WEBVTT - You've Been Gilmored: Crack Staff

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<v Speaker 1>I Am all In. Oh, Let's kiss you.

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<v Speaker 2>I Am all in with Scott Patterson and iHeartRadio podcast.

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<v Speaker 1>Everybody Scott Patterson, I Am all In Podcast one of

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<v Speaker 1>them productions iHeart Radio. One on one interview with the

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<v Speaker 1>one and Only Crackstaff and it's Suzanne French, who has

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<v Speaker 1>been in my life since twenty seventeen. She's been involved

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<v Speaker 1>in a lot of goings ons. She was part of

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<v Speaker 1>the music tour. She has been very helpful. She's been

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<v Speaker 1>a really great loyal team member for these seven years

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<v Speaker 1>and hope it continues. She's just terrific. Her and her

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<v Speaker 1>husband John have been very very helpful. And I met

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<v Speaker 1>them through my chief assistant, Elina Spinoza, who a lot

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<v Speaker 1>of you know out there because you interact with her

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<v Speaker 1>so often online and on my socials and all that stuff,

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<v Speaker 1>and there's so many of you that I had to

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<v Speaker 1>delegate all that stuff to them because I just there

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<v Speaker 1>weren't enough hours in the day. I tried to do

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<v Speaker 1>it in the beginning, but it means a lot that

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<v Speaker 1>Susanne will come on. She's a true, true, truly hard worker.

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<v Speaker 1>She's got a regular job and she does this in

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<v Speaker 1>addition to so we really thank her. We're gonna's bring

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<v Speaker 1>her own Susanne French.

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<v Speaker 2>It's me.

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<v Speaker 1>How you been, I'm good? How you doing?

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<v Speaker 2>I'm good.

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<v Speaker 1>So look, look, let's get started by telling the people

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<v Speaker 1>how you know me, how we met, a little bit

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<v Speaker 1>about our history and all that.

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<v Speaker 2>Okay, well, I'm trying to think. See, I think we

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<v Speaker 2>first met. It was twenty seventeen, the run up to

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<v Speaker 2>the tour, and.

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<v Speaker 1>I the music tour.

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<v Speaker 2>The music tour, right, I guess I should specify, right,

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<v Speaker 2>And yes, that's right. My husband John and I when

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<v Speaker 2>I helped out at some of the dates on that,

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<v Speaker 2>you know, passing out miss bands and selling merch and

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<v Speaker 2>crowd control and just all that, all that jazz, and

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<v Speaker 2>so we kind of got to be friends, Matt and.

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<v Speaker 1>I guess, yeah, we had. We had a lot of

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<v Speaker 1>fun on that tour. It was fun, Yes, And you

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<v Speaker 1>guys were really helpful and it was a lot of fun.

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<v Speaker 1>And I cut it short. I missed my son so much.

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<v Speaker 1>I cut it. I just after nineteen days, I'm like,

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<v Speaker 1>I'm done with this. I don't want to do this anymore. Yeah,

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<v Speaker 1>and we were doing great. We were like Elaine was

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<v Speaker 1>booking shows like in the car as we were driving

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<v Speaker 1>to the next city, and it's like, oh my god,

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<v Speaker 1>South Carolina. I wants to now Texas and now this,

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<v Speaker 1>and there's five places in Florida that want you to

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<v Speaker 1>come down because we're everything was getting posted on social

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<v Speaker 1>media in real time and people were seeing it's oh,

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<v Speaker 1>come down here, come down here. So we're just getting

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<v Speaker 1>all these bookings and I was just like, oh man,

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<v Speaker 1>we could do this for a year.

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<v Speaker 2>She she put that whole thing together on a shoe string,

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<v Speaker 2>and I don't I don't know if I did it.

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<v Speaker 2>Like that was an amazing effort, and I was. I

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<v Speaker 2>was glad to be even just a small part of it.

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<v Speaker 2>It was really fun.

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<v Speaker 1>Yeah, yeah, it was. It was fun anyway. So first,

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<v Speaker 1>you know, the fans want to know, Susanne, how you

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<v Speaker 1>got the job of being my crack staff.

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<v Speaker 2>Well, you know, it's really just being in the right

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<v Speaker 2>place at the right time, and crack staff is some

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<v Speaker 2>of a group effort, and it really I think it

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<v Speaker 2>just came down to I just am a fan of

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<v Speaker 2>the show. I love the show, and I also happen

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<v Speaker 2>to have this incredibly analytical, detail oriented brain. And so

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<v Speaker 2>at some point you've seen the show so many times

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<v Speaker 2>that you stop watching the actors and you start watching

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<v Speaker 2>what's happening behind them, and I just like, these little

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<v Speaker 2>things would just pop out to me and I see

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<v Speaker 2>patterns and you know, lines that get repeated over and over,

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<v Speaker 2>and I just started seeing like these funny little things.

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<v Speaker 2>And so there was I can't even remember really where

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<v Speaker 2>it started, but it was some episode that you guys

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<v Speaker 2>had done a recap for and I texted you and

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<v Speaker 2>I was like, but did you see X y Z

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<v Speaker 2>happening in the background? And you were like, oh my gosh, no,

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<v Speaker 2>we didn't see that, and so you like went back

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<v Speaker 2>and basically did a pickup for that. And I can't

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<v Speaker 2>even remember now which which episode it was, but that

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<v Speaker 2>was kind of how it all got started. And so

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<v Speaker 2>then it just became kind of a habit every week

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<v Speaker 2>that I would watch whatever the upcoming episode was, and

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<v Speaker 2>if I saw, you know, something worthwhile, then I would

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<v Speaker 2>just point it out. So that's that's right.

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<v Speaker 1>And then you text me and say is this okay?

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<v Speaker 1>I don't want you know, and I'm like, no, this

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<v Speaker 1>is great. The fans love this. And so I talked

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<v Speaker 1>to Amy Sugarman and said, let's make this a real thing.

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<v Speaker 1>Let's make this a regular part of each episode. And

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<v Speaker 1>she said, yeah, no, it's great. The fans eat it up.

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<v Speaker 1>They love this stuff. And I dubbed you crackstaff because

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<v Speaker 1>that's what you are, your crackstaff, crack crackerjack staff. Yeh,

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<v Speaker 1>do you have any crackstaff info from Live and let diorama?

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<v Speaker 2>You know? I this is so. I was bummed. I

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<v Speaker 2>can't wait to hear what you guys say on the recap.

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<v Speaker 1>I was.

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<v Speaker 2>I was hoping I could join in on that a

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<v Speaker 2>little bit because this is one of my favorite episodes

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<v Speaker 2>of the entire series. I think it's hilarious. Yeah, so

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<v Speaker 2>many funny lines, and I can't wait to hear how

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<v Speaker 2>you guys rated it.

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<v Speaker 1>But okay, okay, well, but.

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<v Speaker 2>Really, I have noticed that as the series goes on,

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<v Speaker 2>they kind of like they run a tighter ship each season,

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<v Speaker 2>and so as the time goes on, it's harder to

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<v Speaker 2>find those quirky little easter eggs.

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<v Speaker 1>Oh really, really?

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<v Speaker 2>The one thing that I that I did notice in

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<v Speaker 2>this episode, and I don't know if you already talked

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<v Speaker 2>about this in the recap, so you'll have to tell me.

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<v Speaker 2>So I'm not repeating anything. So, did you guys catch

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<v Speaker 2>onto what music was playing? The first time Lane and

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<v Speaker 2>Zach went into the music shop and Lane had the

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<v Speaker 2>record Sophie's record. Did you hear what's playing in the background?

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<v Speaker 1>I did, but I don't remember it. What was? What was?

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<v Speaker 2>It was? It was Pleasant Valley Sunday by the Monkeys.

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<v Speaker 2>That song was written by Carol King.

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<v Speaker 1>Oh my goodness.

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<v Speaker 2>And so I always I caught I'm a huge Monkeys fan,

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<v Speaker 2>so I caught that the very first time I saw

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<v Speaker 2>that episode, and so I've always thought that was kind

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<v Speaker 2>of a fun little easter egg that they put in there.

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<v Speaker 2>But other than that, I didn't I didn't find anything

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<v Speaker 2>significant for Live and Let diorama.

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<v Speaker 1>Yeah, last train to Clarksville is to slam me when

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<v Speaker 1>I was ten.

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<v Speaker 2>You should add that into your set?

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<v Speaker 1>What set the next time you go on tour? Oh

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<v Speaker 1>oh right, which, gosh.

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<v Speaker 2>We're all holding our breath for.

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<v Speaker 1>That, you know. I found out that I was really

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<v Speaker 1>just incredibly terrified of performing in front of people. It's

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<v Speaker 1>just really scary, really oh god. Yeah, as an actor,

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<v Speaker 1>I do not have that fear, but as a musician,

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<v Speaker 1>it's just why it's scary to get out there. It's

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<v Speaker 1>just like you're so naked.

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<v Speaker 2>Yeah, and people are right there too, They're like.

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<v Speaker 1>Right there, right there. And I you know, I can

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<v Speaker 1>get by as a vocalist, but it's it's not my thing,

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<v Speaker 1>it's not my jam. I work, you know how hard

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<v Speaker 1>I worked on getting my voice in shape to do

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<v Speaker 1>that tour and then especially when we played at X.

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<v Speaker 1>Did you go down to uh Texas with us for

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<v Speaker 1>the I'm sorry not ATX but for south By Southwest?

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<v Speaker 1>Rachel raised a feedback part, Okay, So, I mean I

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<v Speaker 1>really worked on my voice with a voice coach and

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<v Speaker 1>really paid off and all that. But it was just like,

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<v Speaker 1>you know, for me to be passable and to be decent,

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<v Speaker 1>to be okay, I have to work really hard at it.

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<v Speaker 1>So I was never going to achieve, you know, any

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<v Speaker 1>kind of greatness with the singing. So it just really

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<v Speaker 1>terrified me. It really really terrified me, and I felt

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<v Speaker 1>like I was kind of short changing people and I

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<v Speaker 1>didn't want to, you know, I didn't want to put

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<v Speaker 1>them through it. I feel much better because I mean,

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<v Speaker 1>who wants to see an artist that's up there being

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<v Speaker 1>uncomfortable right feeling like super confident? You know, it's better

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<v Speaker 1>just to let other people do your stuff. And that's

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<v Speaker 1>that's sort of the the arena that I'm entering now,

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<v Speaker 1>is uh. But anyway, that's that's that's another story. So

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<v Speaker 1>what do you love so besides the humor and live

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<v Speaker 1>and let diorama, what did you love about it? Because

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<v Speaker 1>to be honest with you, to tell you, we did

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<v Speaker 1>not like it very much. Yeah, I mean, we loved

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<v Speaker 1>parts of it, and we loved what it is and

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<v Speaker 1>what it was when we watched it, and it's great

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<v Speaker 1>stuff and great background, and it just feel good with

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<v Speaker 1>your friends and you're watching this and you feel and

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<v Speaker 1>I cuddled up with Nick and we watched it together,

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<v Speaker 1>and you know, it's like, so what, it's not the

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<v Speaker 1>greatest episode of the five seasons. It's like, it's still

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<v Speaker 1>Gilmore girls, right, we get that sense of it. What

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<v Speaker 1>did you love about it? What? Other than the funny lines?

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<v Speaker 2>You know, it's I don't I really like the episodes

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<v Speaker 2>that center on the town, Like the town is really

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<v Speaker 2>like a character itself, and I just I just really

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<v Speaker 2>enjoy those episodes where the focus is something is happening

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<v Speaker 2>in the town, whether it's the firelight festival or you

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<v Speaker 2>know that that hazy, crazy days of Summer insanity that

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<v Speaker 2>Taylor put together. I just always enjoy those episodes. And

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<v Speaker 2>there were a lot of like really good lines in

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<v Speaker 2>this one, and I was thinking, because every time you

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<v Speaker 2>guys do your favorite lines, I always like in my head,

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<v Speaker 2>I have my own favorite lines, and this one I

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<v Speaker 2>had like five different favorite lines. Like, I just think

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<v Speaker 2>the writing in this one in particular was was good.

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<v Speaker 2>You know, when when Lane wants to meet with Sophie

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<v Speaker 2>and talk about her music career, and Sophie's like, Okay, well,

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<v Speaker 2>if I'm not washing my hair and I'm not sick

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<v Speaker 2>and my boyfriend doesn't want to do something else with me,

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<v Speaker 2>you know, I'll think about maybe meeting you for coffee

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<v Speaker 2>for ten seconds. Like I just just wined like that.

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<v Speaker 2>I think are funny. And I thought it was fun

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<v Speaker 2>to see Luke kind of get involved in the town

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<v Speaker 2>because he wanted to get you know, his claws into

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<v Speaker 2>this house for Lorelei. But you could tell he was

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<v Speaker 2>kind of enjoying it when Suki and and Lorelei were

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<v Speaker 2>walking through and he's like he was all excited to

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<v Speaker 2>point out the cannonball that had fallen through the floor,

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<v Speaker 2>and he was, you know, excited about this portrait of

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<v Speaker 2>this person that maybe had educated Ben Franklin's cousins. Like

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<v Speaker 2>you could see he was like taking a little bit

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<v Speaker 2>of pride in it, which was something different for Luke.

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<v Speaker 2>So I I just I just enjoyed it. I thought

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<v Speaker 2>it was a good episode. The part I did not

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<v Speaker 2>enjoy was the whole Dean thing that really was unnecessary

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<v Speaker 2>and kind of came out of nowhere. I don't understand

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<v Speaker 2>why they brought Dean back.

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<v Speaker 1>Was our favorite part of that was our favorite part

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<v Speaker 1>of that.

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<v Speaker 2>I didn't understand why they brought him back for that

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<v Speaker 2>one random scene, and I didn't understand why he was

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<v Speaker 2>so angry at Luke, like he I get that, you know,

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<v Speaker 2>Rory broke his heart or whatever, but I didn't understand

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<v Speaker 2>why he was angry at Luke. So I just thought

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<v Speaker 2>that was kind of weird and random.

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<v Speaker 1>But I like the rest of the episode, And why

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<v Speaker 1>was he angry at Luke? Did he ever reason?

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<v Speaker 2>Your guess is and this was a lot episode that

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<v Speaker 2>we got him in, so we never.

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<v Speaker 1>We never seen him, haven't they always had? I mean,

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<v Speaker 1>didn't they get into a physical confrontation outside the diner?

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<v Speaker 2>They did when Luke. Yeah, Luke was mad at Dean

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<v Speaker 2>the first time that they broke up, and he was

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<v Speaker 2>still a teenager, and so Luke was trying to prevent

0:12:41.320 --> 0:12:45.040
<v Speaker 2>him from going in the diner. But but Luke even said,

0:12:45.080 --> 0:12:47.079
<v Speaker 2>like are you mad at me about the bop thing?

0:12:47.280 --> 0:12:50.120
<v Speaker 2>Like okay, come punch me or whatever, and then Dean

0:12:50.280 --> 0:12:55.960
<v Speaker 2>launches into his his odd tirade about they want more

0:12:56.000 --> 0:12:58.120
<v Speaker 2>than this and you know you're all you are is

0:12:58.160 --> 0:13:02.320
<v Speaker 2>the small town, which may have been true of Dean's

0:13:02.360 --> 0:13:05.240
<v Speaker 2>situation with Rory. I think Rory definitely did want more

0:13:05.280 --> 0:13:07.760
<v Speaker 2>than stars Hollow, but I don't think Laurel I did.

0:13:07.840 --> 0:13:09.960
<v Speaker 2>So I don't understand why he was directing all that

0:13:10.160 --> 0:13:15.640
<v Speaker 2>at Luke specifically. I never understood that anger, so I

0:13:15.679 --> 0:13:16.680
<v Speaker 2>thought that was odd.

0:13:21.760 --> 0:13:25.480
<v Speaker 1>Do you have a favorite Crackstaff fact that you have found?

0:13:27.360 --> 0:13:31.960
<v Speaker 2>I do? And so this one was a visual thing,

0:13:32.160 --> 0:13:35.880
<v Speaker 2>So it's gonna be hard to describe. But in the episode,

0:13:35.920 --> 0:13:38.400
<v Speaker 2>and I can't off the top of my head, I

0:13:38.480 --> 0:13:40.320
<v Speaker 2>can't remember the name of the episode, but it was

0:13:40.360 --> 0:13:44.200
<v Speaker 2>the scene where Luke was telling Laurel I that he

0:13:44.320 --> 0:13:48.520
<v Speaker 2>was not wearing his socks. Do you remember that scene?

0:13:48.679 --> 0:13:51.680
<v Speaker 2>That was the episode where Luke found out that Nicole

0:13:52.040 --> 0:13:55.000
<v Speaker 2>was having an affair and he beat up the guy's car,

0:13:56.559 --> 0:14:00.680
<v Speaker 2>And there was a scene in the diner where Luke

0:14:00.840 --> 0:14:04.040
<v Speaker 2>is being snippy with Loralai and she was like, what

0:14:04.160 --> 0:14:06.200
<v Speaker 2>is wrong with you? What's going on? And that's when

0:14:06.240 --> 0:14:08.000
<v Speaker 2>he like kind of leans in and he's like, I

0:14:08.040 --> 0:14:10.800
<v Speaker 2>am not wearing my socks, So that would you see?

0:14:11.520 --> 0:14:15.000
<v Speaker 2>And there's if you watch really closely, and it helps

0:14:15.080 --> 0:14:17.640
<v Speaker 2>probably to be on a widescreen TV. There's a scene

0:14:17.840 --> 0:14:22.960
<v Speaker 2>there like he's behind the counter and she's sitting at

0:14:22.960 --> 0:14:25.000
<v Speaker 2>the counter and he walks around the end of the

0:14:25.000 --> 0:14:28.160
<v Speaker 2>counter and when he walks around the end of the counter,

0:14:28.320 --> 0:14:32.120
<v Speaker 2>there is some piece of metal I don't know what

0:14:32.200 --> 0:14:36.240
<v Speaker 2>it was, and somebody had drawn a happy face on it,

0:14:36.320 --> 0:14:39.000
<v Speaker 2>like with a marker, and you can see it very

0:14:39.040 --> 0:14:43.160
<v Speaker 2>clearly as Luke walks past it. There's this weird metal

0:14:43.200 --> 0:14:46.480
<v Speaker 2>object with a happy face drawn on it, and it's

0:14:46.520 --> 0:14:53.880
<v Speaker 2>really bizarre and random. And I I had other things

0:14:53.880 --> 0:14:55.920
<v Speaker 2>from that episode, and when you read through them, you

0:14:55.960 --> 0:14:57.480
<v Speaker 2>read through it kind of quickly, and I don't know

0:14:57.480 --> 0:15:00.440
<v Speaker 2>that it like really sunk into your head when you

0:15:00.440 --> 0:15:02.560
<v Speaker 2>were listening to it, because you guys didn't have any

0:15:02.600 --> 0:15:05.640
<v Speaker 2>kind of reaction to it. But to me, that's like

0:15:05.720 --> 0:15:08.360
<v Speaker 2>that was the funniest thing because it's just kind of random,

0:15:08.400 --> 0:15:10.840
<v Speaker 2>like some something that somebody had left there on the set,

0:15:10.840 --> 0:15:12.440
<v Speaker 2>and I don't know why they drew a happy face

0:15:12.480 --> 0:15:16.040
<v Speaker 2>on it, but it just I just thought it was funny.

0:15:16.080 --> 0:15:18.160
<v Speaker 2>So that's that's probably my favorite one. I think. The

0:15:18.200 --> 0:15:19.000
<v Speaker 2>second one we.

0:15:18.920 --> 0:15:22.080
<v Speaker 1>Know, that's probably the prop guys getting into the hooch

0:15:22.520 --> 0:15:25.000
<v Speaker 1>again during lunchtime. There you go.

0:15:26.440 --> 0:15:30.360
<v Speaker 2>And then my my my second favorite one I think

0:15:30.520 --> 0:15:34.880
<v Speaker 2>was the scene where they they were they had put

0:15:34.880 --> 0:15:39.080
<v Speaker 2>a stop light in right outside Luke's Diner and they

0:15:39.280 --> 0:15:41.680
<v Speaker 2>were having the little ceremony to turn it on, and

0:15:41.720 --> 0:15:44.600
<v Speaker 2>you can see the sound guy is kneeling on the ground,

0:15:44.640 --> 0:15:47.160
<v Speaker 2>like you see, like his whole like upper half of

0:15:47.200 --> 0:15:49.200
<v Speaker 2>his torso kneeling on the ground behind Lauren.

0:15:49.320 --> 0:15:53.720
<v Speaker 1>So that was and that was outside the diner, right, Yes, Yeah,

0:15:53.720 --> 0:15:55.840
<v Speaker 1>I remember that Dennis was on his Yeah, I remember.

0:15:56.240 --> 0:15:57.520
<v Speaker 1>That was really funny.

0:15:57.960 --> 0:16:03.240
<v Speaker 2>Yeah. I never understood how the camera guy didn't catch that.

0:16:03.680 --> 0:16:07.080
<v Speaker 1>Yeah, you know, Dennis. We kidded Dennis the rest of

0:16:07.120 --> 0:16:09.720
<v Speaker 1>the year about what an amazing actor was to blend

0:16:09.760 --> 0:16:11.560
<v Speaker 1>in and not get called on it, you know, and

0:16:11.640 --> 0:16:19.080
<v Speaker 1>they actually printed it. And really, how many times have

0:16:19.200 --> 0:16:22.080
<v Speaker 1>you seen the Gilmore Girls series all the way.

0:16:21.960 --> 0:16:26.480
<v Speaker 2>Through from start to finish? I don't even know. I

0:16:26.480 --> 0:16:30.320
<v Speaker 2>couldn't even count from start to finish. Probably at least

0:16:30.320 --> 0:16:33.040
<v Speaker 2>a couple dozen. I don't know. It's just it's kind

0:16:33.040 --> 0:16:35.120
<v Speaker 2>of a it's a great background show. Like if I

0:16:35.280 --> 0:16:38.640
<v Speaker 2>need some something to listen to in the background, I'll

0:16:38.720 --> 0:16:42.160
<v Speaker 2>just put it onto whatever episode I left off on.

0:16:42.400 --> 0:16:45.640
<v Speaker 2>And so probably a couple dozen times, some episodes more

0:16:45.680 --> 0:16:50.320
<v Speaker 2>than others. But yeah, I've seen it a lot.

0:16:51.120 --> 0:16:55.360
<v Speaker 1>So what is your absolute favorite episode?

0:16:55.600 --> 0:16:58.240
<v Speaker 2>You know, it's hard, it's hard to pick just one.

0:16:58.360 --> 0:17:02.640
<v Speaker 2>I mean, I think on most people's list is gonna

0:17:02.680 --> 0:17:10.000
<v Speaker 2>be the you know, Liz's Wedding was a great episode. Obviously,

0:17:10.040 --> 0:17:12.720
<v Speaker 2>the test run at the Dragonfly was a good episode.

0:17:13.480 --> 0:17:17.320
<v Speaker 2>The other one I really liked that probably doesn't make

0:17:17.359 --> 0:17:19.280
<v Speaker 2>it undo a lot of people's list is the episode

0:17:19.280 --> 0:17:22.280
<v Speaker 2>where they had the Harvard Yale football game. That was

0:17:22.320 --> 0:17:25.159
<v Speaker 2>the episode Emily finds out about penal a lot and

0:17:25.200 --> 0:17:27.680
<v Speaker 2>then she like takes out all this anger on Laura

0:17:27.800 --> 0:17:30.160
<v Speaker 2>I and so Laurlai has the first Day with Jason.

0:17:31.119 --> 0:17:35.399
<v Speaker 2>I just really enjoy that episode. I again, there's funny

0:17:35.400 --> 0:17:37.800
<v Speaker 2>lines in there that just like one of the few

0:17:37.960 --> 0:17:42.040
<v Speaker 2>like laugh out loud kind of episodes. So those are

0:17:42.040 --> 0:17:44.200
<v Speaker 2>those are probably my top ones. And then the one

0:17:44.240 --> 0:17:47.000
<v Speaker 2>we just talked about to the mister Twickham's house is good.

0:17:47.760 --> 0:17:52.119
<v Speaker 1>Mm hmmm. Who's your favorite Gilmore Girl's character?

0:17:54.000 --> 0:17:57.440
<v Speaker 2>I would probably say Laurel. I She's not without her flaws,

0:17:59.040 --> 0:18:03.760
<v Speaker 2>but I she's I think she's my favorite character. Number

0:18:03.760 --> 0:18:04.639
<v Speaker 2>two is probably.

0:18:04.440 --> 0:18:10.480
<v Speaker 1>Lane really mm hmmm, Lane, Okay.

0:18:08.600 --> 0:18:14.960
<v Speaker 2>I you know, I feel like Lane never really had

0:18:15.000 --> 0:18:19.000
<v Speaker 2>the chance to do what she wanted to do. She

0:18:19.080 --> 0:18:23.640
<v Speaker 2>went straight from missus Kim's house to you know, being

0:18:23.680 --> 0:18:26.960
<v Speaker 2>a wife and a mother, and I'm not seeing that

0:18:27.000 --> 0:18:28.960
<v Speaker 2>there's anything wrong with those things. I am both of

0:18:29.000 --> 0:18:35.000
<v Speaker 2>those things myself, but it wasn't a choice that she made.

0:18:35.760 --> 0:18:38.160
<v Speaker 2>And I always wanted kind of her rock and roll

0:18:38.240 --> 0:18:40.359
<v Speaker 2>dreams to come true. And so I think, you know,

0:18:40.400 --> 0:18:42.280
<v Speaker 2>when we see her in the revival, and I'm not

0:18:42.320 --> 0:18:45.879
<v Speaker 2>gonna get to spoilery here, but you know, when she

0:18:45.960 --> 0:18:48.560
<v Speaker 2>we see her in the revival, she seems settled and happy,

0:18:48.640 --> 0:18:52.439
<v Speaker 2>and I think that's great, and so I'm glad that,

0:18:52.520 --> 0:18:54.920
<v Speaker 2>you know, she didn't have some horrible outcome, but I

0:18:55.320 --> 0:18:57.320
<v Speaker 2>still would have liked to have seen her get a

0:18:57.440 --> 0:18:59.639
<v Speaker 2>chance to do what she wanted to do before she

0:18:59.680 --> 0:19:01.679
<v Speaker 2>had to take on all these other responsibilities.

0:19:03.440 --> 0:19:05.640
<v Speaker 1>Did you not care for Rory?

0:19:06.000 --> 0:19:10.000
<v Speaker 2>I am. I am not a Rory fan. I will

0:19:10.000 --> 0:19:13.720
<v Speaker 2>say that I really loved Rory during the Chiltern years.

0:19:14.760 --> 0:19:18.040
<v Speaker 2>I liked her drive and how she you know, she

0:19:18.200 --> 0:19:21.240
<v Speaker 2>kind of you know, Paris gave her that story about

0:19:22.000 --> 0:19:24.960
<v Speaker 2>the repaving the parking lot, and she just she took

0:19:25.000 --> 0:19:26.719
<v Speaker 2>it and ran with it and just knocked it out

0:19:26.760 --> 0:19:29.919
<v Speaker 2>of the park. But then once she got to Yale,

0:19:31.280 --> 0:19:35.040
<v Speaker 2>I don't know, she just her personality changed. I think

0:19:35.080 --> 0:19:40.560
<v Speaker 2>she started to really buy into that whole Richard and

0:19:40.600 --> 0:19:44.800
<v Speaker 2>Emily and Logan lifestyle about you know, I am rich

0:19:44.840 --> 0:19:46.359
<v Speaker 2>and I'm mc gilmore and I get to do what

0:19:46.400 --> 0:19:48.000
<v Speaker 2>I want and I get to have what I want,

0:19:49.280 --> 0:19:52.280
<v Speaker 2>and I don't know, the character just kind of fell

0:19:52.320 --> 0:19:54.720
<v Speaker 2>flat for me at that point. She seemed a little entitled,

0:19:54.720 --> 0:19:59.399
<v Speaker 2>a little annoying. So I did like Rory the first

0:19:59.440 --> 0:20:03.119
<v Speaker 2>couple of season, but then I kind of didn't like

0:20:03.160 --> 0:20:03.840
<v Speaker 2>her after that.

0:20:04.000 --> 0:20:05.919
<v Speaker 1>Are are you a Logan fan or no.

0:20:06.920 --> 0:20:11.880
<v Speaker 2>I am not a Logan fan, so in that respect,

0:20:12.040 --> 0:20:14.800
<v Speaker 2>I am a Rory fan because I think Rory needs

0:20:14.840 --> 0:20:17.480
<v Speaker 2>to be alone for a while and figure her, you

0:20:17.560 --> 0:20:23.160
<v Speaker 2>know what out. I think all three of her boyfriends

0:20:23.400 --> 0:20:27.119
<v Speaker 2>had a function that they served at the time that

0:20:27.160 --> 0:20:28.639
<v Speaker 2>they were with her. I think all three of them

0:20:28.720 --> 0:20:31.520
<v Speaker 2>had good some good qualities at different points. But I

0:20:31.520 --> 0:20:33.600
<v Speaker 2>don't think any of them are really her soulmate. I

0:20:33.640 --> 0:20:38.040
<v Speaker 2>don't think any of them are really her endgame. Logan specifically,

0:20:38.160 --> 0:20:43.439
<v Speaker 2>he's just he's so so smooth and so slick that

0:20:43.520 --> 0:20:48.199
<v Speaker 2>he comes off to me like fake, and I just

0:20:48.320 --> 0:20:51.960
<v Speaker 2>he just doesn't seem genuine to me, and so I'm

0:20:52.000 --> 0:20:54.879
<v Speaker 2>just not I mean, he does, he does some nice things,

0:20:54.960 --> 0:20:57.560
<v Speaker 2>but I'm just not a long term Logan fan.

0:20:58.560 --> 0:21:02.240
<v Speaker 1>What about Jess and you like those guys?

0:21:04.040 --> 0:21:09.240
<v Speaker 2>I think I think Dean was a little immature. I

0:21:09.320 --> 0:21:14.200
<v Speaker 2>didn't the whole cheating thing was obviously a problem. I mean,

0:21:14.240 --> 0:21:17.840
<v Speaker 2>he he sought Rory out that night intending to do that,

0:21:18.160 --> 0:21:21.520
<v Speaker 2>and I so know Dean is Deana is a non starter.

0:21:22.160 --> 0:21:23.879
<v Speaker 2>I think he was, you know, good for a while.

0:21:24.119 --> 0:21:27.280
<v Speaker 2>As the first boyfriend. He seemed to genuinely you know,

0:21:27.400 --> 0:21:33.080
<v Speaker 2>love Rory, but he's a little, a little possessive. And

0:21:33.119 --> 0:21:36.919
<v Speaker 2>then Jess, I don't know, Jess actually turned out okay,

0:21:37.720 --> 0:21:40.240
<v Speaker 2>and I don't Again, I don't want to, like say, spoilers,

0:21:40.280 --> 0:21:42.680
<v Speaker 2>so I'm not gonna I'm not gonna get too far

0:21:42.720 --> 0:21:45.880
<v Speaker 2>into that. But I did like Jess at the end,

0:21:45.960 --> 0:21:48.800
<v Speaker 2>but again not in not in terms of a relationship

0:21:48.800 --> 0:21:49.320
<v Speaker 2>for Rory.

0:21:50.240 --> 0:21:56.240
<v Speaker 1>Mm hmm. Any character characters that you just absolutely despised.

0:21:59.040 --> 0:22:05.320
<v Speaker 2>I can't stand and and now I always want I

0:22:05.359 --> 0:22:09.400
<v Speaker 2>always make the distinction because it bothers me when people

0:22:09.480 --> 0:22:12.320
<v Speaker 2>don't make the distinction between the character and the actor.

0:22:13.000 --> 0:22:18.720
<v Speaker 2>So Kelly Bishop is completely amazing and she just played

0:22:18.760 --> 0:22:21.680
<v Speaker 2>the crap out of that role and she was so

0:22:21.800 --> 0:22:27.240
<v Speaker 2>good and so amazing. But Emily Gilmore is a crappy

0:22:27.320 --> 0:22:33.760
<v Speaker 2>human being and she's she's just mean and nasty, and

0:22:35.119 --> 0:22:36.920
<v Speaker 2>I just don't here's her at all.

0:22:38.320 --> 0:22:40.080
<v Speaker 1>Yeah, I mean, as long as we're on the subject,

0:22:40.400 --> 0:22:41.680
<v Speaker 1>you what did you think of Luke?

0:22:43.320 --> 0:22:46.359
<v Speaker 2>I love Luke now again, Like Laurela, I Luke does not.

0:22:46.640 --> 0:22:49.359
<v Speaker 2>He's not without his problems. He's got some issues and

0:22:49.400 --> 0:22:53.000
<v Speaker 2>he is badly in need of some therapy. But I

0:22:53.680 --> 0:22:56.560
<v Speaker 2>really liked the Luke character, and originally one of the

0:22:56.560 --> 0:23:02.160
<v Speaker 2>things that attracted me to the in general is the

0:23:02.200 --> 0:23:06.600
<v Speaker 2>relationship between Luke and Larel And even when they weren't together.

0:23:06.800 --> 0:23:10.159
<v Speaker 2>Before they got together, you could tell that there is

0:23:10.200 --> 0:23:13.240
<v Speaker 2>a like, there's just a connection there, and there's just

0:23:15.600 --> 0:23:19.280
<v Speaker 2>there's just a good relationship there that's based on friendship first,

0:23:20.119 --> 0:23:23.480
<v Speaker 2>and that really appealed to me. So Luke in a

0:23:23.600 --> 0:23:27.560
<v Speaker 2>in some ways reminds me of my own husband. He's

0:23:27.680 --> 0:23:33.440
<v Speaker 2>endlessly loyal, and he, you know, is devoted to our

0:23:33.480 --> 0:23:37.639
<v Speaker 2>relationship and and and to to our family, and he

0:23:37.720 --> 0:23:40.000
<v Speaker 2>cares about his broader family and his you know, the

0:23:40.000 --> 0:23:43.600
<v Speaker 2>community like he just he's just a good person. So

0:23:43.760 --> 0:23:46.560
<v Speaker 2>I think aside from you know, Luke's kind of anger

0:23:46.600 --> 0:23:50.359
<v Speaker 2>management issues and the whole well, I'm not even going

0:23:50.400 --> 0:23:52.439
<v Speaker 2>to talk about this thing that's coming up that you

0:23:52.480 --> 0:23:56.440
<v Speaker 2>haven't seen yet that was a problem. But but Luke,

0:23:56.640 --> 0:23:59.040
<v Speaker 2>Luke is foundationally, he's a good person.

0:24:04.520 --> 0:24:10.240
<v Speaker 1>Your favorite boyfriend for Rory would be Jess, I take it.

0:24:10.920 --> 0:24:13.000
<v Speaker 2>I don't think it's any of them. I think she

0:24:13.040 --> 0:24:17.280
<v Speaker 2>needs to find someone new. He needs to stop cycling

0:24:17.400 --> 0:24:20.120
<v Speaker 2>through the same three people and find someone new.

0:24:20.480 --> 0:24:24.440
<v Speaker 1>Gotcha, gotcha. Uh so who do you think she should

0:24:24.520 --> 0:24:26.280
<v Speaker 1>end up with? What type of guy? How about how

0:24:26.320 --> 0:24:30.720
<v Speaker 1>about Marty? Okay, so again solid stable guy.

0:24:31.560 --> 0:24:36.199
<v Speaker 2>I did like Marty the first the first time we

0:24:36.240 --> 0:24:39.359
<v Speaker 2>saw him, before she got involved with Logan. I did

0:24:39.400 --> 0:24:44.040
<v Speaker 2>like Marty. He there's some problems with him later though,

0:24:44.119 --> 0:24:44.679
<v Speaker 2>but I don't.

0:24:44.600 --> 0:24:48.000
<v Speaker 1>Oh yeah, okay, well yeah, but I think.

0:24:47.880 --> 0:24:50.600
<v Speaker 2>In general, like, you know, just a normal guy, like

0:24:51.400 --> 0:24:55.639
<v Speaker 2>somebody who's smart and can be on her intellectual level

0:24:55.680 --> 0:24:58.879
<v Speaker 2>but not all arrogant and crazy.

0:24:58.960 --> 0:25:03.840
<v Speaker 1>But that's Marty. Marty's that guy that she should marry.

0:25:04.280 --> 0:25:08.720
<v Speaker 1>I've seen this a dozen times before, where you know,

0:25:10.080 --> 0:25:14.480
<v Speaker 1>somebody wants Marlon Brando and goes after the wrong guy

0:25:14.600 --> 0:25:18.480
<v Speaker 1>because they're exciting on what you know, on whatever level

0:25:18.720 --> 0:25:23.320
<v Speaker 1>you care to entertain that on. But uh, and then

0:25:23.320 --> 0:25:25.879
<v Speaker 1>there's the guy that is their friend and really loves

0:25:25.920 --> 0:25:27.960
<v Speaker 1>them for who they are and sees who they are

0:25:28.760 --> 0:25:31.720
<v Speaker 1>and would be there, but they just that person just

0:25:31.800 --> 0:25:34.120
<v Speaker 1>does not want to be worshiped or put on a pedestal,

0:25:34.200 --> 0:25:37.520
<v Speaker 1>and it's uncomfortable for them. They'd rather be, you know,

0:25:37.760 --> 0:25:42.399
<v Speaker 1>have a different type of experience. But for me, it's Marty.

0:25:42.840 --> 0:25:45.560
<v Speaker 1>He's the guy. But how are you going to write that?

0:25:46.200 --> 0:25:49.159
<v Speaker 1>You know, is that going to be full of conflict?

0:25:49.280 --> 0:25:51.639
<v Speaker 1>And well, I mean it could be, right, but I

0:25:52.280 --> 0:25:54.080
<v Speaker 1>just thought they should have given Marty some kind of

0:25:54.080 --> 0:25:54.560
<v Speaker 1>a chance.

0:25:55.560 --> 0:25:58.760
<v Speaker 2>Yeah, I think that could have been That could have

0:25:58.800 --> 0:25:59.879
<v Speaker 2>been an interesting relation.

0:26:00.400 --> 0:26:04.080
<v Speaker 1>I agree. I think she could have really answered some

0:26:04.200 --> 0:26:07.639
<v Speaker 1>questions about herself, whether the relationship lived very long at

0:26:07.680 --> 0:26:11.600
<v Speaker 1>all or not. She could have just discovered more about

0:26:11.600 --> 0:26:16.800
<v Speaker 1>herself and through a relationship like that, does it feel

0:26:16.840 --> 0:26:17.680
<v Speaker 1>forced to you?

0:26:17.920 --> 0:26:20.520
<v Speaker 2>I have some opinions on this go ahead. So I

0:26:21.200 --> 0:26:25.920
<v Speaker 2>feel like Zach was a convenience because if you remember

0:26:25.960 --> 0:26:27.880
<v Speaker 2>back to where we first met him, he was hitting

0:26:27.920 --> 0:26:28.840
<v Speaker 2>a Lorele.

0:26:30.280 --> 0:26:31.679
<v Speaker 1>And he.

0:26:34.160 --> 0:26:36.320
<v Speaker 2>Was he was portrayed at the beginning to be kind

0:26:36.359 --> 0:26:40.680
<v Speaker 2>of a slimeball kind of character, right, he was hitting

0:26:40.680 --> 0:26:44.800
<v Speaker 2>on LORELEI he he has a problem with everything. He's

0:26:44.880 --> 0:26:47.359
<v Speaker 2>very whiny, he complains about everything. He doesn't like the

0:26:47.400 --> 0:26:48.919
<v Speaker 2>way that Brian breathes.

0:26:49.200 --> 0:26:52.480
<v Speaker 1>And well, I mean I agree with him there. I

0:26:52.520 --> 0:26:53.160
<v Speaker 1>wouldn't have to.

0:26:53.080 --> 0:26:59.560
<v Speaker 2>Say when David Goolski went to college because Adam Brodie

0:26:59.600 --> 0:27:03.120
<v Speaker 2>left the show, then all of a sudden he turns

0:27:03.119 --> 0:27:04.959
<v Speaker 2>into this great guy. And Lane's in love with him,

0:27:04.960 --> 0:27:07.360
<v Speaker 2>and I'm like that that kind of took a turn, like, I.

0:27:07.320 --> 0:27:11.880
<v Speaker 1>Don't what happened. That's a quick makeover that nobody told

0:27:11.880 --> 0:27:13.760
<v Speaker 1>me about, right exactly.

0:27:13.840 --> 0:27:17.840
<v Speaker 2>It was like it was almost like the writers were like, oh, crap,

0:27:17.880 --> 0:27:21.159
<v Speaker 2>we lost Adam Brody. Now we gotta give Lane a

0:27:21.200 --> 0:27:25.119
<v Speaker 2>love interest. Let's just, you know, pick a random, unattached guy.

0:27:26.000 --> 0:27:29.440
<v Speaker 2>And I kind of wish that they had brought in another,

0:27:29.760 --> 0:27:32.880
<v Speaker 2>like introduced a new character to be Lane's love interest.

0:27:33.720 --> 0:27:36.119
<v Speaker 2>I think it did turn out okay, you know, he

0:27:36.400 --> 0:27:38.960
<v Speaker 2>he They turned him into a good guy and he

0:27:39.080 --> 0:27:42.720
<v Speaker 2>cared about Lane, but it just was really abrupt. I

0:27:43.200 --> 0:27:45.240
<v Speaker 2>just it just kind of felt lazy to me, like,

0:27:45.240 --> 0:27:47.400
<v Speaker 2>like you said, it felt forced. It was like, here,

0:27:47.480 --> 0:27:49.360
<v Speaker 2>let's just put the two of them together, because.

0:27:49.200 --> 0:27:51.840
<v Speaker 1>We don't know what else to do with this, not

0:27:52.000 --> 0:27:55.240
<v Speaker 1>knowing the realities behind the scene of budget and maybe

0:27:55.240 --> 0:27:57.600
<v Speaker 1>they couldn't afford a new guy or the guy they wanted.

0:27:57.640 --> 0:28:00.320
<v Speaker 1>It was too expensively, it wasn't available, kept falling through,

0:28:00.400 --> 0:28:03.040
<v Speaker 1>they kept offering it to people and just never worked out,

0:28:03.040 --> 0:28:06.040
<v Speaker 1>so they had to do something. Yeah, maybe maybe that

0:28:06.160 --> 0:28:09.320
<v Speaker 1>was a scenario. I don't know, but yeah, I agree

0:28:09.320 --> 0:28:13.440
<v Speaker 1>with you. Here's a question for you. Do you think

0:28:13.560 --> 0:28:17.000
<v Speaker 1>Luke and Laurel I were meant to be together?

0:28:17.760 --> 0:28:20.520
<v Speaker 2>Yes? To me, there it was very clear that they

0:28:20.560 --> 0:28:22.520
<v Speaker 2>belonged together. I know some people don't feel that way,

0:28:22.560 --> 0:28:27.320
<v Speaker 2>and that's fine, but I think they did. You know,

0:28:27.359 --> 0:28:29.280
<v Speaker 2>Like I said, they needed some work, they needed to

0:28:29.320 --> 0:28:35.879
<v Speaker 2>work on their communication for sure, but I think in

0:28:35.920 --> 0:28:38.320
<v Speaker 2>the long run, they were always meant to be together.

0:28:39.280 --> 0:28:43.520
<v Speaker 1>Mm hmmmm hmm. Yeah. I watched these episodes and it's

0:28:43.520 --> 0:28:46.000
<v Speaker 1>just such magic between the two of us. I just

0:28:46.280 --> 0:28:48.560
<v Speaker 1>really miss it, you know, It's just it was just

0:28:48.760 --> 0:28:54.920
<v Speaker 1>terrific stuff. What is your favorite era of Gilmour Girls?

0:28:55.120 --> 0:28:57.040
<v Speaker 1>It was your favorite seasons?

0:28:59.080 --> 0:29:03.680
<v Speaker 2>So I like season four and five and if I

0:29:03.720 --> 0:29:06.960
<v Speaker 2>could like kind of create my own season, Like middle

0:29:07.000 --> 0:29:09.880
<v Speaker 2>of season four to middle of season five are like

0:29:09.960 --> 0:29:13.680
<v Speaker 2>my favorite span of episodes, kind of the run up

0:29:13.720 --> 0:29:16.280
<v Speaker 2>to when Luke and Laurel I get together and then

0:29:16.440 --> 0:29:20.440
<v Speaker 2>you know, the early part of their relationship. That's that's

0:29:20.480 --> 0:29:27.440
<v Speaker 2>my favorite. That's my favorite season. In air quotes, I mean,

0:29:27.480 --> 0:29:30.000
<v Speaker 2>I like all of it. I watch I watch all

0:29:30.040 --> 0:29:31.600
<v Speaker 2>of it, but that's my favorite part.

0:29:32.760 --> 0:29:39.640
<v Speaker 1>Right. Here's the question for you. Why you know I

0:29:39.720 --> 0:29:43.000
<v Speaker 1>do a lot of these comic cons. In fact, I'm

0:29:43.040 --> 0:29:46.560
<v Speaker 1>going to be in Indianapolis August twenty five through twenty seven.

0:29:46.640 --> 0:29:53.400
<v Speaker 1>I mean Indianapolis Comic Con, Indicom Popcorn, and the Gilmore

0:29:53.480 --> 0:30:00.760
<v Speaker 1>Girl fans show up in big numbers, and the fans

0:30:00.840 --> 0:30:04.800
<v Speaker 1>are getting younger and younger and younger every time I

0:30:04.840 --> 0:30:07.600
<v Speaker 1>do a con, to the point where I'm shocked. They'll

0:30:07.640 --> 0:30:09.800
<v Speaker 1>be a seven year old girl. There'll be a five

0:30:09.880 --> 0:30:14.800
<v Speaker 1>year old girl dressed as Luke. Their parents, young parents,

0:30:15.800 --> 0:30:18.880
<v Speaker 1>sometimes people so young that they weren't born yet when

0:30:18.920 --> 0:30:21.680
<v Speaker 1>the show debuted, and they have children, and you know,

0:30:21.720 --> 0:30:24.080
<v Speaker 1>they're twenty one years old, and they are obsessed with

0:30:24.160 --> 0:30:26.200
<v Speaker 1>the show, and their children are obsessed with the show,

0:30:26.240 --> 0:30:30.720
<v Speaker 1>and they're little, tiny kids and they know about the show.

0:30:30.800 --> 0:30:36.520
<v Speaker 1>And why do you think that this show has apparently

0:30:36.600 --> 0:30:40.880
<v Speaker 1>tapped into you know, the generation after generation after generation.

0:30:41.080 --> 0:30:44.360
<v Speaker 1>Why is this happening? Because it doesn't seem like it's

0:30:44.400 --> 0:30:47.080
<v Speaker 1>going to end. It just keeps going and going and going,

0:30:47.120 --> 0:30:48.000
<v Speaker 1>which is wonderful.

0:30:48.760 --> 0:30:54.320
<v Speaker 2>I think it's just a timeless story. I think it's

0:30:54.400 --> 0:30:59.280
<v Speaker 2>it's comfort food for your brain basically, and it's just

0:30:59.840 --> 0:31:03.800
<v Speaker 2>it's a way to escape the craziness of our current

0:31:03.960 --> 0:31:11.720
<v Speaker 2>existence and the mother daughter granddaughter relationship. We can all

0:31:11.760 --> 0:31:15.040
<v Speaker 2>relate to that, like all of us to some extent,

0:31:15.240 --> 0:31:18.960
<v Speaker 2>have you know, at least some kind of Maybe it's

0:31:19.200 --> 0:31:21.800
<v Speaker 2>you know, not necessarily with your actual mother, maybe it's

0:31:21.840 --> 0:31:23.560
<v Speaker 2>you know, just a good friend or whatever. But I

0:31:23.560 --> 0:31:27.040
<v Speaker 2>think we all kind of tap into that, and I

0:31:27.080 --> 0:31:33.520
<v Speaker 2>think it's very comforting, and it's I didn't watch the

0:31:33.560 --> 0:31:38.040
<v Speaker 2>show when it first aired. I was busy having my

0:31:38.120 --> 0:31:41.400
<v Speaker 2>own babies and raising them, so I came into it later.

0:31:41.920 --> 0:31:44.400
<v Speaker 2>But you know, it just really spans the generations. The

0:31:44.760 --> 0:31:50.880
<v Speaker 2>women that were you know, middle aged in two thousand

0:31:51.040 --> 0:31:54.600
<v Speaker 2>are now the grandmothers, and you know, they watched it

0:31:54.640 --> 0:31:57.040
<v Speaker 2>with their daughters, and so their daughters who were teenagers

0:31:57.080 --> 0:31:59.920
<v Speaker 2>back then, now you know they're in their thirties or what,

0:32:00.200 --> 0:32:02.400
<v Speaker 2>and they're watching it with their own kids. Like it

0:32:02.560 --> 0:32:07.080
<v Speaker 2>just it just keeps going, and I think it's just

0:32:07.280 --> 0:32:09.720
<v Speaker 2>every it's just a comfort thing, like it takes you

0:32:09.760 --> 0:32:12.200
<v Speaker 2>back to a time when you know, maybe your life

0:32:12.240 --> 0:32:17.200
<v Speaker 2>was better, or maybe it makes you realize, okay, well

0:32:17.240 --> 0:32:19.840
<v Speaker 2>maybe my mom wasn't so bad. When they see how

0:32:19.840 --> 0:32:24.680
<v Speaker 2>Emily treats floor alive, you know, they they remember, gosh,

0:32:24.720 --> 0:32:27.120
<v Speaker 2>I remember I really liked Rory, you know, back then,

0:32:27.160 --> 0:32:29.200
<v Speaker 2>and I really related to her. Like I think, everybody

0:32:29.240 --> 0:32:32.560
<v Speaker 2>just taps into something different, and it's so multi generational

0:32:33.960 --> 0:32:37.760
<v Speaker 2>and and I think, kind of veering off the topic

0:32:37.800 --> 0:32:41.520
<v Speaker 2>a little bit, the pop culture references kind of tap

0:32:41.600 --> 0:32:44.680
<v Speaker 2>into that too, like the they make references to you know,

0:32:45.120 --> 0:32:48.240
<v Speaker 2>movies and things that were from the twenties and then

0:32:48.480 --> 0:32:51.200
<v Speaker 2>things that also happened currently. So there's like something in

0:32:51.240 --> 0:32:53.800
<v Speaker 2>there for everybody. There's you know, the older generation could

0:32:54.360 --> 0:32:57.160
<v Speaker 2>relate to things and you know West Side Story or

0:32:58.880 --> 0:33:01.880
<v Speaker 2>you know, then then common it's about like the Olsen

0:33:01.920 --> 0:33:04.520
<v Speaker 2>Twins or you know whatever. Like there's just something in

0:33:04.560 --> 0:33:05.560
<v Speaker 2>there for every.

0:33:05.320 --> 0:33:10.600
<v Speaker 1>Age range, right right, So listen, So your better half

0:33:10.760 --> 0:33:16.400
<v Speaker 1>John is camping with your boy right now, and he

0:33:16.440 --> 0:33:18.320
<v Speaker 1>couldn't be here today, but he's partly he's a big

0:33:18.360 --> 0:33:21.200
<v Speaker 1>part of crackstaff, John French, So I just want to

0:33:21.200 --> 0:33:24.560
<v Speaker 1>give a shout out to him. Elaine Espinoza, who is

0:33:24.640 --> 0:33:29.400
<v Speaker 1>kind of the head of my team, and she's on

0:33:29.480 --> 0:33:31.920
<v Speaker 1>a little bit of a hiatus back in the East

0:33:31.960 --> 0:33:35.000
<v Speaker 1>Coast taking care of some folks who need her help.

0:33:35.080 --> 0:33:43.000
<v Speaker 1>And and so anyway, I appreciate everything you guys have done,

0:33:43.160 --> 0:33:47.400
<v Speaker 1>and thank you so very much for all the hard work.

0:33:47.760 --> 0:33:51.200
<v Speaker 1>And you've really made this podcast that much more interesting

0:33:51.320 --> 0:33:51.800
<v Speaker 1>for people.

0:33:52.200 --> 0:33:55.440
<v Speaker 2>Oh well, I appreciate that. I hope that people are

0:33:55.560 --> 0:33:59.160
<v Speaker 2>enjoying it.

0:34:00.080 --> 0:34:01.960
<v Speaker 1>Well, we may be calling you again.

0:34:02.760 --> 0:34:04.840
<v Speaker 2>Hey, I'm around you know where to find me.

0:34:07.240 --> 0:34:10.000
<v Speaker 1>Anyway. That's going to wrap it up. Thank you so much, Susanne.

0:34:10.560 --> 0:34:10.960
<v Speaker 2>Thank you.

0:34:11.680 --> 0:34:13.719
<v Speaker 1>We will see you soon. We'll talk to you soon.

0:34:13.880 --> 0:34:17.720
<v Speaker 1>Best to John, best to your boy and all the best,

0:34:17.760 --> 0:34:18.839
<v Speaker 1>and we'll talk soon.

0:34:18.880 --> 0:34:21.759
<v Speaker 2>Okay, great, Thanks Scott, take care all.

0:34:21.680 --> 0:34:23.200
<v Speaker 1>Right, Susan, all right, take care.

0:34:23.640 --> 0:34:51.640
<v Speaker 2>Okay, bye bye bye

0:34:53.840 --> 0:34:56.839
<v Speaker 1>Hey everybody, and don't forget follow us on Instagram at

0:34:57.160 --> 0:35:01.120
<v Speaker 1>i Am All In Podcast and email us at Gilmour

0:35:01.360 --> 0:35:13.400
<v Speaker 1>at iHeartRadio dot com