WEBVTT - Episode 3: Fodor's Guide to London, Chapter 1

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<v Speaker 1>History and tradition greet you at every turn in London,

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<v Speaker 1>yet it's also one of the most modern cities you

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<v Speaker 1>can find. First established by the Romans, it grew to

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<v Speaker 1>be the capital of one of the largest empires and

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<v Speaker 1>remains one of the largest cities in the world. Built

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<v Speaker 1>on the River Thames, London has always been an important

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<v Speaker 1>center for culture and trade, and is so diverse that

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<v Speaker 1>it is said over three hundred languages are spoken within

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<v Speaker 1>the city. If London contained only landmarks such as Westminster

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<v Speaker 1>Abbey and Big Ben, it would still rank as one

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<v Speaker 1>of the world's great destinations. But Britain's capital is so

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<v Speaker 1>much more. While the culture may be reserved built on

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<v Speaker 1>etiquette and comportment, beneath that stiff upper lip resides a

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<v Speaker 1>society that loves a good beer and a good time.

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<v Speaker 1>The lively pubs are just as large a part of

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<v Speaker 1>the culture of the city has Buckingham Palace.

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<v Speaker 2>Jean.

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<v Speaker 3>Gene, you can put your pen down. What take a

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<v Speaker 3>look out the window.

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<v Speaker 1>We're here, ah, London. It's great to be back.

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<v Speaker 4>I wouldn't have minded a little more notice.

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<v Speaker 1>Need I remind you, darling, this is what you wanted,

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<v Speaker 1>A big new publisher means that our schedule is no

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<v Speaker 1>longer in our own hands. The demands are larger, Yes, yes,

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<v Speaker 1>I know. Fortunately with larger demands come nicer accommodations. Martin

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<v Speaker 1>booked us a room at the Savoy.

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<v Speaker 4>M Okay, I can live with that, I thought.

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<v Speaker 5>So.

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<v Speaker 1>See, some changes are going to be very positive. Some

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<v Speaker 1>well different, Like the new photographer just one of the

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<v Speaker 1>many ideas Martin has to modernize our guide books.

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<v Speaker 3>But I'm fine with making the move to color photos.

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<v Speaker 3>But I don't love that we weren't allowed to find

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<v Speaker 3>someone to hire ourselves with what time?

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<v Speaker 1>Anyway, Martin says this Rebecca is the cream of the crop,

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<v Speaker 1>a young talented freelancer right out of college who's eager

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<v Speaker 1>to impress us. She's meeting us at the train station

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<v Speaker 1>any minute now, So don't forget to be nice when

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<v Speaker 1>am I not? And keep in mind, while you may

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<v Speaker 1>not continue to snap every photo in our book, you

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<v Speaker 1>will have final say over what is printed. You are

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<v Speaker 1>the editor now, and we need to delegate so we

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<v Speaker 1>can allow the business to grow.

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<v Speaker 4>All right, Bud. If her work is SuPAR, then she

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<v Speaker 4>won't be.

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<v Speaker 1>Back during cross station choring cross station.

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<v Speaker 6>That's us mister and missus Podor.

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<v Speaker 1>Hello, you must be miss Ralston.

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<v Speaker 3>Oh, please call me Rebecca, and you must call us

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<v Speaker 3>Gina and Vlasta.

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<v Speaker 2>Is so so nice to meet you both.

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<v Speaker 7>I was worried I'd miss your train with.

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<v Speaker 2>All these clouds coming and going, and there really are

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<v Speaker 2>a whole lot of people in London.

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<v Speaker 4>When did you arrive in dumb Oh?

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<v Speaker 7>Last night?

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<v Speaker 2>I was so chatlied, but I was like, Rebecca, you

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<v Speaker 2>are in London.

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<v Speaker 7>Go to the pub. Have you ever tried? Oh my god,

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<v Speaker 7>what do they call it?

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<v Speaker 3>Baker's and mash I can't say I have fun name

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<v Speaker 3>disgusting fair?

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<v Speaker 1>Well, shall we get going?

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<v Speaker 4>Hold on, I'd like to learn a little more about Rebecca.

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<v Speaker 7>Sure thing.

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<v Speaker 4>How did you meet Martin?

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<v Speaker 2>I was interning at Time magazine and Martin was closing

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<v Speaker 2>a deal with my boss at the time. We got

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<v Speaker 2>to talking and he knew I was eager for more

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<v Speaker 2>road work.

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<v Speaker 7>I'm not the most suitor to being in office, though.

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<v Speaker 2>I did learn a lot, so when he offered me

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<v Speaker 2>a job working with the best trials in the world,

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<v Speaker 2>I jumped at the chance.

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<v Speaker 4>I see you and what do you shoot on?

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<v Speaker 7>Well, I guess that depends on the subject matter.

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<v Speaker 2>I use my hustle blot for landscape and portraiture if

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<v Speaker 2>I need a longer exposure. But if you like me

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<v Speaker 2>to lean more into the feeling of the city and

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<v Speaker 2>the action of the streets, I brought my leika. It

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<v Speaker 2>allows me to capture the intimate details and the candid action, or,

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<v Speaker 2>like Bresson likes to say, the decisive moment. And I

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<v Speaker 2>use a variety of film speeds depending on the movement

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<v Speaker 2>and time of day. But given how gloomy it is

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<v Speaker 2>in London right now, I'd say we start with four hundred.

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<v Speaker 1>Satisfied darling for now.

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<v Speaker 4>Yes, let's see what you got awesome.

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<v Speaker 2>I'll take you to the hotel to drop your stuff.

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<v Speaker 2>Martin sent a list of sights to begin with for

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<v Speaker 2>Gina and I to visit and flast up. He sent

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<v Speaker 2>this briefcase for you. They are mock ups, writing samples

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<v Speaker 2>and budget spreadsheets. Man, I saw plenty of those during

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<v Speaker 2>my internship at Time Magazine, Like I have my work

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<v Speaker 2>cut outs for me.

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<v Speaker 1>The Savoy will make a wonderful office.

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<v Speaker 2>And gee, if it's not too much trouble, I would

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<v Speaker 2>love to make it to Big Ben by magic hour.

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<v Speaker 1>Then let's get a move on, and we'll meet you

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<v Speaker 1>back at the hotel later.

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<v Speaker 3>Darling, Yes, go capture those decisive moments.

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<v Speaker 2>Well, Plastic seems smart, beautiful and tough as nails. Satisfying

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<v Speaker 2>her might be harder than completing this mission.

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<v Speaker 1>It'll get easier once she gets to know you. She's

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<v Speaker 1>always handled everything, so it's going to be an adjustment

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<v Speaker 1>for her to let go of the reins a bit.

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<v Speaker 7>I get it.

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<v Speaker 2>These books are her baby and you're her husband. Not

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<v Speaker 2>many women would want to share both. But now that

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<v Speaker 2>we are alone, are you carrying the microphone?

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<v Speaker 1>Yes, it's in a hidden compartment in my coat.

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<v Speaker 7>Good, then follow me. We're right on time.

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<v Speaker 1>Wait, Big Ben is the other direction.

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<v Speaker 7>I shot it yesterday.

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<v Speaker 2>We have a stop to make where we're going to

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<v Speaker 2>meet Roger Hollis for a drink. It will tends and

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<v Speaker 2>deliver the microfilm.

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<v Speaker 1>Roger Hollis. I worked with him during the war. At

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<v Speaker 1>the time, he was in MI five's f Division, which

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<v Speaker 1>was a secret organization focused on counter subversion tactics. Clever fellow,

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<v Speaker 1>but I'd hate to play poker with him.

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<v Speaker 2>Well, now he's Director General of m I five, so

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<v Speaker 2>I guess he's played his cards.

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<v Speaker 1>Right, and Wilton's is a perfect venue for such an exchange.

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<v Speaker 7>And only a block away.

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<v Speaker 1>Wilton's isn't just any restaurant, It's a true London institution.

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<v Speaker 1>You can file Wilton's in your mental library under restaurants.

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<v Speaker 1>You can still acceptably take your grandfather to places where

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<v Speaker 1>round red men go to nap and things older than America.

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<v Speaker 1>It is that last point which is most telling. Wilton's

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<v Speaker 1>turned two hundred and seventy six this year, and it's

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<v Speaker 1>fair to say that its dining room has done a

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<v Speaker 1>fat lot more good for the world's cultural and economic

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<v Speaker 1>prosperity in those years than the teenage nation across the pond. Indeed,

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<v Speaker 1>it's a not very well kept secret that Wiltons was

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<v Speaker 1>for many years the proxy financial center for the real

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<v Speaker 1>deal makers of London, back in an age when due

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<v Speaker 1>diligence amounted to little more. Then we'll see a good

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<v Speaker 1>scrum at prep school. And where does he buy his shirts?

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<v Speaker 1>The correct answer to witches just across the street at

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<v Speaker 1>Turnbull and Asser. In fact, Michael Heseltine, the former Deputy

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<v Speaker 1>Prime Minister and co founder of the publishing behemoth Haymarket,

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<v Speaker 1>memorably described Wilton's as his company's work canteen. Jean, Hello,

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<v Speaker 1>well if it isn't Roger Hollis and Charles so good

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<v Speaker 1>to see you.

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<v Speaker 8>Yes, and this is my wife Anne.

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<v Speaker 7>I've heard so much about you.

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<v Speaker 1>Wonderful to meet you, Rebecca. Have you had the pleasure

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<v Speaker 1>of meeting Charles and ann elwell yet? Charles is another

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<v Speaker 1>one of my buddies from the war.

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<v Speaker 8>Oh more than that, Jean saved my life. Not quiet,

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<v Speaker 8>don't be modest. Under orders from m I five, I

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<v Speaker 8>worked with the Royal Navy Volunteer Reserve to help smuggle

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<v Speaker 8>British agents into occupied to when I was captured and

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<v Speaker 8>placed as a pow in Colditz Castle.

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<v Speaker 1>If you're not familiar with Colditz, it was one of

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<v Speaker 1>the most noted Nazi prisoner of war camps for enemy

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<v Speaker 1>officers during the war.

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<v Speaker 8>More colloquially known as Oa Flag, it was a.

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<v Speaker 1>Thousand year old fortress right in the heart of Hitler's

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<v Speaker 1>Reich that was nearly impenetrable, with two meter thick walls

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<v Speaker 1>built on a cliff with a sheer drop of seventy

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<v Speaker 1>five meters to the river Mulda below.

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<v Speaker 8>Gene, I missed you. Encyclopedic knowledge, and it was this

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<v Speaker 8>knowledge that helped Jane lead a team to liberate the castle,

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<v Speaker 8>finally framing me at the end.

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<v Speaker 1>Of the war.

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<v Speaker 7>Very impressive.

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<v Speaker 1>Are you still with m I five, Charles, Yes, as

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<v Speaker 1>is n Really that's fascinating. I'm sure it makes for

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<v Speaker 1>a good dinner conversation.

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<v Speaker 4>If it's not top secret altogether.

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<v Speaker 9>As nice as it is to catch up on old times,

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<v Speaker 9>we have more pressing business to address. Please, let's take

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<v Speaker 9>a seat. Martin says, you have something to share with.

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<v Speaker 1>Us, Yes, of course, just here in my pocket.

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<v Speaker 2>Well see, the Soviets have created detailed pathfinder maps of

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<v Speaker 2>London and every major city in Western Europe. This came

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<v Speaker 2>from a source deep inside the Kremlin.

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<v Speaker 1>Lives were lost for this.

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<v Speaker 9>We greatly appreciate you delivering this intelligence. We've been dealing

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<v Speaker 9>with some critical intelligence leaks of our own, which is

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<v Speaker 9>the real reason I had Martin arranged this meeting.

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<v Speaker 1>What do you mean Since.

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<v Speaker 9>The nineteen fifties, dozens of covert operations within MI five

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<v Speaker 9>have failed. In addition, KGB's spies have evaded capture both

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<v Speaker 9>in the UK and the US, and the only explanation

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<v Speaker 9>is that someone has been warning them. We believe there

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<v Speaker 9>is a spy ring working within mi I five.

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<v Speaker 8>These KGB mulls have been crippling and corrupting our biggest

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<v Speaker 8>operations for decades. Hell, even the plans for the Manhattan

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<v Speaker 8>Project when hands of the Soviets before the nuclear bombers

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<v Speaker 8>even tested.

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<v Speaker 9>And now we have our own Manhattan Project and we

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<v Speaker 9>fear the same results. The HMS Dreadnought is the UK's

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<v Speaker 9>first nuclear submarine and we can't afford for these plans

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<v Speaker 9>to end up in the hands of.

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<v Speaker 1>The KGB nuclear submarines and bombs. All that sounds very

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<v Speaker 1>high stakes, but what does this have to do with me.

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<v Speaker 8>M I five needs, Eugene. There is a mole within

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<v Speaker 8>the company and no one can be trusted, even in

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<v Speaker 8>the highest chambers of intelligence.

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<v Speaker 9>So we need someone outside the intelligence apparatus to conduct

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<v Speaker 9>the investigation.

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<v Speaker 1>I thought we were just delivering the film, that was it.

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<v Speaker 7>The mission is an over yet, Gene.

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<v Speaker 2>If we don't expose this mole and prevent these plans

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<v Speaker 2>from leaking, then recovering these maps would be useless.

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<v Speaker 7>The Soviets will have both.

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<v Speaker 2>The means and the method to attack.

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<v Speaker 5>We believe it is this very mole who gave the

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<v Speaker 5>Soviets the information pathfinder used to make his maps.

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<v Speaker 8>We've gotten close before that, the suspects escaped at the

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<v Speaker 8>last minute, or missions have been canceled in the minic

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<v Speaker 8>of time.

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<v Speaker 1>So how are we supposed.

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<v Speaker 9>To help strictly information gathering? We suspect the mole is

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<v Speaker 9>in the Admiralty, most likely the Naval Intelligence Division. You

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<v Speaker 9>will work directly with Charles and Anne to conduct surveillance

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<v Speaker 9>on the various suspects. They don't know who you are,

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<v Speaker 9>and no one else in MI I five will know

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<v Speaker 9>about this operation. When you find the traitor, you report

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<v Speaker 9>him directly to me.

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<v Speaker 1>Sounds straightforward enough.

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<v Speaker 9>Good, then I must be off. I trust you will

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<v Speaker 9>handle this in both a discreet and timely fashion.

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<v Speaker 8>What Rod I meant to say is we appreciate your

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<v Speaker 8>help with this.

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<v Speaker 1>I'm sure just slipped his mind. So where do we

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<v Speaker 1>begin with the Vice admiral that high up the food chain.

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<v Speaker 5>Here's our file on him and the surveillance vote has

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<v Speaker 5>collected so far.

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<v Speaker 7>Who is this man standing beside him in most of

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<v Speaker 7>these pictures?

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<v Speaker 8>Oh, that's John Vassel, local officer to the Vice.

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<v Speaker 1>Admiral, clerical officer. His suits are a touch too nice

0:11:59.000 --> 0:12:02.400
<v Speaker 1>for that station rests nicer than the admiral himself. I

0:12:02.440 --> 0:12:04.160
<v Speaker 1>know where these suits come from, and they cost more

0:12:04.200 --> 0:12:06.839
<v Speaker 1>than a government's salary would provide. Do you have any

0:12:06.880 --> 0:12:07.840
<v Speaker 1>more information on him?

0:12:08.200 --> 0:12:09.559
<v Speaker 4>We'll pull his file immediately.

0:12:09.679 --> 0:12:12.720
<v Speaker 1>Good. In the meantime, since I know the tailor, perhaps

0:12:12.760 --> 0:12:14.760
<v Speaker 1>Rebecca and I will go try on a suit or two.

0:12:25.960 --> 0:12:28.920
<v Speaker 1>Savile Row is a street in central London, but it's

0:12:28.960 --> 0:12:32.079
<v Speaker 1>also much more than that. It is home to the

0:12:32.120 --> 0:12:36.160
<v Speaker 1>finest in suits and tailors in the world. In eighteen

0:12:36.240 --> 0:12:39.800
<v Speaker 1>forty six, Henry Pool, later credited as the creator of

0:12:39.800 --> 0:12:43.120
<v Speaker 1>the dinner jacket, opened an entrance to Savile Row from

0:12:43.120 --> 0:12:47.559
<v Speaker 1>his tailoring premises in Old Burlington Street. Other tailors followed,

0:12:47.960 --> 0:12:51.960
<v Speaker 1>and soon the bespoke movement was born. This is where

0:12:51.960 --> 0:12:54.760
<v Speaker 1>the first suits were cut and made by hand, and

0:12:54.800 --> 0:12:58.640
<v Speaker 1>the tradition lives on. This short street has been termed

0:12:58.679 --> 0:13:02.480
<v Speaker 1>the Golden Mile of tailor, where customers have included Charles

0:13:02.480 --> 0:13:07.840
<v Speaker 1>the Third, Winston Churchill, Lord Nelson, Laurence Olivier and Duke Ellington,

0:13:08.440 --> 0:13:11.600
<v Speaker 1>to name just a few. And tailors are much like

0:13:11.679 --> 0:13:15.120
<v Speaker 1>barber's they are the ears of a certain demographic within

0:13:15.160 --> 0:13:19.240
<v Speaker 1>a city.

0:13:20.559 --> 0:13:23.280
<v Speaker 10>Hello Sir and madam, welcome to Huntsman and sons. How

0:13:23.320 --> 0:13:24.199
<v Speaker 10>may be of assistance?

0:13:24.360 --> 0:13:26.199
<v Speaker 7>Yes, I yes, thank you.

0:13:26.679 --> 0:13:29.400
<v Speaker 2>My husband here is in desperate need of a new suit.

0:13:29.800 --> 0:13:31.480
<v Speaker 7>His friends said you were the best in town.

0:13:31.920 --> 0:13:33.600
<v Speaker 1>That is very kind, darling.

0:13:33.720 --> 0:13:35.960
<v Speaker 7>How many suits did John say he had?

0:13:36.240 --> 0:13:36.320
<v Speaker 11>No?

0:13:36.679 --> 0:13:42.079
<v Speaker 1>I think he said dozens. But you know vassal always exaggerating, Vassal,

0:13:42.960 --> 0:13:45.880
<v Speaker 1>John vassal, He is, in fact telling the truth. I've

0:13:45.920 --> 0:13:48.440
<v Speaker 1>personally fitted him for more than three dozen of my

0:13:48.720 --> 0:13:49.559
<v Speaker 1>finest suits.

0:13:49.640 --> 0:13:52.120
<v Speaker 7>Hu, no wonder he always looks so sharp.

0:13:52.320 --> 0:13:55.200
<v Speaker 1>A suit like that must set him back a pretty penny.

0:13:55.200 --> 0:13:58.720
<v Speaker 2>Oh, honey, you cannot put a price on elegance.

0:13:58.400 --> 0:14:01.640
<v Speaker 10>Your lovely wife is correct. Of course, it depends on

0:14:01.679 --> 0:14:03.040
<v Speaker 10>the cut and material that.

0:14:03.040 --> 0:14:03.640
<v Speaker 1>Is your preference.

0:14:03.720 --> 0:14:08.000
<v Speaker 7>I just love that suit in the window and good taste.

0:14:08.520 --> 0:14:11.319
<v Speaker 1>I've learned long ago not to argue with my wife.

0:14:12.040 --> 0:14:14.280
<v Speaker 1>Do you have time to take my measurements? Of course,

0:14:14.320 --> 0:14:15.719
<v Speaker 1>if you would just stand right here for.

0:14:15.760 --> 0:14:17.679
<v Speaker 7>Me, fantastic.

0:14:18.200 --> 0:14:20.920
<v Speaker 2>We're attending a wedding next week and I'm just desperate

0:14:20.960 --> 0:14:24.480
<v Speaker 2>to get him into something new. Man so resistant to

0:14:24.600 --> 0:14:28.080
<v Speaker 2>change sometimes. Can I write the delivery address down for

0:14:28.120 --> 0:14:29.560
<v Speaker 2>you while you finish the measurements.

0:14:29.840 --> 0:14:31.680
<v Speaker 10>Yes, please leave it in the address book. It's on

0:14:31.720 --> 0:14:38.000
<v Speaker 10>the counter there, all right, very good and done.

0:14:38.640 --> 0:14:41.400
<v Speaker 7>And how much do we owe you with this material?

0:14:41.440 --> 0:14:43.920
<v Speaker 10>It'll be three hundred quid, madam. I can have it

0:14:43.960 --> 0:14:45.040
<v Speaker 10>finished top of the week.

0:14:45.920 --> 0:14:49.840
<v Speaker 2>Expensive, but worth every penny. I'm sure he will be

0:14:49.920 --> 0:14:50.640
<v Speaker 2>quite dashing.

0:14:51.040 --> 0:14:54.440
<v Speaker 10>As they say, madam, the suit makes the mass.

0:14:54.240 --> 0:14:55.800
<v Speaker 7>Oh, it certainly makes them better.

0:14:56.000 --> 0:14:59.000
<v Speaker 1>Then perhaps I should also order three dozen like John, I.

0:14:58.920 --> 0:15:00.720
<v Speaker 7>Think we'll just stick with one for now.

0:15:01.320 --> 0:15:03.960
<v Speaker 2>Now, come along, dear, we have some more shopping to do.

0:15:04.320 --> 0:15:07.640
<v Speaker 1>Of course, darling right behind you. Thank you both, and

0:15:07.720 --> 0:15:09.120
<v Speaker 1>have a splendid evening.

0:15:13.280 --> 0:15:15.920
<v Speaker 2>Nice suit, too bad, Vlosta will never see you in it.

0:15:16.000 --> 0:15:18.720
<v Speaker 1>Three hundred pounds of suit and over three dozen suits,

0:15:19.080 --> 0:15:21.680
<v Speaker 1>that's like ten thousand pounds. There's no way he can

0:15:21.720 --> 0:15:23.280
<v Speaker 1>afford that on a government salary.

0:15:23.400 --> 0:15:25.400
<v Speaker 2>Why don't we swing by Vassal's house and check it out.

0:15:25.920 --> 0:15:27.800
<v Speaker 2>I pulled his address from the shop ledger when I

0:15:27.800 --> 0:15:28.640
<v Speaker 2>wrote down the fake.

0:15:28.480 --> 0:15:30.800
<v Speaker 1>Delivery smart what's the address?

0:15:31.080 --> 0:15:34.360
<v Speaker 2>Eight hundred and seven Hood House. I think that's near

0:15:34.400 --> 0:15:35.800
<v Speaker 2>the Thames Hood House.

0:15:37.320 --> 0:15:40.560
<v Speaker 1>I know that area. That's on Dolphin Square where it's

0:15:40.600 --> 0:15:43.680
<v Speaker 1>one of the most expensive addresses in London. Unless he's

0:15:43.680 --> 0:15:46.320
<v Speaker 1>related to the royal family. What is a deputy clerk

0:15:46.360 --> 0:15:47.040
<v Speaker 1>doing living there.

0:15:48.440 --> 0:15:50.160
<v Speaker 7>Let's call in in Charles to let them know what

0:15:50.160 --> 0:15:50.680
<v Speaker 7>we've learned.

0:15:51.160 --> 0:16:11.480
<v Speaker 1>There's a payphone. Hello, Ann, it's Gina and Rebecca. Did

0:16:11.480 --> 0:16:12.920
<v Speaker 1>you get any more information on Vassal?

0:16:13.160 --> 0:16:16.280
<v Speaker 5>Yes? Actually you were concerned about his finances and we

0:16:16.480 --> 0:16:19.000
<v Speaker 5>just learned his yearly salary is seven hundred and fifty

0:16:19.040 --> 0:16:22.120
<v Speaker 5>pounds a year and he's not independently wealthy. Plus he

0:16:22.200 --> 0:16:24.480
<v Speaker 5>recently left the country with his passport to come months

0:16:24.480 --> 0:16:28.160
<v Speaker 5>back for a two week vacation to Aruba. He's definitely

0:16:28.280 --> 0:16:29.320
<v Speaker 5>living above his station.

0:16:29.600 --> 0:16:31.920
<v Speaker 1>We just came back from the tailor shop. Between the suits,

0:16:31.960 --> 0:16:34.520
<v Speaker 1>the trips and the flat on Dolphins Square, there's no

0:16:34.600 --> 0:16:37.720
<v Speaker 1>question Vassals living beyond his means. The question is where

0:16:37.760 --> 0:16:38.880
<v Speaker 1>is that money coming from.

0:16:39.440 --> 0:16:41.720
<v Speaker 2>We're going to case Vassal's apartment to see what else

0:16:41.760 --> 0:16:43.920
<v Speaker 2>we can find. We'll check back in later.

0:16:43.960 --> 0:16:46.080
<v Speaker 5>Okay, but be careful.

0:16:48.800 --> 0:16:51.520
<v Speaker 1>Case the apartment. How are we going to do that?

0:16:51.720 --> 0:16:53.120
<v Speaker 7>We aren't going to do anything.

0:16:53.720 --> 0:16:55.840
<v Speaker 2>You are going to stand outside and keep a lookout

0:16:55.840 --> 0:16:58.520
<v Speaker 2>while I break into his apartment and search for clues.

0:16:59.040 --> 0:17:01.160
<v Speaker 1>That sounds like a bit more than surveillance.

0:17:01.480 --> 0:17:03.000
<v Speaker 7>Surveillance was your job.

0:17:03.320 --> 0:17:05.119
<v Speaker 2>I have my own company to answer to, and they

0:17:05.160 --> 0:17:06.359
<v Speaker 2>play by their own rules.

0:17:06.800 --> 0:17:07.320
<v Speaker 7>Let's move.

0:17:15.520 --> 0:17:18.879
<v Speaker 1>At the time of its first construction, Dolphins Square's twelve

0:17:19.000 --> 0:17:22.360
<v Speaker 1>hundred and fifty upmarket flats were billed by Sir Nicholas

0:17:22.359 --> 0:17:26.600
<v Speaker 1>Pevsner as the largest self contained block of flats in Europe.

0:17:27.080 --> 0:17:30.800
<v Speaker 1>Boasting the most developed private garden square in all of London.

0:17:31.800 --> 0:17:34.840
<v Speaker 1>Due to its proximity to the Palace of Westminster and

0:17:34.960 --> 0:17:38.040
<v Speaker 1>built near the River Thames, Dolphin Square became one of

0:17:38.119 --> 0:17:42.040
<v Speaker 1>the most popular residences in the city for politicians and royalty,

0:17:42.520 --> 0:17:45.640
<v Speaker 1>with more than seventy MP's and at least ten lords

0:17:45.960 --> 0:17:50.440
<v Speaker 1>calling it home. A full block of luxury apartments right

0:17:50.480 --> 0:17:52.240
<v Speaker 1>in the heart of central London.

0:17:54.320 --> 0:17:56.439
<v Speaker 2>All right, Gene, we've been watching this place for the

0:17:56.440 --> 0:17:58.560
<v Speaker 2>better part of an hour. It looks like no one's home.

0:17:59.080 --> 0:18:01.320
<v Speaker 2>You stay here, well, I go inside to investigate.

0:18:01.520 --> 0:18:02.000
<v Speaker 8>I can't just.

0:18:02.040 --> 0:18:04.639
<v Speaker 1>Let you go in there alone. What if something goes wrong.

0:18:04.760 --> 0:18:06.560
<v Speaker 7>I can take care of myself.

0:18:06.560 --> 0:18:09.960
<v Speaker 1>That's clear, But what about me. I'd be awfully alone

0:18:09.960 --> 0:18:10.480
<v Speaker 1>out here.

0:18:10.560 --> 0:18:15.200
<v Speaker 7>And who said chivalry was dead? Fine? Follow me, stay

0:18:15.280 --> 0:18:16.919
<v Speaker 7>quiet and stay close.

0:18:24.119 --> 0:18:25.119
<v Speaker 8>What are you doing.

0:18:25.119 --> 0:18:26.160
<v Speaker 4>Picking the lock?

0:18:26.720 --> 0:18:28.720
<v Speaker 7>Thought it'd be more subtle than kicking down the door.

0:18:28.920 --> 0:18:31.040
<v Speaker 1>How long's that take? We don't know how long he'll

0:18:31.040 --> 0:18:31.359
<v Speaker 1>be gone.

0:18:31.359 --> 0:18:32.199
<v Speaker 7>For good thing.

0:18:32.240 --> 0:18:41.520
<v Speaker 2>I'm quick teta keep the lights off, Try not to

0:18:41.560 --> 0:18:42.400
<v Speaker 2>disturb too much.

0:18:45.680 --> 0:18:49.320
<v Speaker 1>The man certainly has good taste. These rugs alone cost

0:18:49.359 --> 0:18:49.800
<v Speaker 1>a fortune.

0:18:49.800 --> 0:18:52.760
<v Speaker 2>I'll go shack upstairs. You search down here, let me

0:18:52.800 --> 0:18:54.280
<v Speaker 2>know if you find anything suspicious.

0:19:14.560 --> 0:19:17.520
<v Speaker 1>Ah, this is where he keeps all those swanky suits.

0:19:17.880 --> 0:19:19.280
<v Speaker 7>Hey jeans, Come look at this.

0:19:19.440 --> 0:19:19.919
<v Speaker 1>Where are you?

0:19:20.200 --> 0:19:26.760
<v Speaker 2>I'm upstairs in the bedroom.

0:19:26.960 --> 0:19:28.119
<v Speaker 1>What'd you find?

0:19:28.640 --> 0:19:31.879
<v Speaker 7>Hidden cameras and mics they are everywhere.

0:19:32.440 --> 0:19:34.160
<v Speaker 1>Maybe the Soviets are spying on him too.

0:19:34.359 --> 0:19:37.520
<v Speaker 2>Maybe, But how do you explain these photos?

0:19:37.920 --> 0:19:39.800
<v Speaker 7>They were in a vanity drawer with a false bottom.

0:19:40.480 --> 0:19:44.240
<v Speaker 1>Whoa, These are some seriously compromising pictures he has of himself.

0:19:44.840 --> 0:19:48.240
<v Speaker 1>Not to mention many members of parliament. I recognize several

0:19:48.280 --> 0:19:49.520
<v Speaker 1>of d MPs from the papers.

0:19:49.600 --> 0:19:52.560
<v Speaker 2>Jesus, he's running a classic honey trap.

0:19:52.920 --> 0:19:54.080
<v Speaker 1>Honey trap, that's right.

0:19:54.560 --> 0:19:57.000
<v Speaker 2>He lures them and seduces them and captures it all

0:19:57.040 --> 0:19:59.919
<v Speaker 2>in his hidden cameras and recorders. Then he uses the

0:20:00.200 --> 0:20:03.400
<v Speaker 2>to blackmail. Then only difference is it's usually a woman

0:20:03.480 --> 0:20:06.960
<v Speaker 2>running a honeytrap. These photos would ruin a lot of

0:20:06.960 --> 0:20:08.600
<v Speaker 2>careers in marriages, even.

0:20:08.400 --> 0:20:12.879
<v Speaker 1>More effective for blackmail. Shit, he's home.

0:20:13.400 --> 0:20:13.959
<v Speaker 8>What do we do?

0:20:14.240 --> 0:20:17.080
<v Speaker 7>Hide in the closet? If he finds us, I'll handle it.

0:20:18.480 --> 0:20:18.560
<v Speaker 8>You.

0:20:19.160 --> 0:20:19.840
<v Speaker 1>I have an idea.

0:20:20.480 --> 0:20:21.760
<v Speaker 2>What are you doing with that suit?

0:20:23.440 --> 0:20:25.720
<v Speaker 1>Mister Vassal? Is that you? The hell?

0:20:25.720 --> 0:20:26.000
<v Speaker 6>Are you?

0:20:26.960 --> 0:20:29.240
<v Speaker 1>What are you doing in my apartment? I was sent

0:20:29.280 --> 0:20:31.760
<v Speaker 1>from h Huntsman and Sons with a lovely new suit

0:20:31.800 --> 0:20:34.560
<v Speaker 1>for you. I knocked and found the door unlocked. I'm

0:20:34.640 --> 0:20:37.119
<v Speaker 1>terribly sorry for the intrusion, but I couldn't bear to

0:20:37.200 --> 0:20:39.480
<v Speaker 1>leave the suit out in the cold. I fear something

0:20:39.480 --> 0:20:40.360
<v Speaker 1>could have happened to it.

0:20:40.760 --> 0:20:42.600
<v Speaker 11>I've never seen you at the show up before.

0:20:42.880 --> 0:20:44.560
<v Speaker 1>I'm a new apprentice called the crap.

0:20:45.080 --> 0:20:45.920
<v Speaker 11>I know who you are?

0:20:46.760 --> 0:20:47.920
<v Speaker 1>You do you' kgb?

0:20:48.920 --> 0:20:49.840
<v Speaker 11>You know he had to kill me?

0:20:50.240 --> 0:20:54.479
<v Speaker 1>What? No? I did what you asked? Please leave me alone.

0:20:54.880 --> 0:21:00.359
<v Speaker 11>I won't tell anyone, I swear, Please leave me alone.

0:21:00.040 --> 0:21:02.919
<v Speaker 2>Oh wait, no, what are you waiting for?

0:21:03.040 --> 0:21:03.560
<v Speaker 7>Catch him?

0:21:03.640 --> 0:21:05.520
<v Speaker 1>I thought I was just observing.

0:21:15.520 --> 0:21:18.520
<v Speaker 7>Vassel. Come back. We're not here to kill you.

0:21:19.840 --> 0:21:20.760
<v Speaker 1>Where'd you go there?

0:21:20.960 --> 0:21:23.320
<v Speaker 4>He's crossing Saint George's Square.

0:21:24.960 --> 0:21:28.359
<v Speaker 1>Saint George's Square is a very prestigious and very long

0:21:28.359 --> 0:21:33.240
<v Speaker 1>garden square in affluent Timlico, Central London. He was London's

0:21:33.240 --> 0:21:36.800
<v Speaker 1>first residential square and has had many notable residents over

0:21:36.840 --> 0:21:41.879
<v Speaker 1>the years. Dracula author and creator Ram Stoker died at

0:21:42.000 --> 0:21:44.600
<v Speaker 1>number twenty six in April nineteen twelve.

0:21:45.040 --> 0:21:47.480
<v Speaker 2>If he's heading for Pimlico Tube station, you cover the

0:21:47.480 --> 0:21:48.639
<v Speaker 2>Thames and we'll corner him.

0:21:48.760 --> 0:21:57.919
<v Speaker 1>Okay, vassal stop, it's a dead end. If we have

0:21:57.960 --> 0:22:02.560
<v Speaker 1>you surrounded, please don't suit. We're not going to kill you.

0:22:02.920 --> 0:22:05.480
<v Speaker 7>We just want to ask you a few questions.

0:22:07.040 --> 0:22:07.640
<v Speaker 12>What kind of.

0:22:07.640 --> 0:22:10.280
<v Speaker 2>Questions the type that would be better answered over a

0:22:10.320 --> 0:22:11.520
<v Speaker 2>pot of tea in your apartment?

0:22:19.800 --> 0:22:20.959
<v Speaker 1>Would you like some milk with it?

0:22:21.080 --> 0:22:23.760
<v Speaker 2>No? Thank you? Now, why don't you start by explaining

0:22:23.760 --> 0:22:25.399
<v Speaker 2>why you thought the Soviets were after you?

0:22:26.960 --> 0:22:29.880
<v Speaker 11>It started when I was on diplomatic station in Poland.

0:22:30.160 --> 0:22:32.399
<v Speaker 11>I allowed my guard to drop, being out of the

0:22:32.440 --> 0:22:35.359
<v Speaker 11>country and all, and I wasn't as careful as I

0:22:35.440 --> 0:22:41.280
<v Speaker 11>normally am about about being with other men I see,

0:22:42.160 --> 0:22:44.960
<v Speaker 11>and the Soviets said a honey trap for me with

0:22:45.040 --> 0:22:47.840
<v Speaker 11>a young man and used those photos to blackmail me.

0:22:48.520 --> 0:22:51.160
<v Speaker 11>At first, it was just a few documents, nothing high level,

0:22:51.240 --> 0:22:54.879
<v Speaker 11>but slowly it became more insidious, and now they are

0:22:54.880 --> 0:22:57.000
<v Speaker 11>making me act as the honey trap in order to

0:22:57.000 --> 0:22:57.960
<v Speaker 11>blackmail other men.

0:22:58.400 --> 0:22:59.399
<v Speaker 1>I'm doing what they.

0:22:59.240 --> 0:23:01.639
<v Speaker 11>Want, but I I said, I want to be finished

0:23:01.680 --> 0:23:04.280
<v Speaker 11>with the whole business, and I was worried they came

0:23:04.320 --> 0:23:04.840
<v Speaker 11>to doom me in.

0:23:05.840 --> 0:23:08.240
<v Speaker 1>Then you should be very glad we caught you first.

0:23:09.080 --> 0:23:10.880
<v Speaker 7>My friends and I five are on their way over.

0:23:11.400 --> 0:23:35.520
<v Speaker 12>Let's see if your story holds up with them.

0:23:24.560 --> 0:23:28.479
<v Speaker 9>Jean and Rebecca. Great work, m I five owes you

0:23:28.520 --> 0:23:31.480
<v Speaker 9>a debt of gratitude. Very impressed with how quickly you've

0:23:31.480 --> 0:23:32.359
<v Speaker 9>got a handle on this.

0:23:32.720 --> 0:23:34.159
<v Speaker 1>Glad to be of service, Roger.

0:23:34.600 --> 0:23:37.400
<v Speaker 2>Hopefully Vassal can help expose the rest of the spy network.

0:23:37.760 --> 0:23:40.760
<v Speaker 9>My men are still looking through vassels belongings, but they've

0:23:40.800 --> 0:23:44.879
<v Speaker 9>already uncovered thousands of documents to pass through. It looks

0:23:44.920 --> 0:23:47.600
<v Speaker 9>like he's been taking payments from the Soviets for years.

0:23:48.000 --> 0:23:51.040
<v Speaker 1>He almost seemed believed to have finally been caught, though.

0:23:50.920 --> 0:23:53.520
<v Speaker 2>I was thinking, who knows if they really took those

0:23:53.560 --> 0:23:56.720
<v Speaker 2>honeytrap photos of Vassal as blackmail, or if he's just

0:23:56.880 --> 0:23:59.720
<v Speaker 2>using them as cover. Now that he's been exposed, works

0:23:59.720 --> 0:24:01.639
<v Speaker 2>as are real nice alibi.

0:24:01.520 --> 0:24:04.560
<v Speaker 9>M Either way, that is one less traitor in the

0:24:04.560 --> 0:24:08.120
<v Speaker 9>British Service. Congratulations on a job well done.

0:24:08.520 --> 0:24:11.280
<v Speaker 1>Well, I'm off to the Savoy. I'm sure Philosta is

0:24:11.320 --> 0:24:13.520
<v Speaker 1>waiting for me. Rebecca, are you coming?

0:24:14.520 --> 0:24:16.679
<v Speaker 2>I think I should do some sight seeing make up

0:24:16.680 --> 0:24:19.760
<v Speaker 2>for today's works of last days and suspicious good idea.

0:24:20.320 --> 0:24:27.040
<v Speaker 1>I'll see you tomorrow. The Savoy Hotel is the embodiment

0:24:27.080 --> 0:24:30.960
<v Speaker 1>of elegance and refinement and the first purpose built deluxe

0:24:30.960 --> 0:24:35.520
<v Speaker 1>hotel in London, setting new standards for luxury, comfort and

0:24:35.680 --> 0:24:38.480
<v Speaker 1>service unheard of in the hotel world of the day.

0:24:39.400 --> 0:24:42.520
<v Speaker 1>The Savoy was the first to introduce current modern conveniences

0:24:42.600 --> 0:24:46.879
<v Speaker 1>like electric lights throughout the building, electric lifts, bathrooms in

0:24:46.960 --> 0:24:50.560
<v Speaker 1>most of the lavishly furnished rooms, constant hot and cold

0:24:50.640 --> 0:24:54.480
<v Speaker 1>running water, and many other innovations. As the only five

0:24:54.520 --> 0:24:58.200
<v Speaker 1>star hotel on the River Thames, the Savoy offers sublime

0:24:58.280 --> 0:25:02.520
<v Speaker 1>service in an unbeatable look near Covent Garden, in the

0:25:02.520 --> 0:25:05.520
<v Speaker 1>heart of all that London has to offer. If you

0:25:05.560 --> 0:25:07.960
<v Speaker 1>are not lucky enough to secure a room, the High

0:25:08.000 --> 0:25:10.560
<v Speaker 1>Ta itself is enough of a reason to visit London's

0:25:10.560 --> 0:25:12.280
<v Speaker 1>most famous hotel.

0:25:15.960 --> 0:25:18.840
<v Speaker 3>Gene, is that you, darling back so late?

0:25:20.240 --> 0:25:22.840
<v Speaker 1>It was a long day, but we got some great

0:25:22.840 --> 0:25:23.680
<v Speaker 1>things accomplished.

0:25:24.600 --> 0:25:26.480
<v Speaker 4>How was it working with Rebecca?

0:25:27.119 --> 0:25:30.919
<v Speaker 1>Impressive? A bit young and over eager, but she certainly

0:25:30.960 --> 0:25:31.920
<v Speaker 1>gets the job done.

0:25:32.320 --> 0:25:35.120
<v Speaker 3>I was speaking of getting jobs done. I am nowhere

0:25:35.160 --> 0:25:37.639
<v Speaker 3>near through the paperwork Martin sent me.

0:25:38.119 --> 0:25:40.640
<v Speaker 1>How about I take you to dinner and you tell

0:25:40.640 --> 0:25:41.400
<v Speaker 1>me all about it?

0:25:42.080 --> 0:25:50.560
<v Speaker 4>I could be persuaded. Who could that be? Charles? What

0:25:50.600 --> 0:25:51.440
<v Speaker 4>are you doing here?

0:25:52.040 --> 0:25:54.720
<v Speaker 8>So sad? Show up and announced? But when Gene phoned

0:25:54.760 --> 0:25:56.680
<v Speaker 8>to say you were visiting, I impulsively made a dinner

0:25:56.720 --> 0:25:59.760
<v Speaker 8>reservation and came right over. I hope I'm not interrupting.

0:26:00.560 --> 0:26:03.920
<v Speaker 1>Oh please come in, Charles. So great to see you,

0:26:04.480 --> 0:26:05.800
<v Speaker 1>even if you are interrupting.

0:26:06.440 --> 0:26:08.800
<v Speaker 4>And this is my wife Anne, the famous mister and

0:26:08.840 --> 0:26:09.520
<v Speaker 4>missus photo.

0:26:09.640 --> 0:26:11.520
<v Speaker 7>It's so wonderful to finally meet you.

0:26:12.080 --> 0:26:15.760
<v Speaker 3>Likewise, Gina's told me so much, but not nearly enough.

0:26:16.080 --> 0:26:18.000
<v Speaker 8>Well, then, while you two ladies get acquainted, I hope

0:26:18.000 --> 0:26:20.840
<v Speaker 8>you don't mind if I steal Gine for a drink downstairs.

0:26:20.359 --> 0:26:22.800
<v Speaker 3>Of course, and can help me pick out my dress.

0:26:23.280 --> 0:26:25.600
<v Speaker 3>Make sure I'm suitable for British society.

0:26:26.080 --> 0:26:27.080
<v Speaker 7>You boys, have fun.

0:26:27.520 --> 0:26:29.960
<v Speaker 8>We'll be down shortly, splendid, I'll see you.

0:26:29.960 --> 0:26:37.600
<v Speaker 1>So, Charles, I have to ask, what is it like

0:26:37.680 --> 0:26:40.840
<v Speaker 1>working with your wife in this spy world? This whole time,

0:26:40.840 --> 0:26:44.640
<v Speaker 1>I thought I was protecting Gloucester, protecting her marriage by

0:26:44.680 --> 0:26:48.119
<v Speaker 1>not telling her. I hate lying to her, but the

0:26:48.200 --> 0:26:49.679
<v Speaker 1>last thing I ever want to do is put her

0:26:49.720 --> 0:26:50.160
<v Speaker 1>at risk.

0:26:50.960 --> 0:26:54.200
<v Speaker 8>Initially I had those fears too, and sure it's created

0:26:54.200 --> 0:26:56.640
<v Speaker 8>conflict in our marriage, but overall, I think it's brought

0:26:56.680 --> 0:27:00.399
<v Speaker 8>us closer together. In this line of work, it's difficult

0:27:00.440 --> 0:27:02.520
<v Speaker 8>to find someone who can trust. To have someone you

0:27:02.600 --> 0:27:05.040
<v Speaker 8>can always rely on and confide in, It's more than

0:27:05.040 --> 0:27:07.360
<v Speaker 8>most people have in this business. And if anything, it's

0:27:07.359 --> 0:27:10.680
<v Speaker 8>strengthened our relationship. We have no secrets.

0:27:15.160 --> 0:27:16.239
<v Speaker 1>Don't you worry about her?

0:27:16.800 --> 0:27:21.040
<v Speaker 8>Of course? But she can handle herself as I think

0:27:21.240 --> 0:27:21.639
<v Speaker 8>lost a.

0:27:23.400 --> 0:27:26.159
<v Speaker 1>Yeah, maybe that's what I'm afraid of.

0:27:35.040 --> 0:27:37.959
<v Speaker 8>Two sculptures neat very good sir.

0:27:45.320 --> 0:27:48.040
<v Speaker 1>Okay, Charles, Now that we are safely in the bar,

0:27:48.640 --> 0:27:50.000
<v Speaker 1>what is the real reason you're here?

0:27:51.160 --> 0:27:53.680
<v Speaker 8>I wanted to tell you the truth about today.

0:27:53.960 --> 0:27:56.720
<v Speaker 1>What do you mean? Even if there's more to the Vassal.

0:27:56.840 --> 0:27:59.560
<v Speaker 1>Case we found them, all my work is done.

0:28:00.600 --> 0:28:02.840
<v Speaker 8>I'm sorry to say, Jean, but this is only the beginning.

0:28:03.760 --> 0:28:05.879
<v Speaker 8>We have strong reason to believe Vassal is only an

0:28:05.880 --> 0:28:08.480
<v Speaker 8>appetizer delivered by the Soviets with the hope of satisfying

0:28:08.480 --> 0:28:11.719
<v Speaker 8>our hunger, A low level spy with no connections or knowledge,

0:28:11.720 --> 0:28:16.320
<v Speaker 8>and entirely disposable, a sacrificial lamb to distract us from

0:28:16.359 --> 0:28:17.119
<v Speaker 8>the bigger target.

0:28:17.720 --> 0:28:20.960
<v Speaker 1>A bigger target who Anne and I.

0:28:20.960 --> 0:28:24.000
<v Speaker 8>Believe there is a mole hidden much higher in intelligence,

0:28:24.960 --> 0:28:28.240
<v Speaker 8>perhaps even Roger Hollis.

0:28:28.520 --> 0:28:30.840
<v Speaker 1>You're joking, Roger.

0:28:31.480 --> 0:28:34.200
<v Speaker 8>Think about it. If it were true, then all the

0:28:34.280 --> 0:28:37.000
<v Speaker 8>cagy Be did was sacrifice their pond to protect their king.

0:28:37.720 --> 0:28:40.560
<v Speaker 8>Vassal has no knowledge of anything important and no connections.

0:28:40.920 --> 0:28:43.040
<v Speaker 8>This was nothing more than a grand diversion.

0:28:45.320 --> 0:28:48.440
<v Speaker 1>I suppose it makes sense, and it was pretty easy.

0:28:49.560 --> 0:28:52.280
<v Speaker 1>And Roger knew I would identify the suits for Vassal

0:28:52.560 --> 0:28:54.840
<v Speaker 1>and that his spending habits were a red.

0:28:54.720 --> 0:28:57.800
<v Speaker 8>Flag, and Roger needed you, an outside source to expose

0:28:57.840 --> 0:28:59.520
<v Speaker 8>him so he wouldn't look like the third man.

0:29:00.200 --> 0:29:03.240
<v Speaker 1>Then I'm not done, am I afraid not?

0:29:04.600 --> 0:29:06.840
<v Speaker 8>What Roger and the Soviets are really after is the

0:29:06.880 --> 0:29:10.560
<v Speaker 8>ultimate prize in British naval intelligence, the designs for the

0:29:10.720 --> 0:29:15.320
<v Speaker 8>HMS Dreadnought, the first nuclear powered submarine in history. If

0:29:15.360 --> 0:29:17.960
<v Speaker 8>the Soviets get their hands on their designs and combine

0:29:17.960 --> 0:29:20.640
<v Speaker 8>them with the Pathfinder maps, not only will they know

0:29:20.680 --> 0:29:23.600
<v Speaker 8>where to attack, they'll have the ultimate weapon to do it.

0:29:24.480 --> 0:29:29.160
<v Speaker 8>Then it's checkmate. We need your help again, Chap.

0:29:29.600 --> 0:29:32.200
<v Speaker 1>And I guess we know who's buying dinner.

0:29:41.360 --> 0:29:45.680
<v Speaker 13>Vodor's Guide to Espionage is created by Lars Jacobson, written

0:29:45.720 --> 0:29:50.120
<v Speaker 13>by Lars Jacobson and Sabrina Jagulain, and directed by Sabrina Jagulam,

0:29:50.680 --> 0:29:54.600
<v Speaker 13>produced by Lars Jacobson and Sabrina Jagulain, and executive produced

0:29:54.600 --> 0:29:59.160
<v Speaker 13>by Noel Brown or iHeartRadio. Vodor's Guide to Espionage stars

0:29:59.200 --> 0:30:03.480
<v Speaker 13>Ethan Korn as Eugene Fodor, Leliah Symington as Vlasta Fodor,

0:30:03.800 --> 0:30:08.200
<v Speaker 13>and Jackie Emerson as Rebecca Ralston, with additional performances by

0:30:08.680 --> 0:30:13.920
<v Speaker 13>Chase Mullens, George Rivera, Matt Linton, Dylan McCollum, Gabe Greenspan,

0:30:14.240 --> 0:30:19.760
<v Speaker 13>Chris Cappel, Duncan Kaladine Dana Melanie, Alex Gombadi, Noam Thomaschoff,

0:30:20.000 --> 0:30:24.120
<v Speaker 13>Katrina Aaron, and Simon Jagulin. Sound design and editing by

0:30:24.240 --> 0:30:28.240
<v Speaker 13>Chris Childs. Original theme song by Jack Blavelt and Chris

0:30:28.320 --> 0:30:32.720
<v Speaker 13>Childs with additional scoring by Chris Childs. Sound engineering by

0:30:33.000 --> 0:30:37.280
<v Speaker 13>Chris sec Fodor's Guide to Espionage is an iHeartRadio production.

0:30:37.920 --> 0:30:42.960
<v Speaker 13>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:30:43.040 --> 0:30:52.560
<v Speaker 13>or wherever you get your podcasts.