WEBVTT - The A&G Replay Friday Hour Three 0:00:02.440 --> 0:00:06.720 Broadcasting live from the Abraham Lincoln Radio Studio, the George 0:00:06.800 --> 0:00:10.840 Washington Broadcast Center, Jack Armstrong, Joe Getty. 0:00:10.760 --> 0:00:15.000 Armstrong and Jette and no Hee. 0:00:15.960 --> 0:00:22.479 Armstrong and Getty Strong not live from Studio C. We're 0:00:22.520 --> 0:00:23.959 taking a break for a couple of weeks. You know 0:00:24.000 --> 0:00:28.120 why because twenty twenty four was an exhausting year and 0:00:28.240 --> 0:00:30.080 we need to come back fresh for twenty five. 0:00:30.200 --> 0:00:33.720 So enjoy this carefully curated Armstrong and Getty replay. 0:00:33.800 --> 0:00:36.880 And while you're here, drop my Armstrong in Getty dot com. 0:00:36.920 --> 0:00:39.360 Get a late gift, perhaps for your favorite a g 0:00:39.520 --> 0:00:42.479 fan at the Armstrong and Getty Store, or subscribe to 0:00:42.479 --> 0:00:44.840 the Armstrong and Getty podcast Armstrong and Giddy on demand. 0:00:45.000 --> 0:00:46.680 Either way, enjoy, thanks for. 0:00:46.640 --> 0:00:49.200 Being I didn't pay off one of my teases during 0:00:49.240 --> 0:00:52.440 the Armstrong and Getty radio show. If you enjoyed these 0:00:52.479 --> 0:00:59.680 bitter foods, you might have psychopathic tendencies. And the list 0:00:59.760 --> 0:01:04.480 is gin and tonics, love them, black coffee every day 0:01:04.560 --> 0:01:08.679 and dark chocolate it yes, versually the only thing I'll 0:01:08.720 --> 0:01:11.760 eat for dessert. All right, I'm two out of three? 0:01:12.600 --> 0:01:14.880 Which one don't you like? You don't drink I'm not 0:01:14.920 --> 0:01:16.440 a gin drinker. 0:01:16.720 --> 0:01:19.400 See it at the psychopath party though, Katie, So two 0:01:19.440 --> 0:01:20.760 out of three is plenty welcome. 0:01:21.080 --> 0:01:24.720 I'm excited. And if you're not a psychopath, you you 0:01:24.800 --> 0:01:28.240 probably have everyday sadism, it says here, which is a 0:01:28.280 --> 0:01:31.640 person who takes pleasure from ordinary experiences in which cruelty 0:01:31.680 --> 0:01:32.479 is vicarious. 0:01:33.120 --> 0:01:35.960 Oh yeah, vicarious cruelty gets me through the day. 0:01:36.160 --> 0:01:40.319 That and a little dark chocolate to nibblon. Exactly. I 0:01:40.360 --> 0:01:43.760 watched down My Cruelty with a nice Gin and Tonic. 0:01:43.520 --> 0:01:47.680 And a little dark chocolate, so satisfying. 0:01:48.680 --> 0:01:50.200 Or a cup of coffee to help you stay up 0:01:50.280 --> 0:01:52.960 later to watch more of the cruelty. 0:01:52.600 --> 0:01:55.200 You know, if there's a good cruelty on TV, yeah, 0:01:55.280 --> 0:01:57.520 I'll want a cup of coffee to keep my eyes wide. 0:01:59.000 --> 0:02:01.000 All right, now you're Michael Angelo. 0:02:01.360 --> 0:02:03.600 Okay, let me go back about six months ago. My 0:02:03.760 --> 0:02:06.920 wife and I purchased these tickets to a show that 0:02:07.000 --> 0:02:12.600 was we thought would be high action, entertaining, musical, very cool, 0:02:12.880 --> 0:02:17.239 and so I didn't realize it was the NFL playoff ice. No, 0:02:17.880 --> 0:02:20.560 nothing like that. But I didn't realize it was the 0:02:20.680 --> 0:02:22.560 NFL playoff week and I didn't think ahead. 0:02:22.639 --> 0:02:26.160 Oh yeah, before before too. 0:02:26.400 --> 0:02:28.639 So of course this thing comes up and I realized 0:02:28.720 --> 0:02:32.880 it's now the NFL playoff weekend, and I say, you know, look, 0:02:32.919 --> 0:02:34.520 I really don't want to go. She goes, don't worry 0:02:34.560 --> 0:02:36.799 about it. It's going to be great. You know, we 0:02:36.960 --> 0:02:38.760 bought these tickets. There are one hundred dollars. You know 0:02:38.840 --> 0:02:40.960 it's going to be fantastic. You're going to really enjoy 0:02:41.000 --> 0:02:43.080 it. And I thought, all right, I'm going to enjoy it. 0:02:43.280 --> 0:02:44.000 I'll go along. 0:02:44.800 --> 0:02:47.600 So we get to the show and the show's not. 0:02:47.639 --> 0:02:48.560 What we expected. 0:02:48.639 --> 0:02:51.040 It's not any action at all. In fact, it's people 0:02:51.080 --> 0:02:55.280 talking on stage doing an occasional song, talking on stage 0:02:55.560 --> 0:02:56.720 doing it's super. 0:02:56.520 --> 0:03:01.160 Too much Grover, not enough Elmo for Elmo and Ice exactly. Yeah, 0:03:01.240 --> 0:03:03.520 you call it Elma on Ice. But there's the freaking 0:03:03.600 --> 0:03:04.079 blue thing. 0:03:06.919 --> 0:03:09.480 So intermission comes, they say, hey, we got more great 0:03:09.520 --> 0:03:11.960 action for you in the second half. Hang around, and 0:03:11.960 --> 0:03:15.040 I'm thinking I don't want to hang around. So I 0:03:15.080 --> 0:03:17.240 tell my wife. I say, hey, listen, this isn't my 0:03:17.320 --> 0:03:19.639 cup of tea. This is not what you sold it 0:03:19.680 --> 0:03:22.160 as and she goes, yeah, I know, I'm sorry. I 0:03:22.160 --> 0:03:24.080 thought it was something different. I thought it was, you know, 0:03:24.080 --> 0:03:25.120 a different type of show. 0:03:25.560 --> 0:03:27.920 Were you just missing ad game though over this or 0:03:28.000 --> 0:03:28.840 is that what's going on? 0:03:28.880 --> 0:03:30.880 So meanwhile, I'm you know, and we lived about five 0:03:30.880 --> 0:03:33.600 minutes away, and I'm missing the Cowboys and Packers game, 0:03:33.639 --> 0:03:36.240 and you know, I'm just trying to I enjoy NFL football. 0:03:37.400 --> 0:03:38.760 And so I tell her listen, I want to get 0:03:38.800 --> 0:03:41.440 out of here, and she goes, really, you didn't enjoy 0:03:41.520 --> 0:03:43.720 any of this? I said, no, I haven't enjoyed any 0:03:43.760 --> 0:03:45.880 of this at all. I think it's slow. I think, 0:03:46.560 --> 0:03:49.080 you know, the music's not very good, et cetera, et cetera. 0:03:49.160 --> 0:03:51.520 And so I'm listening this off. Well, I guess I 0:03:51.640 --> 0:03:54.280 was talking too loud. And I must mention that during 0:03:54.400 --> 0:03:57.120 part of the show, one of the speakers talks about 0:03:57.200 --> 0:04:00.440 gratitude and being grateful. So I'm just having a private 0:04:00.440 --> 0:04:03.760 conversation with my wife's you know, it's an oh boy. 0:04:04.160 --> 0:04:07.160 Screaming in the lobby. No, I'm not. 0:04:06.840 --> 0:04:09.640 Being loud, I mean, you know, just regular regular voice. 0:04:10.040 --> 0:04:11.720 And all of a sudden, a woman in front of 0:04:11.800 --> 0:04:14.520 us turns around and says to my wife, well, I 0:04:14.520 --> 0:04:18.000 guess he missed the part about gratitude. Oh, so she 0:04:18.080 --> 0:04:22.479 has decided to interject yourself into a private conversation. Wow, 0:04:22.600 --> 0:04:25.240 And so I kind of looked at her and I 0:04:25.279 --> 0:04:26.320 didn't say anything. 0:04:26.440 --> 0:04:27.720 How many teeth did you knock out? 0:04:27.880 --> 0:04:28.000 No? 0:04:28.080 --> 0:04:30.200 I didn't, but it just. 0:04:30.160 --> 0:04:33.080 Made me more angry, and I said, we're getting out 0:04:33.080 --> 0:04:33.839 of here now, let's go. 0:04:33.960 --> 0:04:34.279 Let's go. 0:04:34.400 --> 0:04:34.760 Let's go. 0:04:35.080 --> 0:04:36.880 Grab her by the arm, and I said, you know, 0:04:36.960 --> 0:04:39.240 and she goes and we you know, we go storming 0:04:39.279 --> 0:04:40.600 out and I'm not happy. 0:04:41.600 --> 0:04:43.840 Wow, Michelangelo, get me out of here before I punch 0:04:43.839 --> 0:04:44.239 a woman. 0:04:45.760 --> 0:04:48.800 No, And then she says I caused the scene. Well wait, 0:04:49.360 --> 0:04:51.120 but I was trying to explain to her. 0:04:51.160 --> 0:04:53.280 I said, you know, your wife said you caused the scene, 0:04:53.320 --> 0:04:54.839 or that lady said you caused the scene. 0:04:54.880 --> 0:04:56.680 My wife said I caused the scene. But mind you, 0:04:56.720 --> 0:04:58.360 I was had. I had a regular voice. It was 0:04:58.400 --> 0:05:02.240 a private conversation, and this stranger decided to interject into 0:05:02.320 --> 0:05:05.600 Obviously they were eaves dropping into our conversation. She apparently 0:05:05.680 --> 0:05:07.080 was upset because I didn't. 0:05:06.839 --> 0:05:07.320 Like the show. 0:05:07.560 --> 0:05:12.000 Well's yeah, it's a fine line between somebody eavesdropping on 0:05:12.040 --> 0:05:14.440 a private conversation or being so loud that you are 0:05:15.000 --> 0:05:16.920 they are part of your conversation. That's a fine line. 0:05:17.279 --> 0:05:18.280 It's in the eye of the beholder. 0:05:18.400 --> 0:05:20.960 Well, see, I almost need to get a decibel reading 0:05:21.080 --> 0:05:22.600 to know where to come down on. 0:05:22.560 --> 0:05:25.520 This one, honestly exactly. I mean, you know, I think 0:05:25.720 --> 0:05:31.000 by definition a scene happened, whether you caused it or 0:05:31.080 --> 0:05:32.359 not is I don't know. 0:05:33.160 --> 0:05:36.240 I think that's why we've convened this court of hasty opinions. 0:05:36.960 --> 0:05:38.520 Well, this is why I'm here. I want to know 0:05:38.600 --> 0:05:40.760 did I cause a scene or was this? I thought 0:05:40.760 --> 0:05:44.200 the woman, you know, the strange woman, was completely out 0:05:44.200 --> 0:05:47.279 of line. I would never introduct myself into somebody else's conversation. 0:05:47.360 --> 0:05:48.080 Did you ever do that? 0:05:48.279 --> 0:05:50.440 Yes, Kenny, that's what I was just going to go with. 0:05:50.560 --> 0:05:53.280 You have to think about the person who is standing 0:05:53.320 --> 0:05:56.040 there listening to a couple have a conversation and goes, 0:05:56.160 --> 0:05:59.160 I'm jumping in there. Yeah, I want to get in that. 0:05:59.520 --> 0:06:02.560 I mean that that's some nosy. I don't think you started. 0:06:02.720 --> 0:06:04.480 That is a certain sort of person that said, to 0:06:04.480 --> 0:06:06.839 your right, decides, hey, there's a looks to me a 0:06:06.839 --> 0:06:08.720 married couple. I think I'll jump into the middle of 0:06:08.760 --> 0:06:13.680 their arguments. Not only that, but the superior tone she strikes. 0:06:13.920 --> 0:06:16.600 Yes, I guess you missed the part about gratitude. 0:06:16.760 --> 0:06:19.360 Yeah, oh, I'll show you some gratitude. 0:06:20.200 --> 0:06:20.920 I uh. 0:06:22.279 --> 0:06:22.960 Yeah, I hear that. 0:06:24.000 --> 0:06:26.800 Yeah, I think that that that's one of those things. 0:06:26.839 --> 0:06:31.320 She showed her who she is with that comment. I 0:06:31.360 --> 0:06:33.800 mean not, hey, dude, some of us are really enjoying this. 0:06:33.880 --> 0:06:36.720 Can you let up on the negativity? Even that would be. 0:06:36.720 --> 0:06:38.240 Like what do you? 0:06:38.279 --> 0:06:38.400 What? 0:06:38.440 --> 0:06:39.960 Do you mind your business? Ignore me? 0:06:40.360 --> 0:06:42.680 Or stand there thinking boy, this a whole has no 0:06:42.720 --> 0:06:43.920 appreciation for fine art. 0:06:44.000 --> 0:06:45.320 I mean, I don't tell me her to leave. 0:06:46.520 --> 0:06:49.960 Yeah, you didn't say anything to her period. 0:06:50.160 --> 0:06:52.520 Like you didn't say anybody who likes this as an 0:06:52.600 --> 0:06:54.080 fing idiot or anything like that. 0:06:54.279 --> 0:06:55.880 No, nothing like that at all. 0:06:55.960 --> 0:06:58.280 Now I'm getting into dangerous territory. How long was this 0:06:58.360 --> 0:07:00.000 uncomfortable between you and your wife? 0:07:00.160 --> 0:07:00.320 Oh? 0:07:00.400 --> 0:07:02.880 It was just like a minute, not very long. 0:07:03.760 --> 0:07:06.119 This wasn't a steely silence all the way home? 0:07:06.279 --> 0:07:07.160 No? No, no? 0:07:07.480 --> 0:07:10.640 But was who made the scene? 0:07:10.760 --> 0:07:10.840 Me? 0:07:11.080 --> 0:07:11.720 Or this woman? 0:07:11.760 --> 0:07:13.800 I argued, this woman created the scene, not. 0:07:13.840 --> 0:07:19.200 Me, right, I volume is the key key question. I 0:07:19.400 --> 0:07:22.960 just can't see you causing a scene. Michaelangelo and causing 0:07:22.960 --> 0:07:24.920 a scene don't go together. No, they don't. 0:07:25.480 --> 0:07:25.800 I know. 0:07:26.200 --> 0:07:28.640 Yeah, yeah, and I'm glad it was a minor thing 0:07:28.640 --> 0:07:30.760 because the whole steely silence all the way home is 0:07:30.760 --> 0:07:34.600 a Oh, that's a rough one. 0:07:34.920 --> 0:07:36.800 She think you want us to know more about the 0:07:36.880 --> 0:07:38.880 show in question, but I don't want to go there. 0:07:38.920 --> 0:07:40.800 I get the feeling you don't want to go there, 0:07:40.840 --> 0:07:42.760 so so I want to either how old was it 0:07:42.800 --> 0:07:43.720 the woman that butted in? 0:07:43.920 --> 0:07:46.480 Oh, I'd say she was in her fifties, tight late fifties. 0:07:46.960 --> 0:07:51.320 Man, that is certainly an interesting personality trait to do that. 0:07:51.880 --> 0:07:52.080 Yeah. 0:07:52.120 --> 0:07:54.080 Now, one thing about the theater is I noticed that 0:07:54.240 --> 0:07:56.960 as soon as we sat down, everybody was much older 0:07:57.000 --> 0:07:58.760 than us, and so I was like, Okay, this is 0:07:58.800 --> 0:07:59.960 a different type of crowd. 0:08:00.760 --> 0:08:01.720 Everybody was older. 0:08:02.080 --> 0:08:04.160 Did that woman look like she might have participated in 0:08:04.200 --> 0:08:05.080 like a woman's march? 0:08:06.960 --> 0:08:07.600 I can see that. 0:08:09.080 --> 0:08:16.040 Yeah. Yeah, I'm sorry. I'm sorry that there was a rancor. 0:08:17.120 --> 0:08:19.440 But there was two things that bothered me. Two things 0:08:19.440 --> 0:08:23.000 that ranked me was first of all, I don't like 0:08:23.200 --> 0:08:27.360 having my time wasted, and second condescension. Those two things 0:08:27.360 --> 0:08:28.840 I think bug me more than anything. 0:08:29.560 --> 0:08:32.000 Well, just not digging the show. I mean, that's a 0:08:32.080 --> 0:08:33.680 that's a that's a tough one. I mean, if you're 0:08:34.120 --> 0:08:36.600 if you're the person you're with is digging into. 0:08:38.920 --> 0:08:39.720 Sat through that. 0:08:39.800 --> 0:08:44.800 I wasn't exactly digging innumerable, but she wasn't digging it in. 0:08:44.840 --> 0:08:47.040 No, so that wasn't Yeah, that wasn't the issue. 0:08:47.360 --> 0:08:50.240 The issue was dreaming that the show effing sucked. I mean, 0:08:50.320 --> 0:08:53.320 you know, I'm gonna start doing that when I hear 0:08:53.320 --> 0:08:55.080 people arguing, I'm just gonna jump in them in like, 0:08:56.559 --> 0:08:57.640 you know what, I think. 0:09:00.240 --> 0:09:11.000 You didn't ask me, but I think I'm with him. 0:09:11.160 --> 0:09:15.200 So let's getting some attention in some circles for people 0:09:15.200 --> 0:09:19.360 who watch Saturday Night Live Saturday Night this last weekend 0:09:19.520 --> 0:09:22.320 that there was so much of the cast of breaking 0:09:22.400 --> 0:09:26.199 up and laughing during sketches. I mean, more than I've 0:09:26.240 --> 0:09:30.840 ever seen ever combined in forty years watching the show 0:09:31.240 --> 0:09:37.120 in one episode. And well, an interesting thing about that, Katie, 0:09:37.120 --> 0:09:40.280 You're not old enough to have lived through the Carol 0:09:40.320 --> 0:09:42.360 Burnett Show, which was a big popular sitcom, like the 0:09:42.440 --> 0:09:46.160 number one show in America back in the seventies, but legendary. 0:09:46.679 --> 0:09:50.200 These various clips were Harvey Corman and Tim Conway would 0:09:50.200 --> 0:09:52.400 break each other up and laugh it. As a kid, 0:09:52.440 --> 0:09:54.360 I really enjoyed it, and a lot of people enjoyed it, 0:09:54.360 --> 0:09:58.000 and there's still popular YouTube clips, but it would seem 0:09:58.080 --> 0:10:00.640 that there's a limit to how much that you can 0:10:00.679 --> 0:10:06.760 take based on Saturday Night Live. And we're gonna play 0:10:06.760 --> 0:10:09.240 you some examples. There's some famous Saturday Night Live clips. 0:10:09.280 --> 0:10:12.559 I mean Jimmy Fallon used to break up a lot. 0:10:12.679 --> 0:10:15.040 I mean he just for some reason, some people can't 0:10:15.040 --> 0:10:16.920 hold it together as well as other people. And I've 0:10:16.920 --> 0:10:19.360 watched those clips over and over again and cried laughing. 0:10:19.600 --> 0:10:22.079 It was so funny him breaking up. But it's just 0:10:22.120 --> 0:10:24.920 like it's a good flavor, it can't be the whole 0:10:24.960 --> 0:10:28.680 thing or something. Ryan Gosling, the host, for whatever reason, 0:10:28.760 --> 0:10:31.800 he can't make it through thirty seconds of any sketch 0:10:31.920 --> 0:10:36.280 without starting to laugh. That's an interesting personality thing, isn't it. 0:10:36.679 --> 0:10:36.760 Now? 0:10:36.880 --> 0:10:38.880 Yeah, I think it is. I don't think it's like 0:10:38.880 --> 0:10:39.960 a question of discipline. 0:10:39.960 --> 0:10:41.520 No no, oh no, no, no, no no no. I 0:10:41.520 --> 0:10:44.280 don't think so either. But it's pretty interesting that you're 0:10:44.360 --> 0:10:47.520 just so giggly even though you've got the script, you've 0:10:47.559 --> 0:10:51.320 rehearsed it over and over again, you know what's coming, 0:10:51.520 --> 0:10:57.240 and you can't keep from busting up, right, Yeah, And 0:10:57.320 --> 0:11:00.400 well I should have maybe started with this. I've I'm 0:11:00.400 --> 0:11:02.400 a Saturday Night Life freak. I've been so into it 0:11:02.400 --> 0:11:04.840 since the first year. I've watched documentaries about it, I 0:11:04.880 --> 0:11:08.720 watched the podcasts where the old cast members talk about 0:11:08.800 --> 0:11:12.560 various sketches. I mean, just I'm super into Saturday Night Live. 0:11:12.880 --> 0:11:15.520 And Lorne Michaels hates it when people break up, like 0:11:15.559 --> 0:11:19.120 that's his rule number one, do not break up during 0:11:19.160 --> 0:11:21.640 a sketch. We wrote these sketches in a certain way 0:11:21.679 --> 0:11:23.880 to be funny, in a certain way. They'll be funniest 0:11:23.920 --> 0:11:25.240 if you don't break up, do it the way you're 0:11:25.240 --> 0:11:27.719 supposed to. I mean, he he hates it. So I 0:11:28.040 --> 0:11:31.440 haven't seen this Ryan Gosling thing. Is the laughter? Does 0:11:31.840 --> 0:11:35.120 it seem forced or is it genuine? No, It's definitely genuine, really, 0:11:35.120 --> 0:11:38.600 and most of it makes me laugh because it's funny 0:11:38.600 --> 0:11:40.760 stuff happening. And then he can't come from like but 0:11:40.840 --> 0:11:43.720 there so the one that's getting so much attention. And 0:11:43.760 --> 0:11:47.120 I read the article on the Hollywood Reporter. Heidi Gardner, 0:11:47.120 --> 0:11:50.320 who's one of the regular cast members, completely lost it 0:11:50.679 --> 0:11:54.319 during the Beavis and butt Heead thing and which you're 0:11:54.320 --> 0:11:55.480 going to hear a clip of here in just a 0:11:55.480 --> 0:11:57.839 little bit, and it's really visual. I don't know how 0:11:57.880 --> 0:12:01.120 well this is going to come across very funny. It's 0:12:01.240 --> 0:12:02.839 just it was. It was a news program. It was 0:12:02.880 --> 0:12:05.400 like one of those town halls, political town halls like 0:12:05.400 --> 0:12:07.320 you'd see on CNN or something like that. And the 0:12:07.360 --> 0:12:10.080 host is talking to Kean Thompson about AI and stuff 0:12:10.120 --> 0:12:14.160 like that. Well, Ryan Gosling is over her shoulder, looking 0:12:14.240 --> 0:12:16.559 exactly like Beavis from Beavis and butt Head, I mean, 0:12:16.600 --> 0:12:19.360 like the hair, the outfit, the everything like that. And 0:12:19.440 --> 0:12:22.560 he's just sitting there and very intently listening and everything 0:12:22.600 --> 0:12:26.720 like that. And and when Keenan Thompson points out, sorry, 0:12:26.840 --> 0:12:28.840 just the person behind you looks just like Beavis, and 0:12:28.920 --> 0:12:33.760 Ryan Gosling's looking around, like, who's he talking? But when 0:12:33.760 --> 0:12:36.200 the butt Heead character comes out, who's really got makeup on? 0:12:37.600 --> 0:12:39.559 Honey Gardner turns around and seas him for the first time, 0:12:39.559 --> 0:12:42.240 and then she can't talk for like a minute, and 0:12:42.840 --> 0:12:44.800 at some point the whole thing falls apart and it 0:12:44.880 --> 0:12:47.280 just doesn't work anymore. But uh, and I've got some 0:12:47.320 --> 0:12:49.240 of her quotes about that from a Hollywood reporter I 0:12:49.240 --> 0:12:51.120 could hit you with. Well, let's listen to the clip. First, 0:12:51.559 --> 0:12:51.840 but I. 0:12:54.920 --> 0:12:55.600 Can't just. 0:12:59.520 --> 0:13:06.559 Oh, my gott, are you sious? What I think that's 0:13:06.600 --> 0:13:07.440 a valid question. 0:13:08.040 --> 0:13:08.319 No. 0:13:09.280 --> 0:13:13.960 Now, they're a gentleman behind you that looks like butthead professor. 0:13:14.120 --> 0:13:17.160 Just because our audience members aren't as informed on the 0:13:17.240 --> 0:13:20.720 issue as you doesn't make them butts. 0:13:20.760 --> 0:13:24.640 Butt head from the cartoon. He beaves a three. He 0:13:25.559 --> 0:13:28.080 really like to move on and discuss AI. So would 0:13:28.080 --> 0:13:29.080 you like him to move? 0:13:30.040 --> 0:13:31.319 Yes, thank you. 0:13:31.760 --> 0:13:57.679 The man with the gray shirt and exposed gums, sir, 0:13:57.880 --> 0:13:58.920 kindly move seats. 0:14:03.600 --> 0:14:06.200 She's talking to you. 0:14:06.240 --> 0:14:06.880 Oh, I'm sorry. 0:14:12.520 --> 0:14:13.439 I am so sorry. 0:14:13.600 --> 0:14:15.000 I'm confused. 0:14:15.080 --> 0:14:21.200 I'm just here to learn about AI, so you know. 0:14:21.520 --> 0:14:23.760 And then they set to get him out of the 0:14:23.760 --> 0:14:25.840 line of view of the AI experts, so he's not 0:14:25.880 --> 0:14:29.000 they're not distracting. They the person who looks like Beavis, 0:14:29.000 --> 0:14:31.280 whose name is like Ralph, and the guy because I 0:14:31.280 --> 0:14:32.680 don't they don't even know what they're talking about. I've 0:14:32.680 --> 0:14:34.680 never heard of this cartoon, they say. But they sit 0:14:34.760 --> 0:14:36.280 him next to each other and they're sitting the same way, 0:14:36.280 --> 0:14:40.760 and then they're laughing at things. So I have I 0:14:40.800 --> 0:14:41.640 have two comments. 0:14:43.240 --> 0:14:46.440 Number one, it's not her fault that Keenan Thompson is 0:14:46.480 --> 0:14:51.960 the funniest human being ever and everything he says is hilarious. Secondly, 0:14:52.320 --> 0:14:56.280 the answer is the audience that they loved it. They're 0:14:56.360 --> 0:14:58.960 laughing so hard they were crying. Stop, there's the end 0:14:58.960 --> 0:15:02.760 of discussion. Let's all have fun, people, come on, we 0:15:02.840 --> 0:15:04.040 don't need more fun. 0:15:04.360 --> 0:15:05.240 From the sound of it. 0:15:05.240 --> 0:15:06.960 It also kind of sounds like they might have set 0:15:07.000 --> 0:15:09.120 her up for that, like they hid from her what 0:15:09.160 --> 0:15:11.360 that cast member was gonna look like, just for the 0:15:11.360 --> 0:15:12.040 shock value. 0:15:12.160 --> 0:15:13.760 Yeah, So what I was wondering is because they do 0:15:13.880 --> 0:15:16.840 dress rehearsal right before they do the show, which I 0:15:16.840 --> 0:15:19.640 can't imagine what a long, grueling night that is. They 0:15:19.680 --> 0:15:24.720 do a full dress rehearsal and then do the show. 0:15:25.600 --> 0:15:28.400 But but they didn't put the prosthetics on, and he 0:15:28.480 --> 0:15:31.800 had these prosthetics on his face that made him look like, yeah, 0:15:31.840 --> 0:15:34.400 butt head is an odd looking human and so she 0:15:34.440 --> 0:15:36.240 hadn't seen him before. And then she turns around asking 0:15:36.360 --> 0:15:37.680 to move, and then and then when she couldn't talk 0:15:37.680 --> 0:15:40.440 for like a minute. But so that was like, I 0:15:40.480 --> 0:15:42.120 don't know, a third of the way through the show, 0:15:42.160 --> 0:15:44.360 and Ryan Gosling broke up every sketch. Well, by the 0:15:44.440 --> 0:15:47.000 time he gets toward the end of the show and 0:15:47.080 --> 0:15:50.640 like the sketches toward the end is like, all right, okay, 0:15:51.000 --> 0:15:53.920 can you just I mean I actually was and Henry, 0:15:53.960 --> 0:15:55.920 I was watching with my son. Henry said that ruins 0:15:55.920 --> 0:15:57.560 it when they laugh, and because we watched a whole 0:15:57.560 --> 0:15:59.800 bunch of them, and I mean, there must just be 0:15:59.840 --> 0:16:02.360 a limit to it, because like famously, like I said, 0:16:02.480 --> 0:16:05.360 those Carol Burnett clips are the most famous Carol Burnett 0:16:05.400 --> 0:16:07.720 clips of all time of a very popular comedy show 0:16:07.760 --> 0:16:09.440 when they would break each other up. Maybe it's just 0:16:09.480 --> 0:16:13.320 a limit. Maybe that's it. Oh sure, yeah, yeah. The 0:16:13.480 --> 0:16:18.320 odd that Ryan Gosling cannot get through a line without laughing. 0:16:18.920 --> 0:16:22.720 I think it's like people who cry a lot versus 0:16:22.800 --> 0:16:24.840 people who cry a little. It's just it's part of 0:16:24.880 --> 0:16:28.040 your your makeup. Which reminds me of my favorite conundrum, Katie. 0:16:28.080 --> 0:16:29.840 I don't think I've ever hit this hit you with us. 0:16:30.080 --> 0:16:33.200 I may have if I have, forgive me, I'm I'm 0:16:33.240 --> 0:16:38.040 getting old. Have I ever done the I told you 0:16:38.120 --> 0:16:39.760 the one about punching yourself in the face. 0:16:40.160 --> 0:16:40.360 No? 0:16:40.880 --> 0:16:44.920 Okay, So if I punch myself in the face so 0:16:45.320 --> 0:16:49.240 hard it makes me cry, does that make me a 0:16:49.280 --> 0:16:58.080 tough guy or a. 0:16:55.520 --> 0:16:58.040 Huh, you know, I've never heard of it. That that's 0:16:58.040 --> 0:17:03.880 like Einstein level riddle right there. Yeah, you gotta get 0:17:03.880 --> 0:17:06.399 Oppenheimer on that one. It's got quantum mechanics in it 0:17:06.480 --> 0:17:08.399 or something makes you a mental case. 0:17:08.480 --> 0:17:13.640 But the Armstrong and Getty Show, Yeah, more Jack your 0:17:13.760 --> 0:17:15.960 Shoe podcasts and our hot links. 0:17:18.520 --> 0:17:21.520 Thanks The Armstrong and Giddy Show featuring our podcast one 0:17:21.640 --> 0:17:24.320 more thing, download it, subscribe to it wherever you like 0:17:24.359 --> 0:17:25.159 to get podcasts. 0:17:25.200 --> 0:17:28.240 I really like to know what's hot. I just partially 0:17:28.280 --> 0:17:30.119 I think it's good for the radio show. Partially, I 0:17:30.200 --> 0:17:32.440 just I'm interested in note. I like to know if 0:17:32.440 --> 0:17:35.400 there's a super hot band, super hot movie, super hot whatever, 0:17:35.880 --> 0:17:39.159 clothing style, whatever. I just like to know. And so 0:17:39.440 --> 0:17:42.440 the other day I'm walking through the newsroom and Jensen, 0:17:42.480 --> 0:17:44.120 who you may have heard on our show before, she's 0:17:44.119 --> 0:17:45.840 in the newsroom. She said, do you watch The Bear? 0:17:46.200 --> 0:17:48.399 I said, to what now? She said, it is my 0:17:48.520 --> 0:17:50.840 favorite show of all time, not just my favorite show 0:17:51.000 --> 0:17:54.600 right now, it's the best TV show ever. And I thought, wow, 0:17:54.640 --> 0:17:56.240 we ought to have you on to talk about it. 0:17:56.280 --> 0:17:59.560 And then weirdly, in the next forty eight hours, I 0:17:59.600 --> 0:18:02.119 came ross a couple of different articles or tweets or 0:18:02.160 --> 0:18:05.400 whatever from people saying this season of The Bear might 0:18:05.400 --> 0:18:07.560 be better than last season. It's my favorite TV show 0:18:07.600 --> 0:18:09.480 of all time. We brought it up on the radio show. 0:18:09.480 --> 0:18:11.000 We got a number of text people say it's my 0:18:11.040 --> 0:18:14.120 favorite show ever ever. That's a heck of a thing 0:18:14.160 --> 0:18:14.520 to say. 0:18:15.160 --> 0:18:15.240 So. 0:18:15.240 --> 0:18:17.240 A story about a guy who takes a trained bear 0:18:17.280 --> 0:18:20.440 around the country playing county fairs makes the thing dance yeah, 0:18:20.920 --> 0:18:25.680 it on cocaine occasionally. It's a guy who drives from 0:18:25.680 --> 0:18:28.480 town to town in an old truck, engaging in street fights, 0:18:28.480 --> 0:18:30.920 and he's got this charming bear that rides with him. 0:18:31.280 --> 0:18:36.119 That sounds terrific solves people's problems. Anyway, We got a 0:18:36.119 --> 0:18:39.400 couple of clips from The Bear. It's actually it's a story. 0:18:39.200 --> 0:18:42.119 About the guy who's like a brilliant, gifted chef and 0:18:42.200 --> 0:18:44.800 his brother runs a Chicago sandwich shop, dies and he 0:18:44.840 --> 0:18:46.360 has to take over the family business. 0:18:47.040 --> 0:18:49.920 That's the broad outlines, or the very basic outline. Cool, 0:18:50.320 --> 0:18:52.840 here's the first clip. This is a delicate ecosystem, but 0:18:52.920 --> 0:18:57.800 it's held together by a shared history, a love. I 0:18:57.840 --> 0:19:00.640 have every intention of turning this into a actable place 0:19:00.640 --> 0:19:08.160 of business. That's funny. The music reminds me. I'd read 0:19:08.200 --> 0:19:10.720 a couple of different places that the soundtrack for the 0:19:10.760 --> 0:19:13.320 Bears just fantastic. That's one of the things that draws 0:19:13.359 --> 0:19:16.520 people in. But I did ask b Willco there in 0:19:16.560 --> 0:19:19.040 the background. The only the only way I can watch 0:19:19.080 --> 0:19:20.840 a TV show is if my kids can watch it. 0:19:20.880 --> 0:19:22.680