WEBVTT - Questlove Supreme: President Bill Clinton

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. All right, kids,

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<v Speaker 1>you ready like you?

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<v Speaker 2>You ready like you? Everything's ll let's go, we jump,

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<v Speaker 2>let's do it, let's do it. Here we go.

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<v Speaker 3>Suprema Sun Sun Suprema roll Calm Suprema Sun Sun Supremo.

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<v Speaker 4>Roll call, Suprema.

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<v Speaker 3>Sun Sun Supremo, Role Calm, Suprema Son Son Suprema roll Call.

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<v Speaker 1>My name is Questlove, Yeah, and you are you Yeah?

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<v Speaker 1>And that's Team Supreme.

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<v Speaker 5>Yeah.

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<v Speaker 2>And he's forty two.

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<v Speaker 3>Supreme su Suprema roll Calm, Suprema su Suprema roll call.

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<v Speaker 6>My name is Fante Yeah, and I'm gonna keep it

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<v Speaker 6>roll yeah with the Realist President.

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<v Speaker 2>Yeah, out of Arkansas.

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<v Speaker 3>Suprema Son Suprema, roll call, Suprema Son Son Supremo.

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<v Speaker 5>Role Call.

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<v Speaker 2>My name is Sugar.

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<v Speaker 7>Yeah, first president I ever met.

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<v Speaker 4>Yeah.

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<v Speaker 2>Oh you just reminded me.

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<v Speaker 4>Yeah.

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<v Speaker 8>I haven't filed my taxes yet.

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<v Speaker 3>Suprema So Supremo. Roll call, Suprema So Suprema.

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<v Speaker 8>Roll call paid Bill.

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<v Speaker 9>Yeah, and I got to thinking, yeah about my second

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<v Speaker 9>favorite bill.

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<v Speaker 8>Yeah, President Clinton.

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<v Speaker 2>Suprema su.

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<v Speaker 4>Supreme So Suprema roll.

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<v Speaker 5>It's my ear yeah, and it's a special day. Yeah,

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<v Speaker 5>our first press. Yeah, Bill Clinton all Day.

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<v Speaker 3>Roll call Supremo, So Son Supremo, roll call, Supremo, Son Son.

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<v Speaker 4>Supremo, roll call.

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<v Speaker 10>My name is Bill. Yeah, Yeah, I know the drill. Yeah,

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<v Speaker 10>I'm glad to be here. Yeah, calls music is there?

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<v Speaker 10>Take it up?

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<v Speaker 4>Sun Sun Subpreme roll call Subpremo.

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<v Speaker 3>Sun Sun Subprema roll Calm Subprema, Son Sun Subpremo, roll

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<v Speaker 3>call Subprema Son Sun.

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<v Speaker 4>Subprema roll call.

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<v Speaker 1>Ladies and gentlemen, Congratulations, we have our first.

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<v Speaker 2>Here we go.

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<v Speaker 1>I will say, it's it's a point. We just do

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<v Speaker 1>a Griselda right exactly. It's amazing how the world works sometimes. Uh,

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<v Speaker 1>for no particular reason. You know, we we've been away

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<v Speaker 1>from each other for three years and decided, hey, it

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<v Speaker 1>might be cool for us to get back together and

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<v Speaker 1>do some stuff in person.

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<v Speaker 2>And then life throws you a curveball.

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<v Speaker 1>And I I will say, probably no less than twenty

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<v Speaker 1>four hours ago.

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<v Speaker 2>We got a call straight up.

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<v Speaker 1>And I'll be honest with you, because I was preparing

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<v Speaker 1>for another guest, and right before I went to sleep

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<v Speaker 1>last night, I read my itinery I'm like, wait a minute,

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<v Speaker 1>that's tomorrow. I thought that was like in the future,

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<v Speaker 1>because when you threw it at me, I was like, ah,

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<v Speaker 1>this will never happen.

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<v Speaker 2>So like no, we all went like what.

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<v Speaker 1>February thirtieth of Yah, nineteen seventy six, Like that's going

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<v Speaker 1>to happen.

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<v Speaker 2>I will be saying, yeah, this is happening.

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<v Speaker 1>And our guest today is the very first time that

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<v Speaker 1>you're nervous. Yeah, yeah, this is the very first time

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<v Speaker 1>I stepped in the voter booth to exerciseise.

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<v Speaker 5>Y rightsident voted for your age.

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<v Speaker 4>Time.

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<v Speaker 8>I wasn't Oh the second time.

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<v Speaker 2>Wait, how I don't know what your age is.

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<v Speaker 1>On papill I am eighty six years old, Okay, I

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<v Speaker 1>mean sometimes you seem younger than me.

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<v Speaker 2>Then when you have a beard.

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<v Speaker 8>It looks like you're accountant, right exactly.

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<v Speaker 2>So I don't know how old you are. But you know, my.

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<v Speaker 7>First vote was for ducacis believe it or not, that's

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<v Speaker 7>how old you are.

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<v Speaker 2>That's how old you are. Come up anyway.

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<v Speaker 1>Live in CDM studios is where we are, and we

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<v Speaker 1>are very honored to have music lover musician uh and incidentally,

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<v Speaker 1>are the forty second president of these United States, William

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<v Speaker 1>Jefferson Clinton one A question to.

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<v Speaker 8>What is happening?

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<v Speaker 2>So, how are you today?

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<v Speaker 10>I'm good, I'm better now. This is I didn't find

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<v Speaker 10>out about this much before you.

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<v Speaker 4>You were like an hour before.

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<v Speaker 2>Oh, let's let's hit down just a casual question, like.

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<v Speaker 1>What what did you do this morning? Like what's your

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<v Speaker 1>morning routine like as of lately?

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<v Speaker 10>Well lately, I get up in the morning and I

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<v Speaker 10>read the papers. I'm old five, I'll read the papers.

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<v Speaker 10>Get my phone and I read the papers I didn't read.

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<v Speaker 10>I read my local West Sister County paper and the

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<v Speaker 10>New York Times and paper. Then I read the Washington

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<v Speaker 10>Post online, and then I look and see what other

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<v Speaker 10>articles there are, and then I work puzzles for a

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<v Speaker 10>while because it's good for you. Like I do that

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<v Speaker 10>word puzzle in New York Times every day.

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<v Speaker 1>Are you a wordle person or a New York Times

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<v Speaker 1>crossword person or I.

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<v Speaker 10>Don't do that. I only do the cross word on Sunday.

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<v Speaker 10>But I do wordle, and I do the wordle nice,

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<v Speaker 10>and I do the spelling Bee, the spelling Bee every day.

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<v Speaker 1>I would like to think that I have an expansive vocabulary,

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<v Speaker 1>but you know, it's so frustrating. I give up after

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<v Speaker 1>like the seventh word unpaid bill. You strike me as

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<v Speaker 1>a person that can at least get to fifteen.

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<v Speaker 9>I can I go in on the the this one. Yeah,

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<v Speaker 9>I can't stop. It's just like you can.

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<v Speaker 10>It's pretty hard to do.

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<v Speaker 8>It was hard today. There was a lot of there was.

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<v Speaker 8>Every time there's an X, what, it's like, what the

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<v Speaker 8>hell's going to do?

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<v Speaker 2>What's a vow for today?

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<v Speaker 8>Well, there's a bunch of vwel so it's a.

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<v Speaker 2>What's in the middle?

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<v Speaker 9>Oh a, oh, well wait, and you'll say that's hard.

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<v Speaker 9>It was like I'm gonna no one's gonna listen. It's

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<v Speaker 9>like oxidation annotation notation there too.

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<v Speaker 1>Yeah, during the pandemic, you'll be shocked at you know,

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<v Speaker 1>what you do for entertainment, especially because I was on

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<v Speaker 1>a farm with new cable. So that's when I started

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<v Speaker 1>my rabbit holing inside of crosswords.

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<v Speaker 2>And that sort of thing. So you're a word o person.

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<v Speaker 10>Too, Yeah, I started that later. I did that the

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<v Speaker 10>spelling bee for a long time and now normally around

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<v Speaker 10>dinner time, He'll and I'll get back together and between

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<v Speaker 10>the two of us we can get them all. What

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<v Speaker 10>so we have a conspiracy for spelling baby we didn't

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<v Speaker 10>do it yesterday, and I didn't get them all yesterday either.

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<v Speaker 1>So you like to do it at nighttime, around dinner

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<v Speaker 1>or first thing in the I'm the first thing in

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<v Speaker 1>the morning person.

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<v Speaker 10>I like to do it first thing in the morning,

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<v Speaker 10>and then whichever ones I don't have, I'll just put

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<v Speaker 10>it away and think about it and start working. Because

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<v Speaker 10>I do. I call people in the morning when I'm

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<v Speaker 10>fresh and thoughtful, and then I'm trying to finish two

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<v Speaker 10>books I've been working on and it's been very frustrating,

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<v Speaker 10>so I do that in the middle of the day.

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<v Speaker 10>I take time off and take away. I try to

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<v Speaker 10>take a walk every day.

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<v Speaker 2>My day is determined on if I'm able to solve wordle.

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<v Speaker 10>One thing that frustrates me. The other day I got

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<v Speaker 10>three of the five letters in order off the first work,

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<v Speaker 10>which I put in a rose. And I got three

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<v Speaker 10>of the first and I got R O and then E,

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<v Speaker 10>and I literally went through five permutations before I got

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<v Speaker 10>to write one. I was going nothing.

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<v Speaker 2>I wanted to throw your right.

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<v Speaker 10>It was broke, I think was the wordle. And I

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<v Speaker 10>went through all you know wrote I don't know any

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<v Speaker 10>other words. That's what makes you feel you don't know

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<v Speaker 10>what he's dumb, unlucky, what's going on.

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<v Speaker 1>It has a way of determining how good or rotten

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<v Speaker 1>your day is going to be. So I try to

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<v Speaker 1>do it now in the afternoon.

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<v Speaker 10>So it can't spoil your morning.

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<v Speaker 2>Yeah, you know.

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<v Speaker 1>See, you walked in with two albums and being as

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<v Speaker 1>though we're jazz fanatics here at Quest of Supreme, where

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<v Speaker 1>I'm curious to see what you brought to the table.

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<v Speaker 2>Why did you choose.

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<v Speaker 10>This is an old Sunny Rollins album. You can see

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<v Speaker 10>I had to type it up. I see, I had

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<v Speaker 10>it forever and it's the first one he did on

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<v Speaker 10>Brazilian music. I once told Rollins that I love the

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<v Speaker 10>album he did in Harlem in the late nineties. He

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<v Speaker 10>said it wasn't worth of them, and I said, what

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<v Speaker 10>was the matter with it? He said, I didn't learn anything.

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<v Speaker 10>I didn't do anything new. There. He is, you know,

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<v Speaker 10>at his age, and he's still doing things new. So

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<v Speaker 10>this is great.

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<v Speaker 1>What's the name of that album, President, It's Sounny Rowlings brings.

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<v Speaker 8>The jazz new rhythm from South America.

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<v Speaker 10>Oh okay.

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<v Speaker 1>Do you often get disappointed when you meet notable people

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<v Speaker 1>that have done things amazing that you think are amazing,

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<v Speaker 1>and then they're just dismissive of it. Like that often

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<v Speaker 1>happens here at the show, where you know, I say

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<v Speaker 1>the thing he did, and they'll just be like, man, whatever.

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<v Speaker 10>One of the things that I really loved when I

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<v Speaker 10>was president is nearly anybody, I'll come play for you

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<v Speaker 10>if you ask me. And one day I looked up.

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<v Speaker 10>I was sitting at my desk and I looked up,

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<v Speaker 10>and then we had the door open to the outside.

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<v Speaker 10>Dave Brewbeck was standing there and he was, you know,

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<v Speaker 10>getting you know, some award. Not the Kennedy Center War, Oh,

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<v Speaker 10>he got the National Medal of Arts that you're So

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<v Speaker 10>I went out and shook hands with him, and I

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<v Speaker 10>told him how much I liked him, And I said,

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<v Speaker 10>you know, when I was fifteen years old, you've played

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<v Speaker 10>about seventy miles from home. So I went to your

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<v Speaker 10>concert in Arkansas because he was friends with the guy

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<v Speaker 10>who was a great music teacher there, jazz fanatic. He

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<v Speaker 10>looked at me and kind of skeptically said, he said,

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<v Speaker 10>besides take five, what's your people? What's your favorite rubeks On?

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<v Speaker 10>I thought always giving me? I said blue Rondo. He said,

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<v Speaker 10>nobody knows that. I said, it's a great song. He said,

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<v Speaker 10>hum the bridge.

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<v Speaker 4>Oh, he's one of those people was so.

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<v Speaker 10>I hummed the Bridge for it, and three days later

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<v Speaker 10>he sent me a great autograph copy of the chart

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<v Speaker 10>and that still hangs in my music room today. Wow,

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<v Speaker 10>just because I knew the Bridge from BLUEO.

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<v Speaker 2>Wow, that's terrifying.

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<v Speaker 8>Yo, that's the one you know, don't want?

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<v Speaker 5>You know?

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<v Speaker 2>What does that?

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<v Speaker 4>Like?

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<v Speaker 1>Does that a lot of where I'll just take the

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<v Speaker 1>compliment and be like, you know, because they'll say something

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<v Speaker 1>skill like, yo, man, I have botle and then to

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<v Speaker 1>reach the person that actually wants evidence that you really believe,

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<v Speaker 1>And then I'm like, what if it winds up being

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<v Speaker 1>a pie in the face moment and then you can't say, then,

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<v Speaker 1>how's the conversation going?

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<v Speaker 2>I'm glad you knew his history, right.

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<v Speaker 10>Me too.

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<v Speaker 2>What other records did you bring in there?

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<v Speaker 10>I got Dizzy Gillespie's New Way, which also has a

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<v Speaker 10>couple of resilient songs on it, including the Morning of

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<v Speaker 10>the Carnival from Black Corfea, which is one of my

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<v Speaker 10>favorite songs. I think it's one of the most beautiful

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<v Speaker 10>songs that were written a.

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<v Speaker 5>Love Brazilian music. Mister President was like, my favorite. Oh

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<v Speaker 5>I'm like this, No, no, I said the music, not that.

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<v Speaker 10>This is a record of Jimmy Smith. I think he

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<v Speaker 10>is the greatest sas organists who ever lived. And he

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<v Speaker 10>used to play at a place called the Cellar Door

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<v Speaker 10>in Washington when I was in college, so I would

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<v Speaker 10>go and listen to him, and the first time he

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<v Speaker 10>started playing, I thought that organ and was going to

0:12:00.559 --> 0:12:04.360
<v Speaker 10>walk out of this room all by itself. Oh, he

0:12:04.440 --> 0:12:09.040
<v Speaker 10>was unbelievable. What year was this, sixty four, sixty five,

0:12:09.200 --> 0:12:15.520
<v Speaker 10>something like that. And this is my favorite jazz samba record.

0:12:15.559 --> 0:12:17.679
<v Speaker 10>This is the first record done by Stan Gatz and

0:12:17.760 --> 0:12:19.920
<v Speaker 10>Charlie Birds out of Brazil.

0:12:23.240 --> 0:12:26.240
<v Speaker 7>So when did you fall in love with Brazilian jazz?

0:12:26.679 --> 0:12:29.360
<v Speaker 10>I was interested in jazz, and I started listening to

0:12:30.320 --> 0:12:33.319
<v Speaker 10>bigger jazz bands when I was six or seven years old,

0:12:33.400 --> 0:12:36.640
<v Speaker 10>and my folks had a record player and they'd go

0:12:36.640 --> 0:12:39.480
<v Speaker 10>away and I'd just get these records, just record after

0:12:39.559 --> 0:12:42.280
<v Speaker 10>record and sit there on the floor and listen to them.

0:12:42.400 --> 0:12:43.560
<v Speaker 2>So was your parents collection?

0:12:43.960 --> 0:12:47.440
<v Speaker 10>Yeah? And then I started ordering Downbeating magazine when I

0:12:47.520 --> 0:12:52.040
<v Speaker 10>was in grade school, and because they asked me, I

0:12:52.080 --> 0:12:53.959
<v Speaker 10>started out on clarinet, and they asked me to shift

0:12:54.000 --> 0:12:56.640
<v Speaker 10>to saxophone because the school needed a saxophone in the band.

0:12:57.480 --> 0:13:01.720
<v Speaker 10>And I fell in love with and I started reading Downbeat,

0:13:02.480 --> 0:13:05.680
<v Speaker 10>and I read it all through high school, and when

0:13:05.679 --> 0:13:07.880
<v Speaker 10>I could, i'd supplement the record collection.

0:13:08.000 --> 0:13:10.960
<v Speaker 6>You know, did you have aspirations of being a professional

0:13:11.080 --> 0:13:12.160
<v Speaker 6>musician or did you just love it?

0:13:12.240 --> 0:13:17.560
<v Speaker 10>Absolutely? Yeah, I would. I went to summer camp at

0:13:17.559 --> 0:13:20.800
<v Speaker 10>the university and they had some good teachers, and I

0:13:20.840 --> 0:13:24.320
<v Speaker 10>would sometimes play twelve hours a day. I inflayed, my

0:13:24.840 --> 0:13:28.920
<v Speaker 10>guns were practically bleeding, and I loved it. But when

0:13:28.960 --> 0:13:31.480
<v Speaker 10>I was sixteen, I looked in the mirror one day

0:13:32.240 --> 0:13:35.880
<v Speaker 10>and I said, will you ever be as good as culturing?

0:13:40.080 --> 0:13:42.439
<v Speaker 2>How are you the president? Talking yourself out of your

0:13:42.440 --> 0:13:43.800
<v Speaker 2>own dream? That young?

0:13:44.559 --> 0:13:48.400
<v Speaker 10>Oh? I didn't talk to myself. I was conflicted. I

0:13:48.480 --> 0:13:50.839
<v Speaker 10>wanted to do three things in my life. I wanted

0:13:50.880 --> 0:13:54.400
<v Speaker 10>to be a doctor that helped people that didn't have

0:13:54.600 --> 0:13:58.240
<v Speaker 10>access to healthcare. I didn't want to, you know, be

0:13:58.280 --> 0:14:00.320
<v Speaker 10>a rich doctor. I wanted to get out there. I

0:14:00.360 --> 0:14:02.560
<v Speaker 10>wanted to be Paul Farmer. When I grew up, I

0:14:02.600 --> 0:14:06.280
<v Speaker 10>wanted to be a doctor. I wanted to be a musician,

0:14:07.720 --> 0:14:10.600
<v Speaker 10>and I wanted to be in politics because I could

0:14:10.679 --> 0:14:15.079
<v Speaker 10>see when I was a boy how much conflict there

0:14:15.120 --> 0:14:19.920
<v Speaker 10>still was in America. So I remember like it was yesterday.

0:14:19.920 --> 0:14:22.000
<v Speaker 10>I was sixteen looking in a mirror, just begun to

0:14:22.040 --> 0:14:26.440
<v Speaker 10>shave felt big. And the reason I asked this question

0:14:26.560 --> 0:14:30.960
<v Speaker 10>is you couldn't make a living as a jazz musician

0:14:31.520 --> 0:14:35.240
<v Speaker 10>in the sixties unless you did the clubs. You know,

0:14:35.320 --> 0:14:39.160
<v Speaker 10>nobody had these massive record contracts. You didn't a jazz

0:14:39.240 --> 0:14:43.000
<v Speaker 10>musicians didn't feel, you know what like Kenny g later

0:14:43.040 --> 0:14:45.040
<v Speaker 10>made a lot of money, you know, going around. You

0:14:45.080 --> 0:14:48.960
<v Speaker 10>couldn't make a living unless you did the clubs. And

0:14:49.040 --> 0:14:53.840
<v Speaker 10>so your chances of becoming addicted to drugs were roughly

0:14:54.280 --> 0:14:57.600
<v Speaker 10>three times your chances of having a successful family and

0:14:57.720 --> 0:14:59.520
<v Speaker 10>raising kids that were healthy. I mean, you had to.

0:15:00.080 --> 0:15:03.080
<v Speaker 10>It was a big risk. As Cole Traning and lots

0:15:03.080 --> 0:15:06.080
<v Speaker 10>of others found out, he was a genius.

0:15:06.480 --> 0:15:08.480
<v Speaker 2>Have you ever got to witness him in person?

0:15:08.800 --> 0:15:11.000
<v Speaker 10>No, I never heard Cold Training in person. I do

0:15:11.120 --> 0:15:16.120
<v Speaker 10>have at home an autographed album that a friend of

0:15:16.160 --> 0:15:20.400
<v Speaker 10>mine found for me, where his face is like has

0:15:20.680 --> 0:15:25.880
<v Speaker 10>gone into running paint, fascinating looking album. I never heard him.

0:15:25.920 --> 0:15:30.920
<v Speaker 10>I never heard gets I did herb Alfred he gets

0:15:30.960 --> 0:15:35.160
<v Speaker 10>his last saxophone and he had it in a safe.

0:15:35.200 --> 0:15:38.000
<v Speaker 10>So he sent me a note when I got elected,

0:15:38.000 --> 0:15:40.120
<v Speaker 10>and he said, if you come out here, I'll let

0:15:40.200 --> 0:15:44.840
<v Speaker 10>you play it. But I never got to do it.

0:15:45.000 --> 0:15:49.520
<v Speaker 10>But anyway, I just thought that it wasn't worth the risk.

0:15:50.360 --> 0:15:53.960
<v Speaker 10>And I did love it, but I had a sort

0:15:54.000 --> 0:15:57.400
<v Speaker 10>of troubled home growing up, and I knew i'd be

0:15:57.440 --> 0:16:00.880
<v Speaker 10>disappointed in my life if I didn't, you know, have

0:16:00.920 --> 0:16:02.800
<v Speaker 10>a child and do a halfway decent job.

0:16:04.360 --> 0:16:07.320
<v Speaker 5>And a musicians not the talary that's going to happen.

0:16:07.560 --> 0:16:10.760
<v Speaker 1>How old were you when you left Arkansas? Like how

0:16:10.760 --> 0:16:13.600
<v Speaker 1>long did you live there before you went to college?

0:16:14.120 --> 0:16:16.920
<v Speaker 10>From my birth, I was born in a little town

0:16:16.920 --> 0:16:19.960
<v Speaker 10>of Arkansas, and then we moved to a bigger town

0:16:20.040 --> 0:16:25.960
<v Speaker 10>when I was six after the first grade, and I

0:16:26.040 --> 0:16:28.240
<v Speaker 10>stayed there until I graduated from high school and I

0:16:28.280 --> 0:16:31.480
<v Speaker 10>went to college in Washington for four years. Then I

0:16:31.560 --> 0:16:34.200
<v Speaker 10>lived in England for two years, which was a.

0:16:34.200 --> 0:16:36.640
<v Speaker 2>Great part of What part of England did you live?

0:16:37.000 --> 0:16:40.360
<v Speaker 10>I was in school in Oxford, so I got a

0:16:40.360 --> 0:16:43.800
<v Speaker 10>scholarship to go to school there, and that was great

0:16:43.840 --> 0:16:46.960
<v Speaker 10>because it was in the middle of all the Vietnam

0:16:47.040 --> 0:16:49.760
<v Speaker 10>War to do, you know? And I kept waiting to

0:16:49.800 --> 0:16:53.120
<v Speaker 10>be drafted every month and I was called once, but

0:16:53.160 --> 0:16:56.160
<v Speaker 10>the law allowed you to finish the year you were

0:16:56.160 --> 0:16:59.600
<v Speaker 10>in if you were in school. And then the lottery

0:16:59.640 --> 0:17:01.000
<v Speaker 10>came in. I got a high number.

0:17:01.280 --> 0:17:02.680
<v Speaker 5>Did you go to the club scene a lot in

0:17:02.680 --> 0:17:04.199
<v Speaker 5>London when you were living there and going? No?

0:17:04.400 --> 0:17:09.879
<v Speaker 10>But I went to. Like we were talking about concerts,

0:17:10.840 --> 0:17:14.080
<v Speaker 10>I tried to find whatever music I could, and I

0:17:14.119 --> 0:17:17.080
<v Speaker 10>remember the most memorable one for me was when Mahaja

0:17:17.160 --> 0:17:20.480
<v Speaker 10>Jackson played the Albert Hall, which is this great old

0:17:20.560 --> 0:17:26.040
<v Speaker 10>Victorian venue, and you know, the country England was deeply divided,

0:17:26.119 --> 0:17:29.400
<v Speaker 10>America was deeply divided. Everybody was upset, kids were cynical,

0:17:30.000 --> 0:17:32.159
<v Speaker 10>and all of a sudden, I go to the but

0:17:32.320 --> 0:17:35.560
<v Speaker 10>I was determined to hear Mohata Jackson. So I go

0:17:36.280 --> 0:17:39.400
<v Speaker 10>with a friend who knew nothing about her music. I said,

0:17:39.400 --> 0:17:40.920
<v Speaker 10>you're going to love this. You thank me for the

0:17:40.960 --> 0:17:45.080
<v Speaker 10>rest of your life. So were we got a seat,

0:17:45.119 --> 0:17:49.119
<v Speaker 10>you know, pretty far back. But I looked around and

0:17:49.200 --> 0:17:51.919
<v Speaker 10>most of the people there were young people. And she

0:17:52.160 --> 0:17:56.040
<v Speaker 10>started singing, and by about the third song, half the

0:17:56.119 --> 0:18:00.680
<v Speaker 10>audience was crying I mean, she was so enormously powerful.

0:18:00.720 --> 0:18:04.560
<v Speaker 10>She just was She just radiated her.

0:18:04.880 --> 0:18:07.360
<v Speaker 5>Still gospel music, right, you think to be a bunch

0:18:07.359 --> 0:18:08.800
<v Speaker 5>of kids.

0:18:08.080 --> 0:18:11.919
<v Speaker 10>Then at the end of the performance, they stormed the

0:18:11.920 --> 0:18:14.879
<v Speaker 10>stage and they were like seven or eight deep right

0:18:15.080 --> 0:18:17.800
<v Speaker 10>on the stage, screaming like they were groupies at a

0:18:18.359 --> 0:18:22.000
<v Speaker 10>rock concert and begging her to keep singing and begging her.

0:18:22.040 --> 0:18:24.080
<v Speaker 10>And she sang another song or two and then finally

0:18:24.119 --> 0:18:26.199
<v Speaker 10>had to leave. You know, but and she was just

0:18:26.280 --> 0:18:28.800
<v Speaker 10>her standing alone on the stage. You know, the way

0:18:28.800 --> 0:18:32.840
<v Speaker 10>she did it was amazing. It was one of the

0:18:32.840 --> 0:18:36.080
<v Speaker 10>most amazing concerts I ever saw. Just she was something.

0:18:41.200 --> 0:18:43.720
<v Speaker 1>Well I wanted to know, like what your music experience

0:18:43.800 --> 0:18:47.359
<v Speaker 1>was in Arkansas, like because you seem pretty open minded

0:18:47.440 --> 0:18:50.400
<v Speaker 1>to just art and all that stuff, Like how does

0:18:50.480 --> 0:18:55.000
<v Speaker 1>one do that from Yeah.

0:18:54.600 --> 0:18:56.800
<v Speaker 10>Well it was we weren't all the same. You know,

0:18:58.119 --> 0:19:02.119
<v Speaker 10>it's not like it even today. It's more well to

0:19:02.200 --> 0:19:04.320
<v Speaker 10>the right of where it was in the nineteen seventies.

0:19:05.400 --> 0:19:08.560
<v Speaker 10>Most Southern states are in the small towns in rural

0:19:08.600 --> 0:19:13.160
<v Speaker 10>areas because of what's happened to the information ecosystem and

0:19:13.280 --> 0:19:17.480
<v Speaker 10>a lot of other things. But I remember when I

0:19:17.560 --> 0:19:20.040
<v Speaker 10>went to the BREWBYX concert. I was telling you about that.

0:19:20.119 --> 0:19:23.120
<v Speaker 10>He was friends with the band director down there who

0:19:23.280 --> 0:19:27.000
<v Speaker 10>had worked with Stan Kenton and when they did all

0:19:27.000 --> 0:19:30.840
<v Speaker 10>that groundbreaking musical work. You know, in the fifties, there

0:19:30.880 --> 0:19:35.359
<v Speaker 10>were always chances to do that. I've Ray Charles once

0:19:35.400 --> 0:19:38.280
<v Speaker 10>when he was kind of on the slow circuit in

0:19:38.359 --> 0:19:44.760
<v Speaker 10>a little venue in western Arkansas. When I was in college,

0:19:45.359 --> 0:19:49.520
<v Speaker 10>I heard Ray Charles sing where Marion Anderton did in

0:19:49.640 --> 0:19:53.040
<v Speaker 10>Constitution Hall. She wanted to sing in Constitution Hall. You

0:19:53.040 --> 0:19:58.600
<v Speaker 10>remember that Daughters of American Revolution drove her out. So

0:19:58.760 --> 0:20:04.560
<v Speaker 10>Harold Ikey's the interior secretary for Roosevelt, whose son worked

0:20:04.560 --> 0:20:08.560
<v Speaker 10>for me in the White House. Amazing. He gave her

0:20:08.600 --> 0:20:15.800
<v Speaker 10>the Lincoln Memorial, the famous When Ray Charles came in

0:20:15.880 --> 0:20:22.119
<v Speaker 10>nineteen sixty seven, he sang in Constitutional Hall. And I

0:20:22.240 --> 0:20:24.920
<v Speaker 10>call this woman that I had just met, and on

0:20:25.080 --> 0:20:26.399
<v Speaker 10>a lark, I asked if she wanted to go to

0:20:26.400 --> 0:20:31.679
<v Speaker 10>this concert. She was about six feet tall, and we

0:20:31.760 --> 0:20:34.080
<v Speaker 10>got we can. By the time I got the tickets,

0:20:34.080 --> 0:20:35.600
<v Speaker 10>we had to sit way up in the back on

0:20:35.640 --> 0:20:39.680
<v Speaker 10>the second floor and we were only there were fewer

0:20:39.680 --> 0:20:44.520
<v Speaker 10>than ten white people there. Yes, it was unbelievable, though

0:20:45.119 --> 0:20:49.399
<v Speaker 10>I never forget he played, you know, his repertoire, and

0:20:49.440 --> 0:20:52.720
<v Speaker 10>he saved Georgia till near the last, and he plays

0:20:52.760 --> 0:20:57.800
<v Speaker 10>the introduction on the piano and didn't do anything. He

0:20:57.920 --> 0:21:02.119
<v Speaker 10>holds it in the crowds and then finally he just

0:21:02.200 --> 0:21:06.280
<v Speaker 10>reaches up to microphone he said Georgia like that, and

0:21:06.320 --> 0:21:11.320
<v Speaker 10>the crowd went nuts, just nuts, and it was And

0:21:11.400 --> 0:21:13.800
<v Speaker 10>I was so excited at that Ray Charles concert. I

0:21:13.800 --> 0:21:16.680
<v Speaker 10>remember it was June the twenty fourth, nineteen sixty seven.

0:21:16.760 --> 0:21:19.600
<v Speaker 10>I so remember where it was that I stayed up

0:21:19.600 --> 0:21:21.639
<v Speaker 10>till three o'clock in the morning. I couldn't go to sleep,

0:21:21.640 --> 0:21:23.359
<v Speaker 10>and I went out and raided three in three miles

0:21:23.400 --> 0:21:26.640
<v Speaker 10>so I could sleep a little. And I saved that

0:21:26.840 --> 0:21:30.760
<v Speaker 10>ticket stub for I don't know ten fifteen years. I

0:21:30.800 --> 0:21:33.960
<v Speaker 10>kept it in my billfa wow. And I was so

0:21:34.040 --> 0:21:37.480
<v Speaker 10>grateful that I finally got to meet him, you know,

0:21:37.520 --> 0:21:41.320
<v Speaker 10>when I was president, and we became friends. And Quincy

0:21:41.440 --> 0:21:45.240
<v Speaker 10>Jones was helpful to me because he was a friend

0:21:45.280 --> 0:21:47.480
<v Speaker 10>of mine. And you know, he and Charles knew each

0:21:47.520 --> 0:21:52.480
<v Speaker 10>other in Seattle when Quincy was fourteen and Charles was seventeen,

0:21:53.640 --> 0:21:58.320
<v Speaker 10>and Ray Charles got himself all the way from Central Florida,

0:21:58.440 --> 0:22:02.880
<v Speaker 10>where he was a boy as a blind man, because

0:22:02.880 --> 0:22:04.840
<v Speaker 10>he was not blind in his early years, but he

0:22:04.920 --> 0:22:07.760
<v Speaker 10>was blind, and he took a bus. He said he

0:22:07.800 --> 0:22:09.679
<v Speaker 10>wanted to get as far away from Central Florida as

0:22:09.720 --> 0:22:15.760
<v Speaker 10>he could without having to leave the country. So he

0:22:15.800 --> 0:22:21.400
<v Speaker 10>went to Seattle, and Quincy said, you know, I decided

0:22:21.440 --> 0:22:23.800
<v Speaker 10>I could make it music. I mean, here's this blond

0:22:23.840 --> 0:22:27.840
<v Speaker 10>guy who's seventeen, and he's got his own apartment. He's

0:22:27.880 --> 0:22:30.840
<v Speaker 10>got three suits in the closet, and he's got a girlfriend.

0:22:32.880 --> 0:22:37.800
<v Speaker 10>And that was a great story, and I genuinely came

0:22:37.840 --> 0:22:41.480
<v Speaker 10>to not only admire, but have an enormous affection for

0:22:41.560 --> 0:22:44.600
<v Speaker 10>Ray Charleson a couple of weeks before he died, and

0:22:44.640 --> 0:22:48.040
<v Speaker 10>this is long after I left the White House and

0:22:48.119 --> 0:22:52.719
<v Speaker 10>I knew he was sick, his young staff person called

0:22:53.200 --> 0:22:55.800
<v Speaker 10>my office and said, Ray wants to talk to President Clinton.

0:22:55.960 --> 0:22:57.840
<v Speaker 10>Can you do it? And I said sure, anytime, you know.

0:22:58.760 --> 0:23:02.800
<v Speaker 10>So he called me, and I knew he was sick,

0:23:03.800 --> 0:23:07.040
<v Speaker 10>and it was pretty well public by then. He didn't

0:23:07.040 --> 0:23:08.959
<v Speaker 10>talk about any of that. He had no interest in

0:23:08.960 --> 0:23:11.600
<v Speaker 10>talking to He said, I'm just calling a few of

0:23:11.640 --> 0:23:15.800
<v Speaker 10>my friends. Feoful, I want to talk to, you know,

0:23:15.960 --> 0:23:19.280
<v Speaker 10>one more time, and we shot the breeze for like

0:23:19.320 --> 0:23:20.000
<v Speaker 10>twenty minutes.

0:23:20.080 --> 0:23:22.040
<v Speaker 5>What did that feel like if even you going to

0:23:22.119 --> 0:23:24.280
<v Speaker 5>your younger self and realized that Ray Charles called you

0:23:24.640 --> 0:23:27.200
<v Speaker 5>like and he wanted to call you before some things happened.

0:23:27.280 --> 0:23:29.440
<v Speaker 10>Yeah, and he knew he was going to die. Yeah,

0:23:29.680 --> 0:23:31.240
<v Speaker 10>but he didn't want to talk about that. He wanted

0:23:31.240 --> 0:23:33.479
<v Speaker 10>to just talk about life with people that he had

0:23:34.640 --> 0:23:37.600
<v Speaker 10>And I forget, I think there were twelve or fifteen

0:23:37.600 --> 0:23:40.760
<v Speaker 10>people he just called that he wanted to talk to.

0:23:41.880 --> 0:23:46.240
<v Speaker 10>And I always thought he was something special.

0:23:47.040 --> 0:23:49.480
<v Speaker 5>What was the moment did you think the music community

0:23:49.520 --> 0:23:52.520
<v Speaker 5>he talked about being friends with Quincy Jones and Ray Charles,

0:23:52.880 --> 0:23:55.520
<v Speaker 5>and I'm curious when they learned that you were beyond

0:23:55.800 --> 0:23:56.560
<v Speaker 5>a passer by.

0:23:57.160 --> 0:23:58.200
<v Speaker 2>Was it like the.

0:23:58.160 --> 0:24:02.320
<v Speaker 5>Sax moment on our Senior? Did everybody realize like he

0:24:02.400 --> 0:24:05.160
<v Speaker 5>is not just a fan, He's a part of his community.

0:24:05.960 --> 0:24:08.879
<v Speaker 10>Well, I got a little of that on Johnny Carson,

0:24:08.920 --> 0:24:12.320
<v Speaker 10>you know with it Johnny Carson was I bombed at

0:24:12.320 --> 0:24:14.920
<v Speaker 10>my speech at the Democratic Convention in nineteen eighty eight,

0:24:15.720 --> 0:24:17.760
<v Speaker 10>and we don't have time for me to explain what

0:24:17.880 --> 0:24:20.040
<v Speaker 10>I bombed?

0:24:20.560 --> 0:24:25.800
<v Speaker 2>And so Carson hen hence Ducacus.

0:24:27.800 --> 0:24:31.120
<v Speaker 10>A woman actually is very interesting the people. This shows

0:24:31.119 --> 0:24:34.639
<v Speaker 10>you the difference in commentary. People that heard the speech

0:24:34.640 --> 0:24:40.000
<v Speaker 10>on the radio were ninety percent positive about it because

0:24:40.000 --> 0:24:42.720
<v Speaker 10>it was not interrupted. I got hundreds and hundreds of

0:24:42.840 --> 0:24:45.600
<v Speaker 10>letters from people who are in the radio. But anyway,

0:24:46.240 --> 0:24:48.639
<v Speaker 10>a woman named Amy Baker, who just passed away a

0:24:48.680 --> 0:24:52.520
<v Speaker 10>couple of years ago, a wonderful woman was working for Carson,

0:24:52.560 --> 0:24:56.600
<v Speaker 10>and she called a friend of mine in California and said,

0:24:57.240 --> 0:24:59.680
<v Speaker 10>I think Clinton should come on the show. He said,

0:24:59.680 --> 0:25:01.840
<v Speaker 10>I think Johnny would like him, and he said, he'll

0:25:01.880 --> 0:25:04.520
<v Speaker 10>let me take a ribbon. They talked, and I said,

0:25:04.520 --> 0:25:06.840
<v Speaker 10>and he never lets politicians come on the show anymore,

0:25:06.920 --> 0:25:10.600
<v Speaker 10>so we need him to play something so we can

0:25:10.720 --> 0:25:14.440
<v Speaker 10>use it as an excuse. I think we played Billy Holidays,

0:25:14.440 --> 0:25:19.440
<v Speaker 10>God Bless the Child, and maybe Heartbreak Hotel. We played something,

0:25:20.280 --> 0:25:24.880
<v Speaker 10>but I played anyway, really, and then Carson takes out

0:25:24.880 --> 0:25:28.320
<v Speaker 10>an hour glass and you know what those like three

0:25:28.400 --> 0:25:30.919
<v Speaker 10>minutes was. It turns it up and the sad starts

0:25:30.960 --> 0:25:35.840
<v Speaker 10>running out. And I said, well, I want to thank

0:25:35.880 --> 0:25:37.240
<v Speaker 10>you for giving me a chance to come here and

0:25:37.240 --> 0:25:43.119
<v Speaker 10>finish my speech. So we had a great time and

0:25:43.160 --> 0:25:44.679
<v Speaker 10>then I did our Sinio.

0:25:44.920 --> 0:25:51.240
<v Speaker 5>Okay, so we didn't know about Carson's.

0:25:52.640 --> 0:25:53.919
<v Speaker 2>Yeah, I was like, this happened.

0:25:54.000 --> 0:25:57.520
<v Speaker 10>Yes, then uh so our Sineo. You know knew I could.

0:25:57.680 --> 0:25:59.920
<v Speaker 10>It was halfway to be halfway decent if I played

0:26:00.000 --> 0:26:02.639
<v Speaker 10>and I wasn't playing really much. Then I think we

0:26:02.680 --> 0:26:05.879
<v Speaker 10>did my funny Valentine and Summertime. I think that's what

0:26:05.960 --> 0:26:06.439
<v Speaker 10>we played.

0:26:06.760 --> 0:26:08.840
<v Speaker 1>You did Elvis song. I think you did Harbrey tell

0:26:09.640 --> 0:26:11.440
<v Speaker 1>that part. I do remember on the commercial break.

0:26:12.480 --> 0:26:14.680
<v Speaker 10>Well, Elvis was my secret service code name.

0:26:15.119 --> 0:26:17.320
<v Speaker 2>Okay, oh wow, that's when.

0:26:17.200 --> 0:26:21.600
<v Speaker 10>I was running for president. I literally could sing the

0:26:21.760 --> 0:26:26.960
<v Speaker 10>Jordanaires background to every single Elvis Presley song. I remembered

0:26:27.040 --> 0:26:31.600
<v Speaker 10>long sections of dialogue from Love Me Tender and you

0:26:31.640 --> 0:26:34.320
<v Speaker 10>know all that stuff. I liked him, and if you

0:26:34.359 --> 0:26:37.760
<v Speaker 10>saw Baz Lrman's film about him, we did one thing.

0:26:38.040 --> 0:26:43.040
<v Speaker 10>The film finally showed once why Presley was so close

0:26:43.119 --> 0:26:47.280
<v Speaker 10>to the black community and why he deliberately sang in

0:26:47.359 --> 0:26:51.119
<v Speaker 10>the Ghetto and some other songs. He didn't have much politics,

0:26:51.160 --> 0:26:53.760
<v Speaker 10>but he felt pretty strongly about civil rights because he'd

0:26:53.760 --> 0:26:56.919
<v Speaker 10>grown up on the edge of the black neighborhoods in

0:26:56.960 --> 0:27:01.080
<v Speaker 10>Tupelo and and he had, you know, the voice of

0:27:01.080 --> 0:27:01.680
<v Speaker 10>a generation.

0:27:01.760 --> 0:27:04.200
<v Speaker 5>Can't wait for you to see the Little Richard documentary

0:27:04.240 --> 0:27:07.120
<v Speaker 5>where he he Lord Richard says Elvis actually told him

0:27:07.119 --> 0:27:09.919
<v Speaker 5>behind the scenes that you are basically the reason that

0:27:10.000 --> 0:27:12.280
<v Speaker 5>I am here, and no. Richard was like, well he's.

0:27:12.119 --> 0:27:13.199
<v Speaker 2>In all out right.

0:27:15.200 --> 0:27:17.200
<v Speaker 10>Well he was great, Little Richard. I was.

0:27:17.840 --> 0:27:20.600
<v Speaker 6>I was curious to know about the Arsenio performance because

0:27:20.640 --> 0:27:23.160
<v Speaker 6>this was in the nineties, so it's pre Twitter, pre

0:27:23.760 --> 0:27:26.600
<v Speaker 6>you know, going viral, so to speak. So how did

0:27:26.640 --> 0:27:29.840
<v Speaker 6>your team know, like after that performance, what were the

0:27:29.880 --> 0:27:32.400
<v Speaker 6>markers then of like, yo, we killed that, Like how

0:27:32.440 --> 0:27:35.320
<v Speaker 6>did you see the impact of it on your campaign?

0:27:36.320 --> 0:27:41.960
<v Speaker 10>A lot of it was like primp media commentary and

0:27:42.080 --> 0:27:45.879
<v Speaker 10>people are calling in, calling to all your headquarters. You know.

0:27:47.119 --> 0:27:50.359
<v Speaker 10>We used to send out our idea of rapid response

0:27:51.400 --> 0:27:54.199
<v Speaker 10>because we had a system. We had ten thousand people

0:27:55.160 --> 0:27:59.199
<v Speaker 10>throughout the country that we sent fax machine factions to

0:27:59.359 --> 0:28:02.240
<v Speaker 10>every day. We sent them facts as they says, here's

0:28:02.240 --> 0:28:05.680
<v Speaker 10>what we need to push today, and they would call

0:28:05.760 --> 0:28:10.000
<v Speaker 10>their local newspapers, they would call their local radio stations

0:28:10.040 --> 0:28:13.640
<v Speaker 10>and try to get the message out, or they would

0:28:13.720 --> 0:28:17.960
<v Speaker 10>write a letter to their local newspapers. I mean it

0:28:18.000 --> 0:28:29.640
<v Speaker 10>seems so. It seems like creaky today.

0:28:20.200 --> 0:28:26.520
<v Speaker 8>That that wasn't so far away.

0:28:26.800 --> 0:28:30.119
<v Speaker 10>We we were, you know, we did the best we could,

0:28:30.160 --> 0:28:32.600
<v Speaker 10>and you know, I think there were some good things

0:28:32.640 --> 0:28:37.680
<v Speaker 10>about the eighties and the nineties. It's still most towns

0:28:37.720 --> 0:28:40.680
<v Speaker 10>had their own newspapers, and they were pretty much on

0:28:40.720 --> 0:28:43.440
<v Speaker 10>the level. You know, they could be in real right

0:28:43.440 --> 0:28:45.720
<v Speaker 10>wing towns or real liberals towns, but they were built

0:28:45.800 --> 0:28:47.960
<v Speaker 10>newspapers pretty well on the level. And they would give

0:28:48.440 --> 0:28:51.560
<v Speaker 10>you access if you showed up, and they would say

0:28:51.600 --> 0:28:54.360
<v Speaker 10>what you said and then and if they dumped on you,

0:28:54.480 --> 0:28:57.160
<v Speaker 10>they would do it on the editorial page. They wouldn't

0:28:57.160 --> 0:28:59.200
<v Speaker 10>twist the news story. It was very different than that.

0:29:00.200 --> 0:29:07.240
<v Speaker 10>Almost every town of any size had their own locally

0:29:07.320 --> 0:29:10.400
<v Speaker 10>owned radio station. It meant a huge difference. I mean,

0:29:10.440 --> 0:29:13.040
<v Speaker 10>I might not be here if it weren't for that.

0:29:17.880 --> 0:29:20.360
<v Speaker 1>All right, I got a question, and you know, I

0:29:20.400 --> 0:29:22.920
<v Speaker 1>was trying to figure out again with twenty four hour

0:29:23.080 --> 0:29:26.120
<v Speaker 1>less than twenty four hour warning, you don't know like

0:29:26.200 --> 0:29:29.240
<v Speaker 1>what angle we're going to go in. And this brings

0:29:29.280 --> 0:29:33.240
<v Speaker 1>me back to if you remember, on the internet, they

0:29:33.280 --> 0:29:37.640
<v Speaker 1>started this trending question like would you rather have half

0:29:37.640 --> 0:29:40.320
<v Speaker 1>a million dollars or a dinner with jay Z.

0:29:41.000 --> 0:29:41.920
<v Speaker 2>What would you choose?

0:29:42.600 --> 0:29:48.560
<v Speaker 1>And no, But the thing is is, like you know,

0:29:49.080 --> 0:29:53.240
<v Speaker 1>it's either would you rather get wisdom on how to.

0:29:52.360 --> 0:29:53.840
<v Speaker 5>Run the game and create your own.

0:29:53.720 --> 0:29:55.920
<v Speaker 2>Game or just whatever? Just give me the money.

0:29:56.000 --> 0:30:00.160
<v Speaker 1>Money, okay, but the timeout, but I got but my

0:30:00.320 --> 0:30:01.920
<v Speaker 1>question aazy would tell you to take the money.

0:30:01.920 --> 0:30:01.960
<v Speaker 10>No.

0:30:04.720 --> 0:30:07.920
<v Speaker 1>But you know, since we have you here, and I

0:30:07.960 --> 0:30:11.320
<v Speaker 1>feel like at least for the five of us, and

0:30:11.320 --> 0:30:13.520
<v Speaker 1>by the five of us also mean like the community

0:30:13.520 --> 0:30:17.320
<v Speaker 1>that listens to this particular podcast, all of us, I

0:30:17.360 --> 0:30:21.200
<v Speaker 1>feel are either in our pivot moment in our lives

0:30:21.320 --> 0:30:23.520
<v Speaker 1>or in our career, Like all of us do something

0:30:23.560 --> 0:30:26.760
<v Speaker 1>notable here, Like he was part of the Hamilton team,

0:30:26.840 --> 0:30:30.040
<v Speaker 1>and you know, he's been a long time engineer, She's

0:30:30.120 --> 0:30:33.600
<v Speaker 1>been radio hosts, he's been like a hero to many

0:30:34.200 --> 0:30:36.560
<v Speaker 1>in the hip hop community. And now we're kind of

0:30:36.600 --> 0:30:39.280
<v Speaker 1>at this place in our lives where we're sort of

0:30:39.280 --> 0:30:43.480
<v Speaker 1>flirting with leadership roles. And you know, I would like

0:30:43.520 --> 0:30:47.000
<v Speaker 1>to ask you, as a person who sort of volunteered

0:30:47.760 --> 0:30:50.600
<v Speaker 1>for this life, to be a leader in all those things,

0:30:50.640 --> 0:30:53.640
<v Speaker 1>because it comes with a lot from what from the

0:30:53.680 --> 0:30:56.280
<v Speaker 1>outside looking in or I don't know if I'm inside

0:30:56.480 --> 0:31:00.520
<v Speaker 1>thinking I'm outside looking in. It seems like one a

0:31:00.560 --> 0:31:02.960
<v Speaker 1>thankless job to be a leader. And I'm not just

0:31:03.000 --> 0:31:06.600
<v Speaker 1>talking about president. Let's take it down. Why would you

0:31:07.440 --> 0:31:13.160
<v Speaker 1>ever want to subject yourself to having to always think,

0:31:13.240 --> 0:31:17.080
<v Speaker 1>quick on your feet, always having the answer, having to

0:31:18.080 --> 0:31:22.959
<v Speaker 1>whatever the metaphorical term, reach across the aisle, to speak

0:31:22.960 --> 0:31:25.280
<v Speaker 1>to someone, to nuanced a relationship, to do a long

0:31:25.320 --> 0:31:27.560
<v Speaker 1>dinner just for that one person, and you got to

0:31:27.600 --> 0:31:30.320
<v Speaker 1>do it like one hundred times. I guess I'm basically

0:31:30.400 --> 0:31:32.680
<v Speaker 1>asking is like all of us are right now sort

0:31:32.680 --> 0:31:37.520
<v Speaker 1>of at the bottom, looking at whatever our mount Fiji

0:31:37.640 --> 0:31:41.640
<v Speaker 1>or whatever the mountain is that we see, why should

0:31:41.680 --> 0:31:45.640
<v Speaker 1>we want to be a leader, Like, what is the

0:31:46.240 --> 0:31:47.080
<v Speaker 1>what's the motivation?

0:31:48.840 --> 0:31:54.120
<v Speaker 10>Most of life is a social experiment and a social experience.

0:31:54.960 --> 0:31:58.880
<v Speaker 10>So if you feel strongly about something and you want

0:31:58.920 --> 0:32:02.400
<v Speaker 10>to impact your cha answers are much better if you

0:32:03.400 --> 0:32:07.160
<v Speaker 10>can lead a pack that agrees with you. And I

0:32:07.200 --> 0:32:10.880
<v Speaker 10>think that's really important that all these questions no one

0:32:10.880 --> 0:32:15.760
<v Speaker 10>can answer but the person affected. But I think it

0:32:15.920 --> 0:32:20.160
<v Speaker 10>starts with how you keep score. I mean, we all

0:32:20.280 --> 0:32:22.880
<v Speaker 10>keep score, whether we admit or not, we keep score

0:32:22.920 --> 0:32:25.760
<v Speaker 10>on ourselves. I wish I were a little taller. I

0:32:25.840 --> 0:32:27.960
<v Speaker 10>wish I little say, if I'd had Lebron's body, I'd

0:32:27.960 --> 0:32:29.960
<v Speaker 10>have gone a different line of work. That kind of stuff,

0:32:30.000 --> 0:32:35.480
<v Speaker 10>you know, we do that. So if you keep score

0:32:36.440 --> 0:32:41.080
<v Speaker 10>in a way that is at all other directed, then

0:32:41.200 --> 0:32:43.160
<v Speaker 10>if you get a chance to lead, you have to

0:32:43.200 --> 0:32:47.240
<v Speaker 10>do it and people won't resent you if they see

0:32:47.600 --> 0:32:52.080
<v Speaker 10>that it's other directed. I mean to me, I decided

0:32:52.240 --> 0:32:53.960
<v Speaker 10>when I got into this, I said, why are you

0:32:54.040 --> 0:32:58.160
<v Speaker 10>doing this? And I realized I had to face some

0:32:58.200 --> 0:33:02.560
<v Speaker 10>way of keeping score. So I keep score as follows.

0:33:03.160 --> 0:33:05.520
<v Speaker 10>Are people better off when you quit than when you started?

0:33:06.560 --> 0:33:09.880
<v Speaker 10>The children have a broader future? And are things coming

0:33:09.920 --> 0:33:13.800
<v Speaker 10>together instead of falling apart? And if you can answer

0:33:14.360 --> 0:33:17.600
<v Speaker 10>yes to all three of those questions, I think your

0:33:17.640 --> 0:33:21.600
<v Speaker 10>life's a runaway success. Even if you have heartbreak, even

0:33:21.640 --> 0:33:25.840
<v Speaker 10>if you fail, even if you make colossal mistakes, and

0:33:25.880 --> 0:33:28.360
<v Speaker 10>if you make enough decisions and you live long enough,

0:33:28.400 --> 0:33:31.239
<v Speaker 10>you will make mistakes. I think that's it. But if

0:33:31.360 --> 0:33:34.360
<v Speaker 10>you if you keep scoring any way that is other director.

0:33:34.480 --> 0:33:38.320
<v Speaker 10>You want to increase people's love for music, You want

0:33:38.360 --> 0:33:43.640
<v Speaker 10>to increase people's understanding of the social impact of music.

0:33:44.880 --> 0:33:47.720
<v Speaker 10>You want to get people who never thought about how

0:33:47.760 --> 0:33:52.480
<v Speaker 10>America got started to see it through as they can feel.

0:33:52.880 --> 0:33:56.360
<v Speaker 10>And you do, Hamilton, you know you did. Whatever it is.

0:33:57.160 --> 0:33:57.960
<v Speaker 10>There's a price.

0:33:58.040 --> 0:34:00.600
<v Speaker 7>You should be president, So bad news. Guys care about

0:34:00.600 --> 0:34:04.440
<v Speaker 7>other people and not just not just ourselves.

0:34:05.200 --> 0:34:07.400
<v Speaker 2>Hang on a second. We got to let this go.

0:34:08.239 --> 0:34:11.440
<v Speaker 2>I knew it was coming. I knew I was coming

0:34:11.920 --> 0:34:15.160
<v Speaker 2>my team music when I say something brilliant go.

0:34:15.120 --> 0:34:17.360
<v Speaker 5>Ahead, you didn't mean an interrupt miss President. We finished

0:34:17.360 --> 0:34:17.839
<v Speaker 5>with your thought?

0:34:18.160 --> 0:34:21.080
<v Speaker 2>Yeah yeah, okay.

0:34:21.480 --> 0:34:25.839
<v Speaker 1>Well, as of this taping, you know, we lost, Yeah,

0:34:26.080 --> 0:34:29.759
<v Speaker 1>one of the most crucial leaders of someone that I

0:34:29.800 --> 0:34:33.600
<v Speaker 1>looked up to because the role that Harry Belafonte played

0:34:34.719 --> 0:34:37.960
<v Speaker 1>and social change, right, you know, because I don't want

0:34:38.000 --> 0:34:40.640
<v Speaker 1>to have to like what I'm previously. What I'm known

0:34:40.719 --> 0:34:43.520
<v Speaker 1>for now is just like hey, a hustler. I'll do

0:34:43.560 --> 0:34:45.560
<v Speaker 1>this job and that job and this project and that project.

0:34:45.920 --> 0:34:49.840
<v Speaker 1>But you know, I'm wondering, like at sixty, at seventy,

0:34:49.920 --> 0:34:51.839
<v Speaker 1>like what is my life going to be? And right

0:34:51.880 --> 0:34:55.120
<v Speaker 1>now I'm thinking like, okay, I want to get into philanthropy.

0:34:55.320 --> 0:35:00.000
<v Speaker 1>So I'm kind of like working my behind off now

0:35:00.040 --> 0:35:04.000
<v Speaker 1>now so that I can be in the position to

0:35:04.080 --> 0:35:06.759
<v Speaker 1>be that person when I get to my sixties. And

0:35:07.320 --> 0:35:09.600
<v Speaker 1>also I'm also trying to get out the place where

0:35:09.800 --> 0:35:12.319
<v Speaker 1>like I'm writing my future down, like okay, ten years

0:35:12.360 --> 0:35:14.600
<v Speaker 1>from now, I'm gonna do that. I'm now learning a

0:35:14.640 --> 0:35:17.440
<v Speaker 1>lesson where I wake up every day and just like this,

0:35:17.719 --> 0:35:21.399
<v Speaker 1>like this was definitely not on my Bengo cart list,

0:35:21.440 --> 0:35:24.080
<v Speaker 1>like at all, this conversation, but things like this have

0:35:24.160 --> 0:35:28.200
<v Speaker 1>been happening to me almost consistently for the last two years,

0:35:28.239 --> 0:35:30.840
<v Speaker 1>where you know, I'm such a meticulous planner and this

0:35:30.880 --> 0:35:32.680
<v Speaker 1>is what I'm doing. This is how my future is

0:35:32.719 --> 0:35:37.160
<v Speaker 1>going to be, and then universe like kicks over and this, no,

0:35:37.239 --> 0:35:40.279
<v Speaker 1>this is what you're actually going to do. So you know,

0:35:40.440 --> 0:35:45.399
<v Speaker 1>as far as Harry Belafonte's concerned, that's kind of how

0:35:45.440 --> 0:35:47.799
<v Speaker 1>I thought. Okay, that might be the path I go,

0:35:47.920 --> 0:35:50.920
<v Speaker 1>where I plant ideas in people and then they implement

0:35:50.960 --> 0:35:53.480
<v Speaker 1>these things and change happens, be it we Are the world,

0:35:53.600 --> 0:35:58.160
<v Speaker 1>or the civil rights movement or even Beach Street, right,

0:35:58.160 --> 0:35:58.880
<v Speaker 1>even Beach Street.

0:35:59.239 --> 0:36:00.759
<v Speaker 2>But I don't know.

0:36:01.120 --> 0:36:04.320
<v Speaker 1>I just you said keeping score, and for me, keeping

0:36:04.360 --> 0:36:07.799
<v Speaker 1>score means that there are two sides, and you have

0:36:07.840 --> 0:36:11.680
<v Speaker 1>to be a coach to do that. And the way

0:36:11.800 --> 0:36:17.640
<v Speaker 1>that politics is now, it's enough to give me pause

0:36:17.719 --> 0:36:18.440
<v Speaker 1>and just be like.

0:36:19.400 --> 0:36:21.400
<v Speaker 2>I don't know, let me just cut a check and.

0:36:21.960 --> 0:36:25.160
<v Speaker 1>Hide in the woods, you know, Like I've never been

0:36:25.200 --> 0:36:27.560
<v Speaker 1>the hide in the woods person, but I brought a

0:36:27.560 --> 0:36:30.919
<v Speaker 1>farm three years ago, thinking like, I need a place

0:36:30.960 --> 0:36:33.359
<v Speaker 1>in the woods to hide in case the worst case

0:36:33.400 --> 0:36:36.680
<v Speaker 1>scenario happens. So me, personally, I'm just on the prespice

0:36:36.760 --> 0:36:40.120
<v Speaker 1>on the line of like, do I have to be

0:36:40.440 --> 0:36:41.960
<v Speaker 1>that person? Do I have to be the heir of

0:36:41.960 --> 0:36:46.120
<v Speaker 1>Bellafante that's no longer here, or do I just hide

0:36:46.160 --> 0:36:48.200
<v Speaker 1>behind somebody here and you do it?

0:36:48.440 --> 0:36:51.480
<v Speaker 2>Like what would you say, because.

0:36:51.480 --> 0:36:54.479
<v Speaker 10>I would say, do you need to do a little

0:36:54.480 --> 0:36:57.239
<v Speaker 10>bit of both? Let me explain what I mean by that.

0:36:58.160 --> 0:37:01.600
<v Speaker 10>Harry Belafani work his way into what you might call

0:37:01.680 --> 0:37:04.840
<v Speaker 10>direct action where he's marching with doctor King. But I

0:37:04.960 --> 0:37:07.839
<v Speaker 10>was thinking that I was telling on hell the way

0:37:07.880 --> 0:37:11.760
<v Speaker 10>drownd here today. I remember one of his earliest movies

0:37:12.800 --> 0:37:15.520
<v Speaker 10>when he was still a Calypso king, and he was

0:37:15.560 --> 0:37:19.719
<v Speaker 10>a beautiful man. God knows he was beautiful, and so

0:37:20.000 --> 0:37:24.480
<v Speaker 10>it's sort of a proto colonial movie. I'm embarrassed I

0:37:24.520 --> 0:37:28.839
<v Speaker 10>can't remember the name of it. But he's a guy

0:37:28.840 --> 0:37:31.000
<v Speaker 10>in the Caribbean. He's interested in what's going on in

0:37:31.000 --> 0:37:35.279
<v Speaker 10>this country, and this white lady sort of falls in

0:37:35.320 --> 0:37:38.320
<v Speaker 10>love with him. And when they did this movie, it

0:37:38.400 --> 0:37:40.560
<v Speaker 10>was a pretty brave thing to do to deal with

0:37:40.600 --> 0:37:42.400
<v Speaker 10>all that. There wasn't many movies dealing with all that.

0:37:42.800 --> 0:37:46.200
<v Speaker 10>So he made his statements in the movie and it was,

0:37:47.760 --> 0:37:50.040
<v Speaker 10>as a matter of fact, a good movie. And he

0:37:51.239 --> 0:37:54.560
<v Speaker 10>did a good thing. And then he used what he

0:37:54.600 --> 0:37:58.200
<v Speaker 10>had earned to start marching and getting involved with these

0:37:58.239 --> 0:38:01.440
<v Speaker 10>other things and doing it. I want to say something

0:38:01.480 --> 0:38:03.919
<v Speaker 10>almost contradicts what I told you earlier. I do think

0:38:03.960 --> 0:38:05.520
<v Speaker 10>you have to know how you're going to keep score,

0:38:06.440 --> 0:38:11.600
<v Speaker 10>and then you lay out a plan. But people ask

0:38:11.680 --> 0:38:14.439
<v Speaker 10>me all the time about how did I survive these

0:38:14.480 --> 0:38:17.520
<v Speaker 10>tough campaigns or what do you do when you're president?

0:38:17.520 --> 0:38:20.520
<v Speaker 10>And I remember when Hillary ran for the Senate from

0:38:20.560 --> 0:38:23.560
<v Speaker 10>New York, nobody asked her or her opponent, what are

0:38:23.560 --> 0:38:25.000
<v Speaker 10>you going to do when they bring down the World

0:38:25.000 --> 0:38:31.719
<v Speaker 10>Trade Center? So life is always happening to you. So basically,

0:38:31.800 --> 0:38:34.080
<v Speaker 10>you have to think about what you just said. And

0:38:34.160 --> 0:38:35.640
<v Speaker 10>I think it's a good thing you bought a.

0:38:35.560 --> 0:38:38.759
<v Speaker 2>Farm, by the way, But oh, I'm right next to you.

0:38:38.800 --> 0:38:39.239
<v Speaker 2>Trust me.

0:38:39.520 --> 0:38:44.200
<v Speaker 10>But let's just take a politician, say vote for me

0:38:44.320 --> 0:38:47.720
<v Speaker 10>from mayor and I will do one, two three. Okay.

0:38:47.800 --> 0:38:52.640
<v Speaker 10>Then you get in and George Floyd gets killed on

0:38:52.680 --> 0:38:57.520
<v Speaker 10>your streets or you're way up north. But for the

0:38:57.560 --> 0:39:00.680
<v Speaker 10>first time ever, a tornado takes out half your town

0:39:00.840 --> 0:39:05.040
<v Speaker 10>because of climate change, it's moving to Coronados North. Okay.

0:39:05.440 --> 0:39:09.439
<v Speaker 10>So you say, how should I think about this? Well,

0:39:09.600 --> 0:39:11.480
<v Speaker 10>first of all, you have to be heartless not to

0:39:11.520 --> 0:39:15.600
<v Speaker 10>deal with what's happening that you didn't plan for. But

0:39:15.680 --> 0:39:17.719
<v Speaker 10>if you don't also do what you said you would

0:39:17.760 --> 0:39:20.200
<v Speaker 10>do when you ran, the people that were your most

0:39:20.280 --> 0:39:23.680
<v Speaker 10>ardent supporters may feel let them and you may feel

0:39:23.760 --> 0:39:29.440
<v Speaker 10>let them. So life is a constant struggle to do

0:39:29.480 --> 0:39:32.400
<v Speaker 10>what you said you do and what you plan to

0:39:32.440 --> 0:39:36.000
<v Speaker 10>do deal with the incoming fire that you never expected.

0:39:36.560 --> 0:39:38.080
<v Speaker 5>Let me ask you a question real quick before you go.

0:39:38.360 --> 0:39:42.400
<v Speaker 5>We're going to probably be planning this interview back around June,

0:39:42.480 --> 0:39:45.239
<v Speaker 5>which is Black Music Month. I wanted to mention this

0:39:45.320 --> 0:39:49.320
<v Speaker 5>because although President Carter was the first one to invite,

0:39:49.440 --> 0:39:51.799
<v Speaker 5>of course, the Black Music Coalition to come to the

0:39:52.120 --> 0:39:55.240
<v Speaker 5>White House, you, my friend, were the one who signed

0:39:55.239 --> 0:39:59.080
<v Speaker 5>the order and invited Jimmy jam Terry Lewis, Deana Williams,

0:39:59.360 --> 0:40:01.359
<v Speaker 5>the Isley bro This to come to the White House

0:40:01.360 --> 0:40:02.920
<v Speaker 5>and make it official. Can you talk about that?

0:40:03.400 --> 0:40:05.759
<v Speaker 10>Yeah? I remember that. First I wanted to do it,

0:40:06.640 --> 0:40:08.759
<v Speaker 10>and secondly it was another excuse to get people to

0:40:08.760 --> 0:40:12.719
<v Speaker 10>come see me, he thought. I mean, I was a

0:40:12.800 --> 0:40:17.520
<v Speaker 10>huge Brothers friend and I love this whole heart of mine.

0:40:17.719 --> 0:40:19.160
<v Speaker 10>I get it out every now and then just play

0:40:19.160 --> 0:40:22.120
<v Speaker 10>it again. There are all these songs you have, songs

0:40:22.120 --> 0:40:28.400
<v Speaker 10>you replay from your life, don't you. I think, Nina Simons,

0:40:28.440 --> 0:40:30.080
<v Speaker 10>I wish I knew how it would feel to be three.

0:40:30.120 --> 0:40:33.560
<v Speaker 10>It's the best recording of that song, and it's the

0:40:33.560 --> 0:40:37.920
<v Speaker 10>best little known song of the civil rights era. And

0:40:38.200 --> 0:40:40.160
<v Speaker 10>when I get really down, I just put it on

0:40:40.239 --> 0:40:43.520
<v Speaker 10>and play it. But anyway, that's what I wanted to

0:40:43.520 --> 0:40:46.680
<v Speaker 10>say about it. I didn't I want to make the

0:40:46.680 --> 0:40:50.240
<v Speaker 10>point I was trying to make before. How whatever anybody's

0:40:50.280 --> 0:40:53.960
<v Speaker 10>listening to us, you worry about how much money is

0:40:54.000 --> 0:40:56.719
<v Speaker 10>it and what am I going to do? People need

0:40:56.760 --> 0:40:58.399
<v Speaker 10>to worry more about how am I going to do it?

0:40:58.760 --> 0:41:01.600
<v Speaker 10>If you're going to keep score in terms of other

0:41:01.680 --> 0:41:04.759
<v Speaker 10>people's lives, and your impact on it. You have to

0:41:04.760 --> 0:41:06.680
<v Speaker 10>worry as much about how you're going to do it.

0:41:07.200 --> 0:41:09.040
<v Speaker 10>That's what you're gonna do, and how much money you

0:41:09.080 --> 0:41:09.600
<v Speaker 10>have or don't.

0:41:10.040 --> 0:41:12.319
<v Speaker 2>Beautiful, what's the stuff you listen to when you need

0:41:12.360 --> 0:41:12.799
<v Speaker 2>to get up?

0:41:13.120 --> 0:41:17.040
<v Speaker 10>Oh? For once in my life, it's like Stevie Wonders

0:41:17.080 --> 0:41:17.960
<v Speaker 10>in my life.

0:41:18.560 --> 0:41:21.160
<v Speaker 7>One last jazz question from me with regards to the

0:41:21.200 --> 0:41:23.839
<v Speaker 7>saxophone Oliver and Nelson. Are you an Oliver Nelson fan?

0:41:25.239 --> 0:41:26.279
<v Speaker 2>Yes?

0:41:26.320 --> 0:41:29.319
<v Speaker 7>So there's an albumin Impulse called a tribute to John

0:41:29.360 --> 0:41:32.399
<v Speaker 7>Fitzgerald Kennedy. I was just wondering if you've ever had

0:41:32.440 --> 0:41:32.839
<v Speaker 7>that one?

0:41:33.000 --> 0:41:36.160
<v Speaker 8>No, check it out that.

0:41:36.120 --> 0:41:37.200
<v Speaker 2>Yeah, it's class.

0:41:37.239 --> 0:41:39.040
<v Speaker 10>I got a bunch of those albums.

0:41:39.200 --> 0:41:42.680
<v Speaker 2>Yeah, Oliver Nelson, Pharaoh Sanders. Were you a fan of

0:41:42.719 --> 0:41:43.840
<v Speaker 2>his as well?

0:41:44.360 --> 0:41:48.120
<v Speaker 10>Oh? Yeah, you know he had Arkansas connections. Yeah, he

0:41:48.320 --> 0:41:50.279
<v Speaker 10>want to talk to his family when he died.

0:41:50.360 --> 0:41:53.719
<v Speaker 1>You're reminding me that I'm doing my first chow in

0:41:53.840 --> 0:41:55.600
<v Speaker 1>Arkansas in four days.

0:41:56.280 --> 0:41:59.200
<v Speaker 2>You are ever, Yeah, but the roots have never.

0:41:59.040 --> 0:42:04.479
<v Speaker 1>Went to you Arkansas. I think we're going a little rock. Yeah,

0:42:04.520 --> 0:42:07.040
<v Speaker 1>there's a festival down there, so it'll be interesting to

0:42:07.040 --> 0:42:07.279
<v Speaker 1>see you.

0:42:07.920 --> 0:42:09.920
<v Speaker 10>You'll like it. They'll be that's a good town.

0:42:10.960 --> 0:42:13.120
<v Speaker 2>I'm going to see it. So this, if you want to.

0:42:13.120 --> 0:42:14.759
<v Speaker 10>Go to my library, let me know. I'll set it

0:42:14.840 --> 0:42:16.160
<v Speaker 10>up right there.

0:42:16.320 --> 0:42:19.600
<v Speaker 2>I might do it, Yes, no doubt, I will absolutely

0:42:19.680 --> 0:42:19.880
<v Speaker 2>do that.

0:42:20.440 --> 0:42:23.600
<v Speaker 10>And there's an uh we just opened the new Arkansas

0:42:23.680 --> 0:42:28.200
<v Speaker 10>Art Gallery, which is old and it's beautiful really and

0:42:28.280 --> 0:42:32.800
<v Speaker 10>a brilliant woman architect named Jenny Gang from Chicago did it.

0:42:32.800 --> 0:42:34.920
<v Speaker 10>It is a fabulous place.

0:42:35.920 --> 0:42:36.719
<v Speaker 2>I shall be going there.

0:42:36.760 --> 0:42:38.680
<v Speaker 5>How big is that vinyl collection? You didn't tell us?

0:42:38.680 --> 0:42:38.719
<v Speaker 4>Like?

0:42:38.760 --> 0:42:41.120
<v Speaker 5>How many records you gotten? Where you keep those things?

0:42:41.600 --> 0:42:41.799
<v Speaker 4>Oh?

0:42:41.840 --> 0:42:44.560
<v Speaker 10>I keep them in home with my in New York.

0:42:44.840 --> 0:42:47.840
<v Speaker 10>I've got probably I've got over one hundred of these

0:42:48.200 --> 0:42:53.560
<v Speaker 10>in New York. But I also have that many in Arkansas.

0:42:54.640 --> 0:42:57.200
<v Speaker 10>There's an apartment upstairs in the library, and I've got

0:42:57.200 --> 0:43:00.520
<v Speaker 10>them there. Okay, so I still play.

0:43:00.280 --> 0:43:05.000
<v Speaker 1>Them there you go, Well, sir, yeah, this could actually

0:43:05.000 --> 0:43:07.400
<v Speaker 1>go in for twelve hours and we wouldn't care. But

0:43:07.480 --> 0:43:09.360
<v Speaker 1>your people were like, nah, you got to wrap it

0:43:09.440 --> 0:43:14.040
<v Speaker 1>up now, so on behalf of Fontigelo and Laya and

0:43:14.160 --> 0:43:15.799
<v Speaker 1>Sugar Steve and unpaid Bill.

0:43:16.200 --> 0:43:19.600
<v Speaker 2>Thank you very much, President Clinton for gracing our show.

0:43:19.920 --> 0:43:23.560
<v Speaker 5>Yes, oh you didn't get to President you didn't get

0:43:23.600 --> 0:43:25.960
<v Speaker 5>to tell about your summer or soul. Dan, We're supposed to.

0:43:25.920 --> 0:43:29.879
<v Speaker 2>Talk about next time. Okay, Part two, Thank you very much.

0:43:31.040 --> 0:43:36.360
<v Speaker 1>Quest Love Supreme is a production of iHeart Radio. For

0:43:36.440 --> 0:43:39.560
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