1 00:00:00,200 --> 00:00:03,559 Speaker 1: Hello the Internet, and welcome to the episode of Part 2 00:00:03,560 --> 00:00:08,920 Speaker 1: trend Me Boy. Is that a zeitonoga chub chub uh? 3 00:00:08,920 --> 00:00:12,360 Speaker 1: That's courtesy of keV bought a little up chug on 4 00:00:12,440 --> 00:00:17,439 Speaker 1: the end from super producer Brian um chug on that. Yeah, 5 00:00:17,480 --> 00:00:22,079 Speaker 1: so why don't you go chewg on that? Hell Um, 6 00:00:22,160 --> 00:00:25,800 Speaker 1: I always forget about the reference. I think it's been 7 00:00:25,800 --> 00:00:30,560 Speaker 1: explained to me multiple times. Either it's a it's an 8 00:00:30,560 --> 00:00:33,240 Speaker 1: old song. I believe I don't even know again that 9 00:00:33,479 --> 00:00:36,080 Speaker 1: it was a song by Matt Gordon and come, I 10 00:00:36,080 --> 00:00:39,720 Speaker 1: don't yet. Sorry, y'all, I'm I'm ignorant. Well that's Miles, 11 00:00:39,920 --> 00:00:45,920 Speaker 1: I'm jack Yan. This is what's trending. Um McConaughey, that 12 00:00:46,120 --> 00:00:49,239 Speaker 1: here making us spell his last name again? Man, oh, 13 00:00:49,360 --> 00:00:53,240 Speaker 1: I can spell it. It's easy, is it? Yeah? Because 14 00:00:53,280 --> 00:00:55,400 Speaker 1: I always once we had to start doing it when 15 00:00:55,440 --> 00:00:58,680 Speaker 1: he kept like dabbling with his goog toy run. I 16 00:00:58,680 --> 00:01:00,920 Speaker 1: had to type it so many nights times it's con 17 00:01:01,200 --> 00:01:05,920 Speaker 1: and then like August like a U G and then hey, calling, hey, 18 00:01:06,280 --> 00:01:10,480 Speaker 1: I forgot the trick. Yep August. Hey. Anyway, that's a 19 00:01:10,480 --> 00:01:14,200 Speaker 1: free one for you. But yeah, he Another celebrity is 20 00:01:14,240 --> 00:01:18,280 Speaker 1: at the White House advocating for change. Uh, and this 21 00:01:18,319 --> 00:01:21,880 Speaker 1: time it's Matthew McConaughey. So we'll listen to his words 22 00:01:21,920 --> 00:01:25,840 Speaker 1: about what, you know, why we need responsible gun ownership. 23 00:01:26,280 --> 00:01:29,320 Speaker 1: We need to invest in mental health care. We need 24 00:01:29,319 --> 00:01:34,120 Speaker 1: to say for schools, we need to restrain sensationalized media coverage. 25 00:01:36,200 --> 00:01:42,320 Speaker 1: We need to restore our family values, restore our American values. 26 00:01:44,120 --> 00:01:47,880 Speaker 1: Kind of really cadenced on this one. We need responsible 27 00:01:47,880 --> 00:01:53,880 Speaker 1: gun ownership, responsible gun ownership. We need background checks. We 28 00:01:53,960 --> 00:01:56,640 Speaker 1: need to raise the minimum age to purchase in a 29 00:01:56,720 --> 00:02:02,480 Speaker 1: our fifteen rifle to we need a waiting period for 30 00:02:02,840 --> 00:02:07,080 Speaker 1: those rifles. We need so much better for those who 31 00:02:07,080 --> 00:02:10,680 Speaker 1: abuse him if he was off These are reasonable, practical, 32 00:02:10,800 --> 00:02:20,000 Speaker 1: tactical regulations, state, community schools, and homes. Responsible gun owners 33 00:02:20,760 --> 00:02:23,760 Speaker 1: are fed up with the Second Amendment being abused and 34 00:02:23,840 --> 00:02:28,959 Speaker 1: hijacked by some deranged individuals. Anyway, so he's the reading 35 00:02:28,960 --> 00:02:31,560 Speaker 1: from a paper the whole time, which, again for someone 36 00:02:31,600 --> 00:02:35,960 Speaker 1: who is such a good actor, it's wild to see 37 00:02:36,040 --> 00:02:39,160 Speaker 1: him like read off of script and kind of his 38 00:02:39,240 --> 00:02:41,359 Speaker 1: cadence is all fucked up because he's trying to deliver 39 00:02:41,440 --> 00:02:44,440 Speaker 1: it like he's off book. He's finding it. He's fine. 40 00:02:44,760 --> 00:02:53,119 Speaker 1: In the he's trying different things out coverage, coverage, syllables out. 41 00:02:53,160 --> 00:02:56,200 Speaker 1: Maybe this is where we'll go with it. Um, But 42 00:02:56,240 --> 00:02:59,320 Speaker 1: we gotta get back to America. We gotta get back 43 00:02:59,320 --> 00:03:06,440 Speaker 1: to that the sound of America. You know fos doing 44 00:03:06,480 --> 00:03:12,520 Speaker 1: the chest vocal warm up chest pound from Wolf of 45 00:03:12,520 --> 00:03:15,640 Speaker 1: Wall Street. That was apparently him just improvising on the 46 00:03:15,680 --> 00:03:19,600 Speaker 1: day of the shoot, just to get in the red headspace. Yeah. 47 00:03:19,639 --> 00:03:23,120 Speaker 1: I mean, look, I'm glad there are people talking about 48 00:03:23,160 --> 00:03:26,960 Speaker 1: things that we need, uh. But part of me is 49 00:03:27,000 --> 00:03:30,920 Speaker 1: like I get the thank you, uh exalted person of 50 00:03:31,000 --> 00:03:34,280 Speaker 1: interest from the community. What about the people who create 51 00:03:34,360 --> 00:03:39,560 Speaker 1: the legislation? M hmm, but thank you McConaughey. We'd love 52 00:03:39,600 --> 00:03:41,119 Speaker 1: to we'd love to see you out there. But any 53 00:03:41,160 --> 00:03:45,560 Speaker 1: McConaughey fans out here, any McConaughey fans the Congress, I'll 54 00:03:45,560 --> 00:03:47,680 Speaker 1: get you after this. I'll get you after this. Watch 55 00:03:47,720 --> 00:03:50,520 Speaker 1: this all right? Hey, what's up. I'm Matthew and I'm 56 00:03:50,520 --> 00:03:56,440 Speaker 1: about to read off together. Y'all got a bongo? Uh, 57 00:03:57,600 --> 00:03:59,839 Speaker 1: I don't know, it's all about the vibes, it's yeah, 58 00:04:00,400 --> 00:04:02,760 Speaker 1: And you know, and I feel bad that like he's 59 00:04:02,800 --> 00:04:06,520 Speaker 1: clearly I mean I think he's compelled to do something, um, 60 00:04:06,680 --> 00:04:08,240 Speaker 1: and then it's just all part of this, Like now 61 00:04:08,280 --> 00:04:12,520 Speaker 1: it's like celebrity circus to solve real fund up problems. 62 00:04:13,200 --> 00:04:15,040 Speaker 1: But I like that he was like bringing his own 63 00:04:15,080 --> 00:04:18,440 Speaker 1: tool set to it and like just fucking around with words, 64 00:04:18,480 --> 00:04:21,680 Speaker 1: seeing how they would feel, how that would be said 65 00:04:21,680 --> 00:04:26,159 Speaker 1: by somebody who was saying them for the first time. Um. Yeah, 66 00:04:26,360 --> 00:04:29,359 Speaker 1: I don't know. I love that empirical lyrical miracle. You 67 00:04:29,400 --> 00:04:34,919 Speaker 1: know what, tactical, practical, take these rhymes intergalactical um. The 68 00:04:34,960 --> 00:04:41,599 Speaker 1: Bechdel test is trending um after writer Hannah Rosen said 69 00:04:42,560 --> 00:04:45,719 Speaker 1: that the Hulu film Fire Island does not meet the 70 00:04:45,839 --> 00:04:52,040 Speaker 1: requirements to pass um. This is a movie about gay 71 00:04:52,080 --> 00:04:57,080 Speaker 1: men and their story, and so people not not fully 72 00:04:57,160 --> 00:05:01,280 Speaker 1: feeling this criticism. I mean technical that that might be true. 73 00:05:01,320 --> 00:05:03,640 Speaker 1: I don't know where were they making a joke when 74 00:05:03,640 --> 00:05:06,360 Speaker 1: they made that point, or were they like, this movie 75 00:05:07,560 --> 00:05:10,640 Speaker 1: it fails because it doesn't pass the back Del cast. 76 00:05:11,080 --> 00:05:13,039 Speaker 1: I don't know, but I was like, I was like 77 00:05:13,080 --> 00:05:14,880 Speaker 1: a great time to get people to listen to the 78 00:05:14,920 --> 00:05:17,200 Speaker 1: back Dell cast. I was like, y'all, y'all got some 79 00:05:17,360 --> 00:05:21,400 Speaker 1: viral marketing going, but I feel like most comedians I follow, 80 00:05:21,520 --> 00:05:24,280 Speaker 1: we're just having fun with that tweet because I saw 81 00:05:24,320 --> 00:05:28,360 Speaker 1: many constructions of like something not passing the back Dell test, or, 82 00:05:28,720 --> 00:05:31,640 Speaker 1: in Molly Lambert's case, the t rex Dell test of 83 00:05:31,680 --> 00:05:34,200 Speaker 1: the New Jurassic Park film not passing the t rex 84 00:05:34,240 --> 00:05:38,840 Speaker 1: bell test. Um. You know, it's what's the t rex 85 00:05:38,880 --> 00:05:41,640 Speaker 1: Dell test? I think just because it was that same construction, Like, 86 00:05:41,680 --> 00:05:44,000 Speaker 1: I'm sorry to say, but the New Jurassic Park film 87 00:05:44,040 --> 00:05:47,239 Speaker 1: does not pass the t rex Dell test? Do they talk? 88 00:05:50,120 --> 00:05:52,560 Speaker 1: Are there not? Two t rex is having a conversation 89 00:05:52,600 --> 00:05:54,800 Speaker 1: in the in the New Jurassic Park. I'm gonna be 90 00:05:54,960 --> 00:05:58,960 Speaker 1: furious it's John Hammond not ever talking about a t rex. 91 00:06:00,000 --> 00:06:04,240 Speaker 1: All right. Orangutan is trending just because there's like the 92 00:06:04,360 --> 00:06:08,800 Speaker 1: stress dream of a viral video. Where did you see it? Yeah, 93 00:06:08,839 --> 00:06:11,560 Speaker 1: the orangutank snatches I do by his shirt and then 94 00:06:11,560 --> 00:06:15,400 Speaker 1: by then one let go. The real scary part is 95 00:06:15,440 --> 00:06:19,279 Speaker 1: when the second person comes in two try and help, 96 00:06:19,520 --> 00:06:23,360 Speaker 1: and the orangutan is just like fucking knocks that just 97 00:06:23,920 --> 00:06:29,760 Speaker 1: the most dismissive and strong, Uh, just smack the funk 98 00:06:29,760 --> 00:06:32,960 Speaker 1: out of here. Yeah, that's the thing that really made me, 99 00:06:33,120 --> 00:06:35,520 Speaker 1: made it stick in my brain, and uh, it was 100 00:06:35,560 --> 00:06:40,679 Speaker 1: how powerful that the orangutan is. Yeah, yeah, the way 101 00:06:40,720 --> 00:06:46,120 Speaker 1: it's snatched the fucking guy's shirt. I was like, this 102 00:06:46,200 --> 00:06:51,200 Speaker 1: is like this ship where it like made me think 103 00:06:51,200 --> 00:06:53,279 Speaker 1: of like why I planted in the apes, Like that's 104 00:06:53,279 --> 00:06:55,240 Speaker 1: how it starts. It's like, oh yeah, the little thing 105 00:06:55,279 --> 00:06:58,000 Speaker 1: it's like you forget, It's like has the strength of 106 00:06:58,080 --> 00:07:02,080 Speaker 1: like seven thousand linemen. And it was like it was 107 00:07:02,120 --> 00:07:04,000 Speaker 1: being like, hi, I'm a little rain and Tang And 108 00:07:04,040 --> 00:07:07,320 Speaker 1: when the dude got in range of that long ass arms, 109 00:07:07,320 --> 00:07:10,360 Speaker 1: like could you wrestle over here? I that that ship 110 00:07:10,440 --> 00:07:12,720 Speaker 1: freaked me out. How quickly the rain and Tang knew. 111 00:07:12,760 --> 00:07:14,600 Speaker 1: It's like I'm a I'm gonna lull you in here 112 00:07:14,640 --> 00:07:18,760 Speaker 1: and I'm gonna snatch your fucking shirt. Um, but the 113 00:07:19,080 --> 00:07:21,600 Speaker 1: guy got away scott free, right, Just a bit of 114 00:07:21,600 --> 00:07:23,840 Speaker 1: a freaky moment. Yeah, yeah, just a bit of a 115 00:07:23,840 --> 00:07:27,720 Speaker 1: freaky moment. But it is in my brain now forevermore 116 00:07:28,600 --> 00:07:32,280 Speaker 1: just the how how strong that grip is, how much 117 00:07:32,360 --> 00:07:34,560 Speaker 1: that brain and tant wanted that t shirt. Oh yeah, 118 00:07:34,680 --> 00:07:38,080 Speaker 1: I remember there's that show Wild Boys with Chris Panias 119 00:07:38,280 --> 00:07:41,119 Speaker 1: and Stevo from Jackass, where they just did like nature ship. 120 00:07:41,160 --> 00:07:43,679 Speaker 1: They went on a like a to a gorilla preserve 121 00:07:44,120 --> 00:07:47,320 Speaker 1: and just try to like funk around her. Some silver Backs. 122 00:07:48,440 --> 00:07:50,760 Speaker 1: There's a scene where a silver Back, I'm not joking, 123 00:07:51,080 --> 00:07:54,000 Speaker 1: just knocks over a tree with one arm casually trying 124 00:07:54,000 --> 00:07:55,800 Speaker 1: to get at them, and you're like, oh my god, 125 00:07:56,640 --> 00:08:00,200 Speaker 1: like one arm just like fell the tree. So I 126 00:08:01,200 --> 00:08:05,680 Speaker 1: respect our prime mate brethren, do not want to be 127 00:08:05,720 --> 00:08:09,720 Speaker 1: snatched by their gigantic arms. But also I feel like 128 00:08:09,760 --> 00:08:12,400 Speaker 1: that's like a lessener. It's like, man, see these caged animals, 129 00:08:12,440 --> 00:08:17,560 Speaker 1: Like what the fund do you expect? Ringingtan and be like, yeah, 130 00:08:18,080 --> 00:08:20,360 Speaker 1: what the chill with you? Yeah, let me out. I 131 00:08:20,360 --> 00:08:23,560 Speaker 1: mean maybe that's all I was trying to do. Yeah, 132 00:08:23,720 --> 00:08:27,480 Speaker 1: chill with the person's leg that had been ripped off there. 133 00:08:27,480 --> 00:08:30,360 Speaker 1: But um, all right, let's take a quick break. We'll 134 00:08:30,400 --> 00:08:44,600 Speaker 1: be right back. And we're back, and uh. We got 135 00:08:44,600 --> 00:08:49,880 Speaker 1: a couple of stories located in the same desert day 136 00:08:49,880 --> 00:08:54,760 Speaker 1: in Vegas, which is a music festival in the blistering 137 00:08:54,920 --> 00:09:00,400 Speaker 1: heat of Las Vegas, and it's the Is and it's 138 00:09:00,440 --> 00:09:04,200 Speaker 1: getting a lot of traction is because it's the first 139 00:09:04,840 --> 00:09:08,640 Speaker 1: like big festival. Travis Scott will have done since Astro 140 00:09:08,760 --> 00:09:14,800 Speaker 1: world Um headlining the third day, so we'll see what 141 00:09:14,800 --> 00:09:20,160 Speaker 1: what that's like. But the lineup itself is fucking ridiculous. 142 00:09:20,880 --> 00:09:29,400 Speaker 1: Scissor on Friday, We've got Cardi, uh smin No, Fucking Hiatus, Coyote, Conway, 143 00:09:29,440 --> 00:09:35,959 Speaker 1: The Machine, Her, twenty one, Savage, Joji sid from the 144 00:09:36,120 --> 00:09:38,439 Speaker 1: from the Internet. It's like a lot of if you 145 00:09:38,559 --> 00:09:41,440 Speaker 1: like vibi music like this is this is probably gonna 146 00:09:41,440 --> 00:09:45,719 Speaker 1: be a good show. Is it outside? It's gonna be outside? 147 00:09:45,840 --> 00:09:52,400 Speaker 1: Yeah yeah wow, oh yeah yeah yeah. So good luck, 148 00:09:52,400 --> 00:09:57,640 Speaker 1: bring the drugs and the water right. Salt Lake is trending. 149 00:09:57,640 --> 00:10:00,920 Speaker 1: Superroducer Anna Josnie pointed out to that there's a new 150 00:10:01,040 --> 00:10:05,360 Speaker 1: article in the New York Times, also in my preferred 151 00:10:06,160 --> 00:10:10,080 Speaker 1: news source, Yahoo news. Have you heard about this news 152 00:10:10,120 --> 00:10:14,240 Speaker 1: got yahoo dot com that basically says the Salt Lake 153 00:10:14,520 --> 00:10:18,120 Speaker 1: of City Fame, like two thirds of it has dried 154 00:10:18,200 --> 00:10:21,680 Speaker 1: up already and it might be gone by the end 155 00:10:21,679 --> 00:10:25,560 Speaker 1: of the year, at which point it becomes a poison 156 00:10:25,720 --> 00:10:30,520 Speaker 1: dust bowl with like arsenic and other chemicals that are 157 00:10:30,559 --> 00:10:33,240 Speaker 1: just now dust in the middle of the desert next 158 00:10:33,240 --> 00:10:37,800 Speaker 1: to a giant US city. Also ten million birds will 159 00:10:37,840 --> 00:10:43,800 Speaker 1: die and it just looks not great and also looks like, yeah, 160 00:10:43,840 --> 00:10:46,640 Speaker 1: that's that's how this happens. Like that's something that happened 161 00:10:46,679 --> 00:10:51,719 Speaker 1: around southern California with the salton seeds, you know, vacation 162 00:10:51,880 --> 00:10:57,480 Speaker 1: community that was created by like diverting rivers to this area, 163 00:10:57,679 --> 00:11:01,520 Speaker 1: and then agricultural force has made it so that there 164 00:11:01,600 --> 00:11:05,000 Speaker 1: was no more runoff there, and the whole lake just 165 00:11:05,040 --> 00:11:09,040 Speaker 1: like dried up and now it's just poison and in 166 00:11:09,080 --> 00:11:12,719 Speaker 1: a great place to shoot your album cover photo. That's 167 00:11:12,720 --> 00:11:14,360 Speaker 1: pretty much like do you always see the thing like 168 00:11:14,400 --> 00:11:16,640 Speaker 1: the Bombay Beach Club, I think, which is like this 169 00:11:16,720 --> 00:11:20,160 Speaker 1: like once you know, like destination on the salt and 170 00:11:20,200 --> 00:11:25,840 Speaker 1: sea and now just like a skeleton of times of old. 171 00:11:26,640 --> 00:11:30,120 Speaker 1: That is one of the cool things about what we're 172 00:11:30,120 --> 00:11:31,880 Speaker 1: all about to live through in the next twenty years 173 00:11:31,920 --> 00:11:33,920 Speaker 1: is there's gonna be so many places to shoot your 174 00:11:33,920 --> 00:11:38,960 Speaker 1: album cover. It's gonna be like, dude, in the ruins 175 00:11:39,000 --> 00:11:42,120 Speaker 1: of America and the ruins of the Great Salt Lake, uh, 176 00:11:42,200 --> 00:11:46,959 Speaker 1: in the space penal colonies. They're all going to be fantastic. Yeah, 177 00:11:47,040 --> 00:11:50,680 Speaker 1: I don't know. That's a very frightening uh proposition and 178 00:11:51,240 --> 00:11:52,880 Speaker 1: I mean, I think this goes along with so much 179 00:11:52,920 --> 00:11:55,079 Speaker 1: news too that there's like already a lot of client 180 00:11:55,120 --> 00:11:57,760 Speaker 1: climate sciences at saying there's a forty two percent chance 181 00:11:57,800 --> 00:11:59,560 Speaker 1: that we're already locked into the one and a half 182 00:11:59,600 --> 00:12:04,960 Speaker 1: degree centigrade celsius temperature rise even if we did even 183 00:12:04,960 --> 00:12:09,320 Speaker 1: if we changed everything today. So I don't know, Like 184 00:12:09,400 --> 00:12:12,640 Speaker 1: it's it's it's hard to like constantly read these stories too, 185 00:12:12,640 --> 00:12:15,120 Speaker 1: because it's almost like gun control. We're like, yeah, that 186 00:12:15,240 --> 00:12:22,120 Speaker 1: fucking sounds bad. Let's do something. Whoa whoa, whoa, whoa whoa. Alright, 187 00:12:22,280 --> 00:12:25,959 Speaker 1: chill out, everybody, chill out. Don't get rash here. I'm 188 00:12:25,960 --> 00:12:28,720 Speaker 1: not gonna I'm not about to go and fundraise on 189 00:12:28,800 --> 00:12:32,280 Speaker 1: my own for reelection. Just let's just do what the 190 00:12:32,360 --> 00:12:36,760 Speaker 1: donors say. Just let's let's leave that there. Very disconcerting, 191 00:12:36,800 --> 00:12:41,760 Speaker 1: and yeah, I'm I'm curious like when like many things, 192 00:12:41,840 --> 00:12:44,480 Speaker 1: like as people were just like have to like we 193 00:12:44,480 --> 00:12:47,360 Speaker 1: we reach a point where we're like, is nothing Do 194 00:12:47,559 --> 00:12:50,760 Speaker 1: I have to like knock on someone's door and like 195 00:12:50,880 --> 00:12:55,280 Speaker 1: yell and be like, hi, Earth is dying? What's your plan? 196 00:12:56,160 --> 00:13:00,000 Speaker 1: Which people have been doing for a long time, but yeah, 197 00:13:00,440 --> 00:13:01,959 Speaker 1: throw it on the pop, throw it on the pile 198 00:13:02,000 --> 00:13:06,199 Speaker 1: of existential dread for Matthew McConaughey to deal with. For us, 199 00:13:07,000 --> 00:13:13,400 Speaker 1: um oh, I got it, um. And then finally we 200 00:13:13,480 --> 00:13:17,280 Speaker 1: saved it for last because I wanted to give some 201 00:13:17,400 --> 00:13:20,520 Speaker 1: of you the permission to just check out the Rolling 202 00:13:20,559 --> 00:13:24,040 Speaker 1: Stone did um issue a list of the top two 203 00:13:24,120 --> 00:13:27,520 Speaker 1: hundred rap albums of all time? Hip hop? Hip hop, 204 00:13:27,600 --> 00:13:31,400 Speaker 1: hip hop, hip hip hop albums. Okay, Rolling Stone has 205 00:13:31,440 --> 00:13:36,959 Speaker 1: released the top two hundred hip hop albums of all time. Um, 206 00:13:37,160 --> 00:13:43,559 Speaker 1: and we got some opinions, Rolling Stone, You're talking to 207 00:13:43,679 --> 00:13:50,400 Speaker 1: two old ass millennials who idolized golden hip hop, and 208 00:13:50,440 --> 00:13:54,200 Speaker 1: I'm looking at this topt and I don't even know 209 00:13:54,240 --> 00:13:57,959 Speaker 1: what's going on. UM. I mean, I'm not again. I 210 00:13:58,640 --> 00:14:00,800 Speaker 1: think when I saw this list, like trying to not 211 00:14:00,840 --> 00:14:03,439 Speaker 1: get pulled into like they're just doing this fun with 212 00:14:03,480 --> 00:14:07,800 Speaker 1: me because I know that's the kind of energy that 213 00:14:07,840 --> 00:14:12,200 Speaker 1: these lists inspire. UM. But I just there there's just 214 00:14:12,240 --> 00:14:16,240 Speaker 1: some of the rankings I just don't understand. Like I 215 00:14:16,280 --> 00:14:22,080 Speaker 1: love clips, but is Lord Willen a top fifteen hip 216 00:14:22,080 --> 00:14:26,800 Speaker 1: hop album? M M, I feel like I would put 217 00:14:26,800 --> 00:14:29,120 Speaker 1: other ones in there because I guess here's the thing. Jack, 218 00:14:29,160 --> 00:14:32,480 Speaker 1: how would you rank a top two hundred list because 219 00:14:32,480 --> 00:14:38,880 Speaker 1: somebody starting with two hundred coming in a two hundred 220 00:14:38,920 --> 00:14:45,000 Speaker 1: power iced tea album with colors? Um, what do you mean? 221 00:14:45,040 --> 00:14:47,080 Speaker 1: How would I live? How would like? I'm trying to 222 00:14:47,440 --> 00:14:49,600 Speaker 1: because you know we were getting matched. So, for example, 223 00:14:49,600 --> 00:14:54,800 Speaker 1: in the top twenty, right, Little Kim's album from n nineties, 224 00:14:54,880 --> 00:14:59,120 Speaker 1: six Hardcore is number nineteen. Cardi B's Invasion of Privacy 225 00:14:59,160 --> 00:15:02,040 Speaker 1: is that number six. Team, I feel like they're in 226 00:15:02,120 --> 00:15:04,120 Speaker 1: my mind. I'm like, you have to honor the people 227 00:15:04,160 --> 00:15:08,440 Speaker 1: who opened the door for subsequent I feel like some 228 00:15:08,520 --> 00:15:12,240 Speaker 1: of that was being was happening here, and I also 229 00:15:12,280 --> 00:15:15,840 Speaker 1: feel like some of it is Okay, we know we 230 00:15:15,880 --> 00:15:19,760 Speaker 1: want this person here and this can be a stand 231 00:15:19,800 --> 00:15:23,520 Speaker 1: in for the other album. But like, so, the most 232 00:15:23,560 --> 00:15:26,480 Speaker 1: surprising thing for me is number two. They have Outcasts. 233 00:15:26,480 --> 00:15:30,840 Speaker 1: So number one is Biggie Ready to Die, Um, which 234 00:15:31,120 --> 00:15:34,920 Speaker 1: sure not my favorite big album to be honest, but 235 00:15:35,960 --> 00:15:40,520 Speaker 1: I'm not a traditionalist and that's probably not the right take, 236 00:15:40,600 --> 00:15:43,120 Speaker 1: But just personally, I think I think probably having to 237 00:15:43,160 --> 00:15:46,480 Speaker 1: do with how old I was when Life After Death 238 00:15:46,520 --> 00:15:50,960 Speaker 1: came out, But um, okay, Outcasts probably my favorite hip 239 00:15:50,960 --> 00:15:57,080 Speaker 1: hop artists of all time. Outcast is number two with Stankoniah, 240 00:15:57,800 --> 00:16:00,960 Speaker 1: which I don't even know people who like make the 241 00:16:01,040 --> 00:16:04,000 Speaker 1: claim that that's their best album, Like do you is 242 00:16:04,040 --> 00:16:06,280 Speaker 1: that a common? Like? I also don't talk about hip 243 00:16:06,280 --> 00:16:08,600 Speaker 1: hop that much and don't talk about Outcasts that much, 244 00:16:08,640 --> 00:16:13,320 Speaker 1: so maybe like, is there a a new like appreciation 245 00:16:13,440 --> 00:16:17,120 Speaker 1: for that album over like a Quemini? I think because 246 00:16:17,480 --> 00:16:18,920 Speaker 1: I think this is the other thing is like a 247 00:16:18,920 --> 00:16:21,240 Speaker 1: lot of I feel like recency bias right because you 248 00:16:21,320 --> 00:16:26,200 Speaker 1: got hey, yeah like bombs over bag Dad uh so fresh, 249 00:16:26,200 --> 00:16:33,120 Speaker 1: so clean. I'm sorry to Jackson, I Hey, but um, 250 00:16:33,160 --> 00:16:36,120 Speaker 1: those like I feel like are people who are new 251 00:16:36,200 --> 00:16:38,000 Speaker 1: to Outcast or I don't know. See this is where 252 00:16:38,040 --> 00:16:40,640 Speaker 1: I'm like, I'm getting so old hip hop head. I'm like, 253 00:16:40,720 --> 00:16:44,440 Speaker 1: you're not gonnaal about Aliens? Yeah yeah, eight Aliens. I 254 00:16:44,440 --> 00:16:46,520 Speaker 1: also like better than but like I can I can 255 00:16:46,560 --> 00:16:49,240 Speaker 1: see Stanconia being ahead of a T Aliens because like 256 00:16:49,320 --> 00:16:52,040 Speaker 1: you you have a quemen I like standing in as 257 00:16:52,080 --> 00:16:57,320 Speaker 1: like the old head Outcast alien ship like with Aliens 258 00:16:57,360 --> 00:17:00,880 Speaker 1: on the cover. But um yeah, I don't know. It 259 00:17:00,960 --> 00:17:05,399 Speaker 1: just feels it's but that that also is interesting to me. 260 00:17:05,480 --> 00:17:07,159 Speaker 1: I'm like, maybe I need to go back and like 261 00:17:07,280 --> 00:17:11,040 Speaker 1: start really digging into Stankonia again. Yeah. I mean I 262 00:17:11,040 --> 00:17:13,520 Speaker 1: I loved Stankonia when it came out that it was 263 00:17:13,600 --> 00:17:16,560 Speaker 1: stuck in in the CD player when that album came out. 264 00:17:17,080 --> 00:17:20,600 Speaker 1: But I guess that's it's there, it is, you know, 265 00:17:20,640 --> 00:17:22,320 Speaker 1: it's just like that's where it gets a little bit. 266 00:17:22,320 --> 00:17:25,439 Speaker 1: It's subjective, and I think that's why, like it's I 267 00:17:25,480 --> 00:17:27,480 Speaker 1: think that's where these like kind of when these articles 268 00:17:27,480 --> 00:17:29,720 Speaker 1: come out, I get so energized because part of me 269 00:17:29,800 --> 00:17:32,199 Speaker 1: is trying to be like, Okay, this is their idea 270 00:17:32,240 --> 00:17:35,160 Speaker 1: of what it is. Don't don't get in your feelings 271 00:17:35,160 --> 00:17:38,040 Speaker 1: about because your favorite album isn't like they're like, how's 272 00:17:38,040 --> 00:17:40,000 Speaker 1: black on both sides by most definitely in the top 273 00:17:40,040 --> 00:17:43,159 Speaker 1: blah blah blah, and just trying to understand what's what 274 00:17:43,280 --> 00:17:45,520 Speaker 1: the logic is here? But you know, a good a 275 00:17:45,600 --> 00:17:49,480 Speaker 1: good collection of albums. But I will continue to listen. 276 00:17:49,800 --> 00:17:52,479 Speaker 1: Maybe we just need to make our own list just 277 00:17:52,520 --> 00:17:54,600 Speaker 1: for the two of us, just the two of us, 278 00:17:54,960 --> 00:17:58,360 Speaker 1: nobody else. Don't record it. We meet up somewhere private, 279 00:17:58,520 --> 00:18:01,439 Speaker 1: we we exchanged into out documents. Let me go through 280 00:18:01,480 --> 00:18:05,240 Speaker 1: go mm hm hm oh okay, Well I wouldn't have 281 00:18:05,240 --> 00:18:08,280 Speaker 1: done that. Oh that's interesting, and you think this is 282 00:18:08,359 --> 00:18:12,720 Speaker 1: hip hop jack? Okay, okay, and just I just wanted 283 00:18:12,720 --> 00:18:14,560 Speaker 1: to confirm. I'm not gonna say anything else, but did 284 00:18:14,560 --> 00:18:17,159 Speaker 1: you you do you do think this is? This is 285 00:18:17,200 --> 00:18:20,360 Speaker 1: like Future at number twenty has the Future has one? 286 00:18:20,480 --> 00:18:23,240 Speaker 1: That is it? DS two is number the twenty of 287 00:18:23,359 --> 00:18:26,000 Speaker 1: the top two. I can name so many albums that 288 00:18:26,040 --> 00:18:29,160 Speaker 1: are better than d S two mm, but I guess 289 00:18:29,200 --> 00:18:31,560 Speaker 1: this is where taste comes into it. And I'm just 290 00:18:31,560 --> 00:18:33,920 Speaker 1: not like, I'm just not I'm like kind of a 291 00:18:34,119 --> 00:18:37,000 Speaker 1: where taste comes into it and they're discriminating against people 292 00:18:37,000 --> 00:18:38,840 Speaker 1: who have good tastes with good taste. I mean, this 293 00:18:38,880 --> 00:18:42,159 Speaker 1: guy claims of future Hendricks okay, and we were okay 294 00:18:42,200 --> 00:18:45,719 Speaker 1: with that. Do you what? What are you? What are 295 00:18:45,720 --> 00:18:47,639 Speaker 1: your thoughts on? So another thing that jumps out to 296 00:18:47,680 --> 00:18:51,360 Speaker 1: me is, uh, two packs first appearance if you're going 297 00:18:51,600 --> 00:18:55,160 Speaker 1: from number one upwards is twenty nine with all eyes 298 00:18:55,200 --> 00:18:59,880 Speaker 1: on me. That seems late for like the people who 299 00:19:00,800 --> 00:19:03,480 Speaker 1: one of the like people who is in the immediate 300 00:19:03,520 --> 00:19:07,840 Speaker 1: conversation like, maybe he's probably not like an album artist 301 00:19:07,960 --> 00:19:10,199 Speaker 1: necessarily in the way some of the people ahead of 302 00:19:10,240 --> 00:19:16,080 Speaker 1: him are but uh, it seems late. It seems a 303 00:19:16,080 --> 00:19:18,760 Speaker 1: little late, but I get you know, people have there's 304 00:19:18,760 --> 00:19:21,679 Speaker 1: so many diverging opinions on Tupac and like what he 305 00:19:21,760 --> 00:19:25,480 Speaker 1: is or isn't to the rap game at the very least, 306 00:19:25,600 --> 00:19:29,359 Speaker 1: if motherfucking DS two is that twenty all eyes on 307 00:19:29,440 --> 00:19:33,320 Speaker 1: me better be nineteen, you know, Like when I see 308 00:19:33,359 --> 00:19:36,280 Speaker 1: that as a marker, I'm like, everything has gone upside 309 00:19:36,280 --> 00:19:39,480 Speaker 1: down on this list. But again that's more I think 310 00:19:39,560 --> 00:19:43,320 Speaker 1: recency bias. And also I'm I'm kind of a like, 311 00:19:43,320 --> 00:19:44,959 Speaker 1: I'm not gonna lie. I'm not I'm not the biggest 312 00:19:44,960 --> 00:19:48,240 Speaker 1: future fan. Um So I have my strong opinions about 313 00:19:48,800 --> 00:19:52,080 Speaker 1: So here's one that I that I had a question 314 00:19:52,080 --> 00:19:55,000 Speaker 1: for you on because this was one that I that 315 00:19:55,160 --> 00:19:58,240 Speaker 1: jumped out of me and I was like that that's surprising, 316 00:19:58,320 --> 00:20:00,600 Speaker 1: But then it wasn't surprising to anybody on the calls. 317 00:20:00,720 --> 00:20:08,360 Speaker 1: So Dr Dre Chronic two thousand one, um, which that's 318 00:20:08,359 --> 00:20:10,159 Speaker 1: like that makes sense to me, is where they put it. 319 00:20:10,480 --> 00:20:15,320 Speaker 1: The original chronic is like in the thirties, I think 320 00:20:15,720 --> 00:20:22,080 Speaker 1: higher surprising to me. I think again, see this is 321 00:20:22,119 --> 00:20:24,000 Speaker 1: like I'm like, in my mind, I was like, as 322 00:20:24,040 --> 00:20:27,960 Speaker 1: an old head I'm like, the Chronic is before the 323 00:20:28,040 --> 00:20:32,120 Speaker 1: Chronic two thousand one. Uh, but I think this whole 324 00:20:32,160 --> 00:20:36,080 Speaker 1: list should be chronological. I think it's just chronological. I 325 00:20:36,119 --> 00:20:38,439 Speaker 1: think that's the only way to honorship, you know what 326 00:20:38,480 --> 00:20:41,320 Speaker 1: I mean. Uh. And then as the years go on, 327 00:20:41,440 --> 00:20:44,160 Speaker 1: maybe you can be closer to number one. But I think, 328 00:20:44,440 --> 00:20:47,480 Speaker 1: I mean two thousand one is just chock full of fun. 329 00:20:48,200 --> 00:20:51,320 Speaker 1: It's it's just yeah, like that's got break your fucking neck. 330 00:20:51,440 --> 00:20:56,119 Speaker 1: So I get why that's there. Um, that's one like 331 00:20:58,320 --> 00:20:59,639 Speaker 1: I have. I have like such just this, I think 332 00:20:59,640 --> 00:21:02,719 Speaker 1: because I'm like so into history, like chronology is so 333 00:21:02,760 --> 00:21:05,360 Speaker 1: important to me, of like the sequence of events that 334 00:21:05,560 --> 00:21:09,479 Speaker 1: gives you a good kid Mad City. Um. But at 335 00:21:09,520 --> 00:21:12,120 Speaker 1: the same time, you do have to balance that with, yes, 336 00:21:12,200 --> 00:21:14,960 Speaker 1: there may be no good kid Mad City without all 337 00:21:15,040 --> 00:21:17,360 Speaker 1: eyes on whatever whatever, you know, whatever comparison you're trying 338 00:21:17,359 --> 00:21:19,840 Speaker 1: to make. But then when you gotta put the album's 339 00:21:19,840 --> 00:21:22,480 Speaker 1: head to head and say, this one just this is 340 00:21:22,560 --> 00:21:26,800 Speaker 1: more of a this one just goes hard, then I 341 00:21:26,840 --> 00:21:32,000 Speaker 1: get where the chronology answer or the chronology uh standard 342 00:21:32,080 --> 00:21:35,400 Speaker 1: doesn't apply. All. Let's say check out the list yourself, 343 00:21:36,400 --> 00:21:40,800 Speaker 1: be upset, be not upset. Maybe you're upset that Houston, 344 00:21:41,200 --> 00:21:44,760 Speaker 1: you know, raps and being represented earlier like other real like, 345 00:21:44,840 --> 00:21:46,720 Speaker 1: because there's so many things now that I feel like 346 00:21:46,760 --> 00:21:49,280 Speaker 1: you have to you have to acknowledge the ship, like 347 00:21:49,280 --> 00:21:53,199 Speaker 1: why trap music is so so big now and what 348 00:21:53,480 --> 00:21:56,720 Speaker 1: artists bring that along. But again, this is my this 349 00:21:56,760 --> 00:21:59,280 Speaker 1: is my position as an old head or you know, 350 00:21:59,720 --> 00:22:01,760 Speaker 1: on my way to being an old head, being like 351 00:22:01,760 --> 00:22:04,520 Speaker 1: you gotta know the fucking history of hip hop. Like 352 00:22:04,880 --> 00:22:08,600 Speaker 1: I'm not happy that Beastie Boys, Paul's boutique is ahead 353 00:22:08,600 --> 00:22:11,080 Speaker 1: of Kendrick Lamar is good kid Met City. I don't. 354 00:22:11,119 --> 00:22:13,840 Speaker 1: I don't think i'd agree with that, And it would 355 00:22:13,880 --> 00:22:17,440 Speaker 1: be easier to, you know, live with if it weren't 356 00:22:17,680 --> 00:22:21,360 Speaker 1: coming from the only place I've ever gone for hip 357 00:22:21,440 --> 00:22:26,119 Speaker 1: hop opinions, and that's Rolling Stone. Um, like the Carter 358 00:22:26,359 --> 00:22:31,160 Speaker 1: three at thirty nine, there's a lot of and when 359 00:22:31,160 --> 00:22:33,320 Speaker 1: you read the reasons like it's never like and this 360 00:22:33,400 --> 00:22:35,000 Speaker 1: is why it's so high up, it's just kind of 361 00:22:35,040 --> 00:22:38,600 Speaker 1: like this, this is why this album is good. Yeah, 362 00:22:38,800 --> 00:22:42,919 Speaker 1: And like Late Registration at forty one, like Liquid Swords 363 00:22:42,920 --> 00:22:46,320 Speaker 1: at four. See now, I'm like my old is there 364 00:22:46,359 --> 00:22:50,159 Speaker 1: anything so the thing I like about lists like this 365 00:22:50,320 --> 00:22:54,520 Speaker 1: is when I'm like, Okay, well, they have convinced me 366 00:22:55,040 --> 00:22:57,919 Speaker 1: to like give this more listens than I have, so 367 00:22:57,960 --> 00:23:01,399 Speaker 1: I'm gonna give Stankonia more. Or beginning, I think I 368 00:23:01,520 --> 00:23:04,560 Speaker 1: might have gotten like thrown off the scent of Stanconia 369 00:23:04,600 --> 00:23:06,600 Speaker 1: as a great album by the fact that there were 370 00:23:06,640 --> 00:23:09,680 Speaker 1: so many hits and like I was at a stage 371 00:23:09,680 --> 00:23:11,159 Speaker 1: where I was like driving a lot, so I was 372 00:23:11,200 --> 00:23:12,960 Speaker 1: just like going back and forth the hits and like 373 00:23:13,000 --> 00:23:15,560 Speaker 1: trying to entertain the people in my car. Um, So 374 00:23:15,600 --> 00:23:17,600 Speaker 1: I might I might need to get Stanconia a little 375 00:23:17,600 --> 00:23:21,600 Speaker 1: bit more attention, might need to get Chief Keith a 376 00:23:21,600 --> 00:23:25,080 Speaker 1: little more attention. They give Chief Keith top forty. But 377 00:23:25,560 --> 00:23:28,280 Speaker 1: is there anything in here that you're like, Okay, because 378 00:23:28,320 --> 00:23:31,119 Speaker 1: I'm a I'm an arrogant old hip hop head and 379 00:23:31,160 --> 00:23:36,919 Speaker 1: I know better than rolling s, don't that's my take? Um? 380 00:23:36,960 --> 00:23:39,040 Speaker 1: All right, Well, those are some of the things that 381 00:23:39,080 --> 00:23:43,760 Speaker 1: are trending on this Tuesday afternoon. We're back tomorrow with 382 00:23:43,800 --> 00:23:45,960 Speaker 1: the whole last episode of the show. Until then, be 383 00:23:46,040 --> 00:23:49,480 Speaker 1: kind to each other, be kind to yourself, get the vaccine, 384 00:23:49,800 --> 00:23:52,240 Speaker 1: don't do nothing about what supremacy, and we will talk 385 00:23:52,280 --> 00:23:53,680 Speaker 1: to you all Tomorrow Fight by