1 00:00:01,240 --> 00:00:04,920 Speaker 1: Let's play a game with Elvis Duran in the morning show. 2 00:00:06,160 --> 00:00:08,520 Speaker 2: Anyway, So thanks to krol Oha, that one thousand dollars 3 00:00:08,560 --> 00:00:09,840 Speaker 2: free money phone tap is on the way. 4 00:00:09,840 --> 00:00:11,680 Speaker 3: All right, So yesterday we're. 5 00:00:11,480 --> 00:00:15,760 Speaker 2: Doing a it's a music sound game, right, you have 6 00:00:15,760 --> 00:00:19,520 Speaker 2: to identify the song we're playing from an icon of Pride. 7 00:00:19,680 --> 00:00:21,200 Speaker 3: Yes, but we play it backwards. 8 00:00:21,239 --> 00:00:23,840 Speaker 2: So we added that twist because Gandhi just doesn't want 9 00:00:23,880 --> 00:00:24,520 Speaker 2: anyone to win. 10 00:00:24,600 --> 00:00:25,599 Speaker 3: That's the world she lives in. 11 00:00:25,800 --> 00:00:28,080 Speaker 1: They're just so easy. Those songs are super easy if 12 00:00:28,080 --> 00:00:29,040 Speaker 1: you play them normally. 13 00:00:29,200 --> 00:00:32,920 Speaker 4: Listen, really, if I can get them backwards, they're easy because. 14 00:00:33,920 --> 00:00:37,320 Speaker 2: Well the problem that the challenge is whoever's playing is 15 00:00:37,360 --> 00:00:39,000 Speaker 2: on the phone, so they have to hear it on 16 00:00:39,040 --> 00:00:43,040 Speaker 2: the phone, and so you know that, really that really 17 00:00:43,159 --> 00:00:46,839 Speaker 2: lessens the quality of that sound by tenfold maybe more. 18 00:00:46,760 --> 00:00:48,640 Speaker 1: Does it? But what about the people that just breeze 19 00:00:48,680 --> 00:00:50,080 Speaker 1: through them like no problem. 20 00:00:50,520 --> 00:00:51,640 Speaker 3: Maybe they have a better phone. 21 00:00:51,720 --> 00:00:52,040 Speaker 2: I don't know. 22 00:00:52,040 --> 00:00:52,360 Speaker 3: I don't know. 23 00:00:52,360 --> 00:00:54,960 Speaker 2: We're gonna put it to the test. It's now time, scary, 24 00:00:54,960 --> 00:00:55,560 Speaker 2: where's the music? 25 00:00:55,560 --> 00:00:55,840 Speaker 3: Here we go. 26 00:00:55,880 --> 00:01:00,920 Speaker 2: It's not time for the icons of pride backward the 27 00:01:01,080 --> 00:01:02,040 Speaker 2: technical test. 28 00:01:02,840 --> 00:01:05,400 Speaker 3: When I think icons of Pride I think nobody other 29 00:01:05,440 --> 00:01:08,640 Speaker 3: than Scary Jones. This is true. 30 00:01:08,920 --> 00:01:13,280 Speaker 2: So Scary is going to with his engineer's ear listen 31 00:01:13,319 --> 00:01:18,360 Speaker 2: to what contestants here? All right, so Scary to take 32 00:01:18,360 --> 00:01:21,280 Speaker 2: off your headphones, become a contestant, become a civilian. 33 00:01:21,840 --> 00:01:23,560 Speaker 3: Now you won't get them out of the room. We 34 00:01:23,600 --> 00:01:25,360 Speaker 3: won't get out of the room. 35 00:01:26,360 --> 00:01:29,959 Speaker 2: The room. By that last time I told you I 36 00:01:29,959 --> 00:01:31,160 Speaker 2: wanted you out of the room, you didn't leave. 37 00:01:33,280 --> 00:01:33,720 Speaker 3: All right, So. 38 00:01:36,080 --> 00:01:38,640 Speaker 2: Welcome to the Welcome to the game. Can you hear 39 00:01:38,680 --> 00:01:39,399 Speaker 2: me loud and clear? 40 00:01:40,440 --> 00:01:43,120 Speaker 3: Yes I can, I can hear you perfectly. Yeah, okay. 41 00:01:43,240 --> 00:01:45,759 Speaker 2: These are icons of Pride, people who have been so 42 00:01:45,760 --> 00:01:48,520 Speaker 2: so instrumental in the. 43 00:01:47,640 --> 00:01:48,720 Speaker 3: The world of pride. 44 00:01:49,240 --> 00:01:54,080 Speaker 2: And so they each have a song that you will recognize, 45 00:01:54,480 --> 00:01:56,800 Speaker 2: but maybe not if we play it backward, or maybe 46 00:01:56,800 --> 00:01:57,800 Speaker 2: not because it's on a phone. 47 00:01:57,840 --> 00:01:59,720 Speaker 3: We don't know yet. So here we go. 48 00:01:59,840 --> 00:02:08,320 Speaker 2: Here is Icon of Pride song number one. 49 00:02:09,720 --> 00:02:12,840 Speaker 3: All right, all right, so it sounds qrap clear here, 50 00:02:12,840 --> 00:02:14,240 Speaker 3: it's easy for us. What song is that? 51 00:02:16,400 --> 00:02:19,600 Speaker 5: It sounds like living Movida Loca Ricky Martin. 52 00:02:19,919 --> 00:02:22,160 Speaker 3: That is exactly. 53 00:02:26,639 --> 00:02:26,960 Speaker 5: All right. 54 00:02:27,040 --> 00:02:29,280 Speaker 2: So now you know the music really well, so you 55 00:02:29,320 --> 00:02:31,320 Speaker 2: already have that edge idea. But what does it sound 56 00:02:31,360 --> 00:02:33,240 Speaker 2: like on the phone? Can you tell how it could 57 00:02:33,480 --> 00:02:36,200 Speaker 2: look confusing for some Yeah. 58 00:02:36,040 --> 00:02:39,680 Speaker 5: It definitely sounds slightly distorted, but you know all the 59 00:02:39,720 --> 00:02:42,760 Speaker 5: notes there, his voice, his unmistakable voice. 60 00:02:43,000 --> 00:02:44,600 Speaker 3: I knew all right. 61 00:02:44,639 --> 00:02:55,640 Speaker 2: Here is icon of Pride number two? Okay, all right, 62 00:02:55,720 --> 00:02:57,119 Speaker 2: that's icon of Pride number two? 63 00:02:57,280 --> 00:03:01,680 Speaker 3: Who is that? That's uh, that's safe by George Michael. 64 00:03:04,440 --> 00:03:07,600 Speaker 3: Very nice. Gary, you know your icons of pride? 65 00:03:08,520 --> 00:03:10,240 Speaker 4: And I want to know the tempo that song? 66 00:03:10,440 --> 00:03:10,919 Speaker 3: Yeah? 67 00:03:10,919 --> 00:03:11,079 Speaker 5: You do? 68 00:03:11,240 --> 00:03:15,920 Speaker 4: You have an unfair advantage here, not really, he knows. 69 00:03:15,760 --> 00:03:20,160 Speaker 3: That he does. He does have an unfair adage. He 70 00:03:20,200 --> 00:03:21,000 Speaker 3: knows the music really was. 71 00:03:21,040 --> 00:03:23,079 Speaker 2: Because he plays these songs over and over fifty five 72 00:03:23,120 --> 00:03:23,960 Speaker 2: thousand times a day. 73 00:03:24,080 --> 00:03:26,760 Speaker 3: Somebody's a big fan of music. They would also have 74 00:03:26,960 --> 00:03:27,919 Speaker 3: an endangered. 75 00:03:29,360 --> 00:03:32,120 Speaker 4: Nobody plays the songs like this every day for ninety 76 00:03:32,160 --> 00:03:33,680 Speaker 4: thousand years that he's been here. 77 00:03:34,040 --> 00:03:34,680 Speaker 3: And keep him on. 78 00:03:34,720 --> 00:03:36,920 Speaker 4: He was different listening through the song though. 79 00:03:36,920 --> 00:03:38,280 Speaker 3: It's definitely definition all right. 80 00:03:38,560 --> 00:03:40,240 Speaker 2: I want to see how you do with icons of 81 00:03:40,240 --> 00:03:47,640 Speaker 2: Pride number three? 82 00:03:49,080 --> 00:03:52,440 Speaker 3: All right? Who's that? Can I hear that? 83 00:03:52,480 --> 00:03:52,760 Speaker 2: Again? 84 00:04:02,200 --> 00:04:02,560 Speaker 3: Who is that? 85 00:04:04,560 --> 00:04:04,920 Speaker 5: My God? 86 00:04:04,960 --> 00:04:07,120 Speaker 4: I have no idea, I can't I do you know 87 00:04:07,160 --> 00:04:09,120 Speaker 4: what That one was slightly distorted, but I don't I 88 00:04:09,120 --> 00:04:09,800 Speaker 4: don't know what that is. 89 00:04:09,880 --> 00:04:14,880 Speaker 3: I kick yourself, scary, kick yourself, Give Christmas? That was Share? 90 00:04:21,200 --> 00:04:28,839 Speaker 3: So that was all artist a man? You thought Share 91 00:04:28,920 --> 00:04:29,360 Speaker 3: was a man? 92 00:04:30,040 --> 00:04:31,520 Speaker 2: I thought that wouldn't sound like a man. 93 00:04:32,240 --> 00:04:34,120 Speaker 3: Okay, I know you know what it was. 94 00:04:34,440 --> 00:04:35,960 Speaker 2: I can tell you what when you're listening to it 95 00:04:35,960 --> 00:04:37,599 Speaker 2: in the headphones like us, not on the phone. It 96 00:04:37,640 --> 00:04:39,159 Speaker 2: was crystal clear. Do you guys agree? 97 00:04:39,200 --> 00:04:42,680 Speaker 3: I mean, here we go. Icons of Pride number four. 98 00:04:48,720 --> 00:04:51,080 Speaker 3: That's that's Freddy Mercury queen. 99 00:04:52,480 --> 00:04:59,880 Speaker 2: Yes, okay, here we go finally, Icons of Pride number five, 100 00:05:08,720 --> 00:05:09,400 Speaker 2: I counter Pride. 101 00:05:09,440 --> 00:05:11,560 Speaker 3: Who is that? 102 00:05:11,560 --> 00:05:18,599 Speaker 5: That's Britney's spears. I'm a slave for you. 103 00:05:13,839 --> 00:05:23,480 Speaker 2: You come through a screwy Joe, scurvy scurvy Jones. 104 00:05:23,560 --> 00:05:25,880 Speaker 3: You got it, all right? Okay. 105 00:05:26,080 --> 00:05:28,479 Speaker 2: From a technical okay, calm down there, Mary. From a 106 00:05:28,520 --> 00:05:30,400 Speaker 2: technical point of view, you can come back in now. 107 00:05:31,160 --> 00:05:31,960 Speaker 3: Okay, I'm coming in. 108 00:05:33,520 --> 00:05:34,640 Speaker 1: Running. He's running. 109 00:05:35,120 --> 00:05:42,560 Speaker 3: He's running his big caviar scary all right. Okay, you 110 00:05:42,560 --> 00:05:44,440 Speaker 3: can put your phone down and put your headphones on. 111 00:05:44,440 --> 00:05:44,760 Speaker 3: All right. 112 00:05:45,080 --> 00:05:47,040 Speaker 2: So, from a technical point of view, do you see 113 00:05:47,080 --> 00:05:49,240 Speaker 2: how some people could be a little thrown off by 114 00:05:49,360 --> 00:05:51,400 Speaker 2: the lack of quality on a phone. 115 00:05:53,640 --> 00:05:59,880 Speaker 5: Yes, maybe, I'm telling you it's not our phone, it's 116 00:05:59,880 --> 00:06:01,760 Speaker 5: the quality of the contestant. 117 00:06:01,880 --> 00:06:04,279 Speaker 4: Do you think it's Wait, do you think if you 118 00:06:04,320 --> 00:06:06,479 Speaker 4: were in this room you would have gotten the share song? 119 00:06:06,920 --> 00:06:08,680 Speaker 3: I don't know. Well, I have to hear it. I 120 00:06:08,720 --> 00:06:12,400 Speaker 3: don't know where is it. No number is one third one, So. 121 00:06:12,440 --> 00:06:14,160 Speaker 2: That it was out of all five of them, I 122 00:06:14,200 --> 00:06:22,720 Speaker 2: think it was the most challenging one. 123 00:06:23,520 --> 00:06:26,039 Speaker 3: I wouldn't have gotten that. I didn't recognize. 124 00:06:26,040 --> 00:06:29,080 Speaker 2: Ok, all right, all right, but we're trying to just 125 00:06:29,160 --> 00:06:31,680 Speaker 2: really just whittle it down to phone quality. Yes or no, 126 00:06:31,760 --> 00:06:34,120 Speaker 2: you're saying the phone quality is better than we think. 127 00:06:34,400 --> 00:06:36,919 Speaker 5: I think it's better than we think. It's the it 128 00:06:37,040 --> 00:06:41,440 Speaker 5: has a negative nominal effect. It's a nominal effect of music. 129 00:06:41,480 --> 00:06:41,960 Speaker 3: You would get it. 130 00:06:42,000 --> 00:06:44,600 Speaker 2: I believe there are other factors, though, Froggy, they are 131 00:06:44,680 --> 00:06:47,760 Speaker 2: driving in a car. Sometimes, you know, there's more distraction. 132 00:06:47,880 --> 00:06:50,000 Speaker 2: I mean, I don't know it's different for everyone. But no, 133 00:06:50,560 --> 00:06:53,080 Speaker 2: sometimes we just have bad contestants. 134 00:06:52,680 --> 00:06:54,800 Speaker 3: And sometimes you get a great contestin and they get 135 00:06:54,839 --> 00:06:56,560 Speaker 3: every single one, they knock it out of the park. 136 00:06:56,720 --> 00:07:01,120 Speaker 5: Yeah, all right, Yeah, I think people just they say 137 00:07:01,279 --> 00:07:03,120 Speaker 5: that they know the music, and then they get on 138 00:07:03,160 --> 00:07:04,360 Speaker 5: the radio and then they don't. 139 00:07:04,680 --> 00:07:07,279 Speaker 3: Well, they probably know the music, they don't know that music. 140 00:07:08,560 --> 00:07:10,840 Speaker 1: I think nerves might play a factor in all of it, too. 141 00:07:11,040 --> 00:07:13,280 Speaker 3: Yeah, there's that true. There's that. 142 00:07:13,360 --> 00:07:14,800 Speaker 1: My sister would like us all to know. She got 143 00:07:14,800 --> 00:07:15,440 Speaker 1: five out of five. 144 00:07:18,520 --> 00:07:18,840 Speaker 4: I love. 145 00:07:20,040 --> 00:07:22,880 Speaker 2: We gotta get Maren Morris on here eventually. I do 146 00:07:23,120 --> 00:07:24,880 Speaker 2: have a hankering for that share Christmas song. 147 00:07:27,440 --> 00:07:29,240 Speaker 4: Play that like all day every day. 148 00:07:29,600 --> 00:07:31,480 Speaker 2: It's my favorite song. And I don't know why we 149 00:07:31,520 --> 00:07:33,960 Speaker 2: can't play it in June. What's our problem? We can't 150 00:07:33,960 --> 00:07:34,360 Speaker 2: play it in. 151 00:07:34,440 --> 00:07:37,360 Speaker 1: June's I mean, my Christmas tree is still up. I 152 00:07:37,360 --> 00:07:38,840 Speaker 1: thought I was gonna take it down. Nope, I think 153 00:07:38,840 --> 00:07:39,640 Speaker 1: I'm just gonna let it ride. 154 00:07:39,720 --> 00:07:40,040 Speaker 4: Why not? 155 00:07:40,680 --> 00:07:42,840 Speaker 3: Why not let it ryde yea at this point? Why not. 156 00:07:44,400 --> 00:07:47,680 Speaker 2: A couple of I sure do push the play button, 157 00:07:47,720 --> 00:07:48,880 Speaker 2: just push it, they push it? 158 00:07:48,960 --> 00:07:49,640 Speaker 3: Nay, so mad? 159 00:07:50,160 --> 00:07:54,480 Speaker 2: All there it is. This is as loud and clear 160 00:07:54,520 --> 00:07:56,400 Speaker 2: as can be, loud and queer. 161 00:07:58,560 --> 00:07:59,840 Speaker 3: Oh my god, all right, all right,