WEBVTT - The Other N Word (Nerd, Of Course)

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<v Speaker 1>You're listening to waiting on Reparations A production. I heartt

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<v Speaker 1>um Lingua franca. I'm dope nice and we are waiting

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<v Speaker 1>on reparations. So this week, I mean, I feel like

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<v Speaker 1>things still feel pretty bleak. Yeah, getting a new president,

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<v Speaker 1>uh president that uh told you know, billionaire hedge fund

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<v Speaker 1>assholes of nothing fun of them menally going to change

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<v Speaker 1>enders presidency. Uh So I mean like that doesn't give

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<v Speaker 1>me a ton of hope. Um, Fascism doesn't just go

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<v Speaker 1>away when Donald Trump leaves the White House, And still

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<v Speaker 1>we have to confront those thress you know, both to

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<v Speaker 1>the body politics into our literal bodies in the streets

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<v Speaker 1>and in our homes. Um, until we figure out as

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<v Speaker 1>we spoke of in previous episodes of Recent that you know,

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<v Speaker 1>a suite of Paul seems to like heal the nation

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<v Speaker 1>more so than rhetoric can. And so I personally feel

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<v Speaker 1>like it'll be nice this week to take a lighthearted

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<v Speaker 1>turn from the usual gloom and doomersion that I think

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<v Speaker 1>comes with the reality of grappling with public policy in

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<v Speaker 1>America the way it has inflected hip hop. Am I

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<v Speaker 1>talking about stuff that it brings us to joy? Um?

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<v Speaker 1>I know you Mac just are really into comic books

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<v Speaker 1>in cinema and things like that. And so today we're

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<v Speaker 1>going to take a swirl, take a to world. I

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<v Speaker 1>think it's world around the world of after futurism, UM,

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<v Speaker 1>both in its embodiments through comic books, through video games.

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<v Speaker 1>We're going to speak with in the video game con world, UM,

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<v Speaker 1>how we got into that and sort of what brings

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<v Speaker 1>him joy in those regards, as well as kind of

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<v Speaker 1>unpack what after futurism is and speak briefly about how

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<v Speaker 1>it can inflect our politics um in the way that

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<v Speaker 1>it's represented in the music genre of hip hop as

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<v Speaker 1>well from artists like Lutin Clin, M F. Doom, Missy Elliott,

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<v Speaker 1>and Alminet people like that. The term after futurism was

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<v Speaker 1>coined by cultural critic Mark Dairy in a forty four

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<v Speaker 1>page essay from RIETEENEE entitled Black to the Future, in

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<v Speaker 1>which Darry who Admitaly, is a white author, interviews to

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<v Speaker 1>have a prominent black voices from musician and former Village

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<v Speaker 1>Voice writer Greg Tay to Tricia Rose, director of the

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<v Speaker 1>Center for Study of Race and Ethnicity in America. Brown

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<v Speaker 1>is also written extensively on hip hop um sci fi

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<v Speaker 1>writer uh Samuel Delaney, and drawn from these interviews, Dairy

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<v Speaker 1>came up with the idea of speculative fiction that treats

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<v Speaker 1>African American themes and addresses African American concerns in the

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<v Speaker 1>context of the twentieth century technoculture as afro futurism. More

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<v Speaker 1>generally beyond um are you know basic sensive, speculative fiction

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<v Speaker 1>is like science fiction like oh dystopia, dreaming of a future,

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<v Speaker 1>but it's also signification that appropriates images of technology um

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<v Speaker 1>so um. Within hip hop. As an example, you've got beatboxing,

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<v Speaker 1>making these computer computerized sounds with your mouth, or replicating

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<v Speaker 1>the sounds of a drum the scene physically with your

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<v Speaker 1>tongue and your cheeks and your throat, or you know,

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<v Speaker 1>doing the robot dance to like make your physical corporal,

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<v Speaker 1>corporeal form mimic that of like of like um of

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<v Speaker 1>a mechanized creature. Um. Even in the scratching and sampling

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<v Speaker 1>methods of hip hop, it's like the specific misuse and

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<v Speaker 1>conscientious desecration, Delaney UM said of after futures of hip hop,

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<v Speaker 1>it's um the specific misuse of consciousness desecration of the

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<v Speaker 1>artifacts of technology and entertainment media. So this blending of afrodias,

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<v Speaker 1>boric aesthetics and perspectives UM through the use of technology.

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<v Speaker 1>And so that's why I mean some might say that

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<v Speaker 1>it's a stretch to include, like graphic novels broadly, but

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<v Speaker 1>particularly with regards to video games, to like place the

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<v Speaker 1>black body, the you know, black character within a technologically

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<v Speaker 1>created world um on the screen makes control with your

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<v Speaker 1>own controller, etcetera. Like I think it's an extension to

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<v Speaker 1>that some degree UM, as well as in graphic novels

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<v Speaker 1>like Black Panther um, where you've got this technological advanced

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<v Speaker 1>society UM. You know, like the way that those less

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<v Speaker 1>than literary forms like comic books can also be used

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<v Speaker 1>to imagine a different present, you know, a different twenty

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<v Speaker 1>one century, as well as a different future um enhanced

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<v Speaker 1>by technology. UM. And then you know, if you want

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<v Speaker 1>to just think just general, like after futuristic works, of course, uh,

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<v Speaker 1>people like O. G. Octavia Butler novels come to mind,

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<v Speaker 1>as well as you know, literary trends that wrote main

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<v Speaker 1>alive and well today with the likes of Nettie or

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<v Speaker 1>Kora fors BNTI series and novellas art of John Michelle Baski,

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<v Speaker 1>Yacht within music, You've got like the funky extra terrestrial

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<v Speaker 1>mythos of like Parliament, Cathelic, Delton thirty thirty, col Keith

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<v Speaker 1>thro in jazz. You've got Son raw Um Son Raw especially,

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<v Speaker 1>you know, he's got space age Egyptian alien thing going on.

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<v Speaker 1>You've got the incorporation of digital synthesizers, so you have

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<v Speaker 1>the literal technology as like a medium through which these

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<v Speaker 1>sounds are being created. Um. And then you know, I

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<v Speaker 1>think the most modern popular block busting incarnation of after futurism,

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<v Speaker 1>and I think what brought it into like contemporary conversation

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<v Speaker 1>was of course Black Panther um. I. You know, I

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<v Speaker 1>feel like I would be remiss musically not to mention

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<v Speaker 1>groundbreaking work of people like Missy Elliott, particularly in our

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<v Speaker 1>music videos from the nineties that like felt very you

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<v Speaker 1>know today feel very retrofuturistic, but at the time had

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<v Speaker 1>a very like space ag ahead of its time vibe.

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<v Speaker 1>And then today people like Janelle Monet um with her

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<v Speaker 1>like weird obsession androids things like that afro futurists or

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<v Speaker 1>reimagining public policy through um that afro diasporic blended with

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<v Speaker 1>technology technology lens um. In two thousand sixteen, afro futurists

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<v Speaker 1>and art curator Ngland the Fleur through a hat in

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<v Speaker 1>the ring for the Detroit Mayor's race, collectingdition signatures needed

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<v Speaker 1>to get her name on the ballot to challenge Mayor mcduggan,

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<v Speaker 1>the first white mayor in the majority black city since

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<v Speaker 1>nineteen seventy three. And akin to some of the splitting

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<v Speaker 1>images guests we've had on this show, people like Sean

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<v Speaker 1>Patar and paper Boy Prints, the Fleur credited her unconventional

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<v Speaker 1>background as an art curator and someone that identifies mostly

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<v Speaker 1>with afro futurism UM to reimagine you know what that

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<v Speaker 1>meant for her reality, to reimagine their role with politicians.

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<v Speaker 1>She said, as a curator and artists have learned how

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<v Speaker 1>to bring people together to solve problems creatively UM and

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<v Speaker 1>to be a good organizer and a good researcher. Her

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<v Speaker 1>platform included plans to focus on UM ending water shut off,

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<v Speaker 1>stopping city foreclosures, are vitalizing and beautifying neighborhoods, and in

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<v Speaker 1>eradicating poverty. As a native detroitter, La Fleur also co

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<v Speaker 1>facilitates the Detroit Culture Council, which organized the strategies for

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<v Speaker 1>artists to be better representative at the city government. And

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<v Speaker 1>what I really love about Lafleur's campaign is that she

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<v Speaker 1>launched her campaign the dance party called Detroit at the

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<v Speaker 1>feature at the headquarters of creative activist collective One Mile,

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<v Speaker 1>and it featured after a futurist space capsule created by

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<v Speaker 1>Detroit Architecture and Design form firm, a cookie like what

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<v Speaker 1>a way to fun. And I mean, That's what I'm

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<v Speaker 1>all about. It's just like making politics, making politics fun,

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<v Speaker 1>making them at a party somehow, um and so I

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<v Speaker 1>just really love that. But I hope in UM subsequent

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<v Speaker 1>episodes is an afro futurist collective in Atlanta that has

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<v Speaker 1>been really uh central to things like the push to

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<v Speaker 1>close the Atlanta Jail and re imagine that space as

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<v Speaker 1>like a wellness center and like a community building space.

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<v Speaker 1>UM and I really really love to talk to them

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<v Speaker 1>about their work. So we'll dive more into the political

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<v Speaker 1>implications of afro futurism, hopefully in an episode to come.

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<v Speaker 1>But today we're going to focus on the fun ship

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<v Speaker 1>the Nurstion, and we're gonna speak with rapper Mega Ran

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<v Speaker 1>along the way. So we're here with rapper, producer Master

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<v Speaker 1>Show oh Man and now author of a brand new memoir,

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<v Speaker 1>dream Master. I wanna give a welcome to Raheim jarbo

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<v Speaker 1>a k A Mega Ran. I always I always joked that,

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<v Speaker 1>like I wish this was live so there would be

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<v Speaker 1>like an audience for when I like introduced people, plus

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<v Speaker 1>like the you know, the gun shots or whatever. So

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<v Speaker 1>how are you? How are you doing? Man? I'm good man.

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<v Speaker 1>You know, made it limp through a crazy year. You

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<v Speaker 1>know that goes. But you know, just I've been I

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<v Speaker 1>learned a lot throughout this past year. So just been

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<v Speaker 1>learning to apply it and uh and making the most

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<v Speaker 1>of the situation. You know, the reinvention and you just

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<v Speaker 1>finding new you know, sources of inspiration and creativity have

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<v Speaker 1>been a challenge, but but you know it's something that

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<v Speaker 1>I welcome. So it's just making the most of it.

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<v Speaker 1>You know, I feel you. So how long have you

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<v Speaker 1>been working on the memoir? Man? This has been like

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<v Speaker 1>five six years of me just you know, I read

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<v Speaker 1>a chapter here, a paragraph there. You know, um up

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<v Speaker 1>until literally November, I was still writing because um me,

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<v Speaker 1>you know, as as a writer, like it's never really perfect,

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<v Speaker 1>you know, until it's you know, even when it comes out,

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<v Speaker 1>you're like, oh, man, I could have said this way

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<v Speaker 1>and did this, you know. So I was like in

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<v Speaker 1>an over editing phase that everything time I read it,

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<v Speaker 1>I was like, oh yeah, I could add a little more.

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<v Speaker 1>Oh yeah, I can see this. So I forgot about that.

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<v Speaker 1>So even now that it's done, I'm like, man, I

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<v Speaker 1>forgot to talk about scribblege or this this this particular

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<v Speaker 1>moment that was really big to my life. But my

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<v Speaker 1>editor gave me a lot of great advice. She was like,

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<v Speaker 1>save it for the next book, you know, like think

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<v Speaker 1>about it that way like anything. Definitely, you definitely think

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<v Speaker 1>you're gonna do the next book. This guy to be

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<v Speaker 1>the next book, I guess. You know, there's you know

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<v Speaker 1>that there's always the next album, you know, like when

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<v Speaker 1>you make movies, you're thinking about sequels and stuff. So

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<v Speaker 1>you know, so it helped me to think differently about it,

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<v Speaker 1>like this doesn't have to be the final peace, you know,

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<v Speaker 1>like did anything about the like you know, anything about

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<v Speaker 1>kind of Light of Fire of Urgency to at least

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<v Speaker 1>get this first part of it done. Absolutely, I was

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<v Speaker 1>like man, the world is up in smoke. I've had

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<v Speaker 1>a harry up. We may not have a world left.

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<v Speaker 1>And also like, um, you know, in a serious note,

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<v Speaker 1>my father passed this past year and that really got

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<v Speaker 1>my button gear too, because um, the book ends at

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<v Speaker 1>two thousand eighteen. It was like at a very particularly

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<v Speaker 1>great moment, like a high to end the book AT's

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<v Speaker 1>me getting againness world record and so oh it's four

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<v Speaker 1>let me see it's right here, let me read it.

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<v Speaker 1>Uh since for the most songs to reference reference video

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<v Speaker 1>game franchises. Yeah, so it's one of those like number

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<v Speaker 1>of doing a thing a lot of times, so like

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<v Speaker 1>it's yeah, it's a little weird and funny, like basically

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<v Speaker 1>just puts a target on my back, like as a

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<v Speaker 1>hundred and thirty of these now, so if anybody like

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<v Speaker 1>wants to aim for something, yeah, one and you know

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<v Speaker 1>it's like oh the guy who jumped broke the most

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<v Speaker 1>times or somebody just has to do it one more time.

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<v Speaker 1>You just gotta want to do it a little bit

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<v Speaker 1>more than that other person. And uh yeah, so the

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<v Speaker 1>guy kiss me up in uh just a weird random

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<v Speaker 1>email like hey man, I'm with Guinness and we know

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<v Speaker 1>you make a lot of music about video games. Just curious,

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<v Speaker 1>how many songs do you have? And I was like, uh,

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<v Speaker 1>you got a minute. So I started going through accounting

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<v Speaker 1>and U and I'm like, yeah, I have a hundred thirty,

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<v Speaker 1>like about Mega Man particularly. He was like, oh, well

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<v Speaker 1>this is definitely the most songs I't want particular. He

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<v Speaker 1>just knew it off the bat, like, yeah, this is

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<v Speaker 1>this is by a long shot, this is a record.

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<v Speaker 1>He's like, so, you know, if you're ever in London,

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<v Speaker 1>It's one of those things that people always do to us,

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<v Speaker 1>you know, independent artists. Yo, if you're ever in my town,

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<v Speaker 1>I got you. And it's like London, Like how often

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<v Speaker 1>am I in London? So I decided, Yo, what how

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<v Speaker 1>many times am I ever going to get this type

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<v Speaker 1>of opportunity. So I was like, well, actually I'll be

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<v Speaker 1>in London next month. Was I going to be in

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<v Speaker 1>London next month? No? But I con sure make plans too,

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<v Speaker 1>So I called on my homies, I'll put up you

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<v Speaker 1>set up a little mini tour in London and just

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<v Speaker 1>made it happen and like because I was like, I

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<v Speaker 1>gotta take advantage of this opportunity, like you know, you

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<v Speaker 1>might not work there, you know next year when I

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<v Speaker 1>want to do this. So uh so yeah, I just

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<v Speaker 1>went out there for that. But we based a tour

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<v Speaker 1>around it and had a really good time. And I'm

0:15:00.240 --> 0:15:03.040
<v Speaker 1>glad you you we went on that tangent about the

0:15:03.280 --> 0:15:06.600
<v Speaker 1>Guinness Big Or Records because this particular episode we're talking

0:15:06.640 --> 0:15:12.040
<v Speaker 1>about just like black nerd um and hip hop's relationship

0:15:12.160 --> 0:15:15.720
<v Speaker 1>with things that people consider to be part of nerd culture,

0:15:15.720 --> 0:15:19.600
<v Speaker 1>like hip hop's relationship with comic books and anime and

0:15:20.000 --> 0:15:22.360
<v Speaker 1>vice versa and the cross between them and stuff like that.

0:15:22.640 --> 0:15:27.720
<v Speaker 1>So what to you, what does nerd them mean? Like

0:15:27.720 --> 0:15:31.080
<v Speaker 1>if somebody, if somebody says nerd you into that nerd ship, like,

0:15:31.200 --> 0:15:33.560
<v Speaker 1>what do you imagine? What do you imagine that they're

0:15:33.560 --> 0:15:36.160
<v Speaker 1>talking about? Man, I've heard that. I'm sorry. Let me

0:15:36.240 --> 0:15:38.320
<v Speaker 1>let me let me say another thing to our audience

0:15:38.400 --> 0:15:41.000
<v Speaker 1>is um and this is this is according to wick

0:15:41.200 --> 0:15:45.280
<v Speaker 1>to uh your your wiki page. But but Mega Ran

0:15:45.520 --> 0:15:49.680
<v Speaker 1>is one of like the forefront um artists in the

0:15:49.720 --> 0:15:52.320
<v Speaker 1>sub genre of nerd core. Is that what be a

0:15:52.320 --> 0:15:54.120
<v Speaker 1>fair thing to say? That would be a fair thing

0:15:54.120 --> 0:15:56.480
<v Speaker 1>to say? Yes, So okay, so can you can you

0:15:56.840 --> 0:16:00.840
<v Speaker 1>explain to heads what nerd core is and how you

0:16:00.880 --> 0:16:03.840
<v Speaker 1>found yourself in that space in hip hop. Okay, So

0:16:04.040 --> 0:16:08.600
<v Speaker 1>nerdcore is, at least to me when I first heard it,

0:16:08.600 --> 0:16:12.240
<v Speaker 1>it's a subgenre of of whatever you attached to it.

0:16:12.320 --> 0:16:14.560
<v Speaker 1>So it could become nerdcore hip hop, it could become

0:16:14.640 --> 0:16:19.480
<v Speaker 1>nerd core rock, nerd coore, whatever um gets attached to that.

0:16:19.560 --> 0:16:23.320
<v Speaker 1>It's usually people who have a deep interest in things

0:16:23.360 --> 0:16:26.280
<v Speaker 1>that people who may consider nerdy are a little French.

0:16:26.840 --> 0:16:37.360
<v Speaker 1>So you got he sorry are the coast? Mariah is here? Mariah?

0:16:37.400 --> 0:16:42.280
<v Speaker 1>What up? Good? We were only six minutes in, but

0:16:42.360 --> 0:16:46.880
<v Speaker 1>I was. He was just telling us about what he

0:16:47.280 --> 0:16:51.200
<v Speaker 1>was explaining what nerd core hip hop is and his

0:16:51.320 --> 0:16:55.920
<v Speaker 1>journey into it. He just just started, So where go on?

0:16:56.080 --> 0:17:01.560
<v Speaker 1>Go on? Mr Rand Okay, Uh so yeah, nerd core,

0:17:01.720 --> 0:17:03.360
<v Speaker 1>as I learned later, at first I just thought it

0:17:03.400 --> 0:17:05.760
<v Speaker 1>was nerd core hip but then I learned that nerd

0:17:05.760 --> 0:17:08.200
<v Speaker 1>cork can attach to any other genre and anything that's

0:17:08.240 --> 0:17:12.760
<v Speaker 1>about nerdiness. You know. I think the term came from

0:17:12.880 --> 0:17:16.040
<v Speaker 1>m c front a lot who just came up, was

0:17:16.080 --> 0:17:18.720
<v Speaker 1>coming up with a word to defind what he was

0:17:18.800 --> 0:17:21.760
<v Speaker 1>doing because it was so different um, and then people

0:17:21.840 --> 0:17:23.680
<v Speaker 1>kind of lashed onto that and thought it was interesting

0:17:23.840 --> 0:17:28.159
<v Speaker 1>like news uh you know, outlets and CNN and some

0:17:28.240 --> 0:17:30.439
<v Speaker 1>other people started wind up talking to them about it,

0:17:30.480 --> 0:17:34.040
<v Speaker 1>like this is some novel news thing that smart kids

0:17:34.080 --> 0:17:36.920
<v Speaker 1>are doing, you know, and and it kind of like

0:17:37.480 --> 0:17:39.640
<v Speaker 1>backfired on it a little bit, you know what I mean,

0:17:39.640 --> 0:17:42.200
<v Speaker 1>because it's like when the when the mainstream gets involved

0:17:42.240 --> 0:17:44.840
<v Speaker 1>with those things that we really love, they kind of

0:17:44.880 --> 0:17:48.000
<v Speaker 1>they're like, look at this quirky thing, you know, and

0:17:48.040 --> 0:17:51.159
<v Speaker 1>they really turn it into a joke or a parody

0:17:51.320 --> 0:17:53.800
<v Speaker 1>or something like that. So so I feel like that

0:17:53.880 --> 0:17:56.080
<v Speaker 1>kind of happened, and and for that reason it's maybe

0:17:56.440 --> 0:18:01.000
<v Speaker 1>it's remained very niche, you know. But um but yeah,

0:18:01.080 --> 0:18:04.639
<v Speaker 1>a front of Life told me that it's just music

0:18:04.920 --> 0:18:08.439
<v Speaker 1>from a perspective of someone who is very much into

0:18:08.520 --> 0:18:11.560
<v Speaker 1>and a fan of things that, you know, people considered

0:18:11.600 --> 0:18:15.080
<v Speaker 1>to be nerdy, whether it's video games, comic books, coding,

0:18:15.760 --> 0:18:18.600
<v Speaker 1>you know, like the Life of At least at that time,

0:18:18.640 --> 0:18:21.119
<v Speaker 1>it was like the Life of the I T. Guy

0:18:21.520 --> 0:18:25.960
<v Speaker 1>who also had bars, you know, So that that's kind

0:18:25.960 --> 0:18:29.359
<v Speaker 1>of what it was at that time. And then it's grown,

0:18:29.600 --> 0:18:34.280
<v Speaker 1>you know, as nerd culture has become synonymous with pop culture. Um,

0:18:34.320 --> 0:18:38.160
<v Speaker 1>you know, there's a huge segment of nerd or YouTube

0:18:38.200 --> 0:18:41.440
<v Speaker 1>rappers who are um like right on the pulse of

0:18:41.480 --> 0:18:45.600
<v Speaker 1>what's hot and like instantly making rap songs about you

0:18:45.600 --> 0:18:48.800
<v Speaker 1>know whatever, the new anime, the new show, the new

0:18:48.800 --> 0:18:52.000
<v Speaker 1>Marvel movie, you know, things like that. And so yeah,

0:18:52.040 --> 0:18:54.400
<v Speaker 1>it's become kind of pop culture rap. But I think

0:18:54.400 --> 0:18:57.280
<v Speaker 1>it began as just the the kids who were into

0:18:57.320 --> 0:19:00.679
<v Speaker 1>the things that nobody thought was cool and and trying

0:19:00.720 --> 0:19:03.919
<v Speaker 1>to either make them sound cool or at least speak

0:19:04.280 --> 0:19:07.399
<v Speaker 1>at a high level of knowledge about those things. You know.

0:19:07.680 --> 0:19:10.159
<v Speaker 1>So the initial nerd core stuff, I didn't even know

0:19:10.200 --> 0:19:12.000
<v Speaker 1>what was going on in like it just I knew

0:19:12.000 --> 0:19:15.160
<v Speaker 1>if it sounded good at a beat, But if you're

0:19:15.280 --> 0:19:17.720
<v Speaker 1>you know, making a song about coding or whatever, like

0:19:18.280 --> 0:19:21.880
<v Speaker 1>in two thousand seven or whatever, for me, I was like,

0:19:22.200 --> 0:19:27.520
<v Speaker 1>what is this? So around that time I kind of

0:19:27.520 --> 0:19:30.760
<v Speaker 1>took a break from hip hop and started making, uh,

0:19:31.000 --> 0:19:33.879
<v Speaker 1>just making beats and playing around and playing video games again.

0:19:34.080 --> 0:19:36.399
<v Speaker 1>And I discovered these things on emulators, which is the

0:19:36.440 --> 0:19:40.000
<v Speaker 1>way to play really old Nintendo games on your PC,

0:19:40.680 --> 0:19:43.040
<v Speaker 1>you know. So I started playing Mario and Sonic and

0:19:43.080 --> 0:19:44.640
<v Speaker 1>all that stuff, and I was like, man, these games

0:19:44.640 --> 0:19:47.960
<v Speaker 1>are so fun. And I think I paused the game

0:19:48.000 --> 0:19:51.040
<v Speaker 1>on Mega Man and the music continues to play, and

0:19:51.080 --> 0:19:53.119
<v Speaker 1>I was, as I'm walking away to get a sandwich

0:19:53.200 --> 0:19:56.159
<v Speaker 1>or something, that come back and I'm like, yeah, that

0:19:56.280 --> 0:20:00.480
<v Speaker 1>kind of slaps, like you know what I mean. So

0:20:00.480 --> 0:20:03.840
<v Speaker 1>I'm like, I wonder if I slowed this downpped it up,

0:20:04.320 --> 0:20:06.640
<v Speaker 1>you know, flipped it, I could make something good out

0:20:06.640 --> 0:20:09.280
<v Speaker 1>of this. So I did. I literally did that. I stopped,

0:20:09.600 --> 0:20:12.600
<v Speaker 1>I put the tracks into like Reason or something else,

0:20:12.640 --> 0:20:15.480
<v Speaker 1>and started messing with them and coming up with beats

0:20:15.480 --> 0:20:18.959
<v Speaker 1>that were sampling video games. And uh, I had like

0:20:19.000 --> 0:20:21.160
<v Speaker 1>ten Mega Man beats and I was like, you know what,

0:20:21.200 --> 0:20:24.080
<v Speaker 1>I'm gonna just do a Mega Man EP and just

0:20:24.119 --> 0:20:27.760
<v Speaker 1>have some fun with it. And so we did. And

0:20:27.840 --> 0:20:30.400
<v Speaker 1>I was really scared because I thought, you know, Capcom,

0:20:30.440 --> 0:20:33.520
<v Speaker 1>the company that makes this, is gonna find me and

0:20:33.760 --> 0:20:37.840
<v Speaker 1>like sue my black ass, you know. I was like, oh,

0:20:37.880 --> 0:20:40.680
<v Speaker 1>it's a rap. So I created. I mean, this is

0:20:40.720 --> 0:20:43.240
<v Speaker 1>back in the days of my Space, so that now

0:20:43.280 --> 0:20:45.520
<v Speaker 1>I remember I was following you back then, so I

0:20:45.560 --> 0:20:49.720
<v Speaker 1>remember I remember all this. Okay, you're O g O

0:20:50.000 --> 0:20:56.800
<v Speaker 1>O g uh Internet MC like myself, so fans, thank you.

0:20:57.320 --> 0:20:59.640
<v Speaker 1>So yeah, man, we were. Um. I was like, let

0:20:59.640 --> 0:21:01.880
<v Speaker 1>me make a separate MySpace page because I don't want

0:21:01.880 --> 0:21:04.680
<v Speaker 1>this to get like deleted or something with me doing

0:21:04.720 --> 0:21:07.040
<v Speaker 1>all this copyright stuff. So I made another page. And

0:21:07.080 --> 0:21:09.160
<v Speaker 1>I was very much inspired by like what MF. Doom

0:21:09.440 --> 0:21:14.600
<v Speaker 1>had done prior Rest in Peace, what Dell was able

0:21:14.680 --> 0:21:19.720
<v Speaker 1>to do with Deltron, like all that was so influential

0:21:19.760 --> 0:21:22.439
<v Speaker 1>in what I was trying to do was take you know,

0:21:23.080 --> 0:21:26.240
<v Speaker 1>hip hop heads who also are into nerty stuff and

0:21:26.280 --> 0:21:30.640
<v Speaker 1>just make it dope, you know. And and so that's

0:21:30.640 --> 0:21:32.320
<v Speaker 1>what I did. I was like, all right, well, I'm

0:21:32.359 --> 0:21:35.480
<v Speaker 1>gonna become from random then to Mega rand and that

0:21:35.520 --> 0:21:39.440
<v Speaker 1>would be like my second identity or something. And uh

0:21:39.560 --> 0:21:41.640
<v Speaker 1>so then I get an email. It's from a dude

0:21:41.640 --> 0:21:44.880
<v Speaker 1>that capcom was like, hey, we just heard this thing

0:21:45.160 --> 0:21:53.720
<v Speaker 1>you did. And I'm like, oh what meat now rap

0:21:53.880 --> 0:21:55.680
<v Speaker 1>Like the dude was like, but you know what, man,

0:21:55.760 --> 0:21:58.479
<v Speaker 1>this is really cool. We've let everybody hear it at

0:21:58.520 --> 0:22:01.359
<v Speaker 1>the company and they love it. Would you like to

0:22:02.680 --> 0:22:04.320
<v Speaker 1>I think Comic Con was coming up, and he was like,

0:22:04.359 --> 0:22:06.240
<v Speaker 1>would you like to come to San Diego Comic Con?

0:22:06.320 --> 0:22:09.200
<v Speaker 1>And I was like what, Like I had only read

0:22:09.240 --> 0:22:12.840
<v Speaker 1>about comic Con my entire life. And it was such

0:22:12.840 --> 0:22:15.440
<v Speaker 1>a big like, you know, it was like that that

0:22:15.440 --> 0:22:19.720
<v Speaker 1>that untouchable holy grail of nerd them. Yeah, I had

0:22:19.760 --> 0:22:22.120
<v Speaker 1>read about, you know, and they were like, you could

0:22:22.160 --> 0:22:25.040
<v Speaker 1>come and be our guests, you know, because this thing

0:22:25.119 --> 0:22:26.600
<v Speaker 1>is kind of blowing up on the Internet and we

0:22:26.640 --> 0:22:29.440
<v Speaker 1>want you to kinda sit here and you know, sign autographs.

0:22:29.440 --> 0:22:32.480
<v Speaker 1>And I was like what, you know. So that was

0:22:32.520 --> 0:22:36.359
<v Speaker 1>the beginning of my my relationship with them. And uh

0:22:36.400 --> 0:22:40.199
<v Speaker 1>and through that someone, I think someone maybe interviewed me

0:22:40.240 --> 0:22:41.879
<v Speaker 1>and was like, oh, you make nerd core and I

0:22:41.920 --> 0:22:45.239
<v Speaker 1>was like, what's that? And that nerd coor? And I

0:22:45.240 --> 0:22:48.120
<v Speaker 1>realized that I was kind of operating parallel with this

0:22:48.119 --> 0:22:51.399
<v Speaker 1>thing called nerd coors, you know. And I think the

0:22:51.440 --> 0:22:54.000
<v Speaker 1>only time I had heard it, at least a little later,

0:22:54.480 --> 0:22:57.760
<v Speaker 1>was Shardish Gambino said it in a song, but he

0:22:57.800 --> 0:22:59.760
<v Speaker 1>didn't say it in a very nice way. He said

0:22:59.800 --> 0:23:03.399
<v Speaker 1>like ef nerd car. Honestly, I think it was like

0:23:03.440 --> 0:23:05.359
<v Speaker 1>a part of a line where he was just saying, like,

0:23:05.520 --> 0:23:09.000
<v Speaker 1>different genres and subgenres in places, you're trying to classify

0:23:09.080 --> 0:23:12.439
<v Speaker 1>me and get all those you know, I just do me,

0:23:12.560 --> 0:23:16.280
<v Speaker 1>you know, that kind of thing, so it wasn't necessarily

0:23:16.280 --> 0:23:19.040
<v Speaker 1>a shot, you know what I mean. Like so, but

0:23:19.200 --> 0:23:20.879
<v Speaker 1>then I started meeting the people who were doing it

0:23:20.920 --> 0:23:23.760
<v Speaker 1>because they were also having concerts around San Diego, like

0:23:23.800 --> 0:23:26.119
<v Speaker 1>being invited out by a lot of different companies to

0:23:26.160 --> 0:23:29.680
<v Speaker 1>do stuff, and and they were all really cool dudes.

0:23:29.760 --> 0:23:33.000
<v Speaker 1>So just like I felt a real family atmosphere, like, oh, me,

0:23:33.119 --> 0:23:35.199
<v Speaker 1>and these guys are they love hip hop? You know,

0:23:35.240 --> 0:23:37.920
<v Speaker 1>first first and foremost. I wanted to make sure these

0:23:37.920 --> 0:23:41.280
<v Speaker 1>guys had a love and appreciation for hip hop culture,

0:23:42.240 --> 0:23:44.760
<v Speaker 1>and they did, you know, and on top of that,

0:23:44.920 --> 0:23:47.560
<v Speaker 1>you know, bringing something new to the game, you know.

0:23:47.640 --> 0:23:50.480
<v Speaker 1>So I had nothing but but love for it. And

0:23:50.520 --> 0:23:53.199
<v Speaker 1>then from then on, I just we just started all

0:23:53.240 --> 0:23:56.200
<v Speaker 1>operating in the same circles, meeting up at shows, then

0:23:56.240 --> 0:24:00.639
<v Speaker 1>touring together, and it just created this really interesting niche

0:24:00.760 --> 0:24:05.040
<v Speaker 1>that I I had no idea about, you know, like, uh,

0:24:05.240 --> 0:24:09.720
<v Speaker 1>but it was a lot easier than trying to impress, uh,

0:24:09.800 --> 0:24:13.240
<v Speaker 1>you know, the most stoic of hip hop heads who

0:24:13.280 --> 0:24:21.600
<v Speaker 1>are at a show like all right, but then like yeah,

0:24:21.680 --> 0:24:24.760
<v Speaker 1>I'm sorry, I have my arms, I have a cowl

0:24:25.000 --> 0:24:29.600
<v Speaker 1>on my faith and you know, but you know, it

0:24:29.720 --> 0:24:31.919
<v Speaker 1>was it was such a welcome difference from that, you know,

0:24:32.040 --> 0:24:34.960
<v Speaker 1>and and at the same time, I still it took

0:24:34.960 --> 0:24:36.640
<v Speaker 1>me a lot of courage to do this. But eventually,

0:24:36.880 --> 0:24:40.120
<v Speaker 1>when I was playing those shows with the stoic arms crossed,

0:24:40.520 --> 0:24:44.440
<v Speaker 1>you know, mcs, m ces UH, I'd make a reference

0:24:44.440 --> 0:24:48.919
<v Speaker 1>to a game and they'd be like, yeo, I remember that. Okay,

0:24:49.000 --> 0:24:50.720
<v Speaker 1>let let me talk to you about this, and then

0:24:51.080 --> 0:24:52.800
<v Speaker 1>you find out that we had so much in common

0:24:52.880 --> 0:24:55.280
<v Speaker 1>those kind of Since the beginning, it's been my goal,

0:24:55.320 --> 0:24:57.400
<v Speaker 1>and I don't know how successful I've been at it,

0:24:57.720 --> 0:25:00.639
<v Speaker 1>but to try to unify these worlds like I just

0:25:00.800 --> 0:25:03.960
<v Speaker 1>wish they weren't they didn't feel like such night and day,

0:25:04.160 --> 0:25:07.199
<v Speaker 1>you know, because we're all nerds. I think anybody that

0:25:07.200 --> 0:25:09.919
<v Speaker 1>could put words together and make them rhyme, it's a

0:25:10.000 --> 0:25:12.439
<v Speaker 1>nerd and something. Yeah you know what I mean, like

0:25:12.520 --> 0:25:15.200
<v Speaker 1>you know something and you're using those eighth grade spell

0:25:15.240 --> 0:25:19.720
<v Speaker 1>of words to this day in those raps, So like

0:25:20.000 --> 0:25:22.840
<v Speaker 1>what is your I mean, I think like nerd core

0:25:23.200 --> 0:25:25.600
<v Speaker 1>and like sub genres of hip hop like this, and

0:25:25.600 --> 0:25:28.679
<v Speaker 1>and the idea of like of you know, kind of

0:25:28.720 --> 0:25:31.360
<v Speaker 1>tying in loosely to the idea of afro futurism. Like

0:25:31.480 --> 0:25:35.160
<v Speaker 1>you know that we can we can be super space

0:25:35.400 --> 0:25:40.240
<v Speaker 1>marauders and you know, fighting aliens and slaying dragons and

0:25:40.640 --> 0:25:43.640
<v Speaker 1>you know all you know all this stuff. We're not

0:25:43.720 --> 0:25:47.199
<v Speaker 1>just like oh, you know eighteen eighty two, like you know,

0:25:47.320 --> 0:25:51.520
<v Speaker 1>reconstructions grow like we we you know, black people can

0:25:51.560 --> 0:25:54.160
<v Speaker 1>be all of these things. Like I think, I think

0:25:54.160 --> 0:25:56.119
<v Speaker 1>it's like really important for you know, this kind of

0:25:56.160 --> 0:25:58.640
<v Speaker 1>music is very important for expanding our ideas of what

0:25:58.920 --> 0:26:01.879
<v Speaker 1>like blackness can be. UM And I wonder if you

0:26:01.960 --> 0:26:05.280
<v Speaker 1>have experienced any like pushback in the other direction, Like

0:26:05.440 --> 0:26:07.800
<v Speaker 1>I feel like I see sometimes where people are like, oh,

0:26:07.800 --> 0:26:10.080
<v Speaker 1>that ships you know, Matt Corny of the ship's whack,

0:26:10.200 --> 0:26:13.480
<v Speaker 1>but that ship is white, like any sort of responses

0:26:13.520 --> 0:26:16.520
<v Speaker 1>of that's where people are trying to constrain what you

0:26:16.560 --> 0:26:20.479
<v Speaker 1>know counts is blackness based on like who like is

0:26:20.840 --> 0:26:24.480
<v Speaker 1>typically cast as like the central characters in like a

0:26:24.520 --> 0:26:28.600
<v Speaker 1>subgenre like the video game culture or within the like

0:26:28.640 --> 0:26:31.320
<v Speaker 1>a field like coding and things like that. Oh yeah,

0:26:31.640 --> 0:26:33.920
<v Speaker 1>I hadn't even thought about it. But in the very beginning,

0:26:34.200 --> 0:26:39.040
<v Speaker 1>the very first uh like imagery I used to create

0:26:39.119 --> 0:26:43.239
<v Speaker 1>this Mega Ran universe was a black Mega man. So

0:26:43.440 --> 0:26:47.080
<v Speaker 1>is the character that was, you know, for forever a

0:26:47.119 --> 0:26:51.119
<v Speaker 1>white kid, you know, and we shaded him black or brown,

0:26:51.720 --> 0:26:54.040
<v Speaker 1>and a lot of people were like yo, what the

0:26:54.080 --> 0:26:56.040
<v Speaker 1>hell they And they come to me and tell me

0:26:56.160 --> 0:26:59.240
<v Speaker 1>that that was literally the moment that they were like,

0:26:59.280 --> 0:27:02.480
<v Speaker 1>all right, I gotta sets, you know, and they will

0:27:02.520 --> 0:27:04.879
<v Speaker 1>come to me. And I've even had, you know, people

0:27:04.880 --> 0:27:07.920
<v Speaker 1>of color come to me and be like yo, Like

0:27:08.200 --> 0:27:11.240
<v Speaker 1>it made me think like yo, why why can't we

0:27:11.280 --> 0:27:13.960
<v Speaker 1>be in that space? Like why can't we be the protagonist?

0:27:14.000 --> 0:27:17.399
<v Speaker 1>So I can't, you know, And it really created some

0:27:17.480 --> 0:27:21.840
<v Speaker 1>dialogue in that space and and I I wasn't necessarily

0:27:21.880 --> 0:27:24.840
<v Speaker 1>trying to do that, but as I realized later, like yeah,

0:27:25.080 --> 0:27:28.359
<v Speaker 1>like why can't we be the person in the spaceship

0:27:28.520 --> 0:27:32.200
<v Speaker 1>or the the leader or things like that, And so

0:27:32.680 --> 0:27:36.000
<v Speaker 1>it's definitely helped to challenge I think a lot of

0:27:36.040 --> 0:27:38.960
<v Speaker 1>those roles to the point now where I see it

0:27:39.200 --> 0:27:42.040
<v Speaker 1>when video games come out and it's like, oh really,

0:27:42.440 --> 0:27:47.000
<v Speaker 1>the white dude, Oh where this? Like, you know, I

0:27:47.040 --> 0:27:51.080
<v Speaker 1>see those conversations happening like and it's like that's dope.

0:27:51.119 --> 0:27:53.200
<v Speaker 1>Like I really think that we need to be doing that.

0:27:53.240 --> 0:27:55.400
<v Speaker 1>We need to be challenging all the things that we've

0:27:55.400 --> 0:27:58.960
<v Speaker 1>been supporting for years, like for representation, and for a

0:27:59.000 --> 0:28:01.440
<v Speaker 1>long time, it's just been in the back of our head,

0:28:01.480 --> 0:28:04.000
<v Speaker 1>like throughout the eighties especially, like we love the eighties

0:28:04.160 --> 0:28:08.480
<v Speaker 1>that we have, we romanticize eighties culture, but the majority

0:28:08.560 --> 0:28:12.960
<v Speaker 1>of eighties culture was super white, yeah, and or super racist,

0:28:13.160 --> 0:28:15.200
<v Speaker 1>like you know what I mean. It was like, oh

0:28:15.240 --> 0:28:18.399
<v Speaker 1>they had the Asian guy. Oh he's the nerd, you

0:28:18.440 --> 0:28:21.560
<v Speaker 1>know what I mean. Like it was super racist and problematic,

0:28:21.960 --> 0:28:25.960
<v Speaker 1>you know, But as much as we you know, enjoy it,

0:28:26.119 --> 0:28:28.520
<v Speaker 1>we forget about those moments, like we kind of shifted

0:28:28.520 --> 0:28:30.760
<v Speaker 1>out of our head, which is crazy. But I think

0:28:30.800 --> 0:28:34.040
<v Speaker 1>now we're finally starting to realize that y'all, like it's

0:28:34.080 --> 0:28:37.760
<v Speaker 1>not acceptable to do that today. So you know, I've

0:28:37.760 --> 0:28:40.040
<v Speaker 1>been watching Cobra Kai with with like a like a

0:28:40.080 --> 0:28:43.440
<v Speaker 1>fine tooth comb, you know. Nowadays, I'm like, I really

0:28:43.520 --> 0:28:45.720
<v Speaker 1>enjoy this, you know, and I like the changes that

0:28:45.760 --> 0:28:48.560
<v Speaker 1>they've made, you know, to to make this I think

0:28:48.680 --> 0:28:52.200
<v Speaker 1>at least a little more accurate for modern you know.

0:28:52.360 --> 0:28:56.160
<v Speaker 1>So I appreciate that. So between when you first were

0:28:56.200 --> 0:29:01.000
<v Speaker 1>like knowingly in the nerd core space and now, would

0:29:01.040 --> 0:29:04.160
<v Speaker 1>you like, have you noticed there's been an increase of

0:29:05.000 --> 0:29:08.640
<v Speaker 1>like other black nerd core artists or oh yeah for sure.

0:29:08.880 --> 0:29:11.920
<v Speaker 1>Um what we started and I noticed when I was

0:29:11.960 --> 0:29:14.480
<v Speaker 1>going to conventions, I would maybe see the same one

0:29:14.560 --> 0:29:18.920
<v Speaker 1>or two you know, um women men that were like

0:29:19.480 --> 0:29:23.479
<v Speaker 1>trying to be a part of this space. And and

0:29:23.520 --> 0:29:25.600
<v Speaker 1>so after a while we kept seeing each other. I

0:29:25.600 --> 0:29:27.320
<v Speaker 1>was like, man, we we gotta click up, like when

0:29:27.320 --> 0:29:29.120
<v Speaker 1>we see each other, you know, that's how we do.

0:29:29.200 --> 0:29:31.120
<v Speaker 1>We just roll deep like yeah, we're the black kids

0:29:31.120 --> 0:29:34.840
<v Speaker 1>at the epicn you know. And and from then we

0:29:34.880 --> 0:29:37.080
<v Speaker 1>started a group and we called it the MPCs the

0:29:37.120 --> 0:29:41.160
<v Speaker 1>Nerdy People of Color Collected and and as and as

0:29:41.160 --> 0:29:44.320
<v Speaker 1>a cool dual meeting because in the game, the NPC

0:29:44.480 --> 0:29:47.480
<v Speaker 1>is that non player character. It's the person who comes

0:29:47.520 --> 0:29:49.959
<v Speaker 1>up and just he's like, oh that way, you know,

0:29:50.440 --> 0:29:52.560
<v Speaker 1>and you can't play them. They don't really help you

0:29:52.560 --> 0:29:54.920
<v Speaker 1>a whole lot. They're super bit player and uh, and

0:29:55.000 --> 0:29:57.840
<v Speaker 1>that's kind of how I felt. Plc s were in

0:29:57.920 --> 0:30:00.520
<v Speaker 1>the convention space and in the nerd space, like, yo,

0:30:00.600 --> 0:30:03.960
<v Speaker 1>we're here, we support it, we spend money, we participate,

0:30:04.400 --> 0:30:09.520
<v Speaker 1>you know, we have uh deep seated obsessions with this stuff,

0:30:10.040 --> 0:30:13.160
<v Speaker 1>you know, but we're not necessarily included. So what I

0:30:13.160 --> 0:30:16.600
<v Speaker 1>started doing is happened NPC panels at these conventions like

0:30:16.600 --> 0:30:18.720
<v Speaker 1>all right, we're gonna get all the kids of color

0:30:19.080 --> 0:30:22.040
<v Speaker 1>to come up and talk about your relationship with nerd culture,

0:30:22.520 --> 0:30:25.800
<v Speaker 1>why it's important, why we need more representation, and to

0:30:25.840 --> 0:30:29.160
<v Speaker 1>continue to challenge that that that way of thinking. Because

0:30:30.040 --> 0:30:32.239
<v Speaker 1>I've had so many friends to be like, yo, when

0:30:32.280 --> 0:30:34.200
<v Speaker 1>do you come into my town And I'm like, oh, yeah,

0:30:34.240 --> 0:30:38.560
<v Speaker 1>I'm coming to Joe Joe con, you know, and this day,

0:30:38.600 --> 0:30:40.440
<v Speaker 1>and they're like, oh man, that's the white people ship.

0:30:40.480 --> 0:30:44.920
<v Speaker 1>I ain't going to like you know, I've had so

0:30:45.040 --> 0:30:48.120
<v Speaker 1>many people tell me that, like yeah, I ain't. I

0:30:48.200 --> 0:30:50.720
<v Speaker 1>ain't really doing that. And I remember being on a

0:30:50.760 --> 0:30:53.880
<v Speaker 1>tour with Open Mike Eagle and we did a convention

0:30:53.880 --> 0:30:58.240
<v Speaker 1>in Canada on like a Saturday. We had off and

0:30:58.240 --> 0:31:00.160
<v Speaker 1>and I remember him telling me like I never been

0:31:00.160 --> 0:31:01.480
<v Speaker 1>to a calm before, and I was like, Oh, you're

0:31:01.480 --> 0:31:03.520
<v Speaker 1>gonna love it, man. All the anime that we talked

0:31:03.520 --> 0:31:06.239
<v Speaker 1>about on this ride and people dressed up as it

0:31:06.240 --> 0:31:08.680
<v Speaker 1>there on the people just people just to this comic

0:31:08.680 --> 0:31:12.520
<v Speaker 1>book chacters. And and afterwards I was like, yo, jea

0:31:12.560 --> 0:31:15.240
<v Speaker 1>have funny He's like m I guess, you know, and

0:31:15.240 --> 0:31:17.080
<v Speaker 1>I said, what you mean. He's like, yo, I didn't

0:31:17.120 --> 0:31:19.720
<v Speaker 1>feel welcome at all, you know. He's like, I'm gonna

0:31:19.760 --> 0:31:22.680
<v Speaker 1>just be honest. I didn't see any people of color.

0:31:23.000 --> 0:31:26.840
<v Speaker 1>I didn't see any any programming based around diversity or

0:31:26.880 --> 0:31:29.600
<v Speaker 1>anything like that. And I didn't really feel I didn't

0:31:29.640 --> 0:31:31.520
<v Speaker 1>feel it, you know, And and it made me think

0:31:31.600 --> 0:31:34.920
<v Speaker 1>like wow, Like convention spaces have a lot of work

0:31:34.960 --> 0:31:37.920
<v Speaker 1>to do. And that's when you know, we started the NPC,

0:31:38.520 --> 0:31:40.680
<v Speaker 1>and now any convention I go to, I asked them like,

0:31:40.680 --> 0:31:42.720
<v Speaker 1>if y'all want me to wrap, then I got to

0:31:42.760 --> 0:31:46.040
<v Speaker 1>speak to you know. And uh. And so therefore we

0:31:46.160 --> 0:31:48.400
<v Speaker 1>always make sure that it's in the programming that we're

0:31:48.400 --> 0:31:51.760
<v Speaker 1>gonna talk about diversity and really challenge traditional thought in

0:31:51.800 --> 0:32:08.000
<v Speaker 1>those spaces. Do you know, like Griselda, Yeah, saying it's

0:32:08.040 --> 0:32:11.160
<v Speaker 1>not like text all the time about wrestling, it's really hilarious.

0:32:11.200 --> 0:32:14.560
<v Speaker 1>I was just about to say, nobody would dare be like, oh,

0:32:14.600 --> 0:32:18.959
<v Speaker 1>this is nerds, nerd core exactly, you a nerds something like,

0:32:20.640 --> 0:32:22.800
<v Speaker 1>you know, it might not might not go well. Like

0:32:22.800 --> 0:32:26.160
<v Speaker 1>I always like Wu Tang, you know, like for me,

0:32:26.480 --> 0:32:28.760
<v Speaker 1>the way Wu Tang loved you know, kung Fu is

0:32:28.800 --> 0:32:32.080
<v Speaker 1>the way I love video games, Like it's the same stuff.

0:32:32.360 --> 0:32:35.000
<v Speaker 1>When I heard Inspected Deck say swinging to your town

0:32:35.040 --> 0:32:38.760
<v Speaker 1>like your neighborhood spider Man, like I lit up, you know,

0:32:38.920 --> 0:32:40.800
<v Speaker 1>and that was a moment in me, like the light

0:32:40.840 --> 0:32:43.000
<v Speaker 1>bulb was like wow, like you can do this, like

0:32:43.680 --> 0:32:46.000
<v Speaker 1>you're not a weirdo, you know what I'm saying. And

0:32:46.080 --> 0:32:48.920
<v Speaker 1>so it let me know that people were like, we're

0:32:48.960 --> 0:32:50.920
<v Speaker 1>all we all grew up on the same stuff. And

0:32:51.000 --> 0:32:54.479
<v Speaker 1>absolutely wrestling I think is you know, they have wrestle

0:32:54.560 --> 0:32:57.600
<v Speaker 1>coms now to like conventions where people who are fans

0:32:57.600 --> 0:33:00.560
<v Speaker 1>of wrestling go you meet old wrestlers, you know, you

0:33:00.640 --> 0:33:04.640
<v Speaker 1>hang out and do a promo like Rick Flair section

0:33:04.720 --> 0:33:08.960
<v Speaker 1>and pretend you're commentating this match over here. Like so, uh,

0:33:09.000 --> 0:33:11.400
<v Speaker 1>it's it's very similar, you know. Like I said, Me

0:33:11.440 --> 0:33:16.000
<v Speaker 1>and Me and West text about wrestling constantly, Like did

0:33:16.040 --> 0:33:18.520
<v Speaker 1>you say you know before the pandemic he was always

0:33:18.560 --> 0:33:20.840
<v Speaker 1>at the a w in the front row and show

0:33:20.920 --> 0:33:24.240
<v Speaker 1>absolutely man so like but yeah, like you said, but

0:33:24.360 --> 0:33:27.440
<v Speaker 1>no one would dare call them like nerd rappers or

0:33:27.480 --> 0:33:30.760
<v Speaker 1>anything like that. But so that's where I I don't

0:33:30.760 --> 0:33:34.360
<v Speaker 1>necessarily know where the distinction and the separation comes in,

0:33:34.760 --> 0:33:37.080
<v Speaker 1>you know, like while is a big wrestling fan as well,

0:33:37.240 --> 0:33:40.760
<v Speaker 1>and um smoke, there's and a few other guys and man,

0:33:40.800 --> 0:33:43.920
<v Speaker 1>it was just yesterday I saw a crooked eye post

0:33:44.040 --> 0:33:48.440
<v Speaker 1>um something on Twitter saying like when why He's like,

0:33:48.480 --> 0:33:53.680
<v Speaker 1>why is there such a separation between nerd? What's that

0:33:53.680 --> 0:33:56.320
<v Speaker 1>that nerd ship and hip hop? Like? Why do we

0:33:56.360 --> 0:33:58.640
<v Speaker 1>treat nerdy rappers so different? And what will that meant?

0:33:59.360 --> 0:34:03.400
<v Speaker 1>Adding in those those those cool, cool or tough elements

0:34:03.520 --> 0:34:08.040
<v Speaker 1>I think into the music is Uh, it's interesting cause

0:34:08.040 --> 0:34:10.400
<v Speaker 1>I think Prontolo said, he's like, you know how rappers

0:34:10.800 --> 0:34:14.120
<v Speaker 1>are usually the coolest guy in the room. He's like,

0:34:15.120 --> 0:34:18.799
<v Speaker 1>I'm not, and therefore that's what nerd corey is. It's

0:34:18.880 --> 0:34:21.719
<v Speaker 1>it's the opposite of that. It's the cool dude in

0:34:21.760 --> 0:34:25.160
<v Speaker 1>the room making music, you know. And of course that

0:34:25.239 --> 0:34:28.440
<v Speaker 1>sounds like something you would you would be closeted about,

0:34:28.440 --> 0:34:29.960
<v Speaker 1>you almost you know what I mean. You'd be like, yeah,

0:34:30.040 --> 0:34:31.799
<v Speaker 1>I make a little do a little you know, but

0:34:31.920 --> 0:34:34.000
<v Speaker 1>you know, I'm not gonna I'm not gonna be out there,

0:34:34.160 --> 0:34:36.200
<v Speaker 1>you know, but I do a little you know thing

0:34:36.239 --> 0:34:39.080
<v Speaker 1>in my house, you know, And that's I think what

0:34:39.200 --> 0:34:42.279
<v Speaker 1>a lot of nerd core is. It's not braggadocious in

0:34:42.320 --> 0:34:44.719
<v Speaker 1>that way. Um, but there is a guy. His name

0:34:44.760 --> 0:34:50.040
<v Speaker 1>is White t Cracker, and uh he's amazing. Um, first

0:34:50.080 --> 0:34:54.960
<v Speaker 1>of all, the best name ever. But so as you'd imagine,

0:34:55.000 --> 0:34:57.120
<v Speaker 1>he's a white dude and um, but he's like a

0:34:57.120 --> 0:35:01.560
<v Speaker 1>professional hacker and uh so he did faces, websites and things.

0:35:01.600 --> 0:35:04.120
<v Speaker 1>But now he's like a good guy hacker because when

0:35:04.160 --> 0:35:07.479
<v Speaker 1>you get so good at that, companies will hire you, yeah,

0:35:07.960 --> 0:35:11.080
<v Speaker 1>to protect them. So he's worked for Facebook and Tinder

0:35:11.160 --> 0:35:14.239
<v Speaker 1>and all these other people. And and what he does

0:35:14.320 --> 0:35:17.480
<v Speaker 1>is he's called himself a digital gangster. So in his

0:35:17.640 --> 0:35:23.560
<v Speaker 1>early raps, he's threatening to like you, you know, I like, yo,

0:35:23.840 --> 0:35:28.799
<v Speaker 1>He's like, I got your address right here, you know,

0:35:28.960 --> 0:35:31.600
<v Speaker 1>like I'll put you know, I'll picture of a dick

0:35:31.640 --> 0:35:37.279
<v Speaker 1>on your website, you know what I mean. I was like,

0:35:37.360 --> 0:35:40.480
<v Speaker 1>this is the most true to self thing I've ever Like,

0:35:40.640 --> 0:35:43.520
<v Speaker 1>this is amazing because like, yeah, it's like, all right,

0:35:43.520 --> 0:35:45.000
<v Speaker 1>I'm not gonna say I'm gonna shot you when I'm

0:35:45.000 --> 0:35:47.680
<v Speaker 1>not gonna do it, but I can get your address,

0:35:49.200 --> 0:35:56.160
<v Speaker 1>I can people your Facebook password. Yeah. So I was

0:35:56.239 --> 0:35:57.680
<v Speaker 1>I say that to say, like, there's some of the

0:35:57.680 --> 0:36:00.520
<v Speaker 1>most creative people that I've ever met with in this

0:36:01.120 --> 0:36:04.799
<v Speaker 1>small like genre of nerd core and chip tune and

0:36:04.840 --> 0:36:07.560
<v Speaker 1>other stuff that I've been able to like find myself

0:36:07.600 --> 0:36:10.200
<v Speaker 1>in these spaces where people take a game Boy and

0:36:10.239 --> 0:36:12.160
<v Speaker 1>be like, oh man, I can have that and make

0:36:12.200 --> 0:36:13.879
<v Speaker 1>beats out of it, you know what I mean? And like,

0:36:14.239 --> 0:36:16.800
<v Speaker 1>you know, so these are like super smart people, super

0:36:16.840 --> 0:36:20.000
<v Speaker 1>creative people who were you know, kind of the wallflower

0:36:20.160 --> 0:36:24.640
<v Speaker 1>in high school and uh, but like our geniuses, you know.

0:36:24.800 --> 0:36:27.120
<v Speaker 1>And I think that there's absolutely should be a space

0:36:27.560 --> 0:36:29.880
<v Speaker 1>for for that in what we do in our culture,

0:36:30.120 --> 0:36:32.160
<v Speaker 1>and like we should encourage, like we were saying about

0:36:32.280 --> 0:36:34.560
<v Speaker 1>people of color to be a part of that, Like

0:36:34.600 --> 0:36:38.120
<v Speaker 1>we have we have folks who but unfortunately feel like

0:36:38.200 --> 0:36:41.440
<v Speaker 1>it's that white people ship and so they won't necessarily

0:36:41.600 --> 0:36:45.200
<v Speaker 1>take that step, you know. So I think that it's

0:36:45.239 --> 0:36:46.799
<v Speaker 1>up to I guess people like me and then my

0:36:46.880 --> 0:36:49.560
<v Speaker 1>generation to kind of open that door. So what I

0:36:49.719 --> 0:36:52.200
<v Speaker 1>always try to highlight, and you know, it's shine a

0:36:52.320 --> 0:36:55.359
<v Speaker 1>light on guys and guys that I see doing this

0:36:55.800 --> 0:36:58.319
<v Speaker 1>that are really good at it, you know, And I'm like, yeah,

0:36:58.400 --> 0:37:01.560
<v Speaker 1>we got to encourage this because It may not become

0:37:01.560 --> 0:37:05.080
<v Speaker 1>the new cool you know, ever, but I think that

0:37:05.239 --> 0:37:08.200
<v Speaker 1>every little bit counts, you know. Yeah, it inspires a

0:37:08.239 --> 0:37:12.160
<v Speaker 1>sense of like self assuredness in the young gamers and

0:37:12.200 --> 0:37:15.160
<v Speaker 1>the young comic book for people and the young like

0:37:15.480 --> 0:37:20.360
<v Speaker 1>science fiction readers, where it's like yo, like yeah, like

0:37:20.400 --> 0:37:22.120
<v Speaker 1>I think this is cool when I stand by that

0:37:22.480 --> 0:37:25.160
<v Speaker 1>rather than like showing away from or hiding who they

0:37:25.160 --> 0:37:28.920
<v Speaker 1>are because they don't. Role models that are like that

0:37:29.000 --> 0:37:32.360
<v Speaker 1>are showing them, you know, how to be confident in

0:37:32.400 --> 0:37:36.439
<v Speaker 1>themselves and their interests. Yeah, it's kind of happening now.

0:37:36.480 --> 0:37:39.399
<v Speaker 1>I'm seeing, like, especially the YouTubers, the YouTube side of things,

0:37:39.400 --> 0:37:42.720
<v Speaker 1>I'm seeing kids who are you know, they are cool,

0:37:42.800 --> 0:37:45.560
<v Speaker 1>Like they're wearing the hippis you know, fashions, and and

0:37:45.600 --> 0:37:49.000
<v Speaker 1>they're rhyming you know, technically very well, but about anime,

0:37:49.239 --> 0:37:50.959
<v Speaker 1>you know what I mean. They'll name a song after

0:37:51.000 --> 0:37:53.680
<v Speaker 1>an anime or a comic book and just go in,

0:37:54.280 --> 0:37:57.239
<v Speaker 1>you know. And and I've seen like more and more

0:37:57.400 --> 0:38:00.600
<v Speaker 1>where a lot of these kids are like really cool

0:38:00.719 --> 0:38:02.920
<v Speaker 1>about it, you know, Like I think what we started

0:38:02.960 --> 0:38:06.120
<v Speaker 1>with was something that was a little more nerdy and

0:38:06.120 --> 0:38:08.880
<v Speaker 1>and shy about the thing we were doing. These guys

0:38:08.880 --> 0:38:11.839
<v Speaker 1>are like very very proud of what they do as

0:38:11.880 --> 0:38:13.919
<v Speaker 1>well as being able to say I can also wrap

0:38:14.000 --> 0:38:16.279
<v Speaker 1>better than you, you know what I mean? Like that's uh.

0:38:16.360 --> 0:38:18.520
<v Speaker 1>I think that's something that I'm seeing in the new

0:38:19.040 --> 0:38:22.719
<v Speaker 1>generation of kids, which is really cool. So, um, when

0:38:22.760 --> 0:38:27.640
<v Speaker 1>does the memoir coming out? I'm hoping next week. I

0:38:27.680 --> 0:38:30.680
<v Speaker 1>have copies in my hand that I am shipping out

0:38:30.760 --> 0:38:34.040
<v Speaker 1>to stores and things. I had a really hard time

0:38:34.160 --> 0:38:37.120
<v Speaker 1>deciding how to put this out, Like I can release

0:38:37.160 --> 0:38:40.440
<v Speaker 1>an album in my sleep, but yet you know, the

0:38:40.840 --> 0:38:45.080
<v Speaker 1>world of books is a completely different things. The book

0:38:45.200 --> 0:38:48.439
<v Speaker 1>is available right now for three order on Amazon and

0:38:48.560 --> 0:38:52.560
<v Speaker 1>uh and so our quickly to be next. Um, where

0:38:52.600 --> 0:38:55.440
<v Speaker 1>can people find you at? Oh, you can find me

0:38:55.440 --> 0:38:58.319
<v Speaker 1>a Mega ran dot com or on Twitter at Mega Ran.

0:38:58.560 --> 0:39:01.400
<v Speaker 1>It looks like Meg Ryan when you look real closely,

0:39:01.520 --> 0:39:05.680
<v Speaker 1>like real fast too long, it's like a capital capital

0:39:05.760 --> 0:39:12.880
<v Speaker 1>are Like, was that Meg Ryan? But it's Mega Ran. Um. Yeah,

0:39:12.920 --> 0:39:14.840
<v Speaker 1>you'll see a black Mega man and you'll know it's me.

0:39:15.360 --> 0:39:18.799
<v Speaker 1>Um when everyone's a you got any new music that's

0:39:18.800 --> 0:39:22.080
<v Speaker 1>gonna be coming back shortly after the book or Yeah,

0:39:22.160 --> 0:39:24.680
<v Speaker 1>what I want to do? First We're releasing the physical

0:39:24.719 --> 0:39:27.320
<v Speaker 1>books and then We're going to do an audible version

0:39:27.840 --> 0:39:30.560
<v Speaker 1>with some other like bonus little pieces as well as

0:39:30.719 --> 0:39:33.400
<v Speaker 1>music sprinkled throughout, and there would be new songs that

0:39:33.440 --> 0:39:36.240
<v Speaker 1>you can only get if you get it on audible.

0:39:36.840 --> 0:39:41.600
<v Speaker 1>That'll be happening in February. I have to ask you

0:39:41.680 --> 0:39:44.640
<v Speaker 1>a question, Yeah, all right, what are what are you

0:39:44.719 --> 0:39:46.879
<v Speaker 1>nerd ing out on right now? Like if I was like, yo,

0:39:47.000 --> 0:39:50.200
<v Speaker 1>you guys, what's the thing that you're most nerdy about?

0:39:51.360 --> 0:39:54.879
<v Speaker 1>I mean, I'm really nerdy about public policy? Nice, Yeah,

0:39:55.040 --> 0:39:58.960
<v Speaker 1>she's like a politics, not even just like oh, the government,

0:39:59.040 --> 0:40:01.880
<v Speaker 1>you know, everyone's every wants obsessed with, like the federal government.

0:40:01.920 --> 0:40:04.680
<v Speaker 1>But I'm like, oh, you know, how do we get

0:40:04.800 --> 0:40:09.120
<v Speaker 1>funding for local nonprofits to life be the homeless? And like, oh,

0:40:09.160 --> 0:40:12.560
<v Speaker 1>this this group of you know, lobbyists are trying to

0:40:12.600 --> 0:40:16.719
<v Speaker 1>get us to build a you know, affordable housing development

0:40:16.800 --> 0:40:19.960
<v Speaker 1>in this area, like lurking the local government. It's just

0:40:20.000 --> 0:40:23.680
<v Speaker 1>like the weirdest, nerdiest thing that I just can't There's

0:40:23.719 --> 0:40:27.000
<v Speaker 1>no there's not like a community of like you know,

0:40:27.320 --> 0:40:32.719
<v Speaker 1>I guess there is probably out there our community like

0:40:32.840 --> 0:40:39.680
<v Speaker 1>dive with. But I feel very lovely. Let's let's get

0:40:39.719 --> 0:40:42.799
<v Speaker 1>this cracking. We need the policy nerds to unite. They

0:40:42.920 --> 0:40:46.759
<v Speaker 1>got they got to be out there a Facebook group

0:40:46.840 --> 0:40:52.600
<v Speaker 1>or some good Um I'm into I've always been into

0:40:52.640 --> 0:40:54.960
<v Speaker 1>movies and stuff, but I found that, like in the

0:40:55.040 --> 0:41:00.839
<v Speaker 1>last few years, I've really gotten super nerdy about hip

0:41:00.920 --> 0:41:04.680
<v Speaker 1>hop and rap music, you know what I'm saying. And

0:41:04.719 --> 0:41:06.680
<v Speaker 1>you gotta you gotta, you gotta be on clubhouse then,

0:41:06.719 --> 0:41:09.040
<v Speaker 1>or you're on clubhouse. No I'm not, but I'm betty

0:41:09.080 --> 0:41:14.400
<v Speaker 1>hearing about it. What is clubhouse? Well, it's just this

0:41:14.480 --> 0:41:16.800
<v Speaker 1>might also be aging you guys and myself. Do you

0:41:16.840 --> 0:41:19.120
<v Speaker 1>remember the party line? Did you'll have a party line

0:41:19.160 --> 0:41:22.560
<v Speaker 1>in your area, Like you call this number and like

0:41:22.680 --> 0:41:27.200
<v Speaker 1>everybody's on there just chatting. And if you, uh, like,

0:41:27.239 --> 0:41:29.319
<v Speaker 1>if you you talk to somebody and you like make

0:41:29.320 --> 0:41:32.200
<v Speaker 1>a connection, you'll be like yo, press one to send

0:41:32.200 --> 0:41:35.160
<v Speaker 1>them to like a private room invite and like this

0:41:35.239 --> 0:41:37.200
<v Speaker 1>was like a real cool thing when I was a teenager.

0:41:37.640 --> 0:41:39.560
<v Speaker 1>And uh so it's like that you just get on

0:41:39.680 --> 0:41:42.880
<v Speaker 1>him as a big conference call and like some rooms.

0:41:42.920 --> 0:41:45.279
<v Speaker 1>Like last night, we're in a hip hop nerdy nerdy

0:41:45.320 --> 0:41:49.360
<v Speaker 1>hip hop group with Dart Adams and Apathy and soft

0:41:49.400 --> 0:41:51.799
<v Speaker 1>Funk Dust and a bunch of guys telling these like

0:41:51.920 --> 0:41:54.719
<v Speaker 1>obscure stories, and like the day that we found out

0:41:54.719 --> 0:41:57.799
<v Speaker 1>the doom passed, Just Blaze came into an r i

0:41:57.840 --> 0:41:59.799
<v Speaker 1>P Doom room and was like, yeah, I got like

0:42:00.080 --> 0:42:02.359
<v Speaker 1>been tracks with with doing I would I'm gonna play

0:42:02.360 --> 0:42:04.120
<v Speaker 1>a little bit of them and tell you a little

0:42:04.120 --> 0:42:08.319
<v Speaker 1>bit story. And we were like, yo, what like So

0:42:08.360 --> 0:42:11.359
<v Speaker 1>there's been really dope, like hip hop nugget rooms where

0:42:11.400 --> 0:42:14.280
<v Speaker 1>people have been just like sharing all kinds of like

0:42:14.480 --> 0:42:17.880
<v Speaker 1>hear stories and the like, you know, just seeing the

0:42:17.960 --> 0:42:20.200
<v Speaker 1>really cool stuff happen in those hip hop rooms where

0:42:20.200 --> 0:42:23.120
<v Speaker 1>people are just sharing stories. I'm like, Yo, this is dope.

0:42:23.440 --> 0:42:26.319
<v Speaker 1>Of course there's a lot of ratchetness on there, but

0:42:26.320 --> 0:42:28.920
<v Speaker 1>but you know you gotta sift through that for the ins.

0:42:29.160 --> 0:42:30.719
<v Speaker 1>But yeah, that on the app and if I have

0:42:30.760 --> 0:42:35.560
<v Speaker 1>an invite, I'll send you on both points. Yeah. Yeah,

0:42:36.040 --> 0:42:41.759
<v Speaker 1>this has been an ad for clubhouse Man. All right,

0:42:41.840 --> 0:42:43.640
<v Speaker 1>that's gonna do it for us today. My name is

0:42:43.680 --> 0:42:48.160
<v Speaker 1>Dope Knife and we are Waiting on Reparations. See you

0:42:48.239 --> 0:42:53.640
<v Speaker 1>next week. Waiting on Reparations as a production of I

0:42:53.760 --> 0:42:57.319
<v Speaker 1>Heart Radio. Listen to Waiting on Reparations on the I

0:42:57.400 --> 0:43:00.960
<v Speaker 1>Heart Radio app, Apple podcasts or wherever you get your podcasts,

0:43:04.880 --> 0:43:04.920
<v Speaker 1>M