WEBVTT - Black Music Month: Wayne Brady Part 2

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>What if y'all is on PayPal from Quest Love Supre

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<v Speaker 2>Last week, we gave you Wayne Brady Part one. In

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<v Speaker 2>that Wayne spoke about morning routines and why making the

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<v Speaker 2>bet is important. He talked about favorite cereals and candy,

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<v Speaker 2>and even remembered a bully from his past. It's an

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<v Speaker 2>amazing episode and you absolutely need to check it out

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<v Speaker 2>of the cabin if you have well done, because here's

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<v Speaker 2>part two. My friend Wayne Brady, Questlove, Fonte, Sugar Steve

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<v Speaker 2>and myself live in the studio New York City enjoint.

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<v Speaker 1>This is actually, I think a good time to pivot

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<v Speaker 1>into this question aside question which was so my version

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<v Speaker 1>of this story was when I was a staff member

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<v Speaker 1>of The Chappelle Show.

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<v Speaker 3>Sorry to meaning sorry sorry sound yeah, because I want

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<v Speaker 3>to hear here, what's your version is?

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<v Speaker 1>Okay, So I'm a staff member of Chappelle. I wouldn't

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<v Speaker 1>go on location with those guys. I did all the

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<v Speaker 1>music for season two and so the roots just happened

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<v Speaker 1>to be in La at the time when we were

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<v Speaker 1>shooting a lot of the La Chappelle things. And what

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<v Speaker 1>you have to understand is that most shows are like

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<v Speaker 1>planned week in events. They have a writing staff. The

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<v Speaker 1>genius of season two was the fact that Neil Brennan

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<v Speaker 1>and Dave Chappelle were pretty much just flying off the

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<v Speaker 1>seat of their pants, knowing that on Thursday night they

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<v Speaker 1>have to turn in that tape the comedy Really you're

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<v Speaker 1>supposed to turn in like the Tuesday before, like days before.

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<v Speaker 1>I mean there would be times where like maybe a

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<v Speaker 1>half hour before the show's on the air, like the

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<v Speaker 1>Sesame Street. Oh yeah, Q tip thing, that's new thing.

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<v Speaker 1>I happen to know that they finished the edit maybe

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<v Speaker 1>a half hour before airtime. Yeah, before airtime, Like Comedy

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<v Speaker 1>Central has to like approve that were standing like we

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<v Speaker 1>went down to the wire. So I do know that

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<v Speaker 1>we had went out to the four seasons because we

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<v Speaker 1>wanted to get our Sino to do the whole cheese things.

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<v Speaker 1>Why don't you tell me the cheese was good, right,

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<v Speaker 1>that whole thing, and also got uh Anthony Anderson to

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<v Speaker 1>do the Ashy Larry you remember the dream? Yeah, what

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<v Speaker 1>I remember was we have met Anthony Ajai in the

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<v Speaker 1>hotel lobby. Anthony gi the bar wash. He's also the

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<v Speaker 1>father Maya Rudolph's Fire and Bridesmaids, and he's legendary comic.

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<v Speaker 1>We had spent so much time talking to him and

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<v Speaker 1>our Senio was there like just comedian war stories from

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<v Speaker 1>the seventies or whatever. That I had to go so

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<v Speaker 1>I can go to the airport. So what Neil will

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<v Speaker 1>tell me when I landed? He's like, dude, we just

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<v Speaker 1>created a masterpiece. Like the way they were describing how

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<v Speaker 1>the night was was like they had made Purple Rain

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<v Speaker 1>and Thriller at once. And I'm thinking, like, wait, from

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<v Speaker 1>the whole from that sketch. He says, no, man, He's like,

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<v Speaker 1>so when you were leaving and checking out at the

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<v Speaker 1>last minute, guess who we saw in the lobby. I

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<v Speaker 1>was like, who it's a dog. We saw Wayne Brady

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<v Speaker 1>and I said, oh my god, what happened? Because I

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<v Speaker 1>instantly went back mooney on, I'm what I'm expecting. This

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<v Speaker 1>is gonna be like beef from Broccoli. I said, well

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<v Speaker 1>went down? What went down? He says, no, man, we

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<v Speaker 1>shot something, And so I'm under the belief that it

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<v Speaker 1>was off the cuff. You just happened to be in

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<v Speaker 1>the lobby.

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<v Speaker 4>You and Dave.

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<v Speaker 1>Had a miacopa kind of understanding moment thing and then

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<v Speaker 1>it was like, so what are you doing? Do you

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<v Speaker 1>want to shoot something? And it was very off the cuff,

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<v Speaker 1>and I was not prepared for any of.

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<v Speaker 3>Those things like oh no, no, no, no, no no.

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<v Speaker 3>It was so much different for you.

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<v Speaker 1>All right, so what's your version of it?

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<v Speaker 3>Well, well, my version is is, well, just going back

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<v Speaker 3>to when the sketch aired, and I'll do it really,

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<v Speaker 3>really fast. And this isn't me complaining because I've said

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<v Speaker 3>this before, like on the Breakfast Club, and there's always

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<v Speaker 3>an asshole in the comments like like, well you shouldn't

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<v Speaker 3>the reason that the sketch bothered me. And I'll just

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<v Speaker 3>say it in that hill. Jokes are jokes. I do

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<v Speaker 3>comedy everything jokes. A joke's fine. I just happened to

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<v Speaker 3>come from a very very particular place, and you can't

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<v Speaker 3>tell me what I can and can't feel. I feel

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<v Speaker 3>Paul Mooney I worshiped at the shrine of Paul Mooney.

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<v Speaker 3>I never said that Paul Mooney wasn't funny or Paul

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<v Speaker 3>Moodey wasn't a genius and a writer. I love Paul Mooney,

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<v Speaker 3>I love Dave, so imagine my shock. I'm sitting at home,

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<v Speaker 3>I'm getting my barber. Came over to my spot. He's

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<v Speaker 3>doing Da Da Da Da, and the Chappelle shows on.

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<v Speaker 3>I'm excited. I was like, okay, show shot, we could

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<v Speaker 3>get through the whole thing. And then and then boom.

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<v Speaker 3>Negro was like Wayne Brady looked like him. I went, oh, oh, okay.

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<v Speaker 3>I didn't laugh at it, not because I was like,

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<v Speaker 3>I'm above being made fun of. If your joke is funny,

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<v Speaker 3>please make fun of me. That's what we do. But

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<v Speaker 3>to me, and now because you saw me talk to

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<v Speaker 3>my bullies. Oh, also Kendra.

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<v Speaker 1>And Nicole and Nicole come on now it's as Adams Jones,

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<v Speaker 1>Johnson Harris.

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<v Speaker 3>Race has always been a subject that has played because

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<v Speaker 3>what does it mean to be black? You know, the

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<v Speaker 3>kid that grew up watching certain things, doing certain things,

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<v Speaker 3>liking certain things that have died, so those things for

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<v Speaker 3>form you.

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<v Speaker 4>So I've always had that in the back of my

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<v Speaker 4>mind as a as a thing.

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<v Speaker 3>So when I see that, I'm like, the joke isn't

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<v Speaker 3>funny to me, It doesn't even scan because you're now

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<v Speaker 3>making fun of Brian Gumbel, who like, say what you

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<v Speaker 3>want to say. But Brian gumble, this incredibly successful man

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<v Speaker 3>in his own right doing this thing. So now you're

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<v Speaker 3>gonna use me to take down him or him to

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<v Speaker 3>meet And then that means that I'm not black enough?

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<v Speaker 3>And so does that mean that one of my comedic heroes,

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<v Speaker 3>Dave Chappelle, who I've rocked with since Robin Hood men

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<v Speaker 3>in tights and watching him at evenings at the Improv.

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<v Speaker 4>Before he blew up. This dude really knows who I am.

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<v Speaker 3>Oh, that's awesome, but nothing gonna shit on me and

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<v Speaker 3>Paul Mooney, who I love.

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<v Speaker 4>He doesn't think I'm black enough. That's really wow.

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<v Speaker 3>That shakes, which is why Wayne doesn't go out and

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<v Speaker 3>talk to people because I don't want to deal with

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<v Speaker 3>that shit sometimes. So I was already in my feelings

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<v Speaker 3>about it from a race place and just from a

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<v Speaker 3>joke point. I didn't feel that it was a good joke.

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<v Speaker 3>I thought it was too easy, so blah blah blah

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<v Speaker 3>blah blah. So fuck those guys immediately, and I'm like,

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<v Speaker 3>I don't give sex second and third chances. I am

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<v Speaker 3>a I'm a very petty, angry person inside sometimes when

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<v Speaker 3>it comes to certain things. So I was already like, well,

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<v Speaker 3>I guess I can watch a Chappelle's show click. I

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<v Speaker 3>can't enjoy the genius that is Dave Chappelle. Fast forward

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<v Speaker 3>to I forget what the show was. It was an

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<v Speaker 3>award show. It might have been the Hoodies, Steve Harvey's

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<v Speaker 3>Hoodies or something. But don hell was in the lobby bar.

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<v Speaker 3>We were in the bar Donelle's with somebody else and

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<v Speaker 3>I recognize him immediately because I like the show. Oh

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<v Speaker 3>it's it's ashy laire, but you gonna drink my drink.

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<v Speaker 3>He comes over so wonderful and gracious. Wayne, Hey, I'm Donelle.

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<v Speaker 3>I play Actually I know who you are. I've seen

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<v Speaker 3>your little playlids all right, just just through the energy.

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<v Speaker 3>And he was so sweet and Wayne blah blah blah.

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<v Speaker 3>I said, oh, yeah, that's great. I love the show

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<v Speaker 3>up until that whack ass joke by Paul Mooney blah

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<v Speaker 3>da da da da. But thanks. He goes, Oh my god,

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<v Speaker 3>I mean we you know, we have love for you.

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<v Speaker 3>I was like, I was like, to be honest, I

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<v Speaker 3>don't know. And I have to preface it, I had

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<v Speaker 3>been drinking. I had been drinking, so I was like, really,

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<v Speaker 3>was that how you love me? Black man? Is that

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<v Speaker 3>really so on about my day cut to the next day.

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<v Speaker 3>This is how fast the shit did happen. So I

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<v Speaker 3>don't know the timeline that you're talking about in terms

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<v Speaker 3>of when you came out to LA, but it happened where.

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<v Speaker 1>Well, I was at the fourth season Hotel, so.

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<v Speaker 3>Okay, so that might have been so so whenever I

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<v Speaker 3>saw him. Then the next day I was doing my

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<v Speaker 3>talk show. I get my assistant comes as I'm in

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<v Speaker 3>the writer's room.

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<v Speaker 4>Wait wait, you got a phone call? Who take Chappelle?

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<v Speaker 4>I was like, why no, you're lying take Shamlle?

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<v Speaker 3>Okay, Hello, hey man, it's Dave.

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<v Speaker 4>Oh man.

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<v Speaker 3>It just so sweet as like, look, I didn't write

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<v Speaker 3>that joke.

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<v Speaker 4>Mooney came up with it.

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<v Speaker 3>I really didn't like the shit either, but you know,

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<v Speaker 3>I like the character and da da da, No offense

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<v Speaker 3>was meant now the fact that and now we live

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<v Speaker 3>in a day and age, no one's going to backtrack

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<v Speaker 3>on a joke for folks like I said what I said,

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<v Speaker 3>and I said it like like I said, Dave was

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<v Speaker 3>one of my guy He's one of my heroes. So

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<v Speaker 3>that itself, we could have just stopped it there. It

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<v Speaker 3>couldn't have gone any for I was like, thank you,

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<v Speaker 3>and I mean you didn't. Thanks, It's fine, it's cool.

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<v Speaker 3>He goes, Hey, would you ever want to be on

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<v Speaker 3>the show? Said, are you kidding me? It would be

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<v Speaker 3>a dream of it. Well, then, what are you doing

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<v Speaker 3>doing this weekend? Or if this was a Friday or something.

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<v Speaker 3>So I flew out. I said, I'll come to New

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<v Speaker 3>York immediately. Great, I'm gonna puts you in touch with

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<v Speaker 3>Neil and you guys decide what we're gonna do, and

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<v Speaker 3>we're gonna do something great.

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<v Speaker 4>But great, thanks Dave. I was on cloud nine.

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<v Speaker 3>So I immediately started thinking of ideas and this is

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<v Speaker 3>where it is so cool. So I so I'm writing

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<v Speaker 3>stuff on the plane. Neil had already worked out some stuff.

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<v Speaker 3>So when I get to New York, it all happens

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<v Speaker 3>like this. I get off the plane, we go to

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<v Speaker 3>where you guys shot a think in Brooklyn or someplace whatever.

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<v Speaker 3>We get up. As soon as soon as I get in,

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<v Speaker 3>I go Neil's waiting for me. He's like, so, what

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<v Speaker 3>do you want to do? Blah blah blah blah. He goes,

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<v Speaker 3>We've got this idea of like doing this training day

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<v Speaker 3>thing because you know, like you do your talk show.

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<v Speaker 3>Oh and at this time, this is when I was

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<v Speaker 3>leaving my talk show because I found out that because

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<v Speaker 3>I told somebody off at Disney that they that they

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<v Speaker 3>threatened me and said, uh said, oh, you know, if

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<v Speaker 3>you don't do this particular thing, we always can find

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<v Speaker 3>someone to do your show. And I said, oh, if

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<v Speaker 3>you can find another Wayne Brady to do the Wayne

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<v Speaker 3>Brady Show, please be my guest.

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<v Speaker 4>I come back in.

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<v Speaker 3>Tony Danzel's name is in the papers, but that's cool.

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<v Speaker 3>I was like, great, I'm out.

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<v Speaker 1>Of this Banddamn questions.

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<v Speaker 3>I'm handling all the black people because they they they

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<v Speaker 3>had a band, ate not a band, because they were

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<v Speaker 3>gonna say we never said that. Certain guests that I'd

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<v Speaker 3>bring up, they'd go, oh, no, you can't do that,

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<v Speaker 3>bla blah blah blah blah blah blah. So I was like, really,

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<v Speaker 3>I had Missy Elliott bust the rhymes if you were

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<v Speaker 3>black and my favorite rapper, you were on that show

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<v Speaker 3>you show at that time. I was so this was great.

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<v Speaker 3>I was like yes, So in my mind I was like,

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<v Speaker 3>we need to do something that will burn burn the

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<v Speaker 3>house down. Fuck it, let's go So Neil's idea was

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<v Speaker 3>the training day thing, and I said, well, if we're

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<v Speaker 3>doing training day where I'm showing Dave through the neighborhood

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<v Speaker 3>and doing shit, then we really need to lean into

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<v Speaker 3>the fact of when folks are like, oh, Wayne, I

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<v Speaker 3>love you because I see your talk show where you're

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<v Speaker 3>this you're everybody's favorite black guy.

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<v Speaker 4>Blah blah blah blah.

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<v Speaker 3>I said, I want to do a thing where a

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<v Speaker 3>cop stops me and he started singing my jingle and

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<v Speaker 3>I wrote that and then I'm gonna go but be

0:11:06.800 --> 0:11:08.520
<v Speaker 3>behind him and I'm gonna kill him, and.

0:11:08.520 --> 0:11:13.600
<v Speaker 4>That will freak and that'll freak out Dave.

0:11:13.800 --> 0:11:15.760
<v Speaker 3>And I want a microphone to come down and go great,

0:11:16.040 --> 0:11:17.920
<v Speaker 3>well let's do that and then we'll do the other

0:11:17.960 --> 0:11:20.200
<v Speaker 3>thing with an ATM and you'll get your money. So like,

0:11:20.200 --> 0:11:22.439
<v Speaker 3>we'll follow the beats. I said, great, So we came

0:11:22.520 --> 0:11:24.800
<v Speaker 3>up with it. So we had these two ideas and

0:11:24.840 --> 0:11:28.480
<v Speaker 3>mushed them together. We shot it all night. We wrapped

0:11:28.520 --> 0:11:30.000
<v Speaker 3>like six in the morning because I had to get

0:11:30.000 --> 0:11:32.679
<v Speaker 3>back on a plane to go back to shoot. And

0:11:32.720 --> 0:11:36.960
<v Speaker 3>then I get a call like Monday. He's like, dude,

0:11:38.400 --> 0:11:41.480
<v Speaker 3>this is amazing. You aren't gonna be ready. I think

0:11:41.559 --> 0:11:45.600
<v Speaker 3>we I think we've made history. Yes, and I knew it,

0:11:45.720 --> 0:11:47.560
<v Speaker 3>like not often are you in the middle of something,

0:11:48.440 --> 0:11:50.320
<v Speaker 3>But I knew it as we're doing it because there

0:11:50.400 --> 0:11:54.000
<v Speaker 3>was such desparate worlds right of Dave and this and me,

0:11:54.240 --> 0:11:56.320
<v Speaker 3>especially of that time, of what folks thought of me

0:11:56.360 --> 0:11:58.520
<v Speaker 3>and the gigs I was doing. It's like, well, wow,

0:11:58.559 --> 0:12:01.560
<v Speaker 3>does that all fit together? And we weren't doing a sketch.

0:12:01.559 --> 0:12:04.000
<v Speaker 3>In my mind, I was like, no, I'm really doing

0:12:04.040 --> 0:12:06.120
<v Speaker 3>this shit because I'm also showing you what I do

0:12:06.200 --> 0:12:08.440
<v Speaker 3>as an actor. It's like, we're really doing this. And

0:12:08.480 --> 0:12:10.960
<v Speaker 3>the way that he shot it, it was a beautiful

0:12:11.000 --> 0:12:12.959
<v Speaker 3>thing that came together. And I knew that we made

0:12:13.000 --> 0:12:13.640
<v Speaker 3>TV history.

0:12:13.640 --> 0:12:17.560
<v Speaker 1>I knew it, and I'm telling you this, like Rick James, nia,

0:12:17.640 --> 0:12:22.280
<v Speaker 1>we have a problem, right, Rick James and Prince they

0:12:22.320 --> 0:12:24.839
<v Speaker 1>were excited about but we were more excited about the

0:12:24.880 --> 0:12:28.320
<v Speaker 1>scripts because we had the scripts way before they were shot.

0:12:28.600 --> 0:12:32.319
<v Speaker 1>But I do remember up until that point they were

0:12:32.360 --> 0:12:36.000
<v Speaker 1>really excited about the racial draft. But the way they

0:12:36.040 --> 0:12:41.080
<v Speaker 1>were talking about how quickly this thing came together and

0:12:41.160 --> 0:12:47.559
<v Speaker 1>how and I was I was disappointed because I couldn't add.

0:12:47.400 --> 0:12:48.040
<v Speaker 4>Music to it.

0:12:48.679 --> 0:12:49.680
<v Speaker 1>Like I was said, all right, so what am I

0:12:49.679 --> 0:12:51.760
<v Speaker 1>gonna do? What am I gonna do? They're like, it's

0:12:51.800 --> 0:12:54.400
<v Speaker 1>done already, man, you just you wait till it comes

0:12:54.440 --> 0:12:57.480
<v Speaker 1>on and literally okay. So I mean that was that

0:12:57.559 --> 0:12:59.640
<v Speaker 1>was the beginning of what we call like the viral face.

0:12:59.720 --> 0:13:04.920
<v Speaker 1>How did you're our's perception of you or reaction? How

0:13:04.920 --> 0:13:06.640
<v Speaker 1>did that change after that episode?

0:13:07.080 --> 0:13:10.520
<v Speaker 3>It was instantaneous because at that point, you know, the

0:13:10.640 --> 0:13:14.400
<v Speaker 3>Chappelle Show was everywhere all the time. It was on

0:13:14.440 --> 0:13:18.520
<v Speaker 3>a loop, so everywhere you went, and being on tour

0:13:18.600 --> 0:13:21.520
<v Speaker 3>and going you know, to very various cities, I could

0:13:21.600 --> 0:13:24.320
<v Speaker 3>see the reactions like if and right after that it

0:13:24.360 --> 0:13:26.199
<v Speaker 3>was on tour, you know, like I was in Philly

0:13:26.240 --> 0:13:30.160
<v Speaker 3>and New York and Atlanta and Chicago and Detroit, so

0:13:30.240 --> 0:13:35.440
<v Speaker 3>I got to see firsthand black reaction to the sketch. Now,

0:13:35.440 --> 0:13:38.200
<v Speaker 3>the thing is that I never wanted the narrative to

0:13:38.200 --> 0:13:41.840
<v Speaker 3>be like all black people voted unanimously that Wayne Brady

0:13:42.000 --> 0:13:44.880
<v Speaker 3>was corny or whatever, because that was not the case.

0:13:45.320 --> 0:13:47.720
<v Speaker 4>More black people rocked with me than not. It was.

0:13:47.800 --> 0:13:50.200
<v Speaker 3>It was some fine, you couldn't say what you wanted to,

0:13:50.280 --> 0:13:53.199
<v Speaker 3>But I did notice as soon as that sketch hit.

0:13:53.559 --> 0:13:56.920
<v Speaker 3>This is the thing that I got, which I loathed

0:13:57.080 --> 0:13:59.120
<v Speaker 3>to this day, but I know where it comes from.

0:13:59.440 --> 0:14:01.760
<v Speaker 4>When like a particular cat comes up.

0:14:02.160 --> 0:14:08.520
<v Speaker 3>Yo, Wayne, Nigga, that's that, dude, I'm gonna slap me

0:14:08.600 --> 0:14:08.960
<v Speaker 3>a hole.

0:14:09.000 --> 0:14:10.360
<v Speaker 4>It's like, no, no, man.

0:14:10.160 --> 0:14:16.160
<v Speaker 3>It's actually, it's actually, it's actually, it's actually choko. That's

0:14:16.200 --> 0:14:18.400
<v Speaker 3>what I meant. That's what I meant. I gotta tell

0:14:18.440 --> 0:14:20.840
<v Speaker 3>you something. I gotta tell you something. I didn't fuck

0:14:20.880 --> 0:14:21.480
<v Speaker 3>with you before.

0:14:21.520 --> 0:14:21.800
<v Speaker 4>I didn't.

0:14:21.880 --> 0:14:24.480
<v Speaker 3>I didn't with all honest I didn't fuck with you before.

0:14:24.520 --> 0:14:26.160
<v Speaker 3>I was like, well, thanks for telling me you're in

0:14:26.160 --> 0:14:28.800
<v Speaker 3>the thoughts I did. Really you didn't digest my okay, fine.

0:14:28.840 --> 0:14:35.960
<v Speaker 5>But now now now, nigga, now, now hug me now,

0:14:36.240 --> 0:14:39.080
<v Speaker 5>man now, And then I'm like, well, thank you.

0:14:39.120 --> 0:14:41.480
<v Speaker 4>But the funny thing is, oh, so you love me now?

0:14:41.600 --> 0:14:47.480
<v Speaker 3>Because I had hoes, made Dave take drugs, and it

0:14:47.520 --> 0:14:51.600
<v Speaker 3>was yeah, I get I get it, I get it.

0:14:51.640 --> 0:14:53.480
<v Speaker 3>But the thing that I loved the most about it

0:14:53.520 --> 0:14:56.000
<v Speaker 3>is whatever your reaction and whatever you felt, and I

0:14:56.000 --> 0:14:58.840
<v Speaker 3>feel it to this day. It's a classic sketch. It's

0:14:58.880 --> 0:15:01.880
<v Speaker 3>in the Museum of Telling Vision History. I'd love Dave

0:15:01.920 --> 0:15:05.240
<v Speaker 3>and I thank Dave, and I thank Neil for and

0:15:05.360 --> 0:15:08.240
<v Speaker 3>I thank Donnelle for coming up to me because I

0:15:08.240 --> 0:15:10.400
<v Speaker 3>got a chance to do something that was so dope,

0:15:10.440 --> 0:15:13.320
<v Speaker 3>and I see the effects of it today that people

0:15:13.360 --> 0:15:16.440
<v Speaker 3>got to see because I was doing a Disney talk show,

0:15:16.440 --> 0:15:18.400
<v Speaker 3>I was doing an a ABC talk show, I was

0:15:18.440 --> 0:15:20.920
<v Speaker 3>on a Who's Line at night. I was doing those things. Now,

0:15:20.960 --> 0:15:23.240
<v Speaker 3>the people that followed my act, that saw me in

0:15:23.280 --> 0:15:26.280
<v Speaker 3>the comedy clubs and theaters, they knew that it's kind

0:15:26.280 --> 0:15:29.240
<v Speaker 3>of like the Bob Saget thing. My act is my acting.

0:15:29.760 --> 0:15:32.560
<v Speaker 3>And I tell you, tell folks, just because you watched

0:15:32.560 --> 0:15:35.080
<v Speaker 3>whose Line or your kid likes Sophia the First, don't

0:15:35.120 --> 0:15:37.040
<v Speaker 3>bring your kids to my show because it's not that

0:15:37.240 --> 0:15:37.960
<v Speaker 3>kind of show.

0:15:38.320 --> 0:15:39.080
<v Speaker 4>So it's not that.

0:15:39.400 --> 0:15:41.640
<v Speaker 3>So I felt that that began a shift where folks

0:15:41.920 --> 0:15:43.920
<v Speaker 3>to your point earlier, where folks say that they really

0:15:43.960 --> 0:15:45.840
<v Speaker 3>don't know me, they know the things that I do.

0:15:46.040 --> 0:15:49.040
<v Speaker 3>I feel that was a step in people going Okay,

0:15:49.680 --> 0:15:52.680
<v Speaker 3>I guess there's more to the person than I thought.

0:15:52.720 --> 0:15:54.640
<v Speaker 3>And if it takes an event like that to make

0:15:54.680 --> 0:15:56.800
<v Speaker 3>you open your mind, then cool. I don't care where

0:15:56.840 --> 0:15:57.240
<v Speaker 3>it comes from.

0:15:57.280 --> 0:16:02.200
<v Speaker 1>Azanza comes, well, then I'll ask you something I thought.

0:16:02.720 --> 0:16:05.320
<v Speaker 3>We're on our way to being best friends.

0:16:06.240 --> 0:16:08.960
<v Speaker 6>We started with we wanted to be friends friends is

0:16:09.040 --> 0:16:16.760
<v Speaker 6>so exciting, Yes, sir, And this is an objective question,

0:16:16.880 --> 0:16:18.520
<v Speaker 6>so I don't know if I can get a definitive answer.

0:16:18.560 --> 0:16:23.600
<v Speaker 1>Of course, is the grass greener on the other side?

0:16:23.880 --> 0:16:28.720
<v Speaker 3>Well, you know, I would not know still because and

0:16:28.760 --> 0:16:30.920
<v Speaker 3>this is a larger conversation for a thing. I I

0:16:31.040 --> 0:16:35.080
<v Speaker 3>have issues where I still feel where now it's mostly

0:16:36.440 --> 0:16:41.480
<v Speaker 3>oddly enough, ironically it's white Hollywood and white studio exects.

0:16:41.720 --> 0:16:44.200
<v Speaker 3>And I don't even say agents that I've had in

0:16:44.240 --> 0:16:47.600
<v Speaker 3>the past and people because black is black to me.

0:16:48.040 --> 0:16:50.240
<v Speaker 4>We are not a monolith. That's what Whiz is about.

0:16:50.280 --> 0:16:55.160
<v Speaker 3>Come see the Whiz until June tenth, so until no, no,

0:16:55.200 --> 0:16:56.640
<v Speaker 3>but you got a seed in general, but just know

0:16:56.680 --> 0:16:57.000
<v Speaker 3>that story.

0:16:57.160 --> 0:16:59.520
<v Speaker 4>So black is all thesewed beautiful things.

0:16:59.520 --> 0:17:01.800
<v Speaker 3>But the problem is that when we call each other

0:17:01.840 --> 0:17:03.320
<v Speaker 3>out and we go, oh, you're not black of this

0:17:03.480 --> 0:17:05.560
<v Speaker 3>or your experiences in this, there are people on the

0:17:05.600 --> 0:17:08.480
<v Speaker 3>other side listening, like studio execs and like other people

0:17:08.520 --> 0:17:11.080
<v Speaker 3>that they're oh, so that's not black enough.

0:17:11.080 --> 0:17:12.760
<v Speaker 4>So what is black? Jamal?

0:17:12.960 --> 0:17:14.879
<v Speaker 3>Tell me what is black? And he's like, well, I

0:17:14.880 --> 0:17:17.560
<v Speaker 3>don't mess with that dude, but I think that dude. Okay, great.

0:17:17.800 --> 0:17:21.639
<v Speaker 3>So my problem on the grass side isn't even with

0:17:21.840 --> 0:17:24.320
<v Speaker 3>my own folks. I love my folks, and my folks

0:17:24.359 --> 0:17:27.040
<v Speaker 3>mess with me. It's how I am perceived. I think,

0:17:27.440 --> 0:17:30.840
<v Speaker 3>even for roles even in series that I know that

0:17:30.880 --> 0:17:34.040
<v Speaker 3>I would kill it, I am by by the gatekeeper

0:17:34.320 --> 0:17:37.440
<v Speaker 3>who maybe the show creators black, but the studio head is.

0:17:37.359 --> 0:17:39.479
<v Speaker 4>Like, oh no, I wouldn't consider Wayne Brady for that.

0:17:40.080 --> 0:17:41.640
<v Speaker 1>Are there three roles that got away?

0:17:42.320 --> 0:17:43.240
<v Speaker 4>Three roles that got away?

0:17:43.320 --> 0:17:43.359
<v Speaker 7>No?

0:17:43.520 --> 0:17:47.879
<v Speaker 1>Three? Is there one? What role almost had it? Well?

0:17:47.880 --> 0:17:50.159
<v Speaker 3>I have a few that I have almost had it

0:17:50.240 --> 0:17:53.199
<v Speaker 3>that that I'm not going to blame on race because

0:17:53.400 --> 0:17:55.240
<v Speaker 3>maybe I wasn't the dude on that day, but I

0:17:55.440 --> 0:17:58.120
<v Speaker 3>was offered some a couple of things and then offers, god,

0:17:58.440 --> 0:18:00.560
<v Speaker 3>oh because but the one that's thicks out of my

0:18:00.600 --> 0:18:03.440
<v Speaker 3>head that and I feel it We're going so long,

0:18:03.720 --> 0:18:06.639
<v Speaker 3>so I'm trying to make things quol Okay. This is

0:18:06.680 --> 0:18:10.639
<v Speaker 3>not a great movie by any stretch, but it was

0:18:10.680 --> 0:18:12.639
<v Speaker 3>one of the ones. It was around the Chappelle thing

0:18:12.680 --> 0:18:15.000
<v Speaker 3>that I was like, I'm gonna show folks what the

0:18:15.040 --> 0:18:20.239
<v Speaker 3>fuck I do it? Was snakes on the plane. And

0:18:20.280 --> 0:18:23.400
<v Speaker 3>here's the thing. It was for the role of the rapper. Now,

0:18:24.359 --> 0:18:26.280
<v Speaker 3>now the dude that got it, that's my boy flex.

0:18:26.320 --> 0:18:28.440
<v Speaker 3>I did a movie with Flex. I love Flex.

0:18:28.480 --> 0:18:33.600
<v Speaker 1>So if I'm happy that, she said, I was like

0:18:33.840 --> 0:18:34.800
<v Speaker 1>doing another Flex.

0:18:35.160 --> 0:18:38.200
<v Speaker 3>So if anybody got it, I was happy because flexing, Yes,

0:18:38.720 --> 0:18:42.879
<v Speaker 3>that's fam But what I did and my audition was

0:18:42.920 --> 0:18:45.920
<v Speaker 3>so genius. I have to say this ship was genius.

0:18:46.760 --> 0:18:49.640
<v Speaker 3>It was for the rapper. I looked at the script like, uh,

0:18:50.000 --> 0:18:52.320
<v Speaker 3>not a great script, the concept you said. I was like,

0:18:52.560 --> 0:18:57.000
<v Speaker 3>screw it, I'm gonna go in. So I hired two

0:18:57.200 --> 0:19:01.480
<v Speaker 3>actors to play my bodyguards, and I hired a couple

0:19:01.560 --> 0:19:05.760
<v Speaker 3>girls to be my video vixens, and I for the audition.

0:19:05.960 --> 0:19:09.960
<v Speaker 3>For the audition, I'll never forget, I drove in traffic.

0:19:10.160 --> 0:19:12.000
<v Speaker 3>Like if any of you were actors back in the

0:19:12.080 --> 0:19:14.080
<v Speaker 3>day in La if you had to go over to

0:19:14.119 --> 0:19:17.040
<v Speaker 3>Santa Monica to audition for this day, it was horrible

0:19:17.080 --> 0:19:18.920
<v Speaker 3>getting there. I spent about an hour an hour and

0:19:18.960 --> 0:19:21.400
<v Speaker 3>a half in traffic, and I came up with the idea.

0:19:21.440 --> 0:19:24.440
<v Speaker 3>I said, I could do this script. But what I'm

0:19:24.440 --> 0:19:28.359
<v Speaker 3>gonna do is I'm gonna be this dude, and then

0:19:28.359 --> 0:19:32.320
<v Speaker 3>I'm gonna freestyle what's in I'm in a freestyle the

0:19:32.440 --> 0:19:35.280
<v Speaker 3>story of snakes on a plane, and then I'm gonna

0:19:35.320 --> 0:19:39.719
<v Speaker 3>walk out so I get there. I timed it so

0:19:39.800 --> 0:19:41.240
<v Speaker 3>that my time was don't even know what time. My

0:19:41.320 --> 0:19:45.440
<v Speaker 3>time was like four thirty. Now, keep keep in mind,

0:19:45.520 --> 0:19:47.640
<v Speaker 3>I'm in full like I'm in my Adidas thing. I've

0:19:47.680 --> 0:19:50.199
<v Speaker 3>got chains, the whole nine. I've got these rings, my

0:19:50.200 --> 0:19:52.600
<v Speaker 3>shits to the side. I walk in and the dude,

0:19:53.200 --> 0:19:56.119
<v Speaker 3>the one of the bodyguards has a boombox were the track.

0:19:56.480 --> 0:19:58.560
<v Speaker 4>I walk in the casting office.

0:19:58.440 --> 0:20:02.520
<v Speaker 3>Click boom boom boom boots the boom boots walking. There

0:20:02.560 --> 0:20:07.359
<v Speaker 3>are actors waiting. I walked right through. I walked right

0:20:07.400 --> 0:20:11.480
<v Speaker 3>through into the Wait. Wait, you can't get boot to

0:20:11.520 --> 0:20:12.680
<v Speaker 3>a click? Hey, how you doing?

0:20:12.920 --> 0:20:14.080
<v Speaker 4>Oh? Wait is it yo?

0:20:14.320 --> 0:20:16.480
<v Speaker 3>I'm not waiting. I'm gonna read that ship. Blah blah blah.

0:20:16.520 --> 0:20:19.600
<v Speaker 3>Went on this whole thing about the script, like that script. Look,

0:20:20.240 --> 0:20:22.120
<v Speaker 3>he hit the thing and I did all. I can't

0:20:22.119 --> 0:20:24.080
<v Speaker 3>even remember what I said that it was based basically,

0:20:24.240 --> 0:20:26.320
<v Speaker 3>because you want me to explain, I got snakes on

0:20:26.320 --> 0:20:28.280
<v Speaker 3>a plane that's up in their legs and the contempt

0:20:28.400 --> 0:20:30.120
<v Speaker 3>and we got this dude and want to sit next

0:20:30.119 --> 0:20:32.080
<v Speaker 3>guy in the Sam Sam said, fuck these planes.

0:20:32.119 --> 0:20:33.600
<v Speaker 4>You know who I am. But I come in. I

0:20:33.640 --> 0:20:34.760
<v Speaker 4>do this about a da da dad.

0:20:34.680 --> 0:20:38.080
<v Speaker 3>And when it's finished, like I, I cleared their desk

0:20:38.200 --> 0:20:41.040
<v Speaker 3>of these pap by flash dance of like the good

0:20:41.080 --> 0:20:44.320
<v Speaker 3>shots in the scripts, I was like, because clear ship,

0:20:44.359 --> 0:20:46.360
<v Speaker 3>and I through the script because I'm reading this ship,

0:20:46.600 --> 0:20:50.359
<v Speaker 3>let's go. Walked right back out, walked out of the

0:20:50.440 --> 0:20:53.960
<v Speaker 3>casting office, went to my car and I was.

0:20:53.960 --> 0:20:55.919
<v Speaker 4>Like, oh, hey, thanks, here's fifty bucks.

0:20:56.080 --> 0:20:59.080
<v Speaker 3>Thank you so much. You guys were great. I'm getting

0:20:59.160 --> 0:21:01.440
<v Speaker 3>as I'm driving home. By the time I get home,

0:21:01.880 --> 0:21:04.800
<v Speaker 3>I have on my next tail. I had a cease

0:21:04.880 --> 0:21:12.200
<v Speaker 3>and desist. I had a message from my agent.

0:21:13.280 --> 0:21:16.760
<v Speaker 4>Call nine one one oh.

0:21:16.840 --> 0:21:21.679
<v Speaker 3>They wanted to offer me the role. They really liked

0:21:21.720 --> 0:21:24.720
<v Speaker 3>you for this role is. I was like, I did it.

0:21:24.720 --> 0:21:27.880
<v Speaker 3>It actually worked, and it was that thing of I've

0:21:27.880 --> 0:21:30.280
<v Speaker 3>got a name, you see me on TV every day

0:21:30.280 --> 0:21:32.399
<v Speaker 3>of these things, I'm still begging and fighting people to

0:21:32.400 --> 0:21:34.600
<v Speaker 3>get into rooms, and I'm even trying to get into

0:21:34.640 --> 0:21:38.840
<v Speaker 3>this whack movie. So at least I was like, at

0:21:38.920 --> 0:21:40.960
<v Speaker 3>least I know that I'm good and this thing happened,

0:21:41.080 --> 0:21:43.640
<v Speaker 3>and now it pays off. Now here's where I'm gonna

0:21:43.640 --> 0:21:46.239
<v Speaker 3>be careful because all I know is what I was

0:21:46.320 --> 0:21:48.160
<v Speaker 3>told by my reps at this time.

0:21:48.440 --> 0:21:49.240
<v Speaker 4>So they get a call.

0:21:49.280 --> 0:21:50.840
<v Speaker 3>I'm not going to name who the person was, but

0:21:51.000 --> 0:21:55.359
<v Speaker 3>somebody who was in a position of power at the studio. When,

0:21:55.480 --> 0:21:57.960
<v Speaker 3>of course these names are being run up the flag pole,

0:21:58.920 --> 0:22:03.320
<v Speaker 3>Wayne Brady's name come up, and this white person says,

0:22:04.160 --> 0:22:07.719
<v Speaker 3>oh no, uh uh, not Wayne Brady.

0:22:08.359 --> 0:22:09.480
<v Speaker 4>He's not black enough.

0:22:09.520 --> 0:22:13.359
<v Speaker 3>He no, he's not black black, he's not black black

0:22:14.320 --> 0:22:18.080
<v Speaker 3>black black. There's always an expert air quotes, Yeah, but

0:22:18.119 --> 0:22:20.159
<v Speaker 3>I love how he hit black black. So I'm not

0:22:20.200 --> 0:22:22.960
<v Speaker 3>black black so but but so so then flex gets

0:22:22.960 --> 0:22:26.400
<v Speaker 3>it and that's cool. And I found out this information

0:22:26.480 --> 0:22:28.920
<v Speaker 3>because I guess somebody at some point in the chain

0:22:28.960 --> 0:22:31.680
<v Speaker 3>felt so bad. They were like, I just want want

0:22:31.720 --> 0:22:34.919
<v Speaker 3>you to know. So I was like, okay, So that

0:22:34.960 --> 0:22:38.480
<v Speaker 3>one stung me, not because I didn't do a great job,

0:22:38.520 --> 0:22:41.000
<v Speaker 3>but because I knew it would be something that I'd

0:22:41.040 --> 0:22:43.640
<v Speaker 3>be facing. And I'm not gonna boohoo because it's something

0:22:43.680 --> 0:22:48.160
<v Speaker 3>that just as black actors, black people, black black lawyers, black,

0:22:48.359 --> 0:22:51.360
<v Speaker 3>we face a certain thing. The naivete that I had

0:22:51.440 --> 0:22:55.479
<v Speaker 3>up until that point was well, surely, if I'm really

0:22:55.560 --> 0:22:59.520
<v Speaker 3>dope and you've seen me do things and I'm a

0:22:59.560 --> 0:23:03.800
<v Speaker 3>great at I do broad I do, surely I should

0:23:03.840 --> 0:23:07.000
<v Speaker 3>get the job. Like Nope, because I don't think that

0:23:07.119 --> 0:23:09.840
<v Speaker 3>you are based on blah blah blah. I was like, oh,

0:23:10.119 --> 0:23:12.919
<v Speaker 3>I'm an adult, now, fuck it, I get it. So

0:23:13.400 --> 0:23:16.800
<v Speaker 3>so that helped me understand. So so that's that's the

0:23:16.840 --> 0:23:18.840
<v Speaker 3>one that got away that I was disappointed in, not

0:23:18.880 --> 0:23:21.160
<v Speaker 3>because of I didn't get it, but because I was like.

0:23:21.240 --> 0:23:22.479
<v Speaker 1>Man, you're being judged.

0:23:22.600 --> 0:23:23.720
<v Speaker 4>If I'm dealing.

0:23:23.480 --> 0:23:27.080
<v Speaker 3>Dealing with this, then that sucks for the actor who

0:23:27.720 --> 0:23:31.159
<v Speaker 3>is coming up and doesn't have any cloud or doesn't

0:23:31.200 --> 0:23:34.720
<v Speaker 3>have a thing to fall back on. So so that

0:23:34.800 --> 0:23:36.240
<v Speaker 3>made me very sympathetic to that.

0:23:37.359 --> 0:23:40.000
<v Speaker 1>Damn man, I'm sorry you didn't get that, and it's

0:23:40.240 --> 0:23:42.640
<v Speaker 1>this could have been That movie was terrible though, right,

0:23:43.160 --> 0:23:46.080
<v Speaker 1>I mean it was a commercial.

0:23:46.119 --> 0:23:50.159
<v Speaker 8>Yeah, it was actually one of the first movies I

0:23:50.240 --> 0:23:54.439
<v Speaker 8>remember like that really went viral, like yeah, the VI

0:23:55.440 --> 0:24:00.679
<v Speaker 8>because the campaign.

0:24:00.160 --> 0:24:02.879
<v Speaker 1>Later because they was like people.

0:24:04.480 --> 0:24:07.080
<v Speaker 3>Right, I'll even say right, like am I right? Thinking

0:24:07.400 --> 0:24:09.320
<v Speaker 3>that Sam was already doing this thing. Of course he

0:24:09.359 --> 0:24:12.399
<v Speaker 3>was Sam Jackson. But but I feel like that line in

0:24:12.480 --> 0:24:16.880
<v Speaker 3>that boost kind of made the mythos of Sam Jackson,

0:24:16.880 --> 0:24:20.399
<v Speaker 3>where in every movie you gotta say motherfucker that that

0:24:20.640 --> 0:24:23.520
<v Speaker 3>and and the Tarantine Tino joint, so like those are

0:24:23.560 --> 0:24:27.360
<v Speaker 3>the two that cemented Sam as that dude.

0:24:30.400 --> 0:24:34.439
<v Speaker 1>All right, So, speaking of which, what secret talent do

0:24:34.560 --> 0:24:37.600
<v Speaker 1>you have that the general public is not aware of?

0:24:38.200 --> 0:24:40.040
<v Speaker 4>I was afraid you'd ask me this questions I saw

0:24:40.080 --> 0:24:40.600
<v Speaker 4>you ask some.

0:24:41.280 --> 0:24:45.560
<v Speaker 3>I think you asked, uh Hannibal this, Yes, you know

0:24:46.080 --> 0:24:50.080
<v Speaker 3>the reality is, and here's my secret. I don't have

0:24:50.480 --> 0:24:54.800
<v Speaker 3>secret talents because I've worked so hard to make the

0:24:54.840 --> 0:24:59.680
<v Speaker 3>talents that I do loud like I sing, I dance,

0:25:00.080 --> 0:25:01.119
<v Speaker 3>I act, I write.

0:25:01.200 --> 0:25:02.000
<v Speaker 4>I can do these things.

0:25:02.359 --> 0:25:04.840
<v Speaker 3>I need you to know those things because if you

0:25:04.880 --> 0:25:07.840
<v Speaker 3>don't know them, then I can't. But the regular life

0:25:08.040 --> 0:25:12.680
<v Speaker 3>talent shit, I don't. I honestly, he said Tumblr. I

0:25:12.760 --> 0:25:18.320
<v Speaker 3>mean one time Tumblr all. I really don't know if

0:25:18.320 --> 0:25:21.440
<v Speaker 3>I do have any other talents that are of merit.

0:25:21.200 --> 0:25:25.080
<v Speaker 1>So let me remix it. What secret talents do you

0:25:25.160 --> 0:25:27.840
<v Speaker 1>have in the kitchen that we're not aware of?

0:25:29.920 --> 0:25:36.440
<v Speaker 3>I'm a master at mixing my cereals, and I don't

0:25:36.440 --> 0:25:40.359
<v Speaker 3>say that lightly. My ratios are on points. They are beautiful.

0:25:40.680 --> 0:25:43.240
<v Speaker 9>It's a real talent and I.

0:25:43.200 --> 0:25:47.199
<v Speaker 3>Can make I'm a good baker. Bakers, Yeah, yes, I

0:25:47.200 --> 0:25:47.560
<v Speaker 3>can bake.

0:25:47.640 --> 0:25:51.560
<v Speaker 1>Well. Who are the three people that you text the

0:25:51.600 --> 0:25:54.359
<v Speaker 1>most each day? Who are the top three people? He

0:25:54.400 --> 0:25:58.480
<v Speaker 1>doesn't text? You're anti technology?

0:25:58.560 --> 0:26:03.920
<v Speaker 4>Now, Oh, I'm not a FaceTime but I do text text.

0:26:04.359 --> 0:26:06.879
<v Speaker 3>I text my daughter but she gets mad because I

0:26:06.880 --> 0:26:08.440
<v Speaker 3>do like to like the FaceTime her. But I text

0:26:08.520 --> 0:26:10.600
<v Speaker 3>my daughter to check check in. I text my daughter,

0:26:10.920 --> 0:26:13.960
<v Speaker 3>I text Mandy. What what three people do you communicate

0:26:14.000 --> 0:26:15.040
<v Speaker 3>with your phone every day?

0:26:15.200 --> 0:26:15.480
<v Speaker 9>You know?

0:26:15.560 --> 0:26:20.600
<v Speaker 3>And my and my chief of staff Sarah, those are

0:26:20.640 --> 0:26:23.040
<v Speaker 3>the three people that that I text with the most?

0:26:23.080 --> 0:26:25.560
<v Speaker 10>Maybe staff can about to say?

0:26:26.920 --> 0:26:28.359
<v Speaker 1>There you go? All right?

0:26:28.480 --> 0:26:30.679
<v Speaker 9>Before you ask him what kind of laundry detergent he use?

0:26:30.720 --> 0:26:30.800
<v Speaker 1>This?

0:26:30.840 --> 0:26:31.960
<v Speaker 9>Can I ask a real question?

0:26:32.160 --> 0:26:36.280
<v Speaker 10>Yes, I'm kind of I'm kind of obsessed with Let's

0:26:36.280 --> 0:26:36.840
<v Speaker 10>make a deal.

0:26:37.280 --> 0:26:40.359
<v Speaker 9>Oh yeah, I was wondering besides like what it's like.

0:26:40.400 --> 0:26:43.719
<v Speaker 10>I don't think we've ever had like a but like

0:26:44.560 --> 0:26:46.920
<v Speaker 10>what's that like in general? But but also did you

0:26:47.200 --> 0:26:49.720
<v Speaker 10>were you a fan of the old Let's make a

0:26:49.760 --> 0:26:50.800
<v Speaker 10>deal with Monty Hall?

0:26:50.920 --> 0:26:55.280
<v Speaker 4>And no, okay, and I don't say that in a

0:26:55.320 --> 0:26:55.800
<v Speaker 4>bad way.

0:26:55.880 --> 0:26:58.640
<v Speaker 3>I used to watch it because that's what was on

0:26:58.720 --> 0:27:00.879
<v Speaker 3>when my grandmother would watch watch you know, it's like

0:27:01.080 --> 0:27:04.120
<v Speaker 3>being black and your mom watches the story story right,

0:27:04.400 --> 0:27:07.119
<v Speaker 3>So there was a progression. You would watch The Price

0:27:07.200 --> 0:27:09.640
<v Speaker 3>is Right at some point because they were all on CBS,

0:27:09.680 --> 0:27:11.480
<v Speaker 3>and then I think she would switch over to ABC

0:27:11.600 --> 0:27:13.600
<v Speaker 3>to watch Monty and then she'd watch the story. So

0:27:13.640 --> 0:27:16.840
<v Speaker 3>I would watch it just by being around. But any

0:27:16.880 --> 0:27:18.880
<v Speaker 3>game show that I liked, I was a snob because

0:27:18.880 --> 0:27:21.919
<v Speaker 3>I liked Jeopardy. I liked anything that I had to

0:27:22.840 --> 0:27:25.840
<v Speaker 3>that was skilled, skill based or trivia. So so so

0:27:25.920 --> 0:27:28.480
<v Speaker 3>I wasn't really checking so much for Let's make a

0:27:28.520 --> 0:27:30.680
<v Speaker 3>Deal as a kid because I don't yeah, because that

0:27:30.720 --> 0:27:33.720
<v Speaker 3>wasn't my thing. So later in life when I was

0:27:33.760 --> 0:27:36.040
<v Speaker 3>offered Let's make a Deal, I turned it down a

0:27:36.040 --> 0:27:38.679
<v Speaker 3>few times because in my mind, and this was before

0:27:39.600 --> 0:27:41.320
<v Speaker 3>game show hosting became.

0:27:41.200 --> 0:27:45.720
<v Speaker 4>Cool, I created that lane.

0:27:46.440 --> 0:27:49.080
<v Speaker 3>It was I, well, this is my fifteenth season, so

0:27:49.160 --> 0:27:54.080
<v Speaker 3>I guess go go back to what I'm doing the show. Yeah,

0:27:54.240 --> 0:27:56.080
<v Speaker 3>my daughter is twenty one, since she was born in

0:27:56.080 --> 0:27:59.200
<v Speaker 3>two thousand and three. So I started the show, which

0:27:59.280 --> 0:28:02.760
<v Speaker 3>was a so so two thousand and something, when I

0:28:02.920 --> 0:28:07.440
<v Speaker 3>was offered it, game shows were kind of game shows.

0:28:07.720 --> 0:28:09.440
<v Speaker 3>And in my mind when I think a game show host,

0:28:09.520 --> 0:28:10.920
<v Speaker 3>I think of the game show hosts that we grew

0:28:11.000 --> 0:28:13.440
<v Speaker 3>up on, which were cool. But you know, the guys

0:28:13.440 --> 0:28:18.240
<v Speaker 3>with long, long long mics and Jean.

0:28:18.640 --> 0:28:21.240
<v Speaker 4>And I love and love al right, so you have

0:28:21.800 --> 0:28:25.359
<v Speaker 4>let me kiss you? And why you Richard Dawson, that

0:28:25.400 --> 0:28:25.760
<v Speaker 4>whole thing.

0:28:25.920 --> 0:28:28.480
<v Speaker 3>So I was like, game shows are that like being

0:28:28.640 --> 0:28:31.840
<v Speaker 3>being a game show host almost I felt had a

0:28:31.880 --> 0:28:34.840
<v Speaker 3>taste to some people, especially in the entertainment business, like

0:28:34.920 --> 0:28:38.920
<v Speaker 3>being it's something that could be parodied easily, like a

0:28:38.960 --> 0:28:43.200
<v Speaker 3>weather man or or a bad DJ. Hey this is Jimmy,

0:28:43.240 --> 0:28:45.080
<v Speaker 3>and that you could easily make fun of it and

0:28:45.080 --> 0:28:47.000
<v Speaker 3>do a shorthand. So I was like, why would I

0:28:47.000 --> 0:28:49.240
<v Speaker 3>do that? Why would I do that thing? I'm not

0:28:49.280 --> 0:28:51.760
<v Speaker 3>going to be made fun of for doing that thing. So,

0:28:52.200 --> 0:28:54.200
<v Speaker 3>and it was nothing against the show. I say, no,

0:28:54.360 --> 0:28:56.560
<v Speaker 3>you got the wrong guy because on that show, and

0:28:56.600 --> 0:28:58.880
<v Speaker 3>you correct me if I'm wrong. You just say, hello,

0:29:00.240 --> 0:29:03.760
<v Speaker 3>Irma from Pacoima. You're addressed as a bread Do you

0:29:03.800 --> 0:29:04.440
<v Speaker 3>have a quarter?

0:29:06.240 --> 0:29:06.800
<v Speaker 4>That's lovely?

0:29:07.040 --> 0:29:08.720
<v Speaker 3>And that's lovely that they do that, but I have

0:29:08.760 --> 0:29:11.000
<v Speaker 3>a skill set that exceeds that. So no, no, thank

0:29:11.040 --> 0:29:13.959
<v Speaker 3>you until Mike, Mike Richards, who was the EP at

0:29:13.960 --> 0:29:16.120
<v Speaker 3>the time, he said, Monty Hall really wants to meet you.

0:29:16.400 --> 0:29:17.800
<v Speaker 3>And I was like, I'm not going to say no

0:29:17.880 --> 0:29:20.160
<v Speaker 3>to meeting Monty Hall, especially because my mom doesn't know.

0:29:21.120 --> 0:29:22.880
<v Speaker 4>And no, no. When I started the show.

0:29:23.160 --> 0:29:25.800
<v Speaker 3>When I started the show was alive and Monty I

0:29:25.880 --> 0:29:28.520
<v Speaker 3>had lunch at Monty's house and he was so lovely,

0:29:28.560 --> 0:29:30.720
<v Speaker 3>and I said, Monty, thank you so much, sir, But

0:29:30.760 --> 0:29:33.280
<v Speaker 3>I'm getting ready to write a sitcom. I've got a

0:29:33.320 --> 0:29:35.560
<v Speaker 3>deal for that. I've got things that I need need

0:29:35.560 --> 0:29:39.080
<v Speaker 3>to do. I don't do this. He goes, no, I

0:29:39.080 --> 0:29:41.440
<v Speaker 3>don't want you to. I want you to do what

0:29:41.600 --> 0:29:43.600
<v Speaker 3>you do. That's the only way that this show is

0:29:43.640 --> 0:29:45.880
<v Speaker 3>going to work for a new audience. Because they tried

0:29:46.400 --> 0:29:49.320
<v Speaker 3>various iterations of it, like with Billy Bush I think

0:29:49.360 --> 0:29:51.040
<v Speaker 3>was one of the last ones, and they and they

0:29:51.080 --> 0:29:54.240
<v Speaker 3>tried like a like an adult, let's make a deal.

0:29:54.480 --> 0:29:57.200
<v Speaker 3>It's like if you have a dildo in your pocket.

0:29:57.880 --> 0:29:59.800
<v Speaker 3>I was like, well, that's crass. That's not gonna fly.

0:30:00.280 --> 0:30:02.480
<v Speaker 1>So I did not know, so it was wasn't Drew

0:30:02.520 --> 0:30:03.800
<v Speaker 1>Carrey was he doing it on time?

0:30:06.280 --> 0:30:08.400
<v Speaker 3>So he said, I want you to do He said, well,

0:30:08.400 --> 0:30:09.920
<v Speaker 3>what do you mean what would I do? He's like, no,

0:30:10.000 --> 0:30:13.160
<v Speaker 3>you're funny and the improv that you do and the

0:30:13.200 --> 0:30:18.600
<v Speaker 3>things and the characters. I said, really, okay, well if

0:30:18.600 --> 0:30:21.880
<v Speaker 3>you're cool with it. Then I thought about it and

0:30:21.960 --> 0:30:23.880
<v Speaker 3>I tried to do the business. Mind I'm like, well,

0:30:24.480 --> 0:30:26.720
<v Speaker 3>like with my talk show, and I remember being in

0:30:26.760 --> 0:30:29.440
<v Speaker 3>people's homes. It's a very powerful thing, being able to

0:30:29.440 --> 0:30:30.920
<v Speaker 3>touch people every day.

0:30:31.160 --> 0:30:32.640
<v Speaker 4>And I also did it because my grandma.

0:30:32.720 --> 0:30:34.479
<v Speaker 3>You know, I'm like, if I can do something that

0:30:34.520 --> 0:30:37.960
<v Speaker 3>my grandma likes, So I said yes, and I started it,

0:30:38.320 --> 0:30:41.200
<v Speaker 3>and I remember being clowned at first, and I'm and

0:30:41.240 --> 0:30:43.680
<v Speaker 3>what's funny is right? As I got clowned by a

0:30:43.680 --> 0:30:46.360
<v Speaker 3>couple of people out here whispers. Then, oddly enough, a

0:30:46.400 --> 0:30:50.800
<v Speaker 3>season or two later, then other men of color were

0:30:50.800 --> 0:30:55.400
<v Speaker 3>doing game shows with very lucrative contracts. And now and

0:30:55.440 --> 0:31:00.920
<v Speaker 3>now you can't you throw a rock at TV? Michael Strand, myself,

0:31:01.440 --> 0:31:09.760
<v Speaker 3>Steve Anthony Anderson, Jamie Fox, we did all comedy guys, Shazam.

0:31:08.880 --> 0:31:10.280
<v Speaker 1>I'll beat Shazama.

0:31:11.520 --> 0:31:12.120
<v Speaker 4>It's all a thing.

0:31:12.160 --> 0:31:13.880
<v Speaker 3>But as I did it, it was like, look at

0:31:13.880 --> 0:31:16.880
<v Speaker 3>this game show, corny, how much is he making for that?

0:31:17.880 --> 0:31:18.760
<v Speaker 1>And what season is he?

0:31:19.520 --> 0:31:20.800
<v Speaker 4>And I really wasn't making it.

0:31:20.880 --> 0:31:24.600
<v Speaker 3>And I'll say, and I wasn't making what I feel

0:31:24.600 --> 0:31:26.760
<v Speaker 3>I should have now because I know what I bring,

0:31:26.920 --> 0:31:29.320
<v Speaker 3>Like the thing that I've created with that show, with

0:31:29.480 --> 0:31:31.640
<v Speaker 3>the improv, with characters being able to couch it in

0:31:31.720 --> 0:31:34.320
<v Speaker 3>this it's so much fun and I'm.

0:31:33.880 --> 0:31:35.040
<v Speaker 4>Glad that people love it.

0:31:35.080 --> 0:31:37.520
<v Speaker 3>But I take pride in the fact that I've helped

0:31:37.520 --> 0:31:42.120
<v Speaker 3>along with our team because everybody on that staff gets

0:31:42.160 --> 0:31:44.560
<v Speaker 3>me and they're like, Okay, let's support that vision.

0:31:44.960 --> 0:31:47.120
<v Speaker 1>Even though you say you don't text that your FaceTime

0:31:47.200 --> 0:31:51.680
<v Speaker 1>or whatever, I'm saying communicating not texting. Yeah, who are

0:31:51.760 --> 0:31:56.440
<v Speaker 1>the three most famous people that you've texted in your

0:31:56.600 --> 0:32:00.680
<v Speaker 1>phone score right now? Like ever, no, no, no, this in

0:32:00.680 --> 0:32:02.960
<v Speaker 1>in the last hour or two since the.

0:32:02.920 --> 0:32:06.160
<v Speaker 4>Last I haven't texted anyone famous in the last hour two.

0:32:06.080 --> 0:32:08.760
<v Speaker 1>The most famous name in your your scroll at the

0:32:08.760 --> 0:32:11.479
<v Speaker 1>top of your scroll right now is who sugar Steve?

0:32:14.320 --> 0:32:21.440
<v Speaker 3>Oh, well, that's it, Rayu oh okay now rays famous

0:32:21.440 --> 0:32:26.720
<v Speaker 3>to musicians, Yeah, of.

0:32:26.760 --> 0:32:28.440
<v Speaker 4>Dancing with the Stars fame.

0:32:29.240 --> 0:32:34.160
<v Speaker 3>So Rachu texted me that that that was great, and

0:32:34.360 --> 0:32:37.640
<v Speaker 3>I don't think anybody else that. Oh and Ben Vereen,

0:32:38.440 --> 0:32:40.760
<v Speaker 3>who like if you know, you know Ben, Ben is

0:32:40.840 --> 0:32:42.440
<v Speaker 3>like my godfather.

0:32:43.000 --> 0:32:45.280
<v Speaker 4>So between he's in communication with you.

0:32:45.680 --> 0:32:46.440
<v Speaker 1>Yes, then leave you?

0:32:47.200 --> 0:32:50.840
<v Speaker 4>And why don't you love me?

0:32:51.000 --> 0:32:53.920
<v Speaker 1>We want her on the shelves. You can, you know,

0:32:54.520 --> 0:32:55.280
<v Speaker 1>put in a good word.

0:32:55.320 --> 0:32:57.800
<v Speaker 4>I don't know if this is she would love to come,

0:32:58.760 --> 0:33:00.680
<v Speaker 4>She would love to all right.

0:33:00.760 --> 0:33:01.720
<v Speaker 1>Slight weird question.

0:33:01.920 --> 0:33:02.240
<v Speaker 4>Bring it?

0:33:03.480 --> 0:33:05.720
<v Speaker 1>Have you ever almost been arrested?

0:33:06.560 --> 0:33:06.800
<v Speaker 4>Yes?

0:33:08.160 --> 0:33:09.520
<v Speaker 1>Are you allowed to talk about it?

0:33:09.560 --> 0:33:09.640
<v Speaker 3>Oh?

0:33:09.720 --> 0:33:12.880
<v Speaker 4>Yeah, oh yeah, oh yeah, because the case is finished. No. No,

0:33:15.480 --> 0:33:17.160
<v Speaker 4>it was like you wanted to know about me, man,

0:33:17.240 --> 0:33:20.360
<v Speaker 4>you wanted to know. Yes.

0:33:20.600 --> 0:33:24.480
<v Speaker 3>Once as a kid, I was almost arrested for driving

0:33:24.480 --> 0:33:28.800
<v Speaker 3>without a license because a friend of mine was drunk

0:33:29.400 --> 0:33:33.920
<v Speaker 3>and I was trying to to drive him home and

0:33:34.360 --> 0:33:37.080
<v Speaker 3>I was doing the thing of somebody who really I

0:33:37.280 --> 0:33:38.400
<v Speaker 3>was driving very slow?

0:33:38.440 --> 0:33:39.000
<v Speaker 4>Oh I was.

0:33:39.560 --> 0:33:43.280
<v Speaker 3>But and of course if you see somebody going like

0:33:43.440 --> 0:33:47.960
<v Speaker 3>this then and so even back then, I think I

0:33:48.000 --> 0:33:49.840
<v Speaker 3>had a gift for gab. I let the machine take

0:33:49.880 --> 0:33:53.680
<v Speaker 3>over and he's like, hey, let me see your drivers. Look,

0:33:53.760 --> 0:33:56.160
<v Speaker 3>I'll tell you right off the bat, I'm officer, I

0:33:56.200 --> 0:33:58.240
<v Speaker 3>don't have a license. I'm I don't have a license.

0:33:58.400 --> 0:34:00.720
<v Speaker 3>This is not my car, and contray what you may

0:34:00.760 --> 0:34:02.880
<v Speaker 3>be thinking. I didn't steal it. This happens to be

0:34:03.160 --> 0:34:06.440
<v Speaker 3>my friend's car. As you can see, my friend is intoxicated.

0:34:06.520 --> 0:34:09.080
<v Speaker 3>He's drunk. When we were at a Disney party, we

0:34:09.080 --> 0:34:11.400
<v Speaker 3>we both work at Walt Disney World right up the street.

0:34:11.840 --> 0:34:13.880
<v Speaker 3>I wanted to make sure that he got home. I

0:34:14.200 --> 0:34:16.439
<v Speaker 3>took his keys from him. So I would never let

0:34:16.480 --> 0:34:18.520
<v Speaker 3>my friend get behind the wheel of a car because

0:34:18.560 --> 0:34:20.480
<v Speaker 3>his death would be on my conscience. So if I'm

0:34:20.520 --> 0:34:22.200
<v Speaker 3>going to get in trouble for that, then I guess

0:34:22.239 --> 0:34:27.040
<v Speaker 3>I'm ready to go to jail. Oh okay, well, just

0:34:27.120 --> 0:34:29.399
<v Speaker 3>drive a little faster. And how far away is it live?

0:34:29.719 --> 0:34:32.960
<v Speaker 3>He lives two minutes away, all right. And I and

0:34:33.040 --> 0:34:33.560
<v Speaker 3>I got off.

0:34:33.920 --> 0:34:38.520
<v Speaker 4>That works that, you.

0:34:38.480 --> 0:34:42.319
<v Speaker 3>Know, that's the one time that that worked. And and

0:34:42.400 --> 0:34:45.359
<v Speaker 3>I've been stopped once or twice by cops and by

0:34:45.360 --> 0:34:47.520
<v Speaker 3>the grace of God or social media or TV.

0:34:48.640 --> 0:34:53.799
<v Speaker 4>Hey, you you know what. I love that that's your

0:34:53.800 --> 0:34:59.080
<v Speaker 4>pel thing? Where you go? Oh man, that's awesome, d.

0:35:00.600 --> 0:35:03.640
<v Speaker 9>Ah man, aren't you tigger? The pinching tager?

0:35:04.280 --> 0:35:06.160
<v Speaker 4>Well, my kid is like when I was a kid.

0:35:06.239 --> 0:35:07.440
<v Speaker 4>I was pinched by a tigger.

0:35:09.120 --> 0:35:11.479
<v Speaker 1>Of all your birthdays, what was the best one ever

0:35:11.719 --> 0:35:12.520
<v Speaker 1>that you remember?

0:35:13.560 --> 0:35:15.240
<v Speaker 4>Wow, you are amazing.

0:35:15.400 --> 0:35:18.640
<v Speaker 3>These these questions you've never been asked before, never been

0:35:18.640 --> 0:35:19.240
<v Speaker 3>asked before.

0:35:19.360 --> 0:35:21.760
<v Speaker 1>I look, I said that in one of the interview

0:35:21.800 --> 0:35:25.759
<v Speaker 1>people I normally wouldn't talk to like youngers, whatever, And

0:35:25.840 --> 0:35:28.680
<v Speaker 1>I want to ask questions that just aren't about your

0:35:28.680 --> 0:35:29.360
<v Speaker 1>press junket.

0:35:29.480 --> 0:35:31.480
<v Speaker 4>The best birthday ever?

0:35:32.400 --> 0:35:33.960
<v Speaker 9>I think you might have already given it a way.

0:35:35.280 --> 0:35:39.680
<v Speaker 3>I think you know, it's the birthday that I found

0:35:39.680 --> 0:35:43.080
<v Speaker 3>out that my ex wife was pregnant, and my gift

0:35:43.280 --> 0:35:47.280
<v Speaker 3>was she told me for my for my twenty ninth.

0:35:47.040 --> 0:35:48.400
<v Speaker 4>Birthday, that was her gift.

0:35:48.880 --> 0:35:52.920
<v Speaker 3>She she told me, I'm pregnant because I wanted a baby,

0:35:52.960 --> 0:35:55.320
<v Speaker 3>and she wasn't necessarily on board because she she was

0:35:55.360 --> 0:35:58.080
<v Speaker 3>a dancer and an actress and at that point, you know,

0:35:58.200 --> 0:36:00.359
<v Speaker 3>and and she would have to give up her thing.

0:36:00.680 --> 0:36:02.560
<v Speaker 3>So I was kind of in my feelings about it.

0:36:02.880 --> 0:36:06.000
<v Speaker 3>And little did I know that she was working to

0:36:06.000 --> 0:36:08.840
<v Speaker 3>make my dream come true. I guess, and it happened.

0:36:08.880 --> 0:36:11.160
<v Speaker 3>And so on my birthday, on my twenty ninth birthday,

0:36:11.440 --> 0:36:13.480
<v Speaker 3>she said, uh, this is your gift.

0:36:14.080 --> 0:36:16.640
<v Speaker 4>Yeah, No, my was it thirtieth birthday on my third

0:36:16.760 --> 0:36:17.560
<v Speaker 4>thirtieth birthday.

0:36:17.719 --> 0:36:22.280
<v Speaker 1>Yeah, okay, that's what's up. What was your childhood nickname

0:36:22.400 --> 0:36:24.360
<v Speaker 1>or what is it? Do you have a nickname that

0:36:24.400 --> 0:36:25.040
<v Speaker 1>people call you?

0:36:25.400 --> 0:36:27.359
<v Speaker 4>Yeah, and now I have to address the camera again.

0:36:30.120 --> 0:36:34.239
<v Speaker 3>One of the childhood nicknames that I remember is there

0:36:34.320 --> 0:36:37.320
<v Speaker 3>was a time when and I hope that you're remembering

0:36:37.360 --> 0:36:39.040
<v Speaker 3>all this, Bill, because when we do my one man

0:36:39.080 --> 0:36:41.080
<v Speaker 3>show that I talked to you about, all these stories

0:36:41.120 --> 0:36:43.040
<v Speaker 3>are going in it. So we have to write songs

0:36:43.040 --> 0:36:44.960
<v Speaker 3>to go with these things. Okay, so we need to

0:36:45.360 --> 0:36:49.680
<v Speaker 3>and then and then Mere you can executive produce. Okay, Okay, great.

0:36:50.080 --> 0:36:53.400
<v Speaker 3>So I was actually called gas Man for and I

0:36:53.400 --> 0:36:55.480
<v Speaker 3>don't even know and this was, like I want to say,

0:36:55.520 --> 0:36:58.839
<v Speaker 3>this was maybe at the end, maybe it was eighth

0:36:58.920 --> 0:36:59.600
<v Speaker 3>or ninth grade.

0:37:00.520 --> 0:37:02.040
<v Speaker 4>So this wasn't like I was a child.

0:37:02.280 --> 0:37:05.040
<v Speaker 3>And the reason I was called gas man is because

0:37:05.440 --> 0:37:09.600
<v Speaker 3>my grandmother, God bless her, she uses mothballs. I don't

0:37:09.600 --> 0:37:12.360
<v Speaker 3>know if everybody still uses mothballs. But have you smelled

0:37:12.600 --> 0:37:15.319
<v Speaker 3>smelled a moth ball? Okay, so so you know what

0:37:15.320 --> 0:37:20.680
<v Speaker 3>a mothball smells like. Now imagine every drawer has mothballs.

0:37:20.880 --> 0:37:23.640
<v Speaker 3>What is the purpose of mothballs to keep away moths?

0:37:24.440 --> 0:37:24.760
<v Speaker 9>Wow?

0:37:25.840 --> 0:37:29.960
<v Speaker 4>Edit that out please, or some would say, or some

0:37:30.000 --> 0:37:31.880
<v Speaker 4>would say to attract them. I don't know.

0:37:33.760 --> 0:37:35.560
<v Speaker 1>Yeah, that's going to be our commercial.

0:37:36.920 --> 0:37:39.600
<v Speaker 3>What are mothballs for fun?

0:37:40.600 --> 0:37:41.200
<v Speaker 4>What? Hey?

0:37:41.920 --> 0:37:45.839
<v Speaker 3>Normally when you put a mothball in, you drop a

0:37:45.880 --> 0:37:48.200
<v Speaker 3>ball or two and that should do the job in

0:37:48.239 --> 0:37:53.800
<v Speaker 3>each thing. My grandmother nothing like no moderation, mothballs, a

0:37:53.920 --> 0:37:57.040
<v Speaker 3>coating of mothballs, and all of the drawers, so all

0:37:57.080 --> 0:37:59.960
<v Speaker 3>of my clothing that was always folded up in my drawers,

0:38:00.360 --> 0:38:04.399
<v Speaker 3>and of course you don't smell stuff outside the house

0:38:04.480 --> 0:38:08.400
<v Speaker 3>until so I started to get called gas man on

0:38:09.080 --> 0:38:13.440
<v Speaker 3>gas man on the bus going to school. And then

0:38:13.840 --> 0:38:16.640
<v Speaker 3>also besides gas man, then there were you know, kids

0:38:16.640 --> 0:38:21.120
<v Speaker 3>can be clever, especially we beautiful kids in the hood

0:38:21.200 --> 0:38:23.880
<v Speaker 3>with minds that can freestyle and make and make things up.

0:38:23.920 --> 0:38:26.680
<v Speaker 4>So there were always songs, great songs.

0:38:26.360 --> 0:38:29.640
<v Speaker 3>About gas man, the gas man.

0:38:29.719 --> 0:38:31.200
<v Speaker 4>Who who that gas man?

0:38:32.200 --> 0:38:34.520
<v Speaker 3>You know they would put put some Uncle Luke on

0:38:34.560 --> 0:38:39.160
<v Speaker 3>it gas man gas man or or because then my

0:38:39.239 --> 0:38:41.400
<v Speaker 3>mom she shopped very practically for me.

0:38:41.440 --> 0:38:42.840
<v Speaker 4>She's like, when I don't have to spend all this

0:38:42.920 --> 0:38:45.640
<v Speaker 4>money on your clothes, you always look clean. You look

0:38:45.680 --> 0:38:46.600
<v Speaker 4>clean and dressed.

0:38:46.880 --> 0:38:52.800
<v Speaker 3>My shoes so my shoes, Bobbos make fine.

0:38:53.040 --> 0:38:53.560
<v Speaker 1>I heard the.

0:38:53.520 --> 0:38:58.719
<v Speaker 3>Bobo's thing, but yeah, so gas man and Bobo's ah okay.

0:38:58.719 --> 0:39:01.920
<v Speaker 4>Oh and Jamaic make Jamaica fuck is what it is?

0:39:02.000 --> 0:39:02.560
<v Speaker 4>Jamake make?

0:39:02.880 --> 0:39:03.000
<v Speaker 1>Oh?

0:39:03.080 --> 0:39:04.040
<v Speaker 4>Yeah.

0:39:04.440 --> 0:39:08.880
<v Speaker 8>They reduce everybody down to children are shitty people.

0:39:09.600 --> 0:39:11.760
<v Speaker 4>Children. No, that's true.

0:39:12.040 --> 0:39:15.920
<v Speaker 3>Children a shitty people because you're limited you you kids

0:39:16.280 --> 0:39:20.200
<v Speaker 3>kids have because you know, because they're little little drunks

0:39:20.200 --> 0:39:23.799
<v Speaker 3>that depend on you and our prefuntal cortexes aren't really

0:39:23.800 --> 0:39:27.399
<v Speaker 3>formed to what twenty five really so, so they have

0:39:27.560 --> 0:39:30.120
<v Speaker 3>no empathy, no sympathy.

0:39:29.680 --> 0:39:30.960
<v Speaker 1>No filter, no filter.

0:39:31.120 --> 0:39:31.719
<v Speaker 4>So I get it.

0:39:31.800 --> 0:39:34.319
<v Speaker 3>So that's why I say, man, that's all in the past,

0:39:34.320 --> 0:39:36.280
<v Speaker 3>and thank you because they give me great stories.

0:39:37.000 --> 0:39:41.120
<v Speaker 1>There you go, thank you, gash Man with me. What

0:39:41.280 --> 0:39:48.360
<v Speaker 1>theme often occurs in your dream? Is there running theme

0:39:48.560 --> 0:39:50.080
<v Speaker 1>that happens in your dreams?

0:39:50.120 --> 0:39:50.800
<v Speaker 4>Easy? Too.

0:39:51.200 --> 0:39:53.440
<v Speaker 3>I feel in this session I've been able to unload

0:39:53.480 --> 0:39:55.359
<v Speaker 3>more than the therapists that I've seen from the past.

0:39:56.560 --> 0:39:59.719
<v Speaker 7>You like a therapy, says, I've ever been likely this

0:39:59.800 --> 0:40:01.560
<v Speaker 7>is like us doing true and your friends.

0:40:02.239 --> 0:40:04.960
<v Speaker 1>But I have a belief that dreams are kind of

0:40:05.320 --> 0:40:09.919
<v Speaker 1>absolutely the I feel like dreams are how you get

0:40:09.920 --> 0:40:15.520
<v Speaker 1>communicated to from other entities. Yes, and I feel like

0:40:15.560 --> 0:40:17.760
<v Speaker 1>my father's talking through me through my dreams.

0:40:18.200 --> 0:40:20.960
<v Speaker 3>Yeah, I'm so glad you. Yes, I absolutely feel that.

0:40:21.040 --> 0:40:23.200
<v Speaker 3>I know that my father talks to me. I know

0:40:23.239 --> 0:40:26.319
<v Speaker 3>that my grandmother talks to me sometimes. And besides them

0:40:26.360 --> 0:40:29.760
<v Speaker 3>talking to me, I feel that your dreams keep you safe.

0:40:29.760 --> 0:40:33.600
<v Speaker 3>That they're almost an early warning system for some of

0:40:33.640 --> 0:40:37.520
<v Speaker 3>the shit that you may do in real life that

0:40:37.640 --> 0:40:40.920
<v Speaker 3>you realize in your subconscious or things that you're afraid of.

0:40:41.040 --> 0:40:43.520
<v Speaker 3>Two of my running that I that I've had the

0:40:43.520 --> 0:40:44.480
<v Speaker 3>same dreams since.

0:40:44.280 --> 0:40:44.879
<v Speaker 4>I was a child.

0:40:45.880 --> 0:40:49.760
<v Speaker 3>We were the only house on our street on Casino Avenue.

0:40:50.280 --> 0:40:53.279
<v Speaker 3>Because people loved and respecting my grandmother, we were the

0:40:53.320 --> 0:40:57.760
<v Speaker 3>only house that that was never broken into. And in fact,

0:40:58.160 --> 0:41:00.520
<v Speaker 3>if somebody broke in, like there was one to where

0:41:00.560 --> 0:41:04.320
<v Speaker 3>my next door neighbors to the left, this this this

0:41:04.320 --> 0:41:07.160
<v Speaker 3>this this white family, the only white white fam family

0:41:07.200 --> 0:41:09.560
<v Speaker 3>on our side the neighborhood. They were getting broken into,

0:41:09.840 --> 0:41:13.200
<v Speaker 3>and my grandmother walked outside and she actually saw the

0:41:13.280 --> 0:41:15.040
<v Speaker 3>kid and it was one of my school kids. She's like,

0:41:15.840 --> 0:41:18.319
<v Speaker 3>what are you doing? Oh, I'm sorry, miss Valerie. You know,

0:41:18.920 --> 0:41:21.600
<v Speaker 3>I'm just She's like, don't go in to mine house

0:41:21.680 --> 0:41:24.759
<v Speaker 3>doing it. And and instead of being brawling towards her

0:41:24.800 --> 0:41:26.520
<v Speaker 3>or doing something, he was like, I'm sorry, man, you

0:41:26.560 --> 0:41:28.759
<v Speaker 3>know what and didn't go in. Oh oh they got

0:41:28.840 --> 0:41:33.600
<v Speaker 3>him later, Oh yeah, sure right. But I was always afraid.

0:41:34.000 --> 0:41:36.360
<v Speaker 3>So my whole thing growing up was I was always

0:41:36.360 --> 0:41:39.520
<v Speaker 3>afraid of somebody breaking into because I never felt that

0:41:39.520 --> 0:41:42.960
<v Speaker 3>our house was safe enough. So I always checked the locks.

0:41:43.000 --> 0:41:49.239
<v Speaker 3>We had a we we had the old we had,

0:41:49.400 --> 0:41:51.879
<v Speaker 3>oh and the pull thing you do, so we had that.

0:41:51.920 --> 0:41:53.960
<v Speaker 3>But I never felt that our windows were safe, and

0:41:54.000 --> 0:41:56.040
<v Speaker 3>I was always wondering if somebody's gonna break into the

0:41:56.040 --> 0:41:58.800
<v Speaker 3>back door. So I've kept that throughout my entire life.

0:41:59.239 --> 0:42:02.000
<v Speaker 3>Light clockwork. Every couple of days, I always.

0:42:01.680 --> 0:42:02.200
<v Speaker 4>Have that dream.

0:42:02.239 --> 0:42:04.640
<v Speaker 3>No no matter what house, no matter what apartment I

0:42:04.680 --> 0:42:07.040
<v Speaker 3>used to live in was, I have the recurring dream

0:42:07.080 --> 0:42:11.719
<v Speaker 3>of I have to defend myself. No, that's the thing.

0:42:12.520 --> 0:42:15.319
<v Speaker 3>I defend myself. I have to defend my family, I

0:42:15.360 --> 0:42:17.680
<v Speaker 3>have to defend my property. I have to because if

0:42:17.680 --> 0:42:20.960
<v Speaker 3>they get in, then we'll we'll be in danger. So

0:42:21.040 --> 0:42:24.160
<v Speaker 3>that's always been my thing, is I have to defend.

0:42:24.640 --> 0:42:27.000
<v Speaker 1>Okay, I dream about trains.

0:42:27.360 --> 0:42:28.520
<v Speaker 9>You said there were two dreams.

0:42:29.160 --> 0:42:32.320
<v Speaker 4>Oh, the other one's flying. I'm always flying fear of flying?

0:42:32.400 --> 0:42:33.400
<v Speaker 1>Or you're always flying.

0:42:33.520 --> 0:42:34.759
<v Speaker 4>No, I'm always flying.

0:42:34.840 --> 0:42:37.680
<v Speaker 3>I'm two, but it's because but not on the plane,

0:42:37.680 --> 0:42:39.160
<v Speaker 3>by yourself, by myself.

0:42:40.000 --> 0:42:43.440
<v Speaker 1>Oh my god, that's another three thousand revelations. Well he

0:42:43.520 --> 0:42:47.200
<v Speaker 1>told me a story like Selo taught him Astro traveling

0:42:48.000 --> 0:42:49.000
<v Speaker 1>Andre three thousand.

0:42:49.040 --> 0:42:49.320
<v Speaker 4>Wow.

0:42:49.640 --> 0:42:53.400
<v Speaker 1>Yeah, he goes into detail about that. Okay, I'm always

0:42:53.440 --> 0:42:59.320
<v Speaker 1>obsessed with trains, be it soul train or like the subway.

0:42:59.440 --> 0:43:01.839
<v Speaker 1>There was a point point where I was obsessed. There's

0:43:01.840 --> 0:43:06.800
<v Speaker 1>an obsession I have with During the pandemic, I discovered

0:43:06.800 --> 0:43:12.000
<v Speaker 1>a YouTube page of a guy whose goal was to

0:43:12.239 --> 0:43:15.239
<v Speaker 1>just track from soup to nuts, like one end to

0:43:15.320 --> 0:43:18.520
<v Speaker 1>the other end of any train line and anywhere America.

0:43:19.480 --> 0:43:25.040
<v Speaker 1>So during the pandemic, I would actually pretend I was

0:43:25.040 --> 0:43:28.120
<v Speaker 1>going to school, like I get on the mark and

0:43:28.160 --> 0:43:31.080
<v Speaker 1>Frankurt elevated train at fifteen, get off fifteenth Street, and

0:43:31.080 --> 0:43:34.800
<v Speaker 1>then I changed the channel to the subway. And literally,

0:43:35.560 --> 0:43:37.960
<v Speaker 1>I don't know why I have an obsession with train

0:43:38.080 --> 0:43:40.360
<v Speaker 1>routes on YouTube where the guy just gets on the

0:43:40.360 --> 0:43:44.960
<v Speaker 1>front car and oh, so you're seeing the POV right, Yeah,

0:43:45.160 --> 0:43:48.920
<v Speaker 1>like I can I pretend that now. I know now

0:43:49.040 --> 0:43:53.319
<v Speaker 1>that the next level of the v R thing is

0:43:53.360 --> 0:43:56.000
<v Speaker 1>they're now going to create worlds. What was the movie

0:43:56.160 --> 0:43:59.680
<v Speaker 1>the movie where the little boy in India gets separated

0:43:59.680 --> 0:44:03.239
<v Speaker 1>from his family and he uses Google Earth. Yes, he

0:44:03.320 --> 0:44:07.359
<v Speaker 1>uses Google Earth to find his village. Like he got

0:44:07.360 --> 0:44:12.080
<v Speaker 1>separated from his township for twenty years and then you know,

0:44:12.080 --> 0:44:13.960
<v Speaker 1>as a three year old, he remember there was a

0:44:14.040 --> 0:44:16.600
<v Speaker 1>water tower and he zoomed in and saw right, he

0:44:16.640 --> 0:44:19.640
<v Speaker 1>got lost on the train system as a three year

0:44:19.640 --> 0:44:21.719
<v Speaker 1>old and didn't know where he lived, and then he

0:44:21.840 --> 0:44:24.560
<v Speaker 1>just lived all over. He got adopted by a well

0:44:24.600 --> 0:44:27.080
<v Speaker 1>to do family and he told his well to do family,

0:44:27.080 --> 0:44:30.799
<v Speaker 1>it's my dream to find my birth family. And they's like, well,

0:44:30.960 --> 0:44:33.080
<v Speaker 1>if you go on if you remember this water tower

0:44:33.280 --> 0:44:36.040
<v Speaker 1>thing very specific as a three year old, we can

0:44:36.040 --> 0:44:38.000
<v Speaker 1>go on Google Earth and look for it. And that's

0:44:38.000 --> 0:44:43.799
<v Speaker 1>how he was reunited with his family. But yeah, like

0:44:44.400 --> 0:44:48.640
<v Speaker 1>they're going to create worlds like that on what's Apple?

0:44:50.520 --> 0:44:51.759
<v Speaker 1>Yeah whatever, so.

0:44:51.680 --> 0:44:54.360
<v Speaker 3>That you go on Oculus and you use your it's

0:44:54.400 --> 0:44:58.240
<v Speaker 3>it's not amazing technology, but I've done using the Google

0:44:58.280 --> 0:45:03.040
<v Speaker 3>Earth to look and now on the Apple Pro, I've

0:45:03.080 --> 0:45:06.320
<v Speaker 3>done the same thing. I love the Apple Pro. They're

0:45:06.400 --> 0:45:08.400
<v Speaker 3>like that that thing is amazing.

0:45:09.360 --> 0:45:12.839
<v Speaker 1>So how do you use it? What's should I use

0:45:12.920 --> 0:45:13.440
<v Speaker 1>it to?

0:45:13.440 --> 0:45:16.319
<v Speaker 3>To watch movies because you really can make the you

0:45:16.360 --> 0:45:17.680
<v Speaker 3>can make an imax.

0:45:18.000 --> 0:45:19.400
<v Speaker 1>Yeah, you can go in the movie.

0:45:19.239 --> 0:45:21.640
<v Speaker 4>Theater and you can be watching the movie.

0:45:22.080 --> 0:45:25.359
<v Speaker 3>Or if I am doing work that you actually can type,

0:45:25.360 --> 0:45:27.759
<v Speaker 3>there's a virtual screen. I look at my emails, you

0:45:27.800 --> 0:45:30.560
<v Speaker 3>can go online. And the great thing because of the past,

0:45:31.120 --> 0:45:33.960
<v Speaker 3>you can do these things as you're just in the world.

0:45:34.680 --> 0:45:35.200
<v Speaker 4>It's great.

0:45:35.719 --> 0:45:42.719
<v Speaker 1>Yeah, Seriously, during twenty twenty, during like the pandemic, got

0:45:42.760 --> 0:45:47.040
<v Speaker 1>two oculuses and to be trapped in the house. But

0:45:47.120 --> 0:45:50.200
<v Speaker 1>with those things on, like I would build worlds and

0:45:50.320 --> 0:45:53.200
<v Speaker 1>malls and everything, and literally we'd have date night, like

0:45:54.080 --> 0:45:57.200
<v Speaker 1>get it on the roller coaster and let's walk in

0:45:57.239 --> 0:46:02.239
<v Speaker 1>the mall and it felt real. I built. We would

0:46:02.239 --> 0:46:06.040
<v Speaker 1>do like virtual ping pong and this this resort like

0:46:06.040 --> 0:46:09.480
<v Speaker 1>a Pocono's type of resort thing, but it really felt

0:46:09.520 --> 0:46:11.040
<v Speaker 1>like we were there.

0:46:11.360 --> 0:46:14.080
<v Speaker 3>Like Mike's girlfriend and I did the same thing and

0:46:14.160 --> 0:46:18.200
<v Speaker 3>we would go she would go to sing karaoke that

0:46:18.200 --> 0:46:21.799
<v Speaker 3>there'd be these virtual karaoke bars, which just the avatars

0:46:21.800 --> 0:46:24.239
<v Speaker 3>and everybody would sing, and I would go along with

0:46:24.280 --> 0:46:26.120
<v Speaker 3>her until my avatar would.

0:46:25.840 --> 0:46:28.239
<v Speaker 1>Just and sit in the audience and watch, sit and.

0:46:28.200 --> 0:46:31.160
<v Speaker 3>Watch, and sometimes I'd sing because at that point nobody

0:46:31.200 --> 0:46:33.640
<v Speaker 3>knows who anybody is, so upus I would do that,

0:46:33.760 --> 0:46:35.800
<v Speaker 3>and we'd go to Virtual Disney.

0:46:36.200 --> 0:46:37.440
<v Speaker 1>And I'm not try that yet.

0:46:37.520 --> 0:46:39.160
<v Speaker 4>It's so cool. That's when I fell in love with

0:46:39.200 --> 0:46:39.840
<v Speaker 4>the Oculus.

0:46:40.040 --> 0:46:42.480
<v Speaker 1>I'm certain now it's more advanced like I had it

0:46:42.520 --> 0:46:43.399
<v Speaker 1>when it first came out.

0:46:44.040 --> 0:46:45.520
<v Speaker 4>This new Oculus is much better.

0:46:45.560 --> 0:46:47.800
<v Speaker 1>And then I tapered off, like once we went outside,

0:46:48.719 --> 0:46:50.960
<v Speaker 1>I stopped going on it. But I can only imagine

0:46:50.960 --> 0:46:53.680
<v Speaker 1>now in twenty twenty four that it's super advanced and

0:46:53.800 --> 0:47:00.160
<v Speaker 1>it's great. I can't wait for that shout out to Oculus.

0:47:01.480 --> 0:47:06.120
<v Speaker 1>If five records define who you are as a human being,

0:47:07.320 --> 0:47:11.839
<v Speaker 1>what five records in your record collection best describes who

0:47:11.880 --> 0:47:12.200
<v Speaker 1>you are?

0:47:12.400 --> 0:47:16.600
<v Speaker 4>In my record collection? Oh man, Okay, you know what.

0:47:17.040 --> 0:47:19.920
<v Speaker 3>I'm going to go through my Apple Music real fast

0:47:20.200 --> 0:47:24.520
<v Speaker 3>because I don't have records in the records are are

0:47:24.560 --> 0:47:27.680
<v Speaker 3>in storage, so I have to remember which ones I have. Okay,

0:47:27.760 --> 0:47:29.480
<v Speaker 3>So just off the top of my head, because that's

0:47:29.480 --> 0:47:33.600
<v Speaker 3>a really deep, deep question. I'd say, oh, you know what,

0:47:34.080 --> 0:47:38.239
<v Speaker 3>the Miseducation of Lauren Hill four And I can't tell

0:47:38.280 --> 0:47:43.359
<v Speaker 3>you exactly why I love that record so much. And

0:47:43.400 --> 0:47:46.799
<v Speaker 3>I felt like I was being spoken to in terms

0:47:46.840 --> 0:47:51.240
<v Speaker 3>of being a creative because she was finding her voice

0:47:51.280 --> 0:47:52.200
<v Speaker 3>and finding her thing.

0:47:52.280 --> 0:47:54.680
<v Speaker 4>Then and then Zion.

0:47:55.880 --> 0:48:00.239
<v Speaker 3>That was released right as Miley was born, the first

0:48:00.280 --> 0:48:02.920
<v Speaker 3>time that I knew about having a child, and some

0:48:02.960 --> 0:48:06.640
<v Speaker 3>people wanted to clown her for her MTV performance when

0:48:06.680 --> 0:48:07.280
<v Speaker 3>she broke.

0:48:07.080 --> 0:48:09.960
<v Speaker 4>Down crying, but I was like, no, I get it.

0:48:10.080 --> 0:48:12.439
<v Speaker 3>I finally get what it's like to love somebody that much,

0:48:12.719 --> 0:48:15.200
<v Speaker 3>to break down crying and not care what you think. Okay,

0:48:15.600 --> 0:48:19.799
<v Speaker 3>that's one of my faite favorites. Kid and played Too

0:48:19.880 --> 0:48:24.840
<v Speaker 3>Hype Kid and played too Hype Wow. Yes, And the

0:48:24.920 --> 0:48:27.160
<v Speaker 3>reason is, I don't know if it's because of a

0:48:28.040 --> 0:48:28.960
<v Speaker 3>It's not because of a trait.

0:48:29.040 --> 0:48:29.919
<v Speaker 4>It's because of a time.

0:48:30.640 --> 0:48:36.000
<v Speaker 3>It's like, that's when I saw these dudes dancing and

0:48:36.080 --> 0:48:38.960
<v Speaker 3>having a good time. Hip hop wasn't you know that

0:48:39.040 --> 0:48:43.200
<v Speaker 3>ear of hip hop wasn't serious. And when I saw

0:48:43.320 --> 0:48:46.240
<v Speaker 3>them dancing, they gave me the courage because I would

0:48:46.239 --> 0:48:50.040
<v Speaker 3>sing and dance in my house. Nobody knew that I

0:48:50.080 --> 0:48:52.680
<v Speaker 3>could sing or dance until the first time that I

0:48:52.760 --> 0:48:54.800
<v Speaker 3>did a musical on stage.

0:48:55.280 --> 0:48:57.800
<v Speaker 1>Your family didn't know about your talent, nobody.

0:48:58.400 --> 0:49:00.840
<v Speaker 4>How'd you hide that in my room? I did a

0:49:00.880 --> 0:49:01.719
<v Speaker 4>lot of things in my room.

0:49:01.760 --> 0:49:04.640
<v Speaker 1>You have a voice like I did, you know, rejecting

0:49:04.680 --> 0:49:05.160
<v Speaker 1>the shower?

0:49:05.320 --> 0:49:06.000
<v Speaker 4>Nobody I would.

0:49:06.080 --> 0:49:08.440
<v Speaker 3>Nobody would know because because the couple of times that

0:49:08.480 --> 0:49:11.440
<v Speaker 3>I would do things, my my grandmother said stop running

0:49:11.440 --> 0:49:12.520
<v Speaker 3>around in that nonsense.

0:49:12.680 --> 0:49:13.879
<v Speaker 4>I was like, Okay, got it.

0:49:13.880 --> 0:49:16.279
<v Speaker 3>Nonsense, can do it in front of you, safety, won't

0:49:16.280 --> 0:49:17.160
<v Speaker 3>do it in front of anybody.

0:49:17.160 --> 0:49:17.640
<v Speaker 1>I got it.

0:49:18.040 --> 0:49:20.759
<v Speaker 3>But it wasn't until so So when SO that came

0:49:20.760 --> 0:49:25.280
<v Speaker 3>out in like eighty eight or eighty nine. Eighty okay,

0:49:25.280 --> 0:49:27.719
<v Speaker 3>so eighty eight, So I was a so So I

0:49:27.840 --> 0:49:31.640
<v Speaker 3>was a That was at the beginning of my of

0:49:31.680 --> 0:49:35.400
<v Speaker 3>my junior year, and that's when I started doing theater

0:49:35.480 --> 0:49:38.080
<v Speaker 3>and I saw those guys dancing and Hammer came out

0:49:38.080 --> 0:49:40.320
<v Speaker 3>around that time and to hype. So I was like, okay,

0:49:40.320 --> 0:49:43.480
<v Speaker 3>you know what, I'm gonna learn those dances and with

0:49:43.520 --> 0:49:45.840
<v Speaker 3>my crippling ass social anxiety, I'm going to go to

0:49:45.920 --> 0:49:48.880
<v Speaker 3>a school dance and I'm gonna get up and do

0:49:48.920 --> 0:49:53.360
<v Speaker 3>the whole thing. Ude. They gave me the courage to

0:49:53.480 --> 0:49:55.759
<v Speaker 3>go out and do that, and so that was one

0:49:55.760 --> 0:49:58.640
<v Speaker 3>of those things that I just copied their their.

0:49:58.480 --> 0:49:59.879
<v Speaker 1>Moves getting funky.

0:50:00.040 --> 0:50:03.960
<v Speaker 4>Still, Oh, come on, man, lets you go get funking.

0:50:04.800 --> 0:50:05.319
<v Speaker 4>I love that.

0:50:06.280 --> 0:50:07.600
<v Speaker 1>Can't play Lauren Hill.

0:50:08.719 --> 0:50:13.920
<v Speaker 3>Prince's purple Rain. Okay, uh, you know it's a little

0:50:14.200 --> 0:50:16.560
<v Speaker 3>oh and and that's not it. That's not it either,

0:50:17.640 --> 0:50:21.400
<v Speaker 3>that purple reign. I think for our generation that that

0:50:21.640 --> 0:50:24.160
<v Speaker 3>like watching someone.

0:50:25.000 --> 0:50:27.400
<v Speaker 4>That I didn't even know what the whole story was about.

0:50:27.480 --> 0:50:31.680
<v Speaker 3>It made me feel some kind of way like watching

0:50:31.800 --> 0:50:36.399
<v Speaker 3>this this guy sing about sex and these girls and

0:50:36.560 --> 0:50:38.719
<v Speaker 3>you know, like vanity and watching this.

0:50:38.719 --> 0:50:40.200
<v Speaker 1>Whole thing felt dangerous.

0:50:40.239 --> 0:50:42.600
<v Speaker 4>It felt like I hadn't seen anything like that.

0:50:42.680 --> 0:50:46.279
<v Speaker 1>I assume that your parents are strict or Christian if

0:50:46.280 --> 0:50:47.320
<v Speaker 1>they're from the Islands.

0:50:47.480 --> 0:50:49.839
<v Speaker 3>It wasn't even about being Christian if she was very much.

0:50:50.160 --> 0:50:54.080
<v Speaker 3>But Prince wasn't the devil. She wasn't consistent. There were

0:50:54.120 --> 0:50:57.759
<v Speaker 3>certain things that were bad, but she's like Prince, then

0:50:57.800 --> 0:51:01.160
<v Speaker 3>it be you know, that's rare, that's Prince.

0:51:01.520 --> 0:51:03.960
<v Speaker 1>But but the Prince was everyone's favorite target.

0:51:04.120 --> 0:51:04.799
<v Speaker 4>I love Prince.

0:51:04.840 --> 0:51:07.319
<v Speaker 3>The thing that I didn't like is that was my

0:51:07.320 --> 0:51:11.799
<v Speaker 3>first time really seeing and and recognizing what homophobia was

0:51:12.600 --> 0:51:15.360
<v Speaker 3>because you know, my grandmother look at Prince, oh, Prince Princess,

0:51:15.360 --> 0:51:16.799
<v Speaker 3>and Auntie Man is Auntie Man.

0:51:17.280 --> 0:51:17.520
<v Speaker 1>You know.

0:51:19.120 --> 0:51:21.200
<v Speaker 4>He's gay because he didn't know that's an anti min

0:51:21.320 --> 0:51:21.600
<v Speaker 4>is old.

0:51:21.719 --> 0:51:24.080
<v Speaker 3>And and so my other rel is my man, Nah,

0:51:24.920 --> 0:51:28.800
<v Speaker 3>that's Auntie Money, don Seron and his ass all hanging

0:51:28.880 --> 0:51:31.520
<v Speaker 3>out and I don't know who he so, but I

0:51:31.560 --> 0:51:35.080
<v Speaker 3>was like, I don't, hey, I don't think so look

0:51:35.120 --> 0:51:41.440
<v Speaker 3>at that's actually cool. So watching this dude, I was like,

0:51:42.080 --> 0:51:45.560
<v Speaker 3>I wish I had that confidence. That guy's wearing frills

0:51:45.560 --> 0:51:47.759
<v Speaker 3>and he's on a motorcycle and that and all those

0:51:47.760 --> 0:51:53.520
<v Speaker 3>women want him. That's cool. So so definitely Prince Run

0:51:53.600 --> 0:51:59.399
<v Speaker 3>DMC rock Box okay, because that was probably my introduction

0:52:00.160 --> 0:52:03.560
<v Speaker 3>to hip hop. Okay, like a lot of other kids,

0:52:03.640 --> 0:52:05.880
<v Speaker 3>I'd heard, I guess on the radio and Dad's car

0:52:06.520 --> 0:52:09.480
<v Speaker 3>uh to hip hop hip it. I'd heard that in

0:52:09.520 --> 0:52:14.200
<v Speaker 3>the message when I was little, But rock Box was

0:52:14.239 --> 0:52:16.719
<v Speaker 3>I think it was like ten maybe because USA night Flight,

0:52:16.800 --> 0:52:19.560
<v Speaker 3>I don't remember that. I remember, Okay, So you would

0:52:19.560 --> 0:52:21.560
<v Speaker 3>say that's how I would get on my music because

0:52:21.560 --> 0:52:24.280
<v Speaker 3>I would take take a tape recorder and I'd record

0:52:24.400 --> 0:52:27.520
<v Speaker 3>for all of the videos USA Night Flight, so I

0:52:27.520 --> 0:52:31.920
<v Speaker 3>would just wait, so rock Box Band but ten because

0:52:31.920 --> 0:52:33.120
<v Speaker 3>I did, And then I was like, what are these

0:52:33.840 --> 0:52:36.200
<v Speaker 3>That wasn't like the hip hop because that wasn't to

0:52:36.280 --> 0:52:39.799
<v Speaker 3>the right, to the left everybody jay wasn't that And

0:52:39.800 --> 0:52:41.640
<v Speaker 3>these guys are in the leather and what are they doing?

0:52:41.840 --> 0:52:43.840
<v Speaker 4>So that made me so I got.

0:52:43.719 --> 0:52:46.200
<v Speaker 3>Into run DMC, which led me to ll cool J,

0:52:46.400 --> 0:52:49.440
<v Speaker 3>which led me to that whole movement, which which would

0:52:49.440 --> 0:52:52.640
<v Speaker 3>so that was really pivotal. That's when I started freestyling

0:52:52.840 --> 0:52:54.960
<v Speaker 3>because I wanted to learn their songs, but then I

0:52:54.960 --> 0:52:57.960
<v Speaker 3>would just take words that they used and then just

0:52:58.920 --> 0:53:00.480
<v Speaker 3>try to rap along with them.

0:53:00.920 --> 0:53:05.359
<v Speaker 1>How did you develop your confidence for improv and freestyling?

0:53:05.520 --> 0:53:11.160
<v Speaker 1>Because I feel like if I could just lose one aspect,

0:53:11.280 --> 0:53:13.080
<v Speaker 1>like when I told you at the top of the

0:53:13.120 --> 0:53:17.799
<v Speaker 1>episode about like the whole Norm McDonald embracing silence and

0:53:17.840 --> 0:53:20.360
<v Speaker 1>a bomb joke or whatever, like now I'm a little

0:53:20.360 --> 0:53:26.320
<v Speaker 1>fearless with it, but I believe that really good freestylers,

0:53:26.560 --> 0:53:31.000
<v Speaker 1>you lind Tarik, if you let your brain go one hundred,

0:53:31.640 --> 0:53:34.799
<v Speaker 1>all the answers are there. And it's quick. How do

0:53:34.840 --> 0:53:39.040
<v Speaker 1>you let go? Because you you kind of revealed or

0:53:39.080 --> 0:53:41.759
<v Speaker 1>out yourself as a person who's like guarded and that

0:53:41.800 --> 0:53:45.400
<v Speaker 1>sort of thing, but you're also in a profession with

0:53:45.440 --> 0:53:50.200
<v Speaker 1>the creativity that requires you just to be geranimo, like

0:53:50.400 --> 0:53:53.320
<v Speaker 1>just fall over and pray that there's a soft landing

0:53:53.400 --> 0:53:54.080
<v Speaker 1>when you land.

0:53:54.280 --> 0:53:55.440
<v Speaker 4>But that's where I feel safe.

0:53:55.520 --> 0:53:56.080
<v Speaker 1>Yeah, I saw.

0:53:56.239 --> 0:53:58.600
<v Speaker 8>I remember it was an episode of Who's Line? And

0:53:58.680 --> 0:54:00.880
<v Speaker 8>I think this was an episode that really because you

0:54:00.920 --> 0:54:02.719
<v Speaker 8>were the reason I watched who was lying, Like straight up,

0:54:03.000 --> 0:54:05.120
<v Speaker 8>I'm you're not like for real, I'm like, yo, I want.

0:54:04.960 --> 0:54:06.319
<v Speaker 1>To monster on that show.

0:54:06.440 --> 0:54:08.640
<v Speaker 8>Yeah, and so like it was one and you had

0:54:08.640 --> 0:54:10.719
<v Speaker 8>been killing it. I was like a fuck with this dude,

0:54:10.760 --> 0:54:12.840
<v Speaker 8>because that was my first time really hearing about you.

0:54:12.840 --> 0:54:15.520
<v Speaker 8>You did a character, it was like a superhero sketch.

0:54:15.880 --> 0:54:20.439
<v Speaker 8>You did a character called the Ballroom Brawler bro that shit.

0:54:20.440 --> 0:54:24.520
<v Speaker 3>I think I remember you threw yourself the entire dog.

0:54:24.640 --> 0:54:25.879
<v Speaker 1>That was hilarious.

0:54:26.040 --> 0:54:29.520
<v Speaker 3>Like see with that freedom that you talk about, and

0:54:29.560 --> 0:54:32.640
<v Speaker 3>you even said when I teach improv Like, I can't

0:54:32.640 --> 0:54:35.879
<v Speaker 3>speak for anybody else's thing, but I know that all

0:54:35.960 --> 0:54:39.520
<v Speaker 3>my ship comes from being that kid who sat in

0:54:39.520 --> 0:54:42.960
<v Speaker 3>that room. If I didn't have anybody to play with,

0:54:43.760 --> 0:54:46.080
<v Speaker 3>I had to think and I had to create. And

0:54:46.560 --> 0:54:50.080
<v Speaker 3>then the things that I watched, I if I mimicked it,

0:54:50.120 --> 0:54:51.320
<v Speaker 3>I had to be all the parts.

0:54:51.480 --> 0:54:52.600
<v Speaker 4>So it just made sense to me.

0:54:52.719 --> 0:54:54.040
<v Speaker 1>Were your only child, was it?

0:54:54.320 --> 0:54:56.520
<v Speaker 3>I have a sister that was raised with me partially,

0:54:56.560 --> 0:54:58.560
<v Speaker 3>but it wasn't until I was ten, so for the

0:54:58.560 --> 0:55:01.960
<v Speaker 3>most part, I was raising only child, gotcha? So I

0:55:02.000 --> 0:55:04.680
<v Speaker 3>found ways to be creative on my own that I

0:55:04.719 --> 0:55:07.960
<v Speaker 3>didn't know. Nobody put a label on it. Like I

0:55:08.000 --> 0:55:10.480
<v Speaker 3>hadn't met Keith Johnstone, who who's one of the fathers

0:55:10.480 --> 0:55:13.000
<v Speaker 3>of improvisation, and so I hadn't met them. I didn't

0:55:13.000 --> 0:55:14.799
<v Speaker 3>even know there was a word for it. So cut

0:55:14.800 --> 0:55:18.160
<v Speaker 3>to later when I actually started doing improv with the

0:55:18.200 --> 0:55:21.080
<v Speaker 3>group that I was with from Orlando called the called

0:55:21.120 --> 0:55:23.440
<v Speaker 3>sac Theater, and then seven of us moved out to

0:55:23.520 --> 0:55:25.120
<v Speaker 3>LA and became the House full of Honkeys, and that's

0:55:25.160 --> 0:55:28.359
<v Speaker 3>how I got Who's line. I didn't know that there

0:55:28.360 --> 0:55:30.600
<v Speaker 3>was an organized thing for it. So when they were like, oh, yeah,

0:55:30.800 --> 0:55:33.600
<v Speaker 3>it's theater where you make up, I said, oh, yeah,

0:55:33.600 --> 0:55:37.080
<v Speaker 3>that's fine because I could always bend on that freestyle

0:55:37.760 --> 0:55:39.719
<v Speaker 3>like I would just freestyle for my friends or we

0:55:39.719 --> 0:55:42.080
<v Speaker 3>can do yeah, so if you want me to and characters, sure,

0:55:42.080 --> 0:55:45.240
<v Speaker 3>I'll just make make stuff up in scenarios great because

0:55:45.239 --> 0:55:47.719
<v Speaker 3>I didn't know what the thing was. But my methodology

0:55:47.719 --> 0:55:50.680
<v Speaker 3>of doing it is I have to act everything out

0:55:50.920 --> 0:55:52.160
<v Speaker 3>to make it tactile.

0:55:52.440 --> 0:55:55.000
<v Speaker 4>So when you see a scene like that, that's how

0:55:55.360 --> 0:55:56.040
<v Speaker 4>I do.

0:55:56.200 --> 0:55:58.879
<v Speaker 3>My thing is I know how it's supposed to look

0:55:58.920 --> 0:56:01.680
<v Speaker 3>and feel, and I can do the musical improv because

0:56:01.840 --> 0:56:04.000
<v Speaker 3>I love music and I'm a songwriter. So I just

0:56:04.000 --> 0:56:06.160
<v Speaker 3>think of an improv song as my first draft. So

0:56:06.239 --> 0:56:09.480
<v Speaker 3>I feel safe in that, which is weird because I

0:56:09.480 --> 0:56:12.600
<v Speaker 3>feel weird about every other thing and nervous. But with that,

0:56:12.880 --> 0:56:18.040
<v Speaker 3>it's like, oh, I yeah, you just trust fall Yeah, yeah,

0:56:18.080 --> 0:56:20.480
<v Speaker 3>because I know that something will be there. Now will

0:56:20.520 --> 0:56:23.239
<v Speaker 3>it be the most brilliant thing all the time. No,

0:56:23.320 --> 0:56:25.200
<v Speaker 3>and it's not supposed to be. The One thing I

0:56:25.200 --> 0:56:30.000
<v Speaker 3>did learn later is with the yes, sand also comes

0:56:30.000 --> 0:56:32.120
<v Speaker 3>with and Bill can back me up on this, and

0:56:32.400 --> 0:56:38.040
<v Speaker 3>the sense of Okay, I'll go for it, jeronimo. I

0:56:38.280 --> 0:56:42.279
<v Speaker 3>hit it great, I don't hit it better because I

0:56:42.320 --> 0:56:45.560
<v Speaker 3>got to come back around and justify whatever happened. And

0:56:45.600 --> 0:56:48.359
<v Speaker 3>if I'm on stage with partners. I've just given you

0:56:48.400 --> 0:56:51.840
<v Speaker 3>a lane to let you jump in and save me.

0:56:52.239 --> 0:56:54.680
<v Speaker 3>So you have to embrace that failure. And that's one

0:56:54.719 --> 0:56:56.319
<v Speaker 3>of the rules that Keith Johnson and the father of

0:56:56.360 --> 0:56:58.560
<v Speaker 3>theater sports, that I never understood, is like, you have

0:56:58.600 --> 0:57:03.120
<v Speaker 3>to be willing to failsation. By definition, you shouldn't be

0:57:03.160 --> 0:57:07.480
<v Speaker 3>getting laughs. You shouldn't be successful because it goes against

0:57:07.840 --> 0:57:11.720
<v Speaker 3>our primal building character right right, Like it goes against

0:57:11.719 --> 0:57:13.759
<v Speaker 3>the thing of I want you to like me, and

0:57:13.800 --> 0:57:15.919
<v Speaker 3>I want you to understand what I'm saying. I don't

0:57:15.920 --> 0:57:18.040
<v Speaker 3>want you to root for my downfall. When you watch

0:57:18.080 --> 0:57:20.480
<v Speaker 3>an improv show, whether you know it or not, you

0:57:21.080 --> 0:57:24.560
<v Speaker 3>are rooting to see what's he gonna say. There's no

0:57:24.680 --> 0:57:30.520
<v Speaker 3>way that he's gonna rhyme hypothalamus. Nope, not gonna happen.

0:57:30.680 --> 0:57:33.880
<v Speaker 3>Orange get out of here. That's not gonna happen. He

0:57:34.000 --> 0:57:36.360
<v Speaker 3>sucks orange door hinge. If someone comes up with that,

0:57:36.520 --> 0:57:41.320
<v Speaker 3>mm Ryan, Okay.

0:57:41.360 --> 0:57:45.560
<v Speaker 1>So Jimmy obviously started a culture at thirty Rock in

0:57:45.600 --> 0:57:49.760
<v Speaker 1>which he was known to break character a lot, which

0:57:49.960 --> 0:57:53.120
<v Speaker 1>was frowned upon a lot at that show, like no

0:57:53.120 --> 0:57:57.080
<v Speaker 1>matter what, don't break character. But now that Jimmy sort

0:57:57.120 --> 0:58:00.280
<v Speaker 1>of make it like a coup like cutey thing. Then

0:58:00.360 --> 0:58:05.400
<v Speaker 1>you know, you see people look down this weekend, watch SNL,

0:58:05.520 --> 0:58:10.920
<v Speaker 1>watch Kristy Wig and everyone break character. But that level

0:58:11.280 --> 0:58:17.439
<v Speaker 1>of chaos. I do dig, but you know, sometimes I'll

0:58:17.480 --> 0:58:19.240
<v Speaker 1>just get in my head like I won't know where

0:58:19.240 --> 0:58:29.560
<v Speaker 1>to go cons and callosis rhymes with hypothalamus worseman. Okay,

0:58:30.120 --> 0:58:31.760
<v Speaker 1>but I'm a guy who I don't know if you

0:58:31.840 --> 0:58:36.760
<v Speaker 1>ever see in a micro bigulious don't think twice of course, yes, okay,

0:58:36.840 --> 0:58:39.240
<v Speaker 1>So is there a general rule like if you're in

0:58:39.280 --> 0:58:43.880
<v Speaker 1>a group of people, like the temptation to not show

0:58:43.960 --> 0:58:47.120
<v Speaker 1>off or show out, Like there's a point where they

0:58:47.120 --> 0:58:49.800
<v Speaker 1>tell Keegan Michael Key like all right, well, don't do

0:58:49.880 --> 0:58:53.200
<v Speaker 1>your bomber impression. Like in other words, I know when

0:58:53.240 --> 0:58:56.400
<v Speaker 1>you're showing off and going to the short shot, you

0:58:56.480 --> 0:59:00.680
<v Speaker 1>going yeah, like your aristocrats trick in the group is

0:59:00.720 --> 0:59:01.360
<v Speaker 1>not doing that.

0:59:01.440 --> 0:59:03.560
<v Speaker 2>I think that's always the key, especially in a group

0:59:03.640 --> 0:59:07.040
<v Speaker 2>of improvisers. It's a conglomeration of everyone's efforts.

0:59:07.160 --> 0:59:08.960
<v Speaker 1>But how do you know when it's time to shine

0:59:09.200 --> 0:59:10.760
<v Speaker 1>and bring the show to another level?

0:59:11.280 --> 0:59:13.840
<v Speaker 2>Honestly, I think with our group it's repetition and doing

0:59:13.880 --> 0:59:15.640
<v Speaker 2>it over and over again. It's like a great basketball

0:59:15.640 --> 0:59:17.840
<v Speaker 2>team or a great soccer team. Like in a good

0:59:17.880 --> 0:59:20.360
<v Speaker 2>basketball team, the reason an alley oop works is because

0:59:20.720 --> 0:59:22.120
<v Speaker 2>the guy knows what the other guy's going to be,

0:59:22.120 --> 0:59:23.480
<v Speaker 2>so he throws the ball to where he knows it's

0:59:23.480 --> 0:59:25.080
<v Speaker 2>going to be. It's the same thing with us. I

0:59:25.080 --> 0:59:27.720
<v Speaker 2>feel like, you like, if you know Lin's coming up

0:59:27.720 --> 0:59:30.440
<v Speaker 2>to do something, you'll lob him align and it'll work whatever,

0:59:30.520 --> 0:59:32.680
<v Speaker 2>and you'll leave him somewhere that makes it funnier, and

0:59:32.720 --> 0:59:35.040
<v Speaker 2>everything just sort of gets like on top of each other,

0:59:35.080 --> 0:59:36.360
<v Speaker 2>on top of each other and top each other until

0:59:36.360 --> 0:59:40.080
<v Speaker 2>it's like ready to explode. And that I mean, sometimes

0:59:40.080 --> 0:59:42.720
<v Speaker 2>it's luck. It feels like sometimes it's having a great night,

0:59:42.760 --> 0:59:44.680
<v Speaker 2>and honestly, sometimes you have a shit night. I mean

0:59:44.720 --> 0:59:47.160
<v Speaker 2>we've done hundreds of shows where it's just like, wow,

0:59:47.160 --> 0:59:48.200
<v Speaker 2>we can't even buy a laugh.

0:59:48.240 --> 0:59:48.400
<v Speaker 1>You know.

0:59:48.880 --> 0:59:50.520
<v Speaker 2>That's kind of the thing about improv, which I find

0:59:50.560 --> 0:59:53.480
<v Speaker 2>to be so interesting. It's like even bombed, like bombed

0:59:53.560 --> 0:59:55.920
<v Speaker 2>and like in front of many thousands of people, and

0:59:55.960 --> 0:59:57.920
<v Speaker 2>it's just like it teaches you to fail.

0:59:58.040 --> 0:59:59.280
<v Speaker 4>Yeah, absolutely, And that's kind.

0:59:59.200 --> 1:00:00.880
<v Speaker 3>Of and you have to know what that feels like

1:00:01.440 --> 1:00:02.960
<v Speaker 3>and I think the worst thing that can happen to you,

1:00:03.040 --> 1:00:05.440
<v Speaker 3>and this happened to me is with the success of

1:00:05.440 --> 1:00:09.360
<v Speaker 3>Who's Line. Before Who's Line, I was not the funny

1:00:09.360 --> 1:00:12.120
<v Speaker 3>person in the Household of Honkeys. I had my role.

1:00:12.480 --> 1:00:15.160
<v Speaker 3>I was like, I do the song stuff, and I

1:00:15.160 --> 1:00:18.919
<v Speaker 3>can do characters and physical things. But because improv isn't

1:00:18.920 --> 1:00:23.960
<v Speaker 3>really my thing, I'm doing the group haha. But my

1:00:24.080 --> 1:00:26.600
<v Speaker 3>thing is I'm gonna get cast in a sitcom or

1:00:26.640 --> 1:00:29.040
<v Speaker 3>and another thing or like so, so I don't consider

1:00:29.040 --> 1:00:29.760
<v Speaker 3>myself funny.

1:00:30.200 --> 1:00:31.320
<v Speaker 4>You can use me.

1:00:31.800 --> 1:00:34.240
<v Speaker 3>But after I got Who's Line and then I was

1:00:34.280 --> 1:00:36.919
<v Speaker 3>one of four that they're like, oh no, we hired

1:00:36.960 --> 1:00:38.440
<v Speaker 3>you because we expect you to be able to come

1:00:38.480 --> 1:00:41.160
<v Speaker 3>up with something. Now it was the first time that

1:00:41.200 --> 1:00:44.920
<v Speaker 3>I was called upon to be funny on the dime.

1:00:45.280 --> 1:00:47.680
<v Speaker 3>And the training that Whose Line gave us is it's

1:00:47.760 --> 1:00:50.600
<v Speaker 3>kind of the antithesis to what you just said. The

1:00:50.640 --> 1:00:53.680
<v Speaker 3>four of us that you know, the regulars, we've come

1:00:53.760 --> 1:00:55.800
<v Speaker 3>to know each other's strengths and we can give each

1:00:55.840 --> 1:00:57.680
<v Speaker 3>other lobs all day. But because of the nature of

1:00:57.720 --> 1:01:01.440
<v Speaker 3>the games and what it is, it's always it's a

1:01:01.440 --> 1:01:04.800
<v Speaker 3>team sport, but it's also we know that Wayne can

1:01:04.840 --> 1:01:06.000
<v Speaker 3>do this, We know and can do that, We know

1:01:06.040 --> 1:01:08.040
<v Speaker 3>the Ryan's gonna do this. We needed a so you're

1:01:08.120 --> 1:01:11.760
<v Speaker 3>always you can lob for somebody else, but they expect

1:01:11.800 --> 1:01:14.840
<v Speaker 3>you to be able to step forward and take it.

1:01:14.880 --> 1:01:18.520
<v Speaker 1>Is there ever free practice or like, are you given

1:01:18.680 --> 1:01:20.560
<v Speaker 1>slide sides? No?

1:01:20.920 --> 1:01:22.760
<v Speaker 3>The only practice that we have is a camera blocking

1:01:23.200 --> 1:01:25.120
<v Speaker 3>and so we know the games, but we don't know

1:01:25.160 --> 1:01:27.720
<v Speaker 3>and any suggestions. And the camera blocking isn't even for us,

1:01:28.000 --> 1:01:32.120
<v Speaker 3>it's for the actual camera guys to know. Because Whose

1:01:32.120 --> 1:01:34.200
<v Speaker 3>Line was so innovative and people have tried to shoot

1:01:34.200 --> 1:01:35.240
<v Speaker 3>improv shows before.

1:01:35.480 --> 1:01:36.560
<v Speaker 4>But the reason that whose.

1:01:36.360 --> 1:01:38.800
<v Speaker 3>Line works is and I learned this as a producer

1:01:38.800 --> 1:01:42.920
<v Speaker 3>from Dan Patterson, the guy that created it. He's not

1:01:43.080 --> 1:01:46.280
<v Speaker 3>doing Who's Line for the people that are in that audience.

1:01:46.600 --> 1:01:49.160
<v Speaker 3>The people in the audience are a tool. He's doing

1:01:49.200 --> 1:01:51.720
<v Speaker 3>it for the home viewer. So the reason that we

1:01:51.760 --> 1:01:53.800
<v Speaker 3>would have that camera blocking is he wanted to know

1:01:53.880 --> 1:01:56.240
<v Speaker 3>is if we were doing a game like talk show

1:01:57.320 --> 1:01:59.200
<v Speaker 3>wait and I'm gonna put you in the audience, and

1:01:59.240 --> 1:02:01.880
<v Speaker 3>if we're following the conventions of a talk show, maybe

1:02:02.120 --> 1:02:04.320
<v Speaker 3>I might get up and be angry and run down

1:02:04.320 --> 1:02:06.000
<v Speaker 3>the stage and tackle him, or I might run out

1:02:06.000 --> 1:02:08.840
<v Speaker 3>the bin. We want the cameraman to know if we're

1:02:08.880 --> 1:02:11.480
<v Speaker 3>doing X game and they have to follow, but we

1:02:11.520 --> 1:02:13.720
<v Speaker 3>would never get a prompt. And that's what was so

1:02:13.840 --> 1:02:17.439
<v Speaker 3>amazing about it, and our hit to miss ratio got

1:02:17.440 --> 1:02:19.920
<v Speaker 3>to be so good, like it was scary. I was like,

1:02:20.160 --> 1:02:22.680
<v Speaker 3>we really don't have They're like, oh, there must be

1:02:22.720 --> 1:02:25.080
<v Speaker 3>so much who's lying that you left on the floor. No,

1:02:25.280 --> 1:02:28.320
<v Speaker 3>because they're so cheap in a good way that if

1:02:28.320 --> 1:02:31.320
<v Speaker 3>we take for four hours, everything we try has made

1:02:31.360 --> 1:02:33.560
<v Speaker 3>it onto air at some point in some time. So

1:02:33.600 --> 1:02:36.240
<v Speaker 3>I got lolled into a false sense of oh, well,

1:02:37.000 --> 1:02:39.000
<v Speaker 3>I'm bad in everything until the first time that I

1:02:39.000 --> 1:02:41.160
<v Speaker 3>did say something on stage this is shit. Shit didn't

1:02:41.160 --> 1:02:45.920
<v Speaker 3>work in a comedy club like oh pardon me, wow.

1:02:46.000 --> 1:02:48.200
<v Speaker 4>So learning to accept that failure and go, oh, great,

1:02:48.520 --> 1:02:51.480
<v Speaker 4>well that didn't work. Cool. I suck, but I won't

1:02:51.520 --> 1:02:52.000
<v Speaker 4>suck now.

1:02:57.440 --> 1:02:59.200
<v Speaker 1>Is it true that you guys have to have a

1:02:59.200 --> 1:03:01.280
<v Speaker 1>certain level sit energy with each other for it to

1:03:01.320 --> 1:03:05.960
<v Speaker 1>truly work? Yes, Like say if like I'm passive aggressive

1:03:05.960 --> 1:03:09.680
<v Speaker 1>with you and will kirk that stage, like and we

1:03:09.800 --> 1:03:12.920
<v Speaker 1>have a disagreement or an argument whatever, is it easy

1:03:12.960 --> 1:03:14.080
<v Speaker 1>to turn back on and.

1:03:14.080 --> 1:03:18.400
<v Speaker 3>Just it's possible, or maybe it's possible. I also think

1:03:18.400 --> 1:03:19.920
<v Speaker 3>it depends on how well you know each other. Like

1:03:19.960 --> 1:03:22.880
<v Speaker 3>a group like Freestyle Love Supreme, they came up together

1:03:23.000 --> 1:03:25.040
<v Speaker 3>and they have a chemistry that have been lucky enough

1:03:25.040 --> 1:03:27.439
<v Speaker 3>to jump in and out and sample. Like my friend

1:03:27.560 --> 1:03:29.720
<v Speaker 3>Jonathan and I who hosts Let's make a Deal? I

1:03:29.760 --> 1:03:31.760
<v Speaker 3>mean to who co hosts it, and he's also and

1:03:31.800 --> 1:03:33.520
<v Speaker 3>Let's make a deal. We've known each other since we

1:03:33.520 --> 1:03:37.560
<v Speaker 3>were nineteen, so we have a shorthand. It's easy when

1:03:37.720 --> 1:03:39.920
<v Speaker 3>you have a shorthand. If you're mad at somebody, to

1:03:40.000 --> 1:03:44.080
<v Speaker 3>do a successful improv show, it would be hard because

1:03:44.080 --> 1:03:45.880
<v Speaker 3>you have to be so open to what the other

1:03:45.920 --> 1:03:46.760
<v Speaker 3>person is doing.

1:03:46.960 --> 1:03:47.600
<v Speaker 4>It's trust.

1:03:47.760 --> 1:03:49.960
<v Speaker 3>And so if I don't trust you, I'm not gonna

1:03:50.000 --> 1:03:52.160
<v Speaker 3>mess with you, because then I'm gonna take it on

1:03:52.160 --> 1:03:52.439
<v Speaker 3>my back.

1:03:52.440 --> 1:03:54.240
<v Speaker 4>I'm gonna go. You know what, No, I got this.

1:03:54.880 --> 1:03:57.919
<v Speaker 1>Okay, I'm gonna wind down. Five questions left, and I'll

1:03:57.920 --> 1:04:01.480
<v Speaker 1>try to make it briefish. What one thing did you

1:04:01.600 --> 1:04:06.439
<v Speaker 1>leave behind in twenty twenty, hm, And what new thing

1:04:06.520 --> 1:04:08.800
<v Speaker 1>did you gain in twenty twenty?

1:04:09.720 --> 1:04:12.840
<v Speaker 3>I left behind in twenty twenty I think I left

1:04:13.320 --> 1:04:15.880
<v Speaker 3>behind a bit of that fear that I talked talked about,

1:04:16.360 --> 1:04:21.640
<v Speaker 3>and I gained a brand new sense of I'm going

1:04:21.720 --> 1:04:25.920
<v Speaker 3>to live my life because life is too short. I

1:04:26.040 --> 1:04:28.800
<v Speaker 3>literally tried to live my life knowing that there's a

1:04:28.800 --> 1:04:34.440
<v Speaker 3>clock and not a bad clock. But there's just a clock, okay,

1:04:34.880 --> 1:04:35.840
<v Speaker 3>and I want to be happy?

1:04:36.360 --> 1:04:40.800
<v Speaker 1>All right? What movie are you ashamed to admit that

1:04:40.840 --> 1:04:41.560
<v Speaker 1>you've never seen?

1:04:42.760 --> 1:04:44.720
<v Speaker 3>There are so many movies I feel that that are

1:04:44.720 --> 1:04:46.600
<v Speaker 3>in the zeitgeist that we've heard, we've seen, bits that

1:04:46.640 --> 1:04:47.600
<v Speaker 3>you feel like you've seen that.

1:04:47.520 --> 1:04:49.560
<v Speaker 2>You're supposed to feel like I've seen that, Like I

1:04:49.560 --> 1:04:51.240
<v Speaker 2>don't even I'm nowhere near it.

1:04:51.160 --> 1:04:53.480
<v Speaker 1>Or better yet, like a movie that you're supposed to

1:04:53.480 --> 1:04:53.920
<v Speaker 1>have seen.

1:04:54.240 --> 1:04:55.360
<v Speaker 4>Oh, Star Wars.

1:05:01.320 --> 1:05:05.120
<v Speaker 1>Brady brother. Now, granted I can give the entire Star

1:05:05.160 --> 1:05:06.280
<v Speaker 1>Wars with him, I can.

1:05:06.120 --> 1:05:08.520
<v Speaker 3>Give you the entire plot of Star Wars and because

1:05:08.520 --> 1:05:11.080
<v Speaker 3>over the years, but I never Star Wars fell in

1:05:11.120 --> 1:05:13.520
<v Speaker 3>the gap of I didn't see a movie and a

1:05:13.520 --> 1:05:15.760
<v Speaker 3>movie theater until I was sixteen years old, and I

1:05:15.800 --> 1:05:17.880
<v Speaker 3>went on a date that I could afford to pay for.

1:05:18.120 --> 1:05:20.720
<v Speaker 3>We never went but as but my grandma went, well,

1:05:21.240 --> 1:05:24.000
<v Speaker 3>you can't see the movie. But we got you these

1:05:24.160 --> 1:05:30.960
<v Speaker 3>and McDonald's had the commemorative Star Wars glasses, remember totally,

1:05:31.000 --> 1:05:33.680
<v Speaker 3>so so she got me those and we collected the

1:05:33.760 --> 1:05:38.000
<v Speaker 3>set of four. It's like, there's your Star Wars. So

1:05:38.040 --> 1:05:41.600
<v Speaker 3>it's like, okay, so never seen it? Still what you are?

1:05:42.400 --> 1:05:43.160
<v Speaker 9>Wow?

1:05:43.920 --> 1:05:45.000
<v Speaker 1>What's you you never see?

1:05:45.080 --> 1:05:49.000
<v Speaker 8>I never Star Wars this day to this day. Anything

1:05:49.160 --> 1:05:51.200
<v Speaker 8>was just like magical White People and l's and ship.

1:05:51.240 --> 1:05:56.600
<v Speaker 1>I ain't fucking with that ship. So like Magical White People.

1:05:56.960 --> 1:05:59.920
<v Speaker 1>Let's talk about Lord of the Rings, Game of Throne.

1:06:01.160 --> 1:06:04.040
<v Speaker 8>I've watched Thrones, but I've not watched Lord of the Rings.

1:06:04.160 --> 1:06:06.640
<v Speaker 8>Harry Potter, I've never seen like I'm yeah.

1:06:06.880 --> 1:06:12.360
<v Speaker 1>Yeah, I in the pandemic. I finally watched Star Wars

1:06:12.520 --> 1:06:15.120
<v Speaker 1>and it was a struggle, like I've watched them five

1:06:15.200 --> 1:06:18.320
<v Speaker 1>times or on the you know, the tour bus, you start,

1:06:18.400 --> 1:06:20.240
<v Speaker 1>I start the Godfather on the tour bus.

1:06:20.440 --> 1:06:22.440
<v Speaker 8>Is like all the I mean, the first three are

1:06:22.520 --> 1:06:24.680
<v Speaker 8>like them, the ones, but then all the ones they made,

1:06:24.920 --> 1:06:26.040
<v Speaker 8>yeah I heard them.

1:06:27.240 --> 1:06:30.400
<v Speaker 1>I heard one of them are good. Yeah. So it's

1:06:30.600 --> 1:06:32.560
<v Speaker 1>I've still not watched Return of the Jedi, but I

1:06:33.040 --> 1:06:36.960
<v Speaker 1>think I confiiciently say that I've watched Star Wars to

1:06:37.000 --> 1:06:39.920
<v Speaker 1>the point where I remember it Empire strikes back. I

1:06:39.960 --> 1:06:42.000
<v Speaker 1>know I've seen it twice, but I don't remember shit

1:06:42.120 --> 1:06:44.320
<v Speaker 1>like and I still can't tell you what Star Wars

1:06:44.360 --> 1:06:45.120
<v Speaker 1>is about, like.

1:06:45.480 --> 1:06:46.440
<v Speaker 9>Good versus Evil.

1:06:46.520 --> 1:06:50.880
<v Speaker 3>Yeah, yeah, it's the hero's journey. But yeah, like now,

1:06:51.120 --> 1:06:54.280
<v Speaker 3>I don't know if it holds up to to the

1:06:54.320 --> 1:07:00.520
<v Speaker 3>other stuff that invincible invincible spoken, invincible invincible learn.

1:07:02.000 --> 1:07:07.000
<v Speaker 1>Okay, are you five minutes early or twenty minutes late?

1:07:07.200 --> 1:07:08.240
<v Speaker 4>Five minutes early.

1:07:09.480 --> 1:07:10.840
<v Speaker 9>So now you can't be friends?

1:07:10.880 --> 1:07:14.760
<v Speaker 4>This sucks, no, but.

1:07:14.680 --> 1:07:16.720
<v Speaker 3>I can give you a well well that comes with

1:07:16.760 --> 1:07:20.720
<v Speaker 3>a in parentheses. So five minutes early, because if left

1:07:20.720 --> 1:07:24.480
<v Speaker 3>to my own devices, I will be twenty minutes late

1:07:24.840 --> 1:07:27.440
<v Speaker 3>because I get caught up in that thing I forget

1:07:27.440 --> 1:07:30.080
<v Speaker 3>what they call it, the time blindness, or I will

1:07:30.080 --> 1:07:34.040
<v Speaker 3>get I'll stand stand in my closet distracted red shirt,

1:07:34.600 --> 1:07:37.840
<v Speaker 3>the sweater you can't wear that, and then I play

1:07:37.880 --> 1:07:38.480
<v Speaker 3>the scenarios.

1:07:38.480 --> 1:07:39.600
<v Speaker 4>If now that won't look at it, if I do,

1:07:40.040 --> 1:07:40.680
<v Speaker 4>if I don't.

1:07:40.640 --> 1:07:42.640
<v Speaker 3>It, oh, okay, I got no, But I have to

1:07:43.040 --> 1:07:46.120
<v Speaker 3>and I'll be rooted in one spot until whatever the

1:07:46.160 --> 1:07:48.120
<v Speaker 3>thing is that I have to solve solves. So I

1:07:48.160 --> 1:07:50.520
<v Speaker 3>have to leave extra early to allow time for me

1:07:50.600 --> 1:07:51.560
<v Speaker 3>getting stuck.

1:07:51.800 --> 1:07:54.840
<v Speaker 8>When you officially die and noose with ADHD and when

1:07:54.960 --> 1:07:57.280
<v Speaker 8>was that and like, what's that process been like kind

1:07:57.320 --> 1:07:58.480
<v Speaker 8>of managing it?

1:07:58.480 --> 1:08:02.440
<v Speaker 3>It's been great because you using the medication when I

1:08:02.480 --> 1:08:05.640
<v Speaker 3>need it. It does help me focus and as a creative,

1:08:05.640 --> 1:08:07.560
<v Speaker 3>you know, we all have ideas. Oh I'm gonna it

1:08:08.000 --> 1:08:10.480
<v Speaker 3>helps me get things done. It's no problem getting an idea.

1:08:10.800 --> 1:08:12.960
<v Speaker 3>It's doing something with the fourteen that you have and

1:08:12.960 --> 1:08:16.840
<v Speaker 3>then write and shit down or or even using getting

1:08:16.880 --> 1:08:18.960
<v Speaker 3>focused enough to I'm up. Now I have to get

1:08:18.960 --> 1:08:20.200
<v Speaker 3>out of bed, and now I'm gonna make my bed.

1:08:20.200 --> 1:08:21.719
<v Speaker 3>I'm not gonna lay in my bed. I'm not gonna

1:08:22.320 --> 1:08:27.280
<v Speaker 3>using it that way. And also understanding certain patterns and

1:08:27.320 --> 1:08:30.080
<v Speaker 3>behaviors that I have, some that are superpowers and some

1:08:30.160 --> 1:08:30.559
<v Speaker 3>that aren't.

1:08:30.960 --> 1:08:32.879
<v Speaker 4>So so it's a good process.

1:08:32.960 --> 1:08:35.920
<v Speaker 8>How old were you when you like finally realize I

1:08:35.920 --> 1:08:37.439
<v Speaker 8>guess or we're diagnosed.

1:08:36.960 --> 1:08:37.639
<v Speaker 4>Five years ago?

1:08:37.800 --> 1:08:38.240
<v Speaker 1>Oh wow?

1:08:38.280 --> 1:08:41.439
<v Speaker 3>Okay, oh yeah, I've come to many things late in life,

1:08:41.800 --> 1:08:42.960
<v Speaker 3>but better late than never.

1:08:43.120 --> 1:08:43.479
<v Speaker 1>Listen.

1:08:43.520 --> 1:08:46.240
<v Speaker 3>That's part of that trying to be be be happy thing.

1:08:46.280 --> 1:08:51.320
<v Speaker 1>This is part of the pandemic pivot, like I'm home now,

1:08:51.360 --> 1:08:52.760
<v Speaker 1>and yeah.

1:08:52.520 --> 1:08:54.639
<v Speaker 3>Why am I like this? Why does this thing happen?

1:08:54.800 --> 1:08:56.559
<v Speaker 3>Why am I not happy? Blah blah blah.

1:08:56.600 --> 1:08:58.719
<v Speaker 1>Okay, Soe, you mentioned something on the tonight show which

1:08:58.800 --> 1:09:03.960
<v Speaker 1>I kind of want to ask, which was because the

1:09:04.000 --> 1:09:09.320
<v Speaker 1>thing was Twenty twenty was the year in which, as

1:09:09.360 --> 1:09:15.439
<v Speaker 1>I predicted, half of my friends made life transitions as

1:09:15.439 --> 1:09:20.440
<v Speaker 1>far as their partnership was concerned, including my own relationship

1:09:21.640 --> 1:09:24.080
<v Speaker 1>imploded in twenty twenty one at the time. To the

1:09:24.280 --> 1:09:28.240
<v Speaker 1>person I was dating before the pandemic, you made a

1:09:28.280 --> 1:09:34.599
<v Speaker 1>decision to quarantine with your blended family. Yeah, with your

1:09:34.680 --> 1:09:38.599
<v Speaker 1>ex wife who's now still your partner and whatnot your

1:09:38.680 --> 1:09:43.480
<v Speaker 1>daughter you I don't know your current situation now, but

1:09:43.560 --> 1:09:48.160
<v Speaker 1>first of all, whose idea was it? And would you

1:09:48.280 --> 1:09:48.880
<v Speaker 1>recommend that?

1:09:49.280 --> 1:09:52.280
<v Speaker 4>Like, I would only recommend it to someone if you've.

1:09:53.720 --> 1:09:58.280
<v Speaker 3>The family became known because of TikTok when everybody got

1:09:58.360 --> 1:10:00.880
<v Speaker 3>on TikTok at that point, and we started doing dance

1:10:00.960 --> 1:10:03.719
<v Speaker 3>videos and we would post, oh, this is our family story,

1:10:03.720 --> 1:10:05.479
<v Speaker 3>and then news outlet's pick that up, and it was

1:10:05.479 --> 1:10:08.439
<v Speaker 3>so weird. For wait a minute, you're quarantining with your

1:10:08.520 --> 1:10:10.680
<v Speaker 3>ex wife, you're living in the same but if we

1:10:10.680 --> 1:10:13.160
<v Speaker 3>don't understand, so the only way that we could get

1:10:13.200 --> 1:10:15.160
<v Speaker 3>to that is I wouldn't recommend that unless you've had

1:10:16.479 --> 1:10:22.400
<v Speaker 3>before twenty twenty. Mandy and I met in ninety five.

1:10:22.080 --> 1:10:24.759
<v Speaker 3>We were together for years and then we got divorced,

1:10:24.760 --> 1:10:26.600
<v Speaker 3>and we had our baby before that, and then we

1:10:26.640 --> 1:10:29.800
<v Speaker 3>made a decision to stay friends and to work on

1:10:29.880 --> 1:10:33.160
<v Speaker 3>our and we genuinely love each other like we are family.

1:10:33.439 --> 1:10:37.559
<v Speaker 3>Like we couldn't be together romantically, but that is my heart,

1:10:37.680 --> 1:10:39.519
<v Speaker 3>that is my family. She would kill for me and

1:10:39.560 --> 1:10:44.200
<v Speaker 3>I'd kill for her, you know, And so being able

1:10:44.240 --> 1:10:47.400
<v Speaker 3>to it's a fluke for some people. And to then

1:10:48.840 --> 1:10:52.080
<v Speaker 3>do it with her boyfriend, who her boyfriend, Jason, and

1:10:52.080 --> 1:10:54.680
<v Speaker 3>it's not even boyfriend her her life partner used to

1:10:54.680 --> 1:10:57.480
<v Speaker 3>be my backup dancer when I'd had my Vegas residency.

1:10:58.400 --> 1:11:01.559
<v Speaker 3>So add another layer on top of and it it

1:11:01.640 --> 1:11:03.040
<v Speaker 3>sounds wa a whacky sitcom.

1:11:03.439 --> 1:11:05.719
<v Speaker 4>But we we love each.

1:11:05.520 --> 1:11:08.800
<v Speaker 3>Other enough, and I'd like to think that with enough

1:11:08.800 --> 1:11:11.639
<v Speaker 3>therapy we needed to do therapy. I needed so much

1:11:11.680 --> 1:11:14.080
<v Speaker 3>therapy to be okay with myself that I could be

1:11:14.120 --> 1:11:16.120
<v Speaker 3>okay with Jason and I try to be on some

1:11:16.360 --> 1:11:17.800
<v Speaker 3>toxic man shit have like.

1:11:17.760 --> 1:11:20.760
<v Speaker 4>Well, that was my But you can't be bitdebba.

1:11:21.000 --> 1:11:23.400
<v Speaker 3>No, this is another man who stepped in, who my

1:11:23.520 --> 1:11:25.640
<v Speaker 3>daughter feels safe around, and who I've never gotten a

1:11:25.640 --> 1:11:28.200
<v Speaker 3>call from my ex wife saying this guy's hurting me

1:11:28.400 --> 1:11:31.280
<v Speaker 3>or he's stealing money, or he has treated us another way,

1:11:31.320 --> 1:11:34.479
<v Speaker 3>so I love him. So I would not recommend it

1:11:35.240 --> 1:11:38.080
<v Speaker 3>unless you have a history of therapy with your family,

1:11:38.439 --> 1:11:41.960
<v Speaker 3>because even knowing everything I know, now, that's not for

1:11:42.000 --> 1:11:42.360
<v Speaker 3>the week.

1:11:43.080 --> 1:11:44.280
<v Speaker 4>You must know.

1:11:44.280 --> 1:11:48.120
<v Speaker 3>Each other well to be quarantined together. That's no joke.

1:11:48.439 --> 1:11:54.360
<v Speaker 1>Okay. What will you admit is one of your worst habits?

1:11:54.960 --> 1:11:58.599
<v Speaker 4>Commitment? Okay, and not that I was cheating or doing anything.

1:11:58.720 --> 1:11:59.439
<v Speaker 4>I'd get into.

1:11:59.280 --> 1:12:02.519
<v Speaker 3>Sort to anything and then go, whoop, I can't do

1:12:02.600 --> 1:12:05.080
<v Speaker 3>it because I would be because I commit so fast,

1:12:05.479 --> 1:12:09.040
<v Speaker 3>because I want, oh, like I would love that relationship,

1:12:09.240 --> 1:12:11.479
<v Speaker 3>or I would love to do this job. Because they

1:12:11.520 --> 1:12:14.559
<v Speaker 3>think that I'm talented, or she thinks I'm good, or

1:12:14.600 --> 1:12:16.639
<v Speaker 3>they think that I mean And then you jump into

1:12:16.640 --> 1:12:18.880
<v Speaker 3>something you're like, oh, this was not the right move.

1:12:18.960 --> 1:12:20.760
<v Speaker 3>I shouldn't have done it. Okay, I gotta quit. I

1:12:20.760 --> 1:12:23.240
<v Speaker 3>gotta quit, I gotta quit, I gotta quit. And so

1:12:23.400 --> 1:12:24.160
<v Speaker 3>you get out of it.

1:12:25.200 --> 1:12:28.680
<v Speaker 1>Yeah, I see, I'm gonna complete this. I fucked up.

1:12:29.280 --> 1:12:32.600
<v Speaker 1>I said yes to everything, and I'm not regretting it

1:12:32.640 --> 1:12:36.600
<v Speaker 1>because they're passions. But I wish I could.

1:12:36.360 --> 1:12:39.519
<v Speaker 3>Just be like dog just so you can you can

1:12:39.560 --> 1:12:42.639
<v Speaker 3>help me, because Mandy lives by if you say yes,

1:12:42.680 --> 1:12:44.360
<v Speaker 3>you have to rock it all all the way through.

1:12:44.360 --> 1:12:45.639
<v Speaker 4>And I agree with that in theory.

1:12:45.880 --> 1:12:47.439
<v Speaker 3>But there are some things that you say yes to

1:12:47.880 --> 1:12:50.559
<v Speaker 3>that are not good for you, like somebody may not

1:12:50.600 --> 1:12:52.320
<v Speaker 3>be good for you, so I don't want to. My

1:12:52.439 --> 1:12:54.280
<v Speaker 3>habit was I would try to see it through to

1:12:54.520 --> 1:12:57.599
<v Speaker 3>some kind of conclusion instead of just chopping it off

1:12:57.760 --> 1:13:00.280
<v Speaker 3>and then even accepting a job that you're like, Okay,

1:13:00.479 --> 1:13:02.920
<v Speaker 3>this is gonna suck. Why am I doing this? It's

1:13:02.920 --> 1:13:04.879
<v Speaker 3>not gonna be good for me. I'm gonna look bad.

1:13:05.000 --> 1:13:05.559
<v Speaker 3>Look I'm out.

1:13:07.200 --> 1:13:11.000
<v Speaker 1>Yeah, I did shit to the detriment of like the

1:13:11.120 --> 1:13:17.799
<v Speaker 1>casualty of my was basically my relationship, which was again,

1:13:18.560 --> 1:13:20.880
<v Speaker 1>as soon as we got out in the world, the

1:13:20.920 --> 1:13:22.840
<v Speaker 1>first thing I thought about was all the work I'm

1:13:22.840 --> 1:13:25.160
<v Speaker 1>gonna do now that we're out in the world, instead

1:13:25.200 --> 1:13:27.280
<v Speaker 1>of like the progress that I was on, like hey,

1:13:28.680 --> 1:13:32.000
<v Speaker 1>and then it's like all right, well, you'll you'll have

1:13:32.040 --> 1:13:35.760
<v Speaker 1>time for this relationship in twenty thirty something, so, you

1:13:35.800 --> 1:13:38.160
<v Speaker 1>know which, I was like, all right, so I guess

1:13:38.479 --> 1:13:41.400
<v Speaker 1>this is over. Even though it was quasi amicable. The

1:13:41.479 --> 1:13:46.719
<v Speaker 1>breakup much to the detriment of my relationship at the time, Like.

1:13:47.320 --> 1:13:50.960
<v Speaker 3>Even when I'm sacrified amicable, what did you say, Even

1:13:51.000 --> 1:13:54.560
<v Speaker 3>when it's amicable, it's not amicable because somebody's got to

1:13:54.600 --> 1:13:56.759
<v Speaker 3>kick the other person and that just sucks.

1:13:57.000 --> 1:13:59.519
<v Speaker 1>Yeah, I'm in trust me. I'm definitely the bad guy

1:13:59.600 --> 1:14:04.360
<v Speaker 1>in this scenario. And I feel horrible that I made

1:14:04.360 --> 1:14:07.719
<v Speaker 1>so much progress and improving and slowing down and sleeping

1:14:07.800 --> 1:14:11.519
<v Speaker 1>more and all that stuff, and the second life was open.

1:14:11.560 --> 1:14:14.640
<v Speaker 1>I was like, oh, back to work, you know, funstones,

1:14:15.560 --> 1:14:20.040
<v Speaker 1>and now realize I fucked up. So but I'm gonna

1:14:20.040 --> 1:14:25.200
<v Speaker 1>see this stuff through, and then I promise I'm really

1:14:25.240 --> 1:14:29.160
<v Speaker 1>going to commit to just like one thing at a

1:14:29.200 --> 1:14:33.240
<v Speaker 1>time and not stack a whole back pile of things

1:14:33.280 --> 1:14:36.880
<v Speaker 1>like it's not human to direct four movies at once

1:14:36.960 --> 1:14:40.920
<v Speaker 1>and make a record and no, it's not human. So

1:14:41.280 --> 1:14:42.640
<v Speaker 1>I don't recommend.

1:14:42.200 --> 1:14:44.280
<v Speaker 4>That, but you did it, so good job.

1:14:45.880 --> 1:14:48.120
<v Speaker 1>Well yeah, it's it's it's going to be good. So

1:14:48.320 --> 1:14:52.559
<v Speaker 1>hopefully not. Hopefully I'm training myself to not. I don't

1:14:52.560 --> 1:14:56.360
<v Speaker 1>talk to be good. Yes're talking to the affirmative, the affirmative.

1:14:57.000 --> 1:15:03.880
<v Speaker 1>All right, last question, You have thirty seconds to talk

1:15:03.960 --> 1:15:05.599
<v Speaker 1>to your twelve year old self.

1:15:06.280 --> 1:15:08.519
<v Speaker 3>Oh wow, well this is easy because I've talked to

1:15:08.600 --> 1:15:10.400
<v Speaker 3>him many times. So what do you want me to

1:15:10.400 --> 1:15:11.320
<v Speaker 3>talk to him about?

1:15:11.600 --> 1:15:11.840
<v Speaker 4>Well?

1:15:12.080 --> 1:15:14.160
<v Speaker 9>What would you mixing cereals?

1:15:16.120 --> 1:15:19.320
<v Speaker 1>What would you want to tell him if you were

1:15:19.360 --> 1:15:24.120
<v Speaker 1>allowed to have a butterfly wing effect to a certain belief.

1:15:24.240 --> 1:15:27.360
<v Speaker 1>This's part of me that actually wishes that I give

1:15:27.360 --> 1:15:31.280
<v Speaker 1>an opportunity. I'm almost thinking I'm sick enough to actually say,

1:15:31.280 --> 1:15:35.320
<v Speaker 1>you know what, everything the way happened, let it happen.

1:15:35.520 --> 1:15:39.920
<v Speaker 1>But I think I would be open to some sort

1:15:39.920 --> 1:15:42.360
<v Speaker 1>of improvement, like if I could have the confidence and

1:15:42.400 --> 1:15:45.000
<v Speaker 1>the insight that I have now at fifty three, right

1:15:45.840 --> 1:15:51.360
<v Speaker 1>at maybe like thirty three, even forty three, Like you're.

1:15:51.280 --> 1:15:52.720
<v Speaker 4>The same person. I hate you?

1:15:53.240 --> 1:15:56.640
<v Speaker 1>Right, No, no, no, I'm just one of my regrets

1:15:56.760 --> 1:16:01.879
<v Speaker 1>was like, wow, at forty nine my eyes finally opened,

1:16:03.240 --> 1:16:05.719
<v Speaker 1>And now I'm just thinking like damn man, like forty

1:16:05.800 --> 1:16:09.120
<v Speaker 1>nine now and that would be sixty and shit. No,

1:16:09.240 --> 1:16:11.040
<v Speaker 1>but you can't think I could have made magic.

1:16:11.720 --> 1:16:16.680
<v Speaker 8>You want everyone's ass like thirty, Like Noah, thirty, you

1:16:16.720 --> 1:16:19.760
<v Speaker 8>don't get it, then it's you want to do hood

1:16:19.840 --> 1:16:22.519
<v Speaker 8>at shit with your brain like a somewhere it.

1:16:22.560 --> 1:16:24.960
<v Speaker 3>Can't even work, like because that's around the same. Yeah,

1:16:25.080 --> 1:16:27.639
<v Speaker 3>like I would have had that epiphany. I'm fifty one now,

1:16:27.760 --> 1:16:31.160
<v Speaker 3>so it wasn't until you know, like being forty six,

1:16:31.320 --> 1:16:34.040
<v Speaker 3>forty seven, that you start doing that work. And of

1:16:34.040 --> 1:16:37.240
<v Speaker 3>course you would wish for that confidence, but I would

1:16:37.280 --> 1:16:40.760
<v Speaker 3>challenge you and say, if the confidence that you could

1:16:40.760 --> 1:16:45.360
<v Speaker 3>even have at forty or thirty whatnot, who knows where

1:16:45.400 --> 1:16:47.479
<v Speaker 3>you would be. So so the only thing that I

1:16:47.479 --> 1:16:50.000
<v Speaker 3>could tell to my twelve year old self is I

1:16:50.040 --> 1:16:53.839
<v Speaker 3>can't regret anything, because I guess things have turned out okay.

1:16:54.080 --> 1:16:56.600
<v Speaker 3>There are things that I hate all the time, like

1:16:56.680 --> 1:16:58.479
<v Speaker 3>career moves that I went. I wish I wouldn't have

1:16:58.479 --> 1:17:01.640
<v Speaker 3>done that shit, but but life isn't horrible. So the

1:17:01.680 --> 1:17:04.240
<v Speaker 3>only thing I can tell him is I wish that

1:17:05.600 --> 1:17:07.960
<v Speaker 3>what I want for him is maybe not to change anything,

1:17:08.240 --> 1:17:10.360
<v Speaker 3>but I want for twelve twelve year old Wayne to

1:17:10.400 --> 1:17:13.600
<v Speaker 3>know when this sounds like a hackneyed life thing, to

1:17:13.760 --> 1:17:16.960
<v Speaker 3>just know that you're enough in that sense and just

1:17:18.280 --> 1:17:21.439
<v Speaker 3>and just know that you're gonna be and like you're dope, Like,

1:17:21.520 --> 1:17:24.040
<v Speaker 3>trust me, you're You don't even understand how dope you are,

1:17:24.040 --> 1:17:26.880
<v Speaker 3>because I don't even know how dope I am. Because

1:17:27.280 --> 1:17:29.680
<v Speaker 3>I get excited if somebody that I recognize, like you

1:17:29.760 --> 1:17:32.439
<v Speaker 3>even saying hi to me, or anybody that I respect

1:17:32.479 --> 1:17:35.160
<v Speaker 3>and says, oh Wayne, I saw Alicia Keys the other

1:17:35.240 --> 1:17:35.840
<v Speaker 3>day and Swizz and.

1:17:35.800 --> 1:17:37.800
<v Speaker 4>They're like, oh Wayne, it's like you know who I am?

1:17:38.080 --> 1:17:41.000
<v Speaker 3>Oh my god, that whole thing that's still that twelve

1:17:41.080 --> 1:17:43.479
<v Speaker 3>year old kid who is like, but.

1:17:43.600 --> 1:17:46.559
<v Speaker 4>So yo, you are so good. You are so great.

1:17:46.560 --> 1:17:48.840
<v Speaker 3>Don't worry about being cocky, don't about pleasing people, don't

1:17:48.880 --> 1:17:51.400
<v Speaker 3>about being black enough, don't be that you're gonna be good.

1:17:51.760 --> 1:17:54.360
<v Speaker 3>So do what you want to do instead of living

1:17:54.360 --> 1:17:56.559
<v Speaker 3>your life and having it affect your choices and then

1:17:56.560 --> 1:17:59.040
<v Speaker 3>without telling him to change anything. Maybe if he just

1:17:59.120 --> 1:18:01.880
<v Speaker 3>did that, then we'd see what would happen.

1:18:01.920 --> 1:18:05.479
<v Speaker 1>Butterfly wise, all right, before I close this show, man,

1:18:05.920 --> 1:18:10.760
<v Speaker 1>it's just hitting me right now how apropos this moment is.

1:18:12.160 --> 1:18:21.080
<v Speaker 1>Because I've had a relationship with one particular date that

1:18:21.280 --> 1:18:26.479
<v Speaker 1>for me was always doom and gloom and always I

1:18:26.640 --> 1:18:32.600
<v Speaker 1>felt like defined the darkest period of my existence. Like

1:18:32.840 --> 1:18:38.639
<v Speaker 1>for me, the idea of questlove was invented, the idea

1:18:38.640 --> 1:18:43.360
<v Speaker 1>of this, the idea of everything was invented. On all

1:18:43.439 --> 1:18:51.479
<v Speaker 1>the ironic dates to remember fucking June second, Like, in

1:18:51.520 --> 1:18:56.519
<v Speaker 1>my mind, June second, eighty nine was the worst day

1:18:56.560 --> 1:18:59.559
<v Speaker 1>of my life in which you you know, you always

1:18:59.560 --> 1:19:01.080
<v Speaker 1>had that moment. I don't know if it happens for

1:19:01.120 --> 1:19:04.599
<v Speaker 1>you guys, whatever, but you know, I'm certain you've had

1:19:04.640 --> 1:19:09.080
<v Speaker 1>it where you just like that, never again. I'll show them.

1:19:09.360 --> 1:19:14.360
<v Speaker 1>I'm going to oh yeah, and that moment was June second,

1:19:15.000 --> 1:19:20.519
<v Speaker 1>Like I documented June second, nineteen eighty nine, where I

1:19:20.600 --> 1:19:24.240
<v Speaker 1>will you know letters you see Michael Jackson writing himself

1:19:25.000 --> 1:19:30.360
<v Speaker 1>no longer I will be the like I've written composition notebooks.

1:19:30.560 --> 1:19:35.120
<v Speaker 1>I'm never cutting my hair. I'm growing this outrageous June second,

1:19:35.320 --> 1:19:39.679
<v Speaker 1>nineteen eighty nine. It's so weird that what I deemed

1:19:39.720 --> 1:19:41.680
<v Speaker 1>the worst day of my life now is someone that

1:19:41.760 --> 1:19:44.200
<v Speaker 1>I in the beginning was talking like, oh yeah, it

1:19:44.200 --> 1:19:49.080
<v Speaker 1>would be cool. Now I'm like, ah, fucking universe is

1:19:49.120 --> 1:19:51.800
<v Speaker 1>sending me something. It was even to the point where

1:19:51.840 --> 1:19:53.400
<v Speaker 1>I hate it all Geminis.

1:19:53.840 --> 1:19:55.360
<v Speaker 4>That's when you were a juge Gemini.

1:19:55.520 --> 1:19:58.280
<v Speaker 1>Oh I get that now, dog, And that's the thing,

1:19:58.560 --> 1:20:02.080
<v Speaker 1>Like there's a Gemini Kathy's is like the people that

1:20:02.120 --> 1:20:06.800
<v Speaker 1>are real close to me. I hate Jim, I used

1:20:06.800 --> 1:20:14.720
<v Speaker 1>to hate so this whole these whole two episodes. Thank you,

1:20:15.000 --> 1:20:21.760
<v Speaker 1>Wayne Brady. You finally disarmed, disarmed my my ire and

1:20:22.120 --> 1:20:23.400
<v Speaker 1>disdained for Geminis.

1:20:23.640 --> 1:20:26.320
<v Speaker 4>Well, I'm glad I was able to bring some love.

1:20:26.760 --> 1:20:30.400
<v Speaker 1>Do I appreciate you coming and doing that? Wait, I

1:20:30.439 --> 1:20:32.960
<v Speaker 1>guess so that Amber is not totally angry with me.

1:20:33.960 --> 1:20:35.559
<v Speaker 1>How's your experience been with the Wiz?

1:20:35.560 --> 1:20:37.920
<v Speaker 7>Were about to know you as a person and not

1:20:38.000 --> 1:20:40.760
<v Speaker 7>your profession. But no, the Wiz come on, Like, what

1:20:40.800 --> 1:20:42.320
<v Speaker 7>can I say in just a few seconds? You know,

1:20:42.360 --> 1:20:46.400
<v Speaker 7>the Wiz to be able to bring this seminal piece

1:20:46.560 --> 1:20:52.000
<v Speaker 7>of black theater to stage again after almost fifty years

1:20:52.520 --> 1:20:55.360
<v Speaker 7>of being not here, That's why I wanted to be

1:20:55.400 --> 1:20:56.880
<v Speaker 7>a part of the show. I want to be part

1:20:56.880 --> 1:21:00.680
<v Speaker 7>of this black moment. This is a moment and the

1:21:00.680 --> 1:21:05.559
<v Speaker 7>talent on stage is it's it's impeccable. It's like when

1:21:05.600 --> 1:21:08.000
<v Speaker 7>you talk about black excellence, and I know that some

1:21:08.040 --> 1:21:09.320
<v Speaker 7>of us have a hang up now with to turn

1:21:09.400 --> 1:21:11.880
<v Speaker 7>black excellence because it denotes that other people. I'm gonna

1:21:11.880 --> 1:21:15.160
<v Speaker 7>say it, it is black excellence because everybody on.

1:21:15.040 --> 1:21:19.000
<v Speaker 1>That stage it's real bad, right, right, not consumers and

1:21:19.040 --> 1:21:20.320
<v Speaker 1>blax right, It's not that.

1:21:20.479 --> 1:21:21.160
<v Speaker 4>Look at what I'm.

1:21:22.720 --> 1:21:25.840
<v Speaker 3>It is watching people Like when I watch the dancers dance,

1:21:26.120 --> 1:21:27.760
<v Speaker 3>and I know a couple of them used to be

1:21:27.800 --> 1:21:30.960
<v Speaker 3>a ley and they trained. You watch people that when

1:21:31.120 --> 1:21:33.400
<v Speaker 3>when I watch them dance, I think of in the

1:21:33.439 --> 1:21:36.439
<v Speaker 3>classical world, you know, black bodies in the ballet space

1:21:36.479 --> 1:21:40.120
<v Speaker 3>and the modern space being being told your butt's too big,

1:21:40.160 --> 1:21:42.080
<v Speaker 3>your hips are too wide, you can't do those things

1:21:42.080 --> 1:21:44.120
<v Speaker 3>because of how you're built and being able to turn

1:21:44.120 --> 1:21:47.240
<v Speaker 3>a eurocentric thing on its head and then come come

1:21:47.320 --> 1:21:49.759
<v Speaker 3>up with your own form of it. Watching these dancers

1:21:49.760 --> 1:21:51.800
<v Speaker 3>do that, I was like, that is excellent. Listening to

1:21:51.880 --> 1:21:57.080
<v Speaker 3>these voices, these these these amazing voices, like like our

1:21:57.720 --> 1:22:03.000
<v Speaker 3>Dorothy and the Tin and the I forget the characters,

1:22:03.040 --> 1:22:05.799
<v Speaker 3>but but I know their names, Avery, Philip and Kyle.

1:22:06.880 --> 1:22:09.559
<v Speaker 3>Their voices are anointed, the voices in the cast, the

1:22:09.640 --> 1:22:11.760
<v Speaker 3>talent you can throw a rock and any of those

1:22:11.800 --> 1:22:14.799
<v Speaker 3>people you would pay to listen to a record from

1:22:15.160 --> 1:22:17.559
<v Speaker 3>from them, and I look at that and I go, Wow,

1:22:18.000 --> 1:22:20.640
<v Speaker 3>that's what it feels like to not be the only you.

1:22:21.680 --> 1:22:22.960
<v Speaker 3>And I look at that and it's one of the

1:22:22.960 --> 1:22:25.400
<v Speaker 3>only times that I've been in a cast like that,

1:22:25.439 --> 1:22:29.320
<v Speaker 3>where I go, I'm so blessed. I'm humble that you're

1:22:29.320 --> 1:22:31.440
<v Speaker 3>in a community of youth that I'm in a community,

1:22:31.560 --> 1:22:32.680
<v Speaker 3>and it's amazing.

1:22:32.920 --> 1:22:34.839
<v Speaker 4>So please come out and see the Wiz.

1:22:36.240 --> 1:22:36.960
<v Speaker 1>That's all saying.

1:22:37.040 --> 1:22:38.439
<v Speaker 3>You don't have to be black to see the Wiz.

1:22:38.439 --> 1:22:41.479
<v Speaker 3>I'm just saying you don't have to go. So Bill Sugar,

1:22:41.560 --> 1:22:44.320
<v Speaker 3>I'll see you there. Thank you for the invite. Way

1:22:44.400 --> 1:22:45.040
<v Speaker 3>we will be there.

1:22:46.120 --> 1:22:48.479
<v Speaker 9>Yes, Now is this the machine talking or is this.

1:22:48.439 --> 1:22:50.920
<v Speaker 1>Really wanting you to come out?

1:22:50.960 --> 1:22:52.439
<v Speaker 9>I just want to know who to ask for when

1:22:52.479 --> 1:22:52.880
<v Speaker 9>I got there.

1:22:53.000 --> 1:22:55.080
<v Speaker 4>Wayne's very proud.

1:22:54.840 --> 1:23:00.240
<v Speaker 1>Of a brother. Thank you for coming on the show. Yeah,

1:23:01.560 --> 1:23:05.840
<v Speaker 1>got out to a liah suage Love.

1:23:06.200 --> 1:23:08.479
<v Speaker 3>Next time I come back, we have to freestyle. We

1:23:08.560 --> 1:23:10.759
<v Speaker 3>have to set it up so we can do something today.

1:23:11.560 --> 1:23:13.840
<v Speaker 1>Yes, you're definitely going to be a mainstad on the

1:23:13.840 --> 1:23:16.920
<v Speaker 1>show Man. Thank you for coming on. We have a

1:23:16.960 --> 1:23:23.520
<v Speaker 1>new Bill and Healthy Sugar and font Diegelo and Liyah

1:23:24.040 --> 1:23:26.000
<v Speaker 1>Uh this quest Love and Wayne Brady.

1:23:26.080 --> 1:23:26.880
<v Speaker 9>Thank you very much and.

1:23:26.840 --> 1:23:29.720
<v Speaker 1>We'll see you on the next Quest Love Supreme. Thank

1:23:29.760 --> 1:23:33.240
<v Speaker 1>you for listening to Quest Love Supreme. Hosted by a

1:23:33.320 --> 1:23:39.160
<v Speaker 1>mere Quest Love, Thomas, Why You, Saint Clair, Fonte, Coleman, Sugar,

1:23:39.200 --> 1:23:44.960
<v Speaker 1>Steve Manteo, an unpaid Bill Sherman. Executive producers are a

1:23:45.040 --> 1:23:51.240
<v Speaker 1>mere Quest Love, Thompson, Sean Ge and Brian Calton. Produced

1:23:51.280 --> 1:23:58.240
<v Speaker 1>by Me Benjamin Cousin, Jack Payne, Liah Saint Clair, edited

1:23:58.240 --> 1:24:09.639
<v Speaker 1>by Alex Conroy. Produced by iHeart by Noel Brown. What's

1:24:09.680 --> 1:24:17.040
<v Speaker 1>Love Supreme is a production of ihearten Radio. For more

1:24:17.080 --> 1:24:21.560
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:24:21.600 --> 1:24:23.240
<v Speaker 1>wherever you listen to your favorite shows.