WEBVTT - Episode 416 w/ Steve Rifkind and DJ Cassidy

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<v Speaker 1>He is drink Champs, motherfucking podcast man. He's a legendary

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<v Speaker 1>queens rapper. He's agreed as your boy in O R E.

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<v Speaker 1>He's a Miami hip hop pyoneer. What up his DJ

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<v Speaker 1>E f N? Together they drink it up with some

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<v Speaker 1>of the biggest players you know what I mean.

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<v Speaker 2>And the most professional, unprofessional podcast.

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<v Speaker 1>And your number one source for drunk drink chans.

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<v Speaker 3>Moy day is New Year's CST.

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<v Speaker 4>It's time for drink Champions. Drink up mother mother.

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<v Speaker 3>Would a good be hoping he would be this your

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<v Speaker 3>boy in O R What if it's d J e

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<v Speaker 3>f N, this drink Champs? We have We have today

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<v Speaker 3>one of the best execs of all time, one of

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<v Speaker 3>the most respect acted executives of all time.

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<v Speaker 1>His head still monkey foot in the game.

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<v Speaker 3>He's promoting shows and doing tours and doing all types

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<v Speaker 3>of things that's going on. He's been rewinding time as well.

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<v Speaker 3>In case you don't know who we're talking about, We

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<v Speaker 3>sure about my friend the one to know that.

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<v Speaker 5>Let's see that.

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<v Speaker 3>Let me ask you, because you had one of the

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<v Speaker 3>craziest runs with with Loud, right, but let's suppose we

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<v Speaker 3>had a chance to reverse that and you as an

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<v Speaker 3>artist rewind and you as an artist knowing all you

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<v Speaker 3>know now, what was? What would we be a label

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<v Speaker 3>you would sign to? That's a good question.

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<v Speaker 1>I do.

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<v Speaker 6>I do the vodka labels that are right now, either

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<v Speaker 6>either back then or both.

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<v Speaker 7>Back then, back then.

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<v Speaker 8>I would sign to Loud because the artist always came up.

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<v Speaker 7>Big up yourself, I respect and then I love what

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<v Speaker 7>topped us t D?

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<v Speaker 1>Yeah, Okay, did you go when Kitting Drink and Drake

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<v Speaker 1>was battling? Did you? Who'd you go for?

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<v Speaker 6>I mean I didn't really go for anybody, you did know.

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<v Speaker 6>I was just I thought it was just good for

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<v Speaker 6>hip hop?

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<v Speaker 9>Yeah?

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<v Speaker 1>What? What was? What? Did you? Was you excited by it?

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<v Speaker 6>I was in Vegas right well, this whole thing was

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<v Speaker 6>going on, and I was just like I was entertained

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<v Speaker 6>right because.

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<v Speaker 3>You you uh was that with Mob Deep and Mob Deep?

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<v Speaker 3>I was going into Pog and that was like a

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<v Speaker 3>little bit more serious.

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<v Speaker 8>So I don't know if you know this park was

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<v Speaker 8>my roommate.

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<v Speaker 7>What the fuck?

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<v Speaker 1>Wait? Okay, hell hold holdly gonna describe kidding? Okay? You ahead?

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<v Speaker 6>So on his first album, okay in It sco Pie

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<v Speaker 6>and he wasn't on Death Throw. He was on a

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<v Speaker 6>label called that It was Adrian Gregory's label.

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<v Speaker 7>Okay, this is after Digital Underground.

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<v Speaker 6>Yeah, after the Digital Underground and then the Scope just

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<v Speaker 6>started and they hired me, wow to do all the

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<v Speaker 6>street team and all the marketing. So we set up

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<v Speaker 6>a promotion tal oh, I don't want to down Thursday Sunday. Yeah,

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<v Speaker 6>so we get back out of late Sunday night or

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<v Speaker 6>first thing Monday morning. So he would stay with me,

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<v Speaker 6>and I was living like a townhouse in Studio City,

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<v Speaker 6>and I mean and he worked. He would come to

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<v Speaker 6>you officely. He would pack records with me and it

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<v Speaker 6>would be me, this kid Fade Dubinet and it would

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<v Speaker 6>be and our assistant Lisa, and it would be this

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<v Speaker 6>us on the floor shipping packing records. I mean, he

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<v Speaker 6>was a worker like he worked his ass off. Wow.

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<v Speaker 7>Wow, that's It's just to be clear for the audience.

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<v Speaker 7>This is you before LOUD. Before I just know.

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<v Speaker 6>It was SRC, but the market was the Stephen Riffing Company,

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<v Speaker 6>not SRC Records, and Loud just started.

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<v Speaker 7>Just started, yeah, but they hadn't taken off yet now,

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<v Speaker 7>so you're within the scope and this is him after

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<v Speaker 7>Digit Underground, he's about to get or he got his

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<v Speaker 7>deal with.

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<v Speaker 6>In Brendan got a baby trapped.

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<v Speaker 7>Right, Wow, that's amazing thinking what were those conversations like

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<v Speaker 7>with him?

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<v Speaker 6>They would he just wanted to work and win, like

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<v Speaker 6>I mean literally he would you know. He we would

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<v Speaker 6>sit on the floor, we would pack records, we would

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<v Speaker 6>we typed the letter, he would sign the name, he

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<v Speaker 6>would put the letter in the envelope and boom.

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<v Speaker 8>He would smoke cigarettes, weed, you know whatever it was.

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<v Speaker 6>We were, right, we were our officers on Melrose and

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<v Speaker 6>there was a fast food There's a restaurant called Johnny

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<v Speaker 6>Rockets right across the.

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<v Speaker 1>Street, right, so we would go back.

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<v Speaker 6>I mean we would stay that until ten eleven o'clock

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<v Speaker 6>at night, then go to the crib. Right, That's incredible.

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<v Speaker 7>Tuesday was was radio day, and then we'd be on

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<v Speaker 7>the road on Wednesday. Did you did you guys maintain

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<v Speaker 7>a relationship after those times?

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<v Speaker 8>So this is what I was going to say.

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<v Speaker 6>So I went to see uh Tony rich from at

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<v Speaker 6>the House of Blues one night with Open Artists. Right,

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<v Speaker 6>I don't know if he was okay, I know he

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<v Speaker 6>was signed him with a face. Yeah, And I'm walking

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<v Speaker 6>through and I get smack in the back of my head.

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<v Speaker 6>So I got a ball tad, So I don't know

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<v Speaker 6>if it's a love tap or if it's a real right,

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<v Speaker 6>and it's him, And I'm looking at me because you

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<v Speaker 6>don't say low, and I'm like, man, I don't know

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<v Speaker 6>where I stand with you?

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<v Speaker 1>Oh talking about yeah? Okay?

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<v Speaker 6>And he goes, are you talking about them? He goes, man,

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<v Speaker 6>I'm just messing with them so I could be relevant.

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<v Speaker 3>Whoa so Tupac saying that about Mom's Yeah he loved them. Wow,

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<v Speaker 3>I can see that too. I can actually think that.

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<v Speaker 3>Actually that's crazy. Has there ever been an artist that

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<v Speaker 3>you had an opportunity to sign and you didn't sign

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<v Speaker 3>and you regret it?

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<v Speaker 8>Yeah?

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<v Speaker 7>Who Jay? No?

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<v Speaker 1>I think you mentioned this. M okay, m.

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<v Speaker 7>But Jay by himself was an original flavor with him

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<v Speaker 7>down the original flavor.

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<v Speaker 6>No original flavor was on Atlantic. Jay was was Rockefeller,

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<v Speaker 6>So it was okay. Dame came to the office. We

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<v Speaker 6>wanted to do the deal and b MG wouldn't let

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<v Speaker 6>us do the deal because they were trying to build

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<v Speaker 6>their stuff up like it's not gonna happen, and they.

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<v Speaker 8>Wanted a JV. I was like, give him a JV

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<v Speaker 8>and just give us an over. Who don't know JB

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<v Speaker 8>is a joint vent.

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<v Speaker 1>Holy ship imagine.

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<v Speaker 7>Let's let's imagine Rockefeller flourishing under loud.

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<v Speaker 6>But I also had Gotti before, okay.

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<v Speaker 7>Before before Leo and Russell got him.

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<v Speaker 8>And he'll tell you that too.

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<v Speaker 1>Was that after he was with?

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<v Speaker 8>That was it was? It was Mike Gronamo.

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<v Speaker 1>So wow.

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<v Speaker 6>So we were get to sign Mike. We couldn't get

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<v Speaker 6>the sample click right, holy man. So they say timing

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<v Speaker 6>is everything, right, So.

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<v Speaker 7>You're gonna say Mike Drohn before Blunt Records, Yeah, wait

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<v Speaker 7>before and brought him to you.

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<v Speaker 8>Yeah.

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<v Speaker 1>Wow, that's amazing.

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<v Speaker 3>So we were in Paris, yes, and I got to

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<v Speaker 3>see one of the amazing, the most amazing shows period.

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<v Speaker 3>I don't want to say hip hop shows. I'm talking

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<v Speaker 3>about amazing show period. Like I watched you know, I

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<v Speaker 3>always picked this up, but I watched Wu Tang and

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<v Speaker 3>nas like no opening the act, just these guys sell

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<v Speaker 3>out the whole arena.

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<v Speaker 1>But it looked like it.

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<v Speaker 3>Look like a documentary. It looked like they weren't there.

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<v Speaker 3>That's how good it was. And I remember one part

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<v Speaker 3>of the show, Rizard stops the show and he goes

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<v Speaker 3>Steve Rifkin. He stops and he bigs you up, And

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<v Speaker 3>I start to think what other artists grew with their CEOs, Like,

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<v Speaker 3>how y'all grew together.

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<v Speaker 1>I don't think there's too many people that exist.

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<v Speaker 8>Me, Me and Joe.

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<v Speaker 3>Yeah, okay, I'm talking about other than you, motherfucker.

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<v Speaker 7>Yeah, I mean Russell and ll.

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<v Speaker 1>Russell, l Leon and a little bit.

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<v Speaker 8>You know, and you gotta go Jimmy and Dre. Yeah,

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<v Speaker 8>every because a dude.

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<v Speaker 3>Look at Dre, even though he's a phenomenal producer, phenomenal artist,

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<v Speaker 3>I do look at his business mind more with with

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<v Speaker 3>with jim I mean that's beautiful.

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<v Speaker 7>Man, right and then oh yeah, you know, and then

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<v Speaker 7>maybe Stout and Nas.

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<v Speaker 3>They don't really work together still, I think they do deals,

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<v Speaker 3>but I don't think they work, but they're still close. Yes, yes, yes,

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<v Speaker 3>I think that's beautiful, like to grow with with the

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<v Speaker 3>artists and growing time, you know what I mean. You

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<v Speaker 3>get to know each other's kids, you get to know

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<v Speaker 3>each other's wives and things like that. But I was

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<v Speaker 3>so blown away how he was so articulate and so

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<v Speaker 3>like like like I believed him, you know how somebody

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<v Speaker 3>like you knows say something that like about it. And

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<v Speaker 3>I looked at his face and I was like wow.

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<v Speaker 3>But it wasn't just him, It was Unable that was sitting.

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<v Speaker 1>There, and it was like, we're like, you know what

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<v Speaker 1>I mean? I thought that was special? Do you do

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<v Speaker 1>realize how special that?

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<v Speaker 10>In this stuff?

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<v Speaker 6>I mean, we all, I mean risus family right, the

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<v Speaker 6>way I considered Joe family, the way I consider you family.

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<v Speaker 2>Right.

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<v Speaker 6>We all grew up together. It's like they changed my life.

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<v Speaker 6>I changed their life. And it was just you know,

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<v Speaker 6>and like you know, and the one thing is, you know,

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<v Speaker 6>we never fought over money, and I won't fight over money. Wow, right,

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<v Speaker 6>iized that, so like we could have a disagreement about

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<v Speaker 6>a marketing, but not even about how much we was spending.

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<v Speaker 7>You know, let's do this, let's do that.

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<v Speaker 6>You know, when I got them on the Rage Against

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<v Speaker 6>the Machine tour right right, if we finished that tour,

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<v Speaker 6>to me, that would have been the biggest selling hip

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<v Speaker 6>hop album of all time, right, I mean it was

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<v Speaker 6>a double album we debut. That was that when they

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<v Speaker 6>owned that was Wu Tang forever?

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<v Speaker 1>Okay? Was that when they got bafed for ninety.

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<v Speaker 6>Seven yeah, cool, so, and then we had the Rage

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<v Speaker 6>Against Machine tour, and you know, unfortunately for us, the

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<v Speaker 6>tours started in all the cities that we already had

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<v Speaker 6>on lock Wow right, and we had that you know,

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<v Speaker 6>first hip hop million dollar video right with Triumph and.

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<v Speaker 1>Then Obamatoma Lee Bad. So I'm getting a class back.

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<v Speaker 6>So what happened was, you know, we scanned, which means

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<v Speaker 6>records sold in those days, we sold I think six

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<v Speaker 6>hundred and something thousand first week debuted and it was

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<v Speaker 6>a double album, so it really is a.

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<v Speaker 7>Million two right, so ninety four percent.

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<v Speaker 6>Around the world, number one every country, and then the

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<v Speaker 6>tours without radio too.

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<v Speaker 8>Yeah.

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<v Speaker 6>Right, the hot ninety seventh thing came right, we got

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<v Speaker 6>hit right, But now I was like, all right, don't

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<v Speaker 6>worry about the tour, it's going to start and the

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<v Speaker 6>videos dropping.

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<v Speaker 8>So you know, we.

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<v Speaker 6>Debuted at six hundred, you go down, and now the

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<v Speaker 6>record starts coming up again and we're averaging around three

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<v Speaker 6>hundred thousand a week. And the tour now we're going

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<v Speaker 6>into the Midwest. Like when I'm saying the Midwest, like Nebraska, Cleveland, Indiana,

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<v Speaker 6>like Marcus that we've never been in marks that we

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<v Speaker 6>haven't sold, and we're talking about thirty forty thousand seeds,

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<v Speaker 6>and if we finished that tour, we would just in

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<v Speaker 6>fifteen to twenty million hours easy.

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<v Speaker 1>And that's just that was just in America. Was that

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<v Speaker 1>all we were.

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<v Speaker 8>Starting, were going to naturally.

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<v Speaker 3>But I'm just talking about the message because because then

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<v Speaker 3>because you know me and you've been overseas a couple

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<v Speaker 3>of times together. But I wish the fans could understand

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<v Speaker 3>how sometimes overseas more kind of appreciates it, like.

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<v Speaker 6>You know, they know it better than we know it.

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<v Speaker 6>They appreciate it because they can't touch it.

0:11:55.400 --> 0:12:01.400
<v Speaker 3>So I want to know the first time you met Woo,

0:12:01.640 --> 0:12:03.560
<v Speaker 3>because it was it was it you met Rizza first.

0:12:04.280 --> 0:12:06.520
<v Speaker 6>I met Rizza thirty ministry for the rest of their guys.

0:12:06.760 --> 0:12:10.080
<v Speaker 6>So I met him on my birthday March second, nineteen

0:12:10.160 --> 0:12:13.800
<v Speaker 6>ninety three. Okay, wow, and Rizzi just I've been trying

0:12:13.800 --> 0:12:17.280
<v Speaker 6>to reach him since the beginning of the year. And

0:12:17.320 --> 0:12:20.320
<v Speaker 6>I'm in New York for my thirty first birthday and

0:12:20.360 --> 0:12:23.360
<v Speaker 6>I'm working out of the RCAA building and I think

0:12:23.360 --> 0:12:25.080
<v Speaker 6>it was on sixth Avenue at the time, in like

0:12:25.080 --> 0:12:28.880
<v Speaker 6>forty third Street, and they said there's a Prince Rakeeen.

0:12:29.360 --> 0:12:32.560
<v Speaker 1>I'm like, and I'm like, you're kidding me. What you

0:12:32.559 --> 0:12:34.000
<v Speaker 1>didn't know Prince Rackeen was VISI.

0:12:33.960 --> 0:12:35.120
<v Speaker 8>No, there was no Riza yet.

0:12:35.120 --> 0:12:37.520
<v Speaker 7>It was just Prince knew him already, yes, because he

0:12:37.520 --> 0:12:38.680
<v Speaker 7>was already an artist that was out.

0:12:38.760 --> 0:12:40.440
<v Speaker 6>Yeah, but I didn't know him personally. I knew who

0:12:40.480 --> 0:12:42.240
<v Speaker 6>he was, right right. But I say, you were looking

0:12:42.240 --> 0:12:43.760
<v Speaker 6>for him already. I've been trying to reach him. He

0:12:43.760 --> 0:12:47.480
<v Speaker 6>didn't have financering machine like I mean, like all that.

0:12:47.640 --> 0:12:50.480
<v Speaker 6>You know if you saw the show, like you really?

0:12:50.600 --> 0:12:51.920
<v Speaker 8>So he shows up.

0:12:52.000 --> 0:12:55.240
<v Speaker 6>I'm with East Swist from the Alcoholics chelt East right.

0:12:55.480 --> 0:13:00.000
<v Speaker 6>So the office is no bigger than this table right right,

0:13:00.320 --> 0:13:02.400
<v Speaker 6>And he comes and he goes the guys who downstairs

0:13:02.440 --> 0:13:03.240
<v Speaker 6>you might if they come up.

0:13:03.240 --> 0:13:05.079
<v Speaker 8>I'm like, yeah, no problem.

0:13:05.360 --> 0:13:09.400
<v Speaker 6>So you know it was not of them, no, right,

0:13:09.559 --> 0:13:12.360
<v Speaker 6>So I can picture this, right. So they come up

0:13:12.400 --> 0:13:15.800
<v Speaker 6>to say, we got a video, right, yeah, protect your next.

0:13:15.840 --> 0:13:17.800
<v Speaker 6>So they put the video in and they start performing.

0:13:18.440 --> 0:13:21.839
<v Speaker 6>So some guy comes in a jumpsuit, so I don't

0:13:21.880 --> 0:13:23.079
<v Speaker 6>know if he's in the metal, I don't know who

0:13:23.080 --> 0:13:23.320
<v Speaker 6>he is.

0:13:23.480 --> 0:13:25.240
<v Speaker 7>He comes and slams the doors.

0:13:25.480 --> 0:13:27.640
<v Speaker 1>That's that ship comes in.

0:13:28.360 --> 0:13:31.080
<v Speaker 6>It goes out. I've never seen him again. I still

0:13:31.080 --> 0:13:33.480
<v Speaker 6>got a million dollar check waiting and I signed him

0:13:33.720 --> 0:13:35.000
<v Speaker 6>just I don't know if they set me up and

0:13:35.000 --> 0:13:36.600
<v Speaker 6>they hired this guy to come in as an actor,

0:13:36.640 --> 0:13:36.920
<v Speaker 6>if he.

0:13:36.880 --> 0:13:39.120
<v Speaker 1>Really never asked them, if they didn't see I mean.

0:13:39.040 --> 0:13:42.640
<v Speaker 6>Beings like you know, Rizza is like, he gives me

0:13:42.640 --> 0:13:44.640
<v Speaker 6>a smile, and.

0:13:46.400 --> 0:13:47.000
<v Speaker 1>We signed him.

0:13:47.040 --> 0:13:49.160
<v Speaker 7>You know, the deal was done with in like two weeks.

0:13:49.240 --> 0:13:50.240
<v Speaker 1>Wow. Wow?

0:13:51.120 --> 0:13:53.920
<v Speaker 3>And I noticed this is a cliche kind of question, right,

0:13:56.200 --> 0:13:58.720
<v Speaker 3>but some people could just see talent off the top,

0:13:58.760 --> 0:14:00.040
<v Speaker 3>and sometimes the tallet has.

0:13:59.880 --> 0:14:03.400
<v Speaker 1>To be proven. Did you no off top by looking

0:14:03.400 --> 0:14:07.280
<v Speaker 1>at I mean the energy, like, how do you not?

0:14:07.520 --> 0:14:10.560
<v Speaker 6>I mean dirty doing his verse to protect your neck

0:14:11.080 --> 0:14:15.720
<v Speaker 6>like standing on the desk. I mean I meant, I mean, wow,

0:14:16.480 --> 0:14:19.920
<v Speaker 6>did I know thirty five years later that that yeah,

0:14:19.920 --> 0:14:21.160
<v Speaker 6>because we take it for granted now.

0:14:21.200 --> 0:14:24.400
<v Speaker 7>But even the name Wu Tang clans sound crazy?

0:14:24.600 --> 0:14:27.520
<v Speaker 6>Well, I mean you know that W to me is

0:14:27.960 --> 0:14:31.120
<v Speaker 6>in the top five brands in music, right. You have

0:14:31.160 --> 0:14:34.160
<v Speaker 6>the Rolling Stones tongue, you have the Grateful Dead Skull,

0:14:34.640 --> 0:14:37.680
<v Speaker 6>you know, and then the wou w you know, And

0:14:37.760 --> 0:14:40.120
<v Speaker 6>I know, so.

0:14:42.240 --> 0:14:50.600
<v Speaker 3>That's what's a fucking amazing, man, this is hip hop music.

0:14:52.160 --> 0:14:55.320
<v Speaker 3>Hip Hop was predominantly at this time was not known

0:14:55.760 --> 0:14:59.760
<v Speaker 3>to cross over, and when it did cross over, it

0:14:59.800 --> 0:15:03.600
<v Speaker 3>was looked like, oh, it's almost frowned upond Wu Tang

0:15:03.680 --> 0:15:06.000
<v Speaker 3>was one of these groups that cross over that no

0:15:06.040 --> 0:15:09.600
<v Speaker 3>one that they never compromised their music. It always stood

0:15:09.640 --> 0:15:13.320
<v Speaker 3>the same, always down the street. Was there ever a

0:15:13.400 --> 0:15:15.200
<v Speaker 3>time where they try to change that? Like now I'm

0:15:15.200 --> 0:15:17.120
<v Speaker 3>talking about not the group I'm talking about who signed

0:15:17.120 --> 0:15:19.560
<v Speaker 3>with BMG and all these other like.

0:15:19.840 --> 0:15:21.920
<v Speaker 6>If they did, I would tell them to go fuck them, right,

0:15:22.040 --> 0:15:25.240
<v Speaker 6>because I never considered myself an A and R guy.

0:15:25.240 --> 0:15:27.040
<v Speaker 6>To this day, I don't consider myself an R G.

0:15:27.160 --> 0:15:32.440
<v Speaker 6>I consider myself a marketing and a promotion guy. Right,

0:15:32.720 --> 0:15:35.000
<v Speaker 6>So you know I own the name Street Team, right,

0:15:35.120 --> 0:15:36.800
<v Speaker 6>and that's all fire.

0:15:37.560 --> 0:15:38.240
<v Speaker 8>I knew how to do.

0:15:38.400 --> 0:15:40.760
<v Speaker 6>Like you know, when I left from Loud to start

0:15:40.800 --> 0:15:43.680
<v Speaker 6>SRC Records, you know, I thought I was gonna build

0:15:43.760 --> 0:15:49.960
<v Speaker 6>Loud Point too, right, but Universal didn't understand Street Records, right,

0:15:50.280 --> 0:15:53.120
<v Speaker 6>you know. And God blessed me with a kon, God

0:15:53.160 --> 0:15:55.680
<v Speaker 6>blessed me with David Banner right with that, you know,

0:15:55.720 --> 0:15:58.840
<v Speaker 6>and then it was like I found something. We just

0:15:58.920 --> 0:16:00.640
<v Speaker 6>moved and I just found some thing where you know,

0:16:00.720 --> 0:16:03.680
<v Speaker 6>Akon had the number one and number two pop record

0:16:03.800 --> 0:16:07.360
<v Speaker 6>in the country at the same time. And who was

0:16:07.400 --> 0:16:09.840
<v Speaker 6>it clapped at? It was smacked that, sack that and

0:16:09.880 --> 0:16:10.880
<v Speaker 6>I want to fuck you.

0:16:10.760 --> 0:16:13.000
<v Speaker 1>And I want to fuck to every Voga records.

0:16:14.120 --> 0:16:15.800
<v Speaker 6>One was with them and then you know the other

0:16:15.840 --> 0:16:20.160
<v Speaker 6>one was with Snoop right and like, and the universe

0:16:20.280 --> 0:16:22.040
<v Speaker 6>was saying, you got to move one of the records

0:16:22.160 --> 0:16:23.680
<v Speaker 6>and I was like, you laughed in my face and

0:16:23.880 --> 0:16:25.200
<v Speaker 6>I said, this will be the biggest shot outs in

0:16:25.240 --> 0:16:25.600
<v Speaker 6>my career.

0:16:25.600 --> 0:16:27.200
<v Speaker 8>I was like, nah, you guys are gonna lose your

0:16:27.200 --> 0:16:28.000
<v Speaker 8>bonus on this one.

0:16:28.760 --> 0:16:30.720
<v Speaker 1>Do you think Akon created afrobeats?

0:16:31.880 --> 0:16:34.400
<v Speaker 6>I don't know if you created afrobeats, but he has

0:16:34.440 --> 0:16:36.400
<v Speaker 6>a big he has a big saying.

0:16:36.720 --> 0:16:39.240
<v Speaker 1>You know, he was promoting going to Africa first.

0:16:39.840 --> 0:16:40.840
<v Speaker 8>I mean, he's from Africa.

0:16:41.920 --> 0:16:45.960
<v Speaker 3>I'm walking around, joking around, joking around. What's what's your

0:16:45.960 --> 0:16:47.000
<v Speaker 3>favorite era of music?

0:16:47.920 --> 0:16:49.040
<v Speaker 8>Nineties nineties?

0:16:49.320 --> 0:16:53.240
<v Speaker 3>You remember early nineties or late nineties, middle nineties or

0:16:53.280 --> 0:16:54.280
<v Speaker 3>just in the nineties period.

0:16:54.280 --> 0:16:56.520
<v Speaker 7>I'm going to say, like from ninety two to you know.

0:16:56.560 --> 0:17:00.080
<v Speaker 1>Okay, ninety two, Okay, that's where who dropped.

0:16:59.800 --> 0:17:02.600
<v Speaker 6>Right, Well, who dropped ninety three? When the Digital Underground drop.

0:17:03.080 --> 0:17:06.160
<v Speaker 6>That's late eighties, late eighties, eighty ninety nine, ninety.

0:17:05.920 --> 0:17:12.960
<v Speaker 1>Yeah, okay, what is that? That's when did you do underground?

0:17:14.880 --> 0:17:17.680
<v Speaker 7>And so when you're starting your label and you're saying

0:17:17.720 --> 0:17:20.240
<v Speaker 7>you to go back because it's a big deal, you

0:17:20.240 --> 0:17:21.800
<v Speaker 7>said you trademark Street Team.

0:17:22.080 --> 0:17:25.439
<v Speaker 6>Yeah, I trade trade. I trademark Street Team after the label.

0:17:25.560 --> 0:17:27.520
<v Speaker 6>But yeah, I didn't even want a label.

0:17:27.680 --> 0:17:27.920
<v Speaker 8>Man.

0:17:28.040 --> 0:17:32.840
<v Speaker 6>I was like, I was, you know, my late twenties.

0:17:33.040 --> 0:17:36.280
<v Speaker 6>I was making six figures, you know, and I thought

0:17:36.320 --> 0:17:40.400
<v Speaker 6>I was rich. You know, I was cool. I would

0:17:40.840 --> 0:17:42.680
<v Speaker 6>leave the office every day. I mean, if you were,

0:17:42.720 --> 0:17:45.320
<v Speaker 6>but you know, at that time, for sure, I was

0:17:45.400 --> 0:17:47.560
<v Speaker 6>leaving the office every day at three o'clock, go to

0:17:47.600 --> 0:17:49.359
<v Speaker 6>the park, play ballf for two hours, come back to

0:17:49.359 --> 0:17:53.359
<v Speaker 6>your office, do my reports. And and somebody said you

0:17:53.400 --> 0:17:55.080
<v Speaker 6>got to have a label. I was like, nah, I'm cool.

0:17:55.560 --> 0:17:57.800
<v Speaker 6>And they ended up calling my father.

0:17:59.040 --> 0:17:59.879
<v Speaker 8>So I'm in this.

0:18:00.400 --> 0:18:06.200
<v Speaker 6>I'm staying at the hotel on fifty fourth Street, and

0:18:06.240 --> 0:18:11.159
<v Speaker 6>he said I need to talk to you, and no,

0:18:11.280 --> 0:18:12.720
<v Speaker 6>actually I was just saying at I was staying at

0:18:12.760 --> 0:18:17.280
<v Speaker 6>my partner at rich Isacson's apartment, yeah. He goes, I

0:18:17.280 --> 0:18:19.480
<v Speaker 6>need to talk to you. And I'm like, all right,

0:18:20.200 --> 0:18:21.480
<v Speaker 6>I'll have a bunch of you tomorrow. He goes, no,

0:18:21.600 --> 0:18:22.200
<v Speaker 6>come to the house.

0:18:22.200 --> 0:18:22.360
<v Speaker 10>Now.

0:18:22.400 --> 0:18:24.440
<v Speaker 6>My dad lived in Long Island, which was forty five minutes.

0:18:24.480 --> 0:18:26.640
<v Speaker 6>I'm like, Dad at ten o'clock, he goes, I don't

0:18:26.640 --> 0:18:27.639
<v Speaker 6>give a fucket over here.

0:18:27.680 --> 0:18:31.800
<v Speaker 7>Now he put out the first hip hop record.

0:18:33.000 --> 0:18:38.000
<v Speaker 6>Yes, and you know when he when my dad talks

0:18:38.040 --> 0:18:41.600
<v Speaker 6>like that, I really you know, it's not smart to

0:18:41.600 --> 0:18:46.560
<v Speaker 6>say no to anybody. So I take the Long hon

0:18:46.600 --> 0:18:51.000
<v Speaker 6>rail row take the train, and he said, Paul Marshall

0:18:51.040 --> 0:18:54.359
<v Speaker 6>called me. I'm like okay, and he goes, you turned

0:18:54.359 --> 0:18:59.280
<v Speaker 6>down a label. I'm like yeah, he goes, you're a

0:18:59.320 --> 0:19:03.399
<v Speaker 6>fucking idiot. He goes, you know why. I was like,

0:19:04.359 --> 0:19:06.879
<v Speaker 6>you know, it's not the first time you've called me

0:19:06.920 --> 0:19:12.000
<v Speaker 6>an idiot, and just like why, dad, He goes. With

0:19:12.080 --> 0:19:14.520
<v Speaker 6>the company that you have, now, you're doing extremely well,

0:19:15.119 --> 0:19:19.080
<v Speaker 6>but you're only as good as your last contract. M

0:19:19.800 --> 0:19:22.360
<v Speaker 6>you want a brothers, you can get fired and then

0:19:22.359 --> 0:19:26.480
<v Speaker 6>you're left with your dick in your hand. With this

0:19:26.800 --> 0:19:30.040
<v Speaker 6>having a record company, you own something, you're making money

0:19:30.040 --> 0:19:35.480
<v Speaker 6>while you're sleeping right right, And I couldn't disagree with

0:19:35.560 --> 0:19:38.159
<v Speaker 6>him on that.

0:19:41.800 --> 0:19:44.480
<v Speaker 7>But before you get into that part, what I wanted

0:19:44.480 --> 0:19:45.960
<v Speaker 7>to find out is how did you get into the

0:19:46.000 --> 0:19:48.120
<v Speaker 7>street team and marketing side and things like what drove

0:19:48.160 --> 0:19:48.480
<v Speaker 7>you there?

0:19:49.160 --> 0:19:54.320
<v Speaker 6>So I was major lea dyslexic as a kid. I

0:19:54.359 --> 0:19:55.520
<v Speaker 6>don't know how to read it right till I was

0:19:55.520 --> 0:19:59.920
<v Speaker 6>fourteen fifteen years old, Wow, And I was in Jeuviie

0:20:00.400 --> 0:20:03.879
<v Speaker 6>and just I was getting in a lot of trouble

0:20:04.400 --> 0:20:07.840
<v Speaker 6>and my grandfather was living down here. And my grandfather

0:20:09.359 --> 0:20:11.600
<v Speaker 6>was a I don't know what he was, but he

0:20:11.720 --> 0:20:16.840
<v Speaker 6>was a tough motherfucker right. And he called me and

0:20:16.880 --> 0:20:18.600
<v Speaker 6>he says, you got to change I was eighteen, nineteen

0:20:18.640 --> 0:20:20.680
<v Speaker 6>years old. He says, you got to change your life.

0:20:20.680 --> 0:20:22.000
<v Speaker 6>I'm like, what do you mean. He goes, I want

0:20:22.000 --> 0:20:24.760
<v Speaker 6>to be like you. He goes, this is why I'm

0:20:24.800 --> 0:20:26.679
<v Speaker 6>living down here now, don't I don't want to be

0:20:26.720 --> 0:20:29.320
<v Speaker 6>that what I was. He goes, you could end up

0:20:29.359 --> 0:20:34.000
<v Speaker 6>dead or in jail. And he goes going to the

0:20:34.080 --> 0:20:36.359
<v Speaker 6>music business. I said, my father wants nothing to do

0:20:36.400 --> 0:20:39.240
<v Speaker 6>with me. He goes, I'll take care of that. And

0:20:39.920 --> 0:20:41.600
<v Speaker 6>two weeks later he calls me. He goes, pick me

0:20:41.720 --> 0:20:44.640
<v Speaker 6>up Eastern Airlines at JFK.

0:20:47.520 --> 0:20:49.240
<v Speaker 1>Your father's signed James.

0:20:50.400 --> 0:20:52.000
<v Speaker 8>Yeah, my dad's timed James Brownton.

0:20:56.200 --> 0:21:00.440
<v Speaker 6>And we went into the city and we sat down

0:21:00.440 --> 0:21:03.680
<v Speaker 6>with my father and uncle and they said, we're gonna

0:21:03.680 --> 0:21:07.120
<v Speaker 6>put you on the road, so you'll you'll fly back

0:21:07.119 --> 0:21:10.040
<v Speaker 6>to Florida with Grandpa and then from there and they

0:21:10.040 --> 0:21:16.800
<v Speaker 6>gave me around. You know, I drove from Fort Lauderdale

0:21:17.000 --> 0:21:21.119
<v Speaker 6>to make in Georgia, then to Atlanta, Alabama. Don't get

0:21:21.160 --> 0:21:24.199
<v Speaker 6>there's no GPS, no matter, right, I'm just learning how

0:21:24.200 --> 0:21:26.840
<v Speaker 6>to read like so remember, you know, so it's like

0:21:27.600 --> 0:21:32.040
<v Speaker 6>I would call the stations. So if I'm making Georgia,

0:21:32.040 --> 0:21:33.800
<v Speaker 6>I would call the station in Atlanta say how do

0:21:33.840 --> 0:21:35.840
<v Speaker 6>I and literally write directions?

0:21:35.880 --> 0:21:38.080
<v Speaker 1>Then, right, I.

0:21:38.040 --> 0:21:39.439
<v Speaker 8>Didn't I didn't even know. I didn't even know how

0:21:39.440 --> 0:21:40.000
<v Speaker 8>to read the map.

0:21:40.240 --> 0:21:44.520
<v Speaker 6>I mean, I was so but I'm eighteen years old

0:21:44.560 --> 0:21:46.560
<v Speaker 6>hanging out with forty fifty year olds, and I was like,

0:21:47.200 --> 0:21:48.360
<v Speaker 6>let me go to the colleges.

0:21:48.480 --> 0:21:49.720
<v Speaker 7>Right, what are we going to talk. We're going to

0:21:49.760 --> 0:21:52.040
<v Speaker 7>talk music, We're to talk sports, we're gonna talk girls.

0:21:52.240 --> 0:21:52.640
<v Speaker 1>All right.

0:21:52.800 --> 0:21:55.240
<v Speaker 8>That was never really about money, right, So.

0:21:57.320 --> 0:22:00.679
<v Speaker 6>That was only supposed to be three months and it

0:22:00.840 --> 0:22:03.480
<v Speaker 6>lasted three and a half years.

0:22:04.760 --> 0:22:06.400
<v Speaker 8>So when I was.

0:22:06.400 --> 0:22:10.240
<v Speaker 6>Done, I actually got really good at it, and I

0:22:10.320 --> 0:22:14.040
<v Speaker 6>just kept in touch with a lot of the college DJs.

0:22:14.800 --> 0:22:20.000
<v Speaker 7>And when I moved out to LA, I was managing.

0:22:20.040 --> 0:22:22.119
<v Speaker 6>I moved out to LA to start managing New Addition

0:22:22.320 --> 0:22:26.439
<v Speaker 6>and then after that ran its course, I needed to

0:22:26.480 --> 0:22:28.560
<v Speaker 6>do something, so I started calling the record labels.

0:22:28.880 --> 0:22:31.280
<v Speaker 1>I said, hey, I'll help promote your hip hop records.

0:22:31.800 --> 0:22:33.399
<v Speaker 7>And that's when I put the whole TLD to.

0:22:33.440 --> 0:22:36.840
<v Speaker 3>Hip hop record help promote, Oh promote, Okay, okay, but

0:22:36.960 --> 0:22:38.240
<v Speaker 3>you went to manage New Addition.

0:22:38.720 --> 0:22:41.120
<v Speaker 1>Yeah, al must pushed as you get at that time.

0:22:42.560 --> 0:22:45.560
<v Speaker 1>So this is a great story.

0:22:45.760 --> 0:22:46.480
<v Speaker 8>Did a good story.

0:22:47.160 --> 0:22:52.919
<v Speaker 6>So we're in Saint Thomas, h they're performing at Hal Jackson.

0:22:52.960 --> 0:22:56.960
<v Speaker 6>Remember how Jackson from wbls OOP. I'm sorry, not that old,

0:22:56.960 --> 0:23:00.119
<v Speaker 6>all right, So how jack he was the one of

0:23:00.119 --> 0:23:04.199
<v Speaker 6>the owners of blis Hal Jackson's Talented Team contest. And

0:23:05.160 --> 0:23:08.440
<v Speaker 6>we're flying back from St. Thomas to LA and they're

0:23:08.480 --> 0:23:13.040
<v Speaker 6>talking about how many they went through. I thought they

0:23:13.040 --> 0:23:14.160
<v Speaker 6>were talking about for the weekends.

0:23:14.240 --> 0:23:15.840
<v Speaker 1>Oh yeah, okay.

0:23:15.680 --> 0:23:19.720
<v Speaker 6>They're talking about per day day right. So when it

0:23:19.800 --> 0:23:22.680
<v Speaker 6>came up to mind, I thought I did good, right,

0:23:23.200 --> 0:23:25.080
<v Speaker 6>They said, you were doing that per day and I

0:23:25.119 --> 0:23:27.120
<v Speaker 6>was like, no, I did that for the weekend. They said,

0:23:27.119 --> 0:23:29.040
<v Speaker 6>now we're talking about per day.

0:23:32.240 --> 0:23:37.000
<v Speaker 3>I gotta smell the ass. And because for urs of

0:23:37.200 --> 0:23:40.480
<v Speaker 3>R and B different there are different times too.

0:23:40.480 --> 0:23:42.320
<v Speaker 1>But there was a different times where they had to

0:23:42.359 --> 0:23:42.919
<v Speaker 1>come see you.

0:23:42.960 --> 0:23:47.560
<v Speaker 3>There was no Instagram, there was the count in fantasize.

0:23:47.880 --> 0:23:49.240
<v Speaker 7>They had to go and see you. It was a

0:23:49.240 --> 0:23:52.040
<v Speaker 7>little different things, but.

0:23:52.000 --> 0:23:55.159
<v Speaker 6>That was that was after the new edition was new

0:23:55.200 --> 0:23:59.639
<v Speaker 6>audition was like eighty six.

0:23:58.200 --> 0:24:01.240
<v Speaker 1>How many people in his room? Mighty took your mom's down.

0:24:01.280 --> 0:24:05.080
<v Speaker 6>This is fact, but but but this was a great

0:24:05.119 --> 0:24:08.400
<v Speaker 6>thing with new addition. The reason why I let Wu

0:24:08.480 --> 0:24:12.960
<v Speaker 6>Tang do all their solo records because to.

0:24:12.920 --> 0:24:16.400
<v Speaker 7>Me, the group was always bigger, bigger than the whole.

0:24:17.040 --> 0:24:20.600
<v Speaker 6>So when Ralph wanted to do a solo record, that's

0:24:20.600 --> 0:24:24.800
<v Speaker 6>why we put Johnny in the group and everything else. Ralph, Treasurent,

0:24:25.760 --> 0:24:27.679
<v Speaker 6>we all said, the group will still be bigger than

0:24:27.960 --> 0:24:28.439
<v Speaker 6>the solo.

0:24:29.119 --> 0:24:32.480
<v Speaker 1>So that's how I lay until Bobby Brown started. That

0:24:32.520 --> 0:24:33.720
<v Speaker 1>makes a lot of sense to.

0:24:35.680 --> 0:24:39.520
<v Speaker 6>Bobby sold more records, but touring Michael sold more records

0:24:39.560 --> 0:24:41.720
<v Speaker 6>than the Jackson five. But Michael could have toil the

0:24:41.760 --> 0:24:43.920
<v Speaker 6>way that right when Michael went back with the Jackson

0:24:43.960 --> 0:24:45.960
<v Speaker 6>five for that victory tour that you know, and that

0:24:46.080 --> 0:24:47.919
<v Speaker 6>day that was that was the biggest tour in the

0:24:47.920 --> 0:24:48.800
<v Speaker 6>world ever.

0:24:50.480 --> 0:24:52.840
<v Speaker 7>Now, but this is crazy because it makes sense how

0:24:52.880 --> 0:24:55.880
<v Speaker 7>you would have had that foresight to make that type

0:24:55.880 --> 0:24:58.439
<v Speaker 7>of deal with Wu Tang because based on that what

0:24:58.480 --> 0:25:00.720
<v Speaker 7>you went through with new addition total sense.

0:25:00.760 --> 0:25:03.880
<v Speaker 3>But at that time, uh, because I believe Wu Tang

0:25:04.000 --> 0:25:06.399
<v Speaker 3>was on Loud, but you actually let Math go to

0:25:06.440 --> 0:25:06.920
<v Speaker 3>Depth Jam.

0:25:07.080 --> 0:25:08.520
<v Speaker 1>You had to give per mission for that or that

0:25:08.600 --> 0:25:10.560
<v Speaker 1>was that's what he's saying. He got that. That's where

0:25:10.560 --> 0:25:11.000
<v Speaker 1>I got.

0:25:11.359 --> 0:25:12.280
<v Speaker 8>Because a new edition.

0:25:12.680 --> 0:25:16.120
<v Speaker 6>So when I signed and they gave me, I wasn't

0:25:16.119 --> 0:25:17.880
<v Speaker 6>gonna say no no matter what, because it was about

0:25:17.880 --> 0:25:21.840
<v Speaker 6>survival of the fitish right, So I was like, go ahead,

0:25:21.840 --> 0:25:23.480
<v Speaker 6>if we can match it. I didn't have the money

0:25:23.480 --> 0:25:27.320
<v Speaker 6>to match it, and it wasn't even crazy money match

0:25:27.960 --> 0:25:28.760
<v Speaker 6>match Steph.

0:25:28.520 --> 0:25:29.719
<v Speaker 7>Jams the oar.

0:25:29.800 --> 0:25:30.200
<v Speaker 1>Yeah.

0:25:30.000 --> 0:25:33.320
<v Speaker 6>Yeah, but then you had Genius some believe was one

0:25:34.119 --> 0:25:38.040
<v Speaker 6>Geffen Dirty was on Electra and and we ended up

0:25:38.080 --> 0:25:39.280
<v Speaker 6>having Right and Deck.

0:25:39.800 --> 0:25:42.479
<v Speaker 7>So when they already had those deals before, no, no, no,

0:25:42.520 --> 0:25:46.719
<v Speaker 7>that was after Jesse had math had dirty?

0:25:46.960 --> 0:25:49.760
<v Speaker 6>Was that Electra Then when protection Neck and the teacher

0:25:49.800 --> 0:25:51.720
<v Speaker 6>d Man came, def Jam came and got mad.

0:25:51.760 --> 0:25:55.159
<v Speaker 3>Right, Okay, Now did Leo had to actually have a

0:25:55.200 --> 0:25:59.639
<v Speaker 3>mission for that or well under yes, But but it

0:25:59.680 --> 0:26:01.720
<v Speaker 3>was really that said, you know, this is what we.

0:26:01.680 --> 0:26:03.520
<v Speaker 7>Wanted because that's how you did the deal that it

0:26:03.560 --> 0:26:04.520
<v Speaker 7>would allow those things.

0:26:04.560 --> 0:26:06.720
<v Speaker 3>But but what was the agreement as long as Wu

0:26:06.760 --> 0:26:08.959
<v Speaker 3>Tank get back together, that you'll.

0:26:08.480 --> 0:26:11.440
<v Speaker 1>Be with that. That's fucking genius.

0:26:11.720 --> 0:26:14.760
<v Speaker 3>It sounds so simple nowadays because we've seen so many

0:26:14.840 --> 0:26:17.080
<v Speaker 3>examples of it, but prior to that we have noticeas

0:26:17.119 --> 0:26:18.800
<v Speaker 3>on examples of it. And I never even put two

0:26:18.840 --> 0:26:20.479
<v Speaker 3>and two together with the new additions, right, and we

0:26:20.520 --> 0:26:21.280
<v Speaker 3>take into just.

0:26:21.240 --> 0:26:23.000
<v Speaker 7>Now we could take for granted the fact that had

0:26:23.040 --> 0:26:25.880
<v Speaker 7>you not experienced what you a new addition, you might

0:26:25.880 --> 0:26:27.639
<v Speaker 7>not have done that type of deal. We might not

0:26:27.680 --> 0:26:29.000
<v Speaker 7>have had the Wu tang on the way we have

0:26:29.040 --> 0:26:29.440
<v Speaker 7>them today.

0:26:30.880 --> 0:26:31.439
<v Speaker 1>That's amazing.

0:26:31.560 --> 0:26:34.240
<v Speaker 7>And shut out the new addition though for being a

0:26:34.320 --> 0:26:36.480
<v Speaker 7>part and shout out to Hiram Hicks too.

0:26:37.000 --> 0:26:39.919
<v Speaker 3>It's genius because in a certain way, when you have

0:26:40.080 --> 0:26:42.960
<v Speaker 3>artists that's making these albums where all the artists is

0:26:43.040 --> 0:26:45.320
<v Speaker 3>on the group. It's like they're actually helping these other

0:26:45.440 --> 0:26:48.080
<v Speaker 3>labels to help them promote not only the group, but

0:26:48.280 --> 0:26:50.040
<v Speaker 3>other artists like you know what I mean, Like like

0:26:50.080 --> 0:26:56.399
<v Speaker 3>for instance, ghost Face album, I remember him, I remember him?

0:26:56.840 --> 0:26:58.280
<v Speaker 1>What is the Supreme Client Cells is.

0:26:58.280 --> 0:27:00.720
<v Speaker 3>The other one where Ray Raycorn is right there. So

0:27:00.760 --> 0:27:03.080
<v Speaker 3>it's like, you know it is in your best interest as.

0:27:03.119 --> 0:27:04.800
<v Speaker 6>Yeah, the bigger they are the bigger, right And no,

0:27:04.920 --> 0:27:08.760
<v Speaker 6>forget they would pay us, not Rizzo, but Sony would

0:27:08.760 --> 0:27:11.560
<v Speaker 6>pay us, Elector would pays, would pay us for the

0:27:11.600 --> 0:27:14.120
<v Speaker 6>clear samples of the artists to market the record.

0:27:14.720 --> 0:27:17.120
<v Speaker 1>What the fuck did they about they're playing?

0:27:17.880 --> 0:27:20.880
<v Speaker 7>Yeah, I had expertise and I had the blue plane.

0:27:21.119 --> 0:27:23.200
<v Speaker 3>Yeah you know how to promote him? You already sold

0:27:23.880 --> 0:27:25.359
<v Speaker 3>millions of records with them as the.

0:27:25.359 --> 0:27:28.040
<v Speaker 7>Crew, and the branding ultimately helps the group because they're

0:27:28.040 --> 0:27:29.440
<v Speaker 7>all screaming Wutan at the end of the day and

0:27:29.560 --> 0:27:31.160
<v Speaker 7>exactly Wu Tang is on left.

0:27:31.800 --> 0:27:34.640
<v Speaker 3>Did you ever did you ever see streaming? Like did

0:27:34.640 --> 0:27:35.440
<v Speaker 3>you see this coming?

0:27:35.920 --> 0:27:36.000
<v Speaker 1>So?

0:27:36.280 --> 0:27:39.000
<v Speaker 6>Man, let me right before I got the Florida Okay,

0:27:39.160 --> 0:27:41.960
<v Speaker 6>you know in twenty thirteen, I had my heart attack, right,

0:27:42.200 --> 0:27:47.919
<v Speaker 6>and I stopped working from twenty thirteen to today. My

0:27:48.040 --> 0:27:52.639
<v Speaker 6>Catalog has done twenty three billion streams.

0:27:55.520 --> 0:27:58.480
<v Speaker 1>I called my lawyer. Yeah, on my way, here.

0:28:00.119 --> 0:28:03.399
<v Speaker 6>Me some fucking money, right, Because the truth is I

0:28:03.400 --> 0:28:06.080
<v Speaker 6>sold the company and I think it generated.

0:28:06.800 --> 0:28:07.680
<v Speaker 1>I don't really know.

0:28:07.680 --> 0:28:10.000
<v Speaker 6>The math, but my son said it was like one

0:28:10.080 --> 0:28:13.800
<v Speaker 6>hundred and forty million dollars and this is Catalog, right.

0:28:13.880 --> 0:28:16.760
<v Speaker 6>I'm like, you sold the catalog I sold. I got sick.

0:28:16.800 --> 0:28:19.080
<v Speaker 6>I didn't think I was going to lift, so I sold.

0:28:22.640 --> 0:28:26.000
<v Speaker 6>I think Akon's like fourteen billion at them out of it, right,

0:28:26.080 --> 0:28:26.960
<v Speaker 6>But I am sorry.

0:28:27.000 --> 0:28:28.880
<v Speaker 8>Right, And then you have Joe with lean back.

0:28:30.000 --> 0:28:34.800
<v Speaker 6>That's I think two right, And I was like, somebody

0:28:34.840 --> 0:28:36.600
<v Speaker 6>should throw me something right.

0:28:36.880 --> 0:28:39.320
<v Speaker 1>Very true. I agree with you. Who would it be?

0:28:39.560 --> 0:28:40.240
<v Speaker 8>The universal?

0:28:40.320 --> 0:28:40.760
<v Speaker 1>Universal?

0:28:41.080 --> 0:28:44.760
<v Speaker 3>Universal motherfuckers, get your life together, make sure you break Steve.

0:28:48.040 --> 0:28:49.760
<v Speaker 1>But that's Jamie. I got another one, Jamie.

0:28:51.000 --> 0:28:57.160
<v Speaker 3>Yeah, Well, I wanted to pick quick Thomas line, but

0:28:57.160 --> 0:28:59.360
<v Speaker 3>I guess we got to wait for if you could.

0:28:59.200 --> 0:29:05.640
<v Speaker 1>Do it twice. If so, Cassidy, Casside will be here soon,

0:29:05.880 --> 0:29:08.920
<v Speaker 1>explain explain this relationship. So we wait for him. No,

0:29:09.400 --> 0:29:11.560
<v Speaker 1>he let me say it first, and then.

0:29:15.120 --> 0:29:16.480
<v Speaker 7>I haven't called.

0:29:18.440 --> 0:29:18.600
<v Speaker 1>Bro.

0:29:19.120 --> 0:29:22.880
<v Speaker 6>So Cassie's like a son to me right. I gave

0:29:22.920 --> 0:29:25.040
<v Speaker 6>him his first record deal with O Neil McKnight. But

0:29:25.560 --> 0:29:30.240
<v Speaker 6>when I had sr C, we threw probably the best

0:29:30.240 --> 0:29:33.320
<v Speaker 6>party in the history of parties two thousand and seven

0:29:33.520 --> 0:29:36.760
<v Speaker 6>at my house. Right after the beat et or so

0:29:37.080 --> 0:29:41.120
<v Speaker 6>during COVID he calls me. He goes, I need you

0:29:41.200 --> 0:29:45.480
<v Speaker 6>to see something immediately, and like please, it's gonna take

0:29:45.520 --> 0:29:49.720
<v Speaker 6>thirty minutes. So he sent him talking to me and

0:29:49.760 --> 0:29:52.880
<v Speaker 6>he sends me this video of a show called Pastor Mic.

0:29:54.360 --> 0:29:57.640
<v Speaker 6>So I watch it and I said, this is going

0:29:57.720 --> 0:30:00.000
<v Speaker 6>to change your life. This is going to change my life.

0:30:00.840 --> 0:30:02.640
<v Speaker 6>I'm gonna make a deal for you on tv.

0:30:04.480 --> 0:30:04.520
<v Speaker 2>M.

0:30:05.040 --> 0:30:09.200
<v Speaker 6>And we made a deal with b ET and then

0:30:10.280 --> 0:30:13.600
<v Speaker 6>we discussed. I got a call that somebody said that

0:30:13.680 --> 0:30:14.720
<v Speaker 6>they want to make this a tour.

0:30:15.520 --> 0:30:16.000
<v Speaker 1>Oh wow.

0:30:16.880 --> 0:30:22.040
<v Speaker 6>So Shelby Joyner, who has Black Promoters Coalition called. We

0:30:22.040 --> 0:30:26.120
<v Speaker 6>did a deal with Shelby for like eight nine cities

0:30:27.200 --> 0:30:31.840
<v Speaker 6>and and did extremely, extremely well.

0:30:32.440 --> 0:30:36.760
<v Speaker 8>And now we have this residency in Vegas with Live Nation.

0:30:36.880 --> 0:30:39.360
<v Speaker 1>And now who who is we know?

0:30:39.680 --> 0:30:44.360
<v Speaker 6>Uh By Joe and Dougie Fresh, doug Dougy Fresh, sick

0:30:44.480 --> 0:30:47.480
<v Speaker 6>Rick and then we have Ray and Goals coming one

0:30:47.560 --> 0:30:52.040
<v Speaker 6>night public Enemy Coming, one Night, Akon Coming for a weekend,

0:30:52.600 --> 0:30:56.280
<v Speaker 6>Jermaine and the Bratt one night, laurrange In Too Short,

0:30:56.480 --> 0:30:59.600
<v Speaker 6>one night. That's gonna be for the month of July

0:30:59.800 --> 0:31:02.680
<v Speaker 6>and Vegas. Yeah, we're gonna start off just one month.

0:31:03.920 --> 0:31:08.200
<v Speaker 1>Do you think, what do you Is residency something that's good?

0:31:09.640 --> 0:31:10.120
<v Speaker 8>I think so.

0:31:10.360 --> 0:31:14.600
<v Speaker 7>I mean, look how it restarted Ush's career. Yeah, and

0:31:14.640 --> 0:31:18.640
<v Speaker 7>it's it seems like, I mean, depending on the caliber

0:31:18.640 --> 0:31:21.160
<v Speaker 7>of artists. But the money that, at least in Vegas

0:31:21.520 --> 0:31:23.440
<v Speaker 7>they're giving up for these residencies is crazy.

0:31:23.680 --> 0:31:25.240
<v Speaker 6>That's why we need that. That's why we need to

0:31:25.280 --> 0:31:27.720
<v Speaker 6>do this residency with you guys. You'll make more money

0:31:27.720 --> 0:31:28.920
<v Speaker 6>than you'll love them make in your life.

0:31:28.960 --> 0:31:30.920
<v Speaker 3>You didn't have a residency, But I don't know if

0:31:30.920 --> 0:31:33.800
<v Speaker 3>you remember after all your Becando hit number one, I

0:31:33.880 --> 0:31:36.720
<v Speaker 3>got highed for the like all the Wednesdays of one month,

0:31:37.040 --> 0:31:40.000
<v Speaker 3>you don't remember, Like I kept going out just one place,

0:31:40.040 --> 0:31:43.760
<v Speaker 3>same exact place, did the same exact show. Can't Coo

0:31:43.800 --> 0:31:45.800
<v Speaker 3>in Mexico? Yes, yes, So, I don't know if that

0:31:45.840 --> 0:31:46.440
<v Speaker 3>was considered.

0:31:46.440 --> 0:31:49.840
<v Speaker 7>The rest of that was because these deals in Vegas

0:31:49.880 --> 0:31:50.760
<v Speaker 7>are totally.

0:31:50.600 --> 0:31:53.360
<v Speaker 8>Yeah, so Vegas again, like if you have merged, right,

0:31:53.400 --> 0:31:53.920
<v Speaker 8>And why.

0:31:53.800 --> 0:31:56.320
<v Speaker 1>Is residency so so popular in Vegas?

0:31:56.400 --> 0:31:59.040
<v Speaker 6>Because everybody's in Vegas for the weekend for in those hotels.

0:31:59.080 --> 0:32:00.520
<v Speaker 7>They need to attract the people to get him in

0:32:00.560 --> 0:32:05.440
<v Speaker 7>the casino, and this is what's attracting them. Show no, No,

0:32:05.560 --> 0:32:10.720
<v Speaker 7>it could be weekly, it could be relaxed, buddy, one

0:32:10.760 --> 0:32:11.960
<v Speaker 7>time to make a republic.

0:32:12.040 --> 0:32:14.920
<v Speaker 2>Yeah, you can do it.

0:32:14.960 --> 0:32:16.120
<v Speaker 1>You can do it. We can do it.

0:32:17.000 --> 0:32:19.760
<v Speaker 7>There's people that do it every day.

0:32:21.360 --> 0:32:22.760
<v Speaker 8>All right, Cassidy, ten minutes out?

0:32:22.880 --> 0:32:27.600
<v Speaker 7>Okay, your your your residency once a year.

0:32:30.240 --> 0:32:39.440
<v Speaker 3>You got like because I remember like the residency when

0:32:39.440 --> 0:32:41.040
<v Speaker 3>I first heard of something like that, it was like

0:32:41.040 --> 0:32:42.080
<v Speaker 3>the rat pack type of thing.

0:32:42.120 --> 0:32:44.640
<v Speaker 7>It was like, that's that's the original residenced.

0:32:44.760 --> 0:32:46.200
<v Speaker 1>Okay, I'm my bugget no, that's.

0:32:46.040 --> 0:32:49.040
<v Speaker 6>The originally that was Frank Sammy at the beginning of

0:32:49.440 --> 0:32:55.160
<v Speaker 6>Jean Lewis, Sammy, Well you said Sammy, Frank, Dean Lewis,

0:32:56.200 --> 0:33:00.240
<v Speaker 6>Jerry Lewis, and then then there's you know some you know,

0:33:00.240 --> 0:33:01.240
<v Speaker 6>they had their own beefs.

0:33:01.400 --> 0:33:03.920
<v Speaker 3>So so I also remember you had something to do

0:33:03.960 --> 0:33:05.080
<v Speaker 3>with Mary's residency.

0:33:05.440 --> 0:33:07.719
<v Speaker 1>Was that the truth or would you would manage her

0:33:07.760 --> 0:33:08.160
<v Speaker 1>at the time?

0:33:08.480 --> 0:33:11.920
<v Speaker 8>Yeah, it was a it was a quick stint. What

0:33:12.280 --> 0:33:12.880
<v Speaker 8>it was quick?

0:33:12.960 --> 0:33:13.120
<v Speaker 6>You know?

0:33:14.920 --> 0:33:17.280
<v Speaker 8>Yeah, they wanted her to replace Usher.

0:33:18.480 --> 0:33:20.840
<v Speaker 1>Wow, and she didn't take it, or she did.

0:33:21.360 --> 0:33:23.480
<v Speaker 6>She had to deal with Live Nation to do this tour.

0:33:24.040 --> 0:33:25.600
<v Speaker 6>So she's gonna do the tour first.

0:33:25.720 --> 0:33:28.600
<v Speaker 3>Okay, and you're I heard you say this a couple

0:33:28.640 --> 0:33:31.480
<v Speaker 3>of times. You're down with Live Nation now yeah?

0:33:31.600 --> 0:33:32.360
<v Speaker 1>What what?

0:33:32.080 --> 0:33:32.120
<v Speaker 2>What?

0:33:32.360 --> 0:33:32.840
<v Speaker 1>What?

0:33:32.960 --> 0:33:36.040
<v Speaker 8>I'm round the FID who manages Usher.

0:33:37.440 --> 0:33:40.320
<v Speaker 6>Is probably the biggest management company in Live Nation, and

0:33:41.560 --> 0:33:45.480
<v Speaker 6>he's a good friend. Then he said, come in giving

0:33:45.880 --> 0:33:48.120
<v Speaker 6>you know, an empty whiteboard to do whatever the hell

0:33:48.120 --> 0:33:48.600
<v Speaker 6>you want to do.

0:33:50.000 --> 0:33:52.920
<v Speaker 3>So and so, so what does that mean that you're

0:33:52.960 --> 0:33:55.680
<v Speaker 3>you're more on the concert side. I could do whatever

0:33:55.720 --> 0:33:57.360
<v Speaker 3>I want a lot.

0:33:57.520 --> 0:33:57.760
<v Speaker 1>Yeah.

0:33:57.800 --> 0:34:00.120
<v Speaker 6>So if it's Cassidy, if it's Mary, if it's like

0:34:00.520 --> 0:34:03.280
<v Speaker 6>if we could get the residency with you guys, I'm

0:34:03.280 --> 0:34:03.800
<v Speaker 6>starting out.

0:34:04.320 --> 0:34:06.880
<v Speaker 7>Doesn't mean you have to live there, no, no, no,

0:34:07.600 --> 0:34:08.600
<v Speaker 7>It just means you're gonna be there.

0:34:08.640 --> 0:34:09.000
<v Speaker 1>Consecution.

0:34:15.719 --> 0:34:22.520
<v Speaker 7>It probably originated like those guys used to have penthouses

0:34:22.560 --> 0:34:24.040
<v Speaker 7>in the in the hotels back in the day, So it.

0:34:24.040 --> 0:34:24.920
<v Speaker 1>Probably started with that.

0:34:24.920 --> 0:34:31.200
<v Speaker 7>That's probably where the name probably, I mean, at least

0:34:31.200 --> 0:34:33.200
<v Speaker 7>he's using a word understanding.

0:34:32.640 --> 0:34:34.520
<v Speaker 3>What it means, so I guess I guess that's the

0:34:34.520 --> 0:34:36.440
<v Speaker 3>point that if it is trying to say, is it

0:34:36.440 --> 0:34:38.839
<v Speaker 3>has to be because you don't want to fly back

0:34:38.840 --> 0:34:39.200
<v Speaker 3>and forth.

0:34:39.320 --> 0:34:40.640
<v Speaker 1>You live in New York. You might want to stay

0:34:40.680 --> 0:34:41.279
<v Speaker 1>there the whole month.

0:34:41.400 --> 0:34:43.319
<v Speaker 6>Yeah, you know what I mean, like because now we're

0:34:43.360 --> 0:34:44.799
<v Speaker 6>gonna have a good time. You know, my uncle has

0:34:44.800 --> 0:34:47.600
<v Speaker 6>his restaurant down there, so it's like, what's the name

0:34:47.640 --> 0:34:50.560
<v Speaker 6>of the restaurant picking up Piero's. Piero's sounds good.

0:34:50.680 --> 0:34:53.359
<v Speaker 3>One thing I know about Steve, he knows how to eat,

0:34:53.640 --> 0:34:57.040
<v Speaker 3>so you know, I mean, the best, best, the best.

0:34:59.320 --> 0:35:03.640
<v Speaker 5>You got some good eat with Steve Nobles.

0:35:03.760 --> 0:35:06.160
<v Speaker 1>That's right, that's right. Remember you ain't got to blow

0:35:06.200 --> 0:35:06.920
<v Speaker 1>it up, damn.

0:35:10.000 --> 0:35:14.719
<v Speaker 3>Because other people listening, Sonny, Yeah, oh yeah, Oh that

0:35:14.880 --> 0:35:18.839
<v Speaker 3>wasn't no, that wasn't Noble. That was the original one,

0:35:19.120 --> 0:35:20.960
<v Speaker 3>the first None of us knew how to order.

0:35:20.760 --> 0:35:27.520
<v Speaker 7>That what.

0:35:29.400 --> 0:35:31.840
<v Speaker 3>Little things like I don't know if I don't know

0:35:31.840 --> 0:35:33.600
<v Speaker 3>if it was like this the whole time, but it

0:35:33.680 --> 0:35:36.480
<v Speaker 3>was only raw and we couldn't like, we couldn't like,

0:35:37.120 --> 0:35:38.640
<v Speaker 3>we couldn't defrigerate.

0:35:38.160 --> 0:35:40.480
<v Speaker 6>What what was what was what was good? I mean,

0:35:40.520 --> 0:35:43.319
<v Speaker 6>but we were in Paris. Yes, he was eating at

0:35:43.320 --> 0:35:48.759
<v Speaker 6>the final stress. I was like what me.

0:35:48.760 --> 0:35:50.520
<v Speaker 3>And Sonny was I think we were texting each other

0:35:50.520 --> 0:35:51.320
<v Speaker 3>like which one.

0:35:51.160 --> 0:35:56.839
<v Speaker 1>Is what we could We couldn't. We couldn't get the savon.

0:35:56.640 --> 0:35:59.920
<v Speaker 5>Right, guys, don't worry anything. You guys want I got

0:36:00.120 --> 0:36:06.040
<v Speaker 5>that said, I want to stop something that looked like

0:36:06.160 --> 0:36:07.320
<v Speaker 5>fire fresh from.

0:36:14.880 --> 0:36:17.720
<v Speaker 3>By the way, but by the way, that's that's the crazy.

0:36:17.880 --> 0:36:19.960
<v Speaker 3>That's crazy because that.

0:36:20.080 --> 0:36:23.200
<v Speaker 1>Night walking we walked to see Steve. I don't know

0:36:23.200 --> 0:36:24.080
<v Speaker 1>if you remember.

0:36:24.760 --> 0:36:27.359
<v Speaker 3>Sonny and Diego where where are die Go at? We

0:36:27.400 --> 0:36:30.600
<v Speaker 3>walked to see Steve and we saw NICs right before

0:36:30.640 --> 0:36:32.760
<v Speaker 3>we walked and see it was like a legendary nights

0:36:32.760 --> 0:36:34.680
<v Speaker 3>were like who the point just walks into l A

0:36:35.120 --> 0:36:38.480
<v Speaker 3>and you see fucking nas basketball sitting down there. So

0:36:38.520 --> 0:36:41.480
<v Speaker 3>we're sticking to thee naves. We take a picture and

0:36:41.520 --> 0:36:43.880
<v Speaker 3>then I tell Nas the name of the restaurant. Was

0:36:43.880 --> 0:36:46.480
<v Speaker 3>the name of the restaurant about I came to pronounce it,

0:36:46.640 --> 0:36:50.680
<v Speaker 3>you know my dislexias, and.

0:36:50.640 --> 0:36:52.160
<v Speaker 1>I was like you could get in it.

0:36:52.400 --> 0:36:55.760
<v Speaker 3>And I was like, yeah, Steve, and then like apparently

0:36:56.120 --> 0:36:58.319
<v Speaker 3>come other people called me and I was saying that

0:36:58.320 --> 0:36:59.920
<v Speaker 3>that's where I'm at and it's like you can get

0:37:00.160 --> 0:37:00.879
<v Speaker 3>did you get in there?

0:37:01.120 --> 0:37:02.440
<v Speaker 7>Like no one could get a reservation.

0:37:02.760 --> 0:37:03.640
<v Speaker 1>And that's that.

0:37:03.719 --> 0:37:06.480
<v Speaker 3>From that moment on, I knew Steve was a rest

0:37:06.520 --> 0:37:12.319
<v Speaker 3>of guarda.

0:37:14.320 --> 0:37:15.399
<v Speaker 1>You know, they looked at Steve.

0:37:15.440 --> 0:37:18.799
<v Speaker 3>They was like, you know, I tell you this, and

0:37:18.920 --> 0:37:21.560
<v Speaker 3>you tell me if there's this works works out for you.

0:37:25.360 --> 0:37:27.719
<v Speaker 3>One of my favorite CEOs that I got to work with,

0:37:28.239 --> 0:37:30.840
<v Speaker 3>you know me and you are friends. We never actually

0:37:30.920 --> 0:37:32.719
<v Speaker 3>got to work right, but one of my favorite CEOs

0:37:33.160 --> 0:37:37.600
<v Speaker 3>is Leo Combs, and Leo Comes would show me how

0:37:37.640 --> 0:37:41.240
<v Speaker 3>he would walk in a restaurant and he knew everybody.

0:37:41.960 --> 0:37:43.440
<v Speaker 1>When I tell you everybody.

0:37:43.640 --> 0:37:47.440
<v Speaker 3>He knew the guy mopping, he knew the person wiping

0:37:47.480 --> 0:37:51.840
<v Speaker 3>the tables, he knew the owner, he knew the matre d,

0:37:53.080 --> 0:37:54.759
<v Speaker 3>he knew the person that walk you and give you

0:37:54.840 --> 0:37:57.040
<v Speaker 3>the menus.

0:37:57.400 --> 0:37:58.520
<v Speaker 1>He knew everybody.

0:37:58.840 --> 0:38:01.440
<v Speaker 3>So it was a strategy for him because when you

0:38:01.520 --> 0:38:05.120
<v Speaker 3>walk into a place and everybody knows you, it's hard.

0:38:04.880 --> 0:38:06.600
<v Speaker 1>For me for you to say no to that person.

0:38:07.239 --> 0:38:08.919
<v Speaker 3>Like I knew he was tricking me this whole time,

0:38:10.080 --> 0:38:11.480
<v Speaker 3>but then I started to do it.

0:38:12.160 --> 0:38:15.319
<v Speaker 11>I started when you eat it the same at every

0:38:15.480 --> 0:38:25.879
<v Speaker 11>at every time. Look so.

0:38:31.960 --> 0:38:32.680
<v Speaker 5>And a half hours.

0:38:34.080 --> 0:38:34.440
<v Speaker 1>We know.

0:38:34.719 --> 0:38:38.520
<v Speaker 3>So I mean that is a skill though, right, because

0:38:38.840 --> 0:38:41.120
<v Speaker 3>I mean even like even like something.

0:38:40.960 --> 0:38:42.080
<v Speaker 1>Simple like here.

0:38:43.320 --> 0:38:47.439
<v Speaker 3>Back from here, Okay, even when you think of something

0:38:47.440 --> 0:38:51.960
<v Speaker 3>like simple like Cheers. Cheers told us sometimes you want

0:38:52.000 --> 0:38:54.080
<v Speaker 3>to go where everybody knows your name. It was something

0:38:54.160 --> 0:38:58.239
<v Speaker 3>something simple like that. And I remember me always doing that,

0:38:58.280 --> 0:39:01.680
<v Speaker 3>me frequent into the same restaurant. But I did during COVID.

0:39:01.760 --> 0:39:04.040
<v Speaker 3>During COVID, nobody could get a carbo on reservation.

0:39:04.440 --> 0:39:08.480
<v Speaker 1>Oh well, it's not destroying.

0:39:10.560 --> 0:39:14.279
<v Speaker 3>Every like posting it people were like people people would

0:39:14.280 --> 0:39:15.040
<v Speaker 3>hate it so much.

0:39:15.040 --> 0:39:16.239
<v Speaker 1>But I learned that.

0:39:16.640 --> 0:39:18.320
<v Speaker 3>I learned it from the York But I also do

0:39:18.719 --> 0:39:20.759
<v Speaker 3>so is that something you do with your artists too,

0:39:20.800 --> 0:39:22.520
<v Speaker 3>like you bring them to these restaurants and put them

0:39:22.560 --> 0:39:23.200
<v Speaker 3>on or.

0:39:23.239 --> 0:39:27.520
<v Speaker 1>I mean, if it's a good restaurant, like it's not.

0:39:28.360 --> 0:39:31.800
<v Speaker 6>I'm not that way where you know, I'm not really flashy,

0:39:32.000 --> 0:39:33.719
<v Speaker 6>so I'm not I'm not trying to show up.

0:39:34.200 --> 0:39:37.759
<v Speaker 8>So when I started going to my Tahisa, yeah that.

0:39:37.800 --> 0:39:40.080
<v Speaker 6>Was really after my heart I mean I was I've

0:39:40.360 --> 0:39:43.040
<v Speaker 6>been going since ninety healthy, healthy, so when I had

0:39:43.040 --> 0:39:47.080
<v Speaker 6>my heart attack, No Boos truly a real friend, so

0:39:47.440 --> 0:39:49.120
<v Speaker 6>he would I would come and he would say, this

0:39:49.160 --> 0:39:50.080
<v Speaker 6>is what you have in tonight.

0:39:51.160 --> 0:39:54.480
<v Speaker 7>He would charge me, but he was like your dietician.

0:39:54.600 --> 0:40:01.160
<v Speaker 1>Yeah, that's fucking that's fucking fly. He knew you. Oh

0:40:01.360 --> 0:40:02.120
<v Speaker 1>that's kind of ill.

0:40:02.280 --> 0:40:04.040
<v Speaker 3>I think I thought I was special about getting chicken

0:40:04.040 --> 0:40:09.080
<v Speaker 3>pomeago on the cupbo got no movie telling Let me

0:40:09.120 --> 0:40:11.880
<v Speaker 3>just what you're eating. That's that's fucking fire. What is

0:40:11.880 --> 0:40:13.799
<v Speaker 3>your favorite restaurant in the.

0:40:13.800 --> 0:40:15.720
<v Speaker 1>World, in the world, in the world.

0:40:17.920 --> 0:40:20.960
<v Speaker 6>There's an old school Italian restaurant in New York on

0:40:21.040 --> 0:40:25.319
<v Speaker 6>forty third between second and third called Piero's Pueros, that's

0:40:25.320 --> 0:40:28.520
<v Speaker 6>what Pietro's Pietro's Pietro. And then my uncle's restaurant in

0:40:28.560 --> 0:40:33.880
<v Speaker 6>Vegas is called Piero's. Yeah yeah, Piero's in Vegas and

0:40:33.880 --> 0:40:35.760
<v Speaker 6>Pietro's in the city.

0:40:36.040 --> 0:40:38.760
<v Speaker 3>So so it's safe to say your favorite food is Italian.

0:40:40.480 --> 0:40:46.560
<v Speaker 6>Yeah, yeah, okay, there what the chicken pot at Pietro's,

0:40:46.600 --> 0:40:46.960
<v Speaker 6>you had it?

0:40:47.320 --> 0:40:51.320
<v Speaker 1>No shit? And my uncle's.

0:40:51.080 --> 0:40:55.960
<v Speaker 5>Restaurant massive, the one because we go.

0:40:56.040 --> 0:40:57.479
<v Speaker 1>The one on forty third is.

0:40:59.480 --> 0:40:59.840
<v Speaker 5>Crazy.

0:41:01.840 --> 0:41:06.239
<v Speaker 1>Compare it to Raos, Well you like better? I see

0:41:06.280 --> 0:41:07.960
<v Speaker 1>you want you want? Tommy Ma told up in Rails.

0:41:08.000 --> 0:41:08.640
<v Speaker 1>I see y'all.

0:41:09.000 --> 0:41:10.200
<v Speaker 8>I like, I like Beatrix.

0:41:11.480 --> 0:41:13.960
<v Speaker 6>Rails is more of a vibe like yeah, I mean

0:41:14.080 --> 0:41:17.120
<v Speaker 6>you got your reserve table, you have everything, but okay,

0:41:17.239 --> 0:41:18.200
<v Speaker 6>food wise.

0:41:19.000 --> 0:41:21.000
<v Speaker 1>So let me ask you an old wives tale.

0:41:22.000 --> 0:41:26.600
<v Speaker 3>They always said that Raos it was five tables, right,

0:41:28.280 --> 0:41:30.919
<v Speaker 3>they said, no, excuse me, they said it's five five

0:41:31.280 --> 0:41:35.520
<v Speaker 3>on mafia families right, But in Rails they have six tables.

0:41:36.040 --> 0:41:37.920
<v Speaker 7>So you said they had a table for every family.

0:41:37.960 --> 0:41:39.799
<v Speaker 7>That is what you're saying. Yeah, that's no, I don't

0:41:39.800 --> 0:41:41.359
<v Speaker 7>know that's one. I don't even think that's a room.

0:41:41.440 --> 0:41:43.759
<v Speaker 3>That's one hundred percent like how they sell rals, Like yo,

0:41:44.120 --> 0:41:47.399
<v Speaker 3>five Italian families bought these tables and then so it's

0:41:47.400 --> 0:41:49.360
<v Speaker 3>like you like, yeah, so it's like you got this

0:41:49.480 --> 0:41:52.520
<v Speaker 3>experienced where in Rails it's six tables. And I always

0:41:52.560 --> 0:41:55.680
<v Speaker 3>wanted to ask, like, somebody who's close to that world,

0:41:55.960 --> 0:41:56.319
<v Speaker 3>is there.

0:41:56.200 --> 0:41:57.840
<v Speaker 1>A secret family that we don't know about?

0:41:58.400 --> 0:41:58.920
<v Speaker 8>No, I think that.

0:42:00.440 --> 0:42:06.160
<v Speaker 7>Security I have no The Canadians, they would say, the Canadian, Yeah.

0:42:05.920 --> 0:42:08.480
<v Speaker 1>There's a there's a Drake.

0:42:08.760 --> 0:42:10.040
<v Speaker 7>You remember we went to Vancouver.

0:42:11.760 --> 0:42:16.160
<v Speaker 1>No you don't remember. No, man, I'm not gonna say that.

0:42:17.000 --> 0:42:17.840
<v Speaker 7>Homie was putting us that.

0:42:20.320 --> 0:42:20.960
<v Speaker 1>I always want to.

0:42:21.040 --> 0:42:22.920
<v Speaker 7>Hell, yeah, yes, yes, yes, So.

0:42:26.200 --> 0:42:27.200
<v Speaker 8>I'm gonna make one call.

0:42:27.280 --> 0:42:29.120
<v Speaker 1>Okay, go ahead, Yeah yeah.

0:42:34.960 --> 0:42:39.200
<v Speaker 2>I left the hotel two hours and forty five minutes ago.

0:42:39.960 --> 0:42:41.759
<v Speaker 2>But but I don't know how you all got here.

0:42:41.840 --> 0:42:44.200
<v Speaker 2>You must have been coming from a different direction. I'm

0:42:44.239 --> 0:42:47.000
<v Speaker 2>flattered you guys came. I called Steve. I said, I'm

0:42:47.040 --> 0:42:49.680
<v Speaker 2>guessing no one's coming. He said, I'm almost there.

0:42:49.719 --> 0:42:50.080
<v Speaker 1>We'll see.

0:42:50.120 --> 0:42:51.759
<v Speaker 4>He called me and said, you guys are all here.

0:42:52.320 --> 0:42:56.440
<v Speaker 2>I was parked on one street, bumper to bumper, four

0:42:56.560 --> 0:42:57.440
<v Speaker 2>feet of water.

0:42:57.640 --> 0:42:57.920
<v Speaker 1>Wow.

0:42:58.600 --> 0:43:00.719
<v Speaker 2>Wow, I don't even know how we got past it.

0:43:00.760 --> 0:43:02.640
<v Speaker 2>But I can't believe you guys all made it.

0:43:02.760 --> 0:43:04.920
<v Speaker 1>Yeah, yeah, we don't play some games we don't play.

0:43:04.960 --> 0:43:08.480
<v Speaker 2>We're very serious to be here and flattered that you

0:43:08.480 --> 0:43:11.000
<v Speaker 2>guys made it here. I thought this for sure was

0:43:11.040 --> 0:43:13.960
<v Speaker 2>a cancellation, but I'm so happy we made it through.

0:43:13.840 --> 0:43:18.960
<v Speaker 3>The You're one of the you're one of the biggest

0:43:19.040 --> 0:43:22.799
<v Speaker 3>DJs on the planet, right, you got to You got to.

0:43:23.160 --> 0:43:25.120
<v Speaker 2>That's a very big statement. I don't know if I

0:43:25.160 --> 0:43:27.040
<v Speaker 2>accept it, but I'm flattered that you say that. But

0:43:27.080 --> 0:43:27.680
<v Speaker 2>I don't know if that.

0:43:27.920 --> 0:43:28.719
<v Speaker 1>You are true.

0:43:30.560 --> 0:43:33.760
<v Speaker 3>I love the fact that so many people have great

0:43:33.800 --> 0:43:37.040
<v Speaker 3>relationships with you. Is how did how did you develop that?

0:43:37.120 --> 0:43:38.960
<v Speaker 3>Is that something that that you do? You did on purpose?

0:43:38.960 --> 0:43:42.080
<v Speaker 1>So that's something that you developed a long time.

0:43:42.840 --> 0:43:45.719
<v Speaker 2>Well, I've been djaying since I was ten years old. Wow,

0:43:45.760 --> 0:43:53.440
<v Speaker 2>so hm, it's been three decades of relationships. And I

0:43:53.480 --> 0:43:58.800
<v Speaker 2>think at the foundation of every career and every life,

0:43:58.920 --> 0:44:03.640
<v Speaker 2>not to sound over you know, poetic, but his relationships.

0:44:03.760 --> 0:44:06.799
<v Speaker 2>And you know, as a ten year old kid, I

0:44:06.880 --> 0:44:09.839
<v Speaker 2>never dreamt of doing any of the things I've done

0:44:09.880 --> 0:44:13.160
<v Speaker 2>as a DJ. My only dream as a ten year

0:44:13.200 --> 0:44:16.560
<v Speaker 2>old DJ was for my favorite rappers to know my name.

0:44:17.400 --> 0:44:19.120
<v Speaker 2>If you'd have told me when I was ten years

0:44:19.160 --> 0:44:21.840
<v Speaker 2>old that Trench would know my name, I would I

0:44:21.880 --> 0:44:23.040
<v Speaker 2>could have died a happy kid.

0:44:24.360 --> 0:44:26.960
<v Speaker 4>So that was really the only dream I ever had.

0:44:27.239 --> 0:44:35.000
<v Speaker 2>And in celebrating my heroes, I developed relationships with nearly

0:44:35.400 --> 0:44:38.160
<v Speaker 2>all of them. And I think the greatest gift of

0:44:38.239 --> 0:44:43.879
<v Speaker 2>my career thus far, by far, has been developing friendships

0:44:44.440 --> 0:44:49.120
<v Speaker 2>with those who I idolized as a child. By far,

0:44:49.239 --> 0:44:51.719
<v Speaker 2>the greatest gift of not only my career, of my life.

0:44:52.840 --> 0:44:56.759
<v Speaker 3>I like that let me ask me, let me ask

0:44:56.840 --> 0:44:58.839
<v Speaker 3>you to hi, let me ask you a low. Has

0:44:58.840 --> 0:45:00.839
<v Speaker 3>there ever been somebody that you looked up to that

0:45:01.160 --> 0:45:02.880
<v Speaker 3>you was as a ten year old kid and you

0:45:04.280 --> 0:45:06.200
<v Speaker 3>met them and he was like, because I've met plenty

0:45:06.880 --> 0:45:07.799
<v Speaker 3>that disappointed me.

0:45:09.200 --> 0:45:09.400
<v Speaker 4>You know.

0:45:09.480 --> 0:45:11.919
<v Speaker 2>The one person that comes to mind, and I don't

0:45:11.960 --> 0:45:13.799
<v Speaker 2>know if this is going to sound cliche if you've

0:45:13.800 --> 0:45:16.120
<v Speaker 2>heard this before, is actually no one in the music

0:45:16.160 --> 0:45:19.680
<v Speaker 2>business or hip hop. Everyone in music and hip hop

0:45:19.800 --> 0:45:26.000
<v Speaker 2>always actually really treated me as their fans with kindness,

0:45:26.400 --> 0:45:28.279
<v Speaker 2>And to this day, when I meet someone new, I

0:45:28.280 --> 0:45:31.200
<v Speaker 2>couldn't even think of a negative encounter. But I had

0:45:31.239 --> 0:45:34.160
<v Speaker 2>one negative encounter with Michael Jordan once as a child.

0:45:35.840 --> 0:45:36.720
<v Speaker 1>Yeah.

0:45:36.760 --> 0:45:39.680
<v Speaker 2>So I wasn't a sports fan. I was never a

0:45:39.680 --> 0:45:42.560
<v Speaker 2>sports fan. I only cared about Michael. You was a

0:45:42.640 --> 0:45:45.719
<v Speaker 2>DJ when this encounter happened, or I was?

0:45:45.760 --> 0:45:46.120
<v Speaker 1>I was?

0:45:46.200 --> 0:45:46.960
<v Speaker 4>I was a child.

0:45:47.160 --> 0:45:49.080
<v Speaker 1>Okay, turns hele Okay, cool.

0:45:49.080 --> 0:45:49.239
<v Speaker 6>Cool.

0:45:49.320 --> 0:45:51.160
<v Speaker 2>So the answer is yes, But he would have never

0:45:51.239 --> 0:45:53.240
<v Speaker 2>known I was a kid. I was twelve thirty.

0:45:53.440 --> 0:45:55.240
<v Speaker 1>I didn't understand where's going good.

0:45:56.920 --> 0:46:05.759
<v Speaker 2>Michael I DJ, Michael Jordan's you know, birth Since then, So.

0:46:07.920 --> 0:46:09.920
<v Speaker 4>I'm on a family vacation.

0:46:11.440 --> 0:46:13.960
<v Speaker 2>And someone tells us that Michael Jordan is in the

0:46:14.040 --> 0:46:19.920
<v Speaker 2>lobby lounge, and I think I was wearing the elevens,

0:46:19.960 --> 0:46:22.040
<v Speaker 2>but not the padd of leather elevens, you know, the

0:46:22.080 --> 0:46:25.960
<v Speaker 2>low ones with the net, the gray concrete.

0:46:25.960 --> 0:46:27.239
<v Speaker 4>And then they had the net in them.

0:46:27.280 --> 0:46:30.000
<v Speaker 2>They were like the summer elevens, but they looked nothing

0:46:30.040 --> 0:46:33.040
<v Speaker 2>like the pedal leather. So someone tells me Michael Jordan

0:46:33.120 --> 0:46:36.080
<v Speaker 2>is in the is in the lobby lounge, and I

0:46:36.160 --> 0:46:39.200
<v Speaker 2>go down there and he's in a meeting.

0:46:39.200 --> 0:46:40.479
<v Speaker 4>He's having a drink with a guy.

0:46:41.480 --> 0:46:43.719
<v Speaker 2>And I walk up to him very politely, and I

0:46:43.760 --> 0:46:46.000
<v Speaker 2>thought I thought I could get away with it because

0:46:46.040 --> 0:46:47.600
<v Speaker 2>I was a child. I don't think I would have

0:46:47.600 --> 0:46:49.640
<v Speaker 2>walked up to him as a twenty year old.

0:46:50.440 --> 0:46:52.160
<v Speaker 4>And I said, could you sign my shoe?

0:46:52.640 --> 0:46:55.879
<v Speaker 2>And he said something like I'm having a drink right now,

0:46:55.960 --> 0:46:58.360
<v Speaker 2>so and that was it and I walked away.

0:46:58.840 --> 0:47:01.480
<v Speaker 4>It was the no. It was the only disappointing moment.

0:47:01.520 --> 0:47:04.760
<v Speaker 2>But as as an adult, I can appreciate why Michael

0:47:04.880 --> 0:47:08.880
<v Speaker 2>Jordan doesn't sign every shoe he's asked to sign, so

0:47:09.760 --> 0:47:12.040
<v Speaker 2>I wasn't left. If I was left a little salty,

0:47:12.120 --> 0:47:15.799
<v Speaker 2>then I was not. As an adult, especially when your

0:47:15.840 --> 0:47:20.400
<v Speaker 2>signature is worth however much money, I can only imagine

0:47:20.560 --> 0:47:21.600
<v Speaker 2>you're not just going to be.

0:47:21.560 --> 0:47:23.560
<v Speaker 4>Signing every sneaker that comes your way.

0:47:24.080 --> 0:47:26.640
<v Speaker 2>But that really is the only negative encounter that I

0:47:26.640 --> 0:47:29.840
<v Speaker 2>can even imagine. I've been really blessed. I have found

0:47:29.880 --> 0:47:37.959
<v Speaker 2>that all my heroes, especially in music, have have really

0:47:38.080 --> 0:47:42.319
<v Speaker 2>proven to me why they're legends. And I mean I

0:47:42.320 --> 0:47:45.640
<v Speaker 2>could give you, you know, example after example, but so.

0:47:48.480 --> 0:47:49.880
<v Speaker 4>I think run in DMC.

0:47:50.600 --> 0:47:53.080
<v Speaker 3>I think that's why we always have one like a

0:47:53.160 --> 0:47:56.480
<v Speaker 3>hat like that, you're paying homage to Run DMC to.

0:47:56.640 --> 0:47:58.760
<v Speaker 2>So when I was a kid, I idolized run DMC

0:47:58.960 --> 0:48:01.360
<v Speaker 2>and I idolized Michael Jackson, and.

0:48:01.200 --> 0:48:03.439
<v Speaker 1>I can see them both. Yeah, see both.

0:48:03.480 --> 0:48:07.319
<v Speaker 2>And you know I always thought as a kid that

0:48:07.440 --> 0:48:10.400
<v Speaker 2>everyone I looked up to looked like a superhero. You know,

0:48:10.480 --> 0:48:12.040
<v Speaker 2>as I was saying a minute ago, I was never

0:48:12.080 --> 0:48:14.320
<v Speaker 2>into sports. I was into Michael Jordan for the clothes

0:48:14.360 --> 0:48:17.160
<v Speaker 2>and the speakers. I was never into sports. I was

0:48:17.200 --> 0:48:21.600
<v Speaker 2>into hip hop, right, So hip hoppers were my superheroes.

0:48:22.560 --> 0:48:27.239
<v Speaker 2>They were my Michael Jordan, they were my Superman and

0:48:27.280 --> 0:48:31.960
<v Speaker 2>Spider Man. Well, and so I looked up to grand

0:48:32.000 --> 0:48:35.080
<v Speaker 2>Master Flash Cool Heirk in Africa, Bambada, and not because

0:48:35.120 --> 0:48:36.879
<v Speaker 2>I knew much about them as a young kid.

0:48:36.880 --> 0:48:38.480
<v Speaker 4>I knew later on as a teenager.

0:48:38.520 --> 0:48:42.239
<v Speaker 2>I researched them as a young teen, But eight nine ten,

0:48:42.280 --> 0:48:44.000
<v Speaker 2>I don't think I knew much about them, but I

0:48:44.080 --> 0:48:47.600
<v Speaker 2>knew what they looked like, and they looked like superheroes.

0:48:47.840 --> 0:48:50.640
<v Speaker 2>Cool heirk in the convertible with the speakers. I know

0:48:50.719 --> 0:48:54.279
<v Speaker 2>you guys know that image and flash with the outfits.

0:48:54.320 --> 0:48:57.200
<v Speaker 4>They literally looked like superheroes and.

0:49:00.040 --> 0:49:00.880
<v Speaker 1>Alone on that one, I.

0:49:05.280 --> 0:49:09.320
<v Speaker 2>Was enamored by that, and they later influenced my career

0:49:09.360 --> 0:49:12.280
<v Speaker 2>and how I dj'. But initially I didn't know about

0:49:12.360 --> 0:49:14.480
<v Speaker 2>all that, but I just knew what they looked like,

0:49:15.360 --> 0:49:16.879
<v Speaker 2>and they look like superheroes.

0:49:17.160 --> 0:49:18.959
<v Speaker 4>And then you cut to run DMC.

0:49:21.120 --> 0:49:26.560
<v Speaker 2>Three superheroes times a thousand. You know, if an alien

0:49:26.640 --> 0:49:29.680
<v Speaker 2>came from outer space to this day and said what

0:49:29.840 --> 0:49:32.000
<v Speaker 2>is hip hop? And you could only show them one thing?

0:49:32.040 --> 0:49:34.560
<v Speaker 2>You couldn't show them ten examples, you could only show

0:49:34.600 --> 0:49:37.279
<v Speaker 2>them one thing. I think I still might show them

0:49:37.360 --> 0:49:39.560
<v Speaker 2>run DMC and jam aster J. And if I could

0:49:39.600 --> 0:49:42.160
<v Speaker 2>only play them one thing, I think I might play

0:49:42.200 --> 0:49:47.719
<v Speaker 2>them Sucker MC, because that looks and sounds like hip

0:49:47.760 --> 0:49:50.600
<v Speaker 2>hop to me, and I know that's different with everyone

0:49:50.640 --> 0:49:55.160
<v Speaker 2>that's not fact. But so they were my superheroes, and

0:49:55.200 --> 0:50:02.520
<v Speaker 2>I always wanted as my career grew to to not

0:50:02.560 --> 0:50:09.200
<v Speaker 2>necessarily look like them, but to have a look like them.

0:50:09.680 --> 0:50:14.800
<v Speaker 2>And so I think I started experimenting with hats because

0:50:14.800 --> 0:50:17.320
<v Speaker 2>of Run DMCGM, Master J and Michael Jackson.

0:50:17.600 --> 0:50:18.400
<v Speaker 4>I think I were.

0:50:18.280 --> 0:50:20.160
<v Speaker 7>How early were you starting to experiment with the look?

0:50:21.480 --> 0:50:24.080
<v Speaker 2>It gets started in my late teens, early twenties, but

0:50:24.120 --> 0:50:26.799
<v Speaker 2>by my late twenties became really solidified. I don't think

0:50:26.840 --> 0:50:31.440
<v Speaker 2>the boter hat became my signature to my late twenties,

0:50:31.920 --> 0:50:34.560
<v Speaker 2>but I mean every kind of bit of my style

0:50:34.640 --> 0:50:37.640
<v Speaker 2>I could trace back to someone in something where my

0:50:37.719 --> 0:50:41.560
<v Speaker 2>pants really short, that's Michael Jackson. Every little bit is

0:50:41.640 --> 0:50:45.120
<v Speaker 2>some kind of influence in a blender.

0:50:45.880 --> 0:50:48.160
<v Speaker 4>As a kid, I idolized Bobby Brown.

0:50:48.200 --> 0:50:50.799
<v Speaker 2>He's also become a friend, and he just looked like

0:50:50.840 --> 0:50:52.240
<v Speaker 2>the coolest person on earth.

0:50:52.280 --> 0:50:54.560
<v Speaker 4>The leather outfits. I got that from him.

0:50:54.640 --> 0:50:58.800
<v Speaker 2>So you know, I've been idolizing people for a long time,

0:50:59.480 --> 0:51:02.120
<v Speaker 2>and of those people are my friends today, but they're

0:51:02.160 --> 0:51:04.759
<v Speaker 2>still my idols. And I say to my idols that

0:51:04.800 --> 0:51:08.160
<v Speaker 2>have become my friends, I'll say to them, I'll say

0:51:08.360 --> 0:51:11.560
<v Speaker 2>I'll say to Run, I'll say Joey.

0:51:11.800 --> 0:51:14.880
<v Speaker 4>No matter how close we grow, Joey I get, I get.

0:51:14.719 --> 0:51:18.120
<v Speaker 2>To call jo you don't call him Joey.

0:51:18.239 --> 0:51:19.680
<v Speaker 1>I don't quote nobody.

0:51:20.120 --> 0:51:22.279
<v Speaker 3>I call all my hip hop heroes by the hip

0:51:22.280 --> 0:51:22.759
<v Speaker 3>hop names.

0:51:22.840 --> 0:51:24.799
<v Speaker 4>So he has three names, right, Joey Rev.

0:51:25.719 --> 0:51:31.200
<v Speaker 2>Yes, okay, So, but but i'd say Joey or Run.

0:51:31.239 --> 0:51:32.799
<v Speaker 2>I do call him Run. I don't call him Rev.

0:51:34.600 --> 0:51:37.319
<v Speaker 2>I'll say Joey or Run. I'll say, no matter how

0:51:37.400 --> 0:51:41.400
<v Speaker 2>close we go, I'll say, no matter how close we

0:51:41.520 --> 0:51:46.319
<v Speaker 2>grow as friends, you will never stop being Run to me.

0:51:47.239 --> 0:51:51.520
<v Speaker 2>And I think those two things can coexist. I think

0:51:51.560 --> 0:51:54.040
<v Speaker 2>you can idolize your friend. I think you can look

0:51:54.120 --> 0:51:56.560
<v Speaker 2>up to your friends. I think you can admire your friend.

0:51:58.239 --> 0:52:00.560
<v Speaker 1>I'll tell that to all the time, so it doesn't

0:52:01.000 --> 0:52:02.920
<v Speaker 1>dumb down my fanness, the fact that we're friends.

0:52:03.200 --> 0:52:06.200
<v Speaker 2>I was at a birthday dinner in La two nights ago,

0:52:06.880 --> 0:52:11.520
<v Speaker 2>and it was for one of my best friends, Mark Burnbaum,

0:52:11.560 --> 0:52:13.479
<v Speaker 2>who's owner of Catch, the restaurant Catch.

0:52:13.840 --> 0:52:15.160
<v Speaker 7>I love the flow continue.

0:52:15.480 --> 0:52:20.319
<v Speaker 2>So I walked into the to the restaurant that maybe

0:52:20.360 --> 0:52:23.160
<v Speaker 2>fifty people there a cocktail hour, ready to sit, and

0:52:23.200 --> 0:52:26.440
<v Speaker 2>I run right into nas in ll So they were

0:52:26.440 --> 0:52:28.160
<v Speaker 2>walking to sit. I walked with them, and for the

0:52:28.160 --> 0:52:31.239
<v Speaker 2>next three hours, the three of us sat and had

0:52:31.239 --> 0:52:32.360
<v Speaker 2>the greatest conversation.

0:52:32.800 --> 0:52:34.040
<v Speaker 4>This was literally three nights ago.

0:52:34.360 --> 0:52:37.399
<v Speaker 1>You nas, yeah, make some noise for you and.

0:52:38.840 --> 0:52:40.640
<v Speaker 4>Let's and I don't.

0:52:40.760 --> 0:52:41.000
<v Speaker 1>I don't.

0:52:41.040 --> 0:52:43.439
<v Speaker 2>I don't think that's normal. No, I didn't. I didn't

0:52:43.480 --> 0:52:45.480
<v Speaker 2>look in my phone for three hours. As we all know,

0:52:45.520 --> 0:52:47.600
<v Speaker 2>at a dinner that you know that never happened. You're

0:52:47.640 --> 0:52:50.279
<v Speaker 2>constantly checking your text, you're on Instagram, you're posting the

0:52:50.320 --> 0:52:51.040
<v Speaker 2>birthday nothing.

0:52:51.120 --> 0:52:52.520
<v Speaker 7>It looks on his phone right now.

0:52:53.000 --> 0:52:59.719
<v Speaker 2>And every time, every time someone from the dinner came

0:52:59.800 --> 0:53:01.239
<v Speaker 2>over to me to say, hello, oh a.

0:53:01.239 --> 0:53:04.000
<v Speaker 4>Long time, don't see I kept can we talk later?

0:53:04.239 --> 0:53:08.000
<v Speaker 2>I'm right, I'm listening to Ellen nods and I wanted

0:53:08.040 --> 0:53:10.520
<v Speaker 2>to get rid of everyone, because how often do you

0:53:10.600 --> 0:53:13.839
<v Speaker 2>get to spend realities with Ellen NOAs.

0:53:13.880 --> 0:53:15.359
<v Speaker 4>But here's the point I wanted to make.

0:53:17.000 --> 0:53:22.080
<v Speaker 2>Watching the two of them together, these giants, right, giants

0:53:22.080 --> 0:53:28.040
<v Speaker 2>from Queens Giants was such a beautiful thing. I don't

0:53:28.040 --> 0:53:30.000
<v Speaker 2>even know that three days later, I know yet how

0:53:30.000 --> 0:53:31.839
<v Speaker 2>to put in words. I tried to tell them at

0:53:31.880 --> 0:53:35.160
<v Speaker 2>the end of the dinner and I hope I articulated

0:53:35.280 --> 0:53:36.960
<v Speaker 2>myself so that they understood.

0:53:37.000 --> 0:53:37.600
<v Speaker 4>I think they did.

0:53:37.640 --> 0:53:41.120
<v Speaker 2>First of all, watching Nas talk to one of his

0:53:41.280 --> 0:53:45.640
<v Speaker 2>heroes was first of all obvious that it was one

0:53:45.680 --> 0:53:47.120
<v Speaker 2>of his heroes. You could have come in and know

0:53:47.200 --> 0:53:49.280
<v Speaker 2>nothing about hip hop and you would have known something

0:53:49.400 --> 0:53:49.920
<v Speaker 2>was going on.

0:53:51.560 --> 0:53:53.880
<v Speaker 4>It was a beautiful thing. It was beautiful.

0:53:53.880 --> 0:53:56.040
<v Speaker 2>I told them, I said, this has been the most

0:53:56.080 --> 0:54:00.440
<v Speaker 2>touching experience and watching the respect ELLLL had for Nas,

0:54:02.200 --> 0:54:04.200
<v Speaker 2>and you know, I chimed in here and there, but

0:54:04.239 --> 0:54:06.239
<v Speaker 2>I really just wanted to let them go because I

0:54:06.239 --> 0:54:08.040
<v Speaker 2>don't know how many times they've done that.

0:54:09.520 --> 0:54:11.560
<v Speaker 4>And Nas started quoting.

0:54:11.200 --> 0:54:14.839
<v Speaker 2>Songs off of ELL's first album and talking about their

0:54:14.920 --> 0:54:19.120
<v Speaker 2>favorite songs of each other, and you know, it was

0:54:19.120 --> 0:54:21.319
<v Speaker 2>a beautiful moment. But I'm only bringing this up because

0:54:21.360 --> 0:54:25.040
<v Speaker 2>we were talking about being a fan and a friend,

0:54:25.880 --> 0:54:30.040
<v Speaker 2>and you look at those two who are megastars way

0:54:30.040 --> 0:54:35.120
<v Speaker 2>beyond hip hop culture, just global superstars in so many ways, and.

0:54:36.560 --> 0:54:38.840
<v Speaker 4>You forget sometimes that stars are fans.

0:54:38.960 --> 0:54:43.960
<v Speaker 2>Yeah, And watching them together and watching them together was

0:54:44.000 --> 0:54:47.960
<v Speaker 2>so beautiful. And I also think that it speaks to

0:54:49.280 --> 0:54:53.719
<v Speaker 2>a camaraderie and a fraternity like environment in hip hop

0:54:53.760 --> 0:54:54.840
<v Speaker 2>that's truly special.

0:54:55.000 --> 0:54:55.239
<v Speaker 1>Yep.

0:54:55.640 --> 0:54:58.520
<v Speaker 2>Maybe basketball has it, maybe baseball, maybe sports has it.

0:54:58.560 --> 0:55:01.160
<v Speaker 2>I wouldn't know, not my terrorists, but I don't know

0:55:01.200 --> 0:55:07.400
<v Speaker 2>how many businesses in this world that exists in And

0:55:09.600 --> 0:55:12.400
<v Speaker 2>it's clearly more than a business. It's a culture. But

0:55:13.000 --> 0:55:17.279
<v Speaker 2>there's such a fraternity and a camaraderie amongst I think

0:55:17.320 --> 0:55:20.920
<v Speaker 2>people in hip hop, and it was a beautiful thing

0:55:20.920 --> 0:55:21.480
<v Speaker 2>to watch.

0:55:21.400 --> 0:55:24.839
<v Speaker 7>Specific you were witnessing a full circle moment between these

0:55:24.840 --> 0:55:25.640
<v Speaker 7>two artists.

0:55:26.080 --> 0:55:30.200
<v Speaker 3>You know, you're known for DJ and some of the

0:55:30.200 --> 0:55:33.560
<v Speaker 3>biggest parties, right not as hip hops in gentlemen, Have

0:55:33.640 --> 0:55:35.080
<v Speaker 3>you e a DJ for Michael Jackson?

0:55:35.560 --> 0:55:35.640
<v Speaker 10>No?

0:55:35.800 --> 0:55:38.920
<v Speaker 2>So, Michael Jackson when he died was one. He was

0:55:38.960 --> 0:55:40.880
<v Speaker 2>the only person that I had never met that I

0:55:40.920 --> 0:55:41.440
<v Speaker 2>wanted to.

0:55:41.800 --> 0:55:43.360
<v Speaker 1>You about to say, DJ is a funeral.

0:55:49.440 --> 0:55:55.719
<v Speaker 2>You met Prince, I've met me so so Prince and

0:55:55.800 --> 0:55:57.720
<v Speaker 2>I performed at the White House together.

0:55:58.520 --> 0:55:59.440
<v Speaker 1>I'm sorry, I'm sorry.

0:55:59.280 --> 0:56:02.239
<v Speaker 2>Talking about so Prince and I performed at the White House.

0:56:02.239 --> 0:56:04.200
<v Speaker 2>It was one of the many times I DJ at

0:56:04.200 --> 0:56:08.200
<v Speaker 2>the White House years of the Obama administration.

0:56:08.400 --> 0:56:11.799
<v Speaker 1>I need to ask, Okay, did Prince invite you?

0:56:11.880 --> 0:56:12.000
<v Speaker 10>All?

0:56:12.160 --> 0:56:13.680
<v Speaker 1>This was Obama administration.

0:56:14.520 --> 0:56:17.080
<v Speaker 2>So I got a call but I guess I have

0:56:17.120 --> 0:56:19.920
<v Speaker 2>to give some context. Please, over the eight years of

0:56:19.960 --> 0:56:21.800
<v Speaker 2>Obama's administration.

0:56:21.360 --> 0:56:22.919
<v Speaker 1>I've never been invited to the White House.

0:56:23.800 --> 0:56:25.839
<v Speaker 4>Well, it was a special time.

0:56:25.880 --> 0:56:28.799
<v Speaker 2>I don't know that now you can feel exactly like

0:56:28.880 --> 0:56:29.520
<v Speaker 2>what that felt.

0:56:29.880 --> 0:56:31.799
<v Speaker 7>A lot of hip hop'st were going on at the time.

0:56:32.000 --> 0:56:34.160
<v Speaker 2>I just think for so many reasons, I think that's

0:56:34.360 --> 0:56:36.000
<v Speaker 2>that was a time that just.

0:56:37.520 --> 0:56:39.799
<v Speaker 4>It was. Yeah, it was a special moment in time.

0:56:40.000 --> 0:56:42.000
<v Speaker 1>And so did you smell weed at the White House?

0:56:42.600 --> 0:56:42.640
<v Speaker 9>No?

0:56:42.800 --> 0:56:45.520
<v Speaker 1>I didn't, No, No, I didn't. They'll tell me if

0:56:45.520 --> 0:56:45.799
<v Speaker 1>you did.

0:56:45.840 --> 0:56:55.520
<v Speaker 2>Anyway, So I was the first DJ to ever play

0:56:55.520 --> 0:56:59.000
<v Speaker 2>a presidential inauguration, and I was the first DJ to

0:56:59.120 --> 0:57:02.839
<v Speaker 2>ever DJ the White House. So you know, there's this

0:57:02.920 --> 0:57:05.319
<v Speaker 2>guy I forgot his name, and I don't know if

0:57:05.360 --> 0:57:05.960
<v Speaker 2>he's still there.

0:57:06.040 --> 0:57:07.760
<v Speaker 3>But okay, can I be fair though, because he didn't

0:57:07.760 --> 0:57:11.080
<v Speaker 3>in w a perform there. So when the interview performed,

0:57:11.200 --> 0:57:15.839
<v Speaker 3>the performed the way he went to a Republican party thing.

0:57:15.880 --> 0:57:16.360
<v Speaker 1>But don't.

0:57:17.760 --> 0:57:19.960
<v Speaker 4>I don't know, but a group might have had a DJ.

0:57:20.160 --> 0:57:22.880
<v Speaker 1>Okay, yeah, yeah, but you DJ is you did the

0:57:22.920 --> 0:57:23.840
<v Speaker 1>party there? Right?

0:57:23.920 --> 0:57:25.680
<v Speaker 2>So the first time I was at the White House

0:57:25.800 --> 0:57:31.320
<v Speaker 2>was actually not the first, the first presidential inauguration that

0:57:31.360 --> 0:57:32.120
<v Speaker 2>Obama had.

0:57:32.000 --> 0:57:33.960
<v Speaker 4>The first, the first inauguration, his.

0:57:34.000 --> 0:57:36.840
<v Speaker 2>Parties were not at the house, Okay, they were at

0:57:36.840 --> 0:57:39.840
<v Speaker 2>a convention center, and I performed live at one of

0:57:39.880 --> 0:57:42.320
<v Speaker 2>those parties. He didn't have access to the house yet.

0:57:42.560 --> 0:57:46.800
<v Speaker 2>In the first inauguration, you get inaugurated January twenty.

0:57:46.880 --> 0:57:48.320
<v Speaker 4>No, I think you move in that day.

0:57:48.600 --> 0:57:53.160
<v Speaker 2>So you could have, but perhaps that was the reason.

0:57:53.160 --> 0:57:55.640
<v Speaker 2>But anyway, it's a big convention hall and there's like

0:57:55.760 --> 0:57:58.440
<v Speaker 2>eight different parties going on, so I was like the

0:57:58.560 --> 0:58:01.440
<v Speaker 2>curator of the music for all the rooms, and I

0:58:01.480 --> 0:58:03.560
<v Speaker 2>played live in one of the rooms. But it was

0:58:03.560 --> 0:58:07.520
<v Speaker 2>fairly impersonal, right. So a year or two later, the

0:58:07.560 --> 0:58:11.720
<v Speaker 2>President is turning fifty and I get a call that

0:58:11.760 --> 0:58:14.400
<v Speaker 2>the President would like you to play his fiftieth.

0:58:14.000 --> 0:58:18.160
<v Speaker 1>Birthday at the White House. That big man.

0:58:18.400 --> 0:58:21.360
<v Speaker 2>So I show up at the White House for soundcheck,

0:58:22.360 --> 0:58:26.480
<v Speaker 2>and it was a moment I'll never forget. There's moments

0:58:26.480 --> 0:58:27.919
<v Speaker 2>in your career. I don't even want to say career,

0:58:27.960 --> 0:58:32.160
<v Speaker 2>there's moments in your life life, yes, where you just

0:58:32.240 --> 0:58:34.200
<v Speaker 2>say how.

0:58:34.040 --> 0:58:34.840
<v Speaker 4>Did I get here?

0:58:35.000 --> 0:58:37.360
<v Speaker 2>You know that song by Talking Heads once in a lifetime,

0:58:37.400 --> 0:58:39.600
<v Speaker 2>And I asked myself how did I get here? As

0:58:39.720 --> 0:58:44.120
<v Speaker 2>the days go right right, so I walk in, I

0:58:44.160 --> 0:58:48.680
<v Speaker 2>go how did I get here? And at that at

0:58:48.760 --> 0:58:52.200
<v Speaker 2>that point, I think I left that night saying this

0:58:52.360 --> 0:58:55.240
<v Speaker 2>was the greatest night of my life because I felt

0:58:55.280 --> 0:58:58.000
<v Speaker 2>that what I did had a little meaning. I mean,

0:58:58.040 --> 0:59:00.200
<v Speaker 2>I wasn't the leader of the free world, but I

0:59:00.320 --> 0:59:03.880
<v Speaker 2>just thought that I left with a little more meaning

0:59:03.960 --> 0:59:05.960
<v Speaker 2>than I had gone in.

0:59:06.680 --> 0:59:08.880
<v Speaker 1>Let me ask you something, does the president pay?

0:59:10.800 --> 0:59:12.600
<v Speaker 4>I did not accept money from the president.

0:59:12.640 --> 0:59:16.280
<v Speaker 3>But did he say you want the bag or you

0:59:16.400 --> 0:59:18.880
<v Speaker 3>just the first one would have been the DNC. I

0:59:18.920 --> 0:59:19.640
<v Speaker 3>can't second one.

0:59:19.960 --> 0:59:23.440
<v Speaker 2>I can't speak for others, but I never accepted money

0:59:23.440 --> 0:59:24.160
<v Speaker 2>from the president.

0:59:24.240 --> 0:59:26.520
<v Speaker 4>For me, it was an honor they had that the

0:59:26.560 --> 0:59:27.360
<v Speaker 4>thing that you got in.

0:59:27.320 --> 0:59:33.760
<v Speaker 3>Friends as funny as that.

0:59:33.880 --> 0:59:35.400
<v Speaker 5>I want to know that.

0:59:35.640 --> 0:59:37.400
<v Speaker 7>So did it take care of travel at least?

0:59:37.480 --> 0:59:37.640
<v Speaker 1>Yeah?

0:59:37.680 --> 0:59:39.120
<v Speaker 4>Of course travel and equipment.

0:59:39.160 --> 0:59:41.640
<v Speaker 2>And the crazy thing is is my sound guy at

0:59:41.680 --> 0:59:45.440
<v Speaker 2>the time he fully outfitted the White House. So years

0:59:45.520 --> 0:59:48.120
<v Speaker 2>later when the party with prints happened, it's my sound

0:59:48.120 --> 0:59:48.920
<v Speaker 2>guy outfitt this out.

0:59:49.000 --> 0:59:49.720
<v Speaker 1>Like these were.

0:59:49.600 --> 0:59:54.440
<v Speaker 2>Full on parties, full on parties. So what unfolded that

0:59:54.560 --> 0:59:58.640
<v Speaker 2>night after I walked in? I was not even prepared

0:59:58.720 --> 1:00:02.880
<v Speaker 2>for Okay, I'm.

1:00:02.680 --> 1:00:03.480
<v Speaker 4>About to go on.

1:00:03.840 --> 1:00:06.280
<v Speaker 2>And when I say go on, if you're looking at

1:00:06.320 --> 1:00:09.720
<v Speaker 2>the White House, if you can picture the pillars right,

1:00:09.720 --> 1:00:10.480
<v Speaker 2>there's windows.

1:00:10.840 --> 1:00:12.040
<v Speaker 4>I don't know what the room's called.

1:00:12.240 --> 1:00:14.200
<v Speaker 2>I did it ten times, but this is the last

1:00:14.280 --> 1:00:16.040
<v Speaker 2>room on the left, the last window on the.

1:00:16.040 --> 1:00:19.040
<v Speaker 7>Left, Lincoln Room.

1:00:19.040 --> 1:00:19.360
<v Speaker 1>I don't know.

1:00:19.960 --> 1:00:21.480
<v Speaker 4>We're not so we're not.

1:00:26.120 --> 1:00:29.920
<v Speaker 2>So we're not talking about a tent or in a

1:00:30.000 --> 1:00:31.480
<v Speaker 2>dndum event area.

1:00:31.600 --> 1:00:33.840
<v Speaker 4>We're talking about the White House.

1:00:34.320 --> 1:00:34.880
<v Speaker 7>That's crazy.

1:00:35.520 --> 1:00:38.919
<v Speaker 2>Eleanor Roosevelt designed rooms in the White House, the Blue Room,

1:00:38.960 --> 1:00:41.240
<v Speaker 2>Green Room, Yellow Room, in Red room years ago and

1:00:41.320 --> 1:00:43.240
<v Speaker 2>now they're where the tourists go to see. You see

1:00:43.240 --> 1:00:45.000
<v Speaker 2>the Red room, the Blue room, and next to all

1:00:45.120 --> 1:00:49.640
<v Speaker 2>these rooms is the party room. Coincidentally, the red room

1:00:50.000 --> 1:00:52.280
<v Speaker 2>was the green room, meaning the dressing room.

1:00:52.640 --> 1:00:55.800
<v Speaker 4>So I'm in this red room and.

1:00:55.800 --> 1:00:59.720
<v Speaker 2>I call my grandmother at that time, eighty years old Holocaust,

1:00:59.800 --> 1:01:03.960
<v Speaker 2>you know, survivor came to America with nothing, and I say.

1:01:03.760 --> 1:01:06.520
<v Speaker 1>Mama, guess where I am.

1:01:06.680 --> 1:01:09.720
<v Speaker 4>And she knows, obviously, she says where And I.

1:01:09.680 --> 1:01:12.760
<v Speaker 2>Said, I'm in the Red Room at.

1:01:12.600 --> 1:01:13.320
<v Speaker 4>The White House.

1:01:14.720 --> 1:01:18.400
<v Speaker 2>And you could just hear her having chills down her spine,

1:01:18.400 --> 1:01:20.600
<v Speaker 2>and at that moment I knew that this night, if

1:01:20.640 --> 1:01:23.360
<v Speaker 2>I never did it again, if I never came here again,

1:01:24.440 --> 1:01:27.080
<v Speaker 2>this moment was special. So I get a tap on

1:01:27.120 --> 1:01:30.760
<v Speaker 2>the shoulder and someone says, hi, DJ Cassidy, Stevie Wonder

1:01:30.800 --> 1:01:34.880
<v Speaker 2>would like to talk to you. So I immediately say,

1:01:35.040 --> 1:01:38.920
<v Speaker 2>why is anyone asking my permission for Stevie Wonder to

1:01:38.960 --> 1:01:39.920
<v Speaker 2>come say hello to me?

1:01:40.040 --> 1:01:40.120
<v Speaker 5>Like?

1:01:40.320 --> 1:01:47.480
<v Speaker 4>Yes, can he please? Where is he? I'll go, hello, Steve.

1:01:52.960 --> 1:01:53.960
<v Speaker 1>He saw you on his way in.

1:01:54.480 --> 1:01:59.600
<v Speaker 2>So already this is starting off bizarre, like overly polite,

1:01:59.680 --> 1:02:01.200
<v Speaker 2>like you know, strange, like.

1:02:01.240 --> 1:02:02.480
<v Speaker 4>Why are you asking it?

1:02:02.600 --> 1:02:06.920
<v Speaker 2>Stevie Wonder, of course come interrupt my phone call. I

1:02:07.000 --> 1:02:08.920
<v Speaker 2>literally said, Mama, I'll call you back. I got to

1:02:08.960 --> 1:02:15.400
<v Speaker 2>talk to Stevie Wonder. So Stevie comes up. So let

1:02:15.480 --> 1:02:17.480
<v Speaker 2>me paint this picture. I'm in the Red Room. It's

1:02:17.480 --> 1:02:19.600
<v Speaker 2>a famous room, you can google it, very Louis the

1:02:19.640 --> 1:02:20.440
<v Speaker 2>sixteenth or.

1:02:20.480 --> 1:02:22.479
<v Speaker 4>Nate Versailles, like all gold, red.

1:02:24.440 --> 1:02:26.200
<v Speaker 2>And the party people are in this room right to

1:02:26.280 --> 1:02:29.560
<v Speaker 2>my left, five hundred people and the president is on

1:02:29.800 --> 1:02:34.040
<v Speaker 2>stage thinking Janelle mone for performing, about to bring me on,

1:02:35.640 --> 1:02:37.840
<v Speaker 2>but very casual. This is not a black tie event.

1:02:37.880 --> 1:02:42.440
<v Speaker 2>This was like Sunday afternoon vibes. So Stevie comes up

1:02:42.440 --> 1:02:45.920
<v Speaker 2>to me and goes DJ Cassidy. So I was thinking

1:02:45.960 --> 1:02:48.640
<v Speaker 2>we could do some I've done things with him at

1:02:48.640 --> 1:02:49.600
<v Speaker 2>this point before.

1:02:50.240 --> 1:02:51.320
<v Speaker 4>So he goes Cassidy.

1:02:52.320 --> 1:02:55.560
<v Speaker 2>I was thinking, maybe we could collaborate and I'll come

1:02:55.600 --> 1:02:57.960
<v Speaker 2>on and sit at the keyboard and surprise the President.

1:02:59.080 --> 1:03:01.760
<v Speaker 2>I said, I'd love that. So he goes, maybe I'll

1:03:01.840 --> 1:03:04.240
<v Speaker 2>just do sign Sealed Delivered? Could you drop a beat

1:03:04.280 --> 1:03:09.200
<v Speaker 2>to that? So I'm thinking I have a solid fifteen

1:03:09.320 --> 1:03:12.840
<v Speaker 2>minutes to prepare. What beat I'm gonna loop in serato

1:03:13.040 --> 1:03:14.840
<v Speaker 2>for him to play sign Sealed Delivered.

1:03:15.280 --> 1:03:17.800
<v Speaker 4>That fifteen minutes was fifteen seconds.

1:03:18.720 --> 1:03:21.880
<v Speaker 2>Stevie walks on stage with the guy you know that

1:03:22.800 --> 1:03:25.400
<v Speaker 2>holds his hand, and the next thing you know, the

1:03:25.400 --> 1:03:28.720
<v Speaker 2>President goes, oh, looks like we have a guest unexpected

1:03:29.200 --> 1:03:33.760
<v Speaker 2>Stevie Wonder. And Stevie Wonder sits at the keyboard and

1:03:33.800 --> 1:03:36.520
<v Speaker 2>I follow him. I don't know what I'm about to do,

1:03:37.880 --> 1:03:41.040
<v Speaker 2>so I have about thirty seconds to say to myself,

1:03:41.320 --> 1:03:41.919
<v Speaker 2>what beat?

1:03:42.080 --> 1:03:44.840
<v Speaker 1>I just caught that he followed Stevie or stage.

1:03:45.000 --> 1:03:46.600
<v Speaker 2>I followed Stevie on stage because he.

1:03:46.560 --> 1:03:47.840
<v Speaker 4>Wanted me to jam with him.

1:03:48.800 --> 1:03:54.560
<v Speaker 1>Literally stee moddy, so.

1:03:56.960 --> 1:03:58.120
<v Speaker 5>Very independent.

1:03:58.320 --> 1:04:02.240
<v Speaker 2>Yes, So Stevie was being got it, and I knew

1:04:02.560 --> 1:04:07.520
<v Speaker 2>that if I wasn't there, he wouldn't realize I wasn't there.

1:04:07.600 --> 1:04:10.520
<v Speaker 2>He thought I was ready to rock with him. So

1:04:10.560 --> 1:04:13.240
<v Speaker 2>in thirty seconds, I'm thinking, what the hell am I going.

1:04:13.200 --> 1:04:14.640
<v Speaker 1>To do with sign Sealed Delivered?

1:04:16.680 --> 1:04:19.760
<v Speaker 2>So the President still talking, The President now announces Stevie

1:04:19.800 --> 1:04:22.880
<v Speaker 2>Wonder and DJ Cassidy and he plays the first chords

1:04:22.920 --> 1:04:28.600
<v Speaker 2>to sign Sealed Delivered Dan and I pull up Billy

1:04:28.640 --> 1:04:33.160
<v Speaker 2>Squire Big Beat, praying that I have those first four

1:04:33.240 --> 1:04:39.480
<v Speaker 2>bars looped on serato, not looped so I'm sure you

1:04:39.560 --> 1:04:44.080
<v Speaker 2>guys know, but for those listening, Billy Squire Big Beat

1:04:44.880 --> 1:04:47.120
<v Speaker 2>is a song from the seventies, a rock song that

1:04:47.320 --> 1:04:49.600
<v Speaker 2>was first made famous when run DMC used it.

1:04:49.680 --> 1:04:52.600
<v Speaker 4>For here we Go, Here we Go, Here we Go,

1:04:52.760 --> 1:04:55.160
<v Speaker 4>Here we Go, Here Here, Here we Go and.

1:04:55.280 --> 1:04:58.120
<v Speaker 2>Run DMC's performance of here we Go was never recorded

1:04:58.120 --> 1:05:00.280
<v Speaker 2>in a studio, was recorded live at the Fund and

1:05:00.320 --> 1:05:02.560
<v Speaker 2>you can hear Jim Master j going back and forth

1:05:02.640 --> 1:05:05.480
<v Speaker 2>every four bars, and I think there's one or two

1:05:05.560 --> 1:05:07.400
<v Speaker 2>times he kind of messes it up, but he catches

1:05:07.480 --> 1:05:10.160
<v Speaker 2>it r Wow, and then Rick Rubin used it for

1:05:10.280 --> 1:05:14.600
<v Speaker 2>ninety nine problems, so I know it's about the same

1:05:14.720 --> 1:05:16.720
<v Speaker 2>tempo as sign Seal Delivered.

1:05:17.200 --> 1:05:23.360
<v Speaker 12>Right, So Stevie starts singing as that is pretty so long.

1:05:24.200 --> 1:05:28.560
<v Speaker 12>That is still wrong. Baby here here, I am sign

1:05:28.680 --> 1:05:32.800
<v Speaker 12>sealed delivered. I'm yours pool boo boo boo boo boo

1:05:33.040 --> 1:05:36.640
<v Speaker 12>boo boo, poo boo boo.

1:05:37.320 --> 1:05:41.600
<v Speaker 2>And I do that for the next five minutes while

1:05:41.800 --> 1:05:45.640
<v Speaker 2>he not only performs sign Sealed Delivered, but an extended,

1:05:46.040 --> 1:05:53.680
<v Speaker 2>improvised version of sign seals so I can picture it

1:05:53.800 --> 1:05:56.600
<v Speaker 2>like it was yesterday. He's right here, everyone's right here,

1:05:56.640 --> 1:05:59.000
<v Speaker 2>and I'm kind of tilted. They were gonna move me

1:05:59.080 --> 1:06:01.560
<v Speaker 2>out straight. I was on wheels, but because he was there,

1:06:01.600 --> 1:06:06.960
<v Speaker 2>now I'm tilted and I'm cutting up this song, praying

1:06:07.040 --> 1:06:10.120
<v Speaker 2>that I just stay on, you know, on beat. Every

1:06:10.240 --> 1:06:14.000
<v Speaker 2>four bars. Stevie's rocking, and I kind of turned to

1:06:14.120 --> 1:06:17.640
<v Speaker 2>my right. I didn't wear glasses then, so it's probably easier.

1:06:18.160 --> 1:06:22.080
<v Speaker 2>And I see Jay Z and Chris rock the White

1:06:22.120 --> 1:06:24.520
<v Speaker 2>House still and they're nodding their head. You know that

1:06:24.680 --> 1:06:26.760
<v Speaker 2>mean face you make at the studio when you like

1:06:26.800 --> 1:06:28.880
<v Speaker 2>a beat. You know that face and the head nod

1:06:30.480 --> 1:06:38.840
<v Speaker 2>there boom, and I look at them and they see

1:06:38.920 --> 1:06:41.760
<v Speaker 2>me seeing them, and at that moment.

1:06:43.480 --> 1:06:44.520
<v Speaker 4>All the pressure went off.

1:06:44.760 --> 1:06:47.040
<v Speaker 2>Then I was rocking when I saw that, and it

1:06:47.120 --> 1:06:48.640
<v Speaker 2>was one of the greatest moments in my life.

1:06:53.960 --> 1:07:03.680
<v Speaker 1>That's okay in there and it wasn't like the street party.

1:07:04.720 --> 1:07:05.720
<v Speaker 1>Where are you segueing to that?

1:07:06.040 --> 1:07:09.720
<v Speaker 3>He said, this Babo story cot in the way he said,

1:07:09.760 --> 1:07:10.800
<v Speaker 3>Stevie dropped.

1:07:10.600 --> 1:07:11.600
<v Speaker 1>Steve dropping.

1:07:15.280 --> 1:07:17.919
<v Speaker 4>Yo, listen on the way one listen.

1:07:18.280 --> 1:07:20.240
<v Speaker 3>You know, you know what's crazy about Stevie wonder we

1:07:20.320 --> 1:07:21.880
<v Speaker 3>have so many people who come on the show.

1:07:22.400 --> 1:07:22.919
<v Speaker 1>He love Steve.

1:07:22.960 --> 1:07:24.160
<v Speaker 3>Be one of the stories if you have so many,

1:07:24.240 --> 1:07:28.000
<v Speaker 3>because Shack is still the best that Jack said, that's.

1:07:27.880 --> 1:07:30.320
<v Speaker 1>What he was like. He believed like it was believable

1:07:30.360 --> 1:07:30.960
<v Speaker 1>the way he said it.

1:07:31.600 --> 1:07:33.919
<v Speaker 3>Jack said he got in the elevator with Stevie, wasn't

1:07:34.240 --> 1:07:34.880
<v Speaker 3>by himself.

1:07:35.040 --> 1:07:39.800
<v Speaker 1>Just must say. He pressed the butt. He said, what's up,

1:07:39.880 --> 1:07:42.640
<v Speaker 1>Shack up? Yeah, and I think he said he present.

1:07:42.680 --> 1:07:43.200
<v Speaker 4>But after.

1:07:44.680 --> 1:07:49.160
<v Speaker 3>Walking the snow the Rosley said. Roy said he saw

1:07:49.240 --> 1:07:52.520
<v Speaker 3>Stevie walking across the street street on the busy street,

1:07:52.760 --> 1:07:55.280
<v Speaker 3>and he said he went, they went and got him,

1:07:55.440 --> 1:07:59.680
<v Speaker 3>but we right I forget, I forget exactly what he was.

1:08:01.280 --> 1:08:06.600
<v Speaker 2>Everyone a Stevie story that transcends logic because he's actually

1:08:06.720 --> 1:08:07.880
<v Speaker 2>not a logical person.

1:08:08.080 --> 1:08:10.520
<v Speaker 4>But there are really if you think about it.

1:08:11.680 --> 1:08:14.800
<v Speaker 1>Just then doctor called him at five am.

1:08:15.320 --> 1:08:16.439
<v Speaker 4>Yeah he's he's not.

1:08:16.960 --> 1:08:21.040
<v Speaker 2>But that's why there's very few artists that that have

1:08:21.240 --> 1:08:25.400
<v Speaker 2>this level of genius. So it makes sense that most

1:08:25.479 --> 1:08:29.679
<v Speaker 2>of the stories we hear are beyond you know, daily logic,

1:08:29.800 --> 1:08:33.320
<v Speaker 2>because his whole being is is is a superhuman.

1:08:33.800 --> 1:08:38.960
<v Speaker 3>Yes, I want to talk about a different super human. Recently,

1:08:39.280 --> 1:08:41.560
<v Speaker 3>a friend of mine is just released his trailer to

1:08:41.640 --> 1:08:45.800
<v Speaker 3>a movie. Uh, he made me a lego character. His

1:08:45.920 --> 1:08:48.320
<v Speaker 3>name is will What is what is your connection with

1:08:48.400 --> 1:08:49.040
<v Speaker 3>Harrel Williams.

1:08:50.080 --> 1:08:53.840
<v Speaker 2>I've known Pharrell for years and actually Pharrell called on

1:08:53.960 --> 1:08:58.160
<v Speaker 2>me to DJ his three three of his closest friend's weddings,

1:09:01.640 --> 1:09:06.360
<v Speaker 2>DJ Shay's wedding from N E r D and two

1:09:06.520 --> 1:09:10.599
<v Speaker 2>other very close people in his life. So I've known

1:09:10.640 --> 1:09:14.360
<v Speaker 2>Pharrell throughout the years. He's been a supporter of my

1:09:14.520 --> 1:09:18.160
<v Speaker 2>career and on various occasions that were important to him.

1:09:19.880 --> 1:09:22.880
<v Speaker 2>I was kind of his gift to the wedding, which

1:09:22.960 --> 1:09:25.800
<v Speaker 2>is very flattering, I mean and never. I take that

1:09:25.960 --> 1:09:30.240
<v Speaker 2>responsibility very seriously. Get I get nervous to DJ parties

1:09:30.280 --> 1:09:34.759
<v Speaker 2>to this day, especially if it's for someone whom I admire.

1:09:34.880 --> 1:09:36.960
<v Speaker 2>You know, when Pharrell calls you to DJ a party,

1:09:37.000 --> 1:09:39.360
<v Speaker 2>Farrell could call any DJ, and any DJ would go,

1:09:39.439 --> 1:09:41.599
<v Speaker 2>would jump at the opportunity.

1:09:41.439 --> 1:09:42.040
<v Speaker 1>As do I.

1:09:43.160 --> 1:09:47.120
<v Speaker 2>And so when anyone of that stature, with critical ears,

1:09:47.760 --> 1:09:50.519
<v Speaker 2>with extremely critical ears, who most people on Earth hold

1:09:50.600 --> 1:09:54.320
<v Speaker 2>on a very high pedestal, We're not just talking about

1:09:54.320 --> 1:09:57.920
<v Speaker 2>your average producer, someone who's commonly thought of as the

1:09:58.000 --> 1:10:02.840
<v Speaker 2>ears you want to respect you. So when he calls

1:10:02.960 --> 1:10:06.439
<v Speaker 2>me for a wedding of his three best friends, it's

1:10:06.520 --> 1:10:09.600
<v Speaker 2>something I take very seriously. But I could say that

1:10:09.680 --> 1:10:12.599
<v Speaker 2>across the board, whether it's the White House or fell

1:10:12.680 --> 1:10:14.920
<v Speaker 2>or anyone of that nature.

1:10:15.080 --> 1:10:17.040
<v Speaker 4>Beyonce, Beyonce and Jay.

1:10:18.000 --> 1:10:19.040
<v Speaker 7>You worked with them both.

1:10:19.720 --> 1:10:20.400
<v Speaker 4>I did their wedding.

1:10:20.840 --> 1:10:24.120
<v Speaker 1>That's fucking awesome. What kind of DNA?

1:10:24.439 --> 1:10:24.760
<v Speaker 7>What is that?

1:10:24.920 --> 1:10:30.280
<v Speaker 1>NDA? You had to sign for that? And DA?

1:10:30.400 --> 1:10:32.439
<v Speaker 2>I mean it was a long time agoing now, I'm sure.

1:10:32.479 --> 1:10:35.479
<v Speaker 2>I just I'm known for reading things over and over

1:10:35.560 --> 1:10:37.400
<v Speaker 2>and not signing them on site. I'm sure I just

1:10:37.439 --> 1:10:40.400
<v Speaker 2>signed it. I do remember I didn't bring anyone I

1:10:40.600 --> 1:10:43.800
<v Speaker 2>was asked not to bring like a side man or

1:10:43.880 --> 1:10:46.280
<v Speaker 2>like a tech. I think I might have been able

1:10:46.360 --> 1:10:49.960
<v Speaker 2>to bring my tech to sound check. It was at

1:10:49.960 --> 1:10:53.080
<v Speaker 2>their apartment in Tribeca. It was very small, you know,

1:10:53.800 --> 1:10:56.240
<v Speaker 2>like you got to understand, no matter how big your

1:10:56.320 --> 1:11:00.200
<v Speaker 2>apartment is in Manhattan, it's still an apartment, right, It's

1:11:00.200 --> 1:11:03.479
<v Speaker 2>still not a house. Okay, So I think I might

1:11:03.560 --> 1:11:07.000
<v Speaker 2>have brought someone for sound check, but no one at night,

1:11:08.160 --> 1:11:11.439
<v Speaker 2>and I remember it being like a marathon, like I

1:11:11.560 --> 1:11:13.720
<v Speaker 2>must have got there and ate. But here's the funny thing.

1:11:14.520 --> 1:11:16.880
<v Speaker 2>So the only photo of that wedding is me walking

1:11:16.960 --> 1:11:20.240
<v Speaker 2>into the lobby. So apparently they sent me a car

1:11:20.400 --> 1:11:22.160
<v Speaker 2>to pick me up in my apartment. The car never

1:11:22.200 --> 1:11:23.519
<v Speaker 2>showed up, so I took a taxi.

1:11:28.760 --> 1:11:30.760
<v Speaker 1>I'm just gonna get this correct. Did you us just

1:11:30.800 --> 1:11:31.759
<v Speaker 1>say you took a taxi?

1:11:31.920 --> 1:11:33.760
<v Speaker 2>I took a taxi to their weddings because the car

1:11:33.880 --> 1:11:35.599
<v Speaker 2>service never showed up and I didn't want to be late.

1:11:36.439 --> 1:11:37.680
<v Speaker 2>I didn't want to be late, so I left the

1:11:37.720 --> 1:11:42.439
<v Speaker 2>apartment hailed a taxi. This was way before any apps.

1:11:42.560 --> 1:11:43.360
<v Speaker 1>Yeah, so.

1:11:45.360 --> 1:11:48.600
<v Speaker 2>All the celebrities are directed from the car services on

1:11:48.720 --> 1:11:49.120
<v Speaker 2>where to go.

1:11:49.760 --> 1:11:50.960
<v Speaker 4>So down the garage.

1:11:51.160 --> 1:11:55.040
<v Speaker 2>Right, So all the paparazzi shots or of the celebrities

1:11:55.160 --> 1:11:58.360
<v Speaker 2>like through the SUVs. But the one shot they have

1:11:58.479 --> 1:12:00.519
<v Speaker 2>of the whole wedding is me walking in the front

1:12:00.560 --> 1:12:03.960
<v Speaker 2>door of the main lobby in my like black velvet texto.

1:12:05.000 --> 1:12:05.639
<v Speaker 4>I took a tax.

1:12:06.120 --> 1:12:06.280
<v Speaker 1>Yeah.

1:12:06.320 --> 1:12:08.320
<v Speaker 4>Had I not done that, there would have been you know,

1:12:08.479 --> 1:12:10.160
<v Speaker 4>no first song was Was.

1:12:10.280 --> 1:12:14.120
<v Speaker 3>There any black class from them? They're like, oh, nah, okay, now,

1:12:14.600 --> 1:12:15.439
<v Speaker 3>so okay.

1:12:16.560 --> 1:12:19.320
<v Speaker 2>I've done so many events, you know my mouth was

1:12:20.320 --> 1:12:22.120
<v Speaker 2>you know, I never had a big mouth at these things.

1:12:22.160 --> 1:12:24.439
<v Speaker 4>I mean that was part of why I was there.

1:12:24.680 --> 1:12:27.080
<v Speaker 3>It was getting high. Okay, one person around a little bit.

1:12:27.200 --> 1:12:30.320
<v Speaker 3>One thing I know is very private people.

1:12:30.680 --> 1:12:33.200
<v Speaker 1>So how do you get this call? And then how

1:12:33.240 --> 1:12:34.640
<v Speaker 1>do you get the first time you got to work with?

1:12:34.800 --> 1:12:37.479
<v Speaker 2>Right? So I think this was anyone could google it.

1:12:37.520 --> 1:12:39.560
<v Speaker 2>But I think they got married in two thousand and

1:12:39.720 --> 1:12:42.679
<v Speaker 2>seven or was it fourteen?

1:12:42.920 --> 1:12:46.400
<v Speaker 4>I don't know why. I'm thinking it was seven. No,

1:12:46.520 --> 1:12:47.160
<v Speaker 4>I think it was.

1:12:49.400 --> 1:12:52.400
<v Speaker 2>It wasn't fourteen. I think it was seven. I think

1:12:52.439 --> 1:12:52.960
<v Speaker 2>it was seven.

1:12:53.520 --> 1:12:54.040
<v Speaker 4>It was seven.

1:12:56.720 --> 1:13:00.360
<v Speaker 1>Nobody cares about when you got married, sir, And I.

1:13:00.400 --> 1:13:01.920
<v Speaker 4>Think it was April fourth.

1:13:02.840 --> 1:13:06.479
<v Speaker 2>I think they're two thousand and eight April fourth, and

1:13:06.600 --> 1:13:10.639
<v Speaker 2>I think they're lucky. Number is four, so was the fourth. Yeah,

1:13:10.680 --> 1:13:14.519
<v Speaker 2>so it's four to four and blue Ivy ivy is

1:13:14.560 --> 1:13:14.920
<v Speaker 2>a four.

1:13:15.960 --> 1:13:16.120
<v Speaker 3>Oh.

1:13:18.720 --> 1:13:23.800
<v Speaker 2>So I had already been djaying Jay's parties for at

1:13:23.920 --> 1:13:27.680
<v Speaker 2>least five years. Wow, So I got my first call

1:13:27.800 --> 1:13:31.200
<v Speaker 2>from J. I think I was still in school, so

1:13:31.280 --> 1:13:34.400
<v Speaker 2>I must have been maybe twenty. And so I would

1:13:34.520 --> 1:13:39.400
<v Speaker 2>dj all all his parties, his birthdays, then Beyonce's parties

1:13:39.439 --> 1:13:42.920
<v Speaker 2>when he threw them the forty forty club opening in

1:13:43.000 --> 1:13:47.320
<v Speaker 2>Atlantic City and Vegas and all of those and college. Heah,

1:13:47.320 --> 1:13:51.160
<v Speaker 2>I was in college at that point, and so I

1:13:51.240 --> 1:13:53.280
<v Speaker 2>had been doing all his parties. So the call to

1:13:53.400 --> 1:13:55.919
<v Speaker 2>do his wedding was not at all abnormal.

1:13:56.160 --> 1:13:58.240
<v Speaker 4>Yeah it was. It was not abnormal at the time.

1:13:58.320 --> 1:14:01.240
<v Speaker 2>But still, as I say, you know about all these things,

1:14:01.280 --> 1:14:03.840
<v Speaker 2>I don't want to say the same thing every time. Granted,

1:14:04.640 --> 1:14:07.760
<v Speaker 2>look that's the two greatest entertainers of our time. Mind you,

1:14:08.200 --> 1:14:10.759
<v Speaker 2>this is now fifteen years later, even more the greatest

1:14:10.840 --> 1:14:11.880
<v Speaker 2>entertainers of all times.

1:14:11.920 --> 1:14:14.439
<v Speaker 4>Right, Like we knew then, but you know now right,

1:14:15.200 --> 1:14:18.479
<v Speaker 4>and you know they could have anyone, you know, anyone.

1:14:18.560 --> 1:14:20.720
<v Speaker 2>And also This wasn't a wedding where they bring out

1:14:21.280 --> 1:14:22.920
<v Speaker 2>you know, this R and B singer to sing the

1:14:23.000 --> 1:14:25.400
<v Speaker 2>first dance and this band to do now it was

1:14:25.720 --> 1:14:30.280
<v Speaker 2>it was literally just me, wow and control the entire

1:14:30.360 --> 1:14:31.439
<v Speaker 2>party from beginning to end.

1:14:31.479 --> 1:14:33.280
<v Speaker 1>How do you approach that playlist? Do they tell you

1:14:33.800 --> 1:14:34.160
<v Speaker 1>you too?

1:14:35.000 --> 1:14:35.040
<v Speaker 4>So?

1:14:38.080 --> 1:14:40.160
<v Speaker 2>No, I don't think there was any talk of music

1:14:40.240 --> 1:14:42.720
<v Speaker 2>other than like the first dance and the entrance song,

1:14:42.880 --> 1:14:45.360
<v Speaker 2>like those songs you know that the bride and room choose.

1:14:46.520 --> 1:14:49.160
<v Speaker 2>I think there was no discussion of music because I

1:14:49.280 --> 1:14:53.679
<v Speaker 2>had been doing this with him now for years. Yeah.

1:14:53.680 --> 1:14:56.600
<v Speaker 2>I don't think they were coming to me to direct it.

1:14:56.960 --> 1:14:59.800
<v Speaker 2>I think they were coming to me for me, you know,

1:15:00.080 --> 1:15:03.000
<v Speaker 2>to do me right. But i'm you know, still to

1:15:03.120 --> 1:15:06.000
<v Speaker 2>this day, and I I mean, I swear to God,

1:15:06.040 --> 1:15:07.880
<v Speaker 2>I think about this sometimes, like when I go to

1:15:07.960 --> 1:15:11.280
<v Speaker 2>her concerts, right like the Renaissance Store, I think about it.

1:15:11.479 --> 1:15:17.240
<v Speaker 2>I sit there thinking about it. I DJ their wedding.

1:15:17.560 --> 1:15:20.000
<v Speaker 2>It still feels like a very big deal to me.

1:15:22.439 --> 1:15:26.840
<v Speaker 2>I don't let those things. I don't allow myself to

1:15:26.920 --> 1:15:30.519
<v Speaker 2>become jaded. I actually keep those memories as memories that

1:15:30.680 --> 1:15:34.519
<v Speaker 2>continue to inspire me and hype me up because the

1:15:34.640 --> 1:15:36.880
<v Speaker 2>two greatest entertainers in the world.

1:15:39.200 --> 1:15:40.360
<v Speaker 4>Could really call anyone.

1:15:40.560 --> 1:15:43.519
<v Speaker 2>You know, their rolodex doesn't exist because they can get

1:15:43.600 --> 1:15:48.280
<v Speaker 2>everyone's number. And so you know, I was as honored

1:15:48.320 --> 1:15:49.920
<v Speaker 2>then as I am now. In fact, I think I'm

1:15:49.960 --> 1:15:52.720
<v Speaker 2>more honored now by the memory. I think then I

1:15:52.800 --> 1:15:54.880
<v Speaker 2>was probably just so in it. But now when I

1:15:54.960 --> 1:15:57.400
<v Speaker 2>look back, I say, damn, you know, thirty people at

1:15:57.439 --> 1:15:58.200
<v Speaker 2>that party.

1:16:02.640 --> 1:16:07.400
<v Speaker 1>Sounds rich to be. Let me. Let me just look.

1:16:07.400 --> 1:16:10.280
<v Speaker 3>I've been analyzing all night. I want to see if

1:16:10.479 --> 1:16:13.600
<v Speaker 3>I'm correct. Is that the Cardia nail and is that

1:16:13.680 --> 1:16:14.519
<v Speaker 3>the Cardia panther?

1:16:14.680 --> 1:16:16.760
<v Speaker 4>No, so there's no I'm not wearing one name brand.

1:16:16.920 --> 1:16:19.040
<v Speaker 1>Okay, break this down for me.

1:16:19.320 --> 1:16:21.439
<v Speaker 4>So the only thing I'm wearing this is very dev

1:16:22.240 --> 1:16:23.439
<v Speaker 4>I respect it, thank you.

1:16:23.560 --> 1:16:25.599
<v Speaker 2>So the only thing that's name brand that I'm wearing

1:16:25.760 --> 1:16:28.640
<v Speaker 2>is my sneakers air Force ones okay, just white air

1:16:28.720 --> 1:16:33.640
<v Speaker 2>Force one so so oh, and Polo Polo shirt. But

1:16:33.760 --> 1:16:35.880
<v Speaker 2>the suit is custom made. I have all my suits

1:16:35.920 --> 1:16:40.920
<v Speaker 2>made on my stage, attire made. Contrary to what many

1:16:40.960 --> 1:16:44.120
<v Speaker 2>people think, it's not more expensive than buying fancy name

1:16:44.160 --> 1:16:44.719
<v Speaker 2>brand clothes.

1:16:45.040 --> 1:16:46.680
<v Speaker 4>It's not at all. But it's not a money thing.

1:16:47.320 --> 1:16:48.160
<v Speaker 4>It's a fit thing.

1:16:48.560 --> 1:16:50.840
<v Speaker 2>It's I never want to walk on stage or walk

1:16:50.880 --> 1:16:52.760
<v Speaker 2>into a party and someone else has my suit that

1:16:52.840 --> 1:16:56.200
<v Speaker 2>they bought at tom Ford or Gucci. And also the

1:16:56.280 --> 1:16:58.320
<v Speaker 2>crazy you know, the crazy ship I wear I could

1:16:58.360 --> 1:17:00.960
<v Speaker 2>never even find in a store. You know, I'm tall

1:17:01.000 --> 1:17:04.240
<v Speaker 2>and skinny. My body never fit things growing up. You know,

1:17:04.360 --> 1:17:06.559
<v Speaker 2>my posture was always bad. I was lanky. I could

1:17:06.640 --> 1:17:09.200
<v Speaker 2>never fit a suit or a tuxedo. So over the

1:17:09.320 --> 1:17:11.840
<v Speaker 2>years I started custom making clothes. So and I buy

1:17:11.920 --> 1:17:14.720
<v Speaker 2>all my fabrics. So I literally like, if someone ever

1:17:14.800 --> 1:17:17.280
<v Speaker 2>says to me, what do you do besides music, I say,

1:17:17.320 --> 1:17:19.479
<v Speaker 2>I make clothes, But I don't make clothes.

1:17:19.280 --> 1:17:19.760
<v Speaker 1>To sell them.

1:17:20.040 --> 1:17:22.160
<v Speaker 2>I don't go to fashion shows. I know nothing about

1:17:22.280 --> 1:17:25.240
<v Speaker 2>the brands on Fifth Avenue. I know very little about

1:17:25.560 --> 1:17:27.000
<v Speaker 2>about the fashion industry.

1:17:27.400 --> 1:17:28.439
<v Speaker 1>Fashion oval.

1:17:31.720 --> 1:17:34.360
<v Speaker 2>I actually would though. You know, the things I do

1:17:34.520 --> 1:17:38.599
<v Speaker 2>buy are cheap, too expensive, there's no there's no rhyme

1:17:38.720 --> 1:17:41.120
<v Speaker 2>or reason. But really most of what I buy are basics,

1:17:41.240 --> 1:17:44.800
<v Speaker 2>the Air Force ones, the polos. But I have fun

1:17:44.920 --> 1:17:47.360
<v Speaker 2>going to the fabric store. All the fabrics I choose,

1:17:47.400 --> 1:17:51.559
<v Speaker 2>the fabric, I choose the buttons. The jewelry is vintage

1:17:51.600 --> 1:17:52.360
<v Speaker 2>that I either bought.

1:17:52.680 --> 1:17:53.240
<v Speaker 5>I didn't care.

1:17:55.000 --> 1:17:58.559
<v Speaker 2>Okay, so the brooch, so the broke. Oh I should

1:17:58.600 --> 1:18:01.240
<v Speaker 2>have said the glasses are name brand, but the the

1:18:01.360 --> 1:18:08.000
<v Speaker 2>brooch and the cuffs are straight vintage stores, antique stores,

1:18:09.640 --> 1:18:11.160
<v Speaker 2>flea markets, estate sales.

1:18:11.560 --> 1:18:13.920
<v Speaker 1>Don't say flee marketers. He's gonna go crazy and but

1:18:14.080 --> 1:18:18.200
<v Speaker 1>but that's what I do. That's what I do. I

1:18:18.240 --> 1:18:22.519
<v Speaker 1>don't think we give him a bow. He goes to

1:18:22.560 --> 1:18:25.240
<v Speaker 1>the bad it's a different free market. He's a.

1:18:26.760 --> 1:18:30.680
<v Speaker 5>Different market. I can already tell that we've been in

1:18:30.800 --> 1:18:31.320
<v Speaker 5>the same.

1:18:36.800 --> 1:18:37.880
<v Speaker 4>I could give you all the spots.

1:18:37.920 --> 1:18:41.800
<v Speaker 7>You know, they used to be a show you got

1:18:41.880 --> 1:18:42.559
<v Speaker 7>shopping together.

1:18:44.640 --> 1:18:47.600
<v Speaker 1>That's so weird that a state sales champion.

1:18:52.160 --> 1:18:55.439
<v Speaker 2>State sales is where you find all the heat because

1:18:55.479 --> 1:18:56.680
<v Speaker 2>the rich old women die.

1:18:56.920 --> 1:18:57.680
<v Speaker 1>That's that's what I'm saying.

1:18:57.680 --> 1:18:59.599
<v Speaker 7>People don't know he said when he said, that's people

1:18:59.600 --> 1:19:01.920
<v Speaker 7>that passed and they're selling.

1:19:01.680 --> 1:19:02.320
<v Speaker 1>Off the estate.

1:19:02.600 --> 1:19:04.559
<v Speaker 4>I don't wear a name brand jewelry.

1:19:04.680 --> 1:19:08.040
<v Speaker 2>Nothing is expensive, nothing is real gold or diamonds.

1:19:08.080 --> 1:19:10.559
<v Speaker 1>It's costume jewelry, right, it's costume jewelry.

1:19:11.040 --> 1:19:13.120
<v Speaker 2>I don't walk around with anything expensive, and it's not

1:19:13.160 --> 1:19:14.600
<v Speaker 2>it has nothing to do with money. It's just what

1:19:14.680 --> 1:19:20.479
<v Speaker 2>I like I like vintage costume jewelry. The hats are

1:19:20.479 --> 1:19:23.640
<v Speaker 2>all custom made, and I started wearing Boater hats. It

1:19:23.800 --> 1:19:27.040
<v Speaker 2>was I experimented with hats for many years. And so

1:19:27.160 --> 1:19:28.760
<v Speaker 2>there was this hat store in New York where I

1:19:28.800 --> 1:19:31.519
<v Speaker 2>grew up on thirty second and Fifth called JJ Hat Center.

1:19:32.400 --> 1:19:35.080
<v Speaker 1>I used to have a studio on thirty second of Madison.

1:19:35.320 --> 1:19:38.040
<v Speaker 4>So you must know that store was there forever small store.

1:19:38.320 --> 1:19:43.760
<v Speaker 4>So this store was like the classic men's hat store.

1:19:44.680 --> 1:19:46.640
<v Speaker 2>And every time I would go in there, they'd give me,

1:19:46.840 --> 1:19:48.960
<v Speaker 2>you know, something that looked like a run DMC or

1:19:49.080 --> 1:19:54.200
<v Speaker 2>Michael Jackson felterstr And there was always this straw, stiff, thick.

1:19:54.160 --> 1:19:57.280
<v Speaker 4>Boater hat with this brim that was like a it

1:19:57.439 --> 1:19:58.439
<v Speaker 4>was like hard, like a.

1:19:58.880 --> 1:20:02.240
<v Speaker 2>Fucking, you know, weapon, and it looked very old school

1:20:02.360 --> 1:20:05.519
<v Speaker 2>in a stately and I thought maybe I could like

1:20:06.920 --> 1:20:09.240
<v Speaker 2>kind of transform that and it would give me this

1:20:09.400 --> 1:20:12.960
<v Speaker 2>kind of like classic thing, but I would do it,

1:20:13.640 --> 1:20:15.559
<v Speaker 2>you know, in a different way, in a hip hop way,

1:20:15.680 --> 1:20:19.720
<v Speaker 2>or just in a different, you know, modern way. So

1:20:19.800 --> 1:20:22.719
<v Speaker 2>I start experimenting with the boter had it became my signature.

1:20:23.200 --> 1:20:23.800
<v Speaker 1>But then as.

1:20:23.720 --> 1:20:28.599
<v Speaker 2>Styles evolved, I wanted a larger brim. So the machines

1:20:28.640 --> 1:20:32.640
<v Speaker 2>in America can only make the two inch brim, so

1:20:32.800 --> 1:20:35.400
<v Speaker 2>the three inch brim has to be customye. But there's

1:20:35.439 --> 1:20:37.519
<v Speaker 2>only one machine in the world that can make a

1:20:37.640 --> 1:20:40.960
<v Speaker 2>three inch boter hat because of the way the quirk is,

1:20:41.439 --> 1:20:44.200
<v Speaker 2>and that's in Florence, Italy, and one old man has

1:20:44.280 --> 1:20:45.600
<v Speaker 2>that machine, and when he.

1:20:45.720 --> 1:20:46.559
<v Speaker 4>Dies it's a rat.

1:20:47.760 --> 1:20:47.960
<v Speaker 1>Wow.

1:20:48.280 --> 1:20:49.960
<v Speaker 2>So I ordered these hats and you get them when

1:20:50.000 --> 1:20:51.600
<v Speaker 2>you get them, and sometimes you never do. And the

1:20:51.680 --> 1:20:53.600
<v Speaker 2>man's literally an eighty year old man making them in

1:20:53.680 --> 1:20:56.080
<v Speaker 2>this one machine that can make make them he can,

1:20:57.280 --> 1:20:59.519
<v Speaker 2>and then the wrong sizes come and they're all padded.

1:21:00.080 --> 1:21:02.880
<v Speaker 2>So it's a triple layer. You see one, two, three

1:21:02.960 --> 1:21:05.599
<v Speaker 2>layers of cork three inch brim hat, So no one

1:21:05.680 --> 1:21:06.879
<v Speaker 2>really has the three inch.

1:21:10.520 --> 1:21:12.880
<v Speaker 4>I mean a straw boater hat. It's kind of a unique.

1:21:12.960 --> 1:21:14.680
<v Speaker 4>I never knew that's what that was. Cool called the

1:21:14.760 --> 1:21:15.280
<v Speaker 4>boter hat.

1:21:15.479 --> 1:21:18.640
<v Speaker 1>Yeah, I never knew that. I never knew. So let

1:21:18.680 --> 1:21:19.040
<v Speaker 1>me ask you.

1:21:19.840 --> 1:21:23.160
<v Speaker 3>You've been all over the world, what is one of

1:21:23.200 --> 1:21:24.920
<v Speaker 3>the strangest places you ever performed?

1:21:24.960 --> 1:21:27.760
<v Speaker 4>At Kazakhstan?

1:21:28.040 --> 1:21:30.040
<v Speaker 1>You ain't performing Borax country.

1:21:30.280 --> 1:21:38.200
<v Speaker 2>Yeah, So it's nothing like present, which is why that

1:21:38.320 --> 1:21:39.559
<v Speaker 2>country tried to sue him.

1:21:39.560 --> 1:21:41.040
<v Speaker 4>I mean with the whole country.

1:21:41.400 --> 1:21:44.920
<v Speaker 7>Yeah, yeah, yeah, yeah, they were highly offended for.

1:21:44.960 --> 1:21:48.120
<v Speaker 2>The whole country. Yeah, the whole country. Okay, But one

1:21:48.240 --> 1:21:50.880
<v Speaker 2>interesting thing in Kazakhstan is that they eat horse.

1:21:51.720 --> 1:21:53.840
<v Speaker 7>Excuse me, there's not the only country, though, there's other countries.

1:21:54.120 --> 1:21:55.280
<v Speaker 4>It was the first one that I had been.

1:21:55.360 --> 1:21:58.200
<v Speaker 2>So I go to this country to DJ a black

1:21:58.280 --> 1:22:03.479
<v Speaker 2>tie gala like what you would imagine. I'm trying to

1:22:03.520 --> 1:22:06.040
<v Speaker 2>think of an American example, but they're all like European

1:22:06.160 --> 1:22:09.240
<v Speaker 2>galas that would acquaint to that, you know, like a

1:22:09.320 --> 1:22:15.240
<v Speaker 2>gala in can Am Far but in Kazakhstan. And you know,

1:22:15.280 --> 1:22:17.679
<v Speaker 2>I'm seated, I'm a guest before I go on stage,

1:22:17.880 --> 1:22:21.320
<v Speaker 2>and every single portion of the meal was horse meat.

1:22:21.560 --> 1:22:24.000
<v Speaker 2>So that was a bizarre experience.

1:22:29.080 --> 1:22:30.360
<v Speaker 1>Walked, walked the horse.

1:22:30.560 --> 1:22:31.280
<v Speaker 7>This is your office.

1:22:31.560 --> 1:22:32.439
<v Speaker 4>Have you ever had kasaks?

1:22:33.800 --> 1:22:35.519
<v Speaker 7>Have you had then the horse?

1:22:42.760 --> 1:22:45.760
<v Speaker 3>The former US s are No, okay, we had him

1:22:45.920 --> 1:22:46.880
<v Speaker 3>speak about it earlier.

1:22:48.720 --> 1:22:53.719
<v Speaker 7>I had buffalo, buffalo, buffalo wings.

1:22:57.880 --> 1:23:00.280
<v Speaker 3>You were you were going to say something, sir, Oh no, no,

1:23:00.320 --> 1:23:04.080
<v Speaker 3>no oh, yeah, So we spoke about Steve. You spoke

1:23:04.120 --> 1:23:06.360
<v Speaker 3>about it earlier. But how did you come up with this?

1:23:06.720 --> 1:23:09.439
<v Speaker 3>Past of my idea. Was it during the pandemic.

1:23:09.600 --> 1:23:16.120
<v Speaker 2>Yeah, so in April twenty twenty, early pandemic, early when

1:23:16.240 --> 1:23:19.439
<v Speaker 2>no one really knew what was going on. When I was,

1:23:19.560 --> 1:23:22.960
<v Speaker 2>you know, cleaning my groceries with Clorox wipes, that whole era,

1:23:26.000 --> 1:23:29.240
<v Speaker 2>I was facetiming one night with my friend and mentor,

1:23:29.439 --> 1:23:31.839
<v Speaker 2>Verdeen White of Earth Wind and Fire, whom I mentioned

1:23:31.840 --> 1:23:36.519
<v Speaker 2>earlier when we started Nice Floors continue, And so Verdeen

1:23:36.800 --> 1:23:38.800
<v Speaker 2>has been a hero of mine as far back as

1:23:38.800 --> 1:23:40.360
<v Speaker 2>I can remember, and I can tell you the story

1:23:40.400 --> 1:23:42.040
<v Speaker 2>about how we met after.

1:23:42.240 --> 1:23:45.120
<v Speaker 4>But he and I go to dinner every now and then,

1:23:45.160 --> 1:23:46.200
<v Speaker 4>once every couple of months.

1:23:46.240 --> 1:23:48.120
<v Speaker 2>So I called him to check in on him in

1:23:48.240 --> 1:23:52.200
<v Speaker 2>this crazy time, and we were facetiming. Now, for those

1:23:52.240 --> 1:23:56.920
<v Speaker 2>who know Verdeen, everything I say about my clothes and

1:23:57.000 --> 1:24:01.160
<v Speaker 2>my fashion, he's times a thousand. I mean, he's the originator.

1:24:01.960 --> 1:24:05.599
<v Speaker 2>He's the originator. And so I FaceTime him and he's

1:24:05.600 --> 1:24:08.599
<v Speaker 2>sitting on his couch and like red silk pajamas, looking

1:24:08.720 --> 1:24:12.240
<v Speaker 2>like verdein White should And while I'm facetiming with him,

1:24:12.320 --> 1:24:14.800
<v Speaker 2>the Earthwind song That's the Way of the World comes on.

1:24:14.960 --> 1:24:16.839
<v Speaker 4>My son no speakers in the bat.

1:24:18.040 --> 1:24:21.320
<v Speaker 2>And verdein hears his own song and he begins to

1:24:21.439 --> 1:24:28.040
<v Speaker 2>casually sing along. Hearts of Fire Create Love Desire. So

1:24:28.240 --> 1:24:31.680
<v Speaker 2>this ballad on a regular day gives me chills. It's

1:24:31.720 --> 1:24:36.280
<v Speaker 2>one of those ballads that just touches me. But in

1:24:36.400 --> 1:24:41.639
<v Speaker 2>this moment, those chills were multiplied. It's a crazy time

1:24:41.720 --> 1:24:44.840
<v Speaker 2>in the world. I was literally alone for three months.

1:24:45.080 --> 1:24:48.120
<v Speaker 2>I didn't have I didn't have human contact for three months.

1:24:48.160 --> 1:24:50.760
<v Speaker 2>But at that point it was still new and he

1:24:50.840 --> 1:24:56.160
<v Speaker 2>starts singing along the first three months and he starts

1:24:56.200 --> 1:25:00.200
<v Speaker 2>singing along just like nothing, to his own song. And

1:25:00.600 --> 1:25:03.080
<v Speaker 2>I didn't take that moment for granted. I said to

1:25:03.200 --> 1:25:07.320
<v Speaker 2>myself as he's talking, how fortunate am I to have

1:25:07.479 --> 1:25:10.960
<v Speaker 2>relationships with so many of my musical heroes, and how

1:25:11.040 --> 1:25:14.960
<v Speaker 2>fortunate am I to be able to experience their music

1:25:15.280 --> 1:25:16.639
<v Speaker 2>in this intimate way.

1:25:17.520 --> 1:25:19.720
<v Speaker 4>It's crazy how we started this conversation.

1:25:20.439 --> 1:25:24.479
<v Speaker 2>However many you know now it's you know, an hour maybe,

1:25:25.240 --> 1:25:28.639
<v Speaker 2>and it all comes back to the same thing, because

1:25:28.640 --> 1:25:30.759
<v Speaker 2>the first things you asked me were about my heroes

1:25:30.800 --> 1:25:34.160
<v Speaker 2>and my friendships and relationships, and that's what sparked the

1:25:34.200 --> 1:25:34.559
<v Speaker 2>whole thing.

1:25:35.080 --> 1:25:36.719
<v Speaker 4>So I said to myself at that moment.

1:25:36.920 --> 1:25:40.080
<v Speaker 2>Maybe there's a way for me to give people around

1:25:40.120 --> 1:25:43.519
<v Speaker 2>the world during this crazy time the feeling that I

1:25:43.640 --> 1:25:47.320
<v Speaker 2>have right now, at this moment, of interacting with their

1:25:47.439 --> 1:25:51.479
<v Speaker 2>favorite artists and experiencing their favorite songs in.

1:25:51.560 --> 1:25:54.760
<v Speaker 4>A more personal way than ever before. And a light

1:25:54.840 --> 1:26:01.600
<v Speaker 4>bulb went off, and I imai. I immediately envisioned what

1:26:02.000 --> 1:26:03.040
<v Speaker 4>became past the mic.

1:26:03.439 --> 1:26:08.000
<v Speaker 2>I envisioned myself in my living room in front of

1:26:08.040 --> 1:26:12.200
<v Speaker 2>the fireplace with the palm trees and the flamingo wallpaper

1:26:12.240 --> 1:26:15.839
<v Speaker 2>and the lights dim down low, and I envisioned myself

1:26:16.000 --> 1:26:21.120
<v Speaker 2>dropping iconic hip hop and R and B records and

1:26:21.400 --> 1:26:24.880
<v Speaker 2>bringing on screen the legendary hip hop and R and

1:26:24.960 --> 1:26:28.160
<v Speaker 2>B icon who sings that song to sing along.

1:26:29.680 --> 1:26:31.680
<v Speaker 4>And I said, Fortina, I got to call you back.

1:26:32.520 --> 1:26:34.200
<v Speaker 4>And I called my editor Ian.

1:26:34.280 --> 1:26:36.600
<v Speaker 2>And I said Ian, I said, we all know on

1:26:36.760 --> 1:26:38.760
<v Speaker 2>zoom and FaceTime, if I trigger a song, no one

1:26:38.800 --> 1:26:39.920
<v Speaker 2>can sing along in real time.

1:26:39.960 --> 1:26:41.040
<v Speaker 4>They'll be five seconds late.

1:26:41.080 --> 1:26:41.680
<v Speaker 1>How can we do it?

1:26:43.360 --> 1:26:45.240
<v Speaker 4>And forty eight hours later we.

1:26:45.439 --> 1:26:49.760
<v Speaker 2>Concocted a way to break the code and have me

1:26:49.880 --> 1:26:52.800
<v Speaker 2>trigger songs and have people sing along in real time.

1:26:54.200 --> 1:26:59.640
<v Speaker 2>And I started calling every icon of nineteen seventies and

1:26:59.720 --> 1:27:02.880
<v Speaker 2>eighty R and B that I had relationships with. Now

1:27:03.240 --> 1:27:05.200
<v Speaker 2>I knew I couldn't call people that I had never

1:27:05.320 --> 1:27:05.960
<v Speaker 2>met because the.

1:27:06.040 --> 1:27:07.880
<v Speaker 4>Idea was so crazy. No one would do this.

1:27:08.160 --> 1:27:11.200
<v Speaker 1>They had to have some level of trust in me.

1:27:12.080 --> 1:27:15.280
<v Speaker 2>And so I called back for Dean and his partner

1:27:15.320 --> 1:27:17.920
<v Speaker 2>in crime from Earth Win and Fire, Philip Bailey and

1:27:18.120 --> 1:27:21.120
<v Speaker 2>Cool from Cool in the Gang and Patrese Russian and

1:27:21.240 --> 1:27:24.240
<v Speaker 2>Ray Parker Junior and Chryl Lynn and Howard Hewitt and

1:27:24.280 --> 1:27:29.000
<v Speaker 2>Steve Arrington, and I said, guys, I have this idea.

1:27:29.840 --> 1:27:32.920
<v Speaker 2>I'm gonna sit in my living room in front of

1:27:32.960 --> 1:27:35.400
<v Speaker 2>my turntables, and every time I drop one of your records,

1:27:35.439 --> 1:27:37.120
<v Speaker 2>You're gonna pop on screen to sing along.

1:27:37.640 --> 1:27:42.360
<v Speaker 1>Right now, did verses come out before this or the

1:27:42.479 --> 1:27:45.720
<v Speaker 1>d Nice? Is this before that or this just after

1:27:46.320 --> 1:27:46.840
<v Speaker 1>the same time.

1:27:47.120 --> 1:27:48.439
<v Speaker 4>It's all around the same time.

1:27:49.120 --> 1:27:51.680
<v Speaker 1>Come to fish. Yeah, I know.

1:27:51.880 --> 1:27:57.000
<v Speaker 2>D Nice started djaying on Instagram Live almost immediately when

1:27:57.040 --> 1:28:01.400
<v Speaker 2>the lockdown started, so that probably preceded this phone call

1:28:02.160 --> 1:28:04.720
<v Speaker 2>versus I'm forgetting the exact month they started, but I

1:28:04.760 --> 1:28:08.240
<v Speaker 2>think it was all around the same few months, March, April, May, June, July.

1:28:08.479 --> 1:28:08.960
<v Speaker 1>It was all.

1:28:09.640 --> 1:28:13.120
<v Speaker 4>It was all very much happening, and.

1:28:13.200 --> 1:28:18.320
<v Speaker 2>I start calling everyone, and shockingly, everyone says yes, except

1:28:18.400 --> 1:28:22.160
<v Speaker 2>Philip Bailey of Earth Wind and Fire. So I called

1:28:22.240 --> 1:28:25.560
<v Speaker 2>Redeen and I Goverdeen, can you talk to your you know,

1:28:25.800 --> 1:28:29.360
<v Speaker 2>best friend of you know, fifty years And he goes,

1:28:29.439 --> 1:28:32.120
<v Speaker 2>you know, Philip is very cautious and he likes to

1:28:32.200 --> 1:28:35.200
<v Speaker 2>understand what he's doing. So I called Phillip's daughter, Trinity.

1:28:35.240 --> 1:28:39.040
<v Speaker 2>I said, Trinity, can you help me? And finally I

1:28:39.200 --> 1:28:40.679
<v Speaker 2>finished the entire episode.

1:28:41.800 --> 1:28:43.160
<v Speaker 8>You never told me that? He said no.

1:28:43.439 --> 1:28:46.800
<v Speaker 6>He said no, no, my best friends, you know, at

1:28:46.840 --> 1:28:49.000
<v Speaker 6>your birthday party when I wanted to strangle.

1:28:49.000 --> 1:28:52.960
<v Speaker 1>Oh god, I wasn't ready. It wasn't ready. I wasn't

1:28:53.000 --> 1:28:54.000
<v Speaker 1>ready send a block.

1:28:54.360 --> 1:28:55.519
<v Speaker 7>There's a lot of things we got to put a

1:28:55.600 --> 1:28:57.960
<v Speaker 7>pin in. That's one we'll yeah.

1:28:58.760 --> 1:29:03.360
<v Speaker 4>So I filmed the whole show and edited the whole show.

1:29:03.680 --> 1:29:06.559
<v Speaker 2>Now, some things that people don't realize about the show

1:29:06.640 --> 1:29:09.519
<v Speaker 2>is the show took me anywhere from four to eight

1:29:09.600 --> 1:29:15.880
<v Speaker 2>weeks to create, to conceptualize, to playlists, to reach out

1:29:15.880 --> 1:29:19.960
<v Speaker 2>to the artists, to film them all individually, and then

1:29:20.000 --> 1:29:21.040
<v Speaker 2>to put everything together.

1:29:21.400 --> 1:29:23.400
<v Speaker 4>So it looked like I never got up from the chair.

1:29:25.360 --> 1:29:29.120
<v Speaker 2>So the first episode is now assembled, and it's for

1:29:29.240 --> 1:29:32.439
<v Speaker 2>Dean White playing bass on the song that inspired the

1:29:32.520 --> 1:29:35.920
<v Speaker 2>whole thing, that's the way of the World. Into Sayita

1:29:36.000 --> 1:29:38.439
<v Speaker 2>Garrett doing her duet with Michael Jackson. I just can't

1:29:38.439 --> 1:29:41.000
<v Speaker 2>stop loving you and to picture He's Russian to and

1:29:41.120 --> 1:29:45.680
<v Speaker 2>remind me into Denise Williams, so on and so on,

1:29:46.560 --> 1:29:48.880
<v Speaker 2>and now there's twenty R.

1:29:48.880 --> 1:29:49.839
<v Speaker 1>And B icons.

1:29:50.680 --> 1:29:54.200
<v Speaker 2>And I called Philip Bailey's daughter and I say, can

1:29:54.240 --> 1:29:57.080
<v Speaker 2>I please speak to your dad? So she puts them

1:29:57.080 --> 1:29:57.439
<v Speaker 2>on the phone.

1:29:57.479 --> 1:29:58.360
<v Speaker 1>I go film.

1:30:00.120 --> 1:30:01.240
<v Speaker 4>The thing I was talking about.

1:30:01.320 --> 1:30:01.800
<v Speaker 1>He said yeah.

1:30:02.240 --> 1:30:05.439
<v Speaker 2>I said, look, I finished the whole episode. I left

1:30:05.479 --> 1:30:10.200
<v Speaker 2>the space for you to sing with Maurice White. Maurice White,

1:30:10.720 --> 1:30:12.800
<v Speaker 2>who died I think now about ten years ago, the

1:30:12.840 --> 1:30:16.439
<v Speaker 2>founder of the group. He sings half the song. The

1:30:16.560 --> 1:30:19.080
<v Speaker 2>song is Maurice White and Philip Bailey. I said, I

1:30:19.160 --> 1:30:22.400
<v Speaker 2>want you to sing with Maurice White. So I said, look,

1:30:22.439 --> 1:30:24.799
<v Speaker 2>I'm going to send you the episode. Okay, let's schedule

1:30:24.880 --> 1:30:26.360
<v Speaker 2>a time to do it. I'm going to send it

1:30:26.439 --> 1:30:29.760
<v Speaker 2>to you. If you don't love how this turned out,

1:30:30.400 --> 1:30:35.519
<v Speaker 2>we never had the call. Good but on everything I've

1:30:35.600 --> 1:30:38.439
<v Speaker 2>ever said, on everything we've ever collaborated on, and we

1:30:38.520 --> 1:30:40.960
<v Speaker 2>had collaborated on a few things. I said, give me

1:30:41.080 --> 1:30:44.240
<v Speaker 2>thirty minutes of your time and you have my word

1:30:44.439 --> 1:30:47.760
<v Speaker 2>that you'll be proud of the product. So he did it,

1:30:49.320 --> 1:30:52.040
<v Speaker 2>and I edited it and I sent it to him,

1:30:52.280 --> 1:30:55.320
<v Speaker 2>and five minutes later his daughter texted me in said approved.

1:30:57.160 --> 1:31:01.000
<v Speaker 2>And that was the beginning of what became something I

1:31:01.080 --> 1:31:05.759
<v Speaker 2>could have never ever imagined. And I finished this episode

1:31:05.840 --> 1:31:09.240
<v Speaker 2>in late May early June, and I didn't premiere it

1:31:09.320 --> 1:31:12.320
<v Speaker 2>till a month later, and I texted it to Steve,

1:31:12.760 --> 1:31:16.840
<v Speaker 2>who didn't know anything about it at that point, and

1:31:16.920 --> 1:31:18.639
<v Speaker 2>I said, Steve, watch this and call me back.

1:31:18.760 --> 1:31:22.400
<v Speaker 3>And you had you had recorded it online on Instagram Live.

1:31:22.400 --> 1:31:25.920
<v Speaker 3>I would no, no, no, no, you just pre recorded.

1:31:26.280 --> 1:31:28.600
<v Speaker 2>Okay, So Instagram had nothing to do with past the

1:31:28.640 --> 1:31:33.160
<v Speaker 2>Mike Evra YouTube. It was premiered on YouTube, and it

1:31:33.320 --> 1:31:35.840
<v Speaker 2>was never filmed on Instagram Live or Zoom or any

1:31:35.880 --> 1:31:37.080
<v Speaker 2>of the common apps we use.

1:31:37.600 --> 1:31:37.880
<v Speaker 1>Okay.

1:31:38.880 --> 1:31:41.920
<v Speaker 4>It was a show that I filmed individually, edited.

1:31:42.520 --> 1:31:44.479
<v Speaker 2>But when you couldn't go to anyone's house, it was

1:31:44.640 --> 1:31:47.759
<v Speaker 2>quite a puzzle to put together on how to teach artists,

1:31:47.800 --> 1:31:50.439
<v Speaker 2>some of whom at that time were over the age

1:31:50.479 --> 1:31:55.320
<v Speaker 2>of seventy the computers, so I sent it to Steve. Now,

1:31:55.400 --> 1:31:58.760
<v Speaker 2>before I sent it to Steve, I had sent this

1:31:58.920 --> 1:32:06.280
<v Speaker 2>to every block, every website, every magazine, every network, and said,

1:32:06.320 --> 1:32:09.040
<v Speaker 2>would you premiere this for me? Now? You know, like

1:32:09.120 --> 1:32:12.040
<v Speaker 2>a new single, premiere's, new music video premiere. It's a

1:32:12.080 --> 1:32:14.240
<v Speaker 2>little vanity thing. It's not a big deal. Couldn't get

1:32:14.240 --> 1:32:15.080
<v Speaker 2>one person's a premiere?

1:32:15.200 --> 1:32:15.400
<v Speaker 7>Wow?

1:32:15.479 --> 1:32:19.919
<v Speaker 2>Yeah, And my YouTube subscribership was low. I'm not a YouTuber.

1:32:20.120 --> 1:32:23.799
<v Speaker 2>I have a basic subscribership. I've had six music videos.

1:32:24.800 --> 1:32:28.160
<v Speaker 2>So I send it to Steve Rifkin, who's my dear

1:32:28.240 --> 1:32:30.320
<v Speaker 2>friend and mentor for many years, and I say, Steve

1:32:30.400 --> 1:32:30.720
<v Speaker 2>watched this.

1:32:30.800 --> 1:32:32.479
<v Speaker 4>Now he has no idea what he's about to watch.

1:32:34.320 --> 1:32:37.720
<v Speaker 2>So he calls me twenty eight minutes later and says,

1:32:37.800 --> 1:32:40.479
<v Speaker 2>this is the greatest thing I've ever seen. And I

1:32:40.600 --> 1:32:46.439
<v Speaker 2>said since COVID And he said no. Ever, he said,

1:32:46.479 --> 1:32:49.120
<v Speaker 2>this is going to change your life. And it changed

1:32:49.200 --> 1:32:50.240
<v Speaker 2>my life really.

1:32:56.080 --> 1:32:59.920
<v Speaker 7>Because I feel like we're hearing all the name dropping

1:33:00.080 --> 1:33:02.479
<v Speaker 7>that you can, that you're saying, and all the things

1:33:02.520 --> 1:33:04.559
<v Speaker 7>that you've done up to this point. But I want

1:33:04.560 --> 1:33:08.400
<v Speaker 7>to go further back. How does this ten year old

1:33:08.520 --> 1:33:12.360
<v Speaker 7>DJ who starts to get these turntables, starts djaying you're

1:33:12.400 --> 1:33:14.479
<v Speaker 7>in Then you go to the high school college. What

1:33:14.720 --> 1:33:18.840
<v Speaker 7>is the break that makes you feel that, Okay, there's

1:33:18.880 --> 1:33:21.080
<v Speaker 7>something here, I could really do this, I could do

1:33:21.160 --> 1:33:23.360
<v Speaker 7>a career in this view. What's the break, what's the

1:33:23.479 --> 1:33:25.360
<v Speaker 7>what's the thing that starts to get these people to

1:33:25.720 --> 1:33:28.160
<v Speaker 7>call you to do these parties, to give you these

1:33:28.360 --> 1:33:30.759
<v Speaker 7>these collaborations, connects you with these artists.

1:33:32.360 --> 1:33:35.200
<v Speaker 2>There were many moments, and I'll tell you as as

1:33:35.240 --> 1:33:37.200
<v Speaker 2>many as you want to hear. But I mean started

1:33:37.240 --> 1:33:43.439
<v Speaker 2>when I was ten years old, and I DJed every

1:33:43.640 --> 1:33:47.280
<v Speaker 2>single possible opportunity. I had to be in front of people.

1:33:48.160 --> 1:33:52.000
<v Speaker 2>I never enjoy DJing in my bedroom. I was never

1:33:52.240 --> 1:33:55.320
<v Speaker 2>a real scratch master. I was never that guy. I

1:33:55.479 --> 1:33:58.720
<v Speaker 2>was never a competition style titles. I was never a

1:33:58.800 --> 1:33:59.479
<v Speaker 2>turntable list.

1:33:59.520 --> 1:34:00.360
<v Speaker 4>I was a part DJ.

1:34:01.800 --> 1:34:03.479
<v Speaker 2>So there's only so much you can do in your room.

1:34:03.880 --> 1:34:06.200
<v Speaker 2>Can't practice routines. You need to be in front of.

1:34:06.240 --> 1:34:08.400
<v Speaker 4>People because you feet off the crowd.

1:34:08.520 --> 1:34:08.720
<v Speaker 1>Yeah.

1:34:09.040 --> 1:34:14.360
<v Speaker 4>So I would DJ every Rinky Dink school carnival.

1:34:14.479 --> 1:34:16.040
<v Speaker 1>The first two guests who drink the monster.

1:34:16.680 --> 1:34:17.679
<v Speaker 4>Yea, really.

1:34:23.880 --> 1:34:25.439
<v Speaker 1>We appreciate Yeah, we appreciate that.

1:34:28.280 --> 1:34:34.320
<v Speaker 4>Yeah, so we just raised the value, but guests usually

1:34:34.479 --> 1:34:34.680
<v Speaker 4>just go.

1:34:34.640 --> 1:34:35.360
<v Speaker 1>Straight with the drinks.

1:34:36.439 --> 1:34:38.479
<v Speaker 3>I re appreciate y'all, but ahead can't continue.

1:34:38.760 --> 1:34:44.680
<v Speaker 2>So I DJed every possible thing I could, and I

1:34:44.760 --> 1:34:49.679
<v Speaker 2>brought my milk rates of records and my turntables to school,

1:34:50.400 --> 1:34:53.920
<v Speaker 2>and although it sounds silly, it gave me my first

1:34:56.720 --> 1:35:00.559
<v Speaker 2>experiences in front of anyone. Now I didn't value these

1:35:00.680 --> 1:35:04.360
<v Speaker 2>kids musical opinion. In fact, I kind of had disdain

1:35:04.520 --> 1:35:08.240
<v Speaker 2>for it. I wanted to be in real life. But

1:35:09.320 --> 1:35:12.600
<v Speaker 2>as a sixth grade, seventh grade, eighth grade kid, and

1:35:12.720 --> 1:35:17.320
<v Speaker 2>then into high school, it was a beginning school homecoming parties,

1:35:17.320 --> 1:35:22.840
<v Speaker 2>school dances, school proms, and then in this era of

1:35:22.960 --> 1:35:25.680
<v Speaker 2>New York, there were a lot of underage nightclubs that

1:35:25.760 --> 1:35:27.560
<v Speaker 2>were just out in the open, and I don't know,

1:35:27.640 --> 1:35:30.360
<v Speaker 2>I don't know how this existed, but there were full

1:35:30.400 --> 1:35:31.920
<v Speaker 2>on nightclubs that high school kids.

1:35:31.760 --> 1:35:33.759
<v Speaker 4>Went to and everyone knew it and there was no party.

1:35:36.280 --> 1:35:36.479
<v Speaker 5>Yeah.

1:35:37.520 --> 1:35:40.560
<v Speaker 2>So I started djaying some of these parties, and that

1:35:40.680 --> 1:35:43.320
<v Speaker 2>was kind of chapter two because I was out there.

1:35:44.760 --> 1:35:47.519
<v Speaker 2>And then one thing led to another, and I met

1:35:47.600 --> 1:35:50.800
<v Speaker 2>some party promoters who at the time I thought and

1:35:50.960 --> 1:35:57.720
<v Speaker 2>were real deal party promoters in actual New York City nightclubs,

1:35:58.760 --> 1:36:00.880
<v Speaker 2>and I went from doing these kind of high school

1:36:01.000 --> 1:36:06.320
<v Speaker 2>underage parties to actual New York hotspots to some degree.

1:36:07.760 --> 1:36:11.200
<v Speaker 2>No no, no, by this I'm now seventeen, eighteen nineteen.

1:36:12.640 --> 1:36:15.599
<v Speaker 2>That would have been crazy if he was sad. Yeah, well,

1:36:16.320 --> 1:36:18.400
<v Speaker 2>I had to learn how to use the turntable first,

1:36:22.439 --> 1:36:26.280
<v Speaker 2>and those clubs were really the first exposure to real.

1:36:27.560 --> 1:36:27.880
<v Speaker 4>People.

1:36:30.880 --> 1:36:33.519
<v Speaker 2>You know, in the nineties, everyone wanted to be an

1:36:33.560 --> 1:36:38.880
<v Speaker 2>intern for a hip hop label, and if I was

1:36:38.960 --> 1:36:40.880
<v Speaker 2>old enough at the time, I would have wanted to

1:36:40.960 --> 1:36:43.680
<v Speaker 2>intern for Steve at Loud Records. That was you know,

1:36:43.760 --> 1:36:46.200
<v Speaker 2>there were a few labels you would have interned at,

1:36:46.400 --> 1:36:49.200
<v Speaker 2>you know as a Dream Loud Records, Deaf Jam Records.

1:36:50.960 --> 1:36:53.760
<v Speaker 7>I remember when he was thirteen years old, he would

1:36:53.760 --> 1:36:55.479
<v Speaker 7>be at the office and would give him.

1:36:55.360 --> 1:36:59.720
<v Speaker 2>Records because you know, back in the day there was

1:36:59.760 --> 1:37:04.040
<v Speaker 2>aviously no Internet and the only way to get the

1:37:04.120 --> 1:37:08.439
<v Speaker 2>newest hot record was to get it from the record label.

1:37:08.640 --> 1:37:10.360
<v Speaker 2>To be in the record pools. Being in the record

1:37:10.600 --> 1:37:11.320
<v Speaker 2>on their list that.

1:37:11.439 --> 1:37:13.960
<v Speaker 1>Was years old, you already had a name in the industry.

1:37:14.200 --> 1:37:16.679
<v Speaker 2>I had no name, but I was meeting everyone I could,

1:37:17.400 --> 1:37:19.120
<v Speaker 2>and when somehow gets a Loud Records.

1:37:19.200 --> 1:37:21.720
<v Speaker 7>You know, the babysitter was dating somebody that worked for me.

1:37:22.439 --> 1:37:25.200
<v Speaker 4>Oh ship, that was So that's what was one in.

1:37:26.080 --> 1:37:26.640
<v Speaker 4>That was one in.

1:37:28.880 --> 1:37:31.240
<v Speaker 1>That was was fucking everything.

1:37:31.840 --> 1:37:39.840
<v Speaker 6>And the babysitter, wait, his baby baby sitter, bab was

1:37:40.040 --> 1:37:45.960
<v Speaker 6>fucking comb who controlled every beautiful woman in New York City.

1:37:47.280 --> 1:37:50.599
<v Speaker 2>And the babysitter was also very good friends with Stretched Armstrong.

1:37:52.960 --> 1:38:03.479
<v Speaker 2>Shut babysitter baby had two babysitters and Diane. I'm sure

1:38:03.479 --> 1:38:05.280
<v Speaker 2>they might hear this. That's why I just shouted them out.

1:38:05.960 --> 1:38:11.599
<v Speaker 2>And and they were friends, were Stretched Armstrong. They were

1:38:11.640 --> 1:38:14.559
<v Speaker 2>friends with someone who worked for lab Rec't.

1:38:15.080 --> 1:38:17.960
<v Speaker 4>So yeah it was. And so that wasn't the moment

1:38:18.040 --> 1:38:18.800
<v Speaker 4>that changed the game.

1:38:18.880 --> 1:38:22.200
<v Speaker 2>But I had my antennas out right, and so what

1:38:22.280 --> 1:38:24.280
<v Speaker 2>I was saying was, you know, you wanted to intern.

1:38:24.400 --> 1:38:27.640
<v Speaker 2>So so one of the places I interned as a

1:38:27.720 --> 1:38:31.960
<v Speaker 2>high schooler was actually not for someone in the music business,

1:38:32.000 --> 1:38:35.040
<v Speaker 2>but in the fashion business. But in this era, djaning

1:38:35.200 --> 1:38:37.760
<v Speaker 2>for this person was as good as djang at a

1:38:37.840 --> 1:38:42.800
<v Speaker 2>record label. Can anyone guess what that might be? Andy

1:38:42.880 --> 1:38:48.960
<v Speaker 2>Hill figure? So I so I interned for Tommy Hill

1:38:49.000 --> 1:38:54.800
<v Speaker 2>Figure's brother Andy now Tommy Hill Figure in the mid

1:38:54.880 --> 1:39:00.599
<v Speaker 2>to late nineties was a revolving door of hip hop artists.

1:39:01.080 --> 1:39:03.880
<v Speaker 2>So being an intern for Andy Hill Figure met you

1:39:04.040 --> 1:39:08.439
<v Speaker 2>folded rugbies and polos for q Tit and for Ray Kwan,

1:39:09.920 --> 1:39:15.040
<v Speaker 2>and for Snoop and and so that was another kind

1:39:15.080 --> 1:39:19.160
<v Speaker 2>of path that led me out into the world. I

1:39:19.160 --> 1:39:22.880
<v Speaker 2>remember Andy Hill Figure took me to Andre Herrel's white

1:39:22.920 --> 1:39:26.559
<v Speaker 2>party at Tavern on the Green in nineteen ninety five.

1:39:26.640 --> 1:39:31.400
<v Speaker 2>I was fourteen, so Andre Herrel became a very dear

1:39:31.520 --> 1:39:37.200
<v Speaker 2>friend and mentor to me. When he passed, I was

1:39:37.280 --> 1:39:42.040
<v Speaker 2>filming past the mic and I always wished he could

1:39:42.040 --> 1:39:44.800
<v Speaker 2>have seen it because so much of what I do

1:39:44.960 --> 1:39:47.920
<v Speaker 2>on the microphone comes from Andre Herrel. But that's I

1:39:48.000 --> 1:39:50.160
<v Speaker 2>want to get to that, because that's a whole important.

1:39:49.800 --> 1:39:50.559
<v Speaker 4>Piece of the puzzle.

1:39:50.600 --> 1:39:56.400
<v Speaker 2>But so the Hill Figures bring me to Tavern on

1:39:56.439 --> 1:40:00.320
<v Speaker 2>the Green in Central Park for Andre Heral's fa aimed

1:40:00.400 --> 1:40:09.639
<v Speaker 2>white party, and I remember watching Kid Capri m tear

1:40:09.760 --> 1:40:12.720
<v Speaker 2>down that party. Now you have to remember I've only

1:40:12.760 --> 1:40:16.160
<v Speaker 2>maybe been to three parties. It wasn't like I had

1:40:16.240 --> 1:40:18.200
<v Speaker 2>been to thirty of these. I know, Kid Capri killed

1:40:18.240 --> 1:40:20.320
<v Speaker 2>that one more than the other twenty nine. I hadn't

1:40:20.320 --> 1:40:20.919
<v Speaker 2>been anywhere.

1:40:21.760 --> 1:40:22.680
<v Speaker 4>I just heard about it.

1:40:23.880 --> 1:40:28.559
<v Speaker 2>So I'm watching Kid Capri, He's a master, the master,

1:40:29.800 --> 1:40:33.920
<v Speaker 2>and I'm watching Andre Herrel MC the party, and I

1:40:33.960 --> 1:40:36.280
<v Speaker 2>can picture myself where I was standing a tavern on

1:40:36.320 --> 1:40:40.479
<v Speaker 2>the green and I looked at Andre and I looked

1:40:40.479 --> 1:40:42.640
<v Speaker 2>at Kid Capri and I said, I want to do that,

1:40:45.600 --> 1:40:47.000
<v Speaker 2>and that became one of my goals.

1:40:48.720 --> 1:40:49.840
<v Speaker 1>God damn, it makes a noise for that.

1:40:52.200 --> 1:40:53.519
<v Speaker 4>So I want to tell you something else.

1:40:53.960 --> 1:41:00.439
<v Speaker 2>So the years, I think two thousand and two, I

1:41:00.560 --> 1:41:04.120
<v Speaker 2>interned for def Jam as well in those years. And

1:41:04.240 --> 1:41:06.960
<v Speaker 2>now I'm just making a name for myself. So I'm

1:41:07.000 --> 1:41:09.560
<v Speaker 2>finally getting the records from the labels without having to

1:41:09.680 --> 1:41:14.879
<v Speaker 2>beg And it's two thousand and two and the hottest

1:41:15.000 --> 1:41:18.200
<v Speaker 2>record in the clubs is a song called nothing Oh

1:41:18.320 --> 1:41:27.840
<v Speaker 2>Goddamn by Noriega. And maybe I went to and excuse

1:41:27.920 --> 1:41:30.280
<v Speaker 2>my voice to damn a little horse, but good, you

1:41:30.320 --> 1:41:31.760
<v Speaker 2>need some more water even no, I'm.

1:41:31.640 --> 1:41:33.400
<v Speaker 4>Good, but that's why I'm drinking a lot. So I

1:41:33.479 --> 1:41:34.160
<v Speaker 4>am a little horse.

1:41:36.920 --> 1:41:41.240
<v Speaker 2>So I hear Flex playing this record, you know, over

1:41:41.320 --> 1:41:44.400
<v Speaker 2>and over and over, and I'm now knee deep in

1:41:44.439 --> 1:41:46.519
<v Speaker 2>the club, so I know this is the hottest record.

1:41:46.600 --> 1:41:49.160
<v Speaker 2>I'm I'm DJing at Cheetah on twenty first Street.

1:41:50.320 --> 1:41:53.320
<v Speaker 3>Twenty first threet of Justice is right down the blot, Yeah,

1:41:53.560 --> 1:41:54.880
<v Speaker 3>across the Yeah.

1:41:55.080 --> 1:41:55.519
<v Speaker 5>How old?

1:41:57.000 --> 1:41:57.720
<v Speaker 4>I was twenty one?

1:41:57.920 --> 1:41:59.439
<v Speaker 1>Okay, So I.

1:41:59.479 --> 1:42:00.439
<v Speaker 4>Don't have to record?

1:42:01.120 --> 1:42:01.559
<v Speaker 1>Oh wow.

1:42:02.960 --> 1:42:05.240
<v Speaker 2>So I go to Fat Beats. They don't have the record.

1:42:05.280 --> 1:42:07.000
<v Speaker 2>I go to Rock and Soul they have a bootleg.

1:42:07.000 --> 1:42:12.960
<v Speaker 2>I don't want a butleg. So I was always like

1:42:13.000 --> 1:42:19.800
<v Speaker 2>a sonic, you know. So I go to def Jam

1:42:21.320 --> 1:42:23.519
<v Speaker 2>and I say, I need two copies of nothing.

1:42:24.240 --> 1:42:25.439
<v Speaker 4>What I tell you. They didn't want to give me

1:42:25.479 --> 1:42:26.000
<v Speaker 4>two copies.

1:42:27.400 --> 1:42:27.880
<v Speaker 6>It was so.

1:42:29.960 --> 1:42:32.760
<v Speaker 2>It was so on fire. It's like the scene and

1:42:32.840 --> 1:42:35.599
<v Speaker 2>Crush Groove when they're printing. It's like that or King

1:42:35.680 --> 1:42:38.320
<v Speaker 2>of Rock in the movie, and they can't keep them

1:42:38.360 --> 1:42:41.000
<v Speaker 2>on the ses. I couldn't get a copy. So they

1:42:41.080 --> 1:42:44.160
<v Speaker 2>finally give me two copies. And I go home and

1:42:44.240 --> 1:42:47.280
<v Speaker 2>I put on the turntable to practice a few things

1:42:47.720 --> 1:42:48.400
<v Speaker 2>and it skips.

1:42:49.840 --> 1:42:52.320
<v Speaker 4>So I take it off and I put on the

1:42:52.400 --> 1:42:54.080
<v Speaker 4>double and it skips.

1:42:56.479 --> 1:42:57.880
<v Speaker 1>I worked the record out here.

1:42:58.160 --> 1:42:59.600
<v Speaker 4>Oh so, don't kill my punchline.

1:43:02.120 --> 1:43:05.280
<v Speaker 2>So I go to def Jam back the next day,

1:43:05.320 --> 1:43:07.439
<v Speaker 2>and I wish I remembered who was doing the streets team.

1:43:09.280 --> 1:43:10.080
<v Speaker 1>Well, he was ahead of it.

1:43:10.200 --> 1:43:12.559
<v Speaker 2>It definitely could have been Rob Love. All right, let's

1:43:12.560 --> 1:43:14.599
<v Speaker 2>make it Rob up. So I go into Rob Love's office.

1:43:15.320 --> 1:43:17.880
<v Speaker 2>It's definitely and I say I need too, And so

1:43:17.960 --> 1:43:20.880
<v Speaker 2>I say I need two more. He says, said, no,

1:43:21.000 --> 1:43:22.960
<v Speaker 2>he just gave you two. You begged for them yesterday.

1:43:23.280 --> 1:43:25.439
<v Speaker 2>I said, they're skipping at an integral part of the song.

1:43:25.800 --> 1:43:28.679
<v Speaker 2>It's not even the third verse, it's like at the beginning.

1:43:31.800 --> 1:43:33.840
<v Speaker 2>So I said, he goes, well, those are your two.

1:43:34.840 --> 1:43:36.439
<v Speaker 2>I said, the whole batch is fucked up.

1:43:36.479 --> 1:43:37.040
<v Speaker 4>I'm telling you.

1:43:38.160 --> 1:43:40.840
<v Speaker 2>He goes, you're crazy to get out of here. So

1:43:42.800 --> 1:43:45.040
<v Speaker 2>I say, you have a turntable here? He says yeah.

1:43:45.360 --> 1:43:49.800
<v Speaker 2>I said, who whose office is the turntable in? So

1:43:49.880 --> 1:43:52.960
<v Speaker 2>whose ever office that was? And we take the vinyl

1:43:53.600 --> 1:43:56.120
<v Speaker 2>and I say to him, take two vinyl from anywhere

1:43:56.200 --> 1:43:59.400
<v Speaker 2>in this stack top middle bottom. I'm like David Blaine

1:43:59.479 --> 1:44:03.760
<v Speaker 2>with the cards. Just pick a vinyl. So he puts

1:44:03.840 --> 1:44:08.040
<v Speaker 2>them on same spot, same spot, same pot. I said,

1:44:08.040 --> 1:44:09.639
<v Speaker 2>I just discovered a flaw in you're pressing.

1:44:11.320 --> 1:44:14.160
<v Speaker 7>I did.

1:44:14.280 --> 1:44:16.240
<v Speaker 1>I did hear it, but I didn't remember it, Like

1:44:16.320 --> 1:44:18.040
<v Speaker 1>how he just described.

1:44:18.800 --> 1:44:20.360
<v Speaker 4>The whole pressing was fucked up.

1:44:22.080 --> 1:44:22.960
<v Speaker 1>But this is what's ill.

1:44:23.040 --> 1:44:25.320
<v Speaker 7>This is how big the record was. People were still

1:44:25.760 --> 1:44:29.679
<v Speaker 7>playing the fucking record. You can't stop a hit record,

1:44:30.400 --> 1:44:31.960
<v Speaker 7>and you can't stop wearing the mouth right.

1:44:32.160 --> 1:44:36.000
<v Speaker 2>So, at the end of the day, and in my

1:44:36.160 --> 1:44:39.680
<v Speaker 2>early days of djaying, when I felt I don't want

1:44:39.720 --> 1:44:41.479
<v Speaker 2>to say when I was getting hot, When I felt

1:44:41.520 --> 1:44:43.400
<v Speaker 2>I was getting hot, I'm not. I'm in no place

1:44:43.439 --> 1:44:45.120
<v Speaker 2>to say I was getting hot. That's for other people

1:44:45.240 --> 1:44:47.439
<v Speaker 2>to say. But when I felt I was getting a

1:44:47.479 --> 1:44:47.920
<v Speaker 2>little hot.

1:44:49.760 --> 1:44:54.880
<v Speaker 4>There were there were four hip hop.

1:44:54.840 --> 1:44:59.639
<v Speaker 2>Records of that era that were the biggest and greatest

1:45:00.280 --> 1:45:06.439
<v Speaker 2>club records ever at that time, and they have also

1:45:06.479 --> 1:45:09.200
<v Speaker 2>had to test the time and remain songs that kids

1:45:09.280 --> 1:45:11.880
<v Speaker 2>in their twenties now it's in every word too, and

1:45:12.040 --> 1:45:17.000
<v Speaker 2>those songs are jay Z, give it to Me, gnoring

1:45:17.120 --> 1:45:22.439
<v Speaker 2>nothing for else, fifty in the club, and lean back.

1:45:24.840 --> 1:45:25.160
<v Speaker 10>Now you.

1:45:27.160 --> 1:45:30.000
<v Speaker 2>There's no way to explain what those songs did if

1:45:30.040 --> 1:45:32.280
<v Speaker 2>you aren't there. You can try some things.

1:45:32.320 --> 1:45:33.240
<v Speaker 4>You just have to feel.

1:45:34.439 --> 1:45:37.400
<v Speaker 2>You can't explain what it was. We could play the

1:45:37.479 --> 1:45:41.280
<v Speaker 2>song four times in a row and it was a

1:45:41.400 --> 1:45:46.320
<v Speaker 2>magical moment in New York. And you know, I always

1:45:46.360 --> 1:45:50.480
<v Speaker 2>tell people there's a lot of things that allow your stars.

1:45:50.200 --> 1:45:53.479
<v Speaker 4>To align in life. It's not just talent, it's not

1:45:53.680 --> 1:45:54.040
<v Speaker 4>just luck.

1:45:54.160 --> 1:45:58.160
<v Speaker 2>There's so many stars that have to align, and one

1:45:58.200 --> 1:46:00.560
<v Speaker 2>of them is being a New Yorker who rose to

1:46:00.680 --> 1:46:02.479
<v Speaker 2>prominence in the era of that music.

1:46:02.880 --> 1:46:03.639
<v Speaker 1>That's luck.

1:46:05.120 --> 1:46:07.439
<v Speaker 2>Because if I was coming of age now in New York,

1:46:07.680 --> 1:46:10.400
<v Speaker 2>I don't think my life would have taken the same

1:46:10.520 --> 1:46:12.080
<v Speaker 2>course because the music is different.

1:46:13.040 --> 1:46:14.200
<v Speaker 1>It's still disposable now.

1:46:14.280 --> 1:46:17.840
<v Speaker 4>It's kind of like, yeah, and hip hop is different.

1:46:17.920 --> 1:46:19.880
<v Speaker 1>DJ culture is different, is different now.

1:46:19.920 --> 1:46:20.920
<v Speaker 4>Yeah, but I was.

1:46:21.600 --> 1:46:23.120
<v Speaker 2>I was coming of age. I don't even want to

1:46:23.160 --> 1:46:26.479
<v Speaker 2>say rise to prominence. I was coming of age in

1:46:26.600 --> 1:46:30.160
<v Speaker 2>an era of New York hip hop that was magical.

1:46:30.800 --> 1:46:31.400
<v Speaker 1>Yeah, and.

1:46:33.479 --> 1:46:38.879
<v Speaker 2>I agree, And it gave me a platform because those parties,

1:46:38.960 --> 1:46:41.879
<v Speaker 2>as you talk about the hot parties, the exclusive parties,

1:46:42.600 --> 1:46:45.320
<v Speaker 2>you can't DJ them if they're not happening, and they

1:46:45.360 --> 1:46:47.920
<v Speaker 2>were happening, and they were happening in my backyard. And

1:46:48.080 --> 1:46:50.280
<v Speaker 2>all the music you played at those parties was being

1:46:50.400 --> 1:46:53.120
<v Speaker 2>recorded in my backyard from people who grew up in

1:46:53.240 --> 1:46:53.679
<v Speaker 2>New York.

1:46:54.640 --> 1:46:55.920
<v Speaker 4>And that's the stars aligning.

1:46:56.080 --> 1:46:57.960
<v Speaker 2>You could have been born anywhere else, so you could

1:46:58.000 --> 1:46:59.800
<v Speaker 2>have you could have been brought up anywhere else.

1:47:00.920 --> 1:47:04.559
<v Speaker 3>Well, I want to stop for a second. I want

1:47:04.600 --> 1:47:06.599
<v Speaker 3>to let you know that our show is about giving

1:47:06.640 --> 1:47:10.000
<v Speaker 3>people their flowers. You know why they alive, you know,

1:47:10.680 --> 1:47:12.200
<v Speaker 3>you know what I mean, why they could smell them. Man,

1:47:12.200 --> 1:47:14.360
<v Speaker 3>we wanted to give y'all both even though.

1:47:25.880 --> 1:47:28.479
<v Speaker 7>Okay, yeah, so before you start, quick time, I'm gonna

1:47:28.479 --> 1:47:29.160
<v Speaker 7>take a quick piss.

1:47:32.320 --> 1:47:34.120
<v Speaker 4>Well I was gonna thank you on air, but I'll wait.

1:47:34.560 --> 1:47:39.920
<v Speaker 1>Yeah, oh ship, look soone me flooded.

1:47:40.120 --> 1:47:45.320
<v Speaker 7>Yeah, because to stop we're sleeping here tonight.

1:47:45.479 --> 1:47:49.360
<v Speaker 3>Yes, I can't. I couldn't believe it though, but we did.

1:47:49.600 --> 1:47:52.240
<v Speaker 3>Didn't make it right there you go, we we.

1:47:54.240 --> 1:47:54.639
<v Speaker 10>We are.

1:47:55.360 --> 1:47:57.640
<v Speaker 1>We almost crashed, by the way. I'm just let you know.

1:47:57.800 --> 1:47:59.640
<v Speaker 5>I don't know what was that.

1:47:59.720 --> 1:48:02.120
<v Speaker 3>That's honey, Did you just take a shot of honey?

1:48:02.800 --> 1:48:09.960
<v Speaker 3>That this was the dangerous on the way to work

1:48:10.120 --> 1:48:12.839
<v Speaker 3>is the most dangerous has ever been. We were swerving.

1:48:13.200 --> 1:48:14.080
<v Speaker 3>We couldn't get here.

1:48:14.680 --> 1:48:19.240
<v Speaker 4>We could uh, but uh, I can't believe you came.

1:48:19.400 --> 1:48:21.960
<v Speaker 2>I kept thinking Steve was gonna call and say everyone's

1:48:22.000 --> 1:48:22.800
<v Speaker 2>not coming or left.

1:48:22.840 --> 1:48:24.839
<v Speaker 4>I mean it was not water.

1:48:24.840 --> 1:48:27.479
<v Speaker 3>Because once, yeah, once I hit Steve and I was

1:48:27.560 --> 1:48:29.280
<v Speaker 3>like you know, and he was like, let's let's let's

1:48:29.320 --> 1:48:29.800
<v Speaker 3>make it happen.

1:48:29.840 --> 1:48:31.920
<v Speaker 1>I was just like, you know what, let's just let's

1:48:32.000 --> 1:48:34.240
<v Speaker 1>just let's just do it. Let's just make it. But

1:48:34.439 --> 1:48:35.160
<v Speaker 1>I'm not gonna lie.

1:48:35.200 --> 1:48:38.320
<v Speaker 3>I regredit on the way here because I was so scared,

1:48:38.400 --> 1:48:40.479
<v Speaker 3>Like like at first it was it was it was like,

1:48:41.000 --> 1:48:42.439
<v Speaker 3>was that the not exciting?

1:48:42.640 --> 1:48:47.240
<v Speaker 1>I didn't want to I want to limits? Yeah, right, I.

1:48:48.920 --> 1:48:52.880
<v Speaker 5>Saw cars on the water and then we got to

1:48:52.960 --> 1:48:53.760
<v Speaker 5>the highway and.

1:48:59.040 --> 1:49:01.600
<v Speaker 1>Yeah, it was not a good idea. It was not

1:49:01.760 --> 1:49:08.160
<v Speaker 1>a good idea. I was scared of. Yeah, that was us,

1:49:08.439 --> 1:49:10.799
<v Speaker 1>so hold on, Yeah, I was scared.

1:49:10.960 --> 1:49:15.600
<v Speaker 3>So look, literally, let me ask, because you said you

1:49:15.680 --> 1:49:17.519
<v Speaker 3>did a whole bunch of past mics, what made you

1:49:17.680 --> 1:49:21.519
<v Speaker 3>pick for your residency right one of us in Vegas?

1:49:22.040 --> 1:49:23.679
<v Speaker 7>What made you pick these artists?

1:49:25.240 --> 1:49:25.680
<v Speaker 10>You know?

1:49:25.760 --> 1:49:27.599
<v Speaker 1>Actually both? You know what I mean? Which whoever want

1:49:27.640 --> 1:49:31.120
<v Speaker 1>to go first? How did you make the decision.

1:49:32.640 --> 1:49:33.160
<v Speaker 8>Before you go?

1:49:33.400 --> 1:49:38.960
<v Speaker 6>Yeah, when it comes to curating music, I feel he's

1:49:39.000 --> 1:49:42.000
<v Speaker 6>probably the best DJ in the world I respect when

1:49:42.200 --> 1:49:44.760
<v Speaker 6>it when it comes to somebody curating the show.

1:49:45.760 --> 1:49:50.000
<v Speaker 7>So he's always going to come with the mural, right,

1:49:50.400 --> 1:49:51.759
<v Speaker 7>And then I'll say you know what, maybe.

1:49:51.640 --> 1:49:55.200
<v Speaker 8>Had this color ad that color. But to me, he's

1:49:55.240 --> 1:49:56.360
<v Speaker 8>one of the best DJs in the RW.

1:49:56.439 --> 1:50:01.439
<v Speaker 6>I'm not going to question his th Sometimes I'll say,

1:50:01.520 --> 1:50:04.880
<v Speaker 6>you're out of your fucking mind on this, but I mean,

1:50:05.080 --> 1:50:07.960
<v Speaker 6>he puts us face, he puts this together, so.

1:50:10.200 --> 1:50:14.880
<v Speaker 3>I'm really time. I'm not going to question his curation. Okay,

1:50:15.000 --> 1:50:18.120
<v Speaker 3>So before you say this, how does this work? Does

1:50:18.640 --> 1:50:21.240
<v Speaker 3>the Vegas registery reach out to you and then you

1:50:21.320 --> 1:50:24.559
<v Speaker 3>say to Steve, Yo, listen, listen, how does this work?

1:50:26.520 --> 1:50:28.320
<v Speaker 2>So first of all, thank you, Steve, because those are

1:50:28.439 --> 1:50:31.479
<v Speaker 2>very very big, very big words to say the greatest

1:50:31.560 --> 1:50:35.040
<v Speaker 2>of anything. And I just want to I want to

1:50:35.040 --> 1:50:37.280
<v Speaker 2>answer your question. But can I take sixty seconds just

1:50:37.360 --> 1:50:40.320
<v Speaker 2>to say that I'm a product of so many people,

1:50:41.200 --> 1:50:45.200
<v Speaker 2>I'm a product of Dougie Fresh. Without watching him over

1:50:45.200 --> 1:50:47.160
<v Speaker 2>the years, I would have no idea how to unite

1:50:47.280 --> 1:50:51.040
<v Speaker 2>artists on stage. He's the godfather of that and in

1:50:51.120 --> 1:50:53.360
<v Speaker 2>many ways has I don't want to say past me

1:50:53.439 --> 1:50:57.559
<v Speaker 2>the torch allowed me to hold the torch, and he's

1:50:57.600 --> 1:51:00.680
<v Speaker 2>another hero that has become a dear friend. And and

1:51:00.800 --> 1:51:03.360
<v Speaker 2>I studied of course Flash HRK and Bambada, but also

1:51:03.479 --> 1:51:07.960
<v Speaker 2>Kid Capri and SNS and Funk Master, Flex Legend, And

1:51:08.520 --> 1:51:10.920
<v Speaker 2>without all of those people I just named, and Andre

1:51:11.040 --> 1:51:13.960
<v Speaker 2>Herrell as a Master of the microphone, there would be

1:51:14.200 --> 1:51:16.720
<v Speaker 2>no DJ Cassidy and certainly no Past the Mic. I mean,

1:51:16.800 --> 1:51:19.880
<v Speaker 2>everything I say on the Mic is all of those

1:51:20.000 --> 1:51:26.040
<v Speaker 2>guys in a blender, right. So there were chapters to

1:51:26.160 --> 1:51:28.120
<v Speaker 2>this journey. You know, I told you the story of

1:51:28.200 --> 1:51:32.880
<v Speaker 2>the first episode. After the first episode, I knew I

1:51:33.000 --> 1:51:36.200
<v Speaker 2>wanted to celebrate my hip hop heroes. And whereas the

1:51:36.280 --> 1:51:39.599
<v Speaker 2>first episode started with earth Wind and Fire, the second

1:51:39.640 --> 1:51:43.599
<v Speaker 2>episode started with Run DMC. And when from Run DMC

1:51:44.360 --> 1:51:47.840
<v Speaker 2>to Elo cool J, you got DMC two Run and yep,

1:51:47.880 --> 1:51:50.599
<v Speaker 2>and they did Sucker mcs together, and then LL did

1:51:50.720 --> 1:51:53.880
<v Speaker 2>Radio and then Chuck d did Rebel without a Pause,

1:51:54.479 --> 1:51:56.920
<v Speaker 2>and then Rock Him did Eric be as President, and

1:51:57.000 --> 1:51:59.240
<v Speaker 2>then Dougie Fresh did the show and Big Daddy Kane

1:51:59.240 --> 1:52:02.400
<v Speaker 2>did Warm it Up. And you know, over twenty five

1:52:02.520 --> 1:52:04.559
<v Speaker 2>artists were on that show, most of which who then

1:52:04.680 --> 1:52:07.080
<v Speaker 2>joined us at my Radio City Past the Mic show

1:52:07.160 --> 1:52:10.360
<v Speaker 2>last summer, which was a full circle moment. But and

1:52:10.400 --> 1:52:13.320
<v Speaker 2>then after volume two, there was a volume three where

1:52:13.360 --> 1:52:15.519
<v Speaker 2>I wanted to pay homage to my R and B

1:52:15.640 --> 1:52:18.160
<v Speaker 2>heroes of the nineties the New Jack Swing era, and

1:52:18.280 --> 1:52:20.360
<v Speaker 2>that show featured Keith, Sweat and Boyce to Men and

1:52:20.400 --> 1:52:23.360
<v Speaker 2>TLC and SWV and all six members of New Edition

1:52:25.439 --> 1:52:28.400
<v Speaker 2>and then in a very long story short, the show

1:52:28.479 --> 1:52:34.120
<v Speaker 2>went from Steve Rifkin to Jesse Collins, renowned television producer

1:52:34.280 --> 1:52:37.719
<v Speaker 2>of every award show known to man, to Connie Orlando

1:52:37.800 --> 1:52:42.559
<v Speaker 2>at BET. Volume one that I did completely on my own,

1:52:43.080 --> 1:52:49.960
<v Speaker 2>premiered in July, Volume two, August, Volume three, October Volume four,

1:52:50.080 --> 1:52:53.160
<v Speaker 2>a television special November twenty nine, five weeks later that

1:52:53.240 --> 1:52:54.799
<v Speaker 2>over two million TVs watched.

1:52:56.160 --> 1:53:00.160
<v Speaker 4>And I don't want to speak free, I'm curious or

1:53:00.160 --> 1:53:00.639
<v Speaker 4>your opinion.

1:53:00.840 --> 1:53:04.760
<v Speaker 2>I could have never, in my wildest imagination thought that

1:53:04.880 --> 1:53:07.519
<v Speaker 2>that would become a full on television special in a

1:53:07.600 --> 1:53:13.240
<v Speaker 2>matter of five weeks, with millions of TVs tuned into

1:53:13.360 --> 1:53:15.519
<v Speaker 2>in on its first airing.

1:53:18.280 --> 1:53:20.400
<v Speaker 6>I told you your life was going to change. So

1:53:21.040 --> 1:53:22.400
<v Speaker 6>at the end of the day, I mean, I knew

1:53:22.439 --> 1:53:27.280
<v Speaker 6>what this was and I knew how he curated. Let

1:53:27.320 --> 1:53:27.920
<v Speaker 6>me ask something.

1:53:30.240 --> 1:53:33.920
<v Speaker 7>The first one that you did was everybody involved in it,

1:53:35.000 --> 1:53:38.320
<v Speaker 7>strictly off of all the relationships you've been like it

1:53:38.439 --> 1:53:41.680
<v Speaker 7>wasn't It wasn't about like you're hiring these people to

1:53:41.800 --> 1:53:42.000
<v Speaker 7>do this.

1:53:42.160 --> 1:53:42.679
<v Speaker 1>It was all.

1:53:42.680 --> 1:53:45.720
<v Speaker 2>Relither people that were in my phone or people those

1:53:45.800 --> 1:53:48.200
<v Speaker 2>people knew and conference in right.

1:53:48.520 --> 1:53:51.080
<v Speaker 7>Right, but really because it's important for people to understand

1:53:51.200 --> 1:53:53.240
<v Speaker 7>like the power of relationships.

1:53:53.360 --> 1:53:54.760
<v Speaker 4>Yeah, so let's go through it.

1:53:54.800 --> 1:53:57.040
<v Speaker 2>If I can remember so Berdein and Philip, I've told

1:53:57.040 --> 1:54:00.519
<v Speaker 2>you that story, Sayita Garrett, who wrote and Man in

1:54:00.560 --> 1:54:03.120
<v Speaker 2>the Mirror from Michael Jackson and saying on I just

1:54:03.240 --> 1:54:04.000
<v Speaker 2>can't stop love.

1:54:04.080 --> 1:54:05.439
<v Speaker 4>Ain't you is a dear friend?

1:54:08.280 --> 1:54:11.880
<v Speaker 2>But Terrees Russian who sings Remind Me, which has been

1:54:11.960 --> 1:54:15.840
<v Speaker 2>sampled and hip hop a thousand times and Forget Me nots,

1:54:15.840 --> 1:54:19.920
<v Speaker 2>which became men in Black. I called her directly, she

1:54:20.080 --> 1:54:22.879
<v Speaker 2>was a friend. Howard Hewett of Shalamar called him directly.

1:54:25.360 --> 1:54:25.720
<v Speaker 1>Who else?

1:54:25.800 --> 1:54:28.240
<v Speaker 2>Ray Parker Junior called him directly. I said, Ray, you

1:54:28.320 --> 1:54:29.960
<v Speaker 2>played on to be Real by Sherylynn right?

1:54:29.960 --> 1:54:30.479
<v Speaker 4>He said yeah.

1:54:30.479 --> 1:54:32.560
<v Speaker 2>I said, do you keep in contact with her? He said,

1:54:32.600 --> 1:54:35.560
<v Speaker 2>of course, now she's on the phone. And the list

1:54:35.640 --> 1:54:40.800
<v Speaker 2>goes on. When I called Big Daddy Kane to take

1:54:40.880 --> 1:54:45.120
<v Speaker 2>part in volume two, I looked at my text. I

1:54:45.200 --> 1:54:47.880
<v Speaker 2>hadn't spoken to Big Daddy Kane in six years. I

1:54:47.920 --> 1:54:50.960
<v Speaker 2>don't call Big Daddy Kane, but I do have his number,

1:54:51.920 --> 1:54:55.520
<v Speaker 2>and I called him in July of twenty twenty, so

1:54:55.680 --> 1:54:58.320
<v Speaker 2>almost four years ago, and he picks up the phone

1:54:58.360 --> 1:55:01.160
<v Speaker 2>and goes, hey, Ca, if you're calling me about that

1:55:01.240 --> 1:55:04.600
<v Speaker 2>past the mic thing I'm in. And those were the

1:55:04.760 --> 1:55:08.480
<v Speaker 2>kind of answers I was getting strictly based on Volume one,

1:55:09.640 --> 1:55:12.840
<v Speaker 2>and so Volume one, two and three were just a snowball.

1:55:14.640 --> 1:55:17.280
<v Speaker 2>And by the time it went from Steve to Jesse

1:55:17.400 --> 1:55:21.440
<v Speaker 2>Collins to Kanye Orlando, it's now a series of bet specials.

1:55:21.520 --> 1:55:24.760
<v Speaker 2>And it went from twenty five thousand people watching on

1:55:24.880 --> 1:55:29.160
<v Speaker 2>YouTube Live to one hundred on YouTube Live to maybe

1:55:29.280 --> 1:55:32.640
<v Speaker 2>quarter a million to literally Nielsen ratings like two point

1:55:32.760 --> 1:55:38.440
<v Speaker 2>one million televisions on the first airing, and long story

1:55:38.520 --> 1:55:44.640
<v Speaker 2>short after seven television specials and ten episodes all together,

1:55:45.840 --> 1:55:48.200
<v Speaker 2>I had passed the mic to two hundred and twenty legends.

1:55:49.640 --> 1:55:52.360
<v Speaker 2>And those two hundred and twenty legends spanned forty years

1:55:52.440 --> 1:55:55.640
<v Speaker 2>of hip hop and R and B, earth Wind and Fire,

1:55:55.720 --> 1:56:01.320
<v Speaker 2>Gladys Knight, Patti LaBelle, Charlie Wilson, Hall and Oates, New Edition, TLC,

1:56:01.600 --> 1:56:11.400
<v Speaker 2>S w V, and Vogue, He sweat Teddy Reiley and

1:56:11.520 --> 1:56:15.879
<v Speaker 2>that was just the first three, and then Missy Elliott,

1:56:16.800 --> 1:56:21.200
<v Speaker 2>Y Cleve, Jean, Buster Rhymes, Wu Tang Clan, Ice Cube,

1:56:21.400 --> 1:56:26.640
<v Speaker 2>Sean Paul, Shaggy, super Cat, Maxy Priest. I mean, we

1:56:26.800 --> 1:56:29.800
<v Speaker 2>did a whole we do anything you guys, super Cat

1:56:30.040 --> 1:56:32.280
<v Speaker 2>so and we did, and we did a whole episode

1:56:32.320 --> 1:56:37.680
<v Speaker 2>of reggae music. And I want to thank this amazing woman,

1:56:37.800 --> 1:56:43.440
<v Speaker 2>Sharon Burke. Sharon Burke is kind of like the mayor

1:56:44.400 --> 1:56:49.280
<v Speaker 2>of reggae music. And I met Sharon because she helped

1:56:49.280 --> 1:56:52.600
<v Speaker 2>me get Shaggy. No, I'm sorry, she helped me get

1:56:55.000 --> 1:56:58.280
<v Speaker 2>show me get Beanie Man on a previous episode, and

1:56:58.400 --> 1:56:59.840
<v Speaker 2>we hit it off and I called and I said,

1:57:00.600 --> 1:57:02.240
<v Speaker 2>I told b Et, I want to do the next

1:57:02.280 --> 1:57:03.360
<v Speaker 2>episode all reggae.

1:57:04.000 --> 1:57:05.480
<v Speaker 4>I said, will you co produce it with me?

1:57:06.080 --> 1:57:07.400
<v Speaker 1>And she did and we.

1:57:07.520 --> 1:57:13.960
<v Speaker 2>Produced this episode that featured Shaka de mis Imploied Terror,

1:57:14.080 --> 1:57:18.400
<v Speaker 2>Fabulous sister Nancy doing bumb Bomb. And you know, her

1:57:18.520 --> 1:57:21.560
<v Speaker 2>story is incredible. She deserves her flowers because that song

1:57:21.640 --> 1:57:22.280
<v Speaker 2>has been used.

1:57:22.840 --> 1:57:24.520
<v Speaker 7>I think she got a documentary right now. They've got

1:57:24.520 --> 1:57:25.760
<v Speaker 7>a documentary about it right now.

1:57:25.800 --> 1:57:27.720
<v Speaker 4>Right So it all just came full circle.

1:57:28.360 --> 1:57:30.680
<v Speaker 2>She never made a sense from this track or the

1:57:30.760 --> 1:57:34.560
<v Speaker 2>top line or the song for years, and so she

1:57:34.800 --> 1:57:39.080
<v Speaker 2>was on the show. And so Sharon calls me and says,

1:57:39.120 --> 1:57:42.040
<v Speaker 2>you have to come to Kingston for the premiere. So

1:57:43.320 --> 1:57:46.080
<v Speaker 2>I'm used to watching the show in my living room

1:57:46.120 --> 1:57:49.160
<v Speaker 2>with a couple of friends. I never did anything, She says,

1:57:49.200 --> 1:57:52.120
<v Speaker 2>you know, just after COVID we're just flying again. She

1:57:52.160 --> 1:57:55.360
<v Speaker 2>said you have to come to Kingston. And so I've

1:57:55.400 --> 1:57:59.800
<v Speaker 2>never been to Jamaica, let alone Kingston. And so Sharon

1:58:00.320 --> 1:58:04.760
<v Speaker 2>throws this event for me and all the artists who

1:58:04.800 --> 1:58:06.760
<v Speaker 2>were on the show, the mass majority of live in Kingston,

1:58:06.880 --> 1:58:07.520
<v Speaker 2>so they all came.

1:58:07.640 --> 1:58:10.000
<v Speaker 4>Junior Reid who did want Blood on the show.

1:58:11.520 --> 1:58:17.040
<v Speaker 2>And words can't really explain what I felt on that trip,

1:58:17.560 --> 1:58:20.320
<v Speaker 2>you know, for me past the mic was and in

1:58:20.440 --> 1:58:23.840
<v Speaker 2>some sense it still feels like my living room show,

1:58:24.680 --> 1:58:27.120
<v Speaker 2>in which I'm surprised if anyone who I don't know

1:58:27.320 --> 1:58:31.080
<v Speaker 2>has ever heard of it. So when I walk into

1:58:31.160 --> 1:58:34.320
<v Speaker 2>Kingston and everyone knows that the show's happened, it hasn't

1:58:34.320 --> 1:58:37.000
<v Speaker 2>even aired yet, and everyone knows it's airing, and there's

1:58:37.000 --> 1:58:40.120
<v Speaker 2>a whole show dedicated to reggae. It was really it

1:58:40.200 --> 1:58:42.720
<v Speaker 2>was quite a feeling, and honestly, in many senses, I

1:58:42.840 --> 1:58:45.520
<v Speaker 2>have favorite episodes for different reasons, but that's my favorite

1:58:45.520 --> 1:58:49.040
<v Speaker 2>episode because I think we stepped out of the comfort

1:58:49.080 --> 1:58:50.800
<v Speaker 2>of hip hop and arm beat to some respect. But

1:58:51.200 --> 1:58:53.360
<v Speaker 2>as a kid, dance hall music was hip hop. Yea,

1:58:54.200 --> 1:58:56.800
<v Speaker 2>you know, I learned dance hall music through funk Master Flex.

1:58:56.880 --> 1:59:01.040
<v Speaker 2>That was my in to knowing Super Cat Records. I

1:59:01.200 --> 1:59:03.040
<v Speaker 2>learned it through hip hop, just like I learned soul

1:59:03.160 --> 1:59:09.640
<v Speaker 2>music from hip hop. So after ten episodes, two hundred

1:59:09.680 --> 1:59:15.400
<v Speaker 2>and twenty icon spanning forty years, and then Steve gets

1:59:15.400 --> 1:59:19.080
<v Speaker 2>an email from the Black Promoter's Collective, who's an independent

1:59:19.200 --> 1:59:22.480
<v Speaker 2>concert promoter who was very hot that year with the

1:59:22.560 --> 1:59:25.760
<v Speaker 2>New Edition tour and the Mary Tour and the Maxwell Tour,

1:59:26.160 --> 1:59:28.080
<v Speaker 2>and they said, have you thought about taking the show

1:59:28.160 --> 1:59:32.040
<v Speaker 2>on the road, And of course we had, but they

1:59:32.080 --> 1:59:38.520
<v Speaker 2>saw the vision. And over the past year we've been

1:59:38.560 --> 1:59:42.120
<v Speaker 2>putting on past the Mic live concerts across the country

1:59:43.400 --> 1:59:46.200
<v Speaker 2>and I've been walking out in front of arenas.

1:59:47.800 --> 1:59:50.440
<v Speaker 4>That are sold out with ten to fifteen thousand people.

1:59:51.240 --> 1:59:54.920
<v Speaker 2>And there's no feeling like this because at the end

1:59:54.920 --> 1:59:58.440
<v Speaker 2>of the day, this whole thing started with this little

1:59:58.520 --> 2:00:02.480
<v Speaker 2>idea of calling artists and convincing them to do this

2:00:02.640 --> 2:00:06.920
<v Speaker 2>crazy concept to bring celebration to people at a crazy time,

2:00:07.480 --> 2:00:11.040
<v Speaker 2>and it turned into a celebration of the soundtrack of

2:00:11.120 --> 2:00:14.400
<v Speaker 2>our lives. It turned into a celebration of our favorite

2:00:14.440 --> 2:00:17.560
<v Speaker 2>songs and our favorite artists, a celebration of our heroes.

2:00:18.720 --> 2:00:22.480
<v Speaker 4>And so I have this incredible.

2:00:24.600 --> 2:00:26.880
<v Speaker 2>Over the past year, I've had this incredible opportunity every

2:00:26.960 --> 2:00:31.560
<v Speaker 2>month to walk on stage and experience that celebration in

2:00:31.600 --> 2:00:34.280
<v Speaker 2>front of ten to fifteen thousand people with my heroes

2:00:34.320 --> 2:00:37.840
<v Speaker 2>on stage, and every one of those shows has been

2:00:37.880 --> 2:00:41.800
<v Speaker 2>a unique show. The show in North Carolina was different

2:00:41.840 --> 2:00:43.560
<v Speaker 2>than the show in New Jersey. It was different from

2:00:43.600 --> 2:00:45.720
<v Speaker 2>the show at Radio City. So every show is like

2:00:45.800 --> 2:00:51.240
<v Speaker 2>a special event curated specifically for that time and place.

2:00:52.280 --> 2:00:56.160
<v Speaker 2>And the show at Radio City was the greatest night

2:00:56.240 --> 2:01:04.560
<v Speaker 2>of my life. Sugarhill Gang, Curtis, Blow, Cool Mo, D, Busy,

2:01:04.640 --> 2:01:08.480
<v Speaker 2>b krs one mc shan. But listen to what I

2:01:08.600 --> 2:01:11.800
<v Speaker 2>just said though on one stage, Cool Mo, D, Busy,

2:01:11.920 --> 2:01:21.600
<v Speaker 2>B mc shan, krs one, Infamous Beefs, and Naughty My

2:01:21.720 --> 2:01:25.120
<v Speaker 2>Nature and Rock came in, Big Daddy Kane and Karras

2:01:25.160 --> 2:01:27.680
<v Speaker 2>one and Dougie Fresh and Slick Rick and Lords of

2:01:27.680 --> 2:01:30.960
<v Speaker 2>the Underground and the Fushnickens and EPMD and.

2:01:34.080 --> 2:01:37.360
<v Speaker 4>I will never forget every minute of that night. I don't.

2:01:37.360 --> 2:01:39.040
<v Speaker 4>I don't think it can be topped. It's it's my

2:01:39.240 --> 2:01:39.960
<v Speaker 4>thriller now.

2:01:40.120 --> 2:01:42.640
<v Speaker 2>It's like in its own I just I can't touch

2:01:42.760 --> 2:01:44.840
<v Speaker 2>that in my own in my own heart and soul.

2:01:46.200 --> 2:01:48.640
<v Speaker 2>It was everything that I ever dreamt of. And I

2:01:48.840 --> 2:01:51.560
<v Speaker 2>felt I don't feel it often, but I felt that

2:01:51.760 --> 2:01:55.520
<v Speaker 2>night that I had made some contribution, that I did

2:01:56.360 --> 2:02:00.000
<v Speaker 2>something for the music and the culture that gave me life,

2:02:00.000 --> 2:02:06.000
<v Speaker 2>life and identity. And you know, I remember some artists

2:02:06.000 --> 2:02:08.800
<v Speaker 2>saying that night that they had never been to Radio City.

2:02:10.640 --> 2:02:13.000
<v Speaker 2>And I got a call from Roxanne Chante the next

2:02:13.040 --> 2:02:18.560
<v Speaker 2>morning telling me just that, and so it's it's it's

2:02:18.600 --> 2:02:20.400
<v Speaker 2>you know, we talked about a lot of memories early on.

2:02:20.520 --> 2:02:21.960
<v Speaker 2>I think in one of the stories I said at

2:02:21.960 --> 2:02:24.000
<v Speaker 2>that time, that was the greatest night. This was the

2:02:24.080 --> 2:02:28.160
<v Speaker 2>greatest night of my life. So all this led to Vegas.

2:02:28.640 --> 2:02:31.600
<v Speaker 2>And and you know you asked about the artist and

2:02:32.680 --> 2:02:36.240
<v Speaker 2>how did you pick those artist? It's always been I

2:02:36.360 --> 2:02:38.680
<v Speaker 2>just want to say about the artists, right, I'm really

2:02:38.920 --> 2:02:43.200
<v Speaker 2>just the messenger. I'm just really I have the fortunate

2:02:44.160 --> 2:02:51.360
<v Speaker 2>position of being a bridge, right and if I'm nothing

2:02:51.440 --> 2:02:54.240
<v Speaker 2>else in my life but that bridge, I'm happy with that.

2:02:55.800 --> 2:02:58.320
<v Speaker 4>And I really feel.

2:03:01.960 --> 2:03:05.480
<v Speaker 2>Again, sorry for this voice, but I really feel that

2:03:08.440 --> 2:03:10.720
<v Speaker 2>this is going to sound very poetic. But I feel

2:03:10.800 --> 2:03:13.080
<v Speaker 2>in all episodes and shows that passed the mic, the

2:03:13.240 --> 2:03:19.240
<v Speaker 2>artists have chosen themselves. I think it It was always

2:03:19.360 --> 2:03:26.560
<v Speaker 2>just clear, you know when when when Steven live Nation

2:03:26.920 --> 2:03:33.520
<v Speaker 2>first started talking about Vegas, I was immediately inspired by

2:03:33.960 --> 2:03:38.320
<v Speaker 2>the shows that we think of as the iconic Vegas shows.

2:03:38.960 --> 2:03:42.720
<v Speaker 1>The rat Pack, That's what I said earlier. Yeah, I

2:03:42.760 --> 2:03:44.480
<v Speaker 1>said that we were talking about that earlier.

2:03:46.000 --> 2:03:51.000
<v Speaker 4>Elvis Presley, Liberaci. Steve always calls me Liberaci, so.

2:03:51.680 --> 2:03:52.360
<v Speaker 1>He definitely did.

2:03:54.320 --> 2:03:55.920
<v Speaker 4>So I can't wait to hear what was said before

2:03:55.920 --> 2:03:56.280
<v Speaker 4>I got here.

2:04:01.200 --> 2:04:06.760
<v Speaker 2>So, the rat Pack, Elvis, Presley, Liberachi, Wayne Newton.

2:04:07.440 --> 2:04:09.120
<v Speaker 1>And these are the first people with residencies.

2:04:10.480 --> 2:04:12.640
<v Speaker 2>They were the first ones to have a long term,

2:04:13.000 --> 2:04:14.760
<v Speaker 2>the most definitive residencies.

2:04:14.800 --> 2:04:15.920
<v Speaker 4>There were people in between.

2:04:16.920 --> 2:04:18.280
<v Speaker 1>H I'm sorry for cutting it.

2:04:18.600 --> 2:04:19.280
<v Speaker 8>I did forget.

2:04:20.120 --> 2:04:23.680
<v Speaker 1>My father did bring Elvis to Vegas. He brought him

2:04:23.720 --> 2:04:25.560
<v Speaker 1>to Elvis. He brought Elvis to Vegas.

2:04:25.760 --> 2:04:28.080
<v Speaker 4>Yeah, the International Hotel, and he's told me that before.

2:04:28.360 --> 2:04:28.680
<v Speaker 1>Wow.

2:04:29.040 --> 2:04:34.320
<v Speaker 2>So so that's that's the DNA of this conception. And

2:04:34.440 --> 2:04:38.320
<v Speaker 2>when this started, I didn't know that. As the esthetic

2:04:38.400 --> 2:04:41.120
<v Speaker 2>and vibe started to form, he told me that. So

2:04:42.760 --> 2:04:47.640
<v Speaker 2>I've always been fascinated with old world Las Vegas, with

2:04:47.800 --> 2:04:53.560
<v Speaker 2>Freemont Street, the old hotels, the gangster stories, the neon signed,

2:04:53.680 --> 2:04:55.520
<v Speaker 2>the lights, the glamour.

2:04:55.360 --> 2:04:57.520
<v Speaker 7>The black and white of it all, the mob exactly

2:04:57.760 --> 2:04:58.440
<v Speaker 7>black and white of it.

2:04:58.680 --> 2:04:58.840
<v Speaker 6>Yeah.

2:04:58.880 --> 2:05:01.400
<v Speaker 2>Yeah, the black and white of it all, even though

2:05:01.480 --> 2:05:07.280
<v Speaker 2>it was actually very bright, very bright. So I thought

2:05:07.320 --> 2:05:09.960
<v Speaker 2>about the rat Pack, and I thought about.

2:05:11.320 --> 2:05:16.240
<v Speaker 4>Who are they? Were they unknowns? Now they were five stars?

2:05:19.120 --> 2:05:21.160
<v Speaker 1>Is that we saw a flyer? When you see the

2:05:21.240 --> 2:05:23.320
<v Speaker 1>basket of min it's like almost like the rat Pack.

2:05:23.360 --> 2:05:25.400
<v Speaker 1>I didn't even I didn't even think of that exactly.

2:05:25.520 --> 2:05:31.200
<v Speaker 2>So the rat Pack is five stars Frank Sinatra, Sammy

2:05:31.280 --> 2:05:35.600
<v Speaker 2>Davis Junior, Dean Martin, Joey Bishop, and Peter Lawford.

2:05:39.880 --> 2:05:40.080
<v Speaker 1>Yeah.

2:05:40.120 --> 2:05:44.120
<v Speaker 2>So these guys were singers, actors, comedians. They didn't need

2:05:44.600 --> 2:05:46.320
<v Speaker 2>each other. They were stars.

2:05:47.440 --> 2:05:48.040
<v Speaker 4>But what did they do?

2:05:49.200 --> 2:05:54.960
<v Speaker 2>They came together and formed an ensemble that the world

2:05:55.080 --> 2:05:59.400
<v Speaker 2>had never seen. That you could only see in one.

2:05:59.280 --> 2:06:01.280
<v Speaker 1>Place, and that place was Las Vegas.

2:06:02.240 --> 2:06:05.640
<v Speaker 2>And remember how we started, And I said, if an

2:06:05.680 --> 2:06:08.120
<v Speaker 2>alien came from outer space and said, what is hip hop?

2:06:08.800 --> 2:06:10.960
<v Speaker 2>I would show him a picture run the MCGM massage

2:06:11.000 --> 2:06:15.640
<v Speaker 2>and playing this is the Sucker. If an alien came

2:06:15.680 --> 2:06:18.080
<v Speaker 2>from out of space and said what is Las Vegas?

2:06:18.120 --> 2:06:24.000
<v Speaker 2>I would show them rap back. So I thought there

2:06:24.120 --> 2:06:30.000
<v Speaker 2>was an opportunity to create something groundbreaking and something trailblazing.

2:06:30.880 --> 2:06:35.440
<v Speaker 2>There is very little hip hop in the concerts space

2:06:35.560 --> 2:06:38.720
<v Speaker 2>in Las Vegas. There is almost no hip hop in

2:06:38.800 --> 2:06:44.200
<v Speaker 2>the residency space. Yeah, and they have new September and

2:06:44.240 --> 2:06:48.800
<v Speaker 2>that's brand new so and drink chams were coming soon.

2:06:49.480 --> 2:06:51.360
<v Speaker 4>Yeah, there you go, we need you.

2:06:51.440 --> 2:06:56.560
<v Speaker 3>In July, Usha and Ussher and Ushia even though marriage

2:06:56.600 --> 2:07:00.160
<v Speaker 3>considered a hip hop overall, they don't polyse.

2:07:00.440 --> 2:07:02.640
<v Speaker 2>Because Usher and There's been a bunch of R and

2:07:02.720 --> 2:07:07.520
<v Speaker 2>B for sure, okay, but virtually, with maybe one or

2:07:07.560 --> 2:07:11.560
<v Speaker 2>two exceptions, there's been no hip hop in the residency space,

2:07:11.800 --> 2:07:16.160
<v Speaker 2>very little in the concert space. And certainly DJs have

2:07:16.280 --> 2:07:20.120
<v Speaker 2>always existed in Vegas in the world of nightlife, but

2:07:20.280 --> 2:07:24.200
<v Speaker 2>not in the world of concerts. So I saw a

2:07:24.280 --> 2:07:28.560
<v Speaker 2>tremendous opportunity to take inspiration from those that made Vegas

2:07:28.640 --> 2:07:31.840
<v Speaker 2>what it is and to redefine it through a hip

2:07:31.880 --> 2:07:35.640
<v Speaker 2>hop lens, through a New York lens largely, and to

2:07:35.760 --> 2:07:41.040
<v Speaker 2>create an ensemble cast of five artists that all have

2:07:41.240 --> 2:07:44.960
<v Speaker 2>their global careers, that don't need to come together, but

2:07:45.200 --> 2:07:48.120
<v Speaker 2>choose to come together to create a once in a

2:07:48.240 --> 2:07:52.080
<v Speaker 2>lifetime experience that you can only see in Vegas and

2:07:52.480 --> 2:07:56.440
<v Speaker 2>all roads led to Job Rule, Fat Joe Slick Rick,

2:07:56.520 --> 2:07:59.280
<v Speaker 2>and Dougie Fresh and myself as the core five.

2:08:00.040 --> 2:08:09.960
<v Speaker 13>Our Rule has coined us the rap pack Mmm looks

2:08:11.440 --> 2:08:15.320
<v Speaker 13>and you know, every night, so it's every night this goes.

2:08:15.400 --> 2:08:16.760
<v Speaker 4>So it's it's, it's.

2:08:16.760 --> 2:08:20.680
<v Speaker 7>It's because it's just as long as there's every week

2:08:20.760 --> 2:08:21.120
<v Speaker 7>every night.

2:08:21.840 --> 2:08:26.600
<v Speaker 8>This is every weekend for the month of July, every weekend.

2:08:26.360 --> 2:08:31.400
<v Speaker 4>Yes, Friday Saturday. So on night one.

2:08:32.720 --> 2:08:35.360
<v Speaker 2>We have Ray Kwan and ghost Face as our special

2:08:35.440 --> 2:08:39.760
<v Speaker 2>guests every night one, No just on night one of

2:08:39.880 --> 2:08:43.720
<v Speaker 2>the residency, every first night of the weekend. On on

2:08:43.960 --> 2:08:48.400
<v Speaker 2>night two of the Residency, we have Public Enemy joining

2:08:48.480 --> 2:08:49.120
<v Speaker 2>us on stage.

2:08:49.160 --> 2:08:51.680
<v Speaker 4>Now, I just want to talk about this for a second.

2:08:51.840 --> 2:08:54.120
<v Speaker 2>Public Enemy, first of all, has only performed once in

2:08:54.240 --> 2:08:59.160
<v Speaker 2>America in seven years wow, meaning seven years ago right right.

2:09:03.440 --> 2:09:06.160
<v Speaker 2>Out of all the people involved in the residency, for

2:09:06.320 --> 2:09:12.320
<v Speaker 2>some reason, Chuck has been the person who has hosted

2:09:12.640 --> 2:09:13.839
<v Speaker 2>the ad for the show.

2:09:13.760 --> 2:09:17.080
<v Speaker 4>More than anyone. I cannot tell you what that means.

2:09:18.400 --> 2:09:24.120
<v Speaker 2>There's really no words to explain how I feel when

2:09:24.200 --> 2:09:28.720
<v Speaker 2>I see Past the Mic live on Chuck the Instagram

2:09:29.880 --> 2:09:33.760
<v Speaker 2>the Ultimate Truth like capital t r U t H,

2:09:34.280 --> 2:09:39.920
<v Speaker 2>there's no more truth. Night three and four we are

2:09:40.000 --> 2:09:47.800
<v Speaker 2>welcoming a global icon a Steve Rifkin label mates and

2:09:48.080 --> 2:09:55.160
<v Speaker 2>Discovery Akon and Night five we are welcoming Jermaine dupri

2:09:55.440 --> 2:09:58.360
<v Speaker 2>and De Brat together doing something.

2:09:58.280 --> 2:10:00.640
<v Speaker 4>Very special that we're Carl curated.

2:10:02.200 --> 2:10:04.920
<v Speaker 2>And Night six we're welcoming too Short and War and

2:10:05.000 --> 2:10:08.320
<v Speaker 2>g and it's going to be very special night. Obviously

2:10:08.480 --> 2:10:10.920
<v Speaker 2>Vegas is in the West Coast, so that's going to

2:10:10.960 --> 2:10:12.280
<v Speaker 2>be a particularly.

2:10:12.360 --> 2:10:14.840
<v Speaker 7>And just to be clear for the people watching listening,

2:10:15.040 --> 2:10:18.520
<v Speaker 7>when you say welcoming to the addition to fact, Joe.

2:10:21.920 --> 2:10:23.440
<v Speaker 1>In addition, right, and the.

2:10:23.480 --> 2:10:25.680
<v Speaker 6>Great thing about the month of Live for this year

2:10:25.800 --> 2:10:31.000
<v Speaker 6>is you have the NBA Summer League in Vegas, but

2:10:31.120 --> 2:10:36.040
<v Speaker 6>you also have the Olympic team practicing. Oh so pretty

2:10:36.120 --> 2:10:38.840
<v Speaker 6>much eighty five percent of the NBA. It's going to

2:10:38.880 --> 2:10:42.080
<v Speaker 6>be in Vegas, So this will literally be the number

2:10:42.120 --> 2:10:44.240
<v Speaker 6>one residency for the month of Joe.

2:10:44.440 --> 2:10:47.839
<v Speaker 2>The hotels is that Seasons Seasons, okay, plan in Hollywood,

2:10:48.160 --> 2:10:54.040
<v Speaker 2>owned by Caesars so and and when this all started,

2:10:54.080 --> 2:10:57.080
<v Speaker 2>Steve was very adamant about July. You know, I'm not

2:10:57.120 --> 2:10:59.640
<v Speaker 2>a sports guy. As I've said several times, Steve is

2:11:00.400 --> 2:11:02.880
<v Speaker 2>and so Steve goes No, I go to Vegas every July.

2:11:03.120 --> 2:11:06.320
<v Speaker 4>It's you can feel the energy, the culture. We have

2:11:06.440 --> 2:11:07.080
<v Speaker 4>to do it in July.

2:11:07.160 --> 2:11:07.800
<v Speaker 1>And he was right.

2:11:08.800 --> 2:11:12.360
<v Speaker 2>And you know, Jaw and Joe and Rick and Doug

2:11:12.440 --> 2:11:19.040
<v Speaker 2>and myself are designing inexperience like you've never seen before.

2:11:19.560 --> 2:11:21.560
<v Speaker 2>If you've been to a past to my concert over

2:11:21.640 --> 2:11:26.360
<v Speaker 2>the past year, you've seen a three hour continuous show

2:11:27.200 --> 2:11:31.520
<v Speaker 2>with no intermission and no breaks and no moments of

2:11:31.640 --> 2:11:37.520
<v Speaker 2>silence and no opening acts and no headliners. It's straight

2:11:37.640 --> 2:11:41.120
<v Speaker 2>one hundred miles per hour from eight pm to eleven pm.

2:11:42.000 --> 2:11:45.360
<v Speaker 2>But in Vegas, we're taking that and multiplying it times ten.

2:11:45.960 --> 2:11:46.640
<v Speaker 8>So what does that mean?

2:11:47.880 --> 2:11:51.240
<v Speaker 2>We are creating a show that is more interweaved and

2:11:51.400 --> 2:11:53.080
<v Speaker 2>collaborative than ever before.

2:11:54.480 --> 2:11:56.320
<v Speaker 6>If I didn't believe in this, I was supposed to

2:11:56.400 --> 2:12:02.360
<v Speaker 6>do Allow thirty on July fifth, and knowing what he does,

2:12:03.480 --> 2:12:07.160
<v Speaker 6>I said, Cassidy, I'm gonna shut my show down. And

2:12:07.240 --> 2:12:09.480
<v Speaker 6>I was doing the big theater T Mobile which hold

2:12:09.520 --> 2:12:13.640
<v Speaker 6>twenty two thousand people, and I had WU three six,

2:12:13.760 --> 2:12:18.520
<v Speaker 6>I had everybody, and I debit it for this. That's

2:12:18.560 --> 2:12:23.160
<v Speaker 6>how much I believed in this. Because even though it's

2:12:23.400 --> 2:12:26.520
<v Speaker 6>a month, this is going to be you know when

2:12:26.560 --> 2:12:29.080
<v Speaker 6>he mentioned Wayne Newton or you know, this is going

2:12:29.160 --> 2:12:32.280
<v Speaker 6>to be, this is gonna last. Because what they're doing

2:12:32.440 --> 2:12:35.080
<v Speaker 6>is it's an experience. It's just not a typical hip

2:12:35.120 --> 2:12:37.200
<v Speaker 6>hop show. This is really going to be a real

2:12:37.360 --> 2:12:40.720
<v Speaker 6>fucking experience and take it to a whole different place.

2:12:43.520 --> 2:12:46.360
<v Speaker 1>I respect that. I think I'm giving you a contact. Huh,

2:12:47.200 --> 2:12:51.440
<v Speaker 1>he's not. I keep looking. I'm like he said, Aye, man, I.

2:12:51.840 --> 2:12:57.320
<v Speaker 2>Was losing my voice before I got it. I was

2:12:57.400 --> 2:12:59.400
<v Speaker 2>losing the voice already, but now it's taken to a

2:12:59.400 --> 2:12:59.920
<v Speaker 2>different level.

2:13:00.040 --> 2:13:02.920
<v Speaker 1>You want to explain him the rules with quick Thomas Live.

2:13:04.360 --> 2:13:07.320
<v Speaker 7>Oh yeah, actually just hitting me back, and I was

2:13:07.360 --> 2:13:10.480
<v Speaker 7>just time you got you play quick time already with us.

2:13:10.560 --> 2:13:12.880
<v Speaker 7>Once you're you're new to quick time. So this is

2:13:12.920 --> 2:13:15.760
<v Speaker 7>what we canna give you two, two different.

2:13:17.120 --> 2:13:19.440
<v Speaker 1>I lost my choices. Choices.

2:13:19.880 --> 2:13:23.200
<v Speaker 7>You get to pick one, and we don't drink. If

2:13:23.240 --> 2:13:26.080
<v Speaker 7>you say both are neither. We all drink, but you're not.

2:13:26.280 --> 2:13:28.440
<v Speaker 7>You guys aren't drinking. So you get to pick.

2:13:28.640 --> 2:13:38.640
<v Speaker 1>He could be your designated drinker. This I got some drinking.

2:13:39.560 --> 2:13:40.480
<v Speaker 1>Shout to us to drink.

2:13:41.960 --> 2:13:50.120
<v Speaker 2>Yeah, right here they drink, right, Yeah, you're my drinker.

2:13:51.040 --> 2:13:52.240
<v Speaker 1>You drink. Who's drinking?

2:13:52.920 --> 2:13:53.520
<v Speaker 7>You're my driver?

2:13:53.640 --> 2:13:54.160
<v Speaker 8>Hey, come.

2:13:57.120 --> 2:13:59.600
<v Speaker 7>He's not going to be I can bring it.

2:14:00.040 --> 2:14:03.800
<v Speaker 8>He drinks, right, Come on, you're my teammate.

2:14:04.720 --> 2:14:05.320
<v Speaker 5>You gotta drink.

2:14:06.640 --> 2:14:08.160
<v Speaker 7>You got one hair?

2:14:09.000 --> 2:14:11.800
<v Speaker 1>You got I got with the hoodie? What you want?

2:14:11.840 --> 2:14:12.040
<v Speaker 10>You want?

2:14:13.800 --> 2:14:14.640
<v Speaker 4>I can't have the driver.

2:14:15.560 --> 2:14:15.760
<v Speaker 1>Driver.

2:14:16.760 --> 2:14:20.920
<v Speaker 7>I mean, let's go away. I'm funked up right now.

2:14:21.400 --> 2:14:25.280
<v Speaker 7>You got Sonny, Sonny, listen, we.

2:14:25.320 --> 2:14:28.720
<v Speaker 1>Got Yeah, you got the fleet market show. You gotta relax.

2:14:28.800 --> 2:14:30.240
<v Speaker 4>I don't think you're gonna have to drink at all.

2:14:31.280 --> 2:14:33.600
<v Speaker 7>What we call I don't know, because now it's too

2:14:33.640 --> 2:14:39.920
<v Speaker 7>free to contest. If he State sales Champs, the state champs,

2:14:40.520 --> 2:14:42.280
<v Speaker 7>this is yeah.

2:14:42.640 --> 2:14:45.560
<v Speaker 1>Bring up? Come on, who's producing the.

2:14:47.200 --> 2:14:47.480
<v Speaker 4>Hold on?

2:14:47.920 --> 2:14:54.640
<v Speaker 1>Bring up? Bringing back I take the first two. I'm

2:14:54.760 --> 2:14:56.680
<v Speaker 1>give the let's get his drinker up there.

2:14:57.400 --> 2:14:58.680
<v Speaker 7>But where's this drinker?

2:15:05.040 --> 2:15:05.280
<v Speaker 2>Then?

2:15:05.400 --> 2:15:05.800
<v Speaker 5>Happened to me?

2:15:05.920 --> 2:15:07.320
<v Speaker 1>Man, I can't even talk anybody.

2:15:08.280 --> 2:15:12.200
<v Speaker 7>Hey, yeah, let me do the first two. I'm giving

2:15:12.200 --> 2:15:12.840
<v Speaker 7>them both to Steve.

2:15:14.760 --> 2:15:19.960
<v Speaker 1>Let care, I want his man Go ahead, man, you

2:15:20.000 --> 2:15:21.280
<v Speaker 1>can sit next to it.

2:15:21.400 --> 2:15:24.280
<v Speaker 5>Doesn't We got to stay right here for you?

2:15:26.480 --> 2:15:28.440
<v Speaker 4>What what if I just answer everything and no one

2:15:28.520 --> 2:15:29.240
<v Speaker 4>has to drink.

2:15:31.760 --> 2:15:34.680
<v Speaker 1>Both for y'all going bounce back and forth. So because

2:15:35.160 --> 2:15:37.680
<v Speaker 1>you explained of that, if you say both, yeah.

2:15:37.520 --> 2:15:39.080
<v Speaker 7>We're giving you to let me say it because I

2:15:39.120 --> 2:15:40.600
<v Speaker 7>don't know why the fuck I can't even talk. But

2:15:41.080 --> 2:15:41.960
<v Speaker 7>you get two choices.

2:15:42.320 --> 2:15:43.120
<v Speaker 1>You say this or that.

2:15:43.840 --> 2:15:47.040
<v Speaker 7>If you pick one, nobody drinks. If you say both

2:15:47.160 --> 2:15:47.560
<v Speaker 7>or neither.

2:15:48.480 --> 2:15:50.200
<v Speaker 1>Correct, I got it. We all drink. That's it.

2:15:50.560 --> 2:15:51.360
<v Speaker 4>I get it right.

2:15:51.480 --> 2:15:57.040
<v Speaker 3>So I'm gonna start with you, Steve Tupac or d

2:15:57.200 --> 2:16:05.120
<v Speaker 3>m X both, but when they're not drinking.

2:16:07.720 --> 2:16:09.040
<v Speaker 1>Silo Hello, sollo.

2:16:09.000 --> 2:16:11.160
<v Speaker 7>Drinking cheers cheers, cheers.

2:16:11.240 --> 2:16:16.640
<v Speaker 3>Yeah, okay, Also to you against my life this moment,

2:16:16.680 --> 2:16:19.720
<v Speaker 3>wanted this one. Yeah, I think you're gonna I think

2:16:19.720 --> 2:16:21.720
<v Speaker 3>you're gonna let me not, let me not leave the

2:16:21.760 --> 2:16:25.480
<v Speaker 3>witness yeah, don't lead the winnows m O P or

2:16:25.560 --> 2:16:28.120
<v Speaker 3>mob D Come on, no hear?

2:16:28.120 --> 2:16:28.880
<v Speaker 8>I mean, what the fuck?

2:16:31.000 --> 2:16:33.800
<v Speaker 6>It should be sense? And I mean they're both loud.

2:16:33.840 --> 2:16:36.520
<v Speaker 6>I mean, how can I Oh yeah, I'm thinking.

2:16:36.320 --> 2:16:41.040
<v Speaker 3>About people's first Yeah, no, this is not this. There's

2:16:41.040 --> 2:16:44.520
<v Speaker 3>a guy who white questions over there. I wouldn't say both,

2:16:44.560 --> 2:16:45.279
<v Speaker 3>but I'm saying.

2:16:45.120 --> 2:16:46.320
<v Speaker 1>I mean the witness.

2:16:46.360 --> 2:16:51.680
<v Speaker 6>Now I'm gonna you know, I had more records with

2:16:51.879 --> 2:16:55.000
<v Speaker 6>Mob Deep, okay, than I did with m O P.

2:16:55.280 --> 2:17:00.160
<v Speaker 6>So you're saying, but Annie Up might be one of

2:17:00.200 --> 2:17:01.600
<v Speaker 6>my favorite records of all time.

2:17:05.280 --> 2:17:12.520
<v Speaker 9>Christmas cop out Rift, damn you all right, man, let's go,

2:17:12.720 --> 2:17:18.959
<v Speaker 9>all right, let's go Cassidy NOAs or Kiss Jada Kiss.

2:17:18.800 --> 2:17:22.200
<v Speaker 1>To be exactly, m hmm.

2:17:23.440 --> 2:17:26.280
<v Speaker 4>I would like to answer elaborate.

2:17:26.440 --> 2:17:29.119
<v Speaker 7>You can say why your criteria, why you would say

2:17:29.120 --> 2:17:30.160
<v Speaker 7>one or the other or both?

2:17:30.600 --> 2:17:30.920
<v Speaker 1>Nos.

2:17:32.000 --> 2:17:35.240
<v Speaker 2>My my favorite album of all time is Illmatic, and

2:17:35.360 --> 2:17:39.240
<v Speaker 2>it holds a very special place in my heart, and

2:17:39.480 --> 2:17:44.160
<v Speaker 2>so anything that includes NAS might go to NAS because

2:17:44.200 --> 2:17:44.360
<v Speaker 2>of that.

2:17:44.720 --> 2:17:53.800
<v Speaker 7>Okay, that's fair, all right, Steve Pete rock and you

2:17:53.920 --> 2:17:56.920
<v Speaker 7>gotta he did he did it masterfully. So I mean

2:17:57.200 --> 2:17:58.440
<v Speaker 7>I'm not as smart as she is.

2:18:00.120 --> 2:18:03.080
<v Speaker 1>You are you have to be.

2:18:08.080 --> 2:18:11.600
<v Speaker 14>Wow, man, Let's let's just say, oh, they are both louder.

2:18:14.360 --> 2:18:15.760
<v Speaker 14>I mean you can say, bo I ain't mad at

2:18:15.800 --> 2:18:25.800
<v Speaker 14>both goth Steve. Let them give me a real question,

2:18:28.280 --> 2:18:29.920
<v Speaker 14>all right, let me do this one.

2:18:32.360 --> 2:18:32.800
<v Speaker 1>You can do that.

2:18:34.160 --> 2:18:38.680
<v Speaker 7>I'm not talking to anymore. Let's go Wu Tang or

2:18:38.800 --> 2:18:42.720
<v Speaker 7>n w A Wu Tang. Hello fast, I'm from New York.

2:18:43.240 --> 2:18:46.960
<v Speaker 7>You know, it's just it's a good I experienced it.

2:18:47.200 --> 2:18:47.800
<v Speaker 1>I'm not talking.

2:18:48.360 --> 2:18:51.160
<v Speaker 2>It's not music versus music for me, It's just memories

2:18:51.280 --> 2:18:54.480
<v Speaker 2>versus memories. I experienced it in a different way as

2:18:54.520 --> 2:18:57.040
<v Speaker 2>a New Yorker. I experienced n w A in the

2:18:57.120 --> 2:19:00.520
<v Speaker 2>moment more secondhand. So I don't I don't have the

2:19:00.600 --> 2:19:03.480
<v Speaker 2>same kind of memories with that music. Although I love

2:19:03.520 --> 2:19:06.039
<v Speaker 2>it and I know every word, I didn't I didn't

2:19:06.080 --> 2:19:07.400
<v Speaker 2>experience it the same way.

2:19:08.000 --> 2:19:08.200
<v Speaker 1>Yeah.

2:19:08.240 --> 2:19:10.600
<v Speaker 3>I think that's one of my favorite arguments on drinking

2:19:10.680 --> 2:19:13.800
<v Speaker 3>chances with you and Tony yo yo the same. But

2:19:13.920 --> 2:19:16.480
<v Speaker 3>I feel like that he just broke it down, No, bro,

2:19:17.160 --> 2:19:21.320
<v Speaker 3>because that's right, he broke it down.

2:19:21.400 --> 2:19:24.240
<v Speaker 1>When he broke it down, the experience, Yeah, yeah.

2:19:24.200 --> 2:19:26.360
<v Speaker 3>That's what I meant by it, Like I'm not bringing,

2:19:26.400 --> 2:19:30.520
<v Speaker 3>but still no, I still Tony ye Hill completely missco

2:19:30.720 --> 2:19:31.959
<v Speaker 3>screwed the whole thing.

2:19:34.360 --> 2:19:35.840
<v Speaker 4>I told him who it was.

2:19:36.200 --> 2:19:38.840
<v Speaker 7>He did not like it, and an engage in argument.

2:19:39.840 --> 2:19:40.879
<v Speaker 1>I love it beautiful.

2:19:40.920 --> 2:19:43.240
<v Speaker 15>Ye asked you top five rappers of all times? Yeah,

2:19:43.280 --> 2:19:46.040
<v Speaker 15>and I've always been the biggest ice Cube fan. I

2:19:46.120 --> 2:19:48.240
<v Speaker 15>said ice Cream was my in my top five. He

2:19:48.360 --> 2:19:51.560
<v Speaker 15>was my number one, and he didn't like to hantswer

2:19:51.840 --> 2:19:54.800
<v Speaker 15>ice Cube did past the mic. Yeah, ice Cube did

2:19:54.879 --> 2:19:56.400
<v Speaker 15>do past the mike. He was the two hundred and

2:19:56.440 --> 2:19:57.160
<v Speaker 15>twentieth artist.

2:19:57.440 --> 2:20:00.280
<v Speaker 3>God damn big of ice Cube. Wherever you at, needs

2:20:00.320 --> 2:20:03.360
<v Speaker 3>you back on drink chaps. Okay, jay Z a big

2:20:03.440 --> 2:20:03.880
<v Speaker 3>daddy king.

2:20:04.760 --> 2:20:05.680
<v Speaker 1>I'm gonna go with jay Z.

2:20:06.959 --> 2:20:08.080
<v Speaker 7>Look at you answering that.

2:20:09.560 --> 2:20:14.320
<v Speaker 3>I'm going with you, and then I'm coming something even

2:20:14.959 --> 2:20:17.560
<v Speaker 3>on this one. And you can say it at the

2:20:17.600 --> 2:20:22.279
<v Speaker 3>same time. If you want Big Pun or Biggie Smalls.

2:20:22.600 --> 2:20:25.359
<v Speaker 1>M Stee, you go first. I'm going.

2:20:26.760 --> 2:20:28.440
<v Speaker 8>I just have to say he's my heart Pun.

2:20:29.879 --> 2:20:30.600
<v Speaker 1>I'll say Biggie.

2:20:31.400 --> 2:20:32.720
<v Speaker 8>Okay, who do you need to say that?

2:20:33.000 --> 2:20:33.600
<v Speaker 1>Technically you do?

2:20:34.280 --> 2:20:37.240
<v Speaker 8>I mean to say, we're not gonna be Yeah.

2:20:37.360 --> 2:20:38.119
<v Speaker 1>I'm taking a shot.

2:20:39.879 --> 2:20:42.039
<v Speaker 2>I mean, if you seems questions are really fair. I mean,

2:20:42.080 --> 2:20:44.080
<v Speaker 2>you're making between I.

2:20:44.120 --> 2:20:47.200
<v Speaker 7>Think you've got to be on there good. I think no, no, no, Look,

2:20:47.240 --> 2:20:49.520
<v Speaker 7>I mean I obviously I can't for you in your mind,

2:20:49.720 --> 2:20:51.920
<v Speaker 7>you can't. But when we're telling our guests to have

2:20:52.080 --> 2:20:54.400
<v Speaker 7>their criteria, was very close to you.

2:20:54.520 --> 2:20:57.680
<v Speaker 3>So by that, that's why I wouldn't I wouldn't let that.

2:20:57.879 --> 2:21:01.680
<v Speaker 3>I wouldn't let that change my decision. I kind of

2:21:01.720 --> 2:21:04.160
<v Speaker 3>think that they both lived a short career, like they

2:21:04.240 --> 2:21:07.160
<v Speaker 3>both had so much more to go, So I would

2:21:07.240 --> 2:21:08.840
<v Speaker 3>say both, we're not really.

2:21:08.680 --> 2:21:11.080
<v Speaker 7>Talking about careers because remember we're telling the guests it's

2:21:11.120 --> 2:21:12.959
<v Speaker 7>whatever your criteria, that's my.

2:21:21.200 --> 2:21:21.760
<v Speaker 1>I just not.

2:21:23.560 --> 2:21:26.720
<v Speaker 2>But don't we don't we expect Steve to favor those

2:21:26.800 --> 2:21:30.000
<v Speaker 2>artists his careers that he absolutely guided.

2:21:30.360 --> 2:21:33.280
<v Speaker 7>That's why he's been so great guiding those careers.

2:21:33.400 --> 2:21:36.200
<v Speaker 2>Yeah, I think the only hard questions for Steve are

2:21:36.280 --> 2:21:38.600
<v Speaker 2>not a loud artist for someone else's when it's too

2:21:38.720 --> 2:21:39.360
<v Speaker 2>loud artists.

2:21:39.520 --> 2:21:40.960
<v Speaker 1>Yeah, So that's why we're gonna go to this wo

2:21:42.440 --> 2:21:46.240
<v Speaker 1>project Pat Flip. It's just not fair.

2:21:49.400 --> 2:21:50.680
<v Speaker 4>You're killing him project Pat?

2:21:51.360 --> 2:21:52.200
<v Speaker 1>Wow? You big?

2:21:53.480 --> 2:21:57.480
<v Speaker 6>There a reason in there that you big? Yeah, I mean,

2:21:58.720 --> 2:22:01.040
<v Speaker 6>Flip was the last artist. I signed the lad before

2:22:01.240 --> 2:22:05.600
<v Speaker 6>they kicked me out, so I had the record with him,

2:22:05.879 --> 2:22:11.840
<v Speaker 6>but with Project Pat and Hypnotized Minds and three six.

2:22:13.200 --> 2:22:14.800
<v Speaker 6>I don't think you guys realized it.

2:22:14.879 --> 2:22:18.720
<v Speaker 7>Was Project Pat first before Unfield three three six came first.

2:22:19.120 --> 2:22:21.879
<v Speaker 1>And then then you know, you know Pat was Pat

2:22:21.959 --> 2:22:25.800
<v Speaker 1>and Juicy are brothers, right, brothers like that?

2:22:26.000 --> 2:22:29.320
<v Speaker 6>Blood blood brother I'm almost positive blood brothers.

2:22:29.560 --> 2:22:37.960
<v Speaker 1>Wow, Google, you said another? He said, I'm gonna go somewhere.

2:22:38.040 --> 2:22:40.959
<v Speaker 3>They were like, he didn't know, We're gonna google this motherfucker.

2:22:41.480 --> 2:22:46.000
<v Speaker 16>You got technology, you know, but we had you know,

2:22:46.959 --> 2:22:51.119
<v Speaker 16>we had two monster records with Pat and the Chicken

2:22:51.560 --> 2:22:54.480
<v Speaker 16>and then and then he got in trouble and what else?

2:22:54.760 --> 2:22:56.280
<v Speaker 8>And then he got no. Then he got in trouble.

2:22:56.760 --> 2:22:57.800
<v Speaker 1>Yes, right, so.

2:22:59.440 --> 2:23:02.000
<v Speaker 5>Well, wow, I never knew that.

2:23:02.640 --> 2:23:07.959
<v Speaker 1>He said, what I listen, take a shot for no reason.

2:23:08.000 --> 2:23:12.480
<v Speaker 1>I'm taking I'm gonna tak a shot. I don't know why.

2:23:12.480 --> 2:23:14.720
<v Speaker 7>I don't want I'm like, no, no, stas man.

2:23:14.959 --> 2:23:19.160
<v Speaker 3>I just always love to see Project God name Project Past.

2:23:19.240 --> 2:23:23.920
<v Speaker 5>He's telling you where he's coming from, and he definitely don't.

2:23:28.760 --> 2:23:29.400
<v Speaker 10>So what should call you?

2:23:29.520 --> 2:23:30.800
<v Speaker 7>Fleet Market, Sunny.

2:23:33.800 --> 2:23:37.800
<v Speaker 1>State, s Sunday State, sales.

2:23:41.240 --> 2:23:43.240
<v Speaker 4>I'm not taking anything away from clip.

2:23:46.520 --> 2:23:48.480
<v Speaker 7>Artist dude w B T. I mean.

2:23:51.520 --> 2:23:54.279
<v Speaker 8>A few a few years ago, Flip Kane.

2:23:54.080 --> 2:23:57.280
<v Speaker 7>Flippers, we would yeah you know, Flip yeah, yeah, that's

2:23:57.280 --> 2:23:57.640
<v Speaker 7>what we want.

2:23:57.720 --> 2:23:58.440
<v Speaker 1>That's what you want.

2:23:58.520 --> 2:24:01.119
<v Speaker 6>Yeah yeah, Pat can't packed came, three to six came,

2:24:01.360 --> 2:24:02.480
<v Speaker 6>So now Flippers don't know.

2:24:02.879 --> 2:24:05.199
<v Speaker 8>So I'm just saying, I mean, he's.

2:24:05.040 --> 2:24:09.520
<v Speaker 1>A drink Chambala la, Okay, we'll move on.

2:24:10.560 --> 2:24:17.959
<v Speaker 4>You got it from Motana Ross, French Montana, you.

2:24:17.920 --> 2:24:18.920
<v Speaker 7>Don't have bunny style.

2:24:20.320 --> 2:24:21.480
<v Speaker 4>I don't know, maybe it's a cop out.

2:24:21.480 --> 2:24:23.560
<v Speaker 2>I have a personal relationship with him, so I just

2:24:23.760 --> 2:24:26.800
<v Speaker 2>I just connect him in a different way. I love

2:24:26.879 --> 2:24:31.440
<v Speaker 2>Rick Ross, but you know, I've seen French in the studio.

2:24:31.480 --> 2:24:34.760
<v Speaker 2>I kind of been there. I just have different experiences

2:24:34.920 --> 2:24:38.480
<v Speaker 2>for me. You know, these questions aren't just like who's

2:24:38.520 --> 2:24:39.320
<v Speaker 2>a better lyricist.

2:24:40.440 --> 2:24:41.760
<v Speaker 7>We actually respect both people.

2:24:41.800 --> 2:24:44.520
<v Speaker 1>We always mention. Yeah, it's about it's.

2:24:44.440 --> 2:24:49.160
<v Speaker 2>About just having these conversations everything conversation Who you know,

2:24:49.200 --> 2:24:51.280
<v Speaker 2>who do I connect with on some kind of level.

2:24:51.320 --> 2:24:53.360
<v Speaker 2>You know, Nas to me is cheating because that album,

2:24:53.480 --> 2:24:56.320
<v Speaker 2>to me, just is the greatest. So most questions will

2:24:56.360 --> 2:24:58.720
<v Speaker 2>be him. You know, French, I know is a person

2:24:58.879 --> 2:25:01.400
<v Speaker 2>I hung out seen him records. I just feel it

2:25:01.480 --> 2:25:02.119
<v Speaker 2>in a different way.

2:25:02.320 --> 2:25:04.480
<v Speaker 1>You look, you go to the same karate class with some.

2:25:05.959 --> 2:25:11.720
<v Speaker 3>Fresh ones rap Smockfield, I got the next one. Okay,

2:25:11.760 --> 2:25:16.000
<v Speaker 3>go ahead, my bad all right, Steve u g K.

2:25:16.240 --> 2:25:19.640
<v Speaker 3>Out casts. No excuse me, You're getting much harder questions

2:25:19.680 --> 2:25:24.600
<v Speaker 3>than me. I'm gonna say, out casts, okay, any reason why?

2:25:25.520 --> 2:25:29.520
<v Speaker 6>I mean they want album of the Year was a

2:25:29.600 --> 2:25:34.080
<v Speaker 6>double album? Oh yeah, I forgot and you know l

2:25:34.160 --> 2:25:38.600
<v Speaker 6>A and you know Face like brothers to me. So

2:25:39.280 --> 2:25:42.120
<v Speaker 6>I was just closer to them. That's La eating baby Face.

2:25:43.400 --> 2:25:46.039
<v Speaker 6>I like how you like seldomly say like some of.

2:25:46.080 --> 2:25:48.279
<v Speaker 7>The through the executive reason why.

2:25:50.280 --> 2:25:50.560
<v Speaker 1>Artist?

2:26:00.280 --> 2:26:02.400
<v Speaker 3>I'm going to ask y'all both, but I'm gonna start

2:26:02.440 --> 2:26:04.480
<v Speaker 3>with you, so I think I know your answer.

2:26:04.640 --> 2:26:07.240
<v Speaker 1>Ready illmatic or ready to die.

2:26:09.320 --> 2:26:09.840
<v Speaker 8>Ill madic?

2:26:10.360 --> 2:26:11.119
<v Speaker 1>No madic.

2:26:13.200 --> 2:26:15.680
<v Speaker 2>Illmatic too, but ill madic ready to die in reasonable

2:26:15.720 --> 2:26:18.520
<v Speaker 2>doubt is always a fun and difficult conversation because there's like.

2:26:18.600 --> 2:26:19.440
<v Speaker 4>No wrong answer.

2:26:19.959 --> 2:26:21.840
<v Speaker 1>It's I don't think it is no wrong as.

2:26:24.800 --> 2:26:27.760
<v Speaker 2>I said, NOAs, but I mean all all three and

2:26:27.879 --> 2:26:33.359
<v Speaker 2>I threw in a third wait, didn't, didn't, didn't. Kendrick

2:26:33.520 --> 2:26:36.240
<v Speaker 2>just post something about reasonable doubt and allmatic. Yeah.

2:26:36.760 --> 2:26:37.039
<v Speaker 1>I saw.

2:26:37.400 --> 2:26:40.720
<v Speaker 2>I don't know if because he said reasonable talk amongst yourselves.

2:26:40.800 --> 2:26:43.320
<v Speaker 7>Yeah, yeah, he put reasonable doubt over ellmatic. I saw

2:26:43.440 --> 2:26:45.880
<v Speaker 7>something he was like following me. I don't know where

2:26:45.920 --> 2:26:47.440
<v Speaker 7>that came from. I think it was a Twitter post

2:26:47.520 --> 2:26:47.840
<v Speaker 7>or something.

2:26:48.640 --> 2:26:53.320
<v Speaker 17>I think, you know, my Street team, my New York

2:26:53.360 --> 2:26:59.279
<v Speaker 17>Street Team would have fights in the office about reasonable

2:26:59.320 --> 2:27:03.240
<v Speaker 17>doubt and maadic like you know, but in the Arab

2:27:03.360 --> 2:27:06.400
<v Speaker 17>when Buddha was was in this, it was Buddha, Goby

2:27:06.640 --> 2:27:09.720
<v Speaker 17>and oh j I mean it was was it was

2:27:09.920 --> 2:27:14.080
<v Speaker 17>all of them and definitely, I mean they literally would

2:27:14.120 --> 2:27:14.520
<v Speaker 17>go at.

2:27:14.480 --> 2:27:15.000
<v Speaker 1>Each other.

2:27:17.400 --> 2:27:20.200
<v Speaker 8>And you know when reasonable that came up, they did

2:27:20.240 --> 2:27:25.720
<v Speaker 8>that independently. So you really but that wasn't the question though, right, No.

2:27:27.280 --> 2:27:28.600
<v Speaker 1>Great conversation regardless.

2:27:28.680 --> 2:27:31.720
<v Speaker 4>Yeah, reasonable I just feel like it's the third.

2:27:31.920 --> 2:27:34.040
<v Speaker 7>But but but at the end of the day, you know,

2:27:34.840 --> 2:27:37.480
<v Speaker 7>Bigs Jay and Dane they did that ship themselves.

2:27:37.920 --> 2:27:39.840
<v Speaker 6>You know, they didn't have a Sony muscle. They didn't

2:27:39.879 --> 2:27:43.600
<v Speaker 6>have That was what freezing priority originally. Yeah, it was

2:27:43.720 --> 2:27:46.240
<v Speaker 6>freeze and was a priority.

2:27:46.320 --> 2:27:46.520
<v Speaker 7>Yeah.

2:27:48.680 --> 2:27:53.320
<v Speaker 2>It's it's crazy that you think that like three masterpieces

2:27:53.640 --> 2:27:57.880
<v Speaker 2>that really just kind of changed everything. Like I agree,

2:27:58.080 --> 2:28:00.680
<v Speaker 2>all came out in a consolid the amount of time.

2:28:00.680 --> 2:28:03.879
<v Speaker 2>I mean because when the two of them were ninety four, right,

2:28:03.959 --> 2:28:05.840
<v Speaker 2>and when it was ninety six.

2:28:06.120 --> 2:28:08.000
<v Speaker 1>And because reasonable doubt was ninety six.

2:28:08.080 --> 2:28:10.280
<v Speaker 2>Yeah, yeah, so ninety four, ninety four, ninety six. But

2:28:11.200 --> 2:28:14.400
<v Speaker 2>it's just to me crazy when these conversations happened. I

2:28:14.440 --> 2:28:16.720
<v Speaker 2>think all the answers are the right answers because when

2:28:16.760 --> 2:28:19.080
<v Speaker 2>you talk about to these three, there's no wrong It's

2:28:19.160 --> 2:28:22.200
<v Speaker 2>like off the wall and thriller, like, there's no wrong

2:28:22.280 --> 2:28:23.039
<v Speaker 2>answer there me.

2:28:23.120 --> 2:28:25.720
<v Speaker 1>Personally, let me just reiterate kind of what you were

2:28:25.760 --> 2:28:26.360
<v Speaker 1>saying earlier.

2:28:26.680 --> 2:28:30.280
<v Speaker 3>Atmatic changed my life like personally, but so did the others,

2:28:30.320 --> 2:28:32.400
<v Speaker 3>but in a different way. But Ellmatic was the first

2:28:32.440 --> 2:28:36.560
<v Speaker 3>time I identified with rap music when I actually I

2:28:36.720 --> 2:28:39.320
<v Speaker 3>knew where this guy was talking about without me having

2:28:39.400 --> 2:28:41.720
<v Speaker 3>to even be there, Like just listening to that, I

2:28:41.800 --> 2:28:43.720
<v Speaker 3>was like, what the fuck? Like the way he was

2:28:43.800 --> 2:28:46.760
<v Speaker 3>describing certain things, I was just like, go into it.

2:28:46.879 --> 2:28:49.600
<v Speaker 1>Yeah, I was so there. I was so there, Got

2:28:49.640 --> 2:28:50.480
<v Speaker 1>you want to go to the next one.

2:28:54.760 --> 2:28:57.680
<v Speaker 2>I haven't made one person drink, by the way, I

2:28:57.840 --> 2:28:59.760
<v Speaker 2>haven't you drink, but not because of me.

2:29:00.720 --> 2:29:02.600
<v Speaker 4>I haven't said I haven't said both once.

2:29:02.840 --> 2:29:06.800
<v Speaker 1>Hold on, hold on, hold you so, let me ask

2:29:06.879 --> 2:29:10.880
<v Speaker 1>this one. Now, you're gonna make him drink Fat Joe

2:29:11.120 --> 2:29:11.320
<v Speaker 1>or j.

2:29:15.240 --> 2:29:16.440
<v Speaker 4>Yeah, let him drink.

2:29:19.320 --> 2:29:20.720
<v Speaker 5>They're gonna take it versatile.

2:29:21.280 --> 2:29:22.600
<v Speaker 1>You're gonna have to take a shot of that, Honey,

2:29:23.600 --> 2:29:25.959
<v Speaker 1>don't cancel your register, said drink.

2:29:26.640 --> 2:29:29.240
<v Speaker 2>I'm trying to sell tickets, ladies and gentlemen. Drink away.

2:29:32.160 --> 2:29:32.520
<v Speaker 7>Cheers.

2:29:35.400 --> 2:29:38.320
<v Speaker 3>Great answer, because you know they just did verses too,

2:29:38.360 --> 2:29:39.560
<v Speaker 3>you know, remember back then?

2:29:39.920 --> 2:29:41.600
<v Speaker 1>So yeah, and they had together.

2:29:41.720 --> 2:29:43.320
<v Speaker 4>That's you knew you were getting me there.

2:29:43.440 --> 2:29:44.520
<v Speaker 1>Yeah, yeah, yes, yes.

2:29:44.720 --> 2:29:45.800
<v Speaker 4>If you come with Slick.

2:29:45.600 --> 2:29:47.440
<v Speaker 2>Record Zugie Fresh, you're getting the same answer.

2:29:48.280 --> 2:29:48.920
<v Speaker 1>Let's go with that.

2:29:52.280 --> 2:29:55.280
<v Speaker 4>Drink, right, Slick Rick and Zugie Fresh, Let's drink.

2:29:55.640 --> 2:29:56.400
<v Speaker 1>Let's drink. Okay.

2:29:56.640 --> 2:29:58.760
<v Speaker 7>I'm not giving this question to Steve because I feel

2:29:58.800 --> 2:29:59.800
<v Speaker 7>like I know we all go with it.

2:30:00.160 --> 2:30:00.440
<v Speaker 1>Okay.

2:30:00.720 --> 2:30:04.279
<v Speaker 7>Cassidy beating nuts with alcoholics, yes.

2:30:04.240 --> 2:30:12.360
<v Speaker 4>Yes, oh shit, I would say be nuts. Okay, because

2:30:12.440 --> 2:30:13.959
<v Speaker 4>as a DJ, you stay in New York.

2:30:14.040 --> 2:30:16.280
<v Speaker 1>Let's just be honest. You you very New York.

2:30:17.920 --> 2:30:20.480
<v Speaker 2>They had two songs off the Books and Watch Out Now,

2:30:20.560 --> 2:30:24.119
<v Speaker 2>which were big DJ records. They were big club party

2:30:24.200 --> 2:30:27.560
<v Speaker 2>songs be Nuts at two Big Big and they started

2:30:27.560 --> 2:30:30.320
<v Speaker 2>as a very hardcore group. Yeah, and they had some

2:30:30.400 --> 2:30:33.520
<v Speaker 2>big Was that Pun's first published verse? Yeah, yeah, I

2:30:33.560 --> 2:30:36.120
<v Speaker 2>think that's what his big big hit first hit, you know.

2:30:36.200 --> 2:30:39.000
<v Speaker 6>But the great thing about both both groups, you know,

2:30:39.520 --> 2:30:41.600
<v Speaker 6>even though I really talked basketball, I have to go

2:30:41.720 --> 2:30:46.119
<v Speaker 6>baseball here, like the Alcoholics, you know, the number two

2:30:46.200 --> 2:30:50.119
<v Speaker 6>hit it and the number six hitter are so fucking important, yes, right,

2:30:50.520 --> 2:30:53.640
<v Speaker 6>And to me, like I knew what I was going

2:30:53.720 --> 2:30:55.840
<v Speaker 6>to get with both groups. I knew I was going

2:30:55.920 --> 2:30:59.520
<v Speaker 6>to sell three hundred and something thousand records. What was

2:30:59.560 --> 2:31:02.400
<v Speaker 6>your group with the Licks and the beat Nuts. I

2:31:02.440 --> 2:31:03.920
<v Speaker 6>knew they would be just going to get on base

2:31:04.920 --> 2:31:07.280
<v Speaker 6>exactly what they were just going to get on base

2:31:07.400 --> 2:31:09.680
<v Speaker 6>and somebody else was first for you.

2:31:10.160 --> 2:31:11.600
<v Speaker 8>Yeah, I inherited the beat.

2:31:11.680 --> 2:31:13.400
<v Speaker 7>Right and all them.

2:31:14.200 --> 2:31:16.480
<v Speaker 6>But at the end of the day, I knew what

2:31:16.640 --> 2:31:19.480
<v Speaker 6>I had. It was like putting like the Yankees together, right,

2:31:19.720 --> 2:31:23.760
<v Speaker 6>so they lab were they on first?

2:31:23.879 --> 2:31:24.400
<v Speaker 4>Relativity?

2:31:24.480 --> 2:31:25.000
<v Speaker 7>Relativity?

2:31:25.240 --> 2:31:29.279
<v Speaker 1>Relativity beating us relatives? Yeah, that's just saying I inherited

2:31:29.360 --> 2:31:31.000
<v Speaker 1>Joe relative as well.

2:31:31.080 --> 2:31:34.360
<v Speaker 7>Right, Both amazing legendary groups.

2:31:36.000 --> 2:31:40.080
<v Speaker 5>I always thought a baseball roster one do not.

2:31:40.560 --> 2:31:44.240
<v Speaker 2>Yeah, that's I always loved when a hip hop group

2:31:44.360 --> 2:31:48.080
<v Speaker 2>that wasn't known for making party records made one just

2:31:48.240 --> 2:31:52.160
<v Speaker 2>by chance, of course, because it was so natural and yeah,

2:31:52.160 --> 2:31:54.480
<v Speaker 2>it's organic. You got the sense no one was trying

2:31:54.520 --> 2:31:56.320
<v Speaker 2>to make a club record or a party record or

2:31:56.360 --> 2:32:00.280
<v Speaker 2>anything that it crossed over in any way. But those

2:32:00.280 --> 2:32:03.800
<v Speaker 2>two records, it was just like this organic. Well, the

2:32:03.879 --> 2:32:05.600
<v Speaker 2>females were dope producers themselves.

2:32:05.720 --> 2:32:08.760
<v Speaker 6>Yeah, they were exactly. They were one like they were twins.

2:32:08.800 --> 2:32:12.400
<v Speaker 6>One's East coast, one's West coast, you know, as I felt.

2:32:12.240 --> 2:32:17.640
<v Speaker 7>The same way alcoholic No, no, but literally twins, he said.

2:32:17.560 --> 2:32:18.920
<v Speaker 5>One from one place to one.

2:32:19.000 --> 2:32:20.400
<v Speaker 1>But they would have seen it.

2:32:20.800 --> 2:32:22.560
<v Speaker 5>They were just from the East coast, once from the west.

2:32:22.600 --> 2:32:28.720
<v Speaker 1>And the no that they have, yeah, I mean they

2:32:28.959 --> 2:32:29.320
<v Speaker 1>were both.

2:32:29.959 --> 2:32:33.440
<v Speaker 6>They were both contained. But the but the licks on

2:32:33.480 --> 2:32:35.840
<v Speaker 6>the West coast, you mean make room only when I'm dropped.

2:32:35.840 --> 2:32:39.240
<v Speaker 6>The next level were tremendous, tremendous, tremendous club records.

2:32:39.400 --> 2:32:43.760
<v Speaker 7>Yea, and coming from King t Yeah, like that whole

2:32:43.800 --> 2:32:44.720
<v Speaker 7>lineage was crazy.

2:32:45.280 --> 2:32:49.440
<v Speaker 1>Okay, so I'm sending this to you, Cassidy Timberland or

2:32:49.480 --> 2:32:51.279
<v Speaker 1>Swiss Beats, Swiss.

2:32:53.120 --> 2:32:53.280
<v Speaker 7>Going.

2:32:54.760 --> 2:32:56.119
<v Speaker 1>He's not trying to get you all.

2:32:57.280 --> 2:32:59.360
<v Speaker 7>I mean, I'm right, I don't know. We were waiting

2:32:59.400 --> 2:33:00.640
<v Speaker 7>for seventeen hours today.

2:33:02.040 --> 2:33:04.080
<v Speaker 3>By the way, I wanted to announce that to you.

2:33:04.280 --> 2:33:06.720
<v Speaker 3>We they rappers. We have so much of a bad

2:33:07.560 --> 2:33:10.640
<v Speaker 3>name coming late today. We had one of the famous

2:33:10.920 --> 2:33:13.400
<v Speaker 3>DJs in the world and one of the biggest executives

2:33:13.440 --> 2:33:14.600
<v Speaker 3>in the world, and they were both late.

2:33:14.800 --> 2:33:15.920
<v Speaker 4>But it was rappers.

2:33:15.959 --> 2:33:18.400
<v Speaker 1>We all stop this getting for.

2:33:19.200 --> 2:33:21.280
<v Speaker 4>The record for the five feet of water.

2:33:23.040 --> 2:33:26.240
<v Speaker 1>Just take it. Just take it, Cassidy. But we were

2:33:26.280 --> 2:33:27.040
<v Speaker 1>all here though.

2:33:30.040 --> 2:33:31.880
<v Speaker 2>I know that it's very true, and I still don't

2:33:31.920 --> 2:33:37.160
<v Speaker 2>understand how you guys a marine flood with five ft away.

2:33:37.000 --> 2:33:38.879
<v Speaker 7>The sneakers are still fucking spotless.

2:33:39.600 --> 2:33:48.480
<v Speaker 1>Did you see that? That's the difference. We are literally

2:33:48.520 --> 2:33:52.720
<v Speaker 1>in the trenches. The next one, let me see, Barker,

2:33:52.800 --> 2:33:53.520
<v Speaker 1>what is the next one?

2:33:55.320 --> 2:34:01.040
<v Speaker 7>Artifacts of Cela Dwellers because they were online. Yeah, I mean,

2:34:02.480 --> 2:34:05.600
<v Speaker 7>I mean, they're both dope, but I would have said

2:34:05.720 --> 2:34:10.360
<v Speaker 7>advanced the boardwalk funk flex or DJ clue funk flex.

2:34:11.000 --> 2:34:11.440
<v Speaker 1>I like that.

2:34:14.959 --> 2:34:17.360
<v Speaker 2>Let me explain answers, but I haven't explained the past few,

2:34:17.400 --> 2:34:18.800
<v Speaker 2>but record.

2:34:18.600 --> 2:34:20.920
<v Speaker 1>Explain the answers. What flex and clue I will love that.

2:34:21.640 --> 2:34:23.560
<v Speaker 2>What was the last one I wanted to explain? I

2:34:23.600 --> 2:34:26.000
<v Speaker 2>guess it's past the point. Swiss and Tim never mind,

2:34:26.240 --> 2:34:27.360
<v Speaker 2>but I'll explain Flex and.

2:34:27.800 --> 2:34:32.800
<v Speaker 7>Okay, you can explain both. It's okay. We waited for

2:34:32.879 --> 2:34:33.120
<v Speaker 7>you all.

2:34:33.280 --> 2:34:39.160
<v Speaker 1>Yeah, we got seventeen hours. I got three hours.

2:34:41.160 --> 2:34:43.320
<v Speaker 2>He told you one White House story. There's many many

2:34:43.400 --> 2:34:46.880
<v Speaker 2>more to go. One involving the song fight the Power.

2:34:46.959 --> 2:34:51.200
<v Speaker 2>We can come back to that later. So what's that

2:34:51.600 --> 2:34:54.360
<v Speaker 2>Flex and clue? Yeah, so both are friends of mine

2:34:54.400 --> 2:34:56.880
<v Speaker 2>and mentors of mine. Came before me, looked up to both.

2:34:57.400 --> 2:35:01.520
<v Speaker 2>Flex just symbolizes something that is, you know, to me

2:35:01.680 --> 2:35:04.800
<v Speaker 2>growing up, it was like Hulk Hogan and funk Master Flex.

2:35:05.400 --> 2:35:07.039
<v Speaker 4>I always compare Flex to Holk Hogan.

2:35:07.120 --> 2:35:09.560
<v Speaker 2>You know how in the WWF they kept on taking

2:35:09.680 --> 2:35:12.920
<v Speaker 2>the belt away, like they kept trying to take the

2:35:13.000 --> 2:35:16.720
<v Speaker 2>belt away from Hulk, And whoever they made champion couldn't

2:35:16.760 --> 2:35:21.160
<v Speaker 2>be Champion Ultimate Warrior. He just wasn't Hulk. Macho man,

2:35:21.440 --> 2:35:27.320
<v Speaker 2>he just wasn't Hulk Rick Flair, he just wasn't Hulk. Yeah,

2:35:27.400 --> 2:35:33.120
<v Speaker 2>ro limos woo, Yes, no one is funk Master Flex.

2:35:33.800 --> 2:35:36.440
<v Speaker 2>It's why since I was in the sixth grade, I

2:35:36.600 --> 2:35:39.760
<v Speaker 2>still hear the same voice on the radio. How uncanny

2:35:39.920 --> 2:35:42.560
<v Speaker 2>is that? Think of how how hip hop music has

2:35:42.640 --> 2:35:46.800
<v Speaker 2>changed from nineteen ninety three to twenty twenty four, and

2:35:46.920 --> 2:35:49.720
<v Speaker 2>yet the person at the helm of it in New

2:35:49.800 --> 2:35:51.680
<v Speaker 2>York City is the same voice.

2:35:53.000 --> 2:35:54.720
<v Speaker 4>How insane is that?

2:35:55.000 --> 2:35:58.440
<v Speaker 2>And he defies everything that everyone always thinks about hip

2:35:58.440 --> 2:36:02.280
<v Speaker 2>Hop's a young man's game, you know, there's you know,

2:36:02.320 --> 2:36:04.800
<v Speaker 2>there's a revolving door. You know, everything that's everyone said

2:36:04.840 --> 2:36:06.840
<v Speaker 2>over the years. It's not really true in every sense

2:36:06.920 --> 2:36:07.200
<v Speaker 2>at all.

2:36:07.360 --> 2:36:07.560
<v Speaker 1>True.

2:36:07.680 --> 2:36:11.320
<v Speaker 2>It's not but people say it. But isn't he like

2:36:11.760 --> 2:36:15.200
<v Speaker 2>one of the greatest examples of how that's not true. Absolutely,

2:36:15.600 --> 2:36:18.760
<v Speaker 2>And so for me, there's you know, hard to get

2:36:18.760 --> 2:36:20.000
<v Speaker 2>a ticket, hard to get a ticket.

2:36:20.480 --> 2:36:22.560
<v Speaker 1>Yeah, you know what, you know, it's crazy.

2:36:23.959 --> 2:36:27.120
<v Speaker 3>We still went to New York twice, like just you know,

2:36:27.360 --> 2:36:31.279
<v Speaker 3>since you know, we work out here, and I literally

2:36:32.760 --> 2:36:36.080
<v Speaker 3>sometimes can't enjoy my city unless I listen to Flex

2:36:36.240 --> 2:36:39.760
<v Speaker 3>on the radio and I see him tear it down. Absolutely.

2:36:40.240 --> 2:36:42.480
<v Speaker 3>I love if there's a hit record that he's playing

2:36:42.600 --> 2:36:43.480
<v Speaker 3>he tells people.

2:36:43.280 --> 2:36:44.480
<v Speaker 1>To pull over. I love it.

2:36:44.520 --> 2:36:47.440
<v Speaker 3>When he told people go on the cash register, I

2:36:47.480 --> 2:36:49.680
<v Speaker 3>was like, wait a minute, this might be too far.

2:36:50.160 --> 2:36:54.160
<v Speaker 3>But yeah, I love that. That makes me feel like

2:36:54.200 --> 2:36:54.879
<v Speaker 3>I'm back home.

2:36:55.000 --> 2:36:55.600
<v Speaker 8>Yeah, passionate.

2:36:55.879 --> 2:36:58.119
<v Speaker 4>I mean he's home. I love Clue too, don't get

2:36:58.120 --> 2:36:58.520
<v Speaker 4>it too love.

2:36:58.879 --> 2:36:59.640
<v Speaker 1>I love Clue too.

2:36:59.680 --> 2:37:01.800
<v Speaker 2>I love and Clude changed the game in many ways,

2:37:01.840 --> 2:37:06.400
<v Speaker 2>and no one else did. THET albums of course too.

2:37:06.760 --> 2:37:12.240
<v Speaker 2>But you know what you just said is so it's

2:37:12.280 --> 2:37:14.560
<v Speaker 2>so Surreally, he's like the voice of home.

2:37:15.080 --> 2:37:16.000
<v Speaker 1>Like like like when he.

2:37:16.040 --> 2:37:19.640
<v Speaker 3>Says pull over, sometimes I pull over, Like I literally

2:37:19.800 --> 2:37:21.879
<v Speaker 3>listened pull over New York City.

2:37:22.040 --> 2:37:28.360
<v Speaker 1>I'm like he'll say something crazy like.

2:37:30.920 --> 2:37:32.120
<v Speaker 7>Don't rock up your window.

2:37:34.000 --> 2:37:34.840
<v Speaker 1>I listened to it.

2:37:34.959 --> 2:37:40.960
<v Speaker 3>It's like, so I remember, I remember where it was.

2:37:41.120 --> 2:37:46.720
<v Speaker 3>Drake and Meek was battling right, and this was like

2:37:46.959 --> 2:37:49.120
<v Speaker 3>this was like the first King Drink and you know

2:37:49.520 --> 2:37:52.560
<v Speaker 3>Ken Drinck and Drake is now the biggest battle. That

2:37:52.720 --> 2:37:56.720
<v Speaker 3>is the biggest battle ever. But at this point, Meek

2:37:56.840 --> 2:37:59.480
<v Speaker 3>and Drake was the biggest. And I remember Flex saying

2:37:59.680 --> 2:38:03.960
<v Speaker 3>I got this record. I literally missed my flight. I

2:38:04.120 --> 2:38:06.160
<v Speaker 3>was like, I can't get on the this is before

2:38:06.280 --> 2:38:08.320
<v Speaker 3>like I was on a plane. It's like that I

2:38:08.360 --> 2:38:10.640
<v Speaker 3>could I could have still caught my flight. Like an idiot.

2:38:10.640 --> 2:38:12.879
<v Speaker 1>I'm at the airport. I'm damn there down the block.

2:38:13.000 --> 2:38:16.920
<v Speaker 1>This is when you flew commercial listen.

2:38:17.000 --> 2:38:20.200
<v Speaker 3>I was like, Yo, I said, hold up, I can't

2:38:20.280 --> 2:38:26.039
<v Speaker 3>get on this flight knowing how you know, hip hop

2:38:26.360 --> 2:38:29.920
<v Speaker 3>just fails without I got to hit listen to both

2:38:30.040 --> 2:38:31.360
<v Speaker 3>both of these ships going on.

2:38:32.400 --> 2:38:34.640
<v Speaker 1>Come to find down they have no record. Yo.

2:38:34.800 --> 2:38:37.680
<v Speaker 3>Oh my god, I missed the flight. It was everything,

2:38:37.760 --> 2:38:40.920
<v Speaker 3>but it was It meant so much. Even if I

2:38:41.160 --> 2:38:43.800
<v Speaker 3>probably would have been offered, YO, just listen to the

2:38:43.840 --> 2:38:45.000
<v Speaker 3>Apple on the flight.

2:38:45.160 --> 2:38:46.040
<v Speaker 1>You know you have Wi Fi.

2:38:46.480 --> 2:38:49.640
<v Speaker 3>Even if I even offered that, I probably wouldn't have

2:38:49.680 --> 2:38:51.680
<v Speaker 3>wanted to do it, because you know why, I wanted

2:38:51.720 --> 2:38:53.600
<v Speaker 3>to be in the city listening to it.

2:38:53.760 --> 2:38:58.520
<v Speaker 1>Yeah, it's a different feeling. And Flex has always gave.

2:38:58.440 --> 2:39:00.760
<v Speaker 4>Me that, like it's a different film Christmas Eve.

2:39:00.840 --> 2:39:03.880
<v Speaker 2>He plays classics, and he uses only vinyl, and he

2:39:03.959 --> 2:39:06.280
<v Speaker 2>brings viral up to the station. He's done it for overtime,

2:39:07.080 --> 2:39:09.280
<v Speaker 2>and I really know that, and I rarely miss the

2:39:09.360 --> 2:39:13.760
<v Speaker 2>Christmas Eve and that for someone reason. Hearing him play

2:39:13.879 --> 2:39:16.600
<v Speaker 2>hip hop from the seventies and eighties and soul music

2:39:16.640 --> 2:39:19.640
<v Speaker 2>from the seventies and eighties, now it feels like Christmas

2:39:19.680 --> 2:39:22.400
<v Speaker 2>Eve to me because it's really that music is really

2:39:22.440 --> 2:39:26.040
<v Speaker 2>the sound of celebration. It's probably why I would imagine

2:39:26.040 --> 2:39:30.160
<v Speaker 2>he he he chose that night to play that music.

2:39:31.040 --> 2:39:32.920
<v Speaker 2>And you know, I moved to LA six years ago

2:39:33.640 --> 2:39:36.240
<v Speaker 2>and I've listened to that on so notes. And to

2:39:36.360 --> 2:39:38.640
<v Speaker 2>compliment what you just said, it's not the same. You

2:39:38.720 --> 2:39:39.360
<v Speaker 2>gotta be there.

2:39:39.440 --> 2:39:41.480
<v Speaker 1>You gotta be there. You gotta be out of the city.

2:39:41.680 --> 2:39:43.879
<v Speaker 3>You gotta like, look at the guy with the frank stand,

2:39:44.480 --> 2:39:45.760
<v Speaker 3>you know what I mean. You gotta look at the

2:39:45.840 --> 2:39:49.120
<v Speaker 3>guy you know that's walking by selling peanuts, you know

2:39:49.160 --> 2:39:50.520
<v Speaker 3>what I mean? Like that shit is like it like

2:39:51.160 --> 2:39:52.960
<v Speaker 3>like I immediately get mad when I go back to

2:39:53.000 --> 2:39:53.600
<v Speaker 3>New York City.

2:39:56.000 --> 2:39:56.480
<v Speaker 1>You have to.

2:39:57.959 --> 2:40:00.960
<v Speaker 3>We have a certain type of anger that comes with

2:40:01.080 --> 2:40:03.000
<v Speaker 3>the city. And if you don't, you know, if you've

2:40:03.000 --> 2:40:04.920
<v Speaker 3>got to be a little bit mad when you land back.

2:40:05.200 --> 2:40:07.600
<v Speaker 3>You gotta just look at somebody, look at you know, well,

2:40:09.720 --> 2:40:12.080
<v Speaker 3>because if not, the city will hit you up.

2:40:12.160 --> 2:40:12.360
<v Speaker 2>Man.

2:40:13.200 --> 2:40:17.920
<v Speaker 3>It's it's it's it's a beautiful, negative, most beautifulest place

2:40:18.000 --> 2:40:18.680
<v Speaker 3>on the earth.

2:40:19.240 --> 2:40:21.560
<v Speaker 1>But that energy you have to match it that.

2:40:21.800 --> 2:40:25.199
<v Speaker 7>You cannot not be a lion in the lion's cage.

2:40:26.160 --> 2:40:30.240
<v Speaker 1>Well setting even if you're not a lion. You Why

2:40:30.280 --> 2:40:31.520
<v Speaker 1>are you in that lion's cage?

2:40:31.560 --> 2:40:35.520
<v Speaker 3>You better act like it, get your get your ass

2:40:35.560 --> 2:40:37.640
<v Speaker 3>out of there because you that.

2:40:38.640 --> 2:40:40.400
<v Speaker 7>But all right, cool, let's go to the next one.

2:40:43.040 --> 2:40:48.080
<v Speaker 7>Let's see what we got. Definitely you take this podcast

2:40:48.120 --> 2:40:48.560
<v Speaker 7>of radio.

2:40:50.400 --> 2:40:52.959
<v Speaker 1>I'm with you guys podcast radio.

2:40:54.200 --> 2:40:56.920
<v Speaker 3>By the way, you just want to be let me

2:40:57.040 --> 2:40:58.920
<v Speaker 3>just point out that you're the first person that I

2:40:59.120 --> 2:41:00.920
<v Speaker 3>ever see honey.

2:41:01.720 --> 2:41:04.160
<v Speaker 1>Like, like, like, did you plan this out? That shot

2:41:04.280 --> 2:41:05.560
<v Speaker 1>takes two hours to get done.

2:41:05.600 --> 2:41:07.560
<v Speaker 2>I'm losing my voice, so I asked the hotel for

2:41:07.680 --> 2:41:08.680
<v Speaker 2>these little jars of honey.

2:41:08.840 --> 2:41:11.240
<v Speaker 1>Oh, so you knew this was happening. So it's not

2:41:11.360 --> 2:41:13.080
<v Speaker 1>my weed. It's not like that.

2:41:13.440 --> 2:41:17.280
<v Speaker 3>Cool Now I'm thinking. I'm thinking, I'm like, yo, man,

2:41:18.400 --> 2:41:20.480
<v Speaker 3>this is not right. The fans gonna look at this and.

2:41:20.600 --> 2:41:21.280
<v Speaker 10>Like what is.

2:41:23.080 --> 2:41:23.200
<v Speaker 2>Man?

2:41:23.800 --> 2:41:29.520
<v Speaker 1>Like? Cool? So I he's so everyone knows. Nor did

2:41:29.600 --> 2:41:32.880
<v Speaker 1>I try to out trying to smoke him the fuck out?

2:41:33.000 --> 2:41:35.840
<v Speaker 3>No, he already knew his voice was cracking. Here he

2:41:36.280 --> 2:41:38.560
<v Speaker 3>had pre honey. I never seen somebody with pre honey.

2:41:38.720 --> 2:41:41.520
<v Speaker 3>That ship is fucking fantastic. I ain't gonna lie. I'm like,

2:41:42.520 --> 2:41:45.800
<v Speaker 3>still your still your idea? Get you publishing on it though. Okay,

2:41:53.800 --> 2:41:59.160
<v Speaker 3>I'm gonna give it to Okay, three six Mafia or a.

2:41:59.280 --> 2:41:59.760
<v Speaker 1>Boy m J.

2:42:02.160 --> 2:42:05.080
<v Speaker 4>You're giving him very tough, loud affiliated.

2:42:04.600 --> 2:42:10.800
<v Speaker 3>Questions six and I'm going to you too, three six Okay, Okay,

2:42:14.879 --> 2:42:20.199
<v Speaker 3>this is definitely you brand Nubian or tribecal.

2:42:19.840 --> 2:42:24.320
<v Speaker 2>Quest tribe called quest you just RAPI fire. I'm very

2:42:24.400 --> 2:42:26.080
<v Speaker 2>definitive in my hip hop emotions.

2:42:26.200 --> 2:42:27.680
<v Speaker 1>Do you would you like to explain it? Because I

2:42:27.760 --> 2:42:29.480
<v Speaker 1>know you've you didn't like that.

2:42:29.640 --> 2:42:30.920
<v Speaker 4>Could explain that you could?

2:42:31.080 --> 2:42:32.160
<v Speaker 1>Can you please? Yeah?

2:42:32.240 --> 2:42:35.400
<v Speaker 2>My other favorite album of all time is Midnight Marauders. Okay, Wow,

2:42:37.400 --> 2:42:40.119
<v Speaker 2>so they're not going to lose too many questions.

2:42:40.480 --> 2:42:42.960
<v Speaker 1>Okay, where was you at when you first heard mid

2:42:43.040 --> 2:42:43.680
<v Speaker 1>Right MARDs?

2:42:45.600 --> 2:42:49.800
<v Speaker 2>That was twelve, about the same age as Elmatic, maybe

2:42:49.800 --> 2:42:50.400
<v Speaker 2>a year younger.

2:42:54.520 --> 2:42:56.039
<v Speaker 4>I think you can tell like.

2:42:58.040 --> 2:42:59.680
<v Speaker 2>Kind of the era people grew up in in many

2:42:59.760 --> 2:43:02.160
<v Speaker 2>cases by what their favorite hip hop albums are, because

2:43:02.240 --> 2:43:05.240
<v Speaker 2>my three came out in like a three year time span,

2:43:05.440 --> 2:43:06.600
<v Speaker 2>the thirdest Cuban links.

2:43:07.440 --> 2:43:17.760
<v Speaker 1>Wow. Yeah, they definitely been setting you up all night.

2:43:18.120 --> 2:43:19.920
<v Speaker 3>By the way, it's your friend mister Lee who fucking

2:43:20.320 --> 2:43:24.560
<v Speaker 3>writes these questions, So don't don't look at me, mister

2:43:24.680 --> 2:43:26.160
<v Speaker 3>Lee and Hazard a sound.

2:43:31.040 --> 2:43:32.600
<v Speaker 1>Exhibit or Rascal.

2:43:32.800 --> 2:43:36.320
<v Speaker 4>You're really doing this? This this guys, that's not good.

2:43:36.560 --> 2:43:40.039
<v Speaker 6>I mean they're best friends, they're extremely close, but don't

2:43:40.600 --> 2:43:42.640
<v Speaker 6>you know you go with the ex Yeah.

2:43:42.680 --> 2:43:45.360
<v Speaker 8>Do you remember when me and next had an argument? No,

2:43:46.879 --> 2:43:48.480
<v Speaker 8>and me and you, you would come by the office

2:43:48.520 --> 2:43:48.959
<v Speaker 8>to say.

2:43:49.600 --> 2:43:52.360
<v Speaker 1>Oh, okay, okay, you back town. Recently, I'm like, damn,

2:43:52.400 --> 2:43:54.640
<v Speaker 1>you had an argument yesterday. What happened?

2:43:54.959 --> 2:43:59.040
<v Speaker 2>No, Jesus Jesus you you really haven't given Steve the

2:43:59.240 --> 2:44:01.280
<v Speaker 2>hardest one of this category.

2:44:01.560 --> 2:44:04.280
<v Speaker 4>Okay, es if you don't go there, I kind of

2:44:04.360 --> 2:44:05.960
<v Speaker 4>want to. I kind of want to throw it out there,

2:44:06.200 --> 2:44:07.160
<v Speaker 4>throw it out you want to take.

2:44:08.959 --> 2:44:09.200
<v Speaker 1>Let's go.

2:44:09.480 --> 2:44:12.240
<v Speaker 2>Okay, So I'm gonna ask the three of you. Okay, yeah,

2:44:12.360 --> 2:44:14.760
<v Speaker 2>and rak Onon or ghost Face.

2:44:16.040 --> 2:44:23.760
<v Speaker 1>Both? Okay, shot crowd. I'm proud because is really both wall.

2:44:23.600 --> 2:44:26.480
<v Speaker 4>Wait, we're getting there. Okay, give up your answer yet.

2:44:26.720 --> 2:44:27.440
<v Speaker 4>We're waiting for you.

2:44:27.959 --> 2:44:30.400
<v Speaker 2>This is opening act, right, Okay, Yeah, this is the

2:44:30.480 --> 2:44:32.520
<v Speaker 2>same question, the same question, Nori.

2:44:32.920 --> 2:44:36.240
<v Speaker 4>Yeah, rak One the chef or ghost Face killer.

2:44:36.440 --> 2:44:39.440
<v Speaker 3>I just said both. You said both of ye What

2:44:39.560 --> 2:44:41.840
<v Speaker 3>that means the shot took it. Yeah, yeah, I said both.

2:44:41.720 --> 2:44:46.400
<v Speaker 4>Steve Rifkins, I'm saying both, so we we I mean,

2:44:47.640 --> 2:44:49.640
<v Speaker 4>you dank a hard question.

2:44:49.760 --> 2:44:53.720
<v Speaker 1>That's like saying which kid you like better? Okay, that's fair.

2:44:55.200 --> 2:44:55.440
<v Speaker 9>For me.

2:44:55.520 --> 2:44:59.160
<v Speaker 1>It's like saying which foot you like better? I like? Okay, Yeah,

2:44:59.320 --> 2:45:10.920
<v Speaker 1>go ahead, ask no, Yes, Premiere or Pete Rock? Okay?

2:45:13.480 --> 2:45:19.400
<v Speaker 1>Got me? And I'm taking it back. Can you one more?

2:45:19.400 --> 2:45:20.920
<v Speaker 1>And taking it back? Okay?

2:45:21.480 --> 2:45:23.680
<v Speaker 2>And so we asked the same question to others. You

2:45:23.879 --> 2:45:26.680
<v Speaker 2>a different one ahead, but I'm gonna ask the same

2:45:26.720 --> 2:45:29.359
<v Speaker 2>to you. I'm curious what you he took a shot already.

2:45:29.040 --> 2:45:31.480
<v Speaker 1>No, no, I didn't, but I would take a shot

2:45:31.520 --> 2:45:31.920
<v Speaker 1>and say.

2:45:31.800 --> 2:45:35.760
<v Speaker 4>Both, say both, Steve, DJ, Premier, Pete.

2:45:35.560 --> 2:45:38.760
<v Speaker 1>Rock both definitely got the next one? All right? I

2:45:38.760 --> 2:45:39.320
<v Speaker 1>can't do one more?

2:45:39.440 --> 2:45:40.880
<v Speaker 7>Yeah, please go on more around for you?

2:45:41.080 --> 2:45:47.360
<v Speaker 1>Yes, three three is my lucky numbers. Three and holding

2:45:47.440 --> 2:45:54.840
<v Speaker 1>on to that rock him where big Daddy came? Okay,

2:45:55.280 --> 2:46:01.080
<v Speaker 1>got me gain, Yeah that's what the game was. I'm

2:46:01.120 --> 2:46:03.480
<v Speaker 1>not gonna fight you. I'm not gonna fight what was it?

2:46:03.560 --> 2:46:10.240
<v Speaker 1>What was it? A yein rock came my big Daddy game. Okay,

2:46:10.320 --> 2:46:11.320
<v Speaker 1>now it's back to me.

2:46:11.480 --> 2:46:14.959
<v Speaker 7>I passed the mic back digital analog.

2:46:16.600 --> 2:46:17.800
<v Speaker 4>Is it DJ or a listener?

2:46:19.000 --> 2:46:21.360
<v Speaker 1>It's your criteria game all night.

2:46:23.400 --> 2:46:23.800
<v Speaker 4>Digital?

2:46:24.240 --> 2:46:24.520
<v Speaker 1>Okay.

2:46:26.040 --> 2:46:28.760
<v Speaker 2>I just like having more songs with me. There's so

2:46:28.879 --> 2:46:32.000
<v Speaker 2>much I like about Vinyl better. But having a million

2:46:32.120 --> 2:46:33.640
<v Speaker 2>songs is better than having a thousand.

2:46:34.080 --> 2:46:35.520
<v Speaker 1>Like, you couldn't have win just the crack.

2:46:35.640 --> 2:46:36.200
<v Speaker 4>I missed a lot.

2:46:36.320 --> 2:46:39.160
<v Speaker 1>You couldn't have went to jay Z and Beyonce's wedding

2:46:39.280 --> 2:46:39.760
<v Speaker 1>with Vinyl.

2:46:39.879 --> 2:46:41.320
<v Speaker 4>Oh, no I did. I went all over the world

2:46:41.360 --> 2:46:42.080
<v Speaker 4>with Vinyl.

2:46:42.080 --> 2:46:45.160
<v Speaker 1>Because they use only one guest invited, right, he was only.

2:46:45.080 --> 2:46:47.120
<v Speaker 2>You, and I would have had to carry my own crates.

2:46:47.480 --> 2:46:49.360
<v Speaker 2>You to carry your own I did that for many years.

2:46:49.640 --> 2:46:50.240
<v Speaker 5>God damn it.

2:46:50.640 --> 2:46:51.600
<v Speaker 1>That's made some noise for that.

2:46:54.200 --> 2:46:56.600
<v Speaker 2>Any DJ that was worth anything to carry their own

2:46:56.640 --> 2:46:59.240
<v Speaker 2>creates for a while. Eight crates in the trunk of

2:46:59.320 --> 2:47:01.240
<v Speaker 2>a New York time. See one in the front, one

2:47:01.280 --> 2:47:05.720
<v Speaker 2>in the back. You could bring eight crates in a cab, but.

2:47:08.240 --> 2:47:09.280
<v Speaker 7>I ain't doing the cab though.

2:47:10.520 --> 2:47:11.240
<v Speaker 5>That's horrible.

2:47:12.080 --> 2:47:15.400
<v Speaker 1>Damn, I don't even like that's that's so yeah, because

2:47:15.400 --> 2:47:16.560
<v Speaker 1>I'm trying to stick to the trunk.

2:47:16.600 --> 2:47:17.800
<v Speaker 2>One in the front, one in the back. But it

2:47:17.840 --> 2:47:19.880
<v Speaker 2>took five cabs to get one that let you do that.

2:47:20.480 --> 2:47:22.400
<v Speaker 1>Diego couldn't even put up pizza in here today.

2:47:23.040 --> 2:47:23.440
<v Speaker 5>He smell.

2:47:23.920 --> 2:47:31.879
<v Speaker 1>He said, you carry the person.

2:47:34.160 --> 2:47:34.840
<v Speaker 2>So listen to this.

2:47:35.000 --> 2:47:36.000
<v Speaker 1>One night we were talking.

2:47:37.000 --> 2:47:40.400
<v Speaker 3>Is the strongest guy on the strongest guy with the

2:47:40.440 --> 2:47:49.240
<v Speaker 3>pizza pizza one of the strongest guys strong carry crates

2:47:49.240 --> 2:47:50.600
<v Speaker 3>in the New York City taxi cab?

2:47:50.760 --> 2:47:53.400
<v Speaker 1>Can you look at my front? Untell? What the hell

2:47:53.520 --> 2:47:53.960
<v Speaker 1>is going on?

2:47:54.080 --> 2:47:57.520
<v Speaker 2>In many In many instances in New York, you know,

2:47:57.640 --> 2:48:00.680
<v Speaker 2>they would block the street off. So we talked about

2:48:00.760 --> 2:48:03.440
<v Speaker 2>Cheetah for instance, right, I love so Cheetah was on

2:48:03.560 --> 2:48:06.760
<v Speaker 2>twenty first Street between fifth and sixth Avenues, so if

2:48:06.840 --> 2:48:10.640
<v Speaker 2>the club was extra popping, they would barricade the whole

2:48:10.680 --> 2:48:14.480
<v Speaker 2>street on Fifth Avenue and sixth Avenue, and Cheetah was

2:48:14.520 --> 2:48:17.560
<v Speaker 2>smacked in between fifth and sixth. So I would walk

2:48:17.600 --> 2:48:20.000
<v Speaker 2>out of there a four point thirty and no cars

2:48:20.080 --> 2:48:23.200
<v Speaker 2>could get through the club. So I was carrying a

2:48:23.240 --> 2:48:25.280
<v Speaker 2>crate out of time to Fifth Avenue and had someone

2:48:25.360 --> 2:48:27.760
<v Speaker 2>watch them while I went back and got the rest.

2:48:28.240 --> 2:48:31.519
<v Speaker 8>So before Cheetah, it was a club called Privatize.

2:48:32.680 --> 2:48:36.240
<v Speaker 6>Oh sound sound forty fifth Street, twenty first Street Privatized, right,

2:48:37.240 --> 2:48:38.240
<v Speaker 6>It was just I.

2:48:38.240 --> 2:48:38.920
<v Speaker 1>Got too excited.

2:48:39.640 --> 2:48:42.720
<v Speaker 7>Strip club, Yeah, vip down the road, let me.

2:48:42.760 --> 2:48:47.920
<v Speaker 1>Call myself down Yeah yeah, but okay, Private Eye privatized

2:48:48.040 --> 2:48:51.800
<v Speaker 1>and it was the first video club. What does that mean?

2:48:52.600 --> 2:48:55.680
<v Speaker 6>The club was full all videos. They would But what

2:48:55.800 --> 2:48:58.880
<v Speaker 6>he did, like with past the mic it was the

2:48:59.120 --> 2:49:01.720
<v Speaker 6>recorded is the DJ would play.

2:49:03.320 --> 2:49:05.160
<v Speaker 1>The eighty three.

2:49:07.600 --> 2:49:11.400
<v Speaker 7>Yes in sync with the DJ the videos playing Yeah,

2:49:11.480 --> 2:49:11.800
<v Speaker 7>like it was.

2:49:12.480 --> 2:49:13.880
<v Speaker 8>I mean it was, it was.

2:49:14.080 --> 2:49:16.240
<v Speaker 1>It was amazing and the most beautiful woman in the

2:49:16.280 --> 2:49:16.680
<v Speaker 1>world with it.

2:49:17.920 --> 2:49:21.960
<v Speaker 2>A crazy, a crazy thing about Steve is, you know,

2:49:22.120 --> 2:49:24.800
<v Speaker 2>much of the public associates Steve with Loud Records and

2:49:25.400 --> 2:49:26.800
<v Speaker 2>hip hop New York hip hop.

2:49:27.240 --> 2:49:28.920
<v Speaker 1>That's awesome, O.

2:49:30.000 --> 2:49:32.880
<v Speaker 2>But Steve could tell you a place in time, in

2:49:32.959 --> 2:49:36.560
<v Speaker 2>a story for every classic R and B record. You know,

2:49:36.760 --> 2:49:40.840
<v Speaker 2>I do fancy myself somewhat of an encyclopedia. There's of

2:49:40.920 --> 2:49:43.920
<v Speaker 2>course people who could you know, taught me. But every

2:49:44.000 --> 2:49:46.520
<v Speaker 2>record I ever play or love or mentioned, there was

2:49:46.600 --> 2:49:50.680
<v Speaker 2>an you know on the show pass to my Steve

2:49:50.800 --> 2:49:53.600
<v Speaker 2>worked the record as a twenty year old, or Steve

2:49:53.760 --> 2:49:58.240
<v Speaker 2>brought the record Frankie Crocker, or some crazy story that

2:49:58.360 --> 2:49:59.279
<v Speaker 2>Steve was involved.

2:49:59.320 --> 2:50:01.440
<v Speaker 4>He's like the far risk gump of like R and

2:50:01.520 --> 2:50:02.959
<v Speaker 4>B promotion of the early eighties.

2:50:03.040 --> 2:50:04.840
<v Speaker 7>We kind of already found out with this new addition

2:50:05.280 --> 2:50:06.840
<v Speaker 7>added story.

2:50:06.640 --> 2:50:09.200
<v Speaker 5>With you, it's always so new.

2:50:09.560 --> 2:50:11.879
<v Speaker 1>Boom alight we moving on to the next one. Yes,

2:50:12.959 --> 2:50:16.920
<v Speaker 1>oh god, I got, I got, I got hold up?

2:50:17.640 --> 2:50:19.400
<v Speaker 7>Will be in her trap called quick. We said that

2:50:20.760 --> 2:50:22.720
<v Speaker 7>I was in the bathroom. You didn't exhibit too?

2:50:23.040 --> 2:50:23.240
<v Speaker 1>Yeah?

2:50:23.320 --> 2:50:26.080
<v Speaker 7>Yes, yeah, you you said Kanye too?

2:50:30.600 --> 2:50:30.800
<v Speaker 3>Yeah?

2:50:33.400 --> 2:50:47.080
<v Speaker 1>Kanye or Pharrell? I'm going with you Pharrell, Like, do

2:50:47.240 --> 2:50:50.400
<v Speaker 1>we take a shot because they're not on the same level.

2:50:50.920 --> 2:50:54.000
<v Speaker 7>Your connection with Yate? How did that form so so strongly?

2:51:00.120 --> 2:51:04.280
<v Speaker 18>I didn't know him, Like when like his first few albums,

2:51:05.080 --> 2:51:10.240
<v Speaker 18>he was at Matahisa at the restaurant, at the restaurant

2:51:10.320 --> 2:51:13.080
<v Speaker 18>and I was there and Noboo comes up to me

2:51:14.160 --> 2:51:15.879
<v Speaker 18>and says, you know Kanye.

2:51:16.000 --> 2:51:17.920
<v Speaker 7>I said, actually no, I said, can you go back

2:51:17.959 --> 2:51:19.840
<v Speaker 7>to him and see if it's okay.

2:51:23.800 --> 2:51:24.320
<v Speaker 1>To say hello?

2:51:24.600 --> 2:51:27.520
<v Speaker 7>So do you remember when you guys did to drink

2:51:27.600 --> 2:51:29.240
<v Speaker 7>champs in my office in La Yeah?

2:51:29.320 --> 2:51:31.720
<v Speaker 1>Yeah, so I was.

2:51:32.360 --> 2:51:35.680
<v Speaker 6>I had a concept to do an album where I

2:51:35.720 --> 2:51:39.680
<v Speaker 6>took nine of the most relevant rappers in like twenty seventeen,

2:51:39.680 --> 2:51:42.879
<v Speaker 6>twenty eighteen, and Redo thirty six Chambers.

2:51:44.160 --> 2:51:46.800
<v Speaker 1>And I wanted, wait, wait, okay, you going keep going? Wait?

2:51:46.800 --> 2:51:47.080
<v Speaker 1>Wait wait?

2:51:47.200 --> 2:51:48.360
<v Speaker 7>What was resil?

2:51:48.600 --> 2:51:50.560
<v Speaker 8>And honest yeah, me and ris were partner really.

2:51:50.480 --> 2:51:54.960
<v Speaker 7>Yeah and that was like every song that redo the

2:51:54.959 --> 2:51:55.480
<v Speaker 7>whole album.

2:51:55.720 --> 2:51:55.920
<v Speaker 1>Wow.

2:51:56.360 --> 2:51:59.080
<v Speaker 8>And I wanted Yay to be Risen.

2:51:59.680 --> 2:52:00.560
<v Speaker 1>Mm wow.

2:52:01.760 --> 2:52:02.119
<v Speaker 8>We didn't.

2:52:02.120 --> 2:52:04.200
<v Speaker 6>I could have called Scooter, but I knew Scooter as

2:52:04.240 --> 2:52:08.560
<v Speaker 6>a manager. No matter, even though I raised Scooter, I

2:52:08.600 --> 2:52:09.600
<v Speaker 6>would be he would.

2:52:09.360 --> 2:52:09.800
<v Speaker 1>Have blocked it.

2:52:10.120 --> 2:52:12.840
<v Speaker 6>And he just happened to be there. I said, is

2:52:12.879 --> 2:52:15.600
<v Speaker 6>it all right if I come by tomorrow or whatever?

2:52:15.680 --> 2:52:21.160
<v Speaker 6>He says please, And he's a huge basketball fan and

2:52:21.400 --> 2:52:25.160
<v Speaker 6>he had a game every Monday, Wednesday, Friday, and he says,

2:52:25.200 --> 2:52:27.280
<v Speaker 6>you play ball. I said, yeah, but I just had

2:52:27.520 --> 2:52:29.880
<v Speaker 6>heart surgery, so I didn't know how. I said, okay,

2:52:29.920 --> 2:52:32.200
<v Speaker 6>if I bring my son, and I don't like to

2:52:32.320 --> 2:52:34.640
<v Speaker 6>lose it. So you know, my son played college ball,

2:52:36.320 --> 2:52:40.280
<v Speaker 6>so so I brought my son, and.

2:52:43.120 --> 2:52:44.400
<v Speaker 1>You know, he was on my team.

2:52:44.440 --> 2:52:46.240
<v Speaker 8>And with my son on the team, you know, we

2:52:46.320 --> 2:52:48.600
<v Speaker 8>didn't lose a game. So it was cool and we

2:52:49.040 --> 2:52:50.480
<v Speaker 8>you know, and we just started talking.

2:52:51.280 --> 2:52:54.200
<v Speaker 6>And then I saw what type of sneakers though it

2:52:55.240 --> 2:52:58.920
<v Speaker 6>He goes, they're gonna be the easy basketball shop. And

2:52:59.000 --> 2:53:01.320
<v Speaker 6>I said, that's another big dollars for you right there.

2:53:01.320 --> 2:53:03.320
<v Speaker 6>And I said, you know, I consulted Nike, you know,

2:53:03.360 --> 2:53:06.720
<v Speaker 6>for Alicia. I was feel nice personal consultant, and he

2:53:07.240 --> 2:53:09.080
<v Speaker 6>literally pretty much hied me on the spot.

2:53:09.680 --> 2:53:12.240
<v Speaker 1>Wow mhm.

2:53:13.360 --> 2:53:16.480
<v Speaker 7>And that relationship has been tested, yeah.

2:53:16.360 --> 2:53:19.720
<v Speaker 6>I mean there's times when he hates my guts, like

2:53:20.200 --> 2:53:22.600
<v Speaker 6>you know, and there are times that he loves me

2:53:22.680 --> 2:53:23.000
<v Speaker 6>to death.

2:53:23.040 --> 2:53:27.200
<v Speaker 1>But I'll always be that from right, even when I

2:53:27.280 --> 2:53:28.680
<v Speaker 1>just even when I disagree with him.

2:53:28.720 --> 2:53:32.320
<v Speaker 3>You guys saw it that one time when yeah, yeah,

2:53:33.200 --> 2:53:36.320
<v Speaker 3>don't man, he felt like you wanted to address that.

2:53:36.760 --> 2:53:38.920
<v Speaker 1>Huh, I said, we felt like you wanted to address that?

2:53:39.040 --> 2:53:42.600
<v Speaker 1>But then or now? Uh right?

2:53:42.720 --> 2:53:42.840
<v Speaker 6>Now?

2:53:43.000 --> 2:53:50.400
<v Speaker 19>Yeah, no, I mean finally make sense. I mean, yeah,

2:53:51.959 --> 2:53:54.360
<v Speaker 19>I know he has a heart of goals, right, and

2:53:54.760 --> 2:53:58.119
<v Speaker 19>you know what he means basically. And if you remember

2:53:58.320 --> 2:54:02.640
<v Speaker 19>when I hugged him that I was a true it

2:54:02.840 --> 2:54:05.400
<v Speaker 19>wasn't a fake, you know hug and I was like,

2:54:06.280 --> 2:54:09.200
<v Speaker 19>whoever is wherever it came from?

2:54:10.879 --> 2:54:19.440
<v Speaker 1>He just said it wrong, right, and and that's what

2:54:19.600 --> 2:54:20.880
<v Speaker 1>it it was.

2:54:21.640 --> 2:54:23.320
<v Speaker 19>You know, if I said, hey, you know what, I

2:54:23.400 --> 2:54:26.480
<v Speaker 19>need to borrow five million dollars just you know, he

2:54:26.640 --> 2:54:27.480
<v Speaker 19>was happy to see.

2:54:28.240 --> 2:54:29.560
<v Speaker 8>He would he would give me the money.

2:54:29.879 --> 2:54:32.920
<v Speaker 7>That's without that's what That's not what we're talking about, though. No,

2:54:33.240 --> 2:54:35.520
<v Speaker 7>so I I just think he has a hard time

2:54:35.600 --> 2:54:37.240
<v Speaker 7>communicating really what he wants to say.

2:54:37.920 --> 2:54:41.040
<v Speaker 1>And and then that's all and that's all it is, right,

2:54:43.040 --> 2:54:44.119
<v Speaker 1>Kendrick or Drake.

2:54:45.160 --> 2:54:51.000
<v Speaker 2>Huh No, got what he's Jesus, No, it's not really

2:54:51.080 --> 2:54:56.920
<v Speaker 2>got him. It's not a both or the ear. I

2:54:57.080 --> 2:55:02.960
<v Speaker 2>just have different Well you have to answer one. Steve

2:55:03.080 --> 2:55:15.720
<v Speaker 2>got him. Okay, Kendrick, you're not like us. I gotta

2:55:15.760 --> 2:55:17.360
<v Speaker 2>be honest with you. It has nothing to do with

2:55:17.520 --> 2:55:20.080
<v Speaker 2>the with the Beef records, no, but but I'm just

2:55:20.120 --> 2:55:20.840
<v Speaker 2>saying I am.

2:55:21.280 --> 2:55:22.440
<v Speaker 1>But they're not like Uh.

2:55:24.520 --> 2:55:28.199
<v Speaker 4>I just feel musically the songs.

2:55:27.879 --> 2:55:30.680
<v Speaker 2>That I'm going to listen to forever there there there

2:55:30.720 --> 2:55:33.000
<v Speaker 2>are songs in Kendrick's catalog.

2:55:34.600 --> 2:55:39.520
<v Speaker 4>Musically that to me are just deep, just on another level.

2:55:40.000 --> 2:55:43.480
<v Speaker 2>And so for one word answer Kendrick, but you know

2:55:43.560 --> 2:55:45.720
<v Speaker 2>it's obviously way more complex. But having nothing to do

2:55:45.800 --> 2:55:47.480
<v Speaker 2>with it. That wasn't a who won the beef question.

2:55:48.560 --> 2:55:51.160
<v Speaker 2>We're just having fun with it. How about you, Kendrick,

2:55:54.400 --> 2:55:58.080
<v Speaker 2>Steve hesitate. He said, they're not like us not.

2:55:58.200 --> 2:56:01.160
<v Speaker 1>Like, but but if you if you look at my

2:56:01.320 --> 2:56:05.760
<v Speaker 1>heritage of music, right, who who? Who is Kendricks?

2:56:06.160 --> 2:56:08.360
<v Speaker 8>I don't know for sure.

2:56:08.400 --> 2:56:09.000
<v Speaker 1>It's Prodigy.

2:56:11.200 --> 2:56:12.800
<v Speaker 8>Yeah, the reason why he started rapping.

2:56:13.440 --> 2:56:14.160
<v Speaker 7>He says, Prodigy.

2:56:15.040 --> 2:56:20.840
<v Speaker 1>Google it again, he's gonna save Please. Hey, Google, I

2:56:21.040 --> 2:56:32.800
<v Speaker 1>like how Steve knows the room. What you said? He said?

2:56:33.040 --> 2:56:35.359
<v Speaker 1>He said, google us under the influence.

2:56:37.440 --> 2:56:38.560
<v Speaker 7>That's a horridful.

2:56:39.720 --> 2:56:43.240
<v Speaker 1>Jesus, Jesus. All right, yeah, but you tell us when

2:56:43.280 --> 2:56:49.600
<v Speaker 1>they when Hey, hey, Google's not that slow, bro, It's

2:56:49.680 --> 2:56:52.040
<v Speaker 1>called high speed internet. Bro, don't blame it on the

2:56:52.120 --> 2:56:57.320
<v Speaker 1>rain neither. Why do you both have just say Kendrick

2:56:57.360 --> 2:56:57.920
<v Speaker 1>and Prodigy?

2:56:58.959 --> 2:56:59.400
<v Speaker 10>M hm.

2:57:02.600 --> 2:57:07.560
<v Speaker 1>A little okay? Well yeah, all right, he's on you

2:57:07.680 --> 2:57:09.920
<v Speaker 1>let us know when you find it. He's on dialogue. Yeah,

2:57:10.000 --> 2:57:12.360
<v Speaker 1>what kind of Yeah you you on.

2:57:14.680 --> 2:57:15.280
<v Speaker 5>On analog?

2:57:15.600 --> 2:57:21.039
<v Speaker 1>That's present? Yeah? What happened?

2:57:21.440 --> 2:57:23.120
<v Speaker 7>And Prodigy?

2:57:23.600 --> 2:57:25.120
<v Speaker 1>Yeah? You that's all you got?

2:57:25.560 --> 2:57:25.840
<v Speaker 3>All that?

2:57:33.800 --> 2:57:39.280
<v Speaker 1>Holy? We better, bro? Better?

2:57:40.160 --> 2:57:45.080
<v Speaker 7>What's worry? Don't talking to sese?

2:57:45.959 --> 2:57:47.280
<v Speaker 1>What's will? I am ship that?

2:57:48.800 --> 2:57:48.959
<v Speaker 2>Hey?

2:57:49.080 --> 2:57:49.480
<v Speaker 1>I well?

2:57:49.560 --> 2:57:50.119
<v Speaker 2>I am right?

2:57:50.680 --> 2:57:56.800
<v Speaker 1>No, you know you're a law bro. You're ce Iah

2:57:57.080 --> 2:57:57.600
<v Speaker 1>the next one.

2:57:57.680 --> 2:57:58.360
<v Speaker 5>You got a name?

2:57:58.680 --> 2:58:01.120
<v Speaker 1>She got what Kenner said?

2:58:01.920 --> 2:58:05.840
<v Speaker 7>Kendrick noted Prodigy's influence on his early style and development

2:58:05.920 --> 2:58:10.000
<v Speaker 7>as its writer, and an MC describing the original recording setup.

2:58:13.200 --> 2:58:14.199
<v Speaker 5>It's weird.

2:58:19.240 --> 2:58:19.680
<v Speaker 8>Right there.

2:58:20.800 --> 2:58:23.480
<v Speaker 5>Yeah, well, not all of us went to school. That's

2:58:23.560 --> 2:58:24.760
<v Speaker 5>why you gotta read it.

2:58:25.120 --> 2:58:28.920
<v Speaker 7>You school, Google, bro, You know you can spell it

2:58:29.000 --> 2:58:31.000
<v Speaker 7>roll and Google says, no, this is what you mean.

2:58:34.440 --> 2:58:37.040
<v Speaker 3>At the next one, We're fucked in the future.

2:58:37.320 --> 2:58:38.240
<v Speaker 4>I heard the next one.

2:58:38.760 --> 2:58:40.800
<v Speaker 1>You heard it, right, I know Steve's answer.

2:58:40.800 --> 2:58:42.360
<v Speaker 7>Dead Present Clips was that to me?

2:58:42.440 --> 2:58:42.680
<v Speaker 8>It's a.

2:58:44.280 --> 2:58:44.560
<v Speaker 1>Both.

2:58:46.400 --> 2:58:48.360
<v Speaker 6>I mean, as much as I love Pusher, I mean

2:58:48.400 --> 2:58:49.720
<v Speaker 6>I'm going with Dead Press.

2:58:51.680 --> 2:58:54.039
<v Speaker 1>Now you too. And hip Hop is.

2:58:54.040 --> 2:58:55.720
<v Speaker 8>One of my top five records of all time.

2:58:55.840 --> 2:58:58.760
<v Speaker 7>I love that record, A pivotal record.

2:59:00.040 --> 2:59:02.480
<v Speaker 1>You may between y'all, and I mean, I think that record.

2:59:02.280 --> 2:59:03.200
<v Speaker 7>Means a lot to hip hop.

2:59:03.959 --> 2:59:06.720
<v Speaker 2>Clips, his first album is one of my favorite hip

2:59:06.720 --> 2:59:08.960
<v Speaker 2>hop albums in the past twenty years. Well now it's

2:59:09.400 --> 2:59:13.119
<v Speaker 2>twenty years. God willing will and I love the Clips

2:59:13.200 --> 2:59:15.200
<v Speaker 2>really really, I'm not telling you what I mean.

2:59:15.280 --> 2:59:17.400
<v Speaker 6>But the Dead Press, I mean, at the end of

2:59:17.440 --> 2:59:22.160
<v Speaker 6>the day, I mean that record to this day will

2:59:22.200 --> 2:59:23.800
<v Speaker 6>still be played everywhere.

2:59:26.520 --> 2:59:26.680
<v Speaker 2>Is that?

2:59:29.280 --> 2:59:33.040
<v Speaker 3>Yeah, this is the last question for the interview, But

2:59:33.080 --> 2:59:34.720
<v Speaker 3>this is the last question for a quick time with live.

2:59:34.920 --> 2:59:37.720
<v Speaker 1>Okay, I'm not going to lead the witness. Don't lead

2:59:37.760 --> 2:59:41.120
<v Speaker 1>the witness. Both for y' all you can answer at

2:59:41.160 --> 2:59:43.080
<v Speaker 1>the same time. Just to look way.

2:59:43.120 --> 2:59:45.359
<v Speaker 7>One of the questions the whiz.

2:59:46.840 --> 2:59:54.959
<v Speaker 1>Loyalty or respect loyalty same? Please we need both explanations.

2:59:55.040 --> 2:59:57.160
<v Speaker 1>Why for for me? I grew up.

2:59:57.200 --> 3:00:02.880
<v Speaker 7>If you aren't loyal, You'll be swimming somewhere. Man, You've

3:00:02.879 --> 3:00:12.880
<v Speaker 7>been swimming with the fishes. And listen, not for nothing, Steve,

3:00:13.240 --> 3:00:15.680
<v Speaker 7>but you've been giving Martlasky vibes the whole time.

3:00:15.720 --> 3:00:20.960
<v Speaker 3>We've been always so we know, we know, Bro, you

3:00:21.320 --> 3:00:23.080
<v Speaker 3>got it shut out to your family.

3:00:29.000 --> 3:00:32.200
<v Speaker 2>I think loyalty precedes respect if you're not loyal to

3:00:32.280 --> 3:00:34.440
<v Speaker 2>people who are going to respect you both.

3:00:34.760 --> 3:00:35.360
<v Speaker 1>This is the thing.

3:00:36.440 --> 3:00:38.880
<v Speaker 7>You can't pick both, right, But it's the thing the

3:00:39.440 --> 3:00:41.840
<v Speaker 7>game was to not to not say both.

3:00:42.560 --> 3:00:45.640
<v Speaker 2>It's not the goal to make decisive decisions.

3:00:45.720 --> 3:00:48.640
<v Speaker 7>It's decisive for you. Whatever is decisive. What is your

3:00:48.760 --> 3:00:49.520
<v Speaker 7>decisive right?

3:00:49.680 --> 3:00:49.800
<v Speaker 1>Right?

3:00:49.879 --> 3:00:51.039
<v Speaker 4>So I'm saying it's not both.

3:00:51.440 --> 3:00:52.640
<v Speaker 1>Okay, No, no, I get it, I get it.

3:00:52.680 --> 3:00:56.359
<v Speaker 7>But wouldn't both in this situation be the ideal situation?

3:00:56.959 --> 3:00:58.560
<v Speaker 2>This is why I'm always getting I thought, you have

3:00:58.680 --> 3:01:00.440
<v Speaker 2>to choose one of the other you could only have,

3:01:01.280 --> 3:01:04.280
<v Speaker 2>but you've you've been choosing too well, not you going

3:01:04.320 --> 3:01:05.480
<v Speaker 2>crazy with got a second?

3:01:06.400 --> 3:01:07.039
<v Speaker 4>Hold on a second.

3:01:07.280 --> 3:01:10.200
<v Speaker 2>With every every single pair you've mentioned, not one of

3:01:10.280 --> 3:01:11.480
<v Speaker 2>us have disliked the other.

3:01:11.680 --> 3:01:12.680
<v Speaker 4>It was always which.

3:01:14.720 --> 3:01:15.120
<v Speaker 1>Right, right?

3:01:15.240 --> 3:01:17.320
<v Speaker 4>So respect loyalty, it's which one if you could only

3:01:17.400 --> 3:01:17.720
<v Speaker 4>have one.

3:01:17.800 --> 3:01:19.840
<v Speaker 7>But there's two different things, to be honest with you,

3:01:20.160 --> 3:01:22.640
<v Speaker 7>But if you had the idea, if you could ideally

3:01:22.720 --> 3:01:30.360
<v Speaker 7>have both, you would have people say to both of

3:01:30.800 --> 3:01:34.120
<v Speaker 7>all the questions on everything they have. They have a

3:01:34.160 --> 3:01:38.400
<v Speaker 7>hard time saying one. Well, because you, guys, I think.

3:01:40.280 --> 3:01:41.080
<v Speaker 5>Two different things.

3:01:42.040 --> 3:01:45.400
<v Speaker 1>I don't want to hear you right now. There are

3:01:45.879 --> 3:01:47.879
<v Speaker 1>there are, there are two different blocks.

3:01:48.920 --> 3:01:49.800
<v Speaker 8>At the end of the day.

3:01:52.360 --> 3:01:54.880
<v Speaker 6>You can respect somebody and not be loyal to them, right,

3:01:56.360 --> 3:01:58.680
<v Speaker 6>And you could be loyal to somebody and that and

3:01:58.760 --> 3:01:59.480
<v Speaker 6>not respect them.

3:02:00.600 --> 3:02:02.560
<v Speaker 7>But if you look in a great world where you

3:02:02.640 --> 3:02:05.000
<v Speaker 7>could say, hey, I want you to but it's loyal

3:02:05.120 --> 3:02:09.039
<v Speaker 7>and respect me, yeah, I mean yeah that I would.

3:02:09.160 --> 3:02:11.000
<v Speaker 6>I would love for the whole world to be loyal

3:02:11.080 --> 3:02:13.120
<v Speaker 6>to me, to respect me, to do But at the

3:02:13.720 --> 3:02:16.200
<v Speaker 6>at the end of the day, how I grew up.

3:02:17.600 --> 3:02:20.840
<v Speaker 6>It's about loyalty. You always got you always got to

3:02:20.920 --> 3:02:22.280
<v Speaker 6>go into somebody's house.

3:02:23.400 --> 3:02:28.160
<v Speaker 7>Well, now is we often get respect more than loyalty, right,

3:02:28.280 --> 3:02:29.400
<v Speaker 7>That's what we often get.

3:02:30.040 --> 3:02:32.120
<v Speaker 3>Anything else I would say, like a fifty five not

3:02:32.280 --> 3:02:33.080
<v Speaker 3>I'd say more.

3:02:33.200 --> 3:02:35.959
<v Speaker 7>People say I would prefer they respect me because they

3:02:36.040 --> 3:02:37.240
<v Speaker 7>say loyalty.

3:02:37.640 --> 3:02:38.760
<v Speaker 1>People because it's limits.

3:02:38.800 --> 3:02:41.600
<v Speaker 7>They say, rights.

3:02:40.560 --> 3:02:42.680
<v Speaker 4>Comes from quality. I mean, people.

3:02:42.560 --> 3:02:45.200
<v Speaker 1>Respect you if you if you if you look at

3:02:45.280 --> 3:02:45.920
<v Speaker 1>Rock Nation.

3:02:47.320 --> 3:02:51.400
<v Speaker 6>Or any you know, if it's Kevin Hart's company, Jay's company,

3:02:52.720 --> 3:02:55.000
<v Speaker 6>they're all so loyal to each other. It's a it's

3:02:55.040 --> 3:02:58.440
<v Speaker 6>a beautiful thing to watch. I mean, it really is

3:02:58.600 --> 3:03:02.560
<v Speaker 6>the reason why Loud one we were a team, you

3:03:02.640 --> 3:03:05.600
<v Speaker 6>know from the art. I mean thirty years ago. Like

3:03:05.720 --> 3:03:08.520
<v Speaker 6>I still have a relationship with Joe. I mean when

3:03:08.560 --> 3:03:10.440
<v Speaker 6>I was gone for thirty five minutes, I was on

3:03:10.480 --> 3:03:11.480
<v Speaker 6>the phone with Rizza.

3:03:13.440 --> 3:03:13.760
<v Speaker 9>I have.

3:03:14.280 --> 3:03:17.080
<v Speaker 7>I was like that, but no, no, no, but you're

3:03:17.160 --> 3:03:18.840
<v Speaker 7>taking a ship talking to Rise at the same time.

3:03:18.879 --> 3:03:19.840
<v Speaker 1>I get it. Yeah, I get it.

3:03:20.000 --> 3:03:20.960
<v Speaker 4>No, No, let me say something.

3:03:21.080 --> 3:03:26.200
<v Speaker 2>After the BT Hip Hop Awards that you are part

3:03:26.240 --> 3:03:28.840
<v Speaker 2>of two years ago, Loud was honored, right, Yeah, and

3:03:29.040 --> 3:03:29.720
<v Speaker 2>you guys were there.

3:03:32.240 --> 3:03:32.960
<v Speaker 1>Yeah, they won.

3:03:33.760 --> 3:03:39.400
<v Speaker 2>Maybe, So after after the awards we went to dinner.

3:03:39.560 --> 3:03:41.480
<v Speaker 2>I think, yeah, I was gonna ask if you were there.

3:03:41.520 --> 3:03:43.400
<v Speaker 2>You were there, okay, So Fat Joe made a little

3:03:43.400 --> 3:03:49.360
<v Speaker 2>speech and he says something about Steve that was so

3:03:49.560 --> 3:03:54.040
<v Speaker 2>dead on that he't capitalizes Steve to me, he said,

3:03:54.080 --> 3:03:59.280
<v Speaker 2>first of all, who gets ten or more of their

3:03:59.760 --> 3:04:04.800
<v Speaker 2>four more artists artists to show up for a tribute.

3:04:05.640 --> 3:04:10.640
<v Speaker 2>Then he said who gets them to rehearse? Then he

3:04:10.720 --> 3:04:14.160
<v Speaker 2>said who gets them to rehearse the day before and

3:04:14.280 --> 3:04:17.400
<v Speaker 2>the day of? And then he said who gets them

3:04:17.480 --> 3:04:19.640
<v Speaker 2>to rehearse the day before and the day of and

3:04:19.760 --> 3:04:21.119
<v Speaker 2>say nothing but nice things?

3:04:27.720 --> 3:04:30.160
<v Speaker 1>It's fantastic. We was there to witness at hold and

3:04:30.160 --> 3:04:30.480
<v Speaker 1>he used the.

3:04:30.480 --> 3:04:33.640
<v Speaker 7>Back We were definitely there, so we so we we

3:04:33.800 --> 3:04:38.480
<v Speaker 7>finalized this this love and loyalty, love and loyalty, loyalty respect.

3:04:39.920 --> 3:04:40.160
<v Speaker 1>Well.

3:04:40.240 --> 3:04:43.440
<v Speaker 2>See, I think the entire game I was under the

3:04:43.480 --> 3:04:47.640
<v Speaker 2>impression was to pick because if you're supposed to say

3:04:47.640 --> 3:04:49.680
<v Speaker 2>both and I would like to renag on my Swiss

3:04:49.720 --> 3:04:50.800
<v Speaker 2>and Timberland and my.

3:04:51.800 --> 3:04:55.720
<v Speaker 4>And I thought you had to choose a favorite.

3:04:55.720 --> 3:04:56.280
<v Speaker 1>You didn't have to.

3:04:56.760 --> 3:04:59.879
<v Speaker 7>It was preferably to your criteria. You could pick one

3:05:00.080 --> 3:05:00.720
<v Speaker 7>or the other or.

3:05:00.720 --> 3:05:03.400
<v Speaker 2>Both, right, But I thought the cop out is saying

3:05:03.480 --> 3:05:05.640
<v Speaker 2>both the cop right, it's the cop out.

3:05:05.680 --> 3:05:10.200
<v Speaker 7>Okay, so all right, but you're actually the way you're

3:05:10.240 --> 3:05:12.640
<v Speaker 7>saying it, you're right, man, that you're fucking right, And

3:05:12.720 --> 3:05:14.879
<v Speaker 7>it sucks because.

3:05:14.600 --> 3:05:15.279
<v Speaker 1>You're saying.

3:05:16.920 --> 3:05:17.840
<v Speaker 2>No, no way.

3:05:18.080 --> 3:05:20.880
<v Speaker 12>Steve says to me every day, you can't debate the

3:05:20.920 --> 3:05:23.440
<v Speaker 12>guy right, because the way I'm trying to argue it

3:05:23.600 --> 3:05:25.560
<v Speaker 12>is like, if I had the choice, these are the two,

3:05:25.600 --> 3:05:27.240
<v Speaker 12>I would want both of those things.

3:05:27.680 --> 3:05:29.680
<v Speaker 7>But then you're saying the way we put the game

3:05:29.800 --> 3:05:31.119
<v Speaker 7>up is the cop.

3:05:31.240 --> 3:05:32.320
<v Speaker 8>So let me tell you a funny story.

3:05:32.440 --> 3:05:34.680
<v Speaker 1>So this is passing.

3:05:34.720 --> 3:05:37.360
<v Speaker 6>Mic is really it's his baby, like I'm an uncle

3:05:37.560 --> 3:05:41.080
<v Speaker 6>or a grandfather. Right, So when I really disagree with

3:05:41.160 --> 3:05:47.920
<v Speaker 6>them on something, my fiance, she she knows how to communicate. Right,

3:05:48.080 --> 3:05:50.840
<v Speaker 6>it takes me two weeks. I'll streaming him for two weeks,

3:05:50.879 --> 3:05:53.240
<v Speaker 6>something about himself, hang up the phone. I mean, I

3:05:53.280 --> 3:05:56.400
<v Speaker 6>won't talk to him, Mike. I I gotta get I

3:05:56.440 --> 3:05:59.920
<v Speaker 6>gotta get myself ready, knowing I got to get myself

3:06:00.080 --> 3:06:02.160
<v Speaker 6>two weeks because I know how he's gonna come back

3:06:02.360 --> 3:06:06.480
<v Speaker 6>with the fucking thing. No when he has a vision

3:06:07.320 --> 3:06:10.240
<v Speaker 6>there's no fucking way you could change his mind. So

3:06:10.400 --> 3:06:13.720
<v Speaker 6>I got to come with every fucking fact, possible reason.

3:06:14.680 --> 3:06:19.960
<v Speaker 6>And Aliyah, she really knows how to communicate. Well, so

3:06:20.560 --> 3:06:23.520
<v Speaker 6>your wife, that's your wife fiance. Yeah, so I'm like

3:06:25.000 --> 3:06:29.560
<v Speaker 6>rehearsing every fucking day for two weeks, pacing back and

3:06:29.640 --> 3:06:32.879
<v Speaker 6>forth in my bedroom to go at this motherfucker.

3:06:39.320 --> 3:06:41.720
<v Speaker 7>So it's very rarely that you're gonna win a debate

3:06:41.800 --> 3:06:42.040
<v Speaker 7>with him.

3:06:42.840 --> 3:06:44.480
<v Speaker 1>You have to go a different way around.

3:06:46.080 --> 3:06:48.080
<v Speaker 4>So again, I haven't found the way.

3:06:49.400 --> 3:06:50.959
<v Speaker 8>I just said, there's no fucking way.

3:06:51.360 --> 3:06:53.680
<v Speaker 7>Listen, I don't think you really answered when I told

3:06:53.840 --> 3:06:56.760
<v Speaker 7>when I asked you like that moment, those things that

3:06:57.000 --> 3:07:00.680
<v Speaker 7>that moment that really I know you said, there's many right,

3:07:00.800 --> 3:07:03.120
<v Speaker 7>it's hard they got you down, but no, no, but

3:07:03.200 --> 3:07:07.879
<v Speaker 7>there has to be this pivotal thing that happened between

3:07:08.080 --> 3:07:12.000
<v Speaker 7>a moment that you're just this DJ kid and then

3:07:12.040 --> 3:07:14.240
<v Speaker 7>you become this other thing.

3:07:17.879 --> 3:07:20.280
<v Speaker 4>Again. I think I know it sounds it's not a

3:07:20.480 --> 3:07:24.000
<v Speaker 4>copy out of an answer. There were there was like

3:07:24.080 --> 3:07:24.840
<v Speaker 4>a five year.

3:07:24.840 --> 3:07:30.280
<v Speaker 2>Span from age an era, Yeah, age seventeen to twenty

3:07:30.360 --> 3:07:34.080
<v Speaker 2>three or eighteen to to you know, seventeen to twenty

3:07:34.120 --> 3:07:36.040
<v Speaker 2>two or eighteen to twenty three, maybe a five year

3:07:36.160 --> 3:07:42.000
<v Speaker 2>span where every opportunity really snowballed into the next and

3:07:44.560 --> 3:07:50.160
<v Speaker 2>all those things, from the school parties to the internships.

3:07:50.920 --> 3:07:53.760
<v Speaker 1>To the first celebrity.

3:07:53.280 --> 3:07:57.600
<v Speaker 2>Seeing me DJ all led to what came next, and

3:07:58.240 --> 3:08:02.520
<v Speaker 2>everyone heard me at someone else's party and ended up

3:08:02.560 --> 3:08:02.920
<v Speaker 2>calling me.

3:08:03.000 --> 3:08:05.680
<v Speaker 4>And by the time I was in my low twenties,

3:08:06.440 --> 3:08:07.520
<v Speaker 4>I became known.

3:08:09.560 --> 3:08:16.360
<v Speaker 2>For playing not only celebrities parties, but hip hop celebrities parties.

3:08:18.320 --> 3:08:21.520
<v Speaker 2>And I think over the years when I get asked

3:08:21.600 --> 3:08:25.080
<v Speaker 2>most like, what why do you think that happened? Why

3:08:25.160 --> 3:08:27.320
<v Speaker 2>did you end up the guy at that time in

3:08:27.400 --> 3:08:32.440
<v Speaker 2>your life playing for the heavyweights of hip hop? And

3:08:32.800 --> 3:08:36.360
<v Speaker 2>I always I hate answering that question because I don't

3:08:36.400 --> 3:08:38.520
<v Speaker 2>like speaking for the people who called on me.

3:08:38.640 --> 3:08:39.760
<v Speaker 4>The truth is only they know.

3:08:40.080 --> 3:08:43.920
<v Speaker 2>But I think the real answer is why I was

3:08:45.160 --> 3:08:49.040
<v Speaker 2>the DJ that all these hip hop heavyweights was calling

3:08:49.560 --> 3:08:53.480
<v Speaker 2>was because of soul music. I don't think any of

3:08:53.600 --> 3:08:57.440
<v Speaker 2>them were necessarily like a jay Z, attracted to me

3:08:58.480 --> 3:09:00.360
<v Speaker 2>because of the way I played hip hop. Now, I'd

3:09:00.440 --> 3:09:04.599
<v Speaker 2>like to think I played hip hop just greatly, yes, immaculately,

3:09:05.240 --> 3:09:10.320
<v Speaker 2>But I think what that one special draw was was

3:09:10.720 --> 3:09:13.720
<v Speaker 2>how I played the soul music of the seventies and eighties,

3:09:14.640 --> 3:09:18.680
<v Speaker 2>and that music wasn't how I started. I was a

3:09:18.800 --> 3:09:21.039
<v Speaker 2>hip hop kid, I thought very early on in life.

3:09:22.240 --> 3:09:24.280
<v Speaker 2>I thought that to fully embrace hip hop, you had

3:09:24.280 --> 3:09:27.960
<v Speaker 2>to hate everything else. I thought that to really be

3:09:28.080 --> 3:09:29.720
<v Speaker 2>a part of hip hop, you had to hate.

3:09:29.640 --> 3:09:33.000
<v Speaker 7>Rock and roll and everything else when hip hop is

3:09:33.000 --> 3:09:34.000
<v Speaker 7>sampling all of this.

3:09:34.280 --> 3:09:36.680
<v Speaker 2>And so we talked about Cool Hark, Africa, Bimbad, and

3:09:36.720 --> 3:09:40.200
<v Speaker 2>Grandmaster Flash earlier. And remember when I said, I knew

3:09:40.200 --> 3:09:41.960
<v Speaker 2>what they looked like, but I didn't know about them.

3:09:43.400 --> 3:09:46.760
<v Speaker 2>So once I was a little older in twelve thirteen, fourteen,

3:09:46.959 --> 3:09:51.480
<v Speaker 2>and I learned about them. I learned that they weren't

3:09:51.560 --> 3:09:55.400
<v Speaker 2>playing hip hop music because there was no hip hop music.

3:09:55.520 --> 3:09:59.279
<v Speaker 2>They were creating what became hip hop music through playing

3:09:59.600 --> 3:10:04.040
<v Speaker 2>R and B, soul, funk, disco, rock and roll, Latin music,

3:10:04.160 --> 3:10:08.200
<v Speaker 2>and all kinds of music. And that fascinated me and

3:10:08.360 --> 3:10:10.800
<v Speaker 2>made me want to be this encyclopedia of music. And

3:10:10.959 --> 3:10:13.440
<v Speaker 2>that journey led me to the sole music of the

3:10:13.520 --> 3:10:17.040
<v Speaker 2>seventies and eighties, which in many ways became not what

3:10:17.160 --> 3:10:19.520
<v Speaker 2>I played everywhere for everyone, but in many ways became

3:10:19.600 --> 3:10:20.600
<v Speaker 2>my signature sound.

3:10:20.640 --> 3:10:23.640
<v Speaker 8>Can I say something. I threw a party at my

3:10:23.720 --> 3:10:24.800
<v Speaker 8>house after the B E. T.

3:10:25.000 --> 3:10:30.400
<v Speaker 20>Walls Is it two thousand and seven around and I

3:10:30.480 --> 3:10:33.160
<v Speaker 20>must have had five hundred of my closest friends at

3:10:33.200 --> 3:10:36.480
<v Speaker 20>my house. Well and and I mean name some of

3:10:36.560 --> 3:10:37.360
<v Speaker 20>these closest friends.

3:10:37.720 --> 3:10:39.800
<v Speaker 6>I mean I'm joking the famous people and the most

3:10:40.000 --> 3:10:42.800
<v Speaker 6>the most famous people in the world, like the Who's

3:10:43.520 --> 3:10:46.400
<v Speaker 6>not the B List? Not to C List that AA

3:10:46.800 --> 3:10:51.160
<v Speaker 6>from Barba streisand on down Jesus at the house right.

3:10:51.520 --> 3:10:51.600
<v Speaker 7>So.

3:10:53.320 --> 3:10:54.080
<v Speaker 1>He was the DJ.

3:10:55.760 --> 3:10:58.920
<v Speaker 6>So then no, he it was two thousand, it was

3:10:58.959 --> 3:11:00.640
<v Speaker 6>two thousand and seven, it was it was the beat.

3:11:00.720 --> 3:11:02.640
<v Speaker 6>He was an after party. The party started at two

3:11:02.640 --> 3:11:04.600
<v Speaker 6>o'clock in the morning and it went to ten o'clock

3:11:04.600 --> 3:11:05.039
<v Speaker 6>in the morning.

3:11:06.320 --> 3:11:09.800
<v Speaker 7>Quincy Jones came up to me, who was like a

3:11:09.879 --> 3:11:13.959
<v Speaker 7>father to me. He says, where's Barbara. I'm like, Barbara who?

3:11:14.720 --> 3:11:16.880
<v Speaker 7>And he goes Barbara Streis and I goes, she's here.

3:11:16.959 --> 3:11:18.959
<v Speaker 7>He goes, yeah, she was just over there.

3:11:19.360 --> 3:11:19.800
<v Speaker 2>Let you go.

3:11:21.760 --> 3:11:24.480
<v Speaker 1>No, I mean, it was the craziest thing.

3:11:24.840 --> 3:11:27.200
<v Speaker 6>And again when before he got here, when I talked

3:11:27.200 --> 3:11:31.320
<v Speaker 6>about how he just curates, he had those five hundred people.

3:11:32.640 --> 3:11:34.200
<v Speaker 8>When I'm saying a.

3:11:35.879 --> 3:11:36.400
<v Speaker 1>Lil Wayne.

3:11:36.480 --> 3:11:38.360
<v Speaker 8>That was the day his album came away.

3:11:38.400 --> 3:11:42.360
<v Speaker 6>He scanned over a million units from Lil Wayne on

3:11:42.800 --> 3:11:46.200
<v Speaker 6>down to every major basketball player. I mean, and it

3:11:46.360 --> 3:11:49.119
<v Speaker 6>was he had when I'm saying, that whole fucking house

3:11:49.680 --> 3:11:50.840
<v Speaker 6>in the palm of his hands.

3:11:51.440 --> 3:11:52.600
<v Speaker 8>But I did get him one time.

3:11:53.160 --> 3:11:55.760
<v Speaker 7>Not at two thousand and seven, he says he has

3:11:55.840 --> 3:11:57.119
<v Speaker 7>never been punk before.

3:11:58.760 --> 3:12:02.080
<v Speaker 8>Again, right and again. It took me a month to

3:12:02.160 --> 3:12:02.680
<v Speaker 8>set this up.

3:12:02.800 --> 3:12:07.160
<v Speaker 2>They know the background of your pranks. No, I mean,

3:12:07.200 --> 3:12:08.560
<v Speaker 2>you got to give otherwise it makes this.

3:12:08.760 --> 3:12:13.160
<v Speaker 6>I mean, I'll go into death to get somebody like

3:12:13.720 --> 3:12:18.600
<v Speaker 6>like he's famous for this prank, big expansion, original punk.

3:12:19.320 --> 3:12:19.520
<v Speaker 4>Yeah.

3:12:19.640 --> 3:12:22.400
<v Speaker 6>So remember I before he was here, I said, I

3:12:22.400 --> 3:12:24.560
<v Speaker 6>gave him a record, Dearly Head On Neil McKnight signed

3:12:24.600 --> 3:12:27.000
<v Speaker 6>to his label, and we do this record, and we

3:12:27.080 --> 3:12:30.320
<v Speaker 6>were talking about something where he goes, I'll never be pumped.

3:12:30.840 --> 3:12:31.480
<v Speaker 1>It's like all right.

3:12:31.720 --> 3:12:33.480
<v Speaker 6>So a month later I invite him out to later

3:12:33.520 --> 3:12:40.560
<v Speaker 6>have dinner at my house. I hired ten stompmen to

3:12:40.680 --> 3:12:45.199
<v Speaker 6>come through the glass windows and to kidnap.

3:12:44.959 --> 3:12:48.240
<v Speaker 4>Us, like they were gonna tie us up.

3:12:48.680 --> 3:12:48.800
<v Speaker 3>Right.

3:12:48.959 --> 3:12:52.879
<v Speaker 6>I was gonna spend seventy five thousand dollars to get

3:12:52.920 --> 3:12:56.760
<v Speaker 6>his ass, so I don't, so, you know.

3:12:57.440 --> 3:12:59.720
<v Speaker 4>So we go over to the house, we have some drinks,

3:13:00.080 --> 3:13:02.480
<v Speaker 4>it down for dinner as a chef, and.

3:13:02.920 --> 3:13:07.080
<v Speaker 6>For whatever reason, my head of security and we're literally

3:13:07.200 --> 3:13:11.400
<v Speaker 6>I'm here, he's right there, comes and he goes, I'm

3:13:11.480 --> 3:13:15.000
<v Speaker 6>doing a walk and he dropped a gun right, which

3:13:15.080 --> 3:13:16.280
<v Speaker 6>wasn't part of the prank.

3:13:16.959 --> 3:13:20.240
<v Speaker 8>And he just puts his gun right on the table.

3:13:22.800 --> 3:13:23.480
<v Speaker 8>He passed out.

3:13:27.320 --> 3:13:30.360
<v Speaker 1>I wasn't. He saved me seventy five grand I didn't

3:13:30.400 --> 3:13:30.640
<v Speaker 1>have to.

3:13:30.840 --> 3:13:34.040
<v Speaker 4>Like, never happened.

3:13:36.840 --> 3:13:38.160
<v Speaker 1>Never happened. That was the prank.

3:13:39.800 --> 3:13:42.279
<v Speaker 8>Holy, No, they were literally gonna.

3:13:42.640 --> 3:13:43.360
<v Speaker 4>Was out laughing.

3:13:43.560 --> 3:13:45.800
<v Speaker 2>He couldn't even tell the story for for for a

3:13:45.840 --> 3:13:47.959
<v Speaker 2>half an hour. And he said, I have ten people

3:13:48.000 --> 3:13:49.800
<v Speaker 2>outside for hey to tie us up and kidnapped.

3:13:51.200 --> 3:13:54.080
<v Speaker 1>And this is going to be on the real No,

3:13:54.760 --> 3:13:55.400
<v Speaker 1>this is this.

3:14:01.680 --> 3:14:02.640
<v Speaker 5>No, no, no, not that.

3:14:04.120 --> 3:14:06.520
<v Speaker 1>Holy taking a shot of that.

3:14:09.440 --> 3:14:09.640
<v Speaker 5>Shot.

3:14:09.800 --> 3:14:10.000
<v Speaker 8>Yeah.

3:14:10.400 --> 3:14:15.800
<v Speaker 1>Yeah, by the way, pick up these new monster cups they.

3:14:17.520 --> 3:14:19.640
<v Speaker 5>Monster bro. Definitely.

3:14:21.760 --> 3:14:23.800
<v Speaker 1>I think we did it all right, we did it.

3:14:23.920 --> 3:14:24.840
<v Speaker 2>Yeah, So.

3:14:33.200 --> 3:14:35.280
<v Speaker 3>Let's let's let's let's let's let's talk to the people

3:14:35.400 --> 3:14:35.920
<v Speaker 3>one more time.

3:14:37.560 --> 3:14:39.960
<v Speaker 1>When is the resident start?

3:14:40.480 --> 3:14:41.040
<v Speaker 2>So? D J.

3:14:41.280 --> 3:14:43.680
<v Speaker 4>Cassidy is an excuse this voice. It won't be like

3:14:43.760 --> 3:14:44.320
<v Speaker 4>this In July.

3:14:45.720 --> 3:14:50.560
<v Speaker 2>DJ Cassidy's Past the Mic Live the Iconic Las Vegas

3:14:50.840 --> 3:14:54.720
<v Speaker 2>Residency starring Nightly.

3:14:54.600 --> 3:15:04.200
<v Speaker 10>Hold On starring Nightly Job, Rule That Joke, Slick, Ring

3:15:05.280 --> 3:15:11.840
<v Speaker 10>Doggie Fresh, with special guests, Rape Won, the Chef, Goat's

3:15:11.879 --> 3:15:21.760
<v Speaker 10>Face Killer, Public Enemy Had, Jermaine Duprie, Dabron Too Short,

3:15:22.800 --> 3:15:23.320
<v Speaker 10>Warren g.

3:15:24.360 --> 3:15:26.400
<v Speaker 4>And special surprise guests.

3:15:30.680 --> 3:15:31.400
<v Speaker 1>This July.

3:15:32.600 --> 3:15:35.880
<v Speaker 4>This July at the Back Theater at Planet Hollywood.

3:15:36.080 --> 3:15:40.080
<v Speaker 2>Tickets on sale right now on Ticketmaster and every night

3:15:40.200 --> 3:15:46.880
<v Speaker 2>really is going to be a groundbreaking, trailblazing musical experience

3:15:46.959 --> 3:15:49.440
<v Speaker 2>that we honestly think is going to redefine the Las

3:15:49.560 --> 3:15:50.439
<v Speaker 2>Vegas Residency.

3:15:50.680 --> 3:15:53.000
<v Speaker 6>If you trust my taste in the artist that I

3:15:53.120 --> 3:15:57.440
<v Speaker 6>signed and no, no, but I'm just saying in general

3:15:58.560 --> 3:16:03.840
<v Speaker 6>this show, this show is just as special as every

3:16:03.959 --> 3:16:06.440
<v Speaker 6>artist that I signed. I would not have I would

3:16:06.480 --> 3:16:08.800
<v Speaker 6>not have stick my neck out to Live Nation and

3:16:08.920 --> 3:16:11.120
<v Speaker 6>trond La Feet to say we got to get this

3:16:11.240 --> 3:16:13.119
<v Speaker 6>thing done and shout out to sit at Live Nation.

3:16:18.680 --> 3:16:22.640
<v Speaker 1>By the way, tell them they are to us. We

3:16:22.840 --> 3:16:25.160
<v Speaker 1>risked our life coming out tonight.

3:16:25.120 --> 3:16:31.920
<v Speaker 3>Around swimming an alligator my calmost diggle foul.

3:16:33.360 --> 3:16:36.879
<v Speaker 5>All still let's still still.

3:16:38.720 --> 3:16:56.800
<v Speaker 1>Damn And they said tomorrow even me work, I get me.

3:16:57.320 --> 3:16:58.920
<v Speaker 1>Oh there there, there you go.

3:17:01.120 --> 3:17:01.680
<v Speaker 5>The pictures.

3:17:04.000 --> 3:17:05.600
<v Speaker 1>Why are we taking pictures?

3:17:06.520 --> 3:17:08.480
<v Speaker 5>Sign I come on? The audio might come on. The

3:17:08.560 --> 3:17:15.600
<v Speaker 5>picture your out your mic picture?

3:17:18.720 --> 3:17:23.240
<v Speaker 1>You know norm we get it today. We take youre film.

3:17:24.879 --> 3:17:27.640
<v Speaker 5>By the labious. Let me guess something.

3:17:31.640 --> 3:17:34.640
<v Speaker 1>Oh yeah, I've committed. Once I commit.

3:17:37.240 --> 3:17:37.840
<v Speaker 5>Don't see you.

3:17:38.280 --> 3:17:40.760
<v Speaker 1>I could have a pachuca got the army mine.

3:17:41.160 --> 3:17:42.480
<v Speaker 5>Yeah, they just get some pictures with you.

3:17:43.520 --> 3:17:46.520
<v Speaker 3>Yeah, and then you're gonna have to do dry hands.

3:17:49.080 --> 3:17:49.680
<v Speaker 5>I can't believe that.

3:17:49.760 --> 3:17:50.960
<v Speaker 10>The work.

3:17:55.360 --> 3:18:02.840
<v Speaker 5>I thought we're going into the sun break. You want

3:18:02.840 --> 3:18:07.120
<v Speaker 5>your hard up the legacy. Let me take some pictures.

3:18:07.320 --> 3:18:07.959
<v Speaker 1>Drink yeah.

3:18:09.400 --> 3:18:17.800
<v Speaker 5>Right here, Yeah, gonna stop. It's not sound.

3:18:19.240 --> 3:18:25.760
<v Speaker 1>The ring so when it got dar it's boldy.

3:18:27.320 --> 3:18:37.160
<v Speaker 5>That That's why I'm going to the gun draw No.

3:18:37.440 --> 3:18:41.959
<v Speaker 1>Yo yo cha, I got a rock.

3:18:44.240 --> 3:18:44.760
<v Speaker 10>You guys.

3:18:50.200 --> 3:18:53.560
<v Speaker 7>Drink Champs is a Drink Champs ll C production hosts

3:18:53.600 --> 3:18:55.280
<v Speaker 7>and executive producers N O.

3:18:55.480 --> 3:18:56.680
<v Speaker 1>R E and d J. E.

3:18:56.920 --> 3:18:57.160
<v Speaker 10>F N.

3:18:58.360 --> 3:19:02.480
<v Speaker 7>Listen to Drink Champs on Apple, pot, podcast, Amazon Music, Spotify,

3:19:02.760 --> 3:19:06.400
<v Speaker 7>or wherever you get your podcasts. Thanks for joining us

3:19:06.440 --> 3:19:09.040
<v Speaker 7>for another episode of Drink Champs, hosted by Yours Truly,

3:19:09.200 --> 3:19:11.920
<v Speaker 7>dj e FN and n O r E. Please make

3:19:11.920 --> 3:19:14.160
<v Speaker 7>sure to follow us on all our socials That's at

3:19:14.240 --> 3:19:17.959
<v Speaker 7>drink Champs across all platforms, at the Real Noriagon, ig

3:19:18.680 --> 3:19:21.800
<v Speaker 7>at Noriega on Twitter, mine is at Who's Crazy on

3:19:21.959 --> 3:19:25.840
<v Speaker 7>ig at dj e f N on Twitter, and most importantly,

3:19:25.879 --> 3:19:28.680
<v Speaker 7>stay up to date with the latest releases, news and

3:19:28.840 --> 3:19:31.160
<v Speaker 7>merch by going to drink champs dot com