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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine any More. It's peak season for asparagus,

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Speaker 1: which pairs perfectly with a light and crisp rose. Many

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Speaker 1: bottles of champagne and sparkling wines are perfect for adult

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Speaker 1: Easter baskets, and they're really cute too. My perfect brunch

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Speaker 1: Belgian waffles with extra whip cream and a holiday pour

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Speaker 1: of your sweetest rose. Whether you're hosting or just bring

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Speaker 1: the wine, we love to share, are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine ay More cheers. Yes, indeed,

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Speaker 1: I go by the name of DJ Butts Rock represent

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Speaker 1: for thug down Malitainment. You're now tuned into the number

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Speaker 1: one podcast in the motherfucking world, The Drink Champs. My

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Speaker 1: brother's in the y E and d J E f N.

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Speaker 1: But before we get into that, I want to blast

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Speaker 1: this record off, The Drink Champs Anthem. That's right, The

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Speaker 1: Drink Champs Anthem, produced by the Homie Swiss Beats. This

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Speaker 1: record is so motherfucking New York. Listen, what fun fun?

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Speaker 1: What what what? What? What? What? What? What? What? What?

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Speaker 1: God do? It broke everybody to the left door him man,

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Speaker 1: now let the gun blow suicide doors every verse do

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Speaker 1: water Swizzy tell him lie? Everybody to the show now

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Speaker 1: picking up now tip downtown, who see me? And I

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Speaker 1: gotta run his life? Why super dog like? I bring

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Speaker 1: it back? Like? What hold up? Hold up? What? What? What? What? What? What? What?

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Speaker 1: Shout to the drink chips on me? What shot to

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Speaker 1: the whole team? What hazard? It sounds without? I don't

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Speaker 1: everybody to the left door, rich block go without gun

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Speaker 1: blow suicide the drain niggle without reverse water? Right, Mr Lee,

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Speaker 1: where you were? Everybody to the stoe now picking up

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Speaker 1: now time downtown send me in click, I gotta hunt

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Speaker 1: that rounds part by me uplink clink chance. I ain't

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Speaker 1: hate the pick before they only they didn't kick a

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Speaker 1: loft down drink drink tchins because because he tell me

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Speaker 1: only thinking think you want to drink to checking them

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Speaker 1: on keep before the thinking where you at? You get

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Speaker 1: tick before the what's rock niggers ain't tene wall Let's

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Speaker 1: go yo. Yeah I'm some new ship. Yeah I'm not

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Speaker 1: some new ship talking like a killers. But you won't

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Speaker 1: ever do ship. I told my nigga's switch your back

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Speaker 1: out and they slept on slide, get on the craft

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Speaker 1: matter used the south crack, ain't drink a lot, ain't

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Speaker 1: gonna on the winter time. See me with a bak

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Speaker 1: a lot. I mean to drink chins because I drink

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Speaker 1: a lot. I used to keep that glock on me.

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Speaker 1: I ain't thinking a lot, so now pick it up.

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Speaker 1: Now I'm taking downtown. Send me in my right party

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Speaker 1: on the clink chance because we could us to keep

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Speaker 1: the forty on me. Ain't thinking yester d on the

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Speaker 1: drink wild, pick your left ray for my nigga dcats

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Speaker 1: win one time. Come on drinks, take a la, keep

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Speaker 1: the before, think yes, hick the fort on, shout to

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Speaker 1: my nigger sunny d b T. Let's go. I don't see.

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Speaker 1: All I want to do is be successful. Think about

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Speaker 1: the money. Second, that shit is stressful to think about

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Speaker 1: the fair love is that shit is stressful. And did

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Speaker 1: it for a long time. Wing never change doing You

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Speaker 1: don't still wore timberlance, Never change on you. My friends

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Speaker 1: still Domandican. I did it my way acts for no permissions,

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Speaker 1: the only due smoking on trees and no commission. Everybody

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Speaker 1: slow now get up now keeping downtown self the super

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Speaker 1: dog like, hit me up on the drink change because

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Speaker 1: the LUs to keep the forty on me, ain't thinking

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Speaker 1: where are you at on the trip wild keep your

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Speaker 1: lords ringing the beet the forty on rock, Come on,

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Speaker 1: I want to drink, James. It's a tick a lot

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Speaker 1: the first for they drink the forty on me. I

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Speaker 1: suppos got the boocardi. I got some rocks. So we're

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Speaker 1: gonna get drunk, have fun, take more shots. You see,

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Speaker 1: I celebrate life. I could have been to jail and

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Speaker 1: had lifeli. Yeah, that's what I'm here for a reason.

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Speaker 1: So I'm gonna celebrate. Drink more for no breazon bro

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Speaker 1: that This is drink Tip season two. Boy, have a drink,

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Speaker 1: go ahead and enjoy your eating. Hello everybody, now up,

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Speaker 1: now down. I gotta like they don't hit me where

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Speaker 1: you are on the drink quiet because it kick the

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Speaker 1: forty on me, ain't click a lot down on the

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Speaker 1: tip chips pick left to keep fey on me. That's

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Speaker 1: a Ji drink chap. It's a tick a lot het

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Speaker 1: the pun off that trunk on can laugh more to

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Speaker 1: the me cool what what what? Yes? It did yaday

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Speaker 1: so New York, but around y'all was going on him.

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Speaker 1: He's a legendary Queen's rapper, Seeds your boy in Nor

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Speaker 1: he's a Miami hip hop pioneer. What Up is d

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Speaker 1: J e f N? Together they drink it up with

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Speaker 1: some of the biggest players in music and sports. Me

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Speaker 1: the most professional, unprofessional podcast and your number one source

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Speaker 1: for drunk facts. This is drinks Chap ready to every

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Speaker 1: day is New Year's Eve. That's round handing, said Griega Southvia.

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Speaker 1: It's your boy and What Up is d J E

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Speaker 1: f And this drink chance motherfucking podcast right now, right now,

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Speaker 1: I gotta do the introduction. This is not only my brother,

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Speaker 1: it's not only a person a new for twenty years,

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Speaker 1: Kevi real Me and him never changed, always see each other,

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Speaker 1: always smile, always proud of each other. But not only

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Speaker 1: that top five producer all times, all times. I'm talking

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Speaker 1: about from the and I'm talking about from the beginning

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Speaker 1: of the hip hop to right now maybe top three. Damn.

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Speaker 1: He's been here, he's been He's made albums, he's made artists,

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Speaker 1: He's took artists from people he's an ex to all

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Speaker 1: over the world. With the sound that he made, he

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Speaker 1: continuously changed the sound of music, change the sound of

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Speaker 1: music with me when he made a record for me

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Speaker 1: and we're gonna get into that later and people started

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Speaker 1: following our sound. This man has kept continuing going from

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Speaker 1: the highest up. He's worked with him all tonight. We

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Speaker 1: have my brother, my good friend, top five maybe top three,

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Speaker 1: best producer of all times music mogul, beautiful life, beautiful wife,

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Speaker 1: beautiful children. Think he should. You should look at his

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Speaker 1: Instagram and it's fire to be that good with your kids.

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Speaker 1: This is a fact. Make some noise for my brother,

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Speaker 1: two or three time drinks champions, DJ Friends Beach that

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Speaker 1: I understand. Listen. So yeah, we keep a real hip

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Speaker 1: hop over here. So as you know, we salute, we

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Speaker 1: salute our legends. We give all people they flowers when

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Speaker 1: they can smell them, and they treats when they can

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Speaker 1: help them. This is a show that we celebrate all legends.

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Speaker 1: You know, so many people, uh that was me. So

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Speaker 1: many people are busy, busy. You know, once you get

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Speaker 1: ten years in this game, people say this over for

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Speaker 1: you and things like that. That's not what we do here.

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Speaker 1: It's I just wanted to explain that. But I want

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Speaker 1: to let you know that tonight we are celebrating the

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Speaker 1: legacy of Swiss motherfucking I want to take it from

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Speaker 1: the beginning. I want to take it the beginning, very

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Speaker 1: early on, because I believe the first time the um

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Speaker 1: what what was it? Rough rider anthem? Was that the

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Speaker 1: first time? What was the first time people heard? The

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Speaker 1: first time I think was this group called the Reefs, right,

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Speaker 1: and and the Reefs was signed Who's they signed to?

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Speaker 1: They were signed to? Um? What's our brother? That that

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Speaker 1: that manages um? He managed usua um big big, big exact.

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Speaker 1: I'm forgetting his name. Brother that had the stroke? Oh Stewart, okay, um,

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Speaker 1: he's gonna kill me for that. I'm you gotta excuse me.

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Speaker 1: I'm straight. I'm from Shanghai, buy Texas. Mark what's Mark

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Speaker 1: um um Um? Yeah? Mark Pitts legendary and Mark Pitts

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Speaker 1: had stopped drop beat before everybody for about three thousand.

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Speaker 1: She wanted to get it to fifteen. I was like,

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Speaker 1: I'm cool, Thank god as I said that, but get

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Speaker 1: I did the Reefs and then I did flip most

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Speaker 1: squad um run for cover, and then I met this

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Speaker 1: fly dude, Yeah you go, that's right, And then it

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Speaker 1: was we we we we we we uh disrespected a

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Speaker 1: couple of things and was banned from TV. And then

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Speaker 1: at that same time Cameron Glory with my brother and

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Speaker 1: um Tara Rufo came after that, and then my rough

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Speaker 1: Rider family all that before. That's always thought rough Rider

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Speaker 1: anthem came out first. So you was on before that,

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Speaker 1: I was earlier. This this is this is pun sleeping

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Speaker 1: on the couch already telling you. So now your uncle

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Speaker 1: is actually because people people don't understand that that's your

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Speaker 1: real uncle. Like people think when you say uncle, they

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Speaker 1: think that you're saying like uncle, like who raised you,

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Speaker 1: but not really, this is your mother's brother, correct, my

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Speaker 1: father's brother, your father's brother, and he is dun yeah,

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Speaker 1: tatting on my mom is real life, for real. And

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Speaker 1: one thing that people don't understand it probably in two

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Speaker 1: thousand seventeen, is you know, rough Riders was in the

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Speaker 1: streets before music, you know, from the bikes two three

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Speaker 1: hundred thousand bikers street respected, you know before a lot

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Speaker 1: of different names with logos and letters in front of them.

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Speaker 1: You know, my family was literally in the streets movement,

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Speaker 1: and it was my grandfather that was running Hollom at

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Speaker 1: that time, building up the buildings. You know, um imam

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Speaker 1: at that time running the fo I at that time,

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Speaker 1: and you know, the movement that we had on was

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Speaker 1: was was going against what my grandfather movement was. And

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Speaker 1: so he made us make a choice. You're gonna do

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Speaker 1: that if you're going to do the street vibe and

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Speaker 1: and take away from the positivity that I'm putting in

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Speaker 1: the community, I gotta leave or you're gonna have a

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Speaker 1: problem with us. And those are the triple rolls, right

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Speaker 1: And so um my uncle Juan, you know, he uh

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Speaker 1: had this artist that he was talking about, d MX,

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Speaker 1: Hollom Nights, a couple of artists and then we just

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Speaker 1: you know, changed the whole direction into a positive way.

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Speaker 1: Still keep the street now. DMX was like the first

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Speaker 1: artist that rough Rider signed, correct, Yes, um, I mean

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Speaker 1: that got signed to a major label. Yeah, and before

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Speaker 1: the Locks Yeah they were no no, no, no, was

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Speaker 1: it locks first first? Yeah? It was. It was first

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Speaker 1: with rough Riders. Lux has been X has been first,

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Speaker 1: Blocks was X pops. You understand That's how I said

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Speaker 1: it on here too. Yeah, that's that's that's that's how

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Speaker 1: that went. But I can't say that was concurrent. I

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Speaker 1: can't say that my uncle Y had them in the

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Speaker 1: studio at the same time. You know, I remember hearing

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Speaker 1: more songs from the locks Uh studio done than X.

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Speaker 1: X was more mixtape vibe at that particular time, and

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Speaker 1: I love both of them. Remember, I wish I can

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Speaker 1: get those beginning mixtapes that I heard from them, because

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Speaker 1: it's just it was is there was in a very

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Speaker 1: authentic space at that time. Is so authentic and X

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Speaker 1: being like he's like, there's never be another X. But

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Speaker 1: what I'm asking you is, did you know that from

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Speaker 1: the beginning, Yes, I did from the beginning, like even

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Speaker 1: before like he met with Leo with the box calling

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Speaker 1: right there, who got the phone? Yeah, I got your

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Speaker 1: killing that on Instagram. But so from the beginning, you

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Speaker 1: knew this guy would change hip hop. And let me

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Speaker 1: tell you how much I knew that. I knew it

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Speaker 1: so much that I got kicked out of New York

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Speaker 1: schools um and I had to move to Atlanta. I

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Speaker 1: had that written down by the way kick out of school.

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Speaker 1: And you know after that, I passed all the different

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Speaker 1: things I wasn't used to, the gang activity and all

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Speaker 1: those different things. I eventually landed back on my all

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Speaker 1: my music right, and the way that I survived and

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Speaker 1: that music. Ring was reciting X verses that nobody never

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Speaker 1: knew about. X was out of the time, or he

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Speaker 1: wasn't out, he wasn't out, But I just knew so

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Speaker 1: much of his lyrics that I was living through him

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Speaker 1: even in high school. And people were like, damn like,

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Speaker 1: and I'm like, ship ain't they ain't gonna never know

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Speaker 1: who excellent? So let me do my thing a little bit,

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Speaker 1: I know. And I just he was really living in

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Speaker 1: that street. That's why you said that, no, because I

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Speaker 1: just never thought that we would ever be uh as

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Speaker 1: far as we got, you know, I never I never

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Speaker 1: knew that we can get out that backyard that we

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Speaker 1: was in. I never knew that we can get out

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Speaker 1: that box that we was in, that mentality that that

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Speaker 1: we was in. So I was just having fun and

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Speaker 1: kind of paying homage to X and and freestyling because

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Speaker 1: I'm like, he's not here to say it. It's so

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Speaker 1: I'm gonna say it right. And to this day, that's

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Speaker 1: my dog. And I got a lot of great news

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Speaker 1: from him this year. His album is Crazy and and

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Speaker 1: and and I promise you it's going to it's going

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Speaker 1: to change the game. And I don't say that like

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Speaker 1: you know what I'm saying, like I downplay everything. But

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Speaker 1: I'm gonna tell you, like what Dog got to say

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Speaker 1: on this is it's going to go from the streets

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Speaker 1: to the Grammys and Charlotte. Like that's you know, because

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Speaker 1: like I go home perfect time right now. I go home.

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Speaker 1: I go home to a very comfortable lifestyle that I

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Speaker 1: worked hard for, slept on studio floors, everything. And to

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Speaker 1: see my brother that I started with not be where

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Speaker 1: he should be. It fucks with me every night. So

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Speaker 1: I didn't use all the excuses that I could have

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Speaker 1: used not to know. We heard Room was a rock

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Speaker 1: nation at first, but now we're hearing epic, epic, epic

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Speaker 1: things are going on. I mean with the dog is

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Speaker 1: he's epic, He's an epic energy, he's an epic vibe,

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Speaker 1: he's an epic inspiration. There's none before, none to come after.

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Speaker 1: And we got to protect that by any means necessary.

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Speaker 1: And but I think the most important part is a

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Speaker 1: relationship with two brothers. It's like like the music, the music,

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Speaker 1: the music comes later. You know the fact that you

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Speaker 1: can reach and pull your brother up with you, and

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Speaker 1: and and walk. That same walk to me is more

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Speaker 1: than the money, more than a deal, more than music,

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Speaker 1: Like I funk with X right now because he's spiritually

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Speaker 1: and mentally ready. He's always been lyrically ready. If you're

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Speaker 1: not spiritually and mentally ready to go out to the world,

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Speaker 1: and it's a waste, it's a waste of time. Everybody

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Speaker 1: can want the return of him, but he got to

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Speaker 1: want to return for himself. But it's like, it's like

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Speaker 1: you're just saying because like everybody, you know, we see

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Speaker 1: you on the Graham and we have about luxurious life,

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Speaker 1: like you don't really have have to do a DMX album.

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Speaker 1: So what really drives you? I think I do. I

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Speaker 1: think I do that because like money doesn't define you

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Speaker 1: or your lifestyle. It's like you know, when when you

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Speaker 1: go back and you look at the things that really

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Speaker 1: makes sense. It's brotherhood. You know. I know a lot

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Speaker 1: of rich billionaires and I call him poor kings. They

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Speaker 1: got big boats, hookers on them, no family, no nothing.

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Speaker 1: Is that really living life happy at all? They're not happy.

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Speaker 1: I don't care about your money. Like I never even

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Speaker 1: did music for money. I did music for a feeling,

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Speaker 1: for an expression, for an outlet that I couldn't express

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Speaker 1: in an academic way. You know that I figured out

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Speaker 1: how to do in a creative way, you know, and

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Speaker 1: and I never and and I understood. I'm like, wow,

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Speaker 1: you know, this kid that's being quiet in class is

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Speaker 1: smarter than all of us. You understanding. We just gotta

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Speaker 1: give that person a chance to identify that. You know,

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Speaker 1: X has a long history of a lot of different

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Speaker 1: things that a lot of people are gonna understand in

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Speaker 1: this album. And you understand, like why he's who he is.

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Speaker 1: There's a reason from that, from birth, from the way

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Speaker 1: he was treated, from the way he was handled, from

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Speaker 1: the way he was delivered. That's the reason why X

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Speaker 1: sing like the way he is. It's not because he's

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Speaker 1: just uh portray in a certain style. People like to say, Yo,

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Speaker 1: EX is the closest thing to Pope. I said, X

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Speaker 1: is the closest thing to nobody. Nobody. Yeah, because many

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Speaker 1: million in the bank, right and then abandoned billings with

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Speaker 1: with with candles where we had to find out gave

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Speaker 1: his money away. He didn't blow his money. He gave

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Speaker 1: his money away to homeless people. I see this man

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Speaker 1: take shoes off his feet, sit down like this and

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Speaker 1: people in this room singing this. Out of this man,

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Speaker 1: I can't leave that stranded. Now, let's make some noise

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Speaker 1: to that guy there. Party shot time. Are we ready

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Speaker 1: for that? You know, put Paul some ice in my

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Speaker 1: check because you don't need arts, man, you need mccardi.

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Speaker 1: As the new year is people, let me tell you

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Speaker 1: something about the mccardi eight in three and three. You know,

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Speaker 1: I gotta I gotta activation called no commissions and no

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Speaker 1: commissions for the artists, for the artists. People. We give

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Speaker 1: a hundred percent back to the artists of what they said.

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Speaker 1: And let me give you a number. In the last

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Speaker 1: three shows, we gave back to the artists three million dollars.

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Speaker 1: So that's why we're gonna take this RICCARDI shot, you

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Speaker 1: understand for giving back to the artists and the people

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Speaker 1: in their pocket chairs to that. Let's black gonna lie

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Speaker 1: shout to ko. It tastes like Puerto Rico. Remember Puerto Rico, Cuba.

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Speaker 1: Remember we come on man. I told him every party,

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Speaker 1: you wouldn't believe me when we first met. I believe you.

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Speaker 1: I've been believing you. I can't I can't believe that

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Speaker 1: I'm sending in front of my brother and at this table,

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Speaker 1: all this fucking shows me and mom wata here we

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Speaker 1: celebrate hip hop man And one of the craziest beasts

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Speaker 1: of all time to me was Jigga, what's my mother?

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Speaker 1: I can't curse on this show. Whatever you're going to

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Speaker 1: I'm like, you know, but listen. When I heard that,

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Speaker 1: I want to say, I thought you played it for

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Speaker 1: me once and it said Nori. But I'm bugging right,

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Speaker 1: I'm bugging but in my mind drunk face. But yo, dad,

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Speaker 1: do you remember Calfe? Calfe? I remember the first like

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Speaker 1: it came out. Flex had dropped it. Boom right, Flex

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Speaker 1: had it, and this is this is this time if

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Speaker 1: flex player record with New York City should go back

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Speaker 1: to what flex player record that right now? But let

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Speaker 1: me just say something. He played it. We ain't never

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Speaker 1: heard it. Flex played it, and it was like the

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Speaker 1: whole cit knew the record already, didn't dropped it. At

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Speaker 1: seven o'clock we went to the club everywhere like, yeah,

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Speaker 1: we knew little you know what I'm saying the hook,

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Speaker 1: I have no idea. I never record close. But the

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Speaker 1: regular original record was Jada what it wasn't he ja?

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Speaker 1: And he didn't want it. He didn't want it. It

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Speaker 1: came out and we got into some words. Shout out

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Speaker 1: to Jada, Yo, did you have to drop a verse

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Speaker 1: on Yeah? I feel like you want to finish that stay.

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Speaker 1: He didn't drop a verse on that. But you know what,

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Speaker 1: that's what I shout out to Jada for giving back

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Speaker 1: those clothes to the homeless. When I get back to

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Speaker 1: New York, they're gonna give out like and even everybody

341
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Speaker 1: and that all this stuff that you got in your closet,

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Speaker 1: pull up the truck. Like, I shout to Jada for

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Speaker 1: that initiatives for that. Jada had Jigga first. That's what

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Speaker 1: it was. I think you played me, Jada. I think

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Speaker 1: that's what it was. And you know most of my records, damn,

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Speaker 1: most of my records, when they come out, they're not

347
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Speaker 1: who they were for, right, Like bringing him out was

348
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Speaker 1: when Beanie Ce who got out of jail. Oh right,

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Speaker 1: make sense, you know what I'm saying. Sense? But touch

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Speaker 1: it was for Eve I know. I heard Buster told

351
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Speaker 1: me that story. He doesn't touch it was for Eve

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Speaker 1: Dn Max didn't like stop dry, you know what I'm saying. Like, so,

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Speaker 1: you know, none of my records really went to the

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Speaker 1: people that But do you know the impact of that,

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Speaker 1: what it did to the city. Yeah, because that was

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Speaker 1: like that was it. It was like Swiss is it

357
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Speaker 1: if you ain't got a Swiss beat? Like for real?

358
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Speaker 1: Like it was like at that moment, and I trust me,

359
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Speaker 1: I want to claim it because I worked through them

360
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Speaker 1: earlier time. You know what I'm saying, I want to

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Speaker 1: come but I remember that record was just saying like

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Speaker 1: Nori discovered me in the Neptune, not just playing around

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Speaker 1: we under state right, thank you Swiss say that like

364
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Speaker 1: I was, I was producing other people, but Nor was

365
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Speaker 1: spreading the word about who I was in a way

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Speaker 1: I never I never, I've never seen an artist at

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Speaker 1: his level doing that for me. He was the first

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Speaker 1: artist that people came back like, yo, Nor, he said,

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Speaker 1: we should be in the studio with you know who

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Speaker 1: we're doing. I'm like, he was like, let me just

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Speaker 1: tell you something about that now, let me let me

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Speaker 1: just go back to bagging him because he was like

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Speaker 1: eighteen seventeen. Because I'm thirty nine seventeen, I'm thirty eight, okay,

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Speaker 1: so yeah, so I don't even know that close. Yeah, yeah,

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Speaker 1: I'm thirty nine yea. I looked and it was like,

376
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Speaker 1: you know, you know, but everybody thought I was older anyway.

377
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Speaker 1: So this Nika paid me nothing. Now we're gonna get

378
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Speaker 1: in the band from TV for nothing but fire like

379
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Speaker 1: and I'm talking about that's you know, I'm I'm gonna

380
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Speaker 1: get into a story. It's gonna sound crazy, but I

381
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Speaker 1: developed what what? Because think about NA style at that time.

382
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Speaker 1: He was cool. Think about Prodigy style at the time.

383
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Speaker 1: He was cool, Havoc Stile cool, cap Home, my own partner.

384
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Speaker 1: They were cool. And I was like, I'm not really cool,

385
00:25:04,040 --> 00:25:06,400
Speaker 1: Like I mean, I'm cool, but I'm not like I'm

386
00:25:06,480 --> 00:25:10,000
Speaker 1: like a hyper guy. Makes sense, I'm developed what what?

387
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Speaker 1: So I needed somebody to compliment that with the energy,

388
00:25:14,160 --> 00:25:18,040
Speaker 1: So I went there. We don't know. Bad from TV

389
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Speaker 1: was original record. It was supposed to be me and Nature,

390
00:25:20,760 --> 00:25:24,399
Speaker 1: remember and Nature? I mean I had later verse and

391
00:25:24,520 --> 00:25:27,119
Speaker 1: Nature couldn't get with the with the he had like

392
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Speaker 1: wrote to some other song and he couldn't write the verse.

393
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Speaker 1: So is he on it? No? No, No, he's what

394
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Speaker 1: I'm saying. This is the It wasn't Bad from TV?

395
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Speaker 1: Was someone? Then? Yeah, this is unless you're lady. This

396
00:25:42,680 --> 00:25:46,159
Speaker 1: is all you and then like the last hour, I

397
00:25:46,280 --> 00:25:48,320
Speaker 1: was like, yo, Nate, I can't just stay here. He

398
00:25:48,440 --> 00:25:51,280
Speaker 1: was like, let me try another beat and he was

399
00:25:51,359 --> 00:25:54,639
Speaker 1: doing band from TV. And from that moment on, I

400
00:25:54,760 --> 00:25:58,040
Speaker 1: never seen a person writ over so fast. Nature wrote

401
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Speaker 1: that ship, didn't he droped him off? That ship was

402
00:26:02,680 --> 00:26:06,359
Speaker 1: electric Like I'm like, and I hunt you murder. I

403
00:26:06,520 --> 00:26:09,120
Speaker 1: was mad at all of them because they didn't even

404
00:26:09,280 --> 00:26:14,760
Speaker 1: let the beat play. It was they to the introd like,

405
00:26:15,400 --> 00:26:20,080
Speaker 1: what the bad TV? The beach I heard from Bad

406
00:26:20,160 --> 00:26:27,399
Speaker 1: from TV is just the intro. I'm not gonna let

407
00:26:27,440 --> 00:26:30,359
Speaker 1: the beat play like this is it right? I just

408
00:26:30,440 --> 00:26:33,240
Speaker 1: got looped and then the intro got loop that's bad

409
00:26:33,320 --> 00:26:35,960
Speaker 1: from TV. It was a beat that came after that.

410
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Speaker 1: Why you understand? Like I never understand. I hurt my heart.

411
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Speaker 1: Let me tell you how I remember it? Right. That's

412
00:26:45,680 --> 00:26:49,399
Speaker 1: funny because I figured let me finish. I had already

413
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Speaker 1: labor the verse for Nature on a different Swiss beat,

414
00:26:52,400 --> 00:26:54,840
Speaker 1: so I had called Pun just to hang out, like

415
00:26:54,920 --> 00:26:57,119
Speaker 1: he'll come hang out because I never asked to get

416
00:26:57,160 --> 00:26:59,399
Speaker 1: it on prorectly, by the way, but we'll get to that, right,

417
00:27:00,359 --> 00:27:02,560
Speaker 1: So I just called him just to hang out. What's up.

418
00:27:02,640 --> 00:27:05,320
Speaker 1: I an't know, so I called him just to hang out.

419
00:27:05,359 --> 00:27:08,679
Speaker 1: So when Nature came around to the beat, we Swiss

420
00:27:08,760 --> 00:27:12,320
Speaker 1: wish it later wrote to it real fast punished in

421
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Speaker 1: the coup the lounge, She's like, I'm going to use

422
00:27:14,920 --> 00:27:17,280
Speaker 1: your bath the lounge and on the couch with an

423
00:27:17,280 --> 00:27:22,760
Speaker 1: oozing next. Yeah, there's that ned beginning. That's why they

424
00:27:22,840 --> 00:27:25,840
Speaker 1: too lazy first. So this Nature for his lads Verse

425
00:27:26,000 --> 00:27:32,560
Speaker 1: pun winning and snuck in and not the spartest guy

426
00:27:32,640 --> 00:27:34,680
Speaker 1: in the world. He just kept looking at me when

427
00:27:34,720 --> 00:27:41,840
Speaker 1: the race that I'm like, I'm not called that's some

428
00:27:41,880 --> 00:27:45,400
Speaker 1: pieces of punny body that thing and who's next? Pun

429
00:27:45,600 --> 00:27:50,080
Speaker 1: Cam Cam didn't call that? Style? No cam did come

430
00:27:50,200 --> 00:27:56,240
Speaker 1: that night. I got Ja Styles, Jayda Style. Yeah, he

431
00:27:56,359 --> 00:27:59,000
Speaker 1: came then and I got The only people I didn't

432
00:27:59,040 --> 00:28:03,200
Speaker 1: get was a Um, Jada and Style. I play that

433
00:28:03,280 --> 00:28:07,040
Speaker 1: song again. That that that that was so do you

434
00:28:07,080 --> 00:28:09,760
Speaker 1: remember what that record did to the tunnel? It was

435
00:28:09,920 --> 00:28:12,159
Speaker 1: it was dangerous, like you know, you know I had

436
00:28:12,200 --> 00:28:15,159
Speaker 1: a raising in the mouth game order protection from you

437
00:28:15,280 --> 00:28:18,200
Speaker 1: from the tunnel because of the band from TV. Seriously,

438
00:28:18,320 --> 00:28:22,680
Speaker 1: now he was protection. You got order of protection. The

439
00:28:22,800 --> 00:28:25,640
Speaker 1: tunnel took an order of protection. No, you don't understand.

440
00:28:25,960 --> 00:28:29,040
Speaker 1: That's how crazy it was. Blown that raising game was

441
00:28:29,760 --> 00:28:33,080
Speaker 1: man from TV hit I was, I was. I was

442
00:28:33,160 --> 00:28:35,119
Speaker 1: with the Bronx at that time. And then and it

443
00:28:35,280 --> 00:28:40,560
Speaker 1: was dancing. You know, it was dancing and listen pun

444
00:28:41,440 --> 00:28:54,240
Speaker 1: me and whoa, whoa, that's fun. Like now, what was

445
00:28:54,280 --> 00:28:58,360
Speaker 1: the closest memories of pluning just being on that couch

446
00:28:58,440 --> 00:29:04,680
Speaker 1: and Sony Studio was an actual Lady Electric Lady Mine's

447
00:29:05,000 --> 00:29:08,240
Speaker 1: last one was it was in Sony Studios in the

448
00:29:08,280 --> 00:29:11,320
Speaker 1: East studio where it was because I remember he was

449
00:29:11,360 --> 00:29:15,320
Speaker 1: the only person I would let use it because it

450
00:29:15,400 --> 00:29:17,920
Speaker 1: was easy to get to. You own Sony studio at

451
00:29:17,960 --> 00:29:20,640
Speaker 1: one time. That was that they built me a room

452
00:29:20,840 --> 00:29:25,520
Speaker 1: like you know they it was good. You had the

453
00:29:25,600 --> 00:29:29,080
Speaker 1: room under the ground. That was room. That was the room.

454
00:29:29,960 --> 00:29:32,840
Speaker 1: That was That was the jake good. That was Swiss kidnap.

455
00:29:32,960 --> 00:29:35,800
Speaker 1: You won't do it. When you came down stairs, I

456
00:29:36,760 --> 00:29:40,240
Speaker 1: cast stairs. I put the voodoo on you. You walk in.

457
00:29:43,160 --> 00:29:47,000
Speaker 1: Stephen said, you had the dest on you coming that

458
00:29:47,080 --> 00:29:48,920
Speaker 1: the room. I was telling you the track. So I

459
00:29:49,040 --> 00:29:51,760
Speaker 1: was charging you crazy money and you get happy with

460
00:29:51,800 --> 00:29:56,240
Speaker 1: a crazy head. That was Attraction three. That wasn't the track.

461
00:30:00,240 --> 00:30:01,880
Speaker 1: I just want to tell you, man, I'm just so

462
00:30:02,080 --> 00:30:04,320
Speaker 1: proud of you. I've seen you from the beginning. I

463
00:30:04,400 --> 00:30:06,360
Speaker 1: see now. This is a question I wanted to ask

464
00:30:06,440 --> 00:30:09,160
Speaker 1: you because, like you said, your uncle's was these guys,

465
00:30:09,240 --> 00:30:12,240
Speaker 1: it's in the streets, they started this music business. How

466
00:30:12,400 --> 00:30:14,800
Speaker 1: was your first approach coming to them and saying, you

467
00:30:14,880 --> 00:30:18,200
Speaker 1: know what I want to I'm gonna produce. So well

468
00:30:18,240 --> 00:30:19,720
Speaker 1: it did. I didn't come to them. They came to

469
00:30:19,800 --> 00:30:22,719
Speaker 1: me because they was doing something they wanted. They were

470
00:30:22,760 --> 00:30:24,880
Speaker 1: doing something positive and they knew I was doing music,

471
00:30:24,960 --> 00:30:27,840
Speaker 1: and it was like, yo. My aunt was like, your

472
00:30:27,920 --> 00:30:32,360
Speaker 1: uncles are starting this positive movement called rough Riders, and

473
00:30:33,040 --> 00:30:34,920
Speaker 1: you should come up for the summer and and be

474
00:30:35,040 --> 00:30:37,400
Speaker 1: a part of it. And I went up that summer

475
00:30:37,440 --> 00:30:39,920
Speaker 1: and never went back to act and I went back

476
00:30:39,960 --> 00:30:42,960
Speaker 1: to Atlanta. From that point before it was a record

477
00:30:43,080 --> 00:30:45,400
Speaker 1: like music movement. This is now. This this is when

478
00:30:45,440 --> 00:30:48,760
Speaker 1: it was becoming a label. And my aunt Chavan was like, yo,

479
00:30:48,880 --> 00:30:50,440
Speaker 1: you know you're the only one in the family taking

480
00:30:50,560 --> 00:30:54,440
Speaker 1: music serious. You should come up for the summer and

481
00:30:54,760 --> 00:30:56,280
Speaker 1: see what it is about. I went up for that

482
00:30:56,440 --> 00:31:00,080
Speaker 1: summer that as a rose over. I'm still I'm to

483
00:31:00,280 --> 00:31:03,320
Speaker 1: I'm still I'm still moving off that plane ticket from

484
00:31:03,360 --> 00:31:06,120
Speaker 1: New York from to New York right now, you know

485
00:31:06,160 --> 00:31:08,479
Speaker 1: what I'm saying. Like, you know, like at the end

486
00:31:08,480 --> 00:31:12,840
Speaker 1: of the day, we all got opportunities, we all got chances,

487
00:31:13,960 --> 00:31:16,720
Speaker 1: we all got chances, we all got opportunities. It's what

488
00:31:16,880 --> 00:31:19,880
Speaker 1: we do with it. You understand, like we could take

489
00:31:19,960 --> 00:31:24,160
Speaker 1: opportunities for granted, or we can understand that it's a

490
00:31:24,320 --> 00:31:30,160
Speaker 1: once in a lifetime chance to be great. Are you

491
00:31:30,280 --> 00:31:33,000
Speaker 1: willing to take that chance? Are you willing to go

492
00:31:33,160 --> 00:31:35,680
Speaker 1: that far? I was sleeping on floors. I have bruises

493
00:31:35,760 --> 00:31:39,040
Speaker 1: on my face, my shoulders, my elbows because I was

494
00:31:39,160 --> 00:31:41,200
Speaker 1: down hungry to get to where I'm at today. And

495
00:31:41,320 --> 00:31:44,360
Speaker 1: I still work like I have nothing today. You know,

496
00:31:44,440 --> 00:31:47,000
Speaker 1: it's still like I've been at meetings since nine am,

497
00:31:47,040 --> 00:31:48,600
Speaker 1: which is the reason why I got my shades on

498
00:31:49,120 --> 00:31:51,760
Speaker 1: and another business. I'm in Harvard Business School right now,

499
00:31:52,640 --> 00:31:56,720
Speaker 1: accelerating my craft and accelrating, you know, my mental capacity

500
00:31:56,800 --> 00:31:59,480
Speaker 1: because you know this, this all came to me early.

501
00:32:00,240 --> 00:32:02,480
Speaker 1: You know, I didn't know what I was doing back then.

502
00:32:03,120 --> 00:32:05,560
Speaker 1: So I'm like, I'm just starting now because i know

503
00:32:05,680 --> 00:32:09,520
Speaker 1: what I'm doing now, So I gave y'all three and

504
00:32:09,560 --> 00:32:13,840
Speaker 1: fifty million records. So we're for not knowing what I'm doing,

505
00:32:14,800 --> 00:32:16,680
Speaker 1: what you imagine when I'm ready to do right now?

506
00:32:17,760 --> 00:32:19,680
Speaker 1: And I tell people like sky is not the limits

507
00:32:19,760 --> 00:32:21,520
Speaker 1: of just a view, and you know, the thing is

508
00:32:21,600 --> 00:32:25,320
Speaker 1: like the hood. We always want excuses of like why

509
00:32:25,360 --> 00:32:28,200
Speaker 1: are we not in position? They got me like this,

510
00:32:29,040 --> 00:32:31,800
Speaker 1: they got me like that, and they want me like this.

511
00:32:32,080 --> 00:32:36,160
Speaker 1: Don't like man, figure it out. That same person complaining

512
00:32:36,160 --> 00:32:38,920
Speaker 1: about something didn't look for a job that day, didn't

513
00:32:38,960 --> 00:32:41,040
Speaker 1: pick up a book that day, didn't look for no

514
00:32:41,200 --> 00:32:43,560
Speaker 1: inspiration that day. They want to sit on that stew

515
00:32:43,800 --> 00:32:46,080
Speaker 1: like the pot of goal on falling their lap. And

516
00:32:46,200 --> 00:32:48,320
Speaker 1: I'm not messing with none of those type of people.

517
00:32:48,600 --> 00:32:52,080
Speaker 1: Anybody that's around me. They better have vision, they better

518
00:32:52,160 --> 00:32:54,440
Speaker 1: have a goal. And it's not just to lean on

519
00:32:54,560 --> 00:32:56,600
Speaker 1: me because I'm not. I'm not. We're not doing I'm

520
00:32:56,600 --> 00:32:59,600
Speaker 1: a grown ass man. You're grown man, You're healthy, Get

521
00:32:59,640 --> 00:33:06,480
Speaker 1: out there and feed your family on your own. I

522
00:33:06,640 --> 00:33:10,760
Speaker 1: also see you a Cassidy, y'all, y'all back together. That

523
00:33:11,000 --> 00:33:16,000
Speaker 1: is dope that well, you know, I put Cassidy on

524
00:33:16,160 --> 00:33:18,960
Speaker 1: punishment for a little bit because you know, I come

525
00:33:19,040 --> 00:33:22,400
Speaker 1: from a place where this protocol and you know, there's

526
00:33:22,440 --> 00:33:28,000
Speaker 1: consequences and there's different things that you know, uh, you

527
00:33:28,320 --> 00:33:31,080
Speaker 1: can fly and can't fly. You know, I don't act

528
00:33:31,160 --> 00:33:33,920
Speaker 1: tough in this music thing. I never came off as

529
00:33:33,960 --> 00:33:37,480
Speaker 1: a threat, um, but but we could be a serious problem.

530
00:33:38,120 --> 00:33:40,480
Speaker 1: You understand. I'm in here with you. I'm in here

531
00:33:40,520 --> 00:33:48,400
Speaker 1: with my Bocardi family. Likely you know what I'm saying. Like,

532
00:33:48,400 --> 00:33:50,080
Speaker 1: I'm not in here with a bunch of goons, a

533
00:33:50,120 --> 00:33:52,680
Speaker 1: bunch of nothing. Like. I'm comfortable on my skin, and

534
00:33:52,760 --> 00:33:55,680
Speaker 1: I come with great energy. I come with positive intentions.

535
00:33:55,960 --> 00:33:58,080
Speaker 1: I don't come in here to fund on nobody's stunning

536
00:33:58,080 --> 00:34:01,200
Speaker 1: on nobody. I'm gonna here dressed just like everybody in here,

537
00:34:01,520 --> 00:34:04,720
Speaker 1: because like you know what we all hat, we respect

538
00:34:04,840 --> 00:34:08,520
Speaker 1: that thing. I caught the Haitian hat right little, right now,

539
00:34:08,800 --> 00:34:12,399
Speaker 1: a little, I say, you know what I'm saying, shout

540
00:34:12,400 --> 00:34:14,320
Speaker 1: out to my Haitian crowd. Went out there to Haiti.

541
00:34:14,880 --> 00:34:17,120
Speaker 1: You know, I did a great initiative there. I did

542
00:34:17,200 --> 00:34:20,560
Speaker 1: the biggest event there for free for the people. Three

543
00:34:20,640 --> 00:34:23,359
Speaker 1: hundred thousand people showed up, and I noticed didn't make

544
00:34:23,400 --> 00:34:27,160
Speaker 1: the news, but there wasn't one stabbing, one shooting, one fight,

545
00:34:27,360 --> 00:34:30,160
Speaker 1: all up and I just hate that that didn't make

546
00:34:30,200 --> 00:34:42,359
Speaker 1: the news. One person was a drink chance. Yeah about say, yeah,

547
00:34:46,040 --> 00:34:49,839
Speaker 1: I'm not gonna lie straight. It's good man, a cold

548
00:34:50,000 --> 00:34:53,120
Speaker 1: shot guy. Okay, let's get some ship. Okay, let's get

549
00:34:53,160 --> 00:34:59,440
Speaker 1: somebod it's on his business day. That is good. Hit

550
00:34:59,480 --> 00:35:02,279
Speaker 1: me later, you know. But like for me, one thing

551
00:35:02,280 --> 00:35:06,280
Speaker 1: about Baccarti is like, you know, running all three hundred

552
00:35:06,280 --> 00:35:09,600
Speaker 1: brands in the company as the global creative director, I'm

553
00:35:09,640 --> 00:35:12,640
Speaker 1: not paying nobody to hold up no bottles. I don't

554
00:35:12,680 --> 00:35:16,080
Speaker 1: even like that fire culture. You know, no disrespect to

555
00:35:16,160 --> 00:35:17,880
Speaker 1: no other brand. Everybody got to do it how they

556
00:35:18,000 --> 00:35:20,080
Speaker 1: do it. But one thing that we're doing at Baccarti

557
00:35:20,200 --> 00:35:25,080
Speaker 1: is we're investing directly into the people, buy the artists,

558
00:35:25,120 --> 00:35:27,600
Speaker 1: for the artists, with the people. You know. The fact

559
00:35:27,680 --> 00:35:30,120
Speaker 1: that we can say in three shows we gave back

560
00:35:30,200 --> 00:35:36,280
Speaker 1: three million dollars. That's like, that's for real papers difference,

561
00:35:36,480 --> 00:35:40,520
Speaker 1: Like let's make a difference paper, the fact that we're interacting.

562
00:35:40,600 --> 00:35:50,800
Speaker 1: And but like you know, this is an educational platform

563
00:35:51,200 --> 00:35:56,600
Speaker 1: as well, and I never thought that, excuse me, the

564
00:35:56,680 --> 00:36:00,600
Speaker 1: creatives and a brand can mixed together. Because they're two

565
00:36:00,680 --> 00:36:03,880
Speaker 1: selfish things. The artists want to be selfish on that

566
00:36:04,040 --> 00:36:06,760
Speaker 1: side and the brand want to be selfish on that side.

567
00:36:07,239 --> 00:36:09,759
Speaker 1: But the thing that we created with my partnership with

568
00:36:09,840 --> 00:36:15,680
Speaker 1: Riccardia is equal agenda of just doing great things and

569
00:36:15,760 --> 00:36:19,279
Speaker 1: this artists bass so like like this, like I mean

570
00:36:19,360 --> 00:36:21,760
Speaker 1: like paintings, like the things like that, and No Commission

571
00:36:21,880 --> 00:36:25,600
Speaker 1: is global. You know we just last year London, Yeah, yeah,

572
00:36:25,640 --> 00:36:29,399
Speaker 1: we got Berlin this year due by you know, we're

573
00:36:29,400 --> 00:36:32,400
Speaker 1: going to l A. You know, we're coming back to Miami.

574
00:36:33,120 --> 00:36:35,400
Speaker 1: You know, we're looking at Shanghai. You know this this

575
00:36:35,560 --> 00:36:38,560
Speaker 1: is this is a global tribute to let me ask

576
00:36:38,640 --> 00:36:41,839
Speaker 1: you something, right, if I want to buy art there

577
00:36:41,920 --> 00:36:44,880
Speaker 1: we go, how do how do I go about buying art?

578
00:36:45,080 --> 00:36:47,719
Speaker 1: Call that your brother? Like but I'm just saying to

579
00:36:47,800 --> 00:36:50,160
Speaker 1: like the people, not not me per se, but but

580
00:36:50,320 --> 00:36:53,040
Speaker 1: me per se. But not now, but like like like

581
00:36:53,160 --> 00:36:56,440
Speaker 1: let's bo dude wants to invest into some art. What

582
00:36:56,840 --> 00:36:59,759
Speaker 1: what should he look for? What he's doing first? And

583
00:37:00,000 --> 00:37:02,520
Speaker 1: almost you know a lot of people think that art

584
00:37:02,600 --> 00:37:06,360
Speaker 1: is just for rich people. And that's why No Commissions

585
00:37:06,400 --> 00:37:09,279
Speaker 1: is great because we created the entry point. You know,

586
00:37:09,400 --> 00:37:11,400
Speaker 1: there was people that I was able to come to

587
00:37:11,480 --> 00:37:14,080
Speaker 1: no commissions and get things for a couple of hundred

588
00:37:14,120 --> 00:37:17,880
Speaker 1: dollars a couple of thousands, or a couple of hundred thousands.

589
00:37:18,280 --> 00:37:21,439
Speaker 1: You understanding, so that you know, we created the entry point,

590
00:37:21,520 --> 00:37:25,360
Speaker 1: so you know the miscommunication with artists. How am I

591
00:37:25,560 --> 00:37:27,120
Speaker 1: part of that? If I go in the gallery and

592
00:37:27,160 --> 00:37:31,160
Speaker 1: everything is twenty thousand, but I got four thousand. So

593
00:37:31,680 --> 00:37:33,960
Speaker 1: being that I don't got that twenty thousand, you don't

594
00:37:34,000 --> 00:37:35,640
Speaker 1: want to talk to me. I can't be a part

595
00:37:35,719 --> 00:37:39,280
Speaker 1: of this. I don't like that story. So we created

596
00:37:39,320 --> 00:37:41,560
Speaker 1: a new story to where you could be living with

597
00:37:41,640 --> 00:37:44,759
Speaker 1: your mother and participating no commissions. You can be on

598
00:37:44,880 --> 00:37:46,600
Speaker 1: your way up and just trying to figure it out

599
00:37:46,680 --> 00:37:49,480
Speaker 1: and participate. You can be the biggest of the biggest

600
00:37:49,520 --> 00:37:52,879
Speaker 1: and participate. And the key thing is the entry point

601
00:37:53,200 --> 00:37:56,960
Speaker 1: for the millennials because art is something that saved people lives.

602
00:37:57,600 --> 00:38:00,800
Speaker 1: Art is a different type of communication. You understand, Like

603
00:38:00,880 --> 00:38:04,040
Speaker 1: everybody can't communicate on an academic level, but you might

604
00:38:04,120 --> 00:38:07,600
Speaker 1: have that person right there that can paint something so amazing,

605
00:38:07,680 --> 00:38:11,880
Speaker 1: that can be a videographer, a photographer, you know, and

606
00:38:12,040 --> 00:38:14,880
Speaker 1: just create. Some of them bring something extra to the

607
00:38:14,960 --> 00:38:18,720
Speaker 1: world and that's the platform that I built that made

608
00:38:19,640 --> 00:38:22,160
Speaker 1: me very dangerous to the art business and the galleries

609
00:38:22,200 --> 00:38:25,399
Speaker 1: and different things like that. Because I created the entry point,

610
00:38:25,840 --> 00:38:28,600
Speaker 1: I took away the stigmatism of So you're saying, because

611
00:38:28,640 --> 00:38:31,400
Speaker 1: I remember Kanye because sort of saying like, but he

612
00:38:31,480 --> 00:38:34,400
Speaker 1: was trying to um, you know, migrate from being like

613
00:38:34,520 --> 00:38:38,040
Speaker 1: just the artist to like to this colden field. Like

614
00:38:38,160 --> 00:38:40,200
Speaker 1: he felt like he wasn't being respected. You're saying, that's

615
00:38:40,200 --> 00:38:42,720
Speaker 1: the opposite with you when you go into the art field,

616
00:38:42,760 --> 00:38:47,600
Speaker 1: because you're just basically given. You know, when you look

617
00:38:47,640 --> 00:38:50,879
Speaker 1: at art and artists. We come from a industry called

618
00:38:50,960 --> 00:38:55,640
Speaker 1: music art, which is art, and we just bring it

619
00:38:55,680 --> 00:38:58,839
Speaker 1: down to the basic levels. When everybody deal with us,

620
00:38:59,719 --> 00:39:02,240
Speaker 1: no out of how good the deal seems, there's always

621
00:39:02,280 --> 00:39:07,680
Speaker 1: somebody hand in our pockets. Left right backside, there's a

622
00:39:07,760 --> 00:39:10,080
Speaker 1: hand in our pockets. So we might feel that we

623
00:39:10,200 --> 00:39:13,959
Speaker 1: have the freedom. You know, in Harvard, the professor said,

624
00:39:15,320 --> 00:39:18,640
Speaker 1: the illness I was like, I couldn't believe that the

625
00:39:18,719 --> 00:39:21,720
Speaker 1: way would being down the way that are the industry

626
00:39:21,840 --> 00:39:25,560
Speaker 1: is being dealt with. They was actually taught to do that,

627
00:39:27,880 --> 00:39:31,560
Speaker 1: the professor said, if you want them to work harder,

628
00:39:31,920 --> 00:39:35,120
Speaker 1: make them feel like they owned something. I was like, hmmm.

629
00:39:36,080 --> 00:39:40,759
Speaker 1: He said, example, you know you have two dollars, give

630
00:39:40,840 --> 00:39:44,120
Speaker 1: him one dollar. But you know you've got two dollars

631
00:39:44,160 --> 00:39:47,359
Speaker 1: in your budget. Give him one dollar first, he only

632
00:39:47,480 --> 00:39:51,640
Speaker 1: one dollar. Do your job. Let him work for a week.

633
00:39:52,200 --> 00:39:55,760
Speaker 1: After that week, you walk up to him. He's walking

634
00:39:55,800 --> 00:39:57,719
Speaker 1: in the yard or wherever he's walking. You walk up

635
00:39:57,760 --> 00:40:02,480
Speaker 1: and say, man, and do on a great job. He

636
00:40:02,640 --> 00:40:06,240
Speaker 1: goes another dollar what he already owned. I was supposed

637
00:40:06,280 --> 00:40:08,240
Speaker 1: to be giving down the second dollar was in the budget.

638
00:40:08,440 --> 00:40:11,160
Speaker 1: But what are you going to do after the boss

639
00:40:11,320 --> 00:40:14,080
Speaker 1: tell you you was on your a game? Hey, going

640
00:40:14,080 --> 00:40:18,359
Speaker 1: another dollar? What's harder? You're gonna be like, Oh, I'm

641
00:40:18,400 --> 00:40:20,960
Speaker 1: on my grind, I'm on my I'm ready to go.

642
00:40:21,480 --> 00:40:24,080
Speaker 1: The boss came up to me, he told me, I

643
00:40:24,160 --> 00:40:27,240
Speaker 1: M might running this company, So you're gonna go harder

644
00:40:28,760 --> 00:40:32,000
Speaker 1: just because the way that was done. And I was like, damn,

645
00:40:32,640 --> 00:40:36,480
Speaker 1: that sounds like the label deal. Give them a label,

646
00:40:37,200 --> 00:40:40,320
Speaker 1: bringing the artists cheaper, make them feel like they own something,

647
00:40:41,000 --> 00:40:43,440
Speaker 1: because if you own something, you're gonna say, I got

648
00:40:43,520 --> 00:40:46,000
Speaker 1: this artist here, but he can't charge me too much

649
00:40:46,280 --> 00:40:49,120
Speaker 1: because I'm a partner in this and this is my label.

650
00:40:49,160 --> 00:40:51,480
Speaker 1: But are you a partner? Do you have veto rights?

651
00:40:51,680 --> 00:40:54,080
Speaker 1: Are you on the board meetings? Are you really a

652
00:40:54,160 --> 00:40:56,880
Speaker 1: part of this industry? No? The funk out of here?

653
00:40:57,120 --> 00:41:02,000
Speaker 1: Those are faith? Those are those are facts? Smoking mirrors? Nick,

654
00:41:02,080 --> 00:41:03,719
Speaker 1: tell me a person that had a label did have

655
00:41:03,840 --> 00:41:10,479
Speaker 1: been to a major label board meeting? Nothing a board meeting.

656
00:41:10,560 --> 00:41:14,080
Speaker 1: Then we're talking about ownership. When you're talking about that,

657
00:41:14,280 --> 00:41:18,200
Speaker 1: are you saying like the rocket Fellers that those type

658
00:41:18,239 --> 00:41:21,560
Speaker 1: of the talking about everybody imprint deals. I'm talking about everybody.

659
00:41:21,560 --> 00:41:24,000
Speaker 1: I'm talking about. You know, if you were a universal

660
00:41:24,120 --> 00:41:25,680
Speaker 1: all you had the board meeting out of a VINDI

661
00:41:27,120 --> 00:41:32,080
Speaker 1: with the distributors, the board meetings today, the board meeting

662
00:41:32,160 --> 00:41:34,719
Speaker 1: and people that that's who' agree with this, say, I

663
00:41:35,840 --> 00:41:37,879
Speaker 1: are you a part of those meetings. I'm a part

664
00:41:37,920 --> 00:41:39,600
Speaker 1: of those meetings now, so I know how they go.

665
00:41:40,840 --> 00:41:42,520
Speaker 1: But if we're not a part of those meetings and

666
00:41:42,560 --> 00:41:46,000
Speaker 1: the ownership doesn't mean anything, it's a smoking mirror. Make

667
00:41:46,040 --> 00:41:48,120
Speaker 1: them feel like they owned something in their work. Harder

668
00:41:48,960 --> 00:41:53,239
Speaker 1: you understand. I don't why why no musicians have their

669
00:41:53,239 --> 00:41:56,560
Speaker 1: own yachts or they own seven fifty sevens. And then

670
00:41:56,600 --> 00:41:59,239
Speaker 1: you look at other industries of people that's doing five

671
00:41:59,640 --> 00:42:01,960
Speaker 1: of the work that they're doing, because this business is

672
00:42:02,000 --> 00:42:04,880
Speaker 1: not set up for artists to win. So you have

673
00:42:05,040 --> 00:42:07,440
Speaker 1: to understand when it's your time to get off the

674
00:42:07,520 --> 00:42:10,279
Speaker 1: titty and go live your own dream. Like we want

675
00:42:10,280 --> 00:42:13,080
Speaker 1: to be pacified and want to be rewarded at the

676
00:42:13,160 --> 00:42:16,799
Speaker 1: same time, it doesn't work like that. I retired from

677
00:42:16,920 --> 00:42:19,920
Speaker 1: music when I made Onto the Next One. I wrote

678
00:42:19,960 --> 00:42:22,960
Speaker 1: that song as my retirement song, which was my last Grammy,

679
00:42:23,239 --> 00:42:31,760
Speaker 1: because I was mentally onto the next platform were the easier,

680
00:42:33,440 --> 00:42:36,880
Speaker 1: goddamn it continue? And I just think that we got

681
00:42:36,960 --> 00:42:40,120
Speaker 1: to be mentally ready to make any step that we

682
00:42:40,280 --> 00:42:43,799
Speaker 1: feel as life changing to ourselves without I don't care

683
00:42:43,840 --> 00:42:48,719
Speaker 1: about the fair I don't care about the politics because like, look, man,

684
00:42:49,080 --> 00:42:51,320
Speaker 1: life was full of politics. Look who our president is.

685
00:42:51,680 --> 00:42:54,479
Speaker 1: Look what we're dealing with right now. But the truth

686
00:42:54,520 --> 00:42:57,000
Speaker 1: of the matter is left. Actually we had to deal

687
00:42:57,080 --> 00:43:01,280
Speaker 1: with someone with every president since Reagan, like since Reaganamics

688
00:43:01,360 --> 00:43:05,600
Speaker 1: like this ain't nothing new. This ain't nothing but the

689
00:43:05,680 --> 00:43:09,160
Speaker 1: recycling of of the system. But how you treat your

690
00:43:09,200 --> 00:43:14,360
Speaker 1: own system mentally and spiritually is on you. We prepare

691
00:43:14,440 --> 00:43:17,600
Speaker 1: for any war, That's why we still around even talk

692
00:43:17,640 --> 00:43:19,880
Speaker 1: about this ship we've been was supposed to be going.

693
00:43:19,960 --> 00:43:24,040
Speaker 1: Everybody in this room, I understand you think. You think

694
00:43:24,080 --> 00:43:26,359
Speaker 1: the digital age the level of the playing field as

695
00:43:26,400 --> 00:43:30,320
Speaker 1: far as you're talking about that just didn't general just artists,

696
00:43:31,640 --> 00:43:36,560
Speaker 1: the labels and just straight to to consumer. Well, Um,

697
00:43:37,800 --> 00:43:40,640
Speaker 1: the reason why I like the digital aspect of of

698
00:43:40,920 --> 00:43:44,719
Speaker 1: of where we at today is because it gives the

699
00:43:44,800 --> 00:43:51,680
Speaker 1: independent life life and before we was trapped into one

700
00:43:51,760 --> 00:43:55,160
Speaker 1: way or nothing. You know, now if you really got

701
00:43:55,239 --> 00:43:57,560
Speaker 1: your hustle on, like my brother and you guys here,

702
00:43:58,640 --> 00:44:01,480
Speaker 1: you can go viral and start something. I can imagine

703
00:44:01,480 --> 00:44:04,920
Speaker 1: if this forum that we're on right now didn't exist.

704
00:44:05,480 --> 00:44:07,880
Speaker 1: Let me kind of stop you for one second because

705
00:44:08,440 --> 00:44:12,280
Speaker 1: I understand exactly where you're going. But if you're older artists,

706
00:44:12,320 --> 00:44:17,160
Speaker 1: I'm with, just music does the streaming level to playing field?

707
00:44:17,160 --> 00:44:19,720
Speaker 1: Because just think about it, Like, when you're a new artist,

708
00:44:20,000 --> 00:44:22,440
Speaker 1: you can you can you can drop a record and

709
00:44:22,560 --> 00:44:25,239
Speaker 1: not pay for radio, not pay for nothing. And the

710
00:44:25,360 --> 00:44:27,600
Speaker 1: new artist buzz is going to get people to play

711
00:44:27,680 --> 00:44:29,880
Speaker 1: a record because they don't want to be late on

712
00:44:30,040 --> 00:44:32,760
Speaker 1: the new ship. But when your artists have been around

713
00:44:32,800 --> 00:44:37,279
Speaker 1: for fifteen twenty years and you drop something, you might

714
00:44:37,360 --> 00:44:39,840
Speaker 1: not get the same you know what I'm saying. So

715
00:44:40,040 --> 00:44:42,600
Speaker 1: does streaming, like on the radio, what I'm saying, to

716
00:44:42,719 --> 00:44:46,920
Speaker 1: the streaming level the playing field or does it flatline it?

717
00:44:47,080 --> 00:44:51,279
Speaker 1: You know that depends on the artists straight up. You

718
00:44:51,400 --> 00:44:55,600
Speaker 1: understand a lot of artists and not real with themselves.

719
00:44:56,640 --> 00:45:01,320
Speaker 1: You understand they're gonna put something out that's just not

720
00:45:01,520 --> 00:45:03,880
Speaker 1: that time to put what they're putting out. So the

721
00:45:04,000 --> 00:45:06,880
Speaker 1: results that they're getting out is what it is. I

722
00:45:06,960 --> 00:45:09,200
Speaker 1: don't care who you are, where are you from. You

723
00:45:09,320 --> 00:45:12,880
Speaker 1: got a hot show that's popping. It's on right decisions.

724
00:45:13,560 --> 00:45:16,799
Speaker 1: If you artists, no matter who you are, if you've

725
00:45:16,800 --> 00:45:19,600
Speaker 1: got that record and you've got that right direction, you

726
00:45:19,680 --> 00:45:23,160
Speaker 1: don't have to do no work. But his song requires

727
00:45:23,239 --> 00:45:27,640
Speaker 1: no work. It goes ordentically, and the people feel that,

728
00:45:28,160 --> 00:45:34,799
Speaker 1: and that resurgence of that spreads. But if you're disgrunted

729
00:45:36,040 --> 00:45:40,000
Speaker 1: and jealous and living in a time that we know

730
00:45:40,160 --> 00:45:42,759
Speaker 1: you're not in, and you're not gauging your views and

731
00:45:43,200 --> 00:45:45,960
Speaker 1: and your vibes are right, and you don't get the

732
00:45:46,000 --> 00:45:50,200
Speaker 1: results you want, who fault is that yours? Not the people,

733
00:45:50,560 --> 00:45:52,640
Speaker 1: because the people just want to have fun they're not

734
00:45:52,719 --> 00:45:55,279
Speaker 1: even caring who's saying what and what it could be.

735
00:45:56,560 --> 00:45:59,919
Speaker 1: Whoever rested right now as long as who saying both

736
00:46:00,000 --> 00:46:02,200
Speaker 1: could put out a song with the right dancing, the

737
00:46:02,360 --> 00:46:05,240
Speaker 1: right beat and it could go that's all. So nobody

738
00:46:05,320 --> 00:46:07,560
Speaker 1: had an ease sign of drink champion in the case

739
00:46:07,600 --> 00:46:10,920
Speaker 1: you're thinking about that, you know that. I think. I

740
00:46:11,000 --> 00:46:13,360
Speaker 1: think also the definition of a hit record is changing

741
00:46:13,840 --> 00:46:16,000
Speaker 1: because there's there's artists that you will never you might

742
00:46:16,040 --> 00:46:18,920
Speaker 1: not even know they have successful careers because they're going

743
00:46:18,920 --> 00:46:22,680
Speaker 1: to direct the consumer because right now, like right you

744
00:46:22,760 --> 00:46:28,720
Speaker 1: know you've worked with the greats eminem jay z, dmx Nory,

745
00:46:29,320 --> 00:46:33,880
Speaker 1: I can't. I can't even like Kanye Kanye, you know so,

746
00:46:35,800 --> 00:46:38,880
Speaker 1: And now a new guy comes on your beat, boys

747
00:46:39,440 --> 00:46:52,000
Speaker 1: the way that that was or that my own stuff.

748
00:46:52,480 --> 00:46:57,600
Speaker 1: But now guy, you know, somebody calls you your beat.

749
00:46:57,640 --> 00:47:04,120
Speaker 1: He like it was a bit of that aversion. But

750
00:47:04,239 --> 00:47:06,920
Speaker 1: he's killing it. But you you don't even know what

751
00:47:07,040 --> 00:47:08,600
Speaker 1: he's said. How the funk is he killing him? You

752
00:47:08,680 --> 00:47:11,520
Speaker 1: can't understand what he's killing, what this thing is out

753
00:47:11,560 --> 00:47:13,439
Speaker 1: there that's killing it. I don't understand what they're saying,

754
00:47:13,480 --> 00:47:20,520
Speaker 1: But to me, they're still killing saying I dig something

755
00:47:20,600 --> 00:47:23,239
Speaker 1: up away. I gotta tell you something. I gotta when

756
00:47:23,239 --> 00:47:28,399
Speaker 1: you hear my record those people you're talking about, watch

757
00:47:28,440 --> 00:47:33,000
Speaker 1: how I checked their passports at the dark and and

758
00:47:33,120 --> 00:47:35,640
Speaker 1: it was a breath of fresh air because I witnessed

759
00:47:35,760 --> 00:47:40,240
Speaker 1: that people are doing what they're doing because of a fad.

760
00:47:41,160 --> 00:47:45,000
Speaker 1: I'm like, you're hiding all of this talent because you

761
00:47:45,160 --> 00:47:47,839
Speaker 1: think that's what they want to hear. I couldn't when

762
00:47:47,880 --> 00:47:51,279
Speaker 1: you hear these verses clearly that you're gonna hear, I

763
00:47:51,520 --> 00:47:55,040
Speaker 1: was like, Bro, do you mean you couldn't. This is

764
00:47:55,200 --> 00:48:00,080
Speaker 1: the whole time you're going there's really talented people in

765
00:48:00,200 --> 00:48:05,239
Speaker 1: that space of what we feel that's not talent. I've

766
00:48:05,360 --> 00:48:08,120
Speaker 1: witnessed it, and you're gonna witness it too very soon.

767
00:48:08,920 --> 00:48:13,800
Speaker 1: You don't be like that's who, Yeah, that's him, and

768
00:48:13,880 --> 00:48:18,919
Speaker 1: that's who, Yeah, that's him too. Because I just wanted

769
00:48:18,960 --> 00:48:22,719
Speaker 1: to challenge people to do something different, because when they're

770
00:48:22,719 --> 00:48:26,319
Speaker 1: applying their life is great. But the challenge that I'm

771
00:48:26,880 --> 00:48:30,200
Speaker 1: I want to challenge them to apply just an atmosphere

772
00:48:30,239 --> 00:48:32,960
Speaker 1: is differently. I don't want what you have already. I

773
00:48:33,120 --> 00:48:35,640
Speaker 1: did you to do this, And when I dared them

774
00:48:35,680 --> 00:48:42,160
Speaker 1: to do that hunting points on the boards. You know

775
00:48:42,239 --> 00:48:44,600
Speaker 1: how long? You know how much time I spent in Jamaica.

776
00:48:44,680 --> 00:48:49,680
Speaker 1: I just feel like, you know how much. I just

777
00:48:49,840 --> 00:48:53,960
Speaker 1: don't need it, Like I got five kids, Bro, when

778
00:48:54,000 --> 00:48:58,640
Speaker 1: I drink that because we're celebrating you tonight, tonight, got

779
00:48:58,680 --> 00:49:00,320
Speaker 1: twenty years work. We're head come on when you do

780
00:49:00,400 --> 00:49:03,600
Speaker 1: the what the fucker? Yeah? I always we got to

781
00:49:03,640 --> 00:49:05,840
Speaker 1: deal with Tiger on what we've done because we go

782
00:49:05,960 --> 00:49:08,960
Speaker 1: to check our own joint is they do listen to

783
00:49:09,000 --> 00:49:10,800
Speaker 1: what we do. It's because you know what, I know,

784
00:49:10,840 --> 00:49:13,200
Speaker 1: I got to change McCarty. Right now, we're gonna dance

785
00:49:14,640 --> 00:49:18,719
Speaker 1: act and that's not competition, and no one, no it's not.

786
00:49:18,840 --> 00:49:21,160
Speaker 1: It's not. It's not. It's nobody's calling. But I know

787
00:49:21,280 --> 00:49:23,160
Speaker 1: it's you'd be tig of bone in this thing out

788
00:49:23,239 --> 00:49:26,680
Speaker 1: in here because it's a beautiful thing. How because a

789
00:49:26,840 --> 00:49:30,000
Speaker 1: level spell back was this level. You gotta balance. It's

790
00:49:31,200 --> 00:49:34,279
Speaker 1: we're kind of here, you go, Bud, where's the blog check?

791
00:49:34,320 --> 00:49:39,399
Speaker 1: I gotta bring the Google. I'm gonna take that pick

792
00:49:39,480 --> 00:49:42,640
Speaker 1: up the veggie. I always say my jacket for the

793
00:49:42,760 --> 00:49:45,120
Speaker 1: dance's hot gets hot if you ain't get the locks

794
00:49:45,160 --> 00:49:47,960
Speaker 1: out and get the locks out right now? Yeah? Yeah,

795
00:49:48,000 --> 00:49:51,560
Speaker 1: the locks out? Fine? Hold on, I mean Jada kiss, shoot,

796
00:49:52,880 --> 00:50:02,120
Speaker 1: uncousine ahead, don't locks another locks that coming? But because

797
00:50:02,120 --> 00:50:05,960
Speaker 1: I heard when you said the Lost album came out

798
00:50:06,280 --> 00:50:08,840
Speaker 1: on rock Nation, you was cool with it. You just

799
00:50:08,960 --> 00:50:11,440
Speaker 1: didn't want to let your copy. You just didn't want

800
00:50:11,480 --> 00:50:14,480
Speaker 1: to see them throwing up the rocks side. I got

801
00:50:14,520 --> 00:50:17,279
Speaker 1: a lot of trouble for that. Why what happened? You know?

802
00:50:18,040 --> 00:50:20,800
Speaker 1: I was? I was no, no, no, I was, honestly,

803
00:50:22,320 --> 00:50:25,680
Speaker 1: with all due respects, I was. I was wrong. I

804
00:50:25,840 --> 00:50:31,200
Speaker 1: was wrong for saying that um on a national broadcast

805
00:50:31,280 --> 00:50:34,360
Speaker 1: about my about my brother's and why would you say that? No?

806
00:50:34,680 --> 00:50:36,200
Speaker 1: I was, I was a little I was talking a

807
00:50:36,239 --> 00:50:39,560
Speaker 1: little reckless. But where did I was on Shade for five?

808
00:50:39,640 --> 00:50:46,920
Speaker 1: From Shade for Let's toast coming into Yeah, take off

809
00:50:46,960 --> 00:50:51,080
Speaker 1: your glasses for that. I don't know just what happened

810
00:50:51,080 --> 00:50:59,759
Speaker 1: to the eight because god damn, let I didn't I

811
00:50:59,840 --> 00:51:05,840
Speaker 1: got I got a perfect in Miami tast with I

812
00:51:05,880 --> 00:51:08,200
Speaker 1: don't know if I like your in Miami and you

813
00:51:08,680 --> 00:51:11,000
Speaker 1: look good, bro yo. He went to Candle remember the

814
00:51:11,080 --> 00:51:15,000
Speaker 1: video shoot you can't office and Candle my studio first?

815
00:51:15,040 --> 00:51:16,919
Speaker 1: What was it? What was it set it up? Set

816
00:51:16,960 --> 00:51:22,560
Speaker 1: it up up? Yeah? But when Nori hit this new

817
00:51:22,640 --> 00:51:26,120
Speaker 1: thing I made for him, Paul who I'm talking about?

818
00:51:26,160 --> 00:51:35,879
Speaker 1: Goddamn still so so yeah, I got in trouble. Huh

819
00:51:37,840 --> 00:51:40,800
Speaker 1: style speak called me because you know he's the savage

820
00:51:40,960 --> 00:51:44,680
Speaker 1: of the group. Don't never talk her name like that.

821
00:51:45,480 --> 00:51:50,440
Speaker 1: Wait when you said damn, why would you like yo

822
00:51:50,800 --> 00:51:54,640
Speaker 1: yo up? In my mind he was up there like

823
00:51:55,280 --> 00:51:57,800
Speaker 1: I don't know why. I felt like I just violated myself.

824
00:51:57,840 --> 00:52:02,680
Speaker 1: I'm sorry, continued Swiss stud Belder. Because I was as

825
00:52:02,760 --> 00:52:07,640
Speaker 1: a man, I can admit when I'm wrong, and out

826
00:52:07,680 --> 00:52:10,279
Speaker 1: of twenty some years with the locks, it was the

827
00:52:10,400 --> 00:52:18,160
Speaker 1: first time I was wrong. I was. I spoke about

828
00:52:18,640 --> 00:52:22,120
Speaker 1: I spoke about the incident on Shape four five. I

829
00:52:22,160 --> 00:52:27,080
Speaker 1: spoke about what I spoke about, how I felt about

830
00:52:27,640 --> 00:52:29,960
Speaker 1: kissed on up the rock sign and why you saw

831
00:52:30,080 --> 00:52:33,640
Speaker 1: kiss old the rocket sign. Oh, I never knew that.

832
00:52:34,280 --> 00:52:36,680
Speaker 1: I've seen him throw it up. It's this, it's public information.

833
00:52:37,239 --> 00:52:38,800
Speaker 1: And the reason and the reason why I had a

834
00:52:38,840 --> 00:52:42,080
Speaker 1: problem with it was because you know, I was around

835
00:52:42,239 --> 00:52:46,920
Speaker 1: for I was around for everything, and I knew that

836
00:52:48,200 --> 00:52:50,960
Speaker 1: how hard it was to fight for it who we had,

837
00:52:52,239 --> 00:52:55,920
Speaker 1: and I knew that my great friend Jay would never

838
00:52:56,000 --> 00:52:57,520
Speaker 1: thought a rough right of sign of no matter what

839
00:52:58,280 --> 00:53:01,800
Speaker 1: deal he would ever do, because early on, just because

840
00:53:01,920 --> 00:53:06,400
Speaker 1: like you know, you know, um Mom was in them

841
00:53:06,440 --> 00:53:10,239
Speaker 1: put a lot of time into changing people's lives. They

842
00:53:10,320 --> 00:53:12,840
Speaker 1: put a lot of times and the changing people's lives,

843
00:53:12,960 --> 00:53:16,319
Speaker 1: and they put their lives on the line for changing

844
00:53:16,360 --> 00:53:21,080
Speaker 1: people's lives. So naturally, I'm gonna be emotional when I

845
00:53:21,160 --> 00:53:27,080
Speaker 1: see something that's other than where it all comes from, naturally.

846
00:53:27,320 --> 00:53:30,920
Speaker 1: So naturally how overreacted when the question was brought up

847
00:53:30,960 --> 00:53:33,960
Speaker 1: to me? I was like, what was the question? Acts

848
00:53:34,000 --> 00:53:38,040
Speaker 1: of here? Where you think about the locks with um

849
00:53:39,960 --> 00:53:42,640
Speaker 1: with Rocket Feller, And I said, I think that it's

850
00:53:42,640 --> 00:53:46,759
Speaker 1: a great deal, which I do because they work hard

851
00:53:46,800 --> 00:53:50,319
Speaker 1: to even have this this type of outlet, and then

852
00:53:50,440 --> 00:53:56,560
Speaker 1: like they doing, what's up? Mr Lee, You've got no control.

853
00:53:56,680 --> 00:54:00,840
Speaker 1: That's not even Mr Lee, that's Mr Chi. Yeah, you

854
00:54:00,840 --> 00:54:02,880
Speaker 1: know what I'm saying. But if they go to their masters,

855
00:54:03,600 --> 00:54:06,640
Speaker 1: because from what I hear, they go, they worked hard

856
00:54:06,719 --> 00:54:09,400
Speaker 1: to even be able to put out that type of

857
00:54:09,400 --> 00:54:13,600
Speaker 1: album in two thousands sixteen slash seventeen, And I was

858
00:54:14,560 --> 00:54:18,160
Speaker 1: I was wrong for expressing that on that public outlet.

859
00:54:18,760 --> 00:54:20,880
Speaker 1: Even though I called a couple of group members a

860
00:54:20,920 --> 00:54:23,320
Speaker 1: couple of times. If I couldn't reach them, I should

861
00:54:23,320 --> 00:54:25,959
Speaker 1: have dead it it. But I was a little nice,

862
00:54:26,840 --> 00:54:31,279
Speaker 1: like I am. Now we got through. We ain't but

863
00:54:31,320 --> 00:54:33,719
Speaker 1: I'm the most honest one. I'm nice, which this is

864
00:54:33,800 --> 00:54:37,399
Speaker 1: what it is. And TV told me you have wall

865
00:54:37,480 --> 00:54:39,680
Speaker 1: paint from your face when you try to get averse

866
00:54:39,719 --> 00:54:41,480
Speaker 1: from you, because I don't really be on that other

867
00:54:41,520 --> 00:54:45,120
Speaker 1: ship already. You know, I'm not scared to express it.

868
00:54:46,040 --> 00:54:48,360
Speaker 1: I'm into the art life, so sometimes I paint my

869
00:54:48,520 --> 00:54:51,160
Speaker 1: face and sometimes it's those shades on. Just be on

870
00:54:51,239 --> 00:54:53,920
Speaker 1: my cool league. You know, we see that had I

871
00:54:53,960 --> 00:54:57,279
Speaker 1: got on SAP, I said, because you worked it out.

872
00:54:57,520 --> 00:55:00,560
Speaker 1: But of course we worked it out because you know,

873
00:55:00,680 --> 00:55:03,160
Speaker 1: at the end of the day, the styles had every

874
00:55:03,280 --> 00:55:06,239
Speaker 1: right to call me and be on that vibe. And

875
00:55:06,320 --> 00:55:08,440
Speaker 1: I listened to him. I was in in the airport

876
00:55:08,520 --> 00:55:13,120
Speaker 1: in Shanghai and he texts me the file's message them.

877
00:55:15,000 --> 00:55:18,680
Speaker 1: I was laughing, they're not making a joke because it's

878
00:55:18,840 --> 00:55:22,920
Speaker 1: something serious. And I listened to what he said. He

879
00:55:23,080 --> 00:55:27,279
Speaker 1: had good points. And as a man, anybody watching this,

880
00:55:27,520 --> 00:55:30,640
Speaker 1: as a man, if you're in the wrong, you gotta

881
00:55:30,680 --> 00:55:35,760
Speaker 1: take that charge. Take that charge, apologize I was wrong.

882
00:55:37,040 --> 00:55:39,920
Speaker 1: I won't do that again. My bad. You know a

883
00:55:40,080 --> 00:55:43,000
Speaker 1: lot of the egos to kill him. A lot of

884
00:55:43,040 --> 00:55:47,320
Speaker 1: people let the ego mislead them in life. I know

885
00:55:47,480 --> 00:55:49,920
Speaker 1: that I could never go to war with the Locks,

886
00:55:50,880 --> 00:55:55,040
Speaker 1: even though their first name was the Warlocks. Right, those

887
00:55:55,400 --> 00:55:57,640
Speaker 1: those are my brothers. We're never going to have a

888
00:55:57,719 --> 00:56:00,680
Speaker 1: confrontation for the industry to sit. I can watch your

889
00:56:00,760 --> 00:56:05,120
Speaker 1: legacy that we worked hard for burn because of some

890
00:56:05,360 --> 00:56:09,439
Speaker 1: small time things. We really was in these streets for real,

891
00:56:10,160 --> 00:56:12,640
Speaker 1: I love nothing. We are the streets was the first

892
00:56:13,440 --> 00:56:17,919
Speaker 1: put my life. It just turned seventeen. I know, Yeah,

893
00:56:18,239 --> 00:56:27,120
Speaker 1: let's mix Loyd for goddamn birthday. You got to put

894
00:56:27,160 --> 00:56:36,880
Speaker 1: your head for He violated me, don't you It was

895
00:56:37,800 --> 00:56:41,880
Speaker 1: It was seven seconds later I said, that's like, you

896
00:56:41,960 --> 00:56:46,280
Speaker 1: know what, I'm so used to it shot to styles

897
00:56:46,360 --> 00:56:51,600
Speaker 1: pe jaded kiss she Luciano, I love you. That's never

898
00:56:51,640 --> 00:56:54,680
Speaker 1: gonna have no problems never, and some of the realistudes

899
00:56:54,680 --> 00:57:06,040
Speaker 1: we had on Drink Champs as well. Welcome to Play,

900
00:57:06,320 --> 00:57:12,320
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

901
00:57:12,400 --> 00:57:16,840
Speaker 1: and more. Play It at Play dot it. We're back

902
00:57:16,920 --> 00:57:20,480
Speaker 1: to drink Champs Radio with rapper and R and d J.

903
00:57:21,160 --> 00:57:26,280
Speaker 1: Then ask some real questions. Let's get into some real

904
00:57:26,680 --> 00:57:31,200
Speaker 1: like the question. Whatever we want to do. Let's go on. Man,

905
00:57:31,280 --> 00:57:33,720
Speaker 1: I'm here to make the ratings go up. I'm gonna

906
00:57:34,240 --> 00:57:36,960
Speaker 1: they talk. So when you and Kanye West battle on

907
00:57:37,120 --> 00:57:45,000
Speaker 1: stage so much, Jam, I love that moment. It described

908
00:57:45,080 --> 00:57:48,680
Speaker 1: that moment, was that put together? What was that like?

909
00:57:49,160 --> 00:57:52,560
Speaker 1: Spirit a moment you and Kanye. This is the craziest

910
00:57:52,600 --> 00:57:57,200
Speaker 1: nigger in life, in in his life, but this before

911
00:57:57,240 --> 00:58:00,560
Speaker 1: he got crazy. He was like saying, at this time,

912
00:58:01,320 --> 00:58:05,240
Speaker 1: I respect Kanye for taking that battle because you know, um,

913
00:58:05,600 --> 00:58:09,560
Speaker 1: a lot of producers I asked turned down that Tom Tom.

914
00:58:11,440 --> 00:58:15,800
Speaker 1: So you're saying this was your whole idea. Yeah, in

915
00:58:16,000 --> 00:58:19,480
Speaker 1: New York City, I was leading Summer Jam. Of course

916
00:58:19,600 --> 00:58:24,440
Speaker 1: we orchestrated this. Never do this. I've never knew this

917
00:58:26,120 --> 00:58:30,120
Speaker 1: been you've been, You've asked people to do this before

918
00:58:32,160 --> 00:58:36,720
Speaker 1: time is running out because we don't have time. We

919
00:58:36,880 --> 00:58:41,280
Speaker 1: just started. We just we just got so I'm gonna

920
00:58:41,320 --> 00:58:44,480
Speaker 1: make this go. No that shout ABLECARDI Now I got

921
00:58:44,560 --> 00:58:47,160
Speaker 1: my cup right here. This iscarty eight great right here too,

922
00:58:48,040 --> 00:58:51,240
Speaker 1: let's do shots. I don't do like Drenking let us man,

923
00:58:51,560 --> 00:58:53,760
Speaker 1: what does that leave bro like? I mean, all right,

924
00:58:55,440 --> 00:59:01,560
Speaker 1: that Carty is double enough? So okay, So you had

925
00:59:01,640 --> 00:59:06,320
Speaker 1: this idea for a producer, you know, because when I

926
00:59:06,400 --> 00:59:08,680
Speaker 1: look at Summer Jam, I noticed that a lot of

927
00:59:08,720 --> 00:59:14,240
Speaker 1: the performing artists musically got to shine, and the producers

928
00:59:14,320 --> 00:59:17,640
Speaker 1: was always behind those big hit records. That these artists

929
00:59:17,680 --> 00:59:19,840
Speaker 1: was able to go on stage and do their thing too.

930
00:59:20,080 --> 00:59:21,640
Speaker 1: So I said, you know what, let's play how muche

931
00:59:21,680 --> 00:59:26,480
Speaker 1: to the producers and Summer Jam is is it's very controversial.

932
00:59:26,560 --> 00:59:28,560
Speaker 1: So I said, you know what, Let's make it a

933
00:59:28,640 --> 00:59:35,080
Speaker 1: battle where I'm talking ship and then whoever come out

934
00:59:35,480 --> 00:59:38,200
Speaker 1: and challenged me to me talking ship with their greatest

935
00:59:38,440 --> 00:59:40,680
Speaker 1: couple of hits? And I give him my greatest couple

936
00:59:40,680 --> 00:59:44,200
Speaker 1: of hits. And we gave the people a show that

937
00:59:44,360 --> 00:59:47,520
Speaker 1: was respectable and and and they paid how much to producing?

938
00:59:48,480 --> 00:59:52,200
Speaker 1: Everybody turned down the request except for Kanye, And I

939
00:59:52,320 --> 00:59:54,200
Speaker 1: give him no names that you could say to turn

940
00:59:54,200 --> 00:59:57,880
Speaker 1: it down. Who else would you name him? The premier

941
00:59:57,920 --> 01:00:08,760
Speaker 1: turn down. I'm not challenging the permission, dropping like he

942
01:00:09,000 --> 01:00:17,439
Speaker 1: dropped that New York State of Mind one track. He's

943
01:00:17,480 --> 01:00:21,200
Speaker 1: in there rock but but just just you know, you

944
01:00:21,280 --> 01:00:25,640
Speaker 1: know you're gonna way too far, too far. He drive,

945
01:00:25,680 --> 01:00:27,600
Speaker 1: reminisce with me, what the funk am I gonna do?

946
01:00:28,280 --> 01:00:34,120
Speaker 1: Stop driving? Who said? Just just he reached out to

947
01:00:34,240 --> 01:00:37,000
Speaker 1: Jeff Blaze, not not he didn't definitely Blazes time to

948
01:00:37,280 --> 01:00:39,400
Speaker 1: I think I think Jeff Blaze could probably beat me

949
01:00:39,480 --> 01:00:42,520
Speaker 1: today in the battle because I'm not really thinking about it.

950
01:00:42,600 --> 01:00:44,360
Speaker 1: But if I thought about it, I'd probably give him

951
01:00:44,400 --> 01:00:46,960
Speaker 1: a little bit of a run for his money. When

952
01:00:46,960 --> 01:00:50,640
Speaker 1: you're saying battle, When you're saying battle, are you saying

953
01:00:51,360 --> 01:00:56,400
Speaker 1: hits y'all? At that time it was hits right, So

954
01:00:56,520 --> 01:00:58,919
Speaker 1: imagine he came with the crowd, helped me to read

955
01:00:59,160 --> 01:01:04,880
Speaker 1: do like the whole street out. But I got something

956
01:01:04,920 --> 01:01:08,840
Speaker 1: for that too. I got something for that. People gotta understand,

957
01:01:08,920 --> 01:01:15,520
Speaker 1: Like I used to make everybody, what were we doing? Okay, okay, okay, okay, okay,

958
01:01:15,960 --> 01:01:19,040
Speaker 1: let's go say you something. It's good. It's good man,

959
01:01:19,560 --> 01:01:33,240
Speaker 1: love love love. Yeah, I'm saying, Twain, got that fat.

960
01:01:33,320 --> 01:01:36,520
Speaker 1: I need your Bott's number. Something come in here with

961
01:01:36,560 --> 01:01:40,760
Speaker 1: its pretty boy ship. Yeah, the same moving in on us,

962
01:01:41,160 --> 01:01:44,040
Speaker 1: tell you something. Twin was the star, one of the

963
01:01:44,120 --> 01:01:48,919
Speaker 1: stars of this show. You know some fat I don't

964
01:01:48,920 --> 01:01:52,720
Speaker 1: know what happened. My unfortunate accident happened. I want to

965
01:01:52,760 --> 01:01:55,400
Speaker 1: talk about here to day. So it's and you know what,

966
01:01:55,800 --> 01:02:00,280
Speaker 1: we are so proud to see twin head right now. Yo,

967
01:02:00,440 --> 01:02:03,240
Speaker 1: somebody give Twin of Mike please and just let him

968
01:02:03,320 --> 01:02:14,080
Speaker 1: give him a no no no yeah. Two weeks ago,

969
01:02:14,520 --> 01:02:17,240
Speaker 1: Drake Chance family harm me. Thank you for the prayers.

970
01:02:17,240 --> 01:02:20,440
Speaker 1: I appreciate it, man, appreciate all the love, other support

971
01:02:21,160 --> 01:02:23,080
Speaker 1: and prayers have been working because I'm getting better and

972
01:02:23,160 --> 01:02:26,560
Speaker 1: I'm alive. I'm here. I could have been six ft

973
01:02:26,640 --> 01:02:30,160
Speaker 1: under it, but I'm here and I can keep moving forward.

974
01:02:31,080 --> 01:02:33,360
Speaker 1: And even though if I don't walk again, I'm still living.

975
01:02:33,600 --> 01:02:36,160
Speaker 1: You know what I mean, I still hope. Man, you

976
01:02:36,240 --> 01:02:38,520
Speaker 1: know what I'm I'm here, You're gonna walk here. Mother,

977
01:02:38,880 --> 01:02:43,040
Speaker 1: I'm here. Are you crazy? A whole hands and and

978
01:02:43,160 --> 01:02:46,880
Speaker 1: and and give a little blessings. We we thank you

979
01:02:47,080 --> 01:02:51,200
Speaker 1: for Twin being here with us today on um and

980
01:02:51,360 --> 01:02:54,720
Speaker 1: in life farm, in real farm. And we thank you

981
01:02:54,800 --> 01:02:57,520
Speaker 1: for protecting him and guiding him and getting him to

982
01:02:57,640 --> 01:03:02,000
Speaker 1: this level of being conscious, being loved. And we never

983
01:03:02,160 --> 01:03:06,240
Speaker 1: forget all the prayers, all the deeds that has been

984
01:03:06,280 --> 01:03:08,760
Speaker 1: done today and waking up this morning, it is just

985
01:03:08,880 --> 01:03:19,160
Speaker 1: a plus and Amy pray. Amen. That's that was real

986
01:03:19,280 --> 01:03:25,320
Speaker 1: ship right there, serious because that's that's twins off. That's

987
01:03:25,320 --> 01:03:29,080
Speaker 1: our little brother, little brother. Motherfucker's my brother too. Yeah,

988
01:03:29,160 --> 01:03:34,000
Speaker 1: but listen, um, because we're very scared. We don't sure

989
01:03:34,080 --> 01:03:37,240
Speaker 1: you want to stay right there. He's good, he's good.

990
01:03:38,320 --> 01:03:40,200
Speaker 1: But you know, usually I asked you to take a

991
01:03:40,320 --> 01:03:45,680
Speaker 1: shot because something but that I want to go. We

992
01:03:45,800 --> 01:03:50,120
Speaker 1: love right now there, that's right, motherfucker. But okay, so

993
01:03:50,240 --> 01:03:53,520
Speaker 1: now Swiss, I'm ready. What's up? So we're gonna take

994
01:03:53,560 --> 01:03:56,040
Speaker 1: it because you was getting into the battles and you

995
01:03:56,160 --> 01:03:59,840
Speaker 1: was talking about we gotta we gotta complete that store.

996
01:04:00,560 --> 01:04:02,560
Speaker 1: So he said, we don't want to find out who

997
01:04:02,640 --> 01:04:05,240
Speaker 1: he as he said, just blaze me who he asked.

998
01:04:05,280 --> 01:04:09,840
Speaker 1: Timberland asked, okay, you know I battle any one of

999
01:04:09,920 --> 01:04:13,040
Speaker 1: them today too. That's right work, you know, that's dance.

1000
01:04:14,040 --> 01:04:17,160
Speaker 1: So Kanye stepped up. Kanye stepped up to the plate.

1001
01:04:17,720 --> 01:04:23,040
Speaker 1: He was a game rob this moment. You know, she

1002
01:04:23,240 --> 01:04:27,360
Speaker 1: was like, Kanye, is this now? Definitely don't got blod here.

1003
01:04:27,480 --> 01:04:30,480
Speaker 1: Let's keep him the backpack on he had a backpack.

1004
01:04:30,800 --> 01:04:34,240
Speaker 1: The backpack backpack Kanye know, like, what was what was

1005
01:04:34,440 --> 01:04:41,240
Speaker 1: Jesus big Jesus piece uh Okay, Louis Vutan sneaker, Kanye

1006
01:04:42,840 --> 01:04:46,880
Speaker 1: is Jesus walks colors drop out nights before Jesus? Is

1007
01:04:46,960 --> 01:04:52,200
Speaker 1: it that time? He was hot Kanye Kyan Pepper, Kanye

1008
01:04:56,960 --> 01:05:01,680
Speaker 1: Kanye Kanye. But I respect that I gave him the

1009
01:05:01,760 --> 01:05:06,080
Speaker 1: concept and he was just like, all right, let's make

1010
01:05:06,120 --> 01:05:09,080
Speaker 1: it fresh. And the craziest part I was like he came.

1011
01:05:09,320 --> 01:05:12,080
Speaker 1: I told him my playlist, He told me his playlist.

1012
01:05:12,480 --> 01:05:15,960
Speaker 1: I kept my players and he changed his players. I

1013
01:05:16,240 --> 01:05:19,320
Speaker 1: was like, are you sure you don't want to because

1014
01:05:19,360 --> 01:05:21,560
Speaker 1: like I didn't. It wasn't about no big eyes a

1015
01:05:21,640 --> 01:05:25,240
Speaker 1: little us know, but what at what point changed his playlist?

1016
01:05:26,240 --> 01:05:31,040
Speaker 1: When I was showtime, there was showtime. I heard songs

1017
01:05:31,160 --> 01:05:35,400
Speaker 1: that that he didn't present. I was like, so, y'all

1018
01:05:35,440 --> 01:05:38,320
Speaker 1: both knew what songs y'all was gonna play. I told

1019
01:05:38,400 --> 01:05:40,040
Speaker 1: him I was. I never changed. I was gonna play

1020
01:05:40,080 --> 01:05:42,840
Speaker 1: because I just wanted to play what I was gonna play.

1021
01:05:43,840 --> 01:05:46,440
Speaker 1: And the songs that he picked before I thought was stronger,

1022
01:05:47,160 --> 01:05:48,920
Speaker 1: you know, because I didn't want it to be like, um,

1023
01:05:49,720 --> 01:05:51,760
Speaker 1: a big little youth thing I wanted. I wanted him

1024
01:05:51,760 --> 01:05:53,840
Speaker 1: to be great and I wanted me to be great,

1025
01:05:53,840 --> 01:05:55,960
Speaker 1: and he was great. But you know, I think the

1026
01:05:56,040 --> 01:06:01,720
Speaker 1: selection um that we first it was better, you know, right,

1027
01:06:02,240 --> 01:06:06,000
Speaker 1: because it's not like you know, me, me going on

1028
01:06:06,080 --> 01:06:08,479
Speaker 1: a summer jam stage and showing off on another person.

1029
01:06:08,880 --> 01:06:12,080
Speaker 1: Because that man is talented as a genius. You know,

1030
01:06:12,320 --> 01:06:17,240
Speaker 1: he a mass of his craft, just like Timberland, Dr

1031
01:06:17,400 --> 01:06:21,560
Speaker 1: Dre Pharrell just blaze. All the producers their massive, their

1032
01:06:21,600 --> 01:06:24,000
Speaker 1: own crafts. And the one thing I do miss about

1033
01:06:24,080 --> 01:06:28,080
Speaker 1: music is that you know, um, we all had different

1034
01:06:28,120 --> 01:06:31,080
Speaker 1: things to bring to the table. You know when you

1035
01:06:31,160 --> 01:06:34,440
Speaker 1: heard that sign it was a different sound totally not

1036
01:06:34,640 --> 01:06:38,480
Speaker 1: about a a bounce. We came. We felt like we

1037
01:06:39,200 --> 01:06:41,560
Speaker 1: we wanted to come with, you know. And there's a

1038
01:06:41,600 --> 01:06:43,920
Speaker 1: couple of new producers that's doing that and I respect

1039
01:06:43,960 --> 01:06:46,600
Speaker 1: them all. Like a signature sound. Yeah, there's a couple

1040
01:06:46,600 --> 01:06:48,440
Speaker 1: of producers on in it, and there's a couple of

1041
01:06:48,560 --> 01:06:52,040
Speaker 1: people that's taken advantage of the technology. But Swiss Beast

1042
01:06:52,160 --> 01:06:55,800
Speaker 1: is about to make an album right now. I'm asking

1043
01:06:56,400 --> 01:06:59,680
Speaker 1: that sh done and then and the label says we

1044
01:07:00,200 --> 01:07:03,600
Speaker 1: hire some new new dudes. Who is Swiss Beasts going

1045
01:07:03,760 --> 01:07:07,080
Speaker 1: high producer? Why I'm not scared of new dudes. I

1046
01:07:07,160 --> 01:07:10,120
Speaker 1: got new dudes on my team. I respect new dudes.

1047
01:07:10,720 --> 01:07:12,960
Speaker 1: You know what I'm saying. Like when I say my bad,

1048
01:07:13,040 --> 01:07:17,240
Speaker 1: let me rephrase the question they're saying, go get some

1049
01:07:17,960 --> 01:07:24,480
Speaker 1: like the the producers that's trending now because it was

1050
01:07:25,440 --> 01:07:28,600
Speaker 1: who is Swiss gonna say? You know what I'm producing?

1051
01:07:28,640 --> 01:07:32,920
Speaker 1: You like? But if you're making an album, because you know,

1052
01:07:33,160 --> 01:07:35,520
Speaker 1: let's be honest, your artists too. There's a lot of

1053
01:07:35,680 --> 01:07:38,560
Speaker 1: there's a lot of new producers are like, you know,

1054
01:07:39,320 --> 01:07:41,960
Speaker 1: I'm not stuck in my past. You know, a lot

1055
01:07:42,000 --> 01:07:44,760
Speaker 1: of producers get stuck in the pass and they don't

1056
01:07:44,760 --> 01:07:51,920
Speaker 1: really respect. Somebody need a goddamn fixed that. This is

1057
01:07:51,960 --> 01:07:58,720
Speaker 1: the smoking in the background, but my headphones don't block

1058
01:07:58,800 --> 01:08:06,080
Speaker 1: them out? Or who is who is? If they say, now,

1059
01:08:06,240 --> 01:08:11,040
Speaker 1: we said you you got three people? No, no, let's

1060
01:08:11,040 --> 01:08:14,280
Speaker 1: say five. So you've got five people to to to

1061
01:08:15,400 --> 01:08:19,559
Speaker 1: to pay other than you to finish your album right now?

1062
01:08:20,320 --> 01:08:23,720
Speaker 1: You gotta love you bad with names, bro, That's just

1063
01:08:24,400 --> 01:08:27,880
Speaker 1: I admit to it. I'm bad with names. I like

1064
01:08:29,120 --> 01:08:32,439
Speaker 1: I like metro Booman, you know, you can say the

1065
01:08:32,520 --> 01:08:35,320
Speaker 1: song that you like the brother I like Mike Will,

1066
01:08:35,479 --> 01:08:38,479
Speaker 1: I like Metro Boman, I like boy Wonder. You know

1067
01:08:38,520 --> 01:08:43,160
Speaker 1: what I'm saying. You know, every you know, it's a

1068
01:08:43,240 --> 01:08:47,519
Speaker 1: lot of you know, tied snags. I like everybody that's

1069
01:08:47,560 --> 01:08:50,439
Speaker 1: being creative this. You know, you got to think about this,

1070
01:08:50,600 --> 01:08:53,679
Speaker 1: like right, there's a lot of people that's doing music

1071
01:08:53,800 --> 01:08:55,920
Speaker 1: that could have been robbing our kids and our mothers

1072
01:08:55,960 --> 01:08:58,960
Speaker 1: and brothers and our cousins. As long as people doing

1073
01:08:59,040 --> 01:09:01,560
Speaker 1: something positive, like with DMX and too, he's kind of

1074
01:09:01,600 --> 01:09:04,400
Speaker 1: said the same thing, shout to the dog. But so

1075
01:09:04,560 --> 01:09:09,080
Speaker 1: you're not gonna you're not gonna call Dr Dre. That's

1076
01:09:09,120 --> 01:09:11,519
Speaker 1: not a new producer. Man, you just kind of just

1077
01:09:11,600 --> 01:09:16,920
Speaker 1: switched it up. I'm calling Dry. Just happened. You might

1078
01:09:16,920 --> 01:09:21,000
Speaker 1: as well call Premier too. Maybe I'm out alowing with

1079
01:09:21,080 --> 01:09:28,799
Speaker 1: my questions. Yeah, I'm sorry. Let's get you a new producer.

1080
01:09:30,640 --> 01:09:34,360
Speaker 1: Anybody that's doing something positive with music. It's just like art.

1081
01:09:35,200 --> 01:09:38,519
Speaker 1: It's an expression. You can relate to it or you can't.

1082
01:09:38,800 --> 01:09:41,960
Speaker 1: That's why there's different genres and music, different genres and

1083
01:09:42,120 --> 01:09:45,559
Speaker 1: art and different genres and everything that we uh facing

1084
01:09:45,600 --> 01:09:48,680
Speaker 1: this world. You know, I'm not gonna sit here and

1085
01:09:48,760 --> 01:09:53,519
Speaker 1: play around with none of those producers because you know, um,

1086
01:09:54,479 --> 01:09:58,720
Speaker 1: they all got a little bit of influence. And myself, Timberland,

1087
01:09:58,760 --> 01:10:02,080
Speaker 1: whoever you want to name, we're part of their DNA

1088
01:10:02,200 --> 01:10:04,639
Speaker 1: whether we like it or not. They took a part

1089
01:10:04,680 --> 01:10:08,040
Speaker 1: of what we did and created themselves. If I diss them,

1090
01:10:08,040 --> 01:10:11,720
Speaker 1: I'm technically this and myself. They just they're just on

1091
01:10:11,760 --> 01:10:15,040
Speaker 1: another platform and see another stage that they got to

1092
01:10:15,080 --> 01:10:19,320
Speaker 1: perform on. That doesn't deplete my stage. That just like

1093
01:10:19,800 --> 01:10:22,920
Speaker 1: it's a compliment of each other. You understanding what I

1094
01:10:22,960 --> 01:10:24,960
Speaker 1: have to do. The things that I don't like, I

1095
01:10:25,040 --> 01:10:31,120
Speaker 1: have to fix. So my album, I'm like, bars, let's

1096
01:10:31,240 --> 01:10:34,400
Speaker 1: name of the album. Let's make a public the name.

1097
01:10:34,439 --> 01:10:35,920
Speaker 1: I don't know the name of the album. I don't

1098
01:10:35,960 --> 01:10:37,880
Speaker 1: even think that. I don't even think about no name.

1099
01:10:37,920 --> 01:10:41,320
Speaker 1: I just thought about like fucking up everything. That's the

1100
01:10:41,439 --> 01:10:47,600
Speaker 1: name of the album. But now let's take it to

1101
01:10:48,080 --> 01:10:53,240
Speaker 1: the first rough rideout for rough ride of compilation. Yeah,

1102
01:10:55,880 --> 01:11:00,960
Speaker 1: that is the difference compilation and the album because it

1103
01:11:01,040 --> 01:11:05,200
Speaker 1: wasn't an artist. The first rough adage was a compilation.

1104
01:11:05,640 --> 01:11:08,720
Speaker 1: The first rough out of album was dmx so so

1105
01:11:08,880 --> 01:11:11,840
Speaker 1: the first rough out of album multiples, the conglomerate of

1106
01:11:12,800 --> 01:11:16,240
Speaker 1: multiple artists up and coming, known not known. You know,

1107
01:11:16,360 --> 01:11:19,760
Speaker 1: That's that's when people heard Beanies. First hard Verse was

1108
01:11:19,840 --> 01:11:23,320
Speaker 1: on the album. That's when people heard Infrared and Cross,

1109
01:11:23,400 --> 01:11:26,400
Speaker 1: That's when people heard you know, Eve, That's when people

1110
01:11:26,479 --> 01:11:30,040
Speaker 1: heard drag On. That's when people got exposed to a

1111
01:11:30,120 --> 01:11:32,720
Speaker 1: lot of things that I wasn't really out there yet,

1112
01:11:32,880 --> 01:11:35,479
Speaker 1: you know what I'm saying. And so you know, first

1113
01:11:35,840 --> 01:11:40,519
Speaker 1: niggas won that first album? What what was? What was it?

1114
01:11:40,680 --> 01:11:43,960
Speaker 1: Because there were all separate entities, You had all these

1115
01:11:44,000 --> 01:11:48,800
Speaker 1: separate groups. Now just saying the compilation album, Well, we

1116
01:11:48,920 --> 01:11:51,519
Speaker 1: had no separate groups. And I never even knew what

1117
01:11:51,560 --> 01:11:54,320
Speaker 1: the compilation was before I did that album. I just

1118
01:11:54,439 --> 01:11:56,439
Speaker 1: knew that we was making an album with the family,

1119
01:11:57,080 --> 01:11:59,960
Speaker 1: and uh, we was taking everybody's verses and putting out

1120
01:12:00,080 --> 01:12:03,439
Speaker 1: siders on them to fill up the space. You know,

1121
01:12:03,479 --> 01:12:05,720
Speaker 1: I was too young to understand what was a compilation

1122
01:12:05,840 --> 01:12:07,800
Speaker 1: not a compilation. I didn't give a funk what it was.

1123
01:12:08,200 --> 01:12:11,280
Speaker 1: I just wanted to produce the best ship and make

1124
01:12:11,360 --> 01:12:14,599
Speaker 1: the people feel good. And I was hungry. I was thirsty.

1125
01:12:14,640 --> 01:12:17,000
Speaker 1: I was going up against Greece. I was going up

1126
01:12:17,000 --> 01:12:19,519
Speaker 1: against Pete K. I was going up against you know,

1127
01:12:19,880 --> 01:12:22,720
Speaker 1: uh young Lord. I was going up against a lot

1128
01:12:22,760 --> 01:12:25,880
Speaker 1: of producers at that time that you know, spunk bigger,

1129
01:12:26,040 --> 01:12:28,320
Speaker 1: a lot of producers that had like a lot of recognition.

1130
01:12:29,040 --> 01:12:31,760
Speaker 1: And I just wanted to make the best music I

1131
01:12:31,800 --> 01:12:33,920
Speaker 1: can making. And when I looked up, I had like

1132
01:12:34,040 --> 01:12:37,360
Speaker 1: ninety percent of that done. And then I've seen I

1133
01:12:37,439 --> 01:12:38,960
Speaker 1: looked up, I had an eighty percent of the Locks

1134
01:12:39,000 --> 01:12:41,840
Speaker 1: album done, no percent of E done. I even setting

1135
01:12:41,880 --> 01:12:45,760
Speaker 1: up extra next album done, and and you know, I

1136
01:12:45,840 --> 01:12:47,960
Speaker 1: just I just wanted to go hard. You know what

1137
01:12:47,960 --> 01:12:49,680
Speaker 1: I'm saying. Now, why are you in grease at that

1138
01:12:49,760 --> 01:12:53,960
Speaker 1: would like work together and looking together as a taxi situation?

1139
01:12:54,080 --> 01:12:59,200
Speaker 1: You know, Um, we've grown in now. Um. I never

1140
01:12:59,280 --> 01:13:02,439
Speaker 1: knew why a Greece had a problem with me, because

1141
01:13:02,720 --> 01:13:05,720
Speaker 1: you know, my uncle when I was when I went

1142
01:13:05,800 --> 01:13:09,120
Speaker 1: to Atlanta, my uncle was like, you know, I got

1143
01:13:09,240 --> 01:13:11,120
Speaker 1: a couple of producers that I wanted. I want to

1144
01:13:11,360 --> 01:13:14,640
Speaker 1: uh continue the movement while while are you gone? And

1145
01:13:14,680 --> 01:13:16,479
Speaker 1: he took me to Young Lord's house, and he took

1146
01:13:16,479 --> 01:13:18,320
Speaker 1: me to Greece house and he took me to Young

1147
01:13:18,439 --> 01:13:23,120
Speaker 1: Lord's house. I seemed like a real stable environment. And

1148
01:13:23,200 --> 01:13:25,800
Speaker 1: I was like, no, young long guy like a great

1149
01:13:26,160 --> 01:13:29,439
Speaker 1: he had a great foundation. I went to Greece when

1150
01:13:29,520 --> 01:13:32,040
Speaker 1: it's abandon building. I'm like, damn, he might need it

1151
01:13:32,120 --> 01:13:35,200
Speaker 1: more than young lord. So I picked Greece to be

1152
01:13:35,360 --> 01:13:39,080
Speaker 1: the producer at that time when I wasn't available. And

1153
01:13:40,840 --> 01:13:45,280
Speaker 1: competition naturally, uh turns into what it turns into, you

1154
01:13:45,360 --> 01:13:48,920
Speaker 1: know what I'm saying. But you know, I'm gonna just

1155
01:13:49,000 --> 01:13:51,720
Speaker 1: keep it positive. I didn't did a lot of things

1156
01:13:51,720 --> 01:13:54,320
Speaker 1: to him, did a lot of things. You know. Um,

1157
01:13:54,560 --> 01:13:56,519
Speaker 1: he hadn't spoken by my name since I handled the

1158
01:13:56,600 --> 01:14:00,800
Speaker 1: last situation. And I'm gonna just say blessings to him

1159
01:14:00,800 --> 01:14:02,800
Speaker 1: and thank you for what he contributed to the frost

1160
01:14:02,880 --> 01:14:06,160
Speaker 1: out of the family. No sucking ship. You know what

1161
01:14:06,200 --> 01:14:11,200
Speaker 1: I'm saying. You know he's blocking. No, let me stop easy, Okay,

1162
01:14:12,240 --> 01:14:17,679
Speaker 1: Let's keep it positive. Keep positive. It's positive. It's all positive.

1163
01:14:18,520 --> 01:14:23,840
Speaker 1: I just always, you know, always, just notice that you know,

1164
01:14:24,000 --> 01:14:27,519
Speaker 1: he brought this, was was there for them very very

1165
01:14:27,640 --> 01:14:32,439
Speaker 1: very weekend. That's all. That's all I always sto we Uh.

1166
01:14:34,360 --> 01:14:37,719
Speaker 1: I kind of like the Me and Greece back and forth,

1167
01:14:38,640 --> 01:14:43,160
Speaker 1: you know, because it just felt good you're talking about

1168
01:14:43,240 --> 01:14:46,640
Speaker 1: every whatever whatever one my dog had a fight with

1169
01:14:46,760 --> 01:14:50,000
Speaker 1: his dog to my real dogs. Now we really had

1170
01:14:50,040 --> 01:14:53,920
Speaker 1: we really had, we really had powers. You're talking about

1171
01:14:54,000 --> 01:15:00,240
Speaker 1: real people. I think people are polls now we me

1172
01:15:00,360 --> 01:15:03,240
Speaker 1: and me and Greece went back to like his dog

1173
01:15:03,360 --> 01:15:08,519
Speaker 1: had dogs problem. Goddamn, they don't get no rather than that,

1174
01:15:09,160 --> 01:15:15,840
Speaker 1: and then you know, we were talking about people. Unless

1175
01:15:15,880 --> 01:15:21,679
Speaker 1: I'm wrong, I'm talking. He let him tell you, you know, okay,

1176
01:15:21,920 --> 01:15:24,000
Speaker 1: let me let him tell you. And then we we

1177
01:15:24,360 --> 01:15:27,000
Speaker 1: and we eventually got into it and we had to

1178
01:15:27,080 --> 01:15:31,479
Speaker 1: handle it like men and whatever. Knew that I respect

1179
01:15:31,600 --> 01:15:36,519
Speaker 1: him as a man, and I respect him and respect

1180
01:15:36,560 --> 01:15:38,760
Speaker 1: me as a man. I agree to never talk to

1181
01:15:38,880 --> 01:15:41,760
Speaker 1: him talk on his name negative, and he agreed never

1182
01:15:41,840 --> 01:15:45,240
Speaker 1: to talk on my name negative. And uh, if that

1183
01:15:45,400 --> 01:15:47,760
Speaker 1: was done, then we just did with the consequences. But

1184
01:15:47,920 --> 01:15:49,920
Speaker 1: that was the deal that we made. So I can't

1185
01:15:49,920 --> 01:15:52,439
Speaker 1: be even here on this show today and talk about

1186
01:15:52,479 --> 01:15:54,640
Speaker 1: that man negative. I respect him. He made a lot

1187
01:15:54,720 --> 01:15:57,800
Speaker 1: of hits for dogs. He's a great producer. He put

1188
01:15:57,840 --> 01:15:59,600
Speaker 1: a Hollom on the map. He put a lot of

1189
01:15:59,640 --> 01:16:02,040
Speaker 1: people big yell as well. Right all that you know,

1190
01:16:02,120 --> 01:16:05,200
Speaker 1: my my dad managed big al you understand my favorite

1191
01:16:05,280 --> 01:16:10,280
Speaker 1: ear my dad. My dad is serious. My dad was

1192
01:16:10,360 --> 01:16:13,000
Speaker 1: a party with my fami boyfriend out with cool Hirk.

1193
01:16:14,640 --> 01:16:17,760
Speaker 1: Him and cool Hirk was neighbors upstairs downstairs, so those

1194
01:16:17,840 --> 01:16:20,040
Speaker 1: beginning parties, my dad was a part of those parties.

1195
01:16:20,040 --> 01:16:22,639
Speaker 1: I never even said that ship public. Now you did,

1196
01:16:23,560 --> 01:16:29,840
Speaker 1: chance serious start. Let's just make some noise for that,

1197
01:16:34,840 --> 01:16:39,120
Speaker 1: lamb lily. So now so, now, when is the moment

1198
01:16:40,120 --> 01:16:45,280
Speaker 1: where Swiss is like, I'm that nick because we all

1199
01:16:45,360 --> 01:16:49,880
Speaker 1: went crazy. I went crazy. Mins is night night. I

1200
01:16:49,920 --> 01:16:52,120
Speaker 1: think it's probably called the bet for TV. But I'm

1201
01:16:52,120 --> 01:16:55,560
Speaker 1: not gonna save my eyes because it's your interview, Like

1202
01:16:55,680 --> 01:16:58,800
Speaker 1: what is like? What is the like? I mean, not

1203
01:16:59,000 --> 01:17:01,439
Speaker 1: not crazy, I'm just saying, what is the part where

1204
01:17:01,439 --> 01:17:05,360
Speaker 1: you said, Dad, I made it? Because the thing about

1205
01:17:05,479 --> 01:17:09,080
Speaker 1: exactly when that was tell us, tell us to us. Um.

1206
01:17:10,280 --> 01:17:14,160
Speaker 1: You know, when I got into music, I never understood

1207
01:17:14,200 --> 01:17:17,120
Speaker 1: that it was a business. I never understood that it

1208
01:17:17,200 --> 01:17:20,200
Speaker 1: made billions. I never understand that it saved so many

1209
01:17:20,240 --> 01:17:23,320
Speaker 1: people from the street life that were living. It was

1210
01:17:23,400 --> 01:17:26,479
Speaker 1: just something that I lived in, seeing every day growing

1211
01:17:26,520 --> 01:17:29,080
Speaker 1: up in the South Bronx and then migrating back and

1212
01:17:29,160 --> 01:17:32,400
Speaker 1: forth to hallm. You know, it was something that we

1213
01:17:32,479 --> 01:17:37,400
Speaker 1: were playing at MPVs, Land Cruises, you know, or the Covans.

1214
01:17:37,439 --> 01:17:39,240
Speaker 1: It was, it was just it was just the way

1215
01:17:39,280 --> 01:17:43,960
Speaker 1: of life naturally. And you know, when I was doing music,

1216
01:17:45,160 --> 01:17:48,919
Speaker 1: you know, I was already count millions on the weekends,

1217
01:17:49,640 --> 01:17:52,360
Speaker 1: you know, and I hated money because it was it

1218
01:17:52,479 --> 01:17:55,160
Speaker 1: was it was, it was messing up my phone. I

1219
01:17:55,280 --> 01:17:59,960
Speaker 1: was counting money on the weekends, millions of dollars because

1220
01:18:00,040 --> 01:18:02,600
Speaker 1: of that, because of the business that half of my

1221
01:18:02,720 --> 01:18:05,960
Speaker 1: team was in, and so I never really cared about

1222
01:18:06,000 --> 01:18:10,439
Speaker 1: the money thing like that, all Iceberg, Jacobi Jar, Nordica,

1223
01:18:10,920 --> 01:18:12,800
Speaker 1: all those things that was being passed down to me.

1224
01:18:12,840 --> 01:18:16,360
Speaker 1: I never had to really buy those things. Yeah, all

1225
01:18:16,400 --> 01:18:22,479
Speaker 1: of that, I speaking all that. So, you know, I

1226
01:18:22,640 --> 01:18:26,439
Speaker 1: was brought up fresh. I grew up in the hood

1227
01:18:26,720 --> 01:18:32,320
Speaker 1: Jackson Avenue seven hundred department to E. I can't say

1228
01:18:32,320 --> 01:18:36,280
Speaker 1: that I had a bad I can't. I can't. I'm

1229
01:18:36,320 --> 01:18:46,160
Speaker 1: not I'm not from I'm five, Okay. I can't say

1230
01:18:46,240 --> 01:18:48,680
Speaker 1: that I had a bad time in the hood. As

1231
01:18:48,760 --> 01:18:50,760
Speaker 1: bad as the hood was, like, I never had a

1232
01:18:50,840 --> 01:18:53,360
Speaker 1: bad time, Like I really, I really had like a

1233
01:18:53,439 --> 01:18:56,240
Speaker 1: lot of fun. I really, I really miss all my

1234
01:18:56,400 --> 01:19:00,600
Speaker 1: friends that uh not here to celebrate rank chance with

1235
01:19:00,720 --> 01:19:04,640
Speaker 1: us today or not able to see that shot. I

1236
01:19:04,720 --> 01:19:09,200
Speaker 1: feel like it's seriously like, yeah, let's celebrate all the Yeah.

1237
01:19:09,400 --> 01:19:12,720
Speaker 1: Great shout out to everybody that's not head to celebrate tonight. Yo,

1238
01:19:13,120 --> 01:19:16,360
Speaker 1: I can't believe BOCCARDI listen. I drink the whole bottle

1239
01:19:16,400 --> 01:19:19,800
Speaker 1: with y'all. Know we're gonna listen. I'm supposed to go

1240
01:19:19,920 --> 01:19:25,800
Speaker 1: to leven after this. Yeah, turn out alright, look it

1241
01:19:25,880 --> 01:19:30,240
Speaker 1: back to it, put it down. I love him. You

1242
01:19:30,320 --> 01:19:45,840
Speaker 1: know that's the remix of he just. I'm gonna be honest.

1243
01:19:47,200 --> 01:19:49,000
Speaker 1: This is a problem right now. You're gonna be honest.

1244
01:19:51,040 --> 01:19:56,599
Speaker 1: Tastes like Puerto Rico. Somebody's cool. You get your tam match.

1245
01:19:58,160 --> 01:19:59,960
Speaker 1: It is some Puerto Rico. Now, I'm gonna tell you

1246
01:20:00,000 --> 01:20:02,320
Speaker 1: you why because every time I eat French fries and

1247
01:20:02,360 --> 01:20:04,680
Speaker 1: porter because a little birds come over. You know what's

1248
01:20:04,760 --> 01:20:07,519
Speaker 1: up a French fries in Puerto Rico. I want to

1249
01:20:07,600 --> 01:20:09,800
Speaker 1: talk about the French fries and you never eat friend

1250
01:20:10,720 --> 01:20:18,160
Speaker 1: talking about and say, of course, everybody tell them not

1251
01:20:18,280 --> 01:20:21,040
Speaker 1: to go to talk about where you go. I'm nice

1252
01:20:21,080 --> 01:20:23,800
Speaker 1: in part I ain't never eat fries in Puerto Rico.

1253
01:20:23,920 --> 01:20:29,000
Speaker 1: We got no in Porto Rico. This is a little blackbirds.

1254
01:20:29,120 --> 01:20:31,439
Speaker 1: You know these little birds, they're fucking nuisance. I know

1255
01:20:31,520 --> 01:20:35,400
Speaker 1: what you're talking about them this game. And then right

1256
01:20:36,920 --> 01:20:39,960
Speaker 1: right there to you like, yeah you ain't working with that?

1257
01:20:43,920 --> 01:20:46,720
Speaker 1: Where did we end off? I was really I was

1258
01:20:46,800 --> 01:20:50,000
Speaker 1: really about to get into man is where drink chance?

1259
01:20:50,040 --> 01:20:52,960
Speaker 1: Fuck up a drink chance? This is this is our downfall.

1260
01:20:53,160 --> 01:20:55,599
Speaker 1: This is you know why, because we should lose the legends,

1261
01:20:56,120 --> 01:20:59,479
Speaker 1: we should lose what we gotta do. So now now

1262
01:20:59,520 --> 01:21:02,440
Speaker 1: you were talking about where you grew up the apartment

1263
01:21:04,200 --> 01:21:07,760
Speaker 1: because we were going off your family and cool Hurrican

1264
01:21:07,840 --> 01:21:10,479
Speaker 1: all that. I just burpt from ship. I was like,

1265
01:21:10,560 --> 01:21:15,920
Speaker 1: that's ulble card if it's a card car. It was great.

1266
01:21:16,479 --> 01:21:19,400
Speaker 1: I was amazing right now. I can't my birthday smell good?

1267
01:21:19,439 --> 01:21:23,320
Speaker 1: When I birthted, I said, I like it. It's just

1268
01:21:23,439 --> 01:21:30,600
Speaker 1: kindly shout the bus around bus arounds and hit me

1269
01:21:30,720 --> 01:21:34,640
Speaker 1: like are you on the shew yes, shout the bus man.

1270
01:21:34,720 --> 01:21:36,920
Speaker 1: We had for two point five seconds, but he was

1271
01:21:37,200 --> 01:21:41,960
Speaker 1: that quick. No, No, it was quite album got hit

1272
01:21:42,120 --> 01:21:46,000
Speaker 1: number one, so we need jug bus one, you know what.

1273
01:21:46,040 --> 01:21:49,840
Speaker 1: I'm yeah, get ready to go and you know, and

1274
01:21:49,960 --> 01:21:51,960
Speaker 1: that's what we want to do Swiss. We want to

1275
01:21:52,520 --> 01:21:55,840
Speaker 1: continue to salute to people that's been out here doing it.

1276
01:21:56,240 --> 01:21:59,280
Speaker 1: And a lot of people criticize on sometimes and they

1277
01:21:59,280 --> 01:22:01,280
Speaker 1: say why you don't off the new niggas, And I say,

1278
01:22:01,320 --> 01:22:03,080
Speaker 1: I got love for the new niggas. I listened to

1279
01:22:03,160 --> 01:22:06,040
Speaker 1: the ship, but I don't got new stories. Like when

1280
01:22:06,080 --> 01:22:08,120
Speaker 1: I sit here and we talked about band from TV

1281
01:22:08,360 --> 01:22:10,720
Speaker 1: right now, you you told me your own perspective of

1282
01:22:10,800 --> 01:22:13,120
Speaker 1: band from TV or did you did you fully get

1283
01:22:13,200 --> 01:22:16,400
Speaker 1: into them your own perspective. I'm gonna say something on that.

1284
01:22:17,520 --> 01:22:21,680
Speaker 1: You know, we gotta always be students. I would love

1285
01:22:21,760 --> 01:22:24,720
Speaker 1: to see you challenge the new people who haven't had

1286
01:22:24,760 --> 01:22:28,559
Speaker 1: this show. I would march when we wenew the contract,

1287
01:22:32,600 --> 01:22:41,720
Speaker 1: quick to see the mark Like the new niggas, I'm

1288
01:22:41,760 --> 01:22:43,960
Speaker 1: never ready for the don't trying to have a secret

1289
01:22:44,000 --> 01:22:46,680
Speaker 1: conversation about me to my they got interview. The new

1290
01:22:46,720 --> 01:22:48,960
Speaker 1: niggas continue to sweat some So so I just like

1291
01:22:49,160 --> 01:22:52,960
Speaker 1: that you know what it's not about new old this

1292
01:22:53,160 --> 01:22:59,320
Speaker 1: and that it's about content. Content, about content kings good content.

1293
01:22:59,479 --> 01:23:02,160
Speaker 1: It's about with content, Yeah, but it's curated. So when

1294
01:23:02,200 --> 01:23:03,960
Speaker 1: they come here you're going to make the good content.

1295
01:23:04,640 --> 01:23:08,280
Speaker 1: So with this platform you have, you can change everything

1296
01:23:08,400 --> 01:23:11,560
Speaker 1: that you might disagree with. But you just called us curating.

1297
01:23:11,680 --> 01:23:23,679
Speaker 1: Are we curated? Curating? That's the that means you put together?

1298
01:23:23,840 --> 01:23:28,360
Speaker 1: Think you know what I'm saying in my mind? Curious?

1299
01:23:28,600 --> 01:23:31,200
Speaker 1: That means, right? What do that means? Do you strenk

1300
01:23:31,280 --> 01:23:33,920
Speaker 1: chance sports? Come over here? What does that mean? When

1301
01:23:33,960 --> 01:23:39,680
Speaker 1: you said chance sports? Right? You think about it on

1302
01:23:39,760 --> 01:23:44,160
Speaker 1: your old mine? Definitely don't believe you. Let me actually

1303
01:23:44,160 --> 01:23:47,160
Speaker 1: sign how much of this interview is gonna be shown?

1304
01:23:47,320 --> 01:23:52,600
Speaker 1: Every everything, everything your That's how we do like this

1305
01:23:52,840 --> 01:23:56,240
Speaker 1: that don't don't don't hold nothing out. We don't don't

1306
01:23:56,240 --> 01:24:02,439
Speaker 1: know nothing. Nothing's just go. Let's go. So where is

1307
01:24:02,880 --> 01:24:05,120
Speaker 1: I hate wasting my time? No? No, no, none of

1308
01:24:05,200 --> 01:24:08,080
Speaker 1: it will be wasted. None. I hate wasting you know. Absolutely?

1309
01:24:08,120 --> 01:24:14,400
Speaker 1: Tell you something about about Swift. I see Swiss is quick.

1310
01:24:15,160 --> 01:24:17,920
Speaker 1: He is one hundred percent. Let me tell you something.

1311
01:24:20,200 --> 01:24:22,160
Speaker 1: He was probably one of the first producers I said

1312
01:24:22,160 --> 01:24:25,560
Speaker 1: I want to do. I want something like this, and

1313
01:24:25,680 --> 01:24:29,560
Speaker 1: he just makes it right there, like Premiere will make it.

1314
01:24:29,640 --> 01:24:33,240
Speaker 1: But you gotta get Premiere a rhyme do the same thing.

1315
01:24:34,000 --> 01:24:36,320
Speaker 1: I want to be like this and then prober like

1316
01:24:36,400 --> 01:24:39,519
Speaker 1: give me the roy Black, but I'll be like he'll swiss.

1317
01:24:39,960 --> 01:24:41,920
Speaker 1: I want some ship like this that to be like

1318
01:24:42,160 --> 01:24:54,920
Speaker 1: me like that. Just be looking at you, yo, like

1319
01:24:55,160 --> 01:24:58,360
Speaker 1: all you still like that? Like we're like I just

1320
01:24:58,400 --> 01:25:00,840
Speaker 1: remember I said beat box to you. We used to

1321
01:25:00,920 --> 01:25:05,720
Speaker 1: be like what you know, I just I just I

1322
01:25:05,840 --> 01:25:08,800
Speaker 1: just have fun doing what I'm doing. Anybody want to

1323
01:25:08,880 --> 01:25:15,960
Speaker 1: problem come dance? When Glory I was making a fifty

1324
01:25:16,040 --> 01:25:22,600
Speaker 1: beat tonight and keeping six literally deleted the right. You know,

1325
01:25:22,720 --> 01:25:24,559
Speaker 1: it's all about your word, I think, And it's all

1326
01:25:24,600 --> 01:25:27,960
Speaker 1: about your dedication. Don't play around with something that you

1327
01:25:28,080 --> 01:25:31,040
Speaker 1: don't feel. Don't worry about what nobody else feel. If

1328
01:25:31,080 --> 01:25:34,439
Speaker 1: you don't feel it, it don't go you understand. And

1329
01:25:34,520 --> 01:25:36,519
Speaker 1: when I was making those beats for you and everybody

1330
01:25:36,600 --> 01:25:38,920
Speaker 1: else in the world, which I was blessed to get

1331
01:25:38,920 --> 01:25:41,839
Speaker 1: out my hood from it, by my family and lifestyle

1332
01:25:41,960 --> 01:25:48,640
Speaker 1: from it, came from a nonfair you understand. Like I

1333
01:25:48,720 --> 01:25:52,759
Speaker 1: don't know what that means. A nonfair meaning not faring

1334
01:25:52,840 --> 01:25:56,360
Speaker 1: the results of failing. Like a lot of people are

1335
01:25:56,439 --> 01:26:00,160
Speaker 1: scared with this. One thinks that that one thinks, but

1336
01:26:00,240 --> 01:26:02,320
Speaker 1: it's like, you know, what I give a funk about

1337
01:26:02,360 --> 01:26:04,960
Speaker 1: what my family think. A lot of those people that

1338
01:26:05,360 --> 01:26:09,080
Speaker 1: want to judge you on what they think, they just

1339
01:26:09,200 --> 01:26:12,479
Speaker 1: wut you for the fake ride, like let let something

1340
01:26:12,560 --> 01:26:16,320
Speaker 1: not go down right, They're gonna be gone, fake friends.

1341
01:26:17,680 --> 01:26:20,960
Speaker 1: Family is important. If you don't got family around you,

1342
01:26:21,360 --> 01:26:23,680
Speaker 1: you might be in trouble. Families everything I was, I

1343
01:26:23,840 --> 01:26:26,960
Speaker 1: was protected to own my rights and publishing and things

1344
01:26:27,000 --> 01:26:29,639
Speaker 1: like that because the rough ride of family was literally

1345
01:26:29,840 --> 01:26:33,760
Speaker 1: my family. And I watched a lot of people come

1346
01:26:33,880 --> 01:26:38,439
Speaker 1: up and do the biggest things that history can never

1347
01:26:38,560 --> 01:26:45,880
Speaker 1: repeat again. Roman Neodles might be their male just because

1348
01:26:45,920 --> 01:26:49,680
Speaker 1: of that false trust and just because of that that

1349
01:26:49,840 --> 01:26:53,840
Speaker 1: that false judgment, and and and listen, man, you know

1350
01:26:53,920 --> 01:26:58,360
Speaker 1: sky is not the limits is just your view? This

1351
01:26:58,520 --> 01:27:00,920
Speaker 1: is all I said that A texted him. I told him,

1352
01:27:00,960 --> 01:27:11,040
Speaker 1: I remember, why should skies beyond limits? There's there's billions

1353
01:27:11,560 --> 01:27:17,120
Speaker 1: every every start we see, there's millions of galle around. Definitely,

1354
01:27:18,000 --> 01:27:20,360
Speaker 1: just because we can't see past the sky, Why is that?

1355
01:27:20,960 --> 01:27:24,040
Speaker 1: Why should the skies beyond limits? When there's footprints on Mars,

1356
01:27:25,080 --> 01:27:27,960
Speaker 1: don't box us in sky is nothing? Limits is just

1357
01:27:28,160 --> 01:27:30,720
Speaker 1: our feel because we know that there's life and the

1358
01:27:30,880 --> 01:27:34,760
Speaker 1: billions of phones beyond that. And once you start getting

1359
01:27:34,760 --> 01:27:40,240
Speaker 1: that mentality, you just gotta go. You understand, like you know, um,

1360
01:27:41,120 --> 01:27:43,720
Speaker 1: I'd rather help people than hurt people. But let me

1361
01:27:43,720 --> 01:27:49,559
Speaker 1: ask you this, nineteen is the best here in my life. Damn.

1362
01:27:50,000 --> 01:27:53,640
Speaker 1: I think two seventeen is. It's the best thing in

1363
01:27:53,680 --> 01:27:57,320
Speaker 1: my new life. Okay, I like that. That's a life.

1364
01:27:57,320 --> 01:27:59,960
Speaker 1: I like that, But the best in my first life,

1365
01:28:00,120 --> 01:28:03,000
Speaker 1: like I had ninety seven because of a couple of

1366
01:28:03,720 --> 01:28:05,720
Speaker 1: the War Report, but I was still selling drugs during

1367
01:28:05,760 --> 01:28:08,000
Speaker 1: the War Report, and it was terrible because people told

1368
01:28:08,040 --> 01:28:11,040
Speaker 1: me my album was classic, but I was selling three

1369
01:28:11,080 --> 01:28:19,280
Speaker 1: for five, so it was they're identified with me. But

1370
01:28:20,960 --> 01:28:26,480
Speaker 1: best yet my life because of we had the praisest

1371
01:28:27,479 --> 01:28:31,960
Speaker 1: records and you described that year for you, I mean,

1372
01:28:32,040 --> 01:28:38,599
Speaker 1: that's the best year. Hungling was the beginning of my madness.

1373
01:28:40,120 --> 01:28:45,280
Speaker 1: I was young, no facial hairs, no you know, no hope,

1374
01:28:45,360 --> 01:28:48,639
Speaker 1: no guidance, didn't drink back then, neither. I started drinking

1375
01:28:48,680 --> 01:28:52,160
Speaker 1: at thirty and smoking at thirty cigards weed that is

1376
01:28:53,800 --> 01:28:57,040
Speaker 1: I've been the whole time. I didn't want to have

1377
01:28:57,120 --> 01:28:59,760
Speaker 1: the car people, which I don't showed every day we

1378
01:29:00,040 --> 01:29:03,400
Speaker 1: and cigars on occasional vacations to be in a very

1379
01:29:03,520 --> 01:29:08,360
Speaker 1: festive gold boat with water and jet skis in front

1380
01:29:08,400 --> 01:29:12,599
Speaker 1: of me as a gold sigard. Now I'm good. I'm good.

1381
01:29:15,800 --> 01:29:21,680
Speaker 1: A matter of fact, give me this thing before. I've

1382
01:29:21,720 --> 01:29:29,519
Speaker 1: never thrown with him before. What what is this? What

1383
01:29:29,680 --> 01:29:31,639
Speaker 1: is this gold papers? What is the gold paper? Ali?

1384
01:29:33,120 --> 01:29:36,000
Speaker 1: What is it called? Shine first and foremost? Shout out

1385
01:29:36,040 --> 01:29:41,600
Speaker 1: to Ali? LL tell you somebody, Ali, he's he's a

1386
01:29:41,760 --> 01:29:46,640
Speaker 1: conscious guy. I watched him or protect the dog in

1387
01:29:46,760 --> 01:29:52,200
Speaker 1: a way nobody might not ever do that again. Right.

1388
01:29:52,800 --> 01:29:55,760
Speaker 1: I watched him put in his hard work, dedication. I

1389
01:29:55,880 --> 01:30:00,080
Speaker 1: watched him support Nori. That man is anointed in the A.

1390
01:30:00,960 --> 01:30:04,320
Speaker 1: That's just different. Ali is just different and they don't

1391
01:30:04,360 --> 01:30:06,840
Speaker 1: make him. If you don't understand him, you can look

1392
01:30:06,880 --> 01:30:10,519
Speaker 1: pass him, but you need to look at him. Shout

1393
01:30:10,560 --> 01:30:18,080
Speaker 1: out to our league. That was a beauty. It's truth.

1394
01:30:18,680 --> 01:30:20,880
Speaker 1: So now let's go. I want to fuck. Let's go.

1395
01:30:21,320 --> 01:30:23,479
Speaker 1: Let's take it, d go. Let's take us through this

1396
01:30:23,920 --> 01:30:27,240
Speaker 1: Friday era. I remember hearing stories that you and Jabal

1397
01:30:27,479 --> 01:30:33,040
Speaker 1: just beating us up. He's like the bar Jabba like

1398
01:30:35,240 --> 01:30:42,080
Speaker 1: single he was on, just on. But you I remember, like,

1399
01:30:42,600 --> 01:30:46,000
Speaker 1: like you'll be fighting too, Swiss, what's going on? Back

1400
01:30:46,040 --> 01:30:49,160
Speaker 1: and there? This is your past life. I still fight.

1401
01:30:51,960 --> 01:30:58,400
Speaker 1: He just a fight for was right. The fight was

1402
01:30:58,520 --> 01:31:03,919
Speaker 1: right for the power about anybody. A dummy could be physical.

1403
01:31:06,200 --> 01:31:11,400
Speaker 1: A dummy could be physical. A genius can be mental strategic.

1404
01:31:11,600 --> 01:31:17,320
Speaker 1: So my my fight now is with greatness, Like let's

1405
01:31:17,400 --> 01:31:21,719
Speaker 1: kill him with positivity, Let's kill him with great ideas,

1406
01:31:21,800 --> 01:31:25,960
Speaker 1: Let's kill them with let's killing with culture movement. You understand,

1407
01:31:26,080 --> 01:31:31,760
Speaker 1: like you know, I used to couldn't take words. Like

1408
01:31:31,840 --> 01:31:33,360
Speaker 1: a lot of people talk a lot of words when

1409
01:31:33,360 --> 01:31:36,519
Speaker 1: they're influence all these things on the table. But I'm like,

1410
01:31:36,640 --> 01:31:39,439
Speaker 1: you know what, I know, you don't even know what

1411
01:31:39,560 --> 01:31:42,240
Speaker 1: you're doing. I got I got people that called me

1412
01:31:42,360 --> 01:31:44,479
Speaker 1: every day wishing I had a problem with other people.

1413
01:31:46,160 --> 01:31:50,759
Speaker 1: I know, somebody's bothering you. Let's go, I'm gonna nobody

1414
01:31:50,800 --> 01:31:56,559
Speaker 1: bothering me. Like you know what, there's enough of us

1415
01:31:56,720 --> 01:32:00,320
Speaker 1: hurting us going on today. We gotta stop it. We

1416
01:32:00,479 --> 01:32:02,840
Speaker 1: have to stop it. But it's like we got to

1417
01:32:02,920 --> 01:32:10,320
Speaker 1: develop a patients within our own circle. You understand. We

1418
01:32:10,520 --> 01:32:14,080
Speaker 1: might think that like a person no better, but based

1419
01:32:14,120 --> 01:32:17,400
Speaker 1: on that person's upbringing, they might not know better. You

1420
01:32:17,560 --> 01:32:19,799
Speaker 1: might be an o G. You might be a general,

1421
01:32:20,080 --> 01:32:23,360
Speaker 1: he might be a pond, and the pond is gonna

1422
01:32:23,400 --> 01:32:26,800
Speaker 1: make the most mistakes. We got a guide that pond

1423
01:32:26,840 --> 01:32:30,320
Speaker 1: into being a future general or o G. It's our

1424
01:32:30,479 --> 01:32:35,080
Speaker 1: job if we know better understand. So it's like they

1425
01:32:35,120 --> 01:32:38,280
Speaker 1: could have been I could have abused my power and

1426
01:32:38,960 --> 01:32:41,439
Speaker 1: twenty of my homies could have been doing a bunch

1427
01:32:41,479 --> 01:32:42,880
Speaker 1: of times, and I would have took care of their

1428
01:32:42,960 --> 01:32:46,840
Speaker 1: family just because that was the protocol. But it's like,

1429
01:32:47,600 --> 01:32:50,559
Speaker 1: if we can help people more than we can hurt people,

1430
01:32:50,800 --> 01:32:53,160
Speaker 1: and we then that we're doing we're doing it, and

1431
01:32:53,360 --> 01:32:57,560
Speaker 1: we're doing a justice and and and our ecosystem. You

1432
01:32:57,600 --> 01:32:59,000
Speaker 1: know what I'm saying. The easiest thing for me to

1433
01:32:59,120 --> 01:33:04,160
Speaker 1: do is the do something disrespectful. It don't take no

1434
01:33:04,360 --> 01:33:07,960
Speaker 1: thinking to do something disrespectful. But the most respectful thing

1435
01:33:08,040 --> 01:33:13,160
Speaker 1: to do is something respectful. Listen, bro, let me talk

1436
01:33:13,200 --> 01:33:16,400
Speaker 1: to you right now. I know you feel like this,

1437
01:33:17,160 --> 01:33:20,840
Speaker 1: Why are you really have a problem with me? Because well,

1438
01:33:21,200 --> 01:33:23,439
Speaker 1: I ain't never even really say that. Most of the

1439
01:33:23,560 --> 01:33:27,040
Speaker 1: beef and depths over miscommunication. If you really listen to

1440
01:33:27,160 --> 01:33:32,080
Speaker 1: the conversation, it's a miscommunication, you understand, And we got

1441
01:33:32,200 --> 01:33:35,200
Speaker 1: to have a tonnerance to understand the dialogue of the

1442
01:33:35,280 --> 01:33:41,760
Speaker 1: communication to indicate if it's a violation or miscommunication. A

1443
01:33:41,920 --> 01:33:45,519
Speaker 1: violation we gotta deal with accordingly. Miscommunication, which is most

1444
01:33:45,560 --> 01:33:48,960
Speaker 1: of the times you go home to your family, had

1445
01:33:48,960 --> 01:33:51,720
Speaker 1: gone to my family. I give your hug man, I'm

1446
01:33:51,760 --> 01:33:53,320
Speaker 1: happy to meet you. If you ever need something on

1447
01:33:53,400 --> 01:33:55,479
Speaker 1: your in the side, let me know. If I'm on,

1448
01:33:55,600 --> 01:33:58,120
Speaker 1: that's something to call you. Let you know. I meant

1449
01:33:58,160 --> 01:34:02,160
Speaker 1: a lot of ogs, real official, authentic ogs or for miscommunication,

1450
01:34:04,200 --> 01:34:08,160
Speaker 1: but the intentions of non violation, you know, I'm saying,

1451
01:34:08,800 --> 01:34:11,080
Speaker 1: it's a difference. Like a lot of people I came,

1452
01:34:11,320 --> 01:34:14,639
Speaker 1: I came, and um, they don't even know the code.

1453
01:34:15,720 --> 01:34:18,400
Speaker 1: They don't know the codes, and it takes a lot

1454
01:34:18,439 --> 01:34:21,240
Speaker 1: of ogs to explain the code, you know what I'm saying,

1455
01:34:21,400 --> 01:34:25,200
Speaker 1: Like there's not many olds anymore. There is, but not that,

1456
01:34:25,520 --> 01:34:30,760
Speaker 1: but hold on being examples. A Swiss favorite and hip

1457
01:34:30,800 --> 01:34:33,679
Speaker 1: hop period. My favorite in hip hop is the nineties.

1458
01:34:34,640 --> 01:34:37,080
Speaker 1: And the reason I'm gonna say that is because ninties

1459
01:34:37,120 --> 01:34:41,840
Speaker 1: period night, because that's because that's take years beginning to

1460
01:34:41,920 --> 01:34:50,400
Speaker 1: hold that. Then because eight break, you know, I just

1461
01:34:50,520 --> 01:34:55,960
Speaker 1: felt like we were very experimental. It was very experimental.

1462
01:34:56,160 --> 01:34:59,680
Speaker 1: Everybody wants to sound different. Everybody's the goal was to

1463
01:34:59,800 --> 01:35:04,920
Speaker 1: be as far left as right as possible. Understand um,

1464
01:35:05,800 --> 01:35:09,800
Speaker 1: Now nowadays it's sounding like one producer in respect to

1465
01:35:09,880 --> 01:35:13,680
Speaker 1: all those producers. But nowadays it's an easy fix. It's

1466
01:35:13,760 --> 01:35:18,400
Speaker 1: like when before we had to like this table right

1467
01:35:19,160 --> 01:35:22,080
Speaker 1: to get to fix. You understand, it was a process

1468
01:35:22,960 --> 01:35:26,520
Speaker 1: and now it's like a program process. And no disrespect

1469
01:35:26,560 --> 01:35:29,240
Speaker 1: to the technology or that people using technology. I use

1470
01:35:29,320 --> 01:35:36,240
Speaker 1: the technology, but you know, be as that versus you

1471
01:35:36,360 --> 01:35:40,560
Speaker 1: can How are you going to be the producer that

1472
01:35:40,680 --> 01:35:43,639
Speaker 1: you want to be if people think you're three people?

1473
01:35:44,960 --> 01:35:47,280
Speaker 1: When I was Swiss, I was only Swiss. The only

1474
01:35:47,360 --> 01:35:50,880
Speaker 1: thing I can say was I was so Swiss that

1475
01:35:51,000 --> 01:35:55,160
Speaker 1: they thought it was Swiss Beats was a group. I

1476
01:35:55,240 --> 01:35:56,680
Speaker 1: used to be in the em like Yo, where's the

1477
01:35:56,720 --> 01:35:58,519
Speaker 1: rest of Swiss Beat? Stay over there? And I used

1478
01:35:58,520 --> 01:36:02,519
Speaker 1: to sing around one over here, this one's coming in here.

1479
01:36:02,560 --> 01:36:05,400
Speaker 1: Being later it was like, you know, the us that

1480
01:36:05,479 --> 01:36:07,400
Speaker 1: you was making it was so big that they thought

1481
01:36:07,479 --> 01:36:11,080
Speaker 1: you was You was like many of people, you know.

1482
01:36:11,560 --> 01:36:14,040
Speaker 1: And my thing that I say the producers is like, yo,

1483
01:36:14,680 --> 01:36:18,320
Speaker 1: that was you know, challenge yourself to be uh greater

1484
01:36:18,479 --> 01:36:24,040
Speaker 1: than the radio right And I'm sorry this is crazy,

1485
01:36:24,400 --> 01:36:28,720
Speaker 1: but is there any producer that you hate it? Like

1486
01:36:28,920 --> 01:36:35,839
Speaker 1: you this nigger got stopped. There's a lot of producers

1487
01:36:35,880 --> 01:36:38,599
Speaker 1: that's fake. But I can't say that. You know, hate

1488
01:36:38,680 --> 01:36:41,679
Speaker 1: is a is a big word, not not not hate

1489
01:36:41,720 --> 01:36:44,479
Speaker 1: like you don't want him to succeed, but like, damn

1490
01:36:45,560 --> 01:36:49,519
Speaker 1: this this thing is like Jones is not correct, Like

1491
01:36:49,720 --> 01:36:52,439
Speaker 1: you don't even get those people the time of dating

1492
01:36:52,439 --> 01:36:54,720
Speaker 1: and over there, you know what I'm saying, like my

1493
01:36:54,880 --> 01:36:57,760
Speaker 1: ads hard of THEND you to culture until what's right?

1494
01:36:57,920 --> 01:37:02,000
Speaker 1: I listened to feel like COUTI Bobma, they shot Day Noriega,

1495
01:37:02,439 --> 01:37:05,080
Speaker 1: different different things that you know, I gotta, I gotta.

1496
01:37:05,400 --> 01:37:07,519
Speaker 1: I got a variety of the sound cloud of my

1497
01:37:07,640 --> 01:37:12,760
Speaker 1: own brain. Even uh, you know somebody that's like being

1498
01:37:12,840 --> 01:37:16,600
Speaker 1: a little on those lines of faking this and that.

1499
01:37:17,320 --> 01:37:20,400
Speaker 1: Did you ever were you ever sample like heavy, like

1500
01:37:20,720 --> 01:37:23,400
Speaker 1: sampling old records because I don't I hate with people

1501
01:37:23,479 --> 01:37:26,960
Speaker 1: sample bad for TV. Let's just come on, don't change something.

1502
01:37:27,720 --> 01:37:31,920
Speaker 1: People keep trying to say this right here right now

1503
01:37:32,720 --> 01:37:34,479
Speaker 1: every time I ask you. That's why I'm asking him this,

1504
01:37:34,920 --> 01:37:37,800
Speaker 1: And you just changed the whole. Please go back back

1505
01:37:37,800 --> 01:37:40,280
Speaker 1: to this subject. Let's run back the mark. I let

1506
01:37:40,320 --> 01:37:42,360
Speaker 1: when people trying to rhyme with a band with TV,

1507
01:37:42,479 --> 01:37:46,880
Speaker 1: let's test telling me from tvl't please leave everybody. I

1508
01:37:46,960 --> 01:37:49,960
Speaker 1: say that right now they sample mad from TV's and balation.

1509
01:37:50,000 --> 01:37:52,000
Speaker 1: We're coming to see football change. Thank you, thank you,

1510
01:37:53,960 --> 01:37:57,080
Speaker 1: Please leave le play with studio. I'm sorry what you

1511
01:37:57,160 --> 01:38:04,080
Speaker 1: were saying. You got me that time. But were you

1512
01:38:04,160 --> 01:38:06,360
Speaker 1: ever did you ever sample? Were you ever sample heaving

1513
01:38:06,400 --> 01:38:09,880
Speaker 1: on old records? I never would sample heavy if out

1514
01:38:09,920 --> 01:38:12,320
Speaker 1: of the five hundred finish song dudes, you know. I

1515
01:38:12,360 --> 01:38:14,600
Speaker 1: know that for a fact, as I'm asking if you

1516
01:38:14,680 --> 01:38:17,400
Speaker 1: ever did it? So I like, I like samples. So

1517
01:38:17,479 --> 01:38:20,040
Speaker 1: it's my ignorance. I'm a DJ, he's a producer. This

1518
01:38:20,400 --> 01:38:23,040
Speaker 1: this might be ignorant question on my end. But do

1519
01:38:23,160 --> 01:38:27,200
Speaker 1: you think that you ushered in the production wave of

1520
01:38:27,320 --> 01:38:32,160
Speaker 1: not sampling went because they changed the game? You know, um,

1521
01:38:32,560 --> 01:38:35,120
Speaker 1: you know Farrell thank me and Jeff Blaze thank me

1522
01:38:35,240 --> 01:38:38,679
Speaker 1: because you know imagine, like before I started not sample

1523
01:38:38,720 --> 01:38:42,439
Speaker 1: and Puff Daddy had the James Brown samples total and

1524
01:38:42,520 --> 01:38:45,400
Speaker 1: all these different groups on smash and I came with

1525
01:38:45,479 --> 01:38:48,240
Speaker 1: these non samples and the reason why I came with

1526
01:38:48,280 --> 01:38:51,160
Speaker 1: the non samples because everything I was sampling, I felt

1527
01:38:51,200 --> 01:38:54,280
Speaker 1: like somebody was stealing something from me. I'm like, I

1528
01:38:54,400 --> 01:38:57,439
Speaker 1: just sample, it's like hey, and then he stole my sound,

1529
01:38:57,560 --> 01:39:00,439
Speaker 1: like no, that's not your sound. And then I got

1530
01:39:00,560 --> 01:39:04,960
Speaker 1: a U Yamaha and one or whatever, the Core game

1531
01:39:05,080 --> 01:39:08,559
Speaker 1: one call a game one, and I just started playing

1532
01:39:08,680 --> 01:39:11,280
Speaker 1: playing what I felt was good. And you know resci

1533
01:39:11,360 --> 01:39:14,760
Speaker 1: Pec Calv you know and in Halem No you know

1534
01:39:14,920 --> 01:39:18,160
Speaker 1: him keV cos you knows. You know what I'm saying.

1535
01:39:18,240 --> 01:39:23,679
Speaker 1: And I just was using the Core one and doing

1536
01:39:23,760 --> 01:39:26,479
Speaker 1: my thing, and I the reason why I liked it

1537
01:39:26,640 --> 01:39:29,680
Speaker 1: was because what I what I came with was unpredictable,

1538
01:39:30,600 --> 01:39:32,360
Speaker 1: and so I knew that nobody can come out with it.

1539
01:39:32,840 --> 01:39:35,880
Speaker 1: And I also knew that they can clear. There's no

1540
01:39:36,000 --> 01:39:38,720
Speaker 1: samples to clad. So what you heard right now, you

1541
01:39:38,760 --> 01:39:42,559
Speaker 1: can put out tomorrow. And that was like my my marketing,

1542
01:39:42,880 --> 01:39:44,880
Speaker 1: marketing playing at that time. So you don't have to

1543
01:39:44,880 --> 01:39:48,519
Speaker 1: share the publishing at all. I've gained a lot of

1544
01:39:48,560 --> 01:39:51,360
Speaker 1: publishing off of you know, That's what I'm saying. It

1545
01:39:51,479 --> 01:39:54,200
Speaker 1: changed the game. Yeah, I never even knew about publishing

1546
01:39:54,320 --> 01:39:57,320
Speaker 1: until I got the check I never I never knew

1547
01:39:57,960 --> 01:40:01,000
Speaker 1: the process of a publishing check, never knew a process

1548
01:40:01,080 --> 01:40:04,680
Speaker 1: of royal teasing mechanic. Who's all those things? Where do

1549
01:40:04,760 --> 01:40:07,559
Speaker 1: we learn that? Who teach us that? Nobody? What are

1550
01:40:07,600 --> 01:40:09,679
Speaker 1: we going to ask at school? They don't'ta teach us ship.

1551
01:40:10,200 --> 01:40:13,720
Speaker 1: Nobody don't teach us anything. You know, we just a

1552
01:40:13,840 --> 01:40:16,880
Speaker 1: part of this environment and we where we're creative means

1553
01:40:16,920 --> 01:40:19,360
Speaker 1: and we do we feel that's right. Nobody never talked

1554
01:40:19,360 --> 01:40:22,400
Speaker 1: to us about the business. And that's why and and

1555
01:40:22,479 --> 01:40:26,000
Speaker 1: two thousand seventeen on forward, I'm going to teach the business.

1556
01:40:26,040 --> 01:40:28,840
Speaker 1: I went to Harvard just because just so I can

1557
01:40:28,960 --> 01:40:31,680
Speaker 1: teach the people the business. I want to teach you

1558
01:40:31,800 --> 01:40:35,040
Speaker 1: are I want to teach you business for free. Education

1559
01:40:35,120 --> 01:40:38,120
Speaker 1: should be free, knowledge should be free. You understand the

1560
01:40:38,200 --> 01:40:40,280
Speaker 1: whole these things back from us? And then how are

1561
01:40:40,280 --> 01:40:41,640
Speaker 1: we going to get to the next level? How are

1562
01:40:41,640 --> 01:40:43,760
Speaker 1: we gonna seceed to the next level? We don't know

1563
01:40:43,840 --> 01:40:46,040
Speaker 1: what we're doing. We're just happy to make a sound.

1564
01:40:46,760 --> 01:40:49,040
Speaker 1: You understand what's the parameters of that sound to make

1565
01:40:49,080 --> 01:40:52,080
Speaker 1: our families living a better life other than a gett

1566
01:40:52,200 --> 01:40:55,080
Speaker 1: that we was brought up in. You understand, like my

1567
01:40:55,200 --> 01:40:57,400
Speaker 1: whole hood is dead. I don't know nobody in my

1568
01:40:57,520 --> 01:41:00,639
Speaker 1: hood right now, you know what I'm saying, Just like, damn,

1569
01:41:00,960 --> 01:41:03,519
Speaker 1: I'll go back to my streets. I want to build parks,

1570
01:41:03,800 --> 01:41:06,560
Speaker 1: all these different things. I don't know these motherfucker's. You

1571
01:41:06,600 --> 01:41:08,680
Speaker 1: know what I'm saying. It's like you wasn't around. Who

1572
01:41:08,800 --> 01:41:12,040
Speaker 1: is this? He might dance on me, you know, saying

1573
01:41:12,160 --> 01:41:13,760
Speaker 1: my man, who with a bunch of things like you

1574
01:41:13,760 --> 01:41:15,920
Speaker 1: know what I'm saying, Like I shouldn't be over here

1575
01:41:16,040 --> 01:41:19,880
Speaker 1: like this. But it's the reality of reality, and we

1576
01:41:19,960 --> 01:41:22,680
Speaker 1: gotta face him. We gotta change it. Everybody want to,

1577
01:41:23,120 --> 01:41:25,760
Speaker 1: uh talk about change, but the only change that we're

1578
01:41:25,760 --> 01:41:28,880
Speaker 1: gonna have us within. We gotta change with each other.

1579
01:41:29,720 --> 01:41:32,720
Speaker 1: You understand what's going on in Chicago, gotta change, what's

1580
01:41:32,760 --> 01:41:35,160
Speaker 1: going in New York, gotta change going on in the world.

1581
01:41:35,200 --> 01:41:37,760
Speaker 1: Gotta change. And that's when I come within. And we

1582
01:41:37,880 --> 01:41:41,000
Speaker 1: gotta be smart enough to change those barriers and those rules.

1583
01:41:41,360 --> 01:41:46,439
Speaker 1: Put them guns aways and think more women's moms white.

1584
01:41:47,160 --> 01:41:53,040
Speaker 1: She gotta my wife, Guys, my wife got I got

1585
01:41:53,080 --> 01:41:55,280
Speaker 1: seven am in the morning, was like, I'm going to

1586
01:41:55,400 --> 01:41:58,920
Speaker 1: the women's March. I'll be back at three o'clock, I'm like, seriously,

1587
01:42:00,880 --> 01:42:03,040
Speaker 1: she just did She just didn't even tell me about

1588
01:42:03,080 --> 01:42:06,760
Speaker 1: she just did it. And when we gotta be as men,

1589
01:42:08,240 --> 01:42:10,960
Speaker 1: the women is more powerful than us. I believe so

1590
01:42:11,160 --> 01:42:14,479
Speaker 1: the one no, I know when they stick together, no period,

1591
01:42:15,400 --> 01:42:19,240
Speaker 1: The women is more powerful than us because the devotion

1592
01:42:19,400 --> 01:42:25,599
Speaker 1: to um realism is different. Like we were, we're like um,

1593
01:42:26,560 --> 01:42:30,720
Speaker 1: we're trapped in a lot of different things. Ego, this

1594
01:42:31,400 --> 01:42:34,639
Speaker 1: man power, that ship don't mean nothing like the women.

1595
01:42:35,120 --> 01:42:37,120
Speaker 1: If your wife tells you she don't mess with nobody,

1596
01:42:37,520 --> 01:42:40,080
Speaker 1: don't mess with that person. She's gonna see something that

1597
01:42:40,160 --> 01:42:43,519
Speaker 1: you don't see. And we think we got all answer,

1598
01:42:43,600 --> 01:42:45,200
Speaker 1: but she was like, yo, I don't like him in

1599
01:42:45,280 --> 01:42:49,040
Speaker 1: the house. Don't let him in that house because the

1600
01:42:49,080 --> 01:42:51,200
Speaker 1: reason why you let him in the house, she's seeing

1601
01:42:51,240 --> 01:42:54,439
Speaker 1: why she don't like him in that house. He went

1602
01:42:54,520 --> 01:42:56,320
Speaker 1: to the bathroom, went to the taller and watched her

1603
01:42:56,400 --> 01:43:01,080
Speaker 1: hand to flesh your color. That's disrespectful ship. She's gonna

1604
01:43:01,120 --> 01:43:04,519
Speaker 1: tell you that I'm gonna go to your house, wash

1605
01:43:04,640 --> 01:43:07,200
Speaker 1: my hands, fush your tiler, make sure to sit down,

1606
01:43:08,400 --> 01:43:12,400
Speaker 1: respectful ship. Crue the enemy gonna come in and disrespect

1607
01:43:12,479 --> 01:43:16,080
Speaker 1: your home. Piss on the toilet, see on your floor,

1608
01:43:17,120 --> 01:43:30,840
Speaker 1: and you're telling me gonna check my rocks. Now we're

1609
01:43:30,840 --> 01:43:38,040
Speaker 1: going until you can piss on my world. Downtime. You

1610
01:43:38,120 --> 01:43:40,160
Speaker 1: ain't been there a long time. If you don't come outside,

1611
01:43:42,920 --> 01:43:44,679
Speaker 1: you know, before we get out of here, I gotta

1612
01:43:44,720 --> 01:43:47,880
Speaker 1: bring this record back one more motherfucker time. This record

1613
01:43:48,000 --> 01:43:52,120
Speaker 1: is so motherfucking New York. It's so hip hop. Drink

1614
01:43:52,200 --> 01:43:56,000
Speaker 1: chance Anthem, my brother and no ware produced by my

1615
01:43:56,080 --> 01:44:06,320
Speaker 1: nigga Swiss beats. Check it out? What what what? What? What? What? What? What? What? What? What?

1616
01:44:07,200 --> 01:44:12,720
Speaker 1: God doing? What? Everybody to the left door, left the

1617
01:44:12,760 --> 01:44:20,920
Speaker 1: gunlover everybody stone water, Yeah, everybody like to the stone

1618
01:44:21,600 --> 01:44:24,360
Speaker 1: to get up? Now down trying to get chants in

1619
01:44:24,400 --> 01:44:27,400
Speaker 1: me and my click. I gotta hunt his life my point?

1620
01:44:27,800 --> 01:44:31,400
Speaker 1: What super dog like my point? Why my super dog

1621
01:44:31,520 --> 01:44:34,840
Speaker 1: like my point? They don't hear me though. You want

1622
01:44:34,840 --> 01:44:37,479
Speaker 1: to dlink change, but not to get the life to

1623
01:44:37,600 --> 01:44:41,400
Speaker 1: keep the only didn't killing get clink change because I

1624
01:44:41,520 --> 01:44:44,679
Speaker 1: need to laf to keep the forty. Only ain't kicking, y'all.

1625
01:44:44,880 --> 01:44:47,840
Speaker 1: I'm one. Doesn't change because I need your life to

1626
01:44:47,960 --> 01:44:50,479
Speaker 1: keep the forty on me, y'all. Damn down on the

1627
01:44:50,560 --> 01:44:55,000
Speaker 1: drink because I ul left swizzy. What come on the love?

1628
01:44:55,360 --> 01:44:58,320
Speaker 1: You want to drink chaps a trick? Alf hit the

1629
01:44:58,360 --> 01:45:03,560
Speaker 1: phone before they only picking got fan without got a

1630
01:45:03,640 --> 01:45:06,160
Speaker 1: drink rocket mortgage. You come on yo, Yeah, I'm got

1631
01:45:06,200 --> 01:45:08,559
Speaker 1: some new ships. Yeah, I WoT some new ship cooking

1632
01:45:08,640 --> 01:45:11,439
Speaker 1: like your killers. But you won't never do ship. I

1633
01:45:11,520 --> 01:45:14,360
Speaker 1: told my nigger's twice your back at it. They slept

1634
01:45:14,400 --> 01:45:17,679
Speaker 1: onna slide. I'm a craft matter, used to self crack.

1635
01:45:17,760 --> 01:45:19,880
Speaker 1: Ain't drink a lot, ain't going when the winter time.

1636
01:45:20,040 --> 01:45:21,840
Speaker 1: See me want to make a lot. I mean to

1637
01:45:21,960 --> 01:45:24,479
Speaker 1: drink chin. Course, I drink a lot. I used to

1638
01:45:24,600 --> 01:45:28,920
Speaker 1: keep that clock on me. I don't think so now

1639
01:45:29,400 --> 01:45:36,800
Speaker 1: picking out, I'm chopping down. Okay, don't hit me up.

1640
01:45:37,600 --> 01:45:40,360
Speaker 1: Drink chance because that we can laugh. Used to keep

1641
01:45:40,400 --> 01:45:42,720
Speaker 1: the forty only ain't kick the lap. He made the

1642
01:45:42,840 --> 01:45:45,320
Speaker 1: drink chance because he get your lap. He used to

1643
01:45:45,400 --> 01:45:48,599
Speaker 1: keep the forty on. Come on, come on to drink chance.

1644
01:45:49,040 --> 01:45:56,439
Speaker 1: It's a drink a lot. Get the body to drink chance.

1645
01:45:58,120 --> 01:45:59,680
Speaker 1: I see. All I want to do is be s

1646
01:45:59,800 --> 01:46:02,400
Speaker 1: sell fool. Think about the money. Second, that ship is

1647
01:46:02,439 --> 01:46:04,840
Speaker 1: stressful to think about the fair. Love is that shit

1648
01:46:04,920 --> 01:46:09,200
Speaker 1: is stressful. Did it for a long time, But when

1649
01:46:09,240 --> 01:46:11,960
Speaker 1: you don't, still wore timberlance, never change on you. My

1650
01:46:12,080 --> 01:46:15,040
Speaker 1: friends still demandican man. I did it my way, acts

1651
01:46:15,080 --> 01:46:17,680
Speaker 1: for no permissions. The only dude smoking on trees and

1652
01:46:17,760 --> 01:46:23,760
Speaker 1: no permission everybody, So now get out, now down, Yes

1653
01:46:23,840 --> 01:46:27,000
Speaker 1: a team. This don't feel like New York. I do

1654
01:46:27,120 --> 01:46:29,720
Speaker 1: not know what to tell you. Let's go me the

1655
01:46:29,800 --> 01:46:34,559
Speaker 1: tint change because the life they keep the last time

1656
01:46:36,680 --> 01:46:41,840
Speaker 1: last funny. I want to drink Champs. It's a tricker,

1657
01:46:50,800 --> 01:46:53,120
Speaker 1: got the party. I got some rocks, so we're gonna

1658
01:46:53,120 --> 01:46:56,519
Speaker 1: get drunk, half fun take more shots. You see. I

1659
01:46:56,640 --> 01:46:59,720
Speaker 1: celebrate life. I could have been to jail and had

1660
01:47:00,240 --> 01:47:02,880
Speaker 1: snigger like yeah, that's what I'm here for a reason.

1661
01:47:03,120 --> 01:47:05,880
Speaker 1: So I'm gonna celebrate. Drink more for no breezing, bro.

1662
01:47:06,720 --> 01:47:09,280
Speaker 1: This is drink tip season to boy, have a drink.

1663
01:47:09,360 --> 01:47:13,080
Speaker 1: Go ahead and enjoy your evening. Every Body to the show.

1664
01:47:13,240 --> 01:47:17,360
Speaker 1: Now dick up, now turn downtown watching me and my click.

1665
01:47:17,680 --> 01:47:23,680
Speaker 1: I got a super dog first, come on, come on

1666
01:47:25,439 --> 01:47:29,560
Speaker 1: one more time? Like, why come on? I want to

1667
01:47:29,600 --> 01:47:33,800
Speaker 1: drink wild because that's right. The forty only ain't kicking

1668
01:47:33,880 --> 01:47:36,760
Speaker 1: where we are on the wild because it ticking. Watch

1669
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