.

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Speaker 2: They're writing, like, you know, these incredible books together, and yeah.

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Speaker 2: It was kind of cool to as as a creator

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Speaker 2: who does mostly solitary work, Yeah, find find your crowd, or.

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Speaker 4: You know, like Brian leo'malley who started off kind of

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Speaker 4: this and then he was like I think he was

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Speaker 4: like he lettered some stuff and would kind of draw,

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Speaker 4: and then suddenly was doing that little thing and then

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Speaker 4: suddenly was Brian le O'Malley, you know, but you get

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Speaker 4: the you know, it was sort of like yeah, yeah, yeah,

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Speaker 4: And even today I'll meet people and like the name

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Speaker 4: of ring a Bell and then they'll tell me whatever

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Speaker 4: their forum handles. That's where like where my ridiculous fake

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Speaker 4: name comes from. My last name is Fritchman. I was

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Speaker 4: one night I got a call from a telemarketer who

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Speaker 4: mispronounced my name is Fraction, and I was like, yeah,

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Speaker 4: this is Matt, this is Matt Fraction. I'm on my

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Speaker 4: moon base. What do you what do you want? But

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Speaker 4: then that became like my login name, Like that just

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Speaker 4: became my handle everywhere I went. So when I actually

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Speaker 4: started writing, I was like, well, people in comics know

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Speaker 4: me by this name, so I guess that should be.

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Speaker 4: It's kind of the only marketing hook I have. Uh

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Speaker 4: So that was why I have this ridiculous fake name.

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Speaker 4: Was like, well, the people in people in comics know

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Speaker 4: who I am. They know me as to thank god

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Speaker 4: it didn't go with like you know, Bonlord sixty nine.

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Speaker 2: Which you could have done very easily, so close.

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Speaker 4: It always taken it if what had to be Bonloord

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Speaker 4: seventy and you hate to be Bonloord seventy.

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Speaker 2: Bon Lord sixty nine always gets in there early and

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Speaker 2: quick on every social media service, like no one's going

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Speaker 2: to get this for.

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Speaker 4: Me, get me started on the license plates.

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Speaker 2: And you also, I mean this is also an interesting

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Speaker 2: segue into something I wanted to talk to you about anyway,

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Speaker 2: because you did start your career in a very different way,

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Speaker 2: Like you were kind of writing on the side, which

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Speaker 2: I think those those forums helped us with kind of

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Speaker 2: develop wars.

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Speaker 4: Yeah, but you were.

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Speaker 2: Doing like so many other things and including raiding one

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Speaker 2: of your former offices to start one of your new businesses, yes,

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Speaker 2: which is one of my favorite stories. If you're legal

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Speaker 2: allowed to tell it?

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Speaker 4: Oh yeah, sure, yeah yeah, what's that guy gonna do?

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Speaker 4: Suit me?

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Speaker 2: National limitations has to be up by now.

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Speaker 4: Probably, yeah, yeah, no, we all got you know, it

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Speaker 4: was we were a group of me and some friends

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Speaker 4: from school got hired to be a what was called

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Speaker 4: a web incubator. And then it became clear that it

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Speaker 4: will I shouldn't say it became clear. But suddenly after

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Speaker 4: tax day, everything went away and it was like, oh,

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Speaker 4: is this just a tax right off? You know, And

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Speaker 4: dude kept saying like, we have to make x amount

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Speaker 4: of money or we have to shut down, and we

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Speaker 4: would make that money, and there's oh no, no, no, we

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Speaker 4: gotta make y amount of money and we would make

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Speaker 4: that and we have to shut down. And finally one

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Speaker 4: day we showed up and he's just like, all right,

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Speaker 4: we're done, close everything down, score all the accounts, split

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Speaker 4: up the money that's left, and like a group of

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Speaker 4: us were like sitting outside trying to figure out what

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Speaker 4: to do, and I just you know, I was a mess.

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Speaker 4: And I had this image of me trying to like

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Speaker 4: press gap khakis on the little piece of linoleum kitchen

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Speaker 4: floor I had in my shitty apartment trying to write

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Speaker 4: a resume and find work, and it was I was like,

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Speaker 4: we should just try it. We think we'll just do

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Speaker 4: this ourselves, right. We took every stick of furniture we

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Speaker 4: could and every usable piece of computer equipment and phones,

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Speaker 4: and we just like like like bowl weavils, just like

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Speaker 4: stripped the office down. One of the guys was moving

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Speaker 4: that weekend, so he just called his landlord and like,

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Speaker 4: you know what we changed her mind is okay if

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Speaker 4: we keep the place, and landlord he was like sure,

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Speaker 4: it's like great, we have an office. So we moved

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Speaker 4: into Ben's and Angie's old apartment, and you know, became

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Speaker 4: like we did motion graphics and animation for commercials and

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Speaker 4: music videos and stuff like that, and it was just

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Speaker 4: sort of trying to Yeah, it was you know, we

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Speaker 4: we had four thousand dollars to our names and and

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Speaker 4: and made a company work, and it was it was

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Speaker 4: but yeah, so then the whole thing with like either

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Speaker 4: you know, I loved always loved comics and made my

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Speaker 4: own comics or whatever, but it became I used to

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Speaker 4: call it my night job because it was nice to

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Speaker 4: not get notes. It was just the thing I could

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Speaker 4: write that I didn't get feedback. I didn't have to

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Speaker 4: get you know, it was just a thing that I

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Speaker 4: could write for me, and then it and then I

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Speaker 4: started to actually do it for for for real. People

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Speaker 4: started to publish them crazily enough. And then one thing

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Speaker 4: led to the other, and I didn't want to be

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Speaker 4: an advertising anymore, and and and and away we went.

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Speaker 2: And one of the one of the things that led

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Speaker 2: to the other is that you're just a phenomenal writer.

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Speaker 2: And it was thank you, really difficult. It would be

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Speaker 2: difficult to ignore your your work.

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Speaker 4: In your art. So I think it thanks, thank you,

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Speaker 4: And I think I got lucky. And I had a

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Speaker 4: couple of good breaks and and a couple of things

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Speaker 4: worked out, and and I gave myself. It was a

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Speaker 4: little who who was it? Caesar? That like when they

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Speaker 4: went to go conquer the place and burnt all the bridges,

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Speaker 4: so like the guys couldn't go home, you.

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Speaker 2: Know, Caesar, And I think Baine in Batman, Bain.

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Speaker 4: It was Baine. Oh, that's right, Bain, I started, not

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Speaker 4: Julius Sees. It was Bane.

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Speaker 2: But no.

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Speaker 4: My my my wife called me at work one day

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Speaker 4: to tell me she was pregnant, and I responded the

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Speaker 4: way any newly expectant mother and wife wants their partner

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Speaker 4: to respond. I said, so I should probably quit my job, huh,

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Speaker 4: which didn't go over well, but then I ended. Then

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Speaker 4: I did, Like literally the first time someone said something

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Speaker 4: I disagreed with, I was like, fuck this.

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Speaker 2: We both Bill and I have both been there for

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Speaker 2: far lesser far lessness.

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Speaker 4: But like, hey, have a baby on the way, that'll

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Speaker 4: be a good way to give yourself. Well, like, I've

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Speaker 4: really got to make this comic thing work. I got

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Speaker 4: like nine months to do it.

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Speaker 2: Oh, I love, I just love. Setting your own clock

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Speaker 2: to do your own work is really the only way

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Speaker 2: to get things done. I think, especially when you're starting out.

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Speaker 2: I think that it's very easy to kind of guess

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Speaker 2: and hope and wish and put it out in the

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Speaker 2: ether that you want to do things. But unless you

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Speaker 2: actually sit down and do it and give yourself that

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Speaker 2: that arbitrary timeline or the very real timeline of we're

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Speaker 2: creating a life and we have a house and things.

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Speaker 4: That baby, the baby's got to eat. You know, you

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Speaker 4: know I love it, you know the tim Burton ed Wood. Yeah, Yes,

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Speaker 4: the first time someone was going to publish something that

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Speaker 4: I wrote, and it was like a kind of like

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Speaker 4: I didn't make it up, Like it was like a

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Speaker 4: received concept, you know. It wasn't quite work for hire,

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Speaker 4: but it was kind of worked for hire, and I

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Speaker 4: was just paralyzed. It was dumb and silly and eleven

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Speaker 4: pages long, and I was I just spent all this

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Speaker 4: time thinking about comics and talking about comics, and it

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Speaker 4: was like, well, this isn't Citizen Kane, you know what

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Speaker 4: I mean, Like, this is a this is but and

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Speaker 4: ed Wood was on and there's that bit where he's

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Speaker 4: trying to he you know, calls the guys like, oh,

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Speaker 4: this is a d joja director of Glenna, Glenda, and

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Speaker 4: the producer goes, Glenna, Glenna, that's the worst piece of

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Speaker 4: shit I ever saw. And he's like like it's like

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Speaker 4: like he's got like a hair in his mouth. He

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Speaker 4: just goes like, well, my next one will be better,

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Speaker 4: which is why I'm calling like that was the thing

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Speaker 4: that made me a writer. But everyone's like, when did

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Speaker 4: you become a writer? When did you? It was like

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Speaker 4: that the day that I realized my next one will

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Speaker 4: be better. This one is going to suck, but the

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Speaker 4: next time I can like that was, yeah, it was.

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Speaker 4: It was the weirdest thing.

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Speaker 2: No, I think it's I think it's incredible advice. And again,

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Speaker 2: so it speaks to a lot of personal fortitude because

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Speaker 2: you could very easily have gotten buried under the task

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Speaker 2: and just thought, well, never again, this was this is bad.

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Speaker 2: I'm not up to I'm not up to this to

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Speaker 2: the challenge of this.

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Speaker 4: Yeah, or you do like, oh I don't have the

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Speaker 4: right pencil. Oh, the notebook will be better, you know

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Speaker 4: what I mean? The problem was the dog was barking,

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Speaker 4: I need to sign the right space, and he did,

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Speaker 4: you know what I mean, Like it's any you know

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Speaker 4: that there's a thing with with you know Jack Kirby.

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Speaker 4: It's sort of writer and and and an illustrator who

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Speaker 4: built the Marvel universe with his imagination, giving an interview

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Speaker 4: later in life and like all these kids keep asking

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Speaker 4: me what pencils are He's like, kid, the magic ain't

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Speaker 4: and the pencil.

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Speaker 2: Exactly God true words. You can write on the toilet

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Speaker 2: like it doesn't matter, it doesn't matter, Just just say

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Speaker 2: what you gotta say. The tools are not the thing.

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Speaker 4: Yeah, yeah, yeah, And you know, and especially I think

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Speaker 4: to like, working in a deadline driven medium helps helps you,

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Speaker 4: like divorce from preciousness a lot too.

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Speaker 2: Well, yeah, because you have to like you know, you write,

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Speaker 2: but then you have to take take it to a

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Speaker 2: letterer and someone who's gonna ink it and someone like

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Speaker 2: there's a whole schedule that's dependent upon you getting the

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Speaker 2: words out so right.

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Speaker 4: It really helps, and if you don't, no one else

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Speaker 4: gets paid right like down the line completely. So that's

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Speaker 4: that's a profound thing, you know. I ran into it.

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Speaker 4: Had a very similar experience this past year working on

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Speaker 4: a TV show where I showed up in Vancouver and

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Speaker 4: we had two units running in a payroll of like

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Speaker 4: five hundred people, and it was like, oh shit, oh

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Speaker 4: the camera's got a role, script's got to come in,

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Speaker 4: and all these people don't get paid, and they know

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Speaker 4: where my office is exactly, they know where I live.

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Speaker 4: It's very, very very important to get divorced from preciousness

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Speaker 4: as quickly as possible.

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Speaker 2: That is. That is something that you've touched upon a

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Speaker 2: couple of things that I wanted to ask you about

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Speaker 2: before we getitar Lovely Real are real? The real reason

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Speaker 2: we have you here is right? But what what do

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Speaker 2: you think, because I know that you're you're well read

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Speaker 2: in movies. You read a lot of like great books

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Speaker 2: about film and filmmakers. But what was what were some

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Speaker 2: of the movies or like how how in talking about

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Speaker 2: ed Wood and you know when you decided that you

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Speaker 2: were going to you were a writer, what were some

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Speaker 2: of the films or the process of watching movies that

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Speaker 2: helps to have affect on your creative life? Like do

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Speaker 2: you is it useful to you still? Was it something

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Speaker 2: as a teenager that you felt like this is my

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Speaker 2: only way into a culture that I appreciate or want

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Speaker 2: to know more about because I kind of you know,

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Speaker 2: I grew up in a way where I didn't have

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Speaker 2: any rules and Millie really didn't have any rules either. Yeah,

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Speaker 2: so we kind of fat yeah latchkey kids, man, what

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Speaker 2: make that? Make that cheese sandwich? And la.

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Speaker 4: Chips on it?

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Speaker 2: Don't you dare turn on the stove. But you're in

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Speaker 2: this house by yourself for a few hours. But I

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Speaker 2: think that like not having rules and helped it kind

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Speaker 2: of helped me and and Milly to kind of find

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Speaker 2: our way through film, uh, into kind of explaining ourselves

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Speaker 2: as kids. So I'm just curious about your movie viewing

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Speaker 2: life as a kid, how it had an effect on

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Speaker 2: who you became as an artist, and kind of how

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Speaker 2: you view films in your life now.

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Speaker 4: Yeah, boy, that's it was always it was always profound,

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Speaker 4: and it was one of those things that once it happened,

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Speaker 4: I was hooked. You know. In the first movie I

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Speaker 4: ever saw in a theater was Star Wars, and like,

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Speaker 4: I was like three, and like and I have such

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Speaker 4: as you talk about core memories, but like I remember,

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Speaker 4: I was in a daycare, like a Catholic daycare. We

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Speaker 4: weren't Catholic, but there was run by nuns, and I

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Speaker 4: remember just talking about it so much. One of the

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Speaker 4: nuns told me to shut up, and I remember thinking,

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Speaker 4: she is just mad because she's not going to get

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Speaker 4: to go see Star Wars.

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Speaker 2: The Lord wrote letter.

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Speaker 4: Yeah, but it was just like a permanent, permanent crease

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Speaker 4: like in the tablecloth, you know. And and we moved

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Speaker 4: every year and a half two years, so I think

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Speaker 4: there's a lot of loneliness that the movies filled, you know,

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Speaker 4: and you know, I would, yeah, it just it was

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Speaker 4: it was a constant, constant kind of kind of presence.

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Speaker 4: And then you know, I was always drawing or trying

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Speaker 4: to like you remember like dot matrix printer paper. Oh yeah,

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Speaker 4: like I would. I would tear off one side of

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Speaker 4: the of the holes and separate the pages, and I

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Speaker 4: would draw like comics and then use yarn and sew

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Speaker 4: it through the to make like a bind like binding. Wow,

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Speaker 4: and would like but I called them movies. I would

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Speaker 4: give them was my new movie, you know what I mean?

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Speaker 2: How old are you when you were doing that?

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Speaker 4: Now? Second third grade, so like six seven, seven eight

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Speaker 4: somewhere in there, So.

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Speaker 2: You had like the visual language of film was already

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Speaker 2: in you. Yeah, you're like this, this is it, this

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Speaker 2: is I don't know how to actually put it on the.

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Speaker 4: Yeah, man, I'm gonna do something with words and pictures.

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Speaker 4: And I really feel like editing was huge. That's sort

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Speaker 4: of knowing that that that feeling of like, oh, I'm

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Speaker 4: understanding a thing that I don't know what that thing is,

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Speaker 4: but look at this and look at that, and how

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Speaker 4: do you do this? And I loved when a movie

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Speaker 4: trusted me to be at least as smart as the

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Speaker 4: people making it and like to put it together in

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Speaker 4: my head, you know, or like the first time I

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Speaker 4: saw Once upon a Time in the West, and like

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Speaker 4: the scene where they come up with the plan is

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Speaker 4: not in the movie. Yep, they get to the point

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Speaker 4: where they're like, all right, we got to make a plan,

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Speaker 4: and then they're executing the plan and it feels like, oh,

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Speaker 4: my God, keep betrayed him, what's going on? And then

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Speaker 4: realizing Oh, it's the plan, and how great it was

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Speaker 4: that I didn't have to sit around and watch them

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Speaker 4: talk about the thing that's going to happen. Yes, they

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Speaker 4: just did it right, and like, so I was able

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Speaker 4: to kind of retroactively see that's what I was responding to,

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Speaker 4: and like, that's comics. Like in a nutshell, comics is

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Speaker 4: all illusion and what's the bare minimum that you can

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Speaker 4: you know? So that for whatever reason, like spoke to

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Speaker 4: the way my my head works, in the way I

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Speaker 4: process stuff.

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Speaker 2: I love that you developed that so early on in

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Speaker 2: life because it feels it feels innate, Yeah, to read

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Speaker 2: your work that way, And I think that's how you

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Speaker 2: develop a voice, is that you trust and know yourself first.

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Speaker 2: So I love that that's how the nuns yelling, nons

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Speaker 2: yelling at you dot matrix printers and filling in space

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Speaker 2: with your own story.

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Speaker 4: That's Yeah, that's it. That's really that's that's say. We

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Speaker 4: will put it down to a tight ten. That's it.

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Speaker 2: Yeah, that's a great Rubik's cube of information right there. Yeah,

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Speaker 2: and Millie, I know, do you have any questions because Millie,

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Speaker 2: I don't know if you know Matt, but she created

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Speaker 2: a TCM underground.

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Speaker 4: I am abe. I was a big fan, and I'm

380
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Speaker 4: sorry that you were let go and that I watched

381
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Speaker 4: a lot of TCM and I watched a lot of

382
00:18:51,160 --> 00:18:54,880
Speaker 4: your work on TCM uh and it broke my heart

383
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Speaker 4: to that you're not there. I have a TVO in

384
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Speaker 4: a box full of things I recorded off of You

385
00:19:00,080 --> 00:19:02,359
Speaker 4: See Him Underground back when I still had TVO that

386
00:19:02,720 --> 00:19:04,359
Speaker 4: I haven't gotten rid of because they don't know how

387
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Speaker 4: to get the movies off of the box and I

388
00:19:05,800 --> 00:19:08,040
Speaker 4: don't know if they're available. Like it's like that level of.

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Speaker 2: Like I'm keeping old tech. That's how much I liked.

390
00:19:13,000 --> 00:19:13,480
Speaker 4: Yeah, yeah, I.

391
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Speaker 1: Know, No, you're You and my my friend Ben, who

392
00:19:16,800 --> 00:19:18,880
Speaker 1: is also a programmer at TCM, are literally the only

393
00:19:18,880 --> 00:19:22,639
Speaker 1: people that still have a TVO, and he's his is

394
00:19:22,680 --> 00:19:24,840
Speaker 1: still in use. He actually still uses his TVO and

395
00:19:24,880 --> 00:19:26,760
Speaker 1: we make fun of him for it, but I uh,

396
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Speaker 1: I love that you have all those movies because, to

397
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Speaker 1: be honest with you, like if some of that stuff

398
00:19:31,680 --> 00:19:36,520
Speaker 1: is not available, so you know, keep that tvo I want.

399
00:19:36,560 --> 00:19:39,440
Speaker 4: When when I'm working in motion graphics animation, we did

400
00:19:39,840 --> 00:19:43,960
Speaker 4: a gig for Fox Movie Channel, which was there. This

401
00:19:44,080 --> 00:19:47,920
Speaker 4: was the twenty century Fox Turner, Yes, and I my

402
00:19:48,200 --> 00:19:50,280
Speaker 4: pitch was, Oh, we're gonna I'm gonna cut together a

403
00:19:50,320 --> 00:19:54,480
Speaker 4: trailer using like all of the movie as many movies

404
00:19:54,520 --> 00:19:56,919
Speaker 4: in the library as I can, and it's full of

405
00:19:56,960 --> 00:19:59,159
Speaker 4: like trailer cliches and it won't make sense, but we're

406
00:19:59,200 --> 00:20:00,919
Speaker 4: just gonna show everybody that breadth in the width. And

407
00:20:01,320 --> 00:20:04,480
Speaker 4: you know, it was like a lawyer with nothing to lose,

408
00:20:04,520 --> 00:20:06,520
Speaker 4: a woman on the edge and a dog with a

409
00:20:06,520 --> 00:20:09,160
Speaker 4: heart of gold must fight a volcano on the moon

410
00:20:09,280 --> 00:20:13,000
Speaker 4: or whatever. But like so I was. They sent me

411
00:20:13,080 --> 00:20:15,480
Speaker 4: their list of these are all of the movies and

412
00:20:15,960 --> 00:20:17,760
Speaker 4: a bunch of the movies, and I got like the

413
00:20:19,400 --> 00:20:23,359
Speaker 4: oh fuck. It was like a format up from s

414
00:20:23,480 --> 00:20:27,720
Speaker 4: vhs like quarter tape, you know, like they were the

415
00:20:27,760 --> 00:20:31,280
Speaker 4: big but like I got, like I insisted that I

416
00:20:31,320 --> 00:20:33,800
Speaker 4: needed the quarter inch tape of Alex and the Gypsy,

417
00:20:34,440 --> 00:20:39,919
Speaker 4: which is like the Jack Lemon Genevieve Bougeau, or like

418
00:20:40,240 --> 00:20:43,119
Speaker 4: he's a private detective and she's a may or may

419
00:20:43,160 --> 00:20:45,520
Speaker 4: not be Like it's like it's like Jack Lemon gets

420
00:20:45,520 --> 00:20:47,520
Speaker 4: to wear a shoulder holster and he's got a mustache,

421
00:20:48,480 --> 00:20:49,960
Speaker 4: you know. And it was like I just and I

422
00:20:50,040 --> 00:20:52,760
Speaker 4: would just make boots of those movies that they Fox

423
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Speaker 4: is never gonna put this out ever again, And like

424
00:20:54,240 --> 00:20:58,040
Speaker 4: I still have like tapes of yeah, this Fox job

425
00:20:58,119 --> 00:21:00,879
Speaker 4: that we took No Alex, the gypsy footage. I like

426
00:21:00,880 --> 00:21:02,480
Speaker 4: you said you needed that tape, Like I just didn't

427
00:21:02,480 --> 00:21:03,160
Speaker 4: work out in the edit.

428
00:21:03,200 --> 00:21:05,199
Speaker 2: I'm sorry, Oh, I just had to have it for

429
00:21:05,320 --> 00:21:06,280
Speaker 2: mysel Yeah.

430
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Speaker 4: Yeah, yeah, here's here's how big of a of a

431
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Speaker 4: of a nerd I am. I would scrub through the

432
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Speaker 4: schedule as far out as the schedule would let me scrub.

433
00:21:22,359 --> 00:21:24,600
Speaker 4: And like I always loved it when you could tell like, oh,

434
00:21:24,680 --> 00:21:28,679
Speaker 4: the programmer is bored and it's playing a game. Oh yes,

435
00:21:29,119 --> 00:21:32,240
Speaker 4: every every movie they're showing today has the word dog

436
00:21:32,280 --> 00:21:32,800
Speaker 4: in the title.

437
00:21:32,920 --> 00:21:36,959
Speaker 1: Oh that's me to a fucking you read me to filthy.

438
00:21:37,200 --> 00:21:40,240
Speaker 1: You Like I would do that shit all the time

439
00:21:41,240 --> 00:21:43,440
Speaker 1: I was there for like nineteen years. So after a while,

440
00:21:43,520 --> 00:21:46,439
Speaker 1: you're like, fuck, I can't think of another idea, you know,

441
00:21:46,480 --> 00:21:49,080
Speaker 1: because every single moment of the channel is a theme.

442
00:21:49,560 --> 00:21:52,320
Speaker 1: So you're like, oh god, I ran out of themes today,

443
00:21:52,359 --> 00:21:54,600
Speaker 1: Like what's it going to be? It's like, oh, everybody, Uh,

444
00:21:54,760 --> 00:21:57,840
Speaker 1: this is like smoke is in the title or something,

445
00:21:57,920 --> 00:22:00,919
Speaker 1: you know, like a word or like you know, but

446
00:22:00,920 --> 00:22:07,959
Speaker 1: that just game. Yeah, yeah, it's you knows. As you know,

447
00:22:08,000 --> 00:22:09,639
Speaker 1: you have this twenty four hour channel. You got to

448
00:22:09,680 --> 00:22:12,280
Speaker 1: think of ideas. But I wanted to ask actually I

449
00:22:12,320 --> 00:22:14,240
Speaker 1: did want to ask this. So a friend of mine,

450
00:22:14,320 --> 00:22:17,480
Speaker 1: Jeff Buchanan, who's an editor, he I just talked to

451
00:22:17,560 --> 00:22:18,840
Speaker 1: him on the phone the other day and you know,

452
00:22:18,880 --> 00:22:21,680
Speaker 1: he has kids. I'm not sure how old your kids are,

453
00:22:22,080 --> 00:22:25,640
Speaker 1: but oh okay, so yeah, roughly around the same age

454
00:22:25,640 --> 00:22:28,320
Speaker 1: as his kids. And he was like, you know, he

455
00:22:28,440 --> 00:22:30,080
Speaker 1: was a guy went to film school with and he

456
00:22:30,119 --> 00:22:34,920
Speaker 1: was talking about how he is delighted that his kids

457
00:22:34,960 --> 00:22:38,240
Speaker 1: are kind of naturally moving towards like art house films

458
00:22:39,040 --> 00:22:40,920
Speaker 1: and they live in LA so they have a lot

459
00:22:40,920 --> 00:22:44,239
Speaker 1: of access to, you know, cool movies, but that you know,

460
00:22:44,320 --> 00:22:46,919
Speaker 1: as a parent, he was worried that they wouldn't be

461
00:22:46,960 --> 00:22:50,840
Speaker 1: into like good stuff, but that his son in particular

462
00:22:51,000 --> 00:22:53,639
Speaker 1: is like just randomly is like, Hey, can we go

463
00:22:53,720 --> 00:22:56,879
Speaker 1: watch Knife in the Water at the cinema tech or whatever?

464
00:22:56,920 --> 00:22:59,120
Speaker 1: And he was like, you know, crying in the car

465
00:22:59,200 --> 00:23:03,040
Speaker 1: alone after he was like so happy that his kid

466
00:23:03,119 --> 00:23:05,800
Speaker 1: is kind of naturally becoming like a cinophile. And I

467
00:23:05,880 --> 00:23:10,080
Speaker 1: was wondering, is that something that you've experienced, or like

468
00:23:10,080 --> 00:23:13,120
Speaker 1: what are your kids into, or like, how do you,

469
00:23:13,119 --> 00:23:16,960
Speaker 1: you know, process being a film fan knowing that you

470
00:23:17,040 --> 00:23:19,160
Speaker 1: have kids and maybe that you hope that they will

471
00:23:19,200 --> 00:23:20,240
Speaker 1: also be film fans.

472
00:23:20,560 --> 00:23:23,920
Speaker 4: Yeah, I had this like understanding. I think maybe it's

473
00:23:23,920 --> 00:23:29,600
Speaker 4: just my own understanding of how oppositional defiance disorder expresses

474
00:23:29,600 --> 00:23:33,000
Speaker 4: itself in me. But I was always really careful not

475
00:23:33,640 --> 00:23:37,920
Speaker 4: to foist stuff on my kids because I knew they

476
00:23:37,960 --> 00:23:41,760
Speaker 4: will reject it, and every time I've tried, it's happened. Right.

477
00:23:42,680 --> 00:23:45,280
Speaker 4: But like, I you know, I had you know, one

478
00:23:45,320 --> 00:23:47,680
Speaker 4: point like four or five David Bowie shirts, and I

479
00:23:47,680 --> 00:23:49,760
Speaker 4: remember one night giving the kids baths and they were like,

480
00:23:49,800 --> 00:23:51,520
Speaker 4: who that guy on your shirt? You have all those

481
00:23:51,520 --> 00:23:54,080
Speaker 4: shirts with that guy who's David Bowie? And I was like, Oh,

482
00:23:54,080 --> 00:23:57,200
Speaker 4: don't worry about it. He's he's a Visus singer whatever,

483
00:23:57,520 --> 00:24:00,399
Speaker 4: and it's not important. But then of course went and

484
00:24:00,440 --> 00:24:01,960
Speaker 4: found it. And now I've got, you know, kids that

485
00:24:02,000 --> 00:24:03,080
Speaker 4: can sing the whole catalog.

486
00:24:03,440 --> 00:24:06,160
Speaker 2: Wow, sneaky a.

487
00:24:06,119 --> 00:24:08,760
Speaker 4: Little, you know, but just that that, like, you know,

488
00:24:08,840 --> 00:24:11,520
Speaker 4: it's going to be a program of attraction, not promotion.

489
00:24:11,840 --> 00:24:20,919
Speaker 4: And it's My daughter is funny like an adult and

490
00:24:21,000 --> 00:24:24,520
Speaker 4: has always been funny like an adult. So it's it's

491
00:24:25,160 --> 00:24:28,439
Speaker 4: tough to remember she is, in fact thirteen, but she

492
00:24:28,520 --> 00:24:32,399
Speaker 4: also kind of likes what she likes and that's it,

493
00:24:32,440 --> 00:24:35,760
Speaker 4: and has to be the one to grow what she's

494
00:24:35,800 --> 00:24:40,760
Speaker 4: looking like any kind of Moby Dick is my favorite book.

495
00:24:41,080 --> 00:24:43,160
Speaker 4: She asked me yesterday on the way to camp, why

496
00:24:43,200 --> 00:24:47,480
Speaker 4: do you like Moby Dick so much? And I was like, like.

497
00:24:47,960 --> 00:24:49,000
Speaker 2: How much time you got a kid?

498
00:24:49,640 --> 00:24:54,720
Speaker 4: Well, but also I don't want to make this radioactive

499
00:24:54,800 --> 00:24:57,960
Speaker 4: to you, right right, so I try, you know, so

500
00:24:58,320 --> 00:25:00,160
Speaker 4: I stopped just short of saying like, let me eat

501
00:25:00,200 --> 00:25:02,159
Speaker 4: you a chapter so you can hear it, you know,

502
00:25:02,240 --> 00:25:04,840
Speaker 4: but like, like it's just like so, so she's very

503
00:25:05,800 --> 00:25:09,800
Speaker 4: It's interesting that my my son two summers back. Last summer,

504
00:25:09,800 --> 00:25:12,280
Speaker 4: I was shooting all summer, the summer before it looked

505
00:25:12,320 --> 00:25:14,720
Speaker 4: like the world was opening up. I took my son

506
00:25:14,760 --> 00:25:16,840
Speaker 4: to see Raiders of the Lost Dark and then we

507
00:25:16,920 --> 00:25:19,439
Speaker 4: went to go see The Sparks Brothers and then Delta

508
00:25:19,520 --> 00:25:21,760
Speaker 4: hit and it was like, okay, it's another summer inside.

509
00:25:22,960 --> 00:25:26,159
Speaker 4: So I we're really enjoyed going to the movies. So

510
00:25:26,200 --> 00:25:30,440
Speaker 4: I put just zillions of movies on little pieces of paper,

511
00:25:30,480 --> 00:25:31,800
Speaker 4: put him in a fish bowl, and we decided it's

512
00:25:31,800 --> 00:25:34,480
Speaker 4: a project. We're gonna pull one out every night and

513
00:25:34,520 --> 00:25:36,040
Speaker 4: watch one. So we watched a movie every night of

514
00:25:36,040 --> 00:25:40,159
Speaker 4: summer vacation and this summer we're doing it again. But

515
00:25:40,400 --> 00:25:43,240
Speaker 4: we've got the wheel of genre. We spin the wheel

516
00:25:43,240 --> 00:25:47,760
Speaker 4: of genre and then we pick a movie accordingly. So

517
00:25:47,840 --> 00:25:52,680
Speaker 4: he's but it's interesting. He really something. You know, he

518
00:25:53,080 --> 00:25:57,960
Speaker 4: loved Saturday. He loves Saturday Night Live. And when we

519
00:25:58,080 --> 00:26:02,840
Speaker 4: watched something the first summer and he recognized Wes Anderson's

520
00:26:02,840 --> 00:26:07,600
Speaker 4: style from the from Rees Davis, the parody Wes Anderson

521
00:26:07,640 --> 00:26:09,240
Speaker 4: Horror movie. He was like, oh, this is like that

522
00:26:09,400 --> 00:26:13,639
Speaker 4: SNL sketch. And and so he really developed a taste

523
00:26:13,720 --> 00:26:16,920
Speaker 4: for West and Wes Anderson because he recognizes the style

524
00:26:17,000 --> 00:26:19,960
Speaker 4: and how different it is from everyone else. And then

525
00:26:20,000 --> 00:26:22,560
Speaker 4: like a couple of nights ago, we watched John Wick

526
00:26:23,480 --> 00:26:27,639
Speaker 4: and like, I mean, that's just great. But afterwards we

527
00:26:27,640 --> 00:26:32,120
Speaker 4: were talking and like he basically backed into like what

528
00:26:32,240 --> 00:26:35,880
Speaker 4: mes On sen is what he was describing the thing

529
00:26:35,920 --> 00:26:37,600
Speaker 4: I really liked about. It was this, and it was this,

530
00:26:37,680 --> 00:26:39,600
Speaker 4: and it was this. It's like, yeah, buddy, that's that's

531
00:26:39,640 --> 00:26:43,520
Speaker 4: mes On Senn. You've just invented French film criticism.

532
00:26:44,960 --> 00:26:45,280
Speaker 2: God.

533
00:26:46,160 --> 00:26:48,440
Speaker 4: But yeah, so like now we're we're watching these movies

534
00:26:48,440 --> 00:26:51,680
Speaker 4: and then afterwards we'll be like, you know, we we

535
00:26:51,680 --> 00:26:54,720
Speaker 4: we went to go see Indiana Jones last night, and

536
00:26:54,760 --> 00:27:00,560
Speaker 4: the compare and contrast is really noteworthy and that Yeah,

537
00:27:00,600 --> 00:27:03,359
Speaker 4: it's just kind of cool watching him put this stuff together.

538
00:27:03,359 --> 00:27:05,919
Speaker 4: All I'm kind of just putting stuff out there and

539
00:27:06,000 --> 00:27:08,239
Speaker 4: hoping he sparks to it, you know, and it's been

540
00:27:08,280 --> 00:27:08,840
Speaker 4: a lot of fun.

541
00:27:09,080 --> 00:27:12,800
Speaker 1: Yeah, that's so smart. Yeah, that's that's actually amazing, because

542
00:27:12,840 --> 00:27:15,919
Speaker 1: I do. I remember being a kid and watching I

543
00:27:15,960 --> 00:27:18,399
Speaker 1: was really into like sketch comedy and stuff like SNL

544
00:27:18,480 --> 00:27:21,639
Speaker 1: and Kids in the Hall And I remember like watching

545
00:27:21,640 --> 00:27:25,000
Speaker 1: episodes of Kids in the Hall and like hearing references

546
00:27:25,040 --> 00:27:27,920
Speaker 1: that like the fly when that skit about the Fly,

547
00:27:28,359 --> 00:27:30,320
Speaker 1: and I was like, what is the Fly? That's a movie? Han,

548
00:27:30,400 --> 00:27:32,399
Speaker 1: then I want to go research the Fly. Or like

549
00:27:32,640 --> 00:27:35,919
Speaker 1: even with bands like David Foley is wearing a Smith's

550
00:27:35,920 --> 00:27:37,880
Speaker 1: T shirt, I'm like, what band is that and would

551
00:27:37,880 --> 00:27:39,680
Speaker 1: go and research it. So it's almost that thing where

552
00:27:39,680 --> 00:27:42,639
Speaker 1: you're like, oh, here's this like kid thing or this

553
00:27:42,720 --> 00:27:47,960
Speaker 1: kind of like non film thing that is influencing like yeah,

554
00:27:48,200 --> 00:27:52,240
Speaker 1: subsequent research for other, you know, higher brow things.

555
00:27:52,320 --> 00:27:58,240
Speaker 4: So yeah, he's really aware to He'll talk about cultural osmosis,

556
00:27:58,280 --> 00:28:01,080
Speaker 4: like he doesn't really care for Indiana Jones and he

557
00:28:01,119 --> 00:28:02,320
Speaker 4: goes But I think a big part of it is

558
00:28:02,400 --> 00:28:05,080
Speaker 4: just I know so much of it already from we

559
00:28:05,119 --> 00:28:07,000
Speaker 4: sat down to watch Temple of Doom for the first

560
00:28:07,000 --> 00:28:09,480
Speaker 4: time and he literally folded his arms across his chest

561
00:28:09,480 --> 00:28:18,600
Speaker 4: and went, well, the problematic sequel. But you know he's

562
00:28:18,640 --> 00:28:20,679
Speaker 4: just like, oh no, I just know so much of

563
00:28:20,720 --> 00:28:22,520
Speaker 4: what's going to happen from.

564
00:28:23,000 --> 00:28:25,960
Speaker 2: Even from like the Simpsons and like Mediums and Ship,

565
00:28:26,040 --> 00:28:28,359
Speaker 2: like they grew up with this this cultural literacy that

566
00:28:28,400 --> 00:28:32,359
Speaker 2: we just did not have. Yeah, and they're smart. They're smart.

567
00:28:32,400 --> 00:28:35,160
Speaker 2: They're smart kids. Like I think, you know, you could

568
00:28:35,160 --> 00:28:37,040
Speaker 2: say that about a white swath of teenagers that they're

569
00:28:37,080 --> 00:28:39,239
Speaker 2: just a little bit smarter than we probably were. But

570
00:28:39,280 --> 00:28:45,400
Speaker 2: your kids in particular are very smarty. You're doomed. You

571
00:28:45,440 --> 00:28:47,080
Speaker 2: got like two more years be where you can't answer

572
00:28:47,120 --> 00:28:51,400
Speaker 2: any more questions. Yeah, doomed. Yeah, yeah, but I do.

573
00:28:51,520 --> 00:28:53,360
Speaker 2: I love that, And I love when you post, you know,

574
00:28:53,440 --> 00:28:56,560
Speaker 2: the last summer and posting like you know, we're watching

575
00:28:56,560 --> 00:28:59,160
Speaker 2: this and we're watching this movie together and just kind

576
00:28:59,200 --> 00:29:02,360
Speaker 2: of knowing that there's something too about kids who are

577
00:29:02,440 --> 00:29:05,719
Speaker 2: raised around art or with artists, and sometimes they rebel

578
00:29:05,720 --> 00:29:09,120
Speaker 2: against it. So it's nice that between you and kel

579
00:29:09,200 --> 00:29:11,720
Speaker 2: both like you've been able to I think, give them

580
00:29:11,760 --> 00:29:13,880
Speaker 2: space to be who they are, but also kind of

581
00:29:13,920 --> 00:29:18,440
Speaker 2: say like we're into this kind of stuff too, So maybe.

582
00:29:18,120 --> 00:29:22,760
Speaker 4: Yeah, And it's it's you know, I think we see

583
00:29:23,040 --> 00:29:27,680
Speaker 4: so much of ourselves in them, rightly or wrongly, that like,

584
00:29:28,000 --> 00:29:31,880
Speaker 4: you know, you just remember that, like I have to

585
00:29:31,880 --> 00:29:35,760
Speaker 4: be curious and I have to be interested, but I

586
00:29:35,760 --> 00:29:39,400
Speaker 4: also have to be invited. Yeah, so how do you

587
00:29:39,600 --> 00:29:41,640
Speaker 4: balance like, well, tell me, read me something, show me

588
00:29:41,680 --> 00:29:44,520
Speaker 4: your work. Like that's the worst, that's uncomfortable, that's not good.

589
00:29:44,560 --> 00:29:47,400
Speaker 4: But yet you know, so there's like this, yeah, yeah,

590
00:29:47,400 --> 00:29:50,760
Speaker 4: and they're just sponges. They're just fucking sponges. They absorb everything,

591
00:29:50,960 --> 00:29:51,200
Speaker 4: you know.

592
00:29:51,960 --> 00:29:54,600
Speaker 2: And then the invitation, I think is there because you,

593
00:29:54,840 --> 00:29:57,120
Speaker 2: because of who you are as a person, who KELL is,

594
00:29:57,160 --> 00:30:00,200
Speaker 2: as a person that you know you kind of from

595
00:30:00,200 --> 00:30:03,800
Speaker 2: your own experience, recognize that, Yeah, there are some things

596
00:30:03,840 --> 00:30:05,360
Speaker 2: that I think I needed to keep to myself so

597
00:30:05,360 --> 00:30:07,640
Speaker 2: that I could become a person. And I think that

598
00:30:08,240 --> 00:30:11,160
Speaker 2: it's nice. Yeah, I think, well, but but I do

599
00:30:11,240 --> 00:30:13,160
Speaker 2: see I see it with with your kids, like they're

600
00:30:13,200 --> 00:30:17,880
Speaker 2: they're very much their own people, but they absolutely are

601
00:30:17,920 --> 00:30:19,959
Speaker 2: interested and curious about the world. And I think that

602
00:30:19,960 --> 00:30:22,080
Speaker 2: that is a sign of to me, that's the mark

603
00:30:22,120 --> 00:30:25,200
Speaker 2: of like supreme parenting, because there's not much more you

604
00:30:25,200 --> 00:30:30,040
Speaker 2: can hope for. And I want to I'm glad you

605
00:30:30,080 --> 00:30:31,520
Speaker 2: answered that because we have a lot of people who

606
00:30:31,640 --> 00:30:34,160
Speaker 2: a lot of our listeners ask us about kids stuff.

607
00:30:33,840 --> 00:30:35,400
Speaker 4: And kids weird.

608
00:30:36,120 --> 00:30:38,800
Speaker 2: I don't know, man, we watched everything.

609
00:30:39,200 --> 00:30:41,920
Speaker 4: Although the lady, I don't know when this is going

610
00:30:42,000 --> 00:30:44,400
Speaker 4: to air, but she's like she was a teacher, she's

611
00:30:44,400 --> 00:30:46,720
Speaker 4: a teacher, and she's got a two year old and yes,

612
00:30:47,200 --> 00:30:52,840
Speaker 4: musicals music, Fred and Ginger singing in the Rain, Stanley

613
00:30:52,880 --> 00:30:56,280
Speaker 4: Down and classic musicals. That's great. Easy, put it on

614
00:30:56,440 --> 00:30:58,960
Speaker 4: kids alone, not put on her mereditary, put on, put on,

615
00:30:59,640 --> 00:31:00,880
Speaker 4: put on Singing in the Rain, or.

616
00:31:00,880 --> 00:31:02,440
Speaker 2: Put on Singing in the Rain, and then go watch

617
00:31:02,480 --> 00:31:04,200
Speaker 2: your reditary on your phone or on your computer.

618
00:31:04,480 --> 00:31:04,680
Speaker 1: Yeah.

619
00:31:04,720 --> 00:31:07,680
Speaker 4: Yeah, I was like talking talking back to the iPhone

620
00:31:07,720 --> 00:31:11,720
Speaker 4: while I was singing the rain.

621
00:31:13,440 --> 00:31:15,840
Speaker 2: That is smart. Thank you for answering back to that

622
00:31:15,920 --> 00:31:20,040
Speaker 2: listener question from from way back. But but yeah, I

623
00:31:20,040 --> 00:31:23,280
Speaker 2: also I want to know because we have a little

624
00:31:23,280 --> 00:31:25,920
Speaker 2: game that we like to play on our show that

625
00:31:26,000 --> 00:31:28,960
Speaker 2: we used to play children and now have made it

626
00:31:29,320 --> 00:31:32,920
Speaker 2: very film oriented, and so we've crafted a very special

627
00:31:33,040 --> 00:31:37,720
Speaker 2: Fuck Mary Kill just for you and our first We

628
00:31:37,760 --> 00:31:40,960
Speaker 2: have two rounds, and our first round is related to

629
00:31:41,840 --> 00:31:46,040
Speaker 2: the Monster Verse, because I know that you have experience

630
00:31:46,240 --> 00:31:49,440
Speaker 2: with the Monster Verse as a viewer and creator. Yeah,

631
00:31:49,600 --> 00:31:52,240
Speaker 2: and uh, I'm just curious, and I also want to

632
00:31:52,240 --> 00:31:54,240
Speaker 2: know how Millie is going to answer these questions. So

633
00:31:54,320 --> 00:31:56,680
Speaker 2: are you ready to play Fuck Mary Kill with us?

634
00:31:56,920 --> 00:31:58,760
Speaker 4: You know it. I'm born, born ready.

635
00:31:58,960 --> 00:32:01,520
Speaker 2: You are our first round.

636
00:32:01,800 --> 00:32:05,680
Speaker 4: My answers do not in any way reflect the opinions

637
00:32:05,800 --> 00:32:13,520
Speaker 4: or corporate positions of Papal TV, Legendary Studios or Toho Studios, or.

638
00:32:13,440 --> 00:32:17,640
Speaker 2: My family or my ancestors, or just this is not canonical.

639
00:32:17,680 --> 00:32:20,480
Speaker 4: I just want every I just Monster Verse fans, Godzilla fans,

640
00:32:20,560 --> 00:32:23,320
Speaker 4: Kong fans movie. Yes, this is not canonical.

641
00:32:23,680 --> 00:32:25,160
Speaker 2: Yeah we can. We can change this at any point

642
00:32:25,160 --> 00:32:28,080
Speaker 2: in time. We reserve the right to change our minds

643
00:32:28,120 --> 00:32:30,840
Speaker 2: on who we would fuck, marry, or kill in this

644
00:32:30,920 --> 00:32:37,920
Speaker 2: first round, because our options are Gamera, Mathra, and Godzilla,

645
00:32:38,720 --> 00:32:43,920
Speaker 2: and our guest goes first. So fuck Mary, kill Gamera, Mathra, Godzilla.

646
00:32:45,240 --> 00:32:50,560
Speaker 4: Well, you know, little little franchise blasphem, blasphemy Gamera and

647
00:32:50,840 --> 00:32:52,960
Speaker 4: Godzilla Gamera being.

648
00:32:53,800 --> 00:32:55,520
Speaker 2: They're not in the they're in the universe. They're not

649
00:32:55,560 --> 00:32:57,600
Speaker 2: in the they're in the Kaiju universe. They're not in

650
00:32:57,600 --> 00:32:58,040
Speaker 2: the same.

651
00:32:58,240 --> 00:33:00,360
Speaker 4: Yeh yeah, except the universe, just you know, one of

652
00:33:00,480 --> 00:33:06,680
Speaker 4: one of the all right, so I think kill has

653
00:33:06,680 --> 00:33:11,280
Speaker 4: got to be Godzilla. And here's why you don't need

654
00:33:11,320 --> 00:33:12,440
Speaker 4: that drama.

655
00:33:14,800 --> 00:33:18,160
Speaker 2: True, as you're playing Mary.

656
00:33:19,080 --> 00:33:22,080
Speaker 4: You just don't need to. Like it's just it's it

657
00:33:22,160 --> 00:33:25,920
Speaker 4: would be like being with someone who everywhere you went

658
00:33:26,680 --> 00:33:31,000
Speaker 4: ran into an X. You don't need it. You don't

659
00:33:31,000 --> 00:33:32,640
Speaker 4: need it, or like the gun slinger you know that

660
00:33:32,720 --> 00:33:34,600
Speaker 4: tries to retire, and then all the other young gung

661
00:33:34,640 --> 00:33:36,560
Speaker 4: slingers like, oh here, you're a fuck boy. Well I'm

662
00:33:36,680 --> 00:33:39,040
Speaker 4: pretty much I'm a big fuck boy myself. I don't

663
00:33:39,080 --> 00:33:42,920
Speaker 4: need it. I don't need the drama, even though canonically

664
00:33:42,920 --> 00:33:45,480
Speaker 4: Godzilla is unkillable for this state, for the reason this game,

665
00:33:45,480 --> 00:33:46,760
Speaker 4: I like, you know, Godzilla is the one I would

666
00:33:46,760 --> 00:33:47,480
Speaker 4: take off the board.

667
00:33:47,800 --> 00:33:50,920
Speaker 2: Beautiful now I'm really intrigued.

668
00:33:53,080 --> 00:33:58,560
Speaker 4: Yeah, okay, so I think, okay, well I think fuck

669
00:33:58,760 --> 00:34:03,720
Speaker 4: you gotta go from I would say Mathra uh boundless

670
00:34:04,680 --> 00:34:12,200
Speaker 4: uh anima, boundless, female energy, nurturing, caring, loving, supporting, you know,

671
00:34:12,360 --> 00:34:14,719
Speaker 4: I think it's I think I think that's that's the

672
00:34:14,760 --> 00:34:17,040
Speaker 4: relationship that you you you you enter a boy and

673
00:34:17,080 --> 00:34:20,319
Speaker 4: you exit a man. I think Mathra would be the

674
00:34:20,320 --> 00:34:22,560
Speaker 4: one to show you what it means to be tender,

675
00:34:22,600 --> 00:34:24,840
Speaker 4: what it means to be vulnerable, what it means to

676
00:34:24,840 --> 00:34:28,160
Speaker 4: be generous and giving, and also what a gift it

677
00:34:28,200 --> 00:34:31,720
Speaker 4: is to receive love and and I think Mathra would

678
00:34:31,840 --> 00:34:35,000
Speaker 4: would really I think be the the one that your

679
00:34:35,040 --> 00:34:37,400
Speaker 4: therapist would be like, whatever happened to mam.

680
00:34:38,719 --> 00:34:40,960
Speaker 2: That was a good relationship for you and then and.

681
00:34:40,880 --> 00:34:42,680
Speaker 4: Then I say and then I say, Mary, because your

682
00:34:42,680 --> 00:34:45,480
Speaker 4: marriage suggests, you know, happily ever after and kids, and

683
00:34:45,560 --> 00:34:48,360
Speaker 4: Gamera is a friend and protector to children everywhere. So

684
00:34:48,480 --> 00:34:51,200
Speaker 4: it's just I think that's that would be my that

685
00:34:51,239 --> 00:34:52,680
Speaker 4: would be my that's my rationale.

686
00:34:52,719 --> 00:34:55,520
Speaker 2: Anyway, that is solid and the highest level f MK

687
00:34:55,680 --> 00:35:01,240
Speaker 2: that we've probably done so far, like beautiful answers and Millie,

688
00:35:01,640 --> 00:35:04,839
Speaker 2: I gotta hear your mill I cannot wait to hear

689
00:35:04,840 --> 00:35:09,160
Speaker 2: your answers. Okay, Okay, we have different approaches.

690
00:35:10,000 --> 00:35:12,280
Speaker 1: I think I changed my answer at the last minute,

691
00:35:12,400 --> 00:35:13,200
Speaker 1: but here you go.

692
00:35:14,120 --> 00:35:16,680
Speaker 2: And no funny stuff, no threesome, no no, no, no.

693
00:35:16,440 --> 00:35:19,000
Speaker 1: No, yeah no, alternate rules were not.

694
00:35:20,719 --> 00:35:21,280
Speaker 4: It's a kai.

695
00:35:25,440 --> 00:35:29,120
Speaker 2: No kaiju polycules. Billy loves to throw in a time

696
00:35:29,200 --> 00:35:30,960
Speaker 2: travel straight up.

697
00:35:31,360 --> 00:35:34,160
Speaker 1: Oh, Danielle likes to kill everyone she's she did that

698
00:35:34,239 --> 00:35:36,560
Speaker 1: last time we had an f n K. She just

699
00:35:36,600 --> 00:35:40,000
Speaker 1: decided to kill all three. Okay, this is what I'm

700
00:35:40,000 --> 00:35:46,640
Speaker 1: gonna go with. I'm going to fuck Gamera. Oh I

701
00:35:46,719 --> 00:35:50,360
Speaker 1: he looks like he knows how a party.

702
00:35:51,800 --> 00:35:54,920
Speaker 4: He does the thing you know he does. It is

703
00:35:54,920 --> 00:35:57,040
Speaker 4: a surprise. It would be like being with someone for

704
00:35:57,040 --> 00:35:58,480
Speaker 4: a couple of months and then finding out they're an

705
00:35:58,480 --> 00:35:59,240
Speaker 4: amazing dancer.

706
00:35:59,480 --> 00:36:05,560
Speaker 2: Yes, it's just incredible, incredible, And considering that he was

707
00:36:05,600 --> 00:36:08,719
Speaker 2: like I don't know, like uh a Godzilla rip off,

708
00:36:08,760 --> 00:36:09,919
Speaker 2: maybe he has something to prove.

709
00:36:10,080 --> 00:36:12,600
Speaker 1: Maybe that would do something in the bedroom. I don't know,

710
00:36:12,680 --> 00:36:15,640
Speaker 1: well TVD, But that's what I'm going with for the

711
00:36:15,760 --> 00:36:22,960
Speaker 1: f Now. I'm definitely definitely marrying Mathra. I am ready

712
00:36:23,000 --> 00:36:26,160
Speaker 1: to be in a long term lesbian relationship with her.

713
00:36:26,200 --> 00:36:28,080
Speaker 1: I'm like ready to move to like we can have

714
00:36:28,160 --> 00:36:31,800
Speaker 1: our like ghost ranch type thing and like the American

715
00:36:31,840 --> 00:36:35,160
Speaker 1: Southwest where we just like live together and paint and

716
00:36:35,360 --> 00:36:38,160
Speaker 1: you know, we're just very happy. So that's that's why

717
00:36:38,239 --> 00:36:40,719
Speaker 1: I'm marrying. And then that that means we got to

718
00:36:40,760 --> 00:36:44,080
Speaker 1: kill Godzilla, and I'm pretty much you yeah, pretty much

719
00:36:44,080 --> 00:36:47,000
Speaker 1: for the same reasons that Matt iron out, Like you know,

720
00:36:47,280 --> 00:36:49,240
Speaker 1: you don't need that drama.

721
00:36:48,760 --> 00:36:52,279
Speaker 2: And you you famously you're not about that mouth. That's

722
00:36:52,280 --> 00:36:54,640
Speaker 2: why you felled Chucky. Oh yea yeah, yeah, yeah, yeah,

723
00:36:54,640 --> 00:36:56,319
Speaker 2: you can't handle anyone's got that mouth. And he would

724
00:36:56,320 --> 00:36:58,560
Speaker 2: always be fucking spouting off for wild.

725
00:36:58,360 --> 00:37:01,000
Speaker 1: Mouths or not my not my thing for sure. So yeah,

726
00:37:01,000 --> 00:37:02,200
Speaker 1: that's my those are my answers.

727
00:37:02,239 --> 00:37:11,839
Speaker 2: Now, Danielle Wild, Well, I'm fucking Godzilla, straight up, I'm

728
00:37:11,840 --> 00:37:14,200
Speaker 2: fucking god Villa, and it's a real fucking run. He's

729
00:37:14,200 --> 00:37:15,960
Speaker 2: I'm gonna fuck him, and he's gonna walk right into

730
00:37:16,000 --> 00:37:23,439
Speaker 2: the ocean and goodbye. That's by sees one right now,

731
00:37:23,880 --> 00:37:26,759
Speaker 2: like just bye, go to the ocean. Yep, keep you

732
00:37:26,800 --> 00:37:30,680
Speaker 2: just shooting fire? Okay, cool? Bye? And I feel like

733
00:37:30,840 --> 00:37:34,239
Speaker 2: the drama could be contained in like a one fuck situation.

734
00:37:35,640 --> 00:37:37,319
Speaker 4: But that means it don't have to be like it's

735
00:37:37,360 --> 00:37:41,000
Speaker 4: like you're you're on business in Tokyo overnight. Completely, there's

736
00:37:41,040 --> 00:37:43,080
Speaker 4: a there's a giant thunder lizard at the end of

737
00:37:43,080 --> 00:37:45,080
Speaker 4: the bar. He said, you over a drink. You're like,

738
00:37:45,120 --> 00:37:46,160
Speaker 4: you know what, I got a plane. I got a

739
00:37:46,160 --> 00:37:48,400
Speaker 4: flight to catch at nine am. When am I ever

740
00:37:48,440 --> 00:37:49,400
Speaker 4: gonna be back in Tokyo.

741
00:37:49,920 --> 00:37:54,080
Speaker 2: Let's make some stories happen, Let's rack up some stories.

742
00:37:54,120 --> 00:37:55,000
Speaker 2: Let's see some karaoke.

743
00:37:55,520 --> 00:37:57,680
Speaker 4: Yeah yeah, yeah, yeah, that's up the body count, and

744
00:37:57,800 --> 00:37:58,560
Speaker 4: see what happens.

745
00:37:58,880 --> 00:38:01,760
Speaker 2: Absolutely, you know he's in a barbecue, like like fucking

746
00:38:01,920 --> 00:38:04,319
Speaker 2: take this raw lamb and make me a dinner. Does

747
00:38:04,400 --> 00:38:07,239
Speaker 2: make me dinner? Let's fuck goodbye? Walk into the fucking sea.

748
00:38:08,040 --> 00:38:11,880
Speaker 2: I'm into it, but that means I have to kill Gamera,

749
00:38:12,719 --> 00:38:16,600
Speaker 2: even though he's gentle and sweet, because I would absolutely

750
00:38:16,600 --> 00:38:20,200
Speaker 2: marry Mathra. Yes, for all the reasons laid out, Like Mathra,

751
00:38:20,320 --> 00:38:22,640
Speaker 2: you get a nest who doesn't want to live.

752
00:38:22,520 --> 00:38:25,000
Speaker 4: In a Nest's just go into a cocoon for two

753
00:38:25,080 --> 00:38:25,600
Speaker 4: hundred years.

754
00:38:25,840 --> 00:38:28,720
Speaker 2: Ah, you get to just be enveloped and like hugged

755
00:38:28,719 --> 00:38:31,520
Speaker 2: for two hundred years. You marry that person, You marry

756
00:38:31,560 --> 00:38:36,000
Speaker 2: that thing, that monster. So yeah, fuck Godzilla, kill Gamra unfortunately,

757
00:38:36,480 --> 00:38:37,440
Speaker 2: and marry Mathra.

758
00:38:37,960 --> 00:38:38,360
Speaker 1: Wow.

759
00:38:38,680 --> 00:38:40,359
Speaker 2: And this is how we learn a lot about each other,

760
00:38:40,719 --> 00:38:42,759
Speaker 2: that's right. And we're gonna learn even more in this

761
00:38:42,800 --> 00:38:48,880
Speaker 2: next round because this one's a little tougher. This is

762
00:38:49,000 --> 00:38:52,120
Speaker 2: from the the files of They're a lot. There are

763
00:38:52,120 --> 00:38:54,800
Speaker 2: a lot to take these these ones, these these folks.

764
00:38:55,200 --> 00:38:56,719
Speaker 2: But I want to know who you're gonna fuck, marry

765
00:38:56,760 --> 00:39:01,560
Speaker 2: or kill. Die Sue from Old Boy, Anton Schigger from

766
00:39:01,680 --> 00:39:05,800
Speaker 2: No Country for Old Men, or Udah from the Raid Redemption.

767
00:39:06,840 --> 00:39:09,240
Speaker 2: Hm matt Our guest goes first.

768
00:39:13,960 --> 00:39:17,520
Speaker 4: Fuck, I'm gonna say you da okay, because I think

769
00:39:17,600 --> 00:39:20,080
Speaker 4: that's a I think that is an adventure in aerobics.

770
00:39:20,960 --> 00:39:25,960
Speaker 4: I think that's in an adventure in athleticism. I think

771
00:39:26,040 --> 00:39:30,360
Speaker 4: I think that's a real You know, if you're sitting

772
00:39:30,480 --> 00:39:33,040
Speaker 4: in the first two rows, you will get wet.

773
00:39:33,480 --> 00:39:34,399
Speaker 2: That's the kind of.

774
00:39:36,360 --> 00:39:39,160
Speaker 4: You're holding holding onto the mattress for dear life, if

775
00:39:39,200 --> 00:39:42,080
Speaker 4: you even stay on the mattress, if there's even a mattress,

776
00:39:42,200 --> 00:39:44,239
Speaker 4: if there's even a mattress. Right, this might be just

777
00:39:44,320 --> 00:39:48,799
Speaker 4: you're going to destroy a bathroom somewhere, but I think

778
00:39:48,800 --> 00:39:50,640
Speaker 4: it's I think that's the and you're thinking, I think

779
00:39:50,680 --> 00:39:54,879
Speaker 4: it's the definition of sport fucking beautiful. And I know

780
00:39:55,200 --> 00:39:56,719
Speaker 4: that I'm going to leave it all out on the

781
00:39:56,719 --> 00:39:58,759
Speaker 4: field and I'm going to get demolished. I know I'm

782
00:39:58,800 --> 00:40:01,960
Speaker 4: going to be like the the absolutely Washington generals and

783
00:40:02,000 --> 00:40:09,000
Speaker 4: facing the uh uh fucking Harlem globe trotters of Second UDA.

784
00:40:10,239 --> 00:40:13,400
Speaker 2: Electrolytes will be had, rest, vacation days will be taken.

785
00:40:13,920 --> 00:40:17,080
Speaker 4: Yeah, yeah, just just just walking like you got beat up.

786
00:40:17,120 --> 00:40:23,560
Speaker 4: The next day, Mary, Mary, I'm gonna say daisu from

787
00:40:23,600 --> 00:40:29,040
Speaker 4: old Boy. I think because he's shown he's dedicated, he's devoted,

788
00:40:30,280 --> 00:40:34,839
Speaker 4: he commits, he really commits, he commits, and every now

789
00:40:34,880 --> 00:40:36,759
Speaker 4: and again he's gonna fuck eighty guys up in a

790
00:40:36,760 --> 00:40:37,720
Speaker 4: hall way with the hammer.

791
00:40:39,680 --> 00:40:41,239
Speaker 2: Look, I don't know what your building is like where

792
00:40:41,280 --> 00:40:43,040
Speaker 2: you live. Some apartment buildings need.

793
00:40:42,880 --> 00:40:46,560
Speaker 4: That, Yeah, yeah, and need it, and better to have

794
00:40:46,600 --> 00:40:48,319
Speaker 4: it and not need it than need it and not.

795
00:40:48,280 --> 00:40:50,680
Speaker 2: Have it, like a tool in a fucking tool case.

796
00:40:51,000 --> 00:40:51,239
Speaker 2: I love.

797
00:40:51,280 --> 00:40:57,040
Speaker 4: The first time I was in New York making I

798
00:40:57,080 --> 00:41:01,520
Speaker 4: don't remember if it was made a video with Kanye West,

799
00:41:01,719 --> 00:41:04,120
Speaker 4: and I made a bunch of HP commercials that took

800
00:41:04,160 --> 00:41:06,400
Speaker 4: me to New York for two extended Peers is one

801
00:41:06,400 --> 00:41:08,120
Speaker 4: of those two. I can't remember which, but I bought

802
00:41:08,120 --> 00:41:10,080
Speaker 4: a bootleg of Old Boy while I was there and

803
00:41:10,120 --> 00:41:13,480
Speaker 4: watched it, and when that scene happened, I just started

804
00:41:13,880 --> 00:41:20,279
Speaker 4: running around my little rented apartment screaming like it was

805
00:41:20,520 --> 00:41:24,759
Speaker 4: I just like god, just yeah.

806
00:41:24,800 --> 00:41:28,680
Speaker 2: They're doing a twenty fifth anniversary reissue, yeah this month,

807
00:41:28,680 --> 00:41:31,440
Speaker 2: because this comes out in August this month, and I

808
00:41:31,480 --> 00:41:33,439
Speaker 2: have never seen it on a big screen. I've only

809
00:41:33,440 --> 00:41:36,000
Speaker 2: seen it on bootlegs and rentals and stuff like that,

810
00:41:36,760 --> 00:41:38,200
Speaker 2: and I don't know that I can see it in public.

811
00:41:38,200 --> 00:41:40,440
Speaker 2: For that exact reason, I think I'd be way too excited.

812
00:41:41,040 --> 00:41:44,120
Speaker 4: Yeah, yeah, way too exciting. I showed Henry that the

813
00:41:44,160 --> 00:41:48,239
Speaker 4: Hallway fight. What did he think? Oh? He loved it.

814
00:41:48,320 --> 00:41:50,839
Speaker 4: He was just like, oh my god, and that guy's old.

815
00:41:50,920 --> 00:41:54,600
Speaker 2: I'm like, yeah, he's got some tricks in the old bag.

816
00:41:55,040 --> 00:41:56,720
Speaker 2: Yeah yeah, Oh that's so great.

817
00:41:57,000 --> 00:41:59,160
Speaker 4: All right, I'm with it, I think, And then I'm

818
00:41:59,200 --> 00:42:01,759
Speaker 4: killing Anton Sugar, who has you know, by his very

819
00:42:01,840 --> 00:42:09,080
Speaker 4: nature is is uh capricious and cruel and random and inevitably,

820
00:42:10,040 --> 00:42:13,240
Speaker 4: you know, the coin's gonna come up the wrong side

821
00:42:13,560 --> 00:42:16,680
Speaker 4: and for no good reason, someone's gonna ruin brunch. So

822
00:42:16,800 --> 00:42:19,719
Speaker 4: I don't know, I don't I don't need that. And

823
00:42:19,760 --> 00:42:22,240
Speaker 4: fuck that, fuck that weird Prince Valiant haircut.

824
00:42:23,560 --> 00:42:24,000
Speaker 1: Thank you.

825
00:42:26,080 --> 00:42:28,320
Speaker 4: Henry really wants to see that that like he's he's asked,

826
00:42:28,520 --> 00:42:31,759
Speaker 4: that's that's that's Oh yeah, he's really And I'm like,

827
00:42:31,800 --> 00:42:34,080
Speaker 4: you know, it's it's heavy, you know, like, yeah, it's

828
00:42:34,160 --> 00:42:36,000
Speaker 4: He's like, yeah, no, no, I get it, I get it. Like,

829
00:42:36,000 --> 00:42:39,360
Speaker 4: but he's he's really intrigued by No Country. So I'm

830
00:42:39,400 --> 00:42:40,600
Speaker 4: sure we're gonna watch that this summer.

831
00:42:41,239 --> 00:42:42,920
Speaker 2: Would that be one that you you watch and then

832
00:42:42,960 --> 00:42:45,560
Speaker 2: like have a discussion after or is he always down

833
00:42:45,600 --> 00:42:46,560
Speaker 2: to talk about it or.

834
00:42:47,000 --> 00:42:50,040
Speaker 4: I mean we we tend to discuss afterwards kind of anyway.

835
00:42:50,680 --> 00:42:50,840
Speaker 2: You know.

836
00:42:50,880 --> 00:42:56,320
Speaker 4: He's also like he's not super into like bummers. Yeah,

837
00:42:57,120 --> 00:42:59,960
Speaker 4: you know, like we we started to watch The Law

838
00:43:00,360 --> 00:43:02,360
Speaker 4: the other day and got about fifteen minutes in and

839
00:43:02,400 --> 00:43:05,400
Speaker 4: had to nope out because it's like mom's suicide and

840
00:43:05,440 --> 00:43:08,480
Speaker 4: crying kids and a funeral, and it's like not our

841
00:43:08,560 --> 00:43:09,440
Speaker 4: kind of horror. You know.

842
00:43:10,040 --> 00:43:13,400
Speaker 2: That's really, I mean, again, to me, unsurprising because I

843
00:43:13,400 --> 00:43:16,799
Speaker 2: think kids are born who they are, and henri Leo

844
00:43:16,800 --> 00:43:20,480
Speaker 2: has always been truly the most tender and kind person.

845
00:43:20,800 --> 00:43:23,800
Speaker 4: He's the most emotionally intelligent person I've ever met. Yeah, truly,

846
00:43:24,640 --> 00:43:26,840
Speaker 4: it is if you were born with his heart outside

847
00:43:26,840 --> 00:43:29,440
Speaker 4: of his body, like it just it's it's but I guess.

848
00:43:29,440 --> 00:43:30,800
Speaker 4: So we did it for fifteen minutes and I was like,

849
00:43:30,840 --> 00:43:32,640
Speaker 4: all right, we gotta and then then I watch my

850
00:43:32,640 --> 00:43:33,200
Speaker 4: favorite ear.

851
00:43:38,640 --> 00:43:41,919
Speaker 2: I love these answers. All right, Millie, you're up yeah

852
00:43:42,680 --> 00:43:43,040
Speaker 2: later on.

853
00:43:43,880 --> 00:43:46,279
Speaker 1: I hate to copy you, Matt, but my answers are

854
00:43:46,480 --> 00:43:51,440
Speaker 1: down the line exactly, Yes, any different reasons. Well, here's

855
00:43:51,440 --> 00:43:53,800
Speaker 1: the thing. I've actually not seen the Raid.

856
00:43:53,960 --> 00:43:56,279
Speaker 2: Which I still can't believe for all the years we've

857
00:43:56,280 --> 00:43:59,799
Speaker 2: been friends, I cannot believe that. So I just.

858
00:44:00,120 --> 00:44:04,400
Speaker 1: Googled him and was like, yes, he is the f

859
00:44:04,920 --> 00:44:08,000
Speaker 1: he is the f choice based on these photos that

860
00:44:08,000 --> 00:44:10,640
Speaker 1: I'm saying on Google image search with he's he's got

861
00:44:10,680 --> 00:44:12,040
Speaker 1: a giant sword.

862
00:44:12,600 --> 00:44:18,040
Speaker 5: And as the best thing about the raid is when

863
00:44:18,080 --> 00:44:20,320
Speaker 5: you watch it and you're done with all of that rating,

864
00:44:21,239 --> 00:44:23,560
Speaker 5: know that there is a raid too, because there is

865
00:44:23,600 --> 00:44:24,880
Speaker 5: still more rating.

866
00:44:25,080 --> 00:44:28,520
Speaker 2: There's always more rating. These people never go away. There's

867
00:44:28,520 --> 00:44:32,719
Speaker 2: always someone to raid. Yeah, well I'm done with that.

868
00:44:32,800 --> 00:44:34,960
Speaker 2: I can get with that, yeas.

869
00:44:35,280 --> 00:44:38,520
Speaker 1: And like the thing about day Sue, I haven't seen

870
00:44:38,560 --> 00:44:40,600
Speaker 1: Old Boy in a long time, like it's been a while.

871
00:44:41,360 --> 00:44:44,359
Speaker 1: I definitely want to see the reissue or whatever's coming

872
00:44:44,360 --> 00:44:47,440
Speaker 1: out the anniversary. But yeah, that's a that's a marriage

873
00:44:47,480 --> 00:44:49,680
Speaker 1: for me. I could definitely do that. And then of

874
00:44:49,680 --> 00:44:52,160
Speaker 1: course we all have to kill Anton because just the

875
00:44:52,239 --> 00:44:56,040
Speaker 1: creepy haircut, Like I just I actually just googled him

876
00:44:56,040 --> 00:44:58,000
Speaker 1: again too, because I was like, is that haircut as

877
00:44:58,000 --> 00:44:59,440
Speaker 1: bad as I think it is? I'm like, no, it

878
00:44:59,520 --> 00:45:02,760
Speaker 1: is hundred Yeah.

879
00:45:02,800 --> 00:45:04,919
Speaker 2: Well, I'm about to ruin some some lives and break

880
00:45:04,960 --> 00:45:10,440
Speaker 2: some hearts here. I'm fucking day Sue, and I'll give

881
00:45:10,480 --> 00:45:17,040
Speaker 2: you only one reason. Octopus seat m the way that

882
00:45:17,080 --> 00:45:20,080
Speaker 2: man goes to town on a live octopus. I'm gonna

883
00:45:20,080 --> 00:45:20,919
Speaker 2: have some fucking fun.

884
00:45:24,239 --> 00:45:26,800
Speaker 4: Why why buy the cow when you get the octopus

885
00:45:26,800 --> 00:45:27,280
Speaker 4: for free?

886
00:45:27,400 --> 00:45:30,239
Speaker 2: I mean truly, truly, he just put it all on

887
00:45:30,280 --> 00:45:33,160
Speaker 2: the table there, and I'm like, and let's see the table,

888
00:45:33,560 --> 00:45:37,319
Speaker 2: not just the table. I'm gonna fuck him. I Am

889
00:45:37,360 --> 00:45:40,520
Speaker 2: going to marry Anton Chaker from No Country for Old Men.

890
00:45:40,520 --> 00:45:42,920
Speaker 2: And here's why. Here, here's why.

891
00:45:43,400 --> 00:45:44,520
Speaker 1: He travels a lot.

892
00:45:44,600 --> 00:45:48,040
Speaker 2: Yeah, yeah, he's the man's never there. He's gone all

893
00:45:48,040 --> 00:45:50,959
Speaker 2: the time. He takes his fucking bolt gun and he's

894
00:45:51,080 --> 00:45:53,960
Speaker 2: out and he comes back and I'm like, who would

895
00:45:53,960 --> 00:45:55,799
Speaker 2: you kill? What'd you do? What's going on? Why can

896
00:45:55,800 --> 00:45:58,000
Speaker 2: we cut that hair? Can we can we cut that hair? Now?

897
00:45:58,040 --> 00:46:01,200
Speaker 2: It's twenty twenty three? But he is gone. I never

898
00:46:01,239 --> 00:46:04,480
Speaker 2: have to see him, so why not marry him? Yes,

899
00:46:04,600 --> 00:46:07,120
Speaker 2: my jam, I'm very comfortable in a marriage in these

900
00:46:07,120 --> 00:46:10,120
Speaker 2: scenarios where I never have to really interest. That's why

901
00:46:10,120 --> 00:46:14,680
Speaker 2: I would marry Freddy Krueger. He's always in dreams. Yeah right, he's.

902
00:46:14,480 --> 00:46:16,359
Speaker 4: Gone, Good morning, bitch.

903
00:46:19,000 --> 00:46:20,520
Speaker 2: And then he comes back and have to deal with

904
00:46:20,560 --> 00:46:20,879
Speaker 2: his like.

905
00:46:20,920 --> 00:46:31,040
Speaker 3: Checky, I got called to jury duty.

906
00:46:31,120 --> 00:46:39,400
Speaker 2: Bitch on jury duty is what under said the sketch.

907
00:46:39,480 --> 00:46:48,319
Speaker 2: I need to say, I work n you're I'm gonna

908
00:46:48,320 --> 00:46:50,760
Speaker 2: marry that creep. I'm marrying that creep just because he's gone.

909
00:46:51,160 --> 00:46:52,560
Speaker 2: I don't want to interact with him. I don't want

910
00:46:52,600 --> 00:46:54,120
Speaker 2: to procreate with him. I don't want to have children

911
00:46:54,120 --> 00:46:55,759
Speaker 2: with him. I don't want him in my house a lot.

912
00:46:55,880 --> 00:46:57,759
Speaker 2: But that's why I'm gonna marry him. He'll bring home

913
00:46:57,880 --> 00:47:00,960
Speaker 2: a little bit of cash and some we stories, and

914
00:47:01,000 --> 00:47:03,000
Speaker 2: then he'll be gone before I even get creeped out,

915
00:47:03,320 --> 00:47:06,200
Speaker 2: which means, unfortunately I have to kill you to from

916
00:47:06,239 --> 00:47:11,080
Speaker 2: the raid, which will be impossible obviously, but what a

917
00:47:11,080 --> 00:47:11,520
Speaker 2: good fight.

918
00:47:12,000 --> 00:47:13,880
Speaker 4: Yeah, you're in a spectacular death scene.

919
00:47:14,560 --> 00:47:18,680
Speaker 2: I mean it will be unparalleled, and that's really.

920
00:47:18,480 --> 00:47:21,560
Speaker 4: The dream, right You either want to die peacefully in

921
00:47:21,600 --> 00:47:26,080
Speaker 4: your sleep, yes, or at the end of a nine

922
00:47:26,160 --> 00:47:29,080
Speaker 4: minutetunt spectacular set piece.

923
00:47:32,200 --> 00:47:32,640
Speaker 1: That like.

924
00:47:34,239 --> 00:47:37,359
Speaker 4: Eight stunt guys had to shoot somewhere with real lack

925
00:47:37,440 --> 00:47:46,360
Speaker 4: safety laws, either way in one piece quietly or a

926
00:47:46,480 --> 00:47:49,280
Speaker 4: thousand pieces very loud, very loudly.

927
00:47:49,480 --> 00:47:52,000
Speaker 2: I've already had this discussion with my grandma. She's in

928
00:47:52,000 --> 00:47:54,000
Speaker 2: a nursing home and I'm like, look when the time

929
00:47:54,040 --> 00:47:56,880
Speaker 2: comes and she's like, yeah, wheel me out, give everyone

930
00:47:56,920 --> 00:47:59,319
Speaker 2: a weapon, and just wheel me down like a soul

931
00:47:59,320 --> 00:48:03,160
Speaker 2: train line and we'll see what happens. I'm like, that's

932
00:48:03,239 --> 00:48:06,640
Speaker 2: the way to go. That's what I want. The old

933
00:48:06,640 --> 00:48:09,879
Speaker 2: train line of old people and weapons, the.

934
00:48:11,920 --> 00:48:12,680
Speaker 4: You should train.

935
00:48:19,000 --> 00:48:21,200
Speaker 2: I think that's something I can market. Honestly, I think

936
00:48:21,200 --> 00:48:22,680
Speaker 2: a lot of old people want to go out that way.

937
00:48:22,800 --> 00:48:25,200
Speaker 4: That's that is a Verjovian That is a that is

938
00:48:25,239 --> 00:48:28,000
Speaker 4: a Verhovian death wish right there. That is that is

939
00:48:28,000 --> 00:48:30,960
Speaker 4: a that is It's amazing that that's not a RoboCop completely.

940
00:48:33,920 --> 00:48:36,600
Speaker 2: Oh that's the only thing RoboCop is missing. We'll have

941
00:48:36,640 --> 00:48:38,200
Speaker 2: to redo it. That's the only remake I would do,

942
00:48:38,280 --> 00:48:40,040
Speaker 2: is if we could remake robo cop, just to put

943
00:48:40,040 --> 00:48:40,480
Speaker 2: that in.

944
00:48:40,640 --> 00:48:43,160
Speaker 4: Add Yeah, there's just eight seconds of difference. It would

945
00:48:43,200 --> 00:48:48,160
Speaker 4: be like van zandting Psycho. Only there's only difference is

946
00:48:48,200 --> 00:48:49,799
Speaker 4: for eight seconds we get a glimpse of a game

947
00:48:49,800 --> 00:48:53,919
Speaker 4: show where they're just killing old people for sport. Other

948
00:48:53,920 --> 00:48:55,719
Speaker 4: than that is shot for shot, line for line.

949
00:48:56,160 --> 00:48:59,720
Speaker 2: Yeah, pretty pretty word for word. Well, this was truly

950
00:49:01,360 --> 00:49:04,880
Speaker 2: and I love someone very much. It's my dream come true.

951
00:49:05,640 --> 00:49:07,520
Speaker 2: But I just I love you very much as a person,

952
00:49:07,520 --> 00:49:09,440
Speaker 2: as a friend, I just adore you and I want

953
00:49:09,440 --> 00:49:11,160
Speaker 2: you to come back and talk with us all the time.

954
00:49:11,760 --> 00:49:13,560
Speaker 2: And I just can't thank you never for giving us

955
00:49:13,600 --> 00:49:15,200
Speaker 2: some time today because you're the best.

956
00:49:15,640 --> 00:49:17,840
Speaker 4: I love you too and would do this anytime you

957
00:49:17,880 --> 00:49:20,200
Speaker 4: need or want or a fuck out. Let's just get

958
00:49:20,200 --> 00:49:22,279
Speaker 4: together and play a FMK and not even record it,

959
00:49:22,360 --> 00:49:25,080
Speaker 4: just to each other laugh. This spek just come up

960
00:49:25,120 --> 00:49:27,359
Speaker 4: with some f and I wasn't kidding it the top

961
00:49:27,360 --> 00:49:29,920
Speaker 4: and it think like literally long time, first time. I'm psyched.

962
00:49:29,920 --> 00:49:32,080
Speaker 4: It's always exciting when you run the risk of ruining

963
00:49:32,120 --> 00:49:32,840
Speaker 4: something you enjoy.

964
00:49:32,920 --> 00:49:36,960
Speaker 2: So thank you. Never could happen. Never could happen. Well,

965
00:49:36,960 --> 00:49:38,960
Speaker 2: thank you so much, Matt, and come back and hang

966
00:49:39,000 --> 00:49:39,960
Speaker 2: out with us anytime.

967
00:49:40,360 --> 00:49:40,600
Speaker 4: Deal.

968
00:49:45,440 --> 00:49:47,640
Speaker 1: Okay, I love your friend, Matt. Thanks for bringing him

969
00:49:47,640 --> 00:49:48,760
Speaker 1: on the show, Daniel.

970
00:49:49,760 --> 00:49:54,319
Speaker 2: I know he's truly the greatest. Like truly he's much

971
00:49:54,400 --> 00:49:56,799
Speaker 2: like when we were talking about his kids, like he

972
00:49:56,920 --> 00:49:59,640
Speaker 2: was born who he is. He has always been in

973
00:49:59,640 --> 00:50:03,719
Speaker 2: the mids of every different career change and everything he's done,

974
00:50:03,800 --> 00:50:07,280
Speaker 2: he's always been the same, which is smart and lovely

975
00:50:07,400 --> 00:50:10,600
Speaker 2: and wonderful, and I'm just glad he's in my life.

976
00:50:10,600 --> 00:50:12,399
Speaker 2: I'm glad he's my bud man.

977
00:50:12,480 --> 00:50:15,320
Speaker 1: I love that you guys have this like early internet

978
00:50:15,560 --> 00:50:20,200
Speaker 1: comic book history together. That makes me so happy. I

979
00:50:20,200 --> 00:50:23,919
Speaker 1: don't you know. Just knowing that y'all found each other

980
00:50:24,480 --> 00:50:27,320
Speaker 1: in those days is life affirming.

981
00:50:27,719 --> 00:50:30,239
Speaker 2: So latchkey, kids, nerds unite.

982
00:50:30,520 --> 00:50:34,760
Speaker 1: I know, LUs, I might have to get him to

983
00:50:34,800 --> 00:50:37,440
Speaker 1: do his Freddy Krueger impression for my voice, Smail.

984
00:50:40,480 --> 00:50:47,399
Speaker 2: That was amazing, So you do it, he do it. Yeah.

985
00:50:47,760 --> 00:50:51,040
Speaker 1: So we're doing a thing, folks. We're doing a thing.

986
00:50:52,120 --> 00:50:55,200
Speaker 1: We alluded to it at the end of last episode,

987
00:50:55,280 --> 00:51:00,920
Speaker 1: but so we have decided that we're going to do

988
00:51:02,400 --> 00:51:06,799
Speaker 1: a bunch of movies with the term hot in them,

989
00:51:07,880 --> 00:51:12,320
Speaker 1: or you know, the term like synonyms for the word

990
00:51:12,400 --> 00:51:16,040
Speaker 1: hot at a certain point too. But it's because summer.

991
00:51:17,080 --> 00:51:18,640
Speaker 2: We're doing it for the whole We're doing a month

992
00:51:18,680 --> 00:51:20,280
Speaker 2: long theme for the first time ever.

993
00:51:20,640 --> 00:51:25,960
Speaker 1: That's right, month long theme because it's summer. Because we're goofballs.

994
00:51:26,160 --> 00:51:30,080
Speaker 1: That's what we've decided what we're doing, and we truly

995
00:51:30,200 --> 00:51:34,160
Speaker 1: kick it off in maybe the best way possible because

996
00:51:34,400 --> 00:51:38,160
Speaker 1: these movies this week are like, I don't know, in

997
00:51:38,200 --> 00:51:40,560
Speaker 1: a way, they're kind of related because not only do

998
00:51:40,600 --> 00:51:42,439
Speaker 1: they have the word hot in them, but they're also

999
00:51:42,520 --> 00:51:47,040
Speaker 1: kind of like plays on a like send ups of

1000
00:51:47,080 --> 00:51:50,640
Speaker 1: a genre, send ups of film, like a film, a

1001
00:51:50,640 --> 00:51:53,080
Speaker 1: prior film. So I just like that they're paired together.

1002
00:51:53,200 --> 00:51:55,280
Speaker 1: I actually would have never thought to pair them together

1003
00:51:56,200 --> 00:51:58,640
Speaker 1: beyond the name, but then when when I saw them together,

1004
00:51:58,680 --> 00:51:59,359
Speaker 1: I was like, oh, this.

1005
00:51:59,320 --> 00:52:02,440
Speaker 2: Makes sense, this is completely completely Yeah. I thought the

1006
00:52:02,480 --> 00:52:04,480
Speaker 2: same thing when I watched them as a true double feature,

1007
00:52:04,480 --> 00:52:08,000
Speaker 2: and I'm like, oh, this is like like the the

1008
00:52:08,120 --> 00:52:10,600
Speaker 2: spoof parody style that we grew up with and the

1009
00:52:10,680 --> 00:52:13,719
Speaker 2: kind of spoof parody style as it's evolved. And I

1010
00:52:14,480 --> 00:52:18,560
Speaker 2: think it's a good double feature, an unintensionally good double feature,

1011
00:52:18,560 --> 00:52:21,120
Speaker 2: because your original pick was not your movie. You picked

1012
00:52:21,120 --> 00:52:24,080
Speaker 2: something else that was not available, but then you pivoted

1013
00:52:24,120 --> 00:52:30,520
Speaker 2: to this beautiful, perfect double feature and I can't wait

1014
00:52:30,560 --> 00:52:31,200
Speaker 2: to talk about it.

1015
00:52:31,680 --> 00:52:36,560
Speaker 1: I think God opened a big window after that door

1016
00:52:36,680 --> 00:52:41,040
Speaker 1: was closed. My my prior film wasn't again wasn't available.

1017
00:52:41,080 --> 00:52:43,480
Speaker 1: But then when this happened, I was like, Oh, now

1018
00:52:43,520 --> 00:52:46,680
Speaker 1: it's perfect. Now we have the perfect theme. Two movies

1019
00:52:46,719 --> 00:52:49,879
Speaker 1: that are are paired well together. So I'm going first

1020
00:52:49,960 --> 00:52:53,280
Speaker 1: this week and I kind of wait to talk about

1021
00:52:53,280 --> 00:52:54,000
Speaker 1: this film with you.

1022
00:52:54,520 --> 00:52:56,120
Speaker 2: Shit holy shit.

1023
00:52:56,640 --> 00:53:00,480
Speaker 1: So my movie for this theme that we're just call

1024
00:53:00,520 --> 00:53:02,520
Speaker 1: it hot movies. I guess.

1025
00:53:03,840 --> 00:53:06,560
Speaker 2: Hot, hot, hot, hot, hot movies because there's five weeks

1026
00:53:06,560 --> 00:53:06,960
Speaker 2: in August.

1027
00:53:07,000 --> 00:53:07,360
Speaker 4: I don't know.

1028
00:53:07,360 --> 00:53:08,720
Speaker 2: That's right, you make.

1029
00:53:10,239 --> 00:53:14,040
Speaker 1: You make the hots. My movie is from nineteen ninety one.

1030
00:53:14,440 --> 00:53:16,680
Speaker 1: It was written by Jim Abrams and Pat Proft. It

1031
00:53:16,719 --> 00:53:19,120
Speaker 1: was directed by Jim Abrams. That it's called hot shots.

1032
00:53:19,400 --> 00:53:22,840
Speaker 4: They are the best. The Navy and Air Force have

1033
00:53:22,920 --> 00:53:24,320
Speaker 4: to offer hot.

1034
00:53:24,160 --> 00:53:27,239
Speaker 1: Shots exclamation point. By the way, if you want to

1035
00:53:27,239 --> 00:53:28,719
Speaker 1: get technical.

1036
00:53:29,160 --> 00:53:31,520
Speaker 2: Does Hot Pursuit also have an exclamation point?

1037
00:53:32,120 --> 00:53:33,000
Speaker 1: Actually, I don't know.

1038
00:53:33,520 --> 00:53:33,719
Speaker 2: Was that?

1039
00:53:35,040 --> 00:53:36,360
Speaker 1: Oh you mean top secret?

1040
00:53:36,600 --> 00:53:37,880
Speaker 2: Top secret? That's what I'm thinking of.

1041
00:53:37,920 --> 00:53:40,040
Speaker 1: Oh yeah, yeah, yeah. I think all of the all

1042
00:53:40,080 --> 00:53:43,600
Speaker 1: of their movies, all of the uh the zazz movies

1043
00:53:43,840 --> 00:53:44,960
Speaker 1: have exclamation points.

1044
00:53:45,280 --> 00:53:46,399
Speaker 2: Yeah, it's pretty good.

1045
00:53:46,800 --> 00:53:50,880
Speaker 1: So it's nineteen ninety one, right when this movie came out.

1046
00:53:50,960 --> 00:53:54,319
Speaker 1: Let me set the scene a little bit. George H. W.

1047
00:53:54,480 --> 00:53:57,520
Speaker 1: Bush as the President of the United States. We are

1048
00:53:57,560 --> 00:54:01,359
Speaker 1: in the middle of the Persian Gulf War. We had

1049
00:54:01,880 --> 00:54:05,080
Speaker 1: just come off of a very big action movie decade

1050
00:54:05,520 --> 00:54:11,440
Speaker 1: where a movie like Top Gun was extremely popular. So

1051
00:54:11,640 --> 00:54:15,279
Speaker 1: all of this I believe sets the table for a

1052
00:54:15,320 --> 00:54:19,880
Speaker 1: movie like hot Shots, the twelfth highest grossing film of

1053
00:54:19,960 --> 00:54:23,000
Speaker 1: the year in the United States of America.

1054
00:54:23,480 --> 00:54:27,759
Speaker 2: Was it really that says so much about us as

1055
00:54:27,760 --> 00:54:28,120
Speaker 2: a nation?

1056
00:54:30,280 --> 00:54:33,480
Speaker 1: I did, I did the math. I actually counted Terminator

1057
00:54:33,520 --> 00:54:35,759
Speaker 1: two Judgment Day came out that ear, so I think

1058
00:54:35,800 --> 00:54:40,040
Speaker 1: that's that has something to do with it. But so

1059
00:54:40,160 --> 00:54:42,680
Speaker 1: hot Shots is essentially a set up of Top Gun,

1060
00:54:43,239 --> 00:54:47,520
Speaker 1: almost like end to end, really, but it makes a

1061
00:54:47,560 --> 00:54:49,239
Speaker 1: lot of jokes about a lot of other movies too,

1062
00:54:49,320 --> 00:54:53,480
Speaker 1: like Nine and a Half Weeks, Dances with Wolves. There's

1063
00:54:53,520 --> 00:54:57,960
Speaker 1: a Superman reference in there, There's a Rocky reference in there.

1064
00:54:58,760 --> 00:55:02,560
Speaker 1: And I think we know because this film was directed

1065
00:55:02,560 --> 00:55:05,800
Speaker 1: by Jim Abrams, who was part of the famous Zucker,

1066
00:55:05,840 --> 00:55:09,759
Speaker 1: Abrams and Zucker trio. If you don't know who they are,

1067
00:55:10,520 --> 00:55:14,400
Speaker 1: they made some of the most famous parody films of

1068
00:55:14,440 --> 00:55:18,920
Speaker 1: all time. Actually didn't know this before you know today,

1069
00:55:19,080 --> 00:55:23,040
Speaker 1: But they grew up in Wisconsin together and they went

1070
00:55:23,080 --> 00:55:26,719
Speaker 1: to college at the University of Wisconsin at Madison, and

1071
00:55:27,400 --> 00:55:31,520
Speaker 1: they opened a theater company called the Kentucky Fried theater

1072
00:55:31,760 --> 00:55:34,719
Speaker 1: and that's where their first movie comes from, is the

1073
00:55:34,800 --> 00:55:39,600
Speaker 1: Kentucky Fried movie in nineteen seventy seven. So if you haven't,

1074
00:55:39,719 --> 00:55:42,880
Speaker 1: you know, if you haven't dived into their back catalog.

1075
00:55:42,960 --> 00:55:48,040
Speaker 1: I mean they made pretty much like the you know,

1076
00:55:48,440 --> 00:55:52,520
Speaker 1: tent poles of modern comedy parody films, like they did Airplane,

1077
00:55:52,600 --> 00:55:58,200
Speaker 1: Top Secret, Naked Gun, all with exclamation points, but hotshots

1078
00:55:59,360 --> 00:56:02,000
Speaker 1: didn't actually clue the Zucker Brothers, so it was just

1079
00:56:02,200 --> 00:56:04,680
Speaker 1: it was just Abrams who was involved and directed, and

1080
00:56:04,719 --> 00:56:08,320
Speaker 1: he actually co wrote it with this person named Pat Proft,

1081
00:56:08,320 --> 00:56:10,960
Speaker 1: who was a comedy writer. He had worked with the

1082
00:56:11,040 --> 00:56:15,080
Speaker 1: trio for many years, so it's kind of their baby.

1083
00:56:16,000 --> 00:56:18,040
Speaker 1: I have not seen this film.

1084
00:56:17,920 --> 00:56:22,560
Speaker 6: Since nineteen ninety one, same since the Persian Gulf War

1085
00:56:22,760 --> 00:56:27,360
Speaker 6: was going on, and what a marker of time. I

1086
00:56:27,400 --> 00:56:30,520
Speaker 6: haven't watched this since the Persian Gulf War exactly.

1087
00:56:30,640 --> 00:56:34,080
Speaker 1: And dude, and I'll tell you right now, I remember

1088
00:56:34,400 --> 00:56:39,080
Speaker 1: my dad rented it on VHS and he was extremely

1089
00:56:39,120 --> 00:56:42,279
Speaker 1: amused by all of the military things happening, because my

1090
00:56:42,360 --> 00:56:44,879
Speaker 1: dad was the military at the time, so of course.

1091
00:56:45,200 --> 00:56:48,440
Speaker 2: You know, beautiful, he loved all those references. You know,

1092
00:56:49,239 --> 00:56:51,319
Speaker 2: this is one of those and I thought this as

1093
00:56:51,400 --> 00:56:55,920
Speaker 2: I was watching it recently like this this morning, because

1094
00:56:56,800 --> 00:57:01,080
Speaker 2: I think it's rare that there is a movie that

1095
00:57:01,239 --> 00:57:05,279
Speaker 2: is generationally funny, like across the generations. And when I

1096
00:57:05,320 --> 00:57:07,720
Speaker 2: watched this in nineteen ninety one, my grandma was laughing

1097
00:57:07,719 --> 00:57:11,200
Speaker 2: as hard as I was. Yeah, and that is a

1098
00:57:11,200 --> 00:57:13,920
Speaker 2: a zazz specialty, I think because they and they I

1099
00:57:13,960 --> 00:57:17,320
Speaker 2: think that's partially because they pack the films with so

1100
00:57:18,040 --> 00:57:22,160
Speaker 2: many jokes, oh visual jokes, site gags, like they're they're

1101
00:57:22,160 --> 00:57:24,640
Speaker 2: doing so many jokes. So if you don't like this

1102
00:57:24,720 --> 00:57:27,200
Speaker 2: one joke, look in the background, there's something else going

1103
00:57:27,240 --> 00:57:31,160
Speaker 2: on that you will laugh at. It is literal wall

1104
00:57:31,200 --> 00:57:32,240
Speaker 2: to wall site gags.

1105
00:57:32,360 --> 00:57:36,880
Speaker 1: I mean, even in the beginning sequence, which the one

1106
00:57:36,960 --> 00:57:40,040
Speaker 1: thing I did actually appreciate about the opening sequence was

1107
00:57:40,120 --> 00:57:43,160
Speaker 1: it's very Tony Scott esque, which you know, Tony Scott

1108
00:57:43,160 --> 00:57:46,280
Speaker 1: directed Top Gun. It even has like that Tony Scott

1109
00:57:46,440 --> 00:57:50,200
Speaker 1: like kind of Golden Hour lighting, you know, with like

1110
00:57:50,360 --> 00:57:53,920
Speaker 1: the Orange Skies, the like days of thunder Skies, the

1111
00:57:54,080 --> 00:57:57,400
Speaker 1: you know, and I'm like, they nailed it. They nailed

1112
00:57:57,440 --> 00:58:01,080
Speaker 1: the visual look of Top Gun in the like five

1113
00:58:01,120 --> 00:58:02,360
Speaker 1: minutes of the film, right.

1114
00:58:02,560 --> 00:58:04,360
Speaker 2: Well, yeah, if you're gonna do it. In order to

1115
00:58:04,400 --> 00:58:07,160
Speaker 2: do a decent spoof, I think you have to really

1116
00:58:07,200 --> 00:58:09,840
Speaker 2: appreciate what you're spoofing. You have to appreciate the genre

1117
00:58:10,000 --> 00:58:11,160
Speaker 2: and know a lot about it.

1118
00:58:11,520 --> 00:58:14,360
Speaker 1: Yeah, yeah, yeah, of course. And then you have this

1119
00:58:14,840 --> 00:58:18,360
Speaker 1: like perfect visual parody of top gun and then in

1120
00:58:18,400 --> 00:58:21,840
Speaker 1: the background it's like one of the aircrafts is like

1121
00:58:22,040 --> 00:58:26,360
Speaker 1: parallel parking. There's another shot of this of like a

1122
00:58:26,400 --> 00:58:29,080
Speaker 1: guy roasting hot dogs on one of the jet engines

1123
00:58:29,160 --> 00:58:31,080
Speaker 1: and shit like or.

1124
00:58:31,120 --> 00:58:34,080
Speaker 2: Like the one of the main characters has the garfield

1125
00:58:34,120 --> 00:58:37,080
Speaker 2: with the suction cups on the inside window.

1126
00:58:39,520 --> 00:58:43,440
Speaker 1: And like the air traffic guys like doing like you know,

1127
00:58:43,760 --> 00:58:46,280
Speaker 1: like a ballet dance and stuff. But like, I mean,

1128
00:58:46,320 --> 00:58:49,400
Speaker 1: it just is so like right off the bed, you're like,

1129
00:58:49,440 --> 00:58:52,080
Speaker 1: oh yeah, like this is this is like one of

1130
00:58:52,160 --> 00:58:54,080
Speaker 1: those movies where it's just gonna be wall to wall

1131
00:58:54,080 --> 00:58:58,040
Speaker 1: shit like that, and I love it. It's so funny. Also,

1132
00:58:58,080 --> 00:59:01,360
Speaker 1: there's this later scene also on the deck of the

1133
00:59:01,400 --> 00:59:03,920
Speaker 1: aircraft carrier where a guy.

1134
00:59:03,760 --> 00:59:06,440
Speaker 2: Comes out of an airplane with his groceries.

1135
00:59:08,760 --> 00:59:11,040
Speaker 1: Up. I don't know why I laughed so hard when

1136
00:59:11,040 --> 00:59:11,600
Speaker 1: I saw that.

1137
00:59:11,760 --> 00:59:15,440
Speaker 2: But like, well, this is why, I think, like, oh,

1138
00:59:15,480 --> 00:59:18,480
Speaker 2: these movies explain what's wrong with us, because whatever you

1139
00:59:18,640 --> 00:59:20,520
Speaker 2: laugh at is the reason you are the way you

1140
00:59:20,560 --> 00:59:21,000
Speaker 2: are today.

1141
00:59:21,040 --> 00:59:24,439
Speaker 1: Oh yeah, oh, and I will tell you I in

1142
00:59:24,480 --> 00:59:31,680
Speaker 1: just a moment I laugh at probably Like what really

1143
00:59:31,840 --> 00:59:35,040
Speaker 1: distinguishes me maybe from the rest, is that anytime somebody

1144
00:59:35,040 --> 00:59:37,640
Speaker 1: got hit in the face, I laughed so hard.

1145
00:59:39,480 --> 00:59:44,200
Speaker 2: I mean, of course, of course, I think truly. One

1146
00:59:44,240 --> 00:59:47,920
Speaker 2: of my favorite jokes in this movie is such a throwaway,

1147
00:59:48,160 --> 00:59:51,880
Speaker 2: and it's a billboard. As you know, the main character

1148
00:59:52,000 --> 00:59:55,560
Speaker 2: is kind of zooming through a city and there's a

1149
00:59:55,920 --> 00:59:58,640
Speaker 2: he crashes through a billboard. But right before he crashes

1150
00:59:58,680 --> 01:00:02,640
Speaker 2: through it, I read it. I laugh every fucking I've

1151
01:00:02,680 --> 01:00:05,400
Speaker 2: never laughed as hard in my life. The billboard simply

1152
01:00:05,440 --> 01:00:12,680
Speaker 2: says smoke, nobody lives forever. I it's so dumb, but

1153
01:00:12,760 --> 01:00:17,400
Speaker 2: I laughed so hard because then they they literally crash

1154
01:00:17,480 --> 01:00:19,560
Speaker 2: in their own joke. They're like, oh is that funny? Well,

1155
01:00:19,800 --> 01:00:21,840
Speaker 2: wait a minute, we've got something else coming, and two

1156
01:00:21,840 --> 01:00:23,320
Speaker 2: seconds that's gonna be funny as well.

1157
01:00:23,680 --> 01:00:25,880
Speaker 1: I just texted it to you. I'm literally the only

1158
01:00:25,960 --> 01:00:28,880
Speaker 1: screen grab I did in the movie was that billboard?

1159
01:00:29,040 --> 01:00:29,800
Speaker 2: Did you really?

1160
01:00:30,440 --> 01:00:31,160
Speaker 4: I swearred on.

1161
01:00:31,800 --> 01:00:33,560
Speaker 1: I just texted it to you because I was like,

1162
01:00:33,840 --> 01:00:36,320
Speaker 1: that is the funniest fucking side ever.

1163
01:00:36,880 --> 01:00:42,840
Speaker 2: Oh my god, you did that is true? Mind meloding motherfucker.

1164
01:00:43,120 --> 01:00:45,840
Speaker 1: I'm telling you, I I think we know each other

1165
01:00:45,960 --> 01:00:49,800
Speaker 1: very well by this point, after one hundred and twenty episodes,

1166
01:00:49,880 --> 01:00:54,040
Speaker 1: we know a thing or two about each other. But so, okay,

1167
01:00:54,320 --> 01:00:59,080
Speaker 1: the Tom Cruise character right of Hot Shots is his

1168
01:00:59,200 --> 01:01:06,560
Speaker 1: name is Topper Harley and he's played by Charlie Sheen. Okay, now, TVH.

1169
01:01:07,080 --> 01:01:09,560
Speaker 1: This was like around the time I think where I

1170
01:01:09,680 --> 01:01:13,560
Speaker 1: was starting to kind of tune out of Charlie Sheen's career, right,

1171
01:01:14,040 --> 01:01:17,400
Speaker 1: like I loved him in like Major League and like

1172
01:01:17,480 --> 01:01:21,040
Speaker 1: Ferris Bueller's day off and min at work. But at

1173
01:01:21,040 --> 01:01:23,040
Speaker 1: this point I was kind of like, I don't know,

1174
01:01:23,080 --> 01:01:26,520
Speaker 1: I guess, sort of losing interest or losing sight of

1175
01:01:26,560 --> 01:01:28,760
Speaker 1: what he was doing. Right, So hot Shots was that

1176
01:01:28,880 --> 01:01:33,520
Speaker 1: kind of one thing I did, though I forgot and

1177
01:01:34,360 --> 01:01:36,440
Speaker 1: I only remembered when I was doing research. Was that

1178
01:01:36,480 --> 01:01:39,840
Speaker 1: prior to Hot Shots, he was in Navy Seals. Do

1179
01:01:39,840 --> 01:01:41,240
Speaker 1: you remember Navy sales?

1180
01:01:41,320 --> 01:01:45,280
Speaker 2: My lord? Barely? But yes, I remember. I remember the

1181
01:01:45,320 --> 01:01:47,120
Speaker 2: cover of the video, is it? Yeah?

1182
01:01:47,240 --> 01:01:49,200
Speaker 1: And I remember the only other thing about Navy sales

1183
01:01:49,200 --> 01:01:53,000
Speaker 1: that I remember is that joke and clerks where the

1184
01:01:53,040 --> 01:01:56,040
Speaker 1: customer comes in and he goes, ooh, Navy Seals.

1185
01:01:59,720 --> 01:02:02,840
Speaker 2: So, which is truly how it should be remembered in

1186
01:02:02,840 --> 01:02:03,760
Speaker 2: the annals of history.

1187
01:02:03,960 --> 01:02:06,680
Speaker 1: Oh, one hundred percent. Maybe we'll do it up on

1188
01:02:06,760 --> 01:02:07,280
Speaker 1: Navy sales.

1189
01:02:07,320 --> 01:02:07,760
Speaker 2: Who knows?

1190
01:02:07,800 --> 01:02:08,160
Speaker 1: Maybe not?

1191
01:02:08,440 --> 01:02:09,960
Speaker 2: Maybe would you dare do it to me? Don't you

1192
01:02:10,040 --> 01:02:10,680
Speaker 2: dare do it to me?

1193
01:02:10,880 --> 01:02:15,800
Speaker 1: I would never So yeah, exactly, file a complaint against

1194
01:02:15,880 --> 01:02:18,880
Speaker 1: me for making you watch Navy Seals. So, Okay.

1195
01:02:19,200 --> 01:02:22,200
Speaker 2: This Topper Harley character that's played by Charlie Sheen, right.

1196
01:02:22,080 --> 01:02:24,880
Speaker 1: He's he's in this film. He's kicked out of the

1197
01:02:24,960 --> 01:02:27,959
Speaker 1: Navy for being a bad boy, from being a bad

1198
01:02:28,040 --> 01:02:31,600
Speaker 1: boy like Lisa Evander Pump a bad boy. And at

1199
01:02:31,640 --> 01:02:33,840
Speaker 1: the at the beginning of this film when he's introduced,

1200
01:02:33,880 --> 01:02:37,240
Speaker 1: he's like living with Native Americans, which is very dances

1201
01:02:37,280 --> 01:02:37,720
Speaker 1: with Wolves.

1202
01:02:37,760 --> 01:02:40,920
Speaker 2: There's your dances with Wolves connection right there, right.

1203
01:02:40,760 --> 01:02:44,400
Speaker 1: And so of course he's there. And then his like

1204
01:02:44,440 --> 01:02:47,520
Speaker 1: old Lieutenant Commander who is played by this actor named

1205
01:02:47,600 --> 01:02:49,920
Speaker 1: Kevin Dunn. And if you don't know my name, I

1206
01:02:50,040 --> 01:02:53,400
Speaker 1: promise you you have seen him in everything. He's been

1207
01:02:53,400 --> 01:02:56,480
Speaker 1: in every movie. He's like, Topper, you know, it's kind

1208
01:02:56,480 --> 01:02:58,880
Speaker 1: of that like one last job scenario where he's like,

1209
01:02:58,960 --> 01:03:00,880
Speaker 1: you gotta come back. We got to secret mission for you.

1210
01:03:01,280 --> 01:03:05,000
Speaker 1: But as per the very beginning of the film, Topper

1211
01:03:05,160 --> 01:03:08,560
Speaker 1: is haunted by this event that happened years prior, which

1212
01:03:08,600 --> 01:03:13,520
Speaker 1: is that his father, who was also a famous renegade pilot,

1213
01:03:14,600 --> 01:03:18,560
Speaker 1: he apparently let his co pilot crash after their plane

1214
01:03:18,560 --> 01:03:21,040
Speaker 1: goes down, like so Topper's dad like ejects himself out

1215
01:03:21,040 --> 01:03:23,760
Speaker 1: of the plane, but then his co pilot goes down.

1216
01:03:24,560 --> 01:03:27,800
Speaker 1: It turns out, though that is his co pilot survived,

1217
01:03:28,080 --> 01:03:31,800
Speaker 1: but then is actually shot by a deer hunter immediately after.

1218
01:03:32,520 --> 01:03:35,120
Speaker 1: And this is like a frequent joke in the film,

1219
01:03:35,160 --> 01:03:38,320
Speaker 1: which is that like a person doesn't die by like

1220
01:03:38,360 --> 01:03:42,080
Speaker 1: the first accident, but then something that person dies because

1221
01:03:42,120 --> 01:03:44,200
Speaker 1: of something stupid that happens immediately after.

1222
01:03:45,480 --> 01:03:50,360
Speaker 2: Classic joke, right, the fact that he falls out of

1223
01:03:50,400 --> 01:03:53,560
Speaker 2: this plane and then he just lifts himself up out

1224
01:03:53,560 --> 01:03:56,080
Speaker 2: of these bushes and has a perfect set of antlers

1225
01:03:56,720 --> 01:03:59,840
Speaker 2: like embedded in his helmet is the kind of du

1226
01:04:00,120 --> 01:04:02,360
Speaker 2: sense of humor that really did it for me when

1227
01:04:02,400 --> 01:04:04,080
Speaker 2: I was a kid. And now because I laughed very

1228
01:04:04,080 --> 01:04:06,120
Speaker 2: hard when I saw absolutely.

1229
01:04:06,200 --> 01:04:09,680
Speaker 1: I I honestly was like, this is primal, this is

1230
01:04:09,800 --> 01:04:11,560
Speaker 1: primal childhood.

1231
01:04:11,000 --> 01:04:12,160
Speaker 2: Comedy right now.

1232
01:04:12,560 --> 01:04:14,440
Speaker 1: But then you know Topper agrees to come back, and

1233
01:04:14,480 --> 01:04:18,560
Speaker 1: then you know his admiral. The Admiral of the Squadron

1234
01:04:18,920 --> 01:04:23,920
Speaker 1: is played by Lloyd Bridges, which I had read actually

1235
01:04:23,960 --> 01:04:27,800
Speaker 1: that they had initially asked Leslie Nilsen to play this character,

1236
01:04:28,200 --> 01:04:30,480
Speaker 1: but that Leslie Nielsen was like, all right, I've done

1237
01:04:30,560 --> 01:04:34,640
Speaker 1: enough of these movies with right, so by somebody else.

1238
01:04:34,920 --> 01:04:40,480
Speaker 2: And Lloyd Bridges, classic movie actor, who really? I mean,

1239
01:04:40,520 --> 01:04:42,880
Speaker 2: this is how I knew him as a kid. I

1240
01:04:42,880 --> 01:04:47,280
Speaker 2: didn't know he had a career before the spoof movies. Yeah,

1241
01:04:47,360 --> 01:04:49,520
Speaker 2: so I only knew him from like Airplane and things

1242
01:04:49,600 --> 01:04:50,080
Speaker 2: like that.

1243
01:04:50,000 --> 01:04:54,160
Speaker 1: And I knew it was Jeff Bridges's dad exactly exactly.

1244
01:04:54,360 --> 01:04:58,680
Speaker 2: But he's so there's something so funny about his countenance,

1245
01:04:59,000 --> 01:05:01,920
Speaker 2: like about his presence, and then when he talks, he

1246
01:05:02,000 --> 01:05:06,640
Speaker 2: can deliver jokes with such a deadpan force. Yeah that

1247
01:05:06,680 --> 01:05:10,080
Speaker 2: it's even the things that are not funny become funnier

1248
01:05:10,120 --> 01:05:12,360
Speaker 2: because of his delivery. So I think that he is

1249
01:05:12,400 --> 01:05:15,439
Speaker 2: still using all of his classic movie training. But he's

1250
01:05:15,480 --> 01:05:19,040
Speaker 2: bringing this movie to a different level with it. Yeah. Yeah.

1251
01:05:19,040 --> 01:05:21,160
Speaker 1: The recurring joke about his character is that he has

1252
01:05:21,160 --> 01:05:24,000
Speaker 1: so many injuries from prior wars that he's basically like

1253
01:05:24,040 --> 01:05:30,280
Speaker 1: this animated corpse. Like he's like pulling tissues through his

1254
01:05:30,360 --> 01:05:31,479
Speaker 1: ear holes and shit.

1255
01:05:31,680 --> 01:05:35,560
Speaker 2: Like, at what point he's teaching a flight training class

1256
01:05:35,560 --> 01:05:37,280
Speaker 2: and he's like, I've taken one hundred and twenty four

1257
01:05:37,280 --> 01:05:39,640
Speaker 2: flights and I've been shot down and every one of them.

1258
01:05:39,680 --> 01:05:45,200
Speaker 2: Actually I've never landed a plane. And you're like what. Yeah. Yeah,

1259
01:05:45,280 --> 01:05:47,200
Speaker 2: he's like the walk of dead at this point.

1260
01:05:47,840 --> 01:05:49,720
Speaker 1: And then you know, from there you meet all the

1261
01:05:49,720 --> 01:05:54,240
Speaker 1: other pilots, including this this pilot named dead Meat, who

1262
01:05:55,360 --> 01:05:58,760
Speaker 1: it is essentially the Goose character from Top Gun, you know,

1263
01:05:58,800 --> 01:06:01,520
Speaker 1: the Anthony Edwards character from Top Gun. And I think

1264
01:06:01,560 --> 01:06:04,760
Speaker 1: they call him dead Meat because like Goose, he's a nice.

1265
01:06:04,520 --> 01:06:07,439
Speaker 2: Guy with a family, so of course he gotta die.

1266
01:06:07,720 --> 01:06:09,400
Speaker 2: You gotta go, you gotta go.

1267
01:06:10,160 --> 01:06:13,480
Speaker 1: You also have this guy named wash Out, who was

1268
01:06:13,520 --> 01:06:16,640
Speaker 1: played by John Cryer, who obviously would go on to

1269
01:06:16,680 --> 01:06:21,080
Speaker 1: work with Charlie Sheen and that extremely extremely popular television

1270
01:06:21,080 --> 01:06:24,360
Speaker 1: show that nobody I know has watched.

1271
01:06:24,320 --> 01:06:26,880
Speaker 2: Not one episode, not one app So.

1272
01:06:26,920 --> 01:06:31,480
Speaker 1: Also tucked into this crew is this pilot named Kowalski,

1273
01:06:31,520 --> 01:06:34,560
Speaker 1: and she's played by Christy Swanson. I think you know

1274
01:06:34,640 --> 01:06:38,360
Speaker 1: Christy Swanson, and this is interesting. So the big joke

1275
01:06:38,400 --> 01:06:41,960
Speaker 1: in this movie is that she's a woman, and you.

1276
01:06:41,920 --> 01:06:45,000
Speaker 2: Know, they're like, oh, back then, folks, that's all.

1277
01:06:45,080 --> 01:06:48,000
Speaker 1: That's all so, But you're also probably thinking, like, well, so,

1278
01:06:48,080 --> 01:06:50,800
Speaker 1: what like even in nineteen ninety one, you're like, okay,

1279
01:06:50,800 --> 01:06:53,600
Speaker 1: they were women in the military, but actually did the

1280
01:06:53,600 --> 01:06:57,800
Speaker 1: research on this. Women were not actually allowed on aircraft

1281
01:06:57,840 --> 01:07:03,840
Speaker 1: carriers until nineteen ninety four ooh, when Congress repealed the

1282
01:07:03,920 --> 01:07:09,120
Speaker 1: law that prevented women from being permanently assigned to combatant ships. Okay,

1283
01:07:09,480 --> 01:07:14,960
Speaker 1: so it was only until nineteen eighty four where her

1284
01:07:15,080 --> 01:07:18,960
Speaker 1: character wouldn't have even been allowed on that aircraft carrier technically.

1285
01:07:19,440 --> 01:07:22,479
Speaker 1: So I guess that's why the joke is there, because

1286
01:07:22,520 --> 01:07:25,000
Speaker 1: at the time they made this movie, she wouldn't have

1287
01:07:25,080 --> 01:07:27,240
Speaker 1: been on an aircraft carrier. Would have been in the

1288
01:07:27,320 --> 01:07:29,400
Speaker 1: office filing things or something.

1289
01:07:29,960 --> 01:07:33,320
Speaker 2: That's an important historical context for real. I thought that

1290
01:07:33,400 --> 01:07:37,280
Speaker 2: was really interesting. But here's the thing.

1291
01:07:38,200 --> 01:07:43,920
Speaker 1: Finally, in this squad of pilots, you have my man

1292
01:07:44,520 --> 01:07:50,840
Speaker 1: Carrie Elwis. He is playing Toppers nemesis. He's called Pirate

1293
01:07:51,000 --> 01:07:55,320
Speaker 1: by everybody, and he is essentially the iceman of Top Gun.

1294
01:07:55,800 --> 01:07:56,000
Speaker 2: Right.

1295
01:07:56,840 --> 01:08:01,600
Speaker 1: He is the son of Topper's dad's co pilot that died.

1296
01:08:02,320 --> 01:08:04,400
Speaker 2: And you find out this.

1297
01:08:04,880 --> 01:08:10,840
Speaker 1: Extremely stupid, funny scene where they're like in the barracks

1298
01:08:10,920 --> 01:08:15,120
Speaker 1: and they discover that that not only Pirate is like

1299
01:08:15,240 --> 01:08:19,320
Speaker 1: the dead man's son, but that wash Out is the

1300
01:08:19,360 --> 01:08:23,559
Speaker 1: son of the hunter who accidentally shot Pirate's.

1301
01:08:23,080 --> 01:08:26,760
Speaker 2: Dad when he shows that picture of his dad's head

1302
01:08:26,840 --> 01:08:30,439
Speaker 2: mounted like a deer. And then at one point Toppers like,

1303
01:08:30,600 --> 01:08:32,679
Speaker 2: why are you mad at me? He ate your father?

1304
01:08:34,760 --> 01:08:38,120
Speaker 2: Like they took the joke to the furthest possible ending

1305
01:08:38,200 --> 01:08:40,040
Speaker 2: of him eating this guy like a deer.

1306
01:08:40,800 --> 01:08:44,720
Speaker 1: And then like they figure out that everybody in the

1307
01:08:44,760 --> 01:08:46,439
Speaker 1: barracks is related to each other.

1308
01:08:46,880 --> 01:08:54,080
Speaker 2: It is so dumb and funny. Oh god, it's just goofy.

1309
01:08:54,160 --> 01:08:57,400
Speaker 1: But I it was like, in this moment, I think

1310
01:08:57,439 --> 01:09:02,639
Speaker 1: that I really this movie really made me appreciate Carrie

1311
01:09:02,680 --> 01:09:06,800
Speaker 1: Elwis's parody movie work throughout the years, right, because I'm like,

1312
01:09:08,080 --> 01:09:11,439
Speaker 1: I love how he is this just like handsome. He's

1313
01:09:11,520 --> 01:09:14,519
Speaker 1: kind of like this like blonde Errol Flynn type who

1314
01:09:14,680 --> 01:09:18,639
Speaker 1: just says like the stupidest shit with this completely straight face,

1315
01:09:19,320 --> 01:09:23,320
Speaker 1: like and he's done it so often in so many movies,

1316
01:09:23,320 --> 01:09:26,439
Speaker 1: and I'm like, why is Carrie elwas so good at

1317
01:09:26,439 --> 01:09:28,799
Speaker 1: these movies? Like he's a national treasure.

1318
01:09:29,360 --> 01:09:33,360
Speaker 2: Yeah he really, he really is again naturally gifted in

1319
01:09:34,080 --> 01:09:38,520
Speaker 2: being a dramatic or dramatically trained actor who is excellent

1320
01:09:38,600 --> 01:09:42,840
Speaker 2: at comedy and physical comedy, and like just the he's

1321
01:09:42,960 --> 01:09:46,040
Speaker 2: really evocative in that way. And I think he's he's

1322
01:09:46,240 --> 01:09:49,320
Speaker 2: funnier to me because he's so good looking, Like when

1323
01:09:49,360 --> 01:09:52,639
Speaker 2: handsome people are naturally funny, it's jarring in a different way.

1324
01:09:53,120 --> 01:09:56,360
Speaker 1: Yeah, I just he's like I think that. You know,

1325
01:09:56,520 --> 01:09:58,919
Speaker 1: when when he was presented to us in our childhood

1326
01:09:58,960 --> 01:10:01,360
Speaker 1: through like something like The Prince Bride or something, I

1327
01:10:01,640 --> 01:10:04,960
Speaker 1: was not as aware of how funny he was. I

1328
01:10:05,000 --> 01:10:08,320
Speaker 1: was just like, oh, he's just hot. But then after time,

1329
01:10:08,479 --> 01:10:10,679
Speaker 1: especially at this point, after seeing him so many things,

1330
01:10:10,680 --> 01:10:14,519
Speaker 1: I'm like, no, he's actually like a fucking genius like

1331
01:10:14,720 --> 01:10:18,960
Speaker 1: of that straight man like comedy. Like, I just he's

1332
01:10:19,000 --> 01:10:21,200
Speaker 1: so good at this and he's so good in this movie.

1333
01:10:21,560 --> 01:10:24,240
Speaker 1: But uh okay, So then of course you also have

1334
01:10:24,320 --> 01:10:27,240
Speaker 1: this like love interest of the film. Her name is

1335
01:10:27,439 --> 01:10:32,559
Speaker 1: Ramata and she is played by Valerie Galino. This is

1336
01:10:32,640 --> 01:10:36,559
Speaker 1: like a whole other scene where Topper is out riding

1337
01:10:36,600 --> 01:10:39,200
Speaker 1: his motorcycle one afternoon and then he sees her like

1338
01:10:39,280 --> 01:10:42,240
Speaker 1: riding her horse in the distance, and the scene ends

1339
01:10:42,280 --> 01:10:44,040
Speaker 1: up just kind of like the two of them noticing

1340
01:10:44,080 --> 01:10:46,879
Speaker 1: each other and then like subsequently trying to like outdo

1341
01:10:46,960 --> 01:10:53,080
Speaker 1: each other doing these like stunts, and it's so funny

1342
01:10:53,080 --> 01:10:56,920
Speaker 1: and dumb, like where she's like doing like you know,

1343
01:10:56,960 --> 01:10:59,640
Speaker 1: she's like doing like a gymnast routine on one of

1344
01:10:59,680 --> 01:11:01,760
Speaker 1: the brain and then she like lands perfectly in the

1345
01:11:01,800 --> 01:11:02,479
Speaker 1: saddle of her.

1346
01:11:02,360 --> 01:11:09,559
Speaker 2: Horse, so so dumb. Then he's standing on one leg

1347
01:11:09,600 --> 01:11:12,600
Speaker 2: on his motorcycle and like just waving and you're like,

1348
01:11:12,640 --> 01:11:15,200
Speaker 2: what is God? What is It's so oh God, it's

1349
01:11:15,240 --> 01:11:16,559
Speaker 2: so ridiculously funny.

1350
01:11:17,160 --> 01:11:19,920
Speaker 1: But Ramata. So it turns out Ramata is not only

1351
01:11:19,960 --> 01:11:23,280
Speaker 1: the navy psychiatrist, but she's also romantically involved with pirates,

1352
01:11:23,320 --> 01:11:26,200
Speaker 1: so you know, it's complicated as you can imagine. But

1353
01:11:26,479 --> 01:11:28,559
Speaker 1: of course her and Topper get together at some point

1354
01:11:28,760 --> 01:11:31,759
Speaker 1: and they have this like very famous sex scene which

1355
01:11:31,760 --> 01:11:34,880
Speaker 1: involves food, which is a send up of nine and

1356
01:11:34,920 --> 01:11:38,840
Speaker 1: a half weeks, right, and I think everybody remembers because

1357
01:11:38,840 --> 01:11:41,040
Speaker 1: I think this was actually in the trailer for Hotshots,

1358
01:11:41,040 --> 01:11:43,360
Speaker 1: if I'm not mistaken. But there's a part where Charlie

1359
01:11:43,439 --> 01:11:47,280
Speaker 1: Sheen puts an olive in Valerie Goalino's belly button and

1360
01:11:47,320 --> 01:11:49,880
Speaker 1: then it pops out and it shoots right into her mouth.

1361
01:11:51,160 --> 01:11:53,920
Speaker 1: Still grosses me out to this day. I was like,

1362
01:11:53,960 --> 01:11:58,040
Speaker 1: it's so horrible, so gross. But apparently that that was

1363
01:11:58,160 --> 01:12:01,200
Speaker 1: no trick, like the like the olive flu into her

1364
01:12:01,200 --> 01:12:04,160
Speaker 1: mouth or something like it was really there was no

1365
01:12:04,360 --> 01:12:06,840
Speaker 1: cgi olive.

1366
01:12:06,680 --> 01:12:10,639
Speaker 2: But there was fishing wire, there was fishing line back then.

1367
01:12:10,760 --> 01:12:14,360
Speaker 2: I'm I'm I think Valeria Galino was probably skilled enough

1368
01:12:14,360 --> 01:12:18,080
Speaker 2: to catch it. But yes, yeah, but that tricks back then.

1369
01:12:18,360 --> 01:12:19,799
Speaker 1: No, no, no practical.

1370
01:12:21,240 --> 01:12:24,400
Speaker 2: What I love about this scene too is again they

1371
01:12:24,560 --> 01:12:27,559
Speaker 2: keep ramping up the humor. So at one point he

1372
01:12:27,680 --> 01:12:30,400
Speaker 2: cracks an egg on her stomach and it starts sizzling

1373
01:12:30,400 --> 01:12:33,479
Speaker 2: because she's so hot. And then he puts bacon down. Yes,

1374
01:12:33,520 --> 01:12:35,800
Speaker 2: that is funny. What sends me over the top is

1375
01:12:35,800 --> 01:12:39,800
Speaker 2: when he puts a little pile of hash browns some

1376
01:12:40,800 --> 01:12:42,760
Speaker 2: like they just keep going.

1377
01:12:43,040 --> 01:12:46,719
Speaker 1: You know what I need. I need like some some

1378
01:12:47,080 --> 01:12:53,040
Speaker 1: like bespoke like Blu ray Re Released company to do

1379
01:12:53,120 --> 01:12:58,120
Speaker 1: like a special feature where we get the whole rundown

1380
01:12:58,160 --> 01:13:00,519
Speaker 1: of how they shot that scene because I was thinking

1381
01:13:00,560 --> 01:13:02,120
Speaker 1: this when I was watching it again. I was like,

1382
01:13:02,600 --> 01:13:06,599
Speaker 1: did they make a griddle that looked like someone's belly?

1383
01:13:07,520 --> 01:13:11,400
Speaker 1: Because how was that shit sizzling on? Like it's sizzling,

1384
01:13:11,479 --> 01:13:13,960
Speaker 1: it's cooking on her belly and that's the joke, right,

1385
01:13:14,280 --> 01:13:17,519
Speaker 1: But I'm like, how did they actually create that?

1386
01:13:18,000 --> 01:13:20,240
Speaker 2: Like I think was it fake smoke? Like they could

1387
01:13:20,240 --> 01:13:22,439
Speaker 2: put the food on then just put like fake smoke

1388
01:13:22,880 --> 01:13:25,960
Speaker 2: on her body or dry ice or something. I don't know.

1389
01:13:26,240 --> 01:13:29,240
Speaker 1: Yeah, I want to know to me in my mind

1390
01:13:29,240 --> 01:13:32,040
Speaker 1: of like, oh, they had somebody in the props department

1391
01:13:32,160 --> 01:13:36,440
Speaker 1: make a fake in grill, like a like a skillet

1392
01:13:36,479 --> 01:13:38,080
Speaker 1: that looks like someone's belly.

1393
01:13:39,080 --> 01:13:44,480
Speaker 2: Can we call this episode skin griddle? Yes, we definitely can. Ah.

1394
01:13:44,720 --> 01:13:47,280
Speaker 1: So somebody's in their workshop being like, oh, we got

1395
01:13:47,280 --> 01:13:51,160
Speaker 1: to make this skillet flesh colored or whatever.

1396
01:13:52,360 --> 01:13:54,000
Speaker 2: This is your chorus line moment.

1397
01:13:54,120 --> 01:13:56,559
Speaker 1: I know it is my courseline moment. I need to

1398
01:13:56,560 --> 01:13:59,400
Speaker 1: go on a YouTube hole and have somebody explain it

1399
01:13:59,439 --> 01:14:02,679
Speaker 1: to me, but I would love the information if.

1400
01:14:02,560 --> 01:14:06,840
Speaker 2: Anyone loves how when Topper and Ramata are meeting in

1401
01:14:06,880 --> 01:14:09,760
Speaker 2: an elevator at one point, or when they first meet up,

1402
01:14:11,080 --> 01:14:13,320
Speaker 2: you know, it's kind of like flirty flirty, and at

1403
01:14:13,360 --> 01:14:16,720
Speaker 2: one point he says, oh no, no, like you've been

1404
01:14:16,720 --> 01:14:19,720
Speaker 2: slaving over hot psychotics all day. Again. I don't know

1405
01:14:19,760 --> 01:14:26,200
Speaker 2: why that makes me laugh, but like he has no

1406
01:14:26,240 --> 01:14:28,320
Speaker 2: idea what her job is, and he's like, oh no, no,

1407
01:14:28,360 --> 01:14:30,400
Speaker 2: you don't depress that button. You've been sleeping over hot

1408
01:14:30,400 --> 01:14:32,400
Speaker 2: psychotics all day.

1409
01:14:33,560 --> 01:14:37,920
Speaker 1: There's also this there's like this moment, this like throwaway

1410
01:14:37,960 --> 01:14:41,600
Speaker 1: line where he's like he's trying to get into her

1411
01:14:41,600 --> 01:14:44,679
Speaker 1: apartments so they could have this like food sex, and

1412
01:14:45,360 --> 01:14:49,240
Speaker 1: she apparently has this like really nosy landlady and he

1413
01:14:49,400 --> 01:14:50,680
Speaker 1: and she's like come on in, and he's like, well,

1414
01:14:50,720 --> 01:14:52,599
Speaker 1: what about your land lady? And she was like, oh,

1415
01:14:52,640 --> 01:14:55,960
Speaker 1: you could just do her too, what.

1416
01:14:58,840 --> 01:14:59,639
Speaker 2: So dumb?

1417
01:15:00,439 --> 01:15:03,680
Speaker 1: I swear god I But you know the other thing

1418
01:15:03,720 --> 01:15:06,160
Speaker 1: about Ramona's character is like she has this scene where

1419
01:15:06,200 --> 01:15:09,360
Speaker 1: she's like it's kind of like the famous piano bar

1420
01:15:09,520 --> 01:15:11,639
Speaker 1: scene and Top Gun where she gets on the piano

1421
01:15:11,720 --> 01:15:15,240
Speaker 1: and sings a song, which I read is kind of

1422
01:15:15,520 --> 01:15:19,439
Speaker 1: a send up of the Fabulous Baker Boys, which I

1423
01:15:19,479 --> 01:15:22,280
Speaker 1: feel like that movie needs to be talked about again

1424
01:15:22,280 --> 01:15:24,280
Speaker 1: because it was such a huge deal when it came

1425
01:15:24,320 --> 01:15:26,080
Speaker 1: out at when I was growing up. I don't know

1426
01:15:26,080 --> 01:15:28,960
Speaker 1: if you remember this movie Ye with Michelle Pfeiffer.

1427
01:15:28,840 --> 01:15:29,840
Speaker 2: And the Bridges Boys.

1428
01:15:29,960 --> 01:15:33,040
Speaker 1: Yeah, absolutely, there you go the connection right there. But

1429
01:15:33,120 --> 01:15:36,800
Speaker 1: it's like that movie I think was like I actually

1430
01:15:36,880 --> 01:15:41,160
Speaker 1: remember everybody talking about it, and I obviously thought it

1431
01:15:41,200 --> 01:15:43,880
Speaker 1: was for adults, so I was like very curious to

1432
01:15:43,920 --> 01:15:44,360
Speaker 1: watch it.

1433
01:15:44,600 --> 01:15:50,320
Speaker 2: I wasn't people were easily titillated in the eighties, I think, yeah, yeah, yeah,

1434
01:15:50,520 --> 01:15:53,639
Speaker 2: the eighties and early nineties. But that scene is really

1435
01:15:53,680 --> 01:15:57,000
Speaker 2: really funny. But look, I think kills me, kills me.

1436
01:15:57,560 --> 01:15:59,840
Speaker 1: There's a lot of references obviously, but there's also a

1437
01:15:59,840 --> 01:16:03,640
Speaker 1: lot physical comedy, which I think mostly plays still. I

1438
01:16:03,680 --> 01:16:06,920
Speaker 1: think it's actually that physical comedy stuff is really funny,

1439
01:16:06,920 --> 01:16:11,000
Speaker 1: like people falling in holes and shit. But again, I

1440
01:16:11,000 --> 01:16:13,519
Speaker 1: I don't know why I laugh so hard when people

1441
01:16:13,600 --> 01:16:17,080
Speaker 1: get commediately hit in the face, Like it's just maybe

1442
01:16:17,080 --> 01:16:20,280
Speaker 1: it's like a tension thing. But like there's like this

1443
01:16:20,360 --> 01:16:23,519
Speaker 1: part where they put dead meat in the back of

1444
01:16:23,520 --> 01:16:26,080
Speaker 1: this ambulance and they're like knocking his head in the

1445
01:16:26,120 --> 01:16:28,000
Speaker 1: door because they're trying to like shove.

1446
01:16:27,800 --> 01:16:28,280
Speaker 2: Them in there.

1447
01:16:28,560 --> 01:16:32,440
Speaker 1: And I swear to god, I laughed like a fucking maniac.

1448
01:16:33,760 --> 01:16:37,720
Speaker 1: I was like in my mid forties alone laughing at

1449
01:16:37,720 --> 01:16:40,120
Speaker 1: this guy getting his head slammed by a door.

1450
01:16:44,240 --> 01:16:46,519
Speaker 2: And I say, look, don't even question where it comes from.

1451
01:16:46,640 --> 01:16:49,640
Speaker 2: The fact that it makes you laugh is enough. It

1452
01:16:49,720 --> 01:16:52,439
Speaker 2: is so like again we find these things that we

1453
01:16:53,120 --> 01:16:56,599
Speaker 2: latch onto them, and it's primal and we can't help it.

1454
01:16:56,640 --> 01:16:59,240
Speaker 2: This is one of those movies and when you when

1455
01:16:59,320 --> 01:17:01,320
Speaker 2: you switch to the movie, I was like, is this

1456
01:17:01,439 --> 01:17:04,439
Speaker 2: gonna hold up? It fucking holds up, and then like

1457
01:17:04,479 --> 01:17:07,400
Speaker 2: it makes me laugh from start to finish. It is

1458
01:17:07,640 --> 01:17:10,400
Speaker 2: one hundred percent one of those films. Like, like you said,

1459
01:17:10,400 --> 01:17:11,480
Speaker 2: it's just innate.

1460
01:17:11,560 --> 01:17:14,479
Speaker 1: Yeah, it holds up even in spite of the fact

1461
01:17:14,479 --> 01:17:17,840
Speaker 1: that this movie is also very nineteen ninety one, Like

1462
01:17:17,880 --> 01:17:21,840
Speaker 1: there's a Sodom Hussein impersonator. There's like a cameo from

1463
01:17:21,880 --> 01:17:25,880
Speaker 1: like Charles Barkley and Bill Lambert, like which I appreciated

1464
01:17:25,920 --> 01:17:27,680
Speaker 1: as a basketball fan. I was like, oh, this is

1465
01:17:27,720 --> 01:17:31,160
Speaker 1: so funny. But then there's also like an actual audio

1466
01:17:31,240 --> 01:17:35,840
Speaker 1: clip of George hw Bush saying his famous like read

1467
01:17:35,920 --> 01:17:39,559
Speaker 1: my lips no new taxes line. Right, So there's like,

1468
01:17:39,640 --> 01:17:42,880
Speaker 1: even in spite of the like current political sound bites

1469
01:17:42,880 --> 01:17:45,719
Speaker 1: that make it like super of the era, it's still

1470
01:17:45,840 --> 01:17:48,360
Speaker 1: funny and dumb as shit. And I loved it. Like

1471
01:17:48,400 --> 01:17:50,479
Speaker 1: I was, like, you know what what a summer movie

1472
01:17:51,000 --> 01:17:54,080
Speaker 1: like to just put on and just you know, lay

1473
01:17:54,120 --> 01:17:58,479
Speaker 1: around and completely giggle and you know that kind of stuff. Anyway,

1474
01:17:58,600 --> 01:18:01,320
Speaker 1: that I was glad to have revisited it because it'd

1475
01:18:01,360 --> 01:18:03,639
Speaker 1: been truly since nineteen ninety one.

1476
01:18:03,720 --> 01:18:06,479
Speaker 2: I hadn't seen it, so oh same, I'm so glad

1477
01:18:06,479 --> 01:18:07,160
Speaker 2: you picked it.

1478
01:18:07,160 --> 01:18:07,559
Speaker 4: It is.

1479
01:18:08,040 --> 01:18:12,120
Speaker 2: It was delightful, Like I truly did not. I didn't

1480
01:18:12,120 --> 01:18:13,800
Speaker 2: know what was gonna happen because there are some movies

1481
01:18:13,800 --> 01:18:16,280
Speaker 2: from my childhood that do not hold up at all,

1482
01:18:16,960 --> 01:18:18,880
Speaker 2: and I thought, oh, well, this is this gonna be

1483
01:18:18,920 --> 01:18:20,840
Speaker 2: one of those where, like the jokes are old. But

1484
01:18:20,920 --> 01:18:23,439
Speaker 2: I think again, because of the visuals and the non

1485
01:18:23,560 --> 01:18:26,000
Speaker 2: stop way they pack it full of jokes, it will

1486
01:18:26,040 --> 01:18:28,040
Speaker 2: never get old. You will always find something to laugh

1487
01:18:28,080 --> 01:18:31,120
Speaker 2: at in hot Shots or hot Shots part du.

1488
01:18:31,320 --> 01:18:33,000
Speaker 1: Part duh man, We're gonna have to do a part

1489
01:18:33,080 --> 01:18:36,800
Speaker 1: duh at some point, Yeah, next year's.

1490
01:18:36,520 --> 01:18:39,639
Speaker 2: Hot, Hot, Hot, Hot Hot. The month we get started

1491
01:18:39,640 --> 01:18:43,840
Speaker 2: out with part du oh. Well. My choice for hot

1492
01:18:43,920 --> 01:18:47,680
Speaker 2: Movies was released in two thousand and seven. The screenplay

1493
01:18:47,800 --> 01:18:50,320
Speaker 2: is by Edgar Wright and Simon Peg. It was directed

1494
01:18:50,320 --> 01:18:53,200
Speaker 2: by Edgar Wright. My movie is Hot Fuzz.

1495
01:18:53,479 --> 01:18:55,280
Speaker 4: Do you ever fought two guns? I was jumping through

1496
01:18:55,320 --> 01:18:55,599
Speaker 4: the air?

1497
01:18:55,920 --> 01:18:57,240
Speaker 2: No? You ever followed one gum?

1498
01:18:57,240 --> 01:18:58,280
Speaker 4: I was jumping through the air.

1499
01:18:58,439 --> 01:19:02,160
Speaker 2: No? Oh god. This is an other movie that references

1500
01:19:02,280 --> 01:19:05,680
Speaker 2: a lot of other films, has a lot of great cameos.

1501
01:19:06,439 --> 01:19:10,200
Speaker 2: It's purely funny. This is the second movie in the

1502
01:19:10,280 --> 01:19:14,360
Speaker 2: Cornetto trilogy, which is Sean of the Dead, Hot Fuzz,

1503
01:19:14,520 --> 01:19:17,360
Speaker 2: and The World's End. I think, as we talked about

1504
01:19:17,439 --> 01:19:20,400
Speaker 2: before a little bit, that Edgar Wright and Simon Pegg

1505
01:19:20,600 --> 01:19:23,960
Speaker 2: worked together on Space, and they've worked together since they were,

1506
01:19:24,240 --> 01:19:27,479
Speaker 2: you know, young men, and this I think their styles

1507
01:19:27,560 --> 01:19:30,120
Speaker 2: kind of developed together, like their comedy styles developed together.

1508
01:19:30,120 --> 01:19:31,960
Speaker 2: So there's a lot in this movie that you can

1509
01:19:32,400 --> 01:19:35,920
Speaker 2: recognize as an Edgar Wright film or as a Simon

1510
01:19:35,960 --> 01:19:40,280
Speaker 2: Pegg film. So his jokes, Edgar's visuals, you know, kind

1511
01:19:40,280 --> 01:19:43,599
Speaker 2: of the quick shots back and forth, and the deadpan

1512
01:19:43,720 --> 01:19:46,719
Speaker 2: jokes are on fire in this film. And the reason

1513
01:19:47,000 --> 01:19:50,360
Speaker 2: that the Cornetto Trilogy, if you're not familiar with what

1514
01:19:50,400 --> 01:19:52,519
Speaker 2: that is, the reason that they call it the Cornetto

1515
01:19:52,520 --> 01:19:56,000
Speaker 2: Trilogy is there there is an ice cream brand called

1516
01:19:56,040 --> 01:19:59,760
Speaker 2: Cornetto in the UK, and apparently at the Shawn of

1517
01:19:59,760 --> 01:20:02,280
Speaker 2: the Day After party they gave out free Cornettos which

1518
01:20:02,280 --> 01:20:05,760
Speaker 2: were mentioned in the film, and each movie has a

1519
01:20:05,800 --> 01:20:09,040
Speaker 2: different flavor, so Seana the Dead was strawberry. Hot Fuzzy

1520
01:20:09,080 --> 01:20:12,120
Speaker 2: uses the blue Cornetto, which is like a chocolate almond thing,

1521
01:20:12,479 --> 01:20:14,920
Speaker 2: and then in World's End it's mint chocolate chip. So

1522
01:20:14,960 --> 01:20:18,160
Speaker 2: they gave out these free Cornetto's and Edgar Wright mentioned

1523
01:20:18,200 --> 01:20:20,800
Speaker 2: them in Hot fuzz hoping to get more free ice

1524
01:20:20,840 --> 01:20:23,240
Speaker 2: cream and it didn't work, but they did get free

1525
01:20:23,240 --> 01:20:25,120
Speaker 2: ice cream for the World's End, so that's why it's

1526
01:20:25,120 --> 01:20:27,280
Speaker 2: called the Cornetto Trilogy. And there are a lot of

1527
01:20:27,320 --> 01:20:29,880
Speaker 2: shared themes in the trilogy, and again like in that

1528
01:20:29,960 --> 01:20:33,880
Speaker 2: kind of universe, so there's the theme of twins. There's

1529
01:20:33,920 --> 01:20:38,599
Speaker 2: this one gag where one of the characters is always

1530
01:20:38,600 --> 01:20:40,639
Speaker 2: trying to jump over a fence and it either grows

1531
01:20:40,680 --> 01:20:41,840
Speaker 2: really great or really poorly.

1532
01:20:44,320 --> 01:20:44,640
Speaker 1: It is.

1533
01:20:45,439 --> 01:20:48,000
Speaker 2: I love seeing that gag in each of these films.

1534
01:20:48,080 --> 01:20:50,760
Speaker 2: I wait for it. It's so funny. And they use

1535
01:20:50,760 --> 01:20:53,240
Speaker 2: a lot of the same actors. So in this film,

1536
01:20:54,000 --> 01:20:58,400
Speaker 2: Bill Nihe, Martin Freeman, and Patty Considine are in all

1537
01:20:58,479 --> 01:21:02,280
Speaker 2: three of the Cornetto trilogy films, And this movie just

1538
01:21:02,320 --> 01:21:04,479
Speaker 2: has great cameos in general, Like there's you know, the

1539
01:21:04,520 --> 01:21:07,439
Speaker 2: main characters broke up with his girlfriend Janine and she's

1540
01:21:07,479 --> 01:21:10,040
Speaker 2: a crime scene investigator, so you never see her face,

1541
01:21:10,080 --> 01:21:12,559
Speaker 2: you only see her eyes. But Janine is played by

1542
01:21:12,600 --> 01:21:17,120
Speaker 2: Kate Blanchette. I knew it. I knew it. And then

1543
01:21:17,120 --> 01:21:20,439
Speaker 2: there's also a scene where they are describing Nicholas Angel,

1544
01:21:20,479 --> 01:21:22,439
Speaker 2: the primary character, like how good he is at being

1545
01:21:22,439 --> 01:21:24,679
Speaker 2: a cop, and he gets stabbed in the hand by

1546
01:21:24,800 --> 01:21:27,559
Speaker 2: a Santa Claus and that Santa Claus is played by

1547
01:21:27,560 --> 01:21:33,120
Speaker 2: Peter Jackson. Wow director and producer. And also, since we

1548
01:21:33,280 --> 01:21:37,120
Speaker 2: just recently covered this film, Joe Cornish, who directed Attack

1549
01:21:37,200 --> 01:21:39,960
Speaker 2: the Block, is one of the other crime scene investigators.

1550
01:21:40,040 --> 01:21:42,519
Speaker 2: So they kind of load these films with their friends

1551
01:21:42,560 --> 01:21:45,120
Speaker 2: and you see people like Steve Coogan and Steven Marshawn,

1552
01:21:45,280 --> 01:21:47,880
Speaker 2: like just so many people are in the movie that

1553
01:21:47,920 --> 01:21:53,240
Speaker 2: you would recognize through just being a fan of British comedy,

1554
01:21:53,320 --> 01:21:55,880
Speaker 2: so like Kevin Eldon and Olivia Coleman and just like

1555
01:21:55,880 --> 01:21:58,120
Speaker 2: all these people that they've worked with before. But what

1556
01:21:58,200 --> 01:22:00,640
Speaker 2: I really also love about this movie is it references

1557
01:22:00,720 --> 01:22:04,639
Speaker 2: so many action movies like Bad Boys Too and Point

1558
01:22:04,720 --> 01:22:08,519
Speaker 2: Break and the French connection, Dirty Harry, Death Wish, Mad

1559
01:22:08,640 --> 01:22:12,400
Speaker 2: Mags Me, the Weapon Die Hard. Like they again, you

1560
01:22:12,520 --> 01:22:15,320
Speaker 2: have to appreciate a genre in order to spoof it well,

1561
01:22:16,000 --> 01:22:18,360
Speaker 2: so I think they accomplish that in Space. And there's

1562
01:22:18,400 --> 01:22:21,400
Speaker 2: even points in the film where they are doing kind

1563
01:22:21,439 --> 01:22:24,840
Speaker 2: of shot for shot remakes of certain scenes from these

1564
01:22:24,880 --> 01:22:27,840
Speaker 2: films to drive home how absurd some of these action

1565
01:22:27,920 --> 01:22:31,519
Speaker 2: films are. So. My one sentence synopsis of Hot Fuzz

1566
01:22:31,800 --> 01:22:35,720
Speaker 2: is an accomplished London police officer is transferred to a

1567
01:22:35,760 --> 01:22:41,759
Speaker 2: sleepy village where strange things are afoot. So again, Nicholas Angel.

1568
01:22:41,800 --> 01:22:44,800
Speaker 2: He's played by Simon Pegg. He's a great cop. His

1569
01:22:44,920 --> 01:22:47,560
Speaker 2: arrest record is four hundred percent higher than the other officers,

1570
01:22:47,600 --> 01:22:50,080
Speaker 2: so they're making him a sergeant. The only twist is

1571
01:22:50,240 --> 01:22:52,439
Speaker 2: they're sending him to the country. They're sending him to

1572
01:22:52,479 --> 01:22:56,599
Speaker 2: a sleepy town called Sandford, where nothing ever happens, and

1573
01:22:57,439 --> 01:22:59,800
Speaker 2: we realize through the course of the conversation with his

1574
01:23:00,080 --> 01:23:02,839
Speaker 2: periers that he's really being moved because he's making everyone

1575
01:23:02,880 --> 01:23:05,320
Speaker 2: look bad and he's not a team player. So they're like,

1576
01:23:05,320 --> 01:23:07,120
Speaker 2: you're kind of too good at being a cop, so

1577
01:23:07,160 --> 01:23:09,800
Speaker 2: we're gonna send you away. And again, he recently broke

1578
01:23:09,880 --> 01:23:12,000
Speaker 2: up with Janine, so all he really has in his

1579
01:23:12,040 --> 01:23:15,080
Speaker 2: life is being a cop and caring for his peace Lily.

1580
01:23:15,720 --> 01:23:18,840
Speaker 2: But he's really intense. He's like a very intense guy,

1581
01:23:18,880 --> 01:23:20,559
Speaker 2: the kind of guy who lays in bed and stares

1582
01:23:20,560 --> 01:23:25,160
Speaker 2: at the ceiling and put like pumps. Those hand gripper things, Oh.

1583
01:23:25,080 --> 01:23:26,639
Speaker 1: Yeah, I have them, I have them.

1584
01:23:27,080 --> 01:23:32,280
Speaker 2: My god, such a jock move. Really, those hand gripper

1585
01:23:32,320 --> 01:23:35,120
Speaker 2: things are a jock like you should have a tattooed

1586
01:23:35,200 --> 01:23:39,799
Speaker 2: on your forehead. I guess it's to build fore arm strength.

1587
01:23:39,880 --> 01:23:42,839
Speaker 1: I don't really know why I actually had them, because

1588
01:23:43,600 --> 01:23:46,640
Speaker 1: I broke my finger once and I was like, my

1589
01:23:46,720 --> 01:23:48,920
Speaker 1: occupational therapist was like, go and get a bunch of

1590
01:23:49,000 --> 01:23:51,360
Speaker 1: like things that you need to strengthen your hands, and.

1591
01:23:51,680 --> 01:23:52,519
Speaker 2: So I had it.

1592
01:23:52,600 --> 01:23:55,160
Speaker 1: Came in the thing with all this other stuff, and

1593
01:23:55,200 --> 01:23:56,920
Speaker 1: I was like, oh yeah, now, I feel like I'm

1594
01:23:56,960 --> 01:24:00,519
Speaker 1: an eighties jock because I'm just absolutely pumping it, just

1595
01:24:01,040 --> 01:24:06,080
Speaker 1: pumping small iron, small resistance iron.

1596
01:24:06,760 --> 01:24:10,280
Speaker 2: But he is. He is very intense. His character, Nicholas Angels,

1597
01:24:10,439 --> 01:24:13,519
Speaker 2: very intense, and his motto is kind of like, you know,

1598
01:24:13,640 --> 01:24:15,799
Speaker 2: there's always something going on, you have to look closer,

1599
01:24:16,160 --> 01:24:18,320
Speaker 2: but he can always spot crime, like he's always on

1600
01:24:18,360 --> 01:24:21,280
Speaker 2: the on the ready. So he checks into a hotel

1601
01:24:21,280 --> 01:24:23,240
Speaker 2: because even though they have this nice cottage for him,

1602
01:24:23,240 --> 01:24:26,200
Speaker 2: it's not ready. But he's already suspicious, Like as soon

1603
01:24:26,200 --> 01:24:29,400
Speaker 2: as he lands in this town at night, he's already suspicious.

1604
01:24:29,960 --> 01:24:32,479
Speaker 2: He sees like a gang of teenagers and gray hoodies

1605
01:24:32,520 --> 01:24:35,719
Speaker 2: hanging up by the fountain, and he meets Roy and Mary,

1606
01:24:35,720 --> 01:24:39,200
Speaker 2: who are the kind of the publicans, and as he's

1607
01:24:39,200 --> 01:24:41,799
Speaker 2: looking around, he realizes that the pub is just filled

1608
01:24:41,800 --> 01:24:45,679
Speaker 2: to the brim with underage drinkers and he buffs all

1609
01:24:45,720 --> 01:24:47,680
Speaker 2: of them, like just empties the place out. It is

1610
01:24:47,720 --> 01:24:51,120
Speaker 2: the funniest scene. And you also, this is where we

1611
01:24:51,120 --> 01:24:53,280
Speaker 2: also see Danny for the first time. He's this drunk

1612
01:24:53,320 --> 01:24:56,120
Speaker 2: guy sitting next to him at the bar and he

1613
01:24:56,520 --> 01:25:01,479
Speaker 2: tries to drive drunk, so Angel rests him and he says,

1614
01:25:01,520 --> 01:25:03,439
Speaker 2: you know, I'm taking you to the station. Where is

1615
01:25:03,479 --> 01:25:05,720
Speaker 2: it because he hasn't even started his job yet technically,

1616
01:25:06,160 --> 01:25:07,880
Speaker 2: and then he busts like four more people on the

1617
01:25:07,920 --> 01:25:11,600
Speaker 2: way to the station. But what we figure out the

1618
01:25:11,640 --> 01:25:13,640
Speaker 2: next day on his you know, he goes on his

1619
01:25:13,640 --> 01:25:16,240
Speaker 2: morning run and he starts to meet people from the town.

1620
01:25:16,439 --> 01:25:19,360
Speaker 2: So he meets Simon Skinner who's played by Timothy Dalton.

1621
01:25:20,080 --> 01:25:22,800
Speaker 2: Skinner runs the local market, and he's just always saying

1622
01:25:22,800 --> 01:25:25,000
Speaker 2: the most sinister shit, like there's a real send up

1623
01:25:25,080 --> 01:25:28,120
Speaker 2: quality to how villainous he is. And then when he

1624
01:25:28,160 --> 01:25:30,800
Speaker 2: gets to the station, he realizes that Danny is not

1625
01:25:30,840 --> 01:25:33,880
Speaker 2: only a police officer, but his partner and the son

1626
01:25:34,200 --> 01:25:38,360
Speaker 2: of Inspector Frank Butterman, who's played by Jim Broadbent. So

1627
01:25:38,400 --> 01:25:40,400
Speaker 2: he put him in jail and then they immediately just

1628
01:25:40,439 --> 01:25:43,400
Speaker 2: let him out because they're like, he works there. And

1629
01:25:43,439 --> 01:25:45,479
Speaker 2: we get to there's also a really funny cameo here

1630
01:25:45,479 --> 01:25:48,040
Speaker 2: from Bill Bailey. If you ever watch the TV show

1631
01:25:48,080 --> 01:25:51,360
Speaker 2: Black Books, you'll recognize a lot of the comic actors

1632
01:25:51,680 --> 01:25:54,400
Speaker 2: in this film, But Bill Bailey does it really funny,

1633
01:25:55,240 --> 01:26:00,719
Speaker 2: funny cameo. And then so as you know, Angel mind

1634
01:26:00,760 --> 01:26:03,600
Speaker 2: is being blown by the fact that his partner is

1635
01:26:03,600 --> 01:26:06,280
Speaker 2: this kind of buffoonish drunk. We get a tour of

1636
01:26:06,360 --> 01:26:08,080
Speaker 2: the station, so this is where we get to meet

1637
01:26:08,120 --> 01:26:11,040
Speaker 2: the Andes, who are these two detectives that are like

1638
01:26:11,080 --> 01:26:13,080
Speaker 2: the hardened detectives with the mustag.

1639
01:26:14,200 --> 01:26:18,559
Speaker 1: Oh my god, these two fucking ding dongs.

1640
01:26:18,760 --> 01:26:19,679
Speaker 4: I love.

1641
01:26:20,680 --> 01:26:25,960
Speaker 1: I fucking love Patty Constantine, Like I just like those

1642
01:26:25,960 --> 01:26:31,120
Speaker 1: two like detective characters are so funny and stupid, you know.

1643
01:26:31,200 --> 01:26:34,840
Speaker 2: They're so Patty Constantine usually does like really serious films,

1644
01:26:34,840 --> 01:26:37,080
Speaker 2: so it's also really funny to see him in this role,

1645
01:26:37,120 --> 01:26:40,040
Speaker 2: and so does Rafe Small, the other actor who plays

1646
01:26:40,040 --> 01:26:42,519
Speaker 2: the other detective, the other Andrew, And it's just so

1647
01:26:42,720 --> 01:26:46,160
Speaker 2: funny to watch them just acting like absolute ding dongs.

1648
01:26:46,160 --> 01:26:47,720
Speaker 2: Like you said, Yeah, they're.

1649
01:26:47,479 --> 01:26:52,599
Speaker 1: Just like total like like Macheese mode out, like you know,

1650
01:26:52,880 --> 01:26:59,240
Speaker 1: guys that are just constantly making themselves look like total idiot, bigot,

1651
01:26:59,320 --> 01:26:59,960
Speaker 1: like motherfucker.

1652
01:27:00,400 --> 01:27:02,400
Speaker 2: They're so out of touch, like they're so out of

1653
01:27:02,479 --> 01:27:04,880
Speaker 2: time and they're out of touch. And I think that's

1654
01:27:04,920 --> 01:27:07,439
Speaker 2: also part of what was being spoofed, is like these

1655
01:27:07,439 --> 01:27:12,479
Speaker 2: guys are always archaic in every cop scene, like there's

1656
01:27:12,520 --> 01:27:15,400
Speaker 2: always that old guy who's completely out of touch, and

1657
01:27:15,439 --> 01:27:18,200
Speaker 2: we get to also meet against some of the other officers,

1658
01:27:18,200 --> 01:27:20,439
Speaker 2: like Olivia Coleman, and her character is really funny to

1659
01:27:20,439 --> 01:27:24,360
Speaker 2: me because she just always talks in sexual innuendo, which

1660
01:27:24,400 --> 01:27:27,599
Speaker 2: is just so weird and hilarious. That we also get

1661
01:27:27,600 --> 01:27:31,360
Speaker 2: to meet Tom Weaver, who is the civilian liaison for

1662
01:27:31,439 --> 01:27:36,280
Speaker 2: the Neighborhood Watch Association, and he has a very impressive

1663
01:27:36,280 --> 01:27:39,000
Speaker 2: command center there where we get to, as the viewer,

1664
01:27:39,160 --> 01:27:42,559
Speaker 2: see that there are cameras over covering every inch of

1665
01:27:42,600 --> 01:27:46,120
Speaker 2: this village and this Neighborhood Watch is watching it all.

1666
01:27:46,400 --> 01:27:48,960
Speaker 2: They can see everything you're doing. And we also notice

1667
01:27:48,960 --> 01:27:51,240
Speaker 2: that the evidence room is empty again to kind of

1668
01:27:51,720 --> 01:27:53,840
Speaker 2: indicate that there's nothing really going on in this town.

1669
01:27:54,920 --> 01:27:57,519
Speaker 2: So Danny and what I kind of love about this

1670
01:27:58,200 --> 01:28:01,599
Speaker 2: the beginning of this film is it's kind of Nicholas

1671
01:28:01,600 --> 01:28:05,720
Speaker 2: Angel is kind of an adjusting to life as a

1672
01:28:05,760 --> 01:28:08,720
Speaker 2: cop with nothing to do, and Danny is asking him

1673
01:28:08,760 --> 01:28:11,000
Speaker 2: a ton of questions, and you realize Danny just thinks

1674
01:28:11,000 --> 01:28:13,679
Speaker 2: that being a cop is like being in the movies.

1675
01:28:14,560 --> 01:28:16,320
Speaker 2: So he's like, oh my god, you were a city cop,

1676
01:28:16,400 --> 01:28:19,280
Speaker 2: like tell me everything, And the reality is that all

1677
01:28:19,320 --> 01:28:26,439
Speaker 2: they're doing is like chasing escape swans around, and so

1678
01:28:26,520 --> 01:28:30,200
Speaker 2: he's like, his skills are wasted here. But also life

1679
01:28:30,280 --> 01:28:33,960
Speaker 2: is seemingly pretty boring, even though that swan does is

1680
01:28:34,000 --> 01:28:36,160
Speaker 2: a running joke and it makes an incredible cameo at

1681
01:28:36,160 --> 01:28:39,840
Speaker 2: the end. They're incredible, But Danny is kind of like

1682
01:28:40,400 --> 01:28:42,479
Speaker 2: his his position as a cop is like it should

1683
01:28:42,479 --> 01:28:45,320
Speaker 2: be fun, it should be NonStop action. He learned everything

1684
01:28:45,400 --> 01:28:48,000
Speaker 2: he knows that being a cop from watching movies. So

1685
01:28:48,920 --> 01:28:51,320
Speaker 2: later on we see Nicholas go to the Neighborhood Watch

1686
01:28:51,360 --> 01:28:54,320
Speaker 2: Association meeting. He meets everyone else in the you know

1687
01:28:54,360 --> 01:28:59,400
Speaker 2: this organization, and they're all local business owners and upstanding citizens,

1688
01:28:59,680 --> 01:29:03,120
Speaker 2: but they're also completely obsessed with being the best voted

1689
01:29:03,160 --> 01:29:06,360
Speaker 2: the best village. And one of the running jokes that

1690
01:29:06,400 --> 01:29:10,280
Speaker 2: cracks me up the most is that the scourge of

1691
01:29:10,320 --> 01:29:13,360
Speaker 2: the Neighborhood Watch Association right now in the beginning of

1692
01:29:13,400 --> 01:29:16,880
Speaker 2: the film is that someone who is portraying a living

1693
01:29:16,960 --> 01:29:20,640
Speaker 2: statue has moved into the center of town, and they're like,

1694
01:29:20,800 --> 01:29:24,599
Speaker 2: we cannot have this kind of refrap here. We cannot

1695
01:29:24,640 --> 01:29:28,320
Speaker 2: have this man painted gold standing in our town square.

1696
01:29:28,360 --> 01:29:31,040
Speaker 2: It is like the scourge of their lives that this

1697
01:29:31,120 --> 01:29:34,160
Speaker 2: guy has showed up. It's really really funny. So then

1698
01:29:34,200 --> 01:29:35,880
Speaker 2: we kind of again. We go through the town more

1699
01:29:35,920 --> 01:29:39,439
Speaker 2: and we go to the grocery store the Skinner owns,

1700
01:29:39,479 --> 01:29:42,559
Speaker 2: and we get to meet Lurch. His nickname is Lurch,

1701
01:29:42,600 --> 01:29:45,040
Speaker 2: his name is Michael, and he's played by the actor

1702
01:29:45,120 --> 01:29:47,080
Speaker 2: Rory McCann, who most of you will know as the

1703
01:29:47,080 --> 01:29:50,240
Speaker 2: Hound from Game of Thrones, or if you're old school

1704
01:29:50,320 --> 01:29:52,840
Speaker 2: like me, you know him from The Butt Club. But

1705
01:29:53,040 --> 01:29:55,519
Speaker 2: he only says one word and is the only word

1706
01:29:55,560 --> 01:29:58,040
Speaker 2: he says is yarp. And I actually watched an interview

1707
01:29:58,040 --> 01:30:01,400
Speaker 2: with Rory McCann a while ago where he said they

1708
01:30:01,400 --> 01:30:05,040
Speaker 2: tried to get him like a dialect coach. He's like,

1709
01:30:05,880 --> 01:30:08,360
Speaker 2: why all I say is yarp? And that's why I

1710
01:30:08,400 --> 01:30:10,960
Speaker 2: took the role because I say one word. There's no prep,

1711
01:30:11,520 --> 01:30:13,240
Speaker 2: like I can just show up and do it, Like

1712
01:30:13,280 --> 01:30:16,200
Speaker 2: why are you paying for a dialect coach? But it's

1713
01:30:16,280 --> 01:30:19,400
Speaker 2: just he's just kind of like this lurching figure that's

1714
01:30:19,479 --> 01:30:21,880
Speaker 2: kind of menacing, and you realize that as you're in

1715
01:30:21,880 --> 01:30:24,120
Speaker 2: the grocery store that everyone that works in the grocery

1716
01:30:24,160 --> 01:30:28,400
Speaker 2: store is a little menacing. But it's also gives us

1717
01:30:28,400 --> 01:30:31,639
Speaker 2: a chance to see angel in action because he catches

1718
01:30:31,680 --> 01:30:35,240
Speaker 2: a kid who is shoplifting, and as they're running through

1719
01:30:35,240 --> 01:30:39,120
Speaker 2: the town, you also realize that most of the neighborhood

1720
01:30:39,120 --> 01:30:41,880
Speaker 2: Watch Association has walkie talkies, so they're kind of not

1721
01:30:41,960 --> 01:30:44,320
Speaker 2: only watching you, but they're also talking to each other

1722
01:30:44,360 --> 01:30:46,960
Speaker 2: about you as the day goes on, so it's kind

1723
01:30:46,960 --> 01:30:51,920
Speaker 2: of this ominous foreshadowing that's happening. And then people start dying,

1724
01:30:52,240 --> 01:30:56,160
Speaker 2: and the deaths in this movie are so gruesome that

1725
01:30:56,240 --> 01:30:58,880
Speaker 2: it's almost out of step with how funny and light

1726
01:30:59,000 --> 01:31:02,080
Speaker 2: the rest of the movie is m So the first

1727
01:31:02,080 --> 01:31:06,519
Speaker 2: time we see people dying or dead, it's Martin Blower

1728
01:31:06,560 --> 01:31:09,120
Speaker 2: and Eve Draper, and Martin is this lawyer who's also like,

1729
01:31:09,280 --> 01:31:12,839
Speaker 2: you know, this local actor, and he and Eve are

1730
01:31:12,880 --> 01:31:15,080
Speaker 2: doing a remake of Romeo and Juliet, even though they

1731
01:31:15,080 --> 01:31:18,559
Speaker 2: are well into middle age, like it is, it's too

1732
01:31:18,600 --> 01:31:21,160
Speaker 2: much to watch them try to act like Romeo and

1733
01:31:21,240 --> 01:31:22,559
Speaker 2: Juliet like these teen lovers.

1734
01:31:23,720 --> 01:31:26,880
Speaker 1: That scene where they break into that Cardigan song.

1735
01:31:29,360 --> 01:31:30,559
Speaker 6: A shit.

1736
01:31:31,600 --> 01:31:34,599
Speaker 2: The look on Simon PEG's face when they break into

1737
01:31:34,680 --> 01:31:39,880
Speaker 2: that song is priceless. But that is again also funny

1738
01:31:39,880 --> 01:31:41,840
Speaker 2: to me because that's local theater where they're like, let's

1739
01:31:41,840 --> 01:31:43,400
Speaker 2: just put our own touch on it, and it's just

1740
01:31:43,400 --> 01:31:47,880
Speaker 2: something wildly insane and inappropriate. But they die, like we

1741
01:31:48,240 --> 01:31:50,840
Speaker 2: watched them as viewers. We watch them get killed by

1742
01:31:50,840 --> 01:31:54,960
Speaker 2: someone in a hooded cloak in the dressing room, but

1743
01:31:54,960 --> 01:31:59,200
Speaker 2: they're actually found on the road and they're completely decapitated

1744
01:31:59,240 --> 01:32:02,160
Speaker 2: and it looks like a car accident, but we just

1745
01:32:02,200 --> 01:32:04,519
Speaker 2: see their heads laying in the street and they're like

1746
01:32:04,600 --> 01:32:06,960
Speaker 2: what the fuck, like, oh, yeah, it was bad. It

1747
01:32:07,000 --> 01:32:09,320
Speaker 2: was a bad car accident. Both of their heads popped off,

1748
01:32:09,360 --> 01:32:12,240
Speaker 2: like it's just so weird. And then Angel at this

1749
01:32:12,280 --> 01:32:14,640
Speaker 2: point is like, yo, something is up. This is not

1750
01:32:15,000 --> 01:32:18,400
Speaker 2: like we should investigate this as maybe not an accident,

1751
01:32:18,560 --> 01:32:21,400
Speaker 2: but nobody wants to hear him. At one point, he

1752
01:32:21,479 --> 01:32:24,519
Speaker 2: visits a farmer who you will also recognize from Game

1753
01:32:24,560 --> 01:32:30,960
Speaker 2: of Thrones. He was the on Gray Joy's dad. Anglin

1754
01:32:31,040 --> 01:32:32,920
Speaker 2: is small the actors will go to the same school

1755
01:32:32,960 --> 01:32:35,040
Speaker 2: what do you want from me? But he visits this

1756
01:32:35,160 --> 01:32:38,759
Speaker 2: farm and discovers that this farmer has a fucking arsenal

1757
01:32:38,920 --> 01:32:45,120
Speaker 2: that includes a sea mine like this giant bomb that

1758
01:32:45,160 --> 01:32:48,720
Speaker 2: you would drop from like a fucking submarine, and they

1759
01:32:48,720 --> 01:32:53,280
Speaker 2: put everything in the evidence room, including the mine, which

1760
01:32:53,320 --> 01:32:55,760
Speaker 2: is just so funny because it's again these gags of

1761
01:32:55,880 --> 01:32:57,679
Speaker 2: like they you know that you see in action films

1762
01:32:57,680 --> 01:32:59,599
Speaker 2: where somebody taps it and they're like it's gonna blow

1763
01:32:59,640 --> 01:33:03,479
Speaker 2: and then it doesn't blow up. There's a refrigerator salesman

1764
01:33:03,520 --> 01:33:06,280
Speaker 2: guy or like a refrigerator guy who is drunk in

1765
01:33:06,320 --> 01:33:09,360
Speaker 2: the pub and his house is really audacious because he's

1766
01:33:09,400 --> 01:33:12,160
Speaker 2: super rich, and he gets killed when this hooded figure

1767
01:33:12,240 --> 01:33:17,160
Speaker 2: blows up his house. And then there's the there's the

1768
01:33:18,640 --> 01:33:22,639
Speaker 2: local journalist, Tim Messenger, and he has information for Angel.

1769
01:33:23,200 --> 01:33:27,040
Speaker 2: But then while they're at this carnival, he gets killed

1770
01:33:27,080 --> 01:33:31,880
Speaker 2: by old hoodie in the most gruesome way possible, and

1771
01:33:31,920 --> 01:33:34,559
Speaker 2: they show every inch of it, like the spike falls

1772
01:33:34,560 --> 01:33:38,880
Speaker 2: off a church directly onto his head, so it's just

1773
01:33:38,880 --> 01:33:41,040
Speaker 2: a body with a spike in it, and it's so

1774
01:33:41,240 --> 01:33:45,160
Speaker 2: gory and disgusting and hilarious. I think that the deaths

1775
01:33:45,240 --> 01:33:47,320
Speaker 2: as they start to happen, like the way that people

1776
01:33:47,360 --> 01:33:49,919
Speaker 2: are dying in the gruesomeness of it, heightens the comedy

1777
01:33:49,920 --> 01:33:52,639
Speaker 2: for me and Angel. Again, he thinks all these deaths

1778
01:33:52,680 --> 01:33:55,080
Speaker 2: are linked and he starts to put together a compelling case,

1779
01:33:55,120 --> 01:33:57,280
Speaker 2: but no one really believes him. And I'm not going

1780
01:33:57,360 --> 01:33:59,120
Speaker 2: to ruin the end of the movie, but all hell

1781
01:33:59,200 --> 01:34:02,400
Speaker 2: starts breaking loose, and I will just say the end

1782
01:34:02,479 --> 01:34:06,840
Speaker 2: of this movie features three of the most wild things

1783
01:34:06,840 --> 01:34:10,960
Speaker 2: I've ever seen on screen, including but not limited to

1784
01:34:12,160 --> 01:34:14,400
Speaker 2: Simon peg Drop kicking an old woman in the face,

1785
01:34:19,360 --> 01:34:24,160
Speaker 2: a shopping cart battering ram yes, and an adult size

1786
01:34:24,200 --> 01:34:30,759
Speaker 2: fight in a model village. It just goes off the hook.

1787
01:34:30,840 --> 01:34:33,760
Speaker 2: It is so fucking funny. And again, this is a

1788
01:34:33,800 --> 01:34:36,000
Speaker 2: movie that it's part of a trilogy, it holds up

1789
01:34:36,000 --> 01:34:39,280
Speaker 2: as an individual film. It's goofy, it's funny, it's silly.

1790
01:34:39,720 --> 01:34:42,879
Speaker 2: It is just perfect for that genre.

1791
01:34:43,320 --> 01:34:45,200
Speaker 1: When this came out, I was like, oh, I mean

1792
01:34:45,240 --> 01:34:50,720
Speaker 1: this is as strong, if not stronger than Sean of

1793
01:34:50,760 --> 01:34:53,679
Speaker 1: the Dead. Like it's just absolutely you know, you can

1794
01:34:53,720 --> 01:34:57,080
Speaker 1: tell it had more budget, it had, you know, more

1795
01:34:57,120 --> 01:35:01,320
Speaker 1: to do. There was, you know, obviously this huge send

1796
01:35:01,400 --> 01:35:04,840
Speaker 1: up of like these action films, and it just felt

1797
01:35:04,920 --> 01:35:10,360
Speaker 1: like very thought out and professional, like by a person

1798
01:35:10,400 --> 01:35:14,000
Speaker 1: who was kind of a young person still when he

1799
01:35:14,040 --> 01:35:14,920
Speaker 1: made these movies.

1800
01:35:15,040 --> 01:35:18,600
Speaker 2: So well, it just continued the tradition of what we

1801
01:35:18,640 --> 01:35:20,639
Speaker 2: saw in Space and Shan of the Dead and when

1802
01:35:20,640 --> 01:35:23,960
Speaker 2: they finally had you know, money and attention and a

1803
01:35:24,000 --> 01:35:27,920
Speaker 2: production that could match their writing style and directing style.

1804
01:35:28,040 --> 01:35:31,080
Speaker 2: It was better. It was just those two things were

1805
01:35:31,080 --> 01:35:33,120
Speaker 2: not bad. But when you could see what happens when

1806
01:35:33,120 --> 01:35:37,679
Speaker 2: you kind of encourage and fund artists is that they

1807
01:35:37,880 --> 01:35:40,880
Speaker 2: took their style and developed it more So this movie

1808
01:35:40,880 --> 01:35:42,479
Speaker 2: for me is also where I think you really get

1809
01:35:42,520 --> 01:35:48,120
Speaker 2: to see Edgar Wright cementing his directing directorial style. But

1810
01:35:48,200 --> 01:35:52,639
Speaker 2: also Simon Peg is such an incredible comedy writer and

1811
01:35:53,120 --> 01:35:55,360
Speaker 2: he doesn't leave anything on the table. Every joke that

1812
01:35:55,479 --> 01:35:58,839
Speaker 2: is referenced, is that is set up, is referenced somewhere

1813
01:35:58,840 --> 01:36:00,840
Speaker 2: down the line, and it might not be immediate, but

1814
01:36:00,880 --> 01:36:04,280
Speaker 2: he will always he does the best callbacks yeah, and

1815
01:36:04,360 --> 01:36:08,479
Speaker 2: the funniest like just the funniest runners. And he's really

1816
01:36:09,120 --> 01:36:10,840
Speaker 2: like he again he runs a tight ship that way,

1817
01:36:10,880 --> 01:36:13,439
Speaker 2: like where he doesn't leave anything. There's no fat that

1818
01:36:13,479 --> 01:36:15,400
Speaker 2: he doesn't leave anything on the floor. It's just like

1819
01:36:15,680 --> 01:36:18,160
Speaker 2: this joke was set up forty minutes ago, and you

1820
01:36:18,240 --> 01:36:21,639
Speaker 2: have a bigger laugh because you realize, oh, I see

1821
01:36:21,640 --> 01:36:24,959
Speaker 2: what he's doing now, Like he's giving us the kicker now.

1822
01:36:25,120 --> 01:36:28,599
Speaker 1: Yeah, he like I know that, you know, Simon Peg

1823
01:36:28,680 --> 01:36:30,559
Speaker 1: kind of went on and started doing his own stuff,

1824
01:36:30,600 --> 01:36:33,000
Speaker 1: and they were doing a lot of things like without

1825
01:36:33,040 --> 01:36:37,360
Speaker 1: each other, him and a great I feel like it's time. Yeah,

1826
01:36:37,439 --> 01:36:39,200
Speaker 1: do you think it's time Togin to like work together

1827
01:36:39,240 --> 01:36:42,280
Speaker 1: and like him being the star of an Edgar Wright movie?

1828
01:36:42,400 --> 01:36:45,479
Speaker 2: Like I think? So, I wouldn't. I wouldn't mind seeing

1829
01:36:45,520 --> 01:36:46,200
Speaker 2: that again, truly.

1830
01:36:46,320 --> 01:36:49,559
Speaker 1: Yeah, you know, I just you know it just this

1831
01:36:49,640 --> 01:36:53,320
Speaker 1: movie made me miss their collaboration, I think.

1832
01:36:53,680 --> 01:36:56,600
Speaker 2: Yeah. Well, also I just I miss silliness. I like

1833
01:36:56,720 --> 01:37:00,400
Speaker 2: silly movies, and I think that they have They have

1834
01:37:00,400 --> 01:37:03,200
Speaker 2: a way of working together that's both silly and incredibly smart,

1835
01:37:03,439 --> 01:37:05,719
Speaker 2: and I just kind of miss that and Nick Nick Frost,

1836
01:37:05,760 --> 01:37:06,600
Speaker 2: when did you get me started on?

1837
01:37:06,680 --> 01:37:10,400
Speaker 1: Nick Fross Tony even, I swear like that was like

1838
01:37:10,479 --> 01:37:13,719
Speaker 1: one thing that kind of carried over from both Space

1839
01:37:14,040 --> 01:37:18,479
Speaker 1: and Shot of the Dead was their romance that sort

1840
01:37:18,520 --> 01:37:20,360
Speaker 1: of is an actual romance.

1841
01:37:20,880 --> 01:37:23,760
Speaker 2: Yes, So I read I actually read a fact about

1842
01:37:23,840 --> 01:37:25,960
Speaker 2: a trivia fact about this film that I did not know,

1843
01:37:26,760 --> 01:37:28,840
Speaker 2: which is apparently they had set up a different love

1844
01:37:28,880 --> 01:37:31,840
Speaker 2: interest for Nicholas and her name was Victoria or something

1845
01:37:31,880 --> 01:37:34,240
Speaker 2: like that, and they cut her from the film but

1846
01:37:34,400 --> 01:37:37,920
Speaker 2: gave most of her lines to Danny without changing them.

1847
01:37:38,680 --> 01:37:40,320
Speaker 2: So that's why it feels like a lot of their

1848
01:37:40,320 --> 01:37:43,120
Speaker 2: interactions are very romantic and close because it was supposed

1849
01:37:43,160 --> 01:37:45,639
Speaker 2: to be his love interest. But they're like, it's also

1850
01:37:45,760 --> 01:37:49,600
Speaker 2: just works for Danny because we've seen this romance burgeoning.

1851
01:37:50,240 --> 01:37:54,080
Speaker 1: Yeah, when he asked Nicholas to come in for a beer,

1852
01:37:54,160 --> 01:37:56,360
Speaker 1: I was like, are they about to get it on?

1853
01:37:56,600 --> 01:37:57,599
Speaker 1: I'm into it.

1854
01:37:59,280 --> 01:38:01,759
Speaker 2: That's the movie that could make. Now let's have Simon

1855
01:38:01,800 --> 01:38:04,559
Speaker 2: Pegg and Nick Frost finally do it in an Edgar

1856
01:38:04,600 --> 01:38:05,160
Speaker 2: Wright film.

1857
01:38:05,560 --> 01:38:08,200
Speaker 1: I think we've been shipping them for so long. It's

1858
01:38:08,280 --> 01:38:10,920
Speaker 1: finally time. Oh my god, I'm so glad that you

1859
01:38:10,960 --> 01:38:14,960
Speaker 1: picked this movie. Obviously a perfect hot movie, but it

1860
01:38:15,080 --> 01:38:17,439
Speaker 1: was also great to watch it again, and I will

1861
01:38:17,479 --> 01:38:21,600
Speaker 1: always love you know this this crew, they would just

1862
01:38:21,640 --> 01:38:24,000
Speaker 1: make entertaining films, and you know it was. It was

1863
01:38:24,120 --> 01:38:25,559
Speaker 1: great to see it again. I hadn't seen it since

1864
01:38:25,560 --> 01:38:29,800
Speaker 1: it came out, so boy, so we did it. We

1865
01:38:29,920 --> 01:38:32,080
Speaker 1: did our first hot episode.

1866
01:38:32,520 --> 01:38:35,400
Speaker 2: Hot Hot, Hot, Hot more to come.

1867
01:38:35,600 --> 01:38:40,240
Speaker 1: Well listen. If you all have a question, comment, et cetera,

1868
01:38:40,479 --> 01:38:42,720
Speaker 1: please email us at I saw what you did pot

1869
01:38:42,760 --> 01:38:43,719
Speaker 1: at gmail dot com.

1870
01:38:43,760 --> 01:38:45,080
Speaker 2: And you know you can find us on our social

1871
01:38:45,120 --> 01:38:47,599
Speaker 2: media at I Saw Pot on Instagram and Twitter.

1872
01:38:48,200 --> 01:38:50,080
Speaker 1: We also have merch go to the I Saw What

1873
01:38:50,160 --> 01:38:52,559
Speaker 1: You Did section of the Exactly Right Shop to find it.

1874
01:38:53,240 --> 01:38:55,960
Speaker 2: And our bonus episodes are unstoppable at this point. The

1875
01:38:56,000 --> 01:38:57,640
Speaker 2: old ones are coming out all the time and the

1876
01:38:57,680 --> 01:38:59,519
Speaker 2: new ones are every third Thursday of the month.

1877
01:39:00,439 --> 01:39:04,639
Speaker 1: Amazing. Well, look we are on this hot movie train

1878
01:39:04,760 --> 01:39:06,320
Speaker 1: for the rest of the month. You want to tell

1879
01:39:06,400 --> 01:39:07,719
Speaker 1: them what the movies are for next week?

1880
01:39:08,000 --> 01:39:11,479
Speaker 2: Oh, I can't wait. Our movies for next week are

1881
01:39:11,800 --> 01:39:16,640
Speaker 2: Hot Pursuit from nineteen eighty seven and Wet Hot American

1882
01:39:16,680 --> 01:39:20,360
Speaker 2: Summer from two thousand and one. Oh, it's gonna be

1883
01:39:20,439 --> 01:39:21,400
Speaker 2: so fun.

1884
01:39:22,360 --> 01:39:25,720
Speaker 1: We hope to see you there. Danielle as always a

1885
01:39:25,760 --> 01:39:27,439
Speaker 1: fucking pleasure doing his podcast with.

1886
01:39:27,439 --> 01:39:42,519
Speaker 2: Him the Best skin Griddles Sizzling. This has been an

1887
01:39:42,520 --> 01:39:46,320
Speaker 2: exactly right production produced by Casey O'Brien, mixed by Edson Choi.

1888
01:39:46,600 --> 01:39:49,240
Speaker 2: Our theme song is by Tom bry Fogel, artwork by

1889
01:39:49,280 --> 01:39:53,280
Speaker 2: Garrett Ross. Our executive producers are Georgia Hartstart caringkil Garreff

1890
01:39:53,280 --> 01:39:56,000
Speaker 2: and Daniel Kramer. You can follow us on Instagram and

1891
01:39:56,080 --> 01:39:58,920
Speaker 2: Twitter at I Saw Pod, and you can email us

1892
01:39:58,960 --> 01:40:01,040
Speaker 2: at I saw what you did. Pod at gmail