WEBVTT - Knocked Down

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>Tura podcast network here to tell you that yes, you

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<v Speaker 1>it's Rossa in Sanchez from the He Said a podcast,

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<v Speaker 1>And just like Hand, I'm here to speak the truth,

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<v Speaker 1>like the one that electric cars take a long time

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<v Speaker 1>it comes to the bunking myths, Hand is thinking of

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<v Speaker 1>every mile. Handa, it's your journey, proud partner of Michael

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<v Speaker 1>Tura podcast Network. When is the Senota? When was the ass? Losman?

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<v Speaker 1>I got your coffee ready and I'm gonna make you

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<v Speaker 1>some old meal. Yes, yes, I don't know if I

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<v Speaker 1>can eat anything this morning. After that visit last night

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<v Speaker 1>with Adelita, that girl is going to be the end

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<v Speaker 1>of me. Keep us so she doesn't know what she's doing.

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<v Speaker 1>Ista Sea, you too. She's so talented, Senyoda, I think

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<v Speaker 1>she can do anything, So I should just let her

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<v Speaker 1>risk it all, let her you know what I mean,

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<v Speaker 1>I Losma, If that girl only knew everything I gave

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<v Speaker 1>up for her, all the sacrifices I made to make

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<v Speaker 1>sure that she had the career that she's had. Sometimes

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<v Speaker 1>I feel like she doesn't even care. No, Senyoda. Our

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<v Speaker 1>kids never really understand the sacrifices that we make for them,

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<v Speaker 1>and sometimes they even resent us for them. But you

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<v Speaker 1>know the funny thing is I came to this side

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<v Speaker 1>of the border so that I could make more money

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<v Speaker 1>and give my kids a better life. All these years later,

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<v Speaker 1>all grown up and the only title whom at us

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<v Speaker 1>from our pueblito with a college degree, and they're still

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<v Speaker 1>upset that they only get to see me on weekends.

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<v Speaker 1>I'm sorry that must be hard, but I did what

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<v Speaker 1>I had to do, and here I am complaining about

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<v Speaker 1>a daughter who has never left my side. You know

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<v Speaker 1>what we need to do? Switch rolls. I know too

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<v Speaker 1>late for that. We need to find you a man.

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<v Speaker 1>Definitely too late for that. I send you. You're not

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<v Speaker 1>even fifty. Don't tell who has time. It's time that

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<v Speaker 1>your life be more than just about Adelita. Hey man,

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<v Speaker 1>thanks for coming over, Alita Wisdom here? What is Wisdom

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<v Speaker 1>doing here? I called him, told that you needed an

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<v Speaker 1>extra bush. Oh you real? You go just hear him out.

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<v Speaker 1>If the answer still know, I'll back off. I promise

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<v Speaker 1>I'll be down in a few God ya man, I

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<v Speaker 1>gotta say I never thought at Elite would be so

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<v Speaker 1>hard to get man to be honest. This side of

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<v Speaker 1>Alita has surprised me too. I mean, the woman asked

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<v Speaker 1>me to marry her to take show up for good.

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<v Speaker 1>About that? That's crazy? What up? Yo? But tell me,

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<v Speaker 1>tell me real talk. How do you want to handle it?

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<v Speaker 1>Because you know I tarred double for therapy, says, so

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<v Speaker 1>you eat that. I can't. I don't just talk to

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<v Speaker 1>her an artist, artist, you know what you're doing. I

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<v Speaker 1>guess my husband had to bring in reinforcements, whatever it takes. Right,

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<v Speaker 1>At least you're not running away from me this time.

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<v Speaker 1>I know. I'm sorry. Yeah, I don't know what happened

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<v Speaker 1>at the studio. Come here, bab sit I mean adelite.

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<v Speaker 1>I usually can't get the ladies to leave me alone,

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<v Speaker 1>but then you ran away. I'm like, what happened? Oh? Well,

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<v Speaker 1>there's a first time for everything. Look, there's just so

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<v Speaker 1>much I didn't consider about this crossover thing. Was I

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<v Speaker 1>got caught up in what I thought was a good idea,

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<v Speaker 1>you know, an easy fix, but never thought beyond that

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<v Speaker 1>that's not the smartest way to launch a new career.

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<v Speaker 1>Oh that's one way to look at it. Another way

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<v Speaker 1>is when an opportunity lands on your lap, take that ship, like,

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<v Speaker 1>what's up? Okay, look at Alita. I'm not just here

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<v Speaker 1>to convince you to do the Grammars with me. That's

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<v Speaker 1>not what this is about at all, because you know

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<v Speaker 1>that getting someone to perform with me would only take

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<v Speaker 1>a phone call. You know that, right? Yeah? I do know.

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<v Speaker 1>But believe it or not, there was a time when

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<v Speaker 1>I couldn't get anyone to return my calls. No, you

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<v Speaker 1>mean to tell me you weren't always the biggest hip

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<v Speaker 1>hop artist in the world. I know it's hard to believe,

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<v Speaker 1>right because I mean, you know what, but the truth is, Man,

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<v Speaker 1>for years I try to get a record deal and

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<v Speaker 1>no one would sign me. Is that really true? And

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<v Speaker 1>the God I sent my demo tapes to every big,

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<v Speaker 1>medium size, and small record label in the country more

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<v Speaker 1>than once, and they ain't hit back from a single one. Wow.

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<v Speaker 1>I mean once in a while they would be like

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<v Speaker 1>an and all guy showing up at one of my

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<v Speaker 1>gigs in New York, but you know, small club showcases.

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<v Speaker 1>Nothing would ever come from that until it did. Till

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<v Speaker 1>it did when I stopped copying everybody else, there wasn't

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<v Speaker 1>an original. I did any of my tracks then. I mean,

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<v Speaker 1>I thought if I replicated what Yay or Wayne or

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<v Speaker 1>jay Z was doing, I get signed ship. I even

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<v Speaker 1>tried copying eminem after Relapse came out and sold five

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<v Speaker 1>million plus world Why so what changed? Happened? On January

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<v Speaker 1>two thousand and nine, just a few days after Oscar

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<v Speaker 1>Grant was killed by a cop, when I wrote that

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<v Speaker 1>song Emmin and Oscar. Oh wow, that song was huge.

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<v Speaker 1>Just like emminate Oscar, they see me and monster twenty

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<v Speaker 1>two years young. A brother looked like me, won't ever

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<v Speaker 1>see twenty three till his head took a knee, gunned

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<v Speaker 1>down with his hands locked while cops sit and watch.

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<v Speaker 1>Just like Emmin and Oscar, they see us as monsters.

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<v Speaker 1>The skin. We didn't get us sent to the pen

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<v Speaker 1>like Immedate Oscar. Two black angels taking way too soon.

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<v Speaker 1>I dedicate this to you. Wow, man, I ain't even

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<v Speaker 1>bother to produce the song. It was just so raw motional.

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<v Speaker 1>Let me think about it. Oscar was the exact age

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<v Speaker 1>I was at the time, twenty two years old. Man.

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<v Speaker 1>I just needed to get that shit out there, like

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<v Speaker 1>I uploaded it to SoundCloud. Video take myself doing the song,

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<v Speaker 1>then uploaded the video to YouTube and people started to

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<v Speaker 1>find it and share it, and you know the rest.

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<v Speaker 1>I mean from not alone. I made enough money to

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<v Speaker 1>self produce my first album, no record label, no manager,

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<v Speaker 1>and I'm gonna tell you this, for the first time,

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<v Speaker 1>I didn't want anyone to influence what I was doing.

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<v Speaker 1>I was gonna fail or succeed doing my own thing.

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<v Speaker 1>To my surprise, shit blew up. That's what got you

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<v Speaker 1>signed by Rizzle at a A g right yep em

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<v Speaker 1>in Oscar and everything that has come after that song

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<v Speaker 1>is what drives me to this day. Not the label,

0:08:57.760 --> 0:09:01.040
<v Speaker 1>not my agent's, not my manager, death nearly, not Marcos,

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<v Speaker 1>wanting my music to say something, to find who I

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<v Speaker 1>would be as an artist, and it gave me clarity.

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<v Speaker 1>Now your situation is a little different. I mean, you've

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<v Speaker 1>had great albums, you're an incredible songwriter, and you brought

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<v Speaker 1>this this new dope energy to say hand on music

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<v Speaker 1>after Selina. You know, I love Selina, but look, man,

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<v Speaker 1>you should be proud of all of that. But if

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<v Speaker 1>that's not what you want to be doing anymore, then

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<v Speaker 1>you really shouldn't be forced to ad leite to come on.

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<v Speaker 1>You've got a lot of people pulling strings for you,

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<v Speaker 1>but no one, and I mean no one, but you

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<v Speaker 1>should be making this decision him. As a dad, actor, producer,

0:09:44.160 --> 0:09:47.400
<v Speaker 1>and activist, my schedule fills up fast, and as we

0:09:47.440 --> 0:09:50.240
<v Speaker 1>all know, life can be unpredictable. That's why good help

0:09:50.400 --> 0:09:52.800
<v Speaker 1>is always welcome, like when your friend offers you those

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<v Speaker 1>important words of advice or when your mom makes your

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<v Speaker 1>favorite food just because he's holding act of kindness and support.

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<v Speaker 1>Vesino is Stay Farm it's in as a punto State

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<v Speaker 1>Farm punto com listen to new episodes of your favorite

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<v Speaker 1>Drambo's here to talk to you about balance. Many of

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<v Speaker 1>Is our mission to elevate and educate on my podcasts,

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<v Speaker 1>Life as a Gringo and the Street Stoic Balance is

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<v Speaker 1>dollars bonus. See terms and conditions at uns dot coo. Hello, hello, mom,

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<v Speaker 1>We're changing the locks if she keeps doing that. Prodrigo.

0:12:41.120 --> 0:12:44.760
<v Speaker 1>The door was open, so don't kill me. Hey, miss

0:12:44.760 --> 0:12:48.440
<v Speaker 1>pass so right, it's good to see you, Wisdom. Hi,

0:12:49.440 --> 0:12:52.240
<v Speaker 1>this is a surprise. What are you doing here? He was?

0:12:52.760 --> 0:12:56.120
<v Speaker 1>He just came bright. He's stopping and say hello. They've

0:12:56.200 --> 0:12:58.959
<v Speaker 1>been taking care of me. Atalita was afraid I'd get

0:12:58.960 --> 0:13:01.400
<v Speaker 1>lonely with my break up for whatever reason. And rod

0:13:01.520 --> 0:13:04.079
<v Speaker 1>Riego just want to feed me. And you know him.

0:13:04.160 --> 0:13:06.079
<v Speaker 1>He thinks a whole made mill is a kill foot.

0:13:06.240 --> 0:13:10.679
<v Speaker 1>Everything he's cooking does tend to make me feel better. Hey,

0:13:12.520 --> 0:13:16.080
<v Speaker 1>maybe you don't get cocky. Your the money making skills

0:13:16.120 --> 0:13:22.240
<v Speaker 1>still need some work. So how are you doing? Wisdom?

0:13:22.400 --> 0:13:25.840
<v Speaker 1>Is the press leaving you alone? A man? Let's just say,

0:13:25.880 --> 0:13:29.559
<v Speaker 1>I'm glad I came back to El Paso. I'm sorry

0:13:29.559 --> 0:13:32.200
<v Speaker 1>to hear it didn't work out with Zoya. I hope

0:13:32.200 --> 0:13:34.880
<v Speaker 1>it was for the best. Why be with someone who

0:13:34.880 --> 0:13:38.200
<v Speaker 1>don't want to be with you? Have you found her

0:13:38.200 --> 0:13:40.920
<v Speaker 1>replacement by the Grammys? I mean I'm thinking about just

0:13:40.960 --> 0:13:43.640
<v Speaker 1>having portion stepping, you know, one of my backup singers.

0:13:44.320 --> 0:13:47.760
<v Speaker 1>I like that idea. Keep it low key, not bring

0:13:47.800 --> 0:13:50.640
<v Speaker 1>any more attention to the break up. I think you're

0:13:50.640 --> 0:13:55.720
<v Speaker 1>making the right decision. Well thanks, Well, I'm sorry I

0:13:55.760 --> 0:13:58.080
<v Speaker 1>barged in. I just need to discuss a couple of

0:13:58.120 --> 0:14:00.720
<v Speaker 1>quick things with you, Adelita and so have you signed

0:14:00.720 --> 0:14:04.680
<v Speaker 1>some documents? All right, why don't we all move to

0:14:04.720 --> 0:14:09.800
<v Speaker 1>the kitchen. Rodrigo was about to make lunch, right, babe? Yeah?

0:14:10.320 --> 0:14:14.760
<v Speaker 1>Any requests wisom except the mals apparently? Listen, man, I'll

0:14:14.800 --> 0:14:18.679
<v Speaker 1>eat anything you make, yeah, even the nasty as. I'm

0:14:18.720 --> 0:14:22.840
<v Speaker 1>just playing. I'm just playing. I got you back so good,

0:14:28.040 --> 0:14:31.240
<v Speaker 1>a ra you need a head, Nah, that's it. Relax

0:14:31.320 --> 0:14:40.800
<v Speaker 1>I'll keep it simple, Lance Plice tomatoes. Okay, So first

0:14:40.800 --> 0:14:44.720
<v Speaker 1>things first, you need to talk to Marcos. I think

0:14:44.760 --> 0:14:47.320
<v Speaker 1>it will appease everyone at the label if you assure

0:14:47.440 --> 0:14:50.280
<v Speaker 1>him you'll be delivering the two the Hano albums left

0:14:50.360 --> 0:14:53.120
<v Speaker 1>on your contract. I told him you would, but I

0:14:53.120 --> 0:14:56.119
<v Speaker 1>think it would be nice if you heard it from you. Obviously,

0:14:56.240 --> 0:15:00.000
<v Speaker 1>this will all be after your vacation, but just call him,

0:15:00.040 --> 0:15:03.880
<v Speaker 1>all right, Sure, as long as the conversation includes a

0:15:03.920 --> 0:15:07.920
<v Speaker 1>plan for me to transition out of the Hannah Musa. Okay,

0:15:08.000 --> 0:15:10.960
<v Speaker 1>but you know me, that's still going to be a

0:15:10.960 --> 0:15:13.040
<v Speaker 1>couple of years away. Are you sure you want to

0:15:13.040 --> 0:15:16.240
<v Speaker 1>bring that up now? Well, you did say I hadn't

0:15:16.240 --> 0:15:19.960
<v Speaker 1>thought through all the implications of my announcement, So let's

0:15:19.960 --> 0:15:23.280
<v Speaker 1>do it right, Let's give everyone enough time. You do

0:15:23.360 --> 0:15:26.800
<v Speaker 1>know that this is not just a label and Marco's conversation, though,

0:15:27.360 --> 0:15:30.800
<v Speaker 1>what do you mean? Well, let me remind you you're

0:15:30.880 --> 0:15:34.280
<v Speaker 1>not only at the Handle Singer, You're at the Hanu brand.

0:15:34.880 --> 0:15:37.600
<v Speaker 1>And as you know, the brands were also alarmed by

0:15:37.600 --> 0:15:40.720
<v Speaker 1>your announcement. So we'll have to set up meetings with

0:15:40.760 --> 0:15:44.400
<v Speaker 1>the cosmetic line, the clothing line, the Cowboy boots company,

0:15:44.760 --> 0:15:48.160
<v Speaker 1>the salsa company, the publishing company that those are Mother

0:15:48.320 --> 0:15:51.560
<v Speaker 1>Daughter cooking books, and the publishing company that's about to

0:15:51.600 --> 0:15:55.160
<v Speaker 1>go to Prinds on the children's book series. Damn, really,

0:15:55.640 --> 0:15:59.160
<v Speaker 1>Adelita would never say this, wisdom, But my daughter is

0:15:59.200 --> 0:16:01.080
<v Speaker 1>as big in it the handle world as you are

0:16:01.120 --> 0:16:03.920
<v Speaker 1>in the hip hop world. Oh God, please don't listen

0:16:03.960 --> 0:16:06.760
<v Speaker 1>to her. Our careers are not even close in equal

0:16:06.800 --> 0:16:10.160
<v Speaker 1>comparison what they could be. Prodrico, your onions are burning.

0:16:13.200 --> 0:16:15.960
<v Speaker 1>Let's just start setting up those brand meetings as well.

0:16:16.280 --> 0:16:18.520
<v Speaker 1>We'll look at every contract and get a sense of

0:16:18.560 --> 0:16:21.880
<v Speaker 1>how long we have left on each one. Then we

0:16:21.960 --> 0:16:24.840
<v Speaker 1>can decide which ones we don't renew and which ones

0:16:24.920 --> 0:16:28.320
<v Speaker 1>might be able to transition with me. You want to

0:16:28.360 --> 0:16:31.800
<v Speaker 1>do all this now? At the same time, we might

0:16:31.840 --> 0:16:35.240
<v Speaker 1>as well have it all laid out and deal with it. Weha.

0:16:36.040 --> 0:16:40.720
<v Speaker 1>I don't know. Here's the thing, Mom. Don't you think

0:16:40.880 --> 0:16:44.200
<v Speaker 1>it's kind of crazy that I've never made most of

0:16:44.200 --> 0:16:47.920
<v Speaker 1>the recipes in our cookbooks Prodrico does all the cooking

0:16:47.960 --> 0:16:51.960
<v Speaker 1>around here, Or that I'm writing a children's book series

0:16:52.000 --> 0:16:55.880
<v Speaker 1>and I don't even have kids. Well, what's done is done,

0:16:56.520 --> 0:17:01.320
<v Speaker 1>and what's done can be undone. All right, I'll pull

0:17:01.360 --> 0:17:04.680
<v Speaker 1>the contracts and we can see where we are. Great,

0:17:05.280 --> 0:17:09.440
<v Speaker 1>lunch is served? How about time? Great, I'll go wash

0:17:09.520 --> 0:17:18.120
<v Speaker 1>my hands, be right back. Wow, that was interesting. What

0:17:18.760 --> 0:17:20.880
<v Speaker 1>the fact that none of what you guys talked about

0:17:20.920 --> 0:17:23.720
<v Speaker 1>had anything to do with music? It makes me wonder.

0:17:24.760 --> 0:17:40.240
<v Speaker 1>I mean you an artist or a product. If you're

0:17:40.320 --> 0:17:44.239
<v Speaker 1>enjoying a Thelita Changing the Key, please subscribe, rate and

0:17:44.320 --> 0:17:47.879
<v Speaker 1>review our show wherever you're listening are. Thelita Changing the

0:17:47.960 --> 0:17:51.080
<v Speaker 1>Key is a production of Sonoro in partnership with Our

0:17:51.160 --> 0:17:55.800
<v Speaker 1>Hearts Michael Tura Network. Created and written by Lesia ViOS,

0:17:56.320 --> 0:17:59.359
<v Speaker 1>Produced by Luca Guardo Castillo, Get In Such it Is

0:17:59.560 --> 0:18:04.639
<v Speaker 1>and b Na Lopez Mendoza. Directed by Javier Perrazza. Developed

0:18:04.720 --> 0:18:10.120
<v Speaker 1>by Jasmine Romero, Betina Lopez and Christian Catar Executive produced

0:18:10.119 --> 0:18:13.520
<v Speaker 1>by Gisel Benzes and Conald Byrne for iHeart and Camilla

0:18:13.600 --> 0:18:18.640
<v Speaker 1>Victoriano and Josia Weinstein for Sonoro. Executive produced by Dayangerero

0:18:18.840 --> 0:18:23.560
<v Speaker 1>and li Jiavianobos. This episode written by Li Jieviaalobos with

0:18:23.720 --> 0:18:28.680
<v Speaker 1>help from Daniela Sarkis, Petina Lopez, Rodrigo, Bravo, Moniza Hinrich

0:18:28.960 --> 0:18:33.840
<v Speaker 1>Barriana Martinez Gomez and Ed Garesteva. Performances in this episode

0:18:33.840 --> 0:18:40.280
<v Speaker 1>by Diangerero, Carla Jimenez, An Artis, Jessie Garcia and Lamarque Chasten.

0:18:40.920 --> 0:18:45.560
<v Speaker 1>Recording and engineering by Andres Bayena and Emiliano Quintanao, with

0:18:45.640 --> 0:18:51.520
<v Speaker 1>sound designed by Andres Baiena, Armando Gutino, Lunirigoce, Emiliano quintana

0:18:51.960 --> 0:18:57.400
<v Speaker 1>and Cassandra Tinajero. Additional editing by Daniel Padilla and Fernando Glaviz.

0:18:58.000 --> 0:19:02.880
<v Speaker 1>Casting and coordination by Arli Day, Mike Paige, Christina Blevins,

0:19:02.920 --> 0:19:07.639
<v Speaker 1>Andres Chaitis, Alexandra Gonzalez, get In such Chitis, Christian Hata

0:19:08.080 --> 0:19:13.160
<v Speaker 1>and Nick Milaness. Original songs by Laura Cruz, Ector Fernandez,

0:19:13.440 --> 0:19:18.880
<v Speaker 1>Sean Meta, Miranda Johnson and Blaze Adam. Music director Kamara

0:19:18.960 --> 0:19:36.159
<v Speaker 1>Kamba as a dad actor producer for an activist, My

0:19:36.240 --> 0:19:38.800
<v Speaker 1>schedule feels up fast and as we all know, life

0:19:38.800 --> 0:19:42.240
<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>from in our Own World podcast. And just like Hyundai,

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<v Speaker 1>It's your journey.