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Speaker 1: This is your wake up call Breakfast Club. They show

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Speaker 1: you love to hate from the East to the West,

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Speaker 1: Coach DJ and a Charlomagne, the really show on the planet.

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Speaker 1: This is why I respect this show, because this is

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Speaker 1: a voice of society. Saints in the game. Guys are

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Speaker 1: the coveted morning show. But y'all Earni and Facting the

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Speaker 1: coach wake up in the morning and they want to

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Speaker 1: hear that breakfast cause the world's most dangerous morning show.

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Speaker 1: Pick up the mother mother phone and died. This is

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Speaker 1: your time to get it off your chest, whether you're

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Speaker 1: mad or pleases, we want to hear from you on

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Speaker 1: the Breakfast Club. Please better have the same energy. Hello,

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Speaker 1: who's this Hi, good morning, Let's just your cares her car.

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Speaker 1: Get it off your chest. I'm calling because these old

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Speaker 1: ben out here are still disgusting. This one guy, he

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Speaker 1: was like, hold enough to be my dad and he

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Speaker 1: I told him that thanks morning. He I said, note

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Speaker 1: on my car. You know it's so creepy and disgusting.

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Speaker 1: What is say like? I'm a very successful businessman and

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Speaker 1: that old man could have been your blessing? Shoot? How wait? Wait,

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Speaker 1: how old is he? How old? He looked like he

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Speaker 1: was like over fifty or something like that. How old

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Speaker 1: are you? I'm twenty five? So are you missing your blessing?

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Speaker 1: Bull by not being with this old man? No, he

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Speaker 1: turns out he was a landscaper at the hotel. I

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Speaker 1: was sitting there. That's a lot of money. That's a

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Speaker 1: lot of money. Not just about that. She's not turned on.

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Speaker 1: I can hit the Charleston in your voice, the eight

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Speaker 1: four three? Yes you are you from hug My boy

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Speaker 1: wife's got a chicken form and huge. Oh yeah, yes, listen.

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Speaker 1: Are you missing your blessing? How much money this man

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Speaker 1: making a week with this landscaping businessman? I didn't find

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Speaker 1: that all I thought it was. I think it's treaty

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Speaker 1: when these old men try to talk to us young girls,

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Speaker 1: that's all. How old is he? Old man? How old

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Speaker 1: is she? She said? Twenty five? Well, come on, she's

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Speaker 1: that's old enough to be her dad. You really got

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Speaker 1: to do much, be a flirt with him to get

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Speaker 1: a free, free, free lawn mow every now and then,

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Speaker 1: just like you. I hear you said it before or

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Speaker 1: something me you said. You mess with them, old men

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Speaker 1: get worse worm You never get no worm. Man. Hello,

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Speaker 1: who this hien to the breakfast club every morning, and

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Speaker 1: I love y'all, and I'm calling to tell y'all why

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Speaker 1: I'm mad. I just usually signed out. My boyspone was

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Speaker 1: stealing money for me. What how was he stealing money?

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Speaker 1: Oh my god? You whack? Yeah, like no, like taking

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Speaker 1: my card? Like what was he buying? Let's just not

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Speaker 1: saying rady no, no, by you tell me he was

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Speaker 1: buying drugs with your credit card? I'm a doll? No, no,

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Speaker 1: he can't buy Was he buying a sex doll or

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Speaker 1: some crazy sex toys? No? Nothing, He's not a weirdo

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Speaker 1: like that. What was he buying? He was not using

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Speaker 1: it for illegal stuff like the money so he was

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Speaker 1: doing buying escorts? No? No, no, no, no no. How

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Speaker 1: do you buy illegal stuff with a legal credit card?

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Speaker 1: How he was he buying? You gotta tell us. No,

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Speaker 1: he was getting cash out, not like y'all. Oh okay,

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Speaker 1: and then buying drugs. Is he was gonna seller because

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Speaker 1: it we the coat? It was Oh oh my god.

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Speaker 1: So the question is what are you gonna do now?

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Speaker 1: You're actually an accessory at this point. Yeah, you are

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Speaker 1: the obvious thing I just had. You're gonna go snitch on.

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Speaker 1: You're gonna go tell I'm not gonna you need to

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Speaker 1: you an accessory. No, we're just gonna you know, we're

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Speaker 1: just not gonna deal with each other. What drugs? Was

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Speaker 1: a heroine? What was it? No? What a heroind What

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Speaker 1: was it? It was the drugs mostly legal? And mean,

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Speaker 1: why are you acting so we don't about it? Hey,

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Speaker 1: write us a letter when you get your conspiracy charge. Okay,

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Speaker 1: my goodness, I have a good morning mama. All right,

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Speaker 1: eight hundred five eight five one oh five one. If

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Speaker 1: you're upset, you need to vent hit us up right now.

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Speaker 1: It is the breakfast Morning. Are you blessing? I feel blessed.

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Speaker 1: Tell the congregation at eight hundred five eight five one

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Speaker 1: five one, it's the breakfast Club to show Why are

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Speaker 1: you mad? Bro? Man? I'm man because I got the

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Speaker 1: flu many I'm not feeling good at all. Yeah, you

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Speaker 1: signed a little congested. What have you been taking? I've

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Speaker 1: been taking what I've been taking? Uh yeah, Yeah, seemed

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Speaker 1: like the flu in a way. The flu hit hard

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Speaker 1: and people were dying and passing away, and I got

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Speaker 1: the control and I seemed like they gotta do control.

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Speaker 1: In the last couple of weeks. Yeah, I just wanted

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Speaker 1: to stand. What something to y'all doing? All right, brother,

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Speaker 1: we'll get better. Hello, who's this britanicle? Hey, mamma getting

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Speaker 1: off her chess. I feel it. I'm blessed because um

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Speaker 1: a hard working woman, I'm a white and then I

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Speaker 1: just suit. It ends up telling with my masters. And

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Speaker 1: then months later I received a great job on the base,

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Speaker 1: so I feel they at the being the United States

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Speaker 1: better for so long. I was like, that's a blessing

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Speaker 1: to me, because yesterday it was the worst. I get

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Speaker 1: almost the work and I had to blow out. Blow

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Speaker 1: out What you mean like on my car? Yes, the

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Speaker 1: car that I drive. They don't even get your spars higher.

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Speaker 1: So I was like I had to get my car

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Speaker 1: tone and I was like, oh my god, I'm going

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Speaker 1: to late the word and this is my first one. Later,

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Speaker 1: Oh damn, well, congratulations baby, sound like I don't know

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Speaker 1: what the hell was she talking about. I don't know.

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Speaker 1: She says you got to work out a blowout. I

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Speaker 1: thought the Dominican did her head. Hello, who's this? Hey?

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Speaker 1: Hey Kim, Hey Kim, Hey. Well, I just want to

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Speaker 1: say I was a sing I am a single mother

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Speaker 1: and after years of working hard, I was able to

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Speaker 1: launch my own cosmetic f line. I went from welfare

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Speaker 1: to raising one point two millions on my own And

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Speaker 1: if I can do it, anybody can do it. I

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Speaker 1: am the founder of Glamazon Beauty Cosmetic. Yeah, she is

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Speaker 1: a great makeup artist. I actually know Kim. She does

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Speaker 1: a fantastic job, and she has her products and like

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Speaker 1: the major drug stores and everything now yes, yes, so

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Speaker 1: and knows personally. I literally went from being a single

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Speaker 1: mom to now I'm being my own entrepreneur and the

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Speaker 1: line of storm very well. Well, congratulations and congrats on

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Speaker 1: the weight loss. Thank oh, thank you, love your an,

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Speaker 1: love you two, Kim, congrats on everything you deserve it.

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Speaker 1: Get it off your chest eight on drip five eighty five,

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Speaker 1: one on five one. If you're upset, you need to

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Speaker 1: hit us up now. It's the breakfast club of good morning. Hello.

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Speaker 1: Who's this? This is Bishop, a bishop. Get it off

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Speaker 1: your chest. I'm taking tired of women complaining about the

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Speaker 1: man cheating. Right. Just recently a friend of ours, me

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Speaker 1: and my wife got called cheat. Right, you know you're

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Speaker 1: tired a man cheat you too, And but the fact

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Speaker 1: of the matter is when the when the story broke.

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Speaker 1: The man was getting sex like three times a month. Now,

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Speaker 1: a man doesn't want sex, a man needs sex. It's

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Speaker 1: a difference between wamps and water and needing some water. Now,

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Speaker 1: if your man leaves out after he did, after he

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Speaker 1: didn't told you he wanted sex, and you let him

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Speaker 1: go a whole week, two weeks, three weeks, as if

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Speaker 1: you didn't realize that your man just tucked on your case.

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Speaker 1: So basically, basically, you're saying what your woman don't do.

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Speaker 1: Another woman was was what you're saying exact exactly, So

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Speaker 1: stop this complaining. When he goes out and he gets

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Speaker 1: him a piece, it's only sex to him, but you

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Speaker 1: didn't want it. You didn't want to give it to him.

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Speaker 1: You were your head ache or whatever really is never

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Speaker 1: gonna give it to him, and now he probably destroyed

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Speaker 1: their relationship. I understand what's worth. I understand what you're

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Speaker 1: complaining about her, but you have to understand your woman

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Speaker 1: didn't want to have sex with you because she was

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Speaker 1: busy getting to add out by another guy. She was tired, exactly. Yeah,

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Speaker 1: my woman on the always wants you to be slapping

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Speaker 1: bellies with him. You know what I'm saying, but look,

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Speaker 1: you need to leave your man. You leave to leave

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Speaker 1: your man drained, then he can't get that thing. Now,

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Speaker 1: let me ask you this. If it's no big deal,

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Speaker 1: and it's not a problem because it's only sex, bighting,

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Speaker 1: he just tell her, Hey, I'm about to go have

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Speaker 1: sex with this other woman. Why did he lie? Curse?

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Speaker 1: He ain't he ain't stupid? You know what I mean.

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Speaker 1: You don't want to be stupid. You know now you

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Speaker 1: not only have you had sex with somebody else, but

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Speaker 1: you also are a liar. Apparently. Yet I'm telling you

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Speaker 1: your woman didn't want to have sex with you because

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Speaker 1: she already got add out by somebody else. Man, have

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Speaker 1: a navy, all right, get it off your chest. Eight

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Speaker 1: hundred five eight five one on five one. If you

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Speaker 1: need to vent, hit us up. Keep a lock. Just

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Speaker 1: to breakfast, cloak of morning phoning. Everybody is DJ Envy

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Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast club.

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Speaker 1: We got a special guest in the building. I'm telling

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Speaker 1: you sex sex symbol extraordin air brush shut Michael, my

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Speaker 1: god shutting their Michael Well, all the ladies and all

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Speaker 1: the fellows like Michael B. Jordan, okay, ask him to

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Speaker 1: take your shirt onver that oh man, man, quick, real quick,

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Speaker 1: you guys awkward. Jesus's the movement going on now, and

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Speaker 1: you guys can't just harass Michael Bie. That's what you

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Speaker 1: have to say that. You got to say it. You

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Speaker 1: have to say. Listen, how are you, sir? I'm doing

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Speaker 1: good man? How is your life changed since Black Panther?

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Speaker 1: It's insane. Uh, it's uh, you know, kind of known before.

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Speaker 1: I guess now it's just it's can't go anywhere, malls

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Speaker 1: off limits. You know what I'm saying. Postmates, you know

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Speaker 1: what I'm saying. My Postmates Bill went through the roof.

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Speaker 1: I'm in your house. It's just a it's incredible, especially

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Speaker 1: with the kids, next generation man, just seeing them kind

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Speaker 1: of how excited they be and you know, after the

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Speaker 1: seeing the movie and it's kind of their reaction to

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Speaker 1: me walking around has been has been pretty incredible. Incredible.

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Speaker 1: That buried me in the ocean with my ancestor that

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Speaker 1: jumped from ships because they knew death was better than Bondage.

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Speaker 1: Who wrote that line, I was Ryan Man? Wow, Yeah, Ryan,

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Speaker 1: Ryan Cooler's uh, he's incredible. Man. We just wanted to

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Speaker 1: you know, really get the essence of what kill Monger

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Speaker 1: was trying to was trying to say, and you know,

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Speaker 1: going in change, trying to you know, trying to trying

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Speaker 1: to live. It wasn't really on his agenda. He was

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Speaker 1: willing to die for what he believed in the you know,

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Speaker 1: going out like his answers did was was proving his point.

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Speaker 1: I think I think he won. I think he got

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Speaker 1: his point across in the end. You see to Chyla

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Speaker 1: actually go back to Oakland, you know what I'm saying,

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Speaker 1: by the buildings really like you know, open up the

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Speaker 1: borders of Wakanda. So that was you know, kill Monger's victory.

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Speaker 1: I want to said, keep a diary during the time

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Speaker 1: that you did Black Panther. Yeah, for most of my

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Speaker 1: characters in general, um, not for television, but for film.

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Speaker 1: I like to write a diary from like the earliest

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Speaker 1: memory of a character up until the first page of

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Speaker 1: the script, which just kind of gives me like a

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Speaker 1: backstory of a subtext to always know where my characters

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Speaker 1: are at. So always kind of like keep those So

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Speaker 1: I got a like a you know, a crate full

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Speaker 1: of like you know, meet notebooks of like all my

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Speaker 1: characters that I played thus far, and it's kind of

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Speaker 1: memory that you think, oh no, maybe like maybe when

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Speaker 1: it's all sitting done, or like you know, at the

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Speaker 1: end of it, you know, something that people kind of

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Speaker 1: look back on and just kind of get a subtext

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Speaker 1: to all the characters that that's actually a good idea.

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Speaker 1: I don't think something like that. Never really thought about

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Speaker 1: it like that. How did you prepare it for the role,

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Speaker 1: Like did you have to bulk up? Was it a

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Speaker 1: lot of training? Did you watch a lot of videos

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Speaker 1: of black men getting shot by police and not really

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Speaker 1: get angry away? Nah? I mean that didn't. I mean,

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Speaker 1: that's not too hard, you know what I'm saying. Like

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Speaker 1: for me, it was more or less. Uh sorry, allergies

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Speaker 1: just not this allergies. Not it ain't that hard for

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Speaker 1: me out there. I'm good, I'm good. I'm good. I'm good.

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Speaker 1: Um No, it's one of those things. But like, uh,

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Speaker 1: it took me to a dark place this character. Not

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Speaker 1: even a dark place, but I just isolated, you know

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Speaker 1: what I mean. Like it was one of those things

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Speaker 1: where you know, kill manger. What he was fighting for

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Speaker 1: wasn't too far from you know what the culture was

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Speaker 1: feeling at the moment, you know what I'm saying. It

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Speaker 1: was an opportunity for me to kind of express I

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Speaker 1: think with our generations feeling right now, you know, through

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Speaker 1: my art. You know, I spent a lot of time

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Speaker 1: away from my family. I didn't really talk to my

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Speaker 1: mom and my dad, you know what I'm saying, Like

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Speaker 1: my brothers and sisters and stuff like that. You know,

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Speaker 1: I worked out a lot. It was a sad place, man.

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Speaker 1: I just kind of like stayed to myself. And so

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Speaker 1: the physical aspect was that was the easy part. Mentally,

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Speaker 1: kind of going to that lonely place and willing to

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Speaker 1: do whatever it takes to kind of freeze people was

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Speaker 1: a more challenging part. What about white women? Did you

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Speaker 1: cut off white women during that? Man? Why would that

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Speaker 1: go back there? I like women, period, all women. Everybody's

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Speaker 1: on the table. Okay, yeah, everybody's on the table. Everybody's

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Speaker 1: on the table, man, everybody. Did you antriticipate the movie

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Speaker 1: would have the impact that it was going to have

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Speaker 1: when you were filming it, I thought we had something special.

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Speaker 1: I never imagined that it was going to have the

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Speaker 1: reach it did. I did, I told her last summer

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Speaker 1: I said, you know, Black Peple are gonna make of

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Speaker 1: a billion dollars and he was like, what I said,

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Speaker 1: I'm telling you because you don't have all the Marvel fans. Yeah,

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Speaker 1: every black person in America who ain't even up on

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Speaker 1: comments gonna go see it's gonna do with a billion.

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Speaker 1: And then we didn't really account for I think people

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Speaker 1: going to see it three, four or five times and

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Speaker 1: I saw it three times. That's that's what's up. How

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Speaker 1: many people buying out the theaters as well being able

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Speaker 1: to like take kids that wouldn't necessarily have the opportunity

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Speaker 1: or the means to go see the film. So it was,

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Speaker 1: it was. It was a big deal. It's kind of surreal.

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Speaker 1: But the impact hasn't really hit me right now. It's

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Speaker 1: still like because it's still living it still, you know,

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Speaker 1: so I think the real impact for me personally won't

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Speaker 1: happen until, you know, years later. Did it desperately settled? All?

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Speaker 1: We got more with Michael B. Jordan when we come back.

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Speaker 1: Keep it locked as the Breakfast Club Go Morning, the

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Speaker 1: Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne,

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Speaker 1: the guy. We all the Breakfast Club Michael B. Jordan

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Speaker 1: is in the building. Charlomagne, Well, let's talk about these women. Man.

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Speaker 1: You know what's going on? Why well, why everybody want

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Speaker 1: to know about what I'm doing on my life. You've

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Speaker 1: got to be disciplined, Michael, because they on you all

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Speaker 1: right now, they on you now. Now. Recently, this girl

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Speaker 1: from Temple got into your DMS and bought you a

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Speaker 1: smovie and you pulled up on she didn't. You pulled

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Speaker 1: up on I love like you bought your smoothlye and

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Speaker 1: you pulled up on it love. If you read the Internet,

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Speaker 1: I declined to Smoothie. Okay, she didn't buy me no

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Speaker 1: smooth Let's happen. This happened, so you want to go

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Speaker 1: see it. Listen this, No, no, this is what happened. Right.

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Speaker 1: So this got right here. Boy. So uh, we're shooting

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Speaker 1: at to the university and our base camp is behind

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Speaker 1: the dorm rooms. I was coming out of here and

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Speaker 1: make a trailer. It was in the windows. Went crazy

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Speaker 1: blah blah blah. Yeah, yeah, I went out talked to

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Speaker 1: a couple of them through the window, just like you know,

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Speaker 1: show them some lovel takes me went off of the

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Speaker 1: cook I was like cool, cook me something whatever, just

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Speaker 1: being nice. They slid a my DMS. Where can I

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Speaker 1: see the food? I answered? A couple of them said, Cooper,

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Speaker 1: just come down and meet me at my at the

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Speaker 1: base camp. I'll tell the security to chill out. Went

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Speaker 1: out there, gave me a flake. I took some pictures.

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Speaker 1: You ate it. That was it. I took a couple

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Speaker 1: of blakes. You're not worried about period Blake? Come on,

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Speaker 1: come on, how they get you? That's roots voodoo? No,

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Speaker 1: I mean nah? I took good bikes whatever, man, cool,

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Speaker 1: what I mean whatever, That's what I'm saying. Took good bikes.

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Speaker 1: It was cool. And let's tell page come in, man,

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Speaker 1: I need to shoot from my se. The blond right there,

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Speaker 1: she said, know what she's been talking about in your

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Speaker 1: ask for much? Really? I have her own video saying

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Speaker 1: George's as she don't even want to come in here. Now.

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Speaker 1: Out of control you have, of control. I'm telling you

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Speaker 1: what you say. I look out of control energy that

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Speaker 1: they have with Michael B. Jordan. Rumor has it that

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Speaker 1: he's in a relationship. So I'm really man, Look I'm chilling. Man,

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Speaker 1: I keep I keep my I'm keep on personal Okay,

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Speaker 1: I'm keeping that I'm chilling, So what's the quick chilling?

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Speaker 1: A fan has done it to try to get your attention.

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Speaker 1: If anything, it's one fan in Philly, I guess made

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Speaker 1: a cut out of me and like, you know, actually

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Speaker 1: took me to prom to get cut out to exactly

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Speaker 1: and that was a little extreme, you know what I'm saying.

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Speaker 1: So I responded back to her. So she got my

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Speaker 1: attention with that. Yeah, she got my attention with that one. So,

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Speaker 1: I mean, I'm not a rap like these rappers be

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Speaker 1: having like you know what, I'm seeing these fans and

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Speaker 1: stuff going crazy. I think musician fans and like actors

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Speaker 1: fans are different, you know. I mean, I think it's

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Speaker 1: a different type of like, you know, obsession a little bit.

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Speaker 1: So I don't really get too many crazy, crazy, crazy

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Speaker 1: fans of a woman throwing her panties on the stage

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Speaker 1: if you were a singer screenshot at her without panties on.

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Speaker 1: I don't know, man, I don't know. I listen to

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Speaker 1: Tiffany Hattish, Yeah, my family, but she told me something.

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Speaker 1: I don't even know if I should be repeating this,

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Speaker 1: but oh man, so don't no listen, She says she's

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Speaker 1: not shaving her pupid hair until she has sex with you. Now,

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Speaker 1: you know it's gonna be hot this summer. Do you

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Speaker 1: do you do you want to have her down there

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Speaker 1: all bush? Can you make that happen? I know you're

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Speaker 1: gonna see her to night at the met Gallas, So

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Speaker 1: you're gonna put that on me? Yes? What you mean,

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Speaker 1: ain't gonna do let her walk around with a bush?

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Speaker 1: I ain't gonna do it me. I never this first

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Speaker 1: time I'm hearing about it. How long those she was yesterday?

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Speaker 1: She got day? No, No, she's talking about been growing it.

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Speaker 1: That'd be a good look for you. She's a real

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Speaker 1: love of African princess. And why don't you do stand up? Man?

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Speaker 1: You don't think about it? What's up? No? I know,

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Speaker 1: I know once you have to stand up. You got

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Speaker 1: a situation black man, don't you? Oh? You? Oh, you

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Speaker 1: got a relationship. Why y'all trying to bait me into

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Speaker 1: answering this goddamn question. I'm chilling, I'm chilling, I'm chilling.

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Speaker 1: What is this white woman's name? What are you talking about?

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Speaker 1: What are you talking about? Why do you leaving me alone?

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Speaker 1: Or anything? Or anything or anything? Asking I'm just asking man,

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Speaker 1: I'm chilling man. So no real interest in Tiffany had

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Speaker 1: This is what you're telling Tiffany's dope, So oh that's

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Speaker 1: a good You're saying. You're not going to bait him

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Speaker 1: in this interview. Is basically all I'm telling you is

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Speaker 1: when you see her the night at the Mecgalla, you

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Speaker 1: got a full bush down there. So what should I

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Speaker 1: said on you? It's on me to get it removed.

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Speaker 1: You're a friend, why you can't You can't convince her

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Speaker 1: to take care of that. She wanted you. She said

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Speaker 1: she's not back, and then you got to think about

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Speaker 1: all the money she's gonna make in the future. Man,

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Speaker 1: that's a good y'a can build your own together. Leave

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Speaker 1: me alone, Michael Jordan gotta get about it. He got

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Speaker 1: some tivy to do. It's very busy, but we really

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Speaker 1: appreciate you for stopping. Can always tell people from Hollywood,

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Speaker 1: especially the black actors, they forget about their black basis,

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Speaker 1: you know what I'm saying. So it's good to see

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Speaker 1: y'all still coming back with the rush off to the

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Speaker 1: white people. No, not on. I never lose touch man,

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Speaker 1: never lose touch. Bro All right. I appreciate you guys. Absolutely.

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Speaker 1: It's Michael B. Jordan. It's the Breakfast Club. The morning

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Speaker 1: we're celebrating the Breakfast Clubs eight year anniversary. Check out

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Speaker 1: this moment. DJ. Drama so shady, the drama good. I

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Speaker 1: don't know what's happening awkward between those two. Maybe you

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Speaker 1: can shed some light on. I don't know. I'm curious.

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Speaker 1: I don't know what's going on there. And he got

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Speaker 1: his head because I don't have I don't know. Is

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Speaker 1: that what it is? I don't I don't want them

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Speaker 1: fast anymore, but I know. I mean, but you did

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Speaker 1: question if I had one. Well, if you want to

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Speaker 1: get into it, the reason why, Okay, there we go. Yes,

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Speaker 1: I thought it was some real sucker right when we

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Speaker 1: when I left Hot and we came over here, Hu,

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Speaker 1: it was a fight were our lives right? And a

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Speaker 1: lot of artists weren't with us. It was cool and

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Speaker 1: I don't put them down. So it's all great because

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Speaker 1: you know, the Breakfast Club is real big. And during

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Speaker 1: that time we all came together, we said we're gonna

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Speaker 1: do a breakfast club. DJ dropped my tape and we

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Speaker 1: were all right, we're all excited. About that. Let me

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Speaker 1: finish right. Then, all of a sudden, tapes not being

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Speaker 1: done anymore. I was like, damn, wow, what happened? No call,

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Speaker 1: no word, no nothing. I'm like, damn not drum And

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Speaker 1: then I heard Walt Drum said he can't do the

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Speaker 1: tape because if you do the tape, another radio station

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Speaker 1: won't players record. And I'm like, damn it, can't even

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Speaker 1: call me and tell me, you know what I mean,

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Speaker 1: I'm like getting them. I don't give a fuck about

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Speaker 1: the politics of the music, like that's my I know

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Speaker 1: that for a long time. But support them, support his records.

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Speaker 1: But we didn't have had a conversation. I'm not Charlomagne.

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Speaker 1: He had, and I knew you before Charlomagne. I'm like,

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Speaker 1: but then I said, you know what, I guess that's

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Speaker 1: just Drumm and know he's focused on him. I was like, yeah,

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Speaker 1: I could get a call, and I'm like, I just didn't.

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Speaker 1: I just didn't like that. I didn't take that like

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Speaker 1: that ain't a friendly type of individual. That ain't my friend.

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Speaker 1: That ain't somebody that I faxed with that's good that

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Speaker 1: I don't with. So it was like, all right, we

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Speaker 1: don't each other. For at the end of the day,

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Speaker 1: I was in a very awkward position in situation on

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Speaker 1: a lot of sides where I felt like I was

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Speaker 1: caught in the middle and where I didn't want to be,

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Speaker 1: and it became awkward for me. Now, if I never

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Speaker 1: gave you the phone call, n V, I put it

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Speaker 1: to you right here, I apologize, you might meet you,

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Speaker 1: my man. We've always been good. We've always been one

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Speaker 1: hundred So outside of that, when it comes to the

420
00:19:38,359 --> 00:19:42,240
Speaker 1: politics between the two stations, for two almost three years,

421
00:19:42,640 --> 00:19:45,000
Speaker 1: I got caught in something that I had no intentions

422
00:19:45,040 --> 00:19:46,760
Speaker 1: of getting caught in, and it left me in a

423
00:19:46,960 --> 00:19:49,280
Speaker 1: very awkward position, and I didn't know what to do

424
00:19:49,760 --> 00:19:51,560
Speaker 1: until I was able to be able to get good

425
00:19:51,600 --> 00:19:55,199
Speaker 1: on both sides. Right though, I get it, But before

426
00:19:55,720 --> 00:19:58,320
Speaker 1: you was good on both sides, drama. You was invited

427
00:19:58,400 --> 00:20:00,800
Speaker 1: up here a million and one times. Like it wasn't easy.

428
00:20:00,840 --> 00:20:02,600
Speaker 1: We wasn't the breakfast club as it is now. We

429
00:20:02,760 --> 00:20:05,800
Speaker 1: was fighting for every little little scrap. Nobody was with us.

430
00:20:05,960 --> 00:20:07,560
Speaker 1: But I went, I reached out to my guys that

431
00:20:07,600 --> 00:20:10,240
Speaker 1: I thought I could that would say the radio politics

432
00:20:10,280 --> 00:20:12,840
Speaker 1: that's it wasn't in a position to say that only

433
00:20:12,920 --> 00:20:15,600
Speaker 1: because it was now I wasn't because only only because

434
00:20:15,720 --> 00:20:17,800
Speaker 1: even before that, I was put in a position where

435
00:20:18,080 --> 00:20:22,520
Speaker 1: I got banned. Period, I got banned. Yeah, okay, but

436
00:20:22,600 --> 00:20:26,680
Speaker 1: last coach you was djing'll pay you would exactly, And

437
00:20:26,920 --> 00:20:28,520
Speaker 1: at that point I didn't even know it was gonna

438
00:20:28,520 --> 00:20:32,040
Speaker 1: be like that. So when when the situation came winning

439
00:20:32,080 --> 00:20:35,720
Speaker 1: the rows for that for that mixtape, I was also

440
00:20:35,800 --> 00:20:38,200
Speaker 1: putting another situation. I had to listen to my record label.

441
00:20:38,240 --> 00:20:39,680
Speaker 1: I had to listen to the people around me. That

442
00:20:39,840 --> 00:20:41,879
Speaker 1: was like, Yo, you have to reconci you have to

443
00:20:41,960 --> 00:20:44,159
Speaker 1: think about these moves you make so that you can

444
00:20:44,280 --> 00:20:46,560
Speaker 1: be able to come to the breakfast club and then

445
00:20:46,680 --> 00:20:48,959
Speaker 1: still go across the street. That is before they all

446
00:20:49,080 --> 00:20:51,080
Speaker 1: the power does say you should never commit to anyone.

447
00:20:51,240 --> 00:20:52,960
Speaker 1: But I understand what NV saying too. I think that

448
00:20:53,000 --> 00:20:54,880
Speaker 1: we're both of y'all the same. I didn't do the tape.

449
00:20:54,920 --> 00:20:57,360
Speaker 1: Did the tape ever come out? No, do the tape.

450
00:20:57,400 --> 00:20:58,840
Speaker 1: We were doing the tapecause it was going to be

451
00:20:58,920 --> 00:21:01,440
Speaker 1: the first time that the that DJ Drama did the

452
00:21:01,440 --> 00:21:03,679
Speaker 1: tape that wasn't with the gangster girls. We didn't want

453
00:21:03,720 --> 00:21:05,680
Speaker 1: to do that. That's what basically, that's what it because

454
00:21:05,680 --> 00:21:08,040
Speaker 1: it didn't you want to do it. If it wasn't

455
00:21:08,560 --> 00:21:10,679
Speaker 1: the Gangster Girls, you didn't want to do I mean,

456
00:21:10,720 --> 00:21:12,480
Speaker 1: what of the brand out there is cool enough for

457
00:21:13,000 --> 00:21:15,440
Speaker 1: that lives drama? That's what it sounds like. He's trying

458
00:21:15,440 --> 00:21:17,400
Speaker 1: to say. I wasn't that, but it was just a conversation.

459
00:21:17,560 --> 00:21:20,280
Speaker 1: We don't give about the tape. But I considered you

460
00:21:20,359 --> 00:21:22,159
Speaker 1: with somebody that I had, I had my note, I

461
00:21:22,200 --> 00:21:25,120
Speaker 1: had I consider you my friends when when you needed

462
00:21:25,160 --> 00:21:27,040
Speaker 1: something or I needed something. Your drama need this? You

463
00:21:27,400 --> 00:21:29,560
Speaker 1: I need this when when you when I swear we've

464
00:21:29,640 --> 00:21:32,480
Speaker 1: talked since then, No, we haven't. So y'all not friends anymore. Yeah,

465
00:21:32,520 --> 00:21:37,840
Speaker 1: but what do you drama right now? Drama? He apologize,

466
00:21:37,880 --> 00:21:41,280
Speaker 1: be good drama. Do you consider envies my man? And

467
00:21:41,680 --> 00:21:46,399
Speaker 1: I felt somewhere about that like that, that's that's that's it.

468
00:21:46,560 --> 00:21:48,280
Speaker 1: If I didn't know Envy felt the way about that,

469
00:21:48,359 --> 00:21:50,440
Speaker 1: and I didn't know either, and I apologize for that.

470
00:21:51,040 --> 00:21:53,280
Speaker 1: So Angelie, we the jury in the case of Waffle

471
00:21:53,320 --> 00:21:56,720
Speaker 1: Colored Negro one versus Waffle Colored Negro What you what?

472
00:21:57,119 --> 00:21:59,280
Speaker 1: What is the verdict? Well, the verdict is that we

473
00:21:59,400 --> 00:22:02,920
Speaker 1: are going to throw this case out. Yes, because apparently

474
00:22:03,000 --> 00:22:07,040
Speaker 1: there was a misunderstanding of miscommunication. And now it seems

475
00:22:07,040 --> 00:22:09,640
Speaker 1: that plaintiff and the defendant have both resolved their issues,

476
00:22:10,080 --> 00:22:12,880
Speaker 1: and we appreciate this mediation between the two of you. Yeah,

477
00:22:13,080 --> 00:22:19,760
Speaker 1: Court and journed years of Breakfast Club wanting. Everybody is

478
00:22:19,840 --> 00:22:23,480
Speaker 1: DJ Mvy Angela Yee, Charlomagne the guy. We all the

479
00:22:23,560 --> 00:22:27,280
Speaker 1: Breakfast Club. We got a special guest in the building. Yes, sir, Joe,

480
00:22:28,000 --> 00:22:32,040
Speaker 1: Oh my god, welcome sir. This is a moment. This

481
00:22:32,240 --> 00:22:34,080
Speaker 1: is my favorite show. Okay, so I probably say that

482
00:22:34,119 --> 00:22:35,479
Speaker 1: to all the show. No, you just said that when

483
00:22:35,520 --> 00:22:37,280
Speaker 1: I walked in. I already told you that wasn't true.

484
00:22:37,520 --> 00:22:39,600
Speaker 1: I don't say that to all the shows. I don't

485
00:22:39,600 --> 00:22:41,320
Speaker 1: go on like Kevin and Bean. I'm like, Yo, this

486
00:22:41,440 --> 00:22:44,159
Speaker 1: is my favorite show. Like Big Boy, I grew up

487
00:22:44,200 --> 00:22:45,960
Speaker 1: in LA I gotta give love the Big Boy. I

488
00:22:46,040 --> 00:22:47,520
Speaker 1: grew up listening. But I live in New York for

489
00:22:47,560 --> 00:22:49,720
Speaker 1: the past six years, and every morning I listened to

490
00:22:49,760 --> 00:22:51,880
Speaker 1: the show. And it is a true honor to be here,

491
00:22:52,080 --> 00:22:54,040
Speaker 1: and it's an honor to be on a show that

492
00:22:54,119 --> 00:22:58,239
Speaker 1: celebrates hip hop. For me, doing press my film Mid

493
00:22:58,359 --> 00:23:00,040
Speaker 1: Nineties has a lot to do with hip hop. I

494
00:23:00,080 --> 00:23:02,200
Speaker 1: want to talk about it. But something for me that

495
00:23:02,359 --> 00:23:04,880
Speaker 1: over the course of my career is these big studios

496
00:23:04,920 --> 00:23:08,240
Speaker 1: didn't want mainstream people coming in the hip hop stations.

497
00:23:08,280 --> 00:23:10,400
Speaker 1: They didn't care, and they didn't want people to come

498
00:23:10,440 --> 00:23:13,560
Speaker 1: in like they didn't think it was necessary even though

499
00:23:13,560 --> 00:23:17,160
Speaker 1: I'd ask. And so for me, I think it's really

500
00:23:17,280 --> 00:23:20,280
Speaker 1: dope that times are changing because I always wanted to

501
00:23:20,320 --> 00:23:22,280
Speaker 1: come into only the hip hop stations because that's all

502
00:23:22,320 --> 00:23:24,480
Speaker 1: I listened to. So I'm a huge fan and like,

503
00:23:24,960 --> 00:23:27,520
Speaker 1: it is actually really dope to be here. Or two things.

504
00:23:27,880 --> 00:23:29,919
Speaker 1: Number One, big Boy makes way more money than anybody

505
00:23:30,680 --> 00:23:33,960
Speaker 1: put out there that I can't help. I was born

506
00:23:34,000 --> 00:23:36,879
Speaker 1: in LA but I live in a He's done. That's

507
00:23:36,920 --> 00:23:39,080
Speaker 1: a fact. And number two, the reason that has changed

508
00:23:39,160 --> 00:23:42,280
Speaker 1: is because this generation of white man has decided, you

509
00:23:42,359 --> 00:23:44,040
Speaker 1: know what, I rock with hip hop and I rock

510
00:23:44,119 --> 00:23:45,840
Speaker 1: with the coaches. So I'm going up to that station,

511
00:23:46,200 --> 00:23:48,840
Speaker 1: you know what I mean? Yeah, But Ed Sharon and

512
00:23:49,000 --> 00:23:51,960
Speaker 1: Charlie Pools to the world like y'all through yall middle

513
00:23:52,000 --> 00:23:54,360
Speaker 1: finger today. No disrespect to them, but please don't love

514
00:23:54,400 --> 00:23:58,040
Speaker 1: me and sharing in Charlie Pool Bro, I'm thirty four

515
00:23:58,160 --> 00:24:00,520
Speaker 1: years old. I grew up. I grew up listening the

516
00:24:00,600 --> 00:24:04,720
Speaker 1: mob deep in tribe called Questions. I know, I listened

517
00:24:04,720 --> 00:24:08,080
Speaker 1: to you know, Ja Ru and O see like like

518
00:24:08,320 --> 00:24:11,360
Speaker 1: no disrespect to them. Those are young kids, Like I've

519
00:24:11,359 --> 00:24:14,400
Speaker 1: never listened to a non route Like my first record

520
00:24:15,119 --> 00:24:17,720
Speaker 1: is like wild pitch compilation, Like I don't you know,

521
00:24:17,880 --> 00:24:20,960
Speaker 1: like like like yeah, I just don't know any deal.

522
00:24:21,240 --> 00:24:23,480
Speaker 1: And so for me, it's important to represent the culture

523
00:24:23,520 --> 00:24:26,119
Speaker 1: in my film. You know, mid nineties, no joke A

524
00:24:26,160 --> 00:24:29,800
Speaker 1: big reason I made this film so hip hop, like skateboarding,

525
00:24:29,920 --> 00:24:34,159
Speaker 1: is always misrepresented in film. It's always shown people driving

526
00:24:34,200 --> 00:24:37,200
Speaker 1: through the hood or popping champagne, some exploitative, you know,

527
00:24:37,480 --> 00:24:40,359
Speaker 1: dumb stereotype. And for me, it was really important to

528
00:24:40,400 --> 00:24:44,040
Speaker 1: make an elegant, honest, emotional film that showed hip hop

529
00:24:44,119 --> 00:24:45,920
Speaker 1: for what it is for me, which is the emotional

530
00:24:46,000 --> 00:24:48,840
Speaker 1: backbone of my childhood. So like what tribe was to me,

531
00:24:49,000 --> 00:24:50,959
Speaker 1: or like what the Beatles were to my parents, right

532
00:24:51,440 --> 00:24:55,360
Speaker 1: Meagles are better than the Beatles, by the way, which

533
00:24:55,400 --> 00:24:59,680
Speaker 1: one wrote yesterday, The Beatles are mem but but for me,

534
00:25:00,400 --> 00:25:03,440
Speaker 1: that's this movie does that and it shows hip hop

535
00:25:03,560 --> 00:25:06,280
Speaker 1: in like a true That's how I grew up That's

536
00:25:06,320 --> 00:25:08,480
Speaker 1: how my life was framed. That's the lens I saw

537
00:25:08,600 --> 00:25:11,359
Speaker 1: life through. It felt skateboarder, it felt very authentic, just

538
00:25:11,480 --> 00:25:13,400
Speaker 1: because I know you're such a big hip hop head.

539
00:25:13,440 --> 00:25:15,080
Speaker 1: And I got a chance to see some of the

540
00:25:15,119 --> 00:25:18,240
Speaker 1: screener and I heard big l on there. I heard

541
00:25:18,359 --> 00:25:20,760
Speaker 1: child called Quests on there. I'm listening to the music

542
00:25:20,840 --> 00:25:22,159
Speaker 1: on there, and I'm like, I know he had a

543
00:25:22,200 --> 00:25:24,000
Speaker 1: great time putting this part. How do you have that

544
00:25:24,080 --> 00:25:29,240
Speaker 1: dough using tears in the trailer? Thank you Tank? Growing up,

545
00:25:29,240 --> 00:25:30,600
Speaker 1: I used to think that was the wackest song on

546
00:25:30,680 --> 00:25:33,760
Speaker 1: the album, but now I would like, I love this role.

547
00:25:33,840 --> 00:25:36,200
Speaker 1: Don't you realize how heart, how how much how emotional

548
00:25:36,320 --> 00:25:38,159
Speaker 1: that song is when you get older, when you're young,

549
00:25:38,200 --> 00:25:43,800
Speaker 1: it's like skip straight to cream, Bros, Skip right to cream.

550
00:25:44,200 --> 00:25:46,000
Speaker 1: Trying to explain how did you get into hip hop,

551
00:25:46,119 --> 00:25:48,880
Speaker 1: especially being from the West Coast, Like so from screening

552
00:25:49,119 --> 00:25:50,480
Speaker 1: in the music that you've been talking about, you've been

553
00:25:50,480 --> 00:25:53,520
Speaker 1: talking about mob d, Big Alm Okay, so cool Quests.

554
00:25:53,600 --> 00:25:56,639
Speaker 1: So I so in New York, my brother he passed

555
00:25:56,680 --> 00:25:58,520
Speaker 1: away man he rest in peace. He was a big

556
00:25:58,640 --> 00:26:00,399
Speaker 1: hip hop head. He was six years older than me.

557
00:26:00,880 --> 00:26:02,720
Speaker 1: So I was like sneak into his room and like

558
00:26:03,080 --> 00:26:07,120
Speaker 1: and like listening to all the CDs. So like before Farside,

559
00:26:07,280 --> 00:26:10,480
Speaker 1: before ninety three, you know, before Souls and Mischief, there

560
00:26:10,600 --> 00:26:13,200
Speaker 1: wasn't good like already West Coast hip hop it was

561
00:26:13,280 --> 00:26:16,240
Speaker 1: just gangster rap. So if you were of true like

562
00:26:16,400 --> 00:26:19,280
Speaker 1: hip hop head, like my older brother, you were East Coast,

563
00:26:19,359 --> 00:26:21,359
Speaker 1: you dressed like you were from the East Coast. You

564
00:26:21,440 --> 00:26:24,480
Speaker 1: weren't like repping the West Coast as hard because we

565
00:26:24,600 --> 00:26:28,800
Speaker 1: weren't gangsters, Like you couldn't maybe yeah, like I could,

566
00:26:28,920 --> 00:26:30,879
Speaker 1: like I'm not gonna wear a puffer Raiders jacket and

567
00:26:31,000 --> 00:26:33,240
Speaker 1: like that just wasn't cool, you know, and so like

568
00:26:33,760 --> 00:26:36,119
Speaker 1: so tribe. You know, Q Tips one of my best friends,

569
00:26:36,160 --> 00:26:37,680
Speaker 1: and like he was one of the first people to

570
00:26:37,720 --> 00:26:39,960
Speaker 1: see this movie, him and Frank Oceans and my sister

571
00:26:40,040 --> 00:26:42,280
Speaker 1: saw the first cut and it was important to me,

572
00:26:42,359 --> 00:26:44,840
Speaker 1: just as skateboarding even showed the legends and be like,

573
00:26:45,400 --> 00:26:47,800
Speaker 1: I made this not from a place of authority, but

574
00:26:47,920 --> 00:26:51,040
Speaker 1: from a place of deep admiration and respect for for

575
00:26:51,240 --> 00:26:57,040
Speaker 1: giving me music that changed my life. No, no, I

576
00:26:57,160 --> 00:26:59,879
Speaker 1: mean like through skateboarding. It definitely burst me out of

577
00:27:00,119 --> 00:27:01,639
Speaker 1: like part of what the movie is about is you

578
00:27:01,720 --> 00:27:04,320
Speaker 1: find this tribe of people, right, just like through hip hop,

579
00:27:04,359 --> 00:27:06,000
Speaker 1: you would find this tribe of people where it's like

580
00:27:06,280 --> 00:27:08,680
Speaker 1: a family outside of your home. And that's what it's about.

581
00:27:08,760 --> 00:27:12,720
Speaker 1: This lonely kid finds these skateboarders and he connects with

582
00:27:12,880 --> 00:27:15,280
Speaker 1: them because it's like it's a time in your life

583
00:27:15,280 --> 00:27:17,960
Speaker 1: when you're twelve, thirteen, or your friends are more important

584
00:27:17,960 --> 00:27:21,399
Speaker 1: than your family. It's likely they are your family and

585
00:27:21,440 --> 00:27:23,159
Speaker 1: the family you build, and that's what this is. So

586
00:27:23,240 --> 00:27:25,240
Speaker 1: it's like, even if you don't care about skating, it's

587
00:27:25,240 --> 00:27:27,000
Speaker 1: about a kid working his way up through the animal

588
00:27:27,119 --> 00:27:29,920
Speaker 1: kingdom and he's this little kid. And what's amazing about

589
00:27:30,000 --> 00:27:33,120
Speaker 1: it is with skating with hip hop. So skating burst

590
00:27:33,200 --> 00:27:35,120
Speaker 1: me out of my bubble. So I had friends from

591
00:27:35,160 --> 00:27:37,400
Speaker 1: like you know, I ran with the mostly like Hispanic

592
00:27:37,480 --> 00:27:39,480
Speaker 1: dude from like East La when East La wasn't like

593
00:27:39,840 --> 00:27:41,880
Speaker 1: a hipster place to live now you know what I mean.

594
00:27:42,400 --> 00:27:44,560
Speaker 1: And so thank God for skateboarding because it burst me

595
00:27:44,600 --> 00:27:47,320
Speaker 1: out of a bubble that everyone should be burst out of.

596
00:27:47,600 --> 00:27:49,520
Speaker 1: How did you feel when all these a pop bartis

597
00:27:49,520 --> 00:27:53,040
Speaker 1: started u co opting skateboard culture? You know Nikel Smith

598
00:27:53,040 --> 00:27:55,399
Speaker 1: who's in our film. He plays Ray and he's unbelievable.

599
00:27:55,480 --> 00:27:57,679
Speaker 1: He's on Supreme and I'm wearing I'm rocking his adidis

600
00:27:57,800 --> 00:27:59,639
Speaker 1: right now, shout out to Nickel. I'm up the let's say,

601
00:27:59,680 --> 00:28:01,400
Speaker 1: let's say shout out to Nickel. I got some knock

602
00:28:01,440 --> 00:28:08,520
Speaker 1: ones on. Okay, all right, a little bit. I'm old,

603
00:28:08,800 --> 00:28:13,119
Speaker 1: I got bad. I was showing respect. If I was

604
00:28:13,160 --> 00:28:15,240
Speaker 1: on some other radization and someone said put your leg up,

605
00:28:15,240 --> 00:28:17,560
Speaker 1: I'd be like, hey, why don't we go outside? My

606
00:28:17,640 --> 00:28:20,600
Speaker 1: leg up? So, like, I just know, it's all love

607
00:28:20,680 --> 00:28:24,400
Speaker 1: and respect. Awkwardly put my leg up on there out

608
00:28:24,440 --> 00:28:26,280
Speaker 1: of respect for you guys, don't it Just next time

609
00:28:26,320 --> 00:28:29,760
Speaker 1: take the shoe off holding you know what I'm saying,

610
00:28:30,760 --> 00:28:34,440
Speaker 1: What a better idea? Okay, okay, So I'm thirty four.

611
00:28:35,119 --> 00:28:38,200
Speaker 1: Our whole generation in the nineties was like trying his lame.

612
00:28:38,440 --> 00:28:42,280
Speaker 1: Everything's lame. But what's cool about this new generation is

613
00:28:42,360 --> 00:28:44,360
Speaker 1: some of them they're more open, like Nickel will be like,

614
00:28:44,680 --> 00:28:47,800
Speaker 1: I love skateboarding. Look, I was never a good skateboarder,

615
00:28:47,960 --> 00:28:51,560
Speaker 1: but I was one hundred percent dedication, fourteen percent skill.

616
00:28:52,040 --> 00:28:54,440
Speaker 1: But I skated my like for six years. It's still

617
00:28:54,520 --> 00:28:56,560
Speaker 1: changed my life. Like I'm not a good MC or

618
00:28:56,600 --> 00:28:58,840
Speaker 1: a good producer. I mean I kind of made fire beats,

619
00:28:59,000 --> 00:29:01,520
Speaker 1: but I still had an MPC and was making beats

620
00:29:01,560 --> 00:29:04,680
Speaker 1: for six years. And for me, skaters can feel however

621
00:29:04,720 --> 00:29:06,600
Speaker 1: they want. I'm sure it feels weird that their their

622
00:29:06,640 --> 00:29:09,160
Speaker 1: culture is getting culture vultured and stuff like that, you know,

623
00:29:09,360 --> 00:29:12,320
Speaker 1: but like to me, just as someone when the skateboarding

624
00:29:12,440 --> 00:29:15,560
Speaker 1: was like so outsider. It was so not mainstream, right,

625
00:29:15,640 --> 00:29:17,240
Speaker 1: So that's why I connected to it because it was

626
00:29:17,240 --> 00:29:19,720
Speaker 1: just anti. The same with rap. It was like the

627
00:29:19,840 --> 00:29:22,720
Speaker 1: way you treated authority was like you And I love

628
00:29:22,800 --> 00:29:24,800
Speaker 1: that about skating. I love that about hip hop and

629
00:29:24,880 --> 00:29:26,760
Speaker 1: that gave me a lens that I saw life through

630
00:29:27,200 --> 00:29:30,800
Speaker 1: and I think everything should just be all mixed together, man, like,

631
00:29:30,960 --> 00:29:33,520
Speaker 1: let people have fun, like life is so hard. If

632
00:29:33,560 --> 00:29:36,600
Speaker 1: he loves skating, let the man skate, like, come on,

633
00:29:36,800 --> 00:29:38,280
Speaker 1: like he was a rapper that you had a rap

634
00:29:38,400 --> 00:29:40,480
Speaker 1: name back in the day. You say MPC, So you

635
00:29:40,560 --> 00:29:43,560
Speaker 1: made beats? Did you rap? Yeah, of course I do. Name.

636
00:29:45,200 --> 00:29:47,840
Speaker 1: This is like an official, this is an exclusive. Oh boy,

637
00:29:47,880 --> 00:29:50,080
Speaker 1: what was the rap name? It was bad? I had

638
00:29:50,120 --> 00:29:51,880
Speaker 1: a beat and I didn't ever rap, and an EMINEMC

639
00:29:52,080 --> 00:29:54,240
Speaker 1: name but I made a lot of beats and to

640
00:29:54,440 --> 00:29:56,920
Speaker 1: be honest, at least my gate my sample game was

641
00:29:57,320 --> 00:30:00,160
Speaker 1: my digging game was tight. Was nice. Um, it's it's

642
00:30:00,200 --> 00:30:06,800
Speaker 1: really embarrassing. Spindrome. Spindrome like syndrome, but credible fight in

643
00:30:06,840 --> 00:30:12,280
Speaker 1: the third movie it was whacked. No, But you know

644
00:30:12,320 --> 00:30:15,560
Speaker 1: what I worked for. So I interned for an indie

645
00:30:15,640 --> 00:30:19,560
Speaker 1: rap manager. And this is a crazy story. So my

646
00:30:19,680 --> 00:30:22,480
Speaker 1: manager now this two managers, this guy Rick Yourn and

647
00:30:22,600 --> 00:30:25,160
Speaker 1: Ian Montone, and they're great, and Ian Moore works in music,

648
00:30:25,240 --> 00:30:28,920
Speaker 1: and Rick managers like Leonardo DiCaprio and myself and Barnes.

649
00:30:29,400 --> 00:30:33,120
Speaker 1: I'm his least successful client. And Ian does mostly music.

650
00:30:33,200 --> 00:30:34,720
Speaker 1: But I wanted to work with him. And here's why.

651
00:30:35,320 --> 00:30:40,800
Speaker 1: I interned at an indie hip hop backpack manager. Right

652
00:30:41,520 --> 00:30:45,320
Speaker 1: answering phones, I'm fourteen fifteen, right, everyone's a jerk to me.

653
00:30:45,600 --> 00:30:47,520
Speaker 1: And I answered the phone and this one guy, Ian

654
00:30:47,640 --> 00:30:50,120
Speaker 1: was a lawyer at this time. He would always go,

655
00:30:50,240 --> 00:30:52,120
Speaker 1: how you doing, man? You know, like you have any

656
00:30:52,160 --> 00:30:54,600
Speaker 1: They're treating you all right over there. And it meant

657
00:30:54,680 --> 00:30:58,360
Speaker 1: so much to me that when I blew up, I

658
00:30:58,560 --> 00:31:00,680
Speaker 1: was like he manages like the White stripes and like

659
00:31:00,880 --> 00:31:03,400
Speaker 1: people like that, and I was like, I want that

660
00:31:03,520 --> 00:31:05,720
Speaker 1: dude to work with me. Wow. You know you always

661
00:31:05,760 --> 00:31:07,440
Speaker 1: tell the true character of a person based on how

662
00:31:07,480 --> 00:31:09,440
Speaker 1: they treat people that can't do nothing for him. That

663
00:31:09,560 --> 00:31:11,600
Speaker 1: stuff stays with you your whole life. We got more

664
00:31:11,640 --> 00:31:13,360
Speaker 1: with Jonah Hill. When we come back, don't move. It's

665
00:31:13,400 --> 00:31:17,880
Speaker 1: the Breakfast Club. Good morning, bj Envy Angela Yee, Charlomagne

666
00:31:17,880 --> 00:31:20,680
Speaker 1: the guy. We are the Breakfast Club. We have Jonah

667
00:31:20,880 --> 00:31:22,920
Speaker 1: Hill in the building acting. Now, how did you get

668
00:31:22,960 --> 00:31:25,760
Speaker 1: to acting? You say skateboarding, then you say producer, you

669
00:31:25,840 --> 00:31:27,800
Speaker 1: say record label. How did you turn and say, you

670
00:31:27,800 --> 00:31:29,360
Speaker 1: know what, I'm gonna leave this music as your load

671
00:31:29,560 --> 00:31:31,680
Speaker 1: and start acting. So I always wanted to be a

672
00:31:31,760 --> 00:31:33,640
Speaker 1: filmmaker my whole life. I always wanted to be a

673
00:31:33,720 --> 00:31:36,280
Speaker 1: right director. And when I was starting so like, I

674
00:31:36,440 --> 00:31:38,560
Speaker 1: wanted to make movies for the culture. Like now we're

675
00:31:38,600 --> 00:31:41,400
Speaker 1: at a time where the culture is so big, like skating,

676
00:31:41,520 --> 00:31:43,640
Speaker 1: hip hop. The things that I love now can be

677
00:31:43,880 --> 00:31:45,800
Speaker 1: in a film, whereas before they had to be some

678
00:31:46,480 --> 00:31:49,440
Speaker 1: little part of a film done poorly. Now it's like

679
00:31:49,960 --> 00:31:52,640
Speaker 1: we're here and you guys are a massive part of

680
00:31:52,760 --> 00:31:55,640
Speaker 1: bringing that forward. So I'm a kid I go to

681
00:31:55,720 --> 00:31:57,240
Speaker 1: New York and I want to be a writer and director,

682
00:31:57,400 --> 00:32:00,280
Speaker 1: and I would write plays and I was so bad

683
00:32:00,320 --> 00:32:02,440
Speaker 1: with the actors because they would not do it right.

684
00:32:02,480 --> 00:32:04,360
Speaker 1: And I go and I didn't have good bedside man.

685
00:32:04,440 --> 00:32:06,800
Speaker 1: I'd be like, current, you're doing it like like I

686
00:32:06,880 --> 00:32:09,360
Speaker 1: wrote it. And my friend was like, yo, the actors

687
00:32:09,440 --> 00:32:11,680
Speaker 1: don't like coming in and reading for your plays because

688
00:32:11,680 --> 00:32:14,320
Speaker 1: you don't speak to them correctly. I didn't know how.

689
00:32:14,840 --> 00:32:17,560
Speaker 1: So I took an acting class to learn how i'd

690
00:32:17,600 --> 00:32:21,040
Speaker 1: like to be spoken to. And I was so insecure

691
00:32:21,120 --> 00:32:23,600
Speaker 1: that I got such positive feedback for acting. I went

692
00:32:23,680 --> 00:32:27,800
Speaker 1: on a fifteen year DA tour because the teachers were like, Wow,

693
00:32:27,840 --> 00:32:29,640
Speaker 1: you're really good at something. And when you're a kid

694
00:32:29,680 --> 00:32:31,960
Speaker 1: who wasn't that good at stuff, like you're like, okay,

695
00:32:31,960 --> 00:32:34,000
Speaker 1: I'll take whatever I can get. Right when you stopped writing,

696
00:32:34,120 --> 00:32:36,840
Speaker 1: just act. What happened was I love acting, but I

697
00:32:36,880 --> 00:32:39,360
Speaker 1: went on this fifteen I had this beautiful fifteen year career.

698
00:32:39,480 --> 00:32:41,920
Speaker 1: Have it. I got the best film school in the world.

699
00:32:42,040 --> 00:32:44,360
Speaker 1: You know, if you're on a film set and you're

700
00:32:44,360 --> 00:32:47,680
Speaker 1: an actor, if you want it, you haven't. You have

701
00:32:47,720 --> 00:32:50,040
Speaker 1: a front row seat at Harvard, you know, experience is

702
00:32:50,080 --> 00:32:51,920
Speaker 1: the best teach I love how you talk about this

703
00:32:52,000 --> 00:32:55,280
Speaker 1: stuff because to me, it's so important. If I was

704
00:32:55,320 --> 00:32:58,440
Speaker 1: like fourteen listening to this right now, all we get

705
00:32:58,520 --> 00:33:01,520
Speaker 1: out of it is an education. That's what I feel like,

706
00:33:01,760 --> 00:33:04,560
Speaker 1: Like I love the education. Like when this is when

707
00:33:04,640 --> 00:33:06,640
Speaker 1: we turn the mics off, I'm gonna ask you guys

708
00:33:06,680 --> 00:33:09,120
Speaker 1: so much about your how you got here and why

709
00:33:09,200 --> 00:33:11,320
Speaker 1: that is. And like, as an actor, you just get

710
00:33:11,360 --> 00:33:13,080
Speaker 1: a front row seat to it. I feel like this

711
00:33:13,160 --> 00:33:15,320
Speaker 1: film is therapeutic for you because I was reading an

712
00:33:15,480 --> 00:33:17,120
Speaker 1: article in Volture and you said, for most of your

713
00:33:17,160 --> 00:33:19,360
Speaker 1: young adult life you listen to people telling you that

714
00:33:19,440 --> 00:33:21,560
Speaker 1: you were fat, gross, and unattractive. With the past four

715
00:33:21,640 --> 00:33:25,320
Speaker 1: years you realize how much that hurt was making because

716
00:33:25,360 --> 00:33:27,840
Speaker 1: because he was making the movie and reflected, yeah, because

717
00:33:27,840 --> 00:33:29,800
Speaker 1: I get to be myself, Like this feels as me

718
00:33:30,320 --> 00:33:34,120
Speaker 1: literally coming to the world, like as myself. I spent

719
00:33:34,240 --> 00:33:37,600
Speaker 1: my twenties, it had this beautiful career, like I'm fortunate

720
00:33:37,680 --> 00:33:40,800
Speaker 1: for it, but it was kind of like acting is

721
00:33:40,800 --> 00:33:43,360
Speaker 1: to be seen and writing is to be heard, and

722
00:33:43,440 --> 00:33:46,720
Speaker 1: so for me, I did feel like, yeah, it's just

723
00:33:46,800 --> 00:33:49,880
Speaker 1: like fat, funny comedian and people could just like trash

724
00:33:50,000 --> 00:33:52,240
Speaker 1: me or you know, like because I was funny or

725
00:33:52,280 --> 00:33:54,120
Speaker 1: because of that. It's like you could I don't have

726
00:33:54,240 --> 00:33:56,040
Speaker 1: feelings or you can't just you could just murder me,

727
00:33:56,160 --> 00:33:58,520
Speaker 1: you know, and it's like no, Like I'm a really

728
00:33:58,600 --> 00:34:02,680
Speaker 1: sensitive person and people are sensitive and that hurts, and

729
00:34:02,840 --> 00:34:05,400
Speaker 1: so for me, it's important to tell kids like yo,

730
00:34:05,560 --> 00:34:07,120
Speaker 1: like you don't have to take that. So do you

731
00:34:07,160 --> 00:34:09,480
Speaker 1: feel like people would like you were a joke in Hollywood,

732
00:34:09,560 --> 00:34:11,400
Speaker 1: Like you'd be around in circles with Leo dam and

733
00:34:11,480 --> 00:34:14,640
Speaker 1: Leod like hey, no, no, no, see that. No, No,

734
00:34:15,320 --> 00:34:18,680
Speaker 1: my friends were always my friends would never disrespect. They

735
00:34:18,719 --> 00:34:22,399
Speaker 1: were fiercely, fiercely you know, Like that's what I'm saying. Though,

736
00:34:22,440 --> 00:34:24,840
Speaker 1: it's like no one would do that. That is a

737
00:34:24,960 --> 00:34:27,080
Speaker 1: human being that is connected to you. People do it

738
00:34:27,160 --> 00:34:30,000
Speaker 1: on their computers because they like, are what made you

739
00:34:30,080 --> 00:34:32,359
Speaker 1: feel that way? What made you feel gross? Just like well,

740
00:34:32,440 --> 00:34:35,160
Speaker 1: just like article like it was more like writers, you know.

741
00:34:35,400 --> 00:34:37,000
Speaker 1: And then if I was doing an interview like this,

742
00:34:37,160 --> 00:34:40,440
Speaker 1: Let's say I wouldn't have the confidence in myself to

743
00:34:40,600 --> 00:34:43,480
Speaker 1: speak as confidently as I'm speaking now. I try and

744
00:34:43,560 --> 00:34:45,560
Speaker 1: make a joke or I try something, and they would

745
00:34:46,000 --> 00:34:47,880
Speaker 1: they would I was young. I was like a kid,

746
00:34:48,000 --> 00:34:49,759
Speaker 1: so I was always talking to people ten years fifteen

747
00:34:49,800 --> 00:34:52,080
Speaker 1: years older than me, and they're talking down to me,

748
00:34:52,560 --> 00:34:56,040
Speaker 1: and like, that isn't flying with me anymore. I'm proud

749
00:34:56,160 --> 00:34:58,759
Speaker 1: to be the person that I am, and I think

750
00:34:58,880 --> 00:35:01,360
Speaker 1: making this film Midnight and these like I made a

751
00:35:01,440 --> 00:35:03,680
Speaker 1: film that means something to me. And once you realize

752
00:35:03,760 --> 00:35:07,560
Speaker 1: you can do that, you're unstoppable. Because this is I

753
00:35:07,640 --> 00:35:09,279
Speaker 1: was writing in my room. This is my best friend.

754
00:35:09,320 --> 00:35:12,160
Speaker 1: When I'm like angry, sad, lonely, I'm in my room

755
00:35:12,200 --> 00:35:14,920
Speaker 1: writing made nineties and now I'm here on the Breakfast

756
00:35:14,960 --> 00:35:17,720
Speaker 1: Club talking about my first film as a writer director.

757
00:35:17,840 --> 00:35:19,880
Speaker 1: Because I included so much of the hip hop that

758
00:35:20,000 --> 00:35:21,839
Speaker 1: I love in this film. I swear to God if

759
00:35:21,880 --> 00:35:23,600
Speaker 1: I hit that same line on another show, but you

760
00:35:23,719 --> 00:35:26,759
Speaker 1: just changed the name I'm giving you, daughter Ellen. Now

761
00:35:26,840 --> 00:35:31,680
Speaker 1: that I'm here, I'd take you to write this three

762
00:35:31,760 --> 00:35:35,040
Speaker 1: years twenty drafts. Wow. Yeah, is it hard writing about

763
00:35:35,040 --> 00:35:38,120
Speaker 1: the nineties now because the culture is so different in times,

764
00:35:38,160 --> 00:35:41,120
Speaker 1: it's so different and people's sensitivities are so different. It's

765
00:35:41,200 --> 00:35:44,440
Speaker 1: like the nineties was wrong. Well, the movies rang, I

766
00:35:44,520 --> 00:35:47,320
Speaker 1: mean the movie I made a really strong choice that

767
00:35:47,400 --> 00:35:51,960
Speaker 1: I stand behind, which is these kids speak really homophobic language.

768
00:35:52,400 --> 00:35:55,120
Speaker 1: They treat women in a disrespectful way and talk about

769
00:35:55,120 --> 00:35:58,080
Speaker 1: them in a disrespectful way. And I made the choice

770
00:35:58,200 --> 00:36:01,000
Speaker 1: and I stand behind it. I'm not celebrating it. I'm

771
00:36:01,000 --> 00:36:04,759
Speaker 1: telling the truth. But I'm not a moralist. I'm not

772
00:36:04,880 --> 00:36:06,320
Speaker 1: here to be your dad. Like I'm not here to

773
00:36:06,400 --> 00:36:08,359
Speaker 1: tell you how to feel and what to think. I'll

774
00:36:08,360 --> 00:36:11,640
Speaker 1: show you the truth. And I personally think it sucks.

775
00:36:11,840 --> 00:36:14,440
Speaker 1: I think it's horrible the way they speak. But like

776
00:36:15,000 --> 00:36:17,160
Speaker 1: it's not my job to be the judge. Why are

777
00:36:17,280 --> 00:36:19,680
Speaker 1: artists all of a sudden like the moral police, Like

778
00:36:20,120 --> 00:36:22,640
Speaker 1: you make the decision, you know, I'm showing you how

779
00:36:22,680 --> 00:36:24,600
Speaker 1: it is. I put it in there as a mirror

780
00:36:24,640 --> 00:36:26,279
Speaker 1: to show how up it is. Yes, and it's good

781
00:36:26,280 --> 00:36:27,759
Speaker 1: to learn from because you'd be watching that stuff and

782
00:36:27,840 --> 00:36:29,839
Speaker 1: listening to the old music and you'll be like, god, damn,

783
00:36:29,880 --> 00:36:32,200
Speaker 1: we was wild all the time. We was bucking bro.

784
00:36:34,920 --> 00:36:37,040
Speaker 1: I was listening to Bigel the other day and I

785
00:36:37,200 --> 00:36:39,359
Speaker 1: was just like, I miss big Eel by the way,

786
00:36:39,440 --> 00:36:41,200
Speaker 1: But like you know what I mean, It's like, my

787
00:36:41,360 --> 00:36:44,160
Speaker 1: job's not to tell you. I'm a filmmaker, I'm a storyteller.

788
00:36:44,320 --> 00:36:46,719
Speaker 1: Like I'm not I'm not your parent, but it's some

789
00:36:46,800 --> 00:36:49,440
Speaker 1: guy in the computer, this new Jonah Hill mid nineties movie.

790
00:36:49,480 --> 00:36:54,080
Speaker 1: Because movie is so homophobic and misogynistic and problematic. Well, honestly,

791
00:36:54,160 --> 00:36:56,520
Speaker 1: it's been amazing because people seem to get it. It's

792
00:36:56,560 --> 00:36:59,279
Speaker 1: pretty obvious. I'm not stupid, Like I fought this through

793
00:36:59,440 --> 00:37:01,880
Speaker 1: for a year and I made a choice. And Scott

794
00:37:01,960 --> 00:37:03,920
Speaker 1: Ruten and my producer, you know, he's he is a

795
00:37:04,000 --> 00:37:05,839
Speaker 1: gay man, and he was like, I wrote a scene

796
00:37:05,840 --> 00:37:07,560
Speaker 1: where they were kind of like when people are saying

797
00:37:07,560 --> 00:37:09,600
Speaker 1: the F word, and they're kind of like one kid

798
00:37:09,680 --> 00:37:11,600
Speaker 1: goes like, you know, maybe we shouldn't be saying this,

799
00:37:12,040 --> 00:37:18,719
Speaker 1: and I said I and he he wrote back to me,

800
00:37:18,800 --> 00:37:20,600
Speaker 1: he wrote, he wrote back to me. Would you guys

801
00:37:20,640 --> 00:37:22,560
Speaker 1: have this conversation in the nineteen ninety five? And I

802
00:37:22,719 --> 00:37:24,719
Speaker 1: was like, hell no. And he's like, then you're lying,

803
00:37:25,360 --> 00:37:27,640
Speaker 1: you know. He's like, tell the truth and let people

804
00:37:27,680 --> 00:37:29,480
Speaker 1: see how gross it is. Do you think your youngest

805
00:37:29,480 --> 00:37:32,320
Speaker 1: self could have survived this social media error? No, I

806
00:37:32,400 --> 00:37:34,920
Speaker 1: can barely survive it. Now. I'm listening to you talk

807
00:37:35,000 --> 00:37:37,439
Speaker 1: and I'm wondering, did you start the process of losing

808
00:37:37,520 --> 00:37:40,439
Speaker 1: weight for health reasons or because you wanted to feel

809
00:37:40,560 --> 00:37:42,680
Speaker 1: more confident because you was listening to what people were

810
00:37:42,680 --> 00:37:45,520
Speaker 1: saying about you. I'm just trying like every other human being.

811
00:37:46,040 --> 00:37:48,040
Speaker 1: You know, every day you can put one foot in

812
00:37:48,080 --> 00:37:50,080
Speaker 1: front of the other. That's it, you know. I don't

813
00:37:50,080 --> 00:37:51,400
Speaker 1: know the way you tried to lift your leg up.

814
00:37:51,400 --> 00:37:52,840
Speaker 1: I don't know how he did this for you to

815
00:37:52,880 --> 00:37:56,440
Speaker 1: put brother. Honestly, look at what I have right here

816
00:37:56,880 --> 00:38:01,040
Speaker 1: the wall, Like all right, no word, Yeah, what do

817
00:38:01,080 --> 00:38:03,720
Speaker 1: you have to prove to me how flexible you Arewood?

818
00:38:03,760 --> 00:38:05,759
Speaker 1: What are you listening to musically now? Because all the

819
00:38:05,800 --> 00:38:09,279
Speaker 1: groups that you mentioned amazing? What are you listening to

820
00:38:09,560 --> 00:38:13,760
Speaker 1: musically now? Now? Um? I got the kids to finally

821
00:38:13,800 --> 00:38:17,359
Speaker 1: admit that the boom Bat era saw the SoundCloud era,

822
00:38:18,000 --> 00:38:20,120
Speaker 1: Like I got the young kids to finally admitted. I

823
00:38:20,239 --> 00:38:24,360
Speaker 1: was like, yo, your music like the kids from nineties,

824
00:38:24,400 --> 00:38:26,759
Speaker 1: like because they're like eleven to twenty three, so that

825
00:38:27,360 --> 00:38:30,880
Speaker 1: all day they're listening to SoundCloud and I get with it, like, like,

826
00:38:31,040 --> 00:38:33,120
Speaker 1: you know, there's music I like from that world. But

827
00:38:33,680 --> 00:38:36,160
Speaker 1: obviously I listened to the Golden era. DJ Premier is

828
00:38:36,200 --> 00:38:39,239
Speaker 1: my God, you know, que Tips my God, like Gang Star,

829
00:38:39,520 --> 00:38:46,319
Speaker 1: Mo Prince, Paul Pete Raw, who's your top five, top

830
00:38:46,360 --> 00:38:49,759
Speaker 1: five dead or alive? Yes, m m is. I can't

831
00:38:49,800 --> 00:38:52,000
Speaker 1: go in orders that would take me like I would

832
00:38:52,080 --> 00:38:55,280
Speaker 1: want to think for a month. It's just big els

833
00:38:55,280 --> 00:38:59,880
Speaker 1: on there um tribe, Like, hey man, it's a tribe.

834
00:39:00,040 --> 00:39:02,680
Speaker 1: Can I put tipping fife as one? Like tribe is

835
00:39:02,760 --> 00:39:06,719
Speaker 1: one of them together? Okay? So big al tribe, mob,

836
00:39:06,800 --> 00:39:15,560
Speaker 1: deep gang Star, old On, hold on, I need six

837
00:39:15,760 --> 00:39:19,960
Speaker 1: Boo tank And because there's someone I'm leaving out that's

838
00:39:19,960 --> 00:39:22,640
Speaker 1: really important to me clearly not oh ju I love

839
00:39:22,719 --> 00:39:25,640
Speaker 1: Jay Wow Wow. So he was really big on from

840
00:39:25,680 --> 00:39:29,880
Speaker 1: me and you listen to anything with and I'm like

841
00:39:30,000 --> 00:39:33,800
Speaker 1: happy for him and Royce's success. Like I like stories

842
00:39:33,840 --> 00:39:35,680
Speaker 1: like that, like their band didn't run the jewels, like

843
00:39:36,080 --> 00:39:39,239
Speaker 1: people blowing up like later in life. It's like, yo,

844
00:39:39,320 --> 00:39:41,879
Speaker 1: we all get older brothers, Like we ain't gonna be twenty.

845
00:39:41,920 --> 00:39:44,200
Speaker 1: We're not twenty anymore. And it's nice to see someone

846
00:39:44,520 --> 00:39:47,600
Speaker 1: that makes good art blow up. Right, that's sick. You know.

847
00:39:48,040 --> 00:39:49,640
Speaker 1: We got more with Jonah Hill when we come back,

848
00:39:49,680 --> 00:39:51,640
Speaker 1: don't move. It's to breakfast club, go on, It's morning.

849
00:39:51,680 --> 00:39:55,520
Speaker 1: Everybody is DJ Envy angela Ye, Charlomagne the guy we

850
00:39:55,640 --> 00:39:58,960
Speaker 1: are the Breakfast Club. Jonah Hill is here Charlomagne as

851
00:39:59,040 --> 00:40:01,319
Speaker 1: as a white man who loves the coach of hip

852
00:40:01,360 --> 00:40:04,080
Speaker 1: hop so much. How do you use your privilege to

853
00:40:04,160 --> 00:40:07,719
Speaker 1: combat prejudice that we experience on a social level. That's

854
00:40:07,760 --> 00:40:11,080
Speaker 1: a really good question, and mostly I need to be better.

855
00:40:11,360 --> 00:40:13,400
Speaker 1: Two of the leads of my movie or African American

856
00:40:13,520 --> 00:40:16,600
Speaker 1: non actors wants Hispanic and one white, two or white.

857
00:40:16,719 --> 00:40:20,200
Speaker 1: You know. So for me, this movie was a representation

858
00:40:20,480 --> 00:40:24,759
Speaker 1: of like my multi cultural life of skateboarding. But I

859
00:40:24,960 --> 00:40:26,920
Speaker 1: need to do better. You know what can I do?

860
00:40:27,120 --> 00:40:29,200
Speaker 1: Like for real? Like I want to know what I

861
00:40:29,280 --> 00:40:32,160
Speaker 1: can do to check my privilege and help people out,

862
00:40:32,280 --> 00:40:34,520
Speaker 1: you know what I mean? Like one of our producers

863
00:40:34,640 --> 00:40:37,239
Speaker 1: is Mikey Alfred is a young African American duties twenty three,

864
00:40:37,280 --> 00:40:39,680
Speaker 1: a co producer of the movie. I didn't want it

865
00:40:39,719 --> 00:40:42,239
Speaker 1: to be like a bunch of white people making a

866
00:40:42,360 --> 00:40:46,080
Speaker 1: movie about all these cultures, you know. But yo, I'm

867
00:40:46,120 --> 00:40:49,239
Speaker 1: not saying, like tell me for real, like, what is

868
00:40:49,280 --> 00:40:51,400
Speaker 1: a good way for me to be of service as

869
00:40:51,440 --> 00:40:54,440
Speaker 1: opposed to just being privileged? Dude? M one way through

870
00:40:54,480 --> 00:40:58,399
Speaker 1: your art, like you're doing. You're hiring people of these

871
00:40:58,440 --> 00:41:01,840
Speaker 1: cultures that you're talking about today, right, yeah, because one

872
00:41:01,840 --> 00:41:03,160
Speaker 1: of the problems to me is like you have all

873
00:41:03,200 --> 00:41:07,080
Speaker 1: these culturally clueless people in these boardrooms talking about things

874
00:41:08,880 --> 00:41:11,359
Speaker 1: and just calling bull when you see it. I mean,

875
00:41:11,480 --> 00:41:13,680
Speaker 1: that's I mean, that's always. I mean, you see some

876
00:41:13,760 --> 00:41:16,120
Speaker 1: balls going in society, call it out and jab some

877
00:41:16,200 --> 00:41:19,920
Speaker 1: of that spindrome fire, some of that heat, you know.

878
00:41:20,120 --> 00:41:21,719
Speaker 1: But for me, for real, it's like even that's what

879
00:41:21,800 --> 00:41:23,560
Speaker 1: I was saying, like when I was young, right, I'm

880
00:41:23,600 --> 00:41:26,520
Speaker 1: in these big comedies and it's I'm put there, right,

881
00:41:26,640 --> 00:41:29,200
Speaker 1: I'm putting this box right, and you're in a boardroom

882
00:41:29,239 --> 00:41:32,279
Speaker 1: and it's all these whackouts, like fifty year old white

883
00:41:32,320 --> 00:41:35,120
Speaker 1: people basically, and they're like, how do we sell twenty

884
00:41:35,160 --> 00:41:37,000
Speaker 1: one Jump Street? And then like you go to like

885
00:41:37,160 --> 00:41:39,440
Speaker 1: mainstream white radio, and I'm like, why aren't I on

886
00:41:39,840 --> 00:41:41,960
Speaker 1: Big Boy? Why aren't I on? You know, like it's

887
00:41:42,000 --> 00:41:46,960
Speaker 1: like it is, I'm a white straight dude. I get it.

888
00:41:47,200 --> 00:41:51,279
Speaker 1: I've been handed just based on that, right, And so

889
00:41:51,920 --> 00:41:54,640
Speaker 1: I want to be of service and I want to

890
00:41:55,360 --> 00:41:57,560
Speaker 1: be the best I can be, and anyone who wants

891
00:41:57,600 --> 00:42:00,520
Speaker 1: to help me do that I'm all years help from

892
00:42:00,560 --> 00:42:05,600
Speaker 1: everyone except for Kandie to do right now. It's like

893
00:42:05,760 --> 00:42:10,080
Speaker 1: say no, yes, no, yo, yeah, I love his music.

894
00:42:10,160 --> 00:42:13,760
Speaker 1: Don't know what the is going on right now? Nobody

895
00:42:13,840 --> 00:42:15,759
Speaker 1: does about the movie one time because they saying you

896
00:42:15,800 --> 00:42:17,799
Speaker 1: gotta go. Well, you know I'm not going anywhere, bro,

897
00:42:17,960 --> 00:42:20,239
Speaker 1: what you're talking about as long as you guys want

898
00:42:20,280 --> 00:42:22,279
Speaker 1: me here, like I'm not leaving, Like this is what

899
00:42:22,440 --> 00:42:24,360
Speaker 1: I've been like for real. This is so sick to

900
00:42:24,440 --> 00:42:26,759
Speaker 1: me man, to talk about hip hop music, to talk

901
00:42:26,800 --> 00:42:29,600
Speaker 1: about like I literally feel like I do. Watch you

902
00:42:29,680 --> 00:42:32,000
Speaker 1: guys every day. It's like, weird. This is so flattering,

903
00:42:32,480 --> 00:42:34,759
Speaker 1: but it's legit. So don't know what's up with your

904
00:42:34,800 --> 00:42:37,640
Speaker 1: Idida's collab. Can't talk about it yet, but let's just

905
00:42:37,680 --> 00:42:42,840
Speaker 1: say Jonah Ones coming for the creators. But with it

906
00:42:42,920 --> 00:42:44,600
Speaker 1: ever hard to get people to take you serious as

907
00:42:44,600 --> 00:42:46,000
Speaker 1: an actor. I have to do it so many comedic

908
00:42:46,120 --> 00:42:48,560
Speaker 1: roles of course. Yo. Let me tell you something, man,

909
00:42:49,040 --> 00:42:51,520
Speaker 1: I think you go through this a lot too, because

910
00:42:51,520 --> 00:42:54,160
Speaker 1: I watch your evolution right now. I see what you're doing.

911
00:42:54,320 --> 00:42:57,520
Speaker 1: It's amazing. I love it. I love it. I'm a

912
00:42:57,600 --> 00:43:00,839
Speaker 1: big fan real and like the best thing anyone ever

913
00:43:00,880 --> 00:43:03,840
Speaker 1: said to me is that true confidence is living in uncertainty.

914
00:43:04,320 --> 00:43:06,400
Speaker 1: And that's my biggest struggle, and I think it's everybody's

915
00:43:06,440 --> 00:43:08,480
Speaker 1: biggest ruggle. If you get married, you want to want

916
00:43:08,480 --> 00:43:11,040
Speaker 1: to be married forever. It's perfect. I take a job,

917
00:43:11,280 --> 00:43:13,920
Speaker 1: I'm never gonna get fired. You know, you just want certainty, right,

918
00:43:14,200 --> 00:43:16,920
Speaker 1: So no one gives you about us, like we think

919
00:43:16,960 --> 00:43:18,839
Speaker 1: people give you about us, but they don't. They got

920
00:43:18,840 --> 00:43:20,960
Speaker 1: their own lives going on. So they see me, they

921
00:43:21,000 --> 00:43:23,200
Speaker 1: see me in super Bad. They put me in this box.

922
00:43:23,640 --> 00:43:26,239
Speaker 1: And if I'm different than what they think, that's uncertainty

923
00:43:26,640 --> 00:43:29,080
Speaker 1: and that's weird to people. And they're like they don't

924
00:43:29,120 --> 00:43:31,160
Speaker 1: know how to deal with it because they're only giving

925
00:43:31,200 --> 00:43:33,239
Speaker 1: it a second of attention. But they're like, that's the

926
00:43:33,239 --> 00:43:35,520
Speaker 1: funny guy from super Bad. So if I'm like yo, no,

927
00:43:35,680 --> 00:43:38,839
Speaker 1: I'm like I'm other things too, it's like no, no, dude,

928
00:43:38,880 --> 00:43:40,879
Speaker 1: just stay in that thing. It's safer for me. It's

929
00:43:40,880 --> 00:43:42,880
Speaker 1: easier for me, you know. And then I'm like no,

930
00:43:42,960 --> 00:43:44,520
Speaker 1: I'm I don't want to be a filmmaker. That's what

931
00:43:44,600 --> 00:43:46,040
Speaker 1: I want. It's like no, no, no, dude, just like

932
00:43:46,160 --> 00:43:48,239
Speaker 1: you're an actor, just like stay over there, Like you know,

933
00:43:48,320 --> 00:43:50,520
Speaker 1: it's like people don't like change. They like, you're not

934
00:43:50,560 --> 00:43:53,880
Speaker 1: allowed to grow, our evolve, Bro, we're human, like we

935
00:43:54,080 --> 00:43:57,200
Speaker 1: all we only are today. So it's like it was

936
00:43:57,440 --> 00:43:59,719
Speaker 1: I would say frustrating, but like frustrating, it's called it

937
00:43:59,800 --> 00:44:01,960
Speaker 1: up town problem. Bro, It's like you know what I mean, Like,

938
00:44:02,600 --> 00:44:04,920
Speaker 1: I know, it's an uptown problem. It's a privileged problem.

939
00:44:04,960 --> 00:44:07,200
Speaker 1: It's a Champagne's problem. You never heard that. Yeah, it's

940
00:44:07,200 --> 00:44:10,000
Speaker 1: a Champagne problem. It's uptown problem. Like, but for me,

941
00:44:10,160 --> 00:44:12,880
Speaker 1: it's like, I'm not what you think I am. I'm me.

942
00:44:13,239 --> 00:44:21,320
Speaker 1: You're also a sex symbol. Now I have the biggest

943
00:44:21,360 --> 00:44:25,680
Speaker 1: crush on you. I'm a girl that I have a

944
00:44:25,719 --> 00:44:29,520
Speaker 1: girl and his fashion and they post but you're wearing

945
00:44:29,560 --> 00:44:31,440
Speaker 1: all the time and they're like, look at donut him.

946
00:44:31,480 --> 00:44:34,480
Speaker 1: The fashion stuff is dope man like, Like it's it

947
00:44:34,680 --> 00:44:37,480
Speaker 1: comes from the culture. You know, you talk about growth

948
00:44:37,600 --> 00:44:40,279
Speaker 1: and you know, not being afraid to change. Did you

949
00:44:40,440 --> 00:44:43,799
Speaker 1: do that on your own, whether it's a therapy, like well,

950
00:44:44,120 --> 00:44:47,160
Speaker 1: I'm heavy with company. I'm heavy with therapy. And I

951
00:44:47,320 --> 00:44:50,920
Speaker 1: really want to put that out there because people in

952
00:44:51,000 --> 00:44:52,799
Speaker 1: the spotlight when I was growing up didn't talk about

953
00:44:52,840 --> 00:44:55,800
Speaker 1: therapy and I think it's dope, especially in the African

954
00:44:55,840 --> 00:44:58,120
Speaker 1: American community, to kill and I talk a lot about

955
00:44:58,200 --> 00:45:01,759
Speaker 1: how like they're stigmatized on stigma on therapy and mental

956
00:45:01,800 --> 00:45:05,360
Speaker 1: illness and stuff like that. Like, dude, therapy saved my life. Like,

957
00:45:05,520 --> 00:45:07,520
Speaker 1: if I didn't have someone to talk to you about stuff,

958
00:45:07,560 --> 00:45:10,640
Speaker 1: I don't know where i'd be. And I'm sensitive. I'm

959
00:45:10,640 --> 00:45:13,279
Speaker 1: a really sensitive dude. So when someone says something mean,

960
00:45:13,400 --> 00:45:17,320
Speaker 1: it affects me really deeply. I'm not like Stone. My

961
00:45:17,400 --> 00:45:19,800
Speaker 1: anxiety is crazy. Back in the day, we'd be on

962
00:45:19,840 --> 00:45:22,880
Speaker 1: the radio not talking about how you get anxiety sometimes,

963
00:45:22,960 --> 00:45:25,400
Speaker 1: and I think that's dope. What was it like for

964
00:45:25,480 --> 00:45:27,960
Speaker 1: you to watch the final cut for the first time?

965
00:45:28,239 --> 00:45:32,040
Speaker 1: It was the first game. Was my sister, Beanie Feltine,

966
00:45:32,040 --> 00:45:34,160
Speaker 1: who's a sick actress. She was a lady bird. Yeah,

967
00:45:34,200 --> 00:45:37,600
Speaker 1: she's she's brilliant. Man. Next year's year being like, watch out.

968
00:45:37,640 --> 00:45:40,000
Speaker 1: I'm glad I can be a director because there's a

969
00:45:40,040 --> 00:45:42,319
Speaker 1: better version than me that's female that's coming next year.

970
00:45:43,880 --> 00:45:46,759
Speaker 1: Thank you. She's she's my best friend. So she's like

971
00:45:46,760 --> 00:45:48,480
Speaker 1: because anyone else coming in, I'm like, yeah, cute, Tip

972
00:45:48,600 --> 00:45:51,400
Speaker 1: and Frank Ocean and she's like, oh, shut up. And

973
00:45:51,440 --> 00:45:53,440
Speaker 1: then she gets there and it's just the three of

974
00:45:53,520 --> 00:45:56,520
Speaker 1: them and they watched the movie and she starts crying

975
00:45:56,560 --> 00:45:58,040
Speaker 1: after the movie, but she was embarrassed. She didn't want

976
00:45:58,040 --> 00:45:59,520
Speaker 1: to cry in front of Frank Ocean, so she ran

977
00:45:59,600 --> 00:46:02,279
Speaker 1: out on the hallway. And that was the first time

978
00:46:02,320 --> 00:46:04,800
Speaker 1: we showed the movie because I was like, Frank is

979
00:46:04,840 --> 00:46:08,239
Speaker 1: the taste. God, he is the taste. I disagree, but

980
00:46:08,400 --> 00:46:11,000
Speaker 1: I love. I'm also a huge fan of yours. I agree,

981
00:46:11,080 --> 00:46:13,600
Speaker 1: but like, like, he has great taste, so he keeps

982
00:46:13,600 --> 00:46:15,719
Speaker 1: it real. He doesn't like it that sucks, like he

983
00:46:15,800 --> 00:46:18,400
Speaker 1: will be honest. And Q tip is one of my

984
00:46:18,600 --> 00:46:21,239
Speaker 1: closest friends. So to me, it's like, I was like,

985
00:46:21,320 --> 00:46:23,360
Speaker 1: I'm going right in to get torn up. You know,

986
00:46:23,480 --> 00:46:26,680
Speaker 1: if there's any bush I want it, they're gonna tell

987
00:46:26,760 --> 00:46:28,480
Speaker 1: me right away. I really wish you had said that

988
00:46:28,480 --> 00:46:30,920
Speaker 1: about Frank Ocean. That would have been awesome. But I'm

989
00:46:30,960 --> 00:46:34,480
Speaker 1: going in there to get torn up. Bro, come on,

990
00:46:39,080 --> 00:46:40,320
Speaker 1: tell them when they can see the movie. Now, I

991
00:46:40,360 --> 00:46:43,200
Speaker 1: tell them when the movie comes. First of all, I'm

992
00:46:43,239 --> 00:46:45,680
Speaker 1: sorry if I talk too much, but I'm it's a

993
00:46:45,840 --> 00:46:48,840
Speaker 1: joy to be here. It's a joy to be heard

994
00:46:48,920 --> 00:46:52,960
Speaker 1: by everyone listening. Mid Nineties comes out October nineteenth in

995
00:46:53,120 --> 00:46:56,040
Speaker 1: LA and New York in October twenty sixth everywhere. It

996
00:46:56,239 --> 00:46:58,279
Speaker 1: is my heart go check it out. I would love

997
00:46:58,320 --> 00:47:00,600
Speaker 1: to see you get with a black creative and make

998
00:47:00,719 --> 00:47:03,480
Speaker 1: like a black comedy in the vein of the super

999
00:47:03,560 --> 00:47:05,399
Speaker 1: bads and get him to the Greeks. I just loved

1000
00:47:05,440 --> 00:47:07,720
Speaker 1: that style of comedy. Well, if you see the film,

1001
00:47:07,760 --> 00:47:09,400
Speaker 1: if you see the film, the funniest scene in the

1002
00:47:09,440 --> 00:47:15,239
Speaker 1: film isd and to me, I think it's Gerard's best

1003
00:47:15,360 --> 00:47:17,480
Speaker 1: scene in the film, right. I would love to make

1004
00:47:17,480 --> 00:47:20,560
Speaker 1: a project with. To me, he is a special talent

1005
00:47:20,840 --> 00:47:23,960
Speaker 1: in a way that we could create together and we

1006
00:47:24,080 --> 00:47:26,880
Speaker 1: and I like him some hood with that style of comedy. Well,

1007
00:47:26,920 --> 00:47:29,200
Speaker 1: watch the movie, dude. There is a lot of like

1008
00:47:29,520 --> 00:47:32,680
Speaker 1: there is like it is from the perspective of being

1009
00:47:32,760 --> 00:47:34,839
Speaker 1: out there, and a lot of it was like from

1010
00:47:34,920 --> 00:47:37,400
Speaker 1: my friends who were black and Hispanic, how they were

1011
00:47:37,480 --> 00:47:40,480
Speaker 1: treated by black and Hispanic people being skateboarders. Like there's

1012
00:47:40,480 --> 00:47:43,399
Speaker 1: a line from Gerard to Nichel of like what black

1013
00:47:43,400 --> 00:47:45,719
Speaker 1: people don't skate like surfs up, you know, And it's

1014
00:47:45,760 --> 00:47:48,000
Speaker 1: like he was like, you know, I don't think you

1015
00:47:48,040 --> 00:47:53,440
Speaker 1: can say that, yeah, because looking and and uh, A

1016
00:47:53,520 --> 00:47:55,000
Speaker 1: lot of it has to do with like just like

1017
00:47:55,600 --> 00:47:59,040
Speaker 1: subtle racism, and especially in the nineties in LA and

1018
00:47:59,520 --> 00:48:03,280
Speaker 1: everyone judges for people racist people, they're the worst disgusting

1019
00:48:03,320 --> 00:48:09,439
Speaker 1: people on the planet. Like mannise just trust me, whatever

1020
00:48:10,200 --> 00:48:13,960
Speaker 1: were for white people? For racist people? Yeah, Man's like, like,

1021
00:48:14,120 --> 00:48:17,799
Speaker 1: I mean, you're just you're disgusting person if you are racist. Right,

1022
00:48:17,880 --> 00:48:20,399
Speaker 1: So like man, he's like on your brand and say no, Man,

1023
00:48:21,120 --> 00:48:25,560
Speaker 1: mustard mustard boys for life, Mustard boys in the building.

1024
00:48:28,560 --> 00:48:34,680
Speaker 1: That's a good job. It's the breakfast club. Good morning,

1025
00:48:35,239 --> 00:48:38,439
Speaker 1: the breakfast club. Your mornings will never be the same.

1026
00:48:39,200 --> 00:48:42,239
Speaker 1: Imagine you arrive at your perfect paradise filled with sun,

1027
00:48:42,440 --> 00:48:45,440
Speaker 1: fun and hot singles, and suddenly that X you never

1028
00:48:45,480 --> 00:48:49,120
Speaker 1: wanted to see again just shows up. Nightmare meet reality.

1029
00:48:49,440 --> 00:48:52,680
Speaker 1: Because on Thursday to Cember twentieth, mtvs X on the

1030
00:48:52,760 --> 00:48:56,680
Speaker 1: Beach is back. Ten singles came to fun love on

1031
00:48:56,920 --> 00:48:59,359
Speaker 1: one by one, their xs show up and things get

1032
00:48:59,600 --> 00:49:02,439
Speaker 1: comp located. Now they've got to decide when they choose

1033
00:49:02,480 --> 00:49:05,120
Speaker 1: their X or move on to the next. Don't miss

1034
00:49:05,280 --> 00:49:08,240
Speaker 1: mtvs X on the Beach new season premiere is Thursday,

1035
00:49:08,280 --> 00:49:13,400
Speaker 1: the Cember twentieth at eight seventh century on MTV. I

1036
00:49:13,560 --> 00:49:16,479
Speaker 1: was born to donkey. It's the Donkey of the Death

1037
00:49:25,480 --> 00:49:32,800
Speaker 1: Charlomagne Devil Breakfast Club. All right, listen, man, Charlomagne the

1038
00:49:32,840 --> 00:49:34,680
Speaker 1: God here. I'm on vacation. I don't give a damn

1039
00:49:34,719 --> 00:49:37,040
Speaker 1: what y'all think about that, because I deserve it. Now,

1040
00:49:37,160 --> 00:49:39,000
Speaker 1: the Breakfast Club is in eighty plus markets in a

1041
00:49:39,000 --> 00:49:40,480
Speaker 1: one hundred and fifty country, so we have a lot

1042
00:49:40,480 --> 00:49:42,719
Speaker 1: of new listeners who probably don't even know who Charlomagne

1043
00:49:42,719 --> 00:49:45,399
Speaker 1: the God is. So use my time off to catch

1044
00:49:45,520 --> 00:49:48,400
Speaker 1: up on some of my past work. Okay, okay, if

1045
00:49:48,480 --> 00:49:50,480
Speaker 1: you knew here, I do a segment every day called

1046
00:49:50,560 --> 00:49:53,000
Speaker 1: Donkey to Day Donkey as in jackass, and that's when

1047
00:49:53,000 --> 00:49:55,120
Speaker 1: I give someone the credit they deserve for being stupid.

1048
00:49:55,200 --> 00:49:57,239
Speaker 1: So if you never heard of it, this is new

1049
00:49:57,280 --> 00:49:58,759
Speaker 1: to you. But if you are a regular listener and

1050
00:49:58,840 --> 00:50:01,200
Speaker 1: this is an oldiep but goody, because it's the best

1051
00:50:01,280 --> 00:50:03,279
Speaker 1: of the Donkey of the Day. Donkey of to Day

1052
00:50:03,320 --> 00:50:05,840
Speaker 1: goes to a man named Kyle Gentleman. Now Kyle is

1053
00:50:05,880 --> 00:50:08,360
Speaker 1: the owner of an ice cream parlor called ice This

1054
00:50:08,560 --> 00:50:11,120
Speaker 1: ice cream parlor is Scottish and it's in a town

1055
00:50:11,200 --> 00:50:15,120
Speaker 1: called fail Kirk Falkirk, Kyl and the good folks that

1056
00:50:15,200 --> 00:50:17,480
Speaker 1: ice have created one of the worst montrosities this planet

1057
00:50:17,520 --> 00:50:20,320
Speaker 1: has ever seen. I mean, the effects of this concoction

1058
00:50:20,400 --> 00:50:22,440
Speaker 1: that they created will forever change the dynamics of the

1059
00:50:22,480 --> 00:50:24,200
Speaker 1: world we live in. I mean, this is top five,

1060
00:50:24,320 --> 00:50:27,000
Speaker 1: maybe top three, of the worst things ever created on

1061
00:50:27,080 --> 00:50:29,279
Speaker 1: this planet. I mean, in no particular order, some of

1062
00:50:29,320 --> 00:50:32,279
Speaker 1: the worst things created by humans on this planet. I've

1063
00:50:32,280 --> 00:50:36,480
Speaker 1: been nuclear bombs, the old ABC show Caveman based off

1064
00:50:36,480 --> 00:50:40,759
Speaker 1: the characters from the Geico commercial Slavery, the NFL's new

1065
00:50:40,840 --> 00:50:45,000
Speaker 1: national Anthem policy concentration, camps to school to prison, pipeline nooses,

1066
00:50:45,800 --> 00:50:48,000
Speaker 1: especially nooses if the person who decided to turn a

1067
00:50:48,040 --> 00:50:51,080
Speaker 1: perfectly good rope into a murder weapon. Okay, speaking of weapons,

1068
00:50:51,120 --> 00:50:53,320
Speaker 1: one of the worst things ever created was automatic weapons

1069
00:50:53,360 --> 00:50:56,560
Speaker 1: in bump stocks. Let's not forget belly too, And a

1070
00:50:56,680 --> 00:50:58,319
Speaker 1: list of some of the worst things ever created by

1071
00:50:58,440 --> 00:51:00,759
Speaker 1: human beings on the planet wouldn't be complete without the

1072
00:51:00,840 --> 00:51:02,960
Speaker 1: Jerry Carol. Okay, we're just talking about some of the

1073
00:51:03,040 --> 00:51:05,280
Speaker 1: worst things treated by human beings. And Kyle is added

1074
00:51:05,280 --> 00:51:08,120
Speaker 1: to that list by inventing a brand new flavor of

1075
00:51:08,239 --> 00:51:10,360
Speaker 1: ice cream that I'm sure will be coming to a

1076
00:51:10,520 --> 00:51:13,560
Speaker 1: store in Montana very soon. Oh, this line of ice

1077
00:51:13,640 --> 00:51:15,600
Speaker 1: cream is sure to be all the rage in North

1078
00:51:15,680 --> 00:51:18,840
Speaker 1: and South Dakota. It will sell out at whole foods everywhere.

1079
00:51:19,080 --> 00:51:21,720
Speaker 1: And the flavor of that new ice cream is guess.

1080
00:51:21,840 --> 00:51:24,879
Speaker 1: Who wants to guess? Anybody want to guess? The white

1081
00:51:24,880 --> 00:51:26,600
Speaker 1: guy in the room is raising his hand, Steve, what

1082
00:51:26,680 --> 00:51:35,040
Speaker 1: do you think? Oh my gosh, mayonnaise ice cream is there?

1083
00:51:35,480 --> 00:51:39,400
Speaker 1: All right? Salute to Esquire magazine. They posted a headline

1084
00:51:39,440 --> 00:51:43,400
Speaker 1: that says mayonnaise ice cream exists and it might be brilliant.

1085
00:51:43,719 --> 00:51:46,320
Speaker 1: Then they put hear us out after you tell me

1086
00:51:46,400 --> 00:51:49,200
Speaker 1: you think mayonnaise ice cream is brilliant, Esquire, there's nothing

1087
00:51:49,280 --> 00:51:52,319
Speaker 1: more to hear out our in. Okay, Now, Esquire first

1088
00:51:52,360 --> 00:51:55,120
Speaker 1: paragraph says, we now exist on the same physical plane

1089
00:51:55,120 --> 00:51:57,880
Speaker 1: as mayonnaise ice cream, and it's either ingenious or the

1090
00:51:58,040 --> 00:52:00,400
Speaker 1: end of all mankind. I'm gonna take on getting this

1091
00:52:00,440 --> 00:52:02,600
Speaker 1: appoint us for five hundred alls. Okay. The worst thing

1092
00:52:02,640 --> 00:52:04,600
Speaker 1: about this is that it looks like vanilla ice cream,

1093
00:52:04,680 --> 00:52:07,040
Speaker 1: So somebody could make you a bowl. You don't know

1094
00:52:07,120 --> 00:52:10,480
Speaker 1: any better. You take a taste and immediately you get poisoned.

1095
00:52:10,880 --> 00:52:12,439
Speaker 1: All of a sudden. You want to listen to Taylor

1096
00:52:12,480 --> 00:52:14,560
Speaker 1: Swift and call the police on black people for doing

1097
00:52:14,600 --> 00:52:16,840
Speaker 1: it in My Feelings challenge in the park. Okay, mayonnaise

1098
00:52:16,880 --> 00:52:18,759
Speaker 1: ice cream is what you give your kids when they're

1099
00:52:18,840 --> 00:52:21,080
Speaker 1: not behaving. All right, My little two yold doesn't like

1100
00:52:21,120 --> 00:52:23,239
Speaker 1: to eat all her food because she's so focused on

1101
00:52:23,360 --> 00:52:25,560
Speaker 1: dessert and she loves ice cream. So the rule is,

1102
00:52:25,600 --> 00:52:28,080
Speaker 1: you don't finish your dinner, you don't get dessert. All right,

1103
00:52:28,239 --> 00:52:30,279
Speaker 1: brings some mayonnaise ice cream in the house. You don't

1104
00:52:30,280 --> 00:52:32,800
Speaker 1: finish your dinner, then you're getting this nuclear weapon and

1105
00:52:32,880 --> 00:52:35,920
Speaker 1: a bowl for dessert. Call mayonnaise ice cream. Now, mayonnaise

1106
00:52:36,040 --> 00:52:39,680
Speaker 1: is a combination of lemon juice or vinegar with egg yolks.

1107
00:52:40,080 --> 00:52:42,360
Speaker 1: None of those things would taste good together frozen in

1108
00:52:42,440 --> 00:52:44,719
Speaker 1: a bowl. All right, Basting Robbins, please don't make this

1109
00:52:44,840 --> 00:52:47,120
Speaker 1: your thirty third flavor. Let me just look at it. Walk.

1110
00:52:47,120 --> 00:52:50,320
Speaker 1: Imagine walking into Basting Robins. You see butter peak and chocolate,

1111
00:52:50,400 --> 00:52:54,520
Speaker 1: your cookie dough, Rocky Road cookies, and cream and mayonnaise

1112
00:52:54,600 --> 00:52:57,359
Speaker 1: flavored ice cream. One of these kids is doing their

1113
00:52:57,440 --> 00:52:59,719
Speaker 1: own thing. All right, Mayonnaise ice cream has me thinking

1114
00:52:59,760 --> 00:53:03,320
Speaker 1: of this quote. I read about inventions once and that

1115
00:53:03,440 --> 00:53:06,600
Speaker 1: quote is an invention has to make sense in the

1116
00:53:06,719 --> 00:53:10,680
Speaker 1: world it finishes in, not the world it started it.

1117
00:53:11,320 --> 00:53:13,759
Speaker 1: See this done makes sense to us now, but it's

1118
00:53:13,760 --> 00:53:15,719
Speaker 1: gonna makes sense in the world full of whiteness. They're

1119
00:53:15,719 --> 00:53:17,560
Speaker 1: about to get rid of us all bro Okay, they're

1120
00:53:17,560 --> 00:53:20,680
Speaker 1: collecting all affinity Infinity stones right now there putting Putres

1121
00:53:20,680 --> 00:53:23,880
Speaker 1: in Infinity Gauntlet. He gonna snap his fingers and everybody

1122
00:53:23,920 --> 00:53:26,040
Speaker 1: with Melanie gonna disappear, and it's gonna be a world

1123
00:53:26,080 --> 00:53:28,560
Speaker 1: full of tailor Swift playlists and mayonnaise ice cream and

1124
00:53:28,640 --> 00:53:31,239
Speaker 1: it will all be Kyle's fault. Okay, please give Kyle

1125
00:53:31,320 --> 00:53:34,120
Speaker 1: gentlemen and ice to ice cream, paulor the biggest he haul.

1126
00:53:37,480 --> 00:53:40,120
Speaker 1: Who's gonna try it? Everybody on Fair Factor. That's gonna

1127
00:53:40,120 --> 00:53:41,640
Speaker 1: be the next fair Factor challenge. You want to try

1128
00:53:41,680 --> 00:53:43,440
Speaker 1: a bowler Mana's ice cream sounds like that's gonna be

1129
00:53:43,480 --> 00:53:52,279
Speaker 1: diarrhea oldup ice cream. Well, no, no, Howney must be

1130
00:53:54,160 --> 00:53:56,960
Speaker 1: like a little spicy but sweet. That sounds like spicy

1131
00:53:57,040 --> 00:54:01,560
Speaker 1: diarreca water. Just just because what about pickle ice cream. No,

1132
00:54:01,840 --> 00:54:04,680
Speaker 1: man no condiment ice cream brought the board, especially not

1133
00:54:04,800 --> 00:54:09,280
Speaker 1: manny stop cardiment and coundiments. Polynesian sauce icecream that sounds

1134
00:54:09,280 --> 00:54:14,919
Speaker 1: like like that barbecue ice cream? No, what about hot

1135
00:54:15,040 --> 00:54:18,879
Speaker 1: wing sauce ice No? See, that's what happens the white people,

1136
00:54:18,920 --> 00:54:20,400
Speaker 1: is what happened. You give people a bright idea. No,

1137
00:54:20,680 --> 00:54:23,160
Speaker 1: hot wing ice cream. That does not sound good. It's

1138
00:54:23,160 --> 00:54:24,800
Speaker 1: not even a bright idea. You got any more white ideas?

1139
00:54:25,320 --> 00:54:28,240
Speaker 1: Lemon pepper ice cream? No, that's definitely a black idea. Morning.

1140
00:54:28,280 --> 00:54:31,800
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

1141
00:54:31,920 --> 00:54:35,359
Speaker 1: all the breakfast club. It's time for ask ye Hello?

1142
00:54:35,440 --> 00:54:39,040
Speaker 1: Who's this? This is Jasmine? Hey Jasmine, what's your question

1143
00:54:39,080 --> 00:54:40,920
Speaker 1: for ye? Um? So, first of all, I want to

1144
00:54:40,920 --> 00:54:46,719
Speaker 1: say so this is the first time I got to

1145
00:54:46,800 --> 00:54:48,480
Speaker 1: the radio. But I have a very important question. I

1146
00:54:48,560 --> 00:54:51,280
Speaker 1: need advice. Stands a up? Okay, So I've been married

1147
00:54:51,760 --> 00:54:56,040
Speaker 1: m going on three years now, and Mothers Day weekend, Um,

1148
00:54:56,280 --> 00:54:59,160
Speaker 1: I had to go to the too from my boats

1149
00:54:59,280 --> 00:55:02,359
Speaker 1: and so my husband had left out. He recently lost

1150
00:55:02,400 --> 00:55:04,480
Speaker 1: out his uncle and so he'sn't gone through a lot.

1151
00:55:05,000 --> 00:55:07,439
Speaker 1: So as I'm pulling in, I see the police has

1152
00:55:07,560 --> 00:55:09,960
Speaker 1: a car pulled over, and when I pull up, I

1153
00:55:10,000 --> 00:55:13,000
Speaker 1: see it's my husband's car. So I pull up to

1154
00:55:13,080 --> 00:55:14,839
Speaker 1: the side of the car. You know what I'm saying,

1155
00:55:14,840 --> 00:55:16,600
Speaker 1: to get out to see what's going on, because of

1156
00:55:16,680 --> 00:55:19,799
Speaker 1: course you don't have a license. So I pull up

1157
00:55:20,239 --> 00:55:22,880
Speaker 1: and I see when I look, I see it's a

1158
00:55:23,000 --> 00:55:26,359
Speaker 1: woman in the driver's seat. Whoa wait, so another woman

1159
00:55:26,520 --> 00:55:29,680
Speaker 1: is driving your husband's car, right, And I paid for

1160
00:55:29,760 --> 00:55:31,640
Speaker 1: the car. So I pulled up a little bit more

1161
00:55:31,760 --> 00:55:34,400
Speaker 1: and I see that he's in the passenger seat. Thee

1162
00:55:34,560 --> 00:55:37,840
Speaker 1: would lead back a little bits. I'm about to lose it,

1163
00:55:37,960 --> 00:55:40,640
Speaker 1: so I get out the car. The girl's like, don't

1164
00:55:40,800 --> 00:55:43,480
Speaker 1: don't beat me up because I'm pregnant. So I'm like,

1165
00:55:43,760 --> 00:55:46,600
Speaker 1: get off the car right now. Hell, And I'm yelling

1166
00:55:46,640 --> 00:55:49,000
Speaker 1: at my husband and the police is like, ma'am, knock

1167
00:55:49,040 --> 00:55:51,279
Speaker 1: away from the vehicle right now. We want to arrest you.

1168
00:55:51,800 --> 00:55:54,920
Speaker 1: But at that time I didn't care, right, but I'm

1169
00:55:56,160 --> 00:55:58,440
Speaker 1: I'm like, my kids is at home and I have

1170
00:55:58,520 --> 00:56:00,160
Speaker 1: to get home to my children. So I'm like, right,

1171
00:56:00,160 --> 00:56:02,359
Speaker 1: I'm ann calm down. So I woke up to him

1172
00:56:02,400 --> 00:56:04,920
Speaker 1: and he's like he's Tesch driving a car. I'm like,

1173
00:56:05,239 --> 00:56:07,600
Speaker 1: what tech driving the car? I know he did not

1174
00:56:07,719 --> 00:56:10,600
Speaker 1: come with that weak ass excuse, So, you know, I

1175
00:56:10,719 --> 00:56:13,239
Speaker 1: go back home and mind you, he was asking very

1176
00:56:13,360 --> 00:56:16,320
Speaker 1: nasty towards me. He wasn't trying to defend me or nothing.

1177
00:56:16,480 --> 00:56:19,680
Speaker 1: I feel like he had her back over mind and then,

1178
00:56:20,040 --> 00:56:23,400
Speaker 1: you know, little on that evening he comes to the

1179
00:56:23,520 --> 00:56:27,200
Speaker 1: house and now he wants to talk sensible and he

1180
00:56:27,320 --> 00:56:29,360
Speaker 1: wants to apologize. But I'm like, no, you should have

1181
00:56:29,400 --> 00:56:31,040
Speaker 1: been doing all of that while we was out here

1182
00:56:31,239 --> 00:56:33,320
Speaker 1: in the street. You get what I'm saying. I gotta

1183
00:56:33,360 --> 00:56:36,160
Speaker 1: ask him, is he having a baby by this woman? No,

1184
00:56:36,520 --> 00:56:39,920
Speaker 1: he says, that's his man's baby mother. And he was

1185
00:56:39,960 --> 00:56:42,160
Speaker 1: selling a car, which I knew nothing about you selling

1186
00:56:42,280 --> 00:56:43,719
Speaker 1: the car that I paid for, and you never even

1187
00:56:43,760 --> 00:56:45,680
Speaker 1: had a conversation with me. I know you did not

1188
00:56:45,800 --> 00:56:49,920
Speaker 1: believe this weak ass story. No I didn't. So it's

1189
00:56:49,960 --> 00:56:52,279
Speaker 1: at the point where he's like, I'm sorry, Like, I'm

1190
00:56:52,320 --> 00:56:53,879
Speaker 1: at a point in my life where I really want

1191
00:56:53,920 --> 00:56:56,560
Speaker 1: to get things right. First of all, he need to

1192
00:56:56,600 --> 00:56:58,680
Speaker 1: at least tell you what's for real going on, because

1193
00:56:58,920 --> 00:57:01,719
Speaker 1: all this lying is respectful. All of a sudden, he's

1194
00:57:01,719 --> 00:57:04,160
Speaker 1: selling his car, and his friend's pregnant baby mama was

1195
00:57:04,200 --> 00:57:06,640
Speaker 1: driving a car. Where was his friend? And who is

1196
00:57:06,719 --> 00:57:09,840
Speaker 1: his Friend's a friend that I've never even heard of before.

1197
00:57:10,320 --> 00:57:12,719
Speaker 1: All right, So first of all, let's just keep it real.

1198
00:57:12,880 --> 00:57:15,480
Speaker 1: He's completely lying to you. Don't even I don't know

1199
00:57:15,520 --> 00:57:17,320
Speaker 1: if you believe him or you want to believe him

1200
00:57:17,320 --> 00:57:19,680
Speaker 1: a lot of times we want to believe things, so

1201
00:57:19,920 --> 00:57:22,160
Speaker 1: we kind of I don't want to believe it at all.

1202
00:57:22,600 --> 00:57:24,840
Speaker 1: I just want to be able to move on like

1203
00:57:25,000 --> 00:57:26,560
Speaker 1: we had. We just had a baby, you know what

1204
00:57:26,600 --> 00:57:29,200
Speaker 1: I'm saying. And we had a baby last year. We've

1205
00:57:29,240 --> 00:57:31,919
Speaker 1: just to tell the baby. And I'm just like, come

1206
00:57:31,960 --> 00:57:35,400
Speaker 1: on now, I'm sitting here getting up taking care of you,

1207
00:57:35,480 --> 00:57:37,080
Speaker 1: doing what I'm supposed to do ours a wife. You

1208
00:57:37,120 --> 00:57:39,440
Speaker 1: get what I'm saying. And you want me to just

1209
00:57:39,560 --> 00:57:42,680
Speaker 1: sit back and be played and listen to what you're saying.

1210
00:57:42,720 --> 00:57:44,240
Speaker 1: And in the meantime, you want me to feel start

1211
00:57:44,240 --> 00:57:46,040
Speaker 1: because now you don't gotta know where to go. Well,

1212
00:57:46,120 --> 00:57:48,000
Speaker 1: you need to be knocking on that girl's door and

1213
00:57:48,120 --> 00:57:50,040
Speaker 1: figure and out people sleep on her couch or how

1214
00:57:50,120 --> 00:57:52,920
Speaker 1: better something, because you're not gonna see him play me

1215
00:57:53,080 --> 00:57:55,560
Speaker 1: I can't lie. I wouldn't even have a conversation with

1216
00:57:55,680 --> 00:57:58,200
Speaker 1: him until he tells the truth. You gotta take care

1217
00:57:58,240 --> 00:57:59,880
Speaker 1: of the kids, whatever it is that you gotta do,

1218
00:58:00,120 --> 00:58:01,920
Speaker 1: but me and you don't even speak until you at

1219
00:58:02,040 --> 00:58:05,280
Speaker 1: least respect me enough to not tell me these dumb

1220
00:58:05,320 --> 00:58:09,400
Speaker 1: ass lives. And he needs to go seek some help, okay,

1221
00:58:09,600 --> 00:58:11,920
Speaker 1: like for real, he needs to be very active and

1222
00:58:12,000 --> 00:58:14,400
Speaker 1: seeking help for himself, find out why is he's such

1223
00:58:14,440 --> 00:58:17,120
Speaker 1: a liar, why is he so disgusting, and because he

1224
00:58:17,240 --> 00:58:19,040
Speaker 1: does have kids to raise, and you guys do have

1225
00:58:19,160 --> 00:58:21,000
Speaker 1: to make sure that for the sake of that you

1226
00:58:21,080 --> 00:58:22,720
Speaker 1: all good alone. But he got some issues that he

1227
00:58:22,840 --> 00:58:24,440
Speaker 1: needs to address, and he's not going to work on

1228
00:58:24,520 --> 00:58:27,000
Speaker 1: those issues until he admits that he has him and

1229
00:58:27,160 --> 00:58:29,480
Speaker 1: until he is honest and tells you the truth. So

1230
00:58:29,720 --> 00:58:32,560
Speaker 1: I would say, I don't even want you're touching me.

1231
00:58:32,640 --> 00:58:35,080
Speaker 1: I don't even know you until you at least have

1232
00:58:35,320 --> 00:58:37,640
Speaker 1: enough respect to come clean with me on what was

1233
00:58:37,680 --> 00:58:40,520
Speaker 1: going on, because there's nothing for us to work on

1234
00:58:40,920 --> 00:58:43,720
Speaker 1: until you can admit the truth. Right, And then my

1235
00:58:43,880 --> 00:58:48,520
Speaker 1: role for jumping to one of the wars, like right away, listen,

1236
00:58:48,600 --> 00:58:51,520
Speaker 1: you're definitely not wrong for that, and I feel like

1237
00:58:51,640 --> 00:58:54,560
Speaker 1: this unless he can prove to you and go above

1238
00:58:54,600 --> 00:58:57,040
Speaker 1: and beyond, and that might take years for you to

1239
00:58:57,120 --> 00:59:00,280
Speaker 1: even feel comfortable enough to ever believe him again. He

1240
00:59:00,560 --> 00:59:02,840
Speaker 1: Once you lose that trust, it's gone in a second.

1241
00:59:03,120 --> 00:59:05,360
Speaker 1: And so how you feel, it's how you feel. That's

1242
00:59:05,440 --> 00:59:07,439
Speaker 1: his fault. It's not your fault that he did something

1243
00:59:07,480 --> 00:59:12,400
Speaker 1: to make you feel away. Exactly. Well, I appreciate that, Angela. Okay,

1244
00:59:12,520 --> 00:59:15,320
Speaker 1: you want to take that advice? All right? I really

1245
00:59:15,400 --> 00:59:17,000
Speaker 1: do wish you the best of luck. But you know

1246
00:59:17,440 --> 00:59:19,880
Speaker 1: you can't just let somebody do these things and walk

1247
00:59:19,920 --> 00:59:22,840
Speaker 1: all over you, because why would he ever stop? Or exactly,

1248
00:59:23,720 --> 00:59:25,800
Speaker 1: I appreciate that, y'all have a good day. Let me

1249
00:59:25,840 --> 00:59:29,440
Speaker 1: get these kids in four daycare? Ok? All right? Ask

1250
00:59:29,560 --> 00:59:31,960
Speaker 1: ye eight don't drink five A five one oh five one.

1251
00:59:31,960 --> 00:59:33,640
Speaker 1: If you got a question for ye caller. Now it's

1252
00:59:33,680 --> 00:59:38,080
Speaker 1: the breakfast Club. Good morning. Everybody is DJ Envy, Angela, Yee, Charlomagne,

1253
00:59:38,080 --> 00:59:41,320
Speaker 1: the gel We are the breakfast Club. Now let's get

1254
00:59:41,360 --> 00:59:43,560
Speaker 1: to ask ye eight don't drink five a five one

1255
00:59:43,600 --> 00:59:45,720
Speaker 1: oh five one. If you need advice, relationship advice? Hello,

1256
00:59:45,760 --> 00:59:48,919
Speaker 1: who's this Hi? This is J CJ. What's your question

1257
00:59:49,000 --> 00:59:52,280
Speaker 1: for you? Okay, So I was kind of seeing this

1258
00:59:52,480 --> 00:59:55,880
Speaker 1: guy and you know, it wasn't like really serious, but

1259
00:59:56,040 --> 00:59:57,760
Speaker 1: you know like we were like, you know, we were

1260
00:59:57,800 --> 01:00:01,320
Speaker 1: hanging out and somebody's hold me. Like a few months

1261
01:00:01,360 --> 01:00:04,280
Speaker 1: ago that they saw a video us on my mind

1262
01:00:04,320 --> 01:00:06,000
Speaker 1: and they said this to me, and I knew it

1263
01:00:06,120 --> 01:00:09,600
Speaker 1: was me because I could see my tattoo. And I

1264
01:00:09,720 --> 01:00:12,080
Speaker 1: knew exactly who made the video too, because I saw

1265
01:00:12,200 --> 01:00:15,160
Speaker 1: his tattoos. Anyways, long story short, I haven't told him

1266
01:00:15,200 --> 01:00:16,840
Speaker 1: that I know about the video yet the video is

1267
01:00:16,840 --> 01:00:18,880
Speaker 1: still up because I go and check it to see

1268
01:00:18,880 --> 01:00:20,600
Speaker 1: if he took it down and he didn't, and it

1269
01:00:20,680 --> 01:00:23,880
Speaker 1: has like almost like thirty thousand views. So they put

1270
01:00:23,920 --> 01:00:26,440
Speaker 1: out a sex tape of you. Yes he did, Yet

1271
01:00:26,640 --> 01:00:28,760
Speaker 1: where's it at? It's all I'm like, I think it's

1272
01:00:28,800 --> 01:00:31,880
Speaker 1: on this site called x videos dot Com. I want

1273
01:00:31,880 --> 01:00:33,480
Speaker 1: to say. I know it's like black and it has

1274
01:00:33,520 --> 01:00:35,280
Speaker 1: like red writing. I know it's not porn hup because

1275
01:00:35,280 --> 01:00:36,880
Speaker 1: I always go to porn up. It's not it's not

1276
01:00:37,080 --> 01:00:40,160
Speaker 1: when I but my question is like, how do I

1277
01:00:40,240 --> 01:00:42,920
Speaker 1: approach him about it? Because honestly, truly, like I was

1278
01:00:43,000 --> 01:00:45,600
Speaker 1: sassing of phone out about it, But I wasn't mad

1279
01:00:46,000 --> 01:00:48,480
Speaker 1: because it was like all them thirty thousand views, Like

1280
01:00:48,640 --> 01:00:50,720
Speaker 1: I'm kind of more attended that, Like you didn't tell

1281
01:00:50,760 --> 01:00:52,520
Speaker 1: me about it, and like are you being a check

1282
01:00:52,600 --> 01:00:56,680
Speaker 1: from this? Like what's going on? Like that. It's definitely

1283
01:00:56,720 --> 01:00:59,280
Speaker 1: a legal issue. Okay, So you're not mad that the

1284
01:00:59,360 --> 01:01:01,000
Speaker 1: sex tape is out because you actually like the fact

1285
01:01:01,040 --> 01:01:02,960
Speaker 1: that it's gotten some views. But what you want to

1286
01:01:03,040 --> 01:01:06,280
Speaker 1: know is financially, how can you be compensated? Yeah, because

1287
01:01:06,360 --> 01:01:09,080
Speaker 1: that's a lot of you. That's a lot of cold.

1288
01:01:09,120 --> 01:01:12,080
Speaker 1: You don't want that out there like that, Yes she does,

1289
01:01:12,080 --> 01:01:14,200
Speaker 1: because you want money and you want fame. You want attention,

1290
01:01:14,280 --> 01:01:16,120
Speaker 1: like everyone out there like that. You have a baby

1291
01:01:16,160 --> 01:01:17,600
Speaker 1: one day, you don't want to know pawn out there

1292
01:01:17,680 --> 01:01:21,640
Speaker 1: or your your future husband to see first babies one

1293
01:01:21,640 --> 01:01:24,400
Speaker 1: of first up families. I'm not judging nobody. So you

1294
01:01:24,480 --> 01:01:26,040
Speaker 1: want to be a pawn star. What you say wants

1295
01:01:26,080 --> 01:01:27,760
Speaker 1: to get her money is what she's saying. She didn't

1296
01:01:27,800 --> 01:01:29,440
Speaker 1: know he put this up. Do you have any other

1297
01:01:29,520 --> 01:01:32,120
Speaker 1: tapes out or is this the only one? Well? Okay,

1298
01:01:32,640 --> 01:01:35,040
Speaker 1: so if I were you and you don't want them

1299
01:01:35,080 --> 01:01:37,920
Speaker 1: to take it down, well, my thing is like, I

1300
01:01:38,080 --> 01:01:39,920
Speaker 1: want to know if he's making money off of it.

1301
01:01:39,960 --> 01:01:41,600
Speaker 1: If he's not making money off of it, and he

1302
01:01:41,720 --> 01:01:43,640
Speaker 1: just has an up there, yeah, I want him to

1303
01:01:43,720 --> 01:01:45,360
Speaker 1: take it down. But I know I could just go

1304
01:01:45,520 --> 01:01:47,320
Speaker 1: to them and have them take it down. But I

1305
01:01:47,400 --> 01:01:49,840
Speaker 1: want to confront him about putting it up there in

1306
01:01:49,840 --> 01:01:51,480
Speaker 1: the first tax because I know the website will take

1307
01:01:51,520 --> 01:01:53,280
Speaker 1: it down because they don't want to legal problems like

1308
01:01:53,360 --> 01:01:55,800
Speaker 1: I should. I'm sure they'll just take it down, right

1309
01:01:55,920 --> 01:01:57,680
Speaker 1: if you tell him I didn't know that it was

1310
01:01:57,760 --> 01:02:00,440
Speaker 1: up there and somebody didn't do it with my permission. Okay,

1311
01:02:00,480 --> 01:02:02,600
Speaker 1: So I don't know that people get paid. Do they

1312
01:02:02,640 --> 01:02:05,000
Speaker 1: get paid for those videos? Yeah, I don't know that

1313
01:02:05,080 --> 01:02:07,320
Speaker 1: they cut a deal and whatever. I don't know how

1314
01:02:07,360 --> 01:02:09,520
Speaker 1: that works because I know usually it's just like clips

1315
01:02:09,840 --> 01:02:12,800
Speaker 1: of different, longer videos. What you need to do, though,

1316
01:02:13,040 --> 01:02:15,640
Speaker 1: is have your lawyer contact him, because he doesn't have

1317
01:02:15,720 --> 01:02:18,600
Speaker 1: anything with you signing off. Clearly it's a legal issue, right,

1318
01:02:19,200 --> 01:02:21,480
Speaker 1: Are you able to get a lawyer? Um? Yeah, sure,

1319
01:02:21,560 --> 01:02:23,520
Speaker 1: I'm like, I'm sure it's not a problem. I'm sure

1320
01:02:23,520 --> 01:02:26,160
Speaker 1: I can call somebody, but you need you need to

1321
01:02:26,240 --> 01:02:28,520
Speaker 1: hit him up and say, listen, I saw the video.

1322
01:02:28,560 --> 01:02:30,400
Speaker 1: You should hit him. I don't know why you haven't yet,

1323
01:02:30,400 --> 01:02:31,640
Speaker 1: because that would have been the first thing I do

1324
01:02:31,760 --> 01:02:33,720
Speaker 1: because I'm scared, because I'm scared that if you know,

1325
01:02:33,840 --> 01:02:35,360
Speaker 1: I know about it, he'll take it down and be

1326
01:02:35,480 --> 01:02:38,160
Speaker 1: like what videos? You know what I'm saying you already

1327
01:02:38,560 --> 01:02:40,640
Speaker 1: if I go, I know, But I feel like if

1328
01:02:40,640 --> 01:02:42,400
Speaker 1: I was gonna go there round like you're gonna like

1329
01:02:42,600 --> 01:02:45,920
Speaker 1: get the lawyer and like the law involved. They want evidence,

1330
01:02:46,120 --> 01:02:47,560
Speaker 1: and I feel like it has to be up there

1331
01:02:47,600 --> 01:02:49,160
Speaker 1: for them to see to have the evidence, because you

1332
01:02:49,240 --> 01:02:50,840
Speaker 1: know how they're like, well that step on the internet

1333
01:02:50,920 --> 01:02:53,240
Speaker 1: never goes away, by the way, but and yeah, and

1334
01:02:53,360 --> 01:02:55,880
Speaker 1: you can record it. But number two, I would say

1335
01:02:55,960 --> 01:02:59,360
Speaker 1: that I don't think that those little snippet videos and

1336
01:02:59,520 --> 01:03:01,920
Speaker 1: X videos really make money like that there's like millions

1337
01:03:01,960 --> 01:03:03,520
Speaker 1: of them, So I don't know that it's gonna be

1338
01:03:03,560 --> 01:03:05,720
Speaker 1: a big payday for you. Okay, So I don't even

1339
01:03:05,760 --> 01:03:07,560
Speaker 1: know that it would be worth it for one video.

1340
01:03:07,640 --> 01:03:09,640
Speaker 1: But you should definitely talk to him, and when you

1341
01:03:09,720 --> 01:03:11,480
Speaker 1: hit him up, you should be like, look, I said

1342
01:03:11,520 --> 01:03:13,439
Speaker 1: that you put the video up. Are you getting paid

1343
01:03:13,520 --> 01:03:15,920
Speaker 1: from this? Because if you are, then I need to

1344
01:03:15,960 --> 01:03:17,840
Speaker 1: be compensated as well, and if not, I'm going to

1345
01:03:17,920 --> 01:03:20,360
Speaker 1: do a season desist and I'm gonna sue you and

1346
01:03:20,440 --> 01:03:22,600
Speaker 1: just see how he responds to that, because it seems

1347
01:03:22,600 --> 01:03:24,240
Speaker 1: like you don't really care to this out anyway. So

1348
01:03:24,720 --> 01:03:26,800
Speaker 1: I know this would be devastating to some other people,

1349
01:03:26,880 --> 01:03:28,800
Speaker 1: but like to me, like I used to dance, like,

1350
01:03:29,000 --> 01:03:30,640
Speaker 1: I don't really like you know what I'm saying, right,

1351
01:03:30,720 --> 01:03:33,240
Speaker 1: you don't, Okay, it's like, yeah, like if you're gonna

1352
01:03:33,320 --> 01:03:35,520
Speaker 1: like do something, it's like for me, it's like Kobie

1353
01:03:35,560 --> 01:03:37,240
Speaker 1: and creepy that you did it me my money? I

1354
01:03:38,120 --> 01:03:40,920
Speaker 1: want points, okay, because I'm like, if you would have

1355
01:03:40,920 --> 01:03:42,800
Speaker 1: asked me, maybe I would have been on right with it, right,

1356
01:03:42,880 --> 01:03:45,320
Speaker 1: But listen, I ain't judging you for that at all, period.

1357
01:03:45,360 --> 01:03:47,520
Speaker 1: I'm sure everybody up here has watched one of the

1358
01:03:47,760 --> 01:03:50,640
Speaker 1: you know these sites and multiple videos, so nobody's judging

1359
01:03:50,680 --> 01:03:52,360
Speaker 1: you based off of that. But it is wrong for

1360
01:03:52,440 --> 01:03:55,080
Speaker 1: somebody to post something without your knowledge, without your consent,

1361
01:03:55,360 --> 01:03:58,240
Speaker 1: and without giving you your cash. So go ahead and

1362
01:03:58,360 --> 01:04:00,320
Speaker 1: hit him up and let him know that and say, hey, look,

1363
01:04:00,520 --> 01:04:02,360
Speaker 1: I'm not even mad, I'm not trying to do all that,

1364
01:04:02,520 --> 01:04:05,400
Speaker 1: but I want my money. So hit him and tell him. Okay,

1365
01:04:05,560 --> 01:04:07,439
Speaker 1: but I'm gonna be honest. I don't think it's gonna

1366
01:04:07,480 --> 01:04:09,000
Speaker 1: be a lot, but just hit him up and see

1367
01:04:09,000 --> 01:04:12,120
Speaker 1: how he responds. Okay, thank you. An see you're facing

1368
01:04:12,200 --> 01:04:16,040
Speaker 1: the video not at all? Right, No, it's okay, so

1369
01:04:16,080 --> 01:04:17,600
Speaker 1: it's not your face. The guys want to see it.

1370
01:04:17,920 --> 01:04:20,160
Speaker 1: No we don't. I ain't even thinking about him. I'm

1371
01:04:20,200 --> 01:04:24,960
Speaker 1: going with you. But anyway, good luck, Thank you by y'all. Guy,

1372
01:04:25,200 --> 01:04:32,200
Speaker 1: it's good Breakfast club ej Envy Angela Yee, Charlomagne the guy.

1373
01:04:32,280 --> 01:04:36,960
Speaker 1: We are the breakfast club as CNE. Hello. Who's this? Hello? Hey,

1374
01:04:37,080 --> 01:04:38,960
Speaker 1: good morning? What's your question for C and E? Good

1375
01:04:39,040 --> 01:04:42,320
Speaker 1: morning guys. Um. My question is I have a co

1376
01:04:42,560 --> 01:04:47,000
Speaker 1: worker of mine that's interested in me, and I'm just

1377
01:04:47,960 --> 01:04:51,160
Speaker 1: getting out of a relationship, and I never really date

1378
01:04:51,680 --> 01:04:54,800
Speaker 1: people that I work with, so I'm just wondering if

1379
01:04:54,840 --> 01:04:57,880
Speaker 1: it's a good idea. He wants to move in together,

1380
01:04:58,320 --> 01:05:01,240
Speaker 1: and he has a kid, and I already have a

1381
01:05:01,360 --> 01:05:04,560
Speaker 1: son of my own, so you know, in order for

1382
01:05:04,960 --> 01:05:08,040
Speaker 1: me to even take as serious, I thought moving in

1383
01:05:08,120 --> 01:05:11,720
Speaker 1: together would be the best thing. You want to shack up?

1384
01:05:12,400 --> 01:05:14,880
Speaker 1: You think shacking up is the best thing. Yeah, I

1385
01:05:15,000 --> 01:05:18,320
Speaker 1: just to see, like how serious, because I'm tired of

1386
01:05:18,480 --> 01:05:22,360
Speaker 1: like just being a little bit. Yeah, I'm twenty eight.

1387
01:05:23,000 --> 01:05:24,240
Speaker 1: We got a little bit of time. I mean, just

1388
01:05:24,280 --> 01:05:26,520
Speaker 1: don't I wouldn't settle mama. I mean you're still young.

1389
01:05:26,640 --> 01:05:28,320
Speaker 1: Don't sell it if you know it. Don't feel like

1390
01:05:28,360 --> 01:05:30,720
Speaker 1: you really really love more feeless guy. You feel like

1391
01:05:30,760 --> 01:05:32,880
Speaker 1: you're just doing it because you don't want to be lonely.

1392
01:05:33,000 --> 01:05:35,120
Speaker 1: But if he's just your lonely guy, keep them on

1393
01:05:35,160 --> 01:05:36,840
Speaker 1: the side and keep him as your side penis. But

1394
01:05:36,920 --> 01:05:38,760
Speaker 1: if you're looking for a real man, as somebody that

1395
01:05:38,920 --> 01:05:41,440
Speaker 1: you really are are into, keep looking and true. BE

1396
01:05:41,480 --> 01:05:43,000
Speaker 1: told you twenty eight, so you really got two more

1397
01:05:43,040 --> 01:05:45,400
Speaker 1: years of your whole phase left. If we're being honest,

1398
01:05:45,520 --> 01:05:47,720
Speaker 1: you can hope for about two more solid years. I

1399
01:05:47,840 --> 01:05:51,480
Speaker 1: went through that in my twenties. I'm all done. I

1400
01:05:51,600 --> 01:05:53,720
Speaker 1: must have been a real holder. No, I wasn't a

1401
01:05:53,800 --> 01:05:56,600
Speaker 1: real hole. I just I wasn't a real I didn't

1402
01:05:56,600 --> 01:06:01,960
Speaker 1: catch herpies, so I wasn't. Okay, Okay, I like, I

1403
01:06:02,040 --> 01:06:04,560
Speaker 1: like your whole limitations. Her piece is the limit for her.

1404
01:06:04,600 --> 01:06:08,480
Speaker 1: I get it, thank you. Sure, no problem. We're telling

1405
01:06:08,560 --> 01:06:10,120
Speaker 1: what to do. We told them what to do. We

1406
01:06:10,240 --> 01:06:12,280
Speaker 1: told me to keep. If that's the god that's the shopping,

1407
01:06:12,440 --> 01:06:14,160
Speaker 1: is keeping at the shopping. But just don't shack it.

1408
01:06:14,920 --> 01:06:18,440
Speaker 1: She's lamely guy. I know he's trying to be my boyfriend.

1409
01:06:18,600 --> 01:06:22,800
Speaker 1: It's just you know, she's not really white. And I'm African,

1410
01:06:23,040 --> 01:06:27,400
Speaker 1: and like I've always stated, African. Wow, So yeah, don't

1411
01:06:27,400 --> 01:06:29,360
Speaker 1: know if you can let somebody just colonize your vagina

1412
01:06:29,480 --> 01:06:34,000
Speaker 1: like that. I'm all full interracial relationships though, but you know,

1413
01:06:34,520 --> 01:06:36,920
Speaker 1: I'm just saying thank you, mama. I know, but that

1414
01:06:37,200 --> 01:06:40,520
Speaker 1: the black men out here, like they're just the water

1415
01:06:40,640 --> 01:06:42,760
Speaker 1: on the whole another level of these days. What you mean,

1416
01:06:45,000 --> 01:06:47,720
Speaker 1: have no respect for the sisters like you? Rather go

1417
01:06:48,200 --> 01:06:50,920
Speaker 1: and respect, you know, all right, go moving with the

1418
01:06:50,960 --> 01:06:53,200
Speaker 1: white man. Then gone, gone, gone and moving with the

1419
01:06:53,200 --> 01:06:54,440
Speaker 1: white man. Go ahead and be the white man's and

1420
01:06:54,520 --> 01:06:57,439
Speaker 1: then you're serving. Then go ahead, gone gone and moving

1421
01:06:57,480 --> 01:06:59,160
Speaker 1: with the white man. I hope you break your heart.

1422
01:06:59,480 --> 01:07:01,880
Speaker 1: I hope you trying to escape that plantation into yards.

1423
01:07:01,880 --> 01:07:05,320
Speaker 1: All right, all right, Hello, who's this? Good morning? Hey?

1424
01:07:05,360 --> 01:07:07,560
Speaker 1: What's your name? Mama? My name was on it. I'm

1425
01:07:07,600 --> 01:07:10,000
Speaker 1: trying to figure out how do I deal with my husband.

1426
01:07:10,160 --> 01:07:13,200
Speaker 1: He's gonna be for South Carolina and we will get

1427
01:07:13,240 --> 01:07:15,920
Speaker 1: into arguments and he would be mad at me, and

1428
01:07:16,080 --> 01:07:17,760
Speaker 1: he will tell me to leave, and when I leave,

1429
01:07:17,840 --> 01:07:20,840
Speaker 1: he will be mad and sad. Wile that's right. I

1430
01:07:20,880 --> 01:07:22,440
Speaker 1: don't see the problem. You know, good in damn well.

1431
01:07:22,480 --> 01:07:23,920
Speaker 1: I don't want you to leave. So why are you leave? It?

1432
01:07:24,360 --> 01:07:25,720
Speaker 1: What you told me to leave? So what am I

1433
01:07:25,760 --> 01:07:27,840
Speaker 1: supposing now? You want to listen to me? He didn't

1434
01:07:27,840 --> 01:07:29,200
Speaker 1: mean it. You don't listen to me no other time.

1435
01:07:29,600 --> 01:07:31,080
Speaker 1: If I don't listen to you, and then I listen

1436
01:07:31,120 --> 01:07:32,880
Speaker 1: to and you're wrong, and then you're mad still, So

1437
01:07:33,000 --> 01:07:34,720
Speaker 1: what do I do? He don't want you to leave.

1438
01:07:34,800 --> 01:07:36,520
Speaker 1: That's the thing mine. He say't leave because he wants

1439
01:07:36,560 --> 01:07:38,240
Speaker 1: the attention. He just wants you to be like, no, babe,

1440
01:07:38,280 --> 01:07:40,000
Speaker 1: I don't want to leave, and then I have a conversation.

1441
01:07:40,080 --> 01:07:41,560
Speaker 1: Tell me to grow up. By the way, is nothing

1442
01:07:41,600 --> 01:07:43,640
Speaker 1: more confusing than that. My wife hit me yesterday because

1443
01:07:43,680 --> 01:07:45,320
Speaker 1: I was in the middle of doing my podcast. You

1444
01:07:45,440 --> 01:07:47,000
Speaker 1: called me. Whenever my wife called me, I pick up

1445
01:07:47,040 --> 01:07:48,760
Speaker 1: the phone. When she put the phone, tell me something said,

1446
01:07:48,760 --> 01:07:50,120
Speaker 1: I'm gona way back and doing my podcast. So she

1447
01:07:50,160 --> 01:07:52,080
Speaker 1: says to me, why are you pick up the phone then,

1448
01:07:52,200 --> 01:07:53,960
Speaker 1: because if I didn't pick up the phone, you'll be

1449
01:07:54,000 --> 01:07:55,680
Speaker 1: texting me saying why are you not picking up your phone?

1450
01:07:55,720 --> 01:07:57,120
Speaker 1: So how can when I pick up my phone? You

1451
01:07:57,200 --> 01:07:59,000
Speaker 1: asked me why I picked up my phone? Oh? Oh, oh,

1452
01:07:59,040 --> 01:08:01,160
Speaker 1: you you pick up when your wife called? When I

1453
01:08:01,280 --> 01:08:03,320
Speaker 1: called you yesterday, you didn't pick up the phone. Sure,

1454
01:08:03,480 --> 01:08:06,040
Speaker 1: that's exactly right. That's the fact I called you back though. Hello.

1455
01:08:06,120 --> 01:08:10,240
Speaker 1: Who's this Hello? It's a lady North Carolina. Hey, mama,

1456
01:08:10,280 --> 01:08:12,600
Speaker 1: what's your question for ce and me? Okay? So I've

1457
01:08:12,640 --> 01:08:15,120
Speaker 1: been back and forthd with this guy for five years?

1458
01:08:15,520 --> 01:08:19,080
Speaker 1: Um two thousand and seven, January tells seventeen. We broke

1459
01:08:19,160 --> 01:08:21,880
Speaker 1: up by May two thousand and seventeen. He was married

1460
01:08:22,200 --> 01:08:24,640
Speaker 1: all gets two thousand seventeen. I found out and I

1461
01:08:25,000 --> 01:08:28,280
Speaker 1: sent sent a simple Instagram message. I said, all right, baby,

1462
01:08:28,439 --> 01:08:30,800
Speaker 1: you would you would decide? Check, you would decide, you

1463
01:08:30,800 --> 01:08:33,920
Speaker 1: would decide the whole time? No, no, no, no, no

1464
01:08:33,960 --> 01:08:36,320
Speaker 1: no no, there's nothing to talk about, no, nothing else

1465
01:08:36,360 --> 01:08:38,240
Speaker 1: to talk about. You were the side chick. Ma. He

1466
01:08:38,320 --> 01:08:40,479
Speaker 1: already had a whole nother woman that he was in

1467
01:08:40,600 --> 01:08:44,160
Speaker 1: love with. H all right, he wasn't stopping. Stopped Now,

1468
01:08:44,200 --> 01:08:46,040
Speaker 1: I don't calling me to be not three months and

1469
01:08:46,160 --> 01:08:49,240
Speaker 1: he's married, you would decide, don't call a don't call

1470
01:08:49,320 --> 01:08:51,960
Speaker 1: a b to be in denial, divorce stop it. He

1471
01:08:52,160 --> 01:08:56,639
Speaker 1: was forty five days later he was separated. Oh he separated,

1472
01:08:56,840 --> 01:08:59,280
Speaker 1: his divorce is final. Now is he back with you?

1473
01:08:59,600 --> 01:09:02,479
Speaker 1: Yeah he's yeah. Yeah, he said he got he fought

1474
01:09:02,560 --> 01:09:05,479
Speaker 1: for divorce, he could, We could be together. So why

1475
01:09:05,479 --> 01:09:07,519
Speaker 1: are you calling us something fact that I need to

1476
01:09:07,600 --> 01:09:09,960
Speaker 1: know if if I need to accept him back. No,

1477
01:09:10,080 --> 01:09:12,160
Speaker 1: we're not in the relationships. I don't Mary, Mary man,

1478
01:09:12,320 --> 01:09:14,960
Speaker 1: but we have had conversation over the year, So I'm

1479
01:09:15,000 --> 01:09:16,639
Speaker 1: trying to figure out that I take him back. Even

1480
01:09:16,680 --> 01:09:19,840
Speaker 1: though he did that, and even though his divorce would

1481
01:09:19,840 --> 01:09:22,519
Speaker 1: be final, Mom, I would move back. I would move all, Mama.

1482
01:09:22,600 --> 01:09:25,040
Speaker 1: I mean he did you during, Mama, he got he

1483
01:09:25,080 --> 01:09:26,880
Speaker 1: got all. He got married to a whole other lager.

1484
01:09:26,960 --> 01:09:29,000
Speaker 1: This man dumped you to have a whole and and

1485
01:09:29,160 --> 01:09:35,160
Speaker 1: you he got married. You gotta be smarter than that.

1486
01:09:35,479 --> 01:09:38,760
Speaker 1: I would leave Mom alone unless he gave you an STD. Now,

1487
01:09:38,800 --> 01:09:41,320
Speaker 1: if you gave you an STD, that's uncarrible and y'all

1488
01:09:41,360 --> 01:09:44,000
Speaker 1: can share that together. For the rest of y'all. My goodness,

1489
01:09:44,160 --> 01:09:46,000
Speaker 1: all right, we got more coming up next with a

1490
01:09:46,040 --> 01:09:49,880
Speaker 1: breakfast club. The breakfast Club, your morning's will never be

1491
01:09:50,080 --> 01:09:54,040
Speaker 1: the same. Imagine you ride at your perfect paradise filled

1492
01:09:54,080 --> 01:09:57,280
Speaker 1: with son fun and hot singles, and suddenly that act

1493
01:09:57,360 --> 01:10:00,360
Speaker 1: you never wanted to see again just shows up. Right, man,

1494
01:10:00,600 --> 01:10:04,720
Speaker 1: meet reality, because on Thursday, December twentieth, mtvs X on

1495
01:10:04,840 --> 01:10:08,320
Speaker 1: the Beach is back. Ten singles came to find love

1496
01:10:08,840 --> 01:10:11,240
Speaker 1: on One by one, their xes show up and things

1497
01:10:11,360 --> 01:10:14,639
Speaker 1: get complicated. Now they've got to decide where they choose

1498
01:10:14,680 --> 01:10:17,320
Speaker 1: their X or move on to the next. Don't miss

1499
01:10:17,479 --> 01:10:20,439
Speaker 1: mtvs X on the Beach new season premiere is Thursday

1500
01:10:20,479 --> 01:10:23,040
Speaker 1: the Cember twentieth at eight seventh century on MTV.