1 00:00:00,080 --> 00:00:13,600 Speaker 1: Yes, spread of being in Iron Rapports Stereo podcasts. Here, Haidy, 2 00:00:13,680 --> 00:00:17,040 Speaker 1: have no fear. Today's I Am Rappaport Stereo Pockets coming 3 00:00:17,079 --> 00:00:21,119 Speaker 1: live and direct from Hollywood, California. The Young Shooter Deuce 4 00:00:21,280 --> 00:00:26,319 Speaker 1: Valentine a K. Deuce Pacino is in Sucasa. We're talking 5 00:00:26,320 --> 00:00:29,920 Speaker 1: about these ventures, the comings and goings of my latest 6 00:00:30,120 --> 00:00:33,640 Speaker 1: tour around the country, Orlando, New Orleans, Phoenix, l A 7 00:00:33,760 --> 00:00:36,880 Speaker 1: back to Phoenix, talking about the highs and lows, the 8 00:00:36,960 --> 00:00:41,680 Speaker 1: love life, and a trip to Disneyland slash disney World 9 00:00:42,360 --> 00:00:45,320 Speaker 1: with Dean Collins a K. The Young Shooter, and a preview. 10 00:00:45,400 --> 00:00:47,600 Speaker 1: A preview of who's coming up next on the next 11 00:00:47,680 --> 00:00:51,040 Speaker 1: I Am Wrapping Ports Stereo podcast. Miles Jordan Ak the Ak. 12 00:00:51,080 --> 00:00:52,960 Speaker 1: The do'st start this puppy with something real nice, Yes, 13 00:00:53,800 --> 00:00:56,200 Speaker 1: start this puppy something real loud, Yes, but most supporters 14 00:00:56,240 --> 00:00:58,840 Speaker 1: start to puppy off with something real. I Am Rappaport 15 00:00:58,880 --> 00:01:17,600 Speaker 1: Stereo podckets boom boom, Yes, have no fear The I 16 00:01:17,680 --> 00:01:22,039 Speaker 1: Am Rappaport Stereo Podcast. It's here. Welcome to the Iron 17 00:01:22,120 --> 00:01:25,680 Speaker 1: Dome of Destruction. Welcome to the Ziggity the Ziggity Zone 18 00:01:25,680 --> 00:01:28,600 Speaker 1: of destruction. My name is Michael Rappaport a k a 19 00:01:28,680 --> 00:01:30,840 Speaker 1: The Gringo man Dingo a k. The Inflamed ash Can 20 00:01:30,880 --> 00:01:37,959 Speaker 1: Nazi a k. The Saltan Sniff. I'm sorry, are you 21 00:01:38,000 --> 00:01:43,399 Speaker 1: gonna AKK? You can't do the where the sunglasses during 22 00:01:43,440 --> 00:01:46,679 Speaker 1: the shoot? Why not? What do you mean? Why why 23 00:01:47,040 --> 00:01:50,760 Speaker 1: did you We were audio recording and we're video recording 24 00:01:50,760 --> 00:01:53,840 Speaker 1: and you got these ridiculous sunglasses. You're cool and you 25 00:01:53,840 --> 00:01:55,520 Speaker 1: don't have to like you don't have to like, you know, 26 00:01:55,800 --> 00:01:59,000 Speaker 1: but on when I'm like looking this way, I'm doing, yes, 27 00:01:59,080 --> 00:02:01,200 Speaker 1: welcome to the iron on them of Disruption, Welcome to 28 00:02:01,240 --> 00:02:03,800 Speaker 1: the And then I look over and like you're like, well, 29 00:02:03,800 --> 00:02:05,480 Speaker 1: I just feel like there's so many interviews like Howard 30 00:02:05,520 --> 00:02:07,880 Speaker 1: starting interviews tons of rock stars where they're wearing sunglasses, 31 00:02:07,880 --> 00:02:09,520 Speaker 1: like in the morning or the middle of the day, 32 00:02:09,560 --> 00:02:11,440 Speaker 1: and he doesn't like bring attention to the sunglass. I thought, 33 00:02:11,440 --> 00:02:13,040 Speaker 1: why can't I come to the podcast and we're a 34 00:02:13,080 --> 00:02:15,120 Speaker 1: pair of sunglasses. I just got these. I'm just like 35 00:02:15,160 --> 00:02:17,360 Speaker 1: I got my water and we're in Hollywood. I'm just 36 00:02:17,440 --> 00:02:19,400 Speaker 1: kind of like, oh, you know, I'm here with my sunglasses. 37 00:02:19,440 --> 00:02:22,239 Speaker 1: What's the problem. You thought that you were gonna wear 38 00:02:22,280 --> 00:02:28,399 Speaker 1: the sunglasses during the podcast, and no one was gonna 39 00:02:28,440 --> 00:02:30,400 Speaker 1: say anything about it. I just thought, you know, there's 40 00:02:30,400 --> 00:02:32,239 Speaker 1: the first time for everything, Like, why not just wear 41 00:02:32,280 --> 00:02:34,800 Speaker 1: the sunglasses? Do they not look good? Like? Is it 42 00:02:34,919 --> 00:02:36,400 Speaker 1: is really a problem for you for me to wear 43 00:02:36,440 --> 00:02:38,280 Speaker 1: the sunglasses. I could take them off. I just think 44 00:02:38,280 --> 00:02:40,440 Speaker 1: that they look good. I mean, if you want to, 45 00:02:40,480 --> 00:02:42,880 Speaker 1: you want to keep them on. I didn't see a 46 00:02:42,880 --> 00:02:45,040 Speaker 1: problem until until you said something, keep them back on. 47 00:02:45,040 --> 00:02:46,480 Speaker 1: I don't want to take them off. It's here. No, 48 00:02:46,560 --> 00:02:48,200 Speaker 1: I don't want to make you uncomfortable where the sung 49 00:02:48,400 --> 00:02:50,440 Speaker 1: you already did, you already achieved that. I am, okay, 50 00:02:50,480 --> 00:02:53,400 Speaker 1: just just just wear the sunglasses, okay, I'll just take 51 00:02:53,480 --> 00:02:55,200 Speaker 1: them off when I feel like when you come off, 52 00:02:55,240 --> 00:02:57,360 Speaker 1: when I feel like, when you feel like because you 53 00:02:57,360 --> 00:02:59,240 Speaker 1: put them on, when you feel like without even I 54 00:02:59,280 --> 00:03:01,600 Speaker 1: just I'm looking this way. I'm doing Zignity Zone of Disruption. 55 00:03:01,639 --> 00:03:04,120 Speaker 1: Welcome to the Iron Norman of the Salt of Sniff 56 00:03:04,120 --> 00:03:07,720 Speaker 1: and the Bear, And then like, I'm like, who's this guy? 57 00:03:08,040 --> 00:03:10,840 Speaker 1: I don't know. I just tried something new, try something different, alright, 58 00:03:10,880 --> 00:03:13,959 Speaker 1: fair to try something different, all right? Welcome to the 59 00:03:14,000 --> 00:03:16,679 Speaker 1: Iron Dome of Disruption. Welcome to the Zigity Zone of Disruption. 60 00:03:16,720 --> 00:03:19,079 Speaker 1: Welcome to the I Am Rappaport Stereo. Puck is live 61 00:03:19,160 --> 00:03:27,880 Speaker 1: and direct from Hollywood, California. Back back in Hollywood, California. 62 00:03:28,280 --> 00:03:30,679 Speaker 1: Are you gonna keep no, I just do it on 63 00:03:30,800 --> 00:03:32,600 Speaker 1: my time. I want to be able to take them. 64 00:03:34,000 --> 00:03:35,400 Speaker 1: Do the insure there. You don't have to say that. 65 00:03:35,440 --> 00:03:39,040 Speaker 1: But with the sunglasses, I've committed. Okay, he's gonna wear 66 00:03:39,080 --> 00:03:41,400 Speaker 1: sunglasses the whole shoe. But like if if you had 67 00:03:41,440 --> 00:03:44,040 Speaker 1: a guest on the podcast, if like if Alec Baldwin 68 00:03:44,160 --> 00:03:45,720 Speaker 1: was on your podcasts and he was wearing sunglasses, the 69 00:03:45,720 --> 00:03:47,240 Speaker 1: first thirty minutes would be like, why are you wearing 70 00:03:47,240 --> 00:03:51,240 Speaker 1: the sunglass? And excuse me? I would know why Alec 71 00:03:51,280 --> 00:03:54,400 Speaker 1: Baldwin would be wearing sunglasses. Why why? Why? Because he's 72 00:03:54,440 --> 00:04:00,360 Speaker 1: Alec Baldwin. So just because just because you're doing I 73 00:04:00,360 --> 00:04:03,440 Speaker 1: can't wear sunglasses like you gotta, I guess I'm not 74 00:04:03,520 --> 00:04:05,920 Speaker 1: that guy to wear to wear sunglasses. Put him back on, 75 00:04:06,080 --> 00:04:09,160 Speaker 1: take them off for the podcast. Try something different. We're 76 00:04:09,160 --> 00:04:12,520 Speaker 1: not obviously we're not matching either, are we? Do we 77 00:04:12,560 --> 00:04:16,160 Speaker 1: even start? You started? You started? Have we started? I 78 00:04:16,200 --> 00:04:18,200 Speaker 1: don't even know if you started the podcast there, I'm 79 00:04:18,200 --> 00:04:22,480 Speaker 1: not sure a k I A k A. We're here. 80 00:04:22,640 --> 00:04:26,880 Speaker 1: I am rapports stereo podcast. I just want to say 81 00:04:26,960 --> 00:04:29,640 Speaker 1: for the record, and you better not. You better tell 82 00:04:29,680 --> 00:04:32,160 Speaker 1: the truth. What I didn't cough until you started wearing 83 00:04:32,160 --> 00:04:34,480 Speaker 1: the sunglays. I don't. I don't don't like make that 84 00:04:34,560 --> 00:04:39,920 Speaker 1: about me wearing sunglasses why you're coughing? But just full transparency. 85 00:04:39,960 --> 00:04:43,880 Speaker 1: Have I coughed all days since I've seen you, since 86 00:04:43,920 --> 00:04:45,719 Speaker 1: you put on the sunglasses? Just yes or no? No? 87 00:04:46,320 --> 00:04:53,760 Speaker 1: So do you feel responsible for me coughing? Now? Absolutely not. Okay, 88 00:04:54,760 --> 00:04:58,000 Speaker 1: let's just go into it. I am wrapped ports stereo 89 00:04:58,040 --> 00:04:59,920 Speaker 1: podcast is here. He could he have no fear of 90 00:05:00,000 --> 00:05:07,039 Speaker 1: in Hollywood, California, Deuce counts, Deuce Pacino is in Sukasa. 91 00:05:07,760 --> 00:05:11,120 Speaker 1: They actually in the because we're doing this together, we're live. 92 00:05:11,160 --> 00:05:14,960 Speaker 1: We're not doing this through zoom, which is nice end podcasting, 93 00:05:15,120 --> 00:05:17,479 Speaker 1: and it's a different feeling being in person, seeing you 94 00:05:17,560 --> 00:05:20,039 Speaker 1: face to face, it is a different It's a different 95 00:05:20,080 --> 00:05:23,000 Speaker 1: kind of energy too. Reminds me of when you lived 96 00:05:23,000 --> 00:05:25,239 Speaker 1: in l A when we were doing this in person. 97 00:05:25,560 --> 00:05:28,120 Speaker 1: It's just not the same doing it over zoom. Over 98 00:05:28,160 --> 00:05:30,640 Speaker 1: satellite of field. It's not the same, but you do 99 00:05:30,680 --> 00:05:34,040 Speaker 1: what you gotta do, of course, and when we're not 100 00:05:34,120 --> 00:05:39,120 Speaker 1: together in person, yeah, we make it happen because it's 101 00:05:39,120 --> 00:05:45,760 Speaker 1: a professional podcast. It's a professional organization of disruption, top 102 00:05:45,800 --> 00:05:52,159 Speaker 1: to bottom, bottom to top, sixty degrees, three sixty five days. 103 00:05:52,960 --> 00:05:58,360 Speaker 1: It's a well oiled machine heading into a thousand episodes. WHOA, 104 00:05:58,600 --> 00:06:00,800 Speaker 1: that's crazy. And I was on a pisode three. I 105 00:06:00,800 --> 00:06:06,919 Speaker 1: think you and Logan, Yeah, that's crazy. I am wrapped 106 00:06:06,920 --> 00:06:10,719 Speaker 1: for stereo podcasts from Hollywood, California. Let me just bring 107 00:06:10,720 --> 00:06:15,960 Speaker 1: attention to the fact that there's a text message Chane, Okay. 108 00:06:16,160 --> 00:06:18,400 Speaker 1: I just want to get everything lay it out later. 109 00:06:18,440 --> 00:06:21,960 Speaker 1: I want to get everything cleared up before we get 110 00:06:22,000 --> 00:06:26,159 Speaker 1: into the minutia of the podcast. I like that word yep, yep, 111 00:06:26,680 --> 00:06:32,520 Speaker 1: text message change, Twinnings winning all black rocket Jordan's for 112 00:06:32,560 --> 00:06:36,920 Speaker 1: the podcast today. Actually I said all black rocket Jordan's 113 00:06:37,040 --> 00:06:41,599 Speaker 1: and hat for the podcast today. I thought I would 114 00:06:41,640 --> 00:06:44,240 Speaker 1: just just not do any of that. I thought I'd 115 00:06:44,240 --> 00:06:45,880 Speaker 1: just show up and just be like, fuck the hat, 116 00:06:46,279 --> 00:06:48,520 Speaker 1: fuck the all black. We already look so much alike. 117 00:06:48,920 --> 00:06:51,160 Speaker 1: Everyone tells, everyone says like I look like your son 118 00:06:51,200 --> 00:06:52,600 Speaker 1: I just I want to stay away from that. I 119 00:06:52,640 --> 00:06:54,200 Speaker 1: don't want to be like it shouldn't be like we're 120 00:06:54,200 --> 00:06:57,600 Speaker 1: twinning everywhere. You're like we're wearing the same outlets and 121 00:06:57,760 --> 00:07:01,800 Speaker 1: ship like we're not not We're not nine year old 122 00:07:01,839 --> 00:07:04,760 Speaker 1: like identical twins that like their parents are dressing them 123 00:07:04,839 --> 00:07:07,280 Speaker 1: up like matching outfits. I don't want to do that. 124 00:07:07,320 --> 00:07:09,039 Speaker 1: So I just thought I have something different on, Like 125 00:07:09,040 --> 00:07:11,160 Speaker 1: I went for like kind of a nineties vibe, you 126 00:07:11,200 --> 00:07:13,440 Speaker 1: know what, what you broke down that outfit? You could 127 00:07:13,440 --> 00:07:16,280 Speaker 1: go and there just an LLL Bean vintage jacket, a 128 00:07:16,320 --> 00:07:18,320 Speaker 1: white T shirt, just kind of like, oh, I'm crossing 129 00:07:18,360 --> 00:07:20,880 Speaker 1: my legs? Am I crossing them? Am I not crossing them? 130 00:07:21,160 --> 00:07:24,360 Speaker 1: I have some bands on, like I just we're It's 131 00:07:24,480 --> 00:07:26,200 Speaker 1: very like an echo park Field, and I wanted to 132 00:07:26,240 --> 00:07:27,920 Speaker 1: do that. It just suck the hat. So when you 133 00:07:28,040 --> 00:07:30,720 Speaker 1: when you went into your outfit today, you thought to yourself, like, 134 00:07:31,000 --> 00:07:33,800 Speaker 1: this is this is right? You do that? Well, I 135 00:07:33,840 --> 00:07:35,200 Speaker 1: know I need a haircut. I feel like I do 136 00:07:35,240 --> 00:07:38,240 Speaker 1: need a haircut, and you know, I yeah, I do that. 137 00:07:38,480 --> 00:07:40,600 Speaker 1: Do you not do that? I never do that. I 138 00:07:40,640 --> 00:07:42,640 Speaker 1: never go this is the kind of vibe I want 139 00:07:43,200 --> 00:07:45,080 Speaker 1: this is the feeling I want to get across. My 140 00:07:45,160 --> 00:07:50,119 Speaker 1: whole thing is comfort number one, um, warmth number two, 141 00:07:50,800 --> 00:07:57,240 Speaker 1: and appropriateness is number three. Appropriateness meaning like I have 142 00:07:57,280 --> 00:08:00,320 Speaker 1: an event that I might have to go to in March. Okay, 143 00:08:00,360 --> 00:08:04,080 Speaker 1: so I I already know, like, okay, in March, there's 144 00:08:04,160 --> 00:08:06,240 Speaker 1: one night for about three hours that I'm gonna have 145 00:08:06,320 --> 00:08:08,600 Speaker 1: to wear my suit. Okay, I understand that, But I 146 00:08:08,640 --> 00:08:10,640 Speaker 1: just my question is, why do you want to dress 147 00:08:10,720 --> 00:08:12,560 Speaker 1: the same? What is that about? Why do you want 148 00:08:12,560 --> 00:08:14,880 Speaker 1: to look alike? Because it's so important to you. It's 149 00:08:14,880 --> 00:08:18,040 Speaker 1: like the text message Shane, you want to you really 150 00:08:18,080 --> 00:08:19,640 Speaker 1: want to match, and I just want to know why. 151 00:08:19,640 --> 00:08:21,440 Speaker 1: I know. It's like twinning is winning, but why do 152 00:08:21,560 --> 00:08:25,680 Speaker 1: you want to look so much alike? Excuse me? I 153 00:08:25,720 --> 00:08:29,240 Speaker 1: don't say twinning is winning just on a regular day. 154 00:08:29,920 --> 00:08:32,959 Speaker 1: M hmm. You do? You say that like every day, 155 00:08:33,000 --> 00:08:35,040 Speaker 1: and sometimes I won't. It will be out of context, 156 00:08:35,040 --> 00:08:36,920 Speaker 1: like you'll just text me like midnight, make twinning is 157 00:08:36,960 --> 00:08:39,480 Speaker 1: winning and like good night. I don't know. I don't 158 00:08:39,520 --> 00:08:41,640 Speaker 1: understand where that came from. What does that mean? You 159 00:08:41,720 --> 00:08:45,600 Speaker 1: just say it all the time? Actually in real life, 160 00:08:45,679 --> 00:08:49,760 Speaker 1: I don't care what you wear. I don't want to 161 00:08:49,840 --> 00:08:52,559 Speaker 1: dress like you, nor do I want you to dress 162 00:08:52,600 --> 00:08:55,440 Speaker 1: like me. I don't want to call up, motherfucker. You 163 00:08:55,559 --> 00:08:58,040 Speaker 1: do you do want to dress like me? And this 164 00:08:58,120 --> 00:09:00,080 Speaker 1: is real life. I don't what are you talking about it? 165 00:09:00,960 --> 00:09:06,480 Speaker 1: This is real life, motherfucker. I never ever say, unless 166 00:09:06,520 --> 00:09:10,920 Speaker 1: we're shooting twinning or twin up, when I say twin up, 167 00:09:10,920 --> 00:09:13,640 Speaker 1: that mean it's dressed like for and the outfit when 168 00:09:13,640 --> 00:09:17,520 Speaker 1: we twin up is what all black everything with with matching. 169 00:09:17,600 --> 00:09:21,120 Speaker 1: Jordan's the breads right right. So I said twin up, 170 00:09:21,240 --> 00:09:23,440 Speaker 1: you said, no problem, twin up. I'll see you at 171 00:09:23,440 --> 00:09:25,680 Speaker 1: twelve tomorrow. I threw a curveball. I just I wanted 172 00:09:25,720 --> 00:09:27,480 Speaker 1: to see what would happen. What would happen if we 173 00:09:27,480 --> 00:09:30,480 Speaker 1: weren't twinning? Is it? I mean, it's thrown off everything apparently. 174 00:09:30,840 --> 00:09:32,599 Speaker 1: Well that along with the fact that you started you 175 00:09:32,600 --> 00:09:35,080 Speaker 1: want to wear sunglasses. You don't want to wear the 176 00:09:35,080 --> 00:09:37,599 Speaker 1: outfit now I don't. I don't want to wear the 177 00:09:37,640 --> 00:09:40,000 Speaker 1: outfit anymore. I don't want to wear the outfit anymore. 178 00:09:40,000 --> 00:09:42,080 Speaker 1: I don't want to wear all black everything all the time. 179 00:09:42,240 --> 00:09:45,040 Speaker 1: It's not comfortable for me. The only black pants that 180 00:09:45,080 --> 00:09:47,320 Speaker 1: I have are skinny jeans that they rub up on 181 00:09:47,320 --> 00:09:49,680 Speaker 1: my crotch. I start chafing. It's not comfort for me. 182 00:09:49,880 --> 00:09:53,840 Speaker 1: This is comfortable. It's an oversized jacket. Some some joggers. 183 00:09:53,840 --> 00:10:00,000 Speaker 1: I'm chilling here, joggers, I think edniway. Well, I'm happy 184 00:10:00,040 --> 00:10:01,520 Speaker 1: the year in l A. I'm happy that we're doing 185 00:10:01,559 --> 00:10:03,839 Speaker 1: this in person, and I'm sorry to throw off the 186 00:10:03,880 --> 00:10:05,760 Speaker 1: whole fucking inch. I mean, we spent like fifteen minutes 187 00:10:05,760 --> 00:10:08,079 Speaker 1: on the che because you started year, you did put 188 00:10:08,120 --> 00:10:09,640 Speaker 1: a pop them on. Now you don't want to wear 189 00:10:09,679 --> 00:10:12,400 Speaker 1: him now, Howard. No, I don't feel like like Robert 190 00:10:12,400 --> 00:10:16,559 Speaker 1: down or its like pretty in pink glasses whatever. They 191 00:10:16,559 --> 00:10:19,199 Speaker 1: are small, but you know they fit my face on 192 00:10:19,240 --> 00:10:22,880 Speaker 1: your face? Why are the glasses so sad? I don't know. 193 00:10:22,920 --> 00:10:24,920 Speaker 1: I got him at the fucking coffee shop around the corner, 194 00:10:25,600 --> 00:10:27,640 Speaker 1: but like you didn't tell me, like I just should boom, 195 00:10:27,640 --> 00:10:30,000 Speaker 1: like why are they so small? I didn't realize they 196 00:10:30,000 --> 00:10:31,760 Speaker 1: were that small until you pointed it out. I didn't 197 00:10:31,800 --> 00:10:34,400 Speaker 1: realize that I will never wear him again. I'm probably 198 00:10:34,400 --> 00:10:36,880 Speaker 1: I'm never going to wear them again. The last you'll 199 00:10:36,880 --> 00:10:40,439 Speaker 1: ever see him, literally is you will never see these again. 200 00:10:41,280 --> 00:10:42,839 Speaker 1: I'm just letting you know that you've ruined it from it, 201 00:10:42,880 --> 00:10:44,600 Speaker 1: Like now I can't even drive home with the glasses 202 00:10:44,640 --> 00:10:46,599 Speaker 1: because you've ruined it. But you're gonna wear them on 203 00:10:46,640 --> 00:10:48,439 Speaker 1: the podcast. Yeah I can't. It was the last time. 204 00:10:48,480 --> 00:10:51,400 Speaker 1: It's like it's a farewell to the glasses at this point. 205 00:10:52,120 --> 00:10:54,240 Speaker 1: You spend good money on those poets, Yeah oh yeah, 206 00:10:54,240 --> 00:10:56,160 Speaker 1: it doesn't mean you can spend three on these what 207 00:10:56,200 --> 00:10:58,360 Speaker 1: You've ruined it for every for everybody at this point too. 208 00:10:58,360 --> 00:11:01,439 Speaker 1: It so all right, but you look, thank you. I'm 209 00:11:01,480 --> 00:11:06,079 Speaker 1: all black, got my Jordan's ony, YadA YadA. Man who cares. Um, 210 00:11:06,120 --> 00:11:07,800 Speaker 1: we're here in Los Angeles. I just want to tell 211 00:11:07,800 --> 00:11:10,920 Speaker 1: you I'm happy to be in Los Angeles. Um. I 212 00:11:11,000 --> 00:11:14,280 Speaker 1: have been on the road for longer than I realized. 213 00:11:15,520 --> 00:11:20,520 Speaker 1: I went to Orlando, did four shows in Orlando. I 214 00:11:20,600 --> 00:11:23,280 Speaker 1: went to New Orleans. In two weeks in New Orleans 215 00:11:23,320 --> 00:11:27,960 Speaker 1: doing the Amy Schumer Show. Went from New Orleans, which 216 00:11:28,040 --> 00:11:29,719 Speaker 1: people say, I'm saying it right. I think I think 217 00:11:29,720 --> 00:11:32,480 Speaker 1: it's New Orleans, Nola. People say, no LA, people say 218 00:11:32,520 --> 00:11:36,880 Speaker 1: New Orleans. I thought it was New Orleans, New Orleans too, whatever, 219 00:11:37,440 --> 00:11:41,199 Speaker 1: New Orleans. Then I went from New Orleans to Phoenix. 220 00:11:41,960 --> 00:11:46,080 Speaker 1: Did five shows in Phoenix which were dope. Shout out 221 00:11:46,080 --> 00:11:50,840 Speaker 1: to everybody that came to the shows in Phoenix. How 222 00:11:50,920 --> 00:11:52,920 Speaker 1: was Phoenix? It's like, what's going on in Phoenix? Like 223 00:11:53,000 --> 00:11:59,520 Speaker 1: Phoenix is? Phoenix is dope. It is got great crowds, 224 00:11:59,559 --> 00:12:03,520 Speaker 1: great many people to dope clubs, CB Live its stand 225 00:12:03,559 --> 00:12:06,439 Speaker 1: up Live. The fans that came out were awesome. A 226 00:12:06,520 --> 00:12:10,480 Speaker 1: lot of iron wrap por stereo podcast fans. It's harder 227 00:12:10,520 --> 00:12:13,960 Speaker 1: to get a home mortgage. It's harder to get a 228 00:12:14,000 --> 00:12:16,360 Speaker 1: home mortgage loan than it is to get a gun. 229 00:12:17,760 --> 00:12:21,200 Speaker 1: In Phoenix. You can get a gun easier than you 230 00:12:21,240 --> 00:12:24,320 Speaker 1: can get a mortgage loan. Why is that day? You 231 00:12:24,400 --> 00:12:28,559 Speaker 1: know it's America? Right? And I asked the people because 232 00:12:28,559 --> 00:12:30,320 Speaker 1: you know, like you know where when were we go 233 00:12:30,360 --> 00:12:33,520 Speaker 1: to the towns. You know, you always gotta ask the crowd, 234 00:12:33,640 --> 00:12:35,800 Speaker 1: you know what's going on? And I said, is anybody 235 00:12:35,800 --> 00:12:39,960 Speaker 1: packing heating here? Because it's one thing to get Chris rocked? Right? 236 00:12:40,160 --> 00:12:41,880 Speaker 1: But what what I mean? You gotta be careful with 237 00:12:41,920 --> 00:12:43,880 Speaker 1: what you say. If someone's got like a fucking gun, 238 00:12:43,920 --> 00:12:46,120 Speaker 1: like a holster on their ankle or something, that's a 239 00:12:46,160 --> 00:12:50,200 Speaker 1: whole other level. Of my wife's name out your fucking mouth. 240 00:12:51,800 --> 00:12:55,360 Speaker 1: So I said, anybody packing heat? And nobody said nothing, 241 00:12:55,440 --> 00:12:57,800 Speaker 1: that's scary, which made me feel like everybody was packing 242 00:12:57,840 --> 00:13:01,719 Speaker 1: heat but they were dope cry out. But here's the 243 00:13:01,800 --> 00:13:05,040 Speaker 1: here's the twist, because you even said why are you 244 00:13:05,080 --> 00:13:07,840 Speaker 1: in l A? Yeah, I was wondering. I mean, the 245 00:13:07,920 --> 00:13:10,240 Speaker 1: reason why I'm in l A is because I'm I'm 246 00:13:10,240 --> 00:13:13,160 Speaker 1: on four days off. Although this is not off, especially 247 00:13:13,200 --> 00:13:16,480 Speaker 1: podcasting with you, it it almost feels like like it's like, okay, 248 00:13:17,360 --> 00:13:18,839 Speaker 1: like it's like a little bit of an arm wrestle 249 00:13:18,920 --> 00:13:20,760 Speaker 1: with you today because with the classes in the outfit, 250 00:13:21,360 --> 00:13:26,720 Speaker 1: normally it's just like something. But um, I'm heading back 251 00:13:27,280 --> 00:13:31,480 Speaker 1: to Phoenix to do an event with Gronk Gronkowsky for 252 00:13:31,600 --> 00:13:35,080 Speaker 1: the Super Bowl this weekend, which I'm excited about doing 253 00:13:35,080 --> 00:13:39,520 Speaker 1: the stuff with Gronk Gronkowski UM and some other Tony Gonzalez, 254 00:13:40,000 --> 00:13:43,720 Speaker 1: uh Tera Owens, Vernon Davis, a bunch of football players. 255 00:13:43,760 --> 00:13:47,320 Speaker 1: I'm excited about that actual event, but frightened about the 256 00:13:47,320 --> 00:13:49,600 Speaker 1: amount of people that are gonna be in Phoenix because 257 00:13:49,600 --> 00:13:53,120 Speaker 1: there's not only um, the Super Bowl going on in Phoenix, 258 00:13:53,520 --> 00:13:58,160 Speaker 1: there is the waste management golf tournament. The waste management 259 00:13:58,200 --> 00:14:02,200 Speaker 1: golf tournament is a golf tournament, which is like, I 260 00:14:02,240 --> 00:14:04,720 Speaker 1: guess it's like on steroids. It's like a golf tournament 261 00:14:04,760 --> 00:14:08,760 Speaker 1: with people there, music and all this stuff. So it's 262 00:14:08,800 --> 00:14:10,920 Speaker 1: just like it's like it's a golf with like it's 263 00:14:10,920 --> 00:14:13,680 Speaker 1: a golf on steroids. Like and one of the people 264 00:14:13,720 --> 00:14:17,560 Speaker 1: that who's gonna be at the golf tournament, uh, the 265 00:14:17,640 --> 00:14:22,000 Speaker 1: golf tournament in um Arizona is the actor Chris McDonald. 266 00:14:22,720 --> 00:14:25,760 Speaker 1: Are you talking about Shooter McGavin. I am talking about 267 00:14:25,800 --> 00:14:29,680 Speaker 1: Shooter McGavin, the legendary Shooter McGavin. She beloved, I mean, 268 00:14:30,040 --> 00:14:33,600 Speaker 1: America's sweetheart at at that point, Shooter McGavin. Everyone knows 269 00:14:33,640 --> 00:14:36,480 Speaker 1: shoot him because you said Christopher McDonald, And no disrespect 270 00:14:36,520 --> 00:14:38,920 Speaker 1: to Christoph McDonald. I think a lot of people might 271 00:14:39,000 --> 00:14:41,840 Speaker 1: know him more as Shooter McGavin than his actual name. 272 00:14:42,200 --> 00:14:47,000 Speaker 1: You should only be so lucky to have a performance 273 00:14:48,240 --> 00:14:51,760 Speaker 1: with a name that is his recognizable as Shooter McGavin. 274 00:14:51,800 --> 00:14:56,200 Speaker 1: Shooter McGavin. So, this waste management golf tournament, it's insane 275 00:14:56,200 --> 00:15:00,360 Speaker 1: and it happens every year during Super Bowl weekend, but 276 00:15:00,520 --> 00:15:03,280 Speaker 1: this year super Bowl weekend is also in Phoenix, so 277 00:15:03,440 --> 00:15:07,880 Speaker 1: it's gonna be millions of people in Phoenix, including myself 278 00:15:08,920 --> 00:15:11,600 Speaker 1: there for the ground thing, and then I'm leaving Saturday, 279 00:15:11,680 --> 00:15:14,120 Speaker 1: the day before the Super Bowl. But what I wanted 280 00:15:14,160 --> 00:15:17,000 Speaker 1: to about Chris McDonald a K shooting mcgamn let's just 281 00:15:17,040 --> 00:15:19,440 Speaker 1: call the shooter and that the real shooter, the O 282 00:15:19,600 --> 00:15:23,840 Speaker 1: g shooter, I mean, shooter McGavin, right, like, you're not 283 00:15:23,960 --> 00:15:27,160 Speaker 1: the real shooter? No, obviously not. Shooting McGavin will be 284 00:15:27,240 --> 00:15:29,720 Speaker 1: on the next IM Rapp Reports Stereo pod What wait, 285 00:15:29,760 --> 00:15:34,080 Speaker 1: are you being serious? The shooter Christopher McDonald, Chris McDonald, 286 00:15:34,440 --> 00:15:38,720 Speaker 1: the shooter who started Happy Gilmore, uh start in in 287 00:15:38,880 --> 00:15:43,400 Speaker 1: tons of movies, tons of television, dope actor, dope, funny 288 00:15:43,600 --> 00:15:46,160 Speaker 1: personality will be joining me on the I Am Rapp 289 00:15:46,160 --> 00:15:50,120 Speaker 1: Reports Stereo Pockets And I'm pumped because shoot McGavin in 290 00:15:50,120 --> 00:15:53,560 Speaker 1: Happy Gilboard. They're almost like Mickey Mouse characters, Like they're 291 00:15:53,600 --> 00:15:58,480 Speaker 1: almost like Disneyland. When I say shooter McGavin to you, 292 00:15:59,520 --> 00:16:01,520 Speaker 1: like what what happens to your blood? Just a lot 293 00:16:01,600 --> 00:16:03,840 Speaker 1: of feelings come up. I mean, I just I know 294 00:16:03,920 --> 00:16:06,280 Speaker 1: that movie inside it out. You know, I eat pieces 295 00:16:06,280 --> 00:16:10,840 Speaker 1: of ship like you for breakfast, you eat pieces of ship. No, 296 00:16:11,720 --> 00:16:14,720 Speaker 1: you know, remember that Grizzly Adams had a beard. I 297 00:16:14,720 --> 00:16:17,560 Speaker 1: mean he's buying Happy his grandmother's home and putting it 298 00:16:17,560 --> 00:16:21,440 Speaker 1: back on on the market. Tried to ruin Happy Gilmore. 299 00:16:21,560 --> 00:16:24,800 Speaker 1: I mean green jacket, gold jacket, who gives a ship? 300 00:16:24,840 --> 00:16:27,920 Speaker 1: Shoot him McGavin. That is so fucking cool. That's that 301 00:16:28,080 --> 00:16:31,680 Speaker 1: is really cool. And he's a dope actor filming dream. 302 00:16:31,760 --> 00:16:35,040 Speaker 1: He was in quiz show. I can't wait, so shoot h. 303 00:16:35,080 --> 00:16:37,480 Speaker 1: McGavin's coming on the Iron Rapp Reports Stereo podcast the 304 00:16:37,480 --> 00:16:42,200 Speaker 1: next episode. Because the response that we've gotten from the 305 00:16:42,240 --> 00:16:47,960 Speaker 1: Alec Baldwin interview, the aforementioned Unsunglassed Alec Baldwin True has 306 00:16:48,000 --> 00:16:51,000 Speaker 1: been awesome And that was one of my favorite podcasts 307 00:16:51,000 --> 00:16:53,600 Speaker 1: I think I've seen too. I appreciate I loved it, 308 00:16:53,640 --> 00:16:55,840 Speaker 1: and I'm so glad that you got it on video that. 309 00:16:56,080 --> 00:16:57,920 Speaker 1: I mean, that wasn't like he phoned it in. You 310 00:16:58,000 --> 00:17:00,760 Speaker 1: had like a fifteen minute conversation. He was person with you, 311 00:17:00,880 --> 00:17:02,800 Speaker 1: and he was like he was like a fan of yours. 312 00:17:02,840 --> 00:17:05,199 Speaker 1: Like watching that, he he was laughing like he you 313 00:17:05,200 --> 00:17:07,520 Speaker 1: could tell he you guys really admire each other. But 314 00:17:07,800 --> 00:17:10,640 Speaker 1: I just thought the craziest thing on that podcast was here, 315 00:17:10,720 --> 00:17:12,639 Speaker 1: The thing that stuck out to me the most was 316 00:17:13,240 --> 00:17:15,720 Speaker 1: that he said he has never been satisfied with a 317 00:17:15,760 --> 00:17:18,959 Speaker 1: single performance or movie that he's ever been in. That 318 00:17:19,119 --> 00:17:21,639 Speaker 1: was shocking to me. And he's like, man, you've had 319 00:17:21,680 --> 00:17:24,919 Speaker 1: some amazing performances and you've been in some incredible movies 320 00:17:25,400 --> 00:17:28,920 Speaker 1: and television to like thirty Rocks. So that's like episode 321 00:17:28,920 --> 00:17:32,040 Speaker 1: after episode where he just is not getting that that feeling. 322 00:17:32,040 --> 00:17:34,919 Speaker 1: I thought that was really interesting too. And another thing 323 00:17:34,960 --> 00:17:37,919 Speaker 1: that I want to acknowledge and talk about in regards 324 00:17:37,960 --> 00:17:39,919 Speaker 1: to the Alec Baldwin interview, and I did it at 325 00:17:39,920 --> 00:17:42,440 Speaker 1: the top of the podcast, and you know this and 326 00:17:42,440 --> 00:17:46,000 Speaker 1: I've talked about it before, but if you ever been 327 00:17:46,080 --> 00:17:47,760 Speaker 1: on a film set, a TV set, if you know 328 00:17:47,760 --> 00:17:49,680 Speaker 1: anybody who's been on a film set a TV set, 329 00:17:49,720 --> 00:17:55,240 Speaker 1: if you've studied film TV behind the scenes, for people 330 00:17:55,320 --> 00:18:01,240 Speaker 1: to be politicizing the death of that young woman the 331 00:18:01,320 --> 00:18:04,879 Speaker 1: DP on that film set and to be ridiculing and 332 00:18:05,000 --> 00:18:10,560 Speaker 1: mocking this accidental death that has changed that woman's life, 333 00:18:11,080 --> 00:18:14,520 Speaker 1: who's a mother and a wife, and a sister probably 334 00:18:14,600 --> 00:18:17,159 Speaker 1: and and a daughter and all that stuff, A crazy, 335 00:18:17,240 --> 00:18:21,320 Speaker 1: crazy accidental shooting and the fact that people politicize it 336 00:18:21,680 --> 00:18:24,000 Speaker 1: because they don't like Alec Bowman because he pisses all 337 00:18:24,040 --> 00:18:28,200 Speaker 1: over Dick Stain. Donald Trump is so indicative how stupid 338 00:18:28,720 --> 00:18:32,640 Speaker 1: people are because of everybody should shoot on Dick Stain. 339 00:18:32,640 --> 00:18:35,880 Speaker 1: Donald Trump, even if you vote for him, you should 340 00:18:35,920 --> 00:18:38,639 Speaker 1: be mocking him. He's not to be taken seriously. You 341 00:18:38,640 --> 00:18:41,160 Speaker 1: want to vote for him, vote for him my predictions 342 00:18:41,160 --> 00:18:42,920 Speaker 1: that he's coming back and he's gonna be He's gonna 343 00:18:42,920 --> 00:18:45,119 Speaker 1: be President of the United States again. But you can't 344 00:18:45,160 --> 00:18:49,119 Speaker 1: do that and not really acknowledge what he is. And 345 00:18:49,160 --> 00:18:51,720 Speaker 1: some people say, well, my crap, what about Biden? What 346 00:18:51,760 --> 00:18:54,120 Speaker 1: about if you follow me, if you come to see 347 00:18:54,160 --> 00:18:56,120 Speaker 1: my live shows, if you listen to the Iron Wrap 348 00:18:56,200 --> 00:19:01,240 Speaker 1: or stereo pockets. I always mock and acknowledge smoking Joe 349 00:19:01,240 --> 00:19:04,680 Speaker 1: Biden couldaver Joe Biden. I always do it, but to 350 00:19:05,000 --> 00:19:08,800 Speaker 1: belittle and make fun of this situation that happened, an 351 00:19:08,840 --> 00:19:12,800 Speaker 1: accidental death on a television set, a movie set, which 352 00:19:12,800 --> 00:19:15,080 Speaker 1: is all make believe. It's supposed to be make believe. 353 00:19:15,480 --> 00:19:20,440 Speaker 1: The swords aren't real. Luke Skywalker doesn't fly. Tony Soprano 354 00:19:20,520 --> 00:19:24,280 Speaker 1: is not a mobster, Denzel Washington is not a crooked cop. 355 00:19:24,880 --> 00:19:28,000 Speaker 1: Robert Downey Jr. Is not Ironman. It's all make believe. 356 00:19:28,680 --> 00:19:30,879 Speaker 1: So for that to happen on a make believe like 357 00:19:30,920 --> 00:19:34,120 Speaker 1: you're basically at a park playing on the swings, having fun, 358 00:19:34,119 --> 00:19:37,040 Speaker 1: and then this terrible accident happens, and for people to 359 00:19:37,160 --> 00:19:40,679 Speaker 1: like belittle him, mock him, bade him because of this 360 00:19:40,760 --> 00:19:43,359 Speaker 1: thing that I'm sure has changed the course of his life, 361 00:19:43,720 --> 00:19:46,919 Speaker 1: changed the course of obviously the victim's life, is just ridiculous. 362 00:19:47,000 --> 00:19:49,960 Speaker 1: It's ridiculous. It just goes to show where where we 363 00:19:50,000 --> 00:19:52,639 Speaker 1: are that people will just go to the bottom of 364 00:19:52,640 --> 00:19:55,280 Speaker 1: the bottom of the crumbs to come up with something. 365 00:19:55,560 --> 00:19:59,360 Speaker 1: All in the love of pig dick, Donald Trump, dogshit 366 00:19:59,520 --> 00:20:03,560 Speaker 1: Donald Up. Moving on right, because it always ends up 367 00:20:03,560 --> 00:20:06,840 Speaker 1: going back to him, who Donald Trump, big Dick. Yeah, 368 00:20:07,000 --> 00:20:09,080 Speaker 1: I thought you were gonna say Shooter mcgag No, But 369 00:20:09,320 --> 00:20:11,400 Speaker 1: I mean, god, I can talk about Shooter all day. 370 00:20:11,800 --> 00:20:13,880 Speaker 1: The Happy Gilmore is like one of your I love. 371 00:20:13,920 --> 00:20:15,359 Speaker 1: I mean, I just want to put on the best 372 00:20:15,400 --> 00:20:17,440 Speaker 1: of Shooter McGavin, Like, after this podcast, I just want 373 00:20:17,440 --> 00:20:19,040 Speaker 1: to watch that. Well, we're gonna have the best of 374 00:20:19,040 --> 00:20:21,880 Speaker 1: Shooter McGavin on the next guy in Wrappers Stereo podcast. 375 00:20:22,119 --> 00:20:26,679 Speaker 1: Because he's had a dope career, loves football, obviously, I 376 00:20:26,720 --> 00:20:28,919 Speaker 1: want to find out what his real love of golf is. 377 00:20:28,920 --> 00:20:31,720 Speaker 1: You know, he has a whole other side career. I'm sure. 378 00:20:32,359 --> 00:20:34,920 Speaker 1: I mean, that's like showing up to golf tournaments as 379 00:20:35,440 --> 00:20:41,080 Speaker 1: himself a k A. Shooter McGavin. There's there's Tiger Woods, 380 00:20:41,600 --> 00:20:46,840 Speaker 1: there's Jack Nicholas, Michelson Nicholas. No, Jack Nicholson's the actor. 381 00:20:47,760 --> 00:20:51,880 Speaker 1: There's there's Tiger wordsoods, there's Jack Nicholas and then shooting McGavin. 382 00:20:52,520 --> 00:21:12,280 Speaker 1: That's just the way it is, homie legend. What's been 383 00:21:12,280 --> 00:21:14,159 Speaker 1: going on with you? My friend? Not mine? Well, I 384 00:21:14,240 --> 00:21:15,679 Speaker 1: just want to say one of the things. Can we 385 00:21:15,680 --> 00:21:17,320 Speaker 1: go to his single and can you lift your your 386 00:21:17,359 --> 00:21:19,600 Speaker 1: leg up to see at least if you're gonna show 387 00:21:19,680 --> 00:21:23,160 Speaker 1: up with are those they're lint on your side? Bands? No? No, 388 00:21:23,280 --> 00:21:26,119 Speaker 1: what's this? What's this? What's that activity on your Oh 389 00:21:26,200 --> 00:21:28,240 Speaker 1: that's just that. I don't know. We don't have to 390 00:21:28,240 --> 00:21:30,440 Speaker 1: show all that, but at least like a clean side 391 00:21:30,480 --> 00:21:32,520 Speaker 1: I do. They are clean. I did laundry yesterday. I 392 00:21:32,760 --> 00:21:36,920 Speaker 1: have a cat. You know, it happens okay, okay, man, 393 00:21:37,080 --> 00:21:39,639 Speaker 1: I'm okay, okay, you can bring up the socks. Do 394 00:21:39,640 --> 00:21:41,240 Speaker 1: you have to be shipping on me the whole podcast 395 00:21:41,520 --> 00:21:43,600 Speaker 1: shipping on lint on my socks. I'm wearing a fucking 396 00:21:43,640 --> 00:21:46,600 Speaker 1: stupid glasses. I got a dumb jacket on. I'm not matching. Okay, 397 00:21:46,720 --> 00:21:49,720 Speaker 1: what's that jackets? Dumb? You were implying it? No, I 398 00:21:49,800 --> 00:21:52,040 Speaker 1: just said looking, you've been looking at the jacket. I 399 00:21:52,080 --> 00:21:55,280 Speaker 1: didn't say this outfit wasn't sufficient. I didn't say it wasn't. 400 00:21:55,280 --> 00:21:56,880 Speaker 1: You didn't say it was great. You didn't say, oh, 401 00:21:56,880 --> 00:21:59,520 Speaker 1: that's a cool outfit that you were today. No, what 402 00:21:59,560 --> 00:22:04,960 Speaker 1: did I say about clothing last night? What did I 403 00:22:05,000 --> 00:22:09,760 Speaker 1: say about clothing last night? The twin up? I said 404 00:22:09,800 --> 00:22:16,119 Speaker 1: twin up? And you said, okay, see at twelve. Okay, 405 00:22:16,680 --> 00:22:19,120 Speaker 1: fucking doing an interview with like Mini Hitler over here, 406 00:22:19,240 --> 00:22:25,120 Speaker 1: little Hitler um. Speaking of Hitler. Kyrie Irving has been 407 00:22:25,119 --> 00:22:30,440 Speaker 1: traded to the Dallas Thank you brother. Kyrie Irving has 408 00:22:30,440 --> 00:22:33,440 Speaker 1: been traded to the Dallas Mavericks. I mean he will 409 00:22:33,440 --> 00:22:39,320 Speaker 1: be playing alongside Luka Donkik and uh Tim Hartaway Jr. 410 00:22:39,440 --> 00:22:42,879 Speaker 1: Being coached by Jason Kidd for the remainder of this season. 411 00:22:43,560 --> 00:22:47,359 Speaker 1: Poor Kevin Durant is in Brooklyn going, what have I done? 412 00:22:49,400 --> 00:22:56,399 Speaker 1: This whole experiment has failed you, Kevin Durant, James Harden, you, 413 00:22:56,760 --> 00:22:59,520 Speaker 1: Kyrie Irving, you were supposed to be the glorious Big 414 00:22:59,560 --> 00:23:05,560 Speaker 1: three has just been big batch of bull dong and 415 00:23:05,680 --> 00:23:08,240 Speaker 1: Kyrie Irving is going to be sitting there playing with 416 00:23:08,280 --> 00:23:10,680 Speaker 1: Luca Luka Donkey. This is my impression of Luka Donkey. 417 00:23:10,840 --> 00:23:18,440 Speaker 1: The rest of the season, watch because these guys will 418 00:23:18,480 --> 00:23:22,159 Speaker 1: not be able to play together. Luka Donkey leads the 419 00:23:22,240 --> 00:23:25,280 Speaker 1: league in ball control. He dribbles the ball more than 420 00:23:25,320 --> 00:23:30,040 Speaker 1: anybody else in the NBA, more than Lebron, more than 421 00:23:30,119 --> 00:23:33,280 Speaker 1: John Ran, more than Stephka, everybody. He keeps the ball 422 00:23:33,320 --> 00:23:36,680 Speaker 1: in his hand. And we love Luca, but he keeps 423 00:23:36,720 --> 00:23:39,440 Speaker 1: that rocky. He dribbles the air out of that rock 424 00:23:39,480 --> 00:23:44,280 Speaker 1: more than anybody. Kyrie Irving is not an efficient ball 425 00:23:44,320 --> 00:23:47,320 Speaker 1: handler either. It's shake and bake and move and jake 426 00:23:47,520 --> 00:23:49,479 Speaker 1: Jake bake, and I'm gonna cut you up and across 427 00:23:49,520 --> 00:23:50,919 Speaker 1: the over and across the over and bring it back. 428 00:23:51,000 --> 00:23:54,400 Speaker 1: These guys are not going to work. This is not 429 00:23:54,440 --> 00:23:58,400 Speaker 1: going to work. And the fact that Kyrie Irving behaved 430 00:23:58,440 --> 00:24:01,880 Speaker 1: as a professional for the last seventy six days and thought, 431 00:24:02,880 --> 00:24:04,840 Speaker 1: everything I've done in the past is gone. I'm gonna 432 00:24:04,840 --> 00:24:06,639 Speaker 1: be Mr. Fourth quarter. I'm gonna say the right thing 433 00:24:06,680 --> 00:24:08,760 Speaker 1: to the press. I'm gonna show up. I'm gonna play 434 00:24:08,800 --> 00:24:11,840 Speaker 1: all the games for seventy six games, and after those 435 00:24:11,840 --> 00:24:15,120 Speaker 1: seventy six days, boom, give me four hundred million dollars 436 00:24:16,359 --> 00:24:18,359 Speaker 1: for four years, or whatever it is. Two give me 437 00:24:18,400 --> 00:24:21,520 Speaker 1: three hundred million dollars for four years. You're not that dude. 438 00:24:21,560 --> 00:24:26,719 Speaker 1: No one trusts you. You were in Cleveland, you stopped 439 00:24:26,760 --> 00:24:31,080 Speaker 1: talking to your teammates, You went to Boston, you said 440 00:24:31,119 --> 00:24:34,680 Speaker 1: you were gonna stay. He started shooting on the young 441 00:24:35,000 --> 00:24:39,440 Speaker 1: players of Boston. Then he left, Then he came to Brooklyn. 442 00:24:40,400 --> 00:24:43,600 Speaker 1: You and Kevin Durant have played seventy four games together 443 00:24:44,040 --> 00:24:47,040 Speaker 1: in three and a half season. Seventy four games together 444 00:24:47,080 --> 00:24:49,680 Speaker 1: in three and a half seasons. Whether it's been injuries 445 00:24:49,680 --> 00:24:53,600 Speaker 1: on your part, injuries on Kevin Durand's part, um vaccination, 446 00:24:53,800 --> 00:25:00,080 Speaker 1: UH protests being suspended for sending out documentaries that are 447 00:25:00,119 --> 00:25:03,640 Speaker 1: anti Jewish Holocaust deniers and saying you didn't see him. 448 00:25:03,680 --> 00:25:08,400 Speaker 1: You did see him it's always something. It's this that 449 00:25:08,520 --> 00:25:11,080 Speaker 1: in the third with Kyrie every and then you show 450 00:25:11,160 --> 00:25:13,720 Speaker 1: up and be a professional for seventy six days and 451 00:25:13,760 --> 00:25:16,719 Speaker 1: you're like, I should get the MAXI money for the 452 00:25:16,760 --> 00:25:20,080 Speaker 1: Maxi amount of years. And I don't know who's telling you, 453 00:25:20,119 --> 00:25:23,560 Speaker 1: like that's how the world works. It's a joke. And 454 00:25:23,600 --> 00:25:25,480 Speaker 1: you know who's sitting there left with his dick in 455 00:25:25,520 --> 00:25:31,560 Speaker 1: his hands. Kevin Durant. He's sitting there left left with 456 00:25:31,600 --> 00:25:33,760 Speaker 1: his dick in his hands. I was wondering who was 457 00:25:34,119 --> 00:25:37,359 Speaker 1: when I said, you know who's sitting there with you said? 458 00:25:37,359 --> 00:25:40,159 Speaker 1: You said who? I was wondering, Yeah, and that was awesome. No, 459 00:25:40,280 --> 00:25:44,200 Speaker 1: it was curious, like who is it? Durant? Interesting? So 460 00:25:44,440 --> 00:25:48,760 Speaker 1: they're not winning a championship in Brooklyn. The Dallas Mavericks 461 00:25:48,800 --> 00:25:52,800 Speaker 1: are winning a championship in Dallas. And you've got guys 462 00:25:52,800 --> 00:25:55,720 Speaker 1: who think I think Kyrie Irvan thinks you could play 463 00:25:55,720 --> 00:25:59,920 Speaker 1: basketball to you, seventy, this is a short ride. You've 464 00:26:00,119 --> 00:26:02,200 Speaker 1: lucky if you play to your thirty eight like Lebron James. 465 00:26:02,320 --> 00:26:07,240 Speaker 1: Lebron James is thirty eight in his twentieth season playing 466 00:26:07,240 --> 00:26:09,560 Speaker 1: at an m v P level. There, I said it, 467 00:26:10,160 --> 00:26:12,480 Speaker 1: I'll say it again. Lebron James is literally playing at 468 00:26:12,520 --> 00:26:18,000 Speaker 1: an m VP level, and he's what's the word an enigma? Right? 469 00:26:18,920 --> 00:26:21,320 Speaker 1: You know what that word means, enigmatic? It's it's somebody. 470 00:26:21,320 --> 00:26:24,320 Speaker 1: It's like, whoa, what is that? You know? I can't 471 00:26:24,359 --> 00:26:27,919 Speaker 1: figure that out? Like that's a mystery. Whoever that is? Like, 472 00:26:28,000 --> 00:26:32,360 Speaker 1: what is that? You're an enigma? You will never figure 473 00:26:32,720 --> 00:26:35,320 Speaker 1: you out. We can look at it from the outside 474 00:26:35,480 --> 00:26:37,959 Speaker 1: like whoa and appreciate that. In respect of it, it's like, 475 00:26:38,400 --> 00:26:42,680 Speaker 1: what is that? That's an enigma? That's an enigma? Right? 476 00:26:43,280 --> 00:26:46,200 Speaker 1: You got that right? Like I'll never be that and 477 00:26:46,240 --> 00:26:49,560 Speaker 1: I can't really quite understand it, but we're all wondering 478 00:26:49,600 --> 00:26:53,880 Speaker 1: what that is due that's that would be. I don't 479 00:26:53,920 --> 00:26:56,159 Speaker 1: know if that's the Webster's definition of it, but I 480 00:26:56,200 --> 00:26:58,760 Speaker 1: mean that's a pretty good definition. Yeah, pretty good break, 481 00:26:58,760 --> 00:27:03,560 Speaker 1: Thank you, thank you anyway, And the Brooklyn Nets went 482 00:27:03,560 --> 00:27:06,040 Speaker 1: out of their way not to send Kyrie Irving to 483 00:27:06,040 --> 00:27:09,639 Speaker 1: the Lakers, and I'm glad it don't work out that 484 00:27:09,680 --> 00:27:12,280 Speaker 1: we were not giving you Kyrie Irving so you can 485 00:27:12,359 --> 00:27:17,040 Speaker 1: just win another championship. And there's Kyrie Irving defenders that 486 00:27:17,080 --> 00:27:20,240 Speaker 1: are blaming the Brooklyn nets. He did this to himself. 487 00:27:21,640 --> 00:27:24,240 Speaker 1: He did. He said that him and Kevin Durant don't 488 00:27:24,240 --> 00:27:28,240 Speaker 1: need a coach. He set out almost an entire season 489 00:27:28,280 --> 00:27:32,320 Speaker 1: because of the COVID stuff. He tweeted that documentary, he 490 00:27:32,440 --> 00:27:34,760 Speaker 1: put that out and these are things again, this is 491 00:27:34,760 --> 00:27:37,680 Speaker 1: the thing that a lot of the sports commentators are 492 00:27:37,680 --> 00:27:39,919 Speaker 1: not mentioned. These are the things that we know about. 493 00:27:41,359 --> 00:27:43,560 Speaker 1: When you're that pig of a star, they cover up 494 00:27:43,600 --> 00:27:46,480 Speaker 1: for you. I am sure there's tons. I'm sure there's 495 00:27:46,480 --> 00:27:48,399 Speaker 1: a list of things that he's done that the team 496 00:27:48,440 --> 00:27:52,479 Speaker 1: has kept in the house to protect his image. This 497 00:27:52,520 --> 00:27:55,400 Speaker 1: guy is not a victim. You did this to yourself 498 00:27:55,760 --> 00:27:58,040 Speaker 1: and you're never getting that Max money and that Max 499 00:27:58,040 --> 00:28:00,719 Speaker 1: Steel Kyrie Irving because you can't beat try. You're what 500 00:28:00,760 --> 00:28:08,080 Speaker 1: we call it untrustworthy. I like that take. I don't 501 00:28:08,680 --> 00:28:10,639 Speaker 1: understand all of it, but I like it and I 502 00:28:10,680 --> 00:28:13,400 Speaker 1: respect it. What happened to your fandom of basketball? I 503 00:28:13,400 --> 00:28:15,560 Speaker 1: I don't know, I don't know. I've just I've been 504 00:28:15,560 --> 00:28:19,399 Speaker 1: so blake. Griffin. No, I didn't you love like the 505 00:28:19,400 --> 00:28:21,240 Speaker 1: Clippers and then and then I did back then when, 506 00:28:21,480 --> 00:28:23,639 Speaker 1: but I mean they suck now, No, they don't suck now. 507 00:28:24,440 --> 00:28:26,760 Speaker 1: I wouldn't know because I'm not watching, So why would 508 00:28:26,760 --> 00:28:28,520 Speaker 1: you say they suck now and then you go, oh, 509 00:28:29,160 --> 00:28:30,879 Speaker 1: I wouldn't know. Well, it's because they always get to 510 00:28:30,920 --> 00:28:33,200 Speaker 1: like the finals and then they blow it. I feel 511 00:28:33,200 --> 00:28:35,280 Speaker 1: like they've always done that because their n w A 512 00:28:36,119 --> 00:28:42,680 Speaker 1: what is that? Never winning anything? Champions? Right? Um? Speaking 513 00:28:42,720 --> 00:28:47,640 Speaker 1: of winning, did you watch the did you watch the Grammys? 514 00:28:48,120 --> 00:28:50,440 Speaker 1: Some of it? I caught clips on YouTube. I'm like, 515 00:28:50,440 --> 00:28:52,560 Speaker 1: I just don't like award shows. I could care less 516 00:28:52,600 --> 00:28:55,040 Speaker 1: about the Oscars this year. It sucks, like what the 517 00:28:55,080 --> 00:28:56,760 Speaker 1: fund is up for? Have you seen any of these 518 00:28:56,760 --> 00:28:59,120 Speaker 1: movies that have been nominated for the Oscars? And I'm 519 00:28:59,240 --> 00:29:02,840 Speaker 1: so behind pathetic. I think a lot of people though, 520 00:29:02,840 --> 00:29:04,280 Speaker 1: I think like a lot like no one's heard of 521 00:29:04,280 --> 00:29:05,920 Speaker 1: all a lot of these movies. No one started a 522 00:29:05,960 --> 00:29:08,840 Speaker 1: lot of these movies for for the Best Picture, Um, 523 00:29:08,920 --> 00:29:11,520 Speaker 1: no one started of a few of these movies for 524 00:29:11,840 --> 00:29:15,720 Speaker 1: the Best Actor, Best Actress. Um. The movie business is 525 00:29:15,720 --> 00:29:19,240 Speaker 1: in a bad, bad place. It's it's in a bad place. 526 00:29:20,760 --> 00:29:22,560 Speaker 1: Didn't you just say you went to go? I did 527 00:29:22,560 --> 00:29:26,680 Speaker 1: see some movie called after Son um about this? Like 528 00:29:26,800 --> 00:29:30,600 Speaker 1: Scottish girl named Sophie who's eleven years old, and it 529 00:29:30,640 --> 00:29:32,640 Speaker 1: takes place in the late nineties and she goes on 530 00:29:32,680 --> 00:29:37,200 Speaker 1: a on a vacation with her vacation with her father 531 00:29:38,880 --> 00:29:41,000 Speaker 1: in Turkey at this really cool resort and it's kind 532 00:29:41,000 --> 00:29:43,520 Speaker 1: of all about her. And what is it? What is 533 00:29:43,520 --> 00:29:45,560 Speaker 1: this film? Sounds good? I was just telling you about 534 00:29:45,560 --> 00:29:48,040 Speaker 1: any you fell asleep? And what is it called? It's 535 00:29:48,080 --> 00:29:51,480 Speaker 1: called after Son. Okay, maybe it's not for you, Okay, 536 00:29:51,520 --> 00:29:53,080 Speaker 1: I didn't think it was for me. While I was 537 00:29:53,160 --> 00:29:54,880 Speaker 1: watching it. An hour in, I thought this is kind 538 00:29:54,880 --> 00:29:56,520 Speaker 1: of slow. I felt the same way a little bit. 539 00:29:56,680 --> 00:29:58,760 Speaker 1: But by the end of the movie, the ending was 540 00:29:58,840 --> 00:30:01,920 Speaker 1: so powerful. It kind of took me by surprise. And 541 00:30:02,160 --> 00:30:05,000 Speaker 1: I've been thinking about it a lot. And anyway, it's 542 00:30:05,040 --> 00:30:08,600 Speaker 1: not up for any Oscars except for Best Actor. Paul 543 00:30:08,680 --> 00:30:11,720 Speaker 1: mescal He's up. Who's this actor? He's this guy from 544 00:30:11,720 --> 00:30:13,840 Speaker 1: this show called Normal People. I never saw it, but 545 00:30:13,840 --> 00:30:16,080 Speaker 1: he was in the show called Normal Point. What's Normal People? 546 00:30:16,320 --> 00:30:19,840 Speaker 1: No idea American show? I don't know, I think so. 547 00:30:20,000 --> 00:30:22,000 Speaker 1: And he's up for an Oscar. He's up for an Oscar. 548 00:30:22,000 --> 00:30:25,080 Speaker 1: Best for him? He is so good. The little girl 549 00:30:25,080 --> 00:30:27,520 Speaker 1: when it is so good. Her name is Frankie Corio 550 00:30:27,680 --> 00:30:32,560 Speaker 1: and Um, but he's he's like engaged to that singer 551 00:30:32,560 --> 00:30:36,120 Speaker 1: songwriter Phoebe Bridgers, who's that she's some some girl whatever. 552 00:30:36,160 --> 00:30:38,400 Speaker 1: You wouldn't know. You're too old for it. Well, I 553 00:30:38,400 --> 00:30:39,960 Speaker 1: I'm too old for all of it. I hear. I 554 00:30:39,960 --> 00:30:41,560 Speaker 1: watched some of the Grammy's not saying that I was 555 00:30:41,600 --> 00:30:44,800 Speaker 1: glad that they had hip hop on display. It was 556 00:30:44,840 --> 00:30:49,120 Speaker 1: the most hip hopp e Grammys that ever existed. But 557 00:30:50,200 --> 00:30:54,360 Speaker 1: I just you know, I'm looking. I still don't get 558 00:30:54,400 --> 00:30:58,040 Speaker 1: this guy. Um, Harry Styles, what is I don't know 559 00:30:58,080 --> 00:31:00,239 Speaker 1: what his deal is? Well, I mean, what was up 560 00:31:00,240 --> 00:31:02,560 Speaker 1: with him? What does he do? He's a singer, he's 561 00:31:02,600 --> 00:31:04,520 Speaker 1: a dancer singer. I don't know if he dances, but 562 00:31:04,520 --> 00:31:07,440 Speaker 1: he's like a singer. He's like a pop guy. And 563 00:31:07,440 --> 00:31:10,400 Speaker 1: and that's the best we have to offer, the same 564 00:31:10,440 --> 00:31:13,479 Speaker 1: as it was you know that song. I don't know 565 00:31:13,520 --> 00:31:16,880 Speaker 1: any of his, but that's the best we have in music. 566 00:31:17,080 --> 00:31:20,800 Speaker 1: I mean, it's Harry Styles. One direction guy is his 567 00:31:20,880 --> 00:31:23,840 Speaker 1: real last name stylen't know, I don't know. Just let 568 00:31:23,840 --> 00:31:27,080 Speaker 1: the guy live, let him accept his Grammys. And he 569 00:31:27,120 --> 00:31:29,360 Speaker 1: did that movie with Olivia Wilde that was really shitty. 570 00:31:29,400 --> 00:31:32,760 Speaker 1: Don't worry Darling. So I've so I've been told I 571 00:31:32,800 --> 00:31:35,120 Speaker 1: turned it off after like an hour and a half. Well, 572 00:31:35,200 --> 00:31:37,200 Speaker 1: obviously it wasn't that good. It wasn't It was really 573 00:31:37,200 --> 00:31:39,440 Speaker 1: not good. You're an earnest I am. And I like 574 00:31:39,560 --> 00:31:42,240 Speaker 1: slow movies too, do Yeah, I don't mind slow. I 575 00:31:42,440 --> 00:31:44,200 Speaker 1: don't mind it. I can. I mean the one that 576 00:31:44,200 --> 00:31:47,040 Speaker 1: I saw recently was pretty slow, but it was really 577 00:31:47,080 --> 00:31:49,360 Speaker 1: really good. I do recommend that it's a really good 578 00:31:49,360 --> 00:31:52,080 Speaker 1: indie flick. Have you seen anything else I saw that 579 00:31:52,640 --> 00:31:56,239 Speaker 1: I'm watching. You're watching what I'm watching because I've been 580 00:31:56,280 --> 00:31:59,560 Speaker 1: watching a lot of reality ship and and I'm watching 581 00:32:00,080 --> 00:32:02,120 Speaker 1: Milth Manner. I don't know if we talked about this 582 00:32:02,200 --> 00:32:07,680 Speaker 1: show Milth Manner. Fucking weird it is. It's like t 583 00:32:08,040 --> 00:32:10,720 Speaker 1: I love TLC. I think it's I think it's such 584 00:32:10,760 --> 00:32:14,080 Speaker 1: a slept on network, you know, people talking about HBO 585 00:32:14,160 --> 00:32:16,560 Speaker 1: and Netflix and all this ship. I'm like, I love TLC. 586 00:32:16,840 --> 00:32:20,760 Speaker 1: I love my six pound life, um, thousand pounds, thousand 587 00:32:20,760 --> 00:32:25,000 Speaker 1: pounds sisters. I'm watching that. They just started another season, right, 588 00:32:25,040 --> 00:32:27,880 Speaker 1: and but I like before the there's like fifty different 589 00:32:28,640 --> 00:32:31,360 Speaker 1: fiances by the way, but they have this new show 590 00:32:31,400 --> 00:32:33,360 Speaker 1: and they've really stooped to a new low. It's called 591 00:32:33,440 --> 00:32:35,560 Speaker 1: milth manner. They really have. And that's like for me 592 00:32:35,600 --> 00:32:37,680 Speaker 1: to say that. I'm like I'll watch anything, but this 593 00:32:37,680 --> 00:32:40,480 Speaker 1: show is like it's like Love Island. They go to 594 00:32:40,520 --> 00:32:47,200 Speaker 1: this villa. All these single mothers are meeting young kids 595 00:32:47,320 --> 00:32:49,760 Speaker 1: who are like twenty to twenty five year olds, but 596 00:32:49,840 --> 00:32:54,080 Speaker 1: the catches they're all of their sons. All. It's like 597 00:32:54,520 --> 00:32:57,360 Speaker 1: all the mothers their sons come to the island and 598 00:32:57,400 --> 00:33:00,960 Speaker 1: the sons are like hooking up with the other mothers. Wow, 599 00:33:01,120 --> 00:33:04,480 Speaker 1: And like they put blindfolds on these moms and they 600 00:33:04,520 --> 00:33:07,560 Speaker 1: have to like feel all the boys and and figure 601 00:33:07,560 --> 00:33:10,040 Speaker 1: out which one is their son to like advance like 602 00:33:10,280 --> 00:33:12,480 Speaker 1: oh yeah, like these muscles, like they're all shirtless, and 603 00:33:12,520 --> 00:33:15,200 Speaker 1: then she's like, oh yeah, that's my boy. Like it 604 00:33:15,320 --> 00:33:17,880 Speaker 1: is so it's like really fucked up. And if it 605 00:33:17,960 --> 00:33:20,720 Speaker 1: was if it was time out, time out, time time 606 00:33:20,880 --> 00:33:25,520 Speaker 1: time out, it's it's fucked Has there been any scenes 607 00:33:25,560 --> 00:33:28,560 Speaker 1: where the mother is feeling up her own son and 608 00:33:29,680 --> 00:33:32,680 Speaker 1: not well, she's like blindfolded and and she's like touching 609 00:33:32,680 --> 00:33:34,600 Speaker 1: them and she's like that's my son, and like if 610 00:33:34,760 --> 00:33:37,560 Speaker 1: she gets to get it right, they do some of 611 00:33:37,560 --> 00:33:41,080 Speaker 1: them don't get it right. But it's fucking weird. It's 612 00:33:41,160 --> 00:33:43,760 Speaker 1: it's super creepy. The women are like fifty nine years 613 00:33:43,800 --> 00:33:45,920 Speaker 1: old some of them, and the young boys are supposed 614 00:33:45,920 --> 00:33:47,800 Speaker 1: to hook up with the other moms, the other moms 615 00:33:47,840 --> 00:33:49,800 Speaker 1: and the and the other mom and they're divulging all 616 00:33:49,800 --> 00:33:52,440 Speaker 1: these personal secrets and you know, like Love Island type games. 617 00:33:52,440 --> 00:33:54,440 Speaker 1: They're all and they look young. They look like the 618 00:33:54,560 --> 00:33:58,480 Speaker 1: mothers do know the kids do The kids are like five, 619 00:33:58,480 --> 00:34:02,080 Speaker 1: they're already young, but they they're so immature. They look 620 00:34:02,120 --> 00:34:07,560 Speaker 1: really young. And um, if this was what if this 621 00:34:07,640 --> 00:34:12,840 Speaker 1: was Dilph Island, people would be up in fucking arms. 622 00:34:13,040 --> 00:34:15,640 Speaker 1: If this was like close to six year old men 623 00:34:16,120 --> 00:34:19,320 Speaker 1: with like twenty year old women. And they're like and 624 00:34:19,560 --> 00:34:22,680 Speaker 1: these mothers are like really fucking horny there. They really 625 00:34:22,680 --> 00:34:24,600 Speaker 1: want to hook up with like twenty year olds. Like 626 00:34:24,640 --> 00:34:28,359 Speaker 1: it's it's sick, Like it's weird. It's a little bit incestual, 627 00:34:28,920 --> 00:34:32,160 Speaker 1: like like the mothers are like too protective of their sons. 628 00:34:32,200 --> 00:34:35,640 Speaker 1: Like it's fucking weird. I watch everything. It's a weird show. 629 00:34:35,719 --> 00:34:38,920 Speaker 1: How many episodes of air the four and if not 630 00:34:39,000 --> 00:34:41,560 Speaker 1: even good, I can't even be like I recommend it. 631 00:34:41,640 --> 00:34:44,080 Speaker 1: There's so much drama. It's it's not they've like made 632 00:34:44,120 --> 00:34:47,120 Speaker 1: something out of nothing, but the concept is it's boring. 633 00:34:47,200 --> 00:34:50,840 Speaker 1: But you know what, excuse me. Some seasons. Some seasons, 634 00:34:50,920 --> 00:34:53,120 Speaker 1: it takes. It takes the first takes the first few 635 00:34:53,160 --> 00:34:55,879 Speaker 1: episodes to get the kinks out. I understand it. There's 636 00:34:55,920 --> 00:34:58,839 Speaker 1: one there's one woman who's a blonde. I don't want 637 00:34:58,840 --> 00:35:01,600 Speaker 1: to disrespect her. I second she she does remind me 638 00:35:02,040 --> 00:35:04,880 Speaker 1: of Nicky Glazer a little bit. She sounds like Nicky Glazer. 639 00:35:05,239 --> 00:35:07,600 Speaker 1: But if Nicky Glazer was like almost sixty and was 640 00:35:07,680 --> 00:35:11,480 Speaker 1: like burnt rubber and like had giant fake boobs, I'm 641 00:35:11,480 --> 00:35:13,799 Speaker 1: sure Nicky Glazer would take that as a compliment. She 642 00:35:13,800 --> 00:35:16,080 Speaker 1: probably wouldn't. She would probably host this show because Nicky 643 00:35:16,080 --> 00:35:18,880 Speaker 1: Glazer has got a great sense of If Nicky Glazer 644 00:35:18,920 --> 00:35:21,960 Speaker 1: was sixty with skin that looks like burnt rubber and 645 00:35:22,040 --> 00:35:24,960 Speaker 1: fake can yes, and I'm sure that Nicky Glazer would 646 00:35:24,960 --> 00:35:27,560 Speaker 1: be like, that's awesome, you know what, You're right. I 647 00:35:27,600 --> 00:35:30,359 Speaker 1: think you're right, because Nicki glazers cool. We love we 648 00:35:30,480 --> 00:35:33,960 Speaker 1: love NICKI favorite comedian, like one of my favorite comedians. 649 00:35:34,000 --> 00:35:35,879 Speaker 1: She's awesome. I love her. I think she's so fun. 650 00:35:35,920 --> 00:35:38,400 Speaker 1: So you just said one of the moms looks exactly 651 00:35:38,400 --> 00:35:41,440 Speaker 1: like exactly, but she just said she looks exactly like 652 00:35:42,280 --> 00:35:45,560 Speaker 1: she sounds like Nicky Glazer and looks exactly like like her. 653 00:35:45,640 --> 00:35:47,840 Speaker 1: She could. It's not a bad thing. It's not a 654 00:35:47,880 --> 00:35:49,880 Speaker 1: bad thing. I'm not I'm not saying in a negative 655 00:35:49,960 --> 00:35:53,520 Speaker 1: but this woman her name is Disco Mommy, and uh 656 00:35:53,640 --> 00:35:56,120 Speaker 1: she's disco Mommy and she's really horny. That sounds like 657 00:35:56,200 --> 00:35:59,880 Speaker 1: Nicky Glazer's next comedy. I swear to god she could be, Like, 658 00:36:00,000 --> 00:36:03,359 Speaker 1: I don't mean, should be she watching? Has she ever 659 00:36:03,400 --> 00:36:07,520 Speaker 1: made a special called? If not, probably will take it 660 00:36:07,600 --> 00:36:10,840 Speaker 1: for sure. Watch the show. It's really not exciting, but 661 00:36:10,880 --> 00:36:14,799 Speaker 1: it's it's the concept alone is fucking bizarre. Okay, um, 662 00:36:14,800 --> 00:36:18,120 Speaker 1: have you been watching anything else? I sat through Love 663 00:36:18,160 --> 00:36:20,120 Speaker 1: Island UK because all my friends were telling me, you 664 00:36:20,160 --> 00:36:22,080 Speaker 1: gotta watch this, you gotta watch this. First of all, 665 00:36:22,719 --> 00:36:25,520 Speaker 1: I don't know why this show is so popular. There's 666 00:36:25,560 --> 00:36:28,680 Speaker 1: I need a dumpster fire of like drama and like 667 00:36:28,760 --> 00:36:31,680 Speaker 1: people cheating on each other. This is like they're just 668 00:36:31,719 --> 00:36:33,640 Speaker 1: like going for chats, like let's go for a chat, 669 00:36:33,680 --> 00:36:35,640 Speaker 1: and they're talking and they're kissing and it's like nothing 670 00:36:35,719 --> 00:36:38,320 Speaker 1: really happens. I need like spicy ship And there's sixty 671 00:36:38,480 --> 00:36:43,160 Speaker 1: fucking episode sixty. It's insane. Are you are you watching anything? 672 00:36:43,239 --> 00:36:47,400 Speaker 1: I'm watching The Bachelor. Um, the guy on The Bachelor 673 00:36:47,400 --> 00:36:51,719 Speaker 1: has extremely big nostrils which are distracting. He's got like 674 00:36:51,880 --> 00:36:54,920 Speaker 1: ginormous Like I don't know if he like has to 675 00:36:55,000 --> 00:36:56,680 Speaker 1: like you could like see up into his break and 676 00:36:56,800 --> 00:36:59,319 Speaker 1: see you see like what he's thinking. You can see 677 00:36:59,320 --> 00:37:02,400 Speaker 1: what he's thinking with these nostrils. It's has it's just 678 00:37:02,440 --> 00:37:04,120 Speaker 1: getting started. But like I said, it takes a couple 679 00:37:04,160 --> 00:37:06,200 Speaker 1: episodes to get into the mix. I haven't seen it, 680 00:37:06,239 --> 00:37:09,480 Speaker 1: but yeah, watching that, watching my real house as a Potomac, 681 00:37:09,560 --> 00:37:13,239 Speaker 1: my real house as a Salt Lake City, watching uh 682 00:37:13,520 --> 00:37:16,040 Speaker 1: my m b A, and watching the Super Bowl. I 683 00:37:16,080 --> 00:37:34,719 Speaker 1: mean that's it all right? Podcast? So what else is 684 00:37:34,719 --> 00:37:37,759 Speaker 1: going on? When? What else you got in store this week? 685 00:37:37,800 --> 00:37:39,440 Speaker 1: Because I'm gonna be here this week and then I'm 686 00:37:39,480 --> 00:37:41,080 Speaker 1: at the top of the let's have taking care of things? 687 00:37:41,320 --> 00:37:43,200 Speaker 1: What else you have in store? Well, I can't be 688 00:37:43,280 --> 00:37:45,120 Speaker 1: here like all the time for you. I have I 689 00:37:45,200 --> 00:37:46,799 Speaker 1: have things going on in my life. I'm not like 690 00:37:46,880 --> 00:37:48,400 Speaker 1: catering to you. I don't want to feel like when 691 00:37:48,440 --> 00:37:51,040 Speaker 1: you come into town, I'm babysitting. Like I feel like 692 00:37:51,040 --> 00:37:52,719 Speaker 1: that's like kind of the vibe where it's like I'm coming, 693 00:37:52,960 --> 00:37:55,319 Speaker 1: I'm here, pick up your phone to ninety it's like funk. 694 00:37:55,400 --> 00:37:57,680 Speaker 1: It's like, okay, I hear you. So I do have 695 00:37:57,760 --> 00:37:59,799 Speaker 1: things going on in my own life. Just f y. 696 00:37:59,840 --> 00:38:02,480 Speaker 1: I that's fine. I'm happy here here, don't get me wrong. 697 00:38:02,520 --> 00:38:04,520 Speaker 1: But I do have to go to to a Disneyland 698 00:38:04,560 --> 00:38:06,360 Speaker 1: on Thursday. I don't have to go. I'm excited to go. 699 00:38:06,400 --> 00:38:13,440 Speaker 1: I'm actually really excited to go. Um stop, stop, you're thirty? 700 00:38:13,440 --> 00:38:17,120 Speaker 1: How old too? Why are you going to Disneyland? Why not? 701 00:38:17,400 --> 00:38:21,239 Speaker 1: What do you mean Disneyland? Why are you going to 702 00:38:21,280 --> 00:38:24,759 Speaker 1: disney What? What's happening to Disneyland? Well? Are you working 703 00:38:24,800 --> 00:38:26,759 Speaker 1: at Disneyland? No, I'm not working at disney I'm going 704 00:38:26,800 --> 00:38:30,640 Speaker 1: for fun, like happiest place on Earth. And what do 705 00:38:30,719 --> 00:38:33,239 Speaker 1: you mean why are you going to Disneyland? Well, my 706 00:38:33,320 --> 00:38:35,440 Speaker 1: friend works for Disney and he's always been like, let's 707 00:38:35,480 --> 00:38:37,600 Speaker 1: get some dates on the books, like let's go to Disneyland. 708 00:38:37,640 --> 00:38:39,600 Speaker 1: And I'm like, hell, yeah, you don't gotta tell me twice. 709 00:38:39,600 --> 00:38:40,960 Speaker 1: I would love to go to Disneyland. I have a 710 00:38:40,960 --> 00:38:42,759 Speaker 1: girlfriend now, so I'm like, you want to go to 711 00:38:42,760 --> 00:38:45,080 Speaker 1: disney Land. It's a romantic thing, and so I'm gonna 712 00:38:45,120 --> 00:38:48,520 Speaker 1: go with me, my girlfriend, my sister, and my friend 713 00:38:48,960 --> 00:38:50,520 Speaker 1: who works at Disney and the four of us are 714 00:38:50,520 --> 00:38:52,560 Speaker 1: gonna go because you can't third wheel. You know, I 715 00:38:52,560 --> 00:38:53,880 Speaker 1: wanted him to get a date and not go with 716 00:38:53,920 --> 00:38:57,319 Speaker 1: my sister. But so what are you looking forward to 717 00:38:57,400 --> 00:38:59,759 Speaker 1: the most out of man? That's a great question. Space 718 00:39:00,000 --> 00:39:05,480 Speaker 1: on Splash Mountain. I think they're closing down Splash Mountain. Um. 719 00:39:05,600 --> 00:39:07,040 Speaker 1: I don't know when they're closing it, but I think 720 00:39:07,040 --> 00:39:09,400 Speaker 1: it's still running. I love Indiana Jones. I love Pirates 721 00:39:09,440 --> 00:39:11,200 Speaker 1: of the Caribbean. Uh. If I have to go on 722 00:39:11,239 --> 00:39:12,560 Speaker 1: a small world, Well, you know what the thing about 723 00:39:12,560 --> 00:39:15,680 Speaker 1: this small world is air conditioning so good in a 724 00:39:15,960 --> 00:39:18,640 Speaker 1: small world. I'm sorry, No, no, I don't know what 725 00:39:18,719 --> 00:39:21,000 Speaker 1: the thing is about. It's a small world because I 726 00:39:21,000 --> 00:39:23,440 Speaker 1: haven't been on It's a small world since I was 727 00:39:23,480 --> 00:39:25,640 Speaker 1: a kid. Okay, Well, you don't gotta shame me for 728 00:39:25,640 --> 00:39:27,200 Speaker 1: wanting to. I mean, it's a fun place, and I 729 00:39:27,480 --> 00:39:29,799 Speaker 1: feel bad. I feel bad that you like look at 730 00:39:29,840 --> 00:39:31,680 Speaker 1: it in that way that you can't go, like you're 731 00:39:31,680 --> 00:39:33,560 Speaker 1: too old to go. I don't look at it like 732 00:39:33,560 --> 00:39:37,200 Speaker 1: a too old to gold Like there's there's a hundred 733 00:39:37,200 --> 00:39:40,200 Speaker 1: other things that I would rather subject myself to than 734 00:39:40,280 --> 00:39:43,960 Speaker 1: going to Disneyland, disney World or whatever. That's what makes 735 00:39:44,000 --> 00:39:46,880 Speaker 1: us different. We're different people, and I'm just telling. The 736 00:39:46,920 --> 00:39:48,879 Speaker 1: point is you asked me what I'm doing. I'm going 737 00:39:48,920 --> 00:39:51,120 Speaker 1: on Thursday, and I'm not going to be around for 738 00:39:51,200 --> 00:39:54,360 Speaker 1: you on Thursday. You're not ruining my trip to Disneyland. Okay, 739 00:39:54,440 --> 00:39:57,880 Speaker 1: I'm seeing Mickey Mouse. I'm seeing Mickey Mouse. One way 740 00:39:58,000 --> 00:39:59,799 Speaker 1: or another. I'm seeing Mickey Mouse. And as a kid, 741 00:40:00,120 --> 00:40:02,000 Speaker 1: i'd go and I'd be like, I'd bring my autograph 742 00:40:02,000 --> 00:40:03,719 Speaker 1: book because you'd get an autograph book. You'd be like 743 00:40:03,800 --> 00:40:06,600 Speaker 1: Mickey Mouse, Donald Duck. You'd go with like a sharpie 744 00:40:06,600 --> 00:40:08,799 Speaker 1: and an autograph book, and you'd pray because you get 745 00:40:08,840 --> 00:40:10,800 Speaker 1: all of them, but you pray that you get to 746 00:40:10,800 --> 00:40:14,160 Speaker 1: see Mickey and Minnie, and it would be tough. It 747 00:40:14,239 --> 00:40:16,360 Speaker 1: was like harder to get their autograph and the President 748 00:40:16,400 --> 00:40:19,040 Speaker 1: at that point, I'm going to see Mickey this time around. 749 00:40:19,560 --> 00:40:21,120 Speaker 1: I might get a phote. I'll send it to you. 750 00:40:21,280 --> 00:40:24,440 Speaker 1: But I just clock me out on Thursday. I'm not around. 751 00:40:25,560 --> 00:40:29,279 Speaker 1: So when you when you went to Disney World as 752 00:40:29,280 --> 00:40:33,160 Speaker 1: a kid, you wanted Mickey Mouse's an autograph, it was 753 00:40:33,239 --> 00:40:35,120 Speaker 1: hard because you didn't. You couldn't get it all the time. 754 00:40:35,160 --> 00:40:36,440 Speaker 1: He had a house with a line that he was 755 00:40:36,480 --> 00:40:39,399 Speaker 1: like meeting Santa Claus, like and Mickey Mouse will sign 756 00:40:39,480 --> 00:40:42,600 Speaker 1: autographs the Mickey mount know what do you mean? It's 757 00:40:42,640 --> 00:40:45,120 Speaker 1: what do you mean? It's a person and it's I 758 00:40:45,120 --> 00:40:46,920 Speaker 1: didn't as a kid, I know as a kid, I 759 00:40:46,960 --> 00:40:48,719 Speaker 1: didn't know as a kid you thought that that was 760 00:40:48,760 --> 00:40:50,879 Speaker 1: the real Mickey Mouse. As a kid, did you think 761 00:40:50,880 --> 00:40:52,920 Speaker 1: the tooth Fairy was actually the tooth Fairy? Or was 762 00:40:52,960 --> 00:40:55,840 Speaker 1: it your mom writing a letter with a five dollars attached? 763 00:40:56,080 --> 00:40:58,640 Speaker 1: What do you think? Poor thing? Not now I had 764 00:40:58,680 --> 00:41:00,920 Speaker 1: a childhood, poor thing, It sounds like you didn't have 765 00:41:00,960 --> 00:41:03,439 Speaker 1: a child. Are you? Are you bringing your little autograph book? 766 00:41:03,440 --> 00:41:05,080 Speaker 1: To know about bringing it? I'm just hoping that I 767 00:41:05,080 --> 00:41:06,960 Speaker 1: get to see him. I still want to take photos 768 00:41:07,000 --> 00:41:13,160 Speaker 1: with him, fucking Mickey Mouse. Okay, um, all right, I 769 00:41:13,200 --> 00:41:14,799 Speaker 1: did have an experience. I don't know if I told 770 00:41:14,840 --> 00:41:16,839 Speaker 1: you this. I had a weird experience. Just to just 771 00:41:16,880 --> 00:41:18,719 Speaker 1: to tell you this really quick. I don't know if 772 00:41:18,719 --> 00:41:21,880 Speaker 1: I've mentioned this. I've been selling things. I've been buying 773 00:41:21,920 --> 00:41:25,279 Speaker 1: things on Facebook, Marketplace and Craigslist and ship like that. 774 00:41:25,680 --> 00:41:27,880 Speaker 1: Have you ever done that. It's like, you know, you 775 00:41:27,960 --> 00:41:30,040 Speaker 1: go on Craigslist, you look for things, you have to 776 00:41:30,080 --> 00:41:32,400 Speaker 1: meet these people in person, all that stuff. So I've 777 00:41:32,440 --> 00:41:35,400 Speaker 1: been on Facebook Marketplace looking for a lens. I've been 778 00:41:35,400 --> 00:41:37,480 Speaker 1: in my camera gear ship. I've been like super down 779 00:41:37,560 --> 00:41:39,200 Speaker 1: with the camera stuff. So I've been looking for a 780 00:41:39,239 --> 00:41:42,799 Speaker 1: particular lens, a Sony thirty five millimeter F one point 781 00:41:42,880 --> 00:41:46,279 Speaker 1: eight lens. See this guy, he's got it. We're exchanging information. 782 00:41:46,480 --> 00:41:47,759 Speaker 1: I'm like, you know, and I've done this a couple 783 00:41:47,800 --> 00:41:50,239 Speaker 1: of times, but you also got to be wary, like 784 00:41:51,080 --> 00:41:53,520 Speaker 1: who you're dealing with. You don't know these people. The 785 00:41:53,560 --> 00:41:56,680 Speaker 1: guy I'm like, let's meet He's like, I'll meet you here, Okay, 786 00:41:56,800 --> 00:41:58,320 Speaker 1: I'll come to you. He's giving me all these different 787 00:41:58,360 --> 00:41:59,839 Speaker 1: kind of addresses. He gives me a dress to meet 788 00:41:59,880 --> 00:42:02,719 Speaker 1: him the police station. I'm like, that's weird. I thought 789 00:42:02,719 --> 00:42:04,799 Speaker 1: that was kind of weird. And he's like, I'm like, 790 00:42:04,800 --> 00:42:06,319 Speaker 1: I'm not gonna meet you there. And he's like meet 791 00:42:06,360 --> 00:42:07,839 Speaker 1: me by l A X and I was like, I'm 792 00:42:07,880 --> 00:42:09,960 Speaker 1: not going to l A X. Nope, not doing that either. 793 00:42:10,040 --> 00:42:12,239 Speaker 1: Let's me and then he sends me like another like 794 00:42:12,320 --> 00:42:14,879 Speaker 1: opposite of l A X, like Santa Monica, like off 795 00:42:14,880 --> 00:42:17,080 Speaker 1: the off the second there. I know, I know, but 796 00:42:17,120 --> 00:42:19,799 Speaker 1: I really needed this lens. I really wanted this lens. 797 00:42:19,840 --> 00:42:21,239 Speaker 1: And he was giving me a good deal, but it 798 00:42:21,719 --> 00:42:23,440 Speaker 1: was fishy. There were some red flags. And he's like 799 00:42:23,480 --> 00:42:24,640 Speaker 1: meet me at this house and I was like, I'm 800 00:42:24,640 --> 00:42:27,279 Speaker 1: gonna meet you in a public place. Let's meet at 801 00:42:27,320 --> 00:42:32,000 Speaker 1: CVS in Santa Monica public place at nine pm. Okay, done, 802 00:42:32,239 --> 00:42:34,120 Speaker 1: we pull into the parking The fact that you want 803 00:42:34,120 --> 00:42:35,960 Speaker 1: to do it at nine pm is crazy to me. 804 00:42:36,920 --> 00:42:38,200 Speaker 1: I would have been like, meet me at the Fred 805 00:42:38,280 --> 00:42:41,000 Speaker 1: Seagull parking lot at one. You know, there's a lot 806 00:42:41,000 --> 00:42:42,719 Speaker 1: of people, I understand, and there wasn't a lot of 807 00:42:42,719 --> 00:42:44,920 Speaker 1: people out here. But I got pepper Gel like you, 808 00:42:45,000 --> 00:42:46,759 Speaker 1: as you know, I have my pepper Gell in my car, 809 00:42:47,360 --> 00:42:50,040 Speaker 1: so I just knew if anything went sideways, I have that. 810 00:42:50,160 --> 00:42:52,600 Speaker 1: Oh yeah, oh yeah, you have your pepper Gel in 811 00:42:52,600 --> 00:42:55,400 Speaker 1: your car. Just say in case anything, right, you have 812 00:42:55,440 --> 00:42:57,200 Speaker 1: your pepper gel in your car to protect you in 813 00:42:57,239 --> 00:42:59,600 Speaker 1: case something happens. Yeah, in case he like brings out 814 00:42:59,600 --> 00:43:01,799 Speaker 1: a gun or something. I'm obviously got my pepper gel. 815 00:43:02,000 --> 00:43:04,239 Speaker 1: It's like, yeah, you have a gun, Well, here's my 816 00:43:04,239 --> 00:43:07,759 Speaker 1: pepper jew right. I'm glad. Right, so you understood that 817 00:43:07,760 --> 00:43:09,640 Speaker 1: I had the pepper gel, so I knew you don't 818 00:43:09,640 --> 00:43:13,000 Speaker 1: have to be concerned with the safety. Uh. But um 819 00:43:13,000 --> 00:43:14,960 Speaker 1: so I did go there. I'm glad you told me that. 820 00:43:15,080 --> 00:43:16,560 Speaker 1: I just wanted to let you know I would never 821 00:43:16,560 --> 00:43:19,959 Speaker 1: go without the jail. Okay, everybody was worried. I just didn't. 822 00:43:19,960 --> 00:43:22,799 Speaker 1: I didn't. You obviously thought it was crazy for going 823 00:43:22,800 --> 00:43:25,400 Speaker 1: without the fucking gael just meeting some stranger a nine 824 00:43:25,440 --> 00:43:29,319 Speaker 1: pm without weapon. Yes, um so I did meet him 825 00:43:29,320 --> 00:43:31,279 Speaker 1: at nine pm in the parking lot. He shows up 826 00:43:31,480 --> 00:43:33,799 Speaker 1: in like a sporty car. There's like no one in 827 00:43:33,840 --> 00:43:36,160 Speaker 1: the parking lot. It's pretty dark. It is like, not 828 00:43:36,239 --> 00:43:37,799 Speaker 1: a great place to meet. I should have met there. 829 00:43:38,080 --> 00:43:40,800 Speaker 1: There's a guy standing smoking a cigarette in one of 830 00:43:40,840 --> 00:43:42,880 Speaker 1: the parking spaces without a car there. I was like, 831 00:43:42,920 --> 00:43:45,960 Speaker 1: all right, that's kind of interesting. I get out. I'm like, 832 00:43:46,120 --> 00:43:51,759 Speaker 1: we're doing this transaction to paying and so I bring 833 00:43:51,760 --> 00:43:54,719 Speaker 1: five dollars. He's telling me about this lens he hands me. 834 00:43:54,840 --> 00:43:57,600 Speaker 1: I just want to start. You're crazy. I'm you're you're 835 00:43:57,640 --> 00:44:00,880 Speaker 1: fucking nuts. I wouldn't do that ship. I'm like, fuck it, 836 00:44:01,040 --> 00:44:02,719 Speaker 1: let's go. I'm I wanted the lens. I'm like, but 837 00:44:02,880 --> 00:44:07,439 Speaker 1: nine PM in a CVS, suck it, fuck it, you're crazy. 838 00:44:07,520 --> 00:44:08,960 Speaker 1: I was like, screw it, let's do it. I mean, 839 00:44:09,000 --> 00:44:10,359 Speaker 1: I wish I had someone like it would be cool 840 00:44:10,360 --> 00:44:11,799 Speaker 1: if you came with me or something, but you know 841 00:44:11,840 --> 00:44:14,799 Speaker 1: you got I'm going for that. I had to do 842 00:44:14,800 --> 00:44:16,440 Speaker 1: what I had to do with the The guy shows up. 843 00:44:16,480 --> 00:44:19,920 Speaker 1: He's kind of nerdy, he's probably my age thirty two. 844 00:44:20,600 --> 00:44:23,360 Speaker 1: He hands me the lens. The guy next to me 845 00:44:23,440 --> 00:44:25,799 Speaker 1: smoking the cigarette, looking at us, all this stuff he's 846 00:44:25,880 --> 00:44:27,640 Speaker 1: and this guy is going on and on, oh I 847 00:44:27,680 --> 00:44:29,920 Speaker 1: got this new job, blah blah blah blah blah, Like okay, man, 848 00:44:30,000 --> 00:44:31,440 Speaker 1: just give me the fucking lens. I looked down at 849 00:44:31,440 --> 00:44:33,080 Speaker 1: the lens and it's not the lens that I wanted. 850 00:44:33,280 --> 00:44:35,239 Speaker 1: It's a fifty five, not a thirty five. And I 851 00:44:35,280 --> 00:44:37,040 Speaker 1: have the fifty five and I'm like looking at it, 852 00:44:37,160 --> 00:44:39,319 Speaker 1: letting him finish what he's saying, and I've already paid 853 00:44:39,400 --> 00:44:41,200 Speaker 1: him at this point. I gave him five dollars and 854 00:44:41,239 --> 00:44:43,960 Speaker 1: I'm scanning the lens and I'm like, hey, like, this 855 00:44:44,000 --> 00:44:46,040 Speaker 1: isn't the lens. Man I asked for thirty five. This 856 00:44:46,120 --> 00:44:47,880 Speaker 1: is a fifty five. And he's like huh. And he's like, 857 00:44:47,920 --> 00:44:49,759 Speaker 1: oh my god, I'm so sorry. And the guy who's 858 00:44:49,760 --> 00:44:52,279 Speaker 1: smoking a cigarette next to me just so happens to 859 00:44:52,520 --> 00:44:55,160 Speaker 1: recognize me, which does not happen often. But the guy 860 00:44:55,160 --> 00:44:57,600 Speaker 1: goes shooter and he's it's like nine pm in a 861 00:44:57,640 --> 00:44:59,759 Speaker 1: parking lot at CVS, and and I'm like yo, and 862 00:44:59,800 --> 00:45:02,520 Speaker 1: he's like, oh man, the McGregor's but and he starts 863 00:45:02,719 --> 00:45:04,920 Speaker 1: listening all the videos that we're doing. The guy standing 864 00:45:04,960 --> 00:45:06,960 Speaker 1: there like, what the funk? Who are you? Like? What's 865 00:45:06,960 --> 00:45:08,600 Speaker 1: going on? So he goes, can I shake your hand? 866 00:45:08,600 --> 00:45:10,840 Speaker 1: I give him a handshake? And then this guy, you know, 867 00:45:10,920 --> 00:45:12,920 Speaker 1: that would have been an ill set up. It was 868 00:45:13,000 --> 00:45:14,880 Speaker 1: so random. That would have been an ill set up 869 00:45:14,920 --> 00:45:17,200 Speaker 1: to rob your ass. That would have been fucked up. 870 00:45:17,239 --> 00:45:19,400 Speaker 1: Have you been like shooting? The next sid goes, yeah, shoot, 871 00:45:19,719 --> 00:45:21,960 Speaker 1: give me your money. That's that's that would be so funny. 872 00:45:21,960 --> 00:45:23,799 Speaker 1: Don't even put that out there. That's scary because now 873 00:45:23,840 --> 00:45:25,279 Speaker 1: I'm not gonna want to do this again. This is 874 00:45:25,320 --> 00:45:29,480 Speaker 1: how fucking but this one choices not that's a good choice. 875 00:45:29,480 --> 00:45:31,759 Speaker 1: It was getting cooky, I understand. I was like, ship, 876 00:45:31,880 --> 00:45:34,120 Speaker 1: I've got myself in the situation. Then the guy who 877 00:45:34,160 --> 00:45:35,960 Speaker 1: I'm buying it from, all of a sudden this goes, oh, 878 00:45:36,040 --> 00:45:38,600 Speaker 1: you're famous, you're famous. Who are you? Who? Who shooter? 879 00:45:38,719 --> 00:45:40,000 Speaker 1: Who are And I was like no, no, no, man, 880 00:45:40,120 --> 00:45:42,000 Speaker 1: Like the lens, I'm like, I don't know. I was like, 881 00:45:42,000 --> 00:45:43,680 Speaker 1: I don't know what he's talking about. He listens to 882 00:45:43,719 --> 00:45:45,920 Speaker 1: this podcast whatever, and so he starts he's like clinging 883 00:45:45,920 --> 00:45:47,919 Speaker 1: on that and he goes, oh, man, I'm so sorry. 884 00:45:47,920 --> 00:45:49,600 Speaker 1: I forgot the lens in my house. Like why don't 885 00:45:49,640 --> 00:45:50,920 Speaker 1: you get in your car and follow me back to 886 00:45:50,960 --> 00:45:53,279 Speaker 1: my home? And I was like fuck And I'm like 887 00:45:53,360 --> 00:45:55,480 Speaker 1: already in it. And I'm like all right, like and 888 00:45:55,600 --> 00:45:57,000 Speaker 1: he's got my money and I'm like I need the 889 00:45:57,000 --> 00:45:59,759 Speaker 1: money back and he's like, oh, right, right of course, 890 00:45:59,800 --> 00:46:02,319 Speaker 1: and he gives me the five back. I'm following him 891 00:46:02,320 --> 00:46:04,080 Speaker 1: like a mile to his house. I'm like, fun, I'm 892 00:46:04,080 --> 00:46:06,080 Speaker 1: thinking to myself, what am I getting myself into Now 893 00:46:06,080 --> 00:46:08,480 Speaker 1: I'm driving following into this this guy's house. He gets 894 00:46:08,480 --> 00:46:10,239 Speaker 1: out of the car and I'm like, go run up 895 00:46:10,239 --> 00:46:11,480 Speaker 1: to your house and just bring it out. And he 896 00:46:11,520 --> 00:46:14,440 Speaker 1: said no, no, no, like it's kind of far the stairs, 897 00:46:14,440 --> 00:46:16,560 Speaker 1: Like can you follow me into my private parking girl? 898 00:46:16,640 --> 00:46:20,799 Speaker 1: Hell fucking no. I was like, hell fucking no. I 899 00:46:20,880 --> 00:46:24,200 Speaker 1: was like, I was like, fun, you're crazy. So he's like, 900 00:46:24,280 --> 00:46:26,960 Speaker 1: just you're you're crazy. He's like just following me and 901 00:46:27,160 --> 00:46:29,600 Speaker 1: you're fucking I hate to say, you're fucking dumb man. 902 00:46:30,320 --> 00:46:32,200 Speaker 1: You get yourself. That Hoptully sounds like he's doing some 903 00:46:32,840 --> 00:46:34,640 Speaker 1: taking him. I could have taken him without the pepper Jell. 904 00:46:34,680 --> 00:46:37,080 Speaker 1: I could have taken him, honestly, And that's me to 905 00:46:37,160 --> 00:46:39,440 Speaker 1: say that. I mean, if you're saying you're a girl, 906 00:46:39,520 --> 00:46:41,719 Speaker 1: could kill you, you're saying hand to hand you to 907 00:46:41,760 --> 00:46:43,360 Speaker 1: be his I could have done it if I had to, 908 00:46:43,680 --> 00:46:46,360 Speaker 1: for sure. That's that. It gives you a perspective, like 909 00:46:46,400 --> 00:46:48,919 Speaker 1: what he looked at my height, kind of nerdy someone 910 00:46:48,920 --> 00:46:52,880 Speaker 1: I could have taken without the Gael thank you. So 911 00:46:52,920 --> 00:46:54,799 Speaker 1: he's like following me to my parking garage just down 912 00:46:54,880 --> 00:46:57,480 Speaker 1: this dark alley. I'm like, fuck, what am I getting 913 00:46:57,480 --> 00:47:00,200 Speaker 1: myself into? He runs up, gets the lens, comes back, 914 00:47:00,200 --> 00:47:02,319 Speaker 1: and then he's like, what's your Instagram? And it goes 915 00:47:02,320 --> 00:47:04,120 Speaker 1: to my Instagram and he's like, oh man, like you 916 00:47:04,160 --> 00:47:05,800 Speaker 1: met Obama and he's showing me photos of a but 917 00:47:06,040 --> 00:47:07,880 Speaker 1: he's watching the videos that I've done with you, and 918 00:47:07,920 --> 00:47:09,520 Speaker 1: he's like, oh man. And he's like at my car, 919 00:47:09,640 --> 00:47:11,799 Speaker 1: like trying to sell me other ship. And then I'm like, dude, 920 00:47:11,800 --> 00:47:13,160 Speaker 1: I just want the lens. I want to get the 921 00:47:13,200 --> 00:47:15,040 Speaker 1: funk out of this weird parking cars. And he's like, 922 00:47:15,080 --> 00:47:16,920 Speaker 1: do you play two K? And I was like no, 923 00:47:17,040 --> 00:47:18,239 Speaker 1: and he's like, you want to come up and play 924 00:47:18,239 --> 00:47:19,360 Speaker 1: two K and hang out for a little bit. I 925 00:47:19,360 --> 00:47:20,960 Speaker 1: felt like it was a Pineapple Express. I was like 926 00:47:21,160 --> 00:47:23,279 Speaker 1: Seth Rogue and buying weed off a James Frank when 927 00:47:23,280 --> 00:47:25,040 Speaker 1: he wants to hang out on my I just give 928 00:47:25,080 --> 00:47:26,719 Speaker 1: me the fucking lens and let me go. It's ten 929 00:47:26,760 --> 00:47:28,680 Speaker 1: o'clock now I want to get the funk out of here. 930 00:47:29,239 --> 00:47:30,799 Speaker 1: He starts really trying to get me to go up 931 00:47:30,800 --> 00:47:32,760 Speaker 1: to his house. I don't know what that was about. 932 00:47:33,000 --> 00:47:36,840 Speaker 1: It was strange, but he's been messaging me on Facebook. 933 00:47:36,880 --> 00:47:39,600 Speaker 1: I have ten photos that are unanswered. I haven't read them. 934 00:47:39,640 --> 00:47:41,719 Speaker 1: There's ten photos that he sent me. I don't know 935 00:47:41,719 --> 00:47:43,840 Speaker 1: if they're nudes. I don't know what they are. I 936 00:47:43,840 --> 00:47:46,960 Speaker 1: have no idea. I'm not opening them. But it was 937 00:47:47,000 --> 00:47:49,800 Speaker 1: a very all My My point is, be careful with 938 00:47:49,840 --> 00:47:52,359 Speaker 1: who you're dealing with. I got out alive. I had 939 00:47:52,400 --> 00:47:55,520 Speaker 1: the pepper gel, thankfully, But be careful with who you're 940 00:47:55,560 --> 00:47:59,239 Speaker 1: dealing with and who you're talking to online, Craigslist, Facebook, Marketplace, 941 00:47:59,680 --> 00:48:03,840 Speaker 1: all at because it could go sideways. So you're the advocate, 942 00:48:04,080 --> 00:48:06,160 Speaker 1: I careful, be safe. I'm not. I would like to 943 00:48:06,160 --> 00:48:11,840 Speaker 1: be the face of that. So Came Saw Disrupted, kickay, 944 00:48:12,000 --> 00:48:17,200 Speaker 1: Came Saw Disrupted. I am wrapped Port Stereo podcast Myles 945 00:48:17,280 --> 00:48:19,759 Speaker 1: Jordan k the Bleach Brothers. Take us out of here 946 00:48:19,800 --> 00:48:22,239 Speaker 1: with something real nice. Take us out of here with 947 00:48:22,320 --> 00:48:28,480 Speaker 1: something real, real, real, proper. The most importantly, take us 948 00:48:28,480 --> 00:48:30,040 Speaker 1: out of here with something real. Fuck. I am wrapped 949 00:48:30,040 --> 00:48:53,120 Speaker 1: Port Stereo Pockets. I'm done.