1 00:00:00,760 --> 00:00:03,040 Speaker 1: I am all in. 2 00:00:04,840 --> 00:00:08,719 Speaker 2: All it's you. 3 00:00:16,960 --> 00:00:20,600 Speaker 3: I am all in with Scott Patterson and iHeartRadio Podcast. 4 00:00:20,720 --> 00:00:23,680 Speaker 1: Hey everybody, Scott Patterson, I am all in pop Culture, 5 00:00:23,840 --> 00:00:28,480 Speaker 1: Season six, Episode one, New and Improved, Lorelei, iHeart Radio 6 00:00:28,560 --> 00:00:31,480 Speaker 1: one eleven productions. I am here with my Intrepid crew. 7 00:00:31,560 --> 00:00:35,440 Speaker 1: Part of my Intrepid crew. Uh Tar sued and we 8 00:00:35,560 --> 00:00:38,240 Speaker 1: don't see her, but we do hear her. 9 00:00:38,840 --> 00:00:40,479 Speaker 3: I know my camera's broken. 10 00:00:40,840 --> 00:00:45,000 Speaker 1: She's in the cloud. She's coming. She's AI voice generated. 11 00:00:46,440 --> 00:00:47,519 Speaker 3: It's not even the real me. 12 00:00:48,040 --> 00:00:49,760 Speaker 1: It's not even the real Amy's sugarman. 13 00:00:49,920 --> 00:00:53,040 Speaker 3: I still laugh. I wish people knew like I get 14 00:00:53,040 --> 00:00:55,240 Speaker 3: in the best mood because the behind the scenes right 15 00:00:55,280 --> 00:00:58,760 Speaker 3: before we start is actually so funny. We talk about 16 00:00:58,800 --> 00:01:02,440 Speaker 3: like fifty things, everyone has technical problems, and then we're 17 00:01:02,480 --> 00:01:03,880 Speaker 3: just like, all right, let's just go. 18 00:01:04,480 --> 00:01:05,400 Speaker 4: It's like, let's just start. 19 00:01:08,959 --> 00:01:12,800 Speaker 3: Anyone that things were like an organized professional group is 20 00:01:13,160 --> 00:01:14,560 Speaker 3: so mistaken. 21 00:01:14,040 --> 00:01:16,559 Speaker 4: And you would think, like, after all this time, we'd 22 00:01:16,560 --> 00:01:18,240 Speaker 4: have like all the tech stuff figured out. 23 00:01:19,480 --> 00:01:22,319 Speaker 3: Scott's like, why is this cordal curly? Why is this 24 00:01:22,400 --> 00:01:23,160 Speaker 3: cordal curly? 25 00:01:23,480 --> 00:01:25,880 Speaker 4: Let me try and straight and do I sound good? 26 00:01:26,520 --> 00:01:27,240 Speaker 3: Do I sound good? 27 00:01:27,280 --> 00:01:27,720 Speaker 1: Whatever? 28 00:01:28,880 --> 00:01:31,840 Speaker 4: Scott's defense. He just he just went to canvas. 29 00:01:32,319 --> 00:01:34,080 Speaker 3: Yeah, he's got all new equipment. 30 00:01:34,440 --> 00:01:37,839 Speaker 1: I got this fancy new mic though this this mic 31 00:01:38,760 --> 00:01:41,679 Speaker 1: yeah sounds good. Yeah, and I'm and now we've got 32 00:01:41,959 --> 00:01:45,000 Speaker 1: using my own computer now. So yeah, Actually, your hackers 33 00:01:45,080 --> 00:01:51,760 Speaker 1: come on in. Oh you teen hackers in Europe and Australia, 34 00:01:51,880 --> 00:01:53,600 Speaker 1: go ahead the way. 35 00:01:53,920 --> 00:01:55,800 Speaker 3: I won't even talk about it right now because people 36 00:01:55,840 --> 00:01:59,600 Speaker 3: get so irritated when we side talk. But that Vegas 37 00:01:59,640 --> 00:02:01,080 Speaker 3: hacking was crazy. 38 00:02:01,280 --> 00:02:03,680 Speaker 4: Oh my, my dad was there the weekend it happened, 39 00:02:04,960 --> 00:02:07,320 Speaker 4: so he we had it. We have a condo in 40 00:02:07,440 --> 00:02:10,040 Speaker 4: Vegas and with all that flooding, the roof caved in. 41 00:02:10,360 --> 00:02:11,560 Speaker 3: Oh, so he had to go deal with it. 42 00:02:11,600 --> 00:02:12,880 Speaker 4: So we had to go deal with it. And he 43 00:02:12,960 --> 00:02:15,000 Speaker 4: was staying at I don't know which resort. It was 44 00:02:15,040 --> 00:02:17,560 Speaker 4: an MGM resort and he was there for one night 45 00:02:17,600 --> 00:02:19,600 Speaker 4: and he got a five hundred dollars charge for the 46 00:02:19,639 --> 00:02:22,239 Speaker 4: mini bar and he was like, he's like what in 47 00:02:22,280 --> 00:02:23,720 Speaker 4: the world. So we called and he's like, hey, this 48 00:02:23,800 --> 00:02:25,800 Speaker 4: is a mistake and they were like, no worries, like 49 00:02:25,840 --> 00:02:27,840 Speaker 4: we'll take care of it. And then that's when the 50 00:02:27,919 --> 00:02:29,919 Speaker 4: day of the the news came out that the hack. 51 00:02:30,000 --> 00:02:35,040 Speaker 3: Oh my gosh, yeah, bananas. Anyway, we digress. Don't write 52 00:02:35,080 --> 00:02:35,560 Speaker 3: us letters? 53 00:02:35,639 --> 00:02:37,079 Speaker 1: All right? Kids? You want to get you want to 54 00:02:37,280 --> 00:02:38,840 Speaker 1: you want to start digging into this? 55 00:02:39,639 --> 00:02:43,840 Speaker 3: Definitely you want me to start this. I'm not at 56 00:02:43,880 --> 00:02:44,880 Speaker 3: doing funky town. 57 00:02:45,200 --> 00:02:46,040 Speaker 1: Come on, man. 58 00:02:46,200 --> 00:02:48,200 Speaker 3: This was actually one of my favorite parts of the 59 00:02:48,240 --> 00:02:51,040 Speaker 3: episode because so Loralai rushes Luke out of the diner 60 00:02:51,080 --> 00:02:53,400 Speaker 3: to celebrate their engagement and lives to this, where are 61 00:02:53,400 --> 00:02:57,280 Speaker 3: we going to funky town? And then tell the best 62 00:02:57,280 --> 00:03:00,120 Speaker 3: part of it is the couple lines after when she's like, 63 00:03:00,240 --> 00:03:02,320 Speaker 3: was it the funky tone? Was it fun? 64 00:03:04,280 --> 00:03:04,360 Speaker 1: So? 65 00:03:04,440 --> 00:03:08,200 Speaker 3: Funky Down is a song by Lips Inc. And it 66 00:03:08,240 --> 00:03:12,160 Speaker 3: was released by Casablanca Records in March nineteen eighty. Laurelai 67 00:03:12,240 --> 00:03:15,760 Speaker 3: makes this reference because the lyrics of the song pine 68 00:03:15,760 --> 00:03:18,760 Speaker 3: for a metaphorical place that will keep me moving, keep 69 00:03:18,760 --> 00:03:21,760 Speaker 3: me grooven with some energy. I never I mean, I 70 00:03:21,840 --> 00:03:25,240 Speaker 3: just always think about won't you take me too? Funky? 71 00:03:25,760 --> 00:03:29,120 Speaker 1: Yeah? Man, that song doesn't get you move in your 72 00:03:29,160 --> 00:03:33,480 Speaker 1: battery powered laurel I telling Taylor that she and Luke 73 00:03:33,639 --> 00:03:37,120 Speaker 1: are engaged. Taylor, I thought there was a better chance 74 00:03:37,120 --> 00:03:39,960 Speaker 1: of all for the Beatles getting back together than you 75 00:03:40,000 --> 00:03:44,840 Speaker 1: two ever calming down long enough to get engaged. In 76 00:03:44,920 --> 00:03:48,400 Speaker 1: nineteen seventy McCartney Paul McCartney said in a press release 77 00:03:48,800 --> 00:03:50,839 Speaker 1: that he was no longer working with the group, which 78 00:03:50,880 --> 00:03:54,280 Speaker 1: sparked a widespread media reaction and worsened a tension between 79 00:03:54,360 --> 00:03:57,840 Speaker 1: him and his bandmates. Let's just call it what it is. 80 00:03:58,240 --> 00:04:01,480 Speaker 1: John Lennon Leal and you know at that time George 81 00:04:01,520 --> 00:04:05,280 Speaker 1: Harrison wanted out too. He couldn't because they weren't using 82 00:04:05,360 --> 00:04:06,120 Speaker 1: his songs. 83 00:04:06,480 --> 00:04:09,600 Speaker 3: You know this, didn't he write some of the best songs. 84 00:04:10,560 --> 00:04:13,480 Speaker 1: I think they rejected songs like my guitar gently weeps 85 00:04:13,480 --> 00:04:17,920 Speaker 1: and like really like massive songs. And they didn't. They 86 00:04:18,080 --> 00:04:21,520 Speaker 1: just dominated. John and Paul dominated the songwriting. Georgia had 87 00:04:21,600 --> 00:04:26,400 Speaker 1: enough anyway, legal disputes he got so well. Legal disputes 88 00:04:26,440 --> 00:04:30,920 Speaker 1: continued long after his announcement, and the disillusion was not 89 00:04:31,000 --> 00:04:35,320 Speaker 1: formalized until December twenty ninth, nineteen seventy four. After Lenin's 90 00:04:35,400 --> 00:04:38,719 Speaker 1: murder tragic murder in nineteen eighty I'll never forget that day. 91 00:04:39,560 --> 00:04:44,080 Speaker 1: The surviving members reunited for the Anthology project in nineteen 92 00:04:44,160 --> 00:04:47,000 Speaker 1: ninety four, using the unfinished Lenin demos Free as a 93 00:04:47,000 --> 00:04:50,200 Speaker 1: Bird and Real Love as the basis for new songs 94 00:04:50,240 --> 00:04:59,240 Speaker 1: recorded and released as the Beatles. Interesting, yeah, I mean 95 00:04:59,320 --> 00:05:02,240 Speaker 1: they were together. They were together since. I mean they 96 00:05:02,240 --> 00:05:05,800 Speaker 1: were together fourteen fifteen years since, like fifty five or 97 00:05:05,839 --> 00:05:06,559 Speaker 1: something like that. 98 00:05:08,400 --> 00:05:11,719 Speaker 3: I saw Paul McCartney live who did You Really? Yeah? 99 00:05:12,200 --> 00:05:14,960 Speaker 3: At my in Berkeley at the Football Stadium, and it 100 00:05:15,040 --> 00:05:17,240 Speaker 3: was rad. I'm not gonna lie. It was very rare. 101 00:05:17,360 --> 00:05:17,520 Speaker 3: You know. 102 00:05:17,560 --> 00:05:22,239 Speaker 1: They made a demo tape for a record company after 103 00:05:22,320 --> 00:05:24,920 Speaker 1: I think after they'd played in Hamburg for a little while, 104 00:05:24,920 --> 00:05:27,320 Speaker 1: because they went to Hamburg all as like teenagers except 105 00:05:27,320 --> 00:05:30,919 Speaker 1: for I think Ringo was twenty and they were so 106 00:05:31,120 --> 00:05:33,680 Speaker 1: tight as a band. They went make this demo tape 107 00:05:33,680 --> 00:05:36,440 Speaker 1: I think in London and they didn't get the record deal. 108 00:05:36,480 --> 00:05:38,479 Speaker 1: And you should hear the demo tape. Oh my god, 109 00:05:38,560 --> 00:05:39,880 Speaker 1: it's fantastic. 110 00:05:39,960 --> 00:05:41,680 Speaker 3: Can you imagine the people to turn them down? 111 00:05:42,279 --> 00:05:45,760 Speaker 1: Oh god, can you imagine? Did they have jobs after that? Well? 112 00:05:45,760 --> 00:05:49,880 Speaker 1: Who knows? Tyr you want to grab one? Are you 113 00:05:50,000 --> 00:05:52,200 Speaker 1: busy producing a. 114 00:05:52,160 --> 00:05:53,839 Speaker 4: Little multitasking here today? 115 00:05:54,320 --> 00:05:56,279 Speaker 1: Let's do it all right? 116 00:05:56,400 --> 00:05:59,159 Speaker 4: So Luke is looking for alcohol to toast with. Luke 117 00:05:59,240 --> 00:06:02,680 Speaker 4: says nothing, no wine, no beer, no cooking Sherry. It's 118 00:06:02,720 --> 00:06:06,159 Speaker 4: like Dylan Thomas just blew through town. Dylan Thomas was 119 00:06:06,160 --> 00:06:09,719 Speaker 4: a Welsh poet and writer whose works include the poems 120 00:06:09,760 --> 00:06:13,080 Speaker 4: do Not Go Gentle Into That good Night and Death 121 00:06:13,120 --> 00:06:15,599 Speaker 4: Shall Have No Dominion, as well as the play for 122 00:06:15,720 --> 00:06:21,039 Speaker 4: Voices Under milk Wood, The Bikers in Town Wipe tailor Supply. 123 00:06:21,200 --> 00:06:24,279 Speaker 4: So Luke compares the bikers to Dylan Thomas because he 124 00:06:24,400 --> 00:06:25,360 Speaker 4: was an alcoholic. 125 00:06:26,000 --> 00:06:28,000 Speaker 1: Huh. 126 00:06:28,160 --> 00:06:31,480 Speaker 4: I wouldn't have got that one. I didn't get that one. 127 00:06:32,279 --> 00:06:35,520 Speaker 3: Rory asked how Laura Lai handled the news. You know 128 00:06:35,560 --> 00:06:38,520 Speaker 3: your mother, Rory. Everything's the end of the world, so 129 00:06:38,680 --> 00:06:42,440 Speaker 3: dramatic ladies and gentlemen. Lauraai Barrymore, which I actually did 130 00:06:42,520 --> 00:06:44,719 Speaker 3: laugh because I got this reference because it has to 131 00:06:44,800 --> 00:06:50,440 Speaker 3: do with It's not Drew Barrymore, it's actually her. 132 00:06:51,560 --> 00:06:54,240 Speaker 1: Father, I think also Lionel. 133 00:06:55,480 --> 00:06:59,279 Speaker 3: No her father, it's all the barrymorees. I think they 134 00:06:59,320 --> 00:07:02,720 Speaker 3: all kind of had drama. So this one might in 135 00:07:02,760 --> 00:07:05,400 Speaker 3: fact be referencing Drew, but when I took it, I 136 00:07:05,480 --> 00:07:08,560 Speaker 3: took it as the other Barrymore. But anyway, we'll talk about. 137 00:07:08,440 --> 00:07:16,880 Speaker 1: Drew Wellore was that great Shakespearean actor or the grandfather 138 00:07:17,000 --> 00:07:19,040 Speaker 1: or the great grandfather. But yeah, they were yeah. 139 00:07:18,840 --> 00:07:20,840 Speaker 3: Oh yeah, that's the that's the grandfather. I think we 140 00:07:20,880 --> 00:07:23,320 Speaker 3: had to go through the family tree. But they might 141 00:07:23,360 --> 00:07:28,200 Speaker 3: have been referencing Drew Barrymore because she had sort of 142 00:07:28,200 --> 00:07:34,520 Speaker 3: that tumultuous, dramatic teenage years. So she was an et 143 00:07:34,920 --> 00:07:38,080 Speaker 3: as everybody knows, she was girty, and then she went 144 00:07:38,120 --> 00:07:39,800 Speaker 3: on to do more I think fire Starter, I can't 145 00:07:39,800 --> 00:07:42,240 Speaker 3: remember which came first, but then she had those rough 146 00:07:42,440 --> 00:07:44,880 Speaker 3: teenage years where she was kind of bad. And remember 147 00:07:44,920 --> 00:07:50,040 Speaker 3: she was like in clubs. She was at oh my god, 148 00:07:50,080 --> 00:07:51,800 Speaker 3: what's that big famous club that was in New York 149 00:07:52,600 --> 00:07:53,720 Speaker 3: something fifty. 150 00:07:53,400 --> 00:07:55,920 Speaker 1: Two of Studio fifty four, Studio. 151 00:07:55,560 --> 00:07:58,720 Speaker 3: Fifty more when she was like six years old. And 152 00:07:58,760 --> 00:08:02,880 Speaker 3: then remember she flash David Letterman. So anyway, it's in 153 00:08:02,920 --> 00:08:05,640 Speaker 3: references sort of to me, the Barrymore sort of family 154 00:08:05,720 --> 00:08:10,720 Speaker 3: and all the drama, which is ironic because through Barrymore 155 00:08:10,800 --> 00:08:13,520 Speaker 3: just recently got herself into a little hot water. I 156 00:08:13,600 --> 00:08:16,720 Speaker 3: was going to say with the strike, because she was 157 00:08:16,760 --> 00:08:19,760 Speaker 3: going to bring her show back. Then she apologized but 158 00:08:19,960 --> 00:08:22,080 Speaker 3: was still going to bring it back. Then people kind 159 00:08:22,080 --> 00:08:24,280 Speaker 3: of dragged her so much that now she didn't bring 160 00:08:24,320 --> 00:08:24,640 Speaker 3: it back. 161 00:08:25,040 --> 00:08:27,160 Speaker 4: I feel like her intentions were there though, because she 162 00:08:27,240 --> 00:08:29,640 Speaker 4: was saying, like her staff, you know, needs to get 163 00:08:29,640 --> 00:08:31,960 Speaker 4: paid and stuff like that. Wasn't that the main Yeah, 164 00:08:32,120 --> 00:08:32,680 Speaker 4: I think it's. 165 00:08:32,559 --> 00:08:35,480 Speaker 3: Tough because these people don't know what to do. It 166 00:08:35,520 --> 00:08:37,680 Speaker 3: seems like people are much happier with this decision. 167 00:08:37,960 --> 00:08:41,360 Speaker 1: I mean, you know, we were shooting on Sullivan's crossing, 168 00:08:41,400 --> 00:08:44,640 Speaker 1: but it's because it's Canadian show, right, and. 169 00:08:44,600 --> 00:08:46,400 Speaker 3: You have a waiver which people shouldn't know. 170 00:08:46,520 --> 00:08:48,840 Speaker 1: Well, sure, and they gave way. They give waivers to 171 00:08:49,880 --> 00:08:53,319 Speaker 1: a lot of productions that are foreign, right, but maybe 172 00:08:53,360 --> 00:08:57,959 Speaker 1: have one or two Americans in the cares the American strike, right, 173 00:08:58,000 --> 00:09:01,720 Speaker 1: if Chad and I struck, you know, if we went 174 00:09:01,760 --> 00:09:03,640 Speaker 1: on strike, this production would shut down. 175 00:09:04,559 --> 00:09:07,760 Speaker 3: And it's unstruck work because it's not right. It's not 176 00:09:07,880 --> 00:09:11,000 Speaker 3: a sag it's a Canadian. 177 00:09:10,559 --> 00:09:13,520 Speaker 1: Show correct, correct, But it would if we if we 178 00:09:13,559 --> 00:09:16,280 Speaker 1: went on strike, you know, that would put you know, 179 00:09:16,720 --> 00:09:20,599 Speaker 1: hundreds of Canadians out of work. But you want to 180 00:09:20,640 --> 00:09:23,559 Speaker 1: have solidarity, and then you know, it's just like walking 181 00:09:23,880 --> 00:09:25,320 Speaker 1: that fine line. What's what do you do? 182 00:09:25,720 --> 00:09:28,320 Speaker 3: That's exactly right? It's very kind of confusing what you're 183 00:09:28,360 --> 00:09:31,280 Speaker 3: supposed to do. I mean, luckily you guys are not 184 00:09:31,840 --> 00:09:36,000 Speaker 3: You've got you're good to do it. H Yeah, and 185 00:09:36,120 --> 00:09:37,280 Speaker 3: we will be watching it. 186 00:09:38,280 --> 00:09:41,400 Speaker 1: Yeah. But you know, to our brothers and sisters out there, 187 00:09:41,440 --> 00:09:45,280 Speaker 1: we support you one percent. Yeah. 188 00:09:45,280 --> 00:09:48,440 Speaker 3: It's tough. It's really tough. And it's going on a 189 00:09:48,559 --> 00:09:50,000 Speaker 3: really long time. 190 00:09:50,280 --> 00:09:52,080 Speaker 1: I mean, they have a fund where people you know, 191 00:09:52,160 --> 00:09:55,760 Speaker 1: have to stand in line for you know, hours to 192 00:09:55,760 --> 00:09:58,559 Speaker 1: get a couple hundred bucks worth of groceries. It's it's 193 00:09:58,280 --> 00:10:04,160 Speaker 1: in burbankers in the sweltering heat. It's really tough out there. Yeah, 194 00:10:04,679 --> 00:10:08,160 Speaker 1: and I hope we can get a fair deal. I 195 00:10:08,200 --> 00:10:10,920 Speaker 1: really do. It's really important for so many people, so 196 00:10:10,960 --> 00:10:14,800 Speaker 1: many creatives, you know, it really really is. So anyway, 197 00:10:16,240 --> 00:10:17,120 Speaker 1: well on to start. 198 00:10:17,480 --> 00:10:20,800 Speaker 4: I was gonna say, Amy, this one I just did. 199 00:10:21,240 --> 00:10:22,080 Speaker 3: I think this is Scott. 200 00:10:22,520 --> 00:10:26,560 Speaker 1: I want to do one story the intercom Emily would 201 00:10:26,600 --> 00:10:30,560 Speaker 1: just push a button away like Star Tracks. Star Trek 202 00:10:30,720 --> 00:10:34,760 Speaker 1: is an American science fiction media franchise created in the sixties. 203 00:10:34,800 --> 00:10:38,280 Speaker 1: The television series became a worldwide pop culture phenomenon and 204 00:10:38,400 --> 00:10:42,120 Speaker 1: expanded into various films, video games, novels, and comic books, 205 00:10:42,160 --> 00:10:45,440 Speaker 1: becoming one of the most recognizable and highest grossing media 206 00:10:45,559 --> 00:10:52,120 Speaker 1: franchise of all time. On on ship communications achieved via 207 00:10:52,320 --> 00:10:53,440 Speaker 1: communicator panels. 208 00:10:54,320 --> 00:10:57,240 Speaker 3: On this it was legit. It was legit. It was 209 00:10:57,400 --> 00:10:59,280 Speaker 3: you know how they would talk to each other. 210 00:10:59,600 --> 00:11:00,240 Speaker 1: What a show? 211 00:11:00,440 --> 00:11:00,800 Speaker 3: Uh? 212 00:11:00,840 --> 00:11:04,600 Speaker 1: And sometimes to the use of video phones. Well offship, 213 00:11:04,640 --> 00:11:07,600 Speaker 1: the crew carried handheld communicators that flipped. 214 00:11:07,760 --> 00:11:10,640 Speaker 3: Those were pretty legit too. Wait did you watch Star Trek? 215 00:11:11,400 --> 00:11:12,480 Speaker 1: Oh? Sure everybody did. 216 00:11:12,720 --> 00:11:15,560 Speaker 3: Yeah, And did you watch did you watch any of 217 00:11:15,600 --> 00:11:18,560 Speaker 3: the other ones since, like Star Trek the Next Generation? 218 00:11:19,000 --> 00:11:21,160 Speaker 3: Like all the millions that there are now? I watched 219 00:11:21,200 --> 00:11:23,839 Speaker 3: Star Trek the Next Generation? Not really, and I watched 220 00:11:23,840 --> 00:11:26,280 Speaker 3: all the movies, and I watched the Chris Pine version 221 00:11:26,280 --> 00:11:26,880 Speaker 3: of the movies. 222 00:11:27,520 --> 00:11:29,000 Speaker 1: Yeah, I think I saw that one. 223 00:11:29,200 --> 00:11:33,119 Speaker 3: Yeah, I'm into this. I love Star Trek. They obviously 224 00:11:33,200 --> 00:11:35,760 Speaker 3: they use a lot of Star Trek pop culture references 225 00:11:35,800 --> 00:11:39,560 Speaker 3: on Gilmour Girls. There's definitely somebody that's a big fan 226 00:11:40,400 --> 00:11:42,079 Speaker 3: in the writing team, because. 227 00:11:42,720 --> 00:11:45,320 Speaker 1: I think it's I think it's Dan. Yeah. Between that, 228 00:11:45,880 --> 00:11:49,480 Speaker 1: I don't think Amy grew up a Trecky. I think 229 00:11:49,800 --> 00:11:50,480 Speaker 1: grew up a Trek. 230 00:11:50,920 --> 00:11:52,719 Speaker 4: I was gonna say, between that and Charlie and the 231 00:11:52,800 --> 00:11:53,920 Speaker 4: Chocolate Factory. 232 00:11:54,840 --> 00:11:57,640 Speaker 3: Yeah, there's a few that definitely Oh my gosh, the 233 00:11:57,679 --> 00:11:59,080 Speaker 3: irony is the next one. 234 00:11:59,200 --> 00:12:07,280 Speaker 4: Well, that's why I'll go on this one, ye. Paris 235 00:12:07,280 --> 00:12:11,200 Speaker 4: tells Rory she's meeting more of Doyle's family and he's 236 00:12:11,240 --> 00:12:14,640 Speaker 4: the tallest in his family. Paris says, yep, family get 237 00:12:14,720 --> 00:12:17,480 Speaker 4: together is like a Lollipop Guild convention. I have to 238 00:12:17,480 --> 00:12:20,440 Speaker 4: stop myself from asking how it's going at the Chocolate Factory. 239 00:12:21,520 --> 00:12:23,560 Speaker 4: Paris is referring to the movie The Wizard of Oz. 240 00:12:23,600 --> 00:12:26,719 Speaker 4: The Lollipop Guild was a group of munchkins in the 241 00:12:26,800 --> 00:12:32,000 Speaker 4: Munchkin Country who welcomed Dorothy Gail to Oz with song 242 00:12:32,080 --> 00:12:35,360 Speaker 4: and dance upon her arrival. The munchkins are very short. 243 00:12:36,160 --> 00:12:38,760 Speaker 4: Paris is referring to the nineteen sixty four novel Charlie 244 00:12:38,760 --> 00:12:41,439 Speaker 4: and the Chocolate Factory by Roald Dahl, which was adapted 245 00:12:41,480 --> 00:12:44,120 Speaker 4: into the films Willy Wonka the Chocolate Factory in nineteen 246 00:12:44,160 --> 00:12:47,000 Speaker 4: seventy one, as well as Charlie and the Chocolate Factory 247 00:12:47,000 --> 00:12:49,520 Speaker 4: in two thousand and five. In the film, Willy Wonka 248 00:12:49,600 --> 00:12:51,959 Speaker 4: has several oop balloompas working in the factory who are 249 00:12:52,040 --> 00:12:55,040 Speaker 4: very short, and Paris is comparing Doyle's family to the 250 00:12:55,120 --> 00:12:58,760 Speaker 4: umballumpas and the Munchkins. My goodness, and there's a new 251 00:12:58,960 --> 00:13:01,400 Speaker 4: there's a new one with Timothy Shallomey coming out. 252 00:13:02,080 --> 00:13:04,240 Speaker 1: Oh really, Yeah, that's great? 253 00:13:04,440 --> 00:13:07,320 Speaker 4: Is he he's Yonka Willie Wonka? 254 00:13:07,400 --> 00:13:09,800 Speaker 1: Yeah? Yeah, so he's the new Johnny Depp. 255 00:13:10,240 --> 00:13:13,800 Speaker 4: Yeah, basically, yeah. I feel like it's gonna be good. 256 00:13:14,600 --> 00:13:16,760 Speaker 4: Like I can see him in that character. I mean 257 00:13:16,840 --> 00:13:17,600 Speaker 4: him in the character. 258 00:13:18,720 --> 00:13:20,920 Speaker 3: I love the whole story, and there's parts that kind 259 00:13:20,920 --> 00:13:23,800 Speaker 3: of creep me out. Yeah, And I got that found 260 00:13:24,040 --> 00:13:27,560 Speaker 3: thing where I'm like, you know what I mean, I just. 261 00:13:27,520 --> 00:13:29,160 Speaker 4: Don't know if we need an I didn't know if 262 00:13:29,160 --> 00:13:35,560 Speaker 4: we need another out of picture of the movie. 263 00:13:36,880 --> 00:13:39,080 Speaker 3: Paris asks Rory if Rory wants to move in with 264 00:13:39,400 --> 00:13:45,040 Speaker 3: Paris and Doyle, Very, Bob, Carrol, Tedanalice minus Bob, Bob 265 00:13:45,080 --> 00:13:47,680 Speaker 3: and Carol and Ted and Alice were It was in 266 00:13:47,760 --> 00:13:51,240 Speaker 3: nineteen sixty nine American comedy drama, which I have never 267 00:13:51,320 --> 00:13:54,520 Speaker 3: heard of, really, Natal never I know, and I know 268 00:13:54,600 --> 00:13:58,760 Speaker 3: Natalie Wood and Robert Coulpe to me is from the 269 00:13:58,760 --> 00:14:03,599 Speaker 3: Greatest American Hero Think Elliott Gould, who is Ross and 270 00:14:03,679 --> 00:14:07,440 Speaker 3: Rachel's dad on Friends, and Diane Cannon, who is a 271 00:14:07,440 --> 00:14:09,760 Speaker 3: famous Lakers fan. Those are sort of my at least 272 00:14:09,800 --> 00:14:10,720 Speaker 3: I know all the players. 273 00:14:10,720 --> 00:14:15,160 Speaker 1: Diane Cannon was one of the most dynamic and glamorous 274 00:14:15,440 --> 00:14:16,679 Speaker 1: actresses of her time. 275 00:14:17,360 --> 00:14:19,640 Speaker 3: Yeah, Elliott also was in Ocean's Eleven. 276 00:14:20,240 --> 00:14:22,840 Speaker 1: Yes, Elliot Cole was in at Elliott Goule was a 277 00:14:22,880 --> 00:14:25,200 Speaker 1: movie star in the sixties and seventies. 278 00:14:25,440 --> 00:14:27,119 Speaker 3: And Robert Colp was also. 279 00:14:26,960 --> 00:14:31,520 Speaker 1: In These were these were the biggest names of their day. Yeah, 280 00:14:31,800 --> 00:14:32,880 Speaker 1: what was the film. 281 00:14:33,160 --> 00:14:34,960 Speaker 3: What was that Bill Cosby show that he was in 282 00:14:35,000 --> 00:14:35,760 Speaker 3: with Robert Colp? 283 00:14:36,080 --> 00:14:39,360 Speaker 1: Oh sure that was, oh that detective thing? 284 00:14:39,640 --> 00:14:42,480 Speaker 3: Yeah, what was that called? It's not Yet Smart? It's 285 00:14:42,760 --> 00:14:43,400 Speaker 3: the other one? 286 00:14:43,680 --> 00:14:47,200 Speaker 1: Something with a spy in it. I spy, I spy. 287 00:14:47,400 --> 00:14:51,840 Speaker 3: Yeah, and then Natalie would obviously we know and then 288 00:14:54,240 --> 00:14:55,920 Speaker 3: which is still very kind of confused. 289 00:14:56,080 --> 00:14:58,680 Speaker 1: Yeah, Diane Cannon. I used to see her gym all 290 00:14:58,720 --> 00:15:03,080 Speaker 1: the time and no when I lived in La Yeah. 291 00:15:02,560 --> 00:15:05,760 Speaker 3: And okay, keep me honest, but I think Diane Cannon's 292 00:15:05,840 --> 00:15:09,400 Speaker 3: daughter m hmm, with Carrie Grant. Is that is that 293 00:15:09,480 --> 00:15:12,160 Speaker 3: possibly right, Jennifer Grant? That was on nine o two 294 00:15:12,240 --> 00:15:12,520 Speaker 3: on us. 295 00:15:12,600 --> 00:15:13,760 Speaker 1: That is correct. 296 00:15:13,880 --> 00:15:17,360 Speaker 3: Thank you for my facts, all right. Capturing the sexual 297 00:15:17,400 --> 00:15:21,280 Speaker 3: revolution of the late sixties, this comedy presents two married couples, 298 00:15:21,400 --> 00:15:24,520 Speaker 3: Bob and Carroll, and they're best friends, more traditional, Ted 299 00:15:24,560 --> 00:15:28,040 Speaker 3: and Alice, who are free thinking and are ready for 300 00:15:28,080 --> 00:15:31,920 Speaker 3: an open marriage, or so they think. Eventually, some latent 301 00:15:31,960 --> 00:15:35,040 Speaker 3: sexual tension and long buried desires among the four come 302 00:15:35,080 --> 00:15:37,880 Speaker 3: bubbling to the surface, or as making the joke that 303 00:15:37,920 --> 00:15:40,200 Speaker 3: her living with Doyle in Paris would feel like an 304 00:15:40,200 --> 00:15:43,320 Speaker 3: open relationship. Wait, this makes me want to watch Bob 305 00:15:43,360 --> 00:15:43,720 Speaker 3: and Carroll. 306 00:15:43,720 --> 00:15:46,880 Speaker 1: Oh no, it's classic film. It's good. 307 00:15:48,840 --> 00:15:50,320 Speaker 3: And I'm already wondering how it ends. 308 00:15:50,520 --> 00:15:52,680 Speaker 1: But yeah, we'll have to see you. That was in 309 00:15:52,720 --> 00:15:56,840 Speaker 1: the era of like partner swapping. Oh my god, wife 310 00:15:56,840 --> 00:15:57,400 Speaker 1: and husbands. 311 00:15:57,440 --> 00:15:59,280 Speaker 4: Do you remember that show wife Swap? 312 00:16:00,480 --> 00:16:00,680 Speaker 3: Yes? 313 00:16:01,160 --> 00:16:02,160 Speaker 1: Is that a recent show? 314 00:16:02,440 --> 00:16:05,560 Speaker 3: Yeah, it would be like, okay, this is what wife 315 00:16:05,560 --> 00:16:09,680 Speaker 3: swap would be if you and your wife switched places 316 00:16:09,720 --> 00:16:13,760 Speaker 3: with like, uh, Sally Struthers and her husband, I don't 317 00:16:13,760 --> 00:16:16,080 Speaker 3: know if she has a husband, and you would be 318 00:16:16,160 --> 00:16:18,680 Speaker 3: married to Sally Struthers just for a week, like no 319 00:16:18,840 --> 00:16:20,920 Speaker 3: funny business, but like you would have to just learn 320 00:16:20,960 --> 00:16:24,920 Speaker 3: to like kid and cook with Sally's strothers. So they'd 321 00:16:24,960 --> 00:16:26,240 Speaker 3: have celebrities doing it. 322 00:16:26,680 --> 00:16:31,840 Speaker 1: Yeah, but that's the the scrubbed up version of it. Yeah, it's. 323 00:16:35,800 --> 00:16:39,000 Speaker 4: Okay. So Kirk is talking about the old woman's the 324 00:16:39,040 --> 00:16:42,840 Speaker 4: old Woman's ring, Kirk says, old widow Mason thought she 325 00:16:42,960 --> 00:16:45,120 Speaker 4: was free to call O towards the end. Free to 326 00:16:45,200 --> 00:16:47,800 Speaker 4: Call It was a Mexican painter known for her many portraits, 327 00:16:47,840 --> 00:16:51,320 Speaker 4: self portraits, and works inspired by the nature and artifacts 328 00:16:51,400 --> 00:16:55,080 Speaker 4: of Mexico. Inspired by the country's popular culture, she employed 329 00:16:55,080 --> 00:16:58,280 Speaker 4: a native folk art style to explore questions of identity, 330 00:16:58,920 --> 00:17:04,520 Speaker 4: post host colonialism, gender, class, and race in Mexican society. 331 00:17:06,040 --> 00:17:06,200 Speaker 3: Hm. 332 00:17:07,160 --> 00:17:08,719 Speaker 1: Hm, anybody see that one? 333 00:17:09,280 --> 00:17:12,080 Speaker 3: I did not, but I familiar with Free to Call, 334 00:17:12,080 --> 00:17:14,960 Speaker 3: though I am very I miss that. This was that? No, 335 00:17:15,080 --> 00:17:17,200 Speaker 3: you know, was that the Palma Hyak did Salma Hiak? 336 00:17:18,320 --> 00:17:20,960 Speaker 1: Yeah, that's the one she fought for for twenty years 337 00:17:20,960 --> 00:17:25,240 Speaker 1: to get made or something. Yeah, I missed that one. 338 00:17:25,400 --> 00:17:27,960 Speaker 1: Or we're gonna have to, you know, let's let's do 339 00:17:28,000 --> 00:17:31,680 Speaker 1: a double feature. We'll do We'll do this one too. 340 00:17:33,320 --> 00:17:36,240 Speaker 3: The next one I did not miss, although in hindsight 341 00:17:36,280 --> 00:17:37,160 Speaker 3: I kind of wish I had. 342 00:17:37,640 --> 00:17:40,800 Speaker 1: Yeah, I think you're I think is it mean? 343 00:17:41,200 --> 00:17:44,840 Speaker 3: I think Paris Helen Ali that Rory can't quit Yale 344 00:17:45,280 --> 00:17:48,199 Speaker 3: it's logan that Christopher Atkins want to be is the 345 00:17:48,280 --> 00:17:51,000 Speaker 3: reason she's suddenly Blue lagooning it right out of here. 346 00:17:51,400 --> 00:17:54,520 Speaker 3: So this made me laugh because there is something kind 347 00:17:54,560 --> 00:17:59,920 Speaker 3: of Christopher Atkins about Matt Zugree. So if you're young, 348 00:18:00,520 --> 00:18:02,560 Speaker 3: you might not be as familiar with Christopher Atkins. If 349 00:18:02,560 --> 00:18:04,399 Speaker 3: you're my age, you definitely had a crush on him. 350 00:18:04,440 --> 00:18:07,560 Speaker 3: So Christopher Atkins is an American actor. He had this 351 00:18:07,800 --> 00:18:13,000 Speaker 3: blonde hair and he starred in nineteen eighties The Blue 352 00:18:13,080 --> 00:18:17,720 Speaker 3: Lagoon with Brookshields. At the time, every teenager was like 353 00:18:17,760 --> 00:18:21,160 Speaker 3: watching this movie, But after watching the Brookshields documentary, I'm 354 00:18:21,200 --> 00:18:25,240 Speaker 3: like it was creepy, Like it was not appropriate. Blue 355 00:18:25,320 --> 00:18:28,240 Speaker 3: Lagoon is about two children who are shipwrecked on a 356 00:18:28,240 --> 00:18:31,119 Speaker 3: tropical island in the South Pacific with no adults to 357 00:18:31,119 --> 00:18:34,080 Speaker 3: guide them. The two make a simple life together, unaware 358 00:18:34,119 --> 00:18:37,439 Speaker 3: that sexual maturity will eventually intervene, Like they eventually have 359 00:18:37,520 --> 00:18:40,119 Speaker 3: a baby together, and like were they cousins, Like I 360 00:18:40,160 --> 00:18:42,640 Speaker 3: don't know, I don't want to speak incorrectly, but can 361 00:18:42,680 --> 00:18:45,200 Speaker 3: someone Like it was a little much and they were 362 00:18:45,240 --> 00:18:47,439 Speaker 3: like way too young to be Like I don't know. 363 00:18:47,480 --> 00:18:49,280 Speaker 3: The whole thing now looking back, I'm like, why did 364 00:18:49,320 --> 00:18:52,120 Speaker 3: I watch this? Paris is making the blue Lagoon reference 365 00:18:52,119 --> 00:18:54,600 Speaker 3: as Rory and Logan stole the yacht. He thinks they 366 00:18:54,600 --> 00:18:56,440 Speaker 3: want to run off together and have their own life 367 00:18:56,440 --> 00:18:59,520 Speaker 3: and no one to intervene. I'm not even sure if 368 00:18:59,560 --> 00:19:02,359 Speaker 3: that's right, like quite on the nose there, but I 369 00:19:02,359 --> 00:19:04,800 Speaker 3: don't know. Watch the Brookshields documentary. 370 00:19:05,280 --> 00:19:13,520 Speaker 1: Mm hmmmuh okay, Paris telling Laurel I that Rory can't 371 00:19:13,600 --> 00:19:16,560 Speaker 1: quit Yale. Paris. I need her to be at Yale. 372 00:19:16,960 --> 00:19:19,359 Speaker 1: Rory has been my only real competition since she showed 373 00:19:19,400 --> 00:19:21,280 Speaker 1: up at Chilton. She is the only one who ever 374 00:19:22,040 --> 00:19:25,360 Speaker 1: challenged me. She's a pace car. She's Bjorn Borg. Bjorn 375 00:19:25,400 --> 00:19:29,359 Speaker 1: Borg is a Swedish former number one tennis player between 376 00:19:29,520 --> 00:19:32,040 Speaker 1: seventy four and eighty one. Nineteen seventy four nineteen eighty 377 00:19:32,040 --> 00:19:34,200 Speaker 1: well he became the first man in the Open era 378 00:19:34,280 --> 00:19:37,760 Speaker 1: to win eleven Grand Slam single titles, with six at 379 00:19:37,800 --> 00:19:40,960 Speaker 1: the French Open and five consecutively at. 380 00:19:41,960 --> 00:19:44,200 Speaker 3: Did he wear Fela or no? Who were yes? 381 00:19:44,640 --> 00:19:47,439 Speaker 1: Yes? And a headband and a long brown Paris and 382 00:19:47,480 --> 00:19:49,520 Speaker 1: he just stayed on the baseline and just hit it back. 383 00:19:49,840 --> 00:19:51,960 Speaker 3: Was he did he have the big competition with Connor's 384 00:19:52,000 --> 00:19:52,639 Speaker 3: Jimmy Connor. 385 00:19:52,760 --> 00:19:55,320 Speaker 1: No, he well, yeah, but it was really McEnroe. 386 00:19:55,720 --> 00:19:56,600 Speaker 3: It was Macenroe. O. 387 00:19:56,760 --> 00:20:00,000 Speaker 1: It was mac and they had epic battles and tennis, 388 00:20:00,240 --> 00:20:05,200 Speaker 1: so it was it was so the Borg and McEnroe 389 00:20:05,800 --> 00:20:09,280 Speaker 1: finals in Wimbledon the US Open were classic. 390 00:20:10,760 --> 00:20:13,240 Speaker 3: In our text. So we obviously have like a group 391 00:20:13,320 --> 00:20:16,520 Speaker 3: text with all of us, and lately every time text 392 00:20:16,520 --> 00:20:19,480 Speaker 3: Scott something like can you do one o'clock and instead 393 00:20:19,480 --> 00:20:21,480 Speaker 3: of a thumbs up, he sends us a tennis ball? 394 00:20:22,520 --> 00:20:23,960 Speaker 4: Is it tennis or is it like. 395 00:20:27,560 --> 00:20:28,400 Speaker 3: A tennis ball? 396 00:20:28,840 --> 00:20:33,760 Speaker 1: Because I'm trying to express through emojis, how how happy 397 00:20:33,840 --> 00:20:37,040 Speaker 1: the text made me, Like, I'm so happy I could 398 00:20:37,040 --> 00:20:37,919 Speaker 1: play badminton. 399 00:20:38,000 --> 00:20:40,560 Speaker 4: I honestly thought that like you were gonna send like 400 00:20:40,600 --> 00:20:43,000 Speaker 4: a tappy face and then accidentally hit like the emoji. 401 00:20:43,040 --> 00:20:48,080 Speaker 1: Next, my manager's trying to schedule a call with me today. 402 00:20:48,160 --> 00:20:51,000 Speaker 1: You know, she's in California, and yeah, so she says, 403 00:20:51,040 --> 00:20:53,359 Speaker 1: how's uh, I'm gonna call you at like one o'clock. 404 00:20:53,400 --> 00:20:55,680 Speaker 1: We got to talk about some things. So I sent her. 405 00:20:56,920 --> 00:21:01,400 Speaker 1: I sent her a badminton racket and a shuttle, and 406 00:21:01,480 --> 00:21:04,280 Speaker 1: she she types back, She goes I have no idea 407 00:21:04,320 --> 00:21:06,000 Speaker 1: what this means, but I'll try you around. 408 00:21:07,040 --> 00:21:09,080 Speaker 3: I'm going to just every time in our group text 409 00:21:09,119 --> 00:21:11,680 Speaker 3: now when there's something instead of putting like thumbs up, 410 00:21:11,920 --> 00:21:14,960 Speaker 3: I'm just gonna literally send the randomnest emoji I can find, 411 00:21:15,119 --> 00:21:16,560 Speaker 3: like a sandwich and. 412 00:21:16,760 --> 00:21:19,600 Speaker 1: Yes, that's that's what you do. That's what you do anyway. 413 00:21:19,720 --> 00:21:26,080 Speaker 1: Bjorn Borg was coined as unbeatable and was a fierce component, 414 00:21:26,200 --> 00:21:28,960 Speaker 1: you mean, competitor. He was a fierce component in the 415 00:21:29,160 --> 00:21:34,639 Speaker 1: in the wheels of the engine of professional tennis. He was, 416 00:21:34,800 --> 00:21:39,760 Speaker 1: you know, maybe the the crankshaft. I don't know, but 417 00:21:39,840 --> 00:21:43,280 Speaker 1: he apparently. The rumor is he was in such great shape. 418 00:21:43,359 --> 00:21:49,240 Speaker 1: His heart rate was around forty beats per minute. Oh wow, yeah, impressive. 419 00:21:49,240 --> 00:21:51,560 Speaker 1: Oh yeah. He just used to wear people down. He 420 00:21:51,600 --> 00:21:56,560 Speaker 1: never got tired. Yes, the unbeatable Swede. I like it. 421 00:22:02,359 --> 00:22:05,639 Speaker 4: Rosemary's talking about her bad haircut. Rosemary says it was 422 00:22:05,680 --> 00:22:09,760 Speaker 4: a tragic haircut. It was apocalyptic highlights. I looked like 423 00:22:09,920 --> 00:22:11,240 Speaker 4: a Tim Burton character. 424 00:22:11,880 --> 00:22:12,040 Speaker 3: So. 425 00:22:12,119 --> 00:22:15,080 Speaker 4: Tim Burton is an American filmmaker, animator, and artists. He's 426 00:22:15,080 --> 00:22:18,160 Speaker 4: known for the gothic fantasy and horror films such as Beetlejuice, 427 00:22:18,480 --> 00:22:22,119 Speaker 4: Edward Scissorhands, and The Nightmare for Christmas. His characters are 428 00:22:22,800 --> 00:22:26,960 Speaker 4: defined by the exaggerated features long frizzled hair, baggy eyes, 429 00:22:27,359 --> 00:22:31,119 Speaker 4: gaggly limbs, etc. And didn't he do the Charlie and 430 00:22:31,119 --> 00:22:32,600 Speaker 4: the Chocolate Factory with Johnny Depp? 431 00:22:33,920 --> 00:22:36,800 Speaker 1: I'm sure he did. He's done all those things, hasn't he. Yeah, 432 00:22:36,960 --> 00:22:38,760 Speaker 1: he's done a lot of yea great movies. 433 00:22:38,800 --> 00:22:39,720 Speaker 4: I do you like Tim Burton? 434 00:22:40,000 --> 00:22:42,960 Speaker 1: A visionary? A true visionary? 435 00:22:43,720 --> 00:22:49,680 Speaker 3: Amy Michelle complaining about the sweaty biker another like literally 436 00:22:50,640 --> 00:22:54,360 Speaker 3: just relatable for me. I have no intention of catching 437 00:22:54,480 --> 00:22:58,440 Speaker 3: jocket on my forearm because mister breaking Away over there 438 00:22:58,480 --> 00:23:02,160 Speaker 3: can't shower before I invade my den's face. Breaking Away 439 00:23:02,240 --> 00:23:04,480 Speaker 3: is a nineteen seventy nine American film that follows a 440 00:23:04,480 --> 00:23:07,280 Speaker 3: group of four male teenagers in Bloomington, Indiana, who have 441 00:23:07,320 --> 00:23:12,760 Speaker 3: recently graduated from high school. Dennis Christopher, Dennis Quaid, Daniel Stern, 442 00:23:12,920 --> 00:23:17,119 Speaker 3: Jackie Earl Haley, Barbara Barry, Paul Dooley, and Robin Douglas 443 00:23:17,160 --> 00:23:19,800 Speaker 3: all starred in the film. The main character, Dave, played 444 00:23:19,800 --> 00:23:23,240 Speaker 3: by Dennis Christopher, is obsessed with competitive bicycle racing. The 445 00:23:23,280 --> 00:23:26,639 Speaker 3: four friends face opposition from all corners as they decide 446 00:23:26,680 --> 00:23:30,120 Speaker 3: to make Dave's dreams come true in the university's annual 447 00:23:30,200 --> 00:23:31,400 Speaker 3: bicycle endurance race. 448 00:23:31,560 --> 00:23:35,480 Speaker 1: Wasn't he That wasn't the lead character. He was obsessed 449 00:23:35,480 --> 00:23:40,359 Speaker 1: with being Italian. I never saw this movie ever breaking Away. 450 00:23:40,760 --> 00:23:43,640 Speaker 1: It's like he saw it like he would He would 451 00:23:43,680 --> 00:23:48,240 Speaker 1: speak in Italian maybe, but I don't know, but he 452 00:23:48,280 --> 00:23:50,359 Speaker 1: had an Italian accent. He wanted to be a great 453 00:23:50,400 --> 00:23:51,119 Speaker 1: Italian biker. 454 00:23:51,359 --> 00:23:53,960 Speaker 3: To watch this movie too, there's so many like. 455 00:23:54,080 --> 00:23:57,600 Speaker 1: Ram Well, that's a great but I think that maybe 456 00:23:57,600 --> 00:24:04,119 Speaker 1: it was a different movie. Okay. Michelle answers the door 457 00:24:04,280 --> 00:24:07,360 Speaker 1: at Loralized House. Michelle, I am here and not at 458 00:24:07,359 --> 00:24:10,560 Speaker 1: the Dragonfly, in which I theoretically run when I am 459 00:24:10,560 --> 00:24:15,320 Speaker 1: not busy answering phones like Benson. Benson is an American 460 00:24:15,359 --> 00:24:18,720 Speaker 1: television sitcom that originally aired on ABC from nineteen seventy 461 00:24:18,800 --> 00:24:21,360 Speaker 1: nine to nineteen eighty six. The show stars Robert Gillome 462 00:24:21,520 --> 00:24:25,680 Speaker 1: in the title role of Benson Dubois, the head of 463 00:24:25,720 --> 00:24:29,040 Speaker 1: the household for Governor Eugene. 464 00:24:29,280 --> 00:24:33,440 Speaker 3: X, but in the run of the series, he went 465 00:24:33,480 --> 00:24:39,760 Speaker 3: from that to being Lieutenant Governor. What Yeah, Benson In 466 00:24:39,800 --> 00:24:43,080 Speaker 3: the show Benson. He started out as the head of 467 00:24:43,160 --> 00:24:47,720 Speaker 3: household affairs. Then he became state budget director and eventually 468 00:24:47,800 --> 00:24:49,920 Speaker 3: became Lieutenant governor. 469 00:24:50,000 --> 00:24:52,760 Speaker 2: And I watched this show back then, in the show, 470 00:24:53,080 --> 00:24:56,920 Speaker 2: in the show, Yeah, Robert Gillome went on to do 471 00:24:57,080 --> 00:24:59,960 Speaker 2: sport He was in Sports Night, which was such a 472 00:25:00,200 --> 00:25:03,680 Speaker 2: good shows, an Aaron Sorkin show before. 473 00:25:05,119 --> 00:25:08,000 Speaker 3: West Wing, and it was really good, really good. 474 00:25:08,880 --> 00:25:11,119 Speaker 1: Yeah, I read for that. I remember Sports Night. I 475 00:25:11,320 --> 00:25:16,600 Speaker 1: read for that, did you. Yeah, everybody read for these things. 476 00:25:16,720 --> 00:25:21,920 Speaker 1: Everybody read for him. Yeah, Robert, are you want to 477 00:25:22,119 --> 00:25:24,520 Speaker 1: finish the things I could tell you that I read 478 00:25:24,560 --> 00:25:25,399 Speaker 1: for you wouldn't believe. 479 00:25:25,600 --> 00:25:27,640 Speaker 3: Oh my god. Yeah, I wish you would have gotten 480 00:25:27,680 --> 00:25:32,119 Speaker 3: Sports Night. Sorry not to be an ass, but. 481 00:25:31,080 --> 00:25:33,199 Speaker 1: Well I do too. At the time, I really wanted it. 482 00:25:33,400 --> 00:25:34,680 Speaker 3: You could have been on West Wing if you got 483 00:25:34,680 --> 00:25:36,800 Speaker 3: Sports Night, because a lot of the Sports Night people 484 00:25:37,200 --> 00:25:39,640 Speaker 3: he then brought back for West Wing. 485 00:25:39,840 --> 00:25:42,080 Speaker 1: I read from Modern Family too. I didn't get that one. 486 00:25:42,119 --> 00:25:43,520 Speaker 3: Who were you supposed to be. 487 00:25:43,600 --> 00:25:45,800 Speaker 1: The lead guy? The husband? 488 00:25:46,080 --> 00:25:48,600 Speaker 4: Oh, Tyberrell Tybrew? 489 00:25:48,760 --> 00:25:50,800 Speaker 3: Yes, so you're going to be married to Julie Bowen. 490 00:25:51,920 --> 00:25:54,120 Speaker 1: Well, I mean I didn't get the role, did I? Well? 491 00:25:55,119 --> 00:25:56,679 Speaker 3: Oh, my god, that would be a funny show, just 492 00:25:56,720 --> 00:25:58,360 Speaker 3: all the parts I never got. 493 00:25:58,840 --> 00:26:01,840 Speaker 1: Oh my god, exactly, boy, I tell you, that would 494 00:26:01,880 --> 00:26:04,520 Speaker 1: be a much longer show than the than the show 495 00:26:04,600 --> 00:26:11,360 Speaker 1: that the parts that I did get, Oh my god, longer. 496 00:26:12,040 --> 00:26:20,760 Speaker 3: But you'll always have Saw. 497 00:26:21,280 --> 00:26:23,240 Speaker 1: I did not read for that. I was I was 498 00:26:23,720 --> 00:26:24,359 Speaker 1: die in Saw. 499 00:26:24,880 --> 00:26:26,160 Speaker 3: Just tell me, did you die and Saw? 500 00:26:26,280 --> 00:26:26,399 Speaker 1: Oh? 501 00:26:26,480 --> 00:26:29,040 Speaker 3: Yeah, okay, I'm gonna have to watch it. I always 502 00:26:29,080 --> 00:26:31,840 Speaker 3: end up watching Saw one again. You know it's coming back. 503 00:26:31,920 --> 00:26:33,080 Speaker 3: There's gonna be a new Saw. 504 00:26:34,000 --> 00:26:34,240 Speaker 1: Yeah. 505 00:26:35,040 --> 00:26:39,800 Speaker 3: Those movies are the scariest breaking movies. 506 00:26:40,080 --> 00:26:44,440 Speaker 1: Truly, tell you. I tell you, make sure you watch 507 00:26:44,520 --> 00:26:46,840 Speaker 1: those films before you have a meal. 508 00:26:48,440 --> 00:26:53,520 Speaker 3: First. I actually had a panic attack. It was so scary. 509 00:26:53,560 --> 00:26:55,360 Speaker 3: I was like, this is so uncomfortable. 510 00:26:56,000 --> 00:27:00,720 Speaker 4: They're all like, all right, and then we have one more. 511 00:27:01,880 --> 00:27:05,160 Speaker 4: You do it, Tara, Okay. Lorelai drops off the rest 512 00:27:05,200 --> 00:27:08,159 Speaker 4: of Rory's stuff. Lorlai says, The Scorpion and the Frog, 513 00:27:08,280 --> 00:27:11,159 Speaker 4: it's an old tale. The Scorpion and the Frog is 514 00:27:11,160 --> 00:27:14,520 Speaker 4: an animal fable that teaches that vicious people cannot resist 515 00:27:14,560 --> 00:27:17,960 Speaker 4: hurting others, even when it is not in their own interests. 516 00:27:18,200 --> 00:27:20,520 Speaker 4: This fable seems to have emerged in Russia in the 517 00:27:20,600 --> 00:27:22,000 Speaker 4: early twentieth century. 518 00:27:22,440 --> 00:27:29,520 Speaker 3: Hmm, man, all right, kids, great stuff, guys, that. 519 00:27:29,720 --> 00:27:30,880 Speaker 1: Is gonna do it. 520 00:27:30,880 --> 00:27:34,320 Speaker 3: It was a good one, really good. I'm only jumping 521 00:27:34,359 --> 00:27:36,160 Speaker 3: off because I have a meeting. Talk to y'all later. 522 00:27:36,400 --> 00:27:40,720 Speaker 1: Okay, nice talking to you, Bye bye anyway, that's gonna 523 00:27:40,720 --> 00:27:44,600 Speaker 1: wrap it up. Here for pop culture for season six episodes, 524 00:27:44,720 --> 00:27:50,040 Speaker 1: Oh no, Episode one new and improved Loralai Uh, thank 525 00:27:50,080 --> 00:27:52,200 Speaker 1: you everybody. Thank you Amy, who just had to click 526 00:27:52,240 --> 00:27:54,159 Speaker 1: off because she has a big important meeting with big 527 00:27:54,240 --> 00:27:57,160 Speaker 1: important people and big important building somewhere in a big 528 00:27:57,160 --> 00:28:01,320 Speaker 1: important city. Ah Tarasuit, thank you so much. You're also 529 00:28:01,400 --> 00:28:03,720 Speaker 1: producing this episode, so man, you got your work cut 530 00:28:03,760 --> 00:28:07,440 Speaker 1: out for you. Don't show. Oh my gosh. Thanks everybody, 531 00:28:09,760 --> 00:28:12,680 Speaker 1: best fans on the planet. Keep those cards and letters coming, 532 00:28:13,680 --> 00:28:17,800 Speaker 1: and remember we and I am all In. 533 00:28:18,400 --> 00:28:48,560 Speaker 5: Stay safe everyone, everybody, and 534 00:28:48,680 --> 00:28:52,240 Speaker 1: Also again, follow us on Instagram at I Am all 535 00:28:52,280 --> 00:29:06,080 Speaker 1: In podcast and email us at Gilmore at iHeartRadio dot com.