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Speaker 1: And That's what you Really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You Really miss podcasts.

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Speaker 2: Hello Kenn, Hey Jenna.

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Speaker 1: Wow, this is a big one. This is a really

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Speaker 1: big one.

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Speaker 2: It is I'm scared. I'm scared about this one because

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Speaker 2: people have a lot of thoughts and feelings about this episode.

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Speaker 1: Well obviously, yeah, I mean if they didn't care, we'd

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Speaker 1: be in trouble.

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Speaker 2: And even like knowing that it's this episode, it's season

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Speaker 2: four episode for the Breakup, aired October four, twenty twelve.

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Speaker 2: But even knowing it's called the Breakup and knowing there's

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Speaker 2: going to be breakups, it still didn't really prepare me

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Speaker 2: properly for the intensity of this episode and very true.

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Speaker 2: Can imagine the cleek chaos that ensued after fans watching

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Speaker 2: this when it was actually on.

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Speaker 1: For sure, Well let's let's talk about it. So let's

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Speaker 1: get through this news. This news. The number one song

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Speaker 1: was One More Night by Moroun five again and a

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Speaker 1: number one movie. Okay, Hotel Transylvania. Didn't see it, didn't

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Speaker 1: see it?

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Speaker 2: Cool?

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Speaker 1: Heard about it. I know this is an animated film,

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Speaker 1: but didn't see it. Well, you have a kid now,

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Speaker 1: so maybe this will show up in your life at

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Speaker 1: some point. You're right, you know what, when she's old enough.

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Speaker 1: I bet you.

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Speaker 2: Yeah, that is true. I mean because the cast stack

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Speaker 2: Adam Sandler, Andy Sandberg, Selina Gomez, Kevin James, Stevemy, Molly Shannon,

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Speaker 2: come on.

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Speaker 1: Okay, fine, well of course it's number one then, okay,

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Speaker 1: Glee News this week. So on October thirteen, some of

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Speaker 1: the Glee cast attended the premiere of American Horror Story. Asyluce,

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Speaker 1: that's that's season two?

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Speaker 2: Is it season two? I remember going to this.

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Speaker 1: I see a picture of you in uh.

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Speaker 2: Really phoned it in with this outfit here.

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Speaker 1: And your outfit is Your haircut was very NLT time,

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Speaker 1: look like elder Emo style.

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Speaker 2: I would sometimes straighten my hair and I'm not sure why.

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Speaker 2: It was very of the time.

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Speaker 1: It was very of the time. It was appropriate. It worked.

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Speaker 2: I mean it didn't work for me, but it did

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Speaker 2: work for some people. I still did it though, No,

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Speaker 2: it worked.

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Speaker 1: It's just funny to look back on it now.

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Speaker 2: It's very it's dated. It's it's a dated look.

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Speaker 1: And I see Lean Quarry on this carpet looking very close.

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Speaker 1: I mean, yeah, I think this was not the premiere

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Speaker 1: as a couple though. I think it was like the

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Speaker 1: Crystalist Ball or something that they go to every year,

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Speaker 1: and I think they came out on that carpet and

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Speaker 1: that was the first time. I don't remember, but yes.

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Speaker 2: This was an easy one for us to attend because

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Speaker 2: it was at Paramount where we were shooting. So I

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Speaker 2: remember we got ready and just went over. It was

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Speaker 2: me and Corey and Chris and I and Leah and

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Speaker 2: Cored and Melissa, Jacob, Becca, Alex Dean, Lauren Dott and Jane.

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Speaker 2: You decided to you could have been working.

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Speaker 1: I could have been working. Maybe I could have also

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Speaker 1: opted out. I did go to Horror Story three, I

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Speaker 1: think the season three premiere. Anyway, it was an easy

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Speaker 1: one to get to, so I'm not sure why it

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Speaker 1: wasn't there.

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Speaker 2: But she was crazy.

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Speaker 1: So this episode was directed by the one and only

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Speaker 1: Alfonso Gomzrah. Of course you can tell as you watch it.

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Speaker 1: The storytelling is excellent.

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Speaker 2: Really, I was confused by who directed it, and then

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Speaker 2: you and I started texting, and then once it gets

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Speaker 2: towards the end, you're like, oh, wow, this is a

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Speaker 2: Fonso episode.

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Speaker 1: Okay, I knew pretty early on. Okay, the songs in

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Speaker 1: this episode are Barely Breathing by Duncan Chic. Ironically he

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Speaker 1: will go on to right Spring Awakening.

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Speaker 2: Well, no, he hasn't.

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Speaker 1: Written it already, but post this song correct. Yes, give

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Speaker 1: Your Heart a Break by Demi Lovato, Teenage Dream acoustic

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Speaker 1: live version, Don't Speak by No Doubt Mine by Taylor Swift,

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Speaker 1: and The Scientist by Coldplay. So watching this episode, obviously,

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Speaker 1: I was like, I don't remember what's in this episode.

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Speaker 1: I was watching it with my ex slash bff Marco,

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Speaker 1: who's staying with you right now.

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Speaker 2: It's complicated and he's like, what is this episode? Called him?

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Speaker 2: Like the Breakup? He's like, isn't this Scientist in this? How?

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Speaker 1: See? You know? Viewers were much more tuned in than

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Speaker 1: we were.

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Speaker 2: Version of The Scientist. He was singing all the different Wow,

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Speaker 2: that's the.

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Speaker 1: One that stuck out for me though, I mean they

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Speaker 1: were all quite good, but that's the one that really

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Speaker 1: stuck out for.

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Speaker 2: It makes sense watching it again. So there's a lot

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Speaker 2: of fun facts for this episode. As we mentioned, Teenage

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Speaker 2: Dream was live and Darren's personal arrangement, but the vocals,

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Speaker 2: the piano, all of it was done whilst filming, which

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Speaker 2: never happens.

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Speaker 1: I had to look it up. I was watching him

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Speaker 1: perform this and was like, does he have perfect pitch

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Speaker 1: or is this recorded? And in this song, I was like,

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Speaker 1: he sounds pre recorded. He sounds so clear on this song,

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Speaker 1: and I had to google and see if it was

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Speaker 1: live or if it was in a pre record.

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Speaker 2: It makes sense, I understand. Alfonso seems like someone who

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Speaker 2: would be down for this because you're not able to

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Speaker 2: really show the emotion in a pre recorded track and

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Speaker 2: this totally full song and performance is emotion all performance.

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Speaker 1: Yeah, exactly.

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Speaker 2: Apparently.

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Speaker 1: Darren also also allegedly pitched Don't Speak as the breakup song,

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Speaker 1: which was the breakup song Well damn.

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Speaker 2: Teeny Dream is the second song that got released a

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Speaker 2: second time with a different arrangement. The first was Don't

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Speaker 2: Stop Believing. I mean we end up doing like eight

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Speaker 2: few of that. Yeah. Yeah. After details of this episode

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Speaker 2: were leaked during filming because they were shooting in public

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Speaker 2: spaces in New York so people could actually see them

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Speaker 2: walking around breaking up, Darren wrote a letter to the

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Speaker 2: fans of the show that led some people to believe

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Speaker 2: his character would be leaving and you can actually find

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Speaker 2: the letter online.

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Speaker 1: He loves that stuff, doesn't he Yeah.

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Speaker 2: Whoa, whoa.

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Speaker 1: I mean, there's no world in which they're writing blame

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Speaker 1: off at this point. But I appreciate the fun talk.

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Speaker 2: He had the second most songs and anyone he wasn't

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Speaker 2: going anywhere.

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Speaker 1: I appreciate the the game he played with our with

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Speaker 1: our fans or theusiams.

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Speaker 2: And this is fun.

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Speaker 1: So Kurt's work number apparently is two one two five

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Speaker 1: five five one four five two. Uh, this seems like

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Speaker 1: a more legit or plausible number than most numbers you

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Speaker 1: hear in uh other TV shows.

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Speaker 2: I mean they're always five, five five, right, And.

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Speaker 1: I guess I guess the two one two is like

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Speaker 1: something that I was like, Oh wow, they used the

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Speaker 1: area code too.

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Speaker 2: But maybe that's just I don't know.

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Speaker 1: Something that I just noticed.

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Speaker 2: When Emma says, oh, my goodness, mister Schuster goes to Washington,

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Speaker 2: it is a reference to the nineteen thirty ninth film

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Speaker 2: Mister Smith Goes to Washington. Very cute.

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Speaker 1: That was probably that was probably an Ian reference. And

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Speaker 1: this is the first fourth episode of a season in

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Speaker 1: which no new member joins Lea Lee Club. We'll see

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Speaker 1: something later. We'll get that one episode later. But Puck, Mike,

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Speaker 1: and Matt joined Pregger, Sam joins in duets where I

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Speaker 1: joins in pot of gold, and yeah, that's interesting. That's

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Speaker 1: a fun little thing.

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Speaker 2: Prior to this episode airing, in a tweet, Ryan dubbed

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Speaker 2: this the best episode we have ever done. It's probably

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Speaker 2: because I wasn't in it at all. Yeah, you and

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Speaker 2: I were in one scene. That seems like finally a

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Speaker 2: good episode.

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Speaker 1: I literally watched this and I had to text Kevin

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Speaker 1: afterwards because I had figured, like I watched it pretty

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Speaker 1: far in advance. So I toes Kevin and I said,

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Speaker 1: can you just rewind when you're watching it, notice if

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Speaker 1: I'm in it? Because I didn't even look for myself.

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Speaker 1: And then I was like, was I in this or not?

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Speaker 1: And I could have sworn it was because that would

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Speaker 1: have been something memorable in my mind that I had that.

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Speaker 2: But we were.

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Speaker 1: We were in that one scene returns.

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Speaker 2: Yeah, we're in one scene. And I also, the only

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Speaker 2: thing I kept holding onto is like, I know, I

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Speaker 2: was in one hundred straight episodes, So you were in this.

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Speaker 2: I'm like, I got to be in here somewhere. Funny,

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Speaker 2: I barely make it.

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Speaker 1: Let's go couple by a couple, because I think that's

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Speaker 1: the way this is going to pan out.

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Speaker 2: Is that you think that's right? Yes? And before we do,

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Speaker 2: here's the summary of this episode. In New York City,

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Speaker 2: Rachel and Kurt are caught off guard by unexpected visitors. Meanwhile,

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Speaker 2: Santana and Brittany adjust to their long distance relationship. Hmmm,

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Speaker 2: wo wow wow.

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Speaker 1: I guess we open with the with Jake and Marley. Right,

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Speaker 1: they're bonding over the free lunch tickets. Jake admits that

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Speaker 1: he is also his mom was doing well and then

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Speaker 1: ended up working in a restaurant and working for tips,

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Speaker 1: and so she's he is also on free lunch tickets

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Speaker 1: and kind of finds his way in with Marlee there

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Speaker 1: and they bond. But I just we have to get

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Speaker 1: through this because most ridiculous thing I've ever seen, insane.

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Speaker 1: Kitty invites everybody in the glee club to the Left Behind.

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Speaker 2: Club that Brittany is also a part of, right, and

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Speaker 2: it's fully into.

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Speaker 1: And she's talking about Kitty is talking about this rapture

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Speaker 1: with a rapture that's undoubtedly going to happen, which is psychotic.

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Speaker 1: But I find very funny, and then they they stage

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Speaker 1: a fake rapture on Dottie has a starry because she

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Speaker 1: doesn't believe that it's actually going to happen. It is unhinged.

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Speaker 1: It actually is really crazy.

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Speaker 2: The ship Becca has to say is bonkers.

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Speaker 1: I almost texted her about it because I just it's

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Speaker 1: absolutely I'm also just I'm so impressed with Becca because

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Speaker 1: she came into the show never having done TV again,

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Speaker 1: didn't even know what a mark was to hit. But

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Speaker 1: I feel like in these next two episodes, this episode,

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Speaker 1: in the next episode, she's owning every scene she's in

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Speaker 1: because you can't be that dominant of a character and

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Speaker 1: not crazy dialogue and not take over the scenes. So true,

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Speaker 1: so true, And I'm just every time she's on screaming,

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Speaker 1: I don't understand how this is her fourth episode of

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Speaker 1: TV now, it's so funny, like it's bonkers. She's very

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Speaker 1: funny though, that's the thing. She's just a very funny human.

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Speaker 1: So she very translates yea, and it translates. It totally translates,

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Speaker 1: but really really ridiculous storyline that I actually enjoyed watching.

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Speaker 2: I felt so bad poor Dottie.

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Speaker 1: I had the things we do to her and in

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Speaker 1: particular me, but Kitty in this in this respect, and

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Speaker 1: so the rapture with the clothes and everything, it's very

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Speaker 1: funny it is she comes in and is just distraught.

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Speaker 2: I like that everybody is fully buying into this, though

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Speaker 2: totally totally.

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Speaker 1: But this leads to Jake, Jake kind of breaking up

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Speaker 1: a kitty, and that will propel us into later with

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Speaker 1: like the whole love triangle of Katy, Marley and Jake

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Speaker 1: and getting.

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Speaker 2: To the extent of yes, this is most of the

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Speaker 2: stuff that happens at the school.

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Speaker 1: That's it.

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Speaker 2: That's it, and other than Finn, because what propels the

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Speaker 2: rest of these gigantic breakups is an initial scene where

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Speaker 2: Jake and Marley are bonding and Blaine and Brittany are

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Speaker 2: watching and like, oh young love, want want, We don't

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Speaker 2: have that anymore because our significant others are away, but

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Speaker 2: they should. Yes.

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Speaker 1: Also, did you notice Brittany's lunch during that scene? No?

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Speaker 2: What was it?

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Speaker 1: Okay? There were two Hamburger sliders and there were holes

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Speaker 1: punched in them and just fries like little flags sticking

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Speaker 1: out of both like little plants. I'm sure she did that. Yeah,

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Speaker 1: but I thought it was very funny, it's cute.

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Speaker 2: Good observation. Thanks. I thought this episode started off really rough.

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Speaker 1: Like as in not good, yes, okay.

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Speaker 2: And like all of these things for all the different partners.

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Speaker 2: It all seemed so to me, like disjointed, yes and weird,

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Speaker 2: like we are just like crowbarring in all of these

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Speaker 2: situations and like one line is setting everybody off Yes

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Speaker 2: and a tailspin. Agreed, and I was just like, what

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Speaker 2: is happening? It felt like bad TV for a hot minute.

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Speaker 1: I agree with you, I agree with you there. I

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Speaker 1: think also for me, this was built up as a

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Speaker 1: very big episode for Lee. You know, Sam, I'm our producer.

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Speaker 1: It said, like, this is a really big episode. The

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Speaker 1: fans really feel very strongly about this episode. Obviously, Ryan

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Speaker 1: you know saying this is one of the best episodes

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Speaker 1: we've ever done. That's a big statement from coming from him.

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Speaker 1: And so my expectations were, like, you start with a bang,

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Speaker 1: you end with the bang, right, this built it totally built, Yes,

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Speaker 1: And by the mid mid show I was hooked.

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Speaker 2: I was like in, I got got and we can

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Speaker 2: you know we'll yeah. Well, the numbers were also all

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Speaker 2: weird to me too, in the beginning where it was

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Speaker 2: like everything was just like slow walking and staring.

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Speaker 1: And I also felt like some of these numbers came

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Speaker 1: out of literally somebody ending a line out of nowhere starting.

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Speaker 2: Which makes me uncomfortable. I'm not a musical girly like

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Speaker 2: that who just loves people break into.

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Speaker 1: Song totally, and that's not our It doesn't not always

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Speaker 1: feel like that either for us for our show.

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Speaker 2: Because if it does, sometimes it's funny, it's satirical. This

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Speaker 2: will very like we were taking ourselves very seriously. Agreed,

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Speaker 2: But I agree with you. I think the last quarter

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Speaker 2: of this episode, by the time we were doing Teenage Dream,

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Speaker 2: I was in it. I think mine was a little later.

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Speaker 2: Mine was fair enough. Don't speak okay, like we'll get to.

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Speaker 1: It, but yeah, I will say though Barely Breathing, I

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Speaker 1: was here for it. I love that song and I

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Speaker 1: loved their version of it.

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Speaker 2: Yes, I let me be clear, I'm not saying I

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Speaker 2: did not like the versions of these songs totally. I

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Speaker 2: think the versions of the songs were all great.

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Speaker 1: They just felt a little at I would to listen

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Speaker 1: to them great now. Yeah, Barely Breathing it will be

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Speaker 1: on my playlist. In the episode Scientists, different story have

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Speaker 1: to watch it in the episode. Absolutely, okay, cool. Let's

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Speaker 1: talk about some other couples then, because this is important.

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Speaker 1: I think we should talk about Will and Jama before

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Speaker 1: we get into the main worry.

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Speaker 2: Let me tell you Will pissing me off. Oh man,

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Speaker 2: he is? What is it?

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Speaker 1: So?

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Speaker 2: Okay? Will gets on the Blue Ribbon panel to improve

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Speaker 2: the arts education around the country and we'll be heading

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Speaker 2: to Washington. Great, joyous. Love that for him, and then

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Speaker 2: he springs it on Emma, like, come with me. It's

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Speaker 2: for a few months. You have tenure. It's completely fine.

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Speaker 2: You can get your job back. And she's like, pump

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Speaker 2: the brakes, right, that's not my dream, that's your dream.

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Speaker 2: And I love that for you. But I don't love

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Speaker 2: that for me. And it's not because I'm scared. It's

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Speaker 2: because I love my students, right. And he doesn't understand

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Speaker 2: it and gets all offended, and it was really uncomfortable

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Speaker 2: to watch, and I just wanted to like slap him.

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Speaker 1: He's not listening, that's the problem. And it's infuriating to

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Speaker 1: watch couples. Even I've been watching a lot of reality

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Speaker 1: TV right now. It's infuriating to watch toxic couples that

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Speaker 1: don't know how to communicate. Will we're learning doesn't know

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Speaker 1: how to communicate. And Jama on the other sorry. Emma

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Speaker 1: on the other hand, is an excellent communicator, well in

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Speaker 1: most ways right when it doesn't come to.

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Speaker 2: But she's also showing progress. I feel like when to herself,

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Speaker 2: she hasn't always been the best communicator about like the

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Speaker 2: shorter topics, but immediately she's like, this isn't my dream,

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Speaker 2: and it's.

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Speaker 1: This is yours, and it's because a few months get

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Speaker 1: out of here. Yeah, will, Look, I see how he

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Speaker 1: would want her to go with him, but this isn't

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Speaker 1: always about Will.

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Speaker 2: Yeah. And also like, maybe ease into it when you

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Speaker 2: just initially propose leaving for months from your home and

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Speaker 2: your place of work, like that can take some time

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Speaker 2: to wrap your head around totally. And so like, why

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Speaker 2: are you getting offended that she's not immediately as gung

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Speaker 2: ho on board as you are. M hm oh oh,

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Speaker 2: it rubbed me the wrong way. I'm kind of used

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Speaker 2: to it by now. Didn't get me. Yeah, exactly, I

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Speaker 2: think because it felt like everybody's learning. You also see

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Speaker 2: the kids communicating, right, The kids are learning to communicate

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Speaker 2: more clearly in this episode dealing with complex saying long

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Speaker 2: distance is hard. Yeah, for sure it is, which is

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Speaker 2: also funny. So Marco, who I was watching it with,

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Speaker 2: we were together like seven years. We were long distance

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Speaker 2: for half of that. Yeah, during these seasons of Glee.

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Speaker 1: Actually, yes, yes, so it was really funny that we

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Speaker 1: watched this episode together, right, That is funny. You guys

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Speaker 1: also did communicate really well, more mature than most people

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Speaker 1: that I know. So you did very good at that

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Speaker 1: very open.

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Speaker 2: Yes.

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Speaker 1: I didn't realize everybody was about to break up in

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Speaker 1: this episode, and I don't really remember this episode, to

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Speaker 1: be very honest, so I felt like I was watching

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Speaker 1: this for the first time.

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Speaker 2: I remember some of it. I also didn't remember they

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Speaker 2: all broke up, And I also felt like they all

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Speaker 2: sort of came out of not nowhere. And I mean

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Speaker 2: it's sort of in a good way, Like there was

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Speaker 2: each of them had almost a misleading conversation and at

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Speaker 2: the very end, are like.

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Speaker 1: But right, right, right right, And nobody thought like all

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Speaker 1: three of them were going to go no direction right,

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Speaker 1: especially Ratio acting.

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Speaker 2: The acting was happening. There were so many tears. Everybody

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Speaker 2: was really really good. Let's start with curtain Blaine Blaine was.

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Speaker 1: A kind of instigated or I guess maybe in I

351
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Speaker 1: don't know what the word is, inspired by Brittany saying like,

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Speaker 1: how aren't we supposed to have this like young love

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Speaker 1: and still be fresh and fun and enjoying ourselves and

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Speaker 1: et cetera. And Blaine's feeling very lonely and he texts

355
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Speaker 1: this guy who says, do you want to come over?

356
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Speaker 1: But then we cut to New York where Blaine shows

357
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Speaker 1: up at the door where he surprises Kurt.

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Speaker 2: I also did sort of love the him trying to

359
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Speaker 2: call Kurt having the Devils product, like on the phone,

360
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Speaker 2: I'm very busy Joan Didion's.

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Speaker 1: He is, I love Chris, we love Devil's Product. We

362
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Speaker 1: were shooting the show, we would quote Deuvila's Prada often

363
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Speaker 1: on set, and so I love that this kind of

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Speaker 1: came to fruition for Kurt in this way that he

365
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Speaker 1: was working at Fogue.

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Speaker 2: I also love to call out about how Kirk got

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Speaker 2: his job when Santana's talking about like all he did

368
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Speaker 2: was to take pictures of the outfits every day and

369
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Speaker 2: got this job, Like what the hell again? One of

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Speaker 2: those I moments to like let the show reference itself

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Speaker 2: out exactly. Sorry you were saying, no, well, we didn't know.

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Speaker 1: We don't know yet if he actually went over to

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Speaker 1: his house, the the other the other guy Eli's house

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Speaker 1: at this point, but I mean we get it during

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Speaker 1: teenage Dream. Yes. I loved this, I really, I really

376
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Speaker 1: I find that Blaine sometimes always gets these very polished,

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Speaker 1: put together numbers. They're huge, they're in the courtyard, they're

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Speaker 1: backed up by a thousand singers and dancers. So and

379
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Speaker 1: I don't know if it's just because I like seeing

380
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Speaker 1: Darren behind a piano like this, but like just to

381
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Speaker 1: watch him perform very simp Blaine, very simply that's not

382
00:22:11,320 --> 00:22:17,399
Speaker 1: so dalton esque was enjoyable for me. I really I

383
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Speaker 1: thought his performance was great. I thought he sounded great.

384
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Speaker 1: I always like listening to songs that are redone in

385
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Speaker 1: a different way on our show. And it was obviously

386
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Speaker 1: because I think this is one of the first numbers

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Speaker 1: in the episode that felt like he was really driving

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Speaker 1: the story correct.

389
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Speaker 2: Yeah. I also think Blaine seems to be like a

390
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Speaker 2: very internal thinker, where Kurt a lot of the time

391
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Speaker 2: is vocal where it's hard to sleep, you know what

392
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Speaker 2: he's thinking. Blaine, like last was the last episode that

393
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Speaker 2: was his first yeah, first voiceover where we're just getting

394
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Speaker 2: to know him in that way, and we've learned in

395
00:23:07,320 --> 00:23:09,359
Speaker 2: the past when he's had crushes on people didn't even

396
00:23:09,400 --> 00:23:12,400
Speaker 2: necessarily realize that he was into Kurt. There's a lot

397
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Speaker 2: of things happening beneath the surface. And I do love too,

398
00:23:17,600 --> 00:23:20,400
Speaker 2: And it happens again with Santana, and it happens again

399
00:23:20,520 --> 00:23:26,520
Speaker 2: with Finn and Rachel's Like the expression of song and

400
00:23:26,560 --> 00:23:30,960
Speaker 2: feelings through a song, when done correctly, like I think

401
00:23:31,240 --> 00:23:34,680
Speaker 2: is done here, is so much more even powerful than

402
00:23:34,680 --> 00:23:38,720
Speaker 2: a spoken emotional monologue. I feel like, yeah, and be

403
00:23:38,880 --> 00:23:41,440
Speaker 2: seen Blaine being able to take a song he's already done.

404
00:23:41,440 --> 00:23:44,800
Speaker 2: That was such a joyous occasion and something that now

405
00:23:44,880 --> 00:23:47,639
Speaker 2: means so much to Kurt and Blaine's relationship and do

406
00:23:47,760 --> 00:23:52,919
Speaker 2: it from this really like sad, mournful, regretful place, yes

407
00:23:53,119 --> 00:23:57,960
Speaker 2: and all. He was able to capture the energy instead of,

408
00:23:58,520 --> 00:24:00,640
Speaker 2: you know, in somebody cheats, they started using the other

409
00:24:00,680 --> 00:24:03,880
Speaker 2: person of cheating. He started to become more and more

410
00:24:03,920 --> 00:24:07,639
Speaker 2: attached or needy to Kurt in a way like I

411
00:24:07,680 --> 00:24:10,120
Speaker 2: need to see you when you see you more. I've

412
00:24:10,119 --> 00:24:13,280
Speaker 2: done this thing and I'm panicking, but we don't know

413
00:24:13,320 --> 00:24:15,360
Speaker 2: that yet, and it just felt so unsettled, and being

414
00:24:15,400 --> 00:24:18,920
Speaker 2: able to also then see that in Chris's face of

415
00:24:19,080 --> 00:24:24,840
Speaker 2: like I got something's wrong, yes, leading to that scene

416
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Speaker 2: in the park afterwards, and it felt very like their

417
00:24:28,640 --> 00:24:30,640
Speaker 2: relationship in a lot of ways feels very grown up,

418
00:24:32,080 --> 00:24:34,479
Speaker 2: and how they communicate with one another feels quite mature.

419
00:24:35,600 --> 00:24:40,680
Speaker 2: And also seeing the difference in Blaine is still in

420
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Speaker 2: high school, Kurt is working at Vogue in New York City,

421
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Speaker 2: and there's a difference in how they communicate with one another,

422
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Speaker 2: And in that park scene their breakup, Kurt sort of

423
00:24:53,800 --> 00:24:56,760
Speaker 2: calls I was like, what cut the shit, what's going on?

424
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Speaker 2: And it felt it really felt like the end of

425
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Speaker 2: an era, like I think more so than some of

426
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Speaker 2: the other breakups, because yeah, yeah, and they were just

427
00:25:15,040 --> 00:25:17,040
Speaker 2: both so good in that moment.

428
00:25:17,520 --> 00:25:23,240
Speaker 1: They were It's a very beloved couple and you don't

429
00:25:23,240 --> 00:25:27,720
Speaker 1: see a lot of really positive role models on TV

430
00:25:27,800 --> 00:25:31,760
Speaker 1: at this time like them, So to break them up

431
00:25:33,200 --> 00:25:37,040
Speaker 1: and we heard, you know, like we we saw the

432
00:25:37,080 --> 00:25:42,359
Speaker 1: fans response to it. They were up in arms, just

433
00:25:42,480 --> 00:25:46,560
Speaker 1: them alone, Kurt and Blaine alone, not including all these

434
00:25:46,560 --> 00:25:51,840
Speaker 1: other huge couples Santana Brittany even like and Finchel like

435
00:25:52,400 --> 00:26:00,640
Speaker 1: they are that that is enough, right, different episodes exactly

436
00:26:01,840 --> 00:26:10,040
Speaker 1: so well done to the two of them. I don't

437
00:26:10,640 --> 00:26:12,639
Speaker 1: it's all very up in the air, though it doesn't

438
00:26:12,640 --> 00:26:17,000
Speaker 1: all feel so final to me.

439
00:26:17,840 --> 00:26:21,119
Speaker 2: Yeah, it feels. I think Blaine even references that, right,

440
00:26:21,160 --> 00:26:22,600
Speaker 2: He's like Kurt, I didn't even heard from Kurt. I

441
00:26:22,600 --> 00:26:24,600
Speaker 2: don't even know if we're broken up. And like the

442
00:26:24,680 --> 00:26:27,600
Speaker 2: morning after it felt like that, Like I'm sure you've

443
00:26:27,640 --> 00:26:29,360
Speaker 2: been in that situation to so many of us have,

444
00:26:29,440 --> 00:26:35,680
Speaker 2: where you have this really honest, brutal, emotionally charged conversation

445
00:26:36,440 --> 00:26:40,320
Speaker 2: and it feels like it doesn't necessarily get anywhere, just

446
00:26:40,359 --> 00:26:44,440
Speaker 2: like an ellipses on the relationship. Yeah, and it was

447
00:26:46,119 --> 00:26:49,399
Speaker 2: it felt like because obviously at the same time then

448
00:26:49,440 --> 00:26:52,480
Speaker 2: you have Ventral going through their stuff, and that morning

449
00:26:52,560 --> 00:26:56,560
Speaker 2: after scene it almost like a hangover, like an emotional

450
00:26:56,640 --> 00:27:02,520
Speaker 2: hangover of what Yeah, Vin is sneaking out. It's it's

451
00:27:02,560 --> 00:27:05,720
Speaker 2: a very weird. Yeah, And I think that's where the

452
00:27:05,760 --> 00:27:09,399
Speaker 2: Alfonso of it all is. He's able to capture those

453
00:27:10,119 --> 00:27:12,520
Speaker 2: Our show is not one that lets things breathe, but

454
00:27:12,640 --> 00:27:16,359
Speaker 2: to be honest, right, like we move quickly, we make jokes,

455
00:27:16,720 --> 00:27:21,080
Speaker 2: sing songs, right, snap snapsap, YadA, YadA, YadA. Yeah, yeah,

456
00:27:21,080 --> 00:27:22,720
Speaker 2: and there was a lot of this. That's why I

457
00:27:22,720 --> 00:27:25,840
Speaker 2: think the beginning of the episode to me felt sort

458
00:27:25,840 --> 00:27:30,800
Speaker 2: of weird, Like the pacing felt disjointed and weird. But

459
00:27:30,920 --> 00:27:34,199
Speaker 2: once you get I think posts that park scene, all

460
00:27:34,200 --> 00:27:38,280
Speaker 2: of a sudden like oh shit, we're in Grey's Anatomy. Yea, yeah,

461
00:27:38,359 --> 00:27:41,760
Speaker 2: yeah exactly, something more cinematic, exactly.

462
00:27:41,960 --> 00:27:45,879
Speaker 1: That's right, that's right. Well, I guess we'll see what

463
00:27:45,960 --> 00:27:50,880
Speaker 1: happens with Blane and Kurt. It feels like the most

464
00:27:50,960 --> 00:27:53,199
Speaker 1: unfinished of all of them.

465
00:27:53,440 --> 00:27:56,359
Speaker 2: Yeah, Like I'm like, I'm not really worried about Will

466
00:27:56,400 --> 00:27:59,080
Speaker 2: and Emma. That just seems like a couple fight. This

467
00:27:59,200 --> 00:28:02,879
Speaker 2: felt very a good gust the wind and they're done. Done.

468
00:28:04,440 --> 00:28:07,600
Speaker 1: Yeah, Well he did something that really does break break

469
00:28:07,680 --> 00:28:12,479
Speaker 1: up relationships and marriages and all these partnerships whatever it is,

470
00:28:12,520 --> 00:28:12,800
Speaker 1: you know.

471
00:28:14,200 --> 00:28:17,800
Speaker 2: And they're young. That's I think it's there's also a

472
00:28:17,840 --> 00:28:21,679
Speaker 2: different dynamic of like gay relationships, Yeah, where it's like,

473
00:28:21,760 --> 00:28:26,320
Speaker 2: what thirty percent of gay relationships are open relationships, which

474
00:28:26,359 --> 00:28:30,480
Speaker 2: is like a completely different concept, right, And like these

475
00:28:30,520 --> 00:28:33,439
Speaker 2: guys are young, Do they want to do that? Do

476
00:28:33,520 --> 00:28:35,880
Speaker 2: they now want to do that? They're so young?

477
00:28:36,160 --> 00:28:39,640
Speaker 1: Yeah? I'm said here though, let me just say this year,

478
00:28:40,440 --> 00:28:42,320
Speaker 1: how many of these couples are going to get back

479
00:28:42,360 --> 00:28:44,320
Speaker 1: together and how quickly are they going to get back

480
00:28:44,360 --> 00:28:44,440
Speaker 1: to you?

481
00:28:44,640 --> 00:28:47,560
Speaker 2: Right? Yeah? Now people don't know that.

482
00:28:47,600 --> 00:28:49,480
Speaker 1: Fans don't know that if we're watching this for the

483
00:28:49,520 --> 00:28:54,840
Speaker 1: first time obviously, but having been through it, we know

484
00:28:54,880 --> 00:28:58,160
Speaker 1: that Glee doesn't keep people away for too long. No,

485
00:28:58,880 --> 00:29:01,920
Speaker 1: So I'm just saying, let's see how long all of

486
00:29:01,960 --> 00:29:04,040
Speaker 1: these breakups actually left.

487
00:29:04,200 --> 00:29:06,480
Speaker 2: And I do feel like it's like the dominoes are falling,

488
00:29:06,520 --> 00:29:08,520
Speaker 2: like it catches on like the cold doesn't.

489
00:29:08,600 --> 00:29:08,760
Speaker 1: Yeah.

490
00:29:09,000 --> 00:29:11,000
Speaker 2: Yeah, when people start breaking up or people get married

491
00:29:11,040 --> 00:29:12,920
Speaker 2: or people have kids, it always like sort of goes

492
00:29:12,920 --> 00:29:13,800
Speaker 2: around the friend group.

493
00:29:14,120 --> 00:29:19,160
Speaker 1: Yeah, exactly, exactly. Okay, let's talk about Santana and Brittany.

494
00:29:20,760 --> 00:29:25,160
Speaker 2: I was so happy to see Santana back, like finally,

495
00:29:25,240 --> 00:29:28,320
Speaker 2: and she's kind of a screen yes, so she does

496
00:29:29,120 --> 00:29:32,800
Speaker 2: laundry with Brittany and Treks used to come back, and

497
00:29:32,800 --> 00:29:37,360
Speaker 2: then Brittany invites her to the Rapture Club, which makes

498
00:29:37,400 --> 00:29:40,440
Speaker 2: it even doubly sad. Obviously, the Rapture thing is weird.

499
00:29:41,160 --> 00:29:44,480
Speaker 2: Brittany's missing Santana, but then has like tried to fill

500
00:29:44,560 --> 00:29:46,680
Speaker 2: that void of left behind.

501
00:29:47,160 --> 00:29:49,640
Speaker 1: And Brittany says, that's how you made me feel. When

502
00:29:49,680 --> 00:29:51,720
Speaker 1: she refers to Doddie on the floor, I was like,

503
00:29:51,840 --> 00:29:56,120
Speaker 1: it is so sad, so sad, but it's true. We've

504
00:29:56,160 --> 00:30:00,120
Speaker 1: seen Brittany really losing her shit. Yeah, you know, this

505
00:30:00,160 --> 00:30:02,040
Speaker 1: has been a long time coming. I think we'll at

506
00:30:02,080 --> 00:30:05,280
Speaker 1: least in season four because we've already seen Brittany unraveling

507
00:30:05,360 --> 00:30:10,800
Speaker 1: because Santana's gone. And then most importantly in this storyline,

508
00:30:10,800 --> 00:30:16,560
Speaker 1: we get Mine. This is about the time when I

509
00:30:16,600 --> 00:30:20,320
Speaker 1: texted you and I texted Kevin and I said, find

510
00:30:20,320 --> 00:30:29,360
Speaker 1: out about if I'm in the episode, and also I

511
00:30:29,400 --> 00:30:31,760
Speaker 1: got got Well.

512
00:30:31,800 --> 00:30:34,640
Speaker 2: I was texting you being like, I'm having a hard

513
00:30:34,720 --> 00:30:37,600
Speaker 2: time getting through this episode because the beginning it was

514
00:30:37,640 --> 00:30:41,920
Speaker 2: just so weird, and you go, yeah, but I love Mine,

515
00:30:42,040 --> 00:30:47,840
Speaker 2: and the scientist yes, yeah, yeah, I'll keep that in mind. Yeah,

516
00:30:47,880 --> 00:30:48,720
Speaker 2: And then you get.

517
00:30:48,560 --> 00:30:53,000
Speaker 1: To Mine and she sings and I remember how they're

518
00:30:53,080 --> 00:30:57,480
Speaker 1: saying some interview, in some interview recently in the last

519
00:30:57,480 --> 00:31:00,320
Speaker 1: two years, they asked what her favorite Santa, how the

520
00:31:00,400 --> 00:31:04,760
Speaker 1: number was, and she said this one, and I get it.

521
00:31:04,920 --> 00:31:07,320
Speaker 1: But I hadn't watched this one like that in a while,

522
00:31:07,480 --> 00:31:09,880
Speaker 1: so to rewatch it now knowing it was one of

523
00:31:09,920 --> 00:31:13,920
Speaker 1: Heather's favorites with them, and boy, oh boy, is that

524
00:31:14,000 --> 00:31:18,600
Speaker 1: a good performance just sitting there. They didn't have to

525
00:31:18,640 --> 00:31:21,400
Speaker 1: do anything, No, they didn't, and it was so good.

526
00:31:21,720 --> 00:31:26,360
Speaker 1: It was so good. It was actually heartbreaking.

527
00:31:26,880 --> 00:31:35,840
Speaker 2: Nia's voice. I think Nia's performance in this episode was unreal,

528
00:31:36,480 --> 00:31:43,560
Speaker 2: all of it. And like Kurt and like with Rachel,

529
00:31:43,840 --> 00:31:45,840
Speaker 2: because they're not in high school anymore, they all feel

530
00:31:45,840 --> 00:31:52,440
Speaker 2: a little bit more grown, settled in themselves. And seeing

531
00:31:52,520 --> 00:31:56,400
Speaker 2: Nia sit in a chair, and you're also seeing Brittany,

532
00:31:56,640 --> 00:32:00,040
Speaker 2: who has been numb for four episodes, right, yeah, And

533
00:32:00,080 --> 00:32:03,760
Speaker 2: when Santana starts singing this, Brittany's still sort of just

534
00:32:03,800 --> 00:32:12,520
Speaker 2: like dead behind the eyes, and those tears from both

535
00:32:12,560 --> 00:32:13,680
Speaker 2: of them are so real.

536
00:32:14,040 --> 00:32:14,560
Speaker 1: Yeah.

537
00:32:14,600 --> 00:32:17,720
Speaker 2: And the love that they actually had for one another

538
00:32:17,760 --> 00:32:23,040
Speaker 2: in real life, right exactly, It was so real. They

539
00:32:23,040 --> 00:32:28,400
Speaker 2: were deeply, deeply connected best friends and the scene just

540
00:32:28,440 --> 00:32:32,680
Speaker 2: felt obviously you know, I'm sure it's heavily tinged by

541
00:32:33,200 --> 00:32:38,240
Speaker 2: personal things, but like it was hard to watch, yes,

542
00:32:38,520 --> 00:32:41,680
Speaker 2: very hard to watch, but I was also the whole

543
00:32:41,680 --> 00:32:46,000
Speaker 2: time was like I'm so thankful yeah that this exists,

544
00:32:46,680 --> 00:32:50,320
Speaker 2: because god damn, she's good, so good. And then she

545
00:32:50,400 --> 00:32:54,240
Speaker 2: goes right into that monologue, Oh my god, and tiptoes

546
00:32:54,280 --> 00:32:56,920
Speaker 2: around having an attraction for somebody, which is also how

547
00:32:56,960 --> 00:33:00,600
Speaker 2: we used to talk energy energy exhange and I'm sure

548
00:33:00,720 --> 00:33:04,960
Speaker 2: I had an attraction and I'm sure you will. And

549
00:33:04,960 --> 00:33:05,480
Speaker 2: it's a.

550
00:33:05,320 --> 00:33:08,000
Speaker 1: Mature thing to do, right, It's the mature thing to

551
00:33:08,040 --> 00:33:12,240
Speaker 1: do because she sees the love of her life struggling,

552
00:33:12,600 --> 00:33:16,280
Speaker 1: struggling so deeply and understands it and it's empathetic and

553
00:33:16,320 --> 00:33:20,080
Speaker 1: it's like, yes, this is the really the only real, mature,

554
00:33:20,360 --> 00:33:25,880
Speaker 1: clear communicative couple we have this episode that's right where

555
00:33:25,920 --> 00:33:28,400
Speaker 1: there aren't any secrets and it's just like, here's what

556
00:33:28,440 --> 00:33:28,640
Speaker 1: it is.

557
00:33:28,680 --> 00:33:30,760
Speaker 2: I'm alone apart, your falling apart, and we love each other.

558
00:33:31,080 --> 00:33:33,680
Speaker 2: And then they even like hug and kiss at the

559
00:33:33,760 --> 00:33:35,440
Speaker 2: end after they've decided to break up.

560
00:33:35,680 --> 00:33:39,520
Speaker 1: Yeah, it's a very mature move to make. Yes, Oh man,

561
00:33:39,640 --> 00:33:41,400
Speaker 1: oh god, that scene got me so good.

562
00:33:41,600 --> 00:33:43,360
Speaker 2: I also just didn't expect her to say, like we

563
00:33:43,360 --> 00:33:48,120
Speaker 2: should break up, right, I mean, in so many words

564
00:33:48,120 --> 00:33:49,640
Speaker 2: she said it, but.

565
00:33:49,640 --> 00:33:52,800
Speaker 1: She's sitting mine and you're not knowing where this is going,

566
00:33:52,960 --> 00:33:55,680
Speaker 1: and mine is really a love song and then all

567
00:33:55,720 --> 00:33:58,160
Speaker 1: of a sudden it's but you know, I.

568
00:33:58,080 --> 00:33:59,960
Speaker 2: Felt like it was like, let's just make a recommitment

569
00:34:00,160 --> 00:34:01,280
Speaker 2: to like really.

570
00:34:00,960 --> 00:34:04,440
Speaker 1: Bring for each other, right exactly.

571
00:34:04,560 --> 00:34:07,640
Speaker 2: But Santana's always been eight steps ahead of everybody.

572
00:34:07,720 --> 00:34:09,320
Speaker 1: Yeah, yeah, yeah, exactly.

573
00:34:10,680 --> 00:34:17,640
Speaker 2: Heather broke me beautiful in that scene, like beautiful so good.

574
00:34:18,080 --> 00:34:20,799
Speaker 1: They were really excellent. They really did an excellent job.

575
00:34:20,880 --> 00:34:21,640
Speaker 2: And and I.

576
00:34:21,680 --> 00:34:24,520
Speaker 1: Believe that the fandom probably lost their shit at this

577
00:34:24,600 --> 00:34:28,000
Speaker 1: as well, because they just got together. It feels like

578
00:34:28,640 --> 00:34:31,200
Speaker 1: we just got I mean it wasn't, but it feels

579
00:34:31,239 --> 00:34:32,640
Speaker 1: like they haven't fully.

580
00:34:32,360 --> 00:34:35,399
Speaker 2: Lived out there. I don't have enough time with them.

581
00:34:35,640 --> 00:34:40,960
Speaker 1: Yeah, and then they break up, and you know, those fans,

582
00:34:41,400 --> 00:34:43,880
Speaker 1: the two of them, you to go with the world.

583
00:34:44,320 --> 00:34:49,560
Speaker 2: So yeah, upper arms, upper arms. Because it also feels

584
00:34:49,719 --> 00:34:54,359
Speaker 2: very it does feel final to me at least, yes,

585
00:34:54,400 --> 00:34:59,759
Speaker 2: because it felt very resolved. Yeah, yeah, like Kurt planing

586
00:34:59,760 --> 00:35:01,200
Speaker 2: fel a little bit.

587
00:35:01,600 --> 00:35:05,080
Speaker 1: Yeah, And then we get to Finn and Rachel, where

588
00:35:05,440 --> 00:35:08,000
Speaker 1: Finn has shown up at Rachel's store. He comes to

589
00:35:08,080 --> 00:35:14,200
Speaker 1: New York. He we find that he was honorably, semi

590
00:35:14,239 --> 00:35:18,400
Speaker 1: honorably and discharged because he's set off Rachel the rifle,

591
00:35:19,120 --> 00:35:21,879
Speaker 1: Rachel the rifle, and he shot him off in the thigh.

592
00:35:22,560 --> 00:35:26,080
Speaker 2: I'm also missing him. He's so good, I know, just

593
00:35:26,560 --> 00:35:30,160
Speaker 2: this whole time, we've always like compared Corey and Naya

594
00:35:30,320 --> 00:35:32,280
Speaker 2: to each other because they're both sort of like these

595
00:35:32,960 --> 00:35:34,000
Speaker 2: like powerhouses.

596
00:35:34,200 --> 00:35:39,040
Speaker 1: Yeah yeah, and they're on set and they're both in

597
00:35:39,080 --> 00:35:41,080
Speaker 1: this episode. I think you feel that like there are

598
00:35:41,440 --> 00:35:46,120
Speaker 1: yes like pillars, yes, emotional pillars in this look. And

599
00:35:46,160 --> 00:35:48,880
Speaker 1: again these are ridiculous things that he shot himself in

600
00:35:48,880 --> 00:35:52,759
Speaker 1: the leg, but like it's funny. I think it's very

601
00:35:52,760 --> 00:35:56,040
Speaker 1: funny and it's very charming, and because Corey just makes

602
00:35:56,080 --> 00:36:01,399
Speaker 1: it work. He makes everything work, makes work truly, and

603
00:36:01,480 --> 00:36:04,000
Speaker 1: Rachel says like, come, you know, New York's going to

604
00:36:04,040 --> 00:36:06,120
Speaker 1: be a good place for you. Come to Niata, see

605
00:36:06,160 --> 00:36:08,200
Speaker 1: if maybe that's the place you want to apply to,

606
00:36:08,600 --> 00:36:14,680
Speaker 1: come to my classes. And that's where Barely Breathing worked.

607
00:36:15,040 --> 00:36:19,320
Speaker 1: I liked the montage of Corey or Finn rather standing

608
00:36:19,360 --> 00:36:22,680
Speaker 1: in the background watching Rachel like live her best life

609
00:36:22,719 --> 00:36:26,120
Speaker 1: in New York and him kind of in the background,

610
00:36:26,440 --> 00:36:29,480
Speaker 1: you know, not feeling like feeling like he's a ghost, right,

611
00:36:29,640 --> 00:36:33,719
Speaker 1: not really knocking. Yeah, yeah, And it was.

612
00:36:33,640 --> 00:36:36,360
Speaker 2: A cool episode. He's just like, I don't belong anywhere.

613
00:36:36,400 --> 00:36:37,880
Speaker 2: I have nowhere to go. I don't know what to do.

614
00:36:37,920 --> 00:36:40,920
Speaker 2: And this was a really good visual representation of that.

615
00:36:41,320 --> 00:36:44,879
Speaker 1: Yes, yes, exactly. I also love Corey on these kind

616
00:36:44,880 --> 00:36:47,359
Speaker 1: of songs, so I know. And then we get into

617
00:36:47,360 --> 00:36:51,680
Speaker 1: the whole Brody of it all. So Finn confronts Rachel

618
00:36:51,800 --> 00:36:56,040
Speaker 1: about Brody and asked if they're just friends, and she

619
00:36:56,160 --> 00:36:58,600
Speaker 1: admits that they kissed and I was it And she's like,

620
00:36:58,640 --> 00:37:01,440
Speaker 1: when you you wouldn't, don't you know? I would have

621
00:37:01,560 --> 00:37:05,840
Speaker 1: rather been with you. But he disappeared for three months,

622
00:37:05,880 --> 00:37:09,440
Speaker 1: like with no and in some respect.

623
00:37:09,120 --> 00:37:11,360
Speaker 2: Like I I they.

624
00:37:11,200 --> 00:37:13,560
Speaker 1: Are only eighteen nineteen, Like when she says a timely

625
00:37:13,600 --> 00:37:15,120
Speaker 1: grown woman, I'm like, oh my god.

626
00:37:15,000 --> 00:37:15,279
Speaker 2: Hold on.

627
00:37:16,120 --> 00:37:18,760
Speaker 1: But but we do feel like we're grown at eighteen,

628
00:37:18,840 --> 00:37:21,600
Speaker 1: So to be fair, it's a plausible thing for our

629
00:37:21,640 --> 00:37:22,359
Speaker 1: teenager to say.

630
00:37:22,600 --> 00:37:24,840
Speaker 2: And Finn can tell like when they Brody and Rachel

631
00:37:24,880 --> 00:37:29,880
Speaker 2: sing together, oh yeah, he's just like, come on, they

632
00:37:29,920 --> 00:37:33,680
Speaker 2: feel a little too comfortable. So they did speaking of

633
00:37:33,719 --> 00:37:36,680
Speaker 2: an energy exchange. Yeah, so they do this number and

634
00:37:37,440 --> 00:37:40,879
Speaker 2: they're like local bar like Maray's crisis or whatever. And

635
00:37:40,920 --> 00:37:43,480
Speaker 2: he's like, well, why didn't you do it with Brody instead,

636
00:37:43,880 --> 00:37:46,520
Speaker 2: because isn't it like a Neana tradmission or something. Of course,

637
00:37:47,120 --> 00:37:52,399
Speaker 2: so they do the song. What song it's saying, I'd

638
00:37:52,400 --> 00:37:54,120
Speaker 2: give your heart a break, heart break? I also like,

639
00:37:54,560 --> 00:37:57,240
Speaker 2: she just assumes Finn will know give your heart break

640
00:37:57,840 --> 00:37:59,120
Speaker 2: you can just get up there to do me.

641
00:37:59,520 --> 00:38:03,160
Speaker 1: Yeah, it's like nowhere when they break into Nowhere down

642
00:38:03,200 --> 00:38:04,520
Speaker 1: the hallway with a Beyonce fan.

643
00:38:04,840 --> 00:38:05,520
Speaker 2: Such a good.

644
00:38:05,360 --> 00:38:13,520
Speaker 1: One I saw during this number. I'm okay with Rachel

645
00:38:13,560 --> 00:38:16,640
Speaker 1: and Brody when when it forwards the plot for her

646
00:38:16,680 --> 00:38:19,239
Speaker 1: and Finn. Right, that's kind of my running thing with

647
00:38:19,239 --> 00:38:26,520
Speaker 1: Brody this. I don't know again, I don't know if

648
00:38:26,560 --> 00:38:31,000
Speaker 1: I could get on board with that. It wasn't my favorite,

649
00:38:31,080 --> 00:38:33,680
Speaker 1: not that they didn't sound great on it, and not

650
00:38:33,800 --> 00:38:36,560
Speaker 1: there wasn't there that there wasn't an energy exchange happening

651
00:38:36,600 --> 00:38:36,919
Speaker 1: for them.

652
00:38:39,640 --> 00:38:44,440
Speaker 2: It's just a little forced to me, it is, I

653
00:38:44,480 --> 00:38:51,600
Speaker 2: will say, though, I think their performances. I think Leah's

654
00:38:51,600 --> 00:38:56,200
Speaker 2: and Corey's performances here make it really work. Because she's

655
00:38:56,320 --> 00:38:58,840
Speaker 2: bummed that he's not going to sing with her, and

656
00:38:58,840 --> 00:39:01,279
Speaker 2: I really liked the awkwardness of that moment, and.

657
00:39:01,239 --> 00:39:05,000
Speaker 1: She says likely I love you right before, and so

658
00:39:05,040 --> 00:39:07,480
Speaker 1: they go, it's just the song that gets me.

659
00:39:08,080 --> 00:39:13,719
Speaker 2: Yeah, it's but his It's one of those things I

660
00:39:13,719 --> 00:39:17,200
Speaker 2: guess that I keep referencing of, like the separation of

661
00:39:17,280 --> 00:39:21,480
Speaker 2: everybody's lives now where he's sitting there and like when

662
00:39:21,520 --> 00:39:23,520
Speaker 2: you haven't seen so much for several months and you

663
00:39:23,640 --> 00:39:28,439
Speaker 2: feel like different. Yeah yeah, yeah, he also feels different. Yeah, yeah, yeah,

664
00:39:28,520 --> 00:39:31,200
Speaker 2: you're right, and it's watching like who's this new guy

665
00:39:32,360 --> 00:39:33,719
Speaker 2: and this girl that I used to be?

666
00:39:33,920 --> 00:39:33,960
Speaker 1: It?

667
00:39:34,239 --> 00:39:37,600
Speaker 2: Yeah, and I feel like I felt like Finn, like

668
00:39:37,640 --> 00:39:40,239
Speaker 2: you're sitting like what is going on? What is this

669
00:39:40,320 --> 00:39:40,759
Speaker 2: new bar?

670
00:39:41,360 --> 00:39:41,640
Speaker 1: Yeah?

671
00:39:41,760 --> 00:39:44,799
Speaker 2: This is their local. We don't know what this is.

672
00:39:44,920 --> 00:39:47,799
Speaker 2: And it's just like, ooh, this is not sit right

673
00:39:47,840 --> 00:39:48,080
Speaker 2: with me?

674
00:39:48,640 --> 00:39:51,520
Speaker 1: Yeah, okay, to be fair, you're right, the tone was right,

675
00:39:52,440 --> 00:39:55,200
Speaker 1: the tone it go on, because you can get that

676
00:39:55,239 --> 00:39:57,640
Speaker 1: in like thirty seconds. But the song, you know, is

677
00:39:57,680 --> 00:39:59,440
Speaker 1: a song, so keeps.

678
00:39:59,239 --> 00:40:01,640
Speaker 2: Going really totally.

679
00:40:03,239 --> 00:40:07,759
Speaker 1: Yeah, no, no, they sound really good. And then we

680
00:40:07,800 --> 00:40:10,360
Speaker 1: get to Don't Speak, where we've got Blaine and Kurt

681
00:40:11,120 --> 00:40:15,799
Speaker 1: revealing that they are that Blaine was with somebody that

682
00:40:15,880 --> 00:40:18,600
Speaker 1: he did in fact go to his house, and the

683
00:40:18,719 --> 00:40:24,239
Speaker 1: whole argument between Finn and Rachel about Brody and then

684
00:40:24,239 --> 00:40:25,280
Speaker 1: they go into don't Speak.

685
00:40:25,440 --> 00:40:27,160
Speaker 2: What did you think about dones speak? Oh? Fun?

686
00:40:27,239 --> 00:40:30,920
Speaker 1: Fun fact though, some of this was kind of spoiled

687
00:40:31,080 --> 00:40:33,920
Speaker 1: for fans because they were there watching because this was

688
00:40:33,920 --> 00:40:38,720
Speaker 1: shot in New York prior to filming or sorry, airing,

689
00:40:39,239 --> 00:40:45,160
Speaker 1: and so people knew things were were stewing and brewing unfortunately,

690
00:40:45,160 --> 00:40:48,080
Speaker 1: because that's you can't avoid it. You could see the tears, Yeah,

691
00:40:48,080 --> 00:40:50,200
Speaker 1: you could see the tears. There's obviously singing don't Speak.

692
00:40:50,239 --> 00:40:53,480
Speaker 1: It's not a love song, and they're all walking away

693
00:40:53,480 --> 00:40:55,440
Speaker 1: from each other, and there's probably they probably watched the

694
00:40:55,480 --> 00:40:56,359
Speaker 1: scene film as well.

695
00:40:56,680 --> 00:40:58,920
Speaker 2: So h But.

696
00:41:01,600 --> 00:41:07,440
Speaker 1: I thought the song was I thought this song was good.

697
00:41:10,080 --> 00:41:16,799
Speaker 1: It wasn't my favorite choice of song. It worked, It's

698
00:41:16,880 --> 00:41:20,680
Speaker 1: not my favorite song, and it didn't connect me to

699
00:41:20,719 --> 00:41:22,960
Speaker 1: them as much as I would have hoped.

700
00:41:24,760 --> 00:41:26,440
Speaker 2: I think that's a great way of putting it. But

701
00:41:26,480 --> 00:41:27,360
Speaker 2: it did the job.

702
00:41:27,680 --> 00:41:31,320
Speaker 1: Like I'm not saying like it was a bad choice.

703
00:41:31,560 --> 00:41:33,319
Speaker 1: I just don't I didn't connect to it.

704
00:41:34,040 --> 00:41:41,000
Speaker 2: Yes, that's a great way to put it. It feels

705
00:41:41,040 --> 00:41:43,279
Speaker 2: like a Finn song doesn't feel like a Blaine or

706
00:41:43,360 --> 00:41:49,040
Speaker 2: Kurt song or Rachel's song. And I think by this

707
00:41:49,080 --> 00:41:51,120
Speaker 2: point too, I was just sort of and I don't know,

708
00:41:51,960 --> 00:41:55,920
Speaker 2: it's like everything was sort of overwrought, like every performance

709
00:41:56,080 --> 00:42:01,319
Speaker 2: was like sad and long and just like there's not

710
00:42:01,520 --> 00:42:07,760
Speaker 2: much happening right and like you've come off this breakup

711
00:42:07,800 --> 00:42:12,319
Speaker 2: scene that was really powerful and effective, and so Don't

712
00:42:12,360 --> 00:42:15,880
Speaker 2: Speak didn't feel like it furthered any of that. Mm hmmm,

713
00:42:16,520 --> 00:42:19,400
Speaker 2: where like I maybe wanted to live in that scene

714
00:42:19,440 --> 00:42:22,719
Speaker 2: a little bit more. Yeah, I do think Don't Speak

715
00:42:22,760 --> 00:42:24,880
Speaker 2: is an incredible breakup song. It's one of the best,

716
00:42:25,880 --> 00:42:33,000
Speaker 2: but it did feel like a disconnect. Yeah for me, Yeah,

717
00:42:33,080 --> 00:42:35,000
Speaker 2: I don't know what it is. Like, I don't think

718
00:42:35,040 --> 00:42:40,600
Speaker 2: we needed it, agreed. I'm just like, okay, I get it.

719
00:42:40,600 --> 00:42:43,520
Speaker 2: We're all we're getting in bed and not looking at

720
00:42:43,520 --> 00:42:47,560
Speaker 2: each other. I agreed. It was just a transition.

721
00:42:47,880 --> 00:42:52,000
Speaker 1: It was just a transition number to me that felt like, yeah,

722
00:42:52,120 --> 00:42:54,880
Speaker 1: I could have done without it. But yeah, more importantly,

723
00:42:55,040 --> 00:42:58,480
Speaker 1: Finn gets up and he leaves and without talking to Rachel,

724
00:42:59,120 --> 00:43:00,400
Speaker 1: and Lane goes back and.

725
00:43:02,920 --> 00:43:06,040
Speaker 2: Then Finn goes back to school and Finn has this

726
00:43:06,120 --> 00:43:10,120
Speaker 2: sort of really nice to start. I think of a

727
00:43:10,200 --> 00:43:15,800
Speaker 2: nice journey where he he comes back, everyone's really excited

728
00:43:15,800 --> 00:43:17,239
Speaker 2: to see him. That's where we come in for a

729
00:43:17,320 --> 00:43:21,600
Speaker 2: scene talk about a new Fall musical. He picks the musical,

730
00:43:21,719 --> 00:43:25,680
Speaker 2: so we start to there's those little seeds being planted,

731
00:43:27,200 --> 00:43:30,400
Speaker 2: respecting Finn in a different way. Yeah, because he like

732
00:43:30,400 --> 00:43:32,759
Speaker 2: that's where he feels at home. That's where he's comfortable.

733
00:43:33,480 --> 00:43:37,400
Speaker 2: That's where he it feels like he's like in his body.

734
00:43:38,120 --> 00:43:40,799
Speaker 2: He knows how to lead and be himself in that

735
00:43:40,880 --> 00:43:42,239
Speaker 2: quatroom very much.

736
00:43:42,280 --> 00:43:48,320
Speaker 1: So you are correct, Yes, it's fun to see Finn

737
00:43:48,520 --> 00:43:49,240
Speaker 1: back at home.

738
00:43:49,960 --> 00:43:53,279
Speaker 2: We love that. Yeah, it was really nice, and like

739
00:43:53,360 --> 00:43:57,640
Speaker 2: it feels like he's going to stick around, but it

740
00:43:57,640 --> 00:44:09,600
Speaker 2: feels like he's there exactly as soon as Finn gets back,

741
00:44:10,360 --> 00:44:12,959
Speaker 2: that's where it all starts to happen for me. Yes,

742
00:44:14,120 --> 00:44:17,799
Speaker 2: and agreed. Finn comes back and is like, help me.

743
00:44:18,920 --> 00:44:20,520
Speaker 2: I don't know what to do. I don't know who

744
00:44:20,520 --> 00:44:25,880
Speaker 2: I am. And something that we've seen Finn struggle with

745
00:44:25,960 --> 00:44:29,120
Speaker 2: now for over a season, like he didn't know what

746
00:44:29,160 --> 00:44:31,360
Speaker 2: he's going to do post college, I mean post high school.

747
00:44:32,000 --> 00:44:39,000
Speaker 2: The initial plan, additional plans didn't work right right, and

748
00:44:41,560 --> 00:44:44,360
Speaker 2: oh god, it gets Yeah.

749
00:44:44,520 --> 00:44:50,440
Speaker 1: Then we get to the big auditorium scene where my

750
00:44:50,520 --> 00:44:51,440
Speaker 1: eyes are watering.

751
00:44:53,440 --> 00:45:00,959
Speaker 2: Jenna, So, okay, I don't how any of you feel

752
00:45:01,040 --> 00:45:05,640
Speaker 2: watching this part. Mine already got me.

753
00:45:06,800 --> 00:45:10,000
Speaker 1: Rattled right right right, so we're already feeling and I'm

754
00:45:10,239 --> 00:45:13,760
Speaker 1: sure that was tough, but I made it through. Yeah,

755
00:45:13,800 --> 00:45:19,880
Speaker 1: And then you have Rachel show up to the auditorium

756
00:45:19,960 --> 00:45:23,120
Speaker 1: where Finn is. Somehow she knows that he's just there

757
00:45:23,160 --> 00:45:26,160
Speaker 1: and and then I will initially I'm like, you just

758
00:45:26,239 --> 00:45:29,080
Speaker 1: know he's there, And then she says, I went to

759
00:45:29,120 --> 00:45:38,080
Speaker 1: the tire shop, but I went I was lotting this scene. Yeah,

760
00:45:38,640 --> 00:45:49,200
Speaker 1: it just have goosebumps. She's never better, never better, and

761
00:45:50,719 --> 00:45:52,680
Speaker 1: the two of them when they're together, and I.

762
00:45:52,640 --> 00:45:58,160
Speaker 2: Can't help but like, imagine, you know, under the surface here, yeah, yeah, yeah,

763
00:45:58,200 --> 00:46:00,400
Speaker 2: there's a lot more going on. And I could just

764
00:46:00,440 --> 00:46:05,360
Speaker 2: be making that up. But the way in which she

765
00:46:05,520 --> 00:46:07,880
Speaker 2: speaks to him and talks about like you know, of

766
00:46:07,880 --> 00:46:09,719
Speaker 2: course didn't. Don't you think I just wanted it to

767
00:46:09,760 --> 00:46:11,880
Speaker 2: be you, like you're my first love, You're my first

768
00:46:11,920 --> 00:46:12,640
Speaker 2: this verst that.

769
00:46:13,239 --> 00:46:15,239
Speaker 1: When you sent me, when you sent me away, that

770
00:46:15,400 --> 00:46:19,040
Speaker 1: was a man and then when you when you left

771
00:46:19,040 --> 00:46:20,439
Speaker 1: this morning, that was not a man.

772
00:46:20,719 --> 00:46:23,280
Speaker 2: Could we talk about the hold on that line?

773
00:46:23,800 --> 00:46:28,520
Speaker 1: Yeah, and the way she delivered it, yeah, yeah, yeah. Okay,

774
00:46:28,680 --> 00:46:31,880
Speaker 1: here's the thing. I love that delivery. I love that line.

775
00:46:32,560 --> 00:46:34,839
Speaker 1: It feels a little mature for an eighteen year old

776
00:46:34,880 --> 00:46:38,920
Speaker 1: to say, yeah, but I was just like, no, this

777
00:46:38,960 --> 00:46:41,560
Speaker 1: is my pick me choose me fine, got it, Okay,

778
00:46:41,680 --> 00:46:44,400
Speaker 1: got it, got it. We're just in the world. We

779
00:46:44,520 --> 00:46:46,760
Speaker 1: didn't take you out of it though for a second.

780
00:46:46,920 --> 00:46:49,640
Speaker 1: For a second, but when she starts on that, oh, man,

781
00:46:50,920 --> 00:46:53,480
Speaker 1: and it was like when you left without saying anything.

782
00:46:55,280 --> 00:46:59,160
Speaker 2: Oh, it was really cool. And she gets up close

783
00:46:59,160 --> 00:47:04,240
Speaker 2: to him and you know, I mean, we've talked about it.

784
00:47:04,239 --> 00:47:10,560
Speaker 2: It's bad. It's bad. I just thought that monologue was fucking.

785
00:47:10,520 --> 00:47:12,919
Speaker 1: And I wasn't gonna and I wasn't. I didn't see

786
00:47:12,960 --> 00:47:14,960
Speaker 1: that coming where she's right and now we're done. I

787
00:47:15,160 --> 00:47:15,799
Speaker 1: did not see that.

788
00:47:16,040 --> 00:47:18,440
Speaker 2: It was just like the Santana and Brittany thing w

789
00:47:18,440 --> 00:47:21,640
Speaker 2: Were'm like, I did not expect this to be the end. Wish.

790
00:47:21,640 --> 00:47:23,399
Speaker 1: If you're a good writer, I think that's what you want.

791
00:47:23,480 --> 00:47:26,520
Speaker 1: You don't want to be such predictable kind of ending.

792
00:47:26,560 --> 00:47:30,600
Speaker 2: On this episode, it felt like the monologue version of

793
00:47:30,680 --> 00:47:36,200
Speaker 2: Santana's singing Mine this love song. Here's Rachel professing her love,

794
00:47:36,360 --> 00:47:41,799
Speaker 2: everything she wants from him, how he basically completes her life,

795
00:47:42,280 --> 00:47:45,919
Speaker 2: and like everything is going to be broken until they're

796
00:47:45,920 --> 00:47:51,040
Speaker 2: together and then but we're done, right. I think I

797
00:47:51,080 --> 00:47:53,200
Speaker 2: need to go watch that scene again because it was stellar.

798
00:47:54,080 --> 00:47:57,560
Speaker 2: Then we go into the No Scientists. I don't want to.

799
00:48:01,280 --> 00:48:05,120
Speaker 2: I didn't know everybody was going to show up. I

800
00:48:05,160 --> 00:48:09,520
Speaker 2: didn't know there were anyw flashbacks. I sent Jenna a

801
00:48:09,560 --> 00:48:12,319
Speaker 2: photo of my face post.

802
00:48:12,000 --> 00:48:19,279
Speaker 1: Watching Wet Tears, Red not well, I have not.

803
00:48:19,840 --> 00:48:23,879
Speaker 2: This is the first time we're four seasons in. This

804
00:48:24,000 --> 00:48:29,080
Speaker 2: is the first time I fully got got wow. I

805
00:48:29,640 --> 00:48:33,440
Speaker 2: buried my face and my sweatshirt and was losing it

806
00:48:33,600 --> 00:48:37,240
Speaker 2: Jenna when they cut from Corey to that flashback scene.

807
00:48:37,360 --> 00:48:40,360
Speaker 1: Yeah, that was them on the stage, and the pilot

808
00:48:40,560 --> 00:48:41,480
Speaker 1: got me.

809
00:48:43,960 --> 00:48:47,560
Speaker 2: It's it's really good Mark. I look over at Marco

810
00:48:47,640 --> 00:48:48,880
Speaker 2: and Marco's losing.

811
00:48:50,200 --> 00:48:52,919
Speaker 1: That had to be Alfonso. Here's the thing. I am

812
00:48:53,080 --> 00:48:57,759
Speaker 1: a very emotionally charged person, and I feel like I

813
00:48:57,840 --> 00:49:00,800
Speaker 1: had to contain myself or there was no going.

814
00:49:01,320 --> 00:49:04,759
Speaker 2: Oh, there was no going. I didn't release. I just

815
00:49:04,920 --> 00:49:05,480
Speaker 2: held it in.

816
00:49:06,760 --> 00:49:08,960
Speaker 1: But I felt the way you did in the on

817
00:49:09,000 --> 00:49:12,680
Speaker 1: the inside those flashbacks though if that was Alfonso, which

818
00:49:12,680 --> 00:49:16,960
Speaker 1: I'm sure it was, whoever it was credit where it's

819
00:49:17,040 --> 00:49:19,640
Speaker 1: due fucking a editing team, just.

820
00:49:21,480 --> 00:49:23,000
Speaker 2: And just the it was so.

821
00:49:23,120 --> 00:49:27,799
Speaker 1: Beautifully light and the way that everybody was performing, like

822
00:49:28,160 --> 00:49:32,279
Speaker 1: the whole thing was. I forgot about the scientists. I

823
00:49:32,280 --> 00:49:34,799
Speaker 1: didn't even know about the scientist. I was like, yeah,

824
00:49:34,880 --> 00:49:37,840
Speaker 1: whatever that Coldplay song, Like we didn't give Viola Vito whatever,

825
00:49:37,960 --> 00:49:41,040
Speaker 1: Like we're a scientist, but like in the context of

826
00:49:41,080 --> 00:49:44,200
Speaker 1: which they did it, Bravo, and they're also.

827
00:49:44,080 --> 00:49:46,480
Speaker 2: Not and it feels like an Alfonso choice. None of

828
00:49:46,520 --> 00:49:49,799
Speaker 2: them are doing much on that stage. The less they

829
00:49:49,840 --> 00:49:52,600
Speaker 2: were doing, the more it was effect. Yeah, I felt

830
00:49:52,600 --> 00:49:57,719
Speaker 2: like they were all morning. Oh Jenna, I was that

831
00:49:57,880 --> 00:50:02,560
Speaker 2: was really bad, like sweating, crying, like, wow, it was

832
00:50:02,640 --> 00:50:05,560
Speaker 2: really bad. I think just like seeing Baby Corey the

833
00:50:05,600 --> 00:50:07,920
Speaker 2: flash rice always get me though they always get me.

834
00:50:09,200 --> 00:50:13,720
Speaker 2: I felt like someone slapped me. Very good everybody, Bravo, Alfonseo.

835
00:50:14,080 --> 00:50:16,360
Speaker 2: Like this episode really did a full one eighty for me.

836
00:50:16,440 --> 00:50:20,799
Speaker 2: I went from being like too hysterically.

837
00:50:20,760 --> 00:50:25,600
Speaker 1: No, I gotta say, like season four and maybe I

838
00:50:25,680 --> 00:50:29,400
Speaker 1: just didn't hear I didn't I ignored the signs. But

839
00:50:29,480 --> 00:50:33,719
Speaker 1: the breakup season four, that is season four.

840
00:50:34,280 --> 00:50:37,880
Speaker 2: Yeah, I think the last maybe third of that episode

841
00:50:37,960 --> 00:50:42,480
Speaker 2: is I think Ryan, yes we were talking about fine. Yeah,

842
00:50:42,719 --> 00:50:45,040
Speaker 2: I'm thinking what Ryan said. I think the last third

843
00:50:45,080 --> 00:50:48,440
Speaker 2: of this episode is one of the best things the

844
00:50:48,480 --> 00:50:50,520
Speaker 2: show has done, and that's thanks to all of their

845
00:50:50,560 --> 00:50:57,080
Speaker 2: incredible performances, Alfonso's incredible directing, the emotional editing, like it

846
00:50:57,120 --> 00:50:57,800
Speaker 2: was a full.

847
00:50:59,560 --> 00:51:03,520
Speaker 1: Team for it there, yep. And also feel like a

848
00:51:03,640 --> 00:51:12,000
Speaker 1: very different episode of Glee. Yes, definitely, definitely it was

849
00:51:12,080 --> 00:51:12,600
Speaker 1: very different.

850
00:51:13,640 --> 00:51:16,160
Speaker 2: Side note, is it weird doing a Demi Levado song

851
00:51:16,200 --> 00:51:17,600
Speaker 2: and then Demi shows up in the show?

852
00:51:19,239 --> 00:51:21,600
Speaker 1: I mean they've talked about her, we've made references to her,

853
00:51:22,320 --> 00:51:27,640
Speaker 1: so funny. Okay, well let's create some performances, because god,

854
00:51:27,960 --> 00:51:32,040
Speaker 1: I feel like an you go cry again, barely breathing.

855
00:51:32,640 --> 00:51:33,440
Speaker 1: I'm giving it an A.

856
00:51:34,360 --> 00:51:40,080
Speaker 2: I'll give it a B plus. Okay, give your heart

857
00:51:40,080 --> 00:51:40,640
Speaker 2: a break.

858
00:51:42,040 --> 00:51:55,640
Speaker 1: B B teenage dream A plus, don't speak, Yeah.

859
00:51:54,000 --> 00:51:55,880
Speaker 2: Yeah, I'll give it a B.

860
00:51:56,360 --> 00:52:01,319
Speaker 1: Okay, mine A plus A plus, scientist A plus plus.

861
00:52:01,520 --> 00:52:07,239
Speaker 2: Yeah. I just those last two numbers. So I think

862
00:52:07,239 --> 00:52:09,160
Speaker 2: it's a good I think it's a good comparison here

863
00:52:09,200 --> 00:52:13,239
Speaker 2: where stillness when it's right is the most powerful thing

864
00:52:13,400 --> 00:52:17,400
Speaker 2: in mind. It was the most powerful thing teenage dream

865
00:52:17,800 --> 00:52:21,360
Speaker 2: and the Scientist. Do you have like three incredible versions

866
00:52:21,400 --> 00:52:27,320
Speaker 2: of like how stillness? Yeah can rally simplicity? Yes, yeah,

867
00:52:27,719 --> 00:52:30,600
Speaker 2: and yeah they're exceptional. Okay.

868
00:52:31,320 --> 00:52:38,279
Speaker 1: Tardi chakes the cheese anything, Kitty says, the rapture, the

869
00:52:38,280 --> 00:52:44,600
Speaker 1: fake rapture, her words, her actions. Yeah, funny, but yeah,

870
00:52:45,000 --> 00:52:50,480
Speaker 1: new best dance move. There's not really dancing dancing. There's

871
00:52:50,520 --> 00:52:54,399
Speaker 1: like arm extensions during barely breathing. No, it's not we're

872
00:52:54,440 --> 00:53:01,120
Speaker 1: not doing that. No pass pass best song. This is

873
00:53:01,160 --> 00:53:04,000
Speaker 1: a time for me between mine and and scientist.

874
00:53:05,960 --> 00:53:10,400
Speaker 2: I'm gonna go with mine a scientist.

875
00:53:10,000 --> 00:53:18,560
Speaker 1: And bounce it out. Yeah, that's performs my prop the

876
00:53:18,640 --> 00:53:19,320
Speaker 1: Rachel Rifle.

877
00:53:19,600 --> 00:53:20,880
Speaker 2: Yeah, for sure.

878
00:53:23,960 --> 00:53:27,520
Speaker 1: Best lines, Oh god, Okay, I have a I have

879
00:53:27,560 --> 00:53:32,160
Speaker 1: a good one that stuck out to me. Katie when

880
00:53:32,160 --> 00:53:35,120
Speaker 1: she's breaking up with Jake in this episode. It's very funny,

881
00:53:36,200 --> 00:53:39,960
Speaker 1: and she said, you're both gonna regret this turn of

882
00:53:40,000 --> 00:53:41,640
Speaker 1: events because I will tell you one more thing.

883
00:53:41,920 --> 00:53:47,759
Speaker 2: Obama's gonna lose. I lost it. I thought that was

884
00:53:47,880 --> 00:53:48,880
Speaker 2: so funny.

885
00:53:49,400 --> 00:53:49,800
Speaker 1: Good.

886
00:53:50,160 --> 00:53:54,480
Speaker 2: It was really funny. Delivery was good. Oh god, I

887
00:53:54,520 --> 00:54:01,919
Speaker 2: think I'm gonna get sappy here. Let's do this Rachel monologue.

888
00:54:02,239 --> 00:54:04,920
Speaker 2: Oh wow, don't you get it. No matter how rich

889
00:54:05,040 --> 00:54:07,160
Speaker 2: or famous or successfull I become, which is hilarious, by

890
00:54:07,160 --> 00:54:09,640
Speaker 2: the way, when it comes to you, I'm always going

891
00:54:09,640 --> 00:54:11,920
Speaker 2: to be that moonight girl who freaked out, who freaked

892
00:54:11,920 --> 00:54:14,279
Speaker 2: you out the first Glee rehearsal. You're the first boy

893
00:54:14,280 --> 00:54:16,960
Speaker 2: who made me feel loved and sexy and visible. You

894
00:54:17,040 --> 00:54:19,240
Speaker 2: are my first love, and I want more than anything

895
00:54:19,280 --> 00:54:21,600
Speaker 2: for you to be my last. But I can't do

896
00:54:21,680 --> 00:54:25,040
Speaker 2: this anymore, at least not now. Wow.

897
00:54:27,239 --> 00:54:30,960
Speaker 1: Wow Wow, I got another funny kiddie one. You do

898
00:54:31,040 --> 00:54:33,960
Speaker 1: not want You don't want to break up with me? Okay,

899
00:54:34,040 --> 00:54:36,520
Speaker 1: I'm like a bad Carrie Underwood song once I get going.

900
00:54:40,440 --> 00:54:43,280
Speaker 2: Oh my god. I was cramming for this really boring

901
00:54:43,320 --> 00:54:45,080
Speaker 2: sociology class and I looked up and this girl was

902
00:54:45,080 --> 00:54:46,759
Speaker 2: staring at me. She smiled a little too long, which

903
00:54:46,800 --> 00:54:49,200
Speaker 2: means she's either crazy or lesbian, and judging by the

904
00:54:49,200 --> 00:54:51,680
Speaker 2: stack of Virginia Wolf she was reading, she was into me.

905
00:54:52,320 --> 00:54:55,600
Speaker 2: So I smiled back. I had an Attraction Performance MVP

906
00:54:55,760 --> 00:54:59,799
Speaker 2: Kevin Man, this is to oh lord.

907
00:55:02,200 --> 00:55:03,280
Speaker 1: God, this is so tough.

908
00:55:03,400 --> 00:55:07,600
Speaker 2: How do you pick? I don't know. Should we just

909
00:55:07,640 --> 00:55:10,720
Speaker 2: say all the should we just say the three couples? Sure?

910
00:55:11,200 --> 00:55:15,759
Speaker 2: I think that's It's even because they each had their moment. Yes,

911
00:55:16,560 --> 00:55:21,280
Speaker 2: Chris had his moment, Darren had his moment, Corey Leah, Corey, Yeah,

912
00:55:21,680 --> 00:55:24,800
Speaker 2: they all did totally wow.

913
00:55:25,000 --> 00:55:26,279
Speaker 1: All right, what you got for me?

914
00:55:26,360 --> 00:55:29,360
Speaker 2: Kevin? Okay? Should we found a TikTok so this is

915
00:55:29,360 --> 00:55:33,400
Speaker 2: something I also discovered recently? And then I'm glad this

916
00:55:33,480 --> 00:55:42,040
Speaker 2: person Ali alexa Arger, I don't know that's arger. I'm

917
00:55:42,080 --> 00:55:45,680
Speaker 2: sure I'm butchering that. Sorry on TikTok posted, I love

918
00:55:45,800 --> 00:55:48,279
Speaker 2: la because why the fuck is the Grove, which is

919
00:55:48,320 --> 00:55:50,680
Speaker 2: an outdoor shopping mall here a really big male here

920
00:55:51,120 --> 00:55:53,480
Speaker 2: blasting the Glee version of Don't Stop Leaving with its

921
00:55:53,480 --> 00:55:56,400
Speaker 2: fountain sinked to the beat on a Wednesday night? No stop?

922
00:55:56,480 --> 00:56:00,200
Speaker 2: Is this recent? Yes, Jenna, it happens every night night?

923
00:56:01,400 --> 00:56:03,600
Speaker 2: What the grove? They played the Glee version of Don't

924
00:56:03,600 --> 00:56:06,760
Speaker 2: Stop Leaving and the fountain does a show like it's Vegas.

925
00:56:06,840 --> 00:56:09,080
Speaker 2: We got to go. It's like the Bellagio do we

926
00:56:09,160 --> 00:56:11,560
Speaker 2: have to go? We have to go. But I recently

927
00:56:11,560 --> 00:56:12,239
Speaker 2: found that out.

928
00:56:13,560 --> 00:56:14,160
Speaker 1: That's funny.

929
00:56:14,400 --> 00:56:20,680
Speaker 2: Saw this TikTok. Are you crazy? I'm laughing. That's really funny.

930
00:56:20,719 --> 00:56:22,719
Speaker 1: It tickles me. I actually want to go. That really

931
00:56:22,760 --> 00:56:25,120
Speaker 1: tickles me. It might be too late for you, Jenna.

932
00:56:26,960 --> 00:56:29,000
Speaker 1: I think it's like at night, like when the grove

933
00:56:29,040 --> 00:56:31,640
Speaker 1: is closing. I think they played sorry.

934
00:56:31,400 --> 00:56:32,000
Speaker 2: That's gotta go.

935
00:56:32,239 --> 00:56:34,520
Speaker 1: Well, for one time I saw a movie at the

936
00:56:34,520 --> 00:56:36,560
Speaker 1: grove and like the grove had closed, but obviously the

937
00:56:36,560 --> 00:56:38,920
Speaker 1: movie theater was like the you know, the last of

938
00:56:38,960 --> 00:56:42,840
Speaker 1: people to be leaving, and it was like midnight probably,

939
00:56:43,280 --> 00:56:46,040
Speaker 1: And there was a man who must have been one

940
00:56:46,080 --> 00:56:50,040
Speaker 1: of the restaurants in the surrounding area, who rolled up

941
00:56:50,040 --> 00:56:53,600
Speaker 1: his pants and stood in the fountain, just standing there.

942
00:56:53,640 --> 00:56:55,759
Speaker 1: The fountain wasn't running, it was just there with a

943
00:56:56,280 --> 00:57:00,200
Speaker 1: cigar in his hand, just standing in the fountain. Never

944
00:57:00,280 --> 00:57:03,360
Speaker 1: forget it. It looks like he was like in Italy

945
00:57:03,480 --> 00:57:05,440
Speaker 1: or something. He was like one of the fountains and

946
00:57:05,520 --> 00:57:06,520
Speaker 1: like he heard.

947
00:57:06,320 --> 00:57:08,040
Speaker 2: Don't stop believing. I was like, you know what, he

948
00:57:08,120 --> 00:57:13,560
Speaker 2: was moved, Yeah, he was moved. Well that is the breakup.

949
00:57:16,440 --> 00:57:20,720
Speaker 2: I bet tumblr was a mess. I'm sure it was

950
00:57:22,440 --> 00:57:28,280
Speaker 2: wow wow. So next week we have the role you

951
00:57:28,280 --> 00:57:30,640
Speaker 2: were born to play. We get the Grease auditions, and

952
00:57:31,320 --> 00:57:34,000
Speaker 2: Mike and Mercedes come back. I need all these people back.

953
00:57:34,120 --> 00:57:38,640
Speaker 2: Holla Lou, please, Holly Lou. Thanks for joining us. See

954
00:57:38,680 --> 00:57:41,280
Speaker 2: you next week. And that's what you really missed. Thanks

955
00:57:41,280 --> 00:57:44,439
Speaker 2: for listening and follow us on Instagram at and that's

956
00:57:44,440 --> 00:57:46,600
Speaker 2: what you really miss pod. Make sure to write us

957
00:57:46,600 --> 00:57:49,200
Speaker 2: a review and leave us five stars. See you next time.