1
00:00:00,160 --> 00:00:03,520
Speaker 1: Previously on does this murder make me look gay?

2
00:00:04,160 --> 00:00:04,440
Speaker 2: Thing?

3
00:00:04,600 --> 00:00:04,840
Speaker 1: Dog?

4
00:00:04,960 --> 00:00:09,119
Speaker 3: The bitch is dead, then it's probable.

5
00:00:09,160 --> 00:00:15,040
Speaker 4: Then whoever killed Vandy is in this very room.

6
00:00:15,200 --> 00:00:17,479
Speaker 5: He hadn't been himself lately, jumpy, erratic.

7
00:00:17,840 --> 00:00:18,960
Speaker 1: Some moments he'd be high.

8
00:00:19,000 --> 00:00:22,560
Speaker 5: Others he'd be lows almost like you, Yes, like he

9
00:00:22,680 --> 00:00:23,520
Speaker 5: was falling in love.

10
00:00:24,440 --> 00:00:26,680
Speaker 6: Will What the hell.

11
00:00:26,440 --> 00:00:28,120
Speaker 3: Are you doing here? Daddy?

12
00:00:28,160 --> 00:00:29,400
Speaker 7: Cut me off?

13
00:00:30,360 --> 00:00:33,600
Speaker 3: Did a gun just fall out of your pants? No,

14
00:00:35,159 --> 00:00:38,280
Speaker 3: this isn't bandy.

15
00:00:39,080 --> 00:00:42,920
Speaker 6: Welcome back, dear listener. We left you on quite a cliffhanger.

16
00:00:43,080 --> 00:00:47,200
Speaker 6: Don't worry. It was intentional to keep you engaged.

17
00:00:46,800 --> 00:00:47,519
Speaker 3: Keep you hooked.

18
00:00:47,920 --> 00:00:51,320
Speaker 6: If HBO's Looking had more cliffhangers, I think it would

19
00:00:51,320 --> 00:00:54,040
Speaker 6: have stayed on the air longer. It was a wonderful

20
00:00:54,080 --> 00:00:57,720
Speaker 6: depiction of the West Coast queer community. But where was

21
00:00:57,760 --> 00:01:01,080
Speaker 6: the audience? I'll tell you where? Looking for another show?

22
00:01:01,960 --> 00:01:06,040
Speaker 6: Back to my story, though, Before we dive in, let's

23
00:01:06,040 --> 00:01:09,240
Speaker 6: take a trip back in time to three days before

24
00:01:09,360 --> 00:01:10,480
Speaker 6: my disappearance.

25
00:01:14,360 --> 00:01:20,240
Speaker 3: Mandy passed me that screw okay, I think I'm.

26
00:01:20,120 --> 00:01:22,160
Speaker 6: Done and you're sure it's hidden?

27
00:01:22,280 --> 00:01:24,640
Speaker 3: Absolutely no one will ever see it.

28
00:01:24,720 --> 00:01:27,960
Speaker 6: Madonna's real face never see it or Trump's real hair.

29
00:01:28,040 --> 00:01:30,319
Speaker 6: Never see it the latter.

30
00:01:30,760 --> 00:01:32,040
Speaker 3: Which room should we do next?

31
00:01:32,400 --> 00:01:34,600
Speaker 6: Mine? I suppose follow me.

32
00:01:37,400 --> 00:01:39,680
Speaker 3: Wow, your bedroom is stunning.

33
00:01:39,720 --> 00:01:42,839
Speaker 6: I know I think of it as my personal church,

34
00:01:43,600 --> 00:01:47,320
Speaker 6: but with fucking see that Roman armor. That's the breastplate

35
00:01:47,400 --> 00:01:49,960
Speaker 6: that we used in my film that collapse. Oh and

36
00:01:50,000 --> 00:01:53,040
Speaker 6: that dresser belonged to Liberachi. I had it shipped from

37
00:01:53,040 --> 00:01:57,040
Speaker 6: Palm Springs. Lost a couple of thousand rhinestones along the way.

38
00:01:57,080 --> 00:02:00,560
Speaker 6: But boy, does that baby still shine. There's a picture

39
00:02:00,560 --> 00:02:04,920
Speaker 6: Wilmer when he was a boy before the surgeries. Hard

40
00:02:04,920 --> 00:02:09,079
Speaker 6: to believe, right, a real miss kite, but doctor Diloman

41
00:02:09,240 --> 00:02:10,200
Speaker 6: fixed him up good.

42
00:02:11,240 --> 00:02:13,320
Speaker 3: Isn't doctor Dilamand a character in Wicked?

43
00:02:13,680 --> 00:02:15,560
Speaker 6: I wouldn't know. But if he is, then he's also

44
00:02:15,600 --> 00:02:18,160
Speaker 6: got an office at sixty seventh in Park. Now, drill,

45
00:02:22,200 --> 00:02:25,400
Speaker 6: and I want cameras too, not just microphones.

46
00:02:26,440 --> 00:02:29,120
Speaker 3: You want me to install hidden cameras in your house.

47
00:02:29,360 --> 00:02:32,680
Speaker 6: Exactly like what parents do when they spy on their nanny.

48
00:02:32,919 --> 00:02:34,680
Speaker 6: Can you pick some up at the home depot?

49
00:02:35,160 --> 00:02:36,920
Speaker 3: That's not how that's pronounced.

50
00:02:37,080 --> 00:02:39,919
Speaker 4: And it's one thing to secretly record audio of gay men,

51
00:02:40,040 --> 00:02:43,200
Speaker 4: but cameras too, without them knowing you could get arrested.

52
00:02:43,520 --> 00:02:46,360
Speaker 6: I'd rather go to jail than die. At least then

53
00:02:46,360 --> 00:02:49,119
Speaker 6: I'd be surrounded by men who do nothing except teach

54
00:02:49,200 --> 00:02:52,280
Speaker 6: themselves the law and work out in heaven. It'll just

55
00:02:52,360 --> 00:02:53,800
Speaker 6: be me and Helen Keller.

56
00:02:54,440 --> 00:02:58,480
Speaker 3: That's it. What about Martin Luther King Junior? Or Mother Teresa?

57
00:02:58,600 --> 00:03:01,840
Speaker 6: Ooh, don't even get me started on that. See you

58
00:03:01,880 --> 00:03:06,040
Speaker 6: next Tuesday. You want a piece of advice, Never trust

59
00:03:06,080 --> 00:03:06,560
Speaker 6: a nun.

60
00:03:07,360 --> 00:03:09,079
Speaker 3: What about Maria from the sound of Music?

61
00:03:09,560 --> 00:03:14,960
Speaker 6: She was a postulate? Oh fine, nix the cameras you.

62
00:03:14,919 --> 00:03:18,160
Speaker 3: Know, Vandy. I'm happy to help, but isn't this a

63
00:03:18,160 --> 00:03:18,680
Speaker 3: bit much?

64
00:03:19,080 --> 00:03:21,520
Speaker 6: How else might I overhear? Who wants to murder me?

65
00:03:21,560 --> 00:03:24,200
Speaker 6: When the most likely suspects arrived for the weekend?

66
00:03:25,160 --> 00:03:27,080
Speaker 4: Since you brought it up, why are you inviting all

67
00:03:27,120 --> 00:03:30,000
Speaker 4: these people? Aren't you asking for trouble?

68
00:03:30,400 --> 00:03:32,839
Speaker 6: You don't have to ask for trouble when you're rich.

69
00:03:33,200 --> 00:03:34,320
Speaker 6: Trouble finds you.

70
00:03:34,960 --> 00:03:37,160
Speaker 4: Maybe you've been fighting lately, but that doesn't mean your

71
00:03:37,200 --> 00:03:41,080
Speaker 4: friends or your husband want you gone forever. I argue

72
00:03:41,080 --> 00:03:43,760
Speaker 4: with my parents all the time about money, my career,

73
00:03:44,880 --> 00:03:45,760
Speaker 4: lack of career.

74
00:03:46,960 --> 00:03:52,600
Speaker 6: I still love them, James. I admire your optimism. It's

75
00:03:52,640 --> 00:03:56,120
Speaker 6: the sort of hopefulness you have when you're young and poor,

76
00:03:57,240 --> 00:04:00,240
Speaker 6: and I'm neither. So there is one person, and I

77
00:04:00,280 --> 00:04:05,960
Speaker 6: hope is on my side, an actual friend, perhaps even

78
00:04:06,000 --> 00:04:10,080
Speaker 6: something more. I'm about to embark in a new chapter

79
00:04:10,160 --> 00:04:13,600
Speaker 6: in my life. I only want to look forward, not back.

80
00:04:14,720 --> 00:04:18,520
Speaker 4: So you're gonna tell me the plan how you'll catch

81
00:04:18,520 --> 00:04:19,040
Speaker 4: your killer.

82
00:04:19,360 --> 00:04:21,640
Speaker 6: I shan't put you at risk. What if you were

83
00:04:21,680 --> 00:04:25,040
Speaker 6: captured and tortured? I couldn't live with myself.

84
00:04:25,600 --> 00:04:28,039
Speaker 4: I see you have a crossbow, some rope, and a

85
00:04:28,080 --> 00:04:30,000
Speaker 4: box large enough to fit a human body.

86
00:04:30,080 --> 00:04:31,960
Speaker 3: Does your plan have anything to do with those?

87
00:04:32,160 --> 00:04:36,120
Speaker 6: God, you're smart, can't get anything past you. Don't worry

88
00:04:36,160 --> 00:04:39,599
Speaker 6: about me. I often find myself between a cock and

89
00:04:39,640 --> 00:04:40,680
Speaker 6: a hard place.

90
00:04:41,320 --> 00:04:42,760
Speaker 3: You mean a rock and a hard place?

91
00:04:43,040 --> 00:04:45,960
Speaker 6: Sure that too? And when I find myself in such

92
00:04:46,000 --> 00:04:50,520
Speaker 6: a dilemma, I know exactly where to go. Now for

93
00:04:50,600 --> 00:04:56,200
Speaker 6: the show lights, camera action, Oh and pass me that

94
00:04:56,279 --> 00:05:01,680
Speaker 6: crossbow on him?

95
00:05:01,920 --> 00:05:05,359
Speaker 3: Lives a cake and his friends want him dead?

96
00:05:05,880 --> 00:05:06,040
Speaker 6: Right?

97
00:05:06,240 --> 00:05:11,599
Speaker 7: Why someone wants to kill him even though it's wrong?

98
00:05:12,560 --> 00:05:17,280
Speaker 3: Thinks the world is matter wrong than He's born.

99
00:05:18,560 --> 00:05:23,920
Speaker 8: Very closely lien with you, worries see if you can

100
00:05:24,200 --> 00:05:27,320
Speaker 8: guess switch one of these queens.

101
00:05:28,120 --> 00:05:34,920
Speaker 3: Baby is the killer? Who is the killer? Who did it?

102
00:05:36,760 --> 00:05:40,000
Speaker 3: Who wanted? Who did it?

103
00:05:41,839 --> 00:05:43,599
Speaker 1: Who crept in his band?

104
00:05:44,480 --> 00:05:45,200
Speaker 3: Who did it?

105
00:05:46,680 --> 00:05:47,280
Speaker 2: What did you?

106
00:05:48,320 --> 00:05:49,080
Speaker 3: What does it mean?

107
00:05:49,520 --> 00:05:53,000
Speaker 1: Who could it be? Who did it?

108
00:05:54,839 --> 00:05:56,920
Speaker 3: They're dropping like flies?

109
00:05:57,320 --> 00:05:58,120
Speaker 5: Who didn't?

110
00:06:00,360 --> 00:06:03,280
Speaker 8: Guys like diyes in it?

111
00:06:05,080 --> 00:06:05,120
Speaker 2: It?

112
00:06:10,000 --> 00:06:11,360
Speaker 3: Does this mode?

113
00:06:12,480 --> 00:06:13,000
Speaker 1: Make me?

114
00:06:13,279 --> 00:06:13,520
Speaker 4: Look?

115
00:06:23,360 --> 00:06:23,560
Speaker 6: Here?

116
00:06:23,640 --> 00:06:27,640
Speaker 2: You go breakfast fit for a queen. Besides, there's no

117
00:06:27,760 --> 00:06:31,159
Speaker 2: bacon or sausage out. The meat went bad overnight since

118
00:06:31,200 --> 00:06:32,039
Speaker 2: the power is out.

119
00:06:32,680 --> 00:06:33,880
Speaker 1: Damn stupid meat.

120
00:06:34,400 --> 00:06:38,520
Speaker 2: But there is fresh ish fruit and scooped out bagels,

121
00:06:38,680 --> 00:06:40,719
Speaker 2: and also a trash can if you want to binge

122
00:06:40,760 --> 00:06:41,520
Speaker 2: and vomit up.

123
00:06:42,200 --> 00:06:46,920
Speaker 1: Not that I support eating disorders, but you know, shit happens.

124
00:06:49,200 --> 00:06:53,040
Speaker 9: I can't believe it's still snowing and the roads are

125
00:06:53,240 --> 00:06:56,360
Speaker 9: still blocked. It will be hours.

126
00:06:56,120 --> 00:06:57,279
Speaker 6: Before we get plowed.

127
00:06:57,800 --> 00:06:58,880
Speaker 7: Story of my Life.

128
00:06:59,520 --> 00:07:02,240
Speaker 9: I real eyes that our collective spirits are pretty low.

129
00:07:02,680 --> 00:07:05,880
Speaker 9: But that's what art is for, to lift us up.

130
00:07:06,560 --> 00:07:09,400
Speaker 9: Why don't Polly and I entertain you with a song?

131
00:07:09,760 --> 00:07:11,160
Speaker 9: What do you say, Polly?

132
00:07:11,560 --> 00:07:12,440
Speaker 6: Anything for you?

133
00:07:12,880 --> 00:07:13,120
Speaker 5: Moon?

134
00:07:13,280 --> 00:07:18,480
Speaker 8: Oh that's okay, it's early. Another headache. Angela Lance Ferry

135
00:07:18,640 --> 00:07:21,840
Speaker 8: kept me up all night, which is why she's over

136
00:07:21,960 --> 00:07:23,600
Speaker 8: there with her cage covered.

137
00:07:24,320 --> 00:07:26,760
Speaker 9: Music is the perfect medicine.

138
00:07:27,040 --> 00:07:29,840
Speaker 3: Curlly's right. We could do with a bit of quiet

139
00:07:29,960 --> 00:07:30,840
Speaker 3: after last night.

140
00:07:31,120 --> 00:07:36,600
Speaker 9: Absolutely after my performance, Polly, what to sing? What to sing?

141
00:07:37,000 --> 00:07:40,360
Speaker 9: Nothing too depressing? Of course, Let's put a pip in

142
00:07:40,480 --> 00:07:47,680
Speaker 9: everybody's pep eh, Polly, Oh, excellent choice two three four.

143
00:07:47,840 --> 00:07:51,160
Speaker 9: Everybody loves my baby, but my baby. Don't love nobody

144
00:07:51,240 --> 00:07:57,120
Speaker 9: but me, nobody but me. Everybody wants my baby, but

145
00:07:57,320 --> 00:08:01,280
Speaker 9: my baby don't want nobody but me. That's plain to see.

146
00:08:02,440 --> 00:08:04,840
Speaker 9: I am his sweet but tea, and he is my

147
00:08:05,000 --> 00:08:06,560
Speaker 9: loving man knows how.

148
00:08:06,760 --> 00:08:11,040
Speaker 6: While Moon and Polly were performing, Tush decided to sneak

149
00:08:11,120 --> 00:08:13,360
Speaker 6: breakfast to Wilmer, who was still tied up in the

150
00:08:13,400 --> 00:08:14,160
Speaker 6: broom closet.

151
00:08:14,960 --> 00:08:18,440
Speaker 10: Film it's me, Thank God, you know a minnocent Please

152
00:08:18,480 --> 00:08:19,240
Speaker 10: get me out of here.

153
00:08:19,600 --> 00:08:22,040
Speaker 7: It's giving real Camilla Cobeo Cinderella vibe.

154
00:08:22,200 --> 00:08:23,400
Speaker 1: I know, boy, chick.

155
00:08:23,680 --> 00:08:26,720
Speaker 2: I'll get you out, just like I snugged those raisin

156
00:08:26,800 --> 00:08:28,360
Speaker 2: cookies out of boken Volt.

157
00:08:28,640 --> 00:08:32,600
Speaker 1: Only don't try to kill anyone. Okay, here's a.

158
00:08:32,600 --> 00:08:37,439
Speaker 9: Scone kisses me up on my rosy cheeks. I just

159
00:08:37,559 --> 00:08:40,120
Speaker 9: let those kisses be don't wash my face for weeks.

160
00:08:40,360 --> 00:08:43,800
Speaker 9: That's why everybody loves my baby, But my baby don't

161
00:08:43,840 --> 00:08:44,839
Speaker 9: love nobody but me.

162
00:08:45,960 --> 00:08:47,640
Speaker 3: Nobody bar me.

163
00:08:53,960 --> 00:08:55,240
Speaker 9: Who wants to hear another?

164
00:08:55,640 --> 00:09:01,520
Speaker 1: No West Reginald, Master Reginald is still in. He needs

165
00:09:01,600 --> 00:09:02,600
Speaker 1: his beauty rest.

166
00:09:02,920 --> 00:09:06,200
Speaker 8: Oh he must be worried sick about Bandy. They had

167
00:09:06,240 --> 00:09:10,280
Speaker 8: their problems, but still boone. How long have you and

168
00:09:10,400 --> 00:09:11,719
Speaker 8: Polly been an adam? Oh?

169
00:09:12,280 --> 00:09:13,280
Speaker 9: Oh we're not together?

170
00:09:13,600 --> 00:09:14,520
Speaker 8: Oh my apologies.

171
00:09:14,840 --> 00:09:16,319
Speaker 3: I'm going to thorn you to word.

172
00:09:16,600 --> 00:09:20,800
Speaker 9: Lovers ha Polly, can you imagine?

173
00:09:21,760 --> 00:09:21,800
Speaker 4: No?

174
00:09:22,840 --> 00:09:25,800
Speaker 1: Definitely not, how ridiculous.

175
00:09:25,920 --> 00:09:30,640
Speaker 9: But we have been together longer than most romantic relationships.

176
00:09:31,320 --> 00:09:36,920
Speaker 9: We're artistic partners. Remember the day we met, Polly?

177
00:09:37,320 --> 00:09:38,880
Speaker 6: How could I forget.

178
00:09:38,760 --> 00:09:43,720
Speaker 9: Coney Island nineteen eighty nine. I was living inside the cyclone,

179
00:09:43,880 --> 00:09:47,439
Speaker 9: fending for myself, like something straight out of Oliver. I

180
00:09:47,640 --> 00:09:50,320
Speaker 9: always had long lady fingers, so I was good at

181
00:09:50,400 --> 00:09:54,640
Speaker 9: snatching wallets and watches, but my luck was running out.

182
00:09:55,520 --> 00:09:58,359
Speaker 9: One day I spotted a boy strutting down the boardwalk

183
00:09:58,600 --> 00:10:02,439
Speaker 9: selling his ass for cat. I offered him some peanuts

184
00:10:02,520 --> 00:10:06,800
Speaker 9: and he ate them with the shells still on. Told

185
00:10:06,920 --> 00:10:10,160
Speaker 9: me he played the piano. Wanted to be a musician,

186
00:10:10,320 --> 00:10:14,400
Speaker 9: but didn't have a muse. You're in luck, I told him.

187
00:10:14,920 --> 00:10:19,080
Speaker 9: Muse is my middle name. We've been touring ever since,

188
00:10:19,640 --> 00:10:22,240
Speaker 9: played some of the best houses in the country. The

189
00:10:22,320 --> 00:10:26,000
Speaker 9: Whites House, you played the White House, The Whites House. Yes,

190
00:10:26,600 --> 00:10:30,000
Speaker 9: lovely people. The Whites own a jewelry shop in Truro

191
00:10:30,160 --> 00:10:35,360
Speaker 9: that says anchor bracelets. Quite lucrative. Ugh and Polly remember

192
00:10:35,440 --> 00:10:37,440
Speaker 9: that set that we did at Carnegie Hall.

193
00:10:37,800 --> 00:10:38,480
Speaker 1: Carnegie Hall?

194
00:10:39,160 --> 00:10:39,400
Speaker 8: Wow?

195
00:10:40,000 --> 00:10:43,520
Speaker 9: No, No, Carnegie Hole. Dear bottom of a fishing boat.

196
00:10:43,960 --> 00:10:46,960
Speaker 9: Great gig. All the shrimp we could eat?

197
00:10:47,520 --> 00:10:49,319
Speaker 1: And you haven't grown tired of each other?

198
00:10:49,920 --> 00:10:53,680
Speaker 8: Lay, I need change, and that's why I've never slept

199
00:10:53,720 --> 00:10:55,280
Speaker 8: with the same person more than once.

200
00:10:55,880 --> 00:11:00,120
Speaker 1: Doesn't that mean you're just a really bad lay? How

201
00:11:00,360 --> 00:11:01,400
Speaker 1: is that vandy?

202
00:11:01,720 --> 00:11:04,240
Speaker 4: This body Henry and I just threw on the table

203
00:11:04,320 --> 00:11:05,680
Speaker 4: all over your breakfast spread.

204
00:11:06,280 --> 00:11:11,960
Speaker 3: Isn't vandy? I mean it is, but it's not. It's fake.

205
00:11:13,400 --> 00:11:18,440
Speaker 9: Van is not real. That explains so much.

206
00:11:18,840 --> 00:11:22,440
Speaker 3: No, No, he's real. It's just the body we found

207
00:11:22,520 --> 00:11:23,120
Speaker 3: in his bed.

208
00:11:24,120 --> 00:11:26,840
Speaker 7: It was a toy, like a sex dool I've seen

209
00:11:26,920 --> 00:11:30,480
Speaker 7: those before. There's a model designed after me. It was

210
00:11:30,559 --> 00:11:34,560
Speaker 7: commissioned by the grinder, serial killer. I have complicated feelings

211
00:11:34,600 --> 00:11:34,960
Speaker 7: about that.

212
00:11:35,400 --> 00:11:38,560
Speaker 8: Jacques, you poor dumb hot thing.

213
00:11:39,760 --> 00:11:42,840
Speaker 3: Mommy to hold you, no kiss you. Nope, I could

214
00:11:42,880 --> 00:11:45,440
Speaker 3: take my pennies off and do little dance. I find

215
00:11:45,520 --> 00:11:47,800
Speaker 3: that homophobic people. Please.

216
00:11:48,480 --> 00:11:52,000
Speaker 4: This fake cadaver means the real Vandy is alive and

217
00:11:52,160 --> 00:11:54,880
Speaker 4: hiding in this house. We need to find him before

218
00:11:54,920 --> 00:11:55,959
Speaker 4: he's actually killed.

219
00:11:56,360 --> 00:12:00,560
Speaker 9: Fake body, fake blood, Vandy is messing with her, trying

220
00:12:00,600 --> 00:12:01,480
Speaker 9: to get in our butts.

221
00:12:01,840 --> 00:12:02,640
Speaker 1: I'm in heads.

222
00:12:03,040 --> 00:12:05,439
Speaker 3: That may be true, But why hasn't Bandy revealed himself?

223
00:12:06,600 --> 00:12:10,840
Speaker 3: Why is he stilling? I propose we split into pairs

224
00:12:11,679 --> 00:12:14,440
Speaker 3: and search the house with safety in numbers.

225
00:12:14,640 --> 00:12:17,840
Speaker 9: But that means that one of us will be paired

226
00:12:17,920 --> 00:12:20,880
Speaker 9: with the murderer, potential murderer.

227
00:12:20,960 --> 00:12:23,000
Speaker 3: I suppose it's a risk we'll have to take.

228
00:12:23,520 --> 00:12:26,040
Speaker 2: Let's unlock Vilma so he can join other of vice.

229
00:12:26,080 --> 00:12:28,719
Speaker 2: He can't defend himself, and he's a prime target to

230
00:12:28,800 --> 00:12:29,400
Speaker 2: get acted.

231
00:12:30,120 --> 00:12:32,120
Speaker 3: I don't know, Chef, I'm not sure we can trust him.

232
00:12:35,080 --> 00:12:37,400
Speaker 1: I trust him. Isn't that good enough?

233
00:12:39,200 --> 00:12:43,679
Speaker 2: If Vilma isn't let out of that closet, then Angela

234
00:12:43,840 --> 00:12:45,840
Speaker 2: Anthey and have to stand.

235
00:12:45,600 --> 00:12:48,559
Speaker 1: God and we all know how annoying that will be

236
00:12:48,880 --> 00:12:51,880
Speaker 1: no place. Don't take off the cover. Zibium Jay plebian

237
00:12:52,520 --> 00:12:53,319
Speaker 1: PEP loved you?

238
00:12:54,360 --> 00:12:55,560
Speaker 6: Mississippi bird bet?

239
00:12:56,760 --> 00:12:57,760
Speaker 1: What on earth is that?

240
00:12:58,200 --> 00:13:00,560
Speaker 8: Oh, Mississippi bird bets all the race in the South.

241
00:13:01,040 --> 00:13:03,320
Speaker 8: It's when you fill a girl's mouth with kool aid.

242
00:13:03,720 --> 00:13:06,400
Speaker 8: Then she gets on her knees and you dip your

243
00:13:06,480 --> 00:13:10,240
Speaker 8: balls inside like a like a little baby bird wet

244
00:13:10,320 --> 00:13:13,040
Speaker 8: and it's a little bake disgusting.

245
00:13:13,400 --> 00:13:16,880
Speaker 9: Why does Angela Lansfin know what that means?

246
00:13:17,000 --> 00:13:21,719
Speaker 1: Bib and g pib and G. Personally, I find these

247
00:13:21,760 --> 00:13:23,000
Speaker 1: sex acts homophobic.

248
00:13:23,200 --> 00:13:26,400
Speaker 3: Why are they always done to women? What about gay men?

249
00:13:26,720 --> 00:13:28,600
Speaker 3: Are you saying you want to be degraded?

250
00:13:28,840 --> 00:13:31,319
Speaker 1: I'm saying I should be allowed to be.

251
00:13:32,080 --> 00:13:39,120
Speaker 3: Yeah, can you please shut the bird up? Iv E fine,

252
00:13:39,160 --> 00:13:41,439
Speaker 3: Wilmer can come, but he has to remain handcuffed.

253
00:13:41,880 --> 00:13:47,880
Speaker 2: Deal the letting you out feel me. But you have

254
00:13:48,200 --> 00:13:52,080
Speaker 2: to promise not to kill daddy or any of us.

255
00:13:52,320 --> 00:13:54,480
Speaker 4: Yes, Chef, I promise I won't kill anyone.

256
00:13:55,200 --> 00:13:58,680
Speaker 3: Not entirely convincing, but sure. I guess. Now to pick partners,

257
00:13:58,720 --> 00:13:59,720
Speaker 3: Let's draw straws.

258
00:14:00,120 --> 00:14:04,400
Speaker 2: They don't chip straws here. Terrible for the environment. But

259
00:14:04,679 --> 00:14:08,559
Speaker 2: we could draw from the houseto do collection. You have

260
00:14:08,720 --> 00:14:12,719
Speaker 2: a house dildo collection, of course. Here it's the two

261
00:14:12,800 --> 00:14:15,160
Speaker 2: of every size. Don't worry exact clean.

262
00:14:15,440 --> 00:14:23,880
Speaker 4: Oh okay, everyone line up, close your eyes and dig in. Kelly,

263
00:14:24,080 --> 00:14:24,600
Speaker 4: you're first.

264
00:14:26,520 --> 00:14:29,120
Speaker 1: Oh a pink dil do.

265
00:14:30,480 --> 00:14:33,680
Speaker 3: Henry, this is so distasteful and grotesque.

266
00:14:34,040 --> 00:14:37,920
Speaker 1: And oh it looks like a wall a pink one

267
00:14:38,360 --> 00:14:39,200
Speaker 1: stripped Doc Dough.

268
00:14:40,120 --> 00:14:44,760
Speaker 9: I'll go fingers crossed for one. That fuss is hm hmm,

269
00:14:45,560 --> 00:14:47,560
Speaker 9: tiny thing, Paullie.

270
00:14:47,840 --> 00:14:49,680
Speaker 3: You picked a right big fucker, didn't you.

271
00:14:50,160 --> 00:14:53,720
Speaker 6: It is pretty large, Marto.

272
00:14:56,280 --> 00:15:02,480
Speaker 1: Holy shit, Paulli were a match, hippie. I'll go now, oh,

273
00:15:03,600 --> 00:15:04,720
Speaker 1: small like mine?

274
00:15:05,400 --> 00:15:06,240
Speaker 9: Can I repick?

275
00:15:06,560 --> 00:15:06,600
Speaker 7: No?

276
00:15:06,960 --> 00:15:14,680
Speaker 3: Everyone goes once tush oh and now me yes for

277
00:15:14,800 --> 00:15:17,600
Speaker 3: a pair kido, which leaves one for Reginald.

278
00:15:17,840 --> 00:15:20,120
Speaker 9: We can't send him off alone, can.

279
00:15:20,080 --> 00:15:21,040
Speaker 3: We definitely not?

280
00:15:21,920 --> 00:15:27,560
Speaker 4: Someone uncover the bird, Angela Lansferry, your partners with Reginald.

281
00:15:27,880 --> 00:15:29,320
Speaker 3: Wake him up and search this out.

282
00:15:30,920 --> 00:15:31,680
Speaker 6: Be mine forever.

283
00:15:32,320 --> 00:15:34,520
Speaker 4: Srish and I will take the bedrooms. Moon and Wilmer,

284
00:15:34,720 --> 00:15:37,200
Speaker 4: you take the attic. Kelly and Henry. You've got the kitchen,

285
00:15:37,280 --> 00:15:39,920
Speaker 4: the pantry, and the dining room. Pauline and Jacques. That

286
00:15:40,080 --> 00:15:43,640
Speaker 4: leaves you with the study, the library, and the ballroom. Now,

287
00:15:44,080 --> 00:15:46,760
Speaker 4: everyone throw your dildos back in the box. We need

288
00:15:46,840 --> 00:15:49,440
Speaker 4: to search every inch of this place and find Vandy

289
00:15:49,600 --> 00:15:50,000
Speaker 4: before the.

290
00:15:50,080 --> 00:15:50,800
Speaker 1: Killer does.

291
00:15:52,840 --> 00:15:55,400
Speaker 3: Actually, can I keep mine? You may not?

292
00:15:56,560 --> 00:16:00,640
Speaker 6: And so they were off into the deep dark depths

293
00:16:00,760 --> 00:16:04,960
Speaker 6: of my beautiful Hudson Valley home. Do you know I

294
00:16:05,080 --> 00:16:07,400
Speaker 6: was in el Decorp once. I didn't even have to

295
00:16:07,520 --> 00:16:12,239
Speaker 6: pull any strings. Eat that, Henry. But as they explored

296
00:16:12,480 --> 00:16:15,600
Speaker 6: the rest failed to notice someone's slip into James's room,

297
00:16:15,960 --> 00:16:20,080
Speaker 6: rummaged through his drawers and steal the gun and a

298
00:16:20,160 --> 00:16:21,680
Speaker 6: pair of his box of briefs.

299
00:16:24,920 --> 00:16:25,200
Speaker 4: Henry?

300
00:16:25,280 --> 00:16:25,920
Speaker 2: Did you hear there?

301
00:16:26,280 --> 00:16:32,240
Speaker 3: What what I thought? I heard a noise? What about that?

302
00:16:32,680 --> 00:16:36,520
Speaker 8: Old houses make noises, Kelly, and this one is especially

303
00:16:36,640 --> 00:16:38,040
Speaker 8: old and tacky.

304
00:16:38,600 --> 00:16:41,240
Speaker 3: That lap looks like something out of Elton John's basement.

305
00:16:41,680 --> 00:16:43,480
Speaker 3: Don't even get me started on the chaise.

306
00:16:45,520 --> 00:16:47,920
Speaker 8: Oh sorry, I'm just so nervous.

307
00:16:48,280 --> 00:16:50,760
Speaker 1: Wow, that's awful.

308
00:16:51,480 --> 00:16:52,640
Speaker 6: What did you eat?

309
00:16:53,040 --> 00:16:53,400
Speaker 3: Nothing?

310
00:16:54,040 --> 00:16:55,920
Speaker 8: My guts as healthy as a gun of a dead

311
00:16:56,040 --> 00:16:57,200
Speaker 8: peg in the sunshine.

312
00:16:58,040 --> 00:16:59,440
Speaker 3: Are you trying to kill me?

313
00:17:00,560 --> 00:17:05,720
Speaker 6: You wouldn't have lasted a second at Hogwarts, Oh.

314
00:17:05,720 --> 00:17:07,760
Speaker 1: No, that's a lot, even for me.

315
00:17:11,560 --> 00:17:13,760
Speaker 7: I can't tell if our attic is really dirty or

316
00:17:13,960 --> 00:17:16,639
Speaker 7: just regular dirty.

317
00:17:16,600 --> 00:17:21,200
Speaker 9: You know, Wilmer, I'm reminded of that book Flowers in

318
00:17:21,280 --> 00:17:21,720
Speaker 9: the Attic.

319
00:17:22,160 --> 00:17:22,800
Speaker 6: Have you read it?

320
00:17:23,280 --> 00:17:26,720
Speaker 9: Quite the twisted tale. A brother and sister are locked

321
00:17:26,720 --> 00:17:29,520
Speaker 9: away in an attic much like this one. Then they

322
00:17:29,760 --> 00:17:32,400
Speaker 9: fall in love and fuck each other's brains out?

323
00:17:32,840 --> 00:17:34,000
Speaker 3: Why would you fuck your brother?

324
00:17:34,240 --> 00:17:38,920
Speaker 9: Why wouldn't you? Nothing is taboo anymore? Not sensory Honor

325
00:17:39,000 --> 00:17:42,560
Speaker 9: released s and m Incest is one of the final

326
00:17:42,720 --> 00:17:46,040
Speaker 9: sexual frontiers. If I had a brother, i'd a fucking

327
00:17:46,160 --> 00:17:51,400
Speaker 9: day and night Nay and jay. I have my eye

328
00:17:51,440 --> 00:17:56,200
Speaker 9: on someone here, actually, but I live for gossip spill. Okay,

329
00:17:56,520 --> 00:17:58,480
Speaker 9: it's let me guess, is it me?

330
00:17:59,119 --> 00:17:59,159
Speaker 7: No?

331
00:18:00,000 --> 00:18:00,639
Speaker 9: Would it be me?

332
00:18:00,960 --> 00:18:01,000
Speaker 7: No?

333
00:18:02,840 --> 00:18:06,360
Speaker 9: It's chock. You want to fuck a porn star? Shocking?

334
00:18:06,760 --> 00:18:10,359
Speaker 3: Polly's cute too, if you like the silent type.

335
00:18:10,600 --> 00:18:13,560
Speaker 9: I couldn't possibly think of sex at a time like this.

336
00:18:13,920 --> 00:18:19,000
Speaker 9: I'm completely focused on finding vandy before anything happens. I

337
00:18:19,800 --> 00:18:22,760
Speaker 9: guess i'd suck shock too. I like my men, how

338
00:18:22,800 --> 00:18:26,240
Speaker 9: I like my tea English and uncut and piping hot.

339
00:18:26,600 --> 00:18:28,960
Speaker 9: No silly down my open throat.

340
00:18:31,080 --> 00:18:37,960
Speaker 5: What Drew, I insist, Angela Lance Ferry, you first, christ Bird,

341
00:18:38,760 --> 00:18:40,200
Speaker 5: can just say anything else?

342
00:18:41,160 --> 00:18:42,680
Speaker 6: Drub?

343
00:18:43,000 --> 00:18:45,040
Speaker 5: How many goddamn peanut butter and jelly sandwiches?

344
00:18:45,080 --> 00:18:45,280
Speaker 3: Did that?

345
00:18:45,440 --> 00:18:46,480
Speaker 5: Idiot husband of mine?

346
00:18:46,560 --> 00:18:49,440
Speaker 1: Feed you, good baby boy? Lick it right off?

347
00:18:49,560 --> 00:18:51,880
Speaker 5: Could you just have some dignity?

348
00:18:51,960 --> 00:18:52,240
Speaker 3: Bird?

349
00:18:52,680 --> 00:18:55,120
Speaker 5: You know, King George the fifth owned in African Gray

350
00:18:55,240 --> 00:18:59,720
Speaker 5: named Charlotte. Now, I'm sure gorgeous Charlotte didn't go around.

351
00:19:00,640 --> 00:19:03,359
Speaker 1: I love you, I love you, my sweet Bertie Bark.

352
00:19:04,240 --> 00:19:08,159
Speaker 5: Just come now, come now into the cellar. We're supposed

353
00:19:08,160 --> 00:19:09,439
Speaker 5: to be looking for daddy bandy.

354
00:19:10,000 --> 00:19:13,000
Speaker 6: Come on, I love you, and I hate my.

355
00:19:13,240 --> 00:19:15,400
Speaker 9: Gay, unnaturally youthful husband.

356
00:19:16,320 --> 00:19:18,159
Speaker 3: In a word, fuck it.

357
00:19:20,040 --> 00:19:21,359
Speaker 1: I hate you, admit it, Jock.

358
00:19:21,440 --> 00:19:25,000
Speaker 3: But I'm scared me too, Polly.

359
00:19:25,760 --> 00:19:27,160
Speaker 6: This library is frightening.

360
00:19:28,160 --> 00:19:30,000
Speaker 7: I've never seen so many books in my life.

361
00:19:30,240 --> 00:19:31,560
Speaker 10: I'm not scared of books.

362
00:19:31,800 --> 00:19:34,440
Speaker 3: I'm scared of don't you hear that?

363
00:19:37,040 --> 00:19:38,320
Speaker 1: You think it might be a ghost.

364
00:19:38,640 --> 00:19:39,960
Speaker 6: I don't believe in ghosts.

365
00:19:40,400 --> 00:19:41,400
Speaker 3: Same same.

366
00:19:43,280 --> 00:19:46,760
Speaker 7: I did have a walking once, though, Oh what a walking?

367
00:19:47,840 --> 00:19:50,720
Speaker 7: When a spirit enters your body and like inhabits you,

368
00:19:51,800 --> 00:19:56,480
Speaker 7: makes you do things you don't want to do. Happened

369
00:19:56,480 --> 00:19:59,920
Speaker 7: about three years ago, I robbed a bank and fuck

370
00:20:00,040 --> 00:20:04,200
Speaker 7: a senior citizen. Tit's to the ground in a mangy

371
00:20:04,280 --> 00:20:06,520
Speaker 7: opus sounds horrible.

372
00:20:10,800 --> 00:20:13,320
Speaker 3: It sounds like my god.

373
00:20:14,040 --> 00:20:18,520
Speaker 9: I know that healthy, gorgeous belt and perfect pitch anywhere

374
00:20:19,240 --> 00:20:20,560
Speaker 9: it is Broadway.

375
00:20:20,359 --> 00:20:25,359
Speaker 1: Icon and Disney legend. Leah Salanga.

376
00:20:29,560 --> 00:20:33,120
Speaker 2: Feels wrong to be in Master Vandy's bedroom without him?

377
00:20:33,359 --> 00:20:34,320
Speaker 3: Were you in here a lot?

378
00:20:34,920 --> 00:20:39,400
Speaker 2: Sunday mornings? He took breakfast in bed. Master Vandy enjoyed

379
00:20:39,480 --> 00:20:44,080
Speaker 2: his routine, a cup of coffee and a twinky. He said,

380
00:20:44,119 --> 00:20:50,240
Speaker 2: it's not Hitchcock eight Master Andandy idolized Hitchcock, and not

381
00:20:50,480 --> 00:20:53,399
Speaker 2: just because his last name included the word cock. He

382
00:20:53,640 --> 00:20:57,080
Speaker 2: loved his films, wanted to make movies that would.

383
00:20:56,960 --> 00:21:01,960
Speaker 1: Leave a lasting impression, just like he is. Who must

384
00:21:02,040 --> 00:21:05,280
Speaker 1: have Vandy Vandy?

385
00:21:05,440 --> 00:21:08,520
Speaker 3: Can you hear me, Tush, it's not the time for yental.

386
00:21:09,320 --> 00:21:12,440
Speaker 3: It's never the time for yental. Now do you notice

387
00:21:12,440 --> 00:21:14,439
Speaker 3: anything out of the ordinary? Has anything been moved?

388
00:21:15,480 --> 00:21:16,359
Speaker 1: I don't think so.

389
00:21:17,080 --> 00:21:19,280
Speaker 2: But my eyesight isn't what it used to, because that's

390
00:21:19,280 --> 00:21:20,760
Speaker 2: why I use my binoculars.

391
00:21:21,000 --> 00:21:22,439
Speaker 1: What kind of books are you writing?

392
00:21:22,560 --> 00:21:23,080
Speaker 3: Excuse me?

393
00:21:23,520 --> 00:21:25,800
Speaker 2: At night, I look out from my bedroom into the

394
00:21:25,840 --> 00:21:29,000
Speaker 2: window of your cabin and watch your undress I mean type,

395
00:21:29,480 --> 00:21:31,240
Speaker 2: I mean stare at your computer.

396
00:21:31,560 --> 00:21:34,960
Speaker 3: And try to write. That's a little creepy.

397
00:21:35,480 --> 00:21:35,800
Speaker 1: Thank you.

398
00:21:36,040 --> 00:21:38,000
Speaker 4: Anyway, I've been working on a novel, but I can't

399
00:21:38,000 --> 00:21:41,520
Speaker 4: seem to find inspiration. Every time I stare at the screen,

400
00:21:41,640 --> 00:21:43,560
Speaker 4: I just shut down.

401
00:21:44,320 --> 00:21:48,040
Speaker 1: I know a girl Vance who wrote and wrote and wrote,

402
00:21:49,520 --> 00:21:51,959
Speaker 1: and Frank, I wonder what happened to her?

403
00:21:52,760 --> 00:21:55,160
Speaker 3: You knew, and Frank, sure, who didn't.

404
00:21:55,800 --> 00:21:56,439
Speaker 1: That's one thing.

405
00:21:56,520 --> 00:22:01,480
Speaker 2: Master Vandy had no trouble this inspiration. He worships the

406
00:22:01,560 --> 00:22:02,240
Speaker 2: male form.

407
00:22:02,560 --> 00:22:06,040
Speaker 1: Look at his bedroom wisconces long.

408
00:22:06,160 --> 00:22:08,439
Speaker 3: And curved, deeplyphantic.

409
00:22:08,680 --> 00:22:13,000
Speaker 2: No, and the chandelier from their understanding, see how the

410
00:22:13,119 --> 00:22:15,920
Speaker 2: crystal seemed to suggest but cheeks.

411
00:22:16,920 --> 00:22:17,120
Speaker 4: Yes.

412
00:22:17,840 --> 00:22:23,600
Speaker 2: Oh, and these statues marble imported from Italy, muscles and

413
00:22:23,840 --> 00:22:25,720
Speaker 2: pecks and blot sme.

414
00:22:26,520 --> 00:22:31,880
Speaker 1: And let's not forget the erect penises, so hard and smooth.

415
00:22:33,000 --> 00:22:35,280
Speaker 1: I love how they framed the bookshelves.

416
00:22:35,480 --> 00:22:38,760
Speaker 4: You must know the other guests pretty well. Who would

417
00:22:38,840 --> 00:22:41,760
Speaker 4: you say as a motive for wanting Bandy dead?

418
00:22:42,359 --> 00:22:44,719
Speaker 1: All of them? The awful people.

419
00:22:45,200 --> 00:22:48,360
Speaker 2: Kelly, for example, was very upset with Master Vandy last

420
00:22:48,440 --> 00:22:51,240
Speaker 2: night he wants apart in Master Vandy's new movie.

421
00:22:51,800 --> 00:22:55,160
Speaker 1: He mentioned it at dinner and Vandy went berserk.

422
00:22:57,480 --> 00:23:00,680
Speaker 6: There are only so many ways I can say, no, oh, Kelly,

423
00:23:01,200 --> 00:23:03,760
Speaker 6: you don't have the face for the silver screen. In fact,

424
00:23:04,040 --> 00:23:06,280
Speaker 6: you don't even have the face for the radio or

425
00:23:06,359 --> 00:23:08,920
Speaker 6: a fiction audio podcast series on iHeart.

426
00:23:09,240 --> 00:23:10,960
Speaker 1: You'd have to kill me to get into one of

427
00:23:11,000 --> 00:23:11,560
Speaker 1: my movies.

428
00:23:11,800 --> 00:23:13,000
Speaker 3: Maybe I will, Vandy.

429
00:23:14,000 --> 00:23:21,280
Speaker 1: Maybe, ah Well, it was very dramatic.

430
00:23:21,600 --> 00:23:24,960
Speaker 3: Kelly threatened to kill him in front of everyone. That's

431
00:23:25,960 --> 00:23:28,600
Speaker 3: not a great look. What did Reginald say?

432
00:23:28,960 --> 00:23:31,720
Speaker 1: Master Vandy and Master Reginald Lean separate lives?

433
00:23:32,440 --> 00:23:32,600
Speaker 3: Is it?

434
00:23:32,680 --> 00:23:34,760
Speaker 1: Boss? How do I put this?

435
00:23:36,080 --> 00:23:39,440
Speaker 2: Fucking other people? You see a lot from your job

436
00:23:39,480 --> 00:23:40,840
Speaker 2: in Boves, midnight snacks.

437
00:23:40,560 --> 00:23:41,359
Speaker 3: And lub runs.

438
00:23:41,600 --> 00:23:44,520
Speaker 4: They slept with other people in this house. Wouldn't one

439
00:23:44,560 --> 00:23:46,360
Speaker 4: of them see the other with a different guy?

440
00:23:47,040 --> 00:23:50,680
Speaker 2: Rumor is this mansion is loaded? The secret passageways only

441
00:23:50,800 --> 00:23:54,040
Speaker 2: Vandy knew about. But in all my years here, I've

442
00:23:54,160 --> 00:23:57,920
Speaker 2: never seen Fun's.

443
00:23:56,480 --> 00:23:58,919
Speaker 1: That It's coming from downstairs?

444
00:24:01,200 --> 00:24:04,280
Speaker 2: There there, Kelly, warm yourself by the fire in this

445
00:24:04,400 --> 00:24:05,919
Speaker 2: beautiful wood paneled study.

446
00:24:06,320 --> 00:24:06,960
Speaker 3: What's going on?

447
00:24:07,320 --> 00:24:08,720
Speaker 1: Kelly went outside in the store.

448
00:24:09,000 --> 00:24:13,560
Speaker 3: I'm worried he might have hypothermia. Ha, I can't feel

449
00:24:15,040 --> 00:24:18,760
Speaker 3: my dick. Why would he go outside in the storm.

450
00:24:19,359 --> 00:24:20,960
Speaker 8: Let's just trying to get.

451
00:24:24,560 --> 00:24:30,159
Speaker 9: Recepting on the fucking roof, on the roof, Plly, we

452
00:24:30,440 --> 00:24:35,200
Speaker 9: love that song? Up the ladder to the roof.

453
00:24:35,600 --> 00:24:38,040
Speaker 1: If we can see no saying it not now?

454
00:24:38,480 --> 00:24:39,040
Speaker 3: How well?

455
00:24:39,680 --> 00:24:42,000
Speaker 9: What kind of gay men are?

456
00:24:43,840 --> 00:24:44,199
Speaker 1: Awesome?

457
00:24:45,359 --> 00:24:47,880
Speaker 5: Creature of my hands before I straggle, laft.

458
00:24:48,320 --> 00:24:52,440
Speaker 4: Calm Birdie, sit on my shoulder, on my face, Henry,

459
00:24:52,440 --> 00:24:54,040
Speaker 4: we're supposed to stay with our partners.

460
00:24:54,080 --> 00:24:55,760
Speaker 3: How could you let Kelly out of your sight?

461
00:24:56,040 --> 00:24:58,359
Speaker 1: Kelly is a grown man sort of.

462
00:24:59,160 --> 00:25:01,439
Speaker 8: I can't be expect to watch him every single second.

463
00:25:01,920 --> 00:25:04,840
Speaker 1: That's exactly what a murderer would say. Are you suggesting

464
00:25:05,080 --> 00:25:06,080
Speaker 1: I killed Vandy?

465
00:25:06,440 --> 00:25:09,480
Speaker 8: I'm suggesting that maybe you snuck away from Kelly to

466
00:25:09,720 --> 00:25:14,119
Speaker 8: find him and then, yeah, murder him. If anyone is

467
00:25:14,200 --> 00:25:17,600
Speaker 8: going to kill Vandy, it would be you, Wilmer, since

468
00:25:17,600 --> 00:25:20,200
Speaker 8: you already admitted to try or Kelly.

469
00:25:20,840 --> 00:25:22,840
Speaker 1: He's the one who fought with Vandy last night.

470
00:25:24,880 --> 00:25:30,760
Speaker 3: I be his movie. But Shaq can vouch for me.

471
00:25:31,800 --> 00:25:33,600
Speaker 1: We were.

472
00:25:34,920 --> 00:25:43,120
Speaker 3: Fucking okay, casp Shack. Is this true? Yeah, it's true? Right, Hey,

473
00:25:43,240 --> 00:25:45,320
Speaker 3: what makes sense?

474
00:25:45,760 --> 00:25:49,640
Speaker 9: I'm sorry, but I can't picture it. You're an adonis

475
00:25:49,800 --> 00:25:50,720
Speaker 9: and Kelly is.

476
00:25:52,240 --> 00:25:53,320
Speaker 3: What exactly?

477
00:25:54,040 --> 00:25:57,199
Speaker 9: Darling, Let's be real, you're gross.

478
00:25:58,400 --> 00:26:01,120
Speaker 5: It's true, Kelly, you're not a girl, and I wish

479
00:26:01,200 --> 00:26:02,639
Speaker 5: your personality made up for it.

480
00:26:02,760 --> 00:26:04,479
Speaker 6: But that sucks too.

481
00:26:05,359 --> 00:26:09,280
Speaker 9: Jacques, you're sure you were fucking Kenny?

482
00:26:09,640 --> 00:26:10,240
Speaker 3: Pretty sure?

483
00:26:11,280 --> 00:26:14,320
Speaker 1: It just I mean, I mean, wow, he's.

484
00:26:14,760 --> 00:26:15,560
Speaker 3: Not that bad.

485
00:26:16,200 --> 00:26:16,760
Speaker 5: No, he is.

486
00:26:16,920 --> 00:26:19,919
Speaker 6: Hattie's should be with Harti's and Kelly is a.

487
00:26:21,800 --> 00:26:26,080
Speaker 1: Naughty I am not a naughty.

488
00:26:28,200 --> 00:26:31,320
Speaker 3: Well saw Ray. I don't know what to do in

489
00:26:31,400 --> 00:26:32,159
Speaker 3: a manhunt.

490
00:26:32,680 --> 00:26:35,040
Speaker 1: This house is so big. I don't know where to go.

491
00:26:35,840 --> 00:26:39,080
Speaker 1: Oh my god, James, Ah, you are right.

492
00:26:39,320 --> 00:26:42,840
Speaker 9: Maybe he has to go party. Polly's face looks like

493
00:26:42,960 --> 00:26:44,480
Speaker 9: that when he has to go number two.

494
00:26:44,640 --> 00:26:47,879
Speaker 3: No, I don't have to poop, not yet anyway. I

495
00:26:48,000 --> 00:26:49,879
Speaker 3: know where Vandy is. Follow me?

496
00:26:53,280 --> 00:26:54,800
Speaker 5: What are we doing in Vandy's bedroom?

497
00:26:55,119 --> 00:26:57,879
Speaker 3: We searched this, Tusha and I were here earlier. He

498
00:26:58,000 --> 00:27:02,600
Speaker 3: mentioned this house is full of secret pass Reginald is

499
00:27:02,720 --> 00:27:03,240
Speaker 3: this true?

500
00:27:04,040 --> 00:27:04,960
Speaker 5: Supposedly?

501
00:27:05,440 --> 00:27:08,280
Speaker 4: But just said he never discovered one. But what if

502
00:27:08,280 --> 00:27:12,679
Speaker 4: there's a passageway right in this room? Before you all

503
00:27:12,800 --> 00:27:14,399
Speaker 4: arrived Vandy told me.

504
00:27:14,720 --> 00:27:18,280
Speaker 6: I often find myself between a cock and a hard place.

505
00:27:18,880 --> 00:27:21,359
Speaker 6: And when I find myself in such a dilemma, I

506
00:27:21,520 --> 00:27:22,720
Speaker 6: know exactly.

507
00:27:22,320 --> 00:27:22,720
Speaker 3: Where to go.

508
00:27:23,520 --> 00:27:25,600
Speaker 8: Do you suppose he met between a rock and a

509
00:27:25,720 --> 00:27:26,320
Speaker 8: hard place?

510
00:27:26,480 --> 00:27:27,120
Speaker 3: That's what I thought.

511
00:27:27,240 --> 00:27:30,359
Speaker 4: But look at these statues, the beautiful men with their

512
00:27:30,440 --> 00:27:34,920
Speaker 4: fat heard dicks. There's a bookshelf between them, a cock

513
00:27:35,640 --> 00:27:36,560
Speaker 4: and a hard place.

514
00:27:36,600 --> 00:27:39,199
Speaker 9: What are you doing? Why are your hands on the.

515
00:27:40,840 --> 00:27:42,080
Speaker 3: Sarah Jessica Parker.

516
00:27:42,560 --> 00:27:45,560
Speaker 4: These dicks are levers, and the bookshelf is the door

517
00:27:45,640 --> 00:27:46,840
Speaker 4: to a secret passageway.

518
00:27:47,320 --> 00:27:49,480
Speaker 8: Oh are y'all?

519
00:27:49,920 --> 00:27:52,240
Speaker 3: I'll lead the way, shall we?

520
00:27:54,040 --> 00:27:57,320
Speaker 6: And so James did lead the way through the narrow,

521
00:27:58,040 --> 00:28:01,119
Speaker 6: tight little passageway that went my bedroom too.

522
00:28:02,160 --> 00:28:05,359
Speaker 1: Well, just listen, it's so dark.

523
00:28:05,840 --> 00:28:07,479
Speaker 9: I can't see a thing here.

524
00:28:07,600 --> 00:28:08,840
Speaker 3: Mooney, hold on to me.

525
00:28:09,640 --> 00:28:11,119
Speaker 1: Someone just grabbed my ass.

526
00:28:11,440 --> 00:28:15,960
Speaker 2: My bad, if I only had my wonglumos loumos.

527
00:28:16,560 --> 00:28:18,160
Speaker 10: Now someone just grabbed my other ass.

528
00:28:18,359 --> 00:28:19,639
Speaker 3: Come on, guys, stay with me.

529
00:28:21,240 --> 00:28:24,920
Speaker 6: As James walked, feeling for the potential light source, he

530
00:28:25,000 --> 00:28:27,960
Speaker 6: could hear Henry and Reginald whispering behind him.

531
00:28:28,440 --> 00:28:30,600
Speaker 5: Henry, are you thinking not here?

532
00:28:30,800 --> 00:28:31,160
Speaker 6: Not now?

533
00:28:31,600 --> 00:28:34,280
Speaker 1: I need it, Reginald I need my fix.

534
00:28:34,600 --> 00:28:38,640
Speaker 6: Then all of a sudden I stepped on something.

535
00:28:39,840 --> 00:28:41,120
Speaker 7: I think it was a gloss.

536
00:28:41,440 --> 00:28:42,680
Speaker 3: Quick. Someone must have a lighter.

537
00:28:43,000 --> 00:28:43,200
Speaker 4: I do.

538
00:28:43,600 --> 00:28:45,080
Speaker 1: I always have one in me on me.

539
00:28:46,200 --> 00:28:49,680
Speaker 6: Suddenly the passageway was illuminated by a hint of buttery light.

540
00:28:50,520 --> 00:28:54,080
Speaker 6: James saw Reginald slip something into Henry's hand, which Henry

541
00:28:54,160 --> 00:28:58,080
Speaker 6: immediately pocketed, something that looked like drugs.

542
00:28:59,000 --> 00:29:01,560
Speaker 3: There it is a glass Jacques stepped on.

543
00:29:01,880 --> 00:29:03,360
Speaker 9: You only crushed half of it.

544
00:29:04,040 --> 00:29:06,360
Speaker 3: Looks like a Brandy sniffer.

545
00:29:07,280 --> 00:29:12,600
Speaker 2: Master Andy drank Brandy every night before bait Crozy eighteen

546
00:29:12,760 --> 00:29:13,360
Speaker 2: fifty eight.

547
00:29:13,680 --> 00:29:15,240
Speaker 3: Reginald pass me the lighter.

548
00:29:15,440 --> 00:29:16,960
Speaker 1: Why what do you just give it to me?

549
00:29:17,120 --> 00:29:21,640
Speaker 6: Fine, bossy James took the lighter and held it out

550
00:29:21,680 --> 00:29:25,560
Speaker 6: before him. Shadows played on the walls, the ceiling.

551
00:29:25,280 --> 00:29:28,800
Speaker 3: And up there.

552
00:29:29,640 --> 00:29:32,360
Speaker 9: Look it's by.

553
00:29:34,800 --> 00:29:36,480
Speaker 3: Everyone stays still and calm.

554
00:29:36,720 --> 00:29:40,480
Speaker 1: Ye someone checked his posts.

555
00:29:40,520 --> 00:29:40,880
Speaker 6: I will.

556
00:29:41,280 --> 00:29:43,840
Speaker 3: I'm a decorator. I'm used to people fainting once they

557
00:29:43,920 --> 00:29:44,440
Speaker 3: get my bill.

558
00:29:44,840 --> 00:29:47,880
Speaker 6: Henry bent down and pressed his fingers to my neck,

559
00:29:48,320 --> 00:29:52,040
Speaker 6: waiting for a pulse, a pulse that never came.

560
00:29:52,160 --> 00:30:00,720
Speaker 3: Coucky klondike, Bob a lion, shut up, He's dead, Bandy's

561
00:30:00,800 --> 00:30:03,160
Speaker 3: dead for real this time?

562
00:30:07,920 --> 00:30:11,160
Speaker 1: Next time on? Does this murder make me look gay?

563
00:30:11,880 --> 00:30:15,520
Speaker 8: Look at Bandy's body displayed out like that.

564
00:30:17,320 --> 00:30:19,840
Speaker 5: My husband is certainly more flexible in death than he

565
00:30:20,000 --> 00:30:20,560
Speaker 5: was in life.

566
00:30:22,120 --> 00:30:26,160
Speaker 1: Shoot the sherbet, slam the hen. Who what are we

567
00:30:26,240 --> 00:30:28,840
Speaker 1: going to eat for lunch? I've seen part of yellow jackets.

568
00:30:29,040 --> 00:30:31,440
Speaker 1: Now I say we snack on little Kelly me.

569
00:30:32,280 --> 00:30:32,760
Speaker 3: Wait what?

570
00:30:33,640 --> 00:30:36,360
Speaker 5: Jacques is a muscle? Ill Moon is too thin?

571
00:30:36,600 --> 00:30:40,720
Speaker 3: Ick you you're just the army hammer pick of the week,

572
00:30:41,520 --> 00:30:48,560
Speaker 3: underwear socks? Wait? What arsenic? Gay?

573
00:30:48,720 --> 00:30:49,040
Speaker 1: Gasp?

574
00:30:49,520 --> 00:30:51,800
Speaker 3: I think I just found the murder weapon?

575
00:30:52,320 --> 00:30:52,560
Speaker 9: Ah?

576
00:30:55,400 --> 00:30:58,200
Speaker 10: Does this murder make me look gay? Stars Michael Ury

577
00:30:58,360 --> 00:31:03,040
Speaker 10: as James Wilson, Douglas Sills as Reginald Divine, Robin de

578
00:31:03,160 --> 00:31:07,760
Speaker 10: Jesus as Wilmer Munroe, Sienne Jackson as Jacques saint Cock,

579
00:31:08,600 --> 00:31:12,440
Speaker 10: Sean Patrick Doyle as Madame Moon, Brad Oscar as Tush

580
00:31:12,520 --> 00:31:17,160
Speaker 10: von Munch, Nathan Lee Graham as Henry Jacobs, Frankie Grande

581
00:31:17,400 --> 00:31:22,400
Speaker 10: as Kelly Raymorean Flanagan, Seth Rudetsky as Polly Barker, Leah

582
00:31:22,440 --> 00:31:26,960
Speaker 10: Delaria as TJ featuring Kate McKinnon as Angela Lansferry, with

583
00:31:27,160 --> 00:31:31,480
Speaker 10: Leah Salga as herself and Jonathan Freeman as Vandy Jeremiah

584
00:31:31,520 --> 00:31:36,560
Speaker 10: Monroe the Third. Additional performances by Ryan Steele, Mallory Portnoy,

585
00:31:37,040 --> 00:31:41,600
Speaker 10: Emily Lynn, Nacho, tem Bunting. Written and directed by Ted Mallower.

586
00:31:42,280 --> 00:31:47,000
Speaker 10: Executive producer Ted Mallower. Executive producers for Ninth Planet Audio

587
00:31:47,280 --> 00:31:51,360
Speaker 10: Elizabeth Baquitt and Jimmy Miller. Hank Wittard served as story editor.

588
00:31:52,120 --> 00:31:56,160
Speaker 10: Original score composed by Peter Lerman. Original score produced and

589
00:31:56,320 --> 00:31:59,960
Speaker 10: mixed by Alex Bonoff. Theme song performed by Ted mallowre

590
00:32:00,680 --> 00:32:04,280
Speaker 10: written by Ted Mallower and Peter Lherman. Piano accompaniment for

591
00:32:04,400 --> 00:32:08,400
Speaker 10: Madam Moon by Jacob Yates. Casting by Adam Caldwell, Karen

592
00:32:08,440 --> 00:32:12,080
Speaker 10: Cassel and Rachel Hoffman at Telsey in Company. Audio post

593
00:32:12,120 --> 00:32:17,120
Speaker 10: production by One Thousand Birds Principal recording, dialogue, editing, sound

594
00:32:17,200 --> 00:32:21,520
Speaker 10: design and mixing by Torren Geller, Andrew Tracy and Haley Livingston.

595
00:32:22,000 --> 00:32:26,479
Speaker 10: Audio post executive producers Gwen Frailing and Kiera mcnight. Production

596
00:32:26,600 --> 00:32:32,600
Speaker 10: coordinators Hannah Dickinson, Gillian Langanelli, Isabella Danzy and Rose kelso Key.

597
00:32:32,720 --> 00:32:36,400
Speaker 10: Art by Ben Wiseman. Production accounting by Dill pret SINGH

598
00:32:37,280 --> 00:32:42,440
Speaker 10: Special Thanks to Jordan Serf, Daniella Fetterman, Morgan Gould, Eric Harper,

599
00:32:43,120 --> 00:32:49,080
Speaker 10: Aaron Jenkin, Chelsea Krepps, Will O'Donnell, Don Saltzman, Michael Stearns,

600
00:32:49,320 --> 00:32:51,960
Speaker 10: and Josh Pultz. Does This Murder Make Me Look Gay?

601
00:32:52,200 --> 00:32:55,040
Speaker 10: Is a production of Ninth Planet Audio in association with

602
00:32:55,160 --> 00:32:58,880
Speaker 10: iHeart Podcasts. This podcast was recorded under a SAG after

603
00:32:58,960 --> 00:33:04,200
Speaker 10: a collective bargaining agree. Em m HM holds like controller

604
00:33:04,280 --> 00:33:05,560
Speaker 10: is gonna gop landing Rentro.

605
00:33:06,080 --> 00:33:06,440
Speaker 6: I don't know.

606
00:33:06,720 --> 00:33:10,920
Speaker 8: I know he's saying, non control No nine Planet Audio

607
00:33:11,520 --> 00:33:12,840
Speaker 8: capcom we're gop landing.

608
00:33:13,280 --> 00:33:14,320
Speaker 9: You're no laming over

609
00:33:17,720 --> 00:33:17,760
Speaker 4: H