WEBVTT - "Boutique Hotels" w/ Cole Escola RE-RELEASE

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<v Speaker 1>Hoody.

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<v Speaker 2>Who everyone, It's me George. I have bad news and

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<v Speaker 2>I have good news. Bad news is that there's no

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<v Speaker 2>new episode this week because we are both traveling and

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<v Speaker 2>working and of course celebrating Pride, which is a full

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<v Speaker 2>time job with terrible benefits. And also some of us

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<v Speaker 2>are getting married and there's just a lot.

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<v Speaker 1>Going on over at Straight or liab HQ.

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<v Speaker 2>But I promise we will be back next week with

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<v Speaker 2>a whole new episode. We are quite literally recording two

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<v Speaker 2>new episodes tomorrow in studio in New York with some

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<v Speaker 2>really great guests, So I promise we will be back

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<v Speaker 2>very soon. So that is the bad news. The good

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<v Speaker 2>news is that to celebrate our friend Cola scolas Tony

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<v Speaker 2>Award win for their smash hit play Oh Mary, we

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<v Speaker 2>have decided to re release their episode from a little

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<v Speaker 2>over a year ago, when I believe they were promoting

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<v Speaker 2>the off Broadway run of the play before it had

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<v Speaker 2>even extended off Broadway.

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<v Speaker 1>So a lot can happen in a year. We are so.

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<v Speaker 2>Proud of Tony Award winner and two time Stradio Lab

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<v Speaker 2>guests Cola Scola for all their success and Cole. If

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<v Speaker 2>you're listening, please text us back. We really want you

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<v Speaker 2>to connect us to Nicole Scherzinger. We think should be

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<v Speaker 2>such a good guest on the podcast. I think we

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<v Speaker 2>would have a lot to talk about. I think we

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<v Speaker 2>have a lot in common, and so we are looking

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<v Speaker 2>forward to your response. Enjoy the episode.

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<v Speaker 3>Bye.

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<v Speaker 1>Podcast starts now.

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<v Speaker 2>I already have a thought, which is I'm going to

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<v Speaker 2>bring back Zippit.

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<v Speaker 1>You're bringing back zippit.

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<v Speaker 2>Yeah, you brought back me thinks, which I think, first

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<v Speaker 2>of all worked one.

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<v Speaker 1>It swept the world by storm.

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<v Speaker 2>People think we might people might think we're joking if

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<v Speaker 2>they were not up to date with our Instagram stories.

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<v Speaker 2>Let's say, but literally a week after you said we're

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<v Speaker 2>bringing back me things, none other than Taylor Swift posted

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<v Speaker 2>meat Things methinks.

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<v Speaker 4>The methings movement was a huge success.

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<v Speaker 2>I do think the meathinks movement well, you know, now,

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<v Speaker 2>with the benefit of hindsight, did it go too far?

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<v Speaker 4>Maybe it did get too big where it started as

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<v Speaker 4>sort of a you know, alt community, and then it

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<v Speaker 4>became so mainstream so fast that even I found myself

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<v Speaker 4>being like, no, I don't even like me thinks.

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<v Speaker 1>You know.

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<v Speaker 2>The methinks movement started as people telling their stories, and

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<v Speaker 2>they were necessary, but at some point you start thinking,

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<v Speaker 2>do they just want attention?

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<v Speaker 4>Yeah, so you're gonna do that with zippit.

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<v Speaker 2>I'm gonna do that with zippit. By the way, I

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<v Speaker 2>don't actually believe what I just said. That was a

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<v Speaker 2>sort of harmless bit.

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<v Speaker 4>We play characters on it.

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<v Speaker 2>We play characters on this podcast. I'm a huge feminist

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<v Speaker 2>and everyone knows that. I do think I'm gonna I

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<v Speaker 2>think zip it is such a fun way to say

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<v Speaker 2>shut up.

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<v Speaker 4>I mean it's so nineties. Yeah, and even like the bit,

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<v Speaker 4>like the zip like, yes, playing with.

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<v Speaker 1>It so have a word that starts with a Z

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<v Speaker 1>is so rare? So rarely am I saying getting rare? Logical?

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<v Speaker 4>Yes, Zelda, Well I said that a fair mountain my day.

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<v Speaker 1>Okay, Well, I'm not a gamer like you. You know.

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<v Speaker 2>I had a friend who had a launched a bottled

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<v Speaker 2>cocktail company called Zuzu. I said, that is the best

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<v Speaker 2>name for this is not a joke. Actually a very

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<v Speaker 2>good friend of mine, and I was like, that is

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<v Speaker 2>such a genius name because everyone wants to say more z's.

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<v Speaker 4>Everyone's craving more z's in their life. So I think

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<v Speaker 4>zip it could be could be big. I think zip

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<v Speaker 4>it could be huge. And I told you this last night. Yeah,

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<v Speaker 4>but I'm actually loving the semi irony of exclaiming make

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<v Speaker 4>it make sense.

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<v Speaker 1>Oh you love make it make sense?

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<v Speaker 4>I think make it makes sense is so funny. It's

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<v Speaker 4>like just vintage enough where it's like some people still.

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<v Speaker 1>Say it for real and it's rooted in truth.

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<v Speaker 2>Sometimes you are like, make it make sense, but it's such.

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<v Speaker 4>A stupid Internet phrase. That is like saying it out

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<v Speaker 4>in the wild as if it's normal. Is very like

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<v Speaker 4>blurg core's ho true? Do you think does everyone understand

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<v Speaker 4>blurg is shorthand.

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<v Speaker 2>Wait, hold on, you mean blurg as a metam is

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<v Speaker 2>the right word.

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<v Speaker 1>Blurg is a.

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<v Speaker 2>Categor categorization of specific Internet language and and type of

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<v Speaker 2>humor that's very sort of like on the spectrum of

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<v Speaker 2>love these beautiful humans. Yeah, love these beautiful humans is

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<v Speaker 2>one end and the other end is the interwebs, yes, exactly,

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<v Speaker 2>and Blurg is in the middle.

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<v Speaker 4>Blurg is center.

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<v Speaker 1>To be clear, the entire spectrum is morally bankrupt.

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<v Speaker 4>Of course, but it's important to recognize that there are

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<v Speaker 4>differences within the culture.

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<v Speaker 1>I sort of God, someone needs to write an essay

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<v Speaker 1>about how.

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<v Speaker 2>I've been saying this for years. It's the it's it's

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<v Speaker 2>my term that I coin half humor, which is when

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<v Speaker 2>something gestures at being funny but is not actually funny.

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<v Speaker 4>Is blurgcore different than half humor?

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<v Speaker 2>No, it's I would say blurg interwebs and these beautiful

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<v Speaker 2>humans are all part of like the initial wave of

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<v Speaker 2>half humor, and I think currently half humor is like

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<v Speaker 2>Joe Biden posting Dark Brandon memes. We do have to

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<v Speaker 2>bring in our guests, but I want to I want

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<v Speaker 2>to torture them even further by talking about something that

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<v Speaker 2>I know they want to comment on while they're not.

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<v Speaker 1>Allowed to speak chastity play.

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<v Speaker 2>We were talking about how our guest and again they

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<v Speaker 2>will say this themselves, but they were saying that they

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<v Speaker 2>liked being part of a friend group of three. And

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<v Speaker 2>MY response was that is the worst number for a

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<v Speaker 2>friend group because inevitably someone gets left out. There are

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<v Speaker 2>two best friends and one sort of like flop third.

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<v Speaker 1>I completely disagree.

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<v Speaker 4>Now, I think a three group of friends is like

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<v Speaker 4>there's checks and balances there.

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<v Speaker 3>Well.

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<v Speaker 2>From a social justice perspective, undoubtedly it's the right choice,

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<v Speaker 2>but I'm saying like in practice. Listen, it's like, how

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<v Speaker 2>of course commune it would work, but show me where

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<v Speaker 2>it works in practice.

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<v Speaker 4>I also like that, you know, it sort of has

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<v Speaker 4>an engine churning to a three, like when someone's out

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<v Speaker 4>and they're like, okay, well then I'll do something to

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<v Speaker 4>get back in, and then and then and then they're like, okay,

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<v Speaker 4>well now we need to catch up to this, and

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<v Speaker 4>there's just sort of a they progress.

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<v Speaker 2>You're you're thinking as an improv comedian, and I think

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<v Speaker 2>for you and potentially for me, like for us, a

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<v Speaker 2>three way friend group would work because we all have

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<v Speaker 2>a sense of play within us. I think the average

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<v Speaker 2>person wants to be on top and the average person

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<v Speaker 2>wants to win. And when the average person is in

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<v Speaker 2>a group of three, they are looking.

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<v Speaker 1>Our guest is vigorously shaking their head. Yeah.

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<v Speaker 2>It is also not to state the obvious, very meta

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<v Speaker 2>so to speak, that we are currently banning the third

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<v Speaker 2>person in this friend group of speaking.

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<v Speaker 1>We know it's at the bottom right now.

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<v Speaker 2>Talking about the benefits slash drawbacks.

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<v Speaker 4>Of groups of three, Well, and this came up, I

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<v Speaker 4>will say, because you know we were talking and saying,

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<v Speaker 4>you know, we were are potentially going to do an

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<v Speaker 4>episode with just the two of us, and we were like,

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<v Speaker 4>neither of us seemed like like jumping at the at

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<v Speaker 4>that and I felt like it was sort of like

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<v Speaker 4>we were a couple that needed a third at all

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<v Speaker 4>times or to be engaged with each other.

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<v Speaker 1>It is a crutch, I guess, but it doesn't have

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<v Speaker 1>to be. It doesn't have to be. Maybe we don't

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<v Speaker 1>even bring in our guests. Ever, I would celebrate it.

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<v Speaker 2>And just sort of do an episode just two of us. Now,

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<v Speaker 2>why wait until the next session?

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<v Speaker 1>Why wait? I mean their time is flexible.

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<v Speaker 4>Yeah, they are freeing anything.

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<v Speaker 1>They're not promoting anything. This is a favorite of them, honestly. Yeah.

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<v Speaker 1>What I don't even like them that much?

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<v Speaker 4>No, no, no, what else would we like to say

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<v Speaker 4>that they would just would love to jump in on?

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<v Speaker 2>You know, what's the deal with Abraham Lincoln?

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<v Speaker 1>Say that?

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<v Speaker 2>I've always it's always a big question mark.

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<v Speaker 1>I pretty much get. Is he married? Okay, let's do it.

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<v Speaker 4>Our guest has steam coming out of their damn ears

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<v Speaker 4>at this point. Please welcome cold the school.

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<v Speaker 1>Hi. Hi. First of all, half humor is the lifeblood

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<v Speaker 1>of work.

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<v Speaker 2>Yes, half humor is very much like Icebreakers, corporate glatitude, latitudes, aphorisms,

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<v Speaker 2>badass culture.

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<v Speaker 1>It's you are a Badass, like the book You Are

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<v Speaker 1>a bad Ass? Have you seen that? In airport?

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<v Speaker 2>There's a book called I'm pretty sure it's called You

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<v Speaker 2>are a Badass, and it's like a self help book

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<v Speaker 2>with like a punchy humor.

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<v Speaker 4>H And Okay, that was one thing.

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<v Speaker 1>The other thing is in in groups of three, the

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<v Speaker 1>pressure is off to be.

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<v Speaker 4>The pressure is off. I see you can say just

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<v Speaker 4>two people and like it's silent. It's like I like,

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<v Speaker 4>I like being like, you know.

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<v Speaker 1>What they've got this?

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<v Speaker 4>I like that actually, And do you feel that way

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<v Speaker 4>in sex as well?

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<v Speaker 1>I do I feel that way in sex? Uh No,

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<v Speaker 1>it's a threesomes feel confusing, you know, because maybe you

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<v Speaker 1>don't want to way back. Well, well there's more sometimes

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<v Speaker 1>you way back, but there's there's more, there's more space.

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<v Speaker 1>If you're a little silent in a three way conversation

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<v Speaker 1>for a bit and you're taking a sip of water,

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<v Speaker 1>you're not thinking, wait, do they hate me? You're just

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<v Speaker 1>thinking I'm taking a break.

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<v Speaker 4>Sometimes I'm not thinking they hate me, but sometimes I

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<v Speaker 4>am thinking like they're boring. Oh, like I'm thinking like

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<v Speaker 4>this conversation is not that good because I'm not okay

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<v Speaker 4>during a conversation like.

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<v Speaker 1>Oh, during a conversation or during a three way during

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<v Speaker 1>a conversation, okay, okay, yeah, well and that's fine because

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<v Speaker 1>they've got it. They've got it, they've got it. You're like, Okay,

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<v Speaker 1>they're having they're boring conversation. I don't have to engage.

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<v Speaker 2>Yeah, sometimes i'll do a performative yawn.

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<v Speaker 1>I'll just be like.

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<v Speaker 4>That's a key role that a friend can play.

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<v Speaker 1>But I think more people want to be cocks than

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<v Speaker 1>they had cos yeap cocks.

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<v Speaker 2>Okay, Okay, I missed, I missed the start of this.

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<v Speaker 1>No you didn't, I didn't. That's pretty much pretty much it.

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<v Speaker 2>Okay, So do you think so you think there are

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<v Speaker 2>more people than are willing to admit it that want

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<v Speaker 2>to be cooked?

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<v Speaker 1>Yes? Yeah, I think you're of being like cheated on

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<v Speaker 1>is actually a desire to be yes, cheated on?

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<v Speaker 4>You know.

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<v Speaker 1>And the last topic that I brought when I was

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<v Speaker 1>on cheating Yeah, it is very straight.

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<v Speaker 2>I do think you're so right. Well, of course, every

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<v Speaker 2>thank you, everything you next I'm speaking I of course,

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<v Speaker 2>every big fear we have, including like nuclear war is

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<v Speaker 2>a desire for that.

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<v Speaker 4>Sure, Well that's the whole thing. I hate when people

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<v Speaker 4>are like, we're living in the end.

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<v Speaker 1>Time's talking about blurr humor end times. So okay ai

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<v Speaker 1>and I but it's like.

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<v Speaker 4>Clearly you're just like a narcissist, like you kind of

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<v Speaker 4>want it to end, Like I was there, Yeah, I

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<v Speaker 4>actually was there when it ended.

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<v Speaker 1>Yeah, so my story matters.

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<v Speaker 2>Well, that's also it's everyone thinks to living in the

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<v Speaker 2>worst possible time, and it's not because they have this

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<v Speaker 2>like incredible capacity for emphitheyic critique. It's because they have

0:11:35.040 --> 0:11:37.599
<v Speaker 2>literally main character syndrome and think they are living in

0:11:37.600 --> 0:11:38.000
<v Speaker 2>the most.

0:11:38.400 --> 0:11:39.360
<v Speaker 4>Called drive for death.

0:11:39.600 --> 0:11:45.839
<v Speaker 1>Yes, death drive yes, yes, huh hmm, okay.

0:11:45.640 --> 0:11:47.960
<v Speaker 4>Right to have down right, that's really smart, thank you.

0:11:48.080 --> 0:11:51.080
<v Speaker 4>I have a question regarding you brought up half humor

0:11:51.120 --> 0:11:54.560
<v Speaker 4>in the workplace specifically, would you rather there be half

0:11:54.640 --> 0:11:58.000
<v Speaker 4>humor or no humor? Because one thing this is interesting,

0:11:58.240 --> 0:12:00.400
<v Speaker 4>one thing that's tough about a workplace is like get

0:12:00.840 --> 0:12:04.160
<v Speaker 4>the utility of half humor? Well, absolutely, because you want

0:12:04.160 --> 0:12:06.880
<v Speaker 4>to be able to like it's sort of like we're friendly.

0:12:06.840 --> 0:12:12.040
<v Speaker 1>How how like Europeans are like either complain or are

0:12:12.160 --> 0:12:15.600
<v Speaker 1>are happy about how fake nice Americans are, like say,

0:12:16.040 --> 0:12:20.440
<v Speaker 1>everyone asking how's your day, but they don't really care.

0:12:21.200 --> 0:12:23.800
<v Speaker 2>You know, my grandma used to do this is going

0:12:23.880 --> 0:12:24.920
<v Speaker 2>to be a visual thing, so.

0:12:25.040 --> 0:12:28.320
<v Speaker 4>Okay, close your eyes everybody on YouTube if you're driving.

0:12:29.720 --> 0:12:33.240
<v Speaker 2>Episodes are full episodes available on our YouTube channel. My

0:12:33.280 --> 0:12:35.800
<v Speaker 2>grandmother used to do this. This is her impression of

0:12:35.840 --> 0:12:37.960
<v Speaker 2>an American and this. She used to do this when

0:12:37.960 --> 0:12:38.400
<v Speaker 2>we were kids.

0:12:38.440 --> 0:12:45.560
<v Speaker 1>She would go, uh huh, she would like, nice to

0:12:45.640 --> 0:12:48.839
<v Speaker 1>meet you. Yeah, she would like do a smile and

0:12:48.880 --> 0:12:51.560
<v Speaker 1>then immediately retract the smile because it's so fake.

0:12:51.840 --> 0:12:52.080
<v Speaker 4>Yeah.

0:12:52.400 --> 0:12:55.720
<v Speaker 1>Yeah, wow Russian queen. Yeah, she was an impressions queen.

0:12:55.800 --> 0:12:57.679
<v Speaker 1>She is actually still alive, so is.

0:12:57.640 --> 0:12:59.079
<v Speaker 4>It, but she lost her talent?

0:12:59.360 --> 0:12:59.840
<v Speaker 1>Yeah.

0:13:00.000 --> 0:13:02.880
<v Speaker 4>I feel like would you rather have have not?

0:13:02.880 --> 0:13:02.960
<v Speaker 1>Not?

0:13:03.120 --> 0:13:04.600
<v Speaker 4>That? The absence?

0:13:04.960 --> 0:13:05.720
<v Speaker 1>Well this is.

0:13:07.120 --> 0:13:10.080
<v Speaker 4>You know, some would argue yes, yes that you know,

0:13:10.120 --> 0:13:11.920
<v Speaker 4>that's sort of a New York versus La question.

0:13:12.360 --> 0:13:16.960
<v Speaker 1>Oh would those people's name be Sam Dagger? Look I

0:13:17.000 --> 0:13:18.120
<v Speaker 1>don't I wish I were.

0:13:19.679 --> 0:13:21.640
<v Speaker 4>Well, it's just like that is like, would you rather

0:13:21.679 --> 0:13:23.800
<v Speaker 4>people be like overly polite but you don't know what

0:13:23.800 --> 0:13:26.880
<v Speaker 4>they're thinking, or would overly kurt and but like honest.

0:13:27.280 --> 0:13:30.440
<v Speaker 4>But yeah, and I prefer Kurt been honest.

0:13:30.480 --> 0:13:32.880
<v Speaker 1>I agree. And I also think like when I.

0:13:32.840 --> 0:13:37.560
<v Speaker 4>Think you do the Sandra like no, ow, that was

0:13:37.600 --> 0:13:41.240
<v Speaker 4>so curt and honest. I feel like the Sandra Huler

0:13:41.320 --> 0:13:44.480
<v Speaker 4>interview cycle where she's being like like cold and they're like,

0:13:45.120 --> 0:13:46.839
<v Speaker 4>do you love MESSI the dog and she's like it's

0:13:46.920 --> 0:13:47.160
<v Speaker 4>just a.

0:13:47.120 --> 0:13:49.480
<v Speaker 1>Dog, like yeah, I love that.

0:13:49.600 --> 0:13:53.840
<v Speaker 2>Actually, yeah, Well my favorite Birther is sore Huler world

0:13:54.040 --> 0:13:55.840
<v Speaker 2>is how they people keep trying to make jokes about

0:13:55.840 --> 0:13:57.679
<v Speaker 2>the fact that she plays a literal Nazi and zone

0:13:57.720 --> 0:13:58.439
<v Speaker 2>of interest.

0:13:58.200 --> 0:13:59.640
<v Speaker 1>And she refuses to laugh along.

0:13:59.679 --> 0:14:05.000
<v Speaker 2>She's just like, that is not funny, and would.

0:14:04.720 --> 0:14:06.439
<v Speaker 1>You rather true it's not funny.

0:14:06.440 --> 0:14:09.680
<v Speaker 4>By the way, She's like wait, She's literally like, oh

0:14:09.760 --> 0:14:16.920
<v Speaker 4>my god, I'm just not realizing it's talk about Blurg.

0:14:17.920 --> 0:14:21.320
<v Speaker 1>I guess I'm a Nazi now, So that's normal.

0:14:21.400 --> 0:14:24.360
<v Speaker 4>Make it, make say make it make sense, make it

0:14:24.440 --> 0:14:26.120
<v Speaker 4>makes sense, make safe.

0:14:26.560 --> 0:14:28.520
<v Speaker 2>So here's my thing with half humor in the workplace

0:14:28.640 --> 0:14:32.840
<v Speaker 2>is it is keeping people just well behaved enough that

0:14:32.880 --> 0:14:36.920
<v Speaker 2>they don't like it's very I'm so sorry capital yeah, yes,

0:14:36.960 --> 0:14:45.480
<v Speaker 2>it's like it's in fact Neil Liberal. Yes, because if

0:14:45.600 --> 0:14:47.960
<v Speaker 2>because that is literally what like the difference is between

0:14:48.080 --> 0:14:52.440
<v Speaker 2>soothing cube exactly, between cubicle culture and bouncy balls.

0:14:52.680 --> 0:14:59.280
<v Speaker 4>What sorry, what was so funny? Well, I'm not trying

0:14:59.320 --> 0:15:01.040
<v Speaker 4>to make fun of you, but you said it weird,

0:15:01.400 --> 0:15:02.200
<v Speaker 4>weird cubicle.

0:15:02.640 --> 0:15:03.520
<v Speaker 1>Yeah, what did I say?

0:15:03.640 --> 0:15:06.960
<v Speaker 4>You said, like, cubical cubacal, Like, it's very cub it's

0:15:07.720 --> 0:15:09.760
<v Speaker 4>a more like cere.

0:15:09.160 --> 0:15:16.560
<v Speaker 1>You working at cubical. Oh, yes, that's not cubical cubicle. Yeah,

0:15:16.640 --> 0:15:20.640
<v Speaker 1>it's I would fake fake half humor. Recently, I said to.

0:15:20.640 --> 0:15:23.800
<v Speaker 2>Someone, so I was talking about like going to high

0:15:23.800 --> 0:15:25.200
<v Speaker 2>school in Greece, and I was like, yeah, but you

0:15:25.200 --> 0:15:26.760
<v Speaker 2>know I lived here in my early childhood. That's so

0:15:26.760 --> 0:15:29.000
<v Speaker 2>I don't have an accent. And they go, I think

0:15:29.000 --> 0:15:32.360
<v Speaker 2>you have a slight accent. I was like, WHOA. First

0:15:32.360 --> 0:15:36.520
<v Speaker 2>of all, that's that's for me to decide. Yeah, but

0:15:36.600 --> 0:15:37.880
<v Speaker 2>I guess I said the word cubicle.

0:15:38.320 --> 0:15:39.240
<v Speaker 1>Yeah, I think that was it.

0:15:39.640 --> 0:15:42.200
<v Speaker 4>That was such a deep Greek accent that where we're

0:15:42.240 --> 0:15:49.120
<v Speaker 4>all like, ask George George to say cubicle. Wait before

0:15:49.120 --> 0:15:53.760
<v Speaker 4>I got distracted, Yes, who cares? Just about half humor in.

0:15:53.760 --> 0:15:56.200
<v Speaker 2>The humor in the workplace now, I'm worried that I'm not.

0:15:56.240 --> 0:15:58.040
<v Speaker 2>I have to be the one to write this essay,

0:15:58.120 --> 0:16:00.000
<v Speaker 2>and now that I've said it publicly, someone else is

0:16:00.000 --> 0:16:01.720
<v Speaker 2>gonna write it. Gia Tolantino is going to step in

0:16:01.760 --> 0:16:02.920
<v Speaker 2>and write the essay about half Humor.

0:16:03.040 --> 0:16:07.480
<v Speaker 1>Well, you know what, it'll be a good essay. Yeah, yeah,

0:16:07.840 --> 0:16:10.400
<v Speaker 1>I can do it. Well, but but do you have

0:16:10.600 --> 0:16:11.600
<v Speaker 1>but you can't do it?

0:16:11.880 --> 0:16:15.160
<v Speaker 4>Put your mind to it, right exactly, Yeah, Ga, puts

0:16:15.200 --> 0:16:24.040
<v Speaker 4>pen to paper. That's just true that anyone else.

0:16:24.120 --> 0:16:27.680
<v Speaker 2>Okay, Well, I'm okay, I'm committing that in the next

0:16:27.720 --> 0:16:30.280
<v Speaker 2>calendar year, I will publish my essay on half Humor.

0:16:31.040 --> 0:16:33.440
<v Speaker 2>And I don't care if it's in Barry white is

0:16:33.480 --> 0:16:35.680
<v Speaker 2>sub Stack. It's going to get published.

0:16:35.960 --> 0:16:36.840
<v Speaker 4>Wow.

0:16:36.320 --> 0:16:37.440
<v Speaker 1>Wow, that's right.

0:16:37.440 --> 0:16:41.280
<v Speaker 2>I'm gonna go right wings like no one else will

0:16:41.280 --> 0:16:41.760
<v Speaker 2>publish you.

0:16:42.200 --> 0:16:50.000
<v Speaker 1>I don't know, so col Okay, let's let's cut the ship.

0:16:50.360 --> 0:16:52.240
<v Speaker 1>The ship. So you have a show at Union Hall

0:16:52.360 --> 0:16:52.760
<v Speaker 1>or something.

0:16:53.080 --> 0:16:56.120
<v Speaker 4>Yes, it's called Justice Gals.

0:16:57.120 --> 0:17:01.400
<v Speaker 1>And it's sort of like it's all like the like

0:17:01.440 --> 0:17:03.840
<v Speaker 1>your funny friends, Like it's just like listening to your

0:17:03.840 --> 0:17:05.240
<v Speaker 1>funny friends totally.

0:17:05.400 --> 0:17:08.200
<v Speaker 4>Yeah, and this is a spin off of your previous show.

0:17:08.320 --> 0:17:12.440
<v Speaker 4>LGBT lol. Right, yeah, yeah, I love that show.

0:17:12.560 --> 0:17:14.560
<v Speaker 1>Thank you. That was a huge hit. Yeah, I mean

0:17:14.600 --> 0:17:15.680
<v Speaker 1>it was a different time. It was.

0:17:15.760 --> 0:17:17.760
<v Speaker 4>It was a different time. I feel bad about like

0:17:17.800 --> 0:17:19.520
<v Speaker 4>a lot of the stuff that we said, but.

0:17:20.080 --> 0:17:22.760
<v Speaker 1>Yeah, well the time I can't publicly talk about a

0:17:22.760 --> 0:17:25.200
<v Speaker 1>lot of it because of a lot souit no exactly exactly,

0:17:25.200 --> 0:17:27.160
<v Speaker 1>which is a blessing and a curse.

0:17:27.400 --> 0:17:31.159
<v Speaker 4>Yeah, monetarily a curse, but like public relations wise, a blessing.

0:17:34.080 --> 0:17:37.320
<v Speaker 1>I don't have a show at Union Hall. I'm sorry,

0:17:37.680 --> 0:17:39.840
<v Speaker 1>So you either want to tell you we are like.

0:17:39.920 --> 0:17:42.119
<v Speaker 4>Some we're playing this weird game where we're like not

0:17:42.720 --> 0:17:45.440
<v Speaker 4>saying your show. And also that's fine.

0:17:45.240 --> 0:17:48.000
<v Speaker 2>It's funny because we of course to us, it's obvious

0:17:48.040 --> 0:17:51.000
<v Speaker 2>what the show is. But I realized that the not

0:17:51.080 --> 0:17:54.320
<v Speaker 2>the whole point, part of the point of us talking

0:17:54.440 --> 0:17:54.840
<v Speaker 2>is to.

0:17:54.880 --> 0:17:58.239
<v Speaker 1>Promote the show. Well, not that it needs it, not

0:17:58.280 --> 0:17:59.960
<v Speaker 1>that it needs well, that's the thing. It is so load.

0:18:00.359 --> 0:18:03.720
<v Speaker 1>It is sold out, but we just added one more week.

0:18:04.000 --> 0:18:06.000
<v Speaker 2>Oh well, this is going to make all the difference,

0:18:06.000 --> 0:18:07.920
<v Speaker 2>because I heard that one that extra week actually is

0:18:08.000 --> 0:18:09.320
<v Speaker 2>not so yeah.

0:18:09.119 --> 0:18:11.399
<v Speaker 4>That one the last week last week it sold up

0:18:11.440 --> 0:18:12.640
<v Speaker 4>until that last week.

0:18:12.440 --> 0:18:14.240
<v Speaker 2>You thought you were like, you got really cocky and

0:18:14.280 --> 0:18:16.320
<v Speaker 2>you were like, wow, it's sold out an extra week.

0:18:16.520 --> 0:18:19.200
<v Speaker 1>Yeah, but it's one week. Everyone that wanted tickets.

0:18:19.240 --> 0:18:20.680
<v Speaker 4>They got them, they got them.

0:18:20.920 --> 0:18:23.919
<v Speaker 1>They're good. Yeah, but yeah, it's.

0:18:23.960 --> 0:18:25.919
<v Speaker 2>Called Oh Mary, if we're gonna be honest for a.

0:18:25.920 --> 0:18:27.280
<v Speaker 4>Secon, if we can be honest, if we can cut

0:18:27.280 --> 0:18:27.879
<v Speaker 4>the bullshit and.

0:18:27.960 --> 0:18:29.879
<v Speaker 2>Got the bullshit and be kurt and honest like New

0:18:29.920 --> 0:18:34.240
<v Speaker 2>Yorkers rather than a Los Angeles sort of like talking yep, yep,

0:18:34.320 --> 0:18:38.560
<v Speaker 2>yep without anything, thank you. And we've both seen it obviously.

0:18:38.720 --> 0:18:41.880
<v Speaker 2>Of course, here's the thing. Here's my thing with the show.

0:18:41.960 --> 0:18:45.359
<v Speaker 2>With with this show is like every superletive about it

0:18:45.400 --> 0:18:46.760
<v Speaker 2>has been said, and I agree with all of them,

0:18:46.760 --> 0:18:48.280
<v Speaker 2>and I'm like, what original thing can I.

0:18:48.280 --> 0:18:51.600
<v Speaker 1>Say that we'll add to it. Yeah, And also.

0:18:51.880 --> 0:18:55.080
<v Speaker 2>I know Cole can see through fake praise. It's like

0:18:56.040 --> 0:19:00.000
<v Speaker 2>so so I'm like there's another layer where I'm like, Okay,

0:19:00.400 --> 0:19:00.840
<v Speaker 2>I think the.

0:19:00.800 --> 0:19:04.280
<v Speaker 1>Best thing you could say is enough has been said

0:19:04.320 --> 0:19:04.840
<v Speaker 1>about it.

0:19:04.920 --> 0:19:09.000
<v Speaker 4>Oh that's really smart and it's fine, and.

0:19:08.720 --> 0:19:12.080
<v Speaker 1>Enough's been said about it. It's good. No, no, but

0:19:12.200 --> 0:19:13.600
<v Speaker 1>let's not no, but it is.

0:19:13.640 --> 0:19:16.840
<v Speaker 2>Actually it is one of those rare things that is

0:19:16.880 --> 0:19:19.560
<v Speaker 2>in fact as good as everyone says it is. And

0:19:19.600 --> 0:19:21.399
<v Speaker 2>then you're like, well, it sort of sucks that we

0:19:21.520 --> 0:19:23.720
<v Speaker 2>used up all the superlatives to talk about.

0:19:23.480 --> 0:19:25.520
<v Speaker 1>Like salt burn.

0:19:25.760 --> 0:19:28.800
<v Speaker 4>Yeah, soup and salt super and salt burn.

0:19:28.880 --> 0:19:29.120
<v Speaker 1>Yeah.

0:19:29.400 --> 0:19:32.200
<v Speaker 4>No, it's an incredible show, absolutely groundbreaking.

0:19:32.680 --> 0:19:34.560
<v Speaker 1>Yeah it really, it just is.

0:19:34.680 --> 0:19:36.800
<v Speaker 4>You're one of the greatest we've got, and you know it,

0:19:36.920 --> 0:19:40.840
<v Speaker 4>and you know it, and this is such a perfect encapsulation.

0:19:41.920 --> 0:19:43.400
<v Speaker 1>And taste and performance.

0:19:43.520 --> 0:19:44.880
<v Speaker 2>And you know, I say this as someone who goes

0:19:44.920 --> 0:19:46.840
<v Speaker 2>a lot of theater coal and I go to very little.

0:19:46.920 --> 0:19:48.720
<v Speaker 2>I'm always, I'm always this is a grandmother.

0:19:48.960 --> 0:19:49.520
<v Speaker 1>I get both.

0:19:49.640 --> 0:19:53.359
<v Speaker 2>And yeah, and I'll tell you something. A lot of

0:19:53.359 --> 0:19:55.080
<v Speaker 2>it is not good theater.

0:19:55.320 --> 0:19:55.840
<v Speaker 1>Theaters.

0:19:56.600 --> 0:19:59.159
<v Speaker 4>Theater is a lot of gorgeous theater.

0:19:59.520 --> 0:20:00.760
<v Speaker 1>A lot of it is also good.

0:20:00.880 --> 0:20:02.560
<v Speaker 2>Yeah, but would you not agree that a lot of

0:20:02.560 --> 0:20:03.399
<v Speaker 2>it is not I'm.

0:20:03.280 --> 0:20:06.359
<v Speaker 1>Trying to you're trying to rewards right now, Okay, so

0:20:06.480 --> 0:20:07.719
<v Speaker 1>please campaign and campaigning.

0:20:08.000 --> 0:20:09.520
<v Speaker 4>You know, I gotta I can't burn any bridges.

0:20:09.600 --> 0:20:10.600
<v Speaker 1>Right. Here's a question for you.

0:20:10.680 --> 0:20:14.000
<v Speaker 2>So in this play, oh Mary, you play Mary Todd Lincoln. Yes,

0:20:14.440 --> 0:20:20.280
<v Speaker 2>if let's say, suddenly you're cast in a Marvel movie

0:20:20.320 --> 0:20:22.920
<v Speaker 2>as bat Girl. Yes, you have to leave the show.

0:20:23.760 --> 0:20:25.280
<v Speaker 2>Who would you cast to play?

0:20:25.320 --> 0:20:29.240
<v Speaker 1>Oh I am. I am already like a thousand steps ahead,

0:20:29.320 --> 0:20:33.760
<v Speaker 1>Like I can't wait for other people to play. Really, yes,

0:20:34.160 --> 0:20:36.560
<v Speaker 1>I would prefer not. You don't want to say yeah

0:20:36.640 --> 0:20:38.000
<v Speaker 1>to be No, I would prefer not to be.

0:20:38.359 --> 0:20:42.520
<v Speaker 4>Oh really yeah, that's that's shocking to me. No, No,

0:20:42.560 --> 0:20:43.359
<v Speaker 4>it's exhausting.

0:20:43.760 --> 0:20:44.760
<v Speaker 1>Well, I mean it's fun.

0:20:45.119 --> 0:20:47.320
<v Speaker 4>It's the most fun I've round, Like hell, to be honest,

0:20:47.320 --> 0:20:49.320
<v Speaker 4>I mean yeah, eight shows a week, shows a week,

0:20:49.560 --> 0:20:52.040
<v Speaker 4>I mean is crazy. That's what theater people do.

0:20:52.359 --> 0:20:53.440
<v Speaker 1>You know, that's what we do.

0:20:54.160 --> 0:20:55.760
<v Speaker 4>Oh, we do, that's what we do.

0:20:57.720 --> 0:20:58.960
<v Speaker 1>I mean I have.

0:20:58.920 --> 0:21:01.480
<v Speaker 4>One podcast in a day and I say, oh, yeah,

0:21:01.560 --> 0:21:04.240
<v Speaker 4>I can't do this anymore. I would love.

0:21:05.240 --> 0:21:09.600
<v Speaker 1>I've fantasized about Titus Burgess playing that is Mary Todd Lincoln,

0:21:10.480 --> 0:21:13.440
<v Speaker 1>Donna Murphy. Oh my god, should be amazing. The two

0:21:13.480 --> 0:21:17.520
<v Speaker 1>of them together sort of like every other word, you know,

0:21:19.000 --> 0:21:21.840
<v Speaker 1>arms linked, like looking at each other instead of like

0:21:22.000 --> 0:21:25.320
<v Speaker 1>I mean you say something, yeah.

0:21:24.680 --> 0:21:26.640
<v Speaker 4>Any but like I would love.

0:21:27.160 --> 0:21:33.080
<v Speaker 1>When I was in auditions for the understudy, I was like, oh,

0:21:33.119 --> 0:21:35.199
<v Speaker 1>this is a good role for someone.

0:21:35.280 --> 0:21:38.320
<v Speaker 4>Oh, it absolutely is That's so shocking to me really,

0:21:38.359 --> 0:21:40.360
<v Speaker 4>just because it was like, it's so you and it's

0:21:40.400 --> 0:21:44.000
<v Speaker 4>so like, it's hard. Don't trust my writing. What are

0:21:44.000 --> 0:21:51.159
<v Speaker 4>you trying to say here? No, it's it's hard to imagine.

0:21:51.200 --> 0:21:52.600
<v Speaker 4>I'm sure it would be possible, but.

0:21:52.600 --> 0:21:54.479
<v Speaker 2>Yeah, yeah, yeah, I think this is something people have

0:21:54.480 --> 0:21:56.959
<v Speaker 2>been surprised or not surprised by. But you know, you

0:21:57.040 --> 0:22:00.600
<v Speaker 2>hear Cola Scola doing a let's say, I initially thought

0:22:00.600 --> 0:22:02.080
<v Speaker 2>it was like a solo show, like the one person.

0:22:02.080 --> 0:22:05.520
<v Speaker 1>That's what I was hoping. Like, now I'm sort of like,

0:22:06.000 --> 0:22:09.320
<v Speaker 1>I'm sad that the moment's over where everyone was like, oh,

0:22:09.359 --> 0:22:11.320
<v Speaker 1>this is going to be Cole throwing on a wig

0:22:11.520 --> 0:22:14.399
<v Speaker 1>on a stage alone, yes, and then the surprise of

0:22:14.440 --> 0:22:16.320
<v Speaker 1>it being a capital.

0:22:16.040 --> 0:22:19.240
<v Speaker 2>Oh that was planned. The surprise of it like you well.

0:22:19.080 --> 0:22:22.600
<v Speaker 1>Yes, I mean I knew that's what people's expectators might be.

0:22:22.600 --> 0:22:25.800
<v Speaker 2>But I do think that is yeah, I mean that

0:22:25.920 --> 0:22:27.959
<v Speaker 2>is the big surprise where we're like, oh, this is

0:22:28.000 --> 0:22:29.560
<v Speaker 2>like full on a play.

0:22:29.760 --> 0:22:30.520
<v Speaker 1>Yeah yeah.

0:22:30.640 --> 0:22:35.280
<v Speaker 4>With the cast, the gorgeous actors. I wish I could

0:22:35.320 --> 0:22:38.560
<v Speaker 4>tell you any of their names right now. Sweet people,

0:22:38.800 --> 0:22:42.280
<v Speaker 4>sweet sweet people. They smile at me every day I

0:22:42.359 --> 0:22:44.800
<v Speaker 4>just love them all. They respect all my boundaries, don't

0:22:44.800 --> 0:22:46.199
<v Speaker 4>make icon tact.

0:22:45.840 --> 0:22:48.399
<v Speaker 1>I don't ask me how I'm doing. Yeah, that's and

0:22:48.440 --> 0:22:51.000
<v Speaker 1>that's really not Have any of them been like James

0:22:51.000 --> 0:22:54.760
<v Speaker 1>Scully or contra James. No, we haven't had them unkily,

0:22:55.119 --> 0:22:57.120
<v Speaker 1>none of them. Nobody so funny.

0:22:57.200 --> 0:22:59.119
<v Speaker 4>Yeah, she's funny.

0:22:59.200 --> 0:23:02.360
<v Speaker 1>I saw her when I was eighteen, my first year

0:23:02.359 --> 0:23:05.120
<v Speaker 1>in New York, my first Christmas alone in New York.

0:23:05.160 --> 0:23:08.960
<v Speaker 1>I saw trans America and she that movie with she

0:23:09.000 --> 0:23:11.040
<v Speaker 1>was in trans America. Yeah, do you remember she goes

0:23:11.119 --> 0:23:12.880
<v Speaker 1>I don't even remember what it was, like a sex

0:23:12.960 --> 0:23:15.160
<v Speaker 1>Way party or a Tupperware party.

0:23:15.320 --> 0:23:18.080
<v Speaker 4>She's like the hostess of that party.

0:23:18.160 --> 0:23:21.320
<v Speaker 1>And then I saw her on Taylor Max five hour

0:23:21.680 --> 0:23:23.800
<v Speaker 1>The Lilies Revenge at Your Art Center.

0:23:24.200 --> 0:23:26.560
<v Speaker 4>I was like, she played a cuckoo clock and I

0:23:26.640 --> 0:23:28.560
<v Speaker 4>was like, who is she?

0:23:30.080 --> 0:23:36.920
<v Speaker 1>Diva? Dibbs dibbs mine? Wow? I sorry to ask the

0:23:36.920 --> 0:23:41.000
<v Speaker 1>most basic No, I have only base Please why Mary Todd?

0:23:42.080 --> 0:23:47.399
<v Speaker 1>I just really feel like women like I don't know,

0:23:48.640 --> 0:23:51.800
<v Speaker 1>I don't know, I don't know. I really don't remember.

0:23:51.880 --> 0:23:54.160
<v Speaker 1>Because I had the idea in two thousand and nine.

0:23:54.200 --> 0:23:56.840
<v Speaker 2>Really whoa And it was basically like.

0:23:58.720 --> 0:24:01.560
<v Speaker 1>An idea that was born out of just the humor

0:24:01.560 --> 0:24:04.520
<v Speaker 1>of it, not using like a history buff no, no, no,

0:24:04.520 --> 0:24:08.800
<v Speaker 1>no no, I just thought, like the idea of me

0:24:08.920 --> 0:24:13.960
<v Speaker 1>playing a historical figure like that, yeah, was was fun. Yeah,

0:24:14.440 --> 0:24:19.040
<v Speaker 1>And then all those years later we finally got to

0:24:19.080 --> 0:24:19.640
<v Speaker 1>the Lortel.

0:24:22.040 --> 0:24:25.320
<v Speaker 4>Are you like, are you like super regimented right now?

0:24:25.440 --> 0:24:28.080
<v Speaker 4>Like if you have to perform eight times a week,

0:24:28.119 --> 0:24:28.600
<v Speaker 4>are you like.

0:24:29.760 --> 0:24:34.600
<v Speaker 1>I really don't do anything besides like, uh yeah, I

0:24:34.640 --> 0:24:39.560
<v Speaker 1>mean like sleep and then go to the theater stretch stretch.

0:24:39.720 --> 0:24:43.440
<v Speaker 1>I try to eat at four thirty. See after the show,

0:24:44.440 --> 0:24:47.360
<v Speaker 1>I try to eat two yeah, yeah, yeah, but if

0:24:47.359 --> 0:24:49.440
<v Speaker 1>I'm not up early enough, I only get the one meal.

0:24:50.119 --> 0:24:53.880
<v Speaker 4>It's a difficult life. Here's a ways I don't recommend it.

0:24:53.960 --> 0:24:57.320
<v Speaker 2>Do you feel are the endorphins such that after the

0:24:57.359 --> 0:24:59.520
<v Speaker 2>shows I'd want to go out?

0:25:00.119 --> 0:25:02.320
<v Speaker 1>I know? No, No, I never want to go write

0:25:02.359 --> 0:25:06.679
<v Speaker 1>home really yeah, right to bed, hot creamy meal, right

0:25:06.720 --> 0:25:07.200
<v Speaker 1>to bed.

0:25:07.119 --> 0:25:12.320
<v Speaker 2>Hot creamy meal, all dairy meal, right to bed.

0:25:12.359 --> 0:25:14.080
<v Speaker 1>But I do need a life outside of it, because

0:25:14.119 --> 0:25:18.360
<v Speaker 1>otherwise the play can't be my only reason for existing.

0:25:18.440 --> 0:25:20.960
<v Speaker 1>So now I'm trying to find things to do. If

0:25:20.960 --> 0:25:24.560
<v Speaker 1>you have any suggestions at home, comment below on this

0:25:24.680 --> 0:25:28.800
<v Speaker 1>video and like it and subscribe and just send us

0:25:28.840 --> 0:25:33.080
<v Speaker 1>email and vote and vote and vote, please vote, vote

0:25:33.119 --> 0:25:37.320
<v Speaker 1>for living in your local city elections. They matter, y'all.

0:25:40.480 --> 0:25:43.720
<v Speaker 1>Should we do it for a segment? Yeah?

0:25:43.920 --> 0:25:46.720
<v Speaker 2>Yeah, right, I think we have Yeah, yeah, if anything, yes,

0:25:46.760 --> 0:25:49.120
<v Speaker 2>you please, please please, if anything, to get it out

0:25:49.119 --> 0:25:50.920
<v Speaker 2>of the way that we can keep talking for you,

0:25:51.680 --> 0:25:52.119
<v Speaker 2>of course.

0:26:02.640 --> 0:26:03.160
<v Speaker 1>Okay, Cole.

0:26:03.240 --> 0:26:05.679
<v Speaker 4>Our first segment is called straight Shooters, and in this segment,

0:26:05.680 --> 0:26:06.080
<v Speaker 4>we're going.

0:26:05.960 --> 0:26:07.720
<v Speaker 1>To ask you a series of rapid fire questions.

0:26:07.840 --> 0:26:10.720
<v Speaker 4>It's basically this thing or this other thing you're familiarity

0:26:10.760 --> 0:26:13.760
<v Speaker 4>with and complicity and straight culture. The only rule is

0:26:13.800 --> 0:26:16.880
<v Speaker 4>you can't ask any followup questions or will scream at you.

0:26:17.320 --> 0:26:19.840
<v Speaker 1>Okay. That reminds me of a story I've heard about

0:26:19.840 --> 0:26:23.680
<v Speaker 1>Shirley McLain. Later later, okay, So.

0:26:27.119 --> 0:26:30.520
<v Speaker 2>I love these beautiful humans or I hate that ugly

0:26:30.560 --> 0:26:31.320
<v Speaker 2>ass tunic.

0:26:32.160 --> 0:26:34.760
<v Speaker 1>I love these beautiful humans, Cole.

0:26:35.640 --> 0:26:38.320
<v Speaker 4>Curling up with a good book or curling up with

0:26:38.359 --> 0:26:42.159
<v Speaker 4>Succession Zone Sarah Snook curling up with a good book.

0:26:43.000 --> 0:26:45.800
<v Speaker 2>Tap water is Fine or FAP every day at nine,

0:26:46.000 --> 0:26:48.240
<v Speaker 2>FAP every day at night after.

0:26:48.080 --> 0:26:51.720
<v Speaker 4>Your all dairy meal, yeah, okay, a body shaped like

0:26:51.760 --> 0:26:55.160
<v Speaker 4>an hourglass or a potty molded perfect to your ass. Oh,

0:26:55.359 --> 0:26:56.800
<v Speaker 4>body shaped like an hourglass?

0:26:56.840 --> 0:26:58.240
<v Speaker 1>O hmm, respectable?

0:27:00.320 --> 0:27:02.399
<v Speaker 2>Giving it up for your next comic, or living it

0:27:02.480 --> 0:27:04.119
<v Speaker 2>up before we all get hit by a comic.

0:27:05.080 --> 0:27:06.560
<v Speaker 1>Giving it up for your next comic.

0:27:06.680 --> 0:27:12.879
<v Speaker 4>Yeah you have to, okay, white gold or black mold.

0:27:12.720 --> 0:27:13.920
<v Speaker 1>White gold.

0:27:14.640 --> 0:27:17.840
<v Speaker 2>I demand an appeal or I don't understand her whole deal.

0:27:18.800 --> 0:27:23.439
<v Speaker 4>I demand an appeal. Being on the list or lancing officist,

0:27:23.800 --> 0:27:24.720
<v Speaker 4>lancing officeist.

0:27:25.160 --> 0:27:28.960
<v Speaker 2>Yeah, yeah, yeah, I have an idea what this is crazy?

0:27:29.000 --> 0:27:31.520
<v Speaker 2>I'm like, you know, usually we rate our guest performance

0:27:31.520 --> 0:27:33.800
<v Speaker 2>on a scale of zero to one thousand doves. Here's

0:27:33.800 --> 0:27:34.800
<v Speaker 2>what I've been feeling recently.

0:27:34.840 --> 0:27:37.600
<v Speaker 1>What have you been feeling? Maybe that scale is over.

0:27:38.400 --> 0:27:40.120
<v Speaker 2>Maybe we need to figure out like a new way

0:27:40.200 --> 0:27:42.960
<v Speaker 2>to rank I've been feeling. I think, don't you feel

0:27:42.960 --> 0:27:45.800
<v Speaker 2>like we've been sort of like, okay, we've done every

0:27:45.880 --> 0:27:47.040
<v Speaker 2>version of that answer.

0:27:49.000 --> 0:27:51.439
<v Speaker 1>I guess I like it. But you you see, this

0:27:51.520 --> 0:27:55.359
<v Speaker 1>is what's great about But by the way, yeah, I

0:27:55.760 --> 0:27:59.399
<v Speaker 1>just I can I'm engaged, yes, but I don't have

0:27:59.440 --> 0:28:03.680
<v Speaker 1>to worry about having an answer right anyway? Keep okay,

0:28:03.840 --> 0:28:06.760
<v Speaker 1>So you just like directed us. Now I feel like,

0:28:06.880 --> 0:28:10.000
<v Speaker 1>now we can not keep going. Yeah, no, no, I'm

0:28:10.040 --> 0:28:12.160
<v Speaker 1>watching and listening and just talk naturally.

0:28:12.480 --> 0:28:14.240
<v Speaker 2>You know, I did the number one thing you shouldn't do,

0:28:14.280 --> 0:28:17.280
<v Speaker 2>which is critique, but not come up with an alternative.

0:28:17.440 --> 0:28:19.679
<v Speaker 2>It's actually one of my elus life. I am not

0:28:21.040 --> 0:28:22.400
<v Speaker 2>and I very much think.

0:28:22.680 --> 0:28:27.040
<v Speaker 1>Are you a younger sibling? I'm an older sibling. That's interesting, right,

0:28:27.160 --> 0:28:30.240
<v Speaker 1>of course, just like most things about me. I feel

0:28:30.240 --> 0:28:31.800
<v Speaker 1>like that's a younger sibling thing.

0:28:31.760 --> 0:28:34.560
<v Speaker 2>You think, so, yes, I feel like at some point

0:28:34.600 --> 0:28:39.600
<v Speaker 2>in my life I was like criticizing. Criticism is a

0:28:39.640 --> 0:28:42.000
<v Speaker 2>sign of intelligence, and the more you criticize, the more

0:28:42.000 --> 0:28:45.800
<v Speaker 2>intelligent you are. Yeah, and so you know, you go

0:28:45.880 --> 0:28:47.720
<v Speaker 2>into and I think it's a very childish.

0:28:47.320 --> 0:28:49.800
<v Speaker 1>Where in your body is that? Sorry, this is only

0:28:49.880 --> 0:28:52.000
<v Speaker 1>my therapist asks all the time. And where in the

0:28:52.000 --> 0:28:53.840
<v Speaker 1>body in your body do you feel that?

0:28:54.480 --> 0:28:57.000
<v Speaker 4>Like it's coming out of my head?

0:28:57.240 --> 0:28:58.720
<v Speaker 1>Right? What do you mean?

0:28:59.440 --> 0:29:03.560
<v Speaker 4>I always say my stomach, like my stomach.

0:29:03.760 --> 0:29:07.640
<v Speaker 1>Oh, it's all those creamy meals. Creamy meals both show. Yeah,

0:29:07.680 --> 0:29:10.160
<v Speaker 1>I'm sorry I cut you. You were going you you

0:29:10.160 --> 0:29:13.720
<v Speaker 1>were talking about renovating the scale.

0:29:14.000 --> 0:29:19.600
<v Speaker 2>Yes, right, Solutions book Alert renovating.

0:29:19.120 --> 0:29:22.120
<v Speaker 1>Red Scale Scale, My Life, My Weight Loss Journey, My

0:29:22.400 --> 0:29:28.360
<v Speaker 1>Lost Journey on the Stage, Chapter one, Creamy Meals, Creamy

0:29:28.400 --> 0:29:29.360
<v Speaker 1>Meals question Mark.

0:29:31.000 --> 0:29:35.000
<v Speaker 4>Yeah, well I just wanted for the scale. I do

0:29:35.280 --> 0:29:40.560
<v Speaker 4>like that it is something that is truly from twenty twenty. Yeah,

0:29:40.600 --> 0:29:43.040
<v Speaker 4>and is like that we have stuck with for seemingly

0:29:43.120 --> 0:29:45.120
<v Speaker 4>no that sense. It gets funnier as it goes, and.

0:29:45.160 --> 0:29:46.120
<v Speaker 1>I think it's funny.

0:29:46.240 --> 0:29:48.920
<v Speaker 4>I think about literally being like four years from now

0:29:49.200 --> 0:29:51.400
<v Speaker 4>and still doing that and people are like, what is

0:29:51.400 --> 0:29:52.080
<v Speaker 4>that even care?

0:29:52.200 --> 0:29:55.400
<v Speaker 2>Yeah, yeah, you've won it over. You've already won meal

0:29:55.400 --> 0:29:57.200
<v Speaker 2>over beautiful.

0:29:57.240 --> 0:30:02.080
<v Speaker 1>Wow? Wow? Could Georgie get cast in? Well it's not musical,

0:30:02.360 --> 0:30:04.120
<v Speaker 1>Well we still need to know you have range.

0:30:04.200 --> 0:30:06.800
<v Speaker 2>I guess it is Musicalpol no spoilers, but.

0:30:06.840 --> 0:30:07.560
<v Speaker 4>That was a spoiler.

0:30:07.640 --> 0:30:11.280
<v Speaker 1>That was a huge spoiler. How do you feel You

0:30:11.320 --> 0:30:16.360
<v Speaker 1>can't just say you no spoilers after you spoilers. That's

0:30:16.520 --> 0:30:17.440
<v Speaker 1>not how it works.

0:30:19.560 --> 0:30:21.360
<v Speaker 4>Do you think of yourself as solutions oriented?

0:30:21.520 --> 0:30:26.719
<v Speaker 1>Yeah? I actually like that. Yeah me too. Yeah. No, no, no,

0:30:27.800 --> 0:30:28.640
<v Speaker 1>I'm a complainer.

0:30:28.920 --> 0:30:31.920
<v Speaker 2>You're well, but you are a creator And I don't

0:30:32.040 --> 0:30:34.320
<v Speaker 2>mean that in the sense of being an lgbt Q

0:30:34.480 --> 0:30:37.040
<v Speaker 2>creator making their voice heard. I mean that in the

0:30:37.080 --> 0:30:40.360
<v Speaker 2>sense that you do. You're not someone who's like, oh,

0:30:40.560 --> 0:30:43.320
<v Speaker 2>they don't want me here, I'm gonna cry about it.

0:30:43.440 --> 0:30:44.680
<v Speaker 2>You're like, they don't want me here.

0:30:45.120 --> 0:30:47.000
<v Speaker 1>I'm going to go I'm going to make a better

0:30:47.080 --> 0:30:49.600
<v Speaker 1>I'm going to make it better. Yeah. I guess in

0:30:49.600 --> 0:30:50.760
<v Speaker 1>that way, Yeah, I guess.

0:30:50.760 --> 0:30:58.840
<v Speaker 4>I I'm kind of like solutions bass no I am yeah, yeah.

0:30:57.720 --> 0:31:00.440
<v Speaker 1>I think. Well, okay, so that's sort of like fight

0:31:00.480 --> 0:31:03.360
<v Speaker 1>flight or freeze, right, yeah, Like, oh, I had never

0:31:03.400 --> 0:31:04.000
<v Speaker 1>heard of the phone.

0:31:04.120 --> 0:31:08.960
<v Speaker 4>You've never heard of freeze. I've heard fight a million times.

0:31:10.040 --> 0:31:11.200
<v Speaker 1>You need to get back in the.

0:31:14.560 --> 0:31:16.240
<v Speaker 4>Fight flight or freeze.

0:31:17.080 --> 0:31:20.360
<v Speaker 1>I love this. I might be freeze. I'm absolutely freeze. Freeze.

0:31:20.360 --> 0:31:24.880
<v Speaker 2>Oh God, to freeze identified gay cancers running a small

0:31:24.920 --> 0:31:27.760
<v Speaker 2>business together, good good luck making proper.

0:31:27.880 --> 0:31:30.080
<v Speaker 4>I think a lot of people are are freeze.

0:31:30.280 --> 0:31:31.200
<v Speaker 1>I think freeze.

0:31:31.360 --> 0:31:33.760
<v Speaker 4>It just to me it makes the most sense because

0:31:33.760 --> 0:31:35.360
<v Speaker 4>I'm like, well, I'm not gonna run away, but I'm

0:31:35.400 --> 0:31:36.240
<v Speaker 4>also not going to start a fight.

0:31:36.400 --> 0:31:37.959
<v Speaker 1>But you don't know what to do. You're like, I

0:31:38.040 --> 0:31:39.200
<v Speaker 1>can't fight back.

0:31:39.280 --> 0:31:41.720
<v Speaker 2>I'm putting my body on the line by doing nothing.

0:31:41.880 --> 0:31:46.680
<v Speaker 4>Yes, I will say to you know, if there's multiple

0:31:46.680 --> 0:31:48.920
<v Speaker 4>freezes in a room, I think it's sort of you know,

0:31:48.920 --> 0:31:52.000
<v Speaker 4>it's like you might both be bottoms, but eventually, when

0:31:52.040 --> 0:31:53.720
<v Speaker 4>you're penetrating, someone's going to be topping.

0:31:53.760 --> 0:31:57.680
<v Speaker 1>Does this make sense? Yes, yes, yes, but if.

0:31:57.560 --> 0:31:59.719
<v Speaker 4>You aren't and I feel like if we're both freezes,

0:31:59.720 --> 0:32:02.480
<v Speaker 4>there many times in our relationship where you have been

0:32:02.520 --> 0:32:04.720
<v Speaker 4>the one that is ready to fight.

0:32:05.040 --> 0:32:07.600
<v Speaker 1>That's true in a good way. That's true.

0:32:08.440 --> 0:32:11.840
<v Speaker 4>And I've gotten to keep my freeze privilege. Freeze.

0:32:12.080 --> 0:32:18.440
<v Speaker 1>Wait, but I was this was related to yeah, yeah, yeah, yeah,

0:32:18.520 --> 0:32:24.480
<v Speaker 1>where like rather like there's complain, there's offer a solution,

0:32:25.000 --> 0:32:25.720
<v Speaker 1>and then there's leave.

0:32:26.160 --> 0:32:30.200
<v Speaker 4>Right, I'm I'm more apt to leave. Oh interesting, I'm

0:32:30.240 --> 0:32:31.160
<v Speaker 4>more apt to leave as well.

0:32:31.280 --> 0:32:35.320
<v Speaker 2>Yeah, complain for solution or leap. I'm complain. I'm sorry.

0:32:35.920 --> 0:32:38.160
<v Speaker 1>There's just no So if you're like you're you're waiting

0:32:38.200 --> 0:32:40.080
<v Speaker 1>for a table for a really long time.

0:32:40.720 --> 0:32:44.200
<v Speaker 2>Oh yeah, I'm giving everyone dirty looks. I'm sighing dramatically,

0:32:44.840 --> 0:32:47.920
<v Speaker 2>looking at my phone, sort of going over to people's table,

0:32:48.040 --> 0:32:52.000
<v Speaker 2>knocking over all their food, calling them really offensive slurs.

0:32:52.120 --> 0:32:55.479
<v Speaker 4>Yes, yeah yeah, and then and you I'm sort of like,

0:32:55.640 --> 0:32:59.600
<v Speaker 4>let's go. Yeah, yeah, or I'm like, it's like.

0:32:59.320 --> 0:33:01.320
<v Speaker 1>Like it's finely wait, it's not worth it. It's not

0:33:01.400 --> 0:33:04.920
<v Speaker 1>worth it, And I, well, you're less, you're generally less

0:33:05.040 --> 0:33:10.880
<v Speaker 1>like willing to wait wait for you prioritize comfort. I

0:33:10.880 --> 0:33:13.080
<v Speaker 1>guess what I'm trying to say, Like youise comfort over

0:33:13.160 --> 0:33:15.400
<v Speaker 1>like waiting for the exclusive thing. Would you say that? Yeah?

0:33:15.400 --> 0:33:17.840
<v Speaker 1>I think that is true, whereas I'm like, let's say

0:33:17.840 --> 0:33:19.720
<v Speaker 1>I really want to go. It's humiliating to wait.

0:33:20.080 --> 0:33:22.480
<v Speaker 2>Oh my god, I'm so sad, But you know what

0:33:22.480 --> 0:33:24.920
<v Speaker 2>the reward is then getting the table and watching other

0:33:24.960 --> 0:33:27.480
<v Speaker 2>people wait and feeling superior to them.

0:33:27.680 --> 0:33:30.440
<v Speaker 1>You bring up a very good that's from my stomach.

0:33:32.280 --> 0:33:34.320
<v Speaker 4>I also, I feel like the nice things are like

0:33:34.480 --> 0:33:38.440
<v Speaker 4>rarely worth it, Like the pain of waiting.

0:33:38.320 --> 0:33:41.960
<v Speaker 1>And waiting pushed around And what was the last thing

0:33:41.960 --> 0:33:45.160
<v Speaker 1>you waited for that you were glad that I was glad?

0:33:46.280 --> 0:33:51.600
<v Speaker 4>Hmm, god, I have no idea, to be completely honest,

0:33:52.320 --> 0:33:54.960
<v Speaker 4>it's been a long time I had to wait in

0:33:55.000 --> 0:33:56.120
<v Speaker 4>a line for anything.

0:33:58.600 --> 0:34:00.720
<v Speaker 1>What's the last thing you waited for it was worth it?

0:34:00.920 --> 0:34:04.360
<v Speaker 4>This is the most riveting segment. Let's yeah, let's really

0:34:04.400 --> 0:34:04.880
<v Speaker 4>no one.

0:34:04.880 --> 0:34:06.720
<v Speaker 1>Has a thing they waited for. Yeah, I guess I

0:34:06.840 --> 0:34:07.960
<v Speaker 1>just usually get things for free.

0:34:08.400 --> 0:34:09.880
<v Speaker 4>Yeah, olive oil gelato?

0:34:10.440 --> 0:34:12.799
<v Speaker 1>Is that true? I did wait for it.

0:34:13.880 --> 0:34:15.600
<v Speaker 4>I was happy they waited.

0:34:16.200 --> 0:34:20.160
<v Speaker 1>Did you really have to humble yourself to wait for something?

0:34:20.400 --> 0:34:20.640
<v Speaker 1>You know?

0:34:20.960 --> 0:34:23.799
<v Speaker 4>I also see, you know, in Los Angeles, California.

0:34:23.880 --> 0:34:25.560
<v Speaker 1>Oh my god, to be able to be right back.

0:34:26.760 --> 0:34:28.800
<v Speaker 4>I feel that I see a lot of people waiting

0:34:29.160 --> 0:34:31.960
<v Speaker 4>in line for random, random stuff. They sort of have

0:34:32.080 --> 0:34:33.799
<v Speaker 4>like cronut culture all the time.

0:34:35.200 --> 0:34:36.000
<v Speaker 1>That's sort of all they have.

0:34:36.360 --> 0:34:39.359
<v Speaker 4>Yeah, And so I'm when I see some people waiting

0:34:39.400 --> 0:34:41.520
<v Speaker 4>in line, I'm like, Okay, well that's what I don't want, Like,

0:34:41.560 --> 0:34:44.560
<v Speaker 4>I'll never go to that place. It like almost looks

0:34:44.600 --> 0:34:48.440
<v Speaker 4>more unappealing because it's like probably just some gimmick or

0:34:48.520 --> 0:34:51.920
<v Speaker 4>was like written on some blog or something. You're not

0:34:51.960 --> 0:34:52.560
<v Speaker 4>going to trick me.

0:34:53.200 --> 0:34:57.120
<v Speaker 1>Yeah, I'm like, I'm actually a free thinker. Yeah, yeah,

0:34:58.480 --> 0:34:59.440
<v Speaker 1>that's no. You're right.

0:34:59.440 --> 0:35:02.120
<v Speaker 2>Well, there's two kinds of waiting, and one.

0:35:01.960 --> 0:35:06.320
<v Speaker 1>Is like there's only two, yes, male or female exactly,

0:35:09.080 --> 0:35:14.000
<v Speaker 1>So what's male waiting? Male waiting? Oh god?

0:35:14.520 --> 0:35:17.440
<v Speaker 2>Okay, so I think one is what you're describing crow

0:35:17.520 --> 0:35:20.760
<v Speaker 2>nut culture of like waiting for the latest trend.

0:35:20.880 --> 0:35:22.400
<v Speaker 1>Yourselfsculum.

0:35:24.320 --> 0:35:28.480
<v Speaker 2>But it's also like it's also like blogger, blonde blogger.

0:35:28.600 --> 0:35:30.360
<v Speaker 1>Sure, you know, big hat.

0:35:30.280 --> 0:35:33.239
<v Speaker 2>Big hat blonde blogger, waiting for the next trend. You

0:35:33.280 --> 0:35:36.800
<v Speaker 2>are so trend chasing, you have no personality. Your entire

0:35:36.840 --> 0:35:38.680
<v Speaker 2>life is chasing things that other people are doing. That's

0:35:38.680 --> 0:35:41.000
<v Speaker 2>one second kind of waiting is that, if you know,

0:35:41.160 --> 0:35:43.279
<v Speaker 2>you know, kind of waiting where you're in the know

0:35:43.760 --> 0:35:47.000
<v Speaker 2>and you and you're part of this like exclusive you've

0:35:47.000 --> 0:35:49.960
<v Speaker 2>read the paywalled blog that's telling you the new thing.

0:35:50.520 --> 0:35:52.759
<v Speaker 1>Yeah, yeah, well they're both the same thing, though you

0:35:52.760 --> 0:35:54.960
<v Speaker 1>think so, and just one of them, one of them.

0:35:54.840 --> 0:35:55.799
<v Speaker 4>You think you're better than.

0:35:56.000 --> 0:35:59.880
<v Speaker 1>Right, that's it. That's not a bad point, you know.

0:36:01.440 --> 0:36:02.960
<v Speaker 1>So I'll tell you which one I prefer to be

0:36:03.040 --> 0:36:07.919
<v Speaker 1>in of course, but it's the same thing. We all

0:36:08.000 --> 0:36:10.200
<v Speaker 1>just want to be at the at the front of

0:36:10.239 --> 0:36:12.879
<v Speaker 1>the line, right, We all want to cut in line,

0:36:12.920 --> 0:36:18.960
<v Speaker 1>don't we. We'll be right back and we're back.

0:36:18.160 --> 0:36:22.120
<v Speaker 4>And that was such a convincing we'll be right back.

0:36:22.200 --> 0:36:24.160
<v Speaker 4>That was actually terrifying because.

0:36:23.960 --> 0:36:26.719
<v Speaker 1>It felt so real. Yeah. I actually was like, we

0:36:26.760 --> 0:36:29.840
<v Speaker 1>need to throw to commercial. Yeah, that's so fun.

0:36:30.719 --> 0:36:32.719
<v Speaker 4>I could feel we don't even have headphones on, and I.

0:36:32.640 --> 0:36:36.160
<v Speaker 1>Was like, oh, yeah, anyway, how are you really hot?

0:36:36.200 --> 0:36:43.040
<v Speaker 1>Creamy meals? When we return? Yeah, starts crying hyaterically. Yeah,

0:36:43.120 --> 0:36:44.800
<v Speaker 1>they like, it's just been really hard.

0:36:44.960 --> 0:36:47.360
<v Speaker 4>Wait, I wanted to bring I have some topic.

0:36:47.440 --> 0:36:52.840
<v Speaker 1>Yes, yes, yes, topic, you are like in charge of us. Okay.

0:36:53.000 --> 0:36:56.840
<v Speaker 1>It is like, so I was trying to think of

0:36:56.920 --> 0:37:00.880
<v Speaker 1>straight things, like straight culture things rights like five cameras.

0:37:01.080 --> 0:37:03.160
<v Speaker 4>Oh it's a Samsung Galaxy.

0:37:03.440 --> 0:37:06.480
<v Speaker 2>It literally does have five, So them are flashes. I'm

0:37:06.520 --> 0:37:07.640
<v Speaker 2>just like, that is too many.

0:37:08.560 --> 0:37:10.120
<v Speaker 4>You don't know what I'm up to. It looks like

0:37:10.200 --> 0:37:10.840
<v Speaker 4>you don't know what i'mout.

0:37:11.760 --> 0:37:13.440
<v Speaker 1>You don't know what I'm up independent films.

0:37:14.080 --> 0:37:17.240
<v Speaker 4>There's there's a poll at JFK Airport that has truly

0:37:17.280 --> 0:37:20.279
<v Speaker 4>like fourteen surveillance cameras on it, and it looks like

0:37:20.320 --> 0:37:21.799
<v Speaker 4>a commentary on the surveillance state.

0:37:21.840 --> 0:37:25.239
<v Speaker 1>That's kind of what your phone is. Yeah, stop surveilling us. Well, uh,

0:37:25.480 --> 0:37:28.720
<v Speaker 1>do you have anything else to say? You mentioned Taylor

0:37:28.760 --> 0:37:32.200
<v Speaker 1>Swift earlier. Do you want to say you're okay? What

0:37:32.640 --> 0:37:35.200
<v Speaker 1>are I was thinking? Well, I was thinking about straight

0:37:35.600 --> 0:37:39.799
<v Speaker 1>culture things, but I could only really think of examples

0:37:39.840 --> 0:37:46.640
<v Speaker 1>of of things that are like straight trying to be

0:37:46.760 --> 0:37:50.400
<v Speaker 1>gay like straight things that are influenced by gay culture.

0:37:50.760 --> 0:37:54.560
<v Speaker 4>Okay, like hotels.

0:37:54.440 --> 0:37:58.600
<v Speaker 1>Yeah, based on cruising, but based on based on cruising,

0:37:58.760 --> 0:38:01.960
<v Speaker 1>based on piet tears. Yes, it's like, well this is

0:38:02.000 --> 0:38:04.480
<v Speaker 1>better because then you can just leave. And it's like,

0:38:04.680 --> 0:38:07.040
<v Speaker 1>well that's the you took the fun out of a piano.

0:38:07.360 --> 0:38:11.279
<v Speaker 1>Like right, it's straight people, you know. Okay, so hotels,

0:38:12.640 --> 0:38:16.600
<v Speaker 1>salad bar, because salad's gay culture, but salad bar. The

0:38:16.640 --> 0:38:17.640
<v Speaker 1>salad bar is like.

0:38:17.800 --> 0:38:19.360
<v Speaker 4>But you can pick what you want and you're like,

0:38:19.400 --> 0:38:20.600
<v Speaker 4>you're not improving on.

0:38:20.600 --> 0:38:24.319
<v Speaker 1>You wouldn't I mean whatever? I go on, Ye, baby carrots, right,

0:38:25.200 --> 0:38:27.880
<v Speaker 1>it's like, isn't it so funny that they're like little?

0:38:28.360 --> 0:38:30.720
<v Speaker 4>And you're like, oh, that's almost.

0:38:30.480 --> 0:38:32.279
<v Speaker 2>Like you've never experienced happiness.

0:38:33.280 --> 0:38:37.400
<v Speaker 4>Yeah, my favorite thing on earth is to buy baby carrots.

0:38:37.600 --> 0:38:38.960
<v Speaker 1>Never ever open the bag.

0:38:39.400 --> 0:38:41.080
<v Speaker 4>I'm like, oh, this is gonna be such a perfect

0:38:41.120 --> 0:38:43.399
<v Speaker 4>snack with hummus, and then I just leave it there

0:38:43.680 --> 0:38:46.520
<v Speaker 4>until they get slimy. Yeah, and then I'm moving seven

0:38:46.600 --> 0:38:48.319
<v Speaker 4>years later and I'm like, oh, I have to throw

0:38:48.320 --> 0:38:50.799
<v Speaker 4>these away now. Yeah, that's such a what.

0:38:50.800 --> 0:38:53.480
<v Speaker 2>Are people afraid of with just buying normal carrots?

0:38:53.560 --> 0:38:55.799
<v Speaker 1>I would really love to know. Is it the little

0:38:55.840 --> 0:38:56.440
<v Speaker 1>hairs that they have?

0:38:56.800 --> 0:38:59.080
<v Speaker 4>It's the little hairs. It's sort of the like, well,

0:38:59.120 --> 0:39:00.680
<v Speaker 4>what am I gonna do? Eat a whole carrot?

0:39:00.800 --> 0:39:01.000
<v Speaker 3>Yes?

0:39:01.760 --> 0:39:02.960
<v Speaker 1>Yeah, who has the time?

0:39:03.400 --> 0:39:05.360
<v Speaker 2>What if I just want to say, you want twenty

0:39:05.360 --> 0:39:06.320
<v Speaker 2>five baby carrots?

0:39:06.360 --> 0:39:07.640
<v Speaker 4>Well, you can take as many as you want and

0:39:07.719 --> 0:39:08.399
<v Speaker 4>you can put it back.

0:39:08.960 --> 0:39:11.680
<v Speaker 1>The big carrot. You got to chop it up. Oh

0:39:11.760 --> 0:39:12.200
<v Speaker 1>my god.

0:39:12.280 --> 0:39:15.600
<v Speaker 2>I mean, there's nothing better than feeling chopping up a

0:39:15.680 --> 0:39:18.040
<v Speaker 2>carrot and then putting the leftovers in a little ziploc bag.

0:39:18.120 --> 0:39:19.880
<v Speaker 2>Something you feel like you're cooking. You feel like you're

0:39:19.920 --> 0:39:20.759
<v Speaker 2>doing cottage core.

0:39:21.280 --> 0:39:21.480
<v Speaker 1>No.

0:39:21.760 --> 0:39:24.279
<v Speaker 4>The way that I want every single thing I eat

0:39:24.400 --> 0:39:26.840
<v Speaker 4>to be pre cut.

0:39:26.600 --> 0:39:29.160
<v Speaker 1>Into this is like not being.

0:39:30.520 --> 0:39:32.840
<v Speaker 4>Well, I'm I hate doing dishes.

0:39:33.520 --> 0:39:36.919
<v Speaker 1>Yes, so I will buy a pre chop. Everyone hates

0:39:36.960 --> 0:39:43.240
<v Speaker 1>doing that's so, yes exactly.

0:39:43.360 --> 0:39:46.120
<v Speaker 4>Wait wait wait wait sorry George, this is crazy. This

0:39:46.160 --> 0:39:47.719
<v Speaker 4>is crazy because I've never been able to talk to

0:39:47.760 --> 0:39:48.400
<v Speaker 4>this with anyone.

0:39:49.080 --> 0:39:52.160
<v Speaker 1>But I hate doing dishes so much that I I

0:39:52.200 --> 0:39:55.920
<v Speaker 1>will buy the pre chopped done ho much Wow? And

0:39:56.520 --> 0:39:58.799
<v Speaker 1>David Sidaris has this thing in a book like that

0:39:59.400 --> 0:40:04.239
<v Speaker 1>like his husband Hugh will we'll make like himself a

0:40:04.360 --> 0:40:08.280
<v Speaker 1>dinner like for one while he's alone, but he hates

0:40:09.600 --> 0:40:12.359
<v Speaker 1>going through He would rather like use his finger than

0:40:12.400 --> 0:40:16.239
<v Speaker 1>like dirty a spoon, you know, and I feel the same.

0:40:16.560 --> 0:40:19.719
<v Speaker 4>Well, we've I've gotten in some hot water before with

0:40:19.920 --> 0:40:23.040
<v Speaker 4>our with our listeners because I talked about how I

0:40:23.120 --> 0:40:24.320
<v Speaker 4>used the same cup.

0:40:24.200 --> 0:40:26.080
<v Speaker 1>For this was actually at a live show. I don't

0:40:26.080 --> 0:40:27.799
<v Speaker 1>think you've ever thought, wait, what do you mean like

0:40:27.880 --> 0:40:30.600
<v Speaker 1>I have a water glass, yes, and you keep it

0:40:30.600 --> 0:40:31.160
<v Speaker 1>by the sink.

0:40:31.640 --> 0:40:34.200
<v Speaker 2>I just that it gasps from the audience because you

0:40:34.239 --> 0:40:36.160
<v Speaker 2>said something, you said a phrase, an adjective that I

0:40:36.160 --> 0:40:37.640
<v Speaker 2>will never forget.

0:40:37.480 --> 0:40:45.480
<v Speaker 4>What gas gets cloudy eventually cloudy. Yeah, but it's my

0:40:45.600 --> 0:40:47.160
<v Speaker 4>glass and it's fine.

0:40:47.280 --> 0:40:50.360
<v Speaker 1>How many days do you think I'm not going to

0:40:51.200 --> 0:40:54.040
<v Speaker 1>see I I I probably use the water glass, like

0:40:54.280 --> 0:41:00.000
<v Speaker 1>two days. I'll go a little long ago. I'm probably

0:41:00.200 --> 0:41:04.320
<v Speaker 1>use three water glasses a day. Why my immune system

0:41:04.360 --> 0:41:06.840
<v Speaker 1>is so strong? And yeah, I use one glass.

0:41:07.160 --> 0:41:10.600
<v Speaker 4>Were you just in the hospital for the that's not

0:41:10.719 --> 0:41:12.920
<v Speaker 4>from the immunity, that's not from an inaction?

0:41:13.520 --> 0:41:15.400
<v Speaker 1>Maybe out? Oh my god, I would love it if

0:41:15.400 --> 0:41:17.360
<v Speaker 1>you've got to be the out and showed after the studio.

0:41:17.440 --> 0:41:18.400
<v Speaker 1>That would be incredible.

0:41:20.400 --> 0:41:24.799
<v Speaker 4>But yeah, I literally like like especially when we were

0:41:24.840 --> 0:41:27.560
<v Speaker 4>in our apartment here, and like I would go, I

0:41:27.560 --> 0:41:29.560
<v Speaker 4>would like, never wash it, and then I would just

0:41:29.560 --> 0:41:31.160
<v Speaker 4>like one day my cup would be missing and I'd

0:41:31.200 --> 0:41:32.759
<v Speaker 4>be like, be shure, where the hell is my cup?

0:41:33.080 --> 0:41:34.480
<v Speaker 4>And he'd be like, well, I washed it and then

0:41:34.520 --> 0:41:37.880
<v Speaker 4>drying rag and I'd be like, I've been looking everywhere

0:41:37.880 --> 0:41:43.880
<v Speaker 4>for it. He just surprise washes it. That's that's okay,

0:41:44.600 --> 0:41:45.360
<v Speaker 4>that's okay.

0:41:45.200 --> 0:41:48.879
<v Speaker 1>My shock is like, wait, but it gets cloudy because

0:41:48.880 --> 0:41:51.480
<v Speaker 1>it's smudged and like lip and fingerprints.

0:41:50.960 --> 0:41:53.440
<v Speaker 4>All whatever it and you know my nightly fiber.

0:41:54.760 --> 0:41:57.400
<v Speaker 2>Wait, this is the other thing that wait, you literally

0:41:57.400 --> 0:42:00.520
<v Speaker 2>put fiber in it, mix it and then keeping water

0:42:00.600 --> 0:42:01.480
<v Speaker 2>out of it without.

0:42:01.280 --> 0:42:08.680
<v Speaker 4>Reeah, water soluble, it gets it dissolves. You guys are

0:42:08.680 --> 0:42:09.799
<v Speaker 4>being so messed up.

0:42:10.160 --> 0:42:13.239
<v Speaker 1>I'm an audience of three hundred and fifty people at

0:42:13.280 --> 0:42:14.839
<v Speaker 1>the Mellhouse all walked out.

0:42:14.920 --> 0:42:18.360
<v Speaker 4>Well, George, it was in San Francisco. Yeah, yeah, so

0:42:18.520 --> 0:42:20.920
<v Speaker 4>get your facts right because facts matter.

0:42:21.520 --> 0:42:25.640
<v Speaker 2>Well, I'm sorry for making you feel insecure again.

0:42:25.840 --> 0:42:28.560
<v Speaker 1>Although it actually feels like you've never been more proud

0:42:28.600 --> 0:42:31.000
<v Speaker 1>of yourself. Well, I just you know, I know how

0:42:31.000 --> 0:42:32.080
<v Speaker 1>the media is gonna run with this.

0:42:33.160 --> 0:42:37.520
<v Speaker 4>How how often do you do dishes?

0:42:39.080 --> 0:42:39.879
<v Speaker 1>Oh? Once a week?

0:42:41.320 --> 0:42:45.040
<v Speaker 4>Same when I'm like living alone, Yeah, I once a week,

0:42:45.080 --> 0:42:45.960
<v Speaker 4>do them quite rarely.

0:42:46.040 --> 0:42:48.800
<v Speaker 1>Yeah, me too. Sometimes things really start to smell that

0:42:48.960 --> 0:42:49.480
<v Speaker 1>in my sink.

0:42:50.400 --> 0:42:53.080
<v Speaker 4>Yeah, I'll also like, if I'm doing like takeout lifestyle,

0:42:53.239 --> 0:42:55.640
<v Speaker 4>I like, I'm like, well, I didn't use a dish,

0:42:56.120 --> 0:42:57.200
<v Speaker 4>it won't take out lesle.

0:42:57.280 --> 0:43:00.600
<v Speaker 1>But then but then you know, a little seriou a dessert.

0:43:01.200 --> 0:43:03.799
<v Speaker 2>Oh of course, I'm literally turning into like Trey's mom

0:43:03.800 --> 0:43:05.879
<v Speaker 2>from Sex in the City. I'm about to send both

0:43:05.880 --> 0:43:08.360
<v Speaker 2>of you to what is it called.

0:43:08.200 --> 0:43:10.720
<v Speaker 1>Manners Manners Academy?

0:43:10.760 --> 0:43:14.200
<v Speaker 2>Manners manner, Yeah, Manner's manner.

0:43:14.520 --> 0:43:16.880
<v Speaker 1>Okay, so we have baby carrots, we have hotels, and

0:43:16.880 --> 0:43:19.600
<v Speaker 1>what was the third one? Old?

0:43:19.640 --> 0:43:21.879
<v Speaker 4>Please salad bar salad bar salad bar.

0:43:21.840 --> 0:43:25.120
<v Speaker 1>Okay to me, I would like to unpack hotels a

0:43:25.160 --> 0:43:25.520
<v Speaker 1>little bit.

0:43:25.560 --> 0:43:29.760
<v Speaker 2>Yeah, okay, okay, because you're staying in one now actually

0:43:30.120 --> 0:43:30.760
<v Speaker 2>that's true.

0:43:30.920 --> 0:43:34.160
<v Speaker 4>Oh my god, because I have a subletter now yeah, yeah,

0:43:34.200 --> 0:43:38.560
<v Speaker 4>shout out to my beautiful subletters. And I'm staying in

0:43:39.640 --> 0:43:44.399
<v Speaker 4>the pod Hotel Eliasburg. There's not a blind on one

0:43:44.440 --> 0:43:47.880
<v Speaker 4>of the windows and it's like facing the street. This

0:43:48.000 --> 0:43:49.400
<v Speaker 4>is not part of the point. I'm just sort of

0:43:49.480 --> 0:43:52.640
<v Speaker 4>painting a picture. Okay, I'll see it. And it's also

0:43:52.680 --> 0:43:54.440
<v Speaker 4>like the rooms like whatever. I'm just like people in

0:43:54.440 --> 0:43:57.480
<v Speaker 4>the street are seeming naked anyway, who cares, who cares?

0:43:57.560 --> 0:44:04.360
<v Speaker 1>Whatever? Lower East Side nineteen seventy nine. Don't tell people

0:44:04.360 --> 0:44:04.920
<v Speaker 1>where it is.

0:44:05.200 --> 0:44:08.319
<v Speaker 4>Oh well it's on Metropolitan and.

0:44:08.280 --> 0:44:10.400
<v Speaker 1>Okay, yeah, I guess. I mean, yeah, you won't be

0:44:10.400 --> 0:44:12.239
<v Speaker 1>there anywhere. I'll be gone by the time this comes out.

0:44:13.320 --> 0:44:16.680
<v Speaker 1>You'll be back. That's great. So you don't think hotels

0:44:16.719 --> 0:44:21.680
<v Speaker 1>are I think they're I think they're straight inspired by gay.

0:44:22.040 --> 0:44:26.480
<v Speaker 4>I think the straightness comes from the like sanitization of them.

0:44:26.560 --> 0:44:28.520
<v Speaker 4>Sure where it's like every room is the same, but

0:44:28.560 --> 0:44:31.279
<v Speaker 4>there's convenient. It's convenience and you can come and then

0:44:31.280 --> 0:44:32.319
<v Speaker 4>you can you can leave.

0:44:32.560 --> 0:44:33.600
<v Speaker 1>Well, make it easy, don't.

0:44:33.719 --> 0:44:38.480
<v Speaker 4>Offend, like everything's like this is technically a decoration, but

0:44:38.520 --> 0:44:41.320
<v Speaker 4>it's not. You can cheat on your wife here exactly.

0:44:41.600 --> 0:44:44.560
<v Speaker 2>Well, it's based on gay because it's like a straight

0:44:44.600 --> 0:44:47.160
<v Speaker 2>structure is a family home, a family suburban home, and

0:44:47.120 --> 0:44:50.080
<v Speaker 2>then anything the farther away from that you get the

0:44:50.120 --> 0:44:52.760
<v Speaker 2>gay or you get so a hotel. You are unmoored

0:44:52.840 --> 0:44:56.560
<v Speaker 2>from your biological family. You are in fact not in

0:44:56.600 --> 0:45:00.520
<v Speaker 2>your hometown. You are a visitor tran Insians.

0:45:02.640 --> 0:45:07.960
<v Speaker 1>And then also like concierge, like that's being like we

0:45:08.040 --> 0:45:10.080
<v Speaker 1>need a gay guy to tell us where to go

0:45:10.280 --> 0:45:15.080
<v Speaker 1>totally where's good to get Italian? A little queer where yeah,

0:45:15.120 --> 0:45:17.000
<v Speaker 1>where should we're good to get Italian? He's like, oh

0:45:17.040 --> 0:45:18.759
<v Speaker 1>my god, they have the best catch up down the

0:45:18.760 --> 0:45:21.560
<v Speaker 1>street exactly. Oh, here's what you're going to want to do.

0:45:21.960 --> 0:45:25.480
<v Speaker 1>You're going to want to go uptown by yourself. And

0:45:25.480 --> 0:45:27.200
<v Speaker 1>then they like walk out the door and the duds

0:45:27.280 --> 0:45:28.480
<v Speaker 1>like you hear the boy.

0:45:30.760 --> 0:45:34.759
<v Speaker 4>Like, we do not have that at our house back

0:45:34.840 --> 0:45:35.600
<v Speaker 4>in Batesville.

0:45:35.960 --> 0:45:45.120
<v Speaker 1>Batesville a small town, nexic goon town had great girl.

0:45:48.080 --> 0:45:50.600
<v Speaker 2>So yes, and then I also think the thing that

0:45:50.600 --> 0:45:55.799
<v Speaker 2>makes the tael straight is business conference culture kind of

0:45:55.880 --> 0:45:59.560
<v Speaker 2>because uh, conferences and business trips are sort of like

0:45:59.680 --> 0:46:05.520
<v Speaker 2>the the life cruising of straight. Yes, yeah, like there

0:46:05.600 --> 0:46:09.200
<v Speaker 2>is something. It's sort of like take sexual liberation and

0:46:09.239 --> 0:46:12.360
<v Speaker 2>make it depressing, and it's like two people wearing like

0:46:12.400 --> 0:46:14.920
<v Speaker 2>a woman in a skirtsuit and a man who has

0:46:14.960 --> 0:46:18.520
<v Speaker 2>like untucked get this his dress shirt and they are

0:46:19.280 --> 0:46:22.880
<v Speaker 2>flirting at the little open bar, and when I say open,

0:46:23.040 --> 0:46:24.560
<v Speaker 2>you got one drink for fan after.

0:46:24.320 --> 0:46:26.800
<v Speaker 1>That, and you have to present like your little ticket

0:46:26.840 --> 0:46:30.719
<v Speaker 1>to go. We're talking lanyard, lanyard, We're talking lanyard, We're

0:46:30.719 --> 0:46:34.799
<v Speaker 1>talking salad bar, We're talking baby carrots on dispaby carrots

0:46:35.200 --> 0:46:36.400
<v Speaker 1>wow display.

0:46:36.360 --> 0:46:41.640
<v Speaker 4>Yeah, that type of environment, unfortunately, still speaks to me.

0:46:42.920 --> 0:46:44.440
<v Speaker 4>So I'm sure I wish I could be.

0:46:44.640 --> 0:46:45.360
<v Speaker 1>I love hotel.

0:46:45.440 --> 0:46:49.839
<v Speaker 4>Look, I love hotels. You more than anyone, more than anyone.

0:46:50.440 --> 0:46:51.080
<v Speaker 1>I love hotel.

0:46:51.160 --> 0:46:53.479
<v Speaker 4>The amount you hate dishes is the amount you love.

0:46:54.080 --> 0:46:56.240
<v Speaker 2>I mean, of course, the dream is like not paying,

0:46:56.320 --> 0:46:58.400
<v Speaker 2>Like if someone could pay for me to stay at

0:46:58.400 --> 0:47:02.359
<v Speaker 2>a hotel, Yes, and I got room, serve everything for free. Yeah,

0:47:02.520 --> 0:47:04.319
<v Speaker 2>you just you don't have to. You don't have any

0:47:04.440 --> 0:47:06.040
<v Speaker 2>of the responsibilities of your normal life.

0:47:06.120 --> 0:47:11.440
<v Speaker 4>Yeah, do our boutique hotels LGBTQ plus.

0:47:11.480 --> 0:47:13.920
<v Speaker 2>I mean this is complicated because boutik hotels are sort

0:47:13.920 --> 0:47:17.600
<v Speaker 2>of like anything that is kind of like gentrification adjacent.

0:47:17.680 --> 0:47:19.680
<v Speaker 2>It's like it starts how gay and then it becomes straight.

0:47:19.760 --> 0:47:22.600
<v Speaker 2>That's just for the circle of life. Yeah, it's like

0:47:22.680 --> 0:47:24.680
<v Speaker 2>saying like our I don't know.

0:47:25.000 --> 0:47:29.040
<v Speaker 1>Boutique hotels were like gay people trying to pull it back, Yeah, exactly,

0:47:29.239 --> 0:47:32.040
<v Speaker 1>and then straight people were like this is sorry. Yeah,

0:47:32.040 --> 0:47:37.360
<v Speaker 1>They're like sorry you putting here? Yeah? Yeah. And also

0:47:37.360 --> 0:47:41.520
<v Speaker 1>I'm secretly Mormon. Maybe not. Don't you think that is

0:47:41.560 --> 0:47:44.839
<v Speaker 1>like a circle. It's like that you get gay gay

0:47:44.880 --> 0:47:46.279
<v Speaker 1>gay gay gay, and then you go right back to

0:47:46.320 --> 0:47:50.160
<v Speaker 1>mommy blogger. Yes, but aesthetically yeah, ooh, so what do

0:47:50.200 --> 0:47:56.719
<v Speaker 1>you think the next hm mommy is mommy blogger the

0:47:56.760 --> 0:48:01.520
<v Speaker 1>new aesthetic? I mean I sort of think are you

0:48:01.520 --> 0:48:04.839
<v Speaker 1>going to be seeing that on the runway? They are

0:48:05.080 --> 0:48:09.240
<v Speaker 1>let's talk let's let's talk fashion, Let's talk fall fashion.

0:48:09.320 --> 0:48:12.120
<v Speaker 4>Finally, what are we going to be seeing? We're seeing

0:48:12.160 --> 0:48:19.759
<v Speaker 4>We're singing mommyl baby carrot, baby vehicles, hybrid.

0:48:19.480 --> 0:48:22.000
<v Speaker 1>Vehicles, salad bar.

0:48:25.360 --> 0:48:32.560
<v Speaker 4>We're seeing tongs from the salad bar. We are cameras everywhere, everywhere.

0:48:32.560 --> 0:48:32.799
<v Speaker 1>Where.

0:48:32.840 --> 0:48:37.760
<v Speaker 2>It's commentary on surveillance, baby carrot, earrings, no clothes, walk,

0:48:37.920 --> 0:48:39.879
<v Speaker 2>bitch walk and read this.

0:48:39.920 --> 0:48:40.640
<v Speaker 1>Kindle walk.

0:48:42.320 --> 0:48:44.640
<v Speaker 4>And a big make it makes sense in the sign

0:48:45.160 --> 0:48:46.480
<v Speaker 4>that yeah, everyone.

0:48:46.160 --> 0:48:47.400
<v Speaker 1>In America makes sense again.

0:48:47.880 --> 0:48:50.760
<v Speaker 2>Everyone holding fake protest signs like in the Kendle commercial,

0:48:50.800 --> 0:48:51.920
<v Speaker 2>but they all say different.

0:48:52.000 --> 0:48:53.000
<v Speaker 1>Internet slang terms.

0:48:53.200 --> 0:48:56.200
<v Speaker 2>If someone's holding a science says blur, someone holding a

0:48:56.239 --> 0:48:58.640
<v Speaker 2>sign that says the interwebs.

0:48:58.200 --> 0:49:01.160
<v Speaker 4>Huh wow yeah hashtag me thinks.

0:49:01.680 --> 0:49:06.440
<v Speaker 2>I think someone uh painted in blood the methinks movements

0:49:06.480 --> 0:49:08.640
<v Speaker 2>over on their bare chest.

0:49:10.239 --> 0:49:11.839
<v Speaker 1>Yeah, so what's something? Yeah?

0:49:11.880 --> 0:49:13.680
<v Speaker 4>What what's like what we're gonna see on the runway?

0:49:13.680 --> 0:49:16.319
<v Speaker 1>Well, like this, for example, what's so straight it's going

0:49:16.360 --> 0:49:20.239
<v Speaker 1>to be attacking me? No, I'm not attacking you. I'm

0:49:20.280 --> 0:49:28.600
<v Speaker 1>merely suggesting maybe it's time for you to be attacked that.

0:49:29.120 --> 0:49:33.879
<v Speaker 4>So, yeah, what's not what's to appropriate from straight people?

0:49:34.000 --> 0:49:36.960
<v Speaker 2>Yes, Corla is playing into Sam's camo.

0:49:37.080 --> 0:49:38.879
<v Speaker 4>You know what I think it is actually what old

0:49:38.960 --> 0:49:41.080
<v Speaker 4>Navy core, Old Navy core.

0:49:41.160 --> 0:49:43.839
<v Speaker 1>Is going to be now gay. Yeah. So you mean

0:49:43.880 --> 0:49:49.840
<v Speaker 1>ill fitting jeans and like pol do you remember that, yes, performance,

0:49:49.960 --> 0:49:51.520
<v Speaker 1>old Navy performance.

0:49:51.800 --> 0:49:55.800
<v Speaker 4>And god the ninetieth Could you see the like little

0:49:56.160 --> 0:49:59.520
<v Speaker 4>like a fourth of July T shirt that's like too small?

0:50:01.000 --> 0:50:02.959
<v Speaker 2>Hmm, Wait what do you mean fourth of July T shirt?

0:50:03.000 --> 0:50:05.440
<v Speaker 4>Like America Old Navy always would put out like a

0:50:05.560 --> 0:50:08.440
<v Speaker 4>yearly fourth of July. Oh, I've never oh, I would

0:50:08.440 --> 0:50:10.239
<v Speaker 4>wait every day on the third of July.

0:50:10.440 --> 0:50:12.919
<v Speaker 1>Just it was It's like when they announced the met Golf,

0:50:13.960 --> 0:50:16.839
<v Speaker 1>I was like, what's this year's old? Maybe fourth of July?

0:50:16.960 --> 0:50:20.160
<v Speaker 1>T O, my god, A little like plastic flip flop?

0:50:20.320 --> 0:50:24.000
<v Speaker 1>Oh put that on the right babys, beanie babies.

0:50:24.400 --> 0:50:26.520
<v Speaker 4>I don't know what do you think straight people are

0:50:26.520 --> 0:50:27.800
<v Speaker 4>going to or gave people are gonna.

0:50:27.880 --> 0:50:32.879
<v Speaker 2>Okay, no, this is actually a really good question. I mean,

0:50:33.080 --> 0:50:34.960
<v Speaker 2>do you think it's been long enough flip flop wise

0:50:35.000 --> 0:50:37.680
<v Speaker 2>that Havayana's are going to make an iron What the

0:50:37.719 --> 0:50:40.640
<v Speaker 2>hell is that? The plastic rubber flip flops with the

0:50:40.640 --> 0:50:41.560
<v Speaker 2>Brazilian flag on them?

0:50:41.600 --> 0:50:41.799
<v Speaker 1>You know?

0:50:42.000 --> 0:50:43.120
<v Speaker 4>Oh?

0:50:43.160 --> 0:50:46.120
<v Speaker 1>Sure, wait with the Brazilian flag. Yeah, that's the one

0:50:46.160 --> 0:50:50.120
<v Speaker 1>with the X. And then yeah, wait is this not

0:50:50.400 --> 0:50:54.200
<v Speaker 1>have I never heard of this? I'm showing everyone maybe

0:50:54.200 --> 0:50:57.000
<v Speaker 1>in Greece, Yeah, maybe it didn't make it over here. Yeah,

0:50:57.440 --> 0:50:58.280
<v Speaker 1>oh this is crazy.

0:50:59.000 --> 0:51:04.000
<v Speaker 4>Oh so amazing that we're different differently. But what I

0:51:04.040 --> 0:51:05.640
<v Speaker 4>love that, George, is like talking with yourselves and then

0:51:05.640 --> 0:51:06.080
<v Speaker 4>we got.

0:51:05.960 --> 0:51:09.440
<v Speaker 2>Completely these No, these mean nothing.

0:51:09.239 --> 0:51:12.319
<v Speaker 4>To you, They mean absolutely nothing to me.

0:51:12.840 --> 0:51:13.680
<v Speaker 1>They mean nothing to me.

0:51:13.960 --> 0:51:16.240
<v Speaker 4>Is I've never I've never seen that woman in my life.

0:51:16.520 --> 0:51:18.680
<v Speaker 1>I don't know her, and I don't claim to know her.

0:51:19.920 --> 0:51:23.680
<v Speaker 2>Well, maybe they were completely euro and now Americans are

0:51:23.680 --> 0:51:25.839
<v Speaker 2>going to discover them warehouse men.

0:51:26.200 --> 0:51:28.520
<v Speaker 4>Are we going to start going there? I actually, I

0:51:28.520 --> 0:51:31.560
<v Speaker 4>mean I think there's a world in which like sort

0:51:31.600 --> 0:51:35.840
<v Speaker 4>of a nineties businessman's suit comes back.

0:51:36.600 --> 0:51:37.960
<v Speaker 1>I think that's already ready back.

0:51:37.960 --> 0:51:41.319
<v Speaker 2>I think, in fact, the issue is at some point

0:51:41.400 --> 0:51:44.760
<v Speaker 2>it's going to go back to skinny pant and.

0:51:44.840 --> 0:51:46.800
<v Speaker 4>I, oh, are we? Are we going back?

0:51:47.400 --> 0:51:50.440
<v Speaker 2>Because trends are so quick. Now you know, you think

0:51:50.480 --> 0:51:51.080
<v Speaker 2>you're safe.

0:51:51.440 --> 0:51:53.399
<v Speaker 1>You think you're safe The second I buy a pair

0:51:53.440 --> 0:51:56.720
<v Speaker 1>of shoes their last season, toss them right in the garbage.

0:51:56.760 --> 0:51:59.440
<v Speaker 2>The moment I get home, remember how I legally blonde?

0:51:59.560 --> 0:52:02.200
<v Speaker 2>It literally it hinged is on the gay guy being like,

0:52:02.280 --> 0:52:05.399
<v Speaker 2>don't you you know, tap your last season produt shoes

0:52:05.400 --> 0:52:05.640
<v Speaker 2>at me?

0:52:05.880 --> 0:52:08.280
<v Speaker 1>And then she's like, last season product, last season product.

0:52:08.560 --> 0:52:09.120
<v Speaker 1>He's gay?

0:52:09.520 --> 0:52:11.280
<v Speaker 4>Yeah yeah, yeah, yeah.

0:52:11.280 --> 0:52:14.960
<v Speaker 1>It's a very my cousin Vinnie, Yeah yeah yeah. But

0:52:15.000 --> 0:52:22.960
<v Speaker 1>they're queering that we've we've been through the Sopranos. Yeah,

0:52:23.400 --> 0:52:27.160
<v Speaker 1>what's the show girls? Okay, here's something.

0:52:27.400 --> 0:52:31.200
<v Speaker 2>What if it is like guy news radio, gay guys

0:52:31.239 --> 0:52:35.319
<v Speaker 2>growing out their hair and having big blowouts, growing out

0:52:35.320 --> 0:52:40.040
<v Speaker 2>there yeah, like they literally have Christian woman at the blowout.

0:52:40.120 --> 0:52:42.680
<v Speaker 1>This is what's something that John really calls TV hair

0:52:42.760 --> 0:52:46.719
<v Speaker 1>where it's like, yes, it goes down, then yeah, it's

0:52:46.840 --> 0:52:51.760
<v Speaker 1>Deborah mess down and then like five curls in front

0:52:52.480 --> 0:52:57.080
<v Speaker 1>and every woman on television has that hair. So maybe

0:52:57.080 --> 0:52:59.240
<v Speaker 1>the issue maybe like next.

0:52:59.080 --> 0:53:03.239
<v Speaker 4>Year, are three of us going to be here with that?

0:53:03.840 --> 0:53:04.279
<v Speaker 4>What if?

0:53:04.400 --> 0:53:06.239
<v Speaker 1>I don't know. I do think that is kind of

0:53:06.239 --> 0:53:08.960
<v Speaker 1>the last friend here is more when we return, sorry,

0:53:09.120 --> 0:53:12.040
<v Speaker 1>and we're back, and we're back, and more when we

0:53:12.080 --> 0:53:14.040
<v Speaker 1>return because gay guys welcome back.

0:53:14.080 --> 0:53:17.160
<v Speaker 2>It's the only hairstyle gay guys haven't tried is long

0:53:17.280 --> 0:53:18.480
<v Speaker 2>beach waves.

0:53:18.239 --> 0:53:19.520
<v Speaker 4>Long beachways.

0:53:19.640 --> 0:53:22.280
<v Speaker 1>Yeah, that could be something.

0:53:22.560 --> 0:53:24.960
<v Speaker 4>I don't think that could be. No, no, I can't,

0:53:25.040 --> 0:53:25.920
<v Speaker 4>I can't follow.

0:53:26.640 --> 0:53:30.719
<v Speaker 1>Well, that's why it's so, that's why this is This

0:53:31.120 --> 0:53:33.560
<v Speaker 1>is where innovation is born. Is you think, oh, I

0:53:33.600 --> 0:53:36.400
<v Speaker 1>can't picture that at all, and then lo and behold

0:53:36.800 --> 0:53:40.320
<v Speaker 1>all of a sudden, Oh crocs. I get it, it's ironic.

0:53:40.400 --> 0:53:43.239
<v Speaker 4>But they're like, I think it's just going to be

0:53:43.280 --> 0:53:47.759
<v Speaker 4>too hard for the upkeep, the upkeep to commit to

0:53:48.680 --> 0:53:52.560
<v Speaker 4>growing your hair out. I think you know, you know,

0:53:52.800 --> 0:53:54.759
<v Speaker 4>the gay guy lifestyle so go, go, go, you.

0:53:54.719 --> 0:54:00.359
<v Speaker 1>Know, and they just want something that's easy, messy buns

0:54:01.280 --> 0:54:02.480
<v Speaker 1>that we've we've already done done.

0:54:03.480 --> 0:54:05.239
<v Speaker 2>Wow, it's crazy that we can't think of a single

0:54:05.320 --> 0:54:07.040
<v Speaker 2>thing that's going to be a new gay gay trend.

0:54:07.560 --> 0:54:10.280
<v Speaker 1>Somebody's got to think of one. Cole Well, my prediction.

0:54:11.640 --> 0:54:12.920
<v Speaker 1>My prediction was sideburns.

0:54:12.960 --> 0:54:15.800
<v Speaker 2>Remember I said, the new facial hair trend.

0:54:16.320 --> 0:54:19.719
<v Speaker 1>It's the only one we have for a wig.

0:54:19.800 --> 0:54:24.400
<v Speaker 4>But yeah, I had. I had huge sideburns in high school.

0:54:24.600 --> 0:54:28.879
<v Speaker 1>Oh yeah, and blue black hair. Oh yeah, that must

0:54:28.920 --> 0:54:31.279
<v Speaker 1>have been pretty. I was pretty out there.

0:54:32.440 --> 0:54:34.800
<v Speaker 4>I was willing to go there as a kid, you know,

0:54:35.160 --> 0:54:36.760
<v Speaker 4>like I took those risks.

0:54:37.640 --> 0:54:40.520
<v Speaker 2>Do you find yourself slipping into that at as you're

0:54:41.080 --> 0:54:43.040
<v Speaker 2>like doing promo for the show?

0:54:44.400 --> 0:54:44.440
<v Speaker 1>No?

0:54:44.840 --> 0:54:49.600
<v Speaker 2>No, no, only like that character and generally like the

0:54:49.680 --> 0:54:53.000
<v Speaker 2>cliches of being interviewed, just being like, you know, I.

0:54:53.080 --> 0:54:57.000
<v Speaker 4>Knew I was fun because no one else would would

0:54:57.120 --> 0:54:57.880
<v Speaker 4>know that I was kidding.

0:54:58.760 --> 0:55:00.960
<v Speaker 1>I see here amongst family.

0:55:01.400 --> 0:55:02.759
<v Speaker 2>Dare I say, and you don't want to take the

0:55:02.840 --> 0:55:04.600
<v Speaker 2>risk of someone thinking or being earnest?

0:55:04.840 --> 0:55:09.000
<v Speaker 1>No? Absolutely, Wait, I just realized. I went to the

0:55:09.080 --> 0:55:14.120
<v Speaker 1>Sistine Chapel a year ago. Okay, to pray more on

0:55:14.200 --> 0:55:18.600
<v Speaker 1>that later, but it was I thought it was so ugly. Really,

0:55:18.680 --> 0:55:22.960
<v Speaker 1>oh because they you know, they take they cleaned it

0:55:23.560 --> 0:55:27.759
<v Speaker 1>in the nineties. Yeah. Oh, and the colors of its

0:55:28.160 --> 0:55:31.160
<v Speaker 1>modern well no, it's like nineties Italian, like New Jersey

0:55:31.239 --> 0:55:35.319
<v Speaker 1>Italian restaurant. Oh, because it's too right, it's so bright and.

0:55:35.520 --> 0:55:38.080
<v Speaker 4>Like and that's why I never watched my cup And

0:55:38.239 --> 0:55:38.799
<v Speaker 4>this is why.

0:55:40.960 --> 0:55:43.759
<v Speaker 1>And I realized, like, oh, that's where that aesthetic came

0:55:43.840 --> 0:55:47.040
<v Speaker 1>from from, like nineties Italian restaurants, because the Sistine Chapel

0:55:47.080 --> 0:55:50.840
<v Speaker 1>had just been cleaned and it was like exciting, and

0:55:50.960 --> 0:55:54.440
<v Speaker 1>so then everyone was like, let's do that in our restaurant.

0:55:55.200 --> 0:55:58.040
<v Speaker 4>Nineties Italian restaurants are based on the Sistine Chapel.

0:55:58.200 --> 0:55:59.879
<v Speaker 1>That makes sense to me. That makes sense.

0:56:00.040 --> 0:56:04.200
<v Speaker 2>It certainly is based on good morning, Wake Wake up America.

0:56:04.480 --> 0:56:10.000
<v Speaker 4>I hope you're listening. Take notes, take notes. Okay, wow, wow,

0:56:10.239 --> 0:56:12.279
<v Speaker 4>this is what happens when you sleep. So when you

0:56:12.400 --> 0:56:15.120
<v Speaker 4>go there and you're like, this is ugly, you know

0:56:15.320 --> 0:56:17.000
<v Speaker 4>what did that feel like for you? Were you like,

0:56:17.239 --> 0:56:19.359
<v Speaker 4>you know what, good because the church has enough as

0:56:19.360 --> 0:56:20.680
<v Speaker 4>it is, or were you like, damn, I was really

0:56:20.680 --> 0:56:21.560
<v Speaker 4>hoping to be moved today.

0:56:21.760 --> 0:56:24.080
<v Speaker 1>I was really hoping to be moved. And I'll be honest.

0:56:24.719 --> 0:56:28.399
<v Speaker 1>My friend Claudia Odaugherty, who I was there with, fell

0:56:28.480 --> 0:56:30.600
<v Speaker 1>asleep in the Steam Chapel.

0:56:30.640 --> 0:56:32.800
<v Speaker 4>I fell asleep in the Systeine Chapel. It was it

0:56:32.920 --> 0:56:35.440
<v Speaker 4>was a long you just like tore you sit down,

0:56:35.640 --> 0:56:37.920
<v Speaker 4>you can sit down, you can sit down. And it

0:56:38.080 --> 0:56:39.919
<v Speaker 4>was this long hour's long tour.

0:56:40.280 --> 0:56:41.239
<v Speaker 1>It was so hot and we.

0:56:41.280 --> 0:56:43.560
<v Speaker 4>Were just like okay, okay, yes, all this stuff, all

0:56:43.560 --> 0:56:45.560
<v Speaker 4>this stuff, we just want to see that damn roof

0:56:46.000 --> 0:56:47.040
<v Speaker 4>you're ceiling, okay.

0:56:47.680 --> 0:56:49.960
<v Speaker 1>And we got there and it was so like warm,

0:56:50.800 --> 0:56:54.520
<v Speaker 1>and you fell asleep and then you're like okay, yeah.

0:56:55.200 --> 0:56:58.400
<v Speaker 1>Literally we had eaten like six hot creamy meals and

0:57:00.280 --> 0:57:02.880
<v Speaker 1>just like full of cheese. It's like a marathon.

0:57:03.040 --> 0:57:06.200
<v Speaker 4>People were just handing you cups of warm warm.

0:57:07.040 --> 0:57:11.680
<v Speaker 1>Yeah. Well that's too bad. Yeah, it's okay. I just

0:57:11.800 --> 0:57:14.960
<v Speaker 1>wanted to And it is tough. That is something up.

0:57:14.960 --> 0:57:17.160
<v Speaker 2>When you build something up and then you're disappointed by it.

0:57:17.280 --> 0:57:20.040
<v Speaker 1>You know. Any notes for the Sistine Chapel workers, keep

0:57:20.080 --> 0:57:24.800
<v Speaker 1>it dirty. Stop scrubbing it, because they left a little

0:57:24.920 --> 0:57:28.360
<v Speaker 1>patch dirty to show you, like, and this is what

0:57:28.480 --> 0:57:31.440
<v Speaker 1>it looked like, and I was like, yes, the agent,

0:57:31.560 --> 0:57:34.479
<v Speaker 1>it was the filter that it needed. Yeah, a Valencia filter,

0:57:34.880 --> 0:57:37.600
<v Speaker 1>Yes it was. Which filter would I say it was?

0:57:37.640 --> 0:57:39.680
<v Speaker 1>Oh my god, oh my god? Okay, I would say

0:57:39.760 --> 0:57:46.640
<v Speaker 1>new York. Honestly, put the New York filter on this chapel.

0:57:46.920 --> 0:57:49.560
<v Speaker 1>It'll really really be better. I know it sounds crazy,

0:57:50.200 --> 0:57:50.800
<v Speaker 1>but it's time.

0:57:51.400 --> 0:57:52.960
<v Speaker 2>I've only lived here for three years, but I do

0:57:53.080 --> 0:57:57.080
<v Speaker 2>actually feel like a New York like to get a

0:57:57.200 --> 0:58:01.680
<v Speaker 2>ninety nine cents light. I'm like, okay, to be fair,

0:58:01.760 --> 0:58:02.400
<v Speaker 2>she's right.

0:58:03.040 --> 0:58:07.920
<v Speaker 1>Yeah, I feel my family has never visited, and I

0:58:08.080 --> 0:58:12.880
<v Speaker 1>don't ever want them to because when I see people

0:58:12.960 --> 0:58:16.200
<v Speaker 1>with their families, like on the train or like walking around,

0:58:18.120 --> 0:58:20.760
<v Speaker 1>it's painful. No, it makes me so angry actually, or

0:58:20.840 --> 0:58:23.520
<v Speaker 1>it makes me it makes my heart hurt. Yeah, because

0:58:24.160 --> 0:58:27.360
<v Speaker 1>the you're immediately a child when you're showing your parents

0:58:27.440 --> 0:58:28.360
<v Speaker 1>the city and you're like, this.

0:58:28.520 --> 0:58:31.040
<v Speaker 4>Is my city, mom, look like we like, I just

0:58:31.200 --> 0:58:34.800
<v Speaker 4>like eat here every day and it's really well.

0:58:34.840 --> 0:58:38.160
<v Speaker 2>Also, it makes you to show your surroundings to anyone

0:58:38.560 --> 0:58:43.880
<v Speaker 2>really puts into focus how like uninteresting most daily lives are.

0:58:44.000 --> 0:58:45.360
<v Speaker 2>It's like you're showing someone.

0:58:45.400 --> 0:58:47.680
<v Speaker 1>The coffee shop where you get your coffee. Yeah, like

0:58:47.760 --> 0:58:52.200
<v Speaker 1>they have a really good cortado here. I like, and

0:58:52.280 --> 0:58:55.200
<v Speaker 1>your mom's like, my niece, can I can I sit here?

0:58:55.640 --> 0:58:57.480
<v Speaker 1>My knees backed an up, and.

0:58:57.480 --> 0:58:57.840
<v Speaker 4>They're like.

0:59:00.080 --> 0:59:03.880
<v Speaker 1>Like, mom, you know my friends never sit. Never sit.

0:59:04.000 --> 0:59:08.600
<v Speaker 1>You don't sit in New York, Mama. I like my parents.

0:59:08.840 --> 0:59:10.800
<v Speaker 4>The first time they visited was like I was maybe

0:59:10.880 --> 0:59:15.520
<v Speaker 4>twenty five or something, and I like, in retrospect, I'm

0:59:15.600 --> 0:59:17.560
<v Speaker 4>so embarrassed by the places that I was like, you

0:59:17.840 --> 0:59:18.640
<v Speaker 4>have to see.

0:59:18.520 --> 0:59:20.840
<v Speaker 1>This, yeah, because it was just like smack, It's like

0:59:20.960 --> 0:59:25.320
<v Speaker 1>all macaroni and cheese restaurant and like being like, no,

0:59:25.480 --> 0:59:28.280
<v Speaker 1>this bar is really cool. Yeah, and it's like why

0:59:28.320 --> 0:59:31.720
<v Speaker 1>would they ever want a bar? They like dive. It

0:59:31.880 --> 0:59:36.720
<v Speaker 1>just has the same feeling of like parents' weekend. I mean,

0:59:36.800 --> 0:59:39.200
<v Speaker 1>there's a specific night I went to college, but I

0:59:39.360 --> 0:59:43.919
<v Speaker 1>understand there there's still time. There's still there's still time

0:59:44.040 --> 0:59:46.960
<v Speaker 1>I get that degree. Yeah, how would you cancel that?

0:59:47.080 --> 0:59:50.560
<v Speaker 2>Artistic shows there is of course, nothing more moving in

0:59:50.680 --> 0:59:54.080
<v Speaker 2>terms of storylines than older women going back to Oh

0:59:54.200 --> 0:59:54.640
<v Speaker 2>my god.

0:59:55.120 --> 0:59:58.240
<v Speaker 4>I mean this is not the same thing.

0:59:58.320 --> 1:00:01.920
<v Speaker 1>But Margot Martindale in Paris, tim you know, going on

1:00:02.040 --> 1:00:03.920
<v Speaker 1>that trip to Paris by herself. Oh my god, I

1:00:03.920 --> 1:00:11.320
<v Speaker 1>don't remember that one I have seen. She's an older woman. Well,

1:00:11.360 --> 1:00:13.439
<v Speaker 1>she's a woman of a certain age. She's a male

1:00:13.520 --> 1:00:15.960
<v Speaker 1>carrier at home, and she's started taking French classes late

1:00:16.000 --> 1:00:18.280
<v Speaker 1>in life. And then she goes she's always wanted to

1:00:18.320 --> 1:00:21.960
<v Speaker 1>go to Paris. I'm gonna cry, you know what, I.

1:00:23.760 --> 1:00:27.880
<v Speaker 4>George, I feel that an apology for what because when

1:00:27.960 --> 1:00:35.120
<v Speaker 4>Cole says, you know, in whatever, I say, beautiful, but

1:00:35.240 --> 1:00:40.240
<v Speaker 4>if you were to bring it up first, I would go, okay, okayens.

1:00:40.760 --> 1:00:44.240
<v Speaker 2>And that is like to me, it's such a sort

1:00:44.240 --> 1:00:46.560
<v Speaker 2>of like almost embarrassing part of like it's like I.

1:00:46.680 --> 1:00:50.000
<v Speaker 1>Only know Margot Martindale's part. Yeah I've only seen that

1:00:50.080 --> 1:00:50.520
<v Speaker 1>one clip.

1:00:50.960 --> 1:00:55.000
<v Speaker 4>Yeah, okay, I've only seen that one clip. I don't

1:00:55.040 --> 1:00:57.160
<v Speaker 4>know it, like I'm not like watching it, like I've

1:00:57.240 --> 1:00:58.160
<v Speaker 4>never watched.

1:00:57.880 --> 1:01:03.840
<v Speaker 1>Like is like, mommy blogger, I think it's that movie. Yeah,

1:01:04.080 --> 1:01:08.640
<v Speaker 1>that's why I think it's Thatsia.

1:01:09.480 --> 1:01:11.760
<v Speaker 2>Town, which we don't like, but we do know, like

1:01:12.040 --> 1:01:14.360
<v Speaker 2>John Galliano being like it was inspired by.

1:01:14.720 --> 1:01:22.760
<v Speaker 1>Margot Mark Yeah yeah, well yeah, so carrot.

1:01:23.000 --> 1:01:25.640
<v Speaker 2>Baby carrots, baby carrots or hotels or hotels. No, we're

1:01:25.640 --> 1:01:26.080
<v Speaker 2>doing hotels.

1:01:26.080 --> 1:01:28.200
<v Speaker 1>We're doing hotels. Okay, so.

1:01:29.880 --> 1:01:34.120
<v Speaker 2>All right, we've covered conferences, we've covered cruising, we've covered

1:01:34.160 --> 1:01:35.520
<v Speaker 2>home away from home, cat a tear.

1:01:35.800 --> 1:01:37.760
<v Speaker 4>We haven't cover the gay guy telling you where to go,

1:01:37.960 --> 1:01:40.520
<v Speaker 4>the g guy telling you. Have covered the literal straight

1:01:40.600 --> 1:01:44.480
<v Speaker 4>couple going to a hotel and instantly feeling like they're

1:01:44.520 --> 1:01:48.120
<v Speaker 4>being sordid and kinky because they're not in their house.

1:01:48.520 --> 1:01:50.480
<v Speaker 2>Well, and then of course the disappointment that comes after

1:01:50.600 --> 1:01:54.200
<v Speaker 2>that of wherever you go there you are wow looking around.

1:01:54.280 --> 1:01:56.920
<v Speaker 1>Wow, I guess we're actually not happy. By the way,

1:01:56.920 --> 1:02:01.960
<v Speaker 1>can we talk about the Bible litter in every room? Yeah? Wait,

1:02:02.080 --> 1:02:02.600
<v Speaker 1>why is that?

1:02:02.840 --> 1:02:04.840
<v Speaker 2>That's why they started bautique hotels so they could put

1:02:04.840 --> 1:02:09.439
<v Speaker 2>in a different but they were like Sally Rooney, Yeah,

1:02:09.440 --> 1:02:12.000
<v Speaker 2>the Bible is I always think it's sort of charming

1:02:12.080 --> 1:02:15.560
<v Speaker 2>that there are these leftover like Bible in a hotel room.

1:02:16.240 --> 1:02:18.880
<v Speaker 2>To me is very like leftover from a different era

1:02:19.360 --> 1:02:19.960
<v Speaker 2>in a way that I do.

1:02:20.520 --> 1:02:24.680
<v Speaker 1>When men held the door men help, I think we're

1:02:24.680 --> 1:02:26.520
<v Speaker 1>going to be seeing men holding the door open for

1:02:26.600 --> 1:02:27.680
<v Speaker 1>you on the runway this season.

1:02:28.160 --> 1:02:29.080
<v Speaker 4>We're going to see men.

1:02:31.160 --> 1:02:38.680
<v Speaker 1>The door open around the corner. Clean Chapel ceilings clean,

1:02:38.840 --> 1:02:42.520
<v Speaker 1>just guys being guys being guys, falling asleep in a

1:02:42.640 --> 1:02:44.000
<v Speaker 1>stunning tourist destination.

1:02:46.080 --> 1:02:51.040
<v Speaker 4>Yeah, I think this is obvious. I feel the the

1:02:51.120 --> 1:02:54.600
<v Speaker 4>thing that gay people are gonna appropriate is Bible chain

1:02:55.160 --> 1:03:01.200
<v Speaker 4>hotel Hilton. I think boutique hotels as like a fantasy

1:03:01.800 --> 1:03:05.840
<v Speaker 4>is dead. It's like we are post Instagram. This goes

1:03:05.880 --> 1:03:06.520
<v Speaker 4>along with me.

1:03:07.160 --> 1:03:09.040
<v Speaker 1>Now, I'm like, if I'm ever on a red carpet,

1:03:09.080 --> 1:03:10.760
<v Speaker 1>I'm gonna wear a dress made up. You know that

1:03:10.880 --> 1:03:14.040
<v Speaker 1>credit card dress. Yes, Hilton honors.

1:03:13.760 --> 1:03:17.400
<v Speaker 2>Car also gig chic gay guys like that work in fashion.

1:03:17.520 --> 1:03:21.160
<v Speaker 2>Getting married ironically in a Hilton, I mean, I mean

1:03:21.520 --> 1:03:23.360
<v Speaker 2>like overhead lighting Hiltons.

1:03:23.720 --> 1:03:25.600
<v Speaker 4>There's something chic about that.

1:03:25.800 --> 1:03:28.640
<v Speaker 1>Yeah. Terrible carpet, Like the carpet is so old.

1:03:28.720 --> 1:03:29.640
<v Speaker 4>Yeah, what are those called?

1:03:29.720 --> 1:03:34.160
<v Speaker 1>The like the the buffet, like the hot hot bar,

1:03:34.440 --> 1:03:36.840
<v Speaker 1>the hot bars like with those little torches.

1:03:37.200 --> 1:03:42.280
<v Speaker 2>Yeah, like chic gay guy wedding. And the food is

1:03:42.360 --> 1:03:44.680
<v Speaker 2>a hot bar with like little sausage.

1:03:44.320 --> 1:03:45.360
<v Speaker 1>Links, sausage links.

1:03:45.720 --> 1:03:48.280
<v Speaker 4>Meal, it's breakfast, it's breakfast for dinner.

1:03:48.360 --> 1:03:53.280
<v Speaker 2>It's breakfast for dinner, hard scrambled eggs, sausage link.

1:03:53.360 --> 1:04:00.360
<v Speaker 1>Wedding wedding donuts meal with all the fixes, raisins, brown sugars,

1:04:01.120 --> 1:04:04.040
<v Speaker 1>one serving fruit loops that you take off the little

1:04:04.080 --> 1:04:10.000
<v Speaker 1>cover and but but instead of fruit loops, it's like

1:04:10.240 --> 1:04:13.160
<v Speaker 1>the couples, like you know, like the little wedding rings

1:04:13.320 --> 1:04:16.600
<v Speaker 1>Jared and and Emery or whatever their name is. And

1:04:16.680 --> 1:04:19.000
<v Speaker 1>it's it's funny because it's like fruit loops. Yeah, it's

1:04:20.240 --> 1:04:23.720
<v Speaker 1>that's hilarious. I'm laughing. They talk about blur it's bring

1:04:23.840 --> 1:04:28.840
<v Speaker 1>your kids, bring your kids, which is yeah, that's bold,

1:04:29.160 --> 1:04:29.600
<v Speaker 1>that's bold.

1:04:29.640 --> 1:04:31.960
<v Speaker 4>I think that we're going to be this season on

1:04:32.000 --> 1:04:33.080
<v Speaker 4>the right, We're going to see.

1:04:33.040 --> 1:04:35.840
<v Speaker 1>Bringing kids fruit loops, but they're gay.

1:04:36.040 --> 1:04:39.920
<v Speaker 4>Yes, the name Emory, Yeah, the name Memory is everywhere.

1:04:40.320 --> 1:04:43.120
<v Speaker 2>Yeah, Hilton honors dirty carpet.

1:04:43.280 --> 1:04:45.720
<v Speaker 4>But I do think there's something to this because, like

1:04:46.160 --> 1:04:48.360
<v Speaker 4>you know, we've talked about the how we're in the

1:04:48.480 --> 1:04:52.480
<v Speaker 4>Martini and mush peas era, and I think the next

1:04:52.560 --> 1:04:54.760
<v Speaker 4>step of like what is gross that we can just

1:04:54.920 --> 1:04:56.160
<v Speaker 4>pretend isn't anymore.

1:04:57.080 --> 1:04:59.320
<v Speaker 1>It's that's because I tell food culture.

1:04:59.480 --> 1:05:03.320
<v Speaker 2>Yes, I that's definitely one direction for the modern man.

1:05:03.960 --> 1:05:07.200
<v Speaker 2>I almost think we've now gone so far into like

1:05:07.400 --> 1:05:12.200
<v Speaker 2>appropriating trashy stuff direction. That being a full on pretentious,

1:05:12.800 --> 1:05:16.040
<v Speaker 2>little pinky finger up gay guy is gonna come back.

1:05:16.240 --> 1:05:18.640
<v Speaker 4>But I think with with a with a.

1:05:21.720 --> 1:05:25.200
<v Speaker 1>With an eye towards like like remember those commercial I

1:05:25.400 --> 1:05:29.120
<v Speaker 1>keep seeing these on the algorithm, the like Vienna coffee,

1:05:29.320 --> 1:05:31.600
<v Speaker 1>like the little powdered Do you know what I'm talking about?

1:05:31.680 --> 1:05:39.360
<v Speaker 1>The little coffee that comes in like instant coffee.

1:05:39.760 --> 1:05:42.200
<v Speaker 4>No, wait, hold on, is this your version of whatever

1:05:42.280 --> 1:05:46.440
<v Speaker 4>that sandal was? Oh my god, Oh I'm not you know,

1:05:46.560 --> 1:05:46.959
<v Speaker 4>we're all.

1:05:46.880 --> 1:05:51.400
<v Speaker 1>Living in our social media bubbles. Yeah, I'm thinking like, uh,

1:05:52.440 --> 1:05:56.840
<v Speaker 1>like stuff that was marketed as fancy that you know,

1:05:57.000 --> 1:05:58.240
<v Speaker 1>like the you know what.

1:05:58.400 --> 1:06:00.840
<v Speaker 2>You know what's a great example of this is the cheese,

1:06:01.720 --> 1:06:05.920
<v Speaker 2>like the you know those round red cheeses.

1:06:06.080 --> 1:06:08.400
<v Speaker 1>Baby Bill? Is that? Yeah? Yeah yeah?

1:06:08.680 --> 1:06:10.439
<v Speaker 2>Don't you feel like that was at some point market

1:06:10.480 --> 1:06:11.680
<v Speaker 2>it is like fancy?

1:06:11.920 --> 1:06:14.920
<v Speaker 1>Yeah? Yeah, yeah, yeah, now we know. It's like Briars

1:06:15.160 --> 1:06:19.040
<v Speaker 1>ice cream was very like like Bernadette Peters and the commercials,

1:06:19.120 --> 1:06:22.760
<v Speaker 1>like I guess basically it's certification. It's sort of wasp

1:06:23.000 --> 1:06:26.200
<v Speaker 1>Upper East Side wasp culture that you can get at

1:06:26.240 --> 1:06:28.800
<v Speaker 1>the super you can get the supermarket. Yeah, sure, like

1:06:29.040 --> 1:06:31.560
<v Speaker 1>v like what was that ice cream? Cake. Do you

1:06:31.600 --> 1:06:34.000
<v Speaker 1>know what I mean? That had like ribbons. It was

1:06:34.040 --> 1:06:37.600
<v Speaker 1>like ribbons of ice cream. God, now aging myself here,

1:06:38.280 --> 1:06:41.480
<v Speaker 1>I'm aging myself here. We're gonna this season on the Runway,

1:06:41.600 --> 1:06:43.160
<v Speaker 1>aging yourself yourself.

1:06:43.720 --> 1:06:47.800
<v Speaker 2>I also think no more minimal minimalist flatware.

1:06:48.120 --> 1:06:51.200
<v Speaker 4>And uh, I see what you're saying. You're it's sort

1:06:51.240 --> 1:06:52.720
<v Speaker 4>of capodim Swans.

1:06:52.840 --> 1:06:54.600
<v Speaker 1>Yes, it's this season on the Runway.

1:06:55.520 --> 1:07:00.520
<v Speaker 4>Swans, no flat no simp at the supermarket.

1:07:00.760 --> 1:07:03.840
<v Speaker 1>Capodian is one that's at the supermarket in your ice

1:07:03.880 --> 1:07:08.840
<v Speaker 1>cream y yeah, or like the fancy like TV Dinners.

1:07:10.120 --> 1:07:16.160
<v Speaker 4>Was like you know, I know, like like that was like, uh,

1:07:16.840 --> 1:07:18.800
<v Speaker 4>like that's what That's what we're going to see on

1:07:18.800 --> 1:07:19.000
<v Speaker 4>the right.

1:07:19.080 --> 1:07:20.919
<v Speaker 2>I mean, it's them from a conservatism because it's literally

1:07:20.960 --> 1:07:23.520
<v Speaker 2>like when America, you know, in the public imagination when

1:07:23.560 --> 1:07:25.800
<v Speaker 2>America was great was mad Men era.

1:07:26.920 --> 1:07:29.040
<v Speaker 4>Well, but this is I'm even thinking of the nineties

1:07:29.080 --> 1:07:29.720
<v Speaker 4>when those things.

1:07:31.080 --> 1:07:31.440
<v Speaker 1>Jealous.

1:07:33.400 --> 1:07:35.200
<v Speaker 2>That's sort of they've tried that so many times and

1:07:35.280 --> 1:07:35.480
<v Speaker 2>it's not.

1:07:35.880 --> 1:07:38.640
<v Speaker 1>I love jello salad though, really love it it, love

1:07:38.680 --> 1:07:42.680
<v Speaker 1>the taste. Is that true? Yes, it's just Jello and

1:07:43.280 --> 1:07:45.480
<v Speaker 1>this one of your characters. It's Jello and cool whip.

1:07:45.840 --> 1:07:47.479
<v Speaker 1>I have a disgusting sweet tooth.

1:07:47.840 --> 1:07:49.640
<v Speaker 4>Really, I love ambrosia salad.

1:07:50.640 --> 1:07:53.480
<v Speaker 1>Oh, this is on the run. We ambrosa fruit cocktail

1:07:53.720 --> 1:07:59.680
<v Speaker 1>with uh cool whip basically whoa and and sometimes marshmallows

1:07:59.720 --> 1:08:05.920
<v Speaker 1>and try a coconut. Some people would do like pistachio

1:08:06.040 --> 1:08:09.440
<v Speaker 1>pudding packet, like the powder from the put putting packet.

1:08:09.840 --> 1:08:15.880
<v Speaker 1>Mix it in. You know, it's always in pustachios. These

1:08:15.960 --> 1:08:18.280
<v Speaker 1>foods are giving. You've got me there, they're giving Grandma.

1:08:19.080 --> 1:08:19.759
<v Speaker 4>I love Grandma.

1:08:20.439 --> 1:08:29.599
<v Speaker 1>Shout out to grandma. Yeah, well look, yeah, we've figured

1:08:29.640 --> 1:08:31.040
<v Speaker 1>it out so pretty much.

1:08:31.080 --> 1:08:33.639
<v Speaker 4>Co Where can people buy tickets to your play? Well?

1:08:34.160 --> 1:08:39.880
<v Speaker 1>Oh Mary, ohmaryplay dot com for the last week. Yeah,

1:08:40.200 --> 1:08:44.880
<v Speaker 1>May fifth through twelfth and May twelfth, must and must

1:08:45.080 --> 1:08:46.000
<v Speaker 1>and May twelfth.

1:08:46.320 --> 1:08:48.400
<v Speaker 2>To be candid, this episode will come out when it's

1:08:48.439 --> 1:08:49.599
<v Speaker 2>already sold out most likely.

1:08:49.920 --> 1:08:51.840
<v Speaker 4>Well, that's true, and that you don't know.

1:08:51.960 --> 1:08:54.320
<v Speaker 1>Okay, that's okay, that's okay.

1:08:55.240 --> 1:08:56.479
<v Speaker 4>But maybe there will be one ticket.

1:08:56.520 --> 1:08:58.240
<v Speaker 1>There will be one ticket left. D m us. No,

1:08:58.360 --> 1:09:00.240
<v Speaker 1>please don't know just yet.

1:09:00.280 --> 1:09:00.320
<v Speaker 4>Me.

1:09:00.400 --> 1:09:02.040
<v Speaker 1>I can text call. We'll figure it out. We'll figure

1:09:02.040 --> 1:09:04.120
<v Speaker 1>it out. Text call, we'll figure it out. If you listen,

1:09:04.120 --> 1:09:06.080
<v Speaker 1>to this podcasts. You can get it getting there for free.

1:09:06.320 --> 1:09:10.280
<v Speaker 4>Yeah, absolutely, and that's a stradio promise call.

1:09:10.360 --> 1:09:11.639
<v Speaker 1>Do you think theater is too expensive?

1:09:12.000 --> 1:09:17.479
<v Speaker 4>Yes, but say that, but it's also expensive to make.

1:09:18.240 --> 1:09:22.080
<v Speaker 2>Oh okay, all right, okay, well considered, I don't know

1:09:22.200 --> 1:09:23.800
<v Speaker 2>how how they do it in London?

1:09:23.920 --> 1:09:25.719
<v Speaker 4>Then they don't pay people.

1:09:27.520 --> 1:09:30.560
<v Speaker 1>Well do they pay people in New York? They not?

1:09:30.680 --> 1:09:33.479
<v Speaker 4>From what I've heard, it depends on these damn unions.

1:09:33.560 --> 1:09:38.519
<v Speaker 1>Oh my god, don't get me started. The government help well,

1:09:38.560 --> 1:09:41.360
<v Speaker 1>I do think Well, the government subsidize in in in

1:09:42.520 --> 1:09:45.960
<v Speaker 1>more in Europe and was funded by the Trump administration.

1:09:46.120 --> 1:09:48.160
<v Speaker 4>Correct are we talking about that?

1:09:51.360 --> 1:09:53.880
<v Speaker 2>Because like, from what I remember, it was a government.

1:09:54.240 --> 1:09:55.320
<v Speaker 1>Why is it wrong?

1:09:55.720 --> 1:09:59.160
<v Speaker 2>Like it's not and you said you wanted to change

1:09:59.200 --> 1:10:01.200
<v Speaker 2>it from the ins what I understand?

1:10:01.320 --> 1:10:02.000
<v Speaker 1>Yeah? Like how's that?

1:10:02.920 --> 1:10:07.720
<v Speaker 4>Like? Like she's willing to listen. She gave you a

1:10:07.760 --> 1:10:09.880
<v Speaker 4>lot of notes on the early versions of the show.

1:10:10.960 --> 1:10:13.320
<v Speaker 1>Yeah, she did. It was she has a great eye.

1:10:13.439 --> 1:10:15.240
<v Speaker 1>She has a great eye. She's like she doesn't no

1:10:15.280 --> 1:10:16.160
<v Speaker 1>matter what your politics are.

1:10:16.400 --> 1:10:21.320
<v Speaker 4>Funny yeah, funny. People forget that about Ivanka. She's funny.

1:10:21.600 --> 1:10:25.080
<v Speaker 1>She'll always she's like burg like between every scene she's

1:10:25.120 --> 1:10:28.120
<v Speaker 1>like blurg and like, okay, yes.

1:10:28.920 --> 1:10:32.120
<v Speaker 4>Yeah, I did notice the blurg in your play, and

1:10:32.280 --> 1:10:34.680
<v Speaker 4>I thought it felt it fell out of place, but

1:10:34.720 --> 1:10:37.679
<v Speaker 4>it also felt that that was a Yeah.

1:10:38.280 --> 1:10:40.800
<v Speaker 2>The rest of it had a very specific tone I

1:10:41.120 --> 1:10:42.880
<v Speaker 2>recognize as quintessentially cool.

1:10:43.760 --> 1:10:46.840
<v Speaker 4>Then there was that big monologue that so I guess

1:10:47.000 --> 1:10:47.719
<v Speaker 4>I'm an adult.

1:10:51.439 --> 1:10:54.840
<v Speaker 2>Yeah, there was a sort of you kept saying, should

1:10:54.880 --> 1:10:55.599
<v Speaker 2>I get bangs?

1:10:56.400 --> 1:10:58.679
<v Speaker 1>That was the punch that was okay, maybe that's a premise.

1:10:58.880 --> 1:11:01.240
<v Speaker 4>Yeah, I mean, I'll never forget when Abe got shot

1:11:01.280 --> 1:11:04.400
<v Speaker 4>in your play and you make it make it makes sense,

1:11:04.680 --> 1:11:05.240
<v Speaker 4>it makes sense.

1:11:05.360 --> 1:11:07.400
<v Speaker 2>Yeah, and then yeah, and then you're like, all right,

1:11:07.439 --> 1:11:09.720
<v Speaker 2>well the moment's landed. Next scene starts, you go, So

1:11:09.840 --> 1:11:14.640
<v Speaker 2>I guess that happened, I said, I said, okay, like

1:11:14.760 --> 1:11:15.439
<v Speaker 2>some of this could have.

1:11:15.479 --> 1:11:19.479
<v Speaker 4>Been very long, but it gets laughs every look the

1:11:19.560 --> 1:11:20.840
<v Speaker 4>audience doesn't. Isn't wrong.

1:11:22.800 --> 1:11:27.920
<v Speaker 1>Oh look, I wish it were uh much much cheaper

1:11:28.280 --> 1:11:31.640
<v Speaker 1>to see theater. But I didn't understand the economics of

1:11:31.960 --> 1:11:35.800
<v Speaker 1>like if a show costs something and there are only

1:11:35.920 --> 1:11:40.000
<v Speaker 1>so many seats. Well, of course I didn't realize, like.

1:11:40.360 --> 1:11:44.840
<v Speaker 2>No, for the issue is not yes, The issue is

1:11:44.880 --> 1:11:47.920
<v Speaker 2>that none of it is subsidized by the government like

1:11:47.960 --> 1:11:50.080
<v Speaker 2>in other countries. It's not that like people are evil

1:11:50.120 --> 1:11:53.640
<v Speaker 2>and want to rob you blind, right, although I do.

1:11:54.560 --> 1:11:57.439
<v Speaker 1>You know, this is my first ten million that I'm

1:11:57.479 --> 1:11:58.280
<v Speaker 1>making from this.

1:11:58.680 --> 1:12:00.880
<v Speaker 4>Right right, congrats on that, by the Yeah yeah, yeah, Well.

1:12:00.800 --> 1:12:04.160
<v Speaker 1>Off Broadway is where you go to like cash cash in,

1:12:04.640 --> 1:12:06.880
<v Speaker 1>Like I've worked hard, you put in the time, I've

1:12:06.920 --> 1:12:09.840
<v Speaker 1>put in the time. I'm ready for that summer house.

1:12:10.080 --> 1:12:13.800
<v Speaker 1>I'm ready for like like first class tickets, and like.

1:12:13.880 --> 1:12:16.320
<v Speaker 4>Knowing that about yourself is like a huge part.

1:12:16.479 --> 1:12:18.680
<v Speaker 1>It's a huge part of Off Broadway.

1:12:18.479 --> 1:12:20.720
<v Speaker 4>Because like a lot of people like just don't even

1:12:20.840 --> 1:12:23.440
<v Speaker 4>have the like they're like afraid of that success absolutely,

1:12:23.680 --> 1:12:26.120
<v Speaker 4>and you're just like running towards those people go to Broadway.

1:12:26.600 --> 1:12:27.120
<v Speaker 1>So sad.

1:12:27.280 --> 1:12:28.400
<v Speaker 4>Yeah, I feel bad for them.

1:12:29.360 --> 1:12:34.360
<v Speaker 1>I do too. Losers. Who's the biggest loser on Broadway? Yeah,

1:12:34.360 --> 1:12:41.240
<v Speaker 1>who's the biggest loser on Probably audiences? Tim Tim Tim

1:12:41.360 --> 1:12:45.880
<v Speaker 1>Tim gun is the biggest loser on broad Oh my god, yeah,

1:12:46.120 --> 1:12:52.599
<v Speaker 1>like so wrong as roxy, Like just yeah, the name

1:12:52.760 --> 1:12:57.920
<v Speaker 1>on everybody's design, the name on everybody's lips is gonna

1:12:57.920 --> 1:13:02.280
<v Speaker 1>be rock. It's really okay this season on the runway.

1:13:02.320 --> 1:13:07.640
<v Speaker 1>We're seeing Tim gun Tim, We're walking this season on

1:13:07.720 --> 1:13:13.880
<v Speaker 1>the runway. We're seeing Tim Gunn walking as roxy. I'm

1:13:13.920 --> 1:13:17.000
<v Speaker 1>giddy about that. I'm giddy about that's a great well.

1:13:17.439 --> 1:13:17.920
<v Speaker 1>I love that.

1:13:18.479 --> 1:13:22.800
<v Speaker 2>Maybe this is my oh Mary, oh Tim Tim. That

1:13:22.840 --> 1:13:25.400
<v Speaker 2>would actually be sort of a good idea. Tim Gunn,

1:13:26.040 --> 1:13:28.880
<v Speaker 2>you know, everyone loves him, America's most beloved sort of

1:13:28.920 --> 1:13:31.840
<v Speaker 2>father figure. But then there's so much happening behind the scenes.

1:13:32.240 --> 1:13:35.120
<v Speaker 1>Are we where's that phantom thread? Yeah? Exactly.

1:13:36.240 --> 1:13:37.920
<v Speaker 2>You know, I have to say about Tim Gunn to

1:13:37.920 --> 1:13:40.040
<v Speaker 2>be serious for a second. With all these gay guys

1:13:40.080 --> 1:13:43.960
<v Speaker 2>that sort of transcended and became, you know, almost like

1:13:45.000 --> 1:13:48.600
<v Speaker 2>symbols from Middle America, he really has it, more so

1:13:48.720 --> 1:13:50.760
<v Speaker 2>than any of the queer eye guys. More like, I

1:13:51.000 --> 1:13:53.240
<v Speaker 2>really do have a deep respect for Tim Gunn.

1:13:53.920 --> 1:13:55.880
<v Speaker 1>Do you do You not? No? I think you're right.

1:13:56.120 --> 1:13:58.720
<v Speaker 1>You like, there's something actually very dignified about him.

1:13:59.040 --> 1:14:02.160
<v Speaker 4>Well, he has a he knows when to pull away, yes.

1:14:02.240 --> 1:14:05.120
<v Speaker 1>And he's also you can tell he's actually he knows

1:14:05.160 --> 1:14:05.759
<v Speaker 1>when to pull.

1:14:05.680 --> 1:14:07.600
<v Speaker 4>Out, which is before you he.

1:14:09.600 --> 1:14:16.040
<v Speaker 1>Doesn't you heard it here first. This worries me.

1:14:19.240 --> 1:14:20.080
<v Speaker 4>After he comes.

1:14:21.840 --> 1:14:24.000
<v Speaker 1>This is my impression of Tim Gun after he comes

1:14:24.840 --> 1:14:35.160
<v Speaker 1>this worries more your grandma. Yeah. This season on the Runway,

1:14:35.240 --> 1:14:38.360
<v Speaker 1>pulling Out, we're gonna see pulling Out. We're going to

1:14:38.400 --> 1:14:40.680
<v Speaker 1>see Tim Gun is a Roxy. We're going to see

1:14:41.040 --> 1:14:42.719
<v Speaker 1>Tim Gunhilton Honors.

1:14:43.040 --> 1:14:47.000
<v Speaker 2>Okay, Oh, Mary is a huge no no, this is

1:14:47.080 --> 1:14:49.200
<v Speaker 2>a no no no, it's not. It's not it's not

1:14:49.560 --> 1:14:53.160
<v Speaker 2>barely a one person show, oh Mary. Okay, Tom Broadway

1:14:53.200 --> 1:14:55.519
<v Speaker 2>for twenty five years. At this point, you're long, you know,

1:14:55.600 --> 1:14:58.679
<v Speaker 2>you're you're living in Malibu whatever. If they've started stunt

1:14:58.720 --> 1:15:02.880
<v Speaker 2>casting it like Roxy, who is your ideal like like

1:15:03.080 --> 1:15:07.160
<v Speaker 2>reality star, trashy star stunt cast for I don't watch,

1:15:08.040 --> 1:15:09.160
<v Speaker 2>but but you know it can be back.

1:15:09.200 --> 1:15:10.320
<v Speaker 1>I understand it can be like.

1:15:10.680 --> 1:15:14.120
<v Speaker 4>Okay, okay, okay, okay. Rachel Ray, that was the first

1:15:14.120 --> 1:15:14.880
<v Speaker 4>thing that came to mind.

1:15:15.840 --> 1:15:22.280
<v Speaker 1>Wouldn't she perfect like a rasping boys Abram, you know, wow,

1:15:22.640 --> 1:15:24.960
<v Speaker 1>Rachel Ray, that would be so amazing. She would do

1:15:25.000 --> 1:15:28.920
<v Speaker 1>it in those curls. Yeah. Did you see her episode

1:15:28.920 --> 1:15:32.679
<v Speaker 1>of the Curse. Yeah, the Curse, she's literally she plays

1:15:32.720 --> 1:15:36.680
<v Speaker 1>herself in a very no no before Yeah, no, I

1:15:36.720 --> 1:15:38.400
<v Speaker 1>think it is. This season on the Runway, we're seeing

1:15:38.439 --> 1:15:41.879
<v Speaker 1>Rachel Ray and Rachel Ray as herself on the HBO's

1:15:41.920 --> 1:15:45.839
<v Speaker 1>The Curse Showtime. Showtime, Yeah, Showtime.

1:15:46.120 --> 1:15:50.920
<v Speaker 4>Sorry, excuse me, sorry, It's okay, it's Showtime back.

1:15:53.000 --> 1:15:56.519
<v Speaker 1>I don't know. I don't know if any of them

1:15:56.520 --> 1:16:00.160
<v Speaker 1>about its Showtime back? Yeah, are any of them? I'm

1:16:00.200 --> 1:16:03.840
<v Speaker 1>talking to the exacts right, Oh? Sorry, I think Showtime's

1:16:03.920 --> 1:16:07.280
<v Speaker 1>definitely back. I would love to work with them. Oh,

1:16:07.360 --> 1:16:09.960
<v Speaker 1>we would love to work with Showtime of course. However,

1:16:10.760 --> 1:16:13.439
<v Speaker 1>only if they're back. Only if they're back. I want

1:16:13.720 --> 1:16:16.040
<v Speaker 1>we go into pitch. We're like, I want you to

1:16:16.120 --> 1:16:18.720
<v Speaker 1>prove that you're back before you hear this pitch. Are

1:16:18.800 --> 1:16:19.439
<v Speaker 1>you guys back?

1:16:19.880 --> 1:16:22.439
<v Speaker 2>Because I'm not saying the numbers don't really speak for themselves.

1:16:23.200 --> 1:16:32.280
<v Speaker 1>Tim Gunn and Rachel Ray Green like that should have

1:16:32.400 --> 1:16:35.320
<v Speaker 1>been what it was. It should have been, Tim Gunn

1:16:35.439 --> 1:16:38.000
<v Speaker 1>and Rachel you actually are so right in the sense

1:16:38.080 --> 1:16:42.120
<v Speaker 1>that it should have been a loud like party girl,

1:16:42.320 --> 1:16:45.600
<v Speaker 1>loud party girl, raspy voice, and then like an a

1:16:45.720 --> 1:16:49.720
<v Speaker 1>guy with trauma. Yeah, like Tim Gunn is who the

1:16:49.840 --> 1:16:52.200
<v Speaker 1>character of Will is? You know what I mean?

1:16:52.520 --> 1:16:55.200
<v Speaker 4>But then you know NBC got involved and said, well,

1:16:55.320 --> 1:16:58.799
<v Speaker 4>let's not make a two let's make him a lawyer. Yeah, exactly,

1:16:59.479 --> 1:17:02.519
<v Speaker 4>designer Rachel Ray.

1:17:04.120 --> 1:17:09.880
<v Speaker 1>Now, Rachel, what exactly is this? Well, Tim, it's a

1:17:09.960 --> 1:17:16.320
<v Speaker 1>jealous sald I mean the pilot writes a yeah, last,

1:17:16.479 --> 1:17:18.320
<v Speaker 1>what do you mean extra virgin? Yeah?

1:17:18.840 --> 1:17:21.840
<v Speaker 2>Tim is like, honey, I'm an extra virgin. Wait no,

1:17:22.080 --> 1:17:23.160
<v Speaker 2>and I'm becoming Samantha.

1:17:27.400 --> 1:17:30.080
<v Speaker 1>Should we do our final segment? Wait? Call any last

1:17:30.120 --> 1:17:37.200
<v Speaker 1>thoughts on hotels or baby carrots salad bar I just

1:17:37.640 --> 1:17:43.519
<v Speaker 1>I really appreciate you filling out why hotels are straight.

1:17:44.160 --> 1:17:45.480
<v Speaker 1>I appreciate it because.

1:17:45.640 --> 1:17:47.840
<v Speaker 4>I came in with an idea and I didn't know.

1:17:48.640 --> 1:17:52.080
<v Speaker 1>I just didn't hold water. Yeah.

1:17:53.680 --> 1:17:55.679
<v Speaker 4>Yeah, that's so hard.

1:17:55.840 --> 1:17:59.200
<v Speaker 1>It's really hard, and we put our guests through hell,

1:18:00.400 --> 1:18:02.720
<v Speaker 1>but we do it for you. Thank you, thank you.

1:18:02.840 --> 1:18:05.320
<v Speaker 4>So you can promote that last week of Oh Mary

1:18:05.520 --> 1:18:07.160
<v Speaker 4>of Oh Mary ohmaryplay dot com.

1:18:07.240 --> 1:18:11.240
<v Speaker 1>I just checked zero tickets for that week. Zero. Well,

1:18:11.439 --> 1:18:14.800
<v Speaker 1>there's student rush or not student rush, just rush rush.

1:18:14.880 --> 1:18:18.040
<v Speaker 4>We took a student out because anyone can rush.

1:18:18.080 --> 1:18:20.960
<v Speaker 1>Any anyone can rush, not just students, not just This

1:18:21.080 --> 1:18:22.719
<v Speaker 1>is what I tell people all the time.

1:18:23.280 --> 1:18:26.839
<v Speaker 4>It's like you never stop learning and you never stop rushing.

1:18:27.000 --> 1:18:35.400
<v Speaker 1>Yeah, exactly, exactly we're always on our phones, so true, Rachel. Okay,

1:18:36.080 --> 1:18:37.760
<v Speaker 1>well will you introduce it.

1:18:46.439 --> 1:18:49.880
<v Speaker 2>Our final segment is called Shoutouts, and in this segment

1:18:49.960 --> 1:18:52.960
<v Speaker 2>we pay homage to the classic straight tradition of the

1:18:53.080 --> 1:18:56.000
<v Speaker 2>radio shout out. Think Z one hundred. You're shouting out

1:18:56.000 --> 1:19:00.800
<v Speaker 2>to your squad back home, thank TRL and you know

1:19:01.000 --> 1:19:02.960
<v Speaker 2>it's in the great tradition of this podcast we think

1:19:03.000 --> 1:19:04.639
<v Speaker 2>of them on the spot. So I'm trying to think

1:19:04.680 --> 1:19:06.320
<v Speaker 2>of mine now I have one.

1:19:06.479 --> 1:19:11.040
<v Speaker 4>Okay, oh, okay, what's up freak losers and perverts around

1:19:11.040 --> 1:19:12.640
<v Speaker 4>the globe? I want to give a huge shut up

1:19:12.680 --> 1:19:17.479
<v Speaker 4>to Hotel TV. I love the lack of choice and

1:19:17.520 --> 1:19:20.360
<v Speaker 4>a Hotel TV offers me. I think there's too much

1:19:20.439 --> 1:19:20.840
<v Speaker 4>choice in the.

1:19:20.840 --> 1:19:22.960
<v Speaker 1>World, and sometimes you just want something to be like

1:19:23.080 --> 1:19:25.439
<v Speaker 1>watch this because you have to you.

1:19:26.120 --> 1:19:28.760
<v Speaker 4>That's talk about the only way I'll find something randomly

1:19:28.920 --> 1:19:33.000
<v Speaker 4>and without having it perfectly curated to my likes and wants.

1:19:33.680 --> 1:19:36.439
<v Speaker 4>Last night, I, for the first time in my entire life,

1:19:36.760 --> 1:19:38.000
<v Speaker 4>watched an episode.

1:19:37.600 --> 1:19:38.679
<v Speaker 1>Of King of Queens.

1:19:39.080 --> 1:19:41.040
<v Speaker 4>I would never seek the show out, no matter how

1:19:41.120 --> 1:19:42.519
<v Speaker 4>much Robbie Hoffman says it's good.

1:19:42.960 --> 1:19:43.840
<v Speaker 1>I don't care.

1:19:44.520 --> 1:19:48.760
<v Speaker 4>And I watched one episode and I said, yeah, I mean,

1:19:48.960 --> 1:19:52.400
<v Speaker 4>I'm not gonna watch more, but I enjoyed this twenty minutes.

1:19:52.880 --> 1:19:55.840
<v Speaker 4>And sometimes that's all you need when you are traveling.

1:19:56.920 --> 1:19:57.840
<v Speaker 1>So Hotel TV.

1:19:58.120 --> 1:20:00.840
<v Speaker 4>You make me feel like it's the nine these You

1:20:00.960 --> 1:20:04.559
<v Speaker 4>make me feel like I'm being tied down and forced

1:20:04.600 --> 1:20:06.280
<v Speaker 4>to watch something I don't necessarily want to, and you

1:20:06.400 --> 1:20:09.879
<v Speaker 4>make me feel free through that restriction.

1:20:11.520 --> 1:20:15.840
<v Speaker 1>That's beautiful. How was King of Queen's really good? Really?

1:20:16.040 --> 1:20:16.160
<v Speaker 4>Well?

1:20:16.200 --> 1:20:18.040
<v Speaker 1>It was fine, right, I mean it was like Lea

1:20:18.160 --> 1:20:22.240
<v Speaker 1>REMONI I guess right, well, yeah, sort of the best

1:20:22.280 --> 1:20:26.880
<v Speaker 1>you can hope for. I was friends with. I was

1:20:26.920 --> 1:20:30.400
<v Speaker 1>pretty good. Yes, she is, she is, but you're close.

1:20:30.680 --> 1:20:31.479
<v Speaker 1>Oh you didn't know that.

1:20:31.760 --> 1:20:35.080
<v Speaker 2>They're like like, oh yeah, I know, they're like the thing.

1:20:35.920 --> 1:20:36.880
<v Speaker 1>It's kind of like them.

1:20:37.040 --> 1:20:38.719
<v Speaker 4>Isn't there one more that's like in the group?

1:20:38.920 --> 1:20:42.760
<v Speaker 1>Who is it? Yes? But I don't remember. I was good.

1:20:42.760 --> 1:20:45.599
<v Speaker 4>Say it's like Michelle, Michelle, Yes?

1:20:45.760 --> 1:20:46.479
<v Speaker 1>Is that true? Yes?

1:20:46.560 --> 1:20:49.240
<v Speaker 2>Yes, yes, yes, But it's like how Madonna and Debbie

1:20:49.280 --> 1:20:55.760
<v Speaker 2>Mays are are really close friends meaning no meaning no no,

1:20:55.800 --> 1:20:58.080
<v Speaker 2>no no meaning yeah they're huge lesbian.

1:20:58.920 --> 1:21:04.240
<v Speaker 1>Oh no, they're not saphic saffic in it. So they

1:21:04.280 --> 1:21:04.840
<v Speaker 1>are aren't.

1:21:05.200 --> 1:21:07.840
<v Speaker 2>They're not saffic. No, she has a hot Italian husband,

1:21:07.840 --> 1:21:10.400
<v Speaker 2>Debbie does. And Madonna. You know, she's working through.

1:21:10.320 --> 1:21:13.080
<v Speaker 4>A lot of issues, but she's doing great on and

1:21:13.160 --> 1:21:13.840
<v Speaker 4>we support her, and.

1:21:13.920 --> 1:21:20.880
<v Speaker 1>We support her. I would die supporting her. Okay, y'all yeah,

1:21:20.920 --> 1:21:21.280
<v Speaker 1>I can't.

1:21:21.280 --> 1:21:24.400
<v Speaker 2>Okay, Okay, I'm gonna do mine. I've actually already mentioned

1:21:24.439 --> 1:21:26.120
<v Speaker 2>this on a Patroon episode. But you know what this,

1:21:26.400 --> 1:21:30.720
<v Speaker 2>I'm gonna unpay Wallet for this episode exclusively. What's up

1:21:30.960 --> 1:21:35.360
<v Speaker 2>frequent travelers, any Delta sky Mild members, Hilton Rewards. You're

1:21:35.360 --> 1:21:37.760
<v Speaker 2>gonna want to hear this. If you're ever on Adelta flight,

1:21:37.840 --> 1:21:40.080
<v Speaker 2>I have the plane movie for you. It's called She

1:21:40.240 --> 1:21:42.559
<v Speaker 2>Came to Me, and it is starring Marissa to May

1:21:42.640 --> 1:21:45.080
<v Speaker 2>as a tug boat captain with a sex addiction. I repeat,

1:21:45.120 --> 1:21:47.639
<v Speaker 2>a tug boat captain with a sex addiction. You're wondering,

1:21:47.960 --> 1:21:49.280
<v Speaker 2>is that like a comedic bit?

1:21:49.479 --> 1:21:49.519
<v Speaker 4>Like?

1:21:49.680 --> 1:21:50.280
<v Speaker 1>Is it ironic?

1:21:50.439 --> 1:21:53.760
<v Speaker 2>Nope, tug boat captain. I repeat, tugboat captain with a

1:21:53.800 --> 1:21:56.200
<v Speaker 2>sex addiction. And if you think it stops there, you

1:21:56.320 --> 1:21:58.639
<v Speaker 2>better believe. It also stars Anne Hathaway as a therapist

1:21:58.640 --> 1:22:00.439
<v Speaker 2>who wants to be a nun, and one of her

1:22:00.479 --> 1:22:02.680
<v Speaker 2>patients is Chris Gethered. Now this movie came out, I

1:22:02.680 --> 1:22:05.120
<v Speaker 2>would say last year. Not a single soul has talked

1:22:05.120 --> 1:22:08.200
<v Speaker 2>about it. Written and directed by Rebeca Miller, Arthur Miller's daughter.

1:22:08.720 --> 1:22:11.639
<v Speaker 2>I am telling you, get on a plane, now, book

1:22:11.760 --> 1:22:13.680
<v Speaker 2>a flight, impress play on.

1:22:13.800 --> 1:22:14.560
<v Speaker 1>She came to me.

1:22:14.920 --> 1:22:16.680
<v Speaker 2>The message of the film is love wins. And by

1:22:16.720 --> 1:22:19.960
<v Speaker 2>the end I was moved. Shout out everyone involved.

1:22:20.080 --> 1:22:22.719
<v Speaker 1>Wow they only let you watch it on a plane.

1:22:22.800 --> 1:22:25.200
<v Speaker 2>Yes, I don't. I haven't seen it available anywhere else.

1:22:25.840 --> 1:22:28.439
<v Speaker 2>I think the Millerists Arthur Miller estate has a special

1:22:28.960 --> 1:22:31.679
<v Speaker 2>contract with the Delta Airlines where his daughter makes movies

1:22:31.800 --> 1:22:34.000
<v Speaker 2>for the Delta plus a platform.

1:22:34.120 --> 1:22:38.639
<v Speaker 1>Actually wow, yeah, well that's huge. Yes, nothing I said

1:22:38.720 --> 1:22:40.080
<v Speaker 1>is a line. I'll watch it on the Delta flight

1:22:40.120 --> 1:22:40.599
<v Speaker 1>back to Alert.

1:22:40.680 --> 1:22:42.400
<v Speaker 2>I think it's crazy that that movie exists, as I

1:22:42.560 --> 1:22:45.080
<v Speaker 2>just describe it, and like it hasn't become like a meme.

1:22:46.240 --> 1:22:48.479
<v Speaker 1>I mean, but there's so much. It's actually so sad

1:22:48.600 --> 1:22:50.920
<v Speaker 1>because you know that like that's.

1:22:50.800 --> 1:22:51.960
<v Speaker 4>What they were almost hoping for.

1:22:52.160 --> 1:22:56.120
<v Speaker 1>Yeah, or maybe they weren't. No, I don't think they were. Yeah,

1:22:56.800 --> 1:22:58.759
<v Speaker 1>when they should have, because then it would have gotten

1:22:59.120 --> 1:23:01.920
<v Speaker 1>been bigger you know, yes, they needed a gay guy.

1:23:02.640 --> 1:23:10.080
<v Speaker 1>They needed a concierge. Oh is he a concierge, baby boy? Gay,

1:23:10.160 --> 1:23:14.439
<v Speaker 1>baby boy. Yeah. He recommended a few restaurants to me.

1:23:14.600 --> 1:23:19.320
<v Speaker 4>Let's just say, let's just say he got us a reservation.

1:23:20.520 --> 1:23:27.320
<v Speaker 1>So he recommended the Fennel Cell. Okay, I think, okay,

1:23:28.680 --> 1:23:33.040
<v Speaker 1>what's up, moms and dads. It's your girl here who

1:23:33.160 --> 1:23:36.719
<v Speaker 1>sets her alarm clock for six am? And I'm would

1:23:36.800 --> 1:23:41.320
<v Speaker 1>like to shout out Dove chocolate. Dove chocolate a little treat.

1:23:41.560 --> 1:23:44.640
<v Speaker 1>It's it's a little more expensive then you're gonna but

1:23:44.760 --> 1:23:47.719
<v Speaker 1>then you're hershey Bar. But when you want to treat yourself,

1:23:48.120 --> 1:23:49.759
<v Speaker 1>go for Dove chocolate.

1:23:50.600 --> 1:23:50.880
<v Speaker 4>Wow.

1:23:51.320 --> 1:23:51.559
<v Speaker 1>Wow?

1:23:51.920 --> 1:23:54.679
<v Speaker 2>Is that the one that has little inspirational like little quotes?

1:23:54.760 --> 1:23:56.200
<v Speaker 1>Yeah? Do you feel it helps you in your day

1:23:56.200 --> 1:23:56.879
<v Speaker 1>to day life.

1:23:58.320 --> 1:23:59.240
<v Speaker 4>To be well?

1:23:59.280 --> 1:24:01.559
<v Speaker 1>When I was a kid, that was one of those

1:24:01.600 --> 1:24:04.560
<v Speaker 1>things that I thought was fancy when I was like,

1:24:05.479 --> 1:24:08.160
<v Speaker 1>because it's not, because it's not Hershey's. And also the

1:24:08.200 --> 1:24:11.320
<v Speaker 1>commercials worked so well. The commercials were very like the

1:24:11.400 --> 1:24:15.240
<v Speaker 1>woman like rewarding herself, like.

1:24:17.000 --> 1:24:20.400
<v Speaker 4>Yeah, you know, yeah, no, that makes sense. The way

1:24:20.439 --> 1:24:24.679
<v Speaker 4>that women eat chocolate and media is it's I feel.

1:24:24.479 --> 1:24:25.120
<v Speaker 1>Like I'm missing out.

1:24:25.200 --> 1:24:28.599
<v Speaker 2>It's done harm for generations. Yeah yeah, it's literally why

1:24:28.640 --> 1:24:29.880
<v Speaker 2>we will never have a woman president.

1:24:30.040 --> 1:24:30.240
<v Speaker 1>Yeah.

1:24:30.920 --> 1:24:31.479
<v Speaker 2>Yeah, like.

1:24:34.800 --> 1:24:39.240
<v Speaker 4>She could only come. She has a little cube of

1:24:39.479 --> 1:24:44.880
<v Speaker 4>chocolate in her mouth. And it's just because this.

1:24:44.960 --> 1:24:47.120
<v Speaker 1>Season on the Runway a woman with a little cube

1:24:47.160 --> 1:24:50.160
<v Speaker 1>of chocolate, And it's just because straight men want to

1:24:50.160 --> 1:24:54.000
<v Speaker 1>see women come totally, and they're just like, what if

1:24:54.040 --> 1:24:56.479
<v Speaker 1>the chocolate did it for her? Because she likes to

1:24:56.560 --> 1:25:01.559
<v Speaker 1>take so much. Yeah, she's such a bitch all day

1:25:01.960 --> 1:25:04.240
<v Speaker 1>and then she puts that little square chocolate in her

1:25:04.280 --> 1:25:08.000
<v Speaker 1>mouth and she just fucking calmbs like, yeah, how about that.

1:25:08.280 --> 1:25:11.240
<v Speaker 2>I feel like it's almost like the opposite where it's

1:25:11.280 --> 1:25:13.080
<v Speaker 2>women being like, well, he's not gonna make me come,

1:25:13.120 --> 1:25:14.320
<v Speaker 2>so I need something to make me.

1:25:14.560 --> 1:25:17.720
<v Speaker 4>Yeah. So is it a female empowerment or disempowerment? Yeah?

1:25:17.760 --> 1:25:19.200
<v Speaker 1>Is this question more? When we return?

1:25:19.720 --> 1:25:22.200
<v Speaker 4>Yeah, all right, and we'll see you next time, see

1:25:22.240 --> 1:25:26.320
<v Speaker 4>you next time after the break that could be many years.

1:25:26.880 --> 1:25:29.840
<v Speaker 1>All right, Well, thanks for doing the pod. Please, thank

1:25:29.880 --> 1:25:32.080
<v Speaker 1>you for promoting the last week of Oh Mary playing.

1:25:32.479 --> 1:25:36.000
<v Speaker 2>Yeah so go on omarpay dot com and Rachel Ray

1:25:36.080 --> 1:25:36.920
<v Speaker 2>get in Touch girl.

1:25:37.200 --> 1:25:42.280
<v Speaker 3>Yeah bye podcast and now want more, subscribe to our

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