WEBVTT - Episode 59 w/ Swizz Beatz (Part 1)

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine any More. It's peak season for asparagus,

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<v Speaker 1>which pairs perfectly with a light and crisp rose. Many

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<v Speaker 1>bottles of champagne and sparkling wines are perfect for adult

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<v Speaker 1>Easter baskets, and they're really cute too. My perfect brunch

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<v Speaker 1>Belgian waffles with extra whip cream and a holiday pour

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<v Speaker 1>of your sweetest rose. Whether you're hosting or just bring

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<v Speaker 1>the wine, we love to share, are always low prices

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<v Speaker 1>and ridiculous selection this spring at Total Wine ay More cheers. Yes, indeed,

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<v Speaker 1>I go by the name of DJ Butts Rock represent

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<v Speaker 1>for thug down Malitainment. You're now tuned into the number

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<v Speaker 1>one podcast in the motherfucking world, The Drink Champs. My

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<v Speaker 1>brother's in the y E and d J E f N.

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<v Speaker 1>But before we get into that, I want to blast

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<v Speaker 1>this record off, The Drink Champs Anthem. That's right, The

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<v Speaker 1>Drink Champs Anthem, produced by the Homie Swiss Beats. This

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<v Speaker 1>record is so motherfucking New York. Listen, what fun fun?

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<v Speaker 1>What what what? What? What? What? What? What? What? What?

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<v Speaker 1>God do? It broke everybody to the left door him man,

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<v Speaker 1>now let the gun blow suicide doors every verse do

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<v Speaker 1>water Swizzy tell him lie? Everybody to the show now

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<v Speaker 1>picking up now tip downtown, who see me? And I

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<v Speaker 1>gotta run his life? Why super dog like? I bring

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<v Speaker 1>it back? Like? What hold up? Hold up? What? What? What? What? What? What? What?

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<v Speaker 1>Shout to the drink chips on me? What shot to

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<v Speaker 1>the whole team? What hazard? It sounds without? I don't

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<v Speaker 1>everybody to the left door, rich block go without gun

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<v Speaker 1>blow suicide the drain niggle without reverse water? Right, Mr Lee,

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<v Speaker 1>where you were? Everybody to the stoe now picking up

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<v Speaker 1>now time downtown send me in click, I gotta hunt

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<v Speaker 1>that rounds part by me uplink clink chance. I ain't

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<v Speaker 1>hate the pick before they only they didn't kick a

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<v Speaker 1>loft down drink drink tchins because because he tell me

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<v Speaker 1>only thinking think you want to drink to checking them

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<v Speaker 1>on keep before the thinking where you at? You get

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<v Speaker 1>tick before the what's rock niggers ain't tene wall Let's

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<v Speaker 1>go yo. Yeah I'm some new ship. Yeah I'm not

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<v Speaker 1>some new ship talking like a killers. But you won't

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<v Speaker 1>ever do ship. I told my nigga's switch your back

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<v Speaker 1>out and they slept on slide, get on the craft

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<v Speaker 1>matter used the south crack, ain't drink a lot, ain't

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<v Speaker 1>gonna on the winter time. See me with a bak

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<v Speaker 1>a lot. I mean to drink chins because I drink

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<v Speaker 1>a lot. I used to keep that glock on me.

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<v Speaker 1>I ain't thinking a lot, so now pick it up.

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<v Speaker 1>Now I'm taking downtown. Send me in my right party

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<v Speaker 1>on the clink chance because we could us to keep

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<v Speaker 1>the forty on me. Ain't thinking yester d on the

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<v Speaker 1>drink wild, pick your left ray for my nigga dcats

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<v Speaker 1>win one time. Come on drinks, take a la, keep

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<v Speaker 1>the before, think yes, hick the fort on, shout to

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<v Speaker 1>my nigger sunny d b T. Let's go. I don't see.

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<v Speaker 1>All I want to do is be successful. Think about

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<v Speaker 1>the money. Second, that shit is stressful to think about

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<v Speaker 1>the fair love is that shit is stressful. And did

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<v Speaker 1>it for a long time. Wing never change doing You

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<v Speaker 1>don't still wore timberlance, Never change on you. My friends

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<v Speaker 1>still Domandican. I did it my way acts for no permissions,

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<v Speaker 1>the only due smoking on trees and no commission. Everybody

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<v Speaker 1>slow now get up now keeping downtown self the super

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<v Speaker 1>dog like, hit me up on the drink change because

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<v Speaker 1>the LUs to keep the forty on me, ain't thinking

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<v Speaker 1>where are you at on the trip wild keep your

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<v Speaker 1>lords ringing the beet the forty on rock, Come on,

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<v Speaker 1>I want to drink, James. It's a tick a lot

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<v Speaker 1>the first for they drink the forty on me. I

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<v Speaker 1>suppos got the boocardi. I got some rocks. So we're

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<v Speaker 1>gonna get drunk, have fun, take more shots. You see,

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<v Speaker 1>I celebrate life. I could have been to jail and

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<v Speaker 1>had lifeli. Yeah, that's what I'm here for a reason.

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<v Speaker 1>So I'm gonna celebrate. Drink more for no breazon bro

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<v Speaker 1>that This is drink Tip season two. Boy, have a drink,

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<v Speaker 1>go ahead and enjoy your eating. Hello everybody, now up,

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<v Speaker 1>now down. I gotta like they don't hit me where

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<v Speaker 1>you are on the drink quiet because it kick the

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<v Speaker 1>forty on me, ain't click a lot down on the

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<v Speaker 1>tip chips pick left to keep fey on me. That's

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<v Speaker 1>a Ji drink chap. It's a tick a lot het

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<v Speaker 1>the pun off that trunk on can laugh more to

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<v Speaker 1>the me cool what what what? Yes? It did yaday

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<v Speaker 1>so New York, but around y'all was going on him.

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<v Speaker 1>He's a legendary Queen's rapper, Seeds your boy in Nor

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<v Speaker 1>he's a Miami hip hop pioneer. What Up is d

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<v Speaker 1>J e f N? Together they drink it up with

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<v Speaker 1>some of the biggest players in music and sports. Me

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<v Speaker 1>the most professional, unprofessional podcast and your number one source

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<v Speaker 1>for drunk facts. This is drinks Chap ready to every

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<v Speaker 1>day is New Year's Eve. That's round handing, said Griega Southvia.

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<v Speaker 1>It's your boy and What Up is d J E

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<v Speaker 1>f And this drink chance motherfucking podcast right now, right now,

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<v Speaker 1>I gotta do the introduction. This is not only my brother,

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<v Speaker 1>it's not only a person a new for twenty years,

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<v Speaker 1>Kevi real Me and him never changed, always see each other,

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<v Speaker 1>always smile, always proud of each other. But not only

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<v Speaker 1>that top five producer all times, all times. I'm talking

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<v Speaker 1>about from the and I'm talking about from the beginning

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<v Speaker 1>of the hip hop to right now maybe top three. Damn.

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<v Speaker 1>He's been here, he's been He's made albums, he's made artists,

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<v Speaker 1>He's took artists from people he's an ex to all

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<v Speaker 1>over the world. With the sound that he made, he

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<v Speaker 1>continuously changed the sound of music, change the sound of

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<v Speaker 1>music with me when he made a record for me

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<v Speaker 1>and we're gonna get into that later and people started

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<v Speaker 1>following our sound. This man has kept continuing going from

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<v Speaker 1>the highest up. He's worked with him all tonight. We

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<v Speaker 1>have my brother, my good friend, top five maybe top three,

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<v Speaker 1>best producer of all times music mogul, beautiful life, beautiful wife,

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<v Speaker 1>beautiful children. Think he should. You should look at his

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<v Speaker 1>Instagram and it's fire to be that good with your kids.

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<v Speaker 1>This is a fact. Make some noise for my brother,

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<v Speaker 1>two or three time drinks champions, DJ Friends Beach that

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<v Speaker 1>I understand. Listen. So yeah, we keep a real hip

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<v Speaker 1>hop over here. So as you know, we salute, we

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<v Speaker 1>salute our legends. We give all people they flowers when

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<v Speaker 1>they can smell them, and they treats when they can

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<v Speaker 1>help them. This is a show that we celebrate all legends.

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<v Speaker 1>You know, so many people, uh that was me. So

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<v Speaker 1>many people are busy, busy. You know, once you get

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<v Speaker 1>ten years in this game, people say this over for

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<v Speaker 1>you and things like that. That's not what we do here.

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<v Speaker 1>It's I just wanted to explain that. But I want

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<v Speaker 1>to let you know that tonight we are celebrating the

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<v Speaker 1>legacy of Swiss motherfucking I want to take it from

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<v Speaker 1>the beginning. I want to take it the beginning, very

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<v Speaker 1>early on, because I believe the first time the um

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<v Speaker 1>what what was it? Rough rider anthem? Was that the

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<v Speaker 1>first time? What was the first time people heard? The

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<v Speaker 1>first time I think was this group called the Reefs, right,

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<v Speaker 1>and and the Reefs was signed Who's they signed to?

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<v Speaker 1>They were signed to? Um? What's our brother? That that

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<v Speaker 1>that manages um? He managed usua um big big, big exact.

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<v Speaker 1>I'm forgetting his name. Brother that had the stroke? Oh Stewart, okay, um,

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<v Speaker 1>he's gonna kill me for that. I'm you gotta excuse me.

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<v Speaker 1>I'm straight. I'm from Shanghai, buy Texas. Mark what's Mark

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<v Speaker 1>um um Um? Yeah? Mark Pitts legendary and Mark Pitts

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<v Speaker 1>had stopped drop beat before everybody for about three thousand.

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<v Speaker 1>She wanted to get it to fifteen. I was like,

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<v Speaker 1>I'm cool, Thank god as I said that, but get

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<v Speaker 1>I did the Reefs and then I did flip most

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<v Speaker 1>squad um run for cover, and then I met this

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<v Speaker 1>fly dude, Yeah you go, that's right, And then it

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<v Speaker 1>was we we we we we we uh disrespected a

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<v Speaker 1>couple of things and was banned from TV. And then

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<v Speaker 1>at that same time Cameron Glory with my brother and

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<v Speaker 1>um Tara Rufo came after that, and then my rough

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<v Speaker 1>Rider family all that before. That's always thought rough Rider

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<v Speaker 1>anthem came out first. So you was on before that,

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<v Speaker 1>I was earlier. This this is this is pun sleeping

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<v Speaker 1>on the couch already telling you. So now your uncle

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<v Speaker 1>is actually because people people don't understand that that's your

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<v Speaker 1>real uncle. Like people think when you say uncle, they

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<v Speaker 1>think that you're saying like uncle, like who raised you,

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<v Speaker 1>but not really, this is your mother's brother, correct, my

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<v Speaker 1>father's brother, your father's brother, and he is dun yeah,

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<v Speaker 1>tatting on my mom is real life, for real. And

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<v Speaker 1>one thing that people don't understand it probably in two

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<v Speaker 1>thousand seventeen, is you know, rough Riders was in the

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<v Speaker 1>streets before music, you know, from the bikes two three

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<v Speaker 1>hundred thousand bikers street respected, you know before a lot

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<v Speaker 1>of different names with logos and letters in front of them.

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<v Speaker 1>You know, my family was literally in the streets movement,

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<v Speaker 1>and it was my grandfather that was running Hollom at

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<v Speaker 1>that time, building up the buildings. You know, um imam

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<v Speaker 1>at that time running the fo I at that time,

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<v Speaker 1>and you know, the movement that we had on was

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<v Speaker 1>was was going against what my grandfather movement was. And

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<v Speaker 1>so he made us make a choice. You're gonna do

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<v Speaker 1>that if you're going to do the street vibe and

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<v Speaker 1>and take away from the positivity that I'm putting in

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<v Speaker 1>the community, I gotta leave or you're gonna have a

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<v Speaker 1>problem with us. And those are the triple rolls, right

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<v Speaker 1>And so um my uncle Juan, you know, he uh

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<v Speaker 1>had this artist that he was talking about, d MX,

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<v Speaker 1>Hollom Nights, a couple of artists and then we just

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<v Speaker 1>you know, changed the whole direction into a positive way.

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<v Speaker 1>Still keep the street now. DMX was like the first

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<v Speaker 1>artist that rough Rider signed, correct, Yes, um, I mean

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<v Speaker 1>that got signed to a major label. Yeah, and before

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<v Speaker 1>the Locks Yeah they were no no, no, no, was

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<v Speaker 1>it locks first first? Yeah? It was. It was first

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<v Speaker 1>with rough Riders. Lux has been X has been first,

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<v Speaker 1>Blocks was X pops. You understand That's how I said

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<v Speaker 1>it on here too. Yeah, that's that's that's that's how

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<v Speaker 1>that went. But I can't say that was concurrent. I

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<v Speaker 1>can't say that my uncle Y had them in the

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<v Speaker 1>studio at the same time. You know, I remember hearing

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<v Speaker 1>more songs from the locks Uh studio done than X.

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<v Speaker 1>X was more mixtape vibe at that particular time, and

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<v Speaker 1>I love both of them. Remember, I wish I can

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<v Speaker 1>get those beginning mixtapes that I heard from them, because

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<v Speaker 1>it's just it was is there was in a very

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<v Speaker 1>authentic space at that time. Is so authentic and X

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<v Speaker 1>being like he's like, there's never be another X. But

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<v Speaker 1>what I'm asking you is, did you know that from

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<v Speaker 1>the beginning, Yes, I did from the beginning, like even

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<v Speaker 1>before like he met with Leo with the box calling

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<v Speaker 1>right there, who got the phone? Yeah, I got your

0:13:36.320 --> 0:13:38.920
<v Speaker 1>killing that on Instagram. But so from the beginning, you

0:13:39.080 --> 0:13:43.240
<v Speaker 1>knew this guy would change hip hop. And let me

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<v Speaker 1>tell you how much I knew that. I knew it

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<v Speaker 1>so much that I got kicked out of New York

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<v Speaker 1>schools um and I had to move to Atlanta. I

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<v Speaker 1>had that written down by the way kick out of school.

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<v Speaker 1>And you know after that, I passed all the different

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<v Speaker 1>things I wasn't used to, the gang activity and all

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<v Speaker 1>those different things. I eventually landed back on my all

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<v Speaker 1>my music right, and the way that I survived and

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<v Speaker 1>that music. Ring was reciting X verses that nobody never

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<v Speaker 1>knew about. X was out of the time, or he

0:14:19.360 --> 0:14:22.400
<v Speaker 1>wasn't out, he wasn't out, But I just knew so

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<v Speaker 1>much of his lyrics that I was living through him

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<v Speaker 1>even in high school. And people were like, damn like,

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<v Speaker 1>and I'm like, ship ain't they ain't gonna never know

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<v Speaker 1>who excellent? So let me do my thing a little bit,

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<v Speaker 1>I know. And I just he was really living in

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<v Speaker 1>that street. That's why you said that, no, because I

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<v Speaker 1>just never thought that we would ever be uh as

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<v Speaker 1>far as we got, you know, I never I never

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<v Speaker 1>knew that we can get out that backyard that we

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<v Speaker 1>was in. I never knew that we can get out

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<v Speaker 1>that box that we was in, that mentality that that

0:14:56.280 --> 0:14:58.200
<v Speaker 1>we was in. So I was just having fun and

0:14:58.320 --> 0:15:02.120
<v Speaker 1>kind of paying homage to X and and freestyling because

0:15:02.160 --> 0:15:03.640
<v Speaker 1>I'm like, he's not here to say it. It's so

0:15:03.640 --> 0:15:09.200
<v Speaker 1>I'm gonna say it right. And to this day, that's

0:15:09.320 --> 0:15:12.000
<v Speaker 1>my dog. And I got a lot of great news

0:15:12.080 --> 0:15:14.880
<v Speaker 1>from him this year. His album is Crazy and and

0:15:15.200 --> 0:15:19.760
<v Speaker 1>and and I promise you it's going to it's going

0:15:19.920 --> 0:15:22.040
<v Speaker 1>to change the game. And I don't say that like

0:15:23.280 --> 0:15:26.840
<v Speaker 1>you know what I'm saying, like I downplay everything. But

0:15:26.880 --> 0:15:28.520
<v Speaker 1>I'm gonna tell you, like what Dog got to say

0:15:28.600 --> 0:15:30.240
<v Speaker 1>on this is it's going to go from the streets

0:15:30.600 --> 0:15:33.440
<v Speaker 1>to the Grammys and Charlotte. Like that's you know, because

0:15:33.520 --> 0:15:35.680
<v Speaker 1>like I go home perfect time right now. I go home.

0:15:36.000 --> 0:15:39.280
<v Speaker 1>I go home to a very comfortable lifestyle that I

0:15:39.400 --> 0:15:43.160
<v Speaker 1>worked hard for, slept on studio floors, everything. And to

0:15:43.240 --> 0:15:47.040
<v Speaker 1>see my brother that I started with not be where

0:15:47.120 --> 0:15:50.280
<v Speaker 1>he should be. It fucks with me every night. So

0:15:51.120 --> 0:15:53.320
<v Speaker 1>I didn't use all the excuses that I could have

0:15:53.440 --> 0:15:55.760
<v Speaker 1>used not to know. We heard Room was a rock

0:15:55.880 --> 0:15:59.160
<v Speaker 1>nation at first, but now we're hearing epic, epic, epic

0:15:59.280 --> 0:16:01.440
<v Speaker 1>things are going on. I mean with the dog is

0:16:03.000 --> 0:16:06.520
<v Speaker 1>he's epic, He's an epic energy, he's an epic vibe,

0:16:06.880 --> 0:16:10.800
<v Speaker 1>he's an epic inspiration. There's none before, none to come after.

0:16:12.240 --> 0:16:15.400
<v Speaker 1>And we got to protect that by any means necessary.

0:16:15.520 --> 0:16:18.120
<v Speaker 1>And but I think the most important part is a

0:16:18.200 --> 0:16:22.120
<v Speaker 1>relationship with two brothers. It's like like the music, the music,

0:16:22.640 --> 0:16:26.280
<v Speaker 1>the music comes later. You know the fact that you

0:16:26.400 --> 0:16:29.720
<v Speaker 1>can reach and pull your brother up with you, and

0:16:29.920 --> 0:16:33.000
<v Speaker 1>and and walk. That same walk to me is more

0:16:33.040 --> 0:16:35.160
<v Speaker 1>than the money, more than a deal, more than music,

0:16:35.800 --> 0:16:39.440
<v Speaker 1>Like I funk with X right now because he's spiritually

0:16:39.560 --> 0:16:43.960
<v Speaker 1>and mentally ready. He's always been lyrically ready. If you're

0:16:44.000 --> 0:16:46.160
<v Speaker 1>not spiritually and mentally ready to go out to the world,

0:16:46.200 --> 0:16:48.520
<v Speaker 1>and it's a waste, it's a waste of time. Everybody

0:16:48.600 --> 0:16:50.520
<v Speaker 1>can want the return of him, but he got to

0:16:50.640 --> 0:16:53.040
<v Speaker 1>want to return for himself. But it's like, it's like

0:16:53.120 --> 0:16:56.040
<v Speaker 1>you're just saying because like everybody, you know, we see

0:16:56.080 --> 0:16:58.720
<v Speaker 1>you on the Graham and we have about luxurious life,

0:16:59.000 --> 0:17:01.720
<v Speaker 1>like you don't really have have to do a DMX album.

0:17:01.800 --> 0:17:05.200
<v Speaker 1>So what really drives you? I think I do. I

0:17:05.320 --> 0:17:08.440
<v Speaker 1>think I do that because like money doesn't define you

0:17:08.600 --> 0:17:16.119
<v Speaker 1>or your lifestyle. It's like you know, when when you

0:17:16.240 --> 0:17:19.879
<v Speaker 1>go back and you look at the things that really

0:17:20.000 --> 0:17:24.959
<v Speaker 1>makes sense. It's brotherhood. You know. I know a lot

0:17:25.000 --> 0:17:28.679
<v Speaker 1>of rich billionaires and I call him poor kings. They

0:17:28.800 --> 0:17:32.159
<v Speaker 1>got big boats, hookers on them, no family, no nothing.

0:17:32.760 --> 0:17:36.160
<v Speaker 1>Is that really living life happy at all? They're not happy.

0:17:36.400 --> 0:17:40.440
<v Speaker 1>I don't care about your money. Like I never even

0:17:40.520 --> 0:17:44.040
<v Speaker 1>did music for money. I did music for a feeling,

0:17:44.240 --> 0:17:47.400
<v Speaker 1>for an expression, for an outlet that I couldn't express

0:17:47.400 --> 0:17:50.520
<v Speaker 1>in an academic way. You know that I figured out

0:17:50.560 --> 0:17:53.119
<v Speaker 1>how to do in a creative way, you know, and

0:17:53.320 --> 0:17:55.680
<v Speaker 1>and I never and and I understood. I'm like, wow,

0:17:55.800 --> 0:17:59.399
<v Speaker 1>you know, this kid that's being quiet in class is

0:17:59.440 --> 0:18:03.320
<v Speaker 1>smarter than all of us. You understanding. We just gotta

0:18:03.920 --> 0:18:06.359
<v Speaker 1>give that person a chance to identify that. You know,

0:18:07.040 --> 0:18:10.240
<v Speaker 1>X has a long history of a lot of different

0:18:10.280 --> 0:18:12.200
<v Speaker 1>things that a lot of people are gonna understand in

0:18:12.320 --> 0:18:16.520
<v Speaker 1>this album. And you understand, like why he's who he is.

0:18:16.880 --> 0:18:20.199
<v Speaker 1>There's a reason from that, from birth, from the way

0:18:20.280 --> 0:18:23.960
<v Speaker 1>he was treated, from the way he was handled, from

0:18:24.000 --> 0:18:27.920
<v Speaker 1>the way he was delivered. That's the reason why X

0:18:28.000 --> 0:18:31.080
<v Speaker 1>sing like the way he is. It's not because he's

0:18:31.119 --> 0:18:36.000
<v Speaker 1>just uh portray in a certain style. People like to say, Yo,

0:18:36.080 --> 0:18:38.920
<v Speaker 1>EX is the closest thing to Pope. I said, X

0:18:39.080 --> 0:18:43.840
<v Speaker 1>is the closest thing to nobody. Nobody. Yeah, because many

0:18:43.880 --> 0:18:45.920
<v Speaker 1>million in the bank, right and then abandoned billings with

0:18:46.280 --> 0:18:48.760
<v Speaker 1>with with candles where we had to find out gave

0:18:48.880 --> 0:18:52.040
<v Speaker 1>his money away. He didn't blow his money. He gave

0:18:52.160 --> 0:18:54.560
<v Speaker 1>his money away to homeless people. I see this man

0:18:55.040 --> 0:18:58.000
<v Speaker 1>take shoes off his feet, sit down like this and

0:18:58.119 --> 0:19:00.640
<v Speaker 1>people in this room singing this. Out of this man,

0:19:01.040 --> 0:19:05.120
<v Speaker 1>I can't leave that stranded. Now, let's make some noise

0:19:05.160 --> 0:19:11.120
<v Speaker 1>to that guy there. Party shot time. Are we ready

0:19:11.160 --> 0:19:16.920
<v Speaker 1>for that? You know, put Paul some ice in my

0:19:17.080 --> 0:19:22.080
<v Speaker 1>check because you don't need arts, man, you need mccardi.

0:19:22.160 --> 0:19:25.200
<v Speaker 1>As the new year is people, let me tell you

0:19:25.280 --> 0:19:28.240
<v Speaker 1>something about the mccardi eight in three and three. You know,

0:19:28.280 --> 0:19:32.440
<v Speaker 1>I gotta I gotta activation called no commissions and no

0:19:32.600 --> 0:19:36.360
<v Speaker 1>commissions for the artists, for the artists. People. We give

0:19:36.600 --> 0:19:39.120
<v Speaker 1>a hundred percent back to the artists of what they said.

0:19:39.600 --> 0:19:41.600
<v Speaker 1>And let me give you a number. In the last

0:19:41.640 --> 0:19:45.560
<v Speaker 1>three shows, we gave back to the artists three million dollars.

0:19:46.400 --> 0:19:48.680
<v Speaker 1>So that's why we're gonna take this RICCARDI shot, you

0:19:48.840 --> 0:19:51.480
<v Speaker 1>understand for giving back to the artists and the people

0:19:52.119 --> 0:20:01.280
<v Speaker 1>in their pocket chairs to that. Let's black gonna lie

0:20:01.640 --> 0:20:08.119
<v Speaker 1>shout to ko. It tastes like Puerto Rico. Remember Puerto Rico, Cuba.

0:20:08.240 --> 0:20:14.200
<v Speaker 1>Remember we come on man. I told him every party,

0:20:14.320 --> 0:20:16.480
<v Speaker 1>you wouldn't believe me when we first met. I believe you.

0:20:16.520 --> 0:20:20.159
<v Speaker 1>I've been believing you. I can't I can't believe that

0:20:20.280 --> 0:20:23.119
<v Speaker 1>I'm sending in front of my brother and at this table,

0:20:23.880 --> 0:20:31.480
<v Speaker 1>all this fucking shows me and mom wata here we

0:20:31.600 --> 0:20:35.480
<v Speaker 1>celebrate hip hop man And one of the craziest beasts

0:20:35.520 --> 0:20:41.080
<v Speaker 1>of all time to me was Jigga, what's my mother?

0:20:50.280 --> 0:20:53.159
<v Speaker 1>I can't curse on this show. Whatever you're going to

0:20:59.160 --> 0:21:01.960
<v Speaker 1>I'm like, you know, but listen. When I heard that,

0:21:02.280 --> 0:21:04.399
<v Speaker 1>I want to say, I thought you played it for

0:21:04.480 --> 0:21:08.040
<v Speaker 1>me once and it said Nori. But I'm bugging right,

0:21:08.280 --> 0:21:12.520
<v Speaker 1>I'm bugging but in my mind drunk face. But yo, dad,

0:21:12.920 --> 0:21:19.320
<v Speaker 1>do you remember Calfe? Calfe? I remember the first like

0:21:19.800 --> 0:21:25.040
<v Speaker 1>it came out. Flex had dropped it. Boom right, Flex

0:21:25.119 --> 0:21:27.560
<v Speaker 1>had it, and this is this is this time if

0:21:27.600 --> 0:21:29.800
<v Speaker 1>flex player record with New York City should go back

0:21:29.800 --> 0:21:35.399
<v Speaker 1>to what flex player record that right now? But let

0:21:35.480 --> 0:21:37.960
<v Speaker 1>me just say something. He played it. We ain't never

0:21:38.080 --> 0:21:40.359
<v Speaker 1>heard it. Flex played it, and it was like the

0:21:40.560 --> 0:21:47.560
<v Speaker 1>whole cit knew the record already, didn't dropped it. At

0:21:47.600 --> 0:21:50.160
<v Speaker 1>seven o'clock we went to the club everywhere like, yeah,

0:21:50.840 --> 0:21:53.960
<v Speaker 1>we knew little you know what I'm saying the hook,

0:21:54.600 --> 0:22:00.960
<v Speaker 1>I have no idea. I never record close. But the

0:22:01.040 --> 0:22:07.560
<v Speaker 1>regular original record was Jada what it wasn't he ja?

0:22:07.800 --> 0:22:10.680
<v Speaker 1>And he didn't want it. He didn't want it. It

0:22:10.800 --> 0:22:16.040
<v Speaker 1>came out and we got into some words. Shout out

0:22:16.080 --> 0:22:18.320
<v Speaker 1>to Jada, Yo, did you have to drop a verse

0:22:18.359 --> 0:22:20.040
<v Speaker 1>on Yeah? I feel like you want to finish that stay.

0:22:20.320 --> 0:22:22.520
<v Speaker 1>He didn't drop a verse on that. But you know what,

0:22:23.640 --> 0:22:27.360
<v Speaker 1>that's what I shout out to Jada for giving back

0:22:27.760 --> 0:22:29.720
<v Speaker 1>those clothes to the homeless. When I get back to

0:22:29.800 --> 0:22:32.680
<v Speaker 1>New York, they're gonna give out like and even everybody

0:22:32.760 --> 0:22:36.240
<v Speaker 1>and that all this stuff that you got in your closet,

0:22:36.640 --> 0:22:39.560
<v Speaker 1>pull up the truck. Like, I shout to Jada for

0:22:39.640 --> 0:22:45.119
<v Speaker 1>that initiatives for that. Jada had Jigga first. That's what

0:22:45.240 --> 0:22:47.800
<v Speaker 1>it was. I think you played me, Jada. I think

0:22:47.880 --> 0:22:50.760
<v Speaker 1>that's what it was. And you know most of my records, damn,

0:22:51.280 --> 0:22:54.320
<v Speaker 1>most of my records, when they come out, they're not

0:22:56.200 --> 0:22:59.359
<v Speaker 1>who they were for, right, Like bringing him out was

0:23:00.000 --> 0:23:04.479
<v Speaker 1>when Beanie Ce who got out of jail. Oh right,

0:23:05.040 --> 0:23:10.080
<v Speaker 1>make sense, you know what I'm saying. Sense? But touch

0:23:10.160 --> 0:23:12.840
<v Speaker 1>it was for Eve I know. I heard Buster told

0:23:12.840 --> 0:23:14.520
<v Speaker 1>me that story. He doesn't touch it was for Eve

0:23:15.200 --> 0:23:18.639
<v Speaker 1>Dn Max didn't like stop dry, you know what I'm saying. Like, so,

0:23:19.359 --> 0:23:22.960
<v Speaker 1>you know, none of my records really went to the

0:23:23.000 --> 0:23:25.399
<v Speaker 1>people that But do you know the impact of that,

0:23:25.800 --> 0:23:28.520
<v Speaker 1>what it did to the city. Yeah, because that was

0:23:28.600 --> 0:23:31.520
<v Speaker 1>like that was it. It was like Swiss is it

0:23:32.000 --> 0:23:34.960
<v Speaker 1>if you ain't got a Swiss beat? Like for real?

0:23:35.200 --> 0:23:38.520
<v Speaker 1>Like it was like at that moment, and I trust me,

0:23:38.960 --> 0:23:40.639
<v Speaker 1>I want to claim it because I worked through them

0:23:40.680 --> 0:23:43.080
<v Speaker 1>earlier time. You know what I'm saying, I want to

0:23:43.080 --> 0:23:45.119
<v Speaker 1>come but I remember that record was just saying like

0:23:45.240 --> 0:23:53.000
<v Speaker 1>Nori discovered me in the Neptune, not just playing around

0:23:53.240 --> 0:23:57.480
<v Speaker 1>we under state right, thank you Swiss say that like

0:23:57.560 --> 0:24:01.800
<v Speaker 1>I was, I was producing other people, but Nor was

0:24:01.840 --> 0:24:04.560
<v Speaker 1>spreading the word about who I was in a way

0:24:04.760 --> 0:24:07.359
<v Speaker 1>I never I never, I've never seen an artist at

0:24:07.400 --> 0:24:09.200
<v Speaker 1>his level doing that for me. He was the first

0:24:09.320 --> 0:24:12.200
<v Speaker 1>artist that people came back like, yo, Nor, he said,

0:24:12.240 --> 0:24:13.919
<v Speaker 1>we should be in the studio with you know who

0:24:13.960 --> 0:24:16.680
<v Speaker 1>we're doing. I'm like, he was like, let me just

0:24:16.760 --> 0:24:18.680
<v Speaker 1>tell you something about that now, let me let me

0:24:18.720 --> 0:24:21.240
<v Speaker 1>just go back to bagging him because he was like

0:24:21.640 --> 0:24:26.120
<v Speaker 1>eighteen seventeen. Because I'm thirty nine seventeen, I'm thirty eight, okay,

0:24:26.200 --> 0:24:28.560
<v Speaker 1>so yeah, so I don't even know that close. Yeah, yeah,

0:24:28.560 --> 0:24:33.000
<v Speaker 1>I'm thirty nine yea. I looked and it was like,

0:24:33.520 --> 0:24:36.440
<v Speaker 1>you know, you know, but everybody thought I was older anyway.

0:24:37.000 --> 0:24:39.479
<v Speaker 1>So this Nika paid me nothing. Now we're gonna get

0:24:39.520 --> 0:24:42.280
<v Speaker 1>in the band from TV for nothing but fire like

0:24:42.359 --> 0:24:45.040
<v Speaker 1>and I'm talking about that's you know, I'm I'm gonna

0:24:45.040 --> 0:24:48.159
<v Speaker 1>get into a story. It's gonna sound crazy, but I

0:24:48.359 --> 0:24:52.960
<v Speaker 1>developed what what? Because think about NA style at that time.

0:24:53.400 --> 0:24:56.080
<v Speaker 1>He was cool. Think about Prodigy style at the time.

0:24:56.440 --> 0:25:00.960
<v Speaker 1>He was cool, Havoc Stile cool, cap Home, my own partner.

0:25:01.080 --> 0:25:03.440
<v Speaker 1>They were cool. And I was like, I'm not really cool,

0:25:04.040 --> 0:25:06.400
<v Speaker 1>Like I mean, I'm cool, but I'm not like I'm

0:25:06.480 --> 0:25:10.000
<v Speaker 1>like a hyper guy. Makes sense, I'm developed what what?

0:25:10.240 --> 0:25:13.480
<v Speaker 1>So I needed somebody to compliment that with the energy,

0:25:14.160 --> 0:25:18.040
<v Speaker 1>So I went there. We don't know. Bad from TV

0:25:18.240 --> 0:25:20.560
<v Speaker 1>was original record. It was supposed to be me and Nature,

0:25:20.760 --> 0:25:24.399
<v Speaker 1>remember and Nature? I mean I had later verse and

0:25:24.520 --> 0:25:27.119
<v Speaker 1>Nature couldn't get with the with the he had like

0:25:27.240 --> 0:25:30.840
<v Speaker 1>wrote to some other song and he couldn't write the verse.

0:25:31.640 --> 0:25:34.399
<v Speaker 1>So is he on it? No? No, No, he's what

0:25:34.440 --> 0:25:37.200
<v Speaker 1>I'm saying. This is the It wasn't Bad from TV?

0:25:37.359 --> 0:25:42.600
<v Speaker 1>Was someone? Then? Yeah, this is unless you're lady. This

0:25:42.680 --> 0:25:46.159
<v Speaker 1>is all you and then like the last hour, I

0:25:46.280 --> 0:25:48.320
<v Speaker 1>was like, yo, Nate, I can't just stay here. He

0:25:48.440 --> 0:25:51.280
<v Speaker 1>was like, let me try another beat and he was

0:25:51.359 --> 0:25:54.639
<v Speaker 1>doing band from TV. And from that moment on, I

0:25:54.760 --> 0:25:58.040
<v Speaker 1>never seen a person writ over so fast. Nature wrote

0:25:58.119 --> 0:26:02.560
<v Speaker 1>that ship, didn't he droped him off? That ship was

0:26:02.680 --> 0:26:06.359
<v Speaker 1>electric Like I'm like, and I hunt you murder. I

0:26:06.520 --> 0:26:09.120
<v Speaker 1>was mad at all of them because they didn't even

0:26:09.280 --> 0:26:14.760
<v Speaker 1>let the beat play. It was they to the introd like,

0:26:15.400 --> 0:26:20.080
<v Speaker 1>what the bad TV? The beach I heard from Bad

0:26:20.160 --> 0:26:27.399
<v Speaker 1>from TV is just the intro. I'm not gonna let

0:26:27.440 --> 0:26:30.359
<v Speaker 1>the beat play like this is it right? I just

0:26:30.440 --> 0:26:33.240
<v Speaker 1>got looped and then the intro got loop that's bad

0:26:33.320 --> 0:26:35.960
<v Speaker 1>from TV. It was a beat that came after that.

0:26:36.440 --> 0:26:42.520
<v Speaker 1>Why you understand? Like I never understand. I hurt my heart.

0:26:43.720 --> 0:26:45.640
<v Speaker 1>Let me tell you how I remember it? Right. That's

0:26:45.680 --> 0:26:49.399
<v Speaker 1>funny because I figured let me finish. I had already

0:26:49.440 --> 0:26:52.080
<v Speaker 1>labor the verse for Nature on a different Swiss beat,

0:26:52.400 --> 0:26:54.840
<v Speaker 1>so I had called Pun just to hang out, like

0:26:54.920 --> 0:26:57.119
<v Speaker 1>he'll come hang out because I never asked to get

0:26:57.160 --> 0:26:59.399
<v Speaker 1>it on prorectly, by the way, but we'll get to that, right,

0:27:00.359 --> 0:27:02.560
<v Speaker 1>So I just called him just to hang out. What's up.

0:27:02.640 --> 0:27:05.320
<v Speaker 1>I an't know, so I called him just to hang out.

0:27:05.359 --> 0:27:08.679
<v Speaker 1>So when Nature came around to the beat, we Swiss

0:27:08.760 --> 0:27:12.320
<v Speaker 1>wish it later wrote to it real fast punished in

0:27:12.440 --> 0:27:14.879
<v Speaker 1>the coup the lounge, She's like, I'm going to use

0:27:14.920 --> 0:27:17.280
<v Speaker 1>your bath the lounge and on the couch with an

0:27:17.280 --> 0:27:22.760
<v Speaker 1>oozing next. Yeah, there's that ned beginning. That's why they

0:27:22.840 --> 0:27:25.840
<v Speaker 1>too lazy first. So this Nature for his lads Verse

0:27:26.000 --> 0:27:32.560
<v Speaker 1>pun winning and snuck in and not the spartest guy

0:27:32.640 --> 0:27:34.680
<v Speaker 1>in the world. He just kept looking at me when

0:27:34.720 --> 0:27:41.840
<v Speaker 1>the race that I'm like, I'm not called that's some

0:27:41.880 --> 0:27:45.400
<v Speaker 1>pieces of punny body that thing and who's next? Pun

0:27:45.600 --> 0:27:50.080
<v Speaker 1>Cam Cam didn't call that? Style? No cam did come

0:27:50.200 --> 0:27:56.240
<v Speaker 1>that night. I got Ja Styles, Jayda Style. Yeah, he

0:27:56.359 --> 0:27:59.000
<v Speaker 1>came then and I got The only people I didn't

0:27:59.040 --> 0:28:03.200
<v Speaker 1>get was a Um, Jada and Style. I play that

0:28:03.280 --> 0:28:07.040
<v Speaker 1>song again. That that that that was so do you

0:28:07.080 --> 0:28:09.760
<v Speaker 1>remember what that record did to the tunnel? It was

0:28:09.920 --> 0:28:12.159
<v Speaker 1>it was dangerous, like you know, you know I had

0:28:12.200 --> 0:28:15.159
<v Speaker 1>a raising in the mouth game order protection from you

0:28:15.280 --> 0:28:18.200
<v Speaker 1>from the tunnel because of the band from TV. Seriously,

0:28:18.320 --> 0:28:22.680
<v Speaker 1>now he was protection. You got order of protection. The

0:28:22.800 --> 0:28:25.640
<v Speaker 1>tunnel took an order of protection. No, you don't understand.

0:28:25.960 --> 0:28:29.040
<v Speaker 1>That's how crazy it was. Blown that raising game was

0:28:29.760 --> 0:28:33.080
<v Speaker 1>man from TV hit I was, I was. I was

0:28:33.160 --> 0:28:35.119
<v Speaker 1>with the Bronx at that time. And then and it

0:28:35.280 --> 0:28:40.560
<v Speaker 1>was dancing. You know, it was dancing and listen pun

0:28:41.440 --> 0:28:54.240
<v Speaker 1>me and whoa, whoa, that's fun. Like now, what was

0:28:54.280 --> 0:28:58.360
<v Speaker 1>the closest memories of pluning just being on that couch

0:28:58.440 --> 0:29:04.680
<v Speaker 1>and Sony Studio was an actual Lady Electric Lady Mine's

0:29:05.000 --> 0:29:08.240
<v Speaker 1>last one was it was in Sony Studios in the

0:29:08.280 --> 0:29:11.320
<v Speaker 1>East studio where it was because I remember he was

0:29:11.360 --> 0:29:15.320
<v Speaker 1>the only person I would let use it because it

0:29:15.400 --> 0:29:17.920
<v Speaker 1>was easy to get to. You own Sony studio at

0:29:17.960 --> 0:29:20.640
<v Speaker 1>one time. That was that they built me a room

0:29:20.840 --> 0:29:25.520
<v Speaker 1>like you know they it was good. You had the

0:29:25.600 --> 0:29:29.080
<v Speaker 1>room under the ground. That was room. That was the room.

0:29:29.960 --> 0:29:32.840
<v Speaker 1>That was That was the jake good. That was Swiss kidnap.

0:29:32.960 --> 0:29:35.800
<v Speaker 1>You won't do it. When you came down stairs, I

0:29:36.760 --> 0:29:40.240
<v Speaker 1>cast stairs. I put the voodoo on you. You walk in.

0:29:43.160 --> 0:29:47.000
<v Speaker 1>Stephen said, you had the dest on you coming that

0:29:47.080 --> 0:29:48.920
<v Speaker 1>the room. I was telling you the track. So I

0:29:49.040 --> 0:29:51.760
<v Speaker 1>was charging you crazy money and you get happy with

0:29:51.800 --> 0:29:56.240
<v Speaker 1>a crazy head. That was Attraction three. That wasn't the track.

0:30:00.240 --> 0:30:01.880
<v Speaker 1>I just want to tell you, man, I'm just so

0:30:02.080 --> 0:30:04.320
<v Speaker 1>proud of you. I've seen you from the beginning. I

0:30:04.400 --> 0:30:06.360
<v Speaker 1>see now. This is a question I wanted to ask

0:30:06.440 --> 0:30:09.160
<v Speaker 1>you because, like you said, your uncle's was these guys,

0:30:09.240 --> 0:30:12.240
<v Speaker 1>it's in the streets, they started this music business. How

0:30:12.400 --> 0:30:14.800
<v Speaker 1>was your first approach coming to them and saying, you

0:30:14.880 --> 0:30:18.200
<v Speaker 1>know what I want to I'm gonna produce. So well

0:30:18.240 --> 0:30:19.720
<v Speaker 1>it did. I didn't come to them. They came to

0:30:19.800 --> 0:30:22.719
<v Speaker 1>me because they was doing something they wanted. They were

0:30:22.760 --> 0:30:24.880
<v Speaker 1>doing something positive and they knew I was doing music,

0:30:24.960 --> 0:30:27.840
<v Speaker 1>and it was like, yo. My aunt was like, your

0:30:27.920 --> 0:30:32.360
<v Speaker 1>uncles are starting this positive movement called rough Riders, and

0:30:33.040 --> 0:30:34.920
<v Speaker 1>you should come up for the summer and and be

0:30:35.040 --> 0:30:37.400
<v Speaker 1>a part of it. And I went up that summer

0:30:37.440 --> 0:30:39.920
<v Speaker 1>and never went back to act and I went back

0:30:39.960 --> 0:30:42.960
<v Speaker 1>to Atlanta. From that point before it was a record

0:30:43.080 --> 0:30:45.400
<v Speaker 1>like music movement. This is now. This this is when

0:30:45.440 --> 0:30:48.760
<v Speaker 1>it was becoming a label. And my aunt Chavan was like, yo,

0:30:48.880 --> 0:30:50.440
<v Speaker 1>you know you're the only one in the family taking

0:30:50.560 --> 0:30:54.440
<v Speaker 1>music serious. You should come up for the summer and

0:30:54.760 --> 0:30:56.280
<v Speaker 1>see what it is about. I went up for that

0:30:56.440 --> 0:31:00.080
<v Speaker 1>summer that as a rose over. I'm still I'm to

0:31:00.280 --> 0:31:03.320
<v Speaker 1>I'm still I'm still moving off that plane ticket from

0:31:03.360 --> 0:31:06.120
<v Speaker 1>New York from to New York right now, you know

0:31:06.160 --> 0:31:08.479
<v Speaker 1>what I'm saying. Like, you know, like at the end

0:31:08.480 --> 0:31:12.840
<v Speaker 1>of the day, we all got opportunities, we all got chances,

0:31:13.960 --> 0:31:16.720
<v Speaker 1>we all got chances, we all got opportunities. It's what

0:31:16.880 --> 0:31:19.880
<v Speaker 1>we do with it. You understand, like we could take

0:31:19.960 --> 0:31:24.160
<v Speaker 1>opportunities for granted, or we can understand that it's a

0:31:24.320 --> 0:31:30.160
<v Speaker 1>once in a lifetime chance to be great. Are you

0:31:30.280 --> 0:31:33.000
<v Speaker 1>willing to take that chance? Are you willing to go

0:31:33.160 --> 0:31:35.680
<v Speaker 1>that far? I was sleeping on floors. I have bruises

0:31:35.760 --> 0:31:39.040
<v Speaker 1>on my face, my shoulders, my elbows because I was

0:31:39.160 --> 0:31:41.200
<v Speaker 1>down hungry to get to where I'm at today. And

0:31:41.320 --> 0:31:44.360
<v Speaker 1>I still work like I have nothing today. You know,

0:31:44.440 --> 0:31:47.000
<v Speaker 1>it's still like I've been at meetings since nine am,

0:31:47.040 --> 0:31:48.600
<v Speaker 1>which is the reason why I got my shades on

0:31:49.120 --> 0:31:51.760
<v Speaker 1>and another business. I'm in Harvard Business School right now,

0:31:52.640 --> 0:31:56.720
<v Speaker 1>accelerating my craft and accelrating, you know, my mental capacity

0:31:56.800 --> 0:31:59.480
<v Speaker 1>because you know this, this all came to me early.

0:32:00.240 --> 0:32:02.480
<v Speaker 1>You know, I didn't know what I was doing back then.

0:32:03.120 --> 0:32:05.560
<v Speaker 1>So I'm like, I'm just starting now because i know

0:32:05.680 --> 0:32:09.520
<v Speaker 1>what I'm doing now, So I gave y'all three and

0:32:09.560 --> 0:32:13.840
<v Speaker 1>fifty million records. So we're for not knowing what I'm doing,

0:32:14.800 --> 0:32:16.680
<v Speaker 1>what you imagine when I'm ready to do right now?

0:32:17.760 --> 0:32:19.680
<v Speaker 1>And I tell people like sky is not the limits

0:32:19.760 --> 0:32:21.520
<v Speaker 1>of just a view, and you know, the thing is

0:32:21.600 --> 0:32:25.320
<v Speaker 1>like the hood. We always want excuses of like why

0:32:25.360 --> 0:32:28.200
<v Speaker 1>are we not in position? They got me like this,

0:32:29.040 --> 0:32:31.800
<v Speaker 1>they got me like that, and they want me like this.

0:32:32.080 --> 0:32:36.160
<v Speaker 1>Don't like man, figure it out. That same person complaining

0:32:36.160 --> 0:32:38.920
<v Speaker 1>about something didn't look for a job that day, didn't

0:32:38.960 --> 0:32:41.040
<v Speaker 1>pick up a book that day, didn't look for no

0:32:41.200 --> 0:32:43.560
<v Speaker 1>inspiration that day. They want to sit on that stew

0:32:43.800 --> 0:32:46.080
<v Speaker 1>like the pot of goal on falling their lap. And

0:32:46.200 --> 0:32:48.320
<v Speaker 1>I'm not messing with none of those type of people.

0:32:48.600 --> 0:32:52.080
<v Speaker 1>Anybody that's around me. They better have vision, they better

0:32:52.160 --> 0:32:54.440
<v Speaker 1>have a goal. And it's not just to lean on

0:32:54.560 --> 0:32:56.600
<v Speaker 1>me because I'm not. I'm not. We're not doing I'm

0:32:56.600 --> 0:32:59.600
<v Speaker 1>a grown ass man. You're grown man, You're healthy, Get

0:32:59.640 --> 0:33:06.480
<v Speaker 1>out there and feed your family on your own. I

0:33:06.640 --> 0:33:10.760
<v Speaker 1>also see you a Cassidy, y'all, y'all back together. That

0:33:11.000 --> 0:33:16.000
<v Speaker 1>is dope that well, you know, I put Cassidy on

0:33:16.160 --> 0:33:18.960
<v Speaker 1>punishment for a little bit because you know, I come

0:33:19.040 --> 0:33:22.400
<v Speaker 1>from a place where this protocol and you know, there's

0:33:22.440 --> 0:33:28.000
<v Speaker 1>consequences and there's different things that you know, uh, you

0:33:28.320 --> 0:33:31.080
<v Speaker 1>can fly and can't fly. You know, I don't act

0:33:31.160 --> 0:33:33.920
<v Speaker 1>tough in this music thing. I never came off as

0:33:33.960 --> 0:33:37.480
<v Speaker 1>a threat, um, but but we could be a serious problem.

0:33:38.120 --> 0:33:40.480
<v Speaker 1>You understand. I'm in here with you. I'm in here

0:33:40.520 --> 0:33:48.400
<v Speaker 1>with my Bocardi family. Likely you know what I'm saying. Like,

0:33:48.400 --> 0:33:50.080
<v Speaker 1>I'm not in here with a bunch of goons, a

0:33:50.120 --> 0:33:52.680
<v Speaker 1>bunch of nothing. Like. I'm comfortable on my skin, and

0:33:52.760 --> 0:33:55.680
<v Speaker 1>I come with great energy. I come with positive intentions.

0:33:55.960 --> 0:33:58.080
<v Speaker 1>I don't come in here to fund on nobody's stunning

0:33:58.080 --> 0:34:01.200
<v Speaker 1>on nobody. I'm gonna here dressed just like everybody in here,

0:34:01.520 --> 0:34:04.720
<v Speaker 1>because like you know what we all hat, we respect

0:34:04.840 --> 0:34:08.520
<v Speaker 1>that thing. I caught the Haitian hat right little, right now,

0:34:08.800 --> 0:34:12.399
<v Speaker 1>a little, I say, you know what I'm saying, shout

0:34:12.400 --> 0:34:14.320
<v Speaker 1>out to my Haitian crowd. Went out there to Haiti.

0:34:14.880 --> 0:34:17.120
<v Speaker 1>You know, I did a great initiative there. I did

0:34:17.200 --> 0:34:20.560
<v Speaker 1>the biggest event there for free for the people. Three

0:34:20.640 --> 0:34:23.359
<v Speaker 1>hundred thousand people showed up, and I noticed didn't make

0:34:23.400 --> 0:34:27.160
<v Speaker 1>the news, but there wasn't one stabbing, one shooting, one fight,

0:34:27.360 --> 0:34:30.160
<v Speaker 1>all up and I just hate that that didn't make

0:34:30.200 --> 0:34:42.359
<v Speaker 1>the news. One person was a drink chance. Yeah about say, yeah,

0:34:46.040 --> 0:34:49.839
<v Speaker 1>I'm not gonna lie straight. It's good man, a cold

0:34:50.000 --> 0:34:53.120
<v Speaker 1>shot guy. Okay, let's get some ship. Okay, let's get

0:34:53.160 --> 0:34:59.440
<v Speaker 1>somebod it's on his business day. That is good. Hit

0:34:59.480 --> 0:35:02.279
<v Speaker 1>me later, you know. But like for me, one thing

0:35:02.280 --> 0:35:06.280
<v Speaker 1>about Baccarti is like, you know, running all three hundred

0:35:06.280 --> 0:35:09.600
<v Speaker 1>brands in the company as the global creative director, I'm

0:35:09.640 --> 0:35:12.640
<v Speaker 1>not paying nobody to hold up no bottles. I don't

0:35:12.680 --> 0:35:16.080
<v Speaker 1>even like that fire culture. You know, no disrespect to

0:35:16.160 --> 0:35:17.880
<v Speaker 1>no other brand. Everybody got to do it how they

0:35:18.000 --> 0:35:20.080
<v Speaker 1>do it. But one thing that we're doing at Baccarti

0:35:20.200 --> 0:35:25.080
<v Speaker 1>is we're investing directly into the people, buy the artists,

0:35:25.120 --> 0:35:27.600
<v Speaker 1>for the artists, with the people. You know. The fact

0:35:27.680 --> 0:35:30.120
<v Speaker 1>that we can say in three shows we gave back

0:35:30.200 --> 0:35:36.280
<v Speaker 1>three million dollars. That's like, that's for real papers difference,

0:35:36.480 --> 0:35:40.520
<v Speaker 1>Like let's make a difference paper, the fact that we're interacting.

0:35:40.600 --> 0:35:50.800
<v Speaker 1>And but like you know, this is an educational platform

0:35:51.200 --> 0:35:56.600
<v Speaker 1>as well, and I never thought that, excuse me, the

0:35:56.680 --> 0:36:00.600
<v Speaker 1>creatives and a brand can mixed together. Because they're two

0:36:00.680 --> 0:36:03.880
<v Speaker 1>selfish things. The artists want to be selfish on that

0:36:04.040 --> 0:36:06.760
<v Speaker 1>side and the brand want to be selfish on that side.

0:36:07.239 --> 0:36:09.759
<v Speaker 1>But the thing that we created with my partnership with

0:36:09.840 --> 0:36:15.680
<v Speaker 1>Riccardia is equal agenda of just doing great things and

0:36:15.760 --> 0:36:19.279
<v Speaker 1>this artists bass so like like this, like I mean

0:36:19.360 --> 0:36:21.760
<v Speaker 1>like paintings, like the things like that, and No Commission

0:36:21.880 --> 0:36:25.600
<v Speaker 1>is global. You know we just last year London, Yeah, yeah,

0:36:25.640 --> 0:36:29.399
<v Speaker 1>we got Berlin this year due by you know, we're

0:36:29.400 --> 0:36:32.400
<v Speaker 1>going to l A. You know, we're coming back to Miami.

0:36:33.120 --> 0:36:35.400
<v Speaker 1>You know, we're looking at Shanghai. You know this this

0:36:35.560 --> 0:36:38.560
<v Speaker 1>is this is a global tribute to let me ask

0:36:38.640 --> 0:36:41.839
<v Speaker 1>you something, right, if I want to buy art there

0:36:41.920 --> 0:36:44.880
<v Speaker 1>we go, how do how do I go about buying art?

0:36:45.080 --> 0:36:47.719
<v Speaker 1>Call that your brother? Like but I'm just saying to

0:36:47.800 --> 0:36:50.160
<v Speaker 1>like the people, not not me per se, but but

0:36:50.320 --> 0:36:53.040
<v Speaker 1>me per se. But not now, but like like like

0:36:53.160 --> 0:36:56.440
<v Speaker 1>let's bo dude wants to invest into some art. What

0:36:56.840 --> 0:36:59.759
<v Speaker 1>what should he look for? What he's doing first? And

0:37:00.000 --> 0:37:02.520
<v Speaker 1>almost you know a lot of people think that art

0:37:02.600 --> 0:37:06.360
<v Speaker 1>is just for rich people. And that's why No Commissions

0:37:06.400 --> 0:37:09.279
<v Speaker 1>is great because we created the entry point. You know,

0:37:09.400 --> 0:37:11.400
<v Speaker 1>there was people that I was able to come to

0:37:11.480 --> 0:37:14.080
<v Speaker 1>no commissions and get things for a couple of hundred

0:37:14.120 --> 0:37:17.880
<v Speaker 1>dollars a couple of thousands, or a couple of hundred thousands.

0:37:18.280 --> 0:37:21.439
<v Speaker 1>You understanding, so that you know, we created the entry point,

0:37:21.520 --> 0:37:25.360
<v Speaker 1>so you know the miscommunication with artists. How am I

0:37:25.560 --> 0:37:27.120
<v Speaker 1>part of that? If I go in the gallery and

0:37:27.160 --> 0:37:31.160
<v Speaker 1>everything is twenty thousand, but I got four thousand. So

0:37:31.680 --> 0:37:33.960
<v Speaker 1>being that I don't got that twenty thousand, you don't

0:37:34.000 --> 0:37:35.640
<v Speaker 1>want to talk to me. I can't be a part

0:37:35.719 --> 0:37:39.280
<v Speaker 1>of this. I don't like that story. So we created

0:37:39.320 --> 0:37:41.560
<v Speaker 1>a new story to where you could be living with

0:37:41.640 --> 0:37:44.759
<v Speaker 1>your mother and participating no commissions. You can be on

0:37:44.880 --> 0:37:46.600
<v Speaker 1>your way up and just trying to figure it out

0:37:46.680 --> 0:37:49.480
<v Speaker 1>and participate. You can be the biggest of the biggest

0:37:49.520 --> 0:37:52.879
<v Speaker 1>and participate. And the key thing is the entry point

0:37:53.200 --> 0:37:56.960
<v Speaker 1>for the millennials because art is something that saved people lives.

0:37:57.600 --> 0:38:00.800
<v Speaker 1>Art is a different type of communication. You understand, Like

0:38:00.880 --> 0:38:04.040
<v Speaker 1>everybody can't communicate on an academic level, but you might

0:38:04.120 --> 0:38:07.600
<v Speaker 1>have that person right there that can paint something so amazing,

0:38:07.680 --> 0:38:11.880
<v Speaker 1>that can be a videographer, a photographer, you know, and

0:38:12.040 --> 0:38:14.880
<v Speaker 1>just create. Some of them bring something extra to the

0:38:14.960 --> 0:38:18.720
<v Speaker 1>world and that's the platform that I built that made

0:38:19.640 --> 0:38:22.160
<v Speaker 1>me very dangerous to the art business and the galleries

0:38:22.200 --> 0:38:25.399
<v Speaker 1>and different things like that. Because I created the entry point,

0:38:25.840 --> 0:38:28.600
<v Speaker 1>I took away the stigmatism of So you're saying, because

0:38:28.640 --> 0:38:31.400
<v Speaker 1>I remember Kanye because sort of saying like, but he

0:38:31.480 --> 0:38:34.400
<v Speaker 1>was trying to um, you know, migrate from being like

0:38:34.520 --> 0:38:38.040
<v Speaker 1>just the artist to like to this colden field. Like

0:38:38.160 --> 0:38:40.200
<v Speaker 1>he felt like he wasn't being respected. You're saying, that's

0:38:40.200 --> 0:38:42.720
<v Speaker 1>the opposite with you when you go into the art field,

0:38:42.760 --> 0:38:47.600
<v Speaker 1>because you're just basically given. You know, when you look

0:38:47.640 --> 0:38:50.879
<v Speaker 1>at art and artists. We come from a industry called

0:38:50.960 --> 0:38:55.640
<v Speaker 1>music art, which is art, and we just bring it

0:38:55.680 --> 0:38:58.839
<v Speaker 1>down to the basic levels. When everybody deal with us,

0:38:59.719 --> 0:39:02.240
<v Speaker 1>no out of how good the deal seems, there's always

0:39:02.280 --> 0:39:07.680
<v Speaker 1>somebody hand in our pockets. Left right backside, there's a

0:39:07.760 --> 0:39:10.080
<v Speaker 1>hand in our pockets. So we might feel that we

0:39:10.200 --> 0:39:13.959
<v Speaker 1>have the freedom. You know, in Harvard, the professor said,

0:39:15.320 --> 0:39:18.640
<v Speaker 1>the illness I was like, I couldn't believe that the

0:39:18.719 --> 0:39:21.720
<v Speaker 1>way would being down the way that are the industry

0:39:21.840 --> 0:39:25.560
<v Speaker 1>is being dealt with. They was actually taught to do that,

0:39:27.880 --> 0:39:31.560
<v Speaker 1>the professor said, if you want them to work harder,

0:39:31.920 --> 0:39:35.120
<v Speaker 1>make them feel like they owned something. I was like, hmmm.

0:39:36.080 --> 0:39:40.759
<v Speaker 1>He said, example, you know you have two dollars, give

0:39:40.840 --> 0:39:44.120
<v Speaker 1>him one dollar. But you know you've got two dollars

0:39:44.160 --> 0:39:47.359
<v Speaker 1>in your budget. Give him one dollar first, he only

0:39:47.480 --> 0:39:51.640
<v Speaker 1>one dollar. Do your job. Let him work for a week.

0:39:52.200 --> 0:39:55.760
<v Speaker 1>After that week, you walk up to him. He's walking

0:39:55.800 --> 0:39:57.719
<v Speaker 1>in the yard or wherever he's walking. You walk up

0:39:57.760 --> 0:40:02.480
<v Speaker 1>and say, man, and do on a great job. He

0:40:02.640 --> 0:40:06.240
<v Speaker 1>goes another dollar what he already owned. I was supposed

0:40:06.280 --> 0:40:08.240
<v Speaker 1>to be giving down the second dollar was in the budget.

0:40:08.440 --> 0:40:11.160
<v Speaker 1>But what are you going to do after the boss

0:40:11.320 --> 0:40:14.080
<v Speaker 1>tell you you was on your a game? Hey, going

0:40:14.080 --> 0:40:18.359
<v Speaker 1>another dollar? What's harder? You're gonna be like, Oh, I'm

0:40:18.400 --> 0:40:20.960
<v Speaker 1>on my grind, I'm on my I'm ready to go.

0:40:21.480 --> 0:40:24.080
<v Speaker 1>The boss came up to me, he told me, I

0:40:24.160 --> 0:40:27.240
<v Speaker 1>M might running this company, So you're gonna go harder

0:40:28.760 --> 0:40:32.000
<v Speaker 1>just because the way that was done. And I was like, damn,

0:40:32.640 --> 0:40:36.480
<v Speaker 1>that sounds like the label deal. Give them a label,

0:40:37.200 --> 0:40:40.320
<v Speaker 1>bringing the artists cheaper, make them feel like they own something,

0:40:41.000 --> 0:40:43.440
<v Speaker 1>because if you own something, you're gonna say, I got

0:40:43.520 --> 0:40:46.000
<v Speaker 1>this artist here, but he can't charge me too much

0:40:46.280 --> 0:40:49.120
<v Speaker 1>because I'm a partner in this and this is my label.

0:40:49.160 --> 0:40:51.480
<v Speaker 1>But are you a partner? Do you have veto rights?

0:40:51.680 --> 0:40:54.080
<v Speaker 1>Are you on the board meetings? Are you really a

0:40:54.160 --> 0:40:56.880
<v Speaker 1>part of this industry? No? The funk out of here?

0:40:57.120 --> 0:41:02.000
<v Speaker 1>Those are faith? Those are those are facts? Smoking mirrors? Nick,

0:41:02.080 --> 0:41:03.719
<v Speaker 1>tell me a person that had a label did have

0:41:03.840 --> 0:41:10.479
<v Speaker 1>been to a major label board meeting? Nothing a board meeting.

0:41:10.560 --> 0:41:14.080
<v Speaker 1>Then we're talking about ownership. When you're talking about that,

0:41:14.280 --> 0:41:18.200
<v Speaker 1>are you saying like the rocket Fellers that those type

0:41:18.239 --> 0:41:21.560
<v Speaker 1>of the talking about everybody imprint deals. I'm talking about everybody.

0:41:21.560 --> 0:41:24.000
<v Speaker 1>I'm talking about. You know, if you were a universal

0:41:24.120 --> 0:41:25.680
<v Speaker 1>all you had the board meeting out of a VINDI

0:41:27.120 --> 0:41:32.080
<v Speaker 1>with the distributors, the board meetings today, the board meeting

0:41:32.160 --> 0:41:34.719
<v Speaker 1>and people that that's who' agree with this, say, I

0:41:35.840 --> 0:41:37.879
<v Speaker 1>are you a part of those meetings. I'm a part

0:41:37.920 --> 0:41:39.600
<v Speaker 1>of those meetings now, so I know how they go.

0:41:40.840 --> 0:41:42.520
<v Speaker 1>But if we're not a part of those meetings and

0:41:42.560 --> 0:41:46.000
<v Speaker 1>the ownership doesn't mean anything, it's a smoking mirror. Make

0:41:46.040 --> 0:41:48.120
<v Speaker 1>them feel like they owned something in their work. Harder

0:41:48.960 --> 0:41:53.239
<v Speaker 1>you understand. I don't why why no musicians have their

0:41:53.239 --> 0:41:56.560
<v Speaker 1>own yachts or they own seven fifty sevens. And then

0:41:56.600 --> 0:41:59.239
<v Speaker 1>you look at other industries of people that's doing five

0:41:59.640 --> 0:42:01.960
<v Speaker 1>of the work that they're doing, because this business is

0:42:02.000 --> 0:42:04.880
<v Speaker 1>not set up for artists to win. So you have

0:42:05.040 --> 0:42:07.440
<v Speaker 1>to understand when it's your time to get off the

0:42:07.520 --> 0:42:10.279
<v Speaker 1>titty and go live your own dream. Like we want

0:42:10.280 --> 0:42:13.080
<v Speaker 1>to be pacified and want to be rewarded at the

0:42:13.160 --> 0:42:16.799
<v Speaker 1>same time, it doesn't work like that. I retired from

0:42:16.920 --> 0:42:19.920
<v Speaker 1>music when I made Onto the Next One. I wrote

0:42:19.960 --> 0:42:22.960
<v Speaker 1>that song as my retirement song, which was my last Grammy,

0:42:23.239 --> 0:42:31.760
<v Speaker 1>because I was mentally onto the next platform were the easier,

0:42:33.440 --> 0:42:36.880
<v Speaker 1>goddamn it continue? And I just think that we got

0:42:36.960 --> 0:42:40.120
<v Speaker 1>to be mentally ready to make any step that we

0:42:40.280 --> 0:42:43.799
<v Speaker 1>feel as life changing to ourselves without I don't care

0:42:43.840 --> 0:42:48.719
<v Speaker 1>about the fair I don't care about the politics because like, look, man,

0:42:49.080 --> 0:42:51.320
<v Speaker 1>life was full of politics. Look who our president is.

0:42:51.680 --> 0:42:54.479
<v Speaker 1>Look what we're dealing with right now. But the truth

0:42:54.520 --> 0:42:57.000
<v Speaker 1>of the matter is left. Actually we had to deal

0:42:57.080 --> 0:43:01.280
<v Speaker 1>with someone with every president since Reagan, like since Reaganamics

0:43:01.360 --> 0:43:05.600
<v Speaker 1>like this ain't nothing new. This ain't nothing but the

0:43:05.680 --> 0:43:09.160
<v Speaker 1>recycling of of the system. But how you treat your

0:43:09.200 --> 0:43:14.360
<v Speaker 1>own system mentally and spiritually is on you. We prepare

0:43:14.440 --> 0:43:17.600
<v Speaker 1>for any war, That's why we still around even talk

0:43:17.640 --> 0:43:19.880
<v Speaker 1>about this ship we've been was supposed to be going.

0:43:19.960 --> 0:43:24.040
<v Speaker 1>Everybody in this room, I understand you think. You think

0:43:24.080 --> 0:43:26.359
<v Speaker 1>the digital age the level of the playing field as

0:43:26.400 --> 0:43:30.320
<v Speaker 1>far as you're talking about that just didn't general just artists,

0:43:31.640 --> 0:43:36.560
<v Speaker 1>the labels and just straight to to consumer. Well, Um,

0:43:37.800 --> 0:43:40.640
<v Speaker 1>the reason why I like the digital aspect of of

0:43:40.920 --> 0:43:44.719
<v Speaker 1>of where we at today is because it gives the

0:43:44.800 --> 0:43:51.680
<v Speaker 1>independent life life and before we was trapped into one

0:43:51.760 --> 0:43:55.160
<v Speaker 1>way or nothing. You know, now if you really got

0:43:55.239 --> 0:43:57.560
<v Speaker 1>your hustle on, like my brother and you guys here,

0:43:58.640 --> 0:44:01.480
<v Speaker 1>you can go viral and start something. I can imagine

0:44:01.480 --> 0:44:04.920
<v Speaker 1>if this forum that we're on right now didn't exist.

0:44:05.480 --> 0:44:07.880
<v Speaker 1>Let me kind of stop you for one second because

0:44:08.440 --> 0:44:12.280
<v Speaker 1>I understand exactly where you're going. But if you're older artists,

0:44:12.320 --> 0:44:17.160
<v Speaker 1>I'm with, just music does the streaming level to playing field?

0:44:17.160 --> 0:44:19.720
<v Speaker 1>Because just think about it, Like, when you're a new artist,

0:44:20.000 --> 0:44:22.440
<v Speaker 1>you can you can you can drop a record and

0:44:22.560 --> 0:44:25.239
<v Speaker 1>not pay for radio, not pay for nothing. And the

0:44:25.360 --> 0:44:27.600
<v Speaker 1>new artist buzz is going to get people to play

0:44:27.680 --> 0:44:29.880
<v Speaker 1>a record because they don't want to be late on

0:44:30.040 --> 0:44:32.760
<v Speaker 1>the new ship. But when your artists have been around

0:44:32.800 --> 0:44:37.279
<v Speaker 1>for fifteen twenty years and you drop something, you might

0:44:37.360 --> 0:44:39.840
<v Speaker 1>not get the same you know what I'm saying. So

0:44:40.040 --> 0:44:42.600
<v Speaker 1>does streaming, like on the radio, what I'm saying, to

0:44:42.719 --> 0:44:46.920
<v Speaker 1>the streaming level the playing field or does it flatline it?

0:44:47.080 --> 0:44:51.279
<v Speaker 1>You know that depends on the artists straight up. You

0:44:51.400 --> 0:44:55.600
<v Speaker 1>understand a lot of artists and not real with themselves.

0:44:56.640 --> 0:45:01.320
<v Speaker 1>You understand they're gonna put something out that's just not

0:45:01.520 --> 0:45:03.880
<v Speaker 1>that time to put what they're putting out. So the

0:45:04.000 --> 0:45:06.880
<v Speaker 1>results that they're getting out is what it is. I

0:45:06.960 --> 0:45:09.200
<v Speaker 1>don't care who you are, where are you from. You

0:45:09.320 --> 0:45:12.880
<v Speaker 1>got a hot show that's popping. It's on right decisions.

0:45:13.560 --> 0:45:16.799
<v Speaker 1>If you artists, no matter who you are, if you've

0:45:16.800 --> 0:45:19.600
<v Speaker 1>got that record and you've got that right direction, you

0:45:19.680 --> 0:45:23.160
<v Speaker 1>don't have to do no work. But his song requires

0:45:23.239 --> 0:45:27.640
<v Speaker 1>no work. It goes ordentically, and the people feel that,

0:45:28.160 --> 0:45:34.799
<v Speaker 1>and that resurgence of that spreads. But if you're disgrunted

0:45:36.040 --> 0:45:40.000
<v Speaker 1>and jealous and living in a time that we know

0:45:40.160 --> 0:45:42.759
<v Speaker 1>you're not in, and you're not gauging your views and

0:45:43.200 --> 0:45:45.960
<v Speaker 1>and your vibes are right, and you don't get the

0:45:46.000 --> 0:45:50.200
<v Speaker 1>results you want, who fault is that yours? Not the people,

0:45:50.560 --> 0:45:52.640
<v Speaker 1>because the people just want to have fun they're not

0:45:52.719 --> 0:45:55.279
<v Speaker 1>even caring who's saying what and what it could be.

0:45:56.560 --> 0:45:59.919
<v Speaker 1>Whoever rested right now as long as who saying both

0:46:00.000 --> 0:46:02.200
<v Speaker 1>could put out a song with the right dancing, the

0:46:02.360 --> 0:46:05.240
<v Speaker 1>right beat and it could go that's all. So nobody

0:46:05.320 --> 0:46:07.560
<v Speaker 1>had an ease sign of drink champion in the case

0:46:07.600 --> 0:46:10.920
<v Speaker 1>you're thinking about that, you know that. I think. I

0:46:11.000 --> 0:46:13.360
<v Speaker 1>think also the definition of a hit record is changing

0:46:13.840 --> 0:46:16.000
<v Speaker 1>because there's there's artists that you will never you might

0:46:16.040 --> 0:46:18.920
<v Speaker 1>not even know they have successful careers because they're going

0:46:18.920 --> 0:46:22.680
<v Speaker 1>to direct the consumer because right now, like right you

0:46:22.760 --> 0:46:28.720
<v Speaker 1>know you've worked with the greats eminem jay z, dmx Nory,

0:46:29.320 --> 0:46:33.880
<v Speaker 1>I can't. I can't even like Kanye Kanye, you know so,

0:46:35.800 --> 0:46:38.880
<v Speaker 1>And now a new guy comes on your beat, boys

0:46:39.440 --> 0:46:52.000
<v Speaker 1>the way that that was or that my own stuff.

0:46:52.480 --> 0:46:57.600
<v Speaker 1>But now guy, you know, somebody calls you your beat.

0:46:57.640 --> 0:47:04.120
<v Speaker 1>He like it was a bit of that aversion. But

0:47:04.239 --> 0:47:06.920
<v Speaker 1>he's killing it. But you you don't even know what

0:47:07.040 --> 0:47:08.600
<v Speaker 1>he's said. How the funk is he killing him? You

0:47:08.680 --> 0:47:11.520
<v Speaker 1>can't understand what he's killing, what this thing is out

0:47:11.560 --> 0:47:13.439
<v Speaker 1>there that's killing it. I don't understand what they're saying,

0:47:13.480 --> 0:47:20.520
<v Speaker 1>But to me, they're still killing saying I dig something

0:47:20.600 --> 0:47:23.239
<v Speaker 1>up away. I gotta tell you something. I gotta when

0:47:23.239 --> 0:47:28.399
<v Speaker 1>you hear my record those people you're talking about, watch

0:47:28.440 --> 0:47:33.000
<v Speaker 1>how I checked their passports at the dark and and

0:47:33.120 --> 0:47:35.640
<v Speaker 1>it was a breath of fresh air because I witnessed

0:47:35.760 --> 0:47:40.240
<v Speaker 1>that people are doing what they're doing because of a fad.

0:47:41.160 --> 0:47:45.000
<v Speaker 1>I'm like, you're hiding all of this talent because you

0:47:45.160 --> 0:47:47.839
<v Speaker 1>think that's what they want to hear. I couldn't when

0:47:47.880 --> 0:47:51.279
<v Speaker 1>you hear these verses clearly that you're gonna hear, I

0:47:51.520 --> 0:47:55.040
<v Speaker 1>was like, Bro, do you mean you couldn't. This is

0:47:55.200 --> 0:48:00.080
<v Speaker 1>the whole time you're going there's really talented people in

0:48:00.200 --> 0:48:05.239
<v Speaker 1>that space of what we feel that's not talent. I've

0:48:05.360 --> 0:48:08.120
<v Speaker 1>witnessed it, and you're gonna witness it too very soon.

0:48:08.920 --> 0:48:13.800
<v Speaker 1>You don't be like that's who, Yeah, that's him, and

0:48:13.880 --> 0:48:18.919
<v Speaker 1>that's who, Yeah, that's him too. Because I just wanted

0:48:18.960 --> 0:48:22.719
<v Speaker 1>to challenge people to do something different, because when they're

0:48:22.719 --> 0:48:26.319
<v Speaker 1>applying their life is great. But the challenge that I'm

0:48:26.880 --> 0:48:30.200
<v Speaker 1>I want to challenge them to apply just an atmosphere

0:48:30.239 --> 0:48:32.960
<v Speaker 1>is differently. I don't want what you have already. I

0:48:33.120 --> 0:48:35.640
<v Speaker 1>did you to do this, And when I dared them

0:48:35.680 --> 0:48:42.160
<v Speaker 1>to do that hunting points on the boards. You know

0:48:42.239 --> 0:48:44.600
<v Speaker 1>how long? You know how much time I spent in Jamaica.

0:48:44.680 --> 0:48:49.680
<v Speaker 1>I just feel like, you know how much. I just

0:48:49.840 --> 0:48:53.960
<v Speaker 1>don't need it, Like I got five kids, Bro, when

0:48:54.000 --> 0:48:58.640
<v Speaker 1>I drink that because we're celebrating you tonight, tonight, got

0:48:58.680 --> 0:49:00.320
<v Speaker 1>twenty years work. We're head come on when you do

0:49:00.400 --> 0:49:03.600
<v Speaker 1>the what the fucker? Yeah? I always we got to

0:49:03.640 --> 0:49:05.840
<v Speaker 1>deal with Tiger on what we've done because we go

0:49:05.960 --> 0:49:08.960
<v Speaker 1>to check our own joint is they do listen to

0:49:09.000 --> 0:49:10.800
<v Speaker 1>what we do. It's because you know what, I know,

0:49:10.840 --> 0:49:13.200
<v Speaker 1>I got to change McCarty. Right now, we're gonna dance

0:49:14.640 --> 0:49:18.719
<v Speaker 1>act and that's not competition, and no one, no it's not.

0:49:18.840 --> 0:49:21.160
<v Speaker 1>It's not. It's not. It's nobody's calling. But I know

0:49:21.280 --> 0:49:23.160
<v Speaker 1>it's you'd be tig of bone in this thing out

0:49:23.239 --> 0:49:26.680
<v Speaker 1>in here because it's a beautiful thing. How because a

0:49:26.840 --> 0:49:30.000
<v Speaker 1>level spell back was this level. You gotta balance. It's

0:49:31.200 --> 0:49:34.279
<v Speaker 1>we're kind of here, you go, Bud, where's the blog check?

0:49:34.320 --> 0:49:39.399
<v Speaker 1>I gotta bring the Google. I'm gonna take that pick

0:49:39.480 --> 0:49:42.640
<v Speaker 1>up the veggie. I always say my jacket for the

0:49:42.760 --> 0:49:45.120
<v Speaker 1>dance's hot gets hot if you ain't get the locks

0:49:45.160 --> 0:49:47.960
<v Speaker 1>out and get the locks out right now? Yeah? Yeah,

0:49:48.000 --> 0:49:51.560
<v Speaker 1>the locks out? Fine? Hold on, I mean Jada kiss, shoot,

0:49:52.880 --> 0:50:02.120
<v Speaker 1>uncousine ahead, don't locks another locks that coming? But because

0:50:02.120 --> 0:50:05.960
<v Speaker 1>I heard when you said the Lost album came out

0:50:06.280 --> 0:50:08.840
<v Speaker 1>on rock Nation, you was cool with it. You just

0:50:08.960 --> 0:50:11.440
<v Speaker 1>didn't want to let your copy. You just didn't want

0:50:11.480 --> 0:50:14.480
<v Speaker 1>to see them throwing up the rocks side. I got

0:50:14.520 --> 0:50:17.279
<v Speaker 1>a lot of trouble for that. Why what happened? You know?

0:50:18.040 --> 0:50:20.800
<v Speaker 1>I was? I was no, no, no, I was, honestly,

0:50:22.320 --> 0:50:25.680
<v Speaker 1>with all due respects, I was. I was wrong. I

0:50:25.840 --> 0:50:31.200
<v Speaker 1>was wrong for saying that um on a national broadcast

0:50:31.280 --> 0:50:34.360
<v Speaker 1>about my about my brother's and why would you say that? No?

0:50:34.680 --> 0:50:36.200
<v Speaker 1>I was, I was a little I was talking a

0:50:36.239 --> 0:50:39.560
<v Speaker 1>little reckless. But where did I was on Shade for five?

0:50:39.640 --> 0:50:46.920
<v Speaker 1>From Shade for Let's toast coming into Yeah, take off

0:50:46.960 --> 0:50:51.080
<v Speaker 1>your glasses for that. I don't know just what happened

0:50:51.080 --> 0:50:59.759
<v Speaker 1>to the eight because god damn, let I didn't I

0:50:59.840 --> 0:51:05.840
<v Speaker 1>got I got a perfect in Miami tast with I

0:51:05.880 --> 0:51:08.200
<v Speaker 1>don't know if I like your in Miami and you

0:51:08.680 --> 0:51:11.000
<v Speaker 1>look good, bro yo. He went to Candle remember the

0:51:11.080 --> 0:51:15.000
<v Speaker 1>video shoot you can't office and Candle my studio first?

0:51:15.040 --> 0:51:16.919
<v Speaker 1>What was it? What was it set it up? Set

0:51:16.960 --> 0:51:22.560
<v Speaker 1>it up up? Yeah? But when Nori hit this new

0:51:22.640 --> 0:51:26.120
<v Speaker 1>thing I made for him, Paul who I'm talking about?

0:51:26.160 --> 0:51:35.879
<v Speaker 1>Goddamn still so so yeah, I got in trouble. Huh

0:51:37.840 --> 0:51:40.800
<v Speaker 1>style speak called me because you know he's the savage

0:51:40.960 --> 0:51:44.680
<v Speaker 1>of the group. Don't never talk her name like that.

0:51:45.480 --> 0:51:50.440
<v Speaker 1>Wait when you said damn, why would you like yo

0:51:50.800 --> 0:51:54.640
<v Speaker 1>yo up? In my mind he was up there like

0:51:55.280 --> 0:51:57.800
<v Speaker 1>I don't know why. I felt like I just violated myself.

0:51:57.840 --> 0:52:02.680
<v Speaker 1>I'm sorry, continued Swiss stud Belder. Because I was as

0:52:02.760 --> 0:52:07.640
<v Speaker 1>a man, I can admit when I'm wrong, and out

0:52:07.680 --> 0:52:10.279
<v Speaker 1>of twenty some years with the locks, it was the

0:52:10.400 --> 0:52:18.160
<v Speaker 1>first time I was wrong. I was. I spoke about

0:52:18.640 --> 0:52:22.120
<v Speaker 1>I spoke about the incident on Shape four five. I

0:52:22.160 --> 0:52:27.080
<v Speaker 1>spoke about what I spoke about, how I felt about

0:52:27.640 --> 0:52:29.960
<v Speaker 1>kissed on up the rock sign and why you saw

0:52:30.080 --> 0:52:33.640
<v Speaker 1>kiss old the rocket sign. Oh, I never knew that.

0:52:34.280 --> 0:52:36.680
<v Speaker 1>I've seen him throw it up. It's this, it's public information.

0:52:37.239 --> 0:52:38.800
<v Speaker 1>And the reason and the reason why I had a

0:52:38.840 --> 0:52:42.080
<v Speaker 1>problem with it was because you know, I was around

0:52:42.239 --> 0:52:46.920
<v Speaker 1>for I was around for everything, and I knew that

0:52:48.200 --> 0:52:50.960
<v Speaker 1>how hard it was to fight for it who we had,

0:52:52.239 --> 0:52:55.920
<v Speaker 1>and I knew that my great friend Jay would never

0:52:56.000 --> 0:52:57.520
<v Speaker 1>thought a rough right of sign of no matter what

0:52:58.280 --> 0:53:01.800
<v Speaker 1>deal he would ever do, because early on, just because

0:53:01.920 --> 0:53:06.400
<v Speaker 1>like you know, you know, um Mom was in them

0:53:06.440 --> 0:53:10.239
<v Speaker 1>put a lot of time into changing people's lives. They

0:53:10.320 --> 0:53:12.840
<v Speaker 1>put a lot of times and the changing people's lives,

0:53:12.960 --> 0:53:16.319
<v Speaker 1>and they put their lives on the line for changing

0:53:16.360 --> 0:53:21.080
<v Speaker 1>people's lives. So naturally, I'm gonna be emotional when I

0:53:21.160 --> 0:53:27.080
<v Speaker 1>see something that's other than where it all comes from, naturally.

0:53:27.320 --> 0:53:30.920
<v Speaker 1>So naturally how overreacted when the question was brought up

0:53:30.960 --> 0:53:33.960
<v Speaker 1>to me? I was like, what was the question? Acts

0:53:34.000 --> 0:53:38.040
<v Speaker 1>of here? Where you think about the locks with um

0:53:39.960 --> 0:53:42.640
<v Speaker 1>with Rocket Feller, And I said, I think that it's

0:53:42.640 --> 0:53:46.759
<v Speaker 1>a great deal, which I do because they work hard

0:53:46.800 --> 0:53:50.319
<v Speaker 1>to even have this this type of outlet, and then

0:53:50.440 --> 0:53:56.560
<v Speaker 1>like they doing, what's up? Mr Lee, You've got no control.

0:53:56.680 --> 0:54:00.840
<v Speaker 1>That's not even Mr Lee, that's Mr Chi. Yeah, you

0:54:00.840 --> 0:54:02.880
<v Speaker 1>know what I'm saying. But if they go to their masters,

0:54:03.600 --> 0:54:06.640
<v Speaker 1>because from what I hear, they go, they worked hard

0:54:06.719 --> 0:54:09.400
<v Speaker 1>to even be able to put out that type of

0:54:09.400 --> 0:54:13.600
<v Speaker 1>album in two thousands sixteen slash seventeen, And I was

0:54:14.560 --> 0:54:18.160
<v Speaker 1>I was wrong for expressing that on that public outlet.

0:54:18.760 --> 0:54:20.880
<v Speaker 1>Even though I called a couple of group members a

0:54:20.920 --> 0:54:23.320
<v Speaker 1>couple of times. If I couldn't reach them, I should

0:54:23.320 --> 0:54:25.959
<v Speaker 1>have dead it it. But I was a little nice,

0:54:26.840 --> 0:54:31.279
<v Speaker 1>like I am. Now we got through. We ain't but

0:54:31.320 --> 0:54:33.719
<v Speaker 1>I'm the most honest one. I'm nice, which this is

0:54:33.800 --> 0:54:37.399
<v Speaker 1>what it is. And TV told me you have wall

0:54:37.480 --> 0:54:39.680
<v Speaker 1>paint from your face when you try to get averse

0:54:39.719 --> 0:54:41.480
<v Speaker 1>from you, because I don't really be on that other

0:54:41.520 --> 0:54:45.120
<v Speaker 1>ship already. You know, I'm not scared to express it.

0:54:46.040 --> 0:54:48.360
<v Speaker 1>I'm into the art life, so sometimes I paint my

0:54:48.520 --> 0:54:51.160
<v Speaker 1>face and sometimes it's those shades on. Just be on

0:54:51.239 --> 0:54:53.920
<v Speaker 1>my cool league. You know, we see that had I

0:54:53.960 --> 0:54:57.279
<v Speaker 1>got on SAP, I said, because you worked it out.

0:54:57.520 --> 0:55:00.560
<v Speaker 1>But of course we worked it out because you know,

0:55:00.680 --> 0:55:03.160
<v Speaker 1>at the end of the day, the styles had every

0:55:03.280 --> 0:55:06.239
<v Speaker 1>right to call me and be on that vibe. And

0:55:06.320 --> 0:55:08.440
<v Speaker 1>I listened to him. I was in in the airport

0:55:08.520 --> 0:55:13.120
<v Speaker 1>in Shanghai and he texts me the file's message them.

0:55:15.000 --> 0:55:18.680
<v Speaker 1>I was laughing, they're not making a joke because it's

0:55:18.840 --> 0:55:22.920
<v Speaker 1>something serious. And I listened to what he said. He

0:55:23.080 --> 0:55:27.279
<v Speaker 1>had good points. And as a man, anybody watching this,

0:55:27.520 --> 0:55:30.640
<v Speaker 1>as a man, if you're in the wrong, you gotta

0:55:30.680 --> 0:55:35.760
<v Speaker 1>take that charge. Take that charge, apologize I was wrong.

0:55:37.040 --> 0:55:39.920
<v Speaker 1>I won't do that again. My bad. You know a

0:55:40.080 --> 0:55:43.000
<v Speaker 1>lot of the egos to kill him. A lot of

0:55:43.040 --> 0:55:47.320
<v Speaker 1>people let the ego mislead them in life. I know

0:55:47.480 --> 0:55:49.920
<v Speaker 1>that I could never go to war with the Locks,

0:55:50.880 --> 0:55:55.040
<v Speaker 1>even though their first name was the Warlocks. Right, those

0:55:55.400 --> 0:55:57.640
<v Speaker 1>those are my brothers. We're never going to have a

0:55:57.719 --> 0:56:00.680
<v Speaker 1>confrontation for the industry to sit. I can watch your

0:56:00.760 --> 0:56:05.120
<v Speaker 1>legacy that we worked hard for burn because of some

0:56:05.360 --> 0:56:09.439
<v Speaker 1>small time things. We really was in these streets for real,

0:56:10.160 --> 0:56:12.640
<v Speaker 1>I love nothing. We are the streets was the first

0:56:13.440 --> 0:56:17.919
<v Speaker 1>put my life. It just turned seventeen. I know, Yeah,

0:56:18.239 --> 0:56:27.120
<v Speaker 1>let's mix Loyd for goddamn birthday. You got to put

0:56:27.160 --> 0:56:36.880
<v Speaker 1>your head for He violated me, don't you It was

0:56:37.800 --> 0:56:41.880
<v Speaker 1>It was seven seconds later I said, that's like, you

0:56:41.960 --> 0:56:46.280
<v Speaker 1>know what, I'm so used to it shot to styles

0:56:46.360 --> 0:56:51.600
<v Speaker 1>pe jaded kiss she Luciano, I love you. That's never

0:56:51.640 --> 0:56:54.680
<v Speaker 1>gonna have no problems never, and some of the realistudes

0:56:54.680 --> 0:57:06.040
<v Speaker 1>we had on Drink Champs as well. Welcome to Play,

0:57:06.320 --> 0:57:12.320
<v Speaker 1>a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

0:57:12.400 --> 0:57:16.840
<v Speaker 1>and more. Play It at Play dot it. We're back

0:57:16.920 --> 0:57:20.480
<v Speaker 1>to drink Champs Radio with rapper and R and d J.

0:57:21.160 --> 0:57:26.280
<v Speaker 1>Then ask some real questions. Let's get into some real

0:57:26.680 --> 0:57:31.200
<v Speaker 1>like the question. Whatever we want to do. Let's go on. Man,

0:57:31.280 --> 0:57:33.720
<v Speaker 1>I'm here to make the ratings go up. I'm gonna

0:57:34.240 --> 0:57:36.960
<v Speaker 1>they talk. So when you and Kanye West battle on

0:57:37.120 --> 0:57:45.000
<v Speaker 1>stage so much, Jam, I love that moment. It described

0:57:45.080 --> 0:57:48.680
<v Speaker 1>that moment, was that put together? What was that like?

0:57:49.160 --> 0:57:52.560
<v Speaker 1>Spirit a moment you and Kanye. This is the craziest

0:57:52.600 --> 0:57:57.200
<v Speaker 1>nigger in life, in in his life, but this before

0:57:57.240 --> 0:58:00.560
<v Speaker 1>he got crazy. He was like saying, at this time,

0:58:01.320 --> 0:58:05.240
<v Speaker 1>I respect Kanye for taking that battle because you know, um,

0:58:05.600 --> 0:58:09.560
<v Speaker 1>a lot of producers I asked turned down that Tom Tom.

0:58:11.440 --> 0:58:15.800
<v Speaker 1>So you're saying this was your whole idea. Yeah, in

0:58:16.000 --> 0:58:19.480
<v Speaker 1>New York City, I was leading Summer Jam. Of course

0:58:19.600 --> 0:58:24.440
<v Speaker 1>we orchestrated this. Never do this. I've never knew this

0:58:26.120 --> 0:58:30.120
<v Speaker 1>been you've been, You've asked people to do this before

0:58:32.160 --> 0:58:36.720
<v Speaker 1>time is running out because we don't have time. We

0:58:36.880 --> 0:58:41.280
<v Speaker 1>just started. We just we just got so I'm gonna

0:58:41.320 --> 0:58:44.480
<v Speaker 1>make this go. No that shout ABLECARDI Now I got

0:58:44.560 --> 0:58:47.160
<v Speaker 1>my cup right here. This iscarty eight great right here too,

0:58:48.040 --> 0:58:51.240
<v Speaker 1>let's do shots. I don't do like Drenking let us man,

0:58:51.560 --> 0:58:53.760
<v Speaker 1>what does that leave bro like? I mean, all right,

0:58:55.440 --> 0:59:01.560
<v Speaker 1>that Carty is double enough? So okay, So you had

0:59:01.640 --> 0:59:06.320
<v Speaker 1>this idea for a producer, you know, because when I

0:59:06.400 --> 0:59:08.680
<v Speaker 1>look at Summer Jam, I noticed that a lot of

0:59:08.720 --> 0:59:14.240
<v Speaker 1>the performing artists musically got to shine, and the producers

0:59:14.320 --> 0:59:17.640
<v Speaker 1>was always behind those big hit records. That these artists

0:59:17.680 --> 0:59:19.840
<v Speaker 1>was able to go on stage and do their thing too.

0:59:20.080 --> 0:59:21.640
<v Speaker 1>So I said, you know what, let's play how muche

0:59:21.680 --> 0:59:26.480
<v Speaker 1>to the producers and Summer Jam is is it's very controversial.

0:59:26.560 --> 0:59:28.560
<v Speaker 1>So I said, you know what, Let's make it a

0:59:28.640 --> 0:59:35.080
<v Speaker 1>battle where I'm talking ship and then whoever come out

0:59:35.480 --> 0:59:38.200
<v Speaker 1>and challenged me to me talking ship with their greatest

0:59:38.440 --> 0:59:40.680
<v Speaker 1>couple of hits? And I give him my greatest couple

0:59:40.680 --> 0:59:44.200
<v Speaker 1>of hits. And we gave the people a show that

0:59:44.360 --> 0:59:47.520
<v Speaker 1>was respectable and and and they paid how much to producing?

0:59:48.480 --> 0:59:52.200
<v Speaker 1>Everybody turned down the request except for Kanye, And I

0:59:52.320 --> 0:59:54.200
<v Speaker 1>give him no names that you could say to turn

0:59:54.200 --> 0:59:57.880
<v Speaker 1>it down. Who else would you name him? The premier

0:59:57.920 --> 1:00:08.760
<v Speaker 1>turn down. I'm not challenging the permission, dropping like he

1:00:09.000 --> 1:00:17.439
<v Speaker 1>dropped that New York State of Mind one track. He's

1:00:17.480 --> 1:00:21.200
<v Speaker 1>in there rock but but just just you know, you

1:00:21.280 --> 1:00:25.640
<v Speaker 1>know you're gonna way too far, too far. He drive,

1:00:25.680 --> 1:00:27.600
<v Speaker 1>reminisce with me, what the funk am I gonna do?

1:00:28.280 --> 1:00:34.120
<v Speaker 1>Stop driving? Who said? Just just he reached out to

1:00:34.240 --> 1:00:37.000
<v Speaker 1>Jeff Blaze, not not he didn't definitely Blazes time to

1:00:37.280 --> 1:00:39.400
<v Speaker 1>I think I think Jeff Blaze could probably beat me

1:00:39.480 --> 1:00:42.520
<v Speaker 1>today in the battle because I'm not really thinking about it.

1:00:42.600 --> 1:00:44.360
<v Speaker 1>But if I thought about it, I'd probably give him

1:00:44.400 --> 1:00:46.960
<v Speaker 1>a little bit of a run for his money. When

1:00:46.960 --> 1:00:50.640
<v Speaker 1>you're saying battle, When you're saying battle, are you saying

1:00:51.360 --> 1:00:56.400
<v Speaker 1>hits y'all? At that time it was hits right, So

1:00:56.520 --> 1:00:58.919
<v Speaker 1>imagine he came with the crowd, helped me to read

1:00:59.160 --> 1:01:04.880
<v Speaker 1>do like the whole street out. But I got something

1:01:04.920 --> 1:01:08.840
<v Speaker 1>for that too. I got something for that. People gotta understand,

1:01:08.920 --> 1:01:15.520
<v Speaker 1>Like I used to make everybody, what were we doing? Okay, okay, okay, okay, okay,

1:01:15.960 --> 1:01:19.040
<v Speaker 1>let's go say you something. It's good. It's good man,

1:01:19.560 --> 1:01:33.240
<v Speaker 1>love love love. Yeah, I'm saying, Twain, got that fat.

1:01:33.320 --> 1:01:36.520
<v Speaker 1>I need your Bott's number. Something come in here with

1:01:36.560 --> 1:01:40.760
<v Speaker 1>its pretty boy ship. Yeah, the same moving in on us,

1:01:41.160 --> 1:01:44.040
<v Speaker 1>tell you something. Twin was the star, one of the

1:01:44.120 --> 1:01:48.919
<v Speaker 1>stars of this show. You know some fat I don't

1:01:48.920 --> 1:01:52.720
<v Speaker 1>know what happened. My unfortunate accident happened. I want to

1:01:52.760 --> 1:01:55.400
<v Speaker 1>talk about here to day. So it's and you know what,

1:01:55.800 --> 1:02:00.280
<v Speaker 1>we are so proud to see twin head right now. Yo,

1:02:00.440 --> 1:02:03.240
<v Speaker 1>somebody give Twin of Mike please and just let him

1:02:03.320 --> 1:02:14.080
<v Speaker 1>give him a no no no yeah. Two weeks ago,

1:02:14.520 --> 1:02:17.240
<v Speaker 1>Drake Chance family harm me. Thank you for the prayers.

1:02:17.240 --> 1:02:20.440
<v Speaker 1>I appreciate it, man, appreciate all the love, other support

1:02:21.160 --> 1:02:23.080
<v Speaker 1>and prayers have been working because I'm getting better and

1:02:23.160 --> 1:02:26.560
<v Speaker 1>I'm alive. I'm here. I could have been six ft

1:02:26.640 --> 1:02:30.160
<v Speaker 1>under it, but I'm here and I can keep moving forward.

1:02:31.080 --> 1:02:33.360
<v Speaker 1>And even though if I don't walk again, I'm still living.

1:02:33.600 --> 1:02:36.160
<v Speaker 1>You know what I mean, I still hope. Man, you

1:02:36.240 --> 1:02:38.520
<v Speaker 1>know what I'm I'm here, You're gonna walk here. Mother,

1:02:38.880 --> 1:02:43.040
<v Speaker 1>I'm here. Are you crazy? A whole hands and and

1:02:43.160 --> 1:02:46.880
<v Speaker 1>and and give a little blessings. We we thank you

1:02:47.080 --> 1:02:51.200
<v Speaker 1>for Twin being here with us today on um and

1:02:51.360 --> 1:02:54.720
<v Speaker 1>in life farm, in real farm. And we thank you

1:02:54.800 --> 1:02:57.520
<v Speaker 1>for protecting him and guiding him and getting him to

1:02:57.640 --> 1:03:02.000
<v Speaker 1>this level of being conscious, being loved. And we never

1:03:02.160 --> 1:03:06.240
<v Speaker 1>forget all the prayers, all the deeds that has been

1:03:06.280 --> 1:03:08.760
<v Speaker 1>done today and waking up this morning, it is just

1:03:08.880 --> 1:03:19.160
<v Speaker 1>a plus and Amy pray. Amen. That's that was real

1:03:19.280 --> 1:03:25.320
<v Speaker 1>ship right there, serious because that's that's twins off. That's

1:03:25.320 --> 1:03:29.080
<v Speaker 1>our little brother, little brother. Motherfucker's my brother too. Yeah,

1:03:29.160 --> 1:03:34.000
<v Speaker 1>but listen, um, because we're very scared. We don't sure

1:03:34.080 --> 1:03:37.240
<v Speaker 1>you want to stay right there. He's good, he's good.

1:03:38.320 --> 1:03:40.200
<v Speaker 1>But you know, usually I asked you to take a

1:03:40.320 --> 1:03:45.680
<v Speaker 1>shot because something but that I want to go. We

1:03:45.800 --> 1:03:50.120
<v Speaker 1>love right now there, that's right, motherfucker. But okay, so

1:03:50.240 --> 1:03:53.520
<v Speaker 1>now Swiss, I'm ready. What's up? So we're gonna take

1:03:53.560 --> 1:03:56.040
<v Speaker 1>it because you was getting into the battles and you

1:03:56.160 --> 1:03:59.840
<v Speaker 1>was talking about we gotta we gotta complete that store.

1:04:00.560 --> 1:04:02.560
<v Speaker 1>So he said, we don't want to find out who

1:04:02.640 --> 1:04:05.240
<v Speaker 1>he as he said, just blaze me who he asked.

1:04:05.280 --> 1:04:09.840
<v Speaker 1>Timberland asked, okay, you know I battle any one of

1:04:09.920 --> 1:04:13.040
<v Speaker 1>them today too. That's right work, you know, that's dance.

1:04:14.040 --> 1:04:17.160
<v Speaker 1>So Kanye stepped up. Kanye stepped up to the plate.

1:04:17.720 --> 1:04:23.040
<v Speaker 1>He was a game rob this moment. You know, she

1:04:23.240 --> 1:04:27.360
<v Speaker 1>was like, Kanye, is this now? Definitely don't got blod here.

1:04:27.480 --> 1:04:30.480
<v Speaker 1>Let's keep him the backpack on he had a backpack.

1:04:30.800 --> 1:04:34.240
<v Speaker 1>The backpack backpack Kanye know, like, what was what was

1:04:34.440 --> 1:04:41.240
<v Speaker 1>Jesus big Jesus piece uh Okay, Louis Vutan sneaker, Kanye

1:04:42.840 --> 1:04:46.880
<v Speaker 1>is Jesus walks colors drop out nights before Jesus? Is

1:04:46.960 --> 1:04:52.200
<v Speaker 1>it that time? He was hot Kanye Kyan Pepper, Kanye

1:04:56.960 --> 1:05:01.680
<v Speaker 1>Kanye Kanye. But I respect that I gave him the

1:05:01.760 --> 1:05:06.080
<v Speaker 1>concept and he was just like, all right, let's make

1:05:06.120 --> 1:05:09.080
<v Speaker 1>it fresh. And the craziest part I was like he came.

1:05:09.320 --> 1:05:12.080
<v Speaker 1>I told him my playlist, He told me his playlist.

1:05:12.480 --> 1:05:15.960
<v Speaker 1>I kept my players and he changed his players. I

1:05:16.240 --> 1:05:19.320
<v Speaker 1>was like, are you sure you don't want to because

1:05:19.360 --> 1:05:21.560
<v Speaker 1>like I didn't. It wasn't about no big eyes a

1:05:21.640 --> 1:05:25.240
<v Speaker 1>little us know, but what at what point changed his playlist?

1:05:26.240 --> 1:05:31.040
<v Speaker 1>When I was showtime, there was showtime. I heard songs

1:05:31.160 --> 1:05:35.400
<v Speaker 1>that that he didn't present. I was like, so, y'all

1:05:35.440 --> 1:05:38.320
<v Speaker 1>both knew what songs y'all was gonna play. I told

1:05:38.400 --> 1:05:40.040
<v Speaker 1>him I was. I never changed. I was gonna play

1:05:40.080 --> 1:05:42.840
<v Speaker 1>because I just wanted to play what I was gonna play.

1:05:43.840 --> 1:05:46.440
<v Speaker 1>And the songs that he picked before I thought was stronger,

1:05:47.160 --> 1:05:48.920
<v Speaker 1>you know, because I didn't want it to be like, um,

1:05:49.720 --> 1:05:51.760
<v Speaker 1>a big little youth thing I wanted. I wanted him

1:05:51.760 --> 1:05:53.840
<v Speaker 1>to be great and I wanted me to be great,

1:05:53.840 --> 1:05:55.960
<v Speaker 1>and he was great. But you know, I think the

1:05:56.040 --> 1:06:01.720
<v Speaker 1>selection um that we first it was better, you know, right,

1:06:02.240 --> 1:06:06.000
<v Speaker 1>because it's not like you know, me, me going on

1:06:06.080 --> 1:06:08.479
<v Speaker 1>a summer jam stage and showing off on another person.

1:06:08.880 --> 1:06:12.080
<v Speaker 1>Because that man is talented as a genius. You know,

1:06:12.320 --> 1:06:17.240
<v Speaker 1>he a mass of his craft, just like Timberland, Dr

1:06:17.400 --> 1:06:21.560
<v Speaker 1>Dre Pharrell just blaze. All the producers their massive, their

1:06:21.600 --> 1:06:24.000
<v Speaker 1>own crafts. And the one thing I do miss about

1:06:24.080 --> 1:06:28.080
<v Speaker 1>music is that you know, um, we all had different

1:06:28.120 --> 1:06:31.080
<v Speaker 1>things to bring to the table. You know when you

1:06:31.160 --> 1:06:34.440
<v Speaker 1>heard that sign it was a different sound totally not

1:06:34.640 --> 1:06:38.480
<v Speaker 1>about a a bounce. We came. We felt like we

1:06:39.200 --> 1:06:41.560
<v Speaker 1>we wanted to come with, you know. And there's a

1:06:41.600 --> 1:06:43.920
<v Speaker 1>couple of new producers that's doing that and I respect

1:06:43.960 --> 1:06:46.600
<v Speaker 1>them all. Like a signature sound. Yeah, there's a couple

1:06:46.600 --> 1:06:48.440
<v Speaker 1>of producers on in it, and there's a couple of

1:06:48.560 --> 1:06:52.040
<v Speaker 1>people that's taken advantage of the technology. But Swiss Beast

1:06:52.160 --> 1:06:55.800
<v Speaker 1>is about to make an album right now. I'm asking

1:06:56.400 --> 1:06:59.680
<v Speaker 1>that sh done and then and the label says we

1:07:00.200 --> 1:07:03.600
<v Speaker 1>hire some new new dudes. Who is Swiss Beasts going

1:07:03.760 --> 1:07:07.080
<v Speaker 1>high producer? Why I'm not scared of new dudes. I

1:07:07.160 --> 1:07:10.120
<v Speaker 1>got new dudes on my team. I respect new dudes.

1:07:10.720 --> 1:07:12.960
<v Speaker 1>You know what I'm saying. Like when I say my bad,

1:07:13.040 --> 1:07:17.240
<v Speaker 1>let me rephrase the question they're saying, go get some

1:07:17.960 --> 1:07:24.480
<v Speaker 1>like the the producers that's trending now because it was

1:07:25.440 --> 1:07:28.600
<v Speaker 1>who is Swiss gonna say? You know what I'm producing?

1:07:28.640 --> 1:07:32.920
<v Speaker 1>You like? But if you're making an album, because you know,

1:07:33.160 --> 1:07:35.520
<v Speaker 1>let's be honest, your artists too. There's a lot of

1:07:35.680 --> 1:07:38.560
<v Speaker 1>there's a lot of new producers are like, you know,

1:07:39.320 --> 1:07:41.960
<v Speaker 1>I'm not stuck in my past. You know, a lot

1:07:42.000 --> 1:07:44.760
<v Speaker 1>of producers get stuck in the pass and they don't

1:07:44.760 --> 1:07:51.920
<v Speaker 1>really respect. Somebody need a goddamn fixed that. This is

1:07:51.960 --> 1:07:58.720
<v Speaker 1>the smoking in the background, but my headphones don't block

1:07:58.800 --> 1:08:06.080
<v Speaker 1>them out? Or who is who is? If they say, now,

1:08:06.240 --> 1:08:11.040
<v Speaker 1>we said you you got three people? No, no, let's

1:08:11.040 --> 1:08:14.280
<v Speaker 1>say five. So you've got five people to to to

1:08:15.400 --> 1:08:19.559
<v Speaker 1>to pay other than you to finish your album right now?

1:08:20.320 --> 1:08:23.720
<v Speaker 1>You gotta love you bad with names, bro, That's just

1:08:24.400 --> 1:08:27.880
<v Speaker 1>I admit to it. I'm bad with names. I like

1:08:29.120 --> 1:08:32.439
<v Speaker 1>I like metro Booman, you know, you can say the

1:08:32.520 --> 1:08:35.320
<v Speaker 1>song that you like the brother I like Mike Will,

1:08:35.479 --> 1:08:38.479
<v Speaker 1>I like Metro Boman, I like boy Wonder. You know

1:08:38.520 --> 1:08:43.160
<v Speaker 1>what I'm saying. You know, every you know, it's a

1:08:43.240 --> 1:08:47.519
<v Speaker 1>lot of you know, tied snags. I like everybody that's

1:08:47.560 --> 1:08:50.439
<v Speaker 1>being creative this. You know, you got to think about this,

1:08:50.600 --> 1:08:53.679
<v Speaker 1>like right, there's a lot of people that's doing music

1:08:53.800 --> 1:08:55.920
<v Speaker 1>that could have been robbing our kids and our mothers

1:08:55.960 --> 1:08:58.960
<v Speaker 1>and brothers and our cousins. As long as people doing

1:08:59.040 --> 1:09:01.560
<v Speaker 1>something positive, like with DMX and too, he's kind of

1:09:01.600 --> 1:09:04.400
<v Speaker 1>said the same thing, shout to the dog. But so

1:09:04.560 --> 1:09:09.080
<v Speaker 1>you're not gonna you're not gonna call Dr Dre. That's

1:09:09.120 --> 1:09:11.519
<v Speaker 1>not a new producer. Man, you just kind of just

1:09:11.600 --> 1:09:16.920
<v Speaker 1>switched it up. I'm calling Dry. Just happened. You might

1:09:16.920 --> 1:09:21.000
<v Speaker 1>as well call Premier too. Maybe I'm out alowing with

1:09:21.080 --> 1:09:28.799
<v Speaker 1>my questions. Yeah, I'm sorry. Let's get you a new producer.

1:09:30.640 --> 1:09:34.360
<v Speaker 1>Anybody that's doing something positive with music. It's just like art.

1:09:35.200 --> 1:09:38.519
<v Speaker 1>It's an expression. You can relate to it or you can't.

1:09:38.800 --> 1:09:41.960
<v Speaker 1>That's why there's different genres and music, different genres and

1:09:42.120 --> 1:09:45.559
<v Speaker 1>art and different genres and everything that we uh facing

1:09:45.600 --> 1:09:48.680
<v Speaker 1>this world. You know, I'm not gonna sit here and

1:09:48.760 --> 1:09:53.519
<v Speaker 1>play around with none of those producers because you know, um,

1:09:54.479 --> 1:09:58.720
<v Speaker 1>they all got a little bit of influence. And myself, Timberland,

1:09:58.760 --> 1:10:02.080
<v Speaker 1>whoever you want to name, we're part of their DNA

1:10:02.200 --> 1:10:04.639
<v Speaker 1>whether we like it or not. They took a part

1:10:04.680 --> 1:10:08.040
<v Speaker 1>of what we did and created themselves. If I diss them,

1:10:08.040 --> 1:10:11.720
<v Speaker 1>I'm technically this and myself. They just they're just on

1:10:11.760 --> 1:10:15.040
<v Speaker 1>another platform and see another stage that they got to

1:10:15.080 --> 1:10:19.320
<v Speaker 1>perform on. That doesn't deplete my stage. That just like

1:10:19.800 --> 1:10:22.920
<v Speaker 1>it's a compliment of each other. You understanding what I

1:10:22.960 --> 1:10:24.960
<v Speaker 1>have to do. The things that I don't like, I

1:10:25.040 --> 1:10:31.120
<v Speaker 1>have to fix. So my album, I'm like, bars, let's

1:10:31.240 --> 1:10:34.400
<v Speaker 1>name of the album. Let's make a public the name.

1:10:34.439 --> 1:10:35.920
<v Speaker 1>I don't know the name of the album. I don't

1:10:35.960 --> 1:10:37.880
<v Speaker 1>even think that. I don't even think about no name.

1:10:37.920 --> 1:10:41.320
<v Speaker 1>I just thought about like fucking up everything. That's the

1:10:41.439 --> 1:10:47.600
<v Speaker 1>name of the album. But now let's take it to

1:10:48.080 --> 1:10:53.240
<v Speaker 1>the first rough rideout for rough ride of compilation. Yeah,

1:10:55.880 --> 1:11:00.960
<v Speaker 1>that is the difference compilation and the album because it

1:11:01.040 --> 1:11:05.200
<v Speaker 1>wasn't an artist. The first rough adage was a compilation.

1:11:05.640 --> 1:11:08.720
<v Speaker 1>The first rough out of album was dmx so so

1:11:08.880 --> 1:11:11.840
<v Speaker 1>the first rough out of album multiples, the conglomerate of

1:11:12.800 --> 1:11:16.240
<v Speaker 1>multiple artists up and coming, known not known. You know,

1:11:16.360 --> 1:11:19.760
<v Speaker 1>That's that's when people heard Beanies. First hard Verse was

1:11:19.840 --> 1:11:23.320
<v Speaker 1>on the album. That's when people heard Infrared and Cross,

1:11:23.400 --> 1:11:26.400
<v Speaker 1>That's when people heard you know, Eve, That's when people

1:11:26.479 --> 1:11:30.040
<v Speaker 1>heard drag On. That's when people got exposed to a

1:11:30.120 --> 1:11:32.720
<v Speaker 1>lot of things that I wasn't really out there yet,

1:11:32.880 --> 1:11:35.479
<v Speaker 1>you know what I'm saying. And so you know, first

1:11:35.840 --> 1:11:40.519
<v Speaker 1>niggas won that first album? What what was? What was it?

1:11:40.680 --> 1:11:43.960
<v Speaker 1>Because there were all separate entities, You had all these

1:11:44.000 --> 1:11:48.800
<v Speaker 1>separate groups. Now just saying the compilation album, Well, we

1:11:48.920 --> 1:11:51.519
<v Speaker 1>had no separate groups. And I never even knew what

1:11:51.560 --> 1:11:54.320
<v Speaker 1>the compilation was before I did that album. I just

1:11:54.439 --> 1:11:56.439
<v Speaker 1>knew that we was making an album with the family,

1:11:57.080 --> 1:11:59.960
<v Speaker 1>and uh, we was taking everybody's verses and putting out

1:12:00.080 --> 1:12:03.439
<v Speaker 1>siders on them to fill up the space. You know,

1:12:03.479 --> 1:12:05.720
<v Speaker 1>I was too young to understand what was a compilation

1:12:05.840 --> 1:12:07.800
<v Speaker 1>not a compilation. I didn't give a funk what it was.

1:12:08.200 --> 1:12:11.280
<v Speaker 1>I just wanted to produce the best ship and make

1:12:11.360 --> 1:12:14.599
<v Speaker 1>the people feel good. And I was hungry. I was thirsty.

1:12:14.640 --> 1:12:17.000
<v Speaker 1>I was going up against Greece. I was going up

1:12:17.000 --> 1:12:19.519
<v Speaker 1>against Pete K. I was going up against you know,

1:12:19.880 --> 1:12:22.720
<v Speaker 1>uh young Lord. I was going up against a lot

1:12:22.760 --> 1:12:25.880
<v Speaker 1>of producers at that time that you know, spunk bigger,

1:12:26.040 --> 1:12:28.320
<v Speaker 1>a lot of producers that had like a lot of recognition.

1:12:29.040 --> 1:12:31.760
<v Speaker 1>And I just wanted to make the best music I

1:12:31.800 --> 1:12:33.920
<v Speaker 1>can making. And when I looked up, I had like

1:12:34.040 --> 1:12:37.360
<v Speaker 1>ninety percent of that done. And then I've seen I

1:12:37.439 --> 1:12:38.960
<v Speaker 1>looked up, I had an eighty percent of the Locks

1:12:39.000 --> 1:12:41.840
<v Speaker 1>album done, no percent of E done. I even setting

1:12:41.880 --> 1:12:45.760
<v Speaker 1>up extra next album done, and and you know, I

1:12:45.840 --> 1:12:47.960
<v Speaker 1>just I just wanted to go hard. You know what

1:12:47.960 --> 1:12:49.680
<v Speaker 1>I'm saying. Now, why are you in grease at that

1:12:49.760 --> 1:12:53.960
<v Speaker 1>would like work together and looking together as a taxi situation?

1:12:54.080 --> 1:12:59.200
<v Speaker 1>You know, Um, we've grown in now. Um. I never

1:12:59.280 --> 1:13:02.439
<v Speaker 1>knew why a Greece had a problem with me, because

1:13:02.720 --> 1:13:05.720
<v Speaker 1>you know, my uncle when I was when I went

1:13:05.800 --> 1:13:09.120
<v Speaker 1>to Atlanta, my uncle was like, you know, I got

1:13:09.240 --> 1:13:11.120
<v Speaker 1>a couple of producers that I wanted. I want to

1:13:11.360 --> 1:13:14.640
<v Speaker 1>uh continue the movement while while are you gone? And

1:13:14.680 --> 1:13:16.479
<v Speaker 1>he took me to Young Lord's house, and he took

1:13:16.479 --> 1:13:18.320
<v Speaker 1>me to Greece house and he took me to Young

1:13:18.439 --> 1:13:23.120
<v Speaker 1>Lord's house. I seemed like a real stable environment. And

1:13:23.200 --> 1:13:25.800
<v Speaker 1>I was like, no, young long guy like a great

1:13:26.160 --> 1:13:29.439
<v Speaker 1>he had a great foundation. I went to Greece when

1:13:29.520 --> 1:13:32.040
<v Speaker 1>it's abandon building. I'm like, damn, he might need it

1:13:32.120 --> 1:13:35.200
<v Speaker 1>more than young lord. So I picked Greece to be

1:13:35.360 --> 1:13:39.080
<v Speaker 1>the producer at that time when I wasn't available. And

1:13:40.840 --> 1:13:45.280
<v Speaker 1>competition naturally, uh turns into what it turns into, you

1:13:45.360 --> 1:13:48.920
<v Speaker 1>know what I'm saying. But you know, I'm gonna just

1:13:49.000 --> 1:13:51.720
<v Speaker 1>keep it positive. I didn't did a lot of things

1:13:51.720 --> 1:13:54.320
<v Speaker 1>to him, did a lot of things. You know. Um,

1:13:54.560 --> 1:13:56.519
<v Speaker 1>he hadn't spoken by my name since I handled the

1:13:56.600 --> 1:14:00.800
<v Speaker 1>last situation. And I'm gonna just say blessings to him

1:14:00.800 --> 1:14:02.800
<v Speaker 1>and thank you for what he contributed to the frost

1:14:02.880 --> 1:14:06.160
<v Speaker 1>out of the family. No sucking ship. You know what

1:14:06.200 --> 1:14:11.200
<v Speaker 1>I'm saying. You know he's blocking. No, let me stop easy, Okay,

1:14:12.240 --> 1:14:17.679
<v Speaker 1>Let's keep it positive. Keep positive. It's positive. It's all positive.

1:14:18.520 --> 1:14:23.840
<v Speaker 1>I just always, you know, always, just notice that you know,

1:14:24.000 --> 1:14:27.519
<v Speaker 1>he brought this, was was there for them very very

1:14:27.640 --> 1:14:32.439
<v Speaker 1>very weekend. That's all. That's all I always sto we Uh.

1:14:34.360 --> 1:14:37.719
<v Speaker 1>I kind of like the Me and Greece back and forth,

1:14:38.640 --> 1:14:43.160
<v Speaker 1>you know, because it just felt good you're talking about

1:14:43.240 --> 1:14:46.640
<v Speaker 1>every whatever whatever one my dog had a fight with

1:14:46.760 --> 1:14:50.000
<v Speaker 1>his dog to my real dogs. Now we really had

1:14:50.040 --> 1:14:53.920
<v Speaker 1>we really had, we really had powers. You're talking about

1:14:54.000 --> 1:15:00.240
<v Speaker 1>real people. I think people are polls now we me

1:15:00.360 --> 1:15:03.240
<v Speaker 1>and me and Greece went back to like his dog

1:15:03.360 --> 1:15:08.519
<v Speaker 1>had dogs problem. Goddamn, they don't get no rather than that,

1:15:09.160 --> 1:15:15.840
<v Speaker 1>and then you know, we were talking about people. Unless

1:15:15.880 --> 1:15:21.679
<v Speaker 1>I'm wrong, I'm talking. He let him tell you, you know, okay,

1:15:21.920 --> 1:15:24.000
<v Speaker 1>let me let him tell you. And then we we

1:15:24.360 --> 1:15:27.000
<v Speaker 1>and we eventually got into it and we had to

1:15:27.080 --> 1:15:31.479
<v Speaker 1>handle it like men and whatever. Knew that I respect

1:15:31.600 --> 1:15:36.519
<v Speaker 1>him as a man, and I respect him and respect

1:15:36.560 --> 1:15:38.760
<v Speaker 1>me as a man. I agree to never talk to

1:15:38.880 --> 1:15:41.760
<v Speaker 1>him talk on his name negative, and he agreed never

1:15:41.840 --> 1:15:45.240
<v Speaker 1>to talk on my name negative. And uh, if that

1:15:45.400 --> 1:15:47.760
<v Speaker 1>was done, then we just did with the consequences. But

1:15:47.920 --> 1:15:49.920
<v Speaker 1>that was the deal that we made. So I can't

1:15:49.920 --> 1:15:52.439
<v Speaker 1>be even here on this show today and talk about

1:15:52.479 --> 1:15:54.640
<v Speaker 1>that man negative. I respect him. He made a lot

1:15:54.720 --> 1:15:57.800
<v Speaker 1>of hits for dogs. He's a great producer. He put

1:15:57.840 --> 1:15:59.600
<v Speaker 1>a Hollom on the map. He put a lot of

1:15:59.640 --> 1:16:02.040
<v Speaker 1>people big yell as well. Right all that you know,

1:16:02.120 --> 1:16:05.200
<v Speaker 1>my my dad managed big al you understand my favorite

1:16:05.280 --> 1:16:10.280
<v Speaker 1>ear my dad. My dad is serious. My dad was

1:16:10.360 --> 1:16:13.000
<v Speaker 1>a party with my fami boyfriend out with cool Hirk.

1:16:14.640 --> 1:16:17.760
<v Speaker 1>Him and cool Hirk was neighbors upstairs downstairs, so those

1:16:17.840 --> 1:16:20.040
<v Speaker 1>beginning parties, my dad was a part of those parties.

1:16:20.040 --> 1:16:22.639
<v Speaker 1>I never even said that ship public. Now you did,

1:16:23.560 --> 1:16:29.840
<v Speaker 1>chance serious start. Let's just make some noise for that,

1:16:34.840 --> 1:16:39.120
<v Speaker 1>lamb lily. So now so, now, when is the moment

1:16:40.120 --> 1:16:45.280
<v Speaker 1>where Swiss is like, I'm that nick because we all

1:16:45.360 --> 1:16:49.880
<v Speaker 1>went crazy. I went crazy. Mins is night night. I

1:16:49.920 --> 1:16:52.120
<v Speaker 1>think it's probably called the bet for TV. But I'm

1:16:52.120 --> 1:16:55.560
<v Speaker 1>not gonna save my eyes because it's your interview, Like

1:16:55.680 --> 1:16:58.800
<v Speaker 1>what is like? What is the like? I mean, not

1:16:59.000 --> 1:17:01.439
<v Speaker 1>not crazy, I'm just saying, what is the part where

1:17:01.439 --> 1:17:05.360
<v Speaker 1>you said, Dad, I made it? Because the thing about

1:17:05.479 --> 1:17:09.080
<v Speaker 1>exactly when that was tell us, tell us to us. Um.

1:17:10.280 --> 1:17:14.160
<v Speaker 1>You know, when I got into music, I never understood

1:17:14.200 --> 1:17:17.120
<v Speaker 1>that it was a business. I never understood that it

1:17:17.200 --> 1:17:20.200
<v Speaker 1>made billions. I never understand that it saved so many

1:17:20.240 --> 1:17:23.320
<v Speaker 1>people from the street life that were living. It was

1:17:23.400 --> 1:17:26.479
<v Speaker 1>just something that I lived in, seeing every day growing

1:17:26.520 --> 1:17:29.080
<v Speaker 1>up in the South Bronx and then migrating back and

1:17:29.160 --> 1:17:32.400
<v Speaker 1>forth to hallm. You know, it was something that we

1:17:32.479 --> 1:17:37.400
<v Speaker 1>were playing at MPVs, Land Cruises, you know, or the Covans.

1:17:37.439 --> 1:17:39.240
<v Speaker 1>It was, it was just it was just the way

1:17:39.280 --> 1:17:43.960
<v Speaker 1>of life naturally. And you know, when I was doing music,

1:17:45.160 --> 1:17:48.919
<v Speaker 1>you know, I was already count millions on the weekends,

1:17:49.640 --> 1:17:52.360
<v Speaker 1>you know, and I hated money because it was it

1:17:52.479 --> 1:17:55.160
<v Speaker 1>was it was, it was messing up my phone. I

1:17:55.280 --> 1:17:59.960
<v Speaker 1>was counting money on the weekends, millions of dollars because

1:18:00.040 --> 1:18:02.600
<v Speaker 1>of that, because of the business that half of my

1:18:02.720 --> 1:18:05.960
<v Speaker 1>team was in, and so I never really cared about

1:18:06.000 --> 1:18:10.439
<v Speaker 1>the money thing like that, all Iceberg, Jacobi Jar, Nordica,

1:18:10.920 --> 1:18:12.800
<v Speaker 1>all those things that was being passed down to me.

1:18:12.840 --> 1:18:16.360
<v Speaker 1>I never had to really buy those things. Yeah, all

1:18:16.400 --> 1:18:22.479
<v Speaker 1>of that, I speaking all that. So, you know, I

1:18:22.640 --> 1:18:26.439
<v Speaker 1>was brought up fresh. I grew up in the hood

1:18:26.720 --> 1:18:32.320
<v Speaker 1>Jackson Avenue seven hundred department to E. I can't say

1:18:32.320 --> 1:18:36.280
<v Speaker 1>that I had a bad I can't. I can't. I'm

1:18:36.320 --> 1:18:46.160
<v Speaker 1>not I'm not from I'm five, Okay. I can't say

1:18:46.240 --> 1:18:48.680
<v Speaker 1>that I had a bad time in the hood. As

1:18:48.760 --> 1:18:50.760
<v Speaker 1>bad as the hood was, like, I never had a

1:18:50.840 --> 1:18:53.360
<v Speaker 1>bad time, Like I really, I really had like a

1:18:53.439 --> 1:18:56.240
<v Speaker 1>lot of fun. I really, I really miss all my

1:18:56.400 --> 1:19:00.600
<v Speaker 1>friends that uh not here to celebrate rank chance with

1:19:00.720 --> 1:19:04.640
<v Speaker 1>us today or not able to see that shot. I

1:19:04.720 --> 1:19:09.200
<v Speaker 1>feel like it's seriously like, yeah, let's celebrate all the Yeah.

1:19:09.400 --> 1:19:12.720
<v Speaker 1>Great shout out to everybody that's not head to celebrate tonight. Yo,

1:19:13.120 --> 1:19:16.360
<v Speaker 1>I can't believe BOCCARDI listen. I drink the whole bottle

1:19:16.400 --> 1:19:19.800
<v Speaker 1>with y'all. Know we're gonna listen. I'm supposed to go

1:19:19.920 --> 1:19:25.800
<v Speaker 1>to leven after this. Yeah, turn out alright, look it

1:19:25.880 --> 1:19:30.240
<v Speaker 1>back to it, put it down. I love him. You

1:19:30.320 --> 1:19:45.840
<v Speaker 1>know that's the remix of he just. I'm gonna be honest.

1:19:47.200 --> 1:19:49.000
<v Speaker 1>This is a problem right now. You're gonna be honest.

1:19:51.040 --> 1:19:56.599
<v Speaker 1>Tastes like Puerto Rico. Somebody's cool. You get your tam match.

1:19:58.160 --> 1:19:59.960
<v Speaker 1>It is some Puerto Rico. Now, I'm gonna tell you

1:20:00.000 --> 1:20:02.320
<v Speaker 1>you why because every time I eat French fries and

1:20:02.360 --> 1:20:04.680
<v Speaker 1>porter because a little birds come over. You know what's

1:20:04.760 --> 1:20:07.519
<v Speaker 1>up a French fries in Puerto Rico. I want to

1:20:07.600 --> 1:20:09.800
<v Speaker 1>talk about the French fries and you never eat friend

1:20:10.720 --> 1:20:18.160
<v Speaker 1>talking about and say, of course, everybody tell them not

1:20:18.280 --> 1:20:21.040
<v Speaker 1>to go to talk about where you go. I'm nice

1:20:21.080 --> 1:20:23.800
<v Speaker 1>in part I ain't never eat fries in Puerto Rico.

1:20:23.920 --> 1:20:29.000
<v Speaker 1>We got no in Porto Rico. This is a little blackbirds.

1:20:29.120 --> 1:20:31.439
<v Speaker 1>You know these little birds, they're fucking nuisance. I know

1:20:31.520 --> 1:20:35.400
<v Speaker 1>what you're talking about them this game. And then right

1:20:36.920 --> 1:20:39.960
<v Speaker 1>right there to you like, yeah you ain't working with that?

1:20:43.920 --> 1:20:46.720
<v Speaker 1>Where did we end off? I was really I was

1:20:46.800 --> 1:20:50.000
<v Speaker 1>really about to get into man is where drink chance?

1:20:50.040 --> 1:20:52.960
<v Speaker 1>Fuck up a drink chance? This is this is our downfall.

1:20:53.160 --> 1:20:55.599
<v Speaker 1>This is you know why, because we should lose the legends,

1:20:56.120 --> 1:20:59.479
<v Speaker 1>we should lose what we gotta do. So now now

1:20:59.520 --> 1:21:02.440
<v Speaker 1>you were talking about where you grew up the apartment

1:21:04.200 --> 1:21:07.760
<v Speaker 1>because we were going off your family and cool Hurrican

1:21:07.840 --> 1:21:10.479
<v Speaker 1>all that. I just burpt from ship. I was like,

1:21:10.560 --> 1:21:15.920
<v Speaker 1>that's ulble card if it's a card car. It was great.

1:21:16.479 --> 1:21:19.400
<v Speaker 1>I was amazing right now. I can't my birthday smell good?

1:21:19.439 --> 1:21:23.320
<v Speaker 1>When I birthted, I said, I like it. It's just

1:21:23.439 --> 1:21:30.600
<v Speaker 1>kindly shout the bus around bus arounds and hit me

1:21:30.720 --> 1:21:34.640
<v Speaker 1>like are you on the shew yes, shout the bus man.

1:21:34.720 --> 1:21:36.920
<v Speaker 1>We had for two point five seconds, but he was

1:21:37.200 --> 1:21:41.960
<v Speaker 1>that quick. No, No, it was quite album got hit

1:21:42.120 --> 1:21:46.000
<v Speaker 1>number one, so we need jug bus one, you know what.

1:21:46.040 --> 1:21:49.840
<v Speaker 1>I'm yeah, get ready to go and you know, and

1:21:49.960 --> 1:21:51.960
<v Speaker 1>that's what we want to do Swiss. We want to

1:21:52.520 --> 1:21:55.840
<v Speaker 1>continue to salute to people that's been out here doing it.

1:21:56.240 --> 1:21:59.280
<v Speaker 1>And a lot of people criticize on sometimes and they

1:21:59.280 --> 1:22:01.280
<v Speaker 1>say why you don't off the new niggas, And I say,

1:22:01.320 --> 1:22:03.080
<v Speaker 1>I got love for the new niggas. I listened to

1:22:03.160 --> 1:22:06.040
<v Speaker 1>the ship, but I don't got new stories. Like when

1:22:06.080 --> 1:22:08.120
<v Speaker 1>I sit here and we talked about band from TV

1:22:08.360 --> 1:22:10.720
<v Speaker 1>right now, you you told me your own perspective of

1:22:10.800 --> 1:22:13.120
<v Speaker 1>band from TV or did you did you fully get

1:22:13.200 --> 1:22:16.400
<v Speaker 1>into them your own perspective. I'm gonna say something on that.

1:22:17.520 --> 1:22:21.680
<v Speaker 1>You know, we gotta always be students. I would love

1:22:21.760 --> 1:22:24.720
<v Speaker 1>to see you challenge the new people who haven't had

1:22:24.760 --> 1:22:28.559
<v Speaker 1>this show. I would march when we wenew the contract,

1:22:32.600 --> 1:22:41.720
<v Speaker 1>quick to see the mark Like the new niggas, I'm

1:22:41.760 --> 1:22:43.960
<v Speaker 1>never ready for the don't trying to have a secret

1:22:44.000 --> 1:22:46.680
<v Speaker 1>conversation about me to my they got interview. The new

1:22:46.720 --> 1:22:48.960
<v Speaker 1>niggas continue to sweat some So so I just like

1:22:49.160 --> 1:22:52.960
<v Speaker 1>that you know what it's not about new old this

1:22:53.160 --> 1:22:59.320
<v Speaker 1>and that it's about content. Content, about content kings good content.

1:22:59.479 --> 1:23:02.160
<v Speaker 1>It's about with content, Yeah, but it's curated. So when

1:23:02.200 --> 1:23:03.960
<v Speaker 1>they come here you're going to make the good content.

1:23:04.640 --> 1:23:08.280
<v Speaker 1>So with this platform you have, you can change everything

1:23:08.400 --> 1:23:11.560
<v Speaker 1>that you might disagree with. But you just called us curating.

1:23:11.680 --> 1:23:23.679
<v Speaker 1>Are we curated? Curating? That's the that means you put together?

1:23:23.840 --> 1:23:28.360
<v Speaker 1>Think you know what I'm saying in my mind? Curious?

1:23:28.600 --> 1:23:31.200
<v Speaker 1>That means, right? What do that means? Do you strenk

1:23:31.280 --> 1:23:33.920
<v Speaker 1>chance sports? Come over here? What does that mean? When

1:23:33.960 --> 1:23:39.680
<v Speaker 1>you said chance sports? Right? You think about it on

1:23:39.760 --> 1:23:44.160
<v Speaker 1>your old mine? Definitely don't believe you. Let me actually

1:23:44.160 --> 1:23:47.160
<v Speaker 1>sign how much of this interview is gonna be shown?

1:23:47.320 --> 1:23:52.600
<v Speaker 1>Every everything, everything your That's how we do like this

1:23:52.840 --> 1:23:56.240
<v Speaker 1>that don't don't don't hold nothing out. We don't don't

1:23:56.240 --> 1:24:02.439
<v Speaker 1>know nothing. Nothing's just go. Let's go. So where is

1:24:02.880 --> 1:24:05.120
<v Speaker 1>I hate wasting my time? No? No, no, none of

1:24:05.200 --> 1:24:08.080
<v Speaker 1>it will be wasted. None. I hate wasting you know. Absolutely?

1:24:08.120 --> 1:24:14.400
<v Speaker 1>Tell you something about about Swift. I see Swiss is quick.

1:24:15.160 --> 1:24:17.920
<v Speaker 1>He is one hundred percent. Let me tell you something.

1:24:20.200 --> 1:24:22.160
<v Speaker 1>He was probably one of the first producers I said

1:24:22.160 --> 1:24:25.560
<v Speaker 1>I want to do. I want something like this, and

1:24:25.680 --> 1:24:29.560
<v Speaker 1>he just makes it right there, like Premiere will make it.

1:24:29.640 --> 1:24:33.240
<v Speaker 1>But you gotta get Premiere a rhyme do the same thing.

1:24:34.000 --> 1:24:36.320
<v Speaker 1>I want to be like this and then prober like

1:24:36.400 --> 1:24:39.519
<v Speaker 1>give me the roy Black, but I'll be like he'll swiss.

1:24:39.960 --> 1:24:41.920
<v Speaker 1>I want some ship like this that to be like

1:24:42.160 --> 1:24:54.920
<v Speaker 1>me like that. Just be looking at you, yo, like

1:24:55.160 --> 1:24:58.360
<v Speaker 1>all you still like that? Like we're like I just

1:24:58.400 --> 1:25:00.840
<v Speaker 1>remember I said beat box to you. We used to

1:25:00.920 --> 1:25:05.720
<v Speaker 1>be like what you know, I just I just I

1:25:05.840 --> 1:25:08.800
<v Speaker 1>just have fun doing what I'm doing. Anybody want to

1:25:08.880 --> 1:25:15.960
<v Speaker 1>problem come dance? When Glory I was making a fifty

1:25:16.040 --> 1:25:22.600
<v Speaker 1>beat tonight and keeping six literally deleted the right. You know,

1:25:22.720 --> 1:25:24.559
<v Speaker 1>it's all about your word, I think, And it's all

1:25:24.600 --> 1:25:27.960
<v Speaker 1>about your dedication. Don't play around with something that you

1:25:28.080 --> 1:25:31.040
<v Speaker 1>don't feel. Don't worry about what nobody else feel. If

1:25:31.080 --> 1:25:34.439
<v Speaker 1>you don't feel it, it don't go you understand. And

1:25:34.520 --> 1:25:36.519
<v Speaker 1>when I was making those beats for you and everybody

1:25:36.600 --> 1:25:38.920
<v Speaker 1>else in the world, which I was blessed to get

1:25:38.920 --> 1:25:41.839
<v Speaker 1>out my hood from it, by my family and lifestyle

1:25:41.960 --> 1:25:48.640
<v Speaker 1>from it, came from a nonfair you understand. Like I

1:25:48.720 --> 1:25:52.759
<v Speaker 1>don't know what that means. A nonfair meaning not faring

1:25:52.840 --> 1:25:56.360
<v Speaker 1>the results of failing. Like a lot of people are

1:25:56.439 --> 1:26:00.160
<v Speaker 1>scared with this. One thinks that that one thinks, but

1:26:00.240 --> 1:26:02.320
<v Speaker 1>it's like, you know, what I give a funk about

1:26:02.360 --> 1:26:04.960
<v Speaker 1>what my family think. A lot of those people that

1:26:05.360 --> 1:26:09.080
<v Speaker 1>want to judge you on what they think, they just

1:26:09.200 --> 1:26:12.479
<v Speaker 1>wut you for the fake ride, like let let something

1:26:12.560 --> 1:26:16.320
<v Speaker 1>not go down right, They're gonna be gone, fake friends.

1:26:17.680 --> 1:26:20.960
<v Speaker 1>Family is important. If you don't got family around you,

1:26:21.360 --> 1:26:23.680
<v Speaker 1>you might be in trouble. Families everything I was, I

1:26:23.840 --> 1:26:26.960
<v Speaker 1>was protected to own my rights and publishing and things

1:26:27.000 --> 1:26:29.639
<v Speaker 1>like that because the rough ride of family was literally

1:26:29.840 --> 1:26:33.760
<v Speaker 1>my family. And I watched a lot of people come

1:26:33.880 --> 1:26:38.439
<v Speaker 1>up and do the biggest things that history can never

1:26:38.560 --> 1:26:45.880
<v Speaker 1>repeat again. Roman Neodles might be their male just because

1:26:45.920 --> 1:26:49.680
<v Speaker 1>of that false trust and just because of that that

1:26:49.840 --> 1:26:53.840
<v Speaker 1>that false judgment, and and and listen, man, you know

1:26:53.920 --> 1:26:58.360
<v Speaker 1>sky is not the limits is just your view? This

1:26:58.520 --> 1:27:00.920
<v Speaker 1>is all I said that A texted him. I told him,

1:27:00.960 --> 1:27:11.040
<v Speaker 1>I remember, why should skies beyond limits? There's there's billions

1:27:11.560 --> 1:27:17.120
<v Speaker 1>every every start we see, there's millions of galle around. Definitely,

1:27:18.000 --> 1:27:20.360
<v Speaker 1>just because we can't see past the sky, Why is that?

1:27:20.960 --> 1:27:24.040
<v Speaker 1>Why should the skies beyond limits? When there's footprints on Mars,

1:27:25.080 --> 1:27:27.960
<v Speaker 1>don't box us in sky is nothing? Limits is just

1:27:28.160 --> 1:27:30.720
<v Speaker 1>our feel because we know that there's life and the

1:27:30.880 --> 1:27:34.760
<v Speaker 1>billions of phones beyond that. And once you start getting

1:27:34.760 --> 1:27:40.240
<v Speaker 1>that mentality, you just gotta go. You understand, like you know, um,

1:27:41.120 --> 1:27:43.720
<v Speaker 1>I'd rather help people than hurt people. But let me

1:27:43.720 --> 1:27:49.559
<v Speaker 1>ask you this, nineteen is the best here in my life. Damn.

1:27:50.000 --> 1:27:53.640
<v Speaker 1>I think two seventeen is. It's the best thing in

1:27:53.680 --> 1:27:57.320
<v Speaker 1>my new life. Okay, I like that. That's a life.

1:27:57.320 --> 1:27:59.960
<v Speaker 1>I like that, But the best in my first life,

1:28:00.120 --> 1:28:03.000
<v Speaker 1>like I had ninety seven because of a couple of

1:28:03.720 --> 1:28:05.720
<v Speaker 1>the War Report, but I was still selling drugs during

1:28:05.760 --> 1:28:08.000
<v Speaker 1>the War Report, and it was terrible because people told

1:28:08.040 --> 1:28:11.040
<v Speaker 1>me my album was classic, but I was selling three

1:28:11.080 --> 1:28:19.280
<v Speaker 1>for five, so it was they're identified with me. But

1:28:20.960 --> 1:28:26.480
<v Speaker 1>best yet my life because of we had the praisest

1:28:27.479 --> 1:28:31.960
<v Speaker 1>records and you described that year for you, I mean,

1:28:32.040 --> 1:28:38.599
<v Speaker 1>that's the best year. Hungling was the beginning of my madness.

1:28:40.120 --> 1:28:45.280
<v Speaker 1>I was young, no facial hairs, no you know, no hope,

1:28:45.360 --> 1:28:48.639
<v Speaker 1>no guidance, didn't drink back then, neither. I started drinking

1:28:48.680 --> 1:28:52.160
<v Speaker 1>at thirty and smoking at thirty cigards weed that is

1:28:53.800 --> 1:28:57.040
<v Speaker 1>I've been the whole time. I didn't want to have

1:28:57.120 --> 1:28:59.760
<v Speaker 1>the car people, which I don't showed every day we

1:29:00.040 --> 1:29:03.400
<v Speaker 1>and cigars on occasional vacations to be in a very

1:29:03.520 --> 1:29:08.360
<v Speaker 1>festive gold boat with water and jet skis in front

1:29:08.400 --> 1:29:12.599
<v Speaker 1>of me as a gold sigard. Now I'm good. I'm good.

1:29:15.800 --> 1:29:21.680
<v Speaker 1>A matter of fact, give me this thing before. I've

1:29:21.720 --> 1:29:29.519
<v Speaker 1>never thrown with him before. What what is this? What

1:29:29.680 --> 1:29:31.639
<v Speaker 1>is this gold papers? What is the gold paper? Ali?

1:29:33.120 --> 1:29:36.000
<v Speaker 1>What is it called? Shine first and foremost? Shout out

1:29:36.040 --> 1:29:41.600
<v Speaker 1>to Ali? LL tell you somebody, Ali, he's he's a

1:29:41.760 --> 1:29:46.640
<v Speaker 1>conscious guy. I watched him or protect the dog in

1:29:46.760 --> 1:29:52.200
<v Speaker 1>a way nobody might not ever do that again. Right.

1:29:52.800 --> 1:29:55.760
<v Speaker 1>I watched him put in his hard work, dedication. I

1:29:55.880 --> 1:30:00.080
<v Speaker 1>watched him support Nori. That man is anointed in the A.

1:30:00.960 --> 1:30:04.320
<v Speaker 1>That's just different. Ali is just different and they don't

1:30:04.360 --> 1:30:06.840
<v Speaker 1>make him. If you don't understand him, you can look

1:30:06.880 --> 1:30:10.519
<v Speaker 1>pass him, but you need to look at him. Shout

1:30:10.560 --> 1:30:18.080
<v Speaker 1>out to our league. That was a beauty. It's truth.

1:30:18.680 --> 1:30:20.880
<v Speaker 1>So now let's go. I want to fuck. Let's go.

1:30:21.320 --> 1:30:23.479
<v Speaker 1>Let's take it, d go. Let's take us through this

1:30:23.920 --> 1:30:27.240
<v Speaker 1>Friday era. I remember hearing stories that you and Jabal

1:30:27.479 --> 1:30:33.040
<v Speaker 1>just beating us up. He's like the bar Jabba like

1:30:35.240 --> 1:30:42.080
<v Speaker 1>single he was on, just on. But you I remember, like,

1:30:42.600 --> 1:30:46.000
<v Speaker 1>like you'll be fighting too, Swiss, what's going on? Back

1:30:46.040 --> 1:30:49.160
<v Speaker 1>and there? This is your past life. I still fight.

1:30:51.960 --> 1:30:58.400
<v Speaker 1>He just a fight for was right. The fight was

1:30:58.520 --> 1:31:03.919
<v Speaker 1>right for the power about anybody. A dummy could be physical.

1:31:06.200 --> 1:31:11.400
<v Speaker 1>A dummy could be physical. A genius can be mental strategic.

1:31:11.600 --> 1:31:17.320
<v Speaker 1>So my my fight now is with greatness, Like let's

1:31:17.400 --> 1:31:21.719
<v Speaker 1>kill him with positivity, Let's kill him with great ideas,

1:31:21.800 --> 1:31:25.960
<v Speaker 1>Let's kill them with let's killing with culture movement. You understand,

1:31:26.080 --> 1:31:31.760
<v Speaker 1>like you know, I used to couldn't take words. Like

1:31:31.840 --> 1:31:33.360
<v Speaker 1>a lot of people talk a lot of words when

1:31:33.360 --> 1:31:36.519
<v Speaker 1>they're influence all these things on the table. But I'm like,

1:31:36.640 --> 1:31:39.439
<v Speaker 1>you know what, I know, you don't even know what

1:31:39.560 --> 1:31:42.240
<v Speaker 1>you're doing. I got I got people that called me

1:31:42.360 --> 1:31:44.479
<v Speaker 1>every day wishing I had a problem with other people.

1:31:46.160 --> 1:31:50.759
<v Speaker 1>I know, somebody's bothering you. Let's go, I'm gonna nobody

1:31:50.800 --> 1:31:56.559
<v Speaker 1>bothering me. Like you know what, there's enough of us

1:31:56.720 --> 1:32:00.320
<v Speaker 1>hurting us going on today. We gotta stop it. We

1:32:00.479 --> 1:32:02.840
<v Speaker 1>have to stop it. But it's like we got to

1:32:02.920 --> 1:32:10.320
<v Speaker 1>develop a patients within our own circle. You understand. We

1:32:10.520 --> 1:32:14.080
<v Speaker 1>might think that like a person no better, but based

1:32:14.120 --> 1:32:17.400
<v Speaker 1>on that person's upbringing, they might not know better. You

1:32:17.560 --> 1:32:19.799
<v Speaker 1>might be an o G. You might be a general,

1:32:20.080 --> 1:32:23.360
<v Speaker 1>he might be a pond, and the pond is gonna

1:32:23.400 --> 1:32:26.800
<v Speaker 1>make the most mistakes. We got a guide that pond

1:32:26.840 --> 1:32:30.320
<v Speaker 1>into being a future general or o G. It's our

1:32:30.479 --> 1:32:35.080
<v Speaker 1>job if we know better understand. So it's like they

1:32:35.120 --> 1:32:38.280
<v Speaker 1>could have been I could have abused my power and

1:32:38.960 --> 1:32:41.439
<v Speaker 1>twenty of my homies could have been doing a bunch

1:32:41.479 --> 1:32:42.880
<v Speaker 1>of times, and I would have took care of their

1:32:42.960 --> 1:32:46.840
<v Speaker 1>family just because that was the protocol. But it's like,

1:32:47.600 --> 1:32:50.559
<v Speaker 1>if we can help people more than we can hurt people,

1:32:50.800 --> 1:32:53.160
<v Speaker 1>and we then that we're doing we're doing it, and

1:32:53.360 --> 1:32:57.560
<v Speaker 1>we're doing a justice and and and our ecosystem. You

1:32:57.600 --> 1:32:59.000
<v Speaker 1>know what I'm saying. The easiest thing for me to

1:32:59.120 --> 1:33:04.160
<v Speaker 1>do is the do something disrespectful. It don't take no

1:33:04.360 --> 1:33:07.960
<v Speaker 1>thinking to do something disrespectful. But the most respectful thing

1:33:08.040 --> 1:33:13.160
<v Speaker 1>to do is something respectful. Listen, bro, let me talk

1:33:13.200 --> 1:33:16.400
<v Speaker 1>to you right now. I know you feel like this,

1:33:17.160 --> 1:33:20.840
<v Speaker 1>Why are you really have a problem with me? Because well,

1:33:21.200 --> 1:33:23.439
<v Speaker 1>I ain't never even really say that. Most of the

1:33:23.560 --> 1:33:27.040
<v Speaker 1>beef and depths over miscommunication. If you really listen to

1:33:27.160 --> 1:33:32.080
<v Speaker 1>the conversation, it's a miscommunication, you understand, And we got

1:33:32.200 --> 1:33:35.200
<v Speaker 1>to have a tonnerance to understand the dialogue of the

1:33:35.280 --> 1:33:41.760
<v Speaker 1>communication to indicate if it's a violation or miscommunication. A

1:33:41.920 --> 1:33:45.519
<v Speaker 1>violation we gotta deal with accordingly. Miscommunication, which is most

1:33:45.560 --> 1:33:48.960
<v Speaker 1>of the times you go home to your family, had

1:33:48.960 --> 1:33:51.720
<v Speaker 1>gone to my family. I give your hug man, I'm

1:33:51.760 --> 1:33:53.320
<v Speaker 1>happy to meet you. If you ever need something on

1:33:53.400 --> 1:33:55.479
<v Speaker 1>your in the side, let me know. If I'm on,

1:33:55.600 --> 1:33:58.120
<v Speaker 1>that's something to call you. Let you know. I meant

1:33:58.160 --> 1:34:02.160
<v Speaker 1>a lot of ogs, real official, authentic ogs or for miscommunication,

1:34:04.200 --> 1:34:08.160
<v Speaker 1>but the intentions of non violation, you know, I'm saying,

1:34:08.800 --> 1:34:11.080
<v Speaker 1>it's a difference. Like a lot of people I came,

1:34:11.320 --> 1:34:14.639
<v Speaker 1>I came, and um, they don't even know the code.

1:34:15.720 --> 1:34:18.400
<v Speaker 1>They don't know the codes, and it takes a lot

1:34:18.439 --> 1:34:21.240
<v Speaker 1>of ogs to explain the code, you know what I'm saying,

1:34:21.400 --> 1:34:25.200
<v Speaker 1>Like there's not many olds anymore. There is, but not that,

1:34:25.520 --> 1:34:30.760
<v Speaker 1>but hold on being examples. A Swiss favorite and hip

1:34:30.800 --> 1:34:33.679
<v Speaker 1>hop period. My favorite in hip hop is the nineties.

1:34:34.640 --> 1:34:37.080
<v Speaker 1>And the reason I'm gonna say that is because ninties

1:34:37.120 --> 1:34:41.840
<v Speaker 1>period night, because that's because that's take years beginning to

1:34:41.920 --> 1:34:50.400
<v Speaker 1>hold that. Then because eight break, you know, I just

1:34:50.520 --> 1:34:55.960
<v Speaker 1>felt like we were very experimental. It was very experimental.

1:34:56.160 --> 1:34:59.680
<v Speaker 1>Everybody wants to sound different. Everybody's the goal was to

1:34:59.800 --> 1:35:04.920
<v Speaker 1>be as far left as right as possible. Understand um,

1:35:05.800 --> 1:35:09.800
<v Speaker 1>Now nowadays it's sounding like one producer in respect to

1:35:09.880 --> 1:35:13.680
<v Speaker 1>all those producers. But nowadays it's an easy fix. It's

1:35:13.760 --> 1:35:18.400
<v Speaker 1>like when before we had to like this table right

1:35:19.160 --> 1:35:22.080
<v Speaker 1>to get to fix. You understand, it was a process

1:35:22.960 --> 1:35:26.520
<v Speaker 1>and now it's like a program process. And no disrespect

1:35:26.560 --> 1:35:29.240
<v Speaker 1>to the technology or that people using technology. I use

1:35:29.320 --> 1:35:36.240
<v Speaker 1>the technology, but you know, be as that versus you

1:35:36.360 --> 1:35:40.560
<v Speaker 1>can How are you going to be the producer that

1:35:40.680 --> 1:35:43.639
<v Speaker 1>you want to be if people think you're three people?

1:35:44.960 --> 1:35:47.280
<v Speaker 1>When I was Swiss, I was only Swiss. The only

1:35:47.360 --> 1:35:50.880
<v Speaker 1>thing I can say was I was so Swiss that

1:35:51.000 --> 1:35:55.160
<v Speaker 1>they thought it was Swiss Beats was a group. I

1:35:55.240 --> 1:35:56.680
<v Speaker 1>used to be in the em like Yo, where's the

1:35:56.720 --> 1:35:58.519
<v Speaker 1>rest of Swiss Beat? Stay over there? And I used

1:35:58.520 --> 1:36:02.519
<v Speaker 1>to sing around one over here, this one's coming in here.

1:36:02.560 --> 1:36:05.400
<v Speaker 1>Being later it was like, you know, the us that

1:36:05.479 --> 1:36:07.400
<v Speaker 1>you was making it was so big that they thought

1:36:07.479 --> 1:36:11.080
<v Speaker 1>you was You was like many of people, you know.

1:36:11.560 --> 1:36:14.040
<v Speaker 1>And my thing that I say the producers is like, yo,

1:36:14.680 --> 1:36:18.320
<v Speaker 1>that was you know, challenge yourself to be uh greater

1:36:18.479 --> 1:36:24.040
<v Speaker 1>than the radio right And I'm sorry this is crazy,

1:36:24.400 --> 1:36:28.720
<v Speaker 1>but is there any producer that you hate it? Like

1:36:28.920 --> 1:36:35.839
<v Speaker 1>you this nigger got stopped. There's a lot of producers

1:36:35.880 --> 1:36:38.599
<v Speaker 1>that's fake. But I can't say that. You know, hate

1:36:38.680 --> 1:36:41.679
<v Speaker 1>is a is a big word, not not not hate

1:36:41.720 --> 1:36:44.479
<v Speaker 1>like you don't want him to succeed, but like, damn

1:36:45.560 --> 1:36:49.519
<v Speaker 1>this this thing is like Jones is not correct, Like

1:36:49.720 --> 1:36:52.439
<v Speaker 1>you don't even get those people the time of dating

1:36:52.439 --> 1:36:54.720
<v Speaker 1>and over there, you know what I'm saying, like my

1:36:54.880 --> 1:36:57.760
<v Speaker 1>ads hard of THEND you to culture until what's right?

1:36:57.920 --> 1:37:02.000
<v Speaker 1>I listened to feel like COUTI Bobma, they shot Day Noriega,

1:37:02.439 --> 1:37:05.080
<v Speaker 1>different different things that you know, I gotta, I gotta.

1:37:05.400 --> 1:37:07.519
<v Speaker 1>I got a variety of the sound cloud of my

1:37:07.640 --> 1:37:12.760
<v Speaker 1>own brain. Even uh, you know somebody that's like being

1:37:12.840 --> 1:37:16.600
<v Speaker 1>a little on those lines of faking this and that.

1:37:17.320 --> 1:37:20.400
<v Speaker 1>Did you ever were you ever sample like heavy, like

1:37:20.720 --> 1:37:23.400
<v Speaker 1>sampling old records because I don't I hate with people

1:37:23.479 --> 1:37:26.960
<v Speaker 1>sample bad for TV. Let's just come on, don't change something.

1:37:27.720 --> 1:37:31.920
<v Speaker 1>People keep trying to say this right here right now

1:37:32.720 --> 1:37:34.479
<v Speaker 1>every time I ask you. That's why I'm asking him this,

1:37:34.920 --> 1:37:37.800
<v Speaker 1>And you just changed the whole. Please go back back

1:37:37.800 --> 1:37:40.280
<v Speaker 1>to this subject. Let's run back the mark. I let

1:37:40.320 --> 1:37:42.360
<v Speaker 1>when people trying to rhyme with a band with TV,

1:37:42.479 --> 1:37:46.880
<v Speaker 1>let's test telling me from tvl't please leave everybody. I

1:37:46.960 --> 1:37:49.960
<v Speaker 1>say that right now they sample mad from TV's and balation.

1:37:50.000 --> 1:37:52.000
<v Speaker 1>We're coming to see football change. Thank you, thank you,

1:37:53.960 --> 1:37:57.080
<v Speaker 1>Please leave le play with studio. I'm sorry what you

1:37:57.160 --> 1:38:04.080
<v Speaker 1>were saying. You got me that time. But were you

1:38:04.160 --> 1:38:06.360
<v Speaker 1>ever did you ever sample? Were you ever sample heaving

1:38:06.400 --> 1:38:09.880
<v Speaker 1>on old records? I never would sample heavy if out

1:38:09.920 --> 1:38:12.320
<v Speaker 1>of the five hundred finish song dudes, you know. I

1:38:12.360 --> 1:38:14.600
<v Speaker 1>know that for a fact, as I'm asking if you

1:38:14.680 --> 1:38:17.400
<v Speaker 1>ever did it? So I like, I like samples. So

1:38:17.479 --> 1:38:20.040
<v Speaker 1>it's my ignorance. I'm a DJ, he's a producer. This

1:38:20.400 --> 1:38:23.040
<v Speaker 1>this might be ignorant question on my end. But do

1:38:23.160 --> 1:38:27.200
<v Speaker 1>you think that you ushered in the production wave of

1:38:27.320 --> 1:38:32.160
<v Speaker 1>not sampling went because they changed the game? You know, um,

1:38:32.560 --> 1:38:35.120
<v Speaker 1>you know Farrell thank me and Jeff Blaze thank me

1:38:35.240 --> 1:38:38.679
<v Speaker 1>because you know imagine, like before I started not sample

1:38:38.720 --> 1:38:42.439
<v Speaker 1>and Puff Daddy had the James Brown samples total and

1:38:42.520 --> 1:38:45.400
<v Speaker 1>all these different groups on smash and I came with

1:38:45.479 --> 1:38:48.240
<v Speaker 1>these non samples and the reason why I came with

1:38:48.280 --> 1:38:51.160
<v Speaker 1>the non samples because everything I was sampling, I felt

1:38:51.200 --> 1:38:54.280
<v Speaker 1>like somebody was stealing something from me. I'm like, I

1:38:54.400 --> 1:38:57.439
<v Speaker 1>just sample, it's like hey, and then he stole my sound,

1:38:57.560 --> 1:39:00.439
<v Speaker 1>like no, that's not your sound. And then I got

1:39:00.560 --> 1:39:04.960
<v Speaker 1>a U Yamaha and one or whatever, the Core game

1:39:05.080 --> 1:39:08.559
<v Speaker 1>one call a game one, and I just started playing

1:39:08.680 --> 1:39:11.280
<v Speaker 1>playing what I felt was good. And you know resci

1:39:11.360 --> 1:39:14.760
<v Speaker 1>Pec Calv you know and in Halem No you know

1:39:14.920 --> 1:39:18.160
<v Speaker 1>him keV cos you knows. You know what I'm saying.

1:39:18.240 --> 1:39:23.679
<v Speaker 1>And I just was using the Core one and doing

1:39:23.760 --> 1:39:26.479
<v Speaker 1>my thing, and I the reason why I liked it

1:39:26.640 --> 1:39:29.680
<v Speaker 1>was because what I what I came with was unpredictable,

1:39:30.600 --> 1:39:32.360
<v Speaker 1>and so I knew that nobody can come out with it.

1:39:32.840 --> 1:39:35.880
<v Speaker 1>And I also knew that they can clear. There's no

1:39:36.000 --> 1:39:38.720
<v Speaker 1>samples to clad. So what you heard right now, you

1:39:38.760 --> 1:39:42.559
<v Speaker 1>can put out tomorrow. And that was like my my marketing,

1:39:42.880 --> 1:39:44.880
<v Speaker 1>marketing playing at that time. So you don't have to

1:39:44.880 --> 1:39:48.519
<v Speaker 1>share the publishing at all. I've gained a lot of

1:39:48.560 --> 1:39:51.360
<v Speaker 1>publishing off of you know, That's what I'm saying. It

1:39:51.479 --> 1:39:54.200
<v Speaker 1>changed the game. Yeah, I never even knew about publishing

1:39:54.320 --> 1:39:57.320
<v Speaker 1>until I got the check I never I never knew

1:39:57.960 --> 1:40:01.000
<v Speaker 1>the process of a publishing check, never knew a process

1:40:01.080 --> 1:40:04.680
<v Speaker 1>of royal teasing mechanic. Who's all those things? Where do

1:40:04.760 --> 1:40:07.559
<v Speaker 1>we learn that? Who teach us that? Nobody? What are

1:40:07.600 --> 1:40:09.679
<v Speaker 1>we going to ask at school? They don't'ta teach us ship.

1:40:10.200 --> 1:40:13.720
<v Speaker 1>Nobody don't teach us anything. You know, we just a

1:40:13.840 --> 1:40:16.880
<v Speaker 1>part of this environment and we where we're creative means

1:40:16.920 --> 1:40:19.360
<v Speaker 1>and we do we feel that's right. Nobody never talked

1:40:19.360 --> 1:40:22.400
<v Speaker 1>to us about the business. And that's why and and

1:40:22.479 --> 1:40:26.000
<v Speaker 1>two thousand seventeen on forward, I'm going to teach the business.

1:40:26.040 --> 1:40:28.840
<v Speaker 1>I went to Harvard just because just so I can

1:40:28.960 --> 1:40:31.680
<v Speaker 1>teach the people the business. I want to teach you

1:40:31.800 --> 1:40:35.040
<v Speaker 1>are I want to teach you business for free. Education

1:40:35.120 --> 1:40:38.120
<v Speaker 1>should be free, knowledge should be free. You understand the

1:40:38.200 --> 1:40:40.280
<v Speaker 1>whole these things back from us? And then how are

1:40:40.280 --> 1:40:41.640
<v Speaker 1>we going to get to the next level? How are

1:40:41.640 --> 1:40:43.760
<v Speaker 1>we gonna seceed to the next level? We don't know

1:40:43.840 --> 1:40:46.040
<v Speaker 1>what we're doing. We're just happy to make a sound.

1:40:46.760 --> 1:40:49.040
<v Speaker 1>You understand what's the parameters of that sound to make

1:40:49.080 --> 1:40:52.080
<v Speaker 1>our families living a better life other than a gett

1:40:52.200 --> 1:40:55.080
<v Speaker 1>that we was brought up in. You understand, like my

1:40:55.200 --> 1:40:57.400
<v Speaker 1>whole hood is dead. I don't know nobody in my

1:40:57.520 --> 1:41:00.639
<v Speaker 1>hood right now, you know what I'm saying, Just like, damn,

1:41:00.960 --> 1:41:03.519
<v Speaker 1>I'll go back to my streets. I want to build parks,

1:41:03.800 --> 1:41:06.560
<v Speaker 1>all these different things. I don't know these motherfucker's. You

1:41:06.600 --> 1:41:08.680
<v Speaker 1>know what I'm saying. It's like you wasn't around. Who

1:41:08.800 --> 1:41:12.040
<v Speaker 1>is this? He might dance on me, you know, saying

1:41:12.160 --> 1:41:13.760
<v Speaker 1>my man, who with a bunch of things like you

1:41:13.760 --> 1:41:15.920
<v Speaker 1>know what I'm saying, Like I shouldn't be over here

1:41:16.040 --> 1:41:19.880
<v Speaker 1>like this. But it's the reality of reality, and we

1:41:19.960 --> 1:41:22.680
<v Speaker 1>gotta face him. We gotta change it. Everybody want to,

1:41:23.120 --> 1:41:25.760
<v Speaker 1>uh talk about change, but the only change that we're

1:41:25.760 --> 1:41:28.880
<v Speaker 1>gonna have us within. We gotta change with each other.

1:41:29.720 --> 1:41:32.720
<v Speaker 1>You understand what's going on in Chicago, gotta change, what's

1:41:32.760 --> 1:41:35.160
<v Speaker 1>going in New York, gotta change going on in the world.

1:41:35.200 --> 1:41:37.760
<v Speaker 1>Gotta change. And that's when I come within. And we

1:41:37.880 --> 1:41:41.000
<v Speaker 1>gotta be smart enough to change those barriers and those rules.

1:41:41.360 --> 1:41:46.439
<v Speaker 1>Put them guns aways and think more women's moms white.

1:41:47.160 --> 1:41:53.040
<v Speaker 1>She gotta my wife, Guys, my wife got I got

1:41:53.080 --> 1:41:55.280
<v Speaker 1>seven am in the morning, was like, I'm going to

1:41:55.400 --> 1:41:58.920
<v Speaker 1>the women's March. I'll be back at three o'clock, I'm like, seriously,

1:42:00.880 --> 1:42:03.040
<v Speaker 1>she just did She just didn't even tell me about

1:42:03.080 --> 1:42:06.760
<v Speaker 1>she just did it. And when we gotta be as men,

1:42:08.240 --> 1:42:10.960
<v Speaker 1>the women is more powerful than us. I believe so

1:42:11.160 --> 1:42:14.479
<v Speaker 1>the one no, I know when they stick together, no period,

1:42:15.400 --> 1:42:19.240
<v Speaker 1>The women is more powerful than us because the devotion

1:42:19.400 --> 1:42:25.599
<v Speaker 1>to um realism is different. Like we were, we're like um,

1:42:26.560 --> 1:42:30.720
<v Speaker 1>we're trapped in a lot of different things. Ego, this

1:42:31.400 --> 1:42:34.639
<v Speaker 1>man power, that ship don't mean nothing like the women.

1:42:35.120 --> 1:42:37.120
<v Speaker 1>If your wife tells you she don't mess with nobody,

1:42:37.520 --> 1:42:40.080
<v Speaker 1>don't mess with that person. She's gonna see something that

1:42:40.160 --> 1:42:43.519
<v Speaker 1>you don't see. And we think we got all answer,

1:42:43.600 --> 1:42:45.200
<v Speaker 1>but she was like, yo, I don't like him in

1:42:45.280 --> 1:42:49.040
<v Speaker 1>the house. Don't let him in that house because the

1:42:49.080 --> 1:42:51.200
<v Speaker 1>reason why you let him in the house, she's seeing

1:42:51.240 --> 1:42:54.439
<v Speaker 1>why she don't like him in that house. He went

1:42:54.520 --> 1:42:56.320
<v Speaker 1>to the bathroom, went to the taller and watched her

1:42:56.400 --> 1:43:01.080
<v Speaker 1>hand to flesh your color. That's disrespectful ship. She's gonna

1:43:01.120 --> 1:43:04.519
<v Speaker 1>tell you that I'm gonna go to your house, wash

1:43:04.640 --> 1:43:07.200
<v Speaker 1>my hands, fush your tiler, make sure to sit down,

1:43:08.400 --> 1:43:12.400
<v Speaker 1>respectful ship. Crue the enemy gonna come in and disrespect

1:43:12.479 --> 1:43:16.080
<v Speaker 1>your home. Piss on the toilet, see on your floor,

1:43:17.120 --> 1:43:30.840
<v Speaker 1>and you're telling me gonna check my rocks. Now we're

1:43:30.840 --> 1:43:38.040
<v Speaker 1>going until you can piss on my world. Downtime. You

1:43:38.120 --> 1:43:40.160
<v Speaker 1>ain't been there a long time. If you don't come outside,

1:43:42.920 --> 1:43:44.679
<v Speaker 1>you know, before we get out of here, I gotta

1:43:44.720 --> 1:43:47.880
<v Speaker 1>bring this record back one more motherfucker time. This record

1:43:48.000 --> 1:43:52.120
<v Speaker 1>is so motherfucking New York. It's so hip hop. Drink

1:43:52.200 --> 1:43:56.000
<v Speaker 1>chance Anthem, my brother and no ware produced by my

1:43:56.080 --> 1:44:06.320
<v Speaker 1>nigga Swiss beats. Check it out? What what what? What? What? What? What? What? What? What? What?

1:44:07.200 --> 1:44:12.720
<v Speaker 1>God doing? What? Everybody to the left door, left the

1:44:12.760 --> 1:44:20.920
<v Speaker 1>gunlover everybody stone water, Yeah, everybody like to the stone

1:44:21.600 --> 1:44:24.360
<v Speaker 1>to get up? Now down trying to get chants in

1:44:24.400 --> 1:44:27.400
<v Speaker 1>me and my click. I gotta hunt his life my point?

1:44:27.800 --> 1:44:31.400
<v Speaker 1>What super dog like my point? Why my super dog

1:44:31.520 --> 1:44:34.840
<v Speaker 1>like my point? They don't hear me though. You want

1:44:34.840 --> 1:44:37.479
<v Speaker 1>to dlink change, but not to get the life to

1:44:37.600 --> 1:44:41.400
<v Speaker 1>keep the only didn't killing get clink change because I

1:44:41.520 --> 1:44:44.679
<v Speaker 1>need to laf to keep the forty. Only ain't kicking, y'all.

1:44:44.880 --> 1:44:47.840
<v Speaker 1>I'm one. Doesn't change because I need your life to

1:44:47.960 --> 1:44:50.479
<v Speaker 1>keep the forty on me, y'all. Damn down on the

1:44:50.560 --> 1:44:55.000
<v Speaker 1>drink because I ul left swizzy. What come on the love?

1:44:55.360 --> 1:44:58.320
<v Speaker 1>You want to drink chaps a trick? Alf hit the

1:44:58.360 --> 1:45:03.560
<v Speaker 1>phone before they only picking got fan without got a

1:45:03.640 --> 1:45:06.160
<v Speaker 1>drink rocket mortgage. You come on yo, Yeah, I'm got

1:45:06.200 --> 1:45:08.559
<v Speaker 1>some new ships. Yeah, I WoT some new ship cooking

1:45:08.640 --> 1:45:11.439
<v Speaker 1>like your killers. But you won't never do ship. I

1:45:11.520 --> 1:45:14.360
<v Speaker 1>told my nigger's twice your back at it. They slept

1:45:14.400 --> 1:45:17.679
<v Speaker 1>onna slide. I'm a craft matter, used to self crack.

1:45:17.760 --> 1:45:19.880
<v Speaker 1>Ain't drink a lot, ain't going when the winter time.

1:45:20.040 --> 1:45:21.840
<v Speaker 1>See me want to make a lot. I mean to

1:45:21.960 --> 1:45:24.479
<v Speaker 1>drink chin. Course, I drink a lot. I used to

1:45:24.600 --> 1:45:28.920
<v Speaker 1>keep that clock on me. I don't think so now

1:45:29.400 --> 1:45:36.800
<v Speaker 1>picking out, I'm chopping down. Okay, don't hit me up.

1:45:37.600 --> 1:45:40.360
<v Speaker 1>Drink chance because that we can laugh. Used to keep

1:45:40.400 --> 1:45:42.720
<v Speaker 1>the forty only ain't kick the lap. He made the

1:45:42.840 --> 1:45:45.320
<v Speaker 1>drink chance because he get your lap. He used to

1:45:45.400 --> 1:45:48.599
<v Speaker 1>keep the forty on. Come on, come on to drink chance.

1:45:49.040 --> 1:45:56.439
<v Speaker 1>It's a drink a lot. Get the body to drink chance.

1:45:58.120 --> 1:45:59.680
<v Speaker 1>I see. All I want to do is be s

1:45:59.800 --> 1:46:02.400
<v Speaker 1>sell fool. Think about the money. Second, that ship is

1:46:02.439 --> 1:46:04.840
<v Speaker 1>stressful to think about the fair. Love is that shit

1:46:04.920 --> 1:46:09.200
<v Speaker 1>is stressful. Did it for a long time, But when

1:46:09.240 --> 1:46:11.960
<v Speaker 1>you don't, still wore timberlance, never change on you. My

1:46:12.080 --> 1:46:15.040
<v Speaker 1>friends still demandican man. I did it my way, acts

1:46:15.080 --> 1:46:17.680
<v Speaker 1>for no permissions. The only dude smoking on trees and

1:46:17.760 --> 1:46:23.760
<v Speaker 1>no permission everybody, So now get out, now down, Yes

1:46:23.840 --> 1:46:27.000
<v Speaker 1>a team. This don't feel like New York. I do

1:46:27.120 --> 1:46:29.720
<v Speaker 1>not know what to tell you. Let's go me the

1:46:29.800 --> 1:46:34.559
<v Speaker 1>tint change because the life they keep the last time

1:46:36.680 --> 1:46:41.840
<v Speaker 1>last funny. I want to drink Champs. It's a tricker,

1:46:50.800 --> 1:46:53.120
<v Speaker 1>got the party. I got some rocks, so we're gonna

1:46:53.120 --> 1:46:56.519
<v Speaker 1>get drunk, half fun take more shots. You see. I

1:46:56.640 --> 1:46:59.720
<v Speaker 1>celebrate life. I could have been to jail and had

1:47:00.240 --> 1:47:02.880
<v Speaker 1>snigger like yeah, that's what I'm here for a reason.

1:47:03.120 --> 1:47:05.880
<v Speaker 1>So I'm gonna celebrate. Drink more for no breezing, bro.

1:47:06.720 --> 1:47:09.280
<v Speaker 1>This is drink tip season to boy, have a drink.

1:47:09.360 --> 1:47:13.080
<v Speaker 1>Go ahead and enjoy your evening. Every Body to the show.

1:47:13.240 --> 1:47:17.360
<v Speaker 1>Now dick up, now turn downtown watching me and my click.

1:47:17.680 --> 1:47:23.680
<v Speaker 1>I got a super dog first, come on, come on

1:47:25.439 --> 1:47:29.560
<v Speaker 1>one more time? Like, why come on? I want to

1:47:29.600 --> 1:47:33.800
<v Speaker 1>drink wild because that's right. The forty only ain't kicking

1:47:33.880 --> 1:47:36.760
<v Speaker 1>where we are on the wild because it ticking. Watch

1:47:37.720 --> 1:47:40.599
<v Speaker 1>Swizzy on. Come on, take Alf you want to take Tim.

1:47:41.120 --> 1:47:44.559
<v Speaker 1>It's a trick a lock before they pick a loft.

1:47:45.840 --> 1:48:22.000
<v Speaker 1>There got dead Drug. Find all your favorite movies and

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