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Speaker 1: All right, the Bobby Bones post show pre show. The

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Speaker 1: American Idol twenty twenty one premiere date has been set

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Speaker 1: February fourteenth next year. Yes, so pretty excited about that.

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Speaker 1: I haven't started on that show yet. They've started a bit,

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Speaker 1: but I haven't been able to go over yet. I

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Speaker 1: go next month and start. So I started about Hollywood

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Speaker 1: a week fun and I'm just grateful that they let

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Speaker 1: me do my other show and then jump in a

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Speaker 1: third of the way through. So but yeah, I just

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Speaker 1: want to say that February fourteenth, and it will be

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Speaker 1: in person. We're doing the show in person. It's just

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Speaker 1: everybody's gonna be tested and you know, some strict guidelines.

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Speaker 1: It's not going to be the at home version unless

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Speaker 1: for some reason things get extra nutty again. But I

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Speaker 1: think even if they do get bad, we're a little

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Speaker 1: more prepared on what to do if they do get bad,

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Speaker 1: to create a couple more steps before you can get

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Speaker 1: into the show, that kind of thing. Yeah, because we're

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Speaker 1: getting everybody tested that comes in here. Now, Yeah, you

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Speaker 1: can't come in the studio unless you're tested, you know,

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Speaker 1: within the last couple of days. As soon as COVID's over,

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Speaker 1: what do you want to do meaning first thing? Yeah,

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Speaker 1: I mean some people aren't aren't as serious about it,

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Speaker 1: and some people are. Depending on where you live. Listen,

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Speaker 1: if you're in a very rural part of a state

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Speaker 1: and there's not COVID, really I get it. If you're

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Speaker 1: in a place where there are a lot of people

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Speaker 1: on top of each other, or like we're in a

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Speaker 1: city where there's folks a lot of places, there's more

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Speaker 1: costs for concern because a lot of the hospitals are

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Speaker 1: filling up. Yeah, but I say, once it's over, like,

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Speaker 1: once you're able to do things, what's the first place

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Speaker 1: you want to go to or visit or what is it.

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Speaker 1: You're gonna laugh at me, but I want to say

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Speaker 1: the beach I want to go back to. I know,

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Speaker 1: I know, but you got COVID guys say that. I

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Speaker 1: don't know that for sure, but that would be the

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Speaker 1: first thing I'd like to do. Once you say everyone

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Speaker 1: says it's safe, I want to go and be able

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Speaker 1: to go to theaters and tour and meet our listeners again.

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Speaker 1: You know, you're talking about keeping my feet grounded. Because

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Speaker 1: most people that do a radio show, you sit in

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Speaker 1: a studio, you go home, you may run to a

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Speaker 1: couple of people, but that's it. But me, I was

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Speaker 1: lucky enough to go and play these humongous theaters. Thousands

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Speaker 1: people come up to watch me tell stories and tell

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Speaker 1: jokes and music. And the greatest part was before the shows,

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Speaker 1: I and then Eddie and I we would get to

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Speaker 1: go out and meet and hang out. And after the

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Speaker 1: shows we would get to meet and hang out. And

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Speaker 1: when you get to see people's faces, it a bit

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Speaker 1: inspires you to do a better job and know who

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Speaker 1: you're talking to. Yeah, so for me that's exciting. And

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Speaker 1: also Caitlin, I haven't really been on any trips ever.

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Speaker 1: We go, we travel for work. But now she's part

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Speaker 1: of the crew. She's working. She's working two jobs, putting

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Speaker 1: makeup on your face. I used to think that I

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Speaker 1: worked a lot. She she works from the minute I'll leave.

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Speaker 1: She was working at ten o'clock last night. We only

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Speaker 1: take a cup. We took a couple breakfast. We gotta

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Speaker 1: go get some food. But because her job is still

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Speaker 1: so in demand, it's she does software for commodities and

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Speaker 1: oil and gas. It has to teach people in different

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Speaker 1: countries how to use this software. I was gonna say

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Speaker 1: she's still in a different time zone. She's an all

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Speaker 1: time zone, so she's always on doing something and so

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Speaker 1: again I'm leaving doing podcasts or going to the opera.

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Speaker 1: But I kind of feel bad for he too, because

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Speaker 1: she works only from home, and so she's at home

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Speaker 1: all day working on computer and then she's at home

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Speaker 1: soon as it's over. So I'm like, hey, let's get

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Speaker 1: out of here, let's go. So last night we did.

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Speaker 1: I worked at the opery a little bit and then

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Speaker 1: we went and got sushi at Peter Sushi. Yes, one

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Speaker 1: of my favorites. And then she was like, I really

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Speaker 1: want a crown nut from Five Daughters Bakery. What is

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Speaker 1: that a croissant donut? Yeah? She was like, you'll love it.

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Speaker 1: We had so she called. It was like eight fifteen.

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Speaker 1: She calls him, goes you guys still open. It's like yeah,

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Speaker 1: he goes me. I forget what the name of it was.

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Speaker 1: She was like, do you have any DynaMicro nuts and

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Speaker 1: they were like, we have one left. She goes, hold

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Speaker 1: that for us. I'm on my way. So we drove

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Speaker 1: fifteen minutes across town and went to the and got

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Speaker 1: a crow nut. What do you get at Peters you

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Speaker 1: get sushi or do you get Thai food? I switched

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Speaker 1: it up a little bit. I don't get sushi, okay, No,

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Speaker 1: I get the the soup with the noodles in it.

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Speaker 1: I mean that sounds like a lot of not miso soup.

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Speaker 1: What's the soup at the yellie? What? Lli? What? All right?

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Speaker 1: It's just like fub i has a noodle and it

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Speaker 1: has the meat. Scopa was so cool? It's yellow? What?

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Speaker 1: Oh egg drop soup? No? Anyway, I get this sup

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Speaker 1: ka soup. No. This guy somebody like up to Peter's

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Speaker 1: menu and let bre their advatizers to me. Um. I

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Speaker 1: was just looking for just a regular chicken pat tie. Dude.

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Speaker 1: Well I got that and then I ended up getting

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Speaker 1: the cashew chicken. No onions. Oh that's good. I've had

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Speaker 1: that because I hate onions, but yo, I really need

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Speaker 1: to have Okay, here we go. It is hold on?

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Speaker 1: Is it the coconut milk one? It is wanton soup.

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Speaker 1: Oh okay, that's like the easiest thing. Then why didn't

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Speaker 1: you tell me it is? I didn't eat it because

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Speaker 1: I didn't understand sup. Wow? Yeah, and what did Scuba say? Oh? No?

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Speaker 1: What tom Kai soup? Or Vermicelli, Vermicelli. No one. It's

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Speaker 1: like a soup with like white little things in it,

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Speaker 1: little balls, right ex happening right now? Okay, anyways, I'm

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Speaker 1: gonna go out back. So anyway, we did that line.

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Speaker 1: Cool cool got she got her crown nuts. She got

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Speaker 1: her crown nut and you got your wan tongue. Now

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Speaker 1: I got my little white balls and yes, yeah, it's perfect.

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Speaker 1: Great night. Um. Speaking of which, Kaylenda put up a

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Speaker 1: new cooking video yesterday. Why did she cook? So they're

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Speaker 1: actually and she's so good at just been like, oh,

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Speaker 1: I don't want to make this, and I'm making it.

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Speaker 1: I'm like, do you really? And then she makes them.

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Speaker 1: They're fantastic, But she did. She said, you know when

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Speaker 1: you go to the mall and it smells like the

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Speaker 1: candy pecons they are in Christmas time? Oh yeah, I'm like, yeah,

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Speaker 1: so that's what she made, the candied pecons. Yeah, and

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Speaker 1: she makes them with the house all the time. Now

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Speaker 1: they're fantastic. So she did. She it was like holiday

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Speaker 1: candy pecons. But it's the beginning of the video because

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Speaker 1: the last time she had made engagement chicken, before she

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Speaker 1: was engaged, she did this. If you guys happened to

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Speaker 1: watch my first episode, I made my own variation on

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Speaker 1: engagement Chicken, and I need to give you an update.

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Speaker 1: It worked. I'm engaged. First time I ever fed it

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Speaker 1: to him a ring within an hour. It was crazy.

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Speaker 1: So make it for your boyfriends. Unless you don't want

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Speaker 1: to marry them, then just break up with them because

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Speaker 1: you're wasting your time. There you go, and so here

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Speaker 1: you go. This is her talking about the pocons. We're

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Speaker 1: making candy coocons. They taste like the holidays and smell

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Speaker 1: like your local mall walking getting your parents to their

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Speaker 1: Christmas gift, probably with their own money, so it doesn't

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Speaker 1: really make much sense anyway, but you're gonna love it.

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Speaker 1: And the whole thing is it's called Unfancy cooking because

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Speaker 1: it's all ingreed you probably have at the house anyway. Cool,

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Speaker 1: but they are a plus. You can check that out.

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Speaker 1: It's you can search unfancy cooking with Kaitlyn. You got

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Speaker 1: a Bobby Bones, I'll come and put that up there.

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Speaker 1: It's also on your Instagram. So yeah, that's that. I

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Speaker 1: have to go to this rehearsal and here's what happened.

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Speaker 1: Because I have to go walk through my CMA thing

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Speaker 1: that I'm doing tonight, and they're like, we're having a

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Speaker 1: dress rehearsal and I'm like, a dress rehearsal at eleven o'clock,

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Speaker 1: so you have to go dress like you're gonna be

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Speaker 1: I'm like, that can't be it. They're like, Noah says

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Speaker 1: dress rehearsal in the schedule. There are two controversies happening

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Speaker 1: right now. First, I'm not going dressed. If it's judge rehearsal,

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Speaker 1: it ain't gonna be me dress because I'm gonna put

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Speaker 1: on a suit to go up there at eleven o'clock.

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Speaker 1: I'm gonna have to suck in and put that thing on.

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Speaker 1: That's right. Yeah, I'm gonna go off in shorts and

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Speaker 1: that's sweater and no shave and just do mom. I'm

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Speaker 1: sure that's what it is. I'm sure, but you're not one.

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Speaker 1: I'm not one, but I'm sure it is. And then two,

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Speaker 1: I didn't want to buy a new suit. People think

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Speaker 1: that you go on TV, you have to have new

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Speaker 1: clothes every time. Nope, I ain't doing that. But that's

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Speaker 1: what the movie stars do. First of all, on American Idol,

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Speaker 1: I do because they buy my clothes. Okay, cool, love it.

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Speaker 1: I'm happy to work with new clothes every time. But

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Speaker 1: for an awards show, nobody gets real clothes paid for.

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Speaker 1: You have to buy your own clothes. But don't they

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Speaker 1: get gifted suits? And like like you know when they

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Speaker 1: walk the red carpet there, I was like, who are

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Speaker 1: you wearing. It's like, oh, I'm wearing an Oscar de

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Speaker 1: la Renta. Maybe the la folks do for the Oscars here,

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Speaker 1: but not really here. No. You may have like a

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Speaker 1: partner that may but no, generally no, okay. And so

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Speaker 1: they brought suits over my house. I first of all,

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Speaker 1: I didn't want to wear a suit. I was like,

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Speaker 1: let me wear some Jordan and tank top. It's a corona.

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Speaker 1: Everything's gone. And so I had some suits brought over

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Speaker 1: to my house and they're like, okay, this, this, this,

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Speaker 1: and I was like, I'm not paying this money. Already

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Speaker 1: have have suits. Yeah, And so I went and grabbed one.

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Speaker 1: I was like, I'm warning this one. They're like, but

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Speaker 1: you wore this in two thousand nineteen. I was like, great,

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Speaker 1: let me wear it again. And I was like what

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Speaker 1: about this one. I'm like, well, this is from the

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Speaker 1: CMT twenty and eighteen, and I'm like, I don't even

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Speaker 1: remember when we wearing this? Do you mean somebody else

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Speaker 1: will too? So tonight I have two suits that I've picked.

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Speaker 1: Both I've worn before. Okay, good, and I'm not apologizing

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Speaker 1: for warning something twice. You know who's really good at

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Speaker 1: knowing when you wore the suit last time? Mike d Yeah,

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Speaker 1: because sometimes he'll get the clothes I give him to

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Speaker 1: him next and he wears it and then goes also

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Speaker 1: worn twenty seventeen at the Kid's Choice Awards. So tonight

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Speaker 1: I will be wearing a suit that I've worn before,

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Speaker 1: because it's just rid dick to keep on with that.

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Speaker 1: Um No, just read Dick and I'll tell you what.

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Speaker 1: Whatever suit I wear tonight, I'll donate it on my

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Speaker 1: Instagram somebody who can wear it, Okay, because that means

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Speaker 1: I've got two wears on TV out of it. God forbid,

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Speaker 1: I do it a third. Guys, And these are some

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Speaker 1: nice they're not. It's a nice suit. How did they

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Speaker 1: get it on your Instagram? What's the qualifications? I'll just

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Speaker 1: post and say, who wants this? Give me twenty words

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Speaker 1: or less? Should they give you a reason why they

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Speaker 1: want it, like I have a job interview coming up.

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Speaker 1: I gave it to a mom who's kid. Last the

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Speaker 1: last suit I gave away, and it was a really

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Speaker 1: nice suit that I was bought by maybe idol. Okay,

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Speaker 1: it was a suit. There was hundreds of dollars and

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Speaker 1: I'm not gonna I was like, I'm happy to help

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Speaker 1: you wear it. So she was like, my son's got

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Speaker 1: his first job interview. I think you just got to

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Speaker 1: the military, and you have to be somewhat near my size.

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Speaker 1: Is the thing not exact because you can take it

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Speaker 1: in or out, But I'm a thirty two in the waist.

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Speaker 1: I think I wear a thirty to thirty four regular code,

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Speaker 1: but you can that can be manipulated, Taylor, but I'm

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Speaker 1: gonna give it away. I gave Eddy closes in. You know.

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Speaker 1: It's funny about that, Like I wear your jackets a lot,

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Speaker 1: and and for a while, people would always compliment me

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Speaker 1: on those jackets and they'd be like, cool jacket, jacket,

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Speaker 1: where'd you get in And I'd have to say, like,

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Speaker 1: I'm you know, you like just gifted it to me.

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Speaker 1: Pretty cool whatever. But now I'm kind of tired of

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Speaker 1: saying that. So now I just say thanks, that's all.

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Speaker 1: That's cool with you, right, absolutely, thanks man, And they're like,

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Speaker 1: where'd you get it? Who knows shop everywhere? I don't. Oh,

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Speaker 1: I don't give it to I don't. Okay, that's it.

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Speaker 1: We're gonna go because I gotta go to this rehearsal.

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Speaker 1: Thank you guys. Um here's the Today's podcast. Hope you

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Speaker 1: enjoy it. I enjoyed it. Speaking of Kaitlyn, she comes

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Speaker 1: in to watch Craig Morgan, which was fantastic. People were like,

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Speaker 1: we're I'm all here for Kaitlyn not letting on lunchbox

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Speaker 1: and Eddie interrupt her. I don't know something that this

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Speaker 1: morning you guys. I don't think we interrupted her at all.

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Speaker 1: I think we just were making points like we were

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Speaker 1: having a conversation. I don't think there was interruption. If

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Speaker 1: I know me, I didn't interrupt. I think they liked

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Speaker 1: that she stands her ground. Oh, she definitely does. All right,

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Speaker 1: that's it, Thank you guys. Here's today's show. Hello's good.

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Speaker 1: Well here we are Moring Studio Morning. Got a big

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Speaker 1: show today. Craig Morgan will be in to perform. It's

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Speaker 1: Veteran's Day, so he's gonna come in. He's a veteran,

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Speaker 1: he's got a ton of songs. And Kaitlin, my fiance,

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Speaker 1: is going to come in because she's a massive Craig

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Speaker 1: Morgan fan, just to watch. So that'll be fine. In

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Speaker 1: a little bit, Let's put on Jennifer in Little Rock, Arkansas.

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Speaker 1: Hey Jennifer, thank you for calling the show. What's going on?

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Speaker 1: Good morning, Studios morning. I was wondering if you could

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Speaker 1: give me some advice, Bobby. I just started dating a

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Speaker 1: man who had who is color blind, and I was

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Speaker 1: just wondering if there's anything you can tell me that

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Speaker 1: would help me understand it a little bit better, or

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Speaker 1: to oh, maybe not annoy him too much with talking

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Speaker 1: about color because it's such a common thing. It's bones

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Speaker 1: world class advice giver. Now I'm really color blind, and

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Speaker 1: dark colors they all looked the same to me. I

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Speaker 1: once it hits a certain shade, it all looks black.

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Speaker 1: And growing up as a kid, I struggle with it

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Speaker 1: because I couldn't match clothes. I couldn't understand why what

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Speaker 1: I would do. First of all, is not shame him,

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Speaker 1: because people still laugh at me. Sometimes you get to

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Speaker 1: what cold it is? What cooler you know what, colder,

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Speaker 1: I'm not laughing, and I'm just like, no, I don't

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Speaker 1: Why is it funny that I have a deficiency in

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Speaker 1: my eyeballs or my brain. There's not a lot you

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Speaker 1: can do as far as how you can help him,

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Speaker 1: because if you're a little too overdescriptive, because some people

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Speaker 1: do that me. Look, this is green. I slap you

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Speaker 1: on the head. I know I can tell that's light green.

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Speaker 1: I would just figure out what his color deficiencies are,

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Speaker 1: you know, because some people struggle red, green, and some

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Speaker 1: people struggle in different ways. Be aware of it and

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Speaker 1: don't shame him and feel like, hey, if you ever

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Speaker 1: need any help, like, I'll help you. Because what happens

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Speaker 1: is you start to get made fun of if you

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Speaker 1: don't want to deal with it, so you just freeball

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Speaker 1: it and run and then it doesn't turn out so well.

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Speaker 1: That still happens to me, So not a lot you

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Speaker 1: can do being proactive about it. But you can't tell

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Speaker 1: him what's happened, and you're you're happy to help him. Okay, okay, great,

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Speaker 1: thank you so much. Do you know what colors he

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Speaker 1: can't see? Um? I think it's uh like the dark

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Speaker 1: colors like you were saying browns and blue, dark blues.

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Speaker 1: Just be aware that if it's a dark color, he

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Speaker 1: may not know what it is, and don't correct him

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Speaker 1: in a manner of no dummy. So there's a chance

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Speaker 1: he could come out like of the room looking silly

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Speaker 1: because he's not not matching colors. I used to. Yeah, okay,

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Speaker 1: so and you can and you can help organize his

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Speaker 1: clothes for him, stuff like that. Oh that's cool. Be like,

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Speaker 1: could I've had people do that in my life. Yeah, say,

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Speaker 1: I know you struggle with colors. I'm gonna put the

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Speaker 1: blacks here, but the browns here, especially if he has

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Speaker 1: like different jackets or jeans. So stuff like that. Jennifer,

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Speaker 1: You're fine, Okay, Okay, all right, thanks back, thank you.

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Speaker 1: I see you later. There's a guy who sold his

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Speaker 1: car for around thirty hundred bucks. Okay, the next day

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Speaker 1: he stole it back using his spare set of keys.

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Speaker 1: You know what, pretty smart guys, stop it. Here's the thing.

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Speaker 1: He had pulled this off at least seven other times

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Speaker 1: and they never caught him. But if he'd just stopped

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Speaker 1: like five, he'd have been able to pull this off.

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Speaker 1: Like he's we're in twenty twenty. He's in like twenty sixty.

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Speaker 1: I wonder how many people do that with houses, you know,

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Speaker 1: like you sell a house in the house and you

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Speaker 1: can always have the key to the house, but you

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Speaker 1: change locks. You would think most people change locks. Are

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Speaker 1: you saying you did it? I'm not saying anything. But

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Speaker 1: they busted him. He's arrested on sellable charges. All right,

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Speaker 1: here we go. We're pumped your here. It's Wednesday tonight.

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Speaker 1: The CMA Awards are happening, so shout out there. I'll

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Speaker 1: be on that show if you want to watch it

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Speaker 1: on The Bobby Bones Show now. Robert is the executive

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Speaker 1: producer of the CMAS which are tonight, and I hope

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Speaker 1: you guys watch it eight seventh Central, Live on ABC. Robert,

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Speaker 1: how are you. I'm good. How's it going. I miss

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Speaker 1: you guys. Yeah, I miss you too. Tonight when we

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Speaker 1: turn the show. What's the first thing we're going to

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Speaker 1: see when the show starts. I'm proud and excited to

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Speaker 1: say the very first thing you're going to see as

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Speaker 1: a tribute to the great Charlie Daniels and which, as

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Speaker 1: you know, whenever I'm able to do things like this

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Speaker 1: for a show and honor someone is my favorite thing

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Speaker 1: to be able to do. And so you're going to

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Speaker 1: see a rocking nine minutes of the best Charlie Daniels

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Speaker 1: songs from some of our greatest artists. I would assume

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Speaker 1: Devil went down to Georgia. How about Long Hair Country Boy?

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Speaker 1: Is that gonna be on there? Long Hair? Yeah, Long

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Speaker 1: Hair Country Boy, Trudy Texas. We got Dirk's Asha mc

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Speaker 1: bridge and a cleaner Brothers Osborne, and we're gonna and

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Speaker 1: then we're gonna just end it with Jason Aldeen. So

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Speaker 1: it's you don't want to miss it. It's going to

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Speaker 1: be rocking. You know, you're known from matching up artists

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Speaker 1: country artists with artists from different genres coming into and

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Speaker 1: really cool performances. Any of those tonight there are, although

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Speaker 1: I can't take credit for that because they were already

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Speaker 1: they'd already been you know, they had already worked together.

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Speaker 1: So this year, although I can't take credit for it,

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Speaker 1: I feel like that it's going to be just awesome

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Speaker 1: to see. First, we're gonna have Gabby Barrett with Charlie

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Speaker 1: Booth and you know it's funny. This is will be

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Speaker 1: the second time that I worked for Charlie because I

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Speaker 1: actually gave Charlie Booth his first network television appearance, like

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Speaker 1: I don't know, seven six, seven years ago, so it's

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Speaker 1: great to be reunited with him. So that's Gabby and Charlie,

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Speaker 1: and then we are also Dan and Shay with Justin

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Speaker 1: Bieber and which we're with ten thousand Hours, which is

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Speaker 1: going to be super cool and an incredible iconic location.

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Speaker 1: And it's funny because the last time that Justin did

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Speaker 1: any type of network television it was with me as well,

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Speaker 1: so so I think you don't want to miss that.

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Speaker 1: It's going to be incredibly cool. I am a believer,

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Speaker 1: now you are. I am only in the last year.

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Speaker 1: So Caitlin went to church with Justin Bieber before she

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Speaker 1: moved out here loves him, says he's a great guy.

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Speaker 1: And then I watched his YouTube both seasons, like his

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Speaker 1: whole docuseries in the new episode that came out too,

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Speaker 1: So I'm a I'm a believer. I'm gonna a minute

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Speaker 1: right here. Yeah, me too. You know what's He's awesome.

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Speaker 1: And the first time that I worked with Justin, oh

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Speaker 1: my gosh. I would say he's probably sixteen, maybe fifteen

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Speaker 1: or sixteen, I did a music I directed a music

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Speaker 1: video for him in Rascal Flesh. Do you remember when

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Speaker 1: they did that that duet together? Gosh, it's been a

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Speaker 1: long time now, but that was the first time I'd

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Speaker 1: worked with him, and I've worked with him many times

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Speaker 1: since then. And you know what, he's just I can't

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Speaker 1: call him a kid anymore because he's all grown up

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Speaker 1: to marry, but he's just a great person and I

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Speaker 1: love him a lot. So tonight in the audience there

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Speaker 1: will be people sitting, but is it just nominated artist

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Speaker 1: and part of the people part of the show. Yeah,

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Speaker 1: you know, we exactly we Uh, we had to prepare.

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Speaker 1: We knew, you know, I knew back in March we

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Speaker 1: were not going to be able to do our normal

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Speaker 1: in our normal CMA Awards. So I started working on

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Speaker 1: an idea, a design, and you know, the design, I

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Speaker 1: knew how to do it. How are we going to

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Speaker 1: do this? And the design was uh. In the set

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Speaker 1: design was I put together whether we had an audience

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Speaker 1: or not. But the whole idea from day one was

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Speaker 1: trying to have an audience. So we decided, you know what,

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Speaker 1: why don't we why don't we do something that's more

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Speaker 1: intimate where we where it's the audience is the artist,

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Speaker 1: you know, just just the artist, the artist plus one

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Speaker 1: um and so the nominated artist. That that's who is

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Speaker 1: going to be our audience tonight, and so far that's

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Speaker 1: still happening. So because you never know in this day

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Speaker 1: and age, I mean, it changes, is by our right,

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Speaker 1: I mean just you know, from from one day to

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Speaker 1: the next, you don't know what to expect. And but

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Speaker 1: but yeah, we felt like that that would be unique,

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Speaker 1: you know, and and the artist would really like that

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Speaker 1: opportunity to be able to be together. So that's what

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Speaker 1: we're doing. Robert Deaton, the executive producer of the CMAS

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Speaker 1: on with us right now tonight eight seventh Central see

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Speaker 1: the Winners live on ABC. And I'm gonna ask you this,

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Speaker 1: like I do every single time. You don't know who

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Speaker 1: the winners are, right, I do not. I still do

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Speaker 1: not know who the winners are. So you know what, Bobby,

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Speaker 1: You know me, I don't want to know for one thing,

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Speaker 1: because it's like I would mess up and slip. I

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Speaker 1: would probably slip on this show and tell you know,

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Speaker 1: if I don't trust myself enough to be able to

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Speaker 1: know who they are. I just so you know from

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Speaker 1: me when I hear it, and it's kind of exciting

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Speaker 1: for all of us that are working on the television

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Speaker 1: show because we got to be ready. You know, we

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Speaker 1: don't know who is winning, and and you know what,

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Speaker 1: I kind of like it that way because I get

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Speaker 1: to view it as as as a fan and as

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Speaker 1: a viewer now and I'm still a fan of all

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Speaker 1: of these people. So I do not know. There is

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Speaker 1: Robert Deaton. Follow him at Robert L. Deaton tonight. He's

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Speaker 1: pushing all the buttons, making all the calls at the

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Speaker 1: CMA Awards. And if you don't agree with who wins

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Speaker 1: Entertainer of the Year, it's Robert's fault. So hit him up, yeah,

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Speaker 1: yell at him. Some people do. I get that everywhere

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Speaker 1: here a little bit so, but no I have trust me,

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Speaker 1: I have no I have no saying who wins. So

421
00:20:36,000 --> 00:20:37,720
Speaker 1: all right, Robert, good to talk to you. See it tonight,

422
00:20:38,600 --> 00:20:41,960
Speaker 1: all right, buddy, thank you, see you later night. Robert, Father,

423
00:20:42,119 --> 00:20:44,080
Speaker 1: Rebun Darius or are hosting it tonight, so she should

424
00:20:44,080 --> 00:20:46,200
Speaker 1: be pretty cool. And I'll be presenting an award tonight,

425
00:20:46,240 --> 00:20:47,840
Speaker 1: so you can No one's going to tune in just

426
00:20:47,960 --> 00:20:50,720
Speaker 1: to see that. But keep an eye open. You may

427
00:20:50,800 --> 00:20:52,520
Speaker 1: see me come out there. All right? There you go.

428
00:20:54,040 --> 00:20:56,159
Speaker 1: About once a week I put in a contact, a

429
00:20:56,240 --> 00:21:02,560
Speaker 1: single contact for what, just so if I'm doing anything athletic,

430
00:21:02,640 --> 00:21:05,200
Speaker 1: my glasses don't get knocked off. Yeah. I only have

431
00:21:05,280 --> 00:21:07,200
Speaker 1: one eye that works, so I only have one eye

432
00:21:07,240 --> 00:21:08,720
Speaker 1: that I put the lens in. And it's hard, and

433
00:21:08,800 --> 00:21:10,160
Speaker 1: I don't do it every day, so I haven't really

434
00:21:10,200 --> 00:21:14,120
Speaker 1: developed you know, that clean finger. Ey'm all done. It's

435
00:21:14,119 --> 00:21:17,240
Speaker 1: probably three or four minute process for me every single time. Anyway,

436
00:21:17,240 --> 00:21:20,240
Speaker 1: here were contacts. It all used to okay, But you

437
00:21:20,320 --> 00:21:22,640
Speaker 1: guys dealt with them, oh for years? Were you good

438
00:21:22,720 --> 00:21:25,560
Speaker 1: with them? After a while? Were you like, yeah, oh yeah,

439
00:21:25,640 --> 00:21:28,480
Speaker 1: you get used to it. After probably about a few months,

440
00:21:29,000 --> 00:21:30,640
Speaker 1: you just are like, oh, no big deal. I could

441
00:21:30,640 --> 00:21:32,800
Speaker 1: put them in without again a mirror, without having water,

442
00:21:32,960 --> 00:21:34,440
Speaker 1: like I could fall out of my eye and I

443
00:21:34,480 --> 00:21:36,760
Speaker 1: can put it right back in. Okay. Breaker, here's the thing.

444
00:21:38,200 --> 00:21:40,000
Speaker 1: I can't even see the contact because I don't have

445
00:21:40,040 --> 00:21:42,000
Speaker 1: glasses on, So I have to put my glasses on

446
00:21:42,320 --> 00:21:45,000
Speaker 1: to even see if the contacts on my finger. This

447
00:21:45,200 --> 00:21:47,119
Speaker 1: is the whole process that I'm dealing with so I'm

448
00:21:47,160 --> 00:21:48,720
Speaker 1: trying to get better at it. I read a story

449
00:21:48,800 --> 00:21:51,680
Speaker 1: this morning that a man has invented a robot that

450
00:21:51,880 --> 00:21:55,440
Speaker 1: puts in and takes out your contact lenses. Oh, a robot.

451
00:21:56,440 --> 00:21:58,680
Speaker 1: Anyone who's ever had to deal with contact lenses knows

452
00:21:58,680 --> 00:22:01,360
Speaker 1: what a pain it can be. A Florida man named

453
00:22:01,400 --> 00:22:04,680
Speaker 1: Craig Hirschof certainly understood that dilemma, which is why he

454
00:22:04,680 --> 00:22:06,840
Speaker 1: hain't been in a robot that will now insert your

455
00:22:06,960 --> 00:22:09,600
Speaker 1: lens and remove it for you from your eyeball. I

456
00:22:09,600 --> 00:22:13,920
Speaker 1: don't know about all that. He was diagnosed with some

457
00:22:14,119 --> 00:22:17,399
Speaker 1: disease in two thousand, almost lost his sight. He received

458
00:22:17,480 --> 00:22:20,400
Speaker 1: three corneal transplants. Once he discovered a contact lenses that worked,

459
00:22:20,480 --> 00:22:22,480
Speaker 1: he went to a period where his hands were shaking

460
00:22:22,560 --> 00:22:24,800
Speaker 1: because he couldn't listen. I get it, buddy, feel the

461
00:22:24,840 --> 00:22:27,879
Speaker 1: same way, Yeah, I get that. So there's a robot

462
00:22:28,000 --> 00:22:31,000
Speaker 1: that uses suction cups to measure the precise amount of

463
00:22:31,440 --> 00:22:33,679
Speaker 1: if this suction cup was put on the wrong eyeball

464
00:22:33,720 --> 00:22:36,040
Speaker 1: get sucked out exactly. I wouldn't want to be one

465
00:22:36,040 --> 00:22:37,440
Speaker 1: of the test subjects for this, or what if you

466
00:22:37,480 --> 00:22:39,800
Speaker 1: get distracted and remove real quick like huh, somebody calls

467
00:22:39,840 --> 00:22:44,119
Speaker 1: you your phone rings. Yeah, it's currently in clinical trials.

468
00:22:44,200 --> 00:22:46,040
Speaker 1: He hopes to have the device ready for commercial use

469
00:22:46,119 --> 00:22:48,920
Speaker 1: as soon as next year. He is an eye doctor.

470
00:22:48,960 --> 00:22:51,639
Speaker 1: It looks like at least I'm watching his news story

471
00:22:52,040 --> 00:22:54,120
Speaker 1: and he's buy a lot of those eye equipment things.

472
00:22:54,320 --> 00:22:56,640
Speaker 1: But the contact lens, that is no, that's no joke

473
00:22:56,760 --> 00:22:59,160
Speaker 1: if you've never had I never had it until now,

474
00:22:59,600 --> 00:23:02,760
Speaker 1: and one in one eyeball. But you guys love lasic

475
00:23:02,920 --> 00:23:06,800
Speaker 1: hunt amazing. I can't get it because I have one

476
00:23:06,800 --> 00:23:08,359
Speaker 1: eye that doesn't work, and if something happens to my

477
00:23:08,400 --> 00:23:10,320
Speaker 1: other eye, I'm just done. So I just live with

478
00:23:10,400 --> 00:23:12,960
Speaker 1: what it is. But you guys are both big advocates. Huh. Yeah,

479
00:23:13,040 --> 00:23:15,960
Speaker 1: LASIK was a game changer because because like really, like

480
00:23:16,080 --> 00:23:18,119
Speaker 1: you say, the pain in the butt of putting contacts on,

481
00:23:18,280 --> 00:23:20,600
Speaker 1: taking them off, sometimes falling asleep with them on, it's

482
00:23:20,680 --> 00:23:24,400
Speaker 1: it's not fun. So the lasic is like, you see

483
00:23:24,480 --> 00:23:26,320
Speaker 1: better than you do with contacts and you don't have

484
00:23:26,359 --> 00:23:28,000
Speaker 1: to mess with your eyes ever. And you guys went,

485
00:23:28,080 --> 00:23:32,760
Speaker 1: where'd you go? Vold Vision in Arkansas? Vold Vision? Um

486
00:23:32,840 --> 00:23:34,760
Speaker 1: it was in Fatville? Okay, Morgan, where'd you go? I

487
00:23:34,800 --> 00:23:37,280
Speaker 1: went to a Wang vision here in Nashville, and he

488
00:23:37,400 --> 00:23:44,240
Speaker 1: also did like Dolly Partons and all. Okay, in three

489
00:23:44,320 --> 00:23:49,320
Speaker 1: seconds I hit loading vision here in Nashville. I'm just saying,

490
00:23:49,359 --> 00:23:51,280
Speaker 1: if you you know, if you trust Dolly Parton instead

491
00:23:51,320 --> 00:23:54,480
Speaker 1: of me, go to them. I'm not even sure Dolly

492
00:23:54,560 --> 00:23:58,240
Speaker 1: went there. Prove it. Hey they have pictures. Okay, Well

493
00:23:58,240 --> 00:23:59,840
Speaker 1: then you get a believer. Yeah, I have a picture

494
00:23:59,840 --> 00:24:01,840
Speaker 1: of all in my bedroom. Sudn't hang out in my bedroom.

495
00:24:02,359 --> 00:24:04,320
Speaker 1: She probably did. I'm just kidding. I here's a voicemail.

496
00:24:04,440 --> 00:24:06,920
Speaker 1: We got this last night from Brittany in North Carolina.

497
00:24:07,280 --> 00:24:10,600
Speaker 1: I need some advice. I am my daughter, Lilah. He's

498
00:24:10,640 --> 00:24:12,800
Speaker 1: eight years old and she has saved up to buy

499
00:24:12,880 --> 00:24:16,200
Speaker 1: an Nintendo Switched video game. And she's all excited because

500
00:24:16,240 --> 00:24:19,800
Speaker 1: she's worked really hard. But dad steps in and says

501
00:24:19,880 --> 00:24:22,280
Speaker 1: she really doesn't want her to have a video game,

502
00:24:22,520 --> 00:24:24,720
Speaker 1: and I kind of agree, but at the same time,

503
00:24:24,920 --> 00:24:28,280
Speaker 1: she has worked really hard. We are pretty much anti

504
00:24:28,440 --> 00:24:31,560
Speaker 1: video game. We've pretty much told her no. But should

505
00:24:31,760 --> 00:24:35,520
Speaker 1: Santa bring her end switch? That is the question. The

506
00:24:35,560 --> 00:24:39,879
Speaker 1: answer is no, right get that Santa Kent show up

507
00:24:40,560 --> 00:24:44,439
Speaker 1: and supersede any parent decision that's been made. No, he cannot.

508
00:24:44,560 --> 00:24:47,920
Speaker 1: You let Santa no. That can't happen. Yes, sometimes adults

509
00:24:48,000 --> 00:24:50,720
Speaker 1: have to write Santa to tell him that. Yeah. Yeah,

510
00:24:50,880 --> 00:24:53,680
Speaker 1: So I'm telling you, Brittany, if you guys have talked

511
00:24:53,720 --> 00:24:55,560
Speaker 1: about it, you gotta let Santa no not to bring

512
00:24:55,680 --> 00:24:58,800
Speaker 1: that because if he brings it, that's no good for

513
00:24:58,880 --> 00:25:02,760
Speaker 1: the battery at home. Hmm. So no world class advice.

514
00:25:02,840 --> 00:25:04,960
Speaker 1: The guy says no on that one. Good I here's

515
00:25:04,960 --> 00:25:08,439
Speaker 1: another one. This is an advice question we got last night,

516
00:25:08,800 --> 00:25:12,840
Speaker 1: Good Morning Studio. I was calling to get some advices

517
00:25:12,960 --> 00:25:17,919
Speaker 1: from Bobby. My husband and I disagree a lot on parenting.

518
00:25:18,560 --> 00:25:21,600
Speaker 1: He says I'm too soft and I think too strict,

519
00:25:21,720 --> 00:25:24,320
Speaker 1: and we cannot seem to find a happy medium. So

520
00:25:24,520 --> 00:25:26,560
Speaker 1: if you have any advice on that, I would greatly

521
00:25:26,560 --> 00:25:28,480
Speaker 1: appreciate it. A love of the show, Love you all,

522
00:25:28,800 --> 00:25:32,320
Speaker 1: Thank you. Checks and Balances works wonderfully. I think it's

523
00:25:32,320 --> 00:25:35,520
Speaker 1: great that you guys don't agree, because you're always going

524
00:25:35,560 --> 00:25:37,400
Speaker 1: to be checking each other. I don't think anyone needs

525
00:25:37,440 --> 00:25:39,480
Speaker 1: to give in, but I think you'll find a happy

526
00:25:39,520 --> 00:25:42,919
Speaker 1: medium as long as you both work together and compromise.

527
00:25:43,040 --> 00:25:45,840
Speaker 1: But that's far our government's built on checks and balances. Yeah,

528
00:25:45,840 --> 00:25:49,199
Speaker 1: people disagree completely, so if something completely right, they're like, hey,

529
00:25:49,280 --> 00:25:51,360
Speaker 1: let me let me step in here. What do you think, Eddie, Well,

530
00:25:51,400 --> 00:25:53,560
Speaker 1: I think that there are definitely two different roles for

531
00:25:53,600 --> 00:25:55,440
Speaker 1: two different parents. You know, if one of them wants

532
00:25:55,480 --> 00:25:57,399
Speaker 1: to be the stricter parent and one of them's not

533
00:25:57,520 --> 00:25:59,320
Speaker 1: as strict or whatever, that's okay. I think it's all

534
00:25:59,400 --> 00:26:01,200
Speaker 1: right to be differ frint. I think the kids will

535
00:26:01,280 --> 00:26:04,560
Speaker 1: learn what each parent has and what they're supposed to

536
00:26:04,600 --> 00:26:06,880
Speaker 1: be doing with the kids as they're raising them. It's fine.

537
00:26:07,520 --> 00:26:10,200
Speaker 1: One more voicemail. I would like to get to Grant

538
00:26:10,280 --> 00:26:12,600
Speaker 1: and I would send everybody a box of tissues for

539
00:26:12,680 --> 00:26:15,280
Speaker 1: all that crown that's going on over a pair of shoes.

540
00:26:16,080 --> 00:26:19,680
Speaker 1: I have a good day, amen, Yeah, Amen, I already

541
00:26:19,680 --> 00:26:22,920
Speaker 1: got the shoes. Don't need a tissue. No, you need tissues? Baby, yeah,

542
00:26:23,000 --> 00:26:28,200
Speaker 1: baby baby. Bobby getting you crap? All right? Thank you guys.

543
00:26:28,240 --> 00:26:30,720
Speaker 1: You can always leave us a voicemail. Eight seven, seven

544
00:26:31,320 --> 00:26:35,760
Speaker 1: seventy seven. Bobby coming up, Craig Morgan. He's not quite

545
00:26:35,880 --> 00:26:39,200
Speaker 1: in the marathon green room yet, but Craig Morgan to

546
00:26:39,359 --> 00:26:41,720
Speaker 1: perform here on the Bobby Bone Show coming up in

547
00:26:41,720 --> 00:26:45,560
Speaker 1: just a little bit, The Latest from Nashville and Tullywood

548
00:26:45,800 --> 00:26:50,239
Speaker 1: Morgan number two thirty seven Skinny. The CMA Awards are

549
00:26:50,320 --> 00:26:53,639
Speaker 1: tonight on ABC at eight seven Central. I talked with

550
00:26:53,760 --> 00:26:56,640
Speaker 1: Marion Morris ahead of the show, and she shared why

551
00:26:56,760 --> 00:26:59,560
Speaker 1: she and her husband Ryan Hurd are keeping their son's

552
00:26:59,600 --> 00:27:03,159
Speaker 1: face off social media. I think I should afford him

553
00:27:03,240 --> 00:27:06,680
Speaker 1: his own privacy until he's old enough to tell me, Hey, Mom,

554
00:27:07,040 --> 00:27:09,120
Speaker 1: I'm cool being on the internet. But right now it's

555
00:27:09,119 --> 00:27:12,080
Speaker 1: like he hasn't consented. He's a baby, So I think

556
00:27:12,320 --> 00:27:15,200
Speaker 1: it's best for for everyone, for our family at least,

557
00:27:15,240 --> 00:27:19,160
Speaker 1: to kind of keep him anonymous and uh but still,

558
00:27:19,240 --> 00:27:21,359
Speaker 1: you know, show people that we have a family. Thomas

559
00:27:21,480 --> 00:27:24,760
Speaker 1: Right released a new song it's called What's Your Country Song?

560
00:27:36,480 --> 00:27:39,360
Speaker 1: In honor of Veterans Day. Luke Colmes talks about why

561
00:27:39,480 --> 00:27:42,479
Speaker 1: it's important to honor people who have served. That can

562
00:27:42,560 --> 00:27:46,320
Speaker 1: be a job that is sometimes overlooked by a lot

563
00:27:46,359 --> 00:27:50,720
Speaker 1: of folks, and I'm grateful that there is a whole

564
00:27:50,800 --> 00:27:53,000
Speaker 1: lot of people out there that are willing to sacrifice,

565
00:27:54,080 --> 00:27:57,000
Speaker 1: you know, their life for all of our ability to

566
00:27:57,119 --> 00:27:59,280
Speaker 1: do what we love and not be put in harms

567
00:27:59,320 --> 00:28:03,440
Speaker 1: away on day basis. So I'm thinking about you and

568
00:28:03,880 --> 00:28:07,600
Speaker 1: as are the rest of my fellow country artist. For sure,

569
00:28:07,800 --> 00:28:10,680
Speaker 1: I'm Morgan number two. That's your skinny haul. It's time

570
00:28:10,760 --> 00:28:18,680
Speaker 1: for the good news. Connor O'Reilly has bike for fun,

571
00:28:18,760 --> 00:28:21,959
Speaker 1: for exercise, and as a means of transportation. But now

572
00:28:22,040 --> 00:28:24,240
Speaker 1: he's cycling for a cause he believes in. He's riding

573
00:28:24,280 --> 00:28:28,639
Speaker 1: his bike across the country from Massachusetts to Santa Monica, California,

574
00:28:29,040 --> 00:28:31,639
Speaker 1: to prove that by not putting limits on himself and

575
00:28:31,720 --> 00:28:34,480
Speaker 1: stepping outside his comfort zone, he can pretty much achieve anything.

576
00:28:34,680 --> 00:28:37,920
Speaker 1: The trip is forty five hundred miles and he's doing

577
00:28:37,960 --> 00:28:41,560
Speaker 1: it all by himself, without a support ban and he's

578
00:28:41,560 --> 00:28:43,360
Speaker 1: carrying everything he needs for the journey on his bike.

579
00:28:43,400 --> 00:28:46,560
Speaker 1: He's setting off September first, and he is celebrating a

580
00:28:46,720 --> 00:28:48,720
Speaker 1: proud milestone along the way, which is a big part

581
00:28:48,720 --> 00:28:52,120
Speaker 1: of this five years of recovery and sobriety. And with

582
00:28:52,320 --> 00:28:54,840
Speaker 1: this he's raising money for well Strong Fitness and a

583
00:28:54,880 --> 00:28:57,040
Speaker 1: Wellness Singer, which has a mission to create sober active

584
00:28:57,080 --> 00:28:59,440
Speaker 1: communities for people recovering from addiction. That's great, that was

585
00:28:59,440 --> 00:29:02,680
Speaker 1: a real special thing. First of all, aside from the

586
00:29:02,760 --> 00:29:05,600
Speaker 1: sobriety part of it. That's just a crazy trip to

587
00:29:05,720 --> 00:29:09,080
Speaker 1: take and all by yourself. Remember when what was the

588
00:29:09,120 --> 00:29:13,720
Speaker 1: guy's name, Mike Posner? Did you walk? He walked it,

589
00:29:13,760 --> 00:29:15,200
Speaker 1: but then he got bit by a snake and almost

590
00:29:15,240 --> 00:29:17,440
Speaker 1: died in the middle of it. They had to call

591
00:29:17,520 --> 00:29:20,640
Speaker 1: a helicopter. It sounded like a cool idea. Yeah, he

592
00:29:20,760 --> 00:29:22,680
Speaker 1: was walking across the country and I liked the guy.

593
00:29:22,680 --> 00:29:24,360
Speaker 1: I met him a couple of times. He got bit

594
00:29:24,480 --> 00:29:26,560
Speaker 1: by like a rattlesnake or something walking in the woods

595
00:29:26,560 --> 00:29:29,440
Speaker 1: at night. They had to have a helicopter come get him,

596
00:29:29,480 --> 00:29:31,479
Speaker 1: take out to the hospital. It was in the hospital

597
00:29:31,520 --> 00:29:34,680
Speaker 1: for a couple of days, went home, had to come

598
00:29:34,760 --> 00:29:37,560
Speaker 1: back to that spot and then go again. He did

599
00:29:37,680 --> 00:29:40,880
Speaker 1: finish the walk. That was amazing. But let me shout

600
00:29:40,880 --> 00:29:43,160
Speaker 1: out to Conor. O'Reilly, that's a fantastic story. Good luck

601
00:29:43,200 --> 00:29:45,320
Speaker 1: man from us to you. Good luck all right, that's

602
00:29:45,360 --> 00:29:50,840
Speaker 1: what it's all about. That was tell me something good. Sorry.

603
00:29:52,000 --> 00:29:55,800
Speaker 1: This story comes us from Dallas, Georgia. A woman walked

604
00:29:55,840 --> 00:29:58,400
Speaker 1: into Chick fil A and said, I'll take a number

605
00:29:58,440 --> 00:30:00,680
Speaker 1: one and a number two, but I need it for

606
00:30:00,760 --> 00:30:03,600
Speaker 1: free because I'm part of the FBI, and the employee

607
00:30:03,640 --> 00:30:05,120
Speaker 1: was like, no, ma'am, that's not how it works. And

608
00:30:05,200 --> 00:30:07,880
Speaker 1: she's like, listen, I'm part of the FBI. If you

609
00:30:07,880 --> 00:30:10,120
Speaker 1: don't give me that, I'm going to arrest you. Wow.

610
00:30:10,600 --> 00:30:14,080
Speaker 1: They would say that, of course. Yeah, So the manager

611
00:30:14,160 --> 00:30:16,680
Speaker 1: called police. Police showed up. She still said she was

612
00:30:16,720 --> 00:30:18,960
Speaker 1: part of the FBI, committed to it, I like it,

613
00:30:19,040 --> 00:30:20,840
Speaker 1: And she wasn't part of the FBI. She was arrested

614
00:30:20,880 --> 00:30:24,760
Speaker 1: for impersonating an officer. I knew it. Boy. She held

615
00:30:24,800 --> 00:30:26,640
Speaker 1: strong though. Huh when they when you do that and

616
00:30:26,680 --> 00:30:28,240
Speaker 1: they say no, then they call the police. When you

617
00:30:28,360 --> 00:30:30,600
Speaker 1: run out of there, yeah, go for the police. Get there. Yeah,

618
00:30:30,600 --> 00:30:33,680
Speaker 1: you're like, okay, like you've tried, and go over to Hearty's.

619
00:30:33,880 --> 00:30:35,640
Speaker 1: You know, try it somewhere. I'll probably fall for it.

620
00:30:35,880 --> 00:30:38,000
Speaker 1: There you go, I'm lunchboxed. That's your bonehead story of

621
00:30:38,040 --> 00:30:42,360
Speaker 1: the day. Today's Veterans Day. I just want to shout

622
00:30:42,400 --> 00:30:45,240
Speaker 1: out to everybody who is serving has served. You know,

623
00:30:45,320 --> 00:30:48,120
Speaker 1: this day is all about honoring military veterans who served

624
00:30:48,120 --> 00:30:50,200
Speaker 1: in the United States Armed Forces. So we just appreciate

625
00:30:50,240 --> 00:30:52,640
Speaker 1: you so much. What I wanted to do is talk

626
00:30:52,640 --> 00:30:56,040
Speaker 1: about a few country artists who have served, and later

627
00:30:56,120 --> 00:30:58,400
Speaker 1: on in the morning, Craig Morgan will be in. He

628
00:30:58,600 --> 00:31:02,320
Speaker 1: is a seventeen year veteran of the Army and Army Reserves.

629
00:31:02,320 --> 00:31:04,080
Speaker 1: There you go, give me a little Craig Morgan here.

630
00:31:04,280 --> 00:31:10,360
Speaker 1: He worked his way up through the ranks, eventually became

631
00:31:10,440 --> 00:31:13,640
Speaker 1: staff sergeant in the Army. Although he could have possibly

632
00:31:13,720 --> 00:31:16,360
Speaker 1: retired with the Army, he thought, let me go and

633
00:31:16,560 --> 00:31:20,600
Speaker 1: chase this country music career. And heck he nailed it.

634
00:31:21,280 --> 00:31:23,640
Speaker 1: But he served. He's got such an interesting story. He

635
00:31:23,760 --> 00:31:29,680
Speaker 1: was a cop, he was in the military. He was firefighter. Yeah,

636
00:31:29,960 --> 00:31:35,960
Speaker 1: a crazy yeah. Also Willie Nelson served again. Didn't know

637
00:31:36,080 --> 00:31:39,360
Speaker 1: that Willie Nelson's journey to country music started. May have

638
00:31:39,400 --> 00:31:41,720
Speaker 1: taken a while, but as time spent the military was

639
00:31:41,800 --> 00:31:45,080
Speaker 1: cut a little short due to back problems. He trained

640
00:31:45,120 --> 00:31:48,160
Speaker 1: at Lackland Air Force Base in San Antonio, Texas. He

641
00:31:48,360 --> 00:31:50,920
Speaker 1: enrolled in the US Air Force after he left high

642
00:31:50,920 --> 00:31:53,640
Speaker 1: school in nineteen fifty. About a year later, he was

643
00:31:53,760 --> 00:31:56,760
Speaker 1: medically discharged due to back problem. Wow, but he almost

644
00:31:56,760 --> 00:32:00,400
Speaker 1: got a year in serving in the military. Willie Johnny

645
00:32:00,440 --> 00:32:05,960
Speaker 1: Cash yes to a burn ring of Johnny Cash spent

646
00:32:06,080 --> 00:32:08,240
Speaker 1: four years in the US Air Force in the nineteen fifties.

647
00:32:08,560 --> 00:32:10,960
Speaker 1: He was stationed in West Germany for most of that time,

648
00:32:11,400 --> 00:32:15,240
Speaker 1: and notably eaves dropped on Soviet communication as a radio

649
00:32:15,360 --> 00:32:18,040
Speaker 1: intercept officer. Wow, that's real deal stuff. Yeah it is.

650
00:32:19,160 --> 00:32:21,040
Speaker 1: Over the course of his employment with the Air Force,

651
00:32:21,120 --> 00:32:24,720
Speaker 1: he learned to translate Russian Morse code, which is the

652
00:32:24,840 --> 00:32:28,120
Speaker 1: inspiration behind his song Russian Morse Code The Great Song

653
00:32:28,240 --> 00:32:31,040
Speaker 1: I Love It? Do you know George stray was the

654
00:32:31,080 --> 00:32:36,560
Speaker 1: military I did. George Strait served in the US Army

655
00:32:36,600 --> 00:32:39,560
Speaker 1: from nineteen seventy one to nineteen seventy five and had

656
00:32:39,600 --> 00:32:41,720
Speaker 1: reached the rank of corporal by the end of a service.

657
00:32:42,160 --> 00:32:44,360
Speaker 1: During his time in the twenty fifth Infantry Division at

658
00:32:44,400 --> 00:32:48,080
Speaker 1: Hawaii's show Phill Barracks, straight began performing under the name

659
00:32:48,560 --> 00:32:53,720
Speaker 1: Santy Wow, Sant Huh and Schofield Barracks. Is that what

660
00:32:53,760 --> 00:32:56,360
Speaker 1: it is? Driven by those? Yeah? Okay, cool. I'm looking

661
00:32:56,400 --> 00:32:58,720
Speaker 1: at the picture of him, his picture when he was serving.

662
00:32:58,880 --> 00:33:03,040
Speaker 1: He looks serious, will deal Yeah. Elvis Presley, of course.

663
00:33:05,040 --> 00:33:08,640
Speaker 1: He was drafted December nineteen fifty seven, entered into the

664
00:33:08,760 --> 00:33:11,960
Speaker 1: United States Army March nineteen fifty eight, two years after

665
00:33:12,560 --> 00:33:16,400
Speaker 1: Pound Dog. In this song Heartbreak Hotel hit the airwaves.

666
00:33:16,480 --> 00:33:20,080
Speaker 1: He was already a star. He was a superstar. He

667
00:33:20,280 --> 00:33:22,880
Speaker 1: was stationed in Forthood, Texas. He was in sent to

668
00:33:23,000 --> 00:33:26,800
Speaker 1: Germany and he met his future wife, Priscilla. He was

669
00:33:28,120 --> 00:33:30,920
Speaker 1: out in nineteen sixty, so from fifty eight to sixty

670
00:33:30,960 --> 00:33:34,520
Speaker 1: he was serving drafted fifty seven and then George Jones

671
00:33:35,160 --> 00:33:37,480
Speaker 1: was a veteran of the US Marine Corps, though he

672
00:33:37,560 --> 00:33:39,680
Speaker 1: served in the nineteen fifties during the Korean War, he

673
00:33:39,760 --> 00:33:43,160
Speaker 1: was stationed in California, never saw combat. The singer cut

674
00:33:43,240 --> 00:33:45,760
Speaker 1: his first song no Money in this Deal, following his

675
00:33:45,880 --> 00:33:48,560
Speaker 1: military role. You're gonna walk around the block, and I

676
00:33:48,800 --> 00:33:51,920
Speaker 1: wouldn't walk around at two, were getting sit down in

677
00:33:52,080 --> 00:33:56,040
Speaker 1: the park to some rubbing in the dog running. You've

678
00:33:56,160 --> 00:33:59,680
Speaker 1: done appeal call. There ain't no money in this deal? YEA,

679
00:34:00,400 --> 00:34:04,600
Speaker 1: so good, So happy Veteran's Day. We just appreciate you

680
00:34:04,680 --> 00:34:06,000
Speaker 1: so much. We know we wouldn't be able to do

681
00:34:06,080 --> 00:34:08,239
Speaker 1: what we do without you doing what you do or

682
00:34:08,320 --> 00:34:11,360
Speaker 1: have done, And thank you so much for that. On

683
00:34:11,480 --> 00:34:14,920
Speaker 1: The Bobby Bones Show, now, Thomas Rhett A, man, what's happening?

684
00:34:15,040 --> 00:34:17,080
Speaker 1: I'm just watching you work? Oh you can see me?

685
00:34:17,560 --> 00:34:23,600
Speaker 1: Oh yeah, I saw every bit of that. Well here's yeah,

686
00:34:23,600 --> 00:34:25,120
Speaker 1: here's what well, I was doing liners from my TV

687
00:34:25,160 --> 00:34:27,120
Speaker 1: show We'd get off of me, Thomas, Right, okay, here listen,

688
00:34:27,719 --> 00:34:29,960
Speaker 1: I just want to talk to you for a second. Tonight.

689
00:34:30,040 --> 00:34:33,240
Speaker 1: You'll actually be performing Be a Light at the CMA Awards,

690
00:34:33,360 --> 00:34:35,040
Speaker 1: which is super cool because when you put this song

691
00:34:35,120 --> 00:34:37,840
Speaker 1: out and you talked about it here, like all the songs,

692
00:34:37,960 --> 00:34:39,919
Speaker 1: money that it made actually went to help out folks

693
00:34:40,040 --> 00:34:42,800
Speaker 1: during the pandemic, right, yeah, it did. Um. It helped

694
00:34:42,800 --> 00:34:44,800
Speaker 1: to help help all of our you know, touring and

695
00:34:45,640 --> 00:34:47,799
Speaker 1: bands and crews and and uh, you know, hopefully helping

696
00:34:47,840 --> 00:34:49,600
Speaker 1: them through kind of a rough time. And I'm really

697
00:34:49,640 --> 00:34:51,320
Speaker 1: excited to play that song for the first time on

698
00:34:51,440 --> 00:34:54,400
Speaker 1: national television tonight because me and Riba and all and

699
00:34:54,440 --> 00:34:56,239
Speaker 1: all the crew have never actually sang this song together,

700
00:34:56,280 --> 00:34:58,680
Speaker 1: so it's gonna be really fun. Thomas Rhet nominated for

701
00:34:58,880 --> 00:35:01,200
Speaker 1: Male Vocalist of the Year and Musical Event of the

702
00:35:01,320 --> 00:35:03,360
Speaker 1: Year for Be a Light. I don't see how you

703
00:35:03,480 --> 00:35:05,799
Speaker 1: lose Be a Light Male Vocalist is up for grabs.

704
00:35:05,840 --> 00:35:07,640
Speaker 1: There's like three of you guys that could easily win.

705
00:35:07,719 --> 00:35:11,080
Speaker 1: But I don't see how you Reba Hillaris. I just

706
00:35:11,239 --> 00:35:12,879
Speaker 1: I just don't see how that loses. I'm gonna put

707
00:35:12,880 --> 00:35:14,279
Speaker 1: that in the universe. Now. How do you feel about that?

708
00:35:14,360 --> 00:35:16,000
Speaker 1: Thank you? Man? I feel I feel really good about it.

709
00:35:16,160 --> 00:35:17,440
Speaker 1: You know. I think this song was just a song

710
00:35:17,560 --> 00:35:18,759
Speaker 1: that that needed to be heard by a lot of

711
00:35:18,800 --> 00:35:21,920
Speaker 1: people this year, especially just going through weird times. And um,

712
00:35:22,040 --> 00:35:24,080
Speaker 1: you know, music, music can heal people, you know. I

713
00:35:24,160 --> 00:35:26,680
Speaker 1: believe that, um. And I've definitely watched it firsthand with

714
00:35:26,719 --> 00:35:29,240
Speaker 1: the song, just from you know, comments on social media

715
00:35:29,440 --> 00:35:31,359
Speaker 1: or you know, people sending in messages to me saying

716
00:35:31,400 --> 00:35:33,000
Speaker 1: thank you for this song. It really helped me feel

717
00:35:33,040 --> 00:35:34,920
Speaker 1: weird time, and and uh, you know, that's why we

718
00:35:35,000 --> 00:35:36,759
Speaker 1: make music in the first place. Man, It's it's just

719
00:35:36,840 --> 00:35:38,880
Speaker 1: a heal and to make people laugh at dance and

720
00:35:39,400 --> 00:35:41,960
Speaker 1: and help them through a pretty strange time. You have

721
00:35:42,040 --> 00:35:44,279
Speaker 1: sixteen number ones? How many more until you can do

722
00:35:44,360 --> 00:35:48,919
Speaker 1: a whole concert with all number ones? Dude? I feel

723
00:35:48,960 --> 00:35:50,680
Speaker 1: like we've been saying this for the last five years

724
00:35:50,719 --> 00:35:52,080
Speaker 1: to me and my band has been Man, if we

725
00:35:52,160 --> 00:35:53,680
Speaker 1: had one more hit, we wouldn't have to play a cover.

726
00:35:53,719 --> 00:35:55,160
Speaker 1: If we had one more hit, we we wouldn't have

727
00:35:55,160 --> 00:35:57,359
Speaker 1: to play an album cut. But I feel like we're

728
00:35:57,360 --> 00:35:59,000
Speaker 1: at least five or six singles away from able to

729
00:35:59,040 --> 00:36:01,760
Speaker 1: play a whole show, uh with with nothing else involved

730
00:36:01,800 --> 00:36:04,200
Speaker 1: in that. But there's also something fun about playing covers

731
00:36:04,239 --> 00:36:06,200
Speaker 1: and you know, playing songs off your record that aren't

732
00:36:06,239 --> 00:36:08,120
Speaker 1: aren't that well known. But uh, I would say we're

733
00:36:08,120 --> 00:36:10,320
Speaker 1: definitely five or six away. All right, Three more questions.

734
00:36:10,800 --> 00:36:13,200
Speaker 1: There's a new story this week where a couple with

735
00:36:13,360 --> 00:36:16,799
Speaker 1: fourteen sons welcome their first daughter. Now you have your

736
00:36:16,840 --> 00:36:19,879
Speaker 1: reverse going with all girls, what do you need? You're

737
00:36:19,880 --> 00:36:21,680
Speaker 1: gonna have a boy? You're chasing a boy? How many

738
00:36:21,760 --> 00:36:23,759
Speaker 1: until you just go, okay, we're never having a boy. Yeah,

739
00:36:23,800 --> 00:36:25,080
Speaker 1: I mean me and Laurener is kind of at the

740
00:36:25,080 --> 00:36:27,319
Speaker 1: point where our house is so chaotic anyway that uh,

741
00:36:27,520 --> 00:36:30,600
Speaker 1: you know, just as we continue to have kids. Um,

742
00:36:30,880 --> 00:36:32,600
Speaker 1: we just I mean, I definitely want to have a boy,

743
00:36:32,680 --> 00:36:34,480
Speaker 1: but but I doubt my wife would stop until we

744
00:36:34,480 --> 00:36:36,839
Speaker 1: get to at least five or six. So we'll see, Well,

745
00:36:36,880 --> 00:36:38,759
Speaker 1: you think you'll go five or six in Huh? I

746
00:36:38,880 --> 00:36:43,080
Speaker 1: think so, man, I really do see Lauren wants six kids,

747
00:36:43,080 --> 00:36:45,920
Speaker 1: We're gonna have probably gonna have six kids. Okay. Um,

748
00:36:46,360 --> 00:36:49,000
Speaker 1: next to last question, what is your favorite song of

749
00:36:49,080 --> 00:36:52,520
Speaker 1: all times? Either These Boots by Eric Church or H

750
00:36:52,920 --> 00:36:55,479
Speaker 1: or Misery and GM by my Merle Haggard. Those would

751
00:36:55,480 --> 00:36:57,320
Speaker 1: be two of my two of my favorites of all time? Okay,

752
00:36:57,440 --> 00:36:59,960
Speaker 1: and then finally, who's your favorite country artist of all time?

753
00:37:00,600 --> 00:37:02,040
Speaker 1: I've said, I mean, I've said it a million times,

754
00:37:02,080 --> 00:37:03,840
Speaker 1: but Eric Church, I think as far as like just

755
00:37:03,920 --> 00:37:05,680
Speaker 1: me growing up and really falling in love with the

756
00:37:05,719 --> 00:37:08,320
Speaker 1: craft of songwriting and and a guy that can just

757
00:37:08,440 --> 00:37:10,120
Speaker 1: perform the crap out of a show would be Eric

758
00:37:10,200 --> 00:37:12,280
Speaker 1: for sure. Okay, as we go, by the way, Thomas

759
00:37:12,360 --> 00:37:16,160
Speaker 1: Rutt tonight on the CMA Awards eight seventh Central on ABC,

760
00:37:16,640 --> 00:37:19,239
Speaker 1: what which secret hand gesture are you gonna do for

761
00:37:19,440 --> 00:37:22,920
Speaker 1: me tonight to recognize me as you're being recognized if

762
00:37:22,960 --> 00:37:27,680
Speaker 1: you win? Okay? We have no answer there like that.

763
00:37:28,840 --> 00:37:30,120
Speaker 1: I don't like I can't see you. I know you

764
00:37:30,200 --> 00:37:33,600
Speaker 1: can see me. I salute, Okay, But the veterans can

765
00:37:33,640 --> 00:37:36,399
Speaker 1: think it's for them. How great it can be great

766
00:37:36,440 --> 00:37:39,080
Speaker 1: and love that the veterans too. So tonight, if he

767
00:37:39,200 --> 00:37:42,400
Speaker 1: wins and he salutes, we know what that's about. All right, Yeah, right,

768
00:37:42,719 --> 00:37:44,359
Speaker 1: all right, Thomas, right, good talk to you, about good

769
00:37:44,400 --> 00:37:46,800
Speaker 1: luck tonight, buddy, all right, see you later. There is

770
00:37:47,160 --> 00:37:52,440
Speaker 1: Thomas Read the top three songs in country music Number

771
00:37:52,480 --> 00:38:01,000
Speaker 1: three Blake and Gwynn Happy Anywhere They're gonna be able

772
00:38:01,000 --> 00:38:02,759
Speaker 1: to do two in a row, two duets in a row,

773
00:38:02,840 --> 00:38:06,239
Speaker 1: pretty cool together, Number two Morgan Wall and more Than

774
00:38:06,280 --> 00:38:16,360
Speaker 1: My Hometown Gage the Girl, and number one Russell Dickerson

775
00:38:16,520 --> 00:38:19,839
Speaker 1: Love You Like I used to so, Dude, I get

776
00:38:20,000 --> 00:38:24,839
Speaker 1: used to this better. And the number one rock song

777
00:38:25,040 --> 00:38:28,320
Speaker 1: a CDC is back what here is Shot in the Dark.

778
00:38:34,520 --> 00:38:36,560
Speaker 1: If you played this for me, I would go, I

779
00:38:36,600 --> 00:38:38,960
Speaker 1: don't know. Seventies, eighties and nineties two. Yeah, it's just

780
00:38:39,320 --> 00:38:41,439
Speaker 1: it's just right on their sound. I wish more bands

781
00:38:41,520 --> 00:38:44,080
Speaker 1: did this. They're like exactly saying, sound exactly like they

782
00:38:44,160 --> 00:38:47,359
Speaker 1: did back thirty forty years ago. Yeah, first CD everbody, Yeah,

783
00:38:47,400 --> 00:38:52,560
Speaker 1: one of them was a CDC. You're Amy's Pile of Stories,

784
00:38:52,760 --> 00:38:56,520
Speaker 1: Bobby filling in Framy. Would you eat m mcplant? There's

785
00:38:56,600 --> 00:39:00,520
Speaker 1: new burgers coming to McDonald's, and it's already creating excitement

786
00:39:00,560 --> 00:39:05,239
Speaker 1: among vegan, vegetarian, and environmentally conscious fast food lovers. The

787
00:39:05,360 --> 00:39:09,920
Speaker 1: new plant based burger, called the mcplant, was first reported

788
00:39:09,960 --> 00:39:15,600
Speaker 1: by USA today. There are certain fake meats that taste good,

789
00:39:15,680 --> 00:39:17,960
Speaker 1: and there are certain fake meats that you know without

790
00:39:18,000 --> 00:39:22,680
Speaker 1: a doubt are a fake meat. Like what, Well, there's

791
00:39:22,680 --> 00:39:24,400
Speaker 1: a beat burger at this place that I go called

792
00:39:24,440 --> 00:39:27,399
Speaker 1: Truth Food Kitchen. Almost it's like a hamburger. Okay, that's cool,

793
00:39:27,440 --> 00:39:30,120
Speaker 1: it's amazing. I wouldn't even know it was a beat burger.

794
00:39:30,160 --> 00:39:33,759
Speaker 1: I would think it was a hamburger that wasn't a

795
00:39:33,840 --> 00:39:36,640
Speaker 1: great hamburger. I would think it's a decent hamburger. But

796
00:39:36,960 --> 00:39:39,320
Speaker 1: it's a beat burger that tastes like a decent hamburger.

797
00:39:39,960 --> 00:39:43,319
Speaker 1: So I haven't tried this one yet. Listen, I'm pumped

798
00:39:43,320 --> 00:39:47,560
Speaker 1: they're doing it. You try it, though, would you? It's

799
00:39:47,600 --> 00:39:52,160
Speaker 1: just not my thing. I'm really give it a shot,

800
00:39:52,360 --> 00:39:54,560
Speaker 1: right why? I guess if it were in here, But

801
00:39:54,600 --> 00:39:56,440
Speaker 1: I would never buy one going. I wonder if I'm

802
00:39:56,480 --> 00:39:58,480
Speaker 1: gonna eat this unlike it and buy more. I wouldn't

803
00:39:58,520 --> 00:40:02,000
Speaker 1: try it to go wonder because it's just not my theme.

804
00:40:02,200 --> 00:40:05,200
Speaker 1: Like the mcribbs. No, I'm a rib right, what is

805
00:40:05,280 --> 00:40:10,000
Speaker 1: that thing? Morgan europe vegetarian? Right? Yeah? Would you eat

806
00:40:10,040 --> 00:40:13,040
Speaker 1: the mcplant? I would? I mean the only like fake meat.

807
00:40:13,080 --> 00:40:15,720
Speaker 1: I don't like is tofu, which I think is pretty gross.

808
00:40:15,880 --> 00:40:18,240
Speaker 1: I could eat tofu in soup. Do you like tofu

809
00:40:18,520 --> 00:40:21,640
Speaker 1: like me? So soup? Yeah, exactly through me, so soup

810
00:40:21,719 --> 00:40:24,799
Speaker 1: and hot and sour soup. So if it comes from

811
00:40:24,960 --> 00:40:27,760
Speaker 1: somewhere Asian, it's got tofu in it. I'm down, baby.

812
00:40:28,520 --> 00:40:31,440
Speaker 1: My next story. The question is, is Michael Ray, who

813
00:40:31,520 --> 00:40:41,960
Speaker 1: sings this song right here, dating Travis Trit's daughter. Well, so,

814
00:40:42,120 --> 00:40:43,640
Speaker 1: Michael Ray has been in the news because he married

815
00:40:43,719 --> 00:40:46,680
Speaker 1: Carly Pierce. They were together like a week, got a divorce. Yes,

816
00:40:48,400 --> 00:40:52,120
Speaker 1: there were some allegations that he cheated on her. It's

817
00:40:52,120 --> 00:40:54,920
Speaker 1: a whole thing. Raymundo was standing up for Carly Pierce online,

818
00:40:55,400 --> 00:40:57,400
Speaker 1: who has no connection to them, by the way, the

819
00:40:57,520 --> 00:41:01,520
Speaker 1: same stuff. But so, Michael Ray was seen kissing Travis

820
00:41:01,600 --> 00:41:04,920
Speaker 1: Trit's daughter on the forehead on Instagram. Michael Ray, who

821
00:41:05,160 --> 00:41:12,319
Speaker 1: is thirty two, is with her name is is her

822
00:41:12,360 --> 00:41:16,160
Speaker 1: last name? Trip? Tyler Reese Trip. That's pretty cool. Here's

823
00:41:16,160 --> 00:41:19,880
Speaker 1: twenty two. Um. They were together on Halloween. They were

824
00:41:19,960 --> 00:41:24,120
Speaker 1: doing did the Little Mermaid? They did? You know what

825
00:41:24,880 --> 00:41:29,719
Speaker 1: whatever I mean? Single now true? The one guy would

826
00:41:29,760 --> 00:41:31,799
Speaker 1: not want to cross these Travis Trip. He still block

827
00:41:31,920 --> 00:41:34,360
Speaker 1: us from Twitter. Yeah, yeah, we're I think we're all blocked.

828
00:41:34,400 --> 00:41:37,480
Speaker 1: We're still no, we're unblocked. All the show is I

829
00:41:37,520 --> 00:41:41,120
Speaker 1: don't know all individually are Hey Scooba? Is he coming

830
00:41:41,160 --> 00:41:43,319
Speaker 1: on or is he against coming on the show. That's

831
00:41:43,360 --> 00:41:45,880
Speaker 1: a story for off air, but as of right now,

832
00:41:45,960 --> 00:41:48,640
Speaker 1: he's not coming in. He was unblocking you guys, and

833
00:41:48,920 --> 00:41:51,200
Speaker 1: we're looking at January to come in live to perform.

834
00:41:51,480 --> 00:41:57,200
Speaker 1: Still blocked, Um, I am not blocked. Nice new single

835
00:41:57,280 --> 00:41:59,920
Speaker 1: ghost Town Nation out now? Right? Wait? So is it

836
00:42:00,080 --> 00:42:02,920
Speaker 1: controversial more that you and I should talk about later?

837
00:42:03,600 --> 00:42:07,800
Speaker 1: Not controversial but kind of hm? So I mean, Jess, okay,

838
00:42:09,000 --> 00:42:10,520
Speaker 1: I'll record of life. I'm gonna bring it into my

839
00:42:10,640 --> 00:42:14,960
Speaker 1: on the job. The strangest names the parents picked for

840
00:42:15,040 --> 00:42:17,880
Speaker 1: babies last year, and these aren't just one crazy parents.

841
00:42:17,960 --> 00:42:19,839
Speaker 1: There had to be at least five parents named their

842
00:42:19,880 --> 00:42:24,960
Speaker 1: kids this At number five, mcgiver cool the cool name

843
00:42:25,080 --> 00:42:30,440
Speaker 1: right there? Is it? Yeah? Are you sure? Yes? Iceland,

844
00:42:31,200 --> 00:42:39,160
Speaker 1: that's kind of cool. I guess I'm struggling on both,

845
00:42:39,239 --> 00:42:41,239
Speaker 1: but I don't hate them as much as the number

846
00:42:41,280 --> 00:42:45,040
Speaker 1: three one. Okay, what you got dairy? Dairy like milk

847
00:42:45,320 --> 00:42:48,719
Speaker 1: spelled like milk. Yeah, that one is no good? No?

848
00:42:49,320 --> 00:42:54,239
Speaker 1: What five parents named their kid dairy? Weirdo? Uh mama, no,

849
00:42:54,680 --> 00:42:57,560
Speaker 1: m a m I mean that's kind of cool. Well,

850
00:42:57,840 --> 00:43:03,399
Speaker 1: and then number one Cinderella. That's too much awful. Then again,

851
00:43:03,480 --> 00:43:07,160
Speaker 1: Cinderella was named Cinderella. Those five, Eddie, which one you

852
00:43:07,320 --> 00:43:10,120
Speaker 1: like the best? Iceland I was pretty cool. Could be

853
00:43:10,160 --> 00:43:13,560
Speaker 1: a guy or a girl too? Yeah? Oh Ice or

854
00:43:13,800 --> 00:43:19,440
Speaker 1: Land dairy is the worst. That's so bad. So at

855
00:43:19,520 --> 00:43:23,160
Speaker 1: least five parents named there kids that George Stephanopolis would like.

856
00:43:23,280 --> 00:43:26,600
Speaker 1: Alex Trebek's Jeopardy hosting gig, I made the prediction that

857
00:43:26,680 --> 00:43:30,720
Speaker 1: I think it will go to Ken Chances, Ken Jennings. Jennings,

858
00:43:30,800 --> 00:43:33,759
Speaker 1: what about you? You thought about that? Okay, I'm not

859
00:43:34,000 --> 00:43:37,719
Speaker 1: beloved enough in the Jeopardy community. And then finally, how

860
00:43:37,800 --> 00:43:41,799
Speaker 1: much turkey to make per person whenever Thanksgiving comes along? Oh,

861
00:43:42,960 --> 00:43:45,600
Speaker 1: you'll want to plan on about one point two five

862
00:43:45,760 --> 00:43:49,080
Speaker 1: pounds of turkey per person attending. That means, if you're

863
00:43:49,080 --> 00:43:51,800
Speaker 1: expecting twelve guests, you did a fifteen pounds turkey. Got it?

864
00:43:52,719 --> 00:43:55,200
Speaker 1: What are you guys doing? I just get a good

865
00:43:55,239 --> 00:43:57,839
Speaker 1: sized turkey and then we're short. We're short. No, I'm

866
00:43:57,880 --> 00:43:59,160
Speaker 1: saying what are you doing for? Thanks you? Oh, just

867
00:43:59,239 --> 00:44:01,239
Speaker 1: that's the house. It's just us and the kids, just

868
00:44:01,400 --> 00:44:03,200
Speaker 1: us and our family at the house. There you go.

869
00:44:03,280 --> 00:44:06,640
Speaker 1: That's a pile of stories. Thank you. That was Amy's

870
00:44:06,680 --> 00:44:15,560
Speaker 1: pile of stories. Kid's time for the good news. Mason Ochoa,

871
00:44:15,680 --> 00:44:17,360
Speaker 1: he's four years old and he was running around the

872
00:44:17,400 --> 00:44:20,239
Speaker 1: backyard with his two year old little brother and he

873
00:44:20,440 --> 00:44:22,279
Speaker 1: falls in the pool. The two year old falls in,

874
00:44:22,520 --> 00:44:24,439
Speaker 1: and Mason's like, what do I do? Oh my gosh,

875
00:44:24,440 --> 00:44:26,640
Speaker 1: and he jumps in tries to save him, but he's four,

876
00:44:27,080 --> 00:44:29,359
Speaker 1: so he does his best. He grabs his little brother

877
00:44:29,400 --> 00:44:31,960
Speaker 1: and holds him up over his head kind of like

878
00:44:32,080 --> 00:44:34,680
Speaker 1: you know, just walks the little shallow area to keep

879
00:44:34,719 --> 00:44:37,920
Speaker 1: him alive. He screams, he screams, he screams like somebody,

880
00:44:38,040 --> 00:44:41,160
Speaker 1: help help. Somebody finally heard and they called the paramedics.

881
00:44:41,239 --> 00:44:43,959
Speaker 1: They showed up, they saved the little boy. Everybody's healthy,

882
00:44:44,080 --> 00:44:47,560
Speaker 1: he's fine, and so now Mason is an honorary firefighter

883
00:44:47,600 --> 00:44:49,920
Speaker 1: of that town. The kid was smart enough to put

884
00:44:50,000 --> 00:44:51,879
Speaker 1: the young kid on his shoulder, a four year old,

885
00:44:52,040 --> 00:44:56,439
Speaker 1: That's what I'm saying. Unbelievable put the younger kid. Yep, yeah,

886
00:44:56,560 --> 00:44:59,560
Speaker 1: I mean, honestly, those situations you don't even know how

887
00:44:59,600 --> 00:45:03,440
Speaker 1: A four le's gonna react, and Mason reacted exactly how

888
00:45:03,480 --> 00:45:05,759
Speaker 1: you would hope you would. That's amazing, pretty cool. That's

889
00:45:05,800 --> 00:45:08,480
Speaker 1: what it's all about. That was tell me something good.

890
00:45:10,440 --> 00:45:12,640
Speaker 1: Craig Morgan gonna be in studio and he's gonna perform,

891
00:45:12,680 --> 00:45:15,000
Speaker 1: coming up in fifteen twenty minutes, and this is such

892
00:45:15,040 --> 00:45:17,440
Speaker 1: a historic day on the show that Craig's coming in

893
00:45:17,600 --> 00:45:19,880
Speaker 1: that Kayla, my fiance, I wanted to come to the studio.

894
00:45:20,120 --> 00:45:23,000
Speaker 1: I invited her. She was like, I'm there, She's here

895
00:45:23,080 --> 00:45:28,080
Speaker 1: right now to watch Craig Morgan live. Yeah, yeah, sorry, sorry,

896
00:45:28,160 --> 00:45:30,600
Speaker 1: So how do you feel? I feel pumped? Yeah? I

897
00:45:30,760 --> 00:45:35,120
Speaker 1: love Craig Morgan, favorite song, favorite Craig, Oh favorite Greig.

898
00:45:35,520 --> 00:45:38,480
Speaker 1: If we were listing second and third, Craig Zough, Craig Roberson,

899
00:45:39,200 --> 00:45:42,520
Speaker 1: who is that Dynasty? Oh oh no, that's isn't that?

900
00:45:43,320 --> 00:45:46,279
Speaker 1: Isn't that? Oh? Yeah? Cig Robinson? Yeah yeah, yeah, I

901
00:45:46,440 --> 00:45:48,480
Speaker 1: thought she said rob Yeah. I kind of said it

902
00:45:48,560 --> 00:45:54,319
Speaker 1: quietly because I wasn't sure. So Craig Morrigan, Craig Robinson.

903
00:45:55,560 --> 00:45:57,960
Speaker 1: I mean that's all we got, right, Craig Biggio oh,

904
00:45:58,120 --> 00:46:02,080
Speaker 1: from the that you used to astros, Craig More, Craig Campbell,

905
00:46:02,520 --> 00:46:06,479
Speaker 1: Craig Campbell, I would do. Craig Conover from Southern Charm

906
00:46:07,960 --> 00:46:13,920
Speaker 1: No One. Okayig Morgan's okay, Craig Ferguson, Oh the Brett

907
00:46:14,120 --> 00:46:16,600
Speaker 1: they had the talk show. Oh yeah, I remember him,

908
00:46:17,239 --> 00:46:21,879
Speaker 1: Craig Craig O'Neil from Arkansas Morning Radio and THHV Channel

909
00:46:21,880 --> 00:46:24,440
Speaker 1: eleven News and let Craig Colber went to high school

910
00:46:24,440 --> 00:46:29,200
Speaker 1: with him. Okay, so kit, let's here, let's do the

911
00:46:29,400 --> 00:46:31,640
Speaker 1: morning corny. Amy's not here. I'm doing the morning Corny

912
00:46:31,680 --> 00:46:38,360
Speaker 1: for her, So let's do that first morning corny. Repeat

913
00:46:38,400 --> 00:46:42,000
Speaker 1: back the joke, Caitlin, Okay, okay. How does Jesus make

914
00:46:42,080 --> 00:46:45,080
Speaker 1: his coffee? How does Jesus make his coffee? He brews it?

915
00:46:46,080 --> 00:46:54,520
Speaker 1: Oh Hebrew? That was the morning corny. Well, since we

916
00:46:54,640 --> 00:46:57,560
Speaker 1: have you here, is it okay to talk about the

917
00:46:57,640 --> 00:47:00,640
Speaker 1: wedding dress shopping you did this past weekend? Can I

918
00:47:00,719 --> 00:47:03,040
Speaker 1: tell you what made me uncomfortable about it? You almost

919
00:47:03,040 --> 00:47:05,200
Speaker 1: showed me a picture of it. I didn't. That wasn't

920
00:47:05,239 --> 00:47:07,200
Speaker 1: even the right one. She was like, look it, so here,

921
00:47:07,280 --> 00:47:09,399
Speaker 1: you're not. I guess you're not supposed see the wedding dress, yeah,

922
00:47:09,560 --> 00:47:11,759
Speaker 1: which he's been crazy about. I don't want to see

923
00:47:12,000 --> 00:47:14,759
Speaker 1: anything about it, Okay, Why I don't tell me what

924
00:47:14,840 --> 00:47:17,600
Speaker 1: color it is? I'm likes white? Why because it brings

925
00:47:17,800 --> 00:47:23,040
Speaker 1: bad luck? Yeah, supposedly, Which if our relationship is that shaky,

926
00:47:23,400 --> 00:47:27,439
Speaker 1: then like, let's reevaluate, because I'm pretty sure we could stand. Well.

927
00:47:27,560 --> 00:47:30,399
Speaker 1: She goes and sends me a picture of her though,

928
00:47:30,480 --> 00:47:33,040
Speaker 1: in a wedding dress that she didn't pick. Yeah, is

929
00:47:33,120 --> 00:47:36,799
Speaker 1: that acceptable? Yeah? Yes, she saying this one sucked. They

930
00:47:36,880 --> 00:47:39,480
Speaker 1: did that with Ray Ray. You saw wedding dresses that

931
00:47:39,520 --> 00:47:41,480
Speaker 1: she did a p Yeah, I saw like five runner ups.

932
00:47:41,520 --> 00:47:43,600
Speaker 1: I never saw the it one though, until the day

933
00:47:43,640 --> 00:47:45,200
Speaker 1: of well, I even felt like comfortable with that. I

934
00:47:45,280 --> 00:47:47,640
Speaker 1: was like, am I supposed to see this? Is it supposed?

935
00:47:47,719 --> 00:47:49,279
Speaker 1: Is it supposed to be? Like you white? Me going?

936
00:47:49,440 --> 00:47:53,440
Speaker 1: Why where white? Sometimes? Do you? Though? It's kind of

937
00:47:53,440 --> 00:47:56,680
Speaker 1: always kind of dingy because because I don't know how

938
00:47:56,680 --> 00:47:59,200
Speaker 1: to wat and how was that wedding? So you go

939
00:47:59,360 --> 00:48:02,160
Speaker 1: into a wor and you take your own my girls,

940
00:48:02,280 --> 00:48:04,480
Speaker 1: you take your friends, and that's a thing for girls.

941
00:48:04,560 --> 00:48:06,440
Speaker 1: You go with your friends, and yeah, it was a

942
00:48:06,520 --> 00:48:08,960
Speaker 1: thing It was awkward for a second for me, just

943
00:48:09,080 --> 00:48:12,360
Speaker 1: because it's weird to walk in and be try on

944
00:48:12,520 --> 00:48:15,359
Speaker 1: something and then everyone's staring at you telling you if

945
00:48:15,400 --> 00:48:17,279
Speaker 1: they like it or not, Like that's just a little weird.

946
00:48:17,520 --> 00:48:19,560
Speaker 1: Oh did they tell you that if they like it

947
00:48:19,640 --> 00:48:21,319
Speaker 1: before you get to give your opinion, because you don't

948
00:48:21,320 --> 00:48:22,640
Speaker 1: want to say I don't like it. Then that'd be

949
00:48:22,640 --> 00:48:24,480
Speaker 1: the dress be like, oh, you're like, I love it,

950
00:48:24,600 --> 00:48:27,000
Speaker 1: that's weird. No, that would have been weird. They didn't.

951
00:48:27,040 --> 00:48:30,480
Speaker 1: They waited on my reaction and then would say what

952
00:48:30,640 --> 00:48:33,080
Speaker 1: they thought smart, which was nice. Yeah, and you picked

953
00:48:33,120 --> 00:48:36,319
Speaker 1: your dress. Yes, it's the most beautiful thing I've ever seen.

954
00:48:36,560 --> 00:48:38,560
Speaker 1: You said yes to the dress. I said yes to

955
00:48:38,680 --> 00:48:41,920
Speaker 1: the dress already. Yeah, I was so quick. I honestly

956
00:48:42,000 --> 00:48:45,280
Speaker 1: tried on like board dresses and was like it because

957
00:48:45,320 --> 00:48:47,200
Speaker 1: she went into the day going I'm not going to

958
00:48:47,280 --> 00:48:51,400
Speaker 1: find anything like you were a bit yeah, pessimistic about

959
00:48:51,440 --> 00:48:54,719
Speaker 1: the process. I don't like tin on clothes. I feel like,

960
00:48:54,920 --> 00:48:56,560
Speaker 1: I mean, maybe Morgan, get to like, if you go

961
00:48:56,680 --> 00:48:59,520
Speaker 1: and you're looking for something specific, you never find it,

962
00:48:59,760 --> 00:49:02,480
Speaker 1: never find it, It's never good enough. I'm like, I

963
00:49:02,680 --> 00:49:05,960
Speaker 1: looked disgusting. This is horrible, and I didn't want that

964
00:49:06,160 --> 00:49:08,239
Speaker 1: for my wedding dress. Like I just wanted to be

965
00:49:08,320 --> 00:49:10,560
Speaker 1: a good day. So I was nervous about it. But

966
00:49:10,880 --> 00:49:14,000
Speaker 1: I went to a shop here in Nashville and they

967
00:49:14,080 --> 00:49:16,719
Speaker 1: were just lovely. And you can shout him out if

968
00:49:16,760 --> 00:49:19,120
Speaker 1: you want. Oh the dress Theory Nashville. My girl Gianna,

969
00:49:19,239 --> 00:49:23,520
Speaker 1: she's amazing. M Yeah, she brought dresses that she thought

970
00:49:23,560 --> 00:49:26,040
Speaker 1: I would like. She listened to my reactions and she

971
00:49:26,160 --> 00:49:31,120
Speaker 1: brought me the perfect dress. I cried, My friends all cried.

972
00:49:31,880 --> 00:49:34,959
Speaker 1: We had my mom on FaceTime. She was crying. It's

973
00:49:35,040 --> 00:49:37,680
Speaker 1: just it was so special. Do you guys like drink

974
00:49:37,719 --> 00:49:39,480
Speaker 1: champagne and stuff all what's happening is that, Yeah they

975
00:49:39,520 --> 00:49:43,759
Speaker 1: had champagne. But does that affect your emotional No? No,

976
00:49:44,440 --> 00:49:46,440
Speaker 1: I mean I think it was just emotional. I just

977
00:49:46,840 --> 00:49:50,439
Speaker 1: saw myself in a dress. It wasn't that I thought

978
00:49:50,640 --> 00:49:53,520
Speaker 1: I look ravishing. It was just like I had on

979
00:49:53,600 --> 00:49:57,279
Speaker 1: this dress and I was like, I'm gonna get emotional now.

980
00:49:57,320 --> 00:50:00,800
Speaker 1: It was just like I get to marry the person

981
00:50:00,920 --> 00:50:03,800
Speaker 1: I should like, the best person for me, and I

982
00:50:03,920 --> 00:50:06,920
Speaker 1: just never knew it could feel this good and this

983
00:50:07,080 --> 00:50:08,800
Speaker 1: settled and so I was just like standing in the

984
00:50:08,840 --> 00:50:11,520
Speaker 1: mirror looking at myself in this dress, thinking, oh my gosh,

985
00:50:11,600 --> 00:50:14,440
Speaker 1: I like, it's not even about the dress, it's just

986
00:50:14,560 --> 00:50:17,160
Speaker 1: this is real, Like I'm really gonna get married to you.

987
00:50:17,760 --> 00:50:21,520
Speaker 1: I was special. Wow, And how do you feel about that?

988
00:50:22,200 --> 00:50:25,799
Speaker 1: Getting married to me? Amazing? Nice? That's how much she said. Yeah,

989
00:50:26,280 --> 00:50:29,480
Speaker 1: are you gonna cry every time something happens like like

990
00:50:29,760 --> 00:50:34,399
Speaker 1: get the You're like okay, okay, leave it to them

991
00:50:34,600 --> 00:50:40,240
Speaker 1: to ruin my No, I'm not gonna cry at the forks.

992
00:50:40,480 --> 00:50:47,279
Speaker 1: But that was special. Chocolate cream? Are we doing that?

993
00:50:48,680 --> 00:50:50,480
Speaker 1: Like going and do you eat a bunch of cake? Yeah,

994
00:50:50,680 --> 00:50:54,560
Speaker 1: we're gonna do taste taste. Yeah. I didn't go. I went.

995
00:50:54,840 --> 00:50:56,600
Speaker 1: My wife went with her dad because I don't like cake.

996
00:50:56,719 --> 00:50:59,000
Speaker 1: So I said, you go doing sparks. It's about if

997
00:50:59,000 --> 00:51:04,120
Speaker 1: you like cake or She probably doesn't like napkins, but

998
00:51:04,239 --> 00:51:05,960
Speaker 1: she had to choose them. Oh no, she spent forty

999
00:51:06,000 --> 00:51:08,240
Speaker 1: five minutes looking at napkins because they were different color whites.

1000
00:51:08,320 --> 00:51:10,080
Speaker 1: I mean, I was like, I'm out, that's to make

1001
00:51:10,120 --> 00:51:12,960
Speaker 1: it special. No, no one cares about the napkins. Just

1002
00:51:13,040 --> 00:51:15,160
Speaker 1: picked the first napkins because they're just napkins. No one

1003
00:51:15,200 --> 00:51:17,719
Speaker 1: cares about the plates because they're just plates. How many

1004
00:51:17,760 --> 00:51:19,680
Speaker 1: weddings can you tell me you went to tell me

1005
00:51:19,760 --> 00:51:21,480
Speaker 1: what the plates looked like? You have no freaking out?

1006
00:51:21,600 --> 00:51:26,960
Speaker 1: Yes I do. Actually several or gold summer silver phrase,

1007
00:51:27,000 --> 00:51:32,120
Speaker 1: we're white, challenge me. They were like they had some

1008
00:51:32,280 --> 00:51:34,760
Speaker 1: gold thing underneath it. That's what I'm saying. No one cares.

1009
00:51:34,840 --> 00:51:37,359
Speaker 1: It's just a plate. It's important to us to make

1010
00:51:37,400 --> 00:51:40,160
Speaker 1: the day good for our guests, so we like it.

1011
00:51:40,280 --> 00:51:43,400
Speaker 1: If the groom won't help out a little bit, would

1012
00:51:43,400 --> 00:51:48,759
Speaker 1: you say I'm helping out? I'd say I'd say that

1013
00:51:48,880 --> 00:51:51,280
Speaker 1: you are when I ask you to. But the problem

1014
00:51:51,360 --> 00:51:54,279
Speaker 1: that we have sometimes with the wedding is that every

1015
00:51:54,360 --> 00:51:57,440
Speaker 1: suggestion he gives is a jokey one. Yeah. Sure. So

1016
00:51:57,760 --> 00:52:01,120
Speaker 1: it's like I don't even go to him with real ones,

1017
00:52:01,239 --> 00:52:02,560
Speaker 1: or if he has a real one, I kind of

1018
00:52:02,600 --> 00:52:04,279
Speaker 1: shut it down because I'm like, I don't want you

1019
00:52:04,400 --> 00:52:06,719
Speaker 1: to say I want to quack down the aisle. It's

1020
00:52:06,760 --> 00:52:12,040
Speaker 1: like it's not gonna happen, or like whatever. He's like, hey,

1021
00:52:12,360 --> 00:52:14,440
Speaker 1: me and a red me and red tucks Eddy and

1022
00:52:14,480 --> 00:52:16,920
Speaker 1: a green rage idiots. I'm like, it's not a it's

1023
00:52:16,920 --> 00:52:22,000
Speaker 1: not a concert. Wedding. I don't want to start fighting ahead.

1024
00:52:22,080 --> 00:52:27,439
Speaker 1: There's no fight. We're not fighting words totally like wet cool, right. Okay,

1025
00:52:28,400 --> 00:52:31,120
Speaker 1: have you tied it on his color of his tucks? Okay,

1026
00:52:31,239 --> 00:52:33,120
Speaker 1: thank you for bringing that up. That's why I liked

1027
00:52:33,880 --> 00:52:36,279
Speaker 1: because I did see that somewhere on the show. I

1028
00:52:36,280 --> 00:52:38,000
Speaker 1: guess y'all have said I wouldn't let you wear red,

1029
00:52:38,120 --> 00:52:39,839
Speaker 1: or you wanted to wear red or something. It might

1030
00:52:39,880 --> 00:52:42,640
Speaker 1: have been an article and some listeners were saying that

1031
00:52:42,840 --> 00:52:44,600
Speaker 1: I needed to let you wear red. Thank you for

1032
00:52:44,640 --> 00:52:47,399
Speaker 1: your feedback, listeners. But this is the thing. I will

1033
00:52:47,520 --> 00:52:50,960
Speaker 1: let him wear red. He wants to wear fire engine red. Nice,

1034
00:52:51,200 --> 00:52:59,080
Speaker 1: thank you. I I have offered every shade of red

1035
00:52:59,440 --> 00:53:04,200
Speaker 1: that would be a appropriate Argindy maroons, not red, that's maroon.

1036
00:53:04,239 --> 00:53:08,480
Speaker 1: Excuse me, a little sooner crimson. I don't know what

1037
00:53:08,640 --> 00:53:11,640
Speaker 1: I'm not wearing sooner color. That's what that means. By that,

1038
00:53:11,719 --> 00:53:14,160
Speaker 1: I'm saying, we have looked for a red that would

1039
00:53:14,239 --> 00:53:19,560
Speaker 1: compliment the venue and the dress and everything, and I've

1040
00:53:19,600 --> 00:53:21,839
Speaker 1: offered tin shades of red, and he just keeps coming

1041
00:53:21,880 --> 00:53:24,359
Speaker 1: back to firing. Look at his hat. That Arkansas red

1042
00:53:24,400 --> 00:53:27,120
Speaker 1: looks perfect. It's not happening. That's what I want, Arkansas Red.

1043
00:53:27,160 --> 00:53:30,239
Speaker 1: That's okay. I I've I'm out. I'm gonna wear a

1044
00:53:30,320 --> 00:53:33,520
Speaker 1: black But Stanley is gonna get to walk down the aisle,

1045
00:53:33,600 --> 00:53:36,880
Speaker 1: of course, and I have other things. Stanley is going

1046
00:53:36,920 --> 00:53:38,440
Speaker 1: to be walked down the aisle. No, No, we just

1047
00:53:38,480 --> 00:53:40,400
Speaker 1: want to run free. We open it up like a

1048
00:53:40,480 --> 00:53:41,960
Speaker 1: dog race. We put him in a crate and you

1049
00:53:42,040 --> 00:53:44,719
Speaker 1: open it and just see where he runs. Can you imagine? Um?

1050
00:53:45,040 --> 00:53:48,200
Speaker 1: But and then we're hoping, you know, because we're looking

1051
00:53:48,200 --> 00:53:53,399
Speaker 1: at an early summer wedding, we're hoping that vaccine is rocking.

1052
00:53:53,520 --> 00:53:56,600
Speaker 1: Which absolutely, there was an update today or so. Anyway,

1053
00:53:56,840 --> 00:53:59,160
Speaker 1: it's going good. It's going great. I am handling the

1054
00:53:59,280 --> 00:54:02,160
Speaker 1: music though, of reached out to my buddy Kramer. Who Cramer?

1055
00:54:02,200 --> 00:54:06,160
Speaker 1: Who DJs? Who DJ's on Little Rock Kramer. Yeah, He's like,

1056
00:54:06,200 --> 00:54:08,960
Speaker 1: I got a great guy. I'm like, he's like, he's

1057
00:54:09,000 --> 00:54:12,320
Speaker 1: a great bay babe, He's a great DJ. Tell me

1058
00:54:12,360 --> 00:54:16,080
Speaker 1: about him. Got a little connection around here Nationale. Oh yeah,

1059
00:54:16,120 --> 00:54:18,080
Speaker 1: a lot of good DJs around him, SIVI. I'm like,

1060
00:54:18,239 --> 00:54:20,399
Speaker 1: just let me know. I can't wait to sorry, can't

1061
00:54:20,440 --> 00:54:22,440
Speaker 1: wait to hear him. He's like no, buddy from back

1062
00:54:22,440 --> 00:54:26,080
Speaker 1: in Arkansas. I said, when's the last time you even

1063
00:54:26,320 --> 00:54:29,680
Speaker 1: saw Kramer? And he's like, probably twenty years ago. He goes,

1064
00:54:29,840 --> 00:54:36,160
Speaker 1: but he's doing great things on Facebook Live. Wow, yeah, buddy,

1065
00:54:36,840 --> 00:54:40,440
Speaker 1: I'm good. Grammar has in twenty years. Oh yeah, he

1066
00:54:40,560 --> 00:54:43,239
Speaker 1: does weddings all the time. I reached out to him

1067
00:54:43,239 --> 00:54:44,560
Speaker 1: and I was like, hey, man, you free. He goes,

1068
00:54:44,680 --> 00:54:47,040
Speaker 1: that's like the one weekend I'm free. Oh, I said, oh,

1069
00:54:47,200 --> 00:54:50,560
Speaker 1: the one weekend he's free. Miraculous when he really said

1070
00:54:50,600 --> 00:54:54,960
Speaker 1: he had the whole year free everyone. Thank you, Kramer.

1071
00:54:55,000 --> 00:54:57,279
Speaker 1: I'm really excited to hear your work. Thank you. And

1072
00:54:57,360 --> 00:55:01,160
Speaker 1: I'm picking the band. Yeah. Yeah, I'll be a part

1073
00:55:01,200 --> 00:55:03,279
Speaker 1: of that. Yeah you are. You'll bring me some people

1074
00:55:03,280 --> 00:55:05,960
Speaker 1: and we'll discuss it together. Craig Morgan's about to be in.

1075
00:55:06,080 --> 00:55:09,000
Speaker 1: But before we go away and come back, let me

1076
00:55:09,160 --> 00:55:10,840
Speaker 1: say that. So Eddie and I were playing in a

1077
00:55:11,320 --> 00:55:13,960
Speaker 1: charity golf tournament and I said, hendy to ask Kaitlin

1078
00:55:14,000 --> 00:55:20,960
Speaker 1: a question, and so caller on FaceTime. FaceTime rings for

1079
00:55:21,040 --> 00:55:23,960
Speaker 1: about five minutes unavailable, and I'm like, well crap. So

1080
00:55:24,040 --> 00:55:26,480
Speaker 1: Eddie goes, well, let me call her three seconds times.

1081
00:55:26,680 --> 00:55:30,359
Speaker 1: I hang up it's like, oh, hey, Eddie, Hey, what's up.

1082
00:55:32,880 --> 00:55:36,160
Speaker 1: The truth is my phone was face down, I guess

1083
00:55:36,200 --> 00:55:38,120
Speaker 1: while he was calling me. My phone's always on silent,

1084
00:55:38,239 --> 00:55:40,440
Speaker 1: which is probably not good because I lose it all

1085
00:55:40,440 --> 00:55:42,320
Speaker 1: the time. But it was facedown, so I didn't know

1086
00:55:42,400 --> 00:55:44,160
Speaker 1: he called. And then I just happened to flip it over.

1087
00:55:44,200 --> 00:55:48,400
Speaker 1: I see Eddie. I'm like, Eddy, hey, what's up? And

1088
00:55:48,480 --> 00:55:49,640
Speaker 1: they were together and it was just Eddie and then

1089
00:55:49,640 --> 00:55:52,440
Speaker 1: Bobby's like, hey, I called you. I don't talk like

1090
00:55:52,680 --> 00:55:55,640
Speaker 1: or I find Marshall built. I called you. All right,

1091
00:55:55,680 --> 00:55:57,880
Speaker 1: that's it. We're gonna go. You're staying here, though, Can

1092
00:55:57,920 --> 00:56:00,360
Speaker 1: I watch the concert next? One hundred percents? Why she

1093
00:56:00,520 --> 00:56:03,560
Speaker 1: came in. Craig Morgan's going to perform your favorite Craig

1094
00:56:03,600 --> 00:56:06,279
Speaker 1: Morgan song is that's what I love about Sunday. Make

1095
00:56:06,320 --> 00:56:10,960
Speaker 1: sure he plays that one on the Bobby Bones Show. Now, Greig,

1096
00:56:11,040 --> 00:56:12,680
Speaker 1: how are you man? I'm good, buddy, how are you?

1097
00:56:12,800 --> 00:56:14,960
Speaker 1: It's good to see. I mean I see quite regularly

1098
00:56:15,120 --> 00:56:17,360
Speaker 1: doing yeah, but still it's really good to see in

1099
00:56:17,400 --> 00:56:20,000
Speaker 1: studio you two man. Today is a special day because

1100
00:56:20,120 --> 00:56:23,200
Speaker 1: never in the history of my show has my now

1101
00:56:23,280 --> 00:56:27,120
Speaker 1: fiance wanted to come and watch a performance. Not once

1102
00:56:27,480 --> 00:56:30,840
Speaker 1: I started following you. Oh my gosh, you did follow you.

1103
00:56:32,440 --> 00:56:35,399
Speaker 1: I'm not a creeper to this or Instagram. I love

1104
00:56:35,520 --> 00:56:37,840
Speaker 1: Bobby and so I kind of watch who he follows,

1105
00:56:37,880 --> 00:56:40,040
Speaker 1: and and then I see all y'all's post, and so

1106
00:56:40,200 --> 00:56:42,480
Speaker 1: I started following you. Oh I'm going to follow you back.

1107
00:56:42,520 --> 00:56:44,279
Speaker 1: I turned my phone off so it wouldn't go off

1108
00:56:44,400 --> 00:56:47,600
Speaker 1: right now, I did, but I stopped. What did I do?

1109
00:56:47,760 --> 00:56:51,440
Speaker 1: I'm sorry? No, I just felt weird. Now I have permis.

1110
00:56:51,760 --> 00:56:54,239
Speaker 1: That's awesome. She might be your biggest fan ever. Oh

1111
00:56:54,360 --> 00:56:56,640
Speaker 1: you're so sweet. That's awesome. And I didn't know, but

1112
00:56:56,719 --> 00:56:59,080
Speaker 1: I would just start, you know, I'd have different playlists

1113
00:56:59,080 --> 00:57:01,239
Speaker 1: that you were on, and she wouldn't every single word

1114
00:57:01,280 --> 00:57:04,759
Speaker 1: to every single songs on your playlist. If I turn

1115
00:57:04,840 --> 00:57:07,839
Speaker 1: it on. Craig Morgan artist on Spotify, no skips. Oh

1116
00:57:08,000 --> 00:57:10,919
Speaker 1: you're so sweet. That's awesome. What is your favorite Craig

1117
00:57:10,960 --> 00:57:15,240
Speaker 1: Morgan song? A? Well, but I love about Sunday obviously?

1118
00:57:15,400 --> 00:57:18,080
Speaker 1: Do you guys know that? Having it right now? All? Right?

1119
00:57:18,080 --> 00:57:19,560
Speaker 1: Here we go, here we go, let's little of it.

1120
00:57:36,440 --> 00:57:41,320
Speaker 1: Ravens in his Sunday best. He's usually up to his

1121
00:57:41,520 --> 00:57:48,520
Speaker 1: chairs and old and green, there's a mountains long and

1122
00:57:48,680 --> 00:57:53,560
Speaker 1: in with that mean little freckle faced kid who broke

1123
00:57:53,640 --> 00:57:59,200
Speaker 1: a window last street. Sweet miss Betty likes to sing

1124
00:57:59,320 --> 00:58:03,240
Speaker 1: off key and the pub behind me. That's what I

1125
00:58:03,400 --> 00:58:08,800
Speaker 1: love about Sunday. I sing along as a quiet ways

1126
00:58:10,080 --> 00:58:16,720
Speaker 1: every verse of amazing grace. Then we shake the beach's hands,

1127
00:58:17,240 --> 00:58:21,880
Speaker 1: go home and to your bojeans, have some chicken as

1128
00:58:21,920 --> 00:58:27,840
Speaker 1: some made beans, to pick a backyard football team, not

1129
00:58:28,160 --> 00:58:33,520
Speaker 1: do much of anything. It's what I love about Sunday,

1130
00:58:37,040 --> 00:58:41,200
Speaker 1: nice glood. I don't think once we sent you voicing

1131
00:58:41,240 --> 00:58:43,920
Speaker 1: them off her singing that in the car. Thanks, y'all's

1132
00:58:43,960 --> 00:58:45,880
Speaker 1: like act. You're singing every song. I can't get a stop.

1133
00:58:46,000 --> 00:58:48,400
Speaker 1: That's awesome. I do have a question. Can I ask

1134
00:58:48,480 --> 00:58:50,400
Speaker 1: a question? You do whatever you want? Okay? Is it

1135
00:58:50,720 --> 00:58:53,640
Speaker 1: Sally and Rod, Ron or Rob? Because I trail off,

1136
00:58:53,720 --> 00:58:56,840
Speaker 1: I hit raw hard and don't ever know what a

1137
00:58:58,120 --> 00:59:02,919
Speaker 1: funny is funny? I don't know, So where's that line?

1138
00:59:03,520 --> 00:59:07,760
Speaker 1: Looks like Sally and Ron looks like Sally and Ron,

1139
00:59:11,040 --> 00:59:20,800
Speaker 1: RA looks like Sally and Rum. It's up to our interpretation. Ron, Yeah,

1140
00:59:20,800 --> 00:59:29,680
Speaker 1: it might be Rob. It could be Bob Sealing. Hey,

1141
00:59:29,800 --> 00:59:32,720
Speaker 1: so today Rainia for a couple of reasons. One, um,

1142
00:59:32,880 --> 00:59:35,120
Speaker 1: she loves you, obviously I do. But it's also a

1143
00:59:35,200 --> 00:59:38,720
Speaker 1: Veterans Day today, it is, which it's very special day,

1144
00:59:38,920 --> 00:59:41,240
Speaker 1: right for all of us, but especially you who served.

1145
00:59:41,480 --> 00:59:43,120
Speaker 1: You know, And I just finished a podcast talking with

1146
00:59:43,200 --> 00:59:45,200
Speaker 1: a lot of veterans where I did a whole series on,

1147
00:59:45,720 --> 00:59:49,400
Speaker 1: you know, how they transitioned from being in the service

1148
00:59:49,640 --> 00:59:52,680
Speaker 1: to being a civilian. What was that like for you, transitioning?

1149
00:59:53,600 --> 00:59:55,600
Speaker 1: I'll tell you what I tell everybody. I'm working on

1150
00:59:55,720 --> 00:59:58,760
Speaker 1: it still. Uh yeah, I mean, it's a it's a

1151
00:59:58,880 --> 01:00:02,120
Speaker 1: difficult thing for the average American who's never served to

1152
01:00:02,200 --> 01:00:07,000
Speaker 1: truly comprehend, because you live a lifestyle that is so unimaginable,

1153
01:00:07,960 --> 01:00:10,640
Speaker 1: especially someone like myself for such a long period of time.

1154
01:00:11,000 --> 01:00:14,360
Speaker 1: And I'm not trying to delude to someone who only

1155
01:00:14,440 --> 01:00:17,280
Speaker 1: might serve three years. But the more time you spend

1156
01:00:17,320 --> 01:00:20,480
Speaker 1: in that lifestyle, the more difficult it is to not

1157
01:00:20,720 --> 01:00:26,280
Speaker 1: separate yourself but transition into something that is nothing like that.

1158
01:00:26,640 --> 01:00:30,880
Speaker 1: I mean, just imagine spending a third of your life

1159
01:00:31,400 --> 01:00:35,640
Speaker 1: driving as fast as you can avoiding being shot, hearing

1160
01:00:35,720 --> 01:00:38,160
Speaker 1: stuff blow up, seeing dead bodies, and all of this

1161
01:00:38,640 --> 01:00:41,160
Speaker 1: for a very long period of time, because we've been

1162
01:00:41,200 --> 01:00:44,160
Speaker 1: in conflict, you know, for quite some time, and we're

1163
01:00:44,200 --> 01:00:46,280
Speaker 1: still in conflict. There's people still experiencing that on a

1164
01:00:46,320 --> 01:00:48,800
Speaker 1: daily basis. So it's a difficult transition. I'm not saying

1165
01:00:48,880 --> 01:00:52,040
Speaker 1: like I have issues with it, but you know, like

1166
01:00:52,160 --> 01:00:55,040
Speaker 1: if I see something bad happening to someone, I immediately

1167
01:00:55,160 --> 01:00:58,120
Speaker 1: go into that mode of I need to defend that person,

1168
01:00:58,480 --> 01:01:00,280
Speaker 1: and I'm willing to die to do that. And that's

1169
01:01:00,320 --> 01:01:02,680
Speaker 1: a gene a trait that you experienced. And I don't

1170
01:01:02,680 --> 01:01:04,720
Speaker 1: know that you're born with it, but you definitely develop

1171
01:01:04,800 --> 01:01:07,360
Speaker 1: it when you spend a large portion of your life

1172
01:01:07,520 --> 01:01:10,680
Speaker 1: in that environment. So with you, why did you get

1173
01:01:10,720 --> 01:01:13,280
Speaker 1: into the military. Why did you in the list? I

1174
01:01:13,400 --> 01:01:18,600
Speaker 1: wanted free hunting clothes. No, I know, Um, I think

1175
01:01:18,800 --> 01:01:21,160
Speaker 1: you know. I grew up wanting to do something bigger

1176
01:01:21,200 --> 01:01:25,560
Speaker 1: than than than just be me, which makes this job

1177
01:01:25,640 --> 01:01:29,960
Speaker 1: really difficult. Um. And I'm still that guy still, Like

1178
01:01:30,040 --> 01:01:33,160
Speaker 1: I said, if I see someone being abused or hurt,

1179
01:01:33,200 --> 01:01:35,560
Speaker 1: I feel like we're supposed to step in. It's the

1180
01:01:35,720 --> 01:01:38,880
Speaker 1: human thing to do. And I've always felt like that,

1181
01:01:39,160 --> 01:01:42,160
Speaker 1: even before the military. I was an emt. You know,

1182
01:01:42,240 --> 01:01:45,000
Speaker 1: I was on the fire department. After I got out,

1183
01:01:45,080 --> 01:01:47,880
Speaker 1: I went to straight to work as a police officer. Um,

1184
01:01:48,560 --> 01:01:52,240
Speaker 1: I just I feel like the desire to help other

1185
01:01:52,400 --> 01:01:55,720
Speaker 1: people and some of it for self, I guess. I mean,

1186
01:01:55,720 --> 01:01:57,760
Speaker 1: I'm not gonna I'm not gonna lie to you. You

1187
01:01:57,880 --> 01:01:59,880
Speaker 1: want to feel it makes you feel good when you

1188
01:02:00,120 --> 01:02:03,000
Speaker 1: help someone. I mean, even something as simple as given

1189
01:02:03,040 --> 01:02:04,400
Speaker 1: the gal on the side of the street a buck

1190
01:02:04,440 --> 01:02:06,520
Speaker 1: to buy it, or give any much a happy meal

1191
01:02:06,640 --> 01:02:07,840
Speaker 1: or something. You know what I mean, it makes you

1192
01:02:07,920 --> 01:02:12,160
Speaker 1: feel good. So that is compounded when you save someone's life.

1193
01:02:12,280 --> 01:02:14,560
Speaker 1: I mean, it's a good feeling. But I don't do

1194
01:02:14,680 --> 01:02:17,080
Speaker 1: it for that good feeling or that energy as much

1195
01:02:17,120 --> 01:02:20,080
Speaker 1: as I just feel like it's the right thing. You've

1196
01:02:20,160 --> 01:02:23,360
Speaker 1: done so many things, so many, so many careers that

1197
01:02:23,480 --> 01:02:26,400
Speaker 1: that give back consistently. Right, you listened to all the things,

1198
01:02:26,520 --> 01:02:28,320
Speaker 1: even you even worked on the dairy department of Walmart.

1199
01:02:28,320 --> 01:02:31,360
Speaker 1: I believe that, right. You know you watch the weather

1200
01:02:31,400 --> 01:02:34,120
Speaker 1: close when you're that guy, How did you like? Because

1201
01:02:34,200 --> 01:02:36,560
Speaker 1: for you to jump into a career of doing country music,

1202
01:02:37,000 --> 01:02:39,120
Speaker 1: that's kind of all those jobs, as crazy and as

1203
01:02:39,280 --> 01:02:41,880
Speaker 1: dangerous as they are, that's they're still stable, and you

1204
01:02:41,960 --> 01:02:43,440
Speaker 1: have a job. As police officer, you have a job,

1205
01:02:43,720 --> 01:02:45,720
Speaker 1: and in the military you have a job. This is

1206
01:02:45,800 --> 01:02:48,280
Speaker 1: not stable what you're doing now, You're right, How in

1207
01:02:48,320 --> 01:02:50,280
Speaker 1: the world did you go all right, I'm gonna go

1208
01:02:50,400 --> 01:02:54,440
Speaker 1: pursue country music and it's complete instability. Attribute it to

1209
01:02:55,040 --> 01:02:58,520
Speaker 1: a couple of leaders that I had who were great, um,

1210
01:03:00,200 --> 01:03:03,480
Speaker 1: very inspirational. In fact, when I decided to make the

1211
01:03:03,560 --> 01:03:07,600
Speaker 1: transition out of active duty, I was so unsure that

1212
01:03:08,000 --> 01:03:10,600
Speaker 1: this would work that I stayed in the active reserves.

1213
01:03:10,640 --> 01:03:12,240
Speaker 1: And I went and talked to my commander, who to

1214
01:03:12,360 --> 01:03:14,480
Speaker 1: this day is a very dear friend and another gentleman.

1215
01:03:14,600 --> 01:03:16,800
Speaker 1: Some of you may recognize the name General Shelton. He

1216
01:03:17,000 --> 01:03:19,640
Speaker 1: was my general officer at the time. And I went

1217
01:03:19,680 --> 01:03:21,200
Speaker 1: and talk to him and I said, look, I'm considering

1218
01:03:21,320 --> 01:03:23,520
Speaker 1: getting into the music business. I think, you know, if

1219
01:03:23,560 --> 01:03:25,680
Speaker 1: I don't do it now, I never will because I

1220
01:03:25,720 --> 01:03:27,400
Speaker 1: was at ten and a half years of active duty

1221
01:03:27,640 --> 01:03:31,480
Speaker 1: half of my career, you know, over so and I'll

1222
01:03:31,560 --> 01:03:34,240
Speaker 1: never forget. Colonel grown General Shelton both said, if you

1223
01:03:34,320 --> 01:03:37,320
Speaker 1: stay in the army, there's a good chance your own

1224
01:03:37,360 --> 01:03:39,680
Speaker 1: track to be the sergeant major of the Army someday.

1225
01:03:40,080 --> 01:03:41,720
Speaker 1: We believe you have the potential to be the sorry

1226
01:03:41,760 --> 01:03:45,440
Speaker 1: major of the army. But we also think that you

1227
01:03:45,480 --> 01:03:48,640
Speaker 1: should try this stay in the active reserves. If it

1228
01:03:48,680 --> 01:03:50,320
Speaker 1: don't work, you'll come back in. You'll lose no time

1229
01:03:50,360 --> 01:03:52,080
Speaker 1: in service. At least you can say you tried. You're

1230
01:03:52,120 --> 01:03:54,040
Speaker 1: really good at this. And I'm gonna tally they had

1231
01:03:54,080 --> 01:03:56,520
Speaker 1: more confidence in my ability than I did. I mean,

1232
01:03:56,880 --> 01:03:58,440
Speaker 1: I wasn't trying to be I didn't get out to

1233
01:03:58,440 --> 01:04:00,400
Speaker 1: be a singer. Really. I really wanted to just right

1234
01:04:00,840 --> 01:04:03,480
Speaker 1: because I knew that you could make money writing songs

1235
01:04:03,560 --> 01:04:05,520
Speaker 1: instantly through this thing called they call it an advance.

1236
01:04:05,560 --> 01:04:07,080
Speaker 1: I didn't understand it at the time, but I knew

1237
01:04:07,080 --> 01:04:08,960
Speaker 1: you could get paid. I had a wife and two kids,

1238
01:04:09,040 --> 01:04:11,000
Speaker 1: so I needed to make money. So that's what I did.

1239
01:04:11,040 --> 01:04:13,280
Speaker 1: I got a publishing deal and that led to a

1240
01:04:13,360 --> 01:04:16,360
Speaker 1: record deal, and now here we are. What was the

1241
01:04:16,480 --> 01:04:18,440
Speaker 1: first song for you when it hit? It could have

1242
01:04:18,480 --> 01:04:20,240
Speaker 1: been your first, second, third hit, maybe not even a

1243
01:04:20,360 --> 01:04:22,520
Speaker 1: hit where you go, Okay, I think I actually have

1244
01:04:22,720 --> 01:04:25,600
Speaker 1: some some some real chance here to stay in the

1245
01:04:25,720 --> 01:04:30,000
Speaker 1: music scene. What song was it? I think Almost Home

1246
01:04:30,080 --> 01:04:33,360
Speaker 1: definitely helped. That was a pusher for me, but I'll

1247
01:04:33,360 --> 01:04:35,800
Speaker 1: be honest with you, man. In two thousand, my first

1248
01:04:35,840 --> 01:04:38,800
Speaker 1: single came out of a song called Paradise, which was

1249
01:04:38,840 --> 01:04:41,440
Speaker 1: a top twenty, top thirty hit. I mean, and that's

1250
01:04:41,440 --> 01:04:43,120
Speaker 1: a big hit. Of course, back then it was different

1251
01:04:43,160 --> 01:04:46,760
Speaker 1: than it is now. But it wasn't until two thousand

1252
01:04:46,800 --> 01:04:48,680
Speaker 1: and eight, when I was made a member of the

1253
01:04:48,760 --> 01:04:50,680
Speaker 1: Grand Ole Opry that I felt like I had some

1254
01:04:50,840 --> 01:04:53,280
Speaker 1: stay power in the business, I'll be honest. And what

1255
01:04:53,440 --> 01:04:55,920
Speaker 1: a cool Grand ol Opry story you have, because it

1256
01:04:56,080 --> 01:04:58,960
Speaker 1: wasn't in Nashville, right when they know. It was at

1257
01:04:59,000 --> 01:05:01,920
Speaker 1: a base for Bragg, North Carolina. My invitation came there

1258
01:05:01,920 --> 01:05:03,920
Speaker 1: and and it was really cool because you know, I

1259
01:05:04,120 --> 01:05:06,640
Speaker 1: was very fortunate to work with a lot of great

1260
01:05:06,840 --> 01:05:09,720
Speaker 1: heroic Americans and a lot of those guys and these

1261
01:05:09,760 --> 01:05:12,880
Speaker 1: are guys that work in the Special Forces in the community,

1262
01:05:13,440 --> 01:05:16,560
Speaker 1: um just real We call them door bangers, and these

1263
01:05:16,600 --> 01:05:19,080
Speaker 1: are real dudes, men who've seen a lot of stuff.

1264
01:05:19,080 --> 01:05:21,080
Speaker 1: And a bunch of those guys were standing on the

1265
01:05:21,120 --> 01:05:23,360
Speaker 1: side of the stage. You know, they don't They weren't

1266
01:05:23,360 --> 01:05:25,080
Speaker 1: out in the audience, they weren't mixing in because they

1267
01:05:25,280 --> 01:05:26,840
Speaker 1: these guys, you don't know their faces, you don't know

1268
01:05:26,880 --> 01:05:29,000
Speaker 1: their names, and they were all over there and standing.

1269
01:05:29,120 --> 01:05:30,800
Speaker 1: My wife was over there, and when John kindly came

1270
01:05:30,880 --> 01:05:33,720
Speaker 1: up and invited me, like, I completely lost my crap, dude.

1271
01:05:33,800 --> 01:05:35,760
Speaker 1: I mean, I was just so torn up about being

1272
01:05:35,960 --> 01:05:38,200
Speaker 1: invited to be a member of the opera. And I

1273
01:05:38,280 --> 01:05:40,880
Speaker 1: probably would have been okay, but I looked over and

1274
01:05:41,040 --> 01:05:42,720
Speaker 1: some of the toughest men I knew in the world

1275
01:05:42,760 --> 01:05:46,360
Speaker 1: were crying. It was like, you know, they were more

1276
01:05:46,440 --> 01:05:51,160
Speaker 1: proud than I was. It was unbelievable. It was unbelievable. So, yeah,

1277
01:05:51,400 --> 01:05:55,200
Speaker 1: the Grand Old Opera invitation came on a military installations.

1278
01:05:55,520 --> 01:05:58,240
Speaker 1: That's an amazing story. It's a true story. I mean,

1279
01:05:58,800 --> 01:06:03,360
Speaker 1: so Craig Morgan's here. You mentioned almost Home, which again

1280
01:06:03,440 --> 01:06:05,320
Speaker 1: has probably been played in my house more times than

1281
01:06:05,360 --> 01:06:09,080
Speaker 1: the half a month, right, I'm sorry, And she's like,

1282
01:06:09,560 --> 01:06:11,560
Speaker 1: this is such a set. Why do you love the song?

1283
01:06:11,840 --> 01:06:15,040
Speaker 1: It's beautiful. It's about a person whose dreams are better

1284
01:06:15,160 --> 01:06:17,440
Speaker 1: than his real life and he wants to stay in

1285
01:06:17,520 --> 01:06:19,720
Speaker 1: his dreams and someone wakes them up because they think

1286
01:06:19,800 --> 01:06:22,200
Speaker 1: he's needs to go home, but he's like, I was

1287
01:06:22,520 --> 01:06:26,080
Speaker 1: home in my head. Oh you just described that song

1288
01:06:26,400 --> 01:06:29,480
Speaker 1: to the I mean to its perfection. That is exactly.

1289
01:06:29,760 --> 01:06:32,680
Speaker 1: You know. I just wrote a song called the Mask,

1290
01:06:33,240 --> 01:06:37,000
Speaker 1: and it's kind of a current description of that same thing.

1291
01:06:37,360 --> 01:06:39,040
Speaker 1: You know, we have to put on this mask when

1292
01:06:39,080 --> 01:06:40,400
Speaker 1: we go to work. And I'm not talking about the

1293
01:06:40,440 --> 01:06:45,120
Speaker 1: physical mask that we're wearing. Like you have a crappy day, Bobby,

1294
01:06:45,200 --> 01:06:47,760
Speaker 1: You've had crappy things happen in life, and you still

1295
01:06:47,800 --> 01:06:50,320
Speaker 1: get up and you go to work. You put that

1296
01:06:50,440 --> 01:06:52,440
Speaker 1: mask on. And that's what that almost Home for me

1297
01:06:52,600 --> 01:06:55,440
Speaker 1: was about. The old man was laying there asleep, and

1298
01:06:56,160 --> 01:06:58,120
Speaker 1: he was even though he might have been chilly in

1299
01:06:58,280 --> 01:07:04,160
Speaker 1: his dream and in his unconscious state, he was happy. Uh,

1300
01:07:04,520 --> 01:07:06,040
Speaker 1: you know, and that and that's okay. That's it. I

1301
01:07:06,080 --> 01:07:07,680
Speaker 1: think it's okay that we do that we're supposed to.

1302
01:07:07,840 --> 01:07:09,960
Speaker 1: It's called dreaming. You know, when you quit dreaming, you

1303
01:07:10,080 --> 01:07:12,280
Speaker 1: quit living. In my opinion, Craig Mooregan's here, Do you

1304
01:07:12,280 --> 01:07:13,760
Speaker 1: guys want to play a little bit almost on? Yeah,

1305
01:07:13,760 --> 01:07:15,520
Speaker 1: I would be glad to. From two thousand and two,

1306
01:07:25,960 --> 01:07:29,560
Speaker 1: he had plastic bags wrapped around his shoes, he was

1307
01:07:30,000 --> 01:07:34,000
Speaker 1: covered with the evening News, had a pair of old

1308
01:07:34,080 --> 01:07:41,720
Speaker 1: wolf socks on his hands. Bank Time's flashing five below.

1309
01:07:42,240 --> 01:07:46,880
Speaker 1: It was freezing rain and spitting snow. He was curled

1310
01:07:47,320 --> 01:07:55,040
Speaker 1: behind some garbage cans. I was afraid that he was dead.

1311
01:07:55,360 --> 01:08:01,040
Speaker 1: I gave him a gentle shame winning you opened up

1312
01:08:01,120 --> 01:08:07,439
Speaker 1: his eyes, I said, ole manner, you can, he said,

1313
01:08:08,280 --> 01:08:15,640
Speaker 1: just climbed out of the cotton wood tree. I was

1314
01:08:15,880 --> 01:08:24,000
Speaker 1: running from some money bees, the drim dry in the

1315
01:08:24,280 --> 01:08:36,400
Speaker 1: summer breeze. After jumping into Calorico creem, I was walking

1316
01:08:36,720 --> 01:08:44,280
Speaker 1: down in older past field of me that it just

1317
01:08:44,520 --> 01:08:55,519
Speaker 1: spanned more. Man, I wish you just left me because

1318
01:08:55,600 --> 01:09:05,160
Speaker 1: I was almost home. Come on, that's great, man, that's great.

1319
01:09:05,360 --> 01:09:09,080
Speaker 1: Thank you Morgans here. I didn't listen. I assumed you

1320
01:09:09,120 --> 01:09:10,800
Speaker 1: guys know all of your songs, do you two? No,

1321
01:09:11,320 --> 01:09:14,000
Speaker 1: you know I forget the words regularly. I can help

1322
01:09:14,040 --> 01:09:16,640
Speaker 1: you out if you forget any man, when you're on

1323
01:09:16,800 --> 01:09:20,640
Speaker 1: rob who knows? Will you bring up the mask? And I,

1324
01:09:21,600 --> 01:09:23,000
Speaker 1: I mean, you guys know enough of that to play

1325
01:09:23,040 --> 01:09:25,960
Speaker 1: a little bit of that? Now play? Yeah, you guys

1326
01:09:26,000 --> 01:09:28,600
Speaker 1: don't mind? Right, No, I don't here. I'm here to

1327
01:09:28,640 --> 01:09:31,120
Speaker 1: have fun. Yea, all right, I've been doing this while

1328
01:09:31,160 --> 01:09:34,800
Speaker 1: I still can't believe people want to. They still listen, right,

1329
01:09:34,840 --> 01:09:43,839
Speaker 1: you're kiddy, here's Craig Morgan. Heah, I got pains inside

1330
01:09:43,920 --> 01:09:48,960
Speaker 1: of me, pains I don't let people see. I see

1331
01:09:49,200 --> 01:09:56,799
Speaker 1: I'm fine, causing no, they see me strong behind my eyes.

1332
01:09:57,040 --> 01:10:01,360
Speaker 1: Inside my soul feels why I'm You're in a deeper hole.

1333
01:10:01,920 --> 01:10:09,280
Speaker 1: But I put on a smile line. I hocause. Man.

1334
01:10:09,439 --> 01:10:13,839
Speaker 1: I get home and it's late, didn't night, No one's around,

1335
01:10:14,000 --> 01:10:17,360
Speaker 1: and I turn off the lights. I cry and scream

1336
01:10:17,640 --> 01:10:23,439
Speaker 1: and yell like a crazy man. I don't have to

1337
01:10:23,640 --> 01:10:27,639
Speaker 1: pretend that I'm doing well. I can tell the world

1338
01:10:27,760 --> 01:10:31,080
Speaker 1: it can go to hill. It's just me and God.

1339
01:10:31,360 --> 01:10:36,200
Speaker 1: When I take off the mask. Nice, that's awesome. Man,

1340
01:10:36,560 --> 01:10:38,680
Speaker 1: got this? Hey, let me say this. We gotta come

1341
01:10:38,680 --> 01:10:41,799
Speaker 1: back on Craig in a second. But God, Family Country.

1342
01:10:42,160 --> 01:10:47,360
Speaker 1: It came out in the pandemic. Yeah, I mean, what

1343
01:10:47,520 --> 01:10:50,720
Speaker 1: else right? So I'm gonna encourage you guys to check

1344
01:10:50,760 --> 01:10:52,000
Speaker 1: it out, but we're gonna come back in a second.

1345
01:10:52,040 --> 01:10:54,320
Speaker 1: Can you guys hang out? Yeah, buddy, Craig Morgan is

1346
01:10:54,360 --> 01:10:59,880
Speaker 1: here on the Bobby Bones Show. Now fake more again.

1347
01:11:00,320 --> 01:11:03,280
Speaker 1: How often, Craig, are you in a snowy place with

1348
01:11:03,439 --> 01:11:07,360
Speaker 1: large animals? First at home at least twice a year

1349
01:11:07,479 --> 01:11:10,599
Speaker 1: during the snow, which isn't that's the good time because

1350
01:11:10,680 --> 01:11:14,160
Speaker 1: the bear or hibernating. It's the summer in Alaska when

1351
01:11:14,200 --> 01:11:15,360
Speaker 1: we go up there to the summer that you have

1352
01:11:15,400 --> 01:11:17,400
Speaker 1: to be a little more careful, a little more cautious.

1353
01:11:17,840 --> 01:11:20,160
Speaker 1: It seems like every time I see you online, you're

1354
01:11:20,200 --> 01:11:24,400
Speaker 1: with you've killed some sort of big animal. Well I'm

1355
01:11:24,439 --> 01:11:28,320
Speaker 1: into the outdoors, yeah, as you know, and I'm big

1356
01:11:28,479 --> 01:11:31,960
Speaker 1: into eating healthy. Like my wife and I haven't bought

1357
01:11:32,080 --> 01:11:36,800
Speaker 1: meat from a grocery store in probably fifteen years, so

1358
01:11:36,960 --> 01:11:39,120
Speaker 1: we only eat meat that I harvest, which is, you know,

1359
01:11:39,479 --> 01:11:43,559
Speaker 1: completely organic. I know what it's been eating because I'm

1360
01:11:43,600 --> 01:11:45,920
Speaker 1: out there in the environment where it's eating it. So yeah,

1361
01:11:45,920 --> 01:11:47,840
Speaker 1: that's why I do that. And I do love being

1362
01:11:47,880 --> 01:11:49,840
Speaker 1: in the outdoors. I mean, for me, it's not always

1363
01:11:49,880 --> 01:11:53,160
Speaker 1: just about shooting an animal. In fact, i've been I

1364
01:11:53,280 --> 01:11:54,720
Speaker 1: was going to go this morning but it was just

1365
01:11:54,760 --> 01:11:57,000
Speaker 1: too hot. But I just love being out in the

1366
01:11:57,080 --> 01:11:58,840
Speaker 1: woods and watching the sun come up, and listening to

1367
01:11:58,880 --> 01:12:01,520
Speaker 1: the birds when they first start singing, and the smells

1368
01:12:01,680 --> 01:12:04,320
Speaker 1: and everything about it for me is just I mean,

1369
01:12:04,360 --> 01:12:06,840
Speaker 1: it's just so rejuvenating. You sound like Caitlin. Yeah. I

1370
01:12:06,920 --> 01:12:08,519
Speaker 1: was about to say that sounds like a dream. It

1371
01:12:08,720 --> 01:12:11,760
Speaker 1: is a dream, and I live it pretty regular. Yeah,

1372
01:12:11,880 --> 01:12:15,920
Speaker 1: you did the Lifetime movie. Yeah, what is your acting

1373
01:12:16,040 --> 01:12:19,719
Speaker 1: experience up to that? Well, that's just my third movie.

1374
01:12:20,280 --> 01:12:22,479
Speaker 1: I've been on the TV show Rosolian Isles. I had

1375
01:12:22,479 --> 01:12:24,519
Speaker 1: a character in that. I tell people that because I

1376
01:12:24,640 --> 01:12:28,080
Speaker 1: literally have a bachelor's of science and forensics and the

1377
01:12:28,200 --> 01:12:31,280
Speaker 1: only time I've worked as a forensics investigator was on

1378
01:12:31,400 --> 01:12:36,519
Speaker 1: the TV show Rosolian Aisles. It's like that TV commercial,

1379
01:12:36,760 --> 01:12:40,200
Speaker 1: you know, but that's the truth. Yeah. So I've done

1380
01:12:40,200 --> 01:12:42,880
Speaker 1: a bunch and I've been pretending. I've been acting like

1381
01:12:42,960 --> 01:12:46,160
Speaker 1: a singer for almost twenty years. When are you most

1382
01:12:46,280 --> 01:12:50,560
Speaker 1: nervous acting singing? Or when there's a crazy situation and

1383
01:12:50,640 --> 01:12:53,679
Speaker 1: you're called into action to help somebody, they're helping somebody.

1384
01:12:53,680 --> 01:12:55,639
Speaker 1: I never get nervous in those situations because I figure

1385
01:12:55,680 --> 01:12:57,559
Speaker 1: the worst thing that's going to happen is I'm gonna die,

1386
01:12:57,960 --> 01:13:01,200
Speaker 1: and I'm prepared to die any time, whether it be

1387
01:13:01,400 --> 01:13:04,960
Speaker 1: COVID or getting hit by a car, or you know,

1388
01:13:05,240 --> 01:13:08,280
Speaker 1: whatever might the situation might be. I'm my soul is ready.

1389
01:13:08,880 --> 01:13:11,439
Speaker 1: I don't want to die. Don't get me wrong, but

1390
01:13:11,560 --> 01:13:15,599
Speaker 1: I'm prepared spiritually, physically, emotionally, I'm prepared to die. Uh.

1391
01:13:16,400 --> 01:13:18,920
Speaker 1: I really get a little nervous in the acting thing

1392
01:13:19,000 --> 01:13:22,479
Speaker 1: depending on who's there, because I'm not a you know,

1393
01:13:22,600 --> 01:13:25,240
Speaker 1: staple actor. So I want to do well because I

1394
01:13:25,280 --> 01:13:27,720
Speaker 1: don't want people to go, oh, coun't you think your singer, thanks,

1395
01:13:27,760 --> 01:13:30,760
Speaker 1: he's an actor, you know, just like baseball players think

1396
01:13:30,760 --> 01:13:33,640
Speaker 1: they're singers, you know, or songwriters or whatever. You know.

1397
01:13:34,479 --> 01:13:37,200
Speaker 1: Anytime we cross into another genre we have, we take

1398
01:13:37,280 --> 01:13:39,639
Speaker 1: the stigma with us. Uh. So I want to do well.

1399
01:13:39,720 --> 01:13:41,439
Speaker 1: I want to represent I want, I want, I want.

1400
01:13:41,479 --> 01:13:43,759
Speaker 1: I love it when I do something and the director

1401
01:13:43,840 --> 01:13:48,600
Speaker 1: goes not not what I expected? You like acting? I do?

1402
01:13:48,800 --> 01:13:51,000
Speaker 1: I love it. I enjoy it. Um, it's a lot

1403
01:13:51,040 --> 01:13:52,559
Speaker 1: of fun. I don't have to worry about a band,

1404
01:13:52,680 --> 01:13:58,439
Speaker 1: a crew, no offense, offense like uh but but but

1405
01:13:58,640 --> 01:14:01,640
Speaker 1: but on stage, I want to do well as also

1406
01:14:02,080 --> 01:14:04,439
Speaker 1: when we do a show like we got this show

1407
01:14:04,520 --> 01:14:07,080
Speaker 1: coming up. We got this uh drive in show in

1408
01:14:07,120 --> 01:14:11,200
Speaker 1: a couple of days where in Dixon. Uh it's sold out,

1409
01:14:11,760 --> 01:14:14,479
Speaker 1: so they sold all the cars they could sell. But

1410
01:14:14,600 --> 01:14:18,720
Speaker 1: it's that's such a different environment. So I want to

1411
01:14:18,880 --> 01:14:21,000
Speaker 1: I want people to enjoy themselves when they come to

1412
01:14:21,040 --> 01:14:23,960
Speaker 1: this show. It's a different show, but so but when

1413
01:14:24,000 --> 01:14:25,639
Speaker 1: they leave, I want them to feel like they got

1414
01:14:25,680 --> 01:14:28,960
Speaker 1: the same feeling and emotions that they would get at

1415
01:14:29,000 --> 01:14:31,320
Speaker 1: a normal concert. And that's that's a little nervous. That

1416
01:14:31,439 --> 01:14:33,640
Speaker 1: makes it a little nervous, you know. But we just

1417
01:14:33,800 --> 01:14:36,200
Speaker 1: do what we do and hope that everyone enjoys themselves

1418
01:14:36,280 --> 01:14:39,040
Speaker 1: and feels like they got their money's worth. I've been

1419
01:14:39,080 --> 01:14:43,000
Speaker 1: singing one of your songs wrong for thirteen years now,

1420
01:14:43,040 --> 01:14:46,479
Speaker 1: you know which one? Which one? International Harvest. Yeah, So

1421
01:14:46,840 --> 01:14:49,920
Speaker 1: we're in Virginia, Kaitlin and I are. We we got

1422
01:14:50,000 --> 01:14:52,280
Speaker 1: a Virginia from my Nagio show and we're on a

1423
01:14:52,360 --> 01:14:56,200
Speaker 1: farm and Kaylins singing every word. You want to sing

1424
01:14:56,240 --> 01:14:59,640
Speaker 1: a little bit of it? Go ahead, that's the thing.

1425
01:14:59,760 --> 01:15:03,960
Speaker 1: She knows it all from the beginning. Go ahead. At

1426
01:15:04,000 --> 01:15:06,640
Speaker 1: that point, I'm a s you want me to go

1427
01:15:06,760 --> 01:15:12,439
Speaker 1: there there? Oh no, I'm gonna do. Sounded like a

1428
01:15:12,520 --> 01:15:14,439
Speaker 1: little bit of life. Are you sure you're on the road?

1429
01:15:14,720 --> 01:15:18,000
Speaker 1: I love that. Sound like the inter A little bit

1430
01:15:18,040 --> 01:15:23,120
Speaker 1: of life. Um, I'm a son of a third generation farm.

1431
01:15:23,880 --> 01:15:28,000
Speaker 1: Come on, I've been Mary change here s the farms dot.

1432
01:15:30,400 --> 01:15:34,080
Speaker 1: I'm a hard working, god fearing combine driver, hugging up

1433
01:15:34,080 --> 01:15:36,880
Speaker 1: the road with a flower, check a leg a, lugging

1434
01:15:36,960 --> 01:15:43,920
Speaker 1: five miles an hour. I'm an international harvester. No, no,

1435
01:15:44,240 --> 01:15:46,880
Speaker 1: because I sang I'm an international harvester. Because that's how

1436
01:15:46,960 --> 01:15:49,160
Speaker 1: he sings it. But it's on my Give us a

1437
01:15:49,240 --> 01:15:51,719
Speaker 1: little bit of that two thousand and seven international harvester

1438
01:15:51,840 --> 01:16:01,000
Speaker 1: from the from the mouth of the man himself. Yep,

1439
01:16:03,880 --> 01:16:09,080
Speaker 1: I'm a son of a third generation farmer. I've been

1440
01:16:09,280 --> 01:16:14,559
Speaker 1: may teen years to a farmer's dog. I'm a god

1441
01:16:14,640 --> 01:16:17,720
Speaker 1: fear and hard working combine driver, hauging up the road

1442
01:16:17,840 --> 01:16:23,160
Speaker 1: on my flower, lugging five miles an hour on my

1443
01:16:23,439 --> 01:16:32,360
Speaker 1: international harvester. I think if people go to you and

1444
01:16:32,439 --> 01:16:34,920
Speaker 1: this is the most complimentary thing that I can say,

1445
01:16:34,960 --> 01:16:36,720
Speaker 1: an over take it this way. I think sometimes you

1446
01:16:36,760 --> 01:16:37,880
Speaker 1: go to a show and you're like, oh, I didn't know.

1447
01:16:37,920 --> 01:16:39,560
Speaker 1: I knew that, so I didn't know. If they go

1448
01:16:39,640 --> 01:16:41,479
Speaker 1: to one of your shows, I bet you, if they're

1449
01:16:41,520 --> 01:16:43,200
Speaker 1: not a super fan of just a casual fan, they

1450
01:16:43,240 --> 01:16:44,760
Speaker 1: go I didn't know, he sang that. Because you have

1451
01:16:44,880 --> 01:16:46,960
Speaker 1: so many hits You're not offending me at all. In fact,

1452
01:16:47,040 --> 01:16:49,639
Speaker 1: I had a T shirt made then. On the back

1453
01:16:50,160 --> 01:16:52,320
Speaker 1: it's literally and we sell them, it says the guy

1454
01:16:52,600 --> 01:16:55,960
Speaker 1: who sings International Harvester. That's what I love about Sunday

1455
01:16:56,000 --> 01:16:59,920
Speaker 1: Red Now, y'all. I can read lips and I can

1456
01:17:00,080 --> 01:17:01,479
Speaker 1: tell you how many times I've been on stage and

1457
01:17:01,520 --> 01:17:03,400
Speaker 1: I see someone go, I didn't know he's saying that.

1458
01:17:04,280 --> 01:17:07,920
Speaker 1: I love that, dude. This Old Boy is a song

1459
01:17:08,000 --> 01:17:09,960
Speaker 1: that I feel like I relate to now, and I

1460
01:17:10,080 --> 01:17:12,400
Speaker 1: never did. I never really did in my life, right

1461
01:17:12,600 --> 01:17:14,760
Speaker 1: until I met her. Yes, and then you would hear

1462
01:17:14,960 --> 01:17:16,559
Speaker 1: I'd hear this Old Boy, and it's like a song

1463
01:17:16,640 --> 01:17:19,920
Speaker 1: about you, just like I'm lucky I get this old

1464
01:17:20,000 --> 01:17:22,519
Speaker 1: boy gets to have all this stuffed going on. Yeah,

1465
01:17:22,640 --> 01:17:25,559
Speaker 1: And I really never felt like I understood that song

1466
01:17:25,720 --> 01:17:29,320
Speaker 1: until her. Oh that's awesome, that's that's so sweet, and

1467
01:17:29,400 --> 01:17:32,519
Speaker 1: probably her playing it for me over and over again. Yea, yeah,

1468
01:17:32,560 --> 01:17:34,560
Speaker 1: you get tired of it. That's really what it's That

1469
01:17:34,680 --> 01:17:38,760
Speaker 1: song's all about. You know that relationship been I've been

1470
01:17:38,800 --> 01:17:41,680
Speaker 1: married to the same woman for over thirty years. Uh,

1471
01:17:41,760 --> 01:17:44,559
Speaker 1: and she just I mean, she has just gotten hotter lately.

1472
01:17:44,640 --> 01:17:48,560
Speaker 1: It's just I mean, god, dang, she has like not

1473
01:17:48,800 --> 01:17:51,519
Speaker 1: gray but this silver hair. It's natural. I'll show you,

1474
01:17:51,560 --> 01:17:53,439
Speaker 1: pitch you in a minute. I'm not kid y'all. Uh.

1475
01:17:53,880 --> 01:17:56,000
Speaker 1: And she's gotten it back into her health kit. You know,

1476
01:17:56,040 --> 01:17:58,040
Speaker 1: when we lost our son, it was a real difficult

1477
01:17:58,080 --> 01:18:02,960
Speaker 1: time and and we managed to stay strong in our faith,

1478
01:18:03,040 --> 01:18:06,320
Speaker 1: in our relationship. But it's just tough, um. But man,

1479
01:18:06,439 --> 01:18:09,400
Speaker 1: she has gotten back in and good gosh, she looks good.

1480
01:18:10,840 --> 01:18:13,960
Speaker 1: Yeah she's party. Let's do. Let's do one more, Let's

1481
01:18:13,960 --> 01:18:15,920
Speaker 1: do redneck yacht club. I feel like if we don't,

1482
01:18:16,000 --> 01:18:25,880
Speaker 1: my listeners are gonna be upset. All right, I made

1483
01:18:26,200 --> 01:18:29,960
Speaker 1: my buddies out on the lake. We're headed out to

1484
01:18:30,200 --> 01:18:34,679
Speaker 1: a special place we love. But just a few folks

1485
01:18:34,800 --> 01:18:41,800
Speaker 1: know there's no signing up, no monthly dudes, staky Johnson here,

1486
01:18:41,880 --> 01:18:46,120
Speaker 1: murgery or you're living rude and fired up. Made us

1487
01:18:46,160 --> 01:18:52,960
Speaker 1: out of party, go I come on in the water

1488
01:18:53,240 --> 01:18:59,360
Speaker 1: is fine. I just id alone over and toss a

1489
01:18:59,520 --> 01:19:05,679
Speaker 1: life bass trackers, bay liners and a party bar strung

1490
01:19:05,800 --> 01:19:10,479
Speaker 1: together like a phone trailer park, hanchered out and getting

1491
01:19:10,560 --> 01:19:18,080
Speaker 1: loud all summer love subside. There's five houseboat front porches

1492
01:19:18,240 --> 01:19:23,439
Speaker 1: has to turn Launcheers and Dicky George's regular Joes cragging

1493
01:19:23,520 --> 01:19:31,880
Speaker 1: the boat. That's us the Redneck Yacht Club studio. Let

1494
01:19:31,920 --> 01:19:33,800
Speaker 1: me tell you he's got so much going on. First

1495
01:19:33,800 --> 01:19:36,680
Speaker 1: of all, check out the record God Family Country. It

1496
01:19:36,800 --> 01:19:41,040
Speaker 1: was out the summer. But you know, you're probably nothing's

1497
01:19:41,080 --> 01:19:42,880
Speaker 1: been normal, and we're starting to get a bit normal,

1498
01:19:43,040 --> 01:19:46,080
Speaker 1: it feels now. So it's got to be weird putting

1499
01:19:46,080 --> 01:19:47,640
Speaker 1: out music and not being able to really tor it.

1500
01:19:48,160 --> 01:19:52,360
Speaker 1: It was. It is super weird promoting. And what's really

1501
01:19:52,439 --> 01:19:54,679
Speaker 1: weird is when we put this album out, we didn't

1502
01:19:54,760 --> 01:19:58,400
Speaker 1: go to the marketplace with it. It was strictly through

1503
01:19:58,439 --> 01:20:00,960
Speaker 1: download because we felt like didn't make as sense because

1504
01:20:00,960 --> 01:20:03,280
Speaker 1: at the time when we first put it out, nobody

1505
01:20:03,360 --> 01:20:06,479
Speaker 1: was going shopping for the most part, especially not buying CDs.

1506
01:20:06,600 --> 01:20:08,840
Speaker 1: And when I do my ops rooms, I'll be like, look,

1507
01:20:08,880 --> 01:20:10,559
Speaker 1: I know you're probably not working, so if you can't

1508
01:20:10,600 --> 01:20:13,000
Speaker 1: buy us, no big deal. Listen to us, you know,

1509
01:20:13,160 --> 01:20:15,840
Speaker 1: listen to it online. You know, peking the Forward one song.

1510
01:20:15,960 --> 01:20:18,920
Speaker 1: That's cool, you know. And we still to date have

1511
01:20:19,080 --> 01:20:22,280
Speaker 1: not pushed the hard product to all the main outlets.

1512
01:20:22,560 --> 01:20:24,519
Speaker 1: You can get the hard product on our website and

1513
01:20:25,760 --> 01:20:28,400
Speaker 1: I don't know other places, but as far as it

1514
01:20:28,520 --> 01:20:30,400
Speaker 1: being in Walmart of those kind of places, we didn't

1515
01:20:30,439 --> 01:20:35,920
Speaker 1: do that. And yet I had like the biggest first week, yeah,

1516
01:20:36,400 --> 01:20:39,960
Speaker 1: during a pandemic, so which told me that people still

1517
01:20:40,160 --> 01:20:43,000
Speaker 1: very much love to hear music, you know, So that's

1518
01:20:43,000 --> 01:20:45,000
Speaker 1: a good thing, or love to hear Craig Morgan's music.

1519
01:20:45,040 --> 01:20:47,040
Speaker 1: I think you're not giving yourself enough credit here. Music

1520
01:20:47,160 --> 01:20:49,400
Speaker 1: is a very healing thing, and I think it doesn't matter.

1521
01:20:49,880 --> 01:20:52,080
Speaker 1: I mean even Blake Shelton selling records, you know, so

1522
01:20:52,800 --> 01:20:57,920
Speaker 1: it a lot. Kaitlin, did you enjoy your experience? My

1523
01:20:58,080 --> 01:21:00,800
Speaker 1: favorite phrase now around the house when you're on it's like, oh,

1524
01:21:00,920 --> 01:21:02,679
Speaker 1: give it a grammy, Like, I want to go back

1525
01:21:04,400 --> 01:21:08,160
Speaker 1: that song. We have a song just for you that

1526
01:21:08,240 --> 01:21:10,880
Speaker 1: we'll do after we're done. What do you mean after

1527
01:21:10,960 --> 01:21:13,519
Speaker 1: we're done? What is it? Uh? Well, you two guys

1528
01:21:13,560 --> 01:21:17,760
Speaker 1: are you know, engaged everything you're gonna I wrote a song.

1529
01:21:17,960 --> 01:21:21,040
Speaker 1: We wrote a song that uh uh, Like I said,

1530
01:21:21,040 --> 01:21:23,000
Speaker 1: we went through some hard times after losing our son,

1531
01:21:23,439 --> 01:21:26,120
Speaker 1: and I wrote we wrote this song because I think

1532
01:21:26,200 --> 01:21:29,000
Speaker 1: people give up too easy, and you guys are gonna

1533
01:21:29,080 --> 01:21:31,479
Speaker 1: run across some gravel roads. It's gonna be tough. You're

1534
01:21:31,520 --> 01:21:34,960
Speaker 1: gonna you're gonna hate him sometimes, I promise you, and

1535
01:21:35,240 --> 01:21:37,439
Speaker 1: and he's gonna be very angry with you at times.

1536
01:21:38,080 --> 01:21:40,360
Speaker 1: But this is a song about not not letting that

1537
01:21:40,439 --> 01:21:43,400
Speaker 1: stuff interfere. Is this song already out? It's on the

1538
01:21:43,439 --> 01:21:45,160
Speaker 1: new record. Okay, well let's let's do it now. We

1539
01:21:45,240 --> 01:21:48,560
Speaker 1: got millions of people listening. What is this song? We

1540
01:21:48,640 --> 01:22:02,479
Speaker 1: ain't going out like this? Mid night sitting here, can't

1541
01:22:02,600 --> 01:22:11,120
Speaker 1: see clear, wasteing tears on you, tick top, round the clock,

1542
01:22:12,040 --> 01:22:21,960
Speaker 1: on the dog, every thought comesomes list missing you, going

1543
01:22:22,120 --> 01:22:27,599
Speaker 1: round and round like this is the time to call it. Quiz.

1544
01:22:29,280 --> 01:22:33,479
Speaker 1: Tell me I didn't hear you ride. Tell me it's

1545
01:22:33,560 --> 01:22:38,519
Speaker 1: just another fine the we ain't going I like things.

1546
01:22:39,840 --> 01:22:43,840
Speaker 1: We ain't going out like this. Help me what I'm

1547
01:22:43,880 --> 01:22:48,320
Speaker 1: supposed to do when I feel like I'm losing you

1548
01:22:49,479 --> 01:22:53,880
Speaker 1: because we ain't going out like this. We ain't going

1549
01:22:54,120 --> 01:23:01,880
Speaker 1: out like this. There it is, Craig Morgan. Man. We

1550
01:23:01,960 --> 01:23:05,160
Speaker 1: appreciate you coming in, just playing because heck half of stuff,

1551
01:23:05,160 --> 01:23:06,720
Speaker 1: I don't even run by you. I was like, play this,

1552
01:23:07,400 --> 01:23:09,160
Speaker 1: no worries, I'm glad to be here. Nobody thought a

1553
01:23:09,200 --> 01:23:11,280
Speaker 1: dollar in his case when he wants out. Yeah, it's

1554
01:23:11,280 --> 01:23:13,920
Speaker 1: been tough, right now, open the case up. Let me

1555
01:23:14,000 --> 01:23:15,920
Speaker 1: also let mention a couple of things here Fridays at

1556
01:23:15,960 --> 01:23:19,519
Speaker 1: four with performances in Q and A on Craig's Facebook page.

1557
01:23:20,160 --> 01:23:23,559
Speaker 1: Also the Lifetime movie which is what is that movie

1558
01:23:23,640 --> 01:23:28,200
Speaker 1: called he Welcome Home Christmas? Raymundo reviewed it, watched it

1559
01:23:28,280 --> 01:23:29,800
Speaker 1: said you were good in it, and this is before

1560
01:23:29,840 --> 01:23:33,400
Speaker 1: you came on the air. Oh awesome, Thank you, Ray. Yeah,

1561
01:23:33,439 --> 01:23:35,000
Speaker 1: it was good. I thought maybe you should have had

1562
01:23:35,000 --> 01:23:37,280
Speaker 1: a kissing scene with Jane Kramer. Your role should have

1563
01:23:37,320 --> 01:23:39,200
Speaker 1: been bigger. He can't hear you, but he said your

1564
01:23:39,280 --> 01:23:40,880
Speaker 1: roles should have been bigger. And he was waiting for

1565
01:23:40,880 --> 01:23:43,080
Speaker 1: a kissing scene with you and Janna Kramer. Oh no,

1566
01:23:43,280 --> 01:23:46,200
Speaker 1: she had that with the other fellow. That's our next movie,

1567
01:23:48,320 --> 01:23:51,400
Speaker 1: all right, Craig, And check out Craig's World on Circle Network.

1568
01:23:51,680 --> 01:23:53,800
Speaker 1: Thank you, but yeah, there he is. H This has

1569
01:23:53,840 --> 01:23:55,840
Speaker 1: been extremely special for me. Thank you for coming in

1570
01:23:55,880 --> 01:23:58,120
Speaker 1: and just being so open and playing. And you got

1571
01:23:58,200 --> 01:23:59,920
Speaker 1: her up to the studio, which she's always like, you know,

1572
01:24:00,200 --> 01:24:02,080
Speaker 1: I'm just gonna listen on the app. I'll listen like

1573
01:24:02,840 --> 01:24:07,360
Speaker 1: so well. Thank you, Kate, Craig Morgan. Everybody, thank y'all,

1574
01:24:07,960 --> 01:24:15,439
Speaker 1: it's time for the good news. Donnie and his wife

1575
01:24:15,479 --> 01:24:18,040
Speaker 1: Patrese were hanging out at a family barbecue at a

1576
01:24:18,080 --> 01:24:20,880
Speaker 1: family member's house and Patrese is pregnant when all of

1577
01:24:20,880 --> 01:24:23,920
Speaker 1: a sudden, she starts having pain, like, oh, I think

1578
01:24:24,000 --> 01:24:26,479
Speaker 1: this baby's coming and she's not due for another month.

1579
01:24:26,720 --> 01:24:28,960
Speaker 1: Contractions are two minutes apart. They don't have time to

1580
01:24:29,000 --> 01:24:31,680
Speaker 1: go to the hospital. They dial nine on one yo, yo,

1581
01:24:31,840 --> 01:24:34,320
Speaker 1: she's about to have a baby in the backyard. Get here.

1582
01:24:34,840 --> 01:24:38,160
Speaker 1: Firefighters arrive. They get down there and Manuel, who's been

1583
01:24:38,160 --> 01:24:40,000
Speaker 1: a firefighter for ten years, like never been to a

1584
01:24:40,080 --> 01:24:43,200
Speaker 1: baby call before, gets down there, clamps the umbilical cord

1585
01:24:43,800 --> 01:24:47,479
Speaker 1: and delivers the baby in the backyard, in the backyard,

1586
01:24:47,479 --> 01:24:48,880
Speaker 1: and he said, man, it's kind of cool, you know,

1587
01:24:49,040 --> 01:24:50,920
Speaker 1: being there and being wrapped up in the moment I

1588
01:24:51,000 --> 01:24:52,680
Speaker 1: get to hand the father of the baby and he

1589
01:24:52,800 --> 01:24:55,200
Speaker 1: gets to cut them milk. I mean all that, Oh crazy?

1590
01:24:55,439 --> 01:24:57,280
Speaker 1: Did they rush him to the hospital after that? I

1591
01:24:57,320 --> 01:24:59,120
Speaker 1: would think, oh, yeah, yeah, yeah, you gotta go to

1592
01:24:59,160 --> 01:25:02,800
Speaker 1: the hospital. Baby can't netflix on and you don't get

1593
01:25:02,800 --> 01:25:04,880
Speaker 1: all in. I mean that it's a real question, like

1594
01:25:04,880 --> 01:25:06,160
Speaker 1: I wonder do they have to go, like, okay till

1595
01:25:06,160 --> 01:25:08,720
Speaker 1: the day. Let's get to the hospital right now. I mean,

1596
01:25:08,760 --> 01:25:10,519
Speaker 1: I don't know the answer, but I'm sure they I'm

1597
01:25:10,520 --> 01:25:12,040
Speaker 1: pretty sure they probably can get it back in the

1598
01:25:12,080 --> 01:25:14,799
Speaker 1: amblance and go. And then the firefighters finished the cookout

1599
01:25:14,800 --> 01:25:16,840
Speaker 1: and neat the burghers nice and the mow the yard. Yeah,

1600
01:25:16,840 --> 01:25:19,120
Speaker 1: it's like the total tell me something good. All right,

1601
01:25:19,160 --> 01:25:21,400
Speaker 1: there you go. That's what it's all about. That was

1602
01:25:21,439 --> 01:25:25,320
Speaker 1: tell me something good. What's happening everybody? Thank you guys

1603
01:25:25,360 --> 01:25:28,240
Speaker 1: for hanging out. Let me go over and talk to Chris,

1604
01:25:28,360 --> 01:25:32,400
Speaker 1: who is calling us from West Virginia right now. Hey, Chris,

1605
01:25:32,560 --> 01:25:38,479
Speaker 1: what's going on in good good morning morning? Oh y'all

1606
01:25:38,560 --> 01:25:40,600
Speaker 1: doing pretty good? Man? What can I do for you?

1607
01:25:41,520 --> 01:25:43,800
Speaker 1: I need to do a shout out my stepday, Okay,

1608
01:25:43,880 --> 01:25:47,800
Speaker 1: go ahead. His name is Michael horbre and mal and

1609
01:25:48,080 --> 01:25:52,720
Speaker 1: he started in the United States, specially fortunate sniper. And

1610
01:25:53,360 --> 01:25:55,000
Speaker 1: I just want to give big old shout out and

1611
01:25:55,280 --> 01:25:59,360
Speaker 1: thank you for always did. And I'm actually process finds

1612
01:25:59,400 --> 01:26:02,880
Speaker 1: footstep trying to doing the arms. Oh nice, not good

1613
01:26:02,920 --> 01:26:06,280
Speaker 1: for you. How where are you in that process right now? Well,

1614
01:26:06,280 --> 01:26:09,240
Speaker 1: I'm a process of meeting with the recruiter. I'm waiting

1615
01:26:09,280 --> 01:26:10,640
Speaker 1: on a phone call to get meet with some of

1616
01:26:10,680 --> 01:26:13,080
Speaker 1: the day. Good luck. I hope you get that meeting,

1617
01:26:13,160 --> 01:26:16,960
Speaker 1: and man, appreciate your stepdad and hopefully soon enough I'll

1618
01:26:17,000 --> 01:26:18,280
Speaker 1: be able to say the same to you, my friend

1619
01:26:19,120 --> 01:26:22,920
Speaker 1: than Bobby. Y'all have a good day, see Chris. Good

1620
01:26:23,520 --> 01:26:26,320
Speaker 1: All right, Jennifer and Virginia is on the phone right now. Hey, Jennifer,

1621
01:26:26,360 --> 01:26:29,800
Speaker 1: what's going on? Hey, I'll just calling to follow up

1622
01:26:29,800 --> 01:26:33,920
Speaker 1: on that. Tell me something good story. Yeah, yeah, So, um,

1623
01:26:34,000 --> 01:26:35,519
Speaker 1: I had my baby on the side of the rose

1624
01:26:36,200 --> 01:26:39,280
Speaker 1: and the MPs definitely do take you to the hospital

1625
01:26:39,320 --> 01:26:42,200
Speaker 1: as soon as they can. So hold on, let's start

1626
01:26:42,200 --> 01:26:43,840
Speaker 1: at the beginning of this. You had your baby on

1627
01:26:43,920 --> 01:26:48,800
Speaker 1: the side of the road. What happened there? Well, I had,

1628
01:26:49,080 --> 01:26:52,960
Speaker 1: um we were basically just driving and suddenly there was

1629
01:26:53,000 --> 01:26:56,640
Speaker 1: a foot that came out. Well he came out so

1630
01:26:56,920 --> 01:27:00,160
Speaker 1: so upside down too. Yeah, yeah, so he came him

1631
01:27:00,200 --> 01:27:04,840
Speaker 1: out footling breach And apparently EMPs are trained to not

1632
01:27:05,439 --> 01:27:07,240
Speaker 1: let you deliver a baby on the side of the road.

1633
01:27:07,640 --> 01:27:09,120
Speaker 1: They try to give you some drugs to keep you

1634
01:27:09,200 --> 01:27:13,120
Speaker 1: from having the baby, but in this instance, the baby

1635
01:27:13,240 --> 01:27:16,160
Speaker 1: was coming out, so uh yeah, So they delivered the

1636
01:27:16,200 --> 01:27:19,439
Speaker 1: baby and then they rushed me to the hospital and

1637
01:27:19,520 --> 01:27:22,519
Speaker 1: the baby, and they left my husband standing in the

1638
01:27:22,600 --> 01:27:24,439
Speaker 1: dirt on the side of the road. She didn't even

1639
01:27:24,439 --> 01:27:25,960
Speaker 1: know where we live, you didn't know what hospital we

1640
01:27:26,040 --> 01:27:30,000
Speaker 1: learned to, so he couldn't get in the ambulance. No,

1641
01:27:30,200 --> 01:27:32,280
Speaker 1: I said, you can, said away from my husband, and

1642
01:27:32,320 --> 01:27:34,800
Speaker 1: they slammed the door, and then he was it was

1643
01:27:34,920 --> 01:27:37,200
Speaker 1: an emergency. I guess, Oh, I get. I mean, there's

1644
01:27:37,280 --> 01:27:43,160
Speaker 1: one more in there. I mean, he's a child's chilling

1645
01:27:43,200 --> 01:27:47,920
Speaker 1: on the side of the road. Is everything end up? Okay? Yeah?

1646
01:27:48,040 --> 01:27:49,719
Speaker 1: He was born on a Montoine's Day and he's about

1647
01:27:49,760 --> 01:27:52,280
Speaker 1: to sturn four this year coming up. Does he love

1648
01:27:52,360 --> 01:27:54,240
Speaker 1: water slides, because that would be a good indication early

1649
01:27:54,280 --> 01:27:57,400
Speaker 1: he's going right down feet first. Does he still? Um,

1650
01:27:57,680 --> 01:28:02,559
Speaker 1: he's pretty much wide open twenty four seven, So yeah,

1651
01:28:02,800 --> 01:28:05,479
Speaker 1: it was a good indication. We appreciate you sharing that

1652
01:28:05,560 --> 01:28:07,880
Speaker 1: story with us, But the question was, yeah, no problems.

1653
01:28:07,920 --> 01:28:09,960
Speaker 1: Do they rush you to the hospital when the after

1654
01:28:10,360 --> 01:28:14,479
Speaker 1: and they do? Apparently. Did you get the whole boot treatment? Yeah?

1655
01:28:14,840 --> 01:28:17,040
Speaker 1: Yeah I did. And the really sweet thing actually was

1656
01:28:17,120 --> 01:28:18,840
Speaker 1: the emt so of course they rushed me in the

1657
01:28:18,880 --> 01:28:22,000
Speaker 1: baby to the um, you know, to the emergency room,

1658
01:28:22,360 --> 01:28:24,759
Speaker 1: but the EMTs they kind of waited for my husband

1659
01:28:24,800 --> 01:28:26,559
Speaker 1: to get there, and then they all congratulated him when

1660
01:28:26,600 --> 01:28:28,800
Speaker 1: he got there, and you know, we're like, hey, you know,

1661
01:28:28,880 --> 01:28:32,040
Speaker 1: congrats dad. So I thought that was really nice, interesting impression.

1662
01:28:34,360 --> 01:28:38,640
Speaker 1: Everybody's fanzi at the hospital. Yes, all right, hey, thank you,

1663
01:28:38,760 --> 01:28:41,840
Speaker 1: have a great day. Yeah, no problem. All right, let's

1664
01:28:41,880 --> 01:28:49,080
Speaker 1: do the new Bobby's b story. So I'm watching yesterday,

1665
01:28:49,160 --> 01:28:53,320
Speaker 1: and what is expected now laid out timeline wise, is

1666
01:28:53,400 --> 01:28:57,280
Speaker 1: that most folks should have access to the coronavirus vaccine

1667
01:28:57,280 --> 01:28:59,439
Speaker 1: by April of next year. Yes, if you want it,

1668
01:28:59,520 --> 01:29:01,160
Speaker 1: they say, you should be able to get it by

1669
01:29:01,200 --> 01:29:04,679
Speaker 1: April or so. And the one they're talking about mostly

1670
01:29:04,760 --> 01:29:07,439
Speaker 1: is this fisor vaccine. And here's the thing. Even if

1671
01:29:07,479 --> 01:29:10,200
Speaker 1: you're not a big believer in coronavirus, that's okay, I

1672
01:29:10,280 --> 01:29:12,040
Speaker 1: mean it's not, but it is like how you feel,

1673
01:29:12,080 --> 01:29:13,880
Speaker 1: how you want to feel. But the thing is, things

1674
01:29:13,920 --> 01:29:15,640
Speaker 1: aren't going to open back up until it exists. So

1675
01:29:15,720 --> 01:29:17,479
Speaker 1: even if you're like this is stupid, you still have

1676
01:29:17,520 --> 01:29:19,960
Speaker 1: to live with the consequences of hospitals being full. Maybe

1677
01:29:19,960 --> 01:29:21,400
Speaker 1: people with car rex not being able to get in

1678
01:29:21,479 --> 01:29:23,719
Speaker 1: el pass. We had to call in three more trucks yesterday.

1679
01:29:24,000 --> 01:29:28,160
Speaker 1: There's things happening that are outside coronavirus. That coronavirus is affecting, right, yeah.

1680
01:29:28,200 --> 01:29:29,920
Speaker 1: So if you're like, people will live through it, Eddie,

1681
01:29:30,000 --> 01:29:33,680
Speaker 1: live through it? Sure, one of the lucky ones. Well, no,

1682
01:29:33,960 --> 01:29:35,960
Speaker 1: most people live through it, Eddie, You're not one of

1683
01:29:36,000 --> 01:29:39,880
Speaker 1: the oa like, Okay, dramatic, I am. My point is

1684
01:29:39,880 --> 01:29:42,559
Speaker 1: it affects more than just people with coronavirus, and things

1685
01:29:42,600 --> 01:29:45,439
Speaker 1: aren't going to open up until people are able to

1686
01:29:45,520 --> 01:29:48,719
Speaker 1: have a vaccine and super fast testing. So now folks

1687
01:29:48,800 --> 01:29:51,519
Speaker 1: that are getting this fiser virus are saying, yeah, we

1688
01:29:51,600 --> 01:29:55,400
Speaker 1: got it in the trial vaccine. Yeah. Sorry. Can you

1689
01:29:55,439 --> 01:29:59,920
Speaker 1: imagine they're like, oh, crap, crap, we meant to get

1690
01:30:00,200 --> 01:30:02,400
Speaker 1: the vaccine and we actually gave you the FISA virus.

1691
01:30:03,320 --> 01:30:06,040
Speaker 1: Thank you, Eddie. It felt like they had a severe hangover,

1692
01:30:06,120 --> 01:30:09,559
Speaker 1: it said when they took the vaccine. Okay. The more

1693
01:30:09,600 --> 01:30:12,040
Speaker 1: than forty three thousand people in six countries who took

1694
01:30:12,080 --> 01:30:15,040
Speaker 1: part in Phase three were never told whether they were

1695
01:30:15,320 --> 01:30:18,360
Speaker 1: ejected with the vaccine or the placebo, but some said

1696
01:30:18,360 --> 01:30:20,160
Speaker 1: they knew they had the drug because of headaches, fever,

1697
01:30:20,240 --> 01:30:22,800
Speaker 1: and muscle aches that they compared to getting a really

1698
01:30:22,840 --> 01:30:27,040
Speaker 1: hardcore flu shot or a really heavy night out. Now

1699
01:30:27,120 --> 01:30:29,599
Speaker 1: I've never had it. Yeah, I hangover before because I've

1700
01:30:29,600 --> 01:30:32,240
Speaker 1: never been drunk. I would say that that's kind of

1701
01:30:32,280 --> 01:30:34,799
Speaker 1: what it felt like when I knew I had corona.

1702
01:30:35,200 --> 01:30:37,360
Speaker 1: When I woke up that morning, it felt like I

1703
01:30:37,520 --> 01:30:41,360
Speaker 1: had had a crazy party night out. And I didn't obviously,

1704
01:30:41,720 --> 01:30:44,479
Speaker 1: But so maybe that's kind of what the way that

1705
01:30:44,600 --> 01:30:47,000
Speaker 1: vaccine works gives you, kind of what your body is

1706
01:30:47,000 --> 01:30:48,640
Speaker 1: supposed to be immune to. Who knows, I don't know,

1707
01:30:48,720 --> 01:30:51,360
Speaker 1: but that's how I felt. I would take a night

1708
01:30:51,400 --> 01:30:52,800
Speaker 1: of feeling like that to be able to go to

1709
01:30:52,880 --> 01:30:55,880
Speaker 1: concerts again for sure, Like hit me, let's go. People

1710
01:30:55,960 --> 01:30:58,439
Speaker 1: do that voluntarily all the time to get hangover. Yeah,

1711
01:30:58,439 --> 01:31:00,320
Speaker 1: but they always get that fun part before it too,

1712
01:31:00,680 --> 01:31:04,200
Speaker 1: that's true. So I just saw that they finally started

1713
01:31:04,240 --> 01:31:06,559
Speaker 1: talking about what it makes you feel like. It's two

1714
01:31:07,200 --> 01:31:09,519
Speaker 1: different shots too. Wow, you go in, you get one shot,

1715
01:31:09,640 --> 01:31:11,640
Speaker 1: and then you think you wait maybe a week or

1716
01:31:11,640 --> 01:31:13,200
Speaker 1: so when you're going to get the second shot. Now,

1717
01:31:13,240 --> 01:31:15,479
Speaker 1: do you think this is enough time for all the tests?

1718
01:31:15,520 --> 01:31:20,360
Speaker 1: To process and see if everything's cool with this vaccine personally,

1719
01:31:20,479 --> 01:31:25,640
Speaker 1: like your opinion, Yes, okay, I do, because one I like,

1720
01:31:26,000 --> 01:31:30,000
Speaker 1: after three years, you grow three years or listening cell

1721
01:31:30,000 --> 01:31:31,880
Speaker 1: phones aren't going to have us all growing a tail

1722
01:31:31,920 --> 01:31:33,760
Speaker 1: out of our head. Yeah, because they just haven't been

1723
01:31:33,800 --> 01:31:35,880
Speaker 1: around long enough to study it. All I know is

1724
01:31:35,920 --> 01:31:37,599
Speaker 1: that they're not gonna let everything get back to normal

1725
01:31:37,720 --> 01:31:40,240
Speaker 1: until there is a vaccine. Yeah, and so I'm really

1726
01:31:40,320 --> 01:31:44,040
Speaker 1: rooting hard for one. Okay, that's the news. That's all

1727
01:31:44,080 --> 01:31:50,960
Speaker 1: I have. Thank you, Bobby's I hope you guys go

1728
01:31:51,080 --> 01:31:53,639
Speaker 1: back and check out the podcast. For today's show, Craig

1729
01:31:53,720 --> 01:31:55,720
Speaker 1: Morgan was in. I think he ended up playing five

1730
01:31:55,800 --> 01:31:59,120
Speaker 1: or six songs big hits, and you get to hear

1731
01:31:59,160 --> 01:32:00,720
Speaker 1: that on the podcast. Check it out, search for it

1732
01:32:00,760 --> 01:32:04,360
Speaker 1: Bobby Bones Show on demand whenever we're done here tonight.

1733
01:32:04,400 --> 01:32:06,559
Speaker 1: The CMA Awards. Here are people you wouldn't believe were

1734
01:32:06,640 --> 01:32:10,920
Speaker 1: once CMA Awards winners or nominees. Jason Alexander from Steinfeld.

1735
01:32:11,720 --> 01:32:14,479
Speaker 1: He won for what in two thousand and seven. He

1736
01:32:14,600 --> 01:32:29,439
Speaker 1: won because he directed Rad Paisley's video for Online I

1737
01:32:29,600 --> 01:32:36,639
Speaker 1: Love a Good Last. Olivia Newton John Okay from Greece.

1738
01:32:36,800 --> 01:32:40,479
Speaker 1: Sure she was a winner. In nineteen seventy four, she

1739
01:32:40,640 --> 01:32:43,400
Speaker 1: was nominated for four including Entertainer of the Year. What

1740
01:32:44,479 --> 01:32:47,600
Speaker 1: she did win Female Vocalist. She won for Song of

1741
01:32:47,680 --> 01:32:50,559
Speaker 1: the Year if You Love Me let Me Know Here

1742
01:32:50,600 --> 01:32:58,639
Speaker 1: it is here Snoop Dogg was a nominee in twenty

1743
01:32:58,720 --> 01:33:02,080
Speaker 1: twelve Okay for what He was nominated in Musical Event

1744
01:33:02,120 --> 01:33:05,000
Speaker 1: of the Year, with Willie Nelson for Rolling Up, Smoke

1745
01:33:05,080 --> 01:33:10,280
Speaker 1: Me When I Die yea roll Me Up, Smoke Up

1746
01:33:10,360 --> 01:33:19,680
Speaker 1: and if Anyone No. They were nominated went Nellie in

1747
01:33:19,760 --> 01:33:25,880
Speaker 1: twenty thirteen Okay for Over and Over, Crue True, There

1748
01:33:25,960 --> 01:33:35,000
Speaker 1: You Go. And Al Green nineteen ninety four for his

1749
01:33:35,479 --> 01:33:38,200
Speaker 1: album Rhythm, Country and Blues and included a song called

1750
01:33:38,280 --> 01:33:48,120
Speaker 1: Funny How Time Slips Away written by Willie Nelson. Oh

1751
01:33:49,080 --> 01:33:52,920
Speaker 1: that's cool. So I guess yesterday you guys were able

1752
01:33:52,960 --> 01:33:54,479
Speaker 1: to interview a bunch of folks walking through like a

1753
01:33:54,520 --> 01:33:58,000
Speaker 1: press line organ So are you just sitting at your

1754
01:33:58,040 --> 01:34:00,240
Speaker 1: computer when this is happening? Yeah? They were all virtue well,

1755
01:34:00,280 --> 01:34:03,519
Speaker 1: and they were from the CMA Awards remote and we

1756
01:34:03,600 --> 01:34:05,599
Speaker 1: were sitting here in the studio. So all the artists

1757
01:34:05,640 --> 01:34:08,240
Speaker 1: are just going to different cameras and talking to you guys. Yes, okay,

1758
01:34:08,479 --> 01:34:11,240
Speaker 1: trying to visualize this here, this is you talking with

1759
01:34:11,439 --> 01:34:15,280
Speaker 1: Carly Pierce. You ask her if they consider Luke Combs

1760
01:34:15,320 --> 01:34:17,040
Speaker 1: doing I hope you're happy now with Carly at the

1761
01:34:17,040 --> 01:34:19,080
Speaker 1: CMAS because he wrote the song. Yeah, here's that clip.

1762
01:34:19,320 --> 01:34:21,439
Speaker 1: One of your co writers on this song was Luke Combs.

1763
01:34:21,479 --> 01:34:23,479
Speaker 1: Did you guys even talk about the idea of Luke

1764
01:34:23,560 --> 01:34:26,960
Speaker 1: Combs doing the duet with you? We did, and I

1765
01:34:27,160 --> 01:34:31,679
Speaker 1: think that just with his scheduling and with him already

1766
01:34:31,720 --> 01:34:33,640
Speaker 1: performing on the show, I think they were trying to

1767
01:34:33,720 --> 01:34:36,599
Speaker 1: do something a little different, you know. Good for her

1768
01:34:36,640 --> 01:34:38,960
Speaker 1: too for going yeah we did, yeah, because she could

1769
01:34:39,000 --> 01:34:40,680
Speaker 1: have easily said no. We just always felt it was

1770
01:34:40,760 --> 01:34:43,200
Speaker 1: Charles Kelly. But good for Carly for being honest about that.

1771
01:34:43,800 --> 01:34:45,519
Speaker 1: I think Charles Kelly is gonna be fine and good.

1772
01:34:46,320 --> 01:34:47,800
Speaker 1: But I mean to have Luke Combs on that song,

1773
01:34:48,479 --> 01:34:52,080
Speaker 1: Let's be honest, be pretty cool. Morgan asked Marion Morris,

1774
01:34:52,120 --> 01:34:54,280
Speaker 1: who's the most famous person's phone number she has on

1775
01:34:54,320 --> 01:34:57,120
Speaker 1: her phone. I feel like I'm name dropping, but that's

1776
01:34:57,160 --> 01:35:04,000
Speaker 1: obviously the it's a question. There's dropping. Yeah, Taylor Swift, Yeah, okay,

1777
01:35:04,160 --> 01:35:07,160
Speaker 1: She's been super, super sweet and supportive of me, and

1778
01:35:07,680 --> 01:35:09,400
Speaker 1: I'm just such a fan of what she does and

1779
01:35:09,640 --> 01:35:13,800
Speaker 1: her platform. So we text sometimes and she's been so

1780
01:35:13,920 --> 01:35:16,519
Speaker 1: sweet about my son that was born a few a

1781
01:35:16,600 --> 01:35:20,200
Speaker 1: few months ago and has just been such a sweet

1782
01:35:20,240 --> 01:35:22,800
Speaker 1: friend about me being a new mom. Here's one more

1783
01:35:22,880 --> 01:35:25,120
Speaker 1: question with Morgan and Marion Morris where she keeps all

1784
01:35:25,120 --> 01:35:28,760
Speaker 1: the awards in her house. When my friend and late

1785
01:35:28,840 --> 01:35:32,160
Speaker 1: producer Buzzby passed away last year, they were clearing out

1786
01:35:32,240 --> 01:35:35,360
Speaker 1: his studio here in Nashville, and his wife, Jess, gave

1787
01:35:35,439 --> 01:35:39,040
Speaker 1: me his piano that we wrote Eighties Mercedes on and

1788
01:35:39,400 --> 01:35:41,680
Speaker 1: once and a lot of my songs were on that

1789
01:35:41,760 --> 01:35:46,120
Speaker 1: piano with him. So that piano is my most prized possession,

1790
01:35:46,560 --> 01:35:49,519
Speaker 1: and it's sitting in my basement and I have a

1791
01:35:49,600 --> 01:35:51,720
Speaker 1: photo of me and buzz on top of it that

1792
01:35:51,840 --> 01:35:54,759
Speaker 1: my band framed for me, and I have my CMA

1793
01:35:54,800 --> 01:35:58,439
Speaker 1: awards and Grammy on top of the piano. So it's

1794
01:35:58,520 --> 01:36:01,960
Speaker 1: it's kind of a Buzzby trying, but it's a it's

1795
01:36:01,960 --> 01:36:04,320
Speaker 1: a really special corner of my house. If I can

1796
01:36:04,400 --> 01:36:06,840
Speaker 1: go back to Morgan and while she's talking to Carly

1797
01:36:06,960 --> 01:36:10,160
Speaker 1: Pierce Lunchbox jumps in in the middle of the interview

1798
01:36:10,960 --> 01:36:13,040
Speaker 1: and can you play a clip of Next Girl? This

1799
01:36:13,200 --> 01:36:26,719
Speaker 1: is Carly song? He said that falls and sorry say

1800
01:36:26,880 --> 01:36:33,120
Speaker 1: all alright things, No, ta dress, don't think you're the

1801
01:36:33,240 --> 01:36:39,439
Speaker 1: best thing. But I'm not happing's Next Girl. So it's

1802
01:36:39,439 --> 01:36:41,400
Speaker 1: about it dude who pretty much did her wrong? And

1803
01:36:41,479 --> 01:36:44,320
Speaker 1: she knows the story. So Lunchbox asks her, who's that about?

1804
01:36:45,160 --> 01:36:48,240
Speaker 1: Why don't know Carly? This, Lunchbox, I'm going rogue. Here

1805
01:36:48,880 --> 01:36:50,600
Speaker 1: is that song you said? You were like, is it

1806
01:36:50,640 --> 01:36:54,519
Speaker 1: about anybody in particular? New Girl? Next, Next Girl Girl?

1807
01:36:55,280 --> 01:36:58,120
Speaker 1: I mean, I don't know. I mean it's it's definitely

1808
01:36:58,160 --> 01:37:00,800
Speaker 1: written about my life. Okay, so we're just gonna keep

1809
01:37:00,840 --> 01:37:02,840
Speaker 1: it at that. Yeah, all right, to love it. It's

1810
01:37:02,840 --> 01:37:10,080
Speaker 1: a great song, Lunchbox, You're bad question. I felt it

1811
01:37:10,240 --> 01:37:13,439
Speaker 1: like I felt its Honestly, I knew it was gonna happen.

1812
01:37:13,520 --> 01:37:15,160
Speaker 1: I saw him in there. I was like, here, somebody's

1813
01:37:15,200 --> 01:37:17,920
Speaker 1: gonna do it. Ray, you in there, Ray, Ray didn't

1814
01:37:17,920 --> 01:37:19,639
Speaker 1: want to do it. I figured I had to ask.

1815
01:37:19,760 --> 01:37:22,120
Speaker 1: I wanted to because we've had your back this whole time,

1816
01:37:22,200 --> 01:37:24,640
Speaker 1: so I wanted to, you know, I want to come

1817
01:37:24,680 --> 01:37:27,080
Speaker 1: in there having my back I see you. I'm gonna

1818
01:37:27,120 --> 01:37:29,240
Speaker 1: mess up your song title and I'm gonna ask you

1819
01:37:29,320 --> 01:37:32,720
Speaker 1: a question about it. You girl, So this song you

1820
01:37:32,800 --> 01:37:36,800
Speaker 1: wrote called new Boy what I know? That's not? Let

1821
01:37:37,280 --> 01:37:39,360
Speaker 1: was with Luke Holmbs for a second. You asked him

1822
01:37:39,360 --> 01:37:41,360
Speaker 1: about croc Gate. Yeah, I want to know what happened

1823
01:37:41,400 --> 01:37:44,120
Speaker 1: with Crocgate. But everybody's fighting over Luke Combs Crocs here

1824
01:37:44,120 --> 01:37:47,120
Speaker 1: in the studio. I'm absolutely aware. I've heard of I've

1825
01:37:47,200 --> 01:37:51,040
Speaker 1: heard a lot of a lot of murmurs about crocs Gate. Yeah, yeah,

1826
01:37:51,160 --> 01:37:53,360
Speaker 1: Croc's gate. You know, Bobby gets a pair of Amy

1827
01:37:53,439 --> 01:37:55,720
Speaker 1: gets a pair, and the homeless cat in the back

1828
01:37:55,840 --> 01:37:58,600
Speaker 1: Hillary got a pair, and lunchbox did not get a

1829
01:37:58,640 --> 01:38:00,840
Speaker 1: pair of loose Combs crocs? What's up with that? Luke?

1830
01:38:01,040 --> 01:38:03,639
Speaker 1: I've heard that the problem has been reconciled. So before

1831
01:38:03,680 --> 01:38:06,519
Speaker 1: you ask, you may want to say, who got ahold

1832
01:38:06,600 --> 01:38:09,479
Speaker 1: of crocs and got you some pairs of those? Oh? Okay,

1833
01:38:09,520 --> 01:38:12,439
Speaker 1: I wonder, I do wonder who got ahold of crocs

1834
01:38:12,479 --> 01:38:15,240
Speaker 1: and got me a pair? Who knows? Oh, you never know.

1835
01:38:15,640 --> 01:38:20,320
Speaker 1: I'm like country music Santa Claus, I never know. Did

1836
01:38:20,400 --> 01:38:22,000
Speaker 1: you have them? You have the mail? Yeah, they came

1837
01:38:22,040 --> 01:38:23,400
Speaker 1: in the mail. You have them, I got him in

1838
01:38:23,479 --> 01:38:25,760
Speaker 1: my house. Y happy you wear them? I got them

1839
01:38:25,840 --> 01:38:27,720
Speaker 1: last night, so I gotta put them on today. First day.

1840
01:38:27,720 --> 01:38:29,600
Speaker 1: I'm gonna put them on for the Cmas you know

1841
01:38:29,640 --> 01:38:33,040
Speaker 1: where I'm tonight. Absolutely stop calling Hillary a homeless cat.

1842
01:38:34,200 --> 01:38:36,760
Speaker 1: By the way, I think literally she does more work

1843
01:38:36,800 --> 01:38:40,680
Speaker 1: on the show than most people, like actual work, and

1844
01:38:41,120 --> 01:38:43,720
Speaker 1: she's not a homeless cat. That's actually pretty rude to say.

1845
01:38:43,720 --> 01:38:49,360
Speaker 1: I apologize this, doesn't apologize that homeless cat. It's a

1846
01:38:49,840 --> 01:38:52,360
Speaker 1: It's a metaphor. Why can't you just apologize? What's a

1847
01:38:52,439 --> 01:38:57,280
Speaker 1: metaphor something? It's a metaphor. Oh, it's like where something

1848
01:38:57,439 --> 01:39:05,040
Speaker 1: stands for something fair enough, Yeah, similes the same. Yeah, Yeah,

1849
01:39:05,400 --> 01:39:08,559
Speaker 1: that's what I mean. Metaphor. You want to apologize, Yeah,

1850
01:39:08,600 --> 01:39:11,760
Speaker 1: you should apologize. There's nothing to apologize for. Okay, Like

1851
01:39:11,880 --> 01:39:16,120
Speaker 1: it's a good metaphors. Homeless cat. Yeah, okay, it is

1852
01:39:16,200 --> 01:39:20,280
Speaker 1: not a good metaphor. Today, November eleventh is Veterans Day,

1853
01:39:20,280 --> 01:39:22,360
Speaker 1: and I wanted to acknowledge that. First of all, We've

1854
01:39:22,360 --> 01:39:24,679
Speaker 1: been talking about it all morning, but I have hopped

1855
01:39:24,720 --> 01:39:26,800
Speaker 1: in and I'm hosting a new podcast called Vets. You

1856
01:39:26,800 --> 01:39:29,360
Speaker 1: should know. It's four part podcast, I talk with some

1857
01:39:29,560 --> 01:39:33,639
Speaker 1: remarkable vets and learn about their struggles and accomplishments while

1858
01:39:33,760 --> 01:39:37,880
Speaker 1: enlisted their transition Vets. You should know. I hope you

1859
01:39:38,000 --> 01:39:39,559
Speaker 1: check it out. It was such an honor to talk

1860
01:39:39,600 --> 01:39:41,519
Speaker 1: to these four folks, and I think you'll like it.

1861
01:39:41,600 --> 01:39:44,080
Speaker 1: I think today's a good day to get started to vets.

1862
01:39:44,360 --> 01:39:49,160
Speaker 1: You should know, Raymundo, you lost your wedding ring yesterday. Yeah,

1863
01:39:49,320 --> 01:39:51,800
Speaker 1: for about an hour, and it's only been two weeks

1864
01:39:51,840 --> 01:39:55,599
Speaker 1: since the wedding itself. That's a significant amount of time.

1865
01:39:56,040 --> 01:39:58,880
Speaker 1: I know, dude, I was real worried. Hit up. Steve

1866
01:39:58,960 --> 01:40:01,160
Speaker 1: told him to search the entire radio station. He went

1867
01:40:01,160 --> 01:40:03,320
Speaker 1: in the bathroom. I was looking at the condo. But

1868
01:40:03,400 --> 01:40:05,519
Speaker 1: then I eventually found it. Where was it? It was

1869
01:40:05,600 --> 01:40:08,280
Speaker 1: in the middle console on my vehicle. It's got a

1870
01:40:08,479 --> 01:40:10,840
Speaker 1: trap door, it's hidden, and I'd put it there monkeying

1871
01:40:10,880 --> 01:40:13,439
Speaker 1: around with it and completely forgot. Did you tell they

1872
01:40:13,720 --> 01:40:16,759
Speaker 1: they you lost it? Or she found out? I believe

1873
01:40:16,960 --> 01:40:19,160
Speaker 1: because I think I showed her that I was going

1874
01:40:19,200 --> 01:40:20,920
Speaker 1: to talk about it on the show, so that's why

1875
01:40:21,000 --> 01:40:22,080
Speaker 1: she found out. I had to hit it with that

1876
01:40:22,120 --> 01:40:25,040
Speaker 1: preemptive strike. Yeah, like this is coming. I often have

1877
01:40:25,160 --> 01:40:26,920
Speaker 1: to do that too. Sometimes I go like, is it

1878
01:40:26,960 --> 01:40:29,640
Speaker 1: cool if I talk about that? But you got it?

1879
01:40:29,720 --> 01:40:31,599
Speaker 1: You're good, all good to go? Why are you taking

1880
01:40:31,640 --> 01:40:34,439
Speaker 1: it off? It's really uncomfortable. I hit it on a

1881
01:40:34,520 --> 01:40:36,439
Speaker 1: lot of things. I'm tony. It's just really not with

1882
01:40:36,640 --> 01:40:40,680
Speaker 1: my style. I'm very handsy and it doesn't work with me.

1883
01:40:40,840 --> 01:40:43,920
Speaker 1: Not really the best thing to say, not really very handsy.

1884
01:40:45,479 --> 01:40:48,559
Speaker 1: But you picked this ring and it's extremely extra, meaning

1885
01:40:48,600 --> 01:40:51,840
Speaker 1: it's covered in diamonds. Maybe it's just a ring. I

1886
01:40:51,920 --> 01:40:54,200
Speaker 1: wear it out to dinner or your dinner right now?

1887
01:40:54,200 --> 01:40:56,880
Speaker 1: That's your wedding ring, dude, Yeah, your dinner ring. I

1888
01:40:56,920 --> 01:40:58,400
Speaker 1: don't know. Well, you have a different one for lunch.

1889
01:41:00,560 --> 01:41:02,439
Speaker 1: Every mill he's got a different ring he puts on.

1890
01:41:03,280 --> 01:41:05,120
Speaker 1: So have you ever lost something valuable, like say, your

1891
01:41:05,160 --> 01:41:07,920
Speaker 1: wedding ring? Because Scooba got that text from Ray going

1892
01:41:07,960 --> 01:41:11,360
Speaker 1: hey go check it out. I hear is Charlie in Austin, Texas.

1893
01:41:11,400 --> 01:41:15,320
Speaker 1: Who's called us? Hey Charlie? What's going on in not much? Man?

1894
01:41:15,360 --> 01:41:17,240
Speaker 1: How are you doing pretty good? What's happening with you?

1895
01:41:17,280 --> 01:41:21,360
Speaker 1: What do you want to say? Well? Two things. Lunchbox

1896
01:41:21,600 --> 01:41:24,200
Speaker 1: looks like a homeless person, so we'll call him homeless

1897
01:41:24,240 --> 01:41:27,439
Speaker 1: cat homeless at Lunchbox today. For those that don't know

1898
01:41:27,479 --> 01:41:29,479
Speaker 1: what he's talking about, he called Hillary a homeless cat

1899
01:41:29,560 --> 01:41:31,960
Speaker 1: lunchbox dead. And so now people are sticking up for Hillary. Okay.

1900
01:41:32,000 --> 01:41:35,640
Speaker 1: And and so I was sixteen years old. I went

1901
01:41:35,760 --> 01:41:38,640
Speaker 1: run around with my buddies and we jumped out of

1902
01:41:38,680 --> 01:41:40,560
Speaker 1: my car and went to go do our stuff. We

1903
01:41:40,640 --> 01:41:42,880
Speaker 1: all went separate ways. I go to my car. I

1904
01:41:42,920 --> 01:41:44,400
Speaker 1: can't get in my car. I don't have my keys.

1905
01:41:45,439 --> 01:41:47,519
Speaker 1: I can't find my key. I go I lost my key.

1906
01:41:47,680 --> 01:41:50,840
Speaker 1: So I end up getting the car jimmied open by

1907
01:41:50,960 --> 01:41:55,000
Speaker 1: you know, the locked people, and I still can't find

1908
01:41:55,080 --> 01:41:58,519
Speaker 1: my keys. I get the car ree kid by. However

1909
01:41:58,600 --> 01:42:01,519
Speaker 1: my parents did. I was sixteen, and I get the

1910
01:42:01,600 --> 01:42:04,160
Speaker 1: car back. I'm going through clean my car. I opened

1911
01:42:04,240 --> 01:42:05,680
Speaker 1: up the ash tray in my car, and my keys

1912
01:42:05,720 --> 01:42:07,880
Speaker 1: are in there. Oh no, that stinks right in your

1913
01:42:07,880 --> 01:42:10,360
Speaker 1: ash tray. You didn't go look in your ass tray? Yeah,

1914
01:42:11,000 --> 01:42:12,840
Speaker 1: and I did. I didn't smoke. I was I was

1915
01:42:12,880 --> 01:42:16,160
Speaker 1: a youngster. I didn't smoke. And it wasn't me that

1916
01:42:16,240 --> 01:42:18,320
Speaker 1: my buddy stuck it in there. You know. I relate

1917
01:42:18,400 --> 01:42:21,160
Speaker 1: a little bit in the car thing where once. I

1918
01:42:21,240 --> 01:42:23,280
Speaker 1: didn't lose anything, but my car was just it was

1919
01:42:23,439 --> 01:42:25,960
Speaker 1: broken down and it had pizza crept cars for most

1920
01:42:26,000 --> 01:42:29,240
Speaker 1: of my life. The dang thing would not start. And

1921
01:42:29,360 --> 01:42:32,639
Speaker 1: I'm sitting outside of a burger king It's about one

1922
01:42:32,680 --> 01:42:35,920
Speaker 1: in the morning. It just won't start. So I call

1923
01:42:36,040 --> 01:42:38,920
Speaker 1: and I'm like, hey, I called, Like whoever you call

1924
01:42:38,960 --> 01:42:42,160
Speaker 1: in the middle of the night. Maybe I don't even

1925
01:42:42,160 --> 01:42:44,040
Speaker 1: think I knew what that was at the time. So

1926
01:42:44,160 --> 01:42:46,720
Speaker 1: I call somebody like a mechanic and it's gonna cost

1927
01:42:46,720 --> 01:42:48,200
Speaker 1: a lot of money. They're like, oh, we'll be right out.

1928
01:42:48,200 --> 01:42:50,760
Speaker 1: Three hours later, they get there and I've just been

1929
01:42:50,800 --> 01:42:52,360
Speaker 1: sitting on the side of the road, like in the

1930
01:42:52,400 --> 01:42:54,760
Speaker 1: parking lot. And he goes and he gets in the

1931
01:42:54,840 --> 01:42:57,120
Speaker 1: car and he's like, hey, did you spend much time

1932
01:42:57,160 --> 01:42:58,439
Speaker 1: in here looking around? I was like, well, what do

1933
01:42:58,479 --> 01:43:02,760
Speaker 1: you mean? He goes, well, you're you're you're in drive

1934
01:43:02,840 --> 01:43:04,720
Speaker 1: and the car shut off. What and that's why the

1935
01:43:04,760 --> 01:43:06,200
Speaker 1: car won't start. You didn't put it in park. And

1936
01:43:06,200 --> 01:43:07,920
Speaker 1: he goes, put it in park, starts it right up.

1937
01:43:08,240 --> 01:43:15,880
Speaker 1: He's like, easy money, dumb, so dumb. Thank you very

1938
01:43:15,960 --> 01:43:18,200
Speaker 1: much for that call. Let's see over to leanne in

1939
01:43:18,240 --> 01:43:22,920
Speaker 1: Ohio Leanne, you're on the show. What's going on? Yes? Hi,

1940
01:43:24,160 --> 01:43:28,840
Speaker 1: Hi showtime. My son was eight years old and got

1941
01:43:28,920 --> 01:43:32,559
Speaker 1: the brand new PlayStation Handhound game. He wanted to take

1942
01:43:32,600 --> 01:43:34,880
Speaker 1: it with him on and outing with his path. I said, no,

1943
01:43:35,120 --> 01:43:38,519
Speaker 1: you'll lose it. He said, no, I won't promise. I

1944
01:43:38,640 --> 01:43:41,320
Speaker 1: promise I will not lose this every game with it

1945
01:43:42,439 --> 01:43:45,400
Speaker 1: five hundred, six hundred dollars worth the stock. He comes

1946
01:43:45,439 --> 01:43:47,840
Speaker 1: home two days later, he's like, where's my PlayStation? I said,

1947
01:43:47,840 --> 01:43:49,800
Speaker 1: I don't know. You had it with you lost it,

1948
01:43:50,120 --> 01:43:52,960
Speaker 1: went up, looked at my dad's car, couldn't find it.

1949
01:43:53,479 --> 01:43:56,360
Speaker 1: My dad searched it. A year later when my dad

1950
01:43:56,479 --> 01:43:59,439
Speaker 1: was trading the car in the guys cleaning the car out,

1951
01:43:59,520 --> 01:44:01,960
Speaker 1: called my dad and said, I found something you might want.

1952
01:44:02,000 --> 01:44:06,880
Speaker 1: It was my son's PlayStation. So whose fault was? Yeah?

1953
01:44:06,960 --> 01:44:09,479
Speaker 1: Whose fault was that? Was it your sons or you're

1954
01:44:09,960 --> 01:44:12,759
Speaker 1: his dad? His dad's Yeah, it was. It was a fluke.

1955
01:44:13,760 --> 01:44:15,360
Speaker 1: It was kind of my dad's I think, because he

1956
01:44:15,600 --> 01:44:20,120
Speaker 1: pushed everything underneath the sea. Um. We grounded my son

1957
01:44:20,240 --> 01:44:24,240
Speaker 1: for two weeks. Yeah. Years later, yeah, eight years later

1958
01:44:24,360 --> 01:44:29,040
Speaker 1: he's still Yeah, I'm the irresponsible one, huh. He grounded them.

1959
01:44:29,120 --> 01:44:32,160
Speaker 1: He did nothing wrong. He served time for a crime

1960
01:44:32,240 --> 01:44:35,080
Speaker 1: he didn't commit. You hate to hear it. All right,

1961
01:44:35,120 --> 01:44:36,360
Speaker 1: thank you very much for the call. Hope you have

1962
01:44:36,400 --> 01:44:38,680
Speaker 1: a great day. Thank you you too. All Right, there

1963
01:44:38,720 --> 01:44:42,080
Speaker 1: you go. Let's see here. Winners and two categories have

1964
01:44:42,200 --> 01:44:45,720
Speaker 1: been announced on ABC's Good Morning America. Randa Lambertt one

1965
01:44:45,880 --> 01:44:48,719
Speaker 1: for a Music Video of the Year for Bluebird. Carly

1966
01:44:48,800 --> 01:44:50,960
Speaker 1: Pearce did win Musical Event of the Year with Lee Bryce.

1967
01:44:51,120 --> 01:44:53,160
Speaker 1: I'd stinks Jake didn't win. I thought Jake deserved to win.

1968
01:44:53,240 --> 01:44:54,960
Speaker 1: That that video had more time and effort into it

1969
01:44:55,040 --> 01:44:58,000
Speaker 1: than than any other video. You feel like they didn't

1970
01:44:58,000 --> 01:45:00,719
Speaker 1: probably watch the videos and just voted on up the artist,

1971
01:45:01,280 --> 01:45:03,640
Speaker 1: They rolled the dice. Yeah, that stinks Jake didn't win that.

1972
01:45:03,680 --> 01:45:07,400
Speaker 1: I feel like he deserved to win. That. Political differences

1973
01:45:07,400 --> 01:45:10,519
Speaker 1: Are they the reason that Florida Georgia line might break up? Oh? Okay,

1974
01:45:10,560 --> 01:45:17,640
Speaker 1: I didn't think about them. Now, let me say this

1975
01:45:17,960 --> 01:45:22,360
Speaker 1: is so rumor filled, but there is some truth inside

1976
01:45:22,400 --> 01:45:24,160
Speaker 1: of it. I'm gonna read you the story, then I'm

1977
01:45:24,160 --> 01:45:26,320
Speaker 1: gonna give you my thoughts. All right, Okay, here we go.

1978
01:45:27,680 --> 01:45:30,000
Speaker 1: The story says, as Florida Georgia Line on the verge

1979
01:45:30,040 --> 01:45:33,679
Speaker 1: of breaking up, they already had a social media breakup.

1980
01:45:34,200 --> 01:45:36,960
Speaker 1: Tyler Hubbard and his wife Haley unfollowed Brian Kelly and

1981
01:45:37,000 --> 01:45:40,000
Speaker 1: Brittany on Instagram, which, by the way, it may sound trivial,

1982
01:45:40,080 --> 01:45:42,160
Speaker 1: but that's significant to go and follow somebody. Yeah, that

1983
01:45:42,240 --> 01:45:45,519
Speaker 1: means you don't want to see their shiz anywhere. Hey,

1984
01:45:45,520 --> 01:45:49,040
Speaker 1: you're you're mad at them? Yeah, some reason somebody picked

1985
01:45:49,120 --> 01:45:51,360
Speaker 1: up on that, and news spread like wildfire on the internet.

1986
01:45:51,400 --> 01:45:53,479
Speaker 1: It got back to Tyler, so he tried quiet any

1987
01:45:53,520 --> 01:45:58,200
Speaker 1: fall refollowed BK. But it seems like their political differences

1988
01:45:58,400 --> 01:46:00,479
Speaker 1: may have caused it. Again, this is just stories, is

1989
01:46:00,479 --> 01:46:06,160
Speaker 1: not me talking. Yes, Tyler Lean's left, Brian does not,

1990
01:46:07,080 --> 01:46:11,280
Speaker 1: and Brittney, who is Brian Kelly's wife. B K said,

1991
01:46:11,320 --> 01:46:13,400
Speaker 1: I never considered a difference of opinion of politics and

1992
01:46:13,439 --> 01:46:18,080
Speaker 1: religion of philosophy as a cost for withdrawing from a friend. Okay,

1993
01:46:18,760 --> 01:46:21,680
Speaker 1: I'm gonna stop there. I'm gonna tell you that they're

1994
01:46:21,720 --> 01:46:24,640
Speaker 1: not going to break up. It's funny because I think

1995
01:46:24,680 --> 01:46:27,680
Speaker 1: at times we should all unfollow situations that don't make

1996
01:46:27,720 --> 01:46:29,240
Speaker 1: us feel good. That doesn't mean we're not gonna refollow

1997
01:46:29,280 --> 01:46:31,800
Speaker 1: and get back into it. If they disagree politically, great,

1998
01:46:31,800 --> 01:46:33,960
Speaker 1: they're human beings. They have every right to do that. Sure,

1999
01:46:34,640 --> 01:46:36,719
Speaker 1: and in a very political time when everybody's just spouting

2000
01:46:36,720 --> 01:46:38,320
Speaker 1: off crap they have no idea about and you want

2001
01:46:38,320 --> 01:46:41,240
Speaker 1: to follow somebody. Great, Probably not the smartest because people

2002
01:46:41,240 --> 01:46:43,599
Speaker 1: would notice. I can't believe people notice. That's crazy. Maybe

2003
01:46:43,640 --> 01:46:46,960
Speaker 1: you mute them. Yeah, I have no problem. They're human

2004
01:46:47,000 --> 01:46:49,760
Speaker 1: beings in a relationship. They should fight sometimes, or that's

2005
01:46:49,760 --> 01:46:53,479
Speaker 1: not a healthy relationship. If you don't ever have fight

2006
01:46:53,600 --> 01:46:56,719
Speaker 1: with your significant other, and they are significant others in Florida,

2007
01:46:56,760 --> 01:47:00,600
Speaker 1: Georgia line, then that's not even the real fulfilling relationship.

2008
01:47:00,640 --> 01:47:03,240
Speaker 1: You should have differences. And it's also okay, and this

2009
01:47:03,400 --> 01:47:05,560
Speaker 1: is where things start to annoy the crap out of me.

2010
01:47:05,600 --> 01:47:08,400
Speaker 1: It's also okay that people don't agree politically, and it's

2011
01:47:08,439 --> 01:47:10,400
Speaker 1: also okay to go I don't agree with you so

2012
01:47:10,520 --> 01:47:11,960
Speaker 1: much anywo. I can't take it right now, but we'll

2013
01:47:11,960 --> 01:47:13,759
Speaker 1: be friends again. But I'm gonna step away for a second.

2014
01:47:14,520 --> 01:47:20,360
Speaker 1: So everybody needs to ce TFO. So the stories somewhat

2015
01:47:20,400 --> 01:47:23,880
Speaker 1: true as far as this is their beliefs, and this great,

2016
01:47:23,880 --> 01:47:25,280
Speaker 1: and if they want to follow each other for a while.

2017
01:47:25,920 --> 01:47:28,120
Speaker 1: There's that, But as far as them breaking up, that's

2018
01:47:28,160 --> 01:47:32,479
Speaker 1: just all rumors all it ain't happening. I don't know

2019
01:47:32,520 --> 01:47:35,719
Speaker 1: that's not happening. I'm gonna say it ain't happening it baby,

2020
01:47:36,160 --> 01:47:39,400
Speaker 1: But Eddie, if you were, I've blocked Ray. Why I'm

2021
01:47:39,560 --> 01:47:42,200
Speaker 1: I've blocked Ray now right? Oh no, it's still blocked.

2022
01:47:42,439 --> 01:47:44,720
Speaker 1: So Ray is one of the closest folks to me.

2023
01:47:45,280 --> 01:47:48,760
Speaker 1: I blocked them. They couldn't take its crap anymore. I

2024
01:47:48,880 --> 01:47:54,479
Speaker 1: love them. Everybody needs to chill out. That's funny, though,

2025
01:47:54,520 --> 01:47:58,200
Speaker 1: that's really funny. I would have just or I would

2026
01:47:58,200 --> 01:48:00,559
Speaker 1: have just scrolled past them real quick for the drama.

2027
01:48:00,640 --> 01:48:02,519
Speaker 1: Maybe it was just election time when they were just like,

2028
01:48:02,560 --> 01:48:04,439
Speaker 1: I don't want to see that stuff. So I'm gonna

2029
01:48:04,439 --> 01:48:07,519
Speaker 1: block you temporarily. Now that's over, I'll follow you again

2030
01:48:07,520 --> 01:48:09,800
Speaker 1: because we're still friends and I love you. I eliminated

2031
01:48:09,840 --> 01:48:13,560
Speaker 1: people on Facebook on both sides that wouldn't shut off exactly.

2032
01:48:14,160 --> 01:48:16,320
Speaker 1: You don't know what you're talking about. Although I'm gonna

2033
01:48:16,320 --> 01:48:18,120
Speaker 1: make a prediction here, I do think we're gonna look

2034
01:48:18,160 --> 01:48:20,439
Speaker 1: what is today November eleven, twenty twenty. I think if

2035
01:48:20,479 --> 01:48:23,080
Speaker 1: we look back November eleven, twenty twenty two, it will

2036
01:48:23,120 --> 01:48:30,280
Speaker 1: be less divisive. I do feel likewise, leadership creates environments,

2037
01:48:30,640 --> 01:48:33,200
Speaker 1: and I think that we will have a less well,

2038
01:48:33,320 --> 01:48:35,200
Speaker 1: we'll soon be bored by our president, which is a

2039
01:48:35,240 --> 01:48:37,400
Speaker 1: great way to be agin. Yeah, that is good. Remember

2040
01:48:37,400 --> 01:48:39,120
Speaker 1: the old days when you do like, oh, the presidents

2041
01:48:39,120 --> 01:48:41,040
Speaker 1: on the you have to think twice, like who's our president? Okay,

2042
01:48:41,080 --> 01:48:43,040
Speaker 1: got it? I do think that will be less divin No,

2043
01:48:43,120 --> 01:48:45,599
Speaker 1: I never had to think it was the president joking never,

2044
01:48:47,640 --> 01:48:50,120
Speaker 1: who is it wrong? I am predicting a less divisive

2045
01:48:50,160 --> 01:48:53,560
Speaker 1: time two years from now. Okay, that's cool. I like that.

2046
01:48:53,920 --> 01:48:56,120
Speaker 1: Any movement in that direction is good. Yeah, but uh,

2047
01:48:56,439 --> 01:48:59,080
Speaker 1: Florida George's line, I'm predicting they're not breaking up. I'm

2048
01:48:59,120 --> 01:49:00,840
Speaker 1: gonna go ahead and take the opposite. I'll take the

2049
01:49:01,560 --> 01:49:05,800
Speaker 1: non favorite and it's okay that they fight. Great. Sure,

2050
01:49:06,040 --> 01:49:09,000
Speaker 1: Maybe we'll get a speaker box love below, which is

2051
01:49:09,040 --> 01:49:12,040
Speaker 1: what Outcast did. They did two records in one where

2052
01:49:12,080 --> 01:49:14,479
Speaker 1: Big Boy did a whole album, Andre three thousand did

2053
01:49:14,520 --> 01:49:16,240
Speaker 1: a whole album, and they put together as Outcasts. Maybe

2054
01:49:16,280 --> 01:49:18,760
Speaker 1: we'll get a b K album and Hubbard album. Okay,

2055
01:49:18,800 --> 01:49:20,880
Speaker 1: I like that, But which one's Florida and which one's

2056
01:49:20,920 --> 01:49:25,160
Speaker 1: Georgia Florida is BK Tyler is Georgia? Okay, I believe

2057
01:49:25,160 --> 01:49:27,400
Speaker 1: I gotta know who my lane. Let's stayed up my alliances? Yeah,

2058
01:49:27,680 --> 01:49:30,800
Speaker 1: pick pick wisely, my friend. All Right, that's it. We've

2059
01:49:30,840 --> 01:49:35,519
Speaker 1: talked about enough dumb things today. Well, we have actual

2060
01:49:35,600 --> 01:49:39,439
Speaker 1: proof of voter fraud for the first time in the

2061
01:49:39,560 --> 01:49:42,160
Speaker 1: vote for New Zealand's Bird of the Year. The contest

2062
01:49:42,280 --> 01:49:45,400
Speaker 1: organizers caught someone sneaking in fifteen hundred extra votes for

2063
01:49:45,439 --> 01:49:49,640
Speaker 1: a spotted Kiwi. How you're serious? Come on, This is

2064
01:49:49,680 --> 01:49:51,680
Speaker 1: the only proof there is of any voter fraud right now,

2065
01:49:51,720 --> 01:49:54,479
Speaker 1: so I wanted to share that. Okay, thank you. About

2066
01:49:54,560 --> 01:49:57,479
Speaker 1: fifteen hundred fraudulent votes have been casts for the little

2067
01:49:57,520 --> 01:50:00,719
Speaker 1: spotted Kiwi and Forest and Birds bird of the your competition.

2068
01:50:01,640 --> 01:50:05,479
Speaker 1: The votes briefly pushed the Kiwi Pooka Pooko to the

2069
01:50:05,600 --> 01:50:08,759
Speaker 1: top of the preferred bird leaderboard. They have been removed.

2070
01:50:08,960 --> 01:50:11,360
Speaker 1: That's just not fair. It is not It's not fair

2071
01:50:11,400 --> 01:50:13,800
Speaker 1: to the other bird. That's true. Here's a voicemail we

2072
01:50:13,880 --> 01:50:16,280
Speaker 1: got for last night. Today is Veterans Day. I wanted

2073
01:50:16,280 --> 01:50:17,960
Speaker 1: to play this for you. Shout out to my father

2074
01:50:18,040 --> 01:50:20,160
Speaker 1: in law's ninety five year old World War Two that

2075
01:50:20,600 --> 01:50:23,479
Speaker 1: he usually speaks at a local high school every year.

2076
01:50:23,880 --> 01:50:26,360
Speaker 1: He usually talks because of COVID doesn't get to you

2077
01:50:26,680 --> 01:50:28,439
Speaker 1: and kind of let him kind of a little sad

2078
01:50:28,479 --> 01:50:30,040
Speaker 1: about it. So if you give him a shout out

2079
01:50:30,080 --> 01:50:34,320
Speaker 1: from the greatest radio show in the world, Sam Stephens, Flublow,

2080
01:50:34,360 --> 01:50:38,280
Speaker 1: Falorado fortieth Infantry Division, thank you well, be happy to

2081
01:50:38,360 --> 01:50:40,719
Speaker 1: do that. We aren't that show, but we're still happy

2082
01:50:40,760 --> 01:50:44,920
Speaker 1: to do that. Sam Stevens, Pueblo, Colorado, fortieth Infantry Division.

2083
01:50:45,360 --> 01:50:47,400
Speaker 1: We aren't the greatest show ever, but we're we're okay,

2084
01:50:47,920 --> 01:50:49,840
Speaker 1: and now we'd like to shout you out. Happy Veterans Day,

2085
01:50:49,880 --> 01:50:52,240
Speaker 1: shout out. Thank you very much. I hope you have

2086
01:50:52,280 --> 01:50:55,439
Speaker 1: a good day. I'm going to rehearsal for tonight the

2087
01:50:55,560 --> 01:50:58,280
Speaker 1: Gamay Awards, So I'm gonna be on screen for like

2088
01:50:58,360 --> 01:51:01,679
Speaker 1: fifteen seconds, but I have to go to a rehearsal,

2089
01:51:02,640 --> 01:51:05,000
Speaker 1: read my lines, and then go out and then go

2090
01:51:05,080 --> 01:51:06,600
Speaker 1: home and get dressed. So the rehearsal is going to

2091
01:51:06,640 --> 01:51:09,000
Speaker 1: be longer than the actual appearance. I'll be longer at

2092
01:51:09,040 --> 01:51:11,280
Speaker 1: rehearsal today than I will tonight because I'm not gonna

2093
01:51:11,320 --> 01:51:12,760
Speaker 1: sit in the crowd. They gave us the option, if

2094
01:51:12,800 --> 01:51:14,120
Speaker 1: we were part of the show, to sit in there

2095
01:51:14,680 --> 01:51:17,400
Speaker 1: and be spread out or not, and I was like, yeah,

2096
01:51:17,400 --> 01:51:19,640
Speaker 1: I'll just go on the back door. I'm presenting I

2097
01:51:19,760 --> 01:51:22,280
Speaker 1: think single of the year. All right, Um, so are

2098
01:51:22,320 --> 01:51:24,600
Speaker 1: you doing fist for the fans? Yeah? I hope so

2099
01:51:24,640 --> 01:51:26,639
Speaker 1: if I remember. All right, Sometimes I get up there

2100
01:51:27,000 --> 01:51:29,320
Speaker 1: and the script's changed and I usually remember. But if

2101
01:51:29,320 --> 01:51:30,800
Speaker 1: you see me do a fist tonight, and if you

2102
01:51:30,840 --> 01:51:34,160
Speaker 1: see Thomas Rhet do the salute, yeah, that's that's for us. Yes,

2103
01:51:34,439 --> 01:51:36,160
Speaker 1: And if he doesn't, I'm never playing a song again.

2104
01:51:37,240 --> 01:51:39,080
Speaker 1: All right. That's it, See you guys tomorrow. By everybody.