WEBVTT - #250: Some Funny Schtick & A Guy From John Wick

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<v Speaker 1>Guess we've just got that today, the Brooklyn bus that

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<v Speaker 1>had been away. They both have so much to see.

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<v Speaker 1>You know. Their name is a Brodiant Scaring the Boys,

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<v Speaker 1>Boys Baggs. That's right, episode number two fifty off the

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<v Speaker 1>Brooklyn Boys podcast. A quarter of a thousand ball scary

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<v Speaker 1>and Brodie Brodie scary and I have a thousand episode scary.

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<v Speaker 1>Thank you, David Brodie. It's a quarter of a thousand.

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<v Speaker 1>We are that's it's a big feat And here are

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<v Speaker 1>my big feet. You are a size eleven, don't you

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<v Speaker 1>eleven and a half. Don't short me on those six inches.

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<v Speaker 1>I all right, Well I'm I wear a twelve, so

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<v Speaker 1>it's not six inches. And I'm wearing I'm not wearing

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<v Speaker 1>socks or shoes. I'm doing this podcast barefoot. Ooh, I'm

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<v Speaker 1>wearing socks, no shoes. Oh, socks, no shoes. Okay, gotcha, Yeah,

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<v Speaker 1>you know, like the barefoot the barefoot Contessa. Yeah. I

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<v Speaker 1>am wearing a knee brace by the way, which I

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<v Speaker 1>will talk about. I will talk about later about my

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<v Speaker 1>my injury last week. Yeah, and thank you for being

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<v Speaker 1>responsible for us playing the boys are back in town

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<v Speaker 1>there because it was all you all Brodie all vacation. Yes,

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<v Speaker 1>So I prefer to talk about my vacation after the fact,

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<v Speaker 1>and we didn't talk about my vacation before the fact,

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<v Speaker 1>so we didn't really give you guys a heads up

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<v Speaker 1>as to no episode last week. So I apologize. I

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<v Speaker 1>did tweet, and not everybody saw the tweets. So we're

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<v Speaker 1>back to fifty. I went on a cruise with part

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<v Speaker 1>of my family, the ones that were in town, because

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<v Speaker 1>two of my daughters were out of town and couldn't

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<v Speaker 1>make the trip. So my wife and I went with

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<v Speaker 1>my middle daughter and her friend. Oh nice, lots of stories. Yeah,

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<v Speaker 1>I can imagine. Everything was podcast podcast podcast. Oh yeah,

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<v Speaker 1>you were like taking names and you know, kicking ass

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<v Speaker 1>and taking names. Is that what they say, kicking ass

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<v Speaker 1>and taking names? Yeah? So I did injure myself. So

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<v Speaker 1>I will talk about that I did something stupid, but

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<v Speaker 1>I'm gonna I like to get into the stupidity right

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<v Speaker 1>right here and by the way, later on. Just so

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<v Speaker 1>you know, our friend Scott Atkins, who plays new friend,

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<v Speaker 1>newfound friend killer in the in the film john Wick four,

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<v Speaker 1>which is coming out this weekend, He's gonna be joining us.

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<v Speaker 1>He's gonna be joining us. I already have my tickets.

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<v Speaker 1>I can't wait. I'm a I'm a John Wick fan.

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<v Speaker 1>You're a nut U Yeah, I love Don't don't weird me.

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<v Speaker 1>Don't turn into you know, and if you don't know

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<v Speaker 1>the weird Al thing, it's it's the way I get

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<v Speaker 1>in front of weird Al Yankovic, my all time favorite musician.

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<v Speaker 1>From when I was a boy, you know, I was

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<v Speaker 1>like a weird Al. Don't don't turn into that guy

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<v Speaker 1>with with Scott Atkins, I'm I don't think I will.

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<v Speaker 1>But here's the thing, Um, I'm excited about the movie.

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<v Speaker 1>I feel like I can be I can be good

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<v Speaker 1>with Scott. Scott is a legendary movie uh martial artist.

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<v Speaker 1>He's got like fifty sixty films he's been in maybe more,

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<v Speaker 1>and he's he's always kicking somebody's ass. And he's one

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<v Speaker 1>of those guys that you you may not the name

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<v Speaker 1>is a ring a bell, but then when you see

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<v Speaker 1>him his movies, if you've seen his movies, yeah, but

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<v Speaker 1>he's definitely a familiar face. But in this case, in

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<v Speaker 1>this film, he's unrecognizable because he wears he wears a

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<v Speaker 1>fat suit. Well we'll talk about that later. All right, okay,

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<v Speaker 1>all right, So I went on a cruise this week

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<v Speaker 1>and I did some things I wouldn't normally do. I

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<v Speaker 1>was very bold. My family likes to make fun of

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<v Speaker 1>the fact I'm afraid of most things. So this you

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<v Speaker 1>spend money. Ha ha ha uh. This particular ship, we

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<v Speaker 1>were on Royal Caribbean International. We were on Anthem of

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<v Speaker 1>the Seas, which leaves out of New Jersey, which, by

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<v Speaker 1>the way, if you live in New Jersey, it's a

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<v Speaker 1>quick trip, no plane. And we left at a Bayonne.

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<v Speaker 1>We went under the Arizono Bridge, which is awesome. But

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<v Speaker 1>you left at Bayonne. And you know what they say

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<v Speaker 1>about Bayonne is if it's from Bayonne, leave it alone. Yeah, yes,

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<v Speaker 1>that's what they say. I mean, I didn't make this up,

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<v Speaker 1>don't but Bayonne. I'm not looking to promote the Bayone tourism.

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<v Speaker 1>But they have a massive new development on the water

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<v Speaker 1>of town homes and apartments. It looked really nice with

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<v Speaker 1>a view of the Arizono Bridge in Brooklyn, Staten Island.

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<v Speaker 1>If you don't know the area, you're like, what is

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<v Speaker 1>he talking about. There's a lot of developmental things going.

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<v Speaker 1>Shout out to Cafe below on avenue. See okay, all right.

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<v Speaker 1>So in addition, so first of all, I had never

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<v Speaker 1>been on a Royal cribbin before. Um mostly we did

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<v Speaker 1>Norwegian Cruise Line, so this was this was a change.

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<v Speaker 1>The ship was available and so we took it, and

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<v Speaker 1>they had a couple of things on it that normally

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<v Speaker 1>I might not have done. They have a a three

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<v Speaker 1>sixty globe you get into and it's got a hydraulic

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<v Speaker 1>arm and it goes up three hundred feet over the

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<v Speaker 1>ship and over the water. Oh wow. Which so we

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<v Speaker 1>did it in the Bahamas, so we had an incredible

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<v Speaker 1>view of the other ships docked there as well as

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<v Speaker 1>um Nasa. A hydraulic arm that lifted you up. Well,

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<v Speaker 1>it lifted the giant globe of ten of us in

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<v Speaker 1>the ball oh yeah, almost like the skill crane game.

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<v Speaker 1>And the snow globe ten of you was like a

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<v Speaker 1>stuffed animal right. Well, thankfully it didn't drop us like

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<v Speaker 1>the crane game, which is rigged. So I did that.

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<v Speaker 1>I am at a middle of the middle, maybe after

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<v Speaker 1>a couple of drinks, so I did that, which was

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<v Speaker 1>high for me and I don't love heights, but I

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<v Speaker 1>did that. And then also on anthem of the seas

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<v Speaker 1>they have. I fled. You know what I fly is? No,

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<v Speaker 1>so you you put on like a flight suit. Is

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<v Speaker 1>that the new Is that the new airplane from Apple?

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<v Speaker 1>I fly? Nope, nope, nope, no, no, no no, because I

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<v Speaker 1>would have used the Android version. Uh. This is it's

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<v Speaker 1>a cylinder that blows air from the ground and you

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<v Speaker 1>it's like you're jumping out of a plane. So you

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<v Speaker 1>have a helmet and goggles and you jump into this

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<v Speaker 1>tube with an instructor and it floats you up. You

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<v Speaker 1>have to keep you body in a certain position. And

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<v Speaker 1>I did that. That's great. Again, my family did not

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<v Speaker 1>think I would do it. That's not how I got injured.

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<v Speaker 1>So I have, Um, I have what's becoming a bad knee. Um.

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<v Speaker 1>And so, uh, my left knee needed to get an

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<v Speaker 1>injection of gel in my joint. I'm jelling, so the

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<v Speaker 1>cartilage is wearing out in my left It's pain it's painful.

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<v Speaker 1>You're like a broken down caboose. Nah, I'm sure about

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<v Speaker 1>the caboose apart. My ass is fine, So eventually I

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<v Speaker 1>will need to get a knee replacement. Everyone it's a

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<v Speaker 1>lifetime of being a fake athlete and playing sports like

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<v Speaker 1>I do. So the well I althoptis put the gel

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<v Speaker 1>in my in my uh knee and he said, at

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<v Speaker 1>last six months it'll take away most of the pain,

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<v Speaker 1>which it has. And he said, you know, uh, you

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<v Speaker 1>get with a shot every six months until you want

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<v Speaker 1>the surgery, which I'm trying to put off. So I said, okay, great,

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<v Speaker 1>I will. He didn't say any limitations. I said, I'm

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<v Speaker 1>going on a cruise. He's like, have a great time.

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<v Speaker 1>So the cruise left on Sunday. On Thursday, there's a

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<v Speaker 1>dodgeball tournament. Now. I love dodgeball. When I was a kid,

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<v Speaker 1>I played dodgeball in camp. I was fantastic. Nobody could

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<v Speaker 1>throw a ball. I couldn't. It was the opposite of

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<v Speaker 1>that and dodgeball. Nobody would pick me and I would

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<v Speaker 1>be okay. When I finally was put on a team,

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<v Speaker 1>I would always be the one that was out first.

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<v Speaker 1>When I was a kid, I beat the counselors. The

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<v Speaker 1>counselors would throw at me. In my head, I caught everything.

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<v Speaker 1>I was a large target and I would always okay.

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<v Speaker 1>They would wail the So yeah, So I love dodgeball

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<v Speaker 1>much like I do most sports. I can play, and

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<v Speaker 1>I'm I'm in my head, I'm still fourteen years old,

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<v Speaker 1>twelve years old. And so they have this giant basketball

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<v Speaker 1>court sports arena thing on the ship that you can

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<v Speaker 1>play basketball and then as soccer, and then one on

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<v Speaker 1>two days it turns into bump of cars. They put

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<v Speaker 1>the cars on the track so it's like a slick

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<v Speaker 1>basketball court. So in dodgeball, they we sign up and

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<v Speaker 1>where teams have I I don't know, five or six

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<v Speaker 1>whatever it was, and they put us on each side

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<v Speaker 1>of the middle line, you know, like you would and

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<v Speaker 1>on the line. Rather than one dodgeball, they put six

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<v Speaker 1>smaller dodgeballs, bigger than a softball, smaller than a basketball,

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<v Speaker 1>like palm you could palm the ball. They put six

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<v Speaker 1>of them on the line. They tell us to stand

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<v Speaker 1>back on the back line, and then when he says

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<v Speaker 1>three two one dodgeball, we are supposed to run towards

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<v Speaker 1>the line and grab the dodgeballs our side, their side.

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<v Speaker 1>But you can't throw them. You can't throw them, you know,

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<v Speaker 1>immediately you have to like then back up, yeah, and

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<v Speaker 1>then then the game starts. Yeah. No, I've actually played

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<v Speaker 1>that before. I remember the beginning of dodgeball. So I

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<v Speaker 1>did I did he did three two one, and everybody

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<v Speaker 1>ran and he stops us. There was no reason to

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<v Speaker 1>stop us. He says, whoa, whoa, stop blows the whistle.

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<v Speaker 1>Now you have to run hard. So I ran and

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<v Speaker 1>there was no problem, and he says, I didn't say dodgeball.

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<v Speaker 1>I go, We're seriously dude, okay. So then he goes

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<v Speaker 1>three two one dodgeball, and I take three steps towards

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<v Speaker 1>the line and my knee collapses. I'm still running, by

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<v Speaker 1>the way, but my knee I have like a lightning

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<v Speaker 1>bolt through my head of pain. So I start backing

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<v Speaker 1>up so I don't get hit, and I'm limping back.

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<v Speaker 1>The pain is unbearable, but I don't leave the court

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<v Speaker 1>because that's not who I am. So I stayed and played,

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<v Speaker 1>and I, you know, continued to deteriorate because you had

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<v Speaker 1>to be how to be the man, right, Yeah, I'm

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<v Speaker 1>the pain. I'm just gonna play through it. I hit

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<v Speaker 1>a guy, knocked him out. I caught a ball, got

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<v Speaker 1>him out. I'd lasted until two of us left me

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<v Speaker 1>and the girl had hidden the back, so I was

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<v Speaker 1>the target for everything because she stood in the back, like, oh,

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<v Speaker 1>I know my strategy. I'll stand in the back and

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<v Speaker 1>never throw and never catch. So I got I run

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<v Speaker 1>up to the line and I threw a ball at

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<v Speaker 1>a guy and I hit him. And then coming off

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<v Speaker 1>from the side, there's another ball and I couldn't move

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<v Speaker 1>fast enough because on my knee, and I got hit.

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<v Speaker 1>I couldn't turn fast enough. So I limped off the

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<v Speaker 1>court ouch, afraid to tell my wife because she was

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<v Speaker 1>said to me, you know, you probably shouldn't do that,

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<v Speaker 1>And I'm like, my knee feels fine. I got the

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<v Speaker 1>knee brace on, I got my personal sneakers. I'm good.

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<v Speaker 1>This is gonna be great. Now were you were you

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<v Speaker 1>like biting your tongue, were you riding in pain? Wildest?

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<v Speaker 1>But so what at what point did you did you

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<v Speaker 1>say to yourself, I'm playing. The more I play, the

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<v Speaker 1>more I'm going to be injured. At when I knew

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<v Speaker 1>that immediately tomorrow morning, So then what why didn't you stop?

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<v Speaker 1>Because everyone on the court was twenty to twenty five

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<v Speaker 1>and I wasn't moving, I wasn't getting off, So I

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<v Speaker 1>stayed and I played. I beat a cup of them,

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<v Speaker 1>and then afterwards I limped back to the hotel room.

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<v Speaker 1>I texted my wife and I said hey, um, I'm

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<v Speaker 1>just chilling in the room. Yeah, and then I so

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<v Speaker 1>for two or three hours, I couldn't what day of

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<v Speaker 1>the trip was this Thursday Thursday and we started Sunday,

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<v Speaker 1>so Thursday, so it was towards the end, well towards

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<v Speaker 1>the middle, a little past the middle. So by by

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<v Speaker 1>Thursday night I could walk. By Friday, I was and

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<v Speaker 1>I got in a hot tub, so that helped. I

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<v Speaker 1>was mostly okay by Friday afternoon. But it was a

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<v Speaker 1>day of like you idiot, Yeah, okay, I had a

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<v Speaker 1>great time. I feel good. Now, how was the food?

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<v Speaker 1>Food was good? The food was good. Um, we went

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<v Speaker 1>to all of the restaurants. It's it's uh that particular

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<v Speaker 1>ship is a little bit older, so they only had

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<v Speaker 1>four specialty restaurants, whereas like some of the Norwegian ships

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<v Speaker 1>we were on had six eight. So we did the

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<v Speaker 1>four and then we repeated a couple what starts. Well,

0:11:55.040 --> 0:11:57.160
<v Speaker 1>here's the thing. I did get some free dessert, which

0:11:57.200 --> 0:12:00.760
<v Speaker 1>is nice, so originally the ship a second, the whole

0:12:00.760 --> 0:12:06.679
<v Speaker 1>thing is free. You you've already paid into the whole experience, right, homie. Well,

0:12:07.400 --> 0:12:09.400
<v Speaker 1>let let me let me tell you the story. The

0:12:09.440 --> 0:12:12.440
<v Speaker 1>ship was supposed to dock in Cape Canaveral, which is

0:12:12.800 --> 0:12:15.880
<v Speaker 1>forty minutes away from Orlando, which is like North and

0:12:16.040 --> 0:12:19.320
<v Speaker 1>Central Jersey on the East coast. And at the time

0:12:19.320 --> 0:12:21.800
<v Speaker 1>we were leaving that port, so we were gonna stay

0:12:21.800 --> 0:12:24.360
<v Speaker 1>a day in that area, go to the beach. We

0:12:24.360 --> 0:12:28.079
<v Speaker 1>were thinking about maybe going to Universal Studios. And so

0:12:29.200 --> 0:12:31.960
<v Speaker 1>around an hour after we were supposed to leave that port,

0:12:33.160 --> 0:12:37.040
<v Speaker 1>they were launching a rocket, a SpaceX rocket from that

0:12:37.120 --> 0:12:39.280
<v Speaker 1>port and we would be able to see it. They

0:12:39.320 --> 0:12:41.480
<v Speaker 1>sent this notification, You're gonna be able to see the

0:12:41.520 --> 0:12:43.400
<v Speaker 1>launch of a rocket. I'm like, oh my god, I've

0:12:43.400 --> 0:12:46.480
<v Speaker 1>never except on television, I've never seen a rocketport. It

0:12:46.559 --> 0:12:49.840
<v Speaker 1>was your lucky day, Lucky day. And then we were

0:12:49.840 --> 0:12:52.439
<v Speaker 1>gonna stop at the Nassau in the Bahamas, where we

0:12:52.559 --> 0:12:54.320
<v Speaker 1>ever know, I've been there six times with the Morning

0:12:54.360 --> 0:12:57.240
<v Speaker 1>Show and whatever. So and then we were gonna go

0:12:57.280 --> 0:12:59.960
<v Speaker 1>to that private island. They have an island called Cocoa.

0:13:00.040 --> 0:13:03.000
<v Speaker 1>Okay say which I know in the Bahamas they pronounced key,

0:13:03.280 --> 0:13:05.880
<v Speaker 1>but it was Cocoka is according to everybody on the ship.

0:13:06.360 --> 0:13:09.720
<v Speaker 1>So the day before the ship left, we get a

0:13:09.720 --> 0:13:13.319
<v Speaker 1>memo saying one of the engines on the ship is

0:13:13.360 --> 0:13:16.400
<v Speaker 1>not running at full speed and they have to repair it.

0:13:16.800 --> 0:13:19.240
<v Speaker 1>So we're gonna go a little slower. And because we're

0:13:19.240 --> 0:13:22.240
<v Speaker 1>going a little slower, we're not gonna stop in Florida.

0:13:24.200 --> 0:13:28.400
<v Speaker 1>But you're gonna get a refund back of one seventh

0:13:28.440 --> 0:13:32.440
<v Speaker 1>of your trip. So I got we got back each

0:13:32.480 --> 0:13:36.280
<v Speaker 1>of us one day's credit for not stopping in the dock,

0:13:36.559 --> 0:13:38.520
<v Speaker 1>which we didn't care if we stopped there at all. Yeah,

0:13:38.800 --> 0:13:42.000
<v Speaker 1>but we was new found. It was just found money, right,

0:13:42.480 --> 0:13:44.320
<v Speaker 1>Like you didn't care, but you got you got the money.

0:13:44.320 --> 0:13:46.160
<v Speaker 1>It was like almost like a bonus check, right, and

0:13:46.200 --> 0:13:48.480
<v Speaker 1>then we use that on the ship to buy shit,

0:13:49.040 --> 0:13:51.040
<v Speaker 1>so it was it was great. So we got free shit,

0:13:51.200 --> 0:13:55.160
<v Speaker 1>basically free ship for us because of it. So but

0:13:55.400 --> 0:13:58.040
<v Speaker 1>in the course of the cruise there were so many

0:13:58.080 --> 0:14:01.240
<v Speaker 1>podcast topics. My entire family got into a fight with

0:14:01.480 --> 0:14:04.440
<v Speaker 1>a woman in the Bahamas, all of all four of us.

0:14:04.440 --> 0:14:07.120
<v Speaker 1>It wouldn't be a brody trip without it. Yeah, So

0:14:07.360 --> 0:14:08.640
<v Speaker 1>I'll tell you about that later, but I want to

0:14:08.720 --> 0:14:10.400
<v Speaker 1>get your week was without me while I was going

0:14:10.440 --> 0:14:13.480
<v Speaker 1>on with you. I got hammered on Saint Patrick's Day.

0:14:13.559 --> 0:14:18.880
<v Speaker 1>And I'll talk about that in a second, Okay, the past.

0:14:20.480 --> 0:14:26.360
<v Speaker 1>I mean hammered to the extent that Andrew from our

0:14:26.400 --> 0:14:30.000
<v Speaker 1>Big show had to put me in an uber and

0:14:30.160 --> 0:14:35.560
<v Speaker 1>send me home. Um, but I wouldn't go it. Hammered

0:14:35.640 --> 0:14:38.880
<v Speaker 1>to the extent that the next day, coaster boy Josh,

0:14:38.920 --> 0:14:40.960
<v Speaker 1>who was equally as drunk, if not worse, had to

0:14:41.040 --> 0:14:45.600
<v Speaker 1>check in. I mean, dude to you, Okay, I'm telling you, Brody,

0:14:45.640 --> 0:14:47.680
<v Speaker 1>I've never been this obliterated in my life. And it

0:14:47.800 --> 0:14:52.360
<v Speaker 1>all started with day drinking on St. Patrick's Day. Let's

0:14:52.360 --> 0:14:55.480
<v Speaker 1>be clear though, for everyone you are not Irish, not Irish,

0:14:55.520 --> 0:14:58.640
<v Speaker 1>and I wasn't driving doesn't matter. It's a holiday. Nonetheless, No,

0:14:58.720 --> 0:15:01.680
<v Speaker 1>I don't understand that there's a lot of drinking holidays

0:15:01.720 --> 0:15:05.040
<v Speaker 1>that I'm not ethnically part of. Like, uh, but you drink,

0:15:05.080 --> 0:15:07.080
<v Speaker 1>you drink on Passover and that isn't even a drinking

0:15:07.120 --> 0:15:12.240
<v Speaker 1>holiday of course. Yeah, sinco de mayo, I'm in Bring

0:15:12.240 --> 0:15:15.280
<v Speaker 1>it on Left Flag Day, you got wasted, you name it,

0:15:15.440 --> 0:15:18.680
<v Speaker 1>Give me a reason to drink. I'm drinking. But it

0:15:18.800 --> 0:15:22.760
<v Speaker 1>started with day drinking and doing shots. First, you have

0:15:22.800 --> 0:15:26.360
<v Speaker 1>to realize there, I guess there's two types of drinkers.

0:15:26.400 --> 0:15:29.480
<v Speaker 1>Maybe there's more. But when I'm out with my standing

0:15:29.480 --> 0:15:30.920
<v Speaker 1>and the type on the floor right when I'm with

0:15:31.000 --> 0:15:35.440
<v Speaker 1>my friends, my regular my Hoboken friends, real friends. Yeah, well, no,

0:15:35.560 --> 0:15:37.040
<v Speaker 1>the guys that I do a lot of dinners with

0:15:37.160 --> 0:15:39.800
<v Speaker 1>that I talk about. We I don't know if you

0:15:39.880 --> 0:15:43.080
<v Speaker 1>call it adult type drinking, but we go slow. We

0:15:43.240 --> 0:15:47.080
<v Speaker 1>like to do a start with with a cocktail at dinner.

0:15:47.360 --> 0:15:50.200
<v Speaker 1>Then we'll move into some wine, and then we'll do

0:15:50.320 --> 0:15:53.240
<v Speaker 1>the after dinner drink, and then we'll maybe do glass

0:15:53.240 --> 0:15:56.200
<v Speaker 1>of whiskey, and then we'll do some uh, some cappuccino

0:15:56.640 --> 0:16:00.400
<v Speaker 1>or some espresso with some sambuca. My friends have these

0:16:01.200 --> 0:16:03.680
<v Speaker 1>a lot of drinks over the course of a few

0:16:03.680 --> 0:16:07.600
<v Speaker 1>hours and layer it with different liquors. Okay, that's one

0:16:07.640 --> 0:16:10.800
<v Speaker 1>type of drinker, and that's the kind of drinker I've

0:16:10.840 --> 0:16:16.080
<v Speaker 1>become because I can't handle it fast and furious. And

0:16:16.120 --> 0:16:19.720
<v Speaker 1>then there's like the people like Joey Gorga and Melissa

0:16:19.760 --> 0:16:23.320
<v Speaker 1>Gorger from the Housewives of New Jersey, who I coincidentally

0:16:23.440 --> 0:16:27.280
<v Speaker 1>ran into. Yeah, coincidence, No, it was. It was a coincidence.

0:16:27.560 --> 0:16:30.080
<v Speaker 1>I was about to do day drinking with some of

0:16:30.120 --> 0:16:32.560
<v Speaker 1>the sales team and some of my other friends, and

0:16:32.600 --> 0:16:34.640
<v Speaker 1>they said, meet us at the Pig and the Parrot

0:16:34.760 --> 0:16:38.360
<v Speaker 1>at five o'clock. That's a bar name the Pig and Parrot,

0:16:38.360 --> 0:16:40.520
<v Speaker 1>The Pig and the Parrot. Yeah, you're picking the parrot.

0:16:40.560 --> 0:16:42.480
<v Speaker 1>There's one at the Jersey Shore. There's one in Hoboken,

0:16:42.840 --> 0:16:46.560
<v Speaker 1>so I said i'll be there. So it's five o'clock.

0:16:46.600 --> 0:16:48.760
<v Speaker 1>I'm in the shower. I'm running late. I come out

0:16:48.760 --> 0:16:50.880
<v Speaker 1>of the shower, I'm already on my way. I'm like,

0:16:50.920 --> 0:16:53.040
<v Speaker 1>I'm getting dressed. And I get a bunch of texts

0:16:53.520 --> 0:16:56.400
<v Speaker 1>from one of our friends, Amanda and Sales and she's like, scary,

0:16:57.160 --> 0:16:59.880
<v Speaker 1>Joe Gorga is here with the housewives and they're all

0:17:00.000 --> 0:17:02.120
<v Speaker 1>their friends, all the people from the TV show. If

0:17:02.120 --> 0:17:03.880
<v Speaker 1>you're a fan of Real House of Wives in New Jersey,

0:17:03.920 --> 0:17:06.520
<v Speaker 1>you definitely know who these people are. We know who

0:17:06.520 --> 0:17:08.440
<v Speaker 1>they are. Get here now and I'm like, I'm on

0:17:08.560 --> 0:17:12.680
<v Speaker 1>my way. Okay, okay. So I jump into taxi, sorry uber,

0:17:13.200 --> 0:17:15.800
<v Speaker 1>and I show up and afford me thinking you, oh,

0:17:15.840 --> 0:17:18.080
<v Speaker 1>wait a minute, you had the slices, thinking you got

0:17:18.119 --> 0:17:20.679
<v Speaker 1>into a regular taxi for a second. I get there

0:17:20.920 --> 0:17:25.199
<v Speaker 1>all good slices. I'm still scary, yeah, scary. The booge

0:17:25.200 --> 0:17:29.000
<v Speaker 1>man So and the next thing, you know, Joe Gorgon

0:17:29.080 --> 0:17:32.000
<v Speaker 1>sees me, he lifts me up. He's already three hours

0:17:32.000 --> 0:17:36.800
<v Speaker 1>in and he's like scarage joy and it was. It

0:17:36.880 --> 0:17:39.320
<v Speaker 1>was hysterical actually, And then Melissa was there, his wife,

0:17:39.359 --> 0:17:42.159
<v Speaker 1>and it was a good time. And I introduced the

0:17:42.240 --> 0:17:44.639
<v Speaker 1>two groups. I love to be the person who brings

0:17:44.640 --> 0:17:47.200
<v Speaker 1>groups of people together. I'm like, hey, meet my friends

0:17:47.240 --> 0:17:50.040
<v Speaker 1>from sales at the radio station, and then you guys

0:17:50.119 --> 0:17:51.840
<v Speaker 1>meet some of the housewives people. It was like a

0:17:51.880 --> 0:17:55.720
<v Speaker 1>one big, happy family. The problem is it started fast

0:17:55.760 --> 0:17:59.520
<v Speaker 1>and furious with shots. Let's do around the shots. No

0:17:59.680 --> 0:18:02.720
<v Speaker 1>sooner do I put the shot glass down on the bar.

0:18:03.800 --> 0:18:06.760
<v Speaker 1>They're already ordering round two, like you got some catch

0:18:06.800 --> 0:18:09.120
<v Speaker 1>it up to do. I must have done four shots

0:18:09.240 --> 0:18:13.119
<v Speaker 1>in about a half hour. That's not how Scary Jones drinks.

0:18:13.359 --> 0:18:16.520
<v Speaker 1>I just call myself with the third person. But I

0:18:16.520 --> 0:18:20.040
<v Speaker 1>don't drink that way. So now I'm like, oh fuck,

0:18:20.119 --> 0:18:22.800
<v Speaker 1>and I'm on an empty stomach. The night just that,

0:18:23.840 --> 0:18:27.680
<v Speaker 1>the Nights from the Nikes extends from there. Next thing

0:18:27.720 --> 0:18:32.000
<v Speaker 1>you know, it's now five six hours later and I'm

0:18:32.040 --> 0:18:35.320
<v Speaker 1>at the bar the Madison, where I totally gone. I'm

0:18:35.359 --> 0:18:37.199
<v Speaker 1>with my other friends, my friend Will is with me,

0:18:37.440 --> 0:18:40.080
<v Speaker 1>but we're like, we're we're We're several shots in and

0:18:40.160 --> 0:18:43.320
<v Speaker 1>several drinks and rounds in and I see Andrew, a

0:18:43.400 --> 0:18:48.440
<v Speaker 1>coastal boy, Josh come in. I'm so elated to see them, said,

0:18:48.680 --> 0:18:52.080
<v Speaker 1>I hugged them. Yeah, and then I bit Andrew on

0:18:52.560 --> 0:18:56.000
<v Speaker 1>the ear or elbow or something, and he's like, what

0:18:56.040 --> 0:18:57.760
<v Speaker 1>the fuck are you doing? I'm like, I'm just so

0:18:57.840 --> 0:19:02.520
<v Speaker 1>happy to see you now. I gotta say, when you

0:19:02.560 --> 0:19:06.120
<v Speaker 1>bite someone, you can bite someone as a term of endearment,

0:19:06.160 --> 0:19:09.159
<v Speaker 1>you can. It's an affectionate bite. There's a different you know,

0:19:09.280 --> 0:19:11.120
<v Speaker 1>you know, you're just so excited, like, oh my god,

0:19:11.160 --> 0:19:14.680
<v Speaker 1>I'm so drunk, I'm so happy, and you just bite them.

0:19:14.800 --> 0:19:16.800
<v Speaker 1>That's what I did. Now. Some people will be like,

0:19:16.800 --> 0:19:20.359
<v Speaker 1>you're fucking crazy. Other people do crazy shit when they

0:19:20.359 --> 0:19:23.400
<v Speaker 1>see their friends after being drunk. If you're like if

0:19:23.440 --> 0:19:27.639
<v Speaker 1>you're like literally hammered, like shit faced, and then you

0:19:27.680 --> 0:19:31.000
<v Speaker 1>see someone you didn't expect come into your your vision

0:19:31.520 --> 0:19:35.080
<v Speaker 1>and you what do you do? Some people have different reactions.

0:19:35.119 --> 0:19:37.080
<v Speaker 1>Do you do anything, Well, you've never been there, No,

0:19:38.520 --> 0:19:41.800
<v Speaker 1>Well I just I smile, I get crazy and I

0:19:41.840 --> 0:19:44.480
<v Speaker 1>bite them. That's what I do. I bit at Andrew,

0:19:44.640 --> 0:19:48.400
<v Speaker 1>so I apologize. It got it just went it went

0:19:48.440 --> 0:19:50.359
<v Speaker 1>south from there, and then they tried to get me

0:19:50.400 --> 0:19:52.280
<v Speaker 1>home and do the right thing for me, but I

0:19:52.320 --> 0:19:54.879
<v Speaker 1>refuse to listen, like, no, fuck you, I'm not going home.

0:19:55.240 --> 0:19:57.480
<v Speaker 1>It's only nine o'clock. It was bad, It was bad.

0:19:58.280 --> 0:20:00.560
<v Speaker 1>So you know, I spent the next day just nursing

0:20:00.560 --> 0:20:02.920
<v Speaker 1>a hangover. But you know, I don't know if you've

0:20:02.920 --> 0:20:06.359
<v Speaker 1>ever been that that shit faced, you know, I haven't,

0:20:06.960 --> 0:20:12.920
<v Speaker 1>not at all ever. No, no, okay, Well, anyway, although

0:20:12.960 --> 0:20:14.840
<v Speaker 1>I did drink for me, I drank a lot on

0:20:14.880 --> 0:20:17.239
<v Speaker 1>the cruise because we had the drink package and I

0:20:17.280 --> 0:20:20.000
<v Speaker 1>felt like I already paid for it. Yeah, so anyway,

0:20:20.359 --> 0:20:24.120
<v Speaker 1>that was my Saint Patrick's day. The day drinking thing

0:20:24.200 --> 0:20:27.800
<v Speaker 1>is one thing, but the style of drinking, I don't

0:20:27.840 --> 0:20:32.040
<v Speaker 1>know who drinks to get smashed, where they just keep

0:20:32.080 --> 0:20:35.639
<v Speaker 1>doing shots, shots, shots, shot lots of people. Yeah, but

0:20:35.720 --> 0:20:38.200
<v Speaker 1>that's never been me. I'll do around the shots when

0:20:38.359 --> 0:20:40.560
<v Speaker 1>I'm like, yeah, let's do it around the shots, but

0:20:40.640 --> 0:20:43.600
<v Speaker 1>to just go all in. And then I realized I

0:20:43.680 --> 0:20:47.280
<v Speaker 1>paid for the bill at both the Pig and the

0:20:47.320 --> 0:20:50.119
<v Speaker 1>Parrot and the Madison. I dropped so much money that

0:20:50.160 --> 0:20:52.240
<v Speaker 1>I didn't realize it, and I didn't know it until

0:20:52.240 --> 0:20:54.960
<v Speaker 1>the next day, and I'm like, oh fuck, what did

0:20:55.000 --> 0:20:58.960
<v Speaker 1>I do? Dude? That's why I don't drink. At one

0:20:58.960 --> 0:21:02.240
<v Speaker 1>point we lined up because I felt the need to

0:21:02.320 --> 0:21:05.359
<v Speaker 1>repay Joe at the Pig in the Parrot like they

0:21:05.359 --> 0:21:07.760
<v Speaker 1>were giving me shots. So I'm like, I mean, the

0:21:07.760 --> 0:21:10.080
<v Speaker 1>guy that has a TV show and a successful career,

0:21:10.240 --> 0:21:14.280
<v Speaker 1>they're rich. They're on a show because they're rich. So

0:21:14.400 --> 0:21:16.720
<v Speaker 1>wait in a second, I had to get in there.

0:21:16.960 --> 0:21:20.440
<v Speaker 1>So I'm like, one, two, three, four, give me fourteen shots?

0:21:20.600 --> 0:21:25.359
<v Speaker 1>Oh my god, Jmo. Yeah, guess what. They're on a Jamo.

0:21:25.480 --> 0:21:28.120
<v Speaker 1>You got a problem. There were no buybacks of this Jamison.

0:21:28.359 --> 0:21:31.800
<v Speaker 1>It was yeah, man, I went in. I went in

0:21:31.880 --> 0:21:34.440
<v Speaker 1>and I bit off more than I can chew. And

0:21:34.440 --> 0:21:38.280
<v Speaker 1>and that was that was that. I didn't even tell

0:21:38.320 --> 0:21:40.720
<v Speaker 1>you about the Friday before. We'll let me ask. I'll

0:21:40.720 --> 0:21:42.399
<v Speaker 1>make it very brief. Yeah, no, no no, I gotta ask

0:21:42.440 --> 0:21:44.560
<v Speaker 1>a question about what you just said. So, so, what's

0:21:44.560 --> 0:21:47.840
<v Speaker 1>the guy's name from the show, Joe? Joe? So Joe

0:21:47.880 --> 0:21:52.159
<v Speaker 1>brought you bought like multiple rounds of of of of shots, right, yeah,

0:21:52.160 --> 0:21:55.240
<v Speaker 1>And so you felt obligated at least by one to

0:21:55.359 --> 0:22:01.960
<v Speaker 1>buy one round. Okay, but the thing you brought fourteen

0:22:01.960 --> 0:22:05.399
<v Speaker 1>shots because you felt obligated to repay Joe as general.

0:22:05.440 --> 0:22:08.240
<v Speaker 1>But it's the right thing to do though, Okay, shut up,

0:22:08.640 --> 0:22:13.119
<v Speaker 1>you're not drunk, dude. If in this situation, I'm not

0:22:13.200 --> 0:22:15.719
<v Speaker 1>your wife, don't tell me to shut up. I'll give

0:22:15.760 --> 0:22:19.639
<v Speaker 1>you the backhand about you. Um, If in this situation

0:22:19.880 --> 0:22:22.119
<v Speaker 1>and you're in you're trying to repay Joe by buying

0:22:22.119 --> 0:22:24.120
<v Speaker 1>that round of fourteen drinks and you said there were

0:22:24.119 --> 0:22:26.159
<v Speaker 1>no buybacks, what if the bartend had decided to do

0:22:26.200 --> 0:22:28.600
<v Speaker 1>a buyback of fourteen drinks right there and didn't charge

0:22:28.600 --> 0:22:30.640
<v Speaker 1>you for the fourteen shots, would you still owe Joe

0:22:30.680 --> 0:22:36.520
<v Speaker 1>around of drinks? No? No, because I know where you

0:22:36.640 --> 0:22:38.639
<v Speaker 1>going with this, because this is an analogy for the

0:22:38.640 --> 0:22:41.000
<v Speaker 1>fucking steak dinner that you seem to think I owe you,

0:22:41.920 --> 0:22:46.880
<v Speaker 1>and I said no because the same rule applies. No,

0:22:47.000 --> 0:22:49.000
<v Speaker 1>So you are kid. No, you would have said, Joe,

0:22:49.040 --> 0:22:50.760
<v Speaker 1>the bartend have paid for that round, I'll get the

0:22:50.760 --> 0:22:53.960
<v Speaker 1>next round. Oh, speaking of steak dinner, and then I

0:22:53.960 --> 0:22:57.639
<v Speaker 1>have a drink story for you, Oh skieries, steak dinner,

0:22:59.600 --> 0:23:04.000
<v Speaker 1>This is gonna make you any any happier. It may

0:23:04.080 --> 0:23:08.080
<v Speaker 1>make you more angry, Okay, but remember and we're not

0:23:08.080 --> 0:23:09.960
<v Speaker 1>going to go into it, but remember the reason why

0:23:10.040 --> 0:23:13.320
<v Speaker 1>I owed you a steak dinner. Remember Beca. There was

0:23:13.320 --> 0:23:17.040
<v Speaker 1>a reason because it was a third party involved, and

0:23:17.359 --> 0:23:20.440
<v Speaker 1>you helped get some shit done with the third party.

0:23:20.480 --> 0:23:21.960
<v Speaker 1>One on the show asked me to do it, so

0:23:22.119 --> 0:23:24.359
<v Speaker 1>I did it. Yes, and then I did it and

0:23:24.400 --> 0:23:26.399
<v Speaker 1>got all you a lot of money and then I

0:23:26.400 --> 0:23:32.400
<v Speaker 1>I got yeah, I got so about that. That third party,

0:23:32.560 --> 0:23:36.040
<v Speaker 1>the reason why, the catalyst, the reason why, Yeah, the

0:23:36.119 --> 0:23:43.600
<v Speaker 1>steak dinner exists. Um, Robin and I went out on

0:23:43.640 --> 0:23:48.600
<v Speaker 1>Saturday night with that person and his wife and we

0:23:48.880 --> 0:23:53.520
<v Speaker 1>uh went to a restaurant and I foot the bill

0:23:53.960 --> 0:23:58.239
<v Speaker 1>and I bought him a mistake dinner. Wow. And by

0:23:58.280 --> 0:24:01.160
<v Speaker 1>the way, I liked that person and his but he

0:24:01.200 --> 0:24:05.359
<v Speaker 1>did me a huge favor recently. And I'm like, I said, dude,

0:24:05.880 --> 0:24:10.679
<v Speaker 1>you are ironic. It is ironic, yep. Or is that

0:24:10.720 --> 0:24:14.679
<v Speaker 1>a coincidence? No, it's I It's both. It's and I

0:24:14.760 --> 0:24:17.159
<v Speaker 1>said ironic that that you went for steak dinner. And

0:24:17.240 --> 0:24:20.159
<v Speaker 1>as as as as I'm signing the build, but he

0:24:20.240 --> 0:24:27.200
<v Speaker 1>gotta do the guy, the guy who didn't who didn't

0:24:27.240 --> 0:24:30.359
<v Speaker 1>want to give you money, and I I stuck my

0:24:30.400 --> 0:24:32.280
<v Speaker 1>neck out to make sure everyone on the show got

0:24:32.320 --> 0:24:36.199
<v Speaker 1>that money, and and I did listen. He and I

0:24:36.240 --> 0:24:37.919
<v Speaker 1>have a good relationship now, but he said to me

0:24:37.960 --> 0:24:40.520
<v Speaker 1>once at a holiday party, he said, I'll forgive you,

0:24:40.560 --> 0:24:42.480
<v Speaker 1>but I'll never forget. That's what he said to me.

0:24:44.160 --> 0:24:46.640
<v Speaker 1>So I know, even though like we're friendly again and again,

0:24:46.840 --> 0:24:48.919
<v Speaker 1>I think the world of him. But little does he

0:24:49.040 --> 0:24:51.760
<v Speaker 1>know that I owed you a steak dinner to begin with,

0:24:52.160 --> 0:24:53.679
<v Speaker 1>because he doesn't have to know that. He doesn't know

0:24:53.720 --> 0:24:57.640
<v Speaker 1>that part. But but the fact of the matter is, yeah, yeah,

0:24:57.720 --> 0:24:59.520
<v Speaker 1>I bought him. And as I'm signing the car and

0:24:59.560 --> 0:25:01.879
<v Speaker 1>I'm like, oh my god, this is like a Larry

0:25:01.920 --> 0:25:04.440
<v Speaker 1>David moment. This is a curb enthusiasm moment. I am

0:25:04.440 --> 0:25:06.800
<v Speaker 1>buying a steak dinner for the guy who was the

0:25:06.840 --> 0:25:10.199
<v Speaker 1>reason why I owed by a steak dinner. That's correct,

0:25:10.880 --> 0:25:21.920
<v Speaker 1>That's correct, that scary steak dinner. Update a break, I

0:25:21.960 --> 0:25:23.720
<v Speaker 1>do want to comment on what we just talked about

0:25:23.760 --> 0:25:26.320
<v Speaker 1>for the break. YEP, I do have an update for

0:25:26.440 --> 0:25:28.200
<v Speaker 1>next episode. I do. There's a reason I want to

0:25:28.240 --> 0:25:32.000
<v Speaker 1>talk about right now. Okay, but uh, last episode, Scary

0:25:32.359 --> 0:25:35.000
<v Speaker 1>said if I met him somewhere at an appearance, he

0:25:35.040 --> 0:25:37.160
<v Speaker 1>would take me off for a steak dinner. We talked

0:25:37.160 --> 0:25:39.840
<v Speaker 1>about that. I will talk about next week and I'll

0:25:39.840 --> 0:25:41.960
<v Speaker 1>explain why I have to wait a week before I

0:25:41.960 --> 0:25:45.639
<v Speaker 1>can talk about it. But I didn't up. Yes, we

0:25:45.960 --> 0:25:49.199
<v Speaker 1>did not. We did not yet. Yeah that update. Brody

0:25:49.280 --> 0:25:51.080
<v Speaker 1>never met me, so he didn't get his steak dinner.

0:25:51.119 --> 0:25:53.840
<v Speaker 1>So that was I'm gonna leave it there. I very

0:25:53.880 --> 0:25:56.200
<v Speaker 1>much wish I did, so that'll real little tease for

0:25:56.280 --> 0:25:58.720
<v Speaker 1>next episode. There was in terms of drinking. Yeah, I

0:25:58.800 --> 0:26:00.440
<v Speaker 1>did want to run something by your real quick Okay,

0:26:00.480 --> 0:26:03.280
<v Speaker 1>go for him. I'm sorry. So on the ship another

0:26:03.320 --> 0:26:04.720
<v Speaker 1>cruise story. I got a lot of them, but they're

0:26:04.720 --> 0:26:08.520
<v Speaker 1>all really good. I promise they're never They're never not good,

0:26:09.280 --> 0:26:11.439
<v Speaker 1>thank you. The four of us were sitting at a

0:26:11.480 --> 0:26:14.520
<v Speaker 1>table in the club. There's a club called the Music Room.

0:26:15.160 --> 0:26:18.199
<v Speaker 1>We were up in the club. We were upstairs and

0:26:18.359 --> 0:26:21.800
<v Speaker 1>downstairs over the ledge um. There was a cover band

0:26:21.800 --> 0:26:26.320
<v Speaker 1>playing that was fantastic Billboard something Billboard band. Anyway, So

0:26:26.359 --> 0:26:29.119
<v Speaker 1>we're at this long rectangular table. Let's seats six and

0:26:29.160 --> 0:26:31.879
<v Speaker 1>we're we're seating at four of the seats. To my

0:26:32.160 --> 0:26:34.719
<v Speaker 1>left is that is the seat, and then across from

0:26:34.760 --> 0:26:36.280
<v Speaker 1>that seat is the other seat that are available, so

0:26:36.320 --> 0:26:40.040
<v Speaker 1>the two end seats are available. When we first sat down,

0:26:40.600 --> 0:26:43.560
<v Speaker 1>people had just gotten up. The table hadn't been cleared yet,

0:26:43.760 --> 0:26:46.040
<v Speaker 1>so there were a couple of drinks there. There was

0:26:46.080 --> 0:26:49.280
<v Speaker 1>a martini glass that was half full, and there was

0:26:49.320 --> 0:26:52.600
<v Speaker 1>a m I want to see like a pint glass

0:26:53.040 --> 0:26:55.480
<v Speaker 1>that was three quarters filled. I don't know what was

0:26:55.520 --> 0:26:57.560
<v Speaker 1>in him, it doesn't really matter. It was alcohol. So

0:26:57.600 --> 0:27:00.520
<v Speaker 1>I moved them to my left that there was nobody

0:27:00.600 --> 0:27:03.240
<v Speaker 1>sitting to the left. To the left the left, all

0:27:03.280 --> 0:27:06.720
<v Speaker 1>those drinks are left. So we're sitting there and the

0:27:06.800 --> 0:27:08.200
<v Speaker 1>four of us have had a couple of drinks. We're

0:27:08.200 --> 0:27:13.160
<v Speaker 1>having a good time, and this group of girls comes by.

0:27:13.840 --> 0:27:16.159
<v Speaker 1>I'm going to assume they were twenty one. They may

0:27:16.240 --> 0:27:18.479
<v Speaker 1>not have been. Were they feeling twenty two? Maybe they

0:27:18.520 --> 0:27:20.800
<v Speaker 1>were twenty two. Yeah, they were feeling twenty two thanks

0:27:20.800 --> 0:27:26.560
<v Speaker 1>to hell Swift. And so they come over and they say,

0:27:26.640 --> 0:27:29.960
<v Speaker 1>excuse us, excuse me, and I said, I'm assuming they're

0:27:29.960 --> 0:27:33.040
<v Speaker 1>asking if the chairs are available, and they said, I'm sorry,

0:27:33.080 --> 0:27:35.320
<v Speaker 1>these are your drinks, so I said, no, they were

0:27:35.359 --> 0:27:37.520
<v Speaker 1>here when we sat down again, thinking they were going

0:27:37.560 --> 0:27:39.600
<v Speaker 1>to move them so they could sit down. They didn't

0:27:39.600 --> 0:27:42.080
<v Speaker 1>want to throw them out without asking if they were

0:27:42.080 --> 0:27:45.680
<v Speaker 1>our drinks. The four girls take the drinks and start

0:27:45.760 --> 0:27:48.480
<v Speaker 1>drinking them and passing them back and forth to each other.

0:27:49.400 --> 0:27:53.080
<v Speaker 1>That's so ghetto that, by the way, we've we've had

0:27:53.080 --> 0:27:57.440
<v Speaker 1>people do that at sporting events. We've had interns who

0:27:57.520 --> 0:28:01.679
<v Speaker 1>admitted to just picking up drinks off the concrete floor

0:28:01.720 --> 0:28:04.320
<v Speaker 1>at a baseball game, saying, yes, I'm gonna I'm gonna

0:28:04.320 --> 0:28:06.520
<v Speaker 1>start chugging beer. And you don't even know whose lips

0:28:06.520 --> 0:28:09.879
<v Speaker 1>were on that ship, but free beer. In fact, that story,

0:28:09.960 --> 0:28:12.720
<v Speaker 1>I use that story a lot in discussing. When I

0:28:12.720 --> 0:28:16.840
<v Speaker 1>would interview new interns, I would ask them, I would say, oh,

0:28:16.920 --> 0:28:18.640
<v Speaker 1>do you is this something you would do? What would

0:28:18.640 --> 0:28:20.720
<v Speaker 1>you do in this situation? And they were all like, oh,

0:28:20.800 --> 0:28:22.959
<v Speaker 1>we would never, it's terrible, you know, who would ever

0:28:23.000 --> 0:28:27.200
<v Speaker 1>do that? And these girls, these girls drank to the bottom,

0:28:27.200 --> 0:28:31.080
<v Speaker 1>every last drop. Scary. They drank these drinks that were

0:28:31.119 --> 0:28:33.200
<v Speaker 1>sitting there, which it looked if they thought they were

0:28:33.200 --> 0:28:34.960
<v Speaker 1>my drinks. They were like, well, these people look clean,

0:28:35.359 --> 0:28:39.280
<v Speaker 1>these people look normal. I don't know. I have no

0:28:39.360 --> 0:28:42.080
<v Speaker 1>idea who sat there before me? I have no idea

0:28:42.120 --> 0:28:45.160
<v Speaker 1>what the people look like if there no no no idea,

0:28:45.240 --> 0:28:47.400
<v Speaker 1>and they didn't either, and they just d they're like,

0:28:47.440 --> 0:28:52.320
<v Speaker 1>look look slices. I know that alcohol kills germs is

0:28:52.320 --> 0:28:56.240
<v Speaker 1>the old cliche, but it's no. So here's what I

0:28:56.240 --> 0:28:58.480
<v Speaker 1>want you guys to do. Use the talkback feature on

0:28:58.480 --> 0:29:01.040
<v Speaker 1>your heart radio app and leave us a message. Would

0:29:01.080 --> 0:29:03.640
<v Speaker 1>you do it? Well, not not in so much would

0:29:03.680 --> 0:29:06.120
<v Speaker 1>you do it? Have you done it? Have you taken

0:29:06.120 --> 0:29:11.200
<v Speaker 1>a drink out of some randos leftover alcohol? Because we

0:29:11.560 --> 0:29:13.520
<v Speaker 1>that I would. That's not which scary. As drunk as

0:29:13.560 --> 0:29:15.600
<v Speaker 1>you are the other night, you think you might have

0:29:15.640 --> 0:29:21.480
<v Speaker 1>done that? Yeah, yeah, I think um accidentally but not

0:29:21.560 --> 0:29:28.400
<v Speaker 1>on purpose. Okay, you listen. I don't mind wasting beer. Okay,

0:29:28.480 --> 0:29:31.520
<v Speaker 1>I won't waste food though I know that, you know.

0:29:31.600 --> 0:29:33.720
<v Speaker 1>I mean I will eat food off of people's plates.

0:29:33.800 --> 0:29:37.160
<v Speaker 1>I mean, not random strangers, but not my friends. If

0:29:37.160 --> 0:29:39.320
<v Speaker 1>you're not going to finish that, I'm going in. I'm

0:29:39.320 --> 0:29:43.360
<v Speaker 1>gonna eat that. So yeah, but you eat if your

0:29:43.400 --> 0:29:45.440
<v Speaker 1>friends plates, that's not that's not a problem. I don't

0:29:45.440 --> 0:29:47.800
<v Speaker 1>you know. I don't. I don't think that's an issue.

0:29:47.920 --> 0:29:50.960
<v Speaker 1>But what would be worse picking up a beer off

0:29:50.960 --> 0:29:55.920
<v Speaker 1>the pavement and start drinking it, or walking through a

0:29:55.960 --> 0:29:59.040
<v Speaker 1>restaurant and seeing that the people we had left the

0:29:59.080 --> 0:30:01.240
<v Speaker 1>food behind and they're about to clear the table and

0:30:01.240 --> 0:30:03.640
<v Speaker 1>then you just like grab some French fries off of it.

0:30:03.720 --> 0:30:05.880
<v Speaker 1>Is that just as bad? Is one worse than the other?

0:30:07.520 --> 0:30:09.719
<v Speaker 1>I'm walking by, I'm leaving the restaurant, I'm like, oh,

0:30:09.760 --> 0:30:12.880
<v Speaker 1>those fries look good. Now. Now that table hasn't been

0:30:12.880 --> 0:30:15.920
<v Speaker 1>cleared yet, but the people are gone, oh fuck that.

0:30:16.000 --> 0:30:17.840
<v Speaker 1>I'm gonna take half the sandwich home with from me.

0:30:18.400 --> 0:30:20.680
<v Speaker 1>I'm gonna rip it off this plate, throw to my bank.

0:30:20.720 --> 0:30:24.560
<v Speaker 1>Would you do that? No, so, same same thing, same

0:30:24.600 --> 0:30:27.120
<v Speaker 1>rule applies. I couldn't do it. But the limps didn't

0:30:27.120 --> 0:30:29.280
<v Speaker 1>touch it, Like wait, here's a full as a half

0:30:29.320 --> 0:30:34.040
<v Speaker 1>a chicken PARMI touched maybe, but their fingers were on

0:30:34.080 --> 0:30:36.479
<v Speaker 1>the You don't know if they touched it, they fingered it.

0:30:37.520 --> 0:30:39.720
<v Speaker 1>Maybe their hands were on it, or they breathed on

0:30:39.760 --> 0:30:41.880
<v Speaker 1>it or spin on it while they were taking bite

0:30:41.920 --> 0:30:45.280
<v Speaker 1>to the other half. I don't know. Something to think about,

0:30:45.560 --> 0:30:48.720
<v Speaker 1>something to chew on. I want to hear some talkbacks

0:30:48.760 --> 0:30:50.640
<v Speaker 1>on that, though I bet you there are listeners. It's

0:30:50.680 --> 0:30:53.080
<v Speaker 1>more common than we know. Well, you know who did

0:30:53.120 --> 0:30:57.000
<v Speaker 1>something something. What I think worse than that, um is

0:30:57.360 --> 0:31:03.320
<v Speaker 1>uh uh Ronnie Scalzo, baldhead freak. What did he do?

0:31:03.960 --> 0:31:07.040
<v Speaker 1>We were at a Mets game. It was a station event,

0:31:07.120 --> 0:31:08.800
<v Speaker 1>I think, which is why he was there. He would

0:31:08.800 --> 0:31:10.720
<v Speaker 1>not normally go to a Mets game unless we brought

0:31:10.800 --> 0:31:14.120
<v Speaker 1>him there. And we were in a in a section

0:31:14.440 --> 0:31:17.520
<v Speaker 1>with a lot of people left early, and he found

0:31:17.680 --> 0:31:21.280
<v Speaker 1>like buckets of chicken, chicken fingers, chicken tenders. Yeah, that

0:31:21.320 --> 0:31:23.000
<v Speaker 1>were are not eating. He was like, fuck it, they

0:31:23.000 --> 0:31:26.000
<v Speaker 1>didn't eat it, So he those are individual pieces that

0:31:26.080 --> 0:31:29.120
<v Speaker 1>haven't been touched. So I would I could almost give

0:31:29.120 --> 0:31:34.360
<v Speaker 1>that a pass. The beer clearly touched the saliva in there.

0:31:35.160 --> 0:31:37.239
<v Speaker 1>At least you got you stand a chance. What if

0:31:37.240 --> 0:31:39.360
<v Speaker 1>it was a fully wrapped hot dog sitting there, You

0:31:39.360 --> 0:31:42.120
<v Speaker 1>could just swindle that and walk out with that. No

0:31:42.160 --> 0:31:44.840
<v Speaker 1>one's touched that, there's nothing to grow. The only thing

0:31:44.880 --> 0:31:47.840
<v Speaker 1>that's gross is the idea that of possession, that it

0:31:47.880 --> 0:31:51.000
<v Speaker 1>belonged to someone at one time. That's how I see it,

0:31:51.160 --> 0:31:54.800
<v Speaker 1>and that's not that gross at that point. Huh the

0:31:54.960 --> 0:31:58.440
<v Speaker 1>chicken fingers, Yeah, I couldn't do it. You couldn't do it.

0:31:58.640 --> 0:32:00.920
<v Speaker 1>What if them licked their fingers and the lucky fingers

0:32:00.960 --> 0:32:04.320
<v Speaker 1>put one back and it touched another finger chicken finger? Yeah, Oh,

0:32:04.360 --> 0:32:05.920
<v Speaker 1>They're like, I'm about to eat the last one. They're like,

0:32:05.920 --> 0:32:07.440
<v Speaker 1>fuck it, I'm full, and they put it back in

0:32:07.520 --> 0:32:09.480
<v Speaker 1>and they're all slobbery. I couldn't do it. I think

0:32:09.520 --> 0:32:13.040
<v Speaker 1>there's different levels and different situations that I would I can't.

0:32:13.080 --> 0:32:19.880
<v Speaker 1>I'm inconclusive about that. Um okay, well, uh, yeah, go ahead.

0:32:19.880 --> 0:32:21.200
<v Speaker 1>You was gonna say, yeah, no, I was going to

0:32:21.320 --> 0:32:22.840
<v Speaker 1>change the topic real quick, and I had a question

0:32:22.840 --> 0:32:26.760
<v Speaker 1>for you because oh yeah, please go ahead. Um We're

0:32:26.760 --> 0:32:30.440
<v Speaker 1>gonna be very vague right now because we Brodie. You

0:32:30.440 --> 0:32:33.000
<v Speaker 1>and I are going to an event tomorrow night. The

0:32:33.080 --> 0:32:37.000
<v Speaker 1>two of us are attending an event together. So the

0:32:37.080 --> 0:32:42.360
<v Speaker 1>invitation that I got on this event said cocktail casual.

0:32:43.440 --> 0:32:45.600
<v Speaker 1>Yeah I saw that. I meant to ask you about that. Yeah,

0:32:45.600 --> 0:32:48.000
<v Speaker 1>I meant to ask you about that. So well, remember

0:32:48.000 --> 0:32:49.640
<v Speaker 1>back in the day we did this. Remember I did

0:32:49.680 --> 0:32:52.240
<v Speaker 1>an event and you said, what do you call that style?

0:32:52.280 --> 0:32:55.040
<v Speaker 1>And I said, oh, it's Brooklyn Industrial and describe everybody

0:32:55.040 --> 0:32:58.160
<v Speaker 1>what Brooklyn Industrial was. I can't. It was like that.

0:32:58.200 --> 0:33:01.000
<v Speaker 1>It was the smoking jacket, Oh yeah, the smoke that

0:33:01.280 --> 0:33:04.840
<v Speaker 1>it was John Varvados ARMANI smoking jacket with a T

0:33:05.040 --> 0:33:08.880
<v Speaker 1>shirt underneath. Yeah, not tucked in. But then a pair

0:33:08.920 --> 0:33:12.720
<v Speaker 1>of black pants that weren't weren't jeans. That was Brooklyn Industrial? Correct?

0:33:13.080 --> 0:33:16.280
<v Speaker 1>So who you called it that? You named it that?

0:33:16.440 --> 0:33:18.760
<v Speaker 1>After that? I said, I showed up to an event

0:33:18.880 --> 0:33:21.920
<v Speaker 1>dressed that way, and you said, that's Brooklyn Industrial. I

0:33:21.920 --> 0:33:25.080
<v Speaker 1>think that the naming came after it. It It wasn't wasn't

0:33:25.960 --> 0:33:28.880
<v Speaker 1>the invitation didn't say Brooklyn Industrial, but this invitation say

0:33:28.960 --> 0:33:33.240
<v Speaker 1>cocktail casual. What does that mean? I didn't know what

0:33:33.280 --> 0:33:35.920
<v Speaker 1>it meant, but I so whenever look slices, you know,

0:33:35.920 --> 0:33:37.880
<v Speaker 1>whenever we're gonna go to an event, I usually text

0:33:37.920 --> 0:33:40.720
<v Speaker 1>Scary because I know he's gonna overdress and I always go, hey,

0:33:40.760 --> 0:33:42.600
<v Speaker 1>scare what you're wearing? And he'll say, oh, I'm gonna

0:33:42.600 --> 0:33:45.520
<v Speaker 1>wear a suit and one of my shiny shirts would

0:33:45.560 --> 0:33:48.240
<v Speaker 1>a pipe And I go okay because he loves his

0:33:48.280 --> 0:33:51.080
<v Speaker 1>shiny shirts. And normally he'll tell me the brand name

0:33:51.200 --> 0:33:55.280
<v Speaker 1>as well. Oh I've got I've got you know, a

0:33:55.360 --> 0:33:58.360
<v Speaker 1>shiny shirt by Almani and I've got the v I

0:33:58.400 --> 0:34:01.440
<v Speaker 1>got the John Varvados, the Varvedo stand. I can't go

0:34:01.520 --> 0:34:05.120
<v Speaker 1>wrong with a shiny shirt. I'm not a shiny shirt guy.

0:34:05.200 --> 0:34:07.000
<v Speaker 1>Would you? Are you the kind of person who puts

0:34:07.000 --> 0:34:11.080
<v Speaker 1>your T shirt under a sport jacket? No, because yeah,

0:34:11.080 --> 0:34:14.000
<v Speaker 1>it's a bit of a I'm not Miami vice. I'm

0:34:14.000 --> 0:34:16.319
<v Speaker 1>not that's I can't pull that look off. I usually

0:34:16.320 --> 0:34:18.920
<v Speaker 1>do a dress shirt. That's a paradox to me. I do.

0:34:19.200 --> 0:34:21.560
<v Speaker 1>I do a dress shirt un talked with jeans and

0:34:21.600 --> 0:34:23.520
<v Speaker 1>a jacket. Yeah, I could do that. I don't like

0:34:23.560 --> 0:34:25.000
<v Speaker 1>because I don't like wearing a belt, I don't like

0:34:25.000 --> 0:34:27.720
<v Speaker 1>talking shit in and I certainly don't like wearing a tie.

0:34:27.760 --> 0:34:30.160
<v Speaker 1>That's the worst. Your first quarter of skiy, So I

0:34:30.160 --> 0:34:35.200
<v Speaker 1>feel like you still you could talk second? Yeah, I

0:34:35.239 --> 0:34:38.200
<v Speaker 1>didn't want to say you could say I'm second. Is

0:34:38.200 --> 0:34:42.440
<v Speaker 1>it fair to say you never reached first quarter of status? Um?

0:34:42.840 --> 0:34:46.200
<v Speaker 1>Because I think it's starting off second quarter? Yeah? Quarter? Yeah,

0:34:46.239 --> 0:34:49.640
<v Speaker 1>I think, um, I think I was, but all that

0:34:49.800 --> 0:34:52.839
<v Speaker 1>I was ten. I was ten pounds off quarter. You're

0:34:52.840 --> 0:34:54.640
<v Speaker 1>a fifth quarter skier to end the year. Lash that's

0:34:54.640 --> 0:34:59.160
<v Speaker 1>the problem. I'm now I'm ten I'm ten pounds over

0:34:59.360 --> 0:35:01.520
<v Speaker 1>what I should have been for first quarter. Scary, So

0:35:01.560 --> 0:35:04.160
<v Speaker 1>we're starting with the second quarter scary. So now I

0:35:04.200 --> 0:35:06.040
<v Speaker 1>just have to hit the brakes for this quarter, just

0:35:06.080 --> 0:35:07.920
<v Speaker 1>so I can slow down a little bit. But we'll

0:35:07.960 --> 0:35:11.279
<v Speaker 1>see where that goes. Only time will tell. Like you

0:35:10.920 --> 0:35:13.759
<v Speaker 1>you took a gallon of a couple of gallons of

0:35:13.760 --> 0:35:17.239
<v Speaker 1>empty calories on St. Patrick's Day or anything? Well, part

0:35:17.280 --> 0:35:19.879
<v Speaker 1>of the problem. Oh oh oh, that reminds me, were

0:35:19.880 --> 0:35:22.320
<v Speaker 1>you in the middle of something. No, well, I was

0:35:22.360 --> 0:35:23.839
<v Speaker 1>gonna I was gonna ask you we we're gonna talk

0:35:23.840 --> 0:35:28.200
<v Speaker 1>about cocktail casual for a quick second. But I don't

0:35:28.200 --> 0:35:30.560
<v Speaker 1>know what to wear because the host said he's gonna

0:35:30.600 --> 0:35:33.279
<v Speaker 1>wear a suit. But he's the host. I don't need

0:35:33.280 --> 0:35:35.560
<v Speaker 1>to dress up like him. No, we're not gonna be

0:35:35.560 --> 0:35:38.000
<v Speaker 1>on a microphone like he is and doing things. But

0:35:38.239 --> 0:35:41.680
<v Speaker 1>he's an mcc he's an MCC. Right. It's a fancy

0:35:41.719 --> 0:35:45.399
<v Speaker 1>place though, that's the other problem. It's a yeah, it's

0:35:45.400 --> 0:35:48.359
<v Speaker 1>a fancy place. Here's where I'm torn. It's the kind

0:35:48.400 --> 0:35:50.640
<v Speaker 1>of place you could have a wedding or a bar

0:35:50.680 --> 0:35:53.640
<v Speaker 1>mitz for in. But that we're not having a wedding

0:35:53.719 --> 0:35:56.480
<v Speaker 1>or bar mitz for there, right, and you're like, why

0:35:56.480 --> 0:35:58.040
<v Speaker 1>I don't have to dress up for the place. I

0:35:58.120 --> 0:36:00.440
<v Speaker 1>already got word back from a few of the guys

0:36:00.480 --> 0:36:04.080
<v Speaker 1>that they're wearing a sweater and jeans and that's it. Whoa, whoa,

0:36:04.280 --> 0:36:08.200
<v Speaker 1>I said. So then another someone else I know that

0:36:08.360 --> 0:36:10.360
<v Speaker 1>is that, like someone who's always casual, like Josh, like

0:36:10.440 --> 0:36:12.719
<v Speaker 1>Josh is always cash. One of my other friends who's

0:36:12.760 --> 0:36:18.239
<v Speaker 1>going to this event, he said, he's wearing, Um, he's

0:36:18.239 --> 0:36:20.919
<v Speaker 1>wearing jeans with a button down shirt and belt and

0:36:21.320 --> 0:36:25.440
<v Speaker 1>no and that's it, tucked in no suit jacket. Is

0:36:25.480 --> 0:36:29.000
<v Speaker 1>that how he dresses to work? This person? Yeah? So

0:36:29.000 --> 0:36:33.040
<v Speaker 1>so he also but this guy also said, well, we

0:36:33.080 --> 0:36:36.360
<v Speaker 1>should all band together. So he tried to rally the

0:36:36.400 --> 0:36:38.839
<v Speaker 1>troops of a few guys and told me to tell

0:36:38.920 --> 0:36:42.200
<v Speaker 1>you and four other guys that we know that maybe

0:36:42.200 --> 0:36:47.319
<v Speaker 1>go into this. Yeah, hey, what's all band together? Let's

0:36:47.360 --> 0:36:50.800
<v Speaker 1>no certainly no tie, no tie of course, no jacket.

0:36:51.280 --> 0:36:53.960
<v Speaker 1>But then what do you wear? I mean, like, you

0:36:54.000 --> 0:36:56.920
<v Speaker 1>wear a sweater? But I don't know, though, do you

0:36:57.600 --> 0:37:00.520
<v Speaker 1>what does cocktail casual even mean? I don't know. I'll

0:37:00.520 --> 0:37:03.040
<v Speaker 1>have to google it. Let me google it hold on

0:37:03.120 --> 0:37:06.080
<v Speaker 1>cocktail casual because my girlfriend was trying to give me advice.

0:37:06.560 --> 0:37:09.600
<v Speaker 1>She said, my girlfriend's like, hey, let me tell you something. Okay.

0:37:09.600 --> 0:37:12.200
<v Speaker 1>Here it has cocktail casual attire, she said, it's just

0:37:12.400 --> 0:37:14.280
<v Speaker 1>short of She goes, it's like going to a wedding,

0:37:14.320 --> 0:37:17.920
<v Speaker 1>but minus the tie. I'm like, no, that's business casual. Okay.

0:37:17.960 --> 0:37:21.399
<v Speaker 1>This is what the first search came up. It says

0:37:21.480 --> 0:37:24.920
<v Speaker 1>cocktail casual attire is a cross between cocktail and business casual.

0:37:25.040 --> 0:37:28.520
<v Speaker 1>Dub by the name. Your outfits should look polished, but

0:37:28.680 --> 0:37:32.400
<v Speaker 1>not as formal as a semi formal outfit. Again, I okay.

0:37:32.800 --> 0:37:35.840
<v Speaker 1>Men should wear light colored suits if the cocktail celebration

0:37:35.920 --> 0:37:38.840
<v Speaker 1>is the daytime, and darker suits for an evening event.

0:37:39.320 --> 0:37:42.680
<v Speaker 1>Can you wear jeans to cocktail casual? Different? As a

0:37:42.719 --> 0:37:46.560
<v Speaker 1>general rule, cocktail means no jeans and no sneakers. That's

0:37:46.600 --> 0:37:50.520
<v Speaker 1>bullshit because people wear sneakers with suits. I know three

0:37:50.560 --> 0:37:55.080
<v Speaker 1>people that they Dude, I'm wearing jeans an evening event,

0:37:55.440 --> 0:37:59.279
<v Speaker 1>less formal than black tie, but not quite business casual. Okay,

0:37:59.280 --> 0:38:02.000
<v Speaker 1>here it is hold on. This is from leaf dot TV.

0:38:03.680 --> 0:38:07.040
<v Speaker 1>I'm trying to find, like, gun, what's business casual. Business

0:38:07.080 --> 0:38:10.960
<v Speaker 1>casual means a suit but no tie. To me, that's

0:38:10.960 --> 0:38:15.640
<v Speaker 1>what business casual means. M hmm. Cocktail attire. I'm telling you,

0:38:15.680 --> 0:38:17.600
<v Speaker 1>I don't think we should be wearing jeans. I think

0:38:17.760 --> 0:38:21.200
<v Speaker 1>you gotta go slacks. Yeah, I went, I bought slacks

0:38:21.360 --> 0:38:24.799
<v Speaker 1>this week. I went and bought slacks, black slacks, I bought, No,

0:38:24.880 --> 0:38:28.360
<v Speaker 1>I bought, uh, I bought gray slack. I bought gray slacks.

0:38:28.480 --> 0:38:31.799
<v Speaker 1>D like wool, like like nice gray pants. But now

0:38:31.840 --> 0:38:33.360
<v Speaker 1>I'm not sure I'll like him with the Now, I

0:38:33.360 --> 0:38:35.400
<v Speaker 1>don't know what I'm gonna do. Cocktail casual is a

0:38:35.520 --> 0:38:38.680
<v Speaker 1>dress code blah blah blah, doesn't require you to wear

0:38:38.719 --> 0:38:41.759
<v Speaker 1>expensive dresses or heels. This is women. What should I wear?

0:38:41.840 --> 0:38:45.880
<v Speaker 1>This is a it's an ad firm cocktail casual. All right,

0:38:45.880 --> 0:38:47.279
<v Speaker 1>I'm not gonna I'm not gonna do the search thing.

0:38:47.360 --> 0:38:49.239
<v Speaker 1>I'm gonna google it. But it sounds like you have

0:38:49.280 --> 0:38:52.320
<v Speaker 1>to look pretty good. Yeah, you gotta be more polished

0:38:52.760 --> 0:38:55.719
<v Speaker 1>than a turd. Yeah, I think the women are gonna

0:38:55.719 --> 0:39:00.319
<v Speaker 1>wear cocktail dresses. But I will you all you know women, women,

0:39:00.640 --> 0:39:02.480
<v Speaker 1>the women who are gonna go to this event, they

0:39:02.600 --> 0:39:05.520
<v Speaker 1>probably I mean, well, they're just no offense. But a woman,

0:39:05.600 --> 0:39:08.360
<v Speaker 1>a woman is appropriate. A woman, they're not. A woman

0:39:08.440 --> 0:39:11.120
<v Speaker 1>is a wal trousers. Women always go to the nines.

0:39:11.239 --> 0:39:14.399
<v Speaker 1>They always the guys will always look like slobs next

0:39:14.400 --> 0:39:17.080
<v Speaker 1>to women at events any event. I just feel that

0:39:17.080 --> 0:39:19.359
<v Speaker 1>women will, you know, because they out they like to

0:39:19.400 --> 0:39:22.040
<v Speaker 1>outdress each other. And so this article says there is

0:39:22.040 --> 0:39:25.240
<v Speaker 1>no place for more casual clothing such as jeans, polar shirts,

0:39:25.280 --> 0:39:29.920
<v Speaker 1>or casual sneakers. But it's cocktail. What casual? Right? So

0:39:29.960 --> 0:39:36.600
<v Speaker 1>it's it's just a title. So it's ah, I almost

0:39:36.600 --> 0:39:39.240
<v Speaker 1>don't want to go now, it's too much to think about.

0:39:39.440 --> 0:39:42.320
<v Speaker 1>It's a lot. It's a lot, right, Okay, So what

0:39:42.600 --> 0:39:46.840
<v Speaker 1>does contact casual general mean? Cocktail camus described as relaxing,

0:39:46.880 --> 0:39:50.560
<v Speaker 1>comfortable style that is still appropriate for a more formal setting. However,

0:39:50.719 --> 0:39:54.120
<v Speaker 1>it can also be accessorized with more casual items like

0:39:54.200 --> 0:39:58.480
<v Speaker 1>jeans and sneak Sure cocktail attire from men, No need

0:39:58.480 --> 0:40:02.879
<v Speaker 1>to worry. Okay, yeah, California casual. We're not in California.

0:40:03.160 --> 0:40:06.160
<v Speaker 1>Wait a second, there's a that state has its own

0:40:06.200 --> 0:40:10.560
<v Speaker 1>type of casual that's different from the Yes, a nice

0:40:10.560 --> 0:40:12.600
<v Speaker 1>pair of slacks or jeans with a button down shirt

0:40:12.680 --> 0:40:14.640
<v Speaker 1>or blouse is always a good choice. So then what's

0:40:14.680 --> 0:40:17.280
<v Speaker 1>New York casual? Wait a minute, now there's creative cocktail

0:40:17.280 --> 0:40:21.520
<v Speaker 1>attire all about cocktail dresses. I fucking hate this article.

0:40:21.960 --> 0:40:27.840
<v Speaker 1>Fuck you articles leaving, and that article is going to

0:40:28.120 --> 0:40:32.000
<v Speaker 1>differ from the four other articles with the same name. Okay,

0:40:32.080 --> 0:40:34.439
<v Speaker 1>here's an article from mom Tastic that says, what does

0:40:34.480 --> 0:40:37.759
<v Speaker 1>cocktail casual even mean? I'm not looking at it because

0:40:37.760 --> 0:40:40.480
<v Speaker 1>they put the word even in for no reason. So

0:40:40.680 --> 0:40:45.439
<v Speaker 1>f that article, what does it even mean? Yeah, there's

0:40:45.680 --> 0:40:48.880
<v Speaker 1>relevant even casual cocktail attire for men and women by

0:40:49.000 --> 0:40:56.160
<v Speaker 1>fashion Fashion Hants, fashion ants dot Com. Very confusing. Oh yeah,

0:40:56.239 --> 0:41:00.239
<v Speaker 1>and it's all opinion. There is no definition. I think

0:41:00.280 --> 0:41:02.680
<v Speaker 1>that's what the conclusion I'm coming when the dresses maxie

0:41:02.719 --> 0:41:05.120
<v Speaker 1>dresses I'm not wearing. If you think about a pencil skirt,

0:41:05.200 --> 0:41:08.640
<v Speaker 1>about a pencil skirt? You know? How about an eggshell

0:41:08.719 --> 0:41:13.120
<v Speaker 1>a line attire for gentlemen? Sweaters Sweaters always are a

0:41:13.120 --> 0:41:14.920
<v Speaker 1>safe option when it comes to catch. What if it's

0:41:14.920 --> 0:41:16.920
<v Speaker 1>a sweater that looks like I'm wearing a tuxedo that

0:41:17.000 --> 0:41:19.240
<v Speaker 1>can't wear that? Men can go in for a sweater

0:41:19.520 --> 0:41:23.280
<v Speaker 1>pattern pullover, which they can good sweaters, a college shirt

0:41:23.400 --> 0:41:26.200
<v Speaker 1>if you prefer. I don't like sweaters. Now you look

0:41:26.239 --> 0:41:28.319
<v Speaker 1>like the Michelin man. You can't do that. You can

0:41:28.320 --> 0:41:30.640
<v Speaker 1>wear well fitting shirts and roll up the sleeves ever

0:41:30.719 --> 0:41:34.520
<v Speaker 1>so slightly. Whatever that means. Wear well fitted trousers or

0:41:34.640 --> 0:41:37.960
<v Speaker 1>dark jeans. Okay, do you use the word trousers, So

0:41:38.040 --> 0:41:40.960
<v Speaker 1>I'm out on that article. You can. You can wear

0:41:41.040 --> 0:41:43.720
<v Speaker 1>leather boots to add a tinge of class. You're attire.

0:41:44.239 --> 0:41:46.839
<v Speaker 1>You may even wear a necktie. Boots add class. Because

0:41:46.840 --> 0:41:49.080
<v Speaker 1>when I think boots, I think country, and I think dirt,

0:41:49.120 --> 0:41:53.759
<v Speaker 1>and I think line dancing, and I think Texas. Not

0:41:53.960 --> 0:41:56.120
<v Speaker 1>cowboy boots. You can wear. First of all, if you

0:41:56.120 --> 0:41:58.279
<v Speaker 1>wear nice cowboy boots, I mean is dressing in certain posts.

0:41:58.400 --> 0:42:01.160
<v Speaker 1>But if women, a woman wears stew Whitesman boots, then

0:42:01.200 --> 0:42:03.239
<v Speaker 1>that's you know, that's a different story. But I think

0:42:03.719 --> 0:42:07.160
<v Speaker 1>women would wear those. Okay, guys, whatever T shirts, guys,

0:42:07.640 --> 0:42:09.640
<v Speaker 1>I don't know. I just think boots are a casual thing.

0:42:10.120 --> 0:42:13.040
<v Speaker 1>Boots going denim. Okay. This says you can wear a

0:42:13.080 --> 0:42:14.920
<v Speaker 1>T shirt or a round neck T shirt with a

0:42:14.960 --> 0:42:17.759
<v Speaker 1>well fitted jacket. You may even opt for wearing a

0:42:17.800 --> 0:42:21.240
<v Speaker 1>formal jacket, as these look nice when combined with casual attire.

0:42:21.600 --> 0:42:24.399
<v Speaker 1>So you can wear your John Varvados smoking jacket with

0:42:24.400 --> 0:42:26.840
<v Speaker 1>one of your theory tie dyed shirts. You dare me,

0:42:27.640 --> 0:42:30.560
<v Speaker 1>I dare you no, But all the all the boys

0:42:30.600 --> 0:42:37.480
<v Speaker 1>are gonna be pissed. Yeah, I gotta right, all right,

0:42:37.600 --> 0:42:41.359
<v Speaker 1>all right, we'll leave that back. Yeah we'll be Oh

0:42:41.440 --> 0:42:44.359
<v Speaker 1>you're taking the break? No, yeah, I have stories, but

0:42:44.400 --> 0:42:45.799
<v Speaker 1>take a break. We'll take a break. I'll come back.

0:42:45.800 --> 0:42:52.560
<v Speaker 1>I guess okay the Boys podcast. I did want to

0:42:52.560 --> 0:42:55.719
<v Speaker 1>talk to you about the fight my family had. Um

0:42:55.719 --> 0:42:57.399
<v Speaker 1>and I'm gonna have to save half of my crew,

0:42:57.520 --> 0:42:59.920
<v Speaker 1>my crew stories for next week because it was non star.

0:43:00.120 --> 0:43:01.399
<v Speaker 1>You gotta be kidding. I have to save a couple

0:43:01.400 --> 0:43:03.240
<v Speaker 1>of things too. I'm writing them down so you don't forget.

0:43:03.640 --> 0:43:07.080
<v Speaker 1>So we are in the Gucci store because you know

0:43:07.719 --> 0:43:10.680
<v Speaker 1>you don't pay tax allegedly, right you play. And by

0:43:10.719 --> 0:43:14.080
<v Speaker 1>the way, value added tax is referred to as VAT,

0:43:14.960 --> 0:43:20.120
<v Speaker 1>so European non American countries will charge you tax, like

0:43:20.160 --> 0:43:22.560
<v Speaker 1>when you go to a restaurant, they put the value

0:43:22.560 --> 0:43:25.920
<v Speaker 1>added tax in. If you're an American, you can get

0:43:25.960 --> 0:43:27.759
<v Speaker 1>that back. You have to fill out a form and

0:43:27.760 --> 0:43:30.000
<v Speaker 1>you can get the whoa whoa, whoa whoa whoa whoa, whoa,

0:43:30.000 --> 0:43:32.640
<v Speaker 1>whoa whoa. All those times I've gone to the Bahamas

0:43:32.640 --> 0:43:35.520
<v Speaker 1>and they charged me a VAT, I can get that back, Yes,

0:43:36.280 --> 0:43:39.000
<v Speaker 1>get out. Yeah. In fact, my wife bought a pair

0:43:39.040 --> 0:43:42.360
<v Speaker 1>when we were in Amsterdam on the Morning show cruise.

0:43:42.880 --> 0:43:45.880
<v Speaker 1>My wife bought a pair of very expensive shoes and

0:43:45.960 --> 0:43:48.480
<v Speaker 1>the VAT was like ninety dollars. But you don't pay

0:43:48.560 --> 0:43:51.759
<v Speaker 1>tax to a foreign government when you're an American. They

0:43:51.800 --> 0:43:55.080
<v Speaker 1>so they reimburse you. There's a machine you have to

0:43:55.120 --> 0:43:58.640
<v Speaker 1>put This particular department store had a machine and you

0:43:58.640 --> 0:44:01.600
<v Speaker 1>put the receipt in and it gets you your money back. Well,

0:44:01.640 --> 0:44:03.400
<v Speaker 1>how do I get my money back from past trips?

0:44:03.719 --> 0:44:05.319
<v Speaker 1>I don't know how do you do that? But you

0:44:05.360 --> 0:44:08.360
<v Speaker 1>should know that anyway. My point is, dude, I was

0:44:08.400 --> 0:44:10.799
<v Speaker 1>today years old when I found this out. This is

0:44:10.880 --> 0:44:14.480
<v Speaker 1>news to me. Hold on, can Americans get VAT tax returned?

0:44:15.040 --> 0:44:17.359
<v Speaker 1>You're dreaming? I don't know how to get to hold

0:44:17.360 --> 0:44:20.879
<v Speaker 1>on Vatican him. That's that's part of the problem. That

0:44:20.880 --> 0:44:22.960
<v Speaker 1>that's the biggest thing people complain about when they're going

0:44:23.320 --> 0:44:25.919
<v Speaker 1>to like the Bahamas in these places because it says VAT.

0:44:26.320 --> 0:44:28.000
<v Speaker 1>They're like, oh my god, the VAT fucked me. You

0:44:28.080 --> 0:44:30.720
<v Speaker 1>know, I I got all his VAT. And then something tells

0:44:30.760 --> 0:44:37.000
<v Speaker 1>me that you can't. That's a myth. Nope, says you

0:44:37.040 --> 0:44:40.000
<v Speaker 1>can get a VAT refund even for your online purchases.

0:44:40.360 --> 0:44:42.760
<v Speaker 1>The same rules apply. You must be a permanent resident

0:44:42.760 --> 0:44:45.839
<v Speaker 1>in a non EU country and the amount you paid

0:44:45.920 --> 0:44:48.480
<v Speaker 1>must be above the minimum prescribed by the country. Whatever.

0:44:48.480 --> 0:44:52.759
<v Speaker 1>Blah blah blah, you look Google Google it anyway. Um, so,

0:44:52.840 --> 0:44:54.799
<v Speaker 1>but people call it a VAT tax, but the tea

0:44:54.840 --> 0:44:59.480
<v Speaker 1>and VAT is tax. Got it? Okay, So you don't.

0:44:59.480 --> 0:45:02.520
<v Speaker 1>You don't say attacks, you just say that, right, okay.

0:45:02.560 --> 0:45:04.120
<v Speaker 1>So anyway, So we would go in there and hoping

0:45:04.120 --> 0:45:05.680
<v Speaker 1>to save some money because you don't pay the tax

0:45:05.680 --> 0:45:08.120
<v Speaker 1>and tax on like four hundred dollars shoes, it's like

0:45:08.160 --> 0:45:13.000
<v Speaker 1>thirty forty bucks whatever. So we're leaving the store and

0:45:13.120 --> 0:45:18.080
<v Speaker 1>again it's my wife, my middle daughter, her friend who's

0:45:18.120 --> 0:45:23.520
<v Speaker 1>from Bayridge, Brooklyn by the way, and me and I'm

0:45:23.520 --> 0:45:25.360
<v Speaker 1>the fourth because I'm a gentleman, I let the ladies

0:45:25.400 --> 0:45:30.640
<v Speaker 1>go first. As we're leaving the store, there's a woman

0:45:31.719 --> 0:45:34.759
<v Speaker 1>in her forties maybe the thirties, and her daughter, who's

0:45:34.760 --> 0:45:37.239
<v Speaker 1>about I want to say, about seven or eight years old.

0:45:37.920 --> 0:45:41.560
<v Speaker 1>The woman opens the door. Okay, she pulls it out.

0:45:42.200 --> 0:45:45.000
<v Speaker 1>She pulls the door open, and she opens the door,

0:45:45.160 --> 0:45:47.319
<v Speaker 1>and her daughter is in front of her, and they

0:45:47.320 --> 0:45:49.479
<v Speaker 1>are to the left of the entrance of the door,

0:45:49.920 --> 0:45:53.239
<v Speaker 1>right of the doorway. Well, when someone opens the door

0:45:54.239 --> 0:45:56.439
<v Speaker 1>and you're right there, you were going to push the door.

0:45:57.280 --> 0:45:59.319
<v Speaker 1>Who has the right of way? The people leaving the

0:45:59.320 --> 0:46:02.320
<v Speaker 1>store as you would leave an elevator, or the people

0:46:02.360 --> 0:46:05.640
<v Speaker 1>coming into the pushing the door outwards to leave. And

0:46:05.800 --> 0:46:08.360
<v Speaker 1>this woman pulled the door open before we could push it.

0:46:08.400 --> 0:46:10.799
<v Speaker 1>So we were at the doorway. People walking through the

0:46:10.840 --> 0:46:14.320
<v Speaker 1>door on the push side, they have the right of way. No,

0:46:14.440 --> 0:46:16.040
<v Speaker 1>in other words, the people on the inn on the

0:46:16.360 --> 0:46:20.160
<v Speaker 1>people on the inside going out. Okay, so we know that.

0:46:21.120 --> 0:46:24.080
<v Speaker 1>So my wife walks through the door with my door

0:46:24.120 --> 0:46:26.520
<v Speaker 1>because you let people. Oh you always let people out

0:46:26.640 --> 0:46:29.560
<v Speaker 1>before you you walk into anything that that goes for

0:46:29.600 --> 0:46:33.640
<v Speaker 1>a subway, car or bus, think about anything. It's always

0:46:33.480 --> 0:46:36.879
<v Speaker 1>that's right, that's right. So the woman, as the four

0:46:36.920 --> 0:46:39.880
<v Speaker 1>of us are walking through the doorway, she says to

0:46:39.960 --> 0:46:44.239
<v Speaker 1>her daughter, very passive aggressively. Sorry, honey, I thought these

0:46:44.360 --> 0:46:48.040
<v Speaker 1>rude people would let us out first. No, but they

0:46:48.040 --> 0:46:50.319
<v Speaker 1>were coming in. You were in the store. They you

0:46:50.360 --> 0:46:53.200
<v Speaker 1>were in the store going out. Correct, they were out

0:46:53.400 --> 0:46:55.880
<v Speaker 1>going in, they were out. But unless they were in

0:46:55.960 --> 0:47:00.000
<v Speaker 1>somewhere else coming out, where were they coming from? That's correct?

0:47:00.280 --> 0:47:05.960
<v Speaker 1>Where were they? I don't care outside. There were outcomes outdoors, right,

0:47:05.960 --> 0:47:08.839
<v Speaker 1>it's an outdoor store. Well, it's all perspective. I mean

0:47:08.840 --> 0:47:11.600
<v Speaker 1>they could be coming from it was another store attached

0:47:11.600 --> 0:47:13.160
<v Speaker 1>to it, because they could be coming out of that

0:47:13.200 --> 0:47:16.120
<v Speaker 1>stre It's a sidewalk, it's not a mall. Okay. They

0:47:16.120 --> 0:47:20.600
<v Speaker 1>were opening the door on the sidewalk them, So my, my, my,

0:47:20.880 --> 0:47:22.719
<v Speaker 1>So they said this out loud. So my wife says,

0:47:23.080 --> 0:47:26.760
<v Speaker 1>excuse me, you're the one that's wrong. My daughter turns

0:47:26.800 --> 0:47:29.439
<v Speaker 1>to her and she's like, hey, maybe you should teach

0:47:29.440 --> 0:47:31.800
<v Speaker 1>your daughter respect on who goes through the door first,

0:47:31.920 --> 0:47:34.799
<v Speaker 1>instead of making it look like we're wrong, and so

0:47:35.200 --> 0:47:39.480
<v Speaker 1>oh shit. Her friend from Brooklyn is like, maybe he's

0:47:39.560 --> 0:47:43.839
<v Speaker 1>just shut up. And at this point I've got car

0:47:43.880 --> 0:47:47.359
<v Speaker 1>blanched to be fourth. So I said, first of all,

0:47:47.920 --> 0:47:50.840
<v Speaker 1>you mean you thought we were gonna let you in first,

0:47:51.239 --> 0:47:53.040
<v Speaker 1>not out. You don't even know which way you're going.

0:47:53.680 --> 0:47:56.399
<v Speaker 1>Second of all, learn some damn manners before you teach

0:47:56.440 --> 0:47:59.680
<v Speaker 1>your kid what's wrong. I said, excuse me, Annie to

0:47:59.680 --> 0:48:04.880
<v Speaker 1>the little girl. Out goes first, right, and then I

0:48:04.920 --> 0:48:07.360
<v Speaker 1>gave it a face like NI face. All right, So

0:48:07.440 --> 0:48:10.120
<v Speaker 1>I was very proud of my family. It all sets

0:48:10.200 --> 0:48:13.520
<v Speaker 1>up door. You're a big man, David Brody. Yeah, you

0:48:13.600 --> 0:48:18.600
<v Speaker 1>showed that fucking girl like fucking fourth your age. I want,

0:48:18.880 --> 0:48:23.359
<v Speaker 1>I want, I want to show you whose boss may have. Yeah,

0:48:23.400 --> 0:48:25.680
<v Speaker 1>well wait a second, I'm gonna I gotta spin on

0:48:25.719 --> 0:48:30.120
<v Speaker 1>this plot twist. Yeah, even though you were walking out

0:48:30.880 --> 0:48:33.759
<v Speaker 1>and they were walking in from the outside, and it

0:48:33.840 --> 0:48:39.480
<v Speaker 1>was if the door, if the door was a pull

0:48:39.600 --> 0:48:45.399
<v Speaker 1>door for you, for you, yeah, you're saying you pushed

0:48:45.440 --> 0:48:48.239
<v Speaker 1>the door out. I think I think the direction of

0:48:48.239 --> 0:48:53.200
<v Speaker 1>the door is what really really dictates who walks through first,

0:48:53.239 --> 0:48:55.600
<v Speaker 1>because I feel like if you, let's say it was

0:48:55.600 --> 0:48:57.839
<v Speaker 1>a pull door to go out and you're in the store,

0:48:57.920 --> 0:49:00.200
<v Speaker 1>you push, by the way doesn't exist in any doors

0:49:00.200 --> 0:49:03.760
<v Speaker 1>because you're always carrying. There are listeners right now saying, ah, yeah,

0:49:03.800 --> 0:49:06.200
<v Speaker 1>that happens where where I was. Yeah, well, it's if

0:49:06.200 --> 0:49:08.640
<v Speaker 1>it's if it's an indoor. If you're it doesn't matter

0:49:08.680 --> 0:49:12.440
<v Speaker 1>how it was constructed. I'm just saying for hypothetically speaking,

0:49:12.880 --> 0:49:16.480
<v Speaker 1>if you're in a store and the door is a

0:49:16.480 --> 0:49:19.600
<v Speaker 1>pull door to leave to go out, and you're pulling,

0:49:20.400 --> 0:49:23.359
<v Speaker 1>then and only then the people the outside going in

0:49:23.920 --> 0:49:25.880
<v Speaker 1>go first because they could come in because you were

0:49:25.920 --> 0:49:28.319
<v Speaker 1>pulling the door open. We let them go in and

0:49:28.360 --> 0:49:31.080
<v Speaker 1>then you go out. If you pull the door, you

0:49:31.120 --> 0:49:33.759
<v Speaker 1>have an option. You can stand to the side and

0:49:33.800 --> 0:49:36.240
<v Speaker 1>hold the door open for them. No, it's just awkward.

0:49:36.840 --> 0:49:38.440
<v Speaker 1>But yeah, but if there's a long line of people

0:49:38.440 --> 0:49:40.359
<v Speaker 1>that want to come in, now you're holding the door,

0:49:40.400 --> 0:49:42.799
<v Speaker 1>you want to leave, You're like the doorman. If you

0:49:42.880 --> 0:49:45.040
<v Speaker 1>try to go first, Now you have to like hold

0:49:45.080 --> 0:49:47.600
<v Speaker 1>the door with your left hand right and then like

0:49:47.719 --> 0:49:49.759
<v Speaker 1>try to shimmy out and then reach back and keep

0:49:49.760 --> 0:49:52.080
<v Speaker 1>the door open for them. It's awkward. That's why the

0:49:52.120 --> 0:49:55.320
<v Speaker 1>door opens. Should never come into the store. But regardless

0:49:55.400 --> 0:49:57.520
<v Speaker 1>it opened out and they were wrong, I was gonna

0:49:57.600 --> 0:50:01.960
<v Speaker 1>rule in favor of the orientation of the door. And

0:50:02.040 --> 0:50:05.920
<v Speaker 1>in most cases, when you're walking and go out, it's

0:50:05.920 --> 0:50:08.600
<v Speaker 1>a push door going out, so you go first. But

0:50:08.640 --> 0:50:11.680
<v Speaker 1>if it's a pull door, going out the people something

0:50:11.760 --> 0:50:15.319
<v Speaker 1>going in gets to go first. Do you understand where

0:50:15.320 --> 0:50:17.520
<v Speaker 1>I'm coming from? Yes, yes, I understand that this was

0:50:17.600 --> 0:50:21.400
<v Speaker 1>very But more importantly, we were writing. You were right,

0:50:21.880 --> 0:50:24.240
<v Speaker 1>you messed with three with two people from Brooklyn and

0:50:24.280 --> 0:50:27.520
<v Speaker 1>my wife and my daughter. That's who have my attitude

0:50:27.560 --> 0:50:31.320
<v Speaker 1>at this point towards idiots. So she's like, I'm sorry, honey,

0:50:31.320 --> 0:50:33.160
<v Speaker 1>I got day when these rude people would let us

0:50:33.200 --> 0:50:35.480
<v Speaker 1>go out first. Well, you don't even know which way

0:50:35.480 --> 0:50:42.400
<v Speaker 1>you're going. Sound like March Simpson's sister. Yeahs Selma, Salma,

0:50:42.440 --> 0:50:45.799
<v Speaker 1>who smokes too much? I could, I could do. March

0:50:45.880 --> 0:50:48.000
<v Speaker 1>Simpson says, sister, you look like you had a good

0:50:48.000 --> 0:50:50.279
<v Speaker 1>time on the trip overall. I did, but there's so

0:50:50.320 --> 0:50:53.040
<v Speaker 1>many great stories of douchebags on the trip. Problem is,

0:50:53.280 --> 0:50:56.160
<v Speaker 1>a cruise is supposed to be relaxing, and you're not relaxing.

0:50:56.560 --> 0:51:04.719
<v Speaker 1>You're getting yourself agitated place a piece. I was relaxed intermittently.

0:51:05.719 --> 0:51:07.960
<v Speaker 1>So here was a sign I saw a scary Remember

0:51:07.960 --> 0:51:09.279
<v Speaker 1>when we did that thing like a little more than

0:51:09.400 --> 0:51:13.360
<v Speaker 1>under a minute? Yes, right, okay, tell me what this means.

0:51:13.960 --> 0:51:16.080
<v Speaker 1>There was an art gallery and this an art gallery

0:51:16.120 --> 0:51:22.520
<v Speaker 1>shows under five hundred, under five hundred and more, My

0:51:22.640 --> 0:51:27.399
<v Speaker 1>brain hurts, Wait, under five hundred dollars dollars and more

0:51:28.160 --> 0:51:34.359
<v Speaker 1>and more? Wow, under five hundred, But it could mean

0:51:35.960 --> 0:51:39.480
<v Speaker 1>under maybe a piece cost fifteen hundred dollars and it's

0:51:39.560 --> 0:51:42.640
<v Speaker 1>under it's under five hundred dollars, there's five hundred dollars less,

0:51:42.640 --> 0:51:46.319
<v Speaker 1>so it's one thousand and more like if so it's

0:51:46.320 --> 0:51:50.080
<v Speaker 1>if it's eight fifty, it's eight fifty. Now I don't know.

0:51:50.120 --> 0:51:54.400
<v Speaker 1>I'm trying to even see where they would have that up.

0:51:54.440 --> 0:51:56.439
<v Speaker 1>So I thought, I thought it might have meant under

0:51:56.480 --> 0:51:59.799
<v Speaker 1>five hundred and more under five hundred, like like under

0:51:59.800 --> 0:52:02.320
<v Speaker 1>two hundred, right under five hundred and more. Yeah, but

0:52:02.440 --> 0:52:05.920
<v Speaker 1>under five hundred is still under. Any number under five

0:52:05.960 --> 0:52:10.120
<v Speaker 1>hundred is gonna work, so you don't need the work more. Well.

0:52:10.160 --> 0:52:11.920
<v Speaker 1>But but then I thought, is it un like other

0:52:12.080 --> 0:52:14.880
<v Speaker 1>articles that are under five hundred and articles that are

0:52:14.920 --> 0:52:18.120
<v Speaker 1>more money. I couldn't figure it out, so I asked.

0:52:19.040 --> 0:52:21.520
<v Speaker 1>What they said was, we want people to know we

0:52:21.560 --> 0:52:24.360
<v Speaker 1>have items that are cheaper than five hundred dollars, but

0:52:24.440 --> 0:52:26.520
<v Speaker 1>we also want people to know there are expensive items,

0:52:27.080 --> 0:52:28.680
<v Speaker 1>because we don't want them to think all the items

0:52:28.719 --> 0:52:31.000
<v Speaker 1>are under five hundred. My head hirts, my head hirts.

0:52:31.280 --> 0:52:33.319
<v Speaker 1>But you're thinking about this, this is this is this

0:52:33.400 --> 0:52:37.839
<v Speaker 1>is ludicrous under five hundred and more. So okay, why

0:52:37.880 --> 0:52:40.640
<v Speaker 1>couldn't you just say starting at two hundred or something

0:52:40.680 --> 0:52:44.360
<v Speaker 1>you could have but some people don't. Yeah, some people

0:52:44.360 --> 0:52:47.600
<v Speaker 1>don't identify that way, or they don't want or many

0:52:47.640 --> 0:52:50.960
<v Speaker 1>items as low, many items under five hundred dollars. It's like,

0:52:51.000 --> 0:52:54.960
<v Speaker 1>it's obviously not all of them. Excuse under fire. You're

0:52:54.960 --> 0:53:00.560
<v Speaker 1>gonna make a phone call. Yeah, he loves when I

0:53:00.600 --> 0:53:05.759
<v Speaker 1>just surprised him with hello girls time. Oh shit, Oh

0:53:07.000 --> 0:53:09.480
<v Speaker 1>we're all together though. What's up? Oh? Man, God, you're

0:53:09.520 --> 0:53:11.520
<v Speaker 1>on the Brooken Boys podcast. I needed you to talk

0:53:11.560 --> 0:53:15.160
<v Speaker 1>to David Brodie. It's Ali gold You have a quick

0:53:15.200 --> 0:53:18.040
<v Speaker 1>second or no, yea, I have a quick second. So

0:53:18.200 --> 0:53:21.160
<v Speaker 1>you went to very upset, A very upset a goldfish,

0:53:21.280 --> 0:53:23.880
<v Speaker 1>Ali Goldfish is here, and we went to Saddell's, a

0:53:23.960 --> 0:53:26.120
<v Speaker 1>famous brunch place in Manhattan. I'll make this very quick.

0:53:26.719 --> 0:53:28.800
<v Speaker 1>What did you when you had the matzo ball soup?

0:53:28.920 --> 0:53:31.840
<v Speaker 1>You being Jewish? Talk to talk about what was in

0:53:31.960 --> 0:53:34.880
<v Speaker 1>that and what you thought of it. Well, there's a

0:53:34.960 --> 0:53:37.440
<v Speaker 1>lot more green when it came to the table. I

0:53:37.680 --> 0:53:42.600
<v Speaker 1>was not expecting it. Yes, but what it's delicious, Brodie?

0:53:44.160 --> 0:53:46.600
<v Speaker 1>I thought it was good. Hold on, hold on? Do

0:53:46.680 --> 0:53:50.720
<v Speaker 1>you eat? Do you eat pickles? No? I hate pickles? Okay?

0:53:50.760 --> 0:53:52.640
<v Speaker 1>Do you eat dial? Would you eat like deal? Potato chips?

0:53:54.680 --> 0:53:57.440
<v Speaker 1>What's that? I don't know what that is? Like potato chips?

0:53:57.440 --> 0:53:59.120
<v Speaker 1>Would deal flay? You like dial? In other words, you

0:53:59.440 --> 0:54:01.600
<v Speaker 1>enjoy the tapast of dill? No, no, I don't. I

0:54:01.680 --> 0:54:03.520
<v Speaker 1>don't like the taste of dill. It did not tease

0:54:03.680 --> 0:54:09.959
<v Speaker 1>dilly to me. I feel like I would know what soup? Yeah, okay.

0:54:10.200 --> 0:54:12.400
<v Speaker 1>Can we agree though, that your grandmother and my grandmother

0:54:12.480 --> 0:54:14.880
<v Speaker 1>would not put tons of dial in their muntz of soup? Right?

0:54:15.320 --> 0:54:16.719
<v Speaker 1>You know? They would have spit on me if they

0:54:16.800 --> 0:54:19.960
<v Speaker 1>knew I liked your grandma. Grandma's sitting by the fire.

0:54:20.600 --> 0:54:24.160
<v Speaker 1>That's right, That's right, okay. I just wanted to get

0:54:24.160 --> 0:54:27.160
<v Speaker 1>your opinion on that, because which you know, the Sidel's

0:54:27.200 --> 0:54:29.719
<v Speaker 1>debate has been a long thing. It's a running theme

0:54:29.760 --> 0:54:33.120
<v Speaker 1>on our podcast. I'm so excited that another fellow Jewish

0:54:33.160 --> 0:54:36.640
<v Speaker 1>person was sitting next to me and joined Saidel's motzahle

0:54:36.719 --> 0:54:40.879
<v Speaker 1>soup with dill Okay, hold on, would you say that Saidel's,

0:54:41.320 --> 0:54:43.600
<v Speaker 1>which I call Saidel's because they put dill on everything.

0:54:44.040 --> 0:54:46.720
<v Speaker 1>Would you say, would you say it's the best Jewish

0:54:46.760 --> 0:54:50.279
<v Speaker 1>food in all of New York. I thought the food

0:54:50.400 --> 0:54:53.160
<v Speaker 1>was great, but it's not even kosher, right, so I

0:54:53.200 --> 0:54:59.720
<v Speaker 1>wouldn't consider that Jewish food kosher style, I mean the style.

0:55:00.520 --> 0:55:02.640
<v Speaker 1>I think it's a knockoff of Jewish food. But it

0:55:03.080 --> 0:55:07.080
<v Speaker 1>was delicious. That liked it, but delicious delicious. Okay, all right,

0:55:07.080 --> 0:55:08.759
<v Speaker 1>that's all we need. Go back to girls time. I

0:55:08.800 --> 0:55:11.600
<v Speaker 1>feel terrible we're interrupting this. No, it's okay. I'm just

0:55:11.800 --> 0:55:14.480
<v Speaker 1>a bottle of wine deep thanks to Elvis. So were

0:55:14.520 --> 0:55:16.239
<v Speaker 1>you guys? Where are you guys eating right now? No?

0:55:16.400 --> 0:55:19.080
<v Speaker 1>No big deal. Um. What was the name of the restaurant?

0:55:19.200 --> 0:55:24.160
<v Speaker 1>Carpaccio still is the name? That's a great place. Oh

0:55:24.239 --> 0:55:26.839
<v Speaker 1>my god? What kind of shoes? What kind of shoes?

0:55:28.239 --> 0:55:31.080
<v Speaker 1>Chanella heels? All right, love you, we love you. Enjoy

0:55:31.160 --> 0:55:36.359
<v Speaker 1>the joy shoes? Bye bye? Yeah, she's okay. Elvis took

0:55:36.360 --> 0:55:39.800
<v Speaker 1>the girls shoe shopping today, all the girls on the show. Okay,

0:55:39.960 --> 0:55:42.719
<v Speaker 1>Well then, yeah, okay, I here's a question. I have

0:55:42.760 --> 0:55:47.120
<v Speaker 1>a question for you. Uh, many years ago, Elvis took

0:55:47.320 --> 0:55:50.279
<v Speaker 1>the boy's shoe shopping. I was not there. I was

0:55:50.480 --> 0:55:53.160
<v Speaker 1>I was away, you were away. Everybody got new shoes,

0:55:53.200 --> 0:55:55.040
<v Speaker 1>but you, and you didn't get a rain check. Elvis

0:55:55.120 --> 0:55:57.080
<v Speaker 1>did not off you a rain check. No, you're miss shoes.

0:55:57.239 --> 0:55:59.760
<v Speaker 1>Never got them. But but no, nor did I expect

0:55:59.800 --> 0:56:03.520
<v Speaker 1>them because I missed it. Yeah, those shoes, which are

0:56:03.560 --> 0:56:06.480
<v Speaker 1>the most expensive shoes I ever owned and will ever own,

0:56:06.760 --> 0:56:09.359
<v Speaker 1>which he was kind enough to purchase for me. I've

0:56:09.440 --> 0:56:13.160
<v Speaker 1>worn and it's been about eight years. It's been a while.

0:56:15.120 --> 0:56:18.680
<v Speaker 1>I want to say it's been maybe nine years. Maybe

0:56:18.719 --> 0:56:23.000
<v Speaker 1>it's been a while. I've worn them maybe ten times.

0:56:23.719 --> 0:56:26.920
<v Speaker 1>I wear them two really big events. I wear them

0:56:27.000 --> 0:56:28.840
<v Speaker 1>on the cruise as I go on because you're not

0:56:28.920 --> 0:56:32.000
<v Speaker 1>on the sidewalk, you're on carpeting. So I baby them.

0:56:33.680 --> 0:56:37.120
<v Speaker 1>But I've never worn them to an event that that

0:56:37.320 --> 0:56:41.200
<v Speaker 1>that any of you guys have ever seen. I've always warned,

0:56:41.360 --> 0:56:43.560
<v Speaker 1>like to like a family party or on the cruise.

0:56:44.760 --> 0:56:46.279
<v Speaker 1>I may have warned them on a cruise, but you guys,

0:56:46.400 --> 0:56:51.200
<v Speaker 1>you didn't notice. Is it okay to wear them tomorrow night?

0:56:51.719 --> 0:56:54.239
<v Speaker 1>If I choose to wear them to the event, of course,

0:56:55.239 --> 0:56:59.000
<v Speaker 1>why wouldn't you? Okay, no, it's fine because they were

0:56:59.080 --> 0:57:01.520
<v Speaker 1>like a gift, but they were so Mike, still my

0:57:01.600 --> 0:57:04.520
<v Speaker 1>favorite shoes. You can't make this shit up. Okay, go ahead,

0:57:04.640 --> 0:57:07.600
<v Speaker 1>something just popped up, and ahead, I would say, you

0:57:07.640 --> 0:57:11.319
<v Speaker 1>can what happened? Is this for the podcast? And yes

0:57:11.960 --> 0:57:15.239
<v Speaker 1>it will be. This is this too? This is too coincidental? Okay,

0:57:15.520 --> 0:57:18.480
<v Speaker 1>did somebody did Ali fuck something up? No? No, no, no,

0:57:18.680 --> 0:57:21.400
<v Speaker 1>no no no, this is great. Let's finish this thought.

0:57:22.320 --> 0:57:24.480
<v Speaker 1>And because on the other side of this break, we're

0:57:24.520 --> 0:57:28.080
<v Speaker 1>gonna talk to Scott Atkins from John w FO. Okay,

0:57:29.360 --> 0:57:32.640
<v Speaker 1>all right, so you're gonna we're gonna introduce the conversation

0:57:32.680 --> 0:57:35.760
<v Speaker 1>with John, right, I mean we're gonna yeah, like well

0:57:35.800 --> 0:57:37.960
<v Speaker 1>we yeah, well we yeah, we'll figure it out, right. Yeah.

0:57:38.040 --> 0:57:41.320
<v Speaker 1>The point is you, why wouldn't you wear those shoes?

0:57:41.440 --> 0:57:43.480
<v Speaker 1>These are the these are the times to wear those

0:57:43.520 --> 0:57:45.840
<v Speaker 1>shoes when I know, because you're not gonna get out.

0:57:46.040 --> 0:57:48.240
<v Speaker 1>I mean, you gotta make the most out of it.

0:57:48.600 --> 0:57:50.600
<v Speaker 1>I hear you. Well, no one's gonna recognize them and go,

0:57:50.640 --> 0:57:54.480
<v Speaker 1>oh those are the shoes that oh no, no, no, no, right,

0:57:54.720 --> 0:57:56.520
<v Speaker 1>all right, so I'm thinking about it because they go

0:57:56.600 --> 0:57:58.000
<v Speaker 1>really well with the blazer I want to wear, and

0:57:58.040 --> 0:58:01.439
<v Speaker 1>if I'm gonna go cocked casual, my only my only

0:58:01.640 --> 0:58:05.080
<v Speaker 1>downside is with my knee hurting. They're not the most

0:58:06.000 --> 0:58:10.080
<v Speaker 1>soft shoes. They're a little sturdy. They're like really well made,

0:58:10.120 --> 0:58:11.920
<v Speaker 1>and they're not gonna be given I don't know. But

0:58:12.120 --> 0:58:15.120
<v Speaker 1>but you're saying it's okay to wear them. Yeah, I may.

0:58:15.200 --> 0:58:18.320
<v Speaker 1>I may wear I may wear the very very very

0:58:19.920 --> 0:58:23.640
<v Speaker 1>cocktail casual. That's fine. Okay. So here's why I'm laughing.

0:58:24.440 --> 0:58:26.600
<v Speaker 1>We just got off the phone with Ali Gold talking

0:58:26.640 --> 0:58:30.320
<v Speaker 1>about Sidel's and Dill. Yeah, all of a sudden, something

0:58:30.400 --> 0:58:32.840
<v Speaker 1>just got added to my calendar, my work calendar for

0:58:32.880 --> 0:58:37.479
<v Speaker 1>the Big show. Okay, in studio guest on March twenty eighth,

0:58:37.800 --> 0:58:46.200
<v Speaker 1>Mario Carbone, the owner of Sidel's. I have to I

0:58:46.240 --> 0:58:53.480
<v Speaker 1>have to say it's been us. Carbone also owns Carbone Ahead. Yeah, okay,

0:58:53.560 --> 0:58:55.960
<v Speaker 1>not a sponsor. It's been seven months since I've been

0:58:56.000 --> 0:58:58.080
<v Speaker 1>on the show roughly. I have to say, this is

0:58:58.120 --> 0:59:01.760
<v Speaker 1>the first time I think himset I'm not gonna be there. Yeah,

0:59:01.880 --> 0:59:04.040
<v Speaker 1>because I would like to tell him to his face

0:59:04.440 --> 0:59:07.040
<v Speaker 1>not to put so much fucking dial in the Mutsi

0:59:07.120 --> 0:59:12.520
<v Speaker 1>ball soup. I'm fine with it. You know, a Jew

0:59:12.600 --> 0:59:15.480
<v Speaker 1>and by the way, there's nothing more Jewish sounding than

0:59:15.720 --> 0:59:22.040
<v Speaker 1>Mario Carbone. I rest my case. If the Mario wasn't enough,

0:59:22.360 --> 0:59:26.080
<v Speaker 1>Carbone certainly is. It's a testament to all the old

0:59:26.200 --> 0:59:30.080
<v Speaker 1>Jewish world of the Lower East Side of Manhattan and

0:59:30.920 --> 0:59:34.600
<v Speaker 1>the Jewish settlers of the nineteenth century. I'm not trying

0:59:34.640 --> 0:59:40.439
<v Speaker 1>to Jews plain. I'm just explaining why he why he's

0:59:40.480 --> 0:59:43.439
<v Speaker 1>a fan. I'm a fan. You could. He's a chef.

0:59:43.560 --> 0:59:45.880
<v Speaker 1>He's allowed to do a thing. He doesn't mean he

0:59:45.920 --> 0:59:48.560
<v Speaker 1>doesn't have to be Jewish to have the Jewish style cooking. Okay,

0:59:48.640 --> 0:59:51.000
<v Speaker 1>let me ask you a question. Here we go. Would

0:59:51.080 --> 0:59:55.280
<v Speaker 1>you go to Maria Brahmo, it's his house of parmesan

0:59:55.480 --> 1:00:05.640
<v Speaker 1>why not? Come on? I'm open minded man, Okay, Schlomo

1:00:05.760 --> 1:00:12.000
<v Speaker 1>Goldstein's talk away house, going to Mexican food, I trust it.

1:00:12.280 --> 1:00:16.480
<v Speaker 1>I trust it. There were Jews in Mexico, right, were

1:00:16.520 --> 1:00:20.240
<v Speaker 1>there Mexicans in Israel? I don't think there were Mexicans

1:00:20.280 --> 1:00:22.720
<v Speaker 1>in Israel necessarily, but there's Jews everywhere. Because it's not

1:00:22.760 --> 1:00:27.280
<v Speaker 1>a it's a it's a religion. Religion. I just i

1:00:27.360 --> 1:00:29.040
<v Speaker 1>don't see it. Now. That doesn't mean that a Jew

1:00:29.080 --> 1:00:33.200
<v Speaker 1>can't make good Italian food. I'm just saying Mario Carbone

1:00:33.240 --> 1:00:35.720
<v Speaker 1>has given me you know, all right, I'd rather I'd

1:00:35.800 --> 1:00:38.720
<v Speaker 1>rather my family make the Jewish food for him. That's

1:00:38.720 --> 1:00:45.840
<v Speaker 1>all scary, all right, David Brodie, it's time since since

1:00:45.880 --> 1:00:49.360
<v Speaker 1>we went to commercial. We stopped and we recorded an interview, yeah,

1:00:49.920 --> 1:00:54.200
<v Speaker 1>with Scott Atkins, who is a martial arts master and

1:00:54.440 --> 1:00:56.960
<v Speaker 1>an actor and a director and a producer and a

1:00:57.040 --> 1:01:01.480
<v Speaker 1>writer who's in the new john Wick for previously recorded.

1:01:01.520 --> 1:01:05.320
<v Speaker 1>We recorded it right before we started this podcast, probably

1:01:05.440 --> 1:01:09.840
<v Speaker 1>minutes before. Oh yeah, And at that time Brody and

1:01:10.040 --> 1:01:14.280
<v Speaker 1>I got on the phone call and realized Brodie's microphone

1:01:14.760 --> 1:01:16.240
<v Speaker 1>is not working and he sounds like he's in a

1:01:16.320 --> 1:01:20.720
<v Speaker 1>fucking bathroom. Yeah, all right, Brodie, try and calm your nerves.

1:01:21.200 --> 1:01:24.240
<v Speaker 1>We're connecting with Scott Atkins right now. He plays Killer

1:01:24.280 --> 1:01:27.040
<v Speaker 1>in john Wick four, which is out this weekend. I

1:01:27.200 --> 1:01:29.680
<v Speaker 1>am an obsessed fan of the first three, as I

1:01:29.800 --> 1:01:34.800
<v Speaker 1>know you are so welcome. First off, I did want

1:01:34.840 --> 1:01:37.120
<v Speaker 1>to give my condolences on the loss of Lance Reddick,

1:01:37.480 --> 1:01:40.760
<v Speaker 1>your co star in the movie. Yeah, he played Sharon.

1:01:41.320 --> 1:01:44.600
<v Speaker 1>Did you have any scenes with him in the new movie. Unfortunately, know,

1:01:44.760 --> 1:01:49.480
<v Speaker 1>unfortunately I didn't get the opportunity to mates Lance. But

1:01:49.720 --> 1:01:54.120
<v Speaker 1>from talking to everyone, you know, nothing but praise for

1:01:54.160 --> 1:01:59.000
<v Speaker 1>the man here. He was just a gentleman, a beautiful soul.

1:01:59.480 --> 1:02:03.080
<v Speaker 1>And yeah, everybody's just shocked and saddened, and you know,

1:02:03.240 --> 1:02:06.320
<v Speaker 1>your harm goes out andswer his family. Yeah, now, you

1:02:06.360 --> 1:02:08.840
<v Speaker 1>didn't do any scenes with him. The movie is filmed

1:02:09.200 --> 1:02:11.640
<v Speaker 1>all over the world, just to name a few. I

1:02:11.720 --> 1:02:16.720
<v Speaker 1>know it's New York, Japan, France, Germany. Is that accurate? Yeah,

1:02:16.880 --> 1:02:21.080
<v Speaker 1>I was in the Germany section. Okay, so we've seen

1:02:21.160 --> 1:02:25.919
<v Speaker 1>the scenes on YouTube of you at the card table. Yeah,

1:02:26.520 --> 1:02:31.280
<v Speaker 1>where there's four assassins. I understand you learned how to

1:02:31.320 --> 1:02:35.360
<v Speaker 1>do card tricks for this movie. I did. Now, Luckily

1:02:35.400 --> 1:02:37.080
<v Speaker 1>I haven't got a pack of cards with me today

1:02:37.520 --> 1:02:40.160
<v Speaker 1>because I think I forgot. But I did learn it

1:02:40.200 --> 1:02:42.280
<v Speaker 1>for the movie. Yeah, and I flicked the card and

1:02:42.400 --> 1:02:46.080
<v Speaker 1>catch yet and I did that every take successfully. I

1:02:46.200 --> 1:02:48.480
<v Speaker 1>was pretty happy with myself. Yeah. Does that count is

1:02:48.520 --> 1:02:52.760
<v Speaker 1>doing your own stunts? Well? Yeah, I couldn't have had

1:02:52.800 --> 1:02:55.360
<v Speaker 1>my eye out with that. Yeah. Hey, So for people

1:02:55.360 --> 1:02:56.960
<v Speaker 1>who don't know, and you know, I listen, how do

1:02:56.960 --> 1:02:59.680
<v Speaker 1>you not know about the john Wick franchise? Right? This

1:02:59.800 --> 1:03:01.880
<v Speaker 1>is the fourth and storm it could just bring everybody

1:03:01.960 --> 1:03:05.120
<v Speaker 1>up to speed, specifically about who you play in the

1:03:05.320 --> 1:03:07.400
<v Speaker 1>in the film, which is Killer. And then I want

1:03:07.400 --> 1:03:09.680
<v Speaker 1>you to talk a little bit about the daily prepping

1:03:09.840 --> 1:03:12.000
<v Speaker 1>of how you got into this fat suit. I've been

1:03:12.080 --> 1:03:14.880
<v Speaker 1>bugging the director since the first movie to give me

1:03:14.960 --> 1:03:17.760
<v Speaker 1>a part in john Wick real four films in finally

1:03:17.840 --> 1:03:19.760
<v Speaker 1>gives me the call, Scott, if you want to be

1:03:19.800 --> 1:03:23.400
<v Speaker 1>in the John Wick movie. Yeah, there's only one catch.

1:03:24.040 --> 1:03:26.880
<v Speaker 1>You're going to be in this fat suit and needs

1:03:26.920 --> 1:03:30.760
<v Speaker 1>you to be German. It's not gonna be easy. You're

1:03:30.800 --> 1:03:35.000
<v Speaker 1>going to be in the rain indoors. You need to

1:03:35.080 --> 1:03:38.280
<v Speaker 1>learn card tricks. Are you work for the challenge? And

1:03:38.480 --> 1:03:41.440
<v Speaker 1>aside from the initial bias of thinking, Wow, I'm going

1:03:41.480 --> 1:03:42.880
<v Speaker 1>to get to be in john Wick for and maybe

1:03:42.920 --> 1:03:45.920
<v Speaker 1>nobody's not going to know it's me, after I got

1:03:45.960 --> 1:03:49.320
<v Speaker 1>over that little bit, I was very excited to to,

1:03:49.640 --> 1:03:51.800
<v Speaker 1>you know, for the opportunity to create this character from

1:03:51.840 --> 1:03:54.320
<v Speaker 1>the ground up. So Killer Harkan is the head of

1:03:54.360 --> 1:03:59.920
<v Speaker 1>the German table and he is a feared, revered assassin

1:04:00.640 --> 1:04:02.440
<v Speaker 1>that maybe has let himself go a little bit in

1:04:02.480 --> 1:04:05.240
<v Speaker 1>his later years, but when it when it all comes

1:04:05.280 --> 1:04:06.600
<v Speaker 1>down to it, he's still got a bit of gas

1:04:06.720 --> 1:04:09.880
<v Speaker 1>left in the engine. And it's just a fun, you know,

1:04:10.160 --> 1:04:13.720
<v Speaker 1>great part to play. Shall we roll lots of dialogue.

1:04:14.200 --> 1:04:17.240
<v Speaker 1>Had a blast playing the character. I miss him from

1:04:17.280 --> 1:04:19.440
<v Speaker 1>from what I have an interview. I saw the director

1:04:19.480 --> 1:04:21.959
<v Speaker 1>at a chad. He said he had a character in mind,

1:04:22.200 --> 1:04:24.480
<v Speaker 1>but you decided you have no one to blame but yourself.

1:04:25.080 --> 1:04:29.080
<v Speaker 1>You added more impairments to the character. Can you explain

1:04:29.120 --> 1:04:33.040
<v Speaker 1>what you came up with and why? Um? Well, yeah,

1:04:33.200 --> 1:04:38.000
<v Speaker 1>the so the the coughing and the inhaler and the accents.

1:04:38.320 --> 1:04:40.000
<v Speaker 1>You know, he pretty much gave me free rein to

1:04:40.160 --> 1:04:42.760
<v Speaker 1>just I don't know why he trusted me with it.

1:04:44.480 --> 1:04:46.160
<v Speaker 1>Somehow felt that I'd be able to pull it off.

1:04:46.560 --> 1:04:48.600
<v Speaker 1>So yeah, I started off with the voice and listen

1:04:48.640 --> 1:04:52.600
<v Speaker 1>to a lot of German actors but settled on this. Actually,

1:04:52.680 --> 1:04:57.000
<v Speaker 1>that reminds me because do you remember the young Frankenstein, Yes,

1:04:57.080 --> 1:05:00.360
<v Speaker 1>of course, And do you remember to go to Luck

1:05:00.400 --> 1:05:04.640
<v Speaker 1>a ditch? And it was, yeah, the first accent. I

1:05:04.800 --> 1:05:06.640
<v Speaker 1>was listening to that guy and I felt like that

1:05:06.840 --> 1:05:08.400
<v Speaker 1>might be way in but that would have been completely

1:05:08.440 --> 1:05:10.280
<v Speaker 1>out there. I'm glad I didn't go with that. And

1:05:10.400 --> 1:05:13.480
<v Speaker 1>then I satled on Ronald Lacie from Vaders of the

1:05:13.560 --> 1:05:16.720
<v Speaker 1>Lost Ark, the guy that grabbed the thing and plans

1:05:16.760 --> 1:05:19.360
<v Speaker 1>his hand, and he had this voice said to us

1:05:19.440 --> 1:05:24.880
<v Speaker 1>like yes, And even though it was an English actor

1:05:25.160 --> 1:05:27.480
<v Speaker 1>with his version of a German accent, that just felt

1:05:27.640 --> 1:05:30.120
<v Speaker 1>right right. I almost went with the young frankastar at

1:05:30.200 --> 1:05:32.440
<v Speaker 1>some point that would have been really wild. Wow, So

1:05:32.560 --> 1:05:34.960
<v Speaker 1>you settled on that accent? You know, you know you're

1:05:34.960 --> 1:05:38.120
<v Speaker 1>a seasoned martial artists stuntman, You've been in all these films.

1:05:38.640 --> 1:05:41.320
<v Speaker 1>What was it like doing what you normally do, which

1:05:41.400 --> 1:05:44.360
<v Speaker 1>comes natural to you in a fat suit? How was that?

1:05:44.600 --> 1:05:46.960
<v Speaker 1>There was there a transition period? Was there some things

1:05:47.000 --> 1:05:49.720
<v Speaker 1>that you needed to learn relearn? No, it was it

1:05:49.800 --> 1:05:52.760
<v Speaker 1>was okay. It wasn't as heavy as it looks. Actually,

1:05:52.760 --> 1:05:55.120
<v Speaker 1>it was important for us to sell the weight of

1:05:55.440 --> 1:05:57.000
<v Speaker 1>the suit, you know, for it to be looked like

1:05:57.160 --> 1:05:59.160
<v Speaker 1>I was really that big. We felt that if I

1:05:59.240 --> 1:06:03.640
<v Speaker 1>started doing any extravagant flying kicks that you'd immediately tell

1:06:03.720 --> 1:06:06.320
<v Speaker 1>the you know, I'm not twenty five stone or whatever

1:06:06.400 --> 1:06:09.720
<v Speaker 1>I'm supposed to be. We wanted to keep them the Marshal,

1:06:10.080 --> 1:06:11.400
<v Speaker 1>you know, we wanted to sell the fact that he

1:06:11.720 --> 1:06:13.919
<v Speaker 1>used to be this guy that could do amazing things,

1:06:14.360 --> 1:06:18.200
<v Speaker 1>but now times took his toll. He's been eating way

1:06:18.200 --> 1:06:22.360
<v Speaker 1>too many biscuits. Ate that. Wait, we didn't want to

1:06:22.360 --> 1:06:25.560
<v Speaker 1>get rid of gravity. Sure, okay, now, Scott, talking about

1:06:25.600 --> 1:06:29.400
<v Speaker 1>movies you've done previously, some of your movie titles basically

1:06:30.360 --> 1:06:36.240
<v Speaker 1>explain them as violent fighting films. So Legacy of Lies,

1:06:36.880 --> 1:06:43.520
<v Speaker 1>you've done, Avengement, Triple Threat, Abduction, No Surrender, The Dead Collector.

1:06:44.440 --> 1:06:46.280
<v Speaker 1>A lot of them have these titles that you know

1:06:46.400 --> 1:06:49.320
<v Speaker 1>what you're getting. Yeah. Have you ever thought about doing

1:06:49.360 --> 1:06:54.640
<v Speaker 1>a rom com? No? Okay, because your director described you

1:06:54.720 --> 1:06:56.360
<v Speaker 1>as one of the best looking men on the planet.

1:06:56.760 --> 1:06:58.880
<v Speaker 1>My worry would be if I did a rom com

1:06:59.400 --> 1:07:02.439
<v Speaker 1>that would help to savagely smash someone in the face.

1:07:03.000 --> 1:07:06.840
<v Speaker 1>And you know that's what my fans want, right. Well,

1:07:06.840 --> 1:07:08.560
<v Speaker 1>how great would it be if you find your love

1:07:08.640 --> 1:07:11.200
<v Speaker 1>interest and you know there's always a good looking blind

1:07:11.240 --> 1:07:13.680
<v Speaker 1>guy that gives you problems in the middle of the

1:07:13.720 --> 1:07:16.720
<v Speaker 1>film where she's torn between you and him. They wouldn't

1:07:16.720 --> 1:07:19.800
<v Speaker 1>be the problem. You would just beat him up. Yeah, Yeah,

1:07:20.800 --> 1:07:23.080
<v Speaker 1>and then you know he could kill her and I

1:07:23.200 --> 1:07:27.360
<v Speaker 1>go on a revenge mission. And yes, now what it

1:07:27.480 --> 1:07:30.480
<v Speaker 1>is is I I've got a fan base, and because

1:07:30.480 --> 1:07:34.160
<v Speaker 1>I remember having some watching some action guys when I

1:07:34.280 --> 1:07:37.600
<v Speaker 1>was a teenager and just being really disappointed when they

1:07:37.640 --> 1:07:40.120
<v Speaker 1>started trying to do other things because I didn't want

1:07:40.240 --> 1:07:42.880
<v Speaker 1>Van Dam to do Nowhere to Run. I wanted him

1:07:42.920 --> 1:07:45.360
<v Speaker 1>to do Hard Target, I wanted him to do Time Cup.

1:07:45.400 --> 1:07:47.800
<v Speaker 1>I wanted him to do blood Sport too, And that

1:07:47.920 --> 1:07:51.160
<v Speaker 1>has really stuck with me. So I've got really loyal

1:07:51.240 --> 1:07:53.120
<v Speaker 1>fan base, and I want to keep giving them what

1:07:53.160 --> 1:07:55.680
<v Speaker 1>they want. Now, I try and mix some genres within

1:07:55.760 --> 1:07:58.680
<v Speaker 1>the action movies, like it's action slash sci fi or

1:07:58.920 --> 1:08:02.000
<v Speaker 1>action slash comedy, but I like to keep the action

1:08:02.080 --> 1:08:04.440
<v Speaker 1>there because I had it to my fan base. But

1:08:04.640 --> 1:08:08.080
<v Speaker 1>never say never, is this your first foray into a

1:08:08.240 --> 1:08:12.880
<v Speaker 1>comedic slightly comedic role. It isn't my first, No. I

1:08:12.920 --> 1:08:15.160
<v Speaker 1>mean you can see from so when I started producing

1:08:15.400 --> 1:08:17.639
<v Speaker 1>and writing some of my own projects, you can see

1:08:17.640 --> 1:08:20.800
<v Speaker 1>the comedy coming through. So Accident Man was something I

1:08:21.120 --> 1:08:23.519
<v Speaker 1>started to put more comedy into that Debt Collector we

1:08:23.920 --> 1:08:27.040
<v Speaker 1>rewrote and had a lot of import There's a lot

1:08:27.040 --> 1:08:29.960
<v Speaker 1>of comedic moments and that I tried something full on

1:08:30.160 --> 1:08:32.840
<v Speaker 1>max Cloud, which didn't necessarily work, but I was moving

1:08:32.880 --> 1:08:34.920
<v Speaker 1>more into the comedy. I'm a big fan. Was talking

1:08:34.960 --> 1:08:38.680
<v Speaker 1>about being a big fan of Mine's Python earlier. So

1:08:39.120 --> 1:08:40.920
<v Speaker 1>if I'm left to my own devices, that's something I

1:08:41.000 --> 1:08:43.960
<v Speaker 1>would lean into. And this. I don't remember having a

1:08:44.040 --> 1:08:47.120
<v Speaker 1>conversation with the director about comedy for john Wick, but

1:08:47.680 --> 1:08:49.040
<v Speaker 1>you know, I was in the suits and it kind

1:08:49.040 --> 1:08:51.200
<v Speaker 1>of lent itself to that, and I lent into it

1:08:51.320 --> 1:08:54.519
<v Speaker 1>and did works out a lot of action flicks, it

1:08:54.680 --> 1:08:58.240
<v Speaker 1>feels like putting villains in It's like putting a square

1:08:58.240 --> 1:09:00.160
<v Speaker 1>peg in a round hole and there's really no no

1:09:00.320 --> 1:09:02.880
<v Speaker 1>character development. What is it about the john Wick series

1:09:03.280 --> 1:09:07.040
<v Speaker 1>where the characters around John Wick and the villains and

1:09:07.120 --> 1:09:10.280
<v Speaker 1>everyone is just as interesting. What is it about the writing,

1:09:10.320 --> 1:09:12.840
<v Speaker 1>the directing, the action? There's got it. There's a secret

1:09:12.880 --> 1:09:15.080
<v Speaker 1>sauce in the john Wick franchise which has made it

1:09:15.280 --> 1:09:17.360
<v Speaker 1>so popular all these years. Can you can you talk

1:09:17.360 --> 1:09:19.800
<v Speaker 1>a little bit about the character development and why they're

1:09:19.800 --> 1:09:21.519
<v Speaker 1>so likable and you want to see them in their

1:09:21.560 --> 1:09:24.160
<v Speaker 1>own spin offs? Yeah? Well, I think that the unit

1:09:24.200 --> 1:09:28.280
<v Speaker 1>of the john Wick world is quite enigmatic. Kids he's

1:09:28.320 --> 1:09:32.400
<v Speaker 1>not over explained. You have to try and figure some

1:09:32.520 --> 1:09:36.839
<v Speaker 1>things out for yourself. Every character is kind of shady,

1:09:36.920 --> 1:09:39.400
<v Speaker 1>even John Wick, you know. I mean, he's the world's

1:09:39.479 --> 1:09:44.000
<v Speaker 1>greatest assassin. He's killed hundreds and hundreds of people, but

1:09:44.160 --> 1:09:47.439
<v Speaker 1>people love him. People love him because he's played by

1:09:47.720 --> 1:09:53.920
<v Speaker 1>Keanu Reeves. So Chad the director, he just believes that

1:09:55.080 --> 1:09:57.320
<v Speaker 1>it's it's not the action you've fallen in love with. Yes,

1:09:57.400 --> 1:09:59.800
<v Speaker 1>the action is amazing, but you're falling in love with

1:09:59.840 --> 1:10:03.240
<v Speaker 1>the characters. And if you don't like John Wick, or

1:10:03.320 --> 1:10:05.719
<v Speaker 1>even if you don't like the bad guys, the characters

1:10:05.800 --> 1:10:07.960
<v Speaker 1>that you're spending time with, you're not going to enjoy

1:10:08.000 --> 1:10:10.800
<v Speaker 1>the process as much. So I have to agree with

1:10:11.040 --> 1:10:14.040
<v Speaker 1>both of you, because when you watch the movies, the

1:10:14.200 --> 1:10:17.040
<v Speaker 1>bad guys are so good, you're hoping they don't die

1:10:17.160 --> 1:10:20.519
<v Speaker 1>at the end, but you are, Yeah, you want them

1:10:20.560 --> 1:10:23.200
<v Speaker 1>to get it, but you enjoy the process of them

1:10:23.280 --> 1:10:26.080
<v Speaker 1>get in it. Now, the reviews of this movie have

1:10:26.200 --> 1:10:28.680
<v Speaker 1>been off the charts. You are not doing press with

1:10:28.800 --> 1:10:31.599
<v Speaker 1>us today because you've got a stinker film you're trying

1:10:31.640 --> 1:10:36.320
<v Speaker 1>to promote and help out Rotten Tomatoes. People are calling

1:10:36.400 --> 1:10:40.240
<v Speaker 1>this by far the best John Wick film, which is

1:10:40.240 --> 1:10:43.880
<v Speaker 1>an incredible statement. One of the best action movies in years,

1:10:44.200 --> 1:10:47.760
<v Speaker 1>most violent and action packed john Wick film yet. So

1:10:48.160 --> 1:10:50.360
<v Speaker 1>you have to feel pretty confident going into the weekend

1:10:50.400 --> 1:10:53.800
<v Speaker 1>knowing you're already going to be number one. Absolutely, let's hope.

1:10:53.800 --> 1:10:57.599
<v Speaker 1>So Thinker's crossed. You were in Doctor Strange, so it's

1:10:57.800 --> 1:11:00.320
<v Speaker 1>this may not be your biggest film, but it'll be

1:11:00.800 --> 1:11:03.840
<v Speaker 1>one of the two biggest. Would that be fair to say? Yeah,

1:11:03.960 --> 1:11:05.760
<v Speaker 1>it's that they're saying it's going to be big, and

1:11:06.080 --> 1:11:08.439
<v Speaker 1>it should be big. It's I'm a big fan of

1:11:08.560 --> 1:11:10.920
<v Speaker 1>all the John Wicks, but this one in particular is

1:11:11.400 --> 1:11:14.160
<v Speaker 1>mind blowing. You're going to see stuff though. He's just

1:11:14.320 --> 1:11:16.760
<v Speaker 1>gonna you've never seen you before, and the director things

1:11:16.760 --> 1:11:18.680
<v Speaker 1>outside the box. I mean, think about the dogs doing

1:11:19.120 --> 1:11:22.200
<v Speaker 1>jiu jitsu and you come up with that stuff. There's

1:11:22.200 --> 1:11:24.160
<v Speaker 1>a car sequence in this that will blow your mind.

1:11:24.400 --> 1:11:28.640
<v Speaker 1>There's a sequence with a shotgun with dragon's breath ammunition

1:11:29.160 --> 1:11:32.479
<v Speaker 1>that will you've ever seen before. Wow. And you got

1:11:32.520 --> 1:11:36.680
<v Speaker 1>the nun Chucks, you got the samurai, the yeah my

1:11:36.920 --> 1:11:39.840
<v Speaker 1>sequence in the German Club. It's amazing. There's all sorts

1:11:39.920 --> 1:11:43.080
<v Speaker 1>going on, so much action. Fourth times a charm. Congratulations,

1:11:43.120 --> 1:11:45.760
<v Speaker 1>I'm finally getting into this and I can't wait to

1:11:45.800 --> 1:11:48.320
<v Speaker 1>see you this weekend. Of course, he plays killer in

1:11:48.439 --> 1:11:50.240
<v Speaker 1>John Wick for Scott Atkins. Thank you for being on

1:11:50.240 --> 1:11:52.200
<v Speaker 1>the Brook and Boys podcast with us today. It was

1:11:52.200 --> 1:11:54.320
<v Speaker 1>a pleasure, guys. Thanks a lot. And just like that,

1:11:54.880 --> 1:11:58.120
<v Speaker 1>Brody has his microphone back because the magic of editing. Yeah,

1:11:58.200 --> 1:12:01.080
<v Speaker 1>here we go. Okay, so I'm sorry about that. I

1:12:01.200 --> 1:12:03.880
<v Speaker 1>hope you still enjoyed the interview. Um see john Wick

1:12:03.960 --> 1:12:06.040
<v Speaker 1>four if you're a fan. Now, look, this is not

1:12:06.200 --> 1:12:08.280
<v Speaker 1>one of those movies where you can go, Do I

1:12:08.360 --> 1:12:11.160
<v Speaker 1>have to see the first three john Wick? Yes, yes

1:12:11.240 --> 1:12:15.439
<v Speaker 1>you do, because it's a continuous story and a world

1:12:15.960 --> 1:12:19.920
<v Speaker 1>that they've created with Assassin rules and this. You have

1:12:20.000 --> 1:12:21.800
<v Speaker 1>to see all four of them. But it's worth it.

1:12:22.280 --> 1:12:24.720
<v Speaker 1>Go see all four of them. Go stream the first three.

1:12:25.240 --> 1:12:27.960
<v Speaker 1>But the reviews of this movie are off the charts.

1:12:28.040 --> 1:12:30.000
<v Speaker 1>I can't wait. Now. We didn't get paid to say that.

1:12:30.720 --> 1:12:34.080
<v Speaker 1>Not Noid would have been great. Yeah, but no, all right,

1:12:34.720 --> 1:12:37.439
<v Speaker 1>that's it. Well I got for you, all right, More

1:12:37.520 --> 1:12:42.960
<v Speaker 1>Cruise stories next week, yes, and How a Guy Fish

1:12:43.000 --> 1:12:51.440
<v Speaker 1>Out of Water? Boys, Boys,