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Speaker 1: R and B Money.

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Speaker 2: We are.

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Speaker 1: Than take Alli.

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Speaker 3: We are the authorities on R and B.

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Speaker 1: Ladies and gentlemen, my name is Tank.

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Speaker 3: This is the R and B Money Podcast, the authority

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Speaker 3: on all things R and B. Oh you do you do?

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Speaker 3: You see the depth in my eyes as I as

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Speaker 3: I look down and look up. Because your your gift

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Speaker 3: and your talent and your expression, your art, it's gotta

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Speaker 3: have some depth.

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Speaker 1: To ladies, get your crystals out. Oh my god.

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Speaker 3: You have to smell good and look good and be

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Speaker 3: good every time you walk in the room.

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Speaker 1: The energy must change to you. Just consume you consume.

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Speaker 3: Everything because everyone's focused on you. I'm talking about a gift,

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Speaker 3: talking about my sister, my loved one.

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Speaker 2: We love you, yes, yeah, yes, yes, we must have

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Speaker 2: come on the brown skin girls all around. Yeah, like

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Speaker 2: you know, I mean it's not formal with us, but

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Speaker 2: it's like we we needed to give you, you know,

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Speaker 2: some formal flowers, you know what I mean, on this

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Speaker 2: platform and really speak life and love and congrats to

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Speaker 2: you because.

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Speaker 1: You are you are amazing. You are amazing. Yeah, you

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Speaker 1: are amazing. Yeah. And We're going to get.

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Speaker 3: Into the the nooks and crannies of this amazing being.

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Speaker 3: And you know, one thing I want to say is

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Speaker 3: that like just knowing you as a creative and knowing

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Speaker 3: the great work that you've done, but also knowing that

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Speaker 3: you have greater work coming and to do, is like

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Speaker 3: that's what gets That's what I get excited about, you

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Speaker 3: know what I'm saying where I'm like, no, yeah, you

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Speaker 3: might have heard that, but I'm telling you right now

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Speaker 3: you don't know what's been read, Like you ain't.

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Speaker 1: You ain't heard this yet.

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Speaker 4: I feel like I've been practicing this whole time.

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Speaker 1: Yeah, who haven't practicing out? But all you've done?

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Speaker 4: I mean, I guess you know, we've We've been talking

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Speaker 4: about this lately, the songwriters, especially the females. We don't

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Speaker 4: really I mean, y'all be getting to the bag. We

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Speaker 4: get to a certain age and we'll be like, wait,

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Speaker 4: what's happening? You know? And so it is as a

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Speaker 4: it's a young boys sport. I feel in a certain

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Speaker 4: way with the songwriting, just running around working for free,

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Speaker 4: hoping that something lands. I've That's why I feel like

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Speaker 4: I've been practicing this whole time.

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Speaker 3: Yeah you know, I think that, But I think it's

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Speaker 3: with you know, as you speak in comparison to women

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Speaker 3: and men. I think the the I think the deciding

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Speaker 3: factor in that a lot of times is family, you

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Speaker 3: know what I mean, because when it comes when it

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Speaker 3: comes to women, women are able to say, hey, man,

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Speaker 3: you know this, the family thing is what I'm doing,

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Speaker 3: and this now comes first. It's now comes back and

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Speaker 3: speak to my own situation where you know, my wife

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Speaker 3: was out dancing for everybody and being creative and doing

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Speaker 3: the whole thing. And now we got one baby and

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Speaker 3: she's like, Okay, I'm gonna dance a little bit, and

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Speaker 3: now we got two babies. I can't dance. Oh, you

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Speaker 3: know what I mean? And what would she like to

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Speaker 3: be out there getting to it? Yeah, I would love

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Speaker 3: for her too, to back to her younger day. She

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Speaker 3: could do that. But then the family thing kind of.

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Speaker 4: You know, I don't even have a family yet. I'm

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Speaker 4: a dog mom, but.

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Speaker 1: I'm a dog mob.

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Speaker 4: But I do have that sense of like things it

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Speaker 4: have to pivot, you know what I mean. Like I

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Speaker 4: can't be in the studio to four five o'clock in

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Speaker 4: the morning every day, you know, just on a whim,

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Speaker 4: you know what I mean. I got about four or

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Speaker 4: five hours for the studio. Now you know what I mean,

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Speaker 4: And we got to get to it because I have other.

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Speaker 1: Things to do. Your dialup is different now too, though.

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Speaker 4: Yeah, like I'm not doing the twelve hour sessions for

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Speaker 4: free them or.

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Speaker 1: Like not for fun.

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Speaker 4: Now you gotta have a bag, like you want me

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Speaker 4: to come and care, and like come and care on time,

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Speaker 4: and I might cook you a meal. Like I've become

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Speaker 4: your person, you know what I'm saying. So it's like,

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Speaker 4: I'm not just writing a song. It's therapy, it's love,

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Speaker 4: it's you know, I'm giving a lot of myself, a.

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Speaker 1: Real creative, a real creative.

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Speaker 2: No, because I'm so glad that you said it that way,

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Speaker 2: because people don't look at it as that's part of

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Speaker 2: the service, right are They actually actually may some of

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Speaker 2: them may just take that in as you know, selfish

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Speaker 2: people may just take.

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Speaker 1: That in as that it's just part of the service.

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Speaker 1: She was here to do this, so she did that. Yeah. No, no, no, no, no,

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Speaker 1: no no no. This is a different type of care.

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Speaker 2: There's different type of love because the other part is,

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Speaker 2: and I know this because I've known you for so long,

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Speaker 2: you actually tailor make records. So it's not like, oh,

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Speaker 2: here it goes forty songs I wrote over the last whatever,

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Speaker 2: and you just pick one.

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Speaker 4: Yes, no, no, no, no.

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Speaker 2: You're from the school of we're gonna talk, We're gonna

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Speaker 2: spend some time so that when you sing this song,

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Speaker 2: you evoke a different type of emotion.

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Speaker 4: Exactly.

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Speaker 2: You might cry because you're gonna go back to the

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Speaker 2: therapy session that we had earlier today when I cooked

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Speaker 2: you this meal.

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Speaker 1: And now we got these hit records exactly.

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Speaker 4: And I wouldn't even necessarily say they were hit records.

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Speaker 4: They were great songs, you know what I mean? Like

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Speaker 4: I damn, I don't know if that I guess to

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Speaker 4: me in my mind, you know, what is a hit?

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Speaker 4: You know what I mean? Something that hits you in

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Speaker 4: the heart, something that hits you in the soul. Like

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Speaker 4: so like the hit traditionally, I don't think I've written

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Speaker 4: one yet that that.

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Speaker 1: You've written hits to me, to me too.

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Speaker 4: Right, So yeah, but it's all spiritual, you know what

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Speaker 4: I mean, Like even with Beyonce, like how I got.

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Speaker 1: Yeah, yeah, yeah, yeah, we just go We're gonna do

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Speaker 1: someone had champagne somewhere close that we can pour.

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Speaker 4: It feels it's all spiritual. Like the first time I

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Speaker 4: met her, I was like, God, I need a miracle

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Speaker 4: like this twenty eleven and marcella Dangerous partner hits me

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Speaker 4: like you want to come and write for Beyonce? I

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Speaker 4: didn't make that album. The next time I got to

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Speaker 4: encounter her was at at a funeral, like randomly, and

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Speaker 4: that's how I got to do Bigger and Brown Skin Girl,

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Speaker 4: Like it took someone passing somebody that's very near and

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Speaker 4: dear to all this Nipsey hustle rest in peace. But

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Speaker 4: that's so it's all spiritual, you know what I mean. Like, so,

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Speaker 4: I didn't even think she was gonna recognize me, but

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Speaker 4: Evan Ross was like, hey, b you know you know

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Speaker 4: Stacey birth Evan She sung at Evan Ross's birthday, I'm sorry,

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Speaker 4: his mom's birthday party like weeks before and it passed away,

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Speaker 4: and so so I'm like, damn, I don't want to

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Speaker 4: bother her, like she canna remember me? And Evan was like,

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Speaker 4: you remember? Do you know?

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Speaker 1: Stacy?

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Speaker 4: I'm like hey girl, and she's like, oh hey, it's

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Speaker 4: super sweet, and so I was like, what you working on?

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Speaker 4: Da da da? I mean we was in a panic

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Speaker 4: room for like forty five minutes, it felt like. And

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Speaker 4: so we were talking and we were the only two

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Speaker 4: women in the room, and so we were just talking

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Speaker 4: about childbirth and all this stuff. I'm like, I can't

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Speaker 4: wait to have a kid. I just have to find

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Speaker 4: some premium sperm. And we just see premium. So we were

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Speaker 4: just talking, kicking it and I'm like, so you're working

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Speaker 4: on an album. She's like, yeah, I'm doing an afrobeat album.

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Speaker 4: I was like, girl, you know, I'm Haitian with the sea, Like,

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Speaker 4: how do I get on the album? I'll find you?

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Speaker 1: And did out find you?

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Speaker 3: It's a hell of a line to either be dismissive

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Speaker 3: or to let you know. This is the kind of

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Speaker 3: power and intent that I have. I will find you,

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Speaker 3: and she found you, think me.

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Speaker 1: So let's go to.

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Speaker 2: You finding you, you finding you, you finding this gift?

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Speaker 1: Give us little Stacy Brooklyn, New York.

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Speaker 2: Oh God, as Tank would say, if somebody identified the

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Speaker 2: gift or you identified as yourself, it took.

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Speaker 4: I mean, so I was raised in Haiti and then

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Speaker 4: came to America.

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Speaker 1: Okay, oh so you were actually born in.

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Speaker 4: No, no, no, I was born in Brooklyn and then like

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Speaker 4: a month after I was born. My mom took me

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Speaker 4: back to Haiti too so she can get herself. So

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Speaker 4: she was nineteen when she had me, so she went

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Speaker 4: to come back to America get things together before she

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Speaker 4: brought me back. So I was living with my grandma

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Speaker 4: in like a one room shack, and I thought that

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Speaker 4: place was just the biggest place. Yeah. And so when

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Speaker 4: I came to America, I was having a hard time

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Speaker 4: fitting in. I was overweight, like I had big hair

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Speaker 4: that my mom didn't quite know how to put me

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Speaker 4: together yet, you know what I'm saying. So I begged

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Speaker 4: her to go to private school. I'm like, girl, this

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Speaker 4: this public school is brutal.

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Speaker 1: Give me.

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Speaker 4: A different mind.

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Speaker 2: You you're talking to two public school kids, we know.

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Speaker 4: Skipping in their uniforms, all happy. I was like, where

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Speaker 4: y'all go? We on a different bus.

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Speaker 1: At this point, I'm like eight, ok. Yeah.

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Speaker 4: So I spent a year or two in public school,

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Speaker 4: and then I begged my mom put me in private school.

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Speaker 4: So in that same private school where I thought be safe,

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Speaker 4: I used to pretend to pass out to leave school

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Speaker 4: because the girls were very brutal. The girl these girls

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Speaker 4: were like mean mean. I was like, okay, I'm getting

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Speaker 4: all excited.

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Speaker 1: Did you say pretend to pass out? Yeah?

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Speaker 4: So I was like, am I going to do a

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Speaker 4: deep dive? Am I going to do a knee and

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Speaker 4: then a drop or what? Yeah? He got that crazy.

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Speaker 4: So the first time it worked.

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Speaker 1: I the first time it worked. Do you still breathe

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Speaker 1: when you passed? No?

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Speaker 4: That's why I used to fall on my face because

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Speaker 4: that way you wouldn't even see if I was breathing

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Speaker 4: or not, you know what I mean. I'm like, I'm

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Speaker 4: gonna be on a ambulance. Get here, Yeah, and you

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Speaker 4: hear it. I'm like, what if she's faking? What if

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Speaker 4: she's said whatever? So went home. We lived in a

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Speaker 4: two family houses, so the elder people downstairs knew I

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Speaker 4: was upstairs. My mom went back to work, you know,

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Speaker 4: I'm upstairs cooking, you know, watching TV. And I discovered

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Speaker 4: biggie for the first time. And it was a video

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Speaker 4: on a local access channel. Like it wasn't cable. We

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Speaker 4: didn't have cable. It was just like random, if you

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Speaker 4: fix the antenna a certain way, you could get your channel.

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Speaker 4: So I think it was Bobby Simmon's Flavor video. And

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Speaker 4: I was calling this nine hundred number that I could

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Speaker 4: never get through. It was always busy because I saw

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Speaker 4: Biggie for the first time and he said fat black

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Speaker 4: and ugly. As ever, however, and that, however, changed my

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Speaker 4: whole trajectory because I was like, he made me feel

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Speaker 4: comfortable being that, you know what I mean. So I

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Speaker 4: was like, yeah, okay, so I need to see him again.

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Speaker 4: If I passed out around this time, they played it

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Speaker 4: around this time, so I just kept doing it. Yeah,

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Speaker 4: so I could see the video and then discovered a

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Speaker 4: bunch of other videos. But that's that's the first time,

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Speaker 4: Like it worked. So yeah, that, however, changed my whole

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Speaker 4: life actually, you know, just in.

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Speaker 1: Terms of just how you thought about yourself.

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Speaker 4: Yeah, yeah, fat black and ugly. However, however, stay to

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Speaker 4: the thoughts of space card on the class, you.

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Speaker 3: Know, and you're still eight, so you're developing a mindset

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Speaker 3: and the confidence early on about you know what.

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Speaker 1: Let me just be.

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Speaker 4: Yeah, not in school, but at home of course, of course,

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Speaker 4: right there, I was still on the honor roll, still

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Speaker 4: crushing it.

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Speaker 1: Like, yeah, not in school, still on the honor roll.

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Speaker 1: Not in school.

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Speaker 4: High school got better. High school is way better.

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Speaker 2: That's what music does too, though, right because I'm sure

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Speaker 2: when he's writing that lyric, he's not thinking that. He's

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Speaker 2: not thinking about the eight year old little girl at

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Speaker 2: the house that he could inspire. He's wrapping on his

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Speaker 2: ship exactly, you know what I mean, and rapping about

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Speaker 2: his confidence. And I think that that isn't I don't

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Speaker 2: know if that's studied enough in what we do, because

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Speaker 2: I will take the effects of the negative part of it,

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Speaker 2: do that all the time.

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Speaker 1: But him. But just like you said that, that one line, however,

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Speaker 1: change game changing for a kid.

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Speaker 2: We don't have a Stacey Bark if we don't have that,

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Speaker 2: Can I say that?

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Speaker 4: Yeah?

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Speaker 1: Wow?

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Speaker 4: Facts? And I didn't even know I was going to

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Speaker 4: become an artist. I just knew this music was like

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Speaker 4: saving me, you know what I mean. I was always

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Speaker 4: a wordsmith. I always like write, I would journal all

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Speaker 4: the time. It wasn't until I thought I was going

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Speaker 4: to be an entreatment lawyer. And it wasn't until I'm

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Speaker 4: a hit boy on MySpace in like two thousand and four.

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Speaker 4: He I was interning a jive at the time, and

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Speaker 4: he thought maybe I was an an arcus. My occupation said,

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Speaker 4: I worked a job at what capacity? Who cares?

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Speaker 2: Who cares you never know.

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Speaker 4: And he posted something on the Kerry Hilton's page like

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Speaker 4: the Clutch, like it was a big thing for me.

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Speaker 4: I was like, I wanted to be part of the clutch,

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Speaker 4: you know. I saw him post under Carrie's page, do

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Speaker 4: you want to write to this beat? And I was like,

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Speaker 4: send it to me? And then he sent me a

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Speaker 4: whole pack. I was like, oh, this nigga is dumb,

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Speaker 4: but this is the hip boy in Fontana House, you

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Speaker 4: know what I mean?

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Speaker 1: This before club this, well.

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Speaker 4: This is during I guess surf club was always their thing.

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Speaker 4: I adapted it because I became the first, you know,

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Speaker 4: female and surf club, but this was yeah, and then

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Speaker 4: Chasing Cat Yeah yeah, club Gang Gang Yeah. And so

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Speaker 4: he sent me a pack of beats and I was like, yoh,

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Speaker 4: these are fires. So I was like, how can I

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Speaker 4: I met this guy named Corey who became my artist.

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Speaker 4: Mind you, I'm nineteen artists. But I would bring him

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Speaker 4: up to the office and I dress him up and

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Speaker 4: we'll write ship.

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Speaker 1: Well, y'all would go through his fIF before y'all went

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Speaker 1: up there, like yeah, this.

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Speaker 4: Is what you're gonna wear and we're gonna take a

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Speaker 4: meeting with Men or Mark Pitts or whoever. I thought

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Speaker 4: I was gonna get him a deal with Wow. But

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Speaker 4: we was writing the Hip Boys.

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Speaker 1: Beat and You in New York at this point. Yeah, yeap.

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Speaker 4: And so he went to five times. So he always

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Speaker 4: knew how to like audio engineer, so he would engineer

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Speaker 4: himself and I would just help write the songs and

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Speaker 4: set up meetings and do whatever we were doing. I

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Speaker 4: was nineteen at the time, nineteen twenty.

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Speaker 1: This is great, this is great.

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Speaker 3: Do you know at this time that you're good at

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Speaker 3: it or you just you just I just I'm just

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Speaker 3: having a good time.

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Speaker 4: I'm really just moving forward like I had no filter.

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Speaker 4: I just was fearless, you know what I mean. I

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Speaker 4: mean the fear grew over time after you get in

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Speaker 4: the business for really and you're like, oh, okay, I'm

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Speaker 4: just I'm gonna sit it out.

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Speaker 1: Yeah.

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Speaker 2: Had you ever had that moment? Because I had that

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Speaker 2: moment when I first came. I first went to LA

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Speaker 2: as an adult, and I had a ten pack of

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Speaker 2: songs that I had written, and I realized when I

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Speaker 2: got into this studio that I couldn't fuck with them

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Speaker 2: niggas I was playing the.

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Speaker 1: Records from me. I was like, yeah, they like yo,

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Speaker 1: you want to play something?

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Speaker 4: Nope, no, I want to set it out.

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Speaker 1: No. I had that.

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Speaker 2: I literally had that moment where I was like, oh, okay,

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Speaker 2: I got I gotta go get to work because they're

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Speaker 2: better than me, and I don't like it and I

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Speaker 2: don't like that, you know what I'm saying. Like for real,

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Speaker 2: I was, so, did you as a writer, did you

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Speaker 2: have that moment early on?

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Speaker 4: Or was it you know what? I never had. I

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Speaker 4: never had that feeling. I was more like just scared

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Speaker 4: of the people. Okay, you know what I mean. Like

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Speaker 4: my first disappointment was kind of like derailing you know

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Speaker 4: what I mean a little bit when I came my

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Speaker 4: first time in LA. I don't want to mention who

328
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Speaker 4: the producer was because we were cool now and I

329
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Speaker 4: love you, but you know you, so we he flew

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Speaker 4: me out to LA to work on I Forget some

331
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Speaker 4: Interscoe project whatever. But I was in the midst of,

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Speaker 4: you know, negotiating publishing deal and he left me out

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Speaker 4: in LA and I had literally dropped out of college,

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Speaker 4: went to Atlanta, was on my grind and you know,

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Speaker 4: trying to get a publishing deal because I didn't want

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Speaker 4: to go home and be handed to my mom because

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Speaker 4: she'd have been like, Okay, so bring your other back

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Speaker 4: and go reregister in school. So he bought me out

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Speaker 4: to LA and literally I was down to my last

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Speaker 4: I didn't have money because I was, you know, fresh

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Speaker 4: out of college. I use all my savings, and I

342
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Speaker 4: didn't want to call my mom for help. I was

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Speaker 4: like and they were calling me on the phone to

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Speaker 4: get to get out of the hotel. They were like yeah, no, no,

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Speaker 4: no you yeah. And I didn't have a ticket back.

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Speaker 4: I didn't have any hotel fair and I didn't know

347
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Speaker 4: nobody in La. It was my first time there and

348
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Speaker 4: I'm like twenty one, twenty two at this time. And

349
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Speaker 4: so I remember that I had a friend named Malaccu

350
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Speaker 4: that I met in New York and he lives in LA,

351
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Speaker 4: but I only ever saw him in New York. So

352
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Speaker 4: I called him like, hey boo, hey boo, hey boo,

353
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Speaker 4: I'm kind of stranded and I need a place to stay.

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Speaker 4: I thought it was going to be a couple of

355
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Speaker 4: days and turned into a whole month, and thank god, Ethiopia.

356
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Speaker 4: She called me and was like, we're going to do

357
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Speaker 4: the deal directly through Universal and not through this other person.

358
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Speaker 4: And I'm so thankful for Ethiopia. I'm so sorry I

359
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Speaker 4: took you for granted. E. I love you so much.

360
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Speaker 2: But yeah, and that's when I met you. Yeah, that's

361
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Speaker 2: when I met you. I met you through Ethiopia.

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Speaker 4: She was always a believer, and.

363
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Speaker 1: I was like, yo, she is special.

364
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Speaker 4: I had all the people thought I was so, you know, disruptive,

365
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Speaker 4: and I really.

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Speaker 1: Was, well, You've never disrupted to me. So I didn't

367
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Speaker 1: know any of it, you know what I mean, Like, I.

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Speaker 4: Mean, after being in it for so long and then

369
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Speaker 4: you're like, wait, so I'm running out of this advance money?

370
00:18:55,200 --> 00:19:00,640
Speaker 1: Do we reup? Got that thing? Y'all call advance? Y'all

371
00:19:00,680 --> 00:19:01,360
Speaker 1: got some more of that?

372
00:19:01,600 --> 00:19:04,960
Speaker 4: Right? And I'm not knowing I'm at record playing Child's

373
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Speaker 4: old studio, not knowing that I'm gonna have to pay

374
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Speaker 4: it back. You were in there with your publish you know, studios. Yeah,

375
00:19:15,040 --> 00:19:16,760
Speaker 4: so I mean I had no little advance. But then

376
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Speaker 4: I was like, yeah, put me in the London and

377
00:19:19,440 --> 00:19:20,960
Speaker 4: then put me in But.

378
00:19:22,560 --> 00:19:24,359
Speaker 1: I was gonna ask what did she buy with her advance?

379
00:19:24,640 --> 00:19:27,160
Speaker 1: Getting there? Here's the crazy part. Retails and fly ship.

380
00:19:27,440 --> 00:19:29,959
Speaker 1: I never. I never knew I was.

381
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Speaker 3: I never knew to way later till I didn't need

382
00:19:33,160 --> 00:19:36,840
Speaker 3: it that you could do that with your publishing deal, right.

383
00:19:37,480 --> 00:19:41,360
Speaker 3: I didn't know you could have studio, have them get

384
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Speaker 3: you a hotel, all of these things.

385
00:19:43,560 --> 00:19:46,000
Speaker 1: It was just you know, gonna be paid back. I

386
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Speaker 1: didn't know it was.

387
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Speaker 3: I'm so glad I didn't know it wasn't. I would

388
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Speaker 3: have went all love it. I know what crazing you

389
00:20:01,680 --> 00:20:02,240
Speaker 3: were working.

390
00:20:02,840 --> 00:20:06,320
Speaker 2: You've been down at Sam's downtown, l at the Brow,

391
00:20:07,640 --> 00:20:08,919
Speaker 2: y'all come on back to the studio.

392
00:20:11,119 --> 00:20:11,679
Speaker 1: I'm working.

393
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Speaker 3: It's about it a Chris Stal like people coming by

394
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Speaker 3: to write.

395
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Speaker 1: Did you have a placement already? I was? I did

396
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Speaker 1: be just believing.

397
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Speaker 4: There was a song I wrote called Yearbook, And I

398
00:20:42,400 --> 00:20:45,600
Speaker 4: remember when me and Hi Boy did it. We were

399
00:20:45,640 --> 00:20:47,879
Speaker 4: like because I was determined to write a song that

400
00:20:48,080 --> 00:20:51,280
Speaker 4: wasn't about love, and it was literally my friend Tyrene

401
00:20:51,280 --> 00:20:55,919
Speaker 4: had passed away in in a car accident and this

402
00:20:56,000 --> 00:20:59,920
Speaker 4: song was dedicated to her. And Ethiop was driving it

403
00:21:00,000 --> 00:21:03,160
Speaker 4: Alabama and she said that she had that song on repeat,

404
00:21:03,320 --> 00:21:05,640
Speaker 4: and I was like, that was the song for her,

405
00:21:05,960 --> 00:21:08,160
Speaker 4: Like she believed in me. I didn't have a placement.

406
00:21:08,560 --> 00:21:13,520
Speaker 4: I mean placements came like shortly after, but I didn't

407
00:21:13,520 --> 00:21:15,000
Speaker 4: have anything. She just believed.

408
00:21:15,720 --> 00:21:19,400
Speaker 3: Wow, those are the days, man, Those are the days

409
00:21:19,400 --> 00:21:24,440
Speaker 3: where people like come on people. People believed and they

410
00:21:24,560 --> 00:21:26,160
Speaker 3: acted on it.

411
00:21:26,160 --> 00:21:32,119
Speaker 1: It wasn't no analytic, no data, no data by any means.

412
00:21:32,160 --> 00:21:36,680
Speaker 1: It was like you something. So first, you don't mind

413
00:21:36,720 --> 00:21:38,600
Speaker 1: me asking how much you get?

414
00:21:39,160 --> 00:21:44,200
Speaker 4: I had like sixty thousand. I mean that that's decent.

415
00:21:43,920 --> 00:21:48,840
Speaker 2: For somebody who, yeah, he can't go nowhere else. You

416
00:21:48,880 --> 00:21:51,960
Speaker 2: just get sixty thousand dollars, that's the fact. So like

417
00:21:52,440 --> 00:21:54,960
Speaker 2: to give me sixty thousand, right, you're.

418
00:21:54,840 --> 00:21:59,560
Speaker 1: Gonna have to start making payments on the media stays immediately. Nice,

419
00:22:00,080 --> 00:22:01,800
Speaker 1: know what was your did you have? What was your

420
00:22:01,840 --> 00:22:02,320
Speaker 1: m d r C?

421
00:22:04,320 --> 00:22:07,280
Speaker 4: I think you know what. I don't know because I'm

422
00:22:07,320 --> 00:22:11,920
Speaker 4: going on no more, but I'm still in the deal.

423
00:22:12,040 --> 00:22:17,639
Speaker 4: Since seven U m PG, I think it was like

424
00:22:17,680 --> 00:22:21,520
Speaker 4: a three song m d r C, which could be

425
00:22:21,560 --> 00:22:22,720
Speaker 4: seventy depending on.

426
00:22:24,280 --> 00:22:29,920
Speaker 1: Which three whole compositions.

427
00:22:30,280 --> 00:22:33,640
Speaker 4: Yeah, you in the room with mad writers.

428
00:22:34,080 --> 00:22:35,639
Speaker 1: It starts with the w' not with the H.

429
00:22:38,160 --> 00:22:43,479
Speaker 4: So three can turn into seventy writers one hundred percent.

430
00:22:43,720 --> 00:22:45,640
Speaker 4: You know, So if you're getting fifty percent as a writer,

431
00:22:46,240 --> 00:22:47,880
Speaker 4: and then there's seven other writers in there.

432
00:22:48,800 --> 00:22:49,320
Speaker 1: Do the math.

433
00:22:49,600 --> 00:22:53,879
Speaker 2: Yeah, it's gonna get tricky real unless you write a

434
00:22:54,000 --> 00:23:00,240
Speaker 2: smash that supersedes the deal and makes the money back.

435
00:23:01,000 --> 00:23:03,520
Speaker 4: Well that was Miley for me with a door here.

436
00:23:03,520 --> 00:23:09,840
Speaker 1: Come on my Bangas. But about seven eight million something

437
00:23:09,880 --> 00:23:10,399
Speaker 1: like that, you know.

438
00:23:10,520 --> 00:23:12,320
Speaker 4: But that was the first time I was recouped out

439
00:23:12,320 --> 00:23:15,200
Speaker 4: of my deal. Like that was like I was in

440
00:23:15,240 --> 00:23:15,560
Speaker 4: the green.

441
00:23:16,400 --> 00:23:19,800
Speaker 1: Yeah, shout out to InSync. They got me out of mind.

442
00:23:20,000 --> 00:23:20,960
Speaker 1: Yeah you hear me.

443
00:23:21,480 --> 00:23:25,240
Speaker 2: Yeah, one songs come in what's the nbr C?

444
00:23:26,400 --> 00:23:30,160
Speaker 4: It was come in check but it was it was cute.

445
00:23:30,840 --> 00:23:32,639
Speaker 1: Yeah, I got you out of that.

446
00:23:32,800 --> 00:23:36,359
Speaker 2: It's called overflow. They're sending you the over Oh you

447
00:23:36,440 --> 00:23:41,760
Speaker 2: have money in the Yeah, now that's great. What's your

448
00:23:41,840 --> 00:23:42,960
Speaker 2: what's your first placement?

449
00:23:43,200 --> 00:23:43,800
Speaker 1: Do you remember it?

450
00:23:44,280 --> 00:23:48,399
Speaker 4: It was Sierra but it was on No, it was

451
00:23:48,480 --> 00:23:51,920
Speaker 4: Sierra and but she put it on It was a

452
00:23:52,000 --> 00:23:54,040
Speaker 4: song called when I, but she put it on her

453
00:23:54,119 --> 00:23:57,520
Speaker 4: deluxe albums. I didn't really count it count that. That

454
00:23:57,600 --> 00:24:00,359
Speaker 4: still counts, but then it was Brittany serious.

455
00:24:00,440 --> 00:24:04,239
Speaker 3: It counts, but in publishing terms it didn't back then,

456
00:24:04,840 --> 00:24:06,240
Speaker 3: counting the street stuff, count the streets.

457
00:24:06,520 --> 00:24:08,600
Speaker 1: What if you do? I wrote, I wrote up.

458
00:24:09,760 --> 00:24:10,640
Speaker 4: It's on the left.

459
00:24:11,720 --> 00:24:13,800
Speaker 1: I ain't telling nobody all that. Listen, I'm on that

460
00:24:13,920 --> 00:24:17,800
Speaker 1: out if you see right here in Target until they

461
00:24:17,880 --> 00:24:19,639
Speaker 1: start asking and then you're like, yeah, it was the

462
00:24:19,680 --> 00:24:21,840
Speaker 1: Targets coming. It ain't no, no, you gotta go to

463
00:24:22,480 --> 00:24:24,200
Speaker 1: me like that time the Target.

464
00:24:24,320 --> 00:24:29,119
Speaker 2: Yeah yeah, tanged me like that one time I had

465
00:24:29,200 --> 00:24:31,080
Speaker 2: a feature on a Target edition.

466
00:24:33,640 --> 00:24:35,320
Speaker 3: That's how you feel. I saw most of my records

467
00:24:35,359 --> 00:24:38,480
Speaker 3: at Target. So that's the one I wanted to ask

468
00:24:38,520 --> 00:24:41,040
Speaker 3: me about that song? Come on, shut off to my way.

469
00:24:41,119 --> 00:24:43,200
Speaker 3: That's the one I want to I'm gonna put you

470
00:24:43,280 --> 00:24:48,080
Speaker 3: with most of my fans. Target, Bonus, Target.

471
00:24:51,480 --> 00:24:51,880
Speaker 4: Don't.

472
00:24:53,280 --> 00:24:57,280
Speaker 1: Man, what what? Yeah? We now we found Yeah, no,

473
00:24:58,720 --> 00:25:00,439
Speaker 1: we sound like that. We we were.

474
00:25:00,640 --> 00:25:03,840
Speaker 3: We were there at a time where I would go

475
00:25:04,000 --> 00:25:07,399
Speaker 3: to the military base you know what I'm saying and

476
00:25:07,680 --> 00:25:11,399
Speaker 3: set up and hundreds of people would come in and

477
00:25:11,440 --> 00:25:14,159
Speaker 3: I would sit down and I would sign their CD

478
00:25:14,440 --> 00:25:17,080
Speaker 3: and give them a hug and crack jokes.

479
00:25:16,800 --> 00:25:21,720
Speaker 1: And like that was My cousin Yuan said, you wasn't there,

480
00:25:21,720 --> 00:25:26,120
Speaker 1: a big baby, I'm not old.

481
00:25:26,200 --> 00:25:27,040
Speaker 5: You just wasn't there.

482
00:25:27,240 --> 00:25:30,480
Speaker 4: Wasn't there you know some of like the gen Zs

483
00:25:30,560 --> 00:25:33,560
Speaker 4: they like all that, and like they're collecting tape.

484
00:25:33,680 --> 00:25:34,040
Speaker 1: Vinyl.

485
00:25:36,560 --> 00:25:39,200
Speaker 2: Vinyl is out here selling right now in twenty twenty four,

486
00:25:39,280 --> 00:25:40,160
Speaker 2: niggas is selling vinyl.

487
00:25:40,359 --> 00:25:44,040
Speaker 4: I trump like, all we have is this somebody's playlist

488
00:25:44,440 --> 00:25:48,280
Speaker 4: And point zero zero nine cent for stream a single

489
00:25:48,400 --> 00:25:50,639
Speaker 4: and it was like you got the single of the

490
00:25:50,720 --> 00:25:55,480
Speaker 4: acapella the instrumental and you had to pay for that.

491
00:25:55,880 --> 00:25:59,600
Speaker 1: And I think that again going back to it, just

492
00:25:59,760 --> 00:26:01,680
Speaker 1: the experience with people.

493
00:26:03,040 --> 00:26:06,440
Speaker 3: Just going with that door to door, like like I

494
00:26:06,560 --> 00:26:09,600
Speaker 3: get it, we can connect to them without having to

495
00:26:09,720 --> 00:26:12,800
Speaker 3: do all that. But why not this just be an

496
00:26:12,880 --> 00:26:17,840
Speaker 3: addition to still doing the really cool things, cool groundwork

497
00:26:17,960 --> 00:26:20,840
Speaker 3: like nothing. I'm gonna tell you right now, there is

498
00:26:21,000 --> 00:26:24,119
Speaker 3: no Tank without a promo tour of over forty dates.

499
00:26:25,400 --> 00:26:28,879
Speaker 3: There wouldn't be me, Me going down to Chattanooga, in

500
00:26:29,119 --> 00:26:33,520
Speaker 3: Charleston and and and all these and Gainesville and all

501
00:26:33,560 --> 00:26:37,119
Speaker 3: these different places that needed to see me before they

502
00:26:37,160 --> 00:26:39,040
Speaker 3: would make a decision on if they were going to

503
00:26:39,119 --> 00:26:40,080
Speaker 3: play my record or not.

504
00:26:40,880 --> 00:26:43,520
Speaker 1: We need to see the boy, shut him down, shut

505
00:26:43,600 --> 00:26:43,960
Speaker 1: him down.

506
00:26:44,640 --> 00:26:46,800
Speaker 4: How many numbers have got all right? I mean, even

507
00:26:46,840 --> 00:26:50,320
Speaker 4: if it's some bullshit. They can play it because data

508
00:26:50,320 --> 00:26:53,720
Speaker 4: and analytics, and the data and analytics didn't exist. It

509
00:26:53,840 --> 00:26:54,920
Speaker 4: was like real persons.

510
00:26:55,280 --> 00:26:58,160
Speaker 1: They've turned the music business into baseball. Yeah, because that's

511
00:26:58,240 --> 00:26:59,000
Speaker 1: literally what I mean.

512
00:26:59,080 --> 00:27:04,480
Speaker 2: That's the first place that I remember years ago, like

513
00:27:04,680 --> 00:27:06,920
Speaker 2: watching I Forgot. I think it was the Boston Red

514
00:27:06,960 --> 00:27:09,359
Speaker 2: Sox at the time, and it was like this young

515
00:27:10,040 --> 00:27:11,399
Speaker 2: I can't think of the guy's name, but he was

516
00:27:11,480 --> 00:27:14,680
Speaker 2: like the youngest general manager, and his whole shit was

517
00:27:14,720 --> 00:27:18,960
Speaker 2: about analytics, how many times this and how many times that,

518
00:27:19,119 --> 00:27:23,800
Speaker 2: and not really gauging the player in a sense, right,

519
00:27:24,040 --> 00:27:26,280
Speaker 2: just looking at the numbers. And I think that's what

520
00:27:26,480 --> 00:27:30,199
Speaker 2: we've become in music now, where they just gauge the numbers.

521
00:27:30,280 --> 00:27:32,159
Speaker 2: They're not looking at the player, they're not looking at

522
00:27:32,400 --> 00:27:36,080
Speaker 2: the developed artists, they're not looking at the season. They're

523
00:27:36,160 --> 00:27:41,360
Speaker 2: looking at the Oh these numbers say, yeah.

524
00:27:42,280 --> 00:27:45,200
Speaker 4: And numbers don't lie. But at the same time, numbers

525
00:27:45,280 --> 00:27:47,560
Speaker 4: do lie, but they do in a sense where.

526
00:27:47,480 --> 00:27:50,840
Speaker 1: Like numbers just don't tell the whole story exactly, they

527
00:27:50,880 --> 00:27:52,960
Speaker 1: don't tell the whole story ahead whether.

528
00:27:52,840 --> 00:27:56,760
Speaker 4: It's terrible or amazing, either way you're going to share it.

529
00:27:56,920 --> 00:28:01,159
Speaker 4: So there's no gauge of like what's I really like it? Like,

530
00:28:01,240 --> 00:28:02,960
Speaker 4: did I really like it? Or did I just hear

531
00:28:03,000 --> 00:28:04,040
Speaker 4: it on TikTok a bunch of times?

532
00:28:04,040 --> 00:28:06,200
Speaker 1: And I'm like, are you sending to some of your friends?

533
00:28:06,200 --> 00:28:07,119
Speaker 1: It's look at this bullshit?

534
00:28:07,280 --> 00:28:10,080
Speaker 4: Yeah right.

535
00:28:11,440 --> 00:28:12,800
Speaker 1: At what I was going to.

536
00:28:12,800 --> 00:28:15,720
Speaker 2: Say about the numbers, do lie, Let's keep it a buck.

537
00:28:17,119 --> 00:28:22,080
Speaker 2: Niggas got phones that are somewhere in a garage just

538
00:28:22,359 --> 00:28:28,560
Speaker 2: churning numbers. So numbers do line numbers. Let's let's keep

539
00:28:28,600 --> 00:28:33,480
Speaker 2: it in this R Muny podcast. I'm gonna tell this

540
00:28:33,520 --> 00:28:35,879
Speaker 2: ship how I really go and how this business really is.

541
00:28:36,800 --> 00:28:41,360
Speaker 2: It's phones that are going twenty four to seven thousands

542
00:28:41,480 --> 00:28:44,080
Speaker 2: of them running up fake views.

543
00:28:45,840 --> 00:28:47,680
Speaker 1: Like so when you look at all.

544
00:28:47,600 --> 00:28:50,640
Speaker 4: Of that type like come on, man, how can we

545
00:28:50,760 --> 00:28:51,320
Speaker 4: really gauge?

546
00:28:51,360 --> 00:28:54,960
Speaker 3: You know how the people really care? When you go

547
00:28:55,120 --> 00:29:00,920
Speaker 3: into that building and the people show up, Man, you

548
00:29:00,960 --> 00:29:03,600
Speaker 3: can't make the people. You can't make the people show up,

549
00:29:03,920 --> 00:29:08,600
Speaker 3: spend their harder money, get a babysitter, right yeah, and

550
00:29:08,720 --> 00:29:11,880
Speaker 3: come out skip a few dinners to afford the like Yeah,

551
00:29:12,520 --> 00:29:14,480
Speaker 3: that's the new gauge. That's how you know the people.

552
00:29:14,600 --> 00:29:16,479
Speaker 3: The people tell the story. The people they show up

553
00:29:17,040 --> 00:29:21,320
Speaker 3: tell the story. Those numbers, those those are real, Those

554
00:29:21,360 --> 00:29:24,880
Speaker 3: are real. So you said Brittany was the you threw Brittany.

555
00:29:25,160 --> 00:29:30,640
Speaker 1: Brittany on the circuit Sierra Britney beyond say you went

556
00:29:30,760 --> 00:29:34,360
Speaker 1: like Perry the ship.

557
00:29:37,120 --> 00:29:42,400
Speaker 4: I think back to that practice thing. I really didn't.

558
00:29:42,520 --> 00:29:45,719
Speaker 4: I wasn't. Most of everything I was doing was out

559
00:29:45,760 --> 00:29:48,600
Speaker 4: of like pain and like struggle, you know what I mean,

560
00:29:48,680 --> 00:29:53,480
Speaker 4: Like there's never been like, uh, all the music I

561
00:29:53,600 --> 00:29:55,840
Speaker 4: was making was out of struggle. Like even when I

562
00:29:55,880 --> 00:29:57,560
Speaker 4: was writing for Rihanna, I didn't have guys to get

563
00:29:57,560 --> 00:29:58,000
Speaker 4: to the studio.

564
00:29:58,440 --> 00:30:00,440
Speaker 1: I was gonna let you say, Rihanna, you know what

565
00:30:00,480 --> 00:30:02,680
Speaker 1: I mean, studio.

566
00:30:03,560 --> 00:30:05,800
Speaker 4: I didn't know how it was cheers, Cheers.

567
00:30:06,080 --> 00:30:08,760
Speaker 1: Cheers, cheers to you because you wrote that and.

568
00:30:08,840 --> 00:30:11,320
Speaker 4: It's not Rihanna's. So she's too far up the totem

569
00:30:11,320 --> 00:30:14,600
Speaker 4: pole to even know where, like to know what's going

570
00:30:14,640 --> 00:30:17,080
Speaker 4: on with the people that are helping to make her album.

571
00:30:17,160 --> 00:30:18,800
Speaker 4: But that was a real thing, like you know what

572
00:30:18,840 --> 00:30:22,000
Speaker 4: I mean. So it's just been like that's I say,

573
00:30:22,000 --> 00:30:24,600
Speaker 4: It's all been practiced, like I'm just now getting to me.

574
00:30:25,320 --> 00:30:27,440
Speaker 2: So when you get to a record like cheers, right,

575
00:30:28,760 --> 00:30:30,400
Speaker 2: and like you said, you have songs on now albums.

576
00:30:30,400 --> 00:30:33,000
Speaker 2: You got it, but like you got it's cracking, Like

577
00:30:33,520 --> 00:30:34,720
Speaker 2: people are singing this song.

578
00:30:35,520 --> 00:30:36,320
Speaker 1: How does that feel?

579
00:30:37,280 --> 00:30:40,680
Speaker 4: It's it's an awesome feeling to be like I was

580
00:30:40,760 --> 00:30:44,080
Speaker 4: in another country and I'm hearing cheers at the bar.

581
00:30:44,240 --> 00:30:48,800
Speaker 4: I'm like, that's dope. I'll hear Miley like or I was.

582
00:30:48,960 --> 00:30:50,760
Speaker 4: I didn't even know how big of a deal Brown

583
00:30:50,840 --> 00:30:53,920
Speaker 4: Skin Girl was until I got to Nigeria and everywhere

584
00:30:53,960 --> 00:30:57,840
Speaker 4: I go they're playing this song because it's the continent

585
00:30:58,040 --> 00:31:00,000
Speaker 4: like all Brown Skin Girl.

586
00:31:00,560 --> 00:31:01,800
Speaker 1: Yeah, Jerry, you know what I mean.

587
00:31:02,280 --> 00:31:05,760
Speaker 4: So I'm just like the flight attendant like, I'm like, wow,

588
00:31:05,880 --> 00:31:08,520
Speaker 4: this is crazy. And you know I was a part

589
00:31:08,600 --> 00:31:08,720
Speaker 4: of it.

590
00:31:09,880 --> 00:31:13,160
Speaker 1: You know, do you say, hey, I wrote I wrote that.

591
00:31:13,400 --> 00:31:15,080
Speaker 1: I never You've never had that moment.

592
00:31:16,160 --> 00:31:20,600
Speaker 4: I never do. I just like two people watch.

593
00:31:20,560 --> 00:31:21,560
Speaker 1: Tank does it all the time.

594
00:31:21,920 --> 00:31:22,880
Speaker 4: Hey, you know I wrote that song?

595
00:31:22,960 --> 00:31:29,000
Speaker 1: Right, well look at it? Oh you like that?

596
00:31:29,280 --> 00:31:35,520
Speaker 4: You like that? I don't know something to do with that,

597
00:31:35,920 --> 00:31:40,480
Speaker 4: lying with nip I do that sometimes, especially like a

598
00:31:40,560 --> 00:31:43,360
Speaker 4: lot of athletes play it. I'm like, really proud of

599
00:31:43,440 --> 00:31:43,840
Speaker 4: that song.

600
00:31:44,560 --> 00:31:47,520
Speaker 1: Yeah, come on, Victory lap is victory.

601
00:31:48,400 --> 00:31:52,000
Speaker 4: It is He's and we did it in twenty fifteen,

602
00:31:52,080 --> 00:31:54,040
Speaker 4: and then he put out the album in twenty eighteen.

603
00:31:54,560 --> 00:31:57,160
Speaker 4: So when he hit me like, hey, what you're publishing

604
00:31:57,200 --> 00:31:58,400
Speaker 4: and I was like, I don't even know what I

605
00:31:58,560 --> 00:32:01,040
Speaker 4: did on the song. Can you send it to me?

606
00:32:01,120 --> 00:32:02,520
Speaker 4: I was like, Oh, that's what it became. Because I

607
00:32:02,520 --> 00:32:06,400
Speaker 4: would literally just go lay mad vocals. I'm like, all right, whatever, y'all.

608
00:32:06,280 --> 00:32:06,360
Speaker 1: Like.

609
00:32:10,240 --> 00:32:12,800
Speaker 4: They took that out of some take, they put that together.

610
00:32:13,080 --> 00:32:15,920
Speaker 1: They just so this wasn't okay, give us that thing,

611
00:32:15,960 --> 00:32:16,800
Speaker 1: come on, because it was.

612
00:32:16,880 --> 00:32:19,080
Speaker 4: I just didn't mad takes, you know what I mean.

613
00:32:19,200 --> 00:32:21,600
Speaker 4: Like I definitely started it like that, I remember, but

614
00:32:22,440 --> 00:32:25,480
Speaker 4: all the little pieces and they put.

615
00:32:25,400 --> 00:32:27,520
Speaker 1: That together the producers.

616
00:32:27,960 --> 00:32:33,680
Speaker 4: Wow, So it became what it became, and yeah, amazing.

617
00:32:33,960 --> 00:32:35,120
Speaker 1: Can we talk about Collide?

618
00:32:36,600 --> 00:32:40,520
Speaker 4: Oh my god, Slim soundtrack was so fire.

619
00:32:41,600 --> 00:32:42,320
Speaker 1: I remember.

620
00:32:43,160 --> 00:32:47,000
Speaker 2: I literally remember exactly where I was the first time

621
00:32:47,040 --> 00:32:51,080
Speaker 2: I heard it. I was in Las Vegas and Ethiopia.

622
00:32:52,320 --> 00:32:56,040
Speaker 2: He's that motown at the time, and I had met

623
00:32:56,080 --> 00:32:59,080
Speaker 2: the guys at Earth Gang and I met Tiana Major nine,

624
00:32:59,680 --> 00:33:03,960
Speaker 2: and I'm like, this is incredible.

625
00:33:05,040 --> 00:33:09,520
Speaker 4: It was a collaborative effort. Lena and I connected, uh

626
00:33:10,760 --> 00:33:12,960
Speaker 4: and she I went to a private screening of the film.

627
00:33:13,400 --> 00:33:15,760
Speaker 4: So I was like super moved by it. And Jody

628
00:33:15,840 --> 00:33:18,240
Speaker 4: is my homegirl too, so it was just super moved

629
00:33:18,280 --> 00:33:21,280
Speaker 4: by it. So I put together a room. It was

630
00:33:21,520 --> 00:33:31,120
Speaker 4: myself Fresh Worldwide, Fresh Sonya elist myself, Dappotromero, Benny Cassette.

631
00:33:32,840 --> 00:33:33,600
Speaker 1: You put a room to go.

632
00:33:33,960 --> 00:33:37,880
Speaker 4: Yeah, I like, I like when we're doing situations like that.

633
00:33:37,960 --> 00:33:39,720
Speaker 4: I liked a room full of people I love, you

634
00:33:39,800 --> 00:33:41,800
Speaker 4: know what I mean, and the ones that's gonna get

635
00:33:41,800 --> 00:33:44,479
Speaker 4: it done. We're not gonna do seventy melodies and then

636
00:33:44,600 --> 00:33:48,280
Speaker 4: be trying to know we're gonna one take Jacob.

637
00:33:49,240 --> 00:33:50,600
Speaker 1: The Avengers exactly.

638
00:33:51,120 --> 00:33:54,120
Speaker 4: So so that's how I came about. Oh and everything

639
00:33:54,240 --> 00:33:57,880
Speaker 4: was in the room too, So it was a definite

640
00:33:57,920 --> 00:34:01,200
Speaker 4: collaborative effort except for the hook. The hook I had

641
00:34:01,280 --> 00:34:03,120
Speaker 4: on another song that didn't you know how you have

642
00:34:04,640 --> 00:34:07,920
Speaker 4: but just it the beat got sold or whatever.

643
00:34:08,400 --> 00:34:09,960
Speaker 1: It's a beautiful disaster.

644
00:34:09,880 --> 00:34:17,040
Speaker 4: Yeah, separate beautiful disaster. And another song called Collide.

645
00:34:17,120 --> 00:34:22,680
Speaker 3: And then when we Collide Collide is such it's massive

646
00:34:23,239 --> 00:34:26,400
Speaker 3: is myself and I remember when you met her, you

647
00:34:26,480 --> 00:34:27,680
Speaker 3: and you met her, like.

648
00:34:27,719 --> 00:34:31,520
Speaker 1: Yo, how did you not your accent? And how you man?

649
00:34:33,680 --> 00:34:35,680
Speaker 3: Yeah, I was just I was just I was I

650
00:34:35,840 --> 00:34:39,840
Speaker 3: was like fanning out over like over that song and

651
00:34:39,960 --> 00:34:41,440
Speaker 3: then over her like performance.

652
00:34:41,480 --> 00:34:43,840
Speaker 1: I was just like her performance. I was like, Wow,

653
00:34:44,520 --> 00:34:45,480
Speaker 1: she killed that song.

654
00:34:45,719 --> 00:34:48,080
Speaker 4: Like at first song was demoing and and then she

655
00:34:48,400 --> 00:34:50,200
Speaker 4: she's the amazing.

656
00:34:52,160 --> 00:34:56,120
Speaker 3: The feeling and the spirit and the all the depth

657
00:34:56,239 --> 00:35:05,160
Speaker 3: and that when we collide Jesus Rice, that's one of

658
00:35:05,160 --> 00:35:10,200
Speaker 3: the one that's one of those that climax like you know,

659
00:35:11,200 --> 00:35:14,439
Speaker 3: like those there are very few records that like haunt

660
00:35:14,560 --> 00:35:20,480
Speaker 3: me like where I'm like, my motto is, when those

661
00:35:20,600 --> 00:35:24,120
Speaker 3: songs were being created, nowhere else in the universe was

662
00:35:24,200 --> 00:35:25,719
Speaker 3: there a better song being made?

663
00:35:27,920 --> 00:35:28,400
Speaker 1: Speak on that.

664
00:35:28,440 --> 00:35:30,959
Speaker 4: That's actually we'll say it again.

665
00:35:32,280 --> 00:35:38,840
Speaker 1: I don't know if I can, because a lyric like

666
00:35:39,000 --> 00:35:39,800
Speaker 1: when you were.

667
00:35:39,719 --> 00:35:43,600
Speaker 4: Being born, there was no greater thing being happening.

668
00:35:43,800 --> 00:35:49,160
Speaker 1: Nothing else better was happening nowhere. That's the lyric. Nowhere

669
00:35:49,280 --> 00:35:51,680
Speaker 1: Like that's what songs like that represent to me.

670
00:35:53,239 --> 00:35:54,880
Speaker 4: That means the world coming from you, guys, honestly, you

671
00:35:54,960 --> 00:35:55,640
Speaker 4: know I feel about you.

672
00:35:55,960 --> 00:35:58,640
Speaker 2: I literally still play that song probably at least once

673
00:35:58,680 --> 00:36:00,920
Speaker 2: a month. Wow, And it's been off for some years,

674
00:36:01,080 --> 00:36:01,440
Speaker 2: a couple of.

675
00:36:01,440 --> 00:36:04,799
Speaker 1: Years before the pandemic just to revisit like I used

676
00:36:04,800 --> 00:36:07,400
Speaker 1: to obviously when it was I burnt it when you

677
00:36:07,440 --> 00:36:07,919
Speaker 1: know what I'm saying.

678
00:36:08,000 --> 00:36:10,239
Speaker 2: When I first hit and after I heard that, I

679
00:36:10,320 --> 00:36:11,600
Speaker 2: think it was the social we were out there for

680
00:36:11,640 --> 00:36:16,120
Speaker 2: the social wars. Listening to it every day, listen to

681
00:36:16,160 --> 00:36:19,840
Speaker 2: it every day. Now, it's still a constant for me.

682
00:36:20,320 --> 00:36:23,239
Speaker 2: That record is still a constant for me. I love

683
00:36:23,360 --> 00:36:23,799
Speaker 2: that song.

684
00:36:24,080 --> 00:36:32,960
Speaker 1: I love that I love that song crying. You know,

685
00:36:33,040 --> 00:36:36,040
Speaker 1: we both were both cancers, were both cancer, so I mean,

686
00:36:36,120 --> 00:36:38,399
Speaker 1: you know, we're sensitive about our.

687
00:36:38,320 --> 00:36:44,720
Speaker 4: Ship, very sensitive times a day. I mean not because

688
00:36:44,719 --> 00:36:47,879
Speaker 4: I'm sad, it'd be happy to you sometimes three times.

689
00:36:48,000 --> 00:36:49,759
Speaker 1: It's so funny because like I said, we both can

690
00:36:50,000 --> 00:36:50,239
Speaker 1: I don't.

691
00:36:50,360 --> 00:36:53,040
Speaker 4: I don't really there a male cancer, no, but I know.

692
00:36:53,040 --> 00:36:55,080
Speaker 1: A lot of male cancers. Niggas be crying, you know, y'all.

693
00:36:55,400 --> 00:36:59,759
Speaker 4: Y'all's emotion. Y'all are emotional, but it comes out in aggression.

694
00:37:00,560 --> 00:37:02,720
Speaker 1: Mm hmm. There's the cancer.

695
00:37:06,520 --> 00:37:09,880
Speaker 4: It's very much. You know, I give a cry, I'm like,

696
00:37:10,000 --> 00:37:14,240
Speaker 4: I'll be back. I'm gonna go cry, break, cry, break,

697
00:37:15,120 --> 00:37:17,920
Speaker 4: unless it's happy tears and then I'll everybody.

698
00:37:17,960 --> 00:37:21,080
Speaker 2: But there's something else I wanted to ask you because

699
00:37:21,120 --> 00:37:22,640
Speaker 2: you've been you know, you've been a part of these

700
00:37:22,719 --> 00:37:27,640
Speaker 2: these moments that are just so special. Being a part

701
00:37:27,680 --> 00:37:31,760
Speaker 2: of a moment like Brown Skinned Girl, where Blue Ivy

702
00:37:31,840 --> 00:37:34,919
Speaker 2: wins a Grammy, where the baby win.

703
00:37:34,880 --> 00:37:39,440
Speaker 4: A Grammy was she was literally on my mind. Behold

704
00:37:39,560 --> 00:37:43,200
Speaker 4: because so after Lemonade, like I'm thinking, okay, and then

705
00:37:43,960 --> 00:37:46,759
Speaker 4: Beyonce and jay Z did this that album together, but

706
00:37:46,840 --> 00:37:52,759
Speaker 4: I'm thinking post Lemonade, like what should she give? You

707
00:37:52,880 --> 00:37:54,839
Speaker 4: know what I mean? And I was thinking abot Blue

708
00:37:54,840 --> 00:37:59,320
Speaker 4: Ivy the whole time. So when and Bigger when it

709
00:37:59,400 --> 00:38:03,279
Speaker 4: says trying to be a good wife still really hot,

710
00:38:03,360 --> 00:38:05,919
Speaker 4: I can't try, but I promise you I will fight.

711
00:38:06,320 --> 00:38:06,919
Speaker 1: So I fight.

712
00:38:07,239 --> 00:38:09,680
Speaker 4: I'm thinking about Blue Ivy, like the reason why you

713
00:38:09,719 --> 00:38:11,959
Speaker 4: would stick around. I mean this cause this was before

714
00:38:12,000 --> 00:38:14,400
Speaker 4: she got pregnant with the twins. But she was always

715
00:38:14,440 --> 00:38:16,160
Speaker 4: on my mind, like she was the first you know

716
00:38:16,200 --> 00:38:19,279
Speaker 4: what I'm saying. So you know, Blue Ivy like my

717
00:38:19,360 --> 00:38:22,839
Speaker 4: baby cousin that she don't even know. Girl, I love

718
00:38:22,920 --> 00:38:26,440
Speaker 4: you to seek. So I was always thinking about her

719
00:38:26,480 --> 00:38:29,840
Speaker 4: the whole time. And then she put Blue Ivy in

720
00:38:29,920 --> 00:38:34,439
Speaker 4: the bigger video, put it out on my birthday, called

721
00:38:34,480 --> 00:38:35,640
Speaker 4: it the gift.

722
00:38:36,719 --> 00:38:37,000
Speaker 1: Wow.

723
00:38:37,280 --> 00:38:38,479
Speaker 4: God, Like that's what I'm saying.

724
00:38:38,680 --> 00:38:38,919
Speaker 5: Wow.

725
00:38:39,280 --> 00:38:41,640
Speaker 4: The writing be spiritual, you know what I mean, Like

726
00:38:41,760 --> 00:38:46,560
Speaker 4: it's not I'm not trying to right hits, Like it

727
00:38:46,680 --> 00:38:49,080
Speaker 4: comes to me literally through God, you know what I mean.

728
00:38:50,840 --> 00:38:53,040
Speaker 1: That's wow. Wow.

729
00:38:53,560 --> 00:38:55,319
Speaker 4: So I'm thinking about the whole picture. I'm like, how

730
00:38:55,360 --> 00:38:59,240
Speaker 4: will I Siss be feeling now? Forgiveness is key because

731
00:38:59,280 --> 00:39:02,880
Speaker 4: we're part of some can way bigger, you know, like

732
00:39:03,040 --> 00:39:04,640
Speaker 4: you have a family with this man, Like where are

733
00:39:04,640 --> 00:39:04,919
Speaker 4: you going?

734
00:39:05,800 --> 00:39:08,160
Speaker 1: You know that's crazy.

735
00:39:08,600 --> 00:39:13,000
Speaker 2: That's amazing records, amazing amazing records. Yeah, yeah, because you

736
00:39:13,480 --> 00:39:14,600
Speaker 2: had two records on there.

737
00:39:14,680 --> 00:39:14,839
Speaker 1: Yeah.

738
00:39:15,000 --> 00:39:17,640
Speaker 4: I didn't even know that because the once I knew

739
00:39:17,680 --> 00:39:19,440
Speaker 4: The Bigger was making an album, I didn't even care

740
00:39:19,880 --> 00:39:22,920
Speaker 4: because Brownscan Girl was like a last minute thing, you

741
00:39:23,000 --> 00:39:24,759
Speaker 4: know what I mean, Like she was deciding whether she

742
00:39:24,880 --> 00:39:27,839
Speaker 4: was keeping it or not. And then people were working

743
00:39:27,880 --> 00:39:29,759
Speaker 4: on verses and she chose mine, but it wasn't the

744
00:39:29,880 --> 00:39:32,560
Speaker 4: same order, so I was like, oh, she didn't keep

745
00:39:32,560 --> 00:39:35,200
Speaker 4: my verse. Whatever, Bigger still the first song on the album,

746
00:39:35,239 --> 00:39:38,279
Speaker 4: still whatever, you know. And then my friend Fresh was like, nah,

747
00:39:38,320 --> 00:39:39,880
Speaker 4: you got to listen to the whole song. It's the

748
00:39:39,960 --> 00:39:41,680
Speaker 4: third verse. She used your verse.

749
00:39:41,760 --> 00:39:47,920
Speaker 1: I was like, oh wow, so you even know I

750
00:39:48,080 --> 00:39:48,880
Speaker 1: was bigger.

751
00:39:48,920 --> 00:39:50,840
Speaker 4: I was like, girl, yes they got.

752
00:39:52,239 --> 00:39:53,920
Speaker 2: Because people don't understand that at a certain level of

753
00:39:54,000 --> 00:39:55,920
Speaker 2: artists too. You don't leave the studio with the songs

754
00:39:56,040 --> 00:39:58,720
Speaker 2: you know. You know, it's just not in the streets

755
00:39:58,760 --> 00:39:59,960
Speaker 2: with a Beyonce records playing.

756
00:40:00,120 --> 00:40:02,279
Speaker 1: Now, this is not how this works. And you got it?

757
00:40:02,719 --> 00:40:03,480
Speaker 1: Like did you make it?

758
00:40:03,640 --> 00:40:04,840
Speaker 4: I don't know, I don't know.

759
00:40:06,000 --> 00:40:09,280
Speaker 2: We will see listen and Tank just had that moment

760
00:40:09,560 --> 00:40:12,240
Speaker 2: on the eleven eleven album, the Chris Brown album.

761
00:40:12,480 --> 00:40:15,440
Speaker 1: We're like, did the song make it? Are we? And

762
00:40:15,480 --> 00:40:19,360
Speaker 1: I listening like, wen't make it? I don't eve the

763
00:40:19,440 --> 00:40:21,360
Speaker 1: song we did? I think he would have told us.

764
00:40:21,360 --> 00:40:24,560
Speaker 1: He told us, He told us. And then we're listening

765
00:40:24,640 --> 00:40:25,120
Speaker 1: to uh.

766
00:40:27,239 --> 00:40:29,920
Speaker 3: Which which we just went number one, and I'm like,

767
00:40:30,600 --> 00:40:34,239
Speaker 3: and I promise you, I didn't hear it until a

768
00:40:34,320 --> 00:40:34,759
Speaker 3: week ago.

769
00:40:35,760 --> 00:40:38,280
Speaker 1: No the hearing.

770
00:40:38,800 --> 00:40:42,160
Speaker 3: Like, so I'm listening to the song and I'm like,

771
00:40:43,760 --> 00:40:45,440
Speaker 3: why is this nigger ad living like me? At the

772
00:40:45,520 --> 00:40:52,279
Speaker 3: end of the song, Oh, I did that lives? He

773
00:40:52,480 --> 00:40:55,640
Speaker 3: was we just went to the studio. He's like, big bro,

774
00:40:55,840 --> 00:40:57,920
Speaker 3: go do somed lips? Do it?

775
00:40:57,960 --> 00:40:59,880
Speaker 1: Take her ad? Lips. He's like, and I'm gonna do.

776
00:40:59,880 --> 00:41:05,680
Speaker 3: It and those those are some Oh wow, you know

777
00:41:05,920 --> 00:41:07,759
Speaker 3: you just it's like you said, though, it just be

778
00:41:09,000 --> 00:41:11,360
Speaker 3: you just want to be part of it, like you

779
00:41:11,520 --> 00:41:14,520
Speaker 3: just want to be in it, and whatever comes of it,

780
00:41:15,160 --> 00:41:17,399
Speaker 3: it just is what it is, and nine times out

781
00:41:17,400 --> 00:41:20,640
Speaker 3: of ten, ten times ten it ends up blessing you in.

782
00:41:20,760 --> 00:41:22,200
Speaker 4: Some way or somewhere.

783
00:41:22,760 --> 00:41:28,359
Speaker 1: As Jasper would say, be useful, be useful, use be useful.

784
00:41:28,960 --> 00:41:31,000
Speaker 1: I promise I'm going be useful. You let me, you

785
00:41:31,080 --> 00:41:35,560
Speaker 1: let me in this door. Please, I'm gonna do something

786
00:41:35,600 --> 00:41:35,920
Speaker 1: we need.

787
00:41:35,960 --> 00:41:38,399
Speaker 4: I I want something to eat.

788
00:41:38,760 --> 00:41:39,239
Speaker 1: What you need?

789
00:41:39,760 --> 00:41:39,960
Speaker 3: Huh?

790
00:41:41,360 --> 00:41:42,040
Speaker 4: Are you okay.

791
00:41:44,960 --> 00:41:45,800
Speaker 1: Creating them? Traps?

792
00:41:45,880 --> 00:41:46,120
Speaker 4: Girl?

793
00:41:46,239 --> 00:41:46,600
Speaker 3: You trip?

794
00:41:47,520 --> 00:41:48,680
Speaker 5: You gotta be loose to.

795
00:41:57,680 --> 00:42:00,200
Speaker 3: Oh my god, I want to ask the question ship

796
00:42:03,640 --> 00:42:09,880
Speaker 3: Stacey Barth the artists which I am a fan of,

797
00:42:10,400 --> 00:42:15,000
Speaker 3: I'm a champion. We we we excuse me, sorry, I

798
00:42:15,080 --> 00:42:17,040
Speaker 3: do speak French. I forgot to tell you that.

799
00:42:21,920 --> 00:42:23,439
Speaker 1: What what and when?

800
00:42:23,800 --> 00:42:27,600
Speaker 3: Like this is like we've had this conversation like the

801
00:42:27,800 --> 00:42:34,680
Speaker 3: things you write and singing, we need that from you.

802
00:42:36,200 --> 00:42:40,200
Speaker 4: It's I'm I was on hole for like three years.

803
00:42:40,239 --> 00:42:46,440
Speaker 4: I was signed to a situation that you know, it

804
00:42:46,520 --> 00:42:48,720
Speaker 4: went I'm not gonna say I went left.

805
00:42:48,560 --> 00:42:51,200
Speaker 1: But life happened and it didn't go right.

806
00:42:51,560 --> 00:42:58,279
Speaker 4: Yeah, So I'm just gathering myself right now. I'm like

807
00:42:58,760 --> 00:43:05,640
Speaker 4: healing and I have a whole project actually ready, but

808
00:43:05,760 --> 00:43:08,400
Speaker 4: I just needed to heal before I step out in

809
00:43:08,480 --> 00:43:15,000
Speaker 4: front of people again, you know. But the album is

810
00:43:15,040 --> 00:43:17,359
Speaker 4: called Love Life, and it's my journey to loving life,

811
00:43:18,360 --> 00:43:22,040
Speaker 4: and it's really it's really powerful. I think the women

812
00:43:22,080 --> 00:43:24,680
Speaker 4: are gonna really love it. The men are going to

813
00:43:24,920 --> 00:43:28,800
Speaker 4: love it too because some of the topics I'm addressing

814
00:43:29,000 --> 00:43:31,480
Speaker 4: the man and the woman, the broken man and the

815
00:43:31,560 --> 00:43:32,799
Speaker 4: broken woman.

816
00:43:33,640 --> 00:43:33,800
Speaker 3: You know.

817
00:43:36,200 --> 00:43:38,800
Speaker 4: So yeah, I'm going to be ready by July. Like

818
00:43:38,800 --> 00:43:40,480
Speaker 4: I'm going to drive something for my birthday.

819
00:43:42,719 --> 00:43:43,520
Speaker 1: It is the month.

820
00:43:45,520 --> 00:43:48,839
Speaker 4: Eighteenth actually falls on a Friday, So I'm like, oh,

821
00:43:48,880 --> 00:43:56,239
Speaker 4: it's perfect, yell thought, we're here to help. I'm in

822
00:43:56,320 --> 00:43:59,800
Speaker 4: my I don't know how, but God will kind of

823
00:44:00,719 --> 00:44:02,920
Speaker 4: space in my life. I don't know how, but I'm gonna.

824
00:44:02,960 --> 00:44:03,560
Speaker 4: I'm gonna do it.

825
00:44:07,160 --> 00:44:08,560
Speaker 1: July July nineteen.

826
00:44:08,640 --> 00:44:12,000
Speaker 4: Yeah, we are, we are looking today, we.

827
00:44:12,120 --> 00:44:18,280
Speaker 3: Are anxiously awaiting July nineteen. We're gonna We're gonna force

828
00:44:18,360 --> 00:44:19,120
Speaker 3: your hand too.

829
00:44:20,000 --> 00:44:20,200
Speaker 1: Yeah.

830
00:44:20,200 --> 00:44:22,080
Speaker 4: I just need to support. Honestly, you're going to.

831
00:44:22,120 --> 00:44:25,480
Speaker 1: Force the R and B Money podcast community to force

832
00:44:25,600 --> 00:44:26,840
Speaker 1: your hand. What's your Instagram?

833
00:44:27,239 --> 00:44:32,560
Speaker 3: I am stay, I am Stacey bar Flood the comments

834
00:44:32,719 --> 00:44:36,040
Speaker 3: with July nineteen, July nineteenth, flood them.

835
00:44:36,480 --> 00:44:39,319
Speaker 2: Not not not the way y'all be attacking me. Y'all

836
00:44:39,400 --> 00:44:43,719
Speaker 2: be nice. Y'all be attacking me. They they attacked me

837
00:44:43,760 --> 00:44:47,320
Speaker 2: about my beat. I'm like, don't be mean.

838
00:44:49,920 --> 00:44:50,160
Speaker 1: Again.

839
00:44:51,480 --> 00:44:56,600
Speaker 4: The Internet government, y'all gotta be nice. I'll be going.

840
00:44:57,520 --> 00:44:58,520
Speaker 1: I actually think they're funny.

841
00:44:59,120 --> 00:45:01,120
Speaker 4: I find a lot of that stuffy.

842
00:45:01,880 --> 00:45:03,080
Speaker 1: Let me tell you something. Let me tell you something,

843
00:45:03,120 --> 00:45:04,919
Speaker 1: let me explain. Come on, tell us something.

844
00:45:06,920 --> 00:45:12,400
Speaker 3: There is a hunger. You got to understand something that

845
00:45:12,719 --> 00:45:16,080
Speaker 3: people that eat from what you serve.

846
00:45:16,880 --> 00:45:23,520
Speaker 1: M hm hmm. Come on, preacher, pastor, do not allow

847
00:45:23,760 --> 00:45:31,800
Speaker 1: them to starve to death. Don't look at me. I

848
00:45:31,920 --> 00:45:36,960
Speaker 1: gave three songs. I'm about dropping another one on them.

849
00:45:38,960 --> 00:45:46,319
Speaker 3: Once you allow famine in the land, oh man, then

850
00:45:46,440 --> 00:45:47,759
Speaker 3: chaos ensuit.

851
00:45:50,040 --> 00:45:52,560
Speaker 1: And and and one of two things are gonna happen.

852
00:45:52,760 --> 00:45:54,840
Speaker 1: Come on, that's what it is. They are gonna rise

853
00:45:55,000 --> 00:45:58,560
Speaker 1: up hm hmm against.

854
00:45:59,640 --> 00:46:03,520
Speaker 3: The peopleeople that feed them, or they're going to go

855
00:46:03,719 --> 00:46:06,160
Speaker 3: to somebody else to get fed.

856
00:46:07,080 --> 00:46:10,120
Speaker 4: I feel that. But the thing about getting fed somewhere

857
00:46:10,160 --> 00:46:11,360
Speaker 4: else is never going to be the.

858
00:46:12,239 --> 00:46:15,080
Speaker 3: It's not about at that point, it's about survival. Yeah,

859
00:46:15,880 --> 00:46:18,160
Speaker 3: and they would and they would rather be guess what

860
00:46:18,239 --> 00:46:20,480
Speaker 3: they would rather be you.

861
00:46:21,880 --> 00:46:41,600
Speaker 1: Yeah, that was both the use July ninth, take my

862
00:46:41,840 --> 00:46:44,000
Speaker 1: time j Whenever I feel like.

863
00:46:45,320 --> 00:46:57,800
Speaker 4: Trust me, it's not that listen, that's and get a

864
00:46:57,880 --> 00:47:00,080
Speaker 4: team and like, you know, like people that really we

865
00:47:00,280 --> 00:47:02,480
Speaker 4: just genuinely like one of the things one.

866
00:47:13,880 --> 00:47:14,640
Speaker 1: I'm really excited.

867
00:47:15,200 --> 00:47:19,120
Speaker 4: I'm ready to get back outside. Money Long invited me

868
00:47:19,360 --> 00:47:26,759
Speaker 4: to well an event it was women in Hollywood, wait,

869
00:47:27,000 --> 00:47:31,000
Speaker 4: black women and black women that I was so moved

870
00:47:31,040 --> 00:47:34,920
Speaker 4: and inspired by everybody ever, all the women that were

871
00:47:35,120 --> 00:47:38,120
Speaker 4: giving their speeches and and she invited me like it

872
00:47:38,239 --> 00:47:41,560
Speaker 4: was almost like she was like, non, friend, you ain't

873
00:47:41,560 --> 00:47:46,879
Speaker 4: where you're supposed to be. Come with me, and I'm

874
00:47:47,000 --> 00:47:49,959
Speaker 4: I'm usually the one reaching back like carrying every Listen,

875
00:47:50,080 --> 00:47:51,360
Speaker 4: you let me in the door meet and.

876
00:47:51,480 --> 00:47:57,840
Speaker 2: All you know what I shout out, they are amazing,

877
00:47:58,560 --> 00:48:01,280
Speaker 2: those sisters are amazing, but amazing events.

878
00:48:02,920 --> 00:48:06,040
Speaker 1: But yeah, that's she reads a special event.

879
00:48:06,200 --> 00:48:09,000
Speaker 4: Yeah you're not. And we've known, we've been in all

880
00:48:09,040 --> 00:48:11,960
Speaker 4: the same rooms writing for Rihanna and writing for whoever

881
00:48:12,000 --> 00:48:12,680
Speaker 4: and whatever.

882
00:48:13,000 --> 00:48:17,560
Speaker 1: And that was in the trenches together. Yeah yeah, Like

883
00:48:18,440 --> 00:48:18,719
Speaker 1: I was.

884
00:48:19,120 --> 00:48:21,919
Speaker 4: Probably like eighty pounds bigger her and Ester Deane would

885
00:48:22,000 --> 00:48:27,560
Speaker 4: like walk with me exercising, like yeah, yeah, So it's

886
00:48:27,640 --> 00:48:29,560
Speaker 4: that reach back. And I just wanted to say I

887
00:48:29,640 --> 00:48:31,080
Speaker 4: love you Money, and I'm so proud of you.

888
00:48:31,719 --> 00:48:35,080
Speaker 2: Oh you know how you know how we feel about money. Money,

889
00:48:42,000 --> 00:48:43,840
Speaker 2: So Stacey, as we look forward to.

890
00:48:45,920 --> 00:48:48,520
Speaker 1: Yeah, she's lie nice.

891
00:48:51,600 --> 00:48:51,920
Speaker 6: Today.

892
00:48:53,520 --> 00:48:57,640
Speaker 1: Lord, I don't know, but make away, absolutely make away.

893
00:48:58,080 --> 00:49:06,080
Speaker 1: The Lord is going to make away over there.

894
00:49:06,120 --> 00:49:10,879
Speaker 3: You've you've you've you've written a lot of jams. I'm

895
00:49:10,880 --> 00:49:13,080
Speaker 3: sure you've been inspired about a lot of jams. Swell,

896
00:49:18,320 --> 00:49:22,480
Speaker 3: I'm just taking my time here, taking time. Play this

897
00:49:22,560 --> 00:49:27,800
Speaker 3: star to keyboarding, play it like it's expensive.

898
00:49:27,840 --> 00:49:28,759
Speaker 1: You understand what I'm saying.

899
00:49:33,840 --> 00:49:38,400
Speaker 3: The people want to know, they say, the music that

900
00:49:38,520 --> 00:49:43,480
Speaker 3: made you feel good, the music that changed your life.

901
00:49:45,320 --> 00:49:47,120
Speaker 3: They want to know you what they want to know.

902
00:49:49,800 --> 00:49:51,320
Speaker 4: H top.

903
00:49:55,360 --> 00:50:09,200
Speaker 6: Your top five, top Fall, your top fun RB singer okay, okay,

904
00:50:09,840 --> 00:50:10,920
Speaker 6: R and B song.

905
00:50:13,640 --> 00:50:18,239
Speaker 3: We've got to know you've got a shows when you

906
00:50:18,520 --> 00:50:19,280
Speaker 3: got a cube.

907
00:50:19,560 --> 00:50:23,440
Speaker 5: But we're looking Ford to your top four.

908
00:50:25,760 --> 00:50:28,840
Speaker 4: Yes, you definitely want to tailside.

909
00:50:37,719 --> 00:50:53,800
Speaker 7: Your fea is phenomenal for what the it was in

910
00:50:53,880 --> 00:50:54,640
Speaker 7: the clouds today.

911
00:50:54,719 --> 00:51:03,160
Speaker 1: Baby yeah yeah, come on Miami Milvin, it's him.

912
00:51:04,560 --> 00:51:10,120
Speaker 4: Wow. Even when you're playing, it's phenomenal. It's crazy sore.

913
00:51:10,239 --> 00:51:11,880
Speaker 1: Top five r n B.

914
00:51:14,960 --> 00:51:16,560
Speaker 3: You know what, if you would like to go male

915
00:51:16,640 --> 00:51:18,279
Speaker 3: and female, you can if you like to mix them

916
00:51:18,360 --> 00:51:20,480
Speaker 3: up and just do a tough because it's really supposed

917
00:51:20,520 --> 00:51:22,640
Speaker 3: to be just the top five, and you know, and

918
00:51:23,880 --> 00:51:28,640
Speaker 3: very people come in here with take liberties. You are

919
00:51:28,680 --> 00:51:30,880
Speaker 3: a person who can take liberties. You are you can,

920
00:51:31,840 --> 00:51:32,759
Speaker 3: you can do what you want to do.

921
00:51:37,040 --> 00:51:39,520
Speaker 4: But damn, I would have to break it down male

922
00:51:39,600 --> 00:51:41,719
Speaker 4: and female and then the singer songwriters and then the

923
00:51:41,880 --> 00:51:50,839
Speaker 4: singers ship, you know, because it's different if okay, I'm

924
00:51:50,840 --> 00:51:58,759
Speaker 4: gonna just start off obviously, Okay, Whitney Y Beyonce.

925
00:51:59,400 --> 00:52:06,160
Speaker 1: Yeah, I feel the theme Lauren hell oh yeah, oh yeah.

926
00:52:13,040 --> 00:52:15,200
Speaker 1: How many is that they're talking about? Like the rent do?

927
00:52:16,360 --> 00:52:21,239
Speaker 1: There's so many things do get your rent money real quick?

928
00:52:23,400 --> 00:52:25,720
Speaker 4: Can we can? We shoes?

929
00:52:25,840 --> 00:52:26,799
Speaker 1: I also need some.

930
00:52:28,880 --> 00:52:33,399
Speaker 4: Performers like everything every damn.

931
00:52:34,600 --> 00:52:43,359
Speaker 1: Oh, but keep going. That was keep the party going,

932
00:52:43,520 --> 00:52:43,839
Speaker 1: Keep going.

933
00:52:46,880 --> 00:52:47,799
Speaker 4: You know, I love Indi.

934
00:52:47,880 --> 00:52:49,359
Speaker 1: I re too love Indi.

935
00:52:49,480 --> 00:52:53,440
Speaker 4: I her voice and her songs like she's one of

936
00:52:53,440 --> 00:52:55,960
Speaker 4: the people. Like when I heard video. That's another one

937
00:52:56,000 --> 00:53:00,400
Speaker 4: that changed me. Video not the aftercast by Yeah, that

938
00:53:00,600 --> 00:53:02,759
Speaker 4: song changed me in eleventh grade. I was like, word

939
00:53:03,040 --> 00:53:07,719
Speaker 4: she she gets that? You see me first? Can we

940
00:53:07,840 --> 00:53:10,200
Speaker 4: just do female.

941
00:53:12,440 --> 00:53:12,880
Speaker 1: Workout?

942
00:53:15,480 --> 00:53:19,840
Speaker 4: I forgot Jillie from Philly Women that raised me? Ye

943
00:53:20,440 --> 00:53:26,960
Speaker 4: mentioned all the girls? Mm hmm, Hello, I'm missing people.

944
00:53:27,880 --> 00:53:34,680
Speaker 4: Damn am I missing off the top? New or.

945
00:53:37,800 --> 00:53:39,600
Speaker 1: World? Crazy?

946
00:53:40,239 --> 00:53:46,200
Speaker 4: Crazy crazy? Have to just be in R and B

947
00:53:46,640 --> 00:53:47,880
Speaker 4: or be in a country.

948
00:53:48,239 --> 00:53:49,799
Speaker 1: Yes, yes, turn up.

949
00:53:51,560 --> 00:53:55,120
Speaker 4: One of my I have a song with her called

950
00:53:55,239 --> 00:53:57,560
Speaker 4: Naked that like she's playing guitar on like I have

951
00:53:57,760 --> 00:53:59,239
Speaker 4: Shanaia mm hmm.

952
00:54:00,040 --> 00:54:04,120
Speaker 1: Of course you do. Of course. Of course when I

953
00:54:04,280 --> 00:54:08,279
Speaker 1: met her, I was like, oh, got it? Okay, okay,

954
00:54:08,800 --> 00:54:11,960
Speaker 1: name pet names forgot when you hang out with somebody

955
00:54:12,000 --> 00:54:12,399
Speaker 1: long enough.

956
00:54:13,760 --> 00:54:18,319
Speaker 4: It was the first day, you know, I love her,

957
00:54:18,880 --> 00:54:28,480
Speaker 4: Celine Dion come on, come on, okay then, and.

958
00:54:28,520 --> 00:54:30,800
Speaker 3: I'm just hyping her too, I mean, come on, you

959
00:54:30,920 --> 00:54:33,719
Speaker 3: get it, Yeah, you get it. You a nickname for her?

960
00:54:38,560 --> 00:54:40,239
Speaker 3: Atlanta's more sad.

961
00:54:42,120 --> 00:54:42,160
Speaker 4: Or.

962
00:54:43,719 --> 00:54:46,560
Speaker 1: I wasn't just in the R and B like, right, no,

963
00:54:46,680 --> 00:54:50,000
Speaker 1: you can hear, you can hear your songs. More set

964
00:54:51,520 --> 00:54:56,920
Speaker 1: is my god. Her vocal.

965
00:54:58,920 --> 00:55:01,160
Speaker 4: Ironic, so nic.

966
00:55:02,600 --> 00:55:05,800
Speaker 1: Undecided, uninvited, I'm sorry, uninvited.

967
00:55:06,040 --> 00:55:07,640
Speaker 4: Let me tell you something about that, boys.

968
00:55:07,600 --> 00:55:11,839
Speaker 3: Jesus uninvited. That's another one of those ones where when

969
00:55:11,920 --> 00:55:15,279
Speaker 3: that was being made, nothing better was being made.

970
00:55:16,680 --> 00:55:17,040
Speaker 4: Fats.

971
00:55:17,880 --> 00:55:20,480
Speaker 1: I listened to that every now and then just for

972
00:55:20,640 --> 00:55:21,640
Speaker 1: my soul.

973
00:55:21,840 --> 00:55:25,120
Speaker 4: Because her songwriting was just that's the thing. It was like,

974
00:55:25,360 --> 00:55:27,640
Speaker 4: I was between hip hop, R and B and country

975
00:55:28,280 --> 00:55:31,400
Speaker 4: and then you know all the pop, you know, alternative

976
00:55:31,480 --> 00:55:35,000
Speaker 4: in between, like the Avril Levines and yeah, every Levine

977
00:55:35,080 --> 00:55:39,680
Speaker 4: was actually the reason why I wrote Cheers because that yeah, yeah, yeah, yeah,

978
00:55:40,080 --> 00:55:43,960
Speaker 4: yeah yeah. At the end of what was that song

979
00:55:44,080 --> 00:55:46,680
Speaker 4: she did, I'm with You? That was another song I

980
00:55:46,760 --> 00:55:48,920
Speaker 4: heard in the eleventh grade and I was like, oh, nah,

981
00:55:49,880 --> 00:55:51,319
Speaker 4: I feel like this all the time.

982
00:55:51,800 --> 00:55:54,480
Speaker 1: Yeah, I'm gonna write about this one day.

983
00:55:55,400 --> 00:55:57,160
Speaker 4: No, I didn't even write. I was playing it for

984
00:55:57,239 --> 00:55:58,880
Speaker 4: the runners. I was playing them all the like the

985
00:55:59,400 --> 00:56:02,719
Speaker 4: the pop two thousand girls, like the Vanessa Carlton and

986
00:56:02,800 --> 00:56:07,080
Speaker 4: that's what kicked it off. And yeah, and so then

987
00:56:07,120 --> 00:56:10,279
Speaker 4: I played I'm with you and then they sampled that

988
00:56:10,440 --> 00:56:14,520
Speaker 4: yeah yeah, yeah, yeah yeah yeah yeah yeah yeah yeah

989
00:56:16,160 --> 00:56:18,480
Speaker 4: every again weekend. Yeah, that's how I went.

990
00:56:18,680 --> 00:56:23,440
Speaker 1: Wow, I love story rag Story.

991
00:56:24,320 --> 00:56:26,759
Speaker 4: So we're done. We're done.

992
00:56:26,840 --> 00:56:31,880
Speaker 1: Okay, So the top ten no, sorry, you can messing

993
00:56:31,920 --> 00:56:36,360
Speaker 1: me up the top R and B songs?

994
00:56:38,640 --> 00:56:44,200
Speaker 4: Mm hmmm, that's another difficult one. How does it feel.

995
00:56:45,560 --> 00:56:49,279
Speaker 2: Angela's come on, We're gonna start off with Angela and

996
00:56:49,400 --> 00:56:52,160
Speaker 2: rap as soon as that's how we're gonna kick this thing.

997
00:56:53,600 --> 00:57:01,919
Speaker 4: What I haven't show play that way?

998
00:57:02,640 --> 00:57:03,560
Speaker 1: What in that video?

999
00:57:04,040 --> 00:57:10,480
Speaker 4: My tender mind was like, oh my god, if you hug.

1000
00:57:10,560 --> 00:57:20,160
Speaker 5: Me, no, we will never come back. The shirt will

1001
00:57:20,200 --> 00:57:22,680
Speaker 5: come on, yeah, come on, I brought him with me.

1002
00:57:27,880 --> 00:57:35,560
Speaker 4: Kenny Lattimore for you, I will That song always had

1003
00:57:35,600 --> 00:57:38,880
Speaker 4: me by the show call like, I love that song.

1004
00:57:41,240 --> 00:57:47,000
Speaker 4: Hm hmm. What's the other one? Eric about on and on?

1005
00:57:47,400 --> 00:57:48,880
Speaker 4: I remember I was in the fourth grade and I

1006
00:57:48,960 --> 00:57:51,600
Speaker 4: heard that. I was like, who is this woman? Who

1007
00:57:51,760 --> 00:57:51,920
Speaker 4: is she?

1008
00:57:52,040 --> 00:57:52,240
Speaker 1: I was?

1009
00:57:52,520 --> 00:57:55,560
Speaker 4: I was already burning incense and doing all the spiritual things.

1010
00:57:56,320 --> 00:58:00,400
Speaker 4: Oh yeah, you know, baby, yeah, you know. It always

1011
00:58:00,440 --> 00:58:03,080
Speaker 4: gave a candle, It always gave an infant. But when

1012
00:58:03,120 --> 00:58:07,200
Speaker 4: I saw her speaking of candles, speaking of candles, y'all

1013
00:58:07,520 --> 00:58:08,480
Speaker 4: on the way, like.

1014
00:58:08,560 --> 00:58:13,680
Speaker 3: The pause for this promotional opportunity, promotional, and it smells

1015
00:58:14,000 --> 00:58:14,680
Speaker 3: it smells great.

1016
00:58:15,680 --> 00:58:17,240
Speaker 4: You want this in your marble.

1017
00:58:17,720 --> 00:58:19,680
Speaker 1: This is uh, this is not a lightweight cans. This

1018
00:58:19,720 --> 00:58:20,560
Speaker 1: is a heavyweight candle.

1019
00:58:22,040 --> 00:58:26,840
Speaker 3: This is the sense for me, coconut oil, No paraps, none,

1020
00:58:28,320 --> 00:58:29,120
Speaker 3: all proceeds.

1021
00:58:30,840 --> 00:58:41,680
Speaker 1: Just go to Jack and I got your commission. Baby hold.

1022
00:58:43,840 --> 00:58:53,840
Speaker 4: Hold Lauren Hill good Olds so simple.

1023
00:58:54,360 --> 00:59:03,160
Speaker 1: Yeah, make it hard, rather make it you know what.

1024
00:59:03,400 --> 00:59:06,280
Speaker 4: One of my favorite songs right now is made for

1025
00:59:06,480 --> 00:59:10,120
Speaker 4: me money long. Yeah. I mean because you know, as

1026
00:59:10,200 --> 00:59:13,400
Speaker 4: a songwriter, you hear a song and be like, this

1027
00:59:13,480 --> 00:59:15,400
Speaker 4: is one of those songs you kind of wish you wrote,

1028
00:59:18,240 --> 00:59:18,720
Speaker 4: you know what I mean?

1029
00:59:18,880 --> 00:59:23,000
Speaker 1: I felt like that about Callide. Oh yeah what yeah?

1030
00:59:23,600 --> 00:59:23,640
Speaker 4: What?

1031
00:59:24,840 --> 00:59:24,960
Speaker 5: Oh?

1032
00:59:25,200 --> 00:59:26,680
Speaker 4: John Legend Ordinary People.

1033
00:59:26,720 --> 00:59:27,600
Speaker 1: That was the most.

1034
00:59:29,000 --> 00:59:32,200
Speaker 4: Brilliant. Yes, he's a brilliant songwriter. I used to be

1035
00:59:32,240 --> 00:59:35,880
Speaker 4: signed him. You know that, he's literally one of my

1036
00:59:36,000 --> 00:59:39,360
Speaker 4: favorite Damn, I was naming all the girlies. John, my bad.

1037
00:59:39,960 --> 00:59:42,000
Speaker 4: Had they given me a male list, you'd have been

1038
00:59:42,520 --> 00:59:50,640
Speaker 4: definitely top five. But yeah, yeah, okay, Tangluke.

1039
00:59:49,520 --> 00:59:53,120
Speaker 1: James, Yeah, listen, I'm not upset with it.

1040
00:59:53,760 --> 00:59:57,680
Speaker 4: Let's get into not upset with you. You know who?

1041
00:59:58,040 --> 01:00:01,200
Speaker 4: I really loved to Anthony, him with him. He was

1042
01:00:01,320 --> 01:00:03,960
Speaker 4: literally one of my favorite voices in high school. And

1043
01:00:04,040 --> 01:00:05,600
Speaker 4: then I loved music, soul.

1044
01:00:05,520 --> 01:00:11,240
Speaker 1: Child loved music cold That's music was.

1045
01:00:11,640 --> 01:00:14,640
Speaker 4: I feel like that era of music, oh Maxwell, I

1046
01:00:14,720 --> 01:00:16,880
Speaker 4: feel like that era of music was when I really

1047
01:00:17,040 --> 01:00:20,040
Speaker 4: was because you know, that's when the singer songwriter was.

1048
01:00:20,360 --> 01:00:24,160
Speaker 4: That neo soul vibe was like singer songwriter like people

1049
01:00:24,280 --> 01:00:27,840
Speaker 4: was writing a you know, I really appreciate that era

1050
01:00:29,200 --> 01:00:31,680
Speaker 4: of music. People be trying to like not love it.

1051
01:00:31,760 --> 01:00:34,760
Speaker 4: I'm like that was an era like that whole Philly

1052
01:00:34,920 --> 01:00:36,080
Speaker 4: sound was a time.

1053
01:00:36,440 --> 01:00:38,760
Speaker 1: It was a feeling like I could see it. I

1054
01:00:38,840 --> 01:00:41,440
Speaker 1: can still see, yeah that it was the.

1055
01:00:45,560 --> 01:00:49,920
Speaker 4: Kidding me a monster, ridiculous.

1056
01:00:50,040 --> 01:00:50,240
Speaker 1: Yeah.

1057
01:00:50,960 --> 01:00:54,000
Speaker 4: So I could keep going, but we could get to

1058
01:00:54,080 --> 01:00:59,840
Speaker 4: the next question because we love this ship. Mm hmm,

1059
01:01:06,240 --> 01:01:08,200
Speaker 4: it's this there is in the phase with me.

1060
01:01:11,560 --> 01:01:14,560
Speaker 3: I ain't saying no names. I ain't saying no names. Hey,

1061
01:01:14,760 --> 01:01:17,360
Speaker 3: ain't saying no names. I ain't saying no names.

1062
01:01:17,400 --> 01:01:22,439
Speaker 1: Who you are, Who's what you did? Don't say?

1063
01:01:22,560 --> 01:01:26,960
Speaker 4: She saying.

1064
01:01:29,160 --> 01:01:36,760
Speaker 1: Hey, you showing out in the in the new acoustics.

1065
01:01:36,800 --> 01:01:41,560
Speaker 1: I see what you're doing these acoustics. She's giving me

1066
01:01:41,640 --> 01:01:43,320
Speaker 1: the energy, giving me.

1067
01:01:43,960 --> 01:01:46,280
Speaker 2: I feel like Stacey is the person who made up

1068
01:01:46,320 --> 01:01:48,120
Speaker 2: and you know, listen, they're gonna attack me for this

1069
01:01:48,800 --> 01:01:49,080
Speaker 2: when I.

1070
01:01:49,200 --> 01:01:53,760
Speaker 1: Hear this, it's giving thing that people be saying. Wait,

1071
01:01:53,920 --> 01:01:58,480
Speaker 1: I see No matter who says it, I'm like, oh, Stacey.

1072
01:01:58,200 --> 01:01:58,280
Speaker 3: B.

1073
01:02:00,080 --> 01:02:03,320
Speaker 4: Well, I'm gonna give it very so bus. It always

1074
01:02:03,440 --> 01:02:07,640
Speaker 4: gave the community that is part of the community, which

1075
01:02:08,040 --> 01:02:11,600
Speaker 4: you know lgbtqu i A. They get the credit for that,

1076
01:02:12,320 --> 01:02:16,360
Speaker 4: but it always gave a gift with me. You've always

1077
01:02:16,400 --> 01:02:19,120
Speaker 4: heard me say that. But you're not one of the girls.

1078
01:02:22,640 --> 01:02:22,960
Speaker 1: Girls.

1079
01:02:23,160 --> 01:02:23,200
Speaker 3: No.

1080
01:02:24,760 --> 01:02:29,439
Speaker 1: Whenever I hear that term, bro, I'm like, ever somebody

1081
01:02:29,480 --> 01:02:30,560
Speaker 1: says that, I love.

1082
01:02:30,480 --> 01:02:33,080
Speaker 4: It, especially momently it, I'd be like, I love that

1083
01:02:33,360 --> 01:02:38,880
Speaker 4: it's giving boo. But you are so free that that

1084
01:02:39,000 --> 01:02:39,520
Speaker 4: it's giving.

1085
01:02:40,480 --> 01:02:43,160
Speaker 1: You know, I love that all those terms to be like,

1086
01:02:44,080 --> 01:02:44,800
Speaker 1: they just do bro.

1087
01:02:45,000 --> 01:02:49,160
Speaker 4: I don't part of the community. Man, Yeah, shout out

1088
01:02:49,200 --> 01:02:49,840
Speaker 4: to the LGBT.

1089
01:02:50,000 --> 01:02:56,600
Speaker 1: I mm hmm. So we're gonna get into something. I

1090
01:02:56,640 --> 01:03:00,440
Speaker 1: ain't saying no names. Oh yeah, very important segment, Okay,

1091
01:03:00,640 --> 01:03:02,200
Speaker 1: very very important. Again.

1092
01:03:02,320 --> 01:03:06,440
Speaker 2: You know you're gonna tell us a story funny or

1093
01:03:06,520 --> 01:03:10,200
Speaker 2: fucked up? Are funny and fucked up. The only rude

1094
01:03:10,240 --> 01:03:12,760
Speaker 2: to the game is you can't say no names.

1095
01:03:14,160 --> 01:03:20,000
Speaker 4: Hmm. Will Well. One time I went to a party

1096
01:03:22,080 --> 01:03:24,720
Speaker 4: and it was thousands of people at the party.

1097
01:03:25,200 --> 01:03:26,520
Speaker 1: Thousands. I mean it was.

1098
01:03:28,760 --> 01:03:31,360
Speaker 4: I felt like thousands of people. I'm like, you know,

1099
01:03:31,760 --> 01:03:34,840
Speaker 4: and sometimes I have social anxiety. I'm like, I'm I'm

1100
01:03:34,920 --> 01:03:37,760
Speaker 4: like an extroverted introvert. So I just I just end

1101
01:03:37,880 --> 01:03:41,840
Speaker 4: up in the pool. Yeah, I was the only one.

1102
01:03:42,560 --> 01:03:45,080
Speaker 4: I was the only one in the pool, like at

1103
01:03:45,120 --> 01:03:48,000
Speaker 4: it the thousands of people in there, and I was

1104
01:03:48,120 --> 01:03:50,000
Speaker 4: just I just felt good in the pool. I was

1105
01:03:50,080 --> 01:03:51,920
Speaker 4: floating on the deep end. I knew nobody was going

1106
01:03:51,960 --> 01:03:54,880
Speaker 4: to come and swim over there because the deep end

1107
01:03:55,440 --> 01:03:58,040
Speaker 4: had to be like fourteen feet. I'm like, I'm safe

1108
01:03:58,080 --> 01:03:59,480
Speaker 4: over here, and.

1109
01:04:01,240 --> 01:04:01,600
Speaker 1: But I was.

1110
01:04:01,760 --> 01:04:04,440
Speaker 4: I was also a little inebriated.

1111
01:04:04,640 --> 01:04:05,880
Speaker 1: Did you bring a swimsuit?

1112
01:04:06,360 --> 01:04:08,520
Speaker 4: I did? It was under it was in Miami. You

1113
01:04:08,720 --> 01:04:12,960
Speaker 4: I always keep a swimsuit, Okay, okay, okay, so yeah, pressure,

1114
01:04:14,640 --> 01:04:17,160
Speaker 4: so yeah. I'm in there for hours though, and then

1115
01:04:19,760 --> 01:04:22,040
Speaker 4: while I'm getting out of the pool, I'm not no. Actually,

1116
01:04:22,160 --> 01:04:24,000
Speaker 4: while I'm sitting at the edge, I'm noticing that people

1117
01:04:24,040 --> 01:04:25,560
Speaker 4: are starting to get in and I don't want to

1118
01:04:25,560 --> 01:04:33,880
Speaker 4: get out, so I'm like, this, let me get out.

1119
01:04:34,480 --> 01:04:37,760
Speaker 4: So instead of going to the shallow and I climbed

1120
01:04:37,960 --> 01:04:40,920
Speaker 4: my tiny ass, you know, out of the pool, and

1121
01:04:40,960 --> 01:04:43,400
Speaker 4: I scraped the hell out of my leg, like, but

1122
01:04:43,520 --> 01:04:45,840
Speaker 4: I'm not noticing it because I'm I'm still kind of

1123
01:04:45,880 --> 01:04:49,000
Speaker 4: slightly underwater, so the water pressure is just like, I

1124
01:04:49,080 --> 01:04:52,640
Speaker 4: don't notice it. And I'm a little lit too, and

1125
01:04:54,400 --> 01:04:57,760
Speaker 4: so I'm like, oh, give me some galls and a

1126
01:04:57,880 --> 01:05:01,280
Speaker 4: band aid, I'd be fine. So I'm sitting down talking

1127
01:05:01,360 --> 01:05:03,560
Speaker 4: to people at this point, the sun has gone down.

1128
01:05:03,680 --> 01:05:06,560
Speaker 4: I'm not noticing that I'm bleeding through the galls the

1129
01:05:06,680 --> 01:05:10,080
Speaker 4: towel and everything, and I'm just like, oh, yeah, party

1130
01:05:10,120 --> 01:05:11,880
Speaker 4: in the day. Then I see my homie, I get

1131
01:05:12,000 --> 01:05:15,480
Speaker 4: up to hug them and I literally dropped to the floor.

1132
01:05:15,480 --> 01:05:17,200
Speaker 4: I passed out because I had lost so much blood.

1133
01:05:18,680 --> 01:05:21,560
Speaker 4: And so I don't know how they got me up

1134
01:05:21,640 --> 01:05:24,040
Speaker 4: on that hernia. But all I heard was somebody said,

1135
01:05:24,040 --> 01:05:26,240
Speaker 4: get her out of here before she gets her leg

1136
01:05:26,280 --> 01:05:28,800
Speaker 4: gets amputated. I don't know who that was. I just

1137
01:05:28,880 --> 01:05:34,520
Speaker 4: heard a screeching white woman saying like something to that effect,

1138
01:05:35,200 --> 01:05:37,280
Speaker 4: and then I put a whole I mean, there's thousands

1139
01:05:37,280 --> 01:05:39,920
Speaker 4: of people there, like eir, everybody's there. So I put

1140
01:05:40,000 --> 01:05:43,160
Speaker 4: the sheet over my head. And I really didn't want

1141
01:05:43,160 --> 01:05:44,400
Speaker 4: to go to the hospital. I didn't want know whaty

1142
01:05:44,400 --> 01:05:45,960
Speaker 4: to call the ambulance. I wanted to act like this

1143
01:05:46,120 --> 01:05:49,200
Speaker 4: never happened, like it was like no, no, no, you

1144
01:05:49,280 --> 01:05:52,080
Speaker 4: gotta go. You're bleeding like you're bleeding, and so I

1145
01:05:52,120 --> 01:05:55,080
Speaker 4: had to get tense dishes. And so that's the fuck

1146
01:05:55,160 --> 01:05:57,480
Speaker 4: up story. I'm not going to say whose house is

1147
01:05:57,560 --> 01:05:57,720
Speaker 4: was it?

1148
01:05:57,960 --> 01:06:04,160
Speaker 1: But yeah, you had to get tense ditches. What you

1149
01:06:04,240 --> 01:06:05,840
Speaker 1: didn't scrape? Yeah?

1150
01:06:06,600 --> 01:06:10,080
Speaker 4: Yeah, but no wonder she said amputated, I'm like, what

1151
01:06:10,320 --> 01:06:11,040
Speaker 4: what's in the water?

1152
01:06:11,200 --> 01:06:15,880
Speaker 1: Legs is crazy?

1153
01:06:17,280 --> 01:06:18,800
Speaker 4: So that's the fund up story.

1154
01:06:19,480 --> 01:06:22,439
Speaker 3: Look at God, you still got your legs.

1155
01:06:22,520 --> 01:06:25,520
Speaker 1: You got your legs, and I got a leg white.

1156
01:06:25,400 --> 01:06:31,040
Speaker 4: Woman being comfortable wearing my legs though, like you know,

1157
01:06:31,280 --> 01:06:34,080
Speaker 4: I never like wore my legs out like that. I

1158
01:06:34,280 --> 01:06:36,560
Speaker 4: was just getting comfortable wearing my legs and then this

1159
01:06:36,800 --> 01:06:37,360
Speaker 4: is here you go.

1160
01:06:38,480 --> 01:06:40,520
Speaker 1: So yeah, no more litting the pool for you.

1161
01:06:41,600 --> 01:06:42,800
Speaker 4: I don't look like that no more.

1162
01:06:43,000 --> 01:06:53,280
Speaker 1: Yeah me neither neither that you got to be clear. Especially, yeah, yeah, especially,

1163
01:06:53,720 --> 01:06:56,080
Speaker 1: we love you, Stacey, and we love you.

1164
01:06:56,600 --> 01:07:00,880
Speaker 3: We uh we stand on you are amazing, We stand

1165
01:07:00,960 --> 01:07:03,200
Speaker 3: down it and that's inside and out. I appreciate we

1166
01:07:03,360 --> 01:07:04,960
Speaker 3: We love you as a person, We love you as

1167
01:07:04,960 --> 01:07:10,880
Speaker 3: a creative, We love you as as a movie maker.

1168
01:07:11,200 --> 01:07:16,680
Speaker 1: Now as we because that's what we do though these songs. Yeah, right, movies.

1169
01:07:17,720 --> 01:07:20,440
Speaker 4: I've always had that vision, like you know, like I

1170
01:07:20,520 --> 01:07:22,920
Speaker 4: did a little project with Hippoy and Chase that never

1171
01:07:23,000 --> 01:07:25,200
Speaker 4: came out. But this was before Star, this was before

1172
01:07:25,360 --> 01:07:29,320
Speaker 4: all that, like music incorporated with the with the film stuff.

1173
01:07:29,400 --> 01:07:35,840
Speaker 4: So what what's happening with music and the merge is

1174
01:07:36,000 --> 01:07:39,280
Speaker 4: what I'm interested in making, you know what I mean. Yeah,

1175
01:07:39,720 --> 01:07:41,640
Speaker 4: there's so many stories we told, and I feel like

1176
01:07:41,680 --> 01:07:43,680
Speaker 4: I need more than three minutes and thirty seconds to

1177
01:07:43,960 --> 01:07:45,480
Speaker 4: tell them, you know.

1178
01:07:46,280 --> 01:07:49,400
Speaker 3: And people need it. People want they want some long

1179
01:07:49,480 --> 01:07:53,080
Speaker 3: form content. They want it from you to do it.

1180
01:07:53,280 --> 01:07:56,520
Speaker 3: July nineteenth, the pressures.

1181
01:07:56,080 --> 01:07:59,640
Speaker 4: On, the pressures on, you'll welle'll.

1182
01:07:58,880 --> 01:07:59,760
Speaker 1: Show up, the show out.

1183
01:08:00,240 --> 01:08:00,439
Speaker 4: God.

1184
01:08:01,640 --> 01:08:03,840
Speaker 1: Yeah, all right, y'all.

1185
01:08:03,920 --> 01:08:07,920
Speaker 3: My name is Tank, I'm j Val And this has

1186
01:08:08,000 --> 01:08:10,160
Speaker 3: been the R and B Money Podcast, the authority on

1187
01:08:10,280 --> 01:08:15,120
Speaker 3: all things R and B and good energy, good vibes,

1188
01:08:17,400 --> 01:08:23,600
Speaker 3: actually seeing people, seeing them for who they are, and

1189
01:08:23,720 --> 01:08:32,000
Speaker 3: pleasant speaking, pleasant speaking voices, Yes, hugs, incense and campus

1190
01:08:33,200 --> 01:08:33,879
Speaker 3: and things.

1191
01:08:33,720 --> 01:08:39,519
Speaker 1: So many more things that just make the universe better universe.

1192
01:08:40,080 --> 01:08:47,599
Speaker 4: I'm just you know, throwing them an extra information on music.

1193
01:08:47,720 --> 01:08:53,800
Speaker 1: With that more more business, We're building.

1194
01:09:00,600 --> 01:09:01,719
Speaker 3: R and B Money.

1195
01:09:02,840 --> 01:09:04,599
Speaker 2: R and B Money is a production of the Black

1196
01:09:04,640 --> 01:09:09,400
Speaker 2: Effect podcast Network. For more podcasts from iHeartRadio, visit the

1197
01:09:09,560 --> 01:09:13,360
Speaker 2: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1198
01:09:13,400 --> 01:09:17,280
Speaker 2: favorite shows. Don't forget to subscribe to and rate our show,

1199
01:09:17,600 --> 01:09:20,200
Speaker 2: and you can connect with us on social media at

1200
01:09:20,320 --> 01:09:24,520
Speaker 2: Jyvalentine and at the Real Tank. For the extended episode,

1201
01:09:24,680 --> 01:09:28,840
Speaker 2: subscribe to YouTube dot com or slash R and B

1202
01:09:28,960 --> 01:09:29,240
Speaker 2: Money