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Speaker 1: Hey, welcome back to another episode of Alchemis Covid. Yes, Kevin,

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Speaker 1: what's well? I like my spicy I like mine uh

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Speaker 1: spicy attack And you could take that however you'd like,

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Speaker 1: because I mean it in a couple of different ways.

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Speaker 1: But I digress. Let's meet our alchemists, shall we? In

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Speaker 1: a particular order? Say? Hey to Chris Anthony Alvarado Light nine?

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Speaker 1: What works better for you? A night shoot meaning six

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Speaker 1: pm to six am or Splits noon to midnight. I'm

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Speaker 1: first of all, I'm just imagining a scenario where I

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Speaker 1: get to work. Let's stay there a minute. I'm fine

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Speaker 1: with it, Kevin. I would just be happy to work.

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Speaker 1: I would just be happy to work. I don't know.

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Speaker 1: Maybe Craig can answer that question better. I don't have

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Speaker 1: a preference, man, just just just want to work. Do

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Speaker 1: you feel like a Splits guy? Like a noon to

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Speaker 1: midnight would be your comfort zone? Because what was the

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Speaker 1: other one? Agend six pm to six am? Yeah? No,

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Speaker 1: and who wants that one? Thanks? Not a lot of people.

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Speaker 1: I'll sometimes read the script and it says exterior night.

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Speaker 1: I'll go nope, pass. That must be really nice, Kevin,

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Speaker 1: that must be really nice. Give you the script. Yeah,

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Speaker 1: I don't say it to my agent or anyone. I

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Speaker 1: say it to myself. That's all right, pass shut up,

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Speaker 1: I tell myself. And now Craig Atkowski with his summer

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Speaker 1: pool etiquette corner, cow Kevin, I'm here at your pool.

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Speaker 1: I'm right outside your house right now. And uh, there

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Speaker 1: is there is a baby Ruth floating in the pool.

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Speaker 1: It looks delicious. I'm just gonna take a bite. And

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Speaker 1: that oh that is not that is not a baby Ruth.

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Speaker 1: That is a butterfinger. And I have a peanut allergy.

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Speaker 1: Oh uh okay, that's it, Thank you, Craig. Oh Carol whacked.

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Speaker 1: What would it take to get you back on the

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Speaker 1: ice in a professional capacity, and by that I mean

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Speaker 1: as Snoopy and a new production of Peanuts on ice? Oh,

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Speaker 1: I would love to do that. I would need to

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Speaker 1: be maybe have like my legs cut off beneath the

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Speaker 1: knee or something, because I feel like I'm too big now,

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Speaker 1: I'm too tall, and I'm about twenty years too old

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Speaker 1: to be skating professionally, right, That's what I'm wondering. What

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Speaker 1: it would take. Well, that there's your answer, So find

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Speaker 1: me a doctor that'll do it and I'll be back

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Speaker 1: on the ice tomorrow. Okay, sorry, just got a loser

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Speaker 1: below the knees. What the who? Now it's a tool,

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Speaker 1: sing big daddy. Would you rather own a bird or

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Speaker 1: a lizard? And why? Oh, that's tough. That's tough. You know.

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Speaker 1: I went down to there's a hotel down and and

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Speaker 1: uh and like Laguda beach area, and they have a

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Speaker 1: falconer and this guy. They don't to keep the seagulls away,

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Speaker 1: they fly falcons and this guy comes out three times

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Speaker 1: a week and he just scares them all the way

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Speaker 1: and he does a show and tell at like eleven am.

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Speaker 1: And it was fantastic. So I'm leaning towards bird and

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Speaker 1: I'm leaning towards bird of prey. Um it was. And

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Speaker 1: then I heard in the Middle East as a big deal,

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Speaker 1: falconers are like a very common thing to raise, and like, uh,

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Speaker 1: and it sounds beautiful and to to go hunting with

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Speaker 1: that's what the guy and looking at the beach does.

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Speaker 1: He goes hunting. Isn't the fellow the person the falconeer? Yeah? Yeah,

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Speaker 1: I I messed up there And I said, okay, no,

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Speaker 1: I picked up them raising falcon eres and I'm pretty

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Speaker 1: excited about it. Yeah, no, no, no, they're they're they're

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Speaker 1: they're raising falconers because you're gonna be a falcon air

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Speaker 1: when year old. Okay, mommy, yeah, that's that. I like. Uh.

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Speaker 1: And last but two in the coconut if you think

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Speaker 1: him least, it's Joey Greer. Smear Greer campaign. Tell us

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Speaker 1: why we should vote for you in two thousand two. Um,

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Speaker 1: because you're tomb asked. If you don't, idiot, vote for

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Speaker 1: me if you want to be able to bench press

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Speaker 1: six frons your pounds all right? If if you vote

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Speaker 1: for me, you're gonna be able to bench for six

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Speaker 1: hundred lbs. And I guarantee that everyone can drink as

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Speaker 1: much gastling as they want. I'm getting rid of that law.

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Speaker 1: I think it's a dumb law. Thank you. Let's do

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Speaker 1: a damn show. All of our scene suggestions gathered from

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Speaker 1: your listener emails or from our patroon b I p

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Speaker 1: s to pick up a patron support of the show

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Speaker 1: and a joy exclusive content another perk. Just head on

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Speaker 1: over to patreon dot com slash on me this. If

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Speaker 1: you like a submit a scene suggested by email, please

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Speaker 1: write to the podcast at our new email address. Alchemy

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Speaker 1: does email at gmail dot com. That's Alchemy that emails.

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Speaker 1: Scene one comes from patron VP Beaker a k A

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Speaker 1: Sean who wrote hey KP and the A Holes whoa

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Speaker 1: alchemist Holes got it. There have been a few instances

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Speaker 1: where I've submitted a scene suggestion and then the very

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Speaker 1: next episode there's a scene strikingly submit familiar to what

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Speaker 1: I had sent. Per example, when I suggested a scene

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Speaker 1: about the crime of a century solely to hear Joey's

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Speaker 1: outrageous French detective character, there was a murder mystery seen

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Speaker 1: the very next episode where I believe that character may

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Speaker 1: have made in appearance. More recently, I suggested the frogs

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Speaker 1: heavily invested in bitcoin, and then the next episode had

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Speaker 1: a scene about paras health, and I think that was

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Speaker 1: the frogs investing in bitcoin. Yeah, now I know what

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Speaker 1: you're thinking. These two characters aren't at all similar. At

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Speaker 1: least one is gross looking creature famous for something they

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Speaker 1: can do with their tongue that lives in a disgusting swamp,

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Speaker 1: and the other is a frog. Oh that old chestnut.

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Speaker 1: So my goal here is a submit a scene suggesting

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Speaker 1: that is stupidly outrageous that I have also personally witnessed

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Speaker 1: in the hopes that there is no possible way someone

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Speaker 1: who could submit anything similar to it. Here it is

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Speaker 1: a rogue meatball thrower terrorizes a college campus. Bona petite shaw. Okay,

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Speaker 1: this all areas we're gonna just off limits. Hey, listen,

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Speaker 1: okay for me, Okay, your tuition does in My job

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Speaker 1: is to make sure everybody is safe. You're the cool

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Speaker 1: security guard. Yeah, I am a cool security guard. But

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Speaker 1: guess what it's getting heat in here because there's a

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Speaker 1: real crime being commit real heating. All right, so we

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Speaker 1: can still score dope from you though, right, Come on, alright, Tyler,

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Speaker 1: don't call it scoring dope. It makes very very old Tyler.

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Speaker 1: Everyone thinks you're like a really old man pretending to

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Speaker 1: be a college student't and you really don't do yourself

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Speaker 1: any favors in order to make us not think that?

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Speaker 1: Can you lay off Tyler for a second here and

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Speaker 1: I click on music on fashion all right? Now leave

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Speaker 1: him alone? All right? Now? Look, okay, okay, look there

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Speaker 1: is some rose meatball through we're going around here, and

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Speaker 1: I look, you're my core group kids. I gotta protect Okay, Bobby, Bobby,

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Speaker 1: it sounds like you're the one who scoring dope. Dude.

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Speaker 1: Roh sure, Now it's my fear to say it's a callback. Tyler,

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Speaker 1: Jesus Dodd, Tyler, you know callbacks are cool with college students.

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Speaker 1: I did not know that. Well, you're not a college student.

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Speaker 1: That makes sense. Tell us about this rogue meatball thrower?

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Speaker 1: Sounds delicious. What's the problem? Alright? Look, I shouldn't been

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Speaker 1: doing you this, alright because my uh, my CEO or

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Speaker 1: whatever it's called, ahead of me. Hold on, hold on

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Speaker 1: your corrections officer. Are you inrobation? No? No, I just

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Speaker 1: meant my CEO, my my top tier guy. You wouldn't

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Speaker 1: confuse them, are you? Okay? Yeah, I just hit my

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Speaker 1: hand on my baton. Alright, your kids gotta know. Are

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Speaker 1: you in probation, Bubby? Yeah, it stands for both criminal.

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Speaker 1: Uh uh informing? You don't know either. I don't know,

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Speaker 1: I don't know. I do have I do have information

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Speaker 1: on the meatballs. Okay, great, that's okay, great. So look,

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Speaker 1: I know what's not supposed to do this, But I

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Speaker 1: brought in all my kid friends, all right, and I

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Speaker 1: was going down and I think they need to hear,

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Speaker 1: because I think they might be able to be our

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Speaker 1: boots on the ground. Chief. How how you doing, kids,

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Speaker 1: I'm his CEO. I'm his CEO, and you take his

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Speaker 1: like his like P tests and stuff right and make

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Speaker 1: sure he's like going to meetings and everything. Oh my, Darren,

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Speaker 1: come on, alright, fine, I'll drop it. See I know

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Speaker 1: when to leave a joke. Tyler, it's not working anymore. Okay,

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Speaker 1: you were saying, look, I do have him do P test,

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Speaker 1: but that's just from my own information. Okay, there's been

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Speaker 1: a rogue meatball thrower, and it's surprising that it hasn't

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Speaker 1: permeated the campus more because you know, one kid might

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Speaker 1: lose an eye, another kid might lose a knee. Oh yeah,

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Speaker 1: so it's it's serious. You know when you get a

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Speaker 1: tightly packed beef meat ball or a meat meat pork hybrid. Uh.

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Speaker 1: I don't know why you put ham in there? Pork? Yeah, Belery, Belery?

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Speaker 1: What why are you taking this the heart? Because I'm

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Speaker 1: a I'm an effing culinary arts major. Okay, and when

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Speaker 1: people say ham instead of pork or is repeat the

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Speaker 1: same meat, it really peas me. Oh okay, jeez, I

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Speaker 1: get p O, Hey, how's it going. Listen? Can I

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Speaker 1: get like thirty to forty meat balls? Yeah? Yeah, yeah.

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Speaker 1: I don't want the pasta, I don't want the garlic bread.

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Speaker 1: I just want, let's just say, forty meat balls. How

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Speaker 1: you gonna eat them with wet? I got a big family.

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Speaker 1: You got a big family, cousins, but relatives are in

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Speaker 1: from out of town. Uh not? Tr Listen, if you're

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Speaker 1: I'm happy. I'm happy to have the sauce if I

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Speaker 1: can just get it on the side, sauce on the side,

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Speaker 1: cap of. It's also not Italy, alright, gweed's Hey, Valerie,

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Speaker 1: Sorry I'm showing up to your dorm room un announced.

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Speaker 1: That's okay. I just wanted to apologize. I didn't mean

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Speaker 1: to jump, you know, jump down your throat because you

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Speaker 1: had a reaction to the meat. It's just I don't know.

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Speaker 1: I just ten o'clock. You can't have any guys on

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Speaker 1: the floor. He's not a guy. It's just my friend.

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Speaker 1: He I don't see him in a sexual way at all.

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Speaker 1: Don't worry about it. Totally naked, all right? If he's not,

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Speaker 1: that's not that's not certain, sir, Because you know sparks

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Speaker 1: can occur. I would say, it's like basically like I'm

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Speaker 1: wearing rubber and he could be a live wire, but

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Speaker 1: I'm totally killing it. It checks out, all right, Thank

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Speaker 1: you for the update. So what were you saying? No,

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Speaker 1: I gotta get I gotta get I gotta get going.

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Speaker 1: He's just getting You walked all the way across campus

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Speaker 1: to my dorm. It's like a three mile walk. Yeah. Um,

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Speaker 1: you have a You have a good night, are you, Tyler?

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Speaker 1: Thanks for meeting me in my office to talk about

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Speaker 1: your paper. Um, I'm really I'm really surprised. A lot

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Speaker 1: of these references are personal, personal references, and yeah, well

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Speaker 1: you're citing things that happened in the seventies, right, that's amazing.

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Speaker 1: You're You're creative writing is fantastic. Thank you, really enjoy it.

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Speaker 1: Thank you. I think you got a long road ahead

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Speaker 1: of you. I don't know why I always think in

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Speaker 1: terms of period you know, Uh huh, Yeah, it's fantastic.

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Speaker 1: I really, I really really like it. Would you mind

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Speaker 1: if I submit this to the National Board of College

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Speaker 1: Kids who Write Papers? Uh? What? But the National Board

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Speaker 1: of College Kids who Write Papers, it's uh one of

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Speaker 1: the most prestigious places to have your paper published? Who

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Speaker 1: has a college kid writes papers to what end? What

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Speaker 1: would be the purpose you'd be published? Right? Well, what's

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Speaker 1: up to you, tyler. I don't want to push you

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Speaker 1: in any direction. You don't want to feel pushed. Okay, yeah, okay, cool.

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Speaker 1: Welcome to this year's meeting of the NBC k w

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Speaker 1: w P. Uh and uh we've got uh. I think

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Speaker 1: we've got some great submissions this year. We are going

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Speaker 1: through every single college kid who wrote a paper this year.

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Speaker 1: But there is there is gold, there is gold there. Uh,

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Speaker 1: let's uh st we have. Did you get my agenda

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Speaker 1: item for possibly changing our name? I did get that.

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Speaker 1: I assumed it was a joke. But are you saying

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Speaker 1: it to not? No, I just wanted to. I put

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Speaker 1: it through every year to to possibly change our names

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Speaker 1: so our abbreviation is a little bit smaller. We've been

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Speaker 1: the NBC k w w P for I don't know

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Speaker 1: how long, forty six years. I know forty six years.

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Speaker 1: All right, if it's gonna be tabled again, we're the

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Speaker 1: National Board of college kids who write papers, Steve, and

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Speaker 1: it's not an argument about our mission and what we're doing.

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Speaker 1: And we've left the ove. We've left the ove out

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Speaker 1: of the acronym. Security guard, Bobby, security guard, Bobby Darren?

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Speaker 1: Are you doing? Man? Gonna see you? Um? I know

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Speaker 1: it's not my job and stuff, but I just started

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Speaker 1: doing like a little like p I ing, you know,

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Speaker 1: like i'men investigating and stuff. You know, that's what I

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Speaker 1: don't know things. Um, but I like doing some like

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Speaker 1: taking the inventory of people of how many meatballs are

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Speaker 1: purchased in the area recently. You know, huh it's pretty

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Speaker 1: easy to at that information. How did you do that?

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Speaker 1: So I found out that this one guy, he bought

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Speaker 1: forty meatballs with no sauce just last night over at Dominicos.

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Speaker 1: What do you meat balls just last night? No socks?

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Speaker 1: Wait wait, I should be in on this because I'm

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Speaker 1: a CEO. Um. Chief, he's telling me that some time

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Speaker 1: named Domenico meat Balls. Last night the restaurant was Dominico's.

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Speaker 1: I think I think we should do some kind of

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Speaker 1: maybe sting operation or raid or I don't know. You

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Speaker 1: tell me, Chief, Oh, it's mean it's I made to

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Speaker 1: decide what we should do. Ye But yeah, yeah, you're

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Speaker 1: the p I. You're the piston taker. Hey VLT. Sorry,

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Speaker 1: I just shut up to your dorm and announced that's okay. Um,

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Speaker 1: are you gonna say more than last time? You just

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Speaker 1: kind of ran away abruptly last time. Who's at the door? Oh,

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Speaker 1: it's just a I mean I wouldn't even really call

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Speaker 1: him a guy. I don't think of him that way.

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Speaker 1: I kind of think of him more as like a

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Speaker 1: blank sheet of like eight by ten and a half paper. Yeah,

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Speaker 1: I'm not even like a brother, I would say, more

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Speaker 1: of just like a person. I know. I just want

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Speaker 1: to tell you I'm well, I'm going away in a

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Speaker 1: dangerous mission. And enough guys on the floor unless you're

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Speaker 1: already in the room. Oh no, it's just my boyfriend

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Speaker 1: that I've been fucking. And then this guy came up

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Speaker 1: to the door. But it's again, it's the same guys before.

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Speaker 1: It's not. It's just like a even like more benign

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Speaker 1: than a friend. All right, thank you, you're welcome. What's

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Speaker 1: the dangerous mission is it? I can't talk a lot

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Speaker 1: of but let's just say I'm going to undercover and

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Speaker 1: things might get crazy. So I just wanted to say, so,

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Speaker 1: what's going undercover? What was your name, dude, Bruce? What's up? Man? Yeah,

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Speaker 1: he's named after Batman. Take taket care of her. You

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Speaker 1: know what I mean? Tyler in my office, you've been

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Speaker 1: undercover for two years at that college, and what do

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Speaker 1: I see here? You're in the College kids goddamn paper

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Speaker 1: magazine with a with an essay in here. It's pretty good,

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Speaker 1: essays you read it? Sir? Yeah, so we're yeah, you

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Speaker 1: shouldn't be. This brings attention. We're sending in the second

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Speaker 1: undercover agent. Whoa, whoa, whoa, whoa. That's not fair. He's

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Speaker 1: already there. All right, You're not gonna know who he is.

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Speaker 1: There's no way you're gonna be able to tell what

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Speaker 1: he's gonna be. You're not gonna tell me. He will

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Speaker 1: decide if he wants to. Hey, hell, are you just

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Speaker 1: trying to fight my class schedule? Yeah, he sated, Billy,

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Speaker 1: we're gonna take you off the undercover assignment. Well, is

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Speaker 1: it because my loan? Thanks for visiting me in the hospital.

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Speaker 1: Everybody guess I was in over my head. Tell you what,

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Speaker 1: when those meatballs came flying, I thought of all of you.

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Speaker 1: You're all my best friends. Can we get some more jello?

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Speaker 1: They don't. Don't don't stress man. Hey, Bobby, I don't

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Speaker 1: know how you do this job. Man. Being security is tough. Yeah,

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Speaker 1: yeah about now, can you hold my hand for a second?

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Speaker 1: Oh yeah, Oh oh my god, you have so much

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Speaker 1: raw meat on it still these were uncooked. Yeah, that's

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Speaker 1: that's the kicker is I think I might have some

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Speaker 1: kind of food poisoning as well. Working there. You can

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Speaker 1: have tricking noses or ham h. You can't have this

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Speaker 1: many people visiting him. Only if there's like a girlfriend,

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Speaker 1: they can stay, but we can't have Okay, well, then

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Speaker 1: if i'll actually leave you, maybe cousin up in credentials.

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Speaker 1: Mr doctor here, take a look at this duck to

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Speaker 1: shop s h h. I can read man. Okay, great, okay,

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Speaker 1: so you got yourself a badge. Good for you. I

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Speaker 1: still need some more proof that you're his doctor. Tyler,

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Speaker 1: what's going on? Tyler? Where are you acting like this?

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Speaker 1: Trying to kick us all out? I wanted to make

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Speaker 1: sure that he's the right authority to do so, Tyler,

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Speaker 1: of course he is. Why would anyone be someone who

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Speaker 1: they say they're not. That's something an old person would say.

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Speaker 1: I feel, but I just said it what Tyler said.

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Speaker 1: That's that's kind of an old person think too, yeah, chief,

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Speaker 1: but of course, all right, look, I gotta cut clean,

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Speaker 1: come clean, cut, I gotta cut to the chase. I

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Speaker 1: gotta come clean everybody. I'm actually I'm actually four years old.

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Speaker 1: I've been going to cover this whole time. Okay, what

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Speaker 1: is happening? Mind grapes? Bloom, mind grapes? Somebody does that mean?

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Speaker 1: Mind grapes? Just it's like your marbles in your head?

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Speaker 1: Is anybody else anybody else undercover? You have to say

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Speaker 1: it if you're okay, I'm also undercover. God damnage me.

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Speaker 1: I'm eight years of age and have a wife and

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Speaker 1: fifteen children. It's a long story. I've been value probably

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Speaker 1: undercover right now. That's why you were doing that whole

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Speaker 1: thing where like you weren't into me. But you can

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Speaker 1: drop it now. No, you guys am a culinary I

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Speaker 1: I'm a culinary science major. I'm getting nervous talking in

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Speaker 1: front of people. That's why I'm messing up. And I'm

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Speaker 1: absolutely not into no offense. I actually today's the first

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Speaker 1: time I'm even learning that you even have like a

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Speaker 1: penis not that you have to have genitals in order

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Speaker 1: to be you know whatever. But yeah, it couldn't be

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Speaker 1: less into you. Honestly, you should roll your gown down

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Speaker 1: a little bit because we're seeing everything. Not a scene

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Speaker 1: one seen one everybody. Oh, yes it is, that's what

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Speaker 1: that is? Who seen? To come from from Heather, who

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Speaker 1: wrote I really love you guys so much, all of you.

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Speaker 1: But sometimes the show is a huge sausage party? Is

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Speaker 1: it difficult finding women to join in? At the beginning

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Speaker 1: there was Vanessa sound of Angels, angel chorls. That's great,

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Speaker 1: and then Carla, Jackie and Jackie. There should never be

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Speaker 1: an episode without at least one woman. I'm a woman

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Speaker 1: who has worked for thirty years in construction. If we

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Speaker 1: can represent women there, surely you guys can too. I

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Speaker 1: also have a scene suggestion, if I haven't offended you

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Speaker 1: by complaining about gender representation, m the blue Bird of

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Speaker 1: Happiness and the Ostrich of Despair go to marriage counseling.

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Speaker 1: Thanks more chicks, please, Heather. I wrote back to Heather,

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Speaker 1: just saying that if there's never not a woman presidents

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Speaker 1: because they weren't available. Uh, we were oken by our

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Speaker 1: listeners about a year ago, and I've I've been doing

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Speaker 1: my damns and so if there is an a gal president.

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Speaker 1: The gals told me to go fund myself. So yeah,

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Speaker 1: that's right. And Carol back to this. Uh yeah, So

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Speaker 1: blue Bird, I I hear you saying that you don't

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Speaker 1: want children, and Ostrich, I hear you saying more chicks please.

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Speaker 1: Oh yeah, that's right. Um, I absolutely do not want

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Speaker 1: um more children. I can't make the eggs anymore. I

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Speaker 1: can't shoot them out, I can't sit on them. I

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Speaker 1: have stuff to do. Um yeah, excuse me nothing, go ahead,

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Speaker 1: so that you can't flip houses. You can't just say

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Speaker 1: you're houses. Okay, okay, let's let's let bluebird talk. Ostrich.

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Speaker 1: Thank you. That was interesting what the therapist just said.

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Speaker 1: As you hear that said, let the bluebird talk, Ostrich,

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Speaker 1: it's like almost like you're talking over me or being

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Speaker 1: a pain in the ass who sticks their head in

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Speaker 1: the ground. Whenever I get upset about something, or whenever

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Speaker 1: I go find a really amazing property for a really

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Speaker 1: low price that I say, I can absolutely put ship

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Speaker 1: lap all over here and apply some nice end uh

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Speaker 1: finishes and sell it for five times of value. Because

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Speaker 1: you watch what sixty hours of h G TV in

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Speaker 1: a day, you don't know how to do this. You

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Speaker 1: don't have thumbs. You got that, And why don't I

360
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Speaker 1: have thumbs? That's God's fault, not mine. That's God's fault. Look,

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Speaker 1: we're all birds here. We're all birds here, Okay, none

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Speaker 1: of us have thumbs. That it shouldn't be an issue.

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Speaker 1: But Ostrich, what I'm hearing her say is that, uh,

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Speaker 1: you know, you're the eggs that you implant in her

365
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Speaker 1: are much are are about twice her size, so they're

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Speaker 1: difficult to pass. Yeah, and we knew that was going

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Speaker 1: to be a problem when we got together, but you know,

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Speaker 1: things were different then. We both were at looser holes.

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Speaker 1: Both that pretty loose holes, so it wasn't an issue.

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Speaker 1: It was But now with just stress and can I

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Speaker 1: ask what attracted the two of you in the first place? Um, well,

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Speaker 1: I know this is I'm sure going to open up

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Speaker 1: a host of a bunch of other issues. But he

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Speaker 1: was really good friends with my dad, um, and so

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Speaker 1: I kind of saw him as like this kind of

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Speaker 1: father figure. But of course, you know, he was younger

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Speaker 1: and then being a whole different species was obviously a

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Speaker 1: big attraction to um. Cut back to the day they met,

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Speaker 1: m Okay, I'll go along the strong. Thanks Mr boober, hey, um,

380
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Speaker 1: bring it in, bring it in? What do you sweetie?

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Speaker 1: What are you doing now here? Huh? I just I

382
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Speaker 1: don't know. Mom, sit to check in on what the

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00:24:09,920 --> 00:24:16,919
Speaker 1: guys were doing. Um, and I was done finishing um cooking. Okay, alright,

384
00:24:17,480 --> 00:24:19,240
Speaker 1: you can take a listen. Look. Look, I'm trying to

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Speaker 1: teach this this young ostrich here what it means to

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Speaker 1: be an adult. You know, he doesn't have a lot

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Speaker 1: of good uh figures in his life. Who can show

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Speaker 1: him what it's like? And I wonder what it's like

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Speaker 1: to be a dad. Get over here here, Oh my god,

390
00:24:37,320 --> 00:24:42,280
Speaker 1: are your parents dead? Before that, have a beer? I

391
00:24:42,320 --> 00:24:44,840
Speaker 1: need to grab a beer. So they are dead? Well?

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Speaker 1: I didn't want to hear that, my man. It makes

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Speaker 1: me sad. What happened? What happens to that? I don't

394
00:24:50,600 --> 00:24:53,919
Speaker 1: let me just leave for this part. Grant Cherokee hit him?

395
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Speaker 1: Wait wait, so come back to therapy. I mean, I

396
00:24:59,359 --> 00:25:05,200
Speaker 1: still remember the in number. It's long. And you would

397
00:25:05,240 --> 00:25:07,200
Speaker 1: think if you could remember the VIN number of the

398
00:25:07,280 --> 00:25:09,720
Speaker 1: car that killed his parents, he would be able to

399
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Speaker 1: remember our anniversary and the birthday of each of our children,

400
00:25:14,600 --> 00:25:16,960
Speaker 1: like you're you're lucky to get a partial license plate

401
00:25:17,080 --> 00:25:19,359
Speaker 1: at most to get the whole n number, asked him.

402
00:25:19,400 --> 00:25:21,280
Speaker 1: He knows the full VIN forwards and backwards. You can

403
00:25:21,320 --> 00:25:25,880
Speaker 1: do both ways. Come on, don't even do this, don't okay? Fine?

404
00:25:26,440 --> 00:25:29,560
Speaker 1: V one six four F nine two four three t

405
00:25:30,520 --> 00:25:34,520
Speaker 1: z S nine four four one zero eight T four

406
00:25:34,760 --> 00:25:39,040
Speaker 1: nine great? And when is our wedding anniversary? This is

407
00:25:39,119 --> 00:25:42,600
Speaker 1: just crazy to me. This bluebird has a point, A

408
00:25:42,680 --> 00:25:45,240
Speaker 1: strange bluebird as a point, because that's a long remember.

409
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Speaker 1: Of course you're gonna side with her. I'm not siding

410
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Speaker 1: with anyone. I'm just pointing out. You know my head

411
00:25:50,800 --> 00:26:00,320
Speaker 1: can rotate three forty degrees? Did you know that? Okay? Birds, Wow,

412
00:26:00,800 --> 00:26:04,720
Speaker 1: my little girl and Ostrich going up from look at this.

413
00:26:04,920 --> 00:26:06,960
Speaker 1: I remember I remember a couple of years ago you

414
00:26:07,040 --> 00:26:08,680
Speaker 1: two were just little kids. And look at you now,

415
00:26:09,359 --> 00:26:14,720
Speaker 1: look at you now? Hey dad, you guys have fun?

416
00:26:15,080 --> 00:26:17,280
Speaker 1: That are you okay? You just coughed up a whole worm.

417
00:26:17,400 --> 00:26:19,000
Speaker 1: It looks like you didn't even chew that at all.

418
00:26:19,119 --> 00:26:21,480
Speaker 1: From this morning. It's for your mom. I was just

419
00:26:21,520 --> 00:26:24,040
Speaker 1: saving it for your mom. Uh can I have it?

420
00:26:26,359 --> 00:26:33,240
Speaker 1: You're crazy? Actually you can, Mr Bluebird. Dr Shaw here

421
00:26:33,440 --> 00:26:38,680
Speaker 1: as stage a h Okay, great. Uh, it's yeah, you

422
00:26:38,760 --> 00:26:42,840
Speaker 1: gotta stop smoking. It's definitely smoke related. No, that's not

423
00:26:42,880 --> 00:26:46,080
Speaker 1: gonna happen. What else you got for me? Um? You

424
00:26:46,160 --> 00:26:48,600
Speaker 1: could fly out of higher altitude. The air is cleaner.

425
00:26:48,640 --> 00:26:50,960
Speaker 1: It's thinner, but it's cleaner. Now. I like to stay low.

426
00:26:51,080 --> 00:26:55,280
Speaker 1: Pro I'm gonna keep smoking and I'm gonna keep flying low.

427
00:26:55,560 --> 00:26:58,159
Speaker 1: What else can I do? Listen, There's not much I

428
00:26:58,200 --> 00:27:00,240
Speaker 1: can tell you if you're not gonna listen to. Got

429
00:27:00,359 --> 00:27:03,440
Speaker 1: fifteen birds outside I have to look at, and you're

430
00:27:03,520 --> 00:27:06,520
Speaker 1: not the only one I have to care about. All right, Hey,

431
00:27:06,600 --> 00:27:09,800
Speaker 1: sha are you coming to povert later? Uh? Yeah, yeah,

432
00:27:10,200 --> 00:27:15,720
Speaker 1: coming coming through. It's just a friend of mine. I

433
00:27:15,880 --> 00:27:19,400
Speaker 1: just seem I don't know, you don't have friends. Still

434
00:27:19,440 --> 00:27:24,920
Speaker 1: seeing patients in the hallway. Huh yeah, he just seems.

435
00:27:24,960 --> 00:27:26,680
Speaker 1: He just seems like an older type of bird, Like

436
00:27:26,720 --> 00:27:29,359
Speaker 1: I don't think you'd be here. No, he's he's just

437
00:27:29,440 --> 00:27:35,680
Speaker 1: a normal young bird. You go through puberty. Um, okay,

438
00:27:36,640 --> 00:27:39,119
Speaker 1: you're you're soft, you're hard, okay, And let's just make

439
00:27:39,160 --> 00:27:41,800
Speaker 1: sure this this game goes smooth. Jokers are up, We

440
00:27:41,880 --> 00:27:44,879
Speaker 1: got to to We're gonna use two pieces of paper here.

441
00:27:44,960 --> 00:27:46,479
Speaker 1: I'm just gonna write my name on it when one

442
00:27:46,520 --> 00:27:48,480
Speaker 1: of you are gonna be able to get that piece

443
00:27:48,520 --> 00:27:50,520
Speaker 1: of paper, and then you can see little sweet tree

444
00:27:50,600 --> 00:27:53,840
Speaker 1: to road inside for it. All right, now, let's make sure,

445
00:27:54,240 --> 00:27:57,680
Speaker 1: especially the bets are good, all right, especially the bets

446
00:27:57,720 --> 00:27:59,640
Speaker 1: are solid. I don't want any I don't want any

447
00:27:59,760 --> 00:28:02,920
Speaker 1: were betting going on here or something? This? Yeah, Jered,

448
00:28:03,000 --> 00:28:05,399
Speaker 1: can we have Trevor pulled down his gown so we

449
00:28:05,440 --> 00:28:08,480
Speaker 1: don't have to know if he's soft or hard? Oh yeah,

450
00:28:08,560 --> 00:28:13,680
Speaker 1: oh yeah, yeah, sorry, yeah, okay, now Texas hold him

451
00:28:13,800 --> 00:28:16,040
Speaker 1: all right now? And then that in that one. Wow,

452
00:28:16,280 --> 00:28:21,480
Speaker 1: look at that. My little girl Nostro is getting married. Dad.

453
00:28:22,359 --> 00:28:24,480
Speaker 1: This is a good day. This is a good day.

454
00:28:24,640 --> 00:28:26,560
Speaker 1: I just wish we could do it somewhere outside of

455
00:28:26,600 --> 00:28:30,040
Speaker 1: the hospital, but I understand that we have to do

456
00:28:30,119 --> 00:28:32,359
Speaker 1: it here. You're too sick. And hey, I'm the father

457
00:28:32,400 --> 00:28:33,919
Speaker 1: of the bride. I gotta pay for it, So it's

458
00:28:33,960 --> 00:28:36,480
Speaker 1: gonna happen here. Saw here, just checking in. And I'm

459
00:28:36,520 --> 00:28:39,760
Speaker 1: also ordained to to wet people just because we're in

460
00:28:39,760 --> 00:28:47,000
Speaker 1: a hospital. Wet people people getting married. If you'd like priests,

461
00:28:47,040 --> 00:28:49,800
Speaker 1: you know, you're like a priest. But I'm gonna you know, listen,

462
00:28:49,840 --> 00:28:52,960
Speaker 1: I know we need something official, but these two they

463
00:28:53,000 --> 00:28:55,840
Speaker 1: have a love that trenscends any legality, if I'm being honest,

464
00:28:58,120 --> 00:29:00,480
Speaker 1: but we would we would like to lym my god

465
00:29:02,320 --> 00:29:06,920
Speaker 1: clear didn't work and it's just like that. It's like,

466
00:29:07,320 --> 00:29:09,440
Speaker 1: so I can't bring up the jeep, but she can

467
00:29:09,480 --> 00:29:12,120
Speaker 1: always talk about how we got married on the father's

468
00:29:12,120 --> 00:29:15,760
Speaker 1: death day. Dad. Yeah, it's just it's an amazing story.

469
00:29:15,800 --> 00:29:19,840
Speaker 1: It really is. It's yeah, it is, and we did.

470
00:29:20,040 --> 00:29:23,160
Speaker 1: It was then turned into a very popular feature film,

471
00:29:23,240 --> 00:29:26,520
Speaker 1: which is you know, probably you know that. Probably I

472
00:29:26,640 --> 00:29:31,080
Speaker 1: wasn't gonna say anything, but yes, I know, yeah, um

473
00:29:32,240 --> 00:29:41,720
Speaker 1: so yeah, who played you John Cusack? Yeah he's great.

474
00:29:41,760 --> 00:29:43,760
Speaker 1: I mean the range to play. I mean he's played

475
00:29:43,800 --> 00:29:47,600
Speaker 1: Brian Wilson and Mord Doubler and An Ostrich. Who do

476
00:29:47,720 --> 00:29:51,600
Speaker 1: you want you wanted to play it? Yeah? You wanted to?

477
00:29:52,440 --> 00:29:54,240
Speaker 1: Do you want me to play your audition tape for

478
00:29:54,320 --> 00:29:57,680
Speaker 1: the therapist or because it wasn't working day. I've never

479
00:29:57,760 --> 00:30:04,280
Speaker 1: seen my c to the audition to Okay, um, okay,

480
00:30:05,520 --> 00:30:10,920
Speaker 1: all right, um cut back. You seem nervous. You seem

481
00:30:11,000 --> 00:30:13,120
Speaker 1: nervous because he sucked me in the room. Because she

482
00:30:13,200 --> 00:30:18,040
Speaker 1: took the duck. You in the room, they in the room,

483
00:30:18,360 --> 00:30:21,880
Speaker 1: they fucked me. Okay, I bet it would prefer to

484
00:30:21,960 --> 00:30:24,280
Speaker 1: watch you getting sucked in the room. And that embarrassing

485
00:30:24,360 --> 00:30:28,360
Speaker 1: piece of ship that I saw, Oh my god. I

486
00:30:28,400 --> 00:30:30,640
Speaker 1: had to play that from my agent because I recommended

487
00:30:30,680 --> 00:30:33,120
Speaker 1: you to him. I said, give him a chance. I

488
00:30:33,240 --> 00:30:37,200
Speaker 1: know he's nervous, I know he lacks presents, but yeah, no,

489
00:30:37,320 --> 00:30:40,600
Speaker 1: I watched the tape and he seemed nervous and lacked presents.

490
00:30:41,600 --> 00:30:45,160
Speaker 1: Uh what were you thinking? Um? I just thank you

491
00:30:45,240 --> 00:30:47,240
Speaker 1: so much for looking at it. I hope that it

492
00:30:47,360 --> 00:30:51,400
Speaker 1: was just like sorry, I didn't realize he was on

493
00:30:51,480 --> 00:30:53,560
Speaker 1: the line. What was that he shouldn't be He picked

494
00:30:53,640 --> 00:30:57,440
Speaker 1: up the other phone in a different room. Yeah. I

495
00:30:57,520 --> 00:31:01,320
Speaker 1: watched your tape, and um, let's acting is not for everyone.

496
00:31:01,360 --> 00:31:03,360
Speaker 1: It's certainly not for you. Yeah, it's not for you.

497
00:31:03,560 --> 00:31:09,160
Speaker 1: Just watch the tape. This is my agent, okay, and

498
00:31:10,920 --> 00:31:15,480
Speaker 1: it seems like a piece of ship. Hey, to be clear, Bluebird,

499
00:31:15,480 --> 00:31:17,080
Speaker 1: you're one of my favorite clients. I want that to

500
00:31:17,160 --> 00:31:21,920
Speaker 1: be clear that everybody. Everybody. It's why I watched the

501
00:31:22,040 --> 00:31:25,560
Speaker 1: ridiculous tape of your ridiculous husband. I'm so sorry. I'm

502
00:31:25,640 --> 00:31:31,120
Speaker 1: so sorry. I'll never but I am sorry. Offers to

503
00:31:31,160 --> 00:31:36,240
Speaker 1: discuss with you, Like I I don't know the first

504
00:31:36,280 --> 00:31:37,800
Speaker 1: thing about show business, But I don't know if you're

505
00:31:37,800 --> 00:31:39,720
Speaker 1: sending in a tape. You know, you send in your

506
00:31:39,760 --> 00:31:43,760
Speaker 1: best your best work, and you're just kind of stuttering

507
00:31:43,840 --> 00:31:46,000
Speaker 1: and staring at the floor and the one you submit it.

508
00:31:49,320 --> 00:31:51,760
Speaker 1: So what are you talking about? Okay, look, I don't

509
00:31:51,800 --> 00:31:53,600
Speaker 1: look I normally I am a big advocate for birds

510
00:31:53,640 --> 00:31:57,720
Speaker 1: playing birds. But if a human man can can do

511
00:31:57,800 --> 00:32:00,000
Speaker 1: a better job of an ostrich, of playing an ostar,

512
00:32:00,000 --> 00:32:02,920
Speaker 1: reach Like when Cusack started running, I just I believed

513
00:32:03,000 --> 00:32:05,240
Speaker 1: he was an ostrich. He had that ostrich run down? Yeah,

514
00:32:06,360 --> 00:32:11,120
Speaker 1: or do you think he learned that? I don't know

515
00:32:11,240 --> 00:32:18,200
Speaker 1: who was this coach? He was taking steroids? Okay, all right,

516
00:32:18,440 --> 00:32:21,120
Speaker 1: well he looked out, he looked jack. It was a

517
00:32:21,240 --> 00:32:22,840
Speaker 1: It was a good movie. But there's a part where

518
00:32:23,440 --> 00:32:25,880
Speaker 1: like Cusack runs and like sticks his head in the sand.

519
00:32:26,560 --> 00:32:31,920
Speaker 1: Want to up? I want to break up? Sevent WHOA what?

520
00:32:32,880 --> 00:32:35,640
Speaker 1: I don't want to hear you talk about another film

521
00:32:35,680 --> 00:32:37,560
Speaker 1: like you're some critic. I just don't like it. You know,

522
00:32:38,400 --> 00:32:40,120
Speaker 1: I paid twenty dollars to that movie. I think it

523
00:32:40,160 --> 00:32:42,400
Speaker 1: can be Wait wait, wait, it doesn't even matter. What

524
00:32:42,760 --> 00:32:44,160
Speaker 1: are you saying? Why do you think? Why do you

525
00:32:44,200 --> 00:32:46,360
Speaker 1: think you're a film critic? Like? What gives you the

526
00:32:46,440 --> 00:32:50,960
Speaker 1: authority to critique other performances? Because I paid for it?

527
00:32:51,680 --> 00:32:55,200
Speaker 1: You're you're an insurance You were in insurance. There's nothing

528
00:32:55,600 --> 00:32:58,160
Speaker 1: less sexier than that. I'm not in insurance. I own

529
00:32:58,200 --> 00:33:02,880
Speaker 1: an insurance company. What you're doing there is denying Stephanie

530
00:33:03,000 --> 00:33:07,600
Speaker 1: her opinion. And we talked about this. Please, just because

531
00:33:07,640 --> 00:33:10,920
Speaker 1: you're an owl doesn't make you smart. Okay, here go watch.

532
00:33:10,960 --> 00:33:12,720
Speaker 1: He's a critique. You know. This is what he does,

533
00:33:12,800 --> 00:33:16,200
Speaker 1: his criticism of b There's another owl in town who's

534
00:33:16,280 --> 00:33:18,440
Speaker 1: much better than you. By the way, all right, I'm

535
00:33:19,160 --> 00:33:23,280
Speaker 1: aware of the competition five stars. Okay, this defensiveness and

536
00:33:23,400 --> 00:33:27,800
Speaker 1: you're interesting not involuntary attacking? One second? Yes, are we

537
00:33:27,840 --> 00:33:31,560
Speaker 1: going to bet? Or? How is this? Sam? I'm sorry,

538
00:33:33,000 --> 00:33:41,760
Speaker 1: you're seeing another therapist? Who another alum? Who another it's

539
00:33:41,760 --> 00:33:44,840
Speaker 1: another owl? Well I know who it is. You know

540
00:33:44,920 --> 00:33:48,000
Speaker 1: there's only one other guy in town. Yeah, as you say, who,

541
00:33:48,280 --> 00:33:51,360
Speaker 1: I'm sorry, it's something hard to do. You're like, that's

542
00:33:51,520 --> 00:33:55,560
Speaker 1: involuntary thing. Yes, sorry, no, I know I know who

543
00:33:55,640 --> 00:33:59,600
Speaker 1: he is. Yeah, okay, great, So can we continue along

544
00:33:59,680 --> 00:34:03,800
Speaker 1: with the session? Okay, right, yeah, let's spending this. Finish

545
00:34:03,880 --> 00:34:05,280
Speaker 1: up this one you paid for, and then you can

546
00:34:05,320 --> 00:34:09,000
Speaker 1: go to your new guy. I paid for with the

547
00:34:09,120 --> 00:34:13,680
Speaker 1: money from our joint bank account. Yeah, that I earned.

548
00:34:13,960 --> 00:34:15,640
Speaker 1: He's hiding the money from me. Now do you think

549
00:34:15,680 --> 00:34:19,759
Speaker 1: that's healthy? He's hiding the money? I ask you? Do

550
00:34:19,840 --> 00:34:21,439
Speaker 1: you really think I asked? You? Know what I said?

551
00:34:21,520 --> 00:34:24,000
Speaker 1: You did? That's healthy? Do you that's a question to you? Yeah?

552
00:34:24,000 --> 00:34:26,000
Speaker 1: I didn't think it was a question. You're spending all

553
00:34:26,080 --> 00:34:28,120
Speaker 1: that was a good impression of me. Why do you

554
00:34:28,160 --> 00:34:31,640
Speaker 1: bring it? You spending all the money on the stupid

555
00:34:31,640 --> 00:34:34,480
Speaker 1: at homes you want to flip. Nobody likes these homes.

556
00:34:34,800 --> 00:34:41,239
Speaker 1: Nobody needs an entire backsplash. Everything is a backsplash. Yeah.

557
00:34:41,640 --> 00:34:43,080
Speaker 1: I'm not trying to say I told you so, but

558
00:34:43,600 --> 00:34:48,880
Speaker 1: maybe you should. They Well, they are ostriches, you know,

559
00:34:50,960 --> 00:34:53,479
Speaker 1: I mean we're at a fucking we're an ostrich strip.

560
00:34:54,280 --> 00:34:59,919
Speaker 1: Doesn't this do anything for you? Know? Okay? All right? Really? Yeah,

561
00:35:00,440 --> 00:35:03,120
Speaker 1: you're one of those ostriches who thinks they're better than

562
00:35:03,120 --> 00:35:05,600
Speaker 1: all the other ostrichess. No, I'm just an old ostrich

563
00:35:05,680 --> 00:35:09,200
Speaker 1: all right, what means? What is? What is proud? We

564
00:35:09,360 --> 00:35:12,160
Speaker 1: just are the biggest birds are the fastest on land. Like,

565
00:35:12,440 --> 00:35:14,080
Speaker 1: there's a reason I grew up with you guys. But

566
00:35:14,239 --> 00:35:18,399
Speaker 1: you changed since we grew up. Right, So there's more

567
00:35:18,640 --> 00:35:25,839
Speaker 1: birds out there, man, not like the same birds are

568
00:35:25,880 --> 00:35:31,640
Speaker 1: better blade. Welcome to the stage, Tricia. You gotta check

569
00:35:31,680 --> 00:35:34,880
Speaker 1: out this beak. I'd like to wet that beak, if

570
00:35:34,920 --> 00:35:40,000
Speaker 1: you know, if you know what I'm saying, Yeah, Mary, yeah,

571
00:35:41,480 --> 00:35:45,160
Speaker 1: blue bird. I'm I can't talk to you for a second.

572
00:35:46,600 --> 00:35:51,359
Speaker 1: You're asking now, Yeah, you came home late, you came

573
00:35:51,400 --> 00:35:56,959
Speaker 1: home drunk, and you're asking if you can talk to me. Yeah,

574
00:35:57,160 --> 00:36:11,360
Speaker 1: get it out, spit it out. I guess so you

575
00:36:11,400 --> 00:36:14,439
Speaker 1: know my name. That's great. Instead of calling me bitch,

576
00:36:14,560 --> 00:36:17,479
Speaker 1: instead of calling me that egg carrier, instead of calling

577
00:36:17,560 --> 00:36:28,360
Speaker 1: me feather feather head, your eyes, the light, the heat,

578
00:36:28,920 --> 00:36:38,799
Speaker 1: your eyes, I am complete your eyes. That was John Cusack.

579
00:36:39,000 --> 00:36:45,000
Speaker 1: Come on so good too, older reference no no please

580
00:36:49,400 --> 00:36:54,400
Speaker 1: see three comes from some patron outcome inniac. Nicholas mock Our,

581
00:36:55,200 --> 00:36:59,200
Speaker 1: one of our favorites who wrote Hi keV of the Wild,

582
00:36:59,320 --> 00:37:02,680
Speaker 1: The rare no Reply scene accepted switcheroo from my last

583
00:37:02,760 --> 00:37:06,080
Speaker 1: idea made me very happy. My cup runneth over. No really,

584
00:37:06,160 --> 00:37:10,920
Speaker 1: I'm making a keg stand between sentences. It's a mess. Anyhow.

585
00:37:11,800 --> 00:37:15,759
Speaker 1: You must be grasping frantically for new improv suggestions at

586
00:37:15,800 --> 00:37:18,520
Speaker 1: this point to use so much of my crap. So

587
00:37:19,000 --> 00:37:23,120
Speaker 1: here's another scene die Hard with the Vengeance, but instead

588
00:37:23,160 --> 00:37:29,680
Speaker 1: of riddles, John mq has to perform fresh improv suggestions

589
00:37:29,760 --> 00:37:32,840
Speaker 1: every ten minutes or else. He looks, So, Kevin, you

590
00:37:33,000 --> 00:37:36,680
Speaker 1: do read these before you tell, said to us. Right, So,

591
00:37:36,920 --> 00:37:38,520
Speaker 1: so he said that, you were like, yeah, I want

592
00:37:38,560 --> 00:37:43,480
Speaker 1: to see the guys. Uh okay. Well, based on how

593
00:37:43,520 --> 00:37:45,040
Speaker 1: you're much you're laughing, I can see you think this

594
00:37:45,160 --> 00:37:50,000
Speaker 1: is a great idea. No, I just love Nicholas mock

595
00:37:50,040 --> 00:37:52,360
Speaker 1: Hour and I wanted to encourage him to keep writing

596
00:37:52,440 --> 00:38:03,920
Speaker 1: in that. So what we'll do instead? Oh, yeah, you've

597
00:38:04,040 --> 00:38:08,440
Speaker 1: never seen it's a classic. I've never seen die Hard

598
00:38:09,080 --> 00:38:13,360
Speaker 1: climb off. Right now, Mr mqugh, I have you on

599
00:38:13,520 --> 00:38:18,320
Speaker 1: the phone. Now. You have to take some steps, otherwise

600
00:38:18,440 --> 00:38:24,759
Speaker 1: I blow up all the subways in Topeka, Kansas. You

601
00:38:24,840 --> 00:38:28,440
Speaker 1: will take a one word suggestion in a library and

602
00:38:28,600 --> 00:38:33,279
Speaker 1: do a ten minute monologue or I will blow up

603
00:38:33,680 --> 00:38:39,880
Speaker 1: all the subways in Topeka, Kansas. Did you hear Mr

604
00:38:39,960 --> 00:38:43,879
Speaker 1: mckure Are you still oh you're talking about you're talking

605
00:38:43,880 --> 00:38:47,200
Speaker 1: to Marvin mckugh. Oh no, no, I'm looking. I'm sorry,

606
00:38:47,840 --> 00:38:56,480
Speaker 1: John m oh John mckugh, Yeah, yes, yeah, it's my son, Marvin.

607
00:38:56,520 --> 00:38:58,560
Speaker 1: Listen to me right now. Okay, you need to take

608
00:38:58,640 --> 00:39:00,319
Speaker 1: this case. You gotta take it all the way. John.

609
00:39:00,400 --> 00:39:02,400
Speaker 1: You're gonna have to back your dad up. All right.

610
00:39:03,040 --> 00:39:04,600
Speaker 1: This is how it's gonna go, and it's the only

611
00:39:04,640 --> 00:39:06,800
Speaker 1: way it's gonna go. I barely know what's going on,

612
00:39:07,000 --> 00:39:11,640
Speaker 1: but listen, there's a psychop putting bombs on trains and

613
00:39:11,719 --> 00:39:14,960
Speaker 1: turning to blow up everything into Peaka, Kansas. All right. Now,

614
00:39:15,080 --> 00:39:18,240
Speaker 1: what the public doesn't know is that there's a secret

615
00:39:18,320 --> 00:39:22,000
Speaker 1: government facility underneath Topeka making pudding just in case the

616
00:39:22,120 --> 00:39:26,040
Speaker 1: end of the world happens. That special you better figure

617
00:39:26,080 --> 00:39:29,120
Speaker 1: this out, figure it out quick. Well, well, so he

618
00:39:29,160 --> 00:39:30,759
Speaker 1: wants us to go to a library and get a

619
00:39:30,800 --> 00:39:32,840
Speaker 1: suggestion to do at tim in the monologue, you suggest

620
00:39:32,880 --> 00:39:35,680
Speaker 1: we do that. Go do go go go go go

621
00:39:36,680 --> 00:39:39,640
Speaker 1: go go lo go go. And if that train slows

622
00:39:39,719 --> 00:39:47,319
Speaker 1: down under sixt gonna went off, take a place, take

623
00:39:47,360 --> 00:39:50,640
Speaker 1: a place. Oh yeah, I'm just hearing my family here

624
00:39:50,640 --> 00:39:54,200
Speaker 1: with my family first time in Topeka. How many of you?

625
00:39:54,400 --> 00:39:56,960
Speaker 1: How many you got in the family? There, there's there's me.

626
00:39:57,200 --> 00:40:02,320
Speaker 1: That's one, there's me. The way to a bun in

627
00:40:02,400 --> 00:40:06,279
Speaker 1: the oven? Actually, so it's I don't know if that

628
00:40:06,440 --> 00:40:17,319
Speaker 1: cos the neighbor kid. So I need three. Situation at

629
00:40:17,360 --> 00:40:21,680
Speaker 1: home is not great. Oh are you picking up stakes

630
00:40:21,719 --> 00:40:28,399
Speaker 1: and moving? What? No? Mr? And Mrs Don Howard huh said.

631
00:40:28,440 --> 00:40:29,840
Speaker 1: It might be nice for me to get to have

632
00:40:29,960 --> 00:40:32,640
Speaker 1: a vacation with two adults who love each other. That's right,

633
00:40:34,000 --> 00:40:37,200
Speaker 1: laid by examples like that, folks. So I just need

634
00:40:37,320 --> 00:40:39,560
Speaker 1: the three tickets, which I'm sure you have, as you

635
00:40:39,760 --> 00:40:48,200
Speaker 1: lead by example, Johns. There where my jacket on? One second?

636
00:40:50,440 --> 00:40:57,360
Speaker 1: I'm starting to get that feeling in my stomach. This

637
00:40:57,520 --> 00:41:01,080
Speaker 1: is unsafe, this is uneasy to it's fine, it's fine,

638
00:41:01,200 --> 00:41:03,280
Speaker 1: it's fine, it's fine, it's fine, it's fine. What happens

639
00:41:03,280 --> 00:41:06,600
Speaker 1: if we don't have the tickets? You'll have to purchase them.

640
00:41:07,080 --> 00:41:09,640
Speaker 1: Just if you got a cell phone or something, you

641
00:41:09,719 --> 00:41:12,680
Speaker 1: can log on and purchase the tickets and I'll combine.

642
00:41:12,760 --> 00:41:15,279
Speaker 1: You can show me a q R coat. All right,

643
00:41:15,719 --> 00:41:17,879
Speaker 1: we'll do that. I'll buy the tickets and next time

644
00:41:17,920 --> 00:41:19,840
Speaker 1: you come back, we'll have the tickets. Thank you. For

645
00:41:20,600 --> 00:41:24,759
Speaker 1: a couple of minutes, I can steal the tickets. Mr

646
00:41:24,840 --> 00:41:27,080
Speaker 1: and Mrs hut up. Now we need to focus up.

647
00:41:27,440 --> 00:41:30,840
Speaker 1: We need to be able to plant this bomb safely

648
00:41:30,840 --> 00:41:33,719
Speaker 1: and securely in the bathroom. That's right. And you're our

649
00:41:33,719 --> 00:41:35,960
Speaker 1: a little bomb boy. You carry the bomb, you put

650
00:41:36,000 --> 00:41:37,759
Speaker 1: it in the toilet, and then it'll go off and

651
00:41:37,920 --> 00:41:40,600
Speaker 1: kill everyone down here except for us, because we're wearing

652
00:41:41,320 --> 00:41:47,160
Speaker 1: a bomb. Best proof. Best. I still don't understand the

653
00:41:47,200 --> 00:41:49,279
Speaker 1: part of the plan where we could be stopped if

654
00:41:49,280 --> 00:41:53,480
Speaker 1: somebody doesn't improvise monologue, where's that happens? It's it's just

655
00:41:54,560 --> 00:41:57,400
Speaker 1: it's in what they don't. We don't have time to

656
00:41:57,440 --> 00:42:01,359
Speaker 1: explain this. It's very nuanced. Checked. It took a lot

657
00:42:01,440 --> 00:42:04,879
Speaker 1: of legal words, a lot of long stuff. So don't

658
00:42:04,920 --> 00:42:08,319
Speaker 1: worry about it. Don't worry, don't worry about it. I'm

659
00:42:08,360 --> 00:42:11,440
Speaker 1: a bomb boy. Yes, you take the bombs from my belly,

660
00:42:12,120 --> 00:42:14,520
Speaker 1: and then we and then that's the and then you

661
00:42:14,640 --> 00:42:20,000
Speaker 1: go don't put them in the toilet. I mean, people

662
00:42:20,080 --> 00:42:24,839
Speaker 1: think you've taken two big using dumps, and make sure

663
00:42:24,840 --> 00:42:26,560
Speaker 1: to make the noises because it's not going to be

664
00:42:26,680 --> 00:42:31,600
Speaker 1: convincing if you don't. Right, Hey, gentlemen, those badges don't

665
00:42:31,600 --> 00:42:36,120
Speaker 1: mean anything. This is a public library. Okay, I just

666
00:42:36,200 --> 00:42:44,640
Speaker 1: said it's good. Sorry dad, this this is your father. Okay.

667
00:42:46,600 --> 00:42:49,359
Speaker 1: I'd love to use the internet while I'm here. All right,

668
00:42:49,400 --> 00:42:50,839
Speaker 1: you gotta just sign up. You can only get thirty

669
00:42:50,880 --> 00:42:55,000
Speaker 1: minutes at a time. Thirty minutes. But you're you're telling

670
00:42:55,040 --> 00:42:58,600
Speaker 1: me these badges don't work. To rent a book, um, yeah,

671
00:42:58,640 --> 00:43:01,960
Speaker 1: to book, borrow book? We don't rent him. That applies

672
00:43:02,000 --> 00:43:03,960
Speaker 1: that we charge from. But it's free. It's part of

673
00:43:04,000 --> 00:43:06,600
Speaker 1: your city taxes. Uh. Yeah, you just have to get

674
00:43:06,640 --> 00:43:12,960
Speaker 1: a library card. Um, just town, just go in. Let

675
00:43:13,200 --> 00:43:18,759
Speaker 1: take a look around here. They don't let your watch

676
00:43:18,840 --> 00:43:23,040
Speaker 1: porn on these don't watch porn. Deet dead. We're here

677
00:43:23,080 --> 00:43:29,279
Speaker 1: for a mission. We have to get an impossible mission France, right,

678
00:43:29,400 --> 00:43:32,719
Speaker 1: this mission is impossible and leave it to us. We're

679
00:43:32,760 --> 00:43:39,680
Speaker 1: gonna make it possible. We made to your lad Excuse me, sir, um,

680
00:43:40,280 --> 00:43:43,560
Speaker 1: can I get a suggestion of something that makes you

681
00:43:43,640 --> 00:43:46,440
Speaker 1: feel good? Sorry? Sorry, so let me take off my

682
00:43:46,480 --> 00:43:49,759
Speaker 1: headphones what was that? Can I get a suggestion of

683
00:43:49,880 --> 00:43:53,480
Speaker 1: something you like? He's gonna say, he's gonna say dildo

684
00:43:53,560 --> 00:43:56,800
Speaker 1: with pineapple? You got That's why I change it. You're right, okay.

685
00:43:57,280 --> 00:44:02,320
Speaker 1: Lemonade makes me happy. Lemonade makes mnade. I don't know that.

686
00:44:02,400 --> 00:44:08,040
Speaker 1: I'm nervous. I mean, well, what's better than a cold

687
00:44:08,080 --> 00:44:11,200
Speaker 1: glass eliminate on a hot summer day? Here he goes, here,

688
00:44:11,280 --> 00:44:14,720
Speaker 1: he goes ten minutes, I keep going ten minutes. Oh Jesus,

689
00:44:16,960 --> 00:44:19,320
Speaker 1: that doesn't seem fun for me or love and McCoo.

690
00:44:19,480 --> 00:44:23,560
Speaker 1: You did it. You did a monologue in a library,

691
00:44:24,480 --> 00:44:26,600
Speaker 1: But that bomb is still going to blow up unless

692
00:44:27,560 --> 00:44:34,400
Speaker 1: you go to McDonald's and do a two person scene. Okay,

693
00:44:35,239 --> 00:44:37,120
Speaker 1: the monologue was easy enough, and now we gotta work

694
00:44:37,160 --> 00:44:41,080
Speaker 1: off my idiot son. What's that that? Nothing? Hi? Hi,

695
00:44:41,200 --> 00:44:44,520
Speaker 1: welcome to McDonald's. Gonna help you. Can we get a

696
00:44:44,560 --> 00:44:48,879
Speaker 1: suggestion of a relationship? Please? Everything that's on the menu

697
00:44:49,000 --> 00:44:52,319
Speaker 1: here is what I can sell you. So if you're

698
00:44:52,360 --> 00:44:55,520
Speaker 1: gonna get priest alter boy unless you burn that one, okay,

699
00:44:55,920 --> 00:44:59,120
Speaker 1: like a priest and an altar boy? Good good? Sorry,

700
00:44:59,280 --> 00:45:01,680
Speaker 1: just what's on the on you again? I'd be happy

701
00:45:01,760 --> 00:45:06,319
Speaker 1: to sell you, well, I'll take a rib if it's

702
00:45:06,360 --> 00:45:08,600
Speaker 1: If it's in season, we're not here to eat that.

703
00:45:08,680 --> 00:45:14,399
Speaker 1: We're okay. Would you like fries and a drink with that? Yes?

704
00:45:14,719 --> 00:45:19,160
Speaker 1: Is there a combo? There is a combo drink. Yeah,

705
00:45:19,280 --> 00:45:22,719
Speaker 1: what kind of drink would you like? Sir? I'll do

706
00:45:22,800 --> 00:45:26,600
Speaker 1: a shamrock shake if it's in season. It is not okay,

707
00:45:26,600 --> 00:45:32,959
Speaker 1: I'm sorry, I'm sorry. We have vanilla. I know there's

708
00:45:32,960 --> 00:45:35,719
Speaker 1: a bob going up, but I can't improvise what. I'm

709
00:45:35,800 --> 00:45:41,399
Speaker 1: light headed, my blood sugar is going all to hell. Look,

710
00:45:41,520 --> 00:45:44,000
Speaker 1: I want my mic rib and my shamrock shake, and

711
00:45:44,080 --> 00:45:50,440
Speaker 1: then I'm going to do a two person relationship seed. Um. Okay.

712
00:45:50,480 --> 00:45:52,840
Speaker 1: So I put the bombs in the toilet and I

713
00:45:53,000 --> 00:45:54,960
Speaker 1: did the thing on the timer like you said, I said,

714
00:45:55,080 --> 00:45:57,680
Speaker 1: we didn't hear you. We wanted you to do a

715
00:45:57,719 --> 00:46:00,200
Speaker 1: performance to make everyone in this train believe that you

716
00:46:00,239 --> 00:46:04,800
Speaker 1: had two really juicy ones coming out and dump speak

717
00:46:05,040 --> 00:46:10,960
Speaker 1: stinky dumps lumpy dumpy, lumpy dumpty dumpty fell out your

718
00:46:11,120 --> 00:46:16,640
Speaker 1: butt and into the toilet. See that's an example of

719
00:46:16,760 --> 00:46:19,440
Speaker 1: what would be acceptable. But what we heard was just

720
00:46:19,600 --> 00:46:22,080
Speaker 1: you take your little boy steps over there open it

721
00:46:22,160 --> 00:46:25,160
Speaker 1: to your little boy hands and come out quiet as

722
00:46:25,200 --> 00:46:30,640
Speaker 1: a mouse, disgust. We needed something like this, Yes, maybe

723
00:46:30,640 --> 00:46:36,560
Speaker 1: a little bit of this. Oh yeah, yo, this is

724
00:46:36,800 --> 00:46:41,000
Speaker 1: so huge. How can this be coming out of my bath?

725
00:46:41,160 --> 00:46:44,319
Speaker 1: Oh my god? I think I was actually really pregnant

726
00:46:44,480 --> 00:46:48,200
Speaker 1: and it's a baby. No. I just want to let

727
00:46:48,239 --> 00:46:52,120
Speaker 1: you know that I'm I'm proud of you. You know,

728
00:46:52,360 --> 00:46:56,080
Speaker 1: I've You're my only son and and I love you

729
00:46:56,280 --> 00:46:59,480
Speaker 1: and I support everything you do. I'm not your son

730
00:47:00,920 --> 00:47:07,600
Speaker 1: and seen. Thank you. Man. Man, that was good. Many

731
00:47:08,280 --> 00:47:11,799
Speaker 1: you know I don't do this, man, but that was good. Man.

732
00:47:11,880 --> 00:47:14,520
Speaker 1: What's your name? Man? What's your name is? Bobby MQ?

733
00:47:14,680 --> 00:47:16,839
Speaker 1: Did you buy my character? I was playing there? Oh?

734
00:47:17,040 --> 00:47:20,080
Speaker 1: I loved it, man, I loved hey. Man, I've been

735
00:47:20,160 --> 00:47:24,160
Speaker 1: thinking about getting into acting. Man, you're here buys or anything?

736
00:47:24,200 --> 00:47:28,800
Speaker 1: Any tips? Man? Well, it would just be truthful and

737
00:47:29,080 --> 00:47:32,320
Speaker 1: uh and then listen, I wouldn't be truthful. Man. I

738
00:47:32,480 --> 00:47:37,560
Speaker 1: stabbed a rat the other day. Well there, you know

739
00:47:37,760 --> 00:47:40,279
Speaker 1: that that could be comedy. I don't, I don't. I

740
00:47:40,280 --> 00:47:42,080
Speaker 1: don't mean to interrupt that. But it seems like we

741
00:47:42,680 --> 00:47:45,120
Speaker 1: we did it. Oh yeah, I guess we did those

742
00:47:45,160 --> 00:47:49,800
Speaker 1: improv challenges so that that high speed trade between Wichita

743
00:47:49,840 --> 00:47:54,920
Speaker 1: and Topeka's probably safe. Mom and Q, now back on

744
00:47:55,040 --> 00:48:01,200
Speaker 1: the phone. Oh, the bomb are gonna go off unless

745
00:48:01,320 --> 00:48:05,439
Speaker 1: you do one more things. The homeless improviser you just met,

746
00:48:06,080 --> 00:48:09,600
Speaker 1: and a three person scene at the neighboring Burger King.

747
00:48:11,160 --> 00:48:16,640
Speaker 1: Oh Jesus, I just had a fucking McRib I. Welcome

748
00:48:16,680 --> 00:48:19,560
Speaker 1: to Burger King. How can I help you? Oh, you're

749
00:48:19,600 --> 00:48:23,160
Speaker 1: more lively than the McDonald's guy. Clearly, Hey, we want

750
00:48:23,239 --> 00:48:29,680
Speaker 1: your business. Clearly a different person. Oh God, I'm kind

751
00:48:29,680 --> 00:48:31,800
Speaker 1: of hungry. So maybe I'll just have a whopper Junior

752
00:48:33,200 --> 00:48:38,240
Speaker 1: and Junior one wapper Junior. I'll have a whopper classic,

753
00:48:38,920 --> 00:48:43,400
Speaker 1: weper classic and for my friend here. Yeah, let me

754
00:48:43,520 --> 00:48:48,040
Speaker 1: do uh to spaghetti's Uh no meat balls. I don't

755
00:48:48,040 --> 00:48:52,800
Speaker 1: want any balls, grandpater comedian that you brought with you

756
00:48:52,880 --> 00:48:58,279
Speaker 1: over here, Grandpa comedian, But we don't have spaghetti or

757
00:48:58,360 --> 00:49:03,840
Speaker 1: meat balls. I don't understand, answer the guy, Yeah, what

758
00:49:03,960 --> 00:49:07,759
Speaker 1: do you want when you take a let me do

759
00:49:08,160 --> 00:49:11,520
Speaker 1: Let me do a grilled carp Is he with you, fellas, Yeah,

760
00:49:11,600 --> 00:49:14,600
Speaker 1: he's with he's with us. Maybe a decade broiler. If

761
00:49:14,680 --> 00:49:17,080
Speaker 1: we don't do this scene, then a lot of people

762
00:49:17,120 --> 00:49:22,760
Speaker 1: are gonna die. Okay, look, uh, we we need a suggestion. Okay,

763
00:49:22,840 --> 00:49:25,640
Speaker 1: what's a good suggestion for a three person scene? Maybe

764
00:49:25,680 --> 00:49:29,719
Speaker 1: a location? Oh how about the hell out of here?

765
00:49:30,760 --> 00:49:38,399
Speaker 1: The hell out of here and let's up. Okay, I'm sorry.

766
00:49:38,440 --> 00:49:40,000
Speaker 1: I didn't make any of those sounds. Okay, but the

767
00:49:40,040 --> 00:49:42,160
Speaker 1: bombs are in there, and the one thing you told

768
00:49:42,160 --> 00:49:44,040
Speaker 1: me to do, I said it. I set the timer

769
00:49:44,120 --> 00:49:47,160
Speaker 1: to do you understand that the bums are the voice activated.

770
00:49:47,200 --> 00:49:50,840
Speaker 1: The bombs need to hear you pretending the ship and

771
00:49:51,160 --> 00:49:53,680
Speaker 1: the gloves. So you didn't do that one thing we

772
00:49:53,760 --> 00:49:55,239
Speaker 1: asked you to do. The one thing we have to

773
00:49:55,280 --> 00:49:58,480
Speaker 1: do is to make them cramsonizes. Okay, I'll go back

774
00:49:58,520 --> 00:49:59,920
Speaker 1: in there and make the noises. I just don't want

775
00:49:59,920 --> 00:50:01,680
Speaker 1: to stand why you guys set up the device to

776
00:50:02,760 --> 00:50:06,320
Speaker 1: not detonate, to be dud. If a certain amount of

777
00:50:06,320 --> 00:50:12,360
Speaker 1: improv scenes in the area, Let don't you come up

778
00:50:12,400 --> 00:50:14,120
Speaker 1: with the bomb on the plan? You do the same

779
00:50:14,160 --> 00:50:16,240
Speaker 1: exact thing, you go, Okay, I got to do a monologue,

780
00:50:16,239 --> 00:50:22,200
Speaker 1: got to do two persons, okay, flawless? Okay, you two?

781
00:50:22,520 --> 00:50:25,160
Speaker 1: Did you plant the bomb on the train or did

782
00:50:25,239 --> 00:50:34,759
Speaker 1: you plant it at a local subway restaurant. Did you

783
00:50:34,920 --> 00:50:43,400
Speaker 1: plan to subway train? No, subway up, Yes, the subway

784
00:50:43,440 --> 00:50:46,360
Speaker 1: that went to Witch Yeah I did. No, no, no, no,

785
00:50:46,480 --> 00:50:50,160
Speaker 1: no no no, the subway restaurant. I'm going. I'm about

786
00:50:50,160 --> 00:50:51,880
Speaker 1: to call the guy back and tell him he's going

787
00:50:51,960 --> 00:50:54,479
Speaker 1: to McDonald's. He's going to Burger King. Now I'm sending

788
00:50:54,560 --> 00:50:56,719
Speaker 1: him to subway. This is not that fault. Why didn't

789
00:50:56,719 --> 00:50:59,040
Speaker 1: you say this to us? You didn't. You weren't clear.

790
00:50:59,360 --> 00:51:02,279
Speaker 1: I said, tell the train to Topeka, plant to bum

791
00:51:02,480 --> 00:51:09,719
Speaker 1: on the subway, which we did. Okay, it's still one. Well,

792
00:51:10,160 --> 00:51:16,120
Speaker 1: I guess you two are my best friends. Seen, thank you,

793
00:51:16,680 --> 00:51:21,440
Speaker 1: thank you. I think that guy's passed out. That's our

794
00:51:21,480 --> 00:51:27,239
Speaker 1: show for today. Uh. To answer your question, Chris, I

795
00:51:27,480 --> 00:51:32,759
Speaker 1: do read them, and some of them are so bad.

796
00:51:32,920 --> 00:51:35,040
Speaker 1: I think will that be fun? And now I know

797
00:51:35,280 --> 00:51:38,440
Speaker 1: if it feels bad, it smells bad, it might in

798
00:51:38,560 --> 00:51:41,200
Speaker 1: fact be that. Let's thank our ulcome as, shall we,

799
00:51:41,280 --> 00:51:46,759
Speaker 1: in no particular order, starting with Caroline got her, thank

800
00:51:46,800 --> 00:51:50,320
Speaker 1: you thanks for having me, happy to be here, happy

801
00:51:50,360 --> 00:51:55,479
Speaker 1: to be alive. Right, Yeah, I guess super good. Yeah,

802
00:51:56,000 --> 00:51:59,279
Speaker 1: And uh, if folks are curious about finding some of

803
00:51:59,360 --> 00:52:03,000
Speaker 1: your comma yeah, you can follow me at carter Poop

804
00:52:03,080 --> 00:52:07,719
Speaker 1: on Instagram. I have a podcast also, it's called carter Coore.

805
00:52:07,960 --> 00:52:12,439
Speaker 1: So you figured out the name of it. Great Carter Core, Yeah, fantastic,

806
00:52:12,680 --> 00:52:15,840
Speaker 1: and get that wherever you get podcasts. What happens on

807
00:52:15,920 --> 00:52:19,000
Speaker 1: our typical average episode of the Carter Core you have

808
00:52:19,160 --> 00:52:24,920
Speaker 1: to listen, it's not it's disturbing. Fuck every time with this. Okay,

809
00:52:25,200 --> 00:52:28,560
Speaker 1: thank you're welcome. I mean I ask a question, I'm

810
00:52:28,600 --> 00:52:31,680
Speaker 1: trying to help you promoted, and you rub my nose

811
00:52:31,719 --> 00:52:36,600
Speaker 1: in it like kitty. That's right. Okay, cool a tool

812
00:52:36,680 --> 00:52:38,799
Speaker 1: saying thank you so much for being here as well,

813
00:52:39,400 --> 00:52:41,719
Speaker 1: thank you, thanks, thanks for having me always fun to

814
00:52:42,440 --> 00:52:44,520
Speaker 1: have a good time with everybody. You can follow me

815
00:52:44,640 --> 00:52:47,920
Speaker 1: at a tool time and uh yeah that's about it.

816
00:52:48,000 --> 00:52:49,600
Speaker 1: Thanks good. Have you had a chance to check out

817
00:52:49,640 --> 00:52:52,320
Speaker 1: carter Core yet? I have not. I have not. I

818
00:52:52,400 --> 00:52:53,719
Speaker 1: will put it on the list. I'm just trying to

819
00:52:53,719 --> 00:52:55,680
Speaker 1: figure out what it's about. So I wish I could

820
00:52:55,719 --> 00:52:58,399
Speaker 1: tell you that apparently you have to check it out.

821
00:52:59,200 --> 00:53:01,719
Speaker 1: Just check it out, that's right. I don't think my

822
00:53:01,800 --> 00:53:04,239
Speaker 1: mask and Aloe Dan, You'll never have to ask. No

823
00:53:04,320 --> 00:53:07,279
Speaker 1: one will ever have to wonder exactly. If everyone just

824
00:53:07,440 --> 00:53:13,839
Speaker 1: gives it a listen, no one has to explain it. Christovvarado, Um,

825
00:53:13,920 --> 00:53:16,799
Speaker 1: I want to say my my fiance's home. As were

826
00:53:16,840 --> 00:53:19,880
Speaker 1: recording this, I heard her laughing and she sent me

827
00:53:19,960 --> 00:53:22,479
Speaker 1: a text during the record and she said, it's making

828
00:53:22,520 --> 00:53:25,360
Speaker 1: me laugh very hard thinking about how Caroline is acting

829
00:53:25,600 --> 00:53:33,080
Speaker 1: very unloving towards you. Yeah, listen, we all get our

830
00:53:33,160 --> 00:53:35,800
Speaker 1: giggles different ways, and it's just fun because I know

831
00:53:35,920 --> 00:53:38,480
Speaker 1: Caroline is like she she's the opposite of that in

832
00:53:38,600 --> 00:53:40,799
Speaker 1: real life, and that's just like fun for the people

833
00:53:40,800 --> 00:53:42,799
Speaker 1: who are who are listening, like they're like, oh, what's

834
00:53:42,840 --> 00:53:45,440
Speaker 1: going on? But it's like, obviously we're very good, We're

835
00:53:45,520 --> 00:53:53,399
Speaker 1: very close. She can hear me, okay, right, yeah, oh yeah,

836
00:53:53,400 --> 00:53:54,960
Speaker 1: I see what you're saying. She can't hear Caroline, but

837
00:53:55,000 --> 00:53:57,600
Speaker 1: she will when she listens. For having me everybody asking

838
00:53:57,640 --> 00:54:01,960
Speaker 1: me this, what out the Big Fix? The Comedy Fix.

839
00:54:02,120 --> 00:54:04,600
Speaker 1: The Comedy Fix. Yeah, the Comedy Fix. That's my podcast.

840
00:54:04,680 --> 00:54:06,479
Speaker 1: It's so much fun. I hope to have everybody who's

841
00:54:06,520 --> 00:54:08,200
Speaker 1: in this room. A tool has been on it. Craig

842
00:54:08,320 --> 00:54:09,920
Speaker 1: was on it, but that that episode blew up, so

843
00:54:09,960 --> 00:54:12,279
Speaker 1: we're gonna have him back. I'd love to have all

844
00:54:12,680 --> 00:54:15,640
Speaker 1: of you on. When you say the episode blew up, Deman,

845
00:54:15,719 --> 00:54:17,680
Speaker 1: it was some sort of WiFi problem on his end,

846
00:54:18,040 --> 00:54:20,719
Speaker 1: Well there wasn't. There was a tech issue first and

847
00:54:20,760 --> 00:54:22,440
Speaker 1: the only time. Um, I don't think it was his

848
00:54:22,560 --> 00:54:26,359
Speaker 1: problem though, it was Joey's. So somebody a listener did

849
00:54:26,400 --> 00:54:29,320
Speaker 1: write in recently suggesting we have Joey on to discuss

850
00:54:29,719 --> 00:54:36,200
Speaker 1: like an archy and improvisation. M hmm, I'm gonna follow

851
00:54:36,400 --> 00:54:43,640
Speaker 1: the improv rule number one and deny that idea. Yeah, Kakaski,

852
00:54:44,160 --> 00:54:47,920
Speaker 1: hey Ban here is always in every possible capacity that

853
00:54:48,080 --> 00:54:51,000
Speaker 1: you can't good to be back, and hopefully this will

854
00:54:51,040 --> 00:54:56,440
Speaker 1: blow up in the good way the bad indeed. Um,

855
00:54:57,440 --> 00:55:00,480
Speaker 1: any shows coming up or anything you want, uh, not

856
00:55:00,640 --> 00:55:03,200
Speaker 1: that I know of, but i'd love, I'd love. I

857
00:55:03,320 --> 00:55:07,640
Speaker 1: love to work. Yep. The West Side Comedy Theater is

858
00:55:07,719 --> 00:55:11,040
Speaker 1: now threatening to reopen. They've got some shows starting in

859
00:55:11,120 --> 00:55:13,799
Speaker 1: a couple of weeks, I think, so I check out

860
00:55:13,840 --> 00:55:19,319
Speaker 1: their calendar. Joey Greer, yep, thanks for thanks for being here.

861
00:55:20,239 --> 00:55:22,920
Speaker 1: Come on and you'll be doing some stand up at

862
00:55:22,920 --> 00:55:25,920
Speaker 1: the West Side Comedy Theater soon. Yeah, they don't want

863
00:55:25,960 --> 00:55:28,200
Speaker 1: me to. They've asked me not to submit or bring

864
00:55:28,280 --> 00:55:31,239
Speaker 1: it up, but what are you gonna do? Hell with that?

865
00:55:33,480 --> 00:55:36,960
Speaker 1: Let's thank your engineering proves the stars, Mr Doug ban Baby,

866
00:55:38,640 --> 00:55:42,960
Speaker 1: the fine folks that I hurt media. I mean, it's

867
00:55:43,000 --> 00:55:45,600
Speaker 1: Kevin Pollack reminding you to please be kind to each other,

868
00:55:45,920 --> 00:55:48,840
Speaker 1: and uh, you know it's just gonna help things, and

869
00:55:48,880 --> 00:55:50,600
Speaker 1: it's gonna help all of us two in fact, be

870
00:55:50,719 --> 00:55:52,799
Speaker 1: kind of each other. Thanks for listening to the show.

871
00:55:53,320 --> 00:55:54,960
Speaker 1: Tell everyone you've ever met and write a review when

872
00:55:55,000 --> 00:55:57,359
Speaker 1: you get a damn second. It really helps the show.

873
00:55:58,360 --> 00:56:00,440
Speaker 1: Once again, thank you for joining us until next time.

874
00:56:01,560 --> 00:56:02,239
Speaker 1: How could be this