1 00:00:08,440 --> 00:00:12,360 Speaker 1: History and tradition greet you at every turn in London, 2 00:00:12,760 --> 00:00:15,040 Speaker 1: yet it's also one of the most modern cities you 3 00:00:15,080 --> 00:00:18,760 Speaker 1: can find. First established by the Romans, it grew to 4 00:00:18,760 --> 00:00:21,400 Speaker 1: be the capital of one of the largest empires and 5 00:00:21,480 --> 00:00:24,880 Speaker 1: remains one of the largest cities in the world. Built 6 00:00:24,880 --> 00:00:27,840 Speaker 1: on the River Thames, London has always been an important 7 00:00:27,880 --> 00:00:31,200 Speaker 1: center for culture and trade, and is so diverse that 8 00:00:31,240 --> 00:00:34,680 Speaker 1: it is said over three hundred languages are spoken within 9 00:00:34,720 --> 00:00:39,280 Speaker 1: the city. If London contained only landmarks such as Westminster 10 00:00:39,320 --> 00:00:42,320 Speaker 1: Abbey and Big Ben, it would still rank as one 11 00:00:42,360 --> 00:00:46,000 Speaker 1: of the world's great destinations. But Britain's capital is so 12 00:00:46,200 --> 00:00:49,559 Speaker 1: much more. While the culture may be reserved built on 13 00:00:49,640 --> 00:00:54,160 Speaker 1: etiquette and comportment, beneath that stiff upper lip resides a 14 00:00:54,160 --> 00:00:56,720 Speaker 1: society that loves a good beer and a good time. 15 00:00:57,320 --> 00:00:59,560 Speaker 1: The lively pubs are just as large a part of 16 00:00:59,600 --> 00:01:02,560 Speaker 1: the culture of the city has Buckingham Palace. 17 00:01:02,360 --> 00:01:02,920 Speaker 2: Jean. 18 00:01:04,880 --> 00:01:08,600 Speaker 3: Gene, you can put your pen down. What take a 19 00:01:08,600 --> 00:01:09,560 Speaker 3: look out the window. 20 00:01:09,959 --> 00:01:14,080 Speaker 1: We're here, ah, London. It's great to be back. 21 00:01:14,560 --> 00:01:16,679 Speaker 4: I wouldn't have minded a little more notice. 22 00:01:17,280 --> 00:01:20,360 Speaker 1: Need I remind you, darling, this is what you wanted, 23 00:01:21,040 --> 00:01:23,280 Speaker 1: A big new publisher means that our schedule is no 24 00:01:23,360 --> 00:01:26,479 Speaker 1: longer in our own hands. The demands are larger, Yes, yes, 25 00:01:26,520 --> 00:01:31,560 Speaker 1: I know. Fortunately with larger demands come nicer accommodations. Martin 26 00:01:31,600 --> 00:01:33,039 Speaker 1: booked us a room at the Savoy. 27 00:01:33,520 --> 00:01:38,039 Speaker 4: M Okay, I can live with that, I thought. 28 00:01:38,120 --> 00:01:38,200 Speaker 5: So. 29 00:01:38,959 --> 00:01:41,840 Speaker 1: See, some changes are going to be very positive. Some 30 00:01:42,080 --> 00:01:45,680 Speaker 1: well different, Like the new photographer just one of the 31 00:01:45,720 --> 00:01:48,560 Speaker 1: many ideas Martin has to modernize our guide books. 32 00:01:49,080 --> 00:01:51,520 Speaker 3: But I'm fine with making the move to color photos. 33 00:01:51,560 --> 00:01:54,360 Speaker 3: But I don't love that we weren't allowed to find 34 00:01:54,400 --> 00:01:56,720 Speaker 3: someone to hire ourselves with what time? 35 00:01:57,440 --> 00:02:01,440 Speaker 1: Anyway, Martin says this Rebecca is the cream of the crop, 36 00:02:01,920 --> 00:02:04,480 Speaker 1: a young talented freelancer right out of college who's eager 37 00:02:04,520 --> 00:02:06,800 Speaker 1: to impress us. She's meeting us at the train station 38 00:02:06,960 --> 00:02:10,160 Speaker 1: any minute now, So don't forget to be nice when 39 00:02:10,200 --> 00:02:13,960 Speaker 1: am I not? And keep in mind, while you may 40 00:02:13,960 --> 00:02:16,560 Speaker 1: not continue to snap every photo in our book, you 41 00:02:16,600 --> 00:02:19,200 Speaker 1: will have final say over what is printed. You are 42 00:02:19,240 --> 00:02:21,400 Speaker 1: the editor now, and we need to delegate so we 43 00:02:21,400 --> 00:02:22,560 Speaker 1: can allow the business to grow. 44 00:02:23,360 --> 00:02:26,280 Speaker 4: All right, Bud. If her work is SuPAR, then she 45 00:02:26,400 --> 00:02:26,880 Speaker 4: won't be. 46 00:02:26,880 --> 00:02:34,680 Speaker 1: Back during cross station choring cross station. 47 00:02:35,240 --> 00:02:55,840 Speaker 6: That's us mister and missus Podor. 48 00:02:56,600 --> 00:02:59,320 Speaker 1: Hello, you must be miss Ralston. 49 00:02:59,400 --> 00:03:02,600 Speaker 3: Oh, please call me Rebecca, and you must call us 50 00:03:02,680 --> 00:03:03,560 Speaker 3: Gina and Vlasta. 51 00:03:03,840 --> 00:03:06,079 Speaker 2: Is so so nice to meet you both. 52 00:03:06,240 --> 00:03:07,639 Speaker 7: I was worried I'd miss your train with. 53 00:03:07,600 --> 00:03:09,840 Speaker 2: All these clouds coming and going, and there really are 54 00:03:09,880 --> 00:03:11,080 Speaker 2: a whole lot of people in London. 55 00:03:11,680 --> 00:03:12,960 Speaker 4: When did you arrive in dumb Oh? 56 00:03:13,040 --> 00:03:13,480 Speaker 7: Last night? 57 00:03:13,600 --> 00:03:16,280 Speaker 2: I was so chatlied, but I was like, Rebecca, you 58 00:03:16,360 --> 00:03:17,120 Speaker 2: are in London. 59 00:03:17,360 --> 00:03:20,200 Speaker 7: Go to the pub. Have you ever tried? Oh my god, 60 00:03:20,200 --> 00:03:20,840 Speaker 7: what do they call it? 61 00:03:20,919 --> 00:03:24,519 Speaker 3: Baker's and mash I can't say I have fun name 62 00:03:24,960 --> 00:03:26,680 Speaker 3: disgusting fair? 63 00:03:34,920 --> 00:03:37,720 Speaker 1: Well, shall we get going? 64 00:03:38,200 --> 00:03:41,440 Speaker 4: Hold on, I'd like to learn a little more about Rebecca. 65 00:03:42,120 --> 00:03:42,600 Speaker 7: Sure thing. 66 00:03:43,440 --> 00:03:44,520 Speaker 4: How did you meet Martin? 67 00:03:44,920 --> 00:03:47,600 Speaker 2: I was interning at Time magazine and Martin was closing 68 00:03:47,600 --> 00:03:49,640 Speaker 2: a deal with my boss at the time. We got 69 00:03:49,680 --> 00:03:51,920 Speaker 2: to talking and he knew I was eager for more 70 00:03:52,040 --> 00:03:52,600 Speaker 2: road work. 71 00:03:52,920 --> 00:03:55,280 Speaker 7: I'm not the most suitor to being in office, though. 72 00:03:55,280 --> 00:03:58,360 Speaker 2: I did learn a lot, so when he offered me 73 00:03:58,400 --> 00:04:01,360 Speaker 2: a job working with the best trials in the world, 74 00:04:01,840 --> 00:04:02,880 Speaker 2: I jumped at the chance. 75 00:04:03,520 --> 00:04:05,480 Speaker 4: I see you and what do you shoot on? 76 00:04:05,760 --> 00:04:08,320 Speaker 7: Well, I guess that depends on the subject matter. 77 00:04:08,920 --> 00:04:11,320 Speaker 2: I use my hustle blot for landscape and portraiture if 78 00:04:11,360 --> 00:04:13,760 Speaker 2: I need a longer exposure. But if you like me 79 00:04:13,800 --> 00:04:15,720 Speaker 2: to lean more into the feeling of the city and 80 00:04:15,760 --> 00:04:18,320 Speaker 2: the action of the streets, I brought my leika. It 81 00:04:18,360 --> 00:04:21,599 Speaker 2: allows me to capture the intimate details and the candid action, or, 82 00:04:22,160 --> 00:04:26,560 Speaker 2: like Bresson likes to say, the decisive moment. And I 83 00:04:26,640 --> 00:04:28,760 Speaker 2: use a variety of film speeds depending on the movement 84 00:04:28,800 --> 00:04:32,120 Speaker 2: and time of day. But given how gloomy it is 85 00:04:32,240 --> 00:04:35,480 Speaker 2: in London right now, I'd say we start with four hundred. 86 00:04:36,200 --> 00:04:38,640 Speaker 1: Satisfied darling for now. 87 00:04:38,760 --> 00:04:41,760 Speaker 4: Yes, let's see what you got awesome. 88 00:04:42,400 --> 00:04:44,239 Speaker 2: I'll take you to the hotel to drop your stuff. 89 00:04:44,480 --> 00:04:46,560 Speaker 2: Martin sent a list of sights to begin with for 90 00:04:46,680 --> 00:04:49,480 Speaker 2: Gina and I to visit and flast up. He sent 91 00:04:49,680 --> 00:04:53,800 Speaker 2: this briefcase for you. They are mock ups, writing samples 92 00:04:53,839 --> 00:04:57,440 Speaker 2: and budget spreadsheets. Man, I saw plenty of those during 93 00:04:57,440 --> 00:05:00,920 Speaker 2: my internship at Time Magazine, Like I have my work 94 00:05:00,960 --> 00:05:01,760 Speaker 2: cut outs for me. 95 00:05:02,400 --> 00:05:04,640 Speaker 1: The Savoy will make a wonderful office. 96 00:05:04,800 --> 00:05:08,200 Speaker 2: And gee, if it's not too much trouble, I would 97 00:05:08,320 --> 00:05:10,240 Speaker 2: love to make it to Big Ben by magic hour. 98 00:05:10,839 --> 00:05:13,200 Speaker 1: Then let's get a move on, and we'll meet you 99 00:05:13,240 --> 00:05:14,080 Speaker 1: back at the hotel later. 100 00:05:14,200 --> 00:05:18,560 Speaker 3: Darling, Yes, go capture those decisive moments. 101 00:05:22,520 --> 00:05:28,200 Speaker 2: Well, Plastic seems smart, beautiful and tough as nails. Satisfying 102 00:05:28,240 --> 00:05:30,040 Speaker 2: her might be harder than completing this mission. 103 00:05:30,440 --> 00:05:32,880 Speaker 1: It'll get easier once she gets to know you. She's 104 00:05:32,920 --> 00:05:35,400 Speaker 1: always handled everything, so it's going to be an adjustment 105 00:05:35,400 --> 00:05:36,720 Speaker 1: for her to let go of the reins a bit. 106 00:05:37,400 --> 00:05:37,920 Speaker 7: I get it. 107 00:05:38,480 --> 00:05:41,440 Speaker 2: These books are her baby and you're her husband. Not 108 00:05:41,560 --> 00:05:44,560 Speaker 2: many women would want to share both. But now that 109 00:05:44,560 --> 00:05:46,520 Speaker 2: we are alone, are you carrying the microphone? 110 00:05:46,720 --> 00:05:48,599 Speaker 1: Yes, it's in a hidden compartment in my coat. 111 00:05:48,680 --> 00:05:50,719 Speaker 7: Good, then follow me. We're right on time. 112 00:05:51,200 --> 00:05:53,560 Speaker 1: Wait, Big Ben is the other direction. 113 00:05:54,279 --> 00:05:55,520 Speaker 7: I shot it yesterday. 114 00:05:56,040 --> 00:05:58,440 Speaker 2: We have a stop to make where we're going to 115 00:05:58,440 --> 00:06:00,400 Speaker 2: meet Roger Hollis for a drink. It will tends and 116 00:06:00,440 --> 00:06:01,400 Speaker 2: deliver the microfilm. 117 00:06:01,680 --> 00:06:04,920 Speaker 1: Roger Hollis. I worked with him during the war. At 118 00:06:04,920 --> 00:06:07,760 Speaker 1: the time, he was in MI five's f Division, which 119 00:06:07,760 --> 00:06:11,920 Speaker 1: was a secret organization focused on counter subversion tactics. Clever fellow, 120 00:06:12,120 --> 00:06:13,640 Speaker 1: but I'd hate to play poker with him. 121 00:06:13,800 --> 00:06:16,839 Speaker 2: Well, now he's Director General of m I five, so 122 00:06:16,920 --> 00:06:18,320 Speaker 2: I guess he's played his cards. 123 00:06:18,080 --> 00:06:21,680 Speaker 1: Right, and Wilton's is a perfect venue for such an exchange. 124 00:06:21,320 --> 00:06:24,120 Speaker 7: And only a block away. 125 00:06:24,960 --> 00:06:29,200 Speaker 1: Wilton's isn't just any restaurant, It's a true London institution. 126 00:06:29,800 --> 00:06:33,600 Speaker 1: You can file Wilton's in your mental library under restaurants. 127 00:06:33,600 --> 00:06:37,080 Speaker 1: You can still acceptably take your grandfather to places where 128 00:06:37,160 --> 00:06:41,080 Speaker 1: round red men go to nap and things older than America. 129 00:06:41,640 --> 00:06:44,880 Speaker 1: It is that last point which is most telling. Wilton's 130 00:06:45,000 --> 00:06:48,440 Speaker 1: turned two hundred and seventy six this year, and it's 131 00:06:48,480 --> 00:06:50,599 Speaker 1: fair to say that its dining room has done a 132 00:06:50,600 --> 00:06:53,400 Speaker 1: fat lot more good for the world's cultural and economic 133 00:06:53,440 --> 00:06:58,600 Speaker 1: prosperity in those years than the teenage nation across the pond. Indeed, 134 00:06:59,200 --> 00:07:02,240 Speaker 1: it's a not very well kept secret that Wiltons was 135 00:07:02,600 --> 00:07:06,040 Speaker 1: for many years the proxy financial center for the real 136 00:07:06,120 --> 00:07:09,000 Speaker 1: deal makers of London, back in an age when due 137 00:07:09,000 --> 00:07:11,640 Speaker 1: diligence amounted to little more. Then we'll see a good 138 00:07:11,640 --> 00:07:15,040 Speaker 1: scrum at prep school. And where does he buy his shirts? 139 00:07:15,560 --> 00:07:18,760 Speaker 1: The correct answer to witches just across the street at 140 00:07:18,760 --> 00:07:23,680 Speaker 1: Turnbull and Asser. In fact, Michael Heseltine, the former Deputy 141 00:07:23,720 --> 00:07:27,600 Speaker 1: Prime Minister and co founder of the publishing behemoth Haymarket, 142 00:07:27,640 --> 00:07:34,360 Speaker 1: memorably described Wilton's as his company's work canteen. Jean, Hello, 143 00:07:34,760 --> 00:07:38,880 Speaker 1: well if it isn't Roger Hollis and Charles so good 144 00:07:38,880 --> 00:07:39,280 Speaker 1: to see you. 145 00:07:39,680 --> 00:07:41,560 Speaker 8: Yes, and this is my wife Anne. 146 00:07:41,720 --> 00:07:43,040 Speaker 7: I've heard so much about you. 147 00:07:43,160 --> 00:07:45,560 Speaker 1: Wonderful to meet you, Rebecca. Have you had the pleasure 148 00:07:45,600 --> 00:07:48,320 Speaker 1: of meeting Charles and ann elwell yet? Charles is another 149 00:07:48,360 --> 00:07:49,480 Speaker 1: one of my buddies from the war. 150 00:07:49,640 --> 00:07:53,120 Speaker 8: Oh more than that, Jean saved my life. Not quiet, 151 00:07:53,240 --> 00:07:56,120 Speaker 8: don't be modest. Under orders from m I five, I 152 00:07:56,160 --> 00:07:58,520 Speaker 8: worked with the Royal Navy Volunteer Reserve to help smuggle 153 00:07:58,560 --> 00:08:01,560 Speaker 8: British agents into occupied to when I was captured and 154 00:08:01,560 --> 00:08:03,800 Speaker 8: placed as a pow in Colditz Castle. 155 00:08:04,280 --> 00:08:06,640 Speaker 1: If you're not familiar with Colditz, it was one of 156 00:08:06,680 --> 00:08:09,280 Speaker 1: the most noted Nazi prisoner of war camps for enemy 157 00:08:09,280 --> 00:08:10,320 Speaker 1: officers during the war. 158 00:08:10,640 --> 00:08:13,080 Speaker 8: More colloquially known as Oa Flag, it was a. 159 00:08:13,160 --> 00:08:15,760 Speaker 1: Thousand year old fortress right in the heart of Hitler's 160 00:08:15,800 --> 00:08:18,920 Speaker 1: Reich that was nearly impenetrable, with two meter thick walls 161 00:08:18,920 --> 00:08:21,160 Speaker 1: built on a cliff with a sheer drop of seventy 162 00:08:21,160 --> 00:08:23,040 Speaker 1: five meters to the river Mulda below. 163 00:08:23,560 --> 00:08:26,360 Speaker 8: Gene, I missed you. Encyclopedic knowledge, and it was this 164 00:08:26,480 --> 00:08:28,600 Speaker 8: knowledge that helped Jane lead a team to liberate the castle, 165 00:08:28,680 --> 00:08:29,720 Speaker 8: finally framing me at the end. 166 00:08:29,680 --> 00:08:30,000 Speaker 1: Of the war. 167 00:08:30,560 --> 00:08:31,680 Speaker 7: Very impressive. 168 00:08:32,520 --> 00:08:35,400 Speaker 1: Are you still with m I five, Charles, Yes, as 169 00:08:35,480 --> 00:08:38,880 Speaker 1: is n Really that's fascinating. I'm sure it makes for 170 00:08:38,880 --> 00:08:40,400 Speaker 1: a good dinner conversation. 171 00:08:40,360 --> 00:08:41,920 Speaker 4: If it's not top secret altogether. 172 00:08:45,120 --> 00:08:47,240 Speaker 9: As nice as it is to catch up on old times, 173 00:08:47,280 --> 00:08:50,800 Speaker 9: we have more pressing business to address. Please, let's take 174 00:08:50,840 --> 00:08:55,520 Speaker 9: a seat. Martin says, you have something to share with. 175 00:08:55,559 --> 00:08:58,440 Speaker 1: Us, Yes, of course, just here in my pocket. 176 00:09:00,000 --> 00:09:03,440 Speaker 2: Well see, the Soviets have created detailed pathfinder maps of 177 00:09:03,480 --> 00:09:07,160 Speaker 2: London and every major city in Western Europe. This came 178 00:09:07,160 --> 00:09:08,760 Speaker 2: from a source deep inside the Kremlin. 179 00:09:09,440 --> 00:09:10,560 Speaker 1: Lives were lost for this. 180 00:09:11,400 --> 00:09:15,600 Speaker 9: We greatly appreciate you delivering this intelligence. We've been dealing 181 00:09:15,640 --> 00:09:18,840 Speaker 9: with some critical intelligence leaks of our own, which is 182 00:09:18,920 --> 00:09:21,480 Speaker 9: the real reason I had Martin arranged this meeting. 183 00:09:22,559 --> 00:09:24,800 Speaker 1: What do you mean Since. 184 00:09:24,600 --> 00:09:28,600 Speaker 9: The nineteen fifties, dozens of covert operations within MI five 185 00:09:28,679 --> 00:09:33,360 Speaker 9: have failed. In addition, KGB's spies have evaded capture both 186 00:09:33,360 --> 00:09:36,959 Speaker 9: in the UK and the US, and the only explanation 187 00:09:37,240 --> 00:09:42,080 Speaker 9: is that someone has been warning them. We believe there 188 00:09:42,200 --> 00:09:45,080 Speaker 9: is a spy ring working within mi I five. 189 00:09:45,640 --> 00:09:48,480 Speaker 8: These KGB mulls have been crippling and corrupting our biggest 190 00:09:48,520 --> 00:09:51,920 Speaker 8: operations for decades. Hell, even the plans for the Manhattan 191 00:09:51,960 --> 00:09:54,400 Speaker 8: Project when hands of the Soviets before the nuclear bombers 192 00:09:54,440 --> 00:09:55,079 Speaker 8: even tested. 193 00:09:55,320 --> 00:09:58,040 Speaker 9: And now we have our own Manhattan Project and we 194 00:09:58,120 --> 00:10:01,920 Speaker 9: fear the same results. The HMS Dreadnought is the UK's 195 00:10:02,000 --> 00:10:05,400 Speaker 9: first nuclear submarine and we can't afford for these plans 196 00:10:05,480 --> 00:10:07,240 Speaker 9: to end up in the hands of. 197 00:10:07,160 --> 00:10:12,000 Speaker 1: The KGB nuclear submarines and bombs. All that sounds very 198 00:10:12,080 --> 00:10:15,080 Speaker 1: high stakes, but what does this have to do with me. 199 00:10:16,320 --> 00:10:19,199 Speaker 8: M I five needs, Eugene. There is a mole within 200 00:10:19,240 --> 00:10:21,000 Speaker 8: the company and no one can be trusted, even in 201 00:10:21,040 --> 00:10:23,120 Speaker 8: the highest chambers of intelligence. 202 00:10:22,880 --> 00:10:27,080 Speaker 9: So we need someone outside the intelligence apparatus to conduct 203 00:10:27,120 --> 00:10:27,959 Speaker 9: the investigation. 204 00:10:29,080 --> 00:10:31,959 Speaker 1: I thought we were just delivering the film, that was it. 205 00:10:32,360 --> 00:10:33,959 Speaker 7: The mission is an over yet, Gene. 206 00:10:34,400 --> 00:10:37,160 Speaker 2: If we don't expose this mole and prevent these plans 207 00:10:37,160 --> 00:10:40,160 Speaker 2: from leaking, then recovering these maps would be useless. 208 00:10:40,760 --> 00:10:42,200 Speaker 7: The Soviets will have both. 209 00:10:41,960 --> 00:10:44,160 Speaker 2: The means and the method to attack. 210 00:10:44,679 --> 00:10:46,960 Speaker 5: We believe it is this very mole who gave the 211 00:10:47,000 --> 00:10:49,920 Speaker 5: Soviets the information pathfinder used to make his maps. 212 00:10:50,080 --> 00:10:52,559 Speaker 8: We've gotten close before that, the suspects escaped at the 213 00:10:52,600 --> 00:10:54,520 Speaker 8: last minute, or missions have been canceled in the minic 214 00:10:54,600 --> 00:10:54,920 Speaker 8: of time. 215 00:10:55,480 --> 00:10:56,960 Speaker 1: So how are we supposed. 216 00:10:56,640 --> 00:11:01,200 Speaker 9: To help strictly information gathering? We suspect the mole is 217 00:11:01,240 --> 00:11:05,680 Speaker 9: in the Admiralty, most likely the Naval Intelligence Division. You 218 00:11:05,720 --> 00:11:09,319 Speaker 9: will work directly with Charles and Anne to conduct surveillance 219 00:11:09,320 --> 00:11:12,040 Speaker 9: on the various suspects. They don't know who you are, 220 00:11:12,080 --> 00:11:13,800 Speaker 9: and no one else in MI I five will know 221 00:11:13,840 --> 00:11:18,320 Speaker 9: about this operation. When you find the traitor, you report 222 00:11:18,400 --> 00:11:19,480 Speaker 9: him directly to me. 223 00:11:20,520 --> 00:11:22,520 Speaker 1: Sounds straightforward enough. 224 00:11:23,000 --> 00:11:26,079 Speaker 9: Good, then I must be off. I trust you will 225 00:11:26,080 --> 00:11:29,760 Speaker 9: handle this in both a discreet and timely fashion. 226 00:11:32,960 --> 00:11:34,839 Speaker 8: What Rod I meant to say is we appreciate your 227 00:11:34,840 --> 00:11:35,360 Speaker 8: help with this. 228 00:11:35,800 --> 00:11:38,680 Speaker 1: I'm sure just slipped his mind. So where do we 229 00:11:38,720 --> 00:11:42,520 Speaker 1: begin with the Vice admiral that high up the food chain. 230 00:11:42,840 --> 00:11:45,440 Speaker 5: Here's our file on him and the surveillance vote has 231 00:11:45,440 --> 00:11:46,199 Speaker 5: collected so far. 232 00:11:48,400 --> 00:11:51,160 Speaker 7: Who is this man standing beside him in most of 233 00:11:51,200 --> 00:11:51,920 Speaker 7: these pictures? 234 00:11:52,920 --> 00:11:55,520 Speaker 8: Oh, that's John Vassel, local officer to the Vice. 235 00:11:55,400 --> 00:11:59,000 Speaker 1: Admiral, clerical officer. His suits are a touch too nice 236 00:11:59,000 --> 00:12:02,400 Speaker 1: for that station rests nicer than the admiral himself. I 237 00:12:02,440 --> 00:12:04,160 Speaker 1: know where these suits come from, and they cost more 238 00:12:04,200 --> 00:12:06,839 Speaker 1: than a government's salary would provide. Do you have any 239 00:12:06,880 --> 00:12:07,840 Speaker 1: more information on him? 240 00:12:08,200 --> 00:12:09,559 Speaker 4: We'll pull his file immediately. 241 00:12:09,679 --> 00:12:12,720 Speaker 1: Good. In the meantime, since I know the tailor, perhaps 242 00:12:12,760 --> 00:12:14,760 Speaker 1: Rebecca and I will go try on a suit or two. 243 00:12:25,960 --> 00:12:28,920 Speaker 1: Savile Row is a street in central London, but it's 244 00:12:28,960 --> 00:12:32,079 Speaker 1: also much more than that. It is home to the 245 00:12:32,120 --> 00:12:36,160 Speaker 1: finest in suits and tailors in the world. In eighteen 246 00:12:36,240 --> 00:12:39,800 Speaker 1: forty six, Henry Pool, later credited as the creator of 247 00:12:39,800 --> 00:12:43,120 Speaker 1: the dinner jacket, opened an entrance to Savile Row from 248 00:12:43,120 --> 00:12:47,559 Speaker 1: his tailoring premises in Old Burlington Street. Other tailors followed, 249 00:12:47,960 --> 00:12:51,960 Speaker 1: and soon the bespoke movement was born. This is where 250 00:12:51,960 --> 00:12:54,760 Speaker 1: the first suits were cut and made by hand, and 251 00:12:54,800 --> 00:12:58,640 Speaker 1: the tradition lives on. This short street has been termed 252 00:12:58,679 --> 00:13:02,480 Speaker 1: the Golden Mile of tailor, where customers have included Charles 253 00:13:02,480 --> 00:13:07,840 Speaker 1: the Third, Winston Churchill, Lord Nelson, Laurence Olivier and Duke Ellington, 254 00:13:08,440 --> 00:13:11,600 Speaker 1: to name just a few. And tailors are much like 255 00:13:11,679 --> 00:13:15,120 Speaker 1: barber's they are the ears of a certain demographic within 256 00:13:15,160 --> 00:13:19,240 Speaker 1: a city. 257 00:13:20,559 --> 00:13:23,280 Speaker 10: Hello Sir and madam, welcome to Huntsman and sons. How 258 00:13:23,320 --> 00:13:24,199 Speaker 10: may be of assistance? 259 00:13:24,360 --> 00:13:26,199 Speaker 7: Yes, I yes, thank you. 260 00:13:26,679 --> 00:13:29,400 Speaker 2: My husband here is in desperate need of a new suit. 261 00:13:29,800 --> 00:13:31,480 Speaker 7: His friends said you were the best in town. 262 00:13:31,920 --> 00:13:33,600 Speaker 1: That is very kind, darling. 263 00:13:33,720 --> 00:13:35,960 Speaker 7: How many suits did John say he had? 264 00:13:36,240 --> 00:13:36,320 Speaker 11: No? 265 00:13:36,679 --> 00:13:42,079 Speaker 1: I think he said dozens. But you know vassal always exaggerating, Vassal, 266 00:13:42,960 --> 00:13:45,880 Speaker 1: John vassal, He is, in fact telling the truth. I've 267 00:13:45,920 --> 00:13:48,440 Speaker 1: personally fitted him for more than three dozen of my 268 00:13:48,720 --> 00:13:49,559 Speaker 1: finest suits. 269 00:13:49,640 --> 00:13:52,120 Speaker 7: Hu, no wonder he always looks so sharp. 270 00:13:52,320 --> 00:13:55,200 Speaker 1: A suit like that must set him back a pretty penny. 271 00:13:55,200 --> 00:13:58,720 Speaker 2: Oh, honey, you cannot put a price on elegance. 272 00:13:58,400 --> 00:14:01,640 Speaker 10: Your lovely wife is correct. Of course, it depends on 273 00:14:01,679 --> 00:14:03,040 Speaker 10: the cut and material that. 274 00:14:03,040 --> 00:14:03,640 Speaker 1: Is your preference. 275 00:14:03,720 --> 00:14:08,000 Speaker 7: I just love that suit in the window and good taste. 276 00:14:08,520 --> 00:14:11,319 Speaker 1: I've learned long ago not to argue with my wife. 277 00:14:12,040 --> 00:14:14,280 Speaker 1: Do you have time to take my measurements? Of course, 278 00:14:14,320 --> 00:14:15,719 Speaker 1: if you would just stand right here for. 279 00:14:15,760 --> 00:14:17,679 Speaker 7: Me, fantastic. 280 00:14:18,200 --> 00:14:20,920 Speaker 2: We're attending a wedding next week and I'm just desperate 281 00:14:20,960 --> 00:14:24,480 Speaker 2: to get him into something new. Man so resistant to 282 00:14:24,600 --> 00:14:28,080 Speaker 2: change sometimes. Can I write the delivery address down for 283 00:14:28,120 --> 00:14:29,560 Speaker 2: you while you finish the measurements. 284 00:14:29,840 --> 00:14:31,680 Speaker 10: Yes, please leave it in the address book. It's on 285 00:14:31,720 --> 00:14:38,000 Speaker 10: the counter there, all right, very good and done. 286 00:14:38,640 --> 00:14:41,400 Speaker 7: And how much do we owe you with this material? 287 00:14:41,440 --> 00:14:43,920 Speaker 10: It'll be three hundred quid, madam. I can have it 288 00:14:43,960 --> 00:14:45,040 Speaker 10: finished top of the week. 289 00:14:45,920 --> 00:14:49,840 Speaker 2: Expensive, but worth every penny. I'm sure he will be 290 00:14:49,920 --> 00:14:50,640 Speaker 2: quite dashing. 291 00:14:51,040 --> 00:14:54,440 Speaker 10: As they say, madam, the suit makes the mass. 292 00:14:54,240 --> 00:14:55,800 Speaker 7: Oh, it certainly makes them better. 293 00:14:56,000 --> 00:14:59,000 Speaker 1: Then perhaps I should also order three dozen like John, I. 294 00:14:58,920 --> 00:15:00,720 Speaker 7: Think we'll just stick with one for now. 295 00:15:01,320 --> 00:15:03,960 Speaker 2: Now, come along, dear, we have some more shopping to do. 296 00:15:04,320 --> 00:15:07,640 Speaker 1: Of course, darling right behind you. Thank you both, and 297 00:15:07,720 --> 00:15:09,120 Speaker 1: have a splendid evening. 298 00:15:13,280 --> 00:15:15,920 Speaker 2: Nice suit, too bad, Vlosta will never see you in it. 299 00:15:16,000 --> 00:15:18,720 Speaker 1: Three hundred pounds of suit and over three dozen suits, 300 00:15:19,080 --> 00:15:21,680 Speaker 1: that's like ten thousand pounds. There's no way he can 301 00:15:21,720 --> 00:15:23,280 Speaker 1: afford that on a government salary. 302 00:15:23,400 --> 00:15:25,400 Speaker 2: Why don't we swing by Vassal's house and check it out. 303 00:15:25,920 --> 00:15:27,800 Speaker 2: I pulled his address from the shop ledger when I 304 00:15:27,800 --> 00:15:28,640 Speaker 2: wrote down the fake. 305 00:15:28,480 --> 00:15:30,800 Speaker 1: Delivery smart what's the address? 306 00:15:31,080 --> 00:15:34,360 Speaker 2: Eight hundred and seven Hood House. I think that's near 307 00:15:34,400 --> 00:15:35,800 Speaker 2: the Thames Hood House. 308 00:15:37,320 --> 00:15:40,560 Speaker 1: I know that area. That's on Dolphin Square where it's 309 00:15:40,600 --> 00:15:43,680 Speaker 1: one of the most expensive addresses in London. Unless he's 310 00:15:43,680 --> 00:15:46,320 Speaker 1: related to the royal family. What is a deputy clerk 311 00:15:46,360 --> 00:15:47,040 Speaker 1: doing living there. 312 00:15:48,440 --> 00:15:50,160 Speaker 7: Let's call in in Charles to let them know what 313 00:15:50,160 --> 00:15:50,680 Speaker 7: we've learned. 314 00:15:51,160 --> 00:16:11,480 Speaker 1: There's a payphone. Hello, Ann, it's Gina and Rebecca. Did 315 00:16:11,480 --> 00:16:12,920 Speaker 1: you get any more information on Vassal? 316 00:16:13,160 --> 00:16:16,280 Speaker 5: Yes? Actually you were concerned about his finances and we 317 00:16:16,480 --> 00:16:19,000 Speaker 5: just learned his yearly salary is seven hundred and fifty 318 00:16:19,040 --> 00:16:22,120 Speaker 5: pounds a year and he's not independently wealthy. Plus he 319 00:16:22,200 --> 00:16:24,480 Speaker 5: recently left the country with his passport to come months 320 00:16:24,480 --> 00:16:28,160 Speaker 5: back for a two week vacation to Aruba. He's definitely 321 00:16:28,280 --> 00:16:29,320 Speaker 5: living above his station. 322 00:16:29,600 --> 00:16:31,920 Speaker 1: We just came back from the tailor shop. Between the suits, 323 00:16:31,960 --> 00:16:34,520 Speaker 1: the trips and the flat on Dolphins Square, there's no 324 00:16:34,600 --> 00:16:37,720 Speaker 1: question Vassals living beyond his means. The question is where 325 00:16:37,760 --> 00:16:38,880 Speaker 1: is that money coming from. 326 00:16:39,440 --> 00:16:41,720 Speaker 2: We're going to case Vassal's apartment to see what else 327 00:16:41,760 --> 00:16:43,920 Speaker 2: we can find. We'll check back in later. 328 00:16:43,960 --> 00:16:46,080 Speaker 5: Okay, but be careful. 329 00:16:48,800 --> 00:16:51,520 Speaker 1: Case the apartment. How are we going to do that? 330 00:16:51,720 --> 00:16:53,120 Speaker 7: We aren't going to do anything. 331 00:16:53,720 --> 00:16:55,840 Speaker 2: You are going to stand outside and keep a lookout 332 00:16:55,840 --> 00:16:58,520 Speaker 2: while I break into his apartment and search for clues. 333 00:16:59,040 --> 00:17:01,160 Speaker 1: That sounds like a bit more than surveillance. 334 00:17:01,480 --> 00:17:03,000 Speaker 7: Surveillance was your job. 335 00:17:03,320 --> 00:17:05,119 Speaker 2: I have my own company to answer to, and they 336 00:17:05,160 --> 00:17:06,359 Speaker 2: play by their own rules. 337 00:17:06,800 --> 00:17:07,320 Speaker 7: Let's move. 338 00:17:15,520 --> 00:17:18,879 Speaker 1: At the time of its first construction, Dolphins Square's twelve 339 00:17:19,000 --> 00:17:22,360 Speaker 1: hundred and fifty upmarket flats were billed by Sir Nicholas 340 00:17:22,359 --> 00:17:26,600 Speaker 1: Pevsner as the largest self contained block of flats in Europe. 341 00:17:27,080 --> 00:17:30,800 Speaker 1: Boasting the most developed private garden square in all of London. 342 00:17:31,800 --> 00:17:34,840 Speaker 1: Due to its proximity to the Palace of Westminster and 343 00:17:34,960 --> 00:17:38,040 Speaker 1: built near the River Thames, Dolphin Square became one of 344 00:17:38,119 --> 00:17:42,040 Speaker 1: the most popular residences in the city for politicians and royalty, 345 00:17:42,520 --> 00:17:45,640 Speaker 1: with more than seventy MP's and at least ten lords 346 00:17:45,960 --> 00:17:50,440 Speaker 1: calling it home. A full block of luxury apartments right 347 00:17:50,480 --> 00:17:52,240 Speaker 1: in the heart of central London. 348 00:17:54,320 --> 00:17:56,439 Speaker 2: All right, Gene, we've been watching this place for the 349 00:17:56,440 --> 00:17:58,560 Speaker 2: better part of an hour. It looks like no one's home. 350 00:17:59,080 --> 00:18:01,320 Speaker 2: You stay here, well, I go inside to investigate. 351 00:18:01,520 --> 00:18:02,000 Speaker 8: I can't just. 352 00:18:02,040 --> 00:18:04,639 Speaker 1: Let you go in there alone. What if something goes wrong. 353 00:18:04,760 --> 00:18:06,560 Speaker 7: I can take care of myself. 354 00:18:06,560 --> 00:18:09,960 Speaker 1: That's clear, But what about me. I'd be awfully alone 355 00:18:09,960 --> 00:18:10,480 Speaker 1: out here. 356 00:18:10,560 --> 00:18:15,200 Speaker 7: And who said chivalry was dead? Fine? Follow me, stay 357 00:18:15,280 --> 00:18:16,919 Speaker 7: quiet and stay close. 358 00:18:24,119 --> 00:18:25,119 Speaker 8: What are you doing. 359 00:18:25,119 --> 00:18:26,160 Speaker 4: Picking the lock? 360 00:18:26,720 --> 00:18:28,720 Speaker 7: Thought it'd be more subtle than kicking down the door. 361 00:18:28,920 --> 00:18:31,040 Speaker 1: How long's that take? We don't know how long he'll 362 00:18:31,040 --> 00:18:31,359 Speaker 1: be gone. 363 00:18:31,359 --> 00:18:32,199 Speaker 7: For good thing. 364 00:18:32,240 --> 00:18:41,520 Speaker 2: I'm quick teta keep the lights off, Try not to 365 00:18:41,560 --> 00:18:42,400 Speaker 2: disturb too much. 366 00:18:45,680 --> 00:18:49,320 Speaker 1: The man certainly has good taste. These rugs alone cost 367 00:18:49,359 --> 00:18:49,800 Speaker 1: a fortune. 368 00:18:49,800 --> 00:18:52,760 Speaker 2: I'll go shack upstairs. You search down here, let me 369 00:18:52,800 --> 00:18:54,280 Speaker 2: know if you find anything suspicious. 370 00:19:14,560 --> 00:19:17,520 Speaker 1: Ah, this is where he keeps all those swanky suits. 371 00:19:17,880 --> 00:19:19,280 Speaker 7: Hey jeans, Come look at this. 372 00:19:19,440 --> 00:19:19,919 Speaker 1: Where are you? 373 00:19:20,200 --> 00:19:26,760 Speaker 2: I'm upstairs in the bedroom. 374 00:19:26,960 --> 00:19:28,119 Speaker 1: What'd you find? 375 00:19:28,640 --> 00:19:31,879 Speaker 7: Hidden cameras and mics they are everywhere. 376 00:19:32,440 --> 00:19:34,160 Speaker 1: Maybe the Soviets are spying on him too. 377 00:19:34,359 --> 00:19:37,520 Speaker 2: Maybe, But how do you explain these photos? 378 00:19:37,920 --> 00:19:39,800 Speaker 7: They were in a vanity drawer with a false bottom. 379 00:19:40,480 --> 00:19:44,240 Speaker 1: Whoa, These are some seriously compromising pictures he has of himself. 380 00:19:44,840 --> 00:19:48,240 Speaker 1: Not to mention many members of parliament. I recognize several 381 00:19:48,280 --> 00:19:49,520 Speaker 1: of d MPs from the papers. 382 00:19:49,600 --> 00:19:52,560 Speaker 2: Jesus, he's running a classic honey trap. 383 00:19:52,920 --> 00:19:54,080 Speaker 1: Honey trap, that's right. 384 00:19:54,560 --> 00:19:57,000 Speaker 2: He lures them and seduces them and captures it all 385 00:19:57,040 --> 00:19:59,919 Speaker 2: in his hidden cameras and recorders. Then he uses the 386 00:20:00,200 --> 00:20:03,400 Speaker 2: to blackmail. Then only difference is it's usually a woman 387 00:20:03,480 --> 00:20:06,960 Speaker 2: running a honeytrap. These photos would ruin a lot of 388 00:20:06,960 --> 00:20:08,600 Speaker 2: careers in marriages, even. 389 00:20:08,400 --> 00:20:12,879 Speaker 1: More effective for blackmail. Shit, he's home. 390 00:20:13,400 --> 00:20:13,959 Speaker 8: What do we do? 391 00:20:14,240 --> 00:20:17,080 Speaker 7: Hide in the closet? If he finds us, I'll handle it. 392 00:20:18,480 --> 00:20:18,560 Speaker 8: You. 393 00:20:19,160 --> 00:20:19,840 Speaker 1: I have an idea. 394 00:20:20,480 --> 00:20:21,760 Speaker 2: What are you doing with that suit? 395 00:20:23,440 --> 00:20:25,720 Speaker 1: Mister Vassal? Is that you? The hell? 396 00:20:25,720 --> 00:20:26,000 Speaker 6: Are you? 397 00:20:26,960 --> 00:20:29,240 Speaker 1: What are you doing in my apartment? I was sent 398 00:20:29,280 --> 00:20:31,760 Speaker 1: from h Huntsman and Sons with a lovely new suit 399 00:20:31,800 --> 00:20:34,560 Speaker 1: for you. I knocked and found the door unlocked. I'm 400 00:20:34,640 --> 00:20:37,119 Speaker 1: terribly sorry for the intrusion, but I couldn't bear to 401 00:20:37,200 --> 00:20:39,480 Speaker 1: leave the suit out in the cold. I fear something 402 00:20:39,480 --> 00:20:40,360 Speaker 1: could have happened to it. 403 00:20:40,760 --> 00:20:42,600 Speaker 11: I've never seen you at the show up before. 404 00:20:42,880 --> 00:20:44,560 Speaker 1: I'm a new apprentice called the crap. 405 00:20:45,080 --> 00:20:45,920 Speaker 11: I know who you are? 406 00:20:46,760 --> 00:20:47,920 Speaker 1: You do you' kgb? 407 00:20:48,920 --> 00:20:49,840 Speaker 11: You know he had to kill me? 408 00:20:50,240 --> 00:20:54,479 Speaker 1: What? No? I did what you asked? Please leave me alone. 409 00:20:54,880 --> 00:21:00,359 Speaker 11: I won't tell anyone, I swear, Please leave me alone. 410 00:21:00,040 --> 00:21:02,919 Speaker 2: Oh wait, no, what are you waiting for? 411 00:21:03,040 --> 00:21:03,560 Speaker 7: Catch him? 412 00:21:03,640 --> 00:21:05,520 Speaker 1: I thought I was just observing. 413 00:21:15,520 --> 00:21:18,520 Speaker 7: Vassel. Come back. We're not here to kill you. 414 00:21:19,840 --> 00:21:20,760 Speaker 1: Where'd you go there? 415 00:21:20,960 --> 00:21:23,320 Speaker 4: He's crossing Saint George's Square. 416 00:21:24,960 --> 00:21:28,359 Speaker 1: Saint George's Square is a very prestigious and very long 417 00:21:28,359 --> 00:21:33,240 Speaker 1: garden square in affluent Timlico, Central London. He was London's 418 00:21:33,240 --> 00:21:36,800 Speaker 1: first residential square and has had many notable residents over 419 00:21:36,840 --> 00:21:41,879 Speaker 1: the years. Dracula author and creator Ram Stoker died at 420 00:21:42,000 --> 00:21:44,600 Speaker 1: number twenty six in April nineteen twelve. 421 00:21:45,040 --> 00:21:47,480 Speaker 2: If he's heading for Pimlico Tube station, you cover the 422 00:21:47,480 --> 00:21:48,639 Speaker 2: Thames and we'll corner him. 423 00:21:48,760 --> 00:21:57,919 Speaker 1: Okay, vassal stop, it's a dead end. If we have 424 00:21:57,960 --> 00:22:02,560 Speaker 1: you surrounded, please don't suit. We're not going to kill you. 425 00:22:02,920 --> 00:22:05,480 Speaker 7: We just want to ask you a few questions. 426 00:22:07,040 --> 00:22:07,640 Speaker 12: What kind of. 427 00:22:07,640 --> 00:22:10,280 Speaker 2: Questions the type that would be better answered over a 428 00:22:10,320 --> 00:22:11,520 Speaker 2: pot of tea in your apartment? 429 00:22:19,800 --> 00:22:20,959 Speaker 1: Would you like some milk with it? 430 00:22:21,080 --> 00:22:23,760 Speaker 2: No? Thank you? Now, why don't you start by explaining 431 00:22:23,760 --> 00:22:25,399 Speaker 2: why you thought the Soviets were after you? 432 00:22:26,960 --> 00:22:29,880 Speaker 11: It started when I was on diplomatic station in Poland. 433 00:22:30,160 --> 00:22:32,399 Speaker 11: I allowed my guard to drop, being out of the 434 00:22:32,440 --> 00:22:35,359 Speaker 11: country and all, and I wasn't as careful as I 435 00:22:35,440 --> 00:22:41,280 Speaker 11: normally am about about being with other men I see, 436 00:22:42,160 --> 00:22:44,960 Speaker 11: and the Soviets said a honey trap for me with 437 00:22:45,040 --> 00:22:47,840 Speaker 11: a young man and used those photos to blackmail me. 438 00:22:48,520 --> 00:22:51,160 Speaker 11: At first, it was just a few documents, nothing high level, 439 00:22:51,240 --> 00:22:54,879 Speaker 11: but slowly it became more insidious, and now they are 440 00:22:54,880 --> 00:22:57,000 Speaker 11: making me act as the honey trap in order to 441 00:22:57,000 --> 00:22:57,960 Speaker 11: blackmail other men. 442 00:22:58,400 --> 00:22:59,399 Speaker 1: I'm doing what they. 443 00:22:59,240 --> 00:23:01,639 Speaker 11: Want, but I I said, I want to be finished 444 00:23:01,680 --> 00:23:04,280 Speaker 11: with the whole business, and I was worried they came 445 00:23:04,320 --> 00:23:04,840 Speaker 11: to doom me in. 446 00:23:05,840 --> 00:23:08,240 Speaker 1: Then you should be very glad we caught you first. 447 00:23:09,080 --> 00:23:10,880 Speaker 7: My friends and I five are on their way over. 448 00:23:11,400 --> 00:23:35,520 Speaker 12: Let's see if your story holds up with them. 449 00:23:24,560 --> 00:23:28,479 Speaker 9: Jean and Rebecca. Great work, m I five owes you 450 00:23:28,520 --> 00:23:31,480 Speaker 9: a debt of gratitude. Very impressed with how quickly you've 451 00:23:31,480 --> 00:23:32,359 Speaker 9: got a handle on this. 452 00:23:32,720 --> 00:23:34,159 Speaker 1: Glad to be of service, Roger. 453 00:23:34,600 --> 00:23:37,400 Speaker 2: Hopefully Vassal can help expose the rest of the spy network. 454 00:23:37,760 --> 00:23:40,760 Speaker 9: My men are still looking through vassels belongings, but they've 455 00:23:40,800 --> 00:23:44,879 Speaker 9: already uncovered thousands of documents to pass through. It looks 456 00:23:44,920 --> 00:23:47,600 Speaker 9: like he's been taking payments from the Soviets for years. 457 00:23:48,000 --> 00:23:51,040 Speaker 1: He almost seemed believed to have finally been caught, though. 458 00:23:50,920 --> 00:23:53,520 Speaker 2: I was thinking, who knows if they really took those 459 00:23:53,560 --> 00:23:56,720 Speaker 2: honeytrap photos of Vassal as blackmail, or if he's just 460 00:23:56,880 --> 00:23:59,720 Speaker 2: using them as cover. Now that he's been exposed, works 461 00:23:59,720 --> 00:24:01,639 Speaker 2: as are real nice alibi. 462 00:24:01,520 --> 00:24:04,560 Speaker 9: M Either way, that is one less traitor in the 463 00:24:04,560 --> 00:24:08,120 Speaker 9: British Service. Congratulations on a job well done. 464 00:24:08,520 --> 00:24:11,280 Speaker 1: Well, I'm off to the Savoy. I'm sure Philosta is 465 00:24:11,320 --> 00:24:13,520 Speaker 1: waiting for me. Rebecca, are you coming? 466 00:24:14,520 --> 00:24:16,679 Speaker 2: I think I should do some sight seeing make up 467 00:24:16,680 --> 00:24:19,760 Speaker 2: for today's works of last days and suspicious good idea. 468 00:24:20,320 --> 00:24:27,040 Speaker 1: I'll see you tomorrow. The Savoy Hotel is the embodiment 469 00:24:27,080 --> 00:24:30,960 Speaker 1: of elegance and refinement and the first purpose built deluxe 470 00:24:30,960 --> 00:24:35,520 Speaker 1: hotel in London, setting new standards for luxury, comfort and 471 00:24:35,680 --> 00:24:38,480 Speaker 1: service unheard of in the hotel world of the day. 472 00:24:39,400 --> 00:24:42,520 Speaker 1: The Savoy was the first to introduce current modern conveniences 473 00:24:42,600 --> 00:24:46,879 Speaker 1: like electric lights throughout the building, electric lifts, bathrooms in 474 00:24:46,960 --> 00:24:50,560 Speaker 1: most of the lavishly furnished rooms, constant hot and cold 475 00:24:50,640 --> 00:24:54,480 Speaker 1: running water, and many other innovations. As the only five 476 00:24:54,520 --> 00:24:58,200 Speaker 1: star hotel on the River Thames, the Savoy offers sublime 477 00:24:58,280 --> 00:25:02,520 Speaker 1: service in an unbeatable look near Covent Garden, in the 478 00:25:02,520 --> 00:25:05,520 Speaker 1: heart of all that London has to offer. If you 479 00:25:05,560 --> 00:25:07,960 Speaker 1: are not lucky enough to secure a room, the High 480 00:25:08,000 --> 00:25:10,560 Speaker 1: Ta itself is enough of a reason to visit London's 481 00:25:10,560 --> 00:25:12,280 Speaker 1: most famous hotel. 482 00:25:15,960 --> 00:25:18,840 Speaker 3: Gene, is that you, darling back so late? 483 00:25:20,240 --> 00:25:22,840 Speaker 1: It was a long day, but we got some great 484 00:25:22,840 --> 00:25:23,680 Speaker 1: things accomplished. 485 00:25:24,600 --> 00:25:26,480 Speaker 4: How was it working with Rebecca? 486 00:25:27,119 --> 00:25:30,919 Speaker 1: Impressive? A bit young and over eager, but she certainly 487 00:25:30,960 --> 00:25:31,920 Speaker 1: gets the job done. 488 00:25:32,320 --> 00:25:35,120 Speaker 3: I was speaking of getting jobs done. I am nowhere 489 00:25:35,160 --> 00:25:37,639 Speaker 3: near through the paperwork Martin sent me. 490 00:25:38,119 --> 00:25:40,640 Speaker 1: How about I take you to dinner and you tell 491 00:25:40,640 --> 00:25:41,400 Speaker 1: me all about it? 492 00:25:42,080 --> 00:25:50,560 Speaker 4: I could be persuaded. Who could that be? Charles? What 493 00:25:50,600 --> 00:25:51,440 Speaker 4: are you doing here? 494 00:25:52,040 --> 00:25:54,720 Speaker 8: So sad? Show up and announced? But when Gene phoned 495 00:25:54,760 --> 00:25:56,680 Speaker 8: to say you were visiting, I impulsively made a dinner 496 00:25:56,720 --> 00:25:59,760 Speaker 8: reservation and came right over. I hope I'm not interrupting. 497 00:26:00,560 --> 00:26:03,920 Speaker 1: Oh please come in, Charles. So great to see you, 498 00:26:04,480 --> 00:26:05,800 Speaker 1: even if you are interrupting. 499 00:26:06,440 --> 00:26:08,800 Speaker 4: And this is my wife Anne, the famous mister and 500 00:26:08,840 --> 00:26:09,520 Speaker 4: missus photo. 501 00:26:09,640 --> 00:26:11,520 Speaker 7: It's so wonderful to finally meet you. 502 00:26:12,080 --> 00:26:15,760 Speaker 3: Likewise, Gina's told me so much, but not nearly enough. 503 00:26:16,080 --> 00:26:18,000 Speaker 8: Well, then, while you two ladies get acquainted, I hope 504 00:26:18,000 --> 00:26:20,840 Speaker 8: you don't mind if I steal Gine for a drink downstairs. 505 00:26:20,359 --> 00:26:22,800 Speaker 3: Of course, and can help me pick out my dress. 506 00:26:23,280 --> 00:26:25,600 Speaker 3: Make sure I'm suitable for British society. 507 00:26:26,080 --> 00:26:27,080 Speaker 7: You boys, have fun. 508 00:26:27,520 --> 00:26:29,960 Speaker 8: We'll be down shortly, splendid, I'll see you. 509 00:26:29,960 --> 00:26:37,600 Speaker 1: So, Charles, I have to ask, what is it like 510 00:26:37,680 --> 00:26:40,840 Speaker 1: working with your wife in this spy world? This whole time, 511 00:26:40,840 --> 00:26:44,640 Speaker 1: I thought I was protecting Gloucester, protecting her marriage by 512 00:26:44,680 --> 00:26:48,119 Speaker 1: not telling her. I hate lying to her, but the 513 00:26:48,200 --> 00:26:49,679 Speaker 1: last thing I ever want to do is put her 514 00:26:49,720 --> 00:26:50,160 Speaker 1: at risk. 515 00:26:50,960 --> 00:26:54,200 Speaker 8: Initially I had those fears too, and sure it's created 516 00:26:54,200 --> 00:26:56,640 Speaker 8: conflict in our marriage, but overall, I think it's brought 517 00:26:56,680 --> 00:27:00,399 Speaker 8: us closer together. In this line of work, it's difficult 518 00:27:00,440 --> 00:27:02,520 Speaker 8: to find someone who can trust. To have someone you 519 00:27:02,600 --> 00:27:05,040 Speaker 8: can always rely on and confide in, It's more than 520 00:27:05,040 --> 00:27:07,360 Speaker 8: most people have in this business. And if anything, it's 521 00:27:07,359 --> 00:27:10,680 Speaker 8: strengthened our relationship. We have no secrets. 522 00:27:15,160 --> 00:27:16,239 Speaker 1: Don't you worry about her? 523 00:27:16,800 --> 00:27:21,040 Speaker 8: Of course? But she can handle herself as I think 524 00:27:21,240 --> 00:27:21,639 Speaker 8: lost a. 525 00:27:23,400 --> 00:27:26,159 Speaker 1: Yeah, maybe that's what I'm afraid of. 526 00:27:35,040 --> 00:27:37,959 Speaker 8: Two sculptures neat very good sir. 527 00:27:45,320 --> 00:27:48,040 Speaker 1: Okay, Charles, Now that we are safely in the bar, 528 00:27:48,640 --> 00:27:50,000 Speaker 1: what is the real reason you're here? 529 00:27:51,160 --> 00:27:53,680 Speaker 8: I wanted to tell you the truth about today. 530 00:27:53,960 --> 00:27:56,720 Speaker 1: What do you mean? Even if there's more to the Vassal. 531 00:27:56,840 --> 00:27:59,560 Speaker 1: Case we found them, all my work is done. 532 00:28:00,600 --> 00:28:02,840 Speaker 8: I'm sorry to say, Jean, but this is only the beginning. 533 00:28:03,760 --> 00:28:05,879 Speaker 8: We have strong reason to believe Vassal is only an 534 00:28:05,880 --> 00:28:08,480 Speaker 8: appetizer delivered by the Soviets with the hope of satisfying 535 00:28:08,480 --> 00:28:11,719 Speaker 8: our hunger, A low level spy with no connections or knowledge, 536 00:28:11,720 --> 00:28:16,320 Speaker 8: and entirely disposable, a sacrificial lamb to distract us from 537 00:28:16,359 --> 00:28:17,119 Speaker 8: the bigger target. 538 00:28:17,720 --> 00:28:20,960 Speaker 1: A bigger target who Anne and I. 539 00:28:20,960 --> 00:28:24,000 Speaker 8: Believe there is a mole hidden much higher in intelligence, 540 00:28:24,960 --> 00:28:28,240 Speaker 8: perhaps even Roger Hollis. 541 00:28:28,520 --> 00:28:30,840 Speaker 1: You're joking, Roger. 542 00:28:31,480 --> 00:28:34,200 Speaker 8: Think about it. If it were true, then all the 543 00:28:34,280 --> 00:28:37,000 Speaker 8: cagy Be did was sacrifice their pond to protect their king. 544 00:28:37,720 --> 00:28:40,560 Speaker 8: Vassal has no knowledge of anything important and no connections. 545 00:28:40,920 --> 00:28:43,040 Speaker 8: This was nothing more than a grand diversion. 546 00:28:45,320 --> 00:28:48,440 Speaker 1: I suppose it makes sense, and it was pretty easy. 547 00:28:49,560 --> 00:28:52,280 Speaker 1: And Roger knew I would identify the suits for Vassal 548 00:28:52,560 --> 00:28:54,840 Speaker 1: and that his spending habits were a red. 549 00:28:54,720 --> 00:28:57,800 Speaker 8: Flag, and Roger needed you, an outside source to expose 550 00:28:57,840 --> 00:28:59,520 Speaker 8: him so he wouldn't look like the third man. 551 00:29:00,200 --> 00:29:03,240 Speaker 1: Then I'm not done, am I afraid not? 552 00:29:04,600 --> 00:29:06,840 Speaker 8: What Roger and the Soviets are really after is the 553 00:29:06,880 --> 00:29:10,560 Speaker 8: ultimate prize in British naval intelligence, the designs for the 554 00:29:10,720 --> 00:29:15,320 Speaker 8: HMS Dreadnought, the first nuclear powered submarine in history. If 555 00:29:15,360 --> 00:29:17,960 Speaker 8: the Soviets get their hands on their designs and combine 556 00:29:17,960 --> 00:29:20,640 Speaker 8: them with the Pathfinder maps, not only will they know 557 00:29:20,680 --> 00:29:23,600 Speaker 8: where to attack, they'll have the ultimate weapon to do it. 558 00:29:24,480 --> 00:29:29,160 Speaker 8: Then it's checkmate. We need your help again, Chap. 559 00:29:29,600 --> 00:29:32,200 Speaker 1: And I guess we know who's buying dinner. 560 00:29:41,360 --> 00:29:45,680 Speaker 13: Vodor's Guide to Espionage is created by Lars Jacobson, written 561 00:29:45,720 --> 00:29:50,120 Speaker 13: by Lars Jacobson and Sabrina Jagulain, and directed by Sabrina Jagulam, 562 00:29:50,680 --> 00:29:54,600 Speaker 13: produced by Lars Jacobson and Sabrina Jagulain, and executive produced 563 00:29:54,600 --> 00:29:59,160 Speaker 13: by Noel Brown or iHeartRadio. Vodor's Guide to Espionage stars 564 00:29:59,200 --> 00:30:03,480 Speaker 13: Ethan Korn as Eugene Fodor, Leliah Symington as Vlasta Fodor, 565 00:30:03,800 --> 00:30:08,200 Speaker 13: and Jackie Emerson as Rebecca Ralston, with additional performances by 566 00:30:08,680 --> 00:30:13,920 Speaker 13: Chase Mullens, George Rivera, Matt Linton, Dylan McCollum, Gabe Greenspan, 567 00:30:14,240 --> 00:30:19,760 Speaker 13: Chris Cappel, Duncan Kaladine Dana Melanie, Alex Gombadi, Noam Thomaschoff, 568 00:30:20,000 --> 00:30:24,120 Speaker 13: Katrina Aaron, and Simon Jagulin. Sound design and editing by 569 00:30:24,240 --> 00:30:28,240 Speaker 13: Chris Childs. Original theme song by Jack Blavelt and Chris 570 00:30:28,320 --> 00:30:32,720 Speaker 13: Childs with additional scoring by Chris Childs. Sound engineering by 571 00:30:33,000 --> 00:30:37,280 Speaker 13: Chris sec Fodor's Guide to Espionage is an iHeartRadio production. 572 00:30:37,920 --> 00:30:42,960 Speaker 13: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 573 00:30:43,040 --> 00:30:52,560 Speaker 13: or wherever you get your podcasts.