WEBVTT - Steven Johnson: How We Got to Now

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuffworks

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<v Speaker 1>dot com. Hey, wasn't the stuff to blow your mind?

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<v Speaker 1>My name is Robert glam and um Julie Douglas, and

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<v Speaker 1>we have a treat for you here this week because

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<v Speaker 1>we are talking to an expert. We're talking to a

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<v Speaker 1>man who definitely knows it was way around innovation, around

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<v Speaker 1>the history of innovation and and how we work as

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<v Speaker 1>an innovative species. This man, he goes by the name

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<v Speaker 1>of Steven Johnson. He has a book out called How

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<v Speaker 1>We Got to Now Six Innovations that made the Modern World.

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<v Speaker 1>He has a corresponding PBS series which airs on Wednesdays

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<v Speaker 1>from October through November twelve at ten nine Central. So

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<v Speaker 1>we've talked about him before. Stephen Johnson has written a

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<v Speaker 1>bunch of books, and you may be familiar with him

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<v Speaker 1>already with his Ted talk, which is called Where Good

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<v Speaker 1>Ideas Come From, And it is a musty if you

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<v Speaker 1>haven't already. This is the coffee house talk for those

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<v Speaker 1>of you who just have kind of a an in

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<v Speaker 1>and out familiarity with the various Ted Talks of the past.

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<v Speaker 1>This is the one that was like people stopped drinking beer.

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<v Speaker 1>They started drinking coffee and hanging out in coffee houses,

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<v Speaker 1>and they started getting all these crazy ideas. Their ideas

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<v Speaker 1>started breading with one another and producing hybrid ideas. And

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<v Speaker 1>that this is kind of the soup of innovation. Yeah,

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<v Speaker 1>that which kind of took us out of the dark

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<v Speaker 1>ages and into the Enlightenment. And yeah, he weaves together

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<v Speaker 1>all of he's uh sort of what you would think

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<v Speaker 1>are disparate topics or areas, and he creates this cohesive

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<v Speaker 1>narrative of how things came to be. And and he

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<v Speaker 1>is an excellent storyteller and an excellent science journalist. Yes,

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<v Speaker 1>now this book how we got to now six innovations

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<v Speaker 1>that made the modern world. Uh, six six innovations. The

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<v Speaker 1>chapter titles are glass, Cold, Sound, Clean, Time, and Light.

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<v Speaker 1>And Uh, what I love about this book is that

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<v Speaker 1>it makes me think of those uh, you know, those

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<v Speaker 1>transparencies you would find in in biology and anatomy textbooks.

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<v Speaker 1>You know where you would be One transparency would be, uh,

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<v Speaker 1>the circulatory system of an organism, and then you have

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<v Speaker 1>another transparency that's the digestive system, uh, etcetera. All these

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<v Speaker 1>different layers and your lawyer them on top and on

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<v Speaker 1>top and altogether they give you this kind of complex

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<v Speaker 1>view of the organism itself. Well, I find that books

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<v Speaker 1>like this and and this book in particular, it's kind

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<v Speaker 1>of like like each chapter, like the glass chapter, is

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<v Speaker 1>kind of one transparency over the body of history, particularly

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<v Speaker 1>the body of of history when seen, uh, in terms

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<v Speaker 1>of technological innovation. And each one of those transparencies on

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<v Speaker 1>its own is fascinating. You know, you look at the

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<v Speaker 1>circulatory system, you say, well, the human circulatory system is

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<v Speaker 1>in and of itself a very fascinating system and well

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<v Speaker 1>worthy of study. And so in this book, Johnson is

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<v Speaker 1>is basically taking different transparencies from the history of innovation

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<v Speaker 1>and saying, well, just just look at the story. Just

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<v Speaker 1>look at the history of say um, the lightbuhold in

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<v Speaker 1>our quest for Light, and look at how this story

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<v Speaker 1>of innovation colors the the overall history of human innovation. Yeah,

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<v Speaker 1>And I love that about his ability to reframe our

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<v Speaker 1>understanding of these really big meadia topics like light, right

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<v Speaker 1>or even time. In one aspect of it, he talks

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<v Speaker 1>about how time was just all over the place. You know,

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<v Speaker 1>you could go from one city to another and you'd

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<v Speaker 1>be five minutes ahead or ten minutes behind, and so

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<v Speaker 1>on and so forth. And that's how we largely sort

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<v Speaker 1>of went along until the eighteen seventies when William Allen

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<v Speaker 1>created standardized time zones, and all of a sudden you

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<v Speaker 1>could sync up not just trains, but all sorts of

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<v Speaker 1>innovation sprung from that to the point where we really

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<v Speaker 1>could not disseminate information or share our knowledge um or

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<v Speaker 1>you know, air things without um creating this sort of

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<v Speaker 1>cohesive understanding or all of us being on the same

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<v Speaker 1>page of time. And that's just one tiny little aspect

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<v Speaker 1>that he talks about when considering the entire history of

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<v Speaker 1>time and how we've tried to bottle it. Indeed, that's

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<v Speaker 1>a great chapter and and and this is overall this

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<v Speaker 1>book is a just a great volume, well worth picking up,

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<v Speaker 1>very readable, very much a book for the you know,

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<v Speaker 1>the everyday person who's just interested in how these different

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<v Speaker 1>inventions and how these great ideas have have changed the world,

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<v Speaker 1>and you know, and how sometimes they spring off in

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<v Speaker 1>just unforeseen directions. Yeah, and uh, Stephen Johnson will talk

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<v Speaker 1>a little bit more about this in the interview that

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<v Speaker 1>we're about to play. We thought you guys would really

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<v Speaker 1>like to get a little bit more information about his work,

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<v Speaker 1>his process, and dive into a little bit more of

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<v Speaker 1>the book. So, without any further ado, here's our interview

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<v Speaker 1>with Steven Johnson. And remember that his PBS series How

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<v Speaker 1>We Got to Now airs on PBS on Wednesdays, and

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<v Speaker 1>that's ten eastern lineis in your book, you write about

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<v Speaker 1>how Manuel de Landa's book were in the age of

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<v Speaker 1>intelligent machine form your perspective bending approach to history. Can

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<v Speaker 1>you touch on that a little bit? Yeah, Well, we

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<v Speaker 1>tend to tell historical stories in terms of you know,

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<v Speaker 1>kind of great leaders, political leaders, spiritual leaders, military leaders.

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<v Speaker 1>It's it's you know, it tends to be very kind

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<v Speaker 1>of human centered view of the world. And even when

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<v Speaker 1>we talk about the history of invention, we often talk

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<v Speaker 1>about the great inventors and and the geniuses that they

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<v Speaker 1>were and how they're great ideas changed the world. And

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<v Speaker 1>what the Landa was suggesting in that book that I

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<v Speaker 1>read many many years ago as a grad student in

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<v Speaker 1>my early twenties. Um, it's taken me twenty three years

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<v Speaker 1>to fully digest what he was saying is that there's

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<v Speaker 1>another way of looking at at the history of human society,

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<v Speaker 1>which is in a sense the kind of machines eye

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<v Speaker 1>view of it all UM, and to look not at

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<v Speaker 1>how people change the world, but how these technologies, these machines,

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<v Speaker 1>these objects, UM changed us. And he imagined, if you know,

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<v Speaker 1>if you somehow in the future and you had a

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<v Speaker 1>robot historian, you know, we got to a level of

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<v Speaker 1>artificial intelligence and a robot set out to tell the

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<v Speaker 1>history of the last thousand years, that robot would tell

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<v Speaker 1>a very different story, would be all the different strains

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<v Speaker 1>in kind of historical progress that we're leading towards, you know,

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<v Speaker 1>intelligent computers, UM, and that certain elements in human history

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<v Speaker 1>would loom large and that telling UM that might not

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<v Speaker 1>loom quite as large in in our traditional accounts. So

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<v Speaker 1>that's what how we got to now is in a

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<v Speaker 1>sense trying to do it's trying to talk about how

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<v Speaker 1>all these breakthroughs and and objects and technologies changed the

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<v Speaker 1>way we live. What do you see as humanity's biggest

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<v Speaker 1>misunderstanding when it comes to the nature of innovation and

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<v Speaker 1>does and this understanding threat I think part of the

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<v Speaker 1>issue that we have when we think about innovation is

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<v Speaker 1>that we tend to look at it a very kind

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<v Speaker 1>of local way. So you see somebody trying to solve

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<v Speaker 1>the specific problem in coming up with some new new solutions,

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<v Speaker 1>some new technology, and and oftentimes you know, people are

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<v Speaker 1>very good at doing this. You know, they set out

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<v Speaker 1>to figure it a way to um, you know, cool

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<v Speaker 1>down and dehumidify a room in the invention of air conditioning,

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<v Speaker 1>for instance, and they do an excellent job of that. Um.

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<v Speaker 1>They successfully managed to create these like nice interior temperatures

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<v Speaker 1>that are very livable. But what we don't see and

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<v Speaker 1>we don't anticipate are all the crazy, um kind of

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<v Speaker 1>peripheral consequences of that invention that gets set in motion

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<v Speaker 1>because this new thing is in the world. And so

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<v Speaker 1>with the invention of air conditioning, what that ends up

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<v Speaker 1>triggering is this huge migration of people, uh to you

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<v Speaker 1>know kind of very hot places like desert states or

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<v Speaker 1>very you know tropical um junglie places that would normally

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<v Speaker 1>not sustain big population bases. And you know, like the

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<v Speaker 1>entire sun Belt, for instance, is basically a creation of

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<v Speaker 1>air conditioning technology UM. And that itself then creates other

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<v Speaker 1>you know, kind of strange consequences where like, for instance,

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<v Speaker 1>people living in the desert have you know, need for water.

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<v Speaker 1>UM that maybe we shouldn't really be living, you know,

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<v Speaker 1>in cities and five million people in the middle middle

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<v Speaker 1>of the desert, that that might actually not be a

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<v Speaker 1>sustainable way to live. But air conditioning kind of made

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<v Speaker 1>that possible for the first time. So we need to

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<v Speaker 1>have this ability to kind of look at these secondary effects, um,

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<v Speaker 1>and not just look at the kind of direct problem

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<v Speaker 1>being solved with each innovation. In your book, you uncover

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<v Speaker 1>many of the unsung heroes of history, the people who

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<v Speaker 1>aren't often touted or celebrated for contributing to humanity changing

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<v Speaker 1>inventions or innovations. So which one of those heroes are

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<v Speaker 1>you most taken with? You know, there's so many. Uh,

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<v Speaker 1>we we really had a lot of fun uncovering these

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<v Speaker 1>these folks. I mean, you know, I think the whole

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<v Speaker 1>story about Frederick Tutor and kind of inventing the ice

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<v Speaker 1>trade at the beginning of the nineteenth century is an

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<v Speaker 1>amazing one. Tutor himself, it seems like he was a

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<v Speaker 1>bit of a jerk, but but his whole process is amazing. So,

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<v Speaker 1>you know, he kids fund this idea that um, he

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<v Speaker 1>could take large blocks of frozen lake water from New

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<v Speaker 1>England lakes um and ship them ship these big blocks

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<v Speaker 1>of ice down to the American styles to the Caribbean

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<v Speaker 1>and then eventually UH to South America and even to India. UM.

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<v Speaker 1>And he and he has this idea like, look, you know,

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<v Speaker 1>ice is basically free in New England. UM, it's completely

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<v Speaker 1>abundant and has kind of no you can just go

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<v Speaker 1>and take it. Um. But it's unbelievably rare. In fact,

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<v Speaker 1>it was non existent in the Caribbean. If you grew

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<v Speaker 1>up in the Caribbean, you know, in the middle of

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<v Speaker 1>the early nineteen hundreds or eighteen hundreds, you would have

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<v Speaker 1>never seen ice your entire life. So he thought people

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<v Speaker 1>were going to pay a fortune for this, and so

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<v Speaker 1>he went to this whole laborate process of figuring out

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<v Speaker 1>how to get the blocks of ice to the Caribbean

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<v Speaker 1>without his melting, which was interesting in and of itself.

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<v Speaker 1>But the funniest thing is then it got there and

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<v Speaker 1>nobody wanted his ice. And people were like, why, why,

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<v Speaker 1>why would we want ice? We have been living here

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<v Speaker 1>for three hundred years about needing any ice, and we've

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<v Speaker 1>been fine, and so what would we do with that?

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<v Speaker 1>And so we had to kind of convince them of

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<v Speaker 1>the need price and that it was a really nice

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<v Speaker 1>resource to have to have things that were cold, and

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<v Speaker 1>eventually became, you know, a multi veionaire and ice was

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<v Speaker 1>briefly the second biggest export in the United States after

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<v Speaker 1>cop um. So he was ultimately a success. But it's

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<v Speaker 1>just a kind of a crazy story. What was the

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<v Speaker 1>starting point at about that point in which you realize

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<v Speaker 1>that you could create cohesive collection of jaw dropping moments

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<v Speaker 1>to help reframe our understanding of human innovation. Well, I

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<v Speaker 1>had written Where Good Ideas Come From UM, which you know,

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<v Speaker 1>is all about, in a way, the history of innovation,

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<v Speaker 1>but not organized in terms of individual kind of objects. Uh.

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<v Speaker 1>So it was about the kind of patterns and kind

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<v Speaker 1>of lessons from innovative people and environments and communities. And

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<v Speaker 1>uh and so I knew and that book had done well,

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<v Speaker 1>and I knew that you know that you could you

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<v Speaker 1>could tell these stories from history and they could be

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<v Speaker 1>kind of captivating, um if you figured out the right

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<v Speaker 1>stories to tell on the white way to frame them.

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<v Speaker 1>And then because of that book, uh, I got approached

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<v Speaker 1>basically with this idea of turning it into a television show. Um,

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<v Speaker 1>a television series and uh and so really was a

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<v Speaker 1>TV series first for PBS and and BBC. And it

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<v Speaker 1>was during the early conversation is about the show that

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<v Speaker 1>we came up with the idea of organizing it around

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<v Speaker 1>six you know, objects, a clean glass of drinking water,

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<v Speaker 1>a sound recording, you know, artificial light. Um. And then

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<v Speaker 1>once you have that kind of clarity, it was clear

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<v Speaker 1>that it was it was that's the that's the episodes,

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<v Speaker 1>and then the chapters as I wrote them in the book. Um,

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<v Speaker 1>we're gonna be fun because it just kind of gave

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<v Speaker 1>us this structure that I that I hadn't had and

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<v Speaker 1>where good ideas come from. All Right, we're gonna take

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<v Speaker 1>a quick break and when we come back, more questions

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<v Speaker 1>with Stephen Johnson. All Right, we're back talking to Stephen Johnson.

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<v Speaker 1>A lot of times on the podcast, we'll talk about

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<v Speaker 1>habits or practices that we tried to do, especially in

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<v Speaker 1>terms of creativity. Do you have any specific habits or

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<v Speaker 1>practices when you approach your work? Yeah, I have accumulated.

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<v Speaker 1>You know, this is my ninth book, so I've I

0:13:01.360 --> 0:13:04.440
<v Speaker 1>think there's a lot of little tricks. Actually I wrote

0:13:04.840 --> 0:13:07.000
<v Speaker 1>you can you know, maybe link to it. I wrote

0:13:07.040 --> 0:13:10.679
<v Speaker 1>a kind of serious little essays at at medium um

0:13:10.679 --> 0:13:13.120
<v Speaker 1>called the Writer's Room about some of my little tricks

0:13:13.120 --> 0:13:16.160
<v Speaker 1>that I'd accumulated over the years. But the biggest one

0:13:16.240 --> 0:13:18.280
<v Speaker 1>is this and and it's a big theme of the books. Actually,

0:13:18.280 --> 0:13:20.559
<v Speaker 1>you know, I talked in the last two books, I've

0:13:20.559 --> 0:13:23.319
<v Speaker 1>talked quite a bit about this idea of the slow hunch, right,

0:13:23.440 --> 0:13:27.480
<v Speaker 1>that the anti Eureka moment, instead of moments of sudden clarity,

0:13:27.679 --> 0:13:31.959
<v Speaker 1>sudden epiphany, breakthrough moments. Most good ideas come into the

0:13:31.960 --> 0:13:34.960
<v Speaker 1>world very slowly, and they start as hunches, and then

0:13:35.080 --> 0:13:37.439
<v Speaker 1>you know, they sometimes take two or three years or

0:13:37.600 --> 0:13:40.679
<v Speaker 1>a decade to turn into something that you can actually

0:13:40.800 --> 0:13:44.200
<v Speaker 1>use in a really actionable way. And so the trick

0:13:44.320 --> 0:13:47.480
<v Speaker 1>is to like preserve all of those hunches and keep

0:13:47.520 --> 0:13:50.400
<v Speaker 1>them alive for as long as you can, because you

0:13:50.440 --> 0:13:53.079
<v Speaker 1>know that idea you had in two thousand eight might

0:13:53.120 --> 0:13:54.840
<v Speaker 1>not really make sense in two thousand eight, but it

0:13:54.840 --> 0:13:58.160
<v Speaker 1>makes total sense to do Thousen fourteen because something has changed,

0:13:58.240 --> 0:14:00.480
<v Speaker 1>or you've met someone who has another either kind of

0:14:00.520 --> 0:14:03.200
<v Speaker 1>completes it, or the technology has changed in the world

0:14:03.240 --> 0:14:04.840
<v Speaker 1>and lets you kind of build on it, or you

0:14:04.920 --> 0:14:09.240
<v Speaker 1>understand something differently that you didn't understand before. So I've

0:14:09.440 --> 0:14:14.480
<v Speaker 1>I've been keeping this single document for the last uh

0:14:14.600 --> 0:14:17.920
<v Speaker 1>it's almost ten years now actually. Um. It was originally

0:14:18.000 --> 0:14:20.200
<v Speaker 1>like a word document and then it became a Google

0:14:20.280 --> 0:14:22.160
<v Speaker 1>doc so that I could just get to it. But

0:14:22.240 --> 0:14:26.480
<v Speaker 1>it's one one document, and I just in that document,

0:14:26.520 --> 0:14:30.560
<v Speaker 1>I write down every single random idea I have for anything,

0:14:31.600 --> 0:14:34.520
<v Speaker 1>whether it's like a talk or a startup or a

0:14:34.680 --> 0:14:38.320
<v Speaker 1>episode or you know, just like or a entire book

0:14:38.440 --> 0:14:41.320
<v Speaker 1>or a magazine article or even I don't know where

0:14:41.360 --> 0:14:42.800
<v Speaker 1>it's supposed to go, but it's just an idea that

0:14:42.800 --> 0:14:45.160
<v Speaker 1>popped into my head and I and I write it

0:14:45.160 --> 0:14:47.160
<v Speaker 1>down that same place that don't organize it at all.

0:14:47.840 --> 0:14:52.360
<v Speaker 1>It's that file is now about seventy thousand words long. UM.

0:14:52.400 --> 0:14:55.800
<v Speaker 1>So it's longer than all of my books. Um. That

0:14:55.880 --> 0:14:57.920
<v Speaker 1>file is longer like the longest book I've written. It's

0:14:57.880 --> 0:15:01.560
<v Speaker 1>probably about seventy thousand words. Everything else's short than that. UM.

0:15:01.600 --> 0:15:03.160
<v Speaker 1>And what I try and do is I go back

0:15:03.160 --> 0:15:05.440
<v Speaker 1>and reread it every six months or so. It takes

0:15:05.480 --> 0:15:07.280
<v Speaker 1>a while. It takes like a book flenks worth of

0:15:07.320 --> 0:15:09.040
<v Speaker 1>time to reread all these things. But I try and

0:15:09.080 --> 0:15:12.320
<v Speaker 1>go through and reread it because you know you're constantly

0:15:12.360 --> 0:15:15.680
<v Speaker 1>finding things in your past. We're like, oh right, I

0:15:15.760 --> 0:15:17.800
<v Speaker 1>forgot I had that idea. That's such a good one,

0:15:17.840 --> 0:15:19.800
<v Speaker 1>and now would makes total sense to do it here,

0:15:19.840 --> 0:15:22.280
<v Speaker 1>you know. So that's one of the key kind of

0:15:22.280 --> 0:15:24.840
<v Speaker 1>techniques that I've had over the years, just to keep

0:15:24.880 --> 0:15:29.480
<v Speaker 1>that one. I call it my spark file. Um. And uh,

0:15:29.480 --> 0:15:32.800
<v Speaker 1>it's been incredibly helpful to me. So just looking back

0:15:32.840 --> 0:15:35.920
<v Speaker 1>at that spread to give you any insights into how

0:15:35.960 --> 0:15:38.360
<v Speaker 1>you work or your thought process, yeah, well it really

0:15:38.360 --> 0:15:40.920
<v Speaker 1>doesn't mean. The cool thing is sometimes I go back

0:15:40.960 --> 0:15:43.120
<v Speaker 1>and I'm rereading it and I'll come across one little

0:15:43.160 --> 0:15:45.960
<v Speaker 1>passage and I'll be like, that was the night I

0:15:46.000 --> 0:15:48.920
<v Speaker 1>came up with the idea for invention of air. My book,

0:15:49.120 --> 0:15:52.920
<v Speaker 1>Like the whole book came out of that little nugget

0:15:53.000 --> 0:15:55.200
<v Speaker 1>that I had, you know, like that that night, And

0:15:55.200 --> 0:15:56.760
<v Speaker 1>here I am writing it down, you know, for the

0:15:56.760 --> 0:15:59.040
<v Speaker 1>first time. So you can see the idea of starting

0:15:59.080 --> 0:16:01.640
<v Speaker 1>to take shape, which is really great, and and it

0:16:01.760 --> 0:16:04.560
<v Speaker 1>just you know, it encourages you. It makes you feel like, Okay,

0:16:04.560 --> 0:16:05.680
<v Speaker 1>you know, if I keep doing this, I'm going to

0:16:05.720 --> 0:16:09.920
<v Speaker 1>generate another book idea in here, you know, sooner or later. Um.

0:16:09.960 --> 0:16:12.840
<v Speaker 1>And then sometimes I read, you know, notes that I've

0:16:12.840 --> 0:16:15.160
<v Speaker 1>written that I'm like, how many glasses of wine that

0:16:15.280 --> 0:16:17.320
<v Speaker 1>I had when I wrote that down? I don't even

0:16:17.320 --> 0:16:20.480
<v Speaker 1>know what I'm talking about. So, you know, some are

0:16:20.640 --> 0:16:22.560
<v Speaker 1>you see a lot of like dead ends and things

0:16:22.560 --> 0:16:25.840
<v Speaker 1>that didn't work. But you know, you know, it's a

0:16:25.840 --> 0:16:29.360
<v Speaker 1>big theme of of the show in the book too,

0:16:29.400 --> 0:16:32.400
<v Speaker 1>that there's you know, productive failure. You know, you you

0:16:32.400 --> 0:16:34.840
<v Speaker 1>you end up innovating more if you take a lot

0:16:34.920 --> 0:16:37.440
<v Speaker 1>of risks and if you're constantly like experimenting with ideas,

0:16:37.480 --> 0:16:41.440
<v Speaker 1>most most of which aren't going to work out. Um uh,

0:16:41.520 --> 0:16:44.160
<v Speaker 1>But if you do that, eventually you'll start hitting you know,

0:16:44.280 --> 0:16:47.200
<v Speaker 1>hitting some that that actually do work out. All right,

0:16:47.240 --> 0:16:48.480
<v Speaker 1>So this one might be a bit of a doozy.

0:16:48.560 --> 0:16:52.440
<v Speaker 1>But but how does this understanding of innovation's history color

0:16:52.520 --> 0:16:58.360
<v Speaker 1>our expectation for humanity's future, perhaps humanity's future beyond Earth? Well,

0:16:59.240 --> 0:17:04.800
<v Speaker 1>I don't know, beyond Earth. That's that's probably kind of

0:17:04.840 --> 0:17:08.520
<v Speaker 1>above my pay grades speculated on. But but but I

0:17:08.560 --> 0:17:12.359
<v Speaker 1>think it should color our long view of human history

0:17:12.560 --> 0:17:15.919
<v Speaker 1>in in a in a positive way, right, um. And

0:17:15.920 --> 0:17:17.800
<v Speaker 1>then you know, one of the things that I tried

0:17:17.840 --> 0:17:20.760
<v Speaker 1>to do in in this book. Um. And in a way,

0:17:20.760 --> 0:17:23.920
<v Speaker 1>in my last book, Future Perfect, was to just remind

0:17:24.000 --> 0:17:28.520
<v Speaker 1>people how much incredible progress we've made over the last

0:17:28.520 --> 0:17:31.600
<v Speaker 1>particularly two hundred years. Um. You know, I have a

0:17:31.600 --> 0:17:34.520
<v Speaker 1>whole risk in the book and the show about the

0:17:34.560 --> 0:17:37.640
<v Speaker 1>introduction of chlorination into drinking water and the crazy story

0:17:37.680 --> 0:17:40.680
<v Speaker 1>behind that. And and you know that one little step

0:17:40.880 --> 0:17:43.960
<v Speaker 1>understanding that chlorine and small doses would be harmless to

0:17:44.000 --> 0:17:48.879
<v Speaker 1>humans but could kill bacteria, that one little innovation, you know,

0:17:49.040 --> 0:17:53.119
<v Speaker 1>ended up reducing inframortality and child mortality by more than

0:17:54.840 --> 0:17:57.359
<v Speaker 1>and you know, just think about that. I mean to

0:17:57.440 --> 0:18:01.720
<v Speaker 1>think about how common infident child more stality was high

0:18:01.720 --> 0:18:04.600
<v Speaker 1>those numbers were in the developed world a hundred and

0:18:04.600 --> 0:18:06.480
<v Speaker 1>fifty years ago. I mean, it's just it is the

0:18:06.560 --> 0:18:09.000
<v Speaker 1>single worst thing that you can imagine happening to you

0:18:09.040 --> 0:18:12.040
<v Speaker 1>as as a parent, the loss of a child. And

0:18:12.200 --> 0:18:15.879
<v Speaker 1>through through all these kind of collaborative innovations over the

0:18:15.960 --> 0:18:18.120
<v Speaker 1>last hundred fifty years, we've taken something that was very

0:18:18.200 --> 0:18:20.680
<v Speaker 1>common in the middle of the nineteenth century, it made

0:18:20.680 --> 0:18:23.680
<v Speaker 1>it very rare here at the beginning of the twenty one.

0:18:23.800 --> 0:18:27.520
<v Speaker 1>And that's just extraordinary. And that is that is actually

0:18:27.520 --> 0:18:30.960
<v Speaker 1>happening in the developing world even faster now than it

0:18:31.040 --> 0:18:34.880
<v Speaker 1>happened in the developed world a hundred years ago. So yes,

0:18:34.920 --> 0:18:37.800
<v Speaker 1>they're lagging behind us, but they're seeing even faster rates

0:18:37.800 --> 0:18:41.480
<v Speaker 1>of progress on something like that. So I think, look,

0:18:41.520 --> 0:18:43.840
<v Speaker 1>we have big challenges that we have to confront. We

0:18:43.880 --> 0:18:47.159
<v Speaker 1>have energy challenges, we have climate challenges. Um, you know,

0:18:47.240 --> 0:18:50.000
<v Speaker 1>we have any quality challenges and things like that. But

0:18:50.720 --> 0:18:53.639
<v Speaker 1>the track record as the last you know, two hundred

0:18:53.680 --> 0:18:56.520
<v Speaker 1>to three hundred years is an extraordinary one and as

0:18:56.640 --> 0:18:59.800
<v Speaker 1>extraordinary all around the world. Um, it's not just anymore

0:18:59.880 --> 0:19:03.440
<v Speaker 1>or the story of you know, the West with an impoverished,

0:19:03.760 --> 0:19:06.480
<v Speaker 1>um third world, that is not what's happening. We're seeing

0:19:06.520 --> 0:19:09.879
<v Speaker 1>actually the developing world, you know, increase in its basic

0:19:09.920 --> 0:19:16.440
<v Speaker 1>standards of living faster than any human settlement uh in history.

0:19:16.520 --> 0:19:18.560
<v Speaker 1>So I think, while we do have these problems, hopefully

0:19:18.640 --> 0:19:20.439
<v Speaker 1>you look at you look at it from this angle

0:19:20.520 --> 0:19:22.080
<v Speaker 1>and you see, you know, you see a lot of

0:19:22.080 --> 0:19:25.720
<v Speaker 1>reasons for optimism. You've written about how innovation tends to

0:19:25.800 --> 0:19:29.479
<v Speaker 1>keep tabs on itself and not unleash anything too terrible

0:19:29.640 --> 0:19:33.680
<v Speaker 1>or harmful upon the world. But in terms of today's technology,

0:19:33.800 --> 0:19:36.480
<v Speaker 1>which moves at a far faster pace than the current

0:19:36.560 --> 0:19:40.000
<v Speaker 1>legal system. Do you see a downside or a need

0:19:40.080 --> 0:19:44.280
<v Speaker 1>to address the oversight system in place. Yeah, that's a

0:19:44.320 --> 0:19:47.359
<v Speaker 1>really good question. I mean, this is the classic you know,

0:19:47.480 --> 0:19:52.600
<v Speaker 1>concern about why why we haven't detected any radio signals

0:19:54.040 --> 0:19:55.960
<v Speaker 1>in like the SETI projects and things like that. And

0:19:56.040 --> 0:19:58.160
<v Speaker 1>one of the arguments is that it may well be

0:19:58.440 --> 0:20:03.760
<v Speaker 1>that civil sizations that advance far enough to send out

0:20:03.800 --> 0:20:08.600
<v Speaker 1>structured radio signals. It's some you know, other planet are

0:20:08.640 --> 0:20:16.439
<v Speaker 1>almost immediately wiped out by some self destructive technology that

0:20:16.480 --> 0:20:21.240
<v Speaker 1>follows the invention of radio UM, which is the the

0:20:21.320 --> 0:20:25.480
<v Speaker 1>less optimistic view of what happens UM. And I think

0:20:25.520 --> 0:20:27.640
<v Speaker 1>we do have you know, we live in a much

0:20:27.680 --> 0:20:30.320
<v Speaker 1>more you know, kind of connected world. And so if

0:20:30.359 --> 0:20:34.880
<v Speaker 1>there were some kind of you know, self replicating style

0:20:36.119 --> 0:20:40.720
<v Speaker 1>biotechnology or nanotechnology, this is the kind of gray goo

0:20:41.080 --> 0:20:46.960
<v Speaker 1>um nightmare scenarios that we would you know, we could

0:20:47.000 --> 0:20:51.920
<v Speaker 1>unleash something that's that you know, was incredibly damaging to society,

0:20:52.000 --> 0:20:53.760
<v Speaker 1>that that could be a risk. And you know, I

0:20:53.760 --> 0:20:58.560
<v Speaker 1>suppose like genetics meddling people are concerned about UM. I

0:20:58.600 --> 0:21:02.760
<v Speaker 1>think it would be really good you know too. We

0:21:02.760 --> 0:21:07.200
<v Speaker 1>we certainly need to have better systems for thinking about risk,

0:21:08.160 --> 0:21:12.040
<v Speaker 1>and particularly for thinking about these unintended unintended consequences in

0:21:12.160 --> 0:21:15.440
<v Speaker 1>terms of risk. Um I'm not sure if our existant

0:21:15.520 --> 0:21:18.600
<v Speaker 1>kind of regulatory bodies are the best set up for that.

0:21:18.720 --> 0:21:21.480
<v Speaker 1>I don't think, you know, government agencies do a particularly

0:21:21.480 --> 0:21:24.840
<v Speaker 1>good job of thinking about that kind of risk. But

0:21:24.920 --> 0:21:28.480
<v Speaker 1>I'm not sure really what the alternative is. Um. It's

0:21:28.480 --> 0:21:30.520
<v Speaker 1>one of the places where I think, and I'm not

0:21:30.520 --> 0:21:31.840
<v Speaker 1>actually a big reader of this, but one of the

0:21:31.840 --> 0:21:34.399
<v Speaker 1>places where I think science fiction is probably pretty healthy

0:21:34.480 --> 0:21:38.040
<v Speaker 1>for the society because basically science fiction authors just sit

0:21:38.080 --> 0:21:42.240
<v Speaker 1>around and like imagine pretty alternate future scenarios based on

0:21:42.640 --> 0:21:46.359
<v Speaker 1>you know, projecting out from the present, and that that's

0:21:46.359 --> 0:21:49.240
<v Speaker 1>a pretty healthy attitude because it sometimes helps us steer

0:21:49.280 --> 0:21:52.480
<v Speaker 1>away from those things, right, you know, we we had

0:21:53.040 --> 0:21:56.080
<v Speaker 1>fears about what would look like and we're able to

0:21:56.200 --> 0:21:59.800
<v Speaker 1>kind of largely for the most part, some of it

0:22:00.000 --> 0:22:01.800
<v Speaker 1>a true, but some of it didn't. I think partially

0:22:01.840 --> 0:22:03.879
<v Speaker 1>because in my eighty four was such a powerful and

0:22:03.880 --> 0:22:08.280
<v Speaker 1>evocative book. Um So, it made us worried about entering

0:22:08.280 --> 0:22:11.240
<v Speaker 1>into that kind of state. Um So, I think in

0:22:11.280 --> 0:22:14.040
<v Speaker 1>some ways the kind of divisionaries and the sci fi

0:22:14.080 --> 0:22:16.800
<v Speaker 1>authors maybe as important to this kind of stuff as

0:22:16.320 --> 0:22:19.800
<v Speaker 1>the traditional regulators. All Right, we're gonna take a quick

0:22:19.840 --> 0:22:22.520
<v Speaker 1>break and we get back. We will have more from Stephen.

0:22:31.359 --> 0:22:36.120
<v Speaker 1>All right, we're back. More questions here. We'll author Stephen Johnson. Uh, Stephen,

0:22:36.160 --> 0:22:38.359
<v Speaker 1>what's the next topic that's going to keep you up

0:22:38.359 --> 0:22:42.439
<v Speaker 1>at night making connections to that wider world. We're talking

0:22:42.480 --> 0:22:46.600
<v Speaker 1>about doing another series, another season of this show, which

0:22:46.600 --> 0:22:49.480
<v Speaker 1>would have another book. Um and so the question is

0:22:49.520 --> 0:22:52.920
<v Speaker 1>what would it you know, what would be the uh

0:22:53.280 --> 0:22:54.920
<v Speaker 1>focus of it. I'd like to have it have a

0:22:55.000 --> 0:22:57.359
<v Speaker 1>kind of a distinct focus, so it's not just like

0:22:57.440 --> 0:23:00.880
<v Speaker 1>six more objects that changed the world, you know. Um.

0:23:01.200 --> 0:23:04.399
<v Speaker 1>And I'm really interested in in leisure and kind of recreation,

0:23:04.440 --> 0:23:07.480
<v Speaker 1>because that's another measure of progress, is how much time

0:23:07.520 --> 0:23:11.120
<v Speaker 1>we have to sit around, like playing video games, are

0:23:11.119 --> 0:23:15.960
<v Speaker 1>going on vacations like our hunter gatherer ancestors didn't have

0:23:16.040 --> 0:23:19.800
<v Speaker 1>as much of um And so it would be interesting

0:23:19.840 --> 0:23:23.160
<v Speaker 1>to do kind of a history, a connected history of

0:23:23.160 --> 0:23:26.000
<v Speaker 1>of the things that we do for fun, um and

0:23:26.040 --> 0:23:27.840
<v Speaker 1>how those things came into being. I think that would

0:23:27.880 --> 0:23:30.840
<v Speaker 1>be pretty cool. Okay, if you don't mind indulging us.

0:23:30.880 --> 0:23:33.000
<v Speaker 1>We have a couple of standard questions we like to

0:23:33.040 --> 0:23:38.240
<v Speaker 1>ask people. So Woolly Mammoth, bring it back or don't

0:23:38.280 --> 0:23:43.240
<v Speaker 1>bring it back? Well, you know, Stewart brand is uh,

0:23:43.520 --> 0:23:46.919
<v Speaker 1>my neighbor in California and old friends. So whatever Stewart

0:23:47.000 --> 0:23:50.200
<v Speaker 1>is doing, I'm I'm in favor of. I think it'd

0:23:50.200 --> 0:23:53.000
<v Speaker 1>be cool to bring it back. All right, This question

0:23:53.160 --> 0:23:55.600
<v Speaker 1>is fairly serious and you don't have to answer it

0:23:55.640 --> 0:23:59.359
<v Speaker 1>if you're uncomfortable. Um, but we're just wondering do you

0:23:59.440 --> 0:24:03.640
<v Speaker 1>have a cost don't pick out for Halloween? Sadly, I'm

0:24:03.680 --> 0:24:06.680
<v Speaker 1>going to be in London actually doing the UK uh

0:24:06.960 --> 0:24:10.760
<v Speaker 1>publication tour of the book. Um, and they don't really

0:24:10.800 --> 0:24:12.840
<v Speaker 1>do Halloween over there quite the way we do in

0:24:12.840 --> 0:24:14.840
<v Speaker 1>the US, so I will be just sitting in my

0:24:14.880 --> 0:24:18.000
<v Speaker 1>hotel room ordering in room service. Uh. But my kids

0:24:18.040 --> 0:24:21.040
<v Speaker 1>went out and got some very disturbing costumes the other day,

0:24:21.080 --> 0:24:24.840
<v Speaker 1>so uh, they'll be they'll be in style here in Brooklyn.

0:24:25.080 --> 0:24:26.960
<v Speaker 1>All right, Stephen, Well, thank you for talking with us

0:24:27.200 --> 0:24:29.280
<v Speaker 1>before we go. Is there anything else you'd like listeners

0:24:29.320 --> 0:24:32.239
<v Speaker 1>to know about the book and the series? Well, I

0:24:32.359 --> 0:24:33.800
<v Speaker 1>you know, I think the one thing I say about

0:24:33.800 --> 0:24:37.160
<v Speaker 1>the series, um, is it it's really it's a really

0:24:37.200 --> 0:24:40.359
<v Speaker 1>fun show to watch with your kids, like to watch

0:24:40.359 --> 0:24:43.160
<v Speaker 1>with like an eleven year old, um, or if you're

0:24:43.160 --> 0:24:45.919
<v Speaker 1>a kid, to watch with your parents. Is it just

0:24:46.000 --> 0:24:48.280
<v Speaker 1>it really like it's pitched at this level. The book

0:24:48.320 --> 0:24:50.199
<v Speaker 1>is slightly you know, older. I think it would be

0:24:50.200 --> 0:24:52.959
<v Speaker 1>hard for eleven year old to read the book. But um,

0:24:53.080 --> 0:24:56.040
<v Speaker 1>the show is right in the sweet spot where I

0:24:56.040 --> 0:24:57.840
<v Speaker 1>think most of the grown ups will have not heard.

0:24:57.880 --> 0:25:00.399
<v Speaker 1>The stories are all we worked really hard to has,

0:25:00.680 --> 0:25:02.680
<v Speaker 1>you know, stories that you will not know and that

0:25:02.760 --> 0:25:05.360
<v Speaker 1>we'll kind of blow your mind a little bit. Um.

0:25:05.400 --> 0:25:07.520
<v Speaker 1>But at the same time, there's nothing in it that

0:25:07.560 --> 0:25:09.400
<v Speaker 1>an eleven year old won't get. And I think it's

0:25:09.480 --> 0:25:12.240
<v Speaker 1>it's told and kind of a playful, fun way. It's

0:25:12.280 --> 0:25:15.159
<v Speaker 1>not like you're normal kind of history series. Um. I

0:25:15.200 --> 0:25:17.560
<v Speaker 1>think it's I think it should be a good family show.

0:25:19.000 --> 0:25:20.680
<v Speaker 1>All right. So there you have it. Our chat with

0:25:20.800 --> 0:25:24.920
<v Speaker 1>Steven Johnson again the book How We Got to Now?

0:25:25.240 --> 0:25:28.520
<v Speaker 1>The TV series also How We Got to Now. We

0:25:28.640 --> 0:25:32.399
<v Speaker 1>highly recommend books. Yeah, airing on PBS Wednesdays, that's Tenny

0:25:32.440 --> 0:25:35.960
<v Speaker 1>Stern and nine Central. And if you guys have any

0:25:36.080 --> 0:25:39.480
<v Speaker 1>thoughts about this, I hope that you send them our way. Indeed,

0:25:39.520 --> 0:25:41.479
<v Speaker 1>and in the meantime, be sure to check out stuff

0:25:41.480 --> 0:25:43.920
<v Speaker 1>to Blow your Mind dot com. That is our mothership.

0:25:43.960 --> 0:25:46.119
<v Speaker 1>That's where you'll find all of our podcast episodes, all

0:25:46.160 --> 0:25:48.240
<v Speaker 1>of our videos, all of our podcast There's always links

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<v Speaker 1>out to the various social media accounts that we maintain. Yes,

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<v Speaker 1>and you can contact us via email if you'd like.

0:25:54.080 --> 0:25:55.960
<v Speaker 1>You can do that that blow the mind at how

0:25:56.040 --> 0:26:03.040
<v Speaker 1>stuff works dot com for more on this and thousands

0:26:03.040 --> 0:26:11.520
<v Speaker 1>of other topics. Does it how stuff works dot com