WEBVTT - Mad Skillz

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<v Speaker 1>R and B Money.

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<v Speaker 2>Honey, we are.

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<v Speaker 1>Thanks take valotie. We are the authority on all R

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<v Speaker 1>and B ladies and gentleman.

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<v Speaker 3>My name is Tank Valentine and this, yeah, what is it.

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<v Speaker 4>It's the R and B Money Podcast, the authority. Come

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<v Speaker 4>on on all things R and B. Whatever it is,

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<v Speaker 4>you gotta be good at it. Absolutely gotta have a

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<v Speaker 4>level of skill mmmm to go along with your conversation.

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<v Speaker 4>And then sometimes you from a place, you from the water,

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<v Speaker 4>call that v A. I know a little bit about that.

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<v Speaker 4>I was raised out there, So we got VA, we

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<v Speaker 4>got skills. You put all that together and you get.

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<v Speaker 5>Mad skills in the Yeah, come on, man, how y'all doing?

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<v Speaker 4>Man? Man, bro Skills is such an underrated word.

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<v Speaker 6>Yeah.

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<v Speaker 4>And when I hear you and just and and watch

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<v Speaker 4>just the things that you've skilled, if we can just

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<v Speaker 4>say that, it's like, what the fuck is that?

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<v Speaker 6>Yeah? Man, I come from a magical place, you know.

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<v Speaker 4>A well studied place, and you know, I think I

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<v Speaker 4>think you being here speaks to the idea of really

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<v Speaker 4>dialing in to your craft, like really dialing in.

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<v Speaker 6>Because how many rappers y'all have, maybe like a couple.

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<v Speaker 3>Not many many? Problem on ot ot on.

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<v Speaker 6>Not a lot.

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<v Speaker 1>I think that's saying you.

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<v Speaker 6>And ship yeah five rappers, I take it, I will

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<v Speaker 6>take it.

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<v Speaker 4>But you represent a generation of you represent skills that

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<v Speaker 4>paid the bills.

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<v Speaker 2>And it's just the writing, right, Like the writing and

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<v Speaker 2>obviously because you know, we have our people just like, well,

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<v Speaker 2>he's not R.

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<v Speaker 3>And B and once again he's R and B.

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<v Speaker 2>I'm R and B. This is R and B money,

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<v Speaker 2>And we're going to have everybody that we believe should

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<v Speaker 2>be on this show so that people can learn from them.

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<v Speaker 2>With the fact that, oh, yeah he's a rapper too. Yeah,

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<v Speaker 2>my bad, my bad, Like you can't do this with

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<v Speaker 2>mad skills. You know, he got his break battling. What

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<v Speaker 2>I'm saying that as a battle rapper, I will slide

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<v Speaker 2>him a couple hundred dollars make yours real quick, taking

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<v Speaker 2>mad R and B money versus oh my god.

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<v Speaker 4>I'm just saying on my streets in the hood of Milwaukee, bat.

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<v Speaker 2>I felt like turning a super high.

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<v Speaker 1>I did go oh my god.

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<v Speaker 2>But just the fact of just the writing, the level

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<v Speaker 2>of writing should be studied. Yeah, seriously, what you've done

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<v Speaker 2>as a writer and the things that you've written and

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<v Speaker 2>the things that you've been a part of that people

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<v Speaker 2>wouldn't even understand.

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<v Speaker 3>YEA, that needs to be highlighted here.

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<v Speaker 2>I appreciate type of platform, man, and that's why we're

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<v Speaker 2>so happy that you showed up for us, man, because

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<v Speaker 2>this is amazing.

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<v Speaker 6>Listen to y'all, my guys. Man, there's no way I

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<v Speaker 6>wasn't going to accept that invite. You know what I'm saying.

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<v Speaker 6>I'm happy to be and let's let's get into it.

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<v Speaker 1>So is is mad skills at birth?

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<v Speaker 4>Or notice that journey start for you where you're like,

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<v Speaker 4>this has to be this, this has to be mad skills.

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<v Speaker 6>I say the first time I heard I remember hearing

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<v Speaker 6>my mom played music around the house. Of course, so

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<v Speaker 6>you know, cleanliness was next to golliess. So on the weekends,

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<v Speaker 6>you know, I'm hearing Frankie Beveny and mays O Jays

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<v Speaker 6>and James Brown, and you know, I saw her connection

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<v Speaker 6>with music. So she and she had this little thing

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<v Speaker 6>and it had a little RM morning and when she

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<v Speaker 6>put that thing on top of those little black things

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<v Speaker 6>they went around, they made noise. I was enamored with

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<v Speaker 6>this machine that she had. So I remember hearing all

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<v Speaker 6>these songs and she was always in a good mood

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<v Speaker 6>when these songs were playing. It wasn't never no go

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<v Speaker 6>go do this because boy, y'all playing too much, stop

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<v Speaker 6>slaying on my door. It was never that when the

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<v Speaker 6>music was playing and my aunts and uncles and people

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<v Speaker 6>being around, and I remember them arguing over when the

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<v Speaker 6>sugar Hill Game came out. So when Rappers the light

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<v Speaker 6>came out, it was I don't know if that's really music.

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<v Speaker 6>It's like, ah, but it's but it's it's jamming. So

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<v Speaker 6>I remember it being a big conversation from the difference

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<v Speaker 6>between the songs that I had been hearing to this

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<v Speaker 6>one particular song, and I was like, what is the

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<v Speaker 6>difference between the two? And then I saw it, Okay,

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<v Speaker 6>they not singing, there is no don't you know that

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<v Speaker 6>I'm not hearing that. I'm hearing niggas talking. And I'm like, okay,

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<v Speaker 6>that's interesting, and I'm young, you know what I'm saying.

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<v Speaker 6>I'm young. And then I remember how big of a

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<v Speaker 6>deal it was in my house and then I saw

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<v Speaker 6>I remember hearing hard Times by Run DMC on the

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<v Speaker 6>radio with that hard crash and I was like, oh god,

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<v Speaker 6>what is this? And then I saw them on TV.

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<v Speaker 6>And when I saw Run DMC on TV, it totally

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<v Speaker 6>my life, Like Run was the skinny, cocky nigga with

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<v Speaker 6>the side burns and this is my motherfucking house like

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<v Speaker 6>his whole aura. And I was like, damn that I

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<v Speaker 6>could see myself in them. And that's when the music

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<v Speaker 6>journey started to at least to the hip hop thing,

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<v Speaker 6>you know what I'm saying. I was already music heavy

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<v Speaker 6>in my house, but that hip hop thing spoke to

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<v Speaker 6>me directly. No I can't. I can't sing a lick

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<v Speaker 6>at Oh yeah, listen, listen, me and my engineer shout

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<v Speaker 6>my engineer in Jay right here, Jay Wright's he a

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<v Speaker 6>big fan of the podcast, Me and him, Me and

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<v Speaker 6>him have we in a group together called Noticing Noticing. Yeah,

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<v Speaker 6>when we sing, when we when we sing our references,

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<v Speaker 6>we notice it, you know what I'm saying. Like, So, yeah, no, man,

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<v Speaker 6>can I can? I can write my ass off, but

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<v Speaker 6>I never could sing. So once auto tune came along,

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<v Speaker 6>it was like, oh, I can still get this idea,

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<v Speaker 6>yeah for sure, and send it out, you know what

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<v Speaker 6>I mean. And that's how that's how it happened.

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<v Speaker 3>This thing makes sense.

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<v Speaker 6>Yeah, yeah, yeah, it was hip hop man affected me

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<v Speaker 6>in a way that it just changed my life from

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<v Speaker 6>day one, Like, I don't know where I would be

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<v Speaker 6>without it.

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<v Speaker 4>I don't know whereout music did You start writing immediately though,

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<v Speaker 4>like right after.

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<v Speaker 6>That, immediately immediately in school, writing all day, not failing test.

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<v Speaker 6>I ain't listening to nobody. I'm trying to write these

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<v Speaker 6>little songs. And once I could distinguish what a hook

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<v Speaker 6>was from a verse, like, oh, the part that keeps

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<v Speaker 6>coming back that somebody told you that. No, No, nobody

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<v Speaker 6>told me. I'm in ship fifth grade.

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<v Speaker 3>Self discovery though, self.

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<v Speaker 6>Discovery, you know what I mean. So I'm knowing that

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<v Speaker 6>it's like that, and that's the way it is. That's

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<v Speaker 6>the part they keep saying. I keep coming back to that.

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<v Speaker 6>So once I started writing songs, man like I want

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<v Speaker 6>to say, my first song was about it, so fucking goofy.

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<v Speaker 6>But you know girl in class, I like her, of course,

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<v Speaker 6>you know, And that was the thing. We send the

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<v Speaker 6>notes back and forth, you know.

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<v Speaker 3>Check check yes, check out play from the start, I.

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<v Speaker 6>Might have been a player from way way back, my

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<v Speaker 6>dumb ass. I write the box with yes and no,

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<v Speaker 6>and then maybe because I don't want to get let down.

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<v Speaker 6>I don't hard no. So I wrote a song called

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<v Speaker 6>maybe maybe not, and I could beat box the hook

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<v Speaker 6>with the rap, so it was maybe or maybe not,

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<v Speaker 6>Maybe maybe not. And I'm talking about I wrote girls girls,

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<v Speaker 6>girls before, way before it was a thing. So it's

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<v Speaker 6>three different girls and they all gonna tell me maybe

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<v Speaker 6>maybe not. That was the hook of my song this

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<v Speaker 6>fifth sixth grade. You know what I'm saying. Yeah, man, real.

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<v Speaker 3>Talk, Well, she tell you.

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<v Speaker 6>One told me yeah, okay, the other one told me no,

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<v Speaker 6>and the one the other one told me maybe. I

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<v Speaker 6>went with yeah, Right, that's it. Y'all lost time your life?

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<v Speaker 1>What was what was like?

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<v Speaker 4>Would you say a turning point into it into it

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<v Speaker 4>becoming serious? Like at this point you're a kid, you

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<v Speaker 4>love it. It's you know, I can speak to that

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<v Speaker 4>being a kid hearing certain music and it's just the

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<v Speaker 4>vibrations and whatever it is, it's doing something to you

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<v Speaker 4>don't know what it's doing, you don't know why it's right.

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<v Speaker 4>At what point did you discover the why and maybe

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<v Speaker 4>where it could go from there?

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<v Speaker 6>I say, I say, I might have been about fifteen,

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<v Speaker 6>And of course I'm immersed in hip hop, so we're

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<v Speaker 6>doing everything cool. We got the shell toes, we got

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<v Speaker 6>the canos anything, ll got the hat. We getting the

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<v Speaker 6>fucking hat. You know what I'm saying, the shoes whatever.

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<v Speaker 6>And then I started I was, I was at this point.

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<v Speaker 6>I'm an advanced songwriter. You know what I'm saying at

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<v Speaker 6>this point as far as rap, so I'm for you

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<v Speaker 6>to know you're in advance. Yeah, I know I'm better

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<v Speaker 6>than my peers as far as when it comes.

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<v Speaker 1>To you quarter or anything.

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<v Speaker 6>No, just no nothing. I just know when you come.

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<v Speaker 1>Up again, when y'all start rapping in the cipher.

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<v Speaker 6>Because my thing was because I'm easy, I'm easily. I'm

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<v Speaker 6>a battle rapper at heart. Because it was about competition,

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<v Speaker 6>so you got you know, I'm in the you know,

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<v Speaker 6>I'm watching my friends. They playing basketball, to play football.

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<v Speaker 6>It's all competition. So this thing that I'm doing now,

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<v Speaker 6>where we get around the lunch table and we battle,

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<v Speaker 6>it's like competition. So my thing was when I rapped,

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<v Speaker 6>this ship had to be over when I was done.

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<v Speaker 6>I ain't want nobody to feel confident enough to go

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<v Speaker 6>after me. When I say my last line, this ship

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<v Speaker 6>is all right, dog man, we got We're going back

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<v Speaker 6>to beautiful class that nobody. I don't if you even

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<v Speaker 6>think that you can start rapping again after me. Were

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<v Speaker 6>about to have a problem because I don't think you're

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<v Speaker 6>not You're not better than me. My name is like,

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<v Speaker 6>it's my name. So we going back and forth in

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<v Speaker 6>these ciphers, and I'm starting to realize. I was like, damn,

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<v Speaker 6>I'm really good at this ship. I mean, I'm doing

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<v Speaker 6>the other stuff to a kind of ratching on the turntables, whatever,

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<v Speaker 6>you know, I mean, break dancing, spinning on my head,

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<v Speaker 6>writing in my book. But I'm getting a response from

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<v Speaker 6>this rap thing. And people are saying, like, yo, he's good.

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<v Speaker 6>You don't want to fuck him on that. So we

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<v Speaker 6>battling and I'm you know, I'm really going at it.

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<v Speaker 6>And then I left. I was in favor of North Carolina.

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<v Speaker 6>I moved to Richmond, Virginia, and I moved to Richmond,

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<v Speaker 6>Virginia late late eighties, close to the early nineties. And

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<v Speaker 6>I'm coming from military town and I go to Richmond,

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<v Speaker 6>Virginia and it's like it might as well have been

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<v Speaker 6>New York.

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<v Speaker 1>To me, are you a military band?

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<v Speaker 6>No?

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<v Speaker 3>No, but you're you're just not out there.

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<v Speaker 6>I just happened to be out there. So I get

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<v Speaker 6>there and I'm like, Okay, this is dope. They got

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<v Speaker 6>a fucking city bus, they got a skyline. That shit

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<v Speaker 6>feels like it's like a baby New York City baby DC.

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<v Speaker 6>You're like, oh, DC's on your hour fifteen minutes. I'm like, oh,

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<v Speaker 6>the cat like it's a big thing. So I made

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<v Speaker 6>that my home. And that's when the dots started connected

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<v Speaker 6>as far as like, oh, it's people that's really doing this,

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<v Speaker 6>like this this music thing. And what I would do

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<v Speaker 6>is I would just connect myself with people that was

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<v Speaker 6>doing it, and it just started steamrolling from there.

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<v Speaker 1>Was it people like with studios or people who had

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<v Speaker 1>like it.

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<v Speaker 6>Was people with studios. You know, we recording and were

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<v Speaker 6>recording on a DATS and you know what I mean,

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<v Speaker 6>four track recorders.

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<v Speaker 2>So had Teddy Riley come down to Virginia yet he

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<v Speaker 2>came down, right.

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<v Speaker 6>Teddy came down. I want to say it was ninety two, right.

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<v Speaker 6>So I just graduated high school and where I'm from

0:12:38.800 --> 0:12:43.600
<v Speaker 6>the beach is an hour and fifteen minutes towards the water, right,

0:12:43.679 --> 0:12:46.920
<v Speaker 6>So imagine I'm at high school and we at the

0:12:47.040 --> 0:12:50.200
<v Speaker 6>lunch table and somebody's talking and they're saying, like, yo,

0:12:50.400 --> 0:12:53.640
<v Speaker 6>I heard Michael Jackson is in Virginia.

0:12:56.080 --> 0:12:57.120
<v Speaker 1>That doesn't even make sense.

0:12:57.160 --> 0:13:00.000
<v Speaker 6>What do you mean? No, no, no, no, no, Michael Jackson.

0:13:00.040 --> 0:13:02.920
<v Speaker 6>And they said they they said Michael Jackson was recording

0:13:03.160 --> 0:13:07.520
<v Speaker 6>studios today in Virginia. I will drive all the way.

0:13:07.559 --> 0:13:11.719
<v Speaker 6>What do you mean I walked, Yeah, I walked there.

0:13:11.760 --> 0:13:14.400
<v Speaker 6>What are you talking about here? So they're like, yeah, nah,

0:13:14.440 --> 0:13:16.920
<v Speaker 6>you know you know Teddy Riley Man, Teddy right New Jackson.

0:13:17.040 --> 0:13:18.880
<v Speaker 6>I'm like, of course I know. Teddy Riley is like

0:13:19.160 --> 0:13:21.200
<v Speaker 6>he made the fucking show when he was fifteen years old.

0:13:21.240 --> 0:13:23.679
<v Speaker 6>We listen to that song is ten years old already,

0:13:23.760 --> 0:13:26.520
<v Speaker 6>damn there. So I'm like, he got a studio here.

0:13:27.320 --> 0:13:29.400
<v Speaker 6>So then maybe, like the way you said, this thing

0:13:29.440 --> 0:13:31.760
<v Speaker 6>called Greek Greek Week or whatever, and we would all

0:13:31.800 --> 0:13:33.720
<v Speaker 6>go down to the beach, everybody showing off their cars

0:13:33.720 --> 0:13:36.920
<v Speaker 6>and ship and you would ride by, you could ride

0:13:36.920 --> 0:13:39.040
<v Speaker 6>by future and you're like, oh, ship, the lamp, it's

0:13:39.080 --> 0:13:42.520
<v Speaker 6>a lambo outside, It's a fucking it's a Ferrari outside.

0:13:42.960 --> 0:13:45.160
<v Speaker 6>We never even seen these cars in real life. We've

0:13:45.160 --> 0:13:47.400
<v Speaker 6>seen these cars of Magnum p I. We never seen

0:13:47.440 --> 0:13:52.520
<v Speaker 6>these cars in real life, so outside, so you're you're

0:13:52.520 --> 0:13:58.680
<v Speaker 6>sort like like this, I think this is real. So

0:13:58.760 --> 0:14:02.360
<v Speaker 6>Teddy Riley came to Virginia in the early nineties and

0:14:02.480 --> 0:14:06.959
<v Speaker 6>changed the landscape of what music could be in the state.

0:14:07.600 --> 0:14:09.800
<v Speaker 6>You know what I'm saying. We didn't have no identity

0:14:10.240 --> 0:14:14.439
<v Speaker 6>before that, like not that we were proud of, you

0:14:14.520 --> 0:14:20.760
<v Speaker 6>know what I'm saying. So early nineties, you know, we're

0:14:20.760 --> 0:14:23.360
<v Speaker 6>doing our thing and it's little studios here and there,

0:14:23.360 --> 0:14:27.960
<v Speaker 6>four track recorders, people starting to make cassettes, and it's

0:14:28.000 --> 0:14:30.320
<v Speaker 6>this big city wide talent show that everybody was in.

0:14:30.360 --> 0:14:33.440
<v Speaker 6>All of the schools in the district had you know,

0:14:33.440 --> 0:14:37.200
<v Speaker 6>we had we all conjoined for this talent show. See this,

0:14:37.200 --> 0:14:39.640
<v Speaker 6>this guy, this talent show. He went to Huguenot, when

0:14:39.640 --> 0:14:41.840
<v Speaker 6>to Hugo and High School. He behind the keyboards, he's

0:14:41.840 --> 0:14:48.480
<v Speaker 6>playing a fucking savant like savant singing, singing Teddy Riley song,

0:14:48.560 --> 0:14:51.960
<v Speaker 6>singing our Light groove me. And this is Michael Archer

0:14:52.640 --> 0:14:59.560
<v Speaker 6>who turns into no Way Yes facts. We used to

0:14:59.600 --> 0:15:02.680
<v Speaker 6>do the same with the talent shows together. Michael Archer

0:15:02.680 --> 0:15:04.800
<v Speaker 6>and Precise was the name of the band.

0:15:05.600 --> 0:15:08.560
<v Speaker 3>That's crazy and he's doing Teddy Riley covers.

0:15:08.640 --> 0:15:12.680
<v Speaker 6>Yes, not even knowing that this man is set set

0:15:12.720 --> 0:15:15.360
<v Speaker 6>up shop an hour that.

0:15:15.280 --> 0:15:18.600
<v Speaker 3>Way because he's a full church kid, gospel.

0:15:18.640 --> 0:15:20.520
<v Speaker 6>You know what I mean, like and not even supposed

0:15:20.560 --> 0:15:23.360
<v Speaker 6>to be doing this. But when I tell you, like,

0:15:24.280 --> 0:15:31.160
<v Speaker 6>amazing to see him that early, that young, and we're like, yo, man,

0:15:31.200 --> 0:15:38.720
<v Speaker 6>he's amazing. Like and then three years later, you know

0:15:38.760 --> 0:15:41.600
<v Speaker 6>what I mean, it drops and we're like, oh shit,

0:15:41.720 --> 0:15:45.960
<v Speaker 6>he made it. He's fucking DiAngelo, you know what I'm saying.

0:15:46.600 --> 0:15:50.000
<v Speaker 6>Brown Sugar out of nowhere, first first artist that I

0:15:50.040 --> 0:15:52.720
<v Speaker 6>ever looked up, and I was like, Okay, he made

0:15:52.720 --> 0:15:57.520
<v Speaker 6>It's it's possuzle to make it out of here, D'Angelo.

0:15:57.720 --> 0:16:00.560
<v Speaker 4>Yeah, And what is your mission at this point now

0:16:00.600 --> 0:16:04.280
<v Speaker 4>that you've seen the brown Sugar go insane?

0:16:04.800 --> 0:16:09.440
<v Speaker 6>Because I'm watching it in real time? Backtrack? I had

0:16:09.480 --> 0:16:12.600
<v Speaker 6>already connected with Q Tip from a trip called Quest,

0:16:13.040 --> 0:16:14.760
<v Speaker 6>so he had kind of helped me out early.

0:16:16.000 --> 0:16:17.000
<v Speaker 1>How was that I met?

0:16:17.080 --> 0:16:20.440
<v Speaker 6>I met Q Tip at Jack the Rapper Jack, Rapper

0:16:20.520 --> 0:16:23.240
<v Speaker 6>at a Jack, the Rapper Conn Jack, the Rapper b

0:16:23.440 --> 0:16:28.120
<v Speaker 6>R E R all the conventions. See, y'all don't know.

0:16:28.160 --> 0:16:30.280
<v Speaker 6>We used to. We didn't. We couldn't just upload our

0:16:31.040 --> 0:16:36.880
<v Speaker 6>ship out right, dads, and go away for a weekend.

0:16:37.160 --> 0:16:40.640
<v Speaker 6>So I met q Tip at Jack the Rapper Uh

0:16:41.880 --> 0:16:44.080
<v Speaker 6>and he was downstairs in the in the in the

0:16:44.200 --> 0:16:48.160
<v Speaker 6>Atlanta hotel with a box and cipher around him. He's

0:16:48.160 --> 0:16:50.840
<v Speaker 6>playing a LAS beat and it's all these dudes rapping,

0:16:50.920 --> 0:16:55.040
<v Speaker 6>and I'm like, that's fucking c Tip like ship, like

0:16:55.800 --> 0:16:58.640
<v Speaker 6>one of my favorite rappers of all time. I'm a tribe.

0:16:58.720 --> 0:17:02.040
<v Speaker 6>I just identified with that whole native tongue thing. I

0:17:02.080 --> 0:17:04.359
<v Speaker 6>go downstairs. I can't get in. It's too it's too

0:17:04.400 --> 0:17:07.280
<v Speaker 6>many niggas in the circle. I can't get through the circle.

0:17:08.160 --> 0:17:10.439
<v Speaker 6>And it's like it's this big ass tree. It's almost

0:17:10.480 --> 0:17:12.159
<v Speaker 6>like a tree in the lobby of a hotel. I

0:17:12.280 --> 0:17:16.000
<v Speaker 6>crawl up the tree, go over top of the branch,

0:17:16.040 --> 0:17:19.200
<v Speaker 6>and I'm over top of this nigga's ear. He looks like,

0:17:19.800 --> 0:17:25.160
<v Speaker 6>way is this nigga in the tree? Somebody rapping but

0:17:25.240 --> 0:17:28.520
<v Speaker 6>my cipher skills kicking. No, no, you not about to rap

0:17:28.600 --> 0:17:31.399
<v Speaker 6>for Q Tip. I'm about the rap for q Tip. Boom.

0:17:31.440 --> 0:17:34.600
<v Speaker 6>I start rapping and he looking like I'm rapping, dude,

0:17:34.640 --> 0:17:37.360
<v Speaker 6>cut me off. Oh we got a problem now. Oh

0:17:37.400 --> 0:17:40.000
<v Speaker 6>now it's a battle oh oh, y'all think I'm playing.

0:17:40.000 --> 0:17:43.760
<v Speaker 6>I've been training for this. Bam cut him back off

0:17:44.359 --> 0:17:45.200
<v Speaker 6>in his career.

0:17:45.240 --> 0:17:46.240
<v Speaker 3>Are you still on the tree.

0:17:46.359 --> 0:17:52.040
<v Speaker 6>I'm off the tree. I'm still in the tree.

0:17:52.520 --> 0:17:56.200
<v Speaker 1>Balance. This is nice.

0:17:56.359 --> 0:17:59.960
<v Speaker 6>I'm in the tree. I kill this other dude killing

0:18:00.160 --> 0:18:03.080
<v Speaker 6>other dude. Security comes yo, yo, yo, y'all break this

0:18:03.640 --> 0:18:06.280
<v Speaker 6>music off the you know, get off the tree. Come down,

0:18:06.359 --> 0:18:08.680
<v Speaker 6>my man. And so people are walking up to him

0:18:08.680 --> 0:18:10.720
<v Speaker 6>because this is the this is the summer of ninety three,

0:18:11.520 --> 0:18:16.040
<v Speaker 6>so award tourist out right, and he's like he people

0:18:16.080 --> 0:18:18.040
<v Speaker 6>walking up, Yo, I gotta tape, man, I manage an

0:18:18.080 --> 0:18:20.359
<v Speaker 6>artist from something. And I see him signing and stuff.

0:18:20.359 --> 0:18:22.000
<v Speaker 6>He's looking and stuff, and he keeps looking in my

0:18:22.119 --> 0:18:24.800
<v Speaker 6>direction like like I just want to make sure he's

0:18:24.840 --> 0:18:26.960
<v Speaker 6>still over there. And I see him put his hand

0:18:27.040 --> 0:18:30.199
<v Speaker 6>up like hold tight, like hold tight. I'm like, was

0:18:30.200 --> 0:18:35.800
<v Speaker 6>that for me? Ship he comes over. He's like yo, yo, son, Yo,

0:18:35.800 --> 0:18:36.360
<v Speaker 6>what's your name?

0:18:36.440 --> 0:18:36.640
<v Speaker 7>Son?

0:18:36.760 --> 0:18:40.520
<v Speaker 6>I was like, maxkis you like yo? So you ill? Son? Yo?

0:18:40.560 --> 0:18:45.040
<v Speaker 6>You so just like like yo, what you about to do?

0:18:45.200 --> 0:18:48.000
<v Speaker 6>I was like nothing? And he was like you want

0:18:48.000 --> 0:18:49.840
<v Speaker 6>to go to this radio station with me? And I

0:18:49.880 --> 0:18:51.840
<v Speaker 6>was like hun, he's like, I gotta go to Georgia Tech.

0:18:52.400 --> 0:18:54.720
<v Speaker 6>This is radio station. Like, yo, you're trying to roll.

0:18:54.800 --> 0:18:57.159
<v Speaker 6>And I was like yeah, so's He's like, all right,

0:18:57.280 --> 0:18:59.320
<v Speaker 6>fuck you come come upstairs with I gotta change. I'm

0:18:59.320 --> 0:19:01.200
<v Speaker 6>gonna go upstairs quick. So I'm like, all right, cool.

0:19:01.200 --> 0:19:02.919
<v Speaker 6>We go upstairs and the door open. This first time

0:19:02.920 --> 0:19:05.919
<v Speaker 6>I've ever seen the sweet. I never knew hotels had

0:19:05.920 --> 0:19:09.040
<v Speaker 6>a D I've never seen it. It's a hotel room, right,

0:19:09.080 --> 0:19:11.359
<v Speaker 6>So I see the hotel, I see the sweep. He

0:19:11.440 --> 0:19:13.160
<v Speaker 6>walks in. He's like, yo, I'm a change real quick.

0:19:13.240 --> 0:19:16.520
<v Speaker 6>And he hits a button on the CD and I here,

0:19:20.520 --> 0:19:23.720
<v Speaker 6>like the Midnight Marauders starts playing and he's like, yo,

0:19:23.760 --> 0:19:26.679
<v Speaker 6>this is the album's son. And I'm like, I'm listening

0:19:26.720 --> 0:19:30.880
<v Speaker 6>to drop calls this fucking album before it comes out.

0:19:31.000 --> 0:19:31.720
<v Speaker 1>It's amazing.

0:19:32.000 --> 0:19:34.400
<v Speaker 6>Right, this is summer. It don't come out to November.

0:19:34.440 --> 0:19:35.960
<v Speaker 6>It came out the same day. It's thirty six Chames

0:19:36.000 --> 0:19:39.560
<v Speaker 6>Wu Tang Clan. He comes back. I only heard like

0:19:39.600 --> 0:19:42.880
<v Speaker 6>four tracks. I'm like, this album is about to be crazy.

0:19:43.359 --> 0:19:46.919
<v Speaker 6>I go downstairs. We take a picture. I had the

0:19:46.920 --> 0:19:50.840
<v Speaker 6>little Kodak disposable yellow and black picture. We take a

0:19:50.880 --> 0:19:53.560
<v Speaker 6>picture and I get in a van. I get in

0:19:53.640 --> 0:19:55.840
<v Speaker 6>a van in the middle seat, and he gets in

0:19:55.880 --> 0:19:59.400
<v Speaker 6>the front and he goes. He turns around. He goes, Yo, Son,

0:20:00.080 --> 0:20:02.800
<v Speaker 6>niggas so ill Son, and I look behind me and

0:20:02.840 --> 0:20:07.240
<v Speaker 6>it's passed and Macio from Daylight so ship. And I'm like,

0:20:08.520 --> 0:20:13.400
<v Speaker 6>you're in the native tongues. What the fuck do you mean?

0:20:13.560 --> 0:20:20.600
<v Speaker 6>I'm really, my life is changed. I go, we rock out.

0:20:20.880 --> 0:20:23.920
<v Speaker 6>I go, I go, we do the thing and he

0:20:24.119 --> 0:20:26.080
<v Speaker 6>I give him my number. I go back home from

0:20:26.160 --> 0:20:29.840
<v Speaker 6>Jack the Rapper. A week later, my mother. I walk

0:20:29.880 --> 0:20:32.520
<v Speaker 6>in the house with my mom goes, Yo, you got

0:20:32.520 --> 0:20:34.560
<v Speaker 6>a phone. You got a message on the phone. I

0:20:34.600 --> 0:20:36.200
<v Speaker 6>was like from just like, I don't know somebody named

0:20:36.200 --> 0:20:39.199
<v Speaker 6>Boo Rip. I don't hear what it is. I was like,

0:20:39.680 --> 0:20:42.360
<v Speaker 6>what she said, somebody ain't rip, just hit the things.

0:20:42.359 --> 0:20:45.320
<v Speaker 6>So I hit the button and I hear his voice, Yo, Son,

0:20:45.359 --> 0:20:47.879
<v Speaker 6>you know saying the skill this tip. You're trying to

0:20:47.880 --> 0:20:50.800
<v Speaker 6>get skills? Yo. Yo, I want to know, man, how

0:20:50.880 --> 0:20:53.600
<v Speaker 6>far do you live from u v A. We got

0:20:53.640 --> 0:20:56.080
<v Speaker 6>to show a uv A like, Yo, I want you

0:20:56.080 --> 0:20:59.480
<v Speaker 6>to pull up son, And I'm like, my life could

0:20:59.560 --> 0:21:17.560
<v Speaker 6>chake and it did it totally changed. I go to

0:21:17.640 --> 0:21:21.760
<v Speaker 6>the show Dayla Soul Trap CaAl Quest. They let me rap.

0:21:22.320 --> 0:21:24.840
<v Speaker 6>At the end of the show, I'm working at a

0:21:24.880 --> 0:21:28.959
<v Speaker 6>parking deck in in Virginia. I've already had it, like

0:21:29.000 --> 0:21:31.840
<v Speaker 6>I'm working in the parking deck. Like I go back home.

0:21:32.000 --> 0:21:34.320
<v Speaker 6>Nobody believes me. I'm like, y'all, I was rapping on

0:21:34.720 --> 0:21:37.720
<v Speaker 6>Q tip then yeah, whatever, like Nika whatever. They have

0:21:37.800 --> 0:21:39.240
<v Speaker 6>another show in Hampton, Virginia.

0:21:39.600 --> 0:21:41.280
<v Speaker 3>He calls you again, cost me again?

0:21:41.359 --> 0:21:43.639
<v Speaker 6>Yo, how fuck you live from Hampton. I'm like it,

0:21:43.720 --> 0:21:48.840
<v Speaker 6>don't I'm going. I go to Hampton, go on stage,

0:21:48.880 --> 0:21:51.040
<v Speaker 6>spit the verse. This time, I take the camera because

0:21:51.080 --> 0:21:53.600
<v Speaker 6>now I gotta take this this take these pictures back

0:21:53.640 --> 0:21:55.520
<v Speaker 6>from fucking to the drug store and get them developed.

0:21:56.200 --> 0:21:56.439
<v Speaker 1>I go.

0:21:56.880 --> 0:22:00.560
<v Speaker 6>The show's over. I walk outside. It's me and my

0:22:00.600 --> 0:22:02.840
<v Speaker 6>man walking into my car, and this dude grabs hit

0:22:02.880 --> 0:22:05.479
<v Speaker 6>me on the shoulder. I turn around, I go, what's up.

0:22:05.520 --> 0:22:07.480
<v Speaker 6>He's like, yo, when you just on stage with Q

0:22:07.600 --> 0:22:11.280
<v Speaker 6>tipping them, I'm like yeah. He's like, so you got

0:22:11.280 --> 0:22:12.159
<v Speaker 6>to introduce me to him?

0:22:12.200 --> 0:22:12.360
<v Speaker 1>Dog.

0:22:12.680 --> 0:22:15.719
<v Speaker 6>I got to meet them, and I'm like, I said, yo,

0:22:15.840 --> 0:22:17.800
<v Speaker 6>I don't I think they I don't know. Bro. Like

0:22:17.840 --> 0:22:19.320
<v Speaker 6>he's like, no, no, no, he gotta hit my beasts. Man,

0:22:19.359 --> 0:22:21.239
<v Speaker 6>you gotta introduce me. Cute tip, Bro, you have to.

0:22:21.560 --> 0:22:24.000
<v Speaker 6>And I'm looking at the tour bus at the light

0:22:24.119 --> 0:22:27.600
<v Speaker 6>with the blinker on and I'm like, I said, Bro,

0:22:27.640 --> 0:22:29.720
<v Speaker 6>that's the bus right there, like they about to they

0:22:29.760 --> 0:22:31.760
<v Speaker 6>going to they going to DC. Like he like he

0:22:31.840 --> 0:22:36.720
<v Speaker 6>was about to cry. That was Pharrell. That's how I

0:22:36.760 --> 0:22:37.280
<v Speaker 6>met Pharrell.

0:22:37.400 --> 0:22:37.880
<v Speaker 1>Nowhere.

0:22:38.640 --> 0:22:40.920
<v Speaker 6>I met Pharrell in the parking lot of a trip

0:22:41.000 --> 0:22:43.960
<v Speaker 6>Call Quest concert. Me and Farrell are probably the biggest

0:22:44.320 --> 0:22:47.879
<v Speaker 6>Tribe Call Quest fans in Virginia. He looks like he

0:22:47.960 --> 0:22:52.120
<v Speaker 6>was going to cry when I said they're leaving, and

0:22:52.160 --> 0:22:54.600
<v Speaker 6>he's like, I said, yo, I said what you do?

0:22:54.680 --> 0:22:57.240
<v Speaker 6>What's your name? He's like, I make beasts. I rap.

0:22:57.760 --> 0:23:00.359
<v Speaker 6>I'm like, like, what's your name? He's like magnum verb.

0:23:00.440 --> 0:23:03.520
<v Speaker 1>Lord, that was just magnum the verb.

0:23:03.640 --> 0:23:10.800
<v Speaker 3>Lord, I'm so.

0:23:09.440 --> 0:23:10.400
<v Speaker 6>Magnum verb.

0:23:11.640 --> 0:23:15.399
<v Speaker 1>He was like, listen, you won't talent all the talent.

0:23:16.160 --> 0:23:18.960
<v Speaker 6>He starts rapp. I start beat boxing. He starts rapping,

0:23:19.000 --> 0:23:21.240
<v Speaker 6>and I'm like, Dan, he is dope, you know what

0:23:21.280 --> 0:23:31.200
<v Speaker 6>I'm saying. This was ninety three, ninety four six months later,

0:23:31.320 --> 0:23:35.719
<v Speaker 6>maybe maybe a year later, I hear the s the double,

0:23:35.880 --> 0:23:44.800
<v Speaker 6>the U, the VV. I'm like, yo, that sounded like Magnum.

0:23:45.080 --> 0:23:51.680
<v Speaker 6>True story. He had already connected with magn Teddy who

0:23:51.800 --> 0:23:56.680
<v Speaker 6>came to Virginia and he's I always say this, he's

0:23:56.680 --> 0:24:01.959
<v Speaker 6>probably the only super producer that birthed two other super

0:24:01.960 --> 0:24:06.480
<v Speaker 6>producers three really Neptunes and tim You know what I'm saying,

0:24:06.480 --> 0:24:09.199
<v Speaker 6>because none of us knew this ship was possible until

0:24:10.440 --> 0:24:15.240
<v Speaker 6>fucking Teddy came to Virginia Beach. Real shit.

0:24:16.400 --> 0:24:18.040
<v Speaker 2>I want to ask him that one day too. I

0:24:18.040 --> 0:24:21.160
<v Speaker 2>gotta ask Teddy, like, what made you go to Virginia Beach.

0:24:21.680 --> 0:24:26.240
<v Speaker 6>He said that his brother had just got killed in

0:24:26.320 --> 0:24:30.080
<v Speaker 6>New York and the level the ship that was going

0:24:30.119 --> 0:24:31.919
<v Speaker 6>on in New York was just too much, and they

0:24:32.000 --> 0:24:36.879
<v Speaker 6>used to always come down during the summer for that Greek.

0:24:37.800 --> 0:24:40.280
<v Speaker 6>I like it out there, shut up shop down there.

0:24:40.640 --> 0:24:44.560
<v Speaker 1>And nobody else was dead nobody. Yeah.

0:24:44.560 --> 0:24:46.679
<v Speaker 4>I didn't hear about Virginia Beach until I didn't hear

0:24:46.680 --> 0:24:48.560
<v Speaker 4>about Virginia Beach until Timberland.

0:24:48.800 --> 0:24:51.080
<v Speaker 2>I didn't hear about it too, Teddy Riley, I heard

0:24:51.080 --> 0:24:54.480
<v Speaker 2>about the Timberland. I wanted to know where the rough

0:24:54.520 --> 0:24:58.040
<v Speaker 2>Shake video who had been I mean, I was a

0:24:58.040 --> 0:24:59.960
<v Speaker 2>young nigga man. I was trying to figure out what

0:25:00.000 --> 0:25:03.320
<v Speaker 2>the Roughshakers was church still.

0:25:03.320 --> 0:25:06.720
<v Speaker 1>I was still in church, hadn't quite. I wanted to

0:25:06.720 --> 0:25:07.840
<v Speaker 1>know who was blowing on that hour.

0:25:09.840 --> 0:25:19.560
<v Speaker 6>And her name was Tammy. She used to hairy. And

0:25:19.600 --> 0:25:22.840
<v Speaker 6>it's funny because when they did something in the water,

0:25:24.960 --> 0:25:28.600
<v Speaker 6>they brought her out. No, no, not shot my man Boogie,

0:25:28.640 --> 0:25:31.360
<v Speaker 6>my man Boogie. We was watching the show and Teddy's

0:25:31.359 --> 0:25:34.439
<v Speaker 6>on stage performing with Black Street or whatever, and my

0:25:34.520 --> 0:25:37.760
<v Speaker 6>Man Boogie said, he said, skills. Do you realize that

0:25:37.800 --> 0:25:44.280
<v Speaker 6>Teddy is performing at a festival doing the rap that

0:25:44.440 --> 0:25:49.200
<v Speaker 6>is written by the guy that he put on on

0:25:49.240 --> 0:25:52.080
<v Speaker 6>the same beat that they shot the video at in

0:25:52.200 --> 0:25:55.600
<v Speaker 6>nineteen ninety three. And I'm like, god, damn, that's a

0:25:55.920 --> 0:25:59.720
<v Speaker 6>six degrees of separation that he's standing on this beach

0:26:00.119 --> 0:26:03.800
<v Speaker 6>and they shot Rupture at the festival now put on

0:26:03.840 --> 0:26:08.919
<v Speaker 6>by You're young, your young boy crazy, who is totally

0:26:09.000 --> 0:26:13.080
<v Speaker 6>eclipsed anything that you could have ever imagined as far

0:26:13.080 --> 0:26:16.280
<v Speaker 6>as production wise, you know what I'm saying. So yeah,

0:26:16.320 --> 0:26:19.080
<v Speaker 6>this early nineties when I met Pharrell.

0:26:19.960 --> 0:26:23.840
<v Speaker 4>So you're you're friends with Tip now you meet the

0:26:23.920 --> 0:26:36.480
<v Speaker 4>young Pharrell's getting crazy.

0:26:31.440 --> 0:26:34.080
<v Speaker 6>Whenever I'm in, I'm in a I'm a group member.

0:26:35.320 --> 0:26:36.440
<v Speaker 1>When is your shot coome?

0:26:37.920 --> 0:26:43.280
<v Speaker 6>I get on in ninety I get on in ninety three,

0:26:44.920 --> 0:26:48.520
<v Speaker 6>I get a record in ninety four, work on the

0:26:48.600 --> 0:26:52.240
<v Speaker 6>record for ninety all year, record, don't come out to

0:26:52.359 --> 0:26:55.240
<v Speaker 6>ninety six. It Shiit sat for like a year. So

0:26:55.320 --> 0:26:57.920
<v Speaker 6>by the time, like Craig Calvin, I'm signed the Big

0:26:57.960 --> 0:27:01.360
<v Speaker 6>Beat A land at Craig Calman, Fucking Mike Hearn's an

0:27:01.359 --> 0:27:06.600
<v Speaker 6>intern Big Beat Atlantic, and it's me. It's me and

0:27:06.640 --> 0:27:08.680
<v Speaker 6>this is this group called the Artifacts, and they had

0:27:08.680 --> 0:27:11.199
<v Speaker 6>a group called a Double x Posse. They had a

0:27:11.240 --> 0:27:13.080
<v Speaker 6>big song called I'm not Gonna be able to do

0:27:13.119 --> 0:27:18.000
<v Speaker 6>it right. So I come out and I'm thinking I'm

0:27:18.000 --> 0:27:21.320
<v Speaker 6>gonna change the fucking world like I'm when I come out,

0:27:21.320 --> 0:27:25.120
<v Speaker 6>you know, nigga, when I come out rap, I come

0:27:25.160 --> 0:27:28.320
<v Speaker 6>out moderate hits cool, but it's so old, the song

0:27:28.480 --> 0:27:30.480
<v Speaker 6>so old to me because they've been sitting for a year.

0:27:30.520 --> 0:27:34.040
<v Speaker 6>I got plenty more shit now it's ninety six, second

0:27:34.040 --> 0:27:40.640
<v Speaker 6>single come out. I'm living in New York and they're

0:27:40.680 --> 0:27:47.080
<v Speaker 6>like ah, And then the shiny suit era happens. So

0:27:47.119 --> 0:27:53.000
<v Speaker 6>it's like, fuck, biggiest, biggiest biggie. He's brought the East

0:27:53.040 --> 0:28:01.520
<v Speaker 6>Coast back. It's Jiggy World, our backpack. Niggas. I don't know. Listen,

0:28:01.560 --> 0:28:08.520
<v Speaker 6>it's I go back home, like I gotta refigure this

0:28:08.560 --> 0:28:11.440
<v Speaker 6>ship out. I go back to work at the parking deck.

0:28:11.560 --> 0:28:13.680
<v Speaker 6>I'm literally writing songs every day.

0:28:14.000 --> 0:28:16.040
<v Speaker 3>Wait, so what what was it with this parking lot?

0:28:16.119 --> 0:28:18.720
<v Speaker 6>Man? It was just where I worked that and I

0:28:18.800 --> 0:28:22.439
<v Speaker 6>used to Here's the thing. I worked there, but it

0:28:22.560 --> 0:28:24.560
<v Speaker 6>was so easy. I was right next to the college,

0:28:25.160 --> 0:28:27.080
<v Speaker 6>so it's plenty of, plenty of I.

0:28:27.040 --> 0:28:30.320
<v Speaker 3>Can't They're gonna need somewhere to park.

0:28:30.560 --> 0:28:35.920
<v Speaker 6>They're gonna need somewhere to park. Yeah, oh, you got

0:28:35.920 --> 0:28:38.200
<v Speaker 6>class on Friday twice. You have to. You can't find

0:28:38.200 --> 0:28:41.320
<v Speaker 6>a spot of street, you know what I mean. But

0:28:41.360 --> 0:28:44.760
<v Speaker 6>here's the thing. My video is still playing on BT,

0:28:46.680 --> 0:28:49.400
<v Speaker 6>so niggas coming out of the parking deck like and

0:28:49.400 --> 0:28:54.200
<v Speaker 6>I'm like, yeah, too fifty and they're like, oh, ship, nigga,

0:28:54.360 --> 0:28:55.760
<v Speaker 6>I just saw your rap city.

0:28:56.160 --> 0:28:56.680
<v Speaker 8>What the fuck?

0:28:57.640 --> 0:28:59.280
<v Speaker 6>I'm like, you know, I'm.

0:28:59.120 --> 0:29:00.920
<v Speaker 3>Like, how do you I'm how are you handling that?

0:29:01.880 --> 0:29:04.600
<v Speaker 6>I always tell niggas if it was now, Oh, I

0:29:04.600 --> 0:29:09.520
<v Speaker 6>would have been a meme. E. That's a sweets shot.

0:29:11.000 --> 0:29:12.840
<v Speaker 6>I would have been a meme. But I just had

0:29:12.840 --> 0:29:15.560
<v Speaker 6>a kid. I know. I know a little bit about

0:29:15.560 --> 0:29:19.239
<v Speaker 6>the business. Now somebody, Oh, nigga, I need these health benefits. Like,

0:29:19.320 --> 0:29:21.800
<v Speaker 6>I'm not this record. This record deal, shit is real

0:29:21.840 --> 0:29:23.200
<v Speaker 6>fucked up? Right?

0:29:23.280 --> 0:29:24.120
<v Speaker 1>This work for hire?

0:29:24.240 --> 0:29:27.160
<v Speaker 6>Right, it's work for hire. Biggie Biggie is going. I'm

0:29:27.200 --> 0:29:30.040
<v Speaker 6>on the same label as Junior Mafia. So they're like,

0:29:30.040 --> 0:29:33.520
<v Speaker 6>that's where the money go the money is. I know

0:29:33.560 --> 0:29:35.600
<v Speaker 6>you've seen me on the video. True, that's where the

0:29:35.640 --> 0:29:38.560
<v Speaker 6>money went, right. So I'm like, all right, call, I'm

0:29:38.560 --> 0:29:41.760
<v Speaker 6>into parking. I'm like, I gotta figure this shit out.

0:29:42.320 --> 0:29:45.760
<v Speaker 6>People starting to notice me. It's just breaking my soul.

0:29:45.920 --> 0:29:50.520
<v Speaker 6>But I'm in there every day, right right. I go

0:29:50.560 --> 0:29:55.520
<v Speaker 6>to Virginia Beach No, the Irony Puff Daddy in the

0:29:55.560 --> 0:29:58.960
<v Speaker 6>Family tour comes to Richmond, Virginia. I go to the show.

0:29:59.280 --> 0:30:01.800
<v Speaker 6>I'm a huge thing into the locks, right, I knew

0:30:01.840 --> 0:30:03.960
<v Speaker 6>them from back in the day. We're kicking it. I

0:30:04.040 --> 0:30:07.600
<v Speaker 6>go to the show. I got it's my town. Everybody

0:30:07.680 --> 0:30:10.480
<v Speaker 6>know me. I'm front bro. I gotta pass and everything

0:30:10.680 --> 0:30:14.640
<v Speaker 6>I see Magoo rest in peace magoo. I see Melvin.

0:30:14.720 --> 0:30:20.560
<v Speaker 6>Melvin say, yo, what's up man? I said, what's up? Man?

0:30:20.600 --> 0:30:23.200
<v Speaker 6>What you doing? I said, I came to see the

0:30:23.240 --> 0:30:25.880
<v Speaker 6>show like everybody else. Hey, man, when your next album

0:30:25.880 --> 0:30:27.720
<v Speaker 6>coming out? Man A man that last year you dropped

0:30:27.720 --> 0:30:29.040
<v Speaker 6>me and they slip on you doll that shit. It's

0:30:29.080 --> 0:30:31.719
<v Speaker 6>so hard dog. In my mind, I was like, I

0:30:31.760 --> 0:30:36.240
<v Speaker 6>can't tell him, I guy dropped. But something said, Man,

0:30:36.320 --> 0:30:40.080
<v Speaker 6>tell that nigga the truth. And I said, gool man,

0:30:40.120 --> 0:30:41.920
<v Speaker 6>I ain't got no album. I ain't. I ain't got

0:30:42.000 --> 0:30:45.240
<v Speaker 6>no situation right now. You ain't got no deal. I said, no,

0:30:45.440 --> 0:30:46.880
<v Speaker 6>how the fuck you ain't got no deal, nigga. You

0:30:46.960 --> 0:30:50.479
<v Speaker 6>the first nigga. Only reason niggas no bother Virginia hip

0:30:50.520 --> 0:30:52.720
<v Speaker 6>hop is because you. You ain't got no deal. I said no.

0:30:52.800 --> 0:30:54.600
<v Speaker 6>He said no, No, you got me tilling dog got

0:30:54.640 --> 0:30:57.240
<v Speaker 6>meet you to tell them you got to come with us. Man,

0:30:57.560 --> 0:30:59.760
<v Speaker 6>you about to be with us? Fuck that. I'm like,

0:31:00.800 --> 0:31:03.240
<v Speaker 6>all right. So he walks me over to town. Who's

0:31:03.280 --> 0:31:06.120
<v Speaker 6>sitting with Missy and Tim You know, with the with

0:31:06.160 --> 0:31:13.240
<v Speaker 6>the light that this nigga.

0:31:15.040 --> 0:31:18.240
<v Speaker 1>I love the light handshake.

0:31:20.040 --> 0:31:20.440
<v Speaker 6>Crazy.

0:31:20.440 --> 0:31:24.680
<v Speaker 2>The legend of his death, The legendary Spaghettian hand bro.

0:31:25.080 --> 0:31:28.480
<v Speaker 6>It's so so weak. I don't know if he just

0:31:28.520 --> 0:31:31.720
<v Speaker 6>don't want to give you a dap or what.

0:31:30.760 --> 0:31:31.200
<v Speaker 2>What it was?

0:31:31.680 --> 0:31:34.920
<v Speaker 4>So Tim is like, it's the equivalent to Michael Jackson's voice.

0:31:35.960 --> 0:31:38.920
<v Speaker 6>So Magoo is bigging me up to Tim, like, no man,

0:31:38.960 --> 0:31:41.440
<v Speaker 6>he'd have want him tell you his pen dog You finished?

0:31:41.440 --> 0:31:46.120
<v Speaker 2>Though, I gotta admit something. I've met the man a

0:31:46.160 --> 0:31:50.520
<v Speaker 2>few times. I purposely have not shaken his hand, just

0:31:50.560 --> 0:31:54.160
<v Speaker 2>because because I just know I'm not gonna be feeling

0:31:54.160 --> 0:31:55.360
<v Speaker 2>that that legendary death.

0:31:55.360 --> 0:31:58.320
<v Speaker 8>So I always whenever somebody's like, yo, this Jay, what's up?

0:31:58.400 --> 0:32:07.760
<v Speaker 1>Man? You know he's different now.

0:32:04.440 --> 0:32:06.040
<v Speaker 6>I don't know if he was a German for with what.

0:32:07.040 --> 0:32:11.040
<v Speaker 6>So Magoo Magoo is bicking me up to Tim and

0:32:11.160 --> 0:32:14.120
<v Speaker 6>Tim like I come to the studio tomorrow, which is

0:32:14.200 --> 0:32:17.040
<v Speaker 6>Virginia Beach, our fIF team minates where I'm from. I

0:32:17.080 --> 0:32:22.320
<v Speaker 6>go to the studio with Tim. We do six songs

0:32:22.760 --> 0:32:26.480
<v Speaker 6>the next day right which in turn two of them

0:32:26.520 --> 0:32:30.480
<v Speaker 6>turned into Tim's Tim's bio which is his first ship,

0:32:30.520 --> 0:32:33.960
<v Speaker 6>which Ludo was on Fat Rabbit. I think I had

0:32:34.320 --> 0:32:37.040
<v Speaker 6>had two songs on there, and then I started working

0:32:37.040 --> 0:32:40.400
<v Speaker 6>with Tim. So I'm in there with Tim, his brother Sebastian,

0:32:40.440 --> 0:32:45.880
<v Speaker 6>everybody I meet, Blackground, Joe, Mo what I'm saying all

0:32:45.920 --> 0:32:52.840
<v Speaker 6>of them? And then uh, I hear are you that's

0:32:52.880 --> 0:32:57.120
<v Speaker 6>somebody mm hmm, and I'm like, this record's out of here,

0:32:57.920 --> 0:33:01.360
<v Speaker 6>Like this, this record is crazy. So I hear the song,

0:33:01.840 --> 0:33:03.640
<v Speaker 6>I'm like, Damn, why ain't the why rap over this shit?

0:33:03.720 --> 0:33:06.280
<v Speaker 6>The flow is there, Like Tim, I was like his

0:33:06.400 --> 0:33:11.320
<v Speaker 6>verse cool, it's cool. Baby girl's cool. But damn, like

0:33:11.320 --> 0:33:12.800
<v Speaker 6>why he ain't let me on me? I would have

0:33:12.840 --> 0:33:15.040
<v Speaker 6>game a killer verse. So in my mind, I'm like,

0:33:15.080 --> 0:33:18.360
<v Speaker 6>all right, man, whatever. Like so I go back home

0:33:18.560 --> 0:33:20.000
<v Speaker 6>and now I'm trying to get a couple of my

0:33:20.040 --> 0:33:22.640
<v Speaker 6>homies in. So it was the DJ in the city

0:33:22.920 --> 0:33:24.480
<v Speaker 6>from my say. His name was DJ Reese and he

0:33:24.600 --> 0:33:27.400
<v Speaker 6>was working on a mixtape and a good friend of

0:33:27.440 --> 0:33:29.400
<v Speaker 6>mine who I was in a group with named Danger Mouth.

0:33:30.120 --> 0:33:33.840
<v Speaker 6>He rapped on the Leear remix. So when I hear it,

0:33:33.920 --> 0:33:37.600
<v Speaker 6>he bodies it twenty four bars. I'm like, like this

0:33:37.680 --> 0:33:40.840
<v Speaker 6>nigga rapped way too long. But I'm like he killed

0:33:40.840 --> 0:33:43.920
<v Speaker 6>the shit. So then we send it to another homeboy

0:33:43.920 --> 0:33:46.040
<v Speaker 6>and he like, shit, I'm getting on that nigga. So

0:33:46.040 --> 0:33:47.440
<v Speaker 6>I'm like, yeah, I'm gonna get the squad on it.

0:33:47.560 --> 0:33:50.040
<v Speaker 6>So then I get on it, go back to Tim

0:33:50.480 --> 0:33:53.280
<v Speaker 6>like play him the remix and I'm like what you think?

0:33:53.320 --> 0:33:57.520
<v Speaker 6>He like it's cool, it's cool, say y'all, cal Yeah,

0:33:57.880 --> 0:34:00.680
<v Speaker 6>it's dope. It's dope. So I'm like, play the ship

0:34:00.720 --> 0:34:03.680
<v Speaker 6>for Joe Moo. You're like, nah, this is crazy. I

0:34:03.720 --> 0:34:05.360
<v Speaker 6>go back home like, yeah, now I'm giving this ship

0:34:05.400 --> 0:34:08.560
<v Speaker 6>to my man at work at the radio station. They

0:34:08.560 --> 0:34:11.120
<v Speaker 6>start playing on the radio station. This is the first

0:34:11.160 --> 0:34:16.920
<v Speaker 6>unofficial like every niggas Brodie day. Way two months later,

0:34:17.960 --> 0:34:21.000
<v Speaker 6>plaques in the mail. They call us like Aliyah wants

0:34:21.040 --> 0:34:22.600
<v Speaker 6>you all to come out with her at the tunnel

0:34:23.000 --> 0:34:28.479
<v Speaker 6>in New York, Nissan and all them raps, and I'm like, bat,

0:34:28.560 --> 0:34:32.920
<v Speaker 6>we go to the tunnel and perform with with Aliyah, Midliney,

0:34:33.000 --> 0:34:35.680
<v Speaker 6>Bat dangermin Like we had a crew called the super Friends,

0:34:36.040 --> 0:34:40.120
<v Speaker 6>and that was the introduction where I really got in

0:34:40.280 --> 0:34:43.520
<v Speaker 6>good with the camp. You know what I'm saying. And

0:34:43.520 --> 0:34:47.279
<v Speaker 6>then Missy goes, yeah, I want to take you on

0:34:47.320 --> 0:34:51.120
<v Speaker 6>the road because you remember everything. Like what you mean?

0:34:51.160 --> 0:34:53.080
<v Speaker 6>She's like, you know, Missy ain't never want to be

0:34:53.400 --> 0:34:55.520
<v Speaker 6>on the stage. Mona's like, oh, you gotta do this show.

0:34:55.560 --> 0:34:57.520
<v Speaker 6>You have to do jay Leno, you gotta do it.

0:34:57.680 --> 0:34:59.120
<v Speaker 6>Missing I fuck that. I just want to be in

0:34:59.120 --> 0:35:01.719
<v Speaker 6>the studio on her like, no, well, we gotta do

0:35:01.760 --> 0:35:05.040
<v Speaker 6>Hot nine seven summer jam, and and Sylvia wants she

0:35:05.080 --> 0:35:08.520
<v Speaker 6>and she's like, skills, just come because you can remember.

0:35:08.560 --> 0:35:10.880
<v Speaker 6>I don't remember this ship, so I knew when I

0:35:11.040 --> 0:35:13.759
<v Speaker 6>was when Missy was rapping. If she turned and looked

0:35:13.760 --> 0:35:18.040
<v Speaker 6>at me, that was finish line. So now I'm Missy's

0:35:18.080 --> 0:35:18.560
<v Speaker 6>hype man.

0:35:19.080 --> 0:35:21.759
<v Speaker 3>Hold on, yeah, I remember that.

0:35:21.880 --> 0:35:22.799
<v Speaker 1>I see him.

0:35:22.880 --> 0:35:26.000
<v Speaker 6>Yeah, get your freaking all that ship. I'm missus hype man.

0:35:26.760 --> 0:35:29.600
<v Speaker 1>You just graduate right into it. Just not not even

0:35:29.600 --> 0:35:30.200
<v Speaker 1>audition for.

0:35:30.400 --> 0:35:32.520
<v Speaker 6>Not even audition for it. I just happened to be

0:35:32.560 --> 0:35:34.759
<v Speaker 6>in the right place at the right time, and I'm

0:35:34.800 --> 0:35:38.719
<v Speaker 6>Missy's hype man. Missy's at the studio and now I'm

0:35:38.760 --> 0:35:41.839
<v Speaker 6>seeing I'm seeing this ship in real time because it's like, oh, Chris,

0:35:41.960 --> 0:35:43.480
<v Speaker 6>of course I know about the Illiad records.

0:35:43.480 --> 0:35:46.480
<v Speaker 2>She's right for everybody, everybody, and.

0:35:46.480 --> 0:35:49.120
<v Speaker 6>She don't want to be an artist. She don't even

0:35:49.120 --> 0:35:51.000
<v Speaker 6>want a record deal. And they're like, yo, we'll give

0:35:51.000 --> 0:35:53.200
<v Speaker 6>you a label if you put a record she had

0:35:53.200 --> 0:35:57.720
<v Speaker 6>already put our superduo fly Ship went what happens? And

0:35:57.719 --> 0:36:00.160
<v Speaker 6>and I'm like, I'm watching her create these songs that

0:36:00.239 --> 0:36:02.879
<v Speaker 6>she don't even want to be an artist. But it's

0:36:02.960 --> 0:36:08.120
<v Speaker 6>literally a purple Lamborghini outside, and I'm like, I gotta

0:36:08.160 --> 0:36:11.600
<v Speaker 6>start paying attention to this other shit because I tried

0:36:11.640 --> 0:36:13.400
<v Speaker 6>to be in front of the camera. That got me

0:36:13.440 --> 0:36:16.960
<v Speaker 6>back at the parking day, so speaking, and try this

0:36:17.080 --> 0:36:20.759
<v Speaker 6>other ship. And I started paying attention to her and

0:36:20.840 --> 0:36:25.719
<v Speaker 6>tim and crafting records and melody and and that's what

0:36:26.280 --> 0:36:30.640
<v Speaker 6>the pen turned into. And that's how it started. So

0:36:30.840 --> 0:36:34.719
<v Speaker 6>now you're talking ninety eight, ninety nine, get your freaking

0:36:34.640 --> 0:36:37.200
<v Speaker 6>on one minute, man, and all that shit, right, And

0:36:37.520 --> 0:36:41.120
<v Speaker 6>I'm you know, I'm running around with the black Ground camp.

0:36:41.239 --> 0:36:43.800
<v Speaker 6>I'm out here at the Hotel Nico and all this show.

0:36:44.440 --> 0:36:44.839
<v Speaker 1>You know what i mean.

0:36:45.400 --> 0:36:47.319
<v Speaker 6>None of you know what I'm saying. But I've never

0:36:47.360 --> 0:36:48.960
<v Speaker 6>been to La like that, you know what i mean.

0:36:49.000 --> 0:36:51.879
<v Speaker 6>And I'm out here in all these studios and yeah,

0:36:52.000 --> 0:36:53.880
<v Speaker 6>and I was like, yeah, okay, this is different.

0:36:54.560 --> 0:36:55.160
<v Speaker 1>I like this.

0:36:56.120 --> 0:36:58.120
<v Speaker 6>I go like being behind the scenes, you know what

0:36:58.120 --> 0:36:58.560
<v Speaker 6>I'm saying?

0:36:59.080 --> 0:37:01.520
<v Speaker 4>It what is was it a shock for you though,

0:37:01.600 --> 0:37:06.279
<v Speaker 4>like in terms of like coming to the I don't

0:37:06.320 --> 0:37:09.600
<v Speaker 4>know an understanding or realization that, you know what, maybe.

0:37:09.840 --> 0:37:12.040
<v Speaker 1>This is more of what I need to do.

0:37:12.080 --> 0:37:14.800
<v Speaker 6>You know what I understood early writing those songs in

0:37:14.840 --> 0:37:18.600
<v Speaker 6>those parking decks and then watching them go those little

0:37:18.680 --> 0:37:22.480
<v Speaker 6>verses here and there. I understood earlier. I was like, oh,

0:37:22.600 --> 0:37:26.160
<v Speaker 6>people like what I say, even if I ain't saying

0:37:26.160 --> 0:37:33.200
<v Speaker 6>that right. So for me it was like, all right, cool,

0:37:33.239 --> 0:37:36.760
<v Speaker 6>I'll do that, but not even knowing what I'm really doing.

0:37:37.640 --> 0:37:39.520
<v Speaker 6>And then one time I was in New York. I'm

0:37:39.520 --> 0:37:41.919
<v Speaker 6>in New York. I'm writing for my shit be cause

0:37:41.960 --> 0:37:45.040
<v Speaker 6>timn gotta be back on. I'm on z Man Records,

0:37:45.600 --> 0:37:48.640
<v Speaker 6>you know what I mean, which never fucking turned into nothing.

0:37:48.719 --> 0:37:51.959
<v Speaker 6>But I'm writing and it's DJ from New York comes

0:37:51.960 --> 0:37:54.759
<v Speaker 6>in and he hears the hook and he's like, Yo,

0:37:54.760 --> 0:37:56.319
<v Speaker 6>this shiit fire, Who this for it? I'm like, it's

0:37:56.320 --> 0:37:58.240
<v Speaker 6>for me. He's like, Yo, this shit doe. You should

0:37:58.280 --> 0:38:01.560
<v Speaker 6>let me get it for my project. I was like, yeah,

0:38:01.640 --> 0:38:04.839
<v Speaker 6>like let me finish it. He like, now, just let

0:38:04.840 --> 0:38:10.680
<v Speaker 6>me get this. I'm like, nah, but I'm a rapper nigga,

0:38:10.760 --> 0:38:12.279
<v Speaker 6>like let me put a verse. Let me get at

0:38:12.320 --> 0:38:14.880
<v Speaker 6>least get one verse on. He's like, no, just let

0:38:14.920 --> 0:38:17.000
<v Speaker 6>me take this. I'm telling you, just let me get this.

0:38:17.600 --> 0:38:20.360
<v Speaker 6>And I'm like, all right, man, Like I give it

0:38:20.400 --> 0:38:25.080
<v Speaker 6>to him. And then they tell me a month lady

0:38:25.120 --> 0:38:27.240
<v Speaker 6>of the record coming out. I'm like, what fucking record?

0:38:27.520 --> 0:38:31.840
<v Speaker 6>What's he talking about? I hear the record with my

0:38:32.000 --> 0:38:35.520
<v Speaker 6>hook and these three other rappers on it. I already

0:38:35.560 --> 0:38:37.359
<v Speaker 6>I had already did filled out. I don't know what

0:38:37.400 --> 0:38:39.319
<v Speaker 6>the fuck I was feeling out. They're like, yo, you own.

0:38:40.160 --> 0:38:42.479
<v Speaker 6>I'm like, yeah, all right, whatever, and I'm still thinking

0:38:42.480 --> 0:38:44.600
<v Speaker 6>it's fucked up. Man, they ain't put me on the song.

0:38:45.920 --> 0:38:49.120
<v Speaker 6>And then the fucking song comes out, and then the

0:38:49.239 --> 0:38:52.160
<v Speaker 6>check comes and I'm like, oh, yeah, I could do this.

0:38:53.640 --> 0:38:58.040
<v Speaker 6>I can't tell you that.

0:38:58.000 --> 0:38:59.880
<v Speaker 3>That's why he was noticed.

0:39:01.880 --> 0:39:07.319
<v Speaker 6>A good ghost writer never reveals all his clients. And

0:39:07.360 --> 0:39:09.080
<v Speaker 6>that record came out and I was like, oh yeah,

0:39:09.120 --> 0:39:11.880
<v Speaker 6>I could do this this and I was like okay,

0:39:11.920 --> 0:39:14.239
<v Speaker 6>they and then my name started going around like yo,

0:39:14.280 --> 0:39:16.880
<v Speaker 6>who the fuck wrote this? No skills? No skills from

0:39:16.920 --> 0:39:19.799
<v Speaker 6>VA used to be Missy. Oh yeah, pull that nigga,

0:39:19.880 --> 0:39:22.480
<v Speaker 6>don't pull up. So my name was in rooms that

0:39:22.560 --> 0:39:24.680
<v Speaker 6>I wasn't in yet, you know what I mean. And

0:39:25.040 --> 0:39:28.320
<v Speaker 6>that helped me too. I always and I'm from Virginia,

0:39:28.440 --> 0:39:30.120
<v Speaker 6>so we always got a chip on our shoulder cause

0:39:30.200 --> 0:39:32.200
<v Speaker 6>niggas don't never really give us the respect I feel

0:39:32.239 --> 0:39:34.440
<v Speaker 6>like we deserve. It's like me and us us in

0:39:34.480 --> 0:39:37.200
<v Speaker 6>Philly was always like the red head step child of

0:39:37.280 --> 0:39:39.080
<v Speaker 6>It's like New York and the niggas is bounced straight

0:39:39.080 --> 0:39:42.080
<v Speaker 6>to Atlanta. So I'm like I always, I'm like, nah, nigga,

0:39:42.200 --> 0:39:44.839
<v Speaker 6>I'm gonna write ten verses, you know what I mean?

0:39:44.840 --> 0:39:46.799
<v Speaker 6>Oh oh, he wrote two, Nigga, I'm right ten. He

0:39:46.880 --> 0:39:49.479
<v Speaker 6>go ten different versions of this fucking song. You're gonna

0:39:49.560 --> 0:39:52.520
<v Speaker 6>like one of these motherfuckers. And that's how it started

0:39:52.520 --> 0:39:54.360
<v Speaker 6>to happening. Was I would o D because I'm like,

0:39:54.400 --> 0:39:55.920
<v Speaker 6>I can't go back to that parking.

0:39:55.640 --> 0:40:00.120
<v Speaker 1>Den and it was office set, all of it.

0:40:00.360 --> 0:40:03.120
<v Speaker 2>So that's where your mind went where it was like, listen,

0:40:03.200 --> 0:40:06.840
<v Speaker 2>I'm just going to put records on everybody because you

0:40:06.880 --> 0:40:08.800
<v Speaker 2>got that purple Lamborghini in your head.

0:40:08.960 --> 0:40:09.600
<v Speaker 9>Because I won't.

0:40:12.360 --> 0:40:14.480
<v Speaker 6>And in my mind then when I did get the bag,

0:40:14.760 --> 0:40:16.160
<v Speaker 6>because you always talk about what you do with your

0:40:16.160 --> 0:40:19.399
<v Speaker 6>first check, I got the bag I got got when

0:40:19.520 --> 0:40:25.600
<v Speaker 6>got a red BMW right red BMW. So I didn't

0:40:25.600 --> 0:40:27.359
<v Speaker 6>even know that when you have a red car, your.

0:40:27.280 --> 0:40:29.440
<v Speaker 3>Insurance insurance is way higher, right.

0:40:29.280 --> 0:40:31.960
<v Speaker 6>So I get it. I got the red Beamer, got

0:40:31.960 --> 0:40:34.480
<v Speaker 6>the red Beamer. And I'm still at the crib or whatever.

0:40:34.680 --> 0:40:37.200
<v Speaker 6>And then I'm realizing I will go out and people

0:40:37.280 --> 0:40:39.799
<v Speaker 6>be like, yo, what you as so and so apartments last

0:40:39.840 --> 0:40:43.040
<v Speaker 6>Friday night? And I'm like, dad, I can't even move.

0:40:43.440 --> 0:40:48.279
<v Speaker 6>So now I get another card some specific where I

0:40:48.280 --> 0:40:50.680
<v Speaker 6>could just move without you know what I mean. And

0:40:51.280 --> 0:40:53.520
<v Speaker 6>I come from a beautiful city, like I love everybody

0:40:53.520 --> 0:40:56.160
<v Speaker 6>in my city. They love me like it's a beautiful thing.

0:40:56.200 --> 0:40:58.720
<v Speaker 6>But this is early on when I'm still like building.

0:40:59.000 --> 0:41:00.600
<v Speaker 6>So it's like I saw him on TV. I saw

0:41:00.680 --> 0:41:02.399
<v Speaker 6>my so and so. You know you got the ran car.

0:41:02.480 --> 0:41:03.719
<v Speaker 6>You know you get his haircut at.

0:41:03.600 --> 0:41:04.480
<v Speaker 1>So and so.

0:41:04.480 --> 0:41:08.719
<v Speaker 6>So It's like I'm moving weird. But yeah, man, that was.

0:41:08.960 --> 0:41:11.759
<v Speaker 4>It's like people track you but don't realize what they're doing.

0:41:11.800 --> 0:41:14.520
<v Speaker 4>You know what I'm saying right and giving that information.

0:41:15.719 --> 0:41:18.919
<v Speaker 6>And early two thousands, you know what I mean. One minute,

0:41:18.960 --> 0:41:23.840
<v Speaker 6>I'm on spring Bling and with Missy and Little Mogga

0:41:24.080 --> 0:41:26.040
<v Speaker 6>I mean, and then the next minute I'm at you

0:41:26.120 --> 0:41:28.600
<v Speaker 6>know what I mean, this this hot ninety seven or whatever,

0:41:28.640 --> 0:41:31.640
<v Speaker 6>because Missy was really like, no, mony, skills gotta come.

0:41:32.000 --> 0:41:35.600
<v Speaker 6>I ain't doing the show. Un let skills come. And

0:41:35.680 --> 0:41:38.640
<v Speaker 6>I'm traveling with Missy doing all these shows and ship

0:41:39.000 --> 0:41:40.760
<v Speaker 6>and just learning the business. Man.

0:41:41.040 --> 0:41:43.760
<v Speaker 4>I want to I want to ask you this because

0:41:44.239 --> 0:41:48.960
<v Speaker 4>when I was singing backgrounds with genuine, I thought that

0:41:49.080 --> 0:41:52.880
<v Speaker 4>that was going to be my job for life. And

0:41:52.960 --> 0:41:58.879
<v Speaker 4>I was so happy to carry those bags, right and

0:41:58.920 --> 0:42:03.960
<v Speaker 4>to sing those bags. I said, I can do this forever.

0:42:04.040 --> 0:42:04.320
<v Speaker 6>Right.

0:42:05.040 --> 0:42:06.600
<v Speaker 1>G was like, now you gotta go do your own thing.

0:42:06.680 --> 0:42:11.000
<v Speaker 1>I was like, fuck my own thing? Like you got

0:42:11.040 --> 0:42:15.319
<v Speaker 1>going on, like you got going. I like what you're doing.

0:42:16.760 --> 0:42:17.840
<v Speaker 1>How did that feel?

0:42:18.040 --> 0:42:18.160
<v Speaker 6>Like?

0:42:18.719 --> 0:42:22.360
<v Speaker 1>Bro, you're you're standing side by side with Missy.

0:42:22.160 --> 0:42:24.719
<v Speaker 6>And the crazy boys. You gotta think I came out first, right,

0:42:25.080 --> 0:42:28.040
<v Speaker 6>So it's like I came out and it turned into

0:42:28.080 --> 0:42:30.920
<v Speaker 6>a synergy of or m v A niggas stick together,

0:42:31.880 --> 0:42:33.600
<v Speaker 6>you know what I'm saying. Because he was the first one.

0:42:34.000 --> 0:42:36.400
<v Speaker 6>Then he was the first it was di'angelo, you know

0:42:36.400 --> 0:42:38.719
<v Speaker 6>what I'm saying. But it was weird because when DiAngelo

0:42:38.960 --> 0:42:42.719
<v Speaker 6>dropped he dropped. It was critically he claimed it was amazing,

0:42:43.040 --> 0:42:45.560
<v Speaker 6>but it was that he never really said where he

0:42:45.640 --> 0:42:47.400
<v Speaker 6>was from, you know what I'm saying, and niggas in

0:42:47.440 --> 0:42:48.880
<v Speaker 6>the city, niggas in the town. He was like, man,

0:42:48.880 --> 0:42:51.080
<v Speaker 6>that nigga don't be he don't be represented. I'm like, nigga,

0:42:51.120 --> 0:42:52.880
<v Speaker 6>he sing R and B, Like, what the fuck you

0:42:52.880 --> 0:42:55.280
<v Speaker 6>wanted to do? He's supposed making a song called Cruising

0:42:55.360 --> 0:42:57.920
<v Speaker 6>in Virginia, Like what the fuck? Like, what are you

0:42:57.920 --> 0:42:59.360
<v Speaker 6>supposed to have a Virginia jersey?

0:43:01.080 --> 0:43:01.200
<v Speaker 1>Right?

0:43:01.239 --> 0:43:03.040
<v Speaker 6>But I'm like, the hood wanted that, and I'm like,

0:43:03.040 --> 0:43:04.959
<v Speaker 6>all right, I'll be that, you know what I'm saying.

0:43:05.000 --> 0:43:08.759
<v Speaker 6>So it's like to see us all together like Missy

0:43:09.239 --> 0:43:14.000
<v Speaker 6>tam Leah Seanna, you know what I'm saying, like everybody like,

0:43:14.120 --> 0:43:16.600
<v Speaker 6>and we all sticking together and doing these shows. It's

0:43:16.600 --> 0:43:20.560
<v Speaker 6>like I almost was like, we're like a real like

0:43:20.600 --> 0:43:24.200
<v Speaker 6>the Avengers, you know what I'm saying, And you forrell

0:43:24.239 --> 0:43:27.520
<v Speaker 6>of them hadn't even really made an impact because Teddy

0:43:27.560 --> 0:43:29.640
<v Speaker 6>had no clue what the fuck to do with them niggas,

0:43:29.880 --> 0:43:32.640
<v Speaker 6>you know what I'm saying, right, But they're making in

0:43:33.400 --> 0:43:38.520
<v Speaker 6>in you know, ninety four, they're making songs that sound

0:43:38.640 --> 0:43:41.680
<v Speaker 6>like twenty twenty five. So it's like, I don't even

0:43:41.719 --> 0:43:43.880
<v Speaker 6>know what to do with this shit, and it sounded

0:43:43.880 --> 0:43:47.120
<v Speaker 6>futuristic then, so he just had to let them do

0:43:47.200 --> 0:43:49.759
<v Speaker 6>their own thing, and they found their way, you know

0:43:49.760 --> 0:43:54.440
<v Speaker 6>what I'm saying. And between Tim and Pharrell, they basically changed,

0:43:54.560 --> 0:43:57.360
<v Speaker 6>you know what I mean, they changed the whole landscape

0:43:57.400 --> 0:43:59.360
<v Speaker 6>of music, you know what I'm saying.

0:44:00.160 --> 0:44:04.160
<v Speaker 3>So, and then you and then you have Chris Brown, yes,

0:44:04.280 --> 0:44:05.840
<v Speaker 3>and then you have Trey song yes.

0:44:06.640 --> 0:44:11.160
<v Speaker 6>Like I'm from a magical place different.

0:44:11.440 --> 0:44:13.040
<v Speaker 3>And then when you start and then if you can

0:44:13.120 --> 0:44:15.319
<v Speaker 3>pile it and do the whole D m V thing.

0:44:16.880 --> 0:44:17.879
<v Speaker 1>Now, your niggas.

0:44:17.600 --> 0:44:23.480
<v Speaker 6>Is always say, I always say, the reason why we

0:44:23.480 --> 0:44:27.200
<v Speaker 6>were so original because we knew what we couldn't do.

0:44:28.360 --> 0:44:32.960
<v Speaker 6>We couldn't make bass booty music. Atlanta and Miami already

0:44:32.960 --> 0:44:37.800
<v Speaker 6>did that. DC had Go Go, Baltimore had fucking house

0:44:38.120 --> 0:44:42.520
<v Speaker 6>house music, Baltimore, New York had to boom back. L

0:44:42.560 --> 0:44:45.200
<v Speaker 6>A had the g funk Ship, Houston, Texas had the

0:44:45.280 --> 0:44:47.560
<v Speaker 6>chopping screws. So when you go in the studio, you

0:44:47.640 --> 0:44:51.560
<v Speaker 6>know exactly what you can't do, so you're gonna fucking

0:44:51.600 --> 0:44:55.520
<v Speaker 6>sample Godzilla or a baby, you know what I'm saying.

0:44:55.920 --> 0:44:57.920
<v Speaker 1>He was just ill for that though, he was just

0:44:58.000 --> 0:44:58.960
<v Speaker 1>out of his mind.

0:44:58.719 --> 0:45:02.839
<v Speaker 6>Because I've never seen anybody beat box exactly what they

0:45:02.880 --> 0:45:05.520
<v Speaker 6>want to make and then go over there and make it.

0:45:06.400 --> 0:45:08.279
<v Speaker 6>I've never seen the motherfucker just like, nah, that shit

0:45:08.320 --> 0:45:13.040
<v Speaker 6>gonna go boo boooo and then go over there and

0:45:13.080 --> 0:45:16.040
<v Speaker 6>do it. And it sounds exactly like you know what

0:45:16.080 --> 0:45:19.000
<v Speaker 6>I'm saying. So I'm watching him work, you know, with

0:45:19.120 --> 0:45:22.399
<v Speaker 6>fucking Bill Petaway there, Bill, you know what I mean.

0:45:22.520 --> 0:45:25.440
<v Speaker 6>Goddamn girl, you know it's true, Bill Petaway ass, you

0:45:25.520 --> 0:45:28.160
<v Speaker 6>know what I mean. So it's like I'm I'm around

0:45:28.200 --> 0:45:31.160
<v Speaker 6>this ship and I'm watching it happen, and I'm like, yo,

0:45:31.239 --> 0:45:33.960
<v Speaker 6>that this ship is crazy. These niggas are really changing,

0:45:34.040 --> 0:45:36.920
<v Speaker 6>and it's like everything is dropping. And then fucking Farrell

0:45:37.040 --> 0:45:42.320
<v Speaker 6>comes out, the Neptunes come out, and it's like he's

0:45:42.800 --> 0:45:46.560
<v Speaker 6>a savant, you know what I mean, Like he hears

0:45:46.600 --> 0:45:48.920
<v Speaker 6>it different. And then you get Chad to come in

0:45:49.360 --> 0:45:51.319
<v Speaker 6>and he put the bells and whistles on this ship.

0:45:51.760 --> 0:45:54.560
<v Speaker 6>And then the next thing I know, fucking Justin is

0:45:54.600 --> 0:45:57.520
<v Speaker 6>in this studio doing Senorita and Nori's in this studio

0:45:57.600 --> 0:45:59.799
<v Speaker 6>doing nothing, and I'm like, damn, these niggas got a

0:46:00.440 --> 0:46:03.240
<v Speaker 6>to Virginia. Right then you add in the bink bink

0:46:03.960 --> 0:46:06.040
<v Speaker 6>you know what I'm saying, and knots you know what

0:46:06.080 --> 0:46:06.520
<v Speaker 6>I'm saying.

0:46:06.600 --> 0:46:10.680
<v Speaker 2>So it's like in your contribution, Yeah, this R and

0:46:10.719 --> 0:46:12.919
<v Speaker 2>B thing. Yes, hold on, hold on, hold on because

0:46:12.960 --> 0:46:15.920
<v Speaker 2>Tank don't know this. I know this because it's the

0:46:15.920 --> 0:46:20.759
<v Speaker 2>reason we know each other. You taught Harold Lily how

0:46:20.760 --> 0:46:21.560
<v Speaker 2>to write songs?

0:46:21.640 --> 0:46:36.360
<v Speaker 9>Yes, yes, nowhere.

0:46:36.520 --> 0:46:37.439
<v Speaker 3>How about that? Tank?

0:46:37.960 --> 0:46:38.480
<v Speaker 6>Yeah?

0:46:39.000 --> 0:46:41.520
<v Speaker 8>Now you now, you fucker want to know why he really?

0:46:42.200 --> 0:46:43.239
<v Speaker 1>No way?

0:46:43.520 --> 0:46:46.120
<v Speaker 6>Harold Lily was in the ninth grade. I was in

0:46:46.120 --> 0:46:49.920
<v Speaker 6>the twelfth grade. I used to pick him up and

0:46:50.520 --> 0:46:52.880
<v Speaker 6>I used to take him in the car we go driving.

0:46:53.400 --> 0:46:55.040
<v Speaker 6>So I get in the car with Harold and I'm

0:46:55.040 --> 0:47:00.760
<v Speaker 6>playing Harold Jobsy. I'm playing Harold boys the Men and

0:47:00.800 --> 0:47:03.319
<v Speaker 6>he like this my o G. I'm playing him Wou

0:47:03.400 --> 0:47:05.640
<v Speaker 6>Tang Clan. It's this new nigga coming out of New

0:47:05.680 --> 0:47:08.520
<v Speaker 6>York named Notorist big Is. It's his record called Flavoring

0:47:08.560 --> 0:47:10.400
<v Speaker 6>Your Ears. You gotta hit the shit. I'm playing him

0:47:10.400 --> 0:47:11.920
<v Speaker 6>all the new shit because I'm getting all I'm going

0:47:11.960 --> 0:47:14.799
<v Speaker 6>back and forth to New York every fucking weekend, try

0:47:14.800 --> 0:47:18.680
<v Speaker 6>and get on. So then Harold's watching me and that's

0:47:18.719 --> 0:47:21.640
<v Speaker 6>my younger. And then he see me on TV and

0:47:21.680 --> 0:47:24.520
<v Speaker 6>he's like, oh shit, this nigga made it between him

0:47:24.719 --> 0:47:28.920
<v Speaker 6>and fucking Michael Archer. I got I gotta figured out.

0:47:28.920 --> 0:47:32.480
<v Speaker 6>I got videos of Harold singing dedication dedicated at the

0:47:32.520 --> 0:47:35.720
<v Speaker 6>Talent show. You know what I'm saying, like little Harold Lilly,

0:47:36.280 --> 0:47:41.160
<v Speaker 6>which we I knew it because he was so good

0:47:41.840 --> 0:47:44.400
<v Speaker 6>at such a young age, and he was he was studied.

0:47:44.920 --> 0:47:48.279
<v Speaker 6>So when Harold first came out here, shit, Harold came

0:47:48.320 --> 0:47:50.000
<v Speaker 6>to I want to say, Harold came out in like

0:47:50.040 --> 0:47:54.160
<v Speaker 6>the two thousands, you know what I mean, And he

0:47:54.239 --> 0:47:56.120
<v Speaker 6>had no clue what the fuck he was doing because

0:47:56.200 --> 0:47:59.560
<v Speaker 6>Missy had everybody, and that everybody signed the deal. And

0:47:59.560 --> 0:48:02.279
<v Speaker 6>then Harold was like, I don't know, man, my mama said,

0:48:03.040 --> 0:48:06.400
<v Speaker 6>I don't know. And then and then this other nigga

0:48:06.440 --> 0:48:09.520
<v Speaker 6>called him named Big John, and he like, man, my

0:48:09.600 --> 0:48:13.000
<v Speaker 6>mama said. So everybody was mad at Harold because Harold

0:48:13.040 --> 0:48:17.399
<v Speaker 6>ain't take the deal, but he took something that went

0:48:17.440 --> 0:48:21.200
<v Speaker 6>down with Big John and that turned into way to

0:48:21.200 --> 0:48:22.880
<v Speaker 6>turn away. Harold got his first check. He tried to

0:48:22.880 --> 0:48:25.680
<v Speaker 6>fucking catch it at the check cash his bock. He

0:48:25.719 --> 0:48:28.680
<v Speaker 6>ain't what the doing. I ain't you know, he ain't

0:48:28.680 --> 0:48:35.080
<v Speaker 6>have a bank account. You're gonna give away like so Harold,

0:48:35.120 --> 0:48:36.719
<v Speaker 6>you know. And then and it was like when he

0:48:36.760 --> 0:48:39.120
<v Speaker 6>came out here, when he came to La, it was

0:48:39.120 --> 0:48:40.719
<v Speaker 6>like we didn't know. He just had his head down.

0:48:40.760 --> 0:48:44.120
<v Speaker 6>He was working. Because Harold's a reader. Harold read because

0:48:44.120 --> 0:48:46.200
<v Speaker 6>he's like, when I came to LA, I ain't know nobody.

0:48:46.360 --> 0:48:47.920
<v Speaker 6>So you know who was my friends, my.

0:48:47.920 --> 0:48:48.760
<v Speaker 1>Book the books.

0:48:50.040 --> 0:48:53.279
<v Speaker 6>So Harold will talk you. So when every time I

0:48:53.320 --> 0:48:55.919
<v Speaker 6>walk into a room, Harold will tell you, like, soon

0:48:55.960 --> 0:48:57.360
<v Speaker 6>we walk in the room, it don't matter who in

0:48:57.400 --> 0:48:59.680
<v Speaker 6>the room. Hey, this is the nigga that wrote me songs, thog.

0:49:01.000 --> 0:49:03.920
<v Speaker 6>This nigga showed me how to write. And I'd be like,

0:49:03.920 --> 0:49:11.319
<v Speaker 6>come on, bro, come on's Swiss and Lisha bro Alicia. Yeah,

0:49:11.480 --> 0:49:14.320
<v Speaker 6>this this is my old g This this who showed

0:49:14.320 --> 0:49:17.680
<v Speaker 6>me the way. Come on, man, Like I'm just you

0:49:17.680 --> 0:49:18.000
<v Speaker 6>know what I mean?

0:49:18.000 --> 0:49:20.040
<v Speaker 3>They like, who is this one of the greatest humans

0:49:20.040 --> 0:49:20.560
<v Speaker 3>on the planet.

0:49:20.640 --> 0:49:22.600
<v Speaker 6>Yes, I love him. I just saw I love him

0:49:22.640 --> 0:49:24.719
<v Speaker 6>to death. Man, he's still one of the most inspirational

0:49:24.800 --> 0:49:26.760
<v Speaker 6>people I ever met in my life. He still inspires

0:49:26.760 --> 0:49:29.160
<v Speaker 6>me to this day. Love her Lily.

0:49:30.719 --> 0:49:31.719
<v Speaker 1>Yeah, that Virginian thing.

0:49:31.800 --> 0:49:35.319
<v Speaker 6>Man. You know, I'm just and that's why we're so

0:49:36.280 --> 0:49:36.879
<v Speaker 6>in the back.

0:49:37.160 --> 0:49:39.719
<v Speaker 4>This ghost rider thing has just got me. Like, you know,

0:49:39.760 --> 0:49:42.160
<v Speaker 4>I'm reeling right now, you know what I'm saying. I've

0:49:42.160 --> 0:49:45.359
<v Speaker 4>seen so many pieces that I know you've written, and

0:49:45.400 --> 0:49:47.759
<v Speaker 4>now I know that there's so many pieces that I

0:49:47.920 --> 0:49:48.520
<v Speaker 4>don't know.

0:49:50.239 --> 0:49:52.400
<v Speaker 1>I'm itching, you know what I'm saying.

0:49:53.320 --> 0:49:58.240
<v Speaker 4>But it's like you have to, like there's a certain

0:49:58.320 --> 0:50:02.120
<v Speaker 4>joy that comes along with, you know, being able to

0:50:02.160 --> 0:50:06.040
<v Speaker 4>sit back and watch your work work. Yes, I remember

0:50:06.080 --> 0:50:08.719
<v Speaker 4>when in the beginning of my career, like I didn't

0:50:08.719 --> 0:50:11.200
<v Speaker 4>want to write or produce for nobody. I did out

0:50:11.200 --> 0:50:15.640
<v Speaker 4>of necessity, But once I got on, I ain't want

0:50:15.680 --> 0:50:19.200
<v Speaker 4>to no more my music just for me. And I

0:50:19.239 --> 0:50:21.879
<v Speaker 4>got in, you know, I got into a little beef

0:50:21.920 --> 0:50:27.279
<v Speaker 4>with the label with burying them, and you know, I

0:50:27.280 --> 0:50:31.800
<v Speaker 4>got put on the shelf and I was cold, and

0:50:31.880 --> 0:50:35.080
<v Speaker 4>I was like, fuck, how am I gonna eat? And

0:50:35.160 --> 0:50:37.000
<v Speaker 4>so I just kind of started peeking my head into

0:50:37.120 --> 0:50:41.440
<v Speaker 4>like writing and producing. End up at the Underdog building

0:50:42.640 --> 0:50:48.520
<v Speaker 4>end up meeting this guy and starts going down this

0:50:48.600 --> 0:50:54.799
<v Speaker 4>journey of writing hit records. And my first time like

0:50:55.760 --> 0:51:01.239
<v Speaker 4>having that true satisfaction of seeing my work work. I

0:51:01.440 --> 0:51:05.400
<v Speaker 4>was watching No Mario on stage wrote that, Oh and

0:51:05.440 --> 0:51:07.680
<v Speaker 4>I'm sitting back at the sound booth. I mean because

0:51:07.760 --> 0:51:11.120
<v Speaker 4>normally that's me, right, you know what I'm saying, But

0:51:11.800 --> 0:51:15.879
<v Speaker 4>it can't be. And it's like I walk in the buildings. Man,

0:51:16.440 --> 0:51:20.200
<v Speaker 4>it's it's it's not even it's not even a thing anymore.

0:51:20.200 --> 0:51:22.319
<v Speaker 4>I'm not even tank walking, like you know what I'm saying.

0:51:22.320 --> 0:51:24.560
<v Speaker 4>I don't nobody want to autograph, maybe like one person

0:51:24.640 --> 0:51:26.359
<v Speaker 4>when you get a picture, but.

0:51:26.480 --> 0:51:32.000
<v Speaker 2>Your mean moment, I mean for me right right right.

0:51:31.719 --> 0:51:34.520
<v Speaker 4>At this point, I'm pulling up in a in a

0:51:34.760 --> 0:51:38.360
<v Speaker 4>for that escort stick shift, rolling wind or nothing like

0:51:38.400 --> 0:51:42.319
<v Speaker 4>this right now, you know what I'm saying. But I'm

0:51:42.360 --> 0:51:45.479
<v Speaker 4>watching my work work. And that was the first time

0:51:45.560 --> 0:51:48.880
<v Speaker 4>I had ever gotten true satisfaction.

0:51:48.280 --> 0:51:50.439
<v Speaker 1>For where I was like, I can do.

0:51:50.360 --> 0:51:54.239
<v Speaker 8>This what you got over the champ, Come on, champion.

0:51:59.640 --> 0:52:09.040
<v Speaker 4>That's I gotta display my skills. Mad skills is what

0:52:09.040 --> 0:52:14.840
<v Speaker 4>they call them. Yes, and your journey's your musical Josey.

0:52:16.160 --> 0:52:21.120
<v Speaker 4>It hasn't just been hip hop. That's where the love began.

0:52:21.239 --> 0:52:25.680
<v Speaker 4>But during those clean up sessions, you heard a lot

0:52:25.680 --> 0:52:30.399
<v Speaker 4>of rms' also written.

0:52:32.719 --> 0:52:34.200
<v Speaker 1>Some R and B m hm.

0:52:37.200 --> 0:52:40.160
<v Speaker 4>And on his journey, you've you've you've discovered that you

0:52:40.320 --> 0:52:45.120
<v Speaker 4>have some favorites I do. We don't want to know

0:52:45.160 --> 0:52:48.320
<v Speaker 4>all your favorites skills.

0:52:49.719 --> 0:52:51.040
<v Speaker 3>Because he's not mad anymore.

0:52:51.600 --> 0:52:52.440
<v Speaker 6>I'm still madking.

0:52:52.520 --> 0:52:55.280
<v Speaker 2>You're back, You're back to mad skills.

0:52:55.320 --> 0:52:56.520
<v Speaker 1>We just want to know.

0:52:56.480 --> 0:53:00.520
<v Speaker 4>Your top five.

0:53:02.239 --> 0:53:04.800
<v Speaker 1>Yeah, your top five?

0:53:05.000 --> 0:53:05.879
<v Speaker 6>You know how your fun.

0:53:07.520 --> 0:53:08.920
<v Speaker 9>Top five?

0:53:10.960 --> 0:53:19.280
<v Speaker 7>Hey, your top five RB singer winning alre this song,

0:53:21.920 --> 0:53:26.440
<v Speaker 7>this is a shoe. Please want the no steals on

0:53:26.719 --> 0:53:27.280
<v Speaker 7>the pool.

0:53:27.960 --> 0:53:30.160
<v Speaker 6>We got the gore. We're going.

0:53:33.360 --> 0:53:45.960
<v Speaker 1>Yes, your.

0:53:49.120 --> 0:54:02.560
<v Speaker 6>Fuck amazing, amazing.

0:54:03.719 --> 0:54:11.160
<v Speaker 4>Yes, sir, mad skills. Yes, your top five R and

0:54:11.200 --> 0:54:14.960
<v Speaker 4>B singers. Mm hmmm mm hmm.

0:54:16.160 --> 0:54:16.919
<v Speaker 6>I wrote them down.

0:54:19.360 --> 0:54:21.480
<v Speaker 1>I know you, We know you right, That's what we

0:54:21.560 --> 0:54:22.360
<v Speaker 1>do now, I'm a writer.

0:54:23.520 --> 0:54:26.920
<v Speaker 6>Number five is Stevie Wonder off the Red Start the

0:54:27.640 --> 0:54:32.920
<v Speaker 6>start there. Number four, it's a little sister of the bunch.

0:54:34.360 --> 0:54:38.439
<v Speaker 6>That would be Janet mm hmmm. Because niggas never put

0:54:38.440 --> 0:54:39.480
<v Speaker 6>her in texture.

0:54:40.200 --> 0:54:41.319
<v Speaker 1>You gonna feel.

0:54:43.320 --> 0:54:49.160
<v Speaker 6>Then we're going to nippy huh. Whitney Houston, The Voice,

0:54:50.040 --> 0:54:59.200
<v Speaker 6>The Voice, Number two, Prince mm hmm, I'm on, Prince,

0:54:59.680 --> 0:55:04.480
<v Speaker 6>are you? And Colorful Purple be exact the nineties girl

0:55:04.520 --> 0:55:10.400
<v Speaker 6>Purple Brunch number one all time, Mike.

0:55:10.440 --> 0:55:14.880
<v Speaker 3>Come on, come on, Joseph High Yeah, Jacks Yeah.

0:55:14.920 --> 0:55:18.439
<v Speaker 1>It's so many mics too, Like it covers all the ground.

0:55:18.320 --> 0:55:23.480
<v Speaker 6>Every all the ground I've never and I hate the

0:55:23.520 --> 0:55:26.080
<v Speaker 6>set of debates now where people are like, oh yeah,

0:55:26.960 --> 0:55:30.360
<v Speaker 6>oh Drake that no no, because y'all want a round.

0:55:31.160 --> 0:55:35.640
<v Speaker 6>When we were y'all didn't see grown men faint and

0:55:35.680 --> 0:55:36.480
<v Speaker 6>get carried out.

0:55:37.520 --> 0:55:40.520
<v Speaker 1>Your top five R and B songs.

0:55:41.160 --> 0:55:43.480
<v Speaker 6>I wrote those down to because I'm a writer.

0:55:44.400 --> 0:55:45.440
<v Speaker 3>For yourself and others.

0:55:45.800 --> 0:55:53.520
<v Speaker 6>Okay, five hands down?

0:55:54.320 --> 0:55:54.680
<v Speaker 1>Love it.

0:55:56.760 --> 0:56:05.440
<v Speaker 6>Doom dude, mm hmmmm. Ass Stevie Wonder probably one of

0:56:05.520 --> 0:56:10.720
<v Speaker 6>the most beautiful songs I've ever heard in my life,

0:56:11.320 --> 0:56:16.319
<v Speaker 6>Like it automatically changes your mood when you hear it. Right,

0:56:17.080 --> 0:56:25.720
<v Speaker 6>that's five four I Got, I Got the South Side, Richmond, Virginia.

0:56:27.320 --> 0:56:32.719
<v Speaker 6>How does it feel? Come on? Did' angelo Raphaelsa Di.

0:56:34.239 --> 0:56:40.239
<v Speaker 1>Pemo Life Changing record? The changed that record, My life.

0:56:40.600 --> 0:56:47.719
<v Speaker 6>That record alone, Pright that record by itself? You know,

0:56:47.960 --> 0:56:52.799
<v Speaker 6>you know how it's only a few niggas that can

0:56:52.880 --> 0:56:57.320
<v Speaker 6>disappear totally from the face of earth, from the face

0:56:57.360 --> 0:56:59.880
<v Speaker 6>of music, and come back whenever they want to.

0:57:00.600 --> 0:57:01.359
<v Speaker 3>He's one of them.

0:57:01.400 --> 0:57:04.719
<v Speaker 6>He's one of them. If that nigga announced right now

0:57:04.800 --> 0:57:08.120
<v Speaker 6>tomorrow yo, I'm doing it in the form tomorrow night.

0:57:08.960 --> 0:57:10.719
<v Speaker 1>We were all going going.

0:57:12.280 --> 0:57:19.080
<v Speaker 6>How does it feel, Maxwell? Anytime you come outside outside,

0:57:19.080 --> 0:57:20.240
<v Speaker 6>were outside.

0:57:20.000 --> 0:57:22.600
<v Speaker 4>The Angelo, How does it feel? I want to shout

0:57:22.640 --> 0:57:27.520
<v Speaker 4>out to the A n R. Who said we have

0:57:27.600 --> 0:57:32.200
<v Speaker 4>to do another single. Yes, that was single number three.

0:57:32.320 --> 0:57:39.320
<v Speaker 6>Yes, I think the first one was Left and Right methods. Yeah,

0:57:40.760 --> 0:57:42.960
<v Speaker 6>that one, I can't remember what The other one was

0:57:43.080 --> 0:57:47.080
<v Speaker 6>Left Devils was off for there. I remember they shot

0:57:47.080 --> 0:57:50.600
<v Speaker 6>a video for us send it on. It was a

0:57:50.640 --> 0:57:54.960
<v Speaker 6>live video that was Anthony Hamilton was singing backgrounds then

0:57:56.760 --> 0:57:57.840
<v Speaker 6>with paint on his face.

0:57:58.720 --> 0:58:03.440
<v Speaker 4>Somebody said we have to get this record before it

0:58:04.040 --> 0:58:06.400
<v Speaker 4>because it wasn't It wasn't it wasn't nothing, It wasn't.

0:58:06.240 --> 0:58:10.000
<v Speaker 6>Connected right, No, and then it all changed.

0:58:10.080 --> 0:58:11.040
<v Speaker 1>And then when that.

0:58:11.040 --> 0:58:24.480
<v Speaker 6>God, damn that snare and that fucking and that it's

0:58:24.520 --> 0:58:28.040
<v Speaker 6>almost one of the ones where it's like, damn, I wish,

0:58:28.160 --> 0:58:31.320
<v Speaker 6>I wish, I wish when people always ask me and

0:58:31.600 --> 0:58:34.520
<v Speaker 6>I and I always think it's like they'd be like,

0:58:34.560 --> 0:58:37.760
<v Speaker 6>what records if it wasn't a record, what record did

0:58:37.760 --> 0:58:40.040
<v Speaker 6>you wish you wrote with skills? I'm like, my first

0:58:40.080 --> 0:58:45.960
<v Speaker 6>one is always Happy Birthday, Nigga, Happy Birthday. I wish

0:58:46.000 --> 0:58:48.479
<v Speaker 6>I wrote Happy Birthday. Happy Birthday Nigga who.

0:58:48.360 --> 0:58:50.080
<v Speaker 3>Wrote Happy Birthday didn't make no money off Heavy.

0:58:50.120 --> 0:58:51.520
<v Speaker 6>But I'm just I wish I were a time when

0:58:51.520 --> 0:58:56.400
<v Speaker 6>I lost Happy Birthday and I always loved those are

0:58:56.440 --> 0:59:01.720
<v Speaker 6>always my two right, So that record, it's like hearing

0:59:01.760 --> 0:59:04.400
<v Speaker 6>how does it feel? Always you? Just like I just

0:59:04.440 --> 0:59:06.640
<v Speaker 6>wish I could have been in the room. Yeah you

0:59:06.680 --> 0:59:07.960
<v Speaker 6>know what I mean. I wish I could have been

0:59:07.960 --> 0:59:10.400
<v Speaker 6>in the b room next door just to hear that.

0:59:11.120 --> 0:59:15.600
<v Speaker 4>So, and I'm a musician. What they did with that musically, Yeah,

0:59:15.680 --> 0:59:16.360
<v Speaker 4>they were high.

0:59:17.680 --> 0:59:18.640
<v Speaker 6>No, it had to be.

0:59:18.760 --> 0:59:20.600
<v Speaker 1>That's got to be an LSD record.

0:59:21.320 --> 0:59:26.600
<v Speaker 6>Had to be. So that's that's four. Three is a tie.

0:59:27.120 --> 0:59:35.200
<v Speaker 6>Three is two two records, you're artists. Three is Real

0:59:35.240 --> 0:59:44.640
<v Speaker 6>Love Themix Real Love number two because it never goes away.

0:59:45.000 --> 0:59:50.040
<v Speaker 6>It's it's synonymous with us, and it's certain. It's it's

0:59:50.040 --> 0:59:52.960
<v Speaker 6>a certain thing about having records that they just click.

0:59:54.280 --> 1:00:05.000
<v Speaker 6>So anytime you hear mm hmm, bro before I let go.

1:00:07.120 --> 1:00:12.000
<v Speaker 6>Is the perfect It's so it's so perfect. Here's the thing.

1:00:12.440 --> 1:00:15.120
<v Speaker 6>It's so perfect that we're not even paying attention to

1:00:15.200 --> 1:00:15.960
<v Speaker 6>what he's saying.

1:00:17.000 --> 1:00:27.120
<v Speaker 8>Yeah, no, he's a professional at this, a professional this

1:00:27.280 --> 1:00:27.680
<v Speaker 8>right here.

1:00:28.360 --> 1:00:31.040
<v Speaker 1>I ain't saying no nick, I ain't saying no names.

1:00:31.480 --> 1:00:32.520
<v Speaker 6>I ain't saying no name.

1:00:33.000 --> 1:00:43.600
<v Speaker 10>I ain't saying what you didn't saying no name.

1:00:49.760 --> 1:00:54.600
<v Speaker 8>Oh ship, Oh god, come on, come on, come on, skills.

1:00:55.200 --> 1:00:56.360
<v Speaker 1>You know you know what this is.

1:00:56.400 --> 1:01:00.120
<v Speaker 2>You come on, you you've been quoting already something the

1:01:00.120 --> 1:01:01.320
<v Speaker 2>ship we be saying on the show.

1:01:01.360 --> 1:01:02.439
<v Speaker 3>So I know you watched the show.

1:01:03.240 --> 1:01:03.760
<v Speaker 1>You know what I mean.

1:01:03.920 --> 1:01:05.640
<v Speaker 3>So you know what this part of the show is.

1:01:05.720 --> 1:01:08.040
<v Speaker 2>You know what this segment means, all right, and you

1:01:08.080 --> 1:01:09.760
<v Speaker 2>know you can't disappoint in this segment.

1:01:09.800 --> 1:01:12.240
<v Speaker 6>Man, we know already.

1:01:13.200 --> 1:01:15.640
<v Speaker 2>Okay for me, for you start, I got to introduce

1:01:15.680 --> 1:01:17.200
<v Speaker 2>it though, you know what I mean, I can't.

1:01:17.240 --> 1:01:18.520
<v Speaker 1>I gotta give it to you the proper way.

1:01:18.640 --> 1:01:18.840
<v Speaker 8>Man.

1:01:19.000 --> 1:01:22.080
<v Speaker 1>Pause, then to get out of there, Get me out

1:01:22.120 --> 1:01:22.400
<v Speaker 1>of there.

1:01:23.000 --> 1:01:28.800
<v Speaker 2>It is what it is, the Boss Show. So right

1:01:28.840 --> 1:01:32.720
<v Speaker 2>now you are here on the r and b Money Podcast.

1:01:34.040 --> 1:01:37.600
<v Speaker 2>Very important segment that I Ain't saying no names portion,

1:01:38.280 --> 1:01:42.160
<v Speaker 2>Will you tell us a story? Funnier fucked up in

1:01:42.240 --> 1:01:48.720
<v Speaker 2>the Journey of Mad Skills Skills VA the ship. You've

1:01:48.720 --> 1:01:50.919
<v Speaker 2>seen shit, you've experienced.

1:01:51.240 --> 1:01:54.200
<v Speaker 3>The only rule to the game. You can't say no name.

1:01:54.480 --> 1:01:59.920
<v Speaker 6>Okay, you all ready absolutely all right. It's early two

1:02:00.120 --> 1:02:05.280
<v Speaker 6>thousands now, we already talked about my journey Missy Q

1:02:05.520 --> 1:02:13.920
<v Speaker 6>tip Timberland. For real. I'm out here working writing some

1:02:14.080 --> 1:02:19.919
<v Speaker 6>hip hop songs. Nice studio, beautiful day in La. I'm

1:02:19.960 --> 1:02:27.080
<v Speaker 6>in here for a week. They tell me I ain't

1:02:27.080 --> 1:02:30.480
<v Speaker 6>saying no name, is working out the A room. I'm like,

1:02:30.560 --> 1:02:36.120
<v Speaker 6>oh shit, really he ain't here this week? Yeah, all right, cool,

1:02:36.160 --> 1:02:40.480
<v Speaker 6>that's dope. A couple of days later, see him in

1:02:40.480 --> 1:02:45.880
<v Speaker 6>the hallway, speak, Oh what's up man? What's up? Bro?

1:02:46.680 --> 1:02:49.800
<v Speaker 6>What you're working on? Man? You know? At this point,

1:02:49.840 --> 1:02:52.440
<v Speaker 6>I'm I think I was on I might have been

1:02:52.480 --> 1:02:56.280
<v Speaker 6>on Rockets or some shit. Well I wasn't. I definitely

1:02:56.320 --> 1:02:58.160
<v Speaker 6>went on No A list, but I want no death

1:02:58.240 --> 1:03:01.560
<v Speaker 6>jam mouthers bitch might have been Rockers or cotch right,

1:03:01.720 --> 1:03:04.360
<v Speaker 6>one of them. Niggas only gave me twenty five thousand

1:03:04.680 --> 1:03:07.480
<v Speaker 6>leaven make an album. So I'm making this album on favorites.

1:03:08.600 --> 1:03:11.680
<v Speaker 6>We in this studio on a favor See him in

1:03:11.680 --> 1:03:23.240
<v Speaker 6>the hallway. R and b artists got two smashes and

1:03:23.240 --> 1:03:26.760
<v Speaker 6>one of them a ballot, and this ballot got niggas

1:03:26.760 --> 1:03:33.000
<v Speaker 6>in the choke hold. Budget is right, Videos is crispy,

1:03:33.920 --> 1:03:37.720
<v Speaker 6>Chris Robinson ish and hype, you know what I mean?

1:03:37.800 --> 1:03:40.120
<v Speaker 1>Videos looking video one.

1:03:40.040 --> 1:03:44.720
<v Speaker 6>O six part every day And he said, what you're

1:03:44.720 --> 1:03:47.200
<v Speaker 6>working on? Its working on some hip hop. Said I'm

1:03:47.200 --> 1:03:50.439
<v Speaker 6>gonna come and check your shit out. All right, cool bet,

1:03:52.360 --> 1:03:54.600
<v Speaker 6>come to the studio, listen to some of my ship.

1:03:55.720 --> 1:03:57.520
<v Speaker 6>She kod me help me, man, I want to write.

1:03:57.520 --> 1:04:02.640
<v Speaker 6>I want to raise some raps too. I said, yeah, sure, yeah,

1:04:03.560 --> 1:04:05.240
<v Speaker 6>I'm dead serious man. I want to do some hip

1:04:05.280 --> 1:04:07.280
<v Speaker 6>hop ship like you know, that's that's what my heart

1:04:07.400 --> 1:04:11.439
<v Speaker 6>is really and in my mind I'm going I wish

1:04:11.520 --> 1:04:16.280
<v Speaker 6>I had your career right now? You white hot? What

1:04:16.320 --> 1:04:17.680
<v Speaker 6>do you mean you want? Fuck?

1:04:17.760 --> 1:04:18.080
<v Speaker 8>You mean?

1:04:19.200 --> 1:04:19.360
<v Speaker 10>Nah?

1:04:19.400 --> 1:04:22.800
<v Speaker 6>Man, we gotta do some ship totally abandons this session.

1:04:23.200 --> 1:04:27.760
<v Speaker 6>Come into my ship. He got beats, put him on

1:04:27.760 --> 1:04:31.640
<v Speaker 6>a CD. What you think about this? Some cool ship?

1:04:32.080 --> 1:04:34.480
<v Speaker 6>Like yeah, I was thinking that like this nigga really

1:04:34.520 --> 1:04:37.680
<v Speaker 6>wanted to work right now. All right, we start working

1:04:37.720 --> 1:04:42.320
<v Speaker 6>on some records. Do a couple of songs, come back

1:04:42.320 --> 1:04:46.280
<v Speaker 6>the next day, do some more songs come back to

1:04:46.320 --> 1:04:50.320
<v Speaker 6>the third day, we do. We damn fucking got an album.

1:04:50.560 --> 1:04:52.360
<v Speaker 6>He like, yeah, man, this this is where I really

1:04:52.400 --> 1:04:55.880
<v Speaker 6>want to be. Y'all. Y'all can express y'allself in a

1:04:55.880 --> 1:04:59.160
<v Speaker 6>different way. Third day that he comes in the studio

1:05:00.280 --> 1:05:03.720
<v Speaker 6>engineer hit play. He goes in the booth to beat

1:05:03.760 --> 1:05:05.760
<v Speaker 6>us up. I kind of mumbled out a little hook.

1:05:06.440 --> 1:05:08.440
<v Speaker 6>He like, I'm I'm I think I'm I'm gonna throw

1:05:08.480 --> 1:05:10.200
<v Speaker 6>some mumbles on the see see if I can get

1:05:10.240 --> 1:05:12.080
<v Speaker 6>into a pocket. I said, go do a scratch oog

1:05:12.240 --> 1:05:17.400
<v Speaker 6>man h check yo. For all my niggas and my bitches,

1:05:22.680 --> 1:05:29.240
<v Speaker 6>all the records before this was cool, very cool. He

1:05:29.320 --> 1:05:34.040
<v Speaker 6>had cursed once my niggas in my pitches. For the

1:05:34.080 --> 1:05:36.880
<v Speaker 6>pitches and the niggas. I'm like, yo, this nigga rapping

1:05:37.000 --> 1:05:40.760
<v Speaker 6>like dn Max got off. He comes outside, Nah, this

1:05:40.920 --> 1:05:43.960
<v Speaker 6>the one that little part right there, We're gonna make

1:05:44.000 --> 1:05:47.320
<v Speaker 6>that the hook. That's gonna be my verse and my mom.

1:05:47.360 --> 1:05:54.720
<v Speaker 6>I'm like, you sound like Earl Simmons. He's dad serious,

1:05:55.680 --> 1:06:02.120
<v Speaker 6>this is gonna be my single. I'm like, you're putt

1:06:02.120 --> 1:06:04.880
<v Speaker 6>out a rap out. Yeah, bro, you're gonna help me.

1:06:06.720 --> 1:06:10.120
<v Speaker 6>I said, ship, I'm thinking about it. Ain't gonna this

1:06:10.320 --> 1:06:15.800
<v Speaker 6>ain't gonna fly. The ballad that you have is so big.

1:06:16.680 --> 1:06:19.800
<v Speaker 6>There's no way you can ever say the word bitch

1:06:19.920 --> 1:06:25.040
<v Speaker 6>in your life. Black women will leave you and they

1:06:25.240 --> 1:06:28.200
<v Speaker 6>love you right now. You can't ever say the b

1:06:28.360 --> 1:06:32.200
<v Speaker 6>word in a song. But this ship, this ship just

1:06:32.240 --> 1:06:36.520
<v Speaker 6>fell in my lap. Earl Simmons on it. That's how

1:06:36.520 --> 1:06:38.840
<v Speaker 6>he's saying recipes and he sound the niggas and bitches

1:06:38.880 --> 1:06:41.880
<v Speaker 6>on the song and he's saying bitch like bitches.

1:06:42.320 --> 1:06:43.160
<v Speaker 3>Not a nice way.

1:06:43.440 --> 1:06:44.960
<v Speaker 1>No.

1:06:45.360 --> 1:06:48.320
<v Speaker 6>Next day, come to the studio. I'm in the studio.

1:06:48.400 --> 1:06:51.080
<v Speaker 6>He don't show up. I start working back on my ship.

1:06:54.040 --> 1:06:59.360
<v Speaker 6>Phone ring engineer like hello, yeah, he's right here. I'm

1:06:59.400 --> 1:07:04.000
<v Speaker 6>like hello, Yeah, you have some guests out front, I said,

1:07:04.040 --> 1:07:09.200
<v Speaker 6>I do. Yeah, told me who it was. I said, okay,

1:07:10.720 --> 1:07:17.840
<v Speaker 6>it's his managers, Like, I ain't never met them. They

1:07:17.960 --> 1:07:23.640
<v Speaker 6>coming to the studio. Yo, what's up? Man? Say what's up? Yo?

1:07:25.320 --> 1:07:28.640
<v Speaker 6>And we heard the joints y'all been working on you

1:07:28.760 --> 1:07:35.360
<v Speaker 6>helping him write those. Uh yeah, Hey, let me tell

1:07:35.400 --> 1:07:44.560
<v Speaker 6>you something, my nigga. What listen, he's a little off

1:07:44.600 --> 1:07:47.680
<v Speaker 6>his rocker right now. I don't need you to take

1:07:47.760 --> 1:07:53.240
<v Speaker 6>him serious, I said, Oh okay, I said, listen. We

1:07:53.280 --> 1:07:57.120
<v Speaker 6>as management team. He got He has a whole team

1:07:57.200 --> 1:08:02.520
<v Speaker 6>of people behind him, artists, he got dancers, he got

1:08:02.560 --> 1:08:06.600
<v Speaker 6>a band, he got background singers, we got engineers. If

1:08:06.640 --> 1:08:11.360
<v Speaker 6>you help this nigga write one more fucking rap song,

1:08:12.640 --> 1:08:19.400
<v Speaker 6>you done, we gonna come see you. What said, Bro,

1:08:20.800 --> 1:08:23.040
<v Speaker 6>I ain't trying to fuck up. No, no, you about

1:08:23.040 --> 1:08:26.280
<v Speaker 6>to fuck were about to go on tour. Bro with

1:08:26.600 --> 1:08:29.800
<v Speaker 6>can't say her name either, were about he can't ever

1:08:29.920 --> 1:08:34.920
<v Speaker 6>be heard saying the word bitchy because they think I

1:08:34.920 --> 1:08:42.599
<v Speaker 6>wrote every word. If you see him in the street,

1:08:43.720 --> 1:08:49.599
<v Speaker 6>she's walking, don't don't help him. You're about to help

1:08:49.680 --> 1:08:53.519
<v Speaker 6>him end his fucking career. Nigga. Do you like the song?

1:08:53.560 --> 1:08:56.000
<v Speaker 6>I said, Bro, I love his song. Well let's stay

1:08:56.040 --> 1:08:58.800
<v Speaker 6>that way. Damn. I thought you v a. I thought

1:08:58.840 --> 1:09:02.960
<v Speaker 6>you was folks, I said, I am. I love this ship. Bro, Bro, Bro,

1:09:03.080 --> 1:09:04.880
<v Speaker 6>we some dudes from we trying to come up. He

1:09:05.520 --> 1:09:11.519
<v Speaker 6>don't help him, bro, I said, all right, man, fuck

1:09:13.880 --> 1:09:18.879
<v Speaker 6>and that was it. He called me. I stopped answering.

1:09:21.800 --> 1:09:28.200
<v Speaker 6>I couldn't do it. I was like, I ghosted the ghostwriter,

1:09:28.400 --> 1:09:32.040
<v Speaker 6>ghosted artists. And when he walked in that room and

1:09:32.080 --> 1:09:35.720
<v Speaker 6>said niggas and bitches, I was like, in my mind,

1:09:35.760 --> 1:09:38.200
<v Speaker 6>I'm going this ain't gonna never work. But he was

1:09:38.240 --> 1:09:40.720
<v Speaker 6>so passionate about it. But I was in my mom

1:09:40.840 --> 1:09:42.960
<v Speaker 6>I'm sitting there going, bro, I'm on a fucking indie.

1:09:43.280 --> 1:09:45.759
<v Speaker 6>I would love to be where you at, just writing,

1:09:46.760 --> 1:09:50.320
<v Speaker 6>and you want to come down here and rap about

1:09:51.000 --> 1:09:57.160
<v Speaker 6>niggas and bitches. That's the music visits and shop and yeah,

1:09:58.000 --> 1:09:59.880
<v Speaker 6>I ain't saying no names. I ain't saying no names.

1:10:01.080 --> 1:10:04.320
<v Speaker 6>Hey man, I ain't say your name. It wasn't it

1:10:04.439 --> 1:10:11.400
<v Speaker 6>wasn't it wasn't you. You have written a lot of

1:10:11.479 --> 1:10:16.000
<v Speaker 6>songs that women love, written and performed. You know deep

1:10:16.000 --> 1:10:18.960
<v Speaker 6>in your heart you can't never get on those stage.

1:10:19.600 --> 1:10:21.720
<v Speaker 6>I don't even you feel that way. He can't never

1:10:21.720 --> 1:10:24.479
<v Speaker 6>get on the stage and say that. And that's this

1:10:24.640 --> 1:10:26.800
<v Speaker 6>artist was right there.

1:10:26.840 --> 1:10:28.519
<v Speaker 1>I get it. I get it.

1:10:30.000 --> 1:10:31.400
<v Speaker 6>I don't even know what made him want to say it,

1:10:31.439 --> 1:10:35.000
<v Speaker 6>But hey man, you know the niggas and the bitch

1:10:35.040 --> 1:10:36.480
<v Speaker 6>has never heard it sometimes.

1:10:36.120 --> 1:10:39.960
<v Speaker 1>You be enamored, flabbergasted.

1:10:40.479 --> 1:10:42.320
<v Speaker 4>I got this bit that I do in my comedy

1:10:42.360 --> 1:10:45.040
<v Speaker 4>set where I'm like, I'm like, tonight, I get to

1:10:45.080 --> 1:10:45.839
<v Speaker 4>call you bitches.

1:10:48.960 --> 1:10:50.759
<v Speaker 6>She liked that.

1:10:51.080 --> 1:10:55.960
<v Speaker 1>I get to be a rapper only in the comedy bitch.

1:11:03.120 --> 1:11:06.479
<v Speaker 6>Like that that nigga said it different. Where's my bitch?

1:11:07.720 --> 1:11:10.880
<v Speaker 1>It was, that's a that's a rally call. That's a

1:11:10.960 --> 1:11:11.360
<v Speaker 1>rack call.

1:11:14.479 --> 1:11:20.040
<v Speaker 4>Brother Man, skills man, listen man. The name speaks for herself.

1:11:20.120 --> 1:11:20.320
<v Speaker 1>Man.

1:11:20.600 --> 1:11:23.800
<v Speaker 4>And it is a testament to hard work and true

1:11:23.840 --> 1:11:30.360
<v Speaker 4>dedication man, and and the craft the craft man. It's

1:11:30.400 --> 1:11:36.800
<v Speaker 4>just being a craftsman is different. What we do serious man,

1:11:37.640 --> 1:11:40.640
<v Speaker 4>and it takes you serious and and and that is

1:11:40.680 --> 1:11:47.600
<v Speaker 4>where true longevity lives. It lives and taking this ship serious.

1:11:49.240 --> 1:11:54.439
<v Speaker 4>And I pray that everyone watching this that they get

1:11:54.520 --> 1:11:57.439
<v Speaker 4>that message. And I pray that all of the people

1:11:57.479 --> 1:12:03.760
<v Speaker 4>who are in charge and that are handling these budgets

1:12:03.800 --> 1:12:07.360
<v Speaker 4>and that are signing these these artists and that are

1:12:07.360 --> 1:12:10.560
<v Speaker 4>looking for these creatives and these writers and these producers,

1:12:10.560 --> 1:12:14.719
<v Speaker 4>that we uh that we don't turn a blind eye

1:12:14.760 --> 1:12:20.800
<v Speaker 4>to the truly gifted, the truly talented people, and we

1:12:20.840 --> 1:12:23.519
<v Speaker 4>get them a shot at that Longevity Man and and

1:12:23.520 --> 1:12:26.960
<v Speaker 4>and we get more mad Skills to get.

1:12:27.880 --> 1:12:29.040
<v Speaker 1>Ladies, Gentle money and Tank.

1:12:30.120 --> 1:12:31.920
<v Speaker 4>And this is the R and B Money podcast, the

1:12:31.960 --> 1:12:33.200
<v Speaker 4>authority on all.

1:12:33.120 --> 1:12:43.600
<v Speaker 5>Things R and B and mad Skills, R and B Money.

1:12:44.280 --> 1:12:46.080
<v Speaker 2>R and B Money is a production of the Black

1:12:46.080 --> 1:12:47.519
<v Speaker 2>Effect Podcast Network.

1:12:47.880 --> 1:12:52.200
<v Speaker 3>For more podcasts from iHeart Radio, visit the iHeartRadio app,

1:12:52.320 --> 1:12:55.599
<v Speaker 3>Apple Podcasts, or wherever you listen to your favorite shows.

1:12:56.080 --> 1:12:58.719
<v Speaker 3>Don't forget to subscribe to and rate our show.

1:12:59.040 --> 1:13:01.639
<v Speaker 2>And you can connect with thus on social media at

1:13:01.720 --> 1:13:06.000
<v Speaker 2>j Valentine and at the Real Tank. For the extended episode,

1:13:06.080 --> 1:13:10.280
<v Speaker 2>subscribe to YouTube dot com or slash R and B

1:13:10.400 --> 1:13:10.719
<v Speaker 2>Money