Speaker 1: As a dad, actor, producer for an activist, my schedule
Speaker 1: fills up fast and as we all know, a life
Speaker 1: can be unpredictable. That's why good help is always welcome.
Speaker 1: Hey everyone, it's warmer vol drama. When it comes to insurance,
Speaker 1: let's Stay Farm support. You switch to Stay Farm and
Speaker 1: you'll feel better knowing their expertise will have your feeling
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Speaker 1: Tura podcast Network. When is the Senota? When was the ass? Losman?
Speaker 1: I got your coffee ready and I'm gonna make you
Speaker 1: some old meal. Yes, yes, I don't know if I
Speaker 1: can eat anything this morning. After that visit last night
Speaker 1: with Adelita, that girl is going to be the end
Speaker 1: of me. Keep us so she doesn't know what she's doing.
Speaker 1: Ista Sea, you too. She's so talented, Senyoda, I think
Speaker 1: she can do anything, So I should just let her
Speaker 1: risk it all, let her you know what I mean,
Speaker 1: I Losma, If that girl only knew everything I gave
Speaker 1: up for her, all the sacrifices I made to make
Speaker 1: sure that she had the career that she's had. Sometimes
Speaker 1: I feel like she doesn't even care. No, Senyoda. Our
Speaker 1: kids never really understand the sacrifices that we make for them,
Speaker 1: and sometimes they even resent us for them. But you
Speaker 1: know the funny thing is I came to this side
Speaker 1: of the border so that I could make more money
Speaker 1: and give my kids a better life. All these years later,
Speaker 1: all grown up and the only title whom at us
Speaker 1: from our pueblito with a college degree, and they're still
Speaker 1: upset that they only get to see me on weekends.
Speaker 1: I'm sorry that must be hard, but I did what
Speaker 1: I had to do, and here I am complaining about
Speaker 1: a daughter who has never left my side. You know
Speaker 1: what we need to do? Switch rolls. I know too
Speaker 1: late for that. We need to find you a man.
Speaker 1: Definitely too late for that. I send you. You're not
Speaker 1: even fifty. Don't tell who has time. It's time that
Speaker 1: your life be more than just about Adelita. Hey man,
Speaker 1: thanks for coming over, Alita Wisdom here? What is Wisdom
Speaker 1: doing here? I called him, told that you needed an
Speaker 1: extra bush. Oh you real? You go just hear him out.
Speaker 1: If the answer still know, I'll back off. I promise
Speaker 1: I'll be down in a few God ya man, I
Speaker 1: gotta say I never thought at Elite would be so
Speaker 1: hard to get man to be honest. This side of
Speaker 1: Alita has surprised me too. I mean, the woman asked
Speaker 1: me to marry her to take show up for good.
Speaker 1: About that? That's crazy? What up? Yo? But tell me,
Speaker 1: tell me real talk. How do you want to handle it?
Speaker 1: Because you know I tarred double for therapy, says, so
Speaker 1: you eat that. I can't. I don't just talk to
Speaker 1: her an artist, artist, you know what you're doing. I
Speaker 1: guess my husband had to bring in reinforcements, whatever it takes. Right,
Speaker 1: At least you're not running away from me this time.
Speaker 1: I know. I'm sorry. Yeah, I don't know what happened
Speaker 1: at the studio. Come here, bab sit I mean adelite.
Speaker 1: I usually can't get the ladies to leave me alone,
Speaker 1: but then you ran away. I'm like, what happened? Oh? Well,
Speaker 1: there's a first time for everything. Look, there's just so
Speaker 1: much I didn't consider about this crossover thing. Was I
Speaker 1: got caught up in what I thought was a good idea,
Speaker 1: you know, an easy fix, but never thought beyond that
Speaker 1: that's not the smartest way to launch a new career.
Speaker 1: Oh that's one way to look at it. Another way
Speaker 1: is when an opportunity lands on your lap, take that ship, like,
Speaker 1: what's up? Okay, look at Alita. I'm not just here
Speaker 1: to convince you to do the Grammars with me. That's
Speaker 1: not what this is about at all, because you know
Speaker 1: that getting someone to perform with me would only take
Speaker 1: a phone call. You know that, right? Yeah? I do know.
Speaker 1: But believe it or not, there was a time when
Speaker 1: I couldn't get anyone to return my calls. No, you
Speaker 1: mean to tell me you weren't always the biggest hip
Speaker 1: hop artist in the world. I know it's hard to believe,
Speaker 1: right because I mean, you know what, but the truth is, Man,
Speaker 1: for years I try to get a record deal and
Speaker 1: no one would sign me. Is that really true? And
Speaker 1: the God I sent my demo tapes to every big,
Speaker 1: medium size, and small record label in the country more
Speaker 1: than once, and they ain't hit back from a single one. Wow.
Speaker 1: I mean once in a while they would be like
Speaker 1: an and all guy showing up at one of my
Speaker 1: gigs in New York, but you know, small club showcases.
Speaker 1: Nothing would ever come from that until it did. Till
Speaker 1: it did when I stopped copying everybody else, there wasn't
Speaker 1: an original. I did any of my tracks then. I mean,
Speaker 1: I thought if I replicated what Yay or Wayne or
Speaker 1: jay Z was doing, I get signed ship. I even
Speaker 1: tried copying eminem after Relapse came out and sold five
Speaker 1: million plus world Why so what changed? Happened? On January
Speaker 1: two thousand and nine, just a few days after Oscar
Speaker 1: Grant was killed by a cop, when I wrote that
Speaker 1: song Emmin and Oscar. Oh wow, that song was huge.
Speaker 1: Just like emminate Oscar, they see me and monster twenty
Speaker 1: two years young. A brother looked like me, won't ever
Speaker 1: see twenty three till his head took a knee, gunned
Speaker 1: down with his hands locked while cops sit and watch.
Speaker 1: Just like Emmin and Oscar, they see us as monsters.
Speaker 1: The skin. We didn't get us sent to the pen
Speaker 1: like Immedate Oscar. Two black angels taking way too soon.
Speaker 1: I dedicate this to you. Wow, man, I ain't even
Speaker 1: bother to produce the song. It was just so raw motional.
Speaker 1: Let me think about it. Oscar was the exact age
Speaker 1: I was at the time, twenty two years old. Man.
Speaker 1: I just needed to get that shit out there, like
Speaker 1: I uploaded it to SoundCloud. Video take myself doing the song,
Speaker 1: then uploaded the video to YouTube and people started to
Speaker 1: find it and share it, and you know the rest.
Speaker 1: I mean from not alone. I made enough money to
Speaker 1: self produce my first album, no record label, no manager,
Speaker 1: and I'm gonna tell you this, for the first time,
Speaker 1: I didn't want anyone to influence what I was doing.
Speaker 1: I was gonna fail or succeed doing my own thing.
Speaker 1: To my surprise, shit blew up. That's what got you
Speaker 1: signed by Rizzle at a A g right yep em
Speaker 1: in Oscar and everything that has come after that song
Speaker 1: is what drives me to this day. Not the label,
Speaker 1: not my agent's, not my manager, death nearly, not Marcos,
Speaker 1: wanting my music to say something, to find who I
Speaker 1: would be as an artist, and it gave me clarity.
Speaker 1: Now your situation is a little different. I mean, you've
Speaker 1: had great albums, you're an incredible songwriter, and you brought
Speaker 1: this this new dope energy to say hand on music
Speaker 1: after Selina. You know, I love Selina, but look, man,
Speaker 1: you should be proud of all of that. But if
Speaker 1: that's not what you want to be doing anymore, then
Speaker 1: you really shouldn't be forced to ad leite to come on.
Speaker 1: You've got a lot of people pulling strings for you,
Speaker 1: but no one, and I mean no one, but you
Speaker 1: should be making this decision him. As a dad, actor, producer,
Speaker 1: and activist, my schedule fills up fast, and as we
Speaker 1: all know, life can be unpredictable. That's why good help
Speaker 1: is always welcome, like when your friend offers you those
Speaker 1: important words of advice or when your mom makes your
Speaker 1: favorite food just because he's holding act of kindness and support.
Speaker 1: That's where State Farm is there twenty four seven with
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Speaker 1: Vesino is Stay Farm it's in as a punto State
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Speaker 1: Michael Tuda shows wherever you listen to a podcasts What Up?
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Speaker 1: We're changing the locks if she keeps doing that. Prodrigo.
Speaker 1: The door was open, so don't kill me. Hey, miss
Speaker 1: pass so right, it's good to see you, Wisdom. Hi,
Speaker 1: this is a surprise. What are you doing here? He was?
Speaker 1: He just came bright. He's stopping and say hello. They've
Speaker 1: been taking care of me. Atalita was afraid I'd get
Speaker 1: lonely with my break up for whatever reason. And rod
Speaker 1: Riego just want to feed me. And you know him.
Speaker 1: He thinks a whole made mill is a kill foot.
Speaker 1: Everything he's cooking does tend to make me feel better. Hey,
Speaker 1: maybe you don't get cocky. Your the money making skills
Speaker 1: still need some work. So how are you doing? Wisdom?
Speaker 1: Is the press leaving you alone? A man? Let's just say,
Speaker 1: I'm glad I came back to El Paso. I'm sorry
Speaker 1: to hear it didn't work out with Zoya. I hope
Speaker 1: it was for the best. Why be with someone who
Speaker 1: don't want to be with you? Have you found her
Speaker 1: replacement by the Grammys? I mean I'm thinking about just
Speaker 1: having portion stepping, you know, one of my backup singers.
Speaker 1: I like that idea. Keep it low key, not bring
Speaker 1: any more attention to the break up. I think you're
Speaker 1: making the right decision. Well thanks, Well, I'm sorry I
Speaker 1: barged in. I just need to discuss a couple of
Speaker 1: quick things with you, Adelita and so have you signed
Speaker 1: some documents? All right, why don't we all move to
Speaker 1: the kitchen. Rodrigo was about to make lunch, right, babe? Yeah?
Speaker 1: Any requests wisom except the mals apparently? Listen, man, I'll
Speaker 1: eat anything you make, yeah, even the nasty as. I'm
Speaker 1: just playing. I'm just playing. I got you back so good,
Speaker 1: a ra you need a head, Nah, that's it. Relax
Speaker 1: I'll keep it simple, Lance Plice tomatoes. Okay, So first
Speaker 1: things first, you need to talk to Marcos. I think
Speaker 1: it will appease everyone at the label if you assure
Speaker 1: him you'll be delivering the two the Hano albums left
Speaker 1: on your contract. I told him you would, but I
Speaker 1: think it would be nice if you heard it from you. Obviously,
Speaker 1: this will all be after your vacation, but just call him,
Speaker 1: all right, Sure, as long as the conversation includes a
Speaker 1: plan for me to transition out of the Hannah Musa. Okay,
Speaker 1: but you know me, that's still going to be a
Speaker 1: couple of years away. Are you sure you want to
Speaker 1: bring that up now? Well, you did say I hadn't
Speaker 1: thought through all the implications of my announcement, So let's
Speaker 1: do it right, Let's give everyone enough time. You do
Speaker 1: know that this is not just a label and Marco's conversation, though,
Speaker 1: what do you mean? Well, let me remind you you're
Speaker 1: not only at the Handle Singer, You're at the Hanu brand.
Speaker 1: And as you know, the brands were also alarmed by
Speaker 1: your announcement. So we'll have to set up meetings with
Speaker 1: the cosmetic line, the clothing line, the Cowboy boots company,
Speaker 1: the salsa company, the publishing company that those are Mother
Speaker 1: Daughter cooking books, and the publishing company that's about to
Speaker 1: go to Prinds on the children's book series. Damn, really,
Speaker 1: Adelita would never say this, wisdom, But my daughter is
Speaker 1: as big in it the handle world as you are
Speaker 1: in the hip hop world. Oh God, please don't listen
Speaker 1: to her. Our careers are not even close in equal
Speaker 1: comparison what they could be. Prodrico, your onions are burning.
Speaker 1: Let's just start setting up those brand meetings as well.
Speaker 1: We'll look at every contract and get a sense of
Speaker 1: how long we have left on each one. Then we
Speaker 1: can decide which ones we don't renew and which ones
Speaker 1: might be able to transition with me. You want to
Speaker 1: do all this now? At the same time, we might
Speaker 1: as well have it all laid out and deal with it. Weha.
Speaker 1: I don't know. Here's the thing, Mom. Don't you think
Speaker 1: it's kind of crazy that I've never made most of
Speaker 1: the recipes in our cookbooks Prodrico does all the cooking
Speaker 1: around here, Or that I'm writing a children's book series
Speaker 1: and I don't even have kids. Well, what's done is done,
Speaker 1: and what's done can be undone. All right, I'll pull
Speaker 1: the contracts and we can see where we are. Great,
Speaker 1: lunch is served? How about time? Great, I'll go wash
Speaker 1: my hands, be right back. Wow, that was interesting. What
Speaker 1: the fact that none of what you guys talked about
Speaker 1: had anything to do with music? It makes me wonder.
Speaker 1: I mean you an artist or a product. If you're
Speaker 1: enjoying a Thelita Changing the Key, please subscribe, rate and
Speaker 1: review our show wherever you're listening are. Thelita Changing the
Speaker 1: Key is a production of Sonoro in partnership with Our
Speaker 1: Hearts Michael Tura Network. Created and written by Lesia ViOS,
Speaker 1: Produced by Luca Guardo Castillo, Get In Such it Is
Speaker 1: and b Na Lopez Mendoza. Directed by Javier Perrazza. Developed
Speaker 1: by Jasmine Romero, Betina Lopez and Christian Catar Executive produced
Speaker 1: by Gisel Benzes and Conald Byrne for iHeart and Camilla
Speaker 1: Victoriano and Josia Weinstein for Sonoro. Executive produced by Dayangerero
Speaker 1: and li Jiavianobos. This episode written by Li Jieviaalobos with
Speaker 1: help from Daniela Sarkis, Petina Lopez, Rodrigo, Bravo, Moniza Hinrich
Speaker 1: Barriana Martinez Gomez and Ed Garesteva. Performances in this episode
Speaker 1: by Diangerero, Carla Jimenez, An Artis, Jessie Garcia and Lamarque Chasten.
Speaker 1: Recording and engineering by Andres Bayena and Emiliano Quintanao, with
Speaker 1: sound designed by Andres Baiena, Armando Gutino, Lunirigoce, Emiliano quintana
Speaker 1: and Cassandra Tinajero. Additional editing by Daniel Padilla and Fernando Glaviz.
Speaker 1: Casting and coordination by Arli Day, Mike Paige, Christina Blevins,
Speaker 1: Andres Chaitis, Alexandra Gonzalez, get In such Chitis, Christian Hata
Speaker 1: and Nick Milaness. Original songs by Laura Cruz, Ector Fernandez,
Speaker 1: Sean Meta, Miranda Johnson and Blaze Adam. Music director Kamara
Speaker 1: Kamba as a dad actor producer for an activist, My
Speaker 1: schedule feels up fast and as we all know, life
Speaker 1: can be unpredictable. That's why good help is always welcome.
Speaker 1: Hey everyone, it's warmer about drama when it comes to insurance.
Speaker 1: Let's Stay Farms support. You switch to Stay Farm and
Speaker 1: you feel better knowing their expertise will have your feeling
Speaker 1: taken care of. Don't understand policy details. They've got your cover.
Speaker 1: With Stay Farm, you can call your agent or connect
Speaker 1: with them twenty four seven apprentde mass and as punto
Speaker 1: state farm punto kom like a good neighbor. Stay Farm
Speaker 1: is there. Hey, it's Mala and Diosa, co hosts of
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