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Speaker 1: Hey everyone, Happy holidays. The boys and I are releasing

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Speaker 1: some of our favorite episodes on the feed over the

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Speaker 1: holiday break. Last week, we unpay Walt a few pro

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Speaker 1: versions that we loved. We actually just released an amazing

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Speaker 1: pro version on the Patreon where the fans voted on

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Speaker 1: the best episode of twenty twenty three, so make sure

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Speaker 1: to check that out. And today we're putting out season one,

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Speaker 1: episode five of Hollywood Masterclass with special guests Mary Holland.

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Speaker 1: There's a new free feed for that show which has

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Speaker 1: every episode of Masterclass on there, and the link for

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Speaker 1: that is in the description. Thanks everyone. We'll be back

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Speaker 1: with our regularly scheduled programming of this little funny show

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Speaker 1: next week. Happy New Year.

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Speaker 2: I'm Sean Clemons Malcolme to an announcer class, guys, why

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Speaker 2: don't get right into it today?

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Speaker 3: All right, okay, you're obsessed with sex.

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Speaker 4: Obsessed is a strong word.

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Speaker 3: You left the computer on Camelto dot com the other day.

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Speaker 3: Could you imagine if the girls had seen that?

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Speaker 4: That must have been Maria. I knew that whole I'm

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Speaker 4: a devout Catholic nanny routine was a sham.

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Speaker 3: Honey. We've had four friends in the last year get

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Speaker 3: separated or divorced due to some degree of infidelity. I'm

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Speaker 3: not a cheating I know you're not, but I don't

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Speaker 3: want that to be the only reason you don't cheat.

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Speaker 2: Lucy called it a hall pass.

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Speaker 3: I'm giving you one freedom to be with someone and

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Speaker 3: it won't be cheating.

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Speaker 4: So you want an open marriage?

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Speaker 3: No, just one hall pass.

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Speaker 4: This isn't one of those you take the kids in

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Speaker 4: the morning and expecting that I'll take them in the afternoon.

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Speaker 3: Deals one hall pass for you, and I know how

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Speaker 3: you obsess over things. So you've got one week to

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Speaker 3: use it.

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Speaker 2: Okay, Wow, So it's a powerful scene. It's about relationships.

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Speaker 2: Engineer Brett, you've seen this film.

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Speaker 5: Yeah, many times.

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Speaker 2: Yeah, if you haven't seen it, Bang, it's a film

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Speaker 2: worth watching big time, do you understand.

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Speaker 4: Yeah, our last we did a scene from this before.

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Speaker 2: Ah. He has been paying attention, right, and so, of

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Speaker 2: course the feminine, lovely, lilting voice you hear is Murray

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Speaker 2: Hollands here to perform with Bang raj Man, our resident student,

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Speaker 2: and she's been nice enough to come in and sort

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Speaker 2: of coax him through the scene work.

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Speaker 3: It's surely my pleasure.

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Speaker 2: I'm happy to be yes, and what you were doing there,

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Speaker 2: and I picked up on all the little things, even

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Speaker 2: where you pretended to have made a mistake and with

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Speaker 2: the double bank ye read yeah, and that sort of

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Speaker 2: choice to bring it make it real in the moment. Yes, Yes,

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Speaker 2: And then I go, oh, I'm not watching, you know,

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Speaker 2: words on a page. I'm watching a person exist.

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Speaker 6: Yeah.

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Speaker 2: And that was really powerful and bang, I wish I

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Speaker 2: could get more of that out of you, because to me,

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Speaker 2: you were the words on a page. You were the

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Speaker 2: person who maybe hasn't seen this film I'm picking up.

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Speaker 4: Yeah. I mean I feel like to do the scene

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Speaker 4: it would watching. Yeah.

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Speaker 2: When was the last time you saw the film?

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Speaker 6: I saw last week?

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Speaker 5: Yes?

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Speaker 2: Yeah?

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Speaker 4: Uh you saw Hall Past last week before you even

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Speaker 4: know you were going to do this. Yes, I guess

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Speaker 4: I just didn't really as it was such a well

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Speaker 4: known movie.

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Speaker 2: Yeah. Well, and it gives you context a little bit

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Speaker 2: for what you're doing, because it can be hard to

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Speaker 2: really understand what's happening in the scene if you haven't

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Speaker 2: seen the film. Do you get it? I mean, do

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Speaker 2: you think you know what these characters are going through? Bag?

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Speaker 4: Yeah? I kind of. I mean it seems pretty self

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Speaker 4: evident in the short piece that we read. It seems

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Speaker 4: like they kind of say what the plot of the

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Speaker 4: movie is used to have, like three times in this

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Speaker 4: scene alone.

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Speaker 2: And it's sometimes when things seem so simple, that's when

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Speaker 2: it's actually very calm.

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Speaker 3: That's right, that's yeah.

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Speaker 2: And Jie Brett, do you want to explain a little

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Speaker 2: bit about you know, he's sort of you know, he's

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Speaker 2: a film buff and and this is one of your favorites.

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Speaker 2: Do you want to talk a little bit about he's

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Speaker 2: lurking out, he's making a muscle. So, but do you

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Speaker 2: want to talk a little bit about the moment when

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Speaker 2: she does reveal that he left the computer on cameltow

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Speaker 2: dot com.

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Speaker 7: Yeah, so she is just like cleaning up, and then

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Speaker 7: she sees the computer open and she notices and low

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Speaker 7: website is it? It's on cameltoe dot com. Yeah, yeah,

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Speaker 7: in incognito mode, just left up on the screen.

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Speaker 2: Yeah so, and and that of course is a website. Look, men,

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Speaker 2: women creatures of sex, right, Yeah, we all sexual like

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Speaker 2: the way it feels. We like the way it looks

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Speaker 2: when a woman's stretch pants or whatever are jammed a

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Speaker 2: little bit into the front of her stuff.

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Speaker 4: Okay, where we going to.

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Speaker 2: We're trying to get you to do the scene effectively.

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Speaker 2: So I'm gonna take away some of the because it

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Speaker 2: seems like you're trying to do a lot. Go ahead,

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Speaker 2: what do you get?

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Speaker 4: I think I get. What maybe you're trying to get

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Speaker 4: to is that, like you want me to visualize the scene.

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Speaker 2: Maybe this character doesn't just exist for this moment where

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Speaker 2: they're on this page. You know, they have a whole life.

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Speaker 2: They don't even just exist for the length of the film,

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Speaker 2: although if you'd seen the film you'd know they do

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Speaker 2: some pretty funny stuff during it. They exist both before

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Speaker 2: and after the events of the film take place, and

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Speaker 2: I want you to create a story for them that's

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Speaker 2: more full than what I'm getting.

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Speaker 3: Okay, And is there anything I could be doing as

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Speaker 3: far as inhabiting or giving him like I don't.

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Speaker 2: I'm giving him what I think I can, but yeah, no,

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Speaker 2: you're giving him so much. And it's also the contrast.

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Speaker 2: I almost wonder if you want to take something off it, okay,

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Speaker 2: so that he you know what I mean. It's like

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Speaker 2: if somebody is if somebody's up five flights of stairs,

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Speaker 2: going hey, come up here and join me. You can't

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Speaker 2: hear them. That's so true, you know. But if they're

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Speaker 2: just but if they're up only two flights, maybe maybe

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Speaker 2: you start walking and then they can keep walking and

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Speaker 2: he can sort of follow the sound of your voice

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Speaker 2: start achieving a full character.

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Speaker 3: I'll start on the second floor landing and just start

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Speaker 3: making my way.

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Speaker 2: He's in the basement.

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Speaker 8: That's right, Okay, okay, ready, you're obsessed with sex.

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Speaker 4: Obsessed is a strong word.

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Speaker 3: You left the computer on camelto dot com the other day.

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Speaker 3: Could you imagine if the girls had seen that?

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Speaker 4: How must have been Maria. I knew that whole I'm

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Speaker 4: a devout Catholic nanny routine with stop.

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Speaker 2: Who's Maria?

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Speaker 4: I assume she's our like cleaning lady.

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Speaker 2: Okay, and you know word, yes, very so we need

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Speaker 2: to really know who Maria is.

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Speaker 4: She's the Catholic nanny. I guess.

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Speaker 2: She's doing a devout Catholic nanny routine. We have that

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Speaker 2: information from the page.

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Speaker 3: She's one of the girls.

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Speaker 2: There's the girls.

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Speaker 3: She's one of the girls.

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Speaker 2: Hello, Marie mentioned the girls. What she said the girls before? Right? Okay,

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Speaker 2: so think about that, you know what, maybe we were starting,

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Speaker 2: Maybe we were starting or I think our daughters, it

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Speaker 2: doesn't matter. We're starting in the deep end a little bit.

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Speaker 2: What about this? What if we just run the lines? Okay,

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Speaker 2: what if we just run the lines. Let's take all

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Speaker 2: the pressure off and let's just straight up the lines.

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Speaker 3: I love that.

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Speaker 4: Okay, don't act, just.

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Speaker 2: Do the lines. But don't be boring.

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Speaker 3: You're obsessed with sex.

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Speaker 4: Obsessed is a strong word.

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Speaker 3: You left the computer on camelton dot com the other day.

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Speaker 3: Could you imagine if the girls had seen that?

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Speaker 4: That must have been Maria. I knew that whole. I'm

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Speaker 4: a devout Catholic nanny bank stop.

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Speaker 2: Don't try to run the lines. Run the lines, you know.

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Speaker 9: What I mean?

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Speaker 2: Trying to sound like you're just running the lines is

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Speaker 2: also acting. Yeah, don't you feel that way? And you

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Speaker 2: see sort of the way that Mary's just running the lines,

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Speaker 2: and it's very natural. She's inhabiting, you know, this space,

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Speaker 2: and she's just running the lines. But when you run them,

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Speaker 2: you're acting like I'm a guy running the lines.

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Speaker 4: You know.

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Speaker 2: That's doing something. Don't do something? Do nothing? Yeah, do nothing.

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Speaker 2: You don't have to try to do nothing, but do nothing.

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Speaker 2: But don't be boring and run the lines.

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Speaker 6: Right, yeah, and back in Yeah, all.

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Speaker 4: Right, sorry, Okay, that must have been That must have

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Speaker 4: been Maria. I knew the whole I'm a devout Catholic

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Speaker 4: nanny routine was a sham.

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Speaker 6: Honey.

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Speaker 3: We've had four friends in the last year. It's separated

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Speaker 3: or divorced due to some degree of infidelity.

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Speaker 4: I'm not a cheater.

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Speaker 3: I know you're not, but I don't want that to

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Speaker 3: be the only reason you don't cheat. Lucy called it

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Speaker 3: a hall pass. I'm giving you one freedom to be

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Speaker 3: with someone and it won't be cheating.

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Speaker 4: So you want an open marriage?

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Speaker 3: No, just one hall pass.

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Speaker 4: This isn't one of those you take the kids in

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Speaker 4: the morning expecting that I'll take them in the afternoon deals.

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Speaker 2: Stop. Okay, what does that mean?

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Speaker 4: Yeah? What?

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Speaker 3: I feel like he didn't even know what he was saying.

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Speaker 2: Even when you're running the lines, you want to know

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Speaker 2: what you're saying. Yeah, even if you're just running them,

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Speaker 2: there's meaning behind everything, right, Yeah, everything means something Mary

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Speaker 2: has pointed out to me.

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Speaker 4: Okay, because I thought just running the lines was you

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Speaker 4: almost wanted to get rid of all that meaning and

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Speaker 4: you just wanted to get the words right.

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Speaker 2: And if you're trying to get rid of the meaning,

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Speaker 2: you know, what are you really doing?

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Speaker 3: Who's meaning are you putting in? I guess it's what

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Speaker 3: I always ask myself.

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Speaker 2: Yeah, because everything means something, Mary, and I say that

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Speaker 2: a lot.

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Speaker 4: Okay, well I'm getting a little confused. Okay.

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Speaker 2: You know what I'm finding is, uh, I'm talking to

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Speaker 2: you and you're an amateur, and I'm giving you stuff

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Speaker 2: that's pretty advanced right off the rip. You're trying to

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Speaker 2: act and do the lines and do the script and

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Speaker 2: be in the scene and be the character. And we

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Speaker 2: haven't even talked about what it is to find a character,

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Speaker 2: to get into character, right, because getting into character, when

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Speaker 2: you really find it and when you really feel it,

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Speaker 2: it's this oh yeah, it's getting a heart on.

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Speaker 6: Oh yeah, yep, it's.

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Speaker 2: Being really stiff.

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Speaker 6: Yeah.

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Speaker 2: And when you and when you get it, it doesn't

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Speaker 2: go away like a ricular hard on.

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Speaker 6: Would I love that?

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Speaker 4: You know?

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Speaker 6: You keep it sticks around? Yeah?

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Speaker 2: Yeah? Okay, so you know, where's what's your heart on? Like?

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Speaker 2: How are you going to find this character? Because Mary's

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Speaker 2: got freak?

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Speaker 3: I mean yeah, I'm like, please make a stop. It hurts.

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Speaker 2: Yeah, Mary, You've got to see a doctor for what

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Speaker 2: she's got going on, because also she's got nowhere to

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Speaker 2: put it because you're giving her nothing.

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Speaker 4: You want to both to have a heart on.

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Speaker 2: Yeah, and put it in each other and both Yeah, okay, yeah,

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Speaker 2: I'll try to get clear to me.

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Speaker 4: Okay, Yeah, I think I kind of get what the

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Speaker 4: meaning is behind that.

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Speaker 2: Yeah, we'll say it.

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Speaker 4: Tell me, Well, you just want to make choices that

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Speaker 4: excite you and keep you interested in the character.

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Speaker 2: Mary, I think welcome with good morning to the session.

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Speaker 2: Somebody just woke up. Yeah, jeez, finally and we'll do it.

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Speaker 2: And yeah, remember we did some improv last week.

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Speaker 4: I do Yeah, we did improp with Paul.

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Speaker 2: Fuck the lines, fuck the lines, the words.

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Speaker 4: Okay, all right, yeah.

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Speaker 2: You know, okay, cool, get away from the lines, right,

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Speaker 2: I were just from the top, from the top, you know,

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Speaker 2: I want the feeling. I want to feel your heart

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Speaker 2: on character.

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Speaker 3: You know something you're obsessed with sex.

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Speaker 4: Obsessed is a strong word.

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Speaker 3: You left the computer on cameltoe dot com the other day, Rick,

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Speaker 3: could you imagine if the girls had seen that?

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Speaker 4: I mean, well, that must have been Maria. I knew

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Speaker 4: the whole I'm a devout Catholic nanny routine was a sham.

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Speaker 3: Honey, We've had four friends in the last year get

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Speaker 3: separated or divorced to some degree of infidelity.

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Speaker 4: I don't want to screw around on you.

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Speaker 2: Oh really, I know you're not.

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Speaker 3: I'm sorry he threw me off. Yeah, that didn't make

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Speaker 3: that particular time. That didn't make sense.

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Speaker 2: What were you thinking?

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Speaker 4: I just changed it a little bit. Give me the

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Speaker 4: line is written, I'm not a cheater.

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Speaker 2: And then and then he said, what did you say?

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Speaker 4: I said, I don't screw around.

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Speaker 2: I don't want to something like that. Screw around loosen.

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Speaker 3: It changes it, I think.

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Speaker 2: Yeah, to me, I mean, obviously we don't want the words,

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Speaker 2: but we want the meaning. Right.

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Speaker 4: Yeah, that's the that was what I was going for.

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Speaker 2: Yeah. Uh. Marlon Brando used to do something that I

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Speaker 2: do too when I'm doing my movies, and he you

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Speaker 2: would do this cool move that I do that I

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Speaker 2: bet Mary's used where he might talk to a total

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Speaker 2: loser on set, like a fucking just jerk off loser,

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Speaker 2: just a true you know trash the guy picking up

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Speaker 2: trash and you know, or the freaking uh, what are

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Speaker 2: all the guys with the machines on the movie set. Yeah.

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Speaker 3: Yeah, the guys at the.

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Speaker 2: Who are holding the machine and.

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Speaker 4: Camera Rob.

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Speaker 3: I mean it's a little more.

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Speaker 2: Yeah, so these guys and he would just talk to

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Speaker 2: them because that's the real guy. And a lot of

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Speaker 2: the time these characters were playing are a real guy.

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Speaker 2: So this character Rick, who you trying to sort of

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Speaker 2: get into the heart on of he is not a

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Speaker 2: movie star. He's not even an acting student. He's a

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Speaker 2: man getting a hall pass.

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Speaker 3: And he's a marriage wife.

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Speaker 2: Who's in a marriage. And some of these machine guys

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Speaker 2: in the movie are probably also, you know, even married

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Speaker 2: or want to be, and maybe talking to them you

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Speaker 2: get a little more of a set, you know, somebody

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Speaker 2: like engineer Brett. So let me give you a little taste.

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Speaker 2: And if I could see the script and so I

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Speaker 2: might do something like this where you just get some

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Speaker 2: of this. So Brett, how was your weekend? Man? What'd

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Speaker 2: you do? What did you get into? Man? You're messing

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Speaker 2: around doing something crazy.

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Speaker 3: It's amazing.

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Speaker 7: Yeah, just I didn't do much, you know, just hung

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Speaker 7: around the house and oh yeah it's what room of

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Speaker 7: the house or the living room mostly you know by

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Speaker 7: the TV.

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Speaker 2: Oh that must have been Maria. I knew that whole

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Speaker 2: I'm an about Catholic nanny routine was a sham. Wow

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Speaker 2: whoa wow that was. I mean it was an action

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Speaker 2: action all of a sudden, right and right up until action.

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Speaker 2: If you're being a real guy with like a dude,

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Speaker 2: and Brett you were in it. If you're being a

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Speaker 2: real guy with a dude like that machine man or engineer,

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Speaker 2: what you'll see is you can just take that into

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Speaker 2: this screen and do it on the screens.

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Speaker 4: Hopefully they're recording.

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Speaker 3: It's effortless though that transition.

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Speaker 2: You do it right up. Yeah, and it's and it

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Speaker 2: seemed like, oh, now this real guy's talking about this

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Speaker 2: his nanny.

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Speaker 5: You know, what do you mean? Routine Hopefully is recording.

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Speaker 4: I mean, just if you pop up the line out of.

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Speaker 5: Nowhere, dude, I'm always recording.

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Speaker 4: I didn't no offense to you, Brett.

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Speaker 2: He's a little pro.

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Speaker 5: Yeah, one punch so I need man.

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Speaker 4: Dude, I am not threatening you whatsoever.

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Speaker 2: Please don't get in range of his arm because we've

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Speaker 2: seen how buffy is he showed us before.

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Speaker 4: I kind of feel like today you are being the

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Speaker 4: most I don't know if it's Mary being here, but

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Speaker 4: you're being particularly hostile towards me.

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Speaker 3: Okay, I feel like he's just trying to get the

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Speaker 3: best performance out of both of them.

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Speaker 2: I love it. And so now I'm gonna pretend to

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Speaker 2: be a real guy and you guys can talk to

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Speaker 2: me and then we'll do a line. Okay, and then

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Speaker 2: we'll talk to me, and then we'll do a line

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Speaker 2: and we'll talk to Brett. We'll do another line okay,

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Speaker 2: you know what I mean, and that way, and I'll

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Speaker 2: cue you when to do your line. Yeah, yeah, Mary,

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Speaker 2: I think is gonna be able to feel it. But bang,

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Speaker 2: I'm gonna give you a little yeah.

344
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Speaker 3: Okay, that's great. Okay, how's your car?

345
00:18:40,400 --> 00:18:42,520
Speaker 2: Oh it's fast, so fast.

346
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Speaker 3: That's awesome. Yeah, you're obsessed with sex.

347
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Speaker 4: Is a strong word.

348
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Speaker 2: Well no, hang on, because you didn't talk to me

349
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Speaker 2: Orange and your Brett.

350
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Speaker 4: Oh kay before each line, I'm talking to one of

351
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Speaker 4: you guys. I don't know.

352
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Speaker 2: But did that feel good? I mean that read no? Right?

353
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Speaker 4: Yeah, I guess now I felt soft as hell.

354
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Speaker 2: So like, let's try it again.

355
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Speaker 3: It was it felt, honestly from my point of view

356
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Speaker 3: as a scene partner, like there was nothing for me

357
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Speaker 3: to grip. There was not it was just.

358
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Speaker 2: To what what I'm seeing is basically your big character

359
00:19:22,680 --> 00:19:27,600
Speaker 2: hard On is picking up this limp noodle and sort

360
00:19:27,600 --> 00:19:29,439
Speaker 2: of lofting it and trying to hold it up and

361
00:19:29,440 --> 00:19:31,719
Speaker 2: make it look like it's up right. But it's not.

362
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Speaker 3: And I'm trying. I'm doing my best. Yeah, and it's

363
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Speaker 3: not and it's and so.

364
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Speaker 2: Bang. You don't have to talk to me if you're

365
00:19:39,600 --> 00:19:41,600
Speaker 2: uncomfortable me. You feel like I'm being aggressive with you,

366
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Speaker 2: go ahead and talk to engineer Brett. But you should

367
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Speaker 2: talk to somebody, okay who's not in the scene with

368
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Speaker 2: you as part of what we just talked about for

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Speaker 2: five or seven minutes.

370
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Speaker 3: Again, m.

371
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Speaker 6: Ah, can you? I mean, how.

372
00:20:06,280 --> 00:20:09,000
Speaker 3: How much working out do you do in a day?

373
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Speaker 9: Me?

374
00:20:10,520 --> 00:20:13,200
Speaker 2: A couple hours of fun hours obsess with sex?

375
00:20:16,160 --> 00:20:20,040
Speaker 4: Uh, you got any plans for summertime?

376
00:20:20,440 --> 00:20:24,000
Speaker 2: Oh yeah, I'm gonna probably have a picnic every day.

377
00:20:24,880 --> 00:20:26,720
Speaker 4: Obsess. This is a strong word.

378
00:20:27,200 --> 00:20:33,760
Speaker 3: Better better, Hey Brett, how much how much do you

379
00:20:33,920 --> 00:20:35,520
Speaker 3: enjoy live music?

380
00:20:35,840 --> 00:20:36,480
Speaker 5: Oh?

381
00:20:36,680 --> 00:20:37,120
Speaker 4: So much?

382
00:20:37,200 --> 00:20:38,920
Speaker 5: It's hard to even explain.

383
00:20:39,040 --> 00:20:39,880
Speaker 3: Is it your favorite?

384
00:20:39,960 --> 00:20:43,000
Speaker 5: You think it's my favorite? Okay, it's my favorite?

385
00:20:43,040 --> 00:20:45,080
Speaker 3: Ever you left the computer on camels dot com the

386
00:20:45,160 --> 00:20:49,560
Speaker 3: other day? I mean, could you imagine if the girls.

387
00:20:49,359 --> 00:20:49,880
Speaker 6: Had seen that.

388
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Speaker 4: Brett. Uh you like sports? Lie go now do the

389
00:20:58,000 --> 00:21:02,760
Speaker 4: lie gophn Maria. I knew that hole. I'm a devout Catholic.

390
00:21:02,880 --> 00:21:04,360
Speaker 4: Nanny routine was a sham.

391
00:21:04,480 --> 00:21:08,600
Speaker 3: Honey. We've had four friends in the last year get

392
00:21:08,680 --> 00:21:11,000
Speaker 3: separated or divorced.

393
00:21:12,720 --> 00:21:16,960
Speaker 2: You shut up, You shut up, tell him, don't disrespect it.

394
00:21:17,080 --> 00:21:20,880
Speaker 3: Don't disrespect me and his teacher and then my teacher too,

395
00:21:21,880 --> 00:21:24,200
Speaker 3: and your teacher to you shut.

396
00:21:24,000 --> 00:21:26,679
Speaker 2: Up, Ben, get back to that place you would just say.

397
00:21:27,000 --> 00:21:31,000
Speaker 3: Up due to some degree of infidels.

398
00:21:30,600 --> 00:21:31,119
Speaker 4: Not a cheater.

399
00:21:33,800 --> 00:21:38,640
Speaker 3: I know you're not shut up, but I don't want

400
00:21:38,640 --> 00:21:39,600
Speaker 3: that to be the only reason.

401
00:21:39,640 --> 00:21:40,000
Speaker 4: You don't know.

402
00:21:41,320 --> 00:21:43,199
Speaker 3: I don't want Hey, I don't want it. What are

403
00:21:43,200 --> 00:21:45,080
Speaker 3: you doing? I don't No matter.

404
00:21:44,880 --> 00:21:46,679
Speaker 2: What, I don't want that to be to Where are you?

405
00:21:46,720 --> 00:21:47,720
Speaker 2: Where are you right now?

406
00:21:48,040 --> 00:21:48,280
Speaker 6: Where?

407
00:21:48,320 --> 00:21:49,360
Speaker 2: Who are you? Where are you?

408
00:21:50,160 --> 00:21:51,960
Speaker 4: I'm Rick, I'm with you.

409
00:21:52,840 --> 00:21:55,240
Speaker 3: Where My last name is Magenta?

410
00:21:56,080 --> 00:21:58,080
Speaker 2: Tell and you tell her your last name Rick.

411
00:21:58,359 --> 00:22:01,119
Speaker 4: My last name is also Magi. Tell you took my

412
00:22:01,200 --> 00:22:02,439
Speaker 4: last it's her choice.

413
00:22:02,480 --> 00:22:10,480
Speaker 9: But yeah, married Ah called and you sort of lost

414
00:22:10,520 --> 00:22:13,000
Speaker 9: the talking to Brett stuff at that point too.

415
00:22:13,480 --> 00:22:15,720
Speaker 2: Yeah, Okay, as we were going, which I think was

416
00:22:15,760 --> 00:22:18,040
Speaker 2: the only thing that really worked about the side of

417
00:22:18,080 --> 00:22:22,600
Speaker 2: that scene. It was great. Yeah, I felt real And guys,

418
00:22:22,720 --> 00:22:28,200
Speaker 2: you know, we're doing this, we're recording, there's mics, and

419
00:22:28,359 --> 00:22:31,720
Speaker 2: these are lines from a script, and it probably feels,

420
00:22:31,920 --> 00:22:36,520
Speaker 2: you know, like a movie. This is not a movie

421
00:22:37,280 --> 00:22:41,960
Speaker 2: that we're doing it, right, Bang, it's this masterclass that Yeah.

422
00:22:42,040 --> 00:22:45,280
Speaker 4: Well we're in a podcast recording studio and there are

423
00:22:45,280 --> 00:22:46,560
Speaker 4: no cameras.

424
00:22:46,280 --> 00:22:51,000
Speaker 2: And it's not a movie, right right, But it's you know,

425
00:22:51,040 --> 00:22:53,439
Speaker 2: and it probably feels kind of weird. You know, Hey,

426
00:22:53,720 --> 00:22:56,600
Speaker 2: we're doing this movie scene because scenes are in movies.

427
00:22:56,680 --> 00:22:58,320
Speaker 2: I mean, that's why it feels like and that's what

428
00:22:58,359 --> 00:22:58,879
Speaker 2: you're doing.

429
00:22:59,000 --> 00:23:00,560
Speaker 3: Yeah, that's what movies are.

430
00:23:01,320 --> 00:23:04,440
Speaker 2: Yeah, so it feels a lot like that. But actually

431
00:23:05,320 --> 00:23:06,840
Speaker 2: it's this masterclass thing.

432
00:23:08,000 --> 00:23:12,040
Speaker 9: Yeah right right, I'm aware that's what we're doing.

433
00:23:13,320 --> 00:23:25,480
Speaker 2: Well, now that I told you, what if we confess

434
00:23:25,600 --> 00:23:29,440
Speaker 2: something a little bit personal, huh? Would that help you

435
00:23:29,440 --> 00:23:31,080
Speaker 2: bang to actually know each other?

436
00:23:32,080 --> 00:23:33,400
Speaker 4: Sure? Yeah, that sounds great.

437
00:23:33,520 --> 00:23:36,280
Speaker 2: Let's get heavy, yeah, Bang. You ever been in love?

438
00:23:37,440 --> 00:23:39,320
Speaker 4: Yeah? Yeah I think so.

439
00:23:39,720 --> 00:23:39,960
Speaker 2: Yeah?

440
00:23:40,200 --> 00:23:43,320
Speaker 4: Who extual girlfriend of mine?

441
00:23:43,600 --> 00:23:44,080
Speaker 2: Yeah?

442
00:23:44,400 --> 00:23:47,560
Speaker 4: Yeah, it was stuff that didn't work out.

443
00:23:48,600 --> 00:23:49,960
Speaker 2: How'd she look pretty good.

444
00:23:51,320 --> 00:23:53,520
Speaker 4: Yeah, yeah, she was beautiful, nice?

445
00:23:54,240 --> 00:23:59,360
Speaker 2: Nice? Yeah, what kind of stuff you guys?

446
00:24:00,040 --> 00:24:03,359
Speaker 4: You mean like sexually?

447
00:24:03,960 --> 00:24:06,320
Speaker 3: What I mean?

448
00:24:07,520 --> 00:24:10,920
Speaker 2: Sorry? Okay, bang needs a break? You get cool off.

449
00:24:11,160 --> 00:24:17,959
Speaker 4: You see the cold shower. You said it in a

450
00:24:18,080 --> 00:24:21,400
Speaker 4: very suggestive way. I just wanted to clarify Mary.

451
00:24:21,440 --> 00:24:22,040
Speaker 2: Ever been in love?

452
00:24:22,160 --> 00:24:24,320
Speaker 3: Oh yeah, twice?

453
00:24:24,520 --> 00:24:27,359
Speaker 2: Yeah? Okay, how does it feel to hear that? Bang?

454
00:24:27,400 --> 00:24:30,560
Speaker 2: You can't like that it's double the amount of times

455
00:24:30,600 --> 00:24:31,240
Speaker 2: you've been in love.

456
00:24:33,359 --> 00:24:35,280
Speaker 4: I didn't think of it right now?

457
00:24:35,920 --> 00:24:38,200
Speaker 3: Oh wow currently, oh wow.

458
00:24:38,280 --> 00:24:38,639
Speaker 4: Script.

459
00:24:38,760 --> 00:24:41,560
Speaker 2: That sucks for you, right bank, because you probably thought, here,

460
00:24:42,480 --> 00:24:44,399
Speaker 2: I'm gonna do this scene and I'm going to be

461
00:24:44,400 --> 00:24:48,680
Speaker 2: able to parlay this into some sort of you know, relationship.

462
00:24:50,560 --> 00:24:54,000
Speaker 2: Here we got Mary's great actress, big star coming doing

463
00:24:54,160 --> 00:24:58,919
Speaker 2: masterclass as a favor, right. You know she sees that,

464
00:24:59,000 --> 00:25:00,879
Speaker 2: you know me, you'r thing thinking, oh, I'm going to

465
00:25:00,920 --> 00:25:04,479
Speaker 2: be able to like really work this angle use this

466
00:25:06,359 --> 00:25:12,159
Speaker 2: was like, oh, yeah, I'm friends with Shank. Yeah, I

467
00:25:12,200 --> 00:25:15,840
Speaker 2: know Shank Lemons, and so I'm going to be like

468
00:25:16,560 --> 00:25:19,200
Speaker 2: looking pretty elevated in her eyes. There is a situation

469
00:25:19,240 --> 00:25:22,240
Speaker 2: I wouldn't normally be in, and somehow me and Mary

470
00:25:22,280 --> 00:25:24,600
Speaker 2: are going to wind up, you know, rolling into the

471
00:25:24,600 --> 00:25:28,359
Speaker 2: hay and that's what you were planning on. And now

472
00:25:29,359 --> 00:25:33,359
Speaker 2: that's not what happened, right because she's in love right now.

473
00:25:35,240 --> 00:25:38,160
Speaker 4: No, I'm haws a dude, look good?

474
00:25:38,280 --> 00:25:44,240
Speaker 2: Right, yeah, very fine? Yeah, that sucks. Bang, that sucks, man, And.

475
00:25:44,240 --> 00:25:45,960
Speaker 3: You know what he knows Shank Lemons too.

476
00:25:46,160 --> 00:25:49,560
Speaker 2: Yeah yeah, well, and that's one of the things in

477
00:25:49,600 --> 00:25:51,280
Speaker 2: this town is a lot of people do know me.

478
00:26:00,040 --> 00:26:05,000
Speaker 2: You know, Brando used to have a trick that he

479
00:26:05,040 --> 00:26:05,560
Speaker 2: would use.

480
00:26:07,160 --> 00:26:07,600
Speaker 6: I'm dying.

481
00:26:08,160 --> 00:26:15,080
Speaker 2: He would come in to set on a broom wow

482
00:26:15,600 --> 00:26:19,800
Speaker 2: with a witch's head wow, and he would cast a

483
00:26:19,840 --> 00:26:23,560
Speaker 2: spell on the director and turn him into a toad.

484
00:26:23,960 --> 00:26:27,720
Speaker 4: Oh my goodness, I have never heard that before.

485
00:26:28,320 --> 00:26:31,639
Speaker 2: Oh really yeah, well maybe that's a good reason he

486
00:26:31,680 --> 00:26:33,479
Speaker 2: took the class. Then, I guess you're going to hear

487
00:26:33,520 --> 00:26:34,680
Speaker 2: some things you haven't heard before.

488
00:26:34,840 --> 00:26:39,240
Speaker 4: That's that Brando did witchcraft.

489
00:26:39,560 --> 00:26:41,080
Speaker 2: Well, I just told you about how he used to

490
00:26:41,160 --> 00:26:44,840
Speaker 2: talk to the regular guys around the set, the machine guys.

491
00:26:45,040 --> 00:26:48,920
Speaker 4: Okay, yeah, yeah, I've heard about him talking to the cameraman.

492
00:26:49,119 --> 00:26:50,480
Speaker 3: Someone like that can't cast a spell.

493
00:26:50,560 --> 00:26:53,240
Speaker 2: These are little tricks that you can help with an actor.

494
00:26:53,359 --> 00:26:56,520
Speaker 2: So maybe the director if that's intimidating you, if you

495
00:26:56,880 --> 00:26:59,679
Speaker 2: ride in on a broom with the witches, turn him

496
00:26:59,720 --> 00:27:02,280
Speaker 2: into a toad. Okay, Now all of a sudden you're

497
00:27:02,320 --> 00:27:03,359
Speaker 2: a little more comfortable.

498
00:27:03,480 --> 00:27:05,400
Speaker 3: And I've done something similar in that way.

499
00:27:05,600 --> 00:27:08,359
Speaker 2: I bet I bet Mary, because we all sort of

500
00:27:08,440 --> 00:27:11,439
Speaker 2: borrow from the masters, you know, that's what the master

501
00:27:11,560 --> 00:27:18,160
Speaker 2: class is about, absolutely taking these tools, put them in belt.

502
00:27:18,480 --> 00:27:22,280
Speaker 4: You know, right, it's just impossible to turn someone into

503
00:27:22,359 --> 00:27:24,840
Speaker 4: a toad, like I don't know if you mean. And

504
00:27:24,880 --> 00:27:28,919
Speaker 4: maybe this is what you're getting at is, you know,

505
00:27:29,000 --> 00:27:31,720
Speaker 4: imagine the director as somebody else. So it takes it

506
00:27:31,960 --> 00:27:34,399
Speaker 4: helps you relax and take some of the pressure off. Well,

507
00:27:34,400 --> 00:27:35,000
Speaker 4: people are going to.

508
00:27:35,040 --> 00:27:36,840
Speaker 2: Tell you it's impossible to do a lot of things.

509
00:27:36,880 --> 00:27:40,120
Speaker 2: I disagree. You don't bank you have you taken act

510
00:27:40,160 --> 00:27:43,640
Speaker 2: of classes before. This isn't your first one. So what's

511
00:27:43,640 --> 00:27:45,479
Speaker 2: the piece of advice you've gotten before? What's something you've

512
00:27:45,520 --> 00:27:46,040
Speaker 2: been told to do?

513
00:27:47,880 --> 00:27:49,760
Speaker 4: You know, know you're seene partner.

514
00:27:50,280 --> 00:27:55,040
Speaker 2: I'd say the opposite. I'd say the opposite, you know,

515
00:27:55,320 --> 00:28:00,760
Speaker 2: challenge that, forget what you learned. Because Brando would always go,

516
00:28:01,600 --> 00:28:03,800
Speaker 2: don't tell me you scene partners, say who are you?

517
00:28:04,240 --> 00:28:05,479
Speaker 2: He goes, if I find out who it is, I'm

518
00:28:05,480 --> 00:28:06,600
Speaker 2: gonna turn into a little bouse.

519
00:28:07,840 --> 00:28:09,680
Speaker 3: And he would threaten that actually with his.

520
00:28:10,160 --> 00:28:11,840
Speaker 2: And then there go run off, hide in a hole

521
00:28:12,000 --> 00:28:16,000
Speaker 2: somewhere in the wall on set. Now, who's gonna do

522
00:28:16,040 --> 00:28:17,280
Speaker 2: the scene? The machine man?

523
00:28:17,920 --> 00:28:18,960
Speaker 3: He's not a woman.

524
00:28:19,680 --> 00:28:22,840
Speaker 2: Yeah, so that doesn't really work. So I'd say, don't

525
00:28:22,840 --> 00:28:25,200
Speaker 2: know the scene, partner, do the opposite brand know how

526
00:28:25,200 --> 00:28:27,920
Speaker 2: to you know? He had a couple of tricks like that.

527
00:28:27,840 --> 00:28:32,199
Speaker 6: You be a toad, you know? Or you yeah, you

528
00:28:32,320 --> 00:28:32,879
Speaker 6: be a toad.

529
00:28:33,480 --> 00:28:34,560
Speaker 2: Are you starting to get that?

530
00:28:35,000 --> 00:28:41,160
Speaker 4: I guess so sure, Okay from the topper.

531
00:28:42,800 --> 00:28:46,840
Speaker 2: Yeah, let's do this one, and let's let me put

532
00:28:46,880 --> 00:28:50,640
Speaker 2: something on this. Then go back to that moment where

533
00:28:50,680 --> 00:28:53,120
Speaker 2: Mary told you that you just are never going to

534
00:28:53,200 --> 00:28:55,160
Speaker 2: have a shot with her and that you're like a

535
00:28:55,240 --> 00:28:59,920
Speaker 2: joke to her. And she was saying how she is

536
00:29:00,040 --> 00:29:03,760
Speaker 2: in love with somebody and that basically she never would

537
00:29:03,800 --> 00:29:07,160
Speaker 2: be in love with you, you know, and try to

538
00:29:07,240 --> 00:29:10,160
Speaker 2: use that a little bit, you know, take that moment.

539
00:29:11,160 --> 00:29:13,040
Speaker 3: I'm not yours, I never will be yours.

540
00:29:13,840 --> 00:29:17,240
Speaker 2: Yeah, and this is your one chance you I you know,

541
00:29:17,840 --> 00:29:22,080
Speaker 2: you know, and maybe try to either trick her somehow,

542
00:29:22,680 --> 00:29:28,880
Speaker 2: or maybe you're trying to who knows, pretend to be

543
00:29:29,720 --> 00:29:31,720
Speaker 2: you know, her boyfriend maybe got a mask on a

544
00:29:31,800 --> 00:29:32,640
Speaker 2: Darth Vader mask.

545
00:29:34,800 --> 00:29:36,600
Speaker 3: Okay, can take a second in stretch.

546
00:29:36,880 --> 00:29:42,160
Speaker 2: Yeah please. If you remember and Revenge of Nerds, you

547
00:29:42,240 --> 00:29:44,440
Speaker 2: were Darth Vader mask had sex with the hot babe

548
00:29:45,480 --> 00:29:46,640
Speaker 2: and she really liked it.

549
00:29:47,440 --> 00:29:50,480
Speaker 4: People kind have frowned upon that scene now because it's

550
00:29:50,560 --> 00:29:51,040
Speaker 4: kind of.

551
00:29:51,200 --> 00:29:53,200
Speaker 2: Here's a tagline I thought of for Revenge of the

552
00:29:53,240 --> 00:29:55,920
Speaker 2: Nerds that didn't, but if it was the poster was

553
00:29:55,920 --> 00:29:59,880
Speaker 2: out now, that maybe would be good. The odds get

554
00:30:00,080 --> 00:30:02,840
Speaker 2: even because those guys are a little lot huh.

555
00:30:02,720 --> 00:30:07,280
Speaker 3: Little bitty tits, little bitty tits little bit.

556
00:30:07,000 --> 00:30:08,880
Speaker 4: Very that's kind of making me uncomfortable.

557
00:30:11,280 --> 00:30:13,760
Speaker 2: And and she's of course for you know, people can't

558
00:30:13,760 --> 00:30:17,600
Speaker 2: see this, but she's pinching bangs chest as she's a

559
00:30:17,880 --> 00:30:20,560
Speaker 2: local warm to try to wake him up a little bit,

560
00:30:20,840 --> 00:30:21,920
Speaker 2: to wake him up a bit.

561
00:30:22,440 --> 00:30:27,280
Speaker 3: It's fine partner that makes you comfortable.

562
00:30:27,400 --> 00:30:29,440
Speaker 2: And vocally, I don't know if I trust Bang to

563
00:30:29,440 --> 00:30:31,800
Speaker 2: be able to use his home mouth because I haven't

564
00:30:31,840 --> 00:30:38,200
Speaker 2: heard him do any Yeah, no consonants and no, yeah completely,

565
00:30:38,760 --> 00:30:41,400
Speaker 2: so I hope there's no consonants in the scene because

566
00:30:41,440 --> 00:30:44,080
Speaker 2: he's not gonna be able to get around him. And

567
00:30:44,120 --> 00:30:46,800
Speaker 2: all right, let's do it. And I might get in

568
00:30:46,840 --> 00:30:48,280
Speaker 2: your ear a little I'm gonna stay out of it,

569
00:30:48,360 --> 00:30:49,680
Speaker 2: but I might get in your ear a little bit.

570
00:30:49,760 --> 00:30:54,960
Speaker 3: Okay, you're obsessed with sex.

571
00:30:56,400 --> 00:30:57,840
Speaker 4: Obsessed is a strong word.

572
00:30:58,360 --> 00:30:59,959
Speaker 2: Say I tell her a better word that she could hear.

573
00:31:01,800 --> 00:31:03,040
Speaker 2: Obsess is strong word.

574
00:31:03,360 --> 00:31:07,200
Speaker 4: Obsessed is a strong word. Kind of into is maybe

575
00:31:07,240 --> 00:31:07,920
Speaker 4: more accurate.

576
00:31:08,000 --> 00:31:09,960
Speaker 2: Yeah, but that's two words, but just give her one,

577
00:31:12,400 --> 00:31:15,840
Speaker 2: like I like sex. Yeah, okay, you.

578
00:31:15,880 --> 00:31:18,200
Speaker 3: Left the computer on camelto dot com the other day.

579
00:31:18,960 --> 00:31:20,520
Speaker 3: Can you imagine if the girls had seen that?

580
00:31:21,680 --> 00:31:25,000
Speaker 2: I must have been Mariae maybe say, like, girls probably

581
00:31:25,000 --> 00:31:26,760
Speaker 2: have seen that they're girls. You know what I mean

582
00:31:28,160 --> 00:31:32,400
Speaker 2: because they that's who gets cameltoes right and there.

583
00:31:32,280 --> 00:31:32,960
Speaker 6: What it feels like?

584
00:31:33,560 --> 00:31:35,200
Speaker 3: Could you imagine if the girls had seen that?

585
00:31:37,160 --> 00:31:39,240
Speaker 4: The girls probably have seen that they're girls?

586
00:31:39,400 --> 00:31:42,600
Speaker 2: Okay, but like, do really funny?

587
00:31:44,600 --> 00:31:46,200
Speaker 3: Can you imagine if the girls had seen that.

588
00:31:47,200 --> 00:31:49,520
Speaker 4: Or girls have seen that they're girls, or either your.

589
00:31:49,480 --> 00:31:52,160
Speaker 2: Daughters, so like, do it with some respect?

590
00:31:54,800 --> 00:31:56,440
Speaker 4: Well, the girls have seen that they're girls?

591
00:31:57,240 --> 00:32:02,120
Speaker 2: Rick, Yeah, she's pissed.

592
00:32:03,360 --> 00:32:06,600
Speaker 4: That must have been Maria. I knew that whole devout

593
00:32:06,720 --> 00:32:09,000
Speaker 4: Catholic nanny routine was a sham.

594
00:32:08,840 --> 00:32:10,800
Speaker 2: Honey, and say something to Brett.

595
00:32:10,840 --> 00:32:15,160
Speaker 4: Now, Brett, how's your family doing, dude?

596
00:32:16,520 --> 00:32:19,040
Speaker 5: Horrible? Did they tell you?

597
00:32:20,000 --> 00:32:23,920
Speaker 2: Okay, Well, don't get after him like that. Let's stop,

598
00:32:24,000 --> 00:32:26,120
Speaker 2: let's critique each other a little bit. I feel like

599
00:32:26,280 --> 00:32:28,200
Speaker 2: I'm giving a lot. I'm giving a lot of the

600
00:32:28,200 --> 00:32:32,600
Speaker 2: feed back. Maybe just you guys, you know, yes, you

601
00:32:32,600 --> 00:32:34,800
Speaker 2: say what you how it felt working with each other

602
00:32:34,880 --> 00:32:35,200
Speaker 2: on this.

603
00:32:36,000 --> 00:32:41,280
Speaker 3: To me, it's like I'm and this is obviously not personal,

604
00:32:42,120 --> 00:32:45,520
Speaker 3: but it's sort of like it's never personal. I'm in

605
00:32:46,040 --> 00:32:49,880
Speaker 3: a room and it's concrete and there's no windows and

606
00:32:49,960 --> 00:32:52,720
Speaker 3: no doors, and I don't know how I got in there.

607
00:32:53,400 --> 00:32:57,520
Speaker 3: But there are little little spikes in the walls, and

608
00:32:57,560 --> 00:33:00,440
Speaker 3: I keep running into them, like I can't stop running

609
00:33:00,440 --> 00:33:04,240
Speaker 3: into them, and I keep trying to climb the spikes,

610
00:33:04,480 --> 00:33:07,400
Speaker 3: or I keep trying to like lay down so I

611
00:33:07,440 --> 00:33:08,640
Speaker 3: don't run into the spikes.

612
00:33:08,760 --> 00:33:10,640
Speaker 2: Or is there a thing? Is there a stone in

613
00:33:10,680 --> 00:33:12,360
Speaker 2: the wall that you can press on little stop?

614
00:33:12,760 --> 00:33:13,040
Speaker 6: Yes?

615
00:33:13,400 --> 00:33:15,360
Speaker 3: Yes, And there's a stone in the wall and I'm

616
00:33:15,400 --> 00:33:19,520
Speaker 3: trying to find that stone, but I just keep hitting spikes. Yeah,

617
00:33:19,720 --> 00:33:22,160
Speaker 3: but the spikes are soft and they're not like hard ons.

618
00:33:22,560 --> 00:33:27,120
Speaker 3: They're like flashy. Yeah, so they hurt, but they're still floppy.

619
00:33:27,760 --> 00:33:30,040
Speaker 2: So Bang, that's what it feels, you know, Like So

620
00:33:30,480 --> 00:33:33,800
Speaker 2: you know, that was what a nice sort of generous

621
00:33:33,840 --> 00:33:35,920
Speaker 2: criticism of just sort of let you know what it's

622
00:33:36,040 --> 00:33:39,840
Speaker 2: like to kind of make this art right and how

623
00:33:39,880 --> 00:33:44,440
Speaker 2: are you feeling like personally, like you know, if you

624
00:33:44,520 --> 00:33:46,520
Speaker 2: want to say, like what the work has felt like

625
00:33:46,560 --> 00:33:49,400
Speaker 2: today to do it with Mary, who's really bringing the heat.

626
00:33:50,600 --> 00:33:54,280
Speaker 4: Well, I'm thank you for doing this with me. It's

627
00:33:54,600 --> 00:33:58,760
Speaker 4: been a really interesting, weird experience.

628
00:33:58,800 --> 00:34:01,480
Speaker 2: And she's got a boyfriend, so ma me take it easy.

629
00:34:02,720 --> 00:34:04,520
Speaker 4: Yeah, I'm not flirting with you.

630
00:34:04,880 --> 00:34:08,160
Speaker 2: I'm just started in this way where it was like

631
00:34:09,200 --> 00:34:11,359
Speaker 2: begging intense.

632
00:34:12,480 --> 00:34:15,359
Speaker 3: Yes, I am busy later, you know, because art.

633
00:34:15,960 --> 00:34:18,600
Speaker 2: Art's funny, isn't it. You know, it's telling truth in

634
00:34:18,680 --> 00:34:22,000
Speaker 2: ways that you normally can't, right, but sometimes Bang, I

635
00:34:22,000 --> 00:34:24,239
Speaker 2: feel like you're telling truths that maybe you shouldn't. Like

636
00:34:24,280 --> 00:34:27,959
Speaker 2: you're like obsessed with Mary, and you know, she said

637
00:34:27,960 --> 00:34:29,759
Speaker 2: she got a boyfriend, so maybe just let the scene

638
00:34:29,800 --> 00:34:33,640
Speaker 2: be the scene. It's speaking art. Picasso used to have

639
00:34:33,680 --> 00:34:35,920
Speaker 2: a funny trick. He would do you know where He

640
00:34:35,920 --> 00:34:38,160
Speaker 2: would sort of show up to a gallery and he

641
00:34:38,200 --> 00:34:41,320
Speaker 2: would say, only ship who painted that? Like fucking, I

642
00:34:41,360 --> 00:34:44,160
Speaker 2: don't fuck that guy? Like who's like this guy is

643
00:34:44,200 --> 00:34:46,080
Speaker 2: fucking awesome? Like who painted this?

644
00:34:46,239 --> 00:34:47,680
Speaker 3: You would say, I want to fuck that guy?

645
00:34:47,800 --> 00:34:51,520
Speaker 2: Yeah, like somebody should yeah, yeah painted.

646
00:34:51,080 --> 00:34:53,359
Speaker 3: That right, Yeah, somebody should suck that guy.

647
00:34:53,400 --> 00:34:57,000
Speaker 2: But it would be his painting. And then people started going, oh,

648
00:34:57,040 --> 00:34:57,600
Speaker 2: that's a good.

649
00:34:57,480 --> 00:34:59,920
Speaker 3: Painting reverence for your art.

650
00:35:00,920 --> 00:35:03,000
Speaker 6: In a way, it honors the art.

651
00:35:03,120 --> 00:35:06,799
Speaker 3: Uh huh, yeah, yeah, someone should fuck me.

652
00:35:07,680 --> 00:35:10,239
Speaker 2: Yeah it's what Yeah, that's what Picasso would say, So

653
00:35:11,120 --> 00:35:15,879
Speaker 2: I would. I would say it feels a little bit

654
00:35:15,920 --> 00:35:17,799
Speaker 2: like we're hitting dead end with some of this, do

655
00:35:17,840 --> 00:35:21,840
Speaker 2: you guys you want to chalk it up to the material?

656
00:35:22,680 --> 00:35:25,080
Speaker 2: Maybe it's you know what Bank kind of would. Bank

657
00:35:25,160 --> 00:35:27,799
Speaker 2: hasn't seen Hall Pass, and I think there's been a

658
00:35:27,840 --> 00:35:30,480
Speaker 2: mental block. And now I haven't seen the film either,

659
00:35:30,560 --> 00:35:33,440
Speaker 2: but it's a film that I think is important.

660
00:35:33,760 --> 00:35:36,520
Speaker 4: You haven't seen it, no, not.

661
00:35:36,520 --> 00:35:43,320
Speaker 2: In its entirety. I know that it's an age appropriate

662
00:35:43,360 --> 00:35:49,640
Speaker 2: group of friends, all gallivanting and whatnot, and the devout

663
00:35:49,800 --> 00:35:54,920
Speaker 2: Catholic Nannyert exactly. So, uh, I've got a you know,

664
00:35:54,960 --> 00:35:56,799
Speaker 2: another script here that maybe we could work on.

665
00:35:56,920 --> 00:35:57,480
Speaker 3: Amazing.

666
00:35:57,640 --> 00:36:00,880
Speaker 2: Great, I'll do stage directions, and this is just this

667
00:36:01,040 --> 00:36:03,400
Speaker 2: is a cold read, which will be nice, you know,

668
00:36:03,560 --> 00:36:06,480
Speaker 2: come to it fresh, and we can just sort of

669
00:36:07,040 --> 00:36:08,680
Speaker 2: take a crack at this and see if we find

670
00:36:08,719 --> 00:36:13,080
Speaker 2: something in here. Maybe that's a little more Mary's getting

671
00:36:13,120 --> 00:36:14,799
Speaker 2: loose and Bang. I don't know if you want to

672
00:36:14,800 --> 00:36:18,160
Speaker 2: do something too, but we can hopefully get and Bang.

673
00:36:18,200 --> 00:36:21,200
Speaker 2: You read Bang, Mary, you read Mary, and we'll just

674
00:36:21,239 --> 00:36:23,560
Speaker 2: see and this is just another scene without all the

675
00:36:23,600 --> 00:36:25,560
Speaker 2: baggage of have we seen all pass have we not?

676
00:36:26,200 --> 00:36:29,840
Speaker 2: And so let's just hear this up on its feet.

677
00:36:30,239 --> 00:36:39,240
Speaker 4: Okay, Okay, great, I'm dying from having too much aids.

678
00:36:39,280 --> 00:36:42,480
Speaker 2: Mommy, pause to smoke a vape.

679
00:36:43,000 --> 00:36:44,520
Speaker 4: I got it from the president.

680
00:36:47,360 --> 00:36:49,160
Speaker 3: Is there a problem or is something wrong?

681
00:36:49,280 --> 00:36:53,840
Speaker 4: Bag? I'm sorry, this is really fucking nuts. Let me

682
00:36:53,920 --> 00:36:58,040
Speaker 4: go back and get some powerful Yeah. I get the

683
00:36:58,200 --> 00:37:01,640
Speaker 4: challenge of it, of your You're challenging us with.

684
00:37:01,760 --> 00:37:04,120
Speaker 2: A lot of to tackle some important topics.

685
00:37:04,200 --> 00:37:07,680
Speaker 3: Yeah, absolutely right. I love this so far. I just

686
00:37:07,719 --> 00:37:10,440
Speaker 3: want to say, schunk, I love this well.

687
00:37:10,480 --> 00:37:16,160
Speaker 2: I happen to know the writer you know, but yeah, but.

688
00:37:16,360 --> 00:37:19,000
Speaker 10: Yeah, I'm curious to hear someone. Yeah, I'll start from

689
00:37:19,040 --> 00:37:26,960
Speaker 10: the top. I'm dying from having too much aids, mommy.

690
00:37:27,480 --> 00:37:31,600
Speaker 2: And let me hear you pause to smoke a vape there, mm.

691
00:37:31,480 --> 00:37:34,560
Speaker 4: Hmm, I got it from the President of USA.

692
00:37:35,120 --> 00:37:38,000
Speaker 2: Close up of a nice snail sliming across the mom's

693
00:37:38,040 --> 00:37:46,080
Speaker 2: prize rose bushes. Take a moment, Mary, your son has

694
00:37:46,120 --> 00:37:47,000
Speaker 2: just told you he's dying.

695
00:37:47,080 --> 00:37:48,040
Speaker 3: I know, it's awful.

696
00:37:49,040 --> 00:37:52,040
Speaker 2: The worst close up of a snail sliming across the

697
00:37:52,040 --> 00:37:53,280
Speaker 2: mom's prize rose bushes.

698
00:37:55,560 --> 00:37:59,000
Speaker 3: Did you see the size of that friggin snail? That

699
00:37:59,080 --> 00:38:01,080
Speaker 3: thing was friggin fucking huge.

700
00:38:02,040 --> 00:38:07,719
Speaker 4: Hahaha, Bang laughs, Thanks for cheering me up, Mommy angle on.

701
00:38:07,920 --> 00:38:10,480
Speaker 2: A pile of big money falls out of Mary's pants holes.

702
00:38:13,280 --> 00:38:15,960
Speaker 3: Help me hide this money. I stole it to pay

703
00:38:15,960 --> 00:38:16,960
Speaker 3: for your medicine.

704
00:38:17,120 --> 00:38:18,080
Speaker 4: Stealing is wrong.

705
00:38:18,239 --> 00:38:21,600
Speaker 2: Bang starts crying. He punches a telephone pole madly. The

706
00:38:21,640 --> 00:38:22,320
Speaker 2: phone breaks.

707
00:38:23,120 --> 00:38:24,200
Speaker 4: I have powers.

708
00:38:24,360 --> 00:38:27,560
Speaker 3: I'm dying too. I smoked expired vape juice from a

709
00:38:27,600 --> 00:38:30,640
Speaker 3: brand I didn't trust. I should have used Cosmic Fog

710
00:38:30,680 --> 00:38:33,640
Speaker 3: brand vape juice. Their flavor selection is out of this world.

711
00:38:33,960 --> 00:38:37,840
Speaker 4: Only Cosmic Fog brand vape juice satisfies my cravings and

712
00:38:37,960 --> 00:38:40,839
Speaker 4: keeps me safe. Anyone who doesn't use it gets what's

713
00:38:40,880 --> 00:38:41,560
Speaker 4: coming to them.

714
00:38:41,840 --> 00:38:44,760
Speaker 2: We see a big bird that represents freedom. He's smoking

715
00:38:44,800 --> 00:38:47,800
Speaker 2: cosmic fog. Bang and Mary start fooling around.

716
00:38:48,200 --> 00:38:50,160
Speaker 3: I hope you win the super Bowl tomorrow.

717
00:38:51,200 --> 00:38:52,520
Speaker 4: Me too, but I'm scared.

718
00:38:52,600 --> 00:38:55,000
Speaker 2: A deer falls over and it represents like the big

719
00:38:55,040 --> 00:38:55,920
Speaker 2: banks or something.

720
00:38:56,080 --> 00:38:57,560
Speaker 3: Cosmic fog is number one.

721
00:38:57,800 --> 00:38:58,160
Speaker 2: All right?

722
00:38:58,560 --> 00:39:00,560
Speaker 4: Hey man, can I ask you? Is this an ad

723
00:39:00,640 --> 00:39:03,200
Speaker 4: for Did you just have this read a add copy?

724
00:39:03,280 --> 00:39:06,560
Speaker 4: And what do you mean this is a commercial for costs?

725
00:39:06,560 --> 00:39:08,759
Speaker 2: This is a pretty powerful scene. We're dealing with what

726
00:39:08,920 --> 00:39:14,239
Speaker 2: corruption in politics? Yeah, you know some of these big banks.

727
00:39:13,440 --> 00:39:22,520
Speaker 3: Dependency on you know everything aids aids and making bad choices,

728
00:39:22,560 --> 00:39:25,520
Speaker 3: you know, smoking expired vape juice and what that says

729
00:39:25,560 --> 00:39:28,040
Speaker 3: about you and how and why.

730
00:39:28,040 --> 00:39:31,120
Speaker 2: And that we should think about. And cosmic fog actually

731
00:39:31,200 --> 00:39:32,040
Speaker 2: tastes pretty great.

732
00:39:32,760 --> 00:39:37,319
Speaker 4: And you are wearing a cosmic fog T shirt.

733
00:39:36,680 --> 00:39:41,439
Speaker 2: And and it makes sense in a way, right that

734
00:39:42,280 --> 00:39:44,360
Speaker 2: you write what you know and if there's a product

735
00:39:44,440 --> 00:39:48,120
Speaker 2: that speaks to you then supports you, that maybe supports

736
00:39:48,880 --> 00:39:53,839
Speaker 2: the whole idea of this masterclass, you know, has been

737
00:39:53,960 --> 00:39:54,759
Speaker 2: very supportive.

738
00:39:54,880 --> 00:39:58,360
Speaker 4: Yeah, social media feed has been a lot of cosmic

739
00:39:58,440 --> 00:40:01,560
Speaker 4: fog stuff. I saw you tweet at them asking for

740
00:40:01,600 --> 00:40:02,160
Speaker 4: free stuff.

741
00:40:02,920 --> 00:40:06,839
Speaker 2: Well, and so you know, I like, so if I'm

742
00:40:06,920 --> 00:40:09,319
Speaker 2: asking for free stuff, then I obviously am not doing

743
00:40:09,360 --> 00:40:10,279
Speaker 2: a commercial for them.

744
00:40:10,600 --> 00:40:14,280
Speaker 3: Sorry, you're on Twitter when you should be in acting.

745
00:40:14,760 --> 00:40:18,480
Speaker 2: You should be acting. Huh, Yeah, he's exposed.

746
00:40:19,960 --> 00:40:22,680
Speaker 3: What do you mean, Well, I'm not on Twitter, I'm acting.

747
00:40:24,239 --> 00:40:25,920
Speaker 4: Okay, a lot of actors are on Twitter.

748
00:40:26,000 --> 00:40:29,200
Speaker 3: It's not like a crazy when they're in the middle

749
00:40:29,239 --> 00:40:34,560
Speaker 3: of a master class. No, No, when they're when they're

750
00:40:34,600 --> 00:40:36,400
Speaker 3: doing them during masterclass.

751
00:40:36,520 --> 00:40:38,680
Speaker 4: I was doing a during masterclass.

752
00:40:38,880 --> 00:40:41,560
Speaker 2: And if you're just joining us, welcome to my master class.

753
00:40:41,680 --> 00:40:45,000
Speaker 2: This is seunk Lemons with bang raj Man and Mary

754
00:40:45,000 --> 00:40:47,160
Speaker 2: Holland doing the scene work master class. If you're just

755
00:40:47,200 --> 00:40:55,160
Speaker 2: tuning in, thanks for coming along. Let's talk a little

756
00:40:55,160 --> 00:40:55,960
Speaker 2: bit about the scene.

757
00:40:56,200 --> 00:40:56,360
Speaker 4: You know.

758
00:40:56,719 --> 00:41:02,240
Speaker 2: Uh, there's obviously steaks the Super Bowls tomorrow's yeah, and we.

759
00:41:03,320 --> 00:41:06,319
Speaker 3: And there is a sort of sense here of their

760
00:41:06,320 --> 00:41:08,920
Speaker 3: relationship is a little bit more than mother and son, right.

761
00:41:09,320 --> 00:41:12,520
Speaker 2: When they're pulling around. Yeah, I am getting the hint

762
00:41:12,600 --> 00:41:14,600
Speaker 2: that maybe there is something else happening.

763
00:41:14,680 --> 00:41:18,560
Speaker 4: They do full around. Is this like a challenge as

764
00:41:18,640 --> 00:41:21,120
Speaker 4: an actor to kind of give us every crazy thing

765
00:41:21,200 --> 00:41:24,359
Speaker 4: that doesn't make sense for you must make it? Well?

766
00:41:24,520 --> 00:41:26,359
Speaker 2: No, I think it does make sense. I do think

767
00:41:26,400 --> 00:41:28,319
Speaker 2: that it makes sense. I think it's actually pretty good.

768
00:41:28,960 --> 00:41:33,480
Speaker 2: You know. Yeah, so it's uh. I mean, would it

769
00:41:33,520 --> 00:41:35,680
Speaker 2: be helpful for you to just see me do the script?

770
00:41:35,719 --> 00:41:36,200
Speaker 2: I'll be bag?

771
00:41:37,120 --> 00:41:37,480
Speaker 6: Please?

772
00:41:38,640 --> 00:41:41,480
Speaker 2: Please? Don't we just try it? You shouldn't?

773
00:41:41,520 --> 00:41:42,000
Speaker 4: Yeah, you know?

774
00:41:42,440 --> 00:41:44,120
Speaker 2: Do you want to do stage directions for be bank?

775
00:41:45,080 --> 00:41:46,160
Speaker 4: Fine?

776
00:41:49,719 --> 00:41:53,960
Speaker 2: I'm dying from having too much aids. Mommy, I got

777
00:41:53,960 --> 00:41:55,440
Speaker 2: it from the President of US.

778
00:41:55,560 --> 00:41:59,480
Speaker 4: A close up of a nice, a nice snail sliming

779
00:41:59,520 --> 00:42:01,720
Speaker 4: across a mom's prize rose bushes.

780
00:42:03,640 --> 00:42:04,399
Speaker 2: Did you see the.

781
00:42:04,320 --> 00:42:05,840
Speaker 3: Size of that friggin snail?

782
00:42:06,160 --> 00:42:10,640
Speaker 2: That thing was friggin fucking huh, Bang, lads, thanks for

783
00:42:10,760 --> 00:42:11,480
Speaker 2: cheering me up.

784
00:42:11,560 --> 00:42:15,120
Speaker 4: Mommy angle on. A pile of big money falls out

785
00:42:15,120 --> 00:42:16,320
Speaker 4: of Mary's pants holes.

786
00:42:16,400 --> 00:42:18,520
Speaker 3: Tell me like this money, I stole it to pay

787
00:42:18,520 --> 00:42:19,320
Speaker 3: for your medicine.

788
00:42:19,640 --> 00:42:20,560
Speaker 2: Stealing is wrong.

789
00:42:20,880 --> 00:42:24,600
Speaker 4: Bang starts crying. He punches a telephone pole madly. The

790
00:42:24,640 --> 00:42:25,520
Speaker 4: phone breaks.

791
00:42:25,760 --> 00:42:26,759
Speaker 2: I have powers.

792
00:42:26,880 --> 00:42:30,160
Speaker 3: I'm dying too. I smoked expired vape juice from a

793
00:42:30,200 --> 00:42:33,320
Speaker 3: brand I didn't trust. I should have used Cosmic Fog

794
00:42:33,360 --> 00:42:36,360
Speaker 3: brand vape juice. Their flavor selection is out of this world.

795
00:42:36,440 --> 00:42:39,480
Speaker 2: Only Cosmic Fog brand vape juice satisfies my cravings and

796
00:42:39,560 --> 00:42:42,040
Speaker 2: keeps me safe. Anyone who doesn't use it gets what's

797
00:42:42,040 --> 00:42:43,080
Speaker 2: coming to them.

798
00:42:43,800 --> 00:42:47,240
Speaker 4: We see a big bird that represents freedom. He's smoking

799
00:42:47,320 --> 00:42:50,840
Speaker 4: Cosmic Fog. Bang and Mary start fooling around.

800
00:42:52,040 --> 00:42:53,760
Speaker 3: I hope you win the super Bowl tomorrow.

801
00:42:54,200 --> 00:42:56,320
Speaker 2: Yeah, me too, but I'm scared.

802
00:42:56,280 --> 00:42:59,200
Speaker 4: A deer falls over and it represents like the big

803
00:42:59,280 --> 00:43:00,239
Speaker 4: banks or something thing.

804
00:43:00,560 --> 00:43:07,600
Speaker 3: Cosmic Fog is number one. That felt wow, intense.

805
00:43:08,400 --> 00:43:12,040
Speaker 2: Thank Brett. Did you feel that? Thank you so beg

806
00:43:12,160 --> 00:43:12,640
Speaker 2: choked up?

807
00:43:12,960 --> 00:43:13,320
Speaker 6: Yeah?

808
00:43:13,480 --> 00:43:15,560
Speaker 2: Would it be helpful for you to give me some notes?

809
00:43:17,719 --> 00:43:19,359
Speaker 4: Well, I thought it was interesting.

810
00:43:19,040 --> 00:43:21,560
Speaker 2: To be in two way street, right. Yeah.

811
00:43:21,640 --> 00:43:29,600
Speaker 4: You you definitely sounded uh much more clear and to

812
00:43:29,640 --> 00:43:33,200
Speaker 4: the point when you were reading this stuff about cosmic fogs. Ah.

813
00:43:33,280 --> 00:43:35,600
Speaker 2: Yes, the number one vape juice brand.

814
00:43:35,680 --> 00:43:38,000
Speaker 3: Keeps you safe but also satisfies your cravings.

815
00:43:38,040 --> 00:43:41,520
Speaker 2: Yeah. Wow, They're flavor selections out of this world.

816
00:43:41,600 --> 00:43:43,160
Speaker 3: It really is. It's number one.

817
00:43:43,440 --> 00:43:46,000
Speaker 4: It just to me it seemed very strength. The character

818
00:43:46,760 --> 00:43:52,240
Speaker 4: almost can't speak and says President of USA and says mommy,

819
00:43:52,400 --> 00:43:57,040
Speaker 4: and then then later on she's very articulate when it

820
00:43:57,080 --> 00:44:00,760
Speaker 4: comes to this small section of talking about a corporate brand.

821
00:44:00,840 --> 00:44:03,400
Speaker 2: Do you feel like the President of the USA is

822
00:44:04,120 --> 00:44:05,560
Speaker 2: on the up and up and you think he's on

823
00:44:05,600 --> 00:44:07,759
Speaker 2: the level right now? To me, this guy seems like

824
00:44:07,760 --> 00:44:09,400
Speaker 2: he's got some stuff he's hiding.

825
00:44:10,160 --> 00:44:12,319
Speaker 4: So I think that, Yeah, that's not what I'm saying.

826
00:44:12,360 --> 00:44:15,640
Speaker 4: I'm saying the actual phrase president of USA.

827
00:44:15,840 --> 00:44:18,440
Speaker 3: I think he's trustworthy.

828
00:44:19,239 --> 00:44:21,520
Speaker 2: I don't know if that's your kind of guy, you know,

829
00:44:21,760 --> 00:44:23,879
Speaker 2: but I've got a feeling, you know what I'm seeing

830
00:44:23,880 --> 00:44:26,560
Speaker 2: in this script, because if you have questions about the script,

831
00:44:26,600 --> 00:44:28,160
Speaker 2: like what I'm seeing in this script is it sounds

832
00:44:28,160 --> 00:44:31,120
Speaker 2: like he President of USA is given this guy eight

833
00:44:31,560 --> 00:44:34,839
Speaker 2: and he's got to tell his mommy about it. That's

834
00:44:34,840 --> 00:44:35,439
Speaker 2: pretty why?

835
00:44:36,600 --> 00:44:38,440
Speaker 4: Yeah, right, yeah, I think, I.

836
00:44:38,400 --> 00:44:40,480
Speaker 2: Mean, do you have questions about the script or are

837
00:44:40,480 --> 00:44:42,920
Speaker 2: you just like telling me what's in it? I know

838
00:44:43,000 --> 00:44:46,919
Speaker 2: what's in it. Do you want to know something? Because

839
00:44:46,960 --> 00:44:49,080
Speaker 2: I happen to know the writer. I think he's pretty talented.

840
00:44:49,480 --> 00:44:55,080
Speaker 4: I agree, Yeah, I mean, I I have a lot

841
00:44:55,120 --> 00:44:59,680
Speaker 4: of questions. I guess I think for me it's I

842
00:44:59,680 --> 00:45:00,800
Speaker 4: have to many questions.

843
00:45:02,160 --> 00:45:04,879
Speaker 2: We'll start with the small ones. Is about the big

844
00:45:04,920 --> 00:45:07,040
Speaker 2: money that falls out of Mary's pants holes? Yeah?

845
00:45:07,120 --> 00:45:11,279
Speaker 4: Why use pants holes instead of pockets? Like? Is that

846
00:45:11,320 --> 00:45:14,560
Speaker 4: what you mean? I've never heard of the term pants holes.

847
00:45:14,560 --> 00:45:16,520
Speaker 2: Well, the pockets hopefully don't have holes in them?

848
00:45:16,960 --> 00:45:19,520
Speaker 3: And where and how would I fit so much money

849
00:45:19,520 --> 00:45:22,680
Speaker 3: in my pockets? Pants holes are big and they're you're

850
00:45:22,719 --> 00:45:26,200
Speaker 3: because your thigh has to go in it, so they're big. Yeah,

851
00:45:28,080 --> 00:45:29,200
Speaker 3: there's a lot of bills.

852
00:45:29,640 --> 00:45:31,400
Speaker 4: What was the significance of the snail?

853
00:45:33,480 --> 00:45:33,840
Speaker 5: Oh?

854
00:45:34,480 --> 00:45:37,520
Speaker 2: Uh no, that's actually a fair question, because we know

855
00:45:37,560 --> 00:45:38,840
Speaker 2: that the bird represents.

856
00:45:38,480 --> 00:45:41,160
Speaker 6: Freedom, right, you know, the deer will probably.

857
00:45:40,880 --> 00:45:43,239
Speaker 2: Represent like the big banks or something. What do you

858
00:45:43,239 --> 00:45:47,320
Speaker 2: feel like the snail represents. He's pretty big.

859
00:45:47,120 --> 00:45:51,040
Speaker 4: Right, Yes, I see that from the scraps says he's nice.

860
00:45:51,520 --> 00:45:55,680
Speaker 4: It says he's nice and he's big, or Mary says

861
00:45:55,680 --> 00:46:02,640
Speaker 4: he's and you have a fucking huge Yeah, I have

862
00:46:02,760 --> 00:46:04,520
Speaker 4: no idea what he represents, Sean.

863
00:46:05,080 --> 00:46:08,560
Speaker 2: Yeah, well, rose bush is something beautiful, isn't it.

864
00:46:08,560 --> 00:46:10,800
Speaker 3: It's feminine, It's.

865
00:46:11,440 --> 00:46:15,840
Speaker 2: And a snail sliming across something. We traditionally think of

866
00:46:15,880 --> 00:46:22,279
Speaker 2: that bang as beautiful like a rose, or is that

867
00:46:22,400 --> 00:46:25,320
Speaker 2: something grotesque desecrate?

868
00:46:26,120 --> 00:46:30,760
Speaker 4: It seems a little gross to like slim across something nice.

869
00:46:30,880 --> 00:46:32,879
Speaker 4: I mean, I don't know, right, I guess you could

870
00:46:32,880 --> 00:46:33,799
Speaker 4: think of something.

871
00:46:33,600 --> 00:46:36,239
Speaker 2: Like almost like the freaking quarterback in the Super Bowl

872
00:46:36,280 --> 00:46:39,960
Speaker 2: getting aids from President. That's so gross of the USA.

873
00:46:40,160 --> 00:46:43,440
Speaker 4: Yeah, it seems like an odd choice towards the end

874
00:46:43,520 --> 00:46:48,480
Speaker 4: to have the deer represent big banks or something like

875
00:46:48,719 --> 00:46:49,800
Speaker 4: the big banks or something.

876
00:46:50,719 --> 00:46:54,279
Speaker 2: Well, hopefully they do, because some of these guys, some

877
00:46:54,320 --> 00:46:58,000
Speaker 2: of the stuff they're up to. I mean it's engineer Brett.

878
00:46:58,000 --> 00:47:00,080
Speaker 2: I mean, you've had some experience with these banks in

879
00:47:00,160 --> 00:47:01,200
Speaker 2: it time we fight back.

880
00:47:01,320 --> 00:47:03,479
Speaker 5: Oh my god, they're the worst bred.

881
00:47:03,480 --> 00:47:05,360
Speaker 2: It's been trying to get a loan for a while.

882
00:47:05,760 --> 00:47:07,600
Speaker 5: Yeah, they won't give it to me.

883
00:47:08,360 --> 00:47:09,960
Speaker 2: Yeah. No, it's not for a house. It's for a

884
00:47:10,000 --> 00:47:11,160
Speaker 2: business idea that he goes.

885
00:47:11,280 --> 00:47:16,400
Speaker 5: Oh yeah, it's this app that you use while you

886
00:47:16,880 --> 00:47:17,360
Speaker 5: you poop.

887
00:47:17,680 --> 00:47:20,560
Speaker 2: Yeah. Oh, it's called the zap app and you instead

888
00:47:20,560 --> 00:47:23,200
Speaker 2: of flushing your toilet, you zap your duties and they

889
00:47:23,440 --> 00:47:24,480
Speaker 2: disappear into blood.

890
00:47:24,640 --> 00:47:25,880
Speaker 3: I mean I would download that.

891
00:47:25,960 --> 00:47:27,840
Speaker 6: I'd pay twenty dollars for that app.

892
00:47:27,680 --> 00:47:30,960
Speaker 2: Yeah, because of flush waste water. And he's like, we've

893
00:47:30,960 --> 00:47:32,719
Speaker 2: got a light, We've got a camera on this thing.

894
00:47:32,760 --> 00:47:36,160
Speaker 2: Can we not somehow reflect the light through the lens

895
00:47:36,280 --> 00:47:38,440
Speaker 2: and make it zap and vaporize the duty?

896
00:47:38,640 --> 00:47:42,640
Speaker 7: Yeah, I want it to spray some smell too.

897
00:47:42,880 --> 00:47:47,280
Speaker 3: Oh oh, like like a beautiful rose yees, beautiful rose wow.

898
00:47:47,800 --> 00:47:50,240
Speaker 4: Okay, well then that would be like a new phone

899
00:47:50,400 --> 00:47:51,120
Speaker 4: that you would need.

900
00:47:53,360 --> 00:47:57,280
Speaker 5: Are you a programmer? Do you phones and stuff?

901
00:47:57,880 --> 00:47:58,440
Speaker 6: Do you code?

902
00:47:58,760 --> 00:48:02,680
Speaker 2: Engine You're not a coder an engineer, I know one engineer? Yeah,

903
00:48:03,120 --> 00:48:06,359
Speaker 2: easier right, acting dude, Yeah, if you can.

904
00:48:08,120 --> 00:48:09,279
Speaker 5: It's not going so hot.

905
00:48:09,880 --> 00:48:12,759
Speaker 4: All right, guys, you know this. I feel like I'm

906
00:48:12,800 --> 00:48:17,120
Speaker 4: really getting tag teamed on all sides here today.

907
00:48:17,120 --> 00:48:19,279
Speaker 2: Well, I feel like we learned some great stuff because

908
00:48:19,280 --> 00:48:20,680
Speaker 2: we've figured out it's not the same.

909
00:48:22,680 --> 00:48:25,799
Speaker 3: It wasn't the material we tried two different Yeah, two

910
00:48:25,840 --> 00:48:27,440
Speaker 3: different styles, two different genres.

911
00:48:30,600 --> 00:48:33,520
Speaker 2: I mean, one thing you know that you might want

912
00:48:33,560 --> 00:48:36,360
Speaker 2: to try bang is Big Stars. A lot of the

913
00:48:36,400 --> 00:48:39,840
Speaker 2: time we'll sort of throw a fit and hiding their trailer.

914
00:48:40,760 --> 00:48:42,440
Speaker 2: That's a good way to buy time to sort of

915
00:48:42,480 --> 00:48:47,680
Speaker 2: get more comfortable with the material. Okay, so because it

916
00:48:47,680 --> 00:48:49,719
Speaker 2: seems like you're uncomfortable with some of the material. You

917
00:48:49,800 --> 00:48:52,640
Speaker 2: obviously with the script, don't you know you are scared

918
00:48:52,680 --> 00:48:55,000
Speaker 2: of the stale or whatever was going on for you.

919
00:48:55,960 --> 00:48:58,839
Speaker 4: I've just been I mean, we've been pretty deep into

920
00:48:58,880 --> 00:49:00,759
Speaker 4: the course at this point. It's a snail.

921
00:49:00,760 --> 00:49:02,719
Speaker 2: It's not the figure bye bye man. You know it's

922
00:49:02,719 --> 00:49:03,080
Speaker 2: not going to.

923
00:49:03,360 --> 00:49:04,000
Speaker 4: Hurt iteat you.

924
00:49:04,080 --> 00:49:06,560
Speaker 3: Yeah, a nice nail.

925
00:49:06,680 --> 00:49:07,359
Speaker 2: Yeah.

926
00:49:07,440 --> 00:49:10,360
Speaker 4: I feel like I've really been patient throughout this course

927
00:49:10,800 --> 00:49:14,560
Speaker 4: and I've really given it a solid try. And now

928
00:49:14,560 --> 00:49:17,960
Speaker 4: that we're almost done, I have to admit I'm not

929
00:49:18,280 --> 00:49:20,560
Speaker 4: getting a ton out of these scenes.

930
00:49:21,800 --> 00:49:25,279
Speaker 2: Yeah, and is.

931
00:49:25,239 --> 00:49:30,799
Speaker 4: Today especially, I mean, this has been brutal. You've been

932
00:49:31,000 --> 00:49:32,080
Speaker 4: kind of insulting to me.

933
00:49:33,080 --> 00:49:35,280
Speaker 2: Well, I don't see it that way. I mean, you mean.

934
00:49:35,160 --> 00:49:37,799
Speaker 4: I'm trying to I feel like I'm looking for like

935
00:49:37,880 --> 00:49:41,120
Speaker 4: the glasses half full in a lot of these exercises

936
00:49:41,200 --> 00:49:44,160
Speaker 4: and scenes that you've given us, and a lot of

937
00:49:44,200 --> 00:49:46,640
Speaker 4: the times I feel like I'm explaining what they are

938
00:49:46,800 --> 00:49:47,319
Speaker 4: to you.

939
00:49:48,440 --> 00:49:52,040
Speaker 2: Well, but isn't that intentional? If you can explain it,

940
00:49:52,360 --> 00:49:53,480
Speaker 2: then you understand it.

941
00:49:53,520 --> 00:49:55,920
Speaker 3: If you can dream it, you can do it.

942
00:49:56,120 --> 00:50:01,239
Speaker 2: At Disney and Mary's notes are your notes, and your

943
00:50:01,280 --> 00:50:06,520
Speaker 2: notes are Mary's notes. My notes are your notes, and

944
00:50:06,560 --> 00:50:09,840
Speaker 2: Brett's notes are Mary's notes in my notes. You know,

945
00:50:10,640 --> 00:50:13,879
Speaker 2: her notes are your notes. So you're going, oh, I'm

946
00:50:13,880 --> 00:50:16,200
Speaker 2: not getting all the notes or whatever you're mad about.

947
00:50:16,560 --> 00:50:18,319
Speaker 2: You need to listen, you know.

948
00:50:18,480 --> 00:50:26,000
Speaker 4: You guys basically been telling me all day. You know what, No,

949
00:50:26,200 --> 00:50:26,560
Speaker 4: forget it.

950
00:50:26,680 --> 00:50:29,239
Speaker 2: I don't care because I don't feel like because you know,

951
00:50:29,360 --> 00:50:32,120
Speaker 2: it's all we're investigating our senses and I want to

952
00:50:32,160 --> 00:50:33,920
Speaker 2: shake you up. I want to get you out of

953
00:50:33,920 --> 00:50:34,600
Speaker 2: your comfort zone.

954
00:50:34,719 --> 00:50:34,919
Speaker 6: Yeah.

955
00:50:35,560 --> 00:50:42,640
Speaker 2: Yeah, right now, I'm tripping acid right now, I'm on LSD,

956
00:50:42,880 --> 00:50:44,919
Speaker 2: you know, because that's all just chemicals. It's in your brain.

957
00:50:45,000 --> 00:50:47,920
Speaker 2: I didn't take any drugs, but that's just chemicals. It's

958
00:50:47,960 --> 00:50:50,600
Speaker 2: in your brain. So like, I'm trying to bring some

959
00:50:50,640 --> 00:50:52,640
Speaker 2: of those brain chemicals to the surface that make you

960
00:50:52,719 --> 00:50:56,560
Speaker 2: have real experiences, big experiences. You feel that right now?

961
00:50:57,680 --> 00:50:59,920
Speaker 2: And what does it look like right now? It's crazy, right,

962
00:51:00,360 --> 00:51:05,520
Speaker 2: A bunch of meat bringing the beetlejuice man is over there, skewers. Yeah,

963
00:51:05,680 --> 00:51:07,279
Speaker 2: the s is coming for you.

964
00:51:07,440 --> 00:51:13,359
Speaker 3: Here's my mom and she's eating a ahead ahead tripping out.

965
00:51:13,520 --> 00:51:19,080
Speaker 2: You know, that's that's heavy ship. Right, that's sense memory

966
00:51:19,680 --> 00:51:24,600
Speaker 2: because it's all just chemicals. You look like freaking slender Man.

967
00:51:26,200 --> 00:51:28,839
Speaker 2: So it's like that, you know, yeah, think about that.

968
00:51:29,080 --> 00:51:31,480
Speaker 4: I have been thinking a lot about slender Man and

969
00:51:31,520 --> 00:51:35,240
Speaker 4: the Bye Bye Man, because you bring it up in

970
00:51:35,400 --> 00:51:39,000
Speaker 4: every one of our classes. You've brought up the slender

971
00:51:39,040 --> 00:51:41,960
Speaker 4: Man Bye Bye Man. I don't even know exactly what

972
00:51:42,000 --> 00:51:44,759
Speaker 4: the Beetlejuice Man is because I think I've corrected you

973
00:51:44,800 --> 00:51:45,799
Speaker 4: on this before. His name.

974
00:51:45,880 --> 00:51:48,040
Speaker 2: You're just you're just tuning again.

975
00:51:48,320 --> 00:51:52,320
Speaker 4: No one is tuning in sean. It's not a radio show.

976
00:51:52,360 --> 00:51:54,960
Speaker 4: You don't just like scan through the radio.

977
00:51:56,200 --> 00:51:58,680
Speaker 3: And let's start getting look at this.

978
00:51:58,680 --> 00:52:00,960
Speaker 2: This is real past. This is it. This is the

979
00:52:01,000 --> 00:52:01,360
Speaker 2: heart on.

980
00:52:01,440 --> 00:52:02,120
Speaker 3: We're talking about.

981
00:52:02,280 --> 00:52:05,640
Speaker 2: Yeah, this guy's freaking you've got a rag. This is

982
00:52:05,719 --> 00:52:08,000
Speaker 2: freaking gonna pop a hole on the table.

983
00:52:09,760 --> 00:52:13,120
Speaker 6: That's scaring me right a well, like a snail.

984
00:52:14,360 --> 00:52:18,760
Speaker 2: You know what I mean? See, and are we forgetting

985
00:52:18,800 --> 00:52:21,000
Speaker 2: something too, because we've done the scene a few times

986
00:52:21,000 --> 00:52:23,200
Speaker 2: and we haven't once done around of applause for the crew.

987
00:52:26,440 --> 00:52:28,520
Speaker 2: Let's give it up for the crew. The crew, and

988
00:52:28,560 --> 00:52:30,360
Speaker 2: it's not a real movie set, of course, it's this

989
00:52:30,480 --> 00:52:33,279
Speaker 2: masterclass thing. But you know you think you're tired, Think

990
00:52:33,280 --> 00:52:34,160
Speaker 2: about how the crew feels.

991
00:52:34,360 --> 00:52:35,040
Speaker 4: It's just spread.

992
00:52:35,239 --> 00:52:38,200
Speaker 5: Yeah, just just Brett.

993
00:52:40,960 --> 00:52:44,120
Speaker 2: I like I like it because I like seeing the passion.

994
00:52:45,280 --> 00:52:47,839
Speaker 2: Before I wasn't sure this guy had a pulse. Now

995
00:52:47,880 --> 00:52:53,680
Speaker 2: he's got a pulsing bon and it's his character and

996
00:52:53,719 --> 00:52:56,359
Speaker 2: he's in it. Do you want to do one line

997
00:52:56,400 --> 00:52:58,360
Speaker 2: from the hall pass scene and one line from this

998
00:52:58,440 --> 00:53:00,480
Speaker 2: other scene and it's just kind of mashed together.

999
00:53:03,280 --> 00:53:06,640
Speaker 4: Sure? I don't know what purposessors, but you're.

1000
00:53:06,520 --> 00:53:09,799
Speaker 3: Obsessed with sex? Did you see the size of that

1001
00:53:09,840 --> 00:53:10,560
Speaker 3: frigging snail?

1002
00:53:12,000 --> 00:53:15,279
Speaker 4: Obsessed is a strong word. I'm dying from having too

1003
00:53:15,360 --> 00:53:18,760
Speaker 4: much aids. Mommy, I got it from President of USA.

1004
00:53:19,560 --> 00:53:22,160
Speaker 3: You left the computer on cameltoon dot com the other day.

1005
00:53:22,640 --> 00:53:23,480
Speaker 3: I'm dying too.

1006
00:53:26,040 --> 00:53:28,239
Speaker 4: That must have been Maria. I knew that whole I'm

1007
00:53:28,239 --> 00:53:31,360
Speaker 4: a devout Catholic nanny routine. Was the words fuck, the

1008
00:53:31,360 --> 00:53:35,920
Speaker 4: words got to use. You know it wasn't me. It

1009
00:53:35,960 --> 00:53:39,160
Speaker 4: was Maria. She must have left this on. I know

1010
00:53:39,280 --> 00:53:43,200
Speaker 4: she was lying about uh, you know, her whole personality.

1011
00:53:43,280 --> 00:53:44,319
Speaker 2: Forget the words too.

1012
00:53:47,280 --> 00:53:48,040
Speaker 4: That's what I'm.

1013
00:53:47,840 --> 00:53:52,640
Speaker 3: Doing, honey, Help me hide this money, Help me hide

1014
00:53:52,680 --> 00:53:53,160
Speaker 3: this money.

1015
00:53:53,200 --> 00:53:57,680
Speaker 4: Honey, okay, yeah, here's the money.

1016
00:53:58,680 --> 00:54:01,000
Speaker 3: I've got four friends in the last year get separated

1017
00:54:01,040 --> 00:54:02,480
Speaker 3: or divorced due to some degree.

1018
00:54:04,320 --> 00:54:06,879
Speaker 2: Guys, I think we did it.

1019
00:54:08,040 --> 00:54:13,440
Speaker 3: I feel that, feel mean, feel a place in the

1020
00:54:13,480 --> 00:54:18,640
Speaker 3: script that I didn't know we could get to really surprising.

1021
00:54:18,120 --> 00:54:23,840
Speaker 2: Electric Yeah, really good Mary and Bang. It's not always

1022
00:54:23,920 --> 00:54:26,400
Speaker 2: fun right to get there, but I think you see,

1023
00:54:26,560 --> 00:54:30,720
Speaker 2: like why we pushed so amazing band that felt so good.

1024
00:54:31,840 --> 00:54:36,360
Speaker 2: I'm talking to a real actor here, yeah okay, yeah, sure,

1025
00:54:36,480 --> 00:54:42,759
Speaker 2: And then what do you think about my acting? What? Well?

1026
00:54:42,800 --> 00:54:45,160
Speaker 2: I did some reading too. I just set up talking

1027
00:54:45,200 --> 00:54:47,359
Speaker 2: to a real actor about I looked to hear from back.

1028
00:54:49,480 --> 00:54:50,759
Speaker 4: Yeah, you're you're good.

1029
00:54:50,800 --> 00:54:55,080
Speaker 2: It's good. Right. I think your agent one thing I mean, I.

1030
00:54:55,040 --> 00:54:59,280
Speaker 4: Mean, I guess I can give him, give him your email.

1031
00:54:59,560 --> 00:55:01,319
Speaker 2: You can be listen to this like you would hear

1032
00:55:01,360 --> 00:55:04,399
Speaker 2: me on this, right, that would be pretty cool. Yeah,

1033
00:55:04,600 --> 00:55:08,959
Speaker 2: like just the parts where I'm doing, you know, I guess,

1034
00:55:08,960 --> 00:55:10,160
Speaker 2: so that would be weird.

1035
00:55:09,920 --> 00:55:11,880
Speaker 4: For him to like skip through and just listen to

1036
00:55:11,960 --> 00:55:12,600
Speaker 4: the parts that.

1037
00:55:12,640 --> 00:55:15,400
Speaker 2: He already reps you, so like what he knows what

1038
00:55:15,440 --> 00:55:17,719
Speaker 2: you're doing. I'm just saying, like, if you heard my ship,

1039
00:55:17,800 --> 00:55:18,560
Speaker 2: you think you'd like it?

1040
00:55:18,640 --> 00:55:23,000
Speaker 4: Right? Yeah? Again, I can, you know, send him your

1041
00:55:23,040 --> 00:55:23,840
Speaker 4: resume and stuff.

1042
00:55:23,840 --> 00:55:28,160
Speaker 2: Thank you? Yeah, yeah, that's what I'm saying, just like

1043
00:55:28,239 --> 00:55:31,359
Speaker 2: as a joke or whatever, but like, but you know,

1044
00:55:31,440 --> 00:55:31,759
Speaker 2: what do you.

1045
00:55:31,719 --> 00:55:33,239
Speaker 4: Mean as a joke? It seems to this is the

1046
00:55:33,280 --> 00:55:36,520
Speaker 4: second time you've asked me about my representation. I can

1047
00:55:37,320 --> 00:55:38,320
Speaker 4: you clearly want.

1048
00:55:38,280 --> 00:55:40,600
Speaker 2: You said that you seem you know, you think they're

1049
00:55:40,600 --> 00:55:44,160
Speaker 2: pretty good or whatever. It's like good, great, so am

1050
00:55:44,160 --> 00:55:47,960
Speaker 2: I So let's do it. So you're just tuning in.

1051
00:55:48,040 --> 00:55:51,759
Speaker 2: This is my Masterclass. I'm Sean Clemons and then the

1052
00:55:51,880 --> 00:55:56,080
Speaker 2: Bang rag Man and Marry an engineer Brets here come

1053
00:55:56,120 --> 00:56:02,400
Speaker 2: back next week and Hollywood Masterclass is a Stitcher original

1054
00:56:02,760 --> 00:56:04,400
Speaker 2: and a production of Midroll Media.

1055
00:56:04,719 --> 00:56:08,680
Speaker 1: Our executive producers are Chris Bannon and Jenny Rattlett Music

1056
00:56:08,719 --> 00:56:10,360
Speaker 1: and sound by Brett Morris.