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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be.

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Speaker 2: There, doesn't matter how much baggage.

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Speaker 1: You claim and give us time and they terminol and gay.

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Speaker 1: We want to send you off instart. Do wanna welcome

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Speaker 1: you back home? Tell us all about every scared or

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Speaker 1: was it fine?

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Speaker 2: Mal porn?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need ride?

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Speaker 3: Ride with Karen and Chris welcome to Do you need

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Speaker 3: a ride? This is Chris Fairbanks.

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Speaker 1: This is Karen Tilgareth.

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Speaker 3: Karen is currently and I'm not getting crimping her eyelashes,

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Speaker 3: curling them with one of those clockwork orange keep me

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Speaker 3: up all night to watch horrible things so I can

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Speaker 3: rehabilitate scissors. They have scissors as the handle. I have

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Speaker 3: tried them before I had an older sister, and I've

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Speaker 3: found that if they don't have the little rubber gasket

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Speaker 3: on them, Oh yeah, they will pinch your lid to

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Speaker 3: the point of bleeding.

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Speaker 1: Oh you, oh know, yeah, you print yourself.

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Speaker 3: I mean, who knows where I'd be today gender wise

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Speaker 3: and pronoun wise had I not been scaryfully in the eyelid.

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Speaker 3: I'm like, you know what, this drag thing isn't for me?

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Speaker 3: That hurt Like hell, it.

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Speaker 4: Is hard to be a woman. We all know that,

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Speaker 4: but I mean some people don't realize. My cousin, Lisa,

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Speaker 4: she used to separate. She'd put on mascara and then

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Speaker 4: separate her eyelashes with a needle so that it would,

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Speaker 4: you know, because it was clumpy. This is a This

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Speaker 4: was back in the late late seventies where there was

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Speaker 4: really no advancements in female mascara, but to get very clumpy,

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Speaker 4: so she'd go back over it with a needle.

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Speaker 3: People say, stick a needle in my eye because they

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Speaker 3: know that will never happen because a needle is never

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Speaker 3: near your eye.

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Speaker 4: However, Lisa, Lisa, who didn't mind a drug that was scary.

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Speaker 1: Yeah, that person.

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Speaker 3: Should not have stopped in the road.

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Speaker 2: You know.

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Speaker 4: I think people buy Jettas and they think, hey, I'm

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Speaker 4: going to go really go for it on sunset.

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Speaker 3: Yeah.

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Speaker 1: Yeah, my dad bought me this Jetta. It's all going

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Speaker 1: to be different now.

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Speaker 3: Someone did a song called all my ex girlfriends drive

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Speaker 3: black Jettas. Who I can't black jettas. I don't remember

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Speaker 3: dead milk. It sounds milk. It sounds milk. Many because

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Speaker 3: it's about a car and.

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Speaker 1: It has a story. Yeah, there's a storyline.

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Speaker 3: It may have been. You might be right, God, I

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Speaker 3: love let us know if you remember, uh.

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Speaker 1: Or if you're a dead milkman, I'd love to hear

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Speaker 1: from you.

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Speaker 3: And uh, I guess this is something we should do

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Speaker 3: right at the start. Karen, I don't know if you

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Speaker 3: know this, but we have a sponsor for this. Oh

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Speaker 3: and this is real, This is a real thing.

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Speaker 2: This isn't real.

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Speaker 1: Haha.

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Speaker 3: We're driving by Taco Bell. Taco Bell, we give you diarrhea.

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Speaker 3: And do you need to write a I could have

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Speaker 3: come up with a better one if Taco Bell was

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Speaker 3: a real sponsor, and would I would have? Yet? You

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Speaker 3: know what I'll do for money?

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Speaker 2: Yeah?

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Speaker 3: About everything? Oh yeah, but it's hard to get the

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Speaker 3: motivation to look for a sponsor or. Look, you know,

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Speaker 3: turn this into a business if you haven't had a

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Speaker 3: decent night's sleep. But the good people at Parachute Home

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Speaker 3: have given me the best sheets I think I've ever

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Speaker 3: ever worn, and I wear them on my mattress. But

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Speaker 3: I you kind of are wearing them as you sleep.

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Speaker 3: The Parachute, and they're made in Venice, where I live.

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Speaker 3: I've been wanting to look around to see if the

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Speaker 3: building is nearby me. Oh, they're local, They are local,

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Speaker 3: and you know they cause great sleep, Caaren, I don't

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Speaker 3: know if you know. This starts with the sheets, and

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Speaker 3: Parachute has created a line of everyday betting essentials, from

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Speaker 3: sheets to do ved comforters, comforters and comforters to give

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Speaker 3: you superior sleep.

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Speaker 1: Nice.

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Speaker 3: And here's the thing about the stuff they sent me,

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Speaker 3: it was like in a nice arrangement. I opened the

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Speaker 3: box and it was like it was as if a

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Speaker 3: cook at a four star restaurant had arranged everything, and

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Speaker 3: it was all tied with twine, and there was a

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Speaker 3: little letter handwritten that said thank you personally. It was

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Speaker 3: really nice. And you know, the betting's made of one

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Speaker 3: hundred percent long staple Egyptian cor.

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Speaker 1: Oh, that's the good stuff.

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Speaker 3: Hey. It's manufactured in a mill in Tuscany that sounds

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Speaker 3: to Italy weaving betting for nearly eighty years. This mill,

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Speaker 3: it's probably been around forever and then shipped straight to

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Speaker 3: your door. And it did come right to my door.

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Speaker 3: Parachute cuts out the licensing and the distribution fees so

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Speaker 3: you can experience high quality betting for less. And if

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Speaker 3: you mentioned this is kind of cool. If you mention

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Speaker 3: go to parachute home dot com slash ride, use the

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Speaker 3: promo code ride, and Parachute will give you twenty five

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Speaker 3: dollars off on your first order by mentioning you, yeah,

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Speaker 3: we're paying you to listen to us.

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Speaker 1: Basically, that's kind of awesome.

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Speaker 3: I'm going to get those sheets right while you sleep.

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Speaker 3: The only other way to get paid while you sleep

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Speaker 3: is to knock out your teeth and put them under

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Speaker 3: your pillow, or to be hoore, or to be some

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Speaker 3: sort of a licensed hour sleeping wore.

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Speaker 4: So you've received them, I'm going to get mine and

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Speaker 4: then we're gonna we're going to sleep on them, and

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Speaker 4: then we're going to come back with the results.

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Speaker 3: I've I've already. They are just they feel great like

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Speaker 3: a lot of times, Oh there's a man in the road,

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Speaker 3: but he's limping a lot of times. You know. They

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Speaker 3: people talk about thread count.

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Speaker 1: Yes, that's very important.

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Speaker 3: Apparently it isn't. It's a marketing gimmick.

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Speaker 1: Is that true?

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Speaker 3: You can read about it at parachutes blog. Uh and

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Speaker 3: and they tell you about thread count not necessarily being

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Speaker 3: that because I've bought high thread count sheets and they

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Speaker 3: were like silk underwear or something. I thought they're going

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Speaker 3: to rip. They weren't high quality.

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Speaker 1: About the cotton that you're using.

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Speaker 3: It is more about the cotton. And if you can

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Speaker 3: get it out of Tuscany, come on, go to Parachute

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Speaker 3: dot com.

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Speaker 1: I love it.

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Speaker 3: Mentioned ride and uh yeah.

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Speaker 1: Cool, We've got a sponsor.

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Speaker 3: I hope.

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Speaker 1: I'm so excited.

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Speaker 3: I mean, i'd like to think what I just did

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Speaker 3: will entice them to, you know, continue to sponsor d Any.

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Speaker 4: I think it's pretty good. For the first time ever

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Speaker 4: doing an ad, and it was pretty good.

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Speaker 3: Well, here's the thing. I wanted it to be the

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Speaker 3: first commercial on our podcast to seem conversational, right. I

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Speaker 3: don't think any believe it or not. And you know,

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Speaker 3: because you were sitting here, I was reading all that

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Speaker 3: that was not memorized, and I know it seemed like

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Speaker 3: it was just coming out of my mouth, but that

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Speaker 3: was all information.

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Speaker 1: Amazing. You did a pretty great job.

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Speaker 3: But they are, Yeah, they're very nice. They're very nice.

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Speaker 1: I love a nice sheet. I mean it is you know,

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Speaker 1: it's all about.

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Speaker 3: That prior to this, because they look flashy. I bought

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Speaker 3: some off brand at Ross. You know, don't get bedding

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Speaker 3: just because it looks shiny. I got some silk or

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Speaker 3: satin sheets because they were silver, and I get in bed.

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Speaker 3: I slide right off the.

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Speaker 1: Other end cause they were silver.

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Speaker 3: They're so slippery. I put my head. I'm like, oh,

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Speaker 3: this will keep my hair, you know, I like to

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Speaker 3: put my hair up in curlers. My head just slides

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Speaker 3: off the pillow. I'm risking neck injury.

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Speaker 1: Yes, don't do that.

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Speaker 3: No, you won't get that with parachute.

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Speaker 1: All right, Yeah, so beautiful, very excited. I am too.

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Speaker 1: I think we're a real podcast.

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Speaker 3: Now and it feels yeah, And I'm a real grown

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Speaker 3: up because I usually, you know, sheets are one of

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Speaker 3: the last things I think about, but it makes such

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Speaker 3: a huge difference when you're sleeping, for that comfort to

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Speaker 3: be there.

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Speaker 1: Okay, I I think you've given them everything.

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Speaker 3: Well now I'm just talking on my own behalf about

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Speaker 3: my sleep cycle.

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Speaker 1: We'll stop it.

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Speaker 3: Sleep cycle is also an app. You put it on

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Speaker 3: your bed. They let you know when you're in rem state.

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Speaker 1: And while we're at it, what's your sleep number?

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Speaker 3: Well, you know how I like to jump on the

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Speaker 3: bed while my lady friend drinks wine.

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Speaker 1: Shit, I can't go in this way.

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Speaker 3: Oh god, don't that'll.

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Speaker 1: Get me into some weird spot, won't it. Yeah? Fuckers

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Speaker 1: it worse.

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Speaker 3: Nope, Nope, you're doing fine. That was how you get

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Speaker 3: to Dodgers Stadium.

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Speaker 1: Guys.

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Speaker 4: We're on the five South right now and there's I mean,

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Speaker 4: there's just a lot of choices because they're trying to

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Speaker 4: get to Johnny Pemberton's house.

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Speaker 3: We are going to pick up Johnny Pemberton. I'm very

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Speaker 3: excited to have him on the podcast. I've been wanting

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Speaker 3: him on the podcast because he just is the hilarious.

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Speaker 2: He's the best.

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Speaker 1: He's a sweet guy.

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Speaker 3: And he have you seen him host with Josh Fatum

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Speaker 3: that show?

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Speaker 1: I haven't.

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Speaker 3: It's the best.

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Speaker 1: Really.

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Speaker 3: Yeah he I thought he was just doing it with

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Speaker 3: his voice, but he had like a little modifier and

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Speaker 3: he does this whoa for his old cowboy ex country star?

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Speaker 3: Oh yeah, and it took I watched the whole show.

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Speaker 3: I'm like, whoever that is? He's hilarious. I didn't know

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Speaker 3: it was. Johnny had sunglasses on, so I know, I

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Speaker 3: know now that just hearing the tone of his voice

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Speaker 3: isn't dependent on his comedy.

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Speaker 4: Well, I personally loved Johnny Pemperton because I've before I

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Speaker 4: met him in real life.

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Speaker 1: I saw him in movies and.

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Speaker 4: He usually plays a kid or like a high school

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Speaker 4: student or something.

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Speaker 3: He's a person that looks younger than his age.

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Speaker 1: He looks very young.

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Speaker 3: You were probably gonna.

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Speaker 1: Say people a lot like he's a fair BANX.

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Speaker 3: Yeah he's got you just don't want to get off

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Speaker 3: this g D freeway g Demon Priest is Christ.

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Speaker 4: But uh, when you meet him in real life, he's

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Speaker 4: incredibly intelligent and very mature.

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Speaker 1: It's not like he's like some kid like person.

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Speaker 3: He comes from.

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Speaker 1: Now we're on another family. Oh yeah, yeah, his father's

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Speaker 1: a famous doctor.

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Speaker 3: His father held me I had some bowel issues. I

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Speaker 3: don't want to go into detail, but it was scary

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Speaker 3: what was happening. And UH talked to him on the phone.

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Speaker 3: He connected me with his dad, and the dad he said,

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Speaker 3: don't worry. See this guy I went to saw his friend.

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Speaker 3: That guy was a doctor also.

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Speaker 1: Luckily, thank god.

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Speaker 2: And uh he.

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Speaker 3: Looked, uh looked in there and said, you're fine.

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Speaker 2: You just got some.

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Speaker 3: Fissures and fistulas, you know, stuff like that. That's what's

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Speaker 3: causing the belief.

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Speaker 1: I think you have gone into detail about this.

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Speaker 3: Well you know, I wasn't gonna and then once once

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Speaker 3: I go there, yeah, you're gone. Yeah once.

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Speaker 1: Sorry, I have to get back to it. It's quite to

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Speaker 1: get back to where we're supposed to go.

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Speaker 3: Yes, he said, uh, take your time.

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Speaker 1: So I think I got a.

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Speaker 3: Green light here. Sorry, I'm sorry. I won't do that.

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Speaker 1: No, no, no, no anymore.

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Speaker 3: That seem kind of passive.

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Speaker 1: Uh wait, I just have to look.

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Speaker 3: This mat oh, of course.

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Speaker 4: But anyway, and he also has his own podcast called

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Speaker 4: Twisting in the Wind.

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Speaker 3: I want to say, oh, do you promise me we're

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Speaker 3: gonna drive on the sidewalk? Here, we're on the sidewalk, now.

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Speaker 1: Do you want to drive down the sidewalk a little bit?

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Speaker 3: Well, if we just go between those poles, I'll think

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Speaker 3: you're pretty badass.

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Speaker 4: Okay, but I have to jump back on the five

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Speaker 4: and then I just need to fow what my exit

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Speaker 4: is and we'll be all set.

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Speaker 3: We're taking Johnny tonight to a show at the UCB Sunset,

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Speaker 3: the new UCB Theater. You're also on the pro I

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Speaker 3: am if I'm not mistaken. I was asked to be

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Speaker 3: on it. Did you know that?

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Speaker 1: No?

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Speaker 3: And I did not reply because I'm a poor businessman. Yeah,

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Speaker 3: but maybe I can get on. What if we're all

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Speaker 3: on the show?

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Speaker 1: I bet you could. I do that all the time.

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Speaker 1: I'm the worst.

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Speaker 3: Yeah. I actually got booked for the future a future date. WHOA,

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Speaker 3: that's okay.

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Speaker 1: I think that was an undercover cop that just passed us. Yeah, well,

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Speaker 1: because I was going to do a fool on U

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Speaker 1: turn right in front.

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Speaker 2: Of his face right now.

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Speaker 3: They don't like that, not when you're all blatant about it.

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Speaker 3: At least, Honestly, I think the police do appreciate it

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Speaker 3: when you try and do things when they're not looking.

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Speaker 1: Yeah, like, just don't get us involved.

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Speaker 3: I've had enough cop stop and go. You had to

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Speaker 3: do that right in front of me. I'm like, what

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Speaker 3: are you talking about? Man? Can you hold this water pipe?

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Speaker 1: Cool? Man?

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Speaker 3: Hey? Cop?

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Speaker 1: Do you vape? I had a friend whose brother got

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Speaker 1: pulled over.

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Speaker 4: It was five guys in a car and they were

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Speaker 4: smoking a bong in the car.

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Speaker 1: This was like ten fifteen years ago.

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Speaker 4: The Arabia Brothers wonderful men, really love them, but they

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Speaker 4: were doing that and a cop pulled them over.

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Speaker 1: The guy says, give me that bong.

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Speaker 4: He takes the bong back to his car, him and

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Speaker 4: his partner rip some bong hits way and then they

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Speaker 4: come back to the carcase. They don't do that anymore.

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Speaker 3: What city? What's this?

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Speaker 2: Uh?

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Speaker 1: I think San Diego because that's where CJ's from. It

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Speaker 1: was CJ Arabia's.

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Speaker 4: Brothers like, yeah, I love that story.

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Speaker 3: And they've watched them do the bong rips.

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Speaker 1: Yes, they all thought they were getting arrested. They were

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Speaker 1: like freaking.

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Speaker 3: Out, Oh, that's amazing, And.

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Speaker 4: Instead the cops are like, we'll get high too, and

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Speaker 4: then let's just all walk away.

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Speaker 3: And then I wonder if cops get high and then

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Speaker 3: they get paranoid and start to think that regular.

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Speaker 4: People are cops or that they're gonna turn their partners

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Speaker 4: are gonna turn on them and arrest them.

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Speaker 3: Yeah, yeah, that'd be kind of awesome because that's what

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Speaker 3: happens to me.

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Speaker 1: Yeah, everyone's a.

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Speaker 3: Cop, Everyone is a cop. Everyone's out to get me.

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Speaker 1: Mm hmm.

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Speaker 3: I wonder what my bank account is doing that kind

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Speaker 3: of thing. I got a loose enough. Maybe it's uh,

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Speaker 3: I'm hitting the sativa, I should be hitting an indica.

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Speaker 4: Well, I think though I had to do the exact

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Speaker 4: same thing. I stopped smoking because everything just became very

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Speaker 4: doom and gloom. It was like, uh, even I mean,

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Speaker 4: I have plenty to stress out about, but even when

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Speaker 4: I wasn't, like, didn't have something to actively stress out about,

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Speaker 4: it was just like a no thing is that it's

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Speaker 4: all bad? You know what I mean, Like it just

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Speaker 4: left me. That's the paranoia part.

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Speaker 3: Yeah, and it hits you all of a sudden, like

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Speaker 3: I've had a summer where I'm like, I could get

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00:14:44,160 --> 00:14:47,440
Speaker 3: into this. This is healthier than being a drunk person. Yeah,

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00:14:47,520 --> 00:14:52,040
Speaker 3: it helps you be creative, but it's pretty stifling for

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Speaker 3: me to just get scared about life and my breathing,

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Speaker 3: which is what happens exactly. Is this normal breathing? Is

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Speaker 3: my neck closing in my esophagees?

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Speaker 1: Yep? Is this how I really die? I remember one

333
00:15:04,840 --> 00:15:07,000
Speaker 1: time playing dominoes with Jeremy Kramer. Did you ever do

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Speaker 1: comedy with Jeremy Kramer?

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Speaker 3: I remember Jeremy Kramer.

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Speaker 4: He's the He's the San Francisco legend. He's one of

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00:15:12,280 --> 00:15:14,040
Speaker 4: the funniest people that's ever lived.

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Speaker 3: When I met you. When I first met you and

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Speaker 3: comedy was happening in a laundromat, Jeremy Kramer was there.

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Speaker 1: Oh yes, and I was.

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00:15:23,120 --> 00:15:25,840
Speaker 3: I was with Howard Kramer, and immediately I was like, Man,

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00:15:25,920 --> 00:15:28,320
Speaker 3: this Los Angeles city is going to be confusing.

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Speaker 1: There's multiple Kramer, There's so many Kramers.

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Speaker 4: I was playing dominoes with him one time and took

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Speaker 4: too many hits a pot and thought I was having

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Speaker 4: a heart attack. And at one point just looked at

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00:15:39,320 --> 00:15:42,840
Speaker 4: him and said, I I think I think something's wrong.

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Speaker 1: I think I'm having a heart attack.

349
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Speaker 4: And he just looked at me and goes, do you

350
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Speaker 4: want me to take you to the emergency room?

351
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Speaker 3: Oh?

352
00:15:51,240 --> 00:15:51,760
Speaker 2: You right know?

353
00:15:52,120 --> 00:15:53,240
Speaker 3: Oh that's terrific.

354
00:15:53,440 --> 00:15:55,720
Speaker 1: It was the perfect like, I mean, that's all.

355
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Speaker 3: You need is that's Yeah, That's the only thing that'll

356
00:15:58,080 --> 00:16:01,280
Speaker 3: kick you out of paranoia is a con ascending tone. Yes,

357
00:16:02,960 --> 00:16:05,480
Speaker 3: Oh do you want me to call the whambulence?

358
00:16:08,000 --> 00:16:08,160
Speaker 2: Yeah?

359
00:16:08,200 --> 00:16:10,200
Speaker 3: It's hard to know where we are at.

360
00:16:10,440 --> 00:16:11,520
Speaker 1: I know, well, you know what it is.

361
00:16:11,680 --> 00:16:15,240
Speaker 4: It's like Johnny lives under five different freeways.

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Speaker 1: So but we're very close. We are very close close.

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Speaker 3: Indeed, Yeah, I'm sorry, I was feeling. I was looking

364
00:16:26,680 --> 00:16:30,240
Speaker 3: at the apparatus here and how's your apparati lowan battery?

365
00:16:30,280 --> 00:16:33,080
Speaker 3: I thought I put in new batteries last time. Oh

366
00:16:33,120 --> 00:16:36,040
Speaker 3: there's so much to remember just in life. No, I know,

367
00:16:36,280 --> 00:16:39,160
Speaker 3: believe me, there's not enough time in the day.

368
00:16:39,680 --> 00:16:43,360
Speaker 4: No, there really isn't, although I do manage to lay

369
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Speaker 4: around and do nothing and spend.

370
00:16:46,480 --> 00:16:48,680
Speaker 3: In defense of the idea, there was plenty of time

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00:16:48,760 --> 00:16:50,960
Speaker 3: today for me to buy batteries. In fact, I was

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00:16:51,000 --> 00:16:53,040
Speaker 3: at the store and I looked at the batteries and

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Speaker 3: thought it would be a good idea to get those

374
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Speaker 3: as back up.

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Speaker 4: I do that all the time, and then I think

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Speaker 4: that that's the first thought. That's like, that's my responsible

377
00:17:02,840 --> 00:17:03,440
Speaker 4: adult thought.

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00:17:03,560 --> 00:17:05,920
Speaker 1: And my next thought is, well, do it later. It'll

379
00:17:05,960 --> 00:17:07,920
Speaker 1: be fun later, is like the reasoning.

380
00:17:08,119 --> 00:17:11,040
Speaker 3: Yeah, yeah, because it'll be fun. Yeah, you'll be looking

381
00:17:11,080 --> 00:17:11,840
Speaker 3: forward to it.

382
00:17:12,080 --> 00:17:15,240
Speaker 4: Yeah, as opposed to know you're twenty minutes late for everything.

383
00:17:15,280 --> 00:17:17,280
Speaker 4: You're just adding something onto your to do list.

384
00:17:17,480 --> 00:17:20,560
Speaker 3: I'm that's me. That's me. I put things off. That's

385
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Speaker 3: how I function.

386
00:17:21,320 --> 00:17:23,959
Speaker 1: Yeah, me too. It feels good. Just so you know.

387
00:17:24,240 --> 00:17:27,400
Speaker 1: I had breakfast with Greg Barrent this morning. Oh, yes,

388
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Speaker 1: and great, he's great. He's done with chemotherapy.

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Speaker 3: Good.

390
00:17:31,440 --> 00:17:33,639
Speaker 4: If anyone out there knows Greg Barrent, who's our a

391
00:17:33,720 --> 00:17:38,840
Speaker 4: very good friend and co comedian and podcaster and one.

392
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Speaker 3: Of the many friends of ours with cancer currently, it's

393
00:17:42,640 --> 00:17:47,760
Speaker 3: getting very frustrating that disease. But what did he say?

394
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Speaker 1: He wants to do our podcast?

395
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Speaker 3: Oh terrific.

396
00:17:50,760 --> 00:17:53,120
Speaker 1: Yeah, I'm so excited. He wants to do it very soon.

397
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Speaker 3: So I would love it. I would love it.

398
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Speaker 1: He said, you guys drive me somewhere. I said, sounds good.

399
00:17:58,400 --> 00:17:59,600
Speaker 3: Yeah, we'll take him anywhere.

400
00:17:59,720 --> 00:18:03,000
Speaker 1: Yeah. But that was nice to see him and to

401
00:18:03,040 --> 00:18:06,119
Speaker 1: see him. He looks like himself, he's he seems like

402
00:18:06,160 --> 00:18:06,600
Speaker 1: he's back.

403
00:18:06,800 --> 00:18:07,280
Speaker 3: Oh good.

404
00:18:07,400 --> 00:18:09,600
Speaker 1: Yeah, and he's gonna be doing sets around and stuff.

405
00:18:09,680 --> 00:18:11,840
Speaker 3: That's terrific. That makes me happy.

406
00:18:11,960 --> 00:18:14,920
Speaker 4: That's the only thing I did today was go I

407
00:18:14,920 --> 00:18:16,879
Speaker 4: and I actually am doing things in my life now

408
00:18:16,880 --> 00:18:19,200
Speaker 4: where it's like I'm acting, Like going and meeting people

409
00:18:19,240 --> 00:18:22,080
Speaker 4: for coffee is like something to check off a list, yeah,

410
00:18:22,520 --> 00:18:24,000
Speaker 4: or like I've accomplished something.

411
00:18:24,280 --> 00:18:26,160
Speaker 3: Well, as long as you have a bit of a schedule,

412
00:18:26,359 --> 00:18:30,919
Speaker 3: it feels like, hey, I'm still working right.

413
00:18:30,840 --> 00:18:33,840
Speaker 1: Yeah kind of. I mean I don't know.

414
00:18:34,080 --> 00:18:36,240
Speaker 3: I miss my free time. I'm working right now, and

415
00:18:36,320 --> 00:18:38,639
Speaker 3: it's it's it takes some getting used to, you know,

416
00:18:38,760 --> 00:18:41,840
Speaker 3: waking up not doing the things that.

417
00:18:41,920 --> 00:18:44,800
Speaker 1: You usually do or whatever you want to do.

418
00:18:45,040 --> 00:18:48,000
Speaker 3: It's all and all these rich people always say that's

419
00:18:48,080 --> 00:18:51,359
Speaker 3: like it's a Donald trumpy thing to say, just sleep less.

420
00:18:52,400 --> 00:18:56,320
Speaker 3: There's this montage of like advice from Arnold Schwarzenegger that

421
00:18:56,400 --> 00:18:59,320
Speaker 3: I was listening to for some reason, and one of

422
00:18:59,359 --> 00:19:02,240
Speaker 3: them was like, you'll have plenty of I'm not gonna

423
00:19:02,240 --> 00:19:05,440
Speaker 3: do his voice, plenty of time to sleep when you die,

424
00:19:05,480 --> 00:19:08,000
Speaker 3: that's what he said. I'm like, really, that's what if

425
00:19:08,000 --> 00:19:10,040
Speaker 3: you think about it. I mean, I guess you have

426
00:19:10,080 --> 00:19:13,280
Speaker 3: an edge on people if you've only had five hours sleep,

427
00:19:13,320 --> 00:19:15,160
Speaker 3: But then you have baggy eyes and you're not gonna

428
00:19:15,240 --> 00:19:17,520
Speaker 3: nail that meeting, right, I mean.

429
00:19:17,440 --> 00:19:18,280
Speaker 1: Who knows that?

430
00:19:19,000 --> 00:19:21,040
Speaker 4: You know, that guy can do whatever he wants. First

431
00:19:21,080 --> 00:19:22,840
Speaker 4: of all, you know he's sleeping as much as he

432
00:19:22,920 --> 00:19:23,320
Speaker 4: wants to.

433
00:19:24,000 --> 00:19:27,359
Speaker 1: He's rich. Yeah, none of the rules apply to that guy.

434
00:19:27,440 --> 00:19:30,159
Speaker 3: I think it's just talking early on and he's talking

435
00:19:30,359 --> 00:19:31,639
Speaker 3: just about lifting weights.

436
00:19:32,600 --> 00:19:36,440
Speaker 4: Yeah, because if you're filled with other people's testosterone and

437
00:19:37,080 --> 00:19:39,840
Speaker 4: a human growth hormone. Then yeah, you can kind of

438
00:19:39,920 --> 00:19:41,200
Speaker 4: do whatever you want.

439
00:19:41,600 --> 00:19:44,200
Speaker 3: Do you think he was injecting other people's growth hormones.

440
00:19:44,400 --> 00:19:45,320
Speaker 1: I'd like to think that.

441
00:19:45,560 --> 00:19:46,800
Speaker 3: I'd like to imagine it.

442
00:19:46,960 --> 00:19:50,600
Speaker 1: I mean, I want a hero, I need a hero.

443
00:19:51,440 --> 00:19:52,480
Speaker 1: I'm looking out for a hero.

444
00:19:52,640 --> 00:19:55,480
Speaker 3: I've been holding on for a hero. Cli Yeah, the

445
00:19:55,600 --> 00:19:56,560
Speaker 3: night Scratcher.

446
00:19:56,720 --> 00:20:01,320
Speaker 4: All right, this is crazy, Yeah, but I think I

447
00:20:01,440 --> 00:20:01,840
Speaker 4: found it.

448
00:20:02,000 --> 00:20:07,960
Speaker 3: Okay, this has been I mean a goose chase.

449
00:20:08,640 --> 00:20:09,439
Speaker 1: It's been wild.

450
00:20:11,480 --> 00:20:14,840
Speaker 4: It's also hard to look at my phone map and

451
00:20:15,000 --> 00:20:16,000
Speaker 4: podcast and drive.

452
00:20:16,160 --> 00:20:22,679
Speaker 3: Yes, we our podcast comes with dangers that are specific

453
00:20:22,840 --> 00:20:26,359
Speaker 3: to the what we've decided to do, which is driving

454
00:20:26,359 --> 00:20:29,919
Speaker 3: a car. While it's very dangerous. I can't believe people

455
00:20:29,960 --> 00:20:34,520
Speaker 3: get in with us, I know. And I'm gonna just

456
00:20:34,640 --> 00:20:38,000
Speaker 3: remind Johnny we're heading to him.

457
00:20:38,320 --> 00:20:45,040
Speaker 4: Yes, yes, close close by, I think, yeah, I think so. Actually,

458
00:20:45,440 --> 00:20:49,000
Speaker 4: it's so very strange. This is that part of Los Angeles.

459
00:20:49,040 --> 00:20:52,520
Speaker 4: It is now called frog Town. But when I moved

460
00:20:52,520 --> 00:20:54,800
Speaker 4: here and lived here for twenty years, it was never

461
00:20:54,840 --> 00:20:55,560
Speaker 4: called anything.

462
00:20:56,200 --> 00:20:59,560
Speaker 1: And then I had a Frogtown. Is what this little

463
00:20:59,560 --> 00:21:00,840
Speaker 1: neighborhoo coming up is?

464
00:21:01,119 --> 00:21:03,760
Speaker 3: Oh? Really? I thought it was a Legion park or

465
00:21:03,800 --> 00:21:05,920
Speaker 3: some maybe it's also called frog Town.

466
00:21:05,960 --> 00:21:08,720
Speaker 1: I don't know where Lesion Park is, but this is Frogtown.

467
00:21:09,119 --> 00:21:12,120
Speaker 4: And I know because I have a hairdresser here, one

468
00:21:12,119 --> 00:21:13,600
Speaker 4: of my many ladies around town.

469
00:21:14,760 --> 00:21:15,080
Speaker 3: Wow.

470
00:21:16,800 --> 00:21:18,920
Speaker 1: And it's just kind of just this strip.

471
00:21:19,880 --> 00:21:25,520
Speaker 3: Yeah, it's hard to know where we're at right now.

472
00:21:25,520 --> 00:21:30,320
Speaker 3: This city is an intricate, serpentine maze of confusing pathways.

473
00:21:30,400 --> 00:21:31,200
Speaker 1: It's true.

474
00:21:31,760 --> 00:21:35,679
Speaker 3: Sometimes they're labeled south, sometimes north. Suddenly you're on Historic

475
00:21:35,760 --> 00:21:38,040
Speaker 3: Route sixty six. You're in the wild West. You're on

476
00:21:38,080 --> 00:21:39,840
Speaker 3: a horse, you need.

477
00:21:39,760 --> 00:21:42,359
Speaker 4: Water, you got bit by a scorpion, you got kicked

478
00:21:43,119 --> 00:21:45,720
Speaker 4: the set because you because you.

479
00:21:45,800 --> 00:21:50,240
Speaker 3: Use the damn you're not You're no longer an actual cowboy.

480
00:21:50,280 --> 00:21:54,560
Speaker 3: You're simply in a western movie. But we are behind

481
00:21:54,640 --> 00:21:58,960
Speaker 3: Dodger Stadium, and I think, yeah, Johnny's like downtown ish right.

482
00:21:59,119 --> 00:22:01,920
Speaker 1: No, We're like, look, we're going down a bit further.

483
00:22:01,960 --> 00:22:02,760
Speaker 1: And then he's right there.

484
00:22:02,840 --> 00:22:05,800
Speaker 3: Oh he's right here. Okay, See that's where I was

485
00:22:05,800 --> 00:22:09,800
Speaker 3: wrong before. I mean, look, who knows where the freeway.

486
00:22:09,440 --> 00:22:13,120
Speaker 1: Was taking, who knows where the time goes? Newell, I'm

487
00:22:13,119 --> 00:22:14,920
Speaker 1: going left on it, Okay, okay, great.

488
00:22:16,119 --> 00:22:19,360
Speaker 3: Anyway, I'm very excited for him to be in here.

489
00:22:19,480 --> 00:22:21,720
Speaker 3: How have you been? What have you been doing? Karen?

490
00:22:22,680 --> 00:22:25,760
Speaker 4: Aside from having breakfast with a great parent, was that

491
00:22:25,840 --> 00:22:30,760
Speaker 4: was one of the big ones just today, just today, Uh,

492
00:22:32,000 --> 00:22:34,800
Speaker 4: let's see going to the movies a lot, and have

493
00:22:35,040 --> 00:22:37,360
Speaker 4: seen our podcast front April.

494
00:22:37,119 --> 00:22:39,240
Speaker 3: Richardson, I love April ap.

495
00:22:39,160 --> 00:22:43,280
Speaker 1: And I we saw Straight out of Compton together. How

496
00:22:43,440 --> 00:22:44,679
Speaker 1: was that great?

497
00:22:44,960 --> 00:22:46,960
Speaker 3: Great? Okay, I've been only told it's.

498
00:22:46,840 --> 00:22:47,880
Speaker 1: Great, it's great.

499
00:22:48,200 --> 00:22:51,240
Speaker 4: It's there's controversy because you know, it came out that

500
00:22:52,000 --> 00:22:55,240
Speaker 4: doctor Dre beat the ship out of his like first girlfriend, and.

501
00:22:55,040 --> 00:22:57,359
Speaker 1: There's a lot of stuff about that which is sucks

502
00:22:57,440 --> 00:22:58,359
Speaker 1: and is very sad.

503
00:22:58,720 --> 00:22:59,760
Speaker 3: But oh it's in the movie.

504
00:22:59,840 --> 00:23:01,360
Speaker 1: No, no, no, that was.

505
00:23:01,320 --> 00:23:03,119
Speaker 4: Like the controversy after the movie came out, as they

506
00:23:03,160 --> 00:23:05,960
Speaker 4: never talk about this, but it's like, in my opinion,

507
00:23:06,000 --> 00:23:06,560
Speaker 4: you would have to.

508
00:23:06,720 --> 00:23:07,919
Speaker 1: It's a whole different movie.

509
00:23:08,280 --> 00:23:10,800
Speaker 3: Sorry that we can't have it. The movie be four

510
00:23:10,840 --> 00:23:11,440
Speaker 3: hours long?

511
00:23:12,119 --> 00:23:14,359
Speaker 4: Yeah, I mean they you know, there was plenty to

512
00:23:14,440 --> 00:23:20,119
Speaker 4: cover anyway, So but it was great. I mean that aside,

513
00:23:20,200 --> 00:23:23,080
Speaker 4: here's what I will say I really liked after that

514
00:23:23,040 --> 00:23:27,480
Speaker 4: that there basically an article article came out saying that

515
00:23:27,920 --> 00:23:31,880
Speaker 4: you know this is they they they showed themselves as

516
00:23:31,920 --> 00:23:38,880
Speaker 4: being these heroes, but then there okay, uh and then

517
00:23:38,960 --> 00:23:43,400
Speaker 4: they uh and but the truth is that doctor Dre

518
00:23:43,480 --> 00:23:46,840
Speaker 4: beat this woman up. And days later after that article

519
00:23:46,880 --> 00:23:49,200
Speaker 4: that I read, doctor Dre came out with a statement

520
00:23:49,320 --> 00:23:51,600
Speaker 4: apologizing and saying.

521
00:23:51,400 --> 00:23:55,120
Speaker 1: It's not an excuse, but I was young and didn't.

522
00:23:54,800 --> 00:23:59,200
Speaker 4: Have I wasn't raised well, and i wasn't a man yet,

523
00:23:59,680 --> 00:24:01,880
Speaker 4: and so I've made a lot of mistakes and I'm

524
00:24:01,920 --> 00:24:02,920
Speaker 4: sorry for what I did.

525
00:24:03,040 --> 00:24:07,879
Speaker 1: Like it was this very comprehensive really for my to me.

526
00:24:09,320 --> 00:24:10,640
Speaker 1: Nobody apologizes like.

527
00:24:10,600 --> 00:24:13,000
Speaker 4: That anymore, just immediately comes out and says I was

528
00:24:13,040 --> 00:24:15,199
Speaker 4: wrong and I'm sorry, and it's not an excuse, but

529
00:24:15,240 --> 00:24:15,639
Speaker 4: I did it.

530
00:24:15,640 --> 00:24:19,960
Speaker 3: But I've Yeah, if only our past presidents could have

531
00:24:20,119 --> 00:24:24,600
Speaker 3: the you know, could act more like gangster rappers.

532
00:24:24,840 --> 00:24:26,919
Speaker 4: Yeah, or like I just think that's a very manly

533
00:24:26,960 --> 00:24:30,080
Speaker 4: thing to do. Sorry, miss sure, Uh, it's very manly

534
00:24:30,160 --> 00:24:34,640
Speaker 4: to go. You're right, that was a really dark time

535
00:24:34,640 --> 00:24:36,800
Speaker 4: in my life, and I he basically said, like, I

536
00:24:36,880 --> 00:24:40,159
Speaker 4: try every day to be a better person than who

537
00:24:40,240 --> 00:24:43,959
Speaker 4: I used to be, and hopefully I'm getting better. I mean,

538
00:24:44,000 --> 00:24:48,320
Speaker 4: it was very responsible, seemingly to me. Yeah, but anyway.

539
00:24:48,119 --> 00:24:50,199
Speaker 3: Especially since it was so long ago and he was.

540
00:24:50,560 --> 00:24:53,679
Speaker 3: I mean that is when it comes to excuses, not

541
00:24:53,720 --> 00:24:57,119
Speaker 3: that there is any for domestic when you say I

542
00:24:57,240 --> 00:24:57,959
Speaker 3: was seventeen.

543
00:24:58,320 --> 00:25:01,879
Speaker 1: No, I mean it's no you hit people, but kids do.

544
00:25:02,280 --> 00:25:04,040
Speaker 3: Kids hit each other, kids do.

545
00:25:04,359 --> 00:25:08,560
Speaker 4: And when you do show like that, then you apologize.

546
00:25:08,920 --> 00:25:10,879
Speaker 4: If people go this was wrong, you go, yep, it

547
00:25:11,040 --> 00:25:11,400
Speaker 4: was wrong.

548
00:25:11,480 --> 00:25:13,840
Speaker 1: I mean that he didn't have to do anything. That's

549
00:25:13,880 --> 00:25:14,720
Speaker 1: what most people do.

550
00:25:15,200 --> 00:25:19,640
Speaker 3: Wow, it's a little further. He's under a grapefruit tree.

551
00:25:20,080 --> 00:25:23,879
Speaker 1: We don't know what that means, Johnny. Yeah, is this

552
00:25:23,920 --> 00:25:24,680
Speaker 1: a great fruit tree?

553
00:25:24,720 --> 00:25:27,560
Speaker 3: I don't know. It looks there, there's fruit there. He

554
00:25:27,720 --> 00:25:34,000
Speaker 3: is outside corner. Hey, hey, hi, Johnny. We got a

555
00:25:34,000 --> 00:25:37,840
Speaker 3: little turned around, got a little turned around.

556
00:25:37,880 --> 00:25:40,920
Speaker 1: We were on several freeways you did. Here's your mic

557
00:25:41,480 --> 00:25:43,399
Speaker 1: Ellie is a great, big freeway.

558
00:25:43,119 --> 00:25:50,960
Speaker 3: Johnny Pemmerton, everybody. Yeah, it's so hard. It's so hard

559
00:25:51,000 --> 00:25:54,920
Speaker 3: while we're because we're talking, we're trying to podcast. Meanwhile

560
00:25:54,920 --> 00:25:57,200
Speaker 3: we're getting uh, we just keep getting lost.

561
00:25:58,160 --> 00:26:01,640
Speaker 2: How long have you been lost for? Oh? Oh, all

562
00:26:01,680 --> 00:26:02,320
Speaker 2: our lives?

563
00:26:02,480 --> 00:26:03,240
Speaker 3: Twelve minutes.

564
00:26:03,440 --> 00:26:04,720
Speaker 2: Twelve minutes. That's not too bad.

565
00:26:05,119 --> 00:26:07,560
Speaker 3: It wasn't How are you what's up?

566
00:26:08,160 --> 00:26:10,240
Speaker 2: You know, I was just getting out of that grapefruit tree.

567
00:26:11,200 --> 00:26:14,440
Speaker 3: When you said grapefruit tree, you you acted as if

568
00:26:14,920 --> 00:26:18,000
Speaker 3: everyone knows what a grapefruit tree looks like. I was not.

569
00:26:18,080 --> 00:26:19,719
Speaker 3: I did not grow up in an orchard.

570
00:26:19,960 --> 00:26:22,800
Speaker 2: It is not. But usually when you see a tree

571
00:26:22,840 --> 00:26:24,440
Speaker 2: that has a bunch of big yellow fruit on.

572
00:26:24,400 --> 00:26:26,760
Speaker 3: It, right, that was the giveaway. Is the actual fruit

573
00:26:26,880 --> 00:26:27,520
Speaker 3: in the tree?

574
00:26:28,080 --> 00:26:28,399
Speaker 2: Okay?

575
00:26:28,600 --> 00:26:31,840
Speaker 3: I should have I should have noticed what part of

576
00:26:31,880 --> 00:26:34,040
Speaker 3: town now. I thought it was a Lesion park.

577
00:26:34,560 --> 00:26:35,320
Speaker 2: Lesian Valley.

578
00:26:35,400 --> 00:26:39,520
Speaker 3: Technically it is technically technically, but have you heard heard

579
00:26:39,520 --> 00:26:42,919
Speaker 3: the phrase frog town? Yes, yeah, you're a frog town.

580
00:26:44,040 --> 00:26:46,359
Speaker 2: Well it's not, it is, that's what it's called.

581
00:26:46,960 --> 00:26:49,520
Speaker 3: You smell. You smell like grapefruits.

582
00:26:49,600 --> 00:26:52,640
Speaker 2: I'm not kidding away really, because I just kicked off

583
00:26:52,680 --> 00:26:56,560
Speaker 2: my foot. Oh oh god, it was decomposed.

584
00:26:56,720 --> 00:26:58,520
Speaker 3: Rinks of healthy breakfast.

585
00:26:59,240 --> 00:27:00,760
Speaker 1: Do you want to tell me the fastest way to

586
00:27:00,760 --> 00:27:01,560
Speaker 1: get to the left?

587
00:27:01,680 --> 00:27:02,040
Speaker 3: Okay?

588
00:27:03,480 --> 00:27:06,919
Speaker 4: It's like uber, yeah, because they never know where they're going.

589
00:27:06,840 --> 00:27:10,840
Speaker 2: And it's amazing. I sometimes I feel the higher people like, oh,

590
00:27:10,840 --> 00:27:13,199
Speaker 2: it's you never you've never driven before, driven before? Well,

591
00:27:13,200 --> 00:27:15,960
Speaker 2: here's a great chance to learn how to drive. Here's

592
00:27:16,000 --> 00:27:19,199
Speaker 2: your chance to learn learn on the job. Why uh,

593
00:27:19,520 --> 00:27:21,560
Speaker 2: why spend that time learning to drive when you can

594
00:27:21,680 --> 00:27:23,719
Speaker 2: get paid to learn to drive? Yeah, so their ad

595
00:27:23,720 --> 00:27:25,600
Speaker 2: should be get paid to learn to drive with Uber.

596
00:27:25,920 --> 00:27:29,439
Speaker 3: Yeah, and everyone that you'll be picking out picking up,

597
00:27:29,520 --> 00:27:31,399
Speaker 3: it's likely that they know how to drive, so they

598
00:27:31,440 --> 00:27:34,080
Speaker 3: can give you tips as you korean into a wall,

599
00:27:34,280 --> 00:27:37,800
Speaker 3: tips like oh my god, stop, or tips like please,

600
00:27:37,840 --> 00:27:38,920
Speaker 3: where are you taking us?

601
00:27:39,160 --> 00:27:41,560
Speaker 1: I had an Uber driver that asked me to teach

602
00:27:41,640 --> 00:27:45,119
Speaker 1: him how to use ways. Wow, that's pretty meta.

603
00:27:45,320 --> 00:27:47,560
Speaker 2: I don't know. We want to know who used ways

604
00:27:47,600 --> 00:27:51,320
Speaker 2: so much that he was like not seeing the forest

605
00:27:51,359 --> 00:27:54,280
Speaker 2: for the trees kind of thing, like like, oh, it

606
00:27:54,280 --> 00:27:57,359
Speaker 2: says there's traffic in front of me when there's none, Like,

607
00:27:57,520 --> 00:28:00,560
Speaker 2: but way says there's traffic right here. Yeah, no cars.

608
00:28:00,560 --> 00:28:02,360
Speaker 2: It's a misformed.

609
00:28:05,720 --> 00:28:06,280
Speaker 1: Take that right.

610
00:28:06,480 --> 00:28:09,560
Speaker 3: Yeah, it's amazing how many of those guys driving professionals

611
00:28:09,560 --> 00:28:11,800
Speaker 3: are not familiar with ways. They app that it saved

612
00:28:11,800 --> 00:28:12,840
Speaker 3: my life.

613
00:28:13,440 --> 00:28:14,600
Speaker 2: Where has it saved your life?

614
00:28:14,720 --> 00:28:17,040
Speaker 3: I mean, it's it's got I don't know if it's

615
00:28:17,080 --> 00:28:19,640
Speaker 3: saved my life, but it's got me on time too

616
00:28:19,680 --> 00:28:20,520
Speaker 3: many things.

617
00:28:21,520 --> 00:28:23,560
Speaker 2: I'm tired of driving. I'm done with it.

618
00:28:23,560 --> 00:28:25,120
Speaker 1: It's pretty irritating, it is.

619
00:28:25,320 --> 00:28:26,040
Speaker 3: It is the thing.

620
00:28:26,280 --> 00:28:28,600
Speaker 2: What a shitty thing that we do as people. Yeah,

621
00:28:29,000 --> 00:28:31,159
Speaker 2: like what a non human thing to engage in so

622
00:28:31,280 --> 00:28:34,879
Speaker 2: regularly driving. Yeah, I think it makes bad makes us

623
00:28:34,920 --> 00:28:37,400
Speaker 2: bad people agreed, they designed.

624
00:28:37,640 --> 00:28:39,960
Speaker 3: Yeah, No we aren't. We were. That would be amazing.

625
00:28:41,160 --> 00:28:45,440
Speaker 3: We'd have terrible bodies, just be so awkward in the bedroom.

626
00:28:45,480 --> 00:28:47,960
Speaker 1: Big can wrap around eyes.

627
00:28:48,800 --> 00:28:49,680
Speaker 3: Wrap around eyes.

628
00:28:49,720 --> 00:28:51,240
Speaker 1: Also, it's very isolating.

629
00:28:51,600 --> 00:28:53,560
Speaker 4: Like when I get in my car, I just like

630
00:28:53,640 --> 00:28:56,720
Speaker 4: I get all in my head and then I get like, well,

631
00:28:56,800 --> 00:28:59,400
Speaker 4: like we're saying like running through problems.

632
00:28:58,920 --> 00:29:01,280
Speaker 2: Right, it makes me in a way that I don't

633
00:29:01,320 --> 00:29:03,600
Speaker 2: like feeling that way. Yeah, it's like I wouldn't talk

634
00:29:03,640 --> 00:29:05,040
Speaker 2: to this person that way if I saw him in

635
00:29:05,080 --> 00:29:07,960
Speaker 2: the street. But I'm being exactly person of a stranger.

636
00:29:08,120 --> 00:29:08,479
Speaker 1: Yeah.

637
00:29:08,680 --> 00:29:11,240
Speaker 2: Really, it's like if we we saw each other, we

638
00:29:11,360 --> 00:29:13,480
Speaker 2: probably make up and cry and like I'm so sorry.

639
00:29:13,680 --> 00:29:15,800
Speaker 3: I'm so sorry too, Why did I do that?

640
00:29:15,920 --> 00:29:16,760
Speaker 1: Why did I call you?

641
00:29:16,840 --> 00:29:19,320
Speaker 2: Oh my god. We're just people, we're just trying. We're

642
00:29:19,400 --> 00:29:20,760
Speaker 2: just in the simulation together.

643
00:29:21,800 --> 00:29:22,880
Speaker 3: It's all simulation.

644
00:29:23,200 --> 00:29:26,120
Speaker 2: It is. It probably is right, and I think they're

645
00:29:26,160 --> 00:29:28,160
Speaker 2: pretty much proven to probably.

646
00:29:27,840 --> 00:29:30,360
Speaker 3: A simulation that we're living in a Truman Show situation.

647
00:29:30,520 --> 00:29:34,320
Speaker 2: Well that's like that, not like so much human orchestrated simulation,

648
00:29:34,400 --> 00:29:37,520
Speaker 2: but probably some sort of advanced this as beings or

649
00:29:38,040 --> 00:29:41,080
Speaker 2: or future us has created a similous asshole.

650
00:29:41,280 --> 00:29:45,520
Speaker 3: Look at that guy guzzler, And that's something you probably

651
00:29:45,520 --> 00:29:48,240
Speaker 3: wouldn't say that, that Couza.

652
00:29:48,400 --> 00:29:51,479
Speaker 2: Smashing asshole if I had no I got a car

653
00:29:51,560 --> 00:29:56,240
Speaker 2: alarms know what, you stupid seagus, get that fucking car

654
00:29:56,280 --> 00:29:57,720
Speaker 2: alarm off, I do have a car.

655
00:29:57,800 --> 00:30:00,280
Speaker 3: I knew he was a West Coast seaguzzler.

656
00:30:00,160 --> 00:30:01,040
Speaker 2: My freaking jack.

657
00:30:02,680 --> 00:30:05,600
Speaker 4: I think, uh, the idea of it being a simulation

658
00:30:05,800 --> 00:30:08,400
Speaker 4: makes me feel so much better about my tax problem.

659
00:30:08,640 --> 00:30:10,040
Speaker 2: Yeah, yeah, because it's.

660
00:30:09,920 --> 00:30:10,560
Speaker 1: Really not real.

661
00:30:10,680 --> 00:30:11,560
Speaker 3: Right, It's not real.

662
00:30:11,600 --> 00:30:13,840
Speaker 2: There's money, right, I mean that's I read some book

663
00:30:13,880 --> 00:30:16,040
Speaker 2: that said that's what I should think about money. Just

664
00:30:16,080 --> 00:30:17,080
Speaker 2: remember it's not real.

665
00:30:17,400 --> 00:30:21,280
Speaker 3: Yeah, we're just all where globs of cells and atoms

666
00:30:21,480 --> 00:30:23,760
Speaker 3: just being hurled through a universe that may or may

667
00:30:23,800 --> 00:30:26,800
Speaker 3: not be here, right, right? Am I right about that?

668
00:30:26,880 --> 00:30:27,360
Speaker 1: I love it?

669
00:30:27,400 --> 00:30:27,960
Speaker 2: Am I right?

670
00:30:28,080 --> 00:30:32,200
Speaker 1: Ladies, ladies back me up, and men take a breather

671
00:30:32,320 --> 00:30:33,000
Speaker 1: in this universe.

672
00:30:33,040 --> 00:30:33,200
Speaker 3: Yeah?

673
00:30:33,280 --> 00:30:34,720
Speaker 2: Yeah, man, you want to take a back seat. This

674
00:30:34,720 --> 00:30:39,520
Speaker 2: next Ladies, Ladies of the chorus. This go around the

675
00:30:39,560 --> 00:30:40,800
Speaker 2: lady's voices out there.

676
00:30:40,880 --> 00:30:43,120
Speaker 4: Johnny, can we talk for one second about the character

677
00:30:43,200 --> 00:30:45,120
Speaker 4: that you did at the Echoes Under Sunset show.

678
00:30:45,400 --> 00:30:50,600
Speaker 1: I saw you where Johnny was the lead singer.

679
00:30:50,800 --> 00:30:53,480
Speaker 2: He's really a dentist. Oh that's what he does for

680
00:30:53,480 --> 00:30:53,760
Speaker 2: a living.

681
00:30:54,560 --> 00:30:55,320
Speaker 1: He's a dentist.

682
00:30:56,440 --> 00:30:59,840
Speaker 2: A divorce and he also was he.

683
00:30:59,880 --> 00:31:05,840
Speaker 4: Was promoting the Van Eyes Blues FESTIV losing on Barbecue Fest.

684
00:31:06,200 --> 00:31:08,520
Speaker 2: Daniel Vans losing Barbecue Fest and it's just a real

685
00:31:08,560 --> 00:31:11,280
Speaker 2: fest or just when they I mean, you know, monopoly

686
00:31:11,440 --> 00:31:12,440
Speaker 2: is actually there, probably is.

687
00:31:12,640 --> 00:31:14,120
Speaker 1: Probably it seemed very real.

688
00:31:14,600 --> 00:31:16,160
Speaker 2: Yeah, I mean I grew up with those kind of

689
00:31:16,200 --> 00:31:19,120
Speaker 2: ship festivals. That's all we had, was.

690
00:31:19,080 --> 00:31:22,080
Speaker 4: Just but he had a lot of barbecue sauce on

691
00:31:22,080 --> 00:31:24,320
Speaker 4: his face because he had just enjoyed some ribs and

692
00:31:24,360 --> 00:31:26,360
Speaker 4: he was just telling everybody about the blues.

693
00:31:26,120 --> 00:31:28,640
Speaker 1: Fest and then you sing a riffed blue.

694
00:31:28,360 --> 00:31:32,520
Speaker 2: Song, Yeah, sing a blue song. He just was one

695
00:31:32,520 --> 00:31:34,200
Speaker 2: of those kind of kind of those dads. You know,

696
00:31:34,240 --> 00:31:38,480
Speaker 2: it's conservative Midwestern dads, a lot of money to buy

697
00:31:38,640 --> 00:31:42,640
Speaker 2: like expensive guitars that don't get played. That's just how

698
00:31:42,680 --> 00:31:45,840
Speaker 2: I grew up with everyone. That's the people I grew

699
00:31:45,920 --> 00:31:48,040
Speaker 2: up with. Yeah, people who are going on to the

700
00:31:48,080 --> 00:31:50,360
Speaker 2: blues fest. It's gonna be I have a couple of beers,

701
00:31:50,400 --> 00:31:54,080
Speaker 2: might get a little crazy down there. Cocoa Taylor. They

702
00:31:54,080 --> 00:31:56,840
Speaker 2: flew her in, probably pay her paid forty grand and

703
00:31:56,880 --> 00:31:59,520
Speaker 2: she we're happy to have her though. She's great. Coco

704
00:32:00,040 --> 00:32:04,360
Speaker 2: a few songs that she's out there, But real was it?

705
00:32:04,440 --> 00:32:05,920
Speaker 1: Robert Cray was the other Robert.

706
00:32:06,440 --> 00:32:08,240
Speaker 3: I was trying to think of his name. That's who

707
00:32:08,280 --> 00:32:10,600
Speaker 3: my mom always saw at the top had exactly. I

708
00:32:10,680 --> 00:32:13,000
Speaker 3: can't believe you pulled Robert Cray out. That's who my

709
00:32:13,080 --> 00:32:15,480
Speaker 3: mom always she loved Robert Cray.

710
00:32:15,800 --> 00:32:20,280
Speaker 2: Robert Cray is the best worst. He is the worst.

711
00:32:20,560 --> 00:32:23,680
Speaker 2: He is like everything the blues wanted to not be,

712
00:32:24,560 --> 00:32:26,120
Speaker 2: but so good at it at the same time.

713
00:32:26,200 --> 00:32:28,080
Speaker 1: Really, he's been around for a while.

714
00:32:28,760 --> 00:32:30,720
Speaker 3: Is he is he a blues guitarist?

715
00:32:30,920 --> 00:32:35,320
Speaker 2: He's a blues guitarist. Does he is? He's really good?

716
00:32:35,440 --> 00:32:39,040
Speaker 3: Does he make faces? I like how blues guitarists make faces,

717
00:32:39,120 --> 00:32:42,280
Speaker 3: the face as you would make while masturbating. He goes guitar. Yeah,

718
00:32:42,280 --> 00:32:45,440
Speaker 3: you gotta feel it. The you gotta wins, well, you

719
00:32:45,520 --> 00:32:48,080
Speaker 3: gotta wins while smiling when that note hits where it

720
00:32:48,200 --> 00:32:48,640
Speaker 3: needs to be.

721
00:32:49,160 --> 00:32:52,840
Speaker 2: There's a Steve I video called Tender Surrender from some

722
00:32:52,960 --> 00:32:56,640
Speaker 2: time in the nineties. He is dripping and sweat. His

723
00:32:56,800 --> 00:33:00,360
Speaker 2: guitar has like a it's very much a custom personal guitar,

724
00:33:00,480 --> 00:33:04,320
Speaker 2: but he it's like six minutes of it's the most

725
00:33:04,400 --> 00:33:07,680
Speaker 2: it should be flagged for inappropriate. It's on YouTube, you

726
00:33:07,680 --> 00:33:11,200
Speaker 2: can watch it. But it's so sensual. He is masturbating

727
00:33:11,400 --> 00:33:15,680
Speaker 2: the guitar, masturbating. He's not he's playing the guitar as

728
00:33:15,720 --> 00:33:18,440
Speaker 2: though he was playing his penis and like this long

729
00:33:18,640 --> 00:33:24,840
Speaker 2: drawn out personal celebratory masturbation ritual, like misstroking it ever

730
00:33:24,960 --> 00:33:27,120
Speaker 2: so gently and speeding it up and then just like

731
00:33:27,760 --> 00:33:30,000
Speaker 2: does this little tab and like, oh my god, it's

732
00:33:30,080 --> 00:33:31,880
Speaker 2: so great. My uh.

733
00:33:32,520 --> 00:33:36,200
Speaker 3: Henry was pals with Johnny Lang that who's like a

734
00:33:36,320 --> 00:33:41,400
Speaker 3: young blues yeah yeah ship, and we went we were

735
00:33:41,480 --> 00:33:43,280
Speaker 3: on the road somewhere it's like ten years ago, and

736
00:33:43,360 --> 00:33:46,000
Speaker 3: we went to a concert and he was making those faces.

737
00:33:46,160 --> 00:33:49,760
Speaker 3: But he's young and he and he had but he

738
00:33:49,800 --> 00:33:53,000
Speaker 3: had an old guitar, so to me it was very pedophilix.

739
00:33:53,080 --> 00:33:58,280
Speaker 3: He was like making love to this old guitar's Yeah,

740
00:33:58,440 --> 00:34:01,720
Speaker 3: and then someone had played like and then he go

741
00:34:01,880 --> 00:34:06,040
Speaker 3: with his mouth go like singing along to it. Yeah,

742
00:34:06,200 --> 00:34:07,840
Speaker 3: they sing along to guitars.

743
00:34:07,920 --> 00:34:09,640
Speaker 2: I think that's the thing that happens if you've been

744
00:34:09,960 --> 00:34:13,520
Speaker 2: playing an instrument for about about four or five years,

745
00:34:13,680 --> 00:34:16,920
Speaker 2: you realize this intonation that happens. What you know, you

746
00:34:16,960 --> 00:34:18,480
Speaker 2: can probably do this Karen right, You can sing what

747
00:34:18,560 --> 00:34:21,360
Speaker 2: you play pretty much perfectly, but you get that you

748
00:34:21,440 --> 00:34:23,239
Speaker 2: look at the intonation, and when you first learn that

749
00:34:23,440 --> 00:34:27,440
Speaker 2: intonation becomes addictive to the point of like annoying. It's

750
00:34:27,480 --> 00:34:31,799
Speaker 2: really annoying, like, oh, I can without thinking, I can

751
00:34:31,880 --> 00:34:33,520
Speaker 2: sing the same note I'm playing because I just know

752
00:34:33,640 --> 00:34:35,759
Speaker 2: the intonation of the instrument. And it's like, now I'm

753
00:34:35,760 --> 00:34:38,040
Speaker 2: annoying as fuck for the next year until I get

754
00:34:38,040 --> 00:34:39,000
Speaker 2: over that ability.

755
00:34:39,239 --> 00:34:42,520
Speaker 4: It's actually the Blues are kind of super nerdy, and

756
00:34:42,640 --> 00:34:45,760
Speaker 4: I think everyone's scared to say that, oh yeah, because

757
00:34:45,880 --> 00:34:48,040
Speaker 4: that kind of stuff, like what you just described of

758
00:34:48,239 --> 00:34:53,000
Speaker 4: someone like basically scatting with a guitar embarrasses me so bad.

759
00:34:53,160 --> 00:34:54,680
Speaker 1: I think about watching.

760
00:34:54,520 --> 00:34:57,000
Speaker 3: Unless it's on stage and it's part of a show,

761
00:34:57,080 --> 00:34:58,800
Speaker 3: I can watch it. But if You're at a party

762
00:34:59,239 --> 00:35:01,239
Speaker 3: and it could be the most talented person in the

763
00:35:01,320 --> 00:35:04,440
Speaker 3: world if they start playing guitar and singing along to

764
00:35:04,560 --> 00:35:06,920
Speaker 3: the guitar, which I've seen in Austin. That's every other

765
00:35:07,040 --> 00:35:10,120
Speaker 3: party in Austin. Someone's playing Hackey Sack and their friend

766
00:35:10,239 --> 00:35:13,839
Speaker 3: is singing along to the guitar. I get really uncomfortable,

767
00:35:14,120 --> 00:35:17,719
Speaker 3: and maybe it's something about me, Maybe it's something.

768
00:35:17,640 --> 00:35:18,360
Speaker 2: It's like improv.

769
00:35:18,800 --> 00:35:21,920
Speaker 3: Yeah, I get really uncomfortable when I watch improv, like

770
00:35:22,040 --> 00:35:22,560
Speaker 3: bad improv.

771
00:35:22,680 --> 00:35:26,839
Speaker 2: Bad improv is That's how That's how Christ was actually crucified.

772
00:35:28,080 --> 00:35:31,320
Speaker 2: It was a forced spat in an improv show that

773
00:35:31,480 --> 00:35:36,160
Speaker 2: was going south immediately and he just that's how they

774
00:35:36,560 --> 00:35:40,359
Speaker 2: Christ died. For our sins, Our sins are learning improv.

775
00:35:40,160 --> 00:35:44,600
Speaker 4: Are several suggestions, but also I think it's the vulnerability

776
00:35:44,640 --> 00:35:47,120
Speaker 4: of that people being so happy to be that vulnerable,

777
00:35:47,200 --> 00:35:49,960
Speaker 4: whereas comedians that's the last thing we want to do,

778
00:35:50,840 --> 00:35:52,799
Speaker 4: like that kind of like, hey, let's just see if

779
00:35:52,840 --> 00:35:54,040
Speaker 4: I do good everybody.

780
00:35:54,480 --> 00:35:57,440
Speaker 3: Yeah, I wish that's how I still felt when I

781
00:35:57,480 --> 00:35:59,640
Speaker 3: did stand up. But I do not want that. I

782
00:35:59,719 --> 00:36:03,839
Speaker 3: want the variable to be I don't want yeah, yeah,

783
00:36:03,880 --> 00:36:05,320
Speaker 3: I want that to be The one thing I know

784
00:36:06,080 --> 00:36:08,160
Speaker 3: is that I have control over the situation to not

785
00:36:08,280 --> 00:36:08,840
Speaker 3: be variable.

786
00:36:08,920 --> 00:36:10,719
Speaker 2: Yeah, I'll let go. I'm been letting go a lot that.

787
00:36:11,160 --> 00:36:11,359
Speaker 3: Yeah.

788
00:36:11,560 --> 00:36:14,480
Speaker 1: Yeah on stage, Yeah, I just don't care.

789
00:36:14,520 --> 00:36:18,200
Speaker 3: Well, you're always you've been in and uh, we both

790
00:36:18,280 --> 00:36:21,160
Speaker 3: share this quality. I'm gonna call it a quality. We're

791
00:36:21,320 --> 00:36:25,080
Speaker 3: very loosey goosey on stage. Yeah, loose is a goose

792
00:36:25,160 --> 00:36:26,239
Speaker 3: you are, I've seen you.

793
00:36:26,360 --> 00:36:27,719
Speaker 2: I mean, I'm like a gander up there.

794
00:36:27,920 --> 00:36:32,239
Speaker 3: You are, like you're just like looking for a pond

795
00:36:32,360 --> 00:36:35,759
Speaker 3: or maybe not. Maybe just lead your children across a

796
00:36:35,800 --> 00:36:36,399
Speaker 3: busy road.

797
00:36:36,520 --> 00:36:38,080
Speaker 2: Maybe I'll do a touch and go. You thought I

798
00:36:38,120 --> 00:36:41,000
Speaker 2: was landing on that pond. Nope, Oh he's out just

799
00:36:41,120 --> 00:36:42,560
Speaker 2: testing the water with my goose feet.

800
00:36:43,200 --> 00:36:44,799
Speaker 1: Maybe you'll find a big chunk of bread and hang

801
00:36:44,880 --> 00:36:45,399
Speaker 1: out for a while.

802
00:36:45,520 --> 00:36:48,319
Speaker 2: Yeah, he's eating that really disgusting way when you choke

803
00:36:48,400 --> 00:36:51,520
Speaker 2: it back and grab it and you throw your head

804
00:36:51,560 --> 00:36:53,000
Speaker 2: forward to get down the gullet.

805
00:36:53,239 --> 00:36:56,080
Speaker 3: Yeah, it looks there. It looks so painful. When geese

806
00:36:56,120 --> 00:36:58,200
Speaker 3: eat just sideways bread.

807
00:36:58,320 --> 00:37:00,600
Speaker 1: You can tell they have an eating disorder of some kind.

808
00:37:01,160 --> 00:37:03,560
Speaker 3: So many geese binge and perch and yeah.

809
00:37:03,400 --> 00:37:06,359
Speaker 2: Those gizzard stones a couple of gizzard stones along the way.

810
00:37:07,560 --> 00:37:10,840
Speaker 3: Those are some some sort of a stomach within a

811
00:37:10,920 --> 00:37:12,360
Speaker 3: bird that helps him eat rocks.

812
00:37:12,440 --> 00:37:14,920
Speaker 2: And birds they eat a rock, a couple of rocks.

813
00:37:15,160 --> 00:37:19,399
Speaker 3: Yeah, those are the gizzard. It helps pulverize the one

814
00:37:19,440 --> 00:37:22,200
Speaker 3: of the My dad the only time he ever went

815
00:37:22,280 --> 00:37:24,560
Speaker 3: to the hospital. I think maybe he didn't, but he

816
00:37:24,760 --> 00:37:27,560
Speaker 3: thought he was dying, and he's ignored actual signs of

817
00:37:27,800 --> 00:37:31,600
Speaker 3: health problems. He ate a bunch of almonds and like

818
00:37:31,680 --> 00:37:33,520
Speaker 3: a whole bag of him like it was. It was

819
00:37:33,560 --> 00:37:36,719
Speaker 3: a time where he's single. I think he just I

820
00:37:36,800 --> 00:37:39,640
Speaker 3: could make I could make dinner. I could eat those

821
00:37:39,680 --> 00:37:43,840
Speaker 3: bag of nuts. And they bound up inside him to

822
00:37:43,920 --> 00:37:46,040
Speaker 3: the point where he's in so much pain. And then

823
00:37:46,440 --> 00:37:49,080
Speaker 3: the doctor said that they were caught in some sort

824
00:37:49,120 --> 00:37:52,399
Speaker 3: of a provincial I don't know some of what used

825
00:37:52,440 --> 00:37:54,279
Speaker 3: to be a gizzard and a human. And I don't

826
00:37:54,360 --> 00:37:59,200
Speaker 3: know if that's what the appendix is or there is.

827
00:37:59,680 --> 00:38:02,279
Speaker 3: They that it's not stuck in your stomach, it's in

828
00:38:02,400 --> 00:38:04,239
Speaker 3: your and I wish I knew what it was.

829
00:38:05,800 --> 00:38:06,600
Speaker 2: A gizzard like that.

830
00:38:06,680 --> 00:38:08,560
Speaker 3: There was it was some sort of a gizzard and

831
00:38:08,840 --> 00:38:11,560
Speaker 3: nuts get caught in there, and is it a spleen.

832
00:38:13,160 --> 00:38:14,120
Speaker 3: Maybe it's a spleen.

833
00:38:14,480 --> 00:38:15,719
Speaker 1: You can lose your spleen, right.

834
00:38:16,160 --> 00:38:16,480
Speaker 4: You're right.

835
00:38:16,560 --> 00:38:21,480
Speaker 3: I think the food doesn't through, but it filters things.

836
00:38:21,520 --> 00:38:23,800
Speaker 3: And I think that sometimes there's nuts in your blood

837
00:38:25,239 --> 00:38:29,880
Speaker 3: special occasion, I would say no, But what if you're

838
00:38:29,920 --> 00:38:32,720
Speaker 3: on a roller coaster and you're really being jostled.

839
00:38:32,320 --> 00:38:34,680
Speaker 2: About, maybe like on the gravitron or something.

840
00:38:34,719 --> 00:38:38,239
Speaker 3: That was the part of the story I left out.

841
00:38:38,280 --> 00:38:40,120
Speaker 3: As my dad was at the state fair all day.

842
00:38:41,160 --> 00:38:41,800
Speaker 1: He was just on.

843
00:38:44,160 --> 00:38:46,080
Speaker 4: My dad used to always have a bag of almonds

844
00:38:46,120 --> 00:38:48,759
Speaker 4: in his hand and he offered them, shake them at you,

845
00:38:49,320 --> 00:38:51,360
Speaker 4: to offer them to you, and then go Nature's candy.

846
00:38:51,840 --> 00:38:58,480
Speaker 2: Wow and that dad. Yeah, yeah, porks dipped in merks

847
00:38:58,920 --> 00:39:02,880
Speaker 2: cheddar cheese. This was back when he was This is

848
00:39:03,040 --> 00:39:07,839
Speaker 2: pre pre Atkins, but this was an Atkins diet. Oh

849
00:39:07,960 --> 00:39:09,000
Speaker 2: they no carb diet.

850
00:39:09,160 --> 00:39:11,799
Speaker 3: Wait, your dad invented the Atkins diet. It sounds like.

851
00:39:12,440 --> 00:39:14,680
Speaker 2: Really fat he was. I think it was called the

852
00:39:14,760 --> 00:39:18,319
Speaker 2: Tea factor diet. But this he lost a bunch of weight.

853
00:39:18,360 --> 00:39:21,240
Speaker 2: And part of that was that way was eating hot dogs,

854
00:39:21,400 --> 00:39:25,240
Speaker 2: no buns, and a lot of pork rindes dipped in cheese.

855
00:39:25,440 --> 00:39:25,720
Speaker 3: Wow.

856
00:39:26,000 --> 00:39:27,160
Speaker 1: Yeah, you go protein.

857
00:39:27,600 --> 00:39:30,480
Speaker 2: Yeah, you can ever found to do.

858
00:39:30,560 --> 00:39:32,640
Speaker 3: That because your dad's a male clinic, isn't he a

859
00:39:32,719 --> 00:39:34,400
Speaker 3: MAO clinic like a surgeon.

860
00:39:34,600 --> 00:39:35,240
Speaker 2: He's a surgeon.

861
00:39:35,560 --> 00:39:37,640
Speaker 3: I talked to him on the phone once, John, Yeah,

862
00:39:37,640 --> 00:39:40,200
Speaker 3: I recommend I was having some bleeding issues and I

863
00:39:40,320 --> 00:39:42,880
Speaker 3: mentioned he's already at the top of the shell. But

864
00:39:43,320 --> 00:39:46,279
Speaker 3: as Dad was very he was calming. He gave me

865
00:39:46,400 --> 00:39:48,319
Speaker 3: some information. He led me to one of his friends

866
00:39:48,320 --> 00:39:50,520
Speaker 3: who works here in Los Angeles. I went, and that

867
00:39:50,600 --> 00:39:54,240
Speaker 3: guy stuck his whole arm in my button numerous times,

868
00:39:54,320 --> 00:39:57,040
Speaker 3: sometimes just in front of his golf buddies. But he no,

869
00:39:57,320 --> 00:39:59,160
Speaker 3: come on, they were doctors. A lot of people were

870
00:39:59,200 --> 00:40:00,360
Speaker 3: in the room though, I don't know.

871
00:40:00,640 --> 00:40:03,399
Speaker 2: Yeah, I had that experience one time where I went

872
00:40:03,440 --> 00:40:07,200
Speaker 2: in and I had a procto, you know, just checking

873
00:40:07,239 --> 00:40:08,719
Speaker 2: and just checking out the zone down there.

874
00:40:08,840 --> 00:40:10,719
Speaker 3: Sure, yeah, you gotta check the zone out.

875
00:40:10,920 --> 00:40:12,840
Speaker 2: There was this woman who was must I think she

876
00:40:12,920 --> 00:40:15,320
Speaker 2: was an intern. She was you know, probably like in

877
00:40:15,400 --> 00:40:18,479
Speaker 2: her like late twenties, like your age, yeah, yeah, my age,

878
00:40:18,600 --> 00:40:22,279
Speaker 2: but just stunningly beautiful with my doctor. And I was like, oh, great,

879
00:40:22,360 --> 00:40:25,360
Speaker 2: here we go. Let's just like I met her literally

880
00:40:25,800 --> 00:40:28,760
Speaker 2: twenty seconds prior to that, and now I'm just taking

881
00:40:28,800 --> 00:40:33,239
Speaker 2: my pants off and having doctor uh, doctor Phil. His

882
00:40:33,360 --> 00:40:34,880
Speaker 2: name's I didn't like to say his last name, but

883
00:40:35,440 --> 00:40:38,120
Speaker 2: his name is Phil. But he just went ahead and did.

884
00:40:38,000 --> 00:40:40,640
Speaker 3: That real fast, and just was that's so funny. The

885
00:40:40,719 --> 00:40:42,560
Speaker 3: last time I went in to get a camera in

886
00:40:42,680 --> 00:40:45,279
Speaker 3: my ureth throw opening which it is your pepe hole,

887
00:40:45,520 --> 00:40:47,359
Speaker 3: very painful, I bid on the bill of my hat

888
00:40:47,480 --> 00:40:52,520
Speaker 3: and U some local aesthetic. But just the guy took

889
00:40:52,640 --> 00:40:55,200
Speaker 3: he was with another patient for like twenty minutes. I

890
00:40:55,280 --> 00:40:57,320
Speaker 3: knew it had worn't off. I'm like my people, it

891
00:40:57,400 --> 00:40:59,880
Speaker 3: feels normal, normal again, Please don't go in there. But

892
00:41:00,080 --> 00:41:03,200
Speaker 3: he went in and cut out a tumor or something.

893
00:41:03,239 --> 00:41:05,360
Speaker 3: I was fine, I was benign. I feel great today.

894
00:41:05,400 --> 00:41:07,560
Speaker 3: But there was a young girl in there, and man,

895
00:41:07,920 --> 00:41:11,440
Speaker 3: she just she could have been at a party or something,

896
00:41:11,480 --> 00:41:13,400
Speaker 3: and she was just looking at My legs were in

897
00:41:13,480 --> 00:41:16,080
Speaker 3: the air, it was my it was everything. My my

898
00:41:16,239 --> 00:41:18,200
Speaker 3: penis was there and my part of my butt. And

899
00:41:18,280 --> 00:41:20,640
Speaker 3: then she's looking right at it. My taint. What do

900
00:41:20,680 --> 00:41:21,439
Speaker 3: you call the taint?

901
00:41:22,200 --> 00:41:25,759
Speaker 2: You call it the taint, right, it was called the peraneum.

902
00:41:26,480 --> 00:41:28,920
Speaker 3: Yeah, she just had a bird's eye or my peraneum

903
00:41:29,719 --> 00:41:31,120
Speaker 3: and oh god, it was get.

904
00:41:30,960 --> 00:41:32,680
Speaker 2: A photo for that. Definitely idiot.

905
00:41:32,880 --> 00:41:36,279
Speaker 3: Yeah, he wouldn't say that if we were in the

906
00:41:36,360 --> 00:41:39,080
Speaker 3: car right now. Actually, that guy was an idiot. He

907
00:41:39,200 --> 00:41:42,960
Speaker 3: had shave side squirrel like a guru religion that does

908
00:41:43,000 --> 00:41:43,480
Speaker 3: not exist.

909
00:41:44,840 --> 00:41:47,600
Speaker 1: He also looked like skinny fat jew. There you go.

910
00:41:48,000 --> 00:41:50,040
Speaker 1: We decided we weren't going to say that name because

911
00:41:50,080 --> 00:41:52,360
Speaker 1: it is kind of you really.

912
00:41:52,200 --> 00:41:54,280
Speaker 2: Feel like that whole thing is kind of an excuse

913
00:41:54,320 --> 00:41:55,520
Speaker 2: for certain people to say.

914
00:41:55,360 --> 00:41:58,360
Speaker 3: The word fat jewy for real, do you guys remember

915
00:41:58,840 --> 00:42:01,640
Speaker 3: because he is famous for having Twitter followers, wasn't it

916
00:42:01,800 --> 00:42:04,439
Speaker 3: somewhere in like three million or something that guy? Yeah,

917
00:42:04,440 --> 00:42:05,279
Speaker 3: they're fat two guys.

918
00:42:05,320 --> 00:42:06,399
Speaker 2: Hey, he's Instagram guy.

919
00:42:06,480 --> 00:42:07,920
Speaker 3: His Twitter thing is not that Okay.

920
00:42:07,960 --> 00:42:09,000
Speaker 2: His Twitter game is weak.

921
00:42:09,239 --> 00:42:12,759
Speaker 3: Okay, yeah yeah, because that it's hard to just I

922
00:42:12,840 --> 00:42:15,360
Speaker 3: guess actually it would be easy to cut and pace words.

923
00:42:15,400 --> 00:42:17,000
Speaker 3: But yeah, I know what I see is down to

924
00:42:17,040 --> 00:42:19,960
Speaker 3: two hundred thousand. I'm like, well, that's no longer that

925
00:42:20,080 --> 00:42:20,400
Speaker 3: thing was.

926
00:42:20,800 --> 00:42:23,800
Speaker 2: That's all those things where the story isn't the story

927
00:42:24,000 --> 00:42:24,440
Speaker 2: is the thing?

928
00:42:24,840 --> 00:42:27,360
Speaker 3: Yeah, it's it's not a story. The story is that

929
00:42:27,440 --> 00:42:31,759
Speaker 3: it's a story, right, nothing exists. Yeah, The whole story is,

930
00:42:31,840 --> 00:42:35,440
Speaker 3: here's this guy. His name is hard to say because

931
00:42:35,520 --> 00:42:37,680
Speaker 3: it's offensive, and he stole the end.

932
00:42:37,800 --> 00:42:41,600
Speaker 4: It's a black hole, is the only The additional is

933
00:42:41,760 --> 00:42:45,920
Speaker 4: just he started making serious money off of the steel.

934
00:42:46,160 --> 00:42:47,120
Speaker 1: That's when people care.

935
00:42:47,320 --> 00:42:48,520
Speaker 3: That's when people step up.

936
00:42:48,640 --> 00:42:49,879
Speaker 1: Yeah, which makes sense.

937
00:42:49,920 --> 00:42:52,399
Speaker 4: I mean like because you can catch people and get

938
00:42:52,520 --> 00:42:54,360
Speaker 4: people here and there, but people will.

939
00:42:54,280 --> 00:42:57,000
Speaker 1: Just be like, hey man, but this is like literally

940
00:42:57,600 --> 00:42:58,520
Speaker 1: building a career.

941
00:42:59,080 --> 00:43:02,840
Speaker 2: It's hilarious that stuff always you always get the piper

942
00:43:02,920 --> 00:43:08,520
Speaker 2: always comes to take his payments. You know. That's saying, yeah,

943
00:43:08,600 --> 00:43:12,200
Speaker 2: it comes for his payment. Eventually, the piper knocks long

944
00:43:12,280 --> 00:43:16,840
Speaker 2: enough timeline, we all exist for no time or something.

945
00:43:17,880 --> 00:43:21,239
Speaker 3: Yeah, no, no, it's a long staying and we never

946
00:43:21,360 --> 00:43:24,120
Speaker 3: hear it in its entirety. But the piper comes to

947
00:43:24,200 --> 00:43:27,240
Speaker 3: pay the rooster. And we're only here for a little while.

948
00:43:27,719 --> 00:43:29,839
Speaker 2: We're only here for a little while. Yeah, it sounds

949
00:43:29,880 --> 00:43:30,799
Speaker 2: like George Carlin, right.

950
00:43:31,960 --> 00:43:33,879
Speaker 3: I wish I wish I could sound like we're only

951
00:43:33,960 --> 00:43:36,040
Speaker 3: here for a little while. Oh, and it's nice to

952
00:43:36,080 --> 00:43:36,399
Speaker 3: be here.

953
00:43:36,880 --> 00:43:38,879
Speaker 2: But the thing, I'm gonna wrap it up, and yes,

954
00:43:39,040 --> 00:43:45,480
Speaker 2: and I love you here we are by what are

955
00:43:45,520 --> 00:43:45,920
Speaker 2: you gonna do?

956
00:43:46,000 --> 00:43:49,400
Speaker 3: It Tonight's comedy concept. I don't know, man, are you

957
00:43:49,480 --> 00:43:51,720
Speaker 3: gonna it? Sounds like you're gonna be loosey goosey.

958
00:43:52,160 --> 00:43:54,200
Speaker 2: I actually, you know, I'm trying to lock some stuff

959
00:43:54,239 --> 00:43:57,200
Speaker 2: down because I'm doing this show on Tuesday that I'm

960
00:43:57,239 --> 00:44:00,279
Speaker 2: gonna record for an album. Oh that's great. Hey, where

961
00:44:00,280 --> 00:44:01,799
Speaker 2: are you doing that at the Nerd Melt?

962
00:44:02,080 --> 00:44:02,279
Speaker 1: Oh?

963
00:44:02,760 --> 00:44:05,800
Speaker 3: Everyone, I didn't I knew you were doing it presents

964
00:44:06,160 --> 00:44:09,279
Speaker 3: Nerd Melt Comedy Johnny Pemberton out. I think that's what

965
00:44:09,400 --> 00:44:10,320
Speaker 3: it's called exactly.

966
00:44:10,680 --> 00:44:13,080
Speaker 2: I'm trying to milk it for all it's worth in

967
00:44:13,160 --> 00:44:13,560
Speaker 2: the audio.

968
00:44:13,800 --> 00:44:17,120
Speaker 3: That's great, good idea. So you're gonna have a comedy album.

969
00:44:17,360 --> 00:44:20,560
Speaker 2: Maybe I think I'm gonna have some comedy album. I'm

970
00:44:20,600 --> 00:44:23,680
Speaker 2: planning on a only taking a little part of it

971
00:44:23,960 --> 00:44:26,400
Speaker 2: because I don't want to put the kind of pressure

972
00:44:26,440 --> 00:44:28,720
Speaker 2: on myself. God forbid, I should put pressure on myself.

973
00:44:29,600 --> 00:44:32,839
Speaker 3: Stand up, no one, No one's gonna yeah, no one's

974
00:44:32,880 --> 00:44:33,400
Speaker 3: gonna know this.

975
00:44:33,880 --> 00:44:34,000
Speaker 1: Uh.

976
00:44:34,160 --> 00:44:36,960
Speaker 3: If it's a compilation of shows that becomes your whole album,

977
00:44:37,320 --> 00:44:40,839
Speaker 3: that's what everyone doesn't realize it. You could you could

978
00:44:40,920 --> 00:44:44,480
Speaker 3: record ten times, compile it together, and it'll just be

979
00:44:44,560 --> 00:44:46,560
Speaker 3: a novelty. It doesn't need to be all at once.

980
00:44:46,960 --> 00:44:47,440
Speaker 3: What do you think?

981
00:44:47,840 --> 00:44:50,680
Speaker 1: What do you think you're gonna name that album? Johnny ideas?

982
00:44:50,800 --> 00:44:53,279
Speaker 2: I mean, I've probably thought in the past couple of

983
00:44:53,360 --> 00:44:57,719
Speaker 2: years the names for over a thousand different albums. Let's

984
00:44:58,120 --> 00:45:00,680
Speaker 2: want to think about I kind of thought about the

985
00:45:00,760 --> 00:45:03,000
Speaker 2: words hybrid vigor, but that has nothing to do with

986
00:45:03,080 --> 00:45:06,319
Speaker 2: anything in my stand up. Just a phrase that I like. Yeah,

987
00:45:06,400 --> 00:45:09,239
Speaker 2: like that has to do with plants that are hybridized

988
00:45:09,239 --> 00:45:11,600
Speaker 2: and they have they grow much better because of something

989
00:45:11,600 --> 00:45:15,080
Speaker 2: called vigor. Yeah, I just think it's a funny phenomenon.

990
00:45:16,120 --> 00:45:17,879
Speaker 2: All the other ones I thought of were just really

991
00:45:17,960 --> 00:45:20,759
Speaker 2: bad and they don't make any sense. I don't know

992
00:45:20,800 --> 00:45:22,360
Speaker 2: what I want. I don't honestly don't know what should

993
00:45:22,360 --> 00:45:22,640
Speaker 2: I call it.

994
00:45:22,840 --> 00:45:25,160
Speaker 1: You never know the Great Fruit Tree.

995
00:45:25,400 --> 00:45:29,719
Speaker 3: I was told by the label to just name my

996
00:45:29,800 --> 00:45:33,239
Speaker 3: album Fairbanks, right. They just said, your name is good

997
00:45:33,360 --> 00:45:35,920
Speaker 3: enough of a name. But I the title I was

998
00:45:36,000 --> 00:45:39,000
Speaker 3: going to go with was something I just said during

999
00:45:39,080 --> 00:45:41,960
Speaker 3: the show, which was I got mad at them for

1000
00:45:42,040 --> 00:45:44,000
Speaker 3: clapping at a joke I don't like, and I said,

1001
00:45:44,040 --> 00:45:46,400
Speaker 3: look at me being disappointed with your enjoyment, And I

1002
00:45:46,480 --> 00:45:50,040
Speaker 3: thought disappointed with your enjoyment would have been a good title,

1003
00:45:50,080 --> 00:45:51,400
Speaker 3: and I was going to go with it, so it

1004
00:45:51,520 --> 00:45:54,080
Speaker 3: came after you always came with our time. Yeah, I see,

1005
00:45:54,320 --> 00:45:54,919
Speaker 3: that's a good idea.

1006
00:45:55,000 --> 00:45:56,920
Speaker 1: You can you can look out for something that you

1007
00:45:57,000 --> 00:45:59,040
Speaker 1: say during Yeah, that's a good idea.

1008
00:45:59,280 --> 00:46:02,000
Speaker 3: Yeah, and towards when you're listening, be like, yep, that

1009
00:46:02,160 --> 00:46:03,800
Speaker 3: was a fun moment. I'm naming it that.

1010
00:46:04,040 --> 00:46:05,960
Speaker 2: How about ship dogs in a diynamite field.

1011
00:46:06,160 --> 00:46:08,960
Speaker 3: Well, maybe just say that during the show, if there's

1012
00:46:09,000 --> 00:46:11,239
Speaker 3: a place for you to say that. I wouldn't just

1013
00:46:11,320 --> 00:46:14,440
Speaker 3: blurt it as a nine sequitor, because you've then planned

1014
00:46:15,160 --> 00:46:16,960
Speaker 3: to call it that. That's working backwards.

1015
00:46:17,040 --> 00:46:22,560
Speaker 2: I thought about calling it the whatever, the spectrum of sound, sound,

1016
00:46:22,760 --> 00:46:25,400
Speaker 2: the frequency of the human voice, the sound range of that.

1017
00:46:26,080 --> 00:46:28,359
Speaker 3: Just call it that whatever that's called.

1018
00:46:28,440 --> 00:46:31,279
Speaker 2: I think it's like fifty her as low as you

1019
00:46:31,320 --> 00:46:32,920
Speaker 2: can go, and then like whatever. I don't know.

1020
00:46:33,320 --> 00:46:35,239
Speaker 3: Well, yeah, why don't you call it the frequency of

1021
00:46:35,280 --> 00:46:37,000
Speaker 3: the human sound sound?

1022
00:46:38,239 --> 00:46:39,279
Speaker 1: Jesus Christ, you.

1023
00:46:39,360 --> 00:46:42,480
Speaker 2: Call it person, I'll call it death in a crosswalk?

1024
00:46:44,440 --> 00:46:44,800
Speaker 3: How about this?

1025
00:46:44,960 --> 00:46:50,680
Speaker 2: I left my child in a hot cart. I left

1026
00:46:50,719 --> 00:46:53,520
Speaker 2: my child in my car. In the summer in Texas,

1027
00:46:55,520 --> 00:46:58,320
Speaker 2: people be running to grab that, and he's here.

1028
00:46:58,200 --> 00:46:58,880
Speaker 3: With me tonight.

1029
00:46:59,160 --> 00:47:00,640
Speaker 1: I hold it with me every day.

1030
00:47:00,800 --> 00:47:03,520
Speaker 3: And still I've come here to tell you jokes and

1031
00:47:03,640 --> 00:47:05,520
Speaker 3: you're just you're holding a melted candle.

1032
00:47:06,680 --> 00:47:06,759
Speaker 1: Ye.

1033
00:47:07,440 --> 00:47:09,719
Speaker 2: Oh god, no, actually I do think.

1034
00:47:09,600 --> 00:47:11,880
Speaker 3: Of a not funny. It happens in real life. I

1035
00:47:12,080 --> 00:47:13,799
Speaker 3: apologize to you and the fat That's.

1036
00:47:13,719 --> 00:47:15,360
Speaker 2: Why it's funny, because it's so terrible.

1037
00:47:15,400 --> 00:47:21,520
Speaker 3: It's like city buses, the hooligans of the streets. Oh

1038
00:47:21,600 --> 00:47:22,520
Speaker 3: did you need us to.

1039
00:47:22,680 --> 00:47:25,040
Speaker 1: Stop late for your soccer game?

1040
00:47:25,200 --> 00:47:28,360
Speaker 3: Oh sorry, mister bus driver. The guy that works for

1041
00:47:28,440 --> 00:47:30,319
Speaker 3: the city, bullies of the city.

1042
00:47:30,400 --> 00:47:34,360
Speaker 2: That's what bull disrespectful trends.

1043
00:47:34,840 --> 00:47:36,760
Speaker 3: Yeah, I know, I respects.

1044
00:47:37,880 --> 00:47:38,960
Speaker 1: There's not that much of it.

1045
00:47:39,160 --> 00:47:41,839
Speaker 2: They're up there with our neighborhood. Oh yeah, I'm gonna

1046
00:47:41,840 --> 00:47:44,920
Speaker 2: tell you something that you don't that often. It's changed.

1047
00:47:45,920 --> 00:47:46,560
Speaker 3: Its changed.

1048
00:47:47,000 --> 00:47:49,560
Speaker 2: That's why I'm so tired of people saying, I know, man,

1049
00:47:49,680 --> 00:47:52,600
Speaker 2: this neighborhoods changed. Oh really, what was I supposed to do?

1050
00:47:52,960 --> 00:47:55,200
Speaker 3: Is the word hipster? Is the word hipster about to

1051
00:47:55,239 --> 00:47:57,319
Speaker 3: come up? Because I'm going to plug my ears.

1052
00:47:57,840 --> 00:48:00,600
Speaker 2: This neighborhood used to be uh different in a different

1053
00:48:00,640 --> 00:48:03,120
Speaker 2: way than it is now. Actually, to that place that's there.

1054
00:48:03,239 --> 00:48:06,120
Speaker 2: It wasn't there before. U. I fucking hate this place.

1055
00:48:06,719 --> 00:48:09,880
Speaker 2: That thing with things change over time. God damn it.

1056
00:48:10,760 --> 00:48:13,680
Speaker 2: I hate they know about me. I think they know

1057
00:48:13,760 --> 00:48:15,520
Speaker 2: about me that I used to live here and would

1058
00:48:15,560 --> 00:48:18,160
Speaker 2: like to reference this place to people who don't care.

1059
00:48:18,360 --> 00:48:20,760
Speaker 3: Why the situations always have to evolve?

1060
00:48:21,360 --> 00:48:24,640
Speaker 2: Why does time have to progress? Why? God damn it.

1061
00:48:25,640 --> 00:48:28,360
Speaker 2: I was trying to do something here. I had a

1062
00:48:28,440 --> 00:48:31,880
Speaker 2: thing going, and time started, you know, the march of

1063
00:48:32,000 --> 00:48:36,920
Speaker 2: time carried on, And now there's a fucking CBS. Oh great,

1064
00:48:37,200 --> 00:48:39,040
Speaker 2: this neighborhood used to be hip. Now there's a CVS.

1065
00:48:39,160 --> 00:48:40,960
Speaker 3: It used to be a good neighborhood back when I

1066
00:48:41,120 --> 00:48:43,880
Speaker 3: was thirty. Now you know what's wrong with this neighborhood.

1067
00:48:43,920 --> 00:48:44,920
Speaker 3: Now I'm forty.

1068
00:48:48,880 --> 00:48:49,600
Speaker 2: I'm forty.

1069
00:48:51,719 --> 00:48:56,839
Speaker 4: My cousin's wife, my cousin, and my sister all live

1070
00:48:56,920 --> 00:49:00,160
Speaker 4: in my hometown, and we all still call all the

1071
00:49:00,239 --> 00:49:03,040
Speaker 4: buildings what they were when we were growing up. So

1072
00:49:03,120 --> 00:49:05,640
Speaker 4: there's like a restaurant that we called Tuttles, which used

1073
00:49:05,680 --> 00:49:07,320
Speaker 4: to be the drug store. The restaurant is now in

1074
00:49:08,160 --> 00:49:10,759
Speaker 4: like we we reference things as if the town is

1075
00:49:10,800 --> 00:49:13,160
Speaker 4: still in nineteen eighty one, right, and it drives her

1076
00:49:13,239 --> 00:49:15,799
Speaker 4: insane because she knows it as what it is now.

1077
00:49:16,239 --> 00:49:18,760
Speaker 4: So we'll be like over the one over at Tuttles

1078
00:49:18,880 --> 00:49:22,600
Speaker 4: and like where it's truly thirty years. It's like a

1079
00:49:22,719 --> 00:49:27,279
Speaker 4: thirty year spam, which can Yeah, we just that's yeah,

1080
00:49:27,320 --> 00:49:28,280
Speaker 4: it's just childhood.

1081
00:49:28,520 --> 00:49:28,719
Speaker 2: Yeah.

1082
00:49:28,840 --> 00:49:31,759
Speaker 3: If I there's been a place in Missoula, Montana called

1083
00:49:31,800 --> 00:49:34,359
Speaker 3: the Iron Horse that's been there most of my life,

1084
00:49:34,440 --> 00:49:38,080
Speaker 3: probably thirty years. But I still call it a hamburger

1085
00:49:38,120 --> 00:49:40,839
Speaker 3: Ace because there was a hamburger Ace there. That's where

1086
00:49:40,840 --> 00:49:44,040
Speaker 3: everyone went to fight. And uh yeah yeah, oh you

1087
00:49:44,120 --> 00:49:46,759
Speaker 3: go to hamburger Ace to fight after school. Yeah, just

1088
00:49:46,880 --> 00:49:50,440
Speaker 3: other schools you zoom, Yeah, your school against their.

1089
00:49:50,320 --> 00:49:53,240
Speaker 1: School, like like whole groups of kids fighting.

1090
00:49:53,560 --> 00:49:58,400
Speaker 3: Yeah, oh, entire large groups fighting wearing batting gloves. Maja

1091
00:49:58,400 --> 00:50:01,919
Speaker 3: at hamburger Ace, five cars show up, another five cars

1092
00:50:01,960 --> 00:50:04,600
Speaker 3: show up, and then everyone starts punching each other. Shit,

1093
00:50:04,880 --> 00:50:09,200
Speaker 3: I've ever so underrated, Johnny.

1094
00:50:09,480 --> 00:50:10,759
Speaker 2: Yeah, I believe it probably is.

1095
00:50:11,120 --> 00:50:14,000
Speaker 3: I all I know is getting punched in the face

1096
00:50:14,200 --> 00:50:17,000
Speaker 3: isn't as bad as you think. That's the only wisdom.

1097
00:50:17,920 --> 00:50:20,000
Speaker 4: Well, they usually don't land, right, Like if people are

1098
00:50:20,040 --> 00:50:21,640
Speaker 4: trying to hit you, they're all freaked out themselves.

1099
00:50:21,880 --> 00:50:24,160
Speaker 3: I've led punches, hit me right in the center of

1100
00:50:24,200 --> 00:50:26,680
Speaker 3: the nose and I was still able to keep talking.

1101
00:50:26,760 --> 00:50:27,439
Speaker 2: But I wasn't.

1102
00:50:27,920 --> 00:50:30,800
Speaker 3: These were kids, you know, a grown up Now what

1103
00:50:30,920 --> 00:50:33,239
Speaker 3: people do with the m m a and uh the

1104
00:50:33,360 --> 00:50:37,000
Speaker 3: jaw and just being larger than people are in Montana,

1105
00:50:37,080 --> 00:50:38,880
Speaker 3: no one's over five nine. I don't know what it is.

1106
00:50:42,400 --> 00:50:44,480
Speaker 3: I moved to Texas and I'm like, oh, everyone would

1107
00:50:44,560 --> 00:50:46,560
Speaker 3: kill me if I got punched. Hears Chris, are you

1108
00:50:46,600 --> 00:50:47,480
Speaker 3: coming in out here.

1109
00:50:47,719 --> 00:50:48,439
Speaker 2: A big old boy?

1110
00:50:50,440 --> 00:50:52,279
Speaker 1: You don't want to meet me at the Hamburger Race.

1111
00:50:52,760 --> 00:50:55,080
Speaker 2: Don't give me back that cocaine I sold you?

1112
00:50:55,680 --> 00:50:59,360
Speaker 3: Oh God, you're you are bringing back a specific memory.

1113
00:51:01,120 --> 00:51:01,279
Speaker 2: Yep.

1114
00:51:01,440 --> 00:51:03,720
Speaker 3: I bought some ratty powder down there on Sixth Street,

1115
00:51:03,760 --> 00:51:05,799
Speaker 3: and I was right near the velvet room and all

1116
00:51:05,840 --> 00:51:07,959
Speaker 3: the goddamn did I grabbed too much and I didn't

1117
00:51:08,000 --> 00:51:08,480
Speaker 3: pay the man.

1118
00:51:10,760 --> 00:51:13,560
Speaker 2: You know you, Rob Anderson? Rob right, m hm you

1119
00:51:13,600 --> 00:51:15,000
Speaker 2: guys lid you live there at the same time?

1120
00:51:17,400 --> 00:51:20,640
Speaker 1: No, okay, but I worked with Robby Anderson on Whitney

1121
00:51:20,840 --> 00:51:23,319
Speaker 1: Come in Show Loft. I just ate breakfast with him

1122
00:51:23,360 --> 00:51:23,759
Speaker 1: the other day.

1123
00:51:24,400 --> 00:51:26,520
Speaker 3: I didn't even live there, and I always think I did.

1124
00:51:26,600 --> 00:51:28,200
Speaker 3: I did not live there at the same time as

1125
00:51:28,239 --> 00:51:31,200
Speaker 3: Howard Kramer Chip Pope either. They had left. They used

1126
00:51:31,239 --> 00:51:33,200
Speaker 3: to visit all the time, but they were already l

1127
00:51:33,280 --> 00:51:37,839
Speaker 3: A superstarsstin stories. Yep, that was It's you can watch

1128
00:51:37,880 --> 00:51:38,520
Speaker 3: it on YouTube.

1129
00:51:38,600 --> 00:51:44,000
Speaker 2: Howard Chip Hope, I saw ever in Los Angeles.

1130
00:51:44,200 --> 00:51:44,799
Speaker 3: Laura House.

1131
00:51:45,320 --> 00:51:46,000
Speaker 2: Laura House too.

1132
00:51:46,120 --> 00:51:48,960
Speaker 3: Yep, me too. I was just sharing with Sharon McCarron.

1133
00:51:49,000 --> 00:51:50,960
Speaker 3: That's what we were going to call this podcast.

1134
00:51:51,239 --> 00:51:52,080
Speaker 1: Thank god we didn't.

1135
00:51:52,320 --> 00:51:54,480
Speaker 3: I have a story for my friend.

1136
00:51:54,840 --> 00:51:57,280
Speaker 2: Her name is Garen. Thank god we didn't.

1137
00:51:58,000 --> 00:52:00,759
Speaker 3: Yeah, let's call that call that you're al I wish

1138
00:52:00,840 --> 00:52:01,280
Speaker 3: I hadn't.

1139
00:52:01,400 --> 00:52:02,360
Speaker 1: Thank god we did it.

1140
00:52:03,680 --> 00:52:04,239
Speaker 3: That is good.

1141
00:52:04,320 --> 00:52:10,319
Speaker 2: I didn't think about it's a candle with hair, which

1142
00:52:10,400 --> 00:52:12,000
Speaker 2: is a splinterism for handle with care.

1143
00:52:12,920 --> 00:52:15,040
Speaker 3: Well, that brings us back to the melted baby in

1144
00:52:15,120 --> 00:52:15,359
Speaker 3: the car.

1145
00:52:15,560 --> 00:52:19,319
Speaker 2: Right you first said that, I didn't say speak up.

1146
00:52:19,680 --> 00:52:22,040
Speaker 3: Yeah, Oh wow, you're you're gonna be like you and

1147
00:52:22,160 --> 00:52:22,560
Speaker 3: my brain?

1148
00:52:23,320 --> 00:52:25,839
Speaker 2: How did you know that collective consciousness? Wait?

1149
00:52:25,840 --> 00:52:27,440
Speaker 1: Why did you bring up Rob Anderson?

1150
00:52:27,480 --> 00:52:29,360
Speaker 2: Sorry, because he used to live in Austin and I

1151
00:52:29,480 --> 00:52:31,920
Speaker 2: know he used to get down with some some crazy

1152
00:52:32,000 --> 00:52:33,680
Speaker 2: ship as you know.

1153
00:52:33,920 --> 00:52:36,560
Speaker 3: Yeah, it's it's easy too, It's easy to get caught

1154
00:52:36,640 --> 00:52:36,960
Speaker 3: up there.

1155
00:52:37,239 --> 00:52:39,319
Speaker 2: I think they've they've got a nice underbelly there.

1156
00:52:39,719 --> 00:52:43,840
Speaker 3: Yeah, it's just easy access to it. Yeah, it's not

1157
00:52:43,960 --> 00:52:47,600
Speaker 3: a dark underbelly. It's like a well lit, easy to

1158
00:52:47,640 --> 00:52:48,640
Speaker 3: access underbelly.

1159
00:52:48,640 --> 00:52:49,399
Speaker 1: It's kind of an option.

1160
00:52:49,719 --> 00:52:52,560
Speaker 3: And the whole city there is geared around having fun

1161
00:52:53,320 --> 00:52:56,480
Speaker 3: and find people drink. They have beers in their offices,

1162
00:52:56,800 --> 00:53:02,680
Speaker 3: you work at and and everyone is uh waking up

1163
00:53:02,800 --> 00:53:07,279
Speaker 3: like that, isn't that funny? No one expects that we

1164
00:53:07,440 --> 00:53:09,960
Speaker 3: are done partying at one thirty, go to bed.

1165
00:53:10,080 --> 00:53:15,280
Speaker 2: It's crazy. Uh, Austin's crazy or else just fucking crazy.

1166
00:53:15,320 --> 00:53:16,800
Speaker 2: It's like crazy cities.

1167
00:53:17,440 --> 00:53:19,160
Speaker 3: Yeah, I imagine anywhere in Florida.

1168
00:53:19,280 --> 00:53:21,239
Speaker 1: Winnipeg's insane? Really was it?

1169
00:53:23,400 --> 00:53:23,560
Speaker 4: All?

1170
00:53:23,640 --> 00:53:23,799
Speaker 1: Right?

1171
00:53:24,040 --> 00:53:29,239
Speaker 2: Well we drink all that one, let's go sit down

1172
00:53:29,320 --> 00:53:30,000
Speaker 2: for at.

1173
00:53:31,440 --> 00:53:33,520
Speaker 1: Let's call him down now, Well, let's see what your

1174
00:53:33,600 --> 00:53:34,120
Speaker 1: mom's up to.

1175
00:53:35,520 --> 00:53:36,719
Speaker 3: Of course, call he over.

1176
00:53:37,040 --> 00:53:39,439
Speaker 2: Okay, well it's been an hour, let's check it on mom.

1177
00:53:41,520 --> 00:53:43,400
Speaker 2: I guess I'll talk in one more of these Bullson's

1178
00:53:43,440 --> 00:53:46,480
Speaker 2: and then I be off to bed. What if you

1179
00:53:46,560 --> 00:53:50,080
Speaker 2: stay up when the sun's not up, you're liable to something.

1180
00:53:49,920 --> 00:53:50,600
Speaker 3: Bad to happen.

1181
00:53:51,800 --> 00:53:54,759
Speaker 4: There were a lot of very soft spoken men that

1182
00:53:54,960 --> 00:53:58,719
Speaker 4: were actively listening to me in Winnipeg, which was very

1183
00:53:58,800 --> 00:53:59,919
Speaker 4: I was like, this is great.

1184
00:54:00,080 --> 00:54:00,480
Speaker 2: I love it.

1185
00:54:00,920 --> 00:54:04,200
Speaker 4: Like a waiter who would be like, uh, I can't

1186
00:54:04,239 --> 00:54:06,400
Speaker 4: really explain it. It's just like people who are just

1187
00:54:06,480 --> 00:54:07,360
Speaker 4: like wanted to know.

1188
00:54:07,480 --> 00:54:08,319
Speaker 1: What you had to say.

1189
00:54:08,880 --> 00:54:09,879
Speaker 3: Doesn't that feel great?

1190
00:54:10,040 --> 00:54:10,680
Speaker 1: It's pretty great.

1191
00:54:10,719 --> 00:54:12,959
Speaker 3: Certain cities, Oh.

1192
00:54:12,920 --> 00:54:14,680
Speaker 1: Yeah, I would you like to talk about it gets

1193
00:54:14,760 --> 00:54:15,480
Speaker 1: cold though.

1194
00:54:15,880 --> 00:54:17,000
Speaker 2: Yes, it does get cold.

1195
00:54:17,680 --> 00:54:20,520
Speaker 3: We manage, yeah, we're all I really want to go

1196
00:54:20,560 --> 00:54:21,319
Speaker 3: to Winnipeg now.

1197
00:54:21,440 --> 00:54:24,320
Speaker 1: It's pretty great. I really liked it. But it is

1198
00:54:24,600 --> 00:54:26,920
Speaker 1: the second coldest city in the world. Someone told me,

1199
00:54:27,719 --> 00:54:28,719
Speaker 1: I believe that.

1200
00:54:28,840 --> 00:54:30,880
Speaker 3: I guess, yeah, yeah, you would think it would have

1201
00:54:30,960 --> 00:54:32,360
Speaker 3: to be way up north, maybe.

1202
00:54:32,239 --> 00:54:34,440
Speaker 2: A city of the certain size it is, because like

1203
00:54:34,560 --> 00:54:37,880
Speaker 2: there's certain places that are just so cold. They're not

1204
00:54:38,080 --> 00:54:39,279
Speaker 2: cities because.

1205
00:54:39,360 --> 00:54:42,600
Speaker 3: Yeah, yeah, that's the reasons there, and they're just an area.

1206
00:54:42,840 --> 00:54:44,680
Speaker 2: Yeah, we can't do a city here, guys. It's till

1207
00:54:45,160 --> 00:54:45,960
Speaker 2: you try to do a city.

1208
00:54:46,040 --> 00:54:48,359
Speaker 1: But there aren't enough mittens in the world. Guys, let's

1209
00:54:48,440 --> 00:54:48,759
Speaker 1: call it.

1210
00:54:49,640 --> 00:54:50,960
Speaker 3: Let's keep this a township.

1211
00:54:51,080 --> 00:54:53,640
Speaker 1: Let's just keep on moving down the path.

1212
00:54:53,800 --> 00:54:57,840
Speaker 2: We're calling it right calling officially. The time is sixty

1213
00:54:57,920 --> 00:54:59,439
Speaker 2: hundred hours. This is not a city.

1214
00:55:01,440 --> 00:55:03,560
Speaker 1: I tried to settle this. We're gonna keep on moving.

1215
00:55:03,680 --> 00:55:08,120
Speaker 2: We're gonna head west towards the heat Lamp. I gotta

1216
00:55:08,160 --> 00:55:08,800
Speaker 2: get to Miami.

1217
00:55:09,040 --> 00:55:11,440
Speaker 3: Do they still call the sun of heat lamp in Canada?

1218
00:55:12,480 --> 00:55:17,359
Speaker 1: That's like an inside joke comedy to them.

1219
00:55:19,040 --> 00:55:20,640
Speaker 2: I'm hungry all the time, are you?

1220
00:55:20,800 --> 00:55:21,759
Speaker 3: Are you hungry right now?

1221
00:55:21,840 --> 00:55:23,160
Speaker 2: Of course, of course you are.

1222
00:55:23,920 --> 00:55:25,720
Speaker 1: What's your favorite snack, Johnny?

1223
00:55:26,120 --> 00:55:26,719
Speaker 3: Oh god?

1224
00:55:26,960 --> 00:55:29,080
Speaker 2: Chips? Yeah? I love chips.

1225
00:55:29,239 --> 00:55:32,520
Speaker 3: What about just chips and salts like a regular? Yeah?

1226
00:55:32,560 --> 00:55:36,000
Speaker 2: Me too, you bet, I need to have a flavored chips.

1227
00:55:36,239 --> 00:55:37,439
Speaker 2: Cheetos are really good.

1228
00:55:37,600 --> 00:55:43,520
Speaker 4: I love Cheetos, but like hockey or Crunchy Crunchy always

1229
00:55:43,719 --> 00:55:44,399
Speaker 4: like the small ones.

1230
00:55:44,480 --> 00:55:45,480
Speaker 2: They have the most dust.

1231
00:55:48,239 --> 00:55:50,360
Speaker 3: I want to get dust. I want to be elbows

1232
00:55:50,440 --> 00:55:51,280
Speaker 3: deep and dust.

1233
00:55:51,400 --> 00:55:54,279
Speaker 2: I think I may be hungover. I'm hungover. I like,

1234
00:55:55,600 --> 00:56:00,399
Speaker 2: it's just I have this insatiable thirst and hunger being

1235
00:56:00,440 --> 00:56:02,240
Speaker 2: a junkie or something. But for nothing.

1236
00:56:02,840 --> 00:56:05,160
Speaker 3: Yeah, where's the fun. Where's the fun in this?

1237
00:56:06,640 --> 00:56:08,360
Speaker 2: I've been drinking a whole lot lately, but I did

1238
00:56:08,480 --> 00:56:12,120
Speaker 2: drink a couple of beers last night. Oh some uh No.

1239
00:56:12,239 --> 00:56:13,920
Speaker 2: I had a couple of these beers a coming called

1240
00:56:13,960 --> 00:56:15,160
Speaker 2: I have one of the best brides I've had in

1241
00:56:15,280 --> 00:56:18,560
Speaker 2: many years from the Strand, which is a brewery I

1242
00:56:18,640 --> 00:56:22,960
Speaker 2: think in someplace in the east of La Torrance is

1243
00:56:22,960 --> 00:56:26,080
Speaker 2: in Torrance. That's just stout. It was really good. I

1244
00:56:26,160 --> 00:56:28,160
Speaker 2: drank a couple of We're out to dinner. My girlfriend's

1245
00:56:28,200 --> 00:56:31,560
Speaker 2: brother his birthday, drank some of his beers, and I

1246
00:56:31,640 --> 00:56:34,440
Speaker 2: ended up going to sleep at about ten thirty last night.

1247
00:56:34,680 --> 00:56:37,080
Speaker 3: Beers. That's what I'm not a big beer guy. It

1248
00:56:37,200 --> 00:56:38,840
Speaker 3: knocks me out, what happened.

1249
00:56:39,000 --> 00:56:42,719
Speaker 2: I also drank a bottle of wine, Oh dak, a

1250
00:56:42,800 --> 00:56:50,000
Speaker 2: nice bottle, a white of Sauvignon blanc. God, that good

1251
00:56:50,120 --> 00:56:51,279
Speaker 2: sav black God.

1252
00:56:51,520 --> 00:56:55,359
Speaker 3: Just just you describing it. I can almost u Yeah,

1253
00:56:55,680 --> 00:57:01,160
Speaker 3: the refreshing, the refreshing came to mind, grassy greene apple,

1254
00:57:01,480 --> 00:57:04,279
Speaker 3: just like anol with an unknown shooter. That's how I

1255
00:57:04,440 --> 00:57:05,000
Speaker 3: like my wine.

1256
00:57:05,080 --> 00:57:08,040
Speaker 1: Wait, now, is mixing wine and beer fine?

1257
00:57:08,360 --> 00:57:09,480
Speaker 2: I think everything's fine?

1258
00:57:10,800 --> 00:57:14,800
Speaker 3: That's not no. There are all these things like liquor

1259
00:57:14,880 --> 00:57:18,800
Speaker 3: then beer never sicker beer before liquor. You're in the clear. Whatever,

1260
00:57:19,000 --> 00:57:21,480
Speaker 3: it's there. All you have to do is be a

1261
00:57:21,560 --> 00:57:26,040
Speaker 3: drunk beer. To do is practice with all these things. Oh,

1262
00:57:26,120 --> 00:57:28,960
Speaker 3: I see, the thing that will get you hungover is

1263
00:57:29,040 --> 00:57:29,760
Speaker 3: the damn sugar.

1264
00:57:30,080 --> 00:57:32,640
Speaker 2: The sugar and the three Wiseman shot you did at

1265
00:57:32,880 --> 00:57:35,720
Speaker 2: two at the closing of the bar. That'll do to you.

1266
00:57:35,880 --> 00:57:40,360
Speaker 1: What's that'll never do again?

1267
00:57:40,720 --> 00:57:44,400
Speaker 2: I think it's a shot of Jack Jose Quervo and

1268
00:57:44,800 --> 00:57:51,040
Speaker 2: some other man's name was a liquor Damn McNeil, McNeil.

1269
00:57:50,680 --> 00:57:55,680
Speaker 3: Brand single more, I should be single, more available, Captain Margans.

1270
00:57:55,280 --> 00:58:00,720
Speaker 2: Probably that's probably Captain Jack, and hold them and it's

1271
00:58:00,800 --> 00:58:02,880
Speaker 2: just guaranteed to make you vomit.

1272
00:58:03,080 --> 00:58:07,080
Speaker 3: Captain Jack, I'll get you high to night. Right, that's

1273
00:58:07,120 --> 00:58:08,960
Speaker 3: what that song is about. It's one two thirds of

1274
00:58:09,000 --> 00:58:11,080
Speaker 3: that drink crap and snaps.

1275
00:58:12,440 --> 00:58:12,960
Speaker 2: Crappers.

1276
00:58:13,360 --> 00:58:16,200
Speaker 1: I do love whiskey though that was my drink. I

1277
00:58:16,280 --> 00:58:19,960
Speaker 1: mean the it's the effects are a plus.

1278
00:58:20,200 --> 00:58:22,200
Speaker 3: Yeah, they really work. Whiskey words.

1279
00:58:22,280 --> 00:58:25,400
Speaker 2: Guy, you're what guy? I'm woring of stones rolling stones?

1280
00:58:25,640 --> 00:58:27,520
Speaker 3: Oh the guy got.

1281
00:58:27,440 --> 00:58:29,919
Speaker 2: Confused talking about music? Sorry?

1282
00:58:30,040 --> 00:58:32,640
Speaker 3: Oh sorry, sorry, I'm drying now are talking about liquor?

1283
00:58:32,920 --> 00:58:36,800
Speaker 2: Ah, they're talking about music? Sorry? Where I mean where

1284
00:58:37,200 --> 00:58:38,439
Speaker 2: I'd have a Mazda.

1285
00:58:38,280 --> 00:58:39,080
Speaker 3: Here's the place.

1286
00:58:39,320 --> 00:58:41,200
Speaker 2: Yeah, yeah, we're definitely here. We've been here.

1287
00:58:41,640 --> 00:58:45,440
Speaker 3: Are you guys worried about the I mean, here's the

1288
00:58:45,480 --> 00:58:48,040
Speaker 3: time right now? It's eight twelve. Yeah, are you guys

1289
00:58:48,120 --> 00:58:48,760
Speaker 3: nervous about?

1290
00:58:49,760 --> 00:58:53,040
Speaker 1: Sound check? Is at a thirty? Starts at nine?

1291
00:58:53,280 --> 00:58:54,680
Speaker 2: Oh I thought it started at eight?

1292
00:58:55,120 --> 00:58:58,280
Speaker 1: No, guye we know I made him.

1293
00:58:58,400 --> 00:59:00,920
Speaker 3: I made you drink of it because I said, I'm

1294
00:59:00,920 --> 00:59:01,920
Speaker 3: about to relax right now.

1295
00:59:02,160 --> 00:59:05,120
Speaker 1: Yeah, yeah, we can take it easy, kick.

1296
00:59:05,200 --> 00:59:06,960
Speaker 2: I've got to a show on time the other night,

1297
00:59:07,640 --> 00:59:11,160
Speaker 2: only for it to start almost an hour and something out.

1298
00:59:11,360 --> 00:59:12,440
Speaker 3: I don't like it when that happened.

1299
00:59:12,480 --> 00:59:13,320
Speaker 1: That's such a bummer.

1300
00:59:13,360 --> 00:59:15,080
Speaker 2: I think I'm officially done with that. It's the last

1301
00:59:15,120 --> 00:59:17,680
Speaker 2: time I'm going to do that on time. No. Now,

1302
00:59:17,800 --> 00:59:19,680
Speaker 2: if I'm on time, I thought starting like, okay, I'm

1303
00:59:19,720 --> 00:59:25,840
Speaker 2: gonna leave now, yeah, because because fuck you, yep, I

1304
00:59:25,960 --> 00:59:26,480
Speaker 2: do that too.

1305
00:59:26,640 --> 00:59:28,600
Speaker 3: If I'm on time, I'm like, I gotta go, and

1306
00:59:28,720 --> 00:59:31,280
Speaker 3: I just I'll just go somewhere and walk around. I

1307
00:59:31,360 --> 00:59:33,360
Speaker 3: don't like being on time.

1308
00:59:33,520 --> 00:59:35,800
Speaker 4: I really hate being on time, and I know it's

1309
00:59:35,880 --> 00:59:39,600
Speaker 4: because it's my diva ish personality where I don't.

1310
00:59:39,400 --> 00:59:41,120
Speaker 1: Want to be the one waiting. I want someone else

1311
00:59:41,160 --> 00:59:41,760
Speaker 1: to wait for me.

1312
00:59:43,040 --> 00:59:45,200
Speaker 3: Well, sometimes if you're the one on time, you go

1313
00:59:45,360 --> 00:59:48,080
Speaker 3: up first. If it's one of these shows where everyone's

1314
00:59:48,120 --> 00:59:50,160
Speaker 3: an equal, I like going up third.

1315
00:59:50,880 --> 00:59:53,680
Speaker 2: A third, I love going up first. Oh first, Really,

1316
00:59:53,880 --> 00:59:55,320
Speaker 2: I think it's on the best spots you can do.

1317
00:59:55,480 --> 00:59:59,000
Speaker 3: Boy, I just disagree with you. Really, I'll second.

1318
01:00:00,000 --> 01:00:02,760
Speaker 2: I'll tell you second's good, But first is great because

1319
01:00:02,800 --> 01:00:04,840
Speaker 2: it's like you can do whatever you want.

1320
01:00:05,160 --> 01:00:07,400
Speaker 3: But the crowds, now, they're not warm. There's no way

1321
01:00:07,480 --> 01:00:10,960
Speaker 3: around that. Well, yeah, you're sacrificing the first half of

1322
01:00:11,040 --> 01:00:12,160
Speaker 3: your set to warm them up.

1323
01:00:12,400 --> 01:00:14,560
Speaker 2: Now, my set is warm up. How do you know?

1324
01:00:14,760 --> 01:00:15,840
Speaker 3: How do you warm them up?

1325
01:00:15,920 --> 01:00:17,840
Speaker 2: Right, charastenics? Physical?

1326
01:00:18,080 --> 01:00:19,800
Speaker 3: Oh you do actual exercise?

1327
01:00:19,920 --> 01:00:21,640
Speaker 2: Yeah, I get in them. I get down here, get

1328
01:00:21,840 --> 01:00:24,919
Speaker 2: going under the chair, yep, you know, like force someone

1329
01:00:25,000 --> 01:00:26,120
Speaker 2: to move really nicely.

1330
01:00:26,560 --> 01:00:29,560
Speaker 3: Yeah, just really get in there. I suppose. Yeah, if

1331
01:00:29,560 --> 01:00:31,080
Speaker 3: you got them to get up and walk around and

1332
01:00:31,200 --> 01:00:33,160
Speaker 3: actually warm up their bodies, that would help.

1333
01:00:33,360 --> 01:00:34,480
Speaker 1: Yeah, then it's on them.

1334
01:00:34,760 --> 01:00:37,320
Speaker 3: It's totally on them. Oh, you know why you're not enjoying.

1335
01:00:37,640 --> 01:00:38,400
Speaker 3: You're lazy.

1336
01:00:39,160 --> 01:00:41,680
Speaker 2: You know what's better than you know, it's always worse

1337
01:00:41,760 --> 01:00:42,200
Speaker 2: than first?

1338
01:00:43,000 --> 01:00:43,680
Speaker 1: What last?

1339
01:00:43,800 --> 01:00:44,520
Speaker 2: Last? Last?

1340
01:00:44,680 --> 01:00:45,120
Speaker 1: Is the worst.

1341
01:00:45,240 --> 01:00:49,640
Speaker 2: I think last in Los Angeles when it's clearly not

1342
01:00:49,800 --> 01:00:52,920
Speaker 2: you're not the quote unquote headliner, right, that lot of

1343
01:00:52,960 --> 01:00:55,160
Speaker 2: people that like, all right, your headliner tonight. Yeah, I

1344
01:00:55,240 --> 01:00:56,640
Speaker 2: mean the guy who's going up last.

1345
01:00:56,880 --> 01:01:02,160
Speaker 4: Yeah, we've seen everyone's left, everyone's drunk, everyone screamed at

1346
01:01:02,160 --> 01:01:02,760
Speaker 4: the top of their.

1347
01:01:02,680 --> 01:01:03,640
Speaker 1: Lungs for an hour.

1348
01:01:03,680 --> 01:01:07,720
Speaker 3: I think last, it's the first first, it's the second last.

1349
01:01:09,400 --> 01:01:11,439
Speaker 4: It happens to us a lot because we're music act,

1350
01:01:11,520 --> 01:01:13,280
Speaker 4: which I don't blame anybody for.

1351
01:01:13,400 --> 01:01:14,000
Speaker 1: It's like the.

1352
01:01:15,480 --> 01:01:17,960
Speaker 4: Breakdown, so we go last, but it's like we just

1353
01:01:18,080 --> 01:01:20,160
Speaker 4: go out there and there's just it's like getting to

1354
01:01:20,320 --> 01:01:21,640
Speaker 4: a party late and going over.

1355
01:01:21,560 --> 01:01:22,040
Speaker 1: To the buffet.

1356
01:01:22,160 --> 01:01:25,760
Speaker 4: It's just like, oh, there's some old salami. Maybe you'll

1357
01:01:25,800 --> 01:01:29,240
Speaker 4: find some cookies from Trader Joe's that weren't open. This

1358
01:01:29,400 --> 01:01:30,800
Speaker 4: metaphor is very extended.

1359
01:01:30,840 --> 01:01:32,200
Speaker 2: But the Pickens, Yeah.

1360
01:01:32,160 --> 01:01:33,800
Speaker 1: It's it's pickens.

1361
01:01:33,920 --> 01:01:36,720
Speaker 4: And it's people that are like, there's nothing worse than

1362
01:01:36,800 --> 01:01:40,640
Speaker 4: comedy fatigue, where they're kind of like they wish.

1363
01:01:40,520 --> 01:01:42,240
Speaker 1: They could laugh and they just can't do it because

1364
01:01:42,280 --> 01:01:43,960
Speaker 1: they've even milked.

1365
01:01:44,320 --> 01:01:46,440
Speaker 3: Do you feel like you're going last tonight? Either you

1366
01:01:47,480 --> 01:01:48,200
Speaker 3: I get last.

1367
01:01:48,760 --> 01:01:52,080
Speaker 2: I don't think I'm gonna go last. I've now lately,

1368
01:01:52,200 --> 01:01:56,080
Speaker 2: I just basically I've been speaking my mind. M Yeah,

1369
01:01:56,480 --> 01:01:57,160
Speaker 2: here's what I want.

1370
01:01:57,400 --> 01:01:58,120
Speaker 3: It works great?

1371
01:01:58,480 --> 01:01:59,200
Speaker 1: Do you say it like that?

1372
01:01:59,640 --> 01:01:59,880
Speaker 3: People?

1373
01:02:00,240 --> 01:02:04,400
Speaker 2: When I want, If you can make that happen for me,

1374
01:02:04,440 --> 01:02:07,040
Speaker 2: I would love it perfect you can't. I won't complain.

1375
01:02:08,320 --> 01:02:11,480
Speaker 3: It's you're doing the right thing. Everyone wants to hear

1376
01:02:11,560 --> 01:02:12,040
Speaker 3: what you want.

1377
01:02:12,360 --> 01:02:13,560
Speaker 2: You always.

1378
01:02:14,360 --> 01:02:16,400
Speaker 3: I always just think people know what I want, They're

1379
01:02:16,440 --> 01:02:18,040
Speaker 3: not going to give it to me. I have an argument,

1380
01:02:18,160 --> 01:02:21,120
Speaker 3: nothing has happened. I argue with them about it, we

1381
01:02:22,320 --> 01:02:24,919
Speaker 3: make up, and then I take my spot, and none

1382
01:02:24,960 --> 01:02:27,400
Speaker 3: of that has actually happened. It's all in my brain.

1383
01:02:27,600 --> 01:02:29,400
Speaker 2: That is a weird thing that people do that I

1384
01:02:29,520 --> 01:02:32,400
Speaker 2: do too, is have the have the pre argument. You've

1385
01:02:32,440 --> 01:02:35,960
Speaker 2: already decided the situation will be worthy of a fucking argument,

1386
01:02:36,040 --> 01:02:40,880
Speaker 2: and you argue the situation, the thing happens, and nothing happens.

1387
01:02:40,960 --> 01:02:46,200
Speaker 2: Whats whoever? Slightly antagonistic is like the most calm thing ever.

1388
01:02:46,520 --> 01:02:48,680
Speaker 4: I do it so often, and I do it in

1389
01:02:48,760 --> 01:02:52,080
Speaker 4: a way where it it makes me act weird in

1390
01:02:52,160 --> 01:02:55,040
Speaker 4: a way that really can't be explained or faked out,

1391
01:02:55,240 --> 01:02:57,480
Speaker 4: you know what I mean? Like when you're expecting a

1392
01:02:57,560 --> 01:03:00,800
Speaker 4: certain exchange you've prepared for very specific.

1393
01:03:01,360 --> 01:03:07,800
Speaker 3: It's bad magic what it is, that's right.

1394
01:03:08,040 --> 01:03:10,840
Speaker 2: Yeah, it's like this magic. It's a negative magic. It's negative,

1395
01:03:11,400 --> 01:03:13,000
Speaker 2: the magic of negativity.

1396
01:03:13,120 --> 01:03:14,720
Speaker 1: You're shutting down the impossibilities.

1397
01:03:14,840 --> 01:03:17,640
Speaker 2: Yeah, you're you're creating an outcome you don't want by

1398
01:03:18,040 --> 01:03:21,360
Speaker 2: imagining it happening. As opposed to the opposite, we're like, oh,

1399
01:03:21,440 --> 01:03:24,120
Speaker 2: it's gonna be great when when Sharon takes me up

1400
01:03:24,160 --> 01:03:26,440
Speaker 2: and she's super happy because we love each other and

1401
01:03:26,520 --> 01:03:29,080
Speaker 2: there's this new dog that's going to be there. Yeah.

1402
01:03:29,520 --> 01:03:29,960
Speaker 1: I do that.

1403
01:03:30,320 --> 01:03:32,120
Speaker 3: I do that with and we've talked about this. I

1404
01:03:32,200 --> 01:03:34,720
Speaker 3: do that with with bad things. I just if you

1405
01:03:34,920 --> 01:03:38,479
Speaker 3: think the worst, what are the chances it's also gonna happen?

1406
01:03:38,640 --> 01:03:39,600
Speaker 2: You're manifesting it.

1407
01:03:39,880 --> 01:03:41,760
Speaker 3: Yeah, that's what a lot of people think. I think

1408
01:03:41,800 --> 01:03:42,720
Speaker 3: I'm canceling it out.

1409
01:03:42,800 --> 01:03:44,400
Speaker 2: Well, I think I think it's different for me. I

1410
01:03:44,520 --> 01:03:46,720
Speaker 2: think like, when I think about how I'm going to die,

1411
01:03:46,840 --> 01:03:50,520
Speaker 2: Like I imagine the scenario of death, it's gonna approaching

1412
01:03:50,640 --> 01:03:53,480
Speaker 2: eminently sure, And I feel like that is canceling out

1413
01:03:53,560 --> 01:03:56,200
Speaker 2: that because I kind of think that if there's any

1414
01:03:56,240 --> 01:03:59,280
Speaker 2: sort of malicious aspect of the universe. It definitely wants

1415
01:03:59,320 --> 01:04:02,240
Speaker 2: to surprise you, right right, it's not able to surprise you.

1416
01:04:02,360 --> 01:04:04,360
Speaker 2: It's like, well, I guess I'll try someone else. Because

1417
01:04:04,360 --> 01:04:05,720
Speaker 2: this guy, he knew what was coming.

1418
01:04:06,160 --> 01:04:06,920
Speaker 1: He got ahead of it.

1419
01:04:07,080 --> 01:04:10,200
Speaker 3: You already put together the combination of trampoline and jet pack.

1420
01:04:10,400 --> 01:04:14,520
Speaker 2: Yeah, he called my he figured out my my very

1421
01:04:14,640 --> 01:04:17,000
Speaker 2: intricate way of killing him in this moment.

1422
01:04:17,200 --> 01:04:20,240
Speaker 3: The universe has an intricate plan for all of our demises.

1423
01:04:20,520 --> 01:04:22,120
Speaker 2: Yeah, So if you think about it all the time,

1424
01:04:22,160 --> 01:04:24,480
Speaker 2: the way which you'll die. Yeah, Like, anytime I get

1425
01:04:24,480 --> 01:04:26,240
Speaker 2: into a fifteen pass van, I'm like, this is it

1426
01:04:29,040 --> 01:04:29,520
Speaker 2: how you die?

1427
01:04:30,200 --> 01:04:30,400
Speaker 4: Guy?

1428
01:04:30,480 --> 01:04:35,080
Speaker 2: And this shitty fucking he's a crap rat trap.

1429
01:04:34,960 --> 01:04:37,920
Speaker 1: Of a van and you see it rolling, just rolling

1430
01:04:38,840 --> 01:04:39,440
Speaker 1: down the mountain.

1431
01:04:40,400 --> 01:04:43,200
Speaker 3: That's why it made me so sad during the Tracy

1432
01:04:43,280 --> 01:04:46,720
Speaker 3: Morgan thing. The that was it's like, that's such a

1433
01:04:46,920 --> 01:04:50,360
Speaker 3: real horrible way to go. Yeah, that was a limo. Yeah,

1434
01:04:50,480 --> 01:04:53,160
Speaker 3: well it was fifteen You weren't thinking about that.

1435
01:04:54,600 --> 01:04:55,720
Speaker 1: They were having some good times.

1436
01:04:56,040 --> 01:04:58,240
Speaker 2: You're away pass, you think about it, You're like, oh,

1437
01:04:58,240 --> 01:05:00,720
Speaker 2: I'm dying on the way to set super.

1438
01:05:00,600 --> 01:05:02,440
Speaker 3: Like a super shuttle or a white one of those

1439
01:05:02,480 --> 01:05:03,040
Speaker 3: white vans.

1440
01:05:03,080 --> 01:05:04,840
Speaker 2: I always think about it on set, like you feel

1441
01:05:04,920 --> 01:05:07,040
Speaker 2: like because that's what they show you around on you know,

1442
01:05:07,160 --> 01:05:10,840
Speaker 2: like yeah, yeah, there's those those driven by some union

1443
01:05:10,920 --> 01:05:14,840
Speaker 2: guy who like makes nasty comments about some pia's legs.

1444
01:05:15,240 --> 01:05:18,880
Speaker 3: So you just and you think the van's gonna tip

1445
01:05:18,960 --> 01:05:20,480
Speaker 3: over just at the studio, just.

1446
01:05:20,520 --> 01:05:22,680
Speaker 2: So the guy will like look left when she'll be

1447
01:05:22,760 --> 01:05:27,200
Speaker 2: looking right, and some cement truck will just destroy.

1448
01:05:26,760 --> 01:05:30,880
Speaker 3: Us all, like just just two union guys carrening into

1449
01:05:30,920 --> 01:05:31,280
Speaker 3: each other.

1450
01:05:31,480 --> 01:05:32,600
Speaker 2: Yeah, exactly.

1451
01:05:33,160 --> 01:05:35,240
Speaker 4: Well, and also that would be like, that's the perfect

1452
01:05:35,520 --> 01:05:38,880
Speaker 4: when you're you've got a job, you're like on set, it's.

1453
01:05:38,720 --> 01:05:41,880
Speaker 1: Supposed to be ideal. That's what's when it's gonna happen.

1454
01:05:41,960 --> 01:05:42,360
Speaker 2: Exactly.

1455
01:05:42,560 --> 01:05:44,040
Speaker 1: It's the perfect anticipation.

1456
01:05:44,320 --> 01:05:46,720
Speaker 3: There's no way of knowing when it's gonna happen. That's

1457
01:05:46,840 --> 01:05:49,800
Speaker 3: not healthy to eat. That woman right there is one

1458
01:05:49,920 --> 01:05:51,080
Speaker 3: hundred and twelve. Look at her.

1459
01:05:51,120 --> 01:05:52,040
Speaker 2: That's an ancient right there.

1460
01:05:52,200 --> 01:05:54,880
Speaker 3: Yeah, she thought she was gonna die in a Corvette

1461
01:05:54,920 --> 01:05:56,160
Speaker 3: racking in her thirties.

1462
01:05:56,560 --> 01:06:01,240
Speaker 5: Should we yell at her like move on, you ruined

1463
01:06:01,400 --> 01:06:05,880
Speaker 5: this neighbor, but whole asshole, So tired of you people

1464
01:06:05,960 --> 01:06:09,040
Speaker 5: coming here, this neighbor, get out of here.

1465
01:06:10,560 --> 01:06:14,360
Speaker 2: Used to be cool. This old bag shopping on a

1466
01:06:14,400 --> 01:06:16,160
Speaker 2: Sunday night. It's old.

1467
01:06:16,600 --> 01:06:20,840
Speaker 1: Oh so oh god, I guess I should pull in

1468
01:06:20,960 --> 01:06:21,840
Speaker 1: here right, let's do it.

1469
01:06:22,280 --> 01:06:26,320
Speaker 3: This is where my car is too. Okay, Oh oh

1470
01:06:26,560 --> 01:06:28,960
Speaker 3: that's okay. Did you did you listen to the last episode?

1471
01:06:29,000 --> 01:06:31,280
Speaker 3: My mouth honk was pretty good. It sounded like a

1472
01:06:31,400 --> 01:06:33,919
Speaker 3: semi truck. Let's do it. Then listen to it again.

1473
01:06:34,440 --> 01:06:36,320
Speaker 3: Oh it's our sign off Johnny.

1474
01:06:36,360 --> 01:06:37,960
Speaker 1: You guys, thank you for doing that.

1475
01:06:38,120 --> 01:06:39,919
Speaker 3: Yeah, thanks a lot. Sorry we are kind of late,

1476
01:06:40,480 --> 01:06:42,760
Speaker 3: but at least I know where you live now, and

1477
01:06:42,800 --> 01:06:45,520
Speaker 3: I know what a grapefruit looks like. And uh, you

1478
01:06:45,600 --> 01:06:48,120
Speaker 3: guys go in and have yourself an amazing comedy concert.

1479
01:06:48,280 --> 01:06:50,919
Speaker 1: Well, listen to podcast Twisting.

1480
01:06:50,560 --> 01:06:54,560
Speaker 3: And Twisting anything else you want to twisting the wind

1481
01:06:54,600 --> 01:06:58,440
Speaker 3: on the Pail Audio Network. I'm gonna listen to Pemberton.

1482
01:06:58,440 --> 01:07:01,320
Speaker 3: There's anything else you got commed?

1483
01:07:01,960 --> 01:07:03,960
Speaker 2: You know, I just dates and stuff going on. I'll

1484
01:07:04,000 --> 01:07:06,600
Speaker 2: be in Australia November with Duncan Trussell and that's gonna.

1485
01:07:06,400 --> 01:07:10,200
Speaker 3: Be Oh that sounds great. Hi, Well we literally have

1486
01:07:10,360 --> 01:07:12,800
Speaker 3: we're being pulled from the car. You've been listening to

1487
01:07:12,960 --> 01:07:16,440
Speaker 3: Do You Need a Ride? D u I n aar.

1488
01:07:18,240 --> 01:07:18,520
Speaker 2: I did.

1489
01:07:26,760 --> 01:07:31,120
Speaker 3: This has been an exactly right production produced by Analise Nelson,

1490
01:07:31,520 --> 01:07:32,959
Speaker 3: mixed by Edson Choi.

1491
01:07:33,400 --> 01:07:35,240
Speaker 1: Our talent booker is Patrick Cottner.

1492
01:07:35,560 --> 01:07:37,480
Speaker 3: Theme song by Karen Kilgarrett.

1493
01:07:37,920 --> 01:07:39,320
Speaker 1: Artwork by Chris Fairbanks.

1494
01:07:39,600 --> 01:07:42,640
Speaker 4: Follow the show on Instagram, Twitter, and Facebook at dinar

1495
01:07:42,760 --> 01:07:45,800
Speaker 4: podcast That's d y n ar podcast.

1496
01:07:46,280 --> 01:07:50,200
Speaker 3: For more information, go to exactly rightmedia dot com. Thank you,

1497
01:07:51,080 --> 01:07:52,080
Speaker 3: Oh You're welcome