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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl Drama, Girl,

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Speaker 2: all about them high school queens.

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Speaker 3: We'll take you for a ride, and our comic girl

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Speaker 3: sharing for the right teams.

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Speaker 2: Drama Queens, Jaylie's Up Girl Fashion, but your tough girl,

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Speaker 2: you could sit with us.

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Speaker 3: Girl Drama, Queen Drama, Queise Drama, Queens Drama Drama, Queen's

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Speaker 3: Drama Queens. Hey, Hey, everybody, Season six, episode twelve, you

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Speaker 3: have to be joking. Autopsy of the Devil's Brain. It's

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Speaker 3: a little it's a little wordy, but it's okay. Air

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Speaker 3: date November twenty fourth, two thousand and eight. Welcome back, everybody.

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Speaker 3: You've got me, Hillary and the Fabulous so Impossible to get.

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Speaker 3: We finally got her, Kelsey as Beale.

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Speaker 1: Oh crazy, she's here.

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Speaker 3: Kelsey. Would you read our synopsis for us?

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Speaker 4: Yes, of course.

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Speaker 2: As Lucas takes a trip to Hollywood to meet his

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Speaker 2: film director, parts Great Nathan.

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Speaker 4: Gets ro basketball tryout.

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Speaker 2: Hayton struggles with Mia to focus on her follow up album,

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Speaker 2: while Millicent confronts Marvin about Gigi. Julian approaches the dubious

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Speaker 2: Brook about designing clothes for his movie and Haley picks

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Speaker 2: a reluctant Jamie to school town show.

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Speaker 5: This episode was a shining example of our boss putting

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Speaker 5: all of his own thoughts and dreams and weirdness into

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Speaker 5: the storylines of our characters and us just having to

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Speaker 5: like do it.

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Speaker 3: This was my least favorite part of the show, like

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Speaker 3: the season wise, the time when we were doing the

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Speaker 3: Hollywood movie version of Lucas's script and we're now we've

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Speaker 3: just completely run out of all possible storylines for all

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Speaker 3: of these characters. We just have to show other people

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Speaker 3: acting out the same storylines they've already watched for the

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Speaker 3: last six seasons. It's so dumb. It really bothers me.

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Speaker 1: It became so meta, Like.

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Speaker 5: James van der Beek, the reveal of James Vanderbeeks the director.

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Speaker 4: He's great, He's great.

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Speaker 5: Kelsey, were you allowed to watch shows like Dawson's Creek

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Speaker 5: and One Tree Hill growing up?

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Speaker 1: So?

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Speaker 2: I think I was a little too young for Dawson's

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Speaker 2: Creek because One Tree Hill was kind of my my era.

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Speaker 2: But I do remember meeting James Vanderby.

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Speaker 4: I have to say his full.

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Speaker 1: Name, He's if you call him James. It's like our James.

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Speaker 2: Nathan James, do you remember meeting him on set for

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Speaker 2: this episode? Which is so funny, but yeah, it does

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Speaker 2: feel very meta and it.

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Speaker 5: Fell too like he was making fun of so many

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Speaker 5: Dawson's things. Like in this episode, him being this goofball

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Speaker 5: director was probably my favorite part because I had nothing

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Speaker 5: to do with it and it was just I couldn't

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Speaker 5: just enjoy it, but him like jumping on the chair

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Speaker 5: like Tom Cruise. This was when him and Katie were

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Speaker 5: still together, you know, right, and you know, trying to

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Speaker 5: get Haley and Lucas to end up together because he

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Speaker 5: knows what fans like, you know, and then.

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Speaker 1: Asking if they could kill Haley because doesn't Michelle Williams

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Speaker 1: die at the end of Gosson's.

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Speaker 6: Creek she does.

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Speaker 3: Oh spoiler her Sorry.

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Speaker 1: Yeah, there's so many little nods in there.

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Speaker 3: Yeah.

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Speaker 5: Yeah, I liked that because he took the note of

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Speaker 5: being sufferable and he really ran with it.

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Speaker 3: Yeah, he was having fun for sure.

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Speaker 5: Yeah, definitely, which I think made Chad have fun. Like

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Speaker 5: I really liked Lucas in this episode too, because he's

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Speaker 5: just kind of steady and he's got these two big,

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Speaker 5: like weird alpha male personalities.

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Speaker 1: He's got Julian drawn and sugar in the diner. Vanderbeek's

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Speaker 1: playing with cocaine.

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Speaker 3: Oh yeah, yeah, Lucas is just watching everyone go crazy around.

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Speaker 2: Him, and then Chad like blows the sugar off and

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Speaker 2: walks out. It was seeing that's interesting.

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Speaker 1: Was that on the page or was that like actor choices?

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Speaker 3: That's what I'm wondering. I could see Austin. Austin's funny enough,

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Speaker 3: he could I could see him, or quirky enough. I

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Speaker 3: could see him pouring the sugar out on the table

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Speaker 3: and doing that just on his own whim.

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Speaker 1: Yeah, just make an art man, yes, Jus.

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Speaker 5: I had a conversation with Gus last night about choices

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Speaker 5: as an actor because he's doing the Hobbit, he's doing

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Speaker 5: a play. Yeah, And I was like, sometimes as an

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Speaker 5: actor you have to make bad choices. And I thought

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Speaker 5: that the sugar was it just made Julian look like

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Speaker 5: such an asshole because I've waited tables like you could

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Speaker 5: Why did you wait tables? You're like, Oh, he's the

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Speaker 5: sugar guy. He's sugar guy. Cool, yeah, show off. Well,

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Speaker 5: it was fun to see the Dixie grill. Was that

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Speaker 5: the Dixie Grill wasn't it. No, I think that was

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Speaker 5: the front Street grill.

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Speaker 3: Was it?

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Speaker 1: Oh?

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Speaker 3: I don't know why I had this Dixie Girl in

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Speaker 3: my mind.

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Speaker 1: There was one that was a closer. It's like a

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Speaker 1: waffle house.

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Speaker 5: It was closer to Soapbox. It was across the street,

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Speaker 5: directly from Karen's Cafe. Oh yeah, it was like the

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Speaker 5: little stepsister to Dixie Grill.

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Speaker 3: Oh funny. Yeah. I love all those little southern dive

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Speaker 3: diners that we had down there. Kelsey, what were some

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Speaker 3: of your favorite spots when you were in Wilmington to

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Speaker 3: go to restaurants?

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Speaker 2: Okay, Cafe Phoenix.

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Speaker 3: Oh oh yeah, ri Ip.

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Speaker 4: I went to Circa.

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Speaker 3: Oh yeah, that's still around.

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Speaker 5: We just went to Circa when we were in town

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Speaker 5: for the convention and we showed up. It was like

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Speaker 5: a bunch of us. It was late, and they were

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Speaker 5: so nice that they seated us. But the waitress was just.

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Speaker 1: Like, oh my god, like everyone from Montreal is here.

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Speaker 1: This was so weird.

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Speaker 3: What do we do? What do I do?

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Speaker 5: So we ordered drinks and everyone's kind of moving around

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Speaker 5: and she's trying to put the drinks down on the

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Speaker 5: table and she pours the entire tray of drinks down

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Speaker 5: Sophia's back, and Sophia was wearing leather pants, so there

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Speaker 5: was nowhere like went to go.

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Speaker 1: It just pooled in her. God, and I was like, circa,

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Speaker 1: never change, never change.

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Speaker 3: Best person for that to happen to. By the way, though,

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Speaker 3: Sophia is so gracious. I'm sure that in that moment

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Speaker 3: she was really I wasn't there, but I'm sure she was.

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Speaker 5: Lovely thanked the waitress and then tipped her really well

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Speaker 5: because I was like, this will be a story that

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Speaker 5: we tell later. So yeah, Now, the restaurants in Wilmington,

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Speaker 5: it is fun to see those. We spent a lot

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Speaker 5: of time in that diner between Julian and Sam.

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Speaker 2: Yeah, yeah, there's a lot of time in the diner

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Speaker 2: of this episode, just this episode.

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Speaker 4: Yeah.

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Speaker 6: Yeah.

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Speaker 3: Watching Austin, I just love watching him on camera. He

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Speaker 3: moves around in front of a camera like he's like

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Speaker 3: ice skating. He's it's so easy, there's such a flow.

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Speaker 3: Even the way he walks in and out of sets.

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Speaker 3: I never feel like he's hitting a mark. I never

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Speaker 3: feel like he's delivering a line. He's just there, present, responding,

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Speaker 3: and then when there's nothing left to say or do,

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Speaker 3: he leaves. It's great.

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Speaker 5: Well, my favorite thing at the beginning of this episode.

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Speaker 5: I don't care about Austin. I care about the fact

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Speaker 5: that Haley James Scott is walking around with a tape

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Speaker 5: measure to measure her husband at the River Court, just

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Speaker 5: like randomly.

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Speaker 3: So random. Although I can attest to the fact that

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Speaker 3: now as a mom, I do often have a tape

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Speaker 3: measure in my purse. I don't know why I said

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Speaker 3: as a mom. Maybe it's because it's like the sort

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Speaker 3: of you get older and you have a house moved

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Speaker 3: to buy furniture, and having kids can be part of that.

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Speaker 3: But yeah, I'm like on the lookout for furniture, and

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Speaker 3: I don't know, I feel like Marie's asking me more

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Speaker 3: often for a tape measure because she's got things she

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Speaker 3: wants to see if it fits in her room. Is

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Speaker 3: Is that weird? Am I am I alone in this?

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Speaker 3: You don't carry tape measure around all the time?

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Speaker 4: I have one right here?

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Speaker 5: Amazing Okay, Yeah, of course, I think that's why I

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Speaker 5: appreciate it so much, because it's just like, how are

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Speaker 5: we going to start the episode? I know Haley could

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Speaker 5: just be measuring him at the River Court because he.

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Speaker 1: Doesn't know how tall he is.

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Speaker 3: Let's just double check one more time that I didn't

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Speaker 3: grow any in the last four years.

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Speaker 7: No.

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Speaker 1: I liked that. That's one of those little things where

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Speaker 1: you're on set.

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Speaker 5: And you're like, this doesn't make any sense, and they say,

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Speaker 5: you're an actor, make it make sense, and you did.

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Speaker 1: You just did, thank you.

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Speaker 3: Yeah, there were quite a few of those moments. But

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Speaker 3: I did love this storyline, especially for James. Really cool

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Speaker 3: to see somebody just making a hail Mary pass, a

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Speaker 3: last ditch effort, you know, reworking a dream from another angle,

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Speaker 3: like trying to trying to not let something go or

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Speaker 3: at least not live a life, knowing that he could

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Speaker 3: have taken a last shot. I love seeing this and

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Speaker 3: I thought they played it out really well.

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Speaker 4: The way it was.

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Speaker 2: Shot, too, was really neat when he's like in the

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Speaker 2: middle of the trials.

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Speaker 5: And they'd like when he was talking to camera when

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Speaker 5: he was doing the vo and it would freeze frame.

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Speaker 3: I say that was corny.

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Speaker 1: Kelsey, have you ever thought.

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Speaker 5: About suggesting freeze frame on Yellowstone? Have you ever been like, you,

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Speaker 5: guys know what we should do with this rodeo?

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Speaker 3: That's right? Play by play.

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Speaker 1: We should tell the audience exactly what's happening.

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Speaker 3: John Dunn's just gonna walk us through it. He's gonna

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Speaker 3: tell me exactly.

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Speaker 2: He had a saving Private Ryan moment in one of

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Speaker 2: the episodes, and I remember had to run down this

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Speaker 2: hill and howboy boots and my son of course running

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Speaker 2: away from danger as you do on Yelstone. Yeah, they

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Speaker 2: run away from major but my and I remember, my

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Speaker 2: son just takes off. He just runs down that hill

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Speaker 2: so fast, and I'm.

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Speaker 4: Like there, like, but your mother like hitting marks.

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Speaker 2: I mean, actually, it's so cool that Austin is so

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Speaker 2: good with my I'm so terrible at Marx.

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Speaker 4: I'm still so ri at hitting marks.

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Speaker 1: Well, oh god, I totally forgot to mention this.

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Speaker 5: We should dedicate this episode to Johnny V who just

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Speaker 5: passed away. He was our focus puller on One Tree Hill.

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Speaker 5: John vari Hush, I didn't know that, John, I don't Kelsey.

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Speaker 5: I don't know how much like you interacted with him.

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Speaker 5: But joy for me, John Variety taught me how to

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Speaker 5: hit a mark because on the pilot I was like,

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Speaker 5: why is there a sandbag on the ground, Like, what

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Speaker 5: is that? I'd only done theater where it's like you're

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Speaker 5: similar to hit Yeah. Yeah, around here, get close and

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Speaker 5: John would take me by my pants and just like

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Speaker 5: kind of tug on me off camera. Still I hit it, yeah,

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Speaker 5: and like it was like a little animal on a leash.

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Speaker 5: And he never made me feel stupid, which I can

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Speaker 5: look back on and be like, oh, that was incredible.

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Speaker 5: And so it's been cool to see all of our

224
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Speaker 5: Tree Hill crew family members come together and honor this

225
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Speaker 5: man who.

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00:11:03,400 --> 00:11:06,040
Speaker 1: Just quietly taught all of us.

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00:11:06,760 --> 00:11:10,839
Speaker 5: You know, hitting a mark is a huge part of

228
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Speaker 5: our job.

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00:11:11,960 --> 00:11:14,680
Speaker 3: Yeah, yeah, you can't really be seen. And how many

230
00:11:14,679 --> 00:11:17,880
Speaker 3: times have you given a performance only to find out

231
00:11:17,880 --> 00:11:20,160
Speaker 3: it's out of focus and you gotta hold it again.

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Speaker 5: Or you're blocking someone's light which makes you feel like

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Speaker 5: a realizable.

234
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Speaker 3: Or someone's blocking yours because you didn't hit your mark.

235
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Speaker 7: Yep.

236
00:11:29,520 --> 00:11:29,840
Speaker 2: Yeah.

237
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Speaker 3: Yeah. John was very generous with me too, and yeah,

238
00:11:33,960 --> 00:11:37,440
Speaker 3: he always gave me sandbags because the hardest part is

239
00:11:37,480 --> 00:11:39,960
Speaker 3: walking in and not looking down, so you have to

240
00:11:39,960 --> 00:11:42,400
Speaker 3: sort of see it in your peripheral and then gauge

241
00:11:42,559 --> 00:11:47,800
Speaker 3: generally once you start approaching where it is. But yeah,

242
00:11:47,880 --> 00:11:52,160
Speaker 3: he was He was always very respectful and generous and

243
00:11:52,760 --> 00:11:57,200
Speaker 3: treated us like we were adults, like young adults capable

244
00:11:57,240 --> 00:12:00,760
Speaker 3: of deciphering and learning these things rather than kids that

245
00:12:00,840 --> 00:12:03,920
Speaker 3: needed to be you know, whipped into shape. And it

246
00:12:03,960 --> 00:12:06,280
Speaker 3: was really lovely. I'm sorry to hear that he passed.

247
00:12:06,840 --> 00:12:09,599
Speaker 5: I would talked to a couple crew members and I

248
00:12:10,400 --> 00:12:12,800
Speaker 5: wish that we'd been able to go down and you know,

249
00:12:12,960 --> 00:12:15,280
Speaker 5: celebrate with them, because we did have such a happy

250
00:12:15,360 --> 00:12:19,280
Speaker 5: little family on set. Like our crew was awesome, Kelsey.

251
00:12:19,320 --> 00:12:21,720
Speaker 5: Who'd you hang out with on on set? What was

252
00:12:21,760 --> 00:12:22,600
Speaker 5: your department?

253
00:12:23,640 --> 00:12:25,120
Speaker 4: Is it Jim from Crops?

254
00:12:25,600 --> 00:12:26,040
Speaker 3: Oh?

255
00:12:26,120 --> 00:12:27,760
Speaker 1: Yes, Jim Nelson?

256
00:12:28,559 --> 00:12:33,160
Speaker 2: Oh my gosh, he was so wonderful. He was really yeah,

257
00:12:34,000 --> 00:12:36,480
Speaker 2: so so hoderful and just always had a good, like

258
00:12:36,640 --> 00:12:38,280
Speaker 2: fun energy.

259
00:12:40,400 --> 00:12:41,480
Speaker 3: Yeah, so sweet.

260
00:12:41,880 --> 00:12:43,120
Speaker 1: Yeah, we had good dudes.

261
00:12:43,679 --> 00:12:45,719
Speaker 3: Are all these guys still in Wilmington or everybody go

262
00:12:45,760 --> 00:12:48,080
Speaker 3: to Atlanta because the stage is open and.

263
00:12:48,240 --> 00:12:50,280
Speaker 1: No, like half of them were working on Outer Banks.

264
00:12:50,520 --> 00:12:52,760
Speaker 1: We should go crash Outer Banks, dude.

265
00:12:52,840 --> 00:12:55,520
Speaker 3: I have been bugging my manager to be on Outer Banks.

266
00:12:55,640 --> 00:12:58,000
Speaker 4: Oh my god, on Outer Banks too.

267
00:12:58,000 --> 00:12:59,200
Speaker 3: Should we just be on that show?

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00:12:59,400 --> 00:12:59,600
Speaker 7: Yeah?

269
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Speaker 1: You could still play a teenager on Outer Banks, Kelsey.

270
00:13:02,480 --> 00:13:04,160
Speaker 1: So I don't want to hear it from you. We're

271
00:13:04,200 --> 00:13:06,280
Speaker 1: playing moms. Now, you big jerk.

272
00:13:07,200 --> 00:13:11,800
Speaker 5: Speaking of teens, Sam, who has a boy sneaking out

273
00:13:11,800 --> 00:13:14,880
Speaker 5: of her window? I love trying to pretend to be mad.

274
00:13:16,800 --> 00:13:20,240
Speaker 5: We so, Ashley Rickards was how much older than you?

275
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Speaker 1: Kelsey?

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Speaker 2: Like I want to say, I don't remember. How do

277
00:13:26,080 --> 00:13:27,319
Speaker 2: you remember how old she was?

278
00:13:27,920 --> 00:13:29,280
Speaker 3: Maybe four years older?

279
00:13:29,960 --> 00:13:32,760
Speaker 1: No, she wasn't twenty. If Kelsey was sixteen when we

280
00:13:32,800 --> 00:13:35,520
Speaker 1: filmed this episode, yeah she was. Maybe she was.

281
00:13:35,800 --> 00:13:38,079
Speaker 3: Oh yeah, no, I think maybe only one year older.

282
00:13:38,120 --> 00:13:39,640
Speaker 3: I feel like she also was sixteen.

283
00:13:40,480 --> 00:13:41,840
Speaker 1: She was little too.

284
00:13:42,800 --> 00:13:44,840
Speaker 5: But I like that you're playing a grown up and

285
00:13:44,880 --> 00:13:46,280
Speaker 5: she's still playing a kid.

286
00:13:46,640 --> 00:13:49,440
Speaker 2: Oh yeah, I remember I was talking about that. Yeah,

287
00:13:49,480 --> 00:13:52,600
Speaker 2: because it's like, wait, this is so, this is so backwards.

288
00:13:53,840 --> 00:13:56,600
Speaker 1: We don't know what's real anymore. That's like, you know

289
00:13:57,080 --> 00:14:01,080
Speaker 1: Quinton was older than us? Yeah, he was older than

290
00:14:01,200 --> 00:14:02,120
Speaker 1: us playing in high school?

291
00:14:02,160 --> 00:14:04,120
Speaker 3: Or did you ever sneak in and out of your

292
00:14:04,160 --> 00:14:04,960
Speaker 3: bedroom window?

293
00:14:05,480 --> 00:14:05,600
Speaker 2: Did?

294
00:14:05,920 --> 00:14:06,520
Speaker 4: Oh?

295
00:14:07,120 --> 00:14:11,040
Speaker 2: Honey, No, because I have a military father, so I

296
00:14:11,200 --> 00:14:14,680
Speaker 2: had like locks and bolts and cameras all over.

297
00:14:15,720 --> 00:14:18,800
Speaker 5: Did your dad love sharper image like my dad did,

298
00:14:18,920 --> 00:14:21,840
Speaker 5: or like radio shack? Did you have those little lasers

299
00:14:21,840 --> 00:14:24,960
Speaker 5: around your house that would beep if anybody walked past

300
00:14:24,960 --> 00:14:25,440
Speaker 5: your house.

301
00:14:26,080 --> 00:14:30,360
Speaker 2: We still have the top past our driveway.

302
00:14:30,480 --> 00:14:31,240
Speaker 4: Yeah, it's like.

303
00:14:31,280 --> 00:14:33,680
Speaker 3: Alert, you are on camera. Alert.

304
00:14:34,680 --> 00:14:38,080
Speaker 1: Oh my god. Yeah we had the beeps. Military kids

305
00:14:38,120 --> 00:14:38,920
Speaker 1: can't sneak out.

306
00:14:39,440 --> 00:14:43,000
Speaker 2: Yeah, so you didn't sneak out.

307
00:14:43,160 --> 00:14:44,120
Speaker 1: No joy, did you?

308
00:14:44,840 --> 00:14:51,080
Speaker 3: Yeah? What you kidding me? I had a one story house.

309
00:14:52,120 --> 00:14:54,640
Speaker 3: My window opened up to the backyard. I was on

310
00:14:54,760 --> 00:14:58,000
Speaker 3: Route seventeen. Like, that was so easy to climb out

311
00:14:58,000 --> 00:15:01,200
Speaker 3: the window. I didn't go anywhere. I was too scared.

312
00:15:01,200 --> 00:15:03,080
Speaker 3: I just like walked around the block by myself. To

313
00:15:03,080 --> 00:15:05,280
Speaker 3: be contrarian. I was like, I did it, and then

314
00:15:05,400 --> 00:15:06,720
Speaker 3: climbing in and go to bed.

315
00:15:07,680 --> 00:15:13,040
Speaker 5: I could never. I could never. That's hilarious. Well, Sam's

316
00:15:13,080 --> 00:15:16,520
Speaker 5: going for it, and I love that. When Brooke is

317
00:15:16,560 --> 00:15:18,600
Speaker 5: like did you sleep with him or whatever? She's like, dude,

318
00:15:18,640 --> 00:15:19,600
Speaker 5: I'm like fifteen.

319
00:15:20,440 --> 00:15:23,000
Speaker 1: And when Brooke is like, well when I was fifteen?

320
00:15:23,720 --> 00:15:26,239
Speaker 3: Oh yeah, the look on Ashley's face, Yeah.

321
00:15:26,400 --> 00:15:28,680
Speaker 2: I was fifteen slash twenty four.

322
00:15:29,280 --> 00:15:32,400
Speaker 3: Yeah, exactly. Turns out Ashley actually is one year younger

323
00:15:32,400 --> 00:15:33,760
Speaker 3: than you, Kelsey. We just found it.

324
00:15:33,840 --> 00:15:34,720
Speaker 4: Oh my god.

325
00:15:35,000 --> 00:15:38,040
Speaker 3: Yeah, so there really was this Yeah, holy young crappy'all.

326
00:15:38,800 --> 00:15:42,600
Speaker 3: So great, so nice. So here's what I liked about

327
00:15:42,600 --> 00:15:46,560
Speaker 3: this Sam's storyline. I did think they wove it together

328
00:15:46,640 --> 00:15:49,600
Speaker 3: pretty well. I was not expecting the Xavier thing in

329
00:15:49,640 --> 00:15:53,640
Speaker 3: the car with Evan Peters. Evan Peters, by the way, hey, everylmoighty, like,

330
00:15:54,240 --> 00:15:56,520
Speaker 3: how do we get him? He also was one of

331
00:15:56,520 --> 00:15:58,160
Speaker 3: those young I think he was the same age as

332
00:15:58,200 --> 00:15:58,640
Speaker 3: you guys.

333
00:16:00,600 --> 00:16:02,080
Speaker 1: Have you crossed paths with him? Again?

334
00:16:02,440 --> 00:16:05,680
Speaker 2: I never met him because I remember he was on

335
00:16:05,720 --> 00:16:08,400
Speaker 2: the show and then, but when I was rewatching it,

336
00:16:08,480 --> 00:16:11,880
Speaker 2: I yeah, I totally forgot.

337
00:16:12,800 --> 00:16:15,120
Speaker 5: I think he'd like to forget too. You know, he

338
00:16:15,160 --> 00:16:16,920
Speaker 5: doesn't put one tree hill on his reel.

339
00:16:20,840 --> 00:16:25,120
Speaker 1: Oh god, sorry, Evan, you're stuck with us. Yeah that

340
00:16:25,240 --> 00:16:27,960
Speaker 1: Evan petersing, I joy. You're right.

341
00:16:28,040 --> 00:16:32,280
Speaker 5: They tied that all together nicely, because we've been dragging

342
00:16:32,360 --> 00:16:32,880
Speaker 5: this out.

343
00:16:33,640 --> 00:16:37,280
Speaker 3: Yeah, like, who the heck attacked Brooke and that's already

344
00:16:37,400 --> 00:16:38,560
Speaker 3: tell us, oh.

345
00:16:38,480 --> 00:16:39,200
Speaker 2: Man, and it is.

346
00:16:39,240 --> 00:16:42,200
Speaker 4: It's so heartbreaking when she realizes.

347
00:16:42,520 --> 00:16:46,840
Speaker 3: Yeah, you know, yeah, I wasn't expecting that. So that

348
00:16:46,840 --> 00:16:51,360
Speaker 3: that was the nice reveal. And I really liked Julian

349
00:16:52,520 --> 00:16:56,400
Speaker 3: looking for Sam and intentionally not telling Brooke and telling

350
00:16:56,440 --> 00:16:58,080
Speaker 3: her you know, she's got to solve it. It's her

351
00:16:58,080 --> 00:17:02,360
Speaker 3: own problem, because he knows that it would make her

352
00:17:02,480 --> 00:17:05,439
Speaker 3: question his motives ultimately if he told her he was

353
00:17:05,600 --> 00:17:08,760
Speaker 3: trying to help her, or if he actively made it

354
00:17:08,840 --> 00:17:12,119
Speaker 3: known that he was helping her. And I like that

355
00:17:12,160 --> 00:17:14,760
Speaker 3: he wanted her to trust him and went ahead and

356
00:17:14,880 --> 00:17:17,480
Speaker 3: just did it on his own. I thought that was cool.

357
00:17:17,880 --> 00:17:20,800
Speaker 3: It was a good move. Yeah, Hiller, you're squinting. You

358
00:17:20,840 --> 00:17:22,399
Speaker 3: don't think so, I don't know.

359
00:17:22,720 --> 00:17:23,159
Speaker 1: I don't know.

360
00:17:23,640 --> 00:17:26,680
Speaker 5: I for me, it's so weird how Julian goes from

361
00:17:26,720 --> 00:17:31,840
Speaker 5: being those really kind of devious. I mean, he likes

362
00:17:31,880 --> 00:17:35,600
Speaker 5: to poke the bear. He's a pretty antagonistic person.

363
00:17:36,520 --> 00:17:37,480
Speaker 1: All the shitt he says to.

364
00:17:37,520 --> 00:17:40,439
Speaker 5: Lucas in the beginning, it's just so unnecessary, but it,

365
00:17:40,720 --> 00:17:44,480
Speaker 5: you know, it's his character, and then he'll end up

366
00:17:44,520 --> 00:17:52,840
Speaker 5: becoming this goober and it's I I like the antagonist

367
00:17:52,840 --> 00:17:54,680
Speaker 5: to character. I wish that he had just always kind

368
00:17:54,680 --> 00:17:55,360
Speaker 5: of stayed tall.

369
00:17:55,400 --> 00:17:58,120
Speaker 1: It's fun to love it. It's tall. Yeah, Like they're.

370
00:17:57,920 --> 00:17:58,440
Speaker 6: Fun to be with.

371
00:17:59,040 --> 00:18:01,439
Speaker 3: Dan Scott can't be the only hole in the world.

372
00:18:01,800 --> 00:18:03,320
Speaker 1: Yeah, come on, that's it.

373
00:18:03,880 --> 00:18:06,720
Speaker 5: They're like, you listen, everybody loves it hole here and

374
00:18:06,760 --> 00:18:08,520
Speaker 5: there and bron Davis.

375
00:18:09,119 --> 00:18:10,960
Speaker 1: Sure she could kiss it out of him.

376
00:18:11,560 --> 00:18:14,399
Speaker 5: No, I do like that he wasn't the Knight in

377
00:18:14,440 --> 00:18:17,600
Speaker 5: Shining Armor, because you're right.

378
00:18:17,720 --> 00:18:20,200
Speaker 1: Motive is like, oh hey girl, I'll help you and

379
00:18:20,240 --> 00:18:21,320
Speaker 1: then we can kiss later.

380
00:18:21,840 --> 00:18:24,720
Speaker 5: Yeah, or just find the child because it's the right

381
00:18:24,720 --> 00:18:28,200
Speaker 5: thing to do. Yeah, right, Yeah, because what was Owen doing?

382
00:18:28,480 --> 00:18:29,720
Speaker 5: Poor Joe?

383
00:18:30,560 --> 00:18:33,480
Speaker 3: What a weird That whole thing was so weird.

384
00:18:33,800 --> 00:18:39,359
Speaker 5: Every other episode he's like a hero saving Daniel or Rachel.

385
00:18:39,760 --> 00:18:42,919
Speaker 2: Yeah, and then he was just Yeah, that was weird.

386
00:18:43,000 --> 00:18:43,840
Speaker 4: That was strange.

387
00:18:43,920 --> 00:18:46,600
Speaker 3: No, so out of character. So it felt so forced

388
00:18:46,600 --> 00:18:59,160
Speaker 3: and contrived.

389
00:19:00,119 --> 00:19:02,560
Speaker 1: Kelsey, when's the last time you saw this show? Like?

390
00:19:02,680 --> 00:19:06,959
Speaker 1: How much of this lord are are you caught up?

391
00:19:07,000 --> 00:19:11,200
Speaker 1: I'm familiar with I haven't seen it in since it aired.

392
00:19:11,840 --> 00:19:14,560
Speaker 2: I haven't seen this episode probably since it aired. So

393
00:19:14,600 --> 00:19:19,960
Speaker 2: it was it was so crazy and so nostalgic and

394
00:19:20,000 --> 00:19:24,119
Speaker 2: like and I really like, I mean, like I said,

395
00:19:24,200 --> 00:19:26,920
Speaker 2: I you know, can skip pissed my parts, But I

396
00:19:26,960 --> 00:19:29,840
Speaker 2: really love watching y'all because it feels like it feels good,

397
00:19:29,960 --> 00:19:31,560
Speaker 2: it feels like home. You know.

398
00:19:32,000 --> 00:19:33,919
Speaker 3: I was gonna ask give you little watch parties with

399
00:19:33,960 --> 00:19:36,920
Speaker 3: your friends when you're little. I don't mean sading. I

400
00:19:36,960 --> 00:19:39,200
Speaker 3: had little watch parties too with things, okay, but when

401
00:19:39,200 --> 00:19:41,000
Speaker 3: it first came out, you're.

402
00:19:40,880 --> 00:19:44,040
Speaker 2: Stuff, okay, So I did so the first episode that

403
00:19:44,080 --> 00:19:47,960
Speaker 2: came out, you know, because I mean Gigi could have

404
00:19:48,200 --> 00:19:52,000
Speaker 2: very easily been cut of that, especially that.

405
00:19:52,080 --> 00:19:53,480
Speaker 4: First episode, like oh.

406
00:19:53,359 --> 00:19:56,040
Speaker 1: My god, you were adorable, I don't think so.

407
00:19:56,640 --> 00:19:59,720
Speaker 2: At this party, like for the like at the high

408
00:19:59,760 --> 00:20:04,680
Speaker 2: like it was at like some poolhouse, like public poolhouse,

409
00:20:05,359 --> 00:20:10,560
Speaker 2: and that had a TV, and like a bunch of

410
00:20:10,600 --> 00:20:15,000
Speaker 2: my high school came and I like, I couldn't believe

411
00:20:15,080 --> 00:20:18,360
Speaker 2: how that was so bold because if I had been

412
00:20:18,359 --> 00:20:20,119
Speaker 2: cut out of that show, Oh my god, I'd be

413
00:20:20,160 --> 00:20:20,879
Speaker 2: a different person.

414
00:20:20,920 --> 00:20:23,640
Speaker 1: Now never live down.

415
00:20:23,800 --> 00:20:25,560
Speaker 3: Oh my god, it shows up and you're not in

416
00:20:25,560 --> 00:20:26,160
Speaker 3: the episode?

417
00:20:27,080 --> 00:20:33,919
Speaker 4: Did make this up? So yeah, I would have watch parties.

418
00:20:34,040 --> 00:20:37,520
Speaker 2: And they also really thought that you had to keep

419
00:20:37,560 --> 00:20:39,359
Speaker 2: everything secret, like I mean.

420
00:20:39,359 --> 00:20:42,119
Speaker 3: Marvel level, like yeah, they probably told you that.

421
00:20:42,240 --> 00:20:45,040
Speaker 2: Yeah, so I would like be you know, I'd be like, yeah,

422
00:20:45,520 --> 00:20:46,960
Speaker 2: don't want your hill this week.

423
00:20:47,119 --> 00:20:48,640
Speaker 4: I can't tell you what's happening.

424
00:20:50,359 --> 00:20:53,080
Speaker 5: Back then, like you couldn't stream it, you couldn't really

425
00:20:53,160 --> 00:20:56,600
Speaker 5: watch it later, like watching it the night of was

426
00:20:56,640 --> 00:20:59,840
Speaker 5: a much bigger deal than it is now, Like nobody

427
00:20:59,840 --> 00:21:01,120
Speaker 5: does watch parties now.

428
00:21:00,920 --> 00:21:03,600
Speaker 1: Because everybody just watches on their own time. But back

429
00:21:03,640 --> 00:21:05,000
Speaker 1: then that was.

430
00:21:05,040 --> 00:21:09,000
Speaker 2: It's sad that you watch parties anymore.

431
00:21:09,440 --> 00:21:11,560
Speaker 1: Maybe we can bring it back. We can do that again.

432
00:21:11,680 --> 00:21:12,080
Speaker 1: That's fine.

433
00:21:12,160 --> 00:21:13,760
Speaker 3: Yeah, when we're on outer Banks.

434
00:21:13,520 --> 00:21:16,600
Speaker 4: Yeah, outer Banks.

435
00:21:17,359 --> 00:21:20,919
Speaker 5: We're coming for you guys, for us now. Yeah, the Owen.

436
00:21:21,400 --> 00:21:27,000
Speaker 5: The men in this episode are weird because, explain, we

437
00:21:27,160 --> 00:21:30,280
Speaker 5: have James Vanderbeek who's being a cartoon and I love it,

438
00:21:31,000 --> 00:21:34,880
Speaker 5: like yes, snidely whiplash, like great into it.

439
00:21:35,200 --> 00:21:35,879
Speaker 1: And then we.

440
00:21:35,840 --> 00:21:40,560
Speaker 5: Have Julian who's also kind of being a cartoon. He's like,

441
00:21:40,760 --> 00:21:44,359
Speaker 5: I'm a bad guy, and he keeps basically telling everyone, Hey,

442
00:21:44,560 --> 00:21:46,440
Speaker 5: I'm a bad guy, just so you know I'm a

443
00:21:46,480 --> 00:21:49,280
Speaker 5: bad guy. It's like I love that. Sam was like

444
00:21:49,480 --> 00:21:55,159
Speaker 5: I don't really think that you're a bad guy. She says, okay,

445
00:21:55,560 --> 00:21:58,920
Speaker 5: keep trying. And then we have Owen who's also like, I.

446
00:21:58,880 --> 00:22:01,800
Speaker 1: Guess I'm just a bad guy.

447
00:22:01,960 --> 00:22:07,520
Speaker 7: And then Mouth's like that photo means nothing, it means nothing.

448
00:22:07,720 --> 00:22:10,320
Speaker 1: Who actually is kind of bean, I'm not a bad guy.

449
00:22:10,400 --> 00:22:13,119
Speaker 3: I'm not a bad guy. And Lucas is just looking

450
00:22:13,160 --> 00:22:14,720
Speaker 3: around like these are bad guys.

451
00:22:14,920 --> 00:22:18,400
Speaker 5: These are bad guys. Yeah, their dudes are all kind

452
00:22:18,440 --> 00:22:21,480
Speaker 5: of being like James is lovely because James Lafferty is

453
00:22:21,480 --> 00:22:22,080
Speaker 5: always lovely.

454
00:22:22,200 --> 00:22:24,040
Speaker 3: James bad, He's bad.

455
00:22:24,480 --> 00:22:26,760
Speaker 7: No, but James is talking to the camera like it's

456
00:22:26,760 --> 00:22:29,680
Speaker 7: an after school special where he's like, yeah, that's where

457
00:22:29,720 --> 00:22:34,600
Speaker 7: they got me wrong, freeze fray. I would love to

458
00:22:34,640 --> 00:22:37,280
Speaker 7: think that the human who wrote has erected this had

459
00:22:37,280 --> 00:22:40,159
Speaker 7: actually been a real human man before and understood how

460
00:22:40,160 --> 00:22:43,080
Speaker 7: they worked and functioned. But maybe this was an alien.

461
00:22:43,280 --> 00:22:46,920
Speaker 7: Maybe this is like an octopus. I don't know who

462
00:22:47,000 --> 00:22:47,840
Speaker 7: thought all these.

463
00:22:47,720 --> 00:22:53,240
Speaker 5: Guys great bad guy. The guy that was talking to

464
00:22:53,359 --> 00:22:56,040
Speaker 5: Nathan was just so over the top, Like.

465
00:22:56,080 --> 00:22:57,480
Speaker 4: That was so funny.

466
00:22:57,640 --> 00:23:01,520
Speaker 2: Yeah, that was calling him the the Riddler.

467
00:23:03,720 --> 00:23:07,280
Speaker 1: Like a Batman reference that nobody gets. Nobody gets.

468
00:23:07,680 --> 00:23:11,639
Speaker 5: No, just the whole thing was wild wild. This was

469
00:23:11,680 --> 00:23:13,520
Speaker 5: a drinking game episode, you.

470
00:23:13,600 --> 00:23:14,080
Speaker 3: Know what I mean?

471
00:23:14,280 --> 00:23:14,440
Speaker 7: Right?

472
00:23:14,560 --> 00:23:16,520
Speaker 3: I didn't look at it that way, like I appreciated

473
00:23:16,520 --> 00:23:17,120
Speaker 3: the sentiment.

474
00:23:17,400 --> 00:23:21,280
Speaker 1: I just said some drinking game rules.

475
00:23:20,960 --> 00:23:24,040
Speaker 3: For one, so oh yes, they're so great.

476
00:23:24,560 --> 00:23:27,760
Speaker 1: Wait there are real ones. Yeah, like it just up.

477
00:23:27,960 --> 00:23:31,359
Speaker 2: It just came up on my on my Instagram. Okay,

478
00:23:31,440 --> 00:23:35,320
Speaker 2: let's see yeah, y'all, because it's really it's great.

479
00:23:35,600 --> 00:23:38,840
Speaker 3: We should play it and then watch an episode together

480
00:23:38,880 --> 00:23:41,320
Speaker 3: and then record a podcast I'm drunk and see what happened.

481
00:23:41,400 --> 00:23:43,159
Speaker 1: We want definitely I'll come back.

482
00:23:43,160 --> 00:23:43,760
Speaker 4: I want to come back.

483
00:23:45,720 --> 00:23:49,960
Speaker 2: But yeah, it's like somebody Lucas squints one drink, Dan

484
00:23:50,040 --> 00:23:51,680
Speaker 2: shows up unwanted one drink.

485
00:23:53,119 --> 00:23:54,560
Speaker 4: Victoria's a bitch one drink.

486
00:23:56,560 --> 00:24:02,840
Speaker 5: Oh yeah, easy man. Yeah, well, Nathan Scott slam dunks

487
00:24:03,480 --> 00:24:06,320
Speaker 5: and Scott shows off them goblin shoes.

488
00:24:07,760 --> 00:24:10,080
Speaker 1: The goblin shoes freeze frame.

489
00:24:10,560 --> 00:24:12,919
Speaker 5: Didn't we make fun of John Asher for using freeze

490
00:24:12,920 --> 00:24:13,920
Speaker 5: frame in an episode?

491
00:24:14,160 --> 00:24:16,160
Speaker 3: Yeah? I guess they liked it.

492
00:24:16,119 --> 00:24:18,520
Speaker 5: Because it's what happens at the end of the Breakfast Club.

493
00:24:18,560 --> 00:24:22,200
Speaker 5: And there's also the Breakfast Club reference in here. Pior

494
00:24:22,240 --> 00:24:25,160
Speaker 5: Sophia has to just get up from her desk and

495
00:24:25,280 --> 00:24:25,600
Speaker 5: just like.

496
00:24:26,240 --> 00:24:27,760
Speaker 1: Oh my god, this is the dance.

497
00:24:28,280 --> 00:24:30,160
Speaker 2: Dancing scenes are the worst.

498
00:24:30,720 --> 00:24:32,680
Speaker 1: Oh god, so painful.

499
00:24:33,600 --> 00:24:35,960
Speaker 3: Yeah, Like, okay, you're drawing and then the song you

500
00:24:36,040 --> 00:24:37,880
Speaker 3: like comes on the radio, and so you just get

501
00:24:37,960 --> 00:24:40,480
Speaker 3: up from drawing, go over to the stereo and turn

502
00:24:40,560 --> 00:24:44,000
Speaker 3: it on, just randomly start dancing wild in front of

503
00:24:44,040 --> 00:24:46,280
Speaker 3: your store that has all glass walls.

504
00:24:45,920 --> 00:24:49,959
Speaker 1: All windows, and I know the fans love that.

505
00:24:50,040 --> 00:24:53,040
Speaker 5: They all the things that we push back against, like

506
00:24:53,080 --> 00:24:54,760
Speaker 5: the Spice Girls dance and like.

507
00:24:54,720 --> 00:24:58,000
Speaker 1: Singing in the library. I love it, they love it.

508
00:24:58,080 --> 00:25:00,760
Speaker 2: I mean she also made it really cute because I yeah,

509
00:25:00,800 --> 00:25:10,000
Speaker 2: you see that in the script and be like, oh.

510
00:25:05,840 --> 00:25:10,760
Speaker 1: Yeah, having a swim on TV. You're like really, And

511
00:25:10,800 --> 00:25:11,160
Speaker 1: then she.

512
00:25:11,160 --> 00:25:14,560
Speaker 3: Had to turn that into Julian I don't like you,

513
00:25:14,600 --> 00:25:17,800
Speaker 3: I don't trust you. I Like, it wasn't even it

514
00:25:17,800 --> 00:25:21,120
Speaker 3: couldn't even be cute. Afterwards it was right back into

515
00:25:21,200 --> 00:25:25,240
Speaker 3: very serious just just so so strange.

516
00:25:25,080 --> 00:25:28,560
Speaker 5: Because a normal human with normal human emotions did not

517
00:25:28,680 --> 00:25:32,560
Speaker 5: write or direct this episode.

518
00:25:31,280 --> 00:25:33,160
Speaker 1: AI before.

519
00:25:34,640 --> 00:25:37,840
Speaker 5: Yeah, how would a robot write a teen drama? It's

520
00:25:37,880 --> 00:25:40,919
Speaker 5: this you guys, and as actors, this is just what

521
00:25:41,000 --> 00:25:42,040
Speaker 5: you have to commit to.

522
00:25:42,680 --> 00:25:44,560
Speaker 3: They tested it out, They tested it out on One

523
00:25:44,560 --> 00:25:47,840
Speaker 3: Tree Hill before they released it. Yeah, this episode brought

524
00:25:47,840 --> 00:25:48,800
Speaker 3: to you by chat GPT.

525
00:25:49,400 --> 00:25:54,080
Speaker 1: Oh god, no, no, thank you. We recycled.

526
00:25:54,119 --> 00:25:57,560
Speaker 5: We recycled lines too, because you know, in the pilot episode,

527
00:25:57,560 --> 00:26:01,640
Speaker 5: Peyton's very you know, well known line is first of all,

528
00:26:01,720 --> 00:26:03,880
Speaker 5: you don't know me, second of all, So the first

529
00:26:03,880 --> 00:26:05,320
Speaker 5: of all, second of all thing is something that.

530
00:26:05,240 --> 00:26:08,720
Speaker 1: Peyton would say over and over again, and now who

531
00:26:08,800 --> 00:26:10,480
Speaker 1: was saying it? Was it Brooke? Who was saying that?

532
00:26:10,600 --> 00:26:10,800
Speaker 7: Now?

533
00:26:11,359 --> 00:26:13,200
Speaker 1: Oh yeah, was it Brooke?

534
00:26:13,920 --> 00:26:17,119
Speaker 2: She says it right, Yeah, she says it to Julian like, first.

535
00:26:16,840 --> 00:26:18,560
Speaker 1: Of all, yes, she's spicy.

536
00:26:18,760 --> 00:26:21,720
Speaker 5: So wait, I want to ask you, when you're having

537
00:26:21,720 --> 00:26:24,280
Speaker 5: to play someone who's this different from who you are

538
00:26:24,320 --> 00:26:27,280
Speaker 5: in real life and someone who has had life experience

539
00:26:27,320 --> 00:26:31,000
Speaker 5: that you haven't had yet as a young woman, who

540
00:26:31,040 --> 00:26:32,240
Speaker 5: do you base that character on?

541
00:26:32,359 --> 00:26:32,439
Speaker 2: Like?

542
00:26:32,480 --> 00:26:35,280
Speaker 5: Were there other TV or movie characters that you're like,

543
00:26:35,400 --> 00:26:37,119
Speaker 5: I guess I'll just try that.

544
00:26:38,160 --> 00:26:42,680
Speaker 2: God, I mean, I think that would give me too

545
00:26:42,760 --> 00:26:46,679
Speaker 2: much credit with my process.

546
00:26:47,480 --> 00:26:49,560
Speaker 1: You're like, I know how slutty girls act.

547
00:26:49,840 --> 00:26:51,119
Speaker 4: I guess I'll try this.

548
00:26:51,800 --> 00:26:55,040
Speaker 2: No, I think that I do remember in a couple

549
00:26:55,040 --> 00:26:59,600
Speaker 2: of episodes ago, I had to down like ten hein

550
00:26:59,600 --> 00:27:02,880
Speaker 2: in a kids or something. They were like a beer bottles,

551
00:27:03,359 --> 00:27:07,280
Speaker 2: and like, you know, I from experience, I would get

552
00:27:07,359 --> 00:27:09,760
Speaker 2: such bad. I got really bad at Asian glows. So

553
00:27:09,800 --> 00:27:14,600
Speaker 2: I just, yeah, this isn't real. You know, I went

554
00:27:15,280 --> 00:27:16,119
Speaker 2: six beers in.

555
00:27:16,359 --> 00:27:17,280
Speaker 1: This is what I got.

556
00:27:17,560 --> 00:27:19,520
Speaker 2: Yeah, I think you're just like you think you're just

557
00:27:19,640 --> 00:27:22,119
Speaker 2: acting how an older girl.

558
00:27:22,200 --> 00:27:23,200
Speaker 4: Would I don't.

559
00:27:23,000 --> 00:27:26,680
Speaker 5: Know those older girls as older girls trouble.

560
00:27:27,960 --> 00:27:30,399
Speaker 1: Was there a girl at school that you based Gucci on?

561
00:27:31,960 --> 00:27:34,240
Speaker 1: Was there a slutty senior that you were like, that's her.

562
00:27:34,640 --> 00:27:36,520
Speaker 2: I don't even think I knew anyone.

563
00:27:37,800 --> 00:27:40,960
Speaker 3: Like Chelsea was like, I'm just gonna smile and say

564
00:27:40,960 --> 00:27:42,200
Speaker 3: these lines and it's gotta work.

565
00:27:43,720 --> 00:27:47,160
Speaker 1: That's why it was so likable. Yes, I really did.

566
00:27:47,200 --> 00:27:49,280
Speaker 2: I have this problem where I was so happy to

567
00:27:49,320 --> 00:27:51,840
Speaker 2: be there that every line I'd say with a big

568
00:27:52,400 --> 00:27:56,280
Speaker 2: goofy grin, it worked a nervous laugh afterwards.

569
00:27:56,359 --> 00:27:57,280
Speaker 4: Like when I was watching this.

570
00:27:57,280 --> 00:27:59,840
Speaker 2: Episode, I was like, oh my god, because I still

571
00:27:59,880 --> 00:28:03,879
Speaker 2: have this like nervous energy laugh er, Like I'm like,

572
00:28:04,680 --> 00:28:06,960
Speaker 2: I do I do that after every.

573
00:28:06,760 --> 00:28:09,040
Speaker 4: Line in this episode. It's horrifying.

574
00:28:09,200 --> 00:28:11,760
Speaker 1: It makes me think that maybe Gigi's still a virgin.

575
00:28:11,880 --> 00:28:15,440
Speaker 4: You guys, he totally is. She's putting it on.

576
00:28:15,640 --> 00:28:17,120
Speaker 3: Oh yeah, yeah.

577
00:28:17,160 --> 00:28:19,399
Speaker 5: I was always accused of talking a big game, but

578
00:28:19,440 --> 00:28:23,879
Speaker 5: then actually my high school cheerleading coach nicknamed me blue balls,

579
00:28:23,960 --> 00:28:26,480
Speaker 5: which is the most inappropriate thing for an adult to

580
00:28:26,520 --> 00:28:28,720
Speaker 5: call a child, but it was so accurate because I

581
00:28:28,760 --> 00:28:30,640
Speaker 5: was like, oh no, I'll talk a ton of shit.

582
00:28:30,840 --> 00:28:35,560
Speaker 5: But I'm not gonna touch anybody, are you like that way?

583
00:28:35,880 --> 00:28:39,760
Speaker 4: But you had good game, That's that's important. I could

584
00:28:40,360 --> 00:28:41,440
Speaker 4: talk to anybody.

585
00:28:41,840 --> 00:28:42,000
Speaker 1: Yeah.

586
00:28:42,120 --> 00:28:45,640
Speaker 5: Maybe maybe Gigi is totally a virgin and we've misread

587
00:28:45,680 --> 00:28:46,520
Speaker 5: this situation.

588
00:28:47,040 --> 00:28:50,320
Speaker 2: Yeah, I think we uncooked something really important here.

589
00:28:50,440 --> 00:28:50,640
Speaker 3: Yeah.

590
00:28:50,680 --> 00:28:51,880
Speaker 2: I think she totally is.

591
00:28:52,240 --> 00:28:53,640
Speaker 4: She totally was.

592
00:28:53,760 --> 00:28:55,800
Speaker 1: She's just trying to think. Now, did you.

593
00:28:55,800 --> 00:28:57,680
Speaker 2: See that kids in a couple of seasons ago.

594
00:28:57,800 --> 00:29:00,800
Speaker 4: Yeah, I don't know.

595
00:29:01,240 --> 00:29:03,600
Speaker 5: She must be doing something right because I've never seen

596
00:29:03,600 --> 00:29:07,920
Speaker 5: an intern get a going away party at the magnitude

597
00:29:07,960 --> 00:29:09,160
Speaker 5: of Gigi's going away.

598
00:29:10,320 --> 00:29:13,080
Speaker 3: Yeah, shocking. Well, you know who's not going to be

599
00:29:13,080 --> 00:29:13,840
Speaker 3: a version anymore?

600
00:29:14,080 --> 00:29:14,560
Speaker 1: Me?

601
00:29:14,560 --> 00:29:21,280
Speaker 3: MEMMILLI Wow, this decision, This is quite the decision.

602
00:29:22,200 --> 00:29:22,960
Speaker 6: I mean, what a.

603
00:29:22,920 --> 00:29:26,160
Speaker 3: Way though, Like, really, when you're just angry at your boyfriend,

604
00:29:26,160 --> 00:29:29,480
Speaker 3: are gonna get back at him? I'm done? Yeah, I know,

605
00:29:29,640 --> 00:29:34,040
Speaker 3: like it seems very dramatics. That's a very dramatic choice

606
00:29:34,080 --> 00:29:38,280
Speaker 3: to make because you're upset with your boyfriend because you think,

607
00:29:38,320 --> 00:29:38,880
Speaker 3: but it's like.

608
00:29:38,880 --> 00:29:41,600
Speaker 5: The third or fourth time she's been upset about this

609
00:29:42,000 --> 00:29:45,280
Speaker 5: exact issue, So break up with him, I know, Well

610
00:29:45,280 --> 00:29:47,480
Speaker 5: that's what she should do. Instead, She's going to go

611
00:29:47,600 --> 00:29:54,800
Speaker 5: climb that o en tree and yeah.

612
00:29:52,440 --> 00:29:54,920
Speaker 1: And also have drunk sex with a guy who's been

613
00:29:55,160 --> 00:29:56,200
Speaker 1: like sober.

614
00:29:55,840 --> 00:29:57,520
Speaker 2: For eight years.

615
00:29:57,680 --> 00:30:00,680
Speaker 4: Oh gosh, I've been sober, freight you. I've been a

616
00:30:00,920 --> 00:30:02,640
Speaker 4: urgeon for twenty two.

617
00:30:03,760 --> 00:30:10,080
Speaker 1: That is how did we not win Emmys for this? Causie?

618
00:30:10,160 --> 00:30:12,600
Speaker 5: We heard award shows for Yellowstone and yeah, we're like,

619
00:30:12,720 --> 00:30:13,880
Speaker 5: you know, who should be here?

620
00:30:14,560 --> 00:30:16,720
Speaker 1: Does the tree? Kids?

621
00:30:17,400 --> 00:30:17,640
Speaker 4: No?

622
00:30:17,840 --> 00:30:21,240
Speaker 2: I mean, look, Yellowstone is neither boy.

623
00:30:22,080 --> 00:30:26,120
Speaker 5: Uh No, I love I love just a real stinker line.

624
00:30:26,280 --> 00:30:30,680
Speaker 3: Yeah, that was Yeah, such a line. It's hard to sell.

625
00:30:31,280 --> 00:30:34,560
Speaker 3: I haven't I've been sober for eight years and tonight

626
00:30:34,800 --> 00:30:36,640
Speaker 3: what did you say? I haven't had a drink in

627
00:30:36,680 --> 00:30:40,120
Speaker 3: eight years, and tonight that's going to change. I haven't

628
00:30:40,160 --> 00:30:44,680
Speaker 3: had sex in over twenty two years, and tonight that's

629
00:30:44,720 --> 00:30:47,720
Speaker 3: going to change. First of all, like I haven't had sex

630
00:30:47,720 --> 00:30:50,080
Speaker 3: in over twenty two years, The implication that you would

631
00:30:50,120 --> 00:30:53,080
Speaker 3: have had been having sex at any point until like

632
00:30:53,120 --> 00:30:57,480
Speaker 3: the last five of those twenty two is kind of inappropriate. Yeah,

633
00:30:57,640 --> 00:30:59,920
Speaker 3: so that's so gross, so totally inapropriate.

634
00:31:00,200 --> 00:31:02,600
Speaker 5: I don't know, guys, I think I'm talking myself into

635
00:31:02,640 --> 00:31:05,880
Speaker 5: liking this episode more and more like, it's so.

636
00:31:06,120 --> 00:31:21,000
Speaker 6: Goofy Jamie in Attus.

637
00:31:21,400 --> 00:31:24,520
Speaker 1: Oh the Talent show. That was sweet.

638
00:31:24,920 --> 00:31:25,440
Speaker 6: It was cute.

639
00:31:26,400 --> 00:31:27,560
Speaker 4: It was very cute.

640
00:31:27,760 --> 00:31:30,800
Speaker 1: Haley still doesn't have anything to do. Poor Hayley's just

641
00:31:30,840 --> 00:31:32,600
Speaker 1: like carrying a tape measure.

642
00:31:32,920 --> 00:31:34,600
Speaker 3: Thank god they put me in a wiggle dress.

643
00:31:34,760 --> 00:31:35,680
Speaker 1: Yeah, the dress are great.

644
00:31:35,680 --> 00:31:37,640
Speaker 3: I got to wear that Joan Holloway wiggle dress. I

645
00:31:37,640 --> 00:31:40,880
Speaker 3: was happy about it. I insisted on wearing the brooch. Everyone,

646
00:31:41,000 --> 00:31:41,760
Speaker 3: it's my fault.

647
00:31:42,360 --> 00:31:43,960
Speaker 1: I like the brooch. What's wrong with the brooch?

648
00:31:44,200 --> 00:31:45,760
Speaker 3: Makes me look like I'm seventy five?

649
00:31:46,560 --> 00:31:47,800
Speaker 1: No, I liked it.

650
00:31:48,320 --> 00:31:51,000
Speaker 4: I didn't even notice the brooch. That's so funny. That's

651
00:31:51,000 --> 00:31:51,840
Speaker 4: so funny.

652
00:31:52,000 --> 00:31:54,360
Speaker 3: I was like, guys, it's cool. It's like vintage and cool.

653
00:31:54,400 --> 00:31:58,440
Speaker 1: And it was more. Brooch is the name of this episode, guys.

654
00:31:58,440 --> 00:32:00,400
Speaker 3: I don't know she wants to wear a brooch. Just

655
00:32:00,440 --> 00:32:02,160
Speaker 3: put it on her. We have too many other things

656
00:32:02,160 --> 00:32:03,240
Speaker 3: to argue about.

657
00:32:03,960 --> 00:32:06,360
Speaker 1: A beak jumping on a chair. Just let Joy have

658
00:32:06,440 --> 00:32:06,920
Speaker 1: her broke.

659
00:32:09,600 --> 00:32:12,760
Speaker 3: But I remember Jackson really being excited about this because

660
00:32:13,360 --> 00:32:16,520
Speaker 3: he was a little comic, like he loved walking around

661
00:32:16,560 --> 00:32:19,960
Speaker 3: talent jokes, doing magic tricks, playing tricks on people that

662
00:32:20,160 --> 00:32:22,720
Speaker 3: was fun for him. So I do remember him being

663
00:32:22,760 --> 00:32:24,680
Speaker 3: super stoked to get this right and get all the

664
00:32:24,760 --> 00:32:28,160
Speaker 3: laughs from the audience. He was a little jokester, I do.

665
00:32:28,400 --> 00:32:30,320
Speaker 2: I love that for his character too, that like he

666
00:32:30,640 --> 00:32:33,360
Speaker 2: would be really into stand up so sweet.

667
00:32:33,840 --> 00:32:35,800
Speaker 1: Did you guys ever do talent shows when you were little?

668
00:32:35,840 --> 00:32:36,560
Speaker 4: Do we ever do one?

669
00:32:36,880 --> 00:32:39,560
Speaker 1: He shows? Yeah? What was like the talent show at

670
00:32:39,560 --> 00:32:41,440
Speaker 1: your element You danced to everybody dance?

671
00:32:41,480 --> 00:32:41,640
Speaker 2: Now?

672
00:32:41,680 --> 00:32:44,680
Speaker 1: Didn't you enjoy every girl did like that routine?

673
00:32:44,760 --> 00:32:44,800
Speaker 2: No?

674
00:32:45,000 --> 00:32:47,360
Speaker 3: I did it. I did a bid for it. I

675
00:32:47,360 --> 00:32:49,360
Speaker 3: feel like I told hi sorty, I did a bid

676
00:32:49,400 --> 00:32:53,880
Speaker 3: for class vice president in the fifth grade, and I

677
00:32:53,920 --> 00:33:02,360
Speaker 3: did a dance to Amy Grant's and I had multiple

678
00:33:02,600 --> 00:33:08,840
Speaker 3: hats on the stage with me that I just rotated through. Yeah,

679
00:33:08,880 --> 00:33:10,000
Speaker 3: I don't know about talent shows.

680
00:33:10,000 --> 00:33:12,200
Speaker 5: What about you, guys, Kelsey, what were you doing in

681
00:33:12,240 --> 00:33:15,240
Speaker 5: elementary school three years before you joined our cast?

682
00:33:15,880 --> 00:33:16,920
Speaker 4: Were you?

683
00:33:17,000 --> 00:33:17,920
Speaker 1: Were you tap dancing?

684
00:33:18,400 --> 00:33:20,880
Speaker 4: I was embarrassing myself on one tree Hill? So he

685
00:33:21,000 --> 00:33:24,040
Speaker 4: told think I was in the God.

686
00:33:23,920 --> 00:33:28,560
Speaker 5: Man gus is my son's first talent show in kindergarten.

687
00:33:29,880 --> 00:33:31,760
Speaker 5: He was like, I'm gonna do magic tricks, mom, And

688
00:33:31,800 --> 00:33:33,760
Speaker 5: I was like, what magic trick are you gonna do?

689
00:33:34,440 --> 00:33:35,960
Speaker 1: And he was like that one.

690
00:33:35,840 --> 00:33:38,920
Speaker 5: The dad does where he tears up the paper towel

691
00:33:38,920 --> 00:33:40,920
Speaker 5: and then wads it together and then it's all whole again.

692
00:33:41,640 --> 00:33:45,120
Speaker 5: And I know that Jeffrey has not explained this magic

693
00:33:45,160 --> 00:33:47,640
Speaker 5: trick to Gus. He just thinks it's like hereditary, like,

694
00:33:48,440 --> 00:33:50,200
Speaker 5: so he's gonna rip up this paper towel and it's

695
00:33:50,240 --> 00:33:54,160
Speaker 5: gonna actually come back together, and so he's like, I'm

696
00:33:54,160 --> 00:33:57,040
Speaker 5: gonna go do this. I was like, Oh, I don't

697
00:33:57,040 --> 00:33:59,480
Speaker 5: know if we should do that, and so then instead

698
00:33:59,520 --> 00:34:02,680
Speaker 5: he's saying Elvis song. But George has her talent show

699
00:34:02,760 --> 00:34:05,960
Speaker 5: this year, and she wants to tell jokes with dragons,

700
00:34:06,640 --> 00:34:11,239
Speaker 5: and so she's writing a whole puppets, Yes, dragon puppets.

701
00:34:11,120 --> 00:34:12,920
Speaker 2: Yeah, you have to record it.

702
00:34:13,760 --> 00:34:15,480
Speaker 1: She wants to be dressed as Godzilla.

703
00:34:15,719 --> 00:34:18,840
Speaker 5: She wants me to create a landscape of small buildings

704
00:34:18,880 --> 00:34:20,239
Speaker 5: that make her look really.

705
00:34:19,960 --> 00:34:22,239
Speaker 1: Big, and then it's going to be her in a

706
00:34:22,320 --> 00:34:26,239
Speaker 1: dragon Telly Joe. It's so elaborate. She's producing this.

707
00:34:26,320 --> 00:34:28,760
Speaker 2: Thing too, or directing it. That's really cool.

708
00:34:29,040 --> 00:34:30,640
Speaker 1: But that's the part of this episode that I liked,

709
00:34:30,680 --> 00:34:34,520
Speaker 1: is that a five year old knows exactly what they want. Yeah,

710
00:34:34,560 --> 00:34:36,600
Speaker 1: and it's only the grown ups that get in the way.

711
00:34:37,000 --> 00:34:40,200
Speaker 4: Yeah, Yeah, he's adorable.

712
00:34:40,760 --> 00:34:45,719
Speaker 5: Yeah, let just tell your jokes, Jamie and Joy, I

713
00:34:45,800 --> 00:34:48,400
Speaker 5: really appreciated that you and his mom were in the audience,

714
00:34:48,480 --> 00:34:50,640
Speaker 5: given that face of like, I.

715
00:34:50,680 --> 00:34:54,719
Speaker 1: Know what he's doing. This was always plan.

716
00:34:55,239 --> 00:34:59,440
Speaker 2: This is a let Actually, that's so like y'all's reactions

717
00:34:59,640 --> 00:35:04,600
Speaker 2: to him. No one's shocked because also like he probably.

718
00:35:04,280 --> 00:35:07,280
Speaker 4: Wasn't there right because he's on kid hours, did y'all?

719
00:35:07,719 --> 00:35:09,160
Speaker 3: Oh, yeah, that's probably true.

720
00:35:09,680 --> 00:35:12,680
Speaker 2: Yeah, you had to stand in a grind grid man Jackson,

721
00:35:14,080 --> 00:35:16,120
Speaker 2: somebody on his knees, probably a.

722
00:35:16,000 --> 00:35:17,000
Speaker 1: Young woman Jackson.

723
00:35:17,880 --> 00:35:18,040
Speaker 5: God.

724
00:35:18,120 --> 00:35:20,279
Speaker 1: Yeah, yeah, it's always like a twenty year old chick

725
00:35:20,360 --> 00:35:25,440
Speaker 1: playing a child. Yeah, that was cute.

726
00:35:25,680 --> 00:35:27,600
Speaker 5: I'm waiting for Haley to get something to do, though,

727
00:35:27,680 --> 00:35:33,160
Speaker 5: Joy I can feel I can feel fatigue for your

728
00:35:33,280 --> 00:35:35,720
Speaker 5: character because it's like, Nathan, what's your dream?

729
00:35:36,080 --> 00:35:42,120
Speaker 1: Great, Jamie, let's do something adorable. Great. It's like I'm just.

730
00:35:42,040 --> 00:35:43,759
Speaker 5: Gonna look good in this dress. Then I'm gonna put

731
00:35:43,800 --> 00:35:46,280
Speaker 5: my legs upon my husband, show these legs off.

732
00:35:46,560 --> 00:35:48,240
Speaker 3: Yeah. It was a good it was a good moment,

733
00:35:48,280 --> 00:35:52,479
Speaker 3: good hair, makeup, dress moment. Yes, for sure. What's going

734
00:35:52,520 --> 00:35:55,880
Speaker 3: on with Peyton? Why is she said? What's what's happening?

735
00:35:55,960 --> 00:35:58,080
Speaker 3: And why is she being so mean to me? Actually,

736
00:35:58,200 --> 00:36:00,680
Speaker 3: in your defense, I do not think you were being

737
00:36:00,719 --> 00:36:02,399
Speaker 3: mean to me. I think you were being a very

738
00:36:02,480 --> 00:36:05,480
Speaker 3: rational business person and she was kind of being I

739
00:36:05,520 --> 00:36:08,160
Speaker 3: think she was being obstinate for no reason.

740
00:36:08,960 --> 00:36:12,400
Speaker 1: Personally, that was a speech directed at me.

741
00:36:13,600 --> 00:36:16,840
Speaker 5: That was that was me having to say the words

742
00:36:16,960 --> 00:36:20,560
Speaker 5: that were directed at me because the person who wrote

743
00:36:20,560 --> 00:36:26,160
Speaker 5: it and directed it. So when Peyton's saying, you're so ungrateful,

744
00:36:26,520 --> 00:36:30,520
Speaker 5: the studio wants this from you, you know, I'd gotten

745
00:36:30,520 --> 00:36:31,439
Speaker 5: the note about my hair.

746
00:36:31,520 --> 00:36:33,399
Speaker 1: They didn't like my hair. They didn't you know, it.

747
00:36:33,400 --> 00:36:35,400
Speaker 5: Was like they didn't like and I had reached that

748
00:36:35,480 --> 00:36:38,360
Speaker 5: point where I didn't care anymore, and I was like,

749
00:36:38,840 --> 00:36:39,239
Speaker 5: I don't know.

750
00:36:39,440 --> 00:36:40,800
Speaker 1: I'm here for a couple more episodes.

751
00:36:41,520 --> 00:36:44,759
Speaker 5: That whole speech was directed at me, and so it's

752
00:36:44,840 --> 00:36:49,080
Speaker 5: weird to watch it and watch like a younger version

753
00:36:49,120 --> 00:36:52,480
Speaker 5: of myself fully commit to it, and like I remember

754
00:36:52,640 --> 00:36:55,560
Speaker 5: thinking like, Okay, you want to see how badshit this is,

755
00:36:55,880 --> 00:36:58,400
Speaker 5: Like you want to see how crazy all this sounds.

756
00:36:58,680 --> 00:37:01,960
Speaker 5: I'm going to show you how well it's unhinged. This

757
00:37:02,040 --> 00:37:06,440
Speaker 5: all sounds and I didn't like having to fight with Kate.

758
00:37:06,800 --> 00:37:10,640
Speaker 5: And also I'd been so isolated this year. I'm not

759
00:37:10,680 --> 00:37:14,960
Speaker 5: in scenes with anyone else like ever, and so again

760
00:37:15,040 --> 00:37:17,840
Speaker 5: I'm just all by myself in my office, which is

761
00:37:17,880 --> 00:37:20,840
Speaker 5: a great place to control me. I'm not able to

762
00:37:20,840 --> 00:37:23,440
Speaker 5: whisper in the ear of any of our younger actresses.

763
00:37:23,800 --> 00:37:26,960
Speaker 5: You know, I'm in a fight with Kate in this scene,

764
00:37:27,280 --> 00:37:30,400
Speaker 5: and so there's kind of anytime you fight with somebody

765
00:37:30,440 --> 00:37:34,960
Speaker 5: on camera, there's a level of discomfort because I don't

766
00:37:34,960 --> 00:37:37,600
Speaker 5: want to take her out of the scene, you know,

767
00:37:37,960 --> 00:37:40,200
Speaker 5: even though I want off camera to be really fun

768
00:37:40,239 --> 00:37:44,520
Speaker 5: and lighthearted. If she's having to prepare herself to be upset,

769
00:37:44,960 --> 00:37:46,120
Speaker 5: I can't go and.

770
00:37:46,040 --> 00:37:50,200
Speaker 1: Be jokey jokie. But yeah, so all of that weird

771
00:37:50,320 --> 00:37:51,040
Speaker 1: meta stuff.

772
00:37:52,960 --> 00:37:55,239
Speaker 5: It was hard for me to watch my part in

773
00:37:55,280 --> 00:37:57,000
Speaker 5: this episode because I'm like.

774
00:37:57,760 --> 00:37:59,919
Speaker 1: Didn't is anyone else seen this?

775
00:38:00,480 --> 00:38:03,000
Speaker 5: It's like I'm seeing Bigfoot and he's like right there

776
00:38:03,000 --> 00:38:04,800
Speaker 5: in front of me, and no one else is acknowledging

777
00:38:04,800 --> 00:38:07,840
Speaker 5: the bigfoots there, and I'm like, you, guys, it's real,

778
00:38:07,960 --> 00:38:11,480
Speaker 5: it's right here. And so maybe with some distance and

779
00:38:11,560 --> 00:38:15,680
Speaker 5: time other people can see it, but I just it's

780
00:38:16,160 --> 00:38:17,399
Speaker 5: fatigue for me at this.

781
00:38:17,280 --> 00:38:19,920
Speaker 1: Point because I'm like, I get it. You use the

782
00:38:20,000 --> 00:38:22,920
Speaker 1: dialogue as a weapon and a tool.

783
00:38:22,320 --> 00:38:24,680
Speaker 3: Like Mamma, what else is name?

784
00:38:24,760 --> 00:38:29,960
Speaker 5: Baye? No, Peyton had a sharp pain at the end

785
00:38:30,160 --> 00:38:34,400
Speaker 5: of the nineteen forties episode and she's going to a doctor.

786
00:38:34,440 --> 00:38:37,319
Speaker 5: And we know that Ellie had cancer, we know that

787
00:38:37,520 --> 00:38:44,319
Speaker 5: she's got this history of female problems, and so we

788
00:38:44,360 --> 00:38:46,879
Speaker 5: don't know what's wrong with Peyton. But on top of that,

789
00:38:47,200 --> 00:38:53,040
Speaker 5: the doctor voice in the episode is our producer Greg Prange,

790
00:38:53,080 --> 00:38:55,520
Speaker 5: who was my boyfriend's dad, you know, the guy I

791
00:38:55,600 --> 00:38:58,160
Speaker 5: dated for five years. So there's also this weird layer

792
00:38:58,239 --> 00:39:02,600
Speaker 5: of that's someone who I loved so so so much

793
00:39:03,080 --> 00:39:08,040
Speaker 5: and uh, and now our relationships like weird because his

794
00:39:08,160 --> 00:39:10,800
Speaker 5: son and I have broken up. And so every layer

795
00:39:11,120 --> 00:39:13,720
Speaker 5: of the show for me in season six is getting

796
00:39:13,760 --> 00:39:16,200
Speaker 5: weirder and weirder and weirder.

797
00:39:16,680 --> 00:39:18,000
Speaker 1: And you know what do you do?

798
00:39:19,120 --> 00:39:23,520
Speaker 5: Like we've all had those jobs, yeah, and you're just like, Okay,

799
00:39:23,600 --> 00:39:26,200
Speaker 5: this is I think this is when it dawned on

800
00:39:26,320 --> 00:39:29,640
Speaker 5: me that instead of it being my whole life, instead

801
00:39:29,640 --> 00:39:31,880
Speaker 5: of it being these are all my friends, and this

802
00:39:31,920 --> 00:39:33,719
Speaker 5: is what hang out with outside of work, and this

803
00:39:33,800 --> 00:39:36,640
Speaker 5: is my life and I promote this show and I

804
00:39:37,560 --> 00:39:39,040
Speaker 5: this is when it became a job.

805
00:39:40,040 --> 00:39:42,480
Speaker 1: And that sucked.

806
00:39:43,239 --> 00:39:44,680
Speaker 4: Yeah, it sucked.

807
00:39:45,040 --> 00:39:48,000
Speaker 1: But I thought Kate did a good job of being,

808
00:39:48,840 --> 00:39:49,759
Speaker 1: you know, like a kid.

809
00:39:49,880 --> 00:39:53,840
Speaker 5: She's being a kid, and we committed to what was

810
00:39:53,880 --> 00:39:54,480
Speaker 5: on the paper.

811
00:39:55,640 --> 00:39:57,320
Speaker 3: Yeah you have to what else can you do?

812
00:39:58,000 --> 00:39:58,839
Speaker 1: Were you did?

813
00:39:58,960 --> 00:39:59,080
Speaker 5: So?

814
00:39:59,320 --> 00:40:01,920
Speaker 2: Were you at that time, like staying in Wilmington where

815
00:40:01,920 --> 00:40:02,560
Speaker 2: you're leaving?

816
00:40:02,760 --> 00:40:05,719
Speaker 5: Like I was in that haunted house downtown that apparently

817
00:40:05,800 --> 00:40:08,719
Speaker 5: is for rent now after the convention where I talked

818
00:40:08,719 --> 00:40:12,520
Speaker 5: about it a whole bunch. It's like people keep sending

819
00:40:12,520 --> 00:40:15,600
Speaker 5: me the listing for it, Like I'm not moving back,

820
00:40:15,680 --> 00:40:19,520
Speaker 5: but someone else can. Uh, yeah, it's for rent. They

821
00:40:19,560 --> 00:40:23,200
Speaker 5: put the kitchen in my old library where the bar was.

822
00:40:23,360 --> 00:40:25,000
Speaker 5: They like moved the whole kitchen.

823
00:40:25,480 --> 00:40:26,560
Speaker 1: Anyway, it doesn't matter.

824
00:40:26,920 --> 00:40:30,360
Speaker 5: I was going to Charleston a lot, and I was

825
00:40:30,400 --> 00:40:33,120
Speaker 5: going to Raleigh every weekend to go see my high

826
00:40:33,160 --> 00:40:36,800
Speaker 5: school best friend. Because it dawned on me that I

827
00:40:36,840 --> 00:40:40,000
Speaker 5: couldn't necessarily trust the relationships that I'd had over the

828
00:40:40,080 --> 00:40:43,120
Speaker 5: last you know, five six years, and then I needed

829
00:40:43,120 --> 00:40:46,080
Speaker 5: to get back to the relationships that I'd had since

830
00:40:46,120 --> 00:40:51,320
Speaker 5: I was ten eleven, you know, and so it was

831
00:40:51,360 --> 00:40:53,400
Speaker 5: good to get out. I mean, I think as a

832
00:40:53,440 --> 00:40:58,200
Speaker 5: young actor, you don't understand that your job can just

833
00:40:58,239 --> 00:40:58,640
Speaker 5: be your.

834
00:40:58,600 --> 00:41:03,320
Speaker 3: Job, especially on location like that, when it's so easy

835
00:41:03,360 --> 00:41:04,920
Speaker 3: to just become a part of the bubble. You just

836
00:41:04,960 --> 00:41:06,040
Speaker 3: get absorbed into it.

837
00:41:06,400 --> 00:41:09,040
Speaker 5: Going to work though, and just being pleasant at work

838
00:41:09,080 --> 00:41:11,799
Speaker 5: and then going home and having a totally separate life

839
00:41:12,640 --> 00:41:13,320
Speaker 5: is important.

840
00:41:14,040 --> 00:41:16,160
Speaker 1: Yeah, like you don't.

841
00:41:16,040 --> 00:41:18,360
Speaker 5: Have to kiss your co star just because a casting

842
00:41:18,360 --> 00:41:27,600
Speaker 5: director thinks you make a nice couple. But yeah, I mean,

843
00:41:27,640 --> 00:41:31,160
Speaker 5: I think everyone goes through that learning phase, and this

844
00:41:31,520 --> 00:41:34,759
Speaker 5: was just it's weird to watch the exact moment where

845
00:41:34,800 --> 00:41:35,400
Speaker 5: it hit for me.

846
00:41:36,040 --> 00:41:38,680
Speaker 2: Yeah, that scene really totally different now that you say that.

847
00:41:39,200 --> 00:41:41,920
Speaker 5: But it's fine because I'm in such This was actually

848
00:41:41,960 --> 00:41:45,000
Speaker 5: a really lovely period because I am so isolated that

849
00:41:45,080 --> 00:41:47,719
Speaker 5: I wasn't in any of the big group scenes. Like

850
00:41:47,760 --> 00:41:50,040
Speaker 5: I was like, Peyton is going to be Jamie's aunt,

851
00:41:50,040 --> 00:41:53,719
Speaker 5: Why isn't she at the talent show? But because I

852
00:41:53,719 --> 00:41:57,040
Speaker 5: would only work one day an episode in these one locations,

853
00:41:57,160 --> 00:41:59,680
Speaker 5: that meant I had all this other time to just

854
00:42:00,600 --> 00:42:01,720
Speaker 5: go do other stuff.

855
00:42:01,840 --> 00:42:03,719
Speaker 3: And I did, and did you make that short film?

856
00:42:03,760 --> 00:42:06,000
Speaker 3: You did a short film with Austin on those cameras

857
00:42:06,000 --> 00:42:08,560
Speaker 3: that they gave us. I love that you sent the link.

858
00:42:08,600 --> 00:42:10,440
Speaker 3: You have to send that to Kelsey because it's really

859
00:42:10,680 --> 00:42:12,520
Speaker 3: really great little movie.

860
00:42:12,760 --> 00:42:15,200
Speaker 1: Yeah they get What were those things called razor cameras?

861
00:42:15,520 --> 00:42:17,080
Speaker 3: Yeah, flip cam, Yeah, flip.

862
00:42:16,800 --> 00:42:20,200
Speaker 5: Cameras they were They were flipcam and they just plugged

863
00:42:20,200 --> 00:42:22,799
Speaker 5: into your computer and you could make little movies. And

864
00:42:22,840 --> 00:42:25,359
Speaker 5: we wanted to make a movie for free. And so yeah,

865
00:42:25,360 --> 00:42:27,520
Speaker 5: it was about that time because I had all this

866
00:42:27,640 --> 00:42:33,080
Speaker 5: free time, I was wanting to produce. And this was

867
00:42:33,120 --> 00:42:36,400
Speaker 5: really when I was like meeting screenwriters and I was

868
00:42:36,480 --> 00:42:40,440
Speaker 5: helping out with Cucolors, and you know, Jeff Nichols was

869
00:42:40,440 --> 00:42:42,480
Speaker 5: a director. He like came and stayed at my house

870
00:42:42,560 --> 00:42:45,399
Speaker 5: and we workshopped a movie. Like I was doing more

871
00:42:45,440 --> 00:42:48,680
Speaker 5: production stuff, and so that free time was meant to

872
00:42:48,719 --> 00:42:50,839
Speaker 5: be a punishment and it.

873
00:42:50,880 --> 00:42:52,080
Speaker 1: Ended up being awesome.

874
00:42:52,400 --> 00:42:53,000
Speaker 3: Such a gies.

875
00:42:53,800 --> 00:42:57,360
Speaker 1: Yeah, like, okay, I can stay busy, Kelsey.

876
00:42:57,440 --> 00:42:58,959
Speaker 3: What do you do on a lot of your free

877
00:42:58,960 --> 00:43:02,040
Speaker 3: time while you and you're on location. I mean, it

878
00:43:02,040 --> 00:43:04,000
Speaker 3: was such a big ensemble cast. There's got to be

879
00:43:04,000 --> 00:43:05,160
Speaker 3: a lot of days when you're off.

880
00:43:05,600 --> 00:43:10,680
Speaker 2: Yeah, kind of, it's kind of the same thing, and you, yeah,

881
00:43:10,760 --> 00:43:14,880
Speaker 2: you realize that that downtime is so important, and so

882
00:43:15,000 --> 00:43:17,880
Speaker 2: I don't know, I really I think, especially after the pandemic,

883
00:43:18,760 --> 00:43:21,000
Speaker 2: I was at the beginning of Yellows done.

884
00:43:21,040 --> 00:43:23,120
Speaker 4: I would fly out every weekend.

885
00:43:23,480 --> 00:43:26,080
Speaker 2: I'd go back to New York or LA or go home.

886
00:43:27,560 --> 00:43:30,839
Speaker 2: I couldn't sit still. And then after the pandemic, I

887
00:43:30,840 --> 00:43:32,360
Speaker 2: don't know, it became.

888
00:43:34,080 --> 00:43:36,640
Speaker 1: Settled, settle, we use the word settled.

889
00:43:37,120 --> 00:43:40,680
Speaker 2: Became settled, and I just really I loved I'd sit

890
00:43:40,800 --> 00:43:43,920
Speaker 2: on the porch and watch my dog run.

891
00:43:44,040 --> 00:43:44,800
Speaker 6: Yeah.

892
00:43:44,880 --> 00:43:46,800
Speaker 3: Do you still have that little cat, Sinatra?

893
00:43:47,440 --> 00:43:50,200
Speaker 2: Oh my gosh, joy I think about this cat.

894
00:43:50,400 --> 00:43:51,600
Speaker 5: O do?

895
00:43:52,080 --> 00:43:52,560
Speaker 4: I Uh?

896
00:43:53,040 --> 00:43:55,360
Speaker 2: It was just a foster, but it was the first

897
00:43:55,400 --> 00:44:00,040
Speaker 2: time that I experienced animal love. I wish that you

898
00:44:00,080 --> 00:44:03,520
Speaker 2: had texted me like two weeks earlier or whatever, because

899
00:44:03,520 --> 00:44:05,000
Speaker 2: I real the cat.

900
00:44:05,520 --> 00:44:08,440
Speaker 3: Yeah, she wanted the cat. I met with Kelsey and

901
00:44:08,480 --> 00:44:10,319
Speaker 3: her boyfriend at the time, and they had this cat

902
00:44:10,360 --> 00:44:13,640
Speaker 3: they were fostering. It was so cute, and then Marie

903
00:44:13,719 --> 00:44:14,279
Speaker 3: wanted the cat.

904
00:44:14,880 --> 00:44:16,600
Speaker 4: Were in love with each other.

905
00:44:16,760 --> 00:44:18,400
Speaker 3: I know, and I just had to think about it.

906
00:44:18,440 --> 00:44:20,000
Speaker 3: And by the time I texted you it had already

907
00:44:20,000 --> 00:44:22,600
Speaker 3: found another home. I guess I thought maybe you took it. Anyway,

908
00:44:22,640 --> 00:44:24,400
Speaker 3: I'm sorry to interrupt you, but now you have a dog.

909
00:44:25,000 --> 00:44:27,160
Speaker 2: But now I have a dog, and yeah, I just

910
00:44:27,400 --> 00:44:30,799
Speaker 2: it's also in Montana, you can there's really like all

911
00:44:30,840 --> 00:44:35,560
Speaker 2: the produces really good, so you can like go pick

912
00:44:35,640 --> 00:44:38,120
Speaker 2: up your eggs from the neighbor and and you make

913
00:44:38,560 --> 00:44:41,240
Speaker 2: really nice food. And yeah, you get to ride horses

914
00:44:41,280 --> 00:44:45,560
Speaker 2: on your days off. So I think, yeah, I think,

915
00:44:45,760 --> 00:44:48,520
Speaker 2: just like taking care of yourself, because you know, the

916
00:44:49,080 --> 00:44:51,920
Speaker 2: always jobs are always they have highs and lows and

917
00:44:51,960 --> 00:44:55,640
Speaker 2: are very stressful in their own ways, along with a

918
00:44:55,680 --> 00:44:56,800
Speaker 2: lot of wonderful things.

919
00:44:57,400 --> 00:45:00,879
Speaker 1: So well, you've had really heavy story on that show.

920
00:45:00,920 --> 00:45:04,120
Speaker 5: I mean, if Peyton's dealing with you know, spoiler alert,

921
00:45:04,280 --> 00:45:08,959
Speaker 5: pregnancy or like health issues, your character's really been put

922
00:45:09,000 --> 00:45:12,399
Speaker 5: through the gamut. And that thing that they don't tell

923
00:45:12,440 --> 00:45:14,759
Speaker 5: you in the beginning is that your body doesn't know

924
00:45:14,800 --> 00:45:15,279
Speaker 5: it's fake.

925
00:45:15,360 --> 00:45:16,480
Speaker 1: Your brain knows it's fake.

926
00:45:16,880 --> 00:45:20,920
Speaker 5: Your body doesn't know that that rush of adrenaline or

927
00:45:20,920 --> 00:45:24,880
Speaker 5: cortisol is fake. Right, and you take good care of

928
00:45:24,880 --> 00:45:27,399
Speaker 5: yourself otherwise you'll turn no monster.

929
00:45:28,400 --> 00:45:33,160
Speaker 2: Yeah, no I am. I think especially the story the

930
00:45:33,160 --> 00:45:37,440
Speaker 2: storyline we just did when Monica loses the baby's my

931
00:45:37,560 --> 00:45:42,000
Speaker 2: mom actually because I drive out from from Brooklyn to Montana.

932
00:45:42,440 --> 00:45:46,439
Speaker 1: You drive, Yeah, because I'm my dog's tough. She's such

933
00:45:46,440 --> 00:45:48,840
Speaker 1: a tough girl. Yeah, we do.

934
00:45:49,120 --> 00:45:50,560
Speaker 2: She came and did the job with me, and it

935
00:45:50,600 --> 00:45:54,120
Speaker 2: was really fun. And but also it was she stayed

936
00:45:54,360 --> 00:45:57,359
Speaker 2: in Montana for those first two weeks, so covering all

937
00:45:57,400 --> 00:46:00,600
Speaker 2: the that that part of those episodes, and it was

938
00:46:00,640 --> 00:46:05,600
Speaker 2: really nice because I just I got to talk to

939
00:46:05,640 --> 00:46:08,920
Speaker 2: my mom about like my sister was a twin and

940
00:46:09,400 --> 00:46:11,600
Speaker 2: we lost the twin and I say we.

941
00:46:11,920 --> 00:46:15,680
Speaker 1: But I mean your family. No, it's a family loss, and.

942
00:46:15,640 --> 00:46:19,480
Speaker 2: I think that, And it's so it's so strange because I,

943
00:46:19,800 --> 00:46:23,040
Speaker 2: you know, those conversations. I never talked to my mom

944
00:46:23,040 --> 00:46:25,480
Speaker 2: and had those conversations or like her miscarriages that she

945
00:46:25,600 --> 00:46:31,640
Speaker 2: went through, And yeah, it just brought about such meaningful

946
00:46:32,640 --> 00:46:35,640
Speaker 2: conversations and time with my mom. And I feel like

947
00:46:35,680 --> 00:46:38,160
Speaker 2: she really took care of me when we were going

948
00:46:38,239 --> 00:46:42,520
Speaker 2: through those scenes, and so it was really it's to

949
00:46:42,560 --> 00:46:43,120
Speaker 2: have her there.

950
00:46:43,600 --> 00:46:44,840
Speaker 4: You got to take care of yourself.

951
00:46:45,080 --> 00:46:47,920
Speaker 3: I love hearing that you're taking the time to do that,

952
00:46:48,040 --> 00:46:51,279
Speaker 3: though in an age when there's so much hustle, and

953
00:46:51,400 --> 00:46:55,279
Speaker 3: especially with this industry, it feels like actors are just

954
00:46:55,320 --> 00:46:57,839
Speaker 3: were all responsible for figuring out our next job with

955
00:46:58,600 --> 00:47:00,840
Speaker 3: self promotion and instat Graham and all that. You know,

956
00:47:00,880 --> 00:47:04,239
Speaker 3: everybody's hustling so hard with social media and trying to

957
00:47:04,280 --> 00:47:06,240
Speaker 3: create your own projects and then trying to get attention

958
00:47:06,320 --> 00:47:09,400
Speaker 3: for it. And there's really something to be said for

959
00:47:09,600 --> 00:47:13,080
Speaker 3: just appreciating exactly what you have right in front of

960
00:47:13,080 --> 00:47:15,920
Speaker 3: you and being in that moment and the fact that

961
00:47:15,920 --> 00:47:17,319
Speaker 3: you get to do that on a porch with a

962
00:47:17,320 --> 00:47:20,120
Speaker 3: dog running around and riding horses on the weekend and

963
00:47:20,160 --> 00:47:24,680
Speaker 3: eating your produce and enjoying the wind, the Montana breeze blowing,

964
00:47:24,719 --> 00:47:28,920
Speaker 3: and just enjoying the job you have and not trying

965
00:47:28,960 --> 00:47:31,800
Speaker 3: to hustle into something else in the in the interim

966
00:47:32,000 --> 00:47:36,320
Speaker 3: is really really such a great example. Well done.

967
00:47:36,480 --> 00:47:39,000
Speaker 2: I also, I don't know if y'all have found this,

968
00:47:39,200 --> 00:47:42,680
Speaker 2: but I also think that what's been really nice is you.

969
00:47:43,000 --> 00:47:46,120
Speaker 2: I feel like you're seeing this change of of like

970
00:47:46,160 --> 00:47:48,640
Speaker 2: the portrait of a what a mother looks like. I

971
00:47:48,640 --> 00:47:50,839
Speaker 2: feel like I've seen that over the course of Yellowstone,

972
00:47:50,880 --> 00:47:53,480
Speaker 2: of it being like a very idealistic portrayal of what

973
00:47:53,560 --> 00:47:56,840
Speaker 2: she's supposed to be and then versus like, no, it

974
00:47:56,920 --> 00:47:59,919
Speaker 2: can be and look really messy and you can.

975
00:48:00,440 --> 00:48:04,880
Speaker 5: Oh, the martyr thing is weird, Like everyone wants a

976
00:48:04,960 --> 00:48:08,040
Speaker 5: mother to be a martyr, especially I've turned down scripts.

977
00:48:08,040 --> 00:48:09,920
Speaker 5: There was a script that they wanted Jeffrey and I

978
00:48:09,960 --> 00:48:12,319
Speaker 5: to play husband and wife and like the husband could

979
00:48:12,320 --> 00:48:13,200
Speaker 5: be messy.

980
00:48:13,160 --> 00:48:18,799
Speaker 1: And the wife had to be this like super religious pta.

981
00:48:18,800 --> 00:48:22,960
Speaker 5: Like everything had to be so cookie cutter and like pristine.

982
00:48:23,560 --> 00:48:26,680
Speaker 5: And I was like, this is gross, and the writer

983
00:48:26,840 --> 00:48:28,480
Speaker 5: was like, well, I based it on my mother. And

984
00:48:28,520 --> 00:48:30,799
Speaker 5: I'm like, I guarantee you you have no idea who

985
00:48:30,800 --> 00:48:31,440
Speaker 5: your mother is.

986
00:48:31,440 --> 00:48:32,680
Speaker 1: You this is what you're writing.

987
00:48:33,200 --> 00:48:36,440
Speaker 3: Yeah, yeah, yeah.

988
00:48:35,719 --> 00:48:37,040
Speaker 1: No, chicks are messy, man.

989
00:48:37,120 --> 00:48:40,160
Speaker 5: It's important and it's important to represent that because it

990
00:48:40,200 --> 00:48:44,840
Speaker 5: gives the woman at home freedom to not feel shame.

991
00:48:45,239 --> 00:48:46,480
Speaker 3: It's like, oh you feel normal.

992
00:48:47,200 --> 00:48:49,600
Speaker 5: Yeah, look at that pretty slutty girl from One Tree Hill.

993
00:48:49,760 --> 00:48:53,000
Speaker 5: See she's mothering and she's doing a great job but

994
00:48:53,080 --> 00:48:54,480
Speaker 5: also a disaster.

995
00:48:56,800 --> 00:49:00,480
Speaker 1: Look at that trajectory. I'm doing great. I mean, Hilary,

996
00:49:00,520 --> 00:49:01,719
Speaker 1: you are like my role.

997
00:49:03,040 --> 00:49:06,399
Speaker 2: I'm basically trying to just be your life, like live on.

998
00:49:07,960 --> 00:49:10,759
Speaker 1: Join us, Join us on the commune.

999
00:49:10,360 --> 00:49:13,560
Speaker 4: Babe, one step away. I'm learning from you.

1000
00:49:14,880 --> 00:49:17,319
Speaker 5: If anybody that tells me that I start studying them

1001
00:49:17,360 --> 00:49:19,960
Speaker 5: property listings, I'm just like, there is a place right

1002
00:49:19,960 --> 00:49:23,960
Speaker 5: around the corner from me for so right now, join us. No,

1003
00:49:24,080 --> 00:49:25,880
Speaker 5: what's nice about living out in the middle of nowhere

1004
00:49:25,960 --> 00:49:28,000
Speaker 5: is that you get to fuck up all the time

1005
00:49:28,160 --> 00:49:30,120
Speaker 5: and no one sees it.

1006
00:49:31,200 --> 00:49:33,040
Speaker 1: Just keep it to yourself.

1007
00:49:45,520 --> 00:49:45,799
Speaker 5: All right.

1008
00:49:45,840 --> 00:49:49,240
Speaker 3: We have a fan question. This is from Rachel Okay.

1009
00:49:49,400 --> 00:49:52,120
Speaker 3: I have always wondered why the show brought in James

1010
00:49:52,200 --> 00:49:54,320
Speaker 3: Vanderbeek to play a hotshot director who is going to

1011
00:49:54,360 --> 00:49:58,360
Speaker 3: adapt Lucas's novel, but did not have him play Dawson

1012
00:49:58,440 --> 00:50:02,279
Speaker 3: Leary DAWs and literally did the same thing at the

1013
00:50:02,360 --> 00:50:04,920
Speaker 3: end of Dawson's Creek as a director. Is there a

1014
00:50:04,960 --> 00:50:06,960
Speaker 3: reason they couldn't cross over the character.

1015
00:50:08,320 --> 00:50:08,719
Speaker 6: I don't know.

1016
00:50:09,440 --> 00:50:11,000
Speaker 3: Did James just not want to play Dawson.

1017
00:50:11,480 --> 00:50:15,080
Speaker 5: No, it's just a it's different ip, Like the creator

1018
00:50:15,120 --> 00:50:20,400
Speaker 5: of a show would typically get paid anytime that character

1019
00:50:21,080 --> 00:50:26,960
Speaker 5: is used somewhere, you know, And so I think they

1020
00:50:27,040 --> 00:50:30,120
Speaker 5: just changed the name but kept the character like exactly

1021
00:50:30,160 --> 00:50:33,160
Speaker 5: the same. Are we thinking that Dawson Leary became a

1022
00:50:33,160 --> 00:50:34,080
Speaker 5: total scumbag man.

1023
00:50:34,160 --> 00:50:37,240
Speaker 3: I was gonna say, wait, Dawson turning into a cocaine

1024
00:50:37,320 --> 00:50:39,520
Speaker 3: sniffing chair jumping.

1025
00:50:40,120 --> 00:50:43,759
Speaker 5: Yeah, that's what happened when Pascy, When Pacey won the

1026
00:50:44,360 --> 00:50:48,920
Speaker 5: Joey over Joey.

1027
00:50:47,239 --> 00:50:48,799
Speaker 1: Dawson just lost it.

1028
00:50:49,040 --> 00:50:51,640
Speaker 5: This is like us going to outer banks, like we'll

1029
00:50:51,640 --> 00:50:52,759
Speaker 5: have to change our neme.

1030
00:50:52,880 --> 00:50:54,920
Speaker 1: We're all in witness protection.

1031
00:50:55,400 --> 00:50:58,160
Speaker 2: But we should all be playing the same Montreo character.

1032
00:51:00,120 --> 00:51:02,839
Speaker 5: Moss, who played Junk is the cop on that show,

1033
00:51:02,840 --> 00:51:04,880
Speaker 5: and we're like, that's just grown up junk.

1034
00:51:05,400 --> 00:51:08,280
Speaker 1: That's oh my gosh. I know I watched.

1035
00:51:08,320 --> 00:51:14,359
Speaker 5: She's like, I know, no, But I also think it

1036
00:51:14,440 --> 00:51:17,480
Speaker 5: was fun for James to get to play a heightened

1037
00:51:17,600 --> 00:51:21,680
Speaker 5: version he was. He was so earnest on Dawson's and

1038
00:51:21,840 --> 00:51:26,160
Speaker 5: so sincere and he had had some success in that show.

1039
00:51:26,760 --> 00:51:30,400
Speaker 5: What is what was that sitcom he did, The to

1040
00:51:30,600 --> 00:51:35,319
Speaker 5: Be or something? Yeah, I screwed that up, whatever that.

1041
00:51:35,360 --> 00:51:37,319
Speaker 1: Was, But he had he.

1042
00:51:37,320 --> 00:51:39,800
Speaker 5: Had done an episode of Criminal Minds where he played

1043
00:51:39,800 --> 00:51:44,480
Speaker 5: a total psycho, which was awesome, and he had done

1044
00:51:44,560 --> 00:51:48,560
Speaker 5: like this comedy stuff. And so it was in a

1045
00:51:48,600 --> 00:51:51,239
Speaker 5: period of time where he was getting attention for not

1046
00:51:51,680 --> 00:51:54,120
Speaker 5: being Dawson, and that was fun for him to come

1047
00:51:54,160 --> 00:51:58,480
Speaker 5: play with us kind of bridge those two things where

1048
00:51:58,520 --> 00:52:01,000
Speaker 5: it was a nod to what all the fans loved

1049
00:52:01,040 --> 00:52:01,479
Speaker 5: him for.

1050
00:52:02,960 --> 00:52:04,520
Speaker 1: But then he did a lot of comedy for a

1051
00:52:04,520 --> 00:52:05,480
Speaker 1: long time after this.

1052
00:52:05,640 --> 00:52:08,320
Speaker 5: When I left One Tree Hill, he and I tested

1053
00:52:08,400 --> 00:52:10,640
Speaker 5: for a multi cam together.

1054
00:52:10,680 --> 00:52:12,000
Speaker 1: It was like Three's Company.

1055
00:52:12,480 --> 00:52:12,959
Speaker 3: Oh fun.

1056
00:52:13,840 --> 00:52:18,239
Speaker 1: It was a weird ampetition. It was fine, but yeah,

1057
00:52:18,320 --> 00:52:21,919
Speaker 1: the Beak's a funny dude. He's he's a good time.

1058
00:52:22,680 --> 00:52:24,319
Speaker 3: Well, do we have an honorable mention?

1059
00:52:25,320 --> 00:52:25,520
Speaker 5: Yeah?

1060
00:52:25,520 --> 00:52:27,800
Speaker 1: What was your favorite thing in the episode, Kelsey?

1061
00:52:28,040 --> 00:52:32,279
Speaker 5: Besides that orange shirt that I'm sure you kept, the

1062
00:52:32,280 --> 00:52:35,600
Speaker 5: mouth gifted you gosh.

1063
00:52:36,160 --> 00:52:38,759
Speaker 4: Yeah, and this like the awkward post.

1064
00:52:39,360 --> 00:52:42,600
Speaker 1: Yes, yes, I was just leaving like.

1065
00:52:42,640 --> 00:52:45,520
Speaker 4: Oh I do I gotta work on my nudes.

1066
00:52:46,200 --> 00:52:49,360
Speaker 5: That's probably why you liked Jim Nelson so much, because

1067
00:52:49,960 --> 00:52:51,839
Speaker 5: he's the guy that would like protect you and throw

1068
00:52:51,840 --> 00:52:53,160
Speaker 5: a blanket over you super fast.

1069
00:52:54,440 --> 00:52:59,200
Speaker 2: Yes, I do remember in that part of and Gig

1070
00:52:59,280 --> 00:53:02,440
Speaker 2: two point zero, I remember him being very stepping in,

1071
00:53:02,560 --> 00:53:04,360
Speaker 2: being like super protective.

1072
00:53:04,760 --> 00:53:08,160
Speaker 4: So yeah, maybe I know what my least divorite parts are,

1073
00:53:08,160 --> 00:53:09,480
Speaker 4: which were me on screen.

1074
00:53:14,080 --> 00:53:20,480
Speaker 2: And also it's always nice to see h Robbie right,

1075
00:53:20,560 --> 00:53:21,520
Speaker 2: Robbie chimes.

1076
00:53:21,560 --> 00:53:24,920
Speaker 1: Yeah, oh yeah, Quentin, Yeah, the Cape.

1077
00:53:25,239 --> 00:53:26,040
Speaker 3: That was great.

1078
00:53:26,600 --> 00:53:31,080
Speaker 2: I love watching him on screen. H you just I

1079
00:53:31,160 --> 00:53:33,719
Speaker 2: mean let alone the character itself, but you just like

1080
00:53:34,040 --> 00:53:35,160
Speaker 2: really root for him.

1081
00:53:35,520 --> 00:53:38,000
Speaker 3: You should get him on Yellowstone. What's he doing right now?

1082
00:53:38,320 --> 00:53:38,520
Speaker 2: Oh?

1083
00:53:38,560 --> 00:53:41,800
Speaker 1: He's so good? What are you thinking?

1084
00:53:42,440 --> 00:53:43,160
Speaker 3: Brook dancing?

1085
00:53:43,560 --> 00:53:44,000
Speaker 1: Oho?

1086
00:53:44,800 --> 00:53:48,560
Speaker 5: I think my honorable mention for this episode is the

1087
00:53:48,600 --> 00:53:52,120
Speaker 5: horror of growing up and looking at a past version

1088
00:53:52,120 --> 00:53:54,480
Speaker 5: of yourself and knowing how far you've come, Like for

1089
00:53:54,560 --> 00:53:56,120
Speaker 5: you to say how embarrassed you are to watch the

1090
00:53:56,200 --> 00:53:58,759
Speaker 5: gg stuff and for me to watch this stuff, like

1091
00:53:58,840 --> 00:54:03,759
Speaker 5: knowing the behind the scenes stuff. There's a piece in

1092
00:54:03,880 --> 00:54:05,960
Speaker 5: getting older and being able to look at that and

1093
00:54:06,000 --> 00:54:08,239
Speaker 5: be like, no one could ever put me in that

1094
00:54:08,280 --> 00:54:11,279
Speaker 5: position again, But look how well I handled it as

1095
00:54:11,320 --> 00:54:15,720
Speaker 5: a young person, you know, Like the horror of youth

1096
00:54:16,000 --> 00:54:17,280
Speaker 5: is my honorable mention.

1097
00:54:17,960 --> 00:54:19,080
Speaker 1: God bless it, we.

1098
00:54:19,040 --> 00:54:19,840
Speaker 3: All are glory.

1099
00:54:21,600 --> 00:54:22,239
Speaker 6: I love that.

1100
00:54:22,440 --> 00:54:24,160
Speaker 3: Well. Do you want to spin a wheel with us?

1101
00:54:24,239 --> 00:54:24,600
Speaker 6: Kelsey?

1102
00:54:24,640 --> 00:54:27,279
Speaker 3: We spin a virtual wheel and we pick like a

1103
00:54:27,360 --> 00:54:29,400
Speaker 3: most likely too, like you do in a yearbook, you know,

1104
00:54:30,160 --> 00:54:33,520
Speaker 3: Oh my goodness, oh god, yeah, and then we'll say

1105
00:54:33,600 --> 00:54:35,799
Speaker 3: who is most likely to whatever? And you have to

1106
00:54:35,840 --> 00:54:38,840
Speaker 3: pick a real life person from our cast or crew

1107
00:54:38,880 --> 00:54:40,640
Speaker 3: and then a character from the show.

1108
00:54:40,920 --> 00:54:45,120
Speaker 5: So we have most likely to ghost someone after a date.

1109
00:54:45,760 --> 00:54:49,120
Speaker 5: So hold on, we have to pick who's our real

1110
00:54:49,120 --> 00:54:51,799
Speaker 5: life person to ghost someone after a date?

1111
00:54:51,960 --> 00:54:54,480
Speaker 3: Date? Would you Hillary?

1112
00:54:54,960 --> 00:54:58,479
Speaker 1: It's me and it guys.

1113
00:54:58,560 --> 00:55:02,799
Speaker 5: I'm not gonna waste anyone's time, like and I did.

1114
00:55:03,080 --> 00:55:05,400
Speaker 5: Season six is the only time I dated on One

1115
00:55:05,480 --> 00:55:08,600
Speaker 5: Tree Hill, and I just remember a lot of one

1116
00:55:08,640 --> 00:55:14,680
Speaker 5: and Done's being like, Eh, we're gonne. I was.

1117
00:55:14,840 --> 00:55:16,759
Speaker 1: I ghosted a lot. It was really immature of me.

1118
00:55:16,840 --> 00:55:19,399
Speaker 5: And I found myself a couple of years ago having

1119
00:55:19,400 --> 00:55:23,080
Speaker 5: to apologize to certain people for ghosting them because I

1120
00:55:23,080 --> 00:55:25,640
Speaker 5: thought that was the mature move, and instead it was

1121
00:55:25,719 --> 00:55:27,200
Speaker 5: just like more awkward.

1122
00:55:27,560 --> 00:55:29,520
Speaker 1: It's like you should have just not said anything.

1123
00:55:31,400 --> 00:55:33,400
Speaker 3: Yeah, no, you did the right thing. It's still important

1124
00:55:33,400 --> 00:55:35,560
Speaker 3: to do the right thing.

1125
00:55:35,920 --> 00:55:40,840
Speaker 5: But which character is going to go somebody after? I

1126
00:55:40,840 --> 00:55:43,120
Speaker 5: think Millie's going to ghost the shit out of Owen.

1127
00:55:43,440 --> 00:55:46,520
Speaker 3: I don't know. I think she's gonna get clinging. Really yeah.

1128
00:55:46,800 --> 00:55:48,799
Speaker 1: Wait. They don't become a thing, though, do they. I

1129
00:55:48,880 --> 00:55:50,239
Speaker 1: have no recollection.

1130
00:55:50,880 --> 00:55:57,160
Speaker 3: I don't remember some stuff happens there. Oh yeah, yeah,

1131
00:55:57,239 --> 00:55:59,640
Speaker 3: I remember one of the episodes I directed.

1132
00:55:59,239 --> 00:56:01,520
Speaker 1: But oh you directed, so you lived with you?

1133
00:56:01,880 --> 00:56:04,120
Speaker 3: I vaguely remember, but I don't know exactly what it was.

1134
00:56:04,480 --> 00:56:07,800
Speaker 4: They have like a thing after Yeah.

1135
00:56:08,440 --> 00:56:11,480
Speaker 1: Oh no, that's terrible. God that darm.

1136
00:56:11,400 --> 00:56:14,080
Speaker 5: G gg what'd you do?

1137
00:56:14,719 --> 00:56:17,239
Speaker 2: I was such a virgin. I shouldn't have even messed

1138
00:56:17,280 --> 00:56:17,880
Speaker 2: up anything.

1139
00:56:18,080 --> 00:56:18,719
Speaker 1: Yeah.

1140
00:56:18,960 --> 00:56:21,640
Speaker 7: No, is Gigi the girl that like, once she gets

1141
00:56:21,680 --> 00:56:24,560
Speaker 7: him is like okay by Yeah.

1142
00:56:24,320 --> 00:56:26,319
Speaker 3: She's oh sorry, did you want me to call you?

1143
00:56:26,600 --> 00:56:29,480
Speaker 2: I didn't know my voice is so high.

1144
00:56:29,640 --> 00:56:31,360
Speaker 4: Oh jesus, it's cute.

1145
00:56:32,080 --> 00:56:32,560
Speaker 1: It's cute.

1146
00:56:32,560 --> 00:56:36,640
Speaker 5: Wait, so is Gigi our long chase but short romance?

1147
00:56:37,160 --> 00:56:37,359
Speaker 4: Yeah?

1148
00:56:37,480 --> 00:56:38,279
Speaker 1: Expanded it?

1149
00:56:39,080 --> 00:56:42,040
Speaker 2: Oh yeah, because she's started kind of clinging in the

1150
00:56:42,160 --> 00:56:43,120
Speaker 2: in the chase.

1151
00:56:42,920 --> 00:56:48,600
Speaker 1: So mm hmmm. The once she gets them, it's over. Yeah,

1152
00:56:48,920 --> 00:56:49,520
Speaker 1: sorry mouth.

1153
00:56:49,560 --> 00:56:51,600
Speaker 6: I think so well.

1154
00:56:52,600 --> 00:56:53,200
Speaker 1: I love it.

1155
00:56:53,440 --> 00:56:55,440
Speaker 3: Kelsey. I'm so glad that you came to hang out

1156
00:56:55,440 --> 00:56:57,640
Speaker 3: with us. Thank you for taking your dime, and you're

1157
00:56:57,680 --> 00:56:59,120
Speaker 3: showing us your beautiful face.

1158
00:56:59,160 --> 00:57:02,080
Speaker 5: In your mind, Baby, you're gonna get Jey on a

1159
00:57:02,120 --> 00:57:03,560
Speaker 5: horse and then you're gonna come up here to the

1160
00:57:03,600 --> 00:57:06,080
Speaker 5: farm and we're gonna start we're gonna start searching for

1161
00:57:06,160 --> 00:57:07,600
Speaker 5: your property and it's gonna be great.

1162
00:57:09,080 --> 00:57:12,879
Speaker 2: Okay, that sounds good. I'll see you in New York. Yeah,

1163
00:57:13,239 --> 00:57:15,359
Speaker 2: so nice, so so nice to see you.

1164
00:57:15,880 --> 00:57:16,520
Speaker 6: We love you.

1165
00:57:17,640 --> 00:57:18,760
Speaker 1: Thanks for joining us, guys.

1166
00:57:18,760 --> 00:57:23,160
Speaker 5: Next week we have episode thirteen Things a Mama Don't Know?

1167
00:57:24,400 --> 00:57:27,560
Speaker 1: Oh, don't don't.

1168
00:57:27,880 --> 00:57:30,520
Speaker 3: Hey, thanks for listening. Don't forget to leave us a review.

1169
00:57:30,760 --> 00:57:34,440
Speaker 2: You can also follow us on Instagram at Drama Queen's ot.

1170
00:57:34,520 --> 00:57:39,200
Speaker 5: H or email us at Drama Queens at iHeartRadio dot com.

1171
00:57:39,480 --> 00:57:40,479
Speaker 1: See you next time.

1172
00:57:41,720 --> 00:57:44,080
Speaker 4: We all about that high school drama.

1173
00:57:44,160 --> 00:57:45,960
Speaker 1: Girl Drama Girl, all about them.

1174
00:57:45,840 --> 00:57:47,360
Speaker 4: High school queens Forever.

1175
00:57:47,640 --> 00:57:50,080
Speaker 3: We'll take you for a ride and our comic girl

1176
00:57:50,600 --> 00:57:51,840
Speaker 3: sharing for the right teams.

1177
00:57:51,920 --> 00:57:54,600
Speaker 1: Drama Queens, Je's my Girl, up Girl

1178
00:57:54,640 --> 00:57:57,000
Speaker 3: Fashion with your tough girl, you could sit with us

1179
00:57:57,040 --> 00:58:01,160
Speaker 3: Girl Drama, Queens, Drama, Queise Drama, Queens Drama Drama, Queens

1180
00:58:01,200 --> 00:58:03,080
Speaker 3: Drama Queens