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Speaker 1: I'll come back to another episode of Alchemy. This this

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Speaker 1: COVID nineteen edition moment I your host, Kevin, Yes, that

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Speaker 1: Givin Mullen was that. I don't know how many pickles

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Speaker 1: does it take to screw in the light. Oh that's

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Speaker 1: rich from you, but I digress. Let's shower no particular order.

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Speaker 1: Please say how did James Heeney, Jimmy gene and or Dean?

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Speaker 1: What was the first music you purchase? The first music

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Speaker 1: I purchased was from a Columbia records like ten albums

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Speaker 1: for a penny each, and I so I got them

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Speaker 1: all at once, and I remember almost all of them.

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Speaker 1: I got Arrowsmith's uh Big Ones Aerosmith also, I think

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Speaker 1: it was eight The Rich was the title I got

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Speaker 1: Um green Day's Dukie album. Actually, it turns out I

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Speaker 1: can't remember all of them, but I do remember that

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Speaker 1: they sent me into collection, never right the rest of it.

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Speaker 1: You can't send a ten year old into collections. And

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Speaker 1: I think it was just thrown out or my parents

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Speaker 1: dealt with it. I don't know. Yeah, they lost a

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Speaker 1: lot of money that way. Um, I'm so old. We

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Speaker 1: gotten records for that penny and they were vinyl and

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Speaker 1: they were vinal Um, what the hell is chrissavarado? Things

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Speaker 1: starting with C favorite ice cream flavor please um. Also

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Speaker 1: things would see two sees in alliteration? Is that or

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Speaker 1: does it have to be a vow? Um? Craig can

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Speaker 1: in alliteration be cookies and cream. Yeah, I call that

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Speaker 1: alliteration cookies and cream. To block once again, please welcome

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Speaker 1: Jackie Dear Ruthie Hell smallish dancer. Any memory you can

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Speaker 1: share about learning to dance? Yes, dance class. I mean

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Speaker 1: you just go to like a tink club dance and

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Speaker 1: you realize, oh, should I have to dance now? Well,

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Speaker 1: I have to say I've always been ready to go um,

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Speaker 1: ready to rock and roll, ready to grind, lots of

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Speaker 1: dirty dance and really young. They did teach us like

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Speaker 1: we'd have salsa classes where it was like five girls

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Speaker 1: and five guys from your grade would get together at

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Speaker 1: one of their houses and then you would learn how

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Speaker 1: to like partner salsa um, just with the ten of you,

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Speaker 1: and like just like learn how to dance with each

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Speaker 1: other as children and like lead with your hips and

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Speaker 1: but at the same time like don't have sex, um,

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Speaker 1: but but grab her and lead her by the hips

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Speaker 1: don't connect parts. But yeah, no, I was never nervous.

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Speaker 1: I was ready to go. I was born, ready to

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Speaker 1: ready to rock. He love it. Hey, it's Craig Kakowsky

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Speaker 1: Coco favorite non stick surface. Uh, I guess Teflon it

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Speaker 1: would be up there. I didn't say the only non

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Speaker 1: stick surface you can think of. I said favorite. I

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Speaker 1: think by default it's gotta be tel You know, hey,

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Speaker 1: I know. I mean I'm wearing all of them. I

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Speaker 1: mean still many coming to mind, and I think of

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Speaker 1: all the myriad options, I gotta go with Teflon, the solid,

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Speaker 1: sure and last, but no leftover Jella for you. If

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Speaker 1: you think him leaves, it's Joey Greer pants party. What

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Speaker 1: will you teach the children? I'm gonna teach the children. Uh. Actually,

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Speaker 1: I'm gonna take a page from from Alvarad. I'm gonna

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Speaker 1: teach them how to popping lock. Al Right, I'm gonna

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Speaker 1: give him the gospel of popping and locking. Let's do

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Speaker 1: a damn show. All of our scene suggestions, you may know,

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Speaker 1: are gathered from our listener emails or from our patron

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Speaker 1: v I p s to become a patron supporter of

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Speaker 1: the show, which we greatly shape and also receive exclusive

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Speaker 1: content and other perks. Oh yeah, there are other perks

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Speaker 1: other than exclusive content, like video of me saying this

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Speaker 1: right now. There are If you'd like to, just head

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Speaker 1: on over to Patreon dot com, slash alchemy this, or

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Speaker 1: you can submit a scene suggestion via email. Oh sure,

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Speaker 1: right to the podcast. Your name here at alchemy this

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Speaker 1: dot com. That's your name here dot com. Someone comes

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Speaker 1: from patron Alcamaniac Dougie who wrote and there's a chance

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Speaker 1: this is a repeat, so I have a backup if

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Speaker 1: it is, so, please tell me Dougie who wrote, Hey Kevin,

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Speaker 1: please tell Chris to stop mailing me hard copies of

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Speaker 1: his feet picks via the post office. Ship's weird. That

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Speaker 1: sounds familiar, Chris Nor Does the sound familiar? Yeah, sure,

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Speaker 1: it's not. Not do a doug ee right right? Scene

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Speaker 1: suggestion mouthwash craftsmen pitch some flavors hip hip hop, hippopotamus.

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Speaker 1: Doug E from Wichita, Kansas. It's three a m Okay,

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Speaker 1: we don't have one, don't thank you, Thank you, Carol,

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Speaker 1: Thank you, Carrol. We don't have it yet. That's right,

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Speaker 1: that's right. If we did have it, we'd be home

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Speaker 1: with our significant others. Except for you, Carroll Is you're

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Speaker 1: single and alone. Now that's that's pretty harsh. Thank you,

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Speaker 1: Thank you, Dennis. Someone here stands by my side. The

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Speaker 1: truth is not allowed to hurt. The truth is just that.

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Speaker 1: I just think that we should stick to the task.

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Speaker 1: At do you what all we have to do? Right?

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Speaker 1: We have to do? It's three o'clock in their fucking morning, Dennis,

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Speaker 1: and all we have to do? Right? Okay? Then spice spice. See,

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Speaker 1: I like to talk to me. Talk to me, Talk

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Speaker 1: to me. Okay, talk to you. They're putting pumpkin spice

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Speaker 1: and everything. There's the issue. It's seasonal, that's the thing.

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Speaker 1: How do we sell that? Yeah? I got a better one. Ready, ready,

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Speaker 1: close your eyes, picture picture pouring some of this in

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Speaker 1: your mouth and rinsing. Ready ready. Oh, still seems pretty

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Speaker 1: odd of me to me. It's pretty guys, guys, go listen.

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Speaker 1: Is folly Okay, I'm gonna have to call him the

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Speaker 1: big Gun. No, don't do it. Don't. We're gonna opening

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Speaker 1: called the crack in at three a m. He's gonna

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Speaker 1: get picked. He's already in the building. He's sleeping the

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Speaker 1: cracks here. I don't feel like I feel like we

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Speaker 1: would have known. Yeah, you're talking about Bert, right, we

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Speaker 1: called the kracking. Yeah, we call him the cracking because

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Speaker 1: you're a destroyer of all things Carol. Would you be

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Speaker 1: a real help and go wake up Burt? Absolutely not.

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Speaker 1: I'm not going to go do your errand because I'm

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Speaker 1: the female here, Dennis, all we have to do is,

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Speaker 1: you know, stick to the task at hand. Would you

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Speaker 1: mind waking up Burt? Please? Oh my god? Okay, room

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Speaker 1: or something you could use as a weapon. You stuck

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Speaker 1: up for me, and I'm going to stand up for

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Speaker 1: you that you do not need. You do not need

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Speaker 1: to fall on this sword. I think I do curl.

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Speaker 1: I think it's either going to be you or me,

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Speaker 1: And and I feel like, why can't one who needs

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Speaker 1: to get back to his lover at three am? I

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Speaker 1: just want to say, if the broom is already in

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Speaker 1: the closet and Bert has access to the broom first,

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Speaker 1: you may you may get to your first. I'm saying

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Speaker 1: that's not in that already. Ralph, Look, man, I gotta

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Speaker 1: go home. They're not leaving that office. I can't clean

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Speaker 1: that room. I'll just get it in the morning, Okay.

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Speaker 1: I've been here all night waiting for them to leave

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Speaker 1: so I can just clean that goddamn office. And if

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Speaker 1: you don't want your job, three like your job is

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Speaker 1: to clean every one of these office brow before you

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Speaker 1: go home, right, yes, well then go home and you

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Speaker 1: don't want you got so I just gotta stick around, Ralph.

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Speaker 1: You know, man, this is insane, This is this is

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Speaker 1: honestly crazy man. All right. I took this job because

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Speaker 1: you said you want to hang out more. We're gonna

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Speaker 1: be able to write our ideas down. You said we're

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Speaker 1: gonna have an ind onto the mouth wash universal, right,

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Speaker 1: this is our chance to blow it up from the

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Speaker 1: ground up, you know what I mean, to really make

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Speaker 1: a splash. And then what do you do? You just

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Speaker 1: sit in at this weird desk and you draw these

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Speaker 1: cartoons of you skateboarding. All right, Ralph, Hi, welcome to

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Speaker 1: weird desks. How can I help you? I'm looking for

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Speaker 1: something you but that's what we do, I guess, don't

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Speaker 1: do things go well together? Yeah? But did you have

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Speaker 1: a design and minor color? I was thinking around. I

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Speaker 1: was thinking what if it was like a spherical desk

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Speaker 1: we do around desk of course. Yeah, Okay, we're talking

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Speaker 1: like a like a dining table, kitchen table. I'm talking

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Speaker 1: like a beach ball, but ten times bigger and it's

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Speaker 1: a desk. So you wanted to touch the ground like

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Speaker 1: a ball. You don't mean, you don't mean just around.

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Speaker 1: That's weird. That's weird. You want to sweetie. It's four

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Speaker 1: thirty in the morning. Why aren't you home. I'm morny baby.

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Speaker 1: It's baby, baby, baby baby, and I want to take

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Speaker 1: care of that for you. You know, I just can't

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Speaker 1: do it. Oh, you know, my nails are too jagged

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Speaker 1: and I refuse to file. I know, I know, And

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Speaker 1: do you mind taking that off speaker? I mean, I'm

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Speaker 1: just trying to clean this other room. I don't need

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Speaker 1: to hear that. You come here? What's your name? What's

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Speaker 1: your name? But Milpian say of my wife ahead of

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Speaker 1: my wife? Hi eat, Milpian? What do you What do

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Speaker 1: you got on your head? What are you wearing anything

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Speaker 1: in your head? Hairs? I tried to braid my hair.

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Speaker 1: Didn't really work out. It nodded too much. I had

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Speaker 1: to cut it off, so I got like a bald

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Speaker 1: spot there. But it's it's just because I I funked

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Speaker 1: up a braid. All right, that's that's that's what it was,

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Speaker 1: So keep going. Yeah you look, I'm just trying to

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Speaker 1: I'm just please speak no, no, please, no nothing. Do

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Speaker 1: you know who him? Yeah, Charles Nabisco. I'm Charles Nibisco.

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Speaker 1: I know, sir, I know. Sorry, no, I you're talking

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Speaker 1: to Mrs Nibisco. I'm sorry. I was just trying to

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Speaker 1: clean and um so I've just been working on all

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Speaker 1: these different mouth wash flavors in my head and I'm sorry,

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Speaker 1: sorry about that. Didn't mean but wait wait wait, wait, wait,

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Speaker 1: wait wait, I don't want to hear your fucking mouthwash ideas. Okay,

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Speaker 1: I'm just gonna clean. It's got all these mouth washing

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Speaker 1: ideas in my head. I don't want to hear. I

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Speaker 1: don't want to hear sing of one of them. Looked

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Speaker 1: at my wife until she climax is understood. Sure, sure, sure, okay,

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Speaker 1: I guess I'll just go and get Burt, get the crack.

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Speaker 1: And if all of you guys are just the crack

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Speaker 1: the Kraken, it means he's he's really powerful and almost

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Speaker 1: like a large octopus, that's how powerful. It's a reference

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Speaker 1: to Clash of the Titans. You've never seen either version?

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Speaker 1: Have Caribbean three? Have you seen the third installment of

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Speaker 1: Pirates of the Caribbean and Spiced Rum? Get cracking, cracking,

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Speaker 1: flavor crack and flavor of mouth, Ralph, I just opened

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Speaker 1: one of these, one of you, because it's on a

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Speaker 1: body in there. There there's a body the Holy ship

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Speaker 1: bro this guy. Yeah, hey, sorry to interrupt. I'm in

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Speaker 1: training and I was just shadowing your your business, okay, okay,

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Speaker 1: So what does that make the problem? Through something in

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Speaker 1: the morning, he was shadowing our business. Somebody from up top,

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Speaker 1: I'd be trying to get rid of me here closet.

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Speaker 1: I am not here to replace anybody. You said, there's

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Speaker 1: a body in the where's the phone here? I got

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Speaker 1: a hey, hey, buddy, Carol, thank you. You're welcome. You're

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Speaker 1: absolutely welcome. I can't believe you didn't think of it

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Speaker 1: before me. Chop chips, ahoy flavored ah mouthwash. You are

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Speaker 1: Mr Bisco what the fuck? And and I'm keeping that

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Speaker 1: high a list, but you still need to get burned.

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Speaker 1: I always thought to Bisco Stiff for the National Biscuit Company.

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Speaker 1: Is that it's your actual last name? That's yeah. I

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Speaker 1: don't know where you've heard of that along the lines

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Speaker 1: of cracking stuff you're making up, dude. I'm telling you

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Speaker 1: right now, Nestleie stands for Needle Street leads, okay, and

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Speaker 1: the Mars company. It's it's not it's not even just

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Speaker 1: the word it's it's it's it's may Au who you know.

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Speaker 1: It's just they're always veiled, you know what saying, man,

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Speaker 1: And it's like can we get two more beers? And uh,

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Speaker 1: it's just like wow that there's the conspiraci and every

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Speaker 1: every major every every major cookie company out there. Man,

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Speaker 1: I'm telling you right now, we're talking about the soul

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Speaker 1: out here. Bro. Who what are they gonna do? Listening?

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Speaker 1: What are what are they gonna do? Hustenders? Too little

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Speaker 1: little sucking eminem something. I'm just worried. You know that

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Speaker 1: kids are gonna start drinking the chips ahoy mouth wash,

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Speaker 1: which does have a poison control warning on it, you know.

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Speaker 1: So I think we want good flavors, but not necessarily

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Speaker 1: things that sound. It's only pious if you drink the

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Speaker 1: entire containers. So what's the fucking problem if you drink

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Speaker 1: the entire container, it's all it's just only dudley if

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Speaker 1: you drink the whole container. Well, wait till the cracking

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Speaker 1: gets here, because for some of you young guns who

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Speaker 1: haven't seen him work, you know, he's gonna take over

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Speaker 1: the room. He's gonna pitch twelve ideas in thirty seconds.

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Speaker 1: All right, So let me just get a statement here.

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Speaker 1: You said you're shadowing. Is that qu yeah? Yeah, okay?

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Speaker 1: And when did you see the deceased? I guess it

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Speaker 1: was about four. And how did you know? Sorry to interrupt,

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Speaker 1: I'm shadowing shadowing the officer here? How did you know

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Speaker 1: for forty one? Specifically? I remember looking at it, mike clock. Okay,

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Speaker 1: so you have a clock. Yeah, it's on the wall

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Speaker 1: right there, that's your clock. You go on the record

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Speaker 1: saying that's your clock. Well, anytime in a room, you know,

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Speaker 1: I consider it my clock. Okay, a clock, my clock?

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Speaker 1: I want to know, right, just it's my It's what

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Speaker 1: I look at. Excuse me, So just one second, shadow

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Speaker 1: officer once you come over here, Yeah what, don't get

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Speaker 1: chumming up with him. Don't chumming up. I thought maybe

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Speaker 1: I do I do good cup You thought you do

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Speaker 1: good cups? So you're gonna make me the bad Cup.

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Speaker 1: I guess we should have discussed that before. Yeah, we

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Speaker 1: should have discussed that. Okay, I don't mean interrupt, but uh, shadow,

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Speaker 1: shadow Coup there, who do you like for this? Uh?

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Speaker 1: Don't tell him, don't don't just give this up. This

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Speaker 1: is an ongoing investigation, Shadow cop. Well, I mean this

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Speaker 1: guy's wearing a sweatshirt that says cracking. All right, right right,

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Speaker 1: Uh so it's clearly it's it's somebody who has it

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Speaker 1: in for for Greek mythological figures. So I'm gonna say, Haydes,

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Speaker 1: I think that's Fundad. Hey Bert, open up the closet,

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Speaker 1: cart where do you want? Open up the door. Let's

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Speaker 1: have a talk, like to civilized human sush Carol, Yes,

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Speaker 1: it's Carol. Yes, And I'm sorry if I'm in the mood,

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Speaker 1: but it is almost five o'clock in the morning, I

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Speaker 1: have gotten no sleep, I'm low on sugar, and I

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Speaker 1: am just cranked out of my mind. I hope you

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Speaker 1: don't find it offensive. One I say, I'm vibing with

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Speaker 1: your mood. I'm gonna open the door. Step back. Okay,

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Speaker 1: we did tell her the right closet to go to, right,

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Speaker 1: sure the floor three? Well, if she goes to the

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Speaker 1: one on floor four, she's gonna meet a very very

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Speaker 1: unsavory character. That's not the cracket of that. How about

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Speaker 1: that something unsavory? Huh? I means you want to spit

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Speaker 1: it out? Well, I in my notes, I already wrote

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Speaker 1: the garlic mouthwash. I would say that is savory. But

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Speaker 1: my my argument was that it's it smells good like

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Speaker 1: garlic when you cook, it smells good. Why not good

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Speaker 1: garlic broth? That's not a thing? Good garlic Beth's not

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Speaker 1: a thing. How about epicac in it? About its epicac flavor?

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Speaker 1: About that? I'm nuts? Rice cakes? Right? That's bland? That

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Speaker 1: DoLS good? No, No, that DoLS good. Listen If okay,

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Speaker 1: I write it down. If Carol isn't back soon, she

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Speaker 1: probably went to the wrong closet, do you guys? I

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Speaker 1: don't know what's happening to me. I look, I feel

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Speaker 1: like I'm just starting, Oh Carol, what happened? It's a

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Speaker 1: lot of blood, and first of all, my knuckles are

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Speaker 1: just knocked raw, so I had to start scat knocking.

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Speaker 1: I don't know. I was taken in and I didn't

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Speaker 1: hate it, but I'm completely pregnant. Immediately, I feel like

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Speaker 1: I'm sorry to interrupt here, just the two officers and shadowing. Looky,

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Speaker 1: looky what we got here? Shut up? Cup? But man,

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Speaker 1: would you like to come with us? You're under arrest

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Speaker 1: for the murder of Bert? What what? You have? Blood

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Speaker 1: on your hands? Missed and it looks like you're pregnant

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Speaker 1: immediately hands. I don't know what this is. I feel

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Speaker 1: pregnant too. Is everyone here a great gud could have

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Speaker 1: done this? I got a baby on board? Well, shut

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Speaker 1: up of this. This opens our investigation wide. Terry Terry

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Speaker 1: sane one. Scene one. My name's Terry, by the way.

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Speaker 1: Seen two comes to us from Hither, who wrote Alchemy.

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Speaker 1: This is my absolute favorite podcast. I love all of

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Speaker 1: you guys so much. I miss Vanessa's dulcet tones. But

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Speaker 1: you're all fabulous, even James, whoa Hi praise. Here's my

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Speaker 1: scene suggestion a group of ghost hunters from one of

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Speaker 1: those ridiculous TV shows where every creek or of a floorboard,

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Speaker 1: or skittering of a road and is proclaimed to be

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Speaker 1: proof of haunting. No, it's clearly not. Thank you for

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Speaker 1: your profane and s f W three kisses. Heather from

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Speaker 1: upstate New York. The Milking Home was built in eighteen

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Speaker 1: sixteen on a rash of murders, as well as undiagnosed deaths,

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Speaker 1: have led to this home being considered one of the

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Speaker 1: most haunted locations in the Stop you there if I could, Um,

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Speaker 1: I don't know where you're seeing undiagnosed desks. It's not

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Speaker 1: in the copy. So if we could just stick to

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Speaker 1: the copy, that'd be great. Let's go for another take

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Speaker 1: when you're ready. The Milpian Home was constructed in eighteen

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Speaker 1: thirteen with the string of homicides. Sorry, I just throw

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Speaker 1: an idea out there. What if we were to take this,

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Speaker 1: What if we took this out of the studio and

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Speaker 1: we went into the Milking Home so that he could

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Speaker 1: really connect with what's happening. Let's try it. Anybody have

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Speaker 1: a caterping home? I I didn't think of that. Um,

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Speaker 1: maybe we just not just I mean, this is an

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Speaker 1: abandoned house. Look at this. Let's just break a window.

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Speaker 1: Nobody's got nobody lives. Boo boost out of the Wow.

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Speaker 1: Did you used to be part of that stop or something? No,

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Speaker 1: it's a group I think is going to answer. She's

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Speaker 1: talking about you. Who's coming my we'd like to hoard inside.

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Speaker 1: If that's okay, man, I could say yes for a

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Speaker 1: kiss on the that's you, Jimmy, I mean maybe our

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Speaker 1: voice so for actor could probably Okay, what the hell

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Speaker 1: is going on here? What the hell I'm gonna cut you?

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Speaker 1: I got a machete in both hands, I got all this,

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Speaker 1: and I taped the goddamn flashlight to my chest. I'm

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Speaker 1: gonna go to town. All right now, what the hell?

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Speaker 1: What are you doing in Europe? Sir? Sorry to disturb you.

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Speaker 1: We're just wanted to do a television production of a

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Speaker 1: voice over audition inside your house. If that's okay. I

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Speaker 1: didn't know that. That's a fine release, sir. Alright, alright, alright,

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Speaker 1: So look we are Netflix. Um, we're happy to here

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Speaker 1: all in any ideas. I know who you are, okay,

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Speaker 1: I mean I'm here in the Netflix office. I hope

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Speaker 1: through Netflix. Isn't it nice? Okay? So everybody loves ghosts

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Speaker 1: hunter shows. What one of the most popular, one of

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Speaker 1: the most popular genres out there? Am I doing this market? Yeah?

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Speaker 1: It is. It's a saturated market. People are also fascinated

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Speaker 1: about the behind the scenes behind the production of shows.

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Speaker 1: People love voiceover So this is a show about people

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Speaker 1: who do voiceovers for ghost shows, recording recording the intros. Well, Um,

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Speaker 1: today is Stephanie's first day. She's an assistant. Um working

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Speaker 1: working my weight up already, though, are you shadow anger?

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Speaker 1: Are you were working her own? But now I'm shadowing

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Speaker 1: your show. I'm shadowing Okay, looks deaf. I think today's

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Speaker 1: the day you make the important decision. Balls in your court?

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Speaker 1: What do you think? Oh man, this is exciting. So, um,

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Speaker 1: everybody loves ghost hunters and voiceovers, So this show honestly

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Speaker 1: makes a lot of sense. Um, I'm gonna go ahead

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Speaker 1: in green light at least the pilot. Um. And I

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Speaker 1: know that that's like maybe not the way Netflix works,

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Speaker 1: but um again, I'm going to pioneer that. Are you twelve? Evan?

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Speaker 1: This is Netflix. I'm one of the top executives. Okay,

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Speaker 1: you know that, Evan, right, right? Evan, you know that

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Speaker 1: this is Netflix? All right? Okay, you know that right.

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Speaker 1: I'm a top executive here and Netflix, and this is

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Speaker 1: what this is. Uh, this is Netflix. Do you understand

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Speaker 1: That's clear? That's obviously over the building when we came in,

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Speaker 1: right exactly, and it's it's in the carpet. It's in

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Speaker 1: the water level of your executive. If I may, sir,

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Speaker 1: do you are you required to say Netflix at least

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Speaker 1: once in every paragraph. It's an interesting question, Evan, because

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Speaker 1: the Netflix here, which I'm gonna answer, and then there's

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Speaker 1: the one you're starting. Even I'm feeling a little static here,

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Speaker 1: and Netflix doesn't deal with static. Okay, we're not We're

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Speaker 1: not radio waves. You know what I'm saying. Netflix is

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Speaker 1: streaming on like there's a transitional period. I'm having a

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Speaker 1: tough time coming over from Amazon Studios. So and I

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Speaker 1: know that we brought you over to me a minute Heaven,

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Speaker 1: I don't want to give you that that minute Hulu.

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Speaker 1: I got a delivery for Hulu. This is Netflix. I

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Speaker 1: can't be more clear about that. This is Netflix. I

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Speaker 1: am an executive and he's gonna okay, even I think

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Speaker 1: I'm lost, Sorry looking for Evan. I want to give

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Speaker 1: you a premier position here within Netflix higher council. What

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Speaker 1: do you think? I mean? I'm kind of enticed, But

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Speaker 1: that guy said Hulu twice, and now all I can

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Speaker 1: think is Hulu. It's in your head right around my

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Speaker 1: head me too. But I signed a blood con track,

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Speaker 1: so I can't leave, but welcome to the Netflix Sire Council,

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Speaker 1: bringing the sacrificial lamb. Oh Jesus, what we hold? What

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Speaker 1: the hell? Man, let's get to it. We didn't even

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Speaker 1: do the goddamn prayer. We already killed that lamb. Thephacy,

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Speaker 1: the prophecy is foretold. There will be another season of

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Speaker 1: Grace and Frankie, you got confusing a good downloads. Come

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Speaker 1: on us. You don't have to defend it, Jane, I'm

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Speaker 1: just saying, no, it's it's good, it's good, it's good. Congratulations.

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Speaker 1: Should we um? Should we cook the lamb? Or what

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Speaker 1: we have? Meant? We have met in this cave atop

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Speaker 1: this mountain to discuss future episodes and full television. Who's

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Speaker 1: the new guy? Oh, Evan? Would you like to introduce yourself? Seven? Sorry? Sorry,

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Speaker 1: sorry sorry, I was just please put your inner circle

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Speaker 1: of the Higher Council. You're not shadowing anymore, Evan, You're here.

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Speaker 1: I'm committed. Yeah, thank you? What what dude? You need

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Speaker 1: me to weigh in? Do you miss the whole sacrifice

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Speaker 1: in the whole thing? Or I don't? Roger, I have

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Speaker 1: a real bone to pick with you. I feel like

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Speaker 1: ever since you outed me for being a twelve year

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Speaker 1: old girl. I was totally dismissed by Netflix. Like my

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Speaker 1: shadow raised through the rank so much faster than I did.

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Speaker 1: And I'm just like stuck in this shitty position making

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Speaker 1: stupid decisions about shows I don't even care about. And

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Speaker 1: I blame you, Roger, and I want and I want

401
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Speaker 1: to say fuck you. Listen, you gotta stay in your room, okay,

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Speaker 1: And if you want to talk to this adult man, Roger,

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Speaker 1: all right, that's gonna have to wait until your eighteen Okay, honey,

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Speaker 1: I'm sorry, right is the landline? Come on, honey, you

405
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Speaker 1: snuck out of the house and you started a career

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Speaker 1: without our goddamn consent. That's not gonna happen again, all right?

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Speaker 1: So what my vagina that I can run a business? Honey?

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00:28:23,480 --> 00:28:27,040
Speaker 1: That makes no sense. Didn't you want to start a

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Speaker 1: business when you were her age? Yes? But you know

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Speaker 1: what I did. I went out and I and I

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Speaker 1: had a lemonade stand. I was twelve years old and

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Speaker 1: I did a lemonade stand? Was that too old? We

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Speaker 1: tried to stop her? Then she's just gonna do it

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Speaker 1: behind her backs like this. We should embrace her. She

415
00:28:40,720 --> 00:28:46,840
Speaker 1: already start. What did you hear that? Oh? Oh my god,

416
00:28:46,960 --> 00:28:50,840
Speaker 1: starting again? What that was? Look, look, everyone's calmed down.

417
00:28:50,840 --> 00:28:53,240
Speaker 1: It's probably just wind. There's probably just a whole bunch

418
00:28:53,240 --> 00:28:55,880
Speaker 1: of winning. You never moved into this house. We should

419
00:28:56,120 --> 00:29:00,040
Speaker 1: I'm not sucking wind. Look, this house is torn a

420
00:29:00,080 --> 00:29:01,920
Speaker 1: thousand dollars. We're gonna flip it and then we're out

421
00:29:01,920 --> 00:29:03,840
Speaker 1: of here. Okay, We're gonna flip it and then we're

422
00:29:03,880 --> 00:29:07,360
Speaker 1: out of here. Okay, Just everyone calm down. Okay, chase

423
00:29:07,680 --> 00:29:13,160
Speaker 1: your stain in your room. Do you understand whatever, doubt, whatever,

424
00:29:13,480 --> 00:29:19,239
Speaker 1: whatever you thought you could occupy the milby announce? Uh?

425
00:29:19,520 --> 00:29:21,400
Speaker 1: Mr Peel, First of all, thank you so much for

426
00:29:21,600 --> 00:29:26,360
Speaker 1: coming in and to discuss the possibility possibility of a

427
00:29:26,440 --> 00:29:29,840
Speaker 1: sequel to get out, and we want to spit ball

428
00:29:29,960 --> 00:29:33,680
Speaker 1: some titles, the three of us uh and if any

429
00:29:33,680 --> 00:29:36,880
Speaker 1: of them click with you, please um let us know.

430
00:29:38,120 --> 00:29:42,680
Speaker 1: Jim you want to start? This is uh, Jim Kelly Okay, okay,

431
00:29:42,920 --> 00:29:46,480
Speaker 1: I'll I mean, this one's gonna sound pretty obvious and

432
00:29:46,640 --> 00:29:52,280
Speaker 1: get out too. So I know that I just wanted

433
00:29:52,320 --> 00:29:56,520
Speaker 1: to make Jim's Jim's having a little fun with you. Okay, Well,

434
00:29:56,520 --> 00:29:58,800
Speaker 1: I just want to make sure. I'm Jordan Field. This

435
00:29:58,880 --> 00:30:03,080
Speaker 1: is Netflix. I I think I made clear. I made

436
00:30:03,080 --> 00:30:04,760
Speaker 1: clear I didn't want to do a sequel to get Out.

437
00:30:05,000 --> 00:30:06,719
Speaker 1: You know. I think I think that movie, you know,

438
00:30:07,280 --> 00:30:10,480
Speaker 1: Spoken to Peace and uh, you know, I consider it

439
00:30:10,520 --> 00:30:13,600
Speaker 1: a you know, done right. That's why we thought if

440
00:30:13,600 --> 00:30:17,280
Speaker 1: we hit you at the right title, we might flip

441
00:30:18,040 --> 00:30:21,600
Speaker 1: your thought process. And since this is a collaboration, I'm

442
00:30:21,600 --> 00:30:24,160
Speaker 1: going to cross out get Out to thank you, Jim.

443
00:30:24,480 --> 00:30:29,800
Speaker 1: It's off the list. I'm gonna t o O. I mean,

444
00:30:29,840 --> 00:30:31,880
Speaker 1: there's three other options I have for you, but I

445
00:30:31,880 --> 00:30:33,440
Speaker 1: feel like you probably don't want any of our The

446
00:30:33,560 --> 00:30:36,280
Speaker 1: variations on get Out Too they are they are to

447
00:30:36,280 --> 00:30:41,160
Speaker 1: get out you too, people puerent and then get out

448
00:30:41,160 --> 00:30:43,800
Speaker 1: You to the band and Jim, we don't we talked

449
00:30:43,800 --> 00:30:48,240
Speaker 1: about him. Okay, that's where they took over to Betty's iPhone. Yeah,

450
00:30:48,680 --> 00:30:54,400
Speaker 1: can I suggest one. I'll tell you man, listen man, Netflix, Amazon, Hulu.

451
00:30:54,480 --> 00:30:58,400
Speaker 1: They're all they're all like a different Satanic like the thing.

452
00:30:58,480 --> 00:31:02,920
Speaker 1: I mean, like, if you say Netflix, s my wife

453
00:31:02,960 --> 00:31:06,239
Speaker 1: and I are just camping, sir. We don't want any problems. Well,

454
00:31:06,280 --> 00:31:11,200
Speaker 1: this is property are you? Are you an entertainment company? Yes, yes,

455
00:31:11,240 --> 00:31:14,240
Speaker 1: we are. Yes, my wife said, My wife just said it. Yeah,

456
00:31:14,280 --> 00:31:18,160
Speaker 1: then your three's to day. But I just didn't want

457
00:31:18,200 --> 00:31:21,120
Speaker 1: to say that. You know. So if you think Amazon, Hulu, Netflix,

458
00:31:21,120 --> 00:31:23,680
Speaker 1: if you put them all together, they it says, and

459
00:31:23,840 --> 00:31:33,440
Speaker 1: mazahala Flix And that's the spirit of Amazons. I nervous.

460
00:31:33,960 --> 00:31:40,240
Speaker 1: I don't get your cameras. Don't make this excuse? Is

461
00:31:40,280 --> 00:31:46,600
Speaker 1: this Quimby? I got a delivery for Quimby. No, it's

462
00:31:46,600 --> 00:31:52,760
Speaker 1: not Quimby. Oh my gosh, who are you? Are you

463
00:31:52,800 --> 00:31:59,239
Speaker 1: a messenger? I'm with the Ups. Oh yeah, so I do.

464
00:31:59,320 --> 00:32:02,120
Speaker 1: I do messr service as well as delivery. Did you

465
00:32:02,280 --> 00:32:07,120
Speaker 1: send a message from us directly to Hell to Hell

466
00:32:07,240 --> 00:32:13,160
Speaker 1: to like hades? Yes? Yes, to down there. Okay, we

467
00:32:13,200 --> 00:32:17,400
Speaker 1: need we need some spirits to to juice ratings. If

468
00:32:17,440 --> 00:32:19,959
Speaker 1: they could haunt this this house we're about to shoot in,

469
00:32:20,320 --> 00:32:24,440
Speaker 1: it would be great. You need some spirits juice, weddings, justice,

470
00:32:24,440 --> 00:32:31,880
Speaker 1: weddings ratings. Right. Sorry, yeah, I can't read my own writing. OK,

471
00:32:32,360 --> 00:32:39,680
Speaker 1: need some spirits. Hell is that you did you do that? Yeah?

472
00:32:39,760 --> 00:32:43,560
Speaker 1: That's my that's my cell phone? Sorry, Hello, Philip, how

473
00:32:43,600 --> 00:32:50,600
Speaker 1: are you buddy? Yeah? What's up that I'm calling? Because look,

474
00:32:50,640 --> 00:32:52,280
Speaker 1: I want to say, I'm so sorry what happened at

475
00:32:52,280 --> 00:32:56,000
Speaker 1: the barbecue. That's all right, that's all right. I uh

476
00:32:56,680 --> 00:33:00,120
Speaker 1: my my wife is is in surgery right now, and

477
00:33:00,360 --> 00:33:02,360
Speaker 1: they say there's a good chance he's gonna pull through.

478
00:33:02,960 --> 00:33:04,720
Speaker 1: I hope, so you know, I mean, I still think

479
00:33:04,720 --> 00:33:11,440
Speaker 1: it's superficial burns in the year twenty twenty one, two hosts,

480
00:33:12,400 --> 00:33:18,080
Speaker 1: we're brave enough to enter the Milbian house. What they

481
00:33:18,160 --> 00:33:23,400
Speaker 1: found might scare you, what they found might delight you.

482
00:33:24,640 --> 00:33:27,240
Speaker 1: But what they found, Miles, can you shut the funk

483
00:33:27,320 --> 00:33:29,160
Speaker 1: up and let me watch a goddamn show and take

484
00:33:29,200 --> 00:33:32,640
Speaker 1: it off? Mute. I don't need you reading the subtitles.

485
00:33:32,800 --> 00:33:36,240
Speaker 1: Need just let me. Okay, I don't believe in you

486
00:33:38,440 --> 00:33:40,040
Speaker 1: just said, dude, so do I. But you know what,

487
00:33:40,120 --> 00:33:42,160
Speaker 1: both of us are stuck here cleaning god damn apartments

488
00:33:42,160 --> 00:33:44,120
Speaker 1: and buildings right now. And so that's a fine job.

489
00:33:44,240 --> 00:33:45,920
Speaker 1: It pays the bills. Dude, I'm fine with that, but

490
00:33:45,960 --> 00:33:48,040
Speaker 1: we gotta work our way up. But please and let

491
00:33:48,080 --> 00:33:53,320
Speaker 1: me enjoy my quiet time. This is my te fe time. Dude. Hey, sorry, sorry,

492
00:33:53,360 --> 00:33:56,760
Speaker 1: I'm I'm shadowing today. Dude. Is that ah like a

493
00:33:56,920 --> 00:34:01,080
Speaker 1: normal conversation the two of you have Yes, he wants

494
00:34:01,080 --> 00:34:03,320
Speaker 1: to be a voice over actor, and and you want

495
00:34:03,320 --> 00:34:05,920
Speaker 1: to watch TV. I mean that's not my dream. No,

496
00:34:06,120 --> 00:34:08,319
Speaker 1: just right now, I want to watch TV. So that's

497
00:34:08,320 --> 00:34:10,200
Speaker 1: what my dream if I, if I can be honest,

498
00:34:10,280 --> 00:34:12,120
Speaker 1: is I wanna I want to get back into like

499
00:34:12,160 --> 00:34:14,840
Speaker 1: old school illustrations, like the magazines and draw a mouthwash

500
00:34:15,480 --> 00:34:17,640
Speaker 1: marketing ats okay? And what would be a dream if

501
00:34:17,640 --> 00:34:22,719
Speaker 1: you didn't want to be honest? What if I didn't

502
00:34:22,719 --> 00:34:25,560
Speaker 1: want to be honest? He said, if I would were

503
00:34:25,600 --> 00:34:27,759
Speaker 1: to be honest, and then you listed some things that

504
00:34:27,800 --> 00:34:30,200
Speaker 1: were not that interesting. So I'm curious if you were

505
00:34:30,320 --> 00:34:33,279
Speaker 1: to not be honest, what would you dreams I was

506
00:34:33,360 --> 00:34:36,920
Speaker 1: not honest, what would my dreams be? I guess, um,

507
00:34:37,080 --> 00:34:39,400
Speaker 1: I don't know, uh, honestly, if I was not honest,

508
00:34:39,400 --> 00:34:40,960
Speaker 1: you know, but you know what I would want to be.

509
00:34:41,280 --> 00:34:43,120
Speaker 1: I wouldn't want to be the guy, the guy who

510
00:34:43,160 --> 00:34:47,239
Speaker 1: makes all the ubers, all of them. Yeah, you know

511
00:34:47,280 --> 00:34:49,120
Speaker 1: what I mean? I do. I wouldn't want to be

512
00:34:49,160 --> 00:34:50,799
Speaker 1: in charge of Uber. I'll say that much. I feel

513
00:34:50,800 --> 00:34:52,719
Speaker 1: like it's like too much work for me. It's not

514
00:34:52,800 --> 00:34:57,360
Speaker 1: what I want. Sure, that's not what I want Miles, Miles,

515
00:34:57,360 --> 00:35:02,400
Speaker 1: Are you okay? Miles Myles right? What the hell happened

516
00:35:02,400 --> 00:35:10,520
Speaker 1: to him? Oh? My god, Myles Myles wake up. Um Um,

517
00:35:10,520 --> 00:35:16,399
Speaker 1: I'm ready to get out of being grounded and I'm

518
00:35:16,440 --> 00:35:18,200
Speaker 1: not going to start anything. If it was up to me,

519
00:35:18,400 --> 00:35:20,880
Speaker 1: I would Chase. If it was up to me, you

520
00:35:20,880 --> 00:35:23,280
Speaker 1: would have never been grounded. I had the same dreams

521
00:35:23,360 --> 00:35:25,680
Speaker 1: you had when I was your age. Can we just

522
00:35:25,719 --> 00:35:29,399
Speaker 1: eat the Lasagnian piece? Please? I'm upset. I think like

523
00:35:29,840 --> 00:35:32,280
Speaker 1: we we should have never moved out of the city

524
00:35:32,400 --> 00:35:38,320
Speaker 1: into this. You know what, I'll just eat this. Get out.

525
00:35:41,680 --> 00:35:48,200
Speaker 1: It's you too, it's the winds. Get out of my phone,

526
00:35:48,520 --> 00:35:56,680
Speaker 1: you too. I didn't want this album. That's keeping just

527
00:35:56,719 --> 00:36:01,160
Speaker 1: head down. I know that I'm not supposed to be

528
00:36:01,200 --> 00:36:04,160
Speaker 1: dealing in businesses anymore, but I have to run to

529
00:36:04,239 --> 00:36:13,960
Speaker 1: Netflix right now. Chase, Chase, welcome to Netflix. You're green Light.

530
00:36:14,000 --> 00:36:17,200
Speaker 1: What can I get you? Um? I have a great idea,

531
00:36:17,680 --> 00:36:22,319
Speaker 1: and I think I think it's pretty original. It's just

532
00:36:22,440 --> 00:36:26,920
Speaker 1: it's just can I talk to Mr Peel just a second?

533
00:36:27,440 --> 00:36:30,759
Speaker 1: Jordan Pee? Jordan Peel coming the phone place, Jordan pe Well, sorry, no,

534
00:36:30,880 --> 00:36:34,720
Speaker 1: I'm right here in the love It Peel, Mr Peel, Sorry,

535
00:36:34,960 --> 00:36:39,240
Speaker 1: I didn't mean to call you Jorge, Stephanie or Chase. Yeah, um, Chase.

536
00:36:39,640 --> 00:36:43,840
Speaker 1: But I go by Stephanie in the workplace. Actually yeah, yeah,

537
00:36:44,000 --> 00:36:47,560
Speaker 1: that's my honestly my fake name for work. Um, so

538
00:36:47,719 --> 00:36:51,640
Speaker 1: you can call me, yeah, tell me about it. And

539
00:36:51,719 --> 00:36:56,800
Speaker 1: you're My name is is Josiah Simonson. Oh see, and

540
00:36:56,840 --> 00:36:59,800
Speaker 1: I heard it was Cleve's piles. So the rumors go around.

541
00:37:00,520 --> 00:37:03,440
Speaker 1: I have a budge. I have a budge for different Listen.

542
00:37:03,480 --> 00:37:05,480
Speaker 1: I don't know if you were thinking about making a

543
00:37:05,480 --> 00:37:09,080
Speaker 1: sequel for Get Out, but um, I think about it

544
00:37:09,120 --> 00:37:11,520
Speaker 1: more of a in the universe and less of a

545
00:37:11,680 --> 00:37:16,120
Speaker 1: direct narrative continuation and in the narrative and in the

546
00:37:16,200 --> 00:37:22,839
Speaker 1: universe round daughter, give me this ax? Where is my daughter? Hey? Hey,

547
00:37:23,120 --> 00:37:30,080
Speaker 1: what what are you doing? Just my arms? Come on,

548
00:37:30,239 --> 00:37:36,520
Speaker 1: I can still get get you? And then the numbers.

549
00:37:39,800 --> 00:37:41,239
Speaker 1: Is this all part? This is all part of the pitch,

550
00:37:41,320 --> 00:37:44,000
Speaker 1: isn't it? This is all part of the pitch. This

551
00:37:44,080 --> 00:37:56,600
Speaker 1: is brilliant murder. I'm gonna buy it. Just who am

552
00:37:56,600 --> 00:38:01,920
Speaker 1: I dealing with here? I think that scene too, I

553
00:38:01,960 --> 00:38:10,480
Speaker 1: think alright. Scene three comes from atron v I p

554
00:38:10,719 --> 00:38:15,360
Speaker 1: Robert William dear alchemist, Merry Christmas to you all in

555
00:38:15,400 --> 00:38:18,920
Speaker 1: a Happy New Year. Happy year, New Year to some

556
00:38:19,120 --> 00:38:24,360
Speaker 1: of you. That's interesting than in the spirit of giving,

557
00:38:24,800 --> 00:38:28,400
Speaker 1: have the scene suggestion as a token of my affection

558
00:38:28,680 --> 00:38:32,680
Speaker 1: the Island of Substitute Teachers. Love you all, Thank you

559
00:38:32,719 --> 00:38:42,440
Speaker 1: for all the laughs this year. X x X. I've

560
00:38:42,480 --> 00:38:46,319
Speaker 1: actually never been on a plane before. How yeah, how

561
00:38:46,400 --> 00:38:48,920
Speaker 1: much further before we actually land at the island. I'm

562
00:38:49,000 --> 00:38:51,800
Speaker 1: just do you know, I have no idea. I've never

563
00:38:52,080 --> 00:38:55,920
Speaker 1: done any kind of travel outside of a carriage, actually

564
00:38:57,560 --> 00:39:04,000
Speaker 1: a carriage, yeah, um, like a horse drawn carriage. Carriage.

565
00:39:04,880 --> 00:39:07,360
Speaker 1: I am so sorry, I need to use the restaurant.

566
00:39:07,360 --> 00:39:11,560
Speaker 1: You mind if I just hey, hey, when you wanted

567
00:39:11,600 --> 00:39:14,960
Speaker 1: the windows seat, fella, And this is what happens when

568
00:39:14,960 --> 00:39:17,920
Speaker 1: you insist on the windows seat. Yeah, I insisted on

569
00:39:17,960 --> 00:39:20,480
Speaker 1: it because that's the seat I picked. I don't We're

570
00:39:20,480 --> 00:39:22,439
Speaker 1: sitting there and I asked you to move, so that's

571
00:39:22,600 --> 00:39:25,080
Speaker 1: it was my seat to begin with. Okay, back to

572
00:39:25,160 --> 00:39:28,279
Speaker 1: this now, I don't miss Do you want to get

573
00:39:28,360 --> 00:39:30,920
Speaker 1: up and let this fell out? Is there a debate

574
00:39:30,960 --> 00:39:33,840
Speaker 1: about it having me piss myself? Yeah? I can just

575
00:39:34,360 --> 00:39:37,200
Speaker 1: my knees right up. To my chest and I'm not

576
00:39:37,280 --> 00:39:40,520
Speaker 1: even here. Yeah, are you like a gymnast of some

577
00:39:40,600 --> 00:39:44,680
Speaker 1: kind of just loose hips? Small person, loose hips? None

578
00:39:44,680 --> 00:39:47,680
Speaker 1: of my business, all right? Said, Well, she's folded up,

579
00:39:47,760 --> 00:39:51,480
Speaker 1: and I'm gonna put my legs out in the aisle

580
00:39:52,080 --> 00:39:58,239
Speaker 1: so you can squeeze by. Thank you, thank you. I'm

581
00:39:58,239 --> 00:40:02,319
Speaker 1: sorry I got him so sorry. I didn't know you

582
00:40:02,360 --> 00:40:08,319
Speaker 1: were there. Does it look okay? I don't think so.

583
00:40:08,400 --> 00:40:11,440
Speaker 1: This is a pretty heavy cart, sir. You Hey man,

584
00:40:11,480 --> 00:40:14,040
Speaker 1: that guy looks passed out. He's just gonna drop in

585
00:40:14,080 --> 00:40:16,720
Speaker 1: the middle of the aisle. If someone has a piece

586
00:40:16,760 --> 00:40:20,400
Speaker 1: of wood and just some loose cloth, I can fashion

587
00:40:20,480 --> 00:40:24,279
Speaker 1: a cast. Well, why don't we see if we can

588
00:40:24,320 --> 00:40:30,000
Speaker 1: wake him first? Don't hit him, don't hit him. Let

589
00:40:30,080 --> 00:40:34,040
Speaker 1: me try again. Oh my god, you're here. He had

590
00:40:34,120 --> 00:40:37,680
Speaker 1: to go pee. How's that that looking for you? Mr?

591
00:40:39,000 --> 00:40:40,759
Speaker 1: Just laying there? I think I don't know what they

592
00:40:40,800 --> 00:40:43,319
Speaker 1: held wrong with him, but I mean that looks like

593
00:40:43,360 --> 00:40:47,440
Speaker 1: a concussion. He's concussed. All right. Well, I guess he's

594
00:40:47,440 --> 00:40:53,040
Speaker 1: gonna piss himself after all. Anyways, Uh, slight attendant, I'll

595
00:40:53,120 --> 00:40:55,759
Speaker 1: due respect to your title. What do you want to

596
00:40:55,800 --> 00:41:01,279
Speaker 1: do with this? Fella. Uh oh unless that unless that

597
00:41:01,400 --> 00:41:04,160
Speaker 1: drink card is also a shark cage, we could put

598
00:41:04,239 --> 00:41:10,160
Speaker 1: them in. We gotta move him along here, thank you?

599
00:41:10,239 --> 00:41:16,520
Speaker 1: Tower Flight four four nine six twenty four hundred and

600
00:41:17,280 --> 00:41:22,120
Speaker 1: a four or five two out? All right? Should we

601
00:41:22,160 --> 00:41:26,160
Speaker 1: get the dinner soon? Right? Yeah? I think they're they're

602
00:41:26,160 --> 00:41:30,320
Speaker 1: doing a fish or chick. You said they're putting the

603
00:41:30,400 --> 00:41:38,200
Speaker 1: fish and side chicken. Do you want? Do you mind

604
00:41:38,239 --> 00:41:43,719
Speaker 1: getting that? Yeah? Okay, I'll get that. Hello. Hey, I'm

605
00:41:43,760 --> 00:41:46,919
Speaker 1: really scat knocking. Um, I think I might have killed

606
00:41:46,920 --> 00:41:53,960
Speaker 1: a man. Can we just pop I'm a flight attendant? Alright, sorry,

607
00:41:54,840 --> 00:41:56,600
Speaker 1: we gotta we got a body, and I'm wondering if

608
00:41:56,600 --> 00:41:59,440
Speaker 1: we can just pop the door and just in the

609
00:41:59,600 --> 00:42:01,840
Speaker 1: center over I don't know. We're passing by quite a

610
00:42:01,880 --> 00:42:04,319
Speaker 1: few islands. Is there one that might I mean, we

611
00:42:04,360 --> 00:42:07,480
Speaker 1: don't need this on our record, do we. Well there

612
00:42:07,560 --> 00:42:12,760
Speaker 1: is an uncharted island that we could make a water landing.

613
00:42:15,600 --> 00:42:17,480
Speaker 1: Oh no, I was hoping we wouldn't land. That would

614
00:42:17,520 --> 00:42:20,279
Speaker 1: be really obvious. It was my fault. I This guy

615
00:42:20,360 --> 00:42:22,879
Speaker 1: was coming out and you know how hard heavy those

616
00:42:22,960 --> 00:42:26,080
Speaker 1: carts are. Oh he's I'd like to just pop it

617
00:42:26,120 --> 00:42:28,880
Speaker 1: out the back if nobody Joel, no need to explain.

618
00:42:28,880 --> 00:42:30,600
Speaker 1: If you killed the man, we'll cover it up. That's

619
00:42:30,600 --> 00:42:32,920
Speaker 1: how we work. Oh my god, you have no idea

620
00:42:32,960 --> 00:42:35,239
Speaker 1: how panicked I was. I wasn't even going to tell you, guys,

621
00:42:35,239 --> 00:42:38,680
Speaker 1: but I figured I couldn't not tell you, fingered. I

622
00:42:38,880 --> 00:42:41,920
Speaker 1: figured I couldn't not tell you because I don't know

623
00:42:41,960 --> 00:42:43,840
Speaker 1: how else to get this body out of the plane.

624
00:42:44,640 --> 00:42:47,600
Speaker 1: You forgave me. Again, I wasn't supposed to speak, just shadowing.

625
00:42:47,680 --> 00:42:52,040
Speaker 1: But is that normal? Why would you do you support

626
00:42:52,080 --> 00:42:55,680
Speaker 1: any fly any death caused by a flight attendant that's

627
00:42:55,800 --> 00:42:59,640
Speaker 1: under rug immediately? Is that the m O M. Yeah,

628
00:42:59,680 --> 00:43:02,600
Speaker 1: crew has cruise back. I mean that's how it works,

629
00:43:02,600 --> 00:43:05,799
Speaker 1: sort of like no one left behind kind of thing exactly. Yeah. So,

630
00:43:05,960 --> 00:43:08,160
Speaker 1: and will you fellas need any help with the water

631
00:43:08,280 --> 00:43:13,920
Speaker 1: landing or I mean, you're shadows. Just watch watch how

632
00:43:13,920 --> 00:43:19,000
Speaker 1: it does. Okay, decided, Okay, what should I tell the passengers? Yeah,

633
00:43:19,000 --> 00:43:21,959
Speaker 1: that's a good question. But Joan, tell him what happened

634
00:43:21,960 --> 00:43:23,520
Speaker 1: to him, that you killed somebody, and then we're gonna

635
00:43:23,560 --> 00:43:25,960
Speaker 1: be uh dropping the plane down so we can drop

636
00:43:25,960 --> 00:43:29,480
Speaker 1: the body off and uh, okay, alright, just be honest.

637
00:43:29,640 --> 00:43:32,400
Speaker 1: The best. You guys, mind making that announcement because I

638
00:43:32,440 --> 00:43:34,279
Speaker 1: feel like it's not gonna have authority for me. I'm

639
00:43:34,280 --> 00:43:36,759
Speaker 1: a little emotionally wrecked right now. I know I'm just

640
00:43:36,800 --> 00:43:40,200
Speaker 1: shadowing again, but it seems confusing that you would have

641
00:43:40,280 --> 00:43:43,839
Speaker 1: his back and cover for him and sweep a merger

642
00:43:43,960 --> 00:43:46,480
Speaker 1: rounder the carpet and then announced it to all the passengers.

643
00:43:46,960 --> 00:43:51,600
Speaker 1: It seems counterintuitive that does I mean, I get honestly,

644
00:43:51,680 --> 00:43:54,160
Speaker 1: is the best policy? Uh, and we'll get rid of

645
00:43:54,160 --> 00:43:56,600
Speaker 1: the body. Don't get me wrong, far be it. I

646
00:43:56,640 --> 00:43:58,680
Speaker 1: believe you're the co pilots. Let me ask the pilot,

647
00:43:58,719 --> 00:44:06,960
Speaker 1: now what you take this? Well, shadow pilot? Uh? When uh?

648
00:44:07,600 --> 00:44:09,960
Speaker 1: This this is how it works. I mean you read

649
00:44:09,960 --> 00:44:13,560
Speaker 1: the manual, right, you've read the manual? Oh yeah, okay,

650
00:44:13,600 --> 00:44:17,720
Speaker 1: can you quote chapter twenty three sections we Section twelve?

651
00:44:17,920 --> 00:44:21,640
Speaker 1: Yes I can. Uh, you can look at you. I'm

652
00:44:21,680 --> 00:44:26,040
Speaker 1: not gonna from your memory. Always have a flight attendants back,

653
00:44:26,080 --> 00:44:33,120
Speaker 1: regardless of the situation or outcome. Live first, and uh

654
00:44:33,160 --> 00:44:35,160
Speaker 1: it is the pilot's choice whether or not to tell

655
00:44:35,200 --> 00:44:37,160
Speaker 1: the passenger. Okay, there you go, so you do know

656
00:44:37,239 --> 00:44:40,640
Speaker 1: the policy. So this is completely out of my career path.

657
00:44:40,800 --> 00:44:43,920
Speaker 1: But is it is the order of operations shadow pilot

658
00:44:43,960 --> 00:44:51,600
Speaker 1: to copilot to pilot, like, yes, chain of commanding command,

659
00:44:52,280 --> 00:44:55,080
Speaker 1: flight attendent. You're definitely fourth in the list here. You

660
00:44:55,080 --> 00:45:01,719
Speaker 1: can call him Joel. Don't excuse me, Joel. And I'm

661
00:45:01,920 --> 00:45:05,400
Speaker 1: gonna fish. By the way, let's just put his body

662
00:45:05,520 --> 00:45:08,759
Speaker 1: back in the chair and no one will know, and

663
00:45:09,200 --> 00:45:12,640
Speaker 1: we can put my eyemask over him and and that's that.

664
00:45:13,680 --> 00:45:16,719
Speaker 1: Make a weekend to Bernie this thing. Yeah, I've got

665
00:45:16,719 --> 00:45:19,759
Speaker 1: you back. Passengers, got passengers, It's all I mean. I

666
00:45:19,760 --> 00:45:22,480
Speaker 1: wouldn't touch it. I just they know what I mean

667
00:45:22,560 --> 00:45:28,320
Speaker 1: to leave him. You just got passengers. Okay, attention passengers,

668
00:45:28,320 --> 00:45:30,960
Speaker 1: this is your pilot speaking. I'm third in command here

669
00:45:31,040 --> 00:45:34,680
Speaker 1: behind the co pilot and the shadow pilot. Uh. One

670
00:45:34,680 --> 00:45:42,279
Speaker 1: of our flight attendants, Joel, who was a man Mistakenly

671
00:45:42,680 --> 00:45:48,120
Speaker 1: I motivations don't matter, killed one of your fellow passengers.

672
00:45:48,320 --> 00:45:51,600
Speaker 1: We're gonna have to make an emergency water landing next

673
00:45:51,640 --> 00:45:56,240
Speaker 1: to the the island of substitute teachers. Not exactly sure

674
00:45:56,400 --> 00:45:59,359
Speaker 1: what that is. I'm sure everybody is on the edge

675
00:45:59,400 --> 00:46:01,440
Speaker 1: of their seats waiting to find out exactly what the

676
00:46:01,480 --> 00:46:04,839
Speaker 1: Island of substitut teachers is. But I'm sure we'll find

677
00:46:04,880 --> 00:46:07,319
Speaker 1: out as soon as we make this water landing. We're

678
00:46:07,320 --> 00:46:09,359
Speaker 1: just gonna get rid of the body and we'll get

679
00:46:09,480 --> 00:46:14,240
Speaker 1: right back in the air. Sure, I thought you killed him.

680
00:46:14,280 --> 00:46:17,719
Speaker 1: I guess we're going. I guess we're good. Yeah. No,

681
00:46:17,840 --> 00:46:20,560
Speaker 1: I thought the drink car pretty much ended his life. Oh.

682
00:46:20,640 --> 00:46:22,719
Speaker 1: I thought it was you. I mean, you just had

683
00:46:22,760 --> 00:46:25,880
Speaker 1: so much rage. I wanted to kill. That's what you

684
00:46:25,920 --> 00:46:29,400
Speaker 1: were sensing. Okay, and I celebrated as death. I mean

685
00:46:29,680 --> 00:46:33,040
Speaker 1: you did. You said as if it was a victory. Yeah,

686
00:46:33,280 --> 00:46:37,160
Speaker 1: it was, so you can see where. Sorry, I'm so

687
00:46:37,200 --> 00:46:40,080
Speaker 1: sorry to have accused you of that, and to pay Listen,

688
00:46:40,080 --> 00:46:42,640
Speaker 1: it's your first time, your first time sign or traveling

689
00:46:42,640 --> 00:46:45,239
Speaker 1: anywhere outside of a carriage. Yeah, I've never I've never

690
00:46:45,280 --> 00:46:50,680
Speaker 1: done it. Plate there's a plane coming. Oh my god,

691
00:46:50,680 --> 00:46:58,239
Speaker 1: we're saved. God, finally, finally, after all these years. What

692
00:46:58,320 --> 00:47:00,320
Speaker 1: kind of what kind of plane is that? I I

693
00:47:00,320 --> 00:47:04,680
Speaker 1: I don't usually do science. I'm not a science substitute

694
00:47:04,680 --> 00:47:08,920
Speaker 1: teacher either. Honestly, I'm English. I substitute sciences all the time.

695
00:47:09,080 --> 00:47:11,719
Speaker 1: But I certainly don't know what kind of plane that is?

696
00:47:12,560 --> 00:47:17,959
Speaker 1: A Boeing seven to one zero, Jack of all trades,

697
00:47:18,040 --> 00:47:22,440
Speaker 1: master of nun huh join the club. That's all of us.

698
00:47:22,800 --> 00:47:27,919
Speaker 1: Well ship, cause they got me to the car. Saw

699
00:47:28,200 --> 00:47:30,879
Speaker 1: how you said, there's a plane? There's a plane coming by.

700
00:47:30,960 --> 00:47:33,239
Speaker 1: We're talking about that. Does anyone know how to make

701
00:47:33,239 --> 00:47:35,399
Speaker 1: a fire? Does anyone know how to make a fire?

702
00:47:36,200 --> 00:47:38,640
Speaker 1: No idea? Okay, okay, okay, let's all we can. Let's

703
00:47:38,640 --> 00:47:40,440
Speaker 1: all put her head together. Then, okay, let's all put

704
00:47:40,440 --> 00:47:43,239
Speaker 1: her head together. Then okay, we need what we need

705
00:47:43,280 --> 00:47:46,080
Speaker 1: for fire? We need we don't. Let's show a movie.

706
00:47:46,520 --> 00:47:50,239
Speaker 1: Let's show a movie. Let's a movie. A movie. Okay,

707
00:47:50,280 --> 00:47:51,640
Speaker 1: let's look for a movie. Let's look for a movie

708
00:47:51,680 --> 00:47:59,160
Speaker 1: that has fire. One movie has fire. Um Dante Dante's Redemption.

709
00:48:00,440 --> 00:48:04,879
Speaker 1: Let's show sank redemption. I think that that will work.

710
00:48:04,960 --> 00:48:07,640
Speaker 1: I think there's a fire, sh right, I think yeah,

711
00:48:09,600 --> 00:48:14,719
Speaker 1: uh okay, okay, to work. I can't plug it into

712
00:48:14,800 --> 00:48:18,480
Speaker 1: the tree plug. Where is the aby club? Plug it

713
00:48:18,520 --> 00:48:20,520
Speaker 1: into the damn free you idiot, Just just plug it up,

714
00:48:21,160 --> 00:48:25,960
Speaker 1: damn the lady club. Then substitute what then do you

715
00:48:26,000 --> 00:48:35,200
Speaker 1: folks name get kill him? Kill him? You know we

716
00:48:35,239 --> 00:48:37,840
Speaker 1: gotta come this up. Substitute teachers have other substitute teachers

717
00:48:37,840 --> 00:48:40,680
Speaker 1: backs the policy. What are we gonna think we should

718
00:48:40,680 --> 00:48:44,239
Speaker 1: eat him? We should? I know how to cook him.

719
00:48:45,800 --> 00:48:48,640
Speaker 1: Let's put on Shan Shake redeption, and there's a cannibalism

720
00:48:48,640 --> 00:48:50,239
Speaker 1: seen in that. Yes, I think it's a bit a

721
00:48:50,239 --> 00:48:53,080
Speaker 1: while I see. Okay, plug it into the body, plug

722
00:48:53,360 --> 00:48:59,680
Speaker 1: the body. When and Defrain came to Shawshank prison. I'm

723
00:48:59,680 --> 00:49:01,160
Speaker 1: sorry to I'm sorry to do this, but do you

724
00:49:01,200 --> 00:49:04,279
Speaker 1: mind the Do you mind playing the Mission Impossible movie

725
00:49:04,280 --> 00:49:06,520
Speaker 1: on your screen? I just like I want to play

726
00:49:06,560 --> 00:49:08,160
Speaker 1: it on my screen. I want to have that, you

727
00:49:08,200 --> 00:49:13,319
Speaker 1: know why. I don't mind it all? Thanks? What what's seen?

728
00:49:13,400 --> 00:49:16,279
Speaker 1: A human? Let me just I'm a timestamp your teen

729
00:49:16,520 --> 00:49:19,319
Speaker 1: forty two right there, So let me just get I

730
00:49:19,320 --> 00:49:20,440
Speaker 1: can do it for you if you want me to.

731
00:49:22,160 --> 00:49:25,440
Speaker 1: How you doing? How are you doing? Yeah? I go

732
00:49:25,480 --> 00:49:27,759
Speaker 1: by many names. Some people call me Marbles, some some

733
00:49:27,800 --> 00:49:31,160
Speaker 1: people call me the skate guy behind the anyway, So

734
00:49:31,239 --> 00:49:37,359
Speaker 1: let me just get this, uh forty two perfect a right,

735
00:49:37,400 --> 00:49:40,920
Speaker 1: great sync up. I'll just hit play at the same time.

736
00:49:41,120 --> 00:49:43,239
Speaker 1: There we go. Look, so here's a little behind. Let

737
00:49:43,239 --> 00:49:49,680
Speaker 1: me just step the pumpetus of love. No, okay, not

738
00:49:49,760 --> 00:49:54,759
Speaker 1: a steer Fan. Okay, Oh I love Sig Miller. Oh

739
00:49:54,920 --> 00:49:59,759
Speaker 1: my god, mad Max Fury Road. All right, let's see here, Okay,

740
00:50:00,440 --> 00:50:04,839
Speaker 1: let me get this here. George Miller, Steve Miller. That's

741
00:50:04,840 --> 00:50:06,960
Speaker 1: George Miller. I think you were thinking it's Joy I

742
00:50:06,960 --> 00:50:08,560
Speaker 1: don't know. I don't know who that is. I don't

743
00:50:08,600 --> 00:50:10,800
Speaker 1: even know where you're from doing of those movies you mentioned.

744
00:50:11,920 --> 00:50:16,240
Speaker 1: Steve Miller, on the other hand, wrote a song space Cowboy,

745
00:50:16,320 --> 00:50:18,879
Speaker 1: I believe it was called and a man went by

746
00:50:18,880 --> 00:50:21,640
Speaker 1: many names, and one of them, I'm a joke all

747
00:50:21,680 --> 00:50:26,239
Speaker 1: about the I'm gonna I'm a Midnight That that's the

748
00:50:26,280 --> 00:50:29,799
Speaker 1: Steve Miller band. Yeah, you talking about? What am I

749
00:50:29,840 --> 00:50:34,040
Speaker 1: talking about? Let me of love one second. Let me

750
00:50:34,120 --> 00:50:35,960
Speaker 1: just try to sink this up again. We hit play

751
00:50:36,000 --> 00:50:39,560
Speaker 1: on both these screens. Okay, yours are still a little behind.

752
00:50:39,600 --> 00:50:40,960
Speaker 1: I don't know if it's my hand not doing it

753
00:50:41,000 --> 00:50:44,160
Speaker 1: what I wanted to. Pause for a second, Pause Joys

754
00:50:44,200 --> 00:50:46,520
Speaker 1: for a second, and then you catch up. Let me see,

755
00:50:46,600 --> 00:50:49,439
Speaker 1: let me pause at your passengers. This is your pilot again.

756
00:50:49,640 --> 00:50:53,759
Speaker 1: Third in command here. Uh, we are having some difficulty

757
00:50:53,960 --> 00:50:57,080
Speaker 1: with the playback function on our video screens, and so

758
00:50:57,200 --> 00:50:59,919
Speaker 1: we're just going to we are just going to play

759
00:50:59,920 --> 00:51:02,880
Speaker 1: the Shawshank Redemption for all of you. We might have

760
00:51:02,920 --> 00:51:06,200
Speaker 1: to interrupted at some point due to the emergency landing,

761
00:51:06,239 --> 00:51:08,400
Speaker 1: that we are in the process, that I wanted to

762
00:51:08,440 --> 00:51:11,840
Speaker 1: watch Mission Impossible, that I was just gonna watch Shaw Redemption.

763
00:51:11,880 --> 00:51:17,000
Speaker 1: It's number one the IMDb list. This is as stupid

764
00:51:17,040 --> 00:51:18,480
Speaker 1: as hell. I take these flights because they got the

765
00:51:18,480 --> 00:51:21,640
Speaker 1: whole Mission Possible series on here, solid film based on

766
00:51:21,680 --> 00:51:23,960
Speaker 1: the Stephen King. No. I think these long as flights

767
00:51:23,960 --> 00:51:26,759
Speaker 1: to watch all the Mission Possible. Just a warning, there

768
00:51:26,880 --> 00:51:32,200
Speaker 1: is a pretty graphic cannibalism scene in there. Parental advisory

769
00:51:32,239 --> 00:51:33,880
Speaker 1: for the young ones. Oh, I guess they cut that

770
00:51:33,920 --> 00:51:37,719
Speaker 1: out of a MC. It's also a pretty tasty prelude

771
00:51:37,760 --> 00:51:45,640
Speaker 1: to a male rape thing. So what the god damn it? Look,

772
00:51:45,640 --> 00:51:48,320
Speaker 1: I just want to watch Mission imp Possible. God damn it.

773
00:51:51,239 --> 00:51:55,680
Speaker 1: Oh Atlanta, they came for us. Oh my gosh. Okay,

774
00:51:55,800 --> 00:51:58,200
Speaker 1: do I look okay? I want to make sure I

775
00:51:58,239 --> 00:52:00,440
Speaker 1: don't want to be taken? Um, well, don't want to

776
00:52:00,440 --> 00:52:04,760
Speaker 1: be not taken, that's for sure. You look great? Okay?

777
00:52:04,800 --> 00:52:09,279
Speaker 1: How do I look be on dishoveled? Okay, you look

778
00:52:09,360 --> 00:52:11,759
Speaker 1: like you've been at an island for years. May mean

779
00:52:11,800 --> 00:52:15,480
Speaker 1: you're wearing a dress made of shells. But do I

780
00:52:15,480 --> 00:52:20,239
Speaker 1: gotta get away from you? Guys? It does? Shosh is played,

781
00:52:20,440 --> 00:52:23,960
Speaker 1: I played, I gotta work, I gotta work in apparired

782
00:52:24,000 --> 00:52:26,600
Speaker 1: with the human body is a conductor. Apparently there's electricity

783
00:52:26,640 --> 00:52:29,880
Speaker 1: inside the human body. Did you know that it worked?

784
00:52:30,520 --> 00:52:35,160
Speaker 1: Whatever you did work? They landed right over there. And

785
00:52:35,200 --> 00:52:39,520
Speaker 1: did a frain learn that day that there's electricity inside

786
00:52:39,560 --> 00:52:42,719
Speaker 1: the human body? As he cooked the warden and ate

787
00:52:42,840 --> 00:52:49,440
Speaker 1: him And now a tasty prelude to a male rape.

788
00:52:50,120 --> 00:52:56,360
Speaker 1: This was version, this was not And that's our show

789
00:52:56,400 --> 00:53:00,840
Speaker 1: for today. Oh my goodness, gracious, oh what a special bonus.

790
00:53:00,880 --> 00:53:03,239
Speaker 1: And also there was a weird freedom once Chris was

791
00:53:03,320 --> 00:53:06,319
Speaker 1: kicked out of the zoom. I feel like he would

792
00:53:06,320 --> 00:53:07,880
Speaker 1: have been put in the kabash on a lot of

793
00:53:07,920 --> 00:53:12,759
Speaker 1: that stuff. He would have no budded most of that. Yeah,

794
00:53:12,800 --> 00:53:17,880
Speaker 1: well the cats away, ah so yes. Uh. Let's thank

795
00:53:18,000 --> 00:53:21,480
Speaker 1: first and foremost Chris Alvarado, who's computer decided to take

796
00:53:21,560 --> 00:53:25,040
Speaker 1: him out of the last scene of the day. But

797
00:53:25,080 --> 00:53:27,360
Speaker 1: he would like you to go to Chris dash Operado

798
00:53:27,440 --> 00:53:32,640
Speaker 1: dot com for all your improv instructional needs and more. Also,

799
00:53:32,719 --> 00:53:34,600
Speaker 1: Jackie Do Ruthy, thank you so much for joining us

800
00:53:34,640 --> 00:53:37,120
Speaker 1: once again, and happy New Year to you. Happy new year,

801
00:53:37,680 --> 00:53:40,760
Speaker 1: Thank you for having me. What a lovely year start

802
00:53:41,000 --> 00:53:45,640
Speaker 1: to the year. Man, it's been. It's been a most

803
00:53:45,680 --> 00:53:49,839
Speaker 1: strained start. But yeah, yeah, this has been an enjoyable day. Yes,

804
00:53:51,200 --> 00:53:54,000
Speaker 1: a little over an hour of which we've now spent together.

805
00:53:54,080 --> 00:53:56,040
Speaker 1: And thank you for being here once again. Thank you

806
00:53:56,040 --> 00:54:00,560
Speaker 1: for having me. Yeah, and folks, go to I guess

807
00:54:00,640 --> 00:54:03,080
Speaker 1: the podcast is still playing even though we're still in

808
00:54:03,080 --> 00:54:04,640
Speaker 1: the new year. It's still available if you want to

809
00:54:04,680 --> 00:54:08,439
Speaker 1: catch up. Everyone listened to stuff about Christmas that you don't.

810
00:54:08,560 --> 00:54:11,600
Speaker 1: It can be off off the season, most wonderful party,

811
00:54:12,360 --> 00:54:16,840
Speaker 1: you know. That's all good at Jackson on Instagram and

812
00:54:16,920 --> 00:54:20,000
Speaker 1: I don't really participate on Twitter too much. Not good

813
00:54:20,000 --> 00:54:24,799
Speaker 1: at that? Why why would you at this point, I'm

814
00:54:24,840 --> 00:54:29,160
Speaker 1: Greig Katkowski. Hey, thank you so much for having me

815
00:54:29,200 --> 00:54:39,040
Speaker 1: as always, Uh, Chris dashed Alvarado dot Alvarado dot e

816
00:54:39,120 --> 00:54:43,400
Speaker 1: d U. I own all of those domain names and

817
00:54:43,719 --> 00:54:47,480
Speaker 1: uh I'm planning on unrolling them pretty quick. Christas Alvarado

818
00:54:47,960 --> 00:54:51,880
Speaker 1: dot co, dot uk UK or dot uk dot for

819
00:54:52,080 --> 00:54:56,680
Speaker 1: British listeners. All right, thank and James Heeney, thank you

820
00:54:56,760 --> 00:55:00,360
Speaker 1: so damn much. Well, thank you all. I'm going to

821
00:55:00,440 --> 00:55:04,799
Speaker 1: encourage you guys to check out twitch dot com or

822
00:55:04,800 --> 00:55:09,120
Speaker 1: twitch dot tv. Sorry, BS Comedy. We've been doing some

823
00:55:09,200 --> 00:55:13,920
Speaker 1: streams and Wednesday nights at eight o'clock you're pretty likely

824
00:55:13,960 --> 00:55:17,400
Speaker 1: to see us. Is there a library of these episodes?

825
00:55:17,440 --> 00:55:20,560
Speaker 1: Are they available? They get taken down on demand two

826
00:55:20,600 --> 00:55:24,000
Speaker 1: weeks afterwards. But I would say a good portion of

827
00:55:24,040 --> 00:55:27,319
Speaker 1: our views come after the live error. Like the rest

828
00:55:27,320 --> 00:55:31,080
Speaker 1: of all of media, people aren't doing it live necessarily. Yeah,

829
00:55:31,480 --> 00:55:34,520
Speaker 1: so you don't be afraid. You can tune in afterwards. Uh,

830
00:55:34,560 --> 00:55:36,839
Speaker 1: it's a little more fun if you're there live. Don't

831
00:55:36,880 --> 00:55:39,840
Speaker 1: be afraid. Yeah, if you want to tune or after,

832
00:55:40,760 --> 00:55:42,799
Speaker 1: have no fear. Well, thank you James for joining us

833
00:55:44,200 --> 00:55:51,800
Speaker 1: for wherever the hell this was and Joey yes, thanks,

834
00:55:51,800 --> 00:55:53,880
Speaker 1: bou was great to see. It was always great to

835
00:55:53,880 --> 00:55:57,520
Speaker 1: see you, great to see everybody. Um, and it's just great.

836
00:55:58,080 --> 00:56:01,839
Speaker 1: Check out Chris dash Alvarado dot com. Everything we've talked

837
00:56:01,880 --> 00:56:06,640
Speaker 1: about here is there then some right, and uh, I

838
00:56:06,680 --> 00:56:08,839
Speaker 1: think Craig, what you said next week is that's when

839
00:56:08,840 --> 00:56:12,359
Speaker 1: the websites are gonna go live. Yeah, okay, great, Yeah,

840
00:56:12,360 --> 00:56:15,200
Speaker 1: so I'll mentioned that later. Yeah, okay, cool. There's a

841
00:56:15,239 --> 00:56:18,120
Speaker 1: huge rollout, that's all I want to say. Huge. And

842
00:56:18,200 --> 00:56:24,520
Speaker 1: let's thank our engineering producer to the stars, Mr Doug Bain. Funny,

843
00:56:24,520 --> 00:56:29,360
Speaker 1: folks that I hurt media. I'm your host, Kevin Pollock,

844
00:56:29,400 --> 00:56:33,360
Speaker 1: reminding you that we are extraordinarily grateful for your listenership

845
00:56:33,719 --> 00:56:38,080
Speaker 1: and your support, and your creative suggestions and creative involvement

846
00:56:38,080 --> 00:56:40,680
Speaker 1: in the show. Right to us, your name here, Welcome

847
00:56:40,760 --> 00:56:43,760
Speaker 1: this dot com and thanks for those of you supporting

848
00:56:43,840 --> 00:56:48,759
Speaker 1: us on patrion dot com, dash or slash alchemy this

849
00:56:49,480 --> 00:56:56,520
Speaker 1: um yeah, and here's to an increasingly more enjoyable, stress

850
00:56:56,560 --> 00:57:01,520
Speaker 1: free kind You each other, wear your masks when you

851
00:57:01,560 --> 00:57:04,680
Speaker 1: go outside. Please, until next time, Alchemy