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Speaker 1: Hoody.

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Speaker 2: Who everyone, It's me George. I have bad news and

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Speaker 2: I have good news. Bad news is that there's no

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Speaker 2: new episode this week because we are both traveling and

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Speaker 2: working and of course celebrating Pride, which is a full

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Speaker 2: time job with terrible benefits. And also some of us

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Speaker 2: are getting married and there's just a lot.

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Speaker 1: Going on over at Straight or liab HQ.

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Speaker 2: But I promise we will be back next week with

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Speaker 2: a whole new episode. We are quite literally recording two

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Speaker 2: new episodes tomorrow in studio in New York with some

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Speaker 2: really great guests, So I promise we will be back

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Speaker 2: very soon. So that is the bad news. The good

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Speaker 2: news is that to celebrate our friend Cola scolas Tony

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Speaker 2: Award win for their smash hit play Oh Mary, we

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Speaker 2: have decided to re release their episode from a little

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Speaker 2: over a year ago, when I believe they were promoting

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Speaker 2: the off Broadway run of the play before it had

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Speaker 2: even extended off Broadway.

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Speaker 1: So a lot can happen in a year. We are so.

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Speaker 2: Proud of Tony Award winner and two time Stradio Lab

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Speaker 2: guests Cola Scola for all their success and Cole. If

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Speaker 2: you're listening, please text us back. We really want you

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Speaker 2: to connect us to Nicole Scherzinger. We think should be

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Speaker 2: such a good guest on the podcast. I think we

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Speaker 2: would have a lot to talk about. I think we

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Speaker 2: have a lot in common, and so we are looking

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Speaker 2: forward to your response. Enjoy the episode.

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Speaker 3: Bye.

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Speaker 1: Podcast starts now.

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Speaker 2: I already have a thought, which is I'm going to

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Speaker 2: bring back Zippit.

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Speaker 1: You're bringing back zippit.

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Speaker 2: Yeah, you brought back me thinks, which I think, first

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Speaker 2: of all worked one.

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Speaker 1: It swept the world by storm.

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Speaker 2: People think we might people might think we're joking if

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Speaker 2: they were not up to date with our Instagram stories.

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Speaker 2: Let's say, but literally a week after you said we're

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Speaker 2: bringing back me things, none other than Taylor Swift posted

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Speaker 2: meat Things methinks.

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Speaker 4: The methings movement was a huge success.

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Speaker 2: I do think the meathinks movement well, you know, now,

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Speaker 2: with the benefit of hindsight, did it go too far?

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Speaker 4: Maybe it did get too big where it started as

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Speaker 4: sort of a you know, alt community, and then it

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Speaker 4: became so mainstream so fast that even I found myself

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Speaker 4: being like, no, I don't even like me thinks.

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Speaker 1: You know.

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Speaker 2: The methinks movement started as people telling their stories, and

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Speaker 2: they were necessary, but at some point you start thinking,

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Speaker 2: do they just want attention?

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Speaker 4: Yeah, so you're gonna do that with zippit.

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Speaker 2: I'm gonna do that with zippit. By the way, I

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Speaker 2: don't actually believe what I just said. That was a

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Speaker 2: sort of harmless bit.

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Speaker 4: We play characters on it.

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Speaker 2: We play characters on this podcast. I'm a huge feminist

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Speaker 2: and everyone knows that. I do think I'm gonna I

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Speaker 2: think zip it is such a fun way to say

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Speaker 2: shut up.

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Speaker 4: I mean it's so nineties. Yeah, and even like the bit,

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Speaker 4: like the zip like, yes, playing with.

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Speaker 1: It so have a word that starts with a Z

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Speaker 1: is so rare? So rarely am I saying getting rare? Logical?

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Speaker 4: Yes, Zelda, Well I said that a fair mountain my day.

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Speaker 1: Okay, Well, I'm not a gamer like you. You know.

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Speaker 2: I had a friend who had a launched a bottled

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Speaker 2: cocktail company called Zuzu. I said, that is the best

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Speaker 2: name for this is not a joke. Actually a very

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Speaker 2: good friend of mine, and I was like, that is

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Speaker 2: such a genius name because everyone wants to say more z's.

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Speaker 4: Everyone's craving more z's in their life. So I think

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Speaker 4: zip it could be could be big. I think zip

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Speaker 4: it could be huge. And I told you this last night. Yeah,

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Speaker 4: but I'm actually loving the semi irony of exclaiming make

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Speaker 4: it make sense.

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Speaker 1: Oh you love make it make sense?

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Speaker 4: I think make it makes sense is so funny. It's

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Speaker 4: like just vintage enough where it's like some people still.

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Speaker 1: Say it for real and it's rooted in truth.

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Speaker 2: Sometimes you are like, make it make sense, but it's such.

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Speaker 4: A stupid Internet phrase. That is like saying it out

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Speaker 4: in the wild as if it's normal. Is very like

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Speaker 4: blurg core's ho true? Do you think does everyone understand

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Speaker 4: blurg is shorthand.

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Speaker 2: Wait, hold on, you mean blurg as a metam is

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Speaker 2: the right word.

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Speaker 1: Blurg is a.

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Speaker 2: Categor categorization of specific Internet language and and type of

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Speaker 2: humor that's very sort of like on the spectrum of

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Speaker 2: love these beautiful humans. Yeah, love these beautiful humans is

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Speaker 2: one end and the other end is the interwebs, yes, exactly,

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Speaker 2: and Blurg is in the middle.

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Speaker 4: Blurg is center.

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Speaker 1: To be clear, the entire spectrum is morally bankrupt.

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Speaker 4: Of course, but it's important to recognize that there are

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Speaker 4: differences within the culture.

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Speaker 1: I sort of God, someone needs to write an essay

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Speaker 1: about how.

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Speaker 2: I've been saying this for years. It's the it's it's

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Speaker 2: my term that I coin half humor, which is when

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Speaker 2: something gestures at being funny but is not actually funny.

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Speaker 4: Is blurgcore different than half humor?

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Speaker 2: No, it's I would say blurg interwebs and these beautiful

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Speaker 2: humans are all part of like the initial wave of

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Speaker 2: half humor, and I think currently half humor is like

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Speaker 2: Joe Biden posting Dark Brandon memes. We do have to

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Speaker 2: bring in our guests, but I want to I want

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Speaker 2: to torture them even further by talking about something that

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Speaker 2: I know they want to comment on while they're not.

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Speaker 1: Allowed to speak chastity play.

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Speaker 2: We were talking about how our guest and again they

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Speaker 2: will say this themselves, but they were saying that they

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Speaker 2: liked being part of a friend group of three. And

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Speaker 2: MY response was that is the worst number for a

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Speaker 2: friend group because inevitably someone gets left out. There are

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Speaker 2: two best friends and one sort of like flop third.

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Speaker 1: I completely disagree.

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Speaker 4: Now, I think a three group of friends is like

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Speaker 4: there's checks and balances there.

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Speaker 3: Well.

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Speaker 2: From a social justice perspective, undoubtedly it's the right choice,

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Speaker 2: but I'm saying like in practice. Listen, it's like, how

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Speaker 2: of course commune it would work, but show me where

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Speaker 2: it works in practice.

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Speaker 4: I also like that, you know, it sort of has

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Speaker 4: an engine churning to a three, like when someone's out

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Speaker 4: and they're like, okay, well then I'll do something to

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Speaker 4: get back in, and then and then and then they're like, okay,

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Speaker 4: well now we need to catch up to this, and

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Speaker 4: there's just sort of a they progress.

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Speaker 2: You're you're thinking as an improv comedian, and I think

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Speaker 2: for you and potentially for me, like for us, a

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Speaker 2: three way friend group would work because we all have

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Speaker 2: a sense of play within us. I think the average

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Speaker 2: person wants to be on top and the average person

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Speaker 2: wants to win. And when the average person is in

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Speaker 2: a group of three, they are looking.

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Speaker 1: Our guest is vigorously shaking their head. Yeah.

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Speaker 2: It is also not to state the obvious, very meta

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Speaker 2: so to speak, that we are currently banning the third

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Speaker 2: person in this friend group of speaking.

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Speaker 1: We know it's at the bottom right now.

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Speaker 2: Talking about the benefits slash drawbacks.

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Speaker 4: Of groups of three, Well, and this came up, I

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Speaker 4: will say, because you know we were talking and saying,

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Speaker 4: you know, we were are potentially going to do an

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Speaker 4: episode with just the two of us, and we were like,

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Speaker 4: neither of us seemed like like jumping at the at

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Speaker 4: that and I felt like it was sort of like

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Speaker 4: we were a couple that needed a third at all

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Speaker 4: times or to be engaged with each other.

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Speaker 1: It is a crutch, I guess, but it doesn't have

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Speaker 1: to be. It doesn't have to be. Maybe we don't

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Speaker 1: even bring in our guests. Ever, I would celebrate it.

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Speaker 2: And just sort of do an episode just two of us. Now,

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Speaker 2: why wait until the next session?

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Speaker 1: Why wait? I mean their time is flexible.

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Speaker 4: Yeah, they are freeing anything.

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Speaker 1: They're not promoting anything. This is a favorite of them, honestly. Yeah.

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Speaker 1: What I don't even like them that much?

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Speaker 4: No, no, no, what else would we like to say

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Speaker 4: that they would just would love to jump in on?

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Speaker 2: You know, what's the deal with Abraham Lincoln?

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Speaker 1: Say that?

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Speaker 2: I've always it's always a big question mark.

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Speaker 1: I pretty much get. Is he married? Okay, let's do it.

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Speaker 4: Our guest has steam coming out of their damn ears

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Speaker 4: at this point. Please welcome cold the school.

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Speaker 1: Hi. Hi. First of all, half humor is the lifeblood

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Speaker 1: of work.

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Speaker 2: Yes, half humor is very much like Icebreakers, corporate glatitude, latitudes, aphorisms,

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Speaker 2: badass culture.

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Speaker 1: It's you are a Badass, like the book You Are

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Speaker 1: a bad Ass? Have you seen that? In airport?

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Speaker 2: There's a book called I'm pretty sure it's called You

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Speaker 2: are a Badass, and it's like a self help book

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Speaker 2: with like a punchy humor.

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Speaker 4: H And Okay, that was one thing.

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Speaker 1: The other thing is in in groups of three, the

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Speaker 1: pressure is off to be.

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Speaker 4: The pressure is off. I see you can say just

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Speaker 4: two people and like it's silent. It's like I like,

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Speaker 4: I like being like, you know.

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Speaker 1: What they've got this?

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Speaker 4: I like that actually, And do you feel that way

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Speaker 4: in sex as well?

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Speaker 1: I do I feel that way in sex? Uh No,

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Speaker 1: it's a threesomes feel confusing, you know, because maybe you

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Speaker 1: don't want to way back. Well, well there's more sometimes

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Speaker 1: you way back, but there's there's more, there's more space.

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Speaker 1: If you're a little silent in a three way conversation

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Speaker 1: for a bit and you're taking a sip of water,

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Speaker 1: you're not thinking, wait, do they hate me? You're just

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Speaker 1: thinking I'm taking a break.

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Speaker 4: Sometimes I'm not thinking they hate me, but sometimes I

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Speaker 4: am thinking like they're boring. Oh, like I'm thinking like

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Speaker 4: this conversation is not that good because I'm not okay

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Speaker 4: during a conversation like.

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Speaker 1: Oh, during a conversation or during a three way during

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Speaker 1: a conversation, okay, okay, yeah, well and that's fine because

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Speaker 1: they've got it. They've got it, they've got it. You're like, Okay,

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Speaker 1: they're having they're boring conversation. I don't have to engage.

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Speaker 2: Yeah, sometimes i'll do a performative yawn.

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Speaker 1: I'll just be like.

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Speaker 4: That's a key role that a friend can play.

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Speaker 1: But I think more people want to be cocks than

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Speaker 1: they had cos yeap cocks.

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Speaker 2: Okay, Okay, I missed, I missed the start of this.

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Speaker 1: No you didn't, I didn't. That's pretty much pretty much it.

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Speaker 2: Okay, So do you think so you think there are

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Speaker 2: more people than are willing to admit it that want

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Speaker 2: to be cooked?

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Speaker 1: Yes? Yeah, I think you're of being like cheated on

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Speaker 1: is actually a desire to be yes, cheated on?

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Speaker 4: You know.

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Speaker 1: And the last topic that I brought when I was

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Speaker 1: on cheating Yeah, it is very straight.

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Speaker 2: I do think you're so right. Well, of course, every

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Speaker 2: thank you, everything you next I'm speaking I of course,

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Speaker 2: every big fear we have, including like nuclear war is

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Speaker 2: a desire for that.

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Speaker 4: Sure, Well that's the whole thing. I hate when people

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Speaker 4: are like, we're living in the end.

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Speaker 1: Time's talking about blurr humor end times. So okay ai

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Speaker 1: and I but it's like.

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Speaker 4: Clearly you're just like a narcissist, like you kind of

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Speaker 4: want it to end, Like I was there, Yeah, I

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Speaker 4: actually was there when it ended.

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Speaker 1: Yeah, so my story matters.

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Speaker 2: Well, that's also it's everyone thinks to living in the

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Speaker 2: worst possible time, and it's not because they have this

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Speaker 2: like incredible capacity for emphitheyic critique. It's because they have

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Speaker 2: literally main character syndrome and think they are living in

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Speaker 2: the most.

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Speaker 4: Called drive for death.

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Speaker 1: Yes, death drive yes, yes, huh hmm, okay.

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Speaker 4: Right to have down right, that's really smart, thank you.

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Speaker 4: I have a question regarding you brought up half humor

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Speaker 4: in the workplace specifically, would you rather there be half

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Speaker 4: humor or no humor? Because one thing this is interesting,

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Speaker 4: one thing that's tough about a workplace is like get

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Speaker 4: the utility of half humor? Well, absolutely, because you want

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Speaker 4: to be able to like it's sort of like we're friendly.

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Speaker 1: How how like Europeans are like either complain or are

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Speaker 1: are happy about how fake nice Americans are, like say,

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Speaker 1: everyone asking how's your day, but they don't really care.

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Speaker 2: You know, my grandma used to do this is going

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Speaker 2: to be a visual thing, so.

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Speaker 4: Okay, close your eyes everybody on YouTube if you're driving.

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Speaker 2: Episodes are full episodes available on our YouTube channel. My

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Speaker 2: grandmother used to do this. This is her impression of

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Speaker 2: an American and this. She used to do this when

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Speaker 2: we were kids.

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Speaker 1: She would go, uh huh, she would like, nice to

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Speaker 1: meet you. Yeah, she would like do a smile and

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Speaker 1: then immediately retract the smile because it's so fake.

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Speaker 4: Yeah.

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Speaker 1: Yeah, wow Russian queen. Yeah, she was an impressions queen.

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Speaker 1: She is actually still alive, so is.

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Speaker 4: It, but she lost her talent?

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Speaker 1: Yeah.

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Speaker 4: I feel like would you rather have have not?

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Speaker 1: Not?

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Speaker 4: That? The absence?

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Speaker 1: Well this is.

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Speaker 4: You know, some would argue yes, yes that you know,

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Speaker 4: that's sort of a New York versus La question.

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Speaker 1: Oh would those people's name be Sam Dagger? Look I

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Speaker 1: don't I wish I were.

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Speaker 4: Well, it's just like that is like, would you rather

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Speaker 4: people be like overly polite but you don't know what

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Speaker 4: they're thinking, or would overly kurt and but like honest.

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Speaker 4: But yeah, and I prefer Kurt been honest.

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Speaker 1: I agree. And I also think like when I.

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Speaker 4: Think you do the Sandra like no, ow, that was

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Speaker 4: so curt and honest. I feel like the Sandra Huler

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Speaker 4: interview cycle where she's being like like cold and they're like,

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Speaker 4: do you love MESSI the dog and she's like it's

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Speaker 4: just a.

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Speaker 1: Dog, like yeah, I love that.

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Speaker 2: Actually, yeah, Well my favorite Birther is sore Huler world

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Speaker 2: is how they people keep trying to make jokes about

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Speaker 2: the fact that she plays a literal Nazi and zone

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Speaker 2: of interest.

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Speaker 1: And she refuses to laugh along.

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Speaker 2: She's just like, that is not funny, and would.

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Speaker 1: You rather true it's not funny.

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Speaker 4: By the way, She's like wait, She's literally like, oh

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Speaker 4: my god, I'm just not realizing it's talk about Blurg.

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Speaker 1: I guess I'm a Nazi now, So that's normal.

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Speaker 4: Make it, make say make it make sense, make it

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Speaker 4: makes sense, make safe.

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Speaker 2: So here's my thing with half humor in the workplace

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Speaker 2: is it is keeping people just well behaved enough that

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Speaker 2: they don't like it's very I'm so sorry capital yeah, yes,

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Speaker 2: it's like it's in fact Neil Liberal. Yes, because if

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Speaker 2: because that is literally what like the difference is between

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Speaker 2: soothing cube exactly, between cubicle culture and bouncy balls.

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Speaker 4: What sorry, what was so funny? Well, I'm not trying

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Speaker 4: to make fun of you, but you said it weird,

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Speaker 4: weird cubicle.

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Speaker 1: Yeah, what did I say?

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Speaker 4: You said, like, cubical cubacal, Like, it's very cub it's

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Speaker 4: a more like cere.

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Speaker 1: You working at cubical. Oh, yes, that's not cubical cubicle. Yeah,

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Speaker 1: it's I would fake fake half humor. Recently, I said to.

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Speaker 2: Someone, so I was talking about like going to high

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Speaker 2: school in Greece, and I was like, yeah, but you

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Speaker 2: know I lived here in my early childhood. That's so

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Speaker 2: I don't have an accent. And they go, I think

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Speaker 2: you have a slight accent. I was like, WHOA. First

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Speaker 2: of all, that's that's for me to decide. Yeah, but

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Speaker 2: I guess I said the word cubicle.

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Speaker 1: Yeah, I think that was it.

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Speaker 4: That was such a deep Greek accent that where we're

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Speaker 4: all like, ask George George to say cubicle. Wait before

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Speaker 4: I got distracted, Yes, who cares? Just about half humor in.

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Speaker 2: The humor in the workplace now, I'm worried that I'm not.

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Speaker 2: I have to be the one to write this essay,

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Speaker 2: and now that I've said it publicly, someone else is

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Speaker 2: gonna write it. Gia Tolantino is going to step in

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Speaker 2: and write the essay about half Humor.

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Speaker 1: Well, you know what, it'll be a good essay. Yeah, yeah,

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Speaker 1: I can do it. Well, but but do you have

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Speaker 1: but you can't do it?

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Speaker 4: Put your mind to it, right exactly, Yeah, Ga, puts

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Speaker 4: pen to paper. That's just true that anyone else.

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Speaker 2: Okay, Well, I'm okay, I'm committing that in the next

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Speaker 2: calendar year, I will publish my essay on half Humor.

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Speaker 2: And I don't care if it's in Barry white is

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Speaker 2: sub Stack. It's going to get published.

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Speaker 4: Wow.

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Speaker 1: Wow, that's right.

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Speaker 2: I'm gonna go right wings like no one else will

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Speaker 2: publish you.

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Speaker 1: I don't know, so col Okay, let's let's cut the ship.

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Speaker 1: The ship. So you have a show at Union Hall

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Speaker 1: or something.

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Speaker 4: Yes, it's called Justice Gals.

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Speaker 1: And it's sort of like it's all like the like

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Speaker 1: your funny friends, Like it's just like listening to your

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Speaker 1: funny friends totally.

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Speaker 4: Yeah, and this is a spin off of your previous show.

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Speaker 4: LGBT lol. Right, yeah, yeah, I love that show.

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Speaker 1: Thank you. That was a huge hit. Yeah, I mean

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Speaker 1: it was a different time. It was.

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Speaker 4: It was a different time. I feel bad about like

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Speaker 4: a lot of the stuff that we said, but.

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Speaker 1: Yeah, well the time I can't publicly talk about a

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Speaker 1: lot of it because of a lot souit no exactly exactly,

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Speaker 1: which is a blessing and a curse.

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Speaker 4: Yeah, monetarily a curse, but like public relations wise, a blessing.

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Speaker 1: I don't have a show at Union Hall. I'm sorry,

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Speaker 1: So you either want to tell you we are like.

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Speaker 4: Some we're playing this weird game where we're like not

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Speaker 4: saying your show. And also that's fine.

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Speaker 2: It's funny because we of course to us, it's obvious

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Speaker 2: what the show is. But I realized that the not

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Speaker 2: the whole point, part of the point of us talking

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Speaker 2: is to.

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Speaker 1: Promote the show. Well, not that it needs it, not

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Speaker 1: that it needs well, that's the thing. It is so load.

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Speaker 1: It is sold out, but we just added one more week.

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Speaker 2: Oh well, this is going to make all the difference,

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Speaker 2: because I heard that one that extra week actually is

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Speaker 2: not so yeah.

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Speaker 4: That one the last week last week it sold up

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Speaker 4: until that last week.

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Speaker 2: You thought you were like, you got really cocky and

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Speaker 2: you were like, wow, it's sold out an extra week.

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Speaker 1: Yeah, but it's one week. Everyone that wanted tickets.

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Speaker 4: They got them, they got them.

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Speaker 1: They're good. Yeah, but yeah, it's.

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Speaker 2: Called Oh Mary, if we're gonna be honest for a.

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Speaker 4: Secon, if we can be honest, if we can cut

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Speaker 4: the bullshit and.

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Speaker 2: Got the bullshit and be kurt and honest like New

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Speaker 2: Yorkers rather than a Los Angeles sort of like talking yep, yep,

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Speaker 2: yep without anything, thank you. And we've both seen it obviously.

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Speaker 2: Of course, here's the thing. Here's my thing with the show.

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Speaker 2: With with this show is like every superletive about it

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Speaker 2: has been said, and I agree with all of them,

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Speaker 2: and I'm like, what original thing can I.

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Speaker 1: Say that we'll add to it. Yeah, And also.

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Speaker 2: I know Cole can see through fake praise. It's like

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Speaker 2: so so I'm like there's another layer where I'm like, Okay,

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Speaker 2: I think the.

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Speaker 1: Best thing you could say is enough has been said

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Speaker 1: about it.

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Speaker 4: Oh that's really smart and it's fine, and.

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Speaker 1: Enough's been said about it. It's good. No, no, but

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Speaker 1: let's not no, but it is.

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Speaker 2: Actually it is one of those rare things that is

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Speaker 2: in fact as good as everyone says it is. And

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Speaker 2: then you're like, well, it sort of sucks that we

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Speaker 2: used up all the superlatives to talk about.

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Speaker 1: Like salt burn.

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Speaker 4: Yeah, soup and salt super and salt burn.

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Speaker 1: Yeah.

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Speaker 4: No, it's an incredible show, absolutely groundbreaking.

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Speaker 1: Yeah it really, it just is.

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Speaker 4: You're one of the greatest we've got, and you know it,

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Speaker 4: and you know it, and this is such a perfect encapsulation.

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Speaker 1: And taste and performance.

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Speaker 2: And you know, I say this as someone who goes

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Speaker 2: a lot of theater coal and I go to very little.

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Speaker 2: I'm always, I'm always this is a grandmother.

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Speaker 1: I get both.

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Speaker 2: And yeah, and I'll tell you something. A lot of

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Speaker 2: it is not good theater.

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Speaker 1: Theaters.

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Speaker 4: Theater is a lot of gorgeous theater.

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Speaker 1: A lot of it is also good.

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Speaker 2: Yeah, but would you not agree that a lot of

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Speaker 2: it is not I'm.

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Speaker 1: Trying to you're trying to rewards right now, Okay, so

419
00:20:06,480 --> 00:20:07,719
Speaker 1: please campaign and campaigning.

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Speaker 4: You know, I gotta I can't burn any bridges.

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Speaker 1: Right. Here's a question for you.

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Speaker 2: So in this play, oh Mary, you play Mary Todd Lincoln. Yes,

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00:20:14,440 --> 00:20:20,280
Speaker 2: if let's say, suddenly you're cast in a Marvel movie

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Speaker 2: as bat Girl. Yes, you have to leave the show.

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Speaker 2: Who would you cast to play?

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Speaker 1: Oh I am. I am already like a thousand steps ahead,

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Speaker 1: Like I can't wait for other people to play. Really, yes,

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Speaker 1: I would prefer not. You don't want to say yeah

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Speaker 1: to be No, I would prefer not to be.

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Speaker 4: Oh really yeah, that's that's shocking to me. No, No,

431
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Speaker 4: it's exhausting.

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Speaker 1: Well, I mean it's fun.

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Speaker 4: It's the most fun I've round, Like hell, to be honest,

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Speaker 4: I mean yeah, eight shows a week, shows a week,

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Speaker 4: I mean is crazy. That's what theater people do.

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Speaker 1: You know, that's what we do.

437
00:20:54,160 --> 00:20:55,760
Speaker 4: Oh, we do, that's what we do.

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Speaker 1: I mean I have.

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Speaker 4: One podcast in a day and I say, oh, yeah,

440
00:21:01,560 --> 00:21:04,240
Speaker 4: I can't do this anymore. I would love.

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Speaker 1: I've fantasized about Titus Burgess playing that is Mary Todd Lincoln,

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Speaker 1: Donna Murphy. Oh my god, should be amazing. The two

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00:21:13,480 --> 00:21:17,520
Speaker 1: of them together sort of like every other word, you know,

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00:21:19,000 --> 00:21:21,840
Speaker 1: arms linked, like looking at each other instead of like

445
00:21:22,000 --> 00:21:25,320
Speaker 1: I mean you say something, yeah.

446
00:21:24,680 --> 00:21:26,640
Speaker 4: Any but like I would love.

447
00:21:27,160 --> 00:21:33,080
Speaker 1: When I was in auditions for the understudy, I was like, oh,

448
00:21:33,119 --> 00:21:35,199
Speaker 1: this is a good role for someone.

449
00:21:35,280 --> 00:21:38,320
Speaker 4: Oh, it absolutely is That's so shocking to me really,

450
00:21:38,359 --> 00:21:40,360
Speaker 4: just because it was like, it's so you and it's

451
00:21:40,400 --> 00:21:44,000
Speaker 4: so like, it's hard. Don't trust my writing. What are

452
00:21:44,000 --> 00:21:51,159
Speaker 4: you trying to say here? No, it's it's hard to imagine.

453
00:21:51,200 --> 00:21:52,600
Speaker 4: I'm sure it would be possible, but.

454
00:21:52,600 --> 00:21:54,479
Speaker 2: Yeah, yeah, yeah, I think this is something people have

455
00:21:54,480 --> 00:21:56,959
Speaker 2: been surprised or not surprised by. But you know, you

456
00:21:57,040 --> 00:22:00,600
Speaker 2: hear Cola Scola doing a let's say, I initially thought

457
00:22:00,600 --> 00:22:02,080
Speaker 2: it was like a solo show, like the one person.

458
00:22:02,080 --> 00:22:05,520
Speaker 1: That's what I was hoping. Like, now I'm sort of like,

459
00:22:06,000 --> 00:22:09,320
Speaker 1: I'm sad that the moment's over where everyone was like, oh,

460
00:22:09,359 --> 00:22:11,320
Speaker 1: this is going to be Cole throwing on a wig

461
00:22:11,520 --> 00:22:14,399
Speaker 1: on a stage alone, yes, and then the surprise of

462
00:22:14,440 --> 00:22:16,320
Speaker 1: it being a capital.

463
00:22:16,040 --> 00:22:19,240
Speaker 2: Oh that was planned. The surprise of it like you well.

464
00:22:19,080 --> 00:22:22,600
Speaker 1: Yes, I mean I knew that's what people's expectators might be.

465
00:22:22,600 --> 00:22:25,800
Speaker 2: But I do think that is yeah, I mean that

466
00:22:25,920 --> 00:22:27,959
Speaker 2: is the big surprise where we're like, oh, this is

467
00:22:28,000 --> 00:22:29,560
Speaker 2: like full on a play.

468
00:22:29,760 --> 00:22:30,520
Speaker 1: Yeah yeah.

469
00:22:30,640 --> 00:22:35,280
Speaker 4: With the cast, the gorgeous actors. I wish I could

470
00:22:35,320 --> 00:22:38,560
Speaker 4: tell you any of their names right now. Sweet people,

471
00:22:38,800 --> 00:22:42,280
Speaker 4: sweet sweet people. They smile at me every day I

472
00:22:42,359 --> 00:22:44,800
Speaker 4: just love them all. They respect all my boundaries, don't

473
00:22:44,800 --> 00:22:46,199
Speaker 4: make icon tact.

474
00:22:45,840 --> 00:22:48,399
Speaker 1: I don't ask me how I'm doing. Yeah, that's and

475
00:22:48,440 --> 00:22:51,000
Speaker 1: that's really not Have any of them been like James

476
00:22:51,000 --> 00:22:54,760
Speaker 1: Scully or contra James. No, we haven't had them unkily,

477
00:22:55,119 --> 00:22:57,120
Speaker 1: none of them. Nobody so funny.

478
00:22:57,200 --> 00:22:59,119
Speaker 4: Yeah, she's funny.

479
00:22:59,200 --> 00:23:02,360
Speaker 1: I saw her when I was eighteen, my first year

480
00:23:02,359 --> 00:23:05,120
Speaker 1: in New York, my first Christmas alone in New York.

481
00:23:05,160 --> 00:23:08,960
Speaker 1: I saw trans America and she that movie with she

482
00:23:09,000 --> 00:23:11,040
Speaker 1: was in trans America. Yeah, do you remember she goes

483
00:23:11,119 --> 00:23:12,880
Speaker 1: I don't even remember what it was, like a sex

484
00:23:12,960 --> 00:23:15,160
Speaker 1: Way party or a Tupperware party.

485
00:23:15,320 --> 00:23:18,080
Speaker 4: She's like the hostess of that party.

486
00:23:18,160 --> 00:23:21,320
Speaker 1: And then I saw her on Taylor Max five hour

487
00:23:21,680 --> 00:23:23,800
Speaker 1: The Lilies Revenge at Your Art Center.

488
00:23:24,200 --> 00:23:26,560
Speaker 4: I was like, she played a cuckoo clock and I

489
00:23:26,640 --> 00:23:28,560
Speaker 4: was like, who is she?

490
00:23:30,080 --> 00:23:36,920
Speaker 1: Diva? Dibbs dibbs mine? Wow? I sorry to ask the

491
00:23:36,920 --> 00:23:41,000
Speaker 1: most basic No, I have only base Please why Mary Todd?

492
00:23:42,080 --> 00:23:47,399
Speaker 1: I just really feel like women like I don't know,

493
00:23:48,640 --> 00:23:51,800
Speaker 1: I don't know, I don't know. I really don't remember.

494
00:23:51,880 --> 00:23:54,160
Speaker 1: Because I had the idea in two thousand and nine.

495
00:23:54,200 --> 00:23:56,840
Speaker 2: Really whoa And it was basically like.

496
00:23:58,720 --> 00:24:01,560
Speaker 1: An idea that was born out of just the humor

497
00:24:01,560 --> 00:24:04,520
Speaker 1: of it, not using like a history buff no, no, no,

498
00:24:04,520 --> 00:24:08,800
Speaker 1: no no, I just thought, like the idea of me

499
00:24:08,920 --> 00:24:13,960
Speaker 1: playing a historical figure like that, yeah, was was fun. Yeah,

500
00:24:14,440 --> 00:24:19,040
Speaker 1: And then all those years later we finally got to

501
00:24:19,080 --> 00:24:19,640
Speaker 1: the Lortel.

502
00:24:22,040 --> 00:24:25,320
Speaker 4: Are you like, are you like super regimented right now?

503
00:24:25,440 --> 00:24:28,080
Speaker 4: Like if you have to perform eight times a week,

504
00:24:28,119 --> 00:24:28,600
Speaker 4: are you like.

505
00:24:29,760 --> 00:24:34,600
Speaker 1: I really don't do anything besides like, uh yeah, I

506
00:24:34,640 --> 00:24:39,560
Speaker 1: mean like sleep and then go to the theater stretch stretch.

507
00:24:39,720 --> 00:24:43,440
Speaker 1: I try to eat at four thirty. See after the show,

508
00:24:44,440 --> 00:24:47,360
Speaker 1: I try to eat two yeah, yeah, yeah, but if

509
00:24:47,359 --> 00:24:49,440
Speaker 1: I'm not up early enough, I only get the one meal.

510
00:24:50,119 --> 00:24:53,880
Speaker 4: It's a difficult life. Here's a ways I don't recommend it.

511
00:24:53,960 --> 00:24:57,320
Speaker 2: Do you feel are the endorphins such that after the

512
00:24:57,359 --> 00:24:59,520
Speaker 2: shows I'd want to go out?

513
00:25:00,119 --> 00:25:02,320
Speaker 1: I know? No, No, I never want to go write

514
00:25:02,359 --> 00:25:06,679
Speaker 1: home really yeah, right to bed, hot creamy meal, right

515
00:25:06,720 --> 00:25:07,200
Speaker 1: to bed.

516
00:25:07,119 --> 00:25:12,320
Speaker 2: Hot creamy meal, all dairy meal, right to bed.

517
00:25:12,359 --> 00:25:14,080
Speaker 1: But I do need a life outside of it, because

518
00:25:14,119 --> 00:25:18,360
Speaker 1: otherwise the play can't be my only reason for existing.

519
00:25:18,440 --> 00:25:20,960
Speaker 1: So now I'm trying to find things to do. If

520
00:25:20,960 --> 00:25:24,560
Speaker 1: you have any suggestions at home, comment below on this

521
00:25:24,680 --> 00:25:28,800
Speaker 1: video and like it and subscribe and just send us

522
00:25:28,840 --> 00:25:33,080
Speaker 1: email and vote and vote and vote, please vote, vote

523
00:25:33,119 --> 00:25:37,320
Speaker 1: for living in your local city elections. They matter, y'all.

524
00:25:40,480 --> 00:25:43,720
Speaker 1: Should we do it for a segment? Yeah?

525
00:25:43,920 --> 00:25:46,720
Speaker 2: Yeah, right, I think we have Yeah, yeah, if anything, yes,

526
00:25:46,760 --> 00:25:49,120
Speaker 2: you please, please please, if anything, to get it out

527
00:25:49,119 --> 00:25:50,920
Speaker 2: of the way that we can keep talking for you,

528
00:25:51,680 --> 00:25:52,119
Speaker 2: of course.

529
00:26:02,640 --> 00:26:03,160
Speaker 1: Okay, Cole.

530
00:26:03,240 --> 00:26:05,679
Speaker 4: Our first segment is called straight Shooters, and in this segment,

531
00:26:05,680 --> 00:26:06,080
Speaker 4: we're going.

532
00:26:05,960 --> 00:26:07,720
Speaker 1: To ask you a series of rapid fire questions.

533
00:26:07,840 --> 00:26:10,720
Speaker 4: It's basically this thing or this other thing you're familiarity

534
00:26:10,760 --> 00:26:13,760
Speaker 4: with and complicity and straight culture. The only rule is

535
00:26:13,800 --> 00:26:16,880
Speaker 4: you can't ask any followup questions or will scream at you.

536
00:26:17,320 --> 00:26:19,840
Speaker 1: Okay. That reminds me of a story I've heard about

537
00:26:19,840 --> 00:26:23,680
Speaker 1: Shirley McLain. Later later, okay, So.

538
00:26:27,119 --> 00:26:30,520
Speaker 2: I love these beautiful humans or I hate that ugly

539
00:26:30,560 --> 00:26:31,320
Speaker 2: ass tunic.

540
00:26:32,160 --> 00:26:34,760
Speaker 1: I love these beautiful humans, Cole.

541
00:26:35,640 --> 00:26:38,320
Speaker 4: Curling up with a good book or curling up with

542
00:26:38,359 --> 00:26:42,159
Speaker 4: Succession Zone Sarah Snook curling up with a good book.

543
00:26:43,000 --> 00:26:45,800
Speaker 2: Tap water is Fine or FAP every day at nine,

544
00:26:46,000 --> 00:26:48,240
Speaker 2: FAP every day at night after.

545
00:26:48,080 --> 00:26:51,720
Speaker 4: Your all dairy meal, yeah, okay, a body shaped like

546
00:26:51,760 --> 00:26:55,160
Speaker 4: an hourglass or a potty molded perfect to your ass. Oh,

547
00:26:55,359 --> 00:26:56,800
Speaker 4: body shaped like an hourglass?

548
00:26:56,840 --> 00:26:58,240
Speaker 1: O hmm, respectable?

549
00:27:00,320 --> 00:27:02,399
Speaker 2: Giving it up for your next comic, or living it

550
00:27:02,480 --> 00:27:04,119
Speaker 2: up before we all get hit by a comic.

551
00:27:05,080 --> 00:27:06,560
Speaker 1: Giving it up for your next comic.

552
00:27:06,680 --> 00:27:12,879
Speaker 4: Yeah you have to, okay, white gold or black mold.

553
00:27:12,720 --> 00:27:13,920
Speaker 1: White gold.

554
00:27:14,640 --> 00:27:17,840
Speaker 2: I demand an appeal or I don't understand her whole deal.

555
00:27:18,800 --> 00:27:23,439
Speaker 4: I demand an appeal. Being on the list or lancing officist,

556
00:27:23,800 --> 00:27:24,720
Speaker 4: lancing officeist.

557
00:27:25,160 --> 00:27:28,960
Speaker 2: Yeah, yeah, yeah, I have an idea what this is crazy?

558
00:27:29,000 --> 00:27:31,520
Speaker 2: I'm like, you know, usually we rate our guest performance

559
00:27:31,520 --> 00:27:33,800
Speaker 2: on a scale of zero to one thousand doves. Here's

560
00:27:33,800 --> 00:27:34,800
Speaker 2: what I've been feeling recently.

561
00:27:34,840 --> 00:27:37,600
Speaker 1: What have you been feeling? Maybe that scale is over.

562
00:27:38,400 --> 00:27:40,120
Speaker 2: Maybe we need to figure out like a new way

563
00:27:40,200 --> 00:27:42,960
Speaker 2: to rank I've been feeling. I think, don't you feel

564
00:27:42,960 --> 00:27:45,800
Speaker 2: like we've been sort of like, okay, we've done every

565
00:27:45,880 --> 00:27:47,040
Speaker 2: version of that answer.

566
00:27:49,000 --> 00:27:51,439
Speaker 1: I guess I like it. But you you see, this

567
00:27:51,520 --> 00:27:55,359
Speaker 1: is what's great about But by the way, yeah, I

568
00:27:55,760 --> 00:27:59,399
Speaker 1: just I can I'm engaged, yes, but I don't have

569
00:27:59,440 --> 00:28:03,680
Speaker 1: to worry about having an answer right anyway? Keep okay,

570
00:28:03,840 --> 00:28:06,760
Speaker 1: So you just like directed us. Now I feel like,

571
00:28:06,880 --> 00:28:10,000
Speaker 1: now we can not keep going. Yeah, no, no, I'm

572
00:28:10,040 --> 00:28:12,160
Speaker 1: watching and listening and just talk naturally.

573
00:28:12,480 --> 00:28:14,240
Speaker 2: You know, I did the number one thing you shouldn't do,

574
00:28:14,280 --> 00:28:17,280
Speaker 2: which is critique, but not come up with an alternative.

575
00:28:17,440 --> 00:28:19,679
Speaker 2: It's actually one of my elus life. I am not

576
00:28:21,040 --> 00:28:22,400
Speaker 2: and I very much think.

577
00:28:22,680 --> 00:28:27,040
Speaker 1: Are you a younger sibling? I'm an older sibling. That's interesting, right,

578
00:28:27,160 --> 00:28:30,240
Speaker 1: of course, just like most things about me. I feel

579
00:28:30,240 --> 00:28:31,800
Speaker 1: like that's a younger sibling thing.

580
00:28:31,760 --> 00:28:34,560
Speaker 2: You think, so, yes, I feel like at some point

581
00:28:34,600 --> 00:28:39,600
Speaker 2: in my life I was like criticizing. Criticism is a

582
00:28:39,640 --> 00:28:42,000
Speaker 2: sign of intelligence, and the more you criticize, the more

583
00:28:42,000 --> 00:28:45,800
Speaker 2: intelligent you are. Yeah, and so you know, you go

584
00:28:45,880 --> 00:28:47,720
Speaker 2: into and I think it's a very childish.

585
00:28:47,320 --> 00:28:49,800
Speaker 1: Where in your body is that? Sorry, this is only

586
00:28:49,880 --> 00:28:52,000
Speaker 1: my therapist asks all the time. And where in the

587
00:28:52,000 --> 00:28:53,840
Speaker 1: body in your body do you feel that?

588
00:28:54,480 --> 00:28:57,000
Speaker 4: Like it's coming out of my head?

589
00:28:57,240 --> 00:28:58,720
Speaker 1: Right? What do you mean?

590
00:28:59,440 --> 00:29:03,560
Speaker 4: I always say my stomach, like my stomach.

591
00:29:03,760 --> 00:29:07,640
Speaker 1: Oh, it's all those creamy meals. Creamy meals both show. Yeah,

592
00:29:07,680 --> 00:29:10,160
Speaker 1: I'm sorry I cut you. You were going you you

593
00:29:10,160 --> 00:29:13,720
Speaker 1: were talking about renovating the scale.

594
00:29:14,000 --> 00:29:19,600
Speaker 2: Yes, right, Solutions book Alert renovating.

595
00:29:19,120 --> 00:29:22,120
Speaker 1: Red Scale Scale, My Life, My Weight Loss Journey, My

596
00:29:22,400 --> 00:29:28,360
Speaker 1: Lost Journey on the Stage, Chapter one, Creamy Meals, Creamy

597
00:29:28,400 --> 00:29:29,360
Speaker 1: Meals question Mark.

598
00:29:31,000 --> 00:29:35,000
Speaker 4: Yeah, well I just wanted for the scale. I do

599
00:29:35,280 --> 00:29:40,560
Speaker 4: like that it is something that is truly from twenty twenty. Yeah,

600
00:29:40,600 --> 00:29:43,040
Speaker 4: and is like that we have stuck with for seemingly

601
00:29:43,120 --> 00:29:45,120
Speaker 4: no that sense. It gets funnier as it goes, and.

602
00:29:45,160 --> 00:29:46,120
Speaker 1: I think it's funny.

603
00:29:46,240 --> 00:29:48,920
Speaker 4: I think about literally being like four years from now

604
00:29:49,200 --> 00:29:51,400
Speaker 4: and still doing that and people are like, what is

605
00:29:51,400 --> 00:29:52,080
Speaker 4: that even care?

606
00:29:52,200 --> 00:29:55,400
Speaker 2: Yeah, yeah, you've won it over. You've already won meal

607
00:29:55,400 --> 00:29:57,200
Speaker 2: over beautiful.

608
00:29:57,240 --> 00:30:02,080
Speaker 1: Wow? Wow? Could Georgie get cast in? Well it's not musical,

609
00:30:02,360 --> 00:30:04,120
Speaker 1: Well we still need to know you have range.

610
00:30:04,200 --> 00:30:06,800
Speaker 2: I guess it is Musicalpol no spoilers, but.

611
00:30:06,840 --> 00:30:07,560
Speaker 4: That was a spoiler.

612
00:30:07,640 --> 00:30:11,280
Speaker 1: That was a huge spoiler. How do you feel You

613
00:30:11,320 --> 00:30:16,360
Speaker 1: can't just say you no spoilers after you spoilers. That's

614
00:30:16,520 --> 00:30:17,440
Speaker 1: not how it works.

615
00:30:19,560 --> 00:30:21,360
Speaker 4: Do you think of yourself as solutions oriented?

616
00:30:21,520 --> 00:30:26,719
Speaker 1: Yeah? I actually like that. Yeah me too. Yeah. No, no, no,

617
00:30:27,800 --> 00:30:28,640
Speaker 1: I'm a complainer.

618
00:30:28,920 --> 00:30:31,920
Speaker 2: You're well, but you are a creator And I don't

619
00:30:32,040 --> 00:30:34,320
Speaker 2: mean that in the sense of being an lgbt Q

620
00:30:34,480 --> 00:30:37,040
Speaker 2: creator making their voice heard. I mean that in the

621
00:30:37,080 --> 00:30:40,360
Speaker 2: sense that you do. You're not someone who's like, oh,

622
00:30:40,560 --> 00:30:43,320
Speaker 2: they don't want me here, I'm gonna cry about it.

623
00:30:43,440 --> 00:30:44,680
Speaker 2: You're like, they don't want me here.

624
00:30:45,120 --> 00:30:47,000
Speaker 1: I'm going to go I'm going to make a better

625
00:30:47,080 --> 00:30:49,600
Speaker 1: I'm going to make it better. Yeah. I guess in

626
00:30:49,600 --> 00:30:50,760
Speaker 1: that way, Yeah, I guess.

627
00:30:50,760 --> 00:30:58,840
Speaker 4: I I'm kind of like solutions bass no I am yeah, yeah.

628
00:30:57,720 --> 00:31:00,440
Speaker 1: I think. Well, okay, so that's sort of like fight

629
00:31:00,480 --> 00:31:03,360
Speaker 1: flight or freeze, right, yeah, Like, oh, I had never

630
00:31:03,400 --> 00:31:04,000
Speaker 1: heard of the phone.

631
00:31:04,120 --> 00:31:08,960
Speaker 4: You've never heard of freeze. I've heard fight a million times.

632
00:31:10,040 --> 00:31:11,200
Speaker 1: You need to get back in the.

633
00:31:14,560 --> 00:31:16,240
Speaker 4: Fight flight or freeze.

634
00:31:17,080 --> 00:31:20,360
Speaker 1: I love this. I might be freeze. I'm absolutely freeze. Freeze.

635
00:31:20,360 --> 00:31:24,880
Speaker 2: Oh God, to freeze identified gay cancers running a small

636
00:31:24,920 --> 00:31:27,760
Speaker 2: business together, good good luck making proper.

637
00:31:27,880 --> 00:31:30,080
Speaker 4: I think a lot of people are are freeze.

638
00:31:30,280 --> 00:31:31,200
Speaker 1: I think freeze.

639
00:31:31,360 --> 00:31:33,760
Speaker 4: It just to me it makes the most sense because

640
00:31:33,760 --> 00:31:35,360
Speaker 4: I'm like, well, I'm not gonna run away, but I'm

641
00:31:35,400 --> 00:31:36,240
Speaker 4: also not going to start a fight.

642
00:31:36,400 --> 00:31:37,959
Speaker 1: But you don't know what to do. You're like, I

643
00:31:38,040 --> 00:31:39,200
Speaker 1: can't fight back.

644
00:31:39,280 --> 00:31:41,720
Speaker 2: I'm putting my body on the line by doing nothing.

645
00:31:41,880 --> 00:31:46,680
Speaker 4: Yes, I will say to you know, if there's multiple

646
00:31:46,680 --> 00:31:48,920
Speaker 4: freezes in a room, I think it's sort of you know,

647
00:31:48,920 --> 00:31:52,000
Speaker 4: it's like you might both be bottoms, but eventually, when

648
00:31:52,040 --> 00:31:53,720
Speaker 4: you're penetrating, someone's going to be topping.

649
00:31:53,760 --> 00:31:57,680
Speaker 1: Does this make sense? Yes, yes, yes, but if.

650
00:31:57,560 --> 00:31:59,719
Speaker 4: You aren't and I feel like if we're both freezes,

651
00:31:59,720 --> 00:32:02,480
Speaker 4: there many times in our relationship where you have been

652
00:32:02,520 --> 00:32:04,720
Speaker 4: the one that is ready to fight.

653
00:32:05,040 --> 00:32:07,600
Speaker 1: That's true in a good way. That's true.

654
00:32:08,440 --> 00:32:11,840
Speaker 4: And I've gotten to keep my freeze privilege. Freeze.

655
00:32:12,080 --> 00:32:18,440
Speaker 1: Wait, but I was this was related to yeah, yeah, yeah, yeah,

656
00:32:18,520 --> 00:32:24,480
Speaker 1: where like rather like there's complain, there's offer a solution,

657
00:32:25,000 --> 00:32:25,720
Speaker 1: and then there's leave.

658
00:32:26,160 --> 00:32:30,200
Speaker 4: Right, I'm I'm more apt to leave. Oh interesting, I'm

659
00:32:30,240 --> 00:32:31,160
Speaker 4: more apt to leave as well.

660
00:32:31,280 --> 00:32:35,320
Speaker 2: Yeah, complain for solution or leap. I'm complain. I'm sorry.

661
00:32:35,920 --> 00:32:38,160
Speaker 1: There's just no So if you're like you're you're waiting

662
00:32:38,200 --> 00:32:40,080
Speaker 1: for a table for a really long time.

663
00:32:40,720 --> 00:32:44,200
Speaker 2: Oh yeah, I'm giving everyone dirty looks. I'm sighing dramatically,

664
00:32:44,840 --> 00:32:47,920
Speaker 2: looking at my phone, sort of going over to people's table,

665
00:32:48,040 --> 00:32:52,000
Speaker 2: knocking over all their food, calling them really offensive slurs.

666
00:32:52,120 --> 00:32:55,479
Speaker 4: Yes, yeah yeah, and then and you I'm sort of like,

667
00:32:55,640 --> 00:32:59,600
Speaker 4: let's go. Yeah, yeah, or I'm like, it's like.

668
00:32:59,320 --> 00:33:01,320
Speaker 1: Like it's finely wait, it's not worth it. It's not

669
00:33:01,400 --> 00:33:04,920
Speaker 1: worth it, And I, well, you're less, you're generally less

670
00:33:05,040 --> 00:33:10,880
Speaker 1: like willing to wait wait for you prioritize comfort. I

671
00:33:10,880 --> 00:33:13,080
Speaker 1: guess what I'm trying to say, Like youise comfort over

672
00:33:13,160 --> 00:33:15,400
Speaker 1: like waiting for the exclusive thing. Would you say that? Yeah?

673
00:33:15,400 --> 00:33:17,840
Speaker 1: I think that is true, whereas I'm like, let's say

674
00:33:17,840 --> 00:33:19,720
Speaker 1: I really want to go. It's humiliating to wait.

675
00:33:20,080 --> 00:33:22,480
Speaker 2: Oh my god, I'm so sad, But you know what

676
00:33:22,480 --> 00:33:24,920
Speaker 2: the reward is then getting the table and watching other

677
00:33:24,960 --> 00:33:27,480
Speaker 2: people wait and feeling superior to them.

678
00:33:27,680 --> 00:33:30,440
Speaker 1: You bring up a very good that's from my stomach.

679
00:33:32,280 --> 00:33:34,320
Speaker 4: I also, I feel like the nice things are like

680
00:33:34,480 --> 00:33:38,440
Speaker 4: rarely worth it, Like the pain of waiting.

681
00:33:38,320 --> 00:33:41,960
Speaker 1: And waiting pushed around And what was the last thing

682
00:33:41,960 --> 00:33:45,160
Speaker 1: you waited for that you were glad that I was glad?

683
00:33:46,280 --> 00:33:51,600
Speaker 4: Hmm, god, I have no idea, to be completely honest,

684
00:33:52,320 --> 00:33:54,960
Speaker 4: it's been a long time I had to wait in

685
00:33:55,000 --> 00:33:56,120
Speaker 4: a line for anything.

686
00:33:58,600 --> 00:34:00,720
Speaker 1: What's the last thing you waited for it was worth it?

687
00:34:00,920 --> 00:34:04,360
Speaker 4: This is the most riveting segment. Let's yeah, let's really

688
00:34:04,400 --> 00:34:04,880
Speaker 4: no one.

689
00:34:04,880 --> 00:34:06,720
Speaker 1: Has a thing they waited for. Yeah, I guess I

690
00:34:06,840 --> 00:34:07,960
Speaker 1: just usually get things for free.

691
00:34:08,400 --> 00:34:09,880
Speaker 4: Yeah, olive oil gelato?

692
00:34:10,440 --> 00:34:12,799
Speaker 1: Is that true? I did wait for it.

693
00:34:13,880 --> 00:34:15,600
Speaker 4: I was happy they waited.

694
00:34:16,200 --> 00:34:20,160
Speaker 1: Did you really have to humble yourself to wait for something?

695
00:34:20,400 --> 00:34:20,640
Speaker 1: You know?

696
00:34:20,960 --> 00:34:23,799
Speaker 4: I also see, you know, in Los Angeles, California.

697
00:34:23,880 --> 00:34:25,560
Speaker 1: Oh my god, to be able to be right back.

698
00:34:26,760 --> 00:34:28,800
Speaker 4: I feel that I see a lot of people waiting

699
00:34:29,160 --> 00:34:31,960
Speaker 4: in line for random, random stuff. They sort of have

700
00:34:32,080 --> 00:34:33,799
Speaker 4: like cronut culture all the time.

701
00:34:35,200 --> 00:34:36,000
Speaker 1: That's sort of all they have.

702
00:34:36,360 --> 00:34:39,359
Speaker 4: Yeah, And so I'm when I see some people waiting

703
00:34:39,400 --> 00:34:41,520
Speaker 4: in line, I'm like, Okay, well that's what I don't want, Like,

704
00:34:41,560 --> 00:34:44,560
Speaker 4: I'll never go to that place. It like almost looks

705
00:34:44,600 --> 00:34:48,440
Speaker 4: more unappealing because it's like probably just some gimmick or

706
00:34:48,520 --> 00:34:51,920
Speaker 4: was like written on some blog or something. You're not

707
00:34:51,960 --> 00:34:52,560
Speaker 4: going to trick me.

708
00:34:53,200 --> 00:34:57,120
Speaker 1: Yeah, I'm like, I'm actually a free thinker. Yeah, yeah,

709
00:34:58,480 --> 00:34:59,440
Speaker 1: that's no. You're right.

710
00:34:59,440 --> 00:35:02,120
Speaker 2: Well, there's two kinds of waiting, and one.

711
00:35:01,960 --> 00:35:06,320
Speaker 1: Is like there's only two, yes, male or female exactly,

712
00:35:09,080 --> 00:35:14,000
Speaker 1: So what's male waiting? Male waiting? Oh god?

713
00:35:14,520 --> 00:35:17,440
Speaker 2: Okay, so I think one is what you're describing crow

714
00:35:17,520 --> 00:35:20,760
Speaker 2: nut culture of like waiting for the latest trend.

715
00:35:20,880 --> 00:35:22,400
Speaker 1: Yourselfsculum.

716
00:35:24,320 --> 00:35:28,480
Speaker 2: But it's also like it's also like blogger, blonde blogger.

717
00:35:28,600 --> 00:35:30,360
Speaker 1: Sure, you know, big hat.

718
00:35:30,280 --> 00:35:33,239
Speaker 2: Big hat blonde blogger, waiting for the next trend. You

719
00:35:33,280 --> 00:35:36,800
Speaker 2: are so trend chasing, you have no personality. Your entire

720
00:35:36,840 --> 00:35:38,680
Speaker 2: life is chasing things that other people are doing. That's

721
00:35:38,680 --> 00:35:41,000
Speaker 2: one second kind of waiting is that, if you know,

722
00:35:41,160 --> 00:35:43,279
Speaker 2: you know, kind of waiting where you're in the know

723
00:35:43,760 --> 00:35:47,000
Speaker 2: and you and you're part of this like exclusive you've

724
00:35:47,000 --> 00:35:49,960
Speaker 2: read the paywalled blog that's telling you the new thing.

725
00:35:50,520 --> 00:35:52,759
Speaker 1: Yeah, yeah, well they're both the same thing, though you

726
00:35:52,760 --> 00:35:54,960
Speaker 1: think so, and just one of them, one of them.

727
00:35:54,840 --> 00:35:55,799
Speaker 4: You think you're better than.

728
00:35:56,000 --> 00:35:59,880
Speaker 1: Right, that's it. That's not a bad point, you know.

729
00:36:01,440 --> 00:36:02,960
Speaker 1: So I'll tell you which one I prefer to be

730
00:36:03,040 --> 00:36:07,919
Speaker 1: in of course, but it's the same thing. We all

731
00:36:08,000 --> 00:36:10,200
Speaker 1: just want to be at the at the front of

732
00:36:10,239 --> 00:36:12,879
Speaker 1: the line, right, We all want to cut in line,

733
00:36:12,920 --> 00:36:18,960
Speaker 1: don't we. We'll be right back and we're back.

734
00:36:18,160 --> 00:36:22,120
Speaker 4: And that was such a convincing we'll be right back.

735
00:36:22,200 --> 00:36:24,160
Speaker 4: That was actually terrifying because.

736
00:36:23,960 --> 00:36:26,719
Speaker 1: It felt so real. Yeah. I actually was like, we

737
00:36:26,760 --> 00:36:29,840
Speaker 1: need to throw to commercial. Yeah, that's so fun.

738
00:36:30,719 --> 00:36:32,719
Speaker 4: I could feel we don't even have headphones on, and I.

739
00:36:32,640 --> 00:36:36,160
Speaker 1: Was like, oh, yeah, anyway, how are you really hot?

740
00:36:36,200 --> 00:36:43,040
Speaker 1: Creamy meals? When we return? Yeah, starts crying hyaterically. Yeah,

741
00:36:43,120 --> 00:36:44,800
Speaker 1: they like, it's just been really hard.

742
00:36:44,960 --> 00:36:47,360
Speaker 4: Wait, I wanted to bring I have some topic.

743
00:36:47,440 --> 00:36:52,840
Speaker 1: Yes, yes, yes, topic, you are like in charge of us. Okay.

744
00:36:53,000 --> 00:36:56,840
Speaker 1: It is like, so I was trying to think of

745
00:36:56,920 --> 00:37:00,880
Speaker 1: straight things, like straight culture things rights like five cameras.

746
00:37:01,080 --> 00:37:03,160
Speaker 4: Oh it's a Samsung Galaxy.

747
00:37:03,440 --> 00:37:06,480
Speaker 2: It literally does have five, So them are flashes. I'm

748
00:37:06,520 --> 00:37:07,640
Speaker 2: just like, that is too many.

749
00:37:08,560 --> 00:37:10,120
Speaker 4: You don't know what I'm up to. It looks like

750
00:37:10,200 --> 00:37:10,840
Speaker 4: you don't know what i'mout.

751
00:37:11,760 --> 00:37:13,440
Speaker 1: You don't know what I'm up independent films.

752
00:37:14,080 --> 00:37:17,240
Speaker 4: There's there's a poll at JFK Airport that has truly

753
00:37:17,280 --> 00:37:20,279
Speaker 4: like fourteen surveillance cameras on it, and it looks like

754
00:37:20,320 --> 00:37:21,799
Speaker 4: a commentary on the surveillance state.

755
00:37:21,840 --> 00:37:25,239
Speaker 1: That's kind of what your phone is. Yeah, stop surveilling us. Well, uh,

756
00:37:25,480 --> 00:37:28,720
Speaker 1: do you have anything else to say? You mentioned Taylor

757
00:37:28,760 --> 00:37:32,200
Speaker 1: Swift earlier. Do you want to say you're okay? What

758
00:37:32,640 --> 00:37:35,200
Speaker 1: are I was thinking? Well, I was thinking about straight

759
00:37:35,600 --> 00:37:39,799
Speaker 1: culture things, but I could only really think of examples

760
00:37:39,840 --> 00:37:46,640
Speaker 1: of of things that are like straight trying to be

761
00:37:46,760 --> 00:37:50,400
Speaker 1: gay like straight things that are influenced by gay culture.

762
00:37:50,760 --> 00:37:54,560
Speaker 4: Okay, like hotels.

763
00:37:54,440 --> 00:37:58,600
Speaker 1: Yeah, based on cruising, but based on based on cruising,

764
00:37:58,760 --> 00:38:01,960
Speaker 1: based on piet tears. Yes, it's like, well this is

765
00:38:02,000 --> 00:38:04,480
Speaker 1: better because then you can just leave. And it's like,

766
00:38:04,680 --> 00:38:07,040
Speaker 1: well that's the you took the fun out of a piano.

767
00:38:07,360 --> 00:38:11,279
Speaker 1: Like right, it's straight people, you know. Okay, so hotels,

768
00:38:12,640 --> 00:38:16,600
Speaker 1: salad bar, because salad's gay culture, but salad bar. The

769
00:38:16,640 --> 00:38:17,640
Speaker 1: salad bar is like.

770
00:38:17,800 --> 00:38:19,360
Speaker 4: But you can pick what you want and you're like,

771
00:38:19,400 --> 00:38:20,600
Speaker 4: you're not improving on.

772
00:38:20,600 --> 00:38:24,319
Speaker 1: You wouldn't I mean whatever? I go on, Ye, baby carrots, right,

773
00:38:25,200 --> 00:38:27,880
Speaker 1: it's like, isn't it so funny that they're like little?

774
00:38:28,360 --> 00:38:30,720
Speaker 4: And you're like, oh, that's almost.

775
00:38:30,480 --> 00:38:32,279
Speaker 2: Like you've never experienced happiness.

776
00:38:33,280 --> 00:38:37,400
Speaker 4: Yeah, my favorite thing on earth is to buy baby carrots.

777
00:38:37,600 --> 00:38:38,960
Speaker 1: Never ever open the bag.

778
00:38:39,400 --> 00:38:41,080
Speaker 4: I'm like, oh, this is gonna be such a perfect

779
00:38:41,120 --> 00:38:43,399
Speaker 4: snack with hummus, and then I just leave it there

780
00:38:43,680 --> 00:38:46,520
Speaker 4: until they get slimy. Yeah, and then I'm moving seven

781
00:38:46,600 --> 00:38:48,319
Speaker 4: years later and I'm like, oh, I have to throw

782
00:38:48,320 --> 00:38:50,799
Speaker 4: these away now. Yeah, that's such a what.

783
00:38:50,800 --> 00:38:53,480
Speaker 2: Are people afraid of with just buying normal carrots?

784
00:38:53,560 --> 00:38:55,799
Speaker 1: I would really love to know. Is it the little

785
00:38:55,840 --> 00:38:56,440
Speaker 1: hairs that they have?

786
00:38:56,800 --> 00:38:59,080
Speaker 4: It's the little hairs. It's sort of the like, well,

787
00:38:59,120 --> 00:39:00,680
Speaker 4: what am I gonna do? Eat a whole carrot?

788
00:39:00,800 --> 00:39:01,000
Speaker 3: Yes?

789
00:39:01,760 --> 00:39:02,960
Speaker 1: Yeah, who has the time?

790
00:39:03,400 --> 00:39:05,360
Speaker 2: What if I just want to say, you want twenty

791
00:39:05,360 --> 00:39:06,320
Speaker 2: five baby carrots?

792
00:39:06,360 --> 00:39:07,640
Speaker 4: Well, you can take as many as you want and

793
00:39:07,719 --> 00:39:08,399
Speaker 4: you can put it back.

794
00:39:08,960 --> 00:39:11,680
Speaker 1: The big carrot. You got to chop it up. Oh

795
00:39:11,760 --> 00:39:12,200
Speaker 1: my god.

796
00:39:12,280 --> 00:39:15,600
Speaker 2: I mean, there's nothing better than feeling chopping up a

797
00:39:15,680 --> 00:39:18,040
Speaker 2: carrot and then putting the leftovers in a little ziploc bag.

798
00:39:18,120 --> 00:39:19,880
Speaker 2: Something you feel like you're cooking. You feel like you're

799
00:39:19,920 --> 00:39:20,759
Speaker 2: doing cottage core.

800
00:39:21,280 --> 00:39:21,480
Speaker 1: No.

801
00:39:21,760 --> 00:39:24,279
Speaker 4: The way that I want every single thing I eat

802
00:39:24,400 --> 00:39:26,840
Speaker 4: to be pre cut.

803
00:39:26,600 --> 00:39:29,160
Speaker 1: Into this is like not being.

804
00:39:30,520 --> 00:39:32,840
Speaker 4: Well, I'm I hate doing dishes.

805
00:39:33,520 --> 00:39:36,919
Speaker 1: Yes, so I will buy a pre chop. Everyone hates

806
00:39:36,960 --> 00:39:43,240
Speaker 1: doing that's so, yes exactly.

807
00:39:43,360 --> 00:39:46,120
Speaker 4: Wait wait wait wait sorry George, this is crazy. This

808
00:39:46,160 --> 00:39:47,719
Speaker 4: is crazy because I've never been able to talk to

809
00:39:47,760 --> 00:39:48,400
Speaker 4: this with anyone.

810
00:39:49,080 --> 00:39:52,160
Speaker 1: But I hate doing dishes so much that I I

811
00:39:52,200 --> 00:39:55,920
Speaker 1: will buy the pre chopped done ho much Wow? And

812
00:39:56,520 --> 00:39:58,799
Speaker 1: David Sidaris has this thing in a book like that

813
00:39:59,400 --> 00:40:04,239
Speaker 1: like his husband Hugh will we'll make like himself a

814
00:40:04,360 --> 00:40:08,280
Speaker 1: dinner like for one while he's alone, but he hates

815
00:40:09,600 --> 00:40:12,359
Speaker 1: going through He would rather like use his finger than

816
00:40:12,400 --> 00:40:16,239
Speaker 1: like dirty a spoon, you know, and I feel the same.

817
00:40:16,560 --> 00:40:19,719
Speaker 4: Well, we've I've gotten in some hot water before with

818
00:40:19,920 --> 00:40:23,040
Speaker 4: our with our listeners because I talked about how I

819
00:40:23,120 --> 00:40:24,320
Speaker 4: used the same cup.

820
00:40:24,200 --> 00:40:26,080
Speaker 1: For this was actually at a live show. I don't

821
00:40:26,080 --> 00:40:27,799
Speaker 1: think you've ever thought, wait, what do you mean like

822
00:40:27,880 --> 00:40:30,600
Speaker 1: I have a water glass, yes, and you keep it

823
00:40:30,600 --> 00:40:31,160
Speaker 1: by the sink.

824
00:40:31,640 --> 00:40:34,200
Speaker 2: I just that it gasps from the audience because you

825
00:40:34,239 --> 00:40:36,160
Speaker 2: said something, you said a phrase, an adjective that I

826
00:40:36,160 --> 00:40:37,640
Speaker 2: will never forget.

827
00:40:37,480 --> 00:40:45,480
Speaker 4: What gas gets cloudy eventually cloudy. Yeah, but it's my

828
00:40:45,600 --> 00:40:47,160
Speaker 4: glass and it's fine.

829
00:40:47,280 --> 00:40:50,360
Speaker 1: How many days do you think I'm not going to

830
00:40:51,200 --> 00:40:54,040
Speaker 1: see I I I probably use the water glass, like

831
00:40:54,280 --> 00:41:00,000
Speaker 1: two days. I'll go a little long ago. I'm probably

832
00:41:00,200 --> 00:41:04,320
Speaker 1: use three water glasses a day. Why my immune system

833
00:41:04,360 --> 00:41:06,840
Speaker 1: is so strong? And yeah, I use one glass.

834
00:41:07,160 --> 00:41:10,600
Speaker 4: Were you just in the hospital for the that's not

835
00:41:10,719 --> 00:41:12,920
Speaker 4: from the immunity, that's not from an inaction?

836
00:41:13,520 --> 00:41:15,400
Speaker 1: Maybe out? Oh my god, I would love it if

837
00:41:15,400 --> 00:41:17,360
Speaker 1: you've got to be the out and showed after the studio.

838
00:41:17,440 --> 00:41:18,400
Speaker 1: That would be incredible.

839
00:41:20,400 --> 00:41:24,799
Speaker 4: But yeah, I literally like like especially when we were

840
00:41:24,840 --> 00:41:27,560
Speaker 4: in our apartment here, and like I would go, I

841
00:41:27,560 --> 00:41:29,560
Speaker 4: would like, never wash it, and then I would just

842
00:41:29,560 --> 00:41:31,160
Speaker 4: like one day my cup would be missing and I'd

843
00:41:31,200 --> 00:41:32,759
Speaker 4: be like, be shure, where the hell is my cup?

844
00:41:33,080 --> 00:41:34,480
Speaker 4: And he'd be like, well, I washed it and then

845
00:41:34,520 --> 00:41:37,880
Speaker 4: drying rag and I'd be like, I've been looking everywhere

846
00:41:37,880 --> 00:41:43,880
Speaker 4: for it. He just surprise washes it. That's that's okay,

847
00:41:44,600 --> 00:41:45,360
Speaker 4: that's okay.

848
00:41:45,200 --> 00:41:48,879
Speaker 1: My shock is like, wait, but it gets cloudy because

849
00:41:48,880 --> 00:41:51,480
Speaker 1: it's smudged and like lip and fingerprints.

850
00:41:50,960 --> 00:41:53,440
Speaker 4: All whatever it and you know my nightly fiber.

851
00:41:54,760 --> 00:41:57,400
Speaker 2: Wait, this is the other thing that wait, you literally

852
00:41:57,400 --> 00:42:00,520
Speaker 2: put fiber in it, mix it and then keeping water

853
00:42:00,600 --> 00:42:01,480
Speaker 2: out of it without.

854
00:42:01,280 --> 00:42:08,680
Speaker 4: Reeah, water soluble, it gets it dissolves. You guys are

855
00:42:08,680 --> 00:42:09,799
Speaker 4: being so messed up.

856
00:42:10,160 --> 00:42:13,239
Speaker 1: I'm an audience of three hundred and fifty people at

857
00:42:13,280 --> 00:42:14,839
Speaker 1: the Mellhouse all walked out.

858
00:42:14,920 --> 00:42:18,360
Speaker 4: Well, George, it was in San Francisco. Yeah, yeah, so

859
00:42:18,520 --> 00:42:20,920
Speaker 4: get your facts right because facts matter.

860
00:42:21,520 --> 00:42:25,640
Speaker 2: Well, I'm sorry for making you feel insecure again.

861
00:42:25,840 --> 00:42:28,560
Speaker 1: Although it actually feels like you've never been more proud

862
00:42:28,600 --> 00:42:31,000
Speaker 1: of yourself. Well, I just you know, I know how

863
00:42:31,000 --> 00:42:32,080
Speaker 1: the media is gonna run with this.

864
00:42:33,160 --> 00:42:37,520
Speaker 4: How how often do you do dishes?

865
00:42:39,080 --> 00:42:39,879
Speaker 1: Oh? Once a week?

866
00:42:41,320 --> 00:42:45,040
Speaker 4: Same when I'm like living alone, Yeah, I once a week,

867
00:42:45,080 --> 00:42:45,960
Speaker 4: do them quite rarely.

868
00:42:46,040 --> 00:42:48,800
Speaker 1: Yeah, me too. Sometimes things really start to smell that

869
00:42:48,960 --> 00:42:49,480
Speaker 1: in my sink.

870
00:42:50,400 --> 00:42:53,080
Speaker 4: Yeah, I'll also like, if I'm doing like takeout lifestyle,

871
00:42:53,239 --> 00:42:55,640
Speaker 4: I like, I'm like, well, I didn't use a dish,

872
00:42:56,120 --> 00:42:57,200
Speaker 4: it won't take out lesle.

873
00:42:57,280 --> 00:43:00,600
Speaker 1: But then but then you know, a little seriou a dessert.

874
00:43:01,200 --> 00:43:03,799
Speaker 2: Oh of course, I'm literally turning into like Trey's mom

875
00:43:03,800 --> 00:43:05,879
Speaker 2: from Sex in the City. I'm about to send both

876
00:43:05,880 --> 00:43:08,360
Speaker 2: of you to what is it called.

877
00:43:08,200 --> 00:43:10,720
Speaker 1: Manners Manners Academy?

878
00:43:10,760 --> 00:43:14,200
Speaker 2: Manners manner, Yeah, Manner's manner.

879
00:43:14,520 --> 00:43:16,880
Speaker 1: Okay, so we have baby carrots, we have hotels, and

880
00:43:16,880 --> 00:43:19,600
Speaker 1: what was the third one? Old?

881
00:43:19,640 --> 00:43:21,879
Speaker 4: Please salad bar salad bar salad bar.

882
00:43:21,840 --> 00:43:25,120
Speaker 1: Okay to me, I would like to unpack hotels a

883
00:43:25,160 --> 00:43:25,520
Speaker 1: little bit.

884
00:43:25,560 --> 00:43:29,760
Speaker 2: Yeah, okay, okay, because you're staying in one now actually

885
00:43:30,120 --> 00:43:30,760
Speaker 2: that's true.

886
00:43:30,920 --> 00:43:34,160
Speaker 4: Oh my god, because I have a subletter now yeah, yeah,

887
00:43:34,200 --> 00:43:38,560
Speaker 4: shout out to my beautiful subletters. And I'm staying in

888
00:43:39,640 --> 00:43:44,399
Speaker 4: the pod Hotel Eliasburg. There's not a blind on one

889
00:43:44,440 --> 00:43:47,880
Speaker 4: of the windows and it's like facing the street. This

890
00:43:48,000 --> 00:43:49,400
Speaker 4: is not part of the point. I'm just sort of

891
00:43:49,480 --> 00:43:52,640
Speaker 4: painting a picture. Okay, I'll see it. And it's also

892
00:43:52,680 --> 00:43:54,440
Speaker 4: like the rooms like whatever. I'm just like people in

893
00:43:54,440 --> 00:43:57,480
Speaker 4: the street are seeming naked anyway, who cares, who cares?

894
00:43:57,560 --> 00:44:04,360
Speaker 1: Whatever? Lower East Side nineteen seventy nine. Don't tell people

895
00:44:04,360 --> 00:44:04,920
Speaker 1: where it is.

896
00:44:05,200 --> 00:44:08,319
Speaker 4: Oh well it's on Metropolitan and.

897
00:44:08,280 --> 00:44:10,400
Speaker 1: Okay, yeah, I guess. I mean, yeah, you won't be

898
00:44:10,400 --> 00:44:12,239
Speaker 1: there anywhere. I'll be gone by the time this comes out.

899
00:44:13,320 --> 00:44:16,680
Speaker 1: You'll be back. That's great. So you don't think hotels

900
00:44:16,719 --> 00:44:21,680
Speaker 1: are I think they're I think they're straight inspired by gay.

901
00:44:22,040 --> 00:44:26,480
Speaker 4: I think the straightness comes from the like sanitization of them.

902
00:44:26,560 --> 00:44:28,520
Speaker 4: Sure where it's like every room is the same, but

903
00:44:28,560 --> 00:44:31,279
Speaker 4: there's convenient. It's convenience and you can come and then

904
00:44:31,280 --> 00:44:32,319
Speaker 4: you can you can leave.

905
00:44:32,560 --> 00:44:33,600
Speaker 1: Well, make it easy, don't.

906
00:44:33,719 --> 00:44:38,480
Speaker 4: Offend, like everything's like this is technically a decoration, but

907
00:44:38,520 --> 00:44:41,320
Speaker 4: it's not. You can cheat on your wife here exactly.

908
00:44:41,600 --> 00:44:44,560
Speaker 2: Well, it's based on gay because it's like a straight

909
00:44:44,600 --> 00:44:47,160
Speaker 2: structure is a family home, a family suburban home, and

910
00:44:47,120 --> 00:44:50,080
Speaker 2: then anything the farther away from that you get the

911
00:44:50,120 --> 00:44:52,760
Speaker 2: gay or you get so a hotel. You are unmoored

912
00:44:52,840 --> 00:44:56,560
Speaker 2: from your biological family. You are in fact not in

913
00:44:56,600 --> 00:45:00,520
Speaker 2: your hometown. You are a visitor tran Insians.

914
00:45:02,640 --> 00:45:07,960
Speaker 1: And then also like concierge, like that's being like we

915
00:45:08,040 --> 00:45:10,080
Speaker 1: need a gay guy to tell us where to go

916
00:45:10,280 --> 00:45:15,080
Speaker 1: totally where's good to get Italian? A little queer where yeah,

917
00:45:15,120 --> 00:45:17,000
Speaker 1: where should we're good to get Italian? He's like, oh

918
00:45:17,040 --> 00:45:18,759
Speaker 1: my god, they have the best catch up down the

919
00:45:18,760 --> 00:45:21,560
Speaker 1: street exactly. Oh, here's what you're going to want to do.

920
00:45:21,960 --> 00:45:25,480
Speaker 1: You're going to want to go uptown by yourself. And

921
00:45:25,480 --> 00:45:27,200
Speaker 1: then they like walk out the door and the duds

922
00:45:27,280 --> 00:45:28,480
Speaker 1: like you hear the boy.

923
00:45:30,760 --> 00:45:34,759
Speaker 4: Like, we do not have that at our house back

924
00:45:34,840 --> 00:45:35,600
Speaker 4: in Batesville.

925
00:45:35,960 --> 00:45:45,120
Speaker 1: Batesville a small town, nexic goon town had great girl.

926
00:45:48,080 --> 00:45:50,600
Speaker 2: So yes, and then I also think the thing that

927
00:45:50,600 --> 00:45:55,799
Speaker 2: makes the tael straight is business conference culture kind of

928
00:45:55,880 --> 00:45:59,560
Speaker 2: because uh, conferences and business trips are sort of like

929
00:45:59,680 --> 00:46:05,520
Speaker 2: the the life cruising of straight. Yes, yeah, like there

930
00:46:05,600 --> 00:46:09,200
Speaker 2: is something. It's sort of like take sexual liberation and

931
00:46:09,239 --> 00:46:12,360
Speaker 2: make it depressing, and it's like two people wearing like

932
00:46:12,400 --> 00:46:14,920
Speaker 2: a woman in a skirtsuit and a man who has

933
00:46:14,960 --> 00:46:18,520
Speaker 2: like untucked get this his dress shirt and they are

934
00:46:19,280 --> 00:46:22,880
Speaker 2: flirting at the little open bar, and when I say open,

935
00:46:23,040 --> 00:46:24,560
Speaker 2: you got one drink for fan after.

936
00:46:24,320 --> 00:46:26,800
Speaker 1: That, and you have to present like your little ticket

937
00:46:26,840 --> 00:46:30,719
Speaker 1: to go. We're talking lanyard, lanyard, We're talking lanyard, We're

938
00:46:30,719 --> 00:46:34,799
Speaker 1: talking salad bar, We're talking baby carrots on dispaby carrots

939
00:46:35,200 --> 00:46:36,400
Speaker 1: wow display.

940
00:46:36,360 --> 00:46:41,640
Speaker 4: Yeah, that type of environment, unfortunately, still speaks to me.

941
00:46:42,920 --> 00:46:44,440
Speaker 4: So I'm sure I wish I could be.

942
00:46:44,640 --> 00:46:45,360
Speaker 1: I love hotel.

943
00:46:45,440 --> 00:46:49,839
Speaker 4: Look, I love hotels. You more than anyone, more than anyone.

944
00:46:50,440 --> 00:46:51,080
Speaker 1: I love hotel.

945
00:46:51,160 --> 00:46:53,479
Speaker 4: The amount you hate dishes is the amount you love.

946
00:46:54,080 --> 00:46:56,240
Speaker 2: I mean, of course, the dream is like not paying,

947
00:46:56,320 --> 00:46:58,400
Speaker 2: Like if someone could pay for me to stay at

948
00:46:58,400 --> 00:47:02,359
Speaker 2: a hotel, Yes, and I got room, serve everything for free. Yeah,

949
00:47:02,520 --> 00:47:04,319
Speaker 2: you just you don't have to. You don't have any

950
00:47:04,440 --> 00:47:06,040
Speaker 2: of the responsibilities of your normal life.

951
00:47:06,120 --> 00:47:11,440
Speaker 4: Yeah, do our boutique hotels LGBTQ plus.

952
00:47:11,480 --> 00:47:13,920
Speaker 2: I mean this is complicated because boutik hotels are sort

953
00:47:13,920 --> 00:47:17,600
Speaker 2: of like anything that is kind of like gentrification adjacent.

954
00:47:17,680 --> 00:47:19,680
Speaker 2: It's like it starts how gay and then it becomes straight.

955
00:47:19,760 --> 00:47:22,600
Speaker 2: That's just for the circle of life. Yeah, it's like

956
00:47:22,680 --> 00:47:24,680
Speaker 2: saying like our I don't know.

957
00:47:25,000 --> 00:47:29,040
Speaker 1: Boutique hotels were like gay people trying to pull it back, Yeah, exactly,

958
00:47:29,239 --> 00:47:32,040
Speaker 1: and then straight people were like this is sorry. Yeah,

959
00:47:32,040 --> 00:47:37,360
Speaker 1: They're like sorry you putting here? Yeah? Yeah. And also

960
00:47:37,360 --> 00:47:41,520
Speaker 1: I'm secretly Mormon. Maybe not. Don't you think that is

961
00:47:41,560 --> 00:47:44,839
Speaker 1: like a circle. It's like that you get gay gay

962
00:47:44,880 --> 00:47:46,279
Speaker 1: gay gay gay, and then you go right back to

963
00:47:46,320 --> 00:47:50,160
Speaker 1: mommy blogger. Yes, but aesthetically yeah, ooh, so what do

964
00:47:50,200 --> 00:47:56,719
Speaker 1: you think the next hm mommy is mommy blogger the

965
00:47:56,760 --> 00:48:01,520
Speaker 1: new aesthetic? I mean I sort of think are you

966
00:48:01,520 --> 00:48:04,839
Speaker 1: going to be seeing that on the runway? They are

967
00:48:05,080 --> 00:48:09,240
Speaker 1: let's talk let's let's talk fashion, Let's talk fall fashion.

968
00:48:09,320 --> 00:48:12,120
Speaker 4: Finally, what are we going to be seeing? We're seeing

969
00:48:12,160 --> 00:48:19,759
Speaker 4: We're singing mommyl baby carrot, baby vehicles, hybrid.

970
00:48:19,480 --> 00:48:22,000
Speaker 1: Vehicles, salad bar.

971
00:48:25,360 --> 00:48:32,560
Speaker 4: We're seeing tongs from the salad bar. We are cameras everywhere, everywhere.

972
00:48:32,560 --> 00:48:32,799
Speaker 1: Where.

973
00:48:32,840 --> 00:48:37,760
Speaker 2: It's commentary on surveillance, baby carrot, earrings, no clothes, walk,

974
00:48:37,920 --> 00:48:39,879
Speaker 2: bitch walk and read this.

975
00:48:39,920 --> 00:48:40,640
Speaker 1: Kindle walk.

976
00:48:42,320 --> 00:48:44,640
Speaker 4: And a big make it makes sense in the sign

977
00:48:45,160 --> 00:48:46,480
Speaker 4: that yeah, everyone.

978
00:48:46,160 --> 00:48:47,400
Speaker 1: In America makes sense again.

979
00:48:47,880 --> 00:48:50,760
Speaker 2: Everyone holding fake protest signs like in the Kendle commercial,

980
00:48:50,800 --> 00:48:51,920
Speaker 2: but they all say different.

981
00:48:52,000 --> 00:48:53,000
Speaker 1: Internet slang terms.

982
00:48:53,200 --> 00:48:56,200
Speaker 2: If someone's holding a science says blur, someone holding a

983
00:48:56,239 --> 00:48:58,640
Speaker 2: sign that says the interwebs.

984
00:48:58,200 --> 00:49:01,160
Speaker 4: Huh wow yeah hashtag me thinks.

985
00:49:01,680 --> 00:49:06,440
Speaker 2: I think someone uh painted in blood the methinks movements

986
00:49:06,480 --> 00:49:08,640
Speaker 2: over on their bare chest.

987
00:49:10,239 --> 00:49:11,839
Speaker 1: Yeah, so what's something? Yeah?

988
00:49:11,880 --> 00:49:13,680
Speaker 4: What what's like what we're gonna see on the runway?

989
00:49:13,680 --> 00:49:16,319
Speaker 1: Well, like this, for example, what's so straight it's going

990
00:49:16,360 --> 00:49:20,239
Speaker 1: to be attacking me? No, I'm not attacking you. I'm

991
00:49:20,280 --> 00:49:28,600
Speaker 1: merely suggesting maybe it's time for you to be attacked that.

992
00:49:29,120 --> 00:49:33,879
Speaker 4: So, yeah, what's not what's to appropriate from straight people?

993
00:49:34,000 --> 00:49:36,960
Speaker 2: Yes, Corla is playing into Sam's camo.

994
00:49:37,080 --> 00:49:38,879
Speaker 4: You know what I think it is actually what old

995
00:49:38,960 --> 00:49:41,080
Speaker 4: Navy core, Old Navy core.

996
00:49:41,160 --> 00:49:43,839
Speaker 1: Is going to be now gay. Yeah. So you mean

997
00:49:43,880 --> 00:49:49,840
Speaker 1: ill fitting jeans and like pol do you remember that, yes, performance,

998
00:49:49,960 --> 00:49:51,520
Speaker 1: old Navy performance.

999
00:49:51,800 --> 00:49:55,800
Speaker 4: And god the ninetieth Could you see the like little

1000
00:49:56,160 --> 00:49:59,520
Speaker 4: like a fourth of July T shirt that's like too small?

1001
00:50:01,000 --> 00:50:02,959
Speaker 2: Hmm, Wait what do you mean fourth of July T shirt?

1002
00:50:03,000 --> 00:50:05,440
Speaker 4: Like America Old Navy always would put out like a

1003
00:50:05,560 --> 00:50:08,440
Speaker 4: yearly fourth of July. Oh, I've never oh, I would

1004
00:50:08,440 --> 00:50:10,239
Speaker 4: wait every day on the third of July.

1005
00:50:10,440 --> 00:50:12,919
Speaker 1: Just it was It's like when they announced the met Golf,

1006
00:50:13,960 --> 00:50:16,839
Speaker 1: I was like, what's this year's old? Maybe fourth of July?

1007
00:50:16,960 --> 00:50:20,160
Speaker 1: T O, my god, A little like plastic flip flop?

1008
00:50:20,320 --> 00:50:24,000
Speaker 1: Oh put that on the right babys, beanie babies.

1009
00:50:24,400 --> 00:50:26,520
Speaker 4: I don't know what do you think straight people are

1010
00:50:26,520 --> 00:50:27,800
Speaker 4: going to or gave people are gonna.

1011
00:50:27,880 --> 00:50:32,879
Speaker 2: Okay, no, this is actually a really good question. I mean,

1012
00:50:33,080 --> 00:50:34,960
Speaker 2: do you think it's been long enough flip flop wise

1013
00:50:35,000 --> 00:50:37,680
Speaker 2: that Havayana's are going to make an iron What the

1014
00:50:37,719 --> 00:50:40,640
Speaker 2: hell is that? The plastic rubber flip flops with the

1015
00:50:40,640 --> 00:50:41,560
Speaker 2: Brazilian flag on them?

1016
00:50:41,600 --> 00:50:41,799
Speaker 1: You know?

1017
00:50:42,000 --> 00:50:43,120
Speaker 4: Oh?

1018
00:50:43,160 --> 00:50:46,120
Speaker 1: Sure, wait with the Brazilian flag. Yeah, that's the one

1019
00:50:46,160 --> 00:50:50,120
Speaker 1: with the X. And then yeah, wait is this not

1020
00:50:50,400 --> 00:50:54,200
Speaker 1: have I never heard of this? I'm showing everyone maybe

1021
00:50:54,200 --> 00:50:57,000
Speaker 1: in Greece, Yeah, maybe it didn't make it over here. Yeah,

1022
00:50:57,440 --> 00:50:58,280
Speaker 1: oh this is crazy.

1023
00:50:59,000 --> 00:51:04,000
Speaker 4: Oh so amazing that we're different differently. But what I

1024
00:51:04,040 --> 00:51:05,640
Speaker 4: love that, George, is like talking with yourselves and then

1025
00:51:05,640 --> 00:51:06,080
Speaker 4: we got.

1026
00:51:05,960 --> 00:51:09,440
Speaker 2: Completely these No, these mean nothing.

1027
00:51:09,239 --> 00:51:12,319
Speaker 4: To you, They mean absolutely nothing to me.

1028
00:51:12,840 --> 00:51:13,680
Speaker 1: They mean nothing to me.

1029
00:51:13,960 --> 00:51:16,240
Speaker 4: Is I've never I've never seen that woman in my life.

1030
00:51:16,520 --> 00:51:18,680
Speaker 1: I don't know her, and I don't claim to know her.

1031
00:51:19,920 --> 00:51:23,680
Speaker 2: Well, maybe they were completely euro and now Americans are

1032
00:51:23,680 --> 00:51:25,839
Speaker 2: going to discover them warehouse men.

1033
00:51:26,200 --> 00:51:28,520
Speaker 4: Are we going to start going there? I actually, I

1034
00:51:28,520 --> 00:51:31,560
Speaker 4: mean I think there's a world in which like sort

1035
00:51:31,600 --> 00:51:35,840
Speaker 4: of a nineties businessman's suit comes back.

1036
00:51:36,600 --> 00:51:37,960
Speaker 1: I think that's already ready back.

1037
00:51:37,960 --> 00:51:41,319
Speaker 2: I think, in fact, the issue is at some point

1038
00:51:41,400 --> 00:51:44,760
Speaker 2: it's going to go back to skinny pant and.

1039
00:51:44,840 --> 00:51:46,800
Speaker 4: I, oh, are we? Are we going back?

1040
00:51:47,400 --> 00:51:50,440
Speaker 2: Because trends are so quick. Now you know, you think

1041
00:51:50,480 --> 00:51:51,080
Speaker 2: you're safe.

1042
00:51:51,440 --> 00:51:53,399
Speaker 1: You think you're safe The second I buy a pair

1043
00:51:53,440 --> 00:51:56,720
Speaker 1: of shoes their last season, toss them right in the garbage.

1044
00:51:56,760 --> 00:51:59,440
Speaker 2: The moment I get home, remember how I legally blonde?

1045
00:51:59,560 --> 00:52:02,200
Speaker 2: It literally it hinged is on the gay guy being like,

1046
00:52:02,280 --> 00:52:05,399
Speaker 2: don't you you know, tap your last season produt shoes

1047
00:52:05,400 --> 00:52:05,640
Speaker 2: at me?

1048
00:52:05,880 --> 00:52:08,280
Speaker 1: And then she's like, last season product, last season product.

1049
00:52:08,560 --> 00:52:09,120
Speaker 1: He's gay?

1050
00:52:09,520 --> 00:52:11,280
Speaker 4: Yeah yeah, yeah, yeah.

1051
00:52:11,280 --> 00:52:14,960
Speaker 1: It's a very my cousin Vinnie, Yeah yeah yeah. But

1052
00:52:15,000 --> 00:52:22,960
Speaker 1: they're queering that we've we've been through the Sopranos. Yeah,

1053
00:52:23,400 --> 00:52:27,160
Speaker 1: what's the show girls? Okay, here's something.

1054
00:52:27,400 --> 00:52:31,200
Speaker 2: What if it is like guy news radio, gay guys

1055
00:52:31,239 --> 00:52:35,319
Speaker 2: growing out their hair and having big blowouts, growing out

1056
00:52:35,320 --> 00:52:40,040
Speaker 2: there yeah, like they literally have Christian woman at the blowout.

1057
00:52:40,120 --> 00:52:42,680
Speaker 1: This is what's something that John really calls TV hair

1058
00:52:42,760 --> 00:52:46,719
Speaker 1: where it's like, yes, it goes down, then yeah, it's

1059
00:52:46,840 --> 00:52:51,760
Speaker 1: Deborah mess down and then like five curls in front

1060
00:52:52,480 --> 00:52:57,080
Speaker 1: and every woman on television has that hair. So maybe

1061
00:52:57,080 --> 00:52:59,240
Speaker 1: the issue maybe like next.

1062
00:52:59,080 --> 00:53:03,239
Speaker 4: Year, are three of us going to be here with that?

1063
00:53:03,840 --> 00:53:04,279
Speaker 4: What if?

1064
00:53:04,400 --> 00:53:06,239
Speaker 1: I don't know. I do think that is kind of

1065
00:53:06,239 --> 00:53:08,960
Speaker 1: the last friend here is more when we return, sorry,

1066
00:53:09,120 --> 00:53:12,040
Speaker 1: and we're back, and we're back, and more when we

1067
00:53:12,080 --> 00:53:14,040
Speaker 1: return because gay guys welcome back.

1068
00:53:14,080 --> 00:53:17,160
Speaker 2: It's the only hairstyle gay guys haven't tried is long

1069
00:53:17,280 --> 00:53:18,480
Speaker 2: beach waves.

1070
00:53:18,239 --> 00:53:19,520
Speaker 4: Long beachways.

1071
00:53:19,640 --> 00:53:22,280
Speaker 1: Yeah, that could be something.

1072
00:53:22,560 --> 00:53:24,960
Speaker 4: I don't think that could be. No, no, I can't,

1073
00:53:25,040 --> 00:53:25,920
Speaker 4: I can't follow.

1074
00:53:26,640 --> 00:53:30,719
Speaker 1: Well, that's why it's so, that's why this is This

1075
00:53:31,120 --> 00:53:33,560
Speaker 1: is where innovation is born. Is you think, oh, I

1076
00:53:33,600 --> 00:53:36,400
Speaker 1: can't picture that at all, and then lo and behold

1077
00:53:36,800 --> 00:53:40,320
Speaker 1: all of a sudden, Oh crocs. I get it, it's ironic.

1078
00:53:40,400 --> 00:53:43,239
Speaker 4: But they're like, I think it's just going to be

1079
00:53:43,280 --> 00:53:47,759
Speaker 4: too hard for the upkeep, the upkeep to commit to

1080
00:53:48,680 --> 00:53:52,560
Speaker 4: growing your hair out. I think you know, you know,

1081
00:53:52,800 --> 00:53:54,759
Speaker 4: the gay guy lifestyle so go, go, go, you.

1082
00:53:54,719 --> 00:54:00,359
Speaker 1: Know, and they just want something that's easy, messy buns

1083
00:54:01,280 --> 00:54:02,480
Speaker 1: that we've we've already done done.

1084
00:54:03,480 --> 00:54:05,239
Speaker 2: Wow, it's crazy that we can't think of a single

1085
00:54:05,320 --> 00:54:07,040
Speaker 2: thing that's going to be a new gay gay trend.

1086
00:54:07,560 --> 00:54:10,280
Speaker 1: Somebody's got to think of one. Cole Well, my prediction.

1087
00:54:11,640 --> 00:54:12,920
Speaker 1: My prediction was sideburns.

1088
00:54:12,960 --> 00:54:15,800
Speaker 2: Remember I said, the new facial hair trend.

1089
00:54:16,320 --> 00:54:19,719
Speaker 1: It's the only one we have for a wig.

1090
00:54:19,800 --> 00:54:24,400
Speaker 4: But yeah, I had. I had huge sideburns in high school.

1091
00:54:24,600 --> 00:54:28,879
Speaker 1: Oh yeah, and blue black hair. Oh yeah, that must

1092
00:54:28,920 --> 00:54:31,279
Speaker 1: have been pretty. I was pretty out there.

1093
00:54:32,440 --> 00:54:34,800
Speaker 4: I was willing to go there as a kid, you know,

1094
00:54:35,160 --> 00:54:36,760
Speaker 4: like I took those risks.

1095
00:54:37,640 --> 00:54:40,520
Speaker 2: Do you find yourself slipping into that at as you're

1096
00:54:41,080 --> 00:54:43,040
Speaker 2: like doing promo for the show?

1097
00:54:44,400 --> 00:54:44,440
Speaker 1: No?

1098
00:54:44,840 --> 00:54:49,600
Speaker 2: No, no, only like that character and generally like the

1099
00:54:49,680 --> 00:54:53,000
Speaker 2: cliches of being interviewed, just being like, you know, I.

1100
00:54:53,080 --> 00:54:57,000
Speaker 4: Knew I was fun because no one else would would

1101
00:54:57,120 --> 00:54:57,880
Speaker 4: know that I was kidding.

1102
00:54:58,760 --> 00:55:00,960
Speaker 1: I see here amongst family.

1103
00:55:01,400 --> 00:55:02,759
Speaker 2: Dare I say, and you don't want to take the

1104
00:55:02,840 --> 00:55:04,600
Speaker 2: risk of someone thinking or being earnest?

1105
00:55:04,840 --> 00:55:09,000
Speaker 1: No? Absolutely, Wait, I just realized. I went to the

1106
00:55:09,080 --> 00:55:14,120
Speaker 1: Sistine Chapel a year ago. Okay, to pray more on

1107
00:55:14,200 --> 00:55:18,600
Speaker 1: that later, but it was I thought it was so ugly. Really,

1108
00:55:18,680 --> 00:55:22,960
Speaker 1: oh because they you know, they take they cleaned it

1109
00:55:23,560 --> 00:55:27,759
Speaker 1: in the nineties. Yeah. Oh, and the colors of its

1110
00:55:28,160 --> 00:55:31,160
Speaker 1: modern well no, it's like nineties Italian, like New Jersey

1111
00:55:31,239 --> 00:55:35,319
Speaker 1: Italian restaurant. Oh, because it's too right, it's so bright and.

1112
00:55:35,520 --> 00:55:38,080
Speaker 4: Like and that's why I never watched my cup And

1113
00:55:38,239 --> 00:55:38,799
Speaker 4: this is why.

1114
00:55:40,960 --> 00:55:43,759
Speaker 1: And I realized, like, oh, that's where that aesthetic came

1115
00:55:43,840 --> 00:55:47,040
Speaker 1: from from, like nineties Italian restaurants, because the Sistine Chapel

1116
00:55:47,080 --> 00:55:50,840
Speaker 1: had just been cleaned and it was like exciting, and

1117
00:55:50,960 --> 00:55:54,440
Speaker 1: so then everyone was like, let's do that in our restaurant.

1118
00:55:55,200 --> 00:55:58,040
Speaker 4: Nineties Italian restaurants are based on the Sistine Chapel.

1119
00:55:58,200 --> 00:55:59,879
Speaker 1: That makes sense to me. That makes sense.

1120
00:56:00,040 --> 00:56:04,200
Speaker 2: It certainly is based on good morning, Wake Wake up America.

1121
00:56:04,480 --> 00:56:10,000
Speaker 4: I hope you're listening. Take notes, take notes. Okay, wow, wow,

1122
00:56:10,239 --> 00:56:12,279
Speaker 4: this is what happens when you sleep. So when you

1123
00:56:12,400 --> 00:56:15,120
Speaker 4: go there and you're like, this is ugly, you know

1124
00:56:15,320 --> 00:56:17,000
Speaker 4: what did that feel like for you? Were you like,

1125
00:56:17,239 --> 00:56:19,359
Speaker 4: you know what, good because the church has enough as

1126
00:56:19,360 --> 00:56:20,680
Speaker 4: it is, or were you like, damn, I was really

1127
00:56:20,680 --> 00:56:21,560
Speaker 4: hoping to be moved today.

1128
00:56:21,760 --> 00:56:24,080
Speaker 1: I was really hoping to be moved. And I'll be honest.

1129
00:56:24,719 --> 00:56:28,399
Speaker 1: My friend Claudia Odaugherty, who I was there with, fell

1130
00:56:28,480 --> 00:56:30,600
Speaker 1: asleep in the Steam Chapel.

1131
00:56:30,640 --> 00:56:32,800
Speaker 4: I fell asleep in the Systeine Chapel. It was it

1132
00:56:32,920 --> 00:56:35,440
Speaker 4: was a long you just like tore you sit down,

1133
00:56:35,640 --> 00:56:37,920
Speaker 4: you can sit down, you can sit down. And it

1134
00:56:38,080 --> 00:56:39,919
Speaker 4: was this long hour's long tour.

1135
00:56:40,280 --> 00:56:41,239
Speaker 1: It was so hot and we.

1136
00:56:41,280 --> 00:56:43,560
Speaker 4: Were just like okay, okay, yes, all this stuff, all

1137
00:56:43,560 --> 00:56:45,560
Speaker 4: this stuff, we just want to see that damn roof

1138
00:56:46,000 --> 00:56:47,040
Speaker 4: you're ceiling, okay.

1139
00:56:47,680 --> 00:56:49,960
Speaker 1: And we got there and it was so like warm,

1140
00:56:50,800 --> 00:56:54,520
Speaker 1: and you fell asleep and then you're like okay, yeah.

1141
00:56:55,200 --> 00:56:58,400
Speaker 1: Literally we had eaten like six hot creamy meals and

1142
00:57:00,280 --> 00:57:02,880
Speaker 1: just like full of cheese. It's like a marathon.

1143
00:57:03,040 --> 00:57:06,200
Speaker 4: People were just handing you cups of warm warm.

1144
00:57:07,040 --> 00:57:11,680
Speaker 1: Yeah. Well that's too bad. Yeah, it's okay. I just

1145
00:57:11,800 --> 00:57:14,960
Speaker 1: wanted to And it is tough. That is something up.

1146
00:57:14,960 --> 00:57:17,160
Speaker 2: When you build something up and then you're disappointed by it.

1147
00:57:17,280 --> 00:57:20,040
Speaker 1: You know. Any notes for the Sistine Chapel workers, keep

1148
00:57:20,080 --> 00:57:24,800
Speaker 1: it dirty. Stop scrubbing it, because they left a little

1149
00:57:24,920 --> 00:57:28,360
Speaker 1: patch dirty to show you, like, and this is what

1150
00:57:28,480 --> 00:57:31,440
Speaker 1: it looked like, and I was like, yes, the agent,

1151
00:57:31,560 --> 00:57:34,479
Speaker 1: it was the filter that it needed. Yeah, a Valencia filter,

1152
00:57:34,880 --> 00:57:37,600
Speaker 1: Yes it was. Which filter would I say it was?

1153
00:57:37,640 --> 00:57:39,680
Speaker 1: Oh my god, oh my god? Okay, I would say

1154
00:57:39,760 --> 00:57:46,640
Speaker 1: new York. Honestly, put the New York filter on this chapel.

1155
00:57:46,920 --> 00:57:49,560
Speaker 1: It'll really really be better. I know it sounds crazy,

1156
00:57:50,200 --> 00:57:50,800
Speaker 1: but it's time.

1157
00:57:51,400 --> 00:57:52,960
Speaker 2: I've only lived here for three years, but I do

1158
00:57:53,080 --> 00:57:57,080
Speaker 2: actually feel like a New York like to get a

1159
00:57:57,200 --> 00:58:01,680
Speaker 2: ninety nine cents light. I'm like, okay, to be fair,

1160
00:58:01,760 --> 00:58:02,400
Speaker 2: she's right.

1161
00:58:03,040 --> 00:58:07,920
Speaker 1: Yeah, I feel my family has never visited, and I

1162
00:58:08,080 --> 00:58:12,880
Speaker 1: don't ever want them to because when I see people

1163
00:58:12,960 --> 00:58:16,200
Speaker 1: with their families, like on the train or like walking around,

1164
00:58:18,120 --> 00:58:20,760
Speaker 1: it's painful. No, it makes me so angry actually, or

1165
00:58:20,840 --> 00:58:23,520
Speaker 1: it makes me it makes my heart hurt. Yeah, because

1166
00:58:24,160 --> 00:58:27,360
Speaker 1: the you're immediately a child when you're showing your parents

1167
00:58:27,440 --> 00:58:28,360
Speaker 1: the city and you're like, this.

1168
00:58:28,520 --> 00:58:31,040
Speaker 4: Is my city, mom, look like we like, I just

1169
00:58:31,200 --> 00:58:34,800
Speaker 4: like eat here every day and it's really well.

1170
00:58:34,840 --> 00:58:38,160
Speaker 2: Also, it makes you to show your surroundings to anyone

1171
00:58:38,560 --> 00:58:43,880
Speaker 2: really puts into focus how like uninteresting most daily lives are.

1172
00:58:44,000 --> 00:58:45,360
Speaker 2: It's like you're showing someone.

1173
00:58:45,400 --> 00:58:47,680
Speaker 1: The coffee shop where you get your coffee. Yeah, like

1174
00:58:47,760 --> 00:58:52,200
Speaker 1: they have a really good cortado here. I like, and

1175
00:58:52,280 --> 00:58:55,200
Speaker 1: your mom's like, my niece, can I can I sit here?

1176
00:58:55,640 --> 00:58:57,480
Speaker 1: My knees backed an up, and.

1177
00:58:57,480 --> 00:58:57,840
Speaker 4: They're like.

1178
00:59:00,080 --> 00:59:03,880
Speaker 1: Like, mom, you know my friends never sit. Never sit.

1179
00:59:04,000 --> 00:59:08,600
Speaker 1: You don't sit in New York, Mama. I like my parents.

1180
00:59:08,840 --> 00:59:10,800
Speaker 4: The first time they visited was like I was maybe

1181
00:59:10,880 --> 00:59:15,520
Speaker 4: twenty five or something, and I like, in retrospect, I'm

1182
00:59:15,600 --> 00:59:17,560
Speaker 4: so embarrassed by the places that I was like, you

1183
00:59:17,840 --> 00:59:18,640
Speaker 4: have to see.

1184
00:59:18,520 --> 00:59:20,840
Speaker 1: This, yeah, because it was just like smack, It's like

1185
00:59:20,960 --> 00:59:25,320
Speaker 1: all macaroni and cheese restaurant and like being like, no,

1186
00:59:25,480 --> 00:59:28,280
Speaker 1: this bar is really cool. Yeah, and it's like why

1187
00:59:28,320 --> 00:59:31,720
Speaker 1: would they ever want a bar? They like dive. It

1188
00:59:31,880 --> 00:59:36,720
Speaker 1: just has the same feeling of like parents' weekend. I mean,

1189
00:59:36,800 --> 00:59:39,200
Speaker 1: there's a specific night I went to college, but I

1190
00:59:39,360 --> 00:59:43,919
Speaker 1: understand there there's still time. There's still there's still time

1191
00:59:44,040 --> 00:59:46,960
Speaker 1: I get that degree. Yeah, how would you cancel that?

1192
00:59:47,080 --> 00:59:50,560
Speaker 2: Artistic shows there is of course, nothing more moving in

1193
00:59:50,680 --> 00:59:54,080
Speaker 2: terms of storylines than older women going back to Oh

1194
00:59:54,200 --> 00:59:54,640
Speaker 2: my god.

1195
00:59:55,120 --> 00:59:58,240
Speaker 4: I mean this is not the same thing.

1196
00:59:58,320 --> 01:00:01,920
Speaker 1: But Margot Martindale in Paris, tim you know, going on

1197
01:00:02,040 --> 01:00:03,920
Speaker 1: that trip to Paris by herself. Oh my god, I

1198
01:00:03,920 --> 01:00:11,320
Speaker 1: don't remember that one I have seen. She's an older woman. Well,

1199
01:00:11,360 --> 01:00:13,439
Speaker 1: she's a woman of a certain age. She's a male

1200
01:00:13,520 --> 01:00:15,960
Speaker 1: carrier at home, and she's started taking French classes late

1201
01:00:16,000 --> 01:00:18,280
Speaker 1: in life. And then she goes she's always wanted to

1202
01:00:18,320 --> 01:00:21,960
Speaker 1: go to Paris. I'm gonna cry, you know what, I.

1203
01:00:23,760 --> 01:00:27,880
Speaker 4: George, I feel that an apology for what because when

1204
01:00:27,960 --> 01:00:35,120
Speaker 4: Cole says, you know, in whatever, I say, beautiful, but

1205
01:00:35,240 --> 01:00:40,240
Speaker 4: if you were to bring it up first, I would go, okay, okayens.

1206
01:00:40,760 --> 01:00:44,240
Speaker 2: And that is like to me, it's such a sort

1207
01:00:44,240 --> 01:00:46,560
Speaker 2: of like almost embarrassing part of like it's like I.

1208
01:00:46,680 --> 01:00:50,000
Speaker 1: Only know Margot Martindale's part. Yeah I've only seen that

1209
01:00:50,080 --> 01:00:50,520
Speaker 1: one clip.

1210
01:00:50,960 --> 01:00:55,000
Speaker 4: Yeah, okay, I've only seen that one clip. I don't

1211
01:00:55,040 --> 01:00:57,160
Speaker 4: know it, like I'm not like watching it, like I've

1212
01:00:57,240 --> 01:00:58,160
Speaker 4: never watched.

1213
01:00:57,880 --> 01:01:03,840
Speaker 1: Like is like, mommy blogger, I think it's that movie. Yeah,

1214
01:01:04,080 --> 01:01:08,640
Speaker 1: that's why I think it's Thatsia.

1215
01:01:09,480 --> 01:01:11,760
Speaker 2: Town, which we don't like, but we do know, like

1216
01:01:12,040 --> 01:01:14,360
Speaker 2: John Galliano being like it was inspired by.

1217
01:01:14,720 --> 01:01:22,760
Speaker 1: Margot Mark Yeah yeah, well yeah, so carrot.

1218
01:01:23,000 --> 01:01:25,640
Speaker 2: Baby carrots, baby carrots or hotels or hotels. No, we're

1219
01:01:25,640 --> 01:01:26,080
Speaker 2: doing hotels.

1220
01:01:26,080 --> 01:01:28,200
Speaker 1: We're doing hotels. Okay, so.

1221
01:01:29,880 --> 01:01:34,120
Speaker 2: All right, we've covered conferences, we've covered cruising, we've covered

1222
01:01:34,160 --> 01:01:35,520
Speaker 2: home away from home, cat a tear.

1223
01:01:35,800 --> 01:01:37,760
Speaker 4: We haven't cover the gay guy telling you where to go,

1224
01:01:37,960 --> 01:01:40,520
Speaker 4: the g guy telling you. Have covered the literal straight

1225
01:01:40,600 --> 01:01:44,480
Speaker 4: couple going to a hotel and instantly feeling like they're

1226
01:01:44,520 --> 01:01:48,120
Speaker 4: being sordid and kinky because they're not in their house.

1227
01:01:48,520 --> 01:01:50,480
Speaker 2: Well, and then of course the disappointment that comes after

1228
01:01:50,600 --> 01:01:54,200
Speaker 2: that of wherever you go there you are wow looking around.

1229
01:01:54,280 --> 01:01:56,920
Speaker 1: Wow, I guess we're actually not happy. By the way,

1230
01:01:56,920 --> 01:02:01,960
Speaker 1: can we talk about the Bible litter in every room? Yeah? Wait,

1231
01:02:02,080 --> 01:02:02,600
Speaker 1: why is that?

1232
01:02:02,840 --> 01:02:04,840
Speaker 2: That's why they started bautique hotels so they could put

1233
01:02:04,840 --> 01:02:09,439
Speaker 2: in a different but they were like Sally Rooney, Yeah,

1234
01:02:09,440 --> 01:02:12,000
Speaker 2: the Bible is I always think it's sort of charming

1235
01:02:12,080 --> 01:02:15,560
Speaker 2: that there are these leftover like Bible in a hotel room.

1236
01:02:16,240 --> 01:02:18,880
Speaker 2: To me is very like leftover from a different era

1237
01:02:19,360 --> 01:02:19,960
Speaker 2: in a way that I do.

1238
01:02:20,520 --> 01:02:24,680
Speaker 1: When men held the door men help, I think we're

1239
01:02:24,680 --> 01:02:26,520
Speaker 1: going to be seeing men holding the door open for

1240
01:02:26,600 --> 01:02:27,680
Speaker 1: you on the runway this season.

1241
01:02:28,160 --> 01:02:29,080
Speaker 4: We're going to see men.

1242
01:02:31,160 --> 01:02:38,680
Speaker 1: The door open around the corner. Clean Chapel ceilings clean,

1243
01:02:38,840 --> 01:02:42,520
Speaker 1: just guys being guys being guys, falling asleep in a

1244
01:02:42,640 --> 01:02:44,000
Speaker 1: stunning tourist destination.

1245
01:02:46,080 --> 01:02:51,040
Speaker 4: Yeah, I think this is obvious. I feel the the

1246
01:02:51,120 --> 01:02:54,600
Speaker 4: thing that gay people are gonna appropriate is Bible chain

1247
01:02:55,160 --> 01:03:01,200
Speaker 4: hotel Hilton. I think boutique hotels as like a fantasy

1248
01:03:01,800 --> 01:03:05,840
Speaker 4: is dead. It's like we are post Instagram. This goes

1249
01:03:05,880 --> 01:03:06,520
Speaker 4: along with me.

1250
01:03:07,160 --> 01:03:09,040
Speaker 1: Now, I'm like, if I'm ever on a red carpet,

1251
01:03:09,080 --> 01:03:10,760
Speaker 1: I'm gonna wear a dress made up. You know that

1252
01:03:10,880 --> 01:03:14,040
Speaker 1: credit card dress. Yes, Hilton honors.

1253
01:03:13,760 --> 01:03:17,400
Speaker 2: Car also gig chic gay guys like that work in fashion.

1254
01:03:17,520 --> 01:03:21,160
Speaker 2: Getting married ironically in a Hilton, I mean, I mean

1255
01:03:21,520 --> 01:03:23,360
Speaker 2: like overhead lighting Hiltons.

1256
01:03:23,720 --> 01:03:25,600
Speaker 4: There's something chic about that.

1257
01:03:25,800 --> 01:03:28,640
Speaker 1: Yeah. Terrible carpet, Like the carpet is so old.

1258
01:03:28,720 --> 01:03:29,640
Speaker 4: Yeah, what are those called?

1259
01:03:29,720 --> 01:03:34,160
Speaker 1: The like the the buffet, like the hot hot bar,

1260
01:03:34,440 --> 01:03:36,840
Speaker 1: the hot bars like with those little torches.

1261
01:03:37,200 --> 01:03:42,280
Speaker 2: Yeah, like chic gay guy wedding. And the food is

1262
01:03:42,360 --> 01:03:44,680
Speaker 2: a hot bar with like little sausage.

1263
01:03:44,320 --> 01:03:45,360
Speaker 1: Links, sausage links.

1264
01:03:45,720 --> 01:03:48,280
Speaker 4: Meal, it's breakfast, it's breakfast for dinner.

1265
01:03:48,360 --> 01:03:53,280
Speaker 2: It's breakfast for dinner, hard scrambled eggs, sausage link.

1266
01:03:53,360 --> 01:04:00,360
Speaker 1: Wedding wedding donuts meal with all the fixes, raisins, brown sugars,

1267
01:04:01,120 --> 01:04:04,040
Speaker 1: one serving fruit loops that you take off the little

1268
01:04:04,080 --> 01:04:10,000
Speaker 1: cover and but but instead of fruit loops, it's like

1269
01:04:10,240 --> 01:04:13,160
Speaker 1: the couples, like you know, like the little wedding rings

1270
01:04:13,320 --> 01:04:16,600
Speaker 1: Jared and and Emery or whatever their name is. And

1271
01:04:16,680 --> 01:04:19,000
Speaker 1: it's it's funny because it's like fruit loops. Yeah, it's

1272
01:04:20,240 --> 01:04:23,720
Speaker 1: that's hilarious. I'm laughing. They talk about blur it's bring

1273
01:04:23,840 --> 01:04:28,840
Speaker 1: your kids, bring your kids, which is yeah, that's bold,

1274
01:04:29,160 --> 01:04:29,600
Speaker 1: that's bold.

1275
01:04:29,640 --> 01:04:31,960
Speaker 4: I think that we're going to be this season on

1276
01:04:32,000 --> 01:04:33,080
Speaker 4: the right, We're going to see.

1277
01:04:33,040 --> 01:04:35,840
Speaker 1: Bringing kids fruit loops, but they're gay.

1278
01:04:36,040 --> 01:04:39,920
Speaker 4: Yes, the name Emory, Yeah, the name Memory is everywhere.

1279
01:04:40,320 --> 01:04:43,120
Speaker 2: Yeah, Hilton honors dirty carpet.

1280
01:04:43,280 --> 01:04:45,720
Speaker 4: But I do think there's something to this because, like

1281
01:04:46,160 --> 01:04:48,360
Speaker 4: you know, we've talked about the how we're in the

1282
01:04:48,480 --> 01:04:52,480
Speaker 4: Martini and mush peas era, and I think the next

1283
01:04:52,560 --> 01:04:54,760
Speaker 4: step of like what is gross that we can just

1284
01:04:54,920 --> 01:04:56,160
Speaker 4: pretend isn't anymore.

1285
01:04:57,080 --> 01:04:59,320
Speaker 1: It's that's because I tell food culture.

1286
01:04:59,480 --> 01:05:03,320
Speaker 2: Yes, I that's definitely one direction for the modern man.

1287
01:05:03,960 --> 01:05:07,200
Speaker 2: I almost think we've now gone so far into like

1288
01:05:07,400 --> 01:05:12,200
Speaker 2: appropriating trashy stuff direction. That being a full on pretentious,

1289
01:05:12,800 --> 01:05:16,040
Speaker 2: little pinky finger up gay guy is gonna come back.

1290
01:05:16,240 --> 01:05:18,640
Speaker 4: But I think with with a with a.

1291
01:05:21,720 --> 01:05:25,200
Speaker 1: With an eye towards like like remember those commercial I

1292
01:05:25,400 --> 01:05:29,120
Speaker 1: keep seeing these on the algorithm, the like Vienna coffee,

1293
01:05:29,320 --> 01:05:31,600
Speaker 1: like the little powdered Do you know what I'm talking about?

1294
01:05:31,680 --> 01:05:39,360
Speaker 1: The little coffee that comes in like instant coffee.

1295
01:05:39,760 --> 01:05:42,200
Speaker 4: No, wait, hold on, is this your version of whatever

1296
01:05:42,280 --> 01:05:46,440
Speaker 4: that sandal was? Oh my god, Oh I'm not you know,

1297
01:05:46,560 --> 01:05:46,959
Speaker 4: we're all.

1298
01:05:46,880 --> 01:05:51,400
Speaker 1: Living in our social media bubbles. Yeah, I'm thinking like, uh,

1299
01:05:52,440 --> 01:05:56,840
Speaker 1: like stuff that was marketed as fancy that you know,

1300
01:05:57,000 --> 01:05:58,240
Speaker 1: like the you know what.

1301
01:05:58,400 --> 01:06:00,840
Speaker 2: You know what's a great example of this is the cheese,

1302
01:06:01,720 --> 01:06:05,920
Speaker 2: like the you know those round red cheeses.

1303
01:06:06,080 --> 01:06:08,400
Speaker 1: Baby Bill? Is that? Yeah? Yeah yeah?

1304
01:06:08,680 --> 01:06:10,439
Speaker 2: Don't you feel like that was at some point market

1305
01:06:10,480 --> 01:06:11,680
Speaker 2: it is like fancy?

1306
01:06:11,920 --> 01:06:14,920
Speaker 1: Yeah? Yeah, yeah, yeah, now we know. It's like Briars

1307
01:06:15,160 --> 01:06:19,040
Speaker 1: ice cream was very like like Bernadette Peters and the commercials,

1308
01:06:19,120 --> 01:06:22,760
Speaker 1: like I guess basically it's certification. It's sort of wasp

1309
01:06:23,000 --> 01:06:26,200
Speaker 1: Upper East Side wasp culture that you can get at

1310
01:06:26,240 --> 01:06:28,800
Speaker 1: the super you can get the supermarket. Yeah, sure, like

1311
01:06:29,040 --> 01:06:31,560
Speaker 1: v like what was that ice cream? Cake. Do you

1312
01:06:31,600 --> 01:06:34,000
Speaker 1: know what I mean? That had like ribbons. It was

1313
01:06:34,040 --> 01:06:37,600
Speaker 1: like ribbons of ice cream. God, now aging myself here,

1314
01:06:38,280 --> 01:06:41,480
Speaker 1: I'm aging myself here. We're gonna this season on the Runway,

1315
01:06:41,600 --> 01:06:43,160
Speaker 1: aging yourself yourself.

1316
01:06:43,720 --> 01:06:47,800
Speaker 2: I also think no more minimal minimalist flatware.

1317
01:06:48,120 --> 01:06:51,200
Speaker 4: And uh, I see what you're saying. You're it's sort

1318
01:06:51,240 --> 01:06:52,720
Speaker 4: of capodim Swans.

1319
01:06:52,840 --> 01:06:54,600
Speaker 1: Yes, it's this season on the Runway.

1320
01:06:55,520 --> 01:07:00,520
Speaker 4: Swans, no flat no simp at the supermarket.

1321
01:07:00,760 --> 01:07:03,840
Speaker 1: Capodian is one that's at the supermarket in your ice

1322
01:07:03,880 --> 01:07:08,840
Speaker 1: cream y yeah, or like the fancy like TV Dinners.

1323
01:07:10,120 --> 01:07:16,160
Speaker 4: Was like you know, I know, like like that was like, uh,

1324
01:07:16,840 --> 01:07:18,800
Speaker 4: like that's what That's what we're going to see on

1325
01:07:18,800 --> 01:07:19,000
Speaker 4: the right.

1326
01:07:19,080 --> 01:07:20,919
Speaker 2: I mean, it's them from a conservatism because it's literally

1327
01:07:20,960 --> 01:07:23,520
Speaker 2: like when America, you know, in the public imagination when

1328
01:07:23,560 --> 01:07:25,800
Speaker 2: America was great was mad Men era.

1329
01:07:26,920 --> 01:07:29,040
Speaker 4: Well, but this is I'm even thinking of the nineties

1330
01:07:29,080 --> 01:07:29,720
Speaker 4: when those things.

1331
01:07:31,080 --> 01:07:31,440
Speaker 1: Jealous.

1332
01:07:33,400 --> 01:07:35,200
Speaker 2: That's sort of they've tried that so many times and

1333
01:07:35,280 --> 01:07:35,480
Speaker 2: it's not.

1334
01:07:35,880 --> 01:07:38,640
Speaker 1: I love jello salad though, really love it it, love

1335
01:07:38,680 --> 01:07:42,680
Speaker 1: the taste. Is that true? Yes, it's just Jello and

1336
01:07:43,280 --> 01:07:45,480
Speaker 1: this one of your characters. It's Jello and cool whip.

1337
01:07:45,840 --> 01:07:47,479
Speaker 1: I have a disgusting sweet tooth.

1338
01:07:47,840 --> 01:07:49,640
Speaker 4: Really, I love ambrosia salad.

1339
01:07:50,640 --> 01:07:53,480
Speaker 1: Oh, this is on the run. We ambrosa fruit cocktail

1340
01:07:53,720 --> 01:07:59,680
Speaker 1: with uh cool whip basically whoa and and sometimes marshmallows

1341
01:07:59,720 --> 01:08:05,920
Speaker 1: and try a coconut. Some people would do like pistachio

1342
01:08:06,040 --> 01:08:09,440
Speaker 1: pudding packet, like the powder from the put putting packet.

1343
01:08:09,840 --> 01:08:15,880
Speaker 1: Mix it in. You know, it's always in pustachios. These

1344
01:08:15,960 --> 01:08:18,280
Speaker 1: foods are giving. You've got me there, they're giving Grandma.

1345
01:08:19,080 --> 01:08:19,759
Speaker 4: I love Grandma.

1346
01:08:20,439 --> 01:08:29,599
Speaker 1: Shout out to grandma. Yeah, well look, yeah, we've figured

1347
01:08:29,640 --> 01:08:31,040
Speaker 1: it out so pretty much.

1348
01:08:31,080 --> 01:08:33,639
Speaker 4: Co Where can people buy tickets to your play? Well?

1349
01:08:34,160 --> 01:08:39,880
Speaker 1: Oh Mary, ohmaryplay dot com for the last week. Yeah,

1350
01:08:40,200 --> 01:08:44,880
Speaker 1: May fifth through twelfth and May twelfth, must and must

1351
01:08:45,080 --> 01:08:46,000
Speaker 1: and May twelfth.

1352
01:08:46,320 --> 01:08:48,400
Speaker 2: To be candid, this episode will come out when it's

1353
01:08:48,439 --> 01:08:49,599
Speaker 2: already sold out most likely.

1354
01:08:49,920 --> 01:08:51,840
Speaker 4: Well, that's true, and that you don't know.

1355
01:08:51,960 --> 01:08:54,320
Speaker 1: Okay, that's okay, that's okay.

1356
01:08:55,240 --> 01:08:56,479
Speaker 4: But maybe there will be one ticket.

1357
01:08:56,520 --> 01:08:58,240
Speaker 1: There will be one ticket left. D m us. No,

1358
01:08:58,360 --> 01:09:00,240
Speaker 1: please don't know just yet.

1359
01:09:00,280 --> 01:09:00,320
Speaker 4: Me.

1360
01:09:00,400 --> 01:09:02,040
Speaker 1: I can text call. We'll figure it out. We'll figure

1361
01:09:02,040 --> 01:09:04,120
Speaker 1: it out. Text call, we'll figure it out. If you listen,

1362
01:09:04,120 --> 01:09:06,080
Speaker 1: to this podcasts. You can get it getting there for free.

1363
01:09:06,320 --> 01:09:10,280
Speaker 4: Yeah, absolutely, and that's a stradio promise call.

1364
01:09:10,360 --> 01:09:11,639
Speaker 1: Do you think theater is too expensive?

1365
01:09:12,000 --> 01:09:17,479
Speaker 4: Yes, but say that, but it's also expensive to make.

1366
01:09:18,240 --> 01:09:22,080
Speaker 2: Oh okay, all right, okay, well considered, I don't know

1367
01:09:22,200 --> 01:09:23,800
Speaker 2: how how they do it in London?

1368
01:09:23,920 --> 01:09:25,719
Speaker 4: Then they don't pay people.

1369
01:09:27,520 --> 01:09:30,560
Speaker 1: Well do they pay people in New York? They not?

1370
01:09:30,680 --> 01:09:33,479
Speaker 4: From what I've heard, it depends on these damn unions.

1371
01:09:33,560 --> 01:09:38,519
Speaker 1: Oh my god, don't get me started. The government help well,

1372
01:09:38,560 --> 01:09:41,360
Speaker 1: I do think Well, the government subsidize in in in

1373
01:09:42,520 --> 01:09:45,960
Speaker 1: more in Europe and was funded by the Trump administration.

1374
01:09:46,120 --> 01:09:48,160
Speaker 4: Correct are we talking about that?

1375
01:09:51,360 --> 01:09:53,880
Speaker 2: Because like, from what I remember, it was a government.

1376
01:09:54,240 --> 01:09:55,320
Speaker 1: Why is it wrong?

1377
01:09:55,720 --> 01:09:59,160
Speaker 2: Like it's not and you said you wanted to change

1378
01:09:59,200 --> 01:10:01,200
Speaker 2: it from the ins what I understand?

1379
01:10:01,320 --> 01:10:02,000
Speaker 1: Yeah? Like how's that?

1380
01:10:02,920 --> 01:10:07,720
Speaker 4: Like? Like she's willing to listen. She gave you a

1381
01:10:07,760 --> 01:10:09,880
Speaker 4: lot of notes on the early versions of the show.

1382
01:10:10,960 --> 01:10:13,320
Speaker 1: Yeah, she did. It was she has a great eye.

1383
01:10:13,439 --> 01:10:15,240
Speaker 1: She has a great eye. She's like she doesn't no

1384
01:10:15,280 --> 01:10:16,160
Speaker 1: matter what your politics are.

1385
01:10:16,400 --> 01:10:21,320
Speaker 4: Funny yeah, funny. People forget that about Ivanka. She's funny.

1386
01:10:21,600 --> 01:10:25,080
Speaker 1: She'll always she's like burg like between every scene she's

1387
01:10:25,120 --> 01:10:28,120
Speaker 1: like blurg and like, okay, yes.

1388
01:10:28,920 --> 01:10:32,120
Speaker 4: Yeah, I did notice the blurg in your play, and

1389
01:10:32,280 --> 01:10:34,680
Speaker 4: I thought it felt it fell out of place, but

1390
01:10:34,720 --> 01:10:37,679
Speaker 4: it also felt that that was a Yeah.

1391
01:10:38,280 --> 01:10:40,800
Speaker 2: The rest of it had a very specific tone I

1392
01:10:41,120 --> 01:10:42,880
Speaker 2: recognize as quintessentially cool.

1393
01:10:43,760 --> 01:10:46,840
Speaker 4: Then there was that big monologue that so I guess

1394
01:10:47,000 --> 01:10:47,719
Speaker 4: I'm an adult.

1395
01:10:51,439 --> 01:10:54,840
Speaker 2: Yeah, there was a sort of you kept saying, should

1396
01:10:54,880 --> 01:10:55,599
Speaker 2: I get bangs?

1397
01:10:56,400 --> 01:10:58,679
Speaker 1: That was the punch that was okay, maybe that's a premise.

1398
01:10:58,880 --> 01:11:01,240
Speaker 4: Yeah, I mean, I'll never forget when Abe got shot

1399
01:11:01,280 --> 01:11:04,400
Speaker 4: in your play and you make it make it makes sense,

1400
01:11:04,680 --> 01:11:05,240
Speaker 4: it makes sense.

1401
01:11:05,360 --> 01:11:07,400
Speaker 2: Yeah, and then yeah, and then you're like, all right,

1402
01:11:07,439 --> 01:11:09,720
Speaker 2: well the moment's landed. Next scene starts, you go, So

1403
01:11:09,840 --> 01:11:14,640
Speaker 2: I guess that happened, I said, I said, okay, like

1404
01:11:14,760 --> 01:11:15,439
Speaker 2: some of this could have.

1405
01:11:15,479 --> 01:11:19,479
Speaker 4: Been very long, but it gets laughs every look the

1406
01:11:19,560 --> 01:11:20,840
Speaker 4: audience doesn't. Isn't wrong.

1407
01:11:22,800 --> 01:11:27,920
Speaker 1: Oh look, I wish it were uh much much cheaper

1408
01:11:28,280 --> 01:11:31,640
Speaker 1: to see theater. But I didn't understand the economics of

1409
01:11:31,960 --> 01:11:35,800
Speaker 1: like if a show costs something and there are only

1410
01:11:35,920 --> 01:11:40,000
Speaker 1: so many seats. Well, of course I didn't realize, like.

1411
01:11:40,360 --> 01:11:44,840
Speaker 2: No, for the issue is not yes, The issue is

1412
01:11:44,880 --> 01:11:47,920
Speaker 2: that none of it is subsidized by the government like

1413
01:11:47,960 --> 01:11:50,080
Speaker 2: in other countries. It's not that like people are evil

1414
01:11:50,120 --> 01:11:53,640
Speaker 2: and want to rob you blind, right, although I do.

1415
01:11:54,560 --> 01:11:57,439
Speaker 1: You know, this is my first ten million that I'm

1416
01:11:57,479 --> 01:11:58,280
Speaker 1: making from this.

1417
01:11:58,680 --> 01:12:00,880
Speaker 4: Right right, congrats on that, by the Yeah yeah, yeah, Well.

1418
01:12:00,800 --> 01:12:04,160
Speaker 1: Off Broadway is where you go to like cash cash in,

1419
01:12:04,640 --> 01:12:06,880
Speaker 1: Like I've worked hard, you put in the time, I've

1420
01:12:06,920 --> 01:12:09,840
Speaker 1: put in the time. I'm ready for that summer house.

1421
01:12:10,080 --> 01:12:13,800
Speaker 1: I'm ready for like like first class tickets, and like.

1422
01:12:13,880 --> 01:12:16,320
Speaker 4: Knowing that about yourself is like a huge part.

1423
01:12:16,479 --> 01:12:18,680
Speaker 1: It's a huge part of Off Broadway.

1424
01:12:18,479 --> 01:12:20,720
Speaker 4: Because like a lot of people like just don't even

1425
01:12:20,840 --> 01:12:23,440
Speaker 4: have the like they're like afraid of that success absolutely,

1426
01:12:23,680 --> 01:12:26,120
Speaker 4: and you're just like running towards those people go to Broadway.

1427
01:12:26,600 --> 01:12:27,120
Speaker 1: So sad.

1428
01:12:27,280 --> 01:12:28,400
Speaker 4: Yeah, I feel bad for them.

1429
01:12:29,360 --> 01:12:34,360
Speaker 1: I do too. Losers. Who's the biggest loser on Broadway? Yeah,

1430
01:12:34,360 --> 01:12:41,240
Speaker 1: who's the biggest loser on Probably audiences? Tim Tim Tim

1431
01:12:41,360 --> 01:12:45,880
Speaker 1: Tim gun is the biggest loser on broad Oh my god, yeah,

1432
01:12:46,120 --> 01:12:52,599
Speaker 1: like so wrong as roxy, Like just yeah, the name

1433
01:12:52,760 --> 01:12:57,920
Speaker 1: on everybody's design, the name on everybody's lips is gonna

1434
01:12:57,920 --> 01:13:02,280
Speaker 1: be rock. It's really okay this season on the runway.

1435
01:13:02,320 --> 01:13:07,640
Speaker 1: We're seeing Tim gun Tim, We're walking this season on

1436
01:13:07,720 --> 01:13:13,880
Speaker 1: the runway. We're seeing Tim Gunn walking as roxy. I'm

1437
01:13:13,920 --> 01:13:17,000
Speaker 1: giddy about that. I'm giddy about that's a great well.

1438
01:13:17,439 --> 01:13:17,920
Speaker 1: I love that.

1439
01:13:18,479 --> 01:13:22,800
Speaker 2: Maybe this is my oh Mary, oh Tim Tim. That

1440
01:13:22,840 --> 01:13:25,400
Speaker 2: would actually be sort of a good idea. Tim Gunn,

1441
01:13:26,040 --> 01:13:28,880
Speaker 2: you know, everyone loves him, America's most beloved sort of

1442
01:13:28,920 --> 01:13:31,840
Speaker 2: father figure. But then there's so much happening behind the scenes.

1443
01:13:32,240 --> 01:13:35,120
Speaker 1: Are we where's that phantom thread? Yeah? Exactly.

1444
01:13:36,240 --> 01:13:37,920
Speaker 2: You know, I have to say about Tim Gunn to

1445
01:13:37,920 --> 01:13:40,040
Speaker 2: be serious for a second. With all these gay guys

1446
01:13:40,080 --> 01:13:43,960
Speaker 2: that sort of transcended and became, you know, almost like

1447
01:13:45,000 --> 01:13:48,600
Speaker 2: symbols from Middle America, he really has it, more so

1448
01:13:48,720 --> 01:13:50,760
Speaker 2: than any of the queer eye guys. More like, I

1449
01:13:51,000 --> 01:13:53,240
Speaker 2: really do have a deep respect for Tim Gunn.

1450
01:13:53,920 --> 01:13:55,880
Speaker 1: Do you do You not? No? I think you're right.

1451
01:13:56,120 --> 01:13:58,720
Speaker 1: You like, there's something actually very dignified about him.

1452
01:13:59,040 --> 01:14:02,160
Speaker 4: Well, he has a he knows when to pull away, yes.

1453
01:14:02,240 --> 01:14:05,120
Speaker 1: And he's also you can tell he's actually he knows

1454
01:14:05,160 --> 01:14:05,759
Speaker 1: when to pull.

1455
01:14:05,680 --> 01:14:07,600
Speaker 4: Out, which is before you he.

1456
01:14:09,600 --> 01:14:16,040
Speaker 1: Doesn't you heard it here first. This worries me.

1457
01:14:19,240 --> 01:14:20,080
Speaker 4: After he comes.

1458
01:14:21,840 --> 01:14:24,000
Speaker 1: This is my impression of Tim Gun after he comes

1459
01:14:24,840 --> 01:14:35,160
Speaker 1: this worries more your grandma. Yeah. This season on the Runway,

1460
01:14:35,240 --> 01:14:38,360
Speaker 1: pulling Out, we're gonna see pulling Out. We're going to

1461
01:14:38,400 --> 01:14:40,680
Speaker 1: see Tim Gun is a Roxy. We're going to see

1462
01:14:41,040 --> 01:14:42,719
Speaker 1: Tim Gunhilton Honors.

1463
01:14:43,040 --> 01:14:47,000
Speaker 2: Okay, Oh, Mary is a huge no no, this is

1464
01:14:47,080 --> 01:14:49,200
Speaker 2: a no no no, it's not. It's not it's not

1465
01:14:49,560 --> 01:14:53,160
Speaker 2: barely a one person show, oh Mary. Okay, Tom Broadway

1466
01:14:53,200 --> 01:14:55,519
Speaker 2: for twenty five years. At this point, you're long, you know,

1467
01:14:55,600 --> 01:14:58,679
Speaker 2: you're you're living in Malibu whatever. If they've started stunt

1468
01:14:58,720 --> 01:15:02,880
Speaker 2: casting it like Roxy, who is your ideal like like

1469
01:15:03,080 --> 01:15:07,160
Speaker 2: reality star, trashy star stunt cast for I don't watch,

1470
01:15:08,040 --> 01:15:09,160
Speaker 2: but but you know it can be back.

1471
01:15:09,200 --> 01:15:10,320
Speaker 1: I understand it can be like.

1472
01:15:10,680 --> 01:15:14,120
Speaker 4: Okay, okay, okay, okay. Rachel Ray, that was the first

1473
01:15:14,120 --> 01:15:14,880
Speaker 4: thing that came to mind.

1474
01:15:15,840 --> 01:15:22,280
Speaker 1: Wouldn't she perfect like a rasping boys Abram, you know, wow,

1475
01:15:22,640 --> 01:15:24,960
Speaker 1: Rachel Ray, that would be so amazing. She would do

1476
01:15:25,000 --> 01:15:28,920
Speaker 1: it in those curls. Yeah. Did you see her episode

1477
01:15:28,920 --> 01:15:32,679
Speaker 1: of the Curse. Yeah, the Curse, she's literally she plays

1478
01:15:32,720 --> 01:15:36,680
Speaker 1: herself in a very no no before Yeah, no, I

1479
01:15:36,720 --> 01:15:38,400
Speaker 1: think it is. This season on the Runway, we're seeing

1480
01:15:38,439 --> 01:15:41,879
Speaker 1: Rachel Ray and Rachel Ray as herself on the HBO's

1481
01:15:41,920 --> 01:15:45,839
Speaker 1: The Curse Showtime. Showtime, Yeah, Showtime.

1482
01:15:46,120 --> 01:15:50,920
Speaker 4: Sorry, excuse me, sorry, It's okay, it's Showtime back.

1483
01:15:53,000 --> 01:15:56,519
Speaker 1: I don't know. I don't know if any of them

1484
01:15:56,520 --> 01:16:00,160
Speaker 1: about its Showtime back? Yeah, are any of them? I'm

1485
01:16:00,200 --> 01:16:03,840
Speaker 1: talking to the exacts right, Oh? Sorry, I think Showtime's

1486
01:16:03,920 --> 01:16:07,280
Speaker 1: definitely back. I would love to work with them. Oh,

1487
01:16:07,360 --> 01:16:09,960
Speaker 1: we would love to work with Showtime of course. However,

1488
01:16:10,760 --> 01:16:13,439
Speaker 1: only if they're back. Only if they're back. I want

1489
01:16:13,720 --> 01:16:16,040
Speaker 1: we go into pitch. We're like, I want you to

1490
01:16:16,120 --> 01:16:18,720
Speaker 1: prove that you're back before you hear this pitch. Are

1491
01:16:18,800 --> 01:16:19,439
Speaker 1: you guys back?

1492
01:16:19,880 --> 01:16:22,439
Speaker 2: Because I'm not saying the numbers don't really speak for themselves.

1493
01:16:23,200 --> 01:16:32,280
Speaker 1: Tim Gunn and Rachel Ray Green like that should have

1494
01:16:32,400 --> 01:16:35,320
Speaker 1: been what it was. It should have been, Tim Gunn

1495
01:16:35,439 --> 01:16:38,000
Speaker 1: and Rachel you actually are so right in the sense

1496
01:16:38,080 --> 01:16:42,120
Speaker 1: that it should have been a loud like party girl,

1497
01:16:42,320 --> 01:16:45,600
Speaker 1: loud party girl, raspy voice, and then like an a

1498
01:16:45,720 --> 01:16:49,720
Speaker 1: guy with trauma. Yeah, like Tim Gunn is who the

1499
01:16:49,840 --> 01:16:52,200
Speaker 1: character of Will is? You know what I mean?

1500
01:16:52,520 --> 01:16:55,200
Speaker 4: But then you know NBC got involved and said, well,

1501
01:16:55,320 --> 01:16:58,799
Speaker 4: let's not make a two let's make him a lawyer. Yeah, exactly,

1502
01:16:59,479 --> 01:17:02,519
Speaker 4: designer Rachel Ray.

1503
01:17:04,120 --> 01:17:09,880
Speaker 1: Now, Rachel, what exactly is this? Well, Tim, it's a

1504
01:17:09,960 --> 01:17:16,320
Speaker 1: jealous sald I mean the pilot writes a yeah, last,

1505
01:17:16,479 --> 01:17:18,320
Speaker 1: what do you mean extra virgin? Yeah?

1506
01:17:18,840 --> 01:17:21,840
Speaker 2: Tim is like, honey, I'm an extra virgin. Wait no,

1507
01:17:22,080 --> 01:17:23,160
Speaker 2: and I'm becoming Samantha.

1508
01:17:27,400 --> 01:17:30,080
Speaker 1: Should we do our final segment? Wait? Call any last

1509
01:17:30,120 --> 01:17:37,200
Speaker 1: thoughts on hotels or baby carrots salad bar I just

1510
01:17:37,640 --> 01:17:43,519
Speaker 1: I really appreciate you filling out why hotels are straight.

1511
01:17:44,160 --> 01:17:45,480
Speaker 1: I appreciate it because.

1512
01:17:45,640 --> 01:17:47,840
Speaker 4: I came in with an idea and I didn't know.

1513
01:17:48,640 --> 01:17:52,080
Speaker 1: I just didn't hold water. Yeah.

1514
01:17:53,680 --> 01:17:55,679
Speaker 4: Yeah, that's so hard.

1515
01:17:55,840 --> 01:17:59,200
Speaker 1: It's really hard, and we put our guests through hell,

1516
01:18:00,400 --> 01:18:02,720
Speaker 1: but we do it for you. Thank you, thank you.

1517
01:18:02,840 --> 01:18:05,320
Speaker 4: So you can promote that last week of Oh Mary

1518
01:18:05,520 --> 01:18:07,160
Speaker 4: of Oh Mary ohmaryplay dot com.

1519
01:18:07,240 --> 01:18:11,240
Speaker 1: I just checked zero tickets for that week. Zero. Well,

1520
01:18:11,439 --> 01:18:14,800
Speaker 1: there's student rush or not student rush, just rush rush.

1521
01:18:14,880 --> 01:18:18,040
Speaker 4: We took a student out because anyone can rush.

1522
01:18:18,080 --> 01:18:20,960
Speaker 1: Any anyone can rush, not just students, not just This

1523
01:18:21,080 --> 01:18:22,719
Speaker 1: is what I tell people all the time.

1524
01:18:23,280 --> 01:18:26,839
Speaker 4: It's like you never stop learning and you never stop rushing.

1525
01:18:27,000 --> 01:18:35,400
Speaker 1: Yeah, exactly, exactly we're always on our phones, so true, Rachel. Okay,

1526
01:18:36,080 --> 01:18:37,760
Speaker 1: well will you introduce it.

1527
01:18:46,439 --> 01:18:49,880
Speaker 2: Our final segment is called Shoutouts, and in this segment

1528
01:18:49,960 --> 01:18:52,960
Speaker 2: we pay homage to the classic straight tradition of the

1529
01:18:53,080 --> 01:18:56,000
Speaker 2: radio shout out. Think Z one hundred. You're shouting out

1530
01:18:56,000 --> 01:19:00,800
Speaker 2: to your squad back home, thank TRL and you know

1531
01:19:01,000 --> 01:19:02,960
Speaker 2: it's in the great tradition of this podcast we think

1532
01:19:03,000 --> 01:19:04,639
Speaker 2: of them on the spot. So I'm trying to think

1533
01:19:04,680 --> 01:19:06,320
Speaker 2: of mine now I have one.

1534
01:19:06,479 --> 01:19:11,040
Speaker 4: Okay, oh, okay, what's up freak losers and perverts around

1535
01:19:11,040 --> 01:19:12,640
Speaker 4: the globe? I want to give a huge shut up

1536
01:19:12,680 --> 01:19:17,479
Speaker 4: to Hotel TV. I love the lack of choice and

1537
01:19:17,520 --> 01:19:20,360
Speaker 4: a Hotel TV offers me. I think there's too much

1538
01:19:20,439 --> 01:19:20,840
Speaker 4: choice in the.

1539
01:19:20,840 --> 01:19:22,960
Speaker 1: World, and sometimes you just want something to be like

1540
01:19:23,080 --> 01:19:25,439
Speaker 1: watch this because you have to you.

1541
01:19:26,120 --> 01:19:28,760
Speaker 4: That's talk about the only way I'll find something randomly

1542
01:19:28,920 --> 01:19:33,000
Speaker 4: and without having it perfectly curated to my likes and wants.

1543
01:19:33,680 --> 01:19:36,439
Speaker 4: Last night, I, for the first time in my entire life,

1544
01:19:36,760 --> 01:19:38,000
Speaker 4: watched an episode.

1545
01:19:37,600 --> 01:19:38,679
Speaker 1: Of King of Queens.

1546
01:19:39,080 --> 01:19:41,040
Speaker 4: I would never seek the show out, no matter how

1547
01:19:41,120 --> 01:19:42,519
Speaker 4: much Robbie Hoffman says it's good.

1548
01:19:42,960 --> 01:19:43,840
Speaker 1: I don't care.

1549
01:19:44,520 --> 01:19:48,760
Speaker 4: And I watched one episode and I said, yeah, I mean,

1550
01:19:48,960 --> 01:19:52,400
Speaker 4: I'm not gonna watch more, but I enjoyed this twenty minutes.

1551
01:19:52,880 --> 01:19:55,840
Speaker 4: And sometimes that's all you need when you are traveling.

1552
01:19:56,920 --> 01:19:57,840
Speaker 1: So Hotel TV.

1553
01:19:58,120 --> 01:20:00,840
Speaker 4: You make me feel like it's the nine these You

1554
01:20:00,960 --> 01:20:04,559
Speaker 4: make me feel like I'm being tied down and forced

1555
01:20:04,600 --> 01:20:06,280
Speaker 4: to watch something I don't necessarily want to, and you

1556
01:20:06,400 --> 01:20:09,879
Speaker 4: make me feel free through that restriction.

1557
01:20:11,520 --> 01:20:15,840
Speaker 1: That's beautiful. How was King of Queen's really good? Really?

1558
01:20:16,040 --> 01:20:16,160
Speaker 4: Well?

1559
01:20:16,200 --> 01:20:18,040
Speaker 1: It was fine, right, I mean it was like Lea

1560
01:20:18,160 --> 01:20:22,240
Speaker 1: REMONI I guess right, well, yeah, sort of the best

1561
01:20:22,280 --> 01:20:26,880
Speaker 1: you can hope for. I was friends with. I was

1562
01:20:26,920 --> 01:20:30,400
Speaker 1: pretty good. Yes, she is, she is, but you're close.

1563
01:20:30,680 --> 01:20:31,479
Speaker 1: Oh you didn't know that.

1564
01:20:31,760 --> 01:20:35,080
Speaker 2: They're like like, oh yeah, I know, they're like the thing.

1565
01:20:35,920 --> 01:20:36,880
Speaker 1: It's kind of like them.

1566
01:20:37,040 --> 01:20:38,719
Speaker 4: Isn't there one more that's like in the group?

1567
01:20:38,920 --> 01:20:42,760
Speaker 1: Who is it? Yes? But I don't remember. I was good.

1568
01:20:42,760 --> 01:20:45,599
Speaker 4: Say it's like Michelle, Michelle, Yes?

1569
01:20:45,760 --> 01:20:46,479
Speaker 1: Is that true? Yes?

1570
01:20:46,560 --> 01:20:49,240
Speaker 2: Yes, yes, yes, But it's like how Madonna and Debbie

1571
01:20:49,280 --> 01:20:55,760
Speaker 2: Mays are are really close friends meaning no meaning no no,

1572
01:20:55,800 --> 01:20:58,080
Speaker 2: no no meaning yeah they're huge lesbian.

1573
01:20:58,920 --> 01:21:04,240
Speaker 1: Oh no, they're not saphic saffic in it. So they

1574
01:21:04,280 --> 01:21:04,840
Speaker 1: are aren't.

1575
01:21:05,200 --> 01:21:07,840
Speaker 2: They're not saffic. No, she has a hot Italian husband,

1576
01:21:07,840 --> 01:21:10,400
Speaker 2: Debbie does. And Madonna. You know, she's working through.

1577
01:21:10,320 --> 01:21:13,080
Speaker 4: A lot of issues, but she's doing great on and

1578
01:21:13,160 --> 01:21:13,840
Speaker 4: we support her, and.

1579
01:21:13,920 --> 01:21:20,880
Speaker 1: We support her. I would die supporting her. Okay, y'all yeah,

1580
01:21:20,920 --> 01:21:21,280
Speaker 1: I can't.

1581
01:21:21,280 --> 01:21:24,400
Speaker 2: Okay, Okay, I'm gonna do mine. I've actually already mentioned

1582
01:21:24,439 --> 01:21:26,120
Speaker 2: this on a Patroon episode. But you know what this,

1583
01:21:26,400 --> 01:21:30,720
Speaker 2: I'm gonna unpay Wallet for this episode exclusively. What's up

1584
01:21:30,960 --> 01:21:35,360
Speaker 2: frequent travelers, any Delta sky Mild members, Hilton Rewards. You're

1585
01:21:35,360 --> 01:21:37,760
Speaker 2: gonna want to hear this. If you're ever on Adelta flight,

1586
01:21:37,840 --> 01:21:40,080
Speaker 2: I have the plane movie for you. It's called She

1587
01:21:40,240 --> 01:21:42,559
Speaker 2: Came to Me, and it is starring Marissa to May

1588
01:21:42,640 --> 01:21:45,080
Speaker 2: as a tug boat captain with a sex addiction. I repeat,

1589
01:21:45,120 --> 01:21:47,639
Speaker 2: a tug boat captain with a sex addiction. You're wondering,

1590
01:21:47,960 --> 01:21:49,280
Speaker 2: is that like a comedic bit?

1591
01:21:49,479 --> 01:21:49,519
Speaker 4: Like?

1592
01:21:49,680 --> 01:21:50,280
Speaker 1: Is it ironic?

1593
01:21:50,439 --> 01:21:53,760
Speaker 2: Nope, tug boat captain. I repeat, tugboat captain with a

1594
01:21:53,800 --> 01:21:56,200
Speaker 2: sex addiction. And if you think it stops there, you

1595
01:21:56,320 --> 01:21:58,639
Speaker 2: better believe. It also stars Anne Hathaway as a therapist

1596
01:21:58,640 --> 01:22:00,439
Speaker 2: who wants to be a nun, and one of her

1597
01:22:00,479 --> 01:22:02,680
Speaker 2: patients is Chris Gethered. Now this movie came out, I

1598
01:22:02,680 --> 01:22:05,120
Speaker 2: would say last year. Not a single soul has talked

1599
01:22:05,120 --> 01:22:08,200
Speaker 2: about it. Written and directed by Rebeca Miller, Arthur Miller's daughter.

1600
01:22:08,720 --> 01:22:11,639
Speaker 2: I am telling you, get on a plane, now, book

1601
01:22:11,760 --> 01:22:13,680
Speaker 2: a flight, impress play on.

1602
01:22:13,800 --> 01:22:14,560
Speaker 1: She came to me.

1603
01:22:14,920 --> 01:22:16,680
Speaker 2: The message of the film is love wins. And by

1604
01:22:16,720 --> 01:22:19,960
Speaker 2: the end I was moved. Shout out everyone involved.

1605
01:22:20,080 --> 01:22:22,719
Speaker 1: Wow they only let you watch it on a plane.

1606
01:22:22,800 --> 01:22:25,200
Speaker 2: Yes, I don't. I haven't seen it available anywhere else.

1607
01:22:25,840 --> 01:22:28,439
Speaker 2: I think the Millerists Arthur Miller estate has a special

1608
01:22:28,960 --> 01:22:31,679
Speaker 2: contract with the Delta Airlines where his daughter makes movies

1609
01:22:31,800 --> 01:22:34,000
Speaker 2: for the Delta plus a platform.

1610
01:22:34,120 --> 01:22:38,639
Speaker 1: Actually wow, yeah, well that's huge. Yes, nothing I said

1611
01:22:38,720 --> 01:22:40,080
Speaker 1: is a line. I'll watch it on the Delta flight

1612
01:22:40,120 --> 01:22:40,599
Speaker 1: back to Alert.

1613
01:22:40,680 --> 01:22:42,400
Speaker 2: I think it's crazy that that movie exists, as I

1614
01:22:42,560 --> 01:22:45,080
Speaker 2: just describe it, and like it hasn't become like a meme.

1615
01:22:46,240 --> 01:22:48,479
Speaker 1: I mean, but there's so much. It's actually so sad

1616
01:22:48,600 --> 01:22:50,920
Speaker 1: because you know that like that's.

1617
01:22:50,800 --> 01:22:51,960
Speaker 4: What they were almost hoping for.

1618
01:22:52,160 --> 01:22:56,120
Speaker 1: Yeah, or maybe they weren't. No, I don't think they were. Yeah,

1619
01:22:56,800 --> 01:22:58,759
Speaker 1: when they should have, because then it would have gotten

1620
01:22:59,120 --> 01:23:01,920
Speaker 1: been bigger you know, yes, they needed a gay guy.

1621
01:23:02,640 --> 01:23:10,080
Speaker 1: They needed a concierge. Oh is he a concierge, baby boy? Gay,

1622
01:23:10,160 --> 01:23:14,439
Speaker 1: baby boy. Yeah. He recommended a few restaurants to me.

1623
01:23:14,600 --> 01:23:19,320
Speaker 4: Let's just say, let's just say he got us a reservation.

1624
01:23:20,520 --> 01:23:27,320
Speaker 1: So he recommended the Fennel Cell. Okay, I think, okay,

1625
01:23:28,680 --> 01:23:33,040
Speaker 1: what's up, moms and dads. It's your girl here who

1626
01:23:33,160 --> 01:23:36,719
Speaker 1: sets her alarm clock for six am? And I'm would

1627
01:23:36,800 --> 01:23:41,320
Speaker 1: like to shout out Dove chocolate. Dove chocolate a little treat.

1628
01:23:41,560 --> 01:23:44,640
Speaker 1: It's it's a little more expensive then you're gonna but

1629
01:23:44,760 --> 01:23:47,719
Speaker 1: then you're hershey Bar. But when you want to treat yourself,

1630
01:23:48,120 --> 01:23:49,759
Speaker 1: go for Dove chocolate.

1631
01:23:50,600 --> 01:23:50,880
Speaker 4: Wow.

1632
01:23:51,320 --> 01:23:51,559
Speaker 1: Wow?

1633
01:23:51,920 --> 01:23:54,679
Speaker 2: Is that the one that has little inspirational like little quotes?

1634
01:23:54,760 --> 01:23:56,200
Speaker 1: Yeah? Do you feel it helps you in your day

1635
01:23:56,200 --> 01:23:56,879
Speaker 1: to day life.

1636
01:23:58,320 --> 01:23:59,240
Speaker 4: To be well?

1637
01:23:59,280 --> 01:24:01,559
Speaker 1: When I was a kid, that was one of those

1638
01:24:01,600 --> 01:24:04,560
Speaker 1: things that I thought was fancy when I was like,

1639
01:24:05,479 --> 01:24:08,160
Speaker 1: because it's not, because it's not Hershey's. And also the

1640
01:24:08,200 --> 01:24:11,320
Speaker 1: commercials worked so well. The commercials were very like the

1641
01:24:11,400 --> 01:24:15,240
Speaker 1: woman like rewarding herself, like.

1642
01:24:17,000 --> 01:24:20,400
Speaker 4: Yeah, you know, yeah, no, that makes sense. The way

1643
01:24:20,439 --> 01:24:24,679
Speaker 4: that women eat chocolate and media is it's I feel.

1644
01:24:24,479 --> 01:24:25,120
Speaker 1: Like I'm missing out.

1645
01:24:25,200 --> 01:24:28,599
Speaker 2: It's done harm for generations. Yeah yeah, it's literally why

1646
01:24:28,640 --> 01:24:29,880
Speaker 2: we will never have a woman president.

1647
01:24:30,040 --> 01:24:30,240
Speaker 1: Yeah.

1648
01:24:30,920 --> 01:24:31,479
Speaker 2: Yeah, like.

1649
01:24:34,800 --> 01:24:39,240
Speaker 4: She could only come. She has a little cube of

1650
01:24:39,479 --> 01:24:44,880
Speaker 4: chocolate in her mouth. And it's just because this.

1651
01:24:44,960 --> 01:24:47,120
Speaker 1: Season on the Runway a woman with a little cube

1652
01:24:47,160 --> 01:24:50,160
Speaker 1: of chocolate, And it's just because straight men want to

1653
01:24:50,160 --> 01:24:54,000
Speaker 1: see women come totally, and they're just like, what if

1654
01:24:54,040 --> 01:24:56,479
Speaker 1: the chocolate did it for her? Because she likes to

1655
01:24:56,560 --> 01:25:01,559
Speaker 1: take so much. Yeah, she's such a bitch all day

1656
01:25:01,960 --> 01:25:04,240
Speaker 1: and then she puts that little square chocolate in her

1657
01:25:04,280 --> 01:25:08,000
Speaker 1: mouth and she just fucking calmbs like, yeah, how about that.

1658
01:25:08,280 --> 01:25:11,240
Speaker 2: I feel like it's almost like the opposite where it's

1659
01:25:11,280 --> 01:25:13,080
Speaker 2: women being like, well, he's not gonna make me come,

1660
01:25:13,120 --> 01:25:14,320
Speaker 2: so I need something to make me.

1661
01:25:14,560 --> 01:25:17,720
Speaker 4: Yeah. So is it a female empowerment or disempowerment? Yeah?

1662
01:25:17,760 --> 01:25:19,200
Speaker 1: Is this question more? When we return?

1663
01:25:19,720 --> 01:25:22,200
Speaker 4: Yeah, all right, and we'll see you next time, see

1664
01:25:22,240 --> 01:25:26,320
Speaker 4: you next time after the break that could be many years.

1665
01:25:26,880 --> 01:25:29,840
Speaker 1: All right, Well, thanks for doing the pod. Please, thank

1666
01:25:29,880 --> 01:25:32,080
Speaker 1: you for promoting the last week of Oh Mary playing.

1667
01:25:32,479 --> 01:25:36,000
Speaker 2: Yeah so go on omarpay dot com and Rachel Ray

1668
01:25:36,080 --> 01:25:36,920
Speaker 2: get in Touch girl.

1669
01:25:37,200 --> 01:25:42,280
Speaker 3: Yeah bye podcast and now want more, subscribe to our

1670
01:25:42,320 --> 01:25:45,960
Speaker 3: Patreon for two extra episodes a month, discord access, and

1671
01:25:46,120 --> 01:25:48,360
Speaker 3: more by heading to patreon dot com.

1672
01:25:48,600 --> 01:25:50,200
Speaker 1: Slash Stradio Lab, and.

1673
01:25:50,280 --> 01:25:53,160
Speaker 4: For all our visual earners, free full length video episodes

1674
01:25:53,160 --> 01:25:54,599
Speaker 4: are available on our YouTube.

1675
01:25:54,840 --> 01:25:55,800
Speaker 1: Not Get back to Work