WEBVTT - Pop Culture Minisode (S6 E1 New and Improved Lorelai)

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<v Speaker 1>I am all in.

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<v Speaker 2>All it's you.

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<v Speaker 3>I am all in with Scott Patterson and iHeartRadio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in pop Culture,

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<v Speaker 1>Season six, Episode one, New and Improved, Lorelei, iHeart Radio

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<v Speaker 1>one eleven productions. I am here with my Intrepid crew.

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<v Speaker 1>Part of my Intrepid crew. Uh Tar sued and we

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<v Speaker 1>don't see her, but we do hear her.

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<v Speaker 3>I know my camera's broken.

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<v Speaker 1>She's in the cloud. She's coming. She's AI voice generated.

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<v Speaker 3>It's not even the real me.

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<v Speaker 1>It's not even the real Amy's sugarman.

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<v Speaker 3>I still laugh. I wish people knew like I get

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<v Speaker 3>in the best mood because the behind the scenes right

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<v Speaker 3>before we start is actually so funny. We talk about

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<v Speaker 3>like fifty things, everyone has technical problems, and then we're

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<v Speaker 3>just like, all right, let's just go.

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<v Speaker 4>It's like, let's just start.

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<v Speaker 3>Anyone that things were like an organized professional group is

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<v Speaker 3>so mistaken.

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<v Speaker 4>And you would think, like, after all this time, we'd

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<v Speaker 4>have like all the tech stuff figured out.

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<v Speaker 3>Scott's like, why is this cordal curly? Why is this

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<v Speaker 3>cordal curly?

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<v Speaker 4>Let me try and straight and do I sound good?

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<v Speaker 3>Do I sound good?

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<v Speaker 1>Whatever?

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<v Speaker 4>Scott's defense. He just he just went to canvas.

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<v Speaker 3>Yeah, he's got all new equipment.

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<v Speaker 1>I got this fancy new mic though this this mic

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<v Speaker 1>yeah sounds good. Yeah, and I'm and now we've got

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<v Speaker 1>using my own computer now. So yeah, Actually, your hackers

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<v Speaker 1>come on in. Oh you teen hackers in Europe and Australia,

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<v Speaker 1>go ahead the way.

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<v Speaker 3>I won't even talk about it right now because people

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<v Speaker 3>get so irritated when we side talk. But that Vegas

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<v Speaker 3>hacking was crazy.

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<v Speaker 4>Oh my, my dad was there the weekend it happened,

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<v Speaker 4>so he we had it. We have a condo in

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<v Speaker 4>Vegas and with all that flooding, the roof caved in.

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<v Speaker 3>Oh, so he had to go deal with it.

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<v Speaker 4>So we had to go deal with it. And he

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<v Speaker 4>was staying at I don't know which resort. It was

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<v Speaker 4>an MGM resort and he was there for one night

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<v Speaker 4>and he got a five hundred dollars charge for the

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<v Speaker 4>mini bar and he was like, he's like what in

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<v Speaker 4>the world. So we called and he's like, hey, this

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<v Speaker 4>is a mistake and they were like, no worries, like

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<v Speaker 4>we'll take care of it. And then that's when the

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<v Speaker 4>day of the the news came out that the hack.

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<v Speaker 3>Oh my gosh, yeah, bananas. Anyway, we digress. Don't write

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<v Speaker 3>us letters?

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<v Speaker 1>All right? Kids? You want to get you want to

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<v Speaker 1>you want to start digging into this?

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<v Speaker 3>Definitely you want me to start this. I'm not at

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<v Speaker 3>doing funky town.

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<v Speaker 1>Come on, man.

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<v Speaker 3>This was actually one of my favorite parts of the

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<v Speaker 3>episode because so Loralai rushes Luke out of the diner

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<v Speaker 3>to celebrate their engagement and lives to this, where are

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<v Speaker 3>we going to funky town? And then tell the best

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<v Speaker 3>part of it is the couple lines after when she's like,

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<v Speaker 3>was it the funky tone? Was it fun?

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<v Speaker 1>So?

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<v Speaker 3>Funky Down is a song by Lips Inc. And it

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<v Speaker 3>was released by Casablanca Records in March nineteen eighty. Laurelai

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<v Speaker 3>makes this reference because the lyrics of the song pine

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<v Speaker 3>for a metaphorical place that will keep me moving, keep

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<v Speaker 3>me grooven with some energy. I never I mean, I

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<v Speaker 3>just always think about won't you take me too? Funky?

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<v Speaker 1>Yeah? Man, that song doesn't get you move in your

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<v Speaker 1>battery powered laurel I telling Taylor that she and Luke

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<v Speaker 1>are engaged. Taylor, I thought there was a better chance

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<v Speaker 1>of all for the Beatles getting back together than you

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<v Speaker 1>two ever calming down long enough to get engaged. In

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<v Speaker 1>nineteen seventy McCartney Paul McCartney said in a press release

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<v Speaker 1>that he was no longer working with the group, which

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<v Speaker 1>sparked a widespread media reaction and worsened a tension between

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<v Speaker 1>him and his bandmates. Let's just call it what it is.

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<v Speaker 1>John Lennon Leal and you know at that time George

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<v Speaker 1>Harrison wanted out too. He couldn't because they weren't using

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<v Speaker 1>his songs.

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<v Speaker 3>You know this, didn't he write some of the best songs.

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<v Speaker 1>I think they rejected songs like my guitar gently weeps

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<v Speaker 1>and like really like massive songs. And they didn't. They

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<v Speaker 1>just dominated. John and Paul dominated the songwriting. Georgia had

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<v Speaker 1>enough anyway, legal disputes he got so well. Legal disputes

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<v Speaker 1>continued long after his announcement, and the disillusion was not

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<v Speaker 1>formalized until December twenty ninth, nineteen seventy four. After Lenin's

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<v Speaker 1>murder tragic murder in nineteen eighty I'll never forget that day.

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<v Speaker 1>The surviving members reunited for the Anthology project in nineteen

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<v Speaker 1>ninety four, using the unfinished Lenin demos Free as a

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<v Speaker 1>Bird and Real Love as the basis for new songs

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<v Speaker 1>recorded and released as the Beatles. Interesting, yeah, I mean

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<v Speaker 1>they were together. They were together since. I mean they

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<v Speaker 1>were together fourteen fifteen years since, like fifty five or

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<v Speaker 1>something like that.

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<v Speaker 3>I saw Paul McCartney live who did You Really? Yeah?

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<v Speaker 3>At my in Berkeley at the Football Stadium, and it

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<v Speaker 3>was rad. I'm not gonna lie. It was very rare.

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<v Speaker 3>You know.

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<v Speaker 1>They made a demo tape for a record company after

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<v Speaker 1>I think after they'd played in Hamburg for a little while,

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<v Speaker 1>because they went to Hamburg all as like teenagers except

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<v Speaker 1>for I think Ringo was twenty and they were so

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<v Speaker 1>tight as a band. They went make this demo tape

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<v Speaker 1>I think in London and they didn't get the record deal.

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<v Speaker 1>And you should hear the demo tape. Oh my god,

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<v Speaker 1>it's fantastic.

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<v Speaker 3>Can you imagine the people to turn them down?

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<v Speaker 1>Oh god, can you imagine? Did they have jobs after that? Well?

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<v Speaker 1>Who knows? Tyr you want to grab one? Are you

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<v Speaker 1>busy producing a.

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<v Speaker 4>Little multitasking here today?

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<v Speaker 1>Let's do it all right?

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<v Speaker 4>So Luke is looking for alcohol to toast with. Luke

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<v Speaker 4>says nothing, no wine, no beer, no cooking Sherry. It's

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<v Speaker 4>like Dylan Thomas just blew through town. Dylan Thomas was

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<v Speaker 4>a Welsh poet and writer whose works include the poems

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<v Speaker 4>do Not Go Gentle Into That good Night and Death

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<v Speaker 4>Shall Have No Dominion, as well as the play for

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<v Speaker 4>Voices Under milk Wood, The Bikers in Town Wipe tailor Supply.

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<v Speaker 4>So Luke compares the bikers to Dylan Thomas because he

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<v Speaker 4>was an alcoholic.

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<v Speaker 1>Huh.

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<v Speaker 4>I wouldn't have got that one. I didn't get that one.

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<v Speaker 3>Rory asked how Laura Lai handled the news. You know

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<v Speaker 3>your mother, Rory. Everything's the end of the world, so

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<v Speaker 3>dramatic ladies and gentlemen. Lauraai Barrymore, which I actually did

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<v Speaker 3>laugh because I got this reference because it has to

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<v Speaker 3>do with It's not Drew Barrymore, it's actually her.

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<v Speaker 1>Father, I think also Lionel.

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<v Speaker 3>No her father, it's all the barrymorees. I think they

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<v Speaker 3>all kind of had drama. So this one might in

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<v Speaker 3>fact be referencing Drew, but when I took it, I

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<v Speaker 3>took it as the other Barrymore. But anyway, we'll talk about.

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<v Speaker 1>Drew Wellore was that great Shakespearean actor or the grandfather

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<v Speaker 1>or the great grandfather. But yeah, they were yeah.

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<v Speaker 3>Oh yeah, that's the that's the grandfather. I think we

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<v Speaker 3>had to go through the family tree. But they might

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<v Speaker 3>have been referencing Drew Barrymore because she had sort of

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<v Speaker 3>that tumultuous, dramatic teenage years. So she was an et

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<v Speaker 3>as everybody knows, she was girty, and then she went

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<v Speaker 3>on to do more I think fire Starter, I can't

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<v Speaker 3>remember which came first, but then she had those rough

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<v Speaker 3>teenage years where she was kind of bad. And remember

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<v Speaker 3>she was like in clubs. She was at oh my god,

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<v Speaker 3>what's that big famous club that was in New York

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<v Speaker 3>something fifty.

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<v Speaker 1>Two of Studio fifty four, Studio.

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<v Speaker 3>Fifty more when she was like six years old. And

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<v Speaker 3>then remember she flash David Letterman. So anyway, it's in

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<v Speaker 3>references sort of to me, the Barrymore sort of family

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<v Speaker 3>and all the drama, which is ironic because through Barrymore

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<v Speaker 3>just recently got herself into a little hot water. I

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<v Speaker 3>was going to say with the strike, because she was

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<v Speaker 3>going to bring her show back. Then she apologized but

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<v Speaker 3>was still going to bring it back. Then people kind

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<v Speaker 3>of dragged her so much that now she didn't bring

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<v Speaker 3>it back.

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<v Speaker 4>I feel like her intentions were there though, because she

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<v Speaker 4>was saying, like her staff, you know, needs to get

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<v Speaker 4>paid and stuff like that. Wasn't that the main Yeah,

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<v Speaker 4>I think it's.

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<v Speaker 3>Tough because these people don't know what to do. It

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<v Speaker 3>seems like people are much happier with this decision.

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<v Speaker 1>I mean, you know, we were shooting on Sullivan's crossing,

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<v Speaker 1>but it's because it's Canadian show, right, and.

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<v Speaker 3>You have a waiver which people shouldn't know.

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<v Speaker 1>Well, sure, and they gave way. They give waivers to

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<v Speaker 1>a lot of productions that are foreign, right, but maybe

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<v Speaker 1>have one or two Americans in the cares the American strike, right,

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<v Speaker 1>if Chad and I struck, you know, if we went

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<v Speaker 1>on strike, this production would shut down.

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<v Speaker 3>And it's unstruck work because it's not right. It's not

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<v Speaker 3>a sag it's a Canadian.

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<v Speaker 1>Show correct, correct, But it would if we if we

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<v Speaker 1>went on strike, you know, that would put you know,

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<v Speaker 1>hundreds of Canadians out of work. But you want to

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<v Speaker 1>have solidarity, and then you know, it's just like walking

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<v Speaker 1>that fine line. What's what do you do?

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<v Speaker 3>That's exactly right? It's very kind of confusing what you're

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<v Speaker 3>supposed to do. I mean, luckily you guys are not

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<v Speaker 3>You've got you're good to do it. H Yeah, and

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<v Speaker 3>we will be watching it.

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<v Speaker 1>Yeah. But you know, to our brothers and sisters out there,

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<v Speaker 1>we support you one percent. Yeah.

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<v Speaker 3>It's tough. It's really tough. And it's going on a

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<v Speaker 3>really long time.

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<v Speaker 1>I mean, they have a fund where people you know,

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<v Speaker 1>have to stand in line for you know, hours to

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<v Speaker 1>get a couple hundred bucks worth of groceries. It's it's

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<v Speaker 1>in burbankers in the sweltering heat. It's really tough out there. Yeah,

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<v Speaker 1>and I hope we can get a fair deal. I

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<v Speaker 1>really do. It's really important for so many people, so

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<v Speaker 1>many creatives, you know, it really really is. So anyway,

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<v Speaker 1>well on to start.

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<v Speaker 4>I was gonna say, Amy, this one I just did.

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<v Speaker 3>I think this is Scott.

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<v Speaker 1>I want to do one story the intercom Emily would

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<v Speaker 1>just push a button away like Star Tracks. Star Trek

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<v Speaker 1>is an American science fiction media franchise created in the sixties.

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<v Speaker 1>The television series became a worldwide pop culture phenomenon and

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<v Speaker 1>expanded into various films, video games, novels, and comic books,

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<v Speaker 1>becoming one of the most recognizable and highest grossing media

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<v Speaker 1>franchise of all time. On on ship communications achieved via

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<v Speaker 1>communicator panels.

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<v Speaker 3>On this it was legit. It was legit. It was

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<v Speaker 3>you know how they would talk to each other.

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<v Speaker 1>What a show?

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<v Speaker 3>Uh?

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<v Speaker 1>And sometimes to the use of video phones. Well offship,

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<v Speaker 1>the crew carried handheld communicators that flipped.

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<v Speaker 3>Those were pretty legit too. Wait did you watch Star Trek?

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<v Speaker 1>Oh? Sure everybody did.

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<v Speaker 3>Yeah, And did you watch did you watch any of

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<v Speaker 3>the other ones since, like Star Trek the Next Generation?

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<v Speaker 3>Like all the millions that there are now? I watched

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<v Speaker 3>Star Trek the Next Generation? Not really, and I watched

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<v Speaker 3>all the movies, and I watched the Chris Pine version

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<v Speaker 3>of the movies.

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<v Speaker 1>Yeah, I think I saw that one.

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<v Speaker 3>Yeah, I'm into this. I love Star Trek. They obviously

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<v Speaker 3>they use a lot of Star Trek pop culture references

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<v Speaker 3>on Gilmour Girls. There's definitely somebody that's a big fan

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<v Speaker 3>in the writing team, because.

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<v Speaker 1>I think it's I think it's Dan. Yeah. Between that,

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<v Speaker 1>I don't think Amy grew up a Trecky. I think

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<v Speaker 1>grew up a Trek.

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<v Speaker 4>I was gonna say, between that and Charlie and the

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<v Speaker 4>Chocolate Factory.

0:11:54.840 --> 0:11:57.640
<v Speaker 3>Yeah, there's a few that definitely Oh my gosh, the

0:11:57.679 --> 0:11:59.080
<v Speaker 3>irony is the next one.

0:11:59.200 --> 0:12:07.280
<v Speaker 4>Well, that's why I'll go on this one, ye. Paris

0:12:07.280 --> 0:12:11.200
<v Speaker 4>tells Rory she's meeting more of Doyle's family and he's

0:12:11.240 --> 0:12:14.640
<v Speaker 4>the tallest in his family. Paris says, yep, family get

0:12:14.720 --> 0:12:17.480
<v Speaker 4>together is like a Lollipop Guild convention. I have to

0:12:17.480 --> 0:12:20.440
<v Speaker 4>stop myself from asking how it's going at the Chocolate Factory.

0:12:21.520 --> 0:12:23.560
<v Speaker 4>Paris is referring to the movie The Wizard of Oz.

0:12:23.600 --> 0:12:26.719
<v Speaker 4>The Lollipop Guild was a group of munchkins in the

0:12:26.800 --> 0:12:32.000
<v Speaker 4>Munchkin Country who welcomed Dorothy Gail to Oz with song

0:12:32.080 --> 0:12:35.360
<v Speaker 4>and dance upon her arrival. The munchkins are very short.

0:12:36.160 --> 0:12:38.760
<v Speaker 4>Paris is referring to the nineteen sixty four novel Charlie

0:12:38.760 --> 0:12:41.439
<v Speaker 4>and the Chocolate Factory by Roald Dahl, which was adapted

0:12:41.480 --> 0:12:44.120
<v Speaker 4>into the films Willy Wonka the Chocolate Factory in nineteen

0:12:44.160 --> 0:12:47.000
<v Speaker 4>seventy one, as well as Charlie and the Chocolate Factory

0:12:47.000 --> 0:12:49.520
<v Speaker 4>in two thousand and five. In the film, Willy Wonka

0:12:49.600 --> 0:12:51.959
<v Speaker 4>has several oop balloompas working in the factory who are

0:12:52.040 --> 0:12:55.040
<v Speaker 4>very short, and Paris is comparing Doyle's family to the

0:12:55.120 --> 0:12:58.760
<v Speaker 4>umballumpas and the Munchkins. My goodness, and there's a new

0:12:58.960 --> 0:13:01.400
<v Speaker 4>there's a new one with Timothy Shallomey coming out.

0:13:02.080 --> 0:13:04.240
<v Speaker 1>Oh really, Yeah, that's great?

0:13:04.440 --> 0:13:07.320
<v Speaker 4>Is he he's Yonka Willie Wonka?

0:13:07.400 --> 0:13:09.800
<v Speaker 1>Yeah? Yeah, so he's the new Johnny Depp.

0:13:10.240 --> 0:13:13.800
<v Speaker 4>Yeah, basically, yeah. I feel like it's gonna be good.

0:13:14.600 --> 0:13:16.760
<v Speaker 4>Like I can see him in that character. I mean

0:13:16.840 --> 0:13:17.600
<v Speaker 4>him in the character.

0:13:18.720 --> 0:13:20.920
<v Speaker 3>I love the whole story, and there's parts that kind

0:13:20.920 --> 0:13:23.800
<v Speaker 3>of creep me out. Yeah, And I got that found

0:13:24.040 --> 0:13:27.560
<v Speaker 3>thing where I'm like, you know what I mean, I just.

0:13:27.520 --> 0:13:29.160
<v Speaker 4>Don't know if we need an I didn't know if

0:13:29.160 --> 0:13:35.560
<v Speaker 4>we need another out of picture of the movie.

0:13:36.880 --> 0:13:39.080
<v Speaker 3>Paris asks Rory if Rory wants to move in with

0:13:39.400 --> 0:13:45.040
<v Speaker 3>Paris and Doyle, Very, Bob, Carrol, Tedanalice minus Bob, Bob

0:13:45.080 --> 0:13:47.680
<v Speaker 3>and Carol and Ted and Alice were It was in

0:13:47.760 --> 0:13:51.240
<v Speaker 3>nineteen sixty nine American comedy drama, which I have never

0:13:51.320 --> 0:13:54.520
<v Speaker 3>heard of, really, Natal never I know, and I know

0:13:54.600 --> 0:13:58.760
<v Speaker 3>Natalie Wood and Robert Coulpe to me is from the

0:13:58.760 --> 0:14:03.599
<v Speaker 3>Greatest American Hero Think Elliott Gould, who is Ross and

0:14:03.679 --> 0:14:07.440
<v Speaker 3>Rachel's dad on Friends, and Diane Cannon, who is a

0:14:07.440 --> 0:14:09.760
<v Speaker 3>famous Lakers fan. Those are sort of my at least

0:14:09.800 --> 0:14:10.720
<v Speaker 3>I know all the players.

0:14:10.720 --> 0:14:15.160
<v Speaker 1>Diane Cannon was one of the most dynamic and glamorous

0:14:15.440 --> 0:14:16.679
<v Speaker 1>actresses of her time.

0:14:17.360 --> 0:14:19.640
<v Speaker 3>Yeah, Elliott also was in Ocean's Eleven.

0:14:20.240 --> 0:14:22.840
<v Speaker 1>Yes, Elliot Cole was in at Elliott Goule was a

0:14:22.880 --> 0:14:25.200
<v Speaker 1>movie star in the sixties and seventies.

0:14:25.440 --> 0:14:27.119
<v Speaker 3>And Robert Colp was also.

0:14:26.960 --> 0:14:31.520
<v Speaker 1>In These were these were the biggest names of their day. Yeah,

0:14:31.800 --> 0:14:32.880
<v Speaker 1>what was the film.

0:14:33.160 --> 0:14:34.960
<v Speaker 3>What was that Bill Cosby show that he was in

0:14:35.000 --> 0:14:35.760
<v Speaker 3>with Robert Colp?

0:14:36.080 --> 0:14:39.360
<v Speaker 1>Oh sure that was, oh that detective thing?

0:14:39.640 --> 0:14:42.480
<v Speaker 3>Yeah, what was that called? It's not Yet Smart? It's

0:14:42.760 --> 0:14:43.400
<v Speaker 3>the other one?

0:14:43.680 --> 0:14:47.200
<v Speaker 1>Something with a spy in it. I spy, I spy.

0:14:47.400 --> 0:14:51.840
<v Speaker 3>Yeah, and then Natalie would obviously we know and then

0:14:54.240 --> 0:14:55.920
<v Speaker 3>which is still very kind of confused.

0:14:56.080 --> 0:14:58.680
<v Speaker 1>Yeah, Diane Cannon. I used to see her gym all

0:14:58.720 --> 0:15:03.080
<v Speaker 1>the time and no when I lived in La Yeah.

0:15:02.560 --> 0:15:05.760
<v Speaker 3>And okay, keep me honest, but I think Diane Cannon's

0:15:05.840 --> 0:15:09.400
<v Speaker 3>daughter m hmm, with Carrie Grant. Is that is that

0:15:09.480 --> 0:15:12.160
<v Speaker 3>possibly right, Jennifer Grant? That was on nine o two

0:15:12.240 --> 0:15:12.520
<v Speaker 3>on us.

0:15:12.600 --> 0:15:13.760
<v Speaker 1>That is correct.

0:15:13.880 --> 0:15:17.360
<v Speaker 3>Thank you for my facts, all right. Capturing the sexual

0:15:17.400 --> 0:15:21.280
<v Speaker 3>revolution of the late sixties, this comedy presents two married couples,

0:15:21.400 --> 0:15:24.520
<v Speaker 3>Bob and Carroll, and they're best friends, more traditional, Ted

0:15:24.560 --> 0:15:28.040
<v Speaker 3>and Alice, who are free thinking and are ready for

0:15:28.080 --> 0:15:31.920
<v Speaker 3>an open marriage, or so they think. Eventually, some latent

0:15:31.960 --> 0:15:35.040
<v Speaker 3>sexual tension and long buried desires among the four come

0:15:35.080 --> 0:15:37.880
<v Speaker 3>bubbling to the surface, or as making the joke that

0:15:37.920 --> 0:15:40.200
<v Speaker 3>her living with Doyle in Paris would feel like an

0:15:40.200 --> 0:15:43.320
<v Speaker 3>open relationship. Wait, this makes me want to watch Bob

0:15:43.360 --> 0:15:43.720
<v Speaker 3>and Carroll.

0:15:43.720 --> 0:15:46.880
<v Speaker 1>Oh no, it's classic film. It's good.

0:15:48.840 --> 0:15:50.320
<v Speaker 3>And I'm already wondering how it ends.

0:15:50.520 --> 0:15:52.680
<v Speaker 1>But yeah, we'll have to see you. That was in

0:15:52.720 --> 0:15:56.840
<v Speaker 1>the era of like partner swapping. Oh my god, wife

0:15:56.840 --> 0:15:57.400
<v Speaker 1>and husbands.

0:15:57.440 --> 0:15:59.280
<v Speaker 4>Do you remember that show wife Swap?

0:16:00.480 --> 0:16:00.680
<v Speaker 3>Yes?

0:16:01.160 --> 0:16:02.160
<v Speaker 1>Is that a recent show?

0:16:02.440 --> 0:16:05.560
<v Speaker 3>Yeah, it would be like, okay, this is what wife

0:16:05.560 --> 0:16:09.680
<v Speaker 3>swap would be if you and your wife switched places

0:16:09.720 --> 0:16:13.760
<v Speaker 3>with like, uh, Sally Struthers and her husband, I don't

0:16:13.760 --> 0:16:16.080
<v Speaker 3>know if she has a husband, and you would be

0:16:16.160 --> 0:16:18.680
<v Speaker 3>married to Sally Struthers just for a week, like no

0:16:18.840 --> 0:16:20.920
<v Speaker 3>funny business, but like you would have to just learn

0:16:20.960 --> 0:16:24.920
<v Speaker 3>to like kid and cook with Sally's strothers. So they'd

0:16:24.960 --> 0:16:26.240
<v Speaker 3>have celebrities doing it.

0:16:26.680 --> 0:16:31.840
<v Speaker 1>Yeah, but that's the the scrubbed up version of it. Yeah, it's.

0:16:35.800 --> 0:16:39.000
<v Speaker 4>Okay. So Kirk is talking about the old woman's the

0:16:39.040 --> 0:16:42.840
<v Speaker 4>old Woman's ring, Kirk says, old widow Mason thought she

0:16:42.960 --> 0:16:45.120
<v Speaker 4>was free to call O towards the end. Free to

0:16:45.200 --> 0:16:47.800
<v Speaker 4>Call It was a Mexican painter known for her many portraits,

0:16:47.840 --> 0:16:51.320
<v Speaker 4>self portraits, and works inspired by the nature and artifacts

0:16:51.400 --> 0:16:55.080
<v Speaker 4>of Mexico. Inspired by the country's popular culture, she employed

0:16:55.080 --> 0:16:58.280
<v Speaker 4>a native folk art style to explore questions of identity,

0:16:58.920 --> 0:17:04.520
<v Speaker 4>post host colonialism, gender, class, and race in Mexican society.

0:17:06.040 --> 0:17:06.200
<v Speaker 3>Hm.

0:17:07.160 --> 0:17:08.719
<v Speaker 1>Hm, anybody see that one?

0:17:09.280 --> 0:17:12.080
<v Speaker 3>I did not, but I familiar with Free to Call,

0:17:12.080 --> 0:17:14.960
<v Speaker 3>though I am very I miss that. This was that? No,

0:17:15.080 --> 0:17:17.200
<v Speaker 3>you know, was that the Palma Hyak did Salma Hiak?

0:17:18.320 --> 0:17:20.960
<v Speaker 1>Yeah, that's the one she fought for for twenty years

0:17:20.960 --> 0:17:25.240
<v Speaker 1>to get made or something. Yeah, I missed that one.

0:17:25.400 --> 0:17:27.960
<v Speaker 1>Or we're gonna have to, you know, let's let's do

0:17:28.000 --> 0:17:31.680
<v Speaker 1>a double feature. We'll do We'll do this one too.

0:17:33.320 --> 0:17:36.240
<v Speaker 3>The next one I did not miss, although in hindsight

0:17:36.280 --> 0:17:37.160
<v Speaker 3>I kind of wish I had.

0:17:37.640 --> 0:17:40.800
<v Speaker 1>Yeah, I think you're I think is it mean?

0:17:41.200 --> 0:17:44.840
<v Speaker 3>I think Paris Helen Ali that Rory can't quit Yale

0:17:45.280 --> 0:17:48.199
<v Speaker 3>it's logan that Christopher Atkins want to be is the

0:17:48.280 --> 0:17:51.000
<v Speaker 3>reason she's suddenly Blue lagooning it right out of here.

0:17:51.400 --> 0:17:54.520
<v Speaker 3>So this made me laugh because there is something kind

0:17:54.560 --> 0:17:59.920
<v Speaker 3>of Christopher Atkins about Matt Zugree. So if you're young,

0:18:00.520 --> 0:18:02.560
<v Speaker 3>you might not be as familiar with Christopher Atkins. If

0:18:02.560 --> 0:18:04.399
<v Speaker 3>you're my age, you definitely had a crush on him.

0:18:04.440 --> 0:18:07.560
<v Speaker 3>So Christopher Atkins is an American actor. He had this

0:18:07.800 --> 0:18:13.000
<v Speaker 3>blonde hair and he starred in nineteen eighties The Blue

0:18:13.080 --> 0:18:17.720
<v Speaker 3>Lagoon with Brookshields. At the time, every teenager was like

0:18:17.760 --> 0:18:21.160
<v Speaker 3>watching this movie, But after watching the Brookshields documentary, I'm

0:18:21.200 --> 0:18:25.240
<v Speaker 3>like it was creepy, Like it was not appropriate. Blue

0:18:25.320 --> 0:18:28.240
<v Speaker 3>Lagoon is about two children who are shipwrecked on a

0:18:28.240 --> 0:18:31.119
<v Speaker 3>tropical island in the South Pacific with no adults to

0:18:31.119 --> 0:18:34.080
<v Speaker 3>guide them. The two make a simple life together, unaware

0:18:34.119 --> 0:18:37.439
<v Speaker 3>that sexual maturity will eventually intervene, Like they eventually have

0:18:37.520 --> 0:18:40.119
<v Speaker 3>a baby together, and like were they cousins, Like I

0:18:40.160 --> 0:18:42.640
<v Speaker 3>don't know, I don't want to speak incorrectly, but can

0:18:42.680 --> 0:18:45.200
<v Speaker 3>someone Like it was a little much and they were

0:18:45.240 --> 0:18:47.439
<v Speaker 3>like way too young to be Like I don't know.

0:18:47.480 --> 0:18:49.280
<v Speaker 3>The whole thing now looking back, I'm like, why did

0:18:49.320 --> 0:18:52.120
<v Speaker 3>I watch this? Paris is making the blue Lagoon reference

0:18:52.119 --> 0:18:54.600
<v Speaker 3>as Rory and Logan stole the yacht. He thinks they

0:18:54.600 --> 0:18:56.440
<v Speaker 3>want to run off together and have their own life

0:18:56.440 --> 0:18:59.520
<v Speaker 3>and no one to intervene. I'm not even sure if

0:18:59.560 --> 0:19:02.359
<v Speaker 3>that's right, like quite on the nose there, but I

0:19:02.359 --> 0:19:04.800
<v Speaker 3>don't know. Watch the Brookshields documentary.

0:19:05.280 --> 0:19:13.520
<v Speaker 1>Mm hmmmuh okay, Paris telling Laurel I that Rory can't

0:19:13.600 --> 0:19:16.560
<v Speaker 1>quit Yale. Paris. I need her to be at Yale.

0:19:16.960 --> 0:19:19.359
<v Speaker 1>Rory has been my only real competition since she showed

0:19:19.400 --> 0:19:21.280
<v Speaker 1>up at Chilton. She is the only one who ever

0:19:22.040 --> 0:19:25.360
<v Speaker 1>challenged me. She's a pace car. She's Bjorn Borg. Bjorn

0:19:25.400 --> 0:19:29.359
<v Speaker 1>Borg is a Swedish former number one tennis player between

0:19:29.520 --> 0:19:32.040
<v Speaker 1>seventy four and eighty one. Nineteen seventy four nineteen eighty

0:19:32.040 --> 0:19:34.200
<v Speaker 1>well he became the first man in the Open era

0:19:34.280 --> 0:19:37.760
<v Speaker 1>to win eleven Grand Slam single titles, with six at

0:19:37.800 --> 0:19:40.960
<v Speaker 1>the French Open and five consecutively at.

0:19:41.960 --> 0:19:44.200
<v Speaker 3>Did he wear Fela or no? Who were yes?

0:19:44.640 --> 0:19:47.439
<v Speaker 1>Yes? And a headband and a long brown Paris and

0:19:47.480 --> 0:19:49.520
<v Speaker 1>he just stayed on the baseline and just hit it back.

0:19:49.840 --> 0:19:51.960
<v Speaker 3>Was he did he have the big competition with Connor's

0:19:52.000 --> 0:19:52.639
<v Speaker 3>Jimmy Connor.

0:19:52.760 --> 0:19:55.320
<v Speaker 1>No, he well, yeah, but it was really McEnroe.

0:19:55.720 --> 0:19:56.600
<v Speaker 3>It was Macenroe. O.

0:19:56.760 --> 0:20:00.000
<v Speaker 1>It was mac and they had epic battles and tennis,

0:20:00.240 --> 0:20:05.200
<v Speaker 1>so it was it was so the Borg and McEnroe

0:20:05.800 --> 0:20:09.280
<v Speaker 1>finals in Wimbledon the US Open were classic.

0:20:10.760 --> 0:20:13.240
<v Speaker 3>In our text. So we obviously have like a group

0:20:13.320 --> 0:20:16.520
<v Speaker 3>text with all of us, and lately every time text

0:20:16.520 --> 0:20:19.480
<v Speaker 3>Scott something like can you do one o'clock and instead

0:20:19.480 --> 0:20:21.480
<v Speaker 3>of a thumbs up, he sends us a tennis ball?

0:20:22.520 --> 0:20:23.960
<v Speaker 4>Is it tennis or is it like.

0:20:27.560 --> 0:20:28.400
<v Speaker 3>A tennis ball?

0:20:28.840 --> 0:20:33.760
<v Speaker 1>Because I'm trying to express through emojis, how how happy

0:20:33.840 --> 0:20:37.040
<v Speaker 1>the text made me, Like, I'm so happy I could

0:20:37.040 --> 0:20:37.919
<v Speaker 1>play badminton.

0:20:38.000 --> 0:20:40.560
<v Speaker 4>I honestly thought that like you were gonna send like

0:20:40.600 --> 0:20:43.000
<v Speaker 4>a tappy face and then accidentally hit like the emoji.

0:20:43.040 --> 0:20:48.080
<v Speaker 1>Next, my manager's trying to schedule a call with me today.

0:20:48.160 --> 0:20:51.000
<v Speaker 1>You know, she's in California, and yeah, so she says,

0:20:51.040 --> 0:20:53.359
<v Speaker 1>how's uh, I'm gonna call you at like one o'clock.

0:20:53.400 --> 0:20:55.680
<v Speaker 1>We got to talk about some things. So I sent her.

0:20:56.920 --> 0:21:01.400
<v Speaker 1>I sent her a badminton racket and a shuttle, and

0:21:01.480 --> 0:21:04.280
<v Speaker 1>she she types back, She goes I have no idea

0:21:04.320 --> 0:21:06.000
<v Speaker 1>what this means, but I'll try you around.

0:21:07.040 --> 0:21:09.080
<v Speaker 3>I'm going to just every time in our group text

0:21:09.119 --> 0:21:11.680
<v Speaker 3>now when there's something instead of putting like thumbs up,

0:21:11.920 --> 0:21:14.960
<v Speaker 3>I'm just gonna literally send the randomnest emoji I can find,

0:21:15.119 --> 0:21:16.560
<v Speaker 3>like a sandwich and.

0:21:16.760 --> 0:21:19.600
<v Speaker 1>Yes, that's that's what you do. That's what you do anyway.

0:21:19.720 --> 0:21:26.080
<v Speaker 1>Bjorn Borg was coined as unbeatable and was a fierce component,

0:21:26.200 --> 0:21:28.960
<v Speaker 1>you mean, competitor. He was a fierce component in the

0:21:29.160 --> 0:21:34.639
<v Speaker 1>in the wheels of the engine of professional tennis. He was,

0:21:34.800 --> 0:21:39.760
<v Speaker 1>you know, maybe the the crankshaft. I don't know, but

0:21:39.840 --> 0:21:43.280
<v Speaker 1>he apparently. The rumor is he was in such great shape.

0:21:43.359 --> 0:21:49.240
<v Speaker 1>His heart rate was around forty beats per minute. Oh wow, yeah, impressive.

0:21:49.240 --> 0:21:51.560
<v Speaker 1>Oh yeah. He just used to wear people down. He

0:21:51.600 --> 0:21:56.560
<v Speaker 1>never got tired. Yes, the unbeatable Swede. I like it.

0:22:02.359 --> 0:22:05.639
<v Speaker 4>Rosemary's talking about her bad haircut. Rosemary says it was

0:22:05.680 --> 0:22:09.760
<v Speaker 4>a tragic haircut. It was apocalyptic highlights. I looked like

0:22:09.920 --> 0:22:11.240
<v Speaker 4>a Tim Burton character.

0:22:11.880 --> 0:22:12.040
<v Speaker 3>So.

0:22:12.119 --> 0:22:15.080
<v Speaker 4>Tim Burton is an American filmmaker, animator, and artists. He's

0:22:15.080 --> 0:22:18.160
<v Speaker 4>known for the gothic fantasy and horror films such as Beetlejuice,

0:22:18.480 --> 0:22:22.119
<v Speaker 4>Edward Scissorhands, and The Nightmare for Christmas. His characters are

0:22:22.800 --> 0:22:26.960
<v Speaker 4>defined by the exaggerated features long frizzled hair, baggy eyes,

0:22:27.359 --> 0:22:31.119
<v Speaker 4>gaggly limbs, etc. And didn't he do the Charlie and

0:22:31.119 --> 0:22:32.600
<v Speaker 4>the Chocolate Factory with Johnny Depp?

0:22:33.920 --> 0:22:36.800
<v Speaker 1>I'm sure he did. He's done all those things, hasn't he. Yeah,

0:22:36.960 --> 0:22:38.760
<v Speaker 1>he's done a lot of yea great movies.

0:22:38.800 --> 0:22:39.720
<v Speaker 4>I do you like Tim Burton?

0:22:40.000 --> 0:22:42.960
<v Speaker 1>A visionary? A true visionary?

0:22:43.720 --> 0:22:49.680
<v Speaker 3>Amy Michelle complaining about the sweaty biker another like literally

0:22:50.640 --> 0:22:54.360
<v Speaker 3>just relatable for me. I have no intention of catching

0:22:54.480 --> 0:22:58.440
<v Speaker 3>jocket on my forearm because mister breaking Away over there

0:22:58.480 --> 0:23:02.160
<v Speaker 3>can't shower before I invade my den's face. Breaking Away

0:23:02.240 --> 0:23:04.480
<v Speaker 3>is a nineteen seventy nine American film that follows a

0:23:04.480 --> 0:23:07.280
<v Speaker 3>group of four male teenagers in Bloomington, Indiana, who have

0:23:07.320 --> 0:23:12.760
<v Speaker 3>recently graduated from high school. Dennis Christopher, Dennis Quaid, Daniel Stern,

0:23:12.920 --> 0:23:17.119
<v Speaker 3>Jackie Earl Haley, Barbara Barry, Paul Dooley, and Robin Douglas

0:23:17.160 --> 0:23:19.800
<v Speaker 3>all starred in the film. The main character, Dave, played

0:23:19.800 --> 0:23:23.240
<v Speaker 3>by Dennis Christopher, is obsessed with competitive bicycle racing. The

0:23:23.280 --> 0:23:26.639
<v Speaker 3>four friends face opposition from all corners as they decide

0:23:26.680 --> 0:23:30.120
<v Speaker 3>to make Dave's dreams come true in the university's annual

0:23:30.200 --> 0:23:31.400
<v Speaker 3>bicycle endurance race.

0:23:31.560 --> 0:23:35.480
<v Speaker 1>Wasn't he That wasn't the lead character. He was obsessed

0:23:35.480 --> 0:23:40.359
<v Speaker 1>with being Italian. I never saw this movie ever breaking Away.

0:23:40.760 --> 0:23:43.640
<v Speaker 1>It's like he saw it like he would He would

0:23:43.680 --> 0:23:48.240
<v Speaker 1>speak in Italian maybe, but I don't know, but he

0:23:48.280 --> 0:23:50.359
<v Speaker 1>had an Italian accent. He wanted to be a great

0:23:50.400 --> 0:23:51.119
<v Speaker 1>Italian biker.

0:23:51.359 --> 0:23:53.960
<v Speaker 3>To watch this movie too, there's so many like.

0:23:54.080 --> 0:23:57.600
<v Speaker 1>Ram Well, that's a great but I think that maybe

0:23:57.600 --> 0:24:04.119
<v Speaker 1>it was a different movie. Okay. Michelle answers the door

0:24:04.280 --> 0:24:07.360
<v Speaker 1>at Loralized House. Michelle, I am here and not at

0:24:07.359 --> 0:24:10.560
<v Speaker 1>the Dragonfly, in which I theoretically run when I am

0:24:10.560 --> 0:24:15.320
<v Speaker 1>not busy answering phones like Benson. Benson is an American

0:24:15.359 --> 0:24:18.720
<v Speaker 1>television sitcom that originally aired on ABC from nineteen seventy

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<v Speaker 1>nine to nineteen eighty six. The show stars Robert Gillome

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<v Speaker 1>in the title role of Benson Dubois, the head of

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<v Speaker 1>the household for Governor Eugene.

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<v Speaker 3>X, but in the run of the series, he went

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<v Speaker 3>from that to being Lieutenant Governor. What Yeah, Benson In

0:24:39.800 --> 0:24:43.080
<v Speaker 3>the show Benson. He started out as the head of

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<v Speaker 3>household affairs. Then he became state budget director and eventually

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<v Speaker 3>became Lieutenant governor.

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<v Speaker 2>And I watched this show back then, in the show,

0:24:53.080 --> 0:24:56.920
<v Speaker 2>in the show, Yeah, Robert Gillome went on to do

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<v Speaker 2>sport He was in Sports Night, which was such a

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<v Speaker 2>good shows, an Aaron Sorkin show before.

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<v Speaker 3>West Wing, and it was really good, really good.

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<v Speaker 1>Yeah, I read for that. I remember Sports Night. I

0:25:11.320 --> 0:25:16.600
<v Speaker 1>read for that, did you. Yeah, everybody read for these things.

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<v Speaker 1>Everybody read for him. Yeah, Robert, are you want to

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<v Speaker 1>finish the things I could tell you that I read

0:25:24.560 --> 0:25:25.399
<v Speaker 1>for you wouldn't believe.

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<v Speaker 3>Oh my god. Yeah, I wish you would have gotten

0:25:27.680 --> 0:25:32.119
<v Speaker 3>Sports Night. Sorry not to be an ass, but.

0:25:31.080 --> 0:25:33.199
<v Speaker 1>Well I do too. At the time, I really wanted it.

0:25:33.400 --> 0:25:34.680
<v Speaker 3>You could have been on West Wing if you got

0:25:34.680 --> 0:25:36.800
<v Speaker 3>Sports Night, because a lot of the Sports Night people

0:25:37.200 --> 0:25:39.640
<v Speaker 3>he then brought back for West Wing.

0:25:39.840 --> 0:25:42.080
<v Speaker 1>I read from Modern Family too. I didn't get that one.

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<v Speaker 3>Who were you supposed to be.

0:25:43.600 --> 0:25:45.800
<v Speaker 1>The lead guy? The husband?

0:25:46.080 --> 0:25:48.600
<v Speaker 4>Oh, Tyberrell Tybrew?

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<v Speaker 3>Yes, so you're going to be married to Julie Bowen.

0:25:51.920 --> 0:25:54.120
<v Speaker 1>Well, I mean I didn't get the role, did I? Well?

0:25:55.119 --> 0:25:56.679
<v Speaker 3>Oh, my god, that would be a funny show, just

0:25:56.720 --> 0:25:58.360
<v Speaker 3>all the parts I never got.

0:25:58.840 --> 0:26:01.840
<v Speaker 1>Oh my god, exactly, boy, I tell you, that would

0:26:01.880 --> 0:26:04.520
<v Speaker 1>be a much longer show than the than the show

0:26:04.600 --> 0:26:11.360
<v Speaker 1>that the parts that I did get, Oh my god, longer.

0:26:12.040 --> 0:26:20.760
<v Speaker 3>But you'll always have Saw.

0:26:21.280 --> 0:26:23.240
<v Speaker 1>I did not read for that. I was I was

0:26:23.720 --> 0:26:24.359
<v Speaker 1>die in Saw.

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<v Speaker 3>Just tell me, did you die and Saw?

0:26:26.280 --> 0:26:26.399
<v Speaker 1>Oh?

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<v Speaker 3>Yeah, okay, I'm gonna have to watch it. I always

0:26:29.080 --> 0:26:31.840
<v Speaker 3>end up watching Saw one again. You know it's coming back.

0:26:31.920 --> 0:26:33.080
<v Speaker 3>There's gonna be a new Saw.

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<v Speaker 1>Yeah.

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<v Speaker 3>Those movies are the scariest breaking movies.

0:26:40.080 --> 0:26:44.440
<v Speaker 1>Truly, tell you. I tell you, make sure you watch

0:26:44.520 --> 0:26:46.840
<v Speaker 1>those films before you have a meal.

0:26:48.440 --> 0:26:53.520
<v Speaker 3>First. I actually had a panic attack. It was so scary.

0:26:53.560 --> 0:26:55.360
<v Speaker 3>I was like, this is so uncomfortable.

0:26:56.000 --> 0:27:00.720
<v Speaker 4>They're all like, all right, and then we have one more.

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<v Speaker 4>You do it, Tara, Okay. Lorelai drops off the rest

0:27:05.200 --> 0:27:08.159
<v Speaker 4>of Rory's stuff. Lorlai says, The Scorpion and the Frog,

0:27:08.280 --> 0:27:11.159
<v Speaker 4>it's an old tale. The Scorpion and the Frog is

0:27:11.160 --> 0:27:14.520
<v Speaker 4>an animal fable that teaches that vicious people cannot resist

0:27:14.560 --> 0:27:17.960
<v Speaker 4>hurting others, even when it is not in their own interests.

0:27:18.200 --> 0:27:20.520
<v Speaker 4>This fable seems to have emerged in Russia in the

0:27:20.600 --> 0:27:22.000
<v Speaker 4>early twentieth century.

0:27:22.440 --> 0:27:29.520
<v Speaker 3>Hmm, man, all right, kids, great stuff, guys, that.

0:27:29.720 --> 0:27:30.880
<v Speaker 1>Is gonna do it.

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<v Speaker 3>It was a good one, really good. I'm only jumping

0:27:34.359 --> 0:27:36.160
<v Speaker 3>off because I have a meeting. Talk to y'all later.

0:27:36.400 --> 0:27:40.720
<v Speaker 1>Okay, nice talking to you, Bye bye anyway, that's gonna

0:27:40.720 --> 0:27:44.600
<v Speaker 1>wrap it up. Here for pop culture for season six episodes,

0:27:44.720 --> 0:27:50.040
<v Speaker 1>Oh no, Episode one new and improved Loralai Uh, thank

0:27:50.080 --> 0:27:52.200
<v Speaker 1>you everybody. Thank you Amy, who just had to click

0:27:52.240 --> 0:27:54.159
<v Speaker 1>off because she has a big important meeting with big

0:27:54.240 --> 0:27:57.160
<v Speaker 1>important people and big important building somewhere in a big

0:27:57.160 --> 0:28:01.320
<v Speaker 1>important city. Ah Tarasuit, thank you so much. You're also

0:28:01.400 --> 0:28:03.720
<v Speaker 1>producing this episode, so man, you got your work cut

0:28:03.760 --> 0:28:07.440
<v Speaker 1>out for you. Don't show. Oh my gosh. Thanks everybody,

0:28:09.760 --> 0:28:12.680
<v Speaker 1>best fans on the planet. Keep those cards and letters coming,

0:28:13.680 --> 0:28:17.800
<v Speaker 1>and remember we and I am all In.

0:28:18.400 --> 0:28:48.560
<v Speaker 5>Stay safe everyone, everybody, and

0:28:48.680 --> 0:28:52.240
<v Speaker 1>Also again, follow us on Instagram at I Am all

0:28:52.280 --> 0:29:06.080
<v Speaker 1>In podcast and email us at Gilmore at iHeartRadio dot com.