1 00:00:00,560 --> 00:00:03,600 Speaker 1: Welcome to brain Stuff from how Stuff works dot com. 2 00:00:03,600 --> 00:00:07,280 Speaker 1: We're Smart Happens. This podcast is brought to you by 3 00:00:07,320 --> 00:00:11,840 Speaker 1: Audible dot com, the Internet's leading provider of spoken word entertainment. 4 00:00:12,119 --> 00:00:14,920 Speaker 1: Get a free audio book downloade of your choice when 5 00:00:14,920 --> 00:00:18,239 Speaker 1: you sign up today. Log on to audible podcast dot 6 00:00:18,280 --> 00:00:24,800 Speaker 1: com slash brain Stuff Today for details. Hi, I'm Marshall 7 00:00:24,800 --> 00:00:28,480 Speaker 1: Brain with today's question. How do they color old black 8 00:00:28,520 --> 00:00:31,920 Speaker 1: and white movies? Most of the classic black and white 9 00:00:31,960 --> 00:00:34,919 Speaker 1: movies have been colorized, mainly so that they can be 10 00:00:34,960 --> 00:00:37,960 Speaker 1: shown on television and color. It turns out that the 11 00:00:38,040 --> 00:00:42,120 Speaker 1: process used to add the color is extremely tedious. Someone 12 00:00:42,159 --> 00:00:44,920 Speaker 1: has to work on the movie frame by frame, adding 13 00:00:44,960 --> 00:00:47,839 Speaker 1: the colors one at a time to each part of 14 00:00:47,880 --> 00:00:51,519 Speaker 1: an individual frame. To speed up the process, the coloring 15 00:00:51,600 --> 00:00:54,240 Speaker 1: is done on a computer using a digital version of 16 00:00:54,240 --> 00:00:57,160 Speaker 1: the movie. The film is scanned into the computer and 17 00:00:57,200 --> 00:01:00,120 Speaker 1: the coloring artists can view the movie one frame at 18 00:01:00,120 --> 00:01:03,520 Speaker 1: a time on the computer screen. The artist draws the 19 00:01:03,600 --> 00:01:07,080 Speaker 1: outline for each color area and the computer fills it 20 00:01:07,120 --> 00:01:09,760 Speaker 1: in the original black and white film holds all the 21 00:01:09,840 --> 00:01:13,280 Speaker 1: brightness information, so the artists can paint large areas with 22 00:01:13,319 --> 00:01:16,319 Speaker 1: a single color and let the original film handle the 23 00:01:16,360 --> 00:01:19,440 Speaker 1: brightness gradients. This means that the artist might only have 24 00:01:19,520 --> 00:01:22,440 Speaker 1: to add ten or so actual color areas to a 25 00:01:22,560 --> 00:01:26,600 Speaker 1: scene to speed up the process even more. Interpretation is 26 00:01:26,680 --> 00:01:30,640 Speaker 1: common from frame to frame. There's normally very little variation 27 00:01:30,760 --> 00:01:34,200 Speaker 1: in the position of objects and actors. Therefore, the artist 28 00:01:34,319 --> 00:01:37,720 Speaker 1: might manually color every tenth frame and let the computer 29 00:01:37,800 --> 00:01:41,000 Speaker 1: fill in the frames in between. Do you have any 30 00:01:41,080 --> 00:01:44,720 Speaker 1: ideas or suggestions for this podcast? If so, please send 31 00:01:44,720 --> 00:01:48,120 Speaker 1: me an email at podcast at how stuff works dot com. 32 00:01:48,160 --> 00:01:50,400 Speaker 1: For more on this and thousands of other topics, go 33 00:01:50,520 --> 00:01:54,280 Speaker 1: to how stuff works dot com.