WEBVTT - Linda Ronstadt

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is the one and only Linda Ronstad

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<v Speaker 1>who has a brand new book, Feels Like Home. Linda,

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<v Speaker 1>good to have you on the podcast. Oh, thank you

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<v Speaker 1>for including me. Okay, so what was the inspiration for

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<v Speaker 1>the book? Well, I made a trip with Lawrence Downs,

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<v Speaker 1>who writes for the New York Times, and um, he

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<v Speaker 1>was doing a travel piece on me someplace that I

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<v Speaker 1>would like to explore, and I said, let's do it

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<v Speaker 1>out of the Sonoran Desert because it exists on both

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<v Speaker 1>sides of the border. We can make a trip to

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<v Speaker 1>Mexico and go visit the little town where my grandfather

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<v Speaker 1>was born. And he wrote a travel piece about that,

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<v Speaker 1>and then, um, we decided. When I was in but

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<v Speaker 1>Im that little town in the Mexican town with my

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<v Speaker 1>grandfather was born, I was thinking about my great grandmother

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<v Speaker 1>and I was sitting in the plaza looking across the

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<v Speaker 1>plaza to the church and realized that that's where she

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<v Speaker 1>would have taken him to be baptized. And she started

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<v Speaker 1>her married life in Bonamici. And I thought I'd like

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<v Speaker 1>to know more about my great grandmother, and I like

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<v Speaker 1>to write about her. So I um, I asked Lawrence

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<v Speaker 1>if he wanted to write about our trip too to Mexico.

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<v Speaker 1>We made some return trips and explore Sonoran culture through

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<v Speaker 1>the eyes of my great grandmother down through the generations

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<v Speaker 1>to the fifth generation in Tucson. When you were growing up,

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<v Speaker 1>did your family discuss this history or did you have

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<v Speaker 1>to research it? No? They kept letters, so I had

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<v Speaker 1>to find the letters. There were the Arizona Historical Society.

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<v Speaker 1>I was lucky that we found letters because there would

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<v Speaker 1>be no other way to know my great grandmother. My

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<v Speaker 1>father talked about her a little bit and said she

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<v Speaker 1>was nice. He was certainly pretty, but um, she dried

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<v Speaker 1>fairly young. Okay. So in the book it talks about

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<v Speaker 1>how your family ultimately comes together. There was a relative

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<v Speaker 1>who came from Germany and ultimately married a woman in Mexico.

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<v Speaker 1>Can you tell us a little bit more about that. Oh,

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<v Speaker 1>Friedrich Aretaicas just came from Germany, who was my great grandfather,

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<v Speaker 1>and he was he had been in the military and

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<v Speaker 1>um Austria where he came from her to Germany, and

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<v Speaker 1>so he became a colonel in the Mexican Army. But

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<v Speaker 1>he was also the first mining engineer in the region,

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<v Speaker 1>and so he was the one that ran all the mines.

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<v Speaker 1>That's a very rich mining area, silver and gold and copper.

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<v Speaker 1>And he was also the ran the end of Jenner Piscata,

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<v Speaker 1>who he was. His colonel Genner Piscada is credited with

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<v Speaker 1>driving the French out of Sonora, the state of Sonora.

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<v Speaker 1>So he was and he had his own ranches. He

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<v Speaker 1>married into the Rodondo family. They were very influential down

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<v Speaker 1>there and had a big, huge ranch thousands of acres

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<v Speaker 1>that they stole from the Indians. And um, she married him.

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<v Speaker 1>He was fifty years older than she was, I think,

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<v Speaker 1>but that was normal in those days. The older men

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<v Speaker 1>were married younger women because they they were widowers. So

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<v Speaker 1>she was. He was a widower and had five children,

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<v Speaker 1>and so she started out at the age of eighteen

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<v Speaker 1>with a bunch of kids and an older husband and

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<v Speaker 1>traveling around to the mines. And how did your family

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<v Speaker 1>end up in Tucson. They just migrated to son was

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<v Speaker 1>in that was part of Mexico. He was probably working

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<v Speaker 1>on a mine up there or something. Oh I know,

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<v Speaker 1>my my grandfather was sent to apprentice with with an

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<v Speaker 1>iron maker, which was a relative of his. Now, one

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<v Speaker 1>thing in the book is you paint the picture of

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<v Speaker 1>the Sonoran Desert. I don't think the average American really

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<v Speaker 1>knows anything about the Sonoran Desert. Can you tell us

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<v Speaker 1>about it? About what I'm sorry missed the middle of button,

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<v Speaker 1>about the Sonoran Desert and how really the landscape is

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<v Speaker 1>the same in Tucson as it is in mass Mexico

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<v Speaker 1>across the border, well, except that it doesn't have some worrows.

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<v Speaker 1>Those are the cactuses with big arms, go really high,

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<v Speaker 1>cactus treet and when you have that, you know that

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<v Speaker 1>you're in the Sonora Desert. You know that you're within

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<v Speaker 1>a few hundred miles or Tucson. That's the only place

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<v Speaker 1>on Earth where they grow. And that's the only difference.

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<v Speaker 1>When you go south, the organ pipe cactus instead. But

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<v Speaker 1>the region is basically the same. It's the same food,

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<v Speaker 1>the same in music, the same intellectual culture going on.

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<v Speaker 1>There's a lot of a lot of the Mexican Revolution

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<v Speaker 1>was formed in Sonora. So your family ended upe owning

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<v Speaker 1>a uh A hardware store. Can you tell us about

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<v Speaker 1>the evolution of that. Well, my grandfather was sent north

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<v Speaker 1>and iron work, and he started building wagons. He built

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<v Speaker 1>the best of wagons and carriages in the area, and

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<v Speaker 1>uh that when naturally I do owning a Harvard story.

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<v Speaker 1>If you wanted a good tools, or a windmill, or

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<v Speaker 1>a good tractor for your farm, you go to my grandfather.

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<v Speaker 1>My father worked in that store too. Now you say

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<v Speaker 1>the store ultimately closed. Can you tell me about that

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<v Speaker 1>and how sad that was? Well, the big box stories

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<v Speaker 1>like Home Depot came in and they just outcompeted in

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<v Speaker 1>with lower prices. They also had lower quality. I'd rather

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<v Speaker 1>go into my father's hardvarre store. I took up a

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<v Speaker 1>whole steady block. But it wasn't I didn't have the

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<v Speaker 1>feeling like the big box stores. It wasn't full of

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<v Speaker 1>plastic junk. So we So when you group we're growing up,

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<v Speaker 1>did you hang out of your father's store. Yeah, I

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<v Speaker 1>used to hang out there a lot. I take the

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<v Speaker 1>bus from school and go over there. It was all

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<v Speaker 1>smelled like these loil It was really beautiful, had great

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<v Speaker 1>things in their fishing equipment, hunting equipment, digging equipment. So

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<v Speaker 1>you used to play around stuff? Did you break stuff

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<v Speaker 1>or were you a pretty good kid? Yeah? I used

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<v Speaker 1>to I was good. You didn't break anything of my

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<v Speaker 1>dad's or it was all made of metal. But they

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<v Speaker 1>had a toy department for a while and that was

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<v Speaker 1>really cool, and at a housewards department two. So did

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<v Speaker 1>you get a lot of toys since they were in

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<v Speaker 1>the store more than your friends? No, I got it,

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<v Speaker 1>Madame Alexander All usually every Christmas. That was pretty cool. Okay,

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<v Speaker 1>so you're growing up in Tucson and the fifties, you know,

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<v Speaker 1>is there television, how many stations radio? Does Tucsson feel

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<v Speaker 1>part of the fabric or does it feel like its

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<v Speaker 1>own world? Oh, we didn't have a television, and it

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<v Speaker 1>felt like its own world. And I got to school

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<v Speaker 1>and found out that everybody else had green lawns and popsicles,

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<v Speaker 1>popsicle um trees, lollipop trees that were green. We had

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<v Speaker 1>a different kind of vegetation, were different kinds of animals.

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<v Speaker 1>I thought everybody was like that until I went to school.

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<v Speaker 1>But I always knew I was Mexican. If you ever

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<v Speaker 1>found people putting you down or treating you differently because

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<v Speaker 1>you were part of Mexican, No, they didn't, because I

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<v Speaker 1>had white skin and a German surname. But my best

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<v Speaker 1>friend got um. If she would speak Spanish on the playgrounds,

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<v Speaker 1>she'd be just banked to be punished, and they experienced

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<v Speaker 1>she and her sister was darker skin than she was,

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<v Speaker 1>and they kicked her sister out of the community swimming

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<v Speaker 1>pool because Mexicans aren't allowed to swimming it. She said, well,

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<v Speaker 1>I'm going with her her sister. So when you were

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<v Speaker 1>growing up, how good a student were you? And were

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<v Speaker 1>you like, uh, popular in school? Were you more of

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<v Speaker 1>a loan or what were you like now? I wasn't all.

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<v Speaker 1>I had good friends. The little girl that got kicked

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<v Speaker 1>out of the pool is my friend. He still is

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<v Speaker 1>mm hmm. And were you good in school? No? It

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<v Speaker 1>was horrible at school, ized daydream it was boring. I

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<v Speaker 1>went to Catholic school and they all they tell those

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<v Speaker 1>stories of the saints, and I didn't learn take I

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<v Speaker 1>was a good reader, and I've always been a reader,

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<v Speaker 1>but I couldn't do school very well. You were mean

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<v Speaker 1>to us. What did your parents say about you being

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<v Speaker 1>bad in school? I wasn't bad in school. I just

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<v Speaker 1>didn't I just didn't like it. I mean I could

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<v Speaker 1>do the work. I'd get the books in the beginning

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<v Speaker 1>of the here and read them all. And they were boring,

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<v Speaker 1>but I'd read them and then I didn't have to

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<v Speaker 1>pay attention. So what was occupying your time growing up?

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<v Speaker 1>Horses and put my pony? So when did you get

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<v Speaker 1>your first horse? When I was five? When you were five,

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<v Speaker 1>did you already know how to ride a horse? I

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<v Speaker 1>already knew how to ride a big horse, but but

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<v Speaker 1>I got a pony and he lasted until I was seven,

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<v Speaker 1>and then I got a big horse. Okay, so you

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<v Speaker 1>have the pony. How would you go out alone? How

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<v Speaker 1>far from home? Oh? Away, far to the base of

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<v Speaker 1>the mountains, lived in the middle of the valley. We

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<v Speaker 1>it was like having a car when you were five.

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<v Speaker 1>I'm serious. I mean we just left. We leave in

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<v Speaker 1>the morning. We'd come back around five o'clock. If we

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<v Speaker 1>didn't come back at dinner time, some go and look

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<v Speaker 1>for us. But they weren't. They were negligent parents. That

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<v Speaker 1>just was a different world, had great freedom. Did you

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<v Speaker 1>ever have any trouble that far from home? I fell

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<v Speaker 1>off the horse sometimes when I have to ride walk home.

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<v Speaker 1>And did you get hurt? Broke my arm, broke your arm?

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<v Speaker 1>Tell me about that. Well, I fell with my sister's

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<v Speaker 1>horse and to a hard hard dirt road where I

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<v Speaker 1>was always bouncing off my horse, I just bounced right

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<v Speaker 1>back on and you know I've broken bones. Did you

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<v Speaker 1>immediately know it was broken? Well, I know it hurt.

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<v Speaker 1>I showed it to my mother and she knew it

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<v Speaker 1>was broken. She took me right to the doctor. And

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<v Speaker 1>did you get a cast? And have all your friends

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<v Speaker 1>signed their names? Yep? Did that exactly? Uh huh. Now,

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<v Speaker 1>one other element of the book is you include recipes.

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<v Speaker 1>You know. One of the great things you put is

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<v Speaker 1>you have a recipe for refried beans. And as long

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<v Speaker 1>as I've been living in California, which is basically half

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<v Speaker 1>a century, I did not know that. That didn't mean

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<v Speaker 1>that they fried them twice. So tell us about refried beans.

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<v Speaker 1>They don't fry them. Try that's a mr normal refried

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<v Speaker 1>they're boiled and fried ones. Right, I didn't I learned

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<v Speaker 1>that in your book. So growing up, did you eat

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<v Speaker 1>Mexican style food in the house or was it more

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<v Speaker 1>angle saust Oh, we had fresh shortias and tamarindo, which

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<v Speaker 1>if there's a recipe before in the book, it's made

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<v Speaker 1>out of Tamaran beans. Boiled Tamaran means it's more they're

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<v Speaker 1>squnching than iced tea. It's delicious. They as had down

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<v Speaker 1>the refrigerator because had a pot of beans on the stove.

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<v Speaker 1>Who made the tortillas amalia? When that worked for us?

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<v Speaker 1>And that's a big point in the book that that

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<v Speaker 1>Sonoran tortillas are thinner and larger than what many people

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<v Speaker 1>are used to. You can see through them. There's their

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<v Speaker 1>paper thin and they're delicious. They're making with really good

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<v Speaker 1>wheat which they grow in Mexico, which they don't they

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<v Speaker 1>can't grow on huge amounts anymore because the Americans and

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<v Speaker 1>undercut the wheat prices and sold genetically modified wheat, so

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<v Speaker 1>then they grow that for a cash crop. But if

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<v Speaker 1>you know somebody that you can still get the good wheat, okay.

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<v Speaker 1>And so as I say, there's a number of recipes

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<v Speaker 1>in a book. If I took you out for your

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<v Speaker 1>favorite meal Sonoran style, what do you like most? Oh,

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<v Speaker 1>tortillas and beans. So you're living in Tucson and you

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<v Speaker 1>make a big point that the whole family is singing together,

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<v Speaker 1>and do you remember that from a young age. But

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<v Speaker 1>we used to have parties and music would start around

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<v Speaker 1>ten o'clock and going to midnight usually, But everybody in

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<v Speaker 1>my family can play or sing or do something not

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<v Speaker 1>not professional level. My dad would girl some meat and

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<v Speaker 1>my mother would make us big salad and there would

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<v Speaker 1>be roasted chilis and roasted different roasted peppers, and different

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<v Speaker 1>vegetables that were growing around. Honestly, lantro and chopped onions.

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<v Speaker 1>You can't learn how to cook from my book. It's

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<v Speaker 1>just it's not really a cookbook. It's just Um included

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<v Speaker 1>the recipes because the food is part of the culture,

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<v Speaker 1>as part of the unusual things that you can get

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<v Speaker 1>it in Sonora that you can't get anybody else. So

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<v Speaker 1>how has it changed since you lived there as a kid. Oh,

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<v Speaker 1>the developers got hold of the government and let them

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<v Speaker 1>do completely in discriminted development. So it's causing a lot

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<v Speaker 1>of erosion. We're getting desk clouds like the death Bowl

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<v Speaker 1>in Arizona. I drove to Phoenix ones and I was

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<v Speaker 1>two hours in dust. And you say in the book

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<v Speaker 1>you had a house up in Tucson until recently. When

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<v Speaker 1>did you have a house in Tucson, um nineteen ninety

0:13:37.679 --> 0:13:41.880
<v Speaker 1>four until a couple of years ago. I lived there

0:13:41.920 --> 0:13:45.000
<v Speaker 1>for about fifteen years. And what made you decide to

0:13:45.400 --> 0:13:48.920
<v Speaker 1>have a house there. I wanted to go back home.

0:13:50.040 --> 0:13:54.000
<v Speaker 1>I did. I still had friends there, I'm plenty of family.

0:13:54.600 --> 0:13:56.840
<v Speaker 1>What was it like going back as an adult? I mean,

0:13:56.880 --> 0:13:58.840
<v Speaker 1>I'm from the East Coast, I live on the West Coast,

0:13:58.840 --> 0:14:02.640
<v Speaker 1>and I think about what I but you know, when

0:14:02.640 --> 0:14:06.800
<v Speaker 1>you actually do it after living in the city in California,

0:14:07.120 --> 0:14:09.960
<v Speaker 1>you know it was a cognitive dissonance, or do you

0:14:10.040 --> 0:14:12.520
<v Speaker 1>feel right at home now? It was just being piste

0:14:12.520 --> 0:14:14.920
<v Speaker 1>off because the developers had ruined so much of the desert,

0:14:15.640 --> 0:14:18.520
<v Speaker 1>and they had caused the air quality to to be

0:14:18.679 --> 0:14:22.600
<v Speaker 1>very bad because there's tiny small particulate matters that floating

0:14:22.600 --> 0:14:25.400
<v Speaker 1>around this. Two sunnies, you have these sparkling clean skies.

0:14:26.200 --> 0:14:28.000
<v Speaker 1>That's two times I went there, was there for ten days,

0:14:28.000 --> 0:14:32.440
<v Speaker 1>and I never the dust haste never went away. It's

0:14:32.480 --> 0:14:36.600
<v Speaker 1>serious when you interfere with you with the nature's vision

0:14:36.640 --> 0:14:39.440
<v Speaker 1>of the desert, because there's plenty of life in the desert.

0:14:39.480 --> 0:14:41.960
<v Speaker 1>As soon as you take a bulldozer too it, you

0:14:42.000 --> 0:14:46.320
<v Speaker 1>make it into a waste land. And how did you

0:14:46.360 --> 0:14:51.000
<v Speaker 1>decide to ultimately sell your house and move back to California. Well,

0:14:51.320 --> 0:14:54.160
<v Speaker 1>I wanted to put my kids in San Francisco schools,

0:14:54.160 --> 0:14:56.880
<v Speaker 1>they were getting a lot of what church do you

0:14:56.880 --> 0:15:00.440
<v Speaker 1>go to? And Oh, that's okay? They I was getting

0:15:00.480 --> 0:15:04.560
<v Speaker 1>homophobic remarks and if you're not a Christian, you're going

0:15:04.600 --> 0:15:08.040
<v Speaker 1>to go to Hell or mart. So I the school

0:15:08.040 --> 0:15:09.760
<v Speaker 1>system is better here. The public schools are better and

0:15:09.760 --> 0:15:12.280
<v Speaker 1>the private schools are better. So I brought him over

0:15:12.280 --> 0:15:13.760
<v Speaker 1>here and put them in the most local school I

0:15:13.760 --> 0:15:19.240
<v Speaker 1>could find. And why San Francisco it has a better

0:15:19.280 --> 0:15:24.000
<v Speaker 1>air than Los Angeles? Well, California is a big state.

0:15:24.800 --> 0:15:26.680
<v Speaker 1>You know you lived in l A for a long time.

0:15:26.720 --> 0:15:30.200
<v Speaker 1>What's the difference between San Francisco and l A. I

0:15:30.200 --> 0:15:32.359
<v Speaker 1>don't have to live in a car culture in San Francisco.

0:15:32.560 --> 0:15:35.360
<v Speaker 1>The places you can walk to as more of a

0:15:35.400 --> 0:15:39.600
<v Speaker 1>sensive community, and people are doing it in l A.

0:15:39.600 --> 0:15:44.320
<v Speaker 1>They're moving out to um Silver Lake. And was there

0:15:44.320 --> 0:15:48.400
<v Speaker 1>easy to l A which had which were originally built

0:15:48.400 --> 0:15:54.760
<v Speaker 1>around a a culture that valued pedestrians over cars. And

0:15:54.920 --> 0:15:57.520
<v Speaker 1>did you have enough friends in San Francisco or you

0:15:57.600 --> 0:15:59.640
<v Speaker 1>made them when you once you got there? Oh? I

0:15:59.640 --> 0:16:02.800
<v Speaker 1>had lots of friends in San Francisco. And at this

0:16:02.880 --> 0:16:05.840
<v Speaker 1>stage in your life are you very social? You're more

0:16:05.880 --> 0:16:09.400
<v Speaker 1>of a loner homebody. I see, I'm with my family.

0:16:11.640 --> 0:16:14.880
<v Speaker 1>I have a have a daughter and a son. So

0:16:15.360 --> 0:16:21.040
<v Speaker 1>how did you decide to have kids? Oh, somebody came

0:16:21.080 --> 0:16:24.040
<v Speaker 1>up for adoption, and so I thought I would do it,

0:16:24.160 --> 0:16:25.520
<v Speaker 1>and then I got another one because I had done

0:16:25.560 --> 0:16:28.800
<v Speaker 1>it already once before. Was it tough being a single mother?

0:16:30.080 --> 0:16:34.080
<v Speaker 1>I had a lot of help, okay. And what was

0:16:34.160 --> 0:16:38.800
<v Speaker 1>the most rewarding part of having kids? I don't know.

0:16:38.880 --> 0:16:43.360
<v Speaker 1>Maybe watching my daughter sing really complicated musical Mexican song

0:16:44.160 --> 0:16:48.920
<v Speaker 1>sort of letter perfect should I had passed on something.

0:16:51.320 --> 0:16:55.600
<v Speaker 1>So you're living in Tucson in the sixties, you're singing

0:16:56.200 --> 0:16:58.920
<v Speaker 1>Mexican songs. At what point do you start hearing the

0:16:58.960 --> 0:17:03.560
<v Speaker 1>hit parade, whether be folk songs or popular songs. I

0:17:03.640 --> 0:17:07.480
<v Speaker 1>got that from the radio. In Tucson. We had radio

0:17:07.520 --> 0:17:09.960
<v Speaker 1>stations you can get anything. You can get XRF JEL

0:17:10.000 --> 0:17:14.800
<v Speaker 1>Rio Texas and the local stations played the top forty.

0:17:16.240 --> 0:17:19.080
<v Speaker 1>So I heard all that stuff on the radio. And

0:17:19.160 --> 0:17:22.680
<v Speaker 1>were you like addicted to the radio? Well? I played

0:17:22.680 --> 0:17:25.560
<v Speaker 1>it all the time in the car at home, I

0:17:25.560 --> 0:17:31.280
<v Speaker 1>played records. That was a folky for the sixties, right, Well,

0:17:31.280 --> 0:17:33.360
<v Speaker 1>the folky there, you know, we even had a folky

0:17:33.440 --> 0:17:37.920
<v Speaker 1>TV show Hoo Nanny, But of the uh of the

0:17:38.040 --> 0:17:41.200
<v Speaker 1>acts back then, whether it be Dylan, the Kingston Trio,

0:17:41.320 --> 0:17:46.280
<v Speaker 1>Pete Seeger, Who are your favorites? CPC here Pete Seeger.

0:17:47.040 --> 0:17:51.680
<v Speaker 1>So you're in Tucson, you'll leave at age eighteen? How

0:17:51.680 --> 0:17:56.080
<v Speaker 1>do you decide to leave? Well? I heard one of

0:17:56.119 --> 0:17:58.000
<v Speaker 1>the guys in the Stone Ponies was a friend. I

0:17:58.040 --> 0:18:00.879
<v Speaker 1>was playing music within Tucson, and he moved to l

0:18:00.960 --> 0:18:03.800
<v Speaker 1>A because there were more gigs, and he sent me

0:18:03.800 --> 0:18:06.000
<v Speaker 1>a letter said, you come over and be my girls singer.

0:18:06.800 --> 0:18:08.879
<v Speaker 1>We can form a band. I know a good guitar player,

0:18:09.880 --> 0:18:12.240
<v Speaker 1>so I did when formed the Stone Ponies. The first

0:18:12.240 --> 0:18:14.840
<v Speaker 1>person I saw performing. The first people I saw performing

0:18:14.840 --> 0:18:18.560
<v Speaker 1>when I went to l A, Ray Cooter and Taj Mahal,

0:18:19.520 --> 0:18:21.159
<v Speaker 1>and I said, Oh, they got some really good musicians

0:18:21.200 --> 0:18:24.959
<v Speaker 1>over here. I think else stay And had you planned

0:18:24.960 --> 0:18:27.520
<v Speaker 1>to be a professional singer prior to going to l

0:18:27.560 --> 0:18:32.720
<v Speaker 1>A from second grade? Oh? Really? Because I couldn't do arithmetic,

0:18:32.760 --> 0:18:34.280
<v Speaker 1>I said, it doesn't matter. I'm gonna be a singer.

0:18:35.080 --> 0:18:36.480
<v Speaker 1>I didn't think. I didn't think I was going to

0:18:36.520 --> 0:18:38.080
<v Speaker 1>be a star or anything like that. I didn't think

0:18:38.080 --> 0:18:41.520
<v Speaker 1>in terms of being famous. Or wildly successful. I just

0:18:41.560 --> 0:18:45.960
<v Speaker 1>thought of I wanted to sing. So you got to

0:18:46.200 --> 0:18:48.400
<v Speaker 1>l A and what was it like? Was a culture

0:18:48.400 --> 0:18:52.479
<v Speaker 1>shock after living in Tucson. No, it was a musical

0:18:52.520 --> 0:18:56.320
<v Speaker 1>culture I already do. We had a small musical world

0:18:56.359 --> 0:18:59.080
<v Speaker 1>in Tucson. But it was an attention of the same

0:18:59.119 --> 0:19:04.399
<v Speaker 1>thing with the players. And you said you saw Ry

0:19:04.520 --> 0:19:07.000
<v Speaker 1>Couter and taj Mahal right away. Where did you see

0:19:07.000 --> 0:19:10.600
<v Speaker 1>them at the ash Grove? And then we went to

0:19:10.680 --> 0:19:14.680
<v Speaker 1>the trip and heard the Birds. How about the other

0:19:14.720 --> 0:19:19.640
<v Speaker 1>acts that we're burgeoning like the birds? Were you following

0:19:19.680 --> 0:19:21.880
<v Speaker 1>all those acts too? So I was a huge fan

0:19:21.960 --> 0:19:24.840
<v Speaker 1>of the Birds. I knew Chris Hillman from bluegrass. I

0:19:24.920 --> 0:19:28.479
<v Speaker 1>knew him as a bluegrass a mandolin player. I thought, well, Chris,

0:19:28.560 --> 0:19:30.720
<v Speaker 1>Chris Hillman is playing folk rock. I guess we can too.

0:19:38.440 --> 0:19:42.280
<v Speaker 1>Let's just go back to chapter. You're into folk songs.

0:19:42.760 --> 0:19:45.879
<v Speaker 1>The Beatles come on the radio. Was that transformational for

0:19:45.960 --> 0:19:49.640
<v Speaker 1>you know? I didn't paint that was too much into

0:19:49.640 --> 0:19:53.040
<v Speaker 1>folk music than to attention to the Beatles. I got

0:19:53.040 --> 0:19:54.880
<v Speaker 1>more into the Beatles and I moved to Los Angeles.

0:19:56.480 --> 0:19:59.600
<v Speaker 1>But you ultimately or a big Beatles fan or that

0:19:59.680 --> 0:20:02.560
<v Speaker 1>was part of the fabric. Well, I'm a fan of

0:20:02.560 --> 0:20:05.080
<v Speaker 1>good songwriting, good craft, and they have plenty of that.

0:20:05.640 --> 0:20:10.399
<v Speaker 1>And how about the Rolling Stones, I like them, and

0:20:10.440 --> 0:20:13.600
<v Speaker 1>the rest of the British invasion, everybody from Freddie and

0:20:13.640 --> 0:20:18.080
<v Speaker 1>the Dreamers to Jerry and the Pacemakers to Herman's Hermits

0:20:18.080 --> 0:20:23.879
<v Speaker 1>like zombies, like the Zombie. Certainly good. Um. So you

0:20:24.000 --> 0:20:28.320
<v Speaker 1>moved to l A And at what point do you

0:20:28.520 --> 0:20:33.600
<v Speaker 1>ultimately decide and work and get a record deal. Well,

0:20:34.480 --> 0:20:37.040
<v Speaker 1>we played a little clubs, little focus. There were a

0:20:37.080 --> 0:20:38.440
<v Speaker 1>lot of them then in those days you could earn

0:20:38.480 --> 0:20:41.159
<v Speaker 1>while you learn. And then we played an audition at

0:20:41.160 --> 0:20:44.359
<v Speaker 1>the Troupadoor and we got the gig. And I thought,

0:20:45.200 --> 0:20:47.240
<v Speaker 1>if I ever got to headline at the Troubador, that

0:20:47.280 --> 0:20:51.879
<v Speaker 1>would be the pinnacle of success. So I um, I

0:20:51.880 --> 0:20:53.920
<v Speaker 1>got to play. I got to headline at the Troupador

0:20:54.160 --> 0:20:56.480
<v Speaker 1>and found out it wasn't the pinnacle of success, but

0:20:56.480 --> 0:21:00.760
<v Speaker 1>I didn't care. And did you have the straight gig?

0:21:00.800 --> 0:21:03.639
<v Speaker 1>How are you keeping yourself alive at this point just

0:21:03.680 --> 0:21:07.240
<v Speaker 1>by singing? Just by singing, so you never really have to,

0:21:07.320 --> 0:21:10.040
<v Speaker 1>you know, be a waitress or anything like that. No,

0:21:10.160 --> 0:21:13.680
<v Speaker 1>I never had any other job at singing. Wow, And

0:21:13.760 --> 0:21:16.320
<v Speaker 1>so other than singing with the Stone Ponies, would you

0:21:16.600 --> 0:21:20.159
<v Speaker 1>uh sing with other groups or do studio sessions or

0:21:20.160 --> 0:21:22.320
<v Speaker 1>anything like that. No, I didn't do that. I I

0:21:22.400 --> 0:21:25.400
<v Speaker 1>hung out with friends and play music at the troubuta

0:21:25.440 --> 0:21:27.800
<v Speaker 1>I meant John David Souther and Glenn Fry and John

0:21:27.800 --> 0:21:32.320
<v Speaker 1>Henley and all these people. How did you meet those guys?

0:21:33.240 --> 0:21:36.280
<v Speaker 1>He walked up to me and said he wanted to date. Wow,

0:21:37.960 --> 0:21:41.439
<v Speaker 1>So how did you get the first record deal? We

0:21:41.520 --> 0:21:46.080
<v Speaker 1>played the who it Is the tributor to audition and

0:21:46.119 --> 0:21:48.800
<v Speaker 1>on the way out, Herbie Cohen, who was a manager

0:21:49.560 --> 0:21:53.200
<v Speaker 1>in the business, cooked the arm and took me over

0:21:53.240 --> 0:21:58.160
<v Speaker 1>to Dantona's, the restaurant next door, and said, I can

0:21:58.200 --> 0:22:01.320
<v Speaker 1>get your girl singer records record contract. I don't know

0:22:01.320 --> 0:22:06.320
<v Speaker 1>about the band. So that was me with no no

0:22:06.320 --> 0:22:11.280
<v Speaker 1>no material of my own. I just sang. I learned

0:22:11.280 --> 0:22:13.320
<v Speaker 1>from Bobby Kimmel, who was the writer in our band,

0:22:13.880 --> 0:22:17.159
<v Speaker 1>sang his songs, so I said no, we had to

0:22:17.240 --> 0:22:20.000
<v Speaker 1>use the band. And then the second album we had

0:22:20.000 --> 0:22:22.560
<v Speaker 1>a big hit, but the Stone Point he didn't play

0:22:22.600 --> 0:22:28.480
<v Speaker 1>on it, and Kenny was it that discouraged with the

0:22:28.560 --> 0:22:33.040
<v Speaker 1>music and went off to India. To study something. It

0:22:33.160 --> 0:22:36.240
<v Speaker 1>came back much improved. By the time he came back,

0:22:36.280 --> 0:22:38.280
<v Speaker 1>I was I was established as a solars and I

0:22:38.320 --> 0:22:40.679
<v Speaker 1>hired him to be in the band. He was a

0:22:40.680 --> 0:22:47.560
<v Speaker 1>good friend. So, uh, you have this huge success with

0:22:47.800 --> 0:22:54.440
<v Speaker 1>different drum What was that experience like? Well, I didn't

0:22:54.480 --> 0:22:55.800
<v Speaker 1>like the way the record came out, so I told

0:22:55.840 --> 0:22:58.000
<v Speaker 1>him they couldn't put it out. It's a good thing

0:22:58.040 --> 0:23:01.440
<v Speaker 1>they ignored me. It was because, I mean, it got

0:23:01.440 --> 0:23:04.280
<v Speaker 1>me on television shows and which I hated playing because

0:23:04.280 --> 0:23:06.960
<v Speaker 1>the music was also bad and they got to tell

0:23:06.960 --> 0:23:08.400
<v Speaker 1>you what to wear and stuff like that. I didn't

0:23:08.440 --> 0:23:11.879
<v Speaker 1>like it. What did you not like about the recording?

0:23:13.280 --> 0:23:16.240
<v Speaker 1>I don't know. It was it was a good arrangement,

0:23:16.240 --> 0:23:18.880
<v Speaker 1>but I didn't It didn't sound like the Stone Ponies

0:23:18.920 --> 0:23:22.880
<v Speaker 1>to me. But it was my idea to do this song.

0:23:22.920 --> 0:23:24.800
<v Speaker 1>I thought. I thought it was going to be a hit,

0:23:24.880 --> 0:23:31.040
<v Speaker 1>that song. And how was your experience with herb Cone? Well?

0:23:31.080 --> 0:23:33.600
<v Speaker 1>I liked him very much personally and still do. He's

0:23:33.600 --> 0:23:37.040
<v Speaker 1>a character. He'll bullshit you, but he won't bullshit himself.

0:23:37.040 --> 0:23:42.240
<v Speaker 1>And this but he he got us wound up in jail.

0:23:42.320 --> 0:23:45.399
<v Speaker 1>We wound up getting arrested for stolen airline tickets because

0:23:45.400 --> 0:23:48.720
<v Speaker 1>he bought he had bought airline tickets from a a

0:23:48.840 --> 0:23:52.600
<v Speaker 1>dicey agency. He didn't know they were stolen, but he

0:23:52.720 --> 0:23:54.920
<v Speaker 1>knew they were. There was something wrong with them because

0:23:54.920 --> 0:23:58.240
<v Speaker 1>it was a cheap and he charged Capitol Records for

0:23:58.320 --> 0:24:02.840
<v Speaker 1>the whole amount of plus flight to Hawaii. So that

0:24:02.880 --> 0:24:04.800
<v Speaker 1>made me kind of unhappy. I thought that was dishonest.

0:24:06.760 --> 0:24:09.159
<v Speaker 1>And also he didn't understand the nuance in music. He

0:24:09.160 --> 0:24:11.800
<v Speaker 1>didn't understand I couldn't just go to a town and

0:24:12.200 --> 0:24:16.800
<v Speaker 1>call the union and hire a band. How did your

0:24:17.240 --> 0:24:21.520
<v Speaker 1>relationship with HERB come to a conclusion. Oh, well, during

0:24:21.520 --> 0:24:24.320
<v Speaker 1>the different depositions, he said, let's go to lunch and

0:24:24.320 --> 0:24:25.720
<v Speaker 1>I said okay. He said, Linda, this is going to

0:24:25.800 --> 0:24:28.879
<v Speaker 1>take too much time and energy. Let's just figure out

0:24:28.920 --> 0:24:31.240
<v Speaker 1>the number and settled. He settled for eighty thousand dollars

0:24:32.000 --> 0:24:35.040
<v Speaker 1>and kept eating lunch. Then we went to Africa together.

0:24:37.400 --> 0:24:42.280
<v Speaker 1>He remained a friend. So how did you feel about

0:24:43.320 --> 0:24:47.920
<v Speaker 1>the sexualized image that Capital employed to market your records.

0:24:48.600 --> 0:24:51.200
<v Speaker 1>I figured they wanted to sell records much I could

0:24:51.200 --> 0:24:54.720
<v Speaker 1>do about it, and that was fine with you. Well,

0:24:54.720 --> 0:24:58.399
<v Speaker 1>it was, It wasn't unfine. It just was nothing I

0:24:58.400 --> 0:25:01.320
<v Speaker 1>had anything to do with. Well, ultimately, you have this

0:25:01.440 --> 0:25:07.560
<v Speaker 1>gigantic success with the last Cappitle record in the subsequent

0:25:08.000 --> 0:25:13.200
<v Speaker 1>Asylum records, and you are, in addition to your talent,

0:25:13.280 --> 0:25:16.320
<v Speaker 1>you're perceived as a sex object. To what degree did

0:25:16.359 --> 0:25:20.760
<v Speaker 1>that affect you? And maybe just trying to pick the

0:25:20.760 --> 0:25:23.320
<v Speaker 1>best songs I could try to do the best I

0:25:23.400 --> 0:25:26.679
<v Speaker 1>could in music. Well, you know, we're living in the

0:25:26.720 --> 0:25:30.000
<v Speaker 1>meat Too era and people are testifying as to all

0:25:30.040 --> 0:25:32.560
<v Speaker 1>the aggressive men who cross the line. Did you have

0:25:32.720 --> 0:25:37.280
<v Speaker 1>those experiences? Well? I had plenty of those experiences, but

0:25:37.359 --> 0:25:39.560
<v Speaker 1>I was always protected. You know. I had Peter Asher

0:25:39.600 --> 0:25:42.520
<v Speaker 1>from my manager at John Boyland for a while, and

0:25:43.240 --> 0:25:44.920
<v Speaker 1>I was protected from stuff like that. I didn't have

0:25:44.960 --> 0:25:51.240
<v Speaker 1>to deal with the record company. Okay, the book, the

0:25:51.280 --> 0:25:53.719
<v Speaker 1>new Book Feels like Home, has a lot of recipes,

0:25:53.840 --> 0:25:59.160
<v Speaker 1>goes into food. Yet there's uh a lot of stars

0:25:59.280 --> 0:26:02.480
<v Speaker 1>talk about how they're pressured to be skinny. So what

0:26:02.680 --> 0:26:05.200
<v Speaker 1>was that like when you were a star? I don't know.

0:26:05.240 --> 0:26:07.159
<v Speaker 1>I wait ten pounds less than I did in high school.

0:26:10.760 --> 0:26:13.720
<v Speaker 1>I was thinned for a long time just naturally, and

0:26:13.720 --> 0:26:16.160
<v Speaker 1>then just naturally gained weight and it just naturally lost

0:26:16.200 --> 0:26:19.680
<v Speaker 1>it again when his body are made to expand and contract,

0:26:20.640 --> 0:26:24.439
<v Speaker 1>and it was very contracted. How did you meet David

0:26:24.480 --> 0:26:29.960
<v Speaker 1>Geffen on the Troubador and did he approach you? Well,

0:26:30.000 --> 0:26:33.439
<v Speaker 1>we had a kind of brendan common. He didn't approach me.

0:26:34.320 --> 0:26:37.720
<v Speaker 1>We had a friend in common that had worked with him. Um,

0:26:38.080 --> 0:26:40.119
<v Speaker 1>it was his room. It was his college roommate in school.

0:26:41.119 --> 0:26:42.960
<v Speaker 1>He said, you got made. My friend, David Geffen, he's

0:26:43.000 --> 0:26:46.560
<v Speaker 1>moving out to Los Angeles and he'll love you. I said, okay,

0:26:46.600 --> 0:26:48.919
<v Speaker 1>I'll look for him at the Troubador. It came up

0:26:48.920 --> 0:26:50.960
<v Speaker 1>and introduced him as the friend of this friend of mine,

0:26:51.640 --> 0:26:54.600
<v Speaker 1>his old college roommate, and he was very charming. We

0:26:54.680 --> 0:26:59.800
<v Speaker 1>got along fine. And how did you end up being

0:27:00.080 --> 0:27:05.240
<v Speaker 1>signed to Asylum Records? Well? I had offers from Colombia

0:27:05.600 --> 0:27:12.840
<v Speaker 1>and Warner Brothers and what was however Grossman's label and

0:27:13.000 --> 0:27:15.960
<v Speaker 1>from David and John Boyland was advising me then, and

0:27:16.000 --> 0:27:18.520
<v Speaker 1>he advised me to go with David because the Eagles

0:27:18.520 --> 0:27:22.920
<v Speaker 1>are already over there, and Joni Mitchell and James Um

0:27:23.680 --> 0:27:27.439
<v Speaker 1>James James Taylor wasn't with the music Peter Esher, but anyway,

0:27:27.480 --> 0:27:29.960
<v Speaker 1>it just seemed like a more natural context for me?

0:27:32.560 --> 0:27:38.439
<v Speaker 1>And how did j d end up producing the first record? Um,

0:27:38.520 --> 0:27:41.800
<v Speaker 1>I can't remember, to tell the truth, the record wasn't

0:27:41.840 --> 0:27:45.320
<v Speaker 1>coming out and I listed him to help and that

0:27:45.440 --> 0:27:50.800
<v Speaker 1>record was a mess. Well, the record came out and

0:27:50.920 --> 0:27:57.040
<v Speaker 1>was not financially successful. Uh commercially successful? Was that disheartening?

0:27:58.960 --> 0:28:05.080
<v Speaker 1>I didn't paid head just things like that. So ultimately,

0:28:05.480 --> 0:28:08.360
<v Speaker 1>how do you meet Andrew gold and what influence did

0:28:08.359 --> 0:28:11.040
<v Speaker 1>he have on your music? I met Andrew Golden was

0:28:11.080 --> 0:28:12.600
<v Speaker 1>in the Stone Ponies and we had a friend who

0:28:12.640 --> 0:28:17.040
<v Speaker 1>was a teacher at us sort of a Tony private

0:28:17.080 --> 0:28:19.159
<v Speaker 1>school in the valley, I can remember the name of it.

0:28:20.320 --> 0:28:25.280
<v Speaker 1>And we went there to visit my friend the teacher's class,

0:28:26.200 --> 0:28:32.320
<v Speaker 1>Andrew Golden, Wendy Wendy Steiner she had now called Wendy Waldman.

0:28:33.720 --> 0:28:35.280
<v Speaker 1>We're there in a band, and we thought they were

0:28:35.280 --> 0:28:41.280
<v Speaker 1>really good. Wendy Whendy Wendy Waldman is really talented singer

0:28:41.320 --> 0:28:45.360
<v Speaker 1>and absolutely first album, Love has Got Me unbelievable. I'm

0:28:45.400 --> 0:28:48.160
<v Speaker 1>friends with Wendy, I'm a big fan. I'm a huge

0:28:48.160 --> 0:28:51.000
<v Speaker 1>fan too, And I heard her singing the songs from

0:28:51.000 --> 0:28:53.160
<v Speaker 1>Love Has Got Me at her school, at her high school,

0:28:54.400 --> 0:28:55.960
<v Speaker 1>and I thought She was really good, and I thought

0:28:56.040 --> 0:28:59.440
<v Speaker 1>Andrew was good too, and they eventually formed a band together.

0:29:00.480 --> 0:29:02.440
<v Speaker 1>But there they were. All was Wendy things back up

0:29:02.440 --> 0:29:07.440
<v Speaker 1>on my live album that Live in Hollywood, that's Wendy

0:29:07.480 --> 0:29:12.600
<v Speaker 1>and and and Kenny singing together. Wendy, Kenny and Andrew

0:29:12.600 --> 0:29:19.320
<v Speaker 1>had a band. And also, um basn't remember. So how

0:29:19.320 --> 0:29:22.520
<v Speaker 1>do you end up working with Andrew? I just hired

0:29:22.600 --> 0:29:24.040
<v Speaker 1>him to go on the road. I had him to

0:29:24.040 --> 0:29:30.720
<v Speaker 1>be my guitar player. Peter Asher was impressive too, and

0:29:30.760 --> 0:29:33.240
<v Speaker 1>whose idea was it? To you do? You're no good?

0:29:33.280 --> 0:29:35.400
<v Speaker 1>And how did that come? Fine? It was a song

0:29:35.440 --> 0:29:37.880
<v Speaker 1>we added as an afterthought to the show. Because I

0:29:37.920 --> 0:29:40.640
<v Speaker 1>sang bellots all the time, it got boring, so I

0:29:40.640 --> 0:29:45.640
<v Speaker 1>had to learn a tempo song. So I played that

0:29:45.680 --> 0:29:48.160
<v Speaker 1>for Peter and he liked it. And Peter did very

0:29:48.200 --> 0:29:50.959
<v Speaker 1>good work on that production. He and Andrew did it together,

0:29:51.080 --> 0:29:54.920
<v Speaker 1>but it was Peter keeping everything straight. He did great

0:29:54.960 --> 0:30:00.520
<v Speaker 1>arrangement ideas, and it was a good sounding record. I thought, well,

0:30:00.520 --> 0:30:03.440
<v Speaker 1>it certainly was. So when the record was done, did

0:30:03.440 --> 0:30:07.600
<v Speaker 1>you know it was a hit? I thought it was strong?

0:30:09.000 --> 0:30:13.200
<v Speaker 1>And how did you find the mcgaricle's heart like a wheel?

0:30:13.880 --> 0:30:16.480
<v Speaker 1>I was sitting in a taxicab with Jerry Jeff Walker

0:30:16.480 --> 0:30:19.920
<v Speaker 1>about five in the morning, sun was just rising, and

0:30:19.960 --> 0:30:21.720
<v Speaker 1>I said, I am looking for songs. I come to

0:30:21.880 --> 0:30:24.719
<v Speaker 1>New York looking for songs. And we spent the night.

0:30:24.960 --> 0:30:27.360
<v Speaker 1>We spent the evening at Gary Gary White's house, the

0:30:27.360 --> 0:30:31.760
<v Speaker 1>guy that wrote a long time, and he said, I

0:30:31.800 --> 0:30:33.600
<v Speaker 1>know a song you could do. He said, there's these

0:30:33.600 --> 0:30:35.600
<v Speaker 1>two girls, these two sisters. I'll see them at the

0:30:35.600 --> 0:30:38.960
<v Speaker 1>Philadelphia Folk Festival, which was in a couple of weeks.

0:30:39.640 --> 0:30:41.320
<v Speaker 1>And she said they wrote the song called hard Like

0:30:41.320 --> 0:30:43.440
<v Speaker 1>a Wheel. And he sang me the first two lines

0:30:43.480 --> 0:30:46.000
<v Speaker 1>of three lines of hard Like a Wheel, and I

0:30:46.080 --> 0:30:48.400
<v Speaker 1>just flipped out. I said, you could please tell them

0:30:48.440 --> 0:30:50.960
<v Speaker 1>they have to send it and I'm going home in

0:30:50.960 --> 0:30:52.800
<v Speaker 1>About two weeks later, it came this real, the real

0:30:52.800 --> 0:30:56.080
<v Speaker 1>tape in the mail. It was mcgarriel's sisters. They recorded

0:30:56.160 --> 0:30:59.480
<v Speaker 1>with a piano and a cello. This just gave me

0:30:59.480 --> 0:31:03.880
<v Speaker 1>the idea to the string trio on it. So and

0:31:04.160 --> 0:31:06.560
<v Speaker 1>how about when will I Be Loved? How did you

0:31:06.600 --> 0:31:10.280
<v Speaker 1>decide to do that? I heard that from the Amally brothers,

0:31:11.840 --> 0:31:16.200
<v Speaker 1>and it doesn't matter anymore. I heard diferent Buddy Holly

0:31:16.240 --> 0:31:19.000
<v Speaker 1>when I was a kid. Well, when you would go

0:31:19.080 --> 0:31:22.880
<v Speaker 1>to make these albums, what was the procedure in finding

0:31:22.960 --> 0:31:25.680
<v Speaker 1>songs and ultimately deciding the ten or twelve that would

0:31:25.720 --> 0:31:28.000
<v Speaker 1>be on the record. Well, it was always hard to

0:31:28.040 --> 0:31:32.120
<v Speaker 1>find material because I hadn't found my voice yet, and

0:31:32.280 --> 0:31:36.160
<v Speaker 1>I didn't really find my voice until But I was

0:31:36.200 --> 0:31:38.040
<v Speaker 1>still learning and I was doing the best I could,

0:31:38.120 --> 0:31:40.160
<v Speaker 1>and I chose songs that were inappropriate for me. Often

0:31:41.760 --> 0:31:45.040
<v Speaker 1>because there was a lot of singer songwriters and they

0:31:45.160 --> 0:31:49.320
<v Speaker 1>write like Brandy Newman rights for his own boys. It's

0:31:49.360 --> 0:31:51.320
<v Speaker 1>hard to do his songs until you get really good

0:31:51.320 --> 0:31:56.680
<v Speaker 1>at it. So the songs that I loved and wanted

0:31:56.680 --> 0:32:00.320
<v Speaker 1>to sing, I wouldn't been in sing very well. So

0:32:00.440 --> 0:32:05.040
<v Speaker 1>tell me about finding your voice. Well, I started singing

0:32:05.120 --> 0:32:09.640
<v Speaker 1>better time in my phrasing. He had rushing the time

0:32:10.600 --> 0:32:15.520
<v Speaker 1>when I got with musicians that were demanding it body

0:32:15.560 --> 0:32:21.400
<v Speaker 1>Wotel mainly, and I improved my singing. And then I

0:32:21.440 --> 0:32:24.960
<v Speaker 1>had always wanted to do work in a real theater,

0:32:25.920 --> 0:32:28.720
<v Speaker 1>and I left Gilbert and Sullivan. So I was taken

0:32:28.720 --> 0:32:32.120
<v Speaker 1>to me Joe pap By. John Rockwell has always been

0:32:32.160 --> 0:32:35.200
<v Speaker 1>a friend and the mentor to me. You know who. Jocolm.

0:32:35.240 --> 0:32:39.400
<v Speaker 1>John rock fell is right wrote for the for the

0:32:39.400 --> 0:32:42.560
<v Speaker 1>New York Times. He was the head head critic for

0:32:42.720 --> 0:32:45.680
<v Speaker 1>years there. He and I were and I were great friends.

0:32:46.880 --> 0:32:48.480
<v Speaker 1>So he took me to meet Joe pap and I said,

0:32:48.480 --> 0:32:50.120
<v Speaker 1>I want to sing in the theater with the curtain

0:32:50.880 --> 0:32:54.400
<v Speaker 1>because I was tired of singing and arena's and he

0:32:54.480 --> 0:32:57.640
<v Speaker 1>said he probably had it was an idiot. And a

0:32:57.640 --> 0:33:00.800
<v Speaker 1>month later so one of his actors came and wanted

0:33:00.840 --> 0:33:04.800
<v Speaker 1>to do Gilbert and Sullivan and he said, but I

0:33:04.800 --> 0:33:08.280
<v Speaker 1>want to use a pop singer, not a classical singer.

0:33:08.360 --> 0:33:10.520
<v Speaker 1>So he said, oh, I know no one lived around,

0:33:10.520 --> 0:33:13.240
<v Speaker 1>said she came in. She wants to work here. So

0:33:13.280 --> 0:33:14.600
<v Speaker 1>they called me up and asked me if I wanted

0:33:14.640 --> 0:33:18.120
<v Speaker 1>the job. But Jerry Brown answered the phone and he

0:33:18.200 --> 0:33:21.560
<v Speaker 1>remembered he remember the HMS Pentaforre because that's the Gilbert

0:33:21.600 --> 0:33:24.600
<v Speaker 1>and Sullivan show he's seeing. And I knew that the

0:33:24.640 --> 0:33:27.360
<v Speaker 1>whole show of a J. M. S. Pinafore because my

0:33:27.400 --> 0:33:30.200
<v Speaker 1>sister sung it in junior high school and I had

0:33:30.240 --> 0:33:33.200
<v Speaker 1>memorized the whole thing. I said, I I'd love to

0:33:33.200 --> 0:33:35.400
<v Speaker 1>do a Pinafore and they said, no, it's Pirates depens Dance.

0:33:36.160 --> 0:33:38.480
<v Speaker 1>I didn't know that one, so I had to learn

0:33:38.520 --> 0:33:42.160
<v Speaker 1>it and ultimately let me put a song from part

0:33:42.280 --> 0:33:46.160
<v Speaker 1>from Pinafore in there. Anyway, I'm sorry my voice is

0:33:46.200 --> 0:33:51.680
<v Speaker 1>going out well. Ultimately you've got great reviews. But how

0:33:51.720 --> 0:33:56.800
<v Speaker 1>anxious were you about opening that show? I was wildly

0:33:57.000 --> 0:33:58.880
<v Speaker 1>keen to do it. It had a great cast, it

0:33:58.960 --> 0:34:03.440
<v Speaker 1>was a real ensemble addiction, and the music is great.

0:34:04.680 --> 0:34:08.120
<v Speaker 1>I got to use my high voice, and when I

0:34:08.160 --> 0:34:11.600
<v Speaker 1>put in my high voice really well, it integrated it

0:34:11.600 --> 0:34:13.000
<v Speaker 1>into the rest of my voice and I could do

0:34:13.040 --> 0:34:17.000
<v Speaker 1>the standards. And after I sang with Nelson Riddle, I

0:34:17.000 --> 0:34:20.319
<v Speaker 1>felt like I knew how to sing. So let's go

0:34:20.400 --> 0:34:23.640
<v Speaker 1>back to some of these earlier records. You do Love

0:34:23.680 --> 0:34:27.120
<v Speaker 1>as a Rose by Neil Young before he records it,

0:34:28.120 --> 0:34:30.439
<v Speaker 1>so how to second gave it to me? He gave

0:34:30.520 --> 0:34:35.160
<v Speaker 1>it to you, saying what on a demo? He said,

0:34:35.200 --> 0:34:38.680
<v Speaker 1>this is perfect for you. No, he said, he's just

0:34:38.719 --> 0:34:41.279
<v Speaker 1>my new demo. He was on his way. He had

0:34:41.280 --> 0:34:43.200
<v Speaker 1>a place in Zooma Beach, which was a little bit

0:34:43.239 --> 0:34:46.759
<v Speaker 1>farther northern my place in Malibu. I used to drop

0:34:46.800 --> 0:34:49.759
<v Speaker 1>by on his way up there, and my day he

0:34:49.800 --> 0:34:51.319
<v Speaker 1>had a bunch of new demos. I said, let let

0:34:51.360 --> 0:34:53.840
<v Speaker 1>me listen to them. And Nicola Larson was living with

0:34:54.000 --> 0:34:57.720
<v Speaker 1>me then, and I said, this will be so perfect

0:34:57.719 --> 0:35:00.920
<v Speaker 1>for you, Nikki, and it was hit for her. So

0:35:01.000 --> 0:35:04.719
<v Speaker 1>we both recorded Neil Young songs now. Also, you did

0:35:04.840 --> 0:35:07.319
<v Speaker 1>Roll Them Easy by Lowell George. How did you meet

0:35:07.360 --> 0:35:11.319
<v Speaker 1>Lowell George? I'm in the mid Atlanta. He was playing

0:35:11.320 --> 0:35:15.120
<v Speaker 1>with it with little feet and I flipped over him.

0:35:15.120 --> 0:35:16.440
<v Speaker 1>I thought he was one of the best singers I've

0:35:16.480 --> 0:35:19.480
<v Speaker 1>ever heard, and did a great guitar player. So he

0:35:19.560 --> 0:35:21.160
<v Speaker 1>was playing that song and I said I wanted to

0:35:21.239 --> 0:35:23.719
<v Speaker 1>learn it, taking over and talk to me, but he

0:35:23.760 --> 0:35:25.920
<v Speaker 1>didn't need tuning, I think, or I didn't need to me.

0:35:26.400 --> 0:35:29.759
<v Speaker 1>I had a change his tuning for my key and

0:35:29.840 --> 0:35:34.640
<v Speaker 1>I learned it on the guitar in my living room. Okay,

0:35:34.680 --> 0:35:38.719
<v Speaker 1>and then, uh, you end up doing the Tattler, which

0:35:38.800 --> 0:35:43.280
<v Speaker 1>is originally on Paradise and Lunch, the Rye Couterer album.

0:35:43.400 --> 0:35:48.320
<v Speaker 1>How did you end up doing the Tattler? I can't remember.

0:35:48.880 --> 0:35:52.160
<v Speaker 1>We needed an extra song. It's hard to find twelve

0:35:52.200 --> 0:35:55.360
<v Speaker 1>songs in a year. Hard of found twelve songs in

0:35:55.440 --> 0:36:00.279
<v Speaker 1>ten years, And at this point in time him with

0:36:00.320 --> 0:36:04.880
<v Speaker 1>this level of success where people constantly pitching you songs,

0:36:07.239 --> 0:36:12.000
<v Speaker 1>I'm not really I mean people. J D. South suggested

0:36:12.040 --> 0:36:16.440
<v Speaker 1>I recorded Blue Bay that Journe to be Fortunate. And

0:36:16.480 --> 0:36:18.319
<v Speaker 1>we were just hanging out of my house one night

0:36:19.040 --> 0:36:23.239
<v Speaker 1>and we were playing songs and Jackson played um for

0:36:23.360 --> 0:36:25.160
<v Speaker 1>Pitiful Me that he was he was in the studio

0:36:25.239 --> 0:36:30.480
<v Speaker 1>working with whoever perpetual Me, Warren's even and it would

0:36:30.520 --> 0:36:33.879
<v Speaker 1>be like Jackson de pitches pitches friends song over his own.

0:36:34.640 --> 0:36:37.839
<v Speaker 1>He's really generous that way. It was a great admirer Warre.

0:36:37.840 --> 0:36:40.239
<v Speaker 1>And I moved into Warren's apartment when I was living

0:36:40.239 --> 0:36:44.399
<v Speaker 1>in Hollywood after he lived in it, and I knew

0:36:44.440 --> 0:36:49.399
<v Speaker 1>him slightly, but I loved his songs well as good

0:36:49.400 --> 0:36:52.160
<v Speaker 1>as his version of poor Poor Pitiful Me is on

0:36:52.280 --> 0:36:56.319
<v Speaker 1>his first album forst Asylum album, Your version is the

0:36:56.360 --> 0:36:59.759
<v Speaker 1>definitive version. How did you end up coming recording poor

0:37:00.160 --> 0:37:05.000
<v Speaker 1>Pitiful Me? Jackson Brown's just suggested it. Read that place

0:37:05.680 --> 0:37:10.040
<v Speaker 1>Meliba I used to live, were playing songs and J D.

0:37:10.160 --> 0:37:12.719
<v Speaker 1>South there was there and suggested Blue Bay You and

0:37:12.800 --> 0:37:14.399
<v Speaker 1>Jackson was there and he said, you can you could

0:37:14.440 --> 0:37:18.560
<v Speaker 1>think more Pitiful Me? So I learned it. I taped

0:37:18.560 --> 0:37:20.920
<v Speaker 1>it with him singing it. I learned. I still have

0:37:21.000 --> 0:37:25.719
<v Speaker 1>the tape. And Uh, how did you because you know

0:37:25.800 --> 0:37:28.880
<v Speaker 1>and hastened down the wind. You do multiple Carla Bonoff

0:37:28.920 --> 0:37:32.879
<v Speaker 1>records songs. How did you meet and find those songs

0:37:32.880 --> 0:37:38.960
<v Speaker 1>from Carla Bonoff? Oh? Carlo was Kenny Edwards girlfriend. He

0:37:39.080 --> 0:37:41.400
<v Speaker 1>lived together and Kenny was in my band. So I

0:37:41.440 --> 0:37:46.759
<v Speaker 1>met Carla and you mentioned Jerry Brown earlier. How did

0:37:46.760 --> 0:37:49.520
<v Speaker 1>you end up meeting and getting involved with Jerry Brown?

0:37:50.280 --> 0:37:53.960
<v Speaker 1>I Madam and Lucy's lab cafe where everybody went to

0:37:54.000 --> 0:37:57.880
<v Speaker 1>eat Mexican food, and ultimately they had his picture in

0:37:58.000 --> 0:38:05.160
<v Speaker 1>the front window. What was appealing about Jerry? I'm not sure.

0:38:07.719 --> 0:38:09.960
<v Speaker 1>He's honest. He's a real he's honest with himself. He

0:38:09.960 --> 0:38:12.120
<v Speaker 1>has an amazing sense of humor that nobody knows about.

0:38:13.440 --> 0:38:18.960
<v Speaker 1>But and it was cute. And at the time, although

0:38:19.000 --> 0:38:23.880
<v Speaker 1>we was known as Governor Moonbeam, he was governor of California.

0:38:24.520 --> 0:38:28.080
<v Speaker 1>He ended up running for president. Uh. The Eagles and

0:38:28.120 --> 0:38:31.480
<v Speaker 1>other acts did fundraisers. You had a front row seat

0:38:31.680 --> 0:38:36.560
<v Speaker 1>for that. What was that like? I don't know. We

0:38:36.560 --> 0:38:40.680
<v Speaker 1>didn't go out in public munch, So what do you

0:38:40.719 --> 0:38:45.120
<v Speaker 1>think about the political situation today. I think it's I'm

0:38:45.239 --> 0:38:48.839
<v Speaker 1>terrified by it. It seems like there's fascist governments all

0:38:48.840 --> 0:38:51.960
<v Speaker 1>over the world that are taking over. I think it'll

0:38:52.040 --> 0:38:54.640
<v Speaker 1>lead the chaos and famine and war and all the

0:38:54.719 --> 0:38:58.640
<v Speaker 1>kinds of things that we can think of. And this

0:38:58.800 --> 0:39:03.160
<v Speaker 1>Elon Musk character is there's nothing but a chaos creator.

0:39:04.440 --> 0:39:07.799
<v Speaker 1>People think. People think that people can people can run

0:39:07.800 --> 0:39:09.960
<v Speaker 1>a business, which he was not a great businessman, nor

0:39:10.080 --> 0:39:13.680
<v Speaker 1>was Trump. But they get rich and they think they

0:39:13.719 --> 0:39:16.279
<v Speaker 1>know how to run the country and they don't, and

0:39:16.320 --> 0:39:20.080
<v Speaker 1>they have government sized budgets to accomplish what evil they

0:39:20.120 --> 0:39:23.799
<v Speaker 1>want to accomplish, Like like Ta Tongue decided the huge

0:39:23.840 --> 0:39:27.400
<v Speaker 1>plat part of China ship be planeted to wheat, and

0:39:27.400 --> 0:39:29.719
<v Speaker 1>it was the areas that we didn't grow very well

0:39:29.760 --> 0:39:33.440
<v Speaker 1>in and it caused a family that starts millions of people.

0:39:34.520 --> 0:39:36.080
<v Speaker 1>That's what happens if you get to just be a

0:39:36.160 --> 0:39:40.640
<v Speaker 1>dictator and say what what's going on? That's what Elon

0:39:40.719 --> 0:39:51.040
<v Speaker 1>Musk wants. So it sounds like you follow the news

0:39:51.040 --> 0:39:56.480
<v Speaker 1>pretty closely. Oh I do, so how do you how

0:39:56.520 --> 0:39:59.879
<v Speaker 1>do you get your information? Finally from the New Yorker,

0:40:00.000 --> 0:40:03.840
<v Speaker 1>the New York Times, But I also like um public

0:40:03.880 --> 0:40:08.960
<v Speaker 1>television is Judith Judith list your name would drift, Judy

0:40:08.960 --> 0:40:14.120
<v Speaker 1>would drift. And do you think there's any place well,

0:40:14.200 --> 0:40:17.919
<v Speaker 1>let's talk about the evolution. I mean, musical acts were

0:40:18.040 --> 0:40:22.040
<v Speaker 1>raising money for politicians back in the seventies. Is there

0:40:22.080 --> 0:40:26.759
<v Speaker 1>any place for music to change the landscape politically today?

0:40:27.960 --> 0:40:29.520
<v Speaker 1>I don't have any idea what we'll go on in

0:40:29.520 --> 0:40:32.880
<v Speaker 1>the future of music. It could be anything. People in

0:40:33.000 --> 0:40:36.080
<v Speaker 1>my age always think music is in decline, and I

0:40:36.160 --> 0:40:38.719
<v Speaker 1>think that to a degree. I'm not very interested in

0:40:38.880 --> 0:40:42.120
<v Speaker 1>music that is happening today. There's a couple of good people,

0:40:42.120 --> 0:40:47.440
<v Speaker 1>there's some really good singers, but the talent doesn't leave

0:40:47.480 --> 0:40:51.520
<v Speaker 1>the gene pool just gets shaped in drastically different forms

0:40:51.520 --> 0:40:55.880
<v Speaker 1>by the culture. And I think our culture is failing.

0:40:58.600 --> 0:41:02.600
<v Speaker 1>What in what way is just the culture failing? What's

0:41:02.600 --> 0:41:07.760
<v Speaker 1>getting less? To my democratic truth doesn't matter? And in journalism,

0:41:07.800 --> 0:41:09.479
<v Speaker 1>mean where don't nobody cares whether he tells the truth?

0:41:09.480 --> 0:41:12.360
<v Speaker 1>And I just tell bald face line. People believe you.

0:41:12.440 --> 0:41:17.360
<v Speaker 1>They're stupid enough, And that's really concerning to me. And

0:41:17.440 --> 0:41:23.919
<v Speaker 1>hatred is getting fashionable, and uh, you know Trump got

0:41:23.920 --> 0:41:27.000
<v Speaker 1>elected in sixteen. Did you find out some of your

0:41:27.040 --> 0:41:31.080
<v Speaker 1>close friends were Trumpers or no, no, no friends of

0:41:31.120 --> 0:41:34.160
<v Speaker 1>mine voted for him. It wouldn't be friends if they did.

0:41:37.040 --> 0:41:41.400
<v Speaker 1>And you know we're lucky we live in California, we

0:41:41.520 --> 0:41:45.520
<v Speaker 1>have newsom Do you think that Biden should run for

0:41:45.560 --> 0:41:50.960
<v Speaker 1>another term? I don't know, let to ask him. I

0:41:50.960 --> 0:41:53.160
<v Speaker 1>think he did a really good job. He's gotten legislation

0:41:53.239 --> 0:41:56.399
<v Speaker 1>through that Republican roadblock that nobody else has been able

0:41:56.440 --> 0:42:00.840
<v Speaker 1>to do. Well. What I don't like is that the

0:42:01.280 --> 0:42:04.120
<v Speaker 1>his own team doesn't give him any credit. They're not

0:42:04.200 --> 0:42:08.080
<v Speaker 1>running on his success. They're just reacting to the Republican attacks.

0:42:08.160 --> 0:42:13.160
<v Speaker 1>Makes me crazy. Well, he's going to go down in history,

0:42:13.239 --> 0:42:17.560
<v Speaker 1>is a real important president, I think. But you know

0:42:17.640 --> 0:42:24.480
<v Speaker 1>he's trying. It's the age is um. So do you

0:42:24.640 --> 0:42:27.920
<v Speaker 1>believe since he's doing a good job if he continues

0:42:27.960 --> 0:42:31.200
<v Speaker 1>to do this job, although if the Republicans take over

0:42:31.239 --> 0:42:33.120
<v Speaker 1>the House, which is what it looks like is going

0:42:33.160 --> 0:42:37.800
<v Speaker 1>to happen, um, do you think that he should serve

0:42:37.840 --> 0:42:43.360
<v Speaker 1>another term? I don't know. I mean, I don't understand

0:42:43.400 --> 0:42:47.200
<v Speaker 1>how the nuances of the presidency were. I'm sure it's

0:42:47.200 --> 0:42:50.160
<v Speaker 1>a lot of people making deals. Do something makes more

0:42:50.200 --> 0:42:52.160
<v Speaker 1>moral to I think his moral person. I think he's

0:42:52.280 --> 0:42:55.360
<v Speaker 1>very smart. I think he's very experienced. But he's a

0:42:55.360 --> 0:43:00.680
<v Speaker 1>gazer like me, but he's smarter gazer than I am.

0:43:00.719 --> 0:43:05.359
<v Speaker 1>And do you do you know Newsom? Gavin Newsom? Oh,

0:43:05.480 --> 0:43:08.080
<v Speaker 1>he's very charming and very smart. I think he'd be

0:43:08.160 --> 0:43:14.520
<v Speaker 1>probably a good president, being aggressive, which I certainly like.

0:43:15.040 --> 0:43:17.920
<v Speaker 1>And how do you feel about Ron de santasist success?

0:43:19.360 --> 0:43:22.279
<v Speaker 1>I think he's a creep. Well, you know, there's a

0:43:22.280 --> 0:43:27.840
<v Speaker 1>lot of analysis that says, irrelevant of his political positions,

0:43:27.880 --> 0:43:31.040
<v Speaker 1>that he's a very cold guy and people can't warm

0:43:31.120 --> 0:43:32.800
<v Speaker 1>up to him. And you you're saying he's a creep.

0:43:33.200 --> 0:43:35.160
<v Speaker 1>Do you think people can overlook that and you think

0:43:35.160 --> 0:43:37.680
<v Speaker 1>it's going to ultimately hurt him? I don't know. I

0:43:37.719 --> 0:43:40.160
<v Speaker 1>wouldn't be surprised anything. When Trump announced he was going

0:43:40.239 --> 0:43:41.839
<v Speaker 1>to run, I was sure he was going to win.

0:43:42.840 --> 0:43:45.560
<v Speaker 1>And I said, this is the Weimar Republican, It's Germany

0:43:45.600 --> 0:43:50.560
<v Speaker 1>in the thirties and hump Trump is Hitler and the

0:43:50.680 --> 0:43:53.840
<v Speaker 1>Jews of the new the Mexicans ader the new Jews.

0:43:54.080 --> 0:43:57.600
<v Speaker 1>What I mean that mark about Mexicans being rapists. It's

0:43:57.640 --> 0:44:00.920
<v Speaker 1>clear where he was going with that. People demonized groups

0:44:00.960 --> 0:44:05.080
<v Speaker 1>of people to cover up their own political inadequacies are

0:44:05.080 --> 0:44:08.160
<v Speaker 1>not new to this the history of this country. But

0:44:08.200 --> 0:44:13.640
<v Speaker 1>he's a he's a champion. And if I snapped my

0:44:13.800 --> 0:44:17.520
<v Speaker 1>fingers and you were control of immigration, what policy would

0:44:17.520 --> 0:44:19.960
<v Speaker 1>you want to enact? I wouldn't take it on with

0:44:20.000 --> 0:44:22.919
<v Speaker 1>a ten foot poll. It's so complicated. It's the third

0:44:23.000 --> 0:44:27.359
<v Speaker 1>rail of politics. I've got to is something that there's

0:44:27.400 --> 0:44:28.719
<v Speaker 1>a lot of suffering down there. I've been to the

0:44:28.760 --> 0:44:32.000
<v Speaker 1>border a lot. Well, you know the fact that they

0:44:32.000 --> 0:44:34.600
<v Speaker 1>don't have the the uh you know, we have a

0:44:34.640 --> 0:44:38.480
<v Speaker 1>brain drain with technology forget people immigrating. People you know

0:44:38.640 --> 0:44:40.839
<v Speaker 1>from India and other countries come to study here. They

0:44:40.920 --> 0:44:44.640
<v Speaker 1>used to stay working technology companies, but now they leave

0:44:44.719 --> 0:44:49.000
<v Speaker 1>because of the visa situation. It's insane. I got about

0:44:49.000 --> 0:44:52.080
<v Speaker 1>a quarter of that. I really am hard of hearing,

0:44:52.080 --> 0:44:56.319
<v Speaker 1>you know. Oh okay, um, well tell me when did

0:44:56.360 --> 0:44:59.600
<v Speaker 1>you tell me the status of your hearing? I think

0:44:59.600 --> 0:45:05.480
<v Speaker 1>I've lost about fifty hearing? So you did you lose it?

0:45:05.520 --> 0:45:10.880
<v Speaker 1>From major from loud music? Who knows? Could be anything,

0:45:11.880 --> 0:45:15.239
<v Speaker 1>could be genetics, it could be I'm sure I lost

0:45:15.239 --> 0:45:17.400
<v Speaker 1>some hearing. I lost some top and from standing in

0:45:17.400 --> 0:45:19.360
<v Speaker 1>front of rock and roll bands, but not to the

0:45:19.800 --> 0:45:24.319
<v Speaker 1>I don't know, not in your doctor. And when did

0:45:24.360 --> 0:45:28.759
<v Speaker 1>you notice and start wearing the hearing aids? About a

0:45:28.840 --> 0:45:32.080
<v Speaker 1>year ago? Two years ago, my hearing was a lot

0:45:32.080 --> 0:45:36.200
<v Speaker 1>better than hearing aids suck. I'm sure somebody can invent

0:45:36.200 --> 0:45:38.759
<v Speaker 1>a better hearing aid. So do you wear them all

0:45:38.800 --> 0:45:41.080
<v Speaker 1>the time? I wear the moree I'm gonna talk to

0:45:41.120 --> 0:45:46.359
<v Speaker 1>somebody like you. So you know you've gone through these

0:45:46.400 --> 0:45:48.920
<v Speaker 1>health issues over the last decade or so. What's the

0:45:48.960 --> 0:45:53.560
<v Speaker 1>status of your health today? Well? I have Parkinson's disease,

0:45:55.000 --> 0:45:58.879
<v Speaker 1>and well that's a progressive disease. So how are you doing? Well,

0:45:58.920 --> 0:46:06.000
<v Speaker 1>I'm progressing. So what's it like now? What's the like

0:46:06.200 --> 0:46:10.400
<v Speaker 1>is like having parkinson disease? Well, I mean, to what

0:46:10.560 --> 0:46:13.439
<v Speaker 1>degree is your function You know you said you can't sing,

0:46:13.480 --> 0:46:17.239
<v Speaker 1>But to what degree is your functionality impaired? I don't

0:46:17.280 --> 0:46:19.520
<v Speaker 1>go out a lot, but I've I've always been a homebody.

0:46:21.080 --> 0:46:25.120
<v Speaker 1>I don't like groups of more than ten people. So

0:46:25.239 --> 0:46:29.840
<v Speaker 1>when you're at home, do you watch streaming television? Sometimes? Yeah?

0:46:30.239 --> 0:46:36.000
<v Speaker 1>Any of your favorite shows you can talk about? Um,

0:46:36.040 --> 0:46:40.600
<v Speaker 1>I like the Korean show which one it's called The

0:46:42.280 --> 0:46:46.560
<v Speaker 1>and the Impressive or the some super relative lawyer. Wou

0:46:47.560 --> 0:46:53.560
<v Speaker 1>extraordinary attorney, woo extraordinary Jerney Will Yeah, that's good. Any

0:46:53.600 --> 0:46:58.839
<v Speaker 1>other ones? Let's see what else if I liked? Mm hm,

0:47:00.000 --> 0:47:05.440
<v Speaker 1>can't remember? And are you a reader rather than the news? Oh? Yeah,

0:47:05.480 --> 0:47:08.680
<v Speaker 1>I'm a book I'm a reader the book. The last

0:47:08.680 --> 0:47:12.440
<v Speaker 1>book I read was see what it is it called?

0:47:13.920 --> 0:47:16.520
<v Speaker 1>I read three books at once, so one was about

0:47:17.200 --> 0:47:20.920
<v Speaker 1>called Vagina Obscure, which I recommend everybody. One was a

0:47:21.000 --> 0:47:24.279
<v Speaker 1>history that of Fabric, which is really a good book.

0:47:24.280 --> 0:47:27.520
<v Speaker 1>It's called Fabric. The woman is a very good writer.

0:47:27.640 --> 0:47:31.399
<v Speaker 1>She's also written a book about jewels and another book

0:47:31.400 --> 0:47:34.640
<v Speaker 1>about color, The History of Color. It's fascinating. It's a

0:47:34.680 --> 0:47:38.319
<v Speaker 1>great way to learn history. And then I read I

0:47:38.360 --> 0:47:40.319
<v Speaker 1>read a book I think everybody should read. It's called

0:47:40.480 --> 0:47:45.520
<v Speaker 1>Salite Though, and it's about a kid that immigrated from

0:47:45.840 --> 0:47:49.200
<v Speaker 1>El Salvador to Los Angeles. Is a nine year old

0:47:49.200 --> 0:47:53.200
<v Speaker 1>all by himself to find his parents, and it's written

0:47:53.239 --> 0:47:55.560
<v Speaker 1>from the point of view of a of a nine

0:47:55.640 --> 0:47:57.640
<v Speaker 1>year old child, completely all the way through the book.

0:47:58.080 --> 0:48:03.960
<v Speaker 1>It's completely fascinating. Guy's a brilliant writer. And how did

0:48:03.960 --> 0:48:08.839
<v Speaker 1>you find these books? And reviews? John Rockoll I read

0:48:08.840 --> 0:48:10.319
<v Speaker 1>a review of it in The New York Times, and

0:48:10.320 --> 0:48:12.600
<v Speaker 1>then John Rockoll sent me email saying I had to

0:48:12.640 --> 0:48:14.680
<v Speaker 1>read it. I went and about it and I read

0:48:14.680 --> 0:48:16.320
<v Speaker 1>the whole thing through to at a sitting. It was

0:48:16.360 --> 0:48:21.520
<v Speaker 1>really good. Recommend that to everybody. The Vagina Book. I

0:48:21.560 --> 0:48:25.640
<v Speaker 1>recommend to everybody too, men and women. It's really well written,

0:48:25.640 --> 0:48:28.200
<v Speaker 1>and there's there says so many obscure details that you

0:48:28.280 --> 0:48:31.279
<v Speaker 1>never knew. I could have been all these studies on

0:48:31.400 --> 0:48:38.919
<v Speaker 1>penises but not on vaginas. Wow, what do you think

0:48:38.960 --> 0:48:44.279
<v Speaker 1>about the state of sexuality in America today? Well, if

0:48:44.320 --> 0:48:47.200
<v Speaker 1>everything goes, I think there anything goes. I think that's

0:48:47.200 --> 0:48:51.400
<v Speaker 1>probably natural. Well, you know, we live in a relatively

0:48:51.520 --> 0:48:56.320
<v Speaker 1>puritanical society compared to Europe sexually. Oh yeah, it's ridiculous.

0:48:57.640 --> 0:49:00.200
<v Speaker 1>And grow What was it like growing up for you?

0:49:00.360 --> 0:49:08.839
<v Speaker 1>He is a Catholic girl. Well, it's about normal. I mean,

0:49:08.880 --> 0:49:13.000
<v Speaker 1>did you were you reluctant to have intercourse? Did you

0:49:13.080 --> 0:49:17.279
<v Speaker 1>think you know you're going to go to hell? That's

0:49:17.280 --> 0:49:19.000
<v Speaker 1>not a question I'm gonna talk about on the radio.

0:49:20.320 --> 0:49:21.560
<v Speaker 1>I didn't think I was gonna go to hell. I

0:49:21.600 --> 0:49:27.600
<v Speaker 1>was an atheists from third grade. And uh, what about birth?

0:49:27.640 --> 0:49:33.759
<v Speaker 1>Control and abortion. I had them both. How many abortions

0:49:33.760 --> 0:49:41.120
<v Speaker 1>have you had? Isn't none of your business? Uh? You know,

0:49:41.680 --> 0:49:46.239
<v Speaker 1>um people say it's very difficult to uh have an

0:49:46.239 --> 0:49:49.640
<v Speaker 1>abortion emotionally after the fact, was that of your experience

0:49:51.239 --> 0:49:56.799
<v Speaker 1>feeling of relief? Great relief? And do you ever did

0:49:56.840 --> 0:50:00.279
<v Speaker 1>you ever subsequent to the abortion think, well, might have

0:50:00.320 --> 0:50:03.480
<v Speaker 1>made a mistake, I should have the kid or never? Never?

0:50:03.520 --> 0:50:08.880
<v Speaker 1>It was the right thing to do. And so you

0:50:09.040 --> 0:50:14.040
<v Speaker 1>came of age. Was the pill around at that point? Yes?

0:50:14.080 --> 0:50:20.640
<v Speaker 1>It was okay? Thank God? So what do you think

0:50:20.680 --> 0:50:28.759
<v Speaker 1>about you know, there's a fight over trans and other identities.

0:50:28.800 --> 0:50:31.440
<v Speaker 1>Are you fall down on the side whatever you want

0:50:31.440 --> 0:50:34.439
<v Speaker 1>to do or what do you think about the other

0:50:34.520 --> 0:50:38.400
<v Speaker 1>side's opinion? Oh, let let them be, Let them do

0:50:38.440 --> 0:50:41.640
<v Speaker 1>whatever they want to do. I know that if you're

0:50:41.640 --> 0:50:43.960
<v Speaker 1>born with a different gender assignment, there's nothing you do

0:50:44.040 --> 0:50:47.840
<v Speaker 1>about it. I have to learn how to work with it.

0:50:47.880 --> 0:50:51.280
<v Speaker 1>I should be left alone. You know you've had children.

0:50:51.840 --> 0:50:54.520
<v Speaker 1>What about all this, you know with critical race theory

0:50:54.560 --> 0:50:56.279
<v Speaker 1>and what is taught in the school. Do you think

0:50:56.280 --> 0:50:59.200
<v Speaker 1>that just all bs or do you think God, we

0:50:59.280 --> 0:51:02.319
<v Speaker 1>have to protect children to some degree. I think they

0:51:02.320 --> 0:51:04.840
<v Speaker 1>should take critical race theory. I think everybody from the

0:51:04.840 --> 0:51:07.600
<v Speaker 1>first grade you'd learned what the history of black people

0:51:07.600 --> 0:51:14.759
<v Speaker 1>were in this in this country and and get a servant, uncut, undiluded.

0:51:16.000 --> 0:51:18.600
<v Speaker 1>Howard's Inn has a really good history for for children

0:51:19.560 --> 0:51:24.520
<v Speaker 1>that um tells the truth but makes it, doesn't sugarcoat it,

0:51:25.320 --> 0:51:29.240
<v Speaker 1>but puts it in a rational context that is not damaging,

0:51:29.280 --> 0:51:32.840
<v Speaker 1>but it is enlightening. I'm a great fan of Howard's

0:51:32.880 --> 0:51:37.720
<v Speaker 1>In going back to l A, sounds like you knew

0:51:37.760 --> 0:51:43.200
<v Speaker 1>everybody from Jackson Brown to Lowell George. Uh is that true?

0:51:43.320 --> 0:51:46.279
<v Speaker 1>Or though you just hung with the people, you hung with? Well?

0:51:46.280 --> 0:51:48.560
<v Speaker 1>I met Jackson when he was seventeen and I was sixteen,

0:51:48.560 --> 0:51:50.400
<v Speaker 1>and no one had ever heard of either one of us.

0:51:51.000 --> 0:51:54.640
<v Speaker 1>And I just thought it was a good songwriter, as

0:51:54.680 --> 0:51:56.640
<v Speaker 1>saman was j D. I met him at the Troupador

0:51:57.360 --> 0:51:59.360
<v Speaker 1>and we went to my house and he played songs.

0:52:00.000 --> 0:52:04.319
<v Speaker 1>I thought he was a good songwriter. And when you

0:52:04.440 --> 0:52:08.320
<v Speaker 1>use the Eagles, what became the Eagles as your background band?

0:52:08.800 --> 0:52:10.520
<v Speaker 1>Did you realize they were going to go on to

0:52:10.640 --> 0:52:14.239
<v Speaker 1>all that success themselves? Oh? I was sure they would

0:52:14.360 --> 0:52:18.880
<v Speaker 1>be sure they would make kids okay, And what are

0:52:18.880 --> 0:52:22.360
<v Speaker 1>your kids up to today. My one daughter is a

0:52:22.440 --> 0:52:26.560
<v Speaker 1>visual artist and my other son is a tech guy.

0:52:26.800 --> 0:52:30.719
<v Speaker 1>And what does he do in tech? He's you know,

0:52:30.719 --> 0:52:33.160
<v Speaker 1>when you have a corporation and then they have all

0:52:33.200 --> 0:52:36.560
<v Speaker 1>their tech stuff. He runs it. He's in charge. He's

0:52:36.600 --> 0:52:39.040
<v Speaker 1>the person you go to your laptop doesn't work or whatever.

0:52:40.160 --> 0:52:43.920
<v Speaker 1>Very smart. Do you ever listen to your own records

0:52:44.719 --> 0:52:47.440
<v Speaker 1>if I need to check something like I'm trying to

0:52:47.440 --> 0:52:50.400
<v Speaker 1>figure out how to make my hearing aid work my

0:52:50.480 --> 0:52:53.480
<v Speaker 1>headphones as I listened to through several of itent I

0:52:53.520 --> 0:52:57.440
<v Speaker 1>listened to Paul Simon's record Graceland, and listen to some

0:52:57.480 --> 0:53:00.960
<v Speaker 1>records that I've produced mine to see what I can.

0:53:01.120 --> 0:53:02.759
<v Speaker 1>Because I know what those records sounded like when they

0:53:02.800 --> 0:53:06.200
<v Speaker 1>were made. I can tell what's missing, and there's a

0:53:06.200 --> 0:53:10.360
<v Speaker 1>lot missing. So other than when you're you know, adjusting

0:53:10.400 --> 0:53:13.640
<v Speaker 1>your hearing aids. Uh, do you listen to music much

0:53:13.640 --> 0:53:19.400
<v Speaker 1>in the home? Not much? And if you had to

0:53:19.480 --> 0:53:22.560
<v Speaker 1>look back at your career, what two albums are you

0:53:22.640 --> 0:53:26.800
<v Speaker 1>most proud of? I think the second Mexican record of

0:53:26.840 --> 0:53:31.200
<v Speaker 1>Mosconciones and the last record I made that it was

0:53:31.239 --> 0:53:34.120
<v Speaker 1>called that was in the last record I made, it's

0:53:34.160 --> 0:53:39.600
<v Speaker 1>called Winter light. And you know, you encountered a lot

0:53:39.640 --> 0:53:43.319
<v Speaker 1>in your career people saying no, and you ended up.

0:53:43.719 --> 0:53:46.080
<v Speaker 1>You know, how to tell me how those battles went

0:53:46.160 --> 0:53:49.600
<v Speaker 1>down with the record company, Well, they thought it was

0:53:49.640 --> 0:53:53.200
<v Speaker 1>a mistake career was to do them. And I said,

0:53:53.520 --> 0:53:57.120
<v Speaker 1>I'm doing them in any way. And because I couldn't

0:53:57.160 --> 0:54:00.279
<v Speaker 1>hear them, I could just hear the music. And to

0:54:00.360 --> 0:54:04.760
<v Speaker 1>their credit, people like Joe Smith are really old fashioned

0:54:04.760 --> 0:54:08.080
<v Speaker 1>record man and they knew how to sell records and

0:54:08.600 --> 0:54:10.719
<v Speaker 1>they stepped up and promoted it. And the same way

0:54:10.760 --> 0:54:13.239
<v Speaker 1>with Peter Asher. He couldn't have cared less about Mexic music.

0:54:13.280 --> 0:54:15.719
<v Speaker 1>You never heard it. I said, I just have to

0:54:15.760 --> 0:54:19.360
<v Speaker 1>do this, and he put his head to the to

0:54:19.520 --> 0:54:22.120
<v Speaker 1>the he put his shoulder in the wheel and did it.

0:54:22.400 --> 0:54:25.640
<v Speaker 1>He did a really good job. He didn't try to

0:54:25.640 --> 0:54:29.000
<v Speaker 1>get in my way. And you talk about Peter Asher,

0:54:29.040 --> 0:54:31.799
<v Speaker 1>you've worked with multiple producers. What's the key to a

0:54:31.840 --> 0:54:35.919
<v Speaker 1>good producer? I think they work in so many different ways.

0:54:35.920 --> 0:54:39.480
<v Speaker 1>Sometimes the producer controls the material and the way it's approached.

0:54:40.000 --> 0:54:43.640
<v Speaker 1>Sometimes the artist does, and sometimes the backing band does.

0:54:44.800 --> 0:54:47.080
<v Speaker 1>And it's a lot of subtle nuance of trade offs.

0:54:47.560 --> 0:54:49.839
<v Speaker 1>I think the producer is someone who listens and makes

0:54:50.760 --> 0:54:58.880
<v Speaker 1>carefully considered suggestions. Now the rage today is people selling

0:54:58.920 --> 0:55:03.919
<v Speaker 1>their publishing. Uh, you only wrote a handful of songs,

0:55:05.480 --> 0:55:11.319
<v Speaker 1>you know, right, A lot of the money is in publishing.

0:55:12.160 --> 0:55:15.920
<v Speaker 1>So how you know? Were the record companies honest with

0:55:15.960 --> 0:55:19.120
<v Speaker 1>you and paying you royalties back in the day, I

0:55:19.160 --> 0:55:23.360
<v Speaker 1>don't know. Let me put it differently, how are you

0:55:23.480 --> 0:55:29.880
<v Speaker 1>doing financially? Well, that's a pretty fucking personal question. But

0:55:29.920 --> 0:55:34.120
<v Speaker 1>I'm doing fine. I sold my catalog. You you sold

0:55:34.160 --> 0:55:37.400
<v Speaker 1>the catalog. I was doing fine before that. I had

0:55:37.440 --> 0:55:40.600
<v Speaker 1>a good business manager and I didn't spend a lot

0:55:40.640 --> 0:55:46.640
<v Speaker 1>of money. So you sold your royalties and all your records. Yeah,

0:55:47.120 --> 0:55:50.279
<v Speaker 1>how long would you do that? Oh? I don't know.

0:55:50.320 --> 0:55:53.840
<v Speaker 1>A year ago. Maybe it's based on twenty years of earnings.

0:55:54.800 --> 0:55:58.280
<v Speaker 1>He'll he'll recoup his investment in twenty years. I won't

0:55:58.280 --> 0:56:00.120
<v Speaker 1>be here in twenty years, so I don't care. It's

0:56:00.120 --> 0:56:03.960
<v Speaker 1>gonna have money. Now. Did you buy or do anything

0:56:04.680 --> 0:56:06.759
<v Speaker 1>uh that you now that you have this money? Or

0:56:06.760 --> 0:56:09.600
<v Speaker 1>did you just bank it? Well? I was going to

0:56:09.680 --> 0:56:11.319
<v Speaker 1>buy a house, but I saw what the prices are

0:56:11.360 --> 0:56:16.840
<v Speaker 1>up here, and I nearly fainted. I'm still on the floor, okay,

0:56:16.880 --> 0:56:19.560
<v Speaker 1>And what do you want people to get out of

0:56:19.600 --> 0:56:24.480
<v Speaker 1>this book? Feels like home. There's just another side to Mexico,

0:56:24.800 --> 0:56:28.120
<v Speaker 1>to that part of Mexico, and that party has been

0:56:28.160 --> 0:56:33.880
<v Speaker 1>a cohesive, singular piece of real estate since before um

0:56:34.280 --> 0:56:40.240
<v Speaker 1>Arizona was before Mexico is Arizona, and that they should

0:56:40.440 --> 0:56:44.240
<v Speaker 1>recognize what what similarities there between themselves and the people's

0:56:44.239 --> 0:56:49.160
<v Speaker 1>houves of the border. And you had brothers and sisters,

0:56:50.000 --> 0:56:54.000
<v Speaker 1>unfortunately two were no longer with us. Was their pressure

0:56:54.040 --> 0:56:56.400
<v Speaker 1>when you have this huge success to take care of

0:56:56.440 --> 0:57:00.840
<v Speaker 1>the rest of your family financially? Well, it changed it.

0:57:01.160 --> 0:57:05.680
<v Speaker 1>I didn't care my family financially. They were all gamefully employed. Well,

0:57:05.719 --> 0:57:09.959
<v Speaker 1>I mean it's tough that you were so successful. Did

0:57:10.000 --> 0:57:15.799
<v Speaker 1>your siblings revel in your success? Were they jealous? Well,

0:57:15.800 --> 0:57:18.400
<v Speaker 1>they didn't want to be professional singers that went on

0:57:18.440 --> 0:57:20.600
<v Speaker 1>the road. My brother was the chief of police of Tucson,

0:57:21.400 --> 0:57:24.600
<v Speaker 1>like his job just fine. My sister strad five kids.

0:57:25.440 --> 0:57:28.040
<v Speaker 1>I wanted to be a housewife. And did you help

0:57:28.080 --> 0:57:33.360
<v Speaker 1>support them? Not really, okay, because a lot of people

0:57:33.440 --> 0:57:36.560
<v Speaker 1>become successful and their family starts asking them for money.

0:57:36.600 --> 0:57:42.439
<v Speaker 1>That wasn't your experience? Well, not particularly if I want

0:57:42.440 --> 0:57:44.840
<v Speaker 1>to go for good Mexican food in l A. Where

0:57:44.840 --> 0:57:47.400
<v Speaker 1>should I go? I don't know. I haven't lived in

0:57:47.520 --> 0:57:51.200
<v Speaker 1>l A for twenty years. Well, you know, can you

0:57:51.240 --> 0:57:53.960
<v Speaker 1>mention any Mexican restaurants or do we really have to

0:57:54.040 --> 0:57:56.680
<v Speaker 1>go to Tucson to get the kind of food that

0:57:56.800 --> 0:58:00.600
<v Speaker 1>you like if you want good Mexican food. Way of January,

0:58:00.720 --> 0:58:04.320
<v Speaker 1>Lucy's Ill Adobe is reopening with the original owner and

0:58:04.360 --> 0:58:07.280
<v Speaker 1>the original recipes. It's going to be a great place

0:58:07.320 --> 0:58:11.240
<v Speaker 1>to eat. It's like it wasn't the seventies. What did

0:58:11.240 --> 0:58:19.000
<v Speaker 1>you use to order at Lucy's Green enchiladas? Really? And

0:58:19.080 --> 0:58:22.400
<v Speaker 1>are you a meat eater or not? I meet if

0:58:22.440 --> 0:58:26.120
<v Speaker 1>I have to? Okay, Linda, I want to thank you

0:58:26.160 --> 0:58:28.080
<v Speaker 1>so much for taking the time to talk to me

0:58:28.160 --> 0:58:31.680
<v Speaker 1>in my audience. Once again. Linda Ronstad has a new book,

0:58:31.800 --> 0:58:36.440
<v Speaker 1>Feels Like Home, a Song for the Sonoran Borderlands, and

0:58:36.560 --> 0:58:41.040
<v Speaker 1>so thanks again, Linda, thank you so much. Hi until

0:58:41.120 --> 0:58:43.160
<v Speaker 1>next time. This is Bob left Steps