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Speaker 1: This episode is also available as video on YouTube. You

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Speaker 1: can visit Nora Jones channel and be sure to subscribe

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Speaker 1: while you're there. Hey, I'm Nora Jones and today I'm

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Speaker 1: playing along with Bridget Everett. I'm just playing long weusy,

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Speaker 1: I'm just playing in lone uzy.

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Speaker 2: Hi.

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Speaker 3: I'm Nora Jones.

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Speaker 1: Welcome to the show, and with me as always is

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Speaker 1: my friend Sarah Oda.

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Speaker 4: Yes, hi, hi h this episode today was so fun.

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Speaker 5: We have the incredible comedian, actor, singer, writer Bridget Everett.

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Speaker 3: Yay.

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Speaker 5: I want to say upfront that she has a tour

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Speaker 5: coming up twenty twenty six. The dates start in March

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Speaker 5: for her tour called Big Titties, Big Dreams.

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Speaker 4: So I'm fun titled.

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Speaker 1: I mean, how could you miss that? It's so fun.

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Speaker 1: Her show is amazing.

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Speaker 5: It's amazing and after you hear this episode, you're gonna

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Speaker 5: want to get your ticket.

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Speaker 4: So look it up and.

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Speaker 5: Make sure there's a show near you. Find a ticket

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Speaker 5: and check it out.

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Speaker 3: I almost thought you were gonna say, find a titty.

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Speaker 4: Find a titty, no fight a ticket.

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Speaker 5: She started with karaoke, but now she's known for creating

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Speaker 5: and starring in Somebody Somewhere as well as her work

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Speaker 5: on stage, film, TV, comedy, music, blending everything storytelling. She's

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Speaker 5: a fearless performer who does an incredible job of balancing

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Speaker 5: humor and heart, and she's also making cabaret cool.

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Speaker 1: Well her show Somebody Somewhere, that was my first introduction

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Speaker 1: to her, and the thing that struck me from the

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Speaker 1: show and also in her act on stage and also

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Speaker 1: in person in this episode is that balance of humor

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Speaker 1: and heart.

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Speaker 3: She's just got such a big heart. You can just tell.

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Speaker 6: Yah.

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Speaker 1: There's just something so sweet and awesome about her.

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Speaker 7: Her heart.

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Speaker 5: I don't know why, vulnerable and she is so but

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Speaker 5: she's so funny, so funny, She's so funny.

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Speaker 3: And thanks for a great combo, I know, I mean,

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Speaker 3: she's amazing.

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Speaker 7: Yeah.

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Speaker 5: In this episode, you're gonna hear a little bit about

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Speaker 5: her songwriting process, about living in New York. You're gonna

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Speaker 5: hear about her family, especially her strong mom.

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Speaker 4: And as always, there's lots of songs.

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Speaker 5: This one has ones that are both empowering and totally hilarious.

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Speaker 1: This was really fun. I was so glad she could

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Speaker 1: do this and we got to hang out. I hope

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Speaker 1: you enjoyed the episode. Check it out here. It is

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Speaker 1: Bridget Everett.

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Speaker 3: Well, I'm so happy to have you here.

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Speaker 7: I'm happy to be here.

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Speaker 3: I'm a really big fan.

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Speaker 7: Oh wow.

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Speaker 1: I mean I discovered you through the show Somebody's Good

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Speaker 1: and then my girlfriend Sasha Dobson loves your your live show,

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Speaker 1: and she turned me onto it. So I had no

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Speaker 1: idea of all the sides of you. So it's, you know,

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Speaker 1: just it's all one.

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Speaker 3: I know.

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Speaker 7: But I mean, but it's this sort of like when

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Speaker 7: you think about it, like when I look at it

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Speaker 7: on paper, I'm like that, it's kind of I like

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Speaker 7: to do different things. I guess keep it fresh.

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Speaker 3: That's the best way to be.

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Speaker 7: Yeah.

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Speaker 3: Yeah, it's great.

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Speaker 7: Trying to learn about myself honestly, like just trying to

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Speaker 7: understand myself.

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Speaker 1: Well, I think that's I've always learned a lot about

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Speaker 1: myself through writing songs or whatever you choose to do

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Speaker 1: and you don't know why you're choosing to do it,

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Speaker 1: but it becomes clear later, right.

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Speaker 7: Well, I think so. I think like for somebody like

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Speaker 7: me who's never hasn't spent time with a mental health

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Speaker 7: care professional, I think the best way for me to

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Speaker 7: do it is like writing or performing or you know.

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Speaker 3: Yeah, blah blah blah. That's why we do it, That's

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Speaker 3: why we do it. Yeah, it's the best.

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Speaker 1: Yeah, Yeah, the show's so great.

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Speaker 3: And it's it's done, you guys, you guys.

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Speaker 7: It's done.

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Speaker 3: Put a bow on it.

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Speaker 7: Yeah, a bow was put on it, and it's over.

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Speaker 7: But you know, I was just you know, the Emmy's

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Speaker 7: just happening. Jeff Coastar plays Joel won the Emmy, which

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Speaker 7: is really exciting, and so now more people are finding it,

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Speaker 7: which is really exciting. And then there's always a conversation

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Speaker 7: of like, could we do like a movie or something.

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Speaker 7: So to me, it's one way of kind of keeping

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Speaker 7: it alive by thinking of the opportunity that there's another

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Speaker 7: way or somehow that we can just have one last chapter.

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Speaker 1: I think that would be great. I mean, I think

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Speaker 1: the fans would love that. I would love that.

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Speaker 3: Please do that.

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Speaker 1: I also feel like in today jo said, so I said,

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Speaker 1: do it. I feel like in today's landscape of TV,

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Speaker 1: you never know you can kind of if somebody wants

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Speaker 1: you to do it and you want to.

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Speaker 3: Do it, can't you just do it? Do you know

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Speaker 3: what I mean?

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Speaker 1: Like things go away for years now and then they

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Speaker 1: come back in a.

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Speaker 7: Way, and I think that's one cool thing with HBO.

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Speaker 7: Not one cool thing with HBO. But you know, they

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Speaker 7: like the comeback is filming another season. Really yeah, I

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Speaker 7: love that show.

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Speaker 3: I loved that show too.

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Speaker 7: So great. But I and you know, they they've they're

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Speaker 7: like Curby Enthusiasm, Like I think there's somebody that once

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Speaker 7: you're in the HBO fan that there is it's a possibility. Yeah,

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Speaker 7: you know, so I'm I'm trying to secret it or

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Speaker 7: whatever that man.

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Speaker 1: Yeah, I'm secreting it. Yeah, yeah, yeah, that's cool.

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Speaker 7: We'll see.

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Speaker 3: Well, I'm really happy for you, thank you.

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Speaker 1: Yeah, and I'm I'm happy I discovered you that way.

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Speaker 3: But you're like this New York legend.

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Speaker 1: I had no idea, you know, when I started watching

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Speaker 1: this show, I didn't know much about you. So it's

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Speaker 1: been really exciting to find out all these things.

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Speaker 7: Well, i mean, legends a big word, but I mean

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Speaker 7: I'm thinking I've been I mean, I know what you mean,

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Speaker 7: but I've been. I've been kicking around, uh New York

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Speaker 7: for a long time and in the cabaret world, which

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Speaker 7: is like kind of you know, it's not the cool

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Speaker 7: buzz word. Everybody thinks it is, but I I don't know.

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Speaker 7: I love it. It's I'm so happy that I came

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Speaker 7: to New York because I found like all these people

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Speaker 7: that were doing something that that was what I was

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Speaker 7: looking for. But I didn't know what cabaret was. I

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Speaker 7: didn't know, you know, I can imagine with you, like

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Speaker 7: the style of I mean, I don't know, actually, but like,

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Speaker 7: did you start playing like jazz like that was your

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Speaker 7: sort of Yeah.

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Speaker 1: I started with jazz, but then when I moved to

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Speaker 1: New York, I got into songwriting.

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Speaker 3: Yeah, and I had never thought about that before.

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Speaker 7: So New York sort of was like also a conduit

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Speaker 7: for you too, yeah.

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Speaker 3: I think so.

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Speaker 2: Yeah.

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Speaker 1: I mean I got into the songwriting scene when I

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Speaker 1: moved here, when I had intended to get into the

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Speaker 1: jazz scene, and then I sort of shied away from

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Speaker 1: it as soon as I got here. My first album

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Speaker 1: was on Bluenout Records, but it was kind of a

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Speaker 1: songwriter album, but not all my songs.

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Speaker 3: I was doing songs by my friends.

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Speaker 1: But there is like a real crossover between jazz, you know,

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Speaker 1: the jazz world I came from of singing those old

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Speaker 1: standards and the cabaret world, I feel like where you're

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Speaker 1: working in a lot of those same songs.

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Speaker 7: Yeah, definitely.

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Speaker 6: Yeah.

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Speaker 7: And there's like and the guys that I work with,

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Speaker 7: you know, Matt Ray, who is the piano keyboard in

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Speaker 7: my band. We've written a lot of songs together. We've

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Speaker 7: written Home, which is from my show, and then we've

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Speaker 7: also wrote what I Got to Do to Get That Dick.

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Speaker 7: But but what I love is like there is like

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Speaker 7: I can sit down at the piano and I just

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Speaker 7: play like very sort of elementary chords and like I

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Speaker 7: have an idea, but like the voicing like he you know,

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Speaker 7: he is able to sort of you know, the the

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Speaker 7: voicing of a jazz musician, the way you know it

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Speaker 7: just is something that I like don't understand, but I

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Speaker 7: can kind of hear and you want to hear that, Yeah,

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Speaker 7: I want to hear that. I want to hear like

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Speaker 7: really cool chords and you know beautiful you know. I

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Speaker 7: think he understands sonically like what I'm trying to say,

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Speaker 7: but I can't put into like can't obviously I'm not

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Speaker 7: really good with my words.

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Speaker 1: But well, it's so nice to find somebody who you

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Speaker 1: can feel that sort of secret language.

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Speaker 3: Yeah, that's really nice that you have that.

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Speaker 7: Yeah, all the guys are like super down dance and

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Speaker 7: Bowler who plays bas.

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Speaker 3: I know, danceing. Yeah, it's great from like the jazz

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Speaker 3: scene back in the day.

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Speaker 7: Yeah, okay, so you know he's great. Actually, I was

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Speaker 7: working on a song idea and I texted him and

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Speaker 7: he sent me some songs that were just so crazy

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Speaker 7: because he's you know, some Sky's Champagne. Jerry aka Neil

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Speaker 7: Medlin is a friend of mine, but he also dances

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Speaker 7: at my shows, and he started talking about how he

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Speaker 7: loves when dance and slaps. So now dancing it's just

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Speaker 7: like fully unhinged and I love it.

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Speaker 3: Like to me, I can't picture that because from back

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Speaker 3: in the day like wearing suits.

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Speaker 7: Yeah yeah yeah, but now like he just he goes

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Speaker 7: out of his mind and it makes me laugh. And

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Speaker 7: so I want to do a song that is like

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Speaker 7: that features that.

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Speaker 3: Yeah that's great, but you know.

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Speaker 7: That has but they're also great musicians, So it's cool

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Speaker 7: because I'm you know, the song I want to do

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Speaker 7: is called Soak and Wet.

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Speaker 3: It's like the marriage of.

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Speaker 1: The musicians being like having all that language, like putting

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Speaker 1: it together.

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Speaker 7: It's like you know, when you you know, you prop

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Speaker 7: up like like I feel like the class clown or something.

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Speaker 7: And then I'm like hanging with like the academics and

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Speaker 7: they're like making me look smart.

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Speaker 1: Something I don't know, but it's great. Yeah, it's awesome.

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Speaker 1: I'm glad you're in that family.

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Speaker 7: Yeah.

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Speaker 1: Yeah, well you you mentioned home that's from your show.

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Speaker 3: You wrote that song with Matt Ya.

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Speaker 7: I started song writing songs by accident. The original lineup

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Speaker 7: of my band, uh Adam more of it's ak Yeah,

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Speaker 7: he was in the the original lineup of the band,

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Speaker 7: and he's he's been on a sabbatical for for a

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Speaker 7: number of years now. But you know, they have a

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Speaker 7: silloscope there the BC Boys studio that or they had

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Speaker 7: at the time. I'm not sure if I think it's

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Speaker 7: still going, but in Tribeca, yeah, so I said, Andre,

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Speaker 7: help pretty who's down there? But anyway, I talked to

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Speaker 7: Adam and I said, you know, I want to do

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Speaker 7: an album, like I want to do like some covers

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Speaker 7: because that's what we were doing at the time. And

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Speaker 7: he said, he's like, you can't, he can't do that.

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Speaker 7: You can you can write songs and like sort.

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Speaker 3: Of that's cool.

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Speaker 7: Put me on the path of doing it. And like

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Speaker 7: the first one of the very first songs I came

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Speaker 7: up with with Titties, which we were talking about when

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Speaker 7: I walked in. But the great thing about it was

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Speaker 7: that he, you know, I was like, this is this

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Speaker 7: is silly, right, and he's like, he's like, no, it

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Speaker 7: sounds like a hit, you know, like and he kind

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Speaker 7: of gave me encouraged me even if something seemed ridiculous

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Speaker 7: to like that that could be something great like permission,

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Speaker 7: like permission, like and I'm somebody who needs like people

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Speaker 7: to kind of be like that's okay, you know, Like

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Speaker 7: I'm not like, you know, with the vision board and

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Speaker 7: like goals and this, that and the other. I just

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Speaker 7: kind of do what makes me laugh or what feels good,

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Speaker 7: but I don't always understand and like how to you know,

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Speaker 7: do it in practice, like how to make it part

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Speaker 7: of a career or something, And like people like him

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Speaker 7: have just taught me along the way to just do you.

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Speaker 7: That's exactly what you said. It means like do you

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Speaker 7: And like ever since he said that to me, I'm

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Speaker 7: like I've been doing me. And that's obviously a lot

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Speaker 7: of different things you know. But but yeah, he really

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Speaker 7: helped me take a stab at songwriting.

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Speaker 3: That's pretty great.

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Speaker 1: Yeah, I feel like people coming from certain world, especially

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Speaker 1: like if you were coming from the cabaret world at

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Speaker 1: that time. Yeah, like same here. I was coming from

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Speaker 1: singing jazz standards. I didn't really know that I could

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Speaker 1: write songs.

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Speaker 3: I had no idea really.

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Speaker 1: Yeah, Like I feel like sometimes you just need to

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Speaker 1: be a little nudge in a direction.

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Speaker 7: So did you start doing it or was like somebody

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Speaker 7: that was like encouraging you or yeah?

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Speaker 1: I had some I had friends who wanted me to

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Speaker 1: sing their songs. Yeah, to be completely honest, and it

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Speaker 1: worked out for me, Like my big hit Don't know

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Speaker 1: why it is my good friend's song Jess Harris, but

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Speaker 1: it made me.

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Speaker 3: Want to also write my own.

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Speaker 7: Yeah, kind of.

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Speaker 1: They definitely were encouraging, but it was a lot of

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Speaker 1: like sing my song, you know.

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Speaker 3: I was like, well I might have a song in me,

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Speaker 3: you know.

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Speaker 7: And so you really hadn't written anything before you came here.

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Speaker 7: I mean like, were you ever like sort of in

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Speaker 7: the you know, back in like yeah, you know, just

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Speaker 7: a little for yourself and like not sharing it or

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Speaker 7: just like doing it.

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Speaker 1: Or I wrote two songs in high school that I

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Speaker 1: went up performing our high school, so it was very encouraging.

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Speaker 1: And I wrote two songs, but we recorded them like

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Speaker 1: with the guys in my class, and they had new

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Speaker 1: recording equipment and they would like send them out for

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Speaker 1: the Downbeat Jazz Magazine student Awards. And I think for

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Speaker 1: me it was too much and I was immediately embarrassed

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Speaker 1: by them. Why And so I turtleheaded back in What

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Speaker 1: were like?

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Speaker 7: What style were they were?

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Speaker 6: They?

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Speaker 3: Like?

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Speaker 1: They were just corny. I mean they were first songs,

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Speaker 1: you know what I mean? They're high school song. I

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Speaker 1: hear something really, yeah, you're supposed to be singing for me. Actually,

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Speaker 1: I feel like one of them I need to remember

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Speaker 1: it was kind of not bad.

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Speaker 3: I wait, I'm the bust of me, so sad. I

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Speaker 3: can't remember the rest. I can't remember.

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Speaker 1: My thoughts are clouded with memories of your pay whoops.

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Speaker 3: Anyway, I can't believe you got me to do that?

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Speaker 6: Oh my got that?

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Speaker 8: Wow?

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Speaker 1: This is a I'm sad to think that your love

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Speaker 1: was in vain.

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Speaker 3: I can't remember the rest.

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Speaker 7: What I gotta dig that one back.

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Speaker 3: I gotta dig it.

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Speaker 1: But cool, keep fritch now see now you're nudging me

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Speaker 1: so so I feel like I got really shy. And

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Speaker 1: then I think it was just too much people hearing

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Speaker 1: them instead of me just sitting with them before anybody

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Speaker 1: heard them.

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Speaker 7: Well also, you know, we were sending it out to

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Speaker 7: like to like for people to like judge it.

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Speaker 1: But yeah, but I wasn't. The school was, which was

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Speaker 1: really sweet, but also like it was just like, oh no,

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Speaker 1: I'm not quite ready for that.

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Speaker 7: You have to incubate those things exactly. I got it,

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Speaker 7: but like that's you know, the there was something I

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Speaker 7: was working on this morning because I'm meeting with my

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Speaker 7: band tomorrow and I'm also working on somebody uh something

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Speaker 7: with Scott Whitman and Mark Shaman. We're writing songs together too,

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Speaker 7: And I'm like, is this like a song for my band?

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Speaker 7: Is this a song for this show? And like and

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Speaker 7: I like I had I'd put it away for a

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Speaker 7: while and I pulled it back out and I was

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Speaker 7: like this, Oh no, this is this is so corny.

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Speaker 7: Like like sometimes I'll sit down, I'll sit down at

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Speaker 7: the keyboard and and it takes me a while to

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Speaker 7: sort of come up with whatever the two or three

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Speaker 7: chords I want to hear I'm being generous three maybe

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Speaker 7: two on piano, piano, Like, it takes me a while

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Speaker 7: to like to to get like the voicing of what

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Speaker 7: I think what I'm trying to say. Yeah, And I

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Speaker 7: listened to it. I was like, oh, this is like

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Speaker 7: I when I was writing it, and I'm like sitting

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Speaker 7: down at the keyboard and like feeling all emo.

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Speaker 3: And like this is you were feeling it.

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Speaker 7: I was feeling it like and that's how I usually like, oh,

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Speaker 7: this is something like because if I can respond to it,

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Speaker 7: it may not be something that's gonna like not be

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Speaker 7: a hip, but something that's gonna do much for me.

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Speaker 7: But I but it's gonna be right for me. Yeah.

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Speaker 7: But I listened to it as I was singing. I

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Speaker 7: was like, I couldn't even I did like a voice

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Speaker 7: memo because I was gonna send it around. I was like,

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Speaker 7: I can't even nobody's.

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Speaker 3: Ever going to hear this again, like stomach sending, stomach.

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Speaker 7: Sciting, because the idea of it was something that my

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Speaker 7: mom had said to me. And so it's like, you know,

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Speaker 7: I want I want it to be so good and

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Speaker 7: it just is like the song I can feel it

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Speaker 7: wanting to be good instead of just like you.

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Speaker 3: Don't feel it yet.

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Speaker 7: Yeah, I'm really I'm glad about that.

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Speaker 3: Well, it sounds like it's from something special.

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Speaker 7: There's somebody she said to me that was like so

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Speaker 7: special and and I really maybe I should just take

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Speaker 7: the pressure off myself of like trying to make it

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Speaker 7: mean so much, you know, like trying to make all

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Speaker 7: the you know, because I'm not like a poet.

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Speaker 3: Nor am I.

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Speaker 1: I mean, it doesn't matter though, if it's I've realized

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Speaker 1: like if it's for a long time. In the beginning,

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Speaker 1: when I was really starting to try to write songs,

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Speaker 1: I would try to get clever and that never worked. Yeah,

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Speaker 1: those are the songs I cringe at now. But the

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Speaker 1: songs that I just I used a cliche because it

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Speaker 1: felt right, but I wasn't trying to be clever about it,

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Speaker 1: those are the songs that still resonate with me.

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Speaker 8: You know what.

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Speaker 7: Those are the exact right words I need to hear

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Speaker 7: right now. Yeah, so I'll take it back to the

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Speaker 7: drawing force.

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Speaker 1: I have to tell you something. I want to get

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Speaker 1: to playing this song home, but I do have to

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Speaker 1: tell you something. I listened to that podcast Mike Birbiglia

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Speaker 1: working it out and.

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Speaker 3: You were on there.

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Speaker 7: Oh yeah, god, what I said.

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Speaker 1: You mentioned that song I did, and you said what

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Speaker 1: your mom had said to you and it was very touching. Yeah,

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Speaker 1: and inspired me. And I actually wrote some stuff down.

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Speaker 1: I'll send you later.

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Speaker 3: I don't want to. We can cut this out as nobody.

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Speaker 7: No, don't cut it out. But I think.

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Speaker 3: Actually it like inspired me.

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Speaker 1: So I have like three lines inspired by it that

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Speaker 1: I'll show you.

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Speaker 7: Oh wow, that is I mean, I mean I can

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Speaker 7: say what it was because I've already said on another podcast.

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Speaker 7: But you know when she she came to see me

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Speaker 7: perform in New York, and like, I was really nervous.

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Speaker 7: In case anybody here is on a mic Bigli a

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Speaker 7: podcast listener.

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Speaker 3: It's pretty great. I love this show.

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Speaker 7: No, I really enjoyed doing it. And in fact, I

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Speaker 7: wore this shirt and I was like, oh, I wore

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Speaker 7: this same one on his podcast, but I weren't in Gray.

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Speaker 7: I have two of them.

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Speaker 3: It's your podcast shirt, yes, my podcast shirt.

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00:17:42,160 --> 00:17:43,680
Speaker 7: I had something else and I was like, oh, it's

402
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Speaker 7: too fancy. I gotta just I gotta be me, do

403
00:17:46,520 --> 00:17:49,880
Speaker 7: you as Adam said, But anyway, she came to see

404
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Speaker 7: me at Joe's Pub, which is sort of my hub

405
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Speaker 7: here in the city. I'm you know, and you know,

406
00:17:57,760 --> 00:18:00,360
Speaker 7: if anybody's familiar with me or not familiar, a lot

407
00:18:00,359 --> 00:18:02,359
Speaker 7: of my songs, you know, are about body parts, and

408
00:18:02,520 --> 00:18:04,760
Speaker 7: it gets kind of like raunchy, but to me, it's

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Speaker 7: it really is ultimately a celebration of my mom and

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Speaker 7: who she kind of encouraged me to be. Like when

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Speaker 7: I was growing up, we would go to food for

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Speaker 7: less a grocery store, and she would never wear a bra,

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Speaker 7: and you know, my brother coined her boobs beaver tails,

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Speaker 7: and like she let them need to just like fly

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Speaker 7: and like she just didn't care. But that was after

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Speaker 7: many years of caring and and you know and sort

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Speaker 7: of doing a bridge club and country club and you

418
00:18:30,040 --> 00:18:32,280
Speaker 7: know in Kansas, wasn't like we were wealthy, but you know,

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Speaker 7: just she was playing a part. And then like once

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Speaker 7: she got divorced, she was like kind of finally herself

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Speaker 7: and it was so and her favorite cussword, you know

422
00:18:40,680 --> 00:18:43,240
Speaker 7: was motherfucker shit her ask her which I cut? But

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00:18:43,320 --> 00:18:46,960
Speaker 7: like she was she she really like just became her

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Speaker 7: and like I think I think that was what I

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00:18:53,119 --> 00:18:56,520
Speaker 7: have been trying to capture like on stage, like when

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00:18:56,560 --> 00:19:00,040
Speaker 7: you become when you find that sort of freedom. So

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00:19:00,040 --> 00:19:04,400
Speaker 7: when she came to see my show afterwards, I was like, well,

428
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Speaker 7: what do you think, mom? And she said she said

429
00:19:06,800 --> 00:19:10,640
Speaker 7: that was freedom in motion. And I was like, well,

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Speaker 7: that's the nicest thing Youbay's ever said to me. And

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Speaker 7: it still makes me emotional because it's it's what I

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Speaker 7: want wanted for her to feel like when she got divorced,

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Speaker 7: and like watching her and it's it's how I want

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00:19:22,560 --> 00:19:25,200
Speaker 7: to feel when I'm on stage. So trying to write

435
00:19:24,960 --> 00:19:29,880
Speaker 7: the song has been, as I mentioned before, pretty challenge.

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00:19:30,080 --> 00:19:33,200
Speaker 1: It's like living up to the thing that she said. Yeah,

437
00:19:33,240 --> 00:19:35,119
Speaker 1: it's like hard to live up to that or something.

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Speaker 7: Yeah, And I'm afraid to try to write it with

439
00:19:37,960 --> 00:19:39,880
Speaker 7: somebody else if I don't come up with the initial

440
00:19:39,960 --> 00:19:41,240
Speaker 7: thing because.

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Speaker 3: It's it's about you and it's about me.

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00:19:43,359 --> 00:19:47,120
Speaker 7: Yeah, I don't want that too. So when I was like,

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Speaker 7: is this a tender moment song or is it a

444
00:19:48,880 --> 00:19:50,720
Speaker 7: Scott and Mark song? Or is it just a me

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Speaker 7: thing and I need to figure it out or maybe it's.

446
00:19:52,680 --> 00:19:55,200
Speaker 3: A Nora Jones song, I no, I don't want to

447
00:19:55,200 --> 00:19:56,200
Speaker 3: impose my thoughts.

448
00:19:56,720 --> 00:19:59,399
Speaker 7: But I just I want to hear it because maybe that's.

449
00:19:59,240 --> 00:20:01,600
Speaker 1: Why I'm here today, you know, maybe that's why I

450
00:20:01,640 --> 00:20:04,600
Speaker 1: just wanted you to know that when you said that,

451
00:20:05,080 --> 00:20:10,760
Speaker 1: it was so inspiring because that that phrase also just

452
00:20:10,840 --> 00:20:13,760
Speaker 1: the story behind it is it's really beautiful. And but

453
00:20:13,800 --> 00:20:16,800
Speaker 1: that phrase alone is just it's what you want.

454
00:20:17,160 --> 00:20:19,960
Speaker 7: And what's really interesting about my mom is like she's

455
00:20:20,000 --> 00:20:24,560
Speaker 7: not like somebody that you know, my dad was really clever,

456
00:20:24,840 --> 00:20:28,320
Speaker 7: very witty and like and and just you know, like

457
00:20:28,400 --> 00:20:30,560
Speaker 7: a real wordsmith. And my mom is like more like

458
00:20:30,600 --> 00:20:32,600
Speaker 7: she could give a look and make you laugh and

459
00:20:32,720 --> 00:20:35,160
Speaker 7: you know, just she she was kind of naughty and stuff.

460
00:20:35,200 --> 00:20:38,879
Speaker 7: But like as far as like saying something like that

461
00:20:39,000 --> 00:20:41,000
Speaker 7: was just that's like lightning in a bottle. It wasn't

462
00:20:41,080 --> 00:20:44,199
Speaker 7: like something that she was known to do. Yeah, but

463
00:20:45,240 --> 00:20:47,479
Speaker 7: it was profound. She's not somebody that would come up

464
00:20:47,480 --> 00:20:50,680
Speaker 7: with those things would just come out. If she came

465
00:20:50,760 --> 00:20:52,399
Speaker 7: up with something profound, it would be like, you know,

466
00:20:53,480 --> 00:20:55,000
Speaker 7: you can't trust any about yourself.

467
00:20:54,840 --> 00:20:58,440
Speaker 3: Your a prig. Like it was out of character for her.

468
00:20:58,560 --> 00:20:59,600
Speaker 7: Yeah, it was out of character.

469
00:20:59,720 --> 00:21:01,200
Speaker 3: And well, it's really sweet.

470
00:21:01,240 --> 00:21:02,919
Speaker 7: I'm gonna fresh glass my let's keep it in though,

471
00:21:02,960 --> 00:21:05,520
Speaker 7: because it's real life. You know, you people on TV

472
00:21:05,800 --> 00:21:08,520
Speaker 7: Fresh Class like to do a fresh glass. You just

473
00:21:08,520 --> 00:21:10,199
Speaker 7: come down to this piano.

474
00:21:10,280 --> 00:21:14,080
Speaker 3: And I never do miracles every day, literally never.

475
00:21:14,800 --> 00:21:17,760
Speaker 1: I never come down here unless we're doing something really yeah,

476
00:21:18,280 --> 00:21:20,960
Speaker 1: I have I have a small upright piano there. Sometimes

477
00:21:21,000 --> 00:21:23,000
Speaker 1: if I have an idea, I'll hit it, but I

478
00:21:23,080 --> 00:21:24,080
Speaker 1: never come down here.

479
00:21:24,880 --> 00:21:28,119
Speaker 7: It's like there's so many cool toys, like I need

480
00:21:28,200 --> 00:21:28,760
Speaker 7: to say.

481
00:21:28,640 --> 00:21:30,480
Speaker 1: I don't know how to use any of the equipment,

482
00:21:30,560 --> 00:21:32,720
Speaker 1: so that makes it kind of hard for me. I

483
00:21:32,760 --> 00:21:36,080
Speaker 1: just know how to use the instruments. Do you want

484
00:21:36,119 --> 00:21:36,640
Speaker 1: to try home?

485
00:21:36,920 --> 00:21:37,479
Speaker 7: Let's try it.

486
00:21:37,600 --> 00:21:39,480
Speaker 3: I have a little harmony. Would you mind if I

487
00:21:39,560 --> 00:21:40,000
Speaker 3: added it?

488
00:21:40,080 --> 00:21:40,159
Speaker 9: No?

489
00:21:40,280 --> 00:21:40,560
Speaker 7: Please?

490
00:21:40,600 --> 00:21:40,719
Speaker 1: Do?

491
00:21:40,760 --> 00:21:47,400
Speaker 2: It sounds so much better when you play?

492
00:21:53,680 --> 00:21:56,240
Speaker 10: How many times did I hear them?

493
00:21:56,400 --> 00:21:56,640
Speaker 6: Sick?

494
00:21:57,000 --> 00:22:09,000
Speaker 2: She's got every drifted away? Another night staring at the wall.

495
00:22:09,359 --> 00:22:12,440
Speaker 11: And if I try, I know I'll fall.

496
00:22:19,080 --> 00:22:23,160
Speaker 2: All these hills because in on me has nothing here.

497
00:22:23,320 --> 00:22:34,680
Speaker 2: I haven't seen lift me to my feet again. I've

498
00:22:34,800 --> 00:22:35,440
Speaker 2: last touch.

499
00:22:35,600 --> 00:22:55,440
Speaker 6: I need a friend, and you brought me home. You've

500
00:22:55,520 --> 00:22:56,760
Speaker 6: brought me home.

501
00:23:00,119 --> 00:23:12,800
Speaker 2: Oh my heart is speeding through my chest. Out whatever

502
00:23:12,880 --> 00:23:15,359
Speaker 2: you want and come clean this mess.

503
00:23:22,320 --> 00:23:24,399
Speaker 8: Song in Me fell out of you.

504
00:23:25,240 --> 00:23:35,120
Speaker 2: I found now because of you, you brought.

505
00:23:34,840 --> 00:23:48,640
Speaker 11: Me home, Yes, you brought me home.

506
00:24:00,560 --> 00:24:23,720
Speaker 12: Diet well, I guess that was real fun for me.

507
00:24:23,880 --> 00:24:25,160
Speaker 12: So thank you so much, Nora.

508
00:24:25,440 --> 00:24:26,679
Speaker 7: That was really cool.

509
00:24:26,840 --> 00:24:30,760
Speaker 3: Thank you, thank you such a song.

510
00:24:31,680 --> 00:24:35,320
Speaker 7: Thank you. Oh my god, that was But that this

511
00:24:35,520 --> 00:24:39,480
Speaker 7: was one like where I wrote song. I thought it

512
00:24:39,520 --> 00:24:44,960
Speaker 7: was like the one and I thought was cool or whatever,

513
00:24:45,040 --> 00:24:49,720
Speaker 7: and I was like, it's not right. And then just

514
00:24:49,760 --> 00:24:52,320
Speaker 7: one day I had the keyboard on my little kitchen

515
00:24:52,760 --> 00:24:57,280
Speaker 7: table there and I started playing those same chords and

516
00:24:57,840 --> 00:24:59,600
Speaker 7: it really most of it just kind of dropped out

517
00:24:59,600 --> 00:25:02,159
Speaker 7: of the sky and felt like and I felt very emotional,

518
00:25:02,240 --> 00:25:04,480
Speaker 7: and like there's still a lot of times when I

519
00:25:04,560 --> 00:25:07,840
Speaker 7: see it that I get choked up because, you know,

520
00:25:07,920 --> 00:25:11,520
Speaker 7: I feel like the show, you know, obviously there's a

521
00:25:11,520 --> 00:25:13,240
Speaker 7: lot of people that haven't seen somebody somewhere, but the

522
00:25:13,280 --> 00:25:16,800
Speaker 7: show is about friendship obviously, Like I was a waitress

523
00:25:16,800 --> 00:25:18,760
Speaker 7: for so many years, and like, who didn't see me

524
00:25:18,760 --> 00:25:23,200
Speaker 7: as a waitress? Who saw me as like a star

525
00:25:23,600 --> 00:25:26,680
Speaker 7: or a somebody is you know, And I don't mean

526
00:25:26,760 --> 00:25:30,080
Speaker 7: like a like a People magazine and all that, but

527
00:25:30,119 --> 00:25:32,800
Speaker 7: I mean they saw something special in me, and I

528
00:25:32,840 --> 00:25:35,240
Speaker 7: think that. It wasn't until I moved to New York

529
00:25:35,240 --> 00:25:38,280
Speaker 7: that I could kind of hear that and take that

530
00:25:38,320 --> 00:25:42,160
Speaker 7: in And this the song is really a thank you

531
00:25:42,240 --> 00:25:44,000
Speaker 7: to those people that gave me that.

532
00:25:44,560 --> 00:25:49,480
Speaker 1: It's so beautiful. It feels like that. Yeah, and the

533
00:25:49,520 --> 00:25:51,640
Speaker 1: show really does that as well. It's like a sense

534
00:25:51,640 --> 00:25:55,439
Speaker 1: of home is not really the place, even though in

535
00:25:55,480 --> 00:25:58,760
Speaker 1: the show you're going home, yeah, and you are home again,

536
00:25:59,200 --> 00:26:03,000
Speaker 1: But it is finding it through through people relationships.

537
00:26:03,200 --> 00:26:04,600
Speaker 7: I guess that's what it's all about.

538
00:26:05,119 --> 00:26:08,600
Speaker 3: It totally is. I mean, I keep learning that.

539
00:26:09,320 --> 00:26:15,359
Speaker 7: You know, it's a constant struggle. I feel like that's

540
00:26:15,359 --> 00:26:17,840
Speaker 7: a lesson that that I'm always going to struggle with.

541
00:26:17,880 --> 00:26:23,080
Speaker 7: I'm always going to struggle with, like feeling like I

542
00:26:23,160 --> 00:26:25,840
Speaker 7: belong somewhere. I think a lot of people feel that way,

543
00:26:25,880 --> 00:26:26,840
Speaker 7: as it turns out.

544
00:26:26,720 --> 00:26:28,440
Speaker 3: But absolutely is universal.

545
00:26:28,720 --> 00:26:32,560
Speaker 7: Yeah, yeah, I was just somewhere in that and the

546
00:26:33,640 --> 00:26:35,159
Speaker 7: you know, the person I was talking to is she

547
00:26:35,280 --> 00:26:37,840
Speaker 7: was like, I have a lot of imposter syndrome, and

548
00:26:37,840 --> 00:26:40,760
Speaker 7: and it's so it's so interesting how many people feel

549
00:26:40,760 --> 00:26:42,720
Speaker 7: that way. But it's also interesting how many people feel

550
00:26:42,760 --> 00:26:46,399
Speaker 7: like they deserve everything they get, because which to me

551
00:26:46,640 --> 00:26:49,760
Speaker 7: like blows my mind, I'm like, you do. I mean

552
00:26:49,800 --> 00:26:54,880
Speaker 7: sometimes I'm like, okay, you're right, But other times I'm like, girl, good.

553
00:26:54,600 --> 00:26:57,760
Speaker 3: Lucky girl, recognize.

554
00:26:59,480 --> 00:27:01,320
Speaker 1: You don't ness really deserve it.

555
00:27:01,560 --> 00:27:03,760
Speaker 3: That's funny. Yeah, I hadn't thought about that side of it.

556
00:27:04,960 --> 00:27:05,399
Speaker 7: I don't know.

557
00:27:05,960 --> 00:27:08,080
Speaker 3: Well, it's a great song. I think the best ones

558
00:27:08,119 --> 00:27:09,880
Speaker 3: fall out of this guy.

559
00:27:10,040 --> 00:27:10,320
Speaker 7: Yeah.

560
00:27:10,520 --> 00:27:14,560
Speaker 3: Yeah. When you were growing up, your mom was a

561
00:27:14,680 --> 00:27:15,320
Speaker 3: music teacher.

562
00:27:15,640 --> 00:27:16,000
Speaker 7: Yeah.

563
00:27:16,040 --> 00:27:19,640
Speaker 3: Wow did she teach? What did she teach? Specifically?

564
00:27:19,840 --> 00:27:20,119
Speaker 8: Taught?

565
00:27:20,320 --> 00:27:25,320
Speaker 7: Well, like when when my parents got divorced, she hadn't

566
00:27:25,359 --> 00:27:27,720
Speaker 7: been a teacher for so long because she was like, ah,

567
00:27:27,800 --> 00:27:30,000
Speaker 7: you know, she taught earlier in her career, and then

568
00:27:30,200 --> 00:27:33,399
Speaker 7: so she taught at the local Catholic school, but she

569
00:27:33,480 --> 00:27:37,080
Speaker 7: did K through twelve and she did all kinds of

570
00:27:37,200 --> 00:27:39,360
Speaker 7: you know, she did both band and you know, every

571
00:27:39,480 --> 00:27:44,960
Speaker 7: music class. So and then because she generally make enough money,

572
00:27:45,040 --> 00:27:50,920
Speaker 7: she taught after school lessons and she taught you know, guitar, piano, violin, everything.

573
00:27:51,040 --> 00:27:53,760
Speaker 7: She played everything. Oh cool, I mean not like a

574
00:27:54,119 --> 00:27:59,560
Speaker 7: not virtuoso or enough she was. She was like she

575
00:27:59,840 --> 00:28:03,879
Speaker 7: I think she was first chair violin at University of

576
00:28:03,920 --> 00:28:06,639
Speaker 7: Kansas and their orchestra. I have her violin. Actually, I

577
00:28:06,720 --> 00:28:08,280
Speaker 7: just was looking at the other day. I was like,

578
00:28:08,320 --> 00:28:09,239
Speaker 7: what am I going to do with this?

579
00:28:09,359 --> 00:28:12,400
Speaker 3: That's cool? Maybe you could play it, yeah.

580
00:28:12,240 --> 00:28:14,720
Speaker 7: But we but it's not maybe you could play it, yeah,

581
00:28:14,720 --> 00:28:19,200
Speaker 7: there's no maybe hanging on a wall or put it

582
00:28:19,240 --> 00:28:21,960
Speaker 7: in a corner or something. But yeah, everybody in my

583
00:28:22,359 --> 00:28:24,040
Speaker 7: like we used to sing around the piano a lot

584
00:28:24,119 --> 00:28:27,680
Speaker 7: during holidays and like my brother, My brother brought got

585
00:28:27,680 --> 00:28:30,440
Speaker 7: all that. He's the talented one, Like he can play

586
00:28:30,520 --> 00:28:33,720
Speaker 7: everything by ear, and I mean I have talented, I'm

587
00:28:33,720 --> 00:28:35,600
Speaker 7: want to say, but you know, he's That's what I

588
00:28:35,600 --> 00:28:38,800
Speaker 7: wish I could do. It was my my mom's dad,

589
00:28:38,840 --> 00:28:41,240
Speaker 7: my grandfather used to play rag time piano like all

590
00:28:41,320 --> 00:28:45,040
Speaker 7: by ear and everything. Wow, but I just didn't obviously

591
00:28:45,120 --> 00:28:48,400
Speaker 7: if you can hear the chords and how plung, I

592
00:28:48,400 --> 00:28:52,440
Speaker 7: didn't get that h ability. But there, I think the

593
00:28:52,480 --> 00:28:54,320
Speaker 7: great thing about my mom and a rare thing about

594
00:28:54,520 --> 00:28:57,960
Speaker 7: you know, she was somebody who constantly, uh you know,

595
00:28:58,440 --> 00:29:03,480
Speaker 7: encouraged music and and and and wanted me to to

596
00:29:03,960 --> 00:29:05,800
Speaker 7: follow my dream to be a singer, even though it

597
00:29:05,840 --> 00:29:06,600
Speaker 7: took forever.

598
00:29:07,080 --> 00:29:10,560
Speaker 3: Yeah, that's so rare. Yeah, to want you to be

599
00:29:10,600 --> 00:29:11,120
Speaker 3: a musician.

600
00:29:11,280 --> 00:29:13,240
Speaker 7: Yeah, So one of you, like, like was it? Sister

601
00:29:13,280 --> 00:29:15,640
Speaker 7: Acto is one of my favorite movies, Like, you know,

602
00:29:15,680 --> 00:29:18,040
Speaker 7: the mother just can't get behind Lauren Hill. I'm just

603
00:29:18,120 --> 00:29:21,320
Speaker 7: like weeping because I'm like, man, you don't you don't

604
00:29:21,360 --> 00:29:22,400
Speaker 7: know how much she needs?

605
00:29:22,680 --> 00:29:24,520
Speaker 3: Yeah, exactly, It's crazy.

606
00:29:24,720 --> 00:29:26,680
Speaker 7: Yeah, were your parents encouraging?

607
00:29:27,040 --> 00:29:29,800
Speaker 1: My mom was not a stage mom, but she was

608
00:29:29,920 --> 00:29:34,560
Speaker 1: encouraging in that she took me to a Brazilian lessons Yeah.

609
00:29:34,600 --> 00:29:38,280
Speaker 7: You know, and because you see with it very confident,

610
00:29:38,400 --> 00:29:41,640
Speaker 7: you know really yeah, you see he seems self assured,

611
00:29:41,640 --> 00:29:43,160
Speaker 7: which is a nice thing to Well.

612
00:29:43,040 --> 00:29:45,640
Speaker 1: I'm driving this boat, so if I was, if I

613
00:29:45,760 --> 00:29:47,320
Speaker 1: wasn't sure, you'd be nervous.

614
00:29:47,400 --> 00:29:49,120
Speaker 3: Yeah, that wouldn't be good.

615
00:29:50,800 --> 00:29:56,400
Speaker 1: I've always struggled with like self consciousness, but yeah.

616
00:29:56,040 --> 00:30:00,120
Speaker 7: Self consciousness, but not self confidence or both or not

617
00:30:00,480 --> 00:30:01,280
Speaker 7: really self confidence.

618
00:30:01,320 --> 00:30:04,080
Speaker 1: I don't think I do struggle with self confidence, but

619
00:30:04,880 --> 00:30:06,400
Speaker 1: I don't know why.

620
00:30:06,640 --> 00:30:08,440
Speaker 7: I think it's super talented. That's one thing.

621
00:30:08,600 --> 00:30:12,320
Speaker 3: Well, no, I maybe I do. I don't know.

622
00:30:12,600 --> 00:30:14,600
Speaker 1: I think my mom was very kind of a balls

623
00:30:14,600 --> 00:30:16,560
Speaker 1: out strong Leah still is.

624
00:30:16,680 --> 00:30:17,480
Speaker 7: It really helps?

625
00:30:17,760 --> 00:30:19,120
Speaker 3: Yeah, it's the whole thing.

626
00:30:20,000 --> 00:30:22,760
Speaker 7: I feel like my mom was somebody who was like

627
00:30:22,840 --> 00:30:26,160
Speaker 7: really she seemed like she was self confident, but she

628
00:30:26,240 --> 00:30:28,520
Speaker 7: had such little self worth. I think that it really

629
00:30:29,200 --> 00:30:31,800
Speaker 7: seeped into my bones a little bit. So I do

630
00:30:31,880 --> 00:30:33,640
Speaker 7: work on that really well, I don't. I just work

631
00:30:33,720 --> 00:30:37,440
Speaker 7: on it. I know it's there, yeah, but it's But

632
00:30:37,440 --> 00:30:40,960
Speaker 7: that's also what's kind of fun about being on stage

633
00:30:41,040 --> 00:30:44,960
Speaker 7: and and just you know how you can, like everybody

634
00:30:45,000 --> 00:30:47,320
Speaker 7: says you're like a superhero version of yourself or a

635
00:30:47,320 --> 00:30:50,120
Speaker 7: lot of people say that, and I do feel like that,

636
00:30:50,200 --> 00:30:52,800
Speaker 7: but I also feel like it unleashes something that like

637
00:30:54,080 --> 00:30:57,240
Speaker 7: it unleashes a kind of confidence I wish.

638
00:30:57,080 --> 00:30:58,560
Speaker 3: I had in life.

639
00:30:58,600 --> 00:30:59,000
Speaker 7: In life.

640
00:30:59,040 --> 00:31:03,560
Speaker 1: Yeah, it's it's like the Beyonce Sasha fears, like, yeah

641
00:31:03,640 --> 00:31:05,360
Speaker 1: that she has that alter ego or something.

642
00:31:05,520 --> 00:31:05,680
Speaker 9: Right.

643
00:31:05,800 --> 00:31:08,960
Speaker 7: Yeah, But it's like it's not like I'm like, I mean,

644
00:31:09,000 --> 00:31:14,120
Speaker 7: I guess like I want to. It's not like I

645
00:31:14,120 --> 00:31:17,160
Speaker 7: I don't like want attention, Like it seems kind of

646
00:31:17,160 --> 00:31:19,080
Speaker 7: odd because I'm up on stage and I've got like

647
00:31:19,280 --> 00:31:23,840
Speaker 7: plunging neckline. Whatever. What I want to do is feel

648
00:31:24,120 --> 00:31:26,600
Speaker 7: I want to feel as alive as I feel on stage,

649
00:31:26,680 --> 00:31:28,520
Speaker 7: and like I feel like when I'm doing a show,

650
00:31:28,600 --> 00:31:32,440
Speaker 7: I'm wanting to I want other people to feel that.

651
00:31:32,480 --> 00:31:36,080
Speaker 7: I want people. I want to feel electric. I want

652
00:31:36,120 --> 00:31:39,840
Speaker 7: to feel just like and in my day to day life,

653
00:31:39,880 --> 00:31:44,560
Speaker 7: I can feel kind of like passive and and and

654
00:31:47,840 --> 00:31:49,960
Speaker 7: like I'm boring or something. I don't know, and I

655
00:31:50,040 --> 00:31:52,080
Speaker 7: kind of am in my real life. But I but

656
00:31:52,160 --> 00:31:55,120
Speaker 7: I it's so weird because I feel like on on stage, Yeah,

657
00:31:55,120 --> 00:32:00,360
Speaker 7: it's not like wanting to, you know, get likes. I

658
00:32:00,360 --> 00:32:02,440
Speaker 7: feel like that's a whole different thing like being on stage.

659
00:32:02,440 --> 00:32:05,440
Speaker 7: It's just like the it's being a vital exchange between

660
00:32:05,440 --> 00:32:07,200
Speaker 7: me and the people that are there. And I feel

661
00:32:07,200 --> 00:32:09,360
Speaker 7: like that there is a connection. Yeah, and I feel

662
00:32:09,400 --> 00:32:13,640
Speaker 7: like they're just as important to what's happening is is me.

663
00:32:14,280 --> 00:32:17,960
Speaker 3: Yeah, yeah, I think they are, especially with how you

664
00:32:18,080 --> 00:32:18,920
Speaker 3: do what you do.

665
00:32:19,400 --> 00:32:20,600
Speaker 7: Yeah, it's pretty interactive.

666
00:32:20,640 --> 00:32:22,720
Speaker 3: It's pretty interactive, but.

667
00:32:22,600 --> 00:32:24,719
Speaker 7: It's but it's also like I think it's like, I mean,

668
00:32:24,760 --> 00:32:25,880
Speaker 7: I don't know how you feel, but I feel like

669
00:32:25,880 --> 00:32:28,400
Speaker 7: it's conversation, you know. I feel like I'm in conversation

670
00:32:28,480 --> 00:32:31,120
Speaker 7: with the people that are in the audience, even though

671
00:32:31,120 --> 00:32:32,600
Speaker 7: I don't want them to talk. I want it.

672
00:32:32,600 --> 00:32:34,880
Speaker 3: But I mean like there's a limit. Yeah, yeah, there's

673
00:32:34,880 --> 00:32:35,200
Speaker 3: a limit.

674
00:32:35,280 --> 00:32:38,280
Speaker 7: But I think that they're giving me something, you know,

675
00:32:38,480 --> 00:32:43,200
Speaker 7: like and I'm I mean, I'm I'm starting the conversation,

676
00:32:43,320 --> 00:32:48,000
Speaker 7: but they're they're giving me like the right to kind

677
00:32:48,040 --> 00:32:54,520
Speaker 7: of or the ability to feel seen and to feel understood.

678
00:32:54,720 --> 00:32:59,000
Speaker 7: And it's like it's for for that reason I would

679
00:32:59,040 --> 00:33:02,000
Speaker 7: never stop doing it. And though I've like as as

680
00:33:02,000 --> 00:33:03,520
Speaker 7: I've gotten a little bit older, I've gotten a little

681
00:33:03,600 --> 00:33:06,360
Speaker 7: more like nervous, you know, not like real stage Frida.

682
00:33:06,360 --> 00:33:08,000
Speaker 7: I'm just like, why do I do this to myself?

683
00:33:08,280 --> 00:33:11,080
Speaker 3: Oh, that's so much energy and that's so normal.

684
00:33:11,200 --> 00:33:12,280
Speaker 7: Yeah, well that's good to hear.

685
00:33:12,360 --> 00:33:14,440
Speaker 3: Yeah, we all feel like that sometimes.

686
00:33:14,720 --> 00:33:16,560
Speaker 1: And I'm not putting out as much energy as you

687
00:33:16,600 --> 00:33:18,480
Speaker 1: are on stage, and I still feel like that.

688
00:33:18,640 --> 00:33:20,080
Speaker 7: It's a different kind of different.

689
00:33:20,160 --> 00:33:23,560
Speaker 1: Yeah, I mean, well I don't usually.

690
00:33:23,360 --> 00:33:24,320
Speaker 3: Feel like that on stage.

691
00:33:24,320 --> 00:33:27,680
Speaker 1: Actually, unless it's a really bad show, I guess then

692
00:33:27,760 --> 00:33:30,480
Speaker 1: I do feel like that. But but more just the

693
00:33:30,920 --> 00:33:33,720
Speaker 1: stuff that surrounds doing it, you know, all the work

694
00:33:33,720 --> 00:33:34,600
Speaker 1: you put into it, the.

695
00:33:34,600 --> 00:33:35,920
Speaker 3: Travel, all that stuff.

696
00:33:36,040 --> 00:33:39,280
Speaker 7: Yeah, it can be tough. Yeah what do you wait?

697
00:33:39,320 --> 00:33:40,800
Speaker 7: I lost my already lost what I was going to

698
00:33:41,000 --> 00:33:42,640
Speaker 7: you said something like two seconds gone, Like I want

699
00:33:42,680 --> 00:33:45,120
Speaker 7: to ask you a question and I've already forgotten, so

700
00:33:45,240 --> 00:33:49,160
Speaker 7: let's just pretend that never happened. People need to know that.

701
00:33:49,400 --> 00:33:52,240
Speaker 1: It's well, I have I have a I have one

702
00:33:52,280 --> 00:33:55,400
Speaker 1: thing to add to that is I feel alive when

703
00:33:55,440 --> 00:33:57,720
Speaker 1: I'm making music and I go get into the zone

704
00:33:57,840 --> 00:34:00,560
Speaker 1: and that sort of flow state, whatever call it.

705
00:34:00,600 --> 00:34:02,080
Speaker 3: You know, that's the best feeling.

706
00:34:02,520 --> 00:34:05,360
Speaker 1: And I love it when the audience is loud and

707
00:34:05,560 --> 00:34:06,320
Speaker 1: interacts with me.

708
00:34:07,080 --> 00:34:08,640
Speaker 3: The more the better, you.

709
00:34:08,640 --> 00:34:11,000
Speaker 7: Know, singing along and stuff like that, talking to you.

710
00:34:11,320 --> 00:34:13,480
Speaker 1: I so rarely get it. I took my kid to

711
00:34:13,480 --> 00:34:15,520
Speaker 1: go see Billie Eilish and I couldn't hear a word

712
00:34:15,760 --> 00:34:18,120
Speaker 1: she was singing because the audience was singing so loud

713
00:34:18,200 --> 00:34:20,600
Speaker 1: and it was really beautiful, but also I wanted to

714
00:34:20,600 --> 00:34:21,440
Speaker 1: hear her a little.

715
00:34:21,200 --> 00:34:22,560
Speaker 3: More, but I don't have that.

716
00:34:22,640 --> 00:34:26,560
Speaker 1: Like, my audience is really really respectful, Like they're great,

717
00:34:26,600 --> 00:34:30,040
Speaker 1: they're amazing, but they're very quiet. They're listening, and they're

718
00:34:30,120 --> 00:34:32,000
Speaker 1: a real listening audience, and it's beautiful.

719
00:34:32,000 --> 00:34:33,759
Speaker 3: But it's also like I like it when they get a.

720
00:34:33,719 --> 00:34:35,680
Speaker 1: Little drunk and like yell at me a little, you know,

721
00:34:36,560 --> 00:34:38,600
Speaker 1: it does make me feel a little more interactive.

722
00:34:38,640 --> 00:34:40,719
Speaker 7: So do you encourage that? Do you like to come

723
00:34:40,719 --> 00:34:41,160
Speaker 7: on people.

724
00:34:42,880 --> 00:34:47,680
Speaker 1: I get shy on stage talking and in life I'm

725
00:34:47,719 --> 00:34:48,359
Speaker 1: not that shy.

726
00:34:48,480 --> 00:34:50,880
Speaker 3: I'm pretty you know, we joke around and whatever.

727
00:34:51,000 --> 00:34:54,680
Speaker 7: But yeah, I don't know why.

728
00:34:53,920 --> 00:34:57,520
Speaker 1: I don't know why. Yeah, I'm not sure. But I

729
00:34:57,920 --> 00:35:00,799
Speaker 1: kind of like to let the music do it for me.

730
00:35:00,920 --> 00:35:02,560
Speaker 1: I mean, you know, I talk, I introduce my band,

731
00:35:02,640 --> 00:35:05,439
Speaker 1: I say what's up. If I'm feeling it, I'll talk

732
00:35:05,480 --> 00:35:07,399
Speaker 1: a little more. If I'm not feeling it, I don't

733
00:35:07,440 --> 00:35:10,160
Speaker 1: force it because I feel like it feels like a script.

734
00:35:10,560 --> 00:35:13,359
Speaker 7: Yeah I do. I agree. Like I think that when

735
00:35:13,400 --> 00:35:17,840
Speaker 7: you see people, it's interesting watching like singer songwriters, like

736
00:35:17,880 --> 00:35:22,600
Speaker 7: sometimes you can tell when people are like, you know,

737
00:35:22,640 --> 00:35:24,239
Speaker 7: I thought about this one. Let me let me, let

738
00:35:24,280 --> 00:35:25,160
Speaker 7: me let me put this out there.

739
00:35:25,239 --> 00:35:26,040
Speaker 6: Yeah, like like.

740
00:35:26,400 --> 00:35:28,560
Speaker 3: Like a crafted pattern, a crafted.

741
00:35:28,200 --> 00:35:30,480
Speaker 7: Pattern, you know in Calgary, that's the idea. You have

742
00:35:30,520 --> 00:35:32,200
Speaker 7: a crafted pattern, but it's part of a thing. But

743
00:35:32,320 --> 00:35:36,400
Speaker 7: like sometimes with the singer songwriter, I you know something,

744
00:35:36,920 --> 00:35:38,839
Speaker 7: you always want it to feel natural. Like I only

745
00:35:38,880 --> 00:35:41,480
Speaker 7: ever want to see the real version of somebody. I

746
00:35:41,520 --> 00:35:43,439
Speaker 7: never want to see what they think that people want

747
00:35:43,480 --> 00:35:47,120
Speaker 7: to see them do or I don't.

748
00:35:46,880 --> 00:35:49,160
Speaker 1: Know, Yeah, I know, I mean I think people can

749
00:35:49,200 --> 00:35:50,440
Speaker 1: see through that totally.

750
00:35:50,560 --> 00:35:52,120
Speaker 3: And it's the same with social media.

751
00:35:52,160 --> 00:35:55,640
Speaker 1: If you craft something really you know, people don't like

752
00:35:55,760 --> 00:35:57,920
Speaker 1: it as much as if you're just like balls out

753
00:35:57,960 --> 00:35:58,719
Speaker 1: whatever you are.

754
00:35:59,200 --> 00:36:02,000
Speaker 7: I gotta get off that thing. Yes, it is like,

755
00:36:03,400 --> 00:36:06,160
Speaker 7: I mean, everything is so curated and so.

756
00:36:06,320 --> 00:36:07,560
Speaker 3: I think it's too curated.

757
00:36:07,680 --> 00:36:11,239
Speaker 7: It's too curated, and it makes me. It makes me sad.

758
00:36:11,280 --> 00:36:13,560
Speaker 7: I mean, you know, good for you make your money.

759
00:36:13,680 --> 00:36:17,279
Speaker 7: You know this is you know, people are making bank

760
00:36:17,320 --> 00:36:22,440
Speaker 7: and that's great for them. But I'm but I'm I

761
00:36:22,440 --> 00:36:26,919
Speaker 7: don't know, like I miss like seeing people like who

762
00:36:27,160 --> 00:36:29,480
Speaker 7: people are and not what the perception they want to

763
00:36:29,520 --> 00:36:31,279
Speaker 7: put out. I don't know. Yeah, that's why I don't

764
00:36:31,320 --> 00:36:32,480
Speaker 7: leave my house. I think I think that might be

765
00:36:32,480 --> 00:36:37,160
Speaker 7: why I don't leave my house. I think that's good.

766
00:36:37,280 --> 00:36:38,440
Speaker 7: I'm having a breakthrough today.

767
00:36:38,520 --> 00:36:39,920
Speaker 3: I'm glad you're here.

768
00:36:41,280 --> 00:36:45,360
Speaker 1: Speaking of people being who they want to be, you know,

769
00:36:45,480 --> 00:36:48,000
Speaker 1: writing the songs they want to write. Yeah, dang it,

770
00:36:48,960 --> 00:36:53,360
Speaker 1: you got this song Titties. So this was one of

771
00:36:53,400 --> 00:36:56,280
Speaker 1: the first songs you were writing with Adam, like back.

772
00:36:56,120 --> 00:36:56,560
Speaker 3: In the day.

773
00:36:56,840 --> 00:36:59,600
Speaker 7: Yeah, Well, I so I used to go to Williams

774
00:36:59,640 --> 00:37:02,680
Speaker 7: Spurg for Catch Club, which was with Murray Hill and

775
00:37:03,120 --> 00:37:05,360
Speaker 7: Champagne Jerry to my really good friends. And we would,

776
00:37:06,040 --> 00:37:07,800
Speaker 7: you know, at the time we were in our forties.

777
00:37:07,880 --> 00:37:11,479
Speaker 7: Now we're older, but we would just you know, play catch,

778
00:37:11,600 --> 00:37:15,439
Speaker 7: do drills and and whatever. And I was shagging fly

779
00:37:15,520 --> 00:37:17,400
Speaker 7: balls and I just started thinking about.

780
00:37:17,200 --> 00:37:20,960
Speaker 1: Wait, start over, what what are you talking about.

781
00:37:22,320 --> 00:37:24,240
Speaker 3: For a second, I thought you were talking about a club.

782
00:37:25,040 --> 00:37:27,879
Speaker 7: I was in Williamsburg at the whatever the park is there.

783
00:37:28,600 --> 00:37:31,839
Speaker 7: Catch club is, Like what so Murray and Neil used

784
00:37:31,880 --> 00:37:32,880
Speaker 7: to play catch?

785
00:37:32,920 --> 00:37:35,480
Speaker 3: And I was like, oh, Cash, I'm picturing like a bar.

786
00:37:36,239 --> 00:37:36,960
Speaker 6: No, no, no, I was.

787
00:37:36,920 --> 00:37:39,520
Speaker 7: Like, we didn't drink. This is It was like, you know,

788
00:37:39,560 --> 00:37:41,640
Speaker 7: like Murray's got kid, you gotta get some vitamin D.

789
00:37:41,920 --> 00:37:43,600
Speaker 3: Talk about like, okay, so you're playing ball.

790
00:37:43,719 --> 00:37:46,640
Speaker 7: Yeah. And it actually was born out of Team Pressure,

791
00:37:46,640 --> 00:37:49,080
Speaker 7: which is a softball team that Adam used to in

792
00:37:49,160 --> 00:37:54,600
Speaker 7: Kathleen Hannah and and so anyway, this is our little offshoot,

793
00:37:54,680 --> 00:37:57,000
Speaker 7: just doing drills, playing catches people in their forties do,

794
00:37:57,320 --> 00:38:00,520
Speaker 7: and and I was shagging fly balls because Murray is

795
00:38:00,560 --> 00:38:01,400
Speaker 7: a real task.

796
00:38:01,160 --> 00:38:03,480
Speaker 1: Master with the I think the Yeah, that's where I

797
00:38:03,480 --> 00:38:04,879
Speaker 1: got lost shag and fly balls.

798
00:38:05,680 --> 00:38:09,560
Speaker 7: Sorry it's but that could be the song.

799
00:38:10,920 --> 00:38:14,200
Speaker 3: I'm not very you shouldn't write that song. You definitely,

800
00:38:14,440 --> 00:38:16,760
Speaker 3: but I'm not very sporty anyway.

801
00:38:16,880 --> 00:38:20,919
Speaker 7: So I was just like, you got that anyway. And

802
00:38:20,960 --> 00:38:23,400
Speaker 7: so I told Adam. I was like, I just have

803
00:38:23,480 --> 00:38:25,719
Speaker 7: this idea for a song. Is it is stupid? And

804
00:38:25,800 --> 00:38:29,319
Speaker 7: He's like, no, no, it's a hit. It's a hit,

805
00:38:29,440 --> 00:38:33,720
Speaker 7: and like and and so I so I just started

806
00:38:33,719 --> 00:38:36,040
Speaker 7: writing all different kinds of tits and it really this

807
00:38:36,120 --> 00:38:40,480
Speaker 7: is like a song from my mom because of her

808
00:38:40,480 --> 00:38:42,920
Speaker 7: beaver tails and like how free she was with them,

809
00:38:42,960 --> 00:38:43,839
Speaker 7: and it was I was.

810
00:38:43,760 --> 00:38:45,560
Speaker 3: Always inspired by that. That's great.

811
00:38:46,800 --> 00:38:51,239
Speaker 7: It's also kind of like a a mantra. It's like

812
00:38:51,280 --> 00:38:53,200
Speaker 7: a I don't know, it's like a I usually do

813
00:38:53,239 --> 00:38:55,240
Speaker 7: this like it's a second song on my set typically

814
00:38:55,360 --> 00:38:57,560
Speaker 7: because I feel like it's a great equalizer. It's go

815
00:38:58,360 --> 00:39:00,560
Speaker 7: and tell people what kind of tits they have, and

816
00:39:01,120 --> 00:39:04,080
Speaker 7: like it sets the tone and and like I know that,

817
00:39:04,200 --> 00:39:07,200
Speaker 7: like I'm supposed to move on and do new material,

818
00:39:07,239 --> 00:39:08,720
Speaker 7: but it's hard to leave this one behind.

819
00:39:09,719 --> 00:39:10,960
Speaker 3: It's a real icebreaker.

820
00:39:13,000 --> 00:39:15,880
Speaker 7: Yeah, And one time I was doing it and I

821
00:39:15,920 --> 00:39:17,319
Speaker 7: was going around the room and I was like really

822
00:39:17,360 --> 00:39:19,640
Speaker 7: deep in the room and I'm like naming all this

823
00:39:19,760 --> 00:39:21,239
Speaker 7: kind of tits. And then I turned around and I

824
00:39:21,280 --> 00:39:22,799
Speaker 7: was like, you get and I was like, oh my god,

825
00:39:22,800 --> 00:39:24,680
Speaker 7: it was glorious Steinem and like I was like, cut

826
00:39:24,719 --> 00:39:27,759
Speaker 7: the track. Cut the track. That's why I refer to

827
00:39:27,800 --> 00:39:30,719
Speaker 7: my band as the track. I hit the track and

828
00:39:30,760 --> 00:39:32,480
Speaker 7: that was another moment. I was like, oh my god,

829
00:39:32,480 --> 00:39:35,480
Speaker 7: this is like, you know, she's glorious stein I'm like,

830
00:39:35,480 --> 00:39:37,160
Speaker 7: what she can think I'm seeing about tits and like,

831
00:39:38,320 --> 00:39:41,200
Speaker 7: you know, I'm always worried that I'm you know, but

832
00:39:41,280 --> 00:39:42,440
Speaker 7: she was. She loved it.

833
00:39:42,480 --> 00:39:44,120
Speaker 3: She probably was there because she loved it.

834
00:39:44,320 --> 00:39:48,399
Speaker 7: Yeah, you know, it's just a constant. But anyway, I

835
00:39:48,560 --> 00:39:51,840
Speaker 7: do love the song is as stupid as it is,

836
00:39:51,880 --> 00:39:53,080
Speaker 7: but sometimes stupid is good.

837
00:39:53,440 --> 00:39:54,400
Speaker 3: No, it's not stupid.

838
00:39:54,440 --> 00:39:58,760
Speaker 1: It's it's like a it's like a body power mantra.

839
00:39:59,120 --> 00:40:00,560
Speaker 1: Like it's a it's a the anthem.

840
00:40:00,960 --> 00:40:02,960
Speaker 7: It's you know, it's meant to make people feel good.

841
00:40:03,000 --> 00:40:03,840
Speaker 3: Yeah, it's great.

842
00:40:03,960 --> 00:40:04,319
Speaker 7: Just do it.

843
00:40:04,320 --> 00:40:06,719
Speaker 1: I'm just gonna follow you, okay, Right, the chords don't

844
00:40:06,800 --> 00:40:09,200
Speaker 1: change too much, like don't change. No.

845
00:40:14,800 --> 00:40:17,400
Speaker 7: See, this is what I'm trying to do is teach

846
00:40:17,560 --> 00:40:20,799
Speaker 7: you as somebody who has an incredible musical vocabulary that

847
00:40:20,880 --> 00:40:22,920
Speaker 7: you know, sometimes just one or two chords will do it.

848
00:40:23,560 --> 00:40:24,960
Speaker 3: I totally am here for that.

849
00:40:25,360 --> 00:40:26,000
Speaker 7: It's so fas.

850
00:40:26,160 --> 00:40:26,839
Speaker 3: I'm here for that.

851
00:40:27,680 --> 00:40:29,279
Speaker 7: Somebody said to me one time, like they were doing

852
00:40:29,320 --> 00:40:31,759
Speaker 7: like some a night of like all my songs, and

853
00:40:32,000 --> 00:40:35,239
Speaker 7: and then she was like, yeah, you don't really get

854
00:40:35,280 --> 00:40:37,000
Speaker 7: too in the weeds with the chord changes.

855
00:40:38,840 --> 00:40:41,000
Speaker 3: Hey, it makes it more want to. It makes me

856
00:40:41,040 --> 00:40:41,880
Speaker 3: able to get out of my.

857
00:40:41,880 --> 00:40:44,279
Speaker 1: Head and just play the song, right, come on, it's

858
00:40:44,360 --> 00:40:45,960
Speaker 1: nice nice.

859
00:40:46,480 --> 00:40:48,640
Speaker 7: Actually was like, I gotta get myself a songbook that's

860
00:40:48,680 --> 00:40:51,799
Speaker 7: just like like just all the chords, you know, like

861
00:40:51,960 --> 00:40:55,960
Speaker 7: just like yeah, so like because like they're just Sarah

862
00:40:56,040 --> 00:40:57,799
Speaker 7: black and white like you might see, you know, like

863
00:40:57,920 --> 00:41:00,600
Speaker 7: this is major as. You know, this is seven saus.

864
00:41:00,640 --> 00:41:02,399
Speaker 7: Like I never want somebody like, oh, do something sus.

865
00:41:02,400 --> 00:41:04,480
Speaker 7: I'm like, what do What's that means? Sas? What's does

866
00:41:04,480 --> 00:41:04,920
Speaker 7: sus mean?

867
00:41:05,120 --> 00:41:05,359
Speaker 11: Well?

868
00:41:05,360 --> 00:41:09,080
Speaker 1: The kids today have a whole other meaning for it,

869
00:41:10,640 --> 00:41:13,319
Speaker 1: but you know terms, you know how I always think

870
00:41:13,320 --> 00:41:16,520
Speaker 1: of sus and it helped me not overthink it is

871
00:41:16,560 --> 00:41:17,840
Speaker 1: I just do a triad.

872
00:41:18,120 --> 00:41:21,359
Speaker 3: If it's D sas, I just do C triad over it.

873
00:41:22,680 --> 00:41:24,560
Speaker 7: Oh, I like I like a sas.

874
00:41:25,560 --> 00:41:28,840
Speaker 3: I love a sas if it's Jesus.

875
00:41:28,480 --> 00:41:31,799
Speaker 8: You just you F triad so you're just.

876
00:41:31,719 --> 00:41:34,239
Speaker 7: Doing a regular G G major chord and then wait, no,

877
00:41:34,280 --> 00:41:34,680
Speaker 7: what are you doing?

878
00:41:34,760 --> 00:41:34,920
Speaker 6: Wait?

879
00:41:34,960 --> 00:41:36,359
Speaker 3: Wait, well what chord do you want to hear?

880
00:41:36,480 --> 00:41:38,919
Speaker 7: I want to hear it? Like is like D major

881
00:41:39,000 --> 00:41:39,640
Speaker 7: SaaS the thing.

882
00:41:39,760 --> 00:41:41,680
Speaker 1: D major sas You play a D in the base

883
00:41:42,120 --> 00:41:44,200
Speaker 1: and you play a C triad in the right hand,

884
00:41:46,239 --> 00:41:48,640
Speaker 1: so a whole step down do a major triad.

885
00:41:51,280 --> 00:41:54,200
Speaker 7: It's just so it's this plus this plus a step down.

886
00:41:54,440 --> 00:41:58,160
Speaker 1: Yeah, it's just like a trick to you know, think

887
00:41:58,200 --> 00:41:59,440
Speaker 1: of it because.

888
00:41:59,719 --> 00:42:01,399
Speaker 7: It's a because of d's in the left hand.

889
00:42:01,520 --> 00:42:06,400
Speaker 1: Yeah, that's the anchor, that's the chord. And then once

890
00:42:06,400 --> 00:42:08,880
Speaker 1: you get used to that, you can move your middle

891
00:42:08,880 --> 00:42:15,560
Speaker 1: finger down so it's instead of But that's how I

892
00:42:15,600 --> 00:42:18,319
Speaker 1: always think of a SAS to this day. Is I

893
00:42:18,360 --> 00:42:20,160
Speaker 1: go a whole step down in the right hand.

894
00:42:21,320 --> 00:42:23,600
Speaker 7: I mean, it couldn't have been any simple. I know,

895
00:42:24,400 --> 00:42:26,399
Speaker 7: I wanted to ask questions. When they're like, oh, let's

896
00:42:26,440 --> 00:42:29,120
Speaker 7: do something something saus, I'm like, sus, that sounds that

897
00:42:29,160 --> 00:42:31,719
Speaker 7: sounds complicated. Yeah, it sounds expensive too.

898
00:42:32,040 --> 00:42:32,600
Speaker 3: Exactly.

899
00:42:33,000 --> 00:42:36,480
Speaker 1: I had this great piano teacher in junior high and

900
00:42:36,520 --> 00:42:38,920
Speaker 1: high school who kind of opened up my mind to

901
00:42:39,360 --> 00:42:42,200
Speaker 1: music because I was studying classical music until then and

902
00:42:42,680 --> 00:42:44,520
Speaker 1: it didn't really compute with my brain.

903
00:42:44,600 --> 00:42:45,799
Speaker 3: And I liked it.

904
00:42:45,880 --> 00:42:49,200
Speaker 1: But I liked music, but I didn't I wasn't into

905
00:42:49,280 --> 00:42:52,560
Speaker 1: like reading the right and left hand. And I could

906
00:42:52,640 --> 00:42:55,480
Speaker 1: do it, but it wasn't that easy for me. And

907
00:42:55,560 --> 00:42:57,719
Speaker 1: so she taught me how to read a chord chart.

908
00:42:58,360 --> 00:43:00,960
Speaker 1: And so she she did circle of forces.

909
00:43:01,400 --> 00:43:03,320
Speaker 3: You know what that is in theory?

910
00:43:03,440 --> 00:43:05,880
Speaker 1: Yeah, and theory you know, it goes there's a pattern

911
00:43:05,920 --> 00:43:08,920
Speaker 1: to music. It's kind of mathematical, and so she did

912
00:43:08,920 --> 00:43:11,480
Speaker 1: it in the pattern where the notes kind of go

913
00:43:11,719 --> 00:43:15,640
Speaker 1: up in the amount of sharps and flats.

914
00:43:15,640 --> 00:43:17,320
Speaker 3: Anyway, I'm getting in the weeds here now.

915
00:43:17,440 --> 00:43:19,360
Speaker 1: But anyway, she had a sheet would just circle of

916
00:43:19,440 --> 00:43:24,480
Speaker 1: force all the note names, and she said, just do

917
00:43:24,680 --> 00:43:28,160
Speaker 1: a minor chord on each one with metronome and you

918
00:43:28,280 --> 00:43:28,920
Speaker 1: just go through it.

919
00:43:29,000 --> 00:43:29,600
Speaker 3: And then she had a.

920
00:43:29,640 --> 00:43:32,160
Speaker 1: Random sheet, so then you do that one next. And

921
00:43:32,200 --> 00:43:35,440
Speaker 1: that's how I ended up learning how to record charts

922
00:43:35,440 --> 00:43:37,680
Speaker 1: and memorizing all the right voicings. Then you you know,

923
00:43:37,760 --> 00:43:41,200
Speaker 1: you eventually do it with fancy voicings or like different inversions,

924
00:43:41,719 --> 00:43:43,799
Speaker 1: and you just keep memorizing it.

925
00:43:43,840 --> 00:43:45,280
Speaker 7: I want to take the beginner class.

926
00:43:45,400 --> 00:43:46,680
Speaker 3: Yeah, exactly.

927
00:43:46,840 --> 00:43:49,400
Speaker 7: Because when I took piano lessons when I was a kid, like,

928
00:43:49,520 --> 00:43:51,320
Speaker 7: I took it from this woman barber Share and I

929
00:43:51,320 --> 00:43:57,319
Speaker 7: would go like Fridays before school or something ridiculous, and

930
00:43:57,560 --> 00:44:00,120
Speaker 7: she had compression socks she would wear, so she was

931
00:44:00,200 --> 00:44:02,960
Speaker 7: like put on her compression socks for like the first

932
00:44:03,040 --> 00:44:05,760
Speaker 7: five ten minutes, then talk to me about her aches

933
00:44:05,760 --> 00:44:06,400
Speaker 7: and pains.

934
00:44:06,800 --> 00:44:08,359
Speaker 3: She would put them on in front of you.

935
00:44:08,480 --> 00:44:10,799
Speaker 7: Oh yeah, it's like and they.

936
00:44:10,680 --> 00:44:11,720
Speaker 3: Were like, that's pretty graphic.

937
00:44:11,719 --> 00:44:11,840
Speaker 2: I know.

938
00:44:11,960 --> 00:44:14,160
Speaker 7: This is like the eighties, like early eighties, so they

939
00:44:14,160 --> 00:44:17,040
Speaker 7: were like real thick, yeah, and like, and she just

940
00:44:17,080 --> 00:44:21,719
Speaker 7: sort of talked about her her circulation, a lot of

941
00:44:21,880 --> 00:44:23,640
Speaker 7: you know, stuff that she had gone on. And we

942
00:44:23,680 --> 00:44:26,839
Speaker 7: didn't we didn't really, we didn't spend too many time,

943
00:44:27,920 --> 00:44:30,880
Speaker 7: spent too much time actually playing piano.

944
00:44:31,080 --> 00:44:32,800
Speaker 3: Really, you were just her buddy.

945
00:44:33,040 --> 00:44:35,120
Speaker 7: I was just her buddy. But my brother Brock, you know,

946
00:44:35,200 --> 00:44:37,839
Speaker 7: because he was good. I think they really they really

947
00:44:37,880 --> 00:44:40,200
Speaker 7: put the something to the something what he called it.

948
00:44:40,280 --> 00:44:42,000
Speaker 7: You put the something something.

949
00:44:42,239 --> 00:44:44,920
Speaker 1: The field of the fire, the fire, the poker the

950
00:44:44,960 --> 00:44:45,919
Speaker 1: fire poker.

951
00:44:45,600 --> 00:44:47,880
Speaker 7: In the Yeah, they did that, But for me, I

952
00:44:47,880 --> 00:44:53,560
Speaker 7: think I was more of a confidant. Oh well, I'm

953
00:44:53,560 --> 00:44:57,760
Speaker 7: gonna look. I'm gonna look for sas and some instruction manuals.

954
00:44:57,840 --> 00:44:59,520
Speaker 7: I have a piano. No, I actually got the piano

955
00:44:59,560 --> 00:45:04,080
Speaker 7: from somebody somewhere shipped out. Really yeah, and so so

956
00:45:04,080 --> 00:45:06,640
Speaker 7: I've been sitting down. It's been really fun.

957
00:45:06,800 --> 00:45:07,360
Speaker 3: That's great.

958
00:45:07,360 --> 00:45:10,000
Speaker 7: Okay, but let's let's do some titties.

959
00:45:11,360 --> 00:45:11,600
Speaker 10: Start.

960
00:45:12,040 --> 00:45:13,920
Speaker 7: Yeah, you can always start over for I mess up.

961
00:45:14,160 --> 00:45:16,880
Speaker 3: Huh, we can start over if I mess up, right, Heck.

962
00:45:16,760 --> 00:45:20,240
Speaker 1: Yeah, just stop me, okay, hold out, stop the track.

963
00:45:38,000 --> 00:45:42,120
Speaker 8: You got them little nippy titties. Pulled them in the air.

964
00:45:42,280 --> 00:45:45,879
Speaker 10: She got them tube suck titties. She pulled him in

965
00:45:45,920 --> 00:45:46,359
Speaker 10: the air.

966
00:45:46,480 --> 00:45:50,040
Speaker 2: I got these beavery tail titties. I pulled him in

967
00:45:50,160 --> 00:45:50,760
Speaker 2: the air.

968
00:45:50,960 --> 00:45:53,839
Speaker 6: Pull him up, put him up, put him up.

969
00:45:54,880 --> 00:45:57,160
Speaker 10: You got them low running titties.

970
00:45:57,640 --> 00:45:58,839
Speaker 8: Pulled them in the air.

971
00:45:59,000 --> 00:46:03,000
Speaker 10: She got them fly jack chitnies. Pulled them in the air.

972
00:46:03,120 --> 00:46:05,320
Speaker 10: You got them single malt titties.

973
00:46:05,920 --> 00:46:09,239
Speaker 6: Pulled them in the air. Put 'em up, put 'em up,

974
00:46:09,520 --> 00:46:10,239
Speaker 6: put 'em up.

975
00:46:11,360 --> 00:46:13,680
Speaker 10: You got them rubber ducky titties.

976
00:46:14,080 --> 00:46:16,920
Speaker 2: Pulled him in the Yeah, she got them things shot

977
00:46:17,120 --> 00:46:19,520
Speaker 2: titties pulled him in the Yeah.

978
00:46:19,400 --> 00:46:20,120
Speaker 6: You got them.

979
00:46:20,120 --> 00:46:21,640
Speaker 10: Dipsy doodle titties.

980
00:46:22,160 --> 00:46:26,239
Speaker 6: Put him in the air, putt him up, put 'em up, put.

981
00:46:26,000 --> 00:46:29,279
Speaker 10: Him up, and then we bounced unpounce.

982
00:46:30,000 --> 00:46:34,840
Speaker 9: We bounced pounce pounce. We bounced bounce bounce, We bounced

983
00:46:34,840 --> 00:46:35,520
Speaker 9: bounce bounce.

984
00:46:35,800 --> 00:46:39,480
Speaker 5: You got them cream pine titties put him in the

985
00:46:40,000 --> 00:46:42,240
Speaker 5: You got them pepperon.

986
00:46:41,640 --> 00:46:42,520
Speaker 6: And limp titties.

987
00:46:42,920 --> 00:46:46,600
Speaker 3: Put him in the You got them turny triangle titties.

988
00:46:47,160 --> 00:46:50,600
Speaker 6: Put him in the put 'em up, put 'em up,

989
00:46:50,760 --> 00:46:51,720
Speaker 6: put um up.

990
00:46:52,640 --> 00:46:55,040
Speaker 3: You got them stretched armstrong titties.

991
00:46:55,600 --> 00:46:59,239
Speaker 2: Put him in the You got them red fat titties.

992
00:47:01,120 --> 00:47:04,320
Speaker 2: You got them, know how to float them tates hot

993
00:47:04,680 --> 00:47:06,280
Speaker 2: n put him.

994
00:47:06,200 --> 00:47:08,479
Speaker 6: Up, put him up, put him up.

995
00:47:09,440 --> 00:47:11,360
Speaker 10: And then we bounced bounced bouts.

996
00:47:12,000 --> 00:47:16,680
Speaker 9: We bounced bounce house, We bounced ouns house, We bounced

997
00:47:16,719 --> 00:47:17,400
Speaker 9: bounced bouce.

998
00:47:17,640 --> 00:47:19,280
Speaker 11: You got that woot tang.

999
00:47:19,320 --> 00:47:24,680
Speaker 2: Hoole, misteak, peach pet totties, tick tack, cracker, jack hammer

1000
00:47:24,840 --> 00:47:29,840
Speaker 2: head titties, fire holes and needle nose, Milk city titties.

1001
00:47:29,880 --> 00:47:32,759
Speaker 6: Put um up, put him up. But him up. We

1002
00:47:32,960 --> 00:47:34,520
Speaker 6: bought him milt, hold.

1003
00:47:34,360 --> 00:47:37,719
Speaker 8: Up up up, put him up. We pulled him up,

1004
00:47:38,000 --> 00:47:42,120
Speaker 8: pull him up, put him up, put him up, and

1005
00:47:42,160 --> 00:47:43,120
Speaker 8: then we bounce.

1006
00:47:46,440 --> 00:47:48,280
Speaker 7: Wait when were those first thing you said.

1007
00:47:48,200 --> 00:47:49,640
Speaker 3: That's so freaking funny.

1008
00:47:51,239 --> 00:47:55,239
Speaker 1: Well, you got those creamline titties. Thinking about you know,

1009
00:47:55,719 --> 00:47:58,560
Speaker 1: breast milk. You know, it's like there's like that cream

1010
00:47:58,600 --> 00:48:02,080
Speaker 1: top and like the whole thing. It's like kind of

1011
00:48:02,120 --> 00:48:03,960
Speaker 1: watery when it first comes out, and then when you

1012
00:48:04,000 --> 00:48:05,759
Speaker 1: get to the end of the drink, it's like the

1013
00:48:05,800 --> 00:48:10,560
Speaker 1: cream lines up and then the pepperoni nip titties. Yeah,

1014
00:48:11,120 --> 00:48:13,879
Speaker 1: it tiny triangle titties, which I've had, you know when

1015
00:48:13,920 --> 00:48:16,680
Speaker 1: you get a sunburn and you get those little triangle

1016
00:48:16,719 --> 00:48:17,360
Speaker 1: bikinis on.

1017
00:48:17,880 --> 00:48:19,400
Speaker 7: Yeah, that's great.

1018
00:48:19,680 --> 00:48:21,319
Speaker 3: That was so fun. Thank you.

1019
00:48:21,239 --> 00:48:28,960
Speaker 7: You know if you ever do Carnegie Hall, Oh man,

1020
00:48:29,480 --> 00:48:31,120
Speaker 7: I'm kidding. That was fun.

1021
00:48:31,760 --> 00:48:35,640
Speaker 3: That was awesome. I want to come. I got to

1022
00:48:35,680 --> 00:48:36,200
Speaker 3: come see you.

1023
00:48:36,320 --> 00:48:38,000
Speaker 1: I I'm going to be out of town when you

1024
00:48:38,000 --> 00:48:39,719
Speaker 1: do the Begon unfortunately.

1025
00:48:40,160 --> 00:48:43,600
Speaker 7: But and I'm always a Joe's. Anytime you want to come,

1026
00:48:43,600 --> 00:48:44,399
Speaker 7: I want to come see you.

1027
00:48:44,480 --> 00:48:46,440
Speaker 3: Yeah, you know, I used to live right behind Joe's.

1028
00:48:46,920 --> 00:48:49,759
Speaker 3: I can't believe I feel like I can't believe I

1029
00:48:49,760 --> 00:48:50,480
Speaker 3: haven't run into you.

1030
00:48:50,560 --> 00:48:54,399
Speaker 1: But I didn't really go into the cabaret scene at all.

1031
00:48:55,160 --> 00:48:57,799
Speaker 1: I never did, but I feel like I should have.

1032
00:48:58,320 --> 00:49:02,160
Speaker 3: Well it's it would have. I've played piano perfect for me.

1033
00:49:02,400 --> 00:49:02,759
Speaker 8: You know.

1034
00:49:03,719 --> 00:49:07,200
Speaker 7: It's actually you know that the subset of the cabaret

1035
00:49:07,320 --> 00:49:10,399
Speaker 7: scene that I'm in is like, it's pretty cool. People

1036
00:49:10,400 --> 00:49:14,000
Speaker 7: have done really gone on to do really great things.

1037
00:49:14,120 --> 00:49:16,399
Speaker 7: Like we used to host this show called Our Hip

1038
00:49:16,440 --> 00:49:18,239
Speaker 7: Parade and like people, it was based on your hip

1039
00:49:18,239 --> 00:49:20,839
Speaker 7: praide and like you would cover like a pop hit

1040
00:49:21,000 --> 00:49:25,640
Speaker 7: or whatever, and a lot of people did that. Jeff Hiller,

1041
00:49:25,680 --> 00:49:29,160
Speaker 7: who's was like that's kind of how I thought about

1042
00:49:29,239 --> 00:49:33,560
Speaker 7: him for to be in the show. And yeah, and

1043
00:49:33,600 --> 00:49:40,280
Speaker 7: then but like Cola Scola, who's like O Marion Broadway.

1044
00:49:40,400 --> 00:49:42,200
Speaker 7: You know, like there's a lot of people that are

1045
00:49:42,640 --> 00:49:47,239
Speaker 7: and justin Vivi me a bond who yeah, she was

1046
00:49:47,320 --> 00:49:50,680
Speaker 7: kind of like kicking her like the first thing that

1047
00:49:50,719 --> 00:49:53,239
Speaker 7: I used to go see and like this, Oh my god,

1048
00:49:53,280 --> 00:49:55,719
Speaker 7: this is I didn't I didn't even know this kind

1049
00:49:55,760 --> 00:49:57,680
Speaker 7: of performing existed, and like it.

1050
00:49:57,680 --> 00:50:00,520
Speaker 3: Really when you first moved to New York, Yeah.

1051
00:50:00,480 --> 00:50:04,040
Speaker 7: It rewired my brain my friend Zact took me. He's like,

1052
00:50:04,080 --> 00:50:05,239
Speaker 7: I have the show. I think you're in love. And

1053
00:50:05,280 --> 00:50:08,399
Speaker 7: it was like getting there every Sunday night like first

1054
00:50:08,480 --> 00:50:09,840
Speaker 7: in line so we could be the closest, you know,

1055
00:50:09,840 --> 00:50:13,200
Speaker 7: because it was like, yeah, I just was like losing

1056
00:50:13,280 --> 00:50:15,600
Speaker 7: my mind because I I'd never seen anything like that.

1057
00:50:15,640 --> 00:50:17,400
Speaker 7: I'm from Kansas and I went to Arizona State, so

1058
00:50:17,440 --> 00:50:21,440
Speaker 7: I didn't even know. And then yeah, you know, the

1059
00:50:21,480 --> 00:50:24,600
Speaker 7: great thing about New York Is is sometimes as much

1060
00:50:24,600 --> 00:50:26,320
Speaker 7: as I try to run away from it now, because

1061
00:50:26,360 --> 00:50:28,960
Speaker 7: it just feels like when you know living here long enough,

1062
00:50:29,000 --> 00:50:32,200
Speaker 7: it's like it feels you know, you can wear you

1063
00:50:32,239 --> 00:50:35,640
Speaker 7: down after a minute. But those early days, it was

1064
00:50:35,680 --> 00:50:39,040
Speaker 7: so thrilling, like the drag queens I would see, and

1065
00:50:39,239 --> 00:50:42,640
Speaker 7: like those people all they raised me. That was my education.

1066
00:50:44,320 --> 00:50:47,239
Speaker 7: So I don't know, it's pretty special. You can't be

1067
00:50:47,239 --> 00:50:48,240
Speaker 7: a miracle this place.

1068
00:50:49,040 --> 00:50:51,359
Speaker 1: Do you feel like that's still happening? You're just too

1069
00:50:51,400 --> 00:50:53,279
Speaker 1: tired to go out? Because that's how I feel. Yeah,

1070
00:50:53,360 --> 00:50:56,680
Speaker 1: I feel like it's probably all out there still, Definitely.

1071
00:50:56,400 --> 00:50:59,400
Speaker 3: I just I want to stay home and watch TV.

1072
00:50:59,520 --> 00:51:04,279
Speaker 7: Yeah, it's just like they were asking me, they were

1073
00:51:04,320 --> 00:51:05,880
Speaker 7: like giving me a free ticket to go to the

1074
00:51:05,920 --> 00:51:08,160
Speaker 7: show that was I can't remember what it's called right now,

1075
00:51:08,200 --> 00:51:12,879
Speaker 7: but I didn't go because I just it's, oh my god,

1076
00:51:12,880 --> 00:51:16,480
Speaker 7: i gotta take a shower on makeup.

1077
00:51:16,800 --> 00:51:19,480
Speaker 3: I'm too tired, too tired. That's how I feel.

1078
00:51:19,640 --> 00:51:21,399
Speaker 7: But I feel like maybe that's also kind of part

1079
00:51:21,400 --> 00:51:23,400
Speaker 7: of the problem, Like I'm part of the problem, like

1080
00:51:23,400 --> 00:51:25,200
Speaker 7: that I'm not taking advantage of the things that I

1081
00:51:25,280 --> 00:51:27,080
Speaker 7: used to take advantage of. Like I don't go out

1082
00:51:27,120 --> 00:51:30,120
Speaker 7: to really restaurants. I go to dinner. I got a

1083
00:51:30,120 --> 00:51:32,319
Speaker 7: sushi place by my house and by myself, and I

1084
00:51:32,360 --> 00:51:33,279
Speaker 7: treat myself.

1085
00:51:33,120 --> 00:51:35,120
Speaker 1: Only if it's easy, though, right, Yeah, like not if

1086
00:51:35,120 --> 00:51:37,239
Speaker 1: it's a big deal. You have to make a reservation.

1087
00:51:37,480 --> 00:51:40,719
Speaker 7: Yeah. Like yeah, I don't go see a friend of

1088
00:51:40,719 --> 00:51:42,480
Speaker 7: mine if they're playing Joe's Pub because I know I

1089
00:51:42,520 --> 00:51:44,680
Speaker 7: can get a table that I like and I'll be comfortable.

1090
00:51:45,239 --> 00:51:47,840
Speaker 3: But not, you're not an unknown club, don't where you

1091
00:51:47,960 --> 00:51:51,240
Speaker 3: don't know, you don't have a back stage toilet.

1092
00:51:51,280 --> 00:51:54,360
Speaker 7: No, all that, Like it seems so and it's not

1093
00:51:54,400 --> 00:51:57,000
Speaker 7: about feeling special, it's just about feeling comfortable. Comfortable.

1094
00:51:57,080 --> 00:51:58,120
Speaker 3: No, I totally agree.

1095
00:51:58,160 --> 00:52:00,680
Speaker 7: Yeah, but I'm the same. I saw these people this.

1096
00:52:01,560 --> 00:52:02,520
Speaker 7: They have this song like.

1097
00:52:04,680 --> 00:52:05,040
Speaker 6: Hater.

1098
00:52:05,880 --> 00:52:08,600
Speaker 7: They're like a like a brother and brother and sisters

1099
00:52:08,640 --> 00:52:11,080
Speaker 7: or whatever. They're playing the blue note, and so I

1100
00:52:11,080 --> 00:52:13,319
Speaker 7: looked it up online. I was like, I really wanted

1101
00:52:13,320 --> 00:52:15,040
Speaker 7: to see them, and yet I didn't go. And then

1102
00:52:15,080 --> 00:52:19,560
Speaker 7: there's a new I just saw the Favors. Is that

1103
00:52:19,560 --> 00:52:20,600
Speaker 7: what they're called Phineas?

1104
00:52:20,680 --> 00:52:24,600
Speaker 3: And yeah, I don't know, but they have a new album.

1105
00:52:24,640 --> 00:52:25,920
Speaker 7: And I was like, my friend makes fun of me

1106
00:52:25,920 --> 00:52:28,399
Speaker 7: because all I do is listen to, you know, music

1107
00:52:28,440 --> 00:52:32,920
Speaker 7: from the seventies mostly and and even earlier like some eighties.

1108
00:52:32,920 --> 00:52:36,120
Speaker 7: But you know, like I'm really stuck, like I'm gonna

1109
00:52:36,120 --> 00:52:39,200
Speaker 7: I'm gonna look up some new music. And I know

1110
00:52:39,280 --> 00:52:41,719
Speaker 7: I love funk soul, just go like, you know, I

1111
00:52:41,760 --> 00:52:44,640
Speaker 7: love like hearing, I love yacht rock, I love everything.

1112
00:52:44,680 --> 00:52:47,560
Speaker 7: So I found them online. I listened their album. I

1113
00:52:47,560 --> 00:52:49,759
Speaker 7: was like, oh, I really, I think I really like this.

1114
00:52:49,800 --> 00:52:51,879
Speaker 7: I'm gonna join them. And and then one on their

1115
00:52:51,880 --> 00:52:53,960
Speaker 7: social media and they're like, oh, we're playing summer stage.

1116
00:52:54,000 --> 00:52:54,120
Speaker 6: You know.

1117
00:52:54,160 --> 00:52:55,440
Speaker 7: It was like the next night, and I was like,

1118
00:52:55,600 --> 00:52:58,399
Speaker 7: I live by Central Park. I could walk over there.

1119
00:52:58,480 --> 00:53:00,879
Speaker 3: Yeah, I could go, did you no?

1120
00:53:02,920 --> 00:53:06,600
Speaker 1: I Okay, Well I have this problem also, and I

1121
00:53:06,680 --> 00:53:10,200
Speaker 1: was wondering, I mean, is it partly social anxiety?

1122
00:53:10,480 --> 00:53:12,879
Speaker 3: Yeah, yeah, that's a I think that's a piece of it.

1123
00:53:13,120 --> 00:53:13,279
Speaker 9: Well.

1124
00:53:13,280 --> 00:53:16,720
Speaker 7: Also, you know, I like to do things by myself.

1125
00:53:16,760 --> 00:53:20,720
Speaker 7: But I also it's a little bit different now because

1126
00:53:21,600 --> 00:53:24,320
Speaker 7: now that I'm I'm on a TV show and a

1127
00:53:24,360 --> 00:53:26,759
Speaker 7: little bit more recognized. Recognizable, not that it's really a

1128
00:53:26,760 --> 00:53:28,760
Speaker 7: problem in New York people, but like you still feel

1129
00:53:28,800 --> 00:53:30,480
Speaker 7: like if you go somewhere alone, you're not really just

1130
00:53:30,480 --> 00:53:33,439
Speaker 7: sitting there by yourself, like I feel a little self

1131
00:53:33,520 --> 00:53:35,120
Speaker 7: conscious or something, or just like.

1132
00:53:35,280 --> 00:53:37,600
Speaker 3: We're just being by yourself. Invite people to talk to me.

1133
00:53:37,600 --> 00:53:39,719
Speaker 7: I feel like that. Yeah, I feel like I need

1134
00:53:39,760 --> 00:53:42,400
Speaker 7: somebody to to become a buffer. A buffer.

1135
00:53:42,560 --> 00:53:43,880
Speaker 3: Yeah, I don't feel like that.

1136
00:53:43,880 --> 00:53:46,000
Speaker 7: When I go home for to see my family, I

1137
00:53:46,000 --> 00:53:48,120
Speaker 7: can't go by myself. I have to my brother always.

1138
00:53:48,719 --> 00:53:50,800
Speaker 7: He lives in California. Is like, you want to go

1139
00:53:50,840 --> 00:53:53,719
Speaker 7: to Kansas, Like I can't do it together? Yeah, because

1140
00:53:53,760 --> 00:53:57,080
Speaker 7: even it's my family, But I just like I can't.

1141
00:53:58,239 --> 00:54:00,879
Speaker 7: I can't do that. I mean I can do stuff

1142
00:54:00,880 --> 00:54:02,200
Speaker 7: a lottle like like I said, I go to my

1143
00:54:02,200 --> 00:54:03,000
Speaker 7: sushi restaurant.

1144
00:54:03,239 --> 00:54:05,040
Speaker 3: Yeah, but that's not the same, but they're not going

1145
00:54:05,080 --> 00:54:05,640
Speaker 3: to really bother you.

1146
00:54:05,640 --> 00:54:08,000
Speaker 7: And I talked to my I talked to the gals that,

1147
00:54:08,040 --> 00:54:11,200
Speaker 7: you know, the servers that are the waitresses, whatever you

1148
00:54:11,200 --> 00:54:13,400
Speaker 7: wanna call them. I say waitress. I was waitress for

1149
00:54:13,440 --> 00:54:14,960
Speaker 7: twenty five years. I think you can say that.

1150
00:54:15,000 --> 00:54:16,120
Speaker 3: I think you can say waitress.

1151
00:54:16,360 --> 00:54:16,600
Speaker 7: I know.

1152
00:54:16,800 --> 00:54:18,040
Speaker 3: Yeah.

1153
00:54:18,160 --> 00:54:23,080
Speaker 7: Yeah, anyway, I've gotten off track. Where were we? Yeah? Yeah, people,

1154
00:54:23,200 --> 00:54:23,880
Speaker 7: you got a family?

1155
00:54:24,880 --> 00:54:26,960
Speaker 3: Yes, that also makes me tired and want to say

1156
00:54:26,960 --> 00:54:28,200
Speaker 3: it also.

1157
00:54:28,000 --> 00:54:30,200
Speaker 1: Makes me want to go out, Yeah, a little bit,

1158
00:54:30,840 --> 00:54:33,680
Speaker 1: but no, I mean it's just nice to get cozy

1159
00:54:33,760 --> 00:54:36,920
Speaker 1: every night. Yeah, Like it's hard to it's hard to motivate.

1160
00:54:37,040 --> 00:54:40,759
Speaker 1: I think both physically, yeah, and socially.

1161
00:54:41,239 --> 00:54:41,720
Speaker 7: I agree.

1162
00:54:41,880 --> 00:54:44,480
Speaker 1: And then alcohol for me is like it's like if

1163
00:54:44,520 --> 00:54:46,239
Speaker 1: I go out, I'm going to want to drink, and

1164
00:54:46,480 --> 00:54:49,520
Speaker 1: I don't want to drink, and that's that's a little hard.

1165
00:54:49,640 --> 00:54:58,239
Speaker 7: I'm like trying to not drink as much. JAMESI people

1166
00:54:58,239 --> 00:55:00,120
Speaker 7: are not going to see that coming from Nord Johns.

1167
00:55:00,080 --> 00:55:00,839
Speaker 3: Out with my nine year old.

1168
00:55:02,760 --> 00:55:06,319
Speaker 7: But you know, like because because I don't want to

1169
00:55:06,480 --> 00:55:08,840
Speaker 7: drink as much, then I like, like this week, I'm

1170
00:55:09,760 --> 00:55:16,000
Speaker 7: in the city all week and I have three nighttime obligations,

1171
00:55:16,040 --> 00:55:22,960
Speaker 7: and they're all like things where you know, where people

1172
00:55:22,960 --> 00:55:24,600
Speaker 7: are gonna want to drink, and if I'm not drinking there,

1173
00:55:24,600 --> 00:55:26,839
Speaker 7: I'd be like, what's your problem? Yeah exactly, I mean

1174
00:55:26,880 --> 00:55:29,040
Speaker 7: not like that and not what's your problem? But I

1175
00:55:29,120 --> 00:55:31,440
Speaker 7: just don't feel like, you know, if I drink then

1176
00:55:31,480 --> 00:55:34,479
Speaker 7: I especially if it's an open bar, then I'm gonna

1177
00:55:34,520 --> 00:55:36,319
Speaker 7: drink too much. I'm gonna feel like shit the next day.

1178
00:55:36,360 --> 00:55:38,239
Speaker 7: I'm not going to be productive. And I'm really trying

1179
00:55:38,280 --> 00:55:41,360
Speaker 7: to write right now and I'm trying to find my

1180
00:55:41,440 --> 00:55:43,600
Speaker 7: next creative thing, and so I really want to have

1181
00:55:43,640 --> 00:55:46,120
Speaker 7: a clear head, which is something I never thought I

1182
00:55:46,120 --> 00:55:48,680
Speaker 7: would say. I used to drink, you know, I used

1183
00:55:48,680 --> 00:55:51,080
Speaker 7: to drink wine every night, but I just can't. I

1184
00:55:51,080 --> 00:55:53,120
Speaker 7: don't want to do that anymore. Yeah, I mean I

1185
00:55:53,120 --> 00:55:56,719
Speaker 7: still like to have a little of course whisper. Yeah,

1186
00:55:56,960 --> 00:55:58,760
Speaker 7: I'll still not get back. I went out with somebody

1187
00:55:58,760 --> 00:56:05,320
Speaker 7: on Saturday night. I was upstate and my neighbor somebody

1188
00:56:05,320 --> 00:56:08,920
Speaker 7: that I work with, and my friend had to like

1189
00:56:09,120 --> 00:56:12,360
Speaker 7: coach me. He was like, just because the guy texted me.

1190
00:56:12,400 --> 00:56:15,719
Speaker 7: He's like, I'm in town, are you around? And I'm like,

1191
00:56:16,719 --> 00:56:21,600
Speaker 7: I'm here. Like, I've I've been working all day, you know,

1192
00:56:21,640 --> 00:56:25,760
Speaker 7: I'm chya, I've been you know, I bought some plants.

1193
00:56:26,640 --> 00:56:26,840
Speaker 1: You know.

1194
00:56:27,400 --> 00:56:30,759
Speaker 7: My friend is like just go like just yeah, And

1195
00:56:30,840 --> 00:56:32,759
Speaker 7: so I picked him up. I said, do you want

1196
00:56:32,800 --> 00:56:33,960
Speaker 7: pick you up? I'm gonna go to the brewery. Do

1197
00:56:33,960 --> 00:56:35,759
Speaker 7: you want to come to the brewery with me? We

1198
00:56:35,800 --> 00:56:38,720
Speaker 7: went to the brewery. We split a pizza, we had

1199
00:56:39,120 --> 00:56:41,200
Speaker 7: two rounds of drinks and he's like, do you want another's? Like,

1200
00:56:41,239 --> 00:56:43,239
Speaker 7: I think that was good. And then we went home

1201
00:56:43,280 --> 00:56:43,960
Speaker 7: and so I did it.

1202
00:56:44,120 --> 00:56:44,640
Speaker 3: You did it.

1203
00:56:44,719 --> 00:56:45,319
Speaker 7: I did it.

1204
00:56:45,320 --> 00:56:47,120
Speaker 3: That's hard, so it can't it can be done. And

1205
00:56:47,160 --> 00:56:50,120
Speaker 3: you know what it wasn't it was? I enjoyed myself

1206
00:56:50,800 --> 00:56:51,759
Speaker 3: and you didn't feel bad.

1207
00:56:51,960 --> 00:56:52,799
Speaker 7: I didn't feel bad.

1208
00:56:52,920 --> 00:56:53,879
Speaker 3: Yeah I didn't.

1209
00:56:53,960 --> 00:56:54,239
Speaker 7: You know.

1210
00:56:55,040 --> 00:56:57,680
Speaker 3: So well that's the trick, isn't it. If you can

1211
00:56:57,760 --> 00:56:59,640
Speaker 3: just do that, then it's okay.

1212
00:56:59,760 --> 00:57:00,440
Speaker 7: Yeah.

1213
00:57:00,040 --> 00:57:02,000
Speaker 3: Yeah, and then but that's hard for something.

1214
00:57:02,000 --> 00:57:02,479
Speaker 8: It is hard.

1215
00:57:02,600 --> 00:57:04,560
Speaker 3: That's hard for me also, yeah.

1216
00:57:04,400 --> 00:57:08,520
Speaker 7: Yeah, I mean, what a waste. I just feel like

1217
00:57:08,520 --> 00:57:10,680
Speaker 7: I'm wasting a lot of days by not doing more

1218
00:57:10,719 --> 00:57:11,560
Speaker 7: stuff sometimes.

1219
00:57:11,640 --> 00:57:15,560
Speaker 1: Yeah, I know, but you know, you're living life. I

1220
00:57:15,600 --> 00:57:19,040
Speaker 1: really am into plants, so that's cool though. I like

1221
00:57:19,080 --> 00:57:21,640
Speaker 1: to have some It's like I talked to them, I.

1222
00:57:21,600 --> 00:57:23,840
Speaker 3: Think you have to have a hobby in this business.

1223
00:57:23,960 --> 00:57:27,560
Speaker 1: Yeah, otherwise you will drive yourself crazy.

1224
00:57:28,200 --> 00:57:32,400
Speaker 7: I wish it was it was like a little you know.

1225
00:57:32,600 --> 00:57:34,720
Speaker 7: I have some friends that like they have we have

1226
00:57:34,760 --> 00:57:36,520
Speaker 7: a songwriters group that we do once a month, and

1227
00:57:36,560 --> 00:57:38,760
Speaker 7: I haven't been going to I know, and I haven't

1228
00:57:38,800 --> 00:57:42,760
Speaker 7: been going to that as much. And they're like my

1229
00:57:43,200 --> 00:57:45,760
Speaker 7: They're like my my friend family, and I'm like, I'm

1230
00:57:45,760 --> 00:57:48,000
Speaker 7: just like, I'm always finding a reason to not go.

1231
00:57:49,240 --> 00:57:49,880
Speaker 12: I don't know.

1232
00:57:51,240 --> 00:57:51,600
Speaker 3: I'm going.

1233
00:57:52,880 --> 00:57:56,440
Speaker 7: I'm going next on this is born. Let's talk funky. Well.

1234
00:57:56,480 --> 00:57:57,760
Speaker 1: I don't want to take up too much of your

1235
00:57:57,800 --> 00:58:02,040
Speaker 1: time because you've given so much and I just I

1236
00:58:02,040 --> 00:58:03,240
Speaker 1: could sit here forever.

1237
00:58:03,000 --> 00:58:03,520
Speaker 3: And talk to you.

1238
00:58:03,880 --> 00:58:05,800
Speaker 7: But I think we did pretty good.

1239
00:58:05,880 --> 00:58:06,680
Speaker 3: I think we did great.

1240
00:58:06,800 --> 00:58:10,080
Speaker 7: And so if you lived in the neighborhood, I would

1241
00:58:10,280 --> 00:58:13,640
Speaker 7: I would swing by and not unexpected, I would be like, yeah,

1242
00:58:14,160 --> 00:58:15,280
Speaker 7: what are you doing? In a forty five minutes? You

1243
00:58:15,320 --> 00:58:16,880
Speaker 7: would have one glass of one?

1244
00:58:17,000 --> 00:58:19,600
Speaker 3: One glass, just one one. We'll hold each other account

1245
00:58:19,640 --> 00:58:20,160
Speaker 3: of one and.

1246
00:58:20,120 --> 00:58:21,240
Speaker 7: We'll make it too, but that's it.

1247
00:58:21,960 --> 00:58:22,680
Speaker 3: Or one and a half.

1248
00:58:24,720 --> 00:58:27,040
Speaker 1: Well, I mean we got to do it again sometime,

1249
00:58:27,520 --> 00:58:30,320
Speaker 1: it'd be really fun. We liked it end the show

1250
00:58:30,520 --> 00:58:34,240
Speaker 1: with uh kind of a wild card or a cover sometimes.

1251
00:58:34,280 --> 00:58:36,920
Speaker 1: And I love it when people suggest songs that I

1252
00:58:37,280 --> 00:58:41,600
Speaker 1: have never played, And in this case, you've suggested this

1253
00:58:41,680 --> 00:58:45,080
Speaker 1: Miley Cyrus song the Climb that you do in your

1254
00:58:45,160 --> 00:58:48,800
Speaker 1: in your show a lot. I actually didn't know this song,

1255
00:58:48,920 --> 00:58:51,640
Speaker 1: and I know Sarah said it was like a huge hit, like,

1256
00:58:51,680 --> 00:58:52,840
Speaker 1: of course I should.

1257
00:58:52,640 --> 00:58:54,880
Speaker 3: Have known it. Well, that's the thing.

1258
00:58:55,200 --> 00:58:57,680
Speaker 1: I love Miley Cyrus and I know all our stuff

1259
00:58:57,680 --> 00:59:00,000
Speaker 1: from the last like five ten years, but the Hannah

1260
00:59:00,040 --> 00:59:02,240
Speaker 1: Montana years, I think I was I don't know, I

1261
00:59:02,280 --> 00:59:04,200
Speaker 1: was not paying attention to what was on the radio.

1262
00:59:04,560 --> 00:59:06,160
Speaker 3: Yeah, so I didn't know this song.

1263
00:59:06,240 --> 00:59:08,160
Speaker 7: Well this is it's this is. I did it for

1264
00:59:08,200 --> 00:59:10,560
Speaker 7: our hip parade many years ago, and like it's one

1265
00:59:10,560 --> 00:59:13,600
Speaker 7: of those songs where I like, yeah, this song is

1266
00:59:13,760 --> 00:59:16,080
Speaker 7: come on and then like when I when I sing it,

1267
00:59:16,120 --> 00:59:18,600
Speaker 7: I find it. Even though the lyrics are a little

1268
00:59:18,680 --> 00:59:22,320
Speaker 7: uh like maybe literal or on the notes or whatever,

1269
00:59:22,360 --> 00:59:25,560
Speaker 7: I think it's such an inspirational song. It feels so good.

1270
00:59:25,880 --> 00:59:26,720
Speaker 3: It's emotional.

1271
00:59:27,800 --> 00:59:32,200
Speaker 1: Isn't it Funny how songs from maybe when you were younger.

1272
00:59:32,520 --> 00:59:36,880
Speaker 1: Yeah that maybe you thought were, eh, that's popular, or

1273
00:59:36,960 --> 00:59:40,480
Speaker 1: that's maybe even corny. I'm not saying this song is corny,

1274
00:59:40,520 --> 00:59:43,840
Speaker 1: but like just in general songs from those days and

1275
00:59:43,880 --> 00:59:46,800
Speaker 1: now it's like it makes you cry. Oh yeah, yeah,

1276
00:59:46,960 --> 00:59:49,520
Speaker 1: you know, because you relate to it in a in

1277
00:59:49,560 --> 00:59:51,960
Speaker 1: a way that you didn't understand maybe when you were young.

1278
00:59:52,080 --> 00:59:53,440
Speaker 7: I well know, it sort of goes back to that

1279
00:59:53,440 --> 00:59:55,040
Speaker 7: thing you were saying at the beginning. It's like, you know,

1280
00:59:55,120 --> 00:59:57,280
Speaker 7: when I when we started doing that show, our Hip Paraid,

1281
00:59:57,280 --> 01:00:00,320
Speaker 7: which is all about pop music, like it re framed

1282
01:00:00,400 --> 01:00:02,760
Speaker 7: like I was like, you know, I never was like

1283
01:00:03,160 --> 01:00:05,720
Speaker 7: a pop music kind of I was going to say that,

1284
01:00:06,000 --> 01:00:09,320
Speaker 7: and I it just it just wasn't like something I

1285
01:00:09,320 --> 01:00:12,920
Speaker 7: would that was tracking for me. But but that that

1286
01:00:13,080 --> 01:00:15,560
Speaker 7: era of my life gave me such an appreciation for it.

1287
01:00:15,640 --> 01:00:19,400
Speaker 7: And like there's something you said earlier about like you

1288
01:00:19,440 --> 01:00:23,280
Speaker 7: know lyrically, like sometimes you just say the cliche cliche,

1289
01:00:23,440 --> 01:00:26,640
Speaker 7: like sometimes there's a lot of cliche yeah music, but

1290
01:00:27,200 --> 01:00:27,800
Speaker 7: I like it.

1291
01:00:28,080 --> 01:00:28,760
Speaker 3: Well, if you.

1292
01:00:29,200 --> 01:00:31,920
Speaker 1: In songwriting, if you try to take all the cliches

1293
01:00:31,960 --> 01:00:35,080
Speaker 1: out or all the things that are too like on

1294
01:00:35,200 --> 01:00:38,800
Speaker 1: the nose, sometimes you take out the heart of the song. Yeah,

1295
01:00:38,840 --> 01:00:41,919
Speaker 1: and if you mean it, it's not a cliche.

1296
01:00:42,520 --> 01:00:45,600
Speaker 7: It write it down like write it down.

1297
01:00:45,400 --> 01:00:46,960
Speaker 3: If you're feeling it, it's real.

1298
01:00:47,440 --> 01:00:50,320
Speaker 8: Yeah, hit the track.

1299
01:00:50,400 --> 01:01:01,480
Speaker 2: No, I cannot most see that dream dream. There's a

1300
01:01:01,600 --> 01:01:07,720
Speaker 2: voice inside my head said, you'll never chad. Every step

1301
01:01:07,840 --> 01:01:13,160
Speaker 2: I'm take again, every move I make feels that's with

1302
01:01:13,280 --> 01:01:21,480
Speaker 2: no direction. My faith is shaken. I'm gonna keep trying.

1303
01:01:23,440 --> 01:01:30,760
Speaker 2: You gonna keep the head hell work away. There's I

1304
01:01:30,920 --> 01:01:34,640
Speaker 2: was gonna be another mountain. I'm always gonna want to

1305
01:01:34,720 --> 01:01:38,840
Speaker 2: make it a mood. I was gonna be a enophill metal.

1306
01:01:39,440 --> 01:01:43,280
Speaker 2: Sometimes you're gonna have to lose hay a bad how

1307
01:01:43,400 --> 01:01:44,600
Speaker 2: fast I get there?

1308
01:01:45,160 --> 01:01:46,760
Speaker 10: Hain a bed was waiting on.

1309
01:01:46,880 --> 01:01:51,720
Speaker 7: Me on the side.

1310
01:01:52,800 --> 01:01:53,960
Speaker 8: It's the color.

1311
01:02:00,080 --> 01:02:03,640
Speaker 7: Unless I'm face said, these chances I'm.

1312
01:02:03,600 --> 01:02:07,680
Speaker 10: Take will sometimes I knock me down, but.

1313
01:02:08,320 --> 01:02:10,320
Speaker 6: No one not break again.

1314
01:02:10,560 --> 01:02:16,480
Speaker 2: And I've made no with But these are the moments

1315
01:02:17,200 --> 01:02:18,560
Speaker 2: I'm gonna remember.

1316
01:02:18,880 --> 01:02:21,800
Speaker 10: Bosa just gotta keep gold with.

1317
01:02:22,400 --> 01:02:23,160
Speaker 2: But I'm.

1318
01:02:24,520 --> 01:02:26,480
Speaker 10: I've gotta be strong.

1319
01:02:28,640 --> 01:02:37,400
Speaker 7: Jasking for sin No, there's always gonna be enough mount him.

1320
01:02:37,600 --> 01:02:38,880
Speaker 10: I'm always gonna want to.

1321
01:02:38,880 --> 01:02:39,960
Speaker 8: Make it a book.

1322
01:02:40,720 --> 01:02:43,360
Speaker 10: I was gonna be a nut Hill bad on me.

1323
01:02:43,720 --> 01:02:47,720
Speaker 2: Sometimes you gotta have to loose hit her bout how

1324
01:02:47,880 --> 01:02:50,720
Speaker 2: fast I hit it there hate her bet. I was

1325
01:02:50,840 --> 01:02:57,000
Speaker 2: waiting on the other side.

1326
01:02:57,680 --> 01:02:58,560
Speaker 6: Here's the club.

1327
01:03:03,560 --> 01:03:25,440
Speaker 2: Yeah, so I's gonna be another mountain. I'm I was

1328
01:03:25,520 --> 01:03:28,880
Speaker 2: gonna want to make it a bood. I was gonna

1329
01:03:28,920 --> 01:03:32,680
Speaker 2: be enough bil battle. Sometimes you're gonna have.

1330
01:03:32,520 --> 01:03:35,160
Speaker 8: To lose hate about how.

1331
01:03:35,160 --> 01:03:38,720
Speaker 10: Fast second there habll. I was waiting on.

1332
01:03:38,880 --> 01:03:44,000
Speaker 6: The other side.

1333
01:03:45,200 --> 01:03:58,240
Speaker 8: It's the club. It's the club.

1334
01:03:58,960 --> 01:04:02,760
Speaker 7: I don't know why. We're having a good moment.

1335
01:04:03,800 --> 01:04:05,440
Speaker 3: That was really pretty.

1336
01:04:06,360 --> 01:04:07,080
Speaker 7: What are you doing where?

1337
01:04:07,320 --> 01:04:08,280
Speaker 3: I don't know what we're doing.

1338
01:04:08,560 --> 01:04:11,880
Speaker 7: I think it's good. Just keep it in and just

1339
01:04:12,240 --> 01:04:15,680
Speaker 7: sometimes things up. Sometimes this is casual.

1340
01:04:17,200 --> 01:04:18,000
Speaker 3: It's the club.

1341
01:04:18,680 --> 01:04:21,160
Speaker 7: You know. How fun to get to sing with you.

1342
01:04:21,240 --> 01:04:22,320
Speaker 6: It was so fun.

1343
01:04:22,760 --> 01:04:26,840
Speaker 7: I think that was really it's really these are the moments.

1344
01:04:26,520 --> 01:04:31,600
Speaker 1: You know, yeah special, Yeah we did it. Thank you America,

1345
01:04:31,680 --> 01:04:38,120
Speaker 1: thank you, Oh thanks for listening.

1346
01:04:38,280 --> 01:04:39,760
Speaker 3: Oh my god, that was so funny.

1347
01:04:39,880 --> 01:04:40,840
Speaker 6: That was so fun.

1348
01:04:41,000 --> 01:04:43,880
Speaker 1: I feel like for a week after that episode, I

1349
01:04:43,920 --> 01:04:46,800
Speaker 1: woke up in the middle of the night with titty ideas.

1350
01:04:46,680 --> 01:04:52,320
Speaker 5: I was too done, it's fine, And then I wonder

1351
01:04:52,320 --> 01:04:54,680
Speaker 5: if actually I heard a different version of it, and

1352
01:04:54,720 --> 01:04:56,800
Speaker 5: I heard a couple that I thought I made.

1353
01:04:56,680 --> 01:04:59,400
Speaker 3: Up, but they think she took them from me.

1354
01:04:59,600 --> 01:05:02,920
Speaker 5: No, I guy subconsciously locked them into my brain.

1355
01:05:04,080 --> 01:05:06,439
Speaker 3: She's a great human that really fun.

1356
01:05:06,640 --> 01:05:10,640
Speaker 5: Don't forget her tour Big Titties, Big Big Dreams.

1357
01:05:11,400 --> 01:05:16,240
Speaker 1: Check it out in a theater near you. The songs

1358
01:05:16,280 --> 01:05:18,880
Speaker 1: we did today. The first song was Home, which was

1359
01:05:18,920 --> 01:05:21,640
Speaker 1: released as a single in twenty twenty three for her

1360
01:05:21,680 --> 01:05:26,360
Speaker 1: TV show Somebody Somewhere. Second song we did titled Titties.

1361
01:05:26,600 --> 01:05:30,000
Speaker 1: It's from her album called Pound It, which was released

1362
01:05:30,000 --> 01:05:33,640
Speaker 1: in twenty thirteen. Third song we did the Miley Cyrus

1363
01:05:33,680 --> 01:05:36,760
Speaker 1: song from Hannah Montana, the movie released in two thousand

1364
01:05:36,760 --> 01:05:40,040
Speaker 1: and nine called The Climb Special. Thanks to Bridget Everett

1365
01:05:40,080 --> 01:05:42,840
Speaker 1: for joining us today and next week we'll be back

1366
01:05:43,000 --> 01:05:46,400
Speaker 1: with Julian laj. Norah Jones is playing along as a

1367
01:05:46,400 --> 01:05:48,480
Speaker 1: production of iHeart Podcasts.

1368
01:05:48,640 --> 01:05:50,280
Speaker 3: I'm your host Norah Jones.

1369
01:05:50,920 --> 01:05:53,480
Speaker 1: Visit Nora Jones channel and be sure to subscribe while

1370
01:05:53,520 --> 01:05:58,000
Speaker 1: you're there. This episode is recorded by Matt Marinelli, mixed

1371
01:05:58,040 --> 01:06:03,120
Speaker 1: by Jamie Landry, Audio post production and mastering by Greg Tobler.

1372
01:06:03,360 --> 01:06:04,720
Speaker 3: Artwork by Eliza Frye.

1373
01:06:04,880 --> 01:06:09,160
Speaker 1: Photography by Shervin Linez, Produced by Nora Jones and Sarah Oda.

1374
01:06:09,640 --> 01:06:12,680
Speaker 1: Executive producers Aaron wan Kaufman and Jordan Rundag.

1375
01:06:13,000 --> 01:06:16,600
Speaker 3: Marketing lead Queen A. Nake, thanks for listening.