WEBVTT - Stacy Barthe

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 1>Than take Alli.

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<v Speaker 3>We are the authorities on R and B.

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<v Speaker 1>Ladies and gentlemen, my name is Tank.

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<v Speaker 3>This is the R and B Money Podcast, the authority

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<v Speaker 3>on all things R and B. Oh you do you do?

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<v Speaker 3>You see the depth in my eyes as I as

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<v Speaker 3>I look down and look up. Because your your gift

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<v Speaker 3>and your talent and your expression, your art, it's gotta

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<v Speaker 3>have some depth.

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<v Speaker 1>To ladies, get your crystals out. Oh my god.

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<v Speaker 3>You have to smell good and look good and be

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<v Speaker 3>good every time you walk in the room.

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<v Speaker 1>The energy must change to you. Just consume you consume.

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<v Speaker 3>Everything because everyone's focused on you. I'm talking about a gift,

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<v Speaker 3>talking about my sister, my loved one.

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<v Speaker 2>We love you, yes, yeah, yes, yes, we must have

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<v Speaker 2>come on the brown skin girls all around. Yeah, like

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<v Speaker 2>you know, I mean it's not formal with us, but

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<v Speaker 2>it's like we we needed to give you, you know,

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<v Speaker 2>some formal flowers, you know what I mean, on this

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<v Speaker 2>platform and really speak life and love and congrats to

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<v Speaker 2>you because.

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<v Speaker 1>You are you are amazing. You are amazing. Yeah, you

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<v Speaker 1>are amazing. Yeah. And We're going to get.

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<v Speaker 3>Into the the nooks and crannies of this amazing being.

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<v Speaker 3>And you know, one thing I want to say is

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<v Speaker 3>that like just knowing you as a creative and knowing

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<v Speaker 3>the great work that you've done, but also knowing that

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<v Speaker 3>you have greater work coming and to do, is like

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<v Speaker 3>that's what gets That's what I get excited about, you

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<v Speaker 3>know what I'm saying where I'm like, no, yeah, you

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<v Speaker 3>might have heard that, but I'm telling you right now

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<v Speaker 3>you don't know what's been read, Like you ain't.

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<v Speaker 1>You ain't heard this yet.

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<v Speaker 4>I feel like I've been practicing this whole time.

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<v Speaker 1>Yeah, who haven't practicing out? But all you've done?

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<v Speaker 4>I mean, I guess you know, we've We've been talking

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<v Speaker 4>about this lately, the songwriters, especially the females. We don't

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<v Speaker 4>really I mean, y'all be getting to the bag. We

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<v Speaker 4>get to a certain age and we'll be like, wait,

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<v Speaker 4>what's happening? You know? And so it is as a

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<v Speaker 4>it's a young boys sport. I feel in a certain

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<v Speaker 4>way with the songwriting, just running around working for free,

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<v Speaker 4>hoping that something lands. I've That's why I feel like

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<v Speaker 4>I've been practicing this whole time.

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<v Speaker 3>Yeah you know, I think that, But I think it's

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<v Speaker 3>with you know, as you speak in comparison to women

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<v Speaker 3>and men. I think the the I think the deciding

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<v Speaker 3>factor in that a lot of times is family, you

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<v Speaker 3>know what I mean, because when it comes when it

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<v Speaker 3>comes to women, women are able to say, hey, man,

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<v Speaker 3>you know this, the family thing is what I'm doing,

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<v Speaker 3>and this now comes first. It's now comes back and

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<v Speaker 3>speak to my own situation where you know, my wife

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<v Speaker 3>was out dancing for everybody and being creative and doing

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<v Speaker 3>the whole thing. And now we got one baby and

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<v Speaker 3>she's like, Okay, I'm gonna dance a little bit, and

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<v Speaker 3>now we got two babies. I can't dance. Oh, you

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<v Speaker 3>know what I mean? And what would she like to

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<v Speaker 3>be out there getting to it? Yeah, I would love

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<v Speaker 3>for her too, to back to her younger day. She

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<v Speaker 3>could do that. But then the family thing kind of.

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<v Speaker 4>You know, I don't even have a family yet. I'm

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<v Speaker 4>a dog mom, but.

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<v Speaker 1>I'm a dog mob.

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<v Speaker 4>But I do have that sense of like things it

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<v Speaker 4>have to pivot, you know what I mean. Like I

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<v Speaker 4>can't be in the studio to four five o'clock in

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<v Speaker 4>the morning every day, you know, just on a whim,

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<v Speaker 4>you know what I mean. I got about four or

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<v Speaker 4>five hours for the studio. Now you know what I mean,

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<v Speaker 4>And we got to get to it because I have other.

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<v Speaker 1>Things to do. Your dialup is different now too, though.

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<v Speaker 4>Yeah, like I'm not doing the twelve hour sessions for

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<v Speaker 4>free them or.

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<v Speaker 1>Like not for fun.

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<v Speaker 4>Now you gotta have a bag, like you want me

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<v Speaker 4>to come and care, and like come and care on time,

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<v Speaker 4>and I might cook you a meal. Like I've become

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<v Speaker 4>your person, you know what I'm saying. So it's like,

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<v Speaker 4>I'm not just writing a song. It's therapy, it's love,

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<v Speaker 4>it's you know, I'm giving a lot of myself, a.

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<v Speaker 1>Real creative, a real creative.

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<v Speaker 2>No, because I'm so glad that you said it that way,

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<v Speaker 2>because people don't look at it as that's part of

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<v Speaker 2>the service, right are They actually actually may some of

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<v Speaker 2>them may just take that in as you know, selfish

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<v Speaker 2>people may just take.

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<v Speaker 1>That in as that it's just part of the service.

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<v Speaker 1>She was here to do this, so she did that. Yeah. No, no, no, no, no,

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<v Speaker 1>no no no. This is a different type of care.

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<v Speaker 2>There's different type of love because the other part is,

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<v Speaker 2>and I know this because I've known you for so long,

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<v Speaker 2>you actually tailor make records. So it's not like, oh,

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<v Speaker 2>here it goes forty songs I wrote over the last whatever,

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<v Speaker 2>and you just pick one.

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<v Speaker 4>Yes, no, no, no, no.

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<v Speaker 2>You're from the school of we're gonna talk, We're gonna

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<v Speaker 2>spend some time so that when you sing this song,

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<v Speaker 2>you evoke a different type of emotion.

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<v Speaker 4>Exactly.

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<v Speaker 2>You might cry because you're gonna go back to the

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<v Speaker 2>therapy session that we had earlier today when I cooked

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<v Speaker 2>you this meal.

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<v Speaker 1>And now we got these hit records exactly.

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<v Speaker 4>And I wouldn't even necessarily say they were hit records.

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<v Speaker 4>They were great songs, you know what I mean? Like

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<v Speaker 4>I damn, I don't know if that I guess to

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<v Speaker 4>me in my mind, you know, what is a hit?

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<v Speaker 4>You know what I mean? Something that hits you in

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<v Speaker 4>the heart, something that hits you in the soul. Like

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<v Speaker 4>so like the hit traditionally, I don't think I've written

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<v Speaker 4>one yet that that.

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<v Speaker 1>You've written hits to me, to me too.

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<v Speaker 4>Right, So yeah, but it's all spiritual, you know what

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<v Speaker 4>I mean, Like even with Beyonce, like how I got.

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<v Speaker 1>Yeah, yeah, yeah, yeah, we just go We're gonna do

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<v Speaker 1>someone had champagne somewhere close that we can pour.

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<v Speaker 4>It feels it's all spiritual. Like the first time I

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<v Speaker 4>met her, I was like, God, I need a miracle

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<v Speaker 4>like this twenty eleven and marcella Dangerous partner hits me

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<v Speaker 4>like you want to come and write for Beyonce? I

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<v Speaker 4>didn't make that album. The next time I got to

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<v Speaker 4>encounter her was at at a funeral, like randomly, and

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<v Speaker 4>that's how I got to do Bigger and Brown Skin Girl,

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<v Speaker 4>Like it took someone passing somebody that's very near and

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<v Speaker 4>dear to all this Nipsey hustle rest in peace. But

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<v Speaker 4>that's so it's all spiritual, you know what I mean. Like, so,

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<v Speaker 4>I didn't even think she was gonna recognize me, but

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<v Speaker 4>Evan Ross was like, hey, b you know you know

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<v Speaker 4>Stacey birth Evan She sung at Evan Ross's birthday, I'm sorry,

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<v Speaker 4>his mom's birthday party like weeks before and it passed away,

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<v Speaker 4>and so so I'm like, damn, I don't want to

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<v Speaker 4>bother her, like she canna remember me? And Evan was like,

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<v Speaker 4>you remember? Do you know?

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<v Speaker 1>Stacy?

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<v Speaker 4>I'm like hey girl, and she's like, oh hey, it's

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<v Speaker 4>super sweet, and so I was like, what you working on?

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<v Speaker 4>Da da da? I mean we was in a panic

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<v Speaker 4>room for like forty five minutes, it felt like. And

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<v Speaker 4>so we were talking and we were the only two

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<v Speaker 4>women in the room, and so we were just talking

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<v Speaker 4>about childbirth and all this stuff. I'm like, I can't

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<v Speaker 4>wait to have a kid. I just have to find

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<v Speaker 4>some premium sperm. And we just see premium. So we were

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<v Speaker 4>just talking, kicking it and I'm like, so you're working

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<v Speaker 4>on an album. She's like, yeah, I'm doing an afrobeat album.

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<v Speaker 4>I was like, girl, you know, I'm Haitian with the sea, Like,

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<v Speaker 4>how do I get on the album? I'll find you?

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<v Speaker 1>And did out find you?

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<v Speaker 3>It's a hell of a line to either be dismissive

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<v Speaker 3>or to let you know. This is the kind of

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<v Speaker 3>power and intent that I have. I will find you,

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<v Speaker 3>and she found you, think me.

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<v Speaker 1>So let's go to.

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<v Speaker 2>You finding you, you finding you, you finding this gift?

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<v Speaker 1>Give us little Stacy Brooklyn, New York.

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<v Speaker 2>Oh God, as Tank would say, if somebody identified the

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<v Speaker 2>gift or you identified as yourself, it took.

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<v Speaker 4>I mean, so I was raised in Haiti and then

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<v Speaker 4>came to America.

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<v Speaker 1>Okay, oh so you were actually born in.

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<v Speaker 4>No, no, no, I was born in Brooklyn and then like

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<v Speaker 4>a month after I was born. My mom took me

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<v Speaker 4>back to Haiti too so she can get herself. So

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<v Speaker 4>she was nineteen when she had me, so she went

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<v Speaker 4>to come back to America get things together before she

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<v Speaker 4>brought me back. So I was living with my grandma

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<v Speaker 4>in like a one room shack, and I thought that

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<v Speaker 4>place was just the biggest place. Yeah. And so when

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<v Speaker 4>I came to America, I was having a hard time

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<v Speaker 4>fitting in. I was overweight, like I had big hair

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<v Speaker 4>that my mom didn't quite know how to put me

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<v Speaker 4>together yet, you know what I'm saying. So I begged

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<v Speaker 4>her to go to private school. I'm like, girl, this

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<v Speaker 4>this public school is brutal.

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<v Speaker 1>Give me.

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<v Speaker 4>A different mind.

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<v Speaker 2>You you're talking to two public school kids, we know.

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<v Speaker 4>Skipping in their uniforms, all happy. I was like, where

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<v Speaker 4>y'all go? We on a different bus.

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<v Speaker 1>At this point, I'm like eight, ok. Yeah.

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<v Speaker 4>So I spent a year or two in public school,

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<v Speaker 4>and then I begged my mom put me in private school.

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<v Speaker 4>So in that same private school where I thought be safe,

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<v Speaker 4>I used to pretend to pass out to leave school

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<v Speaker 4>because the girls were very brutal. The girl these girls

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<v Speaker 4>were like mean mean. I was like, okay, I'm getting

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<v Speaker 4>all excited.

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<v Speaker 1>Did you say pretend to pass out? Yeah?

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<v Speaker 4>So I was like, am I going to do a

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<v Speaker 4>deep dive? Am I going to do a knee and

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<v Speaker 4>then a drop or what? Yeah? He got that crazy.

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<v Speaker 4>So the first time it worked.

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<v Speaker 1>I the first time it worked. Do you still breathe

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<v Speaker 1>when you passed? No?

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<v Speaker 4>That's why I used to fall on my face because

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<v Speaker 4>that way you wouldn't even see if I was breathing

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<v Speaker 4>or not, you know what I mean. I'm like, I'm

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<v Speaker 4>gonna be on a ambulance. Get here, Yeah, and you

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<v Speaker 4>hear it. I'm like, what if she's faking? What if

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<v Speaker 4>she's said whatever? So went home. We lived in a

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<v Speaker 4>two family houses, so the elder people downstairs knew I

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<v Speaker 4>was upstairs. My mom went back to work, you know,

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<v Speaker 4>I'm upstairs cooking, you know, watching TV. And I discovered

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<v Speaker 4>biggie for the first time. And it was a video

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<v Speaker 4>on a local access channel. Like it wasn't cable. We

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<v Speaker 4>didn't have cable. It was just like random, if you

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<v Speaker 4>fix the antenna a certain way, you could get your channel.

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<v Speaker 4>So I think it was Bobby Simmon's Flavor video. And

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<v Speaker 4>I was calling this nine hundred number that I could

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<v Speaker 4>never get through. It was always busy because I saw

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<v Speaker 4>Biggie for the first time and he said fat black

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<v Speaker 4>and ugly. As ever, however, and that, however, changed my

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<v Speaker 4>whole trajectory because I was like, he made me feel

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<v Speaker 4>comfortable being that, you know what I mean. So I

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<v Speaker 4>was like, yeah, okay, so I need to see him again.

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<v Speaker 4>If I passed out around this time, they played it

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<v Speaker 4>around this time, so I just kept doing it. Yeah,

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<v Speaker 4>so I could see the video and then discovered a

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<v Speaker 4>bunch of other videos. But that's that's the first time,

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<v Speaker 4>Like it worked. So yeah, that, however, changed my whole

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<v Speaker 4>life actually, you know, just in.

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<v Speaker 1>Terms of just how you thought about yourself.

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<v Speaker 4>Yeah, yeah, fat black and ugly. However, however, stay to

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<v Speaker 4>the thoughts of space card on the class, you.

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<v Speaker 3>Know, and you're still eight, so you're developing a mindset

0:12:14.320 --> 0:12:16.559
<v Speaker 3>and the confidence early on about you know what.

0:12:17.720 --> 0:12:18.520
<v Speaker 1>Let me just be.

0:12:19.400 --> 0:12:21.880
<v Speaker 4>Yeah, not in school, but at home of course, of course,

0:12:22.360 --> 0:12:25.560
<v Speaker 4>right there, I was still on the honor roll, still

0:12:25.559 --> 0:12:26.480
<v Speaker 4>crushing it.

0:12:26.640 --> 0:12:30.320
<v Speaker 1>Like, yeah, not in school, still on the honor roll.

0:12:31.080 --> 0:12:31.840
<v Speaker 1>Not in school.

0:12:33.160 --> 0:12:35.120
<v Speaker 4>High school got better. High school is way better.

0:12:35.240 --> 0:12:38.360
<v Speaker 2>That's what music does too, though, right because I'm sure

0:12:38.400 --> 0:12:40.439
<v Speaker 2>when he's writing that lyric, he's not thinking that. He's

0:12:40.440 --> 0:12:42.400
<v Speaker 2>not thinking about the eight year old little girl at

0:12:42.440 --> 0:12:45.800
<v Speaker 2>the house that he could inspire. He's wrapping on his

0:12:45.840 --> 0:12:48.880
<v Speaker 2>ship exactly, you know what I mean, and rapping about

0:12:48.880 --> 0:12:55.560
<v Speaker 2>his confidence. And I think that that isn't I don't

0:12:55.559 --> 0:12:59.840
<v Speaker 2>know if that's studied enough in what we do, because

0:12:59.880 --> 0:13:02.720
<v Speaker 2>I will take the effects of the negative part of it,

0:13:02.840 --> 0:13:03.560
<v Speaker 2>do that all the time.

0:13:04.720 --> 0:13:08.400
<v Speaker 1>But him. But just like you said that, that one line, however,

0:13:08.520 --> 0:13:10.600
<v Speaker 1>change game changing for a kid.

0:13:10.840 --> 0:13:13.520
<v Speaker 2>We don't have a Stacey Bark if we don't have that,

0:13:13.760 --> 0:13:14.439
<v Speaker 2>Can I say that?

0:13:14.640 --> 0:13:14.960
<v Speaker 4>Yeah?

0:13:15.000 --> 0:13:15.240
<v Speaker 1>Wow?

0:13:15.559 --> 0:13:17.800
<v Speaker 4>Facts? And I didn't even know I was going to

0:13:17.800 --> 0:13:21.520
<v Speaker 4>become an artist. I just knew this music was like

0:13:21.640 --> 0:13:25.000
<v Speaker 4>saving me, you know what I mean. I was always

0:13:25.000 --> 0:13:28.000
<v Speaker 4>a wordsmith. I always like write, I would journal all

0:13:28.040 --> 0:13:31.000
<v Speaker 4>the time. It wasn't until I thought I was going

0:13:31.040 --> 0:13:34.040
<v Speaker 4>to be an entreatment lawyer. And it wasn't until I'm

0:13:34.040 --> 0:13:37.400
<v Speaker 4>a hit boy on MySpace in like two thousand and four.

0:13:37.920 --> 0:13:39.760
<v Speaker 4>He I was interning a jive at the time, and

0:13:39.800 --> 0:13:42.720
<v Speaker 4>he thought maybe I was an an arcus. My occupation said,

0:13:42.720 --> 0:13:45.480
<v Speaker 4>I worked a job at what capacity? Who cares?

0:13:45.559 --> 0:13:51.600
<v Speaker 2>Who cares you never know.

0:13:52.920 --> 0:13:55.480
<v Speaker 4>And he posted something on the Kerry Hilton's page like

0:13:55.520 --> 0:13:59.160
<v Speaker 4>the Clutch, like it was a big thing for me.

0:13:59.559 --> 0:14:01.200
<v Speaker 4>I was like, I wanted to be part of the clutch,

0:14:01.400 --> 0:14:05.560
<v Speaker 4>you know. I saw him post under Carrie's page, do

0:14:05.600 --> 0:14:07.920
<v Speaker 4>you want to write to this beat? And I was like,

0:14:08.000 --> 0:14:09.640
<v Speaker 4>send it to me? And then he sent me a

0:14:09.679 --> 0:14:12.160
<v Speaker 4>whole pack. I was like, oh, this nigga is dumb,

0:14:13.240 --> 0:14:16.280
<v Speaker 4>but this is the hip boy in Fontana House, you

0:14:16.320 --> 0:14:16.760
<v Speaker 4>know what I mean?

0:14:16.840 --> 0:14:19.480
<v Speaker 1>This before club this, well.

0:14:19.360 --> 0:14:21.800
<v Speaker 4>This is during I guess surf club was always their thing.

0:14:21.840 --> 0:14:24.560
<v Speaker 4>I adapted it because I became the first, you know,

0:14:24.680 --> 0:14:28.960
<v Speaker 4>female and surf club, but this was yeah, and then

0:14:29.920 --> 0:14:37.480
<v Speaker 4>Chasing Cat Yeah yeah, club Gang Gang Yeah. And so

0:14:37.520 --> 0:14:39.120
<v Speaker 4>he sent me a pack of beats and I was like, yoh,

0:14:39.120 --> 0:14:41.920
<v Speaker 4>these are fires. So I was like, how can I

0:14:41.920 --> 0:14:44.880
<v Speaker 4>I met this guy named Corey who became my artist.

0:14:45.040 --> 0:14:49.080
<v Speaker 4>Mind you, I'm nineteen artists. But I would bring him

0:14:49.120 --> 0:14:50.640
<v Speaker 4>up to the office and I dress him up and

0:14:50.680 --> 0:14:53.000
<v Speaker 4>we'll write ship.

0:14:53.520 --> 0:14:55.440
<v Speaker 1>Well, y'all would go through his fIF before y'all went

0:14:55.520 --> 0:14:57.000
<v Speaker 1>up there, like yeah, this.

0:14:56.960 --> 0:14:59.320
<v Speaker 4>Is what you're gonna wear and we're gonna take a

0:14:59.360 --> 0:15:01.840
<v Speaker 4>meeting with Men or Mark Pitts or whoever. I thought

0:15:01.840 --> 0:15:04.440
<v Speaker 4>I was gonna get him a deal with Wow. But

0:15:04.480 --> 0:15:06.040
<v Speaker 4>we was writing the Hip Boys.

0:15:06.080 --> 0:15:08.320
<v Speaker 1>Beat and You in New York at this point. Yeah, yeap.

0:15:08.440 --> 0:15:11.160
<v Speaker 4>And so he went to five times. So he always

0:15:11.200 --> 0:15:14.000
<v Speaker 4>knew how to like audio engineer, so he would engineer

0:15:14.080 --> 0:15:15.800
<v Speaker 4>himself and I would just help write the songs and

0:15:15.840 --> 0:15:18.480
<v Speaker 4>set up meetings and do whatever we were doing. I

0:15:18.560 --> 0:15:20.280
<v Speaker 4>was nineteen at the time, nineteen twenty.

0:15:20.800 --> 0:15:22.800
<v Speaker 1>This is great, this is great.

0:15:23.440 --> 0:15:24.960
<v Speaker 3>Do you know at this time that you're good at

0:15:24.960 --> 0:15:27.520
<v Speaker 3>it or you just you just I just I'm just

0:15:27.640 --> 0:15:28.360
<v Speaker 3>having a good time.

0:15:28.520 --> 0:15:32.000
<v Speaker 4>I'm really just moving forward like I had no filter.

0:15:32.160 --> 0:15:35.440
<v Speaker 4>I just was fearless, you know what I mean. I

0:15:35.480 --> 0:15:37.400
<v Speaker 4>mean the fear grew over time after you get in

0:15:37.440 --> 0:15:41.400
<v Speaker 4>the business for really and you're like, oh, okay, I'm

0:15:41.600 --> 0:15:42.600
<v Speaker 4>just I'm gonna sit it out.

0:15:43.800 --> 0:15:44.320
<v Speaker 1>Yeah.

0:15:44.360 --> 0:15:46.600
<v Speaker 2>Had you ever had that moment? Because I had that

0:15:46.680 --> 0:15:52.360
<v Speaker 2>moment when I first came. I first went to LA

0:15:52.600 --> 0:15:56.200
<v Speaker 2>as an adult, and I had a ten pack of

0:15:56.280 --> 0:15:59.400
<v Speaker 2>songs that I had written, and I realized when I

0:15:59.440 --> 0:16:02.120
<v Speaker 2>got into this studio that I couldn't fuck with them

0:16:02.160 --> 0:16:03.120
<v Speaker 2>niggas I was playing the.

0:16:03.040 --> 0:16:07.040
<v Speaker 1>Records from me. I was like, yeah, they like yo,

0:16:07.120 --> 0:16:07.880
<v Speaker 1>you want to play something?

0:16:07.960 --> 0:16:09.760
<v Speaker 4>Nope, no, I want to set it out.

0:16:09.960 --> 0:16:11.200
<v Speaker 1>No. I had that.

0:16:11.320 --> 0:16:13.800
<v Speaker 2>I literally had that moment where I was like, oh, okay,

0:16:14.360 --> 0:16:16.440
<v Speaker 2>I got I gotta go get to work because they're

0:16:16.480 --> 0:16:18.720
<v Speaker 2>better than me, and I don't like it and I

0:16:18.760 --> 0:16:20.680
<v Speaker 2>don't like that, you know what I'm saying. Like for real,

0:16:20.720 --> 0:16:22.480
<v Speaker 2>I was, so, did you as a writer, did you

0:16:22.560 --> 0:16:23.800
<v Speaker 2>have that moment early on?

0:16:24.200 --> 0:16:26.240
<v Speaker 4>Or was it you know what? I never had. I

0:16:26.320 --> 0:16:31.760
<v Speaker 4>never had that feeling. I was more like just scared

0:16:31.800 --> 0:16:33.920
<v Speaker 4>of the people. Okay, you know what I mean. Like

0:16:33.960 --> 0:16:37.960
<v Speaker 4>my first disappointment was kind of like derailing you know

0:16:37.960 --> 0:16:39.640
<v Speaker 4>what I mean a little bit when I came my

0:16:39.680 --> 0:16:42.400
<v Speaker 4>first time in LA. I don't want to mention who

0:16:42.400 --> 0:16:44.480
<v Speaker 4>the producer was because we were cool now and I

0:16:44.520 --> 0:16:49.160
<v Speaker 4>love you, but you know you, so we he flew

0:16:49.160 --> 0:16:53.040
<v Speaker 4>me out to LA to work on I Forget some

0:16:53.120 --> 0:16:55.560
<v Speaker 4>Interscoe project whatever. But I was in the midst of,

0:16:55.760 --> 0:16:58.960
<v Speaker 4>you know, negotiating publishing deal and he left me out

0:16:58.960 --> 0:17:02.600
<v Speaker 4>in LA and I had literally dropped out of college,

0:17:03.080 --> 0:17:06.800
<v Speaker 4>went to Atlanta, was on my grind and you know,

0:17:06.920 --> 0:17:08.919
<v Speaker 4>trying to get a publishing deal because I didn't want

0:17:08.960 --> 0:17:11.480
<v Speaker 4>to go home and be handed to my mom because

0:17:11.480 --> 0:17:13.080
<v Speaker 4>she'd have been like, Okay, so bring your other back

0:17:13.119 --> 0:17:17.679
<v Speaker 4>and go reregister in school. So he bought me out

0:17:17.720 --> 0:17:20.760
<v Speaker 4>to LA and literally I was down to my last

0:17:21.480 --> 0:17:24.640
<v Speaker 4>I didn't have money because I was, you know, fresh

0:17:24.720 --> 0:17:27.480
<v Speaker 4>out of college. I use all my savings, and I

0:17:27.480 --> 0:17:29.520
<v Speaker 4>didn't want to call my mom for help. I was

0:17:29.640 --> 0:17:33.080
<v Speaker 4>like and they were calling me on the phone to

0:17:33.119 --> 0:17:36.280
<v Speaker 4>get to get out of the hotel. They were like yeah, no, no,

0:17:36.280 --> 0:17:39.040
<v Speaker 4>no you yeah. And I didn't have a ticket back.

0:17:39.680 --> 0:17:42.840
<v Speaker 4>I didn't have any hotel fair and I didn't know

0:17:42.840 --> 0:17:44.600
<v Speaker 4>nobody in La. It was my first time there and

0:17:44.640 --> 0:17:47.439
<v Speaker 4>I'm like twenty one, twenty two at this time. And

0:17:47.520 --> 0:17:49.400
<v Speaker 4>so I remember that I had a friend named Malaccu

0:17:49.520 --> 0:17:52.640
<v Speaker 4>that I met in New York and he lives in LA,

0:17:52.720 --> 0:17:54.560
<v Speaker 4>but I only ever saw him in New York. So

0:17:54.600 --> 0:17:59.280
<v Speaker 4>I called him like, hey boo, hey boo, hey boo,

0:18:00.359 --> 0:18:02.600
<v Speaker 4>I'm kind of stranded and I need a place to stay.

0:18:02.640 --> 0:18:03.720
<v Speaker 4>I thought it was going to be a couple of

0:18:03.760 --> 0:18:07.080
<v Speaker 4>days and turned into a whole month, and thank god, Ethiopia.

0:18:08.359 --> 0:18:09.960
<v Speaker 4>She called me and was like, we're going to do

0:18:10.000 --> 0:18:13.720
<v Speaker 4>the deal directly through Universal and not through this other person.

0:18:14.720 --> 0:18:17.680
<v Speaker 4>And I'm so thankful for Ethiopia. I'm so sorry I

0:18:17.720 --> 0:18:19.480
<v Speaker 4>took you for granted. E. I love you so much.

0:18:21.560 --> 0:18:26.960
<v Speaker 2>But yeah, and that's when I met you. Yeah, that's

0:18:26.960 --> 0:18:29.520
<v Speaker 2>when I met you. I met you through Ethiopia.

0:18:30.400 --> 0:18:31.880
<v Speaker 4>She was always a believer, and.

0:18:31.800 --> 0:18:33.960
<v Speaker 1>I was like, yo, she is special.

0:18:35.680 --> 0:18:41.120
<v Speaker 4>I had all the people thought I was so, you know, disruptive,

0:18:41.160 --> 0:18:41.800
<v Speaker 4>and I really.

0:18:41.760 --> 0:18:43.680
<v Speaker 1>Was, well, You've never disrupted to me. So I didn't

0:18:43.680 --> 0:18:45.240
<v Speaker 1>know any of it, you know what I mean, Like, I.

0:18:45.200 --> 0:18:47.560
<v Speaker 4>Mean, after being in it for so long and then

0:18:47.560 --> 0:18:55.160
<v Speaker 4>you're like, wait, so I'm running out of this advance money?

0:18:55.200 --> 0:19:00.640
<v Speaker 1>Do we reup? Got that thing? Y'all call advance? Y'all

0:19:00.680 --> 0:19:01.360
<v Speaker 1>got some more of that?

0:19:01.600 --> 0:19:04.960
<v Speaker 4>Right? And I'm not knowing I'm at record playing Child's

0:19:05.000 --> 0:19:07.840
<v Speaker 4>old studio, not knowing that I'm gonna have to pay

0:19:07.880 --> 0:19:14.880
<v Speaker 4>it back. You were in there with your publish you know, studios. Yeah,

0:19:15.040 --> 0:19:16.760
<v Speaker 4>so I mean I had no little advance. But then

0:19:16.800 --> 0:19:19.399
<v Speaker 4>I was like, yeah, put me in the London and

0:19:19.440 --> 0:19:20.960
<v Speaker 4>then put me in But.

0:19:22.560 --> 0:19:24.359
<v Speaker 1>I was gonna ask what did she buy with her advance?

0:19:24.640 --> 0:19:27.160
<v Speaker 1>Getting there? Here's the crazy part. Retails and fly ship.

0:19:27.440 --> 0:19:29.959
<v Speaker 1>I never. I never knew I was.

0:19:30.880 --> 0:19:33.120
<v Speaker 3>I never knew to way later till I didn't need

0:19:33.160 --> 0:19:36.840
<v Speaker 3>it that you could do that with your publishing deal, right.

0:19:37.480 --> 0:19:41.360
<v Speaker 3>I didn't know you could have studio, have them get

0:19:41.400 --> 0:19:43.320
<v Speaker 3>you a hotel, all of these things.

0:19:43.560 --> 0:19:46.000
<v Speaker 1>It was just you know, gonna be paid back. I

0:19:46.000 --> 0:19:46.639
<v Speaker 1>didn't know it was.

0:19:46.880 --> 0:19:51.080
<v Speaker 3>I'm so glad I didn't know it wasn't. I would

0:19:51.119 --> 0:20:00.879
<v Speaker 3>have went all love it. I know what crazing you

0:20:01.680 --> 0:20:02.240
<v Speaker 3>were working.

0:20:02.840 --> 0:20:06.320
<v Speaker 2>You've been down at Sam's downtown, l at the Brow,

0:20:07.640 --> 0:20:08.919
<v Speaker 2>y'all come on back to the studio.

0:20:11.119 --> 0:20:11.679
<v Speaker 1>I'm working.

0:20:11.800 --> 0:20:19.640
<v Speaker 3>It's about it a Chris Stal like people coming by

0:20:20.000 --> 0:20:31.840
<v Speaker 3>to write.

0:20:34.680 --> 0:20:37.040
<v Speaker 1>Did you have a placement already? I was? I did

0:20:37.480 --> 0:20:38.240
<v Speaker 1>be just believing.

0:20:39.240 --> 0:20:42.359
<v Speaker 4>There was a song I wrote called Yearbook, And I

0:20:42.400 --> 0:20:45.600
<v Speaker 4>remember when me and Hi Boy did it. We were

0:20:45.640 --> 0:20:47.879
<v Speaker 4>like because I was determined to write a song that

0:20:48.080 --> 0:20:51.280
<v Speaker 4>wasn't about love, and it was literally my friend Tyrene

0:20:51.280 --> 0:20:55.919
<v Speaker 4>had passed away in in a car accident and this

0:20:56.000 --> 0:20:59.920
<v Speaker 4>song was dedicated to her. And Ethiop was driving it

0:21:00.000 --> 0:21:03.160
<v Speaker 4>Alabama and she said that she had that song on repeat,

0:21:03.320 --> 0:21:05.640
<v Speaker 4>and I was like, that was the song for her,

0:21:05.960 --> 0:21:08.160
<v Speaker 4>Like she believed in me. I didn't have a placement.

0:21:08.560 --> 0:21:13.520
<v Speaker 4>I mean placements came like shortly after, but I didn't

0:21:13.520 --> 0:21:15.000
<v Speaker 4>have anything. She just believed.

0:21:15.720 --> 0:21:19.400
<v Speaker 3>Wow, those are the days, man, Those are the days

0:21:19.400 --> 0:21:24.440
<v Speaker 3>where people like come on people. People believed and they

0:21:24.560 --> 0:21:26.160
<v Speaker 3>acted on it.

0:21:26.160 --> 0:21:32.119
<v Speaker 1>It wasn't no analytic, no data, no data by any means.

0:21:32.160 --> 0:21:36.680
<v Speaker 1>It was like you something. So first, you don't mind

0:21:36.720 --> 0:21:38.600
<v Speaker 1>me asking how much you get?

0:21:39.160 --> 0:21:44.200
<v Speaker 4>I had like sixty thousand. I mean that that's decent.

0:21:43.920 --> 0:21:48.840
<v Speaker 2>For somebody who, yeah, he can't go nowhere else. You

0:21:48.880 --> 0:21:51.960
<v Speaker 2>just get sixty thousand dollars, that's the fact. So like

0:21:52.440 --> 0:21:54.960
<v Speaker 2>to give me sixty thousand, right, you're.

0:21:54.840 --> 0:21:59.560
<v Speaker 1>Gonna have to start making payments on the media stays immediately. Nice,

0:22:00.080 --> 0:22:01.800
<v Speaker 1>know what was your did you have? What was your

0:22:01.840 --> 0:22:02.320
<v Speaker 1>m d r C?

0:22:04.320 --> 0:22:07.280
<v Speaker 4>I think you know what. I don't know because I'm

0:22:07.320 --> 0:22:11.920
<v Speaker 4>going on no more, but I'm still in the deal.

0:22:12.040 --> 0:22:17.639
<v Speaker 4>Since seven U m PG, I think it was like

0:22:17.680 --> 0:22:21.520
<v Speaker 4>a three song m d r C, which could be

0:22:21.560 --> 0:22:22.720
<v Speaker 4>seventy depending on.

0:22:24.280 --> 0:22:29.920
<v Speaker 1>Which three whole compositions.

0:22:30.280 --> 0:22:33.640
<v Speaker 4>Yeah, you in the room with mad writers.

0:22:34.080 --> 0:22:35.639
<v Speaker 1>It starts with the w' not with the H.

0:22:38.160 --> 0:22:43.479
<v Speaker 4>So three can turn into seventy writers one hundred percent.

0:22:43.720 --> 0:22:45.640
<v Speaker 4>You know, So if you're getting fifty percent as a writer,

0:22:46.240 --> 0:22:47.880
<v Speaker 4>and then there's seven other writers in there.

0:22:48.800 --> 0:22:49.320
<v Speaker 1>Do the math.

0:22:49.600 --> 0:22:53.879
<v Speaker 2>Yeah, it's gonna get tricky real unless you write a

0:22:54.000 --> 0:23:00.240
<v Speaker 2>smash that supersedes the deal and makes the money back.

0:23:01.000 --> 0:23:03.520
<v Speaker 4>Well that was Miley for me with a door here.

0:23:03.520 --> 0:23:09.840
<v Speaker 1>Come on my Bangas. But about seven eight million something

0:23:09.880 --> 0:23:10.399
<v Speaker 1>like that, you know.

0:23:10.520 --> 0:23:12.320
<v Speaker 4>But that was the first time I was recouped out

0:23:12.320 --> 0:23:15.200
<v Speaker 4>of my deal. Like that was like I was in

0:23:15.240 --> 0:23:15.560
<v Speaker 4>the green.

0:23:16.400 --> 0:23:19.800
<v Speaker 1>Yeah, shout out to InSync. They got me out of mind.

0:23:20.000 --> 0:23:20.960
<v Speaker 1>Yeah you hear me.

0:23:21.480 --> 0:23:25.240
<v Speaker 2>Yeah, one songs come in what's the nbr C?

0:23:26.400 --> 0:23:30.160
<v Speaker 4>It was come in check but it was it was cute.

0:23:30.840 --> 0:23:32.639
<v Speaker 1>Yeah, I got you out of that.

0:23:32.800 --> 0:23:36.359
<v Speaker 2>It's called overflow. They're sending you the over Oh you

0:23:36.440 --> 0:23:41.760
<v Speaker 2>have money in the Yeah, now that's great. What's your

0:23:41.840 --> 0:23:42.960
<v Speaker 2>what's your first placement?

0:23:43.200 --> 0:23:43.800
<v Speaker 1>Do you remember it?

0:23:44.280 --> 0:23:48.399
<v Speaker 4>It was Sierra but it was on No, it was

0:23:48.480 --> 0:23:51.920
<v Speaker 4>Sierra and but she put it on It was a

0:23:52.000 --> 0:23:54.040
<v Speaker 4>song called when I, but she put it on her

0:23:54.119 --> 0:23:57.520
<v Speaker 4>deluxe albums. I didn't really count it count that. That

0:23:57.600 --> 0:24:00.359
<v Speaker 4>still counts, but then it was Brittany serious.

0:24:00.440 --> 0:24:04.239
<v Speaker 3>It counts, but in publishing terms it didn't back then,

0:24:04.840 --> 0:24:06.240
<v Speaker 3>counting the street stuff, count the streets.

0:24:06.520 --> 0:24:08.600
<v Speaker 1>What if you do? I wrote, I wrote up.

0:24:09.760 --> 0:24:10.640
<v Speaker 4>It's on the left.

0:24:11.720 --> 0:24:13.800
<v Speaker 1>I ain't telling nobody all that. Listen, I'm on that

0:24:13.920 --> 0:24:17.800
<v Speaker 1>out if you see right here in Target until they

0:24:17.880 --> 0:24:19.639
<v Speaker 1>start asking and then you're like, yeah, it was the

0:24:19.680 --> 0:24:21.840
<v Speaker 1>Targets coming. It ain't no, no, you gotta go to

0:24:22.480 --> 0:24:24.200
<v Speaker 1>me like that time the Target.

0:24:24.320 --> 0:24:29.119
<v Speaker 2>Yeah yeah, tanged me like that one time I had

0:24:29.200 --> 0:24:31.080
<v Speaker 2>a feature on a Target edition.

0:24:33.640 --> 0:24:35.320
<v Speaker 3>That's how you feel. I saw most of my records

0:24:35.359 --> 0:24:38.480
<v Speaker 3>at Target. So that's the one I wanted to ask

0:24:38.520 --> 0:24:41.040
<v Speaker 3>me about that song? Come on, shut off to my way.

0:24:41.119 --> 0:24:43.200
<v Speaker 3>That's the one I want to I'm gonna put you

0:24:43.280 --> 0:24:48.080
<v Speaker 3>with most of my fans. Target, Bonus, Target.

0:24:51.480 --> 0:24:51.880
<v Speaker 4>Don't.

0:24:53.280 --> 0:24:57.280
<v Speaker 1>Man, what what? Yeah? We now we found Yeah, no,

0:24:58.720 --> 0:25:00.439
<v Speaker 1>we sound like that. We we were.

0:25:00.640 --> 0:25:03.840
<v Speaker 3>We were there at a time where I would go

0:25:04.000 --> 0:25:07.399
<v Speaker 3>to the military base you know what I'm saying and

0:25:07.680 --> 0:25:11.399
<v Speaker 3>set up and hundreds of people would come in and

0:25:11.440 --> 0:25:14.159
<v Speaker 3>I would sit down and I would sign their CD

0:25:14.440 --> 0:25:17.080
<v Speaker 3>and give them a hug and crack jokes.

0:25:16.800 --> 0:25:21.720
<v Speaker 1>And like that was My cousin Yuan said, you wasn't there,

0:25:21.720 --> 0:25:26.120
<v Speaker 1>a big baby, I'm not old.

0:25:26.200 --> 0:25:27.040
<v Speaker 5>You just wasn't there.

0:25:27.240 --> 0:25:30.480
<v Speaker 4>Wasn't there you know some of like the gen Zs

0:25:30.560 --> 0:25:33.560
<v Speaker 4>they like all that, and like they're collecting tape.

0:25:33.680 --> 0:25:34.040
<v Speaker 1>Vinyl.

0:25:36.560 --> 0:25:39.200
<v Speaker 2>Vinyl is out here selling right now in twenty twenty four,

0:25:39.280 --> 0:25:40.160
<v Speaker 2>niggas is selling vinyl.

0:25:40.359 --> 0:25:44.040
<v Speaker 4>I trump like, all we have is this somebody's playlist

0:25:44.440 --> 0:25:48.280
<v Speaker 4>And point zero zero nine cent for stream a single

0:25:48.400 --> 0:25:50.639
<v Speaker 4>and it was like you got the single of the

0:25:50.720 --> 0:25:55.480
<v Speaker 4>acapella the instrumental and you had to pay for that.

0:25:55.880 --> 0:25:59.600
<v Speaker 1>And I think that again going back to it, just

0:25:59.760 --> 0:26:01.680
<v Speaker 1>the experience with people.

0:26:03.040 --> 0:26:06.440
<v Speaker 3>Just going with that door to door, like like I

0:26:06.560 --> 0:26:09.600
<v Speaker 3>get it, we can connect to them without having to

0:26:09.720 --> 0:26:12.800
<v Speaker 3>do all that. But why not this just be an

0:26:12.880 --> 0:26:17.840
<v Speaker 3>addition to still doing the really cool things, cool groundwork

0:26:17.960 --> 0:26:20.840
<v Speaker 3>like nothing. I'm gonna tell you right now, there is

0:26:21.000 --> 0:26:24.119
<v Speaker 3>no Tank without a promo tour of over forty dates.

0:26:25.400 --> 0:26:28.879
<v Speaker 3>There wouldn't be me, Me going down to Chattanooga, in

0:26:29.119 --> 0:26:33.520
<v Speaker 3>Charleston and and and all these and Gainesville and all

0:26:33.560 --> 0:26:37.119
<v Speaker 3>these different places that needed to see me before they

0:26:37.160 --> 0:26:39.040
<v Speaker 3>would make a decision on if they were going to

0:26:39.119 --> 0:26:40.080
<v Speaker 3>play my record or not.

0:26:40.880 --> 0:26:43.520
<v Speaker 1>We need to see the boy, shut him down, shut

0:26:43.600 --> 0:26:43.960
<v Speaker 1>him down.

0:26:44.640 --> 0:26:46.800
<v Speaker 4>How many numbers have got all right? I mean, even

0:26:46.840 --> 0:26:50.320
<v Speaker 4>if it's some bullshit. They can play it because data

0:26:50.320 --> 0:26:53.720
<v Speaker 4>and analytics, and the data and analytics didn't exist. It

0:26:53.840 --> 0:26:54.920
<v Speaker 4>was like real persons.

0:26:55.280 --> 0:26:58.160
<v Speaker 1>They've turned the music business into baseball. Yeah, because that's

0:26:58.240 --> 0:26:59.000
<v Speaker 1>literally what I mean.

0:26:59.080 --> 0:27:04.480
<v Speaker 2>That's the first place that I remember years ago, like

0:27:04.680 --> 0:27:06.920
<v Speaker 2>watching I Forgot. I think it was the Boston Red

0:27:06.960 --> 0:27:09.359
<v Speaker 2>Sox at the time, and it was like this young

0:27:10.040 --> 0:27:11.399
<v Speaker 2>I can't think of the guy's name, but he was

0:27:11.480 --> 0:27:14.680
<v Speaker 2>like the youngest general manager, and his whole shit was

0:27:14.720 --> 0:27:18.960
<v Speaker 2>about analytics, how many times this and how many times that,

0:27:19.119 --> 0:27:23.800
<v Speaker 2>and not really gauging the player in a sense, right,

0:27:24.040 --> 0:27:26.280
<v Speaker 2>just looking at the numbers. And I think that's what

0:27:26.480 --> 0:27:30.199
<v Speaker 2>we've become in music now, where they just gauge the numbers.

0:27:30.280 --> 0:27:32.159
<v Speaker 2>They're not looking at the player, they're not looking at

0:27:32.400 --> 0:27:36.080
<v Speaker 2>the developed artists, they're not looking at the season. They're

0:27:36.160 --> 0:27:41.360
<v Speaker 2>looking at the Oh these numbers say, yeah.

0:27:42.280 --> 0:27:45.200
<v Speaker 4>And numbers don't lie. But at the same time, numbers

0:27:45.280 --> 0:27:47.560
<v Speaker 4>do lie, but they do in a sense where.

0:27:47.480 --> 0:27:50.840
<v Speaker 1>Like numbers just don't tell the whole story exactly, they

0:27:50.880 --> 0:27:52.960
<v Speaker 1>don't tell the whole story ahead whether.

0:27:52.840 --> 0:27:56.760
<v Speaker 4>It's terrible or amazing, either way you're going to share it.

0:27:56.920 --> 0:28:01.159
<v Speaker 4>So there's no gauge of like what's I really like it? Like,

0:28:01.240 --> 0:28:02.960
<v Speaker 4>did I really like it? Or did I just hear

0:28:03.000 --> 0:28:04.040
<v Speaker 4>it on TikTok a bunch of times?

0:28:04.040 --> 0:28:06.200
<v Speaker 1>And I'm like, are you sending to some of your friends?

0:28:06.200 --> 0:28:07.119
<v Speaker 1>It's look at this bullshit?

0:28:07.280 --> 0:28:10.080
<v Speaker 4>Yeah right.

0:28:11.440 --> 0:28:12.800
<v Speaker 1>At what I was going to.

0:28:12.800 --> 0:28:15.720
<v Speaker 2>Say about the numbers, do lie, Let's keep it a buck.

0:28:17.119 --> 0:28:22.080
<v Speaker 2>Niggas got phones that are somewhere in a garage just

0:28:22.359 --> 0:28:28.560
<v Speaker 2>churning numbers. So numbers do line numbers. Let's let's keep

0:28:28.600 --> 0:28:33.480
<v Speaker 2>it in this R Muny podcast. I'm gonna tell this

0:28:33.520 --> 0:28:35.879
<v Speaker 2>ship how I really go and how this business really is.

0:28:36.800 --> 0:28:41.360
<v Speaker 2>It's phones that are going twenty four to seven thousands

0:28:41.480 --> 0:28:44.080
<v Speaker 2>of them running up fake views.

0:28:45.840 --> 0:28:47.680
<v Speaker 1>Like so when you look at all.

0:28:47.600 --> 0:28:50.640
<v Speaker 4>Of that type like come on, man, how can we

0:28:50.760 --> 0:28:51.320
<v Speaker 4>really gauge?

0:28:51.360 --> 0:28:54.960
<v Speaker 3>You know how the people really care? When you go

0:28:55.120 --> 0:29:00.920
<v Speaker 3>into that building and the people show up, Man, you

0:29:00.960 --> 0:29:03.600
<v Speaker 3>can't make the people. You can't make the people show up,

0:29:03.920 --> 0:29:08.600
<v Speaker 3>spend their harder money, get a babysitter, right yeah, and

0:29:08.720 --> 0:29:11.880
<v Speaker 3>come out skip a few dinners to afford the like Yeah,

0:29:12.520 --> 0:29:14.480
<v Speaker 3>that's the new gauge. That's how you know the people.

0:29:14.600 --> 0:29:16.479
<v Speaker 3>The people tell the story. The people they show up

0:29:17.040 --> 0:29:21.320
<v Speaker 3>tell the story. Those numbers, those those are real, Those

0:29:21.360 --> 0:29:24.880
<v Speaker 3>are real. So you said Brittany was the you threw Brittany.

0:29:25.160 --> 0:29:30.640
<v Speaker 1>Brittany on the circuit Sierra Britney beyond say you went

0:29:30.760 --> 0:29:34.360
<v Speaker 1>like Perry the ship.

0:29:37.120 --> 0:29:42.400
<v Speaker 4>I think back to that practice thing. I really didn't.

0:29:42.520 --> 0:29:45.719
<v Speaker 4>I wasn't. Most of everything I was doing was out

0:29:45.760 --> 0:29:48.600
<v Speaker 4>of like pain and like struggle, you know what I mean,

0:29:48.680 --> 0:29:53.480
<v Speaker 4>Like there's never been like, uh, all the music I

0:29:53.600 --> 0:29:55.840
<v Speaker 4>was making was out of struggle. Like even when I

0:29:55.880 --> 0:29:57.560
<v Speaker 4>was writing for Rihanna, I didn't have guys to get

0:29:57.560 --> 0:29:58.000
<v Speaker 4>to the studio.

0:29:58.440 --> 0:30:00.440
<v Speaker 1>I was gonna let you say, Rihanna, you know what

0:30:00.480 --> 0:30:02.680
<v Speaker 1>I mean, studio.

0:30:03.560 --> 0:30:05.800
<v Speaker 4>I didn't know how it was cheers, Cheers.

0:30:06.080 --> 0:30:08.760
<v Speaker 1>Cheers, cheers to you because you wrote that and.

0:30:08.840 --> 0:30:11.320
<v Speaker 4>It's not Rihanna's. So she's too far up the totem

0:30:11.320 --> 0:30:14.600
<v Speaker 4>pole to even know where, like to know what's going

0:30:14.640 --> 0:30:17.080
<v Speaker 4>on with the people that are helping to make her album.

0:30:17.160 --> 0:30:18.800
<v Speaker 4>But that was a real thing, like you know what

0:30:18.840 --> 0:30:22.000
<v Speaker 4>I mean. So it's just been like that's I say,

0:30:22.000 --> 0:30:24.600
<v Speaker 4>It's all been practiced, like I'm just now getting to me.

0:30:25.320 --> 0:30:27.440
<v Speaker 2>So when you get to a record like cheers, right,

0:30:28.760 --> 0:30:30.400
<v Speaker 2>and like you said, you have songs on now albums.

0:30:30.400 --> 0:30:33.000
<v Speaker 2>You got it, but like you got it's cracking, Like

0:30:33.520 --> 0:30:34.720
<v Speaker 2>people are singing this song.

0:30:35.520 --> 0:30:36.320
<v Speaker 1>How does that feel?

0:30:37.280 --> 0:30:40.680
<v Speaker 4>It's it's an awesome feeling to be like I was

0:30:40.760 --> 0:30:44.080
<v Speaker 4>in another country and I'm hearing cheers at the bar.

0:30:44.240 --> 0:30:48.800
<v Speaker 4>I'm like, that's dope. I'll hear Miley like or I was.

0:30:48.960 --> 0:30:50.760
<v Speaker 4>I didn't even know how big of a deal Brown

0:30:50.840 --> 0:30:53.920
<v Speaker 4>Skin Girl was until I got to Nigeria and everywhere

0:30:53.960 --> 0:30:57.840
<v Speaker 4>I go they're playing this song because it's the continent

0:30:58.040 --> 0:31:00.000
<v Speaker 4>like all Brown Skin Girl.

0:31:00.560 --> 0:31:01.800
<v Speaker 1>Yeah, Jerry, you know what I mean.

0:31:02.280 --> 0:31:05.760
<v Speaker 4>So I'm just like the flight attendant like, I'm like, wow,

0:31:05.880 --> 0:31:08.520
<v Speaker 4>this is crazy. And you know I was a part

0:31:08.600 --> 0:31:08.720
<v Speaker 4>of it.

0:31:09.880 --> 0:31:13.160
<v Speaker 1>You know, do you say, hey, I wrote I wrote that.

0:31:13.400 --> 0:31:15.080
<v Speaker 1>I never You've never had that moment.

0:31:16.160 --> 0:31:20.600
<v Speaker 4>I never do. I just like two people watch.

0:31:20.560 --> 0:31:21.560
<v Speaker 1>Tank does it all the time.

0:31:21.920 --> 0:31:22.880
<v Speaker 4>Hey, you know I wrote that song?

0:31:22.960 --> 0:31:29.000
<v Speaker 1>Right, well look at it? Oh you like that?

0:31:29.280 --> 0:31:35.520
<v Speaker 4>You like that? I don't know something to do with that,

0:31:35.920 --> 0:31:40.480
<v Speaker 4>lying with nip I do that sometimes, especially like a

0:31:40.560 --> 0:31:43.360
<v Speaker 4>lot of athletes play it. I'm like, really proud of

0:31:43.440 --> 0:31:43.840
<v Speaker 4>that song.

0:31:44.560 --> 0:31:47.520
<v Speaker 1>Yeah, come on, Victory lap is victory.

0:31:48.400 --> 0:31:52.000
<v Speaker 4>It is He's and we did it in twenty fifteen,

0:31:52.080 --> 0:31:54.040
<v Speaker 4>and then he put out the album in twenty eighteen.

0:31:54.560 --> 0:31:57.160
<v Speaker 4>So when he hit me like, hey, what you're publishing

0:31:57.200 --> 0:31:58.400
<v Speaker 4>and I was like, I don't even know what I

0:31:58.560 --> 0:32:01.040
<v Speaker 4>did on the song. Can you send it to me?

0:32:01.120 --> 0:32:02.520
<v Speaker 4>I was like, Oh, that's what it became. Because I

0:32:02.520 --> 0:32:06.400
<v Speaker 4>would literally just go lay mad vocals. I'm like, all right, whatever, y'all.

0:32:06.280 --> 0:32:06.360
<v Speaker 1>Like.

0:32:10.240 --> 0:32:12.800
<v Speaker 4>They took that out of some take, they put that together.

0:32:13.080 --> 0:32:15.920
<v Speaker 1>They just so this wasn't okay, give us that thing,

0:32:15.960 --> 0:32:16.800
<v Speaker 1>come on, because it was.

0:32:16.880 --> 0:32:19.080
<v Speaker 4>I just didn't mad takes, you know what I mean.

0:32:19.200 --> 0:32:21.600
<v Speaker 4>Like I definitely started it like that, I remember, but

0:32:22.440 --> 0:32:25.480
<v Speaker 4>all the little pieces and they put.

0:32:25.400 --> 0:32:27.520
<v Speaker 1>That together the producers.

0:32:27.960 --> 0:32:33.680
<v Speaker 4>Wow, So it became what it became, and yeah, amazing.

0:32:33.960 --> 0:32:35.120
<v Speaker 1>Can we talk about Collide?

0:32:36.600 --> 0:32:40.520
<v Speaker 4>Oh my god, Slim soundtrack was so fire.

0:32:41.600 --> 0:32:42.320
<v Speaker 1>I remember.

0:32:43.160 --> 0:32:47.000
<v Speaker 2>I literally remember exactly where I was the first time

0:32:47.040 --> 0:32:51.080
<v Speaker 2>I heard it. I was in Las Vegas and Ethiopia.

0:32:52.320 --> 0:32:56.040
<v Speaker 2>He's that motown at the time, and I had met

0:32:56.080 --> 0:32:59.080
<v Speaker 2>the guys at Earth Gang and I met Tiana Major nine,

0:32:59.680 --> 0:33:03.960
<v Speaker 2>and I'm like, this is incredible.

0:33:05.040 --> 0:33:09.520
<v Speaker 4>It was a collaborative effort. Lena and I connected, uh

0:33:10.760 --> 0:33:12.960
<v Speaker 4>and she I went to a private screening of the film.

0:33:13.400 --> 0:33:15.760
<v Speaker 4>So I was like super moved by it. And Jody

0:33:15.840 --> 0:33:18.240
<v Speaker 4>is my homegirl too, so it was just super moved

0:33:18.280 --> 0:33:21.280
<v Speaker 4>by it. So I put together a room. It was

0:33:21.520 --> 0:33:31.120
<v Speaker 4>myself Fresh Worldwide, Fresh Sonya elist myself, Dappotromero, Benny Cassette.

0:33:32.840 --> 0:33:33.600
<v Speaker 1>You put a room to go.

0:33:33.960 --> 0:33:37.880
<v Speaker 4>Yeah, I like, I like when we're doing situations like that.

0:33:37.960 --> 0:33:39.720
<v Speaker 4>I liked a room full of people I love, you

0:33:39.800 --> 0:33:41.800
<v Speaker 4>know what I mean, and the ones that's gonna get

0:33:41.800 --> 0:33:44.479
<v Speaker 4>it done. We're not gonna do seventy melodies and then

0:33:44.600 --> 0:33:48.280
<v Speaker 4>be trying to know we're gonna one take Jacob.

0:33:49.240 --> 0:33:50.600
<v Speaker 1>The Avengers exactly.

0:33:51.120 --> 0:33:54.120
<v Speaker 4>So so that's how I came about. Oh and everything

0:33:54.240 --> 0:33:57.880
<v Speaker 4>was in the room too, So it was a definite

0:33:57.920 --> 0:34:01.200
<v Speaker 4>collaborative effort except for the hook. The hook I had

0:34:01.280 --> 0:34:03.120
<v Speaker 4>on another song that didn't you know how you have

0:34:04.640 --> 0:34:07.920
<v Speaker 4>but just it the beat got sold or whatever.

0:34:08.400 --> 0:34:09.960
<v Speaker 1>It's a beautiful disaster.

0:34:09.880 --> 0:34:17.040
<v Speaker 4>Yeah, separate beautiful disaster. And another song called Collide.

0:34:17.120 --> 0:34:22.680
<v Speaker 3>And then when we Collide Collide is such it's massive

0:34:23.239 --> 0:34:26.400
<v Speaker 3>is myself and I remember when you met her, you

0:34:26.480 --> 0:34:27.680
<v Speaker 3>and you met her, like.

0:34:27.719 --> 0:34:31.520
<v Speaker 1>Yo, how did you not your accent? And how you man?

0:34:33.680 --> 0:34:35.680
<v Speaker 3>Yeah, I was just I was just I was I

0:34:35.840 --> 0:34:39.840
<v Speaker 3>was like fanning out over like over that song and

0:34:39.960 --> 0:34:41.440
<v Speaker 3>then over her like performance.

0:34:41.480 --> 0:34:43.840
<v Speaker 1>I was just like her performance. I was like, Wow,

0:34:44.520 --> 0:34:45.480
<v Speaker 1>she killed that song.

0:34:45.719 --> 0:34:48.080
<v Speaker 4>Like at first song was demoing and and then she

0:34:48.400 --> 0:34:50.200
<v Speaker 4>she's the amazing.

0:34:52.160 --> 0:34:56.120
<v Speaker 3>The feeling and the spirit and the all the depth

0:34:56.239 --> 0:35:05.160
<v Speaker 3>and that when we collide Jesus Rice, that's one of

0:35:05.160 --> 0:35:10.200
<v Speaker 3>the one that's one of those that climax like you know,

0:35:11.200 --> 0:35:14.439
<v Speaker 3>like those there are very few records that like haunt

0:35:14.560 --> 0:35:20.480
<v Speaker 3>me like where I'm like, my motto is, when those

0:35:20.600 --> 0:35:24.120
<v Speaker 3>songs were being created, nowhere else in the universe was

0:35:24.200 --> 0:35:25.719
<v Speaker 3>there a better song being made?

0:35:27.920 --> 0:35:28.400
<v Speaker 1>Speak on that.

0:35:28.440 --> 0:35:30.959
<v Speaker 4>That's actually we'll say it again.

0:35:32.280 --> 0:35:38.840
<v Speaker 1>I don't know if I can, because a lyric like

0:35:39.000 --> 0:35:39.800
<v Speaker 1>when you were.

0:35:39.719 --> 0:35:43.600
<v Speaker 4>Being born, there was no greater thing being happening.

0:35:43.800 --> 0:35:49.160
<v Speaker 1>Nothing else better was happening nowhere. That's the lyric. Nowhere

0:35:49.280 --> 0:35:51.680
<v Speaker 1>Like that's what songs like that represent to me.

0:35:53.239 --> 0:35:54.880
<v Speaker 4>That means the world coming from you, guys, honestly, you

0:35:54.960 --> 0:35:55.640
<v Speaker 4>know I feel about you.

0:35:55.960 --> 0:35:58.640
<v Speaker 2>I literally still play that song probably at least once

0:35:58.680 --> 0:36:00.920
<v Speaker 2>a month. Wow, And it's been off for some years,

0:36:01.080 --> 0:36:01.440
<v Speaker 2>a couple of.

0:36:01.440 --> 0:36:04.799
<v Speaker 1>Years before the pandemic just to revisit like I used

0:36:04.800 --> 0:36:07.400
<v Speaker 1>to obviously when it was I burnt it when you

0:36:07.440 --> 0:36:07.919
<v Speaker 1>know what I'm saying.

0:36:08.000 --> 0:36:10.239
<v Speaker 2>When I first hit and after I heard that, I

0:36:10.320 --> 0:36:11.600
<v Speaker 2>think it was the social we were out there for

0:36:11.640 --> 0:36:16.120
<v Speaker 2>the social wars. Listening to it every day, listen to

0:36:16.160 --> 0:36:19.840
<v Speaker 2>it every day. Now, it's still a constant for me.

0:36:20.320 --> 0:36:23.239
<v Speaker 2>That record is still a constant for me. I love

0:36:23.360 --> 0:36:23.799
<v Speaker 2>that song.

0:36:24.080 --> 0:36:32.960
<v Speaker 1>I love that I love that song crying. You know,

0:36:33.040 --> 0:36:36.040
<v Speaker 1>we both were both cancers, were both cancer, so I mean,

0:36:36.120 --> 0:36:38.399
<v Speaker 1>you know, we're sensitive about our.

0:36:38.320 --> 0:36:44.720
<v Speaker 4>Ship, very sensitive times a day. I mean not because

0:36:44.719 --> 0:36:47.879
<v Speaker 4>I'm sad, it'd be happy to you sometimes three times.

0:36:48.000 --> 0:36:49.759
<v Speaker 1>It's so funny because like I said, we both can

0:36:50.000 --> 0:36:50.239
<v Speaker 1>I don't.

0:36:50.360 --> 0:36:53.040
<v Speaker 4>I don't really there a male cancer, no, but I know.

0:36:53.040 --> 0:36:55.080
<v Speaker 1>A lot of male cancers. Niggas be crying, you know, y'all.

0:36:55.400 --> 0:36:59.759
<v Speaker 4>Y'all's emotion. Y'all are emotional, but it comes out in aggression.

0:37:00.560 --> 0:37:02.720
<v Speaker 1>Mm hmm. There's the cancer.

0:37:06.520 --> 0:37:09.880
<v Speaker 4>It's very much. You know, I give a cry, I'm like,

0:37:10.000 --> 0:37:14.240
<v Speaker 4>I'll be back. I'm gonna go cry, break, cry, break,

0:37:15.120 --> 0:37:17.920
<v Speaker 4>unless it's happy tears and then I'll everybody.

0:37:17.960 --> 0:37:21.080
<v Speaker 2>But there's something else I wanted to ask you because

0:37:21.120 --> 0:37:22.640
<v Speaker 2>you've been you know, you've been a part of these

0:37:22.719 --> 0:37:27.640
<v Speaker 2>these moments that are just so special. Being a part

0:37:27.680 --> 0:37:31.760
<v Speaker 2>of a moment like Brown Skinned Girl, where Blue Ivy

0:37:31.840 --> 0:37:34.919
<v Speaker 2>wins a Grammy, where the baby win.

0:37:34.880 --> 0:37:39.440
<v Speaker 4>A Grammy was she was literally on my mind. Behold

0:37:39.560 --> 0:37:43.200
<v Speaker 4>because so after Lemonade, like I'm thinking, okay, and then

0:37:43.960 --> 0:37:46.759
<v Speaker 4>Beyonce and jay Z did this that album together, but

0:37:46.840 --> 0:37:52.759
<v Speaker 4>I'm thinking post Lemonade, like what should she give? You

0:37:52.880 --> 0:37:54.839
<v Speaker 4>know what I mean? And I was thinking abot Blue

0:37:54.840 --> 0:37:59.320
<v Speaker 4>Ivy the whole time. So when and Bigger when it

0:37:59.400 --> 0:38:03.279
<v Speaker 4>says trying to be a good wife still really hot,

0:38:03.360 --> 0:38:05.919
<v Speaker 4>I can't try, but I promise you I will fight.

0:38:06.320 --> 0:38:06.919
<v Speaker 1>So I fight.

0:38:07.239 --> 0:38:09.680
<v Speaker 4>I'm thinking about Blue Ivy, like the reason why you

0:38:09.719 --> 0:38:11.959
<v Speaker 4>would stick around. I mean this cause this was before

0:38:12.000 --> 0:38:14.400
<v Speaker 4>she got pregnant with the twins. But she was always

0:38:14.440 --> 0:38:16.160
<v Speaker 4>on my mind, like she was the first you know

0:38:16.200 --> 0:38:19.279
<v Speaker 4>what I'm saying. So you know, Blue Ivy like my

0:38:19.360 --> 0:38:22.839
<v Speaker 4>baby cousin that she don't even know. Girl, I love

0:38:22.920 --> 0:38:26.440
<v Speaker 4>you to seek. So I was always thinking about her

0:38:26.480 --> 0:38:29.840
<v Speaker 4>the whole time. And then she put Blue Ivy in

0:38:29.920 --> 0:38:34.439
<v Speaker 4>the bigger video, put it out on my birthday, called

0:38:34.480 --> 0:38:35.640
<v Speaker 4>it the gift.

0:38:36.719 --> 0:38:37.000
<v Speaker 1>Wow.

0:38:37.280 --> 0:38:38.479
<v Speaker 4>God, Like that's what I'm saying.

0:38:38.680 --> 0:38:38.919
<v Speaker 5>Wow.

0:38:39.280 --> 0:38:41.640
<v Speaker 4>The writing be spiritual, you know what I mean, Like

0:38:41.760 --> 0:38:46.560
<v Speaker 4>it's not I'm not trying to right hits, Like it

0:38:46.680 --> 0:38:49.080
<v Speaker 4>comes to me literally through God, you know what I mean.

0:38:50.840 --> 0:38:53.040
<v Speaker 1>That's wow. Wow.

0:38:53.560 --> 0:38:55.319
<v Speaker 4>So I'm thinking about the whole picture. I'm like, how

0:38:55.360 --> 0:38:59.240
<v Speaker 4>will I Siss be feeling now? Forgiveness is key because

0:38:59.280 --> 0:39:02.880
<v Speaker 4>we're part of some can way bigger, you know, like

0:39:03.040 --> 0:39:04.640
<v Speaker 4>you have a family with this man, Like where are

0:39:04.640 --> 0:39:04.919
<v Speaker 4>you going?

0:39:05.800 --> 0:39:08.160
<v Speaker 1>You know that's crazy.

0:39:08.600 --> 0:39:13.000
<v Speaker 2>That's amazing records, amazing amazing records. Yeah, yeah, because you

0:39:13.480 --> 0:39:14.600
<v Speaker 2>had two records on there.

0:39:14.680 --> 0:39:14.839
<v Speaker 1>Yeah.

0:39:15.000 --> 0:39:17.640
<v Speaker 4>I didn't even know that because the once I knew

0:39:17.680 --> 0:39:19.440
<v Speaker 4>The Bigger was making an album, I didn't even care

0:39:19.880 --> 0:39:22.920
<v Speaker 4>because Brownscan Girl was like a last minute thing, you

0:39:23.000 --> 0:39:24.759
<v Speaker 4>know what I mean, Like she was deciding whether she

0:39:24.880 --> 0:39:27.839
<v Speaker 4>was keeping it or not. And then people were working

0:39:27.880 --> 0:39:29.759
<v Speaker 4>on verses and she chose mine, but it wasn't the

0:39:29.880 --> 0:39:32.560
<v Speaker 4>same order, so I was like, oh, she didn't keep

0:39:32.560 --> 0:39:35.200
<v Speaker 4>my verse. Whatever, Bigger still the first song on the album,

0:39:35.239 --> 0:39:38.279
<v Speaker 4>still whatever, you know. And then my friend Fresh was like, nah,

0:39:38.320 --> 0:39:39.880
<v Speaker 4>you got to listen to the whole song. It's the

0:39:39.960 --> 0:39:41.680
<v Speaker 4>third verse. She used your verse.

0:39:41.760 --> 0:39:47.920
<v Speaker 1>I was like, oh wow, so you even know I

0:39:48.080 --> 0:39:48.880
<v Speaker 1>was bigger.

0:39:48.920 --> 0:39:50.840
<v Speaker 4>I was like, girl, yes they got.

0:39:52.239 --> 0:39:53.920
<v Speaker 2>Because people don't understand that at a certain level of

0:39:54.000 --> 0:39:55.920
<v Speaker 2>artists too. You don't leave the studio with the songs

0:39:56.040 --> 0:39:58.720
<v Speaker 2>you know. You know, it's just not in the streets

0:39:58.760 --> 0:39:59.960
<v Speaker 2>with a Beyonce records playing.

0:40:00.120 --> 0:40:02.279
<v Speaker 1>Now, this is not how this works. And you got it?

0:40:02.719 --> 0:40:03.480
<v Speaker 1>Like did you make it?

0:40:03.640 --> 0:40:04.840
<v Speaker 4>I don't know, I don't know.

0:40:06.000 --> 0:40:09.280
<v Speaker 2>We will see listen and Tank just had that moment

0:40:09.560 --> 0:40:12.240
<v Speaker 2>on the eleven eleven album, the Chris Brown album.

0:40:12.480 --> 0:40:15.440
<v Speaker 1>We're like, did the song make it? Are we? And

0:40:15.480 --> 0:40:19.360
<v Speaker 1>I listening like, wen't make it? I don't eve the

0:40:19.440 --> 0:40:21.360
<v Speaker 1>song we did? I think he would have told us.

0:40:21.360 --> 0:40:24.560
<v Speaker 1>He told us, He told us. And then we're listening

0:40:24.640 --> 0:40:25.120
<v Speaker 1>to uh.

0:40:27.239 --> 0:40:29.920
<v Speaker 3>Which which we just went number one, and I'm like,

0:40:30.600 --> 0:40:34.239
<v Speaker 3>and I promise you, I didn't hear it until a

0:40:34.320 --> 0:40:34.759
<v Speaker 3>week ago.

0:40:35.760 --> 0:40:38.280
<v Speaker 1>No the hearing.

0:40:38.800 --> 0:40:42.160
<v Speaker 3>Like, so I'm listening to the song and I'm like,

0:40:43.760 --> 0:40:45.440
<v Speaker 3>why is this nigger ad living like me? At the

0:40:45.520 --> 0:40:52.279
<v Speaker 3>end of the song, Oh, I did that lives? He

0:40:52.480 --> 0:40:55.640
<v Speaker 3>was we just went to the studio. He's like, big bro,

0:40:55.840 --> 0:40:57.920
<v Speaker 3>go do somed lips? Do it?

0:40:57.960 --> 0:40:59.880
<v Speaker 1>Take her ad? Lips. He's like, and I'm gonna do.

0:40:59.880 --> 0:41:05.680
<v Speaker 3>It and those those are some Oh wow, you know

0:41:05.920 --> 0:41:07.759
<v Speaker 3>you just it's like you said, though, it just be

0:41:09.000 --> 0:41:11.360
<v Speaker 3>you just want to be part of it, like you

0:41:11.520 --> 0:41:14.520
<v Speaker 3>just want to be in it, and whatever comes of it,

0:41:15.160 --> 0:41:17.399
<v Speaker 3>it just is what it is, and nine times out

0:41:17.400 --> 0:41:20.640
<v Speaker 3>of ten, ten times ten it ends up blessing you in.

0:41:20.760 --> 0:41:22.200
<v Speaker 4>Some way or somewhere.

0:41:22.760 --> 0:41:28.359
<v Speaker 1>As Jasper would say, be useful, be useful, use be useful.

0:41:28.960 --> 0:41:31.000
<v Speaker 1>I promise I'm going be useful. You let me, you

0:41:31.080 --> 0:41:35.560
<v Speaker 1>let me in this door. Please, I'm gonna do something

0:41:35.600 --> 0:41:35.920
<v Speaker 1>we need.

0:41:35.960 --> 0:41:38.399
<v Speaker 4>I I want something to eat.

0:41:38.760 --> 0:41:39.239
<v Speaker 1>What you need?

0:41:39.760 --> 0:41:39.960
<v Speaker 3>Huh?

0:41:41.360 --> 0:41:42.040
<v Speaker 4>Are you okay.

0:41:44.960 --> 0:41:45.800
<v Speaker 1>Creating them? Traps?

0:41:45.880 --> 0:41:46.120
<v Speaker 4>Girl?

0:41:46.239 --> 0:41:46.600
<v Speaker 3>You trip?

0:41:47.520 --> 0:41:48.680
<v Speaker 5>You gotta be loose to.

0:41:57.680 --> 0:42:00.200
<v Speaker 3>Oh my god, I want to ask the question ship

0:42:03.640 --> 0:42:09.880
<v Speaker 3>Stacey Barth the artists which I am a fan of,

0:42:10.400 --> 0:42:15.000
<v Speaker 3>I'm a champion. We we we excuse me, sorry, I

0:42:15.080 --> 0:42:17.040
<v Speaker 3>do speak French. I forgot to tell you that.

0:42:21.920 --> 0:42:23.439
<v Speaker 1>What what and when?

0:42:23.800 --> 0:42:27.600
<v Speaker 3>Like this is like we've had this conversation like the

0:42:27.800 --> 0:42:34.680
<v Speaker 3>things you write and singing, we need that from you.

0:42:36.200 --> 0:42:40.200
<v Speaker 4>It's I'm I was on hole for like three years.

0:42:40.239 --> 0:42:46.440
<v Speaker 4>I was signed to a situation that you know, it

0:42:46.520 --> 0:42:48.720
<v Speaker 4>went I'm not gonna say I went left.

0:42:48.560 --> 0:42:51.200
<v Speaker 1>But life happened and it didn't go right.

0:42:51.560 --> 0:42:58.279
<v Speaker 4>Yeah, So I'm just gathering myself right now. I'm like

0:42:58.760 --> 0:43:05.640
<v Speaker 4>healing and I have a whole project actually ready, but

0:43:05.760 --> 0:43:08.400
<v Speaker 4>I just needed to heal before I step out in

0:43:08.480 --> 0:43:15.000
<v Speaker 4>front of people again, you know. But the album is

0:43:15.040 --> 0:43:17.359
<v Speaker 4>called Love Life, and it's my journey to loving life,

0:43:18.360 --> 0:43:22.040
<v Speaker 4>and it's really it's really powerful. I think the women

0:43:22.080 --> 0:43:24.680
<v Speaker 4>are gonna really love it. The men are going to

0:43:24.920 --> 0:43:28.800
<v Speaker 4>love it too because some of the topics I'm addressing

0:43:29.000 --> 0:43:31.480
<v Speaker 4>the man and the woman, the broken man and the

0:43:31.560 --> 0:43:32.799
<v Speaker 4>broken woman.

0:43:33.640 --> 0:43:33.800
<v Speaker 3>You know.

0:43:36.200 --> 0:43:38.800
<v Speaker 4>So yeah, I'm going to be ready by July. Like

0:43:38.800 --> 0:43:40.480
<v Speaker 4>I'm going to drive something for my birthday.

0:43:42.719 --> 0:43:43.520
<v Speaker 1>It is the month.

0:43:45.520 --> 0:43:48.839
<v Speaker 4>Eighteenth actually falls on a Friday, So I'm like, oh,

0:43:48.880 --> 0:43:56.239
<v Speaker 4>it's perfect, yell thought, we're here to help. I'm in

0:43:56.320 --> 0:43:59.800
<v Speaker 4>my I don't know how, but God will kind of

0:44:00.719 --> 0:44:02.920
<v Speaker 4>space in my life. I don't know how, but I'm gonna.

0:44:02.960 --> 0:44:03.560
<v Speaker 4>I'm gonna do it.

0:44:07.160 --> 0:44:08.560
<v Speaker 1>July July nineteen.

0:44:08.640 --> 0:44:12.000
<v Speaker 4>Yeah, we are, we are looking today, we.

0:44:12.120 --> 0:44:18.280
<v Speaker 3>Are anxiously awaiting July nineteen. We're gonna We're gonna force

0:44:18.360 --> 0:44:19.120
<v Speaker 3>your hand too.

0:44:20.000 --> 0:44:20.200
<v Speaker 1>Yeah.

0:44:20.200 --> 0:44:22.080
<v Speaker 4>I just need to support. Honestly, you're going to.

0:44:22.120 --> 0:44:25.480
<v Speaker 1>Force the R and B Money podcast community to force

0:44:25.600 --> 0:44:26.840
<v Speaker 1>your hand. What's your Instagram?

0:44:27.239 --> 0:44:32.560
<v Speaker 3>I am stay, I am Stacey bar Flood the comments

0:44:32.719 --> 0:44:36.040
<v Speaker 3>with July nineteen, July nineteenth, flood them.

0:44:36.480 --> 0:44:39.319
<v Speaker 2>Not not not the way y'all be attacking me. Y'all

0:44:39.400 --> 0:44:43.719
<v Speaker 2>be nice. Y'all be attacking me. They they attacked me

0:44:43.760 --> 0:44:47.320
<v Speaker 2>about my beat. I'm like, don't be mean.

0:44:49.920 --> 0:44:50.160
<v Speaker 1>Again.

0:44:51.480 --> 0:44:56.600
<v Speaker 4>The Internet government, y'all gotta be nice. I'll be going.

0:44:57.520 --> 0:44:58.520
<v Speaker 1>I actually think they're funny.

0:44:59.120 --> 0:45:01.120
<v Speaker 4>I find a lot of that stuffy.

0:45:01.880 --> 0:45:03.080
<v Speaker 1>Let me tell you something. Let me tell you something,

0:45:03.120 --> 0:45:04.919
<v Speaker 1>let me explain. Come on, tell us something.

0:45:06.920 --> 0:45:12.400
<v Speaker 3>There is a hunger. You got to understand something that

0:45:12.719 --> 0:45:16.080
<v Speaker 3>people that eat from what you serve.

0:45:16.880 --> 0:45:23.520
<v Speaker 1>M hm hmm. Come on, preacher, pastor, do not allow

0:45:23.760 --> 0:45:31.800
<v Speaker 1>them to starve to death. Don't look at me. I

0:45:31.920 --> 0:45:36.960
<v Speaker 1>gave three songs. I'm about dropping another one on them.

0:45:38.960 --> 0:45:46.319
<v Speaker 3>Once you allow famine in the land, oh man, then

0:45:46.440 --> 0:45:47.759
<v Speaker 3>chaos ensuit.

0:45:50.040 --> 0:45:52.560
<v Speaker 1>And and and one of two things are gonna happen.

0:45:52.760 --> 0:45:54.840
<v Speaker 1>Come on, that's what it is. They are gonna rise

0:45:55.000 --> 0:45:58.560
<v Speaker 1>up hm hmm against.

0:45:59.640 --> 0:46:03.520
<v Speaker 3>The peopleeople that feed them, or they're going to go

0:46:03.719 --> 0:46:06.160
<v Speaker 3>to somebody else to get fed.

0:46:07.080 --> 0:46:10.120
<v Speaker 4>I feel that. But the thing about getting fed somewhere

0:46:10.160 --> 0:46:11.360
<v Speaker 4>else is never going to be the.

0:46:12.239 --> 0:46:15.080
<v Speaker 3>It's not about at that point, it's about survival. Yeah,

0:46:15.880 --> 0:46:18.160
<v Speaker 3>and they would and they would rather be guess what

0:46:18.239 --> 0:46:20.480
<v Speaker 3>they would rather be you.

0:46:21.880 --> 0:46:41.600
<v Speaker 1>Yeah, that was both the use July ninth, take my

0:46:41.840 --> 0:46:44.000
<v Speaker 1>time j Whenever I feel like.

0:46:45.320 --> 0:46:57.800
<v Speaker 4>Trust me, it's not that listen, that's and get a

0:46:57.880 --> 0:47:00.080
<v Speaker 4>team and like, you know, like people that really we

0:47:00.280 --> 0:47:02.480
<v Speaker 4>just genuinely like one of the things one.

0:47:13.880 --> 0:47:14.640
<v Speaker 1>I'm really excited.

0:47:15.200 --> 0:47:19.120
<v Speaker 4>I'm ready to get back outside. Money Long invited me

0:47:19.360 --> 0:47:26.759
<v Speaker 4>to well an event it was women in Hollywood, wait,

0:47:27.000 --> 0:47:31.000
<v Speaker 4>black women and black women that I was so moved

0:47:31.040 --> 0:47:34.920
<v Speaker 4>and inspired by everybody ever, all the women that were

0:47:35.120 --> 0:47:38.120
<v Speaker 4>giving their speeches and and she invited me like it

0:47:38.239 --> 0:47:41.560
<v Speaker 4>was almost like she was like, non, friend, you ain't

0:47:41.560 --> 0:47:46.879
<v Speaker 4>where you're supposed to be. Come with me, and I'm

0:47:47.000 --> 0:47:49.959
<v Speaker 4>I'm usually the one reaching back like carrying every Listen,

0:47:50.080 --> 0:47:51.360
<v Speaker 4>you let me in the door meet and.

0:47:51.480 --> 0:47:57.840
<v Speaker 2>All you know what I shout out, they are amazing,

0:47:58.560 --> 0:48:01.280
<v Speaker 2>those sisters are amazing, but amazing events.

0:48:02.920 --> 0:48:06.040
<v Speaker 1>But yeah, that's she reads a special event.

0:48:06.200 --> 0:48:09.000
<v Speaker 4>Yeah you're not. And we've known, we've been in all

0:48:09.040 --> 0:48:11.960
<v Speaker 4>the same rooms writing for Rihanna and writing for whoever

0:48:12.000 --> 0:48:12.680
<v Speaker 4>and whatever.

0:48:13.000 --> 0:48:17.560
<v Speaker 1>And that was in the trenches together. Yeah yeah, Like

0:48:18.440 --> 0:48:18.719
<v Speaker 1>I was.

0:48:19.120 --> 0:48:21.919
<v Speaker 4>Probably like eighty pounds bigger her and Ester Deane would

0:48:22.000 --> 0:48:27.560
<v Speaker 4>like walk with me exercising, like yeah, yeah, So it's

0:48:27.640 --> 0:48:29.560
<v Speaker 4>that reach back. And I just wanted to say I

0:48:29.640 --> 0:48:31.080
<v Speaker 4>love you Money, and I'm so proud of you.

0:48:31.719 --> 0:48:35.080
<v Speaker 2>Oh you know how you know how we feel about money. Money,

0:48:42.000 --> 0:48:43.840
<v Speaker 2>So Stacey, as we look forward to.

0:48:45.920 --> 0:48:48.520
<v Speaker 1>Yeah, she's lie nice.

0:48:51.600 --> 0:48:51.920
<v Speaker 6>Today.

0:48:53.520 --> 0:48:57.640
<v Speaker 1>Lord, I don't know, but make away, absolutely make away.

0:48:58.080 --> 0:49:06.080
<v Speaker 1>The Lord is going to make away over there.

0:49:06.120 --> 0:49:10.879
<v Speaker 3>You've you've you've you've written a lot of jams. I'm

0:49:10.880 --> 0:49:13.080
<v Speaker 3>sure you've been inspired about a lot of jams. Swell,

0:49:18.320 --> 0:49:22.480
<v Speaker 3>I'm just taking my time here, taking time. Play this

0:49:22.560 --> 0:49:27.800
<v Speaker 3>star to keyboarding, play it like it's expensive.

0:49:27.840 --> 0:49:28.759
<v Speaker 1>You understand what I'm saying.

0:49:33.840 --> 0:49:38.400
<v Speaker 3>The people want to know, they say, the music that

0:49:38.520 --> 0:49:43.480
<v Speaker 3>made you feel good, the music that changed your life.

0:49:45.320 --> 0:49:47.120
<v Speaker 3>They want to know you what they want to know.

0:49:49.800 --> 0:49:51.320
<v Speaker 4>H top.

0:49:55.360 --> 0:50:09.200
<v Speaker 6>Your top five, top Fall, your top fun RB singer okay, okay,

0:50:09.840 --> 0:50:10.920
<v Speaker 6>R and B song.

0:50:13.640 --> 0:50:18.239
<v Speaker 3>We've got to know you've got a shows when you

0:50:18.520 --> 0:50:19.280
<v Speaker 3>got a cube.

0:50:19.560 --> 0:50:23.440
<v Speaker 5>But we're looking Ford to your top four.

0:50:25.760 --> 0:50:28.840
<v Speaker 4>Yes, you definitely want to tailside.

0:50:37.719 --> 0:50:53.800
<v Speaker 7>Your fea is phenomenal for what the it was in

0:50:53.880 --> 0:50:54.640
<v Speaker 7>the clouds today.

0:50:54.719 --> 0:51:03.160
<v Speaker 1>Baby yeah yeah, come on Miami Milvin, it's him.

0:51:04.560 --> 0:51:10.120
<v Speaker 4>Wow. Even when you're playing, it's phenomenal. It's crazy sore.

0:51:10.239 --> 0:51:11.880
<v Speaker 1>Top five r n B.

0:51:14.960 --> 0:51:16.560
<v Speaker 3>You know what, if you would like to go male

0:51:16.640 --> 0:51:18.279
<v Speaker 3>and female, you can if you like to mix them

0:51:18.360 --> 0:51:20.480
<v Speaker 3>up and just do a tough because it's really supposed

0:51:20.520 --> 0:51:22.640
<v Speaker 3>to be just the top five, and you know, and

0:51:23.880 --> 0:51:28.640
<v Speaker 3>very people come in here with take liberties. You are

0:51:28.680 --> 0:51:30.880
<v Speaker 3>a person who can take liberties. You are you can,

0:51:31.840 --> 0:51:32.759
<v Speaker 3>you can do what you want to do.

0:51:37.040 --> 0:51:39.520
<v Speaker 4>But damn, I would have to break it down male

0:51:39.600 --> 0:51:41.719
<v Speaker 4>and female and then the singer songwriters and then the

0:51:41.880 --> 0:51:50.839
<v Speaker 4>singers ship, you know, because it's different if okay, I'm

0:51:50.840 --> 0:51:58.759
<v Speaker 4>gonna just start off obviously, Okay, Whitney Y Beyonce.

0:51:59.400 --> 0:52:06.160
<v Speaker 1>Yeah, I feel the theme Lauren hell oh yeah, oh yeah.

0:52:13.040 --> 0:52:15.200
<v Speaker 1>How many is that they're talking about? Like the rent do?

0:52:16.360 --> 0:52:21.239
<v Speaker 1>There's so many things do get your rent money real quick?

0:52:23.400 --> 0:52:25.720
<v Speaker 4>Can we can? We shoes?

0:52:25.840 --> 0:52:26.799
<v Speaker 1>I also need some.

0:52:28.880 --> 0:52:33.399
<v Speaker 4>Performers like everything every damn.

0:52:34.600 --> 0:52:43.359
<v Speaker 1>Oh, but keep going. That was keep the party going,

0:52:43.520 --> 0:52:43.839
<v Speaker 1>Keep going.

0:52:46.880 --> 0:52:47.799
<v Speaker 4>You know, I love Indi.

0:52:47.880 --> 0:52:49.359
<v Speaker 1>I re too love Indi.

0:52:49.480 --> 0:52:53.440
<v Speaker 4>I her voice and her songs like she's one of

0:52:53.440 --> 0:52:55.960
<v Speaker 4>the people. Like when I heard video. That's another one

0:52:56.000 --> 0:53:00.400
<v Speaker 4>that changed me. Video not the aftercast by Yeah, that

0:53:00.600 --> 0:53:02.759
<v Speaker 4>song changed me in eleventh grade. I was like, word

0:53:03.040 --> 0:53:07.719
<v Speaker 4>she she gets that? You see me first? Can we

0:53:07.840 --> 0:53:10.200
<v Speaker 4>just do female.

0:53:12.440 --> 0:53:12.880
<v Speaker 1>Workout?

0:53:15.480 --> 0:53:19.840
<v Speaker 4>I forgot Jillie from Philly Women that raised me? Ye

0:53:20.440 --> 0:53:26.960
<v Speaker 4>mentioned all the girls? Mm hmm, Hello, I'm missing people.

0:53:27.880 --> 0:53:34.680
<v Speaker 4>Damn am I missing off the top? New or.

0:53:37.800 --> 0:53:39.600
<v Speaker 1>World? Crazy?

0:53:40.239 --> 0:53:46.200
<v Speaker 4>Crazy crazy? Have to just be in R and B

0:53:46.640 --> 0:53:47.880
<v Speaker 4>or be in a country.

0:53:48.239 --> 0:53:49.799
<v Speaker 1>Yes, yes, turn up.

0:53:51.560 --> 0:53:55.120
<v Speaker 4>One of my I have a song with her called

0:53:55.239 --> 0:53:57.560
<v Speaker 4>Naked that like she's playing guitar on like I have

0:53:57.760 --> 0:53:59.239
<v Speaker 4>Shanaia mm hmm.

0:54:00.040 --> 0:54:04.120
<v Speaker 1>Of course you do. Of course. Of course when I

0:54:04.280 --> 0:54:08.279
<v Speaker 1>met her, I was like, oh, got it? Okay, okay,

0:54:08.800 --> 0:54:11.960
<v Speaker 1>name pet names forgot when you hang out with somebody

0:54:12.000 --> 0:54:12.399
<v Speaker 1>long enough.

0:54:13.760 --> 0:54:18.319
<v Speaker 4>It was the first day, you know, I love her,

0:54:18.880 --> 0:54:28.480
<v Speaker 4>Celine Dion come on, come on, okay then, and.

0:54:28.520 --> 0:54:30.800
<v Speaker 3>I'm just hyping her too, I mean, come on, you

0:54:30.920 --> 0:54:33.719
<v Speaker 3>get it, Yeah, you get it. You a nickname for her?

0:54:38.560 --> 0:54:40.239
<v Speaker 3>Atlanta's more sad.

0:54:42.120 --> 0:54:42.160
<v Speaker 4>Or.

0:54:43.719 --> 0:54:46.560
<v Speaker 1>I wasn't just in the R and B like, right, no,

0:54:46.680 --> 0:54:50.000
<v Speaker 1>you can hear, you can hear your songs. More set

0:54:51.520 --> 0:54:56.920
<v Speaker 1>is my god. Her vocal.

0:54:58.920 --> 0:55:01.160
<v Speaker 4>Ironic, so nic.

0:55:02.600 --> 0:55:05.800
<v Speaker 1>Undecided, uninvited, I'm sorry, uninvited.

0:55:06.040 --> 0:55:07.640
<v Speaker 4>Let me tell you something about that, boys.

0:55:07.600 --> 0:55:11.839
<v Speaker 3>Jesus uninvited. That's another one of those ones where when

0:55:11.920 --> 0:55:15.279
<v Speaker 3>that was being made, nothing better was being made.

0:55:16.680 --> 0:55:17.040
<v Speaker 4>Fats.

0:55:17.880 --> 0:55:20.480
<v Speaker 1>I listened to that every now and then just for

0:55:20.640 --> 0:55:21.640
<v Speaker 1>my soul.

0:55:21.840 --> 0:55:25.120
<v Speaker 4>Because her songwriting was just that's the thing. It was like,

0:55:25.360 --> 0:55:27.640
<v Speaker 4>I was between hip hop, R and B and country

0:55:28.280 --> 0:55:31.400
<v Speaker 4>and then you know all the pop, you know, alternative

0:55:31.480 --> 0:55:35.000
<v Speaker 4>in between, like the Avril Levines and yeah, every Levine

0:55:35.080 --> 0:55:39.680
<v Speaker 4>was actually the reason why I wrote Cheers because that yeah, yeah, yeah, yeah,

0:55:40.080 --> 0:55:43.960
<v Speaker 4>yeah yeah. At the end of what was that song

0:55:44.080 --> 0:55:46.680
<v Speaker 4>she did, I'm with You? That was another song I

0:55:46.760 --> 0:55:48.920
<v Speaker 4>heard in the eleventh grade and I was like, oh, nah,

0:55:49.880 --> 0:55:51.319
<v Speaker 4>I feel like this all the time.

0:55:51.800 --> 0:55:54.480
<v Speaker 1>Yeah, I'm gonna write about this one day.

0:55:55.400 --> 0:55:57.160
<v Speaker 4>No, I didn't even write. I was playing it for

0:55:57.239 --> 0:55:58.880
<v Speaker 4>the runners. I was playing them all the like the

0:55:59.400 --> 0:56:02.719
<v Speaker 4>the pop two thousand girls, like the Vanessa Carlton and

0:56:02.800 --> 0:56:07.080
<v Speaker 4>that's what kicked it off. And yeah, and so then

0:56:07.120 --> 0:56:10.279
<v Speaker 4>I played I'm with you and then they sampled that

0:56:10.440 --> 0:56:14.520
<v Speaker 4>yeah yeah, yeah, yeah yeah yeah yeah yeah yeah yeah

0:56:16.160 --> 0:56:18.480
<v Speaker 4>every again weekend. Yeah, that's how I went.

0:56:18.680 --> 0:56:23.440
<v Speaker 1>Wow, I love story rag Story.

0:56:24.320 --> 0:56:26.759
<v Speaker 4>So we're done. We're done.

0:56:26.840 --> 0:56:31.880
<v Speaker 1>Okay, So the top ten no, sorry, you can messing

0:56:31.920 --> 0:56:36.360
<v Speaker 1>me up the top R and B songs?

0:56:38.640 --> 0:56:44.200
<v Speaker 4>Mm hmmm, that's another difficult one. How does it feel.

0:56:45.560 --> 0:56:49.279
<v Speaker 2>Angela's come on, We're gonna start off with Angela and

0:56:49.400 --> 0:56:52.160
<v Speaker 2>rap as soon as that's how we're gonna kick this thing.

0:56:53.600 --> 0:57:01.919
<v Speaker 4>What I haven't show play that way?

0:57:02.640 --> 0:57:03.560
<v Speaker 1>What in that video?

0:57:04.040 --> 0:57:10.480
<v Speaker 4>My tender mind was like, oh my god, if you hug.

0:57:10.560 --> 0:57:20.160
<v Speaker 5>Me, no, we will never come back. The shirt will

0:57:20.200 --> 0:57:22.680
<v Speaker 5>come on, yeah, come on, I brought him with me.

0:57:27.880 --> 0:57:35.560
<v Speaker 4>Kenny Lattimore for you, I will That song always had

0:57:35.600 --> 0:57:38.880
<v Speaker 4>me by the show call like, I love that song.

0:57:41.240 --> 0:57:47.000
<v Speaker 4>Hm hmm. What's the other one? Eric about on and on?

0:57:47.400 --> 0:57:48.880
<v Speaker 4>I remember I was in the fourth grade and I

0:57:48.960 --> 0:57:51.600
<v Speaker 4>heard that. I was like, who is this woman? Who

0:57:51.760 --> 0:57:51.920
<v Speaker 4>is she?

0:57:52.040 --> 0:57:52.240
<v Speaker 1>I was?

0:57:52.520 --> 0:57:55.560
<v Speaker 4>I was already burning incense and doing all the spiritual things.

0:57:56.320 --> 0:58:00.400
<v Speaker 4>Oh yeah, you know, baby, yeah, you know. It always

0:58:00.440 --> 0:58:03.080
<v Speaker 4>gave a candle, It always gave an infant. But when

0:58:03.120 --> 0:58:07.200
<v Speaker 4>I saw her speaking of candles, speaking of candles, y'all

0:58:07.520 --> 0:58:08.480
<v Speaker 4>on the way, like.

0:58:08.560 --> 0:58:13.680
<v Speaker 3>The pause for this promotional opportunity, promotional, and it smells

0:58:14.000 --> 0:58:14.680
<v Speaker 3>it smells great.

0:58:15.680 --> 0:58:17.240
<v Speaker 4>You want this in your marble.

0:58:17.720 --> 0:58:19.680
<v Speaker 1>This is uh, this is not a lightweight cans. This

0:58:19.720 --> 0:58:20.560
<v Speaker 1>is a heavyweight candle.

0:58:22.040 --> 0:58:26.840
<v Speaker 3>This is the sense for me, coconut oil, No paraps, none,

0:58:28.320 --> 0:58:29.120
<v Speaker 3>all proceeds.

0:58:30.840 --> 0:58:41.680
<v Speaker 1>Just go to Jack and I got your commission. Baby hold.

0:58:43.840 --> 0:58:53.840
<v Speaker 4>Hold Lauren Hill good Olds so simple.

0:58:54.360 --> 0:59:03.160
<v Speaker 1>Yeah, make it hard, rather make it you know what.

0:59:03.400 --> 0:59:06.280
<v Speaker 4>One of my favorite songs right now is made for

0:59:06.480 --> 0:59:10.120
<v Speaker 4>me money long. Yeah. I mean because you know, as

0:59:10.200 --> 0:59:13.400
<v Speaker 4>a songwriter, you hear a song and be like, this

0:59:13.480 --> 0:59:15.400
<v Speaker 4>is one of those songs you kind of wish you wrote,

0:59:18.240 --> 0:59:18.720
<v Speaker 4>you know what I mean?

0:59:18.880 --> 0:59:23.000
<v Speaker 1>I felt like that about Callide. Oh yeah what yeah?

0:59:23.600 --> 0:59:23.640
<v Speaker 4>What?

0:59:24.840 --> 0:59:24.960
<v Speaker 5>Oh?

0:59:25.200 --> 0:59:26.680
<v Speaker 4>John Legend Ordinary People.

0:59:26.720 --> 0:59:27.600
<v Speaker 1>That was the most.

0:59:29.000 --> 0:59:32.200
<v Speaker 4>Brilliant. Yes, he's a brilliant songwriter. I used to be

0:59:32.240 --> 0:59:35.880
<v Speaker 4>signed him. You know that, he's literally one of my

0:59:36.000 --> 0:59:39.360
<v Speaker 4>favorite Damn, I was naming all the girlies. John, my bad.

0:59:39.960 --> 0:59:42.000
<v Speaker 4>Had they given me a male list, you'd have been

0:59:42.520 --> 0:59:50.640
<v Speaker 4>definitely top five. But yeah, yeah, okay, Tangluke.

0:59:49.520 --> 0:59:53.120
<v Speaker 1>James, Yeah, listen, I'm not upset with it.

0:59:53.760 --> 0:59:57.680
<v Speaker 4>Let's get into not upset with you. You know who?

0:59:58.040 --> 1:00:01.200
<v Speaker 4>I really loved to Anthony, him with him. He was

1:00:01.320 --> 1:00:03.960
<v Speaker 4>literally one of my favorite voices in high school. And

1:00:04.040 --> 1:00:05.600
<v Speaker 4>then I loved music, soul.

1:00:05.520 --> 1:00:11.240
<v Speaker 1>Child loved music cold That's music was.

1:00:11.640 --> 1:00:14.640
<v Speaker 4>I feel like that era of music, oh Maxwell, I

1:00:14.720 --> 1:00:16.880
<v Speaker 4>feel like that era of music was when I really

1:00:17.040 --> 1:00:20.040
<v Speaker 4>was because you know, that's when the singer songwriter was.

1:00:20.360 --> 1:00:24.160
<v Speaker 4>That neo soul vibe was like singer songwriter like people

1:00:24.280 --> 1:00:27.840
<v Speaker 4>was writing a you know, I really appreciate that era

1:00:29.200 --> 1:00:31.680
<v Speaker 4>of music. People be trying to like not love it.

1:00:31.760 --> 1:00:34.760
<v Speaker 4>I'm like that was an era like that whole Philly

1:00:34.920 --> 1:00:36.080
<v Speaker 4>sound was a time.

1:00:36.440 --> 1:00:38.760
<v Speaker 1>It was a feeling like I could see it. I

1:00:38.840 --> 1:00:41.440
<v Speaker 1>can still see, yeah that it was the.

1:00:45.560 --> 1:00:49.920
<v Speaker 4>Kidding me a monster, ridiculous.

1:00:50.040 --> 1:00:50.240
<v Speaker 1>Yeah.

1:00:50.960 --> 1:00:54.000
<v Speaker 4>So I could keep going, but we could get to

1:00:54.080 --> 1:00:59.840
<v Speaker 4>the next question because we love this ship. Mm hmm,

1:01:06.240 --> 1:01:08.200
<v Speaker 4>it's this there is in the phase with me.

1:01:11.560 --> 1:01:14.560
<v Speaker 3>I ain't saying no names. I ain't saying no names. Hey,

1:01:14.760 --> 1:01:17.360
<v Speaker 3>ain't saying no names. I ain't saying no names.

1:01:17.400 --> 1:01:22.439
<v Speaker 1>Who you are, Who's what you did? Don't say?

1:01:22.560 --> 1:01:26.960
<v Speaker 4>She saying.

1:01:29.160 --> 1:01:36.760
<v Speaker 1>Hey, you showing out in the in the new acoustics.

1:01:36.800 --> 1:01:41.560
<v Speaker 1>I see what you're doing these acoustics. She's giving me

1:01:41.640 --> 1:01:43.320
<v Speaker 1>the energy, giving me.

1:01:43.960 --> 1:01:46.280
<v Speaker 2>I feel like Stacey is the person who made up

1:01:46.320 --> 1:01:48.120
<v Speaker 2>and you know, listen, they're gonna attack me for this

1:01:48.800 --> 1:01:49.080
<v Speaker 2>when I.

1:01:49.200 --> 1:01:53.760
<v Speaker 1>Hear this, it's giving thing that people be saying. Wait,

1:01:53.920 --> 1:01:58.480
<v Speaker 1>I see No matter who says it, I'm like, oh, Stacey.

1:01:58.200 --> 1:01:58.280
<v Speaker 3>B.

1:02:00.080 --> 1:02:03.320
<v Speaker 4>Well, I'm gonna give it very so bus. It always

1:02:03.440 --> 1:02:07.640
<v Speaker 4>gave the community that is part of the community, which

1:02:08.040 --> 1:02:11.600
<v Speaker 4>you know lgbtqu i A. They get the credit for that,

1:02:12.320 --> 1:02:16.360
<v Speaker 4>but it always gave a gift with me. You've always

1:02:16.400 --> 1:02:19.120
<v Speaker 4>heard me say that. But you're not one of the girls.

1:02:22.640 --> 1:02:22.960
<v Speaker 1>Girls.

1:02:23.160 --> 1:02:23.200
<v Speaker 3>No.

1:02:24.760 --> 1:02:29.439
<v Speaker 1>Whenever I hear that term, bro, I'm like, ever somebody

1:02:29.480 --> 1:02:30.560
<v Speaker 1>says that, I love.

1:02:30.480 --> 1:02:33.080
<v Speaker 4>It, especially momently it, I'd be like, I love that

1:02:33.360 --> 1:02:38.880
<v Speaker 4>it's giving boo. But you are so free that that

1:02:39.000 --> 1:02:39.520
<v Speaker 4>it's giving.

1:02:40.480 --> 1:02:43.160
<v Speaker 1>You know, I love that all those terms to be like,

1:02:44.080 --> 1:02:44.800
<v Speaker 1>they just do bro.

1:02:45.000 --> 1:02:49.160
<v Speaker 4>I don't part of the community. Man, Yeah, shout out

1:02:49.200 --> 1:02:49.840
<v Speaker 4>to the LGBT.

1:02:50.000 --> 1:02:56.600
<v Speaker 1>I mm hmm. So we're gonna get into something. I

1:02:56.640 --> 1:03:00.440
<v Speaker 1>ain't saying no names. Oh yeah, very important segment, Okay,

1:03:00.640 --> 1:03:02.200
<v Speaker 1>very very important. Again.

1:03:02.320 --> 1:03:06.440
<v Speaker 2>You know you're gonna tell us a story funny or

1:03:06.520 --> 1:03:10.200
<v Speaker 2>fucked up? Are funny and fucked up. The only rude

1:03:10.240 --> 1:03:12.760
<v Speaker 2>to the game is you can't say no names.

1:03:14.160 --> 1:03:20.000
<v Speaker 4>Hmm. Will Well. One time I went to a party

1:03:22.080 --> 1:03:24.720
<v Speaker 4>and it was thousands of people at the party.

1:03:25.200 --> 1:03:26.520
<v Speaker 1>Thousands. I mean it was.

1:03:28.760 --> 1:03:31.360
<v Speaker 4>I felt like thousands of people. I'm like, you know,

1:03:31.760 --> 1:03:34.840
<v Speaker 4>and sometimes I have social anxiety. I'm like, I'm I'm

1:03:34.920 --> 1:03:37.760
<v Speaker 4>like an extroverted introvert. So I just I just end

1:03:37.880 --> 1:03:41.840
<v Speaker 4>up in the pool. Yeah, I was the only one.

1:03:42.560 --> 1:03:45.080
<v Speaker 4>I was the only one in the pool, like at

1:03:45.120 --> 1:03:48.000
<v Speaker 4>it the thousands of people in there, and I was

1:03:48.120 --> 1:03:50.000
<v Speaker 4>just I just felt good in the pool. I was

1:03:50.080 --> 1:03:51.920
<v Speaker 4>floating on the deep end. I knew nobody was going

1:03:51.960 --> 1:03:54.880
<v Speaker 4>to come and swim over there because the deep end

1:03:55.440 --> 1:03:58.040
<v Speaker 4>had to be like fourteen feet. I'm like, I'm safe

1:03:58.080 --> 1:03:59.480
<v Speaker 4>over here, and.

1:04:01.240 --> 1:04:01.600
<v Speaker 1>But I was.

1:04:01.760 --> 1:04:04.440
<v Speaker 4>I was also a little inebriated.

1:04:04.640 --> 1:04:05.880
<v Speaker 1>Did you bring a swimsuit?

1:04:06.360 --> 1:04:08.520
<v Speaker 4>I did? It was under it was in Miami. You

1:04:08.720 --> 1:04:12.960
<v Speaker 4>I always keep a swimsuit, Okay, okay, okay, so yeah, pressure,

1:04:14.640 --> 1:04:17.160
<v Speaker 4>so yeah. I'm in there for hours though, and then

1:04:19.760 --> 1:04:22.040
<v Speaker 4>while I'm getting out of the pool, I'm not no. Actually,

1:04:22.160 --> 1:04:24.000
<v Speaker 4>while I'm sitting at the edge, I'm noticing that people

1:04:24.040 --> 1:04:25.560
<v Speaker 4>are starting to get in and I don't want to

1:04:25.560 --> 1:04:33.880
<v Speaker 4>get out, so I'm like, this, let me get out.

1:04:34.480 --> 1:04:37.760
<v Speaker 4>So instead of going to the shallow and I climbed

1:04:37.960 --> 1:04:40.920
<v Speaker 4>my tiny ass, you know, out of the pool, and

1:04:40.960 --> 1:04:43.400
<v Speaker 4>I scraped the hell out of my leg, like, but

1:04:43.520 --> 1:04:45.840
<v Speaker 4>I'm not noticing it because I'm I'm still kind of

1:04:45.880 --> 1:04:49.000
<v Speaker 4>slightly underwater, so the water pressure is just like, I

1:04:49.080 --> 1:04:52.640
<v Speaker 4>don't notice it. And I'm a little lit too, and

1:04:54.400 --> 1:04:57.760
<v Speaker 4>so I'm like, oh, give me some galls and a

1:04:57.880 --> 1:05:01.280
<v Speaker 4>band aid, I'd be fine. So I'm sitting down talking

1:05:01.360 --> 1:05:03.560
<v Speaker 4>to people at this point, the sun has gone down.

1:05:03.680 --> 1:05:06.560
<v Speaker 4>I'm not noticing that I'm bleeding through the galls the

1:05:06.680 --> 1:05:10.080
<v Speaker 4>towel and everything, and I'm just like, oh, yeah, party

1:05:10.120 --> 1:05:11.880
<v Speaker 4>in the day. Then I see my homie, I get

1:05:12.000 --> 1:05:15.480
<v Speaker 4>up to hug them and I literally dropped to the floor.

1:05:15.480 --> 1:05:17.200
<v Speaker 4>I passed out because I had lost so much blood.

1:05:18.680 --> 1:05:21.560
<v Speaker 4>And so I don't know how they got me up

1:05:21.640 --> 1:05:24.040
<v Speaker 4>on that hernia. But all I heard was somebody said,

1:05:24.040 --> 1:05:26.240
<v Speaker 4>get her out of here before she gets her leg

1:05:26.280 --> 1:05:28.800
<v Speaker 4>gets amputated. I don't know who that was. I just

1:05:28.880 --> 1:05:34.520
<v Speaker 4>heard a screeching white woman saying like something to that effect,

1:05:35.200 --> 1:05:37.280
<v Speaker 4>and then I put a whole I mean, there's thousands

1:05:37.280 --> 1:05:39.920
<v Speaker 4>of people there, like eir, everybody's there. So I put

1:05:40.000 --> 1:05:43.160
<v Speaker 4>the sheet over my head. And I really didn't want

1:05:43.160 --> 1:05:44.400
<v Speaker 4>to go to the hospital. I didn't want know whaty

1:05:44.400 --> 1:05:45.960
<v Speaker 4>to call the ambulance. I wanted to act like this

1:05:46.120 --> 1:05:49.200
<v Speaker 4>never happened, like it was like no, no, no, you

1:05:49.280 --> 1:05:52.080
<v Speaker 4>gotta go. You're bleeding like you're bleeding, and so I

1:05:52.120 --> 1:05:55.080
<v Speaker 4>had to get tense dishes. And so that's the fuck

1:05:55.160 --> 1:05:57.480
<v Speaker 4>up story. I'm not going to say whose house is

1:05:57.560 --> 1:05:57.720
<v Speaker 4>was it?

1:05:57.960 --> 1:06:04.160
<v Speaker 1>But yeah, you had to get tense ditches. What you

1:06:04.240 --> 1:06:05.840
<v Speaker 1>didn't scrape? Yeah?

1:06:06.600 --> 1:06:10.080
<v Speaker 4>Yeah, but no wonder she said amputated, I'm like, what

1:06:10.320 --> 1:06:11.040
<v Speaker 4>what's in the water?

1:06:11.200 --> 1:06:15.880
<v Speaker 1>Legs is crazy?

1:06:17.280 --> 1:06:18.800
<v Speaker 4>So that's the fund up story.

1:06:19.480 --> 1:06:22.439
<v Speaker 3>Look at God, you still got your legs.

1:06:22.520 --> 1:06:25.520
<v Speaker 1>You got your legs, and I got a leg white.

1:06:25.400 --> 1:06:31.040
<v Speaker 4>Woman being comfortable wearing my legs though, like you know,

1:06:31.280 --> 1:06:34.080
<v Speaker 4>I never like wore my legs out like that. I

1:06:34.280 --> 1:06:36.560
<v Speaker 4>was just getting comfortable wearing my legs and then this

1:06:36.800 --> 1:06:37.360
<v Speaker 4>is here you go.

1:06:38.480 --> 1:06:40.520
<v Speaker 1>So yeah, no more litting the pool for you.

1:06:41.600 --> 1:06:42.800
<v Speaker 4>I don't look like that no more.

1:06:43.000 --> 1:06:53.280
<v Speaker 1>Yeah me neither neither that you got to be clear. Especially, yeah, yeah, especially,

1:06:53.720 --> 1:06:56.080
<v Speaker 1>we love you, Stacey, and we love you.

1:06:56.600 --> 1:07:00.880
<v Speaker 3>We uh we stand on you are amazing, We stand

1:07:00.960 --> 1:07:03.200
<v Speaker 3>down it and that's inside and out. I appreciate we

1:07:03.360 --> 1:07:04.960
<v Speaker 3>We love you as a person, We love you as

1:07:04.960 --> 1:07:10.880
<v Speaker 3>a creative, We love you as as a movie maker.

1:07:11.200 --> 1:07:16.680
<v Speaker 1>Now as we because that's what we do though these songs. Yeah, right, movies.

1:07:17.720 --> 1:07:20.440
<v Speaker 4>I've always had that vision, like you know, like I

1:07:20.520 --> 1:07:22.920
<v Speaker 4>did a little project with Hippoy and Chase that never

1:07:23.000 --> 1:07:25.200
<v Speaker 4>came out. But this was before Star, this was before

1:07:25.360 --> 1:07:29.320
<v Speaker 4>all that, like music incorporated with the with the film stuff.

1:07:29.400 --> 1:07:35.840
<v Speaker 4>So what what's happening with music and the merge is

1:07:36.000 --> 1:07:39.280
<v Speaker 4>what I'm interested in making, you know what I mean. Yeah,

1:07:39.720 --> 1:07:41.640
<v Speaker 4>there's so many stories we told, and I feel like

1:07:41.680 --> 1:07:43.680
<v Speaker 4>I need more than three minutes and thirty seconds to

1:07:43.960 --> 1:07:45.480
<v Speaker 4>tell them, you know.

1:07:46.280 --> 1:07:49.400
<v Speaker 3>And people need it. People want they want some long

1:07:49.480 --> 1:07:53.080
<v Speaker 3>form content. They want it from you to do it.

1:07:53.280 --> 1:07:56.520
<v Speaker 3>July nineteenth, the pressures.

1:07:56.080 --> 1:07:59.640
<v Speaker 4>On, the pressures on, you'll welle'll.

1:07:58.880 --> 1:07:59.760
<v Speaker 1>Show up, the show out.

1:08:00.240 --> 1:08:00.439
<v Speaker 4>God.

1:08:01.640 --> 1:08:03.840
<v Speaker 1>Yeah, all right, y'all.

1:08:03.920 --> 1:08:07.920
<v Speaker 3>My name is Tank, I'm j Val And this has

1:08:08.000 --> 1:08:10.160
<v Speaker 3>been the R and B Money Podcast, the authority on

1:08:10.280 --> 1:08:15.120
<v Speaker 3>all things R and B and good energy, good vibes,

1:08:17.400 --> 1:08:23.600
<v Speaker 3>actually seeing people, seeing them for who they are, and

1:08:23.720 --> 1:08:32.000
<v Speaker 3>pleasant speaking, pleasant speaking voices, Yes, hugs, incense and campus

1:08:33.200 --> 1:08:33.879
<v Speaker 3>and things.

1:08:33.720 --> 1:08:39.519
<v Speaker 1>So many more things that just make the universe better universe.

1:08:40.080 --> 1:08:47.599
<v Speaker 4>I'm just you know, throwing them an extra information on music.

1:08:47.720 --> 1:08:53.800
<v Speaker 1>With that more more business, We're building.

1:09:00.600 --> 1:09:01.719
<v Speaker 3>R and B Money.

1:09:02.840 --> 1:09:04.599
<v Speaker 2>R and B Money is a production of the Black

1:09:04.640 --> 1:09:09.400
<v Speaker 2>Effect podcast Network. For more podcasts from iHeartRadio, visit the

1:09:09.560 --> 1:09:13.360
<v Speaker 2>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:09:13.400 --> 1:09:17.280
<v Speaker 2>favorite shows. Don't forget to subscribe to and rate our show,

1:09:17.600 --> 1:09:20.200
<v Speaker 2>and you can connect with us on social media at

1:09:20.320 --> 1:09:24.520
<v Speaker 2>Jyvalentine and at the Real Tank. For the extended episode,

1:09:24.680 --> 1:09:28.840
<v Speaker 2>subscribe to YouTube dot com or slash R and B

1:09:28.960 --> 1:09:29.240
<v Speaker 2>Money