WEBVTT - Justin Long

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<v Speaker 1>Randy Edelman. That was the other. It was Trevor Jones

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<v Speaker 1>and Randy Edelman were the main composers of The Last

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<v Speaker 1>the Mohicans. Good Old Google. See. Oh my god, I'm

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<v Speaker 1>such a ludd eyed I'm literally still going to the

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<v Speaker 1>library in my head when I need to know something

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<v Speaker 1>instead of just googling. Yeah, but that's I don't think

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<v Speaker 1>it is. I think it's like total Granny Boomer time.

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<v Speaker 1>Maybe it's both. I just don't think it's filed under

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<v Speaker 1>horse radish if I wonder if any of your listeners

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<v Speaker 1>thought you just ran to the library just now. I'll

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<v Speaker 1>be one minute, Hang on, where's my library card? We

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<v Speaker 1>edited out I was actually sitting here for forty five minutes,

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<v Speaker 1>justin take a nap. I'll be right back. Hello, I'm

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<v Speaker 1>Mini driver and welcome to many Questions. I've always loved

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<v Speaker 1>priest questionnaire. It was originally an eighteenth century parlor game

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<v Speaker 1>meant to reveal an individual's true nature. But with so

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<v Speaker 1>many questions, there wasn't really an opportunity to expand on anything.

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<v Speaker 1>So I took the format of Proof's questionnaire and adapted

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<v Speaker 1>what I think are seven of the most important questions

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<v Speaker 1>you could ever ask someone they are when and where

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<v Speaker 1>were you happiest? What is the quality you like least

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<v Speaker 1>about yourself? What relationship, real or fictionalized, defines love for you?

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<v Speaker 1>What question would you most like answered, What person, place,

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<v Speaker 1>or experience has shaped you the most? What would be

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<v Speaker 1>your last meal? And can you tell me something in

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<v Speaker 1>your life that has grown out of a personal disaster.

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<v Speaker 1>The more people we ask, the more we begin to

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<v Speaker 1>see what makes us similar and what makes us individual.

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<v Speaker 1>I've gathered a group of really remarkable people who I

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<v Speaker 1>am honored and humbled to have had a chance to

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<v Speaker 1>engage with. My guest today is the actor and podcaster

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<v Speaker 1>Justin Long. We've known each other oh long time, but

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<v Speaker 1>the reality that we have remained utter nerds about acting

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<v Speaker 1>and movies has not really changed in all that time.

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<v Speaker 1>Justin asks brilliant questions because I think he is a

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<v Speaker 1>deeply curious human being and has the kind of intellectual

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<v Speaker 1>acuity that's put to great use as an actor, but

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<v Speaker 1>it's probably wasted on it. Also, I went on his

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<v Speaker 1>podcast Life Is Short with Justin Long and we talked

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<v Speaker 1>for a really long time and it was incredibly entertaining,

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<v Speaker 1>but it also made me think about a lot of

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<v Speaker 1>things for a very long time afterwards. The episode is

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<v Speaker 1>out on July, and then when he came on my podcast,

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<v Speaker 1>this podcast, he was equally as generous and considered and hilarious. Okay, Lorry,

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<v Speaker 1>I'm going to start asking you questions, so you better

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<v Speaker 1>just get ready. I'm ready. I haven't looked at them.

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<v Speaker 1>That could be a disclaimer in case I'm stumbling to No,

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<v Speaker 1>don't worry about that. She stumbled through it. It's going

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<v Speaker 1>to be on my headstand. It's a good question. Okay. Well,

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<v Speaker 1>so now I have to ask you that what would

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<v Speaker 1>be written on your team stone Well, well, you know,

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<v Speaker 1>actually it comes up a lot on the podcast I

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<v Speaker 1>do um and it's always life is short with justin

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<v Speaker 1>long thank you. Yes, I should have done that. That's

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<v Speaker 1>a professional podcaster. I should have It's only been two years.

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<v Speaker 1>You're not to plug my own ship. It would come

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<v Speaker 1>up at the end because I would say, what type

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<v Speaker 1>of legacy do you want to leave behind? What do

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<v Speaker 1>you hope people remember? But it would come on the

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<v Speaker 1>heels of this, like lightning round their uniform questions, and

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<v Speaker 1>it always through the guests, and not necessarily in a

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<v Speaker 1>good way. When you go through the you know, what's

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<v Speaker 1>your favorite movie, and you your favorite fruits and all

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<v Speaker 1>this stuff, and then it would get to this kind

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<v Speaker 1>of nebulous question about being remembered, and I love it.

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<v Speaker 1>It's like, what's your favorite snack? Watch, favorite movie? And

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<v Speaker 1>now I want you to contemplate. Yeah, your existence. I

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<v Speaker 1>know it was always like, oh, people were pretty game

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<v Speaker 1>about it, but it was like I could see it throwing,

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<v Speaker 1>really throwing them. I mean, obviously I saw written on

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<v Speaker 1>a tombstone that I then went and found where it

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<v Speaker 1>came from because it was so beautiful and I knew

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<v Speaker 1>it must have been part of something else. And it's

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<v Speaker 1>the last lines of this poem to be held by

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<v Speaker 1>a woman called Linda Hogan. And on the tombstone it said,

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<v Speaker 1>waiting for the healing after the storm which has been

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<v Speaker 1>our life. Wow, Oh my god, how much that says

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<v Speaker 1>and how much is left to the imagination about that life. Wow,

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<v Speaker 1>it's the most beautiful poem stand laurels is and I'm

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<v Speaker 1>probably gonna bastardize it, but it says something like he

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<v Speaker 1>brought joy to the world that he loved so much. Oh,

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<v Speaker 1>it's so sweet. There's one in Key West. It just

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<v Speaker 1>says I told you I was sick. And I think

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<v Speaker 1>about that one often because it leaves behind. I mean,

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<v Speaker 1>it is the highest degree of permanence I can imagine,

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<v Speaker 1>and that for centuries, people who see that will just

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<v Speaker 1>assume that whoever's under that rock was cheeky and had

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<v Speaker 1>a good sense of humor. You know. I like that.

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<v Speaker 1>Where and when were you happiest? You know what? Honestly,

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<v Speaker 1>I had a moment recently, about a month ago in Arkansas.

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<v Speaker 1>I was taking a drive with a friend and we

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<v Speaker 1>were kind of following signs. We kept finding all these

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<v Speaker 1>really interesting or funny, bizarre signs, literal signs on the

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<v Speaker 1>side of the road, above a storefront graffitied somewhere. I

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<v Speaker 1>just felt very connected to this person, and I felt

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<v Speaker 1>very free and safe. And we had been laughing so much,

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<v Speaker 1>and it was our day off and we were shooting

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<v Speaker 1>this thing, and it it was we had a day off,

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<v Speaker 1>and the sky it was just beautiful, and I was

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<v Speaker 1>thinking about my grandma, who passed away recently a lot,

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<v Speaker 1>and she had given me a sign that she was

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<v Speaker 1>okay and had passed, And so I think that it

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<v Speaker 1>was that day. It was May fourth, that might not

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<v Speaker 1>be interesting, but it was. It was profound to me. No, no, no, no,

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<v Speaker 1>of course it is. I mean we talked a little

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<v Speaker 1>bit about this when I did your podcast. But the

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<v Speaker 1>looking for signs, we seek out those people who have

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<v Speaker 1>gone because oh, sweet little human brains so desperately need

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<v Speaker 1>to physicalize them because we're still here in this reality.

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<v Speaker 1>But I'm a big believer in signs. I thought at

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<v Speaker 1>first you might mean you were following road signs, but

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<v Speaker 1>then the signs actually turned into signs. No, not not.

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<v Speaker 1>In fact, we were lost. We had gotten lost, and

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<v Speaker 1>we turned off our GPS, and uh, there's a real

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<v Speaker 1>purity to not knowing. Sometimes it made us more connected,

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<v Speaker 1>and it made us more aware and present to the surroundings,

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<v Speaker 1>which included, as it turns out, these like really not

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<v Speaker 1>always that bizarre signs. Like for example, we found one

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<v Speaker 1>for like piglets for sale on the side of the road,

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<v Speaker 1>and we looked at each other and like piglets in

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<v Speaker 1>this big farm, sprawling farmhouse, and we said, should we

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<v Speaker 1>are we should we go? Should we go? And we're like, well, yeah,

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<v Speaker 1>we just kept like going and we met this the

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<v Speaker 1>most beautiful pig pigs. Well, we did meet the pigs,

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<v Speaker 1>several pigs. I like that you just followed the things

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<v Speaker 1>that you saw. Yes, I always want signs on the freeway.

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<v Speaker 1>Whenever it's like, you know, put your seatbelt on. I'm

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<v Speaker 1>always hoping that it's secret you going to say, you know,

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<v Speaker 1>sell everything and buy a boat. Oh that's funny. Yeah,

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<v Speaker 1>I know, very specific to you, exactly driver, any person

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<v Speaker 1>in the fucking one. Yes, well, yours could be it

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<v Speaker 1>could be like driver, beware, you know that's true. What

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<v Speaker 1>is the quality you least like about yourself? There are

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<v Speaker 1>several I'm trying to pick just one. I am, well,

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<v Speaker 1>I'm quite scattered. I'm quite um. I guess the easy

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<v Speaker 1>clinical way out would be to say I'm a d D.

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<v Speaker 1>Maybe listeners can tell already that I'm it's hard for

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<v Speaker 1>me to focus in work. That can be a problem, obviously,

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<v Speaker 1>although weirdly when i'm when I have it. That's this

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<v Speaker 1>is why I'd love to mow the lawn or I

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<v Speaker 1>love tasks like that. I of like manual labor tap

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<v Speaker 1>because there's a clarity to it. There's a clear agenda,

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<v Speaker 1>you know. I find comfort in that knowing that, Okay,

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<v Speaker 1>this amount of grass needs to be cut and this

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<v Speaker 1>is how you cut it, and there's something very satisfying

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<v Speaker 1>about that. I couldn't agree more. I think it makes

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<v Speaker 1>you feel safe as well, because it's somehow there are

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<v Speaker 1>boundaries created around time, so you know that for this period,

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<v Speaker 1>you know exactly what you're doing. It's white like being

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<v Speaker 1>an actor is just such a monstrous free fall when

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<v Speaker 1>you don't know where the next job is coming from.

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<v Speaker 1>It unless you're one of you know, sort of a

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<v Speaker 1>handful of actor. Maybe you're in that handful. I'm certainly not. No, no,

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<v Speaker 1>I know exactly, but I totally understand why you knowing

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<v Speaker 1>I am going to mow the lawn now. It's both

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<v Speaker 1>satisfying and safe feeling. In fact, I heard Julie Roberts

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<v Speaker 1>say once on a radio show or something. She said,

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<v Speaker 1>the best time for an actor is the time between

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<v Speaker 1>when you know you've got a job and the time

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<v Speaker 1>that job starts. Oh that's that's not agree more. Where

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<v Speaker 1>you're just you're following, not worried, and you're excited. Yes, yes,

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<v Speaker 1>there's a security. Your feet are planted. It's definitive. There's

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<v Speaker 1>something definitive totally. What relationship, real or fictionalized, defines love

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<v Speaker 1>for you. First of all. At the heart of every

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<v Speaker 1>great relationship, I think is just a real sense of enjoyment.

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<v Speaker 1>There's you really fucking just like being around somebody, and

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<v Speaker 1>there's a mutual curiosity about one another, you know. I

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<v Speaker 1>think that's That's something that I only recently came to appreciate,

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<v Speaker 1>how how much you want to know things about about

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<v Speaker 1>a person. It's usually in movies, sadly, I mean, I

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<v Speaker 1>don't know what that says about the relationships I've had,

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<v Speaker 1>but you know, I have like wonderful others and parents,

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<v Speaker 1>but it's it's in the movies where this is I

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<v Speaker 1>think one of the reasons I love movies, where you know,

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<v Speaker 1>you get to you get to witness. This is going

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<v Speaker 1>to sound very pretentious, but I think of like the

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<v Speaker 1>platonic forms, you know, like there's a form of relationship

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<v Speaker 1>that is perfect, and we're all aspiring to that form.

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<v Speaker 1>Every relationship aspires to that and nothing and only in

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<v Speaker 1>movies can it really be perfect, because it ends it's

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<v Speaker 1>so true. I mean, the aspiration to me perfect here

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<v Speaker 1>is mired by compromise. But in the in the films,

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<v Speaker 1>I was too jealous of Madeline Stowe to really embrace

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<v Speaker 1>her in the Last the Mohicans. But like for me,

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<v Speaker 1>the way that dandey Lewis talks to her under the Waterfall,

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<v Speaker 1>I will find you no matter what happens. So long

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<v Speaker 1>I just I mean, I'm sure she's a very nice person.

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<v Speaker 1>But oh my god, that should have been me. I

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<v Speaker 1>think that about Daniel day Lewis should have been me.

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<v Speaker 1>That was my part. It should have been under the waterfall. Yeah,

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<v Speaker 1>oh my god, people be so mad. God that might

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<v Speaker 1>be when it comes to like romance and relationship. That

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<v Speaker 1>might be the perfect scene. There's there's a desperation, yes,

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<v Speaker 1>to end up in the woods with the person who

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<v Speaker 1>is the last of his kind. You're joking and make

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<v Speaker 1>little babies all day and like hunt sign me up.

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<v Speaker 1>The stakes couldn't be higher, stakes can be not not

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<v Speaker 1>to compare myself to that scene or but I said

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<v Speaker 1>that recently to someone like I need you to and

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<v Speaker 1>it was mutual. I hope that. But that the idea

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<v Speaker 1>that like, don't just be I mean we say it

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<v Speaker 1>all the time to loved ones, be safe, but it's

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<v Speaker 1>that it's that not as heightened. But he says, the

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<v Speaker 1>word occurred, no matter what, stay alive, no matter what

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<v Speaker 1>occurred alive no matter what, you will fold you. Oh

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<v Speaker 1>my god, I just don't die, Like stay here, you

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<v Speaker 1>know that's really beautiful. I know, be here, don't go

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<v Speaker 1>in your life. Can you tell me about something that

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<v Speaker 1>grew out of a personal disaster. Yes, I had a

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<v Speaker 1>had an experience where I was some kid held against

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<v Speaker 1>my will and I had smoked what I thought was weird.

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<v Speaker 1>It turned out to be something else, something really debilitating

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<v Speaker 1>and scary. It was scary, and I jumped out of

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<v Speaker 1>a car to get away, and I was like, run over.

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<v Speaker 1>You jumped out of the car to get away. Like,

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<v Speaker 1>first of all, good job being super high being able

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<v Speaker 1>to jump out of the car. But then did you

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<v Speaker 1>also that you managed to unlock the door and get out,

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<v Speaker 1>and then you got hit by another car when you

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<v Speaker 1>jumped out? No, no, no, because what happens when you

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<v Speaker 1>chumped out of a car. It was it was It

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<v Speaker 1>wasn't going, it wasn't speeding down. It was going like

0:12:55.320 --> 0:12:57.640
<v Speaker 1>an hour around streets. It was three in the morning,

0:12:57.679 --> 0:13:00.200
<v Speaker 1>so there weren't really cars. But I saw head it's

0:13:00.200 --> 0:13:03.959
<v Speaker 1>coming and I I opened the door. Uh, and I

0:13:03.760 --> 0:13:05.600
<v Speaker 1>and when you jump out of a car, for those

0:13:05.600 --> 0:13:07.400
<v Speaker 1>of a few of you who haven't done it. You

0:13:07.440 --> 0:13:09.720
<v Speaker 1>don't land on your feet, you know, unless you're like

0:13:09.920 --> 0:13:13.200
<v Speaker 1>Spider Man. I've rolled and one of the wheels rolled

0:13:13.200 --> 0:13:16.120
<v Speaker 1>over my leg, and so I really obviously sucked up

0:13:16.160 --> 0:13:18.080
<v Speaker 1>my leg, but but I was able to move, I

0:13:18.120 --> 0:13:20.240
<v Speaker 1>was able to get up on it. I did nothing broken,

0:13:20.320 --> 0:13:23.400
<v Speaker 1>which is miraculous. The doctor the next day was like, well,

0:13:23.400 --> 0:13:26.800
<v Speaker 1>it's probably because you bought. You were so messed up.

0:13:26.920 --> 0:13:30.079
<v Speaker 1>You know, your body is not tight um or whatever

0:13:30.320 --> 0:13:32.920
<v Speaker 1>this is. So this experience happened, very frightening thing. But

0:13:33.000 --> 0:13:35.680
<v Speaker 1>out of that I thought about it often, and obviously

0:13:35.760 --> 0:13:39.199
<v Speaker 1>it affected me, and here I am, fourteen years later

0:13:39.320 --> 0:13:43.040
<v Speaker 1>later talking about it. But it helped me appreciate boundaries

0:13:43.200 --> 0:13:45.800
<v Speaker 1>and the way I moved through the world. I was

0:13:45.880 --> 0:13:48.079
<v Speaker 1>very trusting of people, which is not to say I'm

0:13:48.160 --> 0:13:50.840
<v Speaker 1>jaded and cynical now, but I think it just it

0:13:50.880 --> 0:13:54.280
<v Speaker 1>gave me an appreciation for boundaries and protecting my own

0:13:54.480 --> 0:13:57.800
<v Speaker 1>time and space. And I had a tremendous amount of guilt.

0:13:57.920 --> 0:14:00.520
<v Speaker 1>I have a lot of guilt about things. I think

0:14:00.520 --> 0:14:02.720
<v Speaker 1>I waste a lot of time. Why do you feel

0:14:02.760 --> 0:14:05.240
<v Speaker 1>guilty that I did it? Out of guilt? It was

0:14:05.280 --> 0:14:07.160
<v Speaker 1>the guys. This is part of the long story. But

0:14:07.160 --> 0:14:09.439
<v Speaker 1>but the guys that wanted me to smoke, they had

0:14:09.559 --> 0:14:11.520
<v Speaker 1>approached me at a bar. I had been there at

0:14:11.720 --> 0:14:13.520
<v Speaker 1>the bar a couple of nights earlier with a friend

0:14:13.559 --> 0:14:15.920
<v Speaker 1>and I have to tell his name, this name dropping,

0:14:16.000 --> 0:14:17.679
<v Speaker 1>but I have to say it was. It was Steve Boushemy.

0:14:17.760 --> 0:14:21.160
<v Speaker 1>And only because Steve gets so much attention, you know,

0:14:21.200 --> 0:14:22.960
<v Speaker 1>from people, that they had to kind of put us

0:14:22.960 --> 0:14:25.960
<v Speaker 1>in a back room because he's so recognizable. And so

0:14:26.000 --> 0:14:27.760
<v Speaker 1>we had we were like kind of in this room

0:14:27.840 --> 0:14:29.360
<v Speaker 1>off to the side, and it was like it was

0:14:29.400 --> 0:14:32.600
<v Speaker 1>just like a pubby type place, Irish pub. And a

0:14:32.640 --> 0:14:34.440
<v Speaker 1>couple of days later, I was back at the bar

0:14:34.520 --> 0:14:37.560
<v Speaker 1>and these two guys locals approached me and said, the

0:14:37.600 --> 0:14:39.560
<v Speaker 1>funk man, you said you wanted weed. And when we

0:14:39.600 --> 0:14:41.320
<v Speaker 1>came back to get it, like you were in some

0:14:42.040 --> 0:14:44.800
<v Speaker 1>some like v I p areas somewhere we couldn't and

0:14:44.840 --> 0:14:46.120
<v Speaker 1>we went all the way to get and I said,

0:14:46.160 --> 0:14:48.480
<v Speaker 1>you know, and oh, I'm so sorry, and I bought

0:14:48.520 --> 0:14:50.200
<v Speaker 1>them shots, you know, like to make up for it.

0:14:50.200 --> 0:14:52.040
<v Speaker 1>And throughout the night they come over to me and

0:14:52.520 --> 0:14:54.560
<v Speaker 1>the friends I was with and they would oh, this

0:14:54.960 --> 0:14:57.800
<v Speaker 1>this Hollywood guy. He's a Hollywood guy and they and

0:14:57.960 --> 0:14:59.960
<v Speaker 1>my thing at that point was like I just want

0:15:00.000 --> 0:15:03.120
<v Speaker 1>everything to be normal. I just want And that led

0:15:03.160 --> 0:15:04.680
<v Speaker 1>to them being like, well, you're not going to smoke

0:15:04.720 --> 0:15:08.920
<v Speaker 1>with us? Oh my good god. Oh yeah yeah, I'll

0:15:08.960 --> 0:15:12.520
<v Speaker 1>have some Oh yeah, yeah, I just love You're just

0:15:12.640 --> 0:15:15.120
<v Speaker 1>so sweet, like you know, oh, you're not going to

0:15:15.240 --> 0:15:17.120
<v Speaker 1>smoke with us? Oh no, sure, I don't want to

0:15:17.120 --> 0:15:19.800
<v Speaker 1>offend you said, you know you're smoking. They're like weird

0:15:20.320 --> 0:15:25.320
<v Speaker 1>Catchaman like Crystal with it was PCPs, I think. But

0:15:25.360 --> 0:15:27.600
<v Speaker 1>they took me to their apartment. We were all going

0:15:27.640 --> 0:15:29.120
<v Speaker 1>to go to a Cassino. I mean, I got wrapped

0:15:29.160 --> 0:15:31.200
<v Speaker 1>up in these guys. And look, I'm not blaming. It's

0:15:31.200 --> 0:15:34.600
<v Speaker 1>not on them. You know, I have agency and so

0:15:34.720 --> 0:15:37.040
<v Speaker 1>much of what compelled me and that in that night,

0:15:37.120 --> 0:15:40.320
<v Speaker 1>that kind of like scary night was was guilt wanting

0:15:40.360 --> 0:15:42.600
<v Speaker 1>to please and it's ego. I mean, it really is

0:15:42.600 --> 0:15:45.440
<v Speaker 1>ego wanting to be liked. I know, it wanted to

0:15:45.440 --> 0:15:49.640
<v Speaker 1>be like yeah, I think so many women that I

0:15:49.760 --> 0:15:54.840
<v Speaker 1>know would understand that the conversations that we've had about

0:15:55.600 --> 0:15:57.760
<v Speaker 1>the things that you do just because you don't want

0:15:58.040 --> 0:16:01.280
<v Speaker 1>people to not like you. We've been called I oh,

0:16:01.360 --> 0:16:03.520
<v Speaker 1>she's such a bit. So much when you don't do

0:16:03.600 --> 0:16:05.640
<v Speaker 1>the thing that people want you to do, that it

0:16:05.680 --> 0:16:08.760
<v Speaker 1>becomes so tiresome and so toxic that you just end

0:16:08.840 --> 0:16:10.320
<v Speaker 1>up doing the thing that you don't want to do

0:16:11.120 --> 0:16:15.000
<v Speaker 1>just to feel like you're not being bad. It's it's awful.

0:16:15.560 --> 0:16:18.640
<v Speaker 1>It's a fragile part of being human though, it really is.

0:16:19.480 --> 0:16:22.280
<v Speaker 1>I know it's something I want to work on. I

0:16:22.320 --> 0:16:24.120
<v Speaker 1>have a friend who's so good at it, is so

0:16:24.280 --> 0:16:28.200
<v Speaker 1>honest and and knows how to and is not as

0:16:28.240 --> 0:16:31.800
<v Speaker 1>concerned with what people think. Love. I'm so glad you

0:16:31.800 --> 0:16:36.000
<v Speaker 1>didn't end up as somebody's coat. You know, I'd be

0:16:36.040 --> 0:16:38.280
<v Speaker 1>a terrible coat. I mean I'm glad for them too.

0:16:38.520 --> 0:16:46.600
<v Speaker 1>I wouldn't make a good coat. Okay, So what question

0:16:46.680 --> 0:16:51.000
<v Speaker 1>would you most like answered? What? Yeah? I mean like

0:16:51.160 --> 0:16:54.880
<v Speaker 1>for it's what happens afterwards. I think that's the easy

0:16:54.920 --> 0:16:58.080
<v Speaker 1>one for me. What happens to us? What do you

0:16:58.120 --> 0:17:01.840
<v Speaker 1>think happens? I change is all the time, depending on what,

0:17:02.080 --> 0:17:05.159
<v Speaker 1>depending on people I've lost and things that I've experienced,

0:17:05.200 --> 0:17:08.400
<v Speaker 1>any sort of mystical moments I've had, I'll go from

0:17:08.480 --> 0:17:13.679
<v Speaker 1>full doubt to skeptical to to I believe in something,

0:17:13.760 --> 0:17:16.600
<v Speaker 1>to something very concrete, you know. I but I don't

0:17:16.640 --> 0:17:19.440
<v Speaker 1>know because I grew up Catholic, and the one comforting

0:17:19.440 --> 0:17:21.760
<v Speaker 1>thing about that was, you know, there was a structure

0:17:21.760 --> 0:17:23.760
<v Speaker 1>to it in terms of the afterlife. There was a

0:17:23.800 --> 0:17:27.320
<v Speaker 1>heaven and a hell. And I remember leaving in a

0:17:27.359 --> 0:17:30.159
<v Speaker 1>purgatory that to me was the clear structure. It was

0:17:30.200 --> 0:17:32.960
<v Speaker 1>like this three levels, you know, and St. Peter was

0:17:33.000 --> 0:17:36.040
<v Speaker 1>at the gates. I mean, I believed all that stuff.

0:17:36.040 --> 0:17:39.760
<v Speaker 1>And you know, over the years and as you've discovered

0:17:39.840 --> 0:17:42.760
<v Speaker 1>things that changes. There's certain things that like make me

0:17:42.960 --> 0:17:46.240
<v Speaker 1>feel it's just so different about existence and the existence

0:17:46.240 --> 0:17:48.280
<v Speaker 1>of aliens, for example. I mean, I don't know how

0:17:48.400 --> 0:17:53.520
<v Speaker 1>Christians and religious people will reconcile that. How does extreme

0:17:53.880 --> 0:17:59.680
<v Speaker 1>extreme religion make room for aliens doing what we come from,

0:17:59.680 --> 0:18:02.200
<v Speaker 1>where you come from is where we're going, pre birth

0:18:02.280 --> 0:18:07.119
<v Speaker 1>and post life. I am probably the least qualified, but

0:18:07.200 --> 0:18:10.720
<v Speaker 1>I I you're qualified because you're alive, right, But that's

0:18:10.720 --> 0:18:13.520
<v Speaker 1>the thing about being alive. And I love watching the

0:18:13.680 --> 0:18:16.920
<v Speaker 1>nature programs. I love watching anything about animals, and I

0:18:17.000 --> 0:18:19.040
<v Speaker 1>think there's something there's such a harshness, there's such a

0:18:19.040 --> 0:18:22.080
<v Speaker 1>harsh reality when you watch those things I always think of.

0:18:22.240 --> 0:18:24.760
<v Speaker 1>There's that Tennis and nature is read and tooth and claw.

0:18:24.840 --> 0:18:28.439
<v Speaker 1>And I was watching this show about the gelopagus and

0:18:28.520 --> 0:18:30.359
<v Speaker 1>they were talking about one of those kind of sea

0:18:30.520 --> 0:18:33.200
<v Speaker 1>coastal birds. It was the most savage thing I think

0:18:33.240 --> 0:18:36.480
<v Speaker 1>i'd ever seen. Where were the mother at lays two

0:18:36.520 --> 0:18:39.440
<v Speaker 1>eggs and when they hatch the lesser of the two,

0:18:39.480 --> 0:18:42.840
<v Speaker 1>one of them gets pushed out. God, I'm sorry if

0:18:43.280 --> 0:18:46.480
<v Speaker 1>this must be a real bummer, if anyone's still listening, Uh,

0:18:46.520 --> 0:18:48.720
<v Speaker 1>this is a real bum But but it struck me.

0:18:48.760 --> 0:18:50.639
<v Speaker 1>I mean it was like, That's why I say it's

0:18:50.640 --> 0:18:52.199
<v Speaker 1>fluid the way I think about this, because like I

0:18:52.240 --> 0:18:54.880
<v Speaker 1>can't reconcile there being a god, you know when when

0:18:55.200 --> 0:18:57.960
<v Speaker 1>I watch things like that, that the harshness of that,

0:18:58.040 --> 0:19:01.080
<v Speaker 1>and and that maybe that's just what distances. There's a

0:19:01.119 --> 0:19:04.240
<v Speaker 1>weird beauty in it. In the death there is this

0:19:04.800 --> 0:19:08.720
<v Speaker 1>Wordsworth quote is my favorite quote on nature. Nature never

0:19:08.760 --> 0:19:12.399
<v Speaker 1>did betray the heart that loved her, And I don't know,

0:19:12.480 --> 0:19:14.440
<v Speaker 1>getting pushed out of a nest like that shore feels

0:19:14.440 --> 0:19:18.520
<v Speaker 1>like a bit of a betrayal to me. But we

0:19:18.600 --> 0:19:22.640
<v Speaker 1>also remember we put a lot of this human emotion.

0:19:23.040 --> 0:19:26.040
<v Speaker 1>We attach that to these things that happen in nature.

0:19:26.040 --> 0:19:28.399
<v Speaker 1>Whereas I think I do believe in God, but I

0:19:28.440 --> 0:19:31.880
<v Speaker 1>just don't think he she it. I think it's energetic,

0:19:31.880 --> 0:19:34.600
<v Speaker 1>and it just set in motion this kind of experiment.

0:19:35.080 --> 0:19:38.280
<v Speaker 1>And you don't interfere with experiments, you know, when I've

0:19:38.320 --> 0:19:40.560
<v Speaker 1>been out in the field and wanted to interfere in

0:19:40.640 --> 0:19:43.000
<v Speaker 1>situations with animals, like to save an animal but that

0:19:43.040 --> 0:19:45.480
<v Speaker 1>you know is about to be an attack, and they're like, no, no, no,

0:19:45.880 --> 0:19:47.760
<v Speaker 1>you have to let that happen. And you can't save

0:19:47.800 --> 0:19:49.560
<v Speaker 1>the dying animal. You have to let it be part

0:19:49.640 --> 0:19:54.840
<v Speaker 1>of the chain. My dad is a philosophy professor, medieval philosophy,

0:19:54.840 --> 0:19:57.280
<v Speaker 1>and and a lot of that is really obviously outdated now.

0:19:57.359 --> 0:20:00.399
<v Speaker 1>But I loved a quintas is you he leaved in.

0:20:00.640 --> 0:20:03.480
<v Speaker 1>I think he caught it the teleological argument for the

0:20:03.480 --> 0:20:06.000
<v Speaker 1>existence of God, which is the design of everything. The

0:20:06.080 --> 0:20:10.080
<v Speaker 1>design of this world is so perfect that that it

0:20:10.520 --> 0:20:13.280
<v Speaker 1>had to have been it had to have been created

0:20:13.280 --> 0:20:15.720
<v Speaker 1>by something, It had to have had a hand of Yeah,

0:20:15.760 --> 0:20:18.600
<v Speaker 1>and I think that's sometimes in nature. Yeah, I agree.

0:20:18.800 --> 0:20:22.320
<v Speaker 1>It's definitely where I feel most alive and most connected

0:20:22.359 --> 0:20:25.480
<v Speaker 1>and most understanding of this journey that we don't know

0:20:25.520 --> 0:20:27.840
<v Speaker 1>why it starts, we don't know why it ends, or

0:20:27.960 --> 0:20:29.879
<v Speaker 1>like what if there's a point to it. But I

0:20:29.920 --> 0:20:32.280
<v Speaker 1>do know that when I'm in nature, it makes complete

0:20:32.280 --> 0:20:34.360
<v Speaker 1>sense of it, and it's like, oh, I'm I'm here

0:20:34.400 --> 0:20:37.480
<v Speaker 1>and I'm part of this. Yes, yes, well you're talking

0:20:37.480 --> 0:20:41.080
<v Speaker 1>about ego. I think that's is what fails us, is

0:20:41.080 --> 0:20:43.840
<v Speaker 1>our idea that it's meant to be more important. You know,

0:20:44.119 --> 0:20:47.720
<v Speaker 1>it's like when like human beings. I think I said

0:20:47.720 --> 0:20:49.560
<v Speaker 1>this the other day to someone on this show, but

0:20:50.760 --> 0:20:54.040
<v Speaker 1>it bears repeating. You know how when people talk about

0:20:54.040 --> 0:20:58.919
<v Speaker 1>being reincarnated and like no one's ever like you know,

0:20:59.200 --> 0:21:09.320
<v Speaker 1>a like no one's ever like a mute servant that

0:21:08.920 --> 0:21:13.520
<v Speaker 1>they're the pharaoh. You know, I was had made into

0:21:13.560 --> 0:21:16.399
<v Speaker 1>the queen. Why don't think so? Maybe you were like

0:21:16.480 --> 0:21:20.840
<v Speaker 1>a lizard in Egypt? Like why you know, we know

0:21:21.119 --> 0:21:24.240
<v Speaker 1>how arrogant we aggrandized the whole experience, because I think

0:21:24.440 --> 0:21:26.199
<v Speaker 1>that's part of our trying to make sense of it.

0:21:26.240 --> 0:21:29.320
<v Speaker 1>We have to give it as and graces. Otherwise what

0:21:29.400 --> 0:21:31.320
<v Speaker 1>are we tether to? And the only thing I've ever

0:21:31.320 --> 0:21:33.960
<v Speaker 1>felt tethered to, apart from the people that brought me

0:21:34.000 --> 0:21:38.159
<v Speaker 1>into this world is nature. I understand my position in

0:21:38.200 --> 0:21:40.919
<v Speaker 1>this world when I'm in the ocean. I understand it

0:21:41.240 --> 0:21:45.240
<v Speaker 1>when I'm walking through fields or in a river. Right,

0:21:45.320 --> 0:21:47.600
<v Speaker 1>it's the arrogance. Well, that's the fear. That's I think

0:21:47.600 --> 0:21:49.240
<v Speaker 1>where a lot of my fear of death comes from,

0:21:49.320 --> 0:21:53.160
<v Speaker 1>because I'm holding onto ego. It's the I can't leave.

0:21:53.280 --> 0:21:56.800
<v Speaker 1>I mean, to its extreme, it is this, It is

0:21:57.680 --> 0:22:00.800
<v Speaker 1>I'm the center of the world. The world exists because

0:22:00.840 --> 0:22:03.560
<v Speaker 1>of me. I am. My existence is everything. We are

0:22:03.600 --> 0:22:05.600
<v Speaker 1>the center of your world. You are you are the

0:22:05.640 --> 0:22:08.320
<v Speaker 1>force of the center of your experience. But the goal

0:22:08.560 --> 0:22:10.760
<v Speaker 1>is to be mindful to the point where you're you're

0:22:10.800 --> 0:22:14.080
<v Speaker 1>I guess just separating ego. And I think that's maybe

0:22:14.119 --> 0:22:17.720
<v Speaker 1>what happens if we're in nature, we're having those experiences

0:22:17.720 --> 0:22:20.399
<v Speaker 1>in natures, is that we have an understanding that we're

0:22:20.440 --> 0:22:23.760
<v Speaker 1>part of something much bigger. Yeah, I hope that that

0:22:23.920 --> 0:22:27.920
<v Speaker 1>is dying is death. I hope that that is feeling,

0:22:27.960 --> 0:22:30.120
<v Speaker 1>the feeling that one feels when one is part of

0:22:30.200 --> 0:22:35.240
<v Speaker 1>something that is so clearly energetic and evolving and beautiful

0:22:35.359 --> 0:22:38.159
<v Speaker 1>and joyful. Right, And I hope there's a comfort in

0:22:38.200 --> 0:22:40.840
<v Speaker 1>that that's That's the other fear of death is that

0:22:40.920 --> 0:22:43.600
<v Speaker 1>I'll fight it. Oh god, there's a there's a beautiful

0:22:43.640 --> 0:22:47.040
<v Speaker 1>scene in Saving Private Reign where he Adam Goldberg is

0:22:47.080 --> 0:22:52.359
<v Speaker 1>being stabbed the spoiler alert. I think about that a

0:22:52.359 --> 0:22:55.040
<v Speaker 1>lot because the person doing it, the soldier. I think,

0:22:55.040 --> 0:22:59.240
<v Speaker 1>to the German soldier is almost like rocking him. Is there.

0:22:59.440 --> 0:23:03.160
<v Speaker 1>It's tender, Oh my god, and there's guilt and there's

0:23:03.200 --> 0:23:06.320
<v Speaker 1>sadness from the person doing the killing. It's something so

0:23:06.680 --> 0:23:10.159
<v Speaker 1>like profound about that scene. He's like lulling him to sleep,

0:23:10.200 --> 0:23:12.640
<v Speaker 1>He's trying to comfort him as he's killing him. That's

0:23:12.680 --> 0:23:20.439
<v Speaker 1>fucking that's deep, really deep. Yea, so deep. So but

0:23:20.520 --> 0:23:23.360
<v Speaker 1>by the way it is, I don't know. I think

0:23:23.359 --> 0:23:27.239
<v Speaker 1>watching my mother die it wasn't frightening. It was like

0:23:27.440 --> 0:23:30.320
<v Speaker 1>it really was like watching someone being born into something else.

0:23:31.119 --> 0:23:33.600
<v Speaker 1>I keep thinking about it, and I do know for

0:23:33.640 --> 0:23:36.800
<v Speaker 1>sure that that is not me trying to qualify her

0:23:36.880 --> 0:23:39.520
<v Speaker 1>being gone. I do know that that was the deep,

0:23:39.680 --> 0:23:42.879
<v Speaker 1>profound instinct that I think is connected to all the

0:23:42.920 --> 0:23:45.560
<v Speaker 1>stuff that isn't human. It was a knowing, it was

0:23:45.600 --> 0:23:48.920
<v Speaker 1>an absolute knowing that this was this was the ending

0:23:48.920 --> 0:23:50.720
<v Speaker 1>of something in the beginning of something else, and it

0:23:50.920 --> 0:23:55.800
<v Speaker 1>felt deeply that way, not consciously. It's really beautiful. Thanks Pet.

0:24:09.080 --> 0:24:12.560
<v Speaker 1>So last question my friend, Okay, so what would be

0:24:12.600 --> 0:24:15.280
<v Speaker 1>your last male? Oh? Boy, I like this one. This

0:24:15.320 --> 0:24:20.480
<v Speaker 1>is this is fun except for the last part. What dessert?

0:24:21.760 --> 0:24:25.760
<v Speaker 1>Oh no, that you're is your last male? Yeah? Yeah?

0:24:25.800 --> 0:24:28.040
<v Speaker 1>So it's is it like an execution situytion? Well, here's

0:24:28.080 --> 0:24:29.680
<v Speaker 1>the thing. I mean, I feel like that's up to you.

0:24:29.800 --> 0:24:33.000
<v Speaker 1>That's what most people think of. But maybe it's you know,

0:24:33.080 --> 0:24:36.040
<v Speaker 1>you're in your dotage, and maybe it's like whatever delicious

0:24:36.040 --> 0:24:37.920
<v Speaker 1>food you want, it just has to be pure because

0:24:37.920 --> 0:24:42.200
<v Speaker 1>you know you've got no teeth. Well, because it could

0:24:42.200 --> 0:24:43.639
<v Speaker 1>be your last meal, like before you get on a

0:24:43.640 --> 0:24:47.359
<v Speaker 1>spaceship to move to you know, the new colony on Mars. Okay,

0:24:47.440 --> 0:24:49.840
<v Speaker 1>I like that context better. But I was talking to

0:24:50.200 --> 0:24:53.199
<v Speaker 1>Darius Rucker, who was Hoodie from Hoodie the Blowfish, and

0:24:53.520 --> 0:24:55.480
<v Speaker 1>he's so lovely. I hung out with him one time.

0:24:55.640 --> 0:24:59.960
<v Speaker 1>He's awesome. He really is genuinely down to earth or

0:25:00.080 --> 0:25:04.000
<v Speaker 1>some hang. He really is oh rich truly, and so

0:25:04.080 --> 0:25:06.840
<v Speaker 1>he said we were talking about not last meals, but

0:25:06.880 --> 0:25:10.000
<v Speaker 1>just whether or not he's had blowfish. It was poisonous.

0:25:10.160 --> 0:25:13.600
<v Speaker 1>Well it is, it is, but I forget the percentage,

0:25:13.640 --> 0:25:16.440
<v Speaker 1>but like maybe less, but it's so it's a real

0:25:16.560 --> 0:25:18.840
<v Speaker 1>risk to eat it. It really would be your last meal,

0:25:18.880 --> 0:25:22.440
<v Speaker 1>wouldn't it if you ate that. That's what Darius. That's

0:25:22.480 --> 0:25:24.800
<v Speaker 1>what Darius said. He said, we were joking about that.

0:25:24.840 --> 0:25:27.200
<v Speaker 1>I said, you know, I said, Darius, you should wait

0:25:27.240 --> 0:25:29.840
<v Speaker 1>for your last meal to have it to like, you know,

0:25:29.880 --> 0:25:33.080
<v Speaker 1>and to try it. Roll the dice, because at that point,

0:25:33.119 --> 0:25:35.679
<v Speaker 1>like whatever if if you got a bad piece, roll

0:25:35.760 --> 0:25:39.440
<v Speaker 1>the dice. Darius. Also in terms of like final moments,

0:25:39.480 --> 0:25:43.040
<v Speaker 1>final things and like funny reminder of your existence, it

0:25:43.040 --> 0:25:46.639
<v Speaker 1>would be so fucking ironic if Hoodie from hooting the blowfish,

0:25:46.680 --> 0:25:49.840
<v Speaker 1>died from eating blowfish, it would be amazing. It would

0:25:49.880 --> 0:25:54.520
<v Speaker 1>be such like a gift to the world. And he

0:25:54.680 --> 0:25:57.840
<v Speaker 1>last he was like, oh my god, I bet he did.

0:25:57.920 --> 0:26:00.640
<v Speaker 1>Oh yeah, oh my gosh. I'd like to try blowfish,

0:26:00.640 --> 0:26:02.560
<v Speaker 1>and I'd like to if if it's a bad piece

0:26:02.640 --> 0:26:04.600
<v Speaker 1>and I'm dying, I'd like to blame it on Hoodie.

0:26:04.800 --> 0:26:06.520
<v Speaker 1>And that has my last words because I think about

0:26:06.600 --> 0:26:08.960
<v Speaker 1>last words offen too, like what are your last words

0:26:09.040 --> 0:26:11.960
<v Speaker 1>going to be? You know? If God forbid a meteor,

0:26:12.119 --> 0:26:14.359
<v Speaker 1>like something just out of nowhere, you're hit by a bus.

0:26:14.359 --> 0:26:17.359
<v Speaker 1>After you said something really like stupid, like oh, you

0:26:17.359 --> 0:26:20.720
<v Speaker 1>know what, I used to like speriment gum the best,

0:26:20.760 --> 0:26:22.719
<v Speaker 1>but I think cinnamon might be better. And then just

0:26:22.760 --> 0:26:26.040
<v Speaker 1>like like done, and then someone would have to whoever

0:26:26.080 --> 0:26:27.920
<v Speaker 1>you were with, would have to tell you loved ones

0:26:28.520 --> 0:26:30.640
<v Speaker 1>and you know they're grieving loved ones by that. What

0:26:30.880 --> 0:26:33.760
<v Speaker 1>was the last thing you said? And it was like, uh,

0:26:33.800 --> 0:26:36.800
<v Speaker 1>you know, it was something fucking mundane, like really dumb

0:26:36.800 --> 0:26:41.040
<v Speaker 1>and innocuous, like I wish they would remake alf you

0:26:41.080 --> 0:26:44.320
<v Speaker 1>know which I do. Actually, I wish they would remake out.

0:26:44.800 --> 0:26:48.000
<v Speaker 1>I've had too much coffee. I'm sorry. Um my last meal?

0:26:48.480 --> 0:26:49.720
<v Speaker 1>You know what would be? It would be it would

0:26:49.760 --> 0:26:54.960
<v Speaker 1>be soup dumplings. They're called Jolong Bows soup dumplings from

0:26:55.040 --> 0:26:57.560
<v Speaker 1>my favorite dumpling place, which is in New York. It's

0:26:57.640 --> 0:27:00.439
<v Speaker 1>an excellent dumpling house. What else, And then maybe some

0:27:00.600 --> 0:27:05.240
<v Speaker 1>kind of like oh, carvel ice cream fudge not fudge

0:27:05.240 --> 0:27:07.880
<v Speaker 1>you the way, Oh my god, no no, because there's

0:27:07.880 --> 0:27:10.600
<v Speaker 1>too much fudge, and other I would want like like

0:27:10.640 --> 0:27:12.480
<v Speaker 1>a more pure I used to work at Carvels, so

0:27:12.920 --> 0:27:14.680
<v Speaker 1>I know what they have that, you know, the dip

0:27:14.840 --> 0:27:18.760
<v Speaker 1>the ice the cone with a dip and it hardens. Um.

0:27:18.840 --> 0:27:21.359
<v Speaker 1>I used to make a thing where where I would

0:27:21.880 --> 0:27:23.680
<v Speaker 1>it was just vanilla ice cream and I would take

0:27:23.680 --> 0:27:26.440
<v Speaker 1>some of that dip and sprinkle it in with almonds

0:27:26.480 --> 0:27:29.480
<v Speaker 1>and like mix it so that when it hardened, it

0:27:29.560 --> 0:27:33.200
<v Speaker 1>was just like flaky layers of chocolate with the almonds.

0:27:33.240 --> 0:27:37.680
<v Speaker 1>And it was so fucking good. And I haven't had

0:27:37.680 --> 0:27:39.879
<v Speaker 1>it since I was, you know, a teenager, and it

0:27:39.960 --> 0:27:42.359
<v Speaker 1>was such a great summer, and so it would remind

0:27:42.359 --> 0:27:44.800
<v Speaker 1>me of a time, which might not be smart to to,

0:27:45.240 --> 0:27:48.120
<v Speaker 1>you know, remember a good time in your existence right

0:27:48.160 --> 0:27:51.520
<v Speaker 1>before it's over. But that's what I would do. I

0:27:51.560 --> 0:27:55.240
<v Speaker 1>think good memories and and my and my mother's spaghetti

0:27:55.240 --> 0:27:58.520
<v Speaker 1>and meatballs. I would have. It would be a big meal.

0:27:58.560 --> 0:28:00.359
<v Speaker 1>It would be hardy. I'd also feel like rose and

0:28:00.400 --> 0:28:02.679
<v Speaker 1>I'd be like, wow, maybe it's time. It's time to

0:28:02.720 --> 0:28:06.160
<v Speaker 1>go now, it's put me out of my misery. It's funny.

0:28:06.200 --> 0:28:09.440
<v Speaker 1>We talked about that before, about not wanting to remember

0:28:09.520 --> 0:28:12.240
<v Speaker 1>how beautiful your life was at the end, because I

0:28:12.280 --> 0:28:14.600
<v Speaker 1>guess the thought that it would make you so sad

0:28:14.640 --> 0:28:18.919
<v Speaker 1>and unable to let go. But I don't. I don't agree.

0:28:19.080 --> 0:28:21.680
<v Speaker 1>I don't agree because I think that looking back at

0:28:21.680 --> 0:28:24.840
<v Speaker 1>that grace and that beauty and being in that place

0:28:24.920 --> 0:28:28.520
<v Speaker 1>when you die, I think it must be some kind

0:28:28.560 --> 0:28:34.040
<v Speaker 1>of like happy trampoline that vaults you into the next adventure,

0:28:34.520 --> 0:28:37.439
<v Speaker 1>as opposed to something that tethers you and keeps you here.

0:28:37.800 --> 0:28:40.640
<v Speaker 1>It makes you sad. I hope. So that's a nice,

0:28:40.720 --> 0:28:45.600
<v Speaker 1>much nicer thought. Well you can have it, okay, I'm

0:28:45.600 --> 0:28:48.280
<v Speaker 1>taking it. I'm taking your positivity. So your last meal

0:28:48.800 --> 0:28:53.720
<v Speaker 1>blowfish dumplings, spaghetti ice cream. I like that last meal.

0:28:53.840 --> 0:28:56.080
<v Speaker 1>That's good. I'll have that with you. By the way,

0:28:56.120 --> 0:28:58.280
<v Speaker 1>I hope Carvel, I hope Carvel gives me some sort

0:28:58.280 --> 0:29:01.320
<v Speaker 1>of gift certificate for this free are the advertisement. This is,

0:29:01.360 --> 0:29:04.840
<v Speaker 1>by the way, by the way, when you come to England,

0:29:05.280 --> 0:29:08.240
<v Speaker 1>I strongly suggest that you buy a frozen dessert from

0:29:08.280 --> 0:29:13.320
<v Speaker 1>any supermarket called a von Etta and it's gonna it's

0:29:13.320 --> 0:29:17.880
<v Speaker 1>going to speak to what you just described. Okay, all right,

0:29:17.960 --> 0:29:20.160
<v Speaker 1>and you're trying to get some free of Vonetta products.

0:29:20.200 --> 0:29:27.640
<v Speaker 1>I see, very shrewd, mini, Yeah, very shrewd. And I

0:29:27.720 --> 0:29:30.800
<v Speaker 1>simply cannot thank you enough because you're You're so funny

0:29:30.840 --> 0:29:33.760
<v Speaker 1>and you do run so deep. It's lovely and I'm

0:29:33.880 --> 0:29:35.880
<v Speaker 1>very grateful that you came on the show. I love

0:29:35.920 --> 0:29:38.320
<v Speaker 1>doing this, Minie. I'm so glad you're doing this too.

0:29:38.440 --> 0:29:41.920
<v Speaker 1>And that to sound kind of sounding, don't you know

0:29:41.920 --> 0:29:45.400
<v Speaker 1>how enriching it can be. Yeah, you're so good at it.

0:29:45.520 --> 0:29:50.880
<v Speaker 1>Well back at you. Thank you. Though life is short

0:29:51.000 --> 0:29:54.960
<v Speaker 1>with Justin Long is out on Wondering and I will

0:29:55.000 --> 0:29:58.640
<v Speaker 1>be on the show July twenty. Justin also co wrote

0:29:58.720 --> 0:30:01.560
<v Speaker 1>and directed Lady of the Manner with his brother Christian,

0:30:01.680 --> 0:30:08.520
<v Speaker 1>and that will be out on September. Mini Questions is

0:30:08.560 --> 0:30:13.600
<v Speaker 1>hosted and written by Me Mini Driver, supervising producer Aaron Kaufman,

0:30:14.400 --> 0:30:21.800
<v Speaker 1>Producer Morgan Lavoy, Research assistant Marissa Brown. Original music Sorry

0:30:21.840 --> 0:30:27.920
<v Speaker 1>Baby by Minni Driver, Additional music by Aaron Kaufman, Executive

0:30:27.920 --> 0:30:32.240
<v Speaker 1>produced by Me Minni Driver. Special thanks to Jim Nikolay,

0:30:33.000 --> 0:30:38.480
<v Speaker 1>Will Pearson, Addison No Day, Lisa Castella and Annicke Oppenheim

0:30:38.520 --> 0:30:43.960
<v Speaker 1>at w kPr, de La Pescador, Kate Driver and Jason Weinberg,

0:30:44.600 --> 0:30:48.160
<v Speaker 1>and for constantly solicited tech support, Henry Driver