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Speaker 1: Questlove Supreme is a production of iHeartRadio. This classic episode

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Speaker 1: was produced by the team at Pandora.

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Speaker 2: Hey, Sugar, Steve and This classic QLs episode takes us

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Speaker 2: back to December twenty seventh, two thoy seventeen. Comedian and

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Speaker 2: actor Roy Wood Junior looks back on the roller coaster

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Speaker 2: year that was twenty seventeen with Questlove and Team Supreme.

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Speaker 3: Where were you? I gotta take it on them long

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Speaker 3: lass eight ball.

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Speaker 4: I bet Suprema.

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Speaker 5: Supremo, roll call Suprema Suck su Supremo, roll call Supremo.

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Speaker 3: Suck Suck Supremo, roll call Suprema.

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Speaker 4: So two thy seventeen is over. Yeah, I'm not a

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Speaker 4: moment too late. Yeah, I'm gonna have a better life.

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Speaker 3: Yeah too.

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Speaker 5: Suprema Supremo. Roll call Supremo Supreme.

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Speaker 4: Roll my name is Fante. Yeah you know I got it?

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Speaker 4: Yeah I am why. Yeah, black people ain't patriotic.

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Speaker 5: Suprema Supremo, roll call Suprema So Supremo.

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Speaker 3: Role called. My name is Sugar. Yeah. Happy New Year

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Speaker 3: to you. Yeah and happy Hanikah.

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Speaker 5: Yeah, Suprema something Supreme, Suprema something Suprema.

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Speaker 4: Role still can't be leave. Yeah that this year is done. Yeah,

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Speaker 4: seems like yesterday. Yeah it was January one.

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Speaker 5: Suprema so supremea roll called Suprema.

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Speaker 6: Supremo role called a year. Yeah, too much to say, Yeah,

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Speaker 6: she's got to have it. Yeah, that's all I wanted

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Speaker 6: to say.

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Speaker 3: No Supreme roll.

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Speaker 4: My name is Roy. Yeah, I'm from Alabama. Yeah, I'm

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Speaker 4: celebrating Kwanza. Yeah, even though I don't know what quanta is.

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Speaker 5: Supremo roll call Suprima Sun Sun Suprema roll call Supreme

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Speaker 5: Sun Sun Supreme roll call Supreme Son Sun Supreme.

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Speaker 4: Roll Wait a minute, okay, because it's hard for me

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Speaker 4: to hear myself.

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Speaker 3: It was like table of contents, part one of them.

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Speaker 3: Really it was that loud. I'm apologizing to.

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Speaker 6: Spike Ly and everybody at the cast if she's got

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Speaker 6: to have it.

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Speaker 4: No, I didn't like in my head it was like

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Speaker 4: didn't sound is Yeah? I thought I was doing it

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Speaker 4: off mic. That s was the stereo very year? Ye

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Speaker 4: would you like to finish your did?

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Speaker 6: I just got to have it, you know? Okay, long years,

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Speaker 6: she gotta have it. Remember right now?

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Speaker 4: Welcome to quest Love Supreme V Annual our second Uh

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Speaker 4: the K.

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Speaker 3: So that's what dad, kuans.

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Speaker 4: Is whatever that that that is the day?

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Speaker 3: That's that? Can white people celebrate.

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Speaker 6: K Yes they can. It's funny you asked that.

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Speaker 3: Who's the voice of Kwanta Experts, Ladies and gentlemen.

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Speaker 4: First of all, we like to thank you for tuning in,

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Speaker 4: and right now we have a friend dropping by on

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Speaker 4: us unexpectedly. Very funny guy, very extremely funny. I mean, well,

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Speaker 4: I've first heard you from the Foxhole, but I mean

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Speaker 4: you've had history that the prank calls. Yeah, exactly. I

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Speaker 4: used to listen, even pre YouTube or whatever like, used

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Speaker 4: to listen. We used to listen to those what is

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Speaker 4: that email forward? That's when you went viral in two

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Speaker 4: thousand and two for I mean, now you could just

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Speaker 4: go and YouTube listen to things that are archived.

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Speaker 3: Can't remember pre YouTube days? Oh yeah, it's long ago.

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Speaker 4: But we used to listen to those print calls a

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Speaker 4: lot on the tour bus, Prinster Anyway, Daily Show, Last

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Speaker 4: Comic Standing, So many you've done Conan a lot.

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Speaker 3: Also shout out to Conan man. He used to work.

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Speaker 3: He used to give me work when nobody else would. Exactly. Yes,

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Speaker 3: he looked out for the cookout.

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Speaker 4: Ladies and gentlemen, please welcome one of our favorite comedians,

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Speaker 4: Roy Wood Junior.

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Speaker 7: Alabama's own Yeah man, so out of Alabama. I'm sorry

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Speaker 7: about ot of drum Alabama College, y'all.

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Speaker 3: This year white folks sorr.

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Speaker 4: They ride horses to the polls, and they talked about

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Speaker 4: gay people and slavery.

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Speaker 6: They bring their guns.

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Speaker 3: Yeah, just to a speech, Just bring the gun. I'm

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Speaker 3: Roy Moore. I got a gun just in case a pistol.

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Speaker 4: So Roy, Okay, So we'd be remiss if we didn't

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Speaker 4: say that. Of course, we tape some episodes of Quest

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Speaker 4: of Supreme rather week's of advance of us going on

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Speaker 4: the air. But this particular taping we are kind of

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Speaker 4: awaiting the results. Well, I don't know if we're awaiting

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Speaker 4: the results of of of the well, I mean, do

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Speaker 4: we kind of know how it's going to go?

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Speaker 3: I mean, oh, you have hope.

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Speaker 8: I got to a little bit. I got to I

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Speaker 8: know a lot of black folks and Bama. I'm hoping

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Speaker 8: that you know, as.

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Speaker 7: The great philosopher of the game once told us, you

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Speaker 7: don't have to anything's possible.

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Speaker 4: If fifty Vica, I appreciate.

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Speaker 3: It, hated to love it. The underdogs on the top.

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Speaker 4: Yeah, so we was talking outside, so you got to

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Speaker 4: break it down for the audience what it is with

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Speaker 4: other cats.

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Speaker 7: Here's the thing I don't really like as a black person. Yeah,

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Speaker 7: I'm the Democrat and I locked up the Klan. That's

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Speaker 7: what he's running on, Like it's he ran on this

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Speaker 7: platform that he was one of the people who prosecuted

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Speaker 7: two of the last living Clans members who bombed the

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Speaker 7: Sixteenth Street Baptist Church back in the sixties. But the

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Speaker 7: truth of the matter is that it wasn't like he

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Speaker 7: crusaded to you.

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Speaker 3: Know, we got to reopen this case. Gut damn it.

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Speaker 3: I know they ever can lock him up.

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Speaker 4: No, the FBI reopened the sixteenth Street bombing, and Doug

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Speaker 4: Jones was the dude at the time, Like, Yo, you're

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Speaker 4: the person in the office that does this type of shit,

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Speaker 4: so go prosecute this dude. And they locked the clansman

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Speaker 4: up and now he's hanging his hat on that and

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Speaker 4: that's fine, dude, what you do.

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Speaker 3: He wasn't actively pursuing it like this was nineteenth He

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Speaker 3: prosecuted this dude in like the late nineties, don't like

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Speaker 3: it was the church wasn't still smoldering when you march

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Speaker 3: into the damn porthouse. His nigga did it? Wh Muddy

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Speaker 3: Waters came out. Probably a lot of Klansman died like

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Speaker 3: two months after he got locked up.

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Speaker 4: He was old, So don't and I just feel like

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Speaker 4: this what I was telling you outside is that you know,

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Speaker 4: as a white dude, he didn't properly crusade for black

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Speaker 4: justice because they never gave him his movie. You're a

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Speaker 4: white man and you get black justice, you're supposed to

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Speaker 4: get your movie. He didn't get his movie. If you

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Speaker 4: want to getting a movie, don't know. I don't know,

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Speaker 4: Like how low does your steam have to be? If

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Speaker 4: a child molester beats.

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Speaker 7: You, you gotta get you gotta leave the game.

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Speaker 6: I mean, yeah, we got bigger fish.

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Speaker 3: So you could ask Hillary that question.

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Speaker 8: That's where and that's where we are if it's from

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Speaker 8: this from the top down.

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Speaker 6: Seven seeing everybody. That's how I started with Trump and.

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Speaker 4: His rid This dude said I dated some girls that

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Speaker 4: might have been teenagers, but I got their mammy's permission.

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Speaker 4: He said America was good back when it was still slavery.

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Speaker 4: He said being gay should be illegal. He showed up

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Speaker 4: to the polls to vote on a horse. If you

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Speaker 4: lose to that, dude, you have to get out of politics. Okay,

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Speaker 4: so you just got to get out the game. Bro,

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Speaker 4: this is not for you. I'm not trying to piggyback

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Speaker 4: off of I having recently just found out my entire

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Speaker 4: family comes from Alabama, I'm now like sort of taking

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Speaker 4: interest in.

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Speaker 3: Alabama jokes and ship.

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Speaker 8: No.

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Speaker 4: No, I'm just saying that, you know, before I could

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Speaker 4: ignore Alabama.

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Speaker 3: Okay' y'all gave us the Commodores. Who else?

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Speaker 4: I mean you, No, I'm just in general. It's like,

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Speaker 4: I mean, do we really as Northerners? I mean, as Northerners,

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Speaker 4: we've always had this reputation of being snooty and and

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Speaker 4: and above it all, sort of looking down at our

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Speaker 4: Southern counterparts. But you know, only yes, I understand that

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Speaker 4: we we should all the Commodore's.

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Speaker 3: You're still on that.

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Speaker 4: We also gave y'all Beyonce's mama, So y'all Louisiana, my mama, Alabama.

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Speaker 6: My Texas knows something.

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Speaker 3: Something country ground. I know that. I mean I didn't

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Speaker 3: even get to that part. I mean, we was going

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Speaker 3: off with new kids on the block last week. So okay, we.

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Speaker 4: All I'm saying is is is there hope for Alabama?

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Speaker 3: Is there hope? Yes? Yes, Like are there any parts

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Speaker 3: of Alabama that seemed remotely progressive? Yes?

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Speaker 7: Absolutely. So I'm from Birmingham. So Birmingham is a blue county,

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Speaker 7: deep blue county in the middle of a red state.

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Speaker 7: I think Montgomery's a blue county as well. Birmingham just

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Speaker 7: got a new mayor, thirty six year old brother named

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Speaker 7: Randall Wood Finn Madham, and this dude is all about

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Speaker 7: changing everything. This brother came in and Birmingham has had

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Speaker 7: black mayor since the seventies, but it's always been an

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Speaker 7: older guard sixty or over seventy year over type brothers

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Speaker 7: who have a different ideology. So now you have someone

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Speaker 7: that's young.

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Speaker 4: And the first thing he did, literally the day after

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Speaker 4: he was sworn in was fire half of the old

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Speaker 4: mayor staff. Like when you talk about somebody serious about

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Speaker 4: bringing in new blood and new people from top to bottom,

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Speaker 4: what's up man? You the janetor Yeah, I'm gonna need

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Speaker 4: you to give me your mob, bro, We're gonna go on.

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Speaker 4: Everybody got fired, So you have that. And then also

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Speaker 4: Inham there's a Birmingham, and I would argue this for

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Speaker 4: the whole I know for the state. It's a fact,

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Speaker 4: and I wonder I'd love to check the numbers to

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Speaker 4: see what it is nationally. But we have nine black

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Speaker 4: women sitting as judges on this city and county level,

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Speaker 4: which is important because it's a predominantly black city where

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Speaker 4: all the drug laws getting black people locked up. So

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Speaker 4: when you're a black person and you go in front

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Speaker 4: of a black judge, these black women, a lot of

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Speaker 4: them are taking like all of these different sentencing alternatives

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Speaker 4: instead of just throwing a Negro away and locking them

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Speaker 4: up and leaving them in a rock and jail. Hey,

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Speaker 4: I'm gonna give you a second chance, but go get

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Speaker 4: that high school diploma for me. Come back and see

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Speaker 4: me in a year after you got that house. Hey,

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Speaker 4: I will lock you up, but you know what, go

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Speaker 4: to this drug rehab program treating drugs as a disease

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Speaker 4: instead of just oh you hold them.

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Speaker 3: Yeah, exactly.

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Speaker 4: So when you have people like that doing stuff like

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Speaker 4: that now, I think it's a slow crawl. And if

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Speaker 4: you look at Birmingham and what it was twenty or

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Speaker 4: thirty years ago, negroes wasn't getting that type of benevolence

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Speaker 4: in the legal system.

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Speaker 3: So it's a start. I gotta say that it was.

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Speaker 4: I was rather I was surprised we did like a

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Speaker 4: showen Bermingham, like maybe last year and was I mean,

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Speaker 4: I was thrown off by the tree that the willows.

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Speaker 4: I'm still that still scares the living message.

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Speaker 3: Oh yeah, I'm hanging trees. Yeah they're still up there.

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Speaker 3: But uh, it seemed a little more forward than the

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Speaker 3: rest of alum.

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Speaker 4: It was was overtly friendly, like to a level that

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Speaker 4: I wasn't used to almost.

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Speaker 3: You know what.

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Speaker 7: I blame that, don't know, man, Like I'm just being

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Speaker 7: it sounds like a cop out because I'm from the state,

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Speaker 7: But I just blame it on how the South is

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Speaker 7: portrayed more often than not in television and film, especially Alabama.

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Speaker 7: More often than not, if Alabama is the focus of something,

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Speaker 7: it's either some period piece from back in the day

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Speaker 7: where it's Nigga Nigga Nigga and I'm a savior and

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Speaker 7: you get out of town boy, or it's First forty

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Speaker 7: eight like those are pretty much the only two options

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Speaker 7: in terms of how Alabama's portrayed, or some Forest Gump

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Speaker 7: Backwood type ship.

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Speaker 3: Do you resent that. I mean because even the term Bama,

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Speaker 3: like when we oh yeah, Bama is a negative every day.

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Speaker 7: But I understand it because you got a dude down

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Speaker 7: there who says gay people should be in jail.

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Speaker 6: Oh wait, Bama is a bad thing.

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Speaker 4: I didn't think, oh yeah, yeah, you're just a country.

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Speaker 6: And it's like we turned the bad into the good.

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Speaker 6: Sometimes you could be a bad Bama, but then.

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Speaker 3: There's a good Bama. Yeah.

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Speaker 7: Never knew like it was so bad. Like I wouldn't

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Speaker 7: tell people I was from Alabama. I would specifically say

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Speaker 7: Birmingham so that it didn't trigger the Bama in their head,

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Speaker 7: Like what I mean, people, you're from Alabama.

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Speaker 3: Oh you're Abama. You're right, And I can't.

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Speaker 4: Get Richie's like straight to you, not saying he wouldn't

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Speaker 4: say Alabama, but he said.

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Speaker 3: Yeah, that's how we do. Man.

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Speaker 7: It's it's a it's an interesting place. I just feel

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Speaker 7: like they're more progressive of parts of the city, which

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Speaker 7: is why it's important for me anytime I'm out and

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Speaker 7: I'm doing shit that I'm screaming Alabama at the top

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Speaker 7: of my lungs. Anytime I'm on television to make sure

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Speaker 7: that that people know that good ship can still that

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Speaker 7: there's still good shit coming out the state. It ain't

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Speaker 7: just wipe my fuck on the horse.

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Speaker 8: And off barness to the south though, like how Birmingham

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Speaker 8: is to Alabama, Philly is to Pennsylvania, Like people don't

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Speaker 8: know that is ready. I mean, and some of the

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Speaker 8: largest journey has some of the largest clan population in

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Speaker 8: the country.

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Speaker 6: So I'm just saying that, you know.

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Speaker 4: Yes, Birmingham, I was surprised. I mean I went there.

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Speaker 4: We did a couple of shows there. I think we

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Speaker 4: was in twenty fifteen. We did a couple of foreign

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Speaker 4: change shows and afterwards I took my boys to the

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Speaker 4: to the museum, museum and we went to the sixteenth

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Speaker 4: the church, and that shit was just crazy just to

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Speaker 4: be sitting there and to think like a bomb went off. Yeah,

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Speaker 4: I mean that shit was literally standing in the same

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Speaker 4: spot in the church. You know what's interesting though, like.

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Speaker 7: I don't know where in North Carolina you all could

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Speaker 7: have gone for like the civil rights museums and the

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Speaker 7: history and the Rainsford So it's like Woolworth with all

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Speaker 7: that the citys and all of that. So you do

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Speaker 7: the class field trips and all of that stuff when

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Speaker 7: you're growing up. We went to so much historical black

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Speaker 7: stuff that in a way, when I grew up and

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Speaker 7: I had the option of not going to a lot

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Speaker 7: of that stuff, I had to break it up.

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Speaker 3: Like even when like.

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Speaker 4: Like I was just you know, it's just part of

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Speaker 4: your it's part of your educational diet down south. Is

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Speaker 4: this happened to you? This is what they did to us.

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Speaker 4: Always remember never never forget it.

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Speaker 3: Never never know.

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Speaker 7: Like and before we moved when I was in the

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Speaker 7: third grade, we lived in Memphis until the third grade.

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Speaker 7: So we took a tour of Alex Haley's house and

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Speaker 7: they took us to all of the civil rights spots,

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Speaker 7: Lorraine Motel, the whole WAP. So I got to Birmingham.

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Speaker 7: You're fed civil rights every single year. Class movie is

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Speaker 7: civil rights movies. So when I became older, I was like, yo,

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Speaker 7: I gotta take like I literally need a break on

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Speaker 7: some PTSD type ship. I can't absorb this.

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Speaker 3: So you haven't been to the have you Guysian? Have

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Speaker 3: you been? Haven't been? Yeah, I gotta go. But they

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Speaker 3: say it's a four hour and you leave.

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Speaker 6: I was about to say, for years is real intent?

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Speaker 4: You need five hours to process and you want to

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Speaker 4: break it up in days.

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Speaker 8: I'm just saying for the Burmah, I understand what you're

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Speaker 8: saying now, Like that's the capital of civil rights. It

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Speaker 8: is so many things that happened there that you might

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Speaker 8: want to at the Smithsonian to one floor one day,

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Speaker 8: the next day come back.

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Speaker 7: So where I went before the Smithsonian, Atlanta opened up

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Speaker 7: a new museum in the past year and a half

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Speaker 7: and I went to that one, and that was the

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Speaker 7: one where I said, all right, I'll do the Smithsonian.

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Speaker 6: Mthsonian, is it? That's that's ground zero.

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Speaker 4: Yeah, But I mean there's there's also ways to take

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Speaker 4: a break. You know, Oprah has their theater in there.

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Speaker 4: You can you can.

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Speaker 6: Watch you got you gotta do a guy because.

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Speaker 4: For him, like I'm certain that Timothy's gonna hold it

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Speaker 4: down and take him through.

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Speaker 8: You know, everybody else who's listening who don't have a Timothy,

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Speaker 8: I would say.

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Speaker 7: But there's guys there too. And that was the old

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Speaker 7: joke that I used to do. I talked about how

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Speaker 7: part of the problem with the Civil Rights Museum is

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Speaker 7: that there's no one there to give you a hug

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Speaker 7: before you leave, so you leave man.

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Speaker 8: Can I tell you the way that the Smithsonian is built?

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Speaker 8: You started the bottom, which is like middle passes. Yes,

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Speaker 8: and so you kind of start with a heavy weight

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Speaker 8: boulder on your back and you in the basement and

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Speaker 8: then it kind of it slowly gets better.

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Speaker 3: But it's like the second floor is Jim Crow reconstruction.

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Speaker 3: Third floor is victory if you can make it. The

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Speaker 3: floor is like Obama, like Jordan.

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Speaker 4: I was just guessing Jordan. Yes, and it's weird. I've

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Speaker 4: been there maybe five times, but again you would have

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Speaker 4: to there's you don't You won't have a complete experience

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Speaker 4: there unless you spend five hours. In the beginning the

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Speaker 4: slave part, you're going to be in there for at

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Speaker 4: least an hour. And I know during Civil Rights you're

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Speaker 4: gonna want to see they have a recreation of Mattill's funeral. Wow,

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Speaker 4: they have the casket, they have the church views.

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Speaker 3: You walk up, Yeah, they no, it's it's it's it's

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Speaker 3: it's a line.

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Speaker 4: It's like I stood in line for twenty five minutes

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Speaker 4: to go past.

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Speaker 3: His casket is open.

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Speaker 6: And you should see what the white people come through.

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Speaker 8: Like they they listen, they met, they got a little

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Speaker 8: metamorphous they go through, you get to a certain floor,

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Speaker 8: it's like, I'm.

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Speaker 3: A little contrast. Is the Holocaust Museum like that as well?

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Speaker 8: I've never steve that's when you come.

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Speaker 3: In somebody saying Holocaust.

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Speaker 4: Yeah, I'm sure there has to be remnants and more

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Speaker 4: like the and Frank, I mean I've been to.

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Speaker 3: Trip.

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Speaker 6: Don't think you should compare the two. It's kind of

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Speaker 6: like this.

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Speaker 4: Well no, I'm just because my question is I'm just like,

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Speaker 4: other are the monuments and tragedy?

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Speaker 3: Yeah, because it's deep.

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Speaker 4: I mean you you've been at the Smithsonian, right, Yeah,

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Speaker 4: Like I dude, I did not know uh that for

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Speaker 4: the longest uh if we had to see doctors or anything,

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Speaker 4: uh veterinarians, Yeah, saw us, and.

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Speaker 3: They they showed they had if there's to do denal

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Speaker 3: work this black people.

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Speaker 4: Right, And I didn't know that black women weren't allowed

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Speaker 4: to see gecologists. So just the torture devices they had

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Speaker 4: to use for you to give childbirth.

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Speaker 3: It that fucked with me.

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Speaker 4: So I mean by the time you get to the

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Speaker 4: fourth floor and you see like j Dilla's thing and

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Speaker 4: the mothership connection and all that stuff, and let's keep.

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Speaker 8: It all the way from it ain't no greater tragedy

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Speaker 8: in this country than what happened to black people.

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Speaker 6: So it was kind of hard to compare Native.

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Speaker 8: Americans continuously for the present day.

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Speaker 6: Like I don't know if it's been the longer.

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Speaker 4: We're just asking, we're just asking if there Yeah, there's

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Speaker 4: a facility. Yeah, that's people's brief, you know, made into

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Speaker 4: I won't say commercialized, but are they exploited in that way?

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Speaker 9: Well, I've never been to the Holocaust Museum, but I

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Speaker 9: have been to the nine to eleven Museum, and I

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Speaker 9: found that to be really difficult and sort of but

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Speaker 9: not not difficult in the way that you're talking about, yeah.

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Speaker 6: Because you were alive then and you remember.

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Speaker 9: No, I just find it to be like commercialized in

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Speaker 9: a way. It was it was like a show.

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Speaker 4: Taking selfish the fucking is a fucking gift shop, you

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Speaker 4: know or whatever, Like you know, it's like, yeah, there

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Speaker 4: is and and they're showing you know, fire department ship

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Speaker 4: which is cool whatever, and you know, stuff like that

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Speaker 4: for the first responders, like that theme, I guess, but

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Speaker 4: like it's just it was like fucking that what a

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Speaker 4: fucking like a nine to eleven key chain, you know,

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Speaker 4: like you know, it's like, yeah, with the fire Department,

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Speaker 4: It's like it's fucking crazy.

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Speaker 7: You know what else I do sometimes like if I've

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Speaker 7: decided that a Black Struggle movie, If I've decided that

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Speaker 7: a Black Struggle movie is going to be too intense

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Speaker 7: for me and I just can't sit in the theater,

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Speaker 7: I'll fandango a ticket opening weekend and I will not go.

399
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Speaker 7: I will sit comfortably until that ship comes on the plane.

400
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Speaker 7: Or I can stream it somewhere and then watch it

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Speaker 7: in thirty minute intervals so that when I start feeling angry,

402
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Speaker 7: I'm halfway through it.

403
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Speaker 6: I don't yeah, wait like Marshall neither, because I'm like,

404
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Speaker 6: what movie?

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Speaker 4: Yeahs, I've seen Marsha yet I haven't seen That's good.

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Speaker 3: I saw that Marshall.

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Speaker 6: Ye, I don't even know that because the end of Marshall,

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Speaker 6: y'all know what the end of markin.

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Speaker 3: I mean, I don't think you're spoiling it because it's

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Speaker 3: pre Supreme Court, right.

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Speaker 4: Wait, he doesn't go to ninety one.

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Speaker 6: No no, no, no, no no.

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Speaker 8: At the end of Marshall, it's like a moment where

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Speaker 8: he takes on his next case, of course, and the

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Speaker 8: case is Trayvon his parents, Trayvon Martin's parents, and they're

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Speaker 8: like like a period piece and they have lines and stuff,

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Speaker 8: and all of a sudden you just end up crying.

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Speaker 6: It's like Trayvon's parents and.

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Speaker 8: The lawyers because actually they're in it and in the

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Speaker 8: next case, but they're dressed in their nineteen, you know, sixties.

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Speaker 6: It was awesome.

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Speaker 7: Yeah, civil rights movies, man, I love it and we

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Speaker 7: need them and they're essential, but it just it just

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Speaker 7: like Salem was the last one that I set in

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Speaker 7: the theater in its entirety. To watch the rest of them,

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Speaker 7: I fandango and then I just have to eat that

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Speaker 7: ship in bite sized chunks.

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Speaker 4: It's like watching the snuff film, but that's not really

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Speaker 4: black stroke. Get Out like three Negro humming in the

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Speaker 4: middle of you know, I'm talking about that Negro Jesus

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Speaker 4: a white woman. Okay, So I guess since this is

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Speaker 4: our end of the year, uh, of course, get Out

433
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Speaker 4: is one of the major miracles of cinema.

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Speaker 3: Shout out to Jordan.

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Speaker 4: Can I ask, though, do you think that everyone got

436
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Speaker 4: obviously got get Out? Because there's I mean, there's different

437
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Speaker 4: levels to watch it on. Of course, by the first week,

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00:23:47,960 --> 00:23:50,720
Speaker 4: everyone was talking about the Easter.

439
00:23:50,520 --> 00:23:52,520
Speaker 3: Eggs and the hidden meanings.

440
00:23:52,720 --> 00:23:58,119
Speaker 4: But I still think that that it went over a

441
00:23:58,119 --> 00:24:00,960
Speaker 4: lot of people's heads, like they just saw it as

442
00:24:01,440 --> 00:24:04,840
Speaker 4: a frothy horror film. It's almost to the point where

443
00:24:04,880 --> 00:24:07,520
Speaker 4: I actually think that even the co stars, like I

444
00:24:07,560 --> 00:24:09,680
Speaker 4: don't think that Alison truly, I didn't.

445
00:24:09,480 --> 00:24:12,960
Speaker 3: Think she understands where she knew what she was getting into.

446
00:24:13,080 --> 00:24:16,560
Speaker 4: Well, because I know that underneath all of that, like

447
00:24:17,240 --> 00:24:21,040
Speaker 4: I mean, Jordan's just so many levels of woke, on

448
00:24:21,040 --> 00:24:24,200
Speaker 4: on on on the potent of the message.

449
00:24:24,080 --> 00:24:27,160
Speaker 6: And how is he with his situation too? But okayd with.

450
00:24:27,040 --> 00:24:31,520
Speaker 4: His situation, So I don't know, he may he still

451
00:24:31,520 --> 00:24:32,959
Speaker 4: may get out.

452
00:24:34,200 --> 00:24:36,040
Speaker 3: You know what it's like to be uncomfortable in a

453
00:24:36,040 --> 00:24:36,960
Speaker 3: white family's house.

454
00:24:37,640 --> 00:24:38,480
Speaker 6: It's just so interesting.

455
00:24:39,119 --> 00:24:42,040
Speaker 3: I don't know. I'm sure I.

456
00:24:43,640 --> 00:24:44,960
Speaker 6: Don't. Don't get me in the bed.

457
00:24:44,680 --> 00:24:46,960
Speaker 3: But I'm sorry saying you know.

458
00:24:48,080 --> 00:24:49,919
Speaker 9: I've seen it a few times. I saw in the

459
00:24:49,920 --> 00:24:51,160
Speaker 9: theater and then I saw it on.

460
00:24:52,000 --> 00:24:52,359
Speaker 3: I saw it.

461
00:24:52,960 --> 00:24:55,399
Speaker 9: I'm proud of you, Steve, But tell me, tell me

462
00:24:55,480 --> 00:24:57,880
Speaker 9: what potentially I'm I'm missing.

463
00:24:58,240 --> 00:25:01,760
Speaker 7: Uh, yeah, that's the origin the question. Did white people

464
00:25:01,880 --> 00:25:03,880
Speaker 7: get the same question?

465
00:25:03,920 --> 00:25:05,920
Speaker 3: What's what's the down under is that?

466
00:25:06,000 --> 00:25:06,400
Speaker 2: Is that that.

467
00:25:08,680 --> 00:25:09,400
Speaker 6: They're over it now?

468
00:25:09,440 --> 00:25:12,120
Speaker 4: It was the idea of the sunken place, the idea

469
00:25:12,359 --> 00:25:16,639
Speaker 4: of black bodies in controlled by white Uh yeah, I

470
00:25:16,680 --> 00:25:19,360
Speaker 4: mean there was a lot of underhanded symbolism in there

471
00:25:19,400 --> 00:25:22,160
Speaker 4: that I think just generally went over people's heads.

472
00:25:22,560 --> 00:25:26,439
Speaker 3: Yeah, I'm okay, but what what specifically.

473
00:25:25,760 --> 00:25:28,720
Speaker 6: What he just he just broke it down?

474
00:25:28,960 --> 00:25:31,080
Speaker 3: But was that four white people?

475
00:25:31,119 --> 00:25:35,080
Speaker 4: Were those parts of the film ever intended for white

476
00:25:35,119 --> 00:25:39,640
Speaker 4: people to get like the like the scene where Daniel

477
00:25:40,160 --> 00:25:43,159
Speaker 4: is dapping up Lakeith Stanfield and he goes for the

478
00:25:43,240 --> 00:25:45,439
Speaker 4: dap and le Keith gives him the handshake, right, and

479
00:25:45,480 --> 00:25:49,240
Speaker 4: he knew right then something was right right. I kind

480
00:25:49,240 --> 00:25:53,000
Speaker 4: of feel like the last that get Out was almost

481
00:25:53,000 --> 00:25:56,600
Speaker 4: the equivalent of the Rise of the Village People, where

482
00:25:57,800 --> 00:26:02,360
Speaker 4: in nineteen seventy nine you're going the you know, they

483
00:26:02,359 --> 00:26:03,640
Speaker 4: were America's favorite group.

484
00:26:03,680 --> 00:26:05,560
Speaker 3: Everyone's like not.

485
00:26:06,200 --> 00:26:09,159
Speaker 4: Know that this is a whole subculture we got your

486
00:26:09,200 --> 00:26:12,640
Speaker 4: kids thinking about exactly. Like, That's That's what I feel

487
00:26:12,720 --> 00:26:18,040
Speaker 4: like get Out represented as in the message was so potent. Well,

488
00:26:18,080 --> 00:26:20,359
Speaker 4: I think it's something to that. I agree because I

489
00:26:20,400 --> 00:26:22,480
Speaker 4: saw it. I saw three times. One time I saw

490
00:26:22,480 --> 00:26:26,000
Speaker 4: it like we was up here. So I saw it once.

491
00:26:26,200 --> 00:26:28,960
Speaker 4: The first time I saw it was at Detroit. It

492
00:26:29,000 --> 00:26:29,560
Speaker 4: was in Detroit.

493
00:26:29,560 --> 00:26:30,120
Speaker 3: We was on tour.

494
00:26:30,240 --> 00:26:32,280
Speaker 4: Whoa, it was at a theater in Detroit. I was

495
00:26:32,320 --> 00:26:34,720
Speaker 4: about to say, there's one theater in Detroit. It was

496
00:26:34,760 --> 00:26:37,840
Speaker 4: the one that's out the way out, And I knew

497
00:26:37,840 --> 00:26:39,720
Speaker 4: it was a black theater because all the ranch saw

498
00:26:39,760 --> 00:26:44,120
Speaker 4: it was really like I knew the racial demographics already.

499
00:26:44,480 --> 00:26:47,200
Speaker 4: So I'm like, all the damn ranch, all the gona said, yeah,

500
00:26:47,200 --> 00:26:49,480
Speaker 4: it's some niggas in here. So I saw it there,

501
00:26:49,600 --> 00:26:52,480
Speaker 4: and then I saw it in Raleigh. Me and my

502
00:26:52,520 --> 00:26:55,000
Speaker 4: wife went to see it at like the theater like

503
00:26:55,040 --> 00:26:55,800
Speaker 4: in our neighborhood.

504
00:26:55,960 --> 00:26:57,639
Speaker 3: It was like a lot of mostly white.

505
00:26:57,960 --> 00:27:00,639
Speaker 4: So the theme that was so telling every time I

506
00:27:00,680 --> 00:27:04,000
Speaker 4: saw it that at the end when the police pull

507
00:27:04,080 --> 00:27:06,800
Speaker 4: up or what we think is the police, every black

508
00:27:06,840 --> 00:27:08,520
Speaker 4: person in the theater.

509
00:27:08,359 --> 00:27:10,400
Speaker 6: Was like, oh, like that.

510
00:27:10,520 --> 00:27:15,520
Speaker 4: Was the horror, Like that's the horror movie right there. Yeah,

511
00:27:16,040 --> 00:27:18,600
Speaker 4: I did a bleeding white girl and the police show up. Nigga,

512
00:27:18,640 --> 00:27:19,320
Speaker 4: that's horror, yo.

513
00:27:19,359 --> 00:27:20,920
Speaker 6: He had a couple of those dog whistle moments.

514
00:27:20,960 --> 00:27:23,440
Speaker 8: He even had a sister dog whistle moment that I remember,

515
00:27:23,680 --> 00:27:26,720
Speaker 8: I said to you, you ain't catch it. When the

516
00:27:27,520 --> 00:27:29,560
Speaker 8: chick that was the black chick that was already hypnotized

517
00:27:29,600 --> 00:27:34,080
Speaker 8: or whatever was the grandma was in the room and

518
00:27:34,119 --> 00:27:35,600
Speaker 8: he was talking to his girlfriend. He was like, she

519
00:27:35,680 --> 00:27:37,280
Speaker 8: was in here, like you know, that's the whole thing.

520
00:27:37,440 --> 00:27:39,119
Speaker 8: Like remember, I don't know if y'all remember. She was like,

521
00:27:39,119 --> 00:27:40,600
Speaker 8: that's a thing with black women, like she.

522
00:27:42,600 --> 00:27:43,040
Speaker 3: In the room.

523
00:27:43,200 --> 00:27:45,480
Speaker 8: She came, yeah, when he can't mess with his phone

524
00:27:45,480 --> 00:27:47,399
Speaker 8: when she messed with his phone and the and the

525
00:27:47,600 --> 00:27:48,440
Speaker 8: girlfriend was like, why was.

526
00:27:48,359 --> 00:27:49,520
Speaker 6: She mess with your phone? He's like, what do you mean?

527
00:27:49,560 --> 00:27:52,119
Speaker 6: Why was Oh okay.

528
00:27:52,160 --> 00:27:53,520
Speaker 3: Yeah, okay, I get it.

529
00:27:54,119 --> 00:27:58,440
Speaker 4: I can actually top you, uh on on on that

530
00:27:58,600 --> 00:28:02,199
Speaker 4: Fronte I saw. First of all, it got to the

531
00:28:02,240 --> 00:28:05,280
Speaker 4: point where I was obsessed with seeing the film, but

532
00:28:05,280 --> 00:28:07,800
Speaker 4: more or less watching people watch the watching the right.

533
00:28:08,160 --> 00:28:11,360
Speaker 4: So I think, yeah, I've never seen a film more

534
00:28:11,400 --> 00:28:13,800
Speaker 4: than I've seen get Out. In movie theaters, I think

535
00:28:13,840 --> 00:28:15,840
Speaker 4: I've seen like seventeen eighteen times.

536
00:28:16,359 --> 00:28:22,360
Speaker 3: We were in Palm Beach in Florida. It was like watching.

537
00:28:22,119 --> 00:28:27,800
Speaker 4: A whole nother film because it's literally me and a room.

538
00:28:28,560 --> 00:28:31,480
Speaker 4: It was a small theater, so it was about maybe

539
00:28:31,600 --> 00:28:37,080
Speaker 4: sixty chairs. I'll say forty five of them were older

540
00:28:37,119 --> 00:28:42,680
Speaker 4: white people, and it was just like the complete opposite,

541
00:28:42,880 --> 00:28:46,120
Speaker 4: Like they were appalled and shocked because by that point

542
00:28:46,120 --> 00:28:48,720
Speaker 4: the critical claimness of the film, it became like must

543
00:28:48,720 --> 00:28:49,240
Speaker 4: see movie.

544
00:28:49,240 --> 00:28:50,800
Speaker 6: You know, I M see saw Somebody walk out.

545
00:28:51,480 --> 00:28:53,840
Speaker 4: Yeah, it was watching It was like watching a whole

546
00:28:53,880 --> 00:28:58,200
Speaker 4: nother film when you watched it in Palm Beach without

547
00:28:58,240 --> 00:29:02,520
Speaker 4: spoiling the movie. Did those people in the theater clap

548
00:29:02,640 --> 00:29:06,600
Speaker 4: at the end or frown? Oh they didn't clap at

549
00:29:06,600 --> 00:29:11,760
Speaker 4: all when they were everybody the scene, the scene where

550
00:29:14,360 --> 00:29:23,080
Speaker 4: the very end when the outside Yeah, right before uh

551
00:29:23,360 --> 00:29:28,480
Speaker 4: rail gets out of his vehicle and uh uh Allison

552
00:29:28,640 --> 00:29:30,680
Speaker 4: is in her position.

553
00:29:31,160 --> 00:29:34,800
Speaker 3: Right. We already talked about the bleeding white girl earlier.

554
00:29:35,360 --> 00:29:42,960
Speaker 4: Okay, yeah, they're like, that's the first time I heard

555
00:29:42,960 --> 00:29:45,720
Speaker 4: someone express sadness for.

556
00:29:45,240 --> 00:29:47,040
Speaker 3: Her, well for him. Yeah.

557
00:29:47,320 --> 00:29:50,400
Speaker 4: It was like, oh, like because when I saw it

558
00:29:50,480 --> 00:29:57,760
Speaker 4: in I went to the Magic Theater, Harlem Harlem were cheering, right,

559
00:29:58,600 --> 00:30:02,960
Speaker 4: but in Palm Beach was like like, oh god, she's

560
00:30:03,000 --> 00:30:04,240
Speaker 4: about that sort of thing.

561
00:30:04,560 --> 00:30:06,760
Speaker 3: Also, I will also add much for that.

562
00:30:06,840 --> 00:30:08,800
Speaker 4: Well, probably this will probably make like you're very happy

563
00:30:09,320 --> 00:30:12,440
Speaker 4: every time I saw the movie, every black woman, my

564
00:30:12,480 --> 00:30:13,360
Speaker 4: wife include.

565
00:30:13,520 --> 00:30:15,760
Speaker 3: Was like, don't trust that bitch. Don't trust that bitch.

566
00:30:15,840 --> 00:30:20,000
Speaker 4: Like they knew the girl with a whole the whole time,

567
00:30:21,760 --> 00:30:26,680
Speaker 4: chopping off hands. They every all the black women they

568
00:30:26,720 --> 00:30:28,720
Speaker 4: knew off rip that she was a part of it.

569
00:30:28,800 --> 00:30:29,520
Speaker 3: She was in on the hit.

570
00:30:29,600 --> 00:30:34,120
Speaker 4: Well, I have to say that, uh, for the maybe

571
00:30:34,120 --> 00:30:37,760
Speaker 4: the second year of that, movies and television have sort.

572
00:30:37,560 --> 00:30:39,240
Speaker 3: Of top music. Yeah.

573
00:30:39,440 --> 00:30:44,760
Speaker 4: Yes, as far as entertainments concerned, yes, a thousand times. Yes,

574
00:30:44,920 --> 00:30:48,440
Speaker 4: are there any Are there any other significant movies? Real

575
00:30:48,520 --> 00:30:52,960
Speaker 4: Boys with three Real Boys, Yes, had three billboards. It's

576
00:30:53,000 --> 00:30:54,240
Speaker 4: not a black movie.

577
00:30:55,280 --> 00:30:58,200
Speaker 3: She has and that ship is hard.

578
00:30:58,280 --> 00:31:02,720
Speaker 4: And sam uh uh rock Well, I tell you what

579
00:31:02,720 --> 00:31:07,600
Speaker 4: pissed me off this year was not It wasn't. Jada

580
00:31:07,680 --> 00:31:09,680
Speaker 4: Pinkett had a tweet storm a couple of weeks ago

581
00:31:09,720 --> 00:31:17,360
Speaker 4: about this about the Golden Globe Tupac tweets. So Tiffany

582
00:31:17,360 --> 00:31:20,360
Speaker 4: got snoozed for a Golden Globe and Girls Trip wasn't

583
00:31:20,360 --> 00:31:22,160
Speaker 4: nominated for a Golden Globe. And not only was it

584
00:31:22,200 --> 00:31:25,280
Speaker 4: not nominated, the Hollywood form press didn't even watch the

585
00:31:25,320 --> 00:31:27,240
Speaker 4: fucking movie the number.

586
00:31:28,920 --> 00:31:29,800
Speaker 6: Why would they?

587
00:31:29,640 --> 00:31:31,520
Speaker 3: Why would because it's a black movie.

588
00:31:31,520 --> 00:31:34,360
Speaker 7: But if it's the number one grossing comedy of the summer,

589
00:31:34,480 --> 00:31:39,000
Speaker 7: how yeah, it beat the ship out of Rough Night.

590
00:31:41,120 --> 00:31:43,040
Speaker 7: Well yeah, but I get it. It's it's a black

591
00:31:43,080 --> 00:31:46,240
Speaker 7: movie and these are foreigners. And if somebody told me

592
00:31:46,280 --> 00:31:54,560
Speaker 7: one time, doctor King didn't cross the ocean, so it's

593
00:31:54,560 --> 00:31:56,960
Speaker 7: all the marching he did, he never crossed the ocean.

594
00:31:57,000 --> 00:31:58,320
Speaker 7: So it's still a lot of risks. So they just

595
00:31:58,320 --> 00:32:00,360
Speaker 7: didn't fuck with girls trip. They didn't even affect the

596
00:32:00,400 --> 00:32:02,720
Speaker 7: numbers enough to go all right, maybe this is an

597
00:32:02,760 --> 00:32:04,040
Speaker 7: exception to.

598
00:32:04,120 --> 00:32:08,720
Speaker 3: Our new nigga movie nomination rule. That's crazy because I.

599
00:32:10,480 --> 00:32:13,880
Speaker 4: Thought that Tiffany's story would have been the kind of

600
00:32:13,920 --> 00:32:15,200
Speaker 4: story that they championed.

601
00:32:16,120 --> 00:32:17,760
Speaker 3: Uh oh yeah, coming.

602
00:32:17,640 --> 00:32:20,240
Speaker 8: Up through the it would have been if she would

603
00:32:20,240 --> 00:32:23,200
Speaker 8: have did a white movie, probably if it probably would

604
00:32:23,200 --> 00:32:23,720
Speaker 8: have made a difference.

605
00:32:24,440 --> 00:32:27,000
Speaker 6: I've seen comedies and had a black friend.

606
00:32:28,120 --> 00:32:31,160
Speaker 4: If she would have been like Jennifer Hudson in the City,

607
00:32:31,240 --> 00:32:33,120
Speaker 4: like the Magical Negro that helps.

608
00:32:32,920 --> 00:32:35,600
Speaker 7: The three years ago when Leslie blew the block up

609
00:32:35,640 --> 00:32:37,520
Speaker 7: on s n L because it was a white show,

610
00:32:37,640 --> 00:32:40,400
Speaker 7: then maybe there was more white acceptance of Leslie than

611
00:32:41,080 --> 00:32:43,280
Speaker 7: Tiffany because she blew the block up out the gate

612
00:32:43,640 --> 00:32:47,680
Speaker 7: on a Black productions fucked up considering how Good Girls

613
00:32:47,760 --> 00:32:48,960
Speaker 7: Tripp was like, but.

614
00:32:48,880 --> 00:32:51,040
Speaker 8: It was really black production, Like, it's not just that

615
00:32:51,080 --> 00:32:53,360
Speaker 8: one black writers like, oh, y'all, y'all running.

616
00:32:53,800 --> 00:32:54,400
Speaker 3: It was black.

617
00:32:56,440 --> 00:32:59,240
Speaker 4: The essence super what is it? Essence Festival was the

618
00:32:59,240 --> 00:33:04,160
Speaker 4: black one with the whole movie. Yeah, exactly.

619
00:33:04,800 --> 00:33:06,640
Speaker 6: Speaking of Golden Globe snub just want to shout out

620
00:33:06,680 --> 00:33:08,280
Speaker 6: to Queen Sugar. I just want to say that too.

621
00:33:08,640 --> 00:33:13,080
Speaker 4: Well, you know what I say. Everybody got snubbed, literally everyone.

622
00:33:13,200 --> 00:33:16,520
Speaker 4: This is the snubbiest.

623
00:33:15,640 --> 00:33:19,320
Speaker 8: Except for who was the loudest on the carpet last yo,

624
00:33:19,440 --> 00:33:22,720
Speaker 8: that is Queen nominated, Lisa got nominated, and last year

625
00:33:22,920 --> 00:33:25,840
Speaker 8: actress or rights the category.

626
00:33:25,960 --> 00:33:28,320
Speaker 3: I want to say, I want to say in front

627
00:33:28,320 --> 00:33:28,560
Speaker 3: of you.

628
00:33:28,640 --> 00:33:30,680
Speaker 6: Yeah I do. I just didn't want to do it enough.

629
00:33:30,880 --> 00:33:33,960
Speaker 8: Yeah, but remember last year on the red carpet, everybody but.

630
00:33:35,080 --> 00:33:37,719
Speaker 3: Voting for everybody, but right, yeah, Queen Sugar. Man.

631
00:33:37,760 --> 00:33:41,000
Speaker 4: I think the problem with Queen Sugar not necessarily the show,

632
00:33:41,080 --> 00:33:43,520
Speaker 4: but just I think it's the fact that it's on own.

633
00:33:43,560 --> 00:33:45,040
Speaker 3: I think that's why they keep shitting on it.

634
00:33:45,640 --> 00:33:48,000
Speaker 6: That's true. Don't have no nominations you and.

635
00:33:48,080 --> 00:33:53,280
Speaker 7: That's a quality shows with anything else gorgeous show Man,

636
00:33:54,000 --> 00:33:56,320
Speaker 7: not even it's not even received, I mean love or

637
00:33:56,520 --> 00:34:00,880
Speaker 7: any It's nothing. But I would argue that, and I

638
00:34:00,880 --> 00:34:03,440
Speaker 7: don't know anything about contracts in Hollywood and all that ship,

639
00:34:03,440 --> 00:34:05,240
Speaker 7: but I would argue that that's part of the reason

640
00:34:05,280 --> 00:34:07,640
Speaker 7: why I own changed over from Tyler Perry to Will

641
00:34:07,680 --> 00:34:10,680
Speaker 7: Packerd to handle production the most dramas over the next

642
00:34:10,719 --> 00:34:13,520
Speaker 7: four to five years, to basically change the.

643
00:34:13,520 --> 00:34:16,640
Speaker 3: Entire and the types of shows. She just sold the network.

644
00:34:16,680 --> 00:34:17,200
Speaker 3: Didn't she know?

645
00:34:17,400 --> 00:34:20,279
Speaker 8: She know she took a bigger cut of the network.

646
00:34:20,840 --> 00:34:22,560
Speaker 3: Discovery or something always owned it.

647
00:34:22,640 --> 00:34:23,480
Speaker 6: They always I thought.

648
00:34:23,600 --> 00:34:27,399
Speaker 7: I think they bought a big I think there's Bill

649
00:34:27,480 --> 00:34:30,280
Speaker 7: Packer and Tyler Perry, two totally different types of producers,

650
00:34:30,320 --> 00:34:31,960
Speaker 7: and the type of shows that they were green light

651
00:34:32,239 --> 00:34:34,400
Speaker 7: are night and day. So that may help to that

652
00:34:34,480 --> 00:34:38,120
Speaker 7: problem going forward if there's other shows on the network

653
00:34:38,160 --> 00:34:40,040
Speaker 7: that are more in line with what Queen Sugar is,

654
00:34:40,040 --> 00:34:42,240
Speaker 7: because Queen Sugar for a long time was a anomaly.

655
00:34:42,920 --> 00:34:44,640
Speaker 3: Yeah, it looked like nothing else.

656
00:34:44,800 --> 00:34:51,839
Speaker 4: Yeah, because Yo, I haven't watched I have.

657
00:34:51,880 --> 00:34:53,239
Speaker 3: A what do you call it?

658
00:34:53,280 --> 00:34:57,360
Speaker 4: I started on iTunes, Uh, only because the church. I

659
00:34:57,400 --> 00:34:59,160
Speaker 4: can kind of like relate to a lot of this

660
00:34:59,320 --> 00:35:00,879
Speaker 4: fucking missing. It's within the church.

661
00:35:01,120 --> 00:35:06,120
Speaker 3: It's just pastors and people stealing money back dramas you

662
00:35:06,120 --> 00:35:06,879
Speaker 3: can find on own.

663
00:35:07,560 --> 00:35:09,840
Speaker 4: My mother watches the haves and the have nots. I

664
00:35:09,840 --> 00:35:11,480
Speaker 4: can't do it.

665
00:35:11,600 --> 00:35:12,759
Speaker 3: That's another.

666
00:35:14,200 --> 00:35:15,879
Speaker 4: That has and the have nots. And then he had

667
00:35:15,920 --> 00:35:20,680
Speaker 4: like a comedy. It was another joint the pain, pain,

668
00:35:21,120 --> 00:35:24,759
Speaker 4: more pain, but I have not is the one like

669
00:35:24,800 --> 00:35:25,399
Speaker 4: my mother loves.

670
00:35:25,440 --> 00:35:28,080
Speaker 6: She loves none of them touching. This is us because

671
00:35:28,120 --> 00:35:29,960
Speaker 6: it was our year. God damn it. I'm sorry.

672
00:35:29,920 --> 00:35:31,319
Speaker 3: I've still had to watch this show.

673
00:35:31,960 --> 00:35:34,160
Speaker 4: So on the music side, when you all see somebody

674
00:35:34,200 --> 00:35:39,799
Speaker 4: get snubbed, we got snubbed. I will say that, with

675
00:35:39,840 --> 00:35:44,400
Speaker 4: the exception of what's this year's Pixar film Coco Coco. Yeah,

676
00:35:44,680 --> 00:35:48,080
Speaker 4: literally with the song that we did for Detroit shout

677
00:35:48,120 --> 00:35:52,520
Speaker 4: out to fan Tickeolo also including this yeah with with

678
00:35:53,800 --> 00:35:57,120
Speaker 4: and speaking of I should name the song it ain't fair,

679
00:35:57,760 --> 00:36:04,080
Speaker 4: uh for Detroit fulfilling prophets apparently Listen now, yeah, we've

680
00:36:04,160 --> 00:36:06,719
Speaker 4: literally we've been listed. And you know when they give

681
00:36:06,760 --> 00:36:12,839
Speaker 4: the projections of like, you know, songs, Yeah, but then

682
00:36:12,920 --> 00:36:16,080
Speaker 4: when you look at the nominations like even the Shoe

683
00:36:16,120 --> 00:36:17,480
Speaker 4: win like common Song for.

684
00:36:17,840 --> 00:36:20,360
Speaker 3: That didn't even get nominated. Good, Yeah that didn't get nominated.

685
00:36:21,640 --> 00:36:25,839
Speaker 3: It's it was him and Day and Dyane Warren.

686
00:36:26,000 --> 00:36:28,239
Speaker 6: It is so no seasoning didn't know.

687
00:36:29,320 --> 00:36:31,600
Speaker 8: It's like if you don't stand for something, you gotta

688
00:36:31,680 --> 00:36:33,440
Speaker 8: stand for anything possible.

689
00:36:35,640 --> 00:36:43,040
Speaker 3: The guy that wrote was working with Dian Yeah. It

690
00:36:43,120 --> 00:36:45,359
Speaker 3: was a load. It was a long road. Yeah.

691
00:36:45,840 --> 00:36:48,640
Speaker 4: So no, but I mean he's still got it. Got

692
00:36:48,680 --> 00:36:51,520
Speaker 4: his song got nominated for Grammy and the n Double

693
00:36:51,560 --> 00:36:55,040
Speaker 4: a c P Award like everything. I never heard what

694
00:36:55,120 --> 00:36:59,600
Speaker 4: movie was it in, just very good. I didn't even

695
00:36:59,640 --> 00:37:02,040
Speaker 4: know the movie came out. So he came out, it

696
00:37:02,120 --> 00:37:03,799
Speaker 4: came out. It's like they let's get this ship out

697
00:37:03,800 --> 00:37:05,560
Speaker 4: for Black Panther come out. I think I ignored it

698
00:37:05,560 --> 00:37:08,560
Speaker 4: because Chadwick Boseman was in it and just have him.

699
00:37:08,440 --> 00:37:11,239
Speaker 3: And everybody like that was his third historical Black Girl.

700
00:37:12,120 --> 00:37:14,560
Speaker 6: But Sterling Brown was in that movie as well, and

701
00:37:14,600 --> 00:37:16,760
Speaker 6: he was really good. Sterling.

702
00:37:17,480 --> 00:37:19,839
Speaker 4: He gives Chadwick Boseman twned actor. I just don't think

703
00:37:19,840 --> 00:37:21,480
Speaker 4: he needs to play every historical.

704
00:37:22,480 --> 00:37:24,040
Speaker 3: That was the one yet, and I did think that

705
00:37:24,160 --> 00:37:25,320
Speaker 3: him playing third good.

706
00:37:25,960 --> 00:37:35,640
Speaker 4: That was that was some some Zoe's what wasn't.

707
00:37:32,719 --> 00:37:36,120
Speaker 7: Don't even do it as James Brown.

708
00:37:36,160 --> 00:37:38,280
Speaker 3: I bought him ass Jackie Robinson.

709
00:37:37,920 --> 00:37:40,719
Speaker 7: No, he killed those. He killed both of those. Buy

710
00:37:40,800 --> 00:37:45,120
Speaker 7: him as a mythical black leader to blind black panthers. Okay,

711
00:37:45,239 --> 00:37:49,480
Speaker 7: so I spread the love with that, because.

712
00:37:51,680 --> 00:37:52,200
Speaker 3: Do we get mad?

713
00:37:52,239 --> 00:37:54,160
Speaker 4: If you get mad, and then do you just go

714
00:37:54,239 --> 00:37:56,839
Speaker 4: for awards and just do the work? I don't know

715
00:37:56,960 --> 00:38:01,080
Speaker 4: full q Tip, It's like.

716
00:38:01,400 --> 00:38:06,960
Speaker 3: Never let us tell me how well you know? The

717
00:38:07,040 --> 00:38:10,520
Speaker 3: black Twitter was clapping back of that instantly. So it's nigga,

718
00:38:10,560 --> 00:38:14,200
Speaker 3: you just jealous. No no, no, no no, I just meant that.

719
00:38:14,480 --> 00:38:14,719
Speaker 3: You know.

720
00:38:15,040 --> 00:38:16,600
Speaker 4: I knew that someone was going to bring up the

721
00:38:16,600 --> 00:38:18,480
Speaker 4: tribe line. I never need a statue to tell me.

722
00:38:18,600 --> 00:38:22,480
Speaker 4: But I mean I get tips point. Uh what we're

723
00:38:22,480 --> 00:38:24,960
Speaker 4: talking about is, uh, we're trying to get tipped back

724
00:38:24,960 --> 00:38:26,000
Speaker 4: on the show too. I gotta shut up.

725
00:38:27,320 --> 00:38:29,520
Speaker 3: God, we're not slandering him.

726
00:38:29,520 --> 00:38:35,280
Speaker 4: I mean, basically I see where Tip was going because

727
00:38:35,280 --> 00:38:38,560
Speaker 4: this is the last Tribe moment. It would have been

728
00:38:38,560 --> 00:38:41,399
Speaker 4: a nice book ending if they least got nominated, like

729
00:38:41,560 --> 00:38:42,480
Speaker 4: as a moment.

730
00:38:42,320 --> 00:38:44,240
Speaker 3: For I thought they deserve the nomination.

731
00:38:44,520 --> 00:38:47,560
Speaker 8: Just have a real Grammy moment though, for real, like this, okay,

732
00:38:47,640 --> 00:38:50,839
Speaker 8: just because the organization. First of all, I'm curious as

733
00:38:50,840 --> 00:38:54,319
Speaker 8: if q tip is a voting members. So many, so

734
00:38:54,360 --> 00:38:56,920
Speaker 8: many hip hop artists that aren't voting members, Like people

735
00:38:56,920 --> 00:38:59,319
Speaker 8: forget that this is like your whole voting situation. So

736
00:38:59,320 --> 00:39:01,399
Speaker 8: it's like, you don't be mad like he's I guess

737
00:39:01,400 --> 00:39:02,880
Speaker 8: he should be mad at all the other rappers.

738
00:39:02,880 --> 00:39:04,560
Speaker 4: And but the thing with the Grammys, I mean, I

739
00:39:04,560 --> 00:39:06,760
Speaker 4: guess like any other it's not a meritocracy.

740
00:39:06,800 --> 00:39:07,600
Speaker 3: It's a campaign.

741
00:39:07,680 --> 00:39:10,640
Speaker 8: Yes you got but they also have to be a

742
00:39:10,719 --> 00:39:12,520
Speaker 8: voting member and a paint But.

743
00:39:12,640 --> 00:39:15,439
Speaker 3: Yeah, you have a point. This is the year.

744
00:39:16,120 --> 00:39:22,000
Speaker 4: This year is the sea change because now we're voting online, man,

745
00:39:22,080 --> 00:39:26,960
Speaker 4: And that's why that to me, that one year solidifies that.

746
00:39:27,239 --> 00:39:28,799
Speaker 3: Back before this year.

747
00:39:30,360 --> 00:39:34,040
Speaker 4: And in conversations with our good friend James Harris Id,

748
00:39:35,000 --> 00:39:38,120
Speaker 4: I kind of figured that really the Grammys are just

749
00:39:38,160 --> 00:39:41,160
Speaker 4: twenty people in a room really deciding that. And he's

750
00:39:41,160 --> 00:39:44,719
Speaker 4: got the most, you know, but not quite trusting the situation.

751
00:39:45,800 --> 00:39:48,279
Speaker 4: I have to say that this is the official year

752
00:39:48,520 --> 00:39:53,680
Speaker 4: that the actual voting body members got a say in

753
00:39:53,760 --> 00:39:57,840
Speaker 4: what is, which can be a dangerous thing because let's.

754
00:39:57,600 --> 00:39:59,319
Speaker 3: Say at sponsored by rock.

755
00:39:59,280 --> 00:40:05,200
Speaker 4: Nation, right, Because the thing is, if there's any time

756
00:40:05,360 --> 00:40:10,120
Speaker 4: for a legacy group like the Roots to pull a

757
00:40:10,320 --> 00:40:13,279
Speaker 4: jeth Row toll, like this is our time to do

758
00:40:13,360 --> 00:40:15,560
Speaker 4: it where it's like, oh yeah, I like those guys,

759
00:40:15,840 --> 00:40:19,120
Speaker 4: you know, twenty years and like us beating I'm just

760
00:40:19,160 --> 00:40:19,640
Speaker 4: I'm giving you.

761
00:40:21,120 --> 00:40:21,239
Speaker 8: Thing.

762
00:40:21,320 --> 00:40:23,600
Speaker 3: You guys gonna beat Cardi B. Yeah, like you don't

763
00:40:25,040 --> 00:40:25,960
Speaker 3: pity votes.

764
00:40:28,320 --> 00:40:31,880
Speaker 4: Now under the old system, I definitely thought that, oh,

765
00:40:32,080 --> 00:40:35,359
Speaker 4: now's our time to cake off of you know, being

766
00:40:35,360 --> 00:40:39,160
Speaker 4: the familiar old name and a monkst that sort of thing.

767
00:40:39,320 --> 00:40:42,200
Speaker 4: But now that this new voting system of us actually

768
00:40:42,280 --> 00:40:47,640
Speaker 4: voting online, yeah, it's it's I predict this is going

769
00:40:47,680 --> 00:40:50,440
Speaker 4: to be a problem because you're really going to see

770
00:40:51,719 --> 00:40:54,920
Speaker 4: the the the barometer of where theote voting members are.

771
00:40:54,960 --> 00:40:57,640
Speaker 6: Because I'm in Cardi B gonna win Grammy this.

772
00:40:57,640 --> 00:40:59,480
Speaker 3: Year, probably it could happen.

773
00:40:59,560 --> 00:41:02,160
Speaker 4: Yeah, the value of a Grammy is just going to.

774
00:41:07,960 --> 00:41:09,200
Speaker 3: Cardi B. Is a meme to me.

775
00:41:09,560 --> 00:41:11,960
Speaker 8: I mean, I don't know what to do about Cardi

776
00:41:13,880 --> 00:41:15,120
Speaker 8: I mean, it wasn't hit record.

777
00:41:15,280 --> 00:41:18,720
Speaker 4: I mean, but if you're judging it on full body

778
00:41:18,760 --> 00:41:21,480
Speaker 4: of work and album, and I don't think there is

779
00:41:21,920 --> 00:41:24,320
Speaker 4: and all of that, but just that record.

780
00:41:24,640 --> 00:41:27,880
Speaker 3: I was in the place it's a jam. I was

781
00:41:29,560 --> 00:41:32,200
Speaker 3: in a sunken place with it. Yeah. Have you heard

782
00:41:32,239 --> 00:41:34,440
Speaker 3: it on loud speakers? I've heard. No, I haven't. I've

783
00:41:34,440 --> 00:41:36,600
Speaker 3: heard it in a car once. That's the only time

784
00:41:36,600 --> 00:41:43,440
Speaker 3: I ever heard the song. I like you. I was

785
00:41:43,719 --> 00:41:46,640
Speaker 3: proud to not have known a Bodak Yellow.

786
00:41:47,120 --> 00:41:51,040
Speaker 4: I was good with it, and then one day, like again,

787
00:41:51,200 --> 00:41:53,040
Speaker 4: the whole slithering Gryffin door.

788
00:41:53,120 --> 00:41:54,600
Speaker 3: I just have to remember, I don't fun with hip

789
00:41:54,640 --> 00:41:55,880
Speaker 3: hop at all anymore. No, I get it.

790
00:41:55,920 --> 00:41:58,320
Speaker 4: I'm I'm borderlined with you. And I'm still trying to

791
00:41:58,320 --> 00:42:01,600
Speaker 4: make a listen off from something I don't fuck. I'm

792
00:42:01,640 --> 00:42:04,360
Speaker 4: just saying that I ain't the reallyship I'm saying backstage

793
00:42:04,400 --> 00:42:07,359
Speaker 4: in the Griffin door dressing room of the Roots show,

794
00:42:07,440 --> 00:42:11,120
Speaker 4: I've never seen Harry Potter either, by the way, I've

795
00:42:11,160 --> 00:42:12,800
Speaker 4: never seen anything.

796
00:42:12,920 --> 00:42:13,160
Speaker 3: Yeah.

797
00:42:13,360 --> 00:42:17,800
Speaker 4: And in two weeks and the Griffin doing it was

798
00:42:17,880 --> 00:42:21,080
Speaker 4: quiet as hell. But in the Slithering room it was

799
00:42:21,120 --> 00:42:26,440
Speaker 4: turned city and that song became infectious.

800
00:42:26,480 --> 00:42:28,279
Speaker 3: I couldn't avoid the join it.

801
00:42:28,280 --> 00:42:30,319
Speaker 4: It's a jam, it's a record, and the thing is

802
00:42:30,360 --> 00:42:34,200
Speaker 4: But like when always happened, what does she do next?

803
00:42:35,239 --> 00:42:40,440
Speaker 3: I don't know. Some came it's a.

804
00:42:41,960 --> 00:42:44,080
Speaker 4: Oh my god, we're becoming those people where we need

805
00:42:44,080 --> 00:42:47,360
Speaker 4: someone young to help us. Man, I've been that nigga

806
00:42:47,360 --> 00:42:55,120
Speaker 4: about ten years.

807
00:42:49,440 --> 00:42:49,920
Speaker 3: Because.

808
00:42:52,880 --> 00:42:55,360
Speaker 4: But is that before us? That's not what it's not

809
00:42:56,239 --> 00:43:01,000
Speaker 4: is not but migos is more for me than music.

810
00:43:01,000 --> 00:43:03,440
Speaker 4: That was my that was my listen. I love them

811
00:43:03,480 --> 00:43:06,759
Speaker 4: nigga as a I was on the bubble about all

812
00:43:06,760 --> 00:43:09,640
Speaker 4: that trap rap shup, and then I tried to write

813
00:43:09,719 --> 00:43:14,680
Speaker 4: a fucking parody song, and I realized how ten fifteen

814
00:43:14,719 --> 00:43:16,359
Speaker 4: years of radio I ain't never had no problem putting

815
00:43:16,360 --> 00:43:18,719
Speaker 4: together take that line and make that funey and take that.

816
00:43:18,920 --> 00:43:21,440
Speaker 4: It's easy to build a parody song mirroring the fucking

817
00:43:22,160 --> 00:43:26,200
Speaker 4: You cannot mirror that ship. You cannot, like just even

818
00:43:26,280 --> 00:43:27,759
Speaker 4: just writing a regular verse matches I.

819
00:43:28,000 --> 00:43:29,279
Speaker 3: I can't do it. Well. I think it's hard to

820
00:43:29,880 --> 00:43:32,839
Speaker 3: beard prescription drugs.

821
00:43:33,000 --> 00:43:35,200
Speaker 4: I need to do some concerpt to slow the girl down,

822
00:43:36,440 --> 00:43:38,960
Speaker 4: because the new joint is them, the Gucci gang joint,

823
00:43:39,000 --> 00:43:39,319
Speaker 4: that ship.

824
00:43:39,440 --> 00:43:45,880
Speaker 3: Make that yellow white God damn good game.

825
00:43:46,880 --> 00:43:49,080
Speaker 4: Little Peak, now he wanted to die, Little Peak die.

826
00:43:49,280 --> 00:43:52,399
Speaker 4: That's a little a little somebody. It's a white boy.

827
00:43:52,400 --> 00:43:58,239
Speaker 4: It's called Gucci Gang. Oh yeah, just look it's a

828
00:43:58,239 --> 00:44:07,000
Speaker 4: white dude, little little Troy, No, little Pump, little little Pump.

829
00:44:08,200 --> 00:44:11,719
Speaker 3: No, I'm old. What's the name of that young boy

830
00:44:11,760 --> 00:44:13,080
Speaker 3: that was the one?

831
00:44:13,760 --> 00:44:18,320
Speaker 4: Yeah, I got Pump and Pete confused, Little Pete, Pete died.

832
00:44:18,600 --> 00:44:23,000
Speaker 3: Pump is Pump is good game? Game? You know, a

833
00:44:23,280 --> 00:44:26,400
Speaker 3: Guccie game coming those that one of those on the

834
00:44:26,760 --> 00:44:34,680
Speaker 3: freeing about little Pump. Look, it was the first time

835
00:44:34,760 --> 00:44:39,200
Speaker 3: that Boss Bields listen like rock him.

836
00:44:39,239 --> 00:44:41,280
Speaker 6: Can we just stop playing trap songs in the year because.

837
00:44:41,120 --> 00:44:44,000
Speaker 3: I got request This is a real song. This is

838
00:44:44,040 --> 00:44:44,520
Speaker 3: a real song.

839
00:44:45,800 --> 00:44:47,200
Speaker 6: Bill took off his headphones.

840
00:44:47,680 --> 00:44:51,160
Speaker 3: Gucci game, your game you? Yeah, what's your head ones on?

841
00:44:55,680 --> 00:45:00,160
Speaker 3: Ain't gonna hand bob men? And what the rang go?

842
00:45:00,320 --> 00:45:02,400
Speaker 6: And I never heard I knew he was gonna do that.

843
00:45:03,520 --> 00:45:05,879
Speaker 3: The funniest thing about this song, though, is.

844
00:45:07,280 --> 00:45:10,080
Speaker 4: It has a behind the lyrics that like you can

845
00:45:10,160 --> 00:45:13,480
Speaker 4: do on really ever was a fucking song that didn't

846
00:45:13,520 --> 00:45:13,840
Speaker 4: need that?

847
00:45:16,440 --> 00:45:17,560
Speaker 3: Ain't seventeen times?

848
00:45:17,560 --> 00:45:18,560
Speaker 6: Can I hear mask off?

849
00:45:18,640 --> 00:45:18,799
Speaker 3: Now?

850
00:45:19,200 --> 00:45:19,960
Speaker 6: We're not taking.

851
00:45:22,280 --> 00:45:34,600
Speaker 3: Future meyl Street Ship, Don't chase no chick. Yeah, I'll

852
00:45:34,640 --> 00:45:35,239
Speaker 3: get your point.

853
00:45:35,280 --> 00:45:40,400
Speaker 4: Bill Washington proud wash Stield Bill's avoidance of trap culture

854
00:45:41,400 --> 00:45:44,759
Speaker 4: is that similar to nutrition? All right, if you're trying

855
00:45:44,760 --> 00:45:47,200
Speaker 4: to lose weight, if you're trying to live a better

856
00:45:47,239 --> 00:45:50,000
Speaker 4: way of life, are you going to eat one hundred?

857
00:45:50,640 --> 00:45:54,000
Speaker 4: Uh now laters in the morning. He's not interested in

858
00:45:54,040 --> 00:45:56,080
Speaker 4: this ship doesn't mean anything to me.

859
00:45:58,000 --> 00:45:59,080
Speaker 6: He's trailing your mind.

860
00:45:59,320 --> 00:46:02,080
Speaker 3: I know, but you it's junk food.

861
00:46:02,080 --> 00:46:04,960
Speaker 4: It's liricly, it's acoustic junk food that you partake in

862
00:46:05,000 --> 00:46:06,640
Speaker 4: from time to time and it gives me diarrhea.

863
00:46:06,719 --> 00:46:10,160
Speaker 3: But you can't I get it.

864
00:46:10,680 --> 00:46:15,160
Speaker 7: The problem though, to that, to that perspective is fair

865
00:46:15,280 --> 00:46:18,200
Speaker 7: because of how corporations of influence radio playlists.

866
00:46:18,200 --> 00:46:20,839
Speaker 4: I ain't got to explain that to anybody, and how

867
00:46:21,320 --> 00:46:24,359
Speaker 4: we're radio stations give you the same fifty songs every month,

868
00:46:24,400 --> 00:46:26,120
Speaker 4: and they have their corporate meeting and then they add

869
00:46:26,200 --> 00:46:27,160
Speaker 4: in ten more and.

870
00:46:27,080 --> 00:46:28,719
Speaker 3: Then they make sure that the dumbest songs in the.

871
00:46:28,719 --> 00:46:32,720
Speaker 4: World because they also control the touring. They also control

872
00:46:32,800 --> 00:46:34,960
Speaker 4: the venues, and we know everybody's going to show up

873
00:46:35,000 --> 00:46:37,280
Speaker 4: to see the dumb song. Dumb song sells more tickets

874
00:46:37,520 --> 00:46:40,000
Speaker 4: than woke song because they think you're all idiots.

875
00:46:40,120 --> 00:46:44,200
Speaker 6: Yeah good, what about Tyler the Creator. Can we just

876
00:46:44,200 --> 00:46:45,680
Speaker 6: have a moment because I thought.

877
00:46:45,440 --> 00:46:51,719
Speaker 3: That that record it sounds like suicidal Pharrell. I just

878
00:46:51,760 --> 00:46:54,440
Speaker 3: thought it was a happier I mean happy for him.

879
00:46:55,400 --> 00:46:57,360
Speaker 3: I thought it was probably the happiest.

880
00:46:57,160 --> 00:47:00,279
Speaker 7: I mean for Taler. Yes, it's pretty damn happy. Yeah,

881
00:47:00,400 --> 00:47:04,040
Speaker 7: but for anybody else, No, I haven't heard it. I

882
00:47:04,040 --> 00:47:06,960
Speaker 7: haven't heard anything after Camp since Earl Sweatshirts album, and

883
00:47:07,040 --> 00:47:08,680
Speaker 7: I think that's two years ago that.

884
00:47:08,800 --> 00:47:12,960
Speaker 4: Well, here's the thing this album. You know, I was

885
00:47:13,000 --> 00:47:16,960
Speaker 4: expecting the normal Tyler I'll crush your testicles in my

886
00:47:17,040 --> 00:47:20,239
Speaker 4: teeth that sort of, and it wasn't that.

887
00:47:20,360 --> 00:47:25,439
Speaker 3: It was like, do it again, give me another bar time,

888
00:47:29,200 --> 00:47:33,080
Speaker 3: I'll crush your testiles my teethted women with brittle pass

889
00:47:35,800 --> 00:47:36,400
Speaker 3: that style.

890
00:47:37,400 --> 00:47:43,280
Speaker 4: And he made a very musical, light sounding record which

891
00:47:43,640 --> 00:47:46,080
Speaker 4: shot the ship out of This is the record that

892
00:47:46,120 --> 00:47:48,600
Speaker 4: I think he'll get the old heads with you like

893
00:47:48,680 --> 00:47:49,919
Speaker 4: cast our ad like, this.

894
00:47:49,840 --> 00:47:50,440
Speaker 3: Is the record.

895
00:47:50,640 --> 00:47:53,160
Speaker 8: And to be honest, it's funny because when we interview

896
00:47:53,239 --> 00:47:55,960
Speaker 8: roy Airs, it's just actually ended up being what roy

897
00:47:56,000 --> 00:47:59,080
Speaker 8: Air said he was because just did not know Tyler

898
00:47:59,080 --> 00:48:00,560
Speaker 8: to create his name. He knew, did I work with

899
00:48:00,600 --> 00:48:02,520
Speaker 8: this young dude? And he is so talented and.

900
00:48:02,960 --> 00:48:05,000
Speaker 3: He called him a piano but he said, yeah, he

901
00:48:05,000 --> 00:48:07,080
Speaker 3: played the piano. They played the piano. So we're thinking,

902
00:48:07,120 --> 00:48:10,360
Speaker 3: were like, okay, Robert Blast like no, no.

903
00:48:10,160 --> 00:48:15,279
Speaker 4: No piano. We're just going through every jazz dude like no, no, noah.

904
00:48:15,680 --> 00:48:17,960
Speaker 4: So we're like, okay, well we'll just move on. So

905
00:48:18,040 --> 00:48:24,759
Speaker 4: we know you work with Tyler, creator of all the

906
00:48:24,760 --> 00:48:27,280
Speaker 4: things to described Tyler created as I don't think piano

907
00:48:27,320 --> 00:48:32,080
Speaker 4: player would be the Iceland is very oh that is

908
00:48:32,080 --> 00:48:32,279
Speaker 4: is that?

909
00:48:33,440 --> 00:48:36,680
Speaker 3: You know? That was the Jellies, the one on Vicelands,

910
00:48:36,680 --> 00:48:40,239
Speaker 3: Like a, wait, how many shows his talent have just

911
00:48:40,440 --> 00:48:43,080
Speaker 3: too But it's like a he wants.

912
00:48:43,880 --> 00:48:47,400
Speaker 7: It's almost like a he's just traveling the world and

913
00:48:47,520 --> 00:48:49,480
Speaker 7: it's I don't even want to call it Boordain because

914
00:48:49,480 --> 00:48:52,600
Speaker 7: it's not fair to make that comparison. But he's experiencing

915
00:48:52,680 --> 00:48:55,600
Speaker 7: something with somebody from his camp, and this person's just

916
00:48:55,640 --> 00:49:00,000
Speaker 7: explained he would like a toy shopping like lear toys,

917
00:49:00,239 --> 00:49:02,880
Speaker 7: how to make waffles, learn how to get served, Like

918
00:49:02,880 --> 00:49:04,239
Speaker 7: it was a whole episode of him just in the

919
00:49:04,280 --> 00:49:07,520
Speaker 7: fucking forest in Canada, tapping maple trees.

920
00:49:07,640 --> 00:49:09,439
Speaker 4: The one he designs a go Kart and they build

921
00:49:09,480 --> 00:49:12,120
Speaker 4: it for him. And then there's one where it was

922
00:49:12,120 --> 00:49:14,680
Speaker 4: the one I just saw the other day. Oh, he

923
00:49:14,840 --> 00:49:18,160
Speaker 4: learns how to do stop motion animation that you shouldn't.

924
00:49:19,320 --> 00:49:22,319
Speaker 7: But he asked interesting questions that make you curious about

925
00:49:22,360 --> 00:49:25,280
Speaker 7: it as well. So you're experiencing something through his brain.

926
00:49:25,680 --> 00:49:26,279
Speaker 7: It's a good show.

927
00:49:26,320 --> 00:49:30,680
Speaker 8: It is a good show the creator definitely.

928
00:49:31,160 --> 00:49:38,279
Speaker 4: Yeah. Okay, so another notable record. Now I have my

929
00:49:38,360 --> 00:49:40,840
Speaker 4: theory on it.

930
00:49:41,040 --> 00:49:44,840
Speaker 3: What were our thoughts on four four four? Oh me,

931
00:49:44,920 --> 00:49:47,319
Speaker 3: first Me, first Me, First first Me, first hit? It

932
00:49:48,000 --> 00:49:51,400
Speaker 3: mixed that album? Holy shit, that sounds horrible.

933
00:49:52,120 --> 00:49:56,640
Speaker 4: Yeah, fall you know, you know what I have to

934
00:49:56,719 --> 00:50:03,799
Speaker 4: say that nevi Ja, I know that. Okay, I'm not

935
00:50:03,840 --> 00:50:07,440
Speaker 4: saying my theory, but I definitely know that, especially based

936
00:50:07,480 --> 00:50:11,360
Speaker 4: on Smile. My theory is that maybe they were late comers,

937
00:50:12,160 --> 00:50:16,000
Speaker 4: lake comers to donuts and yeah, I know.

938
00:50:16,600 --> 00:50:19,279
Speaker 3: Let's call it munchkins. They were late comers to it,

939
00:50:19,320 --> 00:50:25,160
Speaker 3: and that they were trying to give you that vibe. No,

940
00:50:25,200 --> 00:50:27,200
Speaker 3: it just sounded because they recorded in some of the

941
00:50:27,239 --> 00:50:28,000
Speaker 3: best of studio.

942
00:50:28,280 --> 00:50:31,040
Speaker 4: It sounded like it sounded like, really, this is vond

943
00:50:31,120 --> 00:50:33,080
Speaker 4: this is no dis to you, bro. It sounded like

944
00:50:33,080 --> 00:50:34,480
Speaker 4: an ovon p album.

945
00:50:34,800 --> 00:50:37,680
Speaker 3: Wow. Yeah, I thought it was. It was his best

946
00:50:37,680 --> 00:50:38,640
Speaker 3: album in a long time.

947
00:50:38,840 --> 00:50:40,399
Speaker 6: Okay, we're gonna talk content now.

948
00:50:40,560 --> 00:50:43,360
Speaker 3: But here's the thing. Yeah, I know you read, you're ready.

949
00:50:44,080 --> 00:50:53,839
Speaker 3: I personally I'm going to record with this. I don't believe.

950
00:50:55,120 --> 00:50:57,720
Speaker 3: I don't believe Lemonade nor four four.

951
00:50:58,000 --> 00:51:00,759
Speaker 6: So you think it's just conspiracy things.

952
00:51:00,800 --> 00:51:04,160
Speaker 4: I think they know we want blood and we'll take it.

953
00:51:04,520 --> 00:51:09,560
Speaker 4: They're gonna sell us blood. But I can see that,

954
00:51:09,640 --> 00:51:12,959
Speaker 4: I guess, because my question is, how, if that really

955
00:51:12,960 --> 00:51:14,800
Speaker 4: did happen, if either one of them was in was

956
00:51:14,880 --> 00:51:17,080
Speaker 4: cheating on each other, how do you keep that shit

957
00:51:17,160 --> 00:51:20,239
Speaker 4: of secret that I would have to kill a motherfucker?

958
00:51:20,560 --> 00:51:26,200
Speaker 3: I mean, like, I mean the video Solange in the

959
00:51:26,200 --> 00:51:28,480
Speaker 3: elevator beating somebody's.

960
00:51:27,800 --> 00:51:32,319
Speaker 4: Right, right right, and that now that knowing Solange, I

961
00:51:32,320 --> 00:51:33,200
Speaker 4: think that ship was real.

962
00:51:33,600 --> 00:51:35,719
Speaker 3: That was real. That was real.

963
00:51:39,520 --> 00:51:42,719
Speaker 4: There's been talk on what happened to bring that on,

964
00:51:44,120 --> 00:51:48,759
Speaker 4: which was real. But I'm just saying that if you're

965
00:51:48,880 --> 00:51:54,160
Speaker 4: the most famous, I mean, I got D list celebrity,

966
00:51:54,320 --> 00:52:00,600
Speaker 4: me can't. I can't make motherfuckers keep secret. You're not

967
00:52:00,640 --> 00:52:04,080
Speaker 4: a billionaire though, Yeah, but even then, it's like.

968
00:52:06,800 --> 00:52:08,719
Speaker 3: Call but that was a whole other level.

969
00:52:08,760 --> 00:52:10,920
Speaker 4: This nigga was higher massad agents and ship to do

970
00:52:11,280 --> 00:52:13,200
Speaker 4: like that nigga was on some day the Jackal ship.

971
00:52:13,320 --> 00:52:16,480
Speaker 4: I just don't think in the age of of of

972
00:52:16,680 --> 00:52:22,080
Speaker 4: selfie culture and just the needs advertise.

973
00:52:22,040 --> 00:52:25,680
Speaker 3: I know your secrets. Yeah, there's five people that know

974
00:52:25,680 --> 00:52:26,640
Speaker 3: where the bodies are buried.

975
00:52:26,640 --> 00:52:29,040
Speaker 4: In my life, Jay and Beyonce have never really been

976
00:52:29,320 --> 00:52:33,480
Speaker 4: very public people to begin with, So why would that

977
00:52:33,560 --> 00:52:34,960
Speaker 4: should be public.

978
00:52:34,880 --> 00:52:35,400
Speaker 3: To begin with?

979
00:52:35,520 --> 00:52:38,080
Speaker 4: Okay, do you You didn't even know they were officially

980
00:52:38,080 --> 00:52:40,280
Speaker 4: married until like after the Here's.

981
00:52:40,080 --> 00:52:47,160
Speaker 9: The thing though, Okay, I'm writing a book about you.

982
00:52:44,719 --> 00:52:52,520
Speaker 3: When Okay, so I wouldn't deal with that alright, February

983
00:52:52,760 --> 00:53:07,560
Speaker 3: two thousand and six. You're not gonna like it? What? Right? Okay?

984
00:53:07,680 --> 00:53:10,000
Speaker 4: So in two thousand and six, I had the pleasure

985
00:53:10,400 --> 00:53:16,640
Speaker 4: of visiting will Smith's castle, right, and a question I

986
00:53:16,680 --> 00:53:21,239
Speaker 4: asked him was I was like, yo, because again, it

987
00:53:21,320 --> 00:53:24,640
Speaker 4: was the most overwhelming experience I ever had in someone's house. Like,

988
00:53:24,680 --> 00:53:27,839
Speaker 4: he has a stadium inside the house when he wants

989
00:53:27,880 --> 00:53:30,160
Speaker 4: to play basketball, there's like a replica of the forum

990
00:53:30,200 --> 00:53:34,200
Speaker 4: there and all that stuff. So it's basically like at

991
00:53:34,239 --> 00:53:36,000
Speaker 4: one point I was just like, yo, with all these

992
00:53:36,040 --> 00:53:41,759
Speaker 4: people in your property, Like, what is alone? Like, can

993
00:53:41,800 --> 00:53:43,640
Speaker 4: you just walk around the house naked if you want

994
00:53:43,680 --> 00:53:46,920
Speaker 4: to not being He's like, well, you're never alone. You

995
00:53:47,000 --> 00:53:49,160
Speaker 4: just get used to it. I said, so what's being alone? Like,

996
00:53:49,160 --> 00:53:51,560
Speaker 4: what's like no one's home? And he's like, oh, no

997
00:53:51,600 --> 00:53:55,320
Speaker 4: one's home. He's like, that's about eighteen people. So he's

998
00:53:55,600 --> 00:54:02,200
Speaker 4: never just on his own, right, I can't imagine. I

999
00:54:04,160 --> 00:54:07,720
Speaker 4: know people that have signed n d A's that still

1000
00:54:07,800 --> 00:54:10,640
Speaker 4: yeat their mouth because they can't hold it in on.

1001
00:54:12,200 --> 00:54:13,960
Speaker 3: You know, I know, you know, I know.

1002
00:54:13,920 --> 00:54:18,400
Speaker 4: People in his organization and as organization and mad celebrities

1003
00:54:18,480 --> 00:54:19,640
Speaker 4: or they have signed crazy.

1004
00:54:20,960 --> 00:54:21,200
Speaker 3: Yeah.

1005
00:54:21,280 --> 00:54:23,359
Speaker 6: Yeah, But at a certain point when you're around people,

1006
00:54:23,360 --> 00:54:25,200
Speaker 6: and I mean not for nothing, but I'm friends with

1007
00:54:25,200 --> 00:54:27,520
Speaker 6: his sisters and stuff, it's like you respect them in

1008
00:54:27,560 --> 00:54:29,759
Speaker 6: a way where you don't do that like they keep

1009
00:54:29,800 --> 00:54:30,839
Speaker 6: I mean, I don't know, I feel like they keep

1010
00:54:30,840 --> 00:54:31,920
Speaker 6: people around that well.

1011
00:54:33,239 --> 00:54:35,720
Speaker 3: I don't know, but I know stuff that I maybe

1012
00:54:35,760 --> 00:54:36,879
Speaker 3: should not know me.

1013
00:54:36,880 --> 00:54:39,440
Speaker 6: Too, and I would never because you just respect the situation.

1014
00:54:40,000 --> 00:54:43,759
Speaker 4: But my thing is that if you know the line

1015
00:54:43,800 --> 00:54:46,759
Speaker 4: about the Minaja Twa and stuff, I'm just.

1016
00:54:46,840 --> 00:54:49,480
Speaker 3: Like, how are you going to pull that off?

1017
00:54:50,920 --> 00:54:55,440
Speaker 4: Like again, So in and looking at those old Purple

1018
00:54:55,520 --> 00:54:59,240
Speaker 4: Rain notes and looking at it in the Purple Rain Notes,

1019
00:55:00,040 --> 00:55:04,879
Speaker 4: Prince finds Brown Mark uh for being late the bus call.

1020
00:55:05,360 --> 00:55:09,200
Speaker 4: Like there's a thing where some memos like whatever, twenty

1021
00:55:09,200 --> 00:55:11,759
Speaker 4: five dollars for being three minutes, Like Brown Mark was

1022
00:55:11,760 --> 00:55:15,920
Speaker 4: like four minutes late to lobby call. And kind of

1023
00:55:15,960 --> 00:55:20,160
Speaker 4: the thought behind it was like, because Prince was such

1024
00:55:20,200 --> 00:55:24,680
Speaker 4: at a high level of celebrity that he can't even

1025
00:55:24,719 --> 00:55:27,200
Speaker 4: go in that hotel lobby like he used to during

1026
00:55:27,200 --> 00:55:30,840
Speaker 4: the nineteen ninety nine tour and you know, play Girl

1027
00:55:30,880 --> 00:55:34,480
Speaker 4: Watcher so was getting all the round. Mark was basically

1028
00:55:34,600 --> 00:55:38,120
Speaker 4: kicking up the Purple Rain tour because he his level

1029
00:55:38,160 --> 00:55:41,000
Speaker 4: celebrity wasn't so that he couldn't go in a prison

1030
00:55:41,440 --> 00:55:45,759
Speaker 4: right exactly. So I can't imagine, like how do you

1031
00:55:45,880 --> 00:55:46,759
Speaker 4: broker that deal?

1032
00:55:46,960 --> 00:55:49,799
Speaker 3: Like yeah, yeah, who's.

1033
00:55:49,320 --> 00:55:51,320
Speaker 6: The super mega pimps?

1034
00:55:51,440 --> 00:55:52,800
Speaker 3: Who's the whole runner for Jason?

1035
00:55:53,040 --> 00:55:54,759
Speaker 6: There's got to be come on, I mean here, you

1036
00:55:54,840 --> 00:55:55,319
Speaker 6: must know this.

1037
00:55:55,400 --> 00:55:58,720
Speaker 8: There's got to be like some super millionaire pimpatient.

1038
00:55:58,400 --> 00:56:05,080
Speaker 7: Whole Like I won't say his name here, but I've

1039
00:56:05,080 --> 00:56:11,160
Speaker 7: heard stories of a famous white actor playboy who if

1040
00:56:11,160 --> 00:56:13,200
Speaker 7: he sees somebody in the club, do you want to fuck?

1041
00:56:13,880 --> 00:56:17,360
Speaker 7: He send the goon over. Yes, uh, he would like

1042
00:56:17,360 --> 00:56:17,960
Speaker 7: the fuck.

1043
00:56:17,840 --> 00:56:19,600
Speaker 6: Are you okay with Donald DiCaprio.

1044
00:56:20,800 --> 00:56:35,120
Speaker 3: I will not say this, confirm that yo.

1045
00:56:37,480 --> 00:56:39,319
Speaker 4: And so they say, yo, you just come up to

1046
00:56:39,360 --> 00:56:42,960
Speaker 4: the room and just the bodyguard or whoever just brings

1047
00:56:42,960 --> 00:56:44,080
Speaker 4: you in, shift down.

1048
00:56:44,080 --> 00:56:46,360
Speaker 7: He will be in in a second, and then he

1049
00:56:46,520 --> 00:56:48,600
Speaker 7: just walks in. We fucked, and then he leaves and

1050
00:56:48,640 --> 00:56:50,200
Speaker 7: you stay there and put your clothes on, You get

1051
00:56:50,200 --> 00:56:52,359
Speaker 7: your phone back, and then you get the paperwork though.

1052
00:56:52,360 --> 00:56:55,399
Speaker 4: No paper but in this age, it's like who can

1053
00:56:55,520 --> 00:57:00,279
Speaker 4: keep their mouth silent on that ship on.

1054
00:57:00,320 --> 00:57:02,200
Speaker 8: To a lot of people who think that there might

1055
00:57:02,200 --> 00:57:05,000
Speaker 8: be another meeting of the possibility of getting something more.

1056
00:57:05,040 --> 00:57:05,640
Speaker 6: It's more is.

1057
00:57:05,600 --> 00:57:08,239
Speaker 7: Potentially the moment you realized that you was just a

1058
00:57:08,280 --> 00:57:11,520
Speaker 7: hotel fuck while my bodyguard watched you get your back

1059
00:57:11,600 --> 00:57:15,120
Speaker 7: beat out, then the only thing left you got to

1060
00:57:15,120 --> 00:57:18,320
Speaker 7: profit from is the story. So then you're more likely

1061
00:57:18,400 --> 00:57:19,600
Speaker 7: to go and wring your mouth.

1062
00:57:19,840 --> 00:57:22,480
Speaker 8: Yeah, but in my mind, they get a couple of

1063
00:57:22,520 --> 00:57:26,160
Speaker 8: dollars in those you know, Jay Beyonce situations.

1064
00:57:26,320 --> 00:57:31,800
Speaker 3: That's prostitution. I don't know. I mean, I just I don't.

1065
00:57:32,320 --> 00:57:35,240
Speaker 4: I don't believe that's institution when you're when you're that level.

1066
00:57:35,440 --> 00:57:40,000
Speaker 4: I just don't believe. I can't believe that someone is

1067
00:57:41,920 --> 00:57:44,280
Speaker 4: that silent to not speak on the situation.

1068
00:57:44,280 --> 00:57:46,520
Speaker 3: I don't think Becky Becky with the blond hair would

1069
00:57:46,520 --> 00:57:47,160
Speaker 3: have been that question.

1070
00:57:47,160 --> 00:57:49,120
Speaker 8: It would be the biggest coup ever though. I mean,

1071
00:57:49,160 --> 00:57:53,520
Speaker 8: he's came out, and if this is all a lie.

1072
00:57:53,320 --> 00:57:56,400
Speaker 6: I don't believe it's the biggest coup ever I feel.

1073
00:57:56,480 --> 00:57:58,680
Speaker 3: I mean, maybe the Illuminati connections they can have limit.

1074
00:57:58,720 --> 00:58:03,120
Speaker 3: I'm I thought of that too, but I mean you

1075
00:58:03,160 --> 00:58:03,960
Speaker 3: got I mean, and you.

1076
00:58:03,920 --> 00:58:05,880
Speaker 4: Even said this before, Boss Bill, if it was a

1077
00:58:05,920 --> 00:58:09,120
Speaker 4: black girl that he cheated on the balls on that

1078
00:58:09,160 --> 00:58:12,000
Speaker 4: black woman to essentially make herself the most hated woman

1079
00:58:12,080 --> 00:58:15,400
Speaker 4: in America, like you slept with Beyonce's husband.

1080
00:58:15,480 --> 00:58:16,080
Speaker 3: You don't do that.

1081
00:58:16,280 --> 00:58:17,960
Speaker 8: How many women have you heard say I slept with

1082
00:58:17,960 --> 00:58:20,200
Speaker 8: Denzel even though we all know.

1083
00:58:20,880 --> 00:58:22,440
Speaker 3: But I haven't heard nobody.

1084
00:58:22,920 --> 00:58:25,280
Speaker 8: I haven't trying to funk with Paul Letter. I mean,

1085
00:58:25,360 --> 00:58:27,560
Speaker 8: just you know, the one the one to be thinking, no,

1086
00:58:27,960 --> 00:58:28,640
Speaker 8: I'm reading.

1087
00:58:30,480 --> 00:58:33,280
Speaker 6: You know, I just.

1088
00:58:36,760 --> 00:58:37,040
Speaker 3: Right now.

1089
00:58:37,120 --> 00:58:39,240
Speaker 8: But the point is nobody want to piss off Paul

1090
00:58:39,280 --> 00:58:41,240
Speaker 8: Letter and nobody want to be that one that said

1091
00:58:41,240 --> 00:58:46,080
Speaker 8: that messed up.

1092
00:58:47,920 --> 00:58:50,360
Speaker 3: I haven't. I personally haven't heard that, but I mean,

1093
00:58:50,400 --> 00:58:50,720
Speaker 3: I'm not.

1094
00:58:50,880 --> 00:58:52,600
Speaker 8: Just the one so not story, but I'm saying outside

1095
00:58:52,640 --> 00:58:54,320
Speaker 8: that you look at that man and done his business,

1096
00:58:54,520 --> 00:58:57,920
Speaker 8: I would believe it was the other ahead.

1097
00:58:58,080 --> 00:59:00,560
Speaker 7: I would believe these conspiracy This is first of all,

1098
00:59:00,640 --> 00:59:02,520
Speaker 7: let me just say I love a good conspiracy theory.

1099
00:59:02,520 --> 00:59:03,960
Speaker 7: And this is the first time I've heard the one

1100
00:59:03,960 --> 00:59:07,919
Speaker 7: that Eliminade four for four are incy.

1101
00:59:09,960 --> 00:59:11,240
Speaker 3: Wait, wait, wait for the record.

1102
00:59:11,720 --> 00:59:14,480
Speaker 4: I don't want nobody from the Illuminadi or the or

1103
00:59:14,520 --> 00:59:15,360
Speaker 4: the Bad Hive.

1104
00:59:16,960 --> 00:59:17,960
Speaker 3: To kill me. Yeah.

1105
00:59:18,040 --> 00:59:21,160
Speaker 4: Yeah, they're not even listening to Pandora anyway, You're gonna

1106
00:59:21,160 --> 00:59:21,840
Speaker 4: hold you that.

1107
00:59:22,120 --> 00:59:24,320
Speaker 3: They're on title because on the place where Eliminade is,

1108
00:59:24,840 --> 00:59:29,800
Speaker 3: I'm just Eliminade. I'll write out, really, yeah it is.

1109
00:59:31,800 --> 00:59:35,000
Speaker 7: Gets you all money, get I give you Lemonade as

1110
00:59:35,040 --> 00:59:38,000
Speaker 7: a bunch of songwriters creating a facade. But I feel

1111
00:59:38,000 --> 00:59:40,440
Speaker 7: like Jay on trip or four would be a little

1112
00:59:40,480 --> 00:59:43,720
Speaker 7: more truthful to his life.

1113
00:59:43,400 --> 00:59:47,040
Speaker 3: And about his mom's truth. I think he's a smart

1114
00:59:47,080 --> 00:59:51,560
Speaker 3: ass motherfucker brother and did a song about it, don't

1115
00:59:51,600 --> 00:59:52,480
Speaker 3: you want to believe?

1116
00:59:54,920 --> 00:59:58,840
Speaker 4: Come on, Obama's brothers running around with Twitter account going

1117
00:59:59,000 --> 00:59:59,680
Speaker 4: off the chain?

1118
01:00:00,040 --> 01:00:01,919
Speaker 3: How come I ain't heard from Jay's brother yet because

1119
01:00:01,960 --> 01:00:02,720
Speaker 3: j paid him off.

1120
01:00:03,480 --> 01:00:07,640
Speaker 4: Is he still alive? Did he in the song he survived?

1121
01:00:08,440 --> 01:00:10,320
Speaker 4: I'm just saying, did he die from something? I was

1122
01:00:10,360 --> 01:00:13,080
Speaker 4: afraid to ask? We even got to you. But the

1123
01:00:13,120 --> 01:00:15,760
Speaker 4: thing about the Jay's brother thing. Jazz mentioned that in

1124
01:00:15,840 --> 01:00:19,560
Speaker 4: like another interview or song or something where he said

1125
01:00:19,600 --> 01:00:21,720
Speaker 4: that after he shot his brother, he was the first

1126
01:00:21,720 --> 01:00:22,360
Speaker 4: one he came to.

1127
01:00:22,680 --> 01:00:24,480
Speaker 3: That Jay came to Jazz, like you know.

1128
01:00:24,440 --> 01:00:25,600
Speaker 6: Helped me out.

1129
01:00:25,880 --> 01:00:27,800
Speaker 4: I think that may be true. I think the tim

1130
01:00:27,800 --> 01:00:30,640
Speaker 4: shooting brother, I think that happened. I always looked at

1131
01:00:30,720 --> 01:00:34,360
Speaker 4: music as the purest form. Jay's album to me, is

1132
01:00:34,360 --> 01:00:36,280
Speaker 4: the most emotionally naked he's ever been.

1133
01:00:36,760 --> 01:00:37,479
Speaker 3: But it ain't nothing.

1134
01:00:37,520 --> 01:00:40,440
Speaker 4: I've been running and dying to go see him perform.

1135
01:00:40,480 --> 01:00:42,320
Speaker 3: I'm not dying to watch him walk back and forth

1136
01:00:42,360 --> 01:00:49,520
Speaker 3: on I wish he would have presented it. He said,

1137
01:00:51,880 --> 01:00:58,000
Speaker 3: he's very It's true. He's not a concert album either.

1138
01:00:58,360 --> 01:00:59,280
Speaker 3: It's not. It's not a.

1139
01:00:59,600 --> 01:01:01,440
Speaker 8: Record Rose and finding it out too. I don't think

1140
01:01:01,440 --> 01:01:03,360
Speaker 8: it's also not the crime tickets.

1141
01:01:03,920 --> 01:01:07,360
Speaker 3: Yeah, it's like six dollars. Yeah, they were overcharged to

1142
01:01:07,400 --> 01:01:08,840
Speaker 3: retur they were overcharging.

1143
01:01:08,920 --> 01:01:11,680
Speaker 4: They were overcharging for the floor seats right and hoping

1144
01:01:11,680 --> 01:01:15,800
Speaker 4: that they would make up for the cheap seats everywhere else. Wow, wait,

1145
01:01:15,880 --> 01:01:17,920
Speaker 4: six bucks? When's the last time my contract ticket has

1146
01:01:17,920 --> 01:01:18,680
Speaker 4: been six bucks?

1147
01:01:23,160 --> 01:01:25,520
Speaker 8: Speaking of concerts at twenty seventeen, can y'all confirm or

1148
01:01:25,560 --> 01:01:28,920
Speaker 8: deny this that the pictures on social media of Janet

1149
01:01:28,920 --> 01:01:32,000
Speaker 8: and stuff were more exciting than the actual performance in itself.

1150
01:01:32,160 --> 01:01:35,200
Speaker 3: The show was good, Okay, I enjoyed this slow show.

1151
01:01:35,320 --> 01:01:36,040
Speaker 6: Well you have to.

1152
01:01:36,320 --> 01:01:41,480
Speaker 4: When I saw you asked what she moving slower than normal?

1153
01:01:41,640 --> 01:01:43,720
Speaker 6: Somebody said, I heard that she was.

1154
01:01:43,880 --> 01:01:45,640
Speaker 3: Friends with some haters, so light, and I.

1155
01:01:47,760 --> 01:01:54,440
Speaker 4: Said that fifty one year old Janet is not to

1156
01:01:54,480 --> 01:02:02,240
Speaker 4: the level of twenty three year old that's are you?

1157
01:02:02,280 --> 01:02:04,840
Speaker 4: Are you imposing some unrealistic standards on her?

1158
01:02:05,280 --> 01:02:06,480
Speaker 6: I just had questions.

1159
01:02:06,720 --> 01:02:10,400
Speaker 3: I didn't know I heard. I heard this tour was good.

1160
01:02:10,480 --> 01:02:13,280
Speaker 4: The tour before that, when she was all when they

1161
01:02:13,480 --> 01:02:20,280
Speaker 4: married up woman, she stopped grabbing dicks. That she's not

1162
01:02:20,320 --> 01:02:21,200
Speaker 4: doing it on this one.

1163
01:02:21,400 --> 01:02:23,680
Speaker 3: Why must you grab the dicks when you're on the stitch?

1164
01:02:24,640 --> 01:02:28,040
Speaker 3: You love my wife. I do not want to grab

1165
01:02:28,040 --> 01:02:30,920
Speaker 3: it any more. Dicks. Okay, I won't grab it, Oh

1166
01:02:30,960 --> 01:02:35,040
Speaker 3: my god, but that's what I do. I grabs no

1167
01:02:35,160 --> 01:02:38,640
Speaker 3: nothing anymore. It's not like Boris and Na.

1168
01:02:42,200 --> 01:02:44,520
Speaker 6: Say, Janny gonna be with your main eight.

1169
01:02:45,160 --> 01:02:47,840
Speaker 3: I enjoyed who I did, say.

1170
01:02:47,720 --> 01:02:49,720
Speaker 6: Jan getting back with your eight. I was just giving

1171
01:02:49,720 --> 01:02:50,880
Speaker 6: you a little some of that getting back to.

1172
01:02:51,440 --> 01:02:55,480
Speaker 3: Pre pre pre Oh how am I No? That's slipper

1173
01:02:55,720 --> 01:02:58,360
Speaker 3: ride you see to jump in there with. She was

1174
01:02:58,400 --> 01:03:01,400
Speaker 3: on tour of Jermaine jack Thought.

1175
01:03:01,520 --> 01:03:03,560
Speaker 6: I was like, he's tour as well. Though he still

1176
01:03:03,600 --> 01:03:05,760
Speaker 6: does his thing. He still does his thing, Jermaine Jackson.

1177
01:03:06,280 --> 01:03:07,560
Speaker 3: I'm going to stop o. Hey.

1178
01:03:08,520 --> 01:03:11,919
Speaker 4: We also forgot to mention I she was a guest

1179
01:03:12,000 --> 01:03:16,640
Speaker 4: on the show today. Uh, this is a control how

1180
01:03:16,720 --> 01:03:18,520
Speaker 4: we feel about side Chick diaries.

1181
01:03:20,360 --> 01:03:23,120
Speaker 3: She's carrying on.

1182
01:03:23,360 --> 01:03:25,760
Speaker 4: I had I still on my iPhone that I had

1183
01:03:25,760 --> 01:03:27,440
Speaker 4: it on my phone when I went over to Europe

1184
01:03:27,640 --> 01:03:31,080
Speaker 4: this fall, and every time one of the songs came on,

1185
01:03:31,160 --> 01:03:33,200
Speaker 4: I was into it until she started singing, and then

1186
01:03:33,240 --> 01:03:33,560
Speaker 4: I had.

1187
01:03:33,440 --> 01:03:35,720
Speaker 6: To skip buck damn you hard on.

1188
01:03:37,400 --> 01:03:39,640
Speaker 3: I like that song she did on the tonight show.

1189
01:03:39,440 --> 01:03:40,000
Speaker 6: What's It All?

1190
01:03:40,720 --> 01:03:46,440
Speaker 3: What was it called. I don't know. It has some

1191
01:03:46,440 --> 01:03:47,320
Speaker 3: moments that I that I.

1192
01:03:47,240 --> 01:03:50,000
Speaker 8: Did, like love Galore did Drawn with Travis Scott. That's

1193
01:03:50,040 --> 01:03:51,800
Speaker 8: like the jaw, that's the hello.

1194
01:03:52,160 --> 01:03:54,080
Speaker 3: R and B. I have to be like alone to

1195
01:03:54,160 --> 01:03:57,040
Speaker 3: absorb like I can't. It has to be from like

1196
01:03:57,160 --> 01:03:58,280
Speaker 3: before nineteen ninety.

1197
01:03:58,720 --> 01:03:59,840
Speaker 6: So there's no R and B.

1198
01:04:00,120 --> 01:04:03,840
Speaker 3: This I like my record, my early new edition. You

1199
01:04:03,880 --> 01:04:06,320
Speaker 3: don't even stuck with the all white suit.

1200
01:04:08,680 --> 01:04:11,360
Speaker 4: Yeah, a couple of cuts, but yeah, you're right, didn'

1201
01:04:11,400 --> 01:04:13,920
Speaker 4: Jim and lewis Hae Whre was the star of the

1202
01:04:13,960 --> 01:04:16,640
Speaker 4: story by on Home Again. Then Jerelivert produced that cut

1203
01:04:16,920 --> 01:04:18,439
Speaker 4: how did you like Your Love?

1204
01:04:19,320 --> 01:04:21,000
Speaker 3: Oh yeah, they.

1205
01:04:20,880 --> 01:04:22,800
Speaker 4: Took like half a New Office star of the story,

1206
01:04:22,880 --> 01:04:24,640
Speaker 4: so they weren'tetting a by Rod Sifferton.

1207
01:04:25,000 --> 01:04:25,920
Speaker 3: But that was my Joe.

1208
01:04:26,120 --> 01:04:31,160
Speaker 4: Yeah yeah that think wrote to Nicholas. I didn't know

1209
01:04:31,200 --> 01:04:34,600
Speaker 4: that mother because the names were always together. Yeah, it

1210
01:04:34,760 --> 01:04:37,000
Speaker 4: hit your and the thing was but to me, I'm like, Hi,

1211
01:04:37,040 --> 01:04:39,240
Speaker 4: a nigga named Edwin got a nickname name Tony.

1212
01:04:39,440 --> 01:04:39,680
Speaker 3: Like that.

1213
01:04:45,040 --> 01:04:48,800
Speaker 4: Shouldn't all right, said my army. My joint was sucking

1214
01:04:48,880 --> 01:04:51,920
Speaker 4: my homegirl Bosco Britney Bosco. She had a she put

1215
01:04:51,960 --> 01:04:55,040
Speaker 4: out an EPs just called b and that ship is

1216
01:04:55,080 --> 01:04:58,440
Speaker 4: fucking dope. It's dope. And also Gwynn as well. I

1217
01:04:58,520 --> 01:05:02,240
Speaker 4: really I've been all her ship for a while. But yeah,

1218
01:05:03,920 --> 01:05:04,960
Speaker 4: I go crazy with this year.

1219
01:05:06,440 --> 01:05:09,960
Speaker 6: Maggie, that chick Rogers, that's what.

1220
01:05:11,880 --> 01:05:18,480
Speaker 3: My student. No, yes, Maggie, I love you. Maggie Rochester

1221
01:05:18,600 --> 01:05:21,080
Speaker 3: is one of my students at n y U. No,

1222
01:05:22,120 --> 01:05:25,200
Speaker 3: she's from Ohio. Oh, I know you're talking about, but

1223
01:05:25,200 --> 01:05:27,520
Speaker 3: I can't remember the gospel chick Chris.

1224
01:05:27,760 --> 01:05:30,600
Speaker 4: You had her on Instagram. You posted her ship on Instagram,

1225
01:05:30,760 --> 01:05:34,120
Speaker 4: and yeah, I can't remember. It must not have been

1226
01:05:34,160 --> 01:05:34,520
Speaker 4: that great.

1227
01:05:35,480 --> 01:05:38,080
Speaker 3: No, it's just we know that I'm having brain.

1228
01:05:38,200 --> 01:05:41,080
Speaker 4: I always have brain for I want to say, Crystal,

1229
01:05:42,080 --> 01:05:44,920
Speaker 4: she's like the gospel chick, like with the real thick harmonies.

1230
01:05:44,960 --> 01:05:48,080
Speaker 3: And then why are you doing that?

1231
01:05:48,600 --> 01:05:50,800
Speaker 4: I remember seeing a whole bunch of people tweeting the posting.

1232
01:05:51,920 --> 01:05:53,920
Speaker 4: I didn't because I had a whole bunch I had

1233
01:05:54,000 --> 01:05:54,560
Speaker 4: this ship to do.

1234
01:05:55,400 --> 01:05:56,720
Speaker 3: I peeped working.

1235
01:05:56,800 --> 01:05:58,160
Speaker 4: I'm gonna just say but it was like it was

1236
01:05:58,160 --> 01:06:01,080
Speaker 4: like a week when everybody was posting about and then nothing.

1237
01:06:01,600 --> 01:06:04,160
Speaker 6: Hello, got link, you killed it? Thank you for saving me.

1238
01:06:04,920 --> 01:06:05,400
Speaker 3: Gold Link.

1239
01:06:06,280 --> 01:06:06,560
Speaker 2: Come on.

1240
01:06:09,040 --> 01:06:09,200
Speaker 3: Wait.

1241
01:06:09,600 --> 01:06:11,880
Speaker 4: I had high expectations for god Links album because I

1242
01:06:12,040 --> 01:06:14,360
Speaker 4: like the mixtape that he had out before this ship

1243
01:06:14,440 --> 01:06:16,200
Speaker 4: was great. But then I just found out that I

1244
01:06:16,360 --> 01:06:23,120
Speaker 4: like the production because but I think that's true for all, Like,

1245
01:06:23,360 --> 01:06:25,160
Speaker 4: I mean, that seems to be the case. Like when

1246
01:06:25,200 --> 01:06:26,840
Speaker 4: people say they're tired of hip hop, I don't think

1247
01:06:26,880 --> 01:06:29,040
Speaker 4: they're tired of hip hop. They're just tired of rappers. Yeah,

1248
01:06:29,080 --> 01:06:32,000
Speaker 4: if I never heard another rapper rap again, I will

1249
01:06:32,080 --> 01:06:34,400
Speaker 4: would be too soon. I'm fit and I'm with you.

1250
01:06:34,680 --> 01:06:36,800
Speaker 4: I say that as a rapper, I'll be niggas rap.

1251
01:06:37,640 --> 01:06:39,680
Speaker 4: But cruise the jam, Cruise the jam.

1252
01:06:39,960 --> 01:06:41,280
Speaker 6: I mean, we don't have a lot in DC. We

1253
01:06:41,360 --> 01:06:43,320
Speaker 6: got him and you know, and Marvin Gaye.

1254
01:06:43,360 --> 01:06:45,960
Speaker 3: That's it. Wait, wait, hold on. Black people don't like

1255
01:06:46,080 --> 01:06:50,040
Speaker 3: rap music anymore. No, black people, like they don't like

1256
01:06:50,160 --> 01:06:53,800
Speaker 3: rappers all black people. Yeah, this is a question of

1257
01:06:55,000 --> 01:06:59,320
Speaker 3: supreme exclusive. Yes, rappers don't like rapp. Not like rappers.

1258
01:06:59,440 --> 01:07:01,320
Speaker 6: A Black rappers don't like rappers.

1259
01:07:01,320 --> 01:07:02,240
Speaker 3: Like I like rap.

1260
01:07:02,600 --> 01:07:05,320
Speaker 7: But then if it's it's gotta be a little bit

1261
01:07:05,400 --> 01:07:08,280
Speaker 7: off the beaten path, Like it's got to be something

1262
01:07:08,320 --> 01:07:10,960
Speaker 7: that's a little harder to find, and you know, someone

1263
01:07:11,040 --> 01:07:13,440
Speaker 7: that you stumble upon you like there was a there

1264
01:07:13,520 --> 01:07:16,280
Speaker 7: was a minute for like a decade. Were the only

1265
01:07:16,360 --> 01:07:18,439
Speaker 7: way I got put on the new rap that wasn't

1266
01:07:18,800 --> 01:07:21,240
Speaker 7: caught up in the radio corporate bullshit was video games.

1267
01:07:21,840 --> 01:07:25,320
Speaker 7: Video games introduced me to a ship ton of new

1268
01:07:25,400 --> 01:07:28,680
Speaker 7: music across all genres, Like if you play Madden or Fifa,

1269
01:07:29,280 --> 01:07:32,880
Speaker 7: it's impossible to not discover new I was listening to

1270
01:07:32,920 --> 01:07:34,560
Speaker 7: the K pop fucking around with FIFA.

1271
01:07:36,480 --> 01:07:36,600
Speaker 3: Yo.

1272
01:07:36,840 --> 01:07:43,200
Speaker 4: They fucking group love out of fucking LA, this fucking

1273
01:07:43,240 --> 01:07:46,080
Speaker 4: group epic high, Like half they ship is in Korean.

1274
01:07:46,160 --> 01:07:48,840
Speaker 4: They ran and I fucking downloaded ship. I can't speak Korean,

1275
01:07:49,440 --> 01:07:51,760
Speaker 4: but I was like, but the hooks are in English,

1276
01:07:51,960 --> 01:07:53,320
Speaker 4: but the fucking verses are in Korean.

1277
01:07:53,360 --> 01:07:54,840
Speaker 3: I'm like cool. And then I just pulled a ship

1278
01:07:54,960 --> 01:07:56,919
Speaker 3: up online, like now, what the fuck was he rapping about?

1279
01:07:56,960 --> 01:07:57,680
Speaker 3: Let me read about it.

1280
01:07:59,680 --> 01:08:04,160
Speaker 7: And all the same, like in terms of like just lyrically,

1281
01:08:04,200 --> 01:08:07,000
Speaker 7: they're talking about the same fucking aspirations to be better,

1282
01:08:07,160 --> 01:08:09,240
Speaker 7: and you don't buy it as much because your Korean.

1283
01:08:09,560 --> 01:08:11,400
Speaker 7: I don't think he came from the gutter the same

1284
01:08:11,520 --> 01:08:14,280
Speaker 7: as every fucking black rapper.

1285
01:08:14,360 --> 01:08:19,080
Speaker 3: But it's coming to me. Uh. I actually I like

1286
01:08:19,240 --> 01:08:19,920
Speaker 3: Sid's album.

1287
01:08:20,680 --> 01:08:21,519
Speaker 6: Yeah, me too.

1288
01:08:23,720 --> 01:08:25,479
Speaker 3: Oh my god, Why am I looking at Bill?

1289
01:08:25,840 --> 01:08:28,040
Speaker 6: Looking at Bill so quiet saying louder?

1290
01:08:28,680 --> 01:08:29,040
Speaker 3: I wasn't.

1291
01:08:30,160 --> 01:08:31,840
Speaker 4: I was trying to debate if it came out in

1292
01:08:31,880 --> 01:08:36,080
Speaker 4: twenty sixteen, seventeen, that was then Bill's sipping a lot

1293
01:08:36,160 --> 01:08:39,200
Speaker 4: of tea right now. So insecurities with my jam on

1294
01:08:39,280 --> 01:08:41,400
Speaker 4: net record. That shit was dope. I like the backgrounds

1295
01:08:41,400 --> 01:08:43,120
Speaker 4: on that joint for what it is. It's cool, but

1296
01:08:44,000 --> 01:08:46,040
Speaker 4: I still think Jack Davy should be where she is,

1297
01:08:46,240 --> 01:08:52,320
Speaker 4: A could have been a contender, has been so close

1298
01:08:52,360 --> 01:08:56,679
Speaker 4: to music for so long. Changed Yes, how you even

1299
01:08:56,840 --> 01:09:00,000
Speaker 4: just absorb a song? Yeah, we we ruined our palace.

1300
01:09:00,640 --> 01:09:03,439
Speaker 3: It's like I ate too much good food for too long, well,

1301
01:09:03,479 --> 01:09:05,000
Speaker 3: in some good ways, in some bad ways.

1302
01:09:05,040 --> 01:09:07,000
Speaker 4: I mean, I guess it's in the same way like

1303
01:09:07,080 --> 01:09:09,080
Speaker 4: if you're seeing a comic and like you see him

1304
01:09:09,160 --> 01:09:12,080
Speaker 4: killing it, you can appreciate him killing it, but on

1305
01:09:12,160 --> 01:09:13,040
Speaker 4: a deeper level.

1306
01:09:12,920 --> 01:09:15,400
Speaker 3: You see analyzing it exactly you analyze.

1307
01:09:15,439 --> 01:09:18,280
Speaker 4: So for me, when I hear a great record, I

1308
01:09:18,400 --> 01:09:20,720
Speaker 4: still I'm like, damn, this is dope, just you know,

1309
01:09:20,920 --> 01:09:22,000
Speaker 4: just instinctively I feel it.

1310
01:09:22,160 --> 01:09:23,960
Speaker 3: But then I'm listening like damn, how do they mix

1311
01:09:24,040 --> 01:09:24,679
Speaker 3: that vocal? Damn?

1312
01:09:24,720 --> 01:09:26,439
Speaker 4: Listen to how they did this. So it gives you

1313
01:09:26,479 --> 01:09:28,240
Speaker 4: a great appreciation of it. But on the other side

1314
01:09:28,240 --> 01:09:30,720
Speaker 4: of it, when you hear some bullshit, for me, it

1315
01:09:30,800 --> 01:09:33,240
Speaker 4: does the same thing. You know, you can see the tricks,

1316
01:09:33,439 --> 01:09:35,200
Speaker 4: you know what I mean, Like you can see here's

1317
01:09:35,320 --> 01:09:36,160
Speaker 4: how they around.

1318
01:09:36,240 --> 01:09:37,000
Speaker 3: Here's an example.

1319
01:09:37,479 --> 01:09:43,080
Speaker 4: So all right, who's millennial of Okay, let's take Playboard CARDI.

1320
01:09:43,760 --> 01:09:48,920
Speaker 3: Okay, now, no clue, no clue that is I know

1321
01:09:49,000 --> 01:09:52,800
Speaker 3: who he is. Like Magnolia was like.

1322
01:09:54,960 --> 01:09:59,360
Speaker 4: The reaction I get when I play Playboard CARDI is Magnolia.

1323
01:10:00,760 --> 01:10:03,400
Speaker 4: I'll put in context twenty five years ago. It was

1324
01:10:03,479 --> 01:10:06,560
Speaker 4: like when you heard the first four seconds of like

1325
01:10:06,800 --> 01:10:08,559
Speaker 4: Jay Ruse, come clean.

1326
01:10:09,920 --> 01:10:12,680
Speaker 3: Magnolia. So we okay, but it's just like.

1327
01:10:20,280 --> 01:10:24,759
Speaker 4: But even then, it's like for me, it's like again,

1328
01:10:24,840 --> 01:10:28,680
Speaker 4: it's the whole effective versus good. I played it so

1329
01:10:28,760 --> 01:10:31,519
Speaker 4: many times, and I guess the elation that I get

1330
01:10:31,600 --> 01:10:32,719
Speaker 4: from when I play the joint.

1331
01:10:34,840 --> 01:10:37,040
Speaker 3: I mean, have I been uh, what do you call

1332
01:10:37,760 --> 01:10:42,760
Speaker 3: Stockingham syndrome? Brainwashed? What you want to come out of here?

1333
01:10:43,240 --> 01:10:50,639
Speaker 3: This in New York? My thing is like I can't

1334
01:10:50,680 --> 01:10:53,559
Speaker 3: tell this apart from like fifteen of the songs. All

1335
01:10:53,600 --> 01:10:56,920
Speaker 3: that shit sounds the same. This ain't called No, this

1336
01:10:57,040 --> 01:11:01,360
Speaker 3: is not milliy rock magnolia. I didn't know my soft

1337
01:11:01,880 --> 01:11:02,799
Speaker 3: I didn't know myself.

1338
01:11:03,600 --> 01:11:04,920
Speaker 6: You got a rot with your mouth opere.

1339
01:11:09,400 --> 01:11:11,560
Speaker 3: No, that is my first time ever hearing. I was

1340
01:11:11,600 --> 01:11:16,000
Speaker 3: hoping for my last time too. No, I think it's

1341
01:11:16,240 --> 01:11:18,479
Speaker 3: like I just don't. I don't. I can't tell the

1342
01:11:18,560 --> 01:11:21,800
Speaker 3: part from fifteen other songs. It sounded just like it. Yeah, no,

1343
01:11:21,960 --> 01:11:25,360
Speaker 3: I did. So have we become our parents? Yes, y'all

1344
01:11:25,439 --> 01:11:27,560
Speaker 3: have it sounds that way? And what?

1345
01:11:28,200 --> 01:11:31,880
Speaker 4: But the thing is, all right, did our parents have

1346
01:11:32,000 --> 01:11:38,639
Speaker 4: a point when probably? Okay, I we need bus some them,

1347
01:11:38,760 --> 01:11:39,080
Speaker 4: all right?

1348
01:11:39,320 --> 01:11:41,559
Speaker 6: So when two live crews, no, no, no, no.

1349
01:11:41,600 --> 01:11:44,640
Speaker 3: No no, because my palate was way better than that,

1350
01:11:44,840 --> 01:11:45,160
Speaker 3: all right.

1351
01:11:45,800 --> 01:11:49,559
Speaker 4: When the night I heard the day that I brought

1352
01:11:49,640 --> 01:11:53,920
Speaker 4: Nacon millions by public, getem me, it was blasting, not

1353
01:11:54,120 --> 01:11:54,919
Speaker 4: living bass.

1354
01:11:54,720 --> 01:11:57,960
Speaker 3: Heads or my stereo system in my room, my dad

1355
01:11:58,080 --> 01:12:00,839
Speaker 3: was like, this is this is no, this is garbage.

1356
01:12:01,560 --> 01:12:04,160
Speaker 3: But you can understand what you say. Am I wrong

1357
01:12:04,240 --> 01:12:05,519
Speaker 3: for thinking that it was a work of art?

1358
01:12:06,280 --> 01:12:06,320
Speaker 8: No?

1359
01:12:06,560 --> 01:12:10,439
Speaker 3: But but then again, the millennials after me also think

1360
01:12:10,520 --> 01:12:11,000
Speaker 3: it's bulls.

1361
01:12:11,120 --> 01:12:15,000
Speaker 4: But to me, the difference between the two generations is

1362
01:12:15,040 --> 01:12:19,480
Speaker 4: that there aren't When you listen to Public Enemy acoustically,

1363
01:12:19,600 --> 01:12:24,800
Speaker 4: there weren't twelve other Enemy of the Public Tennessee.

1364
01:12:24,640 --> 01:12:37,280
Speaker 3: Enemy, Liberal Rhythm, the Renegade. But no, I think, and

1365
01:12:37,320 --> 01:12:38,040
Speaker 3: they would get called it.

1366
01:12:38,080 --> 01:12:40,680
Speaker 4: The fact that you just called them a bier you

1367
01:12:40,760 --> 01:12:43,040
Speaker 4: get called out for How dare you even try to

1368
01:12:43,160 --> 01:12:46,439
Speaker 4: sound similar? Now that's rewarded. No, because like in our

1369
01:12:46,560 --> 01:12:49,599
Speaker 4: era of hip, it was my style is better than yours.

1370
01:12:50,080 --> 01:12:51,840
Speaker 4: Now the mo o is, oh I can do your

1371
01:12:51,920 --> 01:12:55,559
Speaker 4: style too, There's no more, there is nothing there.

1372
01:12:56,200 --> 01:12:58,200
Speaker 3: Originality is not really rewarded.

1373
01:12:58,280 --> 01:13:00,519
Speaker 4: It's like, oh I can do this, I can do

1374
01:13:01,680 --> 01:13:05,360
Speaker 4: an R or it's on the radio stations because they

1375
01:13:05,400 --> 01:13:06,280
Speaker 4: won't play anything else.

1376
01:13:07,040 --> 01:13:09,120
Speaker 3: They don't want to think too hard. I'm shocked.

1377
01:13:09,400 --> 01:13:15,439
Speaker 4: Okay, I didn't think Pandora they're great, agree with any

1378
01:13:15,520 --> 01:13:17,960
Speaker 4: thing too, Like with the biers like back then, I

1379
01:13:18,000 --> 01:13:20,760
Speaker 4: mean with somebody like Public Enemy. I mean that ship

1380
01:13:20,880 --> 01:13:23,240
Speaker 4: requires skill to bite that, you know what I mean?

1381
01:13:24,040 --> 01:13:26,519
Speaker 4: It does not require skill. I mean if I want

1382
01:13:26,600 --> 01:13:30,000
Speaker 4: to make uh the gang or whatever I mean, and

1383
01:13:30,080 --> 01:13:32,920
Speaker 4: those records are what they are, But that's still very

1384
01:13:33,040 --> 01:13:36,240
Speaker 4: easily up. They're five minute beats, and the people that

1385
01:13:36,320 --> 01:13:37,680
Speaker 4: make them are proud of the fact that they're five

1386
01:13:37,680 --> 01:13:43,240
Speaker 4: minute beats. Yeah yeah, I mean the the the upper

1387
01:13:43,280 --> 01:13:47,320
Speaker 4: echelon of music. Any of you guys funk with uh?

1388
01:13:47,840 --> 01:13:50,840
Speaker 4: Come on, see Washington's the three hour jazz album that

1389
01:13:51,360 --> 01:13:54,400
Speaker 4: because Russ Russy forty minutes.

1390
01:13:54,479 --> 01:13:56,640
Speaker 3: Yeah, he just put out another one. It's uh a

1391
01:13:56,680 --> 01:13:56,920
Speaker 3: new one.

1392
01:13:57,000 --> 01:14:00,920
Speaker 4: Yeah, it's a new one. Differences something harmony different, Yeah, yeah, yeah,

1393
01:14:00,960 --> 01:14:01,840
Speaker 4: I listened to some of it.

1394
01:14:01,920 --> 01:14:04,439
Speaker 3: It's good. I fuck with it. But I really like

1395
01:14:04,520 --> 01:14:06,400
Speaker 3: the epic though, the three hour joint. I think I

1396
01:14:06,960 --> 01:14:11,839
Speaker 3: made it. Steve. Steve made them five hours, six hours.

1397
01:14:11,920 --> 01:14:13,960
Speaker 3: It's not just don't don't don't give me a copy?

1398
01:14:14,040 --> 01:14:16,160
Speaker 7: That what I what I've gained in like sitting with

1399
01:14:16,240 --> 01:14:18,160
Speaker 7: you all though, It's like, it's so interesting how if

1400
01:14:18,200 --> 01:14:21,960
Speaker 7: you're in a different prism of entertainment, like how for Bill,

1401
01:14:22,160 --> 01:14:24,880
Speaker 7: like music is too noisy, so you go to TV

1402
01:14:25,000 --> 01:14:28,960
Speaker 7: to escape. I feel like TV is too noisy, so

1403
01:14:29,120 --> 01:14:31,600
Speaker 7: I try to go to music.

1404
01:14:33,360 --> 01:14:36,160
Speaker 6: Because there's so many options that you mean, like, did

1405
01:14:36,200 --> 01:14:37,200
Speaker 6: you watch this watch.

1406
01:14:38,920 --> 01:14:41,960
Speaker 3: Already? Half ship? I gotta watch just on some research.

1407
01:14:42,600 --> 01:14:46,000
Speaker 4: So I'm already losing half of my attention span to

1408
01:14:46,360 --> 01:14:49,000
Speaker 4: there's less time alloted to even watch it that I

1409
01:14:49,120 --> 01:14:50,559
Speaker 4: want to enjoy, discover, and.

1410
01:14:51,160 --> 01:14:52,800
Speaker 6: Now you got to binge it and you can't just

1411
01:14:52,880 --> 01:14:53,599
Speaker 6: catch up on the one.

1412
01:14:53,640 --> 01:14:56,320
Speaker 3: We got the whole, which is the only advantage because

1413
01:14:56,320 --> 01:14:57,920
Speaker 3: then when I do get a moment, I want to

1414
01:14:57,920 --> 01:15:00,280
Speaker 3: see it. Give me all the punisher, let me.

1415
01:15:02,560 --> 01:15:04,920
Speaker 6: That's funny. I'm just on that in mind Hunter.

1416
01:15:05,160 --> 01:15:06,920
Speaker 3: I haven't. I haven't, I haven't checked funished yet. I'm

1417
01:15:06,920 --> 01:15:07,800
Speaker 3: waiting on Black Mirror.

1418
01:15:08,280 --> 01:15:12,280
Speaker 4: They got season, not the second season, the last season,

1419
01:15:12,720 --> 01:15:14,960
Speaker 4: the last one, the one from the last season, the

1420
01:15:15,040 --> 01:15:16,920
Speaker 4: sands you in apparel, that one, that one, That one

1421
01:15:17,040 --> 01:15:19,640
Speaker 4: was a good Black Mirror fucked me up because all

1422
01:15:19,680 --> 01:15:23,679
Speaker 4: that ship could kind of happen, all of it. It's

1423
01:15:23,800 --> 01:15:26,080
Speaker 4: like it's too close.

1424
01:15:25,840 --> 01:15:27,479
Speaker 3: Like this was the one where they were rating people

1425
01:15:27,600 --> 01:15:29,120
Speaker 3: that actually about to happen.

1426
01:15:29,200 --> 01:15:32,639
Speaker 6: Yeah, yeah, fucking Bitcoin, mister Robots, Sorry.

1427
01:15:32,680 --> 01:15:35,439
Speaker 3: Mister rob Robot. Mister Robot still got to get on it. Man,

1428
01:15:37,520 --> 01:15:40,400
Speaker 3: And you did your post on faith then I got

1429
01:15:40,560 --> 01:15:41,120
Speaker 3: lost into it.

1430
01:15:41,320 --> 01:15:42,040
Speaker 6: Yeah it's good.

1431
01:15:42,479 --> 01:15:46,280
Speaker 4: I enjoyed, mister Robert, But you're saying that as a

1432
01:15:46,320 --> 01:15:49,800
Speaker 4: person on television. You don't see how awesome television is now.

1433
01:15:50,120 --> 01:15:54,160
Speaker 4: I see awesome television, but there is so much awesome

1434
01:15:54,240 --> 01:15:58,320
Speaker 4: television that I can't get to it all that some shows,

1435
01:15:58,400 --> 01:16:00,920
Speaker 4: I'm just straight up like, you know what, fuck it?

1436
01:16:01,560 --> 01:16:04,280
Speaker 3: I give you a perfect example. I love Arrow.

1437
01:16:05,240 --> 01:16:08,760
Speaker 4: I ain't no real superhero procedural, ass dude. I think

1438
01:16:08,880 --> 01:16:12,760
Speaker 4: most superhero procedurals it's just you just fucking cash in

1439
01:16:12,800 --> 01:16:14,479
Speaker 4: the check and you're gonna stream it.

1440
01:16:14,640 --> 01:16:16,920
Speaker 3: But see that's table I'm talking to. This is c W.

1441
01:16:17,840 --> 01:16:18,000
Speaker 4: Arrow.

1442
01:16:18,080 --> 01:16:18,400
Speaker 3: C W.

1443
01:16:19,040 --> 01:16:22,280
Speaker 4: I sucked around and missed a season and blink an

1444
01:16:22,600 --> 01:16:24,680
Speaker 4: Arrow is now six seasons.

1445
01:16:25,840 --> 01:16:28,680
Speaker 3: And the flash spun off of the Arrow and then

1446
01:16:28,840 --> 01:16:29,320
Speaker 3: legends of that.

1447
01:16:29,400 --> 01:16:33,799
Speaker 4: We're talking literally eighty episodes of fucking television across all titles,

1448
01:16:34,120 --> 01:16:37,120
Speaker 4: and I just I can't fucking fuck so I'm done

1449
01:16:37,160 --> 01:16:37,519
Speaker 4: with Arrow.

1450
01:16:39,439 --> 01:16:41,280
Speaker 3: Is there gonna be like a is it gonna bubble?

1451
01:16:41,320 --> 01:16:43,439
Speaker 3: It's gonna burst with television because there is a lot.

1452
01:16:43,439 --> 01:16:46,240
Speaker 4: There back of the day, like if you missed one

1453
01:16:46,360 --> 01:16:48,559
Speaker 4: episode of Dallas at Dynasty, like it wasn't an end

1454
01:16:48,560 --> 01:16:50,320
Speaker 4: of your world. Are you saying now that we have

1455
01:16:50,400 --> 01:16:54,200
Speaker 4: to be super completest and watch every episode of well,

1456
01:16:54,200 --> 01:16:56,200
Speaker 4: because a lot of well, back in the day, the

1457
01:16:56,280 --> 01:16:59,320
Speaker 4: story's storylines weren't always continuous, especially with like sitcoms and

1458
01:16:59,320 --> 01:17:02,680
Speaker 4: ship so I'm one always continuous and that was the

1459
01:17:02,760 --> 01:17:06,400
Speaker 4: way we watched it was different. You had to wait

1460
01:17:06,479 --> 01:17:06,960
Speaker 4: week the week.

1461
01:17:07,240 --> 01:17:08,120
Speaker 6: Now now you don't.

1462
01:17:08,160 --> 01:17:10,879
Speaker 8: And now it's funny because I'm like, meanwhile, on Netflix,

1463
01:17:11,040 --> 01:17:12,920
Speaker 8: you gotta watch Luke Case. Then you want to watch

1464
01:17:13,000 --> 01:17:15,799
Speaker 8: Jessica Jones, then you want to watch The Defenders, then watch.

1465
01:17:17,080 --> 01:17:19,080
Speaker 4: Yeah, and then you just go fucking I'm going to bed,

1466
01:17:19,280 --> 01:17:21,880
Speaker 4: Like you just just sit there, like I think there's

1467
01:17:21,960 --> 01:17:25,000
Speaker 4: three shows that I watch religious religiously, and then the

1468
01:17:25,040 --> 01:17:26,160
Speaker 4: rest of them is I'll just catch it.

1469
01:17:27,400 --> 01:17:32,640
Speaker 3: The other two god, well, broad City just ended? What

1470
01:17:32,840 --> 01:17:36,120
Speaker 3: is it? What was the other one? That's true? You

1471
01:17:36,160 --> 01:17:38,400
Speaker 3: watched Orange and New Black? I watched it.

1472
01:17:38,479 --> 01:17:40,639
Speaker 4: I stopped her the second season. Actually, I'm actually still

1473
01:17:40,680 --> 01:17:46,519
Speaker 4: watching Scandal, but that's all that's good network drama. I

1474
01:17:46,720 --> 01:17:48,120
Speaker 4: just I'm watching it because I just want to see

1475
01:17:48,120 --> 01:17:48,519
Speaker 4: how it ends.

1476
01:17:48,720 --> 01:17:53,360
Speaker 3: And this is a lot evil Olivia. I don't know

1477
01:17:53,400 --> 01:17:55,120
Speaker 3: if I don't know if I like it either, but

1478
01:17:55,240 --> 01:17:57,559
Speaker 3: I've stuck with it this long. I just that's how I.

1479
01:17:57,640 --> 01:18:00,000
Speaker 6: Feel that it might be the jump to Sharks season.

1480
01:18:00,400 --> 01:18:03,160
Speaker 3: No jumps show was seasons ago.

1481
01:18:04,040 --> 01:18:08,240
Speaker 4: Like, I'm amazed that they find new ways to make

1482
01:18:08,280 --> 01:18:14,040
Speaker 4: Stevie Wonder's song still newscandal like it. Look, I'm not

1483
01:18:14,120 --> 01:18:18,320
Speaker 4: trying to have Sean to Cindy the whole Illuminati after

1484
01:18:19,160 --> 01:18:23,040
Speaker 4: but I you know, man, the music clearance person is

1485
01:18:23,200 --> 01:18:26,880
Speaker 4: so for that and get away on that show? Man,

1486
01:18:27,000 --> 01:18:30,160
Speaker 4: It's like, I stop, how I get away with Murder?

1487
01:18:30,920 --> 01:18:34,479
Speaker 4: I didn't finish it was too I mean I watched.

1488
01:18:34,880 --> 01:18:38,559
Speaker 4: I'm not lying to you. I watched like forty shows.

1489
01:18:39,320 --> 01:18:41,080
Speaker 3: I don't know how. You know how people ask like,

1490
01:18:41,280 --> 01:18:43,720
Speaker 3: how do you have nineteen jobs? I'm amazed that.

1491
01:18:43,680 --> 01:18:47,160
Speaker 4: I'm actually keeping up actively with forty television shows.

1492
01:18:47,439 --> 01:18:49,880
Speaker 3: I don't know how you do that. I have to.

1493
01:18:51,880 --> 01:18:56,599
Speaker 4: Just traveling and just you know, I find time. But yeah,

1494
01:18:56,720 --> 01:18:59,920
Speaker 4: for some reason, I know that How to Get a

1495
01:19:00,400 --> 01:19:05,080
Speaker 4: Murder is quality TV. But it's just a wait, who

1496
01:19:05,160 --> 01:19:05,439
Speaker 4: said that?

1497
01:19:05,840 --> 01:19:06,160
Speaker 3: That was me?

1498
01:19:06,360 --> 01:19:07,720
Speaker 4: No, because I know a lot of people that are

1499
01:19:07,840 --> 01:19:10,439
Speaker 4: usually there into the Shonda world that aren't really into

1500
01:19:10,520 --> 01:19:11,439
Speaker 4: How to get Away with Murder?

1501
01:19:12,960 --> 01:19:13,680
Speaker 3: I never got into it.

1502
01:19:14,960 --> 01:19:19,320
Speaker 4: It's good there's some payoff there, but I I just

1503
01:19:19,400 --> 01:19:22,840
Speaker 4: think I don't have I don't have enough time for

1504
01:19:23,600 --> 01:19:26,920
Speaker 4: I traded. I traded in Murder for Queen Sugar and

1505
01:19:27,160 --> 01:19:30,760
Speaker 4: Green que Sugar Watch. I did some trade in and

1506
01:19:30,960 --> 01:19:32,360
Speaker 4: I watched Queen Sugar.

1507
01:19:32,439 --> 01:19:34,560
Speaker 3: Had to give up the numbers. I couldn't get into it,

1508
01:19:35,040 --> 01:19:35,599
Speaker 3: but see.

1509
01:19:35,800 --> 01:19:38,880
Speaker 4: That you should go go to Queen Sugar, like, give

1510
01:19:38,920 --> 01:19:41,040
Speaker 4: it five episodes. I think I think I got three

1511
01:19:41,080 --> 01:19:42,960
Speaker 4: episodes in then I stopped. If you have it, if

1512
01:19:43,560 --> 01:19:47,200
Speaker 4: it's a slow bill, you just like the season there?

1513
01:19:48,160 --> 01:19:52,640
Speaker 3: Okay, wait, the thing with the Wire. It took me

1514
01:19:52,720 --> 01:19:53,880
Speaker 3: like ten years to watch The Wire.

1515
01:19:54,040 --> 01:19:56,519
Speaker 7: You ever watched there. I've watched The Wire with someone

1516
01:19:56,520 --> 01:19:58,479
Speaker 7: who's watching it for the first time and I have

1517
01:19:58,600 --> 01:20:02,400
Speaker 7: to literally go, trust me, stick with Season two is

1518
01:20:02,439 --> 01:20:04,320
Speaker 7: the hardest thing season for anybody.

1519
01:20:04,479 --> 01:20:05,240
Speaker 6: That's the Europeans.

1520
01:20:05,240 --> 01:20:11,400
Speaker 4: And but that's the most important because in five that's

1521
01:20:11,400 --> 01:20:13,160
Speaker 4: how the don't get in the city, so you meet

1522
01:20:13,200 --> 01:20:16,000
Speaker 4: the Greek and the whole watch. But it's certain shows

1523
01:20:16,040 --> 01:20:17,920
Speaker 4: I like watching, even though I know it's junk food

1524
01:20:17,920 --> 01:20:19,599
Speaker 4: and I know and I can see the tricks from

1525
01:20:19,600 --> 01:20:21,760
Speaker 4: a mile away. The same with the fucking Audio ship.

1526
01:20:22,280 --> 01:20:26,200
Speaker 4: For me, my ship is Chicago Fire and lethal weapon.

1527
01:20:26,560 --> 01:20:26,800
Speaker 8: It is.

1528
01:20:28,520 --> 01:20:31,240
Speaker 3: You know what. After the first season, it was good

1529
01:20:32,320 --> 01:20:37,240
Speaker 3: fun basically shoot him up, catch the criminal. Whoo we

1530
01:20:37,400 --> 01:20:42,640
Speaker 3: almost died. Good episode critic, it's funny, it's fucking.

1531
01:20:44,479 --> 01:20:44,679
Speaker 6: Yeah.

1532
01:20:44,880 --> 01:20:47,400
Speaker 4: And I can't even think of new Riggs name, but

1533
01:20:47,479 --> 01:20:49,519
Speaker 4: he's a fucking great agree from Alabama.

1534
01:20:50,640 --> 01:20:53,000
Speaker 3: Riggs name like Riggs.

1535
01:20:53,400 --> 01:20:55,400
Speaker 4: He don't hit it with that Danny Glover base though

1536
01:20:55,439 --> 01:20:57,880
Speaker 4: he ain't. He ain't Danny Glover with it. But it

1537
01:20:58,080 --> 01:21:02,559
Speaker 4: honors the movie and it's I ain't. It ain't gonna

1538
01:21:02,600 --> 01:21:05,920
Speaker 4: never get nominated for an Emmy for writing, but it

1539
01:21:06,080 --> 01:21:08,920
Speaker 4: is a fun, solid show. It'll be on ten fucking

1540
01:21:09,000 --> 01:21:10,200
Speaker 4: years as long as they want to do.

1541
01:21:10,360 --> 01:21:12,320
Speaker 3: I know it was still on. I didn't. It's like

1542
01:21:13,080 --> 01:21:17,400
Speaker 3: come out like I stopped watching Empire. Like Empire, oh dog,

1543
01:21:17,560 --> 01:21:20,800
Speaker 3: I left after the Prince episode. Here's the thing. I

1544
01:21:20,880 --> 01:21:23,280
Speaker 3: love the first episode. I love your Family.

1545
01:21:23,400 --> 01:21:27,560
Speaker 7: But Empire is one of those shows where if you

1546
01:21:27,720 --> 01:21:31,200
Speaker 7: don't because it's a twenty episode drama and it's not procedural,

1547
01:21:31,320 --> 01:21:35,160
Speaker 7: so if you miss three episode, it's who is this nigga?

1548
01:21:35,280 --> 01:21:41,200
Speaker 3: And where? Yeah, my girlfriend watches Star, so I watched.

1549
01:21:41,479 --> 01:21:44,840
Speaker 6: I was scared to mention it was my girlfriend watching Star.

1550
01:21:44,920 --> 01:21:45,559
Speaker 6: I sit on the couch.

1551
01:21:45,640 --> 01:21:47,800
Speaker 3: That cool. I watched it, and then it'd be three fuckers.

1552
01:21:47,880 --> 01:21:49,839
Speaker 3: I'll be like, who the is that? Oh? She from Empire.

1553
01:21:49,880 --> 01:21:50,960
Speaker 3: This is a crossover episode.

1554
01:21:52,240 --> 01:21:54,479
Speaker 8: Half of a New Edition movie is cast on Star

1555
01:21:54,600 --> 01:21:57,080
Speaker 8: and you want to like support, you know what I'm saying.

1556
01:21:57,400 --> 01:21:59,080
Speaker 3: And I watched the Ship and I'm just like, God,

1557
01:21:59,160 --> 01:22:01,439
Speaker 3: damn it, I want to follow, But I got this right.

1558
01:22:01,520 --> 01:22:03,160
Speaker 3: Back to Arrow forty episodes.

1559
01:22:04,360 --> 01:22:07,479
Speaker 6: Speaking of good TV twenty seventeen New Edition.

1560
01:22:07,439 --> 01:22:11,320
Speaker 3: Movie, Oh I love it. It was good. The best

1561
01:22:11,320 --> 01:22:14,479
Speaker 3: things Happened has changed. Shout out to Barry. I'm sorry.

1562
01:22:15,080 --> 01:22:19,600
Speaker 3: Here's the here's the downside to the New Edition. It

1563
01:22:19,760 --> 01:22:25,040
Speaker 3: has inspired a slew biopics that do not have the

1564
01:22:25,160 --> 01:22:29,760
Speaker 3: budget or the music clearances or the acting prowess with

1565
01:22:29,880 --> 01:22:33,000
Speaker 3: the talents of the people that pulled off the New

1566
01:22:33,160 --> 01:22:34,639
Speaker 3: Edition is on his way?

1567
01:22:34,640 --> 01:22:39,400
Speaker 6: What are you talking about, d H.

1568
01:22:40,520 --> 01:22:44,000
Speaker 3: We'll see. That's I'm excited. We'll see.

1569
01:22:44,240 --> 01:22:46,000
Speaker 6: So you like the TLS.

1570
01:22:47,120 --> 01:22:49,400
Speaker 3: You sit down with the Bobby Christina movie. When that

1571
01:22:49,520 --> 01:22:55,360
Speaker 3: come out, I was like, wait, there's a Bobbys Lifetime. No,

1572
01:22:55,520 --> 01:22:58,839
Speaker 3: it's t Yeah, I think it's somewhere.

1573
01:23:03,720 --> 01:23:05,400
Speaker 6: But the white though.

1574
01:23:07,479 --> 01:23:09,120
Speaker 3: It was the lifetime.

1575
01:23:08,840 --> 01:23:12,719
Speaker 6: One you like that, my girl?

1576
01:23:13,360 --> 01:23:13,960
Speaker 3: Which one was that?

1577
01:23:14,160 --> 01:23:17,280
Speaker 4: It was fine? Next time it was fine? Was it

1578
01:23:17,360 --> 01:23:20,040
Speaker 4: as good as the new edition? Fucking ya?

1579
01:23:20,720 --> 01:23:22,720
Speaker 3: Yeah? Was it as good as the new edition? Like

1580
01:23:22,800 --> 01:23:23,040
Speaker 3: this is?

1581
01:23:23,400 --> 01:23:26,439
Speaker 6: That was all? But that that was standard? Was new edition?

1582
01:23:26,560 --> 01:23:27,360
Speaker 3: Was new edition?

1583
01:23:27,439 --> 01:23:31,439
Speaker 7: Showed that there's a audience and retro the same reason

1584
01:23:31,479 --> 01:23:33,600
Speaker 7: we got all these retro nineties hip hop tours that

1585
01:23:33,640 --> 01:23:35,639
Speaker 7: are starting to bubble up and escape going back out.

1586
01:23:35,680 --> 01:23:38,120
Speaker 7: But I just feel like the stories need to be

1587
01:23:38,200 --> 01:23:40,720
Speaker 7: done properly and don't just rush me some bullshit to

1588
01:23:40,800 --> 01:23:46,360
Speaker 7: the screen because you know, listen, listen man. It was

1589
01:23:46,400 --> 01:23:48,160
Speaker 7: one of those movies I saw like I saw like

1590
01:23:48,280 --> 01:23:50,320
Speaker 7: all the people like trashing it, and I was like,

1591
01:23:50,400 --> 01:23:52,120
Speaker 7: and I walked in, like, damn, this is gonna be bad.

1592
01:23:52,400 --> 01:23:54,280
Speaker 3: So then I walked in my wife we saw it,

1593
01:23:54,280 --> 01:23:55,840
Speaker 3: and I was just we was watching, like, yo, this

1594
01:23:56,040 --> 01:23:58,760
Speaker 3: is because they trashed right.

1595
01:23:58,880 --> 01:24:01,600
Speaker 4: But but the next night I saw it was like

1596
01:24:01,680 --> 01:24:03,519
Speaker 4: two nights later, we was at home and straight out

1597
01:24:03,920 --> 01:24:06,800
Speaker 4: and came on HBO and we watched and it was

1598
01:24:06,840 --> 01:24:11,200
Speaker 4: just like, yeah, that was tracked. You haven't seen Trayla

1599
01:24:11,240 --> 01:24:14,160
Speaker 4: coming before. I mean, I hadn't seen it before, but respect,

1600
01:24:15,439 --> 01:24:17,479
Speaker 4: I was like, oh god, yeah, that ship was bad.

1601
01:24:17,560 --> 01:24:20,400
Speaker 4: It was it was the pop movie was like mister Robot,

1602
01:24:20,520 --> 01:24:20,840
Speaker 4: I like.

1603
01:24:21,080 --> 01:24:24,320
Speaker 3: Can I ask a question? Though? Oh good, no, no, no,

1604
01:24:24,400 --> 01:24:27,120
Speaker 3: no no. I was just gonna give a plug for

1605
01:24:27,240 --> 01:24:30,680
Speaker 3: Smith on show time. You know what everyone came for?

1606
01:24:30,800 --> 01:24:35,680
Speaker 4: Smells funny. Here's this step mother like, did you have

1607
01:24:35,880 --> 01:24:36,360
Speaker 4: single mom?

1608
01:24:36,520 --> 01:24:38,960
Speaker 3: Sing? Did he describe it to me as smelf? As

1609
01:24:39,000 --> 01:24:43,639
Speaker 3: a single one woman? Shameless? There you go? Just had.

1610
01:24:45,080 --> 01:24:45,599
Speaker 6: By herself?

1611
01:24:47,320 --> 01:24:49,200
Speaker 3: You watched I don't watch it.

1612
01:24:50,439 --> 01:24:52,559
Speaker 6: I watched every episode.

1613
01:24:52,600 --> 01:24:53,120
Speaker 3: I love.

1614
01:24:54,000 --> 01:24:55,840
Speaker 6: I love to see white people in situations like that.

1615
01:24:56,160 --> 01:25:00,280
Speaker 4: Broke white people struggle, struggling. It's like white people of Bruceter's.

1616
01:25:03,040 --> 01:25:05,240
Speaker 6: It's money almost the same way about.

1617
01:25:06,080 --> 01:25:08,520
Speaker 8: But you know what, the fact that they put back

1618
01:25:08,880 --> 01:25:11,360
Speaker 8: with Shameless look like damn white ladies winning.

1619
01:25:11,479 --> 01:25:18,080
Speaker 3: But that was wow. Oh Steve, you love television? Do you?

1620
01:25:20,439 --> 01:25:23,320
Speaker 3: I mean? You know me? I used to what do

1621
01:25:23,400 --> 01:25:27,880
Speaker 3: you right now? I'm watching the Crown? What's yeah?

1622
01:25:28,400 --> 01:25:28,840
Speaker 8: And uh?

1623
01:25:29,320 --> 01:25:32,680
Speaker 3: I like my guilty pleasure this year was Riverdale. I

1624
01:25:32,760 --> 01:25:34,599
Speaker 3: thought that, oh.

1625
01:25:36,240 --> 01:25:39,080
Speaker 4: That's one of my forty I watched on Netflix to

1626
01:25:39,120 --> 01:25:42,200
Speaker 4: catch up. Yeah, what's the show. Everybody's caping for the

1627
01:25:42,320 --> 01:25:42,880
Speaker 4: child is just.

1628
01:25:42,960 --> 01:25:46,120
Speaker 3: Like, listen, I have a question about the mayor. I

1629
01:25:46,160 --> 01:25:47,800
Speaker 3: got one, I got okay, the mayor.

1630
01:25:48,360 --> 01:25:50,760
Speaker 4: I have a question about the mayor because all the

1631
01:25:50,880 --> 01:25:54,600
Speaker 4: ratings are off the chain. It's but again, it's like

1632
01:25:55,760 --> 01:25:57,120
Speaker 4: Shyraq also got.

1633
01:25:57,120 --> 01:25:59,760
Speaker 3: An eighty five and rotten tomatoes. That shouldn't have.

1634
01:25:59,720 --> 01:26:03,000
Speaker 4: Happened, right, And I almost feel like when I saw

1635
01:26:03,120 --> 01:26:05,760
Speaker 4: Cyrat get a eighty five then I was like, Oh,

1636
01:26:05,800 --> 01:26:08,640
Speaker 4: you're afraid to You're you're afraid to criticize it.

1637
01:26:08,720 --> 01:26:10,000
Speaker 3: So Beau, give me a ten.

1638
01:26:10,080 --> 01:26:16,240
Speaker 4: Let's get out of here. Have we watched I'm still sticking.

1639
01:26:15,960 --> 01:26:16,280
Speaker 3: To the mayor.

1640
01:26:16,320 --> 01:26:18,519
Speaker 4: I'm sticking to the mayor because I'm a complete its.

1641
01:26:18,520 --> 01:26:20,760
Speaker 4: I'm gonna finish the season, right. They got like a

1642
01:26:20,840 --> 01:26:23,360
Speaker 4: three have you guys episode back in? Yeah, I finish,

1643
01:26:23,560 --> 01:26:23,960
Speaker 4: gona have it.

1644
01:26:24,200 --> 01:26:26,479
Speaker 3: Have you watched it? And he's gonna have it? No? No, no,

1645
01:26:26,680 --> 01:26:29,760
Speaker 3: the mayor. No, no, I watched the pilot. I watched

1646
01:26:29,760 --> 01:26:33,360
Speaker 3: the pilot and you're not aboard. No, not really, but

1647
01:26:33,560 --> 01:26:35,360
Speaker 3: you know, most pilots suck. Yeah I know that.

1648
01:26:35,479 --> 01:26:38,200
Speaker 4: I know that, and usually to me, it was it

1649
01:26:38,320 --> 01:26:40,400
Speaker 4: was just the PRIMI the premises didn't really it felt

1650
01:26:40,439 --> 01:26:46,040
Speaker 4: real eighties. It felt like it felt like wrapping Mayor. Yeah,

1651
01:26:46,040 --> 01:26:46,640
Speaker 4: I don't want to watch it.

1652
01:26:46,720 --> 01:26:48,559
Speaker 3: Yeah, like didn't we see that with Kwime kirk Patrick

1653
01:26:50,880 --> 01:26:56,240
Speaker 3: didn't have I don't think I want to see that show.

1654
01:26:56,720 --> 01:26:59,800
Speaker 8: The show what they took the Kelsey Grammar show off.

1655
01:26:59,840 --> 01:27:01,560
Speaker 8: That was a really good show. It was called The

1656
01:27:01,680 --> 01:27:03,599
Speaker 8: Mayor on Stars. It was I'm sorry.

1657
01:27:04,280 --> 01:27:06,880
Speaker 3: Kelsey Grammar had another show besides Fray.

1658
01:27:06,960 --> 01:27:08,680
Speaker 6: It was called The Man. Yeah, he was the Mayor

1659
01:27:08,680 --> 01:27:10,240
Speaker 6: of Chicago. It was on Stars.

1660
01:27:11,160 --> 01:27:13,519
Speaker 3: The Boss. Yeah, I remember seeing that.

1661
01:27:13,600 --> 01:27:15,640
Speaker 7: I didn't watch It was a sinister It was like

1662
01:27:15,720 --> 01:27:18,240
Speaker 7: House of Cars, but like as a mayor before.

1663
01:27:17,960 --> 01:27:18,639
Speaker 6: House of Cars.

1664
01:27:18,720 --> 01:27:23,880
Speaker 3: Yeah, damn, you never watched You go deep sometimes, like

1665
01:27:23,960 --> 01:27:27,760
Speaker 3: these cuts are deep. The Ozarks was good too, that

1666
01:27:30,120 --> 01:27:32,840
Speaker 3: what's what's the deal with it? What's the deal with Like?

1667
01:27:32,920 --> 01:27:35,920
Speaker 3: What's it about? He only gets pulled into the dope game? Yeah,

1668
01:27:36,960 --> 01:27:40,200
Speaker 3: memo I couldn't like like walk White Killed.

1669
01:27:40,760 --> 01:27:43,840
Speaker 4: The whole sub genre of white Man goes into scary

1670
01:27:44,000 --> 01:27:49,040
Speaker 4: underworld with niggas like we bring yeah breaking Yeah, I'm

1671
01:27:49,040 --> 01:27:49,280
Speaker 4: good with.

1672
01:27:49,360 --> 01:27:51,600
Speaker 6: That, but it's a different industry. He's the one that

1673
01:27:51,680 --> 01:27:53,280
Speaker 6: looks like the money, hetches the money.

1674
01:27:53,439 --> 01:27:55,519
Speaker 3: It's the same. I mean he a drug dealer. Nonetheless, like.

1675
01:27:58,320 --> 01:27:59,240
Speaker 6: Steve, it's a good show.

1676
01:27:59,320 --> 01:28:01,800
Speaker 4: Since we're there, since I was such a stand for

1677
01:28:01,960 --> 01:28:07,120
Speaker 4: Breaking Bad, I got I'm struggling with Saul and I

1678
01:28:07,280 --> 01:28:09,679
Speaker 4: know everyone still it's still trending.

1679
01:28:10,560 --> 01:28:12,720
Speaker 3: Have you are you? Are you current on it? I'm

1680
01:28:12,960 --> 01:28:15,880
Speaker 3: on season two. I'm hanging on. Season two is tough.

1681
01:28:16,520 --> 01:28:22,519
Speaker 3: Season three is the better call? So that there's an episode?

1682
01:28:22,680 --> 01:28:25,360
Speaker 3: Was the episode the one you saying? Season two is

1683
01:28:25,400 --> 01:28:28,960
Speaker 3: like the Russian season of like That Bad.

1684
01:28:29,080 --> 01:28:30,920
Speaker 4: But yeah, but you're still on those lines. Yeah, I

1685
01:28:31,240 --> 01:28:34,320
Speaker 4: need some magic that happened season three. On season three,

1686
01:28:34,400 --> 01:28:37,120
Speaker 4: they start bringing you start seeing more a lot more

1687
01:28:37,160 --> 01:28:37,680
Speaker 4: Breaking Bad.

1688
01:28:38,800 --> 01:28:41,519
Speaker 3: String shows up. You know, you're actually introduced to the

1689
01:28:41,600 --> 01:28:42,480
Speaker 3: Saul Goodman.

1690
01:28:42,280 --> 01:28:45,200
Speaker 4: Character and you start seeing the how he falls into

1691
01:28:45,280 --> 01:28:47,720
Speaker 4: what he became and Breaking Bad and the way they

1692
01:28:47,800 --> 01:28:50,559
Speaker 4: wrote the art, the relationship between him and his brother.

1693
01:28:50,960 --> 01:28:54,960
Speaker 3: Yes, oh man, I forgot about it. That's string. That

1694
01:28:55,080 --> 01:28:57,960
Speaker 3: ship is hard, but you got just for that alone.

1695
01:28:57,960 --> 01:28:58,600
Speaker 3: You gotta watch that.

1696
01:28:58,680 --> 01:29:00,960
Speaker 4: I forgot what the name of the so then y'all

1697
01:29:01,040 --> 01:29:05,599
Speaker 4: know the one the court one court nigga, Oh god, yo.

1698
01:29:05,760 --> 01:29:08,760
Speaker 3: I think I'm back. My My surprise discovery this year

1699
01:29:09,000 --> 01:29:17,680
Speaker 3: was Gomora that ship. What's it's on? It's on? Does

1700
01:29:17,720 --> 01:29:19,679
Speaker 3: it come on Sundance? I think it comes on Sundance.

1701
01:29:20,000 --> 01:29:23,200
Speaker 3: So Gomorra is it's a it's a true story and

1702
01:29:23,320 --> 01:29:26,040
Speaker 3: it's based on like the crime, the Camorra crime family

1703
01:29:26,120 --> 01:29:26,559
Speaker 3: in Italy.

1704
01:29:26,840 --> 01:29:29,400
Speaker 4: So best way I can describe it, it's basically the Wire,

1705
01:29:30,400 --> 01:29:35,720
Speaker 4: but with no misbeats. Like so if a nigga does

1706
01:29:35,800 --> 01:29:38,400
Speaker 4: something in the opening and you be like damn, like

1707
01:29:38,640 --> 01:29:40,600
Speaker 4: this nigga deserve to die, like in the Wire, he

1708
01:29:40,640 --> 01:29:44,160
Speaker 4: wouldn't die to like episode nine, Gomora, that niggas dead

1709
01:29:44,160 --> 01:29:44,639
Speaker 4: in the next.

1710
01:29:44,520 --> 01:29:48,719
Speaker 3: Twenty minutes like that. Sh It's so is it a period?

1711
01:29:49,680 --> 01:29:52,120
Speaker 4: It takes place like in current day in Italy and so,

1712
01:29:52,280 --> 01:29:54,080
Speaker 4: and it's based on the book the name of the

1713
01:29:54,120 --> 01:29:57,280
Speaker 4: book is I think it's called It's on Sundance. But

1714
01:29:57,360 --> 01:29:59,320
Speaker 4: you can I think you can probably you know what

1715
01:29:59,439 --> 01:30:02,240
Speaker 4: it's on that flicks. The first two seasons are on

1716
01:30:02,320 --> 01:30:06,679
Speaker 4: Netflix and the more it's like super brutal, super violent,

1717
01:30:07,200 --> 01:30:10,880
Speaker 4: but like the story is just so fucking it's it's

1718
01:30:10,920 --> 01:30:12,479
Speaker 4: no way to beat. It's just boo boom boom bom

1719
01:30:12,520 --> 01:30:14,560
Speaker 4: bom bom boom, and like that shit is crazy. I

1720
01:30:14,680 --> 01:30:17,360
Speaker 4: watched it because it is it's subtitles, so I got

1721
01:30:17,400 --> 01:30:20,080
Speaker 4: into it. I was one day the guys were in

1722
01:30:20,160 --> 01:30:22,519
Speaker 4: my kitchen. They were doing some work in my kitchen

1723
01:30:23,040 --> 01:30:25,800
Speaker 4: and it was loud, noisy, so I couldn't watch nothing

1724
01:30:25,840 --> 01:30:28,680
Speaker 4: that I had to listen to me watch, Let me

1725
01:30:28,760 --> 01:30:35,960
Speaker 4: just watch. Yeah, man, Speaking of that whle, I didn't

1726
01:30:37,200 --> 01:30:39,479
Speaker 4: watch the latest Narcos.

1727
01:30:40,200 --> 01:30:46,000
Speaker 3: I enjoyed it. I enjoyed it. It was it was fine.

1728
01:30:46,080 --> 01:30:49,320
Speaker 7: I mean, we marry ourselves to the creator said that

1729
01:30:49,439 --> 01:30:52,000
Speaker 7: it's the story of Cocaine, not the story of Pablo.

1730
01:30:52,479 --> 01:30:56,960
Speaker 7: So the story of Cocaine continues beyond and to that

1731
01:30:57,000 --> 01:30:59,880
Speaker 7: whole point. About the British ship season three, I thought

1732
01:30:59,920 --> 01:31:01,880
Speaker 7: they I thought halfway through.

1733
01:31:01,760 --> 01:31:03,479
Speaker 3: They're gonna I see what they're doing. They said, this

1734
01:31:03,640 --> 01:31:07,799
Speaker 3: up it is season four. This dude, No, they fucking

1735
01:31:07,880 --> 01:31:10,360
Speaker 3: tied that ship up in a bow. Goddamn it.

1736
01:31:10,439 --> 01:31:14,120
Speaker 7: Season four is some whole new other ship that will

1737
01:31:14,160 --> 01:31:16,639
Speaker 7: eventually bring us up to l Chapel, like to the whole.

1738
01:31:17,800 --> 01:31:20,760
Speaker 3: So it's like as they follow it all. Speaking of

1739
01:31:20,960 --> 01:31:23,639
Speaker 3: TV shows about cocaine, did anybody watch snow Fall. Yes

1740
01:31:24,760 --> 01:31:31,240
Speaker 3: I did. I was kind of this one. Talk to me.

1741
01:31:32,600 --> 01:31:35,560
Speaker 3: It's John Singleton and he's telling the story cocaine in

1742
01:31:35,600 --> 01:31:38,280
Speaker 3: the eighties and how crack cocaine came to be.

1743
01:31:38,439 --> 01:31:40,360
Speaker 7: So that is an interesting backstory that I didn't know

1744
01:31:40,400 --> 01:31:47,599
Speaker 7: anything about. But it's three separate characters you're watching. You're

1745
01:31:47,720 --> 01:31:52,799
Speaker 7: watching three separate shows concurrently, and eventually by the finale,

1746
01:31:53,360 --> 01:31:55,759
Speaker 7: they show you how they all converge together.

1747
01:31:56,120 --> 01:31:57,760
Speaker 3: So it's one of them. You gotta stick with it.

1748
01:31:57,880 --> 01:32:03,360
Speaker 4: Because I was like, from gave a fu of two

1749
01:32:03,439 --> 01:32:05,640
Speaker 4: of the three storylines, the storylines I didn't give a

1750
01:32:05,640 --> 01:32:06,080
Speaker 4: fuck about.

1751
01:32:06,479 --> 01:32:09,679
Speaker 3: I'm trying to remember the three services. It was the Mexicans,

1752
01:32:09,800 --> 01:32:12,160
Speaker 3: the black Kid, you got the black Kid, Black.

1753
01:32:12,080 --> 01:32:16,720
Speaker 4: Kid, the Mexican wrestling niggas, and that's the third one,

1754
01:32:16,720 --> 01:32:18,560
Speaker 4: that's the nigga I give no fun about it.

1755
01:32:18,680 --> 01:32:20,960
Speaker 3: Yes, yeah, And that was when I was like, fuck you.

1756
01:32:21,160 --> 01:32:24,040
Speaker 3: But but it came together, didn't together.

1757
01:32:24,360 --> 01:32:26,920
Speaker 4: I didn't finish the season, so it was it's worth finishing.

1758
01:32:26,920 --> 01:32:29,720
Speaker 4: It comes together. But now let's see what season two

1759
01:32:29,840 --> 01:32:31,960
Speaker 4: now that we have them ultic I thought it would

1760
01:32:31,960 --> 01:32:33,519
Speaker 4: have been a better show if they would have just

1761
01:32:33,600 --> 01:32:37,519
Speaker 4: focused on the Black Kids and then see how watch

1762
01:32:37,560 --> 01:32:39,160
Speaker 4: it go out? You know what I'm saying, like to

1763
01:32:39,240 --> 01:32:41,519
Speaker 4: see Okay, you start here, but now I'm fucking with

1764
01:32:41,560 --> 01:32:43,280
Speaker 4: the Mexicans. Now it goes up to the c I

1765
01:32:43,400 --> 01:32:46,200
Speaker 4: A but trying to introduce all those stories at first,

1766
01:32:46,240 --> 01:32:48,000
Speaker 4: there's a lot of ship that I watched off the

1767
01:32:48,080 --> 01:32:51,479
Speaker 4: respect of the creators, and I go, all right, I

1768
01:32:51,600 --> 01:32:54,000
Speaker 4: respect your body of work. I'm gonna give you ten

1769
01:32:54,080 --> 01:32:56,120
Speaker 4: episodes and I'm gonna go ahead.

1770
01:32:55,880 --> 01:32:55,960
Speaker 10: And.

1771
01:32:57,439 --> 01:33:02,439
Speaker 3: Speaking of already, let's go to let's go to John's counterpart.

1772
01:33:02,600 --> 01:33:08,519
Speaker 4: She's got a bike, Lee, Okay, she's gotta. Now I

1773
01:33:08,640 --> 01:33:12,479
Speaker 4: have to say that I am torn. I'm torn. And

1774
01:33:12,560 --> 01:33:15,560
Speaker 4: it's like I'm at the fifty yard line and do

1775
01:33:15,640 --> 01:33:17,439
Speaker 4: I step to the to the right, make it fifty

1776
01:33:17,439 --> 01:33:20,439
Speaker 4: one forty nine or do I make it forty nine

1777
01:33:20,520 --> 01:33:21,000
Speaker 4: fifty one.

1778
01:33:21,920 --> 01:33:22,680
Speaker 3: So it's like.

1779
01:33:25,720 --> 01:33:27,760
Speaker 4: I've only seen two episodes, and a lot of that

1780
01:33:28,080 --> 01:33:30,160
Speaker 4: was mirroring the film, so I feel like I haven't

1781
01:33:30,160 --> 01:33:30,479
Speaker 4: seen it.

1782
01:33:32,120 --> 01:33:32,519
Speaker 3: You gotta.

1783
01:33:33,040 --> 01:33:35,519
Speaker 4: The thing is is like, do you know at the

1784
01:33:35,560 --> 01:33:38,680
Speaker 4: inception if you're going to like like I want to

1785
01:33:38,960 --> 01:33:41,759
Speaker 4: like it. So I'm already there, like all right, Spike,

1786
01:33:42,400 --> 01:33:46,519
Speaker 4: I want to like this. I don't think Spike Lee's

1787
01:33:46,560 --> 01:33:49,120
Speaker 4: method of storytelling is suited for episodic television.

1788
01:33:49,880 --> 01:33:52,840
Speaker 3: Okay, talk to me. That's it. That's a critique. That's

1789
01:33:52,880 --> 01:33:54,720
Speaker 3: it sounds like a sound what I thought it was.

1790
01:33:54,880 --> 01:33:56,519
Speaker 4: It's funny you said that. I kind of felt the

1791
01:33:56,760 --> 01:34:00,840
Speaker 4: opposite way. I thought that watching it all in one dose,

1792
01:34:01,400 --> 01:34:04,240
Speaker 4: I didn't do that, so you didn't. We watched it

1793
01:34:04,560 --> 01:34:07,000
Speaker 4: took them to the head. The thing I couldn't stop

1794
01:34:07,040 --> 01:34:09,320
Speaker 4: watching it. I watched that I like needed to break

1795
01:34:09,360 --> 01:34:11,760
Speaker 4: because it's just Spike Lee. So it's going to be

1796
01:34:11,760 --> 01:34:13,400
Speaker 4: a lot of in your face, over the head, you

1797
01:34:13,439 --> 01:34:15,680
Speaker 4: know type, you know, beating. But I can consider that

1798
01:34:15,800 --> 01:34:20,400
Speaker 4: like little breaks like the album covers and no, no, no,

1799
01:34:20,720 --> 01:34:23,240
Speaker 4: I'm talking about just like just just the way Spike

1800
01:34:23,320 --> 01:34:26,519
Speaker 4: Lee tells stories, like it's a lot of very obvious

1801
01:34:26,600 --> 01:34:29,320
Speaker 4: overt in your faces. This is me, Spike Lee. I

1802
01:34:29,400 --> 01:34:32,240
Speaker 4: have a message to tell you through these characters. These

1803
01:34:32,280 --> 01:34:34,320
Speaker 4: aren't real people. This is just me spotting my views

1804
01:34:34,360 --> 01:34:36,519
Speaker 4: that you you know. But that's kind of his whole

1805
01:34:37,360 --> 01:34:40,439
Speaker 4: complete But so that's what I'm saying. Spike Lee's method

1806
01:34:40,479 --> 01:34:42,760
Speaker 4: of storytelling, I don't think it's suited for we like

1807
01:34:42,880 --> 01:34:46,799
Speaker 4: to see, in a perfect world, how would we improve

1808
01:34:47,360 --> 01:34:47,920
Speaker 4: She's got to have.

1809
01:34:48,720 --> 01:34:51,080
Speaker 3: I think he's gonna have to get some younger writers

1810
01:34:51,120 --> 01:34:56,160
Speaker 3: in the room and let other people direct it. He

1811
01:34:56,280 --> 01:34:58,880
Speaker 3: directed every episode. He didn't he directed every episode, So

1812
01:34:59,280 --> 01:34:59,680
Speaker 3: I liked.

1813
01:35:00,400 --> 01:35:03,479
Speaker 4: I like that's the thing I feel like Spike, like

1814
01:35:03,800 --> 01:35:06,920
Speaker 4: Spike and the camera work is such a beautiful work

1815
01:35:06,960 --> 01:35:07,240
Speaker 4: of art.

1816
01:35:07,320 --> 01:35:11,200
Speaker 3: Like I'm used to it. His his his DPS. I

1817
01:35:11,280 --> 01:35:14,519
Speaker 3: mean it's not really his camera, yeah, but it's still his.

1818
01:35:15,000 --> 01:35:17,519
Speaker 8: All the things y'all say. When Spike has already left

1819
01:35:17,560 --> 01:35:19,720
Speaker 8: the building. You know, we interviewed him this year, Roy, Hey,

1820
01:35:19,720 --> 01:35:20,160
Speaker 8: how you doing.

1821
01:35:20,800 --> 01:35:23,400
Speaker 3: It was before we seen something. We talked about you

1822
01:35:24,439 --> 01:35:27,639
Speaker 3: you talked about she hate me and in his face.

1823
01:35:28,439 --> 01:35:34,759
Speaker 3: Yeah and yes, yeah, like we were semi critical.

1824
01:35:35,360 --> 01:35:36,720
Speaker 6: Don't know we were, we were you were good.

1825
01:35:37,080 --> 01:35:38,479
Speaker 3: Yeah, I'm just saying that.

1826
01:35:38,640 --> 01:35:41,760
Speaker 4: Okay, So building like the album cover ideas, Yeah, I

1827
01:35:41,800 --> 01:35:43,080
Speaker 4: hated album as a musician.

1828
01:35:43,160 --> 01:35:45,479
Speaker 3: I love the idea. I just thought it was it

1829
01:35:45,600 --> 01:35:46,400
Speaker 3: was too distracting.

1830
01:35:46,680 --> 01:35:49,960
Speaker 4: And you didn't like the pedia, like super specific, like

1831
01:35:50,040 --> 01:35:51,960
Speaker 4: what the album cover is so blurry that you were

1832
01:35:52,000 --> 01:35:53,840
Speaker 4: like they didn't even use the right you like the.

1833
01:35:55,520 --> 01:36:00,840
Speaker 3: The straight when they compilation, I was they could have

1834
01:36:00,880 --> 01:36:03,320
Speaker 3: easily found like the I mean, they found every other

1835
01:36:03,360 --> 01:36:05,160
Speaker 3: image off of discock, so just grab you know, the

1836
01:36:05,240 --> 01:36:07,439
Speaker 3: twelve so I mean Bill.

1837
01:36:07,560 --> 01:36:09,400
Speaker 4: The first thing Bill was mad at was the fact

1838
01:36:09,439 --> 01:36:12,680
Speaker 4: that some of the PDFs that they used blurry or

1839
01:36:12,800 --> 01:36:15,720
Speaker 4: super blurry. I'm sure Netflix gave him a budget that

1840
01:36:15,800 --> 01:36:19,080
Speaker 4: he could have gotten account from whoever's doing you got

1841
01:36:19,120 --> 01:36:21,960
Speaker 4: somebody actually take the record they could have gotten too,

1842
01:36:22,040 --> 01:36:25,120
Speaker 4: like the Universal's B to B site and downloaded high

1843
01:36:25,200 --> 01:36:28,439
Speaker 4: quality images off the ship. Like this is Spike for

1844
01:36:28,520 --> 01:36:31,719
Speaker 4: next season that he should just have people holding someone

1845
01:36:31,800 --> 01:36:34,559
Speaker 4: with the car Quest Jazz video where they just hold

1846
01:36:34,720 --> 01:36:34,960
Speaker 4: like the.

1847
01:36:35,040 --> 01:36:37,320
Speaker 6: Cards or whatever, like Yo, can I ask you a question?

1848
01:36:37,400 --> 01:36:42,840
Speaker 3: You don't like those QT things? And Spike? Why? Bill? Why? No?

1849
01:36:43,280 --> 01:36:46,759
Speaker 3: It's just not it takes the viewer out of the story.

1850
01:36:46,800 --> 01:36:49,799
Speaker 6: Did y'all watch that, Spike? Did y'all.

1851
01:36:51,439 --> 01:36:53,439
Speaker 8: All were watching this? Did you feel like you needed

1852
01:36:53,439 --> 01:36:55,479
Speaker 8: to go back to the movie because I want to

1853
01:36:55,560 --> 01:36:56,000
Speaker 8: just kind of.

1854
01:36:56,400 --> 01:36:57,760
Speaker 3: I haven't seen the movie in a long time, and

1855
01:36:57,760 --> 01:36:59,200
Speaker 3: I'm scared to go back and watch. I don't want

1856
01:36:59,200 --> 01:36:59,360
Speaker 3: to go.

1857
01:36:59,360 --> 01:37:00,880
Speaker 8: Back to the movie because there were moments when I

1858
01:37:01,000 --> 01:37:02,400
Speaker 8: was like, wait a minute. I was looking at like

1859
01:37:02,640 --> 01:37:04,639
Speaker 8: the character Greer and I was like, wait a minute,

1860
01:37:04,760 --> 01:37:08,800
Speaker 8: grew was not that of naxious and kind of feminine.

1861
01:37:08,479 --> 01:37:10,519
Speaker 3: But he but he was kind of like he was

1862
01:37:10,560 --> 01:37:11,240
Speaker 3: a pretty boy.

1863
01:37:11,360 --> 01:37:14,519
Speaker 4: But this nigga Greer is like borderline gay, like like

1864
01:37:14,600 --> 01:37:17,400
Speaker 4: he could be right yea, I mean it go either way.

1865
01:37:18,080 --> 01:37:19,519
Speaker 3: Like I don't think he's good. I just think he'd

1866
01:37:19,560 --> 01:37:25,280
Speaker 3: just rather marry himself, like the narcissist original Green was

1867
01:37:25,280 --> 01:37:25,879
Speaker 3: a narcisst.

1868
01:37:25,880 --> 01:37:29,800
Speaker 4: But when it's taking in twenty seventeen, like that's narcissism,

1869
01:37:30,000 --> 01:37:32,800
Speaker 4: is is rewarded narcissism and social medium.

1870
01:37:32,920 --> 01:37:34,760
Speaker 3: Yeah yeah, yeah. And that's the thing too with the

1871
01:37:34,840 --> 01:37:36,320
Speaker 3: problem I think he's gonna have with the show. I

1872
01:37:36,400 --> 01:37:38,200
Speaker 3: mean I loved it. I mean I thought it was

1873
01:37:38,320 --> 01:37:39,560
Speaker 3: I really enjoyed it. I hate it.

1874
01:37:39,680 --> 01:37:41,800
Speaker 4: I didn't hate it, Yeah, I enjoyed it. But I

1875
01:37:41,920 --> 01:37:44,040
Speaker 4: think the problem is going to be how do you

1876
01:37:44,120 --> 01:37:47,040
Speaker 4: make this relevant to now? Because in eighty eight it

1877
01:37:47,240 --> 01:37:49,800
Speaker 4: was like Noah thought of a Nola Darling was like, oh,

1878
01:37:49,880 --> 01:37:53,519
Speaker 4: this girl is everywhere. Now nigga, nig whole shit is rewarded. Now,

1879
01:37:53,680 --> 01:37:54,720
Speaker 4: that's just the way of life.

1880
01:37:54,920 --> 01:37:57,519
Speaker 3: And I'm not calling Nola Hope, but I'm just saying what.

1881
01:37:58,760 --> 01:38:03,360
Speaker 8: You call her right there, says I'm just saying that

1882
01:38:03,439 --> 01:38:05,200
Speaker 8: things haven't changed because she's not supposed to be.

1883
01:38:05,520 --> 01:38:06,360
Speaker 3: I didn't say nothing.

1884
01:38:06,200 --> 01:38:11,680
Speaker 4: About I still felt like I was watching uh an

1885
01:38:11,800 --> 01:38:20,200
Speaker 4: older conservatives view of what black feminism is. And you know,

1886
01:38:20,320 --> 01:38:22,080
Speaker 4: that's sort of the thing. And plus it's like with

1887
01:38:22,360 --> 01:38:28,200
Speaker 4: brilliant stuff like Atlanta, things competing with it, and y'all

1888
01:38:28,240 --> 01:38:30,400
Speaker 4: know how much I hate don Don Glover's music, but

1889
01:38:30,479 --> 01:38:32,120
Speaker 4: Atlanta's brilliant, and.

1890
01:38:32,160 --> 01:38:33,760
Speaker 3: It's like, that's the thing.

1891
01:38:33,880 --> 01:38:38,439
Speaker 4: It's like if I didn't see Atlanta and dear white people,

1892
01:38:38,680 --> 01:38:41,759
Speaker 4: and I'll you know, I still ride for Insecure.

1893
01:38:42,040 --> 01:38:42,679
Speaker 6: But I wrestled.

1894
01:38:42,720 --> 01:38:45,840
Speaker 8: You know, it's funny because I wrestled with the storyline,

1895
01:38:45,920 --> 01:38:48,840
Speaker 8: the part about the assault on the street, right Like,

1896
01:38:49,160 --> 01:38:50,880
Speaker 8: I had a moment myself where I went.

1897
01:38:51,040 --> 01:38:53,160
Speaker 6: He just grabbed her, what's the big deal? Why is

1898
01:38:53,200 --> 01:38:55,040
Speaker 6: she tripping? Why does she need to do all this stuff?

1899
01:38:55,080 --> 01:38:57,960
Speaker 4: I think he did that because he that's still him

1900
01:38:57,960 --> 01:38:59,439
Speaker 4: trying to tone from the rape scene.

1901
01:39:00,600 --> 01:39:02,960
Speaker 8: But I also had to, as a woman, and especially

1902
01:39:02,960 --> 01:39:05,120
Speaker 8: in the current climate, go, who am I to say

1903
01:39:05,680 --> 01:39:08,800
Speaker 8: that that's not acted right right, Like I had to

1904
01:39:08,880 --> 01:39:11,000
Speaker 8: have that whole moment with myself too, So I don't know,

1905
01:39:11,120 --> 01:39:13,360
Speaker 8: maybe when you're talking about like the way he.

1906
01:39:13,400 --> 01:39:15,240
Speaker 4: Kind of came over, it was kind of starling, like

1907
01:39:15,479 --> 01:39:17,960
Speaker 4: I probably would have had the same reaction. Yeah, yeah,

1908
01:39:18,320 --> 01:39:20,760
Speaker 4: because it was it wasn't wasn't it? Well no, no, no,

1909
01:39:20,800 --> 01:39:23,400
Speaker 4: I'm thinking of the guy that when she was putting

1910
01:39:23,439 --> 01:39:24,320
Speaker 4: up the posters and came.

1911
01:39:24,280 --> 01:39:25,280
Speaker 6: Up by this is the guy.

1912
01:39:25,800 --> 01:39:26,000
Speaker 3: Yeah.

1913
01:39:26,120 --> 01:39:28,840
Speaker 8: First, but even in having that conversation with my mother

1914
01:39:28,920 --> 01:39:30,840
Speaker 8: after we both watched that scene, like my mom was

1915
01:39:30,920 --> 01:39:32,479
Speaker 8: kind of even like, I mean, you know, we would

1916
01:39:32,520 --> 01:39:33,840
Speaker 8: have just fought back, we would have did it.

1917
01:39:33,840 --> 01:39:35,560
Speaker 6: And I was like, you know, mommy, this is what

1918
01:39:35,720 --> 01:39:35,920
Speaker 6: it is.

1919
01:39:36,000 --> 01:39:38,000
Speaker 8: Culture is starting to end, and I think we're starting

1920
01:39:38,040 --> 01:39:40,040
Speaker 8: to witness that, like maybe the way we used to

1921
01:39:40,080 --> 01:39:41,640
Speaker 8: handle things is not the way that we're going.

1922
01:39:41,760 --> 01:39:43,519
Speaker 3: I don't think that's going I don't think we're gonna

1923
01:39:43,520 --> 01:39:44,559
Speaker 3: see that with black women though.

1924
01:39:44,720 --> 01:39:47,320
Speaker 8: I mean, I mean if white women do it first

1925
01:39:47,360 --> 01:39:48,800
Speaker 8: and they say, we can say go and then you know,

1926
01:39:49,160 --> 01:39:50,840
Speaker 8: we'll pick out the thing and we'll you.

1927
01:39:50,880 --> 01:39:53,720
Speaker 3: Know, we'll go, Am I only person in here that

1928
01:39:53,840 --> 01:39:54,800
Speaker 3: still loves power?

1929
01:39:55,560 --> 01:39:57,360
Speaker 6: No, I like Power. I love.

1930
01:39:59,080 --> 01:39:59,639
Speaker 3: I love the ship.

1931
01:40:00,680 --> 01:40:02,719
Speaker 4: It's a different type of black show to me because

1932
01:40:02,760 --> 01:40:05,080
Speaker 4: I know that there. I feel like black shows that

1933
01:40:05,120 --> 01:40:07,680
Speaker 4: are ruded are connected to reality. There's more of a

1934
01:40:09,080 --> 01:40:11,000
Speaker 4: it's like wine and you judge it the way you

1935
01:40:11,120 --> 01:40:16,760
Speaker 4: do wine, where Power is just fucking whiskey. Yeah, but

1936
01:40:16,920 --> 01:40:20,280
Speaker 4: if it's a blacks show, Atlanta insecure, we must pontificate

1937
01:40:20,360 --> 01:40:26,400
Speaker 4: on this is just a fucking dope boy who prosecute.

1938
01:40:26,880 --> 01:40:28,600
Speaker 8: Old because he got his sister killed, because he's a

1939
01:40:28,680 --> 01:40:30,400
Speaker 8: dumb motherfuckeriler.

1940
01:40:29,880 --> 01:40:33,720
Speaker 4: No spoiler alerts, spoiler I see it, but just for

1941
01:40:33,840 --> 01:40:36,960
Speaker 4: our listeners out there too late now. But okay, speaking

1942
01:40:37,000 --> 01:40:44,960
Speaker 4: of which, can we say? Can we say that Blackish

1943
01:40:45,240 --> 01:40:50,800
Speaker 4: is now the official.

1944
01:40:53,800 --> 01:40:56,599
Speaker 3: Black bull black people bullhorn. I try to figure out

1945
01:40:56,800 --> 01:41:00,479
Speaker 3: what what's more cultural important?

1946
01:41:02,479 --> 01:41:04,920
Speaker 4: And then and then I figure and then then I

1947
01:41:05,000 --> 01:41:12,040
Speaker 4: figured that, oh Cosby was the first, I guess the

1948
01:41:12,160 --> 01:41:16,800
Speaker 4: first uh not I'll say dog whistle of see we

1949
01:41:16,960 --> 01:41:19,960
Speaker 4: can be civilized or that that sort of thing. It

1950
01:41:20,120 --> 01:41:22,720
Speaker 4: was like, oh, well, that was the some of my

1951
01:41:22,840 --> 01:41:26,519
Speaker 4: best friends or black show. I mean, but because I

1952
01:41:26,720 --> 01:41:28,840
Speaker 4: grew up watching it, it means a lot to me

1953
01:41:29,040 --> 01:41:31,280
Speaker 4: emotionally and We've had many a guests on the show

1954
01:41:31,320 --> 01:41:33,960
Speaker 4: that says that, hey, the Huxtables were my family too,

1955
01:41:34,160 --> 01:41:38,840
Speaker 4: so I can't just totally dismiss it. But I mean

1956
01:41:38,880 --> 01:41:44,000
Speaker 4: there's never been a show like Blackish that is tackled

1957
01:41:45,280 --> 01:41:47,880
Speaker 4: like real what it means to be black and what

1958
01:41:47,960 --> 01:41:51,799
Speaker 4: it's like. First of all, are only black people watching Blackish?

1959
01:41:51,920 --> 01:41:54,880
Speaker 4: Like is this is this a water cooler moment?

1960
01:41:56,000 --> 01:41:58,120
Speaker 3: It's got It's plenty of white people watching that show

1961
01:42:00,920 --> 01:42:03,320
Speaker 3: be on the air. Yeah, I've been, I've been watching it.

1962
01:42:03,479 --> 01:42:06,000
Speaker 3: I mean, first of all, my kids watch Blackest, like

1963
01:42:06,479 --> 01:42:09,400
Speaker 3: my mom wat Yeah, my mom doesn't watch anything that

1964
01:42:09,520 --> 01:42:15,479
Speaker 3: isn't about Jesus, so I watch it with them.

1965
01:42:15,920 --> 01:42:18,040
Speaker 4: But like the thing I'm kind of starting to see

1966
01:42:18,040 --> 01:42:21,639
Speaker 4: in that, you know, first off, anytime a baby comes

1967
01:42:21,680 --> 01:42:23,840
Speaker 4: on the show, that's immediately kind of jumped struck moment.

1968
01:42:23,960 --> 01:42:27,040
Speaker 4: So I get kind of their name, Sam, the baby's

1969
01:42:27,120 --> 01:42:30,439
Speaker 4: name is Davante. Yeah, it was a whole episode about it. Okay,

1970
01:42:30,439 --> 01:42:30,880
Speaker 4: I missed that.

1971
01:42:30,920 --> 01:42:33,160
Speaker 6: I didn't because he wanted to keep it black.

1972
01:42:33,000 --> 01:42:33,880
Speaker 3: And keep it real black.

1973
01:42:34,240 --> 01:42:36,000
Speaker 4: Yeah, but it's like every show is kind of like

1974
01:42:37,360 --> 01:42:39,840
Speaker 4: Anthony Anderson is like the mouthpiece for like how you

1975
01:42:39,920 --> 01:42:43,479
Speaker 4: were saying, like his characters hot Spike's characters just feel

1976
01:42:43,600 --> 01:42:46,920
Speaker 4: like vehicles for his views and the Anderson's character it's

1977
01:42:47,040 --> 01:42:48,720
Speaker 4: kind of starting to feel like that. To me, it's

1978
01:42:48,760 --> 01:42:50,599
Speaker 4: like where he's the guy that's starting to feel too

1979
01:42:51,080 --> 01:42:57,040
Speaker 4: uh kind of pre common uh, Ernest, No, not proper

1980
01:42:57,120 --> 01:42:57,799
Speaker 4: down Earnest.

1981
01:42:58,200 --> 01:43:06,640
Speaker 3: It's to Ernest. Yeah, yeah, yeah, yeah, very yeah. To me,

1982
01:43:06,720 --> 01:43:07,439
Speaker 3: it's kind of like that.

1983
01:43:07,720 --> 01:43:10,920
Speaker 7: I would have shunned the cosmic comparisons early on, but

1984
01:43:11,080 --> 01:43:14,760
Speaker 7: then as the show has progressed, it's definitely been that,

1985
01:43:14,960 --> 01:43:16,679
Speaker 7: even right down to Zoe.

1986
01:43:17,120 --> 01:43:20,439
Speaker 3: I'm sorry, y'all. Shahiti spinoff Black.

1987
01:43:22,720 --> 01:43:26,639
Speaker 7: Different World, Like it's to show the black college experience

1988
01:43:26,680 --> 01:43:28,200
Speaker 7: of what it's like to be a black I don't

1989
01:43:28,240 --> 01:43:31,360
Speaker 7: know what from the previews, I assume she's at a

1990
01:43:31,400 --> 01:43:33,720
Speaker 7: white school and then she's a black person at a

1991
01:43:33,760 --> 01:43:38,520
Speaker 7: white school. Otherwise she's at the nicest goddamn black college.

1992
01:43:39,680 --> 01:43:40,160
Speaker 8: That i've.

1993
01:43:43,240 --> 01:43:45,320
Speaker 3: Some of them rooms. I'm like, that ain't no black college.

1994
01:43:45,680 --> 01:43:48,240
Speaker 4: But even now, and you're from you find the South

1995
01:43:48,320 --> 01:43:50,840
Speaker 4: like me, so you know black college is now is

1996
01:43:51,120 --> 01:43:53,559
Speaker 4: not what it used to be. I was from the family.

1997
01:43:53,720 --> 01:43:57,120
Speaker 4: I was furious, you motherfuckers got old as ship brou

1998
01:44:00,240 --> 01:44:01,800
Speaker 4: was ninety six to oh one.

1999
01:44:02,960 --> 01:44:05,400
Speaker 3: So you were there when COmON got arrested for theodoran no,

2000
01:44:05,600 --> 01:44:11,080
Speaker 3: I miss I missed Common two years when.

2001
01:44:12,640 --> 01:44:17,920
Speaker 4: He his freshman year. I think he got arrested for

2002
01:44:18,000 --> 01:44:20,840
Speaker 4: it steal Theodore. I thought, you like he was doing the.

2003
01:44:20,800 --> 01:44:24,240
Speaker 3: Show you no back when that nigga was an undergrad

2004
01:44:24,320 --> 01:44:26,240
Speaker 3: getting lot to tried out.

2005
01:44:26,840 --> 01:44:27,200
Speaker 6: He got out.

2006
01:44:27,520 --> 01:44:28,840
Speaker 3: Well, he only went for one year.

2007
01:44:28,920 --> 01:44:34,439
Speaker 4: But I think dead the story about well, let Common

2008
01:44:34,479 --> 01:44:36,320
Speaker 4: tell I thought that was comment. I thought that was

2009
01:44:36,360 --> 01:44:37,040
Speaker 4: in the press already.

2010
01:44:38,040 --> 01:44:45,200
Speaker 3: It was. Yeah, but yeah, I like, she's got to

2011
01:44:45,200 --> 01:44:46,320
Speaker 3: have it before we leave.

2012
01:44:46,840 --> 01:44:46,960
Speaker 10: Uh.

2013
01:44:47,520 --> 01:44:51,840
Speaker 3: What's our verdict on season two of of Insecure? I

2014
01:44:52,040 --> 01:44:52,280
Speaker 3: liked it.

2015
01:44:53,080 --> 01:44:55,320
Speaker 7: I enjoyed it. But what annoys me about Insecure is

2016
01:44:55,360 --> 01:44:58,920
Speaker 7: how some people receive it. So it's the only show

2017
01:44:59,479 --> 01:45:02,600
Speaker 7: in which I find some of the fans of the

2018
01:45:02,640 --> 01:45:07,760
Speaker 7: show annoying because people can't agree that both Lisa.

2019
01:45:07,600 --> 01:45:11,320
Speaker 3: And Lawrence are horrible. They're both horrible, thank you they are.

2020
01:45:12,479 --> 01:45:16,400
Speaker 3: They've both done irredeemable ship. It's almost like all up

2021
01:45:16,439 --> 01:45:19,040
Speaker 3: now as a member, Lawrence time, what did you do

2022
01:45:19,240 --> 01:45:22,920
Speaker 3: that was irredeemable? Tsha, there you go? How is that irredeemable.

2023
01:45:23,439 --> 01:45:26,800
Speaker 3: Well that's break up, no official breakup, that was a

2024
01:45:26,880 --> 01:45:28,120
Speaker 3: pre breakup breakup.

2025
01:45:31,040 --> 01:45:33,519
Speaker 4: I mean, you know he didn't you know, you went

2026
01:45:33,600 --> 01:45:35,720
Speaker 4: to the barbecue with the you know you don't want

2027
01:45:35,760 --> 01:45:39,200
Speaker 4: to take seriously, that's some dirty they don't. You don't

2028
01:45:39,200 --> 01:45:41,680
Speaker 4: behave as a boyfriend with somebody that you know, it's

2029
01:45:41,800 --> 01:45:44,160
Speaker 4: just pussy. And I don't think that that was irredeemable.

2030
01:45:44,200 --> 01:45:46,880
Speaker 4: I think that was him just being a human being, Like,

2031
01:45:47,000 --> 01:45:51,519
Speaker 4: that's just human being. He left that barbecue without saying goodbye.

2032
01:45:51,640 --> 01:46:01,360
Speaker 3: Right, Yes, that was fun. Yeah, yeah, he come back.

2033
01:46:01,640 --> 01:46:03,280
Speaker 3: It was his problem is that he was he was

2034
01:46:03,360 --> 01:46:06,519
Speaker 3: the proverbial nice guy like he wasn't. They don't know how.

2035
01:46:08,439 --> 01:46:11,000
Speaker 4: It was the nice that I'm putting in quotation marks

2036
01:46:11,000 --> 01:46:12,320
Speaker 4: a nice guy like you don't think.

2037
01:46:12,360 --> 01:46:15,920
Speaker 3: Okay, he wasn't the gangster lives, He wasn't in her building.

2038
01:46:16,000 --> 01:46:18,240
Speaker 3: But you know, it's the only show I watched that

2039
01:46:18,400 --> 01:46:20,320
Speaker 3: I won't talk with people about.

2040
01:46:20,960 --> 01:46:24,439
Speaker 7: I just know what's gonna it's started talking to a

2041
01:46:24,520 --> 01:46:27,920
Speaker 7: Trump motherfuckers that I can't change your mind about how

2042
01:46:27,960 --> 01:46:28,599
Speaker 7: you feel about.

2043
01:46:28,600 --> 01:46:30,120
Speaker 3: But I think that, But I think that's the mark

2044
01:46:30,160 --> 01:46:33,320
Speaker 3: of a great that much I don't know what what.

2045
01:46:33,560 --> 01:46:35,080
Speaker 3: I don't know how you have time to watch all

2046
01:46:35,160 --> 01:46:41,479
Speaker 3: this fucking television? What the fuck your work? Yeah? Sometimes

2047
01:46:43,120 --> 01:46:43,320
Speaker 3: you know.

2048
01:46:45,960 --> 01:46:48,919
Speaker 6: Which show is insecure?

2049
01:46:49,200 --> 01:46:52,720
Speaker 4: The one with only for black women la time. I

2050
01:46:52,760 --> 01:46:54,960
Speaker 4: don't think he was irritable. I think he was just

2051
01:46:55,600 --> 01:46:57,760
Speaker 4: a flawed person, like East flawed. And I like the

2052
01:46:57,800 --> 01:46:59,760
Speaker 4: way they brought the them having that.

2053
01:47:00,040 --> 01:47:00,760
Speaker 3: They deserve the end.

2054
01:47:00,800 --> 01:47:03,160
Speaker 7: They're so flued, they deserve each other and they earned

2055
01:47:03,200 --> 01:47:08,000
Speaker 7: a powerful fucking soul and his brother type moment of

2056
01:47:08,360 --> 01:47:08,920
Speaker 7: at the end, and.

2057
01:47:16,880 --> 01:47:19,960
Speaker 6: It is something for a woman who has a nurture

2058
01:47:20,200 --> 01:47:22,560
Speaker 6: nurtured India, and that he leave and he gets a

2059
01:47:22,640 --> 01:47:25,880
Speaker 6: better situation. There was like a whole there's layers in that, so.

2060
01:47:25,960 --> 01:47:28,040
Speaker 3: You feel so you're basically saying that it wasn't ship

2061
01:47:28,120 --> 01:47:30,799
Speaker 3: okay because you said he went to a better situation.

2062
01:47:31,240 --> 01:47:33,120
Speaker 8: No, I say, I say he was going to a

2063
01:47:33,160 --> 01:47:35,360
Speaker 8: better situation. I was talking about his professional career and

2064
01:47:35,360 --> 01:47:36,559
Speaker 8: ship like time.

2065
01:47:36,439 --> 01:47:38,920
Speaker 3: Out because that job didn't work out.

2066
01:47:38,960 --> 01:47:44,080
Speaker 4: Here's the thing, though, sometimes I I find problems with

2067
01:47:44,160 --> 01:47:48,920
Speaker 4: people that watch television that hate the characters so much

2068
01:47:50,960 --> 01:47:54,880
Speaker 4: that you don't acknowledge the fact that they pulled an

2069
01:47:54,920 --> 01:47:59,040
Speaker 4: emotional view now different. I don't spend time with people

2070
01:47:59,040 --> 01:48:03,120
Speaker 4: I don't like. But the thing is is that, uh wow,

2071
01:48:03,280 --> 01:48:06,960
Speaker 4: I mean no, no, no, There's there's some villains I

2072
01:48:07,160 --> 01:48:09,679
Speaker 4: cheer for, like like Power.

2073
01:48:10,240 --> 01:48:12,880
Speaker 3: Yeah a villain, I mean he was, but there were

2074
01:48:12,920 --> 01:48:15,599
Speaker 3: still you still like there were still things to like about,

2075
01:48:15,880 --> 01:48:18,840
Speaker 3: something redeemable in his choices. But the thing is is

2076
01:48:18,920 --> 01:48:21,000
Speaker 3: that there was still hold up, hold up and hold on.

2077
01:48:21,640 --> 01:48:22,040
Speaker 3: That's a Paul.

2078
01:48:22,160 --> 01:48:28,439
Speaker 10: Okay, you can understand, you can under irredeemable. Why you

2079
01:48:28,479 --> 01:48:32,760
Speaker 10: can understand the logic, but isn't the kid is dug.

2080
01:48:33,000 --> 01:48:36,040
Speaker 3: I'm just trying to my family.

2081
01:48:37,800 --> 01:48:43,040
Speaker 4: Look, I'm just again like if like most of the

2082
01:48:43,120 --> 01:48:47,120
Speaker 4: characters on Power, our villain our villains, and I kind of.

2083
01:48:48,160 --> 01:48:50,639
Speaker 3: I didn't like it. I don't think it'd be your cup. Yeah,

2084
01:48:51,320 --> 01:48:54,600
Speaker 3: already know it's he's a great actor. But that's the snake.

2085
01:48:54,680 --> 01:49:00,400
Speaker 3: Most rappers are rappers are. What I'm saying is that.

2086
01:49:02,280 --> 01:49:05,520
Speaker 4: I mean I can see if they pulled no emotions

2087
01:49:05,560 --> 01:49:07,720
Speaker 4: out of you, like say, uh no, I get what

2088
01:49:07,800 --> 01:49:11,120
Speaker 4: you're saying. Yeah, okay, say Jeff from Curby your enthusiasm,

2089
01:49:11,240 --> 01:49:13,360
Speaker 4: like he doesn't pull any rage out of me?

2090
01:49:13,680 --> 01:49:16,400
Speaker 3: Or I can't watch it's too uncomfortable.

2091
01:49:16,560 --> 01:49:18,479
Speaker 6: Oh, I love this season.

2092
01:49:20,479 --> 01:49:24,040
Speaker 3: I can't watch it ever I've seen it. I can't

2093
01:49:24,080 --> 01:49:26,680
Speaker 3: watch it. It's uncomfortable, uncomfortable.

2094
01:49:26,240 --> 01:49:29,720
Speaker 4: And loveby enthusiast, uncomfortable, like I watched the ship that

2095
01:49:29,760 --> 01:49:33,120
Speaker 4: Larry gets himself FROMTOHI late, I mean, but have to

2096
01:49:33,160 --> 01:49:33,559
Speaker 4: turn away.

2097
01:49:33,680 --> 01:49:36,360
Speaker 3: I can't watch it. Well, I was given a hypothetical thing.

2098
01:49:36,439 --> 01:49:37,720
Speaker 3: But what I'm saying is that it is.

2099
01:49:39,160 --> 01:49:41,519
Speaker 4: If you hate the characters so much, doesn't that mean

2100
01:49:41,560 --> 01:49:44,320
Speaker 4: that they did a good job at drawing you in?

2101
01:49:45,200 --> 01:49:46,559
Speaker 4: Maybe it means they did too good of a job.

2102
01:49:46,600 --> 01:49:49,200
Speaker 4: But like I said, you're still watching it, not anymore,

2103
01:49:49,400 --> 01:49:52,160
Speaker 4: you're not watching watch season three. No, I don't care.

2104
01:49:52,360 --> 01:49:55,559
Speaker 4: I don't care anymore. I'm still rhynd large.

2105
01:49:55,880 --> 01:49:57,800
Speaker 3: They get a season to fix it. If you didn't

2106
01:49:57,920 --> 01:50:00,560
Speaker 3: like it, that's always I gave him season two. That

2107
01:50:00,720 --> 01:50:04,679
Speaker 3: was it. Season two is season one? You're talking about

2108
01:50:04,760 --> 01:50:10,360
Speaker 3: Laurence Fishburn. No, we're done with so to that point

2109
01:50:10,479 --> 01:50:11,080
Speaker 3: quest I did.

2110
01:50:11,200 --> 01:50:14,800
Speaker 4: That's where like, wait side question before you make your point, Okay,

2111
01:50:14,960 --> 01:50:18,320
Speaker 4: And I'm gonna ask you, yes, you're representing all white people. Great,

2112
01:50:19,560 --> 01:50:22,080
Speaker 4: with the exception of the Cosby Show. Is the general

2113
01:50:22,200 --> 01:50:27,360
Speaker 4: feeling for black shows that are on television? And I

2114
01:50:27,479 --> 01:50:29,360
Speaker 4: know you're gonna be like, I don't watch the only

2115
01:50:29,439 --> 01:50:32,080
Speaker 4: watch three shows. But is the general feeling like with

2116
01:50:32,240 --> 01:50:37,439
Speaker 4: movies and black shows and black television whatever, black movies that,

2117
01:50:37,720 --> 01:50:38,960
Speaker 4: oh well, that's not for me.

2118
01:50:39,040 --> 01:50:41,680
Speaker 3: I don't you know. Do you see how television? Do

2119
01:50:41,720 --> 01:50:44,800
Speaker 3: you watch Fresh off the Boat? Yes? I do. I

2120
01:50:44,880 --> 01:50:45,960
Speaker 3: didn't watch First Off the Boat?

2121
01:50:46,680 --> 01:50:47,840
Speaker 6: Actually want to hear that answer?

2122
01:50:48,960 --> 01:50:50,400
Speaker 3: No? No, And I don't mean like to put you on.

2123
01:50:52,040 --> 01:50:54,960
Speaker 3: Do you feel that shows are just like this not

2124
01:50:55,160 --> 01:50:56,560
Speaker 3: gonna relate to you? So I'm coold with it.

2125
01:50:57,880 --> 01:51:00,240
Speaker 9: I guess it depends on the on the show, show,

2126
01:51:00,320 --> 01:51:03,400
Speaker 9: on the quality of the show, you know, like, because

2127
01:51:03,439 --> 01:51:05,800
Speaker 9: the thing is there's some I was tuning in back

2128
01:51:05,880 --> 01:51:08,439
Speaker 9: in the day to good times in the Jefferson's as

2129
01:51:08,560 --> 01:51:10,479
Speaker 9: much as you were Black show.

2130
01:51:10,880 --> 01:51:14,120
Speaker 3: Now, But I mean, I don't watch any Have you

2131
01:51:14,160 --> 01:51:15,760
Speaker 3: ever watched Blackish? No?

2132
01:51:16,040 --> 01:51:20,840
Speaker 4: No, I haven't watched The Cosby Show. Yeah, it is

2133
01:51:21,000 --> 01:51:22,440
Speaker 4: probably more important.

2134
01:51:23,360 --> 01:51:26,240
Speaker 6: Don't do that, don't do that, don't do that, don't

2135
01:51:26,240 --> 01:51:28,360
Speaker 6: do that, do that, don't do that.

2136
01:51:28,479 --> 01:51:30,000
Speaker 8: It wouldn't be no blackist if it wasent for no

2137
01:51:30,080 --> 01:51:31,599
Speaker 8: Cosby Show, So how could it be more important?

2138
01:51:32,040 --> 01:51:32,719
Speaker 6: I don't understand.

2139
01:51:34,920 --> 01:51:36,720
Speaker 4: That's what he was crazy, is that you have to

2140
01:51:36,880 --> 01:51:39,960
Speaker 4: like literally jump twenty years from one to the next

2141
01:51:40,040 --> 01:51:43,439
Speaker 4: and maybe you stop off at Martin for free seasons.

2142
01:51:45,240 --> 01:51:47,120
Speaker 3: Yeah, the whitest show.

2143
01:51:47,600 --> 01:51:49,240
Speaker 6: But when it comes to good jobs though, I mean,

2144
01:51:49,280 --> 01:51:51,680
Speaker 6: he was the elevator operator at the.

2145
01:51:52,000 --> 01:51:54,920
Speaker 3: End of the day. Okay, I'm not trying to say

2146
01:51:55,000 --> 01:51:57,959
Speaker 3: that sentence. But they're.

2147
01:51:59,520 --> 01:52:02,360
Speaker 9: I don't know, it's like, what's it seems like they're trying,

2148
01:52:02,479 --> 01:52:04,479
Speaker 9: Like I haven't seen a full episode, but from clips

2149
01:52:04,520 --> 01:52:06,479
Speaker 9: I've seen, it seems like they're trying too hard to

2150
01:52:06,600 --> 01:52:09,240
Speaker 9: be the New Cosby Show or the Cosby Show of today.

2151
01:52:09,560 --> 01:52:12,840
Speaker 9: Like it just seems like very transparent in that way,

2152
01:52:13,040 --> 01:52:15,120
Speaker 9: like Okay, we're going to try and get across this message.

2153
01:52:15,120 --> 01:52:18,080
Speaker 3: We're gonna try and you know, like it's very message message.

2154
01:52:20,040 --> 01:52:22,560
Speaker 6: You know that should be bombed. No, they make cartoons

2155
01:52:22,600 --> 01:52:23,000
Speaker 6: and stuff.

2156
01:52:26,520 --> 01:52:28,680
Speaker 4: We really know what Juneteenth was. If it weren't for

2157
01:52:28,760 --> 01:52:31,439
Speaker 4: that episode, we would know what Juneteenth was.

2158
01:52:31,600 --> 01:52:34,040
Speaker 3: No, it was. No. I can applaud what they're doing,

2159
01:52:34,200 --> 01:52:36,439
Speaker 3: and I mean, and I still again, it's a too earnest.

2160
01:52:37,640 --> 01:52:38,760
Speaker 3: It feels like it needs to be.

2161
01:52:38,920 --> 01:52:41,479
Speaker 4: Though maybe it needs to be. It's too earnest for us.

2162
01:52:42,439 --> 01:52:47,160
Speaker 4: Everything on that show isn't for us. It's pulling back

2163
01:52:47,200 --> 01:52:47,719
Speaker 4: the cursions.

2164
01:52:48,520 --> 01:52:48,640
Speaker 6: Wait.

2165
01:52:48,720 --> 01:52:52,880
Speaker 4: But the postpartum depression episode was a good example of

2166
01:52:56,080 --> 01:52:58,720
Speaker 4: you know something that I learned, you know what I mean? Like,

2167
01:52:58,800 --> 01:53:01,000
Speaker 4: I don't think she I never thought the day that

2168
01:53:01,080 --> 01:53:03,599
Speaker 4: Tracy Ellen's character was going to go off on Jennifer

2169
01:53:04,280 --> 01:53:11,439
Speaker 4: Jennifer's character and deal with postpartum depression and what I

2170
01:53:11,520 --> 01:53:11,760
Speaker 4: don't know.

2171
01:53:11,880 --> 01:53:14,000
Speaker 3: I'm just saying that a lot of.

2172
01:53:16,040 --> 01:53:18,640
Speaker 4: I find a lot with with with there's a lot

2173
01:53:18,720 --> 01:53:22,200
Speaker 4: of our secrets that we're afraid to let America.

2174
01:53:23,760 --> 01:53:26,160
Speaker 3: But what America know about what.

2175
01:53:26,240 --> 01:53:28,960
Speaker 7: I appreciate about Blackish as a program. And I don't

2176
01:53:28,960 --> 01:53:30,880
Speaker 7: know if they set out to do this every year

2177
01:53:30,920 --> 01:53:34,320
Speaker 7: when they break all the stories, but every episode.

2178
01:53:33,920 --> 01:53:37,439
Speaker 4: Isn't black any black blackness and black dog, black Afro

2179
01:53:37,680 --> 01:53:41,760
Speaker 4: pick black. Like there's some episodes where it's some very

2180
01:53:42,760 --> 01:53:46,360
Speaker 4: benign shit, it's just dressed for a holiday park, and

2181
01:53:46,479 --> 01:53:48,719
Speaker 4: then the next episode is the nod where he's trying

2182
01:53:48,760 --> 01:53:51,439
Speaker 4: to teach Junior how to nod it other black people.

2183
01:53:51,479 --> 01:53:53,840
Speaker 4: And it's subtle, but it's explained in a way where

2184
01:53:53,840 --> 01:53:56,599
Speaker 4: I think it's digestible for But I guess my bigger

2185
01:53:56,640 --> 01:54:02,400
Speaker 4: point is that, you know, for me, when critically acclaim

2186
01:54:02,439 --> 01:54:05,680
Speaker 4: ship comes out, like I'm looking at rotten tomatoes, I'm

2187
01:54:06,120 --> 01:54:07,920
Speaker 4: you know, I want to see what the most critically

2188
01:54:08,040 --> 01:54:10,639
Speaker 4: claimed shit is. But I almost feel like with white

2189
01:54:10,680 --> 01:54:15,720
Speaker 4: people sometimes it's almost like, well, they don't want to

2190
01:54:15,760 --> 01:54:16,360
Speaker 4: know about.

2191
01:54:17,479 --> 01:54:19,439
Speaker 6: They want to qualities, they don't want to know.

2192
01:54:20,560 --> 01:54:26,360
Speaker 4: I mean, That's what I'm saying, what's going on. But

2193
01:54:26,520 --> 01:54:28,320
Speaker 4: I mean, but we can say the same thing about that.

2194
01:54:28,520 --> 01:54:31,680
Speaker 4: Like for me, it's like it's certain white ship. It's

2195
01:54:31,720 --> 01:54:32,880
Speaker 4: just too white for me.

2196
01:54:33,240 --> 01:54:36,520
Speaker 8: Yeah, but we still know the different difference between that is.

2197
01:54:36,920 --> 01:54:40,320
Speaker 8: But we are very well burst in the white world.

2198
01:54:41,760 --> 01:54:43,520
Speaker 8: But that's because we have to be there, right, But

2199
01:54:43,600 --> 01:54:44,920
Speaker 8: that's regardless, we're burst.

2200
01:54:45,120 --> 01:54:48,400
Speaker 9: So I'm just saying, like they, what other show besides Blackish,

2201
01:54:49,760 --> 01:54:52,000
Speaker 9: you know, are there is an example of what you're

2202
01:54:52,000 --> 01:54:52,520
Speaker 9: talking about.

2203
01:54:52,720 --> 01:54:55,960
Speaker 7: I would say it's not a sitcom. It's unscripted but

2204
01:54:56,520 --> 01:55:00,400
Speaker 7: hood adjacent on Comedy Central with James Davis. So brother,

2205
01:55:01,200 --> 01:55:03,200
Speaker 7: it's a half hour in scripted show where he comes

2206
01:55:03,200 --> 01:55:06,080
Speaker 7: down and explaining to a particular concept like today, I'm

2207
01:55:06,120 --> 01:55:08,320
Speaker 7: gonna show you how black people fuck with golf. And

2208
01:55:08,400 --> 01:55:11,520
Speaker 7: so then he goes to a golf course in Inglewood

2209
01:55:11,920 --> 01:55:14,440
Speaker 7: and shows this young black golf prodigy who you probably

2210
01:55:14,440 --> 01:55:17,120
Speaker 7: would have never met in any other capacity, and then

2211
01:55:17,120 --> 01:55:19,520
Speaker 7: he talks to black men who fuck with golf and

2212
01:55:19,600 --> 01:55:22,080
Speaker 7: he just explains it because of Tiger Woods.

2213
01:55:22,160 --> 01:55:23,720
Speaker 4: Look at all of this shit that has happened. And

2214
01:55:24,520 --> 01:55:27,880
Speaker 4: if you read the reviews on Hood to Jason White

2215
01:55:27,920 --> 01:55:30,600
Speaker 4: people who wrote reviews of that show when it first premiered,

2216
01:55:31,080 --> 01:55:32,800
Speaker 4: it was all from a place of being.

2217
01:55:32,760 --> 01:55:36,640
Speaker 3: Voyeuristic about black culture. And I think that's part of

2218
01:55:36,680 --> 01:55:40,480
Speaker 3: what Blackish does for that viewership on ABC, because you

2219
01:55:40,560 --> 01:55:44,680
Speaker 3: can't sell no hardcore straight up on apologetic black man

2220
01:55:44,800 --> 01:55:48,480
Speaker 3: like I would love to see and we'll never know,

2221
01:55:48,640 --> 01:55:50,200
Speaker 3: but I would love to have seen what the pitch

2222
01:55:50,480 --> 01:55:53,440
Speaker 3: was for Insecure for a network. And I don't know

2223
01:55:53,480 --> 01:55:55,920
Speaker 3: where Easter Ray took the show before it landed on HBO,

2224
01:55:56,440 --> 01:55:59,320
Speaker 3: but I would just be curreus. I would love to

2225
01:55:59,440 --> 01:56:05,440
Speaker 3: just see some of them girls. You could be like,

2226
01:56:06,480 --> 01:56:09,480
Speaker 3: were just hanging out black girls, black girls. You know

2227
01:56:10,800 --> 01:56:13,560
Speaker 3: it's better, But how did these shows? You know?

2228
01:56:14,240 --> 01:56:17,680
Speaker 9: I brought up Good Times, Samford and Son, anything from

2229
01:56:17,720 --> 01:56:22,040
Speaker 9: the Times the muscle of normally okay. But my point

2230
01:56:22,160 --> 01:56:26,000
Speaker 9: is like, certainly that was a way for white people

2231
01:56:26,120 --> 01:56:29,240
Speaker 9: to see into the black world, So like, how are

2232
01:56:29,280 --> 01:56:31,480
Speaker 9: these shows even original?

2233
01:56:31,560 --> 01:56:34,440
Speaker 8: We didn't get to tell those stories as much. We

2234
01:56:34,560 --> 01:56:38,760
Speaker 8: were just acting in those stories. Sometimes they weren't our voice.

2235
01:56:40,200 --> 01:56:40,640
Speaker 3: Good Times.

2236
01:56:42,240 --> 01:56:44,600
Speaker 9: It sounds like there's a question mark what you're saying,

2237
01:56:44,640 --> 01:56:48,200
Speaker 9: because Good Times addressed like all the but I'm just.

2238
01:56:48,200 --> 01:56:51,280
Speaker 6: Saying at times we weren't that the helm of writing

2239
01:56:51,400 --> 01:56:51,840
Speaker 6: those things.

2240
01:56:51,960 --> 01:56:53,880
Speaker 4: So the difference is that now we're getting to tell

2241
01:56:53,920 --> 01:56:55,760
Speaker 4: our stories. That's that's just saying that's the difference.

2242
01:56:56,640 --> 01:57:00,920
Speaker 3: But I want to know. But it's like, so like

2243
01:57:01,680 --> 01:57:04,240
Speaker 3: if you see show like black, is it like it's

2244
01:57:04,520 --> 01:57:04,720
Speaker 3: for me?

2245
01:57:05,520 --> 01:57:09,160
Speaker 9: Or is it is that more blackish, more potent in

2246
01:57:09,880 --> 01:57:13,800
Speaker 9: showing us these things? Then I feel like, I mean,

2247
01:57:13,960 --> 01:57:17,000
Speaker 9: for God's sake, yeah, I think this is a different time.

2248
01:57:17,040 --> 01:57:17,600
Speaker 6: I'm gonna tell you.

2249
01:57:17,680 --> 01:57:21,120
Speaker 8: In my in my in my black communications class in college,

2250
01:57:21,240 --> 01:57:25,920
Speaker 8: we discussed like JJ and the the hypocrisy of like yeah,

2251
01:57:25,960 --> 01:57:31,000
Speaker 8: there's yeah, so yes, it is very different forty years

2252
01:57:31,000 --> 01:57:33,040
Speaker 8: ago and the way blacks were portraying the stories were told.

2253
01:57:33,040 --> 01:57:34,320
Speaker 6: I'm not saying no.

2254
01:57:35,960 --> 01:57:36,280
Speaker 3: Flavor.

2255
01:57:36,360 --> 01:57:40,920
Speaker 4: Flavor was needed for a public enemy to be more accepted.

2256
01:57:41,840 --> 01:57:45,440
Speaker 4: That's kind of role was in good times, Like the

2257
01:57:45,560 --> 01:57:46,600
Speaker 4: message was still.

2258
01:57:46,440 --> 01:57:47,440
Speaker 3: The sneaky.

2259
01:57:48,680 --> 01:57:51,880
Speaker 4: You weren't expecting you, but JJ was the distraction that

2260
01:57:52,040 --> 01:57:54,720
Speaker 4: pulled you in and then you learned the less.

2261
01:57:55,040 --> 01:58:01,280
Speaker 3: Well this is J like this. Yeah, that's right. Yeah,

2262
01:58:01,800 --> 01:58:07,320
Speaker 3: I forgot. Somebody told me he charges comedy clubs extra. Yeah,

2263
01:58:07,560 --> 01:58:08,320
Speaker 3: say dynamite.

2264
01:58:09,120 --> 01:58:11,240
Speaker 4: We wanted him to come on to say dynamite on

2265
01:58:11,320 --> 01:58:15,160
Speaker 4: the tonight show, and I believe he charges.

2266
01:58:16,800 --> 01:58:20,800
Speaker 3: I think it's rates fifty thousand dollars. Just say no

2267
01:58:20,920 --> 01:58:23,600
Speaker 3: one ever, Yeah, no one? Yeah, I mean why not?

2268
01:58:23,840 --> 01:58:26,520
Speaker 6: You do get paid for us? Get ready to I

2269
01:58:26,560 --> 01:58:28,400
Speaker 6: can't even finish it because I'm scared. I get soon.

2270
01:58:28,480 --> 01:58:34,120
Speaker 3: You're caping for JJ. But uh you know Colter, Yeah forgot,

2271
01:58:34,240 --> 01:58:38,520
Speaker 3: never hold on, that's really a thing. Google. Yeah, dude,

2272
01:58:38,560 --> 01:58:40,120
Speaker 3: google that couple's photo.

2273
01:58:40,440 --> 01:58:40,760
Speaker 6: Forgot.

2274
01:58:41,080 --> 01:58:46,080
Speaker 3: Yeah, I'm good. Yeah, all right, we were gonna go

2275
01:58:46,200 --> 01:58:48,880
Speaker 3: in a circle. I forgot to tell about Jossy that story.

2276
01:58:49,640 --> 01:58:50,880
Speaker 3: Oh we have a story.

2277
01:58:51,120 --> 01:58:54,960
Speaker 7: It's a quick, simple you got time for jo all right,

2278
01:58:55,080 --> 01:58:58,240
Speaker 7: So bookmark whatever you're closing with. So we're talking about

2279
01:58:58,280 --> 01:59:01,440
Speaker 7: Jodasy earlier, and this is like the first time I

2280
01:59:01,600 --> 01:59:05,640
Speaker 7: ever saw what I consider real celebrity was Jodasy. Like

2281
01:59:05,720 --> 01:59:09,320
Speaker 7: I've never seen like fucking celebrity. And it's also why

2282
01:59:09,360 --> 01:59:11,800
Speaker 7: I feel like there haven't been a lot of like

2283
01:59:11,920 --> 01:59:16,320
Speaker 7: these black as many black entertainers getting caught up in

2284
01:59:16,440 --> 01:59:18,960
Speaker 7: the bullshit. And maybe it's just black women keep secrets

2285
01:59:19,000 --> 01:59:20,720
Speaker 7: or they just cut your ass out for grabbing.

2286
01:59:27,320 --> 01:59:28,200
Speaker 6: What is the jo.

2287
01:59:31,560 --> 01:59:34,560
Speaker 4: So I'm doing a comedy show in Valdosta, Georgia, and

2288
01:59:35,720 --> 01:59:40,840
Speaker 4: I'm doing a comedy show, comedy show Valdosta v A

2289
01:59:41,040 --> 01:59:43,160
Speaker 4: l d o s t A home of the Valdosta

2290
01:59:43,240 --> 01:59:44,560
Speaker 4: State University Glaziers.

2291
01:59:44,960 --> 01:59:51,760
Speaker 3: It's a city Augusta, where R. E. M. Is from.

2292
01:59:53,840 --> 01:59:57,240
Speaker 7: So we're sitting out front waiting for the club promoter

2293
01:59:57,360 --> 02:00:00,960
Speaker 7: to come pick us up, and limo pulls up and

2294
02:00:01,320 --> 02:00:04,080
Speaker 7: it's like twenty gorgeous women in the lobby and the

2295
02:00:04,120 --> 02:00:06,440
Speaker 7: limo pulls up, they all stand and they all come

2296
02:00:06,520 --> 02:00:09,000
Speaker 7: out into the little, you know, the little patio area

2297
02:00:09,040 --> 02:00:11,880
Speaker 7: in front of the hotel and me and the other

2298
02:00:11,920 --> 02:00:14,240
Speaker 7: comedian we're just watching this shit unfold.

2299
02:00:14,920 --> 02:00:18,240
Speaker 4: And some fucking sharp promoter. This is all going back

2300
02:00:18,280 --> 02:00:20,320
Speaker 4: to the to the whole wrangler. Who's the whole wrangler?

2301
02:00:21,720 --> 02:00:24,000
Speaker 4: So this dude comes up, he looks all the women

2302
02:00:24,120 --> 02:00:27,200
Speaker 4: up and down, and he just goes you you you

2303
02:00:28,000 --> 02:00:31,400
Speaker 4: it picks like six women and walks him into the limo.

2304
02:00:32,000 --> 02:00:34,160
Speaker 4: The other women just sit there kind of sad, but

2305
02:00:34,240 --> 02:00:37,640
Speaker 4: they don't leave, and I'm like, why don't you leave?

2306
02:00:37,680 --> 02:00:38,560
Speaker 4: You didn't get chosen.

2307
02:00:38,680 --> 02:00:40,160
Speaker 6: They get tagged in for later.

2308
02:00:41,200 --> 02:00:43,600
Speaker 3: So to that point, wow, how do you know this?

2309
02:00:43,720 --> 02:00:48,520
Speaker 6: Like, so we're watching something, So we're sitting there.

2310
02:00:48,600 --> 02:00:50,480
Speaker 3: Wait, can't plate Jonesy, why are you tell the story?

2311
02:00:54,120 --> 02:00:57,800
Speaker 4: So we're sitting there and these gorgeous women and I've

2312
02:00:57,920 --> 02:00:59,400
Speaker 4: just never seen a ship like this before.

2313
02:00:59,440 --> 02:01:00,280
Speaker 3: I'm like twenty too.

2314
02:01:01,160 --> 02:01:04,920
Speaker 7: And they walk into the fucking limo and through the

2315
02:01:05,080 --> 02:01:10,560
Speaker 7: lobby comes Casey and Jojo just all these niggas, diet

2316
02:01:10,880 --> 02:01:13,440
Speaker 7: shirt unbuttoned just for you know how I'm.

2317
02:01:13,360 --> 02:01:14,120
Speaker 3: R and B niggas.

2318
02:01:15,280 --> 02:01:19,480
Speaker 4: No chest yeah bird Joe at all, he did push

2319
02:01:19,520 --> 02:01:25,640
Speaker 4: a shirt un button and and they come walking through

2320
02:01:25,680 --> 02:01:29,720
Speaker 4: the lobby and just on some black man shit. They

2321
02:01:29,760 --> 02:01:31,720
Speaker 4: see me in at the community, go, what's going on?

2322
02:01:31,920 --> 02:01:32,240
Speaker 3: Fellas?

2323
02:01:32,320 --> 02:01:36,760
Speaker 4: We go what's up man? Yeah, yeah, things they getting

2324
02:01:36,800 --> 02:01:39,760
Speaker 4: the limo. The whole wrangler dude before he closes the door,

2325
02:01:40,400 --> 02:01:44,280
Speaker 4: leans his head inside the limo and goes, alright, ladies,

2326
02:01:45,160 --> 02:01:49,480
Speaker 4: just so y'all know, we all adults and we're gonna

2327
02:01:49,480 --> 02:01:52,720
Speaker 4: get into some adult shit in this limousine. If you

2328
02:01:52,800 --> 02:01:57,080
Speaker 4: ain't about no adult shit. Now it's the time to

2329
02:01:57,320 --> 02:02:00,880
Speaker 4: leave the limousine. And you see the girls that's waiting

2330
02:02:00,960 --> 02:02:03,720
Speaker 4: on the bench all take a half step to the

2331
02:02:03,840 --> 02:02:07,160
Speaker 4: limo waiting for one of them chicks to get out.

2332
02:02:08,000 --> 02:02:09,760
Speaker 4: Nobody fucking moved in the limo.

2333
02:02:10,080 --> 02:02:11,120
Speaker 3: Oh shit.

2334
02:02:11,480 --> 02:02:14,440
Speaker 4: And the fucking promoter whod wrangling nigga gets to the limo,

2335
02:02:14,560 --> 02:02:17,240
Speaker 4: closes the door, looks over at me and Henry kob

2336
02:02:17,320 --> 02:02:19,960
Speaker 4: and sitting on the bench, and just goes, one day, boys,

2337
02:02:20,840 --> 02:02:21,320
Speaker 4: one day.

2338
02:02:27,680 --> 02:02:33,480
Speaker 3: It just rolls up to yo, and immediately I have

2339
02:02:33,600 --> 02:02:36,280
Speaker 3: to go tell fifty dollars worth the jokes at a

2340
02:02:36,400 --> 02:02:40,120
Speaker 3: fucking pizza bar. Look, can we can we just we?

2341
02:02:40,160 --> 02:02:43,080
Speaker 3: Steve wants to go home? Can we? We always about

2342
02:02:43,080 --> 02:02:45,240
Speaker 3: to go around the table? Do something.

2343
02:02:46,720 --> 02:02:48,800
Speaker 6: Gave up on that up?

2344
02:02:49,800 --> 02:02:52,120
Speaker 3: So I want to go home?

2345
02:02:52,960 --> 02:03:01,320
Speaker 4: Tell us one great thing that happened in twenty seventeen, Memories, music, TV, whatever,

2346
02:03:01,600 --> 02:03:03,720
Speaker 4: Just this was a shitty year.

2347
02:03:04,080 --> 02:03:05,000
Speaker 6: It was a shitty year.

2348
02:03:05,280 --> 02:03:09,920
Speaker 3: What very? What nice? What was your cat video?

2349
02:03:10,960 --> 02:03:12,520
Speaker 8: Don't try to play me on what I'm gonna say,

2350
02:03:12,680 --> 02:03:14,680
Speaker 8: but I'm gonna just say this. It is real pop culture.

2351
02:03:14,760 --> 02:03:16,360
Speaker 8: Like it was a shitty year. But at least I

2352
02:03:16,440 --> 02:03:17,120
Speaker 8: got Sterling K.

2353
02:03:17,280 --> 02:03:17,560
Speaker 6: Brown.

2354
02:03:18,760 --> 02:03:19,240
Speaker 3: This is us.

2355
02:03:19,800 --> 02:03:21,360
Speaker 6: That's how I feel because.

2356
02:03:21,520 --> 02:03:23,440
Speaker 3: Okay, that was your cat video.

2357
02:03:24,640 --> 02:03:27,600
Speaker 4: Now I would like to assume what your answer was, Fante,

2358
02:03:27,680 --> 02:03:29,520
Speaker 4: but I will ask you who was your highlight of

2359
02:03:29,640 --> 02:03:30,360
Speaker 4: twenty seventeen.

2360
02:03:30,640 --> 02:03:32,760
Speaker 3: My light twenty seventeen, it was getting married. Man.

2361
02:03:33,160 --> 02:03:36,240
Speaker 4: Okay, what I'm saying now, what was your real answer? Okay,

2362
02:03:36,320 --> 02:03:42,160
Speaker 4: my real answer was Goodmora Season two, Nigga, Nigga, I'm

2363
02:03:42,160 --> 02:03:44,440
Speaker 4: not watching that. No, no, no, seriously, the way you

2364
02:03:44,640 --> 02:03:47,919
Speaker 4: describing uh, like she's got to have it in comparison

2365
02:03:47,960 --> 02:03:50,960
Speaker 4: to Atlanta and how it feels kind of Gomora is

2366
02:03:51,120 --> 02:03:54,080
Speaker 4: like that for the wire, Like you watched Gomora and

2367
02:03:54,200 --> 02:03:56,440
Speaker 4: then you look at the wire like, yeah, nigga, these

2368
02:03:56,480 --> 02:03:58,200
Speaker 4: young boys about to run your ass off the court.

2369
02:03:58,680 --> 02:04:02,440
Speaker 3: It's like it's like that I'm starting. I take that.

2370
02:04:02,520 --> 02:04:06,960
Speaker 3: I don't take that silim and and it's on Netflix.

2371
02:04:07,840 --> 02:04:08,800
Speaker 6: I feel like I should explain.

2372
02:04:09,600 --> 02:04:12,920
Speaker 3: But this is us, This is saving NBC.

2373
02:04:13,200 --> 02:04:16,400
Speaker 6: This, this is us in all his emotion speeches and

2374
02:04:16,800 --> 02:04:19,080
Speaker 6: and and being a strong black man with a strong

2375
02:04:19,120 --> 02:04:20,960
Speaker 6: black wife that both work on the same show together.

2376
02:04:21,000 --> 02:04:23,280
Speaker 6: And then his wife Collecchi that faith.

2377
02:04:23,520 --> 02:04:25,360
Speaker 3: He's married to the woman.

2378
02:04:25,520 --> 02:04:28,520
Speaker 8: He's married to the woman who plays kind of like, uh,

2379
02:04:28,760 --> 02:04:30,760
Speaker 8: the woman who took on him as a little kid

2380
02:04:30,840 --> 02:04:31,240
Speaker 8: on the show.

2381
02:04:31,600 --> 02:04:32,520
Speaker 3: And this is in real life.

2382
02:04:32,640 --> 02:04:34,760
Speaker 6: In real life, that's when he thinks her all the time.

2383
02:04:34,840 --> 02:04:37,600
Speaker 6: I would like to think, my beautiful black meant his

2384
02:04:37,920 --> 02:04:42,480
Speaker 6: wife on the show. I love her wife.

2385
02:04:45,280 --> 02:04:48,320
Speaker 3: He didn't have a good year, man, he didn't. We

2386
02:04:48,480 --> 02:04:51,240
Speaker 3: just skipped over the that was all the sexual.

2387
02:04:51,480 --> 02:04:53,960
Speaker 4: So that's the whole other show. So all right, Bill,

2388
02:04:54,800 --> 02:04:58,880
Speaker 4: best thing that happened? Yeah, anything I got okay. I

2389
02:04:59,000 --> 02:05:02,400
Speaker 4: moved out away from my cokehead alcoholic roommate and his

2390
02:05:02,520 --> 02:05:03,160
Speaker 4: weirdo friend.

2391
02:05:04,040 --> 02:05:06,080
Speaker 3: Damn that nig coke and nigga. How you do a

2392
02:05:06,120 --> 02:05:10,680
Speaker 3: stimulant and a depressant? He turned away? Was that even

2393
02:05:10,720 --> 02:05:13,560
Speaker 3: your stuff missing, no surprise. I need it for the rent.

2394
02:05:16,160 --> 02:05:18,600
Speaker 4: For though, like the two years I lived in that apartment.

2395
02:05:18,640 --> 02:05:20,920
Speaker 4: That was partially the reason why I hardly ever left.

2396
02:05:21,640 --> 02:05:25,600
Speaker 3: WHOA protect your ship? Damn. I mean there was my

2397
02:05:25,720 --> 02:05:27,960
Speaker 3: TV in the living room, my Mac media up there.

2398
02:05:29,160 --> 02:05:31,280
Speaker 3: You should have locked that ship up like a Motel six.

2399
02:05:31,400 --> 02:05:34,480
Speaker 3: But that love Colin on the back of the TV. Well,

2400
02:05:34,520 --> 02:05:37,520
Speaker 3: you can't take the co acxive cable y sue. That

2401
02:05:37,600 --> 02:05:38,720
Speaker 3: was the best thing to happening this year.

2402
02:05:41,240 --> 02:05:46,520
Speaker 9: I had a tough summer with the sciatica, but I'm

2403
02:05:46,560 --> 02:05:47,760
Speaker 9: doing good with the diabetes.

2404
02:05:49,800 --> 02:05:52,400
Speaker 3: Let's leave it at that. Damn. You know what's gonna be,

2405
02:05:52,480 --> 02:05:56,800
Speaker 3: sugar Steve Bill's not here Bill Sherman Center. So I

2406
02:05:56,840 --> 02:05:57,600
Speaker 3: think that's why.

2407
02:05:58,160 --> 02:06:02,120
Speaker 4: Scrolling through my photos because Apple, this album ll show

2408
02:06:02,160 --> 02:06:07,280
Speaker 4: you the moment you zoom out to like the year

2409
02:06:07,400 --> 02:06:10,320
Speaker 4: and your pictures of your you were like, oh you were.

2410
02:06:11,480 --> 02:06:12,880
Speaker 4: I was, That's what I should have been doing.

2411
02:06:14,720 --> 02:06:15,600
Speaker 3: Knee jerk.

2412
02:06:17,640 --> 02:06:19,800
Speaker 7: Starting to this is gonna sound fucked up, like I'm

2413
02:06:19,840 --> 02:06:21,480
Speaker 7: a horrible father, And I don't want you to think.

2414
02:06:21,320 --> 02:06:26,400
Speaker 4: I'm a horrible fither uh. Leaning into fatherhood a little more.

2415
02:06:28,880 --> 02:06:32,120
Speaker 4: He's nineteen months now, twelve.

2416
02:06:32,560 --> 02:06:39,560
Speaker 7: Right right now that he's fifteen, I figured, yeah, I

2417
02:06:39,640 --> 02:06:43,360
Speaker 7: mean that's a noise box. Yeah, and so this year

2418
02:06:43,440 --> 02:06:46,760
Speaker 7: he's like doing bills and ship and I'm like, okay, yeah,

2419
02:06:46,840 --> 02:06:47,640
Speaker 7: I can get with this ship.

2420
02:06:47,720 --> 02:06:51,000
Speaker 3: Motherfucker, repeated me. Yeah he's starting to get a personality. Yeah.

2421
02:06:51,000 --> 02:06:53,000
Speaker 7: I caught him in the pot. Well, like he was

2422
02:06:53,040 --> 02:06:54,600
Speaker 7: in the kitchen and pulled a pot out the cabin

2423
02:06:54,640 --> 02:06:56,480
Speaker 7: and had a spoon. It was like pretending to stir.

2424
02:06:56,560 --> 02:07:01,280
Speaker 3: I'm like, oh, I want to cook Okay, So yeah,

2425
02:07:01,400 --> 02:07:04,360
Speaker 3: I'd say that on some life ship like that was

2426
02:07:04,520 --> 02:07:08,440
Speaker 3: like dope, and like that's like having a kid is

2427
02:07:08,560 --> 02:07:10,640
Speaker 3: weird because it makes you focus more.

2428
02:07:11,680 --> 02:07:15,280
Speaker 7: Like I have less time now as a human being,

2429
02:07:15,840 --> 02:07:18,640
Speaker 7: but I'm more productive than I've ever been. And I

2430
02:07:18,720 --> 02:07:22,560
Speaker 7: don't know how that balances out. It's the whole quest

2431
02:07:22,600 --> 02:07:23,920
Speaker 7: love thirty job things.

2432
02:07:24,000 --> 02:07:27,320
Speaker 4: But yeah, because I realize you don't realize how much

2433
02:07:27,440 --> 02:07:31,280
Speaker 4: time you had until you have a kid, like less

2434
02:07:31,320 --> 02:07:31,560
Speaker 4: you like.

2435
02:07:31,600 --> 02:07:33,680
Speaker 3: Man, I got a I was just fucking around all

2436
02:07:33,720 --> 02:07:34,040
Speaker 3: the time.

2437
02:07:35,160 --> 02:07:35,560
Speaker 6: No more.

2438
02:07:36,240 --> 02:07:39,400
Speaker 3: You know what I did that was amazing. I cleaned

2439
02:07:39,480 --> 02:07:46,080
Speaker 3: up motherfucking shop, clean up shot like five people. Yes, well.

2440
02:07:47,720 --> 02:07:50,680
Speaker 6: Right now, I'm I mean.

2441
02:07:52,480 --> 02:08:01,080
Speaker 4: You have to sometimes, no, I mean a spring clean

2442
02:08:02,120 --> 02:08:04,040
Speaker 4: the fuckery out of your life.

2443
02:08:04,360 --> 02:08:06,720
Speaker 3: I did that on my birthday. You gotta do that?

2444
02:08:07,240 --> 02:08:11,360
Speaker 4: Wait, why are you looking all depressed? Like well, your

2445
02:08:11,400 --> 02:08:12,840
Speaker 4: gripes are legit?

2446
02:08:13,200 --> 02:08:14,800
Speaker 6: Somebody losing their job to be the high.

2447
02:08:16,120 --> 02:08:19,760
Speaker 4: Even two of them aren't on payroll. It's just like

2448
02:08:19,960 --> 02:08:23,800
Speaker 4: I literally cut people off, decided that I have done

2449
02:08:23,800 --> 02:08:27,000
Speaker 4: with this. Yeah, you want me to be happy, right?

2450
02:08:27,680 --> 02:08:27,880
Speaker 3: Yeah?

2451
02:08:28,600 --> 02:08:30,520
Speaker 4: Cutting people off was like the greatest thing I ever

2452
02:08:30,680 --> 02:08:32,440
Speaker 4: ever learned how to do. I think I might have

2453
02:08:32,480 --> 02:08:33,440
Speaker 4: gotten too addicted to it.

2454
02:08:33,680 --> 02:08:41,040
Speaker 3: Is one of them, of course, Okay, yeah, edit edit, no, no, no, no,

2455
02:08:41,160 --> 02:08:47,080
Speaker 3: I'm just that was my Oh nice one.

2456
02:08:47,560 --> 02:08:48,000
Speaker 6: I don't know what.

2457
02:08:48,720 --> 02:08:55,120
Speaker 7: How do you all firings? I got fired over Twitter?

2458
02:08:55,240 --> 02:08:57,560
Speaker 7: Oh wait, you got fired over I found out over

2459
02:08:57,600 --> 02:08:58,560
Speaker 7: Twitter that I was fired.

2460
02:08:58,680 --> 02:09:00,320
Speaker 3: What what was the job? Radio?

2461
02:09:01,000 --> 02:09:04,680
Speaker 7: Radio is one of the coldest firing They just fucking

2462
02:09:04,800 --> 02:09:06,680
Speaker 7: one day. You just get a call, Yeah, don't come here,

2463
02:09:06,720 --> 02:09:09,080
Speaker 7: no more? Like what yeah, just don't come here.

2464
02:09:09,680 --> 02:09:11,400
Speaker 8: You want to see through room in front of everybody?

2465
02:09:11,480 --> 02:09:12,920
Speaker 8: Is they going to get breakfast in the morning?

2466
02:09:13,000 --> 02:09:13,200
Speaker 3: Yeah?

2467
02:09:13,640 --> 02:09:16,400
Speaker 7: I got I woke up to like twenty text messages

2468
02:09:16,400 --> 02:09:17,880
Speaker 7: talking about hey man, are you okay?

2469
02:09:18,080 --> 02:09:20,200
Speaker 3: What's going on? I get on Twitter?

2470
02:09:20,280 --> 02:09:22,800
Speaker 4: Trip on Twitter that morning and as we love Roy,

2471
02:09:22,920 --> 02:09:25,640
Speaker 4: we always miss We're gonna miss him and like somewhere

2472
02:09:25,680 --> 02:09:29,760
Speaker 4: in the bottom of the toller, No, this was terrestrial.

2473
02:09:29,800 --> 02:09:31,920
Speaker 7: This is ninety five seven. If you just google Roy

2474
02:09:32,000 --> 02:09:35,600
Speaker 7: with Junior fire, like the article is still there. I'm

2475
02:09:35,680 --> 02:09:37,200
Speaker 7: still reading the Birmingham News like.

2476
02:09:38,080 --> 02:09:39,760
Speaker 3: That morning on Twitter. I'm getting ready to get up,

2477
02:09:39,800 --> 02:09:41,200
Speaker 3: go to work, brush my teeth and I go, what

2478
02:09:41,320 --> 02:09:43,920
Speaker 3: the oh, I ain't got no job? All right, well,

2479
02:09:43,960 --> 02:09:45,440
Speaker 3: I guess I'm moving back to La Yo.

2480
02:09:45,520 --> 02:09:47,280
Speaker 6: Can I tell you the last the last radio job

2481
02:09:47,320 --> 02:09:48,760
Speaker 6: I got fired from. They got us.

2482
02:09:48,800 --> 02:09:51,520
Speaker 8: They was like, yo, we having a staff meeting, right,

2483
02:09:51,960 --> 02:09:53,560
Speaker 8: so everybody come to the staff meeting.

2484
02:09:53,640 --> 02:09:53,960
Speaker 6: Ready?

2485
02:09:54,600 --> 02:09:55,240
Speaker 3: Do you already know?

2486
02:09:55,400 --> 02:09:56,720
Speaker 6: You know envelopes?

2487
02:09:57,040 --> 02:10:04,440
Speaker 8: So we switching signals and changing the and you know

2488
02:10:04,480 --> 02:10:05,720
Speaker 8: it's a little bit of separate because it was a

2489
02:10:05,760 --> 02:10:06,400
Speaker 8: black on radio.

2490
02:10:06,600 --> 02:10:08,840
Speaker 3: Of course radio.

2491
02:10:08,920 --> 02:10:11,640
Speaker 7: The coldest man I fired to do this year over

2492
02:10:11,760 --> 02:10:16,080
Speaker 7: email and I've I've been told that I was an

2493
02:10:16,120 --> 02:10:16,840
Speaker 7: asshole for it.

2494
02:10:18,320 --> 02:10:21,320
Speaker 4: You know what that whole all right, y'all believe that

2495
02:10:21,400 --> 02:10:26,520
Speaker 4: whole face to face thing, dumping, dumping or firing, like, okay,

2496
02:10:26,640 --> 02:10:29,400
Speaker 4: do you believe in that whole like face to face

2497
02:10:29,480 --> 02:10:31,040
Speaker 4: it depends on how much time was invested in the

2498
02:10:31,440 --> 02:10:34,840
Speaker 4: will you but do you really respect it? It depends

2499
02:10:34,880 --> 02:10:37,560
Speaker 4: on how much time was invested in the over eight years.

2500
02:10:38,720 --> 02:10:40,960
Speaker 4: But they live in another city so that I could

2501
02:10:40,960 --> 02:10:45,520
Speaker 4: have done it's by phone. But my feelings as I

2502
02:10:45,600 --> 02:10:49,760
Speaker 4: started making the decision to fire this person was, no,

2503
02:10:50,760 --> 02:10:54,640
Speaker 4: You've had this entire time to get better and you

2504
02:10:54,760 --> 02:10:58,560
Speaker 4: did not. So the totality of our relationship has you've

2505
02:10:58,760 --> 02:11:04,560
Speaker 4: been you half asking it to me. That's more egregious emailing. Yes, yes,

2506
02:11:04,680 --> 02:11:08,240
Speaker 4: we workshop the relationship and therapy and all of that ship.

2507
02:11:09,640 --> 02:11:10,920
Speaker 4: And then when it came time to do it, I

2508
02:11:10,960 --> 02:11:12,320
Speaker 4: was like, man, fuck it, I ain't gonna waste some

2509
02:11:12,320 --> 02:11:13,520
Speaker 4: more time on this ship because I know if I

2510
02:11:13,600 --> 02:11:16,120
Speaker 4: call you it's gonna be a whole nother all that.

2511
02:11:16,320 --> 02:11:19,120
Speaker 3: Man, I mean, just send this email, clicks in, make

2512
02:11:19,160 --> 02:11:20,560
Speaker 3: it clean, and keep it moving.

2513
02:11:22,680 --> 02:11:27,480
Speaker 4: Wow, this has been an incredible, lengthy, lengthy two part

2514
02:11:27,680 --> 02:11:31,120
Speaker 4: Uh no, that's probably just one part. You're gonna serve

2515
02:11:31,160 --> 02:11:36,920
Speaker 4: it up straight. Yeah, ain't nobody gonna make it through this?

2516
02:11:38,440 --> 02:11:41,080
Speaker 4: They didn't skip ahead now it ain't it ain't twenty

2517
02:11:41,200 --> 02:11:44,360
Speaker 4: sixteen out the dope a little bit Jesus Christ. Please,

2518
02:11:44,440 --> 02:11:48,000
Speaker 4: let's cut it, well, everybody, let's cut it. Let's let's

2519
02:11:48,600 --> 02:11:52,720
Speaker 4: let's have let's just say that, uh you know, let's

2520
02:11:52,880 --> 02:11:57,920
Speaker 4: let's be happy that and grateful that we're still here

2521
02:11:58,040 --> 02:12:02,400
Speaker 4: and alive and yeah yeah man. And one last thing, sorry,

2522
02:12:02,400 --> 02:12:04,960
Speaker 4: before we leave, can we attempt to name everybody that

2523
02:12:05,120 --> 02:12:07,360
Speaker 4: was on the show in twenty seventeen to thank you?

2524
02:12:08,240 --> 02:12:10,160
Speaker 3: Yeah, just just to see what we can, just to

2525
02:12:10,200 --> 02:12:12,400
Speaker 3: see what we can do, ready, just.

2526
02:12:12,480 --> 02:12:17,120
Speaker 4: To recapitulate, capitulate, just to see if we can. Jimmy Jam,

2527
02:12:17,360 --> 02:12:22,880
Speaker 4: Jimmy Jam, Baby, Babby Face, The Emotions, Carmichael Saita, Garrett

2528
02:12:23,200 --> 02:12:27,760
Speaker 4: Roy roy As, Chris Rock and the Soul Training Search,

2529
02:12:28,200 --> 02:12:29,040
Speaker 4: Q Tip, Q.

2530
02:12:29,240 --> 02:12:37,120
Speaker 3: Tip Prodigy, Man in Peace, who else? Damn Peterson, Chiles Peterson,

2531
02:12:38,120 --> 02:12:39,120
Speaker 3: I can't even name one.

2532
02:12:40,160 --> 02:12:47,240
Speaker 4: God just Blaze, DJ Premier, Heather Hunter, Donny Simpson, Booty Collins.

2533
02:12:47,400 --> 02:12:49,440
Speaker 6: Sheila Stephen Hill.

2534
02:12:49,680 --> 02:12:50,080
Speaker 3: Where are you?

2535
02:12:52,120 --> 02:12:54,560
Speaker 4: I talked to him, I saw him the other He's

2536
02:12:54,680 --> 02:13:00,120
Speaker 4: doing stuff. He's still has juice. I'm getting, uh, not

2537
02:13:00,240 --> 02:13:04,560
Speaker 4: that y'all care, so, yes, exactly, Okay, Yeah, I'm getting

2538
02:13:04,600 --> 02:13:07,880
Speaker 4: the rest of my SO episodes. You know, my dad

2539
02:13:07,960 --> 02:13:10,720
Speaker 4: had a chance to buy into that buying the soldier

2540
02:13:12,120 --> 02:13:14,720
Speaker 4: like in the early days, like my dad hired Don

2541
02:13:14,760 --> 02:13:15,839
Speaker 4: Cornelia in Chicago.

2542
02:13:16,080 --> 02:13:18,120
Speaker 6: What oh my god.

2543
02:13:18,200 --> 02:13:19,160
Speaker 3: We never got to the story.

2544
02:13:19,840 --> 02:13:21,480
Speaker 4: All right, so you're gonna have to come back so

2545
02:13:21,560 --> 02:13:24,920
Speaker 4: we could have the official royal Wood episode because you

2546
02:13:25,000 --> 02:13:26,280
Speaker 4: were just here recap.

2547
02:13:26,400 --> 02:13:28,600
Speaker 3: This was fun, just kicken. I know that, But this

2548
02:13:28,840 --> 02:13:32,560
Speaker 3: was our year in recap episode, not the roy Wood.

2549
02:13:32,760 --> 02:13:35,640
Speaker 3: You saved my daddy's civil rights work ship for later.

2550
02:13:35,960 --> 02:13:39,760
Speaker 3: I tell you that I did that twelve years and

2551
02:13:39,880 --> 02:13:42,760
Speaker 3: I and I have questions about doing prink calls professionally,

2552
02:13:42,920 --> 02:13:45,800
Speaker 3: like how does that wait to the roy Wood junior

2553
02:13:47,000 --> 02:13:47,520
Speaker 3: in ten years?

2554
02:13:47,800 --> 02:13:49,240
Speaker 6: It's like two three services?

2555
02:13:51,800 --> 02:13:54,160
Speaker 3: Wow, but they fake him. I was a lunatic. You

2556
02:13:54,240 --> 02:13:55,640
Speaker 3: were doing was legit?

2557
02:13:55,840 --> 02:13:58,480
Speaker 7: Okay, you were a master? You were And I kept

2558
02:13:58,520 --> 02:14:00,640
Speaker 7: the wrolls in case anybody wanted ballenge me. I got

2559
02:14:00,680 --> 02:14:03,560
Speaker 7: like ten minute fucking any prank I've done, I got

2560
02:14:03,720 --> 02:14:06,880
Speaker 7: a ten minute fucking master for anybody who dare say

2561
02:14:06,960 --> 02:14:08,720
Speaker 7: that my ship was fake. Like, that's the one thing

2562
02:14:08,800 --> 02:14:14,000
Speaker 7: I'll get. It's the only thing I get. Question people questions, comments, Yeah.

2563
02:14:15,040 --> 02:14:16,720
Speaker 4: Yeah, that's a lot of affection. Were you the one

2564
02:14:16,720 --> 02:14:20,720
Speaker 4: that did the roaches and chicken called that's a classic, man,

2565
02:14:20,800 --> 02:14:24,520
Speaker 4: come on, that's that was based on some real ship.

2566
02:14:25,280 --> 02:14:29,560
Speaker 4: A lady went to a hood seafood spot in Birmingham

2567
02:14:30,120 --> 02:14:34,120
Speaker 4: and she found roaches fried into the breading of the chicken.

2568
02:14:35,040 --> 02:14:37,680
Speaker 4: And I called her as the supervisor of the restaurant said,

2569
02:14:37,680 --> 02:14:40,520
Speaker 4: you line, because that roaches roaches ain't even that color.

2570
02:14:45,280 --> 02:14:48,800
Speaker 3: I wrote all that, Oh man, that it was funny.

2571
02:14:49,560 --> 02:14:52,720
Speaker 3: Look at Nigga'm trying to be professional about.

2572
02:14:52,840 --> 02:14:54,400
Speaker 4: Yeah, we gotta talk. We got to talk about that

2573
02:14:54,400 --> 02:14:56,600
Speaker 4: because I'll tell you how pranks connected with hip hop

2574
02:14:56,680 --> 02:14:59,600
Speaker 4: and how like so many fucking Southern mixtape niggas.

2575
02:15:00,040 --> 02:15:01,320
Speaker 3: Yes, really helped me.

2576
02:15:01,360 --> 02:15:05,840
Speaker 4: Out anyway, Uh we didn't think shout out Robin Thid

2577
02:15:05,920 --> 02:15:08,160
Speaker 4: as well, haven't anyway, And also Michael McDonald want to

2578
02:15:08,160 --> 02:15:11,080
Speaker 4: give a shout out to Alex and Tyler, who are

2579
02:15:11,200 --> 02:15:14,360
Speaker 4: our fearless editors who helped make the show.

2580
02:15:17,240 --> 02:15:21,720
Speaker 3: Shout out to Slits and James l are you and

2581
02:15:21,840 --> 02:15:25,960
Speaker 3: King Jane Yes anyway, Uh we will see you guys

2582
02:15:26,080 --> 02:15:26,680
Speaker 3: next year.

2583
02:15:27,280 --> 02:15:30,520
Speaker 4: And uh thank you Pan Like literally, we're not taking

2584
02:15:30,520 --> 02:15:32,720
Speaker 4: any time off. We'll be back next week. Well, I

2585
02:15:32,760 --> 02:15:33,600
Speaker 4: don't know if I'll be here.

2586
02:15:33,680 --> 02:15:37,200
Speaker 3: But you know, Jason, take that episode god willing.

2587
02:15:37,280 --> 02:15:41,160
Speaker 4: If I'm Bryan, yeah, any anyone else, I'm just doing

2588
02:15:41,200 --> 02:15:42,560
Speaker 4: credit g well.

2589
02:15:42,520 --> 02:15:45,720
Speaker 3: I mean we already hit up all those people. Just

2590
02:15:45,760 --> 02:15:47,920
Speaker 3: forgot to mention Alex and Tyler. East Coast ain't got

2591
02:15:47,960 --> 02:15:51,800
Speaker 3: love for doctor dres New Dog. You robbed your eyes

2592
02:15:51,840 --> 02:15:52,440
Speaker 3: when I said.

2593
02:15:54,920 --> 02:15:58,680
Speaker 8: East Coast because I'm thinking the Barns. But yes, okay, yeah, anyway, anyway, all.

2594
02:15:58,640 --> 02:16:02,080
Speaker 4: Right, yes, this is has been a two lengthy episode

2595
02:16:02,240 --> 02:16:04,280
Speaker 4: of of course, I forgot the name of my show,

2596
02:16:04,520 --> 02:16:05,400
Speaker 4: Quest Love Supreme.

2597
02:16:05,600 --> 02:16:07,240
Speaker 3: We will see you on the next go round.

2598
02:16:07,280 --> 02:16:09,400
Speaker 4: Hollo us up on Instagram and check out the mixed

2599
02:16:09,400 --> 02:16:11,400
Speaker 4: Supremium because we put our favorite songs of the year.

2600
02:16:11,560 --> 02:16:19,000
Speaker 3: Let's go, let's stop. What are we not professional? Anyway,

2601
02:16:19,040 --> 02:16:21,160
Speaker 3: Thank you very much, ladies and gentlemen. We'll see you

2602
02:16:21,160 --> 02:16:21,960
Speaker 3: on the next go round.

2603
02:16:27,200 --> 02:16:29,840
Speaker 1: Quest Love Supreme is a production of My Heart Radio.

2604
02:16:30,360 --> 02:16:33,720
Speaker 1: This classic episode was produced by the team at Pandora.

2605
02:16:37,360 --> 02:16:40,600
Speaker 1: For more podcasts from iHeart Radio, visit the iHeart Radio app,

2606
02:16:40,840 --> 02:16:43,879
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.