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Speaker 1: Fifty percent rights all. Yeah, I love you. Rats to

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Speaker 1: sit down, didn't becoming the most prominent form for him.

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Speaker 1: Wait your ass up early in the morning, but they

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Speaker 1: told me it was y'all. I say, oh, hell yeah,

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Speaker 1: I'm getting the small stage choice, smaller shop, say three

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Speaker 1: people's choice. Actually and people. I can't believe you guys

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Speaker 1: are the basket? Did we know this? Breakfast Club? This

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Speaker 1: is your time to get it off your chests, whether

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Speaker 1: you're man or blast, so we better have the same duty.

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Speaker 1: We want to hear from you on the Breakfast Club. Hello.

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Speaker 1: Who's this? This is Kevin from Greenberg. Kevin, what up? Brother?

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Speaker 1: Get it off your chests? Yeah? Well, first one to

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Speaker 1: say thank you for you guys, and uh the platform

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Speaker 1: that you provide for everyone. I think you and I

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Speaker 1: want to thank the listeners for the support of my

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Speaker 1: son and his video Make It, which is out on

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Speaker 1: YouTube the time. Check it out. Oh yeah, and you

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Speaker 1: your listeners from Africa Europe order my son. Oh, I

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Speaker 1: really appreciate it for you guys, and and uh Breakfast

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Speaker 1: Club listeners. I just want to talk about the Trembla Harris.

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Speaker 1: You know she's a great pick, but social media are

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Speaker 1: dogging her as far as her um saying she's not

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Speaker 1: black enough and saying that the incarceration of black people,

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Speaker 1: and I think she was just doing a job and

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Speaker 1: they're just there's just social media just killing her. That's

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Speaker 1: especially black books, which I don't understand. I don't understand,

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Speaker 1: and nor do I get it either. It seems like

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Speaker 1: it's especially black folks, but it's not especially black folks.

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Speaker 1: A lot of that is it is manufactured, you know

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Speaker 1: what I mean, it's it's box. You know. It is

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Speaker 1: a lot of people black people that I'm not gonna

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Speaker 1: say it's a lot, but it is a large amount

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Speaker 1: of black people that don't like her. But a lot

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Speaker 1: of that is boxing. A lot of that is coming

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Speaker 1: from the Trump administration. But that's that's that's that's expected. Okay, okay, yes, sir.

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Speaker 1: Every I know you ride your bike and you've you

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Speaker 1: right for miles. If you're not busy Sunday, why don't

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Speaker 1: you come up to Mike Planes and write for justice

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Speaker 1: at nine am. It's it's a great event. Yeah, I've

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Speaker 1: seen I've seen Tamika Mallory and my son doing it.

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Speaker 1: I might go do my ride at five in the

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Speaker 1: morning and join y'all, I might. I was thinking about

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Speaker 1: that today, but you know, I usually do my ride

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Speaker 1: five in the morning, so by the time I get back,

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Speaker 1: my kids is up so I can be here for

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Speaker 1: their breakfast. That's why I go so early. But we'll see.

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Speaker 1: Maybe maybe I will try to make it up there. Hello.

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Speaker 1: Who's this? Hey? This is way Man calling from Baltimore. Hey,

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Speaker 1: what's uthing? Hey? How you doing? Man? You know, I

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Speaker 1: am a huge fan of this show. Man. I've been

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Speaker 1: listening to y'all for years. I just really want to

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Speaker 1: thank y'all man for just doing what y'all doing and

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Speaker 1: being who y'all all man. I really really appreciate it.

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Speaker 1: Helped me through some tough times, man, So I definitely

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Speaker 1: appreciate y'all on what y'all do. Man. Thank you all right, brother,

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Speaker 1: you're doing good now. Though I'm good, man, I'm lost.

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Speaker 1: Today is my birthday, man, so happy birthday, Happy boring day. Brother.

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Speaker 1: Appreciate Yes, sir, I'm a lea shaw. I work overnight,

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Speaker 1: and honestly, I listened to you guys while I'm putting

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Speaker 1: away the boxes and whatnot. Working giant overnight, so i'd

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Speaker 1: be grinding. But y'all be helping me get through man,

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Speaker 1: and thank you. And I really want to give a

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Speaker 1: shout out to my cousin Chris Man, my brother Um Clinton,

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Speaker 1: and my parents. Man and I loved more Man, and

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Speaker 1: I love y'all, and I thank y'all for letting me on.

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Speaker 1: Thank you all Right, Hello, who's this? This seems falling

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Speaker 1: out of heart or what's happening? What's up? Get it

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Speaker 1: off your chest? And I just wanted to talk about

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Speaker 1: the election. I just think it's why we pretty much

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Speaker 1: vote and we got to vote for anybody just to

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Speaker 1: get Trump our office. I mean, it seems like this

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Speaker 1: is our only option is after we've seem like voth

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Speaker 1: the records of you know, right in their hairs. It's

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Speaker 1: just why that we got to vote for them to

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Speaker 1: get Trump out of what's Harris's record? I'm just talking

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Speaker 1: about where all of the convictions to the black man

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Speaker 1: she could have und for us? What I'm thinking that

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Speaker 1: what's the number of convictions? How many black men and

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Speaker 1: she put behind bars? Like what? What? What? What? What's

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Speaker 1: the number? Because I keep hearing people say that, but

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Speaker 1: I haven't seen any numbers. What's the number or I

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Speaker 1: haven't done all the research. I don't know the nine

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Speaker 1: and that's the problem. And that old and that's the problem.

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Speaker 1: You know, it's some numbers. So she you know, she

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Speaker 1: uh we did districtory. You know, she fling people lying bars.

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Speaker 1: But listen, I'm just saying that since Trump and in

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Speaker 1: the office black people that's coming together to like stand

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Speaker 1: up against that racism. I've seen what if we're just

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Speaker 1: waiting for somebody to get in the office to put

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Speaker 1: us back to sleep, or we're waiting for somebody to

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Speaker 1: save this right now. But we need to stay together

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Speaker 1: like we did bing and keep fighting, you know, for

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Speaker 1: what we're doing is still of waiting for somebody to

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Speaker 1: come in and try to save it. Was a passive

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Speaker 1: by it. That's all I'm saying. I agree that. And

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Speaker 1: it's not your about Senator Heir, it's it's about I

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Speaker 1: Heed the president. She just to bep now we could.

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Speaker 1: I'm not voting for and I know a little bit

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Speaker 1: about him. I'm not voting for Biden. I'm voting for

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Speaker 1: Senator Harris. I'm not voting. Are you voting? Are you

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Speaker 1: registered to vote? I'm registered. But man, it's so hard,

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Speaker 1: it's tricky, Like man, This is why to me, man,

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Speaker 1: I just don't feel like I want to give them

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Speaker 1: a vote to somebody that I think we've been standing together.

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Speaker 1: I mean with nobody's coming to save y'all, got I mean,

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Speaker 1: do be a favorite, nobody coming in to save us.

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Speaker 1: I agree with you, but I do think that we

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Speaker 1: can use our collective power, and we can use our

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Speaker 1: collective black leverage to you know, elect people that we

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Speaker 1: want to elect, and then we can hold them accountable

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Speaker 1: once they're get in those positions. I agree with you.

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Speaker 1: I think Black people have coming together in a real

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Speaker 1: way and we need to keep this collective pressure going

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Speaker 1: way beyond once somebody's in the White House. But thank you.

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Speaker 1: Get it off your chests eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: us up now. It's the breakfast Club. Good morning, the

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Speaker 1: Breakfast Club. This is your time to get it off

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Speaker 1: your chest. Whether you're man. Hear from you on the

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Speaker 1: Breakfast Club. If you got something on your mind. Hello,

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Speaker 1: who's this? Oh it's Anthony the Morning these m V

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Speaker 1: Charloman got Antony King. I want to good morning, good morning. Um.

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Speaker 1: I want to start by saying congratulations on you guys.

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Speaker 1: It's radio Hall of Fame induction and uh yeah, no

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Speaker 1: problem um and envy um. He invited Charlomagne on the

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Speaker 1: bike ride and hurt him. Doesn't know that I'm saying

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Speaker 1: that MV invited doing Charlomagne on the fike ride and uh,

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Speaker 1: apparently bike riding can lower men's test talks around. It

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Speaker 1: calls your rectalk function because of the pressure that um

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Speaker 1: it causes when you sit on the bike seat. It

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Speaker 1: puts pressure on the on that space that's called the perennium,

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Speaker 1: and it can spold the blood flow. So I'm not

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Speaker 1: trying to discredited or I'm not trying to stop the

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Speaker 1: Mortain bikes. But I got jail for him though, brother,

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Speaker 1: I got some jail for him so he'd be at.

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Speaker 1: Got some nice child for him to make sure. I

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Speaker 1: see he's at. You think trying to sabotage Charlottagne. I

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Speaker 1: can't call the one weird or nothing. You know, definitely

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Speaker 1: sounds like some sort of infiltration penetration, something he wants

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Speaker 1: to do to my peranium. I'll be a dope Bobby

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Speaker 1: Brown remake. It's my peranium. Where's the perinium? It's like

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Speaker 1: in between your and your monkey good. That's the medical

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Speaker 1: term for it's called the perennium. I just found that myself.

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Speaker 1: Thank you. You learn something new every day here on

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Speaker 1: the Breakfast Club. Yeah, you gotta protect our hall of famers.

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Speaker 1: You know, he can't let the Hall of Famers go

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Speaker 1: out like That's right? But I got I got some

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Speaker 1: gel pans for you, Charlotta Man, you be good man,

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Speaker 1: joel pans. Take care of everything between your ass and

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Speaker 1: your peams. Bro, you're not getting my peranium king perendium.

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Speaker 1: Thank you, sir. Hello, who's this? Hello? Hey? What's your name? Bro? Doria?

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Speaker 1: Hey Dorian? Get it off your chest? Yeah, I got

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Speaker 1: I feel like he's man's slinging his breakfast with bashing

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Speaker 1: fighting all the time. I mean, we got the games

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Speaker 1: we've ever had in the country right now and every

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Speaker 1: chance to get back bidens not we need democresent. I

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Speaker 1: was used to get out office once again. I don't

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Speaker 1: have time to have this conversation with people, because if

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Speaker 1: you're trying to get those uh disaffected voters or those

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Speaker 1: young voters to come out, trust me when I tell you,

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Speaker 1: saying uh that you're the anti Trump just isn't enough.

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Speaker 1: A lot of energy is behind Senda to Kamala Harris

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Speaker 1: right now, and a lot of energies behind the fact

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Speaker 1: that they actually have you know, economic black agenda for

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Speaker 1: black folks and people wanted to be strong good. Yes,

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Speaker 1: but it's a great start, but it got to keep

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Speaker 1: that momentum up. Period. Every every single moment is advertising,

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Speaker 1: Every single moment is a commercial. Every single moment is

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Speaker 1: promotion and marketing. What's gonna make people come to the

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Speaker 1: party in November? Putting Senda to Harris on the flyer

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Speaker 1: with Joe Biden last night, there wasn't. There was not

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Speaker 1: enough of that in no way, shape or form. I

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Speaker 1: you think people complain when it was like dam why

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Speaker 1: Mutchelle Obama mentioned Senta the Harris but she pre taped before,

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Speaker 1: you know, Senda the hass with the VP pick. So yes,

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Speaker 1: if you really want Joe Biden to win, then you'll

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Speaker 1: be encouraging to him to push an agenda and policy

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Speaker 1: as well as sendaor Harris as well. All right, well, hello,

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Speaker 1: who's this? Hi? This just stops me. I talk out yesterday,

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Speaker 1: but I found a terrible on the phone. Hey, Stephanie,

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Speaker 1: get it off her chess Mama. Um SHERYLA. Mane. You

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Speaker 1: keep talking about people not being outraged about this whole

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Speaker 1: voter suppression thing. I am literally terrified. I woke up

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Speaker 1: the other day I look on like a main street

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Speaker 1: and there's a mailbox across the street. I woke up

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Speaker 1: like scare that they took the mailbox away. And I

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Speaker 1: keep checking every day and I'm like trying to get

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Speaker 1: out the information that we need to go support the

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Speaker 1: u USTs, but also to make sure that our ballots

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Speaker 1: are counted. But it's like, you don't know what to do,

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Speaker 1: what to do in a situation. This is the craziest

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Speaker 1: thing ever to be happening right now, That's true. You

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Speaker 1: can text us PS to five zero four zero nine

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Speaker 1: and they'll send letters to your senators and representatives in

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Speaker 1: support of the postal service. It takes like less than

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Speaker 1: one minute. I actually did it yesterday, this text USPS

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Speaker 1: the five zero four zero nine. But yesterday I did, uh,

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Speaker 1: you know, see the outrage I was looking for. It

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Speaker 1: was actually a hashtag. It was divorced Trump, and it

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Speaker 1: had like sixty thousand and seventy thousand tweets, and it

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Speaker 1: was you know people. Finally, I guess realizing like whoa, whoa, whoa,

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Speaker 1: this dude is really trying to kill our democracy. Yes,

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Speaker 1: like we act like you know, you said, just happening

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Speaker 1: in other countries or you don't have happened dictatorship of

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Speaker 1: all the above. We act like they can't happen to us.

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Speaker 1: But he's trying to do exactly that. We are not

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Speaker 1: exempt from such absolutely about the countries because of one person,

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Speaker 1: because of a dictator, not because of absolutely absolutely had

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Speaker 1: to get off. I'm terrified, but I'm a vote and

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Speaker 1: do my part. Well, thank you, bus get it off

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Speaker 1: your ches. Eight hundred five eight five one oh five one.

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Speaker 1: If you need to vent, hit this up now. It's

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Speaker 1: the Breakfast Club. Good morning, the Breakfast Club Morning. Everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlottagne the guy. We are

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Speaker 1: the Breakfast Club. We got a special guest on the

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Speaker 1: line right now, Sherry Shepherd. Hey, y'all, how you doing.

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Speaker 1: The first conversation between you and Angela, YE was like,

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Speaker 1: I know you ain't got no pants on one and

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Speaker 1: you replied I don't. I'm like, whoa, because it's very

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Speaker 1: business see up at the top and yea to sleep

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Speaker 1: at the bottom. Yeah, they's on top, party on the bottom,

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Speaker 1: and we were talking about you this We were talking

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Speaker 1: about you this morning, Sherry. I never knew that you

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Speaker 1: was on Friends. Yes, you you remember it was Gabrielle Union.

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Speaker 1: I used to Tyler and it was me, I run

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Speaker 1: and these aren't real. I gave you my point and

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Speaker 1: I shared my snapscag with you. That was a memorable line.

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Speaker 1: Need to say them. I'll be shopping for the paper

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Speaker 1: and people ask me to say the line. Really, I'm

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Speaker 1: gonna be honest you. I didn't know what was happened

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Speaker 1: to I thought you'd having a scroll. I was like, what,

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Speaker 1: I didn't know? Now did you let me this? Sherry?

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Speaker 1: Did you ever used to watch Friends before you were

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Speaker 1: on an episode? Keep it rend? Really didn't? I know,

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Speaker 1: I really didn't because there was nobody that looked like me.

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Speaker 1: But I watched Living Fable all the time, which I

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Speaker 1: was also on a Living Single. But they had to

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Speaker 1: fight for me to be on Friends because the role

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Speaker 1: that I did was written for a white person and

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Speaker 1: my agent said, just let her come in the room

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Speaker 1: and audition and see what she does. And that's how

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Speaker 1: I got hired. They never brought you back because you

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Speaker 1: called out all the white people. They said, you left

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Speaker 1: a postcard, that's hilarious. I was devastated. I was in

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Speaker 1: my early twenties and I was so excited to be

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Speaker 1: on Friends because my you know, they had let my

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Speaker 1: agents know that I did such a great job and

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Speaker 1: that literally that that particular episode was one of the

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Speaker 1: top you know, fan favorites even to this day. And

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Speaker 1: so I made a postcard with me and I brought

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Speaker 1: up the color like my skin, everything was just real colorized,

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Speaker 1: and I put on the back of the postcard. Friends

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Speaker 1: finally got some color. And I've sent it to all

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Speaker 1: the people because we didn't have a you know, all

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Speaker 1: the social media, so I send it to all my

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Speaker 1: friends and fans and all of the producers at Friends,

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Speaker 1: and they never called me back, like sometimes if your

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Speaker 1: character is will still a scene, they will call you

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Speaker 1: back to do other work. And they never called me

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Speaker 1: back for any auditions ever. And I was so devastated

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Speaker 1: because I said that I had sending the producers, so

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Speaker 1: I'm not saying that that's they should have called me back,

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Speaker 1: but I never was called back. Are they calling you

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Speaker 1: more or they are they reaching out to you? Now?

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Speaker 1: With everything going on the phone line to starting the

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Speaker 1: light of your agent. It's calling you be like, Hey,

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Speaker 1: we're getting a lot of offers right now, a lot

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Speaker 1: of auditions. I'm hoping that that comes my way, you know.

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Speaker 1: But I don't think my calls have increased because I

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Speaker 1: think people just know me and they know my reputation.

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Speaker 1: But I hope that that's happening for other people who

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Speaker 1: didn't have, you know, the chances that I've had, right you?

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Speaker 1: Are you happy with the diversities? Y'all call me what

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Speaker 1: we ain't got? No all of you you do. This

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Speaker 1: ain't gonna help you. You gotta call Let's just say,

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Speaker 1: I mean, listen, you you have stayed working though, So

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Speaker 1: just for other people out there who are trying to

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Speaker 1: make it right now, what is the difference that you

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Speaker 1: see from when you first started in your career and

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Speaker 1: now just was it a lot more difficult back then?

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Speaker 1: And what advice would you give to young black women

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Speaker 1: and young black men who are trying to break into

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Speaker 1: the industry and having a difficult time. I think at

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Speaker 1: number one, if you know this is what she's supposed

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Speaker 1: to do, don't let anybody stop you, because it only

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Speaker 1: takes one person I mean even with the show, I

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Speaker 1: was promotely Glaciers, Mistery Glaciers. Gabriel Glaciers hired to be

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Speaker 1: his love interest. They were they were auditioning name actresses

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Speaker 1: who you know, and someone from our wardrobe department at

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Speaker 1: Laura Casado, who was a theater major in New York

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Speaker 1: but she had no agent in LA and she was

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Speaker 1: doing our wardrobe and in the head of the wardrobe

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Speaker 1: went to Gabriel and said, would you just give her

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Speaker 1: a chance to auditions? That's something that you don't do.

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Speaker 1: You can get fired for doing something like that. The Gabe,

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Speaker 1: being the person as he is, he said okay, and

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Speaker 1: Lauder came in and blew him away. They hired her,

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Speaker 1: They hired the wardrobe assistance to place his love interest,

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Speaker 1: and it was she was amazing. They made her regular

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Speaker 1: on the show. So that's why I tell people it

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Speaker 1: only takes one person to believe in you. So this

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Speaker 1: is what you know you're supposed to do, keep doing it. Now.

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Speaker 1: What I see this different now is now people are going, well,

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Speaker 1: why can't the chief of staff of the hospital be

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Speaker 1: a black person or be a Latina person? So you know,

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Speaker 1: I think it is opening up because I had the

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Speaker 1: reputation when I did Friends and suddenly Susan I used

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Speaker 1: to be known as a black girl that did all

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Speaker 1: the white shows. Now you got leads of shows, Niece

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Speaker 1: Nash doing Clause and Viola Davis, How to Get Away

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Speaker 1: with Murder and Kerrie Washington. So it is opening up

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Speaker 1: more people behind the scenes. That's where we need, all right,

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Speaker 1: we got more with Sherry Shepherd when we come back,

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Speaker 1: don't move. It is the Breakfast Club. The Breakfast Club

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Speaker 1: wanting everybody is DJ Envy, Angela Yee, Charlomne, the guy y'all.

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Speaker 1: The Breakfast Club was still kicking it with Sherry Shepherd. Ye.

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Speaker 1: Now you also have your podcast too, Funny Mamas. Ken

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Speaker 1: went Lisa, how much fun is that for you? Because

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Speaker 1: that seems like it's something that you're doing just because

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Speaker 1: you're passionate about it and it's a good time. I

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Speaker 1: love doing two Funny Mama's podcasts. It's on YouTube, so

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Speaker 1: you can subscribe on YouTube. And we're just you know,

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Speaker 1: we're two single mothers were raising black boys and we

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Speaker 1: just happened to be We just love making people laugh.

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Speaker 1: We're on tour and our Ladies Night Out comedy tour,

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Speaker 1: Kim Whitley and I and we just we talk about

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Speaker 1: everything from marching from John Lemmon calling people out to

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Speaker 1: should be shaved during the quarantine, to how do you

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Speaker 1: have COVID sex? Back to how do you have confidence

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Speaker 1: as a woman, how do you date? It's just a

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Speaker 1: gamut of stuff because we've grown ass women and we

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Speaker 1: talk about grown stuff. So we're on our seventh We're

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Speaker 1: on our seventh episode right now. Right now, we still

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Speaker 1: have people coming at us wanting to pitch a TV

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Speaker 1: show based on us. And you know, ultimately, I would

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Speaker 1: love Kim and Out to have a talk show. I

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Speaker 1: would love that kill Now, you have a fourteen year

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Speaker 1: old right Your son's fourteen now, he just turned fifteen.

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Speaker 1: He's in hyper and I found out here he just

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Speaker 1: had I found out as a Snapchat account and um

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Speaker 1: on a Snapchat account, he said, he said, I liked

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Speaker 1: the w w E, I like the NBA, I liked

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Speaker 1: Team Titans and Nickelodeon, and I want a girl for him.

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Speaker 1: It was so bad, great God for his girlfriend. What

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Speaker 1: if his girlfriend got a hooptie? That's okay, because that's

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Speaker 1: he's got a hoopsie, like you know, fifteen. He's fifteen,

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Speaker 1: he should have a hoopie. If he's running around with

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Speaker 1: a girl who's got a Mercedes didn't, that means she's

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Speaker 1: a grown woman like me, And I'm a puncher in

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Speaker 1: her damn mouse. She's trying to get Micstone, so she

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Speaker 1: should have Yeah, I'm not kind of Mama. Don't come

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Speaker 1: to my son these older women, because he's starting to

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Speaker 1: look like a young man. And I can see older

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Speaker 1: women looking at him, and I look at them and go,

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Speaker 1: you don't even have a uterus anymore? To stop it.

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Speaker 1: Oh my gosh. But I don't play around with my son.

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Speaker 1: I'm one of those. And now, whatever everything that's going on, Now,

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Speaker 1: what conversation are you having with him now? Because he's fifteen,

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Speaker 1: he's out and he's with his friends, and you know,

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Speaker 1: we've seen what happened with George Floyd. We see what's

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Speaker 1: going on with the world racists of popping out crazy,

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Speaker 1: So what conversations are you having with him? It's very

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Speaker 1: hard for me because I just did a post about

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Speaker 1: Elijah McClaine who was murdered by the police, and you know,

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Speaker 1: he was wearing a ski mask, which if people who

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Speaker 1: have children with special needs or unique challenges, you know

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Speaker 1: those things. It helps your central your nervous system. That's

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Speaker 1: why you wear those kind of things. Jeffrey wears a

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Speaker 1: hoodie because you know, the hood on his head, it

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Speaker 1: just grounds his nervous system. And he's socially awkward. So

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Speaker 1: to know that a boy got murdered and they didn't

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Speaker 1: get to see, you know, he was saying to them,

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Speaker 1: I'm an introvert, I'm different, and they weren't listening to him,

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Speaker 1: and this it broke something in me yesterday. I swear

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Speaker 1: it's very scared for me, and I try not to,

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Speaker 1: you know, I gotta. I'm raising a Blackish sort of child.

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Speaker 1: He does have a lot of benefits because I'm his mother,

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Speaker 1: but at the end of the day, they don't know

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Speaker 1: he's Sharry Shepherd's son, and I try to. I want

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Speaker 1: him to have his innocence and not go out there

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Speaker 1: with all of this fear, so he can handle some

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Speaker 1: of it the conversation. But then sometimes he's like, it's

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Speaker 1: too much, Mommy, stop sending me all of the Karen's

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Speaker 1: videos because I like dog going, you know, the WWE women.

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Speaker 1: So I'm trying not to give him too much and

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Speaker 1: let him be, let him be happy, let him have

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Speaker 1: his joy. But if I'm you know, I think more

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Speaker 1: anxious for me. He wants a girlfriend. Now what if

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Speaker 1: he brings home a white girl with that matter to you?

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Speaker 1: Are you cool with whatever? I want the person who

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Speaker 1: loves my son. But I have to say, Angela, when

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Speaker 1: you say that, fear goes all through my body. It

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Speaker 1: just does, because I'm seeing all of these Becky's and

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Speaker 1: Karen's and it's my fear. At some point, you're gonna

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Speaker 1: act the where you are. I am a black woman.

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Speaker 1: At some point I'm gonna act like where I came from.

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Speaker 1: I keep it suppressed a lot, but it will come out.

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Speaker 1: And I feel at some point you're gonna act like

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Speaker 1: who you are, And that scares me. That scares me

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Speaker 1: that there could be a one misunderstanding and she can

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Speaker 1: say I'm going to call the police. You know, you

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Speaker 1: got angry, and that scared me, so I would have

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Speaker 1: a hard time. You know, I don't want to put

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Speaker 1: that on him, but for me, it scares me. I

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Speaker 1: want to protect yoursel I'm gonna tell you something. Sheared.

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Speaker 1: God got a sense of humor, so I can see him.

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Speaker 1: I can see him bringing home with Karen, a white

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Speaker 1: woman actually named Karen, who's driving a hooping. I can

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Speaker 1: see that happening, you know, and you just have to

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Speaker 1: I would love whoever my son brings, and I don't

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Speaker 1: want to put any of that on him. I would

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Speaker 1: love if you love my son, I'm going to love you.

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Speaker 1: I'm not gonna say. I don't have any trepidations, you know,

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Speaker 1: And that's why I have to trust in God that

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Speaker 1: he brings the right woman. But I show hope she

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Speaker 1: looked like me with a long with Oh, Sherry is crazy.

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Speaker 1: Mister Glaziers is on Netflix right now, right, it's on

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Speaker 1: right now, mister Glaziers. And um and and I got

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Speaker 1: a book, I mean, excuse me. I'm working on a book.

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Speaker 1: And then I got a movie coming out, How Best

421
00:21:00,400 --> 00:21:02,520
Speaker 1: Wegever on Netflix that will be coming out in a

422
00:21:02,600 --> 00:21:04,760
Speaker 1: couple of weeks. I got some more stuff going. I'm

423
00:21:04,760 --> 00:21:07,560
Speaker 1: gonna quarantine. I can't even remember. But mister Gleasons is

424
00:21:07,600 --> 00:21:11,240
Speaker 1: the big one. And my podcasting funny mamas, all right, good,

425
00:21:11,280 --> 00:21:14,840
Speaker 1: thank you for jo about today. A new episode is out.

426
00:21:14,960 --> 00:21:17,320
Speaker 1: A new podcast episode is out today on YouTube. So

427
00:21:18,000 --> 00:21:20,760
Speaker 1: I'm money. I'll be listening. All right, Sherry, well, thank

428
00:21:20,760 --> 00:21:24,480
Speaker 1: you for checking in. We appreciate you self. Finance Okay,

429
00:21:24,600 --> 00:21:27,200
Speaker 1: I insult my hoopies to pay for this podcast, so

430
00:21:27,359 --> 00:21:31,320
Speaker 1: there we go. Charlomagne, all right, well it's Sherry Shepherd,

431
00:21:31,480 --> 00:21:38,080
Speaker 1: It's the Breakfast Club. Good morning, it's topic times. The

432
00:21:38,160 --> 00:21:42,160
Speaker 1: phone called eight hundred and five and five one oh five.

433
00:21:42,240 --> 00:21:44,320
Speaker 1: Want to join it to the discussion with the Breakfast Club,

434
00:21:44,680 --> 00:21:50,560
Speaker 1: talk about it morning. Everybody is DJ Envy, Angela Yee, Charlomagne,

435
00:21:50,600 --> 00:21:53,320
Speaker 1: the guy we are the Breakfast Club, good morning. Now

436
00:21:53,359 --> 00:21:56,800
Speaker 1: if you just joined us with asking ladies, would you

437
00:21:57,160 --> 00:21:59,239
Speaker 1: date a guy that drives a hoopie? Now this came

438
00:21:59,280 --> 00:22:01,760
Speaker 1: from our conversation with Sherry Shepherd this morning. Let's play

439
00:22:01,800 --> 00:22:03,800
Speaker 1: a clip. What if he pulled up in a hootie?

440
00:22:04,119 --> 00:22:06,120
Speaker 1: With that matter, you can hoop you on out of here,

441
00:22:06,320 --> 00:22:08,800
Speaker 1: because here's the problem. I'm not putting you down. If

442
00:22:08,800 --> 00:22:11,040
Speaker 1: you got a hoopie, you're working your way there. But

443
00:22:11,160 --> 00:22:13,440
Speaker 1: you're gonna have a problem as a man if you're

444
00:22:13,800 --> 00:22:15,879
Speaker 1: you're trying to keep up with me. So now I

445
00:22:16,280 --> 00:22:19,199
Speaker 1: gotta come down here. What add value are you going

446
00:22:19,280 --> 00:22:21,600
Speaker 1: to add to this relationship? Because I know what I'm bringing,

447
00:22:21,840 --> 00:22:24,359
Speaker 1: our levels are going to be different, and what's ultimately

448
00:22:24,440 --> 00:22:27,520
Speaker 1: going to end up happening is you may feel affected

449
00:22:27,600 --> 00:22:30,720
Speaker 1: as a man. So what asking would you. Let's go

450
00:22:30,800 --> 00:22:35,800
Speaker 1: to the phone line. Hello, who's this row hey? Guy

451
00:22:35,920 --> 00:22:38,840
Speaker 1: that drives a hootie? Yeah, I drive a hooptie right now.

452
00:22:38,960 --> 00:22:40,680
Speaker 1: I'm a married man. When I met my wife, I

453
00:22:40,800 --> 00:22:43,560
Speaker 1: drove a hoopie. But we own renal properties. We got

454
00:22:43,640 --> 00:22:45,560
Speaker 1: a nice house that we're proud of. And it's not

455
00:22:45,680 --> 00:22:50,159
Speaker 1: an issue about what kind of car do you job?

456
00:22:50,200 --> 00:22:52,120
Speaker 1: Because I want to know your definition of a hootie

457
00:22:52,119 --> 00:22:55,280
Speaker 1: because envis definition was all off. Okay, I drive a

458
00:22:55,320 --> 00:22:58,600
Speaker 1: two thousand and three four focus right now. Okay, yeah

459
00:22:59,000 --> 00:23:06,320
Speaker 1: that's a hootie. You shut you right up? Why don't

460
00:23:06,320 --> 00:23:08,560
Speaker 1: you Why don't you get a newer car? I'm just curious.

461
00:23:09,160 --> 00:23:11,680
Speaker 1: It's just not important to me. I'm more worried about

462
00:23:11,880 --> 00:23:14,440
Speaker 1: getting more rental properties. I'm more worried about keeping my

463
00:23:14,560 --> 00:23:17,800
Speaker 1: wife happy and leaving my kids something when I'm going,

464
00:23:18,080 --> 00:23:21,119
Speaker 1: that's my focus. There you go, that's my forward focus.

465
00:23:24,080 --> 00:23:27,800
Speaker 1: Thank you, brother. I've always and I'm kind of like

466
00:23:27,840 --> 00:23:29,560
Speaker 1: your dad. You said he always drove a hoop I

467
00:23:29,640 --> 00:23:31,920
Speaker 1: just never really felt with a nice car. To be honest,

468
00:23:32,119 --> 00:23:35,000
Speaker 1: this would always try. Really would you like it? If, like,

469
00:23:35,280 --> 00:23:37,160
Speaker 1: you know, maybe your wife's surprised you went and brought

470
00:23:37,200 --> 00:23:39,480
Speaker 1: you a new car. Would that be dope? Nah? I

471
00:23:39,480 --> 00:23:42,280
Speaker 1: should better getting get us another property. There you go.

472
00:23:42,520 --> 00:23:44,240
Speaker 1: You know I'm because you know what, I'm not gonna

473
00:23:44,280 --> 00:23:46,280
Speaker 1: lie though. Sometimes the cars get old and then you

474
00:23:46,400 --> 00:23:49,439
Speaker 1: end up spending so much money fixing things. You might

475
00:23:49,520 --> 00:23:51,920
Speaker 1: as well just get a new car. Nah, I get

476
00:23:51,960 --> 00:23:54,159
Speaker 1: your old hoop to put liability on it, and you're

477
00:23:54,200 --> 00:24:00,199
Speaker 1: good even a new Ford focus. Let me see how

478
00:24:00,280 --> 00:24:05,159
Speaker 1: much is that run? Y'all laughing at my car? She

479
00:24:05,320 --> 00:24:10,320
Speaker 1: laughing at you. This is a wagon. Let's see how

480
00:24:10,400 --> 00:24:14,520
Speaker 1: much can we get for that? Okay, you might get

481
00:24:14,600 --> 00:24:17,760
Speaker 1: like three thousand dollars for it? How many miles I

482
00:24:17,840 --> 00:24:20,920
Speaker 1: got on it? Uh? That like one hundred and ninety?

483
00:24:21,320 --> 00:24:23,200
Speaker 1: Oh wow? Oh no, you're not gonna get three thousand,

484
00:24:23,240 --> 00:24:25,280
Speaker 1: and you're gonna get about. But you're gonna get about.

485
00:24:28,040 --> 00:24:30,680
Speaker 1: You're right, that's a that's a four focused brother. Yeah,

486
00:24:32,359 --> 00:24:34,959
Speaker 1: but Sary was wrong and she was talking about how

487
00:24:35,040 --> 00:24:36,840
Speaker 1: she bringing a man up and he can't go with

488
00:24:37,000 --> 00:24:39,440
Speaker 1: she could go men do that with women all the time,

489
00:24:39,920 --> 00:24:44,240
Speaker 1: but women expected and that's the difference. They expect for

490
00:24:44,320 --> 00:24:46,600
Speaker 1: a man to take them places they couldn't go and

491
00:24:46,800 --> 00:24:50,880
Speaker 1: things like that. It depends on No, No, let's not generalize.

492
00:24:50,960 --> 00:24:53,720
Speaker 1: There's a lot of places I can go that you

493
00:24:53,760 --> 00:24:56,919
Speaker 1: know I'm not. I can take myself a lot of places,

494
00:24:57,040 --> 00:24:59,320
Speaker 1: so you know, I get it, and she can take

495
00:24:59,359 --> 00:25:01,200
Speaker 1: herself a lot of places. So I think her point

496
00:25:01,359 --> 00:25:04,040
Speaker 1: was I can do these things and if he can't

497
00:25:04,119 --> 00:25:06,680
Speaker 1: do them, then it might hurt his own ego. I

498
00:25:06,800 --> 00:25:08,000
Speaker 1: just want to give you a lot of props for

499
00:25:08,080 --> 00:25:10,200
Speaker 1: having that Ford focus with two hundred thousand miles. Brother,

500
00:25:10,640 --> 00:25:16,160
Speaker 1: you stay clean out there. Man. Hello, who's this is Celia?

501
00:25:16,760 --> 00:25:21,800
Speaker 1: Hey Celia, Good morning, morning, good morning, good morning. We're

502
00:25:21,880 --> 00:25:24,720
Speaker 1: asking would you date a guy that drives a hooptie? Well,

503
00:25:24,800 --> 00:25:27,119
Speaker 1: in my younger days, it wouldn't have been a deal breaker,

504
00:25:27,200 --> 00:25:29,119
Speaker 1: but I'm in my mid thirties and I think that

505
00:25:29,240 --> 00:25:32,000
Speaker 1: if you don't have, if your life choices haven't led

506
00:25:32,040 --> 00:25:34,239
Speaker 1: you to at least have a reliable vehicle and your

507
00:25:34,280 --> 00:25:38,479
Speaker 1: mid thirties, then we'll probably butt heads. But if it's

508
00:25:38,520 --> 00:25:41,639
Speaker 1: a reliable hooptie, I still think you know it should

509
00:25:41,640 --> 00:25:43,720
Speaker 1: be it should be something up to date in nights.

510
00:25:44,000 --> 00:25:46,440
Speaker 1: I think a hoopie doesn't go hand in hand with reliable.

511
00:25:46,480 --> 00:25:48,840
Speaker 1: Hoopie to me is like it's rundown, it's not up

512
00:25:48,880 --> 00:25:51,800
Speaker 1: to par. You probably have problems with it. It's not

513
00:25:52,440 --> 00:25:54,040
Speaker 1: you know, it's not something that if you're in your

514
00:25:54,080 --> 00:25:56,359
Speaker 1: mid thirties that you should be. You know, you should

515
00:25:56,400 --> 00:25:59,480
Speaker 1: have something nice and reliable. I agree with you. I

516
00:25:59,600 --> 00:26:01,800
Speaker 1: agree that when you're younger, things like that don't matter

517
00:26:01,800 --> 00:26:04,080
Speaker 1: because we are struggling trying to make it. But when

518
00:26:04,119 --> 00:26:05,840
Speaker 1: you get to a certain age, you're like, Okay, I

519
00:26:05,880 --> 00:26:08,600
Speaker 1: don't want to have like struggle love anymore. Right, And

520
00:26:08,680 --> 00:26:10,840
Speaker 1: I understand things happen, but like I don't want to

521
00:26:10,880 --> 00:26:12,920
Speaker 1: have to weed through Like okay, are you just going

522
00:26:13,000 --> 00:26:15,760
Speaker 1: through something or is this just who you are? You

523
00:26:15,840 --> 00:26:17,879
Speaker 1: just a person that doesn't make good decisions, you know,

524
00:26:18,359 --> 00:26:21,600
Speaker 1: at least at least come with a reliable up today's vehicle.

525
00:26:22,000 --> 00:26:23,800
Speaker 1: And then he's like, oh my car broke down. Can

526
00:26:23,880 --> 00:26:26,080
Speaker 1: I use your car to get to work? Then you're

527
00:26:26,119 --> 00:26:33,119
Speaker 1: dropping them off at work? Seven children? Eight? How you

528
00:26:33,160 --> 00:26:35,320
Speaker 1: put all those kids in the call? She got a

529
00:26:35,359 --> 00:26:40,320
Speaker 1: mini van. I minivan kids sit minivan kids eight. She

530
00:26:40,480 --> 00:26:42,720
Speaker 1: got the third row so much I can't even believe

531
00:26:42,760 --> 00:26:44,720
Speaker 1: I'm talking to you even with a third row. What

532
00:26:44,880 --> 00:26:47,280
Speaker 1: kind of call you got their seats? Eight? I have

533
00:26:47,440 --> 00:26:51,000
Speaker 1: a Chrysler, um a Dodge or what is it a

534
00:26:51,080 --> 00:26:57,040
Speaker 1: Chrysler to know she has to country. There's no way

535
00:26:57,080 --> 00:26:59,280
Speaker 1: in hell you get all seven kids in that woman. Yes,

536
00:26:59,359 --> 00:27:01,840
Speaker 1: you can. Three in the middle, three in the back,

537
00:27:01,880 --> 00:27:05,080
Speaker 1: one in the front. Yeah. And I have teenagers, and

538
00:27:05,560 --> 00:27:07,680
Speaker 1: sometimes I have my kids and a couple of other friends.

539
00:27:07,720 --> 00:27:10,359
Speaker 1: They squeeze in and we make it happen. Lap it up,

540
00:27:10,440 --> 00:27:16,080
Speaker 1: baby to wait, who gets the right shotgun? They all

541
00:27:16,160 --> 00:27:18,560
Speaker 1: fight over it. So I don't just let my oldest

542
00:27:18,600 --> 00:27:20,560
Speaker 1: get the shotgun because she's the oldest. If my five

543
00:27:20,640 --> 00:27:23,800
Speaker 1: year old calls it first, and that's who gets it. Now,

544
00:27:23,880 --> 00:27:27,160
Speaker 1: let's be honest. Daily fights and sometimes this fights over

545
00:27:27,200 --> 00:27:29,480
Speaker 1: the preste when your husband's in the call with you.

546
00:27:30,040 --> 00:27:31,400
Speaker 1: One of the kids got to sit on the floor.

547
00:27:32,080 --> 00:27:34,640
Speaker 1: Oh yeah, are you gonna assume that she's a single

548
00:27:34,720 --> 00:27:37,680
Speaker 1: mind raising seven amazing kids? One of them got to

549
00:27:37,680 --> 00:27:39,680
Speaker 1: sit on the floor. Don't lie a car. You gotta

550
00:27:39,680 --> 00:27:41,720
Speaker 1: at least have an up to date car because I'm

551
00:27:41,760 --> 00:27:45,399
Speaker 1: doing seven by myself. So I know if you're if

552
00:27:45,400 --> 00:27:47,800
Speaker 1: you're just you, then you can have a decent car,

553
00:27:48,000 --> 00:27:51,240
Speaker 1: doesn't I gotta have attractive trailer if I date you

554
00:27:51,600 --> 00:27:57,200
Speaker 1: with those damn kids. Not all women with children are liabilities,

555
00:27:57,200 --> 00:27:59,600
Speaker 1: and not all women with less or no children or assets.

556
00:27:59,680 --> 00:28:01,600
Speaker 1: That's the no. I just gotta get all the kids

557
00:28:01,600 --> 00:28:03,080
Speaker 1: in the car. How you're gonna come to my house

558
00:28:03,080 --> 00:28:06,000
Speaker 1: with Christmas? We gotta get attracted trailer to get everybody. Geez,

559
00:28:07,240 --> 00:28:10,080
Speaker 1: I raised parties. We're the whole party. You know. You

560
00:28:10,119 --> 00:28:11,920
Speaker 1: don't have to send out a bunch of inmitations to

561
00:28:12,040 --> 00:28:15,280
Speaker 1: invite me. So for the pandemic, you were straight because

562
00:28:15,280 --> 00:28:17,119
Speaker 1: you had your seven kids and they had things to do.

563
00:28:17,240 --> 00:28:19,480
Speaker 1: They were playing with each other the whole time. I

564
00:28:19,560 --> 00:28:22,800
Speaker 1: have a great idea for a business for you. You

565
00:28:22,880 --> 00:28:24,720
Speaker 1: know how they have like people that you could hire

566
00:28:24,760 --> 00:28:26,320
Speaker 1: if you don't have a lot of friends. If there's

567
00:28:26,440 --> 00:28:28,760
Speaker 1: people whose kids don't have a lot of friends, they

568
00:28:28,800 --> 00:28:31,840
Speaker 1: could just call you. You're gonna bring seven olds, You

569
00:28:31,960 --> 00:28:34,880
Speaker 1: bring all the kids, and then you just charge them. Yeah,

570
00:28:35,119 --> 00:28:37,600
Speaker 1: and there's a party. It's like the wedding singer, but

571
00:28:37,680 --> 00:28:41,440
Speaker 1: it's like the friends right for the kids. God bless you, mamma.

572
00:28:41,960 --> 00:28:44,200
Speaker 1: I want more kids. I want ten kids. My wife's

573
00:28:44,240 --> 00:28:45,719
Speaker 1: not trying to have it. I'm trying to have more

574
00:28:45,720 --> 00:28:47,320
Speaker 1: and more and more and more kids. What's the more

575
00:28:47,440 --> 00:28:49,600
Speaker 1: of the story tomorrow. Of the story is we don't

576
00:28:49,640 --> 00:28:52,720
Speaker 1: want no scrubs. That's what it's sounding like now. I

577
00:28:52,880 --> 00:28:54,840
Speaker 1: understand the diamond and the rough thing. I think when

578
00:28:54,880 --> 00:28:57,080
Speaker 1: we're younger and we're not in that space and we're

579
00:28:57,120 --> 00:28:59,240
Speaker 1: all trying to come up together, it means a lot.

580
00:28:59,320 --> 00:29:02,040
Speaker 1: And they are some women who are okay with you

581
00:29:02,120 --> 00:29:04,000
Speaker 1: know that. And we did speak to a man who

582
00:29:04,600 --> 00:29:07,480
Speaker 1: actually has a lot of properties and cars aren't important

583
00:29:07,520 --> 00:29:09,640
Speaker 1: to him. But I do think, you know, we don't

584
00:29:09,640 --> 00:29:10,920
Speaker 1: want to be having to pick you up on the

585
00:29:11,000 --> 00:29:13,480
Speaker 1: side of the road because your car broke down. We

586
00:29:13,520 --> 00:29:15,480
Speaker 1: don't want you to having to ask us to drive

587
00:29:15,520 --> 00:29:17,280
Speaker 1: our car because your car broke down. You can't get

588
00:29:17,320 --> 00:29:19,400
Speaker 1: to work. So I think as long as you have

589
00:29:19,560 --> 00:29:23,600
Speaker 1: something decent that works, then you know it could work out.

590
00:29:23,680 --> 00:29:26,280
Speaker 1: But certain people, like a Sherry Shepherd, she's just not

591
00:29:26,400 --> 00:29:29,400
Speaker 1: with it all right. We've been locked as to breakfast club.

592
00:29:29,440 --> 00:29:36,880
Speaker 1: Good morning, the Breakfast Club. You're checking out the world's

593
00:29:36,880 --> 00:29:41,440
Speaker 1: most dangerous morning show. Wanting everybody in DJ Angela yee

594
00:29:41,600 --> 00:29:43,720
Speaker 1: Cholamine to god. We are the Breakfast Club. We have

595
00:29:43,840 --> 00:29:46,880
Speaker 1: some special guest in the building. That album's out right now.

596
00:29:46,960 --> 00:29:53,960
Speaker 1: We got the locks. What up? You know? Fellas was

597
00:29:54,000 --> 00:29:58,120
Speaker 1: going on album out right now? Everything great? They're good. Yes,

598
00:29:59,040 --> 00:30:01,520
Speaker 1: that was so with y'all. Yeah, no, every everything is good, man.

599
00:30:01,600 --> 00:30:07,000
Speaker 1: The album sounds amazing. It's amazing. Repression one of those

600
00:30:07,040 --> 00:30:08,760
Speaker 1: albums that make you want to going on a job

601
00:30:08,840 --> 00:30:10,600
Speaker 1: and his kisses doing right now or made you want

602
00:30:10,600 --> 00:30:13,400
Speaker 1: to hop on that bike or make you want it

603
00:30:13,440 --> 00:30:15,400
Speaker 1: gives you that feeling, it restores the feelings. So let's

604
00:30:15,400 --> 00:30:17,800
Speaker 1: talk about the album that y'all do, Pandemic Style, that

605
00:30:17,880 --> 00:30:20,120
Speaker 1: y'all do before Pandemic, that y'all get together in the

606
00:30:20,160 --> 00:30:23,240
Speaker 1: studio how to Go. This is definitely before man. We

607
00:30:23,360 --> 00:30:25,480
Speaker 1: had a bunch of records and um we made a

608
00:30:25,520 --> 00:30:28,800
Speaker 1: bunch of new ones this way before everything took place. Yeah,

609
00:30:29,920 --> 00:30:34,160
Speaker 1: it's definitely in the studios, definitely. We've been working forever

610
00:30:34,360 --> 00:30:37,520
Speaker 1: since the people have been asking for it, but trying

611
00:30:37,560 --> 00:30:40,680
Speaker 1: to get the business straight and ownership or the masters,

612
00:30:40,720 --> 00:30:44,480
Speaker 1: and oh, I mean that was really the time lapsed

613
00:30:44,560 --> 00:30:47,360
Speaker 1: between all of the albums. Once we shot with rock

614
00:30:47,440 --> 00:30:52,080
Speaker 1: Nation and got a partnership able to own own music

615
00:30:52,200 --> 00:30:56,160
Speaker 1: and be in control of our business, finally decide to

616
00:30:56,240 --> 00:31:00,760
Speaker 1: let it out. But if it is, it's very hard

617
00:31:00,800 --> 00:31:03,040
Speaker 1: to how long you take to get your rights back

618
00:31:03,120 --> 00:31:07,480
Speaker 1: in this game? Every Yeah, but now we've been giving

619
00:31:07,560 --> 00:31:14,000
Speaker 1: y'all like trinities and all kinds of projects, little finger foods,

620
00:31:14,320 --> 00:31:17,080
Speaker 1: but this is a this is an art trade for kids,

621
00:31:17,560 --> 00:31:20,800
Speaker 1: my big mama. Yeah, it don't even when when when

622
00:31:20,840 --> 00:31:22,720
Speaker 1: you look at the statistics, you're like, Dan, it's the

623
00:31:22,800 --> 00:31:24,960
Speaker 1: lot that's only the Locks third album, Like it seemed

624
00:31:24,960 --> 00:31:26,960
Speaker 1: like y'all put out so much catalog you can't release

625
00:31:26,960 --> 00:31:29,400
Speaker 1: only we have. We have been putting out a bunch

626
00:31:29,400 --> 00:31:31,600
Speaker 1: of years. That kills me when we do interviews and

627
00:31:31,680 --> 00:31:34,800
Speaker 1: they say, so your new fourth, third, fourth album, like

628
00:31:35,240 --> 00:31:39,600
Speaker 1: eighty years old, that we only got three albums. It

629
00:31:40,120 --> 00:31:44,720
Speaker 1: if mixtapes counted for albums, we probably have the most albums. Absolutely, Yeah,

630
00:31:46,000 --> 00:31:48,880
Speaker 1: How how is the creative process changed as you've gotten older,

631
00:31:48,920 --> 00:31:50,920
Speaker 1: because like you know, it was twenty years ago that

632
00:31:51,000 --> 00:31:53,080
Speaker 1: the last Locks album. Job you though y'all did put

633
00:31:53,120 --> 00:31:55,480
Speaker 1: out mad music, solo projects, mixtapes, everything, But how is

634
00:31:55,520 --> 00:31:58,000
Speaker 1: the creative process changed? You got little not really not

635
00:31:58,120 --> 00:32:01,200
Speaker 1: really creatively, more like content because we got older. The

636
00:32:01,320 --> 00:32:03,760
Speaker 1: things we talked about. You know something I'm saying before

637
00:32:03,880 --> 00:32:07,680
Speaker 1: we was trying to get our hands on the key lowing. Yeah,

638
00:32:07,720 --> 00:32:11,080
Speaker 1: I mean now we own businesses and all type of stuff.

639
00:32:11,120 --> 00:32:14,560
Speaker 1: So you gotta fig out the drafty wavings, just show

640
00:32:14,640 --> 00:32:17,400
Speaker 1: your evolution. I was watching the podcast that y'all did

641
00:32:17,520 --> 00:32:20,800
Speaker 1: with Mary J. Blige and Angie Martinez, and she was

642
00:32:20,840 --> 00:32:23,280
Speaker 1: talking about how, you know, how she knew y'all growing up,

643
00:32:23,360 --> 00:32:25,560
Speaker 1: and she said style seven at the time and live.

644
00:32:26,080 --> 00:32:28,800
Speaker 1: I used to hear her sing and you know, taking

645
00:32:28,840 --> 00:32:30,880
Speaker 1: the demo and bring it to the puff. I always

646
00:32:30,920 --> 00:32:33,120
Speaker 1: thought if Mary would have started a label at that time,

647
00:32:33,160 --> 00:32:38,120
Speaker 1: we ya have signed to Mary. Absolutely definitely, absolutely shout

648
00:32:38,160 --> 00:32:39,760
Speaker 1: out to Marry. She's like I always some people. She

649
00:32:39,840 --> 00:32:42,280
Speaker 1: didn't want anything after that, even watching the blow up,

650
00:32:42,320 --> 00:32:45,240
Speaker 1: Mary probably did the best business with us than anybody.

651
00:32:45,440 --> 00:32:52,760
Speaker 1: Absolutely got the even gonna find this play. Don't talk

652
00:32:52,760 --> 00:32:56,440
Speaker 1: about finding nothing, y'all. Nothing she ain't want nine. You

653
00:32:56,520 --> 00:33:00,240
Speaker 1: let her cousin get that a man a man take

654
00:33:00,600 --> 00:33:03,479
Speaker 1: yet our man, Bob get to find this feel who

655
00:33:03,600 --> 00:33:07,120
Speaker 1: was part of our entourage that actually passed her to

656
00:33:07,200 --> 00:33:10,280
Speaker 1: take that we passed him. We let him get the funnest. Wow.

657
00:33:10,880 --> 00:33:12,880
Speaker 1: You know y'all talk about the evolution of y'all music.

658
00:33:12,960 --> 00:33:15,400
Speaker 1: Man a record like miss you Like, Like what place

659
00:33:15,480 --> 00:33:17,160
Speaker 1: did each of y'all have to get in your lives

660
00:33:17,240 --> 00:33:19,200
Speaker 1: to realize? Like that's the message you want to send

661
00:33:19,240 --> 00:33:22,160
Speaker 1: in the song because y'all represent the streets. Yeah, yeah,

662
00:33:22,400 --> 00:33:24,480
Speaker 1: now you're trying to get brothers out of them. Absolutely.

663
00:33:24,600 --> 00:33:25,960
Speaker 1: Like I said, I was born in the streets, so

664
00:33:26,040 --> 00:33:27,560
Speaker 1: I was just small enough to move, you know what

665
00:33:27,600 --> 00:33:28,920
Speaker 1: I mean. Whenever I went through, I don't want my

666
00:33:29,000 --> 00:33:31,040
Speaker 1: kids to go through at all, So kind of that's

667
00:33:31,040 --> 00:33:32,960
Speaker 1: what I was at with him and just putting that

668
00:33:33,120 --> 00:33:35,800
Speaker 1: message out there to the young dudes that was like

669
00:33:36,000 --> 00:33:38,560
Speaker 1: us that's probably still hustling, you know what I mean.

670
00:33:38,720 --> 00:33:41,440
Speaker 1: Taking penitentiary chances, you do it to get out of

671
00:33:41,520 --> 00:33:44,680
Speaker 1: the game. Nobody want to hush you off. Risk your

672
00:33:44,720 --> 00:33:46,640
Speaker 1: life to stay there, you know what I mean. You're

673
00:33:46,640 --> 00:33:48,960
Speaker 1: trying to make a better way for yourself, your family,

674
00:33:49,200 --> 00:33:53,000
Speaker 1: loved ones, go getting out of it. How do you

675
00:33:53,120 --> 00:33:56,040
Speaker 1: know what do you say? Side? I said, If we

676
00:33:56,080 --> 00:33:58,080
Speaker 1: don't get that message to the hood, who will, Like,

677
00:33:58,200 --> 00:34:02,240
Speaker 1: you know what I mean? A lot of the regular

678
00:34:02,280 --> 00:34:05,080
Speaker 1: world who hit hit I kind of misconstrued all the time.

679
00:34:05,120 --> 00:34:07,000
Speaker 1: I think other people just want to always be in

680
00:34:07,080 --> 00:34:09,200
Speaker 1: the hood. A lot of people want better, a lot

681
00:34:09,200 --> 00:34:10,840
Speaker 1: of people want to stripe to better. A lot of

682
00:34:10,880 --> 00:34:14,120
Speaker 1: people want better situations. They have to be informed that

683
00:34:14,200 --> 00:34:16,880
Speaker 1: as possible, and you know that it's cool to do it,

684
00:34:17,000 --> 00:34:19,719
Speaker 1: and the school to stripe for for better like and

685
00:34:19,840 --> 00:34:21,960
Speaker 1: a lot of people are mostly like that, But most

686
00:34:22,000 --> 00:34:25,120
Speaker 1: people don't know that. You're just trying to broadcast the message,

687
00:34:25,160 --> 00:34:26,759
Speaker 1: like you know what I mean. It's to the best

688
00:34:26,800 --> 00:34:29,319
Speaker 1: of my ability. Now, the evolution is evident. I mean,

689
00:34:29,360 --> 00:34:32,440
Speaker 1: you know, your brothers, you'll juice in y'r plant based here.

690
00:34:32,520 --> 00:34:34,520
Speaker 1: You see y'all out there exercising in the morning. But

691
00:34:34,640 --> 00:34:36,040
Speaker 1: what do you do when a brother comes up to

692
00:34:36,120 --> 00:34:38,879
Speaker 1: y'all and say, Yo, I stabbed somebody to the locks

693
00:34:38,960 --> 00:34:41,600
Speaker 1: back in the day. I just got somebody to some

694
00:34:41,719 --> 00:34:43,360
Speaker 1: lots of music. Back in the day. I heard that

695
00:34:43,520 --> 00:34:47,040
Speaker 1: all the time. That all the time, yo, you got

696
00:34:47,120 --> 00:34:49,040
Speaker 1: me through my bid and this and that and yo,

697
00:34:49,280 --> 00:34:51,799
Speaker 1: I'd be wilent toe y'all. Son, I'd be like, yo, um,

698
00:34:52,480 --> 00:34:57,680
Speaker 1: that's what's up. I've been feeling harbor. I ain't gotta lie.

699
00:34:58,920 --> 00:35:01,520
Speaker 1: I apologize. I said, I feel hard, but I said,

700
00:35:01,520 --> 00:35:03,400
Speaker 1: we gotta go through better, like you know what I mean.

701
00:35:03,800 --> 00:35:05,200
Speaker 1: But it happens, like you know what I mean. I

702
00:35:05,360 --> 00:35:08,560
Speaker 1: was part of the energy and you understand it. But

703
00:35:08,640 --> 00:35:11,040
Speaker 1: that's all all of our process and moving forward. So

704
00:35:11,160 --> 00:35:14,360
Speaker 1: we take those exact movements to say, all right, that happened,

705
00:35:14,480 --> 00:35:16,360
Speaker 1: that happened with us. Now we got to move forward

706
00:35:16,400 --> 00:35:19,359
Speaker 1: and do better. You mean, now, you guys have been

707
00:35:19,400 --> 00:35:22,040
Speaker 1: together for a long time as a group, and not

708
00:35:22,239 --> 00:35:24,760
Speaker 1: one time have we heard of the locks fighting, beef

709
00:35:24,880 --> 00:35:27,879
Speaker 1: in bickering. And you don't hear that with groups at all.

710
00:35:27,960 --> 00:35:30,279
Speaker 1: So how have you guys stay so solid throughout the times?

711
00:35:30,280 --> 00:35:32,960
Speaker 1: Because I mean your brothers and brothers gotta fight once

712
00:35:33,000 --> 00:35:35,680
Speaker 1: in a while, but keep behind the door. Man. Once

713
00:35:35,760 --> 00:35:40,480
Speaker 1: we got any disagreements, we go in. Yeah, chew everybody's

714
00:35:40,680 --> 00:35:44,640
Speaker 1: you know, let get your ventilate amongst each other's, curse

715
00:35:44,680 --> 00:35:47,680
Speaker 1: each other out whatever. When we leave it, when we

716
00:35:47,840 --> 00:35:50,600
Speaker 1: go out the door and close it, all that stuff

717
00:35:50,640 --> 00:35:54,480
Speaker 1: stays in the door and keep them coming and then yo,

718
00:35:54,719 --> 00:35:56,640
Speaker 1: and it definitely won't be on those social media none

719
00:35:56,680 --> 00:36:00,480
Speaker 1: of that. Ever, who gets gotta hit since who gets

720
00:36:00,480 --> 00:36:09,359
Speaker 1: cursed out the most? Um probably kiss probably what uh,

721
00:36:09,960 --> 00:36:12,919
Speaker 1: I don't know us sound was he's a single child

722
00:36:13,040 --> 00:36:20,200
Speaker 1: man right there? Yeah, yeah, true, true, true, you have

723
00:36:20,320 --> 00:36:23,719
Speaker 1: to share the room or up. He just had to

724
00:36:23,760 --> 00:36:27,960
Speaker 1: share rooms like you know, so he's a geminar man. Yeah,

725
00:36:27,960 --> 00:36:29,800
Speaker 1: that's what I was gonna say, beat me toya geminar.

726
00:36:30,239 --> 00:36:32,640
Speaker 1: This is crazy, like like like one of the best

727
00:36:32,680 --> 00:36:35,839
Speaker 1: sources of material for balls nowadays. It's the new wave.

728
00:36:36,480 --> 00:36:39,040
Speaker 1: You gotta use it to your advantage. Don't let it

729
00:36:39,560 --> 00:36:44,000
Speaker 1: disrupt your mentality or your mental and m I mean

730
00:36:44,160 --> 00:36:47,560
Speaker 1: that's shit. What about the what about the Maya America record?

731
00:36:48,239 --> 00:36:50,520
Speaker 1: So I drawed his fire like, um, you know, we

732
00:36:50,640 --> 00:36:52,319
Speaker 1: talking some real stuff on there. It took a lot.

733
00:36:52,360 --> 00:36:54,799
Speaker 1: It's actually took a lot to make that record. Yeah,

734
00:36:54,880 --> 00:36:57,960
Speaker 1: I mean late Night. I wish we could have documented

735
00:36:58,040 --> 00:37:00,520
Speaker 1: that session. It was a rough one. Yeah, what what

736
00:37:01,160 --> 00:37:03,480
Speaker 1: what happened in this session? It was so rough about it?

737
00:37:04,040 --> 00:37:06,080
Speaker 1: He going through it a little bit, you know what

738
00:37:06,120 --> 00:37:08,680
Speaker 1: I mean? Yeah, we had to brought me back. It

739
00:37:08,800 --> 00:37:10,440
Speaker 1: brought me back to a lot of things I was

740
00:37:10,480 --> 00:37:13,120
Speaker 1: going through. So I was trying to express it. But

741
00:37:13,600 --> 00:37:15,440
Speaker 1: Luce called me and I heard the thing to just

742
00:37:15,560 --> 00:37:18,040
Speaker 1: touched my soul and then just trying to get through it.

743
00:37:18,800 --> 00:37:21,480
Speaker 1: It's very hard to late, like you know, but made

744
00:37:21,480 --> 00:37:23,840
Speaker 1: it through. They hugged me, got me, let left me,

745
00:37:25,400 --> 00:37:29,480
Speaker 1: came back, checked on me. Said you good at the screen,

746
00:37:29,640 --> 00:37:32,960
Speaker 1: at the yell at the cry, but first came out

747
00:37:34,480 --> 00:37:37,279
Speaker 1: on the record. You say you talk about you don't

748
00:37:37,280 --> 00:37:40,200
Speaker 1: cry so much you almost tire the crime. Oh yeah,

749
00:37:40,640 --> 00:37:44,680
Speaker 1: especially now Colvid, black people, racism, it's every day you

750
00:37:44,760 --> 00:37:47,520
Speaker 1: kind of cry. Now it gets sad sometimes, like you

751
00:37:47,600 --> 00:37:50,279
Speaker 1: know what I mean, very very dark time. That's why

752
00:37:50,280 --> 00:37:53,480
Speaker 1: I coms like like what's like I was wondering when

753
00:37:53,480 --> 00:37:54,839
Speaker 1: I'm hearing the song and I'm listening, I'm like, what's

754
00:37:54,840 --> 00:37:58,840
Speaker 1: an ideal America for you'll? Wow, that's a great question.

755
00:37:59,040 --> 00:38:01,759
Speaker 1: I think. I think ideal of America for me, it's

756
00:38:01,800 --> 00:38:06,000
Speaker 1: definitely where well we get some equality first and foremost,

757
00:38:06,040 --> 00:38:07,320
Speaker 1: Like you know what I mean, we ain't gotta be

758
00:38:07,480 --> 00:38:10,719
Speaker 1: way about our kids when they get a fishhot the

759
00:38:10,800 --> 00:38:15,319
Speaker 1: fish shot children, I think we've been we've been spiritually

760
00:38:15,400 --> 00:38:17,960
Speaker 1: attacked for so long that it is the toll is

761
00:38:18,000 --> 00:38:19,840
Speaker 1: too much now, like you know what I mean, And

762
00:38:19,960 --> 00:38:22,960
Speaker 1: I think we just need some equality and fitness and

763
00:38:23,120 --> 00:38:26,319
Speaker 1: human beings like it's it's been fought for too long,

764
00:38:26,400 --> 00:38:28,759
Speaker 1: and I think the whole world, just as human beings,

765
00:38:28,760 --> 00:38:30,680
Speaker 1: should want to step up. It's a lot of black

766
00:38:30,719 --> 00:38:32,800
Speaker 1: and white kids, mix, a lot of mixed races, and

767
00:38:32,880 --> 00:38:35,560
Speaker 1: so you know, there's so much division that it's just

768
00:38:36,560 --> 00:38:39,800
Speaker 1: overwhelmingly people. We got more with the locks when we

769
00:38:39,880 --> 00:38:42,080
Speaker 1: come back, keep it locked. It's the Breakfast Club. Good morning,

770
00:38:42,200 --> 00:38:45,640
Speaker 1: good morning. Everybody is DJ M v Angela Yee, Charlomane

771
00:38:45,680 --> 00:38:47,800
Speaker 1: the guy. We all the Breakfast Club. We got the

772
00:38:47,880 --> 00:38:49,800
Speaker 1: locks in the building. Now you don't want to I

773
00:38:49,880 --> 00:38:51,960
Speaker 1: want to ask, you know, watching the Versus battle right

774
00:38:52,000 --> 00:38:54,479
Speaker 1: and watching so many people give the flowers to kiss,

775
00:38:54,840 --> 00:38:56,360
Speaker 1: did that make you, guys whether to say, you know

776
00:38:56,400 --> 00:38:58,319
Speaker 1: what the locks to do with Versus? Because I mean,

777
00:38:58,360 --> 00:39:00,640
Speaker 1: you've got so many joints in so many people forget

778
00:39:00,640 --> 00:39:03,719
Speaker 1: about somebody. Some of the street anthems and racing it's

779
00:39:03,800 --> 00:39:05,960
Speaker 1: and all the all the things that you guys put out.

780
00:39:06,239 --> 00:39:08,479
Speaker 1: But that's something that you guys would would think about

781
00:39:08,480 --> 00:39:11,359
Speaker 1: doing because you've been accent we've been accenting. I think

782
00:39:11,440 --> 00:39:13,759
Speaker 1: we need to do one. I would love for the

783
00:39:13,920 --> 00:39:16,239
Speaker 1: Locks to do one because Versus is one of the

784
00:39:16,320 --> 00:39:20,360
Speaker 1: only platforms where you don't matter about your accolades. It

785
00:39:20,440 --> 00:39:23,480
Speaker 1: don't matter what you sold. You get up there and

786
00:39:23,600 --> 00:39:29,120
Speaker 1: strategize your playlists accordingly. It's about that gotta be the

787
00:39:29,239 --> 00:39:32,319
Speaker 1: right you gotta be the right versus. It's all about

788
00:39:32,400 --> 00:39:37,560
Speaker 1: cultural catalog with the verses. That's the plan. Yeah, you know,

789
00:39:37,640 --> 00:39:39,240
Speaker 1: who who would it be? Who would it be against?

790
00:39:40,640 --> 00:39:42,680
Speaker 1: M I don't know, man, I think that y'all have

791
00:39:42,800 --> 00:39:46,320
Speaker 1: a very unique space and rap like I can't. I

792
00:39:46,400 --> 00:39:49,399
Speaker 1: can't even think who's the three man rap groups? Ain't

793
00:39:49,920 --> 00:39:54,600
Speaker 1: That's what I'm saying, Like I don't. I always say

794
00:39:54,600 --> 00:39:57,440
Speaker 1: they'll have to be like um Dip said or like

795
00:39:57,600 --> 00:39:59,400
Speaker 1: but you know they're not really a group, right is

796
00:39:59,400 --> 00:40:01,239
Speaker 1: it a bunch of different artists? Gun, it is a

797
00:40:01,239 --> 00:40:03,120
Speaker 1: bunch of different arts. It could be like outcasts gonna

798
00:40:03,120 --> 00:40:07,360
Speaker 1: get out in sets a group. I have to be

799
00:40:07,480 --> 00:40:12,919
Speaker 1: d Block versus versus Deep Block. It's what Joey saying.

800
00:40:12,960 --> 00:40:16,640
Speaker 1: Everybody ain't even together. No, more Man. Yeah, one strike.

801
00:40:16,840 --> 00:40:20,400
Speaker 1: You can't only only having to show up without Pe

802
00:40:20,560 --> 00:40:23,880
Speaker 1: because P, you know, P died, but everything else. If

803
00:40:23,920 --> 00:40:26,520
Speaker 1: you call it a group and only two members show up,

804
00:40:27,000 --> 00:40:31,680
Speaker 1: you already launch. Yeah, I mean they ain't going for

805
00:40:31,840 --> 00:40:36,240
Speaker 1: none of that group watching one twelve yeah, two members,

806
00:40:36,320 --> 00:40:40,960
Speaker 1: it was only eleven day. What did y'all think when

807
00:40:41,000 --> 00:40:44,920
Speaker 1: y'all see uh Jady kiss and he was drunk and high?

808
00:40:46,719 --> 00:40:48,960
Speaker 1: That was good. I thought he was. You know, I

809
00:40:49,200 --> 00:40:52,080
Speaker 1: wasn't high, ey, That's why I'm so drunk. They didn't

810
00:40:52,160 --> 00:40:58,080
Speaker 1: let me smoke. They lied me up. He regular seemed

811
00:40:58,120 --> 00:41:03,000
Speaker 1: me like that. They always like that, like that to

812
00:41:03,120 --> 00:41:05,960
Speaker 1: the world, but to them, I was record, that's right

813
00:41:06,000 --> 00:41:08,120
Speaker 1: before the show man, you know how we go, you

814
00:41:08,200 --> 00:41:11,160
Speaker 1: know what I mean? So, um, that's that's right before

815
00:41:11,200 --> 00:41:14,040
Speaker 1: the show energy. So I was drunking at him, to

816
00:41:14,120 --> 00:41:20,080
Speaker 1: be honest, watching the celebrating the paper tow ban Dan

817
00:41:20,600 --> 00:41:22,359
Speaker 1: and all that, Yeah, I had to go. I had

818
00:41:22,360 --> 00:41:24,520
Speaker 1: to throw it back, you know what I move. I

819
00:41:24,640 --> 00:41:27,120
Speaker 1: was chugging watching that. That was a good joint. But

820
00:41:28,760 --> 00:41:31,160
Speaker 1: now the record um due to me? Is it is? It? Is?

821
00:41:31,200 --> 00:41:33,680
Speaker 1: It difficult even at this stage in y'all career, to

822
00:41:33,760 --> 00:41:36,120
Speaker 1: going there and make those make those kind of records

823
00:41:36,239 --> 00:41:41,880
Speaker 1: because they're almost like the radio women friendly records. We

824
00:41:42,040 --> 00:41:45,160
Speaker 1: actually had fun making that. We always in Cali a

825
00:41:45,280 --> 00:41:49,839
Speaker 1: Scott Storch crib um. Yeah. Fun. We made like three

826
00:41:49,920 --> 00:41:53,480
Speaker 1: records that night. So I wasn't you know the young

827
00:41:53,600 --> 00:41:56,120
Speaker 1: Locks would have been a little stubborn to that kind

828
00:41:56,160 --> 00:41:58,399
Speaker 1: of song. But like I said, we've grown up now,

829
00:41:58,480 --> 00:42:00,760
Speaker 1: so I know a record you pro he love Styles

830
00:42:00,880 --> 00:42:08,600
Speaker 1: was thinking of Locks definitely. The other reminds me of

831
00:42:08,680 --> 00:42:11,800
Speaker 1: the Locks. I don't think they don't there. They remind

832
00:42:11,840 --> 00:42:17,200
Speaker 1: me of the Locks. They got some spring, they got

833
00:42:17,280 --> 00:42:21,120
Speaker 1: that energy. They definitely got that row Street energy. And

834
00:42:21,200 --> 00:42:23,839
Speaker 1: we we salute and we not we give a big

835
00:42:23,960 --> 00:42:26,760
Speaker 1: none to what they do, like all the younger fellows

836
00:42:26,800 --> 00:42:28,800
Speaker 1: who carried the torch from what we do. We like

837
00:42:28,880 --> 00:42:31,960
Speaker 1: to salute. We rumby dudes. Man, we like some of

838
00:42:32,000 --> 00:42:35,440
Speaker 1: the new guys. Man, when y'all go in the studio

839
00:42:35,480 --> 00:42:36,960
Speaker 1: with them, I know you think I gotta bust the

840
00:42:37,080 --> 00:42:41,279
Speaker 1: ass though. Absolutely. Yeah, everybody that's to say March State

841
00:42:41,560 --> 00:42:46,279
Speaker 1: is everybody. Yeah, that's how we wrapped with each other.

842
00:42:46,560 --> 00:42:48,359
Speaker 1: When I hear kissing Styles, I'm like, man, I gotta

843
00:42:48,400 --> 00:42:52,080
Speaker 1: go in period. Well I need to ask about that

844
00:42:52,120 --> 00:42:54,440
Speaker 1: because I'm listening to the album and I gotta say, man, she,

845
00:42:55,280 --> 00:42:56,960
Speaker 1: I think I might have to give you MVP on

846
00:42:57,080 --> 00:42:59,279
Speaker 1: this album. Yeah, I was, I was, I was getting

847
00:42:59,320 --> 00:43:01,680
Speaker 1: busy right, you was in his zone. Well, I'm not

848
00:43:01,800 --> 00:43:05,920
Speaker 1: gonna lie. So I like having fun, man, I like

849
00:43:06,040 --> 00:43:09,080
Speaker 1: having fun. And I said, what got into you? Like?

850
00:43:09,120 --> 00:43:10,959
Speaker 1: What was the inspiration? What made you say I'm about

851
00:43:10,960 --> 00:43:13,400
Speaker 1: to really go in on this one like it was

852
00:43:13,480 --> 00:43:16,560
Speaker 1: my brother's man. Didn't in the world, whoever sleeping on me?

853
00:43:16,600 --> 00:43:19,239
Speaker 1: I'm like, dude, silver back, I'm here, let's get it all.

854
00:43:20,160 --> 00:43:23,759
Speaker 1: And I think time she like we heard styles music,

855
00:43:23,880 --> 00:43:26,440
Speaker 1: we heard kiss. We haven't heard she could in a minute,

856
00:43:26,480 --> 00:43:30,279
Speaker 1: So absolutely hear you as well. Wow, that's dope. Absolutely yeah,

857
00:43:30,320 --> 00:43:33,680
Speaker 1: I appreciate that. Man. So kissing styles when y'all when

858
00:43:33,719 --> 00:43:35,840
Speaker 1: y'all here in the album, y'all like, damn she going in?

859
00:43:36,040 --> 00:43:38,080
Speaker 1: Uh you know kiss? You like dance styles going in

860
00:43:38,160 --> 00:43:40,120
Speaker 1: the style like Dann kiss going in? How did that

861
00:43:40,239 --> 00:43:43,640
Speaker 1: make y'all feel? As MCS? So when for the team,

862
00:43:44,680 --> 00:43:47,879
Speaker 1: it ain't like when when it is us, it should win.

863
00:43:49,120 --> 00:43:56,479
Speaker 1: I mean absolutely, that's that's what that's like. Crutches crutches, Yeah,

864
00:43:58,200 --> 00:44:01,759
Speaker 1: next one. People say that I'm just wanting to get

865
00:44:01,800 --> 00:44:08,360
Speaker 1: his as old water remixes and everything, bro. But now

866
00:44:08,440 --> 00:44:10,719
Speaker 1: that's a beautiful thing. I think that's what keeps our brother.

867
00:44:11,000 --> 00:44:13,759
Speaker 1: We know we ain't a if one is winning with

868
00:44:13,920 --> 00:44:17,080
Speaker 1: all winning. And anytime I go first anyway, I already

869
00:44:17,160 --> 00:44:21,480
Speaker 1: know I was set up to failure. Anytime you lead

870
00:44:21,520 --> 00:44:24,080
Speaker 1: off the track with these two, I'd be like, you know,

871
00:44:24,480 --> 00:44:26,879
Speaker 1: I'm just doing my part, man. But now it's old

872
00:44:26,920 --> 00:44:29,800
Speaker 1: lord man, he kills. That's what we do. What what

873
00:44:30,120 --> 00:44:32,560
Speaker 1: feelings did the Rough Riders documentary bring out of you?

874
00:44:32,920 --> 00:44:35,520
Speaker 1: Sitting back and watching that? What was it like? We're

875
00:44:35,520 --> 00:44:38,719
Speaker 1: living those moments? I mean beautiful. I actually watched it

876
00:44:38,840 --> 00:44:41,319
Speaker 1: all last night. I ain't never watched it till last night.

877
00:44:41,400 --> 00:44:43,600
Speaker 1: I watched all of them at once. I thought I

878
00:44:43,719 --> 00:44:46,560
Speaker 1: was amazing. Yeah, I'm just watching I want to Binge

879
00:44:46,640 --> 00:44:50,520
Speaker 1: watched all five parts last night at once. After my

880
00:44:50,680 --> 00:44:55,719
Speaker 1: son birthday party, I joined birthday to them. Man. Look,

881
00:44:56,080 --> 00:44:57,800
Speaker 1: it was something that I didn't even know about on

882
00:44:57,920 --> 00:45:00,680
Speaker 1: that on that um on that day learned. I learned

883
00:45:00,719 --> 00:45:05,040
Speaker 1: some history about them before they actually got to us.

884
00:45:05,120 --> 00:45:07,759
Speaker 1: I didn't know some of that stuff really, like how

885
00:45:07,840 --> 00:45:09,320
Speaker 1: I like how while I was on this, he was

886
00:45:09,360 --> 00:45:11,960
Speaker 1: on his his d BO his shug night. I don't

887
00:45:11,960 --> 00:45:13,840
Speaker 1: even know that about me so calm and cool, like

888
00:45:13,920 --> 00:45:17,279
Speaker 1: you know what I mean, while I was going in

889
00:45:17,520 --> 00:45:20,719
Speaker 1: his living rooms. Look at that how you got y'all

890
00:45:20,760 --> 00:45:23,160
Speaker 1: off the contract of the DMX. I didn't know, you

891
00:45:23,280 --> 00:45:25,400
Speaker 1: know some of that. But I with me know, we

892
00:45:25,560 --> 00:45:30,080
Speaker 1: knew about us some of those stuff. Everything with us,

893
00:45:30,239 --> 00:45:32,279
Speaker 1: I was like, you knew, but I thought it was

894
00:45:32,280 --> 00:45:36,520
Speaker 1: always like ding his homies. But you know, yeah, I

895
00:45:36,680 --> 00:45:39,840
Speaker 1: like watching it. I appreciate u um watching it and

896
00:45:39,960 --> 00:45:42,160
Speaker 1: just seeing it from you know how long we made it,

897
00:45:42,200 --> 00:45:44,520
Speaker 1: from bad Boy, the rough Rider and now and I

898
00:45:44,640 --> 00:45:47,480
Speaker 1: evolution just spoke pretty much really dope, like you know

899
00:45:47,520 --> 00:45:50,279
Speaker 1: what I mean, because I finished it up last night too,

900
00:45:50,360 --> 00:45:51,880
Speaker 1: and I think you know, I finished it up just

901
00:45:52,080 --> 00:45:54,880
Speaker 1: as the album is coming out, so we just kind of,

902
00:45:55,120 --> 00:45:57,160
Speaker 1: you know, like, wow, we've been here for a while

903
00:45:57,320 --> 00:46:00,960
Speaker 1: old and it was still looked with still round from

904
00:46:01,000 --> 00:46:03,880
Speaker 1: my draft class. A lot of people, you know, they

905
00:46:03,920 --> 00:46:05,600
Speaker 1: don't get the love or the light we get or

906
00:46:05,640 --> 00:46:07,560
Speaker 1: the support from the people, you know what I mean,

907
00:46:08,120 --> 00:46:11,200
Speaker 1: were able to balance the streets and sort of the

908
00:46:11,280 --> 00:46:20,080
Speaker 1: main stream up. So really we was stream rice streaming one. Yeah,

909
00:46:20,120 --> 00:46:26,120
Speaker 1: oh yeah, they have no idea work. So that was beautiful.

910
00:46:26,239 --> 00:46:28,040
Speaker 1: What are you comparing it to those downs? Go and

911
00:46:28,080 --> 00:46:29,680
Speaker 1: I see it. I just see some young brothers from

912
00:46:29,719 --> 00:46:31,560
Speaker 1: the hood trying to make it like what's what is

913
00:46:31,640 --> 00:46:36,279
Speaker 1: ghetto for? One for? I mean a lot of tactics. Yeah,

914
00:46:37,000 --> 00:46:41,000
Speaker 1: throwing a chair and puff. I'm glad they edited that

915
00:46:41,080 --> 00:46:44,239
Speaker 1: whole Boston thing the way they did. Yeah, I was

916
00:46:44,320 --> 00:46:46,520
Speaker 1: glad the boys that I was. I was really glad

917
00:46:46,600 --> 00:46:48,920
Speaker 1: on the boss that edit. The Boss just you know,

918
00:46:49,880 --> 00:46:53,560
Speaker 1: because I don't know. We were scattered the Boston story.

919
00:46:54,719 --> 00:46:56,520
Speaker 1: I was all the way in South Carolina at the

920
00:46:56,600 --> 00:46:58,800
Speaker 1: time and there wasn't those social media then, and I

921
00:46:58,920 --> 00:47:00,600
Speaker 1: heard about that story. I'm like, how did I know

922
00:47:00,680 --> 00:47:03,319
Speaker 1: about this? Yeah? Now it was all over the ready

923
00:47:03,360 --> 00:47:05,960
Speaker 1: and it was like the locks held it down, listen, men,

924
00:47:06,160 --> 00:47:08,040
Speaker 1: and we would have just been getting out of jail

925
00:47:08,160 --> 00:47:16,080
Speaker 1: right now, just getting out. That's a fact. Do y'all

926
00:47:16,120 --> 00:47:18,319
Speaker 1: think they covered enough? Like, as far as y'all are

927
00:47:18,360 --> 00:47:20,719
Speaker 1: concerned or has been more of a story, it's still

928
00:47:20,800 --> 00:47:22,680
Speaker 1: some stuff for us. A lot to tell about us.

929
00:47:22,719 --> 00:47:24,799
Speaker 1: That's why we got the documents coming. It's a whole

930
00:47:24,840 --> 00:47:27,000
Speaker 1: lot of us. I think the Locks story is gonna

931
00:47:27,000 --> 00:47:29,080
Speaker 1: be done. What is the documentary coming? You're trying to

932
00:47:29,080 --> 00:47:32,399
Speaker 1: get home for it now. So yeah, it's done. Yeah,

933
00:47:32,840 --> 00:47:34,359
Speaker 1: we got more with the Locks when we come back.

934
00:47:34,440 --> 00:47:37,640
Speaker 1: Keep it locked. It's the Breakfast Club. Good morning, good morning.

935
00:47:37,680 --> 00:47:40,880
Speaker 1: Everybody is DJ m vy Angela Yee, Charlemagne the guy.

936
00:47:40,960 --> 00:47:43,279
Speaker 1: We all the Breakfast Club. We got the Locks in

937
00:47:43,360 --> 00:47:45,880
Speaker 1: the building, Charlemagne. I wonder if y'all gonna address this

938
00:47:45,960 --> 00:47:47,239
Speaker 1: on the dock because I ain't seen on the rough

939
00:47:47,320 --> 00:47:50,200
Speaker 1: Rider dock. I never knew DMX was throwing throwing shots

940
00:47:50,200 --> 00:47:53,120
Speaker 1: at y'all on that record, Treat them the Great Depression?

941
00:47:53,719 --> 00:47:57,680
Speaker 1: What was that about? What are you saying? What? So?

942
00:47:59,120 --> 00:48:05,640
Speaker 1: Treat them at? I don't know how that go. Yeah album,

943
00:48:05,680 --> 00:48:07,920
Speaker 1: I wasn't. I wasn't. I wasn't really into that album

944
00:48:07,920 --> 00:48:09,279
Speaker 1: because I was looking at it. I was looking at

945
00:48:09,360 --> 00:48:11,880
Speaker 1: this list and it was um Dish Records. You didn't

946
00:48:11,880 --> 00:48:14,600
Speaker 1: know it was Dish Records, and it was like, DMX

947
00:48:14,719 --> 00:48:17,759
Speaker 1: treat them mold because I said he was mad that y'all. Um,

948
00:48:18,120 --> 00:48:19,640
Speaker 1: I don't know what he was mad about. They saying,

949
00:48:19,640 --> 00:48:22,360
Speaker 1: that's that's what I'm asking about it. Yea, he got me.

950
00:48:23,200 --> 00:48:28,400
Speaker 1: I never heard him. Yeah, he just just after that.

951
00:48:28,680 --> 00:48:34,080
Speaker 1: Call him after this, Yeah, I gotta call. He just

952
00:48:34,200 --> 00:48:37,839
Speaker 1: opened up with kids. Have y'all ever had a friction though,

953
00:48:39,960 --> 00:48:45,040
Speaker 1: of course, can't be successful without friction. Yeah, X is

954
00:48:45,040 --> 00:48:48,080
Speaker 1: an old geno. X. You know he'd been running around

955
00:48:48,080 --> 00:48:51,000
Speaker 1: a little before us, a lot before us. He still

956
00:48:51,080 --> 00:48:53,560
Speaker 1: said he even still sound fresh on move on. I

957
00:48:53,640 --> 00:48:59,520
Speaker 1: mean he came in the studio ready, he was on

958
00:48:59,640 --> 00:49:02,279
Speaker 1: time and everything came in the study, are ready to work. Yeah,

959
00:49:02,840 --> 00:49:05,880
Speaker 1: why do you think Yanka's um Yanka's Yanka's don't get

960
00:49:05,920 --> 00:49:08,520
Speaker 1: the credit and deserve for all is contributed to the

961
00:49:08,600 --> 00:49:12,520
Speaker 1: coaches from Mary to the Locks. The X not one

962
00:49:12,560 --> 00:49:16,719
Speaker 1: of the boroughs. Well that area, the one you didn't

963
00:49:16,719 --> 00:49:22,399
Speaker 1: know where it was at at first they upsta. Yeah,

964
00:49:23,200 --> 00:49:25,359
Speaker 1: the people are like, oh Mount Vernon and in New

965
00:49:25,440 --> 00:49:26,960
Speaker 1: Rochelle and all that, and so we came on a

966
00:49:27,040 --> 00:49:30,120
Speaker 1: scene and I think all that actually just name as

967
00:49:30,160 --> 00:49:33,680
Speaker 1: far as X, Mary and ourselves, we just give you ourselves,

968
00:49:33,840 --> 00:49:37,000
Speaker 1: like we we happen to just get successful from being

969
00:49:37,080 --> 00:49:41,000
Speaker 1: ourselves or we're not selling you anything extra. Like all

970
00:49:41,040 --> 00:49:44,160
Speaker 1: the movements you see, all the bobs you see, anything

971
00:49:44,239 --> 00:49:46,319
Speaker 1: you see from us is you don't. We ain't ride

972
00:49:46,360 --> 00:49:50,120
Speaker 1: in any industry waves. You don't follow the guidelines. We

973
00:49:50,239 --> 00:49:51,960
Speaker 1: do what we do, we do and how we do it.

974
00:49:52,080 --> 00:49:54,880
Speaker 1: And it's um, you know, I think I think we

975
00:49:55,160 --> 00:49:57,719
Speaker 1: I think we do. But it's just like it's row,

976
00:49:58,239 --> 00:50:00,160
Speaker 1: it's a raw So you know what I mean. It's

977
00:50:00,200 --> 00:50:03,920
Speaker 1: not all the glamouring glitzermo and the hoop lock. Like.

978
00:50:04,200 --> 00:50:06,120
Speaker 1: I don't think no rn' B sing in the world

979
00:50:06,160 --> 00:50:08,880
Speaker 1: could be Mary in the versus that's just my no,

980
00:50:09,040 --> 00:50:11,640
Speaker 1: Like you know what I mean, Like you know what

981
00:50:11,719 --> 00:50:14,360
Speaker 1: I mean. So she's you know, the greatest, one of

982
00:50:14,440 --> 00:50:17,239
Speaker 1: the greatest female R and B singer the time. I

983
00:50:17,360 --> 00:50:19,919
Speaker 1: never thought of that. You're right, You're right. It would

984
00:50:19,920 --> 00:50:23,400
Speaker 1: have to be like you, who would it be? You

985
00:50:23,560 --> 00:50:27,920
Speaker 1: want to read the Franklin on somebody? None of that

986
00:50:28,640 --> 00:50:33,040
Speaker 1: versions that's gonna look at versus, the MO, they kitchen,

987
00:50:33,080 --> 00:50:37,080
Speaker 1: the Mary's old catalogs, That's what I'm talking about. It's

988
00:50:37,120 --> 00:50:38,920
Speaker 1: not even glow. So I think when you made that,

989
00:50:38,920 --> 00:50:41,719
Speaker 1: I think when you just make your organic orthentic music

990
00:50:42,040 --> 00:50:44,000
Speaker 1: and you come from the place like will you come from?

991
00:50:44,520 --> 00:50:46,320
Speaker 1: You know, you see the attitude we give off of

992
00:50:46,400 --> 00:50:50,400
Speaker 1: that energy that you you know you gonna ride with

993
00:50:50,440 --> 00:50:53,399
Speaker 1: it or not? Robert, Absolutely, do you think y'all made

994
00:50:53,440 --> 00:50:55,640
Speaker 1: the bar too high for young or not just y'all,

995
00:50:55,680 --> 00:50:57,759
Speaker 1: But when you got X, when you got married, when

996
00:50:57,760 --> 00:51:00,400
Speaker 1: you got the locks, if you are young artists for Yonkers,

997
00:51:00,440 --> 00:51:03,719
Speaker 1: that's a very high bar. I think the ball was high.

998
00:51:03,920 --> 00:51:07,040
Speaker 1: It definitely was high back then. But right now they

999
00:51:07,040 --> 00:51:08,759
Speaker 1: don't care. Right now, they didn't even think about what

1000
00:51:08,800 --> 00:51:11,359
Speaker 1: they're talking about. Yeah, it is you got to use

1001
00:51:11,400 --> 00:51:14,760
Speaker 1: your resources. I think you gotta use your resources because

1002
00:51:15,120 --> 00:51:18,120
Speaker 1: I think that was one of the Sporty Thieves downfalls,

1003
00:51:18,280 --> 00:51:20,640
Speaker 1: is not doing those songs with the locks X Mary.

1004
00:51:21,200 --> 00:51:24,600
Speaker 1: That hurt them. Like so coming from Yo. If you

1005
00:51:24,680 --> 00:51:28,200
Speaker 1: get in the game, you gotta utilize your YO resources.

1006
00:51:29,320 --> 00:51:31,600
Speaker 1: But that's crazy. I don't even know Sporty Thieves from

1007
00:51:31,719 --> 00:51:34,600
Speaker 1: Yonkers until you said that. I didn't even know that.

1008
00:51:34,920 --> 00:51:37,960
Speaker 1: I thought there was some jersey about block. One of them.

1009
00:51:38,840 --> 00:51:40,680
Speaker 1: I went to school and one of them, and one

1010
00:51:40,760 --> 00:51:44,360
Speaker 1: of them lived my block for his whole life. What

1011
00:51:44,440 --> 00:51:45,920
Speaker 1: do you think that was? They just didn't know how

1012
00:51:45,960 --> 00:51:49,120
Speaker 1: to approach. They tried just they knew what's really cool

1013
00:51:49,160 --> 00:51:52,200
Speaker 1: with them. We never beef. They just tried to do

1014
00:51:52,280 --> 00:51:55,799
Speaker 1: it without the powers of the town. They just want

1015
00:51:55,840 --> 00:51:57,279
Speaker 1: to do it without connection. They wanted to say they

1016
00:51:57,320 --> 00:52:00,239
Speaker 1: stood on their own independent. I heard that bit them

1017
00:52:00,280 --> 00:52:02,360
Speaker 1: in the ass and along with and you know what,

1018
00:52:02,480 --> 00:52:05,560
Speaker 1: I think it is too. Um, if you think about again,

1019
00:52:06,000 --> 00:52:08,600
Speaker 1: think about X story, we think about marriage song within

1020
00:52:08,680 --> 00:52:11,680
Speaker 1: about our story. Um. I think a lot of people

1021
00:52:11,719 --> 00:52:13,600
Speaker 1: don't know what it took for us and how long

1022
00:52:13,680 --> 00:52:15,839
Speaker 1: we took. And you know, all our trials and tribe

1023
00:52:15,880 --> 00:52:19,399
Speaker 1: relations and we tried. You should tell you to try,

1024
00:52:19,440 --> 00:52:21,840
Speaker 1: and we try. But anybody who's gonna pop from the

1025
00:52:21,920 --> 00:52:25,120
Speaker 1: time you're gonna you're gonna support it. You know, timeless

1026
00:52:25,200 --> 00:52:28,160
Speaker 1: music is always relevant, man, But does it ever disappoint you.

1027
00:52:28,960 --> 00:52:31,319
Speaker 1: I'll put you in like a little dark state when

1028
00:52:31,360 --> 00:52:34,080
Speaker 1: you realize, like the content of Filthy America is still

1029
00:52:34,120 --> 00:52:36,440
Speaker 1: so irrelevant right now, like that could have been an

1030
00:52:36,440 --> 00:52:40,279
Speaker 1: album off without the Day. Yeah. Yeah, some kind of

1031
00:52:40,360 --> 00:52:43,719
Speaker 1: storms are always gonna get overlooked, those type of messages,

1032
00:52:43,840 --> 00:52:47,239
Speaker 1: those type of so you just gotta hope people like

1033
00:52:47,400 --> 00:52:51,480
Speaker 1: yourself absorbing and able to appreciate it, and you know

1034
00:52:51,480 --> 00:52:53,520
Speaker 1: what I mean, maybe a few years they look back

1035
00:52:53,600 --> 00:52:56,160
Speaker 1: and say, oh, this, this was something we should have

1036
00:52:56,719 --> 00:52:59,879
Speaker 1: paid more attention to. I think men, yeah, I think

1037
00:53:00,040 --> 00:53:01,839
Speaker 1: just the state of where we at, like we're saying,

1038
00:53:01,880 --> 00:53:04,000
Speaker 1: they think about it, how that can work? Right now?

1039
00:53:04,120 --> 00:53:07,560
Speaker 1: It is. It is depressing, but um, try to see

1040
00:53:07,600 --> 00:53:10,680
Speaker 1: the light at the end of the tunnel and and

1041
00:53:10,960 --> 00:53:13,960
Speaker 1: understand that as we at the boiling point. We've been

1042
00:53:14,040 --> 00:53:16,400
Speaker 1: at the boiling point for a long time, so you know,

1043
00:53:16,640 --> 00:53:19,000
Speaker 1: they get a lot worse, they get it a little worse,

1044
00:53:19,120 --> 00:53:22,759
Speaker 1: but change is definitely gonna have to pump. That's the kid,

1045
00:53:23,200 --> 00:53:25,879
Speaker 1: this idiot Trump Trump on TV talking about I've done

1046
00:53:25,960 --> 00:53:28,279
Speaker 1: more for the Blacks and this and that, and dude,

1047
00:53:28,280 --> 00:53:29,800
Speaker 1: we don't need you to do for us. We just

1048
00:53:29,920 --> 00:53:32,240
Speaker 1: make it fast so we can do for ourselves. Period.

1049
00:53:32,560 --> 00:53:37,600
Speaker 1: That's a ball. I feel like that with all politicians

1050
00:53:37,680 --> 00:53:40,120
Speaker 1: doing no, I don't need you, just just make it

1051
00:53:40,200 --> 00:53:42,879
Speaker 1: fairst so we can do for us. I like that. Yeah,

1052
00:53:43,360 --> 00:53:46,040
Speaker 1: we gotta start buying the politicians, man, That's what it is.

1053
00:53:46,080 --> 00:53:48,040
Speaker 1: At the end of the day, we have no I

1054
00:53:48,080 --> 00:53:50,080
Speaker 1: don't want to go. I don't know the doctor's name

1055
00:53:50,120 --> 00:53:54,520
Speaker 1: I think it's doctor Tis done. I could be wrong. Yeah,

1056
00:53:54,960 --> 00:53:57,279
Speaker 1: if you don't have economical power, like you said, we

1057
00:53:57,320 --> 00:53:58,920
Speaker 1: don't mean nothing and we'll kill a lot of other

1058
00:53:59,040 --> 00:54:01,440
Speaker 1: races in this country besides black people. We have more

1059
00:54:01,520 --> 00:54:05,680
Speaker 1: economical power. Um. I feel the dams, the blue side

1060
00:54:05,719 --> 00:54:08,440
Speaker 1: and the red side both two birds, I mean too,

1061
00:54:08,640 --> 00:54:11,279
Speaker 1: you know, two wings of one bird? Um? What have

1062
00:54:11,400 --> 00:54:13,799
Speaker 1: we gotten out of this party? The constance, like, it's

1063
00:54:13,840 --> 00:54:16,600
Speaker 1: the same constitution no matter what party you pick, is

1064
00:54:16,680 --> 00:54:19,200
Speaker 1: still a king, same constitution that was made when we

1065
00:54:19,280 --> 00:54:22,520
Speaker 1: were slaves and women didn't count for anything. So everything

1066
00:54:22,560 --> 00:54:25,680
Speaker 1: else in the world has advanced and changed, from clothes,

1067
00:54:25,840 --> 00:54:28,319
Speaker 1: the technology, to the microphone we on, to the way

1068
00:54:28,360 --> 00:54:32,520
Speaker 1: they speak, to light, to everything. Everything has advanced. Accept

1069
00:54:32,600 --> 00:54:36,120
Speaker 1: this constitution that was made by racist white men hundred

1070
00:54:36,160 --> 00:54:40,640
Speaker 1: two years ago. So how is the Democrat Republican Party

1071
00:54:40,680 --> 00:54:42,640
Speaker 1: going to work for anybody? Think? I think you're talking

1072
00:54:42,640 --> 00:54:47,920
Speaker 1: about Darty styles Day, William Dahreity. Yeah, I think you've

1073
00:54:47,960 --> 00:54:50,759
Speaker 1: been right. Kids. How far are you running? Kids? Even

1074
00:54:50,840 --> 00:54:52,440
Speaker 1: running for a long time? How far do you run?

1075
00:54:52,880 --> 00:54:56,320
Speaker 1: I'm actually power walking. I go from home white plaines

1076
00:54:56,480 --> 00:54:59,919
Speaker 1: church have church having white planes to the cancer code.

1077
00:55:00,080 --> 00:55:03,360
Speaker 1: Damn go up the stairs a few times. It's about

1078
00:55:03,400 --> 00:55:05,719
Speaker 1: eight and a half mile. I see people walking past

1079
00:55:05,760 --> 00:55:07,560
Speaker 1: you like you on the block, like yo, dust the

1080
00:55:07,640 --> 00:55:11,040
Speaker 1: album's dupe. Can't see some people here have it. I

1081
00:55:11,160 --> 00:55:15,200
Speaker 1: usually see half here every morning riding his bike. We

1082
00:55:15,280 --> 00:55:16,840
Speaker 1: don't want to keep you off from your workouts. I

1083
00:55:16,920 --> 00:55:19,279
Speaker 1: see styles. He dressed ready to go for a run.

1084
00:55:19,600 --> 00:55:22,120
Speaker 1: He said he's going at about two o'clock today around till. Yeah,

1085
00:55:22,120 --> 00:55:24,879
Speaker 1: I get my little three miles in Luch. You gotta

1086
00:55:24,960 --> 00:55:29,719
Speaker 1: go after you watch the prices right, absolutely, y'all, y'all,

1087
00:55:29,760 --> 00:55:33,400
Speaker 1: everything start again. Prices right, that's right. Get me on

1088
00:55:33,560 --> 00:55:36,960
Speaker 1: that kid. You want to go. Huh you wanna do

1089
00:55:37,040 --> 00:55:41,200
Speaker 1: prices right? Hell? Yeah, yeah, you don't do nothing toil.

1090
00:55:41,239 --> 00:55:43,880
Speaker 1: He watched the prices. No, you can't go to the studio.

1091
00:55:44,080 --> 00:55:47,640
Speaker 1: He can't have me, dude, I even know man leave vacation.

1092
00:55:48,000 --> 00:55:52,440
Speaker 1: I'm gonna be quick. Yeah, you gotta watch the prices, right, yo.

1093
00:55:52,560 --> 00:55:54,759
Speaker 1: That would be one of the highest rated prices. Right

1094
00:55:55,520 --> 00:55:57,520
Speaker 1: if she Gluch is on the prices right, one more

1095
00:55:57,560 --> 00:55:59,440
Speaker 1: and I'm gonna win and iamna hacking fourth yo. They

1096
00:55:59,520 --> 00:56:05,080
Speaker 1: called me up him like Luke, I'm come on down Bird.

1097
00:56:07,320 --> 00:56:09,960
Speaker 1: I want to just salute y'all on being legends. Man,

1098
00:56:10,080 --> 00:56:12,759
Speaker 1: y'all longevity in the game that needs to be celebrated.

1099
00:56:12,920 --> 00:56:14,440
Speaker 1: You know what I mean. It needs to be celebrated

1100
00:56:14,480 --> 00:56:21,160
Speaker 1: that twenty years later, y'all on y'all third album. Absolutely

1101
00:56:21,360 --> 00:56:26,120
Speaker 1: once Love Love y'all Love, Ye'll be safe I ever go.

1102
00:56:30,360 --> 00:56:35,000
Speaker 1: It's time for Donkey of the Day. I'm a Democrat,

1103
00:56:35,080 --> 00:56:37,239
Speaker 1: so being Dunky of the day a little bit of

1104
00:56:37,320 --> 00:56:45,239
Speaker 1: a mix up. So like a day now. I've been

1105
00:56:45,320 --> 00:56:47,520
Speaker 1: called a lot of my twenty three years, but Dunky

1106
00:56:47,560 --> 00:56:49,440
Speaker 1: of the Day is a new wife. Dunkey of the

1107
00:56:49,480 --> 00:56:52,560
Speaker 1: Day goes to a hip hop music producer named J. W. Lucas.

1108
00:56:52,640 --> 00:56:54,759
Speaker 1: I have never heard of this individual in my life,

1109
00:56:55,080 --> 00:56:58,120
Speaker 1: didn't know he existed until yesterday. Envy, you ever heard him? No,

1110
00:56:58,239 --> 00:57:01,719
Speaker 1: I have it, Angelie, you have heard? Nope? Okay, but

1111
00:57:01,840 --> 00:57:04,640
Speaker 1: he's produced for a Little Oozy, Jack Harlow, the Baby

1112
00:57:04,719 --> 00:57:07,640
Speaker 1: and Pop Smoke, so says the Shade Room and Genius.

1113
00:57:07,680 --> 00:57:09,239
Speaker 1: I feel like I am giving this man what he

1114
00:57:09,320 --> 00:57:12,000
Speaker 1: wants and what he seems. The one is attention. I

1115
00:57:12,080 --> 00:57:14,239
Speaker 1: don't know how or why you wake up and go

1116
00:57:14,360 --> 00:57:17,520
Speaker 1: to your social media and open up your Twitter and

1117
00:57:17,600 --> 00:57:20,200
Speaker 1: decide to tweet out something like this. This is what j. W.

1118
00:57:20,400 --> 00:57:23,960
Speaker 1: Lucas tweeted out. Why is the world asking for justice

1119
00:57:24,040 --> 00:57:27,000
Speaker 1: for hashtag Brianna Taylor. Of course she shouldn't have lost

1120
00:57:27,040 --> 00:57:29,520
Speaker 1: her life, but do you realize that she was involved

1121
00:57:29,560 --> 00:57:31,920
Speaker 1: with multiple drug dealers who were using her house as

1122
00:57:31,960 --> 00:57:34,240
Speaker 1: a trap spot. If you sign up for that life,

1123
00:57:34,280 --> 00:57:38,480
Speaker 1: there are consequences. In tweet, he actually posted that those

1124
00:57:38,560 --> 00:57:41,280
Speaker 1: words came out of his thumbs. First of all, none

1125
00:57:41,280 --> 00:57:43,760
Speaker 1: of that is true, right, none of that is true.

1126
00:57:43,840 --> 00:57:45,760
Speaker 1: Let's just start there. None of that is true. We

1127
00:57:45,800 --> 00:57:48,240
Speaker 1: should all know the story of Brianna Taylor by now,

1128
00:57:48,920 --> 00:57:51,400
Speaker 1: if you don't hear a quick recap. Shortly after midnight

1129
00:57:51,440 --> 00:57:55,160
Speaker 1: on March thirteenth, Louisville police officers executing a search warrant

1130
00:57:55,240 --> 00:57:57,720
Speaker 1: used the battering ram to enter the apartment of twenty

1131
00:57:57,760 --> 00:58:01,720
Speaker 1: six year old Brianna Taylor. Contrary to W. Lucas's dumbass tweet,

1132
00:58:01,880 --> 00:58:04,320
Speaker 1: she was not a trap queen. She was an emergency

1133
00:58:04,440 --> 00:58:07,200
Speaker 1: room technician, all right. She was in bed with her husband,

1134
00:58:07,240 --> 00:58:09,680
Speaker 1: I mean her boyfriend, Kenneth Walker, Okay, when they both

1135
00:58:09,720 --> 00:58:12,240
Speaker 1: heard the door get banged down. It was a brief exchange,

1136
00:58:12,360 --> 00:58:14,600
Speaker 1: and Kenneth did what I believe any human in America

1137
00:58:14,600 --> 00:58:17,439
Speaker 1: who owns a firearm would do if someone broke into

1138
00:58:17,520 --> 00:58:20,040
Speaker 1: his house, and that's let the hammer fly. All right,

1139
00:58:20,080 --> 00:58:22,919
Speaker 1: That's exactly what the right to bear arms is all about. Okay.

1140
00:58:22,960 --> 00:58:24,840
Speaker 1: The Second Amendment is the right for people to possess

1141
00:58:24,920 --> 00:58:27,200
Speaker 1: weapons for their own defense. There is not a man,

1142
00:58:27,320 --> 00:58:29,520
Speaker 1: a woman, or child in America who owns a gun

1143
00:58:29,760 --> 00:58:31,800
Speaker 1: who knows how to fire a gun who would not

1144
00:58:32,000 --> 00:58:35,200
Speaker 1: have done the same thing in that situation. Okay, Kenneth fired,

1145
00:58:35,480 --> 00:58:39,560
Speaker 1: police fired back several shots, and poor Brianna Taylor was murdered. Now,

1146
00:58:39,600 --> 00:58:41,640
Speaker 1: there was so many things wrong with this situation, but

1147
00:58:41,720 --> 00:58:44,120
Speaker 1: the main problem was police had been investigating two men

1148
00:58:44,320 --> 00:58:47,000
Speaker 1: who they believed was selling drugs out of a house

1149
00:58:47,120 --> 00:58:50,840
Speaker 1: that was far from Miss Taylor's home. Okay, but a

1150
00:58:50,920 --> 00:58:53,200
Speaker 1: judge had also signed the warrant allowing the police to

1151
00:58:53,240 --> 00:58:57,400
Speaker 1: search Miss Taylor's residence because the police said they believed

1152
00:58:57,640 --> 00:58:59,680
Speaker 1: that one of the two men had used her apartment

1153
00:59:00,080 --> 00:59:04,800
Speaker 1: received packages. No drugs were found in the apartment, okay, none.

1154
00:59:05,200 --> 00:59:08,400
Speaker 1: The police report contained multiple errors. They listened Brianna Taylor's

1155
00:59:08,440 --> 00:59:11,440
Speaker 1: injuries as none, even though she had been shot eight times,

1156
00:59:11,600 --> 00:59:14,080
Speaker 1: and they say they had not forced They did not

1157
00:59:14,200 --> 00:59:16,520
Speaker 1: force their way into the apartment, though they used the

1158
00:59:16,600 --> 00:59:19,440
Speaker 1: battering ram to break the door open, and police had

1159
00:59:19,560 --> 00:59:24,640
Speaker 1: already located the main suspect in the investigation by the

1160
00:59:24,720 --> 00:59:27,400
Speaker 1: time they decided to run up in Brianna's apartment, so

1161
00:59:27,480 --> 00:59:30,040
Speaker 1: they had who they were looking for already. Okay, the

1162
00:59:30,160 --> 00:59:32,520
Speaker 1: marl of the story is J. W. Lucas doesn't know

1163
00:59:32,560 --> 00:59:35,080
Speaker 1: what the hell he's talking about, and only in America,

1164
00:59:35,280 --> 00:59:37,520
Speaker 1: well a white man find a way to defend the

1165
00:59:37,600 --> 00:59:41,200
Speaker 1: oppressor while making the oppressed a victim. Now. I saw

1166
00:59:41,320 --> 00:59:45,040
Speaker 1: on Hollywood Unlocked and the Shade Room yesterday where one

1167
00:59:45,080 --> 00:59:47,320
Speaker 1: of our fearless leaders, Queen to Mika Mallory dropped on

1168
00:59:47,360 --> 00:59:50,880
Speaker 1: a clues buns for Tamika Mala speaking to J. W. Lucas.

1169
00:59:51,280 --> 00:59:54,560
Speaker 1: Some people said Tamika was wasting her time. I don't

1170
00:59:54,600 --> 00:59:57,160
Speaker 1: think standing up for Brianna Taylor or any black person

1171
00:59:57,200 --> 01:00:00,160
Speaker 1: who has lost their life due to systemic racism is

1172
01:00:00,160 --> 01:00:02,560
Speaker 1: a waste of time. I thought maybe this guy, J W.

1173
01:00:02,800 --> 01:00:04,640
Speaker 1: Lucas would have come to his senses and let Tom

1174
01:00:04,680 --> 01:00:07,560
Speaker 1: you could talk some sensing to him after being corrected.

1175
01:00:07,640 --> 01:00:12,160
Speaker 1: But no, let's listen. Extremely racist for a white man

1176
01:00:12,320 --> 01:00:15,080
Speaker 1: to try to tell black people what we are doing,

1177
01:00:15,240 --> 01:00:17,800
Speaker 1: where we need to go, what our issues are. That

1178
01:00:18,040 --> 01:00:22,040
Speaker 1: is part of the gaging institution. I should be I

1179
01:00:22,160 --> 01:00:24,440
Speaker 1: should be a leader in the Black Lives Matter movement

1180
01:00:24,520 --> 01:00:27,400
Speaker 1: because I'm more capable than you. Yes I am. You

1181
01:00:27,480 --> 01:00:31,000
Speaker 1: know what, you don't understand the nature of reality. All

1182
01:00:31,120 --> 01:00:35,080
Speaker 1: negative externalities must be eliminated. The people that you do

1183
01:00:35,320 --> 01:00:38,680
Speaker 1: business with to make a decision about whether or not

1184
01:00:38,880 --> 01:00:41,880
Speaker 1: what you're saying and the propaganda and the lies that

1185
01:00:42,000 --> 01:00:45,040
Speaker 1: you're spreading is something that they should continue to support.

1186
01:00:45,280 --> 01:00:47,760
Speaker 1: So what I promise you is that you will have

1187
01:00:47,920 --> 01:00:50,120
Speaker 1: to deal with me for the rest of your life

1188
01:00:50,320 --> 01:00:53,520
Speaker 1: because anybody you do business with, I'm gonna show up

1189
01:00:53,560 --> 01:00:55,440
Speaker 1: to make sure that they know that you are a

1190
01:00:55,680 --> 01:00:59,080
Speaker 1: racist and that's your rhetoric and the tone that you're

1191
01:00:59,240 --> 01:01:02,680
Speaker 1: using is premely dangerous and that you disrespected the life

1192
01:01:02,720 --> 01:01:07,720
Speaker 1: of a young never I will not accept that. And

1193
01:01:07,840 --> 01:01:13,360
Speaker 1: it sells about decreasing problem to do you care about

1194
01:01:13,400 --> 01:01:18,120
Speaker 1: getting your own political game? The white privilege losing out

1195
01:01:18,160 --> 01:01:21,280
Speaker 1: of his purse right. First of all, people really need

1196
01:01:21,320 --> 01:01:23,280
Speaker 1: to watch their tone when it comes to talking too

1197
01:01:23,360 --> 01:01:26,040
Speaker 1: queens like Tamika Mallory. Second of all, for him to

1198
01:01:26,120 --> 01:01:28,400
Speaker 1: say he can lead the movement better than to Mika,

1199
01:01:30,560 --> 01:01:32,920
Speaker 1: what do you even say to that? Like, what's your response?

1200
01:01:32,960 --> 01:01:35,240
Speaker 1: Why do you even dignify that with a response. Why

1201
01:01:35,280 --> 01:01:39,080
Speaker 1: does he feel comfortable talking like that and saying I'm discussed?

1202
01:01:39,400 --> 01:01:42,960
Speaker 1: Could he could lead the movement better than to Mika?

1203
01:01:43,360 --> 01:01:46,120
Speaker 1: You know why? Because he's a white man talking to

1204
01:01:46,200 --> 01:01:48,880
Speaker 1: a black person, especially a black woman. So it's a

1205
01:01:49,000 --> 01:01:51,200
Speaker 1: level of superiority and privilege that just comes with that.

1206
01:01:51,440 --> 01:01:54,080
Speaker 1: All right, sexism, racism, we already know what it is. Now.

1207
01:01:54,240 --> 01:01:56,120
Speaker 1: Keep in mind, he's a hip hop producer, so he

1208
01:01:56,240 --> 01:01:58,640
Speaker 1: was also on last night talking hip hop. Listen to

1209
01:01:58,720 --> 01:02:01,560
Speaker 1: what this man said about our culture. You're calling me

1210
01:02:02,960 --> 01:02:04,960
Speaker 1: when I am telling you that I bring more to

1211
01:02:05,120 --> 01:02:08,919
Speaker 1: hip hop culture than anyone in it. Period. He does

1212
01:02:09,040 --> 01:02:12,040
Speaker 1: more for hip hop than anyone in it. That's crazy.

1213
01:02:12,200 --> 01:02:14,000
Speaker 1: And now you've heard of you tell you yesterday? Okay,

1214
01:02:14,160 --> 01:02:18,120
Speaker 1: the cau cassidy, the unmitigated ghostly pale gall of this

1215
01:02:18,320 --> 01:02:20,760
Speaker 1: human You know, j W. Feel how you want to feel,

1216
01:02:20,800 --> 01:02:22,840
Speaker 1: Say what you want to say. It's America. You have

1217
01:02:23,000 --> 01:02:25,720
Speaker 1: that right do your thing, but there has to be

1218
01:02:25,840 --> 01:02:29,280
Speaker 1: consequences and repercussions for people who talk like this. So

1219
01:02:29,400 --> 01:02:31,440
Speaker 1: you can have freedom of speech, but you cannot be

1220
01:02:32,080 --> 01:02:35,000
Speaker 1: free of the consequences of said speech. And this is

1221
01:02:35,080 --> 01:02:37,640
Speaker 1: why we need our own version of like the Southern

1222
01:02:37,840 --> 01:02:42,080
Speaker 1: Poverty Law Center or the ADL, these organizations that fight

1223
01:02:42,160 --> 01:02:45,160
Speaker 1: against bigotry and racism. When someone does it, says something

1224
01:02:45,400 --> 01:02:49,640
Speaker 1: that's offensive, you know, to our culture, hip hop, blackness,

1225
01:02:49,800 --> 01:02:52,120
Speaker 1: we should be organized or have an organization that lets

1226
01:02:52,160 --> 01:02:55,120
Speaker 1: people know this ain't welcome. Okay, we see it happen

1227
01:02:55,200 --> 01:02:57,720
Speaker 1: to people all the time, but for some reason, when

1228
01:02:57,760 --> 01:03:00,560
Speaker 1: it comes to hip hop and blackness, people are just

1229
01:03:00,680 --> 01:03:06,040
Speaker 1: allowed to continuously disrespect us and nobody says anything. All right,

1230
01:03:06,160 --> 01:03:09,400
Speaker 1: nothing happens. Casing point, as I've said before, we can't

1231
01:03:09,400 --> 01:03:12,480
Speaker 1: even get the cops who kill us fires. We can't

1232
01:03:12,520 --> 01:03:15,120
Speaker 1: even get people canceled when they kill us. So of

1233
01:03:15,320 --> 01:03:19,600
Speaker 1: course someone like J. W. Lucas feels comfortable disrespecting us

1234
01:03:19,880 --> 01:03:25,040
Speaker 1: on all levels while making money in and off our culture.

1235
01:03:25,400 --> 01:03:28,480
Speaker 1: Jay Lucas, today is a nice day. I don't know

1236
01:03:28,520 --> 01:03:30,960
Speaker 1: where you're located in the world, but it's summertime. I

1237
01:03:31,040 --> 01:03:33,120
Speaker 1: know you're in America. It's summertime and it's nice out.

1238
01:03:33,200 --> 01:03:35,880
Speaker 1: So at some point today I want you to go

1239
01:03:36,000 --> 01:03:39,840
Speaker 1: outside barefoot, if you can, put your feet in the ground. Okay,

1240
01:03:39,960 --> 01:03:43,640
Speaker 1: get grounded, all right, Take a few deep ocean breaths.

1241
01:03:43,760 --> 01:03:48,240
Speaker 1: Make sure your inhales and exhales are long, full and deep.

1242
01:03:48,520 --> 01:03:51,200
Speaker 1: After you do that, look up, look up, look up,

1243
01:03:51,280 --> 01:03:53,880
Speaker 1: look up. There is a star at the center of

1244
01:03:53,960 --> 01:03:56,920
Speaker 1: the solar system. It's the foundation of the solar system.

1245
01:03:57,040 --> 01:03:59,760
Speaker 1: It's a nearly perfect spear of hot plasma. I want

1246
01:03:59,760 --> 01:04:02,040
Speaker 1: you to look at it, feel the raised from it,

1247
01:04:02,280 --> 01:04:06,160
Speaker 1: let it shine on your white skin, and say to yourself, son,

1248
01:04:06,880 --> 01:04:10,600
Speaker 1: stream it, son, and then spell it for yourself as

1249
01:04:11,200 --> 01:04:14,560
Speaker 1: you and give me your ass, give me a yo,

1250
01:04:15,000 --> 01:04:17,440
Speaker 1: give me your n and let it be a reminder

1251
01:04:17,480 --> 01:04:21,720
Speaker 1: to you that sun means shut up. That's what you

1252
01:04:21,880 --> 01:04:24,640
Speaker 1: have to do when you feel like tweeting something stupid

1253
01:04:24,920 --> 01:04:28,160
Speaker 1: or getting on Live and saying something stupid, Just go

1254
01:04:28,320 --> 01:04:33,200
Speaker 1: outside and get some sun and remind yourself that shut up.

1255
01:04:34,240 --> 01:04:37,320
Speaker 1: And yes, white folks can be n words too. Please

1256
01:04:37,400 --> 01:04:39,640
Speaker 1: let me Mark give J. W. Lucas the biggest he

1257
01:04:39,720 --> 01:04:43,760
Speaker 1: had hee ha hee haa, you stupid mother? Far are

1258
01:04:43,880 --> 01:04:48,280
Speaker 1: you dumb? All right, m I'm surprised at you brother.

1259
01:04:49,000 --> 01:04:51,840
Speaker 1: Who you This is usually where we do a petty

1260
01:04:51,920 --> 01:04:54,880
Speaker 1: party or something like that. You ain't gonna do that today. Oh,

1261
01:04:55,240 --> 01:04:58,200
Speaker 1: do some clown emojis, you know, if you know, you know,

1262
01:04:58,440 --> 01:05:00,240
Speaker 1: we can do clown emojis before we need to do

1263
01:05:00,640 --> 01:05:04,120
Speaker 1: it's going his comments j W Lucas seven oh two.

1264
01:05:04,680 --> 01:05:08,080
Speaker 1: All right, j W Lucas seven o two and put

1265
01:05:08,160 --> 01:05:11,160
Speaker 1: a bunch of sons in his comments all right, and

1266
01:05:11,520 --> 01:05:16,360
Speaker 1: say shut up okay, And let's see. Let's see if

1267
01:05:16,400 --> 01:05:19,840
Speaker 1: he's stupid enough to get on Live later and say

1268
01:05:19,880 --> 01:05:21,560
Speaker 1: I got a bunch of people telling me to shut

1269
01:05:21,640 --> 01:05:26,800
Speaker 1: up my comments. Let's see what happens. Guys, this is

1270
01:05:26,800 --> 01:05:29,640
Speaker 1: a good social experiment. Let's see how far he's willing

1271
01:05:29,680 --> 01:05:32,520
Speaker 1: to take this. Okay, go to his comments. His instagram

1272
01:05:32,720 --> 01:05:36,360
Speaker 1: is j W Lucas j W l uc A s

1273
01:05:36,480 --> 01:05:38,600
Speaker 1: seven o two. Oh he must be in Vegas and

1274
01:05:38,720 --> 01:05:40,960
Speaker 1: put a bunch of sons. Just put the sun in

1275
01:05:41,080 --> 01:05:47,880
Speaker 1: his comments with the phrase shut up okay, okay, all right,

1276
01:05:48,080 --> 01:05:49,960
Speaker 1: all right, we got more coming up next. We're a

1277
01:05:50,000 --> 01:05:59,480
Speaker 1: breakfast club. The breakfast club the relationship advice. Need personal advice,

1278
01:06:00,120 --> 01:06:04,560
Speaker 1: just the real advice. Call up down for ask ye putting.

1279
01:06:04,600 --> 01:06:08,560
Speaker 1: Everybody is DJ Envy Angela yee, Charlemagne the guy. We

1280
01:06:08,680 --> 01:06:11,959
Speaker 1: are the breakfast club. It is time for asking yet Hello?

1281
01:06:12,080 --> 01:06:15,800
Speaker 1: Who's this? Varn? What's up? Bro? What's your question for you?

1282
01:06:16,400 --> 01:06:19,680
Speaker 1: All right? So check you listen? Uh well, Charlemagne, I

1283
01:06:19,800 --> 01:06:24,120
Speaker 1: know this and some of the stuff real check. So

1284
01:06:25,480 --> 01:06:28,600
Speaker 1: four weeks ago, pampered on like Saint Pete. We over

1285
01:06:28,680 --> 01:06:30,280
Speaker 1: there in Saint Pete. You know what I'm saying. I

1286
01:06:30,360 --> 01:06:32,000
Speaker 1: really don't like saying Pete. You know what I'm saying,

1287
01:06:32,040 --> 01:06:34,680
Speaker 1: but it's my wife, family or whatever. So we chilled.

1288
01:06:35,840 --> 01:06:37,880
Speaker 1: I go there about like two o'clock and about six

1289
01:06:37,920 --> 01:06:39,959
Speaker 1: o'clock I'm like, all right. She was like my dad coming.

1290
01:06:40,000 --> 01:06:41,760
Speaker 1: He will get over there like nine o'clock. He like,

1291
01:06:41,800 --> 01:06:43,960
Speaker 1: you want to play in spades or whatever? We play?

1292
01:06:45,920 --> 01:06:47,760
Speaker 1: You know, I don't even talk noise. I don't really

1293
01:06:47,800 --> 01:06:49,560
Speaker 1: talk noise like that. So I'm like, I'm gonna beat

1294
01:06:49,600 --> 01:06:51,720
Speaker 1: the falling car. You can't beat that. Oh, you can't

1295
01:06:51,760 --> 01:06:54,640
Speaker 1: beat that. So I'm just killing them. I'm went like

1296
01:06:54,720 --> 01:06:57,560
Speaker 1: full game. So he back on the table. My wife

1297
01:06:57,640 --> 01:07:00,680
Speaker 1: like varn just chill, just chill. She see man, But

1298
01:07:00,800 --> 01:07:03,080
Speaker 1: I'm like, I ain't saying that in Outlanders. I ain't

1299
01:07:03,080 --> 01:07:07,360
Speaker 1: posing the money. So Boom like I quit and she

1300
01:07:07,720 --> 01:07:09,400
Speaker 1: gonna get the kids. She's gonna go get the kids.

1301
01:07:09,440 --> 01:07:11,320
Speaker 1: So he's standing up. He's like, man, I'm trying to

1302
01:07:11,320 --> 01:07:12,960
Speaker 1: play cars. What you're trying to do. I said, I'm

1303
01:07:12,960 --> 01:07:14,360
Speaker 1: trying to play cards. What you're trying to do it?

1304
01:07:14,440 --> 01:07:18,560
Speaker 1: He swallow on me. He swung on you good. But

1305
01:07:19,760 --> 01:07:22,160
Speaker 1: he got the prison mentality he doesn't did like sixteen

1306
01:07:22,280 --> 01:07:24,400
Speaker 1: years in prison, you feel me. So he get out

1307
01:07:24,440 --> 01:07:26,960
Speaker 1: like two thousand and sixteen or whatever. So he got

1308
01:07:27,280 --> 01:07:29,560
Speaker 1: two girlfriends over there or whatever. So he's trying to

1309
01:07:30,080 --> 01:07:31,880
Speaker 1: trying to hang. You feel me trying to. So I

1310
01:07:31,960 --> 01:07:33,600
Speaker 1: take him up and through there, but I ain't swing.

1311
01:07:33,720 --> 01:07:36,760
Speaker 1: I just break everything, like I'm just throwing them everywhere,

1312
01:07:36,880 --> 01:07:39,520
Speaker 1: Like what are you crazy? So his nephew come over,

1313
01:07:39,800 --> 01:07:42,800
Speaker 1: like her cousins and nephew come over and steal me. Boom.

1314
01:07:43,480 --> 01:07:45,920
Speaker 1: I'm by myself. I'm in Saint Pete, I'm from kemp

1315
01:07:46,040 --> 01:07:49,960
Speaker 1: I'm I'm trying to chill. I'm trying to chill, but

1316
01:07:50,480 --> 01:07:51,680
Speaker 1: you know what I'm saying. We get out of the

1317
01:07:52,080 --> 01:07:54,080
Speaker 1: I like, don't call the police to my house. I'm like,

1318
01:07:54,160 --> 01:07:56,440
Speaker 1: don't call the police. I ain't never called nine one

1319
01:07:56,480 --> 01:07:59,720
Speaker 1: one the damn my life. But she's like, don't call swoom.

1320
01:08:00,240 --> 01:08:06,400
Speaker 1: So anyway, I'm still I'm still hot right now. Oh

1321
01:08:06,760 --> 01:08:10,480
Speaker 1: my gosh, y'all gotta listen. Let's be clear. People will

1322
01:08:10,520 --> 01:08:12,800
Speaker 1: get into a fight over a game of spades. That's

1323
01:08:12,840 --> 01:08:16,080
Speaker 1: kind of the initiator where y'all drinking. Yeah, I was drinking.

1324
01:08:16,120 --> 01:08:17,639
Speaker 1: He was drinking. But I'm you know what I'm saying.

1325
01:08:19,920 --> 01:08:22,360
Speaker 1: I'm gonna tell you something. The one time when I

1326
01:08:22,439 --> 01:08:24,479
Speaker 1: was growing up, there was a big fight. It was

1327
01:08:24,560 --> 01:08:26,280
Speaker 1: my twenty first birthday. I had a party at my

1328
01:08:26,360 --> 01:08:29,240
Speaker 1: parents house and the fight was over a game of

1329
01:08:29,280 --> 01:08:32,240
Speaker 1: spade and somebody did grab a bottle, break it, try

1330
01:08:32,280 --> 01:08:35,439
Speaker 1: to stab. Somebody soon pulled out a baseball bat a gun.

1331
01:08:35,840 --> 01:08:38,600
Speaker 1: They broke through the glass. Things got very out of

1332
01:08:38,680 --> 01:08:42,640
Speaker 1: hand at your family house. Yes, Dad would tell you

1333
01:08:42,720 --> 01:08:44,559
Speaker 1: this story. And I'm gonna tell you who was involved

1334
01:08:44,600 --> 01:08:49,200
Speaker 1: in that fight, Benny Boom, the director. But anyway, um,

1335
01:08:49,680 --> 01:08:52,479
Speaker 1: so I will say a couple of things. Yeah, girl

1336
01:08:52,600 --> 01:08:54,120
Speaker 1: was telling you to chill. Your wife was telling you

1337
01:08:54,160 --> 01:08:57,120
Speaker 1: to chill because she knows her dad right, right, and

1338
01:08:57,240 --> 01:09:03,200
Speaker 1: you didn't chill right and and things escalated. M Yeah,

1339
01:09:03,200 --> 01:09:08,000
Speaker 1: I feel need find me right. So the issue, you

1340
01:09:08,000 --> 01:09:10,479
Speaker 1: don't want to be fighting with your wife's father, Like

1341
01:09:10,640 --> 01:09:13,280
Speaker 1: that's just out of order. It's unnecessary. Y'alln't even got

1342
01:09:13,400 --> 01:09:17,320
Speaker 1: no real problem with each other, right right. I'm from Florida, Okay,

1343
01:09:18,160 --> 01:09:24,639
Speaker 1: but I gotta do with anything. Listen, what's more important

1344
01:09:24,680 --> 01:09:29,760
Speaker 1: to you? Your wife? I don't even want your pride, ground, Facebook,

1345
01:09:29,880 --> 01:09:33,600
Speaker 1: instagraund Facebook, nothing, block numbers, everything, everything got to go.

1346
01:09:33,880 --> 01:09:36,920
Speaker 1: I'm a libra also, like I keep telling her, like, man,

1347
01:09:37,000 --> 01:09:38,720
Speaker 1: you gotta you gotta get rid of all that. I

1348
01:09:38,800 --> 01:09:40,800
Speaker 1: don't even play, like, yeah, I key the wonder that

1349
01:09:40,840 --> 01:09:42,800
Speaker 1: said don't talk, the don't call the police of the house.

1350
01:09:42,840 --> 01:09:45,479
Speaker 1: I'm like, I'm cool with her. The daughter, I'm cool

1351
01:09:45,520 --> 01:09:47,840
Speaker 1: with that one. But the rest of them they did nothing.

1352
01:09:47,920 --> 01:09:50,400
Speaker 1: You can't you can't have no conversation or we can

1353
01:09:50,479 --> 01:09:52,240
Speaker 1: just go head and you know what, somebody you can't.

1354
01:09:52,600 --> 01:09:54,479
Speaker 1: You can't tell her she can't talk to her family?

1355
01:09:55,439 --> 01:10:00,519
Speaker 1: Who can't that's her family? Who call me? That woman?

1356
01:10:00,800 --> 01:10:03,519
Speaker 1: Don't make that woman choose between her man and her family. Now,

1357
01:10:03,600 --> 01:10:07,559
Speaker 1: come on, that's not fair. Why not? Goodness? What if

1358
01:10:07,600 --> 01:10:09,200
Speaker 1: she told what if she told you she don't want

1359
01:10:09,200 --> 01:10:12,200
Speaker 1: you talking to your family members? I have to respect that,

1360
01:10:12,280 --> 01:10:15,720
Speaker 1: we boy. Listen, If you guys are one, what does

1361
01:10:15,760 --> 01:10:18,160
Speaker 1: she think about all this? Because you also have to

1362
01:10:18,439 --> 01:10:21,200
Speaker 1: Being one also means you got to respect her feelings also.

1363
01:10:21,240 --> 01:10:23,800
Speaker 1: It ain't just she got to do what you want. Oh,

1364
01:10:27,520 --> 01:10:29,720
Speaker 1: I'm not giving you the answer you want to hear, right,

1365
01:10:33,840 --> 01:10:36,040
Speaker 1: But all I'm saying is what is what is she

1366
01:10:36,160 --> 01:10:39,120
Speaker 1: saying about this? What is your wife saying? Nothing? She

1367
01:10:39,320 --> 01:10:41,800
Speaker 1: was fighting with me? Okay, So y'all are one that

1368
01:10:42,160 --> 01:10:46,880
Speaker 1: she was fighting with you? She was on your side, right, Yeah? Listen,

1369
01:10:47,000 --> 01:10:49,360
Speaker 1: first I'll say this, thank goodness for this quarantine for

1370
01:10:49,439 --> 01:10:51,640
Speaker 1: you guys right now, because you have no reason to

1371
01:10:51,680 --> 01:10:55,040
Speaker 1: be around those people. Am I right? You're right? You're right?

1372
01:10:55,200 --> 01:10:57,800
Speaker 1: So maybe what needs to happen is you need a

1373
01:10:57,880 --> 01:11:00,920
Speaker 1: cool down period a right. I'm telling you I can't

1374
01:11:00,920 --> 01:11:02,760
Speaker 1: even sleep at night right now. I can't even go

1375
01:11:02,880 --> 01:11:04,720
Speaker 1: to sleep. It happened night. Three weeks to go. I

1376
01:11:04,760 --> 01:11:07,280
Speaker 1: ain't been to sleep. You got and you might have

1377
01:11:07,400 --> 01:11:10,880
Speaker 1: some anger issues, sir, I do. I do. So this

1378
01:11:11,080 --> 01:11:13,320
Speaker 1: is a great time for you to be working on yourself. Right.

1379
01:11:13,360 --> 01:11:15,479
Speaker 1: You should never let somebody else affect you to the

1380
01:11:15,520 --> 01:11:18,080
Speaker 1: point where you can't sleep at night. You don't get it.

1381
01:11:20,120 --> 01:11:24,920
Speaker 1: You want your five minutes huh right? You want him

1382
01:11:24,920 --> 01:11:27,200
Speaker 1: to tell you to fight your your wife's dad. I'm

1383
01:11:27,280 --> 01:11:30,720
Speaker 1: listening to you dig a hole for yourself. You don't

1384
01:11:32,760 --> 01:11:37,280
Speaker 1: boys down. What you need to do is you need

1385
01:11:37,360 --> 01:11:40,360
Speaker 1: to do some online therapy right now. Talk to somebody

1386
01:11:40,400 --> 01:11:42,800
Speaker 1: about these anger issues that you're having. Might not be

1387
01:11:42,880 --> 01:11:45,120
Speaker 1: a bad idea, and I already know what you're gonna

1388
01:11:45,120 --> 01:11:47,360
Speaker 1: say about this, but it might not be a bad

1389
01:11:47,439 --> 01:11:49,679
Speaker 1: idea for you to go and look up some YouTube

1390
01:11:49,760 --> 01:11:52,400
Speaker 1: videos and learn how to do some meditation and some yoga,

1391
01:11:52,760 --> 01:11:54,920
Speaker 1: so you might send to yourself. But what I will

1392
01:11:55,000 --> 01:11:57,320
Speaker 1: tell you is this one thing you have to learn,

1393
01:11:57,360 --> 01:11:59,200
Speaker 1: and I've learned this too, is do not let other

1394
01:11:59,240 --> 01:12:02,559
Speaker 1: people control your emotions. Do not let other people control

1395
01:12:02,640 --> 01:12:05,200
Speaker 1: your anger. Once they start doing that, they have control

1396
01:12:05,280 --> 01:12:07,400
Speaker 1: over you. You have to learn how to take control

1397
01:12:07,439 --> 01:12:10,080
Speaker 1: of yourself. And you can only uh, the only thing

1398
01:12:10,160 --> 01:12:13,400
Speaker 1: you can do is handle how you react to other people. Okay,

1399
01:12:13,720 --> 01:12:16,280
Speaker 1: So take control of yourself, your emotions and all of

1400
01:12:16,320 --> 01:12:18,800
Speaker 1: those things, and don't get people that power where you're

1401
01:12:18,920 --> 01:12:27,840
Speaker 1: up at night. You right, learn from karate bro. I

1402
01:12:27,920 --> 01:12:29,960
Speaker 1: go learn from karate go online right now. It's a

1403
01:12:30,000 --> 01:12:32,080
Speaker 1: good time to learn from karate bro. Hey, go and

1404
01:12:32,320 --> 01:12:34,960
Speaker 1: make go make love to your wife. How about that? Right?

1405
01:12:35,000 --> 01:12:40,639
Speaker 1: I did call in a Yeah, a lot of online

1406
01:12:40,680 --> 01:12:43,320
Speaker 1: box and a lot of online karate. Learn something, brother,

1407
01:12:43,600 --> 01:12:48,880
Speaker 1: good luck ask I'm nice with the hands. I was

1408
01:12:49,000 --> 01:12:53,080
Speaker 1: trying to be respectable. Old man. Yeah, that that old

1409
01:12:53,120 --> 01:12:55,080
Speaker 1: man screen. He put that old man scrimp on your

1410
01:12:55,120 --> 01:12:57,360
Speaker 1: ass and you couldn't do nothing with it. And that's okay.

1411
01:12:57,479 --> 01:12:59,600
Speaker 1: Respect your elders. That's all God trying to show you.

1412
01:13:00,000 --> 01:13:01,599
Speaker 1: I feel like what really happened is if father beat

1413
01:13:01,640 --> 01:13:03,040
Speaker 1: you up and you want to make sure you get

1414
01:13:03,120 --> 01:13:05,920
Speaker 1: some revenge. I don't know exactly what, and you like,

1415
01:13:06,120 --> 01:13:07,680
Speaker 1: this is what I should have did. I could have

1416
01:13:07,760 --> 01:13:10,320
Speaker 1: did this. I want to go back and prove myself. No,

1417
01:13:10,479 --> 01:13:13,880
Speaker 1: you took the l because you love your wife. That's all. Respect.

1418
01:13:14,200 --> 01:13:16,360
Speaker 1: Respect your older And here's the thing, her father would

1419
01:13:16,400 --> 01:13:18,439
Speaker 1: never respect you anyway, so he definitely don't respect you

1420
01:13:18,479 --> 01:13:22,680
Speaker 1: after he whipped your ass. All right, well, have a

1421
01:13:22,760 --> 01:13:25,840
Speaker 1: good one, man, ask you you definitely hung up eight

1422
01:13:25,960 --> 01:13:28,280
Speaker 1: hundred five eight five one oh five one. If you

1423
01:13:28,360 --> 01:13:32,840
Speaker 1: need relationship advice right now, it's the breakfast club Coma,

1424
01:13:32,920 --> 01:13:36,639
Speaker 1: keep a real some real advice with Anthela yet ask

1425
01:13:36,760 --> 01:13:44,040
Speaker 1: ye morning. Everybody is dj Envy Angela Yee, Charlomagne Naga.

1426
01:13:44,160 --> 01:13:46,080
Speaker 1: We are the breakfast club with in the middle of

1427
01:13:46,200 --> 01:13:50,200
Speaker 1: ask ye Hello, who's this? I don't want to stay anonymous?

1428
01:13:50,560 --> 01:13:54,000
Speaker 1: All right, anonymous? What's your question for you? Okay? So um,

1429
01:13:54,400 --> 01:13:57,800
Speaker 1: me and my husband have been married almost two years now.

1430
01:13:58,960 --> 01:14:01,960
Speaker 1: Before I started dating him, I was dating a lot

1431
01:14:02,000 --> 01:14:05,840
Speaker 1: of women, so I'm not really like experienced with like

1432
01:14:06,000 --> 01:14:11,720
Speaker 1: the oral stuff for men. So I tried and he

1433
01:14:11,840 --> 01:14:14,880
Speaker 1: didn't like it. So we haven't had boil sex in

1434
01:14:14,960 --> 01:14:19,040
Speaker 1: a while. But I feel confident in my ability to

1435
01:14:19,520 --> 01:14:23,000
Speaker 1: perform where he can be pleased. But he won't take

1436
01:14:23,080 --> 01:14:27,840
Speaker 1: me seriously because it's been so long since he's had it. Okay,

1437
01:14:27,960 --> 01:14:31,760
Speaker 1: so you know what you're doing now? You feel confident? Well,

1438
01:14:31,920 --> 01:14:33,960
Speaker 1: I don't. I wouldn't never. I don't even know if

1439
01:14:34,000 --> 01:14:36,360
Speaker 1: I I feel confident, but I don't know if it's

1440
01:14:36,400 --> 01:14:38,920
Speaker 1: gonna be right until you know, I actually tried, but

1441
01:14:39,000 --> 01:14:41,200
Speaker 1: he won't let me try because he doesn't want to

1442
01:14:41,200 --> 01:14:43,280
Speaker 1: be a guinea pig and end up with some abrasions

1443
01:14:43,280 --> 01:14:46,360
Speaker 1: on his penis. Yeah, so I'm trying to figure out

1444
01:14:46,720 --> 01:14:49,200
Speaker 1: how to set it up to where he can be

1445
01:14:49,360 --> 01:14:54,600
Speaker 1: comfortable enough to allow me to see, okay, what progression

1446
01:14:54,720 --> 01:14:58,280
Speaker 1: I've made, and then go from there. Okay, So look,

1447
01:14:58,360 --> 01:15:00,479
Speaker 1: this is what I think. Right before you guys get

1448
01:15:00,520 --> 01:15:03,000
Speaker 1: to it, when you're doing your four play, you should

1449
01:15:03,080 --> 01:15:05,040
Speaker 1: ask him can I just kiss it. I'm not gonna

1450
01:15:05,080 --> 01:15:07,680
Speaker 1: do anything more than that, and then you should kiss it,

1451
01:15:07,800 --> 01:15:10,840
Speaker 1: and then you should tone kiss it, and then you

1452
01:15:10,880 --> 01:15:12,640
Speaker 1: should just do a little bit more, a little bit

1453
01:15:12,720 --> 01:15:15,920
Speaker 1: more until you know he's feeling good about it, and

1454
01:15:16,040 --> 01:15:18,400
Speaker 1: then you know, that's when you go a little bit more.

1455
01:15:18,479 --> 01:15:21,760
Speaker 1: But just make sure that you keep your mouth very lubricated,

1456
01:15:21,920 --> 01:15:26,040
Speaker 1: don't use your teeth, tuck them away. Okay, but I

1457
01:15:26,120 --> 01:15:28,000
Speaker 1: think you just want I just I think you don't

1458
01:15:28,040 --> 01:15:36,720
Speaker 1: starting to feel less confident what we're definitely not talking

1459
01:15:36,760 --> 01:15:39,320
Speaker 1: about that, but I just listen, just started off, So

1460
01:15:39,479 --> 01:15:40,960
Speaker 1: just say, look, I'm just gonna kiss it. I'm not

1461
01:15:40,960 --> 01:15:43,680
Speaker 1: gonna do anything else. And then when you kiss it right,

1462
01:15:43,760 --> 01:15:46,240
Speaker 1: kissing could mean anything. It could be close mouth, open mouth,

1463
01:15:46,680 --> 01:15:49,400
Speaker 1: and then you know, just play around with that area

1464
01:15:49,560 --> 01:15:51,280
Speaker 1: and then if he likes it, he'll be okay with

1465
01:15:51,400 --> 01:15:59,040
Speaker 1: you going a little further though, ask him because man

1466
01:15:59,280 --> 01:16:02,320
Speaker 1: he made he may just accept it just because the

1467
01:16:02,439 --> 01:16:04,240
Speaker 1: love of me as his wife, but he may not

1468
01:16:04,520 --> 01:16:07,839
Speaker 1: want to actually tell me that he's enjoying what's happening.

1469
01:16:07,960 --> 01:16:10,519
Speaker 1: So I'm trying to like what signs I should look

1470
01:16:10,600 --> 01:16:13,760
Speaker 1: for when Well, first of all, there's nothing better than

1471
01:16:13,800 --> 01:16:17,240
Speaker 1: asking a direct question, and you can ask it like, okay,

1472
01:16:17,320 --> 01:16:19,120
Speaker 1: do you like that? Well, tell me what you want

1473
01:16:19,160 --> 01:16:21,000
Speaker 1: me to do, and I'm gonna do it and be like,

1474
01:16:21,040 --> 01:16:22,600
Speaker 1: how would you like it better? What? You know? Just

1475
01:16:22,760 --> 01:16:24,320
Speaker 1: ask those questions, but you could do it in a

1476
01:16:24,360 --> 01:16:27,519
Speaker 1: sexy way so that he's gonna direct you to the

1477
01:16:27,560 --> 01:16:29,120
Speaker 1: way to do it and just be like, leg, tell

1478
01:16:29,160 --> 01:16:32,200
Speaker 1: me what to do. Uh huh, Okay, Well I will

1479
01:16:32,280 --> 01:16:33,800
Speaker 1: try that and I'll let you know how to go.

1480
01:16:34,160 --> 01:16:38,680
Speaker 1: Thank you. I cannot wait to hear about it. All right.

1481
01:16:38,720 --> 01:16:41,600
Speaker 1: You got to talk a good morning you too. And

1482
01:16:41,800 --> 01:16:48,320
Speaker 1: that was another edition. She had a question. All right,

1483
01:16:48,800 --> 01:16:50,680
Speaker 1: It really did sound like you was talking about DJ

1484
01:16:50,800 --> 01:16:53,200
Speaker 1: andry riding his bike. Though I'm not gonna go why why,

1485
01:16:53,960 --> 01:16:58,120
Speaker 1: Because that's what he's visualizing. I had to think about.

1486
01:16:58,439 --> 01:17:00,320
Speaker 1: I'm gonna marry man. You got these fans. It sees

1487
01:17:00,320 --> 01:17:01,760
Speaker 1: about me, and I don't like it. I'm starting to

1488
01:17:01,800 --> 01:17:07,080
Speaker 1: feel uncomfortable. You're a liar. What's wrong with you? Ask

1489
01:17:07,200 --> 01:17:09,320
Speaker 1: ye eight hundred and five eight five one O five one.

1490
01:17:09,360 --> 01:17:15,320
Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club, DJ

1491
01:17:15,840 --> 01:17:19,519
Speaker 1: Envy Angela yee, Charlomagne, the guy we are the Breakfast Club.

1492
01:17:19,960 --> 01:17:23,200
Speaker 1: Angela is out. So today we're doing ask C and E.

1493
01:17:23,520 --> 01:17:26,240
Speaker 1: Let's go to the phone line. Hello, who's this? Hey,

1494
01:17:26,360 --> 01:17:31,720
Speaker 1: there's John long Street? John long Street? Okay, what's up? Hey?

1495
01:17:32,240 --> 01:17:35,160
Speaker 1: All right, calling from Sikes the Missouri five seven three.

1496
01:17:35,560 --> 01:17:38,240
Speaker 1: Y'all should come out here sometime. Eda Lambert's home on

1497
01:17:38,280 --> 01:17:42,720
Speaker 1: the four rolls. But anyways, my question is, uh, you know, man,

1498
01:17:42,880 --> 01:17:46,280
Speaker 1: my wife, we're doing our we're having our anniversary tomorrow.

1499
01:17:47,000 --> 01:17:48,760
Speaker 1: I was just seeing what I could do to keep

1500
01:17:48,800 --> 01:17:51,320
Speaker 1: it spicy. Don't get married for four years, so I'm

1501
01:17:51,320 --> 01:17:55,240
Speaker 1: trying to try something different. Four years. Okay, all right,

1502
01:17:55,400 --> 01:17:57,240
Speaker 1: you got two different married men here. You know what

1503
01:17:57,280 --> 01:18:00,960
Speaker 1: I'm saying one one slaved lemon kicks. The other is chocolate.

1504
01:18:01,520 --> 01:18:05,519
Speaker 1: So when I went to chocolate. So yeah, well, since

1505
01:18:05,560 --> 01:18:07,280
Speaker 1: you've been married for four years, we assume that you've

1506
01:18:07,520 --> 01:18:11,080
Speaker 1: eaten them before. Correct. Oh yeah, whoa, Okay, I'm just

1507
01:18:11,160 --> 01:18:13,960
Speaker 1: I'm just asking you something. So I'm that some people say, oh,

1508
01:18:14,000 --> 01:18:15,439
Speaker 1: I'm not doing that. I'm just I'm just making sure.

1509
01:18:15,479 --> 01:18:17,640
Speaker 1: I'm just making sure. So so, so what are you

1510
01:18:17,680 --> 01:18:18,920
Speaker 1: attending to do? What are you What are you going

1511
01:18:18,960 --> 01:18:20,439
Speaker 1: to do for her birthday? Are you taking her out?

1512
01:18:20,479 --> 01:18:22,600
Speaker 1: Are you cooking for her? Like? What are you going to?

1513
01:18:22,960 --> 01:18:25,200
Speaker 1: We're going We're going to a cabin and Gatlas bird,

1514
01:18:25,800 --> 01:18:29,400
Speaker 1: So we're going to going to chaill, just a little relaxation.

1515
01:18:30,040 --> 01:18:34,000
Speaker 1: That's a good story, you know what. Location is very important.

1516
01:18:34,080 --> 01:18:36,080
Speaker 1: So you got the cabin, so it's just you and

1517
01:18:36,160 --> 01:18:38,280
Speaker 1: the wife in the cabin. That's a great start. What else?

1518
01:18:38,840 --> 01:18:40,720
Speaker 1: He wants to spice it up though, he wants to

1519
01:18:40,760 --> 01:18:43,000
Speaker 1: spice it up a little bit. Yeah, just spice it up.

1520
01:18:43,439 --> 01:18:44,880
Speaker 1: Let me ask you a question. Have you taped yourself

1521
01:18:44,920 --> 01:18:47,439
Speaker 1: feeling yourself having sex with your wife yet? Have have

1522
01:18:47,520 --> 01:18:50,240
Speaker 1: you taped it yet? No? I never did that before.

1523
01:18:50,840 --> 01:18:52,800
Speaker 1: Now you can do that, so you can film it

1524
01:18:52,880 --> 01:18:54,280
Speaker 1: since you're gonna be there the whole week, and you

1525
01:18:54,360 --> 01:18:56,560
Speaker 1: tape it, you and your wife going at it, and

1526
01:18:56,680 --> 01:18:58,880
Speaker 1: then y'all watch it later on. And I mean, and

1527
01:18:58,960 --> 01:19:01,120
Speaker 1: that a turn you know on that spicy is something different,

1528
01:19:01,160 --> 01:19:03,040
Speaker 1: But then you make sure you erase it after that's

1529
01:19:03,120 --> 01:19:07,840
Speaker 1: that's that's spicy. Absolutely. That's how me and NV you

1530
01:19:07,920 --> 01:19:09,960
Speaker 1: got two different approaches, you know what I'm saying. I like,

1531
01:19:10,840 --> 01:19:14,080
Speaker 1: I like to start with the mental and emotional aspect

1532
01:19:14,160 --> 01:19:17,439
Speaker 1: of it. You know, four years is a long time,

1533
01:19:17,520 --> 01:19:18,960
Speaker 1: you know what I mean. Four years gets you through

1534
01:19:19,040 --> 01:19:21,400
Speaker 1: high school, get you a bachelor's degree. And I think

1535
01:19:21,439 --> 01:19:23,880
Speaker 1: that you should take this opportunity in that cabin to

1536
01:19:24,040 --> 01:19:27,080
Speaker 1: just remind your wife how much she means to you. Um,

1537
01:19:27,240 --> 01:19:29,280
Speaker 1: you know how you're the most blessed person in the

1538
01:19:29,360 --> 01:19:32,680
Speaker 1: world to have this beautiful queen by your side. And

1539
01:19:32,760 --> 01:19:35,960
Speaker 1: I think that when you reinforce those things in her mentally,

1540
01:19:36,360 --> 01:19:38,599
Speaker 1: that's gonna make the sweater. And I'm not I don't

1541
01:19:38,640 --> 01:19:40,280
Speaker 1: mean I mean that in the most respective way possible

1542
01:19:40,280 --> 01:19:42,280
Speaker 1: because it's your wife, you know what I'm saying. Yeah,

1543
01:19:42,320 --> 01:19:44,200
Speaker 1: But but you start with them, you start with the

1544
01:19:44,360 --> 01:19:47,360
Speaker 1: mindset first, then you get through what Envy's talking about,

1545
01:19:47,680 --> 01:19:49,880
Speaker 1: you know what I mean. But you gotta use those,

1546
01:19:50,080 --> 01:19:53,879
Speaker 1: You gotta use those at that time to just express

1547
01:19:53,920 --> 01:19:56,679
Speaker 1: to her how much the last four years have meant

1548
01:19:56,760 --> 01:19:58,880
Speaker 1: to you and how she's just your world. Now you

1549
01:19:58,920 --> 01:20:01,720
Speaker 1: do have a black woman, right, No, she she makes

1550
01:20:01,760 --> 01:20:08,519
Speaker 1: you white Mexican, same rules apply. Yeah, yeah, hey, but

1551
01:20:08,640 --> 01:20:11,160
Speaker 1: you know, yeah, but I would with my smooth with

1552
01:20:11,320 --> 01:20:15,479
Speaker 1: my smooth talk, I went over either way. Well yeah,

1553
01:20:15,479 --> 01:20:17,439
Speaker 1: but like you said, start with the mental and then

1554
01:20:17,600 --> 01:20:19,840
Speaker 1: get to the physical and then enjoy it, have some fun,

1555
01:20:19,960 --> 01:20:21,680
Speaker 1: you know what I mean, you know, and tape it,

1556
01:20:21,800 --> 01:20:23,680
Speaker 1: watch it, and then you know, joke about it, laugh

1557
01:20:23,720 --> 01:20:26,680
Speaker 1: about it, and then raise it. All right, absolutely you

1558
01:20:26,760 --> 01:20:30,120
Speaker 1: might if I give a shout out to her, God Brok,

1559
01:20:30,360 --> 01:20:34,240
Speaker 1: give a shout out to Darline, Darline long Street, I

1560
01:20:34,280 --> 01:20:35,680
Speaker 1: love you so much. But if you don't know how

1561
01:20:35,760 --> 01:20:37,680
Speaker 1: much you change in my life. But I love you

1562
01:20:37,760 --> 01:20:41,240
Speaker 1: so much. Happy anniversary to us, all right, shout out

1563
01:20:41,280 --> 01:20:44,040
Speaker 1: to Charlemagne, the God, DJ, Envy, all they do. I

1564
01:20:44,120 --> 01:20:46,680
Speaker 1: love watching y'all show. All right, all right, man, good

1565
01:20:46,760 --> 01:20:48,840
Speaker 1: luck man, appreciate all right, y'all have a good onla

1566
01:20:49,439 --> 01:20:51,080
Speaker 1: all right, man, don't let us down and make sure

1567
01:20:51,120 --> 01:20:53,519
Speaker 1: you buy her and make sure you buy her a

1568
01:20:53,560 --> 01:20:58,080
Speaker 1: Black Lives Matter T shirt as s and need keep

1569
01:20:58,080 --> 01:21:00,840
Speaker 1: a lot of this to Breakfast Club. Good morning, it's

1570
01:21:00,920 --> 01:21:08,040
Speaker 1: topic time phone call eight hundred and five eight five

1571
01:21:08,080 --> 01:21:09,919
Speaker 1: one oh five. Want to join it to the discussion

1572
01:21:09,960 --> 01:21:13,200
Speaker 1: with the Breakfast Club talk about it? Wanting everybody is

1573
01:21:13,360 --> 01:21:17,200
Speaker 1: DJ Envy Angela Yee, Charlemagne the guy we are the

1574
01:21:17,280 --> 01:21:20,120
Speaker 1: Breakfast Club, good morning. Now if you just joined us

1575
01:21:20,160 --> 01:21:24,160
Speaker 1: with asking ladies, would you date a guy that drives

1576
01:21:24,200 --> 01:21:26,519
Speaker 1: a hooptie? Now this came from our conversation with Sherry

1577
01:21:26,560 --> 01:21:28,439
Speaker 1: Shepherd this morning. Let's play a clip. What if he

1578
01:21:28,520 --> 01:21:30,840
Speaker 1: pulled up in a hooptie? With that matter, you can

1579
01:21:30,920 --> 01:21:33,240
Speaker 1: hoop you on out of here, because here's the problem.

1580
01:21:33,560 --> 01:21:35,360
Speaker 1: I'm not putting you down. If you got a hoopie,

1581
01:21:35,400 --> 01:21:37,479
Speaker 1: you're working your way there, but you're going to have

1582
01:21:37,560 --> 01:21:40,080
Speaker 1: a problem as a man if you're you're trying to

1583
01:21:40,200 --> 01:21:43,400
Speaker 1: keep up with me. So now I gotta come down here.

1584
01:21:43,680 --> 01:21:46,160
Speaker 1: What add value are you going to add to this relationship?

1585
01:21:46,200 --> 01:21:48,360
Speaker 1: Because I don't know what I'm bringing. Our levels are

1586
01:21:48,400 --> 01:21:50,760
Speaker 1: going to be different, and what's ultimately going to end

1587
01:21:50,840 --> 01:21:53,960
Speaker 1: up happening is you may feel affected as a man.

1588
01:21:54,640 --> 01:21:57,559
Speaker 1: So what asking would you? Let's go to the phone line. Hello,

1589
01:21:57,640 --> 01:22:03,360
Speaker 1: who's this, hey, Lauren? Guy that drives a hootie? Yeah,

1590
01:22:03,360 --> 01:22:05,519
Speaker 1: I drive a hootie right now. I'm a married man.

1591
01:22:05,600 --> 01:22:07,720
Speaker 1: When I met my wife, I drove a hootie. But

1592
01:22:07,880 --> 01:22:10,160
Speaker 1: we own rental properties. We got a nice house that

1593
01:22:10,280 --> 01:22:12,679
Speaker 1: we're proud of, and it's not an issue, not about

1594
01:22:15,080 --> 01:22:16,519
Speaker 1: what kind of car do you job? Because I want

1595
01:22:16,520 --> 01:22:18,960
Speaker 1: to know your definition of a hoopie, because Envy's definition

1596
01:22:19,080 --> 01:22:21,720
Speaker 1: was all off. Okay, I drive a two thousand and

1597
01:22:21,720 --> 01:22:25,479
Speaker 1: three four focus right now. Okay, yeah, that's a hootie.

1598
01:22:27,680 --> 01:22:32,800
Speaker 1: You shut you right up. Why don't you Why don't

1599
01:22:32,800 --> 01:22:35,320
Speaker 1: you get a newer car? I'm just curious. It's just

1600
01:22:35,520 --> 01:22:38,160
Speaker 1: not important to me. I'm more worried about getting more

1601
01:22:38,240 --> 01:22:41,000
Speaker 1: rental properties. Are more worried about keeping my wife happy

1602
01:22:41,400 --> 01:22:44,639
Speaker 1: and leaving my kids something. When I'm going, that's my focus.

1603
01:22:45,120 --> 01:22:50,439
Speaker 1: There you go, that's my forward focus. Thank you, brother.

1604
01:22:50,600 --> 01:22:53,960
Speaker 1: And I've always anthy. I'm kind of like your dad.

1605
01:22:54,000 --> 01:22:55,680
Speaker 1: You said he always drove a hoopie. I just never

1606
01:22:55,760 --> 01:22:58,280
Speaker 1: really felt a nice card to be honest, this would

1607
01:22:58,280 --> 01:23:01,240
Speaker 1: always try. Really would you like it if, like, you know,

1608
01:23:01,439 --> 01:23:03,200
Speaker 1: maybe your wife's surprised you went and brought you a

1609
01:23:03,240 --> 01:23:05,920
Speaker 1: new car, would that be dope? Nah? I better get

1610
01:23:06,280 --> 01:23:09,280
Speaker 1: get us another property. There you go, you know, because

1611
01:23:09,280 --> 01:23:10,960
Speaker 1: you know what, I'm not gonna lie though. Sometimes the

1612
01:23:11,080 --> 01:23:12,840
Speaker 1: cars get old and then you end up spending so

1613
01:23:12,960 --> 01:23:16,000
Speaker 1: much money fixing things. You might as well just get

1614
01:23:16,080 --> 01:23:18,479
Speaker 1: a new car. Nah, I get your old hoop to

1615
01:23:18,560 --> 01:23:21,640
Speaker 1: put liability on it, and you're good. How much a

1616
01:23:21,840 --> 01:23:25,960
Speaker 1: new much a new Ford? Focus? Let me see how

1617
01:23:26,040 --> 01:23:31,040
Speaker 1: much is that? Run? Y'all laughing at my car? She

1618
01:23:31,160 --> 01:23:36,120
Speaker 1: laughing at you? This is a wagon? And see how

1619
01:23:36,240 --> 01:23:40,080
Speaker 1: much can we get for that? Okay? Don't you might

1620
01:23:40,160 --> 01:23:43,519
Speaker 1: get like three thousand dollars for it? How many miles

1621
01:23:43,560 --> 01:23:46,759
Speaker 1: I got on it? Uh? That like one hundred ninety?

1622
01:23:47,120 --> 01:23:49,040
Speaker 1: Oh wow? Oh no, you're not gonna get three thousand.

1623
01:23:49,120 --> 01:23:52,040
Speaker 1: Then you're gonna get about but you're gonna get about dollars.

1624
01:23:53,840 --> 01:23:56,519
Speaker 1: You're right, that's a that's a four focused brother. Yeah,

1625
01:23:58,200 --> 01:24:01,080
Speaker 1: But Sart was wrong, was talking about how to set

1626
01:24:01,080 --> 01:24:02,840
Speaker 1: bringing a man up, and he can't go with she

1627
01:24:02,920 --> 01:24:05,240
Speaker 1: could go. Men do that with women all the time.

1628
01:24:05,760 --> 01:24:09,960
Speaker 1: But that women expected, and that's the difference. They expect

1629
01:24:10,000 --> 01:24:12,160
Speaker 1: for a man to take them place if they couldn't go,

1630
01:24:12,360 --> 01:24:15,760
Speaker 1: and things like that. It depends on No, No, let's

1631
01:24:15,800 --> 01:24:18,120
Speaker 1: not generalize. There's a lot of places I can go

1632
01:24:19,040 --> 01:24:22,080
Speaker 1: that you know I'm not. I can take myself a

1633
01:24:22,120 --> 01:24:24,519
Speaker 1: lot of places, so you know, I get it, and

1634
01:24:24,680 --> 01:24:26,360
Speaker 1: she can take herself a lot of places. So I

1635
01:24:26,400 --> 01:24:29,160
Speaker 1: think her point was I can do these things, and

1636
01:24:29,280 --> 01:24:31,200
Speaker 1: if he can't do them, then it might hurt his

1637
01:24:31,320 --> 01:24:33,400
Speaker 1: own ego. I just want to give you a lot

1638
01:24:33,439 --> 01:24:35,280
Speaker 1: of problems for having that Ford focus with two hundred

1639
01:24:35,320 --> 01:24:39,880
Speaker 1: thousand miles. Brother, you you stay clean out there. Man. Hello,

1640
01:24:39,960 --> 01:24:43,400
Speaker 1: who's this? This is still yeah, hey sail you, good

1641
01:24:43,400 --> 01:24:48,320
Speaker 1: morning morning, good morning, good morning. We're asking would you

1642
01:24:48,400 --> 01:24:50,800
Speaker 1: date a guy that drives a hooptie? Well, in my

1643
01:24:50,960 --> 01:24:53,080
Speaker 1: younger days, it wouldn't have been a deal breaker, but

1644
01:24:53,120 --> 01:24:55,200
Speaker 1: I'm in my mid thirties and I think that if

1645
01:24:55,240 --> 01:24:57,920
Speaker 1: you don't have, if your life choices haven't led you

1646
01:24:58,000 --> 01:25:00,759
Speaker 1: to at least have a reliable vehicle and your mid thirties,

1647
01:25:00,840 --> 01:25:05,320
Speaker 1: then we'll probably butt heads. But if it's a reliable hoopie,

1648
01:25:06,040 --> 01:25:07,960
Speaker 1: I still think you know it should be. It should

1649
01:25:08,000 --> 01:25:10,160
Speaker 1: be something up to date and nights. I think a

1650
01:25:10,240 --> 01:25:12,719
Speaker 1: hoopie doesn't go hand in hand with a reliable hoopie.

1651
01:25:12,760 --> 01:25:15,000
Speaker 1: To me, is like it's rundown, it's not up to par.

1652
01:25:15,200 --> 01:25:18,439
Speaker 1: You probably have problems with it. It's not you know,

1653
01:25:18,520 --> 01:25:20,599
Speaker 1: it's not something that if you're in your mid thirties

1654
01:25:20,720 --> 01:25:22,599
Speaker 1: that you should be. You know, you should have something

1655
01:25:22,680 --> 01:25:25,800
Speaker 1: nice and reliable. I agree with you. I agree that

1656
01:25:25,840 --> 01:25:28,040
Speaker 1: when you're younger, things like that don't matter because we're

1657
01:25:28,080 --> 01:25:30,200
Speaker 1: all struggling trying to make it. But when you get

1658
01:25:30,240 --> 01:25:32,040
Speaker 1: to western and age, you're like, Okay, I don't want

1659
01:25:32,080 --> 01:25:35,080
Speaker 1: to have like struggle love anymore, right, And I understand

1660
01:25:35,160 --> 01:25:36,920
Speaker 1: things happen, but like I don't want to have to

1661
01:25:37,040 --> 01:25:39,479
Speaker 1: weed through Like okay, are you just going through something

1662
01:25:39,960 --> 01:25:41,920
Speaker 1: or is this just who you are? You just a

1663
01:25:41,960 --> 01:25:44,639
Speaker 1: person that doesn't make good decisions, you know, at least

1664
01:25:44,680 --> 01:25:47,880
Speaker 1: at least come with a reliable up today's vehicle. And

1665
01:25:48,000 --> 01:25:49,760
Speaker 1: then he's like, oh my car broke down. Can I

1666
01:25:49,880 --> 01:25:52,240
Speaker 1: use your car to get to work? Then you're dropping

1667
01:25:52,280 --> 01:25:58,800
Speaker 1: them off at work? Seven children? If I can, how

1668
01:25:58,880 --> 01:26:01,040
Speaker 1: you put all those kids in the all? She got

1669
01:26:01,120 --> 01:26:06,160
Speaker 1: a minivan. I minivan kids sit minivan kids eight. She

1670
01:26:06,320 --> 01:26:08,559
Speaker 1: got the third row so much, I can't even believe

1671
01:26:08,600 --> 01:26:10,880
Speaker 1: I'm talking to even with a third row. What kind

1672
01:26:10,880 --> 01:26:14,600
Speaker 1: of call you got the seats eight? I have a Chrysler,

1673
01:26:14,880 --> 01:26:18,760
Speaker 1: um a Dodge or what is it? A Chrysler? She

1674
01:26:18,880 --> 01:26:23,360
Speaker 1: has town in country. There's no way in hell you

1675
01:26:23,479 --> 01:26:26,519
Speaker 1: get all seven kids in that one can. Three in

1676
01:26:26,560 --> 01:26:29,240
Speaker 1: the middle, three in the back, one in the front. Yeah,

1677
01:26:29,800 --> 01:26:32,479
Speaker 1: and I have teenagers, and sometimes I have my kids

1678
01:26:32,520 --> 01:26:34,280
Speaker 1: and a couple of other friends. They squeeze in and

1679
01:26:34,360 --> 01:26:39,559
Speaker 1: we make it happen. Lap it up, baby to wait.

1680
01:26:39,600 --> 01:26:42,600
Speaker 1: Who gets the ride shotgun? They all fight over it,

1681
01:26:42,800 --> 01:26:45,040
Speaker 1: so I don't just let my oldest get the shotgun

1682
01:26:45,080 --> 01:26:47,080
Speaker 1: because she's the oldest. If my five year old calls

1683
01:26:47,120 --> 01:26:50,280
Speaker 1: it first, then that's who gets it. Now, let's be honest.

1684
01:26:50,640 --> 01:26:54,040
Speaker 1: Daily fights and sometimes fis fights over the preste when

1685
01:26:54,040 --> 01:26:56,160
Speaker 1: your husband's in the call with you. One of the

1686
01:26:56,200 --> 01:26:59,000
Speaker 1: kids got to sit on the floor. Oh yeah, how

1687
01:26:59,000 --> 01:27:01,120
Speaker 1: are you gonna assume that she's a single mind raising

1688
01:27:01,200 --> 01:27:03,760
Speaker 1: seven amazing kids? One of them got to sit on

1689
01:27:03,800 --> 01:27:05,920
Speaker 1: the floor. Don't lie, car, you gotta at least have

1690
01:27:06,000 --> 01:27:09,080
Speaker 1: an up to date car. Because I'm doing seven by myself.

1691
01:27:09,280 --> 01:27:12,400
Speaker 1: So I know if you're if you're just you, then

1692
01:27:12,479 --> 01:27:16,120
Speaker 1: you can have a decent cart. I gotta have attracted

1693
01:27:16,160 --> 01:27:19,120
Speaker 1: trailer if I date you with those damn kids. Gee,

1694
01:27:20,520 --> 01:27:23,439
Speaker 1: not all women with children are liabilities, and not all

1695
01:27:23,479 --> 01:27:26,040
Speaker 1: women with less or no children or assets. That's the fact.

1696
01:27:26,400 --> 01:27:27,760
Speaker 1: I just gotta get all the kids in the car.

1697
01:27:27,920 --> 01:27:29,400
Speaker 1: How you're gonna come to my house for Christmas? We

1698
01:27:29,439 --> 01:27:34,360
Speaker 1: gotta get attracted trailer to get everybody Geese. I raised parties.

1699
01:27:34,640 --> 01:27:36,360
Speaker 1: We're the whole party. You know, you don't have to

1700
01:27:36,520 --> 01:27:38,840
Speaker 1: send out a bunch of inmitations to invite me. So

1701
01:27:39,000 --> 01:27:41,600
Speaker 1: for the pandemic, you were straight because you had your

1702
01:27:41,640 --> 01:27:43,320
Speaker 1: seven kids and they had things to do. They were

1703
01:27:43,360 --> 01:27:45,560
Speaker 1: playing with each other the whole time. I have a

1704
01:27:45,680 --> 01:27:48,960
Speaker 1: great idea for a business for you. You know how

1705
01:27:49,000 --> 01:27:50,800
Speaker 1: they have like people that you could hire if you

1706
01:27:50,840 --> 01:27:52,840
Speaker 1: don't have a lot of friends. If there's people whose

1707
01:27:52,920 --> 01:27:54,880
Speaker 1: kids don't have a lot of friends, they could just

1708
01:27:55,000 --> 01:27:57,920
Speaker 1: call you. If you're gonna bring seven old, you bring

1709
01:27:58,200 --> 01:28:01,280
Speaker 1: all the kids and then you just yeah and as

1710
01:28:01,320 --> 01:28:05,240
Speaker 1: a party, it's like the wedding singer, but right for

1711
01:28:05,320 --> 01:28:08,680
Speaker 1: the kids. God bless you. I want more kids. I

1712
01:28:08,760 --> 01:28:10,640
Speaker 1: want ten kids. My wife's not trying to have it.

1713
01:28:10,720 --> 01:28:12,040
Speaker 1: I'm trying to have more and more and more and

1714
01:28:12,120 --> 01:28:14,360
Speaker 1: more kids. What's the more of the story tomorrow. Of

1715
01:28:14,439 --> 01:28:16,920
Speaker 1: the story is we don't want no scrubs. That's what

1716
01:28:17,040 --> 01:28:19,760
Speaker 1: it's sounding like now. I understand the diamond and the

1717
01:28:19,880 --> 01:28:21,800
Speaker 1: rough thing. I think when we're younger and we're not

1718
01:28:21,880 --> 01:28:24,160
Speaker 1: in that space and we're all trying to come up together,

1719
01:28:24,400 --> 01:28:26,760
Speaker 1: it means a lot. And there are some women who

1720
01:28:26,800 --> 01:28:29,240
Speaker 1: are okay with you know that. And we did speak

1721
01:28:29,240 --> 01:28:32,040
Speaker 1: to a man who actually has a lot of properties

1722
01:28:32,080 --> 01:28:34,280
Speaker 1: and cars aren't important to him. But I do think,

1723
01:28:34,880 --> 01:28:36,240
Speaker 1: you know, we don't want to be having to pick

1724
01:28:36,280 --> 01:28:37,800
Speaker 1: you up on the side of the road because your

1725
01:28:37,840 --> 01:28:40,519
Speaker 1: car broke down. We don't want you guys having to

1726
01:28:40,560 --> 01:28:42,559
Speaker 1: ask us to drive our car because your car broke down.

1727
01:28:42,640 --> 01:28:44,880
Speaker 1: You can't get to work. So I think as long

1728
01:28:44,960 --> 01:28:48,760
Speaker 1: as you have something decent that works, then you know

1729
01:28:48,840 --> 01:28:51,519
Speaker 1: it could work out. But certain people, like a Sherry Shepherd,

1730
01:28:51,680 --> 01:28:54,400
Speaker 1: she's just not with it all right. We've been locked

1731
01:28:54,439 --> 01:28:57,400
Speaker 1: as to breakfast Club, Good Morning, wanting everybody is DJ

1732
01:28:57,800 --> 01:29:01,000
Speaker 1: Envy Angela Ye Charlomagne to God, we are the Breakfast Club.

1733
01:29:01,280 --> 01:29:04,040
Speaker 1: Hopefully you guys are enjoying ya. Dania Charlomagne, you got

1734
01:29:04,080 --> 01:29:06,600
Speaker 1: a positive note for the people, Yes, I do. You

1735
01:29:06,760 --> 01:29:10,160
Speaker 1: have to prepare for what you've prayed for, Breakfast Club.

1736
01:29:10,920 --> 01:29:12,120
Speaker 1: You're finished, y'all. Dune