WEBVTT - Weirdhouse Cinema: Witchfinder General

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Weird House Cinema.

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<v Speaker 3>This is Rob Lamb and this is Joe McCormick.

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<v Speaker 2>Today we're discussing a film that is broadly considered to

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<v Speaker 2>be one of the big three British folk horror films

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<v Speaker 2>of the late sixties and early seventies, and as such

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<v Speaker 2>one of the legs of the folk car tripod, if

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<v Speaker 2>you will, that kind of holds up the rest of

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<v Speaker 2>the subgenre. Everything that comes afterwards built on these three films.

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<v Speaker 2>It's sometimes arcute. The other two films in this tripod

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<v Speaker 2>are Robin Hardy's The wicker Man from seventy three, which

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<v Speaker 2>we've covered previously on Weird House Cinema and a two

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<v Speaker 2>parter Go back and find that one in the audio

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<v Speaker 2>archives of Weird House Cinema and Stuff to Blow your

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<v Speaker 2>Mind wherever you get your podcasts. And then the other

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<v Speaker 2>leg of the tripod is nineteen seventy one's The Blood

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<v Speaker 2>on Satan's Claw. Today's film, though, is going to be

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<v Speaker 2>that third leg. It's going to be nineteen sixty eight's

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<v Speaker 2>which finder general three films that I want to give

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<v Speaker 2>everyone a warning that we're going to we're going to

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<v Speaker 2>discuss some level of spoilers for all three films, which

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<v Speaker 2>I know might be more of a might drive off

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<v Speaker 2>some listeners and they're like, I don't want to get

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<v Speaker 2>into spoilers. We're mostly talking about which finder general, but

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<v Speaker 2>in discussing the way that this film is pivotal, we're

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<v Speaker 2>going to discuss some of the some of the spoilers

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<v Speaker 2>about the other two.

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<v Speaker 3>Yeah, and I guess we should. Since we're issuing warnings,

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<v Speaker 3>we should say warning that all three movies in their

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<v Speaker 3>own ways have disturbing violence in them, you know, so

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<v Speaker 3>if you're going in be aware that that's that's something

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<v Speaker 3>you should be prepared for. I'd say the Wickerman the

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<v Speaker 3>least of the three. The other two more disturbing in

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<v Speaker 3>their own ways. But all three, of course, do not

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<v Speaker 3>to spoil too much, do have some some pretty messed

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<v Speaker 3>up stuff going on.

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<v Speaker 2>Absolutely, But if you are up for a British Folk

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<v Speaker 2>Are triple feature, if you're going to watch all three

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<v Speaker 2>films on a weekend, or all three films back to back,

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<v Speaker 2>I do recommend watching them in their release order, which

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<v Speaker 2>is the opposite order in which I ultimately watched them.

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<v Speaker 3>Yeah, same here.

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<v Speaker 2>Yeah. Now, my original intent for this episode of Weird

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<v Speaker 2>House Cinema was for us to discuss the Blood on

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<v Speaker 2>Satan's Claw, and that's why we both watched it this weekend.

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<v Speaker 2>It is a tremendously weird and disturbing film about rural

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<v Speaker 2>eighteenth century English farmers who unearthed the remains of a

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<v Speaker 2>disfigured body in the earth, which unleashes a string of

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<v Speaker 2>bizarre and destructive incidents that include madness, delusions, self mutilation,

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<v Speaker 2>ritual murder, corrupted youth, and all of it culminates in

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<v Speaker 2>the earth freed Creature's attempt to reclaim the skin, the

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<v Speaker 2>hairy skin that it's been growing on the bodies of

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<v Speaker 2>its corrupted human followers, and only a brutal witchfinder with

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<v Speaker 2>a massive sword can set things right.

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<v Speaker 3>He shall use methods undreamed of.

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<v Speaker 2>Yes, it's a it's a fabulous line in the film,

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<v Speaker 2>but also at the end of I was like, I

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<v Speaker 2>could have dreamed of that. I think I could drink giants.

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<v Speaker 3>You take a big sword and hit them with it.

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<v Speaker 2>Yeah, just with a big sword, but still great line,

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<v Speaker 2>great delivery. So with Blood on Satan's Claw, the Weird

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<v Speaker 2>Highs are pretty dizzy, fabulously weird film, and that alone

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<v Speaker 2>would have made for an excellent weird house discussion. But

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<v Speaker 2>the disturbing scenes are pretty disturbing and would have been

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<v Speaker 2>a much heavier lift for us, So we passed it

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<v Speaker 2>up and naturally pivoted to the other remaining leg of

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<v Speaker 2>the Unholy Tripod UH sixty eighth witch Finder General. Here.

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<v Speaker 3>Fortunately, nothing too disturbing in this.

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<v Speaker 2>No, this is plenty disturbing.

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<v Speaker 3>Yeah, yeah, but yeah. You can see how these two

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<v Speaker 3>films are, I think in a way, though they're very

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<v Speaker 3>different from each other, Blood On Satan's Claw and witch

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<v Speaker 3>Finder General I think have more in common thematically than

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<v Speaker 3>the Wicker does, because while you can see how they

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<v Speaker 3>all three share, these elements that would come to people

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<v Speaker 3>would come to associate with full core like rural settings,

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<v Speaker 3>like maybe a city dweller of some kind comes out

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<v Speaker 3>to a rural setting, encounters older beliefs being unearthed, or

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<v Speaker 3>at least the allegation of older beliefs being unearthed. Kind

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<v Speaker 3>of a dangerous structure of power that is being acted

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<v Speaker 3>upon because of or empowered by superstition. You can see

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<v Speaker 3>all that stuff, But the things that Blood On Satan's

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<v Speaker 3>Claw and Witchfinder General really have in common is that

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<v Speaker 3>they are about witch hunting in the end, but their orientation,

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<v Speaker 3>like the moral orientation to witch hunting, is totally reversed

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<v Speaker 3>between them.

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<v Speaker 2>That's right. The Blood on Satan's Claw is very much

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<v Speaker 2>a film in which the supernatural threat is real, and

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<v Speaker 2>therefore witches to some extent, to a large extent, are real.

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<v Speaker 2>The devil is even physically real, and therefore a witch

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<v Speaker 2>Finder General is just free to use whatever means they're

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<v Speaker 2>necessary to fight evil. I guess, but which Finder General

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<v Speaker 2>is situated in a cinematic take on the reality of

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<v Speaker 2>historic witchcraft persecution in the sixteen hundreds concerning fictionalized versions

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<v Speaker 2>of historic persons and its evil is confined to that

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<v Speaker 2>of human barbarism and misogyny and various other horriblenesses in

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<v Speaker 2>a time of chaos and civil war.

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<v Speaker 3>Right, So, Witchfinder General is a movie with no magic

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<v Speaker 3>in it. There are horrors, but they are horrors of

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<v Speaker 3>human making.

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<v Speaker 2>It's kind of interesting to remind oneself that that the

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<v Speaker 2>Wickerman also has no overt magic. There's no real, definite

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<v Speaker 2>supernatural element there. I guess you could read into it

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<v Speaker 2>that it does but it does not state it in

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<v Speaker 2>any clear fashion.

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<v Speaker 3>I don't think it encourages a supernatural reading, and did

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<v Speaker 3>want to take a supernatural reading on it, that would

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<v Speaker 3>be speculative. But in Blood on Satan's Claw, it's just

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<v Speaker 3>totally it's a supernatural movie. Yeah, it's about witchcraft and

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<v Speaker 3>the devil are real.

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<v Speaker 2>Yeah. Another thing I would point out about these two films,

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<v Speaker 2>about Satan's Claw and Which Finder, both of them were

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<v Speaker 2>from a production level related. They were both productions of Tigon,

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<v Speaker 2>British Film Productions, and yeah, like like you reverenced earlier,

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<v Speaker 2>at the very least, Blood on Satan's Claw is described

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<v Speaker 2>as sort of building upon the success of Which Finder General.

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<v Speaker 2>So I don't think it's a rehash, but clearly they

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<v Speaker 2>were like, let's take a little of this, let's add

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<v Speaker 2>a little village of the damn you know, throwing a

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<v Speaker 2>couple of other things, and let's see what we can create. Yeah. Now,

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<v Speaker 2>I want to set expectations in the right place though,

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<v Speaker 2>for Which Finder General. For example, when I rented the

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<v Speaker 2>blu ray of it from Atlanta's own Video Drum, a

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<v Speaker 2>couple of folks there, Matt and Jordan, they warned me

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<v Speaker 2>that well, you know, it's maybe not as full car

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<v Speaker 2>as some people expect it to be, knowing its reputation.

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<v Speaker 2>And they also said it's like a lot of screaming.

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<v Speaker 2>It's it's like mostly screaming, which is also true. But yeah, indeed,

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<v Speaker 2>if you're going into it expecting more of like a

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<v Speaker 2>wicker Man like experience or certainly a blood on Satan's

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<v Speaker 2>Claw like experience, is going to be different. It's a

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<v Speaker 2>different sort of beast. And I have to admit, like

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<v Speaker 2>going into which Finder General right after Satan's Claw, at

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<v Speaker 2>first it felt like a little bit of a let

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<v Speaker 2>down to me because it was coming up from like

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<v Speaker 2>this speculative weirdness, you know, with magic and demons, and

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<v Speaker 2>also just a very sort of fractured plot, a lot

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<v Speaker 2>of mysteries, things that didn't make sense, either intentionally or

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<v Speaker 2>unintentionally into this film, which is I think, in many

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<v Speaker 2>ways a lot tighter and also telling a real world story,

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<v Speaker 2>certainly highly fictionalized, but nothing in Which Finder General couldn't happen.

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<v Speaker 2>And I think it's fair to say that most of

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<v Speaker 2>the things, not character specific, but most of the things

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<v Speaker 2>that we see in the film actually did happen to

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<v Speaker 2>someone at some point unfortunately.

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<v Speaker 3>Yeah, I would also say of the three, which Finder

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<v Speaker 3>General is structurally the most familiar, Like it has a

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<v Speaker 3>pretty standard kind of movie plot structure that we can

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<v Speaker 3>talk about, and it also is just the clearest in

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<v Speaker 3>its meaning. The other movies I think invite a lot

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<v Speaker 3>more ambiguity and interpretations. It seems to me Which Finder

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<v Speaker 3>General is a very rhetorical film. It's making a point,

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<v Speaker 3>and it's very obvious what that point is.

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<v Speaker 2>For instance, it's very clear who the bad guys are.

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<v Speaker 2>There's not even a hint of doubt, like whose side

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<v Speaker 2>you could be on, Whereas I feel like wicker Man

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<v Speaker 2>certainly engages in that question, and to a much more

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<v Speaker 2>limited extent, so does Satan's Claw. Yeah, but yeah, Which

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<v Speaker 2>Finder General is very good? There are certainly times, I

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<v Speaker 2>think in the notes I even may have stated that

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<v Speaker 2>it was my least favorite of the three. And I

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<v Speaker 2>don't know if I don't like to rank things, but

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<v Speaker 2>I think initially that's how I felt about it. I'm

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<v Speaker 2>kind of coming up now that I've worked in the

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<v Speaker 2>notes and thought a bit more about the film, my

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<v Speaker 2>esteem for Which Finder General has come up a fair amount.

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<v Speaker 3>Oh okay, interesting, Well, if we are going to talk

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<v Speaker 3>about ranking anyway, Personally, I don't know exactly how I

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<v Speaker 3>would negotiate Blood on Satan's Claw versus Which Finder. General,

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<v Speaker 3>I would absolutely agree that Wickerman is the best of

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<v Speaker 3>the three. People will probably not be surprised to hear

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<v Speaker 3>me say that, since I've talked on the show before

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<v Speaker 3>about how it's one of my all time favorite movies.

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<v Speaker 3>It's definitely the weirdest, the most surprising, the funniest, and

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<v Speaker 3>the most horrifying and the most thematically complex in a

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<v Speaker 3>good way. It's all of that at once. And I

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<v Speaker 3>don't know, I just can't say enough good things about Wickerman.

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<v Speaker 3>Every time I see it, like I discover new ways

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<v Speaker 3>of thinking about it. So Wickerman is in a class

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<v Speaker 3>of its own. The other two movies, I don't know

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<v Speaker 3>exactly how i'd rank, but I thought they were They

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<v Speaker 3>both gave me a lot to think about. I thought

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<v Speaker 3>they were interesting.

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<v Speaker 2>Blood on Satan's Claw, weirdly enough, does have at least

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<v Speaker 2>one really funny scene involving the discussion of which dunking,

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<v Speaker 2>But that kind of speaks also to how disjointed that

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<v Speaker 2>film can be at times, which I've read is in

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<v Speaker 2>part due to the fact that it was originally conceived

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<v Speaker 2>as an anthology, like different stories set in the same town,

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<v Speaker 2>and then they all become one story.

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<v Speaker 3>I think actually the patchwork and disjointed nature of Blood

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<v Speaker 3>on Satan's Claw works in its favor. That comes to

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<v Speaker 3>make it feel a little more You're a little more

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<v Speaker 3>disoriented in terms of the plot structure, and it makes

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<v Speaker 3>it less predictable what's coming next, because you have these

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<v Speaker 3>scenes that feel kind of out of place, or like

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<v Speaker 3>they're picking up from some other movie you haven't seen,

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<v Speaker 3>or things like that.

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<v Speaker 2>Yeah. Yeah, it begins to feel like a bad dream. Yeah,

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<v Speaker 2>but of course Which Finder also can feel like a

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<v Speaker 2>really bad dream at times as well.

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<v Speaker 3>Yeah, that's true. So there were some things that I

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<v Speaker 3>did think were really interesting about Which Finder General, and

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<v Speaker 3>I want to talk about some of those things here.

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<v Speaker 3>One is about playing with genre. I am certainly not

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<v Speaker 3>the first person to notice this, but Which Finder General

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<v Speaker 3>is basically a Western.

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<v Speaker 2>That's an amazing point. I didn't think about it, but

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<v Speaker 2>now that you've said it, like everything lines up.

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<v Speaker 3>Yeah, it doesn't look like a Western because of the setting,

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<v Speaker 3>So it's not set in nineteenth century. In the nineteenth

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<v Speaker 3>century American West. It's set in the seventeenth century in

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<v Speaker 3>British East Anglia during the English Civil War, so the

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<v Speaker 3>eastern part of England English Civil Wars going on. But

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<v Speaker 3>there are a lot of things that if you just

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<v Speaker 3>kind of like substitute out the historical setting, it's a

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<v Speaker 3>western's So instead of like dry desert landscapes and dusty

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<v Speaker 3>cowboys with six shooters, we have these lush green forests

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<v Speaker 3>and meadows and mud booted, roundheaded soldiers with musket pistols.

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<v Speaker 3>And if you look for them, there are a lot

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<v Speaker 3>of the forms and sensibilities of the Western in here.

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<v Speaker 3>You've got chases on horseback, deadly gun play with handheld firearms,

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<v Speaker 3>in this case it's matchlock pistols. There is this sense

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<v Speaker 3>of lawlessness where higher authorities are absent or failed and

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<v Speaker 3>small towns are preyed on by roaming groups of men

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<v Speaker 3>with various kinds of power. Even the musical score to

0:12:35.640 --> 0:12:38.480
<v Speaker 3>me sounded a lot like the score to a Western,

0:12:38.559 --> 0:12:42.000
<v Speaker 3>so it's got a couple of influences. The music does

0:12:42.080 --> 0:12:45.760
<v Speaker 3>have a strong sense of English folk ballads, things like

0:12:45.840 --> 0:12:50.720
<v Speaker 3>John Barleycorn and Green Sleeves, but it also has sections

0:12:50.760 --> 0:12:52.800
<v Speaker 3>that feel like they're from a Western epic, like the

0:12:52.800 --> 0:12:54.840
<v Speaker 3>Score to the Searchers with John Wayne.

0:12:55.240 --> 0:12:56.320
<v Speaker 2>Yeah, yeah, absolutely.

0:12:56.760 --> 0:12:59.400
<v Speaker 3>Yeah. So, as I said, I'm not the first person

0:12:59.440 --> 0:13:01.920
<v Speaker 3>to notice critics have talked about this before, but I

0:13:01.960 --> 0:13:05.000
<v Speaker 3>think I would have gotten to this observation independently because

0:13:05.000 --> 0:13:09.480
<v Speaker 3>it's really strong. It really comes through. Another thing I

0:13:09.480 --> 0:13:12.520
<v Speaker 3>think is really interesting about Witch Finder general is the

0:13:12.559 --> 0:13:16.720
<v Speaker 3>way that it portrays its witch hunter characters. I was

0:13:16.720 --> 0:13:20.360
<v Speaker 3>thinking about this in contrast to other ways that witch

0:13:20.440 --> 0:13:24.079
<v Speaker 3>hunters are imagined on film. So one way you can

0:13:24.120 --> 0:13:27.320
<v Speaker 3>do it is basically witch hunters are the good guys.

0:13:27.440 --> 0:13:31.800
<v Speaker 3>For example, in Blood on Satan's Claw, the witchcraft is real,

0:13:31.960 --> 0:13:35.800
<v Speaker 3>and it is terrible and frightening, and it requires a

0:13:35.920 --> 0:13:38.280
<v Speaker 3>violent response. And so this is where we get the

0:13:38.559 --> 0:13:41.480
<v Speaker 3>judge played by Patrick Wymark saying I shall use undreamed

0:13:41.520 --> 0:13:44.760
<v Speaker 3>of measures. As you said, it's a sword, but it is.

0:13:44.800 --> 0:13:48.520
<v Speaker 3>You know, he's bringing the sword to a witch fight,

0:13:49.280 --> 0:13:53.240
<v Speaker 3>and obviously anything can work within the bounds of fantasy.

0:13:53.400 --> 0:13:56.400
<v Speaker 3>It is kind of hard to take this witch Hunters

0:13:56.440 --> 0:14:00.199
<v Speaker 3>as good guy's vision as having any relevance to actual

0:14:00.320 --> 0:14:00.959
<v Speaker 3>witch hunting.

0:14:01.480 --> 0:14:03.840
<v Speaker 2>Yeah. Yeah, and it can even feel just a real

0:14:04.320 --> 0:14:07.480
<v Speaker 2>a little bit wrongheaded, depending on how vers you are

0:14:07.520 --> 0:14:09.440
<v Speaker 2>in the history of things. But I don't know, it

0:14:09.480 --> 0:14:12.320
<v Speaker 2>becomes a part of a lot of a lot of

0:14:12.320 --> 0:14:14.920
<v Speaker 2>different franchises and so forth. You see it in like

0:14:14.960 --> 0:14:18.280
<v Speaker 2>Warhammer and Warhammer forty k. But even then, I think

0:14:18.280 --> 0:14:21.440
<v Speaker 2>those franchises are playing with the like the dark nature

0:14:21.480 --> 0:14:24.680
<v Speaker 2>of the thing, like these kind of anti heroes, you know,

0:14:24.720 --> 0:14:28.080
<v Speaker 2>people doing horrible things in a horrible world where maybe

0:14:28.080 --> 0:14:31.080
<v Speaker 2>the worst choice is also the best choice, that sort

0:14:31.120 --> 0:14:34.120
<v Speaker 2>of thing. But yeah, Whymark's judge is kind of presented

0:14:34.160 --> 0:14:36.920
<v Speaker 2>as a learned man who, upon examining the facts, just

0:14:37.000 --> 0:14:39.080
<v Speaker 2>kind of invents witch hunting for himself.

0:14:39.320 --> 0:14:41.520
<v Speaker 3>Yeah, I'm the first person to think of this.

0:14:41.720 --> 0:14:44.120
<v Speaker 2>Yeah, But at the same time, fiery conclusion of that

0:14:44.200 --> 0:14:46.600
<v Speaker 2>film kind of suggests that maybe the judge is as

0:14:46.640 --> 0:14:49.320
<v Speaker 2>much a devil as the twisted creature from the ground.

0:14:49.680 --> 0:14:51.680
<v Speaker 3>I didn't really think about it that way in Blood

0:14:51.680 --> 0:14:53.640
<v Speaker 3>on Satan's Claw. That's interesting. I'll have to look out

0:14:53.680 --> 0:14:58.680
<v Speaker 3>for that next time we watch. Okay, So another way

0:14:58.720 --> 0:15:01.040
<v Speaker 3>that you can put together a witch hunt story is

0:15:01.400 --> 0:15:05.320
<v Speaker 3>showing the witch hunters as figures that highlight the dangers

0:15:05.360 --> 0:15:08.800
<v Speaker 3>of fanaticism. So a story like this is going to

0:15:08.800 --> 0:15:13.640
<v Speaker 3>be a statement usually about religion and belief. Witch hunting

0:15:13.760 --> 0:15:17.720
<v Speaker 3>harms innocent people, to show us what happens when people

0:15:17.800 --> 0:15:21.400
<v Speaker 3>give in to superstition and unchecked religious mania. It's like

0:15:21.440 --> 0:15:25.240
<v Speaker 3>an it's an absence of reason, an absence of rationality.

0:15:25.360 --> 0:15:28.280
<v Speaker 3>That is usually the you know, what's really gone wrong

0:15:28.360 --> 0:15:29.640
<v Speaker 3>in these types of stories.

0:15:29.840 --> 0:15:32.480
<v Speaker 2>And I think people are perhaps more used to this

0:15:32.560 --> 0:15:36.600
<v Speaker 2>sort of witch hunting trope in terms of like general

0:15:36.600 --> 0:15:39.200
<v Speaker 2>storytelling and also just common language, because if someone is

0:15:39.240 --> 0:15:42.240
<v Speaker 2>accusing something of being a witch hunt, which they do,

0:15:43.640 --> 0:15:46.200
<v Speaker 2>they're generally trying to make a point that it's some

0:15:46.280 --> 0:15:51.440
<v Speaker 2>sort of like ridiculous, over zealous persecution of the innocent,

0:15:52.360 --> 0:15:55.040
<v Speaker 2>and so I think we're all rather acquainted with that,

0:15:55.120 --> 0:15:57.720
<v Speaker 2>and we see direct examples of that in various shows

0:15:57.840 --> 0:16:01.440
<v Speaker 2>and stories and which you know, there are religious zealots

0:16:01.760 --> 0:16:04.240
<v Speaker 2>that are actively going after women and accusing them of

0:16:04.240 --> 0:16:06.200
<v Speaker 2>being witches and then doing horrible things to them.

0:16:06.480 --> 0:16:09.160
<v Speaker 3>Yeah, and you can get, of course mixes of these

0:16:09.160 --> 0:16:12.880
<v Speaker 3>different types as well. So I think the example of

0:16:12.920 --> 0:16:15.320
<v Speaker 3>the Crucible, you know, it has elements of the dangers

0:16:15.320 --> 0:16:17.840
<v Speaker 3>of fanaticism, but also the next category I'm going to

0:16:17.880 --> 0:16:22.040
<v Speaker 3>talk about, which is dangers of authoritarianism, whereas the last

0:16:22.080 --> 0:16:25.200
<v Speaker 3>category is about religion and belief. These types of stories

0:16:25.280 --> 0:16:28.320
<v Speaker 3>are more a statement about power and systems of law

0:16:28.360 --> 0:16:32.480
<v Speaker 3>and justice. So witch hunters operate under the aegis of

0:16:32.560 --> 0:16:36.120
<v Speaker 3>some state or church authority, and they use that power

0:16:36.280 --> 0:16:40.480
<v Speaker 3>vested in them in an extreme and oppressive way. These

0:16:40.520 --> 0:16:44.400
<v Speaker 3>stories are often analogized to the actions of even secular

0:16:44.440 --> 0:16:47.400
<v Speaker 3>authoritarian governments. So you know, if you could think about

0:16:47.920 --> 0:16:51.280
<v Speaker 3>to whatever extent, the Crucible is about this type of

0:16:51.400 --> 0:16:56.200
<v Speaker 3>witch hunting abuse, it was also an analogy for McCarthyism,

0:16:56.800 --> 0:17:02.120
<v Speaker 3>but which Finder General offers, I would a a slightly

0:17:02.200 --> 0:17:05.560
<v Speaker 3>different model from any of those because the villains of

0:17:05.600 --> 0:17:09.920
<v Speaker 3>this film, Matthew Hopkins and John Stern, which again are

0:17:10.000 --> 0:17:13.679
<v Speaker 3>based on real historical figures. It's fictionalized for the movie,

0:17:13.720 --> 0:17:16.119
<v Speaker 3>but there really were, you know, there are there are

0:17:16.240 --> 0:17:21.120
<v Speaker 3>historical figures at the core of these characterizations. How they

0:17:21.119 --> 0:17:24.920
<v Speaker 3>are portrayed in the movie is not at all as

0:17:25.240 --> 0:17:31.640
<v Speaker 3>authentic puritanical fanatics, and they're also not exactly an expression

0:17:31.880 --> 0:17:37.520
<v Speaker 3>of like top down authoritarian terror, because this comes through

0:17:37.560 --> 0:17:40.160
<v Speaker 3>in the movie. But it was also historically true that

0:17:40.280 --> 0:17:44.959
<v Speaker 3>Hopkins and Stern did not actually have the approval of

0:17:45.080 --> 0:17:49.160
<v Speaker 3>any central authority or institution that people at the time

0:17:49.160 --> 0:17:54.640
<v Speaker 3>would have viewed as legitimate. They were essentially murder scammers,

0:17:54.680 --> 0:17:57.080
<v Speaker 3>and that is how they're portrayed in the movie. I

0:17:57.080 --> 0:17:58.760
<v Speaker 3>think that's the best way to think of them. They're

0:17:58.840 --> 0:18:02.280
<v Speaker 3>running a griff and it just happens to involve killing

0:18:02.359 --> 0:18:04.000
<v Speaker 3>people for alleged witchcraft.

0:18:04.320 --> 0:18:06.800
<v Speaker 2>That is a great point. Yeah, because neither man is

0:18:06.840 --> 0:18:10.600
<v Speaker 2>portrayed as being a dangerous zealot. They don't they don't

0:18:10.600 --> 0:18:13.320
<v Speaker 2>seem to really be religiously invested in what they're doing.

0:18:13.640 --> 0:18:17.919
<v Speaker 2>I mean, Stern is definitely a detestable statist, but Hopkins

0:18:18.000 --> 0:18:22.199
<v Speaker 2>is just Hopkins is more complex. But yeah, I like

0:18:22.280 --> 0:18:25.200
<v Speaker 2>the description that they're both murder scammers because that does

0:18:25.320 --> 0:18:26.680
<v Speaker 2>drive home what they're doing here.

0:18:27.080 --> 0:18:30.159
<v Speaker 3>Right, So the different model you get in this movie

0:18:30.359 --> 0:18:36.439
<v Speaker 3>is witch hunters as sadistic, opportunistic predators. They are taking

0:18:36.560 --> 0:18:41.720
<v Speaker 3>advantage of the environment of superstition and fanaticism among the locals,

0:18:42.320 --> 0:18:46.520
<v Speaker 3>and they're also taking advantage of the lawlessness and confusion

0:18:46.680 --> 0:18:50.119
<v Speaker 3>introduced by the Civil War in order to run a

0:18:50.160 --> 0:18:54.080
<v Speaker 3>scam where they travel from town to town pretending to

0:18:54.200 --> 0:18:59.000
<v Speaker 3>be legitimate authorities authorized by Parliament to solve the dangerous

0:18:59.000 --> 0:19:02.760
<v Speaker 3>witchcraft problem that is plaguing the land, when in reality

0:19:02.960 --> 0:19:07.520
<v Speaker 3>they're just torturing, murdering, and preying on random innocent people,

0:19:07.840 --> 0:19:11.360
<v Speaker 3>then demanding money from local authorities and compensation, and then

0:19:11.440 --> 0:19:14.280
<v Speaker 3>packing up and moving on. So it is like a

0:19:14.359 --> 0:19:18.800
<v Speaker 3>traveling scam. It's a traveling medicine show almost in a way.

0:19:18.800 --> 0:19:21.719
<v Speaker 3>It just involves like torturing and executing people.

0:19:22.280 --> 0:19:24.680
<v Speaker 2>Yeah, And a really telling detail that I thought was

0:19:24.720 --> 0:19:27.760
<v Speaker 2>important is that that Hopkins doesn't just roll up music

0:19:27.840 --> 0:19:30.439
<v Speaker 2>man style and convince the town that it needs some

0:19:30.520 --> 0:19:34.080
<v Speaker 2>witch finding, though how amazing would that have been. Now

0:19:34.160 --> 0:19:37.639
<v Speaker 2>he is called, he is paid, and he has no

0:19:37.760 --> 0:19:42.640
<v Speaker 2>problem whatsoever finding locals to willingly and even enthusiastically aid

0:19:42.760 --> 0:19:43.879
<v Speaker 2>him in his cruelty.

0:19:45.119 --> 0:19:49.080
<v Speaker 3>Yeah. So I think this is a really interesting take

0:19:49.280 --> 0:19:54.120
<v Speaker 3>on witch hunting, and it highlights a type of violence

0:19:54.119 --> 0:19:59.960
<v Speaker 3>and exploitation that still very much exists today. You might

0:20:00.119 --> 0:20:03.800
<v Speaker 3>think of this as like the witch hunting entrepreneur, people

0:20:03.840 --> 0:20:09.919
<v Speaker 3>who take advantage of chaotic and confusing situations to fake

0:20:10.040 --> 0:20:13.320
<v Speaker 3>their way into being granted trust by people who are

0:20:13.359 --> 0:20:17.040
<v Speaker 3>looking for safety and order, and then abusing that trust

0:20:17.119 --> 0:20:20.240
<v Speaker 3>for their own personal and often actually sadistic gain.

0:20:21.040 --> 0:20:24.919
<v Speaker 2>Yeah, today they would be influencers properly or or you know,

0:20:25.000 --> 0:20:26.840
<v Speaker 2>I don't know, even people with some sort of a

0:20:26.920 --> 0:20:32.560
<v Speaker 2>nebulous government position in certain you know, certain certainly and

0:20:32.600 --> 0:20:35.479
<v Speaker 2>fascist waning regimes in the world today.

0:20:35.880 --> 0:20:38.639
<v Speaker 3>Yeah, authoritarian entrepreneurs.

0:20:38.720 --> 0:20:39.440
<v Speaker 2>Yeah, yeah. Yeah.

0:20:40.720 --> 0:20:42.800
<v Speaker 3>So this is one way in which I would say

0:20:42.840 --> 0:20:46.000
<v Speaker 3>that Witchfinder General is distinct from a lot of the

0:20:46.160 --> 0:20:50.000
<v Speaker 3>other full corror movies you might be thinking of, because

0:20:50.000 --> 0:20:53.680
<v Speaker 3>a lot of those really are concerned with with belief

0:20:53.920 --> 0:20:59.280
<v Speaker 3>and ritual and religion, like with pagan beliefs or witchcraft itself,

0:20:59.320 --> 0:21:02.879
<v Speaker 3>you know, with what these belief systems actually involve and

0:21:02.920 --> 0:21:05.840
<v Speaker 3>what their rituals are. That's kind of beside the point

0:21:05.880 --> 0:21:09.080
<v Speaker 3>in which Finder General it's not even really about the

0:21:10.000 --> 0:21:14.080
<v Speaker 3>religion of the oppressors either, because you know, the Christianity

0:21:14.280 --> 0:21:18.240
<v Speaker 3>of the witch Finders seems maybe they believe it, but

0:21:18.280 --> 0:21:20.639
<v Speaker 3>it's kind of lightly held. They're mainly like they have

0:21:20.720 --> 0:21:24.480
<v Speaker 3>found a way to do to stamp out what they

0:21:24.520 --> 0:21:27.440
<v Speaker 3>believe is heresy in a way that is profitable.

0:21:27.640 --> 0:21:29.160
<v Speaker 2>They're a lucrative loophole.

0:21:29.520 --> 0:21:33.560
<v Speaker 3>Yes, So it is different in that regard I think

0:21:33.600 --> 0:21:37.200
<v Speaker 3>in that it is less focused on religion and ritual

0:21:37.560 --> 0:21:40.520
<v Speaker 3>and belief in magic and all that kind of stuff,

0:21:40.760 --> 0:21:46.520
<v Speaker 3>and more on just murderous bureaucracy and opportunistic predators that

0:21:47.040 --> 0:21:48.600
<v Speaker 3>look for vacuums of power.

0:21:50.720 --> 0:21:53.920
<v Speaker 2>All right, well, let's go ahead, and we'll just mention

0:21:54.000 --> 0:21:56.520
<v Speaker 2>now that if you're looking to watch this movie for yourself,

0:21:56.520 --> 0:21:59.240
<v Speaker 2>it's widely available. I believe the version I ran it

0:21:59.240 --> 0:22:01.840
<v Speaker 2>from video drone is the eighty eight Films Blu ray,

0:22:01.880 --> 0:22:04.120
<v Speaker 2>which I guess is region free because I was able

0:22:04.160 --> 0:22:07.679
<v Speaker 2>to play it always checking. I'm never an expert on

0:22:07.720 --> 0:22:09.679
<v Speaker 2>the regions of these things, so do check before you

0:22:09.840 --> 0:22:12.040
<v Speaker 2>purchase a disc. But you can also find it on

0:22:12.119 --> 0:22:15.840
<v Speaker 2>various streaming sites, including MGM plus and two B. I'll

0:22:15.880 --> 0:22:18.600
<v Speaker 2>also note that when it was released in the US,

0:22:18.960 --> 0:22:22.119
<v Speaker 2>it was released as The Conqueror Worm, with an intro

0:22:22.200 --> 0:22:25.720
<v Speaker 2>in outro featuring Vincent Price reading the Edgarllan Poe poem,

0:22:25.800 --> 0:22:28.280
<v Speaker 2>apparently in a loose attempt to tie it in with

0:22:28.359 --> 0:22:33.080
<v Speaker 2>the Price po cycle of Roger Korman films. But this film,

0:22:33.640 --> 0:22:35.520
<v Speaker 2>it actually has nothing to do with the works of

0:22:35.600 --> 0:22:36.600
<v Speaker 2>ed Ground Poe.

0:22:36.520 --> 0:22:39.359
<v Speaker 3>Nothing, and it's not Yeah, it's not. It does have

0:22:39.440 --> 0:22:42.080
<v Speaker 3>Vincent Price, it's not Roger Korman. It doesn't have to

0:22:42.119 --> 0:22:46.000
<v Speaker 3>do with Poe. Yeah, they just tack the I actually watched.

0:22:46.160 --> 0:22:49.200
<v Speaker 3>My disc has a way of watching the original intro

0:22:49.280 --> 0:22:52.359
<v Speaker 3>and outro with the with the reading of the poem.

0:22:53.320 --> 0:22:55.320
<v Speaker 3>You know, I love Vincent Price reading a poem, but

0:22:55.320 --> 0:22:57.400
<v Speaker 3>I'm gonna say, honestly, it doesn't really add much here.

0:22:58.200 --> 0:22:59.399
<v Speaker 3>I'd probably watch without.

0:22:59.680 --> 0:22:59.920
<v Speaker 2>Yeah.

0:23:00.480 --> 0:23:03.840
<v Speaker 3>By the way, the version I watched was the Shout

0:23:03.840 --> 0:23:06.920
<v Speaker 3>Factory Vincent Price collection, which is very good. Has Pitt

0:23:06.920 --> 0:23:10.000
<v Speaker 3>in the Pendulum, Mask of the Red Death, Haunted Palace,

0:23:10.080 --> 0:23:13.120
<v Speaker 3>follow the House of Usher, Abominable Doctor Fibes, and witch

0:23:13.160 --> 0:23:17.440
<v Speaker 3>Finder General. So excellent. Oh, excellent list there. This collection

0:23:17.560 --> 0:23:18.400
<v Speaker 3>is worth it.

0:23:18.560 --> 0:23:21.040
<v Speaker 2>Yeah, some great flicks on that desk for sure, right

0:23:21.040 --> 0:23:32.280
<v Speaker 2>in that set. All right, let's get into the people

0:23:32.359 --> 0:23:34.560
<v Speaker 2>who made this movie. Starting at the top of the

0:23:34.560 --> 0:23:37.600
<v Speaker 2>writer director. It's Michael Reeves, who lived nineteen forty three

0:23:37.640 --> 0:23:41.560
<v Speaker 2>through nineteen sixty nine. Tragically short lived director. He only

0:23:41.560 --> 0:23:45.480
<v Speaker 2>directed three full length films, She Beast in nineteen sixty six,

0:23:45.920 --> 0:23:48.800
<v Speaker 2>The Sorcerers in sixty seven, which we previously covered on

0:23:48.840 --> 0:23:51.959
<v Speaker 2>Weird House Cinema. That one had Boris Karloff in it. Yeah,

0:23:52.000 --> 0:23:55.520
<v Speaker 2>and then and then The Witch Finder General in sixty eight,

0:23:56.200 --> 0:24:00.760
<v Speaker 2>his final film. He subsequently died of an accidental d overdose.

0:24:01.560 --> 0:24:04.840
<v Speaker 2>She be starred English actor and Italian horror movie queen

0:24:04.880 --> 0:24:09.160
<v Speaker 2>Barbara Steele. That one sounds like it's a lot of fun,

0:24:09.160 --> 0:24:11.919
<v Speaker 2>but I haven't seen it. And which Finder General is?

0:24:12.000 --> 0:24:15.200
<v Speaker 2>I think generally regarded as his best film and certainly

0:24:15.280 --> 0:24:19.080
<v Speaker 2>his most famous, And part of that is just the

0:24:19.160 --> 0:24:20.920
<v Speaker 2>quality of the film itself. But I think also was

0:24:20.960 --> 0:24:23.640
<v Speaker 2>kind of like maybe the mystique of a young director

0:24:23.720 --> 0:24:26.640
<v Speaker 2>dying young after having made it. Yeah, he was only

0:24:26.680 --> 0:24:29.800
<v Speaker 2>in his mid twenties when he made this film, and

0:24:29.880 --> 0:24:31.760
<v Speaker 2>so we can't help but imagine, you know, what else

0:24:31.800 --> 0:24:34.160
<v Speaker 2>he might have accomplished, had he, you know, had a

0:24:34.200 --> 0:24:36.840
<v Speaker 2>you know, a longer life and longer career.

0:24:37.320 --> 0:24:40.679
<v Speaker 3>Yeah. I have read that this is a movie that

0:24:40.800 --> 0:24:45.240
<v Speaker 3>critics really warmed up to over time, that at first

0:24:45.320 --> 0:24:48.760
<v Speaker 3>critics were not very thrilled with it, but over time

0:24:48.800 --> 0:24:51.359
<v Speaker 3>people really came back to it and thought there was

0:24:51.400 --> 0:24:52.439
<v Speaker 3>something special about it.

0:24:52.640 --> 0:24:56.439
<v Speaker 2>Yeah. Yeah, let's see the writing credits on this. We

0:24:56.520 --> 0:24:59.639
<v Speaker 2>have Tom Baker, not to be confused with the actor

0:25:00.480 --> 0:25:03.320
<v Speaker 2>this is a not much that I could find out

0:25:03.320 --> 0:25:06.120
<v Speaker 2>about this guy age not public record. He also worked

0:25:06.119 --> 0:25:09.679
<v Speaker 2>on the screenplay for The Sorcerers. Then we also have

0:25:10.400 --> 0:25:13.359
<v Speaker 2>Lewis M. Hayward, who lived nineteen twenty through two thousand

0:25:13.400 --> 0:25:17.120
<v Speaker 2>and two, an Emmy nominated screenwriter and producer whose other

0:25:17.200 --> 0:25:19.879
<v Speaker 2>writing credits include the English version of the screenplay to

0:25:19.920 --> 0:25:23.480
<v Speaker 2>sixty five's Planet of the Vampires, Doctor Goldfoot and the

0:25:23.520 --> 0:25:27.080
<v Speaker 2>Girl Bombs and The Ghost in the Invisible Bikini, both

0:25:27.119 --> 0:25:29.720
<v Speaker 2>from sixty six, and then The Crimson Colt from sixty eight.

0:25:29.920 --> 0:25:32.399
<v Speaker 2>As a producer, he produced a number of sixties and

0:25:32.400 --> 0:25:36.800
<v Speaker 2>seventies horrors films, including Scream and Scream Again in nineteen seventy,

0:25:36.840 --> 0:25:39.880
<v Speaker 2>which we've talked about on the show, both Fibes movies,

0:25:40.040 --> 0:25:41.760
<v Speaker 2>and we've covered both of those on the show, and

0:25:41.800 --> 0:25:45.520
<v Speaker 2>then also Curtis Harrington's Whoever Slew Anti Rue in seventy two.

0:25:45.920 --> 0:25:49.480
<v Speaker 3>Wow, Okay, I mean that's a list. Yeah, have you

0:25:49.520 --> 0:25:51.280
<v Speaker 3>seen Ghost in the Invisible Bikini?

0:25:52.000 --> 0:25:54.240
<v Speaker 2>I feel like I've seen bits and pieces of these

0:25:54.320 --> 0:25:59.399
<v Speaker 2>various bikini movies with I'm not even sure off the

0:25:59.400 --> 0:26:01.600
<v Speaker 2>top of my head which one Vincent Price shows up

0:26:01.600 --> 0:26:02.600
<v Speaker 2>in and so forth.

0:26:02.960 --> 0:26:07.240
<v Speaker 3>I think he's in He's in, well, he's the Goldfoot Okay,

0:26:07.280 --> 0:26:10.399
<v Speaker 3>I think because I remember Doctor Goldfoot and in the

0:26:10.440 --> 0:26:13.760
<v Speaker 3>Bikini Machine, which is like it's like one of those

0:26:13.880 --> 0:26:16.920
<v Speaker 3>sandwich shop toasters on a conveyor belt, except I think

0:26:16.920 --> 0:26:18.520
<v Speaker 3>it just puts out ladies and bikinis.

0:26:18.760 --> 0:26:22.560
<v Speaker 2>Okay, yeah, I mean yeah, maybe I'll have to to

0:26:22.560 --> 0:26:25.080
<v Speaker 2>see one of those at some point. Summer would be

0:26:25.119 --> 0:26:30.320
<v Speaker 2>a good time for high art, let's see. Oh and

0:26:30.359 --> 0:26:31.919
<v Speaker 2>the other thing about the writing is all this was

0:26:32.080 --> 0:26:35.880
<v Speaker 2>based on a novel, an original novel by Ronald Bassett,

0:26:35.880 --> 0:26:38.520
<v Speaker 2>who lived nineteen twenty fourth through nineteen ninety six, a

0:26:38.560 --> 0:26:42.200
<v Speaker 2>British writer of mostly historical fiction, and the novel came

0:26:42.200 --> 0:26:45.680
<v Speaker 2>out in sixty four. All right, well, let's get into

0:26:45.680 --> 0:26:49.320
<v Speaker 2>the cast, starting with, of course, Vincent Prize playing Matthew

0:26:49.359 --> 0:26:53.240
<v Speaker 2>Hopkins here. Price lived nineteen eleven through nineteen ninety three.

0:26:53.280 --> 0:26:56.280
<v Speaker 2>This is our eighth Vincent Price film and Weird House Cinema.

0:26:56.359 --> 0:26:59.080
<v Speaker 2>So he's tied with Christopher Lee right now for our

0:26:59.119 --> 0:27:01.960
<v Speaker 2>most watched for four So, since we've talked about him before,

0:27:01.960 --> 0:27:04.240
<v Speaker 2>I'm not going to do the full bio treatment here,

0:27:04.320 --> 0:27:06.760
<v Speaker 2>but instead try and place this film in his life.

0:27:06.800 --> 0:27:09.920
<v Speaker 2>In filmography, Price would have been in his mid fifties

0:27:09.920 --> 0:27:13.360
<v Speaker 2>at the time. This was after the Corman post cycle,

0:27:14.040 --> 0:27:17.400
<v Speaker 2>after his appearance on TV's Batman as the villain Egghead,

0:27:18.240 --> 0:27:20.520
<v Speaker 2>so you know, he was certainly hamming it up plenty

0:27:20.560 --> 0:27:23.679
<v Speaker 2>at this point. But this was also before sixty nine's

0:27:23.720 --> 0:27:27.400
<v Speaker 2>Oblong Box, before Scream and Scream Again, and also before

0:27:27.520 --> 0:27:32.520
<v Speaker 2>The Abominable Doctor Fibes in seventy one. Price was, of

0:27:32.520 --> 0:27:35.680
<v Speaker 2>course an American actor and is here playing a British

0:27:35.760 --> 0:27:40.000
<v Speaker 2>character in a British production, not his first but still notable.

0:27:40.320 --> 0:27:43.119
<v Speaker 2>Also worth noting that correct me if I'm wrong here, Joe,

0:27:43.119 --> 0:27:44.679
<v Speaker 2>because this is one of those things that I watched

0:27:44.680 --> 0:27:47.600
<v Speaker 2>the movie, didn't think about it once, and then came

0:27:47.640 --> 0:27:49.359
<v Speaker 2>back and I was like, oh, I guess that was

0:27:49.400 --> 0:27:51.639
<v Speaker 2>the case. Like, he doesn't do a British accent here,

0:27:51.720 --> 0:27:54.160
<v Speaker 2>does he? Does? He just you use his standard transit,

0:27:54.200 --> 0:27:55.240
<v Speaker 2>the Atlantic accent.

0:27:56.400 --> 0:27:59.320
<v Speaker 3>I didn't even think about it. Whatever he was doing

0:27:59.359 --> 0:28:02.720
<v Speaker 3>did not catch my attention in terms of accents. Yeah,

0:28:02.880 --> 0:28:04.920
<v Speaker 3>it just it just passed as normal.

0:28:05.080 --> 0:28:07.879
<v Speaker 2>Yeah. Yeah, it's like something up since Vincent Price's like

0:28:07.960 --> 0:28:11.920
<v Speaker 2>theatrical voice and essentially his actual voice, and you hearman interviews.

0:28:13.040 --> 0:28:16.240
<v Speaker 2>I don't know it. It's so distinctly him. And it

0:28:16.359 --> 0:28:21.040
<v Speaker 2>also is not like accent wise tied to a particular

0:28:21.280 --> 0:28:24.200
<v Speaker 2>part of the United States. He just it feels right

0:28:24.240 --> 0:28:26.040
<v Speaker 2>that he should be in this picture. And I never

0:28:26.160 --> 0:28:27.400
<v Speaker 2>questioned it a single time.

0:28:27.760 --> 0:28:30.360
<v Speaker 3>Yeah, somehow was just not thinking about accents at all.

0:28:31.680 --> 0:28:35.000
<v Speaker 3>So I would say Vincent Price is great in this movie,

0:28:35.080 --> 0:28:38.120
<v Speaker 3>but it is not a typical Vincent Price performance. You know,

0:28:38.480 --> 0:28:42.120
<v Speaker 3>we love him when he does his his high theatrical

0:28:42.440 --> 0:28:45.560
<v Speaker 3>style or when he embraces camp and that's not going

0:28:45.600 --> 0:28:49.280
<v Speaker 3>on here. This is a I would say the closest

0:28:49.400 --> 0:28:52.960
<v Speaker 3>thing we've seen to this is his performance in The

0:28:53.040 --> 0:28:58.200
<v Speaker 3>Last Man on Earth. This is a serious and much

0:28:58.240 --> 0:29:00.959
<v Speaker 3>more subdued style of Vincent Price.

0:29:01.040 --> 0:29:01.360
<v Speaker 2>He is.

0:29:01.720 --> 0:29:02.720
<v Speaker 3>He's not hamming it.

0:29:02.720 --> 0:29:06.520
<v Speaker 2>Up, that's right. Prices Hopkins is a cold and dead

0:29:06.520 --> 0:29:10.200
<v Speaker 2>eyed opportunist, and you know, we gather he's in no

0:29:10.280 --> 0:29:13.040
<v Speaker 2>hurry to actually do most of the dirty work of

0:29:13.080 --> 0:29:17.920
<v Speaker 2>interrogation and execution himself. But yeah, he does not oppose

0:29:17.920 --> 0:29:20.880
<v Speaker 2>it on moral grounds at all. He has no moral grounds.

0:29:20.920 --> 0:29:25.200
<v Speaker 2>He's a ruthless man of calculating exploitation and is in

0:29:25.240 --> 0:29:28.120
<v Speaker 2>No Ways fun and in No Ways and then in

0:29:28.120 --> 0:29:29.920
<v Speaker 2>in No Way Hammy. So if you're looking for like

0:29:29.960 --> 0:29:33.280
<v Speaker 2>a really visually interesting I mean, I'll take that. It's

0:29:33.280 --> 0:29:35.840
<v Speaker 2>a very visually interesting performance. Is a great performance. But

0:29:35.880 --> 0:29:38.040
<v Speaker 2>if you're looking for sort of the you know, the

0:29:38.440 --> 0:29:43.080
<v Speaker 2>high melodrama or high Hammy Vincent Price, that's not where

0:29:43.080 --> 0:29:45.400
<v Speaker 2>you're gonna find here. You're gonna find something a lot

0:29:45.480 --> 0:29:48.400
<v Speaker 2>more grounded and really scary.

0:29:48.560 --> 0:29:51.440
<v Speaker 3>One another way I'll put it is Price kind of

0:29:51.480 --> 0:29:56.440
<v Speaker 3>specialized in portraying villains that are still kind of lovable

0:29:56.680 --> 0:30:00.760
<v Speaker 3>in an ironic way. Like so in Mass the Red Death,

0:30:00.760 --> 0:30:04.720
<v Speaker 3>he's playing Prince Prospero, who's like trying to He's trying

0:30:04.760 --> 0:30:07.120
<v Speaker 3>to be the most evil man alive. You know, I'm

0:30:07.160 --> 0:30:09.760
<v Speaker 3>just like, I'm going to explore all types of evil.

0:30:10.960 --> 0:30:15.200
<v Speaker 3>But even despite like his evil, he's just delicious. He's

0:30:15.240 --> 0:30:18.560
<v Speaker 3>just lovable on screen. And it's part it's that hamminess

0:30:18.560 --> 0:30:22.000
<v Speaker 3>and theatrical style. You can't help but love him. None

0:30:22.080 --> 0:30:25.160
<v Speaker 3>of that going on here. Matthew Hopkins in this movie

0:30:25.280 --> 0:30:32.640
<v Speaker 3>is a detestable, disgusting character, and Price does it very well,

0:30:32.680 --> 0:30:34.000
<v Speaker 3>like he fits right in.

0:30:34.320 --> 0:30:39.200
<v Speaker 2>Yeah, absolutely a Price apparently clashed with the young Reeves,

0:30:39.520 --> 0:30:43.520
<v Speaker 2>the director on the production. Reeves reportedly, in like early

0:30:43.560 --> 0:30:46.640
<v Speaker 2>goings and early pre production, really wanted Donald Pleasants for

0:30:46.680 --> 0:30:48.720
<v Speaker 2>the role. And if you're familiar with the work of

0:30:48.720 --> 0:30:51.920
<v Speaker 2>Donald Pleasants, you can, I mean, Pleasants had had a

0:30:52.040 --> 0:30:55.200
<v Speaker 2>range of his own and certainly wasn't confined to just

0:30:55.240 --> 0:30:57.400
<v Speaker 2>one type of character. But you know, the sort of

0:30:57.400 --> 0:31:00.320
<v Speaker 2>take Donald Pleasants would have likely had here definitely old

0:31:00.680 --> 0:31:05.000
<v Speaker 2>calculating and so forth, And so he pushed for that.

0:31:05.520 --> 0:31:08.160
<v Speaker 2>The studio, on the other hand, pushed for Vincent Price

0:31:08.200 --> 0:31:10.880
<v Speaker 2>and said, you know, you're getting Vincent Price, and so

0:31:11.720 --> 0:31:15.280
<v Speaker 2>Reeves ends up pushing for you know this more like

0:31:15.440 --> 0:31:22.600
<v Speaker 2>nuanced you know, less theatrical performance from Vincent Price, and

0:31:23.200 --> 0:31:26.560
<v Speaker 2>this apparently led to some tension, at least at first.

0:31:27.040 --> 0:31:29.240
<v Speaker 2>Also there was some other stuff that apparently happened, like

0:31:29.240 --> 0:31:31.840
<v Speaker 2>there's a point where Reeves directed Price to fire a

0:31:31.880 --> 0:31:35.080
<v Speaker 2>pistol from horseback, and it resulted in Price being thrown

0:31:35.120 --> 0:31:37.800
<v Speaker 2>from the horse. So you know, that's not going to

0:31:37.840 --> 0:31:42.600
<v Speaker 2>help your working relationship. But later on, Vincent Price apparently,

0:31:42.640 --> 0:31:45.240
<v Speaker 2>you know, ultimately judged at one of his best performances

0:31:45.280 --> 0:31:48.479
<v Speaker 2>and and you decided, yeah, that was the right direction

0:31:48.600 --> 0:31:54.280
<v Speaker 2>to go in. I've also I've read different accounts of

0:31:54.520 --> 0:31:57.560
<v Speaker 2>a supposed interaction that occurred between the two of them.

0:31:57.960 --> 0:32:02.400
<v Speaker 2>There's a frequently cited this regular Zinger exchange when Vincent

0:32:02.440 --> 0:32:05.360
<v Speaker 2>Price supposedly says young man, I've made eighty four films,

0:32:05.360 --> 0:32:07.440
<v Speaker 2>what have you done? And Reeve's responds, I've made two

0:32:07.480 --> 0:32:10.280
<v Speaker 2>good ones. And I've read accounts that make this seem

0:32:10.320 --> 0:32:15.280
<v Speaker 2>like a really biting back and forth. But more reputable

0:32:15.320 --> 0:32:18.200
<v Speaker 2>accounts seem to indicate that like Price laughed at this

0:32:18.360 --> 0:32:22.080
<v Speaker 2>zinger and complied and maybe wasn't. I don't know, you

0:32:22.120 --> 0:32:25.320
<v Speaker 2>know how this goes with behind the scenes dirt. Sometimes

0:32:25.320 --> 0:32:27.760
<v Speaker 2>it's played up to be far more toxic than it was,

0:32:28.120 --> 0:32:30.480
<v Speaker 2>And in the write up that I found from Will

0:32:31.040 --> 0:32:34.000
<v Speaker 2>Hodgkinson and The Guardian, it sounds like it was a

0:32:34.480 --> 0:32:37.200
<v Speaker 2>far less toxic than it somehow may sometimes made out

0:32:37.200 --> 0:32:41.320
<v Speaker 2>to be. But I agree, absolutely evil character, not a

0:32:41.320 --> 0:32:44.240
<v Speaker 2>lovable character. And it's fitting because again Matthew Hopkins was

0:32:44.280 --> 0:32:47.640
<v Speaker 2>a real person and a central actor in the witchcraft

0:32:47.640 --> 0:32:51.800
<v Speaker 2>craze of the English Civil War, responsible for at least

0:32:51.840 --> 0:32:54.680
<v Speaker 2>something like two hundred and thirty and maybe many more

0:32:54.760 --> 0:32:58.760
<v Speaker 2>deaths between the year sixteen forty four and sixteen forty seven.

0:32:59.040 --> 0:33:02.320
<v Speaker 2>And his interrogation methods, the cruelty that he employed are

0:33:02.440 --> 0:33:04.880
<v Speaker 2>on the whole what you see in the film. You know,

0:33:04.920 --> 0:33:07.760
<v Speaker 2>the film can only go so far. And then also

0:33:07.760 --> 0:33:09.720
<v Speaker 2>the film does a little bit of an invention. But

0:33:10.240 --> 0:33:13.360
<v Speaker 2>for the most part, like this is this is very believable.

0:33:13.800 --> 0:33:17.360
<v Speaker 3>From what I've read, I think Hopkins and Stern alone

0:33:17.720 --> 0:33:22.520
<v Speaker 3>accounted for like the bulk of witchcraft executions in this period.

0:33:23.000 --> 0:33:26.600
<v Speaker 3>There were other people persecuting alleged witches at this time,

0:33:26.720 --> 0:33:31.440
<v Speaker 3>but Hopkins and Stern were real overachievers. They were they

0:33:31.520 --> 0:33:36.840
<v Speaker 3>killed so many had very outsized impact in this domain.

0:33:38.520 --> 0:33:40.840
<v Speaker 2>All right, So that's our central villain and we'll come

0:33:40.880 --> 0:33:42.800
<v Speaker 2>back to Stern in just a second. Well, no, I'll

0:33:42.800 --> 0:33:44.760
<v Speaker 2>go ahead and cover Stern since we're talking about it.

0:33:45.080 --> 0:33:49.920
<v Speaker 2>So John Stern is played by Robert Russell. Robert Russell

0:33:49.960 --> 0:33:53.240
<v Speaker 2>lived nineteen thirty six through two thousand and eight. And yeah,

0:33:53.400 --> 0:33:57.520
<v Speaker 2>just on one level, like just an absolutely hateable Hinchman,

0:33:57.640 --> 0:34:01.480
<v Speaker 2>but it's more nuanced than just like villain and Hinchman,

0:34:01.600 --> 0:34:07.320
<v Speaker 2>like they are uneasy partners in this murder. Con exercise,

0:34:07.800 --> 0:34:10.359
<v Speaker 2>and they do not love each other. There is a

0:34:10.360 --> 0:34:13.480
<v Speaker 2>fair amount of animosity between the two of them, and

0:34:13.560 --> 0:34:17.719
<v Speaker 2>clearly Hopkins Hopkins has no love for this guy, no

0:34:17.840 --> 0:34:19.800
<v Speaker 2>loyalty to him, and it kind of goes both ways.

0:34:20.360 --> 0:34:23.520
<v Speaker 3>Yeah, they have slightly different styles. It's true that they're

0:34:23.560 --> 0:34:26.360
<v Speaker 3>not loyal to each other at all. They kind of

0:34:26.440 --> 0:34:29.680
<v Speaker 3>need each other to keep this thing going. That's clearly

0:34:29.880 --> 0:34:33.640
<v Speaker 3>what they're mainly concerned with is just keeping this thing rolling. Yeah,

0:34:34.719 --> 0:34:39.200
<v Speaker 3>but they're portrayed is different. They're both sadists and they're

0:34:39.200 --> 0:34:42.920
<v Speaker 3>both evil, but Stern comes off as a hot blooded,

0:34:43.120 --> 0:34:48.239
<v Speaker 3>kind of lustful, chaotic evil, whereas Hopkins comes off as

0:34:48.520 --> 0:34:53.400
<v Speaker 3>cold blooded, kind of lawful evil or neutral evil. Hopkins

0:34:53.480 --> 0:34:57.560
<v Speaker 3>likes to project an air of civility and gentility in public,

0:34:57.680 --> 0:35:00.759
<v Speaker 3>so like there will be these conflicts between them where

0:35:00.800 --> 0:35:05.960
<v Speaker 3>Hopkins does not publicly endorse torture, you know, he's like, oh,

0:35:06.000 --> 0:35:08.480
<v Speaker 3>we don't do that, but then privately he's fine with it.

0:35:08.719 --> 0:35:11.680
<v Speaker 2>Yeah, yeah, or we're fine with things that are maybe

0:35:11.719 --> 0:35:17.560
<v Speaker 2>not legally like legally torture under the laws at the time,

0:35:17.640 --> 0:35:20.879
<v Speaker 2>Like for instance, I think historically in England, at least

0:35:21.520 --> 0:35:25.520
<v Speaker 2>you weren't going to find like thumbscrews used in these interrogations,

0:35:25.560 --> 0:35:27.960
<v Speaker 2>but all other sorts. There were a number of other

0:35:28.000 --> 0:35:30.200
<v Speaker 2>things that were allowed because they were like, oh, you're

0:35:30.239 --> 0:35:32.239
<v Speaker 2>testing you know this, or that. We'll get into the

0:35:32.840 --> 0:35:35.680
<v Speaker 2>techniques that are explored in the film later on.

0:35:36.080 --> 0:35:38.319
<v Speaker 3>I mean it reminds me, though sadly, of things in

0:35:38.440 --> 0:35:41.560
<v Speaker 3>much more recent history where it's like, oh, we don't

0:35:41.560 --> 0:35:44.560
<v Speaker 3>do torture, I mean we will do water boarding or

0:35:44.600 --> 0:35:47.160
<v Speaker 3>these other things that are obviously torture. Is just making

0:35:47.239 --> 0:35:50.160
<v Speaker 3>these stupid distinctions, like we don't call that torture for

0:35:50.200 --> 0:35:50.640
<v Speaker 3>some reason.

0:35:50.719 --> 0:35:53.200
<v Speaker 2>Yeah, or sleep deprivation, which is something you see in

0:35:53.200 --> 0:35:57.000
<v Speaker 2>that category today and was absolutely one of the or

0:35:57.040 --> 0:36:00.360
<v Speaker 2>at least allegedly was one of the tactics that that

0:36:00.440 --> 0:36:03.320
<v Speaker 2>they used that these two gentlemen used. A gentleman he

0:36:03.400 --> 0:36:06.200
<v Speaker 2>used lightly, but these two men used in their crimes.

0:36:06.440 --> 0:36:07.680
<v Speaker 3>Yeah.

0:36:08.440 --> 0:36:12.920
<v Speaker 2>So, But anyway, detestable character John Stern, but also very

0:36:12.920 --> 0:36:15.879
<v Speaker 2>well played by Robert Russell, who live thirty six through

0:36:15.960 --> 0:36:19.480
<v Speaker 2>two thousand and eight. His other credits include Sitting Target

0:36:19.560 --> 0:36:21.520
<v Speaker 2>from seventy two, and he was on episodes of both

0:36:21.560 --> 0:36:26.120
<v Speaker 2>Blake seven and Doctor Who. I also should note I

0:36:26.160 --> 0:36:28.279
<v Speaker 2>was looking at this this actor and it's like, oh man,

0:36:28.320 --> 0:36:31.799
<v Speaker 2>he's six' three at least he's built as, such And

0:36:31.960 --> 0:36:34.759
<v Speaker 2>Vincent price is taller than, him towering over him in

0:36:34.760 --> 0:36:35.920
<v Speaker 2>these SCENES i had to look AT i had to

0:36:36.000 --> 0:36:39.759
<v Speaker 2>be reminded That Vincent price was six.' four so a towering. Duo.

0:36:39.880 --> 0:36:43.520
<v Speaker 3>HERE interesting i did Not clock russell as.

0:36:43.680 --> 0:36:47.640
<v Speaker 2>Especially, TALL yeah i mean he's a he's a kind

0:36:47.680 --> 0:36:50.360
<v Speaker 2>of a it's got like a, wrestler's physique, you know

0:36:50.520 --> 0:36:53.239
<v Speaker 2>kind of like he's, he's tall but also, you know

0:36:53.239 --> 0:36:56.480
<v Speaker 2>like broad in a very. Intimidating, way yeah he's more

0:36:56.560 --> 0:37:00.480
<v Speaker 2>also a physical Scrapper. Than hopkins's, Yeah movie hopkins likes

0:37:00.520 --> 0:37:03.759
<v Speaker 2>to stand back and order other people to do the,

0:37:04.080 --> 0:37:07.080
<v Speaker 2>dirty Work but stern likes to get in there with his. Own.

0:37:07.120 --> 0:37:10.120
<v Speaker 2>Hands yeah, all right let's talk a little bit about

0:37:10.120 --> 0:37:13.680
<v Speaker 2>the good, guys here the good guys and, the victims because,

0:37:13.800 --> 0:37:16.480
<v Speaker 2>let's see first, of all We Have ian Ogilvie Playing.

0:37:16.680 --> 0:37:22.560
<v Speaker 2>Richard marshall this Is our commonwealth soldier and ultimately our

0:37:22.680 --> 0:37:27.440
<v Speaker 2>key revenger active in. The picture ogilvie was born nineteen

0:37:27.520 --> 0:37:29.840
<v Speaker 2>forty three and as of this recording is Still around

0:37:30.320 --> 0:37:33.120
<v Speaker 2>british actor WHO'S been i think he's. Still active has

0:37:33.120 --> 0:37:35.799
<v Speaker 2>been active since fifty eight and he appeared in all

0:37:35.840 --> 0:37:39.319
<v Speaker 2>Three of reeves's, Feature Films So, she Beasts, the sorcerers

0:37:39.680 --> 0:37:42.719
<v Speaker 2>And Witch. Finder general he's worked a lot over the

0:37:42.760 --> 0:37:46.800
<v Speaker 2>eight decades he's. Been active his later credits Included Seventies,

0:37:47.400 --> 0:37:51.320
<v Speaker 2>wuthering heights the Seventy four amicus horror Anthology from Beyond,

0:37:51.360 --> 0:37:54.040
<v Speaker 2>the grave seventy four Is The, gathering storm seventy SIX Is,

0:37:54.080 --> 0:37:57.279
<v Speaker 2>i claudius and Let's see old nineteen ninety two's death

0:37:57.320 --> 0:37:58.960
<v Speaker 2>becomes her And puppet.

0:37:58.960 --> 0:38:02.239
<v Speaker 3>Master, five Oh puppet. Master five there. You go, that's

0:38:02.239 --> 0:38:02.719
<v Speaker 3>why that's where.

0:38:02.719 --> 0:38:07.160
<v Speaker 2>It, culminates, yeah yeah but solid lead. Performance HERE and

0:38:07.360 --> 0:38:09.799
<v Speaker 2>i should also point out my wife watched this one,

0:38:09.840 --> 0:38:12.040
<v Speaker 2>with me and she pointed out that She, thought ogilvy

0:38:12.120 --> 0:38:14.879
<v Speaker 2>or at least the person that we see Riding, as

0:38:14.880 --> 0:38:18.760
<v Speaker 2>ogilvy is a. Good horseman and the Same With. Vincent

0:38:18.800 --> 0:38:21.359
<v Speaker 2>Price vincent price or whoever was standing in for him

0:38:21.360 --> 0:38:23.080
<v Speaker 2>on horseback was a pretty.

0:38:23.120 --> 0:38:25.680
<v Speaker 3>Good, rider yeah horseback action is important in.

0:38:25.719 --> 0:38:27.480
<v Speaker 2>This, movie yeah there's a lot. Of, it again it's

0:38:27.520 --> 0:38:28.160
<v Speaker 2>Like a western in.

0:38:28.160 --> 0:38:31.279
<v Speaker 3>That, regard yeah now this is a movie that really

0:38:31.400 --> 0:38:34.759
<v Speaker 3>is more about its villains than about. Its HEROES but

0:38:34.920 --> 0:38:38.960
<v Speaker 3>i like our. HEROES here i Like The ian Oglevie,

0:38:39.480 --> 0:38:42.719
<v Speaker 3>as RICHARD and I Like hillary Dwyer. As sarah like

0:38:42.719 --> 0:38:45.759
<v Speaker 3>they've got, a nice, wholesome energy and we're going to

0:38:45.800 --> 0:38:47.960
<v Speaker 3>see their lives destroyed by these horrible.

0:38:48.000 --> 0:38:48.200
<v Speaker 2>Witch.

0:38:48.280 --> 0:38:48.720
<v Speaker 3>Hunters.

0:38:48.920 --> 0:38:53.520
<v Speaker 2>Yeah Yeah hillary dwyer as she's credited later On Became,

0:38:53.600 --> 0:38:56.279
<v Speaker 2>hillary heath and that's how you'll find her listed in.

0:38:56.320 --> 0:38:59.280
<v Speaker 2>The databases but she lived nineteen forty five through. Twenty

0:38:59.320 --> 0:39:02.799
<v Speaker 2>twenty british actress active in front of the camera from

0:39:02.960 --> 0:39:06.320
<v Speaker 2>sixty five through, seventy six during which she Appeared Alongside

0:39:06.320 --> 0:39:11.600
<v Speaker 2>timothy dalton in Nineteen Seventies. Worthering, heights, this However witch

0:39:11.600 --> 0:39:14.880
<v Speaker 2>finder was her first feature. Film role she also appeared

0:39:14.880 --> 0:39:18.440
<v Speaker 2>in Sixty Nine's The oblong box in Nineteen seventies cry Of.

0:39:18.480 --> 0:39:22.080
<v Speaker 2>The bansheet she later Won A Cable ace award for

0:39:22.520 --> 0:39:25.359
<v Speaker 2>the nineteen eighty Eight Series The, worst witch on which

0:39:25.400 --> 0:39:28.040
<v Speaker 2>she served as, a producer and she was active as

0:39:28.040 --> 0:39:31.239
<v Speaker 2>a producer from eighty three through. Twenty fourteen mother of

0:39:31.280 --> 0:39:35.360
<v Speaker 2>composer and Record Producer, daniel heath who has frequently Worked

0:39:35.360 --> 0:39:38.759
<v Speaker 2>with Lena, del ray who we actually mentioned In Our

0:39:39.200 --> 0:39:42.759
<v Speaker 2>dog Days of summer series that We're doing unstuffed to blow.

0:39:42.800 --> 0:39:44.000
<v Speaker 2>YOUR mind i think just the.

0:39:44.040 --> 0:39:49.440
<v Speaker 3>Other, episode, yeah okay we got some other. Good characters

0:39:49.760 --> 0:39:54.600
<v Speaker 3>we have The character, sarah's uncle, the priest Played Named,

0:39:54.760 --> 0:39:55.719
<v Speaker 3>john lowe is Played By.

0:39:55.760 --> 0:39:59.920
<v Speaker 2>Rupert davies, That's right davies, livelet's say nineteen sixteen through nineteen,

0:40:00.040 --> 0:40:03.319
<v Speaker 2>Seventy six british character actor whose other credits include fifty

0:40:03.400 --> 0:40:06.879
<v Speaker 2>Five's quator, mass two Sixty Five's the Spy Who came

0:40:06.920 --> 0:40:09.680
<v Speaker 2>in From, the cold Sixty eight's dracula has risen from

0:40:09.680 --> 0:40:12.720
<v Speaker 2>the grave or is it? HIS grave i can't remember

0:40:12.760 --> 0:40:14.520
<v Speaker 2>the man of the title wrong in my notes here.

0:40:14.440 --> 0:40:16.680
<v Speaker 3>Sixty eight from somebody. Else's grave he.

0:40:16.680 --> 0:40:20.000
<v Speaker 2>Rises from, a grave, that is he's certainly authorized to.

0:40:20.000 --> 0:40:23.959
<v Speaker 2>Be there i'm Not. Questioning Dracula non and then also

0:40:24.000 --> 0:40:28.759
<v Speaker 2>sixty Nine's The. Oblong box. Let's, see oh we have

0:40:28.800 --> 0:40:32.920
<v Speaker 2>some other other soldier characters in, the mix And So

0:40:33.960 --> 0:40:38.320
<v Speaker 2>ian Ogleby's Character, richard marshall his kind of like best

0:40:38.360 --> 0:40:42.120
<v Speaker 2>bud in, the Ranks Is, trooper swallow and he's Played By,

0:40:42.200 --> 0:40:45.280
<v Speaker 2>nicki hinson who of nineteen forty five through Twenty nineteen

0:40:45.520 --> 0:40:47.480
<v Speaker 2>british actor with a long Career in british FILM. And

0:40:47.520 --> 0:40:51.839
<v Speaker 2>tv his Credits. And cluelessee he was in two thousand And.

0:40:51.840 --> 0:40:55.719
<v Speaker 2>Five syriana he was in three Episodes Of downton abbey

0:40:55.760 --> 0:40:58.520
<v Speaker 2>as well as episodes Of. East enders but we previously

0:40:58.560 --> 0:41:00.520
<v Speaker 2>talked about him on the show because he played the

0:41:00.600 --> 0:41:04.200
<v Speaker 2>lead biker in nineteen Seventy. Three psychomania.

0:41:04.760 --> 0:41:07.440
<v Speaker 3>AMAZING catch i didn't notice this, at ALL though i

0:41:07.480 --> 0:41:09.320
<v Speaker 3>did notice his soldier friend.

0:41:09.360 --> 0:41:12.759
<v Speaker 2>Looked, familiar YES when i that Guy, FROM yeah i

0:41:12.760 --> 0:41:15.120
<v Speaker 2>didn't make the CONNECTION till i was putting the. Notes together,

0:41:15.160 --> 0:41:17.919
<v Speaker 2>i'm like oh, my god it's the Guy. From psychomania

0:41:18.000 --> 0:41:22.400
<v Speaker 2>he's the Biker. Lich king and an even crazier weird

0:41:22.440 --> 0:41:25.160
<v Speaker 2>connection for, us anyway IS that i started pulling up

0:41:25.200 --> 0:41:28.759
<v Speaker 2>images of Him from PSYCHOMANIA and i realized there's this

0:41:29.080 --> 0:41:33.920
<v Speaker 2>redheaded biker Dude in psychomania played by, This Actor. Dennis

0:41:33.960 --> 0:41:37.280
<v Speaker 2>gilmour and he also played one of the coven Members

0:41:37.280 --> 0:41:39.080
<v Speaker 2>In the Blood On. Satan's claw so.

0:41:39.480 --> 0:41:42.800
<v Speaker 3>He's the redheaded kid who He tells Fibbs In. Sunday

0:41:42.840 --> 0:41:45.279
<v Speaker 3>school and then you start with that and then it

0:41:45.360 --> 0:41:45.680
<v Speaker 3>ends up.

0:41:45.719 --> 0:41:49.560
<v Speaker 2>With. Murder, Yeah yeah so a lot of connections Between

0:41:49.560 --> 0:41:53.640
<v Speaker 2>these british genre films at, this point at, this period this.

0:41:53.760 --> 0:41:56.080
<v Speaker 2>Next one i'm only mentioning because sometimes you just got

0:41:56.080 --> 0:41:59.680
<v Speaker 2>to mention a unique name in. The cast i'm talking About,

0:41:59.719 --> 0:42:03.320
<v Speaker 2>alf joint who lived nineteen twenty seven through two thousand.

0:42:03.360 --> 0:42:05.960
<v Speaker 2>And five he plays a century. In this he was

0:42:06.000 --> 0:42:08.600
<v Speaker 2>primarily a stunt man who worked on such films as Eighty,

0:42:08.640 --> 0:42:12.080
<v Speaker 2>one's outland Eighty Five's, life force and he pops up,

0:42:12.080 --> 0:42:14.759
<v Speaker 2>in small, you know little background roles and stuff like

0:42:14.800 --> 0:42:19.839
<v Speaker 2>Sixty four's goldfinger in nineteen seventy One's A. CLOCKWORK orange.

0:42:21.000 --> 0:42:22.160
<v Speaker 3>I didn't clock Who alf.

0:42:22.239 --> 0:42:25.680
<v Speaker 2>JOINT was i kept seeing the name and, the Credits and, i'm, like,

0:42:25.719 --> 0:42:28.080
<v Speaker 2>oh man alf, joined nice, all.

0:42:28.040 --> 0:42:30.480
<v Speaker 3>Right that's a good name. To have when you're like

0:42:30.520 --> 0:42:34.160
<v Speaker 3>a list of, you know casting resumes in, The pile,

0:42:34.239 --> 0:42:37.680
<v Speaker 3>it's like we got to Give alf joint, to collback Contact.

0:42:37.760 --> 0:42:39.959
<v Speaker 2>ALF joint i Want alf joint. For this And What's

0:42:40.000 --> 0:42:45.280
<v Speaker 2>dick warlock? Up TO can I? Get? Warlock yeah let's

0:42:45.560 --> 0:42:48.880
<v Speaker 2>see a girl. At bar this is just one of the,

0:42:48.880 --> 0:42:52.000
<v Speaker 2>supporting characters just hanging Out with stern and his goons

0:42:52.040 --> 0:42:55.160
<v Speaker 2>at one point Played By, margaret nolan who lived nineteen

0:42:55.200 --> 0:42:58.360
<v Speaker 2>forty three through Twenty twenty english model, and actress notable

0:42:58.440 --> 0:43:02.640
<v Speaker 2>for playing the Massage therapist bank in nineteen Sixty. Four's

0:43:02.640 --> 0:43:05.440
<v Speaker 2>goldfinger so not the one who gets painted gold, to

0:43:05.560 --> 0:43:08.240
<v Speaker 2>death that Was, surely eden but the Other.

0:43:08.080 --> 0:43:11.040
<v Speaker 3>One, OKAY yeah i don't remember who.

0:43:11.000 --> 0:43:14.080
<v Speaker 2>She, WAS anyway a small, CONNECTION there i had to.

0:43:14.200 --> 0:43:17.840
<v Speaker 2>Point out and then we were talking about this, Actor Earlier,

0:43:18.520 --> 0:43:22.560
<v Speaker 2>patrick wymark So veteran british actor of nineteen twenty six

0:43:22.640 --> 0:43:26.319
<v Speaker 2>through nineteen seventy who played the Judge In the Blood On,

0:43:26.400 --> 0:43:28.680
<v Speaker 2>satan's claw the guy with the sword we were. Talking

0:43:28.719 --> 0:43:33.239
<v Speaker 2>about He plays cromwell In this cromwell pops up for

0:43:33.280 --> 0:43:37.040
<v Speaker 2>like one scene laid in, the Picture And patrick wymark

0:43:37.120 --> 0:43:37.439
<v Speaker 2>is playing.

0:43:37.480 --> 0:43:40.719
<v Speaker 3>IT now i thought it was an interesting choice To

0:43:41.200 --> 0:43:44.680
<v Speaker 3>put cromwell actually in. The, movie ultimately he's the general

0:43:44.760 --> 0:43:48.319
<v Speaker 3>Who the parliamentarians are fighting under at this point in

0:43:48.360 --> 0:43:51.960
<v Speaker 3>the historically In The English, civil war so he's historically

0:43:52.000 --> 0:43:56.359
<v Speaker 3>significant for, the setting but actually having him appear in

0:43:56.400 --> 0:44:00.320
<v Speaker 3>person for a scene was an, interesting choice ESPECIALLY because

0:44:01.040 --> 0:44:04.240
<v Speaker 3>i don't know if you felt any differently the movie,

0:44:04.239 --> 0:44:08.239
<v Speaker 3>to me did not really seem interested In characterizing cromwell

0:44:08.360 --> 0:44:11.160
<v Speaker 3>one way or. The, other like he does not come

0:44:11.200 --> 0:44:14.399
<v Speaker 3>off as especially noble, or heroic nor does he really

0:44:14.400 --> 0:44:17.120
<v Speaker 3>come off. As villainous he's just kind of he's. About

0:44:17.160 --> 0:44:18.200
<v Speaker 3>business he's trying to win.

0:44:18.239 --> 0:44:20.960
<v Speaker 2>The, war yeah that was the same VIBE that. I got,

0:44:21.000 --> 0:44:23.040
<v Speaker 2>AND yeah i. WAS curious i, WAS like i knew

0:44:23.040 --> 0:44:24.600
<v Speaker 2>he was going to. SHOW up i Knew That patrick

0:44:24.600 --> 0:44:27.400
<v Speaker 2>weimark was going To play cromwell in this and then

0:44:27.440 --> 0:44:29.560
<v Speaker 2>when he does, Show, up yeah he's like, you said,

0:44:29.600 --> 0:44:32.839
<v Speaker 2>he said He's, Business cromwell he's just he's just he's

0:44:32.840 --> 0:44:36.239
<v Speaker 2>focused on. Other things and all of the real villainous

0:44:36.360 --> 0:44:39.680
<v Speaker 2>energy of the film is taking place just kind of in,

0:44:39.840 --> 0:44:42.480
<v Speaker 2>you know far beneath him in. The, ranks yes you,

0:44:42.480 --> 0:44:45.759
<v Speaker 2>could say, you know he has no really direct role

0:44:45.800 --> 0:44:46.480
<v Speaker 2>in it one way or.

0:44:46.560 --> 0:44:50.160
<v Speaker 3>The other he has not authorized The witch hunters in,

0:44:50.239 --> 0:44:52.760
<v Speaker 3>the movie though again they're gonna they're gonna be claiming

0:44:52.840 --> 0:44:55.680
<v Speaker 3>that their authority Comes. From parliament in reality it.

0:44:55.680 --> 0:45:00.560
<v Speaker 2>Does, not yeah so it's a. Small scene whymark's they

0:45:00.560 --> 0:45:04.160
<v Speaker 2>give him the signature Moles. OF cromwell, I noticed so

0:45:04.160 --> 0:45:07.759
<v Speaker 2>there's some special effects makeup to. Transform him, but yeah

0:45:08.239 --> 0:45:10.800
<v Speaker 2>he's really good and he's Great in Blood On. Satan's

0:45:10.800 --> 0:45:13.480
<v Speaker 2>claw he was. An actor he was an actor Of The,

0:45:13.480 --> 0:45:15.960
<v Speaker 2>british STAGE with tv credits going back to the. Mid

0:45:16.000 --> 0:45:20.320
<v Speaker 2>fifties FIRST non tv film was Nineteen Sixty the League,

0:45:20.360 --> 0:45:23.440
<v Speaker 2>of gentlemen as Well As The Concrete Jungle let's see

0:45:23.440 --> 0:45:25.560
<v Speaker 2>in nineteen sixty three at his supporting Role In Disney's

0:45:25.600 --> 0:45:30.600
<v Speaker 2>doctor sin alias Alias. The scarecrow sorry this Was a patrick,

0:45:30.719 --> 0:45:35.560
<v Speaker 2>McGowan Film And. Let's see he also had a supporting

0:45:35.640 --> 0:45:38.319
<v Speaker 2>role in sixty Four as children Of. The damned he

0:45:38.360 --> 0:45:41.880
<v Speaker 2>played the Landlord In Roman polanski's repulsion in, sixty five

0:45:42.360 --> 0:45:45.880
<v Speaker 2>and also appeared the same Year Alongside peter Cushing And

0:45:45.960 --> 0:45:49.800
<v Speaker 2>christopher Lee In the skull that was Directed By, freddie

0:45:49.800 --> 0:45:53.280
<v Speaker 2>francis and then he Starred In freddy francis's nineteen Sixty

0:45:53.280 --> 0:45:59.360
<v Speaker 2>six Amicus Thriller. The psychopath some might also might remember

0:45:59.440 --> 0:46:03.800
<v Speaker 2>him From The The Rather deep Cast For Where eagles

0:46:03.880 --> 0:46:08.640
<v Speaker 2>dare from, sixty eight the Wartime thriller you never seen.

0:46:08.640 --> 0:46:10.880
<v Speaker 2>That one. It's good THAT'S one i remember watching as

0:46:10.920 --> 0:46:14.040
<v Speaker 2>a kid who CAME on tbs all. The, time yea, but,

0:46:15.040 --> 0:46:17.920
<v Speaker 2>yeah yeah. Great actor i'd love to see him in.

0:46:17.960 --> 0:46:21.799
<v Speaker 2>More things Blood On satan's claw was his, penultimate film by.

0:46:21.840 --> 0:46:24.239
<v Speaker 2>The way he just did one other film after that

0:46:24.320 --> 0:46:25.280
<v Speaker 2>and then.

0:46:25.360 --> 0:46:28.719
<v Speaker 3>Passed away wait did you say he's in? ANOTHER movie

0:46:29.000 --> 0:46:31.440
<v Speaker 3>i see in the notes he was in another Movie About,

0:46:31.719 --> 0:46:34.560
<v Speaker 3>oliver cromwell but he did Not Play. Oliver cromwell.

0:46:34.880 --> 0:46:38.080
<v Speaker 2>That's, right yeah he has a supporting role in the

0:46:38.160 --> 0:46:42.080
<v Speaker 2>really stacked Cast To ken hughes nineteen seventy Historical, attic

0:46:42.200 --> 0:46:47.200
<v Speaker 2>Cromwell which i've seen that ages and. AGES ago, i think,

0:46:47.320 --> 0:46:49.840
<v Speaker 2>you KNOW when i was maybe like junior high. Or

0:46:49.960 --> 0:46:54.319
<v Speaker 2>Younger But richard Harris plays cromwell. IN that i don't

0:46:54.360 --> 0:46:57.719
<v Speaker 2>remember if they put the Moles On richard harris's face, for,

0:46:57.800 --> 0:46:59.880
<v Speaker 2>THAT though i. Don't know they're more accurate.

0:47:00.080 --> 0:47:02.759
<v Speaker 3>This, picture now one element of this MOVIE that i

0:47:02.800 --> 0:47:06.920
<v Speaker 3>think is very strong is. The score and actually there

0:47:07.200 --> 0:47:09.880
<v Speaker 3>FROM what, i recall there's kind of sparing use, Of

0:47:10.000 --> 0:47:14.200
<v Speaker 3>music like a lot of scenes are just silent, environmental

0:47:14.280 --> 0:47:16.800
<v Speaker 3>sounds but when the music, COMES in i think, it's

0:47:16.920 --> 0:47:19.719
<v Speaker 3>strong kind of rousing, music THAT like, i said has

0:47:19.760 --> 0:47:25.360
<v Speaker 3>some elements Of like western and other elements Of like english. Folk, tunes,

0:47:25.960 --> 0:47:27.239
<v Speaker 3>yeah yeah it's a.

0:47:27.280 --> 0:47:30.759
<v Speaker 2>Solid score and the composer Here Is, paul ferris who

0:47:30.760 --> 0:47:34.279
<v Speaker 2>of nineteen forty one through nineteen. Ninety five his other

0:47:34.320 --> 0:47:37.920
<v Speaker 2>Scores Include the sorcerers and also Sixty Eight's The Blood,

0:47:37.960 --> 0:47:40.880
<v Speaker 2>beast terror as well as seventy Three Is The. Creeping

0:47:40.960 --> 0:47:45.120
<v Speaker 2>flesh That's A lee cushing outing that had some cool elements,

0:47:45.120 --> 0:47:48.520
<v Speaker 2>to it but also wallows and, some unpleasantness so it's not.

0:47:48.640 --> 0:47:52.200
<v Speaker 2>My Favorite but ferris also has a cameo in. THIS

0:47:52.239 --> 0:47:55.120
<v Speaker 2>film i did not notice, it myself but he does

0:47:55.160 --> 0:47:58.480
<v Speaker 2>show up at some point under the Name Of morris

0:47:58.600 --> 0:48:00.840
<v Speaker 2>jar playing a Character. Named, paul.

0:48:10.000 --> 0:48:11.520
<v Speaker 3>Okay are you ready to talk about?

0:48:11.560 --> 0:48:12.319
<v Speaker 2>The plot let's. Do.

0:48:12.360 --> 0:48:14.920
<v Speaker 3>It okay i'm not going to do as close a

0:48:15.000 --> 0:48:18.080
<v Speaker 3>scene by scene narration with this MOVIE as i do

0:48:18.239 --> 0:48:20.160
<v Speaker 3>for some of. The movies i'm going to talk in

0:48:20.200 --> 0:48:22.680
<v Speaker 3>a little more of a, summary way and maybe we

0:48:22.719 --> 0:48:26.000
<v Speaker 3>can make some observations about the themes and stylistic choices as.

0:48:26.040 --> 0:48:29.440
<v Speaker 3>We go but, so again the movie is Set In

0:48:29.680 --> 0:48:32.480
<v Speaker 3>east anglia in sixteen. Forty five this is going to

0:48:32.480 --> 0:48:35.719
<v Speaker 3>be at the height Of The English, civil war and

0:48:35.880 --> 0:48:38.719
<v Speaker 3>in this war you have the supporters of, the monarchy

0:48:38.840 --> 0:48:42.400
<v Speaker 3>the royalists called cavaliers by. Their enemies and then on

0:48:42.440 --> 0:48:46.000
<v Speaker 3>the other side you have the parliamentarians called roundheads by.

0:48:46.040 --> 0:48:51.400
<v Speaker 3>Their enemies and our main good characters are a young

0:48:51.480 --> 0:48:53.760
<v Speaker 3>couple who are very much in love from a Place

0:48:53.800 --> 0:48:57.960
<v Speaker 3>called Brandiston. And suffolk and these are these Characters Are,

0:48:58.040 --> 0:49:01.640
<v Speaker 3>sarah lowe's the niece of the kindly Village Priest, john

0:49:01.719 --> 0:49:06.719
<v Speaker 3>Lowe's And, richard marshall a MAN who i think does

0:49:06.760 --> 0:49:09.960
<v Speaker 3>not come. From money he's a young roundhead soldier who

0:49:10.000 --> 0:49:13.680
<v Speaker 3>has been serving in the, parliamentarian army but he's coming

0:49:13.719 --> 0:49:17.560
<v Speaker 3>home for a brief leave to see His. Beloved sarah

0:49:17.800 --> 0:49:21.000
<v Speaker 3>and then meanwhile you've got our, primary villains and They

0:49:21.040 --> 0:49:25.960
<v Speaker 3>Are matthew Hopkins And, john stern two men who travel

0:49:26.160 --> 0:49:29.920
<v Speaker 3>from village to village amidst the chaos, of war hunting

0:49:30.000 --> 0:49:36.919
<v Speaker 3>alleged witches under fake, parliamentary credentials charging fees and accommodations from,

0:49:37.000 --> 0:49:42.479
<v Speaker 3>local leaders and satisfying their sadism and their perverted desires as.

0:49:42.520 --> 0:49:46.440
<v Speaker 3>They go and to give himself the impromoter, Of government

0:49:46.520 --> 0:49:51.560
<v Speaker 3>hopkins styles himself The Witch. Finder general so their reputation

0:49:51.880 --> 0:49:55.000
<v Speaker 3>precedes them and as you, Noted, earlier rob they are

0:49:55.080 --> 0:49:58.600
<v Speaker 3>often summoned by, local leaders not just arriving out. OF

0:49:58.600 --> 0:50:03.040
<v Speaker 3>nowhere i think there is a nasty synergy going on

0:50:03.200 --> 0:50:06.960
<v Speaker 3>because they have found a they have found a grift

0:50:07.040 --> 0:50:09.399
<v Speaker 3>that is. In, DEMAND actually i think there's a lot

0:50:09.440 --> 0:50:13.600
<v Speaker 3>of fear, and confusion and they have found a way

0:50:13.640 --> 0:50:16.360
<v Speaker 3>to take advantage of that fear and confusion in a

0:50:16.400 --> 0:50:19.479
<v Speaker 3>way that. Excites people, they're, like yeah maybe these witch

0:50:19.520 --> 0:50:22.319
<v Speaker 3>hunters can come set our, lives right can come.

0:50:22.400 --> 0:50:25.560
<v Speaker 2>Bring, order yeah because every town is going to have

0:50:25.800 --> 0:50:28.799
<v Speaker 2>it's beset by chaos. And confusion they're going to be

0:50:28.840 --> 0:50:32.520
<v Speaker 2>marginalized members of. The community there are going to be

0:50:32.680 --> 0:50:35.680
<v Speaker 2>these these vendettas. And attitudes there are going to be

0:50:35.800 --> 0:50:40.080
<v Speaker 2>local people that are themselves bloodthirsty and just need that

0:50:40.200 --> 0:50:43.759
<v Speaker 2>excuse in order to act. Upon it and that's where

0:50:43.800 --> 0:50:44.439
<v Speaker 2>these guys. Come.

0:50:44.440 --> 0:50:47.080
<v Speaker 3>In yeah so when these guys arrive at, a village

0:50:47.120 --> 0:50:50.920
<v Speaker 3>their imo seems to be that they will target either

0:50:51.840 --> 0:50:56.000
<v Speaker 3>locals who are despised for some reason, by somebody and

0:50:56.040 --> 0:50:59.920
<v Speaker 3>this can be like outcasts or, religious dissenters or minority

0:51:01.160 --> 0:51:04.800
<v Speaker 3>or any kind Of, OTHER also, i, think yeah people

0:51:04.840 --> 0:51:08.040
<v Speaker 3>who the local leaders are already mad at for, some

0:51:08.239 --> 0:51:12.640
<v Speaker 3>reason or it also seems just. Random women so there's

0:51:12.680 --> 0:51:16.239
<v Speaker 3>a lot of just ambient misogyny at play in how they're.

0:51:16.239 --> 0:51:21.480
<v Speaker 3>Targeting people once they apprehend, their suspects they basically assume

0:51:21.560 --> 0:51:25.040
<v Speaker 3>guilt until innocence, is proven which and it, never is

0:51:25.160 --> 0:51:29.280
<v Speaker 3>except maybe in. Some cases as a reward for submitting

0:51:29.360 --> 0:51:33.560
<v Speaker 3>to financial or, sexual extortion they demand that the. Guilty

0:51:33.640 --> 0:51:38.800
<v Speaker 3>confess they subject their victims to various tests to detect evidence,

0:51:38.880 --> 0:51:43.240
<v Speaker 3>of witchcraft and these tests include what they call pricking

0:51:43.480 --> 0:51:48.239
<v Speaker 3>to find the. Devil's mark so they will stab the

0:51:48.320 --> 0:51:52.400
<v Speaker 3>victim with a needle or like a, thin blade reasoning

0:51:52.520 --> 0:51:55.560
<v Speaker 3>that they say the devil gives his servants a patch

0:51:55.600 --> 0:52:00.120
<v Speaker 3>of skin that is supernaturally protected and does not bleed,

0:52:00.200 --> 0:52:03.480
<v Speaker 3>when pierced so when they keep they'll be piercing people on,

0:52:03.600 --> 0:52:06.200
<v Speaker 3>the back and they just keep, piercing them and when

0:52:06.239 --> 0:52:08.759
<v Speaker 3>all the, wounds bleed, They, say wow the devil is

0:52:08.840 --> 0:52:11.239
<v Speaker 3>hidden his mark. Very well we'll have to search. Even

0:52:11.280 --> 0:52:17.279
<v Speaker 3>harder another test is the, swimming test where the victim is,

0:52:17.400 --> 0:52:20.399
<v Speaker 3>tied up their hands and feet, are bound and then

0:52:20.440 --> 0:52:25.040
<v Speaker 3>they are thrown or lowered into water and the, reasoning

0:52:25.080 --> 0:52:27.919
<v Speaker 3>goes if they sink to, the bottom That was god

0:52:28.040 --> 0:52:31.240
<v Speaker 3>showing them to. Be innocent if they float, or swim

0:52:31.360 --> 0:52:34.520
<v Speaker 3>this is the water rejecting them and proof that they. Are,

0:52:34.560 --> 0:52:39.360
<v Speaker 3>guilty now this is. So stupid it has been parodied a.

0:52:39.400 --> 0:52:42.120
<v Speaker 3>Million times you've probably seen versions.

0:52:41.800 --> 0:52:44.160
<v Speaker 2>Of This In mony python And The holy, grid Exactly The.

0:52:44.280 --> 0:52:48.120
<v Speaker 3>Monty python but the crazy thing is tests like these

0:52:48.239 --> 0:52:51.840
<v Speaker 3>were really used in a lot of historical, witch trials

0:52:51.880 --> 0:52:56.640
<v Speaker 3>including by The historical Hopkins. And stern sinking in this

0:52:56.719 --> 0:53:01.080
<v Speaker 3>test the innocence condition sometimes led to death by drowning

0:53:01.480 --> 0:53:03.839
<v Speaker 3>if the accused was not pulled up out of the water.

0:53:03.960 --> 0:53:06.799
<v Speaker 3>Soon enough and that outcome is depicted in.

0:53:06.840 --> 0:53:09.680
<v Speaker 2>This, movie yeah and this movie plays it straight and

0:53:09.719 --> 0:53:13.400
<v Speaker 2>it's it's. It's, Horrifying yeah so it DOES nicely i

0:53:13.440 --> 0:53:17.200
<v Speaker 2>think counterbalance the scenes depicting the sort of thing that

0:53:17.239 --> 0:53:20.359
<v Speaker 2>you find in, other Movies including Blood On, satan's clock

0:53:20.400 --> 0:53:23.280
<v Speaker 2>where it's it's, employed there but it's kind of employed

0:53:23.280 --> 0:53:26.359
<v Speaker 2>as like the one main comedic scene in the. Entire.

0:53:26.400 --> 0:53:30.200
<v Speaker 3>Picture yeah and when you say it's played straight in,

0:53:30.280 --> 0:53:33.719
<v Speaker 3>THE movie i would say that a lot of the

0:53:33.840 --> 0:53:37.440
<v Speaker 3>violence in the movie is made more horrifying by the

0:53:37.480 --> 0:53:40.879
<v Speaker 3>way that. It is it is treated very flatly by

0:53:41.000 --> 0:53:47.120
<v Speaker 3>the camera and by like it's often without cinematic flourishes

0:53:47.239 --> 0:53:51.359
<v Speaker 3>that might accompany violence in. Other movies that actually makes

0:53:51.400 --> 0:53:55.200
<v Speaker 3>it feel even more just kind of ugly and sad.

0:53:55.280 --> 0:53:57.960
<v Speaker 3>And bad the way that it's just matter of, fact

0:53:58.000 --> 0:54:01.520
<v Speaker 3>photography and also the way the actors play it is

0:54:01.640 --> 0:54:04.560
<v Speaker 3>just KIND of i, don't Know like i'm half heartedly

0:54:04.600 --> 0:54:07.600
<v Speaker 3>doing this thing that's maybe killing. A, person, yeah. Yeah,

0:54:07.640 --> 0:54:13.120
<v Speaker 3>yeah also so in, The movie Hopkins and stern appear

0:54:13.239 --> 0:54:17.480
<v Speaker 3>to have a slightly nuanced relationship to the idea of

0:54:17.600 --> 0:54:21.960
<v Speaker 3>just direct beating and torture to. Extract confessions stern. Loves

0:54:22.000 --> 0:54:24.240
<v Speaker 3>it he does it. For fun he loves beating people.

0:54:24.280 --> 0:54:30.400
<v Speaker 3>And torturing hopkins like formally publicly, condemns TORTURE and i

0:54:30.400 --> 0:54:33.040
<v Speaker 3>think in some scenes Even to stern, says like, YOU

0:54:33.080 --> 0:54:35.960
<v Speaker 3>know i, Don't torture we don't. Do that but also

0:54:36.040 --> 0:54:38.760
<v Speaker 3>he's fully Aware that stern, does it and he doesn't

0:54:39.000 --> 0:54:41.640
<v Speaker 3>make a serious attempt to, stop him and other times

0:54:41.920 --> 0:54:43.600
<v Speaker 3>is fully encouraging.

0:54:43.680 --> 0:54:43.799
<v Speaker 2>Of.

0:54:43.840 --> 0:54:48.120
<v Speaker 3>It yeah so it's just like there is a hypocrisy

0:54:48.320 --> 0:54:51.359
<v Speaker 3>in the Way that hopkins presents himself to have this

0:54:52.120 --> 0:54:53.439
<v Speaker 3>public facing air.

0:54:53.560 --> 0:54:53.680
<v Speaker 2>Of.

0:54:53.680 --> 0:54:59.640
<v Speaker 3>Civility yeah so eventually their Method goes after all these

0:54:59.680 --> 0:55:03.560
<v Speaker 3>tests and all, The torture Hopkins in stern inevitably, determined

0:55:03.640 --> 0:55:06.919
<v Speaker 3>yes all of the accused are either guilty or they've

0:55:06.960 --> 0:55:09.960
<v Speaker 3>been killed by the tests that proved. Their innocence now

0:55:09.960 --> 0:55:13.200
<v Speaker 3>it's time to. Execute them and initially in the movie

0:55:13.239 --> 0:55:15.480
<v Speaker 3>this is done, by hanging but later on in, The

0:55:15.480 --> 0:55:20.440
<v Speaker 3>film hopkins seems to be searching about for execution methods

0:55:20.480 --> 0:55:23.239
<v Speaker 3>that are even more cruel. And barbarous it's like the

0:55:23.320 --> 0:55:26.160
<v Speaker 3>hangings no longer give him the kick that. He craves

0:55:26.520 --> 0:55:29.479
<v Speaker 3>he needs something. More extreme so later in the film

0:55:29.520 --> 0:55:33.239
<v Speaker 3>we get him experimenting with these horrific mechanisms for execution.

0:55:33.360 --> 0:55:36.520
<v Speaker 2>By. Burning YEAH and i think historically and, in general

0:55:36.680 --> 0:55:39.959
<v Speaker 2>accused whiches were not Burned. In england they, were hung

0:55:40.239 --> 0:55:45.120
<v Speaker 2>which is plenty disturbing in and. Of itself and while

0:55:45.320 --> 0:55:50.319
<v Speaker 2>judicial torture was, illegal again things like thumbscrews or the

0:55:50.400 --> 0:55:53.319
<v Speaker 2>rack or whatever you happen to have to come to.

0:55:53.360 --> 0:55:57.640
<v Speaker 2>Mind here even though there were methods that were, certainly

0:55:57.680 --> 0:56:01.279
<v Speaker 2>illegal witch finders had loopholes like those depicted in the

0:56:01.280 --> 0:56:05.000
<v Speaker 2>film like we've been talking about things that seem more, Vested, in, like,

0:56:05.040 --> 0:56:07.920
<v Speaker 2>oh well this is, An experimentation like this is how

0:56:07.960 --> 0:56:10.640
<v Speaker 2>you tell if they're. A witch we're, not actually, you know.

0:56:10.760 --> 0:56:13.040
<v Speaker 2>Torturing somebody but it's of course. It's, torture.

0:56:13.320 --> 0:56:17.359
<v Speaker 3>YEAH exactly I, mean hopkins the Real historical hopkins wrote

0:56:17.360 --> 0:56:20.400
<v Speaker 3>a Book Called the Discovery of witches in which he

0:56:20.480 --> 0:56:24.080
<v Speaker 3>detailed these methods for figuring out how whether or not

0:56:24.120 --> 0:56:27.279
<v Speaker 3>somebody was. A witch, and, so yeah they're stabbing stuff while.

0:56:27.320 --> 0:56:30.399
<v Speaker 3>Obviously torture he, was, like no that's, not torture, that's

0:56:30.480 --> 0:56:33.200
<v Speaker 3>investigation that's getting the information.

0:56:33.360 --> 0:56:33.480
<v Speaker 2>We.

0:56:33.560 --> 0:56:38.080
<v Speaker 3>Need yeah so at the beginning of, the story we

0:56:38.120 --> 0:56:41.160
<v Speaker 3>Meet Young richard marshall out riding with a Group of

0:56:41.320 --> 0:56:44.080
<v Speaker 3>roundhead soldiers under the command of a Man Named, captain

0:56:44.080 --> 0:56:48.720
<v Speaker 3>gordon and while they stop for arrest in, the forest

0:56:48.880 --> 0:56:52.560
<v Speaker 3>they are ambushed by, cavalier snipers and this leads to

0:56:52.560 --> 0:56:55.120
<v Speaker 3>a skirmish Where the roundheads chase the enemy into the

0:56:55.120 --> 0:56:57.400
<v Speaker 3>woods and. Defeat them and then at the end of,

0:56:57.400 --> 0:57:01.279
<v Speaker 3>this Fight young richard proves his capability by shooting a

0:57:01.320 --> 0:57:05.359
<v Speaker 3>cavalier who was sneaking up behind. His captain so here

0:57:05.560 --> 0:57:08.120
<v Speaker 3>are we kind Of like richard seems to be coming

0:57:08.200 --> 0:57:10.960
<v Speaker 3>up in. The ranks he's being recognized for his for

0:57:11.040 --> 0:57:13.120
<v Speaker 3>his bravery and daring do.

0:57:13.320 --> 0:57:13.400
<v Speaker 2>In.

0:57:13.480 --> 0:57:17.720
<v Speaker 3>Battle uh and, After this richard is given leave to

0:57:17.840 --> 0:57:21.840
<v Speaker 3>ride back to his Hometown, of Brandiston Where, sarah lows

0:57:21.960 --> 0:57:25.480
<v Speaker 3>the woman, he loves is waiting. For him sarah lives with,

0:57:25.520 --> 0:57:28.640
<v Speaker 3>her uncle the, Village Priest, john lowe's and you can

0:57:28.680 --> 0:57:31.440
<v Speaker 3>Tell that richard really is in Love with sarah because

0:57:31.480 --> 0:57:33.919
<v Speaker 3>he's talking about her all the time to his army

0:57:33.960 --> 0:57:36.960
<v Speaker 3>buddies when, he's away despite them totally mocking him. For

0:57:37.120 --> 0:57:44.560
<v Speaker 3>it it's very much like you like. A girl, i mean,

0:57:44.600 --> 0:57:45.320
<v Speaker 3>not really.

0:57:45.080 --> 0:57:48.880
<v Speaker 2>But there's there's. A, bit, yeah yeah like he's he's he's. Clearly.

0:57:48.960 --> 0:57:52.800
<v Speaker 3>Smitten Yeah so Richard and sarah when he, gets back

0:57:52.800 --> 0:57:56.880
<v Speaker 3>they have a passionate Reunion and Richard Asks uncle john

0:57:57.160 --> 0:58:01.400
<v Speaker 3>for his permission To. Marry sarah john not only grants,

0:58:01.400 --> 0:58:04.200
<v Speaker 3>the permission he wants it to. Happen fast what he

0:58:04.240 --> 0:58:07.360
<v Speaker 3>wants Is for Richard and sarah to marry and leave the,

0:58:07.440 --> 0:58:12.760
<v Speaker 3>village Immediately because john has a sense that danger. IS

0:58:12.960 --> 0:58:16.840
<v Speaker 3>imminent i don't know exactly what. He worries it's from

0:58:16.920 --> 0:58:19.520
<v Speaker 3>whether from the war or from the witch hunters. Or

0:58:19.560 --> 0:58:22.600
<v Speaker 3>both but he Thinks that sarah needs to be away

0:58:22.640 --> 0:58:26.520
<v Speaker 3>from Here, AND john i think in this part he

0:58:26.640 --> 0:58:28.920
<v Speaker 3>mentions that He and sarah are hated by some of

0:58:28.960 --> 0:58:31.880
<v Speaker 3>the villagers who call them papists and accuse them of

0:58:31.920 --> 0:58:35.440
<v Speaker 3>sympathy With the. King's forces and this is. Parliamentary territory

0:58:36.880 --> 0:58:40.320
<v Speaker 3>so before they, Can marry richard has to return to

0:58:40.360 --> 0:58:44.080
<v Speaker 3>the army and. Finish, serving now this is somewhat portrayed

0:58:44.120 --> 0:58:46.280
<v Speaker 3>as kind of up, to him like he, has to,

0:58:46.520 --> 0:58:49.800
<v Speaker 3>you know he, has ambitions and he doesn't have much

0:58:50.080 --> 0:58:52.360
<v Speaker 3>money or anything that he can bring to, their union

0:58:52.480 --> 0:58:55.440
<v Speaker 3>but maybe he has chances for advancement in. The army

0:58:55.840 --> 0:58:58.880
<v Speaker 3>though also they make clear that in this world desertion

0:58:59.040 --> 0:59:02.240
<v Speaker 3>is punishable, by, yeah YEAH so i think he sort

0:59:02.280 --> 0:59:05.560
<v Speaker 3>of has to. Go back but on the Night that

0:59:05.680 --> 0:59:08.880
<v Speaker 3>richard leaves the village, on horseback he crosses paths with

0:59:08.920 --> 0:59:11.400
<v Speaker 3>a group of men who are waiting to meet to

0:59:11.440 --> 0:59:13.840
<v Speaker 3>meet some people who are on, the road and then

0:59:13.880 --> 0:59:17.360
<v Speaker 3>eventually he crosses paths with the two men that those

0:59:17.400 --> 0:59:20.360
<v Speaker 3>guys are, waiting for the, witch Hunters with Stern. And

0:59:20.440 --> 0:59:23.400
<v Speaker 3>hopkins they ask him for directions to, the village and

0:59:23.480 --> 0:59:26.760
<v Speaker 3>he supplies them unaware of what is about. To happen

0:59:27.280 --> 0:59:29.520
<v Speaker 3>and so this is the first scene where we get

0:59:30.320 --> 0:59:35.680
<v Speaker 3>a Picture of Stern and hopkins and. THEIR relationship i

0:59:35.720 --> 0:59:38.360
<v Speaker 3>don't know any thoughts you have about their relationship when

0:59:38.360 --> 0:59:41.640
<v Speaker 3>we first. Meet them one just THING that i noticed

0:59:41.640 --> 0:59:45.200
<v Speaker 3>immediately is they're not. Buddy buddy they're somewhat hostile to,

0:59:45.240 --> 0:59:47.880
<v Speaker 3>each other but they need each other to keep this,

0:59:47.960 --> 0:59:50.200
<v Speaker 3>thing going so they tolerate.

0:59:50.280 --> 0:59:52.800
<v Speaker 2>Each. Other yeah it reminds me a little bit of

0:59:52.840 --> 0:59:56.920
<v Speaker 2>the dynamic in The book dune With the baron And

0:59:58.440 --> 1:00:03.920
<v Speaker 2>His twisted men tat Pyder, to vere's where where you

1:00:03.960 --> 1:00:07.320
<v Speaker 2>know that they they are, not friends they hate, each

1:00:07.320 --> 1:00:09.600
<v Speaker 2>other but need, each other and there's a there's always

1:00:09.600 --> 1:00:12.080
<v Speaker 2>a sense of danger there and we see that play

1:00:12.120 --> 1:00:14.000
<v Speaker 2>that that certainly plays out in. This. Film.

1:00:14.360 --> 1:00:17.440
<v Speaker 3>Yeah uh and and they have their differences. In temperament

1:00:17.480 --> 1:00:20.880
<v Speaker 3>as we. Discussed earlier stern is more, openly vicious this

1:00:21.040 --> 1:00:24.800
<v Speaker 3>wolf like kind, of Figure whereas hopkins is just, as

1:00:24.880 --> 1:00:27.680
<v Speaker 3>cruel just, as evil but hides it behind this veneer

1:00:27.800 --> 1:00:31.439
<v Speaker 3>of dignity. And respectability and like there's this moment where

1:00:31.440 --> 1:00:33.840
<v Speaker 3>He admonishes stern not to call him by his. First,

1:00:33.920 --> 1:00:39.080
<v Speaker 3>name yeah you don't Call. Me matthew So when Hopkins

1:00:39.160 --> 1:00:42.480
<v Speaker 3>and stern Arrive, in brandiston they set about their. Horrible

1:00:42.520 --> 1:00:45.400
<v Speaker 3>work They Target john lowe's. Among others they go to,

1:00:45.440 --> 1:00:49.360
<v Speaker 3>his home they subject him to bloody prickings like we,

1:00:49.480 --> 1:00:53.280
<v Speaker 3>described earlier and to other bizarre tests like making him

1:00:53.360 --> 1:00:56.440
<v Speaker 3>run laps around his dining room table after having been

1:00:56.480 --> 1:01:02.640
<v Speaker 3>stabbed all, these times and they. Demand, Confession eventually sarah

1:01:02.760 --> 1:01:05.960
<v Speaker 3>is able to save her uncle from immediate death by

1:01:06.120 --> 1:01:09.920
<v Speaker 3>submitting to, sexual Extortion so hopkins says he'll come to

1:01:09.960 --> 1:01:12.680
<v Speaker 3>her room at night to be shown special evidence that

1:01:12.720 --> 1:01:16.640
<v Speaker 3>will assure Him of. John's innocence so because, of this

1:01:16.920 --> 1:01:20.280
<v Speaker 3>instead Of sending john straight through the torture and, Execution

1:01:20.440 --> 1:01:24.280
<v Speaker 3>process Hopkins orders john confined to a cell and. Left,

1:01:24.320 --> 1:01:29.720
<v Speaker 3>Alone meanwhile stern just acts out his sadistic process on

1:01:29.760 --> 1:01:33.040
<v Speaker 3>the other, suspected witches and then every night he drinks

1:01:33.080 --> 1:01:38.000
<v Speaker 3>and carouses in. The tavern So eventually stern becomes aware

1:01:38.360 --> 1:01:41.600
<v Speaker 3>Of what hopkins is Doing, to sarah And when hopkins

1:01:41.840 --> 1:01:45.880
<v Speaker 3>leaves one day to visit a, Nearby village stern attacks And.

1:01:46.040 --> 1:01:50.640
<v Speaker 3>Rapes Sarah after hopkins returns and finds out. What happened

1:01:50.840 --> 1:01:54.040
<v Speaker 3>he seems to just kind of decide he's done with,

1:01:54.120 --> 1:01:57.160
<v Speaker 3>this place so He betrays sarah and then has her

1:01:57.240 --> 1:02:00.120
<v Speaker 3>uncle tortured and executed along with the, other women And

1:02:00.560 --> 1:02:01.720
<v Speaker 3>then Hopkins and stern.

1:02:01.880 --> 1:02:03.320
<v Speaker 2>Leave, town yeah.

1:02:03.600 --> 1:02:06.760
<v Speaker 3>Absolutely, Brutal yeah and it's in, this section by, the

1:02:06.800 --> 1:02:10.160
<v Speaker 3>way that we get like the depiction of the, swimming test,

1:02:10.240 --> 1:02:12.320
<v Speaker 3>you know or they're like throwing the people into the

1:02:12.360 --> 1:02:17.360
<v Speaker 3>water with the ropes. Around them So eventually, richard returns

1:02:17.520 --> 1:02:22.160
<v Speaker 3>only To discover. Sarah traumatized he learns, what happened and

1:02:22.320 --> 1:02:27.240
<v Speaker 3>he swears revenge Against both Hopkins. And stern and then,

1:02:27.320 --> 1:02:31.320
<v Speaker 3>After this Sarah and richard are married in secret in

1:02:31.400 --> 1:02:35.200
<v Speaker 3>a chapel that is desecrated with graffiti it says witch on,

1:02:35.600 --> 1:02:39.800
<v Speaker 3>the walls with no priest or. Efficient present it seems

1:02:40.120 --> 1:02:43.240
<v Speaker 3>like a kind of thematically, significant moment like the wedding

1:02:43.920 --> 1:02:46.720
<v Speaker 3>that they have is on no one's authority but. Their

1:02:46.760 --> 1:02:49.280
<v Speaker 3>Own like richard just holds a sword up in the

1:02:49.320 --> 1:02:50.360
<v Speaker 3>air like this is.

1:02:50.440 --> 1:02:53.160
<v Speaker 2>My, Priest, yeah YEAH because i mean that seems to

1:02:53.160 --> 1:02:55.880
<v Speaker 2>be how things work now in. The world everything's torn

1:02:55.880 --> 1:02:59.640
<v Speaker 2>apart by this war, and yeah this is how the

1:02:59.680 --> 1:03:03.720
<v Speaker 2>witch are. Are operating THIS is i guess how weddings

1:03:03.720 --> 1:03:05.280
<v Speaker 2>are going to. Work too you just you just.

1:03:05.320 --> 1:03:09.120
<v Speaker 3>Do, It Yeah so sarah goes to the nearby Village

1:03:09.160 --> 1:03:13.120
<v Speaker 3>of lavianum to Hide until richard can finish his mission

1:03:13.520 --> 1:03:15.720
<v Speaker 3>mission of REVENGE and i guess also his work with

1:03:15.760 --> 1:03:17.960
<v Speaker 3>the army and then come back. To her so she's

1:03:18.000 --> 1:03:23.480
<v Speaker 3>going into. Hiding nearby so This. Is richard he's on the. Revenge, rails, now, yeah.

1:03:23.240 --> 1:03:26.240
<v Speaker 2>Yeah this is the point where it definitely becomes clear

1:03:26.280 --> 1:03:29.479
<v Speaker 2>that this is a. Revenge movie and, In general i'd

1:03:29.480 --> 1:03:32.160
<v Speaker 2>say that revenge movies are often my one of my least,

1:03:32.200 --> 1:03:36.360
<v Speaker 2>favorite subgenres in part because of the like the the,

1:03:36.440 --> 1:03:38.800
<v Speaker 2>structure is it's very much on. The rails you generally

1:03:38.800 --> 1:03:40.920
<v Speaker 2>know how revenge film is going. To go and it's

1:03:40.920 --> 1:03:43.040
<v Speaker 2>also it's going to be, pretty dark like it's either

1:03:43.080 --> 1:03:46.160
<v Speaker 2>gonna even if it has a, happy ending that ending

1:03:46.280 --> 1:03:50.240
<v Speaker 2>is just murders and in a lot of cases it's

1:03:50.240 --> 1:03:52.840
<v Speaker 2>going to be a more realistic dig two graves sort

1:03:52.840 --> 1:03:58.360
<v Speaker 2>of a situation, where vengeance murderous vengeance is is, pulled

1:03:58.400 --> 1:04:01.680
<v Speaker 2>off but like nothing's really everyone's. Just dirty by. The

1:04:01.720 --> 1:04:05.000
<v Speaker 2>exercise but that, BEING said i have to acknowledge that

1:04:05.040 --> 1:04:07.120
<v Speaker 2>it is a solid structure for. A film those are

1:04:07.160 --> 1:04:11.400
<v Speaker 2>some solid storytelling rails to, be on and the movie

1:04:11.400 --> 1:04:13.400
<v Speaker 2>does really pick up its pace when it becomes clear

1:04:13.400 --> 1:04:16.560
<v Speaker 2>that it's fully a. Revenge film and there's also that, incentive,

1:04:16.560 --> 1:04:19.480
<v Speaker 2>that oh this is a, revenge film we Might see

1:04:19.680 --> 1:04:22.680
<v Speaker 2>Hopkins and stern actually get.

1:04:22.720 --> 1:04:26.280
<v Speaker 3>Their, comeuppance yeah which is not feel good in the

1:04:26.360 --> 1:04:28.840
<v Speaker 3>end of, the movie but is somewhat satisfying just because

1:04:28.840 --> 1:04:33.400
<v Speaker 3>of how disgusting and awful the. Villains, ARE unfortunately i

1:04:33.440 --> 1:04:36.800
<v Speaker 3>think there was not any such justice in the real.

1:04:36.960 --> 1:04:40.600
<v Speaker 3>HISTORICAL case I think hopkins just died.

1:04:40.640 --> 1:04:44.120
<v Speaker 2>At, HOME yeah i think it's suspected that he died

1:04:44.120 --> 1:04:47.600
<v Speaker 2>of tuberculosis or something, like that as opposed to any

1:04:47.680 --> 1:04:51.560
<v Speaker 2>sort of more fitting. Come uppance and certainly they are

1:04:51.640 --> 1:04:55.000
<v Speaker 2>legends that. Suggest that but, you know it's the way of.

1:04:55.040 --> 1:04:57.959
<v Speaker 2>The world sometimes the villains do not get what's coming,

1:04:58.000 --> 1:04:59.200
<v Speaker 2>to them but in.

1:04:59.160 --> 1:05:01.880
<v Speaker 3>The movie they, they will even though it's not exactly a.

1:05:01.880 --> 1:05:13.160
<v Speaker 3>Happy ending so all through the middle of, THE movie

1:05:13.320 --> 1:05:16.560
<v Speaker 3>i wanted to, point out did you notice this recurring

1:05:16.600 --> 1:05:20.960
<v Speaker 3>theme of the roundheads needing horses they're just like very

1:05:21.560 --> 1:05:23.920
<v Speaker 3>like we need we need to get, more horses we

1:05:23.960 --> 1:05:26.920
<v Speaker 3>need to protect. Our horses they're just like very. Into.

1:05:27.000 --> 1:05:30.960
<v Speaker 3>Horses uh and at one point this becomes significant for

1:05:31.000 --> 1:05:34.920
<v Speaker 3>the plot because a Troop of roundhead Soldiers stop Hopkins

1:05:34.920 --> 1:05:37.600
<v Speaker 3>and stern on their way to the. Next village, they,

1:05:37.640 --> 1:05:40.480
<v Speaker 3>say hey we. Need horses we're gonna buy. Your horses

1:05:41.120 --> 1:05:44.000
<v Speaker 3>hopkins tries, to say we're, not selling but the, soldier

1:05:44.080 --> 1:05:47.919
<v Speaker 3>says you. Are selling and this scene felt very much

1:05:47.920 --> 1:05:51.320
<v Speaker 3>to me like something out Of, a western these classic western.

1:05:51.400 --> 1:05:55.840
<v Speaker 3>Standoff movies and this leads into a fight and both

1:05:56.320 --> 1:06:00.240
<v Speaker 3>where Sterns and Stern and hopkins. Become Separated so hopkins

1:06:00.280 --> 1:06:04.120
<v Speaker 3>bolts on horseback and he. Gets away stern is, initially

1:06:04.200 --> 1:06:07.520
<v Speaker 3>caught but then manages to kill his captor and he escapes.

1:06:07.560 --> 1:06:10.680
<v Speaker 3>As well and then in a, LOCAL pub i Think

1:06:10.920 --> 1:06:14.480
<v Speaker 3>somehow richard happens to cross Paths, with, stern right he

1:06:14.560 --> 1:06:17.760
<v Speaker 3>just comes into the pub and, he's There and richard

1:06:17.800 --> 1:06:20.560
<v Speaker 3>tries to, kill Him but stern they Fight and stern,

1:06:20.680 --> 1:06:25.880
<v Speaker 3>escapes again so eventually he reunites Uneasily with hopkins and

1:06:25.960 --> 1:06:28.360
<v Speaker 3>tells him that this soldier is looking. For them so

1:06:28.560 --> 1:06:31.840
<v Speaker 3>they Know That riches richard is coming. For. Revenge.

1:06:32.120 --> 1:06:34.760
<v Speaker 2>Yeah yeah initially, it's like You think stern is maybe

1:06:35.040 --> 1:06:38.600
<v Speaker 2>there To kill hopkins for, abandoning him and certainly accuses him,

1:06:38.640 --> 1:06:41.640
<v Speaker 2>of Such and hopkins pulls a gun, on Him but

1:06:42.160 --> 1:06:44.720
<v Speaker 2>hopkins is able to convince him, it's like, come on

1:06:44.800 --> 1:06:47.400
<v Speaker 2>let's get back. To, business, then yeah that's what.

1:06:47.440 --> 1:06:50.600
<v Speaker 3>They do so they move on to the, next village

1:06:50.640 --> 1:06:54.560
<v Speaker 3>which is uh Oh lavin um that they they're going

1:06:54.600 --> 1:06:57.479
<v Speaker 3>there and we remember way the audience remembered That's where

1:06:57.520 --> 1:07:02.040
<v Speaker 3>sarah went to, hide Out and hopkins decides he wants

1:07:02.080 --> 1:07:05.040
<v Speaker 3>to experiment with new, execution methods so this is where

1:07:05.080 --> 1:07:07.560
<v Speaker 3>he comes up with this horrible contraption where they're going

1:07:07.640 --> 1:07:11.640
<v Speaker 3>to use a ladder and ropes to lower victims face

1:07:11.720 --> 1:07:16.400
<v Speaker 3>first into a. Giant, fire meanwhile there's some army business

1:07:16.920 --> 1:07:19.560
<v Speaker 3>in the middle of. The movie richard has to report

1:07:19.600 --> 1:07:22.720
<v Speaker 3>back to, his unit and while, doing so he gets,

1:07:22.720 --> 1:07:25.680
<v Speaker 3>a promotion and then he is tasked by none Other

1:07:25.760 --> 1:07:30.120
<v Speaker 3>than cromwell himself with leading a scouting PARTY to i

1:07:30.120 --> 1:07:32.720
<v Speaker 3>think find and Capture the king is the idea that

1:07:32.760 --> 1:07:35.280
<v Speaker 3>the king is trying to escape the country in secret

1:07:35.320 --> 1:07:37.280
<v Speaker 3>and they think he might be in one of the towns.

1:07:37.320 --> 1:07:39.960
<v Speaker 2>Around, there yeah so they need to try and intercept

1:07:40.040 --> 1:07:41.560
<v Speaker 2>him and apprehend him and bring. Him. Back.

1:07:41.640 --> 1:07:46.240
<v Speaker 3>Yeah, yeah anyway while out on, This mission richard and

1:07:46.320 --> 1:07:49.439
<v Speaker 3>his trooper friends find out that the witch hunters Are,

1:07:49.480 --> 1:07:52.960
<v Speaker 3>in Lavenum where sarah went to, hide out so they go,

1:07:53.040 --> 1:07:56.000
<v Speaker 3>in pursuit but it turns Out that Hopkins and stern

1:07:56.040 --> 1:07:58.920
<v Speaker 3>have set a trap, for them And when, Richard arrives

1:07:58.960 --> 1:08:02.280
<v Speaker 3>hopkins has a local man Accused both Richard and sarah of.

1:08:02.320 --> 1:08:04.440
<v Speaker 3>Being witches what does? He say, he's, LIKE yes i

1:08:04.480 --> 1:08:09.440
<v Speaker 3>saw them with. Their familiars and so they're taken away

1:08:09.680 --> 1:08:12.680
<v Speaker 3>to a dungeon in a nearby castle to be tortured

1:08:12.680 --> 1:08:16.639
<v Speaker 3>and interrogated via the methods we. Saw earlier so while they're,

1:08:16.640 --> 1:08:20.439
<v Speaker 3>being tormented they're getting the pricks with the knife in

1:08:20.479 --> 1:08:23.720
<v Speaker 3>The back sarah Is while richard is being forced. To,

1:08:23.760 --> 1:08:27.200
<v Speaker 3>Watch meanwhile richard's men figure out where they are and

1:08:27.240 --> 1:08:29.800
<v Speaker 3>they're on. The way they're on, the run coming to,

1:08:29.840 --> 1:08:33.760
<v Speaker 3>the rescue and this leads to, a bloody violent conclusion

1:08:34.000 --> 1:08:36.800
<v Speaker 3>In which sarah is subjected to these pricks of the

1:08:36.800 --> 1:08:40.679
<v Speaker 3>blade on. Her back to Find The. Devil's mark richard

1:08:40.800 --> 1:08:44.519
<v Speaker 3>eventually breaks free and He fights stern and kills him

1:08:44.600 --> 1:08:48.840
<v Speaker 3>by stomping through. His eye it's like a boot spur

1:08:48.960 --> 1:08:49.680
<v Speaker 3>that goes into his.

1:08:49.720 --> 1:08:51.519
<v Speaker 2>EYE socket i, guess SO because i was like, AT

1:08:51.520 --> 1:08:53.240
<v Speaker 2>first i, was like is that a heel that he

1:08:53.680 --> 1:08:55.559
<v Speaker 2>killed him with? The heel, but yeah the spur makes

1:08:55.560 --> 1:08:55.960
<v Speaker 2>a lot. More.

1:08:56.000 --> 1:09:00.160
<v Speaker 3>Sense yeah And then richard picks up an axe And,

1:09:00.280 --> 1:09:04.000
<v Speaker 3>attacks hopkins and we just it's just, on screen brutal

1:09:04.120 --> 1:09:06.680
<v Speaker 3>hacking at him over and over with an axe that

1:09:06.840 --> 1:09:10.439
<v Speaker 3>goes on and On until, richard's friends, the soldiers they

1:09:10.439 --> 1:09:12.880
<v Speaker 3>finally fight their way through. The guards they break into

1:09:12.880 --> 1:09:18.200
<v Speaker 3>the room and one of them shoots the Gruesomely. Wounded hopkins, this,

1:09:18.439 --> 1:09:21.840
<v Speaker 3>shooting Though, enrages richard who starts screaming you took him

1:09:21.840 --> 1:09:25.479
<v Speaker 3>from me over, and Over and sarah's screams of pain

1:09:25.640 --> 1:09:28.280
<v Speaker 3>and trauma fill the air as we go to. The

1:09:28.280 --> 1:09:31.680
<v Speaker 3>CREDITS so i, was, thinking man how bad is? This,

1:09:31.840 --> 1:09:34.880
<v Speaker 3>ending like in, a, way there it is in some

1:09:34.920 --> 1:09:38.240
<v Speaker 3>ways a victorious ending for our two, main characters because

1:09:38.240 --> 1:09:42.320
<v Speaker 3>at least they actually do survive and the villains. Are

1:09:42.520 --> 1:09:46.240
<v Speaker 3>punished both of the two villains these horrible villains, are

1:09:46.600 --> 1:09:52.080
<v Speaker 3>killed but the two good characters both seem extremely psychologically

1:09:52.200 --> 1:09:55.439
<v Speaker 3>damaged by the events of, the movie maybe both having

1:09:55.520 --> 1:09:57.320
<v Speaker 3>been driven. To, madness yeah.

1:09:57.160 --> 1:09:59.360
<v Speaker 2>And the film doesn't give us even just a, you.

1:09:59.400 --> 1:10:02.760
<v Speaker 2>KNOW glot, I mean i don't think that the ending

1:10:02.800 --> 1:10:05.519
<v Speaker 2>necessarily is trying to tell us that there's no hope

1:10:05.560 --> 1:10:08.080
<v Speaker 2>for these two. Or anything but we're left to imagine

1:10:08.080 --> 1:10:10.720
<v Speaker 2>that on. Our own we're not given a hint of

1:10:10.760 --> 1:10:13.400
<v Speaker 2>what that might look like or and.

1:10:13.439 --> 1:10:17.400
<v Speaker 3>So, forth yeah so it's ambiguous in. THAT regard i

1:10:17.479 --> 1:10:20.120
<v Speaker 3>was thinking about the violence of the ending and the

1:10:20.120 --> 1:10:25.120
<v Speaker 3>way that like the revenge, is achieved but also it

1:10:25.160 --> 1:10:28.519
<v Speaker 3>at the same time somehow feels thwarted and it's not like,

1:10:28.560 --> 1:10:31.839
<v Speaker 3>a happy, Satisfying ENDING and i was kind of pairing

1:10:31.960 --> 1:10:34.479
<v Speaker 3>that with the thing we talked about earlier about how

1:10:34.520 --> 1:10:38.360
<v Speaker 3>a lot of the violence in the movie is shot

1:10:38.400 --> 1:10:45.400
<v Speaker 3>and presented in a, very undramatic. Uncinematic Way and i'm

1:10:45.520 --> 1:10:49.040
<v Speaker 3>just trying to put all this together and it and

1:10:49.120 --> 1:10:51.639
<v Speaker 3>figure out what the movie is trying to say about

1:10:51.720 --> 1:10:54.640
<v Speaker 3>violence with all. THESE choices i kind of get that

1:10:54.680 --> 1:10:59.720
<v Speaker 3>the point is to emphasize the pointlessness of the violence in,

1:10:59.760 --> 1:11:04.200
<v Speaker 3>the movie that it's just something that's happening for no

1:11:04.439 --> 1:11:08.080
<v Speaker 3>good reason. At all. Like that there there's, you know

1:11:08.160 --> 1:11:11.320
<v Speaker 3>In what Stern and, hopkins do it's almost like by,

1:11:11.920 --> 1:11:15.640
<v Speaker 3>you know putting in more music and photographing it in

1:11:15.680 --> 1:11:19.720
<v Speaker 3>a more emotionally, charged way it might be kind of valorizing.

1:11:19.760 --> 1:11:24.120
<v Speaker 2>It, somehow yeah or if they'd like really stylize the

1:11:24.160 --> 1:11:26.400
<v Speaker 2>gore in a way where they were doing some sort of,

1:11:26.680 --> 1:11:31.280
<v Speaker 2>you know unrealistic but maybe more horror movie cinematic torture,

1:11:31.320 --> 1:11:34.200
<v Speaker 2>techniques instead like in, many scenes It's just stern like

1:11:34.320 --> 1:11:37.360
<v Speaker 2>just slapping people around while they're, in chains and it's

1:11:37.479 --> 1:11:41.040
<v Speaker 2>it's not even for like a real. GORE hound i

1:11:41.080 --> 1:11:44.120
<v Speaker 2>don't think they're going to find. This visually they're not

1:11:44.120 --> 1:11:48.439
<v Speaker 2>going to find it visually pleasing because it's just base

1:11:48.960 --> 1:11:50.080
<v Speaker 2>in its depiction.

1:11:50.200 --> 1:11:54.320
<v Speaker 3>Of, violence yeah there's another THING that i wanted to

1:11:54.320 --> 1:11:57.479
<v Speaker 3>point OUT which i thought was, really interesting and that

1:11:57.680 --> 1:12:01.960
<v Speaker 3>is the contrast between the contents of the story and

1:12:02.000 --> 1:12:05.640
<v Speaker 3>the esthetics of. The Setting so i'd say this is

1:12:05.840 --> 1:12:10.280
<v Speaker 3>very different Than Like corman's, poe movies where the setting

1:12:10.360 --> 1:12:13.760
<v Speaker 3>and landscape is bleak and gloomy in a way that

1:12:13.920 --> 1:12:18.519
<v Speaker 3>reflects the morbid, subject matter whereas here the horror of

1:12:18.560 --> 1:12:23.559
<v Speaker 3>the plot and the wickedness unleashed by the villains is

1:12:24.200 --> 1:12:28.120
<v Speaker 3>strongly contrasted by the beauty we see all. Around us

1:12:28.160 --> 1:12:32.760
<v Speaker 3>there's all these shots of, this green beautiful countryside and these.

1:12:32.840 --> 1:12:36.440
<v Speaker 3>IDYLLIC towns, i mean it's just like full of gorgeous

1:12:36.479 --> 1:12:40.200
<v Speaker 3>locations that seem peaceful and serene and easy on. The

1:12:40.280 --> 1:12:44.480
<v Speaker 3>EYE and i think this is an interesting and. Significant

1:12:44.600 --> 1:12:50.760
<v Speaker 3>choice it's a movie, about, sadism, misogyny cruelty, and revenge

1:12:51.360 --> 1:12:54.040
<v Speaker 3>but the world it takes place in is. So lush,

1:12:54.120 --> 1:12:57.000
<v Speaker 3>it's like, you know this breath of clean. Country AIR

1:12:57.800 --> 1:12:59.840
<v Speaker 3>and i was just trying to think about what this

1:13:00.400 --> 1:13:03.120
<v Speaker 3>to how the violence in the movie. IS received i

1:13:03.120 --> 1:13:07.080
<v Speaker 3>think one thing you could say is that maybe it

1:13:07.240 --> 1:13:09.320
<v Speaker 3>highlights how it's not just that the world.

1:13:09.640 --> 1:13:10.320
<v Speaker 2>Is bad.

1:13:11.200 --> 1:13:16.120
<v Speaker 3>You know sometimes you get these these gloomy movies with a,

1:13:16.360 --> 1:13:20.439
<v Speaker 3>you know sympathetic weather or landscape pattern that reflects the

1:13:20.560 --> 1:13:23.600
<v Speaker 3>evil in, the plot and that's just like a pessimistic

1:13:23.720 --> 1:13:26.160
<v Speaker 3>read on life and on. The world and that's not

1:13:26.240 --> 1:13:29.640
<v Speaker 3>what's going on here, very much very much in, This

1:13:29.720 --> 1:13:32.000
<v Speaker 3>movie like the world, is good and there's a lot,

1:13:32.000 --> 1:13:34.920
<v Speaker 3>of wholesome beautiful stuff in it that's worth. Fighting for

1:13:35.000 --> 1:13:39.680
<v Speaker 3>there's love and kindness and beautiful, green fields but it

1:13:39.720 --> 1:13:43.799
<v Speaker 3>can all just be destroyed, by stupid pointless of violence

1:13:43.840 --> 1:13:46.080
<v Speaker 3>and hatred from Predators like Hopkins.

1:13:46.120 --> 1:13:49.040
<v Speaker 2>And, stern, yeah like the world does not need to be,

1:13:49.160 --> 1:13:51.360
<v Speaker 2>this way and you can look out your window and.

1:13:51.400 --> 1:13:53.920
<v Speaker 2>See why, whereas yeah and these, other films, it's, like yeah.

1:13:53.960 --> 1:13:56.599
<v Speaker 2>It's gloomy it's a dark and. Stormy night, of course

1:13:56.680 --> 1:13:59.800
<v Speaker 2>things are playing out like a. Horror movie but, you, know,

1:14:00.040 --> 1:14:00.760
<v Speaker 2>yeah yeah this is a.

1:14:00.800 --> 1:14:03.759
<v Speaker 3>GREAT point i think there's another way you could interpret.

1:14:03.760 --> 1:14:06.599
<v Speaker 3>It Too maybe i'm not sure which one makes more sense,

1:14:06.640 --> 1:14:12.040
<v Speaker 3>To me but the other way is something about like

1:14:12.040 --> 1:14:15.920
<v Speaker 3>like how the appearance of beauty or civility can conceal

1:14:16.120 --> 1:14:19.400
<v Speaker 3>the signs, of barbarism like in the Way that hopkins

1:14:19.520 --> 1:14:24.200
<v Speaker 3>presents himself publicly as civilized, and humane and then of

1:14:24.240 --> 1:14:26.720
<v Speaker 3>course behind the scenes we know what He's. ACTUALLY like

1:14:27.280 --> 1:14:29.280
<v Speaker 3>i wonder if that has something to do with like

1:14:29.320 --> 1:14:31.720
<v Speaker 3>all these beautiful landscapes, we see but then when we

1:14:31.760 --> 1:14:33.280
<v Speaker 3>figure out what's going on, in them.

1:14:33.320 --> 1:14:36.840
<v Speaker 2>It's, horrible, Yeah yeah and there's probably another way That

1:14:37.439 --> 1:14:42.360
<v Speaker 2>that i'm assuming here might read particularly for The local,

1:14:42.400 --> 1:14:46.080
<v Speaker 2>british audience, you know like because these ideas of like

1:14:46.200 --> 1:14:49.679
<v Speaker 2>What what britain, looks like What the english countryside, Looks

1:14:49.800 --> 1:14:51.880
<v Speaker 2>LIKE and i can only imagine that sort of plays

1:14:51.920 --> 1:14:54.479
<v Speaker 2>into it, as well, you know the sort of like

1:14:54.920 --> 1:14:57.040
<v Speaker 2>local expectations of.

1:14:57.080 --> 1:15:00.880
<v Speaker 3>Regional, Geography yeah saurn is operating within.

1:15:01.000 --> 1:15:02.160
<v Speaker 2>The shire yeah there.

1:15:02.200 --> 1:15:05.680
<v Speaker 3>You, GO yeah i Guess sorrow man actually does.

1:15:05.720 --> 1:15:05.800
<v Speaker 2>Go.

1:15:05.880 --> 1:15:11.680
<v Speaker 3>There, yeah, OKAY well i guess That's all i've got

1:15:11.720 --> 1:15:13.880
<v Speaker 3>for now On Witch. Finder general do anything else you

1:15:13.880 --> 1:15:15.160
<v Speaker 3>wanted to talk about before we wrap?

1:15:15.200 --> 1:15:15.240
<v Speaker 1>It?

1:15:15.320 --> 1:15:17.719
<v Speaker 2>UP no i think, we covered, you know in, broad

1:15:17.760 --> 1:15:23.040
<v Speaker 2>strokes the really important. Themes here but, but yeah it's

1:15:23.600 --> 1:15:27.840
<v Speaker 2>very interesting to consider this film's role in sort of

1:15:27.920 --> 1:15:34.240
<v Speaker 2>laying the Groundwork For English full car as we've come to,

1:15:34.880 --> 1:15:37.400
<v Speaker 2>understand it and then that sort of laying the Groundwork

1:15:37.520 --> 1:15:41.080
<v Speaker 2>For full car. In general but, but yeah it is

1:15:41.080 --> 1:15:44.000
<v Speaker 2>also still a film that, very much, you know exists on,

1:15:44.040 --> 1:15:46.360
<v Speaker 2>its own, and yeah it's interesting to think about it As,

1:15:46.360 --> 1:15:49.280
<v Speaker 2>a western interesting to think about what it is saying

1:15:49.400 --> 1:15:54.200
<v Speaker 2>about about violence and chaotic times and oppression and misogyny

1:15:54.360 --> 1:15:58.000
<v Speaker 2>in violent. Chaotic times, So yeah I'm glad i'm glad

1:15:58.000 --> 1:15:59.960
<v Speaker 2>we ended up pivoting to, this one and it was

1:16:00.280 --> 1:16:02.840
<v Speaker 2>is always great To See vincent price in a really.

1:16:02.840 --> 1:16:05.839
<v Speaker 2>Commanding performance and yet again it's, you know a slightly

1:16:05.880 --> 1:16:11.760
<v Speaker 2>different cocktail of. Elements here it's as different from from

1:16:11.840 --> 1:16:14.760
<v Speaker 2>any of The Other vincent price performances we've talked about on. The.

1:16:14.760 --> 1:16:18.160
<v Speaker 3>Show totally he's very good. In it but don't pick

1:16:18.200 --> 1:16:20.400
<v Speaker 3>this movie for Your Fun vincent price.

1:16:20.439 --> 1:16:20.679
<v Speaker 2>Movie.

1:16:20.800 --> 1:16:23.560
<v Speaker 3>Night there go with one Of The doctor fibes Movies

1:16:23.800 --> 1:16:27.160
<v Speaker 3>or Theater of blood or something, like that, You Know

1:16:27.280 --> 1:16:30.000
<v Speaker 3>wax museum or is that what, it's called wax are

1:16:30.520 --> 1:16:31.680
<v Speaker 3>one of his Wax.

1:16:31.439 --> 1:16:33.200
<v Speaker 2>Movie, yeah, yeah, yeah yeah.

1:16:33.240 --> 1:16:35.599
<v Speaker 3>This one this is Not Fun. Times price this is

1:16:35.640 --> 1:16:39.240
<v Speaker 3>this Is Bad. Times price but he's he excels at this.

1:16:39.360 --> 1:16:43.519
<v Speaker 2>As well, all, right well we're gonna go ahead and

1:16:43.520 --> 1:16:45.760
<v Speaker 2>close out this Episode Of Weird, house cinema but we'd

1:16:45.760 --> 1:16:47.479
<v Speaker 2>love to hear from everyone out there if you have

1:16:47.720 --> 1:16:52.479
<v Speaker 2>any thoughts On Which finder General And vincent price or

1:16:52.520 --> 1:16:55.160
<v Speaker 2>some of the themes we discussed here. Right in we'd

1:16:55.160 --> 1:16:57.080
<v Speaker 2>love to hear. From, you likewise, you know if we

1:16:57.120 --> 1:17:00.679
<v Speaker 2>want to discuss the The The unholy Trinity of english

1:17:00.680 --> 1:17:03.759
<v Speaker 2>folk car in general open to discussions of those films.

1:17:03.800 --> 1:17:06.920
<v Speaker 2>As well let's see a reminder to everyone, out there,

1:17:07.000 --> 1:17:09.519
<v Speaker 2>let's see if you've Listened to Stuff to Blow, your

1:17:09.520 --> 1:17:10.960
<v Speaker 2>mind you know That the Stuff to Blow your mind

1:17:10.960 --> 1:17:13.679
<v Speaker 2>feed is mostly built around our core Episodes on Tuesdays

1:17:13.680 --> 1:17:16.960
<v Speaker 2>and thursdays those are science and. Culture episodes But on

1:17:17.040 --> 1:17:19.800
<v Speaker 2>fridays we set aside most serious concerns to just talk about,

1:17:19.800 --> 1:17:22.560
<v Speaker 2>a film a weird film or a, you know noteworthy

1:17:22.680 --> 1:17:26.639
<v Speaker 2>of genre films such As Wich Finder general and if

1:17:26.640 --> 1:17:29.479
<v Speaker 2>you go to letterbox, dot com look, us up We Are. Weird.

1:17:29.520 --> 1:17:31.160
<v Speaker 2>House there we have a nice list of all the

1:17:31.160 --> 1:17:33.840
<v Speaker 2>movies we've covered, thus far sometimes the peak ahead at what,

1:17:33.880 --> 1:17:36.080
<v Speaker 2>comes next and there are all sorts of interesting ways

1:17:36.120 --> 1:17:38.479
<v Speaker 2>you can tweak that list to look at view it in,

1:17:38.479 --> 1:17:40.840
<v Speaker 2>different ways, you know focusing on different decades or even.

1:17:40.840 --> 1:17:44.840
<v Speaker 2>Different performers so it's a lot. Of fun. Let's, see

1:17:44.840 --> 1:17:47.360
<v Speaker 2>finally i'd Say that Stuff to Blow your mind we've

1:17:47.360 --> 1:17:49.920
<v Speaker 2>been around for and for years. And Years Weird house

1:17:49.920 --> 1:17:52.599
<v Speaker 2>cinema has been around for years at, this point mostly

1:17:52.640 --> 1:17:55.439
<v Speaker 2>as an, audio podcast so most of what we've done

1:17:55.520 --> 1:17:58.559
<v Speaker 2>you can find wherever you get your. Audio Podcasts but,

1:17:59.160 --> 1:18:02.639
<v Speaker 2>more recently we started putting out these video Podcasts, On

1:18:02.720 --> 1:18:04.880
<v Speaker 2>netflix so if you want to watch us as we

1:18:04.920 --> 1:18:07.479
<v Speaker 2>interact with, each other go Over to netflix and look

1:18:07.520 --> 1:18:10.040
<v Speaker 2>Us up Stuff To Blow. Your mind if you're watching Us,

1:18:10.080 --> 1:18:12.400
<v Speaker 2>on netflix give us a couple of, thumbs up ask

1:18:12.400 --> 1:18:14.880
<v Speaker 2>to be reminded about, new episodes, and likewise if you're

1:18:14.920 --> 1:18:17.839
<v Speaker 2>listening to the audio, podcast somewhere give us some. Stars

1:18:18.400 --> 1:18:21.240
<v Speaker 2>subscribe all of these are levers you can pull that

1:18:21.280 --> 1:18:21.960
<v Speaker 2>help us out in the.

1:18:22.000 --> 1:18:26.240
<v Speaker 3>Long run huge thanks as always to our excellent AUDIO Producer.

1:18:26.320 --> 1:18:28.800
<v Speaker 3>Jj posway if you would like to get in touch

1:18:28.800 --> 1:18:31.160
<v Speaker 3>with us with feedback on this episode or, any other

1:18:31.280 --> 1:18:33.320
<v Speaker 3>to suggest a topic for, the future or just to,

1:18:33.320 --> 1:18:36.200
<v Speaker 3>say hello you can email us at contact Stuff to

1:18:36.240 --> 1:18:36.880
<v Speaker 3>Blow your mind.

1:18:37.040 --> 1:18:46.600
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