WEBVTT - Cliff Notes: EYL, Radio Row Interviews at The BET Awards

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<v Speaker 2>All right, Eyl Queen Naja, thank you for joining us.

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<v Speaker 2>Appreciate it.

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<v Speaker 3>Thank you for having me.

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<v Speaker 2>I appreciate it, Yeah, for sure. So my first question

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<v Speaker 2>is how has this journey been for you. I know

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<v Speaker 2>it's been a short period of time, but it's been

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<v Speaker 2>a long period of time as well. So you now

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<v Speaker 2>you're an a list, everybody knows you, everybody loves your music.

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<v Speaker 2>Is it still moments where it's kind of surreal to you?

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<v Speaker 2>Or are you, like fully caught up in a moment

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<v Speaker 2>right now.

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<v Speaker 4>Honestly, I never really get to basket the moment. I'm

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<v Speaker 4>trying to learn how to, So I can't say it's

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<v Speaker 4>really surreal because like just not right now, Like it's

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<v Speaker 4>a blessing, but I'm trying to learn how to just

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<v Speaker 4>I'm always like Russian, Russian, Russian everywhere, but I never

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<v Speaker 4>really just get to like bask in a moment.

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<v Speaker 3>But it's been a it's been a journey. I feel like.

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<v Speaker 4>It's been a time where I was super down. I

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<v Speaker 4>thought everybody forgot about me. But now I'm back here

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<v Speaker 4>again and I just bounce back and I'm happy. So

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<v Speaker 4>it's a blessing.

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<v Speaker 5>Yeah.

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<v Speaker 6>Yeah, So this weekend you're presenting at the Awards. Obviously

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<v Speaker 6>Mary is performing. I know that you're a part of

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<v Speaker 6>the tour.

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<v Speaker 5>He talked about heart and influence and what it means

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<v Speaker 5>to be a part of it. Mary, Yeah, marry' Jay.

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<v Speaker 4>First of all, the first song that I ever sang

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<v Speaker 4>that came out of my mouth was You're All I

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<v Speaker 4>Need to get by with methad Man. I was three

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<v Speaker 4>years old, and it's really full circle to just be

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<v Speaker 4>in this same First of all, I'm going on tour her. Yeah,

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<v Speaker 4>so I'm really really excited and I feel like if

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<v Speaker 4>she can see something to me to share her stage,

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<v Speaker 4>then I'm gonna be around here for a minute.

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<v Speaker 7>They don't name Nia, so I was looking at of

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<v Speaker 7>it basically translates to like the new Nigeria you understand

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<v Speaker 7>me or the music of Niga. Do you find Nigerians

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<v Speaker 7>or people out there in Africa tap in with your music?

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<v Speaker 3>Okay? So my first name is Queen.

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<v Speaker 4>My middle name is Naja, and it has nothing to

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<v Speaker 4>do with Nigeria, and a lot of people get that

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<v Speaker 4>mixed up. My name is Naja because my father's name

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<v Speaker 4>was my father's from Yemen, his name was Mohammed Nijeb

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<v Speaker 4>and my mom just instead of she put an a

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<v Speaker 4>on the end, So Naija and Niji. So a lot

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<v Speaker 4>of time, the way she spelled it was like the

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<v Speaker 4>Nigerian and I didn't learn that until like on Twitter recently.

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<v Speaker 3>But yeah, it has nothing.

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<v Speaker 4>To do in Nigeria, but I think it does work

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<v Speaker 4>for me because like when they see my name, they

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<v Speaker 4>gravitate towards me, and I love Nigerian artists.

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<v Speaker 3>I haven't been there, but if it works for me,

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<v Speaker 3>it just worked with me.

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<v Speaker 2>So I feel like it's on a job training when

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<v Speaker 2>it comes to success, and especially the music business, and

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<v Speaker 2>a lot of people make mistakes because there's no blueprint

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<v Speaker 2>or there's no roadmap to follow. So learning the business

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<v Speaker 2>side of it, how has that been for you? Have

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<v Speaker 2>you had mentors that's like teaching you the dudes a adults?

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<v Speaker 2>Is it just like experience? How have you learned the

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<v Speaker 2>business side of music?

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<v Speaker 8>Well?

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<v Speaker 4>I was blessed to have a really really good support

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<v Speaker 4>system around me, like a small, solid circle, and I'm

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<v Speaker 4>learning from that circle. I didn't know a lot coming

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<v Speaker 4>to I mean, I didn't know nothing coming to the industry, honestly.

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<v Speaker 3>But I'm still learning as I go.

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<v Speaker 4>It's a lot of things I've had learning experiences where

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<v Speaker 4>you have to experience something bad first and then learn

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<v Speaker 4>from it. So that's just like an everyday thing with me.

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<v Speaker 4>So yeah, I'm still learning.

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<v Speaker 5>Yeah.

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<v Speaker 6>So one of the things, especially in business and obviously

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<v Speaker 6>in music, it is collaboration. What's the process like for

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<v Speaker 6>you when you're looking for somebody to collaborate with? Obviously

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<v Speaker 6>we know the dirt and I've been showing record is incredible.

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<v Speaker 3>Thank you.

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<v Speaker 5>What's that process, like when you're trying to collab with somebody.

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<v Speaker 4>So usually like I'll all right, Usually i'll build. I'll build, sorry,

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<v Speaker 4>build beats from scratch. But if I don't. If I

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<v Speaker 4>like a song, regardless if I building or not from scratch,

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<v Speaker 4>I think of a concept to it, I'll go mumble

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<v Speaker 4>and like some cadences, and then I'll create the words

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<v Speaker 4>and I'll say, oh, this person would sound really good

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<v Speaker 4>on this song, Like I can hear the voices on there.

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<v Speaker 5>You're making the record yourself, you're producing it.

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<v Speaker 3>You can say I'm part I'm partially producing.

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<v Speaker 4>I don't press the buttons, but I tell them, use

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<v Speaker 4>this instrument, make this beat, make this cadence. I just

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<v Speaker 4>don't know how to do all the technical stuff, but

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<v Speaker 4>I know what I want when it comes to music,

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<v Speaker 4>and I have a really really good ear for it.

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<v Speaker 4>So yeah, and then I just get the whoever I want.

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<v Speaker 4>I DM them. I don't really have to label do

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<v Speaker 4>stuff because I like for it to be genuine, you know.

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<v Speaker 4>But if I don't get them, I'll just wait.

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<v Speaker 3>I'll just wait.

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<v Speaker 8>And if it don't have and it don't, what's the

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<v Speaker 8>future of your brand?

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<v Speaker 7>Like we see Rihanna become a billionaire for having her

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<v Speaker 7>beauty brand. And I feel like, especially when you got

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<v Speaker 7>like a solid consolidated community, you can really start pushing

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<v Speaker 7>out products and that's when you really hit you out

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<v Speaker 7>your jectory.

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<v Speaker 8>So what's the future of expansion for you.

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<v Speaker 4>I'm not gonna lie. I do want to put out

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<v Speaker 4>some products because that it'd be more money in that

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<v Speaker 4>than the music. Okay, I just want whatever product I

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<v Speaker 4>put out to represent me and my brand.

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<v Speaker 9>I know.

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<v Speaker 3>I really love to be comfortable and I love to

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<v Speaker 3>lounge around the house.

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<v Speaker 4>So like one of the things I wanted to do

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<v Speaker 4>was like on ess, like loungewear, and like I'm big

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<v Speaker 4>on like hygiene, so like kitty.

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<v Speaker 3>Kits, like for the girls.

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<v Speaker 10>Yeah, kitty kits.

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<v Speaker 3>Very important. But yeah, I don't know.

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<v Speaker 4>Maybe I'll come up with something else later on, but

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<v Speaker 4>I still like still trying to balance out this life, so.

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<v Speaker 3>Hopefully that comes about, like later on.

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<v Speaker 2>I feel ideas though, I feel like the greatest artist,

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<v Speaker 2>whether it was DMX or eminem or even nas, like

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<v Speaker 2>they always told their life and you felt their pain,

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<v Speaker 2>you felt they was going through and it's a gift

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<v Speaker 2>in the curse because your fans feel like you're your family,

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<v Speaker 2>but you're also letting people know what you're personally going through. Yeah,

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<v Speaker 2>so how do you balance that because I know that's

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<v Speaker 2>like you know your story you how do you balance that?

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<v Speaker 2>And is there have a point where you turn it

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<v Speaker 2>off where it's like, this is my pain, this is

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<v Speaker 2>my music, this is my joys, but this is private.

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<v Speaker 2>I don't want to share, you know what.

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<v Speaker 4>Story of my life because I definitely used to overshare

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<v Speaker 4>a lot. Like overshare, it's I've groomed to be a

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<v Speaker 4>little bit more conservative, but now I think I'm a

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<v Speaker 4>little bit too conservative. So like I'm an extremist, I'm

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<v Speaker 4>either here or here. I'm trying to find like a

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<v Speaker 4>medium because at the end of the day, the reason

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<v Speaker 4>why people love me and how I came about was

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<v Speaker 4>from being transparent and showing my life. But like you said,

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<v Speaker 4>people think they know you from just like they think

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<v Speaker 4>they know you from a minute video, and it's just

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<v Speaker 4>like you don't, you really don't, and they have their opinions,

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<v Speaker 4>and sometimes it could it could just get so like

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<v Speaker 4>overwhelming to where you know, I start to go into

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<v Speaker 4>this little shell and I don't want to, but I

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<v Speaker 4>can't do that because of the industry I'm in and

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<v Speaker 4>I have to I mean, you gotta be out there

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<v Speaker 4>and you got to be visible.

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<v Speaker 3>So I just have to find a medium.

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<v Speaker 4>Still, I think I'm gonna get back on my YouTube channel.

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<v Speaker 5>Yeah, coming back.

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<v Speaker 8>Yeah, y'all heard it.

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<v Speaker 5>Head.

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<v Speaker 6>So obviously the coaches Big as Night Sunday you're presenting,

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<v Speaker 6>is it somebody excited.

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<v Speaker 3>To see I'm just really excited. I'm just excited to

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<v Speaker 3>be here. It's not like I'm excited to see everybody.

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<v Speaker 5>Yeah.

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<v Speaker 7>So let me ask you last, how do you balance

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<v Speaker 7>because you know, you got family, you got a career,

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<v Speaker 7>you got tour, you got a relationship.

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<v Speaker 8>Do you meditate, do you take walks? What's your mental health?

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<v Speaker 5>Luck?

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<v Speaker 2>What we're doing, I just pray.

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<v Speaker 4>Honestly, I grew up in I grew up in church

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<v Speaker 4>and stuff. So like, honestly, I just ray, I need

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<v Speaker 4>to do.

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<v Speaker 3>A little bit better that. But to be honest, I

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<v Speaker 3>think I need to do a little I think I need.

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<v Speaker 4>To find I still have to find something. I still

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<v Speaker 4>have to find something like uh that puts me at peace.

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<v Speaker 4>But I know one of the main things is like

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<v Speaker 4>car rights studio sessions. That's where that's when I write

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<v Speaker 4>my music and go to the student. That's my therapy.

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<v Speaker 4>I do have a therapist. I talked to a therapist

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<v Speaker 4>and it helps a lot. But I want to find

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<v Speaker 4>a hobby, like, I want to find something to do

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<v Speaker 4>outside of music that I just really really enjoy.

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<v Speaker 3>Yeah, I gotta find it.

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<v Speaker 2>That's it. Well, thank you. The one last question that

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<v Speaker 2>I have is we talked about R and B, and

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<v Speaker 2>I feel like we're in a good space for R

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<v Speaker 2>and B right now. Who is your biggest R and

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<v Speaker 2>B inspiration?

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<v Speaker 3>Biggest R and B? Oh, that's hard.

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<v Speaker 2>Who was your favorite all top favorite? Whitney Hughton, Whinney.

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<v Speaker 3>Houston, Mary J of course Mary J for Real Monica

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<v Speaker 3>and a lot more. But I grew up listening to them.

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<v Speaker 5>So yeah, I would we appreciate you coming. Make sure

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<v Speaker 5>y'all go check out the tour Queen nazi Ya.

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<v Speaker 2>Yes, yeah, thank you here with Joey. Dad asked Joey,

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<v Speaker 2>thank you for joining us, bro, I appreciate it, your sir, Yes, sir.

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<v Speaker 11>So we had we had for b TV ninety y'all

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<v Speaker 11>with the mice in your hands was like.

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<v Speaker 2>Mike, so, Joey, you you're very interesting to me because

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<v Speaker 2>you represent a nostalgic era that we grew up on nineties,

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<v Speaker 2>but you also are new school and you got that

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<v Speaker 2>and your multi talent, so you act rap. So it's

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<v Speaker 2>like a gumball. Where do you get where you get

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<v Speaker 2>your inspiration from?

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<v Speaker 10>Like?

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<v Speaker 2>Where do you get your inspiration from? And how do

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<v Speaker 2>you stay freend with the times?

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<v Speaker 12>Well?

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<v Speaker 13>God, I feel like everything that I do is a

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<v Speaker 13>spiritual experience, you know what I'm saying. Like if it

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<v Speaker 13>wasn't for me feeling purposeful and the things that I do,

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<v Speaker 13>I don't think I'll be able to do them properly,

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<v Speaker 13>you know what I'm saying. So I would say that's

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<v Speaker 13>definitely my that's my jump start, you know what I mean.

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<v Speaker 13>It comes from spirit, It comes from the soul. That's

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<v Speaker 13>why I find my inspiration. And apart from now, it's

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<v Speaker 13>just expansion, you know what I'm saying. Wanted to build

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<v Speaker 13>more for my legacy, for us, you know what I mean,

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<v Speaker 13>for my people.

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<v Speaker 6>Award winning actor, what I said, award winning, let's start there.

0:10:41.920 --> 0:10:44.199
<v Speaker 6>Obviously you will stand out and the power series. So

0:10:44.640 --> 0:10:46.240
<v Speaker 6>when did the love for acting come about?

0:10:46.400 --> 0:10:48.760
<v Speaker 5>Somebody? Was that something you were formally trained in Or.

0:10:49.120 --> 0:10:52.200
<v Speaker 11>I was always entacty, So.

0:10:53.800 --> 0:10:56.720
<v Speaker 13>To get into my high school, I went to Edward

0:10:56.760 --> 0:11:00.280
<v Speaker 13>all Murow in Brooklyn, Bosky. I went there Adam Yacht

0:11:00.440 --> 0:11:05.240
<v Speaker 13>from the BC Boys, Little Mam majority badass, and uh,

0:11:05.320 --> 0:11:07.800
<v Speaker 13>they had a theater program there. I'm trying to get

0:11:07.840 --> 0:11:10.839
<v Speaker 13>into like Laguardie and stuff like that, but because of

0:11:10.960 --> 0:11:12.480
<v Speaker 13>my attendance, I couldn't.

0:11:12.520 --> 0:11:13.000
<v Speaker 11>I couldn't go.

0:11:13.160 --> 0:11:15.400
<v Speaker 13>Yeah, They're like, nigga, you live in Brooklyn and your

0:11:15.400 --> 0:11:19.800
<v Speaker 13>attendance is bad. In Brooklyn, it was like.

0:11:20.360 --> 0:11:21.000
<v Speaker 5>Stay at roke here.

0:11:21.600 --> 0:11:22.959
<v Speaker 13>So I ended up going to end with all Mother

0:11:23.320 --> 0:11:25.400
<v Speaker 13>and I was in an apartment for about two years.

0:11:26.160 --> 0:11:27.840
<v Speaker 13>It's kind of like a culture shock for me because

0:11:27.920 --> 0:11:30.240
<v Speaker 13>my first signs going to school like white people and

0:11:30.280 --> 0:11:30.800
<v Speaker 13>stuff like that.

0:11:31.000 --> 0:11:32.520
<v Speaker 11>So it was kind of hard for me to keep

0:11:32.640 --> 0:11:36.400
<v Speaker 11>up and I d' getting kicked out. But h you know,

0:11:36.520 --> 0:11:39.559
<v Speaker 11>music was always my first love. I always have music

0:11:39.679 --> 0:11:42.720
<v Speaker 11>like just here with me, and I figured I learned

0:11:42.760 --> 0:11:44.000
<v Speaker 11>quickly that you know, trying to.

0:11:43.960 --> 0:11:46.400
<v Speaker 13>Make it as an action in New York City, he's

0:11:46.440 --> 0:11:47.960
<v Speaker 13>like trying to find a needle in a hat stack.

0:11:48.840 --> 0:11:52.360
<v Speaker 13>So I doubled down on music as my main focus,

0:11:52.440 --> 0:11:54.480
<v Speaker 13>and I figured that in the future, I'll be able

0:11:54.520 --> 0:11:56.400
<v Speaker 13>to use it as leverage into the acting business.

0:11:56.960 --> 0:12:00.400
<v Speaker 7>With this session with ideas, let me ad she mean,

0:12:00.920 --> 0:12:04.199
<v Speaker 7>I know a lot of people utilize like law of

0:12:04.240 --> 0:12:06.400
<v Speaker 7>attraction and shit like that, and I could tell you know,

0:12:06.480 --> 0:12:09.720
<v Speaker 7>you deep into the esoterics, you understand symbolism, the power

0:12:09.800 --> 0:12:12.000
<v Speaker 7>of it, so I know you tap into the different

0:12:12.120 --> 0:12:13.600
<v Speaker 7>universal laws and intelligence.

0:12:14.200 --> 0:12:15.680
<v Speaker 5>I like the you know, the law of.

0:12:15.760 --> 0:12:18.719
<v Speaker 8>Confidence or the law of focus. Which one you tap in?

0:12:19.240 --> 0:12:20.480
<v Speaker 8>You feel me when you want to go to that

0:12:20.559 --> 0:12:21.040
<v Speaker 8>next level?

0:12:21.080 --> 0:12:21.400
<v Speaker 5>Which one?

0:12:21.440 --> 0:12:22.720
<v Speaker 8>Which one is a principle that you.

0:12:22.800 --> 0:12:26.760
<v Speaker 11>Apply between the law focus and the law of confidence.

0:12:26.440 --> 0:12:28.240
<v Speaker 5>Whatever law the universe you utilize.

0:12:28.440 --> 0:12:30.920
<v Speaker 11>Well, I'm big on faith, you know what I'm saying.

0:12:30.960 --> 0:12:32.520
<v Speaker 11>I'm going be faith based.

0:12:33.000 --> 0:12:33.400
<v Speaker 2>So like.

0:12:37.160 --> 0:12:39.719
<v Speaker 11>I got, I got a way of thinking where you know,

0:12:40.240 --> 0:12:43.520
<v Speaker 11>you can tell who's praying who's not, you know what

0:12:43.520 --> 0:12:46.520
<v Speaker 11>I'm saying. Usually the people who are frustlating with life

0:12:47.120 --> 0:12:50.640
<v Speaker 11>and h you know, blaming other things, they probably could

0:12:50.640 --> 0:12:51.280
<v Speaker 11>pray some monk.

0:12:51.800 --> 0:12:53.319
<v Speaker 13>So like me, like when I think they want to

0:12:53.480 --> 0:12:55.079
<v Speaker 13>double down take things to be like I mean, I

0:12:55.160 --> 0:12:57.160
<v Speaker 13>pray every day off top, but when I really want

0:12:57.200 --> 0:13:01.080
<v Speaker 13>to double down take ing CBS level, I turn the socks,

0:13:01.480 --> 0:13:03.760
<v Speaker 13>you know what I'm saying, And I turned into my

0:13:03.880 --> 0:13:07.240
<v Speaker 13>faith and age Dad alone feels everything.

0:13:06.960 --> 0:13:09.800
<v Speaker 11>Else feels my focus, It feels my confidict.

0:13:09.960 --> 0:13:12.560
<v Speaker 8>Yeah, fuse, you.

0:13:12.559 --> 0:13:14.240
<v Speaker 11>Know whatever it is that I need to make it

0:13:14.280 --> 0:13:15.560
<v Speaker 11>to that next loving at that.

0:13:15.600 --> 0:13:18.960
<v Speaker 8>Getting point, that's the law belief. Whatever you believe crystallizes

0:13:19.040 --> 0:13:20.960
<v Speaker 8>and becomes real for sure.

0:13:21.480 --> 0:13:27.000
<v Speaker 2>So acting or rapping, which one do you prefer? Like,

0:13:27.120 --> 0:13:28.800
<v Speaker 2>what's what's the number one for you?

0:13:29.520 --> 0:13:31.720
<v Speaker 13>I mean, listen, man, I tell people all the time

0:13:31.880 --> 0:13:36.080
<v Speaker 13>like it's like it's like two women that you love,

0:13:39.320 --> 0:13:42.040
<v Speaker 13>you know, Like I ain't about to explicitly say which

0:13:42.040 --> 0:13:45.000
<v Speaker 13>when I prefer, but I tell you this, I couldn't

0:13:45.040 --> 0:13:46.839
<v Speaker 13>survive without music. You know.

0:13:47.040 --> 0:13:49.760
<v Speaker 11>That was my first love. That was you know, my

0:13:49.880 --> 0:13:50.920
<v Speaker 11>first baby mom.

0:13:53.640 --> 0:13:57.160
<v Speaker 13>Whatever anetic to her. But they both make me better

0:13:57.240 --> 0:13:59.240
<v Speaker 13>for each other, you know what I'm saying. It's like

0:14:00.120 --> 0:14:02.240
<v Speaker 13>then for a while, come back to music. It's like

0:14:02.320 --> 0:14:05.280
<v Speaker 13>a new level of freedom because I'm like, oh, like I.

0:14:05.320 --> 0:14:07.920
<v Speaker 11>Don't you know this music. I don't gotta rely on music,

0:14:08.040 --> 0:14:10.240
<v Speaker 11>no more shame thing with acting. I go over there

0:14:10.280 --> 0:14:12.480
<v Speaker 11>and it's like I ain't gotta rely on this either.

0:14:12.960 --> 0:14:15.199
<v Speaker 11>So you know, they both leto keep each other man

0:14:15.280 --> 0:14:18.040
<v Speaker 11>in his life. I wouldn't. I wouldn't have traded once

0:14:18.320 --> 0:14:20.520
<v Speaker 11>for the art. I need them both.

0:14:21.600 --> 0:14:24.680
<v Speaker 6>So tell them about the music. The latest project. I know,

0:14:24.760 --> 0:14:27.680
<v Speaker 6>with some delays, what's the update on it? When we're

0:14:27.680 --> 0:14:28.760
<v Speaker 6>gonna say, like what show.

0:14:28.640 --> 0:14:29.160
<v Speaker 11>The new album?

0:14:29.480 --> 0:14:32.040
<v Speaker 13>New album two thousand. It's coming next month in July.

0:14:32.800 --> 0:14:35.240
<v Speaker 13>I actually have the date, but I don't. I'm not

0:14:35.320 --> 0:14:37.520
<v Speaker 13>gonna share it yet because you know, I don't want

0:14:37.560 --> 0:14:40.000
<v Speaker 13>to have to change the shit again. You know what

0:14:40.000 --> 0:14:42.760
<v Speaker 13>I'm saying, Like, what I'm gonna do is I'm gonna

0:14:42.760 --> 0:14:45.880
<v Speaker 13>just announce the pre order and that's when Montherfuck's gonna know. Okay,

0:14:45.880 --> 0:14:48.760
<v Speaker 13>the date is lot, it's official. You know what I'm saying, Like, Yeah,

0:14:48.800 --> 0:14:51.600
<v Speaker 13>you know, I ran into some complications. It's been five years,

0:14:51.640 --> 0:14:54.120
<v Speaker 13>it's my last album, so it's a lot of excitement

0:14:54.160 --> 0:14:57.200
<v Speaker 13>and putting this music out. You know, I'm very eager,

0:14:57.920 --> 0:15:01.160
<v Speaker 13>but you know, it's also my first major so that

0:15:01.280 --> 0:15:03.400
<v Speaker 13>was really more of the complications that I'm having is

0:15:03.880 --> 0:15:08.120
<v Speaker 13>understanding the chain of come in and the whole system, like,

0:15:08.200 --> 0:15:11.160
<v Speaker 13>you know, having to have everybody on the same page

0:15:11.240 --> 0:15:11.800
<v Speaker 13>and things like that.

0:15:11.920 --> 0:15:12.440
<v Speaker 11>You know what I mean.

0:15:12.560 --> 0:15:15.160
<v Speaker 13>Like, whereas when I was independent, I just pressed the

0:15:15.200 --> 0:15:18.320
<v Speaker 13>button like I'm ready. If I say June seventeen, it's

0:15:18.400 --> 0:15:20.840
<v Speaker 13>June seventeen, that's when I'm uploaded, you know what I mean.

0:15:20.960 --> 0:15:22.560
<v Speaker 13>So there's a lot of things I was out of

0:15:22.640 --> 0:15:25.680
<v Speaker 13>my control. But listen, when I'm on that stage, it's

0:15:25.680 --> 0:15:27.440
<v Speaker 13>just Joey Badass. I ain't got no time to point

0:15:27.440 --> 0:15:30.120
<v Speaker 13>the finger at nobody and everything, like, I just take accountability.

0:15:30.320 --> 0:15:33.280
<v Speaker 13>It's coming soon, though I can't wait, you know, shout,

0:15:33.320 --> 0:15:36.000
<v Speaker 13>I tell your body who's waiting and been patient, appreciate y'all.

0:15:36.080 --> 0:15:37.360
<v Speaker 5>And you got out in front of it too. That's

0:15:37.360 --> 0:15:38.240
<v Speaker 5>a power of social media.

0:15:38.400 --> 0:15:39.880
<v Speaker 6>As soon as you know it was a delay, you

0:15:39.960 --> 0:15:42.000
<v Speaker 6>hear everybody up on ig it's gonna be a delay,

0:15:42.160 --> 0:15:42.880
<v Speaker 6>and that ain't.

0:15:42.640 --> 0:15:43.760
<v Speaker 12>No exactly, you know.

0:15:44.240 --> 0:15:46.840
<v Speaker 7>I feel like the game needs Joey Badass, mostly because

0:15:47.480 --> 0:15:50.240
<v Speaker 7>I think, you know, I do high level conversations.

0:15:50.280 --> 0:15:51.680
<v Speaker 8>I feel like your music high level.

0:15:52.000 --> 0:15:54.880
<v Speaker 7>And plus it's in a lane where there's a lot

0:15:54.920 --> 0:15:57.000
<v Speaker 7>of shit that's out there, but it ain't nothing to

0:15:57.080 --> 0:15:58.240
<v Speaker 7>allow you to kind of you.

0:15:58.280 --> 0:16:00.960
<v Speaker 8>Got a masculine energy feeling. I think you bring that

0:16:01.040 --> 0:16:01.560
<v Speaker 8>to the game.

0:16:02.040 --> 0:16:06.680
<v Speaker 7>And you know the music is is high energy, which

0:16:06.680 --> 0:16:08.920
<v Speaker 7>if you're talking about something, what's you believe that you

0:16:09.080 --> 0:16:09.880
<v Speaker 7>representing the game?

0:16:09.960 --> 0:16:12.040
<v Speaker 8>Know as Joey Badass, I think.

0:16:11.920 --> 0:16:14.840
<v Speaker 11>I represented call the higher consciousness. You know what I'm saying.

0:16:15.120 --> 0:16:20.680
<v Speaker 13>I represent open mindedness, I represent unity, and I represent

0:16:21.120 --> 0:16:25.040
<v Speaker 13>you know, yeah, just broad a thinking man, higher level shit,

0:16:25.120 --> 0:16:25.760
<v Speaker 13>you know what I'm saying.

0:16:25.880 --> 0:16:28.200
<v Speaker 11>Like we we about expansion over here, you know what

0:16:28.240 --> 0:16:28.520
<v Speaker 11>I mean.

0:16:28.680 --> 0:16:32.000
<v Speaker 13>Like my whole experience as a musician, as an actor,

0:16:32.440 --> 0:16:35.000
<v Speaker 13>I've seen them try to marginalize us as a people,

0:16:35.080 --> 0:16:37.800
<v Speaker 13>as a culture, and you know, I'm here to double

0:16:37.880 --> 0:16:39.400
<v Speaker 13>down on the fact that we oceans.

0:16:39.400 --> 0:16:41.440
<v Speaker 11>We ain't swimming pools, you know what I mean.

0:16:41.760 --> 0:16:45.520
<v Speaker 13>We've asked and unpredictable, you know what I'm saying, and

0:16:45.560 --> 0:16:47.640
<v Speaker 13>there's no limitations to what we're doing.

0:16:47.760 --> 0:16:51.520
<v Speaker 2>So my last question from a business standpoint, you being

0:16:51.600 --> 0:16:54.440
<v Speaker 2>independent going to a major What made you do that?

0:16:54.760 --> 0:16:58.160
<v Speaker 2>And how has it changed as far as the business

0:16:58.240 --> 0:17:01.040
<v Speaker 2>dynamics is being an independent artist in on a major label.

0:17:01.120 --> 0:17:03.600
<v Speaker 13>First of all, great question, you know, because my whole

0:17:03.680 --> 0:17:06.159
<v Speaker 13>foundation is built on independence, you know what I mean.

0:17:06.280 --> 0:17:09.080
<v Speaker 13>That's that's like my call of fame right there. So

0:17:09.480 --> 0:17:12.240
<v Speaker 13>my decision on going with a major was me getting

0:17:12.280 --> 0:17:14.520
<v Speaker 13>to a point in my career where I created enough

0:17:14.640 --> 0:17:17.680
<v Speaker 13>leverage where I was able to find a partner and

0:17:17.800 --> 0:17:19.440
<v Speaker 13>be able to ask for the things that I want

0:17:19.600 --> 0:17:22.480
<v Speaker 13>and that I deserve, where you know, it didn't slight me.

0:17:22.840 --> 0:17:23.840
<v Speaker 11>You know what I'm saying. I didn't.

0:17:23.840 --> 0:17:26.600
<v Speaker 13>I didn't have I wasn't giving up the lion's share

0:17:27.000 --> 0:17:30.200
<v Speaker 13>or anything like that, so you know, and also also

0:17:31.359 --> 0:17:35.000
<v Speaker 13>as independence as creatives, this there's this bust, so much

0:17:35.040 --> 0:17:38.000
<v Speaker 13>we could do until we reach a glass ceiling. It's

0:17:38.040 --> 0:17:40.280
<v Speaker 13>like being a painter, you could sell all your your

0:17:40.400 --> 0:17:44.879
<v Speaker 13>artworks right out of your your photo studio, but eventually

0:17:45.560 --> 0:17:48.359
<v Speaker 13>it's just word of mouth. Whereas you go partner with

0:17:48.400 --> 0:17:50.239
<v Speaker 13>a gallery or something like that, and it's like now

0:17:50.280 --> 0:17:52.359
<v Speaker 13>your works is getting out there some more and shit

0:17:52.480 --> 0:17:54.080
<v Speaker 13>like that. So that was that was kind of my

0:17:54.240 --> 0:17:57.320
<v Speaker 13>my decision making. And also like having an escape plan,

0:17:57.840 --> 0:17:59.080
<v Speaker 13>you know what I mean, Like I ain't I ain't

0:17:59.119 --> 0:18:01.520
<v Speaker 13>majoring forever two albums in them out.

0:18:01.840 --> 0:18:02.480
<v Speaker 5>You know what I'm saying.

0:18:02.680 --> 0:18:03.800
<v Speaker 8>Are you studying Web three?

0:18:03.880 --> 0:18:04.040
<v Speaker 2>Any?

0:18:04.520 --> 0:18:06.080
<v Speaker 8>You said what Web three? Where?

0:18:06.480 --> 0:18:08.000
<v Speaker 11>No, I'm not. I'm not too big on the Web

0:18:08.040 --> 0:18:10.680
<v Speaker 11>three NFT game. Like you know, I like to live

0:18:10.720 --> 0:18:12.280
<v Speaker 11>real life, not even.

0:18:12.480 --> 0:18:16.119
<v Speaker 7>Talking about just like utilizing the platform, because when I

0:18:16.200 --> 0:18:18.520
<v Speaker 7>think about independent artists, that's gonna be the best platform.

0:18:18.600 --> 0:18:21.000
<v Speaker 7>The blockchain, you understand me. It's gonna expand what you're

0:18:21.000 --> 0:18:23.159
<v Speaker 7>gonna be able to do. It's basically will allow you

0:18:23.240 --> 0:18:25.600
<v Speaker 7>to circumnavigate having a label because you're gonna be able

0:18:25.640 --> 0:18:27.879
<v Speaker 7>to take those same things. They got an operation and

0:18:28.000 --> 0:18:30.080
<v Speaker 7>automate it for shure you feel me so on the show.

0:18:30.320 --> 0:18:33.119
<v Speaker 7>NFTs are just one phase of the blockchain, but the

0:18:33.240 --> 0:18:35.680
<v Speaker 7>new iteration of the Internet go allowed the creators to

0:18:35.760 --> 0:18:37.720
<v Speaker 7>be able to own it and take advantage of it.

0:18:37.920 --> 0:18:39.480
<v Speaker 11>Right up. Well, I mean, you know, to be honest,

0:18:39.680 --> 0:18:40.960
<v Speaker 11>I got to catch up a bit. You know what

0:18:40.960 --> 0:18:41.320
<v Speaker 11>I'm saying.

0:18:41.320 --> 0:18:44.280
<v Speaker 13>I got I gotta catch up a bit like pandemic.

0:18:44.480 --> 0:18:46.120
<v Speaker 13>I'm out here living real life.

0:18:46.000 --> 0:18:46.439
<v Speaker 11>You know what I mean.

0:18:46.440 --> 0:18:48.400
<v Speaker 13>I got my baby dough at home. I haven't really

0:18:48.440 --> 0:18:50.400
<v Speaker 13>been diving too much into it, you know what I'm saying.

0:18:50.880 --> 0:18:52.800
<v Speaker 13>But I'm with you on that and with you on that,

0:18:52.920 --> 0:18:53.680
<v Speaker 13>but I appreciate that.

0:18:53.840 --> 0:18:56.439
<v Speaker 6>My last thought is, all as you're talking, who's your

0:18:56.480 --> 0:18:59.959
<v Speaker 6>biggest music influence not named Jay Z? Because when I'm here,

0:19:01.320 --> 0:19:03.879
<v Speaker 6>I got a guy in mind. I'm like, I know that,

0:19:04.000 --> 0:19:06.720
<v Speaker 6>I know that I'm here. I'm like, yo, I feel

0:19:06.760 --> 0:19:08.399
<v Speaker 6>like there's a Rock Kim influence here.

0:19:08.720 --> 0:19:11.040
<v Speaker 11>For show for show. I love Rock Kim, you know

0:19:11.080 --> 0:19:11.560
<v Speaker 11>what I'm saying.

0:19:12.400 --> 0:19:14.359
<v Speaker 13>For me, what I love about Rock Kim is more

0:19:14.480 --> 0:19:17.560
<v Speaker 13>like the energy and the spirit and the embodiment of

0:19:17.840 --> 0:19:19.840
<v Speaker 13>just you know what I'm saying, being high level and

0:19:20.000 --> 0:19:23.800
<v Speaker 13>being like focusing on your dean, you know what I'm saying,

0:19:23.880 --> 0:19:27.720
<v Speaker 13>and not having a It's about intequity over success, you know,

0:19:27.840 --> 0:19:29.600
<v Speaker 13>because that's what I value, you know what I mean?

0:19:29.760 --> 0:19:32.680
<v Speaker 11>So yeah, for sure, but I was apart from Jake,

0:19:34.600 --> 0:19:35.600
<v Speaker 11>I gotta get it to life.

0:19:36.680 --> 0:19:41.600
<v Speaker 2>Nah, I can see the early ellmatic Ye see that,

0:19:41.720 --> 0:19:42.360
<v Speaker 2>I can see.

0:19:42.160 --> 0:19:42.600
<v Speaker 5>You know nothing.

0:19:42.680 --> 0:19:45.879
<v Speaker 11>That's my big bunk for with you know. Yeah, Like

0:19:45.960 --> 0:19:47.919
<v Speaker 11>I'm great for that out of relationship with him, you.

0:19:47.920 --> 0:19:48.320
<v Speaker 10>Know what I mean?

0:19:48.440 --> 0:19:49.960
<v Speaker 11>Like I literally call him the city.

0:19:51.320 --> 0:19:51.920
<v Speaker 2>Appreciate it.

0:19:51.960 --> 0:19:54.159
<v Speaker 5>Brothers, My dog days are coming over.

0:19:54.359 --> 0:19:57.200
<v Speaker 2>Neil, Welcome back, Welcome back, brother. First of all, this

0:19:57.320 --> 0:19:59.159
<v Speaker 2>is a reunion. Last time we saw you with invest

0:19:59.200 --> 0:20:03.800
<v Speaker 2>Fest VIP nighted today for the stage down. So I

0:20:03.880 --> 0:20:05.600
<v Speaker 2>want to I want to formally thank you for that, man,

0:20:05.600 --> 0:20:06.240
<v Speaker 2>I was so for me.

0:20:06.760 --> 0:20:09.399
<v Speaker 14>I had a great time brother. Indeed, indeed appreciate you

0:20:09.560 --> 0:20:10.560
<v Speaker 14>having me no problem.

0:20:10.640 --> 0:20:10.800
<v Speaker 11>Man.

0:20:11.080 --> 0:20:14.080
<v Speaker 2>So you as like a legacy artist at this point,

0:20:14.720 --> 0:20:16.400
<v Speaker 2>which is crazy because I grew up on your music.

0:20:16.480 --> 0:20:18.639
<v Speaker 2>So now it's like you're a legacy artist. How do

0:20:18.720 --> 0:20:23.320
<v Speaker 2>you how do you maintain your your relevancy? And almost

0:20:23.440 --> 0:20:25.040
<v Speaker 2>what twenty is in the game fifteen?

0:20:25.960 --> 0:20:28.600
<v Speaker 15>We almost at twenty. Yeah, we almost at the twenty mark,

0:20:29.680 --> 0:20:29.840
<v Speaker 15>you know.

0:20:30.080 --> 0:20:30.199
<v Speaker 8>Man.

0:20:30.280 --> 0:20:33.680
<v Speaker 14>For me, it's it's always been about acknowledging the trend,

0:20:33.760 --> 0:20:35.720
<v Speaker 14>but not following it, you know what I mean. Like,

0:20:35.920 --> 0:20:37.720
<v Speaker 14>I think a lot of these young casts don't realize

0:20:37.720 --> 0:20:40.520
<v Speaker 14>that trends are meant to come and go, and if

0:20:40.560 --> 0:20:43.600
<v Speaker 14>you attach your artistry, if you attach yourself to that trend,

0:20:43.960 --> 0:20:46.520
<v Speaker 14>once that trend leaves, you kind of leave with it,

0:20:46.720 --> 0:20:48.720
<v Speaker 14>you know what I mean. So I've always tried to

0:20:48.720 --> 0:20:51.119
<v Speaker 14>attach myself to things that aren't going anywhere, up to

0:20:51.240 --> 0:20:54.440
<v Speaker 14>sound going anywhere. Sound of a guitar is never going anywhere.

0:20:54.800 --> 0:20:57.160
<v Speaker 14>Love is a feeling, as an emotion, as a move,

0:20:57.160 --> 0:20:58.680
<v Speaker 14>and that it ain't going nowhere. It might be the

0:20:58.720 --> 0:21:00.399
<v Speaker 14>most popular thing right now, because you know, it is

0:21:00.440 --> 0:21:03.080
<v Speaker 14>what it is, but it's never gonna go out of style.

0:21:03.440 --> 0:21:05.080
<v Speaker 14>It's never there's never gonna be a time where it's

0:21:05.119 --> 0:21:07.399
<v Speaker 14>like we don't need love. We always need love. We

0:21:07.440 --> 0:21:10.119
<v Speaker 14>will forever need love, and we will forever need love songs.

0:21:10.400 --> 0:21:12.680
<v Speaker 14>And as long as that's the case, Neil will forever

0:21:12.720 --> 0:21:13.119
<v Speaker 14>be around.

0:21:13.960 --> 0:21:15.719
<v Speaker 6>I think I'm glad you said that, because that's one

0:21:15.760 --> 0:21:18.600
<v Speaker 6>of the many talents you started as a songwriter, became

0:21:18.640 --> 0:21:19.880
<v Speaker 6>a worldwide success.

0:21:19.600 --> 0:21:20.280
<v Speaker 5>As an artist.

0:21:20.680 --> 0:21:22.520
<v Speaker 6>But at these times, now do you go back to

0:21:22.600 --> 0:21:24.760
<v Speaker 6>the original talent, like I see it as an artist

0:21:24.840 --> 0:21:26.240
<v Speaker 6>out there, they could be great.

0:21:26.600 --> 0:21:28.520
<v Speaker 5>They need that Neo Penn is.

0:21:28.520 --> 0:21:29.920
<v Speaker 15>That I I mean that.

0:21:30.040 --> 0:21:31.600
<v Speaker 14>That may not, that may not be the mind state

0:21:31.640 --> 0:21:34.000
<v Speaker 14>as to why I do it. But at the same time,

0:21:34.280 --> 0:21:36.360
<v Speaker 14>I've I'll never not write, you know what I'm saying.

0:21:36.400 --> 0:21:38.760
<v Speaker 14>That's that's that's therapy for me, you know, if it's

0:21:39.160 --> 0:21:41.879
<v Speaker 14>I've always been better putting it down on paper as

0:21:41.880 --> 0:21:43.480
<v Speaker 14>opposed to even saying it out of my mouth. So,

0:21:43.920 --> 0:21:47.119
<v Speaker 14>you know, whenever I get into that place where I'm

0:21:47.160 --> 0:21:50.119
<v Speaker 14>Superman in my family, right, so whenever Superman needs saving,

0:21:50.800 --> 0:21:52.960
<v Speaker 14>I get in my pad and I'm good again. You

0:21:53.000 --> 0:21:54.879
<v Speaker 14>know what, I mean, that's that's that's always been my therapy.

0:21:54.960 --> 0:21:56.879
<v Speaker 14>So the fact that I can do it as a

0:21:56.960 --> 0:21:59.040
<v Speaker 14>career and make money doing it, that's just French benefit.

0:21:59.520 --> 0:22:01.439
<v Speaker 14>I'm saying, because of it, you know what I mean,

0:22:01.880 --> 0:22:03.560
<v Speaker 14>Like I'm stable because of it.

0:22:04.119 --> 0:22:06.880
<v Speaker 7>Now, do you think we headed to a place where

0:22:07.920 --> 0:22:11.000
<v Speaker 7>because R and B is one of those genres that

0:22:12.000 --> 0:22:15.399
<v Speaker 7>it's forever needed. Number One, we're very love for society.

0:22:15.400 --> 0:22:17.680
<v Speaker 7>We ain't got enough love in the culture. You understand me,

0:22:17.760 --> 0:22:20.119
<v Speaker 7>And I think R and B is probably something that

0:22:20.200 --> 0:22:22.159
<v Speaker 7>we need to listen to even more. And recently we

0:22:22.280 --> 0:22:25.320
<v Speaker 7>sing Drake and Beyonce do like house music and a

0:22:25.400 --> 0:22:27.320
<v Speaker 7>lot of people in dance music and a lot of

0:22:27.359 --> 0:22:30.040
<v Speaker 7>people were saying, well, this was actually a good thing

0:22:30.080 --> 0:22:31.760
<v Speaker 7>because it's a break from what we get. A lot

0:22:31.840 --> 0:22:34.480
<v Speaker 7>of music is dark in these days. What is R

0:22:34.560 --> 0:22:37.160
<v Speaker 7>and B or what is the future of music as

0:22:37.200 --> 0:22:38.320
<v Speaker 7>a therapy for the culture?

0:22:38.600 --> 0:22:39.240
<v Speaker 8>You understand me?

0:22:39.240 --> 0:22:41.760
<v Speaker 7>And specifically, like, what's your intention you put in the

0:22:41.840 --> 0:22:43.200
<v Speaker 7>music as far as what you want to spread?

0:22:44.440 --> 0:22:46.399
<v Speaker 14>Well, I mean I've been I've been about love from

0:22:46.440 --> 0:22:49.080
<v Speaker 14>the very beginning, or should I say the black, white

0:22:49.119 --> 0:22:52.560
<v Speaker 14>and gray of love? Because you know you can't appreciate

0:22:52.640 --> 0:22:54.640
<v Speaker 14>the highs of love if you can't acknowledge the lows

0:22:54.680 --> 0:22:56.840
<v Speaker 14>of love, like they both exist for a reason.

0:22:56.920 --> 0:22:58.200
<v Speaker 15>It's like Yin and yang, you know.

0:23:00.160 --> 0:23:04.360
<v Speaker 14>So I'm trying to make sure that anybody going through

0:23:04.400 --> 0:23:06.719
<v Speaker 14>a heartbreak or anybody going through anything like that, knows

0:23:06.760 --> 0:23:09.639
<v Speaker 14>and understands that they're not alone. You don't nobody you

0:23:10.040 --> 0:23:13.640
<v Speaker 14>going through it, but it ain't just you. I'm going

0:23:13.680 --> 0:23:15.040
<v Speaker 14>through it too, you know what I'm saying. That's what

0:23:15.119 --> 0:23:17.000
<v Speaker 14>the song says to them, and what the song also

0:23:17.040 --> 0:23:19.560
<v Speaker 14>does is give them a soundtrack to what it is

0:23:19.720 --> 0:23:22.040
<v Speaker 14>is happening. You know, I'm depressed, I feel bad right now.

0:23:22.080 --> 0:23:23.840
<v Speaker 14>I need I need a song that's gonna pull me up.

0:23:24.160 --> 0:23:26.360
<v Speaker 14>I got that for you or you know what I'm saying.

0:23:26.400 --> 0:23:28.399
<v Speaker 14>I just feel like being in my feeling today is raining.

0:23:28.440 --> 0:23:29.920
<v Speaker 14>I want to just be in this place. I got

0:23:29.960 --> 0:23:32.560
<v Speaker 14>that for you too. That's what my music has always been,

0:23:32.920 --> 0:23:35.720
<v Speaker 14>you know, put the song on and apply it to

0:23:35.840 --> 0:23:36.600
<v Speaker 14>your life accordingly.

0:23:36.680 --> 0:23:37.760
<v Speaker 15>That's what a neo record is.

0:23:38.680 --> 0:23:43.080
<v Speaker 2>So when did you let me ask you this? As

0:23:43.119 --> 0:23:46.280
<v Speaker 2>far as balancing business and music, right, a lot of

0:23:46.320 --> 0:23:50.719
<v Speaker 2>people say they get turned off from creating because they

0:23:50.800 --> 0:23:53.480
<v Speaker 2>have to deal with the business side. Did you ever

0:23:53.560 --> 0:23:57.159
<v Speaker 2>have that experience and how has your experience been navigating

0:23:57.240 --> 0:23:59.640
<v Speaker 2>being a creative and being a businessman at the same song.

0:24:00.200 --> 0:24:02.600
<v Speaker 11>So this is a new way to segue into the

0:24:02.720 --> 0:24:03.200
<v Speaker 11>new album.

0:24:03.480 --> 0:24:07.000
<v Speaker 15>It's July fifteenth, self explanatory and now the album.

0:24:08.720 --> 0:24:11.680
<v Speaker 14>I've been writing on this album since twenty eighteen, since

0:24:11.720 --> 0:24:14.439
<v Speaker 14>before the pandemic, and a lot of the reason aside

0:24:14.480 --> 0:24:16.600
<v Speaker 14>from the pandemic, a lot of reason why so long

0:24:17.000 --> 0:24:18.720
<v Speaker 14>is because I fell into that place where it was like,

0:24:19.240 --> 0:24:20.600
<v Speaker 14>all right, this is a good song, but is it

0:24:20.680 --> 0:24:23.640
<v Speaker 14>rhythmic enough, is it popping up? Is it urban enough?

0:24:24.040 --> 0:24:25.960
<v Speaker 14>And then I'm looking at like I'm looking at the format.

0:24:26.000 --> 0:24:30.920
<v Speaker 14>It's like, all right, the sounds changed. I ain't getting

0:24:30.960 --> 0:24:33.920
<v Speaker 14>no younger. Do I fit still? Is there even a

0:24:33.960 --> 0:24:36.640
<v Speaker 14>place for me in this still fell into that place

0:24:36.920 --> 0:24:40.040
<v Speaker 14>and it took a major, major toll on just my creativity.

0:24:40.040 --> 0:24:42.400
<v Speaker 14>I couldn't write nothing like because I'm second guessing everything

0:24:42.440 --> 0:24:44.760
<v Speaker 14>I'm doing. I had to finally get to that place

0:24:44.800 --> 0:24:46.560
<v Speaker 14>where I realized it, Man, I've never been in the

0:24:46.680 --> 0:24:49.040
<v Speaker 14>business for the business of selling records.

0:24:49.520 --> 0:24:51.960
<v Speaker 15>That's not what I do. Record label sell records, I

0:24:52.040 --> 0:24:53.840
<v Speaker 15>am not a record label. I'm an artist. I'm a writer.

0:24:53.960 --> 0:24:56.800
<v Speaker 14>I'm a singer. My only obligation is to put my

0:24:56.960 --> 0:24:58.879
<v Speaker 14>heart and soul into this music.

0:24:59.280 --> 0:24:59.600
<v Speaker 15>That's it.

0:25:00.000 --> 0:25:02.879
<v Speaker 14>Once I got back there, the songs just pour it

0:25:02.920 --> 0:25:04.359
<v Speaker 14>out of me. So I got back to that. I

0:25:04.400 --> 0:25:06.600
<v Speaker 14>got back to a good place. The business side of

0:25:06.640 --> 0:25:09.600
<v Speaker 14>this will steal the joy of the side if you

0:25:09.800 --> 0:25:10.040
<v Speaker 14>let it.

0:25:10.720 --> 0:25:13.159
<v Speaker 15>Now at the same time, to do this and not

0:25:13.320 --> 0:25:14.919
<v Speaker 15>know that it's a business, it's just stupid.

0:25:15.040 --> 0:25:16.960
<v Speaker 2>That's just no one.

0:25:16.920 --> 0:25:20.080
<v Speaker 14>Understands that there is millions upon millions upon hundreds of

0:25:20.080 --> 0:25:23.000
<v Speaker 14>millions of dollars made with this, So you can't ignore

0:25:23.040 --> 0:25:25.080
<v Speaker 14>the fact that it's a business. But what you don't

0:25:25.119 --> 0:25:28.160
<v Speaker 14>do is take the business into the studio. You don't

0:25:28.200 --> 0:25:29.600
<v Speaker 14>go in the studio and all right, today we're going

0:25:29.640 --> 0:25:32.399
<v Speaker 14>to write a pop song, y'all. Because it'll never happen

0:25:32.520 --> 0:25:34.159
<v Speaker 14>like that. You got to go in the studio and

0:25:34.240 --> 0:25:37.040
<v Speaker 14>do what your artistic integrity lets you do and then

0:25:37.119 --> 0:25:38.920
<v Speaker 14>let the people that do that figure out where it's

0:25:38.920 --> 0:25:40.760
<v Speaker 14>supposed to fall. Okay, you did a pop record today,

0:25:41.040 --> 0:25:42.800
<v Speaker 14>I know where to take this. You did the rhythmic

0:25:42.840 --> 0:25:44.159
<v Speaker 14>records today, all right, I know where to take this

0:25:44.680 --> 0:25:47.880
<v Speaker 14>in the creative process. It's just about creation, bro, It's

0:25:47.960 --> 0:25:50.680
<v Speaker 14>just about art. Let it be about that, Let it

0:25:50.720 --> 0:25:53.159
<v Speaker 14>be Let that be your joyous spot, and then let

0:25:53.200 --> 0:25:54.920
<v Speaker 14>the people that do that do that.

0:25:55.359 --> 0:25:57.000
<v Speaker 15>At least that's been my philosophy of it.

0:25:57.160 --> 0:25:58.720
<v Speaker 5>Yeah, so you said this, I mean it's only on

0:25:58.880 --> 0:26:01.000
<v Speaker 5>twenty years, Like, yeah, we grew up on the music.

0:26:01.080 --> 0:26:02.160
<v Speaker 11>Yeah, but it has changed.

0:26:02.359 --> 0:26:05.280
<v Speaker 6>And so I wonder now, is there artists that you

0:26:05.440 --> 0:26:07.879
<v Speaker 6>listen to that inspire you the music and say, like,

0:26:08.160 --> 0:26:10.680
<v Speaker 6>I like this all right, I can hear what they're

0:26:10.680 --> 0:26:12.800
<v Speaker 6>going with, Or when you're getting in that process of

0:26:12.880 --> 0:26:15.720
<v Speaker 6>writing for the new album, did you go back in

0:26:15.880 --> 0:26:19.399
<v Speaker 6>time to eighties or seventies sounds to be like I

0:26:19.480 --> 0:26:20.680
<v Speaker 6>needed that to inspire me.

0:26:21.640 --> 0:26:23.240
<v Speaker 15>I can honestly say a little bit of both, a

0:26:23.240 --> 0:26:24.480
<v Speaker 15>little bit of both, because.

0:26:24.240 --> 0:26:29.040
<v Speaker 14>Again, you can't you can't ignore what's happening right now,

0:26:29.600 --> 0:26:31.359
<v Speaker 14>Like you can't call yourself a music person and ignore

0:26:31.400 --> 0:26:33.920
<v Speaker 14>what's happening right now. But at the same time, you

0:26:34.080 --> 0:26:37.280
<v Speaker 14>also can't try to transform yourself into what's happening right now,

0:26:37.359 --> 0:26:39.840
<v Speaker 14>because it's happening right now, you know what I mean, Like,

0:26:39.960 --> 0:26:42.560
<v Speaker 14>I'm forty two years old. There's some things that are

0:26:42.600 --> 0:26:44.159
<v Speaker 14>being said in some of these records that it's just

0:26:44.200 --> 0:26:47.200
<v Speaker 14>gonna sound stupid if I say I'm aware of that.

0:26:47.280 --> 0:26:49.000
<v Speaker 15>I acknowledge that, And I ain't even mad at that.

0:26:49.160 --> 0:26:49.760
<v Speaker 15>You know what I'm saying.

0:26:49.800 --> 0:26:52.880
<v Speaker 14>I'm I'm always gonna give you the metaphor that's gonna

0:26:52.880 --> 0:26:54.640
<v Speaker 14>make you think a little bit to get to where

0:26:54.920 --> 0:26:56.480
<v Speaker 14>that to get to where you got with that, you

0:26:56.520 --> 0:26:58.479
<v Speaker 14>know what I'm saying. That's always gonna be my thing.

0:26:58.920 --> 0:27:02.720
<v Speaker 14>But at the same time, I can't. I can't say

0:27:03.280 --> 0:27:04.879
<v Speaker 14>that it's not young cats out here doing it like

0:27:04.960 --> 0:27:08.600
<v Speaker 14>the boy Blue, he's making moves. I cannot acknowledge that,

0:27:09.000 --> 0:27:12.600
<v Speaker 14>Lucky Day making moves. Give you on making moves.

0:27:12.800 --> 0:27:14.440
<v Speaker 15>I can't. I can't ignore that, you know.

0:27:14.600 --> 0:27:16.639
<v Speaker 14>So I listen to these cats and and and I

0:27:16.760 --> 0:27:19.680
<v Speaker 14>kind of I'm almost kind of taking back to my beginnings,

0:27:19.720 --> 0:27:20.880
<v Speaker 14>Like I know where you're at right now.

0:27:21.280 --> 0:27:22.720
<v Speaker 15>I know the excitement you're feeling right.

0:27:22.680 --> 0:27:25.720
<v Speaker 5>Now, Hotel. I'm thinking like that's one of the records.

0:27:26.680 --> 0:27:28.359
<v Speaker 14>Shout out to that boy by the way, give I

0:27:28.400 --> 0:27:29.000
<v Speaker 14>love his tone.

0:27:29.440 --> 0:27:30.439
<v Speaker 15>You see, don't sound like.

0:27:30.520 --> 0:27:34.600
<v Speaker 8>What's I kind of got a two part question.

0:27:34.840 --> 0:27:39.879
<v Speaker 7>First part is do you recognize the metaphysical aspect of music,

0:27:40.240 --> 0:27:42.840
<v Speaker 7>You understand me, Like you know we water beings. So

0:27:43.040 --> 0:27:45.280
<v Speaker 7>music as a frequency and trage you like once you

0:27:45.400 --> 0:27:48.520
<v Speaker 7>put a motion, emotion into something that gets stuck into

0:27:48.560 --> 0:27:50.720
<v Speaker 7>a person as they listen to it. Like a person

0:27:50.800 --> 0:27:52.760
<v Speaker 7>may listen to your words and your voice and your

0:27:52.920 --> 0:27:55.879
<v Speaker 7>energy a thousand times. They may listen to our podcast

0:27:56.080 --> 0:27:57.600
<v Speaker 7>or media once or twice.

0:27:57.960 --> 0:27:58.639
<v Speaker 8>You understand me.

0:27:58.760 --> 0:28:02.000
<v Speaker 7>Do you recognize that power metaphysically that music has as

0:28:02.080 --> 0:28:04.680
<v Speaker 7>you're going into it with that intention? And then too,

0:28:04.840 --> 0:28:08.640
<v Speaker 7>do you plan on in the future utilizing like NF

0:28:08.720 --> 0:28:12.200
<v Speaker 7>teen's Web three blockchain to really monetize your music in

0:28:12.240 --> 0:28:13.800
<v Speaker 7>a different way to go direct to consumer.

0:28:16.040 --> 0:28:19.480
<v Speaker 14>Gee two parts. So yes, I'm definitely aware of that.

0:28:19.560 --> 0:28:22.639
<v Speaker 14>I'm definitely aware of the music's power.

0:28:23.040 --> 0:28:23.240
<v Speaker 7>You know.

0:28:23.520 --> 0:28:26.760
<v Speaker 14>Uh, sound is frequency, frequency is vibration, and all of

0:28:26.760 --> 0:28:30.040
<v Speaker 14>these things affect us, affect ourselves, affects us on the inside.

0:28:30.080 --> 0:28:31.720
<v Speaker 14>It ain't just I listen to this song and I

0:28:31.920 --> 0:28:33.960
<v Speaker 14>like it. It's I listen to this song and it

0:28:34.359 --> 0:28:36.320
<v Speaker 14>does something. It affects me. I get goosebumps or whatever

0:28:36.359 --> 0:28:39.440
<v Speaker 14>the case may be. It's because of vibration, frequency things.

0:28:39.440 --> 0:28:43.280
<v Speaker 14>So I'm very aware of how powerful that is. I'm

0:28:43.360 --> 0:28:45.680
<v Speaker 14>aware of how some cats have used it the wrong way.

0:28:46.280 --> 0:28:48.160
<v Speaker 14>You know, you put a frequency in your record that

0:28:48.240 --> 0:28:51.640
<v Speaker 14>makes people addicted to it, but it's not feeding them anything.

0:28:51.720 --> 0:28:54.880
<v Speaker 14>It's just it's just making it's just creating craving Like

0:28:55.000 --> 0:28:56.160
<v Speaker 14>that's that's almost backwards.

0:28:56.560 --> 0:28:58.200
<v Speaker 15>I just crave, I just crave, I just crave. Well,

0:28:58.240 --> 0:28:58.840
<v Speaker 15>what do you crave?

0:28:58.920 --> 0:29:01.160
<v Speaker 14>I'm trying to get you to music that's going to

0:29:01.200 --> 0:29:02.720
<v Speaker 14>get you to crave the right thing that's going to

0:29:02.760 --> 0:29:04.880
<v Speaker 14>get you to crave that thing that's gonna make yourselves

0:29:04.920 --> 0:29:06.320
<v Speaker 14>move the where they need to move, you know what

0:29:06.360 --> 0:29:06.600
<v Speaker 14>I mean.

0:29:06.680 --> 0:29:07.880
<v Speaker 15>That's that's what I'm always shooting for.

0:29:08.120 --> 0:29:10.000
<v Speaker 14>And as far as NFTs and all of that stuff,

0:29:10.000 --> 0:29:13.720
<v Speaker 14>I'm definitely in that world, not as heavy as I

0:29:13.760 --> 0:29:16.440
<v Speaker 14>would like to be, And it's mainly just a standpoint

0:29:16.480 --> 0:29:18.360
<v Speaker 14>of sitting still long enough to get the information, to

0:29:18.440 --> 0:29:19.560
<v Speaker 14>get together the knowledge.

0:29:20.000 --> 0:29:22.440
<v Speaker 15>But I see what that is. I see the potential

0:29:22.520 --> 0:29:22.680
<v Speaker 15>in that.

0:29:23.320 --> 0:29:26.360
<v Speaker 14>You know, right now, NFTs is something that you can't

0:29:26.360 --> 0:29:28.560
<v Speaker 14>even touch, you know, it's it's it's intangible. But in

0:29:28.640 --> 0:29:31.480
<v Speaker 14>a minute, you about to see houses as NFTs, You

0:29:31.520 --> 0:29:34.000
<v Speaker 14>about to see whole records as NFTs like it's it's

0:29:34.040 --> 0:29:35.760
<v Speaker 14>about to that's what's that's where we're about to go.

0:29:35.880 --> 0:29:36.560
<v Speaker 15>I see it happening.

0:29:36.840 --> 0:29:40.680
<v Speaker 2>So last question before we wrap, I will actually I

0:29:40.840 --> 0:29:44.120
<v Speaker 2>want you to tell people about the new music, because yeah,

0:29:44.800 --> 0:29:47.120
<v Speaker 2>like I said, I grew up on it, the old music,

0:29:47.440 --> 0:29:49.280
<v Speaker 2>but I'm looking forward to the new music. So what

0:29:49.360 --> 0:29:51.400
<v Speaker 2>can we be looking forward to on a new project?

0:29:51.840 --> 0:29:54.080
<v Speaker 14>Gopy that so self explanatory is the name of the

0:29:54.120 --> 0:29:56.320
<v Speaker 14>new album, and I called it that simply because the

0:29:56.440 --> 0:29:59.560
<v Speaker 14>music speaks for itself. It doesn't really need much explanation.

0:29:59.800 --> 0:30:01.280
<v Speaker 14>On top of the fact that I've been here almost

0:30:01.280 --> 0:30:02.880
<v Speaker 14>twenty years, I feel like y'all should know me at

0:30:02.920 --> 0:30:03.200
<v Speaker 14>this point.

0:30:03.240 --> 0:30:05.000
<v Speaker 15>I shouldn't have to explain who I am, what I am,

0:30:05.080 --> 0:30:07.760
<v Speaker 15>what I do. On this album.

0:30:07.880 --> 0:30:10.720
<v Speaker 14>You will find acknowledgment of what's going on right now

0:30:11.840 --> 0:30:14.680
<v Speaker 14>with my spin on it, and but you will also find,

0:30:15.000 --> 0:30:16.960
<v Speaker 14>you know, that song for the diehard fan, that person

0:30:17.000 --> 0:30:20.000
<v Speaker 14>that's been there since stay and the vibe and energy

0:30:20.040 --> 0:30:22.000
<v Speaker 14>that they look for. I'm always trying to please all

0:30:22.000 --> 0:30:23.280
<v Speaker 14>the people at the same time, and I know that

0:30:23.360 --> 0:30:28.600
<v Speaker 14>that's virtually impossible, but damn it, I'm gonna keep doing

0:30:28.640 --> 0:30:30.880
<v Speaker 14>what I do for who's listening and who cares?

0:30:30.960 --> 0:30:33.440
<v Speaker 15>And and uh yeah, yeah that's what it is.

0:30:33.480 --> 0:30:37.560
<v Speaker 2>Brother hedio record, Uh put you on the spot.

0:30:37.880 --> 0:30:41.360
<v Speaker 5>I mean, so sick is up there, but uh sech

0:30:41.400 --> 0:30:43.160
<v Speaker 5>and love problems such.

0:30:43.040 --> 0:30:46.280
<v Speaker 11>And love good taste, good taste, Miss independent.

0:30:46.480 --> 0:30:51.720
<v Speaker 15>Indeed, I appreciate that love rump and shot.

0:30:51.800 --> 0:30:55.719
<v Speaker 8>Come on, man, it's certain songs that made me think

0:30:55.760 --> 0:30:56.240
<v Speaker 8>I could sing.

0:30:57.560 --> 0:30:59.760
<v Speaker 16>That's why you know it's a good record to do

0:31:00.080 --> 0:31:02.000
<v Speaker 16>you see like you feel?

0:31:02.240 --> 0:31:02.840
<v Speaker 2>Might sound good?

0:31:02.920 --> 0:31:03.160
<v Speaker 5>Right man?

0:31:04.200 --> 0:31:05.240
<v Speaker 15>Somebody got Neil for me?

0:31:06.080 --> 0:31:09.560
<v Speaker 5>I'm throw one back at you. Best swing that neo

0:31:09.800 --> 0:31:11.720
<v Speaker 5>rope ah.

0:31:15.120 --> 0:31:20.480
<v Speaker 2>A little bit for there's a couple of you got one?

0:31:22.240 --> 0:31:22.640
<v Speaker 5>How about this?

0:31:22.760 --> 0:31:24.680
<v Speaker 6>I do we saw one of the guys before in

0:31:24.720 --> 0:31:27.800
<v Speaker 6>that record last night last night, I wasn't there.

0:31:29.600 --> 0:31:30.920
<v Speaker 2>Damn, let's refrain.

0:31:31.760 --> 0:31:36.680
<v Speaker 15>You saw the winner. Talk saw the winner that replaced

0:31:36.680 --> 0:31:37.680
<v Speaker 15>the versus the.

0:31:38.720 --> 0:31:42.560
<v Speaker 5>The Marrio joints to this is replaceable, but it's not replaceable.

0:31:42.600 --> 0:31:46.040
<v Speaker 2>But let me love you irreplaceable irreplaceable?

0:31:46.200 --> 0:31:47.960
<v Speaker 5>Wow, which one is your favorite?

0:31:49.160 --> 0:31:49.440
<v Speaker 15>Damn?

0:31:50.880 --> 0:31:53.480
<v Speaker 14>I mean they both equated to really quality Christmases. I

0:31:53.520 --> 0:31:56.520
<v Speaker 14>will say that really good Christmas is off of both

0:31:56.560 --> 0:31:57.120
<v Speaker 14>of those records.

0:31:57.160 --> 0:31:59.920
<v Speaker 15>Still it is Day, It is Day. Yeah, my kids

0:32:00.200 --> 0:32:00.920
<v Speaker 15>love those songs.

0:32:02.840 --> 0:32:05.320
<v Speaker 14>If I had to choose one over the other, probably

0:32:05.400 --> 0:32:08.320
<v Speaker 14>probably irreplaceable, only because it was a learning experience for me,

0:32:08.480 --> 0:32:09.760
<v Speaker 14>you know what I mean. Like I wrote the song

0:32:09.840 --> 0:32:13.360
<v Speaker 14>with the intent to keep it and learned that certain lyrics,

0:32:14.200 --> 0:32:17.200
<v Speaker 14>the the person delivering the message matters.

0:32:17.600 --> 0:32:18.160
<v Speaker 15>Sometimes.

0:32:18.560 --> 0:32:20.760
<v Speaker 14>For example, I can have another you in a minute,

0:32:20.800 --> 0:32:22.360
<v Speaker 14>matter of fact, she'll be here in a minute. From

0:32:22.400 --> 0:32:26.200
<v Speaker 14>a man, sounds a little mean, limosogynistic, but for a

0:32:26.240 --> 0:32:28.160
<v Speaker 14>woman to say I can have another you in a minute,

0:32:28.200 --> 0:32:29.960
<v Speaker 14>matter of fact, he'll be here in a minute, every

0:32:30.000 --> 0:32:31.560
<v Speaker 14>woman in the world is gonna rally behind it, like

0:32:31.600 --> 0:32:36.280
<v Speaker 14>that's my girl, you know what I mean. So that's

0:32:36.320 --> 0:32:42.480
<v Speaker 14>that I learned that lesson through that record. Super Big

0:32:42.560 --> 0:32:46.200
<v Speaker 14>Daddy is a boyfriend for that record. Michael Jackson, Prince,

0:32:46.720 --> 0:32:49.680
<v Speaker 14>I can't, I can't. I can't even do it right, I.

0:32:52.240 --> 0:32:52.440
<v Speaker 2>Tell you.

0:32:52.640 --> 0:32:57.240
<v Speaker 14>So I learned how to sing mimicking Michael Jackson, I

0:32:57.360 --> 0:33:00.960
<v Speaker 14>learned how to perform Mimiican Prince and I've had I've

0:33:01.000 --> 0:33:03.240
<v Speaker 14>had moments with both of them before they passed. I

0:33:03.320 --> 0:33:06.160
<v Speaker 14>got to actually write with For Michael Jackson, we didn't

0:33:06.160 --> 0:33:08.600
<v Speaker 14>get to record the records, but like talking to this

0:33:08.680 --> 0:33:11.000
<v Speaker 14>man regularly and him critiquing the records that I'm writing

0:33:11.080 --> 0:33:14.200
<v Speaker 14>for him, like that was an experience. And then Prince

0:33:15.080 --> 0:33:19.600
<v Speaker 14>my Libra Scale It's probably my worst performing album, and

0:33:19.720 --> 0:33:21.320
<v Speaker 14>I was bummed out. I was messed up about it,

0:33:21.560 --> 0:33:24.280
<v Speaker 14>and we got we got we got invited to Prince's

0:33:24.320 --> 0:33:27.120
<v Speaker 14>Grammy party that year. I remember I was. I was

0:33:27.120 --> 0:33:29.280
<v Speaker 14>psyched about that because huge Prince fans. So we go in,

0:33:29.600 --> 0:33:32.960
<v Speaker 14>he's on stage, he's performing with he sees me. He

0:33:33.040 --> 0:33:36.400
<v Speaker 14>puts his guitar down b lines for me and comes

0:33:36.400 --> 0:33:38.800
<v Speaker 14>to me and says to me, Yo, Libra Scale was

0:33:38.840 --> 0:33:40.960
<v Speaker 14>a good album and don't let anybody tell you different.

0:33:41.800 --> 0:33:43.480
<v Speaker 14>Back up stage and finished what he was doing, and

0:33:43.560 --> 0:33:45.280
<v Speaker 14>that that for me in that moment, because I was

0:33:45.440 --> 0:33:46.600
<v Speaker 14>I was, I was beat up.

0:33:46.720 --> 0:33:47.000
<v Speaker 2>I was.

0:33:47.440 --> 0:33:50.320
<v Speaker 15>I was beat up. Prince liked the album to hell

0:33:50.400 --> 0:33:53.360
<v Speaker 15>with anybody that didn't like it. Look tell what all, y'all, I.

0:33:53.360 --> 0:33:54.720
<v Speaker 5>Gotta give you credit before we go.

0:33:55.680 --> 0:33:59.120
<v Speaker 6>Your versus Battle probably the most slept on but absolutely

0:33:59.160 --> 0:34:00.880
<v Speaker 6>Classicpreciate that class.

0:34:01.200 --> 0:34:02.920
<v Speaker 15>The reason I was there last night with there's some

0:34:03.040 --> 0:34:04.120
<v Speaker 15>some things is in the works.

0:34:04.200 --> 0:34:07.840
<v Speaker 14>We're having some discussions, some discussions about some possibilities.

0:34:07.920 --> 0:34:11.160
<v Speaker 15>Yeah, that's that's talking about it.

0:34:11.200 --> 0:34:11.759
<v Speaker 5>We got to see you.

0:34:12.160 --> 0:34:15.320
<v Speaker 15>You know why y'all are here. Okay, So if I

0:34:15.440 --> 0:34:16.400
<v Speaker 15>was to do it again.

0:34:17.080 --> 0:34:19.400
<v Speaker 2>Who who I want to see you against?

0:34:20.880 --> 0:34:22.560
<v Speaker 15>That was because that's the main thing right now.

0:34:22.520 --> 0:34:24.880
<v Speaker 2>Doing something that nobody would expect.

0:34:25.520 --> 0:34:26.359
<v Speaker 5>No, you go first.

0:34:26.560 --> 0:34:30.600
<v Speaker 2>I'm gonna say Jamie FOXX. I'm gonna say Jamie Fox.

0:34:31.360 --> 0:34:31.840
<v Speaker 8>I like that.

0:34:32.480 --> 0:34:35.160
<v Speaker 15>That's that's I'm actually not mad at that unexpected.

0:34:36.400 --> 0:34:37.000
<v Speaker 2>I'm gonna start.

0:34:38.560 --> 0:34:43.480
<v Speaker 5>You can't say, are you gonna say? No?

0:34:44.640 --> 0:34:45.560
<v Speaker 2>I want to mix it up?

0:34:47.560 --> 0:34:50.400
<v Speaker 8>I said, Jamie was so such a good answer, I

0:34:50.440 --> 0:34:51.279
<v Speaker 8>wouldn't go top it.

0:34:51.440 --> 0:34:54.520
<v Speaker 2>I think you would mix it up Maxwell.

0:34:56.760 --> 0:34:59.080
<v Speaker 14>If you if we were talking jess A, R and

0:34:59.200 --> 0:35:01.000
<v Speaker 14>B Battle, I think that I think that might be

0:35:01.040 --> 0:35:01.359
<v Speaker 14>a move.

0:35:01.840 --> 0:35:02.680
<v Speaker 15>I think it might be a moved.

0:35:02.719 --> 0:35:03.120
<v Speaker 5>So you're going.

0:35:03.440 --> 0:35:05.040
<v Speaker 15>But if I pull out any of the pop records,

0:35:05.080 --> 0:35:05.960
<v Speaker 15>you can't do the records.

0:35:06.960 --> 0:35:08.200
<v Speaker 2>That's why Jamie Fox would be good.

0:35:08.440 --> 0:35:10.799
<v Speaker 5>But they got wrapped because he got twenty of the thing.

0:35:10.920 --> 0:35:15.600
<v Speaker 2>Yeah he got twenty, Jamie twenty. Jamis he got features twenty.

0:35:15.680 --> 0:35:19.319
<v Speaker 2>Now you got twenty including features? Yeah, yeah we have Yeah,

0:35:19.760 --> 0:35:21.879
<v Speaker 2>that's that's what you know we're talking about.

0:35:26.440 --> 0:35:30.120
<v Speaker 5>All right, He'll be radio zoom te weekend.

0:35:30.239 --> 0:35:33.080
<v Speaker 6>The total Goodes night is upon us, our croppy head man,

0:35:33.320 --> 0:35:35.759
<v Speaker 6>the legend himself made mentality.

0:35:36.560 --> 0:35:38.120
<v Speaker 12>Thank you for having me. Man, come on man, y'all

0:35:38.200 --> 0:35:40.200
<v Speaker 12>all legends right here. So to sit down right here,

0:35:40.520 --> 0:35:43.319
<v Speaker 12>to be included in this, this conversation, in this couch,

0:35:43.800 --> 0:35:45.640
<v Speaker 12>it means I did the work, truly.

0:35:45.719 --> 0:35:46.279
<v Speaker 11>That's really so.

0:35:49.360 --> 0:35:52.640
<v Speaker 2>I feel like you reinvent yourself. Can you use use

0:35:52.719 --> 0:35:55.440
<v Speaker 2>things that's trending to reinvent yourself? So we gotta talk

0:35:55.480 --> 0:35:59.600
<v Speaker 2>about this versus. When did you decide Okay, I'm a

0:35:59.719 --> 0:36:02.600
<v Speaker 2>remke this flip it? And did you think it was

0:36:02.719 --> 0:36:06.880
<v Speaker 2>going to go viral? Like people so many verses. I

0:36:06.920 --> 0:36:09.280
<v Speaker 2>don't watch the verses. I watched his recut.

0:36:10.360 --> 0:36:14.680
<v Speaker 12>Yeah that's a mussy listens and shout out to my

0:36:14.760 --> 0:36:17.640
<v Speaker 12>brother's spice Adams Man like without him and when the

0:36:17.719 --> 0:36:21.560
<v Speaker 12>honeys we connected and just did it organically. But to

0:36:21.680 --> 0:36:23.680
<v Speaker 12>your point of reinvention, I want to talk about that

0:36:23.760 --> 0:36:26.480
<v Speaker 12>for a second because we're in a room full of

0:36:26.600 --> 0:36:29.239
<v Speaker 12>artists right and twenty years ago this same type of

0:36:29.320 --> 0:36:32.000
<v Speaker 12>room existed and it was a whole new set of

0:36:32.040 --> 0:36:34.400
<v Speaker 12>it's a whole different set of artists. They come and

0:36:34.440 --> 0:36:38.760
<v Speaker 12>they go. I don't purposely jump on something that's trendy

0:36:38.800 --> 0:36:40.960
<v Speaker 12>because I'm like, ah, it's gonna be viral or it's

0:36:41.000 --> 0:36:43.960
<v Speaker 12>gonna I just live in today. I live in the now,

0:36:44.320 --> 0:36:46.799
<v Speaker 12>and I create from a now space. And so if

0:36:46.800 --> 0:36:48.880
<v Speaker 12>I always stay in that now space, I'm always in

0:36:49.000 --> 0:36:51.279
<v Speaker 12>what the current water flow is as opposed to like

0:36:51.400 --> 0:36:54.879
<v Speaker 12>creek water or like pond water. It's not dead, it's

0:36:54.920 --> 0:36:57.080
<v Speaker 12>not stagnant. So you'll never see me talking about what

0:36:57.160 --> 0:36:59.840
<v Speaker 12>I did last year or ten years ago. So I

0:37:00.000 --> 0:37:01.600
<v Speaker 12>try to stay in that flow of that so that

0:37:01.719 --> 0:37:05.040
<v Speaker 12>that helps me reinvent, like skin cells, like it just

0:37:06.200 --> 0:37:08.840
<v Speaker 12>gradually does it naturally organically, as opposed to trying to

0:37:08.920 --> 0:37:10.839
<v Speaker 12>do it. You're not gonna see me bleaching my skin

0:37:10.920 --> 0:37:12.919
<v Speaker 12>to try to get it, trying to get fresh skin.

0:37:13.000 --> 0:37:15.920
<v Speaker 2>It just does it on it. The Guard would be

0:37:16.000 --> 0:37:17.359
<v Speaker 2>highly disappointed.

0:37:19.160 --> 0:37:24.200
<v Speaker 12>About Come on, keys want to represent the light skin

0:37:24.400 --> 0:37:26.960
<v Speaker 12>coalition with pride. You know, I don't need to get.

0:37:26.840 --> 0:37:30.040
<v Speaker 5>No lighter We got together exactly. One of the things

0:37:30.080 --> 0:37:31.719
<v Speaker 5>that I think people don't really give you credit for.

0:37:31.800 --> 0:37:34.560
<v Speaker 6>Maybe they'll know is how you've turned the business of

0:37:34.640 --> 0:37:38.520
<v Speaker 6>comedy into an actual business or braining content licensing.

0:37:38.360 --> 0:37:39.960
<v Speaker 5>Owning it it. He talked about that a little bit.

0:37:40.239 --> 0:37:46.080
<v Speaker 12>Yeah, for sure. I I've always heard not to spend

0:37:46.120 --> 0:37:49.440
<v Speaker 12>your own money, right, And it made sense at first

0:37:50.040 --> 0:37:53.080
<v Speaker 12>until I keep getting my tax bill at the end

0:37:53.120 --> 0:37:55.000
<v Speaker 12>of the year, right, and so I'm like, hold on,

0:37:56.280 --> 0:37:59.640
<v Speaker 12>I'm sending money to dudes who wasn't with me shooting

0:37:59.640 --> 0:38:03.279
<v Speaker 12>in them, and I don't know what they're doing with that,

0:38:03.480 --> 0:38:05.319
<v Speaker 12>and it's a lot of that that I'm sending out.

0:38:05.840 --> 0:38:07.680
<v Speaker 12>So it's like, all right, Well, the way my business

0:38:07.760 --> 0:38:09.880
<v Speaker 12>is set up, if I can expense it, if I

0:38:09.920 --> 0:38:12.560
<v Speaker 12>could draw my expenses versus my earnings at the end

0:38:12.600 --> 0:38:18.600
<v Speaker 12>of the year, why not investing my own lifestyle and

0:38:18.880 --> 0:38:21.280
<v Speaker 12>things that I want to spend that money on before

0:38:21.320 --> 0:38:24.560
<v Speaker 12>I have to send it over to those guys until

0:38:24.640 --> 0:38:26.719
<v Speaker 12>I fully learned and maybe y'all can talk about this

0:38:26.920 --> 0:38:29.480
<v Speaker 12>offline with me, until I learned how to pay three

0:38:29.560 --> 0:38:33.440
<v Speaker 12>hundred dollars like Donald did in taxes and get the

0:38:33.560 --> 0:38:40.520
<v Speaker 12>right loopholes legally, I'm gonna go ahead and do my

0:38:40.719 --> 0:38:42.840
<v Speaker 12>legal version of that, which is I'm gonna invest the

0:38:42.920 --> 0:38:44.759
<v Speaker 12>bread that I got into my own projects. So what

0:38:44.880 --> 0:38:47.719
<v Speaker 12>I do is, for example, I create I shot my

0:38:47.760 --> 0:38:50.920
<v Speaker 12>own stand up special HBO, Netflix. None of them was

0:38:50.920 --> 0:38:52.520
<v Speaker 12>coming knocking on my door. Not to say that they

0:38:52.560 --> 0:38:54.520
<v Speaker 12>won't eventually, but they didn't really know I was doing

0:38:54.560 --> 0:38:56.879
<v Speaker 12>stand up, So I knew an offer wasn't just gonna

0:38:56.920 --> 0:39:00.799
<v Speaker 12>fly into my doorsteps. So I shot myint and when

0:39:00.920 --> 0:39:04.799
<v Speaker 12>licensed it with Kevin Hart at LOL, that's my brother,

0:39:05.480 --> 0:39:07.440
<v Speaker 12>licensed it, got it back, and now we're shopping for

0:39:07.480 --> 0:39:08.840
<v Speaker 12>a new deal for it. So I already made that

0:39:08.960 --> 0:39:10.600
<v Speaker 12>money and I'm about to make money on it again.

0:39:11.160 --> 0:39:13.799
<v Speaker 12>So that's pretty much my short term template of how

0:39:13.840 --> 0:39:14.319
<v Speaker 12>I do things.

0:39:15.040 --> 0:39:17.600
<v Speaker 7>Let me ask you, man, during the time of the verses,

0:39:18.400 --> 0:39:20.560
<v Speaker 7>you also took some of that same energy and put

0:39:20.600 --> 0:39:21.840
<v Speaker 7>it towards Kevin Samuels.

0:39:22.000 --> 0:39:22.600
<v Speaker 8>The rest of peace.

0:39:22.680 --> 0:39:26.719
<v Speaker 7>Kevin Samuels, he's no longer here. But when you got

0:39:26.760 --> 0:39:28.839
<v Speaker 7>the news of his passion, you know, because he talked

0:39:28.840 --> 0:39:31.400
<v Speaker 7>about high value man and you know how he spoke

0:39:31.480 --> 0:39:34.040
<v Speaker 7>upon women. How did that affect you? You understand me

0:39:34.120 --> 0:39:36.320
<v Speaker 7>and your platform, like, did you get any feedback on that?

0:39:37.000 --> 0:39:38.440
<v Speaker 7>What was the actual thoughts about Kevin?

0:39:38.600 --> 0:39:42.520
<v Speaker 12>So the main feedback because and I've had to I

0:39:42.600 --> 0:39:44.840
<v Speaker 12>had to talk about this a couple of times, obviously,

0:39:45.480 --> 0:39:48.080
<v Speaker 12>But the character that I do, doctor Devin Fonteined, is

0:39:48.120 --> 0:39:50.279
<v Speaker 12>a mix of people. I used to do this character

0:39:50.320 --> 0:39:53.279
<v Speaker 12>ain't fintained ten years ago about the flamboyant brother that

0:39:53.360 --> 0:39:55.279
<v Speaker 12>we all know in the hood that ain't comfortable with

0:39:55.360 --> 0:39:58.200
<v Speaker 12>it saying what it really is, right, So I always

0:39:58.239 --> 0:40:00.919
<v Speaker 12>did this. That's why the voice is so like exaggerated

0:40:00.960 --> 0:40:04.600
<v Speaker 12>in cartoony, that's Fontanine. So the more I got into

0:40:04.960 --> 0:40:08.160
<v Speaker 12>imitating this therapist guy, because I always called him Devin,

0:40:08.200 --> 0:40:11.080
<v Speaker 12>it was never straight Kevin Samuels. I started calling him

0:40:11.160 --> 0:40:13.759
<v Speaker 12>Devin because I didn't really know enough about him. All

0:40:13.760 --> 0:40:15.640
<v Speaker 12>I saw was the little clips that people will send me,

0:40:16.120 --> 0:40:17.480
<v Speaker 12>and I was like, all right, let me just play

0:40:17.520 --> 0:40:20.680
<v Speaker 12>a character that's similar to him that don't really want

0:40:20.719 --> 0:40:22.560
<v Speaker 12>to be on the line even though he's trying to

0:40:22.600 --> 0:40:25.120
<v Speaker 12>help these people. And I just exaggerated it. And the

0:40:25.200 --> 0:40:27.440
<v Speaker 12>more I got into the voice, it became Fontaine. So

0:40:27.560 --> 0:40:32.280
<v Speaker 12>that's why it wasn't a direct Yeah, it wasn't that personal.

0:40:32.360 --> 0:40:34.120
<v Speaker 12>It wasn't a like when he passed, it wasn't a

0:40:34.239 --> 0:40:37.719
<v Speaker 12>direct effect on me, like rest in peace to the brother,

0:40:38.080 --> 0:40:39.960
<v Speaker 12>but I had I literally we never met. I don't

0:40:40.000 --> 0:40:42.400
<v Speaker 12>know him like that personally, so you know, he he

0:40:43.040 --> 0:40:47.279
<v Speaker 12>created a platform of online therapy that I thought was

0:40:47.480 --> 0:40:50.960
<v Speaker 12>humorous for my character to partake in. So that's really

0:40:51.000 --> 0:40:51.560
<v Speaker 12>the extent of it.

0:40:52.520 --> 0:40:54.919
<v Speaker 2>When we talked about the business of comedy, we talked

0:40:54.920 --> 0:40:56.719
<v Speaker 2>to Steve Harvey, he was like, you know, when he

0:40:56.800 --> 0:40:59.920
<v Speaker 2>first started, he never understood business. It was just go

0:41:00.200 --> 0:41:03.080
<v Speaker 2>and tell jokes, and then he understood the business later on.

0:41:04.200 --> 0:41:07.240
<v Speaker 2>But we see a lot of comics now on Instagram,

0:41:07.840 --> 0:41:11.200
<v Speaker 2>but I'm still not sure if they fully understand like

0:41:11.360 --> 0:41:13.920
<v Speaker 2>that comedy it's like music business, right, Like comedy is

0:41:13.920 --> 0:41:17.040
<v Speaker 2>a business. So when did you realize that comedy was

0:41:17.080 --> 0:41:21.040
<v Speaker 2>actually a business? And you what would you say to

0:41:21.200 --> 0:41:24.759
<v Speaker 2>up and coming comics that have a talent but they

0:41:24.880 --> 0:41:26.879
<v Speaker 2>only really know how to make people laugh.

0:41:27.480 --> 0:41:29.279
<v Speaker 12>I knew it was a business from day one. I

0:41:29.360 --> 0:41:31.560
<v Speaker 12>went to college for business. I have a master's degree

0:41:31.600 --> 0:41:35.080
<v Speaker 12>in business. So even back then, when I was a

0:41:35.160 --> 0:41:39.080
<v Speaker 12>broke college student at an HBCU Fable State University shout Out,

0:41:39.840 --> 0:41:41.200
<v Speaker 12>I knew that I was going into the show but

0:41:41.480 --> 0:41:44.400
<v Speaker 12>the entertainment industry, I already had the talent so I

0:41:44.400 --> 0:41:47.600
<v Speaker 12>didn't waste my college years taking up theater. And I

0:41:47.680 --> 0:41:49.040
<v Speaker 12>was like, no, I know I could do that. When

0:41:49.040 --> 0:41:50.600
<v Speaker 12>I get on the stage, I want to know what

0:41:50.680 --> 0:41:53.000
<v Speaker 12>these dudes are talking about on these contracts, and on

0:41:53.120 --> 0:41:54.640
<v Speaker 12>these deals I need to be able to talk to

0:41:54.719 --> 0:41:56.320
<v Speaker 12>my lawyer and be able to communicate and speak the

0:41:56.320 --> 0:42:00.160
<v Speaker 12>same language. So I don't know who understands business. I'm

0:42:00.160 --> 0:42:02.400
<v Speaker 12>not in comedy. But when I look at guys like

0:42:02.480 --> 0:42:04.560
<v Speaker 12>eighty five South, when I look at guys like Desi

0:42:04.680 --> 0:42:08.440
<v Speaker 12>Banks and Hahai Davis, my instinct is that they do know,

0:42:08.640 --> 0:42:11.600
<v Speaker 12>and that they really created a business model for themselves

0:42:11.920 --> 0:42:13.880
<v Speaker 12>with the help of Steve Harvey, because Steve has been

0:42:13.960 --> 0:42:16.680
<v Speaker 12>og to some of those younger guys to me as well,

0:42:17.400 --> 0:42:22.200
<v Speaker 12>And yeah, it's really about creating a product and being

0:42:22.239 --> 0:42:24.360
<v Speaker 12>able to market it and sell it. And if you

0:42:24.400 --> 0:42:27.799
<v Speaker 12>don't understand as a comedians, as a rapper, as an

0:42:27.880 --> 0:42:30.360
<v Speaker 12>art whatever, as an actor, that you were also this,

0:42:32.840 --> 0:42:34.600
<v Speaker 12>you're gonna be waiting for the phone to ring and

0:42:34.719 --> 0:42:37.120
<v Speaker 12>to be hired, as opposed to figuring out how to

0:42:37.200 --> 0:42:41.000
<v Speaker 12>package yourself and put yourself on the market to sell

0:42:41.080 --> 0:42:42.279
<v Speaker 12>and take all the money.

0:42:42.560 --> 0:42:44.600
<v Speaker 5>Yeah, so we're here be Et Weekend.

0:42:45.480 --> 0:42:49.560
<v Speaker 6>The awards it coming up on Sunday, talk about the

0:42:49.760 --> 0:42:53.319
<v Speaker 6>importance of having a space where we can celebrate each other.

0:42:53.719 --> 0:42:56.920
<v Speaker 6>The points of this episode is brought to you by

0:42:57.000 --> 0:42:59.680
<v Speaker 6>P and C Bank. A lot of people think podcasts

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0:44:45.920 --> 0:44:47.680
<v Speaker 5>This weekend, I'm trying to say this to your first

0:44:48.000 --> 0:44:49.120
<v Speaker 5>what does this mean to you? This year?

0:44:50.200 --> 0:44:54.480
<v Speaker 12>I was saying this earlier Black excellence. We always run

0:44:54.520 --> 0:44:56.920
<v Speaker 12>to the other side to give validation, and if we

0:44:57.000 --> 0:44:59.279
<v Speaker 12>could just put uside all the competition and all the

0:44:59.320 --> 0:45:01.640
<v Speaker 12>bickering and all all the nonsense that black people do,

0:45:02.120 --> 0:45:04.680
<v Speaker 12>namely black men who don't sit down when we have

0:45:04.760 --> 0:45:07.560
<v Speaker 12>an issue who have a difference in Me and his

0:45:07.640 --> 0:45:09.719
<v Speaker 12>brother don't even have the same religious beliefs, right, but

0:45:09.800 --> 0:45:11.680
<v Speaker 12>me and his brother break bread. We talk offline. We

0:45:11.680 --> 0:45:14.160
<v Speaker 12>don't even talk about religion. I just see a brother

0:45:14.200 --> 0:45:17.920
<v Speaker 12>that respect and we we just we just comment on

0:45:17.960 --> 0:45:20.919
<v Speaker 12>each other's stuff. We we we we uplift yo. You good,

0:45:21.280 --> 0:45:23.880
<v Speaker 12>you straight, Yo. Let's talk about songs. So when we

0:45:23.920 --> 0:45:27.080
<v Speaker 12>see each other next, if we could just get that unity,

0:45:27.360 --> 0:45:29.719
<v Speaker 12>that that excellency and understand that we are are more

0:45:29.840 --> 0:45:34.160
<v Speaker 12>powerful together, you know what I mean? For me, that's

0:45:34.200 --> 0:45:36.320
<v Speaker 12>what I look forward to seeing. I don't want to

0:45:36.360 --> 0:45:40.400
<v Speaker 12>see another young rapper dead or another all that all

0:45:40.480 --> 0:45:42.680
<v Speaker 12>that energy is something that we need to push past,

0:45:42.719 --> 0:45:45.120
<v Speaker 12>and I pray that we do. But that's that's what

0:45:45.160 --> 0:45:47.160
<v Speaker 12>I'm looking forward to this weekend. Is it's to see

0:45:47.920 --> 0:45:50.880
<v Speaker 12>who shows up in the in the craziest outfit, you

0:45:50.960 --> 0:45:54.600
<v Speaker 12>know what I mean, the sparkly shoes and just has fun,

0:45:54.680 --> 0:45:56.719
<v Speaker 12>you know, being secure in them and who they are,

0:45:56.800 --> 0:45:58.680
<v Speaker 12>and that doesn't rub off on, you know, in a

0:45:58.719 --> 0:45:59.759
<v Speaker 12>negative way to somebody else.

0:46:00.440 --> 0:46:03.080
<v Speaker 7>You know, stories is more powerful than knowledge, man, and

0:46:03.120 --> 0:46:06.160
<v Speaker 7>I think comedians a lot of times get the opportunity

0:46:06.239 --> 0:46:06.920
<v Speaker 7>to tell stories.

0:46:06.960 --> 0:46:10.400
<v Speaker 8>In a way where you're teaching lessons. You understand me that.

0:46:10.400 --> 0:46:13.520
<v Speaker 7>At the same time, medians have been heavily censored. Nowadays,

0:46:13.920 --> 0:46:15.920
<v Speaker 7>they understand me. But I think that it's important to

0:46:16.040 --> 0:46:19.680
<v Speaker 7>allow comedians to go into the dark spaces because that's

0:46:19.719 --> 0:46:21.800
<v Speaker 7>where you bring people out, that's where you get to

0:46:21.880 --> 0:46:24.279
<v Speaker 7>have real conversations and we get to push the curture forward.

0:46:24.920 --> 0:46:28.640
<v Speaker 7>So what's your take on do you censor yourself in

0:46:28.760 --> 0:46:31.480
<v Speaker 7>fear of the so called council culture where nobody actually

0:46:31.480 --> 0:46:32.160
<v Speaker 7>gets counseled.

0:46:32.560 --> 0:46:35.640
<v Speaker 8>And then what's the importance of comedians being able to narrate?

0:46:36.239 --> 0:46:38.880
<v Speaker 8>And you know, and the king, the court jester was

0:46:38.920 --> 0:46:41.160
<v Speaker 8>able to say anything he wanted to. You feel me.

0:46:41.239 --> 0:46:43.359
<v Speaker 7>He can talk about the king, he can say he's

0:46:43.360 --> 0:46:47.360
<v Speaker 7>a tyrant and everybody laughs. But that's necessary to decompress

0:46:47.400 --> 0:46:50.320
<v Speaker 7>and you know, click that valve of pressure in society.

0:46:50.920 --> 0:46:51.960
<v Speaker 8>So what's your take on that.

0:46:52.800 --> 0:46:55.520
<v Speaker 12>I don't do anything out of fear. I don't respond

0:46:55.880 --> 0:47:01.480
<v Speaker 12>to fear. I said what I said. At the same time,

0:47:01.560 --> 0:47:03.120
<v Speaker 12>if you know me as a human being, I'm a

0:47:03.239 --> 0:47:07.000
<v Speaker 12>very tactful, compassionate guy. I'm very empathetic to people. So

0:47:07.040 --> 0:47:09.800
<v Speaker 12>I'm never trying to talk about anything on stage or

0:47:09.880 --> 0:47:12.480
<v Speaker 12>in my in my humor, that's gonna make somebody feel

0:47:12.560 --> 0:47:15.920
<v Speaker 12>like it's affecting who they are as a person or

0:47:16.239 --> 0:47:20.000
<v Speaker 12>affecting their soul. But there are such things as truths.

0:47:21.560 --> 0:47:23.320
<v Speaker 12>There's some there's some ugly truths out there that we

0:47:23.400 --> 0:47:25.399
<v Speaker 12>got to talk about. And I feel like the faster

0:47:25.520 --> 0:47:28.000
<v Speaker 12>we do that and get comfortable with that, the better

0:47:28.080 --> 0:47:32.000
<v Speaker 12>we are. My guy, good to see you, The better

0:47:32.120 --> 0:47:34.320
<v Speaker 12>we are with being able to push past it. And

0:47:34.480 --> 0:47:37.480
<v Speaker 12>salute to Chris Rock and Dave Chappelle, those guys who

0:47:39.320 --> 0:47:42.200
<v Speaker 12>make it their platform to speak truth. It may not

0:47:42.280 --> 0:47:44.879
<v Speaker 12>be what everybody likes to hear, but it's what it's

0:47:44.920 --> 0:47:45.440
<v Speaker 12>true to them.

0:47:45.920 --> 0:47:49.839
<v Speaker 7>So you ain't worry about getting slapped on him. You're

0:47:49.840 --> 0:47:51.120
<v Speaker 7>not worry about getting slapped on him.

0:47:52.040 --> 0:47:54.600
<v Speaker 8>You know me. You know what I mean too.

0:47:55.320 --> 0:47:56.600
<v Speaker 5>You know what I study.

0:48:00.040 --> 0:48:01.120
<v Speaker 11>Say that I can't be touched.

0:48:03.120 --> 0:48:06.839
<v Speaker 12>I touched back every man is you know, we're able

0:48:06.920 --> 0:48:09.280
<v Speaker 12>to get to be touched, but is how you respond

0:48:09.360 --> 0:48:09.799
<v Speaker 12>to the touch.

0:48:10.920 --> 0:48:15.360
<v Speaker 2>My last question for you, like being a comedian and

0:48:16.280 --> 0:48:19.399
<v Speaker 2>everybody knows you you're you're a very you know, outgoing person.

0:48:19.440 --> 0:48:22.239
<v Speaker 2>As far as your personality, people come up to you,

0:48:22.320 --> 0:48:24.680
<v Speaker 2>they tell you jokes. Do you ever get tired?

0:48:24.760 --> 0:48:25.200
<v Speaker 5>Does that ever?

0:48:25.440 --> 0:48:25.480
<v Speaker 9>Like?

0:48:25.560 --> 0:48:27.799
<v Speaker 2>Yo, bro, I'm not right now is not the time.

0:48:27.960 --> 0:48:30.279
<v Speaker 12>It's like yo, when people come to you'll ask your

0:48:30.400 --> 0:48:33.400
<v Speaker 12>money and my portfolio. Yeah, it's psycho.

0:48:34.719 --> 0:48:35.320
<v Speaker 5>You're like nigga.

0:48:35.320 --> 0:48:39.000
<v Speaker 9>I just want you to walk like about crazy theories

0:48:39.000 --> 0:48:42.640
<v Speaker 9>of the world right now, so you get questions, Yeah, time,

0:48:42.680 --> 0:48:45.719
<v Speaker 9>and you gotta you gotta explain the plight of the

0:48:45.840 --> 0:48:49.520
<v Speaker 9>black man on every tripatory everywhere you go.

0:48:50.160 --> 0:48:52.680
<v Speaker 12>Brother, that's so key. So let me let me ask

0:48:52.760 --> 0:48:57.360
<v Speaker 12>you this. They say that black men on the phone

0:48:57.480 --> 0:49:00.680
<v Speaker 12>to getting diabetes. Do you think that beat? This is

0:49:00.760 --> 0:49:06.000
<v Speaker 12>directly connected to what poorn we watch because them booties

0:49:06.040 --> 0:49:08.879
<v Speaker 12>be sweet you like nigga.

0:49:09.640 --> 0:49:13.200
<v Speaker 8>I just tell you to tell you to tap into yourself.

0:49:13.400 --> 0:49:16.200
<v Speaker 8>I appreciate you all man, some good questions. Keep asking

0:49:16.239 --> 0:49:17.239
<v Speaker 8>yourself that right?

0:49:18.280 --> 0:49:19.799
<v Speaker 11>Yeah, I don't.

0:49:19.920 --> 0:49:22.439
<v Speaker 12>Yeah, you know. I love that people show the love

0:49:22.480 --> 0:49:24.879
<v Speaker 12>and they're aware of what I do. But it ain't

0:49:24.880 --> 0:49:27.000
<v Speaker 12>always appropriate. You and walk up to Mike Tyson like, hey,

0:49:27.040 --> 0:49:30.600
<v Speaker 12>you a boxer, punch me and my goddamn face right now?

0:49:30.920 --> 0:49:32.520
<v Speaker 2>In fact, would you do that?

0:49:33.400 --> 0:49:34.000
<v Speaker 15>Could you do that?

0:49:35.719 --> 0:49:35.759
<v Speaker 8>So?

0:49:35.920 --> 0:49:37.040
<v Speaker 12>Nah, man, I just be chilling.

0:49:37.440 --> 0:49:38.839
<v Speaker 8>That's what's up. That's what's up.

0:49:38.960 --> 0:49:39.080
<v Speaker 2>Man.

0:49:39.120 --> 0:49:40.280
<v Speaker 8>I appreciate you, man.

0:49:40.200 --> 0:49:42.440
<v Speaker 12>I appreciate y'all. Man must respect to y'all. Like this

0:49:42.560 --> 0:49:45.600
<v Speaker 12>is a it's a great, a great conversation I've been

0:49:45.640 --> 0:49:46.680
<v Speaker 12>waiting to have with all of us.

0:49:49.200 --> 0:49:53.000
<v Speaker 2>Definitely connect off, let's do it, please do all right?

0:49:53.120 --> 0:49:54.480
<v Speaker 2>So we had this, Like I said, this is what

0:49:54.560 --> 0:49:58.239
<v Speaker 2>I'm most excited about, my god symbol. So I'm a

0:49:58.320 --> 0:50:00.960
<v Speaker 2>big fan of the music and the era that we

0:50:01.080 --> 0:50:05.080
<v Speaker 2>came from is very nostalgic to us, sir, and a

0:50:05.200 --> 0:50:07.640
<v Speaker 2>few people give me that feeling. I got a chance

0:50:07.680 --> 0:50:09.480
<v Speaker 2>to meet Benning the Butcher and I told him that

0:50:10.120 --> 0:50:12.320
<v Speaker 2>and simple and I don't even know if you know this,

0:50:12.440 --> 0:50:15.759
<v Speaker 2>but like I mean your comments like fire, yeah, yeah, yeah,

0:50:15.800 --> 0:50:18.400
<v Speaker 2>yeah yeah. So my man, that doula. I'm like, you know,

0:50:18.560 --> 0:50:21.080
<v Speaker 2>simple he like I know him because you repost them

0:50:21.080 --> 0:50:26.960
<v Speaker 2>all the time. So lyrical, giant fanking bro, thank you,

0:50:27.080 --> 0:50:27.560
<v Speaker 2>thank you man.

0:50:28.719 --> 0:50:28.879
<v Speaker 8>Man.

0:50:28.920 --> 0:50:30.759
<v Speaker 6>This is like a breath of like fresh air. Like

0:50:30.800 --> 0:50:33.120
<v Speaker 6>you said, that music that we grew up on. When

0:50:33.160 --> 0:50:36.040
<v Speaker 6>we heard that sound, it was like automatic, like well

0:50:36.080 --> 0:50:36.680
<v Speaker 6>what was that?

0:50:37.840 --> 0:50:37.880
<v Speaker 10>What?

0:50:38.800 --> 0:50:40.440
<v Speaker 17>No, that was the whole point, bro.

0:50:40.560 --> 0:50:43.399
<v Speaker 18>It's like I just was sitting back like a few

0:50:43.480 --> 0:50:46.360
<v Speaker 18>years ago, and I'm just like, I'm trying things. I'm experimenting.

0:50:46.560 --> 0:50:51.120
<v Speaker 18>I'm doing melody music, writing pop songs and APG writing

0:50:51.160 --> 0:50:53.160
<v Speaker 18>for Scooby Doo album, and I just had to sit

0:50:53.239 --> 0:50:56.120
<v Speaker 18>down like man who and Maya as an artist, you

0:50:56.160 --> 0:50:57.680
<v Speaker 18>know what I'm saying. And when I think about it,

0:50:57.800 --> 0:51:01.160
<v Speaker 18>always go back to my uncle's, my mama, you know

0:51:01.200 --> 0:51:03.239
<v Speaker 18>what I mean. They come from that era. So I'm

0:51:03.280 --> 0:51:05.080
<v Speaker 18>really a reflection to them, you know what I mean.

0:51:05.160 --> 0:51:08.280
<v Speaker 18>But I can't just be out here rapping on old beats,

0:51:08.320 --> 0:51:11.040
<v Speaker 18>and it's like, how do we redefine that, you know

0:51:11.080 --> 0:51:13.200
<v Speaker 18>what I mean? How do we make it current for today?

0:51:13.600 --> 0:51:15.880
<v Speaker 18>So that's just literally been my goal is to basically

0:51:16.000 --> 0:51:19.160
<v Speaker 18>bring back that nostalgic feeling just in today's form.

0:51:20.040 --> 0:51:22.120
<v Speaker 7>So you know, I'm from the Bay, I'm from Oakland,

0:51:22.600 --> 0:51:24.480
<v Speaker 7>and I know I always tell people I'm from Oakland.

0:51:24.480 --> 0:51:27.000
<v Speaker 8>That's why I'm so well spoken. Exactly understand me exactly.

0:51:27.040 --> 0:51:28.000
<v Speaker 8>It's a certain energy.

0:51:28.360 --> 0:51:29.840
<v Speaker 17>It's any not on the area.

0:51:30.320 --> 0:51:31.960
<v Speaker 8>You understand you're gonna do it a little different.

0:51:31.960 --> 0:51:34.080
<v Speaker 7>And I feel like that's what I get in your

0:51:34.160 --> 0:51:36.120
<v Speaker 7>music as well, because there's a lot of sucking shit

0:51:36.160 --> 0:51:36.680
<v Speaker 7>that go off.

0:51:36.800 --> 0:51:39.719
<v Speaker 8>Yeah, but your music is like anti sucker and you

0:51:39.840 --> 0:51:40.359
<v Speaker 8>call it out.

0:51:41.040 --> 0:51:43.759
<v Speaker 7>You feel me so, But at the same time you

0:51:43.920 --> 0:51:46.280
<v Speaker 7>be at your edge where it's like I'm not afraid

0:51:46.360 --> 0:51:47.160
<v Speaker 7>to stand right here.

0:51:47.719 --> 0:51:49.480
<v Speaker 8>You feel me and I'm gonna do a fearless man.

0:51:49.520 --> 0:51:50.399
<v Speaker 8>Where you get that from?

0:51:50.680 --> 0:51:53.479
<v Speaker 18>Like I say, bro, my mama, you know what I'm saying,

0:51:53.640 --> 0:51:57.520
<v Speaker 18>Like my uncle's bro. Like I come from a family

0:51:57.600 --> 0:52:00.600
<v Speaker 18>bro where it's like, I'm supposed to be in jail, right.

0:52:00.760 --> 0:52:03.520
<v Speaker 18>I was born in jail. My mama had me in jail.

0:52:04.320 --> 0:52:07.000
<v Speaker 18>My Auntie went to jail, My uncle Ronnie did ten

0:52:07.120 --> 0:52:09.440
<v Speaker 18>years in jail. My uncle Speedy told on my uncle

0:52:09.520 --> 0:52:12.040
<v Speaker 18>Ryan to get out of jail. My favorite cousin went

0:52:12.080 --> 0:52:14.920
<v Speaker 18>to jail. So it's like, technically jail was supposed to

0:52:14.960 --> 0:52:17.680
<v Speaker 18>be part of my story. But always seen where they

0:52:17.719 --> 0:52:19.960
<v Speaker 18>would go wrong growing up, you know what I mean.

0:52:20.040 --> 0:52:22.359
<v Speaker 18>And I'd be like, you know what, I ain't about

0:52:22.400 --> 0:52:24.359
<v Speaker 18>to sell dope. I might dabble with a little weed

0:52:24.480 --> 0:52:26.520
<v Speaker 18>here and there against some money, you know what I'm saying,

0:52:26.800 --> 0:52:28.360
<v Speaker 18>But I ain't fucking with cocaine.

0:52:28.440 --> 0:52:29.520
<v Speaker 17>I ain't on that.

0:52:29.640 --> 0:52:29.880
<v Speaker 8>You know what?

0:52:29.920 --> 0:52:32.880
<v Speaker 18>I mean, I ain't Finna just be spinning because somebody

0:52:33.440 --> 0:52:34.879
<v Speaker 18>punched my little nigga in the face.

0:52:34.960 --> 0:52:35.600
<v Speaker 17>You know what I'm saying.

0:52:35.640 --> 0:52:37.640
<v Speaker 18>It's like you gotta really do something to me to

0:52:37.719 --> 0:52:40.120
<v Speaker 18>make me want to physically harm you. You know what

0:52:40.160 --> 0:52:43.200
<v Speaker 18>I'm saying. So I just always put that into music.

0:52:43.320 --> 0:52:45.520
<v Speaker 18>You know, it's wrong, it's uncut. It's how I feel

0:52:45.880 --> 0:52:47.920
<v Speaker 18>most people scared to say how they feel. It's just

0:52:48.760 --> 0:52:50.680
<v Speaker 18>how you gonna help somebody get through life if you

0:52:50.760 --> 0:52:52.439
<v Speaker 18>can't communicate what you going through.

0:52:52.600 --> 0:52:58.880
<v Speaker 2>You know, I feel like it's a thin line between

0:52:59.000 --> 0:53:01.399
<v Speaker 2>like the type of music got you making. So it's

0:53:01.480 --> 0:53:04.000
<v Speaker 2>so nostalgic to me because it's like, Nah's my favorite

0:53:04.040 --> 0:53:07.400
<v Speaker 2>rapper of all time, right, and Na's always he was

0:53:07.400 --> 0:53:09.960
<v Speaker 2>always like a positive vibe, but he was never a

0:53:10.200 --> 0:53:12.440
<v Speaker 2>positive rapper, Like you know what I'm saying. He's still

0:53:12.480 --> 0:53:14.760
<v Speaker 2>a street dude, but he could always get a message

0:53:14.760 --> 0:53:17.319
<v Speaker 2>of positivity where it's like some of the like more

0:53:17.480 --> 0:53:19.360
<v Speaker 2>they put you in a box. It's a positive rapper,

0:53:19.880 --> 0:53:21.480
<v Speaker 2>it's hard to ever get out that box.

0:53:22.600 --> 0:53:22.640
<v Speaker 10>You.

0:53:22.880 --> 0:53:25.239
<v Speaker 2>I kind of look at like that like like it

0:53:25.400 --> 0:53:26.800
<v Speaker 2>was written, like you know what I'm saying. When I

0:53:27.239 --> 0:53:30.360
<v Speaker 2>listened to your music and it's like Big Farmer do

0:53:30.560 --> 0:53:32.600
<v Speaker 2>some more dope than Big Niche. You know what I'm saying.

0:53:32.880 --> 0:53:33.600
<v Speaker 2>It's messages.

0:53:33.840 --> 0:53:35.720
<v Speaker 17>It's a fact though, but it's vibes.

0:53:35.760 --> 0:53:36.759
<v Speaker 12>Like you know what I'm saying, it's vibe.

0:53:36.800 --> 0:53:39.400
<v Speaker 2>You got the Cardier frames on. It's it's not ultra

0:53:39.920 --> 0:53:41.840
<v Speaker 2>preachy do that on purpose.

0:53:41.880 --> 0:53:44.279
<v Speaker 17>So I'm front like, Bro just said, we're from the Bay.

0:53:44.360 --> 0:53:44.480
<v Speaker 5>Bro.

0:53:45.040 --> 0:53:47.240
<v Speaker 17>You know what I'm saying. We from the Panthers.

0:53:47.840 --> 0:53:48.399
<v Speaker 8>You know what I'm saying.

0:53:48.440 --> 0:53:51.080
<v Speaker 18>We were gonna have some information. But at the same time,

0:53:51.200 --> 0:53:53.200
<v Speaker 18>this shit in us, it ain't on us. It's it's

0:53:53.440 --> 0:53:56.880
<v Speaker 18>Is'm Bro. I grew up knocking women playing ball.

0:53:57.120 --> 0:53:57.279
<v Speaker 8>You know.

0:53:57.400 --> 0:53:59.480
<v Speaker 18>I was that nigga in school. I didn't get hot

0:53:59.560 --> 0:54:03.200
<v Speaker 18>in music and became cool. I was always cool, you

0:54:03.280 --> 0:54:06.120
<v Speaker 18>know what I'm saying before I was doing music, you

0:54:06.200 --> 0:54:08.279
<v Speaker 18>know what I'm saying. So it's like that has to

0:54:08.400 --> 0:54:10.880
<v Speaker 18>be shown in the music. And that's no offense to

0:54:11.680 --> 0:54:14.919
<v Speaker 18>you know, the spiritual rappers or the conscious rappers, because

0:54:14.920 --> 0:54:17.200
<v Speaker 18>we need them too. But at the same time, Bro,

0:54:17.400 --> 0:54:19.640
<v Speaker 18>it's a lack of cool niggas you know what I

0:54:19.719 --> 0:54:22.080
<v Speaker 18>mean in the industry, and we all just can't be

0:54:22.200 --> 0:54:26.520
<v Speaker 18>on this gangster shit just shooting everybody. It's just like, bro,

0:54:26.760 --> 0:54:29.560
<v Speaker 18>come on, we all ain't killing everybody. Bro, It's more

0:54:29.640 --> 0:54:31.880
<v Speaker 18>good going on in the ghetto than bad. It's just

0:54:31.960 --> 0:54:34.080
<v Speaker 18>the bad it's more publicized, you know what I'm saying.

0:54:34.360 --> 0:54:36.080
<v Speaker 18>I'm just here to speak on the good and call

0:54:36.120 --> 0:54:37.720
<v Speaker 18>out the sucker shit like bro, sit.

0:54:38.080 --> 0:54:40.920
<v Speaker 6>You know so so that that moment that La leak

0:54:41.080 --> 0:54:43.640
<v Speaker 6>is freestyle, I feel like that's when the world was

0:54:43.680 --> 0:54:44.480
<v Speaker 6>put on noted.

0:54:44.320 --> 0:54:46.319
<v Speaker 17>For sure, that sure I was coming for sure?

0:54:46.640 --> 0:54:47.640
<v Speaker 5>What was the more?

0:54:47.840 --> 0:54:50.080
<v Speaker 6>How did that more feel to you? Like you've been

0:54:50.160 --> 0:54:52.600
<v Speaker 6>working at this right and you've got this moment to

0:54:52.680 --> 0:54:55.640
<v Speaker 6>Sean and if exploded? What was that moment that what

0:54:55.840 --> 0:54:56.879
<v Speaker 6>it feels like to you at that time?

0:54:56.920 --> 0:55:02.520
<v Speaker 18>About damn Tom, I've been out here both Bro, I

0:55:02.560 --> 0:55:05.200
<v Speaker 18>didn't look at my big brother, small big.

0:55:05.080 --> 0:55:05.719
<v Speaker 17>Brother right there.

0:55:05.960 --> 0:55:09.000
<v Speaker 5>Hurricane yeah, bay area.

0:55:08.920 --> 0:55:11.680
<v Speaker 8>So you know, be having a black cloud on it,

0:55:11.840 --> 0:55:12.160
<v Speaker 8>you feel.

0:55:12.160 --> 0:55:14.080
<v Speaker 7>I mean, yeah, there's a lot of talent in the Bay,

0:55:14.160 --> 0:55:17.000
<v Speaker 7>but it don't really get shown to break out, what

0:55:17.160 --> 0:55:20.000
<v Speaker 7>you think, because but now I'm saying, you know, individuals

0:55:20.000 --> 0:55:23.680
<v Speaker 7>such as yourself, LaRusso, and I feel like the internet

0:55:23.960 --> 0:55:27.439
<v Speaker 7>allows you to navigate that black cloud you feel when

0:55:27.480 --> 0:55:29.640
<v Speaker 7>you was in then coming out of the game Number one,

0:55:29.680 --> 0:55:31.320
<v Speaker 7>who did you look up to in the Bay Area

0:55:32.120 --> 0:55:35.279
<v Speaker 7>and did you feel like being a Bay Area rapper

0:55:35.320 --> 0:55:36.840
<v Speaker 7>you was gonna have that cloud and not be able to.

0:55:36.840 --> 0:55:39.560
<v Speaker 17>Expand on For sure. That was the reason I moved out.

0:55:40.680 --> 0:55:43.440
<v Speaker 18>Like I grew up on Short forty, Max dre Keithy,

0:55:43.520 --> 0:55:46.480
<v Speaker 18>Sneak turf Talk, you know what I mean. Like I

0:55:46.560 --> 0:55:49.800
<v Speaker 18>grew up listening to Bay music. But my mom, my

0:55:49.920 --> 0:55:52.759
<v Speaker 18>mom bury business minded. So my mom was in the

0:55:52.800 --> 0:55:56.520
<v Speaker 18>real estate early, so she had homes in Texas, Vegas,

0:55:56.840 --> 0:55:59.680
<v Speaker 18>Atlantic City, and I would always move around as a kid.

0:56:00.000 --> 0:56:02.920
<v Speaker 18>I know this Bay music wasn't being played in these places,

0:56:03.080 --> 0:56:05.320
<v Speaker 18>and then when I would play it, people wouldn't get it,

0:56:05.400 --> 0:56:05.880
<v Speaker 18>you know what I mean.

0:56:05.960 --> 0:56:08.759
<v Speaker 17>The tempo might beat you fast or whatever it may be.

0:56:09.360 --> 0:56:11.200
<v Speaker 18>So when I started doing music, I was like, damn,

0:56:11.239 --> 0:56:13.600
<v Speaker 18>I want to be the person that keep that bait

0:56:13.760 --> 0:56:17.640
<v Speaker 18>authenticity in my content but still make the sound of

0:56:17.719 --> 0:56:20.000
<v Speaker 18>it universal enough to where the world could get it.

0:56:20.600 --> 0:56:22.239
<v Speaker 18>And I feel like in the Bay the reason we

0:56:22.360 --> 0:56:25.920
<v Speaker 18>got that black cloud is because we got a limited

0:56:25.920 --> 0:56:28.880
<v Speaker 18>amount of black people in California, you feel me. So

0:56:28.960 --> 0:56:31.440
<v Speaker 18>when you going to South, you got black restaurant owners,

0:56:31.480 --> 0:56:35.520
<v Speaker 18>black hookah spot owners, black car washes, which gives black

0:56:35.600 --> 0:56:36.799
<v Speaker 18>music more platforms.

0:56:37.400 --> 0:56:40.640
<v Speaker 17>Right over here we got very minimum of that.

0:56:40.800 --> 0:56:42.520
<v Speaker 18>So I feel like a lot of artists feel like

0:56:42.600 --> 0:56:45.600
<v Speaker 18>it's a certain amount of seats and success or when

0:56:45.680 --> 0:56:48.160
<v Speaker 18>somebody else win, it like they took your spot.

0:56:48.200 --> 0:56:49.839
<v Speaker 17>When it's like, nah, we all could win.

0:56:50.360 --> 0:56:52.719
<v Speaker 18>We just got to ask questions and communicate with each

0:56:52.760 --> 0:56:54.359
<v Speaker 18>other to figure out a way to help each other

0:56:54.440 --> 0:56:55.000
<v Speaker 18>get to the goal.

0:56:55.200 --> 0:56:56.920
<v Speaker 8>Yeap, I rock with up.

0:56:57.200 --> 0:56:59.880
<v Speaker 18>Your mom was in real estate? Are you invested in

0:57:00.480 --> 0:57:02.839
<v Speaker 18>I'm getting into it. I'm getting into it. My mom

0:57:02.960 --> 0:57:05.239
<v Speaker 18>been on me about it for years. I just been

0:57:05.320 --> 0:57:09.080
<v Speaker 18>so psycho with this rap, just driven, just tunnel vision,

0:57:09.080 --> 0:57:10.239
<v Speaker 18>you know what I mean. I ain't want to do

0:57:10.360 --> 0:57:13.360
<v Speaker 18>nothing else. But now that you know, my finances is

0:57:13.640 --> 0:57:15.920
<v Speaker 18>growing and I'm getting a lot better, my mom put

0:57:16.040 --> 0:57:17.560
<v Speaker 18>me in position to do a lot of shit. I'm

0:57:17.560 --> 0:57:20.320
<v Speaker 18>actually trying to get a duplex right now, you feel me.

0:57:20.480 --> 0:57:23.000
<v Speaker 18>So that's definitely something I want to get into. And

0:57:23.840 --> 0:57:25.960
<v Speaker 18>after my rap career, I want to be an architect,

0:57:26.440 --> 0:57:27.840
<v Speaker 18>you know what I mean? So I want to design

0:57:27.920 --> 0:57:31.040
<v Speaker 18>homes and buildings and kitchens and all kinds of things.

0:57:31.240 --> 0:57:32.560
<v Speaker 5>What it's about, That's what it's about.

0:57:32.800 --> 0:57:36.280
<v Speaker 6>So obviously the freestyle goes crazy, the goats that goes

0:57:36.320 --> 0:57:39.120
<v Speaker 6>out going crazy to shout out to that, we all go, yeah,

0:57:39.640 --> 0:57:41.960
<v Speaker 6>how have the business opportunities been a coming to you?

0:57:42.120 --> 0:57:44.760
<v Speaker 6>Like how people approach you? What's your status of independent?

0:57:45.040 --> 0:57:46.160
<v Speaker 6>Where what's going to come here?

0:57:46.320 --> 0:57:48.720
<v Speaker 18>So I'm on a major, I'm signed to Atlantic, but

0:57:48.840 --> 0:57:51.080
<v Speaker 18>I move like I'm independent, you know what I mean.

0:57:51.880 --> 0:57:54.800
<v Speaker 18>We actually getting ready to start my label. I don't

0:57:54.880 --> 0:57:56.680
<v Speaker 18>like calling it a label, but that's how most people

0:57:56.720 --> 0:57:58.920
<v Speaker 18>can understand what it is. But we're getting ready to

0:57:58.920 --> 0:58:02.080
<v Speaker 18>start our company and it's called Majority Rules, and the

0:58:02.120 --> 0:58:04.960
<v Speaker 18>whole idea of it is to be a brochure for artists. Right,

0:58:05.440 --> 0:58:07.800
<v Speaker 18>So when artists get this money when they first get signed,

0:58:08.200 --> 0:58:10.040
<v Speaker 18>don't nobody tell you what to do with it, right,

0:58:10.160 --> 0:58:11.720
<v Speaker 18>You just get the money and it's like, I ain't

0:58:11.720 --> 0:58:13.680
<v Speaker 18>never had it. So I'm finna go get all the

0:58:13.720 --> 0:58:15.800
<v Speaker 18>clothes I want it. I'm finna go knock the bitch

0:58:15.880 --> 0:58:18.200
<v Speaker 18>I couldn't get two months ago. I'm finna go get

0:58:18.240 --> 0:58:21.120
<v Speaker 18>the crib. I'm finna go eat where I couldn't eat right,

0:58:21.200 --> 0:58:23.160
<v Speaker 18>and then you look back three months down the line

0:58:23.200 --> 0:58:25.120
<v Speaker 18>and you broke, and then you're looking at the label

0:58:25.240 --> 0:58:27.000
<v Speaker 18>like what y'all doing. Y'all supposed to be helping me

0:58:27.080 --> 0:58:29.400
<v Speaker 18>get money when it's like in a actuality nigga, you

0:58:29.440 --> 0:58:31.360
<v Speaker 18>was supposed to take that money and go get an

0:58:31.400 --> 0:58:34.320
<v Speaker 18>independent publicist, you feel me, Go get a camera man,

0:58:34.440 --> 0:58:36.920
<v Speaker 18>Go get a strategic go get a digital team. So

0:58:37.040 --> 0:58:39.680
<v Speaker 18>we want to be the people that signed digital teams,

0:58:39.800 --> 0:58:43.080
<v Speaker 18>sign creative people, signed producers and songwriters. So when artists

0:58:43.120 --> 0:58:44.920
<v Speaker 18>get that money, they can come to us and we

0:58:44.960 --> 0:58:46.960
<v Speaker 18>could break it down. Okay, bro, this is just a

0:58:47.040 --> 0:58:49.080
<v Speaker 18>producer you could work with. It's somebody that can help

0:58:49.120 --> 0:58:51.520
<v Speaker 18>you creatively, and they'll have an infrastructure up under them

0:58:51.640 --> 0:58:53.200
<v Speaker 18>and they ain't gotta lose so much money in the

0:58:53.280 --> 0:58:54.120
<v Speaker 18>process of doing that.

0:58:55.080 --> 0:58:58.600
<v Speaker 2>Now, I think what you represent is very important because,

0:58:58.640 --> 0:59:01.000
<v Speaker 2>like you said, it's like I can just regular people

0:59:01.120 --> 0:59:04.520
<v Speaker 2>in the music business. Everybody's a drug addict, everybody's a killer,

0:59:04.600 --> 0:59:06.560
<v Speaker 2>but it's like the majority of people aren't like that.

0:59:07.080 --> 0:59:11.120
<v Speaker 2>And when I hear you speak, you sound sober, and

0:59:11.440 --> 0:59:14.120
<v Speaker 2>that's something that is rare. That's rare.

0:59:14.200 --> 0:59:16.440
<v Speaker 17>I'm saw stup on the tequila right now, by the way.

0:59:17.600 --> 0:59:19.840
<v Speaker 2>But even when I say sober, I just don't mean

0:59:19.880 --> 0:59:23.640
<v Speaker 2>from drugs. I mean yes, humility, just yeah. You just

0:59:23.880 --> 0:59:26.000
<v Speaker 2>sound like you got common sense, like you know what

0:59:26.000 --> 0:59:28.840
<v Speaker 2>I'm saying. And I appreciate that. I think a lot

0:59:28.880 --> 0:59:31.960
<v Speaker 2>of times we talked to artists and it's like, damn, bro, like,

0:59:32.120 --> 0:59:33.520
<v Speaker 2>just speak to me like a regular person.

0:59:34.000 --> 0:59:36.520
<v Speaker 18>But it's like some of them don't know how you

0:59:36.600 --> 0:59:38.760
<v Speaker 18>know what I mean, Like some of these kids where

0:59:38.760 --> 0:59:44.760
<v Speaker 18>you gotta think you have a little TOUTO from Jacksonville, Florida, right,

0:59:45.160 --> 0:59:47.320
<v Speaker 18>and he made a song in his closet with his

0:59:47.440 --> 0:59:49.960
<v Speaker 18>homies about some issues they was having with some niggas

0:59:50.000 --> 0:59:53.880
<v Speaker 18>from up the street, and some little suburban kid posted

0:59:53.960 --> 0:59:57.200
<v Speaker 18>this on TikTok and it went viral and the world

0:59:57.320 --> 0:59:59.920
<v Speaker 18>found out about it, and then labels started calling them.

1:00:00.120 --> 1:00:02.360
<v Speaker 18>They flying him to La, they throwing him in these

1:00:02.400 --> 1:00:05.360
<v Speaker 18>big studios, they putting them with the producers. He don't

1:00:05.360 --> 1:00:08.480
<v Speaker 18>even know what to do. It's all new for him.

1:00:08.520 --> 1:00:10.080
<v Speaker 18>He ain't never had to sit in front of a

1:00:10.160 --> 1:00:12.720
<v Speaker 18>camera and talk to nobody. Like I said, I've been

1:00:12.800 --> 1:00:15.479
<v Speaker 18>popular in my whole life, So I had to argue

1:00:15.520 --> 1:00:18.120
<v Speaker 18>with my teachers, you know what I'm saying. I had

1:00:18.160 --> 1:00:20.880
<v Speaker 18>to fight with my basketball coach. Like I'm used to

1:00:21.000 --> 1:00:23.920
<v Speaker 18>talking to people. Some people in them environments, they're not

1:00:24.080 --> 1:00:26.720
<v Speaker 18>used to talking or telling what's going on. So we

1:00:26.840 --> 1:00:29.840
<v Speaker 18>can't blame them for that. We just have to educate

1:00:29.920 --> 1:00:32.440
<v Speaker 18>them and help them navigate through that. But at the

1:00:32.480 --> 1:00:34.120
<v Speaker 18>same time, niggas gotta want to help.

1:00:35.320 --> 1:00:37.280
<v Speaker 8>Man, you didn't been on a lot of platforms, man,

1:00:37.440 --> 1:00:38.120
<v Speaker 8>Jimmy Kimmel.

1:00:38.760 --> 1:00:43.000
<v Speaker 7>People like, it's interesting because I feel like, kind of

1:00:43.120 --> 1:00:46.040
<v Speaker 7>like myself right when somebody's seen me on the platform,

1:00:46.080 --> 1:00:47.640
<v Speaker 7>it's like something that's not supposed to be there.

1:00:47.640 --> 1:00:52.440
<v Speaker 8>It's an enigma. You feel me, and somehow you challenge

1:00:52.480 --> 1:00:54.440
<v Speaker 8>that and navigate. Like I feel like we're in an

1:00:54.480 --> 1:00:57.200
<v Speaker 8>era where it's a glitch and a matrix.

1:00:57.520 --> 1:00:59.760
<v Speaker 7>You feel me, and it ain't even really a question

1:01:00.120 --> 1:01:03.840
<v Speaker 7>more so about you know, maintaining that integrity that you got.

1:01:04.080 --> 1:01:06.200
<v Speaker 8>You understand me just along that path, because I could

1:01:06.240 --> 1:01:07.040
<v Speaker 8>just see the future.

1:01:07.400 --> 1:01:10.240
<v Speaker 7>Are you growing and see the brand developing and people

1:01:10.320 --> 1:01:12.200
<v Speaker 7>really rocking with that, and you're creating a whole new

1:01:12.320 --> 1:01:14.760
<v Speaker 7>archetype that people can follow as a blueprint.

1:01:15.080 --> 1:01:15.640
<v Speaker 8>You understand me.

1:01:15.720 --> 1:01:19.280
<v Speaker 7>People love Nipsey because of what he represented. You feel me,

1:01:19.640 --> 1:01:21.320
<v Speaker 7>and then you got that same representation.

1:01:21.400 --> 1:01:24.920
<v Speaker 18>So half of the shit I'm speaking on and how

1:01:24.960 --> 1:01:27.240
<v Speaker 18>I was able to find out about this information was

1:01:27.280 --> 1:01:31.000
<v Speaker 18>from Nipsey. I met Nipsey in twenty twelve and eight

1:01:31.040 --> 1:01:33.520
<v Speaker 18>three Sea Fence in Atlanta. And this is when the

1:01:33.600 --> 1:01:36.080
<v Speaker 18>wee cookies that just came out right, and we was

1:01:36.080 --> 1:01:38.520
<v Speaker 18>the only niggas with cookies in the bay. So we

1:01:38.680 --> 1:01:40.560
<v Speaker 18>got something to the eighth right. We was in the

1:01:40.600 --> 1:01:44.160
<v Speaker 18>club club compound smoking and I feel somebody tap me.

1:01:44.920 --> 1:01:47.840
<v Speaker 18>He like, hey, bro, y'all got some of that for

1:01:47.960 --> 1:01:49.880
<v Speaker 18>sale with y'all smoking, you feel me? I'm like, man,

1:01:49.920 --> 1:01:51.480
<v Speaker 18>it's some new shit. I'm like, nigg I'm a fan

1:01:51.560 --> 1:01:53.160
<v Speaker 18>of you. I ain't gonna sell you no weed, but

1:01:53.520 --> 1:01:54.480
<v Speaker 18>we could smoke together.

1:01:54.680 --> 1:01:55.080
<v Speaker 12>You feel me.

1:01:55.720 --> 1:01:57.880
<v Speaker 18>He talked it up that night. He gave me his number.

1:01:57.920 --> 1:02:00.640
<v Speaker 18>He said, man, whenever you in La, hit me. I

1:02:00.840 --> 1:02:02.600
<v Speaker 18>lied to the nigger. I say, I live in La.

1:02:02.680 --> 1:02:03.560
<v Speaker 18>I'll be there Monday.

1:02:04.040 --> 1:02:04.560
<v Speaker 12>You feel me?

1:02:04.880 --> 1:02:05.880
<v Speaker 8>He like, all right in me.

1:02:06.360 --> 1:02:09.040
<v Speaker 17>I flew back to the bait, got my car and

1:02:09.200 --> 1:02:09.960
<v Speaker 17>drove to La.

1:02:10.360 --> 1:02:10.760
<v Speaker 12>You feel me?

1:02:10.760 --> 1:02:11.280
<v Speaker 17>I ain't have a.

1:02:11.320 --> 1:02:13.800
<v Speaker 18>Hotel room nothing. I just drove out there and I

1:02:13.880 --> 1:02:15.840
<v Speaker 18>got to the Grapevine. I was like, bro, I'm in LA.

1:02:15.960 --> 1:02:18.800
<v Speaker 18>I just got back where you at. Twenty minutes later

1:02:18.840 --> 1:02:20.840
<v Speaker 18>he sent me an address. He said, I'm at the studio.

1:02:20.960 --> 1:02:21.360
<v Speaker 8>Pull up.

1:02:21.760 --> 1:02:23.920
<v Speaker 18>I went to the studio. You had a studio downtown.

1:02:24.600 --> 1:02:27.720
<v Speaker 18>Went to the studio, uh, and we had a conversation.

1:02:27.880 --> 1:02:30.040
<v Speaker 18>He gave me his book, The twenty two Immutable Laws

1:02:30.240 --> 1:02:33.880
<v Speaker 18>of Brandon Right, and that book taught me how to

1:02:33.960 --> 1:02:37.120
<v Speaker 18>stop looking at myself as an individual and how to

1:02:37.240 --> 1:02:38.840
<v Speaker 18>grow my identity as a business.

1:02:39.440 --> 1:02:40.080
<v Speaker 8>You know what I mean.

1:02:40.160 --> 1:02:44.680
<v Speaker 18>So everything that I'm speaking on majority rules, The reason

1:02:44.760 --> 1:02:47.000
<v Speaker 18>I stuck in that one lane and just rapping it

1:02:47.160 --> 1:02:48.680
<v Speaker 18>comes from that book that Nip gave me.

1:02:49.280 --> 1:02:50.240
<v Speaker 17>So rest in peace to.

1:02:50.280 --> 1:02:50.920
<v Speaker 15>The goat man.

1:02:51.040 --> 1:02:54.320
<v Speaker 5>That's a fact. So the album is on the way, sir.

1:02:55.120 --> 1:02:56.680
<v Speaker 5>They always say you got your whole life to make

1:02:56.720 --> 1:02:58.600
<v Speaker 5>your first album, that's sir, at three months to make

1:02:58.680 --> 1:02:59.120
<v Speaker 5>it second?

1:02:59.520 --> 1:02:59.640
<v Speaker 8>Sir?

1:03:00.000 --> 1:03:02.800
<v Speaker 5>Do you feel any pressure for this debut?

1:03:03.360 --> 1:03:06.080
<v Speaker 6>Right, because obviously we come up, we know Ellmatic and

1:03:06.120 --> 1:03:08.480
<v Speaker 6>we know we know these debuts obviously get rich of

1:03:08.560 --> 1:03:08.959
<v Speaker 6>not trying.

1:03:10.000 --> 1:03:12.080
<v Speaker 5>What what's the emotional building up to this moment.

1:03:12.960 --> 1:03:15.800
<v Speaker 18>Man, My thing bro is just really it ain't even

1:03:15.880 --> 1:03:19.440
<v Speaker 18>about like trying to go platinum or like impressing everybody.

1:03:19.520 --> 1:03:21.360
<v Speaker 18>It's just more so fine and where more of my

1:03:21.480 --> 1:03:24.040
<v Speaker 18>fans are, you know what I mean? Knowing what they

1:03:24.200 --> 1:03:26.040
<v Speaker 18>like to drink, knowing what they like to eat, knowing

1:03:26.080 --> 1:03:28.520
<v Speaker 18>where they like to shop. That's really what I'm most

1:03:28.560 --> 1:03:30.919
<v Speaker 18>excited about. So I don't really feel no pressure because

1:03:30.960 --> 1:03:33.200
<v Speaker 18>I don't get into other people's expectations of what they

1:03:33.280 --> 1:03:35.280
<v Speaker 18>feel I should be doing, you know what I mean.

1:03:35.440 --> 1:03:37.800
<v Speaker 18>And I didn't done this for too long, and I'm

1:03:37.880 --> 1:03:39.560
<v Speaker 18>damn good at it, you know what I mean. So

1:03:39.680 --> 1:03:41.800
<v Speaker 18>I know anything I drop it ain't gonna be wet,

1:03:42.280 --> 1:03:42.960
<v Speaker 18>you know what I mean.

1:03:43.480 --> 1:03:44.680
<v Speaker 17>So I'm I'm I don't.

1:03:44.680 --> 1:03:46.560
<v Speaker 18>I don't feel no pressure at all. I'm just really

1:03:46.600 --> 1:03:48.720
<v Speaker 18>excited to get the music out more than anything.

1:03:50.680 --> 1:03:52.280
<v Speaker 2>All Right, we got, we got, we gotta rap. But

1:03:52.480 --> 1:03:54.360
<v Speaker 2>it's just one last thing I want to say. Not

1:03:54.400 --> 1:03:55.560
<v Speaker 2>even a question, it's a request.

1:03:55.640 --> 1:03:55.880
<v Speaker 12>Okay.

1:03:56.000 --> 1:03:57.840
<v Speaker 2>I met all three of you now, and I'm glad

1:03:57.840 --> 1:03:59.720
<v Speaker 2>that I met all three of you. You were actually

1:03:59.800 --> 1:04:02.200
<v Speaker 2>how I thought you would be. I would like to

1:04:02.240 --> 1:04:06.120
<v Speaker 2>see this collaboration Toby, Benny and Simba.

1:04:06.840 --> 1:04:09.560
<v Speaker 17>Easy call Benny my brother. I just was with Bennie

1:04:09.640 --> 1:04:11.080
<v Speaker 17>last night, gotta be.

1:04:11.240 --> 1:04:13.160
<v Speaker 2>I never met Toby, but I'm a big fan of

1:04:13.600 --> 1:04:16.760
<v Speaker 2>super Bowl through Humble, big fan of his big put

1:04:16.800 --> 1:04:18.080
<v Speaker 2>it together. Appreciate you.

1:04:18.200 --> 1:04:19.760
<v Speaker 17>We're gonna make sure we link back up too.

1:04:20.400 --> 1:04:23.439
<v Speaker 5>Not for sure, I'm gonna keep going forward to move,

1:04:23.520 --> 1:04:23.920
<v Speaker 5>but I like that.

1:04:24.160 --> 1:04:29.440
<v Speaker 2>Listen, all right, We're here with the lovely beer. Thank

1:04:29.480 --> 1:04:32.800
<v Speaker 2>you for joining us. Appreciate it, appreciated vibes. How you

1:04:32.920 --> 1:04:35.120
<v Speaker 2>how you how you like the BT experience the weekend?

1:04:35.200 --> 1:04:36.080
<v Speaker 2>This is your first time coming?

1:04:36.640 --> 1:04:39.120
<v Speaker 19>Actually yeah, this is my first real This is actually

1:04:39.160 --> 1:04:41.800
<v Speaker 19>my first real time coming. It's my first time being nominated.

1:04:42.200 --> 1:04:44.000
<v Speaker 19>So it's a different it's a different vibe.

1:04:44.600 --> 1:04:46.480
<v Speaker 6>What's that what's that feeling like when you heard the

1:04:46.600 --> 1:04:50.560
<v Speaker 6>news that something that you created is now being recognized

1:04:50.680 --> 1:04:52.680
<v Speaker 6>from people that look like us, a platform that's built

1:04:53.040 --> 1:04:53.440
<v Speaker 6>by us.

1:04:53.680 --> 1:04:54.440
<v Speaker 5>What's that feeling like?

1:04:55.200 --> 1:04:57.240
<v Speaker 19>When you know you watched the BT Awards your whole

1:04:57.320 --> 1:05:00.120
<v Speaker 19>life and I've always been an artist, It's like, when

1:05:00.120 --> 1:05:01.480
<v Speaker 19>am I gonna get on the BET Awards? What am

1:05:01.480 --> 1:05:03.640
<v Speaker 19>I gonna get on the BET Awards? And now it's

1:05:03.760 --> 1:05:06.600
<v Speaker 19>just like it's just surreal. It's like it really happened.

1:05:06.640 --> 1:05:09.800
<v Speaker 19>I'm like, it's crazy. God is great man for real.

1:05:11.360 --> 1:05:13.720
<v Speaker 8>I'm imma ask you something a little different. I've been

1:05:14.040 --> 1:05:14.880
<v Speaker 8>lately saying it's.

1:05:14.720 --> 1:05:17.360
<v Speaker 7>Something called soft life, where it's like, because you got

1:05:17.400 --> 1:05:19.480
<v Speaker 7>a very soft voice, but at the same time, in

1:05:19.560 --> 1:05:22.400
<v Speaker 7>command's presence, you understand me. And the soft life is

1:05:22.440 --> 1:05:25.040
<v Speaker 7>about like black and brown women not needing to be

1:05:25.120 --> 1:05:28.480
<v Speaker 7>displayed like tough, but they can be softening, feminine energy

1:05:28.560 --> 1:05:31.280
<v Speaker 7>and like show joy and laughter. You feel me what

1:05:31.440 --> 1:05:32.120
<v Speaker 7>you feel about that.

1:05:32.480 --> 1:05:33.480
<v Speaker 3>I love that you say that.

1:05:33.720 --> 1:05:36.400
<v Speaker 19>Nobody ever says anything like that, and I'm glad because

1:05:36.600 --> 1:05:39.160
<v Speaker 19>you know, I grew up in an era where it

1:05:39.320 --> 1:05:42.200
<v Speaker 19>was like the nineties, early two thousands, it was very

1:05:42.320 --> 1:05:46.040
<v Speaker 19>like Aliyah, and you know, it was just a different vibe.

1:05:46.080 --> 1:05:49.120
<v Speaker 19>It was very like Flag Girls, and you know, just

1:05:49.200 --> 1:05:52.040
<v Speaker 19>a different vibe. So I've always felt like, as an artist,

1:05:52.120 --> 1:05:54.720
<v Speaker 19>I just want to be myself and whoever that translates

1:05:54.760 --> 1:05:57.560
<v Speaker 19>with is who it translates with, and just not have

1:05:57.680 --> 1:06:00.520
<v Speaker 19>to fit into a mold that people wanted me to

1:06:00.560 --> 1:06:02.840
<v Speaker 19>fit into. When I first started making music.

1:06:03.040 --> 1:06:03.680
<v Speaker 5>That's beautiful.

1:06:03.680 --> 1:06:04.040
<v Speaker 8>I love it.

1:06:04.120 --> 1:06:04.320
<v Speaker 5>Thank you.

1:06:04.400 --> 1:06:05.040
<v Speaker 19>I appreciate that.

1:06:05.320 --> 1:06:08.480
<v Speaker 2>So how was it like working with Coole? I was

1:06:08.600 --> 1:06:09.400
<v Speaker 2>like working with j Cole.

1:06:09.840 --> 1:06:11.200
<v Speaker 11>Oh, Cole is amazing.

1:06:11.360 --> 1:06:11.520
<v Speaker 12>Man.

1:06:12.240 --> 1:06:15.760
<v Speaker 19>Cole's actually like my favorite artist to this day, like

1:06:15.960 --> 1:06:18.000
<v Speaker 19>just because of who he is as a person and

1:06:18.240 --> 1:06:20.480
<v Speaker 19>like not only how talented he is and the way

1:06:20.520 --> 1:06:23.000
<v Speaker 19>he pushes his pen, Like he make me every time

1:06:23.040 --> 1:06:25.080
<v Speaker 19>I go in the booth. Now I'm like, I got

1:06:25.200 --> 1:06:27.600
<v Speaker 19>to push my pen for real, like j Cole is

1:06:27.640 --> 1:06:28.040
<v Speaker 19>watching me.

1:06:30.160 --> 1:06:31.400
<v Speaker 5>I can't lett J Cole dew.

1:06:32.320 --> 1:06:34.919
<v Speaker 2>That song is dope, The video is dope. The whole

1:06:35.000 --> 1:06:36.640
<v Speaker 2>London vibe is dope. What inspired that?

1:06:38.360 --> 1:06:42.040
<v Speaker 19>It's crazy because we love London and I think Jake

1:06:42.080 --> 1:06:45.160
<v Speaker 19>Cole actually spent some time in London too, like extended

1:06:45.200 --> 1:06:48.640
<v Speaker 19>period of time. So when we had a show out there,

1:06:48.960 --> 1:06:50.600
<v Speaker 19>so we were just gearing up to go to London

1:06:50.640 --> 1:06:52.120
<v Speaker 19>and I was like, all right, I'm getting in my

1:06:52.200 --> 1:06:54.000
<v Speaker 19>London bag and I just like to have fun when

1:06:54.000 --> 1:06:56.520
<v Speaker 19>I'm in the studio, and that's what that song was.

1:06:56.760 --> 1:06:58.960
<v Speaker 19>I wasn't even expecting Jake Cole to get on it, like,

1:06:59.080 --> 1:07:01.120
<v Speaker 19>to be honest, I just wanted to play it for him.

1:07:01.720 --> 1:07:04.760
<v Speaker 7>What about Crypto, I've seen you do the collaboration with

1:07:04.880 --> 1:07:06.840
<v Speaker 7>the crypto actually did like a little remix to it

1:07:07.120 --> 1:07:09.800
<v Speaker 7>because I love that fact. Could I always say, you know,

1:07:10.240 --> 1:07:12.280
<v Speaker 7>I say crypto in your person, not in your wallet.

1:07:12.120 --> 1:07:13.439
<v Speaker 8>Right, That's how I teach it to women.

1:07:13.920 --> 1:07:16.000
<v Speaker 7>So what do you feel about the industry of women

1:07:16.080 --> 1:07:19.520
<v Speaker 7>actually understanding this new age financial technology and stuff.

1:07:19.960 --> 1:07:22.320
<v Speaker 19>Well, I just feel like as a woman, the more

1:07:22.440 --> 1:07:24.640
<v Speaker 19>things you can put your money into, the better, Like

1:07:25.000 --> 1:07:27.440
<v Speaker 19>whether that be real estate, whether that be a makeup brand,

1:07:27.520 --> 1:07:31.440
<v Speaker 19>whether that be a salon. Crypto, Like, for me, crypto

1:07:31.600 --> 1:07:33.720
<v Speaker 19>was so scary at first because I'm like, I don't

1:07:33.760 --> 1:07:36.320
<v Speaker 19>know much about stocks, but it's actually like a lot

1:07:36.440 --> 1:07:38.400
<v Speaker 19>easier once you get your foot in and you just

1:07:38.880 --> 1:07:41.360
<v Speaker 19>try it out more. People need to just like do

1:07:41.520 --> 1:07:43.560
<v Speaker 19>a little bit of crypto and then take it a

1:07:43.640 --> 1:07:47.080
<v Speaker 19>little bit and grow. You're really good with the crypto

1:07:47.200 --> 1:07:47.800
<v Speaker 19>I know about you.

1:07:49.480 --> 1:07:50.840
<v Speaker 3>You got some tips.

1:07:52.640 --> 1:07:54.840
<v Speaker 19>Anything I should anything I should invest.

1:07:54.560 --> 1:07:55.200
<v Speaker 3>In while I'm here?

1:07:56.120 --> 1:07:56.960
<v Speaker 2>What are you invested in?

1:07:58.440 --> 1:08:02.120
<v Speaker 19>Like random stuff? But like stocks that like people will

1:08:02.160 --> 1:08:03.560
<v Speaker 19>tell me like, oh, you should invest in this. I

1:08:03.640 --> 1:08:05.960
<v Speaker 19>might go get a couple of those, but really stuff

1:08:06.000 --> 1:08:07.960
<v Speaker 19>that like I use in the long term, So like

1:08:08.040 --> 1:08:10.160
<v Speaker 19>I have a lot of like long term stocks.

1:08:09.840 --> 1:08:11.680
<v Speaker 5>And like just stuff like that about say, we're not

1:08:11.720 --> 1:08:12.840
<v Speaker 5>investing in bout tago.

1:08:13.640 --> 1:08:14.400
<v Speaker 19>Actually I haven't.

1:08:15.080 --> 1:08:15.520
<v Speaker 8>I haven't.

1:08:16.400 --> 1:08:18.400
<v Speaker 3>They got to like pay me for me to invest

1:08:18.439 --> 1:08:18.760
<v Speaker 3>in them.

1:08:18.680 --> 1:08:23.120
<v Speaker 6>For so obviously being a newer artist, what's it been

1:08:23.280 --> 1:08:24.960
<v Speaker 6>like for you being accepted in this industry?

1:08:25.080 --> 1:08:25.200
<v Speaker 2>Right?

1:08:25.280 --> 1:08:27.280
<v Speaker 5>Like, I feel like we came in with such a

1:08:27.360 --> 1:08:29.200
<v Speaker 5>heat rock. It was like who is this girl? We

1:08:29.320 --> 1:08:31.040
<v Speaker 5>love her? What's it been like for you just over

1:08:31.080 --> 1:08:31.640
<v Speaker 5>this past year?

1:08:32.200 --> 1:08:35.120
<v Speaker 19>Well, most people know I'm not a newer artist, like

1:08:35.240 --> 1:08:37.840
<v Speaker 19>I've been out for like ten years. It's just I

1:08:38.040 --> 1:08:41.760
<v Speaker 19>was like shelled. I had like a situation that wasn't

1:08:41.800 --> 1:08:43.960
<v Speaker 19>right for me at the for a while, so nobody

1:08:44.040 --> 1:08:46.240
<v Speaker 19>really knew my music like that. People just knew me,

1:08:46.520 --> 1:08:48.599
<v Speaker 19>you know. So now I'm at the point where people

1:08:48.800 --> 1:08:51.640
<v Speaker 19>are able to attach the face with the music and

1:08:51.760 --> 1:08:53.519
<v Speaker 19>now they see like, oh, it's a real person.

1:08:54.000 --> 1:08:56.160
<v Speaker 6>It's been a glass so ten years, yeah, they didn't

1:08:56.160 --> 1:08:57.599
<v Speaker 6>know And now that what is that experience been?

1:08:57.640 --> 1:08:57.680
<v Speaker 8>Like?

1:08:57.760 --> 1:08:57.840
<v Speaker 13>Yo?

1:08:57.960 --> 1:09:01.840
<v Speaker 19>Finally it feels like hard work pays off and it

1:09:01.960 --> 1:09:04.599
<v Speaker 19>really just feels like you can never stop the motion,

1:09:04.840 --> 1:09:07.280
<v Speaker 19>like it's always gonna be up and down motion.

1:09:07.400 --> 1:09:09.280
<v Speaker 3>You just gotta find your motion.

1:09:10.560 --> 1:09:12.720
<v Speaker 2>How is life for you these days? I know, like

1:09:13.240 --> 1:09:16.479
<v Speaker 2>once you get up and running, everything comes at you

1:09:17.200 --> 1:09:19.680
<v Speaker 2>and so many people hitting you up. It's hard to

1:09:19.720 --> 1:09:23.000
<v Speaker 2>answer text messages like are you enjoying that? Because I

1:09:23.000 --> 1:09:24.840
<v Speaker 2>already know you going through it because we go through it.

1:09:25.040 --> 1:09:26.599
<v Speaker 3>Yo, is a question you just asked.

1:09:26.640 --> 1:09:27.400
<v Speaker 19>That's a great question.

1:09:27.680 --> 1:09:29.800
<v Speaker 2>Join out you feel guilty about Like that's the.

1:09:29.840 --> 1:09:32.840
<v Speaker 19>Hardest part for me. It's like finding that balance of

1:09:33.120 --> 1:09:38.000
<v Speaker 19>like I'm so busy and I love being busy, Like

1:09:38.040 --> 1:09:39.800
<v Speaker 19>I would never not want to be as busy as

1:09:39.840 --> 1:09:42.679
<v Speaker 19>I am now. But it's like finding sleep, find and eat,

1:09:42.840 --> 1:09:46.120
<v Speaker 19>finding family, like those things are not being able to

1:09:46.160 --> 1:09:48.960
<v Speaker 19>respond right away because it's like people think that I'm

1:09:49.000 --> 1:09:50.160
<v Speaker 19>at the dispos on my.

1:09:50.200 --> 1:09:52.439
<v Speaker 3>Phone and I do not have my phone nine times

1:09:52.479 --> 1:09:53.120
<v Speaker 3>out of ten, so.

1:09:53.680 --> 1:09:56.360
<v Speaker 19>You know, people take it's like everything gets people take

1:09:56.360 --> 1:09:59.160
<v Speaker 19>it way more personal and they don't know what it's

1:09:59.280 --> 1:10:00.000
<v Speaker 19>like on this life.

1:10:00.680 --> 1:10:06.120
<v Speaker 5>Yeah, yeah, on everything.

1:10:06.320 --> 1:10:10.200
<v Speaker 8>Absolutely, pleasure get into you.

1:10:10.439 --> 1:10:13.920
<v Speaker 2>Thank you for joining us, bro appreciate it. I said,

1:10:13.960 --> 1:10:15.080
<v Speaker 2>thank you for joining I appreciate it.

1:10:16.439 --> 1:10:19.160
<v Speaker 16>It's fun again, I ain't something like this, you know,

1:10:19.240 --> 1:10:22.120
<v Speaker 16>in a minute. Even bringing the culture together the dude,

1:10:22.479 --> 1:10:24.240
<v Speaker 16>you know, the pol taking the culture is different.

1:10:26.120 --> 1:10:29.160
<v Speaker 2>So so we see you at a lot of different events.

1:10:29.200 --> 1:10:31.080
<v Speaker 2>What's the what's the power of networking? A lot of

1:10:31.120 --> 1:10:36.560
<v Speaker 2>times people artists, entertainers, entrepreneurs, they don't fully understand, Like

1:10:36.680 --> 1:10:39.240
<v Speaker 2>even this room right here, right going around, you probably

1:10:39.360 --> 1:10:41.080
<v Speaker 2>might not even want to do this, But what's the

1:10:41.240 --> 1:10:44.559
<v Speaker 2>power of networking getting out there, making relationships, shaking hand

1:10:44.640 --> 1:10:44.920
<v Speaker 2>things to that?

1:10:45.000 --> 1:10:50.080
<v Speaker 16>Na shuld I think there's a simple beauty and collaboration,

1:10:50.760 --> 1:10:53.479
<v Speaker 16>you know. However you can imagine that.

1:10:54.400 --> 1:10:54.519
<v Speaker 8>Man.

1:10:54.600 --> 1:10:58.479
<v Speaker 16>I feel like everybody's passion is like a puzzle piece,

1:10:59.120 --> 1:11:03.000
<v Speaker 16>you know, so everybody gotta like somehow come together we

1:11:03.120 --> 1:11:05.880
<v Speaker 16>make the picture, you know, and you never know who

1:11:05.920 --> 1:11:08.080
<v Speaker 16>you might meet on any given day, you know. And

1:11:08.160 --> 1:11:10.280
<v Speaker 16>I feel like, you know, obviously, bringing people together in

1:11:10.360 --> 1:11:12.840
<v Speaker 16>one room, it's almost like a free for all, you know.

1:11:12.960 --> 1:11:14.400
<v Speaker 16>So it's really about what you do with it. You know,

1:11:15.400 --> 1:11:17.320
<v Speaker 16>you got to be a people person. You can't be

1:11:18.479 --> 1:11:19.960
<v Speaker 16>you can't be shot, you can't be.

1:11:21.520 --> 1:11:21.880
<v Speaker 15>Quiet.

1:11:22.400 --> 1:11:24.840
<v Speaker 16>You know, speak up, you know, speak speak your truth,

1:11:25.080 --> 1:11:27.559
<v Speaker 16>you know, speak your story, you know, and the rest

1:11:27.640 --> 1:11:28.120
<v Speaker 16>is history.

1:11:28.640 --> 1:11:30.600
<v Speaker 5>Yeah. Yeah, one of the things you spoke about is

1:11:30.640 --> 1:11:33.320
<v Speaker 5>passions and so we've seen you with the music.

1:11:33.360 --> 1:11:35.599
<v Speaker 6>Obviously that's one of your passions. But I think people

1:11:35.640 --> 1:11:37.880
<v Speaker 6>have underrated you in the acting field. That's one of

1:11:37.920 --> 1:11:40.240
<v Speaker 6>the things that you know, seeing you in power.

1:11:41.320 --> 1:11:43.559
<v Speaker 5>What did you discover the power the passion for acting.

1:11:44.560 --> 1:11:48.040
<v Speaker 16>I think growing up being exposed to so much at

1:11:48.080 --> 1:11:51.800
<v Speaker 16>a young age, and that's just like traveling so many

1:11:51.840 --> 1:11:55.320
<v Speaker 16>different places, being exposed to so many different cultures, like

1:11:55.400 --> 1:11:59.439
<v Speaker 16>culture shocks, you know, which ultimately allows you to grow

1:11:59.520 --> 1:12:01.599
<v Speaker 16>at a young age early, you know, and you're able

1:12:01.640 --> 1:12:05.120
<v Speaker 16>to really like become a chameleon, you know, and so

1:12:05.280 --> 1:12:07.280
<v Speaker 16>on top of who I am and my personality, you know,

1:12:07.360 --> 1:12:09.960
<v Speaker 16>my mom always you know how they say, boy, you're

1:12:09.960 --> 1:12:13.400
<v Speaker 16>a character. You know, like you say that every day

1:12:14.560 --> 1:12:18.880
<v Speaker 16>for years. You know, eventually you become one, you know,

1:12:19.000 --> 1:12:21.400
<v Speaker 16>but still you're you. And she was like, you know,

1:12:21.439 --> 1:12:24.760
<v Speaker 16>they got to industry for that. But I would never

1:12:25.200 --> 1:12:27.599
<v Speaker 16>really want to, you know, claim it up until obviously

1:12:27.640 --> 1:12:29.960
<v Speaker 16>I was growing up and realize, oh, this is a

1:12:30.040 --> 1:12:32.360
<v Speaker 16>space for me. Actually, I thought you had to just

1:12:32.439 --> 1:12:34.800
<v Speaker 16>be like picked, you know, I ain't know you can

1:12:34.880 --> 1:12:37.320
<v Speaker 16>actually like put yourself forward and you know, really do it.

1:12:37.680 --> 1:12:37.840
<v Speaker 8>You know.

1:12:37.920 --> 1:12:39.680
<v Speaker 15>Back then when she was telling me, So she's all

1:12:39.720 --> 1:12:40.240
<v Speaker 15>about growing.

1:12:40.600 --> 1:12:42.639
<v Speaker 8>You know what about legacy?

1:12:42.720 --> 1:12:46.400
<v Speaker 7>Man? I feel like your family as a family of brothers,

1:12:46.439 --> 1:12:48.839
<v Speaker 7>each one of you all have your own individual presence,

1:12:49.280 --> 1:12:51.439
<v Speaker 7>but collectively y'all represent a legacy.

1:12:51.760 --> 1:12:52.439
<v Speaker 8>You understand me.

1:12:52.520 --> 1:12:54.760
<v Speaker 7>And I was just looking up some as far as like,

1:12:54.880 --> 1:12:57.360
<v Speaker 7>you know, y'all do the dances and dancing it's one

1:12:57.360 --> 1:12:59.960
<v Speaker 7>of the most spiritual rituals known to man. And y'all

1:13:00.120 --> 1:13:02.360
<v Speaker 7>like bring energy and joy at the same time. And

1:13:02.439 --> 1:13:06.000
<v Speaker 7>y'all representation. You understand me, y'all bring people together. What

1:13:06.120 --> 1:13:09.160
<v Speaker 7>do you feel like just as a collective and as individual,

1:13:09.240 --> 1:13:11.400
<v Speaker 7>what y'all represent for the culture as a family of

1:13:11.560 --> 1:13:13.759
<v Speaker 7>like black men putting out that energy.

1:13:14.360 --> 1:13:17.320
<v Speaker 15>You know, family is everything.

1:13:18.640 --> 1:13:21.439
<v Speaker 16>Not to sound cliche, but you know, growing up you

1:13:21.560 --> 1:13:23.760
<v Speaker 16>realize that importance, and you realize the unity and that

1:13:23.880 --> 1:13:26.320
<v Speaker 16>and the power and that and where that could go.

1:13:26.960 --> 1:13:29.479
<v Speaker 16>And then next thing, you know, friends become family, and

1:13:29.600 --> 1:13:32.000
<v Speaker 16>then next thing you know, you know what I mean,

1:13:32.800 --> 1:13:36.880
<v Speaker 16>it's that effect and nothing beats that. And I feel

1:13:36.920 --> 1:13:39.559
<v Speaker 16>like whatever we want to do and apply that factor,

1:13:41.320 --> 1:13:43.120
<v Speaker 16>it's a no brainer. You know, it's almost like an

1:13:43.160 --> 1:13:47.799
<v Speaker 16>instant success, you know what I mean. It's almost founded

1:13:47.840 --> 1:13:50.240
<v Speaker 16>off love, you know what I mean, unity, you know,

1:13:50.320 --> 1:13:53.479
<v Speaker 16>but then spread with love and unity as well, you know,

1:13:53.520 --> 1:13:56.080
<v Speaker 16>And I feel like that's the real you know, that's

1:13:56.120 --> 1:13:56.880
<v Speaker 16>what brings us together.

1:13:57.479 --> 1:14:00.599
<v Speaker 2>I feel like you're very talented with the music, acting

1:14:00.760 --> 1:14:03.720
<v Speaker 2>through fashion. How do you know what to focus your

1:14:03.800 --> 1:14:06.240
<v Speaker 2>energy on, because sometimes you can spread yourself too thin

1:14:06.800 --> 1:14:08.320
<v Speaker 2>and be like all over the place. So how do

1:14:08.400 --> 1:14:10.800
<v Speaker 2>you personally know? Like, this is what I'm doubling down

1:14:10.840 --> 1:14:11.320
<v Speaker 2>on right now.

1:14:11.760 --> 1:14:13.519
<v Speaker 16>You know, I'm big on timing, you know, And I

1:14:13.600 --> 1:14:15.920
<v Speaker 16>feel like who I am as a person, who are

1:14:16.080 --> 1:14:20.320
<v Speaker 16>who we are as people. We we go through different

1:14:20.360 --> 1:14:23.479
<v Speaker 16>stages and where we want to get off what we

1:14:23.560 --> 1:14:25.479
<v Speaker 16>feel like, you know, we want to put out, you know,

1:14:25.600 --> 1:14:28.479
<v Speaker 16>into the world. And I feel like with me doing

1:14:28.520 --> 1:14:30.880
<v Speaker 16>the act and me doing the music, sometimes it is

1:14:30.960 --> 1:14:34.559
<v Speaker 16>hard to juggle. I like to say it balances itself.

1:14:36.240 --> 1:14:39.720
<v Speaker 16>One doesn't really occupy the other. But then at the

1:14:39.800 --> 1:14:41.120
<v Speaker 16>end of the day, I'm trying to bring it all

1:14:41.160 --> 1:14:43.479
<v Speaker 16>together through my music. You're gonna hear the fashion in

1:14:43.640 --> 1:14:45.880
<v Speaker 16>the music. You're gonna hear them the characters I'm playing

1:14:45.920 --> 1:14:49.200
<v Speaker 16>in my music. I may can't go directly to that

1:14:49.360 --> 1:14:52.559
<v Speaker 16>place but I can like perform it in a way

1:14:52.600 --> 1:14:56.040
<v Speaker 16>where you know that character is, you know that person

1:14:56.320 --> 1:14:58.280
<v Speaker 16>going through it. Right now, I'm over that, but I

1:14:58.320 --> 1:15:00.519
<v Speaker 16>still want you to feel feel that. I felt like

1:15:00.600 --> 1:15:02.479
<v Speaker 16>I need to make a song about it, you know.

1:15:03.280 --> 1:15:06.120
<v Speaker 16>So it is you know, tough, you know, but then

1:15:06.160 --> 1:15:08.920
<v Speaker 16>it balances itself out and that's rewarding. Everybody has their

1:15:08.920 --> 1:15:11.120
<v Speaker 16>good days bad days, you know. I feel like that's

1:15:11.160 --> 1:15:13.560
<v Speaker 16>the timing with almost like how I juggle, you know,

1:15:13.680 --> 1:15:15.120
<v Speaker 16>the things I like to put my heart into.

1:15:16.040 --> 1:15:16.439
<v Speaker 2>For sure.

1:15:16.520 --> 1:15:16.960
<v Speaker 5>It's funny.

1:15:17.000 --> 1:15:20.479
<v Speaker 6>Well, Kes, you brought up legacy, so I wonder sometimes

1:15:20.600 --> 1:15:23.640
<v Speaker 6>you do you feel the pressure like obviously the siblings

1:15:24.280 --> 1:15:26.799
<v Speaker 6>we know the family business, but do you feel pressure

1:15:26.880 --> 1:15:28.240
<v Speaker 6>to continue the legacy.

1:15:28.240 --> 1:15:29.760
<v Speaker 5>Or you more on that lane where you know what

1:15:30.160 --> 1:15:32.240
<v Speaker 5>that is a legacy? I need to create my own

1:15:32.280 --> 1:15:34.200
<v Speaker 5>step in this world? Is the pressure?

1:15:34.240 --> 1:15:37.640
<v Speaker 16>There By default, I'm contributing to the legacy, you know,

1:15:37.720 --> 1:15:40.760
<v Speaker 16>And I feel like that speaks volumes in itself. You know,

1:15:41.120 --> 1:15:43.559
<v Speaker 16>I'm not running away from the legacy, so therefore it's

1:15:43.600 --> 1:15:46.120
<v Speaker 16>only adding to it. And I feel like the extension

1:15:46.200 --> 1:15:49.080
<v Speaker 16>of my brother and my sisters, even you know, they

1:15:49.200 --> 1:15:51.200
<v Speaker 16>gonna go into a whole different industry that we ain't

1:15:51.240 --> 1:15:51.679
<v Speaker 16>never seen.

1:15:52.280 --> 1:15:54.679
<v Speaker 15>But it's not gonna be a separate legacy.

1:15:54.720 --> 1:15:56.640
<v Speaker 16>That's gonna be an extension that's gonna just continue the

1:15:56.720 --> 1:15:59.040
<v Speaker 16>legacy overall. So I think that's a beautiful thing about

1:15:59.040 --> 1:16:00.920
<v Speaker 16>the family, Like you said, the unity and all and

1:16:01.000 --> 1:16:03.479
<v Speaker 16>how we really pushing the culture and putting that first,

1:16:03.600 --> 1:16:04.160
<v Speaker 16>you know what.

1:16:04.240 --> 1:16:06.519
<v Speaker 7>About I'm saying what Snoop doing with his son and

1:16:06.560 --> 1:16:09.200
<v Speaker 7>everything in a Web three space and the NFTs and everything.

1:16:09.760 --> 1:16:12.320
<v Speaker 7>Do y'all have any projects y'all working on? You understand me?

1:16:12.400 --> 1:16:13.920
<v Speaker 7>In that space to push things for it.

1:16:14.160 --> 1:16:21.200
<v Speaker 16>We definitely been having all types of zooms, the log

1:16:21.960 --> 1:16:25.080
<v Speaker 16>the knowledge behind it all, you know, especially with my Pops.

1:16:25.120 --> 1:16:27.160
<v Speaker 15>You know, he really wants to know it, you know.

1:16:27.360 --> 1:16:31.439
<v Speaker 16>So it's a constant learning experience, I think for him

1:16:31.479 --> 1:16:34.280
<v Speaker 16>and all of us because he comes up with questions

1:16:34.360 --> 1:16:37.599
<v Speaker 16>sometimes might stump us and we got to go back

1:16:37.680 --> 1:16:41.840
<v Speaker 16>and you know, uh find two three different you know,

1:16:42.680 --> 1:16:45.519
<v Speaker 16>variations of the answer, so he can really understand it.

1:16:45.560 --> 1:16:46.799
<v Speaker 15>So it's just not one sided.

1:16:47.120 --> 1:16:49.479
<v Speaker 16>And I respect him because he's made me like step

1:16:49.560 --> 1:16:51.280
<v Speaker 16>my game up and then learned about the space too,

1:16:51.360 --> 1:16:56.040
<v Speaker 16>because you know, it's very very very interesting. But until

1:16:56.040 --> 1:16:58.160
<v Speaker 16>you can really grasp it, you know, that's when he

1:16:58.240 --> 1:17:01.080
<v Speaker 16>really wants to then step foot in. We're definitely definitely

1:17:01.640 --> 1:17:04.040
<v Speaker 16>he dodn'et cop the couple, you know, he cop the ab,

1:17:04.080 --> 1:17:05.120
<v Speaker 16>he doesn't cop the punk, you know.

1:17:05.439 --> 1:17:07.320
<v Speaker 15>So he's he's slow but sure in the space.

1:17:08.000 --> 1:17:10.720
<v Speaker 8>And you know, we all are, like I.

1:17:10.720 --> 1:17:11.799
<v Speaker 15>Said, about to become active.

1:17:12.160 --> 1:17:14.280
<v Speaker 5>Yeah, yeah, before.

1:17:14.120 --> 1:17:15.800
<v Speaker 2>Before we rap, I just want to ask you, what's

1:17:15.840 --> 1:17:18.519
<v Speaker 2>your plans going forward? What's on your five year ten

1:17:18.600 --> 1:17:19.400
<v Speaker 2>year vision board.

1:17:20.280 --> 1:17:22.639
<v Speaker 16>Well, you know, with the space of TV, film and music,

1:17:23.160 --> 1:17:25.439
<v Speaker 16>I feel like that's the timeless industry that I want

1:17:25.520 --> 1:17:27.160
<v Speaker 16>to just explore from a to Z.

1:17:28.360 --> 1:17:31.000
<v Speaker 15>I haven't even activated anything.

1:17:30.840 --> 1:17:35.960
<v Speaker 16>In my artistry shows, uh, touring, you know, so that's

1:17:36.040 --> 1:17:39.160
<v Speaker 16>on the lighter end of things. But I want to

1:17:39.200 --> 1:17:42.839
<v Speaker 16>travel more, you know, and really you know, step outside

1:17:42.880 --> 1:17:46.400
<v Speaker 16>the box of you know, what I've done. I feel

1:17:46.439 --> 1:17:50.840
<v Speaker 16>like the pandemic taught me a lot and there's a

1:17:50.920 --> 1:17:53.639
<v Speaker 16>lot to be done, and it was a learning experience,

1:17:54.080 --> 1:17:56.519
<v Speaker 16>you know, for me and a lot of people. But

1:17:56.600 --> 1:17:58.400
<v Speaker 16>I think this next five is probably going to be

1:17:58.439 --> 1:18:01.560
<v Speaker 16>the most exciting five years of my life, you know,

1:18:01.720 --> 1:18:06.680
<v Speaker 16>especially you know, I'm thirty third level, you know, so

1:18:06.920 --> 1:18:10.600
<v Speaker 16>it's almost like a real reset. So that road to

1:18:10.680 --> 1:18:13.439
<v Speaker 16>thirty five is about to be a crazy one, Yo, it's.

1:18:13.280 --> 1:18:15.720
<v Speaker 5>The coaches biggest night. Who you most excited to see?

1:18:17.640 --> 1:18:22.960
<v Speaker 16>Man, I'm excited to see it because my pops has

1:18:23.040 --> 1:18:26.839
<v Speaker 16>not let us come to rehearsals, and so I'm excited

1:18:26.880 --> 1:18:27.400
<v Speaker 16>to see what.

1:18:28.320 --> 1:18:31.840
<v Speaker 15>My pops, you know, cause he's in on some he's

1:18:31.920 --> 1:18:34.920
<v Speaker 15>not in on some, so but we ain't in on none.

1:18:35.040 --> 1:18:38.160
<v Speaker 7>So I mean that last question because your pops is interesting.

1:18:38.280 --> 1:18:41.559
<v Speaker 7>He stays connected to what's going on. And I think

1:18:41.560 --> 1:18:43.960
<v Speaker 7>I seen him one time it was somebody that was popping.

1:18:44.000 --> 1:18:46.200
<v Speaker 7>It was like, well, I don't know about them, you understand, Mean,

1:18:46.240 --> 1:18:48.519
<v Speaker 7>what's that process like of making sure, like do y'all

1:18:48.560 --> 1:18:51.080
<v Speaker 7>bring people to him? His attention to make sure, Like, Yo,

1:18:51.160 --> 1:18:53.559
<v Speaker 7>you got to stay interconnected so you don't lose grip

1:18:53.640 --> 1:18:53.760
<v Speaker 7>of this.

1:18:54.080 --> 1:18:58.200
<v Speaker 15>Absolutely. I like to say I bought him Drake before

1:18:59.040 --> 1:19:02.000
<v Speaker 15>Drake dawayne Uh, he.

1:19:02.040 --> 1:19:02.560
<v Speaker 8>Didn't get it.

1:19:03.439 --> 1:19:06.320
<v Speaker 16>But beyond that, it's it's all about timing, you know,

1:19:06.360 --> 1:19:09.640
<v Speaker 16>because sometimes he could be having a great day and

1:19:09.760 --> 1:19:11.560
<v Speaker 16>you show him something and he like it, and it

1:19:11.640 --> 1:19:13.240
<v Speaker 16>could be a bad day. You show him something great

1:19:13.280 --> 1:19:15.160
<v Speaker 16>and he just not being the move for it. But

1:19:15.280 --> 1:19:17.599
<v Speaker 16>it'd be something just as great as you need to hear.

1:19:17.920 --> 1:19:18.559
<v Speaker 15>So I think we're just.

1:19:18.600 --> 1:19:21.880
<v Speaker 16>Consistent on what we're passionate about, you know, putting in

1:19:21.920 --> 1:19:23.760
<v Speaker 16>front of him. We know we ain't about to bring

1:19:23.840 --> 1:19:25.960
<v Speaker 16>him no bs, or he knows we ain't about to

1:19:25.960 --> 1:19:28.040
<v Speaker 16>bring him no bs, so he tries to take that

1:19:28.120 --> 1:19:32.759
<v Speaker 16>into consideration first, like the saint, like listen to my mixtake.

1:19:32.760 --> 1:19:34.080
<v Speaker 15>Listen to my mixtape. It ain't one of those.

1:19:34.120 --> 1:19:36.960
<v Speaker 16>It's like, look, it's a reason I'm bringing this to you, pops.

1:19:37.120 --> 1:19:39.320
<v Speaker 16>And I feel like he respects that. So we always

1:19:39.360 --> 1:19:42.160
<v Speaker 16>on him, you know what I mean? He on us too,

1:19:42.200 --> 1:19:43.519
<v Speaker 16>you know what I mean. He be putting us on

1:19:43.640 --> 1:19:45.800
<v Speaker 16>like yo, you know this person, and we'd be like, wow,

1:19:46.320 --> 1:19:49.200
<v Speaker 16>he beat us, he found him first.

1:19:49.400 --> 1:19:51.120
<v Speaker 8>Yeah, yeah, now that's what's up.

1:19:51.479 --> 1:19:54.439
<v Speaker 7>I work with my pops, like we'll do video content

1:19:54.479 --> 1:19:56.800
<v Speaker 7>together and if people love it, and just that demonstration

1:19:56.960 --> 1:19:59.599
<v Speaker 7>of like a son being able to work with they father,

1:20:00.160 --> 1:20:03.080
<v Speaker 7>it's like legacy in the present, you understand me, not

1:20:03.280 --> 1:20:05.920
<v Speaker 7>like let's remember what happened. But I think that's probably

1:20:05.960 --> 1:20:08.280
<v Speaker 7>one of the most powerful demonstrations y'all have as a family.

1:20:08.400 --> 1:20:09.040
<v Speaker 15>I appreciate that.

1:20:09.600 --> 1:20:12.559
<v Speaker 16>We gonn promise to continue to keep that going most definitely,

1:20:12.600 --> 1:20:13.280
<v Speaker 16>that's what it's about.

1:20:13.360 --> 1:20:15.800
<v Speaker 2>Appreciate it. Thank you for the time we met a

1:20:15.840 --> 1:20:18.599
<v Speaker 2>few times in passing, and one thing I'll say, your

1:20:18.680 --> 1:20:22.479
<v Speaker 2>humility is definitely infectious. You just kind of get a

1:20:22.520 --> 1:20:24.920
<v Speaker 2>vibe for a person. That's every time that I met you.

1:20:24.960 --> 1:20:28.240
<v Speaker 2>You've just been super humble, super down the earl, super relatable,

1:20:28.720 --> 1:20:30.960
<v Speaker 2>and that's something that you know we appreciate.

1:20:31.120 --> 1:20:33.599
<v Speaker 15>So I appreciate y'all. I'm sure we don't have many

1:20:33.640 --> 1:20:34.360
<v Speaker 15>more running.

1:20:34.200 --> 1:20:39.120
<v Speaker 2>Too, so again, respect y'all. Taraji p Henson, thank you

1:20:39.240 --> 1:20:41.120
<v Speaker 2>for joining us. I appreciate you for having me so

1:20:41.720 --> 1:20:44.160
<v Speaker 2>icon it in the game, A true legend. How have

1:20:44.280 --> 1:20:47.439
<v Speaker 2>you been able to navigate Hollywood and state relevant for

1:20:47.520 --> 1:20:50.879
<v Speaker 2>almost for twenty years now, a little.

1:20:50.680 --> 1:20:51.360
<v Speaker 11>Over twenty years.

1:20:51.400 --> 1:20:54.200
<v Speaker 3>I haven't gotten rid of my real ones. I still

1:20:54.280 --> 1:20:54.639
<v Speaker 3>have them.

1:20:55.160 --> 1:20:58.600
<v Speaker 10>I have an incredible family that keeps me grounded, and

1:20:58.760 --> 1:21:01.120
<v Speaker 10>I just understand what this is about, Like this artist

1:21:01.160 --> 1:21:03.800
<v Speaker 10>bigger than me. It has like God gave this gift

1:21:03.880 --> 1:21:06.000
<v Speaker 10>to me to share with the world and change and

1:21:06.080 --> 1:21:08.200
<v Speaker 10>touch lives and that's what it's about. So for me,

1:21:08.280 --> 1:21:10.040
<v Speaker 10>it's not really about the vanity. I mean, I like

1:21:10.120 --> 1:21:11.960
<v Speaker 10>to be cute and stuff like that because I'm a

1:21:12.040 --> 1:21:13.960
<v Speaker 10>girly girl. But at the end of the day, I

1:21:14.080 --> 1:21:16.360
<v Speaker 10>understand my purpose and I know why I'm doing what

1:21:16.479 --> 1:21:16.640
<v Speaker 10>I do.

1:21:17.640 --> 1:21:20.680
<v Speaker 6>Let's talk about why we're all here BT Awards to

1:21:20.800 --> 1:21:23.479
<v Speaker 6>celebrate us, to celebrate us, and they got the right

1:21:23.520 --> 1:21:27.160
<v Speaker 6>person host, I think, so, yeah, So this is not

1:21:27.240 --> 1:21:29.960
<v Speaker 6>your first time hosting in a debt, what can we

1:21:30.080 --> 1:21:30.960
<v Speaker 6>expect from from the.

1:21:30.960 --> 1:21:31.639
<v Speaker 5>Show this weekend?

1:21:31.720 --> 1:21:34.400
<v Speaker 10>I think y'all gonna love this year's thing. So last

1:21:34.479 --> 1:21:37.200
<v Speaker 10>year we focused on the queens, but you know, we

1:21:37.280 --> 1:21:41.080
<v Speaker 10>ain't nothing with our y'all. So this this, yeah, because

1:21:41.520 --> 1:21:43.000
<v Speaker 10>I know thise like a lot of times we like

1:21:43.080 --> 1:21:45.240
<v Speaker 10>to make little jokes and stuff about the men, and

1:21:45.280 --> 1:21:48.559
<v Speaker 10>I'm like, we can't do that. You know, they get

1:21:48.600 --> 1:21:51.240
<v Speaker 10>beat up on enough in the world, right, So what

1:21:51.360 --> 1:21:54.040
<v Speaker 10>we gonna do here is celebrate y'all. We celebrate you,

1:21:54.160 --> 1:21:57.400
<v Speaker 10>lifting you up those that came before, those are here now,

1:21:57.640 --> 1:21:59.880
<v Speaker 10>and just making aby sending you away with some hope

1:22:00.080 --> 1:22:01.040
<v Speaker 10>cause this world.

1:22:02.439 --> 1:22:03.760
<v Speaker 11>Looking for another country to move.

1:22:06.200 --> 1:22:08.120
<v Speaker 8>I feel like that's perfect because I feel like that's

1:22:08.160 --> 1:22:08.639
<v Speaker 8>the balance.

1:22:08.720 --> 1:22:11.560
<v Speaker 7>Like I was talking with b about this earlier, so

1:22:11.680 --> 1:22:13.640
<v Speaker 7>young black women put me on call soft life for

1:22:13.760 --> 1:22:17.360
<v Speaker 7>women representing themselves softer instead of the images of women

1:22:17.400 --> 1:22:18.360
<v Speaker 7>having to be hard and.

1:22:18.439 --> 1:22:20.400
<v Speaker 8>Tough, and it's like, no, you deserve to just laugh

1:22:20.479 --> 1:22:21.240
<v Speaker 8>and being your joy.

1:22:21.280 --> 1:22:23.920
<v Speaker 7>And I feel like by lifting up men, they stand

1:22:23.960 --> 1:22:25.920
<v Speaker 7>in that position so that women can be soft as

1:22:25.960 --> 1:22:28.600
<v Speaker 7>they want to. You understand me what you feel about that,

1:22:28.720 --> 1:22:30.840
<v Speaker 7>cause I feel like that goes into what you do

1:22:30.960 --> 1:22:31.679
<v Speaker 7>with mental health.

1:22:32.520 --> 1:22:35.720
<v Speaker 10>Well, you know, we are all carrying generational trauma that

1:22:35.760 --> 1:22:37.960
<v Speaker 10>has been passed down to us that we don't we're

1:22:38.000 --> 1:22:40.439
<v Speaker 10>not even aware of, and until we get the help

1:22:40.520 --> 1:22:44.040
<v Speaker 10>and the healing that we need, we will be operating

1:22:44.160 --> 1:22:48.760
<v Speaker 10>dysfunctionally until we pinpoint our past traumas and a lot

1:22:48.840 --> 1:22:52.439
<v Speaker 10>of that stuff we don't even understand, cause it's just

1:22:52.600 --> 1:22:54.719
<v Speaker 10>like I said, it's been handed down. Like I wondered

1:22:54.840 --> 1:22:57.120
<v Speaker 10>one day, I'm really claustrophobic. I don't like being in

1:22:57.240 --> 1:22:57.839
<v Speaker 10>tight spaces.

1:22:57.920 --> 1:22:58.880
<v Speaker 5>This is before COVID.

1:22:59.000 --> 1:23:01.479
<v Speaker 3>Now I really don't like I'm crazy, and I'm like,

1:23:01.520 --> 1:23:05.520
<v Speaker 3>I get you out here, but I'm very clusophobic.

1:23:05.560 --> 1:23:07.639
<v Speaker 10>And I remember I had to play a sledg runaway slave.

1:23:07.720 --> 1:23:12.240
<v Speaker 10>You ain't a star unless you played one. But I

1:23:12.840 --> 1:23:15.080
<v Speaker 10>remember they had to put me in this little compartment

1:23:15.200 --> 1:23:17.679
<v Speaker 10>under a wagon, a horse wagon, and I just remember

1:23:17.840 --> 1:23:22.200
<v Speaker 10>my body from Bulson. That's nothing that I that's not

1:23:22.320 --> 1:23:25.320
<v Speaker 10>speaking on anything that I've experienced in my lifetime. That

1:23:25.680 --> 1:23:29.800
<v Speaker 10>was clearly generational trauma from slavery. Cause what space have

1:23:29.920 --> 1:23:33.040
<v Speaker 10>I been in to provoke that kind of feeling, you know?

1:23:33.720 --> 1:23:35.760
<v Speaker 10>So my point is is that in things like the

1:23:36.000 --> 1:23:38.360
<v Speaker 10>things that black people have, and this is what makes

1:23:38.439 --> 1:23:41.639
<v Speaker 10>us so beautiful because you can oppress us. You can

1:23:42.280 --> 1:23:45.320
<v Speaker 10>kill our sons, you can do take our children from us,

1:23:45.479 --> 1:23:47.759
<v Speaker 10>take our husbands from us. Guess who We're gonna always

1:23:47.800 --> 1:23:51.040
<v Speaker 10>tap into joy? We gonna find it. And that's that's

1:23:51.080 --> 1:23:51.599
<v Speaker 10>who we are.

1:23:52.280 --> 1:23:53.880
<v Speaker 3>And I love that about us.

1:23:54.400 --> 1:23:58.400
<v Speaker 10>And it's unfortunate that we are oppressed, but that's the

1:23:58.439 --> 1:24:01.160
<v Speaker 10>reason why we are because nobody can tap into this

1:24:01.320 --> 1:24:04.280
<v Speaker 10>joy like we. It's in us. No matter what you

1:24:04.400 --> 1:24:07.280
<v Speaker 10>try to do to us, we gonna make you feel better.

1:24:07.760 --> 1:24:09.920
<v Speaker 10>That's a gift that we have, you know, And I

1:24:10.000 --> 1:24:11.040
<v Speaker 10>think the enemy is mad.

1:24:12.720 --> 1:24:14.519
<v Speaker 2>Let me ask you this. We have the VT awards,

1:24:14.600 --> 1:24:17.640
<v Speaker 2>we can you're hosting. How is it How important is

1:24:17.680 --> 1:24:21.840
<v Speaker 2>it for us to support DT Awards, Black Awards as

1:24:21.880 --> 1:24:27.000
<v Speaker 2>opposed to BOYCOTTI and complaining about other awards and always

1:24:27.040 --> 1:24:30.000
<v Speaker 2>saying that we're left out, we're not recognized, Like instead

1:24:30.000 --> 1:24:32.160
<v Speaker 2>of focusing that energy, they're how important is it to

1:24:32.200 --> 1:24:33.000
<v Speaker 2>focus our energy here?

1:24:33.080 --> 1:24:35.880
<v Speaker 10>It's very important to focus our energy on us because

1:24:35.960 --> 1:24:37.320
<v Speaker 10>we alway have but at the end of the day,

1:24:37.320 --> 1:24:39.400
<v Speaker 10>we always need. Like that's why I did my deal

1:24:39.479 --> 1:24:42.880
<v Speaker 10>with b Et. I'm sick of begging and can you

1:24:43.000 --> 1:24:46.120
<v Speaker 10>please this story they need? When I brought my first story,

1:24:46.240 --> 1:24:49.280
<v Speaker 10>Queenie the Godmother of Harlem, that nobody knows about but

1:24:49.360 --> 1:24:52.320
<v Speaker 10>you know about Frank Gaston, you know I'm not Frank Lucas,

1:24:52.680 --> 1:24:56.320
<v Speaker 10>and you know about Bumpy Johnson, but you don't know

1:24:56.400 --> 1:24:59.639
<v Speaker 10>they came from her and she didn't even sell drugs.

1:25:00.240 --> 1:25:01.920
<v Speaker 10>So when I took this story to be Et, I

1:25:02.000 --> 1:25:04.960
<v Speaker 10>shopped it all over town. Nobody wanted it, and I'm like,

1:25:06.200 --> 1:25:08.479
<v Speaker 10>that's because they don't really want our stories. You know,

1:25:08.800 --> 1:25:11.080
<v Speaker 10>they really don't if the money's not they don't see numbers,

1:25:11.120 --> 1:25:13.320
<v Speaker 10>they don't see how it can make them a profit.

1:25:13.479 --> 1:25:14.120
<v Speaker 11>They don't care.

1:25:14.520 --> 1:25:16.599
<v Speaker 10>And for me, I don't really care about the number

1:25:16.920 --> 1:25:18.640
<v Speaker 10>or the money. I care about the story because some

1:25:18.760 --> 1:25:21.960
<v Speaker 10>little black girls, some little brown boy needs to see themselves,

1:25:22.120 --> 1:25:24.000
<v Speaker 10>you know, and needs to know this story. We need

1:25:24.040 --> 1:25:26.439
<v Speaker 10>to know our history. They already taking it out of school.

1:25:27.080 --> 1:25:30.559
<v Speaker 10>So that's why I signed with BT, because I'm sick

1:25:30.600 --> 1:25:33.320
<v Speaker 10>and tired of begging and we don't need to beg

1:25:33.720 --> 1:25:36.960
<v Speaker 10>Look at where we are, we have all about.

1:25:36.720 --> 1:25:37.759
<v Speaker 11>Why are we still begging?

1:25:37.800 --> 1:25:40.880
<v Speaker 10>And worried about what the Grammys and the Oscars and

1:25:40.920 --> 1:25:41.479
<v Speaker 10>all of them do.

1:25:41.560 --> 1:25:42.519
<v Speaker 3>They never wanted a thing.

1:25:42.479 --> 1:25:45.360
<v Speaker 5>Anyway, except I mean, that's it. That's the freedom we're

1:25:45.360 --> 1:25:45.800
<v Speaker 5>talking about.

1:25:45.840 --> 1:25:47.880
<v Speaker 6>So at this point now, is that more of the

1:25:47.920 --> 1:25:51.120
<v Speaker 6>focus writing stories that are authentic to us as opposed

1:25:51.120 --> 1:25:55.760
<v Speaker 6>to acting in stories that you know, wy.

1:25:55.280 --> 1:25:56.840
<v Speaker 10>You do what you gotta do to get where you

1:25:56.920 --> 1:25:59.160
<v Speaker 10>need to be, and then you start making your own choice.

1:25:59.160 --> 1:26:01.400
<v Speaker 10>You stop being a ball us and so that's you know.

1:26:01.560 --> 1:26:04.599
<v Speaker 10>I'm at the position now where I create my own

1:26:04.680 --> 1:26:07.640
<v Speaker 10>doors to open, I create my own scripts, I create.

1:26:07.479 --> 1:26:08.479
<v Speaker 11>Jobs for other people.

1:26:08.720 --> 1:26:12.040
<v Speaker 10>So I hope that's what everybody's paying attention.

1:26:12.880 --> 1:26:15.160
<v Speaker 5>They're gonna watch you do it. I hope it becomes

1:26:15.200 --> 1:26:15.719
<v Speaker 5>the inspiration.

1:26:15.960 --> 1:26:16.800
<v Speaker 3>Yeah, I hope.

1:26:16.840 --> 1:26:22.840
<v Speaker 2>So the last one was yours.

1:26:23.160 --> 1:26:25.320
<v Speaker 7>It wasn't a question just wanting to give your flowers

1:26:25.360 --> 1:26:27.200
<v Speaker 7>because I love what you're doing and everything you show

1:26:27.200 --> 1:26:30.200
<v Speaker 7>your exercise, you show your mental health journey, you show

1:26:30.240 --> 1:26:32.360
<v Speaker 7>your joy, you show the ups and downs of the pain.

1:26:32.720 --> 1:26:36.200
<v Speaker 8>I think you showcased like a real person. Understand me.

1:26:36.280 --> 1:26:38.920
<v Speaker 8>It's not one side, and I think that people need

1:26:39.000 --> 1:26:41.400
<v Speaker 8>to see that. Understand me and so not.

1:26:41.560 --> 1:26:43.599
<v Speaker 7>Like that's why I'm saying, it's not a strong black

1:26:43.640 --> 1:26:44.840
<v Speaker 7>woman's a soft black woman.

1:26:45.320 --> 1:26:47.400
<v Speaker 8>Understand me. And then that softness is your power. So

1:26:47.479 --> 1:26:48.840
<v Speaker 8>I appreciate you, thank you.

1:26:49.000 --> 1:26:51.400
<v Speaker 10>And I'm not afraid to be vulnerable because that's where

1:26:51.439 --> 1:26:52.080
<v Speaker 10>the strength is.

1:26:54.240 --> 1:26:56.840
<v Speaker 5>Being strong. I said, No, what I'm is when I'm really.

1:26:56.760 --> 1:26:59.879
<v Speaker 10>Being strong because you're not afraid to identify.

1:27:00.760 --> 1:27:02.040
<v Speaker 8>And that needs you to write me in a movie.

1:27:03.360 --> 1:27:03.680
<v Speaker 5>I care.

1:27:03.840 --> 1:27:05.320
<v Speaker 8>I ain't never been in a movie. You feel me,

1:27:05.400 --> 1:27:08.280
<v Speaker 8>ain't never seen that la I got to too much shot.

1:27:09.960 --> 1:27:13.320
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