WEBVTT - Selects: Dr. Seuss: The Good, the Bad, and the Ugly

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<v Speaker 1>Hi, everybody. I hope you're having a great weekend. Chuck

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<v Speaker 1>Bryant here, co host of the Stuff You Should Know

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<v Speaker 1>podcast of what you are listening to. This Selects episode

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<v Speaker 1>comes from December twenty eighteen, and it's all about old

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<v Speaker 1>Doctor Seuss, Theodor Geisel, Doctor Seuss Colan, The Good, the Bad,

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<v Speaker 1>and the Ugly. Because if you talk about doctor Seuss,

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<v Speaker 1>you gotta talk about it all the books, the great stuff.

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<v Speaker 2>And some of the not so great stuff.

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<v Speaker 1>So check it out now if you'd like Doctor Seuss Colon,

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<v Speaker 1>The Good, the Bad, and the Ugly.

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<v Speaker 3>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 4>Hey, and welcome to the podcast. I'm Josh Clark, There's

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<v Speaker 4>Charles w Chuck Bryant, there's Jerry over there. This is

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<v Speaker 4>the Doctor Soys.

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<v Speaker 2>Cast, our final episode of this.

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<v Speaker 4>Year, twenty eighteen. So long in the books, Doctor Seuss,

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<v Speaker 4>Doctor Seys. That's right.

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<v Speaker 2>You know what's funny?

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<v Speaker 4>Well we'll get to that, all right, Everything that's funny

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<v Speaker 4>can wait. Yep, we're gonna talk serious.

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<v Speaker 1>Doctor SEUs was an author of children's books. He was

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<v Speaker 1>so great and also kind of racist.

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<v Speaker 4>Chuck, there's a lot of stuff in here. I wish

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<v Speaker 4>I didn't know. I know.

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<v Speaker 1>I think we're about to ruin doctor SEUs at the

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<v Speaker 1>end of the year, right after the holidays, right, uh yeah,

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<v Speaker 1>but well let's just talk about the man.

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<v Speaker 4>Okay. So we are talking. We keep saying doctor Seuss.

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<v Speaker 4>Everybody knows him as doctor Seuss, but apparently the correct

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<v Speaker 4>pronunciation is sous. Yeah, and the guy would know because

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<v Speaker 4>Suss is actually his middle name. His name is Theodore

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<v Speaker 4>Seuss Geisel or Geisel? Is it Geisel or Geisel?

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<v Speaker 2>It would be Geisel in German you go with a

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<v Speaker 2>second vowel.

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<v Speaker 4>So Theodore soys Geisel.

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<v Speaker 2>Yeah.

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<v Speaker 1>And it's sort of when I saw that, everyone basically

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<v Speaker 1>was like Seuss until he eventually is like fine, like

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<v Speaker 1>I can't fight this fight any longer.

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<v Speaker 4>Well, they're like, we'll spell it differently.

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<v Speaker 1>Then, But they're reminded me of Joe Thiesman. Oh yeah,

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<v Speaker 1>the very famous story of quarterback Joe Theisman who changed

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<v Speaker 1>his spelling or his pronunciation to Thigsman to run with Heisman,

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<v Speaker 1>which I.

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<v Speaker 2>Think is the story. I think that's true. No, No,

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<v Speaker 2>I think that's true. Oh really, yeah, what do you

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<v Speaker 2>think that was just like an old football tale?

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<v Speaker 4>No, I'd never heard. I thought you're just being funny.

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<v Speaker 4>Oh no, that really happened, and that really came back

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<v Speaker 4>to bite him in the rump when his thigh bone

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<v Speaker 4>broke open. God, he's like, I guess my knee would

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<v Speaker 4>have busted if he had just kept that thievesman? Oh

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<v Speaker 4>is that not? Okay? Too soon? No, so we're obviously

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<v Speaker 4>once we get into Joe, thisman leg breaking tip awkward

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<v Speaker 4>talking about doctor series. That's right, Like I said, Theodore

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<v Speaker 4>sooys Geisel, who is I can't really think of a

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<v Speaker 4>children's book author that is more widely known.

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<v Speaker 2>Maybe Charles Schultz.

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<v Speaker 4>Maybe I think a comic strip guy children's sure, sure,

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<v Speaker 4>children's book, yeah, like Judy Bloom, Sure, But I don't

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<v Speaker 4>know if I call her children's book young adult like

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<v Speaker 4>children's book. I guess the Berenstein Bears not the Berenstein Bears.

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<v Speaker 1>Yeah, I would say that Teddy Geisel holds that distinction

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<v Speaker 1>for sure.

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<v Speaker 4>At the very least, his work, his drawing is just

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<v Speaker 4>immediately recognizable. His style.

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<v Speaker 1>Yeah, I mean that font you we use that font

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<v Speaker 1>for our Live Christmas show shirts.

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<v Speaker 4>Nay on the oppy right, Kay?

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<v Speaker 1>No, it's not his. In fact, I looked it up.

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<v Speaker 1>I was kind of curious. I was like, what is

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<v Speaker 1>that great font that he uses for his book titles?

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<v Speaker 1>And I don't know what he used. He probably just

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<v Speaker 1>hand drew it. Sure, I imagine. But now there are

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<v Speaker 1>fonts called sois doctor soos.

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<v Speaker 2>Font or grinched that you can you know, you can

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<v Speaker 2>gank that. Sure we did for our Christmas shirt.

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<v Speaker 4>I haven't heard that word in forever, gank. I think

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<v Speaker 4>I was wearing like huge Jenko's the last time I

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<v Speaker 4>heard the word gank.

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<v Speaker 1>He ganked my milk off my tray bringing it back.

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<v Speaker 4>It's the last time I used it too.

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<v Speaker 2>So should we go back to the beginning?

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<v Speaker 4>Yes, back to Springfield, Massachusetts in nineteen oh four.

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<v Speaker 2>That's right, March two.

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<v Speaker 1>As a matter of fact, fellow Pisces, doctor Seuss was

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<v Speaker 1>born Teddy Geisel and his grandpops had come from Germany

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<v Speaker 1>in the mid eighteen hundreds bought a brewery because they

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<v Speaker 1>were good Germans, they knew all about beer.

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<v Speaker 4>And originally, get this, the name of the brewery was

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<v Speaker 4>Combach and Geisel, and they locally called it comeback and guzzle.

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<v Speaker 2>I love that and that awesome in German.

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<v Speaker 4>No less, yeah, whatever, that would be I think it'd

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<v Speaker 4>be comback and Geisel.

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<v Speaker 1>So he moved here and it would end up becoming

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<v Speaker 1>the Springfield Breweries Company, which his father then ran.

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<v Speaker 2>And this is really like we did.

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<v Speaker 1>He even did a show on prohibition, and it never

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<v Speaker 1>really hit home to me some of the repercussions of that.

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<v Speaker 1>I was just like, people can't drink, But I never

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<v Speaker 1>thought about a family business just being shut down.

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<v Speaker 4>That was a good episode, it was.

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<v Speaker 1>But that's what happened that, you know, Prohibition came along.

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<v Speaker 1>They had this successful brewery in their family. They're like, sorry,

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<v Speaker 1>you're no longer in business, Go find another job.

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<v Speaker 4>These guys, yeah, who.

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<v Speaker 2>Were secretly drinking.

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<v Speaker 4>Right, you know. So I had the job that is

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<v Speaker 4>his father did get was eventually became the supervisor of

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<v Speaker 4>the town's parks.

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<v Speaker 2>Yeah, kind of cool.

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<v Speaker 4>And there's a myth, an incorrect myth. From what I understand.

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<v Speaker 4>One of the parks had a zoo in it, and

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<v Speaker 4>so a lot of people say that drawings of the

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<v Speaker 4>animals were some of the first at the zoo were

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<v Speaker 4>some of the first drawings that little Ted came up with.

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<v Speaker 2>Not true.

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<v Speaker 4>No, his father became superintendent of the parks when he

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<v Speaker 4>was already a grown man. Oh, but well not a

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<v Speaker 4>grown man. He was definitely not a little kid at

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<v Speaker 4>the zoo.

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<v Speaker 2>Did he go to the zoo and draw animals? Or

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<v Speaker 2>is that all false?

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<v Speaker 4>I think it may be all false, but I'm making

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<v Speaker 4>that part up. I just from what I read he

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<v Speaker 4>was grown enough that he wasn't a little boy drawing

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<v Speaker 4>pictures of animals at the zoo. Like people think, interesting, Yeah,

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<v Speaker 4>I thought it was as well. I love busting myths.

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<v Speaker 4>I'm going to wear a brake now.

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<v Speaker 2>He should do a show.

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<v Speaker 1>So World War one comes along, which I've been I've

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<v Speaker 1>been doing a lot of World War One reading lately,

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<v Speaker 1>with the really anniversary of the Armisist armacists. Yeah, you

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<v Speaker 1>got really interesting. I didn't know much about it.

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<v Speaker 4>It's a pretty serious war, brutal. Everything I know about

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<v Speaker 4>is from the Wonder Woman movie. Yeah, I kid.

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<v Speaker 1>So they were German, that the Geisels were like we said,

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<v Speaker 1>and so in the United States during World War One

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<v Speaker 1>there was a lot of anti In fact, for a

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<v Speaker 1>long time, actually, there was a lot of anti German

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<v Speaker 1>sentiment in the US.

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<v Speaker 4>Right, They're like, we're not German. Were just like beer.

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<v Speaker 1>Yeah, and her name is Geisel, so everyone it was

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<v Speaker 1>clear that they were German, and so, you know, there

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<v Speaker 1>was there was I get the feeling that he, you know,

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<v Speaker 1>felt like he was like picked on and laughed at,

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<v Speaker 1>teased because he was German.

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<v Speaker 4>Right, So if you can't beat him, join them. Turn

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<v Speaker 4>that same kind of bigotry onto others we'll find right.

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<v Speaker 1>So he starts at a very early age in high

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<v Speaker 1>school drawing cartoons, writing essays, funny essays, satirical essays. And

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<v Speaker 1>he started using a pen name very early on, maybe

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<v Speaker 1>because he was German, and he just reversed his last

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<v Speaker 1>name and he became Theo la Sigue.

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<v Speaker 4>Yeah. Actually, one of my favorite books, Hooper Humperdink Not Him,

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<v Speaker 4>is written by Theo Lasigue.

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<v Speaker 2>Oh really yeah?

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<v Speaker 4>Interesting, was like I always thought this was a doctor

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<v Speaker 4>Seu's book, and then I saw this and I'm like,

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<v Speaker 4>it was a doctor Seuss book.

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<v Speaker 2>Wow?

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<v Speaker 4>Do you ever read that one?

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<v Speaker 2>I don't think so.

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<v Speaker 4>What's it called? Hooper Humperdink Not Him. It's about this

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<v Speaker 4>kid who's throwing a birthday party and everybody's invited to

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<v Speaker 4>the greatest birthday party you've ever seen in your life,

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<v Speaker 4>except for poor Hooper humber Ink. And I think he

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<v Speaker 4>gets invited finally at the end.

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<v Speaker 1>Where your parents are like, we should probably get Josh

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<v Speaker 1>this and go ahead and get him ready, right pretty much.

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<v Speaker 4>There actually was a birthday party I wasn't invited to.

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<v Speaker 4>It really was like, I'm hooper humperdink.

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<v Speaker 1>Oh, well, you know my deal was I wasn't allowed

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<v Speaker 1>to go to boy girl parties for a while.

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<v Speaker 4>So but you were still invited, right.

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<v Speaker 1>Yeah, But that was even worse because I was invited

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<v Speaker 1>and I was like I had to say, no, I

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<v Speaker 1>can't go because there's girls there.

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<v Speaker 4>Right, I gotcha?

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<v Speaker 2>And how humiliating is that?

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<v Speaker 4>Especially in college?

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<v Speaker 1>Yeah, And they were like, uh, what's wrong with girls?

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<v Speaker 1>I'm like, I don't know.

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<v Speaker 4>Ask my parents.

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<v Speaker 2>He seemed great to me.

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<v Speaker 1>They told me they smell nice, all right. So he

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<v Speaker 1>reversed his name became Lesigue. I went to Dartmouth College,

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<v Speaker 1>and like many many famous humorist, I guess you could

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<v Speaker 1>call him Yeah, for sure. He wrote for his college

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<v Speaker 1>humor magazine was called The jack O Lantern, and it

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<v Speaker 1>was just like, really solidifies that college humor magazines really

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<v Speaker 1>have produced some of the brightest comedic minds that in

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<v Speaker 1>this country over the years.

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<v Speaker 4>You know, yeah, Letterman, I think he worked at National Lampoons,

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<v Speaker 4>didn't he?

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<v Speaker 2>I don't know if Terman is Conan certainly did the

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<v Speaker 2>Harvard Lampoon.

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<v Speaker 4>I'm pretty sure Letterman did as well, all right, at

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<v Speaker 4>the very least a lot of his writers did.

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<v Speaker 2>Sure.

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<v Speaker 4>Okay, fine, okay, we'll settle on.

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<v Speaker 2>That that version of the truth.

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<v Speaker 4>Okay.

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<v Speaker 1>But he got kicked off of the magazine staff when

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<v Speaker 1>he was caught drinking on campus during prohibition, which is

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<v Speaker 1>kind of awesome.

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<v Speaker 4>Yeah, I'll bet it wasn't for him.

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<v Speaker 2>What do you mean?

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<v Speaker 4>Oh? But he was like, well, I want to be

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<v Speaker 4>on the magazine staff. This is terrible. This is an unjustice.

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<v Speaker 1>Oh yeah, not awesome for him, right, yeah, yeah, I

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<v Speaker 1>thought you meant he wasn't doing the drinking or something.

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<v Speaker 4>Right. This did nothing to cut his career off though, No, no, no,

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<v Speaker 4>he just adopted a new pseudonym. Yeah, soiss right s

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<v Speaker 4>auss again, but he pronounced it soys right. But he

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<v Speaker 4>was the only person who did so. He did graduate

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<v Speaker 4>from Dartmouth and I think nineteen twenty six, which also

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<v Speaker 4>further goes to show that he was so if he

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<v Speaker 4>graduated college in nineteen twenty six. Then his father's brewery

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<v Speaker 4>wouldn't have been shut down until I don't remember when

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<v Speaker 4>prohibition started, but he would He was obviously not a

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<v Speaker 4>young kid necessarily.

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<v Speaker 2>Gotcha okay, drawn dumb animals at the zoo at the zoo.

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<v Speaker 4>But he went on to Oxford to I guess pursue

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<v Speaker 4>a higher degree.

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<v Speaker 2>Yeah.

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<v Speaker 4>I think he was going to be a teacher, was

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<v Speaker 4>his original intent, and he didn't like Oxford, but Oxford

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<v Speaker 4>brought him to his wife, Helen Palmer, Yeah, his first wife,

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<v Speaker 4>his first wife, and they met and she actually had

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<v Speaker 4>a really great influence on him by saying, I think

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<v Speaker 4>you are maybe going to be a better artist than

0:11:28.160 --> 0:11:31.199
<v Speaker 4>a teacher, and kind of pushed him toward that. Yeah,

0:11:31.240 --> 0:11:34.319
<v Speaker 4>and he ended up pursuing a career in art, largely

0:11:34.360 --> 0:11:35.600
<v Speaker 4>because of her influence.

0:11:35.960 --> 0:11:38.320
<v Speaker 2>Yeah, And he sort of did the student thing.

0:11:38.840 --> 0:11:42.160
<v Speaker 1>He worked on the novel, and he traveled around Europe

0:11:42.200 --> 0:11:45.600
<v Speaker 1>and was sort of doing and he was with Helen

0:11:45.640 --> 0:11:49.000
<v Speaker 1>of course this whole time. They eventually get married and

0:11:49.080 --> 0:11:52.080
<v Speaker 1>then he went to work for a magazine called Judge,

0:11:52.920 --> 0:11:58.160
<v Speaker 1>drawing once again like political cartoons, humor cartoons acted. This

0:11:58.240 --> 0:12:00.760
<v Speaker 1>is where he added the doctor to his name as

0:12:00.760 --> 0:12:03.320
<v Speaker 1>sort of a joke because he, I guess, did not

0:12:03.400 --> 0:12:05.680
<v Speaker 1>get that doctorate degree or whatever he was pursuing.

0:12:05.760 --> 0:12:08.520
<v Speaker 4>No, he didn't, but later on in life, Dartmouth did

0:12:08.559 --> 0:12:11.760
<v Speaker 4>bestow an honorary degree to make him an official doctor.

0:12:11.800 --> 0:12:13.040
<v Speaker 2>When are we gonna get one of those?

0:12:13.240 --> 0:12:15.120
<v Speaker 4>I've been waiting a long time, Chuck.

0:12:15.240 --> 0:12:17.319
<v Speaker 2>And are they as worthless as I think they are?

0:12:17.720 --> 0:12:21.080
<v Speaker 4>Totally? Yeah? I mean sure you'll get like the discount

0:12:21.120 --> 0:12:23.680
<v Speaker 4>at Wendy's that they offer, But that's that's really the

0:12:23.720 --> 0:12:26.320
<v Speaker 4>only perk aside from saying, like, I'm a doctor.

0:12:26.360 --> 0:12:28.120
<v Speaker 2>Can you really call yourself that? Though?

0:12:29.040 --> 0:12:29.439
<v Speaker 4>Sure?

0:12:29.960 --> 0:12:32.040
<v Speaker 2>Like only chumps do that, right, Like you have to

0:12:32.080 --> 0:12:33.360
<v Speaker 2>call me doctor now, dude.

0:12:33.640 --> 0:12:36.640
<v Speaker 4>You you will see me telling people to call me

0:12:36.720 --> 0:12:39.679
<v Speaker 4>doctor Clark. Okay, I'll just I'll be more personal. I'll

0:12:39.720 --> 0:12:41.359
<v Speaker 4>be doctor Josh like a chiropractor.

0:12:41.440 --> 0:12:43.400
<v Speaker 2>I could see you going off and getting your pH

0:12:43.520 --> 0:12:44.040
<v Speaker 2>d one day.

0:12:44.200 --> 0:12:50.320
<v Speaker 4>Nah nah nah, I want the audit from Bowling Green

0:12:50.400 --> 0:12:52.200
<v Speaker 4>State University in Ohio.

0:12:52.240 --> 0:12:56.959
<v Speaker 2>The backdoor version pretty much, yeah version, all right?

0:12:57.040 --> 0:12:59.959
<v Speaker 1>So he got the doctor on the name, became doctor Soyer,

0:13:00.920 --> 0:13:04.079
<v Speaker 1>and from then on he never wrote under his given

0:13:04.160 --> 0:13:06.440
<v Speaker 1>name again. He was always doctor swye from that point

0:13:06.440 --> 0:13:08.520
<v Speaker 1>for should we take a break.

0:13:08.720 --> 0:13:12.320
<v Speaker 4>You can see me getting a PhD. Yeah, this late

0:13:12.320 --> 0:13:16.480
<v Speaker 4>in my career. Yeah, this mid in my career. Sure,

0:13:16.840 --> 0:13:19.600
<v Speaker 4>huh am I like Natalie Portman or something?

0:13:20.040 --> 0:13:22.079
<v Speaker 2>Yes, all right, let's take a break.

0:13:29.280 --> 0:13:35.480
<v Speaker 5>Softly, Josh soft.

0:13:39.679 --> 0:13:39.960
<v Speaker 4>All right?

0:13:40.040 --> 0:13:44.640
<v Speaker 2>Natalie nat uh I wish right.

0:13:44.880 --> 0:13:48.240
<v Speaker 4>I'll bet Natalie Portman hates being called Nat. You think

0:13:48.880 --> 0:13:51.000
<v Speaker 4>she seems like the type of Natalie who would hate

0:13:51.040 --> 0:13:51.920
<v Speaker 4>being called Nat.

0:13:52.480 --> 0:13:53.840
<v Speaker 2>Let's find out, doctor Portman.

0:13:54.040 --> 0:13:56.680
<v Speaker 4>Natalie Portman, will you please get in touch with this

0:13:56.720 --> 0:13:58.560
<v Speaker 4>and let us know whether you're cool with being called

0:13:58.679 --> 0:13:59.280
<v Speaker 4>Nat or not.

0:13:59.480 --> 0:14:01.880
<v Speaker 2>Well, hey, so we're on that big shout out to

0:14:02.600 --> 0:14:03.600
<v Speaker 2>mister Mark Ruffalo.

0:14:03.840 --> 0:14:06.320
<v Speaker 4>It was basically the male Natalie Portman.

0:14:06.480 --> 0:14:06.720
<v Speaker 2>Yeah.

0:14:06.760 --> 0:14:10.640
<v Speaker 1>He tweeted out our Navajo Code Talkers episode, which means

0:14:10.640 --> 0:14:13.880
<v Speaker 1>that he's aware of this podcast and we're huge fan.

0:14:14.000 --> 0:14:15.960
<v Speaker 2>So if you're listening, man, thanks.

0:14:15.720 --> 0:14:17.680
<v Speaker 4>Yeah, thanks a lot and a lot. Not just aware

0:14:17.880 --> 0:14:20.360
<v Speaker 4>he liked it, he encouraged people to listen to Yeah.

0:14:20.400 --> 0:14:23.480
<v Speaker 4>He wasn't like, steer clear of this piece of poop. Right,

0:14:23.800 --> 0:14:25.840
<v Speaker 4>this is a good podcast, is what he was saying.

0:14:26.160 --> 0:14:28.440
<v Speaker 1>Man, I remember when I saw you can count on

0:14:28.480 --> 0:14:30.520
<v Speaker 1>me for the first time. Oh my god, that movie

0:14:30.760 --> 0:14:31.320
<v Speaker 1>wrecked me.

0:14:31.520 --> 0:14:33.720
<v Speaker 4>It was such a good movie. Yeah, not just the

0:14:33.760 --> 0:14:36.160
<v Speaker 4>first time, like just every time you watch that movie

0:14:36.280 --> 0:14:36.720
<v Speaker 4>is wonderful.

0:14:36.760 --> 0:14:39.680
<v Speaker 1>It's really great. So I have another show called Movie Crush.

0:14:39.760 --> 0:14:43.040
<v Speaker 1>Mister Ruffalo would love to have you on. We'll just

0:14:43.120 --> 0:14:50.240
<v Speaker 1>leave it there, all right, So all right, here's what happens. Okay,

0:14:50.520 --> 0:14:55.600
<v Speaker 1>Teddy Geisel starts doing ads, yeah, and does quite well.

0:14:56.160 --> 0:14:59.200
<v Speaker 4>Yeah. I mean, if you're an ad illustrator, you basically

0:14:59.200 --> 0:15:01.600
<v Speaker 4>do what you're told. Client says, this is what we want.

0:15:02.640 --> 0:15:05.800
<v Speaker 4>He was the kind of artist who, because of his

0:15:05.920 --> 0:15:11.120
<v Speaker 4>distinctive style, his style is what the clients wanted. So

0:15:11.320 --> 0:15:15.920
<v Speaker 4>as an ad illustrator, he became nationally famous.

0:15:16.200 --> 0:15:18.040
<v Speaker 2>Yeah, which is crazy to think of now.

0:15:17.920 --> 0:15:20.800
<v Speaker 4>It really is. His first big break was for something

0:15:20.800 --> 0:15:22.920
<v Speaker 4>called Flit. It was a bug spray and if you

0:15:22.920 --> 0:15:25.800
<v Speaker 4>look at the Flit ads, they have a picture of

0:15:25.960 --> 0:15:28.680
<v Speaker 4>the flit and it was that old timey Tom and

0:15:28.760 --> 0:15:32.120
<v Speaker 4>Jerry Pump candidate's like, couldn't be more poisonous?

0:15:32.280 --> 0:15:34.160
<v Speaker 2>Post out like a cloud of noxious smoke.

0:15:34.320 --> 0:15:37.480
<v Speaker 4>So that formed like a skull and crossbones in the air, basically, right,

0:15:38.480 --> 0:15:40.400
<v Speaker 4>that's what he was drawing stuff for and he came

0:15:40.480 --> 0:15:42.720
<v Speaker 4>up with a catchphrase because he wasn't just illustrating, he

0:15:42.800 --> 0:15:45.560
<v Speaker 4>was also copywriting in these ads, and he came up

0:15:45.560 --> 0:15:48.680
<v Speaker 4>with quick Henry the flit, and that just became a

0:15:48.760 --> 0:15:49.880
<v Speaker 4>national catchphrase.

0:15:49.960 --> 0:15:51.040
<v Speaker 2>Yeah, like where's the beef?

0:15:51.360 --> 0:15:54.080
<v Speaker 4>Right, like somebody's pestering You're just like to somebody else,

0:15:54.160 --> 0:15:56.640
<v Speaker 4>Quick Henry the flit. That's how I probably would have

0:15:56.720 --> 0:16:00.600
<v Speaker 4>used it. But so he became known for that, and

0:16:00.640 --> 0:16:03.560
<v Speaker 4>then a second egg campaign made him even bigger.

0:16:04.840 --> 0:16:07.840
<v Speaker 1>Oh right, so he did flit for seventeen years, dude,

0:16:08.280 --> 0:16:10.880
<v Speaker 1>which is like I thought, yeah, sure, he did that

0:16:10.920 --> 0:16:12.520
<v Speaker 1>for a couple of years, right, I mean there's almost

0:16:12.520 --> 0:16:15.280
<v Speaker 1>two decades of doing those ads, made a lot of money,

0:16:15.640 --> 0:16:20.200
<v Speaker 1>kept him, you know, nice and employed through the Great Depression.

0:16:20.680 --> 0:16:24.360
<v Speaker 1>And then this one's even weirder. He went to work

0:16:24.360 --> 0:16:28.800
<v Speaker 1>for Standard Oil, who had ESO Oil and so So Gas,

0:16:29.320 --> 0:16:32.400
<v Speaker 1>and this was ESO Marine, which was their boat oil.

0:16:33.400 --> 0:16:33.680
<v Speaker 4>Yeah.

0:16:33.800 --> 0:16:37.360
<v Speaker 1>In nineteen thirty four, he has this pr idea to

0:16:37.480 --> 0:16:42.960
<v Speaker 1>create a fake navy.

0:16:41.840 --> 0:16:45.560
<v Speaker 4>The Sous Navy, the SEUs Navy, which is nothing. He

0:16:45.680 --> 0:16:47.520
<v Speaker 4>just made it up out of nowhere to promote the

0:16:47.720 --> 0:16:50.440
<v Speaker 4>ESO Marine oil. Yeah, and it worked, yeah, because he

0:16:50.760 --> 0:16:53.400
<v Speaker 4>basically drafted people into his navy. He would draw like

0:16:53.480 --> 0:16:57.800
<v Speaker 4>famous figures like say eleanor Roosevelt or something like that,

0:16:58.040 --> 0:17:01.680
<v Speaker 4>dressed up in the sous navy uniform or whatever, and

0:17:01.720 --> 0:17:03.680
<v Speaker 4>it became a thing like people wanted to be in it,

0:17:03.720 --> 0:17:05.359
<v Speaker 4>so they would apply to be in it. And I

0:17:05.359 --> 0:17:08.600
<v Speaker 4>guess so So would hold a party every year and

0:17:08.720 --> 0:17:11.000
<v Speaker 4>just pull out all the stops and there would be

0:17:11.040 --> 0:17:14.080
<v Speaker 4>this lavish so Seuss Navy party.

0:17:14.160 --> 0:17:17.240
<v Speaker 2>You know, it's called what the Seuss Navy Luncheon and.

0:17:17.160 --> 0:17:20.080
<v Speaker 4>Frolic That sounds so like thirties.

0:17:20.359 --> 0:17:23.560
<v Speaker 1>They had two thousand admirals and they included among them

0:17:24.359 --> 0:17:29.680
<v Speaker 1>Vincent Astor and Guy Lombardo, famous bandleader. And as this

0:17:29.800 --> 0:17:31.640
<v Speaker 1>is a Grabstarre article is ed put it, they were

0:17:31.960 --> 0:17:35.119
<v Speaker 1>what you would call like tastemakers today, like wealthy influential

0:17:35.160 --> 0:17:38.520
<v Speaker 1>Americans wanted to be in this fake navy, to go

0:17:38.560 --> 0:17:42.760
<v Speaker 1>to this luncheon and frolic. Right, And he wrote these

0:17:42.760 --> 0:17:47.399
<v Speaker 1>little navy story booklets and it astonishingly it was a

0:17:47.400 --> 0:17:49.560
<v Speaker 1>big deal and it actually worked. And when you look

0:17:49.560 --> 0:17:51.679
<v Speaker 1>at him there they look like Doctor Seuss books like right,

0:17:51.760 --> 0:17:53.040
<v Speaker 1>It's not like he changed his style.

0:17:53.160 --> 0:17:55.760
<v Speaker 4>No, No, this is the thing. Like he became famous

0:17:55.760 --> 0:17:58.240
<v Speaker 4>for famous and salt after for his style.

0:17:58.400 --> 0:17:59.280
<v Speaker 2>Yeah, exactly.

0:17:59.480 --> 0:18:02.679
<v Speaker 1>And weirdly enough, he said that the only reason he

0:18:02.680 --> 0:18:06.160
<v Speaker 1>went into children's books initially was because his standard oil

0:18:06.200 --> 0:18:08.960
<v Speaker 1>contract didn't forbid it. Huh, Like that was some of

0:18:08.960 --> 0:18:10.680
<v Speaker 1>the work that he was allowed to do with outside.

0:18:10.760 --> 0:18:11.240
<v Speaker 4>Gotcha.

0:18:11.440 --> 0:18:13.400
<v Speaker 1>He never he was like, it's not like I had

0:18:13.400 --> 0:18:15.360
<v Speaker 1>a great thing for kids.

0:18:15.440 --> 0:18:19.840
<v Speaker 4>Well, he even said very famously multiple times that he

0:18:19.880 --> 0:18:21.879
<v Speaker 4>didn't write for kids. He wrote for people.

0:18:23.080 --> 0:18:26.440
<v Speaker 1>And he also famously said, you have kids, I'll entertain them.

0:18:26.520 --> 0:18:28.639
<v Speaker 4>Right. Yeah, he didn't want kids, did not want kids, No,

0:18:29.200 --> 0:18:31.240
<v Speaker 4>and he never had them, so his wish came true.

0:18:32.600 --> 0:18:36.600
<v Speaker 4>So he was already pretty famous by the time World

0:18:36.640 --> 0:18:41.800
<v Speaker 4>War two came around and he actually volunteered to become

0:18:42.160 --> 0:18:46.920
<v Speaker 4>a soldier, but he was sent to Hollywood to work

0:18:46.960 --> 0:18:48.400
<v Speaker 4>at what was called Fort Fox.

0:18:48.920 --> 0:18:51.159
<v Speaker 2>Yeah, this is strange. I mean I had heard of

0:18:51.200 --> 0:18:52.080
<v Speaker 2>the Signal Corps.

0:18:55.040 --> 0:18:59.560
<v Speaker 4>Well, the Signal Core is everything from code like code

0:18:59.600 --> 0:19:03.800
<v Speaker 4>and code all the way to psychological operations.

0:19:04.000 --> 0:19:05.960
<v Speaker 1>Oh, I thought the Signal Corps was just like the

0:19:06.000 --> 0:19:07.679
<v Speaker 1>people that made documentaries and stuff.

0:19:07.720 --> 0:19:10.560
<v Speaker 4>This was a division within the Signal Corps gotcha, and

0:19:10.640 --> 0:19:16.560
<v Speaker 4>so he was basically in this division with Frank Capra

0:19:17.040 --> 0:19:21.400
<v Speaker 4>and some other like screenwriters, actors, like basically anybody who

0:19:21.400 --> 0:19:25.160
<v Speaker 4>had anything to do with visual entertainment was put into

0:19:25.160 --> 0:19:28.320
<v Speaker 4>this group in Hollywood on the Fox Lot at what

0:19:28.480 --> 0:19:32.200
<v Speaker 4>was called Fort Fox, and that's where he spent most

0:19:32.240 --> 0:19:36.400
<v Speaker 4>of the war, although there was a fascinating story about

0:19:36.520 --> 0:19:38.399
<v Speaker 4>a time when he went to Europe because he had

0:19:38.440 --> 0:19:40.920
<v Speaker 4>to go get approvals for a documentary he had worked

0:19:40.920 --> 0:19:43.639
<v Speaker 4>on from all the high ranking generals in Europe. So

0:19:43.680 --> 0:19:46.760
<v Speaker 4>we went from headquarters to headquarters throughout Europe. And while

0:19:46.800 --> 0:19:49.480
<v Speaker 4>he was in Luxembourg, he visited some of his friends

0:19:50.160 --> 0:19:55.399
<v Speaker 4>and he basically got the skinny they think on the

0:19:55.400 --> 0:19:57.280
<v Speaker 4>Ghost Army, you know the Ghost Army where they had

0:19:57.280 --> 0:20:01.040
<v Speaker 4>inflatable tanks and like it was meant to make America's

0:20:01.119 --> 0:20:04.360
<v Speaker 4>military look way bigger than it was, and these guys

0:20:04.359 --> 0:20:08.040
<v Speaker 4>were running psychological operations. Well, doctor Seuss was friends with

0:20:08.080 --> 0:20:11.000
<v Speaker 4>some of the higher ups in the Ghost Army, and

0:20:11.080 --> 0:20:13.960
<v Speaker 4>they think that they showed him on a map like

0:20:14.000 --> 0:20:16.679
<v Speaker 4>where to go to go see some of these Well,

0:20:17.000 --> 0:20:19.399
<v Speaker 4>in between the time he left and the time he

0:20:19.440 --> 0:20:22.800
<v Speaker 4>got there, that was suddenly behind enemy lines.

0:20:22.880 --> 0:20:26.440
<v Speaker 1>Ye had the Battle of the Bulge literally started around him,

0:20:26.480 --> 0:20:27.080
<v Speaker 1>around him.

0:20:27.160 --> 0:20:29.240
<v Speaker 4>Well, he was yeah, and he was like, I was

0:20:29.280 --> 0:20:31.359
<v Speaker 4>just driving around thinking like it was just hard to

0:20:31.400 --> 0:20:33.159
<v Speaker 4>find friendly troops, like as.

0:20:33.040 --> 0:20:35.320
<v Speaker 2>Part of combat Belgium, sure is pretty.

0:20:35.000 --> 0:20:39.000
<v Speaker 4>But he ended up inadvertently spending three days ten miles

0:20:39.040 --> 0:20:41.639
<v Speaker 4>behind enemy lines during the Battle of the Bulge and

0:20:41.800 --> 0:20:43.639
<v Speaker 4>just barely made it out with his life.

0:20:43.760 --> 0:20:47.000
<v Speaker 1>Yeah, he was rescued by the Brits. But he would

0:20:47.040 --> 0:20:51.080
<v Speaker 1>eventually become a lieutenant colonel. Yeah, in his short stint

0:20:51.119 --> 0:20:53.880
<v Speaker 1>as a late thirty year old he's I think thirty

0:20:53.880 --> 0:20:56.680
<v Speaker 1>eight when he first went in, right, which really kind

0:20:56.680 --> 0:20:58.200
<v Speaker 1>of interesting piece of backstory.

0:20:58.280 --> 0:21:01.320
<v Speaker 4>Well, he was we left out a pretty big part

0:21:01.359 --> 0:21:04.399
<v Speaker 4>of his formative years early on in his career was

0:21:05.160 --> 0:21:09.000
<v Speaker 4>he wanted to become He wanted to have a say

0:21:09.720 --> 0:21:12.760
<v Speaker 4>in the direction America took in World War Two, and

0:21:12.840 --> 0:21:15.920
<v Speaker 4>he was very much in favor of going to war

0:21:16.000 --> 0:21:19.720
<v Speaker 4>against the Nazis and Japan in Italy. And one of

0:21:19.800 --> 0:21:21.679
<v Speaker 4>the reasons why he was in favor was because he

0:21:21.760 --> 0:21:27.080
<v Speaker 4>was extremely anti fascist. He hated fascism and he got

0:21:27.080 --> 0:21:29.920
<v Speaker 4>a job at a liberal magazine I think a newspaper

0:21:29.920 --> 0:21:34.760
<v Speaker 4>actually called PM that was founded in New York and

0:21:34.800 --> 0:21:38.200
<v Speaker 4>it was founded with the I to basically call people

0:21:38.240 --> 0:21:41.359
<v Speaker 4>out who are pushing other people around. It very liberal,

0:21:41.560 --> 0:21:46.560
<v Speaker 4>very anti fascist, very pro World War Two, although they

0:21:46.560 --> 0:21:48.520
<v Speaker 4>didn't call it that at the time, and it was

0:21:48.920 --> 0:21:54.960
<v Speaker 4>very anti isolationists too, And doctor Seuss was drawing editorial cartoons,

0:21:55.200 --> 0:22:00.680
<v Speaker 4>very political editorial cartoons, about seven days a week for

0:22:00.720 --> 0:22:04.239
<v Speaker 4>this magazine, and he did some really good work in it.

0:22:04.280 --> 0:22:08.280
<v Speaker 1>Actually, well yeah, and then in the in the Army

0:22:08.400 --> 0:22:12.040
<v Speaker 1>he actually made films. He was he's making documentaries right

0:22:12.080 --> 0:22:16.359
<v Speaker 1>alongside Frank Capra. He had one series of training videos

0:22:16.400 --> 0:22:20.520
<v Speaker 1>called Private Snaffoo that were animated, but they were.

0:22:20.440 --> 0:22:21.520
<v Speaker 2>The work of Chuck Jones.

0:22:21.600 --> 0:22:24.360
<v Speaker 1>Actually, it's just so crazy about all this talent that's

0:22:24.359 --> 0:22:26.439
<v Speaker 1>like in the Army producing these things at the time.

0:22:27.040 --> 0:22:30.480
<v Speaker 1>But he went on to make live action documentaries, one

0:22:30.520 --> 0:22:33.680
<v Speaker 1>called Your Job in Germany, another called Our Job in Japan.

0:22:34.680 --> 0:22:38.639
<v Speaker 1>MacArthur stopped the release of Our Job in Japan, and

0:22:38.720 --> 0:22:43.440
<v Speaker 1>apparently General Patten stormed out of a screening of one

0:22:43.480 --> 0:22:45.520
<v Speaker 1>of the other ones. And I couldn't find the word,

0:22:45.560 --> 0:22:48.399
<v Speaker 1>but it said he uttered one loud curse word.

0:22:48.480 --> 0:22:50.480
<v Speaker 4>Oh you couldn't find it, No, do you? Did you?

0:22:50.680 --> 0:22:51.840
<v Speaker 4>It was bs?

0:22:52.119 --> 0:22:52.280
<v Speaker 2>Oh?

0:22:52.320 --> 0:22:55.119
<v Speaker 1>Okay, but he's trying to think of what it would be. Sure,

0:22:55.840 --> 0:22:58.119
<v Speaker 1>I was like, but one word. So it wasn't the

0:22:58.280 --> 0:23:01.399
<v Speaker 1>F word unless it was just a very just long

0:23:01.560 --> 0:23:06.560
<v Speaker 1>drawn out you know, all right, Yes, that makes sense.

0:23:06.680 --> 0:23:09.800
<v Speaker 4>Yeah, which I don't understand. I don't know what the

0:23:09.840 --> 0:23:13.359
<v Speaker 4>problem was. But they were both the our job in

0:23:13.440 --> 0:23:17.320
<v Speaker 4>Japan or your job in Germany? Yeah, where was about

0:23:17.720 --> 0:23:23.960
<v Speaker 4>occupation post post occupation life in Germany or Japan? And what?

0:23:24.160 --> 0:23:24.360
<v Speaker 5>Yeah?

0:23:24.359 --> 0:23:26.399
<v Speaker 2>You can watch your job in Germany on YouTube.

0:23:26.520 --> 0:23:28.400
<v Speaker 4>Yeah, and our job in Japan too.

0:23:28.560 --> 0:23:28.800
<v Speaker 2>Yeah.

0:23:28.800 --> 0:23:32.359
<v Speaker 1>So he he recut those basically kind of rewrote and

0:23:32.359 --> 0:23:35.879
<v Speaker 1>recut those later on and retitled them Hitler Lives and

0:23:35.920 --> 0:23:36.920
<v Speaker 1>Designed for Death.

0:23:37.040 --> 0:23:40.600
<v Speaker 4>No he didn't. They were recut around him without his say.

0:23:40.640 --> 0:23:41.199
<v Speaker 2>Oh no no.

0:23:41.240 --> 0:23:43.560
<v Speaker 1>He and his wife later got those films, oh, and

0:23:43.600 --> 0:23:45.200
<v Speaker 1>recut them and won an Academy award.

0:23:45.359 --> 0:23:48.080
<v Speaker 4>Oh okay, yeah, I had read that a producer went

0:23:48.160 --> 0:23:51.240
<v Speaker 4>and did some recutting against their wishes and made it

0:23:51.320 --> 0:23:53.760
<v Speaker 4>way worse than they originally intended.

0:23:54.040 --> 0:23:57.080
<v Speaker 1>Well, that may have happened, and then maybe they then

0:23:57.160 --> 0:24:00.360
<v Speaker 1>later on re recut it got the Oscar for their version, right,

0:24:00.440 --> 0:24:02.560
<v Speaker 1>I don't know, okay, but we left out a lot

0:24:02.640 --> 0:24:07.240
<v Speaker 1>actually because he was actually had previous to the Army,

0:24:07.280 --> 0:24:10.879
<v Speaker 1>had already written children's books. Like he went fully into

0:24:10.920 --> 0:24:14.719
<v Speaker 1>this because of a ship trip that he took. Okay,

0:24:14.800 --> 0:24:16.840
<v Speaker 1>in nineteen thirty six, let's.

0:24:16.720 --> 0:24:17.840
<v Speaker 4>Walk it back a little bit.

0:24:17.920 --> 0:24:23.240
<v Speaker 1>They went on a transatlantic voyage aboard the MS kungs Holme,

0:24:24.119 --> 0:24:28.119
<v Speaker 1>and apparently the ship's engine had this beat, this hypnotic

0:24:28.240 --> 0:24:32.199
<v Speaker 1>throbbing sound that just really stuck with him and it

0:24:32.240 --> 0:24:35.720
<v Speaker 1>got into his head, and so he started composing rhyming

0:24:35.760 --> 0:24:37.800
<v Speaker 1>couplets that match with this rhythm.

0:24:37.600 --> 0:24:44.639
<v Speaker 4>Kind of like that's my ss Kung's home impressions.

0:24:44.080 --> 0:24:48.359
<v Speaker 1>All right, Well, it ended up being what's called anapestic tetrameter,

0:24:49.119 --> 0:24:52.640
<v Speaker 1>which is what he would make his career on this

0:24:53.160 --> 0:24:53.840
<v Speaker 1>poetic meter.

0:24:54.320 --> 0:24:58.000
<v Speaker 4>You know what that made me think of, Chuck? That like,

0:24:58.160 --> 0:25:01.560
<v Speaker 4>I've never heard those words together in my life, But

0:25:02.200 --> 0:25:05.560
<v Speaker 4>no one ever taught me how to read a Doctor

0:25:05.600 --> 0:25:08.800
<v Speaker 4>Seuss book. It's almost like we have some ingrain thing

0:25:08.880 --> 0:25:12.359
<v Speaker 4>in our brain to read things in that kind of rhythm,

0:25:12.480 --> 0:25:15.439
<v Speaker 4>or you know what I mean? Or is it just

0:25:15.440 --> 0:25:17.200
<v Speaker 4>like my parents read that to me, and that's where

0:25:17.200 --> 0:25:20.000
<v Speaker 4>I picked it up from. But who taught them? I

0:25:20.000 --> 0:25:22.640
<v Speaker 4>never taught anybody how to read something in rhymes. It's

0:25:22.680 --> 0:25:25.000
<v Speaker 4>just like you just know intuitive and even when you

0:25:25.200 --> 0:25:27.760
<v Speaker 4>when you when you're not reading it in the right rhythm,

0:25:27.800 --> 0:25:30.439
<v Speaker 4>your brain realizes it and corrects you and you go

0:25:30.560 --> 0:25:32.919
<v Speaker 4>back and reread it the right way. Like when you

0:25:32.920 --> 0:25:34.480
<v Speaker 4>get to the next line, you're like, oh, wait, that's

0:25:34.520 --> 0:25:37.560
<v Speaker 4>out a beat or whatever. Like you figure it out naturally,

0:25:37.600 --> 0:25:39.639
<v Speaker 4>and I wonder why we're geared toward that.

0:25:40.119 --> 0:25:40.320
<v Speaker 2>Yeah.

0:25:40.359 --> 0:25:42.280
<v Speaker 1>It's funny too, because I obviously read a lot of

0:25:42.359 --> 0:25:45.280
<v Speaker 1>kids books every night now, and some of them are great,

0:25:45.480 --> 0:25:48.560
<v Speaker 1>and some of them just like, they'll do a word

0:25:48.560 --> 0:25:50.879
<v Speaker 1>that doesn't quite rhyme, and I'm always like come on,

0:25:51.440 --> 0:25:53.720
<v Speaker 1>come on, or they'll stuff too much in a line

0:25:53.760 --> 0:25:57.600
<v Speaker 1>and it's not like graceful. In the read I'm like, man,

0:25:57.840 --> 0:25:58.480
<v Speaker 1>this is lame.

0:25:58.640 --> 0:26:01.119
<v Speaker 4>Do better or engine door hinge.

0:26:02.080 --> 0:26:02.880
<v Speaker 2>Hey, that's not bad.

0:26:03.000 --> 0:26:06.160
<v Speaker 4>Well that's eminet Oh okay. He very famously can rhyme

0:26:06.200 --> 0:26:08.440
<v Speaker 4>something with orange, which I found out because I think

0:26:08.480 --> 0:26:09.840
<v Speaker 4>I said nothing rhymes with orange.

0:26:10.320 --> 0:26:12.840
<v Speaker 2>Well everyone's always said that because that's true.

0:26:13.040 --> 0:26:14.560
<v Speaker 4>Well I meant it door hinge.

0:26:14.840 --> 0:26:15.399
<v Speaker 2>That's funny.

0:26:16.160 --> 0:26:21.320
<v Speaker 1>So he created a children's book on that anapestic tetramet

0:26:21.520 --> 0:26:23.520
<v Speaker 1>called and this is a story no one can beat

0:26:24.800 --> 0:26:27.920
<v Speaker 1>that was later changed and published in nineteen thirty seven.

0:26:28.040 --> 0:26:30.840
<v Speaker 1>As and to think that I saw it on Mulberry

0:26:30.840 --> 0:26:33.200
<v Speaker 1>Street because he had an old friend that he ran

0:26:33.240 --> 0:26:36.160
<v Speaker 1>into from Dartmouth that turned out to be a children's

0:26:36.160 --> 0:26:37.639
<v Speaker 1>book editor at Vanguard Press.

0:26:37.680 --> 0:26:40.720
<v Speaker 4>So I read an account of the story and the

0:26:40.920 --> 0:26:44.439
<v Speaker 4>person saying telling the story said, had he been walking

0:26:44.480 --> 0:26:46.160
<v Speaker 4>on the other side of the street that day, he

0:26:46.200 --> 0:26:48.840
<v Speaker 4>may have never become a children's author. Yeah, like it

0:26:48.960 --> 0:26:53.920
<v Speaker 4>was that fateful. His friend from Dartmouth was a new

0:26:54.040 --> 0:26:58.520
<v Speaker 4>children's book editor at Vanguard, you said, yeah, and it

0:26:58.600 --> 0:27:00.840
<v Speaker 4>was so new that he was looking for a material

0:27:01.520 --> 0:27:04.639
<v Speaker 4>and doctor Seuss happened to be walking around with the

0:27:04.640 --> 0:27:07.960
<v Speaker 4>manuscript on him and just happened to be down there,

0:27:08.280 --> 0:27:10.320
<v Speaker 4>and they ran into each other and this book got

0:27:10.320 --> 0:27:12.760
<v Speaker 4>published and that was the one where he first made

0:27:12.760 --> 0:27:15.439
<v Speaker 4>his name as a children's book writer. You're right, and

0:27:15.480 --> 0:27:17.240
<v Speaker 4>shout out to Stephen Barr, book agent.

0:27:17.600 --> 0:27:18.080
<v Speaker 2>That's right.

0:27:18.200 --> 0:27:23.720
<v Speaker 1>Yeah, So this, this and a pestic tetrameter is what

0:27:23.800 --> 0:27:26.560
<v Speaker 1>he basically stuck with the rest of his career. He

0:27:26.600 --> 0:27:29.240
<v Speaker 1>would alter it here and there, use other meters here

0:27:29.240 --> 0:27:32.280
<v Speaker 1>and there, but this is where he you know, as

0:27:32.359 --> 0:27:34.280
<v Speaker 1>Ed said, that was his bread and butter. And it's

0:27:34.400 --> 0:27:36.840
<v Speaker 1>very waltz like you can count it off in three

0:27:36.920 --> 0:27:40.240
<v Speaker 1>four time. And it just was sort of perfect for

0:27:40.359 --> 0:27:41.439
<v Speaker 1>kids books, right.

0:27:41.600 --> 0:27:43.879
<v Speaker 4>And with that first kid's book, and to think I

0:27:43.880 --> 0:27:46.040
<v Speaker 4>saw it on Mulberry Street. Apparently it's about a kid named

0:27:46.080 --> 0:27:48.919
<v Speaker 4>Marco who sees a horse and cart on his street

0:27:49.320 --> 0:27:51.879
<v Speaker 4>and as he's retelling it, it just becomes this bigger

0:27:51.920 --> 0:27:55.679
<v Speaker 4>and bigger and more like bizarre and grand thing that

0:27:55.760 --> 0:28:00.719
<v Speaker 4>he saw. And this will come back later on in episode.

0:28:01.240 --> 0:28:06.040
<v Speaker 1>Yeah, so he's writing these books. He's doing okay. His

0:28:06.080 --> 0:28:08.600
<v Speaker 1>fourth book was called Horton Hatches the Egg. I think

0:28:08.640 --> 0:28:12.000
<v Speaker 1>that's where we first meet Horton, but he wasn't like

0:28:12.080 --> 0:28:14.080
<v Speaker 1>lighting the world on fire. And then that's when he

0:28:14.119 --> 0:28:15.240
<v Speaker 1>goes in the army.

0:28:15.359 --> 0:28:17.480
<v Speaker 4>Right, and let me tell you the story about getting

0:28:17.520 --> 0:28:21.359
<v Speaker 4>caught in the Battle of the Bulge. Again, here we go.

0:28:22.320 --> 0:28:24.960
<v Speaker 4>So he makes it through World War two, he escapes

0:28:25.000 --> 0:28:27.000
<v Speaker 4>with his life from the Battle of the Bulge, and

0:28:27.040 --> 0:28:29.399
<v Speaker 4>when he comes out of World War two, he goes

0:28:30.000 --> 0:28:32.840
<v Speaker 4>right back to writing books, and he wrote a few

0:28:32.880 --> 0:28:37.440
<v Speaker 4>more in the forties. I believe he wrote Urdle the Turtle,

0:28:38.000 --> 0:28:41.000
<v Speaker 4>which I know is an allegory four Hitler, and he

0:28:41.120 --> 0:28:43.600
<v Speaker 4>was on record say yeah, apparently the early drafts of

0:28:43.640 --> 0:28:46.160
<v Speaker 4>it he had drawn a Hitler mustache on Jurdle the

0:28:46.240 --> 0:28:50.280
<v Speaker 4>Turtle and it's about anti authoritarian Is that.

0:28:50.280 --> 0:28:51.320
<v Speaker 2>Hitler or Michael Jordan?

0:28:52.560 --> 0:28:54.000
<v Speaker 4>Does he have a Hitler mustache?

0:28:54.080 --> 0:28:57.440
<v Speaker 1>He did very famously, and this one Haines Stevie commercial

0:28:57.640 --> 0:29:01.920
<v Speaker 1>and everyone was like, uh, has someone not told him?

0:29:02.520 --> 0:29:05.760
<v Speaker 2>I didn't see that. Yeah, I'll have to show you picture.

0:29:05.800 --> 0:29:07.240
<v Speaker 4>I have my head in the sand like I was

0:29:07.320 --> 0:29:08.600
<v Speaker 4>Charles Limberg or something.

0:29:09.760 --> 0:29:11.600
<v Speaker 2>Oh that's a nice circular rest.

0:29:11.720 --> 0:29:14.640
<v Speaker 4>It's just for you and me. So he was writing

0:29:14.680 --> 0:29:16.680
<v Speaker 4>some more and he was I mean, he was selling

0:29:16.680 --> 0:29:20.280
<v Speaker 4>like thousands of copies every time he released a book.

0:29:20.320 --> 0:29:23.640
<v Speaker 4>He was a known children's author. He'd already established his

0:29:24.080 --> 0:29:28.000
<v Speaker 4>style as something that was pretty recognizable around the United States.

0:29:28.520 --> 0:29:33.080
<v Speaker 4>But it wasn't until the mid fifties that things really

0:29:33.280 --> 0:29:37.000
<v Speaker 4>changed for him. Yeah, oh wow, it is a Hitler fuste.

0:29:37.520 --> 0:29:38.800
<v Speaker 4>There's no mistake in that.

0:29:39.320 --> 0:29:40.080
<v Speaker 2>It's a decision.

0:29:41.240 --> 0:29:45.479
<v Speaker 4>So I think in nineteen fifty five, there was a

0:29:45.520 --> 0:29:49.600
<v Speaker 4>book written called why Can't Johnny Read? Right?

0:29:49.720 --> 0:29:50.120
<v Speaker 2>Okay?

0:29:50.480 --> 0:29:52.520
<v Speaker 4>And a guy named Rudolph Flesh, And I realized what

0:29:52.560 --> 0:29:54.719
<v Speaker 4>we've jumped over. We'll get back to sure, I'm not

0:29:54.800 --> 0:29:58.760
<v Speaker 4>ready for it yet, all right, a guy named Rudolph Flesh,

0:30:00.280 --> 0:30:08.200
<v Speaker 4>alf Flesh, Yeah, fl Age, that'd be a good one though. Yeah,

0:30:08.280 --> 0:30:13.040
<v Speaker 4>you'd have to call yourself Rudy too. And anyway, Rudolf Flesh,

0:30:13.160 --> 0:30:15.520
<v Speaker 4>he wrote Why Can't Johnny Read? And it was basically

0:30:15.600 --> 0:30:19.760
<v Speaker 4>like an indictment of the American public school system, the

0:30:19.840 --> 0:30:23.320
<v Speaker 4>education system, and how we taught kids to read. And

0:30:23.400 --> 0:30:26.440
<v Speaker 4>it was equally an indictment of like Dick and Jane,

0:30:26.960 --> 0:30:28.760
<v Speaker 4>and the way that kids used to read or be

0:30:28.840 --> 0:30:31.600
<v Speaker 4>taught to read was just basically, here are words on

0:30:31.640 --> 0:30:34.400
<v Speaker 4>a page, memorize them. Yeah, this is a red ball.

0:30:34.680 --> 0:30:38.080
<v Speaker 4>This is the word read. Don't be an idiot. Red ball.

0:30:38.760 --> 0:30:41.040
<v Speaker 2>It's kind of the worst way to teach kids stuff.

0:30:41.080 --> 0:30:44.520
<v Speaker 4>It is. And the guy in the article said, he

0:30:44.560 --> 0:30:47.320
<v Speaker 4>wrote an article in Life later on too. He said,

0:30:47.520 --> 0:30:49.440
<v Speaker 4>you know who'd be a great children's book author to

0:30:49.480 --> 0:30:52.480
<v Speaker 4>teach kids how to read is doctor Seuss. He's kids,

0:30:52.560 --> 0:30:55.640
<v Speaker 4>He's already writing books for kids. Yeah, but if he

0:30:55.760 --> 0:30:58.280
<v Speaker 4>just directed that toward actually teaching him how to read,

0:30:58.800 --> 0:31:01.400
<v Speaker 4>kids would definitely want that. And it turns out that

0:31:02.280 --> 0:31:05.480
<v Speaker 4>an editor, I think at Houghton Mifflin or somebody wherever

0:31:05.680 --> 0:31:08.640
<v Speaker 4>doctor Seuss was writing at the time, thunder Mifflin, thunder Mifflin,

0:31:10.040 --> 0:31:14.240
<v Speaker 4>you got me. He said, that's actually a pretty good idea.

0:31:14.320 --> 0:31:16.280
<v Speaker 4>And that's where we got the cat in the hat.

0:31:16.440 --> 0:31:18.400
<v Speaker 1>That's right, it was. It was originally meant as a

0:31:18.440 --> 0:31:23.080
<v Speaker 1>reading primer. I think there were two twenty five two

0:31:23.160 --> 0:31:26.240
<v Speaker 1>hundred and twenty five words, and very famously, his editor

0:31:26.480 --> 0:31:28.920
<v Speaker 1>bet him after that that he could not write a

0:31:28.920 --> 0:31:33.080
<v Speaker 1>book with only fifty words. And he went, take this book,

0:31:33.760 --> 0:31:36.720
<v Speaker 1>Green Eggs and Ham, and shove it and shove it

0:31:36.760 --> 0:31:39.600
<v Speaker 1>and give me my fifty dollars, right, And that is

0:31:39.680 --> 0:31:42.080
<v Speaker 1>supposedly true. His editor bet him that he could not

0:31:42.160 --> 0:31:44.520
<v Speaker 1>do so, and that's where Green Eggs and Ham came from.

0:31:44.680 --> 0:31:48.680
<v Speaker 4>Yeah, and it's fifty words exactly, that's right. So he

0:31:48.920 --> 0:31:51.160
<v Speaker 4>at this point he went from ed says, he went

0:31:51.200 --> 0:31:53.520
<v Speaker 4>from being a well known children's author to probably the

0:31:53.520 --> 0:31:56.520
<v Speaker 4>best known children's author in the world. Yeah, he'd shown

0:31:57.200 --> 0:32:02.160
<v Speaker 4>not only could he write fun, whimsical stories with the

0:32:02.200 --> 0:32:05.800
<v Speaker 4>disguised moral lesson in the middle of it too, with

0:32:05.880 --> 0:32:09.040
<v Speaker 4>great illustrations and hand drawn fonts and all that he

0:32:09.080 --> 0:32:11.960
<v Speaker 4>could actually teach the world's children how to read English

0:32:12.040 --> 0:32:12.480
<v Speaker 4>at least.

0:32:13.160 --> 0:32:13.480
<v Speaker 2>Yeah.

0:32:13.520 --> 0:32:17.000
<v Speaker 1>And then from that success he wrote that same year

0:32:17.800 --> 0:32:19.200
<v Speaker 1>How the Grinch Stole Christmas.

0:32:19.280 --> 0:32:22.520
<v Speaker 4>That's a big year, man, very big year. So cant

0:32:22.600 --> 0:32:25.000
<v Speaker 4>and the Grinch the same year, right, yeah, okay.

0:32:24.800 --> 0:32:26.040
<v Speaker 2>Yeah, which is just amazing.

0:32:26.080 --> 0:32:28.160
<v Speaker 1>And then in nineteen sixty six, of course, we get

0:32:28.160 --> 0:32:33.040
<v Speaker 1>the very famous TV cartoon adaptation, which people still love

0:32:33.080 --> 0:32:34.560
<v Speaker 1>and enjoy today, including me.

0:32:35.120 --> 0:32:36.480
<v Speaker 4>Oh yeah.

0:32:36.520 --> 0:32:39.600
<v Speaker 1>And he ended up being so successful that they gave

0:32:39.680 --> 0:32:43.560
<v Speaker 1>him his own imprint at Random House. With his wife,

0:32:43.840 --> 0:32:48.520
<v Speaker 1>Helen Palmer Geisel, who was kind of by all accounts

0:32:48.520 --> 0:32:48.840
<v Speaker 1>that the.

0:32:48.800 --> 0:32:51.560
<v Speaker 2>Woman behind the Man. Oh yeah, she was an author herself.

0:32:52.280 --> 0:32:55.440
<v Speaker 1>She wrote quite a few books, one called do you

0:32:55.480 --> 0:32:57.480
<v Speaker 1>Know what I'm going to do Next Saturday to You?

0:32:59.000 --> 0:33:00.840
<v Speaker 2>One called I Know did Last Summer?

0:33:06.600 --> 0:33:06.760
<v Speaker 5>Man?

0:33:07.000 --> 0:33:09.400
<v Speaker 2>It's funny adding those two words just makes it threaten.

0:33:09.720 --> 0:33:12.840
<v Speaker 1>It's a horror novel, one called Why I Built the

0:33:12.840 --> 0:33:15.360
<v Speaker 1>Google House, and one called I Was Kissed by a

0:33:15.400 --> 0:33:16.320
<v Speaker 1>Seal at the zoo.

0:33:16.760 --> 0:33:17.520
<v Speaker 4>That sounds great.

0:33:17.880 --> 0:33:19.680
<v Speaker 1>So I didn't want to just kind of wash over

0:33:19.720 --> 0:33:23.480
<v Speaker 1>her because she she was an author and very sadly,

0:33:23.560 --> 0:33:26.200
<v Speaker 1>she ended up committing suicide very late in life.

0:33:26.400 --> 0:33:28.720
<v Speaker 4>Yeah, within a couple of years of an affair that

0:33:28.800 --> 0:33:33.080
<v Speaker 4>he had. Yeah, and he'd apparently have multiple affairs in her.

0:33:35.120 --> 0:33:38.840
<v Speaker 4>Her suicide note supposedly referenced this, this feeling that she'd

0:33:39.160 --> 0:33:41.960
<v Speaker 4>kind of been overshadowed by him in his career. Yeah,

0:33:42.000 --> 0:33:44.160
<v Speaker 4>And like you said, she was very much the woman

0:33:44.200 --> 0:33:45.400
<v Speaker 4>behind the man, and I.

0:33:45.320 --> 0:33:48.280
<v Speaker 1>Think expected to support him and all that thing, and

0:33:48.320 --> 0:33:48.640
<v Speaker 1>she did.

0:33:48.680 --> 0:33:50.880
<v Speaker 4>She put her own career away so that she could

0:33:50.880 --> 0:33:54.320
<v Speaker 4>handle his correspondence and business affairs. She was in charge

0:33:54.320 --> 0:33:57.320
<v Speaker 4>of correspondence to like sick kids that wrote them, or

0:33:57.520 --> 0:34:02.320
<v Speaker 4>entire classes, and yeah, she was she was all. He

0:34:02.640 --> 0:34:04.800
<v Speaker 4>was the artistic genius who just needed to be left

0:34:04.840 --> 0:34:07.320
<v Speaker 4>alone so he could make these books every year, and

0:34:07.360 --> 0:34:10.480
<v Speaker 4>she handled everything else, right. And ask somebody to put

0:34:10.520 --> 0:34:13.040
<v Speaker 4>their career away so that you can have yours, that's

0:34:13.080 --> 0:34:15.120
<v Speaker 4>a big thing to ask somebody.

0:34:15.400 --> 0:34:19.040
<v Speaker 1>Yeah, I mean she was sixty nine when she and

0:34:19.280 --> 0:34:22.880
<v Speaker 1>I, I believe, I said, committed suicide earlier. I apologize, I

0:34:22.880 --> 0:34:25.359
<v Speaker 1>know we don't use that term anymore. Yeah, So we

0:34:25.400 --> 0:34:28.040
<v Speaker 1>say now that she died by suicide, right.

0:34:28.160 --> 0:34:30.520
<v Speaker 4>Yeah, because committed makes it sound like, oh my god,

0:34:30.800 --> 0:34:31.719
<v Speaker 4>she committed a sin.

0:34:32.040 --> 0:34:34.120
<v Speaker 1>Yeah, and we people have written in about that, and

0:34:34.719 --> 0:34:36.480
<v Speaker 1>we were both glad to be made aware of that.

0:34:36.960 --> 0:34:39.799
<v Speaker 1>So she was sixty nine years old and apparently also

0:34:39.800 --> 0:34:46.279
<v Speaker 1>suffered from Gilliam Bear Barr game Barre syndrome.

0:34:46.719 --> 0:34:48.920
<v Speaker 4>Yeah. We got corrected on that some other time. It's

0:34:48.920 --> 0:34:50.319
<v Speaker 4>how I remember of.

0:34:50.200 --> 0:34:50.920
<v Speaker 2>How to pronounce it.

0:34:51.080 --> 0:34:52.000
<v Speaker 4>Yeah.

0:34:52.040 --> 0:34:56.640
<v Speaker 1>So I mean, who knows why someone eventually takes that

0:34:56.680 --> 0:34:57.319
<v Speaker 1>path in life.

0:34:57.560 --> 0:35:00.719
<v Speaker 2>Could be a lot of factors. Yeah. Yeah.

0:35:00.800 --> 0:35:05.120
<v Speaker 1>October twenty third, nineteen sixty seven, she overdosed on medication.

0:35:04.920 --> 0:35:07.480
<v Speaker 4>After they've been married for forty years too. Yeah, man,

0:35:08.320 --> 0:35:14.960
<v Speaker 4>And so shortly after that he married Audrey Diamond. Yes, Geisel,

0:35:15.239 --> 0:35:18.839
<v Speaker 4>who's his widow? Who is I belief still alive in

0:35:18.960 --> 0:35:20.840
<v Speaker 4>basically running his estate still.

0:35:21.160 --> 0:35:23.600
<v Speaker 1>Yeah, her name was Audrey Stone Diamond, but it was

0:35:23.719 --> 0:35:26.560
<v Speaker 1>dm N d no A.

0:35:26.440 --> 0:35:27.520
<v Speaker 2>Oh, yeah, which is interesting.

0:35:27.560 --> 0:35:28.960
<v Speaker 4>I wonder if it's it's very efficient.

0:35:29.480 --> 0:35:33.719
<v Speaker 2>But yes, she became soys and he went just go

0:35:33.719 --> 0:35:34.600
<v Speaker 2>ahead and get used to it.

0:35:34.600 --> 0:35:38.520
<v Speaker 4>It's sus She's like, really I've always said, soys, He's like,

0:35:38.640 --> 0:35:39.160
<v Speaker 4>I love you.

0:35:39.760 --> 0:35:43.839
<v Speaker 1>And she had two daughters, and he said, I bet

0:35:43.880 --> 0:35:47.160
<v Speaker 1>you they'd love boarding school. Yeah, and she went okay.

0:35:47.400 --> 0:35:50.919
<v Speaker 1>And she later on even said, this is a direct quote.

0:35:50.960 --> 0:35:53.120
<v Speaker 1>She said they wouldn't have been happy with Ted, and

0:35:53.160 --> 0:35:54.719
<v Speaker 1>Ted wouldn't have been happy with them.

0:35:55.200 --> 0:35:57.680
<v Speaker 4>Yeah. He really did not want kids or kids to

0:35:57.719 --> 0:36:00.040
<v Speaker 4>be around. He just liked doing the books that he

0:36:00.200 --> 0:36:00.600
<v Speaker 4>like to do.

0:36:01.680 --> 0:36:02.640
<v Speaker 2>It's pretty interesting.

0:36:03.080 --> 0:36:07.799
<v Speaker 4>So that nineteen fifty seven year, that was a big

0:36:07.840 --> 0:36:12.560
<v Speaker 4>breakout year for him, and that was kind of the

0:36:12.680 --> 0:36:16.920
<v Speaker 4>year that he became the Doctor Seuss that we see.

0:36:17.280 --> 0:36:21.040
<v Speaker 4>But he kept writing for many, many years, I mean

0:36:21.200 --> 0:36:24.200
<v Speaker 4>up until his death in nineteen ninety one. He apparently

0:36:24.200 --> 0:36:29.880
<v Speaker 4>cranked out like a book a year. Yeah, some of

0:36:29.920 --> 0:36:33.520
<v Speaker 4>them over time kind of took on much more progressive

0:36:33.600 --> 0:36:37.560
<v Speaker 4>tones until he became the Doctor Seuss that we see today.

0:36:38.160 --> 0:36:43.520
<v Speaker 4>So prior to that, though, in recent years, some people

0:36:43.560 --> 0:36:46.719
<v Speaker 4>have kind of said, hey, you know, doctor Seuss had

0:36:46.719 --> 0:36:51.160
<v Speaker 4>some really racist, bigoted stuff in his early work. And

0:36:51.200 --> 0:36:55.960
<v Speaker 4>it's become kind of this national conversation to kind of

0:36:56.040 --> 0:36:59.319
<v Speaker 4>figure out how to do this, because everyone loves Doctor Seuss.

0:37:00.239 --> 0:37:04.520
<v Speaker 4>Doctor Seuss, there's nobody who doesn't like doctor Seuss. But

0:37:04.600 --> 0:37:07.719
<v Speaker 4>if you are his work, I should say sure. But

0:37:07.800 --> 0:37:10.200
<v Speaker 4>if you if you start digging into, especially some of

0:37:10.200 --> 0:37:12.920
<v Speaker 4>his early work, it becomes problematic.

0:37:13.440 --> 0:37:14.720
<v Speaker 2>And you want you want to take a break.

0:37:16.000 --> 0:37:18.080
<v Speaker 1>Okay, all right, all right, let's take a break and

0:37:18.200 --> 0:37:21.520
<v Speaker 1>we will take part in that national conversation right after.

0:37:21.360 --> 0:37:34.760
<v Speaker 5>This softly jawsh soff.

0:37:39.040 --> 0:37:43.680
<v Speaker 4>All right, Chuck, So it's national conversation time. So doctor Seuss,

0:37:44.000 --> 0:37:49.520
<v Speaker 4>especially in his earliest work as Jack O'Lantern and judge writer,

0:37:49.680 --> 0:37:52.239
<v Speaker 4>the Humor magazine writer, a lot of his stuff was

0:37:52.360 --> 0:37:55.960
<v Speaker 4>extremely racist. Yes, as Ed puts it, not just racist

0:37:56.000 --> 0:37:58.800
<v Speaker 4>for the time, but but monstrously racist stuff.

0:37:59.080 --> 0:38:06.840
<v Speaker 1>Yeah, like full on blackface caricatures. It depicted African American

0:38:06.960 --> 0:38:12.160
<v Speaker 1>characters as lazy as savages, have too many kids. He

0:38:12.239 --> 0:38:15.520
<v Speaker 1>made jokes about slavery. There's one we can't even read

0:38:15.560 --> 0:38:18.000
<v Speaker 1>on this show, but it's awful.

0:38:18.520 --> 0:38:24.440
<v Speaker 4>Yeah right. He also, especially as after Pearl Harbor, directed

0:38:24.480 --> 0:38:29.840
<v Speaker 4>a lot of his creative energy toward making ugly caricatures

0:38:30.000 --> 0:38:35.040
<v Speaker 4>of Japan and depicting Japanese and Japanese Americans in really

0:38:35.160 --> 0:38:36.560
<v Speaker 4>unflattering light too.

0:38:36.800 --> 0:38:40.759
<v Speaker 1>Yeah, and apparently supported internment and this isn't you know,

0:38:42.280 --> 0:38:44.560
<v Speaker 1>you don't want to drag somebody through the mud. But

0:38:44.560 --> 0:38:45.879
<v Speaker 1>if we're going to give a picture of the man,

0:38:45.960 --> 0:38:48.000
<v Speaker 1>this is who he was earlier in his life.

0:38:48.280 --> 0:38:51.040
<v Speaker 4>Right. So Ed makes a really good point. I think

0:38:51.239 --> 0:38:53.560
<v Speaker 4>Ed's a great American for the way that he kind

0:38:53.560 --> 0:38:59.399
<v Speaker 4>of kind of handled this too. He's saying that if

0:38:59.440 --> 0:39:02.360
<v Speaker 4>you look at his early stuff, he was a younger

0:39:02.400 --> 0:39:05.239
<v Speaker 4>man at the time, And I think we should also

0:39:05.239 --> 0:39:08.560
<v Speaker 4>say it qualifies as like none of this excuses anything. Sure,

0:39:08.640 --> 0:39:12.000
<v Speaker 4>but you know, look at the whole picture of the person.

0:39:13.280 --> 0:39:16.520
<v Speaker 4>If you look at his earlier stuff or his worst,

0:39:16.880 --> 0:39:20.279
<v Speaker 4>most racist stuff is when he was youngest, and his

0:39:20.480 --> 0:39:23.040
<v Speaker 4>most progressive stuff that everybody knows and loves is Doctor

0:39:23.080 --> 0:39:26.120
<v Speaker 4>Seuss when the world was kind of changing too.

0:39:26.239 --> 0:39:28.279
<v Speaker 1>Yeah, it's not like in nineteen eighty nine he was like,

0:39:28.320 --> 0:39:29.880
<v Speaker 1>I'm going to deliver I'm going to serve up a

0:39:29.880 --> 0:39:31.400
<v Speaker 1>good old racist cartoon.

0:39:31.120 --> 0:39:33.360
<v Speaker 4>Right exactly. It's not like he invented sea monkeys or

0:39:33.400 --> 0:39:37.080
<v Speaker 4>something like that. Right, So he kind of progressed with

0:39:37.200 --> 0:39:39.640
<v Speaker 4>the world. And not only did he progress with the

0:39:39.640 --> 0:39:42.279
<v Speaker 4>world and kind of change his views to take on

0:39:42.400 --> 0:39:50.560
<v Speaker 4>much more progressive stuff, themes like bigotry with the sneeches

0:39:51.200 --> 0:39:54.279
<v Speaker 4>is about discriminating against people and just how ridiculous that

0:39:54.480 --> 0:39:57.680
<v Speaker 4>is how people are actually people. A lot of people

0:39:57.680 --> 0:39:59.880
<v Speaker 4>point to Horton hears It, who as a bit of

0:39:59.880 --> 0:40:04.200
<v Speaker 4>a mia Kulpa for his treatment of the Japanese prior

0:40:04.320 --> 0:40:08.759
<v Speaker 4>to World War two and during World War Two. The

0:40:08.840 --> 0:40:13.040
<v Speaker 4>Lorax is obviously pro environmentalism. Yeah.

0:40:13.080 --> 0:40:16.120
<v Speaker 1>He fully changed one of his books altogether, an earlier

0:40:16.200 --> 0:40:16.879
<v Speaker 1>version of.

0:40:17.600 --> 0:40:19.640
<v Speaker 4>And to Think I Saw On on Mulberry Street.

0:40:19.800 --> 0:40:21.439
<v Speaker 2>Yeah, it had the word Chinaman in there.

0:40:21.840 --> 0:40:25.359
<v Speaker 4>It was worse than chinaman, and.

0:40:23.280 --> 0:40:27.560
<v Speaker 1>He changed that to Chinese person like in the publication

0:40:27.640 --> 0:40:29.440
<v Speaker 1>of the book for future printings.

0:40:29.600 --> 0:40:37.080
<v Speaker 4>Right, So he definitely evolved his works of alved He

0:40:37.120 --> 0:40:39.719
<v Speaker 4>never came out and publicly said, hey, I'm really sorry

0:40:39.760 --> 0:40:42.600
<v Speaker 4>about all the racist stuff that I did earlier. Yeah,

0:40:44.080 --> 0:40:46.279
<v Speaker 4>by the time he died in nineteen ninety, I think

0:40:46.320 --> 0:40:48.880
<v Speaker 4>that that really wasn't the way that the world was

0:40:48.960 --> 0:40:52.440
<v Speaker 4>turning at the time. But he does seem to have

0:40:53.080 --> 0:40:56.040
<v Speaker 4>evolved and changed with the times and did go back

0:40:56.080 --> 0:41:00.239
<v Speaker 4>and revise some stuff that had crept into his work.

0:41:00.480 --> 0:41:03.840
<v Speaker 1>Yeah, And this has come to light more prominently in

0:41:03.840 --> 0:41:06.640
<v Speaker 1>the past few years. Because there have been like some

0:41:07.320 --> 0:41:11.319
<v Speaker 1>book festivals and children's literature festivals that have either been

0:41:11.320 --> 0:41:14.919
<v Speaker 1>boycotted or where they've sort of tried to make him

0:41:14.960 --> 0:41:18.560
<v Speaker 1>a little less prominent. The cat and the hat I

0:41:18.640 --> 0:41:22.840
<v Speaker 1>think was used. Wasn't it like an official.

0:41:22.840 --> 0:41:25.480
<v Speaker 4>Read across America? Right, here's the mascot for it.

0:41:25.600 --> 0:41:27.799
<v Speaker 2>Yeah, And did they officially remove the cat?

0:41:27.840 --> 0:41:29.960
<v Speaker 4>And I think they've backed a little bit away from

0:41:30.239 --> 0:41:32.720
<v Speaker 4>the cat and the hat as a mascot, if not entirely.

0:41:33.360 --> 0:41:36.160
<v Speaker 4>And I think that they've kind of like Doctor Seus's

0:41:36.160 --> 0:41:38.680
<v Speaker 4>books are not like the focal point of the Read

0:41:38.719 --> 0:41:41.000
<v Speaker 4>Across America campaign like they were.

0:41:41.040 --> 0:41:44.080
<v Speaker 1>Right, And then last year, Millennia Trump made the news

0:41:44.120 --> 0:41:48.040
<v Speaker 1>when she gifted a library some Doctor Seuss books, and

0:41:48.120 --> 0:41:51.680
<v Speaker 1>the librarian refused that gift and said they are steeped

0:41:51.680 --> 0:41:55.120
<v Speaker 1>and racist propaganda, caricatures and harmful stereotypes.

0:41:55.800 --> 0:41:58.520
<v Speaker 4>I don't know that that all is necessarily true, is it?

0:41:58.960 --> 0:42:01.040
<v Speaker 2>Yeah? You know, I think that might have been a

0:42:01.040 --> 0:42:02.239
<v Speaker 2>little too harsh.

0:42:02.880 --> 0:42:05.879
<v Speaker 4>Well, I mean, if it's if I'm wrong, I want

0:42:05.960 --> 0:42:08.400
<v Speaker 4>to know. The only thing that I've seen that could

0:42:08.400 --> 0:42:11.520
<v Speaker 4>be pointed to in his work, like his books, was

0:42:11.560 --> 0:42:16.840
<v Speaker 4>the was the reference in drawing of the Chinese guy. Yeah,

0:42:16.960 --> 0:42:19.480
<v Speaker 4>in his first book, and to think I saw it

0:42:19.520 --> 0:42:22.200
<v Speaker 4>on Mulberry Street. I didn't see anything else. I saw

0:42:22.280 --> 0:42:24.480
<v Speaker 4>some reference that maybe the cat in the hat was

0:42:24.480 --> 0:42:28.240
<v Speaker 4>supposed to be blackfaced, but I saw that one place

0:42:28.560 --> 0:42:31.160
<v Speaker 4>right nowhere Else. It seemed to be as earlier work,

0:42:31.440 --> 0:42:35.320
<v Speaker 4>not as children's books. And I didn't see any racist

0:42:35.400 --> 0:42:39.440
<v Speaker 4>propaganda that had that was hidden in the books. If anything,

0:42:39.520 --> 0:42:42.239
<v Speaker 4>the books that you would give a library, and I

0:42:42.280 --> 0:42:44.759
<v Speaker 4>don't know what title she gave, would have been the

0:42:44.840 --> 0:42:46.000
<v Speaker 4>more progressive stuff.

0:42:46.080 --> 0:42:48.719
<v Speaker 1>Yes, she didn't go there and say here, look, here's

0:42:48.760 --> 0:42:51.080
<v Speaker 1>the old jack o lantern, here's the really dirty stuff,

0:42:51.160 --> 0:42:55.759
<v Speaker 1>college humor, racist cartoons, and yeah. To say that his

0:42:55.840 --> 0:42:58.920
<v Speaker 1>work was steeped in racist propaganda when talking about the

0:42:58.960 --> 0:43:01.040
<v Speaker 1>children's books, is, I agree, is not accurate.

0:43:01.120 --> 0:43:01.279
<v Speaker 2>Right.

0:43:02.120 --> 0:43:04.879
<v Speaker 4>What I'm trying to figure out is is that librarian

0:43:05.000 --> 0:43:08.160
<v Speaker 4>hip to something we don't know about, right or not.

0:43:08.640 --> 0:43:11.120
<v Speaker 4>I'm very curious to know, Like, if we didn't dig

0:43:11.200 --> 0:43:15.240
<v Speaker 4>quite deep enough, I'm a little surprised because you know us, Yeah,

0:43:15.280 --> 0:43:18.040
<v Speaker 4>but I want to know if we're missing something.

0:43:17.760 --> 0:43:18.680
<v Speaker 2>Then Yeah, for sure.

0:43:19.239 --> 0:43:21.000
<v Speaker 1>I found an article where they were just asking a

0:43:21.040 --> 0:43:24.640
<v Speaker 1>lot of professionals in children's literature what they thought about

0:43:24.680 --> 0:43:26.719
<v Speaker 1>all this, Because I'm a big dummy, you know, I

0:43:26.719 --> 0:43:28.000
<v Speaker 1>don't know how to figure this stuff out of my

0:43:28.040 --> 0:43:31.040
<v Speaker 1>own And Anne Neely, she's a professor of children's lit

0:43:31.080 --> 0:43:35.360
<v Speaker 1>at Vanderbilt, said this, just as every author illustrator is.

0:43:35.400 --> 0:43:37.480
<v Speaker 1>I think Theodore Geisel was a product of his time.

0:43:38.040 --> 0:43:40.799
<v Speaker 1>We should not judge him by today's standards, but we

0:43:40.880 --> 0:43:43.160
<v Speaker 1>must evaluate his books that we decide to share with

0:43:43.280 --> 0:43:45.280
<v Speaker 1>children using today's standards.

0:43:45.320 --> 0:43:46.520
<v Speaker 4>That is a really great point.

0:43:46.600 --> 0:43:48.759
<v Speaker 1>Yeah, we can outwallow in our own nostalgia when we

0:43:48.800 --> 0:43:50.760
<v Speaker 1>make choices for the books we share with young children.

0:43:50.960 --> 0:43:53.560
<v Speaker 1>There's simply too many outstanding books available.

0:43:53.120 --> 0:43:55.920
<v Speaker 4>Well, especially also if the books that were raising our

0:43:56.000 --> 0:43:59.200
<v Speaker 4>kids on it's new to them, right, if it is

0:43:59.280 --> 0:44:02.920
<v Speaker 4>steeped and ra propaganda that we're not realizing we're sharing

0:44:03.000 --> 0:44:05.400
<v Speaker 4>or perpetuating, then yeah, that shouldn't be the case.

0:44:05.560 --> 0:44:07.880
<v Speaker 1>And Ed makes the great point that in the nineteen

0:44:07.920 --> 0:44:13.080
<v Speaker 1>twenties and thirties it was the exceptional American who broke

0:44:13.160 --> 0:44:18.040
<v Speaker 1>out of that mold and was very progressive. And I

0:44:18.080 --> 0:44:20.280
<v Speaker 1>wish he would have been one of those, but he wasn't.

0:44:20.760 --> 0:44:22.440
<v Speaker 4>Yeah, and I think That's one of the reasons why

0:44:22.760 --> 0:44:25.960
<v Speaker 4>there's such a cognitive dissonance when you find this stuff

0:44:26.000 --> 0:44:29.640
<v Speaker 4>out is because that's what you think of doctor Seuss

0:44:29.640 --> 0:44:32.279
<v Speaker 4>based on his work, that like, he would be that

0:44:32.400 --> 0:44:35.239
<v Speaker 4>kind of guy, but he was human. His work is

0:44:35.600 --> 0:44:38.080
<v Speaker 4>larger than him because I think what it is. And

0:44:38.200 --> 0:44:39.720
<v Speaker 4>that's the case with just about everything.

0:44:39.760 --> 0:44:42.080
<v Speaker 1>It seems like, yeah, I mean, I don't want this

0:44:42.160 --> 0:44:44.520
<v Speaker 1>to taint to your reading of how the Grinch Stole

0:44:44.600 --> 0:44:45.600
<v Speaker 1>Christmas this year.

0:44:45.800 --> 0:44:48.479
<v Speaker 4>Although another thing that he was called out on once

0:44:48.680 --> 0:44:52.080
<v Speaker 4>was his there was no female protagonist in any of

0:44:52.160 --> 0:44:53.160
<v Speaker 4>his books either.

0:44:53.200 --> 0:44:55.759
<v Speaker 1>Again a product of the time. Yeah, he was a

0:44:55.800 --> 0:44:58.160
<v Speaker 1>man writing about little male characters.

0:44:58.360 --> 0:45:01.400
<v Speaker 4>But he went and created a headed Mazie after that,

0:45:01.560 --> 0:45:06.640
<v Speaker 4>so he so again, his books became more progressive further

0:45:06.719 --> 0:45:10.480
<v Speaker 4>on in his career and he handled things like segregation

0:45:10.600 --> 0:45:15.560
<v Speaker 4>and discrimination like with the Sneetches. The Butter Battle Book

0:45:16.360 --> 0:45:20.600
<v Speaker 4>was a clear, like glaring allegory for the Cold War,

0:45:20.640 --> 0:45:24.239
<v Speaker 4>and The Mutual sur Destruction is Arms Race kind of

0:45:24.239 --> 0:45:28.800
<v Speaker 4>a haunting book that ends without any resolution, with both sides,

0:45:28.880 --> 0:45:32.280
<v Speaker 4>the Yukes and the Zeukes, I think, with their bombs

0:45:32.320 --> 0:45:35.080
<v Speaker 4>pointed at one another, and it doesn't it's not like

0:45:35.200 --> 0:45:37.400
<v Speaker 4>and they lived happily ever after. It's like, what's going

0:45:37.480 --> 0:45:41.200
<v Speaker 4>to happen? Yeah. And then his last book that he

0:45:41.280 --> 0:45:43.520
<v Speaker 4>wrote and published while he was alive was Oh the

0:45:43.560 --> 0:45:47.000
<v Speaker 4>Places You'll Go, which I had no idea, was published

0:45:47.040 --> 0:45:48.080
<v Speaker 4>in nineteen ninety, did you.

0:45:49.160 --> 0:45:50.400
<v Speaker 2>I didn't know anything about it.

0:45:50.480 --> 0:45:54.279
<v Speaker 4>So it was it was his last book that was

0:45:54.280 --> 0:45:57.680
<v Speaker 4>published while he was alive. It's also his top selling book.

0:45:58.200 --> 0:45:59.799
<v Speaker 4>So some of these other books have been around for

0:46:00.120 --> 0:46:02.680
<v Speaker 4>decades longer than All the Places You'll Go. But All

0:46:02.719 --> 0:46:05.600
<v Speaker 4>the Places You'll Go is this top selling book because

0:46:05.640 --> 0:46:09.440
<v Speaker 4>it's given to grads every spring there's a new batch

0:46:09.440 --> 0:46:12.040
<v Speaker 4>of graduates, Yeah, who get Oh the Places You'll Go

0:46:12.120 --> 0:46:15.160
<v Speaker 4>as a gift, and like ten million copies have been sold.

0:46:14.920 --> 0:46:17.840
<v Speaker 2>Because it's about like your future and what to wait to.

0:46:18.120 --> 0:46:20.920
<v Speaker 4>Yeah, just like doing things and taking risks and like

0:46:21.040 --> 0:46:23.520
<v Speaker 4>trying stuff and you can do it and it'll be

0:46:23.600 --> 0:46:26.319
<v Speaker 4>hard and you're gonna run into two problems, but you

0:46:26.360 --> 0:46:29.040
<v Speaker 4>know you're you're a good person and you're going to

0:46:29.120 --> 0:46:31.520
<v Speaker 4>make good choices. And I have a story about this.

0:46:31.719 --> 0:46:35.640
<v Speaker 4>Oh yeah, So last night I was talking to you MEI,

0:46:35.719 --> 0:46:37.400
<v Speaker 4>and I was like just out of nowhere. I was like,

0:46:37.440 --> 0:46:39.120
<v Speaker 4>did you know that Oh the Places You'll Go was

0:46:39.200 --> 0:46:42.160
<v Speaker 4>only published in nineteen ninety but it's Doctor Zeus's greatest

0:46:42.160 --> 0:46:44.719
<v Speaker 4>selling book. And she just looked at me kind of

0:46:44.800 --> 0:46:47.600
<v Speaker 4>like a little flabbergasted, like why would you say that.

0:46:48.040 --> 0:46:50.520
<v Speaker 4>I was like, Oh, we're doing a Doctor SEUs episode tomorrow,

0:46:51.080 --> 0:46:53.439
<v Speaker 4>and she's like, that's really weird. I'll be right back,

0:46:53.800 --> 0:46:56.359
<v Speaker 4>And she went into our bedroom and came back out

0:46:56.480 --> 0:46:59.040
<v Speaker 4>with a copy of Oh the Places You'll Go and said,

0:46:59.360 --> 0:47:01.480
<v Speaker 4>this has been an your pillow. She said, I was

0:47:01.520 --> 0:47:03.840
<v Speaker 4>going to give this to you tomorrow for the last

0:47:03.880 --> 0:47:06.040
<v Speaker 4>episode of the End of the World. Oh wow, But

0:47:06.360 --> 0:47:08.600
<v Speaker 4>I just happened to bring it up the day before,

0:47:08.640 --> 0:47:10.960
<v Speaker 4>and that's crazy. Yeah, I thought that was really surprised.

0:47:11.040 --> 0:47:12.040
<v Speaker 2>Man, how things work out.

0:47:12.080 --> 0:47:14.239
<v Speaker 4>But I read it as recently as last night. I'm like,

0:47:14.320 --> 0:47:17.759
<v Speaker 4>this is an amazing even for Seuss, it's an amazing book.

0:47:17.840 --> 0:47:22.000
<v Speaker 4>Like an article I read said that somebody said, like,

0:47:22.200 --> 0:47:24.520
<v Speaker 4>you can tell that he knew this was the last

0:47:24.560 --> 0:47:26.360
<v Speaker 4>book that that was going to be published while he

0:47:26.400 --> 0:47:28.239
<v Speaker 4>was alive, that he wanted this to be as his

0:47:28.360 --> 0:47:29.080
<v Speaker 4>swan song.

0:47:29.280 --> 0:47:32.880
<v Speaker 1>Interesting, Yeah, I would not be surprised. Talking about his

0:47:33.719 --> 0:47:37.200
<v Speaker 1>more progressive views and sort of catching up with the time.

0:47:37.239 --> 0:47:41.320
<v Speaker 1>If either Helen and or Audrey as the women behind

0:47:41.320 --> 0:47:44.840
<v Speaker 1>the Man, weren't helping him along in that respect, sure

0:47:45.040 --> 0:47:47.319
<v Speaker 1>and saying like hey, get with it.

0:47:48.400 --> 0:47:51.560
<v Speaker 4>Oh oh, like for changing his views. Maybe I thought

0:47:51.600 --> 0:47:52.120
<v Speaker 4>that as well.

0:47:52.239 --> 0:47:53.200
<v Speaker 2>I could totally see that.

0:47:53.360 --> 0:47:55.680
<v Speaker 4>Yeah, because if you think about it, Halen Palmer came

0:47:55.719 --> 0:48:01.080
<v Speaker 4>into his life. Yeah, yeah, I could see her having

0:48:01.080 --> 0:48:02.839
<v Speaker 4>that influence on him. Yeah.

0:48:02.960 --> 0:48:08.759
<v Speaker 1>He passed away finally of cancer in September twenty fourth,

0:48:08.840 --> 0:48:12.320
<v Speaker 1>nineteen ninety one, eighty seven. And I remember this because

0:48:12.360 --> 0:48:15.400
<v Speaker 1>that was a rough week. I was in college and

0:48:15.440 --> 0:48:17.839
<v Speaker 1>he and Miles Davis died about five or six days apart.

0:48:18.040 --> 0:48:20.440
<v Speaker 1>Oh really, And I just remember being like, man, this

0:48:20.600 --> 0:48:24.640
<v Speaker 1>is one of those tough ones. Yeah, for dudes my age,

0:48:24.960 --> 0:48:27.560
<v Speaker 1>they were beeboppers and children's book readers.

0:48:27.239 --> 0:48:30.359
<v Speaker 4>At the same time. I've got one last thing for

0:48:30.400 --> 0:48:32.279
<v Speaker 4>you about doctor Seuss. Do you have anything else? I

0:48:32.320 --> 0:48:34.520
<v Speaker 4>got one more thing too me first, Okay, I'll go first.

0:48:34.680 --> 0:48:37.360
<v Speaker 4>He was a voracious chain smoker.

0:48:37.560 --> 0:48:39.200
<v Speaker 2>Oh interesting, so much.

0:48:39.040 --> 0:48:41.320
<v Speaker 4>So that even back in like the fifties and sixties,

0:48:41.320 --> 0:48:43.839
<v Speaker 4>he knew he needed to lay off sometimes. So when

0:48:43.840 --> 0:48:48.319
<v Speaker 4>he needed to lay off of smoking. He would he

0:48:48.360 --> 0:48:51.000
<v Speaker 4>would take up a corn cob pipe that he kept

0:48:51.000 --> 0:48:54.000
<v Speaker 4>turnip seeds in, and anytime he wanted to smoke, rather

0:48:54.040 --> 0:48:56.560
<v Speaker 4>than light it, he would put a water dropper in there,

0:48:56.640 --> 0:48:59.279
<v Speaker 4>and then when the turnip seeds started to sprout, he

0:48:59.320 --> 0:49:01.279
<v Speaker 4>would grow go back to cigarettes.

0:49:02.120 --> 0:49:02.440
<v Speaker 3>What.

0:49:02.840 --> 0:49:06.759
<v Speaker 1>Yes, I don't fully understand that. He would start a

0:49:06.760 --> 0:49:07.880
<v Speaker 1>little seed.

0:49:08.000 --> 0:49:11.120
<v Speaker 4>Corn turnip seeds, and then rather than light it, he

0:49:11.120 --> 0:49:13.680
<v Speaker 4>would just put a seed dropper Yeah yeah, pof on it.

0:49:13.920 --> 0:49:16.000
<v Speaker 4>But nothing was going on. It was all just mental

0:49:16.320 --> 0:49:19.920
<v Speaker 4>oral fixation. And then after about three days of doing this,

0:49:20.040 --> 0:49:23.560
<v Speaker 4>the seeds would would sprout Germany and he'd be like, okay,

0:49:23.800 --> 0:49:26.560
<v Speaker 4>I can go back to cigarettes now. Huh. So you

0:49:26.680 --> 0:49:28.880
<v Speaker 4>take about three days off of cigarettes. And he used

0:49:28.880 --> 0:49:32.920
<v Speaker 4>the crop of turnip greens as his his indicator.

0:49:33.239 --> 0:49:34.640
<v Speaker 1>I thought you were going to say that that went

0:49:34.680 --> 0:49:37.400
<v Speaker 1>on to feed like the children in poor neighborhoods or

0:49:37.440 --> 0:49:40.839
<v Speaker 1>something who hate turnips, kids that eat turnips.

0:49:41.360 --> 0:49:42.200
<v Speaker 4>Turnips are great.

0:49:42.719 --> 0:49:43.360
<v Speaker 2>I agree.

0:49:43.719 --> 0:49:48.520
<v Speaker 1>I'm a root vegetable man myself, so my last thing.

0:49:48.560 --> 0:49:52.759
<v Speaker 1>In two thousand and seven, the federal judge received a

0:49:52.800 --> 0:49:55.160
<v Speaker 1>hard boiled egg in the mail from an inmate in

0:49:55.200 --> 0:50:00.560
<v Speaker 1>prison protesting his diet in prison, and the federal the

0:50:00.600 --> 0:50:04.759
<v Speaker 1>federal judge rendered a decision, and apparently it was worked

0:50:04.800 --> 0:50:06.560
<v Speaker 1>up the ladder. I can't remember even what it was about.

0:50:06.560 --> 0:50:09.200
<v Speaker 1>But he rendered a decision thussly. I do not like

0:50:09.320 --> 0:50:13.400
<v Speaker 1>eggs in the file. This is Judge James Murehead. I

0:50:13.440 --> 0:50:15.759
<v Speaker 1>do not like them in any style. I will not

0:50:15.800 --> 0:50:18.279
<v Speaker 1>take them fright or boiled. I will not take them

0:50:18.280 --> 0:50:21.280
<v Speaker 1>poached or broiled. I will not take them softer scrambled

0:50:21.600 --> 0:50:25.719
<v Speaker 1>despite an argument, well rambled, No fan, I am of

0:50:25.760 --> 0:50:29.720
<v Speaker 1>the egg at hand. Destroy that egg today today, today,

0:50:29.840 --> 0:50:30.480
<v Speaker 1>I say.

0:50:30.320 --> 0:50:31.080
<v Speaker 2>Without delay.

0:50:32.040 --> 0:50:32.520
<v Speaker 4>Huh.

0:50:32.560 --> 0:50:35.480
<v Speaker 1>And they threw him out of court and fired him

0:50:35.680 --> 0:50:37.520
<v Speaker 1>right because he was drunk.

0:50:37.840 --> 0:50:41.480
<v Speaker 4>Yeah, no, I don't know. Wow. I wonder what came

0:50:41.520 --> 0:50:42.000
<v Speaker 4>out of that.

0:50:42.200 --> 0:50:44.879
<v Speaker 2>I don't know. And it gave very little information about

0:50:44.920 --> 0:50:45.920
<v Speaker 2>what the case was even on.

0:50:46.080 --> 0:50:48.080
<v Speaker 4>I know, like the guys, no, really, this is a

0:50:48.120 --> 0:50:51.879
<v Speaker 4>serious complaint. Please, you're focusing on their own thing. Soon

0:50:52.040 --> 0:50:52.440
<v Speaker 4>helped me.

0:50:52.840 --> 0:50:53.520
<v Speaker 2>Oh goodness.

0:50:53.880 --> 0:50:55.839
<v Speaker 4>If you want to know more about doctor Seuss, go

0:50:56.040 --> 0:50:59.080
<v Speaker 4>research it. Make your own decisions about the man, the work,

0:50:59.239 --> 0:51:03.120
<v Speaker 4>all that stuff. Okay, agreed, And since I said that,

0:51:03.200 --> 0:51:05.040
<v Speaker 4>it's time for listener mail.

0:51:05.239 --> 0:51:07.000
<v Speaker 1>No, this is our last show of the year, so

0:51:07.080 --> 0:51:08.960
<v Speaker 1>no listener mail. Is just our time of the year

0:51:09.000 --> 0:51:12.640
<v Speaker 1>to thank everyone here a year. Is this the end

0:51:12.680 --> 0:51:13.719
<v Speaker 1>of ten years?

0:51:14.239 --> 0:51:17.200
<v Speaker 4>Yes, it's sort of in the middle. April is the

0:51:17.239 --> 0:51:18.920
<v Speaker 4>beginning and end of a year.

0:51:18.920 --> 0:51:20.960
<v Speaker 1>Right, but the end of our calendar year. And we

0:51:21.080 --> 0:51:24.280
<v Speaker 1>just thank everyone for hanging in for this long with us. Yeah,

0:51:24.360 --> 0:51:26.839
<v Speaker 1>it's amazing that we're still allowed to do this job.

0:51:26.960 --> 0:51:29.680
<v Speaker 4>Yeah, hang in there. It'll pay off eventually. Yeah, and

0:51:30.000 --> 0:51:33.759
<v Speaker 4>we're going to keep at it forever forever. And on

0:51:33.800 --> 0:51:36.879
<v Speaker 4>a personal note, a very happy birthday to my dear

0:51:36.880 --> 0:51:40.880
<v Speaker 4>sweet wife Yumi. Happy birthday, Yummi pea birthday, Umi, And

0:51:41.040 --> 0:51:43.640
<v Speaker 4>thank you guys for being with us for yet another year.

0:51:43.680 --> 0:51:44.759
<v Speaker 4>And we'll see you next year.

0:51:44.800 --> 0:51:50.919
<v Speaker 3>Everybody, Stuff You Should Know is a production of iHeartRadio.

0:51:51.440 --> 0:51:54.640
<v Speaker 3>For more podcasts my heart Radio, visit the iHeartRadio app,

0:51:54.840 --> 0:52:00.480
<v Speaker 3>Apple Podcasts, or wherever you listen to your favorite shows.