1
00:00:00,480 --> 00:00:02,600
Speaker 1: All right, welcome to episode one oh six of the

2
00:00:02,600 --> 00:00:05,400
Speaker 1: Bobby Cast. A couple of things. First of all, thanks

3
00:00:05,400 --> 00:00:08,800
Speaker 1: to our sponsors Blue Apron and Quip. About to have

4
00:00:08,880 --> 00:00:13,160
Speaker 1: David Lee Murphy on. I'll say this that the last

5
00:00:13,160 --> 00:00:16,120
Speaker 1: episodes we've done, we've had this would be David Lee Murphy.

6
00:00:16,160 --> 00:00:19,280
Speaker 1: We've had Dave Haywood, Dave Barnes, and Dave Cohen. Somehow

7
00:00:19,280 --> 00:00:23,040
Speaker 1: we've gotten into this string of Dave's all accidental and

8
00:00:23,079 --> 00:00:24,560
Speaker 1: the only other ones we can think about bringing in.

9
00:00:24,640 --> 00:00:27,960
Speaker 1: We're miked what we have. David Nail, maybe we considered him.

10
00:00:28,080 --> 00:00:31,680
Speaker 1: I haven't seen him in a while. Any other Dave's Dave,

11
00:00:32,200 --> 00:00:38,640
Speaker 1: David Duke Company, David Dave Cool yea, yeah, so it's

12
00:00:38,640 --> 00:00:41,480
Speaker 1: been four daves man. But I was excited about David

13
00:00:41,520 --> 00:00:43,280
Speaker 1: Lee Murphy because the dust on the bottle and his

14
00:00:43,360 --> 00:00:46,040
Speaker 1: new song. Everything's gonna be all right, So we'll talk

15
00:00:46,080 --> 00:00:48,080
Speaker 1: about all that. He's got ninety cuts, he's got big,

16
00:00:48,200 --> 00:00:50,920
Speaker 1: huge hits that you wouldn't even know he wrote. I

17
00:00:50,960 --> 00:00:53,720
Speaker 1: do want to remind you to listen to Christian Bush's podcast.

18
00:00:54,520 --> 00:00:56,840
Speaker 1: It's called Geeking Out, where he brings on somebody that's

19
00:00:56,880 --> 00:00:59,760
Speaker 1: known for something else. He brought in the woman who

20
00:00:59,760 --> 00:01:03,040
Speaker 1: wrote and created Nashville, the TV show, and so first

21
00:01:03,080 --> 00:01:05,520
Speaker 1: she talks about that because she wrote Delman Louise as well.

22
00:01:05,800 --> 00:01:08,240
Speaker 1: Delman Louise was our first script ever. I didn't write

23
00:01:08,240 --> 00:01:10,640
Speaker 1: my first script until I was in my early thirties,

24
00:01:10,800 --> 00:01:13,280
Speaker 1: but that was Stilman Louise, so I kind of didn't

25
00:01:13,319 --> 00:01:15,640
Speaker 1: have a there was no going back from that. That

26
00:01:15,680 --> 00:01:17,399
Speaker 1: was your first one, that was my first one. So

27
00:01:17,440 --> 00:01:19,640
Speaker 1: you can listen to that podcast. But what Christian does?

28
00:01:19,720 --> 00:01:22,560
Speaker 1: He take someone's specialty like that and turns it into

29
00:01:22,840 --> 00:01:24,760
Speaker 1: what else do you love? And what she loves his music.

30
00:01:24,880 --> 00:01:27,399
Speaker 1: I opened this one right, excuse me, cooking, cooking, cooking,

31
00:01:27,640 --> 00:01:29,840
Speaker 1: I opened this one randomly today and I just saw

32
00:01:29,920 --> 00:01:35,399
Speaker 1: something called chocolate mayonnaise. Any desire to try that at all?

33
00:01:35,640 --> 00:01:38,840
Speaker 1: That's the opposite of like a Reese's peanut butter, right,

34
00:01:39,319 --> 00:01:42,560
Speaker 1: So you can check out Geeking Out with Christian Bush. Also,

35
00:01:42,640 --> 00:01:45,120
Speaker 1: the guys at Whiskey Riff have one called Whiskey Riff Raff.

36
00:01:45,560 --> 00:01:47,360
Speaker 1: And as we get into this, what I try to

37
00:01:47,400 --> 00:01:50,760
Speaker 1: do is I try to avoid any substance talk. Before

38
00:01:51,200 --> 00:01:54,160
Speaker 1: the podcast and Davidlee Murphy's sit down, we were just

39
00:01:54,600 --> 00:01:56,480
Speaker 1: briefly talking for a second. He's like, Hey, what's up

40
00:01:56,520 --> 00:01:58,360
Speaker 1: American idol, And that's why I think it starts with

41
00:01:58,400 --> 00:01:59,800
Speaker 1: us talking about Right into it, I was like, hold

42
00:01:59,800 --> 00:02:02,400
Speaker 1: on to start the podcast. So he asked me about that,

43
00:02:02,400 --> 00:02:04,000
Speaker 1: and that's where it started. So welcome to episode one

44
00:02:04,040 --> 00:02:08,240
Speaker 1: oh six David Lee Murphy, which, by the way, he's

45
00:02:08,240 --> 00:02:13,040
Speaker 1: almost sixty years old. Man rocking it too. Got a

46
00:02:13,040 --> 00:02:15,600
Speaker 1: new song up. It's okay, davidly Murphy, episode one or

47
00:02:15,600 --> 00:02:17,400
Speaker 1: six of the Bobby Cast. Tell your friends about this

48
00:02:17,400 --> 00:02:21,519
Speaker 1: some police. You're here with David Lee Murphy and talking

49
00:02:21,520 --> 00:02:25,320
Speaker 1: about idle right before I came on. So what I'm

50
00:02:25,320 --> 00:02:28,560
Speaker 1: doing is they have twenty I'm the mentor to the

51
00:02:28,560 --> 00:02:31,760
Speaker 1: twenty four. So when they make it to the twenty four,

52
00:02:31,800 --> 00:02:34,120
Speaker 1: then they I guess I spent about an hour and

53
00:02:34,160 --> 00:02:37,079
Speaker 1: a half with them. You just do you. I don't

54
00:02:37,080 --> 00:02:38,680
Speaker 1: teach you how to sing, because you've seen me sing.

55
00:02:38,720 --> 00:02:40,160
Speaker 1: I'll teach them how to sing. I'll stay away from

56
00:02:40,200 --> 00:02:42,480
Speaker 1: that part of it because they have loose You're an

57
00:02:42,560 --> 00:02:44,840
Speaker 1: entertainer though, but and that's why they brought me, because

58
00:02:44,840 --> 00:02:47,440
Speaker 1: I do comedy and I do radio and TV and

59
00:02:47,560 --> 00:02:49,959
Speaker 1: music and so they wanted me since I already have

60
00:02:50,040 --> 00:02:51,919
Speaker 1: people teach them how to sing, they wanted somebody to

61
00:02:51,960 --> 00:02:54,480
Speaker 1: kind of say, hey, this is how you perform, this

62
00:02:54,520 --> 00:02:56,560
Speaker 1: is how you work. You work crowd, this is how

63
00:02:57,240 --> 00:02:59,280
Speaker 1: you do social see you, I've seen you work a

64
00:02:59,360 --> 00:03:02,040
Speaker 1: crowd before. That's all you can do, like fourteen fifteen

65
00:03:02,040 --> 00:03:04,400
Speaker 1: thousand people, that's all I know. I can't think, so

66
00:03:04,480 --> 00:03:07,360
Speaker 1: I have to do extra work. And you and I

67
00:03:07,440 --> 00:03:09,519
Speaker 1: actually spent time. I guess the last time we said

68
00:03:10,240 --> 00:03:13,480
Speaker 1: time together in any long amount was right us oide

69
00:03:13,480 --> 00:03:15,239
Speaker 1: of d C. We were in Northern Virginia. The band

70
00:03:15,280 --> 00:03:18,560
Speaker 1: just go because yeah, yeah, yeah, they went back to

71
00:03:18,600 --> 00:03:21,679
Speaker 1: the fifth They were good. Yeah, you were out riding

72
00:03:21,680 --> 00:03:25,560
Speaker 1: with Toby, right Toby Keith. I was and uh that

73
00:03:25,680 --> 00:03:30,000
Speaker 1: was like outside of d C Virginia, like northern Virginia.

74
00:03:30,360 --> 00:03:32,960
Speaker 1: And so I saw you on the side and I went, oh, man,

75
00:03:33,000 --> 00:03:35,760
Speaker 1: I want because just in passing we had said hello,

76
00:03:35,840 --> 00:03:37,440
Speaker 1: but I'd never stopped and be like, hey, I'm Bobby

77
00:03:37,440 --> 00:03:39,280
Speaker 1: because I don't bother you, because I feel like that's

78
00:03:39,360 --> 00:03:43,119
Speaker 1: Davidly Murphy. I don't bother Davidly Murphy man just hanging out.

79
00:03:43,400 --> 00:03:45,600
Speaker 1: And then we yeah, we sat and talked for a bit.

80
00:03:45,680 --> 00:03:47,000
Speaker 1: I was like, man, so I had a couple of

81
00:03:47,040 --> 00:03:48,480
Speaker 1: friends said, hey, do you know Dadily, They're all like,

82
00:03:49,200 --> 00:03:52,360
Speaker 1: I love You're well loved in town. Thank you. That's

83
00:03:52,400 --> 00:03:55,000
Speaker 1: awesome as a people they love right, people love writing

84
00:03:55,040 --> 00:03:58,360
Speaker 1: with you. You know, well, that's that's that's the best

85
00:03:58,360 --> 00:04:02,240
Speaker 1: compliment you could get. You know, just writing songs is

86
00:04:03,400 --> 00:04:06,200
Speaker 1: that's what we I mean, all of us love to

87
00:04:06,240 --> 00:04:09,720
Speaker 1: do that. And if when somebody says that, that's really cool.

88
00:04:10,560 --> 00:04:12,120
Speaker 1: We sat on the side and I was embarrassing. You

89
00:04:12,120 --> 00:04:14,240
Speaker 1: had to watch our band play at the time. You guys,

90
00:04:14,360 --> 00:04:16,840
Speaker 1: you I'll did a good job. I mean, you had

91
00:04:16,880 --> 00:04:18,880
Speaker 1: the crap. We weren't even a real band yet. There

92
00:04:18,960 --> 00:04:20,880
Speaker 1: was just two of us up there. We were struggling,

93
00:04:20,880 --> 00:04:23,279
Speaker 1: and I was thought, man, he's watching us and we're struggling.

94
00:04:23,640 --> 00:04:27,600
Speaker 1: I mean, to go up there with guitars in front

95
00:04:27,600 --> 00:04:32,000
Speaker 1: of that many people, you know, it was good. Let

96
00:04:32,000 --> 00:04:34,760
Speaker 1: me tell you what do your friends call you? They

97
00:04:34,800 --> 00:04:37,800
Speaker 1: call you David or David Lee. They call David David Lee.

98
00:04:37,839 --> 00:04:41,440
Speaker 1: I mean, it just varies and depending up on the

99
00:04:41,440 --> 00:04:43,839
Speaker 1: time of the day or the night, it can vary,

100
00:04:44,200 --> 00:04:46,640
Speaker 1: you know. Let me tell you about this new song.

101
00:04:46,800 --> 00:04:48,600
Speaker 1: I heard it and now I've been saying on the radio.

102
00:04:48,640 --> 00:04:50,359
Speaker 1: Now I think it's the best song on the radio.

103
00:04:52,160 --> 00:05:00,200
Speaker 1: I love this groove. She's readily as in my plastic Man,

104
00:05:00,440 --> 00:05:04,400
Speaker 1: I thank you kill me something good. I don't know

105
00:05:06,480 --> 00:05:13,480
Speaker 1: just what has been kicking behind you record this. We'd

106
00:05:13,480 --> 00:05:17,320
Speaker 1: recorded it probably a year and a half ago. I mean,

107
00:05:17,400 --> 00:05:21,400
Speaker 1: I'm not sure about the date wise, but it was

108
00:05:22,400 --> 00:05:24,360
Speaker 1: it's been at least a year and a half ago.

109
00:05:24,800 --> 00:05:26,200
Speaker 1: So did you have big plans for it when you

110
00:05:26,200 --> 00:05:28,120
Speaker 1: cut it? Did you think it'd be a single? Actually,

111
00:05:28,240 --> 00:05:32,440
Speaker 1: when we cut it, I didn't. I hadn't even really

112
00:05:32,560 --> 00:05:36,599
Speaker 1: considered it in my stash of songs, you know. I

113
00:05:36,640 --> 00:05:42,120
Speaker 1: had Kenny and I had picked out tenoral eleven songs

114
00:05:42,200 --> 00:05:45,200
Speaker 1: that we wanted to do, and uh, we had been

115
00:05:45,240 --> 00:05:49,680
Speaker 1: concentrating on those, and uh, we cut this song and

116
00:05:49,720 --> 00:05:53,200
Speaker 1: it just felt so good. And I actually Kenny was

117
00:05:53,200 --> 00:05:56,719
Speaker 1: working on a record, and uh, so I wasn't really

118
00:05:56,720 --> 00:05:58,839
Speaker 1: thinking of it for me at the time. And so

119
00:05:59,080 --> 00:06:01,040
Speaker 1: I get it, I see in it over to Kenny,

120
00:06:01,120 --> 00:06:04,320
Speaker 1: and uh, he was like, dam man, I love that song,

121
00:06:04,640 --> 00:06:07,400
Speaker 1: and he was he was gonna record it on his

122
00:06:07,520 --> 00:06:12,160
Speaker 1: last record, and then just for reasons whatever. You know,

123
00:06:12,760 --> 00:06:15,720
Speaker 1: there's just so many reasons when you pick songs on

124
00:06:15,760 --> 00:06:18,120
Speaker 1: a record. It just didn't really fit in with the

125
00:06:18,160 --> 00:06:22,560
Speaker 1: batch of songs that he had. So he goes, man,

126
00:06:22,960 --> 00:06:25,440
Speaker 1: this is not gonna be on this record, but I'd

127
00:06:25,480 --> 00:06:27,479
Speaker 1: like to keep it for the next one, because he

128
00:06:27,560 --> 00:06:32,359
Speaker 1: really loved the song. And uh so, you know, time

129
00:06:32,360 --> 00:06:34,880
Speaker 1: goes and it takes a little while for a record

130
00:06:35,120 --> 00:06:40,839
Speaker 1: to you know, materialize, and so somebody else was gonna

131
00:06:40,839 --> 00:06:43,760
Speaker 1: cut the song. Somebody else wanted that song to record,

132
00:06:44,360 --> 00:06:46,440
Speaker 1: and it was I remember, it's like a Saturday morning.

133
00:06:46,440 --> 00:06:48,560
Speaker 1: I was sitting out in my backyard drinking coffee and

134
00:06:48,600 --> 00:06:50,839
Speaker 1: I called Kenny and I said, hey, man, somebody wants

135
00:06:50,880 --> 00:06:53,880
Speaker 1: that song. What should we do? And he goes, man,

136
00:06:53,960 --> 00:06:55,600
Speaker 1: hang onto that thing. And I said, well, what if

137
00:06:55,640 --> 00:06:58,240
Speaker 1: I put it on mine? He goes, oh, hell yeah, man,

138
00:06:58,640 --> 00:07:01,599
Speaker 1: put that on yours, you know, because he loved it

139
00:07:01,640 --> 00:07:04,960
Speaker 1: and he wanted he wanted somehow or the other too,

140
00:07:05,400 --> 00:07:08,679
Speaker 1: you know, still have something to do with that song.

141
00:07:09,760 --> 00:07:13,440
Speaker 1: And uh so we did it, and we decided, okay,

142
00:07:13,480 --> 00:07:16,560
Speaker 1: we're gonna do that. And graciously he came in and

143
00:07:16,600 --> 00:07:20,480
Speaker 1: sang the second verse, which like he he kills it.

144
00:07:20,520 --> 00:07:23,640
Speaker 1: He's a communicator, man. He he cuts through. And there

145
00:07:23,720 --> 00:07:27,400
Speaker 1: there's great guys you know, uh Tim and Kenny and

146
00:07:27,440 --> 00:07:30,320
Speaker 1: Garth and those guys. Man, they just they reach out

147
00:07:30,320 --> 00:07:34,120
Speaker 1: and grab you, you know, with their voice and and uh,

148
00:07:34,280 --> 00:07:38,360
Speaker 1: he comes in there. Man, I just he he does it.

149
00:07:38,560 --> 00:07:47,040
Speaker 1: Everything's gonna be. He's gonna be. Well's Kenny, Buddy and

150
00:07:47,160 --> 00:07:51,280
Speaker 1: Chris Stevens and such a great bad as got to

151
00:07:51,360 --> 00:07:56,080
Speaker 1: world nothing. Don't go getting that Dannic good. It ain't

152
00:07:56,200 --> 00:08:04,400
Speaker 1: words speeling your dream I have. I've just I've been

153
00:08:04,400 --> 00:08:09,240
Speaker 1: doing it acoustically and uh it's you know, you don't

154
00:08:09,240 --> 00:08:12,600
Speaker 1: have the you know what that's like. And uh, what's

155
00:08:12,640 --> 00:08:14,960
Speaker 1: really fun is just over the last couple of weeks

156
00:08:15,120 --> 00:08:18,600
Speaker 1: people have really been singing it back to me. And

157
00:08:18,720 --> 00:08:23,920
Speaker 1: we did a show Thursday night in Almaha, Nebraska, and

158
00:08:24,200 --> 00:08:26,520
Speaker 1: actually I'll show you the little clip of it. Somebody

159
00:08:26,920 --> 00:08:29,760
Speaker 1: took a video clip of It's really cool. People are

160
00:08:29,800 --> 00:08:33,080
Speaker 1: really singing it back to me. I love it. It's again,

161
00:08:33,160 --> 00:08:34,840
Speaker 1: I don't say this to your face. I've been saying

162
00:08:34,840 --> 00:08:37,199
Speaker 1: it for weeks on the radio. It's my favorite song

163
00:08:37,280 --> 00:08:39,640
Speaker 1: on the radio. Thank you from the Texture of the song,

164
00:08:39,720 --> 00:08:42,160
Speaker 1: to the groove, to the words, the whole thing. I

165
00:08:42,960 --> 00:08:46,080
Speaker 1: appreciate it. I can't tell you how much fun we're having.

166
00:08:46,640 --> 00:08:49,199
Speaker 1: I mean, we're really having a ball. So what's the

167
00:08:49,280 --> 00:08:51,240
Speaker 1: deal with the record is? Are you Kenny doing all

168
00:08:51,240 --> 00:08:54,560
Speaker 1: the songs together on the album now? Just we're just

169
00:08:54,600 --> 00:08:58,480
Speaker 1: doing this one Kenny, Kenny, Um, I'll tell you how

170
00:08:58,600 --> 00:09:01,720
Speaker 1: I'll happen. I you know, over the years, I've sent

171
00:09:01,840 --> 00:09:05,080
Speaker 1: Kenny's recorded a bunch of my songs and uh from

172
00:09:05,160 --> 00:09:07,000
Speaker 1: living in Fast Forward and bar at the End of

173
00:09:07,000 --> 00:09:10,480
Speaker 1: the World, Pirate Flag. Sorry about that big old peepop

174
00:09:10,520 --> 00:09:14,959
Speaker 1: there our studios put together like a nickel. Yeah, we

175
00:09:14,960 --> 00:09:19,440
Speaker 1: we take that as a badge of honor. But I've

176
00:09:19,440 --> 00:09:24,640
Speaker 1: been sending Kenny songs um And one night I sent

177
00:09:24,760 --> 00:09:27,720
Speaker 1: him this one particular song that's on my record, and

178
00:09:29,040 --> 00:09:32,720
Speaker 1: he called me back and he goes, man, I freaking

179
00:09:32,760 --> 00:09:37,480
Speaker 1: love that song. And he goes, I would cut that.

180
00:09:37,679 --> 00:09:40,160
Speaker 1: He goes, but I'm He goes, I don't want to

181
00:09:40,200 --> 00:09:42,120
Speaker 1: ask you something. He goes, you you sent me all

182
00:09:42,120 --> 00:09:45,160
Speaker 1: this stuff. He goes, what if if we go in

183
00:09:45,200 --> 00:09:48,840
Speaker 1: the studio and we pick a bunch of songs and

184
00:09:48,880 --> 00:09:51,640
Speaker 1: me and Buddy produces album. We'll put it out. We'll

185
00:09:51,679 --> 00:09:55,640
Speaker 1: just put it out on you and we'll we'll do

186
00:09:55,679 --> 00:09:57,720
Speaker 1: whatever we gotta do. He goes, I think people should

187
00:09:57,760 --> 00:10:01,520
Speaker 1: hear these songs, And of course I did a few

188
00:10:01,559 --> 00:10:03,880
Speaker 1: little back flips, you know, because I was like, how,

189
00:10:03,960 --> 00:10:06,280
Speaker 1: I mean when Kenny, When Kenny's like, hey man, why

190
00:10:06,320 --> 00:10:08,920
Speaker 1: don't you do that? It's like, yeah, that that was

191
00:10:08,960 --> 00:10:11,839
Speaker 1: really cool. So I asked that about Kenny because I

192
00:10:11,880 --> 00:10:13,640
Speaker 1: remember when the announcement was that you guys were doing

193
00:10:13,640 --> 00:10:16,880
Speaker 1: a record together, and so that means that he was

194
00:10:17,040 --> 00:10:22,440
Speaker 1: producing the record, involved in the record somehow. Yeah, yeah,

195
00:10:22,480 --> 00:10:26,520
Speaker 1: he produced it and he just got the whole In fact,

196
00:10:26,559 --> 00:10:29,160
Speaker 1: he said something that we had a number one party

197
00:10:29,440 --> 00:10:33,839
Speaker 1: for until it's gone, and he said something about it then,

198
00:10:33,880 --> 00:10:36,200
Speaker 1: and we had been kind of keeping it a secret

199
00:10:37,000 --> 00:10:41,200
Speaker 1: and uh, because we didn't know exactly what what we

200
00:10:41,200 --> 00:10:42,920
Speaker 1: were going to do with it at that time period.

201
00:10:43,640 --> 00:10:47,240
Speaker 1: But we we had we've had so much fun with it,

202
00:10:47,360 --> 00:10:51,160
Speaker 1: just picking the songs, going in, going in and recording,

203
00:10:52,000 --> 00:10:56,000
Speaker 1: doing over dub, singing this stuff, mixing master and you

204
00:10:56,040 --> 00:10:58,760
Speaker 1: know that whole process. Is it crazy to put So

205
00:10:58,800 --> 00:11:00,720
Speaker 1: you're playing the song in the crowd now, singing it back.

206
00:11:01,200 --> 00:11:04,760
Speaker 1: But you have from you know when I was a teenager,

207
00:11:04,880 --> 00:11:07,760
Speaker 1: one of the most anthemic country songs period with dust

208
00:11:07,760 --> 00:11:10,880
Speaker 1: on the Bottle. People have to scream that song back

209
00:11:10,880 --> 00:11:14,240
Speaker 1: at you, right, we had well Friday night. What we

210
00:11:14,280 --> 00:11:20,600
Speaker 1: did was, I mean, people have to that makes me

211
00:11:20,640 --> 00:11:23,120
Speaker 1: feel good to still here. That does it? Yeah, so

212
00:11:23,160 --> 00:11:26,959
Speaker 1: you're not tired of it never. I mean I can

213
00:11:27,000 --> 00:11:28,840
Speaker 1: play this today and I do at times on my show.

214
00:11:28,920 --> 00:11:31,480
Speaker 1: Just play it and everybody in the room goes, oh, yeah,

215
00:11:31,559 --> 00:11:34,200
Speaker 1: there's still you have one of the songs that have

216
00:11:34,320 --> 00:11:37,960
Speaker 1: that have twenty years. Yeah, thank god, man. I mean

217
00:11:38,160 --> 00:11:41,680
Speaker 1: the I remember as a kid growing up and almost thought,

218
00:11:41,679 --> 00:11:44,400
Speaker 1: I want I want one of those songs that like

219
00:11:44,800 --> 00:11:46,360
Speaker 1: help me make it through the night and for the

220
00:11:46,400 --> 00:11:48,880
Speaker 1: good times to one of those old classic kind of

221
00:11:48,960 --> 00:11:52,880
Speaker 1: Christopherson or one of those guys who read those songs

222
00:11:52,920 --> 00:11:55,960
Speaker 1: that you know, I wanted one of those songs that

223
00:11:56,040 --> 00:11:58,920
Speaker 1: stuck around for a long time. And uh, I think

224
00:11:59,040 --> 00:12:02,840
Speaker 1: dust on the Bottom by I think it is you

225
00:12:02,880 --> 00:12:06,559
Speaker 1: wrote that by yourself? Do you? Is it one of

226
00:12:06,559 --> 00:12:08,560
Speaker 1: those songs? Because I know as a songwriter and you

227
00:12:08,559 --> 00:12:10,880
Speaker 1: have I think I read some like ninety cuts in

228
00:12:10,920 --> 00:12:14,000
Speaker 1: the last X amount of years. But and every song

229
00:12:14,120 --> 00:12:16,440
Speaker 1: isn't remembered where they were, and you have to start

230
00:12:16,640 --> 00:12:18,640
Speaker 1: creating a story because people always want to know where

231
00:12:18,679 --> 00:12:21,200
Speaker 1: were you? But you wrote that by yourself, that being

232
00:12:21,240 --> 00:12:24,480
Speaker 1: the biggest song, like what do you know? Vividly? You do?

233
00:12:24,559 --> 00:12:27,040
Speaker 1: Really like you really do. Yeah. I was in Ashland

234
00:12:27,120 --> 00:12:29,079
Speaker 1: City and I had a little house in n Ashland

235
00:12:29,120 --> 00:12:33,200
Speaker 1: City and I lived, um I lived in I lived

236
00:12:33,240 --> 00:12:36,320
Speaker 1: on Blair Boulevard first when I moved to Nashville over

237
00:12:36,400 --> 00:12:40,640
Speaker 1: near the Vandy area near Music Row, and then uh,

238
00:12:40,800 --> 00:12:43,640
Speaker 1: I was living in like a garage apartment. And then

239
00:12:43,679 --> 00:12:46,160
Speaker 1: I found this little bitty house out in Nashtan City,

240
00:12:46,200 --> 00:12:49,480
Speaker 1: the settle ten Reef House, and um I moved out

241
00:12:49,480 --> 00:12:52,520
Speaker 1: there and I lived out there for almost ten years.

242
00:12:53,440 --> 00:12:55,520
Speaker 1: And I wrote that at the kitchen table, and and

243
00:12:55,559 --> 00:12:58,920
Speaker 1: we had started recording the out of the Bang album.

244
00:12:58,960 --> 00:13:03,600
Speaker 1: And I remember the first morning we cult like out

245
00:13:03,640 --> 00:13:06,960
Speaker 1: with a Bang party crowd and Can't Turn It Off,

246
00:13:06,960 --> 00:13:09,720
Speaker 1: which were three songs off that with a Bang album,

247
00:13:10,040 --> 00:13:12,960
Speaker 1: And I was really excited. I was really happy. It

248
00:13:13,040 --> 00:13:16,360
Speaker 1: was it was Tuesday morning and I got up and

249
00:13:16,400 --> 00:13:18,160
Speaker 1: I was drinking coffee and I was getting ready to

250
00:13:18,160 --> 00:13:21,400
Speaker 1: come to town, and we were probably gonna start it.

251
00:13:21,880 --> 00:13:24,800
Speaker 1: You know, I was probably gonna get there at ten

252
00:13:24,840 --> 00:13:29,240
Speaker 1: o'clock and you know, you know, start cutting again because

253
00:13:29,240 --> 00:13:34,360
Speaker 1: we had four days to record the record. And I

254
00:13:34,400 --> 00:13:36,520
Speaker 1: just started tearing through dust on the bottle. It was

255
00:13:36,600 --> 00:13:41,880
Speaker 1: just like coming out and um and I had basically

256
00:13:42,640 --> 00:13:45,240
Speaker 1: both verses in the course, and I called Tony Brown

257
00:13:45,320 --> 00:13:48,120
Speaker 1: up and I had one of those remember those phone

258
00:13:48,160 --> 00:13:52,440
Speaker 1: cords that were like that went like twenty feet. I

259
00:13:52,520 --> 00:13:54,360
Speaker 1: had one of those, and I pulled Mike. My kitchen

260
00:13:54,440 --> 00:13:57,080
Speaker 1: phone was on the wall, and I pulled that over

261
00:13:57,120 --> 00:13:59,400
Speaker 1: on my table and I said, Tony, check us out, man.

262
00:13:59,600 --> 00:14:02,320
Speaker 1: I said this this might be a hit. And I

263
00:14:02,400 --> 00:14:06,280
Speaker 1: played him Drio Williams lived down a dirt road and

264
00:14:06,280 --> 00:14:08,240
Speaker 1: I played him mad and he goes, oh, man, we

265
00:14:08,280 --> 00:14:10,920
Speaker 1: gotta cut that. And I didn't have the bridge yet.

266
00:14:11,800 --> 00:14:13,680
Speaker 1: So I had the music for the bridge, but I

267
00:14:13,720 --> 00:14:17,760
Speaker 1: didn't have the bridge lyrics yet, and so he goes,

268
00:14:17,840 --> 00:14:20,000
Speaker 1: damn man, And so I go in the studio and

269
00:14:20,040 --> 00:14:22,360
Speaker 1: we didn't cut it that day. We cut it the

270
00:14:22,400 --> 00:14:25,200
Speaker 1: next day. So um, that gave me time to go

271
00:14:25,280 --> 00:14:29,440
Speaker 1: home and figure out what the bridge lyrics were. But

272
00:14:30,840 --> 00:14:33,520
Speaker 1: you can still hear the strings kind of squeaking my

273
00:14:33,560 --> 00:14:37,040
Speaker 1: acoustic strings on the record, because you know, we cut

274
00:14:37,040 --> 00:14:39,160
Speaker 1: those things and that was before pro tools and all

275
00:14:39,200 --> 00:14:43,120
Speaker 1: that stuff, and it was it was magic when we

276
00:14:43,160 --> 00:14:46,400
Speaker 1: cut it. I think everybody it just felt like magic.

277
00:14:46,480 --> 00:14:48,680
Speaker 1: It was just like one of those when lightning just

278
00:14:48,960 --> 00:14:53,040
Speaker 1: boom comes down. I think everybody in the room. Uh.

279
00:14:53,080 --> 00:14:54,760
Speaker 1: And a lot of the guys that played on that

280
00:14:54,800 --> 00:14:58,640
Speaker 1: record played on my new stuff too. Yeah, all right,

281
00:14:58,720 --> 00:15:00,600
Speaker 1: let's let me do this so I can listening to this.

282
00:15:00,640 --> 00:15:04,320
Speaker 1: You've heard me talk about Blue Apron. Blue Apron delivers fresh,

283
00:15:04,320 --> 00:15:06,600
Speaker 1: preportion ingredients in a box right to your door and

284
00:15:07,000 --> 00:15:09,120
Speaker 1: you open the door and you're like, oh, look there

285
00:15:09,120 --> 00:15:11,680
Speaker 1: it is. Blue Apron can be cooked in under forty

286
00:15:11,680 --> 00:15:14,360
Speaker 1: five minutes. The menu changes every week based on what's

287
00:15:14,360 --> 00:15:17,200
Speaker 1: in season and so ill designed by the Blue Apron

288
00:15:17,520 --> 00:15:21,040
Speaker 1: in house culinary team. Very flexible too, because when I order,

289
00:15:21,800 --> 00:15:24,200
Speaker 1: like I like to try new things whenever I have

290
00:15:24,280 --> 00:15:26,440
Speaker 1: time to be at home and cook. You can pick two, three,

291
00:15:26,480 --> 00:15:28,360
Speaker 1: or four red sipes based on what fits their schedule.

292
00:15:28,520 --> 00:15:31,320
Speaker 1: High quality two so Blue Apron stance only nine GMO

293
00:15:31,440 --> 00:15:34,600
Speaker 1: ingredients and meet with no added hormones, and it comes

294
00:15:34,600 --> 00:15:36,000
Speaker 1: to the house, right to your house, and you cook

295
00:15:36,000 --> 00:15:37,960
Speaker 1: it whenever you want. Pan fried chicken breast right now

296
00:15:37,960 --> 00:15:40,360
Speaker 1: with sweet and tangy zucchini. What else they have on here?

297
00:15:40,640 --> 00:15:44,400
Speaker 1: Italian style strimp and sweet peppers? Over for gola, starta pasta.

298
00:15:44,600 --> 00:15:46,400
Speaker 1: I don't even know some of this stuff is. Uh

299
00:15:46,520 --> 00:15:47,600
Speaker 1: most time I read it and I don't know what

300
00:15:47,680 --> 00:15:49,400
Speaker 1: it is. I don't order it, but I for sure

301
00:15:49,440 --> 00:15:51,800
Speaker 1: know what that pan fried chicken is. I've had that also,

302
00:15:51,880 --> 00:15:55,240
Speaker 1: the parmesan crusted steaks with mashed potatoes and broccoli. Had that,

303
00:15:55,720 --> 00:15:59,440
Speaker 1: the quick bucatini with broccoli and bracorion o cheese. Obviously,

304
00:15:59,480 --> 00:16:01,080
Speaker 1: I don't even know that's say that, but sounds good.

305
00:16:01,440 --> 00:16:03,800
Speaker 1: Blue Apron treats listener to the Bobby Cast to thirty

306
00:16:03,840 --> 00:16:06,600
Speaker 1: dollars off your first order. If you visit blue apron

307
00:16:06,640 --> 00:16:09,680
Speaker 1: dot com slash Bobby Cast, check out which men you

308
00:16:09,720 --> 00:16:12,400
Speaker 1: get thirty bucks off Blue Apron dot com slash Bobby Cast.

309
00:16:12,640 --> 00:16:14,560
Speaker 1: Blue Apron is a better way to cook, all right,

310
00:16:14,600 --> 00:16:16,760
Speaker 1: So you moved to town, I guess you're what we're

311
00:16:16,760 --> 00:16:19,600
Speaker 1: about ten years before you got a record deal. So

312
00:16:19,840 --> 00:16:23,520
Speaker 1: what's that ten years like for you. It was great, man,

313
00:16:23,720 --> 00:16:26,520
Speaker 1: I mean I had a great time. I mean it

314
00:16:26,640 --> 00:16:29,040
Speaker 1: was tough. I mean it was during that time period

315
00:16:29,080 --> 00:16:33,320
Speaker 1: people were going there you maybe you should, you know,

316
00:16:33,440 --> 00:16:37,200
Speaker 1: think about doing something ill, you know. And I actually

317
00:16:37,200 --> 00:16:39,240
Speaker 1: lived from where when where we're sitting right here, I

318
00:16:39,680 --> 00:16:47,280
Speaker 1: probably lived two miles and but um, anyway, I had

319
00:16:47,560 --> 00:16:51,360
Speaker 1: ten years of just um trying to write songs. I

320
00:16:51,400 --> 00:16:54,720
Speaker 1: had a Reba McIntyre cut, I had a Doug Stone cut,

321
00:16:54,920 --> 00:16:58,440
Speaker 1: Dobie Gray cut one of my songs, The Man's Brothers.

322
00:16:58,720 --> 00:17:01,920
Speaker 1: I had just a few, you know, little cuts here

323
00:17:01,960 --> 00:17:04,720
Speaker 1: and there, but nothing that really was a big hit.

324
00:17:05,080 --> 00:17:08,040
Speaker 1: Were those cuts so substantial enough? And records were bought

325
00:17:08,320 --> 00:17:12,280
Speaker 1: to actually keep you paying your mortgage? I'm yeah, well

326
00:17:12,280 --> 00:17:16,160
Speaker 1: I didn't have a mortgage. Your rent, yeah, keep paying

327
00:17:16,280 --> 00:17:20,240
Speaker 1: really kept me playing my rent. But no, it wasn't enough.

328
00:17:20,520 --> 00:17:22,240
Speaker 1: It wasn't enough. I mean, now, if that would have

329
00:17:22,280 --> 00:17:25,760
Speaker 1: been on like a Garth record or Alabama or something

330
00:17:25,800 --> 00:17:29,520
Speaker 1: like that, yeah, but those records at the time, it

331
00:17:29,680 --> 00:17:32,320
Speaker 1: just it wasn't enough. It was enough to keep you

332
00:17:32,400 --> 00:17:36,199
Speaker 1: kind of going, keep you just to keep you, you know,

333
00:17:36,680 --> 00:17:40,919
Speaker 1: living the lifestyle of I'm a country music songwriter. What

334
00:17:40,960 --> 00:17:43,200
Speaker 1: was only growing up with you? What was always home

335
00:17:43,240 --> 00:17:46,960
Speaker 1: like in Illinois? It was great. It was small town USA,

336
00:17:47,240 --> 00:17:52,600
Speaker 1: you know, Um, it was small. Um. I grew up

337
00:17:52,640 --> 00:17:55,720
Speaker 1: in a small town called here in Illinois that about

338
00:17:55,840 --> 00:18:00,920
Speaker 1: you know, eight or nine thousand people and just like

339
00:18:01,000 --> 00:18:04,320
Speaker 1: so many small towns across the South and the Midwest

340
00:18:04,359 --> 00:18:07,919
Speaker 1: and the North, and you know all those little towns

341
00:18:07,920 --> 00:18:12,119
Speaker 1: with downtowns and dairy queen's and you know, so you're

342
00:18:12,160 --> 00:18:14,399
Speaker 1: a Cardinal fan. Yeah, so you live that part of

343
00:18:14,400 --> 00:18:16,600
Speaker 1: Illinois because I'm a huge Cubs fan. But you know

344
00:18:16,680 --> 00:18:21,680
Speaker 1: there's that Illinois part that's still Missouri is oh yeah, well, uh,

345
00:18:21,720 --> 00:18:25,359
Speaker 1: there's a line in Illinois that is Cardinal fans or

346
00:18:25,440 --> 00:18:28,600
Speaker 1: Cub fans. Like my father in law is a huge

347
00:18:28,600 --> 00:18:31,919
Speaker 1: Cub fan. But the thing about Cardinal and Cub fans

348
00:18:31,960 --> 00:18:34,159
Speaker 1: is there's nothing more fun than to go, like to

349
00:18:34,400 --> 00:18:37,679
Speaker 1: a St. Louis Cardinal Chicago Cub game in St. Louis

350
00:18:37,880 --> 00:18:42,320
Speaker 1: or at Rigley Field. And I've been, I've been at both,

351
00:18:43,000 --> 00:18:46,840
Speaker 1: and uh it's fun, man, And it's a good hearted rivalry.

352
00:18:47,200 --> 00:18:50,000
Speaker 1: I mean it's like the girl might have on the

353
00:18:50,080 --> 00:18:52,160
Speaker 1: Cardinal shirt and a guy might have the Cub shirt

354
00:18:52,240 --> 00:18:55,080
Speaker 1: on and everybody's sitting around a table at at a

355
00:18:55,160 --> 00:18:58,119
Speaker 1: place having a good time. You know, it's it's a

356
00:18:58,160 --> 00:19:00,959
Speaker 1: fun game to go to. I'm a huge Cubs fan.

357
00:19:00,960 --> 00:19:02,800
Speaker 1: I've been to a bunch of those games in both places.

358
00:19:03,400 --> 00:19:04,960
Speaker 1: It's not like the Yankees and Red Sox where you

359
00:19:05,040 --> 00:19:07,560
Speaker 1: worry about getting beat up. You leave, you go, you

360
00:19:07,600 --> 00:19:09,919
Speaker 1: go with In the Boston hat to Yankees game, you

361
00:19:10,040 --> 00:19:13,600
Speaker 1: might get jumped. You probably will get jumped. I think

362
00:19:13,600 --> 00:19:17,159
Speaker 1: a lot of people may they're listening to this may

363
00:19:17,200 --> 00:19:20,120
Speaker 1: not know all the songs you've written, and holy crap.

364
00:19:21,240 --> 00:19:22,880
Speaker 1: So did you ever just go you know, I'm gonna

365
00:19:22,920 --> 00:19:26,639
Speaker 1: put the artist stuff on hold consciously and just focus

366
00:19:26,640 --> 00:19:30,800
Speaker 1: on writing. Was that a thing? It wasn't on purpose,

367
00:19:30,840 --> 00:19:33,159
Speaker 1: but it kind of turned into that. I mean it

368
00:19:33,600 --> 00:19:37,280
Speaker 1: got to that and um, and then after I started

369
00:19:37,320 --> 00:19:40,399
Speaker 1: doing that, I just I wanted to just the the

370
00:19:40,480 --> 00:19:43,879
Speaker 1: lifestyle of being a songwriter is is pretty nice. What

371
00:19:44,000 --> 00:19:47,399
Speaker 1: was the first big cut that you had out that

372
00:19:47,440 --> 00:19:51,560
Speaker 1: we'll go single that wasn't your voice? The first one

373
00:19:51,600 --> 00:19:54,880
Speaker 1: that comes to mind, the first, like the biggest one,

374
00:19:55,200 --> 00:19:59,359
Speaker 1: I would say living in Fast Forward and um, I

375
00:19:59,440 --> 00:20:10,720
Speaker 1: have it right here, Basketball Star. So when I said

376
00:20:10,720 --> 00:20:12,520
Speaker 1: that in your mind, that's the first big one to you,

377
00:20:12,560 --> 00:20:14,199
Speaker 1: the first one that was the first one that was

378
00:20:14,240 --> 00:20:18,400
Speaker 1: just like the first one that just like I remember,

379
00:20:18,440 --> 00:20:24,199
Speaker 1: I was playing out at the Opry and one of

380
00:20:24,200 --> 00:20:27,600
Speaker 1: the guys from Sony or whatever label it was that

381
00:20:27,720 --> 00:20:30,359
Speaker 1: Kenny was on at the time came up and said, hey, man,

382
00:20:30,440 --> 00:20:32,639
Speaker 1: if you heard your Living in fast forward cut? And

383
00:20:32,760 --> 00:20:35,520
Speaker 1: I go, no, I haven't. I can't wait to hear it.

384
00:20:35,800 --> 00:20:38,080
Speaker 1: He goes, come on out, I'll played, I'll played in

385
00:20:38,119 --> 00:20:40,719
Speaker 1: my car and he played me that cut and I

386
00:20:40,760 --> 00:20:46,240
Speaker 1: was like, holy crap, man, I mean that thing rocked

387
00:20:47,200 --> 00:20:50,040
Speaker 1: better than well. First of all, we didn't do a

388
00:20:50,080 --> 00:20:53,159
Speaker 1: demo on that song, and when you do a demo,

389
00:20:54,080 --> 00:20:59,520
Speaker 1: um you basically cut the song. So whoever is listening

390
00:20:59,560 --> 00:21:01,280
Speaker 1: to produce, So as the artist, the A and R

391
00:21:01,359 --> 00:21:03,679
Speaker 1: people at the label, did they hear that song? And

392
00:21:03,680 --> 00:21:06,160
Speaker 1: they go okay, so and tell he could do this song.

393
00:21:07,680 --> 00:21:11,000
Speaker 1: And on that particular song, I was writing with Rivers,

394
00:21:11,080 --> 00:21:15,680
Speaker 1: Rutherford and uh Rivers and I had written all day

395
00:21:15,720 --> 00:21:20,000
Speaker 1: long writing another song, and uh, he goes, man, I

396
00:21:20,000 --> 00:21:22,480
Speaker 1: gotta go, I got we gotta get out of here.

397
00:21:22,920 --> 00:21:26,040
Speaker 1: About thirty minutes I gotta go meet with Buddy Cannon

398
00:21:26,200 --> 00:21:30,040
Speaker 1: because I'm gonna play some songs for Kenny. And I go,

399
00:21:30,080 --> 00:21:32,600
Speaker 1: all right, So we started, we started wrapping up, and

400
00:21:32,680 --> 00:21:35,040
Speaker 1: I go, hey, man, check out this idea and just

401
00:21:35,080 --> 00:21:38,719
Speaker 1: say if it does anything for you. And because you know,

402
00:21:38,880 --> 00:21:41,640
Speaker 1: it was a kind of a cool little groove and

403
00:21:41,640 --> 00:21:45,760
Speaker 1: and uh, I played, I played, I played a little

404
00:21:45,800 --> 00:21:49,760
Speaker 1: bit of that and rivers just on the guitar you

405
00:21:49,800 --> 00:21:53,880
Speaker 1: record it. I was just playing it, and he whipped out,

406
00:21:54,640 --> 00:21:56,680
Speaker 1: you know, his notebook, and he's like, the body is

407
00:21:56,680 --> 00:21:58,800
Speaker 1: a temple. That's what we're taught. I treated this plane,

408
00:21:58,840 --> 00:22:02,480
Speaker 1: and he just started writing and and we sat there

409
00:22:02,480 --> 00:22:04,760
Speaker 1: and wrote a verse and a course and part of

410
00:22:04,800 --> 00:22:09,119
Speaker 1: the second uh, part of the second verse. And he

411
00:22:09,240 --> 00:22:11,600
Speaker 1: left and he went to his meeting with Buddy, and

412
00:22:11,640 --> 00:22:14,400
Speaker 1: I guess at the end of the meeting, and he

413
00:22:15,000 --> 00:22:16,840
Speaker 1: played Buddy a couple of songs and he goes, hey man,

414
00:22:16,960 --> 00:22:19,959
Speaker 1: check out this little idea we just just wrote like

415
00:22:20,440 --> 00:22:23,760
Speaker 1: twenty minutes ago, and Buddy goes, man, I wanna put

416
00:22:23,760 --> 00:22:26,240
Speaker 1: that song on home for Kenny. And we hadn't even

417
00:22:26,240 --> 00:22:29,840
Speaker 1: finished We haven't finished it. I mean the second verse.

418
00:22:30,320 --> 00:22:34,280
Speaker 1: We had some questions about greasy cheeseburgers and cheap cigarettes.

419
00:22:34,320 --> 00:22:36,159
Speaker 1: I didn't know if Kenny would want to sing that.

420
00:22:37,040 --> 00:22:39,200
Speaker 1: And the other one is hill billy rock star line,

421
00:22:39,840 --> 00:22:44,200
Speaker 1: you know. And I remember calling Buddy again, well, well,

422
00:22:44,600 --> 00:22:47,080
Speaker 1: uh we we were talking to him as like, you think, Kenny,

423
00:22:47,119 --> 00:22:53,600
Speaker 1: I'll sing um greasy cheeseburgers and cheap cigarettes. And he goes, yeah,

424
00:22:53,760 --> 00:22:55,720
Speaker 1: he goes, I think he'll sing that, And how about

425
00:22:55,720 --> 00:22:58,639
Speaker 1: the hill billy rock star out of control and he goes, yeah,

426
00:22:58,680 --> 00:23:02,600
Speaker 1: he because I think he'll do that. And uh so

427
00:23:02,640 --> 00:23:05,960
Speaker 1: we we finished the song on and just recorded it

428
00:23:06,040 --> 00:23:09,840
Speaker 1: on like garage band, you know, on the computer, and

429
00:23:09,840 --> 00:23:12,160
Speaker 1: and gave it to Buddy and they cut it off

430
00:23:12,240 --> 00:23:15,960
Speaker 1: that so we literally didn't do a demode. So when

431
00:23:15,960 --> 00:23:17,720
Speaker 1: you heard it, it was really like you're hearing yeah

432
00:23:17,800 --> 00:23:20,840
Speaker 1: they I mean that whole production, everything they did, the

433
00:23:20,960 --> 00:23:24,679
Speaker 1: guitar parts, and I was like, damn, you know, have

434
00:23:24,800 --> 00:23:27,320
Speaker 1: you have you ever written a song and that situation

435
00:23:27,400 --> 00:23:29,399
Speaker 1: comes up with that, like I love this song, I

436
00:23:29,400 --> 00:23:31,160
Speaker 1: just can't talk about a red truck because I've never

437
00:23:31,160 --> 00:23:33,320
Speaker 1: had a red truck before. And you have to make

438
00:23:33,359 --> 00:23:36,000
Speaker 1: the decision do you change it? Did they change it?

439
00:23:36,080 --> 00:23:37,520
Speaker 1: Ended up being a writer on it, Like does that

440
00:23:37,560 --> 00:23:42,439
Speaker 1: has that popped up before? Uh? Not really not? You

441
00:23:42,560 --> 00:23:44,840
Speaker 1: mean like if some artists said, well I don't have

442
00:23:44,880 --> 00:23:46,440
Speaker 1: a red truck. Well, like Kenny, if you would have

443
00:23:46,440 --> 00:23:48,520
Speaker 1: said I don't rust the thing that you know cheeseburgers

444
00:23:48,560 --> 00:23:51,480
Speaker 1: and and cheap, you know, would he have changed it?

445
00:23:51,720 --> 00:23:53,359
Speaker 1: What do you have not taken a song? Are you

446
00:23:53,800 --> 00:23:55,960
Speaker 1: that much invested that you can't change the lirics of

447
00:23:56,000 --> 00:23:58,200
Speaker 1: the song? Oh no, I mean I would change a song.

448
00:23:58,480 --> 00:24:02,280
Speaker 1: I mean if if okay, now there's there's certain songs

449
00:24:02,320 --> 00:24:05,080
Speaker 1: that I might not change depending upon what I thought.

450
00:24:05,160 --> 00:24:08,240
Speaker 1: But if somebody said, no, I don't drive this kind

451
00:24:08,240 --> 00:24:09,879
Speaker 1: of truck. I drive that kind of truck and I

452
00:24:09,920 --> 00:24:11,879
Speaker 1: wanted to be a blue truck, not a red truck.

453
00:24:12,119 --> 00:24:14,679
Speaker 1: If they just said that, I go, oh yeah, you know,

454
00:24:15,000 --> 00:24:17,679
Speaker 1: sure I'd changed that. Has that everybody issue before or

455
00:24:17,720 --> 00:24:21,560
Speaker 1: someone comes back because I need this line changed? Oh yeah,

456
00:24:21,640 --> 00:24:26,680
Speaker 1: yeah sure, and depending on the artist, you'll do it. Yeah.

457
00:24:26,840 --> 00:24:29,320
Speaker 1: I mean, if somebody really just wants a line changed,

458
00:24:29,359 --> 00:24:34,840
Speaker 1: I mean it's not it's not like, um so important

459
00:24:35,000 --> 00:24:38,800
Speaker 1: you know that it couldn't be changed, you know to me?

460
00:24:38,880 --> 00:24:42,320
Speaker 1: I mean if somebody said, well, I can't say Chevy

461
00:24:42,400 --> 00:24:46,080
Speaker 1: because I've got Afford endorsement, and it's just you know,

462
00:24:47,359 --> 00:24:52,680
Speaker 1: I got this one right here pretty much launched Aldine

463
00:24:52,680 --> 00:24:56,119
Speaker 1: and the superstartup. He was pretty big, he was pretty

464
00:24:56,320 --> 00:24:58,199
Speaker 1: he was doing pretty good. He was doing good. But

465
00:24:58,280 --> 00:25:00,760
Speaker 1: this wasn't one that I say, super are This song

466
00:25:00,800 --> 00:25:02,800
Speaker 1: took him to the hold of the level. I mean,

467
00:25:02,800 --> 00:25:04,359
Speaker 1: this one was the one where I started to go

468
00:25:04,440 --> 00:25:07,280
Speaker 1: outside the country to it. People started to go, what's that?

469
00:25:07,520 --> 00:25:10,960
Speaker 1: What's that song? Big green tractor? So you wrote this

470
00:25:11,000 --> 00:25:14,879
Speaker 1: for who? Jim Collins? Did you when you wrote it?

471
00:25:15,160 --> 00:25:16,439
Speaker 1: Did you just throw it out to the world and

472
00:25:16,480 --> 00:25:18,639
Speaker 1: see who wanted or did you pitch it straight to Aldine?

473
00:25:19,320 --> 00:25:23,240
Speaker 1: Actually we pitched it to a couple of people first,

474
00:25:23,440 --> 00:25:31,280
Speaker 1: and it was Jason and his guys, like right off,

475
00:25:32,200 --> 00:25:36,399
Speaker 1: I mean, Michael Knox, who's Jason's producer, he uh, he

476
00:25:36,480 --> 00:25:39,320
Speaker 1: loved it right off the bat. But I remember the

477
00:25:39,440 --> 00:25:41,520
Speaker 1: night I came. I was I was at my farm

478
00:25:41,760 --> 00:25:45,320
Speaker 1: and uh, I've got a big green tractor and uh

479
00:25:45,359 --> 00:25:47,320
Speaker 1: I was riding around at it one night and I

480
00:25:47,359 --> 00:25:51,600
Speaker 1: had the headlights on and uh, bush Hogan as we

481
00:25:51,680 --> 00:25:54,320
Speaker 1: call it, you know, with the big more behind a

482
00:25:54,440 --> 00:25:57,880
Speaker 1: tractor and you know, just cutting down sticker bushes and everything.

483
00:25:58,600 --> 00:26:00,800
Speaker 1: And uh, I came up with that idea, and I'm

484
00:26:00,840 --> 00:26:04,080
Speaker 1: singing it to myself, you know, take your full right

485
00:26:04,240 --> 00:26:08,280
Speaker 1: on a big green tractor, just singing that and uh.

486
00:26:08,520 --> 00:26:10,520
Speaker 1: And I can't remember if it was the next day

487
00:26:10,680 --> 00:26:12,879
Speaker 1: or the day after that. I was writing with Jim

488
00:26:12,920 --> 00:26:17,080
Speaker 1: Collins and Jim wrote, she thinks my tractor sexy. And

489
00:26:18,760 --> 00:26:20,359
Speaker 1: so I walked in there and I go, hey, man,

490
00:26:20,400 --> 00:26:23,000
Speaker 1: you feel like you're writing another tractor song. He goes, yeah,

491
00:26:23,480 --> 00:26:26,600
Speaker 1: that's right. So we sat down there and we wrote

492
00:26:26,600 --> 00:26:31,680
Speaker 1: that song. And that's probably that. That song is really

493
00:26:31,680 --> 00:26:34,720
Speaker 1: fun to do live. I do it in my shows,

494
00:26:35,400 --> 00:26:37,600
Speaker 1: you know. Well, I do a bunch of those songs.

495
00:26:37,880 --> 00:26:40,800
Speaker 1: And uh, but big Green Tractor is a really special song.

496
00:26:40,840 --> 00:26:45,280
Speaker 1: I mean, everybody sings along to that one. How many

497
00:26:45,320 --> 00:26:47,840
Speaker 1: of these songs? Here's another one? How about Jake on

498
00:26:47,880 --> 00:26:51,880
Speaker 1: anywhere with you? Because you wrote it, you can play?

499
00:26:51,880 --> 00:26:56,639
Speaker 1: What right you ever play this one? Played it the

500
00:26:56,640 --> 00:26:59,879
Speaker 1: other night? Have you ever seen this is another one

501
00:27:00,000 --> 00:27:03,920
Speaker 1: of this's gotten better with age? Like it? It's harden

502
00:27:03,960 --> 00:27:07,080
Speaker 1: out the songs to stick because they move so fast

503
00:27:08,040 --> 00:27:10,640
Speaker 1: and so it's the ones that kind of come back again.

504
00:27:10,720 --> 00:27:17,720
Speaker 1: And this is one of those. Good anywhere anywhere with

505
00:27:17,840 --> 00:27:22,080
Speaker 1: you some earli ish Jake. They made a great record there.

506
00:27:22,280 --> 00:27:24,959
Speaker 1: I mean, I really love that record. I thought they

507
00:27:25,000 --> 00:27:27,480
Speaker 1: did a fantastic job. I did it the other night

508
00:27:27,560 --> 00:27:30,800
Speaker 1: and I'm Aha Nebraska and I did the Oh have

509
00:27:30,960 --> 00:27:36,520
Speaker 1: you ever seen? Oh Mahana Nebraska. Every time you set

510
00:27:36,560 --> 00:27:42,560
Speaker 1: them up the old gag. Everybody loves that old gag. Yeah,

511
00:27:42,560 --> 00:27:44,400
Speaker 1: that's the easy one. Well you just hit the name

512
00:27:44,400 --> 00:27:46,920
Speaker 1: of the town and somewhere and everybody like he's talking

513
00:27:46,960 --> 00:27:51,200
Speaker 1: about man it, let me talking about this. You know,

514
00:27:51,240 --> 00:27:53,240
Speaker 1: when it comes to your health, brushing your teeth, it's

515
00:27:53,240 --> 00:27:54,720
Speaker 1: one of the most important parts of your day. That's

516
00:27:54,720 --> 00:27:56,640
Speaker 1: why I do it so many times. Quip knows that

517
00:27:56,680 --> 00:27:59,800
Speaker 1: they've combined Dennis Strand designed to make a better electric

518
00:27:59,800 --> 00:28:02,800
Speaker 1: two brush. And if you have a mouth, Mom talking

519
00:28:02,840 --> 00:28:05,160
Speaker 1: to you, of course you have a mouth, but now

520
00:28:05,200 --> 00:28:06,639
Speaker 1: you can take better care of it with Quip the

521
00:28:06,680 --> 00:28:09,639
Speaker 1: electric toothbrush that looks like it was designed by Apple

522
00:28:09,680 --> 00:28:12,280
Speaker 1: and Cleans like premium electric brushes, but without the high price.

523
00:28:12,800 --> 00:28:14,639
Speaker 1: If you're a person with the mouth, it's likely you

524
00:28:14,680 --> 00:28:16,240
Speaker 1: don't brush your teeth for a full two minutes. You

525
00:28:16,280 --> 00:28:18,160
Speaker 1: don't do the tweinkwe a little stars whatever they say

526
00:28:18,160 --> 00:28:20,639
Speaker 1: to do. But with QUIP they get that they designed

527
00:28:20,640 --> 00:28:23,560
Speaker 1: the perfect electroc tooth brush. Quip is the new electroctooth

528
00:28:23,560 --> 00:28:25,760
Speaker 1: brush to pack the right amount of oberations into a

529
00:28:25,800 --> 00:28:28,600
Speaker 1: slimmer design and a fraction of the cost of the

530
00:28:28,680 --> 00:28:33,320
Speaker 1: bulk year. Traditional electric brushes and guiding pulses alert you

531
00:28:33,720 --> 00:28:37,400
Speaker 1: when it's time to switch sides, making the right effortless

532
00:28:37,400 --> 00:28:39,920
Speaker 1: and its the right amount of brushing. Also, EQUIP comes

533
00:28:39,960 --> 00:28:44,120
Speaker 1: with suctions and to your mirror, put right there and

534
00:28:44,280 --> 00:28:47,000
Speaker 1: unsticks as you cover for hygienic travel anywhere. I travel

535
00:28:47,000 --> 00:28:49,000
Speaker 1: a lot, So if you're going to your gym, carry

536
00:28:49,040 --> 00:28:51,800
Speaker 1: on clips awesome EQUIP start just twenty five bucks. You

537
00:28:51,800 --> 00:28:54,720
Speaker 1: can go to get quip dot com slash bones. Get

538
00:28:54,960 --> 00:28:57,120
Speaker 1: quip dot com g E T q U I P

539
00:28:57,560 --> 00:28:59,800
Speaker 1: get equip dot com slash bones. Get your first refail

540
00:28:59,840 --> 00:29:02,880
Speaker 1: pack free with the EQUIP like toothbrush, so first repell

541
00:29:03,040 --> 00:29:06,680
Speaker 1: just go get quip dot com slash bones. Get quip

542
00:29:06,840 --> 00:29:09,920
Speaker 1: dot com slash bones. I have one. It's awesome. Okay, So,

543
00:29:10,160 --> 00:29:13,200
Speaker 1: but so you're doing radio shows again where you go

544
00:29:13,200 --> 00:29:16,160
Speaker 1: out yeah and yeah, you go having a ball. Man.

545
00:29:16,240 --> 00:29:20,760
Speaker 1: I mean, I'm really loving it because it kind of man,

546
00:29:20,840 --> 00:29:24,480
Speaker 1: you're just going you're going out and and hanging out

547
00:29:24,520 --> 00:29:29,160
Speaker 1: with the folks and and playing music. And they love music, man,

548
00:29:29,360 --> 00:29:32,440
Speaker 1: I mean people love music. And they love those old

549
00:29:32,480 --> 00:29:34,640
Speaker 1: songs too. I mean not hope, I mean those are

550
00:29:34,680 --> 00:29:40,560
Speaker 1: not old songs. But um, it's fun because to go

551
00:29:40,640 --> 00:29:42,480
Speaker 1: out there and do those songs and then they here

552
00:29:42,760 --> 00:29:44,880
Speaker 1: everything's gonna be all right and they get and dust

553
00:29:44,920 --> 00:29:47,520
Speaker 1: on the bottling. They put like two and two together

554
00:29:47,520 --> 00:29:51,640
Speaker 1: and they go, oh, yeah, that's pretty cool. So it's uh,

555
00:29:52,280 --> 00:29:55,600
Speaker 1: it's it's a pleasure. Really, it's not. It's not a chore.

556
00:29:56,200 --> 00:29:58,880
Speaker 1: It's a pleasure. You have so many monsters here. I

557
00:29:59,000 --> 00:30:02,440
Speaker 1: made this one. Are you Gonna kiss me? The monsters?

558
00:30:02,480 --> 00:30:04,480
Speaker 1: That the biggest song, the most played song of the year,

559
00:30:04,520 --> 00:30:12,400
Speaker 1: and was just written. No, it wasn't. Um it was

560
00:30:12,560 --> 00:30:16,640
Speaker 1: it was it was just it was a guy song.

561
00:30:16,800 --> 00:30:19,600
Speaker 1: It wasn't a girl's song. In fact, Kieffer called me

562
00:30:19,720 --> 00:30:22,360
Speaker 1: up and he goes, hey, man, can you write this?

563
00:30:22,480 --> 00:30:26,479
Speaker 1: Can we change this? Here's an example of of what

564
00:30:26,520 --> 00:30:29,000
Speaker 1: we were talking about a while ago. Keefer called me

565
00:30:29,080 --> 00:30:31,080
Speaker 1: up and he said, hey, man, Kim, can we write

566
00:30:31,080 --> 00:30:35,720
Speaker 1: this to where all right, guy like Shaunikin sing some

567
00:30:35,880 --> 00:30:39,000
Speaker 1: of it because she was really that she was really

568
00:30:39,040 --> 00:30:45,080
Speaker 1: the main vocalist in in the band. Yeah, and uh,

569
00:30:45,200 --> 00:30:46,960
Speaker 1: I got a damn man, I don't know, it's kind

570
00:30:46,960 --> 00:30:50,560
Speaker 1: of it's kind of a guy's song. Uh, let's see

571
00:30:50,560 --> 00:30:53,480
Speaker 1: what we can do, you know. And then they called

572
00:30:53,520 --> 00:30:55,880
Speaker 1: back and said, forget it, We're just gonna do it

573
00:30:55,920 --> 00:30:59,800
Speaker 1: like it is. And so she sings harmony, she doesn't

574
00:30:59,840 --> 00:31:04,000
Speaker 1: really take the lead role in the song. And they

575
00:31:04,080 --> 00:31:06,840
Speaker 1: killed it. Man, I mean that song, and it played

576
00:31:06,880 --> 00:31:10,600
Speaker 1: for weeks and weeks and weeks, you know with a

577
00:31:10,600 --> 00:31:13,400
Speaker 1: bullet which was which is a bullet means it's still

578
00:31:13,400 --> 00:31:17,160
Speaker 1: moving at the charts And they just did a great

579
00:31:17,200 --> 00:31:21,040
Speaker 1: job with it. And the guys um, the guys that

580
00:31:21,040 --> 00:31:24,280
Speaker 1: that produced the record did a great job too. Yeah,

581
00:31:24,280 --> 00:31:26,200
Speaker 1: there was a monster. I believe it was the biggest

582
00:31:26,200 --> 00:31:29,960
Speaker 1: song of Like I think it was the most played song. Yeah.

583
00:31:30,120 --> 00:31:32,040
Speaker 1: I think it's gonna be add a plaque somewhere that

584
00:31:32,040 --> 00:31:43,080
Speaker 1: says most most played song. Man wrote this one. That

585
00:31:43,240 --> 00:31:46,560
Speaker 1: was me Keefer and Brett James, and we wrote that

586
00:31:46,640 --> 00:31:52,160
Speaker 1: in Um Colorado. Yeah. When you write with an artist,

587
00:31:52,760 --> 00:31:57,520
Speaker 1: are you always writing for the artist? Yeah. If you're

588
00:31:57,520 --> 00:31:59,480
Speaker 1: writing with Keeper from Tomas Square, you're working on a

589
00:31:59,520 --> 00:32:03,040
Speaker 1: specific Thompson Square projects. We're trying to write something. We're

590
00:32:03,040 --> 00:32:06,720
Speaker 1: trying to write something that is what they feel like

591
00:32:06,800 --> 00:32:10,440
Speaker 1: they need for their project. Like if they if they

592
00:32:10,480 --> 00:32:13,480
Speaker 1: say they want a party song, usually people want party.

593
00:32:13,600 --> 00:32:16,640
Speaker 1: Want me to write like a party kind of crazy.

594
00:32:17,040 --> 00:32:18,880
Speaker 1: Did ever go, let's do something like dust on the Bottle.

595
00:32:19,400 --> 00:32:22,080
Speaker 1: I've had people say that said, damn man, it took

596
00:32:22,120 --> 00:32:25,520
Speaker 1: me fifteen years to write that one and I haven't

597
00:32:25,520 --> 00:32:29,440
Speaker 1: written another one since. So. Yeah. So you get with

598
00:32:29,520 --> 00:32:32,080
Speaker 1: Thompson Square and they have the kind of song that

599
00:32:32,120 --> 00:32:33,480
Speaker 1: they want to write, and so you sit down and

600
00:32:33,480 --> 00:32:36,120
Speaker 1: you try to knock it up, try to It doesn't

601
00:32:36,120 --> 00:32:38,720
Speaker 1: always work. Do you enjoy writing with artists or Yeah?

602
00:32:38,800 --> 00:32:42,120
Speaker 1: I do. Yeah, Yeah, because I mean they I mean

603
00:32:42,240 --> 00:32:44,560
Speaker 1: most artists know what they kind of want to do,

604
00:32:44,920 --> 00:32:47,200
Speaker 1: and they kind of know what they're missing in their show.

605
00:32:47,680 --> 00:32:50,600
Speaker 1: And I get it because I get out there and

606
00:32:50,680 --> 00:32:53,120
Speaker 1: play and and I know what it's like. It's like

607
00:32:53,160 --> 00:32:56,480
Speaker 1: I want something that rocks. I want something that I

608
00:32:56,520 --> 00:33:01,840
Speaker 1: can walk around the stage and you know, just seeing

609
00:33:01,840 --> 00:33:04,200
Speaker 1: at the top of my lungs, or I want something,

610
00:33:04,280 --> 00:33:06,000
Speaker 1: I can just hit the brakes in the show and

611
00:33:06,040 --> 00:33:09,840
Speaker 1: slow down and have a cool like moment, you know

612
00:33:10,480 --> 00:33:12,960
Speaker 1: of a song. So you know what's funny about you?

613
00:33:13,000 --> 00:33:15,440
Speaker 1: As you ain't broke? You got sure a hole in

614
00:33:15,440 --> 00:33:17,840
Speaker 1: the armpit of it? What you got? You sure? I

615
00:33:17,880 --> 00:33:20,160
Speaker 1: got a big hole in the armpit. You an't? Yeah, broke.

616
00:33:20,480 --> 00:33:25,280
Speaker 1: It's comfortable. Yeah, that's fine. But that's why people like you.

617
00:33:25,320 --> 00:33:28,080
Speaker 1: That's what everybody says. They's like, man, David Murphy's the

618
00:33:28,160 --> 00:33:32,000
Speaker 1: nicest guy. Like he hasn't there's no he's just as him.

619
00:33:32,120 --> 00:33:34,880
Speaker 1: Well that's good, Yeah, that's true. When you were growing

620
00:33:34,920 --> 00:33:39,880
Speaker 1: up as a kid, who did you idolize musically? Oh? Man, Well,

621
00:33:41,480 --> 00:33:43,920
Speaker 1: I was a big skinnered fan when I when I

622
00:33:43,960 --> 00:33:48,440
Speaker 1: was young, I like skinnered. Do you remember the plane crash? Yeah? Yeah,

623
00:33:48,480 --> 00:33:51,360
Speaker 1: I was camping the night that it came over the

624
00:33:51,400 --> 00:33:55,320
Speaker 1: air and I would I had tickets to go see

625
00:33:55,600 --> 00:34:00,360
Speaker 1: Leonard Skinner the following Sunday in Evansville, Indiana. After the

626
00:34:00,400 --> 00:34:03,800
Speaker 1: plane crafter, the plane crashed and my buddy and I,

627
00:34:03,880 --> 00:34:06,000
Speaker 1: there were two or three of us. We were sitting

628
00:34:06,000 --> 00:34:08,600
Speaker 1: out in the woods in lawn chairs and we had

629
00:34:08,600 --> 00:34:10,200
Speaker 1: a camp fire and it was like on a Thursday

630
00:34:10,320 --> 00:34:14,239
Speaker 1: night when when I think it was a Thursday night

631
00:34:14,280 --> 00:34:17,680
Speaker 1: when the plane crashed and we're sitting out in the woods.

632
00:34:17,680 --> 00:34:20,240
Speaker 1: We gotta camp fire one and we're sitting there listening

633
00:34:20,320 --> 00:34:25,480
Speaker 1: to you know, music, and we turned over and you know,

634
00:34:25,520 --> 00:34:27,640
Speaker 1: we're just flipping through the channels and we turned over

635
00:34:27,680 --> 00:34:29,880
Speaker 1: to the classic mine. I don't even know what they

636
00:34:29,920 --> 00:34:31,799
Speaker 1: called the classic rock then, but we turned over to

637
00:34:31,840 --> 00:34:34,760
Speaker 1: the rock and rock and roll station and it said

638
00:34:34,920 --> 00:34:38,520
Speaker 1: Leonard Skinner's planes crashed. I was like, what I mean?

639
00:34:38,600 --> 00:34:42,879
Speaker 1: It was like, you know, it was just crazy. And

640
00:34:42,920 --> 00:34:45,759
Speaker 1: then we we were all going to go to the concert,

641
00:34:46,200 --> 00:34:49,239
Speaker 1: you know in Evansville, which was probably a two hour

642
00:34:49,400 --> 00:34:53,799
Speaker 1: drive from where I was. Remember that the radio, Yeah,

643
00:34:55,360 --> 00:34:58,399
Speaker 1: but they didn't know who was They didn't know at

644
00:34:58,400 --> 00:35:02,799
Speaker 1: the time who was in which plane? Yeah, and who left?

645
00:35:02,920 --> 00:35:05,640
Speaker 1: Yeah yeah, they just said Leonard Skinner. Uh, And that's

646
00:35:05,680 --> 00:35:07,640
Speaker 1: not really a person. Leonard Skinner is not really a person.

647
00:35:07,760 --> 00:35:11,279
Speaker 1: It was a band, right, it's the band Wow. But

648
00:35:11,400 --> 00:35:14,160
Speaker 1: it ended up being Ronnie van zandt Steve Gaines and

649
00:35:14,960 --> 00:35:19,560
Speaker 1: Cassie Gaines and in the band. But um, but yeah,

650
00:35:19,560 --> 00:35:22,319
Speaker 1: I was a huge skinnered fan and and and I

651
00:35:22,360 --> 00:35:25,080
Speaker 1: mean whenever I first moved to town. When I first

652
00:35:25,080 --> 00:35:30,080
Speaker 1: moved to Nashville, Uh, my manager worked for, um, Charlie

653
00:35:30,160 --> 00:35:33,120
Speaker 1: Daniels organization, so I was kind of tied in with

654
00:35:33,200 --> 00:35:36,200
Speaker 1: Charlie Daniels when I first moved to town, with that

655
00:35:36,239 --> 00:35:40,040
Speaker 1: whole organization. But I was a huge Whaling fan. I

656
00:35:40,080 --> 00:35:43,840
Speaker 1: mean I was a gigantic Whaling fan. I loved Haggard

657
00:35:44,520 --> 00:35:47,880
Speaker 1: and all of those classic guys. And at that time,

658
00:35:48,040 --> 00:35:50,400
Speaker 1: I mean I was really young, and they didn't have

659
00:35:50,480 --> 00:35:53,600
Speaker 1: like young country singers. You had to be forty life

660
00:35:53,600 --> 00:35:56,480
Speaker 1: experiences to sing about life experiences. Yeah, you had to

661
00:35:56,480 --> 00:36:01,439
Speaker 1: have like tons of wrinkles, you know, two scars and

662
00:36:01,920 --> 00:36:04,760
Speaker 1: have been there and done that to be taken seriously

663
00:36:05,200 --> 00:36:07,960
Speaker 1: as a country singer. And I was just a kid,

664
00:36:08,200 --> 00:36:11,719
Speaker 1: you know. So but I loved it. I had a

665
00:36:11,760 --> 00:36:14,160
Speaker 1: great time. I mean I love growing up in that

666
00:36:14,200 --> 00:36:16,520
Speaker 1: time period. Do you ever have any close calls an airplane?

667
00:36:17,360 --> 00:36:22,520
Speaker 1: Never have? Thank god? Man? Uh no, I mean I

668
00:36:22,600 --> 00:36:26,439
Speaker 1: think so, but no, not really. Yeah, like my cup

669
00:36:26,480 --> 00:36:29,480
Speaker 1: fell over because they had turbulence. I was gonna die. Yeah, yeah, yeah, yeah,

670
00:36:29,520 --> 00:36:33,759
Speaker 1: but we'll scream on the plane. Oh yeah, me, yeah,

671
00:36:33,800 --> 00:36:37,360
Speaker 1: that's a scream. Oh yeah, I'll be on the Southwest

672
00:36:37,360 --> 00:36:38,880
Speaker 1: flight I think when we're crashing in the ocean, like

673
00:36:38,960 --> 00:36:42,600
Speaker 1: right over Iowa. Yeah, those planes don't. I don't like that.

674
00:36:42,760 --> 00:36:45,279
Speaker 1: I don't like that. I've I've been lucky so far.

675
00:36:47,360 --> 00:36:50,840
Speaker 1: Yeah gone would yeah, man, this this song now, and

676
00:36:50,880 --> 00:36:53,560
Speaker 1: you have the record coming in April, right, Yeah, that's

677
00:36:53,600 --> 00:36:58,080
Speaker 1: that's what it's don't that's what it's called. ZEP. Where'd

678
00:36:58,080 --> 00:37:01,960
Speaker 1: that come from? Uh? It was we were just writing

679
00:37:02,000 --> 00:37:04,280
Speaker 1: one day and we came up with we started writing

680
00:37:04,280 --> 00:37:09,960
Speaker 1: a song and um, it's just about this guy imagining

681
00:37:10,320 --> 00:37:12,480
Speaker 1: that he would like to live in a place where

682
00:37:13,320 --> 00:37:15,200
Speaker 1: the whole the whole thing is like he's got this

683
00:37:15,239 --> 00:37:18,959
Speaker 1: imaginary girl and he's land and you know, a place

684
00:37:18,960 --> 00:37:23,320
Speaker 1: where his no zip code and he's it's just imaginary place.

685
00:37:24,200 --> 00:37:28,080
Speaker 1: From right now, everything's gonna be all right, everything's gonna

686
00:37:28,200 --> 00:37:31,600
Speaker 1: be back in the day. But our song was on

687
00:37:31,840 --> 00:37:37,680
Speaker 1: was in eight seconds? Yeah? What was that song called? Oh? Yeah,

688
00:37:37,719 --> 00:37:40,600
Speaker 1: this this is the first song on the eight Seconds times?

689
00:37:43,200 --> 00:37:44,480
Speaker 1: I big you deal? Was it to get on that?

690
00:37:45,719 --> 00:37:48,959
Speaker 1: It was pretty cool? At the time that when when

691
00:37:48,960 --> 00:37:53,440
Speaker 1: that um we did the video on that with the film,

692
00:37:53,640 --> 00:37:56,880
Speaker 1: with the footage from the movie, and that was the

693
00:37:56,960 --> 00:38:00,560
Speaker 1: first time. That was probably the first time that I

694
00:38:00,600 --> 00:38:03,560
Speaker 1: would walk through somewhere and somebody would come up and go, hey, man,

695
00:38:04,040 --> 00:38:08,160
Speaker 1: aren't you David Leege Murphy, you know, and because it

696
00:38:08,280 --> 00:38:11,839
Speaker 1: was like total anonymity up until that point, and then

697
00:38:12,000 --> 00:38:15,319
Speaker 1: it was like I saw your video and uh, you know,

698
00:38:15,520 --> 00:38:19,200
Speaker 1: videos were huge at that time period. I mean, you know,

699
00:38:19,400 --> 00:38:23,000
Speaker 1: all the country music channels, and it was really fun.

700
00:38:23,080 --> 00:38:26,360
Speaker 1: I mean I missed those videos because it was entertainment.

701
00:38:26,360 --> 00:38:28,760
Speaker 1: You could put the videos on and just be goofing

702
00:38:28,760 --> 00:38:31,520
Speaker 1: around in your house and there's a country music video

703
00:38:31,560 --> 00:38:35,360
Speaker 1: playing of whoever you know, Brooks and Dunn or you know,

704
00:38:35,480 --> 00:38:38,880
Speaker 1: Dwight Yoakum or Shinai Twain or it was just it

705
00:38:39,000 --> 00:38:42,279
Speaker 1: was there was always something playing. Who was in your

706
00:38:42,320 --> 00:38:43,920
Speaker 1: class when you moved to town? Who kind of moved

707
00:38:43,920 --> 00:38:46,400
Speaker 1: to town around that time? You guys kind of come up,

708
00:38:46,440 --> 00:38:49,960
Speaker 1: started writting together, figuring out the city together. Well, there

709
00:38:49,960 --> 00:38:52,080
Speaker 1: were guys that that I got to be friends with

710
00:38:52,120 --> 00:38:55,760
Speaker 1: early on it that were, you know, playing around in bars,

711
00:38:55,800 --> 00:39:02,360
Speaker 1: like Steve Earle, he was playing, Umm, Bill Lloyd, Radney Foster,

712
00:39:03,280 --> 00:39:06,120
Speaker 1: those guys, we were all kind of in the same

713
00:39:06,600 --> 00:39:10,720
Speaker 1: little time period there. And um but I remember Randy

714
00:39:10,760 --> 00:39:16,240
Speaker 1: Travis playing out at the Nashville Palace and U yeah,

715
00:39:16,440 --> 00:39:19,680
Speaker 1: he was the house band out there. But I remember,

716
00:39:19,760 --> 00:39:23,680
Speaker 1: oh and Kicks. I remember Kicks and Ronnie Kicks and

717
00:39:23,680 --> 00:39:28,920
Speaker 1: I were the two, um, token skinny white guy bouncers

718
00:39:29,600 --> 00:39:32,239
Speaker 1: for the concert down there. You know, we were the

719
00:39:32,360 --> 00:39:36,680
Speaker 1: two you know, we were both musicians, and they had us,

720
00:39:36,920 --> 00:39:39,600
Speaker 1: you know, down there in yellow T shirts. You know,

721
00:39:39,640 --> 00:39:42,680
Speaker 1: it's like they put us backstage, you know, it was.

722
00:39:42,840 --> 00:39:45,640
Speaker 1: It was really funny. But we got like thirty five

723
00:39:45,640 --> 00:39:48,759
Speaker 1: bucks apiece to stand down there and make sure, you know,

724
00:39:49,000 --> 00:39:51,920
Speaker 1: when when you're at that point in your life, and

725
00:39:51,920 --> 00:39:55,120
Speaker 1: thirty five dollars means a lot. But Kicks and I

726
00:39:55,280 --> 00:39:57,239
Speaker 1: we still laugh about. I mean we still talk about.

727
00:39:57,239 --> 00:40:00,160
Speaker 1: It's like, yeah, I remember because they they had all

728
00:40:00,200 --> 00:40:02,480
Speaker 1: these other guys who were these great, big o like

729
00:40:02,680 --> 00:40:07,000
Speaker 1: defensive linemen you know, from you know, college kids down there,

730
00:40:07,000 --> 00:40:08,720
Speaker 1: and Kicks and I were down there and I probably

731
00:40:09,200 --> 00:40:15,440
Speaker 1: probably waged about one Kicks is probably about one seventy,

732
00:40:15,800 --> 00:40:20,120
Speaker 1: you know, but we both we both worked for UM

733
00:40:20,280 --> 00:40:22,839
Speaker 1: Sound seventy indirectly and they did all the big rock

734
00:40:22,880 --> 00:40:25,759
Speaker 1: shows in the big concerts here in in Nashville. So

735
00:40:26,080 --> 00:40:33,120
Speaker 1: look at this from just one dust on the bottle,

736
00:40:35,200 --> 00:40:38,960
Speaker 1: a little on the bottle. Everything's gonna be all right,

737
00:40:39,120 --> 00:40:42,200
Speaker 1: He's gonna be I got it again. Here you going

738
00:40:42,400 --> 00:40:44,120
Speaker 1: like right now, you're the top twenty. I look before

739
00:40:44,120 --> 00:40:48,040
Speaker 1: you came over the top twenty. It's crazy. I can't

740
00:40:48,040 --> 00:40:52,400
Speaker 1: stop stop. It's fun man. Good luck with the record.

741
00:40:52,719 --> 00:40:54,279
Speaker 1: Thank you I played. Listen to it and play it

742
00:40:54,280 --> 00:40:56,640
Speaker 1: when it comes out. Yeah, thank you for playing this

743
00:40:56,680 --> 00:40:59,479
Speaker 1: one again. I love it, I said at the beginning,

744
00:40:59,520 --> 00:41:01,120
Speaker 1: I said again, this is my favorite song right now

745
00:41:01,120 --> 00:41:04,160
Speaker 1: on the radio. I'm really if I appreciate you comingup

746
00:41:04,160 --> 00:41:06,239
Speaker 1: with the house. I'm a big fan. You've always been

747
00:41:06,320 --> 00:41:08,120
Speaker 1: very kind to me out and about, and so I

748
00:41:08,200 --> 00:41:11,000
Speaker 1: was very I was excited when you were coming over.

749
00:41:11,280 --> 00:41:13,960
Speaker 1: Thank you, Thank you for having me. So we'll wrap

750
00:41:14,000 --> 00:41:17,799
Speaker 1: it up. Thanks. No zip code in April, and if

751
00:41:17,840 --> 00:41:20,479
Speaker 1: you're listening to this after April, no zip codes out now,

752
00:41:21,040 --> 00:41:22,719
Speaker 1: and you'd like for them to listen to it, would

753
00:41:22,800 --> 00:41:29,040
Speaker 1: they listen? Listen to listen. They're back in there. Bringing

754
00:41:29,080 --> 00:41:31,799
Speaker 1: the horns there. It is all right, good, it's good

755
00:41:31,800 --> 00:41:33,160
Speaker 1: to see you. Good talk to you. All right,