1 00:00:00,400 --> 00:00:05,080 Speaker 1: Fly from the Mercedes Benz Interview Lounge every second morning 2 00:00:05,160 --> 00:00:11,559 Speaker 1: to Shaggy. We got music, we got con We gotta 3 00:00:11,800 --> 00:00:13,760 Speaker 1: have a list of stuff we gotta talk about, Shaggy, 4 00:00:13,840 --> 00:00:14,840 Speaker 1: I can't wait to get started. 5 00:00:14,840 --> 00:00:16,640 Speaker 2: How are you doing? How you feeling? Where are you today? 6 00:00:17,160 --> 00:00:20,800 Speaker 3: I'm in I'm in Miami. Oh nice, snow there. I'm 7 00:00:20,840 --> 00:00:22,040 Speaker 3: not doing snow there. 8 00:00:22,360 --> 00:00:24,079 Speaker 4: But I will be doings know in a couple of days, 9 00:00:24,120 --> 00:00:27,520 Speaker 4: as you know. But it's nice and warm. 10 00:00:27,520 --> 00:00:27,760 Speaker 3: I here. 11 00:00:28,400 --> 00:00:29,200 Speaker 4: She should come out here. 12 00:00:29,520 --> 00:00:31,280 Speaker 1: We were just there. We were actually we were in Orlando. 13 00:00:31,320 --> 00:00:33,640 Speaker 1: We were across the st Yeah, right in the rids. 14 00:00:33,840 --> 00:00:36,320 Speaker 1: It was awesome, Shaggy. Okay, let's go ahead. Let's go 15 00:00:36,320 --> 00:00:38,519 Speaker 1: aha and talk about where you're gonna be ahead. I'll 16 00:00:38,560 --> 00:00:41,680 Speaker 1: say we were saying earlier, Shaggy. When Valentine's Weekend rolls in, 17 00:00:41,760 --> 00:00:44,280 Speaker 1: don't do the boring old crap you always do. Do 18 00:00:44,360 --> 00:00:47,960 Speaker 1: something different. You are gonna make it. This is gonna 19 00:00:47,960 --> 00:00:49,560 Speaker 1: be the perfect Valentine's date. 20 00:00:50,240 --> 00:00:50,479 Speaker 4: Love it. 21 00:00:50,520 --> 00:00:51,320 Speaker 2: Tell them all about it. 22 00:00:51,800 --> 00:00:55,280 Speaker 3: I missed the love of you, miss Arena. Definitely this 23 00:00:55,440 --> 00:00:59,240 Speaker 3: Friday on Valentine's Day, you bring your significant other. Yeah, 24 00:00:59,320 --> 00:01:03,360 Speaker 3: flows the real Yeah, trust me, after the Shaggy Is 25 00:01:03,400 --> 00:01:05,400 Speaker 3: Sean Paul and Barrass Hammond. 26 00:01:05,800 --> 00:01:07,600 Speaker 4: You ain't gonna be sleeping on the couch. 27 00:01:07,400 --> 00:01:12,720 Speaker 1: Brow, So you're gonna save relationships with this, Contrudes. 28 00:01:12,760 --> 00:01:16,080 Speaker 3: If you're in your doghouse mode, you make sure that 29 00:01:16,200 --> 00:01:22,240 Speaker 3: you come to the ubs arena Shaggy Sean Paul, Baris Hammond. 30 00:01:22,480 --> 00:01:27,240 Speaker 4: Yeah, Roses, flowers, chocolates, champagne. 31 00:01:29,520 --> 00:01:31,880 Speaker 2: A mountain of reggae. It's gonna be an unbelievable night 32 00:01:31,920 --> 00:01:32,360 Speaker 2: Friday night. 33 00:01:32,360 --> 00:01:35,600 Speaker 3: Absolutely, there's you know, there's no better love music than reggae. 34 00:01:35,840 --> 00:01:39,280 Speaker 4: You know what I'm saying. I'm telling you because it's 35 00:01:39,280 --> 00:01:40,240 Speaker 4: a thing called love is rock. 36 00:01:40,280 --> 00:01:41,640 Speaker 3: If you ever heard about it, I'm sure you know 37 00:01:41,680 --> 00:01:43,680 Speaker 3: your music had so you know love is rock and 38 00:01:43,720 --> 00:01:46,840 Speaker 3: it's it's if you think about it, reggae music is 39 00:01:46,880 --> 00:01:49,320 Speaker 3: the music that you make more babies to than any 40 00:01:49,320 --> 00:01:49,920 Speaker 3: other genre. 41 00:01:51,280 --> 00:01:51,880 Speaker 4: Think about it. 42 00:01:52,360 --> 00:01:56,720 Speaker 3: Most Jamaicans, you know, have at least five to ten 43 00:01:56,720 --> 00:02:00,880 Speaker 3: baby moms. Okay, okay, like you really, if you really, 44 00:02:00,920 --> 00:02:02,680 Speaker 3: if you're really panning out, there's like five to ten 45 00:02:02,720 --> 00:02:06,160 Speaker 3: baby mamas that didn't happen on No Lionel Richie Bro 46 00:02:07,640 --> 00:02:08,400 Speaker 3: that happened on. 47 00:02:08,919 --> 00:02:12,320 Speaker 4: Turn your lights down. Yeah. 48 00:02:14,360 --> 00:02:18,480 Speaker 1: Oh my god, Bes is smelting in her chair over there. 49 00:02:19,760 --> 00:02:21,160 Speaker 2: I think she's pregnant. 50 00:02:22,880 --> 00:02:26,240 Speaker 3: Is the King of Lovers rock Yeah, Bariss Hammond is. 51 00:02:26,360 --> 00:02:29,799 Speaker 3: His voice is like an instrument, and he's an amazing 52 00:02:29,880 --> 00:02:32,400 Speaker 3: human being, and he's kind of the godfather. So when 53 00:02:32,440 --> 00:02:35,519 Speaker 3: he called me and Sean Paul and say hey, we're 54 00:02:35,560 --> 00:02:39,080 Speaker 3: going to take on Valentine's Day, Sean and I just 55 00:02:39,080 --> 00:02:39,920 Speaker 3: said yes, sir. 56 00:02:40,720 --> 00:02:41,320 Speaker 4: So rockaway. 57 00:02:41,400 --> 00:02:44,840 Speaker 1: Valentine's in New York at Ubs Arena Friday Night with 58 00:02:44,919 --> 00:02:46,960 Speaker 1: Bess Hammer and Sean Paul and Shaggy. 59 00:02:47,040 --> 00:02:50,079 Speaker 2: All right, yeah, I'm early. 60 00:02:50,160 --> 00:02:51,600 Speaker 4: Gates open and eight. Make sure you're there eight. 61 00:02:51,680 --> 00:02:54,119 Speaker 3: Make sure the different something you could go home and 62 00:02:54,919 --> 00:02:56,720 Speaker 3: after work and then shot and get yourself, you know, 63 00:02:56,800 --> 00:02:58,639 Speaker 3: make sure you buy your flowers and roses, you chocolate, 64 00:02:58,680 --> 00:02:59,280 Speaker 3: bring your lady. 65 00:02:59,480 --> 00:03:02,080 Speaker 4: You know what I'm saying. If it's not it really 66 00:03:02,120 --> 00:03:03,000 Speaker 4: isn't a side piece. 67 00:03:02,880 --> 00:03:09,440 Speaker 2: Night, that's the knight? What would I wouldn't know? 68 00:03:09,560 --> 00:03:12,600 Speaker 4: I would not know about that, darn How would you? 69 00:03:14,800 --> 00:03:17,079 Speaker 4: How would you know that that's not the night? 70 00:03:17,600 --> 00:03:20,760 Speaker 2: You won't answer the question, Guardian, this is not a 71 00:03:20,800 --> 00:03:22,760 Speaker 2: side piece night. I just wanted to know would be 72 00:03:22,800 --> 00:03:23,280 Speaker 2: a side piece. 73 00:03:23,880 --> 00:03:26,400 Speaker 4: When are you taking them out? I don't know, I don't. 74 00:03:26,280 --> 00:03:29,080 Speaker 2: Know this would be side piece music. 75 00:03:29,760 --> 00:03:33,840 Speaker 1: It wasn't me anything ratchet anything, ratchet exactly anything. 76 00:03:34,320 --> 00:03:35,040 Speaker 3: It wasn't me and. 77 00:03:34,960 --> 00:03:37,400 Speaker 2: Then say I don't know anything about side peace it. 78 00:03:37,280 --> 00:03:39,080 Speaker 3: Was it wasn't me, as not it wasn't me as 79 00:03:39,200 --> 00:03:43,080 Speaker 3: not a ratchet record. I will defend that it wasn't me. 80 00:03:43,240 --> 00:03:44,040 Speaker 2: It is a song. 81 00:03:44,480 --> 00:03:48,520 Speaker 4: It wasn't me. It's a song about not cheating. Did 82 00:03:48,560 --> 00:03:49,640 Speaker 4: you get to the end of the. 83 00:03:49,600 --> 00:03:53,000 Speaker 3: Song where it says I'm gonna tell her that I'm 84 00:03:53,080 --> 00:03:55,320 Speaker 3: sorry for the pain that I've caused. 85 00:03:55,480 --> 00:03:58,680 Speaker 4: You think you're a player, but you're completely lost. Simply mean, 86 00:03:58,840 --> 00:04:00,680 Speaker 4: we're not condoning cheating here. 87 00:04:01,080 --> 00:04:08,000 Speaker 2: Hello, Yes, okay, the fourteenth of February Friday, bring your wife. 88 00:04:08,760 --> 00:04:13,040 Speaker 4: It's wife night. It is least side peace night. Elvis 89 00:04:13,680 --> 00:04:15,400 Speaker 4: me up here. No, you got it. 90 00:04:15,440 --> 00:04:17,440 Speaker 2: I'm not going to say anything out of what you 91 00:04:17,520 --> 00:04:17,880 Speaker 2: just said. 92 00:04:19,279 --> 00:04:21,320 Speaker 1: Now we understand the song. We you know, we always 93 00:04:21,360 --> 00:04:23,520 Speaker 1: thought it wasn't mean. It was a song about side piecing. 94 00:04:24,440 --> 00:04:25,240 Speaker 4: Not everybody. 95 00:04:25,800 --> 00:04:27,560 Speaker 1: Hey, but wait, there's gonna be We're all gonna be 96 00:04:27,560 --> 00:04:31,320 Speaker 1: together at Atlantis for Lante for the one yes, that's 97 00:04:31,320 --> 00:04:33,760 Speaker 1: on the fifteenth is yes, fifty. We're gonna be there 98 00:04:33,760 --> 00:04:36,080 Speaker 1: with you, are you? You're gonna be a jerk jam 99 00:04:36,120 --> 00:04:36,880 Speaker 1: We're gonna be a jerk. 100 00:04:37,279 --> 00:04:39,560 Speaker 4: Yes, jerk. Oh man, everything jerk is good. 101 00:04:41,839 --> 00:04:43,640 Speaker 3: You know you come to the Bahamas at Atlantis, there's 102 00:04:43,640 --> 00:04:47,200 Speaker 3: a lot of jerk going on down there. Yeah, yeah, 103 00:04:47,320 --> 00:04:50,480 Speaker 3: jerk jam uh yeah, you know it's it's it's Caribbean 104 00:04:50,560 --> 00:04:53,839 Speaker 3: vibe and Caribbean food, and it's beach, it's sun it's sunshine. 105 00:04:53,880 --> 00:04:58,839 Speaker 4: It's a great hotel. Atlantis is shaggy love of love. 106 00:04:59,160 --> 00:05:02,280 Speaker 4: Yeah up, you know it's gonna be fantastic. Yes, I'm there. 107 00:05:02,800 --> 00:05:04,920 Speaker 4: By the way, you come into my symphonic show, you. 108 00:05:04,960 --> 00:05:07,560 Speaker 2: Okay what's going on? Because you're actually performing with like 109 00:05:07,600 --> 00:05:09,279 Speaker 2: a full orchestra, right, I mean. 110 00:05:09,320 --> 00:05:11,920 Speaker 3: An orchestra, But it's kind of like an anthology of 111 00:05:12,640 --> 00:05:14,480 Speaker 3: reg you know. I went to see it with Sting 112 00:05:14,520 --> 00:05:17,080 Speaker 3: when Sting did it, and I was just so moved, 113 00:05:17,200 --> 00:05:19,120 Speaker 3: and I walked in his room and I was like, 114 00:05:19,200 --> 00:05:22,800 Speaker 3: I'm jealous. I gotta do this, you know, And then 115 00:05:23,279 --> 00:05:25,400 Speaker 3: they say, yeah, you could definitely do this, And I 116 00:05:25,680 --> 00:05:28,560 Speaker 3: have my music sheet and. 117 00:05:27,839 --> 00:05:29,880 Speaker 1: What's it like to stand on a stage and sing 118 00:05:29,920 --> 00:05:34,080 Speaker 1: with an orchestra. That's got to be such a blasting. 119 00:05:34,200 --> 00:05:36,440 Speaker 3: It's just a different spin on these records that you're 120 00:05:36,480 --> 00:05:40,120 Speaker 3: that's so iconic that you've been raised with. And you 121 00:05:40,160 --> 00:05:41,680 Speaker 3: know we're gonna have a Drummond bas there, of course, 122 00:05:41,680 --> 00:05:42,720 Speaker 3: but the string section. 123 00:05:42,600 --> 00:05:45,120 Speaker 4: Is all all all there, and that's it. Was it 124 00:05:45,240 --> 00:05:46,040 Speaker 4: the twenty fifth? I think? 125 00:05:46,080 --> 00:05:50,440 Speaker 3: Yeah, at Hinz Hall, you do it a lot. 126 00:05:50,720 --> 00:05:51,559 Speaker 4: Busy. I'm busy. 127 00:05:51,680 --> 00:05:52,200 Speaker 2: I'm Jamaican. 128 00:05:52,200 --> 00:05:58,559 Speaker 4: I got five million jobs. Come on, you gotta work. 129 00:05:59,120 --> 00:05:59,800 Speaker 4: Is that got you? 130 00:06:02,600 --> 00:06:04,440 Speaker 1: Is it funny being shaggy right now? Are you having 131 00:06:04,440 --> 00:06:06,960 Speaker 1: a blast still? Because you always seemed like the guy 132 00:06:07,000 --> 00:06:09,000 Speaker 1: who was always having the most fun. Is it still 133 00:06:09,080 --> 00:06:09,760 Speaker 1: hitting that way? 134 00:06:10,279 --> 00:06:10,520 Speaker 3: You know? 135 00:06:10,680 --> 00:06:13,400 Speaker 4: You know what, Elvis? I live life with gratitude. 136 00:06:14,600 --> 00:06:17,160 Speaker 3: I'm from a small fishing village in Kingston and the 137 00:06:17,200 --> 00:06:21,719 Speaker 3: ghettos of Kingston, and I rose out of that and 138 00:06:21,880 --> 00:06:24,400 Speaker 3: I met some of my greatest hero I met the Pope. 139 00:06:24,440 --> 00:06:26,920 Speaker 3: I met Nelson Mandela and he knew my name. I 140 00:06:27,160 --> 00:06:28,400 Speaker 3: met the Queen, she knew my name. 141 00:06:28,440 --> 00:06:34,919 Speaker 4: I met Oh, let me tell you you know, she walked, 142 00:06:35,200 --> 00:06:35,560 Speaker 4: wasn't me? 143 00:06:38,040 --> 00:06:38,280 Speaker 2: I mean? 144 00:06:42,800 --> 00:06:44,640 Speaker 4: You know? I mean, I met some of some of 145 00:06:44,640 --> 00:06:46,839 Speaker 4: the greatest, some of my heroes, Michael Jack's everybody. I 146 00:06:46,880 --> 00:06:48,320 Speaker 4: met them and they knew who I was. 147 00:06:48,760 --> 00:06:50,720 Speaker 3: So to me, I live life with gratitude where I 148 00:06:50,800 --> 00:06:52,600 Speaker 3: go out there and sing these songs that I'm on tour, 149 00:06:53,160 --> 00:06:56,000 Speaker 3: and I look and I see three hundred people with 150 00:06:56,160 --> 00:07:00,360 Speaker 3: her truckers and and and lighting riggers and secure these 151 00:07:00,440 --> 00:07:05,320 Speaker 3: and and managers and staff, and that's three hundred electric bills, 152 00:07:05,360 --> 00:07:09,400 Speaker 3: cool fees, mortgages, you know, because I got to sing. 153 00:07:09,400 --> 00:07:12,240 Speaker 3: So we're all servants. What you're doing, Elvis is service. 154 00:07:12,400 --> 00:07:14,560 Speaker 3: Everybody here comes to a job because you came out 155 00:07:14,560 --> 00:07:17,240 Speaker 3: of service. And you got to realize that we need 156 00:07:17,280 --> 00:07:19,800 Speaker 3: to get off our eye horses and realize it's the service. 157 00:07:19,840 --> 00:07:22,080 Speaker 3: People like, oh, he's a genius. He wrote it wasn't me, 158 00:07:22,600 --> 00:07:26,000 Speaker 3: wrote Boombastic. I'm like, bro, I might have physically rolled that, 159 00:07:26,120 --> 00:07:26,880 Speaker 3: but I didn't write that. 160 00:07:27,080 --> 00:07:27,920 Speaker 4: That's magic. You know. 161 00:07:27,960 --> 00:07:29,520 Speaker 3: If I could write it wasn't me, I'd be writing 162 00:07:29,560 --> 00:07:34,520 Speaker 3: one every week. I'd be so loaded. So we have 163 00:07:34,600 --> 00:07:38,840 Speaker 3: to realize that we're we're really just servants. And my 164 00:07:39,520 --> 00:07:42,160 Speaker 3: job on here is to change people's lives. And everyone 165 00:07:42,200 --> 00:07:45,160 Speaker 3: that I've touched, I've or been in my and wh 166 00:07:45,320 --> 00:07:48,600 Speaker 3: me throughout any part of the journey has gotten better 167 00:07:48,720 --> 00:07:51,200 Speaker 3: than when they came. And when it's when your your 168 00:07:51,200 --> 00:07:53,280 Speaker 3: service is up and your services go, you're done and 169 00:07:53,280 --> 00:07:53,640 Speaker 3: that's it. 170 00:07:53,720 --> 00:07:56,000 Speaker 2: You know, we all you been doing. 171 00:07:55,880 --> 00:07:57,720 Speaker 4: This for a while and you've worked with so many 172 00:07:57,760 --> 00:07:59,000 Speaker 4: people and you've done so many things. 173 00:07:59,040 --> 00:08:01,000 Speaker 2: So is there someone you still want to work with 174 00:08:01,120 --> 00:08:03,200 Speaker 2: or something you still want to do that you haven't done? 175 00:08:03,640 --> 00:08:05,480 Speaker 3: You know, I never looked at it as who I 176 00:08:05,520 --> 00:08:08,400 Speaker 3: want to work with. Yeah, everything goes off of a 177 00:08:08,480 --> 00:08:11,640 Speaker 3: synergy and and how it can connect with my audience 178 00:08:11,960 --> 00:08:13,640 Speaker 3: and how first of all, how it connected with me 179 00:08:13,680 --> 00:08:15,520 Speaker 3: because I kind of do it selfishly. It's got to 180 00:08:15,560 --> 00:08:19,720 Speaker 3: move me first. But I love Billy Eilish. I think 181 00:08:19,720 --> 00:08:22,560 Speaker 3: she's one of the greatest that ever did it. I 182 00:08:22,640 --> 00:08:25,360 Speaker 3: like a lot of new new artists. I like Sabrina Carpenter, 183 00:08:25,480 --> 00:08:28,040 Speaker 3: like chop Roll, I like I like, hey, uh, jelly 184 00:08:28,120 --> 00:08:30,480 Speaker 3: Roll is fantastic too. There's you know, there's a lot 185 00:08:30,520 --> 00:08:31,960 Speaker 3: of people that are there that I think are just 186 00:08:32,160 --> 00:08:35,800 Speaker 3: fantastic artists. And so it all depends on the vibe. 187 00:08:35,880 --> 00:08:38,480 Speaker 3: Uh you know Shaboozi, Oh that's my guy too. 188 00:08:38,520 --> 00:08:39,920 Speaker 4: You know what I mean. So there's a lot of 189 00:08:39,960 --> 00:08:42,240 Speaker 4: things that's going there that I really really like. 190 00:08:42,320 --> 00:08:44,240 Speaker 2: Make it happen, make it happy. Yeah, I'm gonna give 191 00:08:44,240 --> 00:08:45,880 Speaker 2: you one. I'm gonna give you the one, the ultimate. 192 00:08:45,960 --> 00:08:53,520 Speaker 1: Okay, tell me shaggy and share. 193 00:08:53,640 --> 00:08:54,040 Speaker 3: Collab. 194 00:08:54,520 --> 00:08:56,360 Speaker 2: Oh, come on this my girl. 195 00:08:56,440 --> 00:09:00,000 Speaker 4: Oh you know it's hey, you know my ultimate favorite. 196 00:09:00,080 --> 00:09:02,959 Speaker 4: You know, we got a new stage. 197 00:09:03,360 --> 00:09:05,560 Speaker 1: Well that was amazing when when you when the two 198 00:09:05,640 --> 00:09:07,760 Speaker 1: of you first started hanging out in the same lane 199 00:09:07,800 --> 00:09:11,199 Speaker 1: with each other. We loved that. Remember you actually brought 200 00:09:11,240 --> 00:09:13,120 Speaker 1: Stein to our Memorial Day weekend. 201 00:09:14,040 --> 00:09:17,080 Speaker 3: Y And and to think about that, people look at 202 00:09:17,120 --> 00:09:18,520 Speaker 3: them looking in the paper, and it's like. 203 00:09:18,520 --> 00:09:19,839 Speaker 4: How does this even make sense? 204 00:09:20,160 --> 00:09:22,360 Speaker 2: It makes all the sense in the World's my point. 205 00:09:22,400 --> 00:09:23,000 Speaker 4: When you hear it. 206 00:09:23,000 --> 00:09:24,920 Speaker 3: When you hear it, it makes sense, you're like, oh my god, 207 00:09:25,000 --> 00:09:27,599 Speaker 3: this is great, you know, and think this thing is 208 00:09:27,640 --> 00:09:30,960 Speaker 3: my you know, he's my best friend and I love that. 209 00:09:31,520 --> 00:09:33,040 Speaker 4: Uh, he's really up. 210 00:09:33,280 --> 00:09:35,520 Speaker 3: He's made me do things I never thought I could do, 211 00:09:35,840 --> 00:09:37,720 Speaker 3: Like I sang Sinatra and reggae. 212 00:09:37,800 --> 00:09:39,840 Speaker 2: Yeah, you sang it at our jumpstart to Something. 213 00:09:40,120 --> 00:09:42,520 Speaker 4: Yes, yes, exactly, Okay, that's why I got it. 214 00:09:43,080 --> 00:09:45,240 Speaker 3: Yeah, And he'll push me to do things, and then 215 00:09:45,240 --> 00:09:46,880 Speaker 3: I'll push him to do things like, you know, some 216 00:09:46,920 --> 00:09:49,120 Speaker 3: real deep reggae cut there or some dance all stuff. 217 00:09:49,160 --> 00:09:52,720 Speaker 3: And this next song we did was it's a celebration 218 00:09:52,840 --> 00:09:55,240 Speaker 3: of sound system because I know you're familiar with with 219 00:09:55,360 --> 00:10:00,199 Speaker 3: yellow Man, right absolutely, Yeah, So yellow Man really it's 220 00:10:00,240 --> 00:10:02,600 Speaker 3: like street music, street reggae music, sound sist in music, 221 00:10:03,559 --> 00:10:06,480 Speaker 3: and uh, this is kind of like a tribute to. 222 00:10:07,920 --> 00:10:09,880 Speaker 4: The essence of street music and sting. 223 00:10:09,760 --> 00:10:11,360 Speaker 3: And I just really kind of rocked the record on 224 00:10:11,440 --> 00:10:13,480 Speaker 3: there and on an old it's an old yellow Man 225 00:10:13,520 --> 00:10:17,240 Speaker 3: beat actually that we flipped I'm getting married and it 226 00:10:17,360 --> 00:10:20,120 Speaker 3: comes out in I think the end of February. 227 00:10:20,160 --> 00:10:20,839 Speaker 4: Here. 228 00:10:21,040 --> 00:10:21,920 Speaker 2: Yellow Man, he's been around. 229 00:10:22,200 --> 00:10:25,400 Speaker 4: The guy's in the seventies, he's been around and fit dude. 230 00:10:25,440 --> 00:10:28,680 Speaker 4: That dude can do a handstand. It's crazy. 231 00:10:29,040 --> 00:10:30,640 Speaker 1: I just got to say on behalf of everyone here 232 00:10:30,640 --> 00:10:32,719 Speaker 1: on the show, Shaggy. Every time we're in the room 233 00:10:32,760 --> 00:10:34,319 Speaker 1: with you or even in the zoom room with you, 234 00:10:34,320 --> 00:10:37,560 Speaker 1: you always bring such light and we love, love love 235 00:10:38,080 --> 00:10:38,559 Speaker 1: having you. 236 00:10:39,800 --> 00:10:41,800 Speaker 4: Yeah, and I'm in our house. I look for the time, 237 00:10:42,080 --> 00:10:42,240 Speaker 4: you know. 238 00:10:42,280 --> 00:10:43,800 Speaker 3: I was kind of I was kind of bummed that 239 00:10:43,880 --> 00:10:45,800 Speaker 3: wasn't in there last time, my gold that you feed me. 240 00:10:46,120 --> 00:10:49,680 Speaker 2: You know, like a couick and get so there you go. 241 00:10:50,400 --> 00:10:51,680 Speaker 4: Yeah forgot. 242 00:10:53,120 --> 00:10:56,600 Speaker 3: Y'all. Can y'all can walk out straight after that? 243 00:10:57,000 --> 00:10:58,160 Speaker 2: Hey, just so you know it wasn't me. 244 00:10:58,559 --> 00:11:00,680 Speaker 4: It wasn't me. Hey. 245 00:11:00,880 --> 00:11:03,920 Speaker 1: I don't even think, uh til Monon is not even 246 00:11:03,920 --> 00:11:05,240 Speaker 1: out yet, but I have it. 247 00:11:06,200 --> 00:11:09,040 Speaker 3: So there's something by somebody working up here. 248 00:11:09,080 --> 00:11:09,480 Speaker 4: I like that. 249 00:11:10,360 --> 00:11:12,120 Speaker 1: No, No, if we play the whole thing, I think 250 00:11:12,160 --> 00:11:14,280 Speaker 1: they take us to challenges we get. I can play. 251 00:11:15,400 --> 00:11:18,040 Speaker 1: I was to play some of it, but I play 252 00:11:18,240 --> 00:11:20,360 Speaker 1: right up to the point where they'll they'll come over here. 253 00:11:20,200 --> 00:11:20,800 Speaker 2: And kill me. 254 00:11:20,880 --> 00:11:22,280 Speaker 4: So listen, let's go. 255 00:11:22,640 --> 00:11:24,400 Speaker 2: This is a piece of Tilmonic Shaggy. 256 00:11:24,440 --> 00:11:27,760 Speaker 4: Listen to that shaggy stick. Yeah, Shaggy got lewis the 257 00:11:27,800 --> 00:11:28,600 Speaker 4: spin on this? 258 00:11:38,040 --> 00:11:47,960 Speaker 3: Hold on, hold on song string dot tell ya, Wendy 259 00:11:50,720 --> 00:12:00,760 Speaker 3: my son here coming coup. 260 00:12:00,559 --> 00:12:01,000 Speaker 4: To back up? 261 00:12:03,480 --> 00:12:04,920 Speaker 2: Don't know sing, don't come to sing? 262 00:12:04,960 --> 00:12:05,600 Speaker 3: No February. 263 00:12:06,880 --> 00:12:09,400 Speaker 2: So where's the officially out? Officially? When should we play? 264 00:12:09,400 --> 00:12:09,839 Speaker 2: The whole time? 265 00:12:11,040 --> 00:12:12,760 Speaker 4: Everybody's like, yo, who got to wed? 266 00:12:15,840 --> 00:12:16,800 Speaker 2: When's it officially out? 267 00:12:16,800 --> 00:12:17,120 Speaker 4: Shagging? 268 00:12:17,480 --> 00:12:20,960 Speaker 3: I think it is February. The end of February, Okay, 269 00:12:21,080 --> 00:12:23,000 Speaker 3: what work is when it comes out? I forgot what date? 270 00:12:23,080 --> 00:12:23,800 Speaker 3: What data is? 271 00:12:24,480 --> 00:12:28,240 Speaker 4: Oh, February twenty ninth. Actually I got it right here, 272 00:12:28,559 --> 00:12:28,880 Speaker 4: and I. 273 00:12:28,880 --> 00:12:31,720 Speaker 2: Just can't read the twenty nine days in February this year. 274 00:12:31,800 --> 00:12:33,400 Speaker 4: Yeah, favorite, February twenty nine. 275 00:12:33,559 --> 00:12:36,280 Speaker 2: Yeah, there's no fear twenty nine, twenty Well, what. 276 00:12:36,320 --> 00:12:40,920 Speaker 4: Do I see? Twenty eight? My glasses are pretty okay. 277 00:12:41,000 --> 00:12:44,800 Speaker 1: You can be on February thirty first, February thirty first, thirty. 278 00:12:44,600 --> 00:12:48,920 Speaker 3: Twenty eight, twenty last last day, you know, I mean, yes, closed, 279 00:12:49,640 --> 00:12:51,640 Speaker 3: it's it's that thing you gave me to smoke Elvis. 280 00:12:52,240 --> 00:12:54,800 Speaker 4: I didn't. I didn't do it. 281 00:12:55,040 --> 00:12:56,120 Speaker 2: Can I tell my favorite story? 282 00:12:56,120 --> 00:12:56,440 Speaker 4: It wasn't? 283 00:12:56,440 --> 00:12:56,600 Speaker 3: Mean? 284 00:12:56,960 --> 00:12:58,160 Speaker 4: That is? That? 285 00:12:58,360 --> 00:12:58,440 Speaker 3: Is? 286 00:12:58,440 --> 00:12:59,959 Speaker 4: That? Is that? What you say? Hell? 287 00:13:00,320 --> 00:13:02,160 Speaker 1: During pandemic, I was stuck in my living room and 288 00:13:02,160 --> 00:13:05,040 Speaker 1: I said a FaceTime call into Shaggy. 289 00:13:05,080 --> 00:13:07,079 Speaker 2: He's in the backyard Rell, these dudes. I can't see 290 00:13:07,160 --> 00:13:07,719 Speaker 2: him because the. 291 00:13:07,640 --> 00:13:08,240 Speaker 4: Smoke is. 292 00:13:09,960 --> 00:13:10,200 Speaker 3: Sure. 293 00:13:10,240 --> 00:13:13,079 Speaker 2: Shaggy mind everyone that this Friday night. 294 00:13:13,280 --> 00:13:16,520 Speaker 1: It's uh, it's of course Hammond Trumpaul and Shaggy Alli gether. 295 00:13:16,600 --> 00:13:18,480 Speaker 4: That's right, U be a serena. Make sure you're there. 296 00:13:18,520 --> 00:13:19,599 Speaker 4: Come early, everybody. 297 00:13:19,840 --> 00:13:23,480 Speaker 3: Ladies, dress nice as you always do fellas, be on 298 00:13:23,520 --> 00:13:24,360 Speaker 3: your best behavior. 299 00:13:24,520 --> 00:13:28,160 Speaker 4: Flowers, roses, champagne and chocolate. You know how it goes. 300 00:13:28,360 --> 00:13:32,520 Speaker 2: Yeah yeah, Ubs, Thank you, Shaggy. We love you, Shaggy. 301 00:13:32,559 --> 00:13:33,960 Speaker 2: Saggy all right,